1 00:00:01,435 --> 00:00:04,405 [Jazz music] 2 00:00:04,438 --> 00:00:12,446 * 3 00:00:16,817 --> 00:00:21,089 - HEY, LOOK AT US, MAN. WE GOT IT PRETTY GOOD, HUH? 4 00:00:21,122 --> 00:00:24,425 - MM. LIVING IN SANTA BARBARA. BEAUTIFUL NIGHT. 5 00:00:24,458 --> 00:00:27,728 TWO PERFECT WOMEN ON OUR ARMS. HOW'D WE DO IT? 6 00:00:27,761 --> 00:00:30,064 - HEY, HEY, IS THIS-- IS THIS POCKET SQUARE OKAY? 7 00:00:30,098 --> 00:00:32,600 - YEAH. YEAH. LOOKS GREAT. - YEAH? 8 00:00:32,633 --> 00:00:34,202 WAIT, WAIT, WAIT, ARE THOSE THE RIGHT GLASSES 9 00:00:34,235 --> 00:00:35,536 FOR THESE DRINKS? 10 00:00:35,569 --> 00:00:38,572 - HEY, HEY, HEY. BE COOL. WE GOT THIS. 11 00:00:41,875 --> 00:00:44,778 HELLO, HELLO. - WE'RE BACK. 12 00:00:44,812 --> 00:00:46,714 - WELL, WHAT DOES A LADY HAVE TO DO AROUND HERE 13 00:00:46,747 --> 00:00:48,082 TO GET A DRY MARTINI? 14 00:00:48,116 --> 00:00:50,118 - PATIENCE IS A VIRTUE. 15 00:00:50,151 --> 00:00:51,619 - SO ARE BROAD SHOULDERS, 16 00:00:51,652 --> 00:00:53,121 BUT IT DOESN'T MEAN I LIKE TO WAIT FOR THEM. 17 00:00:53,154 --> 00:00:55,223 - [laughs] - CHEERS, LADIES. 18 00:00:55,256 --> 00:00:58,359 - CHEERS. - CHEERS. 19 00:00:58,392 --> 00:01:04,165 - [coughing] 20 00:01:04,198 --> 00:01:06,100 - [coughs] 21 00:01:06,134 --> 00:01:12,140 [continues coughing] 22 00:01:13,307 --> 00:01:15,776 - ARE YOU ALL RIGHT? 23 00:01:15,809 --> 00:01:18,646 - [choking coughs] 24 00:01:21,882 --> 00:01:24,885 - OH! - OH! 25 00:01:24,918 --> 00:01:28,856 [body thuds, people scream] 26 00:01:36,297 --> 00:01:38,866 - WOULD SOMEONE PLEASE TELL ME WHY YOU WOULD DRAG GUS AND I 27 00:01:38,899 --> 00:01:40,801 OUT OF BED IN THE MIDDLE OF THE NIGHT 28 00:01:40,834 --> 00:01:44,138 TO COME DOWN HERE AND TEND TO AN ELDERLY WOMAN 29 00:01:44,172 --> 00:01:45,473 WHO IS SIMPLY RESTING HER EYES? 30 00:01:45,506 --> 00:01:47,275 THIS IS NOT A CRIME SCENE. 31 00:01:47,308 --> 00:01:49,243 SHE'S NOT DEAD. 32 00:01:49,277 --> 00:01:50,911 YOU'RE NOT DEAD, ARE YOU? - [gasps] 33 00:01:50,944 --> 00:01:53,113 - SHAWN. - WHAT? 34 00:01:56,284 --> 00:01:58,486 - AH. - WILL YOU FOCUS, SHAWN? 35 00:01:58,519 --> 00:02:02,356 WE NEED THIS CASE. DO SOMETHING. 36 00:02:15,469 --> 00:02:18,939 - YES. I CAN CLEARLY SEE A VICTIM. 37 00:02:18,972 --> 00:02:20,574 IN THE PRIME OF HIS LIFE. 38 00:02:20,608 --> 00:02:22,276 - SPENCER, WE DON'T NEED YOUR PARTICULAR BRAND 39 00:02:22,310 --> 00:02:23,511 OF THEATRICS HERE THIS EVENING. 40 00:02:23,544 --> 00:02:24,812 GO HOME. GO BACK TO BED. 41 00:02:24,845 --> 00:02:26,947 - LASSIE, ARE YOU KIDDING ME? 42 00:02:26,980 --> 00:02:28,749 THE DEATH OF THIS MAN IS LIKE STARING MY OWN MORTALITY 43 00:02:28,782 --> 00:02:29,750 IN THE FACE. 44 00:02:29,783 --> 00:02:31,252 IF SOMEONE IS OUT THERE 45 00:02:31,285 --> 00:02:32,820 KILLING HANDSOME AND YOUTHFUL BACHELORS 46 00:02:32,853 --> 00:02:34,788 IN SANTA BARBARA, THEN ALL OF US ARE IN DANGER. 47 00:02:34,822 --> 00:02:37,791 MAYBE NOT ALL OF US. CERTAINLY GUS AND MYSELF. 48 00:02:37,825 --> 00:02:39,693 - SPENCER, WE'VE BEEN HERE ALL OF EIGHT MINUTES. 49 00:02:39,727 --> 00:02:41,762 FOR ALL WE KNOW, HE JUST SLIPPED OFF THE BALCONY AND FELL. 50 00:02:41,795 --> 00:02:43,297 - WELL, IN THAT CASE, WE SHOULD ALL BE LOOKING 51 00:02:43,331 --> 00:02:45,199 FOR A BANANA PEEL OR A ROLLER SKATE. 52 00:02:45,233 --> 00:02:46,800 PERHAPS A WET BAR OF SOAP, 53 00:02:46,834 --> 00:02:48,669 THOUGH THAT SEEMS THE UNLIKELIEST OF THE THREE. 54 00:02:48,702 --> 00:02:51,839 - MCNAB, PLEASE ESCORT THESE GENTLEMEN OUT OF HERE. 55 00:02:58,646 --> 00:03:00,648 - OKAY, LASSIE. OKAY, YOU WIN. 56 00:03:00,681 --> 00:03:02,783 NO REASON TO GET EXCITED. 57 00:03:02,816 --> 00:03:07,688 BUZZ, I THINK WE CAN SEE OURSELVES OUT. 58 00:03:07,721 --> 00:03:10,491 NO SIGN OF WRIST FRACTURES OR ANKLE FRACTURES. 59 00:03:10,524 --> 00:03:12,960 TELL ME THIS GUY DIDN'T TRY TO BRACE HIS FALL FROM 20 FEET. 60 00:03:12,993 --> 00:03:14,562 - ALL RIGHT, LET'S START GETTING WITNESS STATEMENTS. 61 00:03:14,595 --> 00:03:15,696 WHO DO YOU WANT, THE CREEPY OLD LADIES 62 00:03:15,729 --> 00:03:17,231 OR THE KEN DOLLS? 63 00:03:17,265 --> 00:03:20,501 - THE KEN DOLLS. 64 00:03:20,534 --> 00:03:21,869 - WE'RE STILL WAITING FOR TOXICOLOGY 65 00:03:21,902 --> 00:03:23,671 TO CONFIRM, BUT IT DOES LOOK LIKE HE WAS DEAD 66 00:03:23,704 --> 00:03:24,972 BEFORE HE HIT THE GROUND. 67 00:03:25,005 --> 00:03:26,574 APPEARS TO BE POISONING. 68 00:03:26,607 --> 00:03:28,976 SO KUDOS, MR. SPENCER. SORRY, CARLTON. 69 00:03:29,009 --> 00:03:30,611 - IN LASSIE'S DEFENSE, 70 00:03:30,644 --> 00:03:32,346 TOXICOLOGY IS NOT A SCIENCE. 71 00:03:32,380 --> 00:03:33,981 - ACTUALLY, IT'S A SCIENCE OF STUDYING TOXINS. 72 00:03:34,014 --> 00:03:34,982 - GET OUT OF HERE. - NO, IT IS. 73 00:03:35,015 --> 00:03:36,417 - WELL, I GUESS THAT DOES 74 00:03:36,450 --> 00:03:37,951 MAKE YOU LOOK A LITTLE FOOLISH. 75 00:03:37,985 --> 00:03:38,986 - YOU KNOW WHAT, I'VE GOT THE HOME RUN SUSPECT 76 00:03:39,019 --> 00:03:40,788 ON THIS ONE. 77 00:03:40,821 --> 00:03:42,690 ONCE I WAS GIVEN FIVE MINUTES TO COLLECT MY THOUGHTS, 78 00:03:42,723 --> 00:03:45,459 I RECOGNIZED THE VICTIM'S DATE AS ONE GILLIAN TUCKER. 79 00:03:45,493 --> 00:03:48,296 FORMERLY MRS. GILLIAN VANDERHOLT. 80 00:03:48,329 --> 00:03:49,863 - I THOUGHT I RECOGNIZED HER. 81 00:03:49,897 --> 00:03:51,665 SHE USED TO BE MARRIED TO WALTER VANDERHOLT. 82 00:03:51,699 --> 00:03:53,601 - CLOSED THE CASE ON HIS SUICIDE FIVE MONTHS AGO, 83 00:03:53,634 --> 00:03:55,336 BUT SOMETHING NEVER SAT RIGHT WITH ME. 84 00:03:55,369 --> 00:03:56,770 - WHAT ARE YOU GETTING AT? 85 00:03:56,804 --> 00:03:57,805 - I THINK SHE MURDERED HER HUSBAND 86 00:03:57,838 --> 00:03:58,872 AND GOT AWAY WITH IT. 87 00:03:58,906 --> 00:03:59,973 NOW SHE'S DATING OUR VICTIM 88 00:04:00,007 --> 00:04:01,609 AND SUDDENLY HE'S DEAD TOO? 89 00:04:01,642 --> 00:04:03,344 COME ON, CHIEF. LET ME RUN WITH THIS ONE. 90 00:04:03,377 --> 00:04:06,046 - WHAT IF WE LET THEM WORK TOGETHER? 91 00:04:06,079 --> 00:04:08,048 SEPARATELY, BUT TOGETHER? 92 00:04:08,081 --> 00:04:10,784 - THAT LONELY BALD GUY IN THE CORNER MAKES NO SENSE. 93 00:04:10,818 --> 00:04:12,052 - AM I THE ONLY PERSON THAT'S FREAKED OUT 94 00:04:12,085 --> 00:04:13,654 HE'S BEEN SITTING THERE THE WHOLE TIME? 95 00:04:13,687 --> 00:04:14,788 - HENRY, THIS IS YOUR CALL. 96 00:04:14,822 --> 00:04:16,490 YOU'RE THE ONE IN CHARGE OF CONSULTANTS. 97 00:04:16,524 --> 00:04:17,958 - YOU'RE NOT AFRAID OF THE COMPETITION, 98 00:04:17,991 --> 00:04:19,693 ARE YOU, SHAWN? 99 00:04:19,727 --> 00:04:21,795 - OF COURSE NOT, AS LONG AS IT DOESN'T INVOLVE 100 00:04:21,829 --> 00:04:23,297 PEOPLE TRYING TO BEST EACH OTHER. 101 00:04:23,331 --> 00:04:24,932 - WELL, I'M UP FOR IT. 102 00:04:24,965 --> 00:04:28,902 MATTER OF FACT, I'VE ALREADY WON. 103 00:04:35,008 --> 00:04:36,810 [The Friendly Indians' I Know You Know] 104 00:04:36,844 --> 00:04:38,579 * 105 00:04:38,612 --> 00:04:40,581 - * I KNOW YOU KNOW 106 00:04:40,614 --> 00:04:42,650 * THAT I'M NOT TELLING THE TRUTH * 107 00:04:42,683 --> 00:04:43,951 * I KNOW YOU KNOW 108 00:04:43,984 --> 00:04:45,686 * THEY JUST DON'T HAVE ANY PROOF * 109 00:04:45,719 --> 00:04:47,087 * EMBRACE THE DECEPTION 110 00:04:47,120 --> 00:04:49,423 * LEARN HOW TO BEND 111 00:04:49,457 --> 00:04:50,958 * YOUR WORST INHIBITIONS 112 00:04:50,991 --> 00:04:53,093 * TEND TO PSYCH YOU OUT IN THE END * 113 00:04:53,126 --> 00:04:56,397 * I KNOW YOU KNOW * 114 00:05:01,735 --> 00:05:03,337 - ALL RIGHT, LET'S BAG AND TAG EVERYTHING 115 00:05:03,371 --> 00:05:04,405 IN THE VICTIM'S MEDICINE CABINET 116 00:05:04,438 --> 00:05:06,407 AND MOVE ON OVER TO GILLIAN THE CRADLE ROBBER'S. 117 00:05:06,440 --> 00:05:09,076 - I JUST--WHY IS IT THAT A WEALTHY OLDER MAN 118 00:05:09,109 --> 00:05:11,579 CAN DATE A YOUNGER WOMAN AND HE'S A HERO, 119 00:05:11,612 --> 00:05:13,681 YET AN OLDER WOMAN CHOOSES TO EMPOWER HERSELF 120 00:05:13,714 --> 00:05:15,048 AND DATE A YOUNGER MAN, 121 00:05:15,082 --> 00:05:16,984 SHE'S CONSIDERED SOME SORT OF SOCIAL PARIAH? 122 00:05:17,017 --> 00:05:18,819 - 'CAUSE IT'S GROSS. - UGH. 123 00:05:18,852 --> 00:05:21,855 - HOLY--! SPENCER, WHAT THE HELL ARE YOU DOING? 124 00:05:21,889 --> 00:05:23,691 - SORRY, LASSIE, IT WAS NOT MY INTENT 125 00:05:23,724 --> 00:05:25,659 TO CAUSE YOU TO MAKE THAT NOISE IN FRONT OF THE GROUP. 126 00:05:25,693 --> 00:05:27,961 BUT IN ORDER TO GET INTO THE MINDSET OF THE VICTIM, 127 00:05:27,995 --> 00:05:30,097 I RENTED AMERICAN GIGOLO LAST NIGHT. 128 00:05:30,130 --> 00:05:31,899 - YOU THINK THIS IS PROSTITUTION? 129 00:05:31,932 --> 00:05:34,768 - LANCE TOLKIN DIDN'T HAVE A JOB, JULES. 130 00:05:34,802 --> 00:05:36,604 HE'S DATING A WOMAN TWICE HIS AGE 131 00:05:36,637 --> 00:05:39,940 AND HAS A SUPER TROOPERS PINBALL MACHINE IN HIS BEDROOM. 132 00:05:39,973 --> 00:05:41,709 IT DIDN'T PAY FOR ITSELF. 133 00:05:48,148 --> 00:05:49,717 [grunts] 134 00:05:49,750 --> 00:05:52,620 GUS, I'M GONNA NEED SOME HELP HERE. 135 00:05:52,653 --> 00:05:54,154 [grunting] 136 00:05:54,187 --> 00:05:56,890 - JUST STAY OUT OF OUR WAY, SPENCER. 137 00:05:56,924 --> 00:06:00,961 - [grunting] 138 00:06:02,696 --> 00:06:04,097 [grunts] 139 00:06:13,140 --> 00:06:14,975 KILLING WITH CLASS: 140 00:06:15,008 --> 00:06:17,511 THE ART OF SEDUCTION THROUGH CHARM AND SOPHISTICATION. 141 00:06:17,545 --> 00:06:19,513 QUESTION IS "WHO EXACTLY IS HE KILLING?" 142 00:06:19,547 --> 00:06:23,917 - HMM. MM. "TO LANCE, ONE OF MY MOST ARTFUL 143 00:06:23,951 --> 00:06:25,719 "AND GENTLEMANLY STUDENTS. 144 00:06:25,753 --> 00:06:28,622 HAPPY HUNTING. CORDIALLY, CLIVE PRESCOTT." 145 00:06:28,656 --> 00:06:32,526 - CLIVE...PRESCOTT. 146 00:06:34,928 --> 00:06:38,632 GUS, I DO BELIEVE WE FOUND A LEAD OF OUR OWN. 147 00:06:38,666 --> 00:06:41,001 - HOW'S YOUR FEET? - [peevish] I CAN'T FEEL THEM. 148 00:06:41,034 --> 00:06:42,903 - SWEET. - WAIT, GUS! 149 00:06:42,936 --> 00:06:44,772 I NEED YOU TO BE MY LEGS! 150 00:06:48,876 --> 00:06:51,712 - GENTLEMEN, IF YOU WANT TO CONTINUE TO SPEND YOUR NIGHTS 151 00:06:51,745 --> 00:06:53,981 WITH DINER WAITRESSES AND TOLLBOOTH ATTENDANTS, 152 00:06:54,014 --> 00:06:56,617 THEN BY ALL MEANS CARRY ON YOUR MISERABLE WAY. 153 00:06:56,650 --> 00:06:57,918 BUT IF YOU WANT TO SURROUND YOURSELF 154 00:06:57,951 --> 00:07:01,188 WITH SOPHISTICATION, WITH ELEGANT WOMEN 155 00:07:01,221 --> 00:07:05,526 WHO CAN GIVE YOU ANYTHING YOUR HEART DESIRES, 156 00:07:05,559 --> 00:07:06,927 THEN ASK YOURSELF THE QUESTION 157 00:07:06,960 --> 00:07:08,629 WHAT IS THE PICTURE 158 00:07:08,662 --> 00:07:10,130 THAT YOU ARE PAINTING OF YOURSELF? 159 00:07:10,163 --> 00:07:13,501 - WHAT IS THIS? LIKE, FIGHT CLUB FOR BUTLERS? 160 00:07:13,534 --> 00:07:17,738 - FOR INSTANCE, WHAT DID THESE TWO, UH, BOYS DO WRONG? 161 00:07:17,771 --> 00:07:19,239 - AH, THERE MUST BE SOME SORT OF MISTAKE. 162 00:07:19,272 --> 00:07:20,574 WE'RE NOT STUDENTS. 163 00:07:20,608 --> 00:07:22,209 I'M PSYCHIC DETECTIVE SHAWN SPENCER. 164 00:07:22,242 --> 00:07:23,911 THIS IS MY PARTNER, CHAZ BONO. 165 00:07:23,944 --> 00:07:25,646 - "PSYCHIC DETECTIVE." 166 00:07:25,679 --> 00:07:27,581 GENTLEMEN, THIS IS JUST WHAT I AM TALKING ABOUT. 167 00:07:27,615 --> 00:07:28,982 IF YOU'RE GOING TO CREATE A FAKE OCCUPATION, 168 00:07:29,016 --> 00:07:30,684 AT LEAST MAKE IT SOUND REAL. 169 00:07:30,718 --> 00:07:32,720 - I'M ALSO A PHARMACEUTICAL SALESMAN. 170 00:07:32,753 --> 00:07:33,921 - WELL, THAT SOUNDS PATHETIC. 171 00:07:33,954 --> 00:07:35,155 AND IT'S CERTAINLY NOT SEXY. 172 00:07:35,188 --> 00:07:36,890 - WHOA, SERIOUSLY, DUDE, 173 00:07:36,924 --> 00:07:40,761 THIS WHOLE GENTLEMAN THING'S NOT FOR ME. 174 00:07:40,794 --> 00:07:43,163 I MEAN, IT'S A LITTLE BIT DATED, DON'T YOU THINK? 175 00:07:43,196 --> 00:07:45,766 - WHAT I THINK IS THAT WITH MY METHOD, 176 00:07:45,799 --> 00:07:49,670 THERE IS NO ELIGIBLE WOMAN I COULDN'T SEDUCE. 177 00:07:49,703 --> 00:07:53,707 HOW ABOUT YOU? - [laughs] 178 00:07:53,741 --> 00:07:55,843 LET'S JUST SAY I DO FINE ON MY OWN, OKAY? 179 00:07:55,876 --> 00:07:57,978 I'M GOOD. - REALLY? 180 00:07:58,011 --> 00:08:00,047 - REALLY? - WHAT DO YOU MEAN REALLY? 181 00:08:00,080 --> 00:08:01,682 WHAT DO YOU MEAN REALLY? 182 00:08:01,715 --> 00:08:03,984 - WHEN WAS YOUR LAST SUCCESSFUL RELATIONSHIP? 183 00:08:04,017 --> 00:08:05,152 - DEFINE RELATIONSHIP. 184 00:08:05,185 --> 00:08:06,787 - "THE WAY IN WHICH 185 00:08:06,820 --> 00:08:08,789 "TWO OR MORE CONCEPTS, OBJECTS, OR PEOPLE ARE CONNECTED 186 00:08:08,822 --> 00:08:10,691 OR THE STATE OF BEING CONNECTED." 187 00:08:10,724 --> 00:08:12,159 WEBSTER. 188 00:08:12,192 --> 00:08:13,827 - I HARDLY THINK EMMANUEL LEWIS IS AN AUTHORITY 189 00:08:13,861 --> 00:08:15,596 ON RELATIONSHIPS. 190 00:08:15,629 --> 00:08:16,830 - MAY I ASK YOU A PERSONAL QUESTION? 191 00:08:16,864 --> 00:08:18,231 - SURE. 192 00:08:18,265 --> 00:08:20,167 - HAVE YOU EVER BEEN TESTED FOR IDIOCY? 193 00:08:20,200 --> 00:08:22,002 - WE'RE HERE TO CONDUCT OFFICIAL POLICE BUSINESS 194 00:08:22,035 --> 00:08:24,838 AND WE'VE GOT SOME PRETTY SERIOUS QUESTIONS FOR YOU 195 00:08:24,872 --> 00:08:26,774 ABOUT THE DEATH OF ONE OF YOUR STUDENTS. 196 00:08:26,807 --> 00:08:30,578 LANCE TOLKIN. 197 00:08:30,611 --> 00:08:33,614 - GENTLEMEN, I THINK WE CAN CALL IT A DAY. 198 00:08:39,019 --> 00:08:41,855 - I'M TELLING YOU, SHE'S NOT GONNA SHOW. 199 00:08:41,889 --> 00:08:44,725 BY NOW, SHE'S PROBABLY HALFWAY TO ACAPULCO. 200 00:08:44,758 --> 00:08:46,226 - CARLTON, LET'S NOT JUMP TO CONCLUSIONS. 201 00:08:46,259 --> 00:08:48,128 GILLIAN TUCKER IS STILL A VERY PROMINENT WOMAN 202 00:08:48,161 --> 00:08:49,697 IN THIS TOWN. 203 00:08:49,730 --> 00:08:50,698 - LOOK, O'HARA, IN MY BOOK, 204 00:08:50,731 --> 00:08:51,765 IT'S PRETTY CUT AND DRY. 205 00:08:51,799 --> 00:08:53,300 THIS SICK TWIST 206 00:08:53,333 --> 00:08:55,268 SEES AN OPPORTUNITY TO OFF HER RICH, OLDER HUSBAND 207 00:08:55,302 --> 00:08:57,237 AND THEN SHE GETS HERSELF A LITTLE BOY TOY. 208 00:08:57,270 --> 00:09:00,207 BUT WHO KNOWS? MAYBE HE FIGURES OUT HER SECRET. 209 00:09:00,240 --> 00:09:01,875 SO SHE DECIDES TO OFF HIM TOO 210 00:09:01,909 --> 00:09:04,211 AND THEN IT'S ON TO THE NEXT SET OF PECS. 211 00:09:04,244 --> 00:09:05,879 MAYBE THE KILLING FEELS GOOD. 212 00:09:05,913 --> 00:09:08,716 LIKE THE SOFT, SUPPLE FLESH OF A MAN-BUCK. 213 00:09:08,749 --> 00:09:10,283 - YOU DISTURB ME. 214 00:09:10,317 --> 00:09:12,920 AND YOUR THEORY ON THIS MURDER DISTURBS ME. 215 00:09:12,953 --> 00:09:14,755 AND YOU DISTURB ME. 216 00:09:14,788 --> 00:09:16,724 - YOU SAID THAT TWICE. - YES. 217 00:09:16,757 --> 00:09:18,692 - I'M SO SORRY TO KEEP YOU WAITING, OFFICERS. 218 00:09:18,726 --> 00:09:20,293 THIS WHOLE ORDEAL-- SINCE IT HAPPENED, 219 00:09:20,327 --> 00:09:22,062 I'M JUST BESIDE MYSELF. 220 00:09:22,095 --> 00:09:25,132 I FIND IT DIFFICULT JUST GETTING OUT OF BED. 221 00:09:25,165 --> 00:09:26,700 - MISS TUCKER, THANK YOU VERY MUCH 222 00:09:26,734 --> 00:09:28,035 FOR COMING DOWN HERE. 223 00:09:28,068 --> 00:09:29,737 WE JUST HAVE A COUPLE OF QUESTIONS. 224 00:09:29,770 --> 00:09:34,975 - PLEASE HAVE A SEAT. 225 00:09:35,008 --> 00:09:37,711 - THANK YOU. 226 00:09:37,745 --> 00:09:41,014 - DO YOU RECOGNIZE ME, MISS TUCKER? 227 00:09:41,048 --> 00:09:42,983 I WAS THE DETECTIVE 228 00:09:43,016 --> 00:09:45,052 LOOKING INTO YOUR LATE HUSBAND'S SUICIDE. 229 00:09:45,085 --> 00:09:46,720 - NO, I BELIEVE THAT WAS A MUCH YOUNGER MAN. 230 00:09:46,754 --> 00:09:48,355 LESS SALT AND PEPPER. 231 00:09:48,388 --> 00:09:51,759 - WE ARE VERY, VERY SORRY 232 00:09:51,792 --> 00:09:53,627 FOR YOUR LOSS, MISS TUCKER. 233 00:09:53,661 --> 00:09:56,664 AND, SERIOUSLY--I'M SORRY-- YOU JUST GOT OUT OF BED? 234 00:09:56,697 --> 00:10:00,033 - YOU KNOW, YOU HAVE A FUNNY WAY OF MOURNING. 235 00:10:00,067 --> 00:10:02,169 YOU SURE DIDN'T WASTE ANY TIME GETTING BACK UP ON THAT HORSE 236 00:10:02,202 --> 00:10:03,704 AFTER YOUR HUSBAND'S DEATH. 237 00:10:03,737 --> 00:10:05,706 - I'M LATE FOR A BUSINESS MEETING. 238 00:10:05,739 --> 00:10:07,641 AND I DON'T RIDE HORSES, DETECTIVE. 239 00:10:07,675 --> 00:10:10,143 - MISS TUCKER, ARE YOU TRYING TO SEDUCE ME? 240 00:10:10,177 --> 00:10:13,747 - NOT EVEN A LITTLE. 241 00:10:13,781 --> 00:10:16,917 I'M NOT GONNA LIE, I WAS NOT IN A HAPPY MARRIAGE. 242 00:10:16,950 --> 00:10:18,719 BUT I HAVE MY OWN WAY OF MOURNING 243 00:10:18,752 --> 00:10:20,654 AND I ASSUME YOU HAVE YOURS AS WELL. 244 00:10:20,688 --> 00:10:24,024 WHAT IS A WOMAN MY AGE SUPPOSED TO DO, DETECTIVE, KNIT? 245 00:10:24,057 --> 00:10:28,261 - CARLTON, CAN I TALK TO YOU FOR A SECOND? 246 00:10:30,731 --> 00:10:34,401 NOW? HMM? 247 00:10:34,434 --> 00:10:37,671 CARLTON, SHE IS NOT GOING TO A BUSINESS MEETING. 248 00:10:37,705 --> 00:10:39,172 I THINK SHE'S GOING ON A DATE. 249 00:10:39,206 --> 00:10:40,874 - WHAT MAKES YOU SAY THAT? 250 00:10:40,908 --> 00:10:42,676 - WELL, WHO'S SHE DOING HER HAIR AND MAKEUP FOR, YOU? 251 00:10:42,710 --> 00:10:44,244 - MAYBE. 252 00:10:44,277 --> 00:10:45,679 - CARLTON, IT'S CALLED BEING A DETECTIVE 253 00:10:45,713 --> 00:10:47,180 AND A WOMAN. 254 00:10:47,214 --> 00:10:48,749 SHE'S BEING INTERVIEWED BY TWO HOMICIDE COPS 255 00:10:48,782 --> 00:10:50,150 AND SHE'S PRIMPING LIKE THAT? 256 00:10:50,183 --> 00:10:51,785 NOT FOR A MEETING. 257 00:10:51,819 --> 00:10:53,286 AND IF SHE'S LYING ABOUT WHERE SHE'S GOING, 258 00:10:53,320 --> 00:10:54,688 SHE'S LYING ABOUT OTHER THINGS TOO. 259 00:10:54,722 --> 00:10:55,689 - MAYBE YOU'RE RIGHT. 260 00:10:55,723 --> 00:10:56,757 WE SHOULD TAIL HER. 261 00:10:56,790 --> 00:10:58,058 - THAT'S NOT WHAT I SAID. 262 00:10:58,091 --> 00:10:59,459 - O'HARA, WOULD YOU STOP DISAGREEING WITH ME 263 00:10:59,492 --> 00:11:01,094 WHEN I'M AGREEING WITH YOU? 264 00:11:01,128 --> 00:11:05,766 - MM. 265 00:11:05,799 --> 00:11:07,167 - CAN YOU TELL US ABOUT LANCE TOLKIN? 266 00:11:07,200 --> 00:11:08,368 - "CAN I"? 267 00:11:08,401 --> 00:11:09,770 MEANING DO I HAVE THE NEUROLOGICAL 268 00:11:09,803 --> 00:11:10,938 AND VERBAL ABILITY TO DO SO? 269 00:11:10,971 --> 00:11:12,305 - SORRY. WILL YOU? 270 00:11:12,339 --> 00:11:14,341 - I'VE HEARD IT BOTH WAYS. 271 00:11:14,374 --> 00:11:15,776 - MAYBE ON A FARM YOU HAVE. 272 00:11:15,809 --> 00:11:18,278 LANCE TOLKIN HAD NOT YET MASTERED THE ART 273 00:11:18,311 --> 00:11:20,180 OF, UM...MANNERS. 274 00:11:20,213 --> 00:11:21,414 I'LL LEAVE IT AT THAT. 275 00:11:21,448 --> 00:11:24,417 - I'M SENSING THE EXACT OPPOSITE. 276 00:11:24,451 --> 00:11:26,153 DIDN'T YOU REFER TO HIM 277 00:11:26,186 --> 00:11:30,323 AS ONE OF YOUR MOST "ARTFUL" STUDENTS? 278 00:11:30,357 --> 00:11:32,125 - ONE POINT FOR YOU, PSYCHIC. 279 00:11:32,159 --> 00:11:34,461 - DID SOMETHING HAPPEN BETWEEN YOU TWO? 280 00:11:34,494 --> 00:11:36,163 - LOOK, WAS HE A GOOD STUDENT? YES. 281 00:11:36,196 --> 00:11:37,264 DID HE SHOW POTENTIAL? 282 00:11:37,297 --> 00:11:38,832 PERHAPS MORE THAN THE OTHERS. 283 00:11:38,866 --> 00:11:42,502 HE WAS GOOD. BUT MAYBE NOT AS GOOD AS HE THOUGHT. 284 00:11:42,535 --> 00:11:43,503 [stamps forcefully] 285 00:11:43,536 --> 00:11:45,105 - YOU SOUND A LITTLE ANGRY. 286 00:11:45,138 --> 00:11:46,940 - ANGER IS EASY. 287 00:11:46,974 --> 00:11:49,877 A GENTLEMEN TAKES HIS IRE AND TURNS IT INTO INSIGHT. 288 00:11:49,910 --> 00:11:52,079 THAT'S IN CHAPTER THREE OF MY BOOK. 289 00:11:52,112 --> 00:11:54,714 GOOD DAY. 290 00:11:58,218 --> 00:12:01,221 - WHAT IS THAT? 291 00:12:02,522 --> 00:12:04,825 - "DEAR GENTLEMEN, THANK YOU FOR YOUR INQUIRIES 292 00:12:04,858 --> 00:12:06,259 "ABOUT THE DEATH OF MY FORMER STUDENT 293 00:12:06,293 --> 00:12:07,761 "LANCE TOLKIN. 294 00:12:07,795 --> 00:12:09,362 "GOOD LUCK WITH THE INVESTIGATION. 295 00:12:09,396 --> 00:12:11,431 CORDIALLY, CLIVE PRESCOTT." 296 00:12:11,464 --> 00:12:14,167 - WHAT THE...? - IT'S A THANK YOU NOTE. 297 00:12:14,201 --> 00:12:15,769 THIS IS WHAT I'M TALKING ABOUT. 298 00:12:15,803 --> 00:12:17,838 - THIS GUY'S PLAYING WITH US, GUS. 299 00:12:17,871 --> 00:12:20,874 THIS WHOLE GENTLEMAN THING IS A SHAM. 300 00:12:20,908 --> 00:12:22,776 I'M GONNA PROVE IT TOO. 301 00:12:28,148 --> 00:12:29,783 - EYES PEELED, O'HARA. 302 00:12:29,817 --> 00:12:34,287 THIS IS WHERE WE LET HER HANG HERSELF. 303 00:12:34,321 --> 00:12:37,124 WHAT-- GUSTER, WHAT THE HE--? 304 00:12:37,157 --> 00:12:38,892 - THAT'S A GOOD WAY TO GET YOURSELF SHOT. 305 00:12:38,926 --> 00:12:40,861 - WHAT THE HELL ARE YOU WEARING, SPENCER? 306 00:12:40,894 --> 00:12:43,530 - I AIN'T SPENCER. I'M SOUP CAN SAM. 307 00:12:43,563 --> 00:12:45,232 AND UNLIKE SOME DETECTIVES, 308 00:12:45,265 --> 00:12:47,067 WHEN GUS AND I SHOW UP FOR A STAKEOUT, 309 00:12:47,100 --> 00:12:48,902 WE TRY TO BLEND IN WITH THE REGULAR PEOPLE. 310 00:12:48,936 --> 00:12:50,470 - WHO'S GUS SUPPOSED TO BE? 311 00:12:50,503 --> 00:12:51,805 - I'M A REGULAR GUY IN A CAR. 312 00:12:51,839 --> 00:12:53,140 I'LL BLEND IN FINE. 313 00:12:53,173 --> 00:12:54,808 - WELL, AT LEAST SOMEONE FINALLY REALIZED 314 00:12:54,842 --> 00:12:55,809 WHO THE RIGHT SUSPECT IS. 315 00:12:55,843 --> 00:12:57,377 - I GUESS SOMEONE DID. 316 00:12:57,410 --> 00:12:58,979 - WAIT, HE THINKS WE'RE TAILING HER? 317 00:12:59,012 --> 00:13:00,480 - SHH. 318 00:13:00,513 --> 00:13:01,849 - SHE'S OBVIOUSLY MEETING A NEW BOY TOY. 319 00:13:01,882 --> 00:13:04,117 MAYBE ONE EVEN YOUNGER THAN THE LAST. 320 00:13:04,151 --> 00:13:05,853 - YOUNGER? 321 00:13:05,886 --> 00:13:07,554 WHO DO YOU THINK SHE'S MEETING WITH, JUSTIN BIEBER? 322 00:13:07,587 --> 00:13:09,456 - LASSIE, HAVE YOU CONSIDERED THE POSSIBILITY 323 00:13:09,489 --> 00:13:10,891 THAT SHE'S THE VICTIM HERE? 324 00:13:10,924 --> 00:13:14,828 - OH, SHH, HERE WE GO. 325 00:13:14,862 --> 00:13:17,030 WHO THE HELL IS THAT? - THAT'S OUR GUY. 326 00:13:17,064 --> 00:13:18,531 CLIVE PRESCOTT. 327 00:13:18,565 --> 00:13:19,466 - SHAWN, WHAT ARE YOU GETTING AT? 328 00:13:19,499 --> 00:13:21,068 - WE KNOW WHO THE MURDERER IS. 329 00:13:21,101 --> 00:13:23,270 AND WE HAVE THE HOME RUN SUSPECT. 330 00:13:23,303 --> 00:13:27,474 AND HE IS SANTA BARBARA'S BIGGEST DIRTY ROTTEN SCOUNDREL. 331 00:13:32,479 --> 00:13:33,580 - THE COPS ALREADY GOT MY STATEMENT 332 00:13:33,613 --> 00:13:34,381 THE NIGHT OF THE CRIME. 333 00:13:34,414 --> 00:13:36,083 - I KNOW. WE READ YOUR STATEMENT, 334 00:13:36,116 --> 00:13:37,317 BUT WE HAVE QUESTIONS OF OUR OWN. 335 00:13:37,350 --> 00:13:39,386 WE NOW BELIEVE SOMEONE MAY HAVE POISONED MR. TOLKIN'S DRINK. 336 00:13:39,419 --> 00:13:41,121 - DO YOU REMEMBER WHAT HIS DRINK ORDERS WERE THAT NIGHT? 337 00:13:41,154 --> 00:13:44,491 - NORMALLY I WOULDN'T, BUT HIS CAUGHT MY ATTENTION. 338 00:13:44,524 --> 00:13:47,194 IT WAS DIFFERENT. CLASSY. COOL. 339 00:13:47,227 --> 00:13:51,364 - YES. SEA BREEZE. - NO. UH, GABARDINE HIGHTAIL. 340 00:13:51,398 --> 00:13:53,566 TWO PARTS BRORA SCOTCH. ONE PART DRAMBUIE. 341 00:13:53,600 --> 00:13:56,503 A TEASPOON OF HONEY. IT WAS MR. TOLKIN'S FAVORITE. 342 00:13:56,536 --> 00:13:58,471 IN FACT, MISS TUCKER BROUGHT HER PRIVATE BOTTLE 343 00:13:58,505 --> 00:14:00,473 OF BRORA SCOTCH FOR ME TO KEEP BEHIND THE BAR THAT NIGHT 344 00:14:00,507 --> 00:14:01,474 JUST FOR MR. TOLKIN. 345 00:14:01,508 --> 00:14:03,010 - DID SHE NOW? 346 00:14:03,043 --> 00:14:04,444 - WE'RE GONNA NEED THAT BOTTLE. 347 00:14:09,482 --> 00:14:11,919 - YES, DAD. WE'RE FOLLOWING HIM NOW. 348 00:14:11,952 --> 00:14:13,553 I'M SURPRISED YOU DIDN'T ASK TO SIT IN THE BACK SEAT. 349 00:14:13,586 --> 00:14:15,322 - YOUR HUNCH WAS MORE THAN GOOD, SHAWN. 350 00:14:15,355 --> 00:14:17,190 PRESCOTT'S LAST KNOWN LIAISON 351 00:14:17,224 --> 00:14:18,658 WAS LORRAINE BELLE, 352 00:14:18,691 --> 00:14:21,161 ONE OF THE WEALTHIEST WIDOWS IN SANTA BARBARA. 353 00:14:21,194 --> 00:14:23,230 - MAYBE WE SHOULD CHECK HER OUT WHEN WE'RE FINISHED HERE. 354 00:14:23,263 --> 00:14:24,297 - YEAH, IT'S GONNA BE KIND OF HARD. 355 00:14:24,331 --> 00:14:26,233 SHE'S DEAD. 356 00:14:26,266 --> 00:14:28,335 SHE WENT ON VACATION WITH PRESCOTT TO SOUTH AMERICA. 357 00:14:28,368 --> 00:14:31,438 NEVER CAME BACK. DIED IN A DROWNING ACCIDENT. 358 00:14:31,471 --> 00:14:33,273 - THAT'S INTERESTING, POP, BUT HE'S SLOWING DOWN. 359 00:14:33,306 --> 00:14:34,574 WE GOT TO GO. - WAIT, WAIT, SHAWN. 360 00:14:34,607 --> 00:14:36,343 I THINK THIS GUY'S DANGEROUS. 361 00:14:36,376 --> 00:14:38,445 I WANT YOU TO BE CAREFUL. - I PROMISE. 362 00:14:38,478 --> 00:14:40,013 [hangs up] 363 00:14:40,047 --> 00:14:42,082 I THINK MY DAD'S STARTING TO LIKE ME. 364 00:14:42,115 --> 00:14:45,152 - LOOK AT THAT, GUS, HE'S LITERALLY TAKING HER 365 00:14:45,185 --> 00:14:46,519 TO THE BANK. 366 00:14:46,553 --> 00:14:49,489 - WHAT'S THE NEXT STOP, THE CLEANERS? 367 00:14:54,327 --> 00:14:56,529 DUDE, I THOUGHT YOU SAID WE WERE JUST GONNA FOLLOW HIM. 368 00:14:56,563 --> 00:15:01,634 - THAT WOULDN'T BE VERY MUCH FUN NOW WOULD IT, GUS? 369 00:15:01,668 --> 00:15:05,305 [jar slams] 370 00:15:05,338 --> 00:15:07,240 - WHAT ARE YOU GENTLEMEN DOING HERE? 371 00:15:07,274 --> 00:15:08,475 - I'M HERE TO SEE MY MONEY. 372 00:15:08,508 --> 00:15:10,310 THEY KEEP IT IN A SPECIAL ROOM IN THE BACK 373 00:15:10,343 --> 00:15:12,012 WITH A TRAMPOLINE. 374 00:15:12,045 --> 00:15:13,446 I'M GONNA ROLL AROUND IN IT FOR A WHILE. 375 00:15:13,480 --> 00:15:15,348 MAYBE MAKE IT RAIN. 376 00:15:15,382 --> 00:15:17,350 SORT OF LIKE THAT MOVIE INDECENT PROPOSAL 377 00:15:17,384 --> 00:15:19,152 EXCEPT NO SEX--MAYBE SEX. 378 00:15:19,186 --> 00:15:21,454 MISS TUCKER, I'M SHAWN SPENCER. 379 00:15:21,488 --> 00:15:23,590 PSYCHIC DETECTIVE FOR THE SBPD. 380 00:15:23,623 --> 00:15:27,427 [sniffs] I'M SENSING THAT YOU ENJOY THE COMPANY 381 00:15:27,460 --> 00:15:30,430 OF YOUNGER MEN. 382 00:15:30,463 --> 00:15:32,265 AND FOR OBVIOUS REASONS, 383 00:15:32,299 --> 00:15:34,301 I CAN'T TAKE MY EYES OFF OF YOU. 384 00:15:34,334 --> 00:15:37,570 - [chuckles] 385 00:15:37,604 --> 00:15:40,740 - IF YOU'RE DONE SNIFFING US, WE HAVE AN APPOINTMENT. 386 00:15:40,773 --> 00:15:44,411 EXCUSE US. - [chuckles] 387 00:15:44,444 --> 00:15:46,546 - WHAT THE HELL WAS THAT? - THE MANAGER'S HAIR? 388 00:15:46,579 --> 00:15:49,449 - NO. - YOU HEARD WHAT MY DAD SAID. 389 00:15:49,482 --> 00:15:51,684 THIS GUY FLEECES WOMEN AND THEY END UP DEAD. 390 00:15:51,718 --> 00:15:53,086 WE GOT TO KEEP HIM AWAY FROM HER, 391 00:15:53,120 --> 00:15:54,387 SLOW DOWN THIS TRAIN 392 00:15:54,421 --> 00:15:55,488 UNTIL WE HAVE THE PROOF THAT WE NEED. 393 00:15:55,522 --> 00:15:57,257 - SHAWN, IS THIS ABOUT YOUR EGO 394 00:15:57,290 --> 00:15:59,059 AND TRYING TO PROVE YOU HAVE MORE GAME THAN THIS GUY? 395 00:15:59,092 --> 00:16:00,327 - GUS, I'VE NEVER BEEN MORE OFFENDED. 396 00:16:00,360 --> 00:16:01,628 THAT WOULD BE A NICE BONUS. 397 00:16:01,661 --> 00:16:04,197 - YOU'RE ON YOUR OWN. - [clicks tongue] 398 00:16:12,239 --> 00:16:15,542 MISS TUCKER, I APOLOGIZE FOR BEING SO ABRUPT, 399 00:16:15,575 --> 00:16:18,545 BUT AS A PSYCHIC, MY GIFT IS CONNECTION. 400 00:16:18,578 --> 00:16:21,414 KNOWING WITHOUT SAYING. LEARNING WITHOUT ASKING. 401 00:16:21,448 --> 00:16:23,416 EATING WITHOUT CHEWING. 402 00:16:23,450 --> 00:16:25,485 IT WOULD BE MY PLEASURE TO ACCOMPANY YOU 403 00:16:25,518 --> 00:16:26,753 ON THE TOWN THIS EVENING. 404 00:16:26,786 --> 00:16:30,023 PERHAPS WE COULD PAINT IT PURPLE 405 00:16:30,057 --> 00:16:32,592 SINCE WE WERE BOTH BORN IN FEBRUARY. 406 00:16:32,625 --> 00:16:35,028 - THAT'S AMAZING. HOW DID YOU DO THAT? 407 00:16:35,062 --> 00:16:37,464 - LITTLE BIT OF THIS, WHOLE LOT OF THAT, 408 00:16:37,497 --> 00:16:39,066 AND JUST A TINGE OF-- 409 00:16:39,099 --> 00:16:40,500 - UM, WOULD YOU MIND IF I HAD A WORD 410 00:16:40,533 --> 00:16:42,469 WITH MR. SPENCER? 411 00:16:42,502 --> 00:16:44,471 WHAT DO YOU THINK YOU'RE DOING? 412 00:16:44,504 --> 00:16:45,738 - OBVIOUSLY, I'M FLIRTING WITH A NEWLY AVAILABLE WIDOW 413 00:16:45,772 --> 00:16:47,440 THAT HAPPENS TO BE YOUR DEAR, DEAR FRIEND. 414 00:16:47,474 --> 00:16:48,308 - YEAH, WELL, YOU'RE WAY OUT OF YOUR LEAGUE. 415 00:16:48,341 --> 00:16:49,809 SO WHY DON'T YOU BACK OUT? 416 00:16:49,842 --> 00:16:51,578 - OH, YOU THINK I CAN'T HANDLE YOUR GAME? 417 00:16:51,611 --> 00:16:53,346 - IT'S NOT A GAME. THAT'S YOUR FIRST MISTAKE. 418 00:16:53,380 --> 00:16:54,581 - [gasps] YOU JUST PUSHED MY COMPETITIVE BUTTON 419 00:16:54,614 --> 00:16:56,449 AND NOW IT'S ON. 420 00:16:56,483 --> 00:16:58,418 - I'D BE FRIGHTENED IF YOU WERE WEARING ANY BUTTONS. 421 00:16:58,451 --> 00:17:00,787 MISS TUCKER, I AM SO SORRY TO HAVE EXPOSED YOU 422 00:17:00,820 --> 00:17:02,622 TO THESE JUVENILE ANTICS. 423 00:17:02,655 --> 00:17:05,825 - CLIVE, I THINK HE'S RATHER ADORABLE. 424 00:17:05,858 --> 00:17:08,361 - SO IS A GIBBON, BUT HAVE YOU EVER TRIED TO EAT WITH ONE? 425 00:17:08,395 --> 00:17:11,598 NOW, THIS MAN-BOY HERE LACKS ALL CULTURE, ELEGANCE, 426 00:17:11,631 --> 00:17:13,400 AND HE SMELLS OF BUFFALO WINGS. 427 00:17:13,433 --> 00:17:16,436 - HA! THAT IS WHERE YOU ARE WRONG, SIR. 428 00:17:16,469 --> 00:17:18,338 WHAT YOU'RE SMELLING ARE BUFFALO WING FLAVORED 429 00:17:18,371 --> 00:17:20,340 SNYDER'S PRETZELS OF HANOVER. 430 00:17:20,373 --> 00:17:23,643 - IT'S AMERICA'S PRETZEL. - AND HANOVER'S, OBVIOUSLY. 431 00:17:23,676 --> 00:17:25,378 - [laughs] 432 00:17:25,412 --> 00:17:28,181 - DO YOU SEE NOW WHY THIS WOULD BE SUCH A BAD MISTAKE? 433 00:17:28,215 --> 00:17:30,617 - GILLIAN, HAVE YOU EVER DATED A MAN WHO WAS TRIPLE-JOINTED? 434 00:17:30,650 --> 00:17:33,386 - WOW. - NO, I CAN'T SAY THAT I HAVE. 435 00:17:33,420 --> 00:17:34,754 - THAT'S A SHAME. 436 00:17:34,787 --> 00:17:36,123 I WAS HOPING TO DISCUSS IT WITH YOU TONIGHT 437 00:17:36,156 --> 00:17:37,657 ON OUR DATE. 438 00:17:37,690 --> 00:17:39,459 - WELL, I MUST SAY YOU ARE AN ORIGINAL, 439 00:17:39,492 --> 00:17:41,328 SHAWN SPENCER. 440 00:17:41,361 --> 00:17:43,096 AND I THINK IT WOULD BE A BREATH OF FRESH AIR 441 00:17:43,130 --> 00:17:44,497 TO DINE WITH YOU, 442 00:17:44,531 --> 00:17:45,798 AND PRECISELY WHAT I NEED RIGHT NOW. 443 00:17:45,832 --> 00:17:49,102 - YOU'VE GOT TO BE KIDDING ME. 444 00:17:49,136 --> 00:17:50,370 - OH, I'M SO SORRY. 445 00:17:50,403 --> 00:17:52,339 I'M SORRY. I'M GONNA HAVE TO LEAVE RIGHT NOW 446 00:17:52,372 --> 00:17:55,108 OR I'M NOT GONNA BE READY FOR TONIGHT. I'M SORRY, CLIVE. 447 00:17:55,142 --> 00:17:57,510 - GUESS YOU'LL HAVE TO OPEN THIS SAFETY DEPOSIT BOX 448 00:17:57,544 --> 00:18:01,381 SOME OTHER TIME. 449 00:18:01,414 --> 00:18:02,715 - ONE STIPULATION. 450 00:18:02,749 --> 00:18:04,551 MY FRIEND EUGENIA WAS RECENTLY DISAPPOINTED 451 00:18:04,584 --> 00:18:05,818 BY A GENTLEMAN FRIEND 452 00:18:05,852 --> 00:18:07,320 AND SHE COULD USE SOME COMPANY. 453 00:18:07,354 --> 00:18:08,888 DO YOU HAVE SOMEONE FOR HER? 454 00:18:08,921 --> 00:18:11,191 - AS A MATTER OF FACT, 455 00:18:11,224 --> 00:18:14,494 I HAVE THE PERFECT GENTLEMAN. 456 00:18:17,164 --> 00:18:19,166 - SHAWN, THIS ISN'T HAPPENING. 457 00:18:19,199 --> 00:18:20,633 - GUS, DON'T BE GEORGE HAMILTON'S REACTION 458 00:18:20,667 --> 00:18:22,502 WHEN ASHLEY CAME TO HIM 459 00:18:22,535 --> 00:18:24,271 AND SAID "DAD, I THINK I'LL BECOME AN ACTOR TOO." 460 00:18:24,304 --> 00:18:26,473 [whispers] KEEP AN OPEN MIND. THIS IS ABOUT SOLVING A MURDER. 461 00:18:26,506 --> 00:18:29,642 HELLO, LADIES. YOUR TRAMPS HAVE ARRIVED. 462 00:18:29,676 --> 00:18:31,911 - HELLO. - [laughs] 463 00:18:31,944 --> 00:18:33,680 WELL, FIRST THINGS FIRST. 464 00:18:33,713 --> 00:18:37,850 I ALWAYS LIKE TO GIVE A LITTLE GET-TO-KNOW-YOU SOMETHING. 465 00:18:37,884 --> 00:18:39,652 - OH, MY GOODNESS. I DON'T KNOW WHAT TO SAY. 466 00:18:39,686 --> 00:18:42,522 THIS IS-- WOW. 467 00:18:42,555 --> 00:18:44,391 [laughs] 468 00:18:44,424 --> 00:18:45,825 WOW. 469 00:18:45,858 --> 00:18:47,627 THIS IS A LITTLE BIT AWKWARD, 470 00:18:47,660 --> 00:18:49,629 ONLY BECAUSE I DON'T WEAR EARRINGS. 471 00:18:49,662 --> 00:18:51,464 I MEAN, I USED TO BACK IN THE DAY. 472 00:18:51,498 --> 00:18:53,866 THREE OF THEM. BUT THAT WAS JUST BECAUSE OF TEARS FOR FEARS. 473 00:18:53,900 --> 00:18:56,403 - SHAWN, THOSE ARE CUFFLINKS. - [laughs] COURSE THEY ARE, GUS. 474 00:18:56,436 --> 00:19:00,507 DON'T BE RIDICULOUS. - OH. UM, GUS. 475 00:19:00,540 --> 00:19:01,841 - YES. 476 00:19:01,874 --> 00:19:04,377 - UH, WOULD YOU CARE FOR SOME GUM? 477 00:19:04,411 --> 00:19:08,581 OH, I ONLY HAVE, UH, ONE PIECE LEFT. 478 00:19:08,615 --> 00:19:13,853 WE COULD SPLIT IT. 479 00:19:13,886 --> 00:19:15,522 - EUGENIA'S BEEN STAYING WITH ME SINCE WALTER DIED. 480 00:19:15,555 --> 00:19:17,624 SHE DOESN'T LIKE TO GO OUT MUCH. 481 00:19:17,657 --> 00:19:19,259 IT HASN'T WORKED OUT WITH ANY OF THE MEN 482 00:19:19,292 --> 00:19:20,427 I'VE SET HER UP WITH. 483 00:19:20,460 --> 00:19:22,495 MAYBE GUS WILL BE THE ONE. 484 00:19:22,529 --> 00:19:25,432 GENIE, ISN'T GUS HANDSOME? - [chuckles] 485 00:19:25,465 --> 00:19:27,900 - OOH. 486 00:19:27,934 --> 00:19:29,902 - EUGENIA, DON'T LOOK. DON'T LOOK. DON'T LOOK. 487 00:19:29,936 --> 00:19:32,405 GABE MCKINLEY'S OVER THERE WITH THAT TRAMP, OLIVIA AINSLEY. 488 00:19:32,439 --> 00:19:34,841 - [gasps] OH. 489 00:19:34,874 --> 00:19:36,509 - GABE WAS EUGENIA'S DATE AT THE BENEFIT. 490 00:19:36,543 --> 00:19:37,844 IT DIDN'T WORK OUT. 491 00:19:37,877 --> 00:19:39,746 - AH. - I CAN'T IMAGINE WHY. 492 00:19:39,779 --> 00:19:45,318 - WE BOTH ARE SO SORRY TO HEAR THAT. 493 00:19:45,352 --> 00:19:46,619 [whispers] YOU'RE NOT PULLING YOUR WEIGHT. 494 00:19:46,653 --> 00:19:48,321 - [whispers] I'M TRYING. 495 00:19:48,355 --> 00:19:49,556 EVERY TIME I SMILE AT HER, SHE PUCKERS AT ME. 496 00:19:49,589 --> 00:19:50,923 I'M NOT USED TO THE PUCKER, SHAWN. 497 00:19:50,957 --> 00:19:52,225 - GILLIAN SAID SHE'S INTO GARDENING. 498 00:19:52,259 --> 00:19:53,393 ASK HER ABOUT FLOWERS. 499 00:19:53,426 --> 00:19:54,427 - I DON'T KNOW ANYTHING ABOUT FLOWERS. 500 00:19:54,461 --> 00:19:55,895 - JUST ASK HER SOMETHING! 501 00:19:55,928 --> 00:19:58,531 AH, SORRY. - SO, EUGENIA... 502 00:19:58,565 --> 00:20:01,401 - YES. - EXACTLY HOW OLD ARE YOU? 503 00:20:01,434 --> 00:20:03,236 - [slams table] 504 00:20:03,270 --> 00:20:05,505 - THIS IS THE LIMOUX VIVENTI CABERNET DUMONT. 505 00:20:05,538 --> 00:20:06,539 - OH. - MAY I? 506 00:20:06,573 --> 00:20:09,276 - "MAY YOU" OR "CAN YOU"? 507 00:20:09,309 --> 00:20:10,443 - I THINK HE GOT IT RIGHT THE FIRST TIME. 508 00:20:10,477 --> 00:20:12,345 - ALL RIGHT. 509 00:20:12,379 --> 00:20:14,013 ACTUALLY, WE HAVEN'T ORDERED WINE. 510 00:20:14,046 --> 00:20:15,582 - THIS WINE IS COMPLIMENTS OF THE GENTLEMAN 511 00:20:15,615 --> 00:20:19,486 SITTING RIGHT THERE. 512 00:20:19,519 --> 00:20:21,354 - OH. 513 00:20:21,388 --> 00:20:23,356 - [whispers] HE'S GETTING UP. TAKE HIM OUT. 514 00:20:23,390 --> 00:20:24,857 - [whispers] WHAT? "TAKE HIM OUT"? 515 00:20:24,891 --> 00:20:26,359 - SWEEP THE LEG. - I'M NOT SWEEPING HIS LEG. 516 00:20:26,393 --> 00:20:28,861 - WHY WON'T YOU EVER SWEEP THE LEG? 517 00:20:28,895 --> 00:20:30,563 - GOOD EVENING, EVERYONE. 518 00:20:30,597 --> 00:20:32,031 - WELL, THIS IS UNFORTUNATE, ISN'T IT? 519 00:20:32,064 --> 00:20:33,366 TO WALK ALL THE WAY OVER HERE 520 00:20:33,400 --> 00:20:34,734 ONLY TO DISCOVER THAT THERE IS NOT ROOM 521 00:20:34,767 --> 00:20:36,469 AT THIS TABLE FOR YOU. 522 00:20:36,503 --> 00:20:40,307 [whispers] OUCH. - SHAWN, DON'T BE SILLY. 523 00:20:40,340 --> 00:20:41,608 THERE'S AN EMPTY SEAT RIGHT HERE. 524 00:20:41,641 --> 00:20:43,843 - THANK YOU FOR THAT GRACIOUS INVITATION. 525 00:20:43,876 --> 00:20:45,778 I DON'T KNOW HOW MUCH OF A WINE CONNOISSEUR YOU ARE, 526 00:20:45,812 --> 00:20:49,382 MR. SPENCER, BUT I THINK YOU WILL FIND THE DUMONT 527 00:20:49,416 --> 00:20:51,651 BOTH NUTTY AND SHY. 528 00:20:51,684 --> 00:20:53,486 - VERY FAMILIAR. 529 00:20:53,520 --> 00:20:55,488 THAT WAS GUS ON THE FIRST DAY OF KINDERGARTEN. 530 00:20:55,522 --> 00:20:56,523 - SHAWN. - IT'S TRUE. 531 00:20:56,556 --> 00:20:57,524 YOU DIDN'T TALK TO ANYONE 532 00:20:57,557 --> 00:20:59,492 AND YOU PEED IN YOUR CUBBYHOLE. 533 00:20:59,526 --> 00:21:00,860 I'D SAY THAT'S PRETTY NUTTY, WOULDN'T YOU? 534 00:21:00,893 --> 00:21:06,633 - OKAY, EXCUSE ME. - I'M GOING TO JOIN HER. 535 00:21:06,666 --> 00:21:09,436 - WHAT'S UP? WHAT'S UP? - YOU BOYS PLAY NICE. 536 00:21:09,469 --> 00:21:12,339 - [chuckles] - NOT TOGETHER. 537 00:21:14,574 --> 00:21:16,376 - LOOK AT YOU. 538 00:21:16,409 --> 00:21:18,445 YOU'RE LIKE A SCARED CHICKEN AT A SLAUGHTERHOUSE, 539 00:21:18,478 --> 00:21:20,313 AND I'VE JUST RATTLED YOUR CAGE. 540 00:21:20,347 --> 00:21:21,948 - YOU'RE RIGHT ABOUT THE CAGE. 541 00:21:21,981 --> 00:21:23,550 BUT I'M A RABID HAMSTER 542 00:21:23,583 --> 00:21:25,652 AND I'M JUST GETTING STARTED, JACK. 543 00:21:25,685 --> 00:21:27,654 - HELLO, PROFESSOR. - MR. MCKINLEY. 544 00:21:27,687 --> 00:21:29,356 I SEE YOU'RE WITH MISS AINSLEY TONIGHT. 545 00:21:29,389 --> 00:21:30,990 - WHY, YES, I AM, SIR. FIRST DATE. 546 00:21:31,023 --> 00:21:33,360 SEEMS TO BE GOING WELL. - GOOD FOR YOU. 547 00:21:33,393 --> 00:21:35,362 THINK YOU'VE DATED EVERYONE IN THIS RESTAURANT. 548 00:21:35,395 --> 00:21:36,829 - [laughs] 549 00:21:36,863 --> 00:21:40,099 WELL, SIR, I LEARNED FROM THE VERY BEST. 550 00:21:40,132 --> 00:21:42,435 BUT PERHAPS I'M NOT AS GOOD AS MR. SPENCER. 551 00:21:42,469 --> 00:21:44,036 YOU'RE HERE WITH MISS TUCKER? 552 00:21:44,070 --> 00:21:46,439 HMM. I WAS UNDER THE IMPRESSION SHE WAS OFF LIMITS. 553 00:21:46,473 --> 00:21:47,907 - OFF LIMITS? - WELL, YES. 554 00:21:47,940 --> 00:21:50,577 UH, EVERYONE WAS FAIR GAME EXCEPT FOR HER. 555 00:21:50,610 --> 00:21:52,679 ISN'T THAT RIGHT, PROFESSOR? 556 00:21:52,712 --> 00:21:54,947 I GUESS THAT MAKES YOU A VERY BRAVE MAN, MR. SPENCER. 557 00:21:54,981 --> 00:21:56,883 - DOESN'T ANYONE USE FIRST NAMES ANYMORE? 558 00:21:56,916 --> 00:21:58,385 - HEY, GOOD LUCK. - YEAH. 559 00:21:58,418 --> 00:22:02,955 YEAH, WON'T BE NEEDING ANY OF THAT. 560 00:22:02,989 --> 00:22:07,026 WHAT'S THE DEAL WITH-- I DON'T--IT GOES-- 561 00:22:07,059 --> 00:22:09,596 - WE MUST REMEMBER THIS WINE WHEN WE GO TO PERU. 562 00:22:09,629 --> 00:22:11,431 - OH, YES, YES, YES. 563 00:22:11,464 --> 00:22:13,433 CLIVE IS TAKING ME ON A BUSINESS TRIP TO SOUTH AMERICA. 564 00:22:13,466 --> 00:22:15,034 I'VE DECIDED TO INVEST IN ART. 565 00:22:15,067 --> 00:22:16,936 AND HE'S FOUND A WONDERFUL PAINTER IN LIMA 566 00:22:16,969 --> 00:22:19,939 THAT HE THINKS I MIGHT BE INTERESTED IN. 567 00:22:19,972 --> 00:22:22,442 - SHE WENT ON VACATION WITH PRESCOTT TO SOUTH AMERICA. 568 00:22:22,475 --> 00:22:26,446 NEVER CAME BACK. DIED IN A DROWNING ACCIDENT. 569 00:22:26,479 --> 00:22:28,381 - GILLIAN, IT'S A LITTLE STUFFY IN HERE, DON'T YOU THINK? 570 00:22:28,415 --> 00:22:30,016 LITTLE BIT? 571 00:22:30,049 --> 00:22:31,551 WHY DON'T YOU SAY THE FOUR OF US ROLL ON OUT, 572 00:22:31,584 --> 00:22:37,089 HIT SOME PLACE A LITTLE LESS PRESCOTTY. 573 00:22:37,123 --> 00:22:38,725 - WELL, WHERE DID YOU HAVE IN MIND? 574 00:22:44,030 --> 00:22:46,433 - CREATES THE PERFECT CRISSCROSS. 575 00:22:46,466 --> 00:22:49,536 THAT'S IT. SYMMETRY. SYMMETRY. 576 00:22:49,569 --> 00:22:52,004 ALLOWING ALL THE TOPPINGS TO SNUGGLE UP 577 00:22:52,038 --> 00:22:54,874 AND GET WARM UNDER A BLANKET OF CHEESE. 578 00:22:54,907 --> 00:22:57,109 AND BITE. 579 00:22:57,143 --> 00:22:59,178 - MM-MM. - MM. 580 00:22:59,211 --> 00:23:01,180 - MM. - MM'S RIGHT. 581 00:23:01,213 --> 00:23:04,784 - MM. - MM-HMM. 582 00:23:04,817 --> 00:23:07,153 - OKAY, THIS MAKES NO SENSE. HOW COULD SHE NOT BE INTO ME? 583 00:23:07,186 --> 00:23:09,088 - WHY DO YOU CARE? - I DIDN'T, BUT NOW I DO. 584 00:23:09,121 --> 00:23:10,823 NO ONE OVER THE AGE OF 32 SHUTS THIS DOWN. 585 00:23:10,857 --> 00:23:12,191 - WOULD YOU STOP THINKING ABOUT YOUR EGO 586 00:23:12,224 --> 00:23:13,460 AND START THINKING ABOUT THIS CASE? 587 00:23:13,493 --> 00:23:15,027 - MY EGO? 588 00:23:15,061 --> 00:23:18,498 - GILLIAN, I FOR ONE AM HAVING A MARVELOUS TIME. 589 00:23:18,531 --> 00:23:21,100 - MM. ME TOO. 590 00:23:21,133 --> 00:23:23,836 - BUT I NEED TO ASK YOU A TEENSY-WEENSY LITTLE FAVOR. 591 00:23:23,870 --> 00:23:25,972 ACTUALLY, IT'S MORE LIKE THIS. 592 00:23:26,005 --> 00:23:27,574 - [chuckles] 593 00:23:27,607 --> 00:23:28,808 - FOR THE NEXT COUPLE OF DAYS, 594 00:23:28,841 --> 00:23:31,511 DO YOU THINK THAT YOU COULD NOT SPEAK TO 595 00:23:31,544 --> 00:23:33,480 OR HANG OUT WITH PRESCOTT? 596 00:23:33,513 --> 00:23:35,582 AND ALSO MAYBE NOT GO TO PERU WITH HIM EITHER? 597 00:23:35,615 --> 00:23:38,685 - SHAWN. ARE YOU ALREADY JEALOUS? 598 00:23:38,718 --> 00:23:40,520 NOT SURE HOW I FEEL ABOUT THAT. 599 00:23:40,553 --> 00:23:44,991 CLIVE IS JUST A FRIEND. [chuckles] 600 00:23:45,024 --> 00:23:47,460 - YOU WANT TO TOUCH MY HEAD? 601 00:23:47,494 --> 00:23:52,565 WOMEN OF ALL AGES AND RACES SAY IT HAS MAGICAL POWERS. 602 00:23:52,599 --> 00:23:54,867 - I'M GOOD. 603 00:23:54,901 --> 00:23:57,203 [knock on door] 604 00:23:57,236 --> 00:24:00,740 - LASSIE AND JULES. WELL, WHAT A SURPRISE. 605 00:24:00,773 --> 00:24:03,610 ONE--GUS, I THOUGHT YOU PUT A SOCK ON THE DOOR. 606 00:24:03,643 --> 00:24:09,115 ONE SECOND. 607 00:24:09,148 --> 00:24:11,217 - I KNOW YOUR TYPE. 608 00:24:11,250 --> 00:24:12,719 YOU DON'T LIKE "THE TELEGRAPH." 609 00:24:12,752 --> 00:24:15,922 YOU LIKE YOUR MAN TO SURPRISE YOU. 610 00:24:15,955 --> 00:24:18,525 I HEAR THAT. 611 00:24:18,558 --> 00:24:20,159 - WHAT ARE YOU GUYS DOING IN OUR PERSONAL SPACE? 612 00:24:20,192 --> 00:24:22,562 - WE DON'T WANT TO RAIN ON YOUR EARLY BIRD SPECIAL, 613 00:24:22,595 --> 00:24:25,532 BUT WE THOUGHT YOU SHOULD KNOW YOU'RE DATING OUR PRIME SUSPECT. 614 00:24:25,565 --> 00:24:27,534 - THIS IS NOT A DATE. COME ON. 615 00:24:27,567 --> 00:24:29,201 WE'RE WORKING. THIS IS AN INVESTIGATION. 616 00:24:29,235 --> 00:24:31,070 - WE GET IT. YOU KNOW, IT'S HARD OUT THERE. 617 00:24:31,103 --> 00:24:32,271 NOT EVERYBODY HAS AS MANY CHOICES. 618 00:24:32,304 --> 00:24:33,840 DON'T BE ASHAMED. 619 00:24:33,873 --> 00:24:35,241 - YOU DON'T SERIOUSLY THINK THAT GUS AND I 620 00:24:35,274 --> 00:24:36,543 ARE INTERESTED IN THESE WOMEN? 621 00:24:36,576 --> 00:24:37,944 LOOK, I DON'T KNOW ABOUT YOU GUYS, 622 00:24:37,977 --> 00:24:39,211 WE'RE TRYING TO SOLVE A MURDER HERE. 623 00:24:39,245 --> 00:24:41,147 - OH. 624 00:24:49,288 --> 00:24:51,958 - EXCUSE ME. - MM-HMM. 625 00:24:55,261 --> 00:24:58,297 - WHAT'S GOING ON? - YOU TELL ME. 626 00:24:58,330 --> 00:25:01,300 - OH. OH, THAT? IT'S NOT WHAT IT LOOKS LIKE. 627 00:25:01,333 --> 00:25:03,302 - NO. WE GET IT. 628 00:25:03,335 --> 00:25:05,104 APPARENTLY WHILE YOU AND SPENCER 629 00:25:05,137 --> 00:25:07,674 ARE EXPLORING YOUR DISTURBING NEW FETISH FOR OLDER WOMEN, 630 00:25:07,707 --> 00:25:10,076 O'HARA AND I WERE DISCOVERING WE WERE RIGHT ABOUT TUCKER. 631 00:25:10,109 --> 00:25:12,278 - GILLIAN HAD ACCESS TO THE BOTTLE OF SCOTCH 632 00:25:12,311 --> 00:25:13,846 LANCE WAS GOING TO BE DRINKING THAT NIGHT 633 00:25:13,880 --> 00:25:15,281 AND SHE MAY HAVE POISONED IT. 634 00:25:15,314 --> 00:25:18,117 - WAS HE DRINKING A GABARDINE HIGHTAIL? 635 00:25:18,150 --> 00:25:21,821 PRESCOTT CREATED THAT DRINK. IT'S IN HIS BOOK. 636 00:25:21,854 --> 00:25:24,023 - PRESCOTT TAUGHT LANCE EVERYTHING. 637 00:25:24,056 --> 00:25:25,692 HE KNEW WHAT HE WOULD ORDER. 638 00:25:25,725 --> 00:25:27,259 AND PRESCOTT COULD'VE EASILY SPIKED THAT PUNCH. 639 00:25:27,293 --> 00:25:29,562 NOW, IF YOU DON'T MIND, 640 00:25:29,596 --> 00:25:30,963 GUS IS A LITTLE BUSY 641 00:25:30,997 --> 00:25:34,166 TRYING TO GET SOME SWEET NOOKIE OFF HIS OLD AUNTIE. 642 00:25:34,200 --> 00:25:35,968 - FOR THE CASE. - FOR THE CASE. 643 00:25:36,002 --> 00:25:39,071 - GOOD LUCK. - GO GET 'EM, TIGER. 644 00:25:46,913 --> 00:25:49,315 YOU KNOW, GUS, I CAN IMAGINE A WORLD 645 00:25:49,348 --> 00:25:51,751 WHERE I GET A LITTLE FRISKY WITH GILLIAN TUCKER. 646 00:25:51,784 --> 00:25:53,252 I DON'T THINK I NEED TO ROUND THE BASES. 647 00:25:53,285 --> 00:25:55,354 BUT, YOU KNOW, SLIDE INTO SECOND SAFELY 648 00:25:55,387 --> 00:25:56,689 FEELS SUFFICIENT. 649 00:25:56,723 --> 00:25:59,258 - I GOT THE DOUBLE PULLBACK, SHAWN. 650 00:25:59,291 --> 00:26:01,193 SHE REJECTED ME. I MEAN, WHAT IS THAT? 651 00:26:01,227 --> 00:26:02,895 SHE SMELLED LIKE MOTHBALLS. 652 00:26:02,929 --> 00:26:05,598 - SOMETIMES YOU SMELL LIKE STYROFOAM. I DIG IT. 653 00:26:05,632 --> 00:26:06,899 - WHAT ARE YOU TALKING ABOUT, SHAWN? 654 00:26:06,933 --> 00:26:08,234 - I NEVER TOLD YOU THAT BEFORE? 655 00:26:08,267 --> 00:26:13,072 BOTTOM LINE IS WE KEPT PRESCOTT AWAY FROM GILLIAN. 656 00:26:13,105 --> 00:26:17,309 HE BACKED OFF. MEANS WE WIN, RIGHT? 657 00:26:17,343 --> 00:26:20,079 AH. I DON'T FEEL RIGHT. 658 00:26:20,112 --> 00:26:21,748 I HATE TO SAY THIS, BUT I THINK WE MAY HAVE GOTTEN 659 00:26:21,781 --> 00:26:23,149 SOME BAD PINEAPPLE ON THAT PIZZA. 660 00:26:23,182 --> 00:26:24,651 HOW'S YOUR STOMACH? - I'M FINE. 661 00:26:24,684 --> 00:26:30,056 - REALLY? AH. MAYBE IT WASN'T PINEAPPLE. 662 00:26:30,089 --> 00:26:33,592 MAYBE SOMEBODY GOT TO MY WINE AT THE RESTAURANT. 663 00:26:37,797 --> 00:26:41,768 OH! GUS, I SEE A BRIGHT LIGHT. 664 00:26:41,801 --> 00:26:43,402 I THINK I SHOULD GO TOWARDS IT. 665 00:26:43,435 --> 00:26:45,271 - OKAY, STOP PLAYING, SHAWN. - I'M GOING. 666 00:26:45,304 --> 00:26:47,173 TAKE CARE OF MY GREAT DANE LOTHAR. 667 00:26:47,206 --> 00:26:48,407 - YOU DON'T HAVE A GREAT DANE, SHAWN. 668 00:26:48,440 --> 00:26:50,309 - GET A GREAT DANE! NAME HIM LOTHAR! 669 00:26:50,342 --> 00:26:51,844 - OKAY, WHAT ARE YOU TALKING ABOUT? 670 00:26:51,878 --> 00:26:54,246 - I WAS POISONED, BUDDY. I'M SURE OF IT. 671 00:26:54,280 --> 00:26:56,248 BUT I KNOW WHO KILLED ME. 672 00:26:56,282 --> 00:27:00,352 REMEMBER, IT WAS PRESCOTT WHO KILLED ME. 673 00:27:11,097 --> 00:27:13,099 [monitor beeping] 674 00:27:13,132 --> 00:27:16,068 - SHAWN, THE DOCTOR'S HERE TO TALK TO YOU. 675 00:27:16,102 --> 00:27:19,706 - WELL, I'M SORRY, MR. SPENCER, BUT THERE'S NO QUESTION. 676 00:27:19,739 --> 00:27:23,142 YOU WERE POISONED. - OH, GOD, GUS, I KNEW IT. 677 00:27:23,175 --> 00:27:28,080 [peevish] I TOLD YOU. I TOLD YOU I WAS POISONED. 678 00:27:28,114 --> 00:27:30,449 - SHAWN, I SLEPT WITH STACEY WHITAKER 679 00:27:30,482 --> 00:27:32,318 WHEN WE WERE AT THE CABIN SUMMER OF JUNIOR YEAR. 680 00:27:32,351 --> 00:27:34,787 I KNOW YOU HAD A CRUSH ON HER AND I'M REALLY SORRY. 681 00:27:34,821 --> 00:27:37,690 - THERE'S ALSO NO QUESTION YOU'RE GOING TO BE FINE. 682 00:27:39,358 --> 00:27:42,328 - WHEN I SAY SLEEP, I MEAN LITERALLY SLEEP. 683 00:27:42,361 --> 00:27:45,397 I WAS SO TIRED THAT NIGHT. I MEAN POOPED. 684 00:27:45,431 --> 00:27:48,400 SAWING LOGS. ZZZZZZZ. 685 00:27:48,434 --> 00:27:49,936 - YOU WERE BARELY POISONED. 686 00:27:49,969 --> 00:27:51,904 THERE WERE JUST TRACES IN YOUR SYSTEM. 687 00:27:51,938 --> 00:27:55,374 - WHOA, WHOA, WHOA. YOU MEAN I'M NOT GONNA DIE? 688 00:27:55,407 --> 00:27:57,143 - WELL, MAYBE FROM ALL THE TAPIOCA PUDDING 689 00:27:57,176 --> 00:27:58,444 AND RAISINS IN YOUR STOMACH, 690 00:27:58,477 --> 00:28:00,046 BUT NOT FROM THE POISON. 691 00:28:00,079 --> 00:28:02,248 - THAT WAS MY TAPIOCA, SHAWN. YOU SON OF A-- 692 00:28:02,281 --> 00:28:04,917 - SHAWN, HOW ARE YOU? - PAPA. 693 00:28:04,951 --> 00:28:09,956 DADDY, COME. COME CLOSER. COME AND HUG ME. 694 00:28:09,989 --> 00:28:13,125 - SHAWN. SHAWN. LASSITER IS INTERVIEWING GILLIAN 695 00:28:13,159 --> 00:28:14,460 AND PRESCOTT AT THE STATION. 696 00:28:14,493 --> 00:28:15,995 YOU SHOULD BE THERE. 697 00:28:16,028 --> 00:28:17,730 I VOUCHED FOR YOU. DO NOT MAKE ME LOOK LIKE A FOOL. 698 00:28:17,764 --> 00:28:20,199 - DAD, I WAS POISONED. - I HEARD "BARELY." 699 00:28:20,232 --> 00:28:22,301 COME ON. GET YOUR PANTS ON. LET'S GO. 700 00:28:22,334 --> 00:28:24,737 - WHAT ARE YOU DO--? AAH! 701 00:28:24,771 --> 00:28:27,874 - WHERE WERE YOU AFTER YOU LEFT THE RESTAURANT LAST NIGHT? 702 00:28:27,907 --> 00:28:30,943 - DETECTIVE, HAVE YOU EVER READ LADY CHATTERLEY'S LOVER? 703 00:28:30,977 --> 00:28:32,378 - LET'S STAY ON POINT, MR. PRESCOTT. 704 00:28:32,411 --> 00:28:34,446 - SO YOU HAVEN'T READ IT? - IN COLLEGE, YEAH. 705 00:28:34,480 --> 00:28:36,148 IT WAS A LONG TIME AGO. 706 00:28:36,182 --> 00:28:38,517 - IT'S JUST THAT WITH YOUR CORN SILK HAIR, 707 00:28:38,550 --> 00:28:40,953 YOU MIGHT'VE STEPPED RIGHT OUT OF ITS PAGES. 708 00:28:40,987 --> 00:28:42,488 - WOW. 709 00:28:42,521 --> 00:28:46,425 - DO YOU, LIKE LADY CHATTERLEY, FEEL TRAPPED EMOTIONALLY? 710 00:28:46,458 --> 00:28:51,163 LONGING? THE NEED-- THE DESIRE TO BE HELD? 711 00:28:51,197 --> 00:28:55,301 - OH, MY...THIS FLOWERY CRAP ACTUALLY WORKS ON YOU? 712 00:28:55,334 --> 00:28:57,369 - IF YOU HAD READ THE BOOK, YOU WOULD UNDERSTAND, SHAWN. 713 00:28:57,403 --> 00:29:01,841 THIS MAN HAS ACTUAL INSIGHT TO THE PSYCHE OF A WOMAN. 714 00:29:01,874 --> 00:29:03,776 - I SAW ALL THE EMMANUELLE MOVIES 715 00:29:03,810 --> 00:29:05,812 INCLUDING THE ONE WHERE SHE CHANGED RACES. 716 00:29:05,845 --> 00:29:08,180 I THINK I HAVE PLENTY OF INSIGHT INTO THE FEMALE PSYCHE. 717 00:29:08,214 --> 00:29:11,383 THANK YOU. NOW WILL YOU ADMIT THAT YOUR BOOK IS DATED 718 00:29:11,417 --> 00:29:12,785 AND THAT I HAVE MORE GAME THAN YOU? 719 00:29:12,819 --> 00:29:14,353 - I WILL NOT. - ALL RIGHT. 720 00:29:14,386 --> 00:29:16,422 WILL YOU ADMIT THAT YOU TRIED TO MURDER ME LAST NIGHT 721 00:29:16,455 --> 00:29:17,824 BY POISONING MY PERSON? 722 00:29:17,857 --> 00:29:19,425 - I CERTAINLY WILL NOT. 723 00:29:19,458 --> 00:29:21,527 AND MY UNDERSTANDING IS THAT YOU WERE BARELY POISONED. 724 00:29:21,560 --> 00:29:24,330 - OKAY, WHY DO PEOPLE KEEP QUALIFYING THAT? 725 00:29:24,363 --> 00:29:27,900 - MR. PRESCOTT, YOU HAVE MY SINCEREST APOLOGIES. 726 00:29:27,934 --> 00:29:29,468 YOU'RE FREE TO GO. 727 00:29:29,501 --> 00:29:31,303 PICK UP YOUR ID WITH THE OFFICER AT THE FRONT DESK. 728 00:29:31,337 --> 00:29:33,472 - WHAT? ARE YOU KIDDING ME? DID YOU COME IN HERE TO KID ME? 729 00:29:33,505 --> 00:29:35,174 - I HAD TO LET GILLIAN GO AS WELL. 730 00:29:35,207 --> 00:29:36,843 WE DON'T HAVE ENOUGH TO HOLD EITHER ONE OF THEM. 731 00:29:36,876 --> 00:29:39,478 - HEY, DAD, GET IN HERE. NO, MY OTHER FATHER. 732 00:29:39,511 --> 00:29:43,382 WOULD YOU PLEASE COME IN HERE? 733 00:29:43,415 --> 00:29:45,484 LOOK, YOU HAVE BEEN ON MY SIDE FROM THE BEGINNING. 734 00:29:45,517 --> 00:29:50,322 YOU CANNOT ALLOW THEM TO RELEASE THIS GUY. 735 00:29:50,356 --> 00:29:52,959 - I KNOW YOU FROM SOMEWHERE, DON'T I? 736 00:29:52,992 --> 00:29:55,995 YES. YES, I REMEMBER YOU NOW. 737 00:29:56,028 --> 00:29:57,329 A GENTLEMEN NEVER FORGETS A NAME. 738 00:29:57,363 --> 00:30:00,499 LET'S SEE. HENRY. HENRY WILLIAM SPENCER. 739 00:30:00,532 --> 00:30:03,469 HE'S THE ONLY STUDENT I EVER HAD TO KICK OUT. 740 00:30:03,502 --> 00:30:05,237 - YOU GOT KICKED OUT OF HIS SEMINAR? 741 00:30:05,271 --> 00:30:08,307 - YOU DIDN'T KICK ME OUT. YOU INVITED ME TO LEAVE. 742 00:30:08,340 --> 00:30:12,378 - READ BETWEEN THE LINES, SIR. 743 00:30:12,411 --> 00:30:15,882 - OH--OH, DAD, THIS IS GOO-- THIS IS TOO GOOD. 744 00:30:15,915 --> 00:30:17,316 THIS IS TOO RICH. 745 00:30:17,349 --> 00:30:19,218 NOT ONLY DID YOU TAKE THE SEMINAR, 746 00:30:19,251 --> 00:30:21,353 YOU WERE INVITED TO LEAVE? OH, MY GOD, DAD. 747 00:30:21,387 --> 00:30:23,489 OH, MY GOD. OH, MY GOD. - FOCUS, SHAWN. 748 00:30:23,522 --> 00:30:24,891 - ONE MORE. CHANDLER BING STYLE. 749 00:30:24,924 --> 00:30:26,425 [as Chandler Bing] OH, MY GOD! 750 00:30:26,458 --> 00:30:28,327 - LOOK, WE CAN STILL NAIL THIS GUY. 751 00:30:28,360 --> 00:30:30,229 PRESCOTT WAS DATING ANOTHER WOMAN. 752 00:30:30,262 --> 00:30:32,865 A HARRIETT, UH, FINESTATT. 753 00:30:32,899 --> 00:30:34,433 HE WAS SEEING HER AT THE TIME OF HER DEATH. 754 00:30:34,466 --> 00:30:37,436 A MONTH LATER, THE COMPANY GOES KAPUT. 755 00:30:37,469 --> 00:30:38,938 - GREAT. DAD, THAT'S EXACTLY WHAT WE NEED. 756 00:30:38,971 --> 00:30:40,272 - SHAWN, I WANT YOU TO GIVE ME SOME TIME 757 00:30:40,306 --> 00:30:41,941 TO SUBSTANTIATE ALL THIS. 758 00:30:41,974 --> 00:30:44,310 YOU ARE SO CLOSE. IT'S ALL STARTING TO TAKE SHAPE. 759 00:30:44,343 --> 00:30:47,613 I WANT YOU TO START TO THINK LIKE A DETECTIVE. 760 00:30:47,646 --> 00:30:52,284 WE SIT ON IT. GOT IT? - GOT IT. 761 00:30:52,318 --> 00:30:55,955 - THE IDEA IS TO ATTACK AND CONQUER. 762 00:30:55,988 --> 00:30:57,523 LOVE DOESN'T COME TO YOU. YOU GO FIND IT. 763 00:30:57,556 --> 00:31:00,459 SLAY IT IF NECESSARY, BUT GET IT AND BRING IT BACK. 764 00:31:00,492 --> 00:31:02,628 ANY QUESTIONS? - I'VE GOT ONE. 765 00:31:02,661 --> 00:31:05,064 - OH, BROTHER. YES? 766 00:31:05,097 --> 00:31:06,565 - WHY IS THAT YOU WILL STOP AT NOTHING 767 00:31:06,598 --> 00:31:09,368 TO STEAL WOMEN'S MONEY AND ULTIMATELY MURDER THEM? 768 00:31:09,401 --> 00:31:11,603 - THAT'S RIDICULOUS AND UNTRUE. - REALLY? 769 00:31:11,637 --> 00:31:15,407 WELL, THEN PERHAPS YOU WOULDN'T MIND TALKING TO THE CLASS 770 00:31:15,441 --> 00:31:17,509 ABOUT THE DEATH OF HARRIETT FINESTATT. 771 00:31:17,543 --> 00:31:19,378 - WHAT DO YOU WANT ME TO SAY? 772 00:31:19,411 --> 00:31:21,080 YOU WANT ME TO TALK ABOUT HER CANCER? 773 00:31:21,113 --> 00:31:23,415 HOW I WAS AT HER BEDSIDE FOR MONTHS AND MONTHS? 774 00:31:23,449 --> 00:31:26,953 OR SHOULD I TELL YOU ABOUT HOW HER UNGRATEFUL SONS 775 00:31:26,986 --> 00:31:28,687 TOOK ALL OF HER MONEY AND DROVE HER BUSINESS 776 00:31:28,720 --> 00:31:30,056 INTO THE GROUND? 777 00:31:30,089 --> 00:31:32,391 - NEITHER OF THOSE THINGS. 778 00:31:32,424 --> 00:31:34,026 OBVIOUSLY WE'RE VERY SORRY FOR YOUR LOSS. 779 00:31:34,060 --> 00:31:35,962 BUT... - UH-OH. 780 00:31:35,995 --> 00:31:38,497 - WHAT ABOUT THE WOMAN IN SOUTH AMERICA, HMM? 781 00:31:38,530 --> 00:31:40,132 THE ONE WHO SUPPOSEDLY DROWNED. 782 00:31:40,166 --> 00:31:41,367 COME ON. 783 00:31:41,400 --> 00:31:43,469 - LORRAINE? SHE WAS KILLED BY A STINGRAY. 784 00:31:43,502 --> 00:31:45,972 NOW UNLESS YOU'RE ACCUSING ME OF HIRING A SEA CREATURE 785 00:31:46,005 --> 00:31:47,006 AS A HIT MAN... 786 00:31:47,039 --> 00:31:48,607 - OKAY, WELL, TELL ME THIS: 787 00:31:48,640 --> 00:31:51,477 WHAT DO YOU DO WHEN A WOMAN WHO'S MUCH OLDER THAN YOU 788 00:31:51,510 --> 00:31:53,145 SPURNS YOUR ADVANCES? 789 00:31:53,179 --> 00:31:54,580 - GUS, COME ON. A LITTLE DECORUM. 790 00:31:54,613 --> 00:31:56,515 - WHAT? YOU JUST ACCUSED HIM OF DEATH BY STINGRAY. 791 00:31:56,548 --> 00:32:00,519 - WELL, WHY WAS GILLIAN OFF LIMITS THEN, HUH? 792 00:32:00,552 --> 00:32:02,288 WHY DON'T YOU PAINT US THAT PICTURE? 793 00:32:02,321 --> 00:32:04,390 - YOU WANT A REAL PICTURE, MR. SPENCER? 794 00:32:04,423 --> 00:32:05,958 - I DO WANT THE REAL PICTURE. 795 00:32:05,992 --> 00:32:07,526 SO DROP THE GENTLEMAN ACT AND SAY SOMETHING REAL. 796 00:32:07,559 --> 00:32:09,495 WHY GILLIAN? - BECAUSE-- 797 00:32:09,528 --> 00:32:10,596 - BECAUSE WHAT? - BECAUSE I-- 798 00:32:10,629 --> 00:32:14,633 - BECAUSE WHAT? - BECAUSE I LOVE HER! 799 00:32:14,666 --> 00:32:17,970 BECAUSE I LOVE HER, ALL RIGHT? 800 00:32:18,004 --> 00:32:22,074 I AM A CAD AND A DECEIVER. 801 00:32:22,108 --> 00:32:26,078 AND I AM HOPELESSLY, RIDICULOUSLY IN LOVE. 802 00:32:38,790 --> 00:32:40,692 "DEAR PRESCOTT, I AM DEEPLY SORRY 803 00:32:40,726 --> 00:32:42,694 "THAT I ACCUSED YOU OF TRYING TO KILL ME. 804 00:32:42,728 --> 00:32:46,098 "GOOD DAY. I SAID GOOD DAY, SIR. 805 00:32:46,132 --> 00:32:48,300 SIGNED, SHOWN SPENCER." 806 00:32:48,334 --> 00:32:49,568 YOU MISSPELLED YOUR NAME. 807 00:32:49,601 --> 00:32:51,203 - I DID THAT ON PURPOSE. - NO, YOU DIDN'T. 808 00:32:51,237 --> 00:32:52,571 - YOU'RE RIGHT. 809 00:32:52,604 --> 00:32:54,306 I WAS IN A HURRY AND I DIDN'T HAVE SPELL CHECK. 810 00:32:54,340 --> 00:32:56,075 - YOU NEED SPELL CHECK FOR YOUR OWN NAME? 811 00:32:56,108 --> 00:32:59,178 - GUS. - SO WHAT ARE YOU GONNA DO NOW? 812 00:32:59,211 --> 00:33:01,180 - WELL, TO TELL YOU THE TRUTH, MR. GUSTER, 813 00:33:01,213 --> 00:33:03,282 MY ADVICE IS JUST WORDS ON A PAGE. 814 00:33:03,315 --> 00:33:05,284 "ATTACK AND CONQUER." IT'S NONSENSE. 815 00:33:05,317 --> 00:33:07,019 IT DOESN'T WORK WITH A PERSON OF ACTUAL SUBSTANCE 816 00:33:07,053 --> 00:33:09,321 LIKE GILLIAN. 817 00:33:09,355 --> 00:33:14,126 I'VE GOT TO DO SOMETHING. GENTLEMEN, I'M GOING TO PROPOSE. 818 00:33:14,160 --> 00:33:16,495 - OOH. 819 00:33:16,528 --> 00:33:18,297 EXCITING FOR YOU. - NO, IT'S EXCITING FOR YOU. 820 00:33:18,330 --> 00:33:20,399 IT'S TERRIFYING FOR ME. I HAVE NO IDEA WHAT I'M DOING. 821 00:33:20,432 --> 00:33:22,701 THAT'S WHY I'M ASKING EUGENIA FOR TEA. 822 00:33:22,734 --> 00:33:23,769 I'M HOPING HER FRIEND CAN GIVE ME ADVICE 823 00:33:23,802 --> 00:33:25,404 ON HOW TO APPROACH HER. 824 00:33:25,437 --> 00:33:26,638 - WELL, HOPEFULLY SHE'S NOT AS STINGY WITH HER ADVICE 825 00:33:26,672 --> 00:33:27,873 AS SHE IS WITH HER GUM. 826 00:33:27,906 --> 00:33:31,343 - OH, WELL, YOU HAVE TO TAKE INTO ACCOUNT HER CIRCUMSTANCES. 827 00:33:31,377 --> 00:33:34,346 - WHAT CIRCUMSTANCES? - YOU DON'T KNOW? 828 00:33:34,380 --> 00:33:36,115 EUGENIA'S PRACTICALLY PENNILESS. 829 00:33:36,148 --> 00:33:38,517 GILLIAN TAKES CARE OF HER. 830 00:33:47,159 --> 00:33:49,161 - MY FRIEND EUGENIA WAS RECENTLY DISAPPOINTED 831 00:33:49,195 --> 00:33:50,429 BY A GENTLEMAN FRIEND 832 00:33:50,462 --> 00:33:51,397 AND SHE COULD USE SOME COMPANY. 833 00:33:51,430 --> 00:33:56,535 - DUDE, GABE MCKINLEY WAS DATING EUGENIA. 834 00:33:56,568 --> 00:33:58,237 HE BROKE UP WITH HER. 835 00:33:58,270 --> 00:33:59,271 - HE REALIZED EUGENIA HAD NO MONEY. 836 00:33:59,305 --> 00:34:00,472 HE CHOSE THE WRONG WOMAN. 837 00:34:00,506 --> 00:34:01,507 - HIS BUDDY SCORED THE BIG FISH, GILLIAN. 838 00:34:01,540 --> 00:34:03,242 GABE WAS JEALOUS. 839 00:34:03,275 --> 00:34:06,178 - JEALOUS ENOUGH TO POISON HIM TO GET HIM OUT OF THE WAY. 840 00:34:06,212 --> 00:34:09,548 - JEALOUS ENOUGH TO POISON ME. 841 00:34:09,581 --> 00:34:11,317 - SLIGHTLY. YES. - SLI--? 842 00:34:11,350 --> 00:34:12,784 - WE BETTER CALL JULES AND LASSIE. 843 00:34:17,656 --> 00:34:21,360 - WHERE'S GABE MCKINLEY? WHERE IS HE? 844 00:34:31,437 --> 00:34:33,472 - ON THREE. 845 00:34:51,757 --> 00:34:55,427 - YES, I'LL HOLD. - STOP. 846 00:34:55,461 --> 00:34:57,896 - THIS IS WHAT GABE WAS DRINKING IN THE SAUNA. 847 00:34:57,929 --> 00:35:01,200 LOOKS LIKE WE MAY HAVE ANOTHER POISONING ON OUR HANDS. 848 00:35:03,935 --> 00:35:06,505 - CUFFLINKS. 849 00:35:10,842 --> 00:35:12,778 WAIT A MINUTE. 850 00:35:12,811 --> 00:35:14,746 GABE WAS HAVING AN AFFAIR WITH GILLIAN 851 00:35:14,780 --> 00:35:16,682 AND THAT IS THE REASON THAT HE IS DEAD. 852 00:35:16,715 --> 00:35:18,550 LANCE WAS DATING GILLIAN AND THAT IS THE REASON 853 00:35:18,584 --> 00:35:19,851 THAT HE WAS POISONED. 854 00:35:19,885 --> 00:35:22,188 AND BECAUSE I WENT ON ONE DATE WITH JILLIAN, 855 00:35:22,221 --> 00:35:25,257 SOMEONE TRIED TO BARELY POISON ME. 856 00:35:25,291 --> 00:35:28,694 NOW I'M SAYING IT. - THANK YOU. THAT WAS THE LAB. 857 00:35:28,727 --> 00:35:30,629 THE TOXICOLOGY REPORTS ARE CONCLUSIVE. 858 00:35:30,662 --> 00:35:31,897 THE PRINCIPAL TOXIN FOUND IN THE POISON 859 00:35:31,930 --> 00:35:34,300 THAT LANCE INGESTED IS CALLED NAPHTHALENE. 860 00:35:34,333 --> 00:35:35,534 - NAPHTHALENE? - NAPHTHALENE. 861 00:35:35,567 --> 00:35:36,768 - WHAT-PHTHALENE? - NAPHTHALENE. 862 00:35:36,802 --> 00:35:37,569 - NAPHTHALENE? 863 00:35:37,603 --> 00:35:39,338 - DOES THIS MEAN ANYTHING TO YOU? 864 00:35:39,371 --> 00:35:40,872 - IN MORE WAYS THAN ONE. MOTHBALLS, SHAWN. 865 00:35:40,906 --> 00:35:42,474 EUGENIA SMELLED LIKE MOTHBALLS. 866 00:35:42,508 --> 00:35:44,843 BUT IT WASN'T HER. IT WAS THE GARDEN. 867 00:35:44,876 --> 00:35:46,845 THE MAIN INGREDIENT IN MOTHBALLS IS NAPHTHALENE. 868 00:35:46,878 --> 00:35:48,447 - NAPHTHALENE? - THAT'S ENOUGH. 869 00:35:48,480 --> 00:35:49,948 SHE USED THEM AS A PESTICIDE, 870 00:35:49,981 --> 00:35:52,218 BUT THEY BECOME HIGHLY LETHAL IF THEY'RE INGESTED. 871 00:35:59,525 --> 00:36:01,327 IT'S THE PERFECT OLD PERSON'S MURDER WEAPON. 872 00:36:01,360 --> 00:36:02,961 THE MOTHBALL. - OF COURSE IT WAS HER. 873 00:36:02,994 --> 00:36:04,796 THAT'S WHAT SHE USED TO POISON GABE'S ENERGY DRINK 874 00:36:04,830 --> 00:36:05,897 AND LANCE'S SCOTCH. 875 00:36:05,931 --> 00:36:06,898 - LASSIE, YOU CAN SEND ME 876 00:36:06,932 --> 00:36:08,667 A THANK YOU NOTE LATER. 877 00:36:08,700 --> 00:36:09,935 - WELL, TECHNICALLY, YOU HAVE SEVEN DAYS. 878 00:36:09,968 --> 00:36:11,837 - YEAH OR YOU SHOULD REALLY TRY TO DO IT SOONER. 879 00:36:11,870 --> 00:36:12,971 - YOU REALLY SHOULD. - WE NEED TO FIND EUGENIA. 880 00:36:13,004 --> 00:36:14,440 WHERE IS SHE? - WITH PRESCOTT. 881 00:36:14,473 --> 00:36:15,641 - OH, NO. 882 00:36:15,674 --> 00:36:16,775 HE'S ABOUT TO DROP THE BOMB 883 00:36:16,808 --> 00:36:18,610 THAT HE'S GONNA PROPOSE TO GILLIAN. 884 00:36:18,644 --> 00:36:19,678 IF WE DON'T GET THERE IN TIME, 885 00:36:19,711 --> 00:36:20,846 HE'S VICTIM NUMBER THREE. 886 00:36:27,886 --> 00:36:32,691 [siren blares] 887 00:36:32,724 --> 00:36:34,860 [tires screeching] 888 00:36:34,893 --> 00:36:37,863 - CRIPE'S SAKE. [honks horn] COME ON! 889 00:36:37,896 --> 00:36:40,399 MOVE THOSE VEHICLES! 890 00:36:40,432 --> 00:36:42,968 [honking horn] - LET'S GO! 891 00:36:43,001 --> 00:36:44,770 WE HAVE TO GET UP THERE BEFORE IT'S TOO LATE. 892 00:36:44,803 --> 00:36:46,238 - I'M AWARE OF THAT, O'HARA. 893 00:36:46,272 --> 00:36:47,239 WHAT AM I SUPPOSED TO DO, SHOOT MY WAY 894 00:36:47,273 --> 00:36:48,707 UP THE HILL? I WILL. 895 00:36:48,740 --> 00:36:49,808 - OR... - SHAWN, WHAT ARE YOU DOING? 896 00:36:49,841 --> 00:36:51,377 SHAWN, GET BACK IN THE CAR! 897 00:36:51,410 --> 00:36:52,444 - WE'RE GONNA TAKE A SHORTCUT! 898 00:36:52,478 --> 00:36:53,912 WE'LL MEET YOU UP THERE! 899 00:36:53,945 --> 00:36:55,781 - MEET THEM UP THERE? HAVE YOU LOST YOUR DAMN MIND? 900 00:36:55,814 --> 00:36:58,884 - OH, SCREW THIS. 901 00:37:00,018 --> 00:37:02,788 - WHAT ARE YOU DOING? 902 00:37:02,821 --> 00:37:05,857 CARLTON! - COME ON. 903 00:37:05,891 --> 00:37:11,697 COME ON. THERE WE GO, YOU... 904 00:37:11,730 --> 00:37:14,400 - GREAT. - SON OF A... 905 00:37:14,433 --> 00:37:15,401 [horn honks] 906 00:37:15,434 --> 00:37:16,702 - SHOULDN'T A CASE 907 00:37:16,735 --> 00:37:17,803 WITH AN OLDER WOMAN KILLING PEOPLE 908 00:37:17,836 --> 00:37:18,804 BE LESS ATHLETIC? 909 00:37:18,837 --> 00:37:20,372 - HANG IN THERE, BUDDY. 910 00:37:20,406 --> 00:37:21,807 THINK ABOUT THE CUCUMBER FINGER SANDWICHES 911 00:37:21,840 --> 00:37:25,377 WAITING FOR US UP TOP. 912 00:37:30,716 --> 00:37:32,851 - OH, MAY I HELP YOU? - WE NEED TO GET IN. 913 00:37:32,884 --> 00:37:34,986 - OF COURSE YOU DO. DO YOU HAVE A RESERVATION? 914 00:37:35,020 --> 00:37:37,756 I'M AFRAID I CANNOT SEAT YOU WITHOUT A RESERVATION. 915 00:37:37,789 --> 00:37:40,692 HOWEVER, I'D BE MORE THAN HAPPY TO RECOMMEND ANOTHER TEA SERVICE 916 00:37:40,726 --> 00:37:43,495 WHERE PERHAPS PINECONE CHIPS ARE AN ACCEPTED PART 917 00:37:43,529 --> 00:37:45,664 OF THE DRESS CODE. 918 00:37:45,697 --> 00:37:47,466 - LASSIE, YOU DON'T HAVE A RESERVATION. 919 00:37:55,907 --> 00:37:58,377 PRESCOTT! DON'T DRINK THAT TEA! 920 00:38:01,347 --> 00:38:03,449 - GOOD LORD. PLEASE CONTROL YOURSELF. 921 00:38:03,482 --> 00:38:05,817 THERE IS A LADY PRESENT. - SHE IS NOT A LADY. 922 00:38:05,851 --> 00:38:09,788 SHE IS A MURDERESS. AND A LESBIAN. 923 00:38:09,821 --> 00:38:12,090 WE'LL GET TO THAT IN A MINUTE. ISN'T THAT RIGHT, EUGENIA? 924 00:38:12,123 --> 00:38:13,659 THINK ABOUT IT. 925 00:38:13,692 --> 00:38:16,462 NO ONE STOOD TO LOSE MORE THAN EUGENIA 926 00:38:16,495 --> 00:38:18,630 IF GILLIAN GOT SERIOUS WITH SOMEBODY. 927 00:38:18,664 --> 00:38:19,765 YOU'RE IN LOVE WITH HER. 928 00:38:19,798 --> 00:38:21,333 IT WAS ALWAYS JUST THE TWO OF YOU. 929 00:38:21,367 --> 00:38:23,435 AND IN YOUR MIND, IT ALWAYS WOULD BE. 930 00:38:23,469 --> 00:38:24,836 LASSITER WAS RIGHT. 931 00:38:24,870 --> 00:38:26,505 GILLIAN'S LATE HUSBAND WALTER 932 00:38:26,538 --> 00:38:28,540 DID DIE UNDER MYSTERIOUS CIRCUMSTANCES. 933 00:38:28,574 --> 00:38:30,676 BUT NOT AT GILLIAN'S HANDS. 934 00:38:30,709 --> 00:38:32,444 AT YOURS. 935 00:38:32,478 --> 00:38:34,846 ISN'T THAT RIGHT, EUGENIA? 936 00:38:34,880 --> 00:38:37,115 - EUGENIA'S BEEN STAYING WITH ME SINCE WALTER DIED. 937 00:38:37,148 --> 00:38:38,817 SHE DOESN'T LIKE TO GO OUT MUCH. 938 00:38:38,850 --> 00:38:40,118 AND IT HASN'T WORKED OUT WITH ANY OF THE MEN 939 00:38:40,151 --> 00:38:41,887 I'VE SET HER UP WITH. 940 00:38:41,920 --> 00:38:45,824 - POOR GUS HERE NEVER STOOD A CHANCE, DID HE? 941 00:38:45,857 --> 00:38:48,360 YOU ONLY HAD EYES FOR GILLIAN. - OF COURSE. 942 00:38:48,394 --> 00:38:49,828 NOW IT MAKES SENSE. 943 00:38:49,861 --> 00:38:50,896 THAT'S WHY SHE GAVE ME THE PULLBACK. 944 00:38:50,929 --> 00:38:52,431 - SHE GAVE YOU THE PULLBACK? 945 00:38:52,464 --> 00:38:54,065 - NO ONE APPRECIATED HER LIKE I DO. 946 00:38:54,099 --> 00:38:57,569 SHE ALWAYS CHOSE THE WRONG MAN. 947 00:38:57,603 --> 00:39:00,739 I WANTED WHAT WAS BEST FOR HER, 948 00:39:00,772 --> 00:39:02,874 AND TO MAKE SURE SHE DIDN'T GET HURT. 949 00:39:02,908 --> 00:39:07,513 I WAS PROTECTING HER. - BOO-HOO. STAND UP. 950 00:39:07,546 --> 00:39:09,014 - YOU BETTER CUFF HER BEFORE SHE KILLS EVERYONE 951 00:39:09,047 --> 00:39:12,718 IN THIS RESTAURANT. 952 00:39:12,751 --> 00:39:13,819 - PUT YOUR HANDS BEHIND YOUR BACK. 953 00:39:13,852 --> 00:39:15,887 - I ALWAYS THOUGHT GILLIAN AND I 954 00:39:15,921 --> 00:39:19,825 WOULD SPEND OUR FINAL DAYS TOGETHER. 955 00:39:19,858 --> 00:39:23,895 - COME ON, LADY. LET'S GO. 956 00:39:29,835 --> 00:39:31,002 - AS YOU KNOW, GENTLEMEN, 957 00:39:31,036 --> 00:39:32,037 I SHALL NOT BE TEACHING THE CLASS 958 00:39:32,070 --> 00:39:33,405 FOR THE NEXT TWO WEEKS, 959 00:39:33,439 --> 00:39:34,473 AS I SHALL BE ON MY HONEYMOON. 960 00:39:34,506 --> 00:39:35,974 [chuckles] 961 00:39:36,007 --> 00:39:37,909 YES. BUT I HAVE ARRANGED DURING THAT TIME 962 00:39:37,943 --> 00:39:41,447 TO PRESENT YOU WITH THE WISDOM OF SEVERAL GUEST SPEAKERS, 963 00:39:41,480 --> 00:39:44,416 THE FIRST OF WHICH IS A MAN I'VE COME TO KNOW QUITE WELL 964 00:39:44,450 --> 00:39:45,684 OVER THE LAST WEEK. 965 00:39:45,717 --> 00:39:48,520 SO WITHOUT FURTHER ADO, 966 00:39:48,554 --> 00:39:51,423 I PRESENT TO YOU PSYCHIC DETECTIVE 967 00:39:51,457 --> 00:39:55,026 AND TRUE GENTLEMAN, SHAWN SPENCER. 968 00:40:01,900 --> 00:40:03,535 - YOU KNOW, MY BEST FRIEND BURTON GUSTER 969 00:40:03,569 --> 00:40:04,903 SAID THAT WE COULD ALL AFFORD 970 00:40:04,936 --> 00:40:06,738 TO BE A LITTLE MORE GENTLEMANLY IN LIFE. 971 00:40:06,772 --> 00:40:10,442 AND YOU KNOW WHAT? HE WAS DEAD WRONG ABOUT THAT. 972 00:40:10,476 --> 00:40:11,777 - WOW. 973 00:40:11,810 --> 00:40:13,679 - BUT I'LL TELL YOU WHAT I CAN SEE. 974 00:40:13,712 --> 00:40:16,482 THE WAY I THINK IS THE RIGHT WAY TO DO THINGS 975 00:40:16,515 --> 00:40:18,784 IS NOT THE ONLY WAY. 976 00:40:18,817 --> 00:40:20,852 - IT'S BARELY A WAY AT ALL. - WELL, IT'S MY WAY. 977 00:40:20,886 --> 00:40:22,554 - IT'S NOT A REAL WAY. 978 00:40:22,588 --> 00:40:23,689 - IF IT'S THE WAY I APPROACH SOMETHING, 979 00:40:23,722 --> 00:40:24,956 IT QUALIFIES AS A WAY. 980 00:40:24,990 --> 00:40:26,191 - BUT IT'S NOT A VERY GOOD WAY. 981 00:40:26,224 --> 00:40:27,593 - CLIVE, I THINK YOU SHOULD SETTLE DOWN. 982 00:40:27,626 --> 00:40:28,927 - ALL RIGHT. 983 00:40:28,960 --> 00:40:30,095 - WE CAN ALL AFFORD TO GROW UP A BIT. 984 00:40:30,128 --> 00:40:31,963 EVEN ME. - ESPECIALLY YOU. 985 00:40:31,997 --> 00:40:35,934 - TRUTH IS, I WANT TO CHANGE. I NEED TO CHANGE. 986 00:40:35,967 --> 00:40:37,202 - YOU GOT THAT RIGHT. 987 00:40:37,235 --> 00:40:41,106 - I WANT MY FATHER ON HIS DEATHBED-- 988 00:40:41,139 --> 00:40:43,742 FOUR OR FIVE YEARS FROM NOW-- 989 00:40:43,775 --> 00:40:47,479 TO LOOK AT ME AND SAY "THAT--THAT IS THE MAN 990 00:40:47,513 --> 00:40:48,847 THAT I RAISED." 991 00:40:48,880 --> 00:40:51,783 AND I WANT HIM TO BE POINTING AT SOME OTHER GUY. 992 00:40:51,817 --> 00:40:53,184 BECAUSE THAT MEANS THAT MAYBE-- 993 00:40:53,218 --> 00:40:55,721 JUST MAYBE--I AM NOT HIS BIOLOGICAL SON. 994 00:41:07,633 --> 00:41:10,702 - OH. 995 00:41:15,306 --> 00:41:18,644 HELLO. THANKS FOR TAKING THE TIME TO SEE ME. 996 00:41:18,677 --> 00:41:21,647 - WHAT DO YOU WANT? - OKAY. OKAY. 997 00:41:21,680 --> 00:41:25,917 IT'S NOT A HUGE DEAL. I JUST NEED TO HEAR IT FROM YOU. 998 00:41:25,951 --> 00:41:28,587 YOU NOT BEING INTERESTED IN ME, 999 00:41:28,620 --> 00:41:30,589 THAT'S SOLELY BECAUSE, YOU KNOW, 1000 00:41:30,622 --> 00:41:32,824 THAT YOU ARE, YOU KNOW. 1001 00:41:32,858 --> 00:41:37,295 - IN LOVE WITH A WOMAN? - YES. THAT. 1002 00:41:37,328 --> 00:41:39,698 - YOU DO REALIZE I'M IN HERE 1003 00:41:39,731 --> 00:41:43,268 BECAUSE I'M BEING CHARGED WITH A TRIPLE HOMICIDE, RIGHT? 1004 00:41:43,301 --> 00:41:45,871 - YES. I GET IT. YOU'RE BUSY. 1005 00:41:45,904 --> 00:41:48,106 I'M BUSY TOO. 1006 00:41:48,139 --> 00:41:49,541 IT'S JUST THAT IT'S BEEN BOTHERING ME 1007 00:41:49,575 --> 00:41:51,242 BECAUSE YOU DATED THAT OTHER GUY IN THE BEGINNING 1008 00:41:51,276 --> 00:41:52,310 AT THE BENEFIT. 1009 00:41:52,343 --> 00:41:56,882 - YES. BUT I KILLED HIM. 1010 00:41:56,915 --> 00:41:58,984 - RIGHT. I HEAR THAT. 1011 00:41:59,017 --> 00:42:04,089 - WOULD YOU HAVE FELT BETTER IF I HAD TRIED TO KILL YOU TOO? 1012 00:42:04,122 --> 00:42:05,757 - WELL... 1013 00:42:05,791 --> 00:42:08,660 - YOU KNOW, YOU SHOULD MEET A NICE GIRL 1014 00:42:08,694 --> 00:42:11,830 AND--AND FOCUS ON HER. 1015 00:42:11,863 --> 00:42:15,601 AND NEVER EVER COME BACK HERE. 1016 00:42:21,006 --> 00:42:22,007 - OKAY. 1017 00:42:54,239 --> 00:42:57,242 Captioning by CaptionMax www.captionmax.com