1 00:00:01,001 --> 00:00:03,104 male announcer: LAST SEASON ON PSYCH... 2 00:00:03,137 --> 00:00:05,373 - MR. YANG IS THE MOST NOTORIOUS KILLER 3 00:00:05,406 --> 00:00:06,540 THIS CITY HAS NEVER SEEN. 4 00:00:06,574 --> 00:00:08,042 HE ONLY RESURFACES WHEN HE FEELS 5 00:00:08,076 --> 00:00:09,043 THERE'S A WORTHY OPPONENT. 6 00:00:09,077 --> 00:00:10,378 - THAT IS MARY LIGHTLY. 7 00:00:10,411 --> 00:00:12,280 HE'S VERY FAMILIAR WITH THE PATTERNS OF OUR KILLER. 8 00:00:12,313 --> 00:00:13,681 - QUESTION REGARDING THE WHOLE MARY THING. 9 00:00:13,714 --> 00:00:14,948 - MY FATHER'S NAME WAS MARY, 10 00:00:14,982 --> 00:00:16,584 HIS FATHER BEFORE HIM WAS NAMED MARY, 11 00:00:16,617 --> 00:00:18,119 AND HIS FATHER BEFORE HIM WAS NAMED CRAIG. 12 00:00:18,152 --> 00:00:19,820 - I FORBID YOU TO BE A PART OF THIS, SHAWN. 13 00:00:19,853 --> 00:00:21,155 THIS GUY KNOWS ABOUT YOU. 14 00:00:21,189 --> 00:00:22,790 HE KNOWS ABOUT EVERYBODY YOU CARE ABOUT. 15 00:00:22,823 --> 00:00:24,325 - HE'S GOT MY MOM. 16 00:00:24,358 --> 00:00:25,526 - THIS SWITCH HAS SUCH A LIGHT TOUCH, 17 00:00:25,559 --> 00:00:26,527 AND THEN BOOM! 18 00:00:26,560 --> 00:00:27,728 - YOU'RE GONNA ROT IN A CELL 19 00:00:27,761 --> 00:00:29,063 WITH FOUR PADDED WALLS-- THE END. 20 00:00:29,097 --> 00:00:31,031 - NO, I'M GONNA WRITE A BOOK. OUR STORY. 21 00:00:31,065 --> 00:00:32,032 - GUESS I HAVE TO FIND A NEW HOBBY. 22 00:00:32,066 --> 00:00:33,701 - TOURS, RACQUETBALL. 23 00:00:33,734 --> 00:00:34,835 - THAT COULD WORK. 24 00:00:37,371 --> 00:00:38,572 - ALL RIGHT, SHAWN, LAST CHANCE. 25 00:00:38,606 --> 00:00:40,274 YOU REALLY WANT TO DO THIS ON A FRIDAY NIGHT? 26 00:00:40,308 --> 00:00:42,343 THE LITTLE MERMAID. WITHOUT GUS? 27 00:00:42,376 --> 00:00:44,978 - YEAH, APPARENTLY GUS HAS A STRANGE AVERSION 28 00:00:45,012 --> 00:00:46,114 TO RENE AUBERJONOIS. 29 00:00:46,147 --> 00:00:47,815 IT'S A BENSON THING. 30 00:00:47,848 --> 00:00:50,017 - YOU REALLY WANT TO SEE THIS FLICK? 31 00:00:50,050 --> 00:00:51,685 - DAD, DON'T SAY "FLICK." 32 00:00:51,719 --> 00:00:53,721 AND I'M BARELY TICKLING ADOLESCENCE. 33 00:00:53,754 --> 00:00:55,589 WHY DO YOU WANT ME TO GROW UP SO FAST? 34 00:00:55,623 --> 00:00:57,491 - ALL RIGHT, LISTEN, SHAWN, I KNOW THE RUNNING TIME. 35 00:00:57,525 --> 00:01:00,128 I'M GONNA BE BACK HERE IN EXACTLY 116 MINUTES. 36 00:01:00,161 --> 00:01:01,529 - AWESOME. 37 00:01:02,730 --> 00:01:03,897 [car door slams] 38 00:01:04,398 --> 00:01:06,200 BYE, DAD! 39 00:01:15,576 --> 00:01:18,379 [shower running] 40 00:01:18,412 --> 00:01:20,414 [whispering] IS THAT YOU? 41 00:01:23,117 --> 00:01:25,519 - OH, 'SCUSE ME. 42 00:01:25,553 --> 00:01:26,620 - JUST HURRY. 43 00:01:26,654 --> 00:01:28,456 - OH, AHEM. 44 00:01:28,489 --> 00:01:30,758 JUST KISS THE KNEES IN A TOUCH, GUYS. THANKS. 45 00:01:30,791 --> 00:01:32,059 YOU'RE VERY SWEET, BOTH OF YOU. 46 00:01:32,092 --> 00:01:33,327 [drink spills] YOUR DRINK. I'M-- 47 00:01:33,361 --> 00:01:35,396 THAT'S MY BAD. I'M SORRY. 48 00:01:35,429 --> 00:01:37,965 THAT'S JUST AWK-- AWKWARD. 49 00:01:37,998 --> 00:01:39,200 - WHERE HAVE YOU BEEN? 50 00:01:39,233 --> 00:01:40,634 YOU MISSED THE FIRST THIRD OF THE MOVIE. 51 00:01:40,668 --> 00:01:42,403 - LET ME GUESS: DUDE HAS A CREEPY VOICE 52 00:01:42,436 --> 00:01:44,138 AND A MOMMY COMPLEX. 53 00:01:44,172 --> 00:01:46,507 ALL I CARE ABOUT IS THE SHOWER SCENE. 54 00:01:46,540 --> 00:01:49,310 WAIT FOR IIIT... 55 00:01:49,343 --> 00:01:50,544 [screeching music] 56 00:01:50,578 --> 00:01:52,646 all: AAH! 57 00:01:52,680 --> 00:01:54,047 - DID YOU KNOW THAT HITCHCOCK APPEARED 58 00:01:54,081 --> 00:01:55,316 IN ALL OF HIS FILMS? 59 00:01:55,349 --> 00:01:56,550 - EVERYONE KNOWS THAT. 60 00:01:56,584 --> 00:01:58,619 - BUT DID YOU KNOW THAT HE WAS ALSO OBSESSED 61 00:01:58,652 --> 00:02:00,854 WITH WOMEN'S JAPANESE HOUSEHOLD SLIPPERS? 62 00:02:00,888 --> 00:02:02,523 WORE THEM EVERYWHERE, EVEN TO BED. 63 00:02:02,556 --> 00:02:04,192 - THAT'S NOT TRUE. - NO, IT'S NOT. 64 00:02:04,225 --> 00:02:06,026 IT'S PART OF A NEW BIT I'M WORKING ON 65 00:02:06,059 --> 00:02:09,197 CALLED COMPLETELY RANDOM, UNTRUE TRIVIA. 66 00:02:09,230 --> 00:02:13,467 MARY...LIGHTLY. 67 00:02:13,501 --> 00:02:15,469 - YOU GUYS LIKE PIE? 68 00:02:15,503 --> 00:02:18,572 * OOH, BABY, IT'S TRUE 69 00:02:18,606 --> 00:02:19,707 WHEN I WAS NINE YEARS OLD, 70 00:02:19,740 --> 00:02:22,810 MY MOTHER GAVE ME MY FIRST HAIRCUT. 71 00:02:22,843 --> 00:02:23,811 - HERE'S YOUR MILK, DOLL FACE. 72 00:02:23,844 --> 00:02:26,214 - THANK YOU. 73 00:02:26,247 --> 00:02:27,215 - MARY, YOU SEEM DISTURBED. 74 00:02:27,248 --> 00:02:29,383 EVEN MORE SO THAN USUAL. 75 00:02:29,417 --> 00:02:31,552 I'M ALMOST AFRAID TO ASK, BUT WHY DON'T YOU TELL US 76 00:02:31,585 --> 00:02:33,754 WHAT'S REALLY ON YOUR MIND? 77 00:02:33,787 --> 00:02:37,258 - I'M ASSUMING YOU'VE READ THIS. 78 00:02:37,291 --> 00:02:38,091 - [laughing] ARE YOU KIDDING? 79 00:02:38,125 --> 00:02:39,493 WE'RE IN IT. 80 00:02:39,527 --> 00:02:41,429 IF I'M NOT MISTAKEN, AND I AM PARAPHRASING HERE, 81 00:02:41,462 --> 00:02:43,030 I'M INTRODUCED ON PAGE 11 82 00:02:43,063 --> 00:02:45,833 AS A THICK-TUFTED BOY GENIUS WHO ICE SKATES THROUGH LIFE 83 00:02:45,866 --> 00:02:47,735 ON POLISHED BLADES OF SNARKY ELOQUENCE. 84 00:02:47,768 --> 00:02:49,437 - THAT IS AN EXACT QUOTE, SHAWN. 85 00:02:49,470 --> 00:02:51,071 - DO YOU REMEMBER WHAT I WAS DESCRIBED AS? 86 00:02:51,104 --> 00:02:53,207 - LAUGHING ON THE OUTSIDE, CRYING ON THE INSIDE, 87 00:02:53,241 --> 00:02:55,643 THE FASTIDIOUS WRINKLE ON THE BROW OF PSYCH. 88 00:02:55,676 --> 00:02:56,810 - TRUE, BUT SHE ALSO SAID 89 00:02:56,844 --> 00:02:59,313 YOU HAD SKIN OF PURE COCOA VELVETINESS. 90 00:02:59,347 --> 00:03:01,282 - SHE ALSO SHE WOULD LIKE TO USE THAT SKIN 91 00:03:01,315 --> 00:03:02,516 TO MAKE CHILDREN'S DOLLS. 92 00:03:02,550 --> 00:03:03,984 - I'D BUY THAT DOLL. 93 00:03:04,017 --> 00:03:04,985 THE POINT IS, SHAWN, YOU KNOW YANG 94 00:03:05,018 --> 00:03:06,320 ALMOST AS WELL AS I DO. 95 00:03:06,354 --> 00:03:08,256 YOU'RE THE ONLY OTHER PERSON WHO WOULD KNOW 96 00:03:08,289 --> 00:03:10,324 THAT NONE OF THIS IS POSSIBLE. 97 00:03:11,392 --> 00:03:13,694 COME ON, SHAWN, THE PROJECTIONIST. 98 00:03:13,727 --> 00:03:16,063 WE DIDN'T GET TO THE DRIVE-IN TILL 11:26. 99 00:03:16,096 --> 00:03:18,332 HOW WOULD YANG HAVE HAD THE TIME TO DO ALL THAT 100 00:03:18,366 --> 00:03:20,768 AND STRAPPED YOUR MOTHER DOWN WITH INCENDIARY EXPLOSIVES? 101 00:03:20,801 --> 00:03:22,970 - LOOK, MARY... 102 00:03:23,003 --> 00:03:25,205 I KNOW THAT YANG WAS A BIG PART OF YOUR LIFE. 103 00:03:25,239 --> 00:03:28,008 BUT SHE IS BEHIND ELECTRONIC GATES NOW, 104 00:03:28,041 --> 00:03:31,111 AND SHE CAN'T HURT ANYONE ANYMORE. 105 00:03:31,144 --> 00:03:33,614 - YANG WASN'T WORKING ALONE. 106 00:03:38,719 --> 00:03:40,621 - YOU DIDN'T GIVE RACQUETBALL A FAIR SHAKE, DID YOU? 107 00:03:40,654 --> 00:03:43,123 - I WILL NOT WEAR SHORT PANTS, SHAWN. 108 00:03:43,156 --> 00:03:46,093 - I THINK IT'S TIME FOR YOU TO GO HOME, MARY. - YES. 109 00:03:46,126 --> 00:03:47,828 - I AM HOME. 110 00:03:47,861 --> 00:03:49,430 I LIVE HERE. 111 00:03:49,463 --> 00:03:50,564 - SAY WHAT? 112 00:03:50,598 --> 00:03:51,699 - I NEVER LEFT SANTA BARBARA. 113 00:03:51,732 --> 00:03:54,535 I'VE BEEN HERE SINCE WE CAUGHT YANG. 114 00:03:54,568 --> 00:03:57,605 [both mumbling indistinctly] 115 00:03:57,638 --> 00:03:59,139 - NO, NO, NO! 116 00:04:00,073 --> 00:04:01,509 - YOU SHOULD HAVE TOLD US. 117 00:04:01,542 --> 00:04:04,412 - WE WOULD HAVE GOTTEN YOU A HOUSE CHILLING GIFT. 118 00:04:04,445 --> 00:04:08,015 A BELATED WELCOME TO YOU, AND FOREVER GOOD-BYE. 119 00:04:08,048 --> 00:04:09,717 - DON'T DO, SHAWN. 120 00:04:09,750 --> 00:04:11,985 YOU WILL REGRET IT. 121 00:04:13,454 --> 00:04:14,988 - GOOD LUCK AT THE CREEPY ARM GRAB AWARDS 122 00:04:15,022 --> 00:04:16,023 THIS YEAR, MARY. 123 00:04:16,056 --> 00:04:17,925 I THINK YOU HAVE A REAL SHOT... 124 00:04:17,958 --> 00:04:19,593 AT WINNING. 125 00:04:19,627 --> 00:04:21,395 - [sighs] 126 00:04:34,808 --> 00:04:36,444 - [sighs] 127 00:04:46,354 --> 00:04:50,190 [cell phone ringing] 128 00:04:52,125 --> 00:04:53,327 [beep] 129 00:04:57,865 --> 00:04:59,767 - SHAWN, THANKS FOR COMING OUT HERE. 130 00:04:59,800 --> 00:05:01,835 WE THINK THAT THIS JUST HAPPENED, 131 00:05:01,869 --> 00:05:03,637 SO IF THERE'S ANYTHING TO GET PSYCHICALLY, 132 00:05:03,671 --> 00:05:06,206 I WANTED YOU TO TAKE A LOOK WHILE THINGS ARE STILL FRESH. 133 00:05:06,239 --> 00:05:07,675 - WHAT HAPPENED? 134 00:05:07,708 --> 00:05:09,109 - IT ISN'T PRETTY. 135 00:05:09,142 --> 00:05:11,579 - THE VICTIM'S A CAUCASIAN FEMALE, 136 00:05:11,612 --> 00:05:14,114 APPROXIMATE AGE, MID-40s. 137 00:05:14,147 --> 00:05:15,416 - STRANGLED, 138 00:05:15,449 --> 00:05:17,284 DROPPED HERE LIKE A SACK OF POTATOES. 139 00:05:18,852 --> 00:05:20,153 BODY'S STILL WARM. 140 00:05:21,522 --> 00:05:22,623 - I KNOW. 141 00:05:22,656 --> 00:05:24,024 - WHAT'S THE MATTER, GUSTER? 142 00:05:24,057 --> 00:05:26,259 FORGET TO TAKE YOUR CRIME SCENE PILLS? 143 00:05:26,293 --> 00:05:28,061 - GUS? 144 00:05:28,095 --> 00:05:30,030 DO YOU KNOW THIS WOMAN? 145 00:05:30,063 --> 00:05:32,032 - SHE SERVED US OUR PIE. 146 00:05:32,065 --> 00:05:33,834 - WHAT THE HELL DOES THAT MEAN-- 147 00:05:33,867 --> 00:05:35,536 SHE SERVED YOU YOUR PIE? 148 00:05:49,149 --> 00:05:51,452 - SHAWN...WHAT IS IT? 149 00:06:05,833 --> 00:06:09,670 [upbeat rock music] 150 00:06:09,703 --> 00:06:11,705 - * I KNOW YOU KNOW 151 00:06:11,739 --> 00:06:13,407 * THAT I'M NOT TELLING THE TRUTH * 152 00:06:13,441 --> 00:06:14,942 * I KNOW YOU KNOW 153 00:06:14,975 --> 00:06:16,444 * THEY JUST DON'T HAVE ANY PROOF * 154 00:06:16,477 --> 00:06:18,111 * EMBRACE THE DECEPTION 155 00:06:18,145 --> 00:06:20,147 * LEARN HOW TO BEND 156 00:06:20,180 --> 00:06:21,649 * YOUR WORST INHIBITIONS 157 00:06:21,682 --> 00:06:23,951 * TEND TO PSYCH YOU OUT IN THE END * 158 00:06:23,984 --> 00:06:26,019 * I KNOW YOU KNOW 159 00:06:33,260 --> 00:06:34,828 - ALL RIGHT, MARY, YOU WERE THE LAST CUSTOMER 160 00:06:34,862 --> 00:06:35,896 IN THIS PLACE LAST NIGHT. 161 00:06:35,929 --> 00:06:36,964 WHAT DO YOU REMEMBER SEEING? 162 00:06:36,997 --> 00:06:38,265 - NOTHING-- SHE BROUGHT GUS'S MILK, 163 00:06:38,298 --> 00:06:39,467 AND I NEVER SAW HER AGAIN. 164 00:06:39,500 --> 00:06:41,101 I COULDN'T EVEN FIND HER TO PAY THE BILL. 165 00:06:41,134 --> 00:06:42,369 - WAIT, YOU DIDN'T PAY THE CHECK? 166 00:06:42,402 --> 00:06:43,737 SO WHAT HAPPENED TO MY $20? 167 00:06:43,771 --> 00:06:45,038 - I FOLDED IT INTO A TINY SAILOR'S HAT 168 00:06:45,072 --> 00:06:47,441 FOR A SPECIAL FRIEND. 169 00:06:47,475 --> 00:06:48,476 - AHH. 170 00:06:56,416 --> 00:06:57,885 - UHH! 171 00:06:57,918 --> 00:06:59,820 HERE WE GO. 172 00:06:59,853 --> 00:07:01,254 - IT'S YANG. 173 00:07:01,288 --> 00:07:02,856 - SHE'S IN JAIL. 174 00:07:02,890 --> 00:07:05,125 - INDEED, THIS IS THE WORK OF YIN. 175 00:07:05,158 --> 00:07:07,495 BACK OFF, THIS CAN GET STICKY. 176 00:07:09,730 --> 00:07:12,032 [mumbling] OKAY... 177 00:07:13,066 --> 00:07:14,301 - WHAT IS THAT? 178 00:07:14,334 --> 00:07:17,270 - CROSSWORD PUZZLE. 179 00:07:17,304 --> 00:07:19,640 - IT'S FROM YESTERDAY'S PAPER. 180 00:07:19,673 --> 00:07:21,642 THERE'S TWO CLUES HIGHLIGHTED. 12 DOWN AND 6 ACROSS. 181 00:07:21,675 --> 00:07:24,277 "A GOOD MAN IS HARD TO BLANK. 182 00:07:24,311 --> 00:07:26,113 BLANK, MYSELF, AND I." 183 00:07:26,146 --> 00:07:27,147 - I GOT IT! 184 00:07:27,180 --> 00:07:30,083 A GOOD MAN IS HARD TO FIND. 185 00:07:30,117 --> 00:07:32,219 ME, MYSELF, AND I. 186 00:07:32,252 --> 00:07:35,689 THE ANSWER IS "FIND ME." 187 00:07:35,723 --> 00:07:37,224 - I THINK THAT BAILIFF FROM NIGHT COURT 188 00:07:37,257 --> 00:07:38,258 IS SPOT-ON. 189 00:07:38,291 --> 00:07:40,160 - PERFECT, WE CAN START BY-- 190 00:07:40,193 --> 00:07:41,829 - NO, JULES, WE DON'T START, PERIOD. 191 00:07:41,862 --> 00:07:43,664 YOU GUYS WANT ANOTHER CRIME SCENE? 192 00:07:43,697 --> 00:07:44,698 YOU WANT ANOTHER DEAD BODY? 193 00:07:44,732 --> 00:07:46,233 GO AHEAD, ENGAGE. 194 00:07:46,266 --> 00:07:48,235 BUT WE CAN'T PLAY THIS GAME AGAIN. 195 00:07:48,268 --> 00:07:49,903 - OH, SPENCER, I WISH I HAD THE LUXURY 196 00:07:49,937 --> 00:07:51,839 NOT TO FOLLOW A LEAD IN A MURDER INVESTIGATION. 197 00:07:51,872 --> 00:07:53,574 - FINE, YOU DO WHAT YOU HAVE TO DO. 198 00:07:53,607 --> 00:07:54,875 GUS AND I ARE GOING STRAIGHT TO THE SOURCE. 199 00:07:54,908 --> 00:07:55,876 - WHAT? 200 00:07:55,909 --> 00:07:58,612 - MARY... YOU COMING OR WHAT? 201 00:08:00,447 --> 00:08:03,617 SOLITARY CONFINEMENT IN A MENTAL INSTITUTION? 202 00:08:03,651 --> 00:08:04,985 FEELS REDUNDANT. GUS? 203 00:08:05,018 --> 00:08:06,253 - I SMELL CRAZY. 204 00:08:06,286 --> 00:08:07,855 - I CRAVE SWEET, SWEET MUSHROOMS. 205 00:08:07,888 --> 00:08:08,889 - AND WHY ARE WE WEARING THESE? 206 00:08:08,922 --> 00:08:10,257 - IT'S A PREVENTATIVE MEASURE. 207 00:08:10,290 --> 00:08:12,560 SHE GETS OVERLY STIMULATED BY COLOR. 208 00:08:12,593 --> 00:08:14,862 - WHAT ABOUT MY FACE? 209 00:08:20,400 --> 00:08:22,035 - SHAWN. 210 00:08:24,304 --> 00:08:26,373 - I KNEW YOU'D COME. 211 00:08:29,710 --> 00:08:31,044 - SHE'S CUTE, RIGHT? 212 00:08:31,078 --> 00:08:32,412 I GOT THE GOOGLEY EYES FOR HER, 213 00:08:32,445 --> 00:08:33,614 BUT SHE'S PLAYING HARD TO GET. 214 00:08:33,647 --> 00:08:36,584 [giggles] 215 00:08:36,617 --> 00:08:38,418 [whispering] OKAY, I CAN'T STAND IT ANY MORE. 216 00:08:38,451 --> 00:08:40,120 WHAT DID YOU THINK OF THE BOOK? 217 00:08:40,153 --> 00:08:42,122 - HONESTLY? 218 00:08:42,155 --> 00:08:43,390 I THOUGHT BRUCE CAMPBELL'S WAS BETTER. 219 00:08:43,423 --> 00:08:46,159 WE'RE HERE TO ASK YOU ONE, SIMPLE QUESTION. 220 00:08:46,193 --> 00:08:47,728 - THE ANSWER IS YES, SHAWN, 221 00:08:47,761 --> 00:08:49,129 THEY DO ALLOW CONJUGAL VISITS. 222 00:08:49,162 --> 00:08:51,398 BUT I THINK WE'D HAVE TO GET MARRIED FIRST. 223 00:08:51,431 --> 00:08:53,100 - I AM A FULLY-ORDAINED MINISTER. 224 00:08:53,133 --> 00:08:55,002 - THAT'S THE MOST DISGUSTING THING I'VE EVER HEARD. 225 00:08:55,035 --> 00:08:57,237 - MARY HERE SEEMS TO THINK THAT YOU ARE NOT 226 00:08:57,270 --> 00:09:00,373 THE SOLE MASTERMIND BEHIND THIS NASTY VENTURE. 227 00:09:00,407 --> 00:09:02,109 - I DON'T THINK, SHAWN, I KNOW. 228 00:09:02,142 --> 00:09:05,478 - DO YOU, MARY, QUITE CONTRARY? 229 00:09:08,081 --> 00:09:10,884 DO YOU NOW? 230 00:09:14,755 --> 00:09:16,690 OKAY, SHAWN. 231 00:09:17,524 --> 00:09:19,660 I THINK WE CAN HELP EACH OTHER OUT. 232 00:09:19,693 --> 00:09:21,294 - THIS ISN'T SILENCE OF THE LAMBS, OKAY? 233 00:09:21,328 --> 00:09:22,863 - IT'S TOTALLY SILENCE OF THE LAMBS. 234 00:09:22,896 --> 00:09:23,864 - THAT MAKES YOU FRANKIE FAISON. 235 00:09:23,897 --> 00:09:25,232 - I KNOW. - FINE. 236 00:09:25,265 --> 00:09:27,434 WE'RE GONNA CATCH THIS SICKO WITH OR WITHOUT YOU. 237 00:09:27,467 --> 00:09:28,836 I JUST THOUGHT I'D GIVE YOU ONE SHOT AT REDEMPTION. 238 00:09:28,869 --> 00:09:30,904 - MAKE NO MISTAKE: YOU'RE GOING TO HELL EITHER WAY. 239 00:09:30,938 --> 00:09:34,074 - SPEAK NOW, OR WE'RE OUT OF HERE. 240 00:09:36,243 --> 00:09:38,078 SEE YOU. 241 00:09:38,111 --> 00:09:39,780 [kicks wall] - OKAY, SHAWN! 242 00:09:43,516 --> 00:09:46,453 I NEVER SAID I DIDN'T HAVE A DANCE PARTNER. 243 00:09:49,189 --> 00:09:52,425 - SO THERE REALLY IS A YIN TO HER YANG. 244 00:09:52,459 --> 00:09:54,662 - IF YOU THINK I'M SICK, 245 00:09:54,695 --> 00:09:58,265 YOU AIN'T SEEN NOTHIN' YET. 246 00:09:58,298 --> 00:09:59,466 - WHAT ARE WE DOING HERE? 247 00:09:59,499 --> 00:10:00,734 - RETRACING OUR STEPS. 248 00:10:00,768 --> 00:10:03,203 WE WERE HERE LAST NIGHT FOR THE HITCHCOCK FESTIVAL. 249 00:10:03,236 --> 00:10:04,838 IT WAS A TRIPLE FEATURE. 250 00:10:04,872 --> 00:10:06,907 - GUSTER, I DON'T CARE HOW MANY MOVIES YOU SAW. 251 00:10:06,940 --> 00:10:08,942 SPENCER, WHAT THE HELL ARE WE DOING? 252 00:10:08,976 --> 00:10:10,110 - SHH! 253 00:10:15,415 --> 00:10:18,451 - THERE'S TWO CLUES HIGHLIGHTED. 12 DOWN, 6 ACROSS. 254 00:10:18,485 --> 00:10:21,554 - 12 DOWN. 255 00:10:21,588 --> 00:10:23,824 6 ACROSS. 256 00:10:23,857 --> 00:10:26,827 HE WAS HERE! 257 00:10:26,860 --> 00:10:29,296 12 DOWN, 6 ACROSS. 258 00:10:29,329 --> 00:10:31,064 HE WAS SITTING RIGHT THERE. 259 00:10:31,098 --> 00:10:33,166 - I THINK WE WERE IN THE SAME ROW. 260 00:10:33,200 --> 00:10:34,167 - WELL, THEN YOU MUST HAVE SEEN HIM. 261 00:10:34,201 --> 00:10:36,336 WHAT DID HE LOOK LIKE? - I... 262 00:10:36,369 --> 00:10:38,638 - JUST HURRY. 263 00:10:38,672 --> 00:10:41,008 - OH, YOUR DRINK. I'M...THAT'S MY BAD. 264 00:10:41,041 --> 00:10:42,075 I DON'T--I DON'T KNOW. 265 00:10:42,109 --> 00:10:43,677 - THERE'S SOMETHING HERE. 266 00:10:43,711 --> 00:10:47,647 "OH, SHAWN, DON'T CRY OVER SPILLED SODA. 267 00:10:47,681 --> 00:10:49,783 "BUT, TSK TSK, YOU WERE 20 MINUTES LATE, 268 00:10:49,817 --> 00:10:51,251 SO NOW YOU'LL HAVE TO PLAY CATCH-UP." 269 00:10:51,284 --> 00:10:52,552 - YOU TWO NEED TO GO BACK AND SEE YANG. 270 00:10:52,585 --> 00:10:55,222 - NO, SHE IS NOT... THE PUPPET MASTER ANYMORE. 271 00:10:55,255 --> 00:10:56,489 OKAY? YIN IS WORKING ALONE. 272 00:10:56,523 --> 00:10:58,358 - WELL, THEN, MARY, WHAT CAN YOU TELL US ABOUT YIN? 273 00:10:58,391 --> 00:10:59,860 WHAT'S HIS GAME? - THERE IS NO GAME. 274 00:10:59,893 --> 00:11:02,062 IT'S THE LAW OF OPPOSITES, OKAY? 275 00:11:02,095 --> 00:11:04,397 YANG HAD RULES-- THE TICKING CLOCK, 276 00:11:04,431 --> 00:11:06,533 THE KEEN RHYMING SCHEMES, NOTHING BUT ORDER. 277 00:11:06,566 --> 00:11:08,736 YIN, NOTHING BUT CHAOS. 278 00:11:08,769 --> 00:11:10,337 AND YOU CAN BET YOUR SANDY BOTTOM 279 00:11:10,370 --> 00:11:13,206 THAT AS SOON AS YOU FIGURE OUT THE RULES, 280 00:11:13,240 --> 00:11:14,708 THEY'LL CHANGE. 281 00:11:14,742 --> 00:11:15,909 - LET'S GO TO THE MOVIES! 282 00:11:15,943 --> 00:11:17,210 - SERIOUSLY, NOT AGAIN, GUSTER. 283 00:11:17,244 --> 00:11:18,846 I'M NOT GONNA WATCH YOU ACT LIKE A COURT JESTER 284 00:11:18,879 --> 00:11:20,313 FOR A SECOND ROUND OF THIS NIGHTMARE. 285 00:11:20,347 --> 00:11:21,614 - THE NECKTIE AROUND THE WAITRESS-- 286 00:11:21,648 --> 00:11:23,050 THAT'S STRAIGHT OUT OF FRENZY. 287 00:11:23,083 --> 00:11:24,885 I MEAN, WE'RE CLEARLY DEALING IN THEMES AND MOTIFS. 288 00:11:24,918 --> 00:11:26,286 HIM KNOWING WE WERE HERE LAST NIGHT, 289 00:11:26,319 --> 00:11:28,521 OUR CLUES ARE GONNA BE FOUND IN HITCHCOCK FILMS. 290 00:11:28,555 --> 00:11:30,958 - THAT'S VERY GOOD, GUSTUS. 291 00:11:30,991 --> 00:11:33,693 - OKAY, WE'VE GOT A LOT OF CINEMA TO COVER. 292 00:11:33,727 --> 00:11:35,562 GUS AND I'LL TAKE THE CANNONBALL RUN SERIES. 293 00:11:35,595 --> 00:11:37,264 MARY, YOU TAKE HOOPER THROUGH STROKER ACE. 294 00:11:37,297 --> 00:11:38,565 - THOSE ARE BURT REYNOLDS MOVIES. 295 00:11:39,867 --> 00:11:43,837 - WELL, WE REALLY HAVE OUR WORK CUT OUT FOR US THEN. 296 00:11:43,871 --> 00:11:46,840 [dramatic music] 297 00:11:46,874 --> 00:11:52,880 * 298 00:12:05,759 --> 00:12:07,394 - THINK, SHAWN, THINK. 299 00:12:07,427 --> 00:12:09,229 TRY AND FIND SOMETHING. 300 00:12:09,262 --> 00:12:10,831 YOU DIDN'T SEE HIS FACE, 301 00:12:10,864 --> 00:12:14,134 BUT YOU CAN PICK UP ON SOMETHING. 302 00:12:16,203 --> 00:12:18,471 - YOU CAN DO IT, SHAWN. 303 00:12:18,505 --> 00:12:21,374 THE FEET, THE SHOES. 304 00:12:21,408 --> 00:12:22,442 SOMETHING. 305 00:12:25,345 --> 00:12:27,948 - SPENCER! I'M COLD! 306 00:12:27,981 --> 00:12:30,050 AND HURRY UP. WE DON'T HAVE ALL NIGHT. 307 00:12:33,020 --> 00:12:35,755 - YOU CAN DO IT, SHAWN. - COME ON. FOCUS. 308 00:12:35,789 --> 00:12:38,859 THINK. SEE SOMETHING. 309 00:12:38,892 --> 00:12:42,029 SHOW ME YOUR FACE! LOOK AT ME! 310 00:12:42,062 --> 00:12:43,897 - COME ON, SHAWN, THE PROJECTIONIST. 311 00:12:43,931 --> 00:12:45,899 WE DIDN'T GET TO THE DRIVE-IN TILL 11:26. 312 00:12:45,933 --> 00:12:48,535 HOW WOULD YANG HAVE HAD THE TIME TO DO ALL THAT? 313 00:12:54,541 --> 00:12:56,810 COME ON, SHAWN. IT'S ME. 314 00:12:56,844 --> 00:12:58,578 IT'S ALWAYS BEEN ME. 315 00:13:00,547 --> 00:13:03,616 - I DON'T THINK WE'RE SPEAKING TO THE MOUSE. 316 00:13:03,650 --> 00:13:05,418 THE MOUSE IS SPEAKING TO YOU. 317 00:13:05,452 --> 00:13:08,989 I DON'T THINK, SHAWN. I KNOW. 318 00:13:09,022 --> 00:13:10,557 - SHAWN. 319 00:13:10,590 --> 00:13:12,192 SHAWN! 320 00:13:12,225 --> 00:13:14,094 LOOK WHAT HAPPENED TO OUR WINDOW. 321 00:13:17,364 --> 00:13:20,333 [Psycho music] 322 00:13:20,367 --> 00:13:23,103 * 323 00:13:23,136 --> 00:13:25,172 - GUS... 324 00:13:25,205 --> 00:13:27,107 I KNOW WHO YIN IS. 325 00:13:31,144 --> 00:13:32,112 - MR. SPENCER, THIS IS OUTLANDISH. 326 00:13:32,145 --> 00:13:33,313 - JUST HEAR HIM OUT. 327 00:13:33,346 --> 00:13:35,015 - MARY LIGHTLY ALL BUT CONFESSED 328 00:13:35,048 --> 00:13:37,384 TO GUS AND I WHEN HE SAID THAT HE HAD SPENT 329 00:13:37,417 --> 00:13:39,786 THE LAST 13 YEARS OF HIS LIFE WITH YANG 330 00:13:39,819 --> 00:13:42,856 AND HAD NO IDEA WHAT HE WAS GOING TO DO WITHOUT HER. 331 00:13:42,890 --> 00:13:44,557 - MR. SPENCER, I HAVE TO ASK: 332 00:13:44,591 --> 00:13:47,895 WHY ARE YOU JUST NOW RECEIVING THESE PSYCHIC SIGNALS? 333 00:13:47,928 --> 00:13:48,996 WHY DIDN'T YOU TAG MARY AS A SUSPECT 334 00:13:49,029 --> 00:13:50,063 THE LAST TIME AROUND? 335 00:13:50,097 --> 00:13:51,231 - HE DID. 336 00:13:51,264 --> 00:13:52,399 IT WAS THE FIRST THING HE SAID WHEN HE SAW HIM. 337 00:13:52,432 --> 00:13:54,134 - OH, HE WAS JUST BEING FLIPPANT AND JACKASSY. 338 00:13:54,167 --> 00:13:55,969 - LOOK, I THINK OUR TRACK RECORD SPEAKS FOR ITSELF. 339 00:13:56,003 --> 00:13:57,170 WE CAN EITHER DO THIS TOGETHER, 340 00:13:57,204 --> 00:13:58,271 OR WE CAN FOLLOW YOU AROUND 341 00:13:58,305 --> 00:13:59,739 AND CONDUCT OUR OWN INVESTIGATION. 342 00:14:02,242 --> 00:14:04,011 - ALL RIGHT, MR. SPENCER. 343 00:14:04,044 --> 00:14:05,913 BUT YOU'RE ON A VERY SHORT LEASH. 344 00:14:05,946 --> 00:14:08,448 HOW DO YOU SUGGEST THAT WE PROCEED? 345 00:14:08,481 --> 00:14:09,782 - KEEPING IN MIND, OF COURSE, 346 00:14:09,816 --> 00:14:11,384 WE HAVEN'T A SHRED OF PHYSICAL EVIDENCE. 347 00:14:11,418 --> 00:14:12,619 - WE DO NOTHING. 348 00:14:12,652 --> 00:14:14,721 - NOTHING? HOW SEINFELDIAN. 349 00:14:14,754 --> 00:14:16,489 - CHIEF, WE LET HIM HANG HIMSELF. 350 00:14:16,523 --> 00:14:18,725 WE KEEP HIM CLOSE, WE PLAY ALONG. 351 00:14:18,758 --> 00:14:20,227 WE CATCH HIM RED-HANDED. 352 00:14:21,861 --> 00:14:22,996 [all shout] 353 00:14:25,798 --> 00:14:27,434 - AHEM. 354 00:14:27,467 --> 00:14:30,938 - HELLO...MARY. 355 00:14:30,971 --> 00:14:32,272 - WELL, I GOT YIN'S NEXT CLUE. 356 00:14:32,305 --> 00:14:33,406 I FOUND IT ON MY DOORSTEP, 357 00:14:33,440 --> 00:14:35,208 ALONG WITH A CAN OF MATIZ GALLEGO SARDINES 358 00:14:35,242 --> 00:14:36,376 IN OLIVE OIL. 359 00:14:36,409 --> 00:14:37,544 IT TOOK EVER OUNCE OF WILLPOWER I HAD 360 00:14:37,577 --> 00:14:38,545 NOT TO OPEN THEM UP. 361 00:14:38,578 --> 00:14:40,380 - SWEET. SOCK IT TO US. 362 00:14:40,413 --> 00:14:43,583 - "TAKE 39 STEPS BY 12:05. 363 00:14:43,616 --> 00:14:45,752 "WAIT FOR IIIIT. 364 00:14:45,785 --> 00:14:47,287 "COORDINATES NORTH BY NORTHWEST. 365 00:14:47,320 --> 00:14:48,788 MAKE A WISH." 366 00:14:48,821 --> 00:14:50,290 - WAIT FOR WHAT? MORE HITCHCOCK. 367 00:14:50,323 --> 00:14:51,358 - NO, IT'S JUST A MOTIF. 368 00:14:51,391 --> 00:14:52,525 TRY TO THINK THROUGH IT, CHIEF. 369 00:14:52,559 --> 00:14:54,127 OKAY? HE'S SHOWING OFF. 370 00:14:54,161 --> 00:14:56,964 - WE'RE ALL EARS, LIGHTLY. 371 00:14:56,997 --> 00:14:59,366 - YOU REALLY ARE ALL EARS, CARLTON. 372 00:14:59,399 --> 00:15:01,134 SPECTACULAR. 373 00:15:01,901 --> 00:15:03,303 WELL, I'VE DELIVERED THIS CLUE, 374 00:15:03,336 --> 00:15:05,505 AND I SUGGEST THAT WE ALL THINK ABOUT IT ANALYTICALLY. 375 00:15:05,538 --> 00:15:07,207 - OKAY, NORTHWEST, NORTHWEST. 376 00:15:07,240 --> 00:15:09,076 NORTHWEST MALL, NORTHWEST AIR. 377 00:15:09,109 --> 00:15:10,377 NORTHWEST... PARK AND PICNIC. 378 00:15:10,410 --> 00:15:11,811 - THAT'S IT. - WHAT? 379 00:15:11,844 --> 00:15:14,047 - I PLAY DOMINOES WITH SOME JAMAICANS THERE ON SUNDAYS. 380 00:15:14,081 --> 00:15:15,682 THERE'S A SET OF STAIRS THAT LEADS UP TO A PENNY FOUNTAIN. 381 00:15:15,715 --> 00:15:16,749 "MAKE A WISH." 382 00:15:16,783 --> 00:15:18,118 - OKAY, WE HAVE LESS THAN A HALF HOUR. 383 00:15:18,151 --> 00:15:19,619 MR. LIGHTLY, YOU RIDE WITH MY DETECTIVES. 384 00:15:19,652 --> 00:15:23,490 LET'S GO! - WE'LL BE RIGHT BEHIND YOU! 385 00:15:23,523 --> 00:15:25,592 - COME ON, WE'RE TAKING A DETOUR. 386 00:15:28,261 --> 00:15:30,230 - WE'RE CLOSE. HIS HOUSE SHOULD BE RIGHT HERE. 387 00:15:33,033 --> 00:15:34,101 THAT'S IT. 388 00:15:34,134 --> 00:15:35,468 THAT'S THE ADDRESS. 389 00:15:35,502 --> 00:15:37,037 - DAMN, MARY. 390 00:15:37,070 --> 00:15:39,973 I THINK MARY WOULD WANT YOU TO HAVE A CAN OR TWO. 391 00:15:40,007 --> 00:15:41,408 - SHUT UP, SHAWN. [fly buzzing] 392 00:15:45,778 --> 00:15:48,315 - DUDE, IT'S BEN! 393 00:15:48,348 --> 00:15:49,582 DUDE, HE WASN'T KIDDING. 394 00:15:49,616 --> 00:15:52,452 - THAT HAT BELONGS IN MY WALLET, SHAWN. 395 00:15:52,485 --> 00:15:57,357 - WHAT'S WITH ALL THE NUMBERS? 396 00:15:57,390 --> 00:15:58,725 - IT'S PI. 397 00:15:58,758 --> 00:16:00,093 - GUS, DON'T BE TOPHER GRACE 398 00:16:00,127 --> 00:16:01,794 RUNNING ON THE BEACH AT THE END OF GOOD COMPANY. 399 00:16:01,828 --> 00:16:03,530 - THE VALUE OF PI, SHAWN, AS IN MATHEMATICS. 400 00:16:03,563 --> 00:16:06,133 - OH, RIGHT, WITH THE--YEAH. 401 00:16:06,166 --> 00:16:08,435 DO WE LIKE PI, HE ASKS. 402 00:16:08,468 --> 00:16:10,003 THIS DUDE HAS PROBLEMS. 403 00:16:22,382 --> 00:16:23,916 - UHH! 404 00:16:23,950 --> 00:16:26,619 - QUICK. 405 00:16:26,653 --> 00:16:28,955 - ARREST THAT FAT KID. [kid laughing] 406 00:16:28,988 --> 00:16:31,124 - THERE'S NO TIME. 407 00:16:31,158 --> 00:16:32,559 - NO, THERE'S LESS THAN A MINUTE. 408 00:16:32,592 --> 00:16:33,726 DAMN IT, MARY, COME ON! 409 00:16:33,760 --> 00:16:34,927 WHAT ARE YOU WEARING, ANKLE WEIGHTS? 410 00:16:34,961 --> 00:16:36,063 - OF COURSE I AM! 411 00:16:36,096 --> 00:16:37,897 I'VE GOT A THIGH SPASM! 412 00:16:37,930 --> 00:16:39,966 IT BURNS SO DEEP, YOU GUYS! 413 00:16:39,999 --> 00:16:42,135 OHH! 414 00:16:42,169 --> 00:16:43,836 GO ON WITHOUT ME! 415 00:16:43,870 --> 00:16:45,972 [whimpering] - DAMN IT. 416 00:16:46,005 --> 00:16:47,740 - WHAT DO YOU THINK? 417 00:16:47,774 --> 00:16:48,975 - JUST COME ON, MARY! 418 00:16:49,008 --> 00:16:51,278 - DUDE, A TICKET STUB. 419 00:16:51,311 --> 00:16:53,446 HE WAS DEFINITELY AT THE MOVIE THEATER. 420 00:16:53,480 --> 00:16:54,947 - HE SURE WAS. 421 00:16:57,950 --> 00:16:59,419 UM... 422 00:16:59,452 --> 00:17:00,420 GUS. 423 00:17:00,453 --> 00:17:03,823 - OH, HELL, NO. 424 00:17:12,699 --> 00:17:15,635 - 36, 37, 38, 39. 425 00:17:16,803 --> 00:17:18,238 - IT'S 12:05 ON THE DOT. 426 00:17:18,271 --> 00:17:19,972 WHAT THE HELL ARE WE SUPPOSED TO BE LOOKING FOR? 427 00:17:21,941 --> 00:17:23,310 - I DON'T... 428 00:17:23,343 --> 00:17:24,911 WAIT. 429 00:17:24,944 --> 00:17:26,646 I THINK I HAVE SOMETHING. 430 00:17:26,679 --> 00:17:27,647 THAT'S THE NORTH LINE. 431 00:17:27,680 --> 00:17:28,681 "NORTH BY NORTHWEST." 432 00:17:28,715 --> 00:17:30,883 THAT'S HIM! 433 00:17:33,153 --> 00:17:34,754 - WHERE THE HELL IS MARY? 434 00:17:34,787 --> 00:17:36,323 SON OF A BITCH! 435 00:17:36,356 --> 00:17:37,357 MCNAB! 436 00:17:37,390 --> 00:17:40,760 - WHAT IS IT? 437 00:17:40,793 --> 00:17:42,695 "IT'S TIME WE MET IN THE FLESH, DON'T YOU THINK?" 438 00:17:42,729 --> 00:17:43,863 - IT'S HIS NEXT MOVE. 439 00:17:43,896 --> 00:17:45,665 HE'S JUST WORKING OUT THE WORDING. 440 00:17:45,698 --> 00:17:48,268 - "736 LA PORTE AVENUE, INDUSTRIAL LANE. 441 00:17:48,301 --> 00:17:49,669 "CURTAIN'S AT 9 P.M. 442 00:17:49,702 --> 00:17:51,604 COME ALONE." 443 00:17:51,638 --> 00:17:53,873 WHO IS IT FOR? 444 00:17:53,906 --> 00:17:56,376 - HIS NEXT VICTIM. 445 00:17:56,409 --> 00:17:57,844 - MCNAB, DO NOT TELL ME THAT! 446 00:17:57,877 --> 00:18:01,013 SOMEONE ON THAT BUS MUST HAVE SEEN SOMETHING. 447 00:18:01,047 --> 00:18:03,416 - HEY! WHAT HAPPENED? WHERE WERE YOU? 448 00:18:03,450 --> 00:18:04,684 - [talking indistinctly] 449 00:18:04,717 --> 00:18:06,319 - CUT THE CRAP, MARY! START TALKING! 450 00:18:06,353 --> 00:18:07,420 - DIDN'T YOU SEE AT THE BUS STOP? 451 00:18:07,454 --> 00:18:08,788 IT WAS HIM! 452 00:18:08,821 --> 00:18:11,090 I TRIED TO STOP HIM, I TRIED, BUT IT WAS TOO LATE. 453 00:18:11,124 --> 00:18:13,693 HE WAS WEARING A... VERY STYLISH FEDORA. 454 00:18:13,726 --> 00:18:15,094 - YEAH, WE KNOW. WE GOT OFF ON THE NEXT STOP. 455 00:18:15,128 --> 00:18:16,463 WE MUST HAVE MISSED HIM BY A MATTER OF SECONDS. 456 00:18:16,496 --> 00:18:17,697 - OF COURSE YOU DID. 457 00:18:17,730 --> 00:18:19,832 HE KNEW EXACTLY HOW MUCH TIME IT WOULD TAKE. 458 00:18:19,866 --> 00:18:22,802 HE PROBABLY REHEARSED IT 100 TIMES. 459 00:18:22,835 --> 00:18:24,504 HE TOTALLY MANHANDLED ME. 460 00:18:24,537 --> 00:18:25,505 [cell phone ringing] 461 00:18:25,538 --> 00:18:27,507 I DROPPED MY SHOE. [beep] 462 00:18:27,540 --> 00:18:30,243 - SPENCER WHERE THE HELL ARE YOU? 463 00:18:30,277 --> 00:18:32,078 YEAH, WELL, THANKS FOR NOTHING. 464 00:18:32,111 --> 00:18:33,746 - IS SHAWN OKAY? 465 00:18:33,780 --> 00:18:35,114 - HE'S FINE. HIS TIRE BLEW. 466 00:18:35,148 --> 00:18:36,316 - GET IN THE CAR. 467 00:18:44,257 --> 00:18:47,026 - SHAWN, ARE YOU SURE THIS IS WHERE WE'RE SUPPOSED TO BE? 468 00:18:47,059 --> 00:18:48,495 - AHEM, ABSOLUTELY. 469 00:18:48,528 --> 00:18:49,929 THIS IS ONE OF THE STRONGEST VISIONS I'VE HAD IN YEARS. 470 00:18:49,962 --> 00:18:52,632 - "736 LA PORTE AVENUE, INDUSTRIAL LANE." 471 00:18:52,665 --> 00:18:54,967 - I SAW THIS PLACE, I SAW MARY'S FACE, 472 00:18:55,001 --> 00:18:56,536 I SAW HIS WATCH. 473 00:18:56,569 --> 00:18:58,171 [motorcycle revving] 474 00:19:00,307 --> 00:19:03,042 LOOK AT THAT. 475 00:19:09,682 --> 00:19:11,518 IT'S SHOW TIME. 476 00:19:11,551 --> 00:19:13,486 - LET'S BAG THIS DEGENERATE. [guns cock] 477 00:19:13,520 --> 00:19:14,921 YOU TWO STAY PUT. 478 00:19:18,558 --> 00:19:20,126 - OF COURSE IT'S LOCKED. 479 00:19:20,159 --> 00:19:21,294 I'M GONNA TAKE THE EAST EXIT. 480 00:19:21,328 --> 00:19:22,462 - COPY THAT-- I'LL HEAD AROUND BACK. 481 00:19:22,495 --> 00:19:23,596 TAKE IT FROM BEHIND. 482 00:19:23,630 --> 00:19:25,398 - LET'S TRY AND KEEP THIS P.G. RATED. 483 00:19:25,432 --> 00:19:27,300 - DAMN IT, SPENCER, I TOLD YOU TO STAY IN THE CAR. 484 00:19:27,334 --> 00:19:29,336 - I THINK HE'S PROBABLY KEEPING AN EYE ON THAT DOOR. 485 00:19:29,369 --> 00:19:31,070 - WE KNOW--WE'RE GONNA WALK THE PERIMETER. 486 00:19:31,103 --> 00:19:32,305 GO BACK TO THE CAR. 487 00:19:32,339 --> 00:19:33,573 THIS DOOR OPENS, OR YOU SEE ANYTHING 488 00:19:33,606 --> 00:19:35,508 THAT DOESN'T LOOK RIGHT, HONK THE HORN. 489 00:19:35,542 --> 00:19:36,576 GO, NOW! 490 00:19:36,609 --> 00:19:38,211 - OKAY. 491 00:19:47,354 --> 00:19:48,988 - SHAWN, WHAT ARE YOU DOING? 492 00:20:00,500 --> 00:20:01,468 - UH-UH, SHAWN. 493 00:20:01,501 --> 00:20:03,270 WE'RE OUT OF HERE. 494 00:20:03,303 --> 00:20:04,971 [pounding on door] 495 00:20:05,004 --> 00:20:07,407 WE'RE LOCKED IN. 496 00:20:07,440 --> 00:20:08,775 - WHAT ARE WE LOOKING AT? 497 00:20:08,808 --> 00:20:10,277 - I DON'T CARE, SHAWN. 498 00:20:10,310 --> 00:20:13,413 - COME OUT, COME OUT, WHEREVER YOU ARE. 499 00:20:15,282 --> 00:20:17,617 - WHAT ARE YOU UP TO, MARY? 500 00:20:24,991 --> 00:20:28,060 OH, DUDE, I'M GETTING SERIOUS DEJA VU RIGHT NOW. 501 00:20:28,094 --> 00:20:29,929 WAIT A MINUTE. 502 00:20:32,031 --> 00:20:33,333 - OH, MY GOSH. 503 00:20:33,366 --> 00:20:34,567 HE'S GONNA SHOOT SOMEBODY, SHAWN. 504 00:20:34,601 --> 00:20:35,568 HE HAS A GUN. 505 00:20:35,602 --> 00:20:38,471 - OH...NO. 506 00:20:39,372 --> 00:20:40,840 GUS... 507 00:20:40,873 --> 00:20:42,475 THIS IS PSYCHO! WE WERE WRONG! 508 00:20:42,509 --> 00:20:45,778 MARY IS THE VICTIM. MARY! 509 00:20:45,812 --> 00:20:47,113 GET OUT OF HERE! 510 00:20:50,983 --> 00:20:52,719 - OHH! GAH! 511 00:20:52,752 --> 00:20:54,587 - THERE'S GOTTA BE A WAY OUT OF THIS ROOM! 512 00:20:56,489 --> 00:20:58,458 GUS. 513 00:20:58,491 --> 00:21:00,126 [Psycho music] 514 00:21:00,159 --> 00:21:01,461 [gasps] 515 00:21:06,132 --> 00:21:07,867 MARY! 516 00:21:07,900 --> 00:21:09,336 - WHAT... 517 00:21:09,369 --> 00:21:11,237 - OH! 518 00:21:14,106 --> 00:21:15,842 I'M SORRY, GUS. 519 00:21:15,875 --> 00:21:17,444 - THE CLUE WAS MEANT FOR HIM. 520 00:21:17,477 --> 00:21:19,379 - I DON'T UNDERSTAND. WHAT ABOUT THE NOTEBOOK? 521 00:21:19,412 --> 00:21:21,548 - ALL RECREATIONS. NOT FIRST DRAFTS! 522 00:21:21,581 --> 00:21:23,950 - I SHOULD-- 523 00:21:23,983 --> 00:21:26,118 I SHOULD HAVE TOLD YOU GUYS, BUT... 524 00:21:26,152 --> 00:21:28,521 I WANTED TO BE HEROIC. 525 00:21:29,356 --> 00:21:30,323 - AH, MARY. 526 00:21:30,357 --> 00:21:32,559 WITH A FLARE GUN? 527 00:21:32,592 --> 00:21:35,395 - I WAS REALLY COUNTING ON THE ELEMENT OF SURPRISE. 528 00:21:35,428 --> 00:21:37,063 - THERE... 529 00:21:37,096 --> 00:21:38,631 - SPENCER, WHAT THE HELL HAPPENED? 530 00:21:38,665 --> 00:21:39,766 - THERE! HE WAS RIGHT THERE! 531 00:21:45,805 --> 00:21:47,540 - COULD YOU TAKE CARE OF BEN? 532 00:21:47,574 --> 00:21:50,109 - HEY...YOU HANG ON. THERE'S HELP ON THE WAY. 533 00:21:52,879 --> 00:21:55,382 - DO YOU THINK THEY HAVE RACQUETBALL IN HEAVEN? 534 00:21:58,451 --> 00:22:00,219 - I KNOW THEY DO. 535 00:22:00,252 --> 00:22:02,822 - [chuckles weakly] 536 00:22:23,342 --> 00:22:25,978 - YOU'RE INTERRUPTING MY EXERCISE TIME, SHAWN. 537 00:22:26,012 --> 00:22:28,080 I ONLY GET 45 MINUTES A WEEK. 538 00:22:28,114 --> 00:22:29,281 ASIDE FROM SHOCK TREATMENTS, 539 00:22:29,315 --> 00:22:31,183 THIS IS ALL I HAVE TO LOOK FORWARD TO. 540 00:22:31,217 --> 00:22:32,619 - THAT AND HELL. 541 00:22:34,687 --> 00:22:36,389 - ROLL IT BACK, REGINALD! 542 00:22:36,423 --> 00:22:37,790 - WHO THE HELL IS SHE TALKING TO? 543 00:22:37,824 --> 00:22:39,992 - LOOK, YOUR PARTNER WORE ANKLE WEIGHTS 544 00:22:40,026 --> 00:22:41,193 TO THROW ME OFF. 545 00:22:41,227 --> 00:22:42,529 I WAS WRONG ABOUT MARY. 546 00:22:42,562 --> 00:22:44,296 - I KNOW. 547 00:22:44,330 --> 00:22:46,265 SUCH A SHAME. 548 00:22:46,298 --> 00:22:48,134 MY LADY GUARD FRIEND TOLD ME. 549 00:22:48,167 --> 00:22:49,702 PLEASE DON'T BEAT YOURSELF UP, SHAWN. 550 00:22:49,736 --> 00:22:51,270 THE GUY CREEPED ME OUT. 551 00:22:51,303 --> 00:22:52,639 THIS WAS AN HONEST MISTAKE. 552 00:22:52,672 --> 00:22:55,207 - LOOK, WE NEED YOUR HELP. 553 00:22:55,241 --> 00:22:57,309 - OH, LITTLE BROODING BROWN ONE. 554 00:22:57,343 --> 00:22:59,579 I'VE ALREADY GIVEN YOU ALL THE HELP YOU NEED 555 00:22:59,612 --> 00:23:00,747 TO CATCH YIN. 556 00:23:00,780 --> 00:23:03,516 - HOW? YOU JUST SEEM BAT ASS CRAZY TO ME. 557 00:23:03,550 --> 00:23:05,952 - NEVER...JUDGE A BOOK BY ITS COVER. 558 00:23:05,985 --> 00:23:08,888 NO MATTER HOW SEXY THAT PICTURE MIGHT BE. 559 00:23:12,492 --> 00:23:14,260 - [sighs] 560 00:23:14,293 --> 00:23:15,828 GIVE ME THE BOOK. 561 00:23:15,862 --> 00:23:17,664 - SHAWN, I READ THIS BOOK COVER TO COVER. 562 00:23:17,697 --> 00:23:20,099 I'VE POURED OVER IT. 563 00:23:22,702 --> 00:23:24,804 - COVER TO COVER. 564 00:23:24,837 --> 00:23:26,272 - WHAT? 565 00:23:31,410 --> 00:23:32,411 - LOOK AT THAT. 566 00:23:32,445 --> 00:23:33,546 - NICE. 567 00:23:33,580 --> 00:23:35,181 SHE DREW A SELF-PORTRAIT JUST FOR YOU. 568 00:23:35,214 --> 00:23:36,215 BUT WHAT DOES IT MEAN? 569 00:23:36,248 --> 00:23:38,217 [cell phone ringing] 570 00:23:38,851 --> 00:23:41,554 - CHIEF... 571 00:23:41,588 --> 00:23:43,690 [whispering] YIN SENT ANOTHER CLUE. 572 00:23:44,824 --> 00:23:46,826 - WE HAVE THE ADDRESS. 573 00:23:46,859 --> 00:23:48,294 THE TIME WILL BE 9:00 P.M. 574 00:23:48,327 --> 00:23:49,562 HE WANTS YOU ALL TO SHOW UP THERE, 575 00:23:49,596 --> 00:23:51,898 WHERE HE HAS CREATED HIS OWN MOVIE SET. 576 00:23:51,931 --> 00:23:53,065 - I'M DONE WATCHING MOVIES, CHIEF. 577 00:23:53,099 --> 00:23:54,266 - EXACTLY, DETECTIVE. 578 00:23:54,300 --> 00:23:56,135 YOU NOW ARE THE MOVIE. 579 00:23:56,168 --> 00:23:58,404 HE'S CAST YOU ALL AS ARCHETYPAL CHARACTERS 580 00:23:58,437 --> 00:23:59,972 FROM HITCHCOCK'S CANON. 581 00:24:00,006 --> 00:24:01,841 THERE WILL BE CLUES THAT LEAD YOU TO CATCHING HIM, 582 00:24:01,874 --> 00:24:03,776 BASED ON THE PLOTS OF THOSE FILMS. 583 00:24:03,810 --> 00:24:05,111 - YOU SERIOUS ABOUT THIS? 584 00:24:05,144 --> 00:24:06,479 WE'RE JUST SUPPOSED TO PLAY DRESS-UP ALL NIGHT? 585 00:24:06,513 --> 00:24:09,081 - WE WILL DO WHATEVER IT TAKES, DETECTIVE. 586 00:24:09,115 --> 00:24:11,383 HE IS GIVING US AN OPPORTUNITY TO CATCH HIM 587 00:24:11,417 --> 00:24:13,119 BEFORE HE KILLS AGAIN. 588 00:24:13,152 --> 00:24:15,822 NOW, I'M NOT SENDING YOU IN THERE LIKE SITTING DUCKS. 589 00:24:15,855 --> 00:24:17,924 HE'S MADE IT VERY CLEAR THAT YOU ARE TO COME ALONE. 590 00:24:17,957 --> 00:24:20,392 BUT THE ONLY WAY THAT THIS IS GOING TO WORK 591 00:24:20,426 --> 00:24:21,928 IS IF I SET UP A TEAM ON THE OUTSIDE 592 00:24:21,961 --> 00:24:22,929 AND COVER THE PERIMETER. 593 00:24:22,962 --> 00:24:23,930 - SNIPERS? 594 00:24:23,963 --> 00:24:25,565 - YOU BET YOUR ASS. 595 00:24:25,598 --> 00:24:27,734 - KAREN... I GOT YOUR MESSAGE. 596 00:24:27,767 --> 00:24:29,068 WHAT CAN I DO? 597 00:24:29,101 --> 00:24:30,803 - HE'S CALLED YOU OUT, HENRY. 598 00:24:30,837 --> 00:24:32,038 YOU HAVE A HISTORY WITH HIM AS WELL. 599 00:24:32,071 --> 00:24:34,240 - SEAN CONNERY? 600 00:24:34,273 --> 00:24:35,608 - DAD, YOU CAN SAY NO. 601 00:24:35,642 --> 00:24:36,776 - SHAWN, THE LAST TIME THIS HAPPENED, 602 00:24:36,809 --> 00:24:37,910 YOU PUT YOUR LIFE ON THE LINE. 603 00:24:37,944 --> 00:24:39,378 WE ALMOST LOST YOUR MOTHER. 604 00:24:39,411 --> 00:24:41,180 I'M GONNA BE RIGHT BY YOUR SIDE, SON. 605 00:24:41,213 --> 00:24:42,281 END OF DISCUSSION. 606 00:24:43,182 --> 00:24:44,416 - ALL RIGHT, PEOPLE. 607 00:24:44,450 --> 00:24:46,819 THIS ENDS TONIGHT. 608 00:24:49,455 --> 00:24:51,290 - ALL RIGHT, CHIEF, NO SIGN OF HUMAN MOVEMENT. 609 00:24:51,323 --> 00:24:52,992 WE'RE GONNA GAIN A BETTER VANTAGE POINT. 610 00:24:53,025 --> 00:24:54,827 - OKAY, PROCEED, BUT KEEP ME POSTED 611 00:24:54,861 --> 00:24:56,095 AS TO YOUR COORDINATES, 612 00:24:56,128 --> 00:24:58,831 AND MAKE SURE THAT EVERYONE IS TUNED IN. 613 00:24:58,865 --> 00:25:01,668 SNIPERS ARE IN PLACE AND WILL GO AT MY READY. 614 00:25:01,701 --> 00:25:03,502 SO NO FALSE ALARMS. 615 00:25:06,438 --> 00:25:07,439 - WAIT A MINUTE. 616 00:25:07,473 --> 00:25:09,408 I THINK THAT'S MEANT FOR ME. 617 00:25:09,441 --> 00:25:10,577 THAT SCENE FROM THE BIRDS-- 618 00:25:10,610 --> 00:25:12,011 TIPPI HEDREN'S ATTACKED IN THE CAR. 619 00:25:12,044 --> 00:25:13,279 - WHAT ARE YOU TALKING ABOUT, LASSITER? 620 00:25:13,312 --> 00:25:14,581 DIDN'T YOU SEE MARNIE? 621 00:25:14,614 --> 00:25:16,983 HALF THAT MOVIE WAS ME AND TIPPI DRIVING AROUND IN A CAR. 622 00:25:17,016 --> 00:25:18,517 THAT CLUE IS ALL ME. 623 00:25:18,551 --> 00:25:20,587 - YOU DO REALIZE YOU'RE NOT ACTUALLY SEAN CONNERY, RIGHT? 624 00:25:20,620 --> 00:25:21,621 - OH, I'M SORRY. 625 00:25:21,654 --> 00:25:23,255 NO, I GOT LOST FOR A MOMENT THERE, 626 00:25:23,289 --> 00:25:25,391 BECAUSE I LITERALLY THOUGHT I WAS TALKING TO ROD TAYLOR. 627 00:25:25,424 --> 00:25:27,660 - WHO'S ROD TAYLOR? - I AM! 628 00:25:27,694 --> 00:25:28,795 - LOOK, STOP. WE CAN'T BE SURE. 629 00:25:28,828 --> 00:25:30,429 YOU SHOULD BOTH GO AND CHECK IT OUT. 630 00:25:43,710 --> 00:25:45,377 - "NEED A RIDE?" 631 00:25:48,114 --> 00:25:49,782 - IT'S CLEAR. 632 00:25:54,821 --> 00:25:56,122 - ALL RIGHT, WE'RE IN THE VEHICLE. 633 00:25:56,155 --> 00:25:58,057 - WATCH YOURSELF. 634 00:26:03,029 --> 00:26:04,096 - [imitating James Stewart] WELL... 635 00:26:04,130 --> 00:26:05,431 WELL, LOOK AT THAT. 636 00:26:05,464 --> 00:26:08,100 THAT'S A WHEELCHAIR. 637 00:26:08,134 --> 00:26:09,769 UP IN THAT WINDOW THERE. 638 00:26:09,802 --> 00:26:10,837 - SHAWN... 639 00:26:10,870 --> 00:26:12,404 - AHEM. 640 00:26:12,438 --> 00:26:13,439 SORRY. 641 00:26:13,472 --> 00:26:16,275 LOOKS LIKE THAT'S MY CLUE. 642 00:26:16,308 --> 00:26:17,877 - BE CAREFUL. 643 00:26:19,679 --> 00:26:21,380 - CANADA LEE? LIFEBOAT? 644 00:26:21,413 --> 00:26:23,149 DO YOU SEE ANY WATER AROUND HERE? 645 00:26:23,182 --> 00:26:24,483 THERE WASN'T EVEN A PUDDLE. 646 00:26:24,516 --> 00:26:27,586 - YEAH, I DON'T KNOW HOW IT FIT INTO THIS EITHER. 647 00:26:27,620 --> 00:26:28,587 UH, GUS... 648 00:26:28,621 --> 00:26:29,956 - WHAT? 649 00:26:31,924 --> 00:26:33,826 - MAYBE IT IS JUST A PROP. 650 00:26:33,860 --> 00:26:36,629 - THERE'S NO IGNITION, NOT EVEN A PLACE FOR A KEY. 651 00:26:48,007 --> 00:26:49,108 - SHAWN... 652 00:26:49,141 --> 00:26:51,310 THIS PLACE IS CREEPY. 653 00:26:51,343 --> 00:26:53,379 I'M ALMOST AT THE DOOR. 654 00:26:55,547 --> 00:26:57,483 - OPEN IT AND THEN RUN AWAY. 655 00:27:03,422 --> 00:27:05,725 - IT'S LOCKED. YIN IN SCREWING WITH US. 656 00:27:05,758 --> 00:27:07,259 WHAT ARE YOU SEEING? 657 00:27:07,293 --> 00:27:09,061 - GUS, IT'S REAR WINDOW. I CAN SEE ALL OF YOU. 658 00:27:09,095 --> 00:27:10,897 I CAN SEE EVERYTHING. THE... 659 00:27:10,930 --> 00:27:12,699 QUESTION IS, WHAT ACTUALLY MATTERS? 660 00:27:15,267 --> 00:27:16,502 - JULES! 661 00:27:16,535 --> 00:27:18,671 - THAT'S ERNIE'S BAR FROM VERTIGO! 662 00:27:18,705 --> 00:27:20,139 - KIM NOVAK. 663 00:27:20,172 --> 00:27:21,440 THIS IS ME, SHAWN. 664 00:27:21,473 --> 00:27:23,342 I'LL SIGNAL EVERYONE IF THERE'S ANYTHING. 665 00:27:23,375 --> 00:27:26,045 - PROCEED WITH CAUTION, DETECTIVE. 666 00:27:26,078 --> 00:27:28,480 - WE'RE IN A TUNNEL NOW. HOW THE HELL'S HE DOING THIS? 667 00:27:33,119 --> 00:27:34,586 [music from North by Northwest playing loudly] 668 00:27:34,620 --> 00:27:36,889 - AHH! - OW! 669 00:27:36,923 --> 00:27:38,691 WHAT IS--WHAT IS THAT? 670 00:27:51,670 --> 00:27:53,605 - JULIET! 671 00:27:53,639 --> 00:27:55,274 - GUS...WHAT ARE YOU DOING IN HERE? 672 00:27:55,307 --> 00:27:56,675 - WE CAN'T SEE YOU IN HERE. 673 00:27:56,709 --> 00:27:58,410 THAT MUSIC IS PLAYING SO LOUD, WE CAN'T HEAR ANYTHING. 674 00:27:58,444 --> 00:28:00,146 - STAY WHERE YOU ARE. 675 00:28:00,179 --> 00:28:01,580 I HAVE A CLUE. 676 00:28:01,613 --> 00:28:04,616 "DRAUGHT US A COUPLE COLD ONES, AND LET'S MAKE A TOAST 677 00:28:04,650 --> 00:28:09,188 TO YOU FALLING HEAD OVER HEELS FOR ME." 678 00:28:09,221 --> 00:28:11,991 GUS...RELAX. 679 00:28:12,024 --> 00:28:13,425 IT'S WHY WE'RE HERE. 680 00:28:15,094 --> 00:28:16,929 I'M GOING TO DO THIS. 681 00:28:29,942 --> 00:28:31,377 - JULIET! 682 00:28:31,410 --> 00:28:33,645 - TALK TO ME. TALK TO ME, GUS! 683 00:28:41,420 --> 00:28:44,423 - JULIET! 684 00:28:46,158 --> 00:28:49,295 - COVER YOUR EYES! I'M GONNA SHOOT OUT THE WINDOW! 685 00:28:49,328 --> 00:28:50,496 [music stops] 686 00:28:55,367 --> 00:28:56,635 - JULIET! 687 00:28:56,668 --> 00:28:58,504 - SPENCER! 688 00:28:58,537 --> 00:28:59,738 - O'HARA, SOMEBODY-- COME IN. 689 00:28:59,772 --> 00:29:01,007 WHAT HAPPENED? 690 00:29:01,040 --> 00:29:02,809 - CAR WAS A TRAP! WE LOST CONTACT. 691 00:29:02,842 --> 00:29:04,576 - SOMETHING HAPPENED IN THE BAR! 692 00:29:04,610 --> 00:29:06,245 [echoing] JULIET! 693 00:29:06,278 --> 00:29:07,046 JULIET! 694 00:29:08,447 --> 00:29:11,583 [police radio] ALL UNITS BE ON THE LOOKOUT FOR DETECTIVE O'HARA. 695 00:29:11,617 --> 00:29:15,721 [police radio] IN CUSTODY OF SUSPECT MR. YIN. SUSPECT IS ARMED AND DANGEROUS. 696 00:29:15,754 --> 00:29:18,958 [police radio] APPROACH WITH CAUTION. 697 00:29:28,234 --> 00:29:30,502 - I KNOW THIS IS HARD. 698 00:29:30,536 --> 00:29:32,738 WE'RE READY TO TAKE THE CALL WHEN IT COMES IN. 699 00:29:32,771 --> 00:29:33,772 THERE'S NOTHING MORE WE CAN DO. 700 00:29:33,806 --> 00:29:35,842 - IT'S MY FAULT. 701 00:29:35,875 --> 00:29:38,077 - DAMMIT, SPENCER, THIS IS NOT YOUR FAULT. 702 00:29:38,110 --> 00:29:40,346 DETECTIVE O'HARA WAS MY RESPONSIBILITY. 703 00:29:40,379 --> 00:29:42,581 THAT TUNNEL WASN'T ON ANY OF THE SCHEMATICS, 704 00:29:42,614 --> 00:29:43,749 AND THE SON OF A BITCH KNEW IT. 705 00:29:43,782 --> 00:29:45,084 THERE'S NO WAY WE COULD HAVE KNOWN. 706 00:29:45,117 --> 00:29:48,420 - UNLESS YOU'RE A PSYCHIC. 707 00:29:48,454 --> 00:29:49,688 - SHAWN... 708 00:29:49,721 --> 00:29:50,857 I JUST SPOKE WITH YOUR MOTHER. 709 00:29:50,890 --> 00:29:52,524 I WANTED HER TO KNOW THAT YOU WERE SAFE. 710 00:29:52,558 --> 00:29:53,759 SHE'S FINE. 711 00:29:53,792 --> 00:29:56,262 SHE'S AT A HOTEL IN NEW YORK AT A CONFERENCE. 712 00:29:56,295 --> 00:29:58,430 I TOLD HER TO STAY PUT. 713 00:29:58,464 --> 00:29:59,932 - SHAWN... 714 00:29:59,966 --> 00:30:01,600 DOESN'T ABIGAIL GET IN TONIGHT? 715 00:30:04,170 --> 00:30:05,437 - OH, MY GOD. 716 00:30:05,471 --> 00:30:07,373 WHAT TIME IS IT? 717 00:30:07,406 --> 00:30:08,975 - IT'S ALMOST 1:00. 718 00:30:09,008 --> 00:30:10,609 - HER FLIGHT GETS IN IN HALF AN HOUR. 719 00:30:10,642 --> 00:30:12,945 - WE CAN'T AFFORD TO LET YOU GO. 720 00:30:12,979 --> 00:30:14,380 SHAWN, WHAT HAPPENS IF A CALL COMES IN 721 00:30:14,413 --> 00:30:16,082 AND WE NEED TO BE SOMEWHERE HALFWAY ACROSS THE CITY 722 00:30:16,115 --> 00:30:17,850 IN 11 MINUTES? - I HAVE TO PICK HER UP. 723 00:30:17,884 --> 00:30:18,918 - DON'T WORRY. 724 00:30:18,951 --> 00:30:21,187 WE'LL SEND SOMEONE TO GET HER. SOMEONE SHE KNOWS. 725 00:30:24,356 --> 00:30:25,757 MCNAB! 726 00:30:28,360 --> 00:30:29,695 - HOW WAS UGANDA? 727 00:30:29,728 --> 00:30:31,630 - IT WAS RICH, COMPELLING, A MUST-SEE. 728 00:30:31,663 --> 00:30:32,831 WHAT IS THIS ABOUT, BUZZ? 729 00:30:32,865 --> 00:30:34,133 - CAN'T REALLY SAY. 730 00:30:34,166 --> 00:30:35,667 I'M JUST HERE TO MAKE SURE YOU GET HOME SAFELY. 731 00:30:35,701 --> 00:30:37,269 - WHY WOULDN'T I BE SAFE? 732 00:30:37,303 --> 00:30:39,238 THIS IS RIDICULOUS, AND I AM BEYOND JETLAGGED. 733 00:30:39,271 --> 00:30:41,740 JUST TELL ME WHAT IS GOING ON. 734 00:30:41,773 --> 00:30:43,475 - PLEASE, MS. LYTAR. 735 00:30:43,509 --> 00:30:45,277 JUST FOLLOWING MY ORDERS. 736 00:30:47,479 --> 00:30:49,949 - "MS. LYTAR"? 737 00:30:49,982 --> 00:30:51,450 REALLY? 738 00:30:58,390 --> 00:31:00,392 - BUZZ, WHAT ARE YOU DOING? 739 00:31:01,293 --> 00:31:03,729 - OH, MY GOD! ARE YOU OKAY? 740 00:31:03,762 --> 00:31:05,197 [screams] 741 00:31:06,565 --> 00:31:09,535 BUZZ! SOMEBODY HELP ME! 742 00:31:09,568 --> 00:31:11,137 NO! 743 00:31:13,072 --> 00:31:14,773 [cell phone ringing] 744 00:31:14,806 --> 00:31:16,142 - IT'S ABIGAIL. 745 00:31:16,175 --> 00:31:18,244 HEY, ABS, SORRY I COULDN'T PICK YOU UP MYSELF. 746 00:31:18,277 --> 00:31:19,345 - [whispering] HELLO, SHAWN. 747 00:31:19,378 --> 00:31:22,048 I HAVE GOOD NEWS AND BAD NEWS. 748 00:31:22,081 --> 00:31:23,082 [turns on speaker phone] THE GOOD NEWS IS 749 00:31:23,115 --> 00:31:24,750 THAT OUR FEMME FATALE 750 00:31:24,783 --> 00:31:26,218 IS STILL VERY MUCH ALIVE. 751 00:31:26,252 --> 00:31:28,120 THE BAD NEWS, FOR YOU ANYWAY, 752 00:31:28,154 --> 00:31:31,190 IS THAT I HAVE NOW MET THE GIRL NEXT DOOR. 753 00:31:31,223 --> 00:31:32,791 I UNDERSTAND YOUR PREDICAMENT. 754 00:31:32,824 --> 00:31:35,261 THEY'RE BOTH SO YOU. 755 00:31:35,294 --> 00:31:37,964 BUT WE CAN'T HAVE OUR CAKE AND EAT IT TOO. 756 00:31:37,997 --> 00:31:40,132 SO I'M DOING YOU A FAVOR HERE 757 00:31:40,166 --> 00:31:42,301 BY FORCING YOU TO CHOOSE. 758 00:31:42,334 --> 00:31:43,269 - CHOOSE? 759 00:31:43,302 --> 00:31:44,603 - YES, SHAWN. 760 00:31:44,636 --> 00:31:46,605 WHO DO YOU CARE ABOUT MORE? 761 00:31:46,638 --> 00:31:49,508 BECAUSE YOU CAN'T SAVE THEM BOTH. 762 00:32:04,190 --> 00:32:06,092 - MCNAB IS OKAY. 763 00:32:06,125 --> 00:32:08,961 HE DIDN'T GET A LOOK AT YIN. 764 00:32:10,362 --> 00:32:12,564 YOU WANT SOMETHING FROM THE SNACK MACHINE? 765 00:32:12,598 --> 00:32:14,800 YOU KNOW, THEY HAVE BUGLES. 766 00:32:20,572 --> 00:32:22,574 [cell phone ringing] 767 00:32:22,608 --> 00:32:26,178 THIS IS IT! THIS IS IT! 768 00:32:29,348 --> 00:32:32,218 WHAT IS THE CLUE? WHAT'S THE CLUE! 769 00:32:32,251 --> 00:32:35,754 - SHAWN, I'LL DROP BY HALF PAST 4:00. 770 00:32:35,787 --> 00:32:38,090 MY HANDS ARE ON MY FACE. 771 00:32:38,124 --> 00:32:40,492 PLEASE COME QUICK, OR THIS COULD BE MESSY. 772 00:32:40,526 --> 00:32:41,560 SHAWN, YOU CAN STILL SAVE ABIGAI-- 773 00:32:41,593 --> 00:32:43,595 [dial tone] 774 00:32:58,977 --> 00:33:00,746 - "HANDS ON MY FACE." IT'S A CLOCK. 775 00:33:00,779 --> 00:33:02,881 - HALF PAST FOUR, THIS COULD GET MESSY. 776 00:33:02,914 --> 00:33:04,316 - "I'LL DROP BY." 777 00:33:04,350 --> 00:33:06,318 - SHE'S KIM NOVAK IN VERTIGO. 778 00:33:06,352 --> 00:33:08,687 - "I'LL...DROP BY." 779 00:33:08,720 --> 00:33:10,622 - INSTEAD OF A BELL TOWER... - IT'S A CLOCK TOWER. 780 00:33:10,656 --> 00:33:12,024 IT'S THE CLOCK TOWER! 781 00:33:12,058 --> 00:33:13,125 - DETECTIVE, WAIT. 782 00:33:13,159 --> 00:33:14,960 A CIVILIAN HAS BEEN TAKEN AS WELL. 783 00:33:14,993 --> 00:33:16,428 SHE MUST BE GIVEN PRIORITY. 784 00:33:16,462 --> 00:33:17,796 IF WE HAD THE SLIGHTEST CLUE-- 785 00:33:17,829 --> 00:33:19,098 - YOU'VE GOT OTHER UNITS, CHIEF. 786 00:33:19,131 --> 00:33:20,999 I'LL BE GOING TO GET MY PARTNER NOW. 787 00:33:21,033 --> 00:33:22,401 - DETECTIVE! 788 00:33:22,434 --> 00:33:23,669 MR. SPENCER, 789 00:33:23,702 --> 00:33:26,004 CAN YOU TELL US WHERE ABIGAIL IS? 790 00:33:29,341 --> 00:33:31,377 - I CAN'T. 791 00:33:31,410 --> 00:33:33,479 THERE'S NO WAY TO SAVE THEM BOTH. 792 00:33:35,714 --> 00:33:36,915 [sniffles] 793 00:33:37,783 --> 00:33:39,151 IT'S JULES. 794 00:33:39,185 --> 00:33:40,586 WE KNOW WHERE SHE IS, WE FOLLOW LASSIE. 795 00:33:40,619 --> 00:33:42,921 WE SAVE JULIET. 796 00:33:42,954 --> 00:33:45,091 - OKAY. 797 00:33:45,124 --> 00:33:46,825 I'LL DRIVE. 798 00:33:46,858 --> 00:33:48,494 HENRY, GO HOME. 799 00:33:48,527 --> 00:33:49,761 YOUR ROLE HERE IS FINISHED. 800 00:33:49,795 --> 00:33:51,163 - NOT A CHANCE IN HELL. 801 00:33:51,197 --> 00:33:52,731 - YOU, TOO, ARE A CIVILIAN, 802 00:33:52,764 --> 00:33:54,933 AND THEREFORE AN UNNECESSARY RISK. 803 00:33:54,966 --> 00:33:57,636 - ALL RIGHT, I ACCEPT. - EXCUSE ME? 804 00:33:57,669 --> 00:33:59,238 - THE JOB--THE JOB YOU OFFERED ME, KAREN. 805 00:33:59,271 --> 00:34:00,306 I ACCEPT. 806 00:34:00,339 --> 00:34:02,408 CUT ME A LITTLE SLACK ON THE WARDROBE. 807 00:34:02,441 --> 00:34:04,443 IT'S GREAT TO BE BACK. 808 00:34:06,212 --> 00:34:07,713 - GUS, WAIT. 809 00:34:10,048 --> 00:34:12,284 THE COVER. 810 00:34:12,318 --> 00:34:14,453 YANG DIDN'T DRAW HERSELF. 811 00:34:14,486 --> 00:34:17,223 SHE DREW ABIGAIL... ON THE PIER. 812 00:34:17,256 --> 00:34:18,824 I THINK I KNOW WHERE SHE IS. - LET'S GO GET HER. 813 00:34:18,857 --> 00:34:20,126 - NO, NO, NO. I COULD BE WRONG. 814 00:34:20,159 --> 00:34:21,760 YOU GO WITH THE CHIEF. YOU HELP LASSIE. 815 00:34:21,793 --> 00:34:23,061 - SHAWN, YOU'RE NOT GOING ALONE. 816 00:34:23,095 --> 00:34:24,830 - GUS, THE ONLY WAY THAT I CAN NOT BE THERE FOR JULIET 817 00:34:24,863 --> 00:34:26,465 IS IF I KNOW THAT YOU ARE. 818 00:34:26,498 --> 00:34:28,167 AND I WON'T BE ALONE. 819 00:34:36,242 --> 00:34:38,144 BOATS. 820 00:34:38,177 --> 00:34:39,711 - ALL RIGHT, DON'T WORRY, SON. 821 00:34:39,745 --> 00:34:41,380 IF SHE'S HERE, WE'LL FIND HER. 822 00:34:58,197 --> 00:35:00,566 - SHE'S UNDER THE PIER, ISN'T SHE? 823 00:35:15,314 --> 00:35:17,483 [grunting] 824 00:35:17,516 --> 00:35:18,817 I SEE YOU, SWEETHEART. 825 00:35:18,850 --> 00:35:20,919 BLINK ONCE FOR YES, AND TWO FOR NO. 826 00:35:20,952 --> 00:35:22,821 ARE THERE ANY EXPLOSIVES THAT I CAN TRIGGER 827 00:35:22,854 --> 00:35:23,889 BY COMING IN? 828 00:35:25,557 --> 00:35:27,793 [panting] 829 00:35:33,999 --> 00:35:35,434 - SHAWN! 830 00:35:41,006 --> 00:35:42,541 - OH, YOU'RE KIDDING ME! 831 00:35:42,574 --> 00:35:43,709 - OKAY, TAKE THE STAIRS. 832 00:35:43,742 --> 00:35:45,611 I'LL MAN THE POINT AND SET UP A PERIMETER. 833 00:35:45,644 --> 00:35:48,314 - [gasping for air] 834 00:35:48,347 --> 00:35:49,515 HEY. - HEY. 835 00:35:49,548 --> 00:35:51,183 - WE'VE REALLY COME FULL CIRCLE, HUH? 836 00:35:51,217 --> 00:35:52,984 THIS IS WHERE I STOOD YOU UP ON OUR FIRST DATE. 837 00:35:53,018 --> 00:35:54,320 - THANKS FOR SHOWING UP THIS TIME. 838 00:35:54,353 --> 00:35:55,487 - AHH. 839 00:35:55,521 --> 00:35:56,688 - HEY, ABBY. 840 00:35:56,722 --> 00:35:58,089 HOW WAS YOUR TRIP? 841 00:35:58,123 --> 00:35:59,124 - AWESOME! 842 00:35:59,157 --> 00:36:00,692 - IT'S JUST ROPE! 843 00:36:00,726 --> 00:36:02,494 PLEASE TELL ME YOU STILL CARRY YOUR SWISS. 844 00:36:02,528 --> 00:36:03,662 - OF COURSE I DO. 845 00:36:03,695 --> 00:36:05,130 I TAUGHT YOU THAT. 846 00:36:05,163 --> 00:36:06,432 - COME ON IN! THE WATER'S GREAT! 847 00:36:08,834 --> 00:36:10,969 YOU JUST CONCENTRATE ON YOUR BREATHING. 848 00:36:11,002 --> 00:36:12,638 I PROMISE NOT TO TRY ANYTHING WHILE I'M DOWN THERE. 849 00:36:12,671 --> 00:36:13,672 [big inhale] 850 00:36:21,347 --> 00:36:22,781 - IT'S GETTING HIGHER! 851 00:36:29,221 --> 00:36:31,490 HURRY! [gasping] 852 00:36:35,060 --> 00:36:36,962 [both gasping] 853 00:36:36,995 --> 00:36:38,497 - WE'RE ALMOST THERE. - OKAY. 854 00:36:38,530 --> 00:36:39,965 - WE'RE ALMOST THERE. 855 00:36:53,111 --> 00:36:55,747 - O'HARA! MY GOD. 856 00:36:55,781 --> 00:36:56,915 ALL RIGHT, DON'T WORRY. 857 00:36:56,948 --> 00:36:57,983 WE'LL GET YOU OUT OF THIS! 858 00:36:58,016 --> 00:36:59,017 [bzz] - AHH! 859 00:36:59,050 --> 00:37:01,820 - GAH! NO! 860 00:37:11,297 --> 00:37:14,065 - YOU GOTTA DO SOMETHING, QUICK! I CAN'T HOLD IT FOR LONG! 861 00:37:14,099 --> 00:37:15,267 [grunting loudly] 862 00:37:18,804 --> 00:37:20,606 UHH! AHH! OHH! 863 00:37:23,909 --> 00:37:26,645 - AAH! UHH! 864 00:37:34,653 --> 00:37:35,787 AAAAH! 865 00:37:40,125 --> 00:37:41,627 - GOOD WORK! 866 00:37:43,362 --> 00:37:45,831 WE GOT YOU. WE GOT YOU. 867 00:37:46,965 --> 00:37:49,735 [all grunting and gasping] 868 00:37:49,768 --> 00:37:51,570 - ALL RIGHT. - YOU ALL RIGHT? 869 00:37:51,603 --> 00:37:52,938 - OKAY. UHH! 870 00:37:52,971 --> 00:37:54,306 - OHH. 871 00:37:54,340 --> 00:37:58,043 [cell phone ringing] 872 00:37:58,076 --> 00:38:00,145 [beep] 873 00:38:00,178 --> 00:38:02,080 GUS. - SHAWN. 874 00:38:02,113 --> 00:38:03,315 WE GOT HER. 875 00:38:03,349 --> 00:38:04,716 IT WAS CLOSE, BUT WE GOT HER. 876 00:38:04,750 --> 00:38:05,717 SHE'S OKAY. 877 00:38:05,751 --> 00:38:07,252 - GOD. 878 00:38:07,285 --> 00:38:08,420 THANK GOD. 879 00:38:08,454 --> 00:38:10,422 OH, THANK GOD. 880 00:38:10,456 --> 00:38:12,624 ABIGAIL'S OKAY TOO. SHE'S GOOD. 881 00:38:12,658 --> 00:38:14,326 - OHH. 882 00:38:15,494 --> 00:38:16,828 - GUS, HE WAS HERE. 883 00:38:16,862 --> 00:38:18,597 I SAW HIM. 884 00:38:18,630 --> 00:38:20,065 I COULD HAVE TOUCHED HIM. 885 00:38:20,098 --> 00:38:21,933 BUT I HAD TO LET HIM GO. 886 00:38:21,967 --> 00:38:24,302 - YOU HAD NO CHOICE. 887 00:38:24,336 --> 00:38:26,705 YOU DID THE RIGHT THING. 888 00:38:26,738 --> 00:38:29,608 - YOU KNOW, THIS GAME ISN'T OVER. 889 00:38:29,641 --> 00:38:33,078 - I KNOW. 890 00:38:33,111 --> 00:38:35,947 - THANKS FOR BEING THERE, BUDDY. 891 00:38:35,981 --> 00:38:37,115 [beep] 892 00:38:41,787 --> 00:38:43,254 UHH! 893 00:38:43,288 --> 00:38:44,623 JULIET'S OKAY. 894 00:38:44,656 --> 00:38:46,758 - GOOD. GOOD. 895 00:38:46,792 --> 00:38:50,095 LISTEN, YOU TAKE CARE OF YOUR GIRL. 896 00:38:50,128 --> 00:38:51,863 I'LL GO TALK TO THE COPS. 897 00:38:51,897 --> 00:38:54,833 ALL RIGHT? - YEAH. 898 00:38:54,866 --> 00:38:57,135 - HOW 'BOUT THE SWISS, HUH? 899 00:38:57,168 --> 00:38:59,438 - NEVER LEAVE HOME WITHOUT IT. 900 00:38:59,471 --> 00:39:01,106 - NO, I MEAN, UH... 901 00:39:01,139 --> 00:39:02,808 I THINK YOU'VE GOT MY KNIFE. I'VE GOT YOURS. 902 00:39:02,841 --> 00:39:05,143 - OH! DID WE GET SWITCHED UP? 903 00:39:05,176 --> 00:39:06,545 - YEAH. 904 00:39:06,578 --> 00:39:08,213 - OH, YEAH, LOOK AT THAT. 905 00:39:08,246 --> 00:39:10,449 GOD, YOURS IS SO MUCH BIGGER THAN MINE. 906 00:39:14,285 --> 00:39:15,687 WOW. 907 00:39:19,758 --> 00:39:21,159 both: THANKS. 908 00:39:21,192 --> 00:39:23,929 - WHEW. [sniffles] 909 00:39:23,962 --> 00:39:25,931 YOU WARM ENOUGH? - YEAH. 910 00:39:28,967 --> 00:39:30,201 - OKAY, HERE GOES. 911 00:39:30,235 --> 00:39:32,203 I--I KNOW THIS IS PROBABLY A GUT REACTION 912 00:39:32,237 --> 00:39:34,239 TO EVERYTHING THAT WE JUST WENT THROUGH. 913 00:39:34,272 --> 00:39:35,807 BUT THE FACT THAT WE ARE SITTING HERE, 914 00:39:35,841 --> 00:39:37,476 I MEAN HERE, IN THIS PLACE, 915 00:39:37,509 --> 00:39:40,446 IT HAS TO MEAN SOMETHING, DOESN'T IT? 916 00:39:40,479 --> 00:39:42,581 I MEAN, WHAT IF I SAID 917 00:39:42,614 --> 00:39:45,717 THAT I WAS WILLING TO LEARN HOW TO COMPROMISE? 918 00:39:45,751 --> 00:39:50,188 YEAH, AND MEET YOU HALFWAY... ON EVERYTHING. 919 00:39:50,221 --> 00:39:52,691 - YOU MAKE ME LAUGH. 920 00:39:52,724 --> 00:39:55,627 AND...YOU MAKE ME FEEL LIKE I'M A LITTLE BIT CRAZY. 921 00:39:55,661 --> 00:39:58,196 AND--AND I KNOW THAT IF I JUST LET MYSELF, 922 00:39:58,229 --> 00:39:59,598 I COULD COMPLETELY FALL... 923 00:40:01,933 --> 00:40:05,170 BUT THERE'S A LOT OF THINGS THAT I WANT TO DO, SHAWN. 924 00:40:05,203 --> 00:40:07,305 I'M NOT JUST KINDERGARTEN TEACHER 925 00:40:07,338 --> 00:40:10,108 WHO WANTS TO SETTLE DOWN AND MAKE A FAMILY. 926 00:40:10,141 --> 00:40:12,410 I WANT TO-- I WANT TO MAKE A DIFFERENCE. 927 00:40:12,444 --> 00:40:16,181 I WANT TO INSPIRE PEOPLE. 928 00:40:16,214 --> 00:40:17,549 AND I CAN'T DO ANY OF THAT 929 00:40:17,583 --> 00:40:19,651 IF I'M DEAD. 930 00:40:24,790 --> 00:40:27,258 - YOU INSPIRE ME. 931 00:40:28,359 --> 00:40:32,598 [Band of Horses' I Go to the Barn Because I Like The] 932 00:40:34,933 --> 00:40:37,235 * I'D LIKE TO THINK 933 00:40:37,268 --> 00:40:43,174 * I'M THE MESS YOU'D WEAR WITH PRIDE * 934 00:40:43,208 --> 00:40:46,645 - I'M JUST NOT CUT OUT FOR THIS. 935 00:40:48,980 --> 00:40:50,381 - IT'S OKAY. 936 00:40:50,415 --> 00:40:55,186 - * MAYBE I'LL TELL YOU SOMETIME * 937 00:40:55,220 --> 00:40:56,988 - I'M SORRY, ABIGAIL. 938 00:40:57,022 --> 00:40:59,324 - CALL ME... 939 00:40:59,357 --> 00:41:02,694 IF YOU EVER DECIDE TO STOP CHASING PSYCHOPATHS. 940 00:41:04,262 --> 00:41:07,065 - * YOU... 941 00:41:07,098 --> 00:41:11,302 * WERE RIGHT 942 00:41:11,336 --> 00:41:14,339 * RIGHT 943 00:41:18,176 --> 00:41:21,747 * OUTSIDE 944 00:41:21,780 --> 00:41:25,917 * BY YOUR DOORSTEP 945 00:41:25,951 --> 00:41:29,955 * IN A WORN-OUT 946 00:41:29,988 --> 00:41:34,526 * SUIT AND TIE 947 00:41:34,560 --> 00:41:37,796 * I'LL WAIT 948 00:41:37,829 --> 00:41:42,067 * FOR YOU TO COME DOWN 949 00:41:42,100 --> 00:41:46,304 * WHERE YOU'LL FIND ME 950 00:41:46,337 --> 00:41:50,408 * WHERE WE'LL SHINE 951 00:41:50,441 --> 00:41:54,279 * OUTSIDE 952 00:41:54,312 --> 00:41:58,216 * BY YOUR DOORSTEP 953 00:41:58,249 --> 00:42:02,120 * IN A WORN-OUT 954 00:42:02,153 --> 00:42:06,725 * SUIT AND TIE 955 00:42:06,758 --> 00:42:10,228 * I'LL WAIT 956 00:42:10,261 --> 00:42:14,365 * FOR YOU TO COME DOWN 957 00:42:14,399 --> 00:42:18,136 * WHERE YOU'LL FIND ME 958 00:42:18,169 --> 00:42:22,741 * WHERE WE'LL SHINE 959 00:42:22,774 --> 00:42:26,311 * OUTSIDE 960 00:42:26,344 --> 00:42:30,515 * BY YOUR DOORSTEP 961 00:42:30,548 --> 00:42:34,419 * IN A WORN-OUT 962 00:42:34,452 --> 00:42:38,857 * SUIT AND TIE 963 00:42:38,890 --> 00:42:42,260 * I'LL WAIT 964 00:42:42,293 --> 00:42:45,163 * FOR YOU TO COME DOWN 965 00:42:45,196 --> 00:42:47,298 - YOU'RE JUST AMAZING. 966 00:42:47,332 --> 00:42:49,601 MY MOST ADMIRABLE FOE. 967 00:42:49,635 --> 00:42:51,002 THAT'S WHY I CHOSE YOU. 968 00:42:51,036 --> 00:42:52,570 - * WHERE WE'LL SHINE 969 00:42:52,604 --> 00:42:54,606 - WE'RE GONNA BE WORKING TOGETHER AGAIN. 970 00:42:54,640 --> 00:42:57,242 - * OUT 971 00:42:57,275 --> 00:43:00,779 - SHAWN, I KNEW YOU'D COME. 972 00:43:05,651 --> 00:43:10,521 [sinister music plays]