1 00:00:06,940 --> 00:00:08,542 [gunshot] 2 00:00:08,576 --> 00:00:10,678 [screaming] 3 00:00:10,711 --> 00:00:13,714 [suspenseful music] 4 00:00:15,383 --> 00:00:17,385 - YOU KNOW, GUS... I'M GONNA WANNA OPEN 5 00:00:17,418 --> 00:00:19,820 AN OLD-FASHIONED ICE CREAM SHOPPE AT SOME POINT. 6 00:00:19,853 --> 00:00:21,789 - THIS IS BECAUSE OF JULIET, ISN'T IT? 7 00:00:21,822 --> 00:00:23,324 EVERY TIME YOU LAUNCH INTO THIS DREAM 8 00:00:23,357 --> 00:00:24,725 ABOUT OPENING AN ICE CREAM STORE... 9 00:00:24,758 --> 00:00:25,693 - SHOPPE. - SHOPPE. 10 00:00:25,726 --> 00:00:27,728 IT'S BECAUSE THERE'S SOME ISSUE WITH JULIET. 11 00:00:27,761 --> 00:00:30,098 PSYCHIATRISTS CALL IT DIVERSION CODING. 12 00:00:33,601 --> 00:00:35,703 [screams, gunshot] 13 00:00:37,571 --> 00:00:39,773 THIS IS BECAUSE SHE'S DATING DECLAN NOW. 14 00:00:39,807 --> 00:00:40,641 - I WOULDN'T CALL IT DATING. 15 00:00:40,674 --> 00:00:42,310 - WHAT WOULD YOU CALL IT? - DATING. 16 00:00:42,343 --> 00:00:43,811 I JUST DON'T WANNA SAY IT. COME ON, GUS. 17 00:00:43,844 --> 00:00:46,180 THE GUY LIES HIS ASS OFF ABOUT EVERYTHING IN HIS LIFE, 18 00:00:46,214 --> 00:00:47,748 THEN HE JUST APOLOGIZES 19 00:00:47,781 --> 00:00:49,250 AND THAT GETS HIM RIGHT OFF THE HOOK. 20 00:00:49,283 --> 00:00:50,784 - SHAWN, SHE REALLY LIKES THIS GUY. 21 00:00:50,818 --> 00:00:52,086 WHY ARE YOU TRYING TO POKE A HOLE 22 00:00:52,120 --> 00:00:53,287 INTO SOMETHING THAT'S WORKING FOR HER? 23 00:00:53,321 --> 00:00:55,423 - YOU KNOW, YOU'RE RIGHT. 24 00:00:55,456 --> 00:00:57,358 YOU'RE ABSOLUTELY RIGHT. 25 00:00:57,391 --> 00:00:58,826 IF SHE WANTS TO BE IN A RELATIONSHIP 26 00:00:58,859 --> 00:01:00,861 WITH A FILTHY RICH GUY WHO ADORES HER... 27 00:01:00,894 --> 00:01:03,097 SO BE IT. 28 00:01:03,131 --> 00:01:05,433 BUT NOT THIS GUY. NO, SIR. 29 00:01:05,466 --> 00:01:08,202 MY SPIRIT HAS TO REMAIN UNCHAINED, GUS. 30 00:01:08,236 --> 00:01:09,303 LIKE MY MELODIES. - WOW. 31 00:01:09,337 --> 00:01:12,106 - BE AVAILABLE FOR ANY OPPORTUNITY. 32 00:01:12,140 --> 00:01:14,742 - OPPORTUNITY? - YES, GUS, OPPORTUNITY. 33 00:01:14,775 --> 00:01:16,810 WITH A WOMAN LIKE THAT. 34 00:01:16,844 --> 00:01:20,148 [dramatic music] 35 00:01:20,181 --> 00:01:21,215 * 36 00:01:21,249 --> 00:01:22,750 SHE'S MAKING EYES WITH ME. 37 00:01:22,783 --> 00:01:25,319 - SHE HAS EYES, YES. 38 00:01:25,353 --> 00:01:27,355 BUT THEY'RE LOOKING AT ME. - GUS, DON'T BE ABSURD. 39 00:01:27,388 --> 00:01:28,656 SHE'S LOOKING DIRECTLY AT ME. 40 00:01:28,689 --> 00:01:30,758 SHE'S PIERCING MY MEDIUMLY DEFINED CHEST 41 00:01:30,791 --> 00:01:32,826 WITH HER STARK BEDROOM PEEPERS. 42 00:01:32,860 --> 00:01:35,763 - THAT LADY IS TRYING TO UNDRESS ME WITH HER EYES, SHAWN. 43 00:01:35,796 --> 00:01:37,465 - MAYBE SHE'S DRESSING YOU. YOU EVER THINK OF THAT? 44 00:01:37,498 --> 00:01:39,200 COVER UP YOUR CANKLES? - PLEASE. 45 00:01:39,233 --> 00:01:40,901 I HAVE THE ANKLES OF A STALLION. 46 00:01:40,934 --> 00:01:42,836 AND THAT WOMAN WANTS THEM. 47 00:01:46,940 --> 00:01:48,876 - THAT WOMAN HAS A GUN. 48 00:01:48,909 --> 00:01:50,478 - SHE'S ALL YOURS. I'M OUTTA HERE. 49 00:01:54,448 --> 00:01:55,649 - DROP YOUR CONE! 50 00:01:55,683 --> 00:01:57,818 - I'M NOT DROPPING MY CONE. - WHEN ARE YOU GONNA EAT THAT? 51 00:01:57,851 --> 00:01:59,687 - I DON'T WANNA DIE ON AN EMPTY STOMACH, BARRY. 52 00:01:59,720 --> 00:02:01,822 - WHO IS BARRY? - I DON'T KNOW. 53 00:02:04,792 --> 00:02:06,327 WHAT DO WE DO WHEN WE GET TO THE END OF THE PIER? 54 00:02:06,360 --> 00:02:08,229 - WHY DON'T YOU ASK BARRY? 55 00:02:16,904 --> 00:02:19,273 DON'T KILL US. PLEASE. 56 00:02:19,307 --> 00:02:20,908 - I'M NOT HERE TO KILL YOU. 57 00:02:20,941 --> 00:02:22,176 IN FACT, I NEED YOUR HELP. 58 00:02:22,210 --> 00:02:24,412 - WHO ARE YOU? - MY NAME IS NADIA. 59 00:02:24,445 --> 00:02:25,913 I WORK WITH EWAN O'HARA. 60 00:02:25,946 --> 00:02:27,581 - YOU KNOW JULIET'S BROTHER? 61 00:02:27,615 --> 00:02:28,916 - WE WERE OPERATIVES TOGETHER. 62 00:02:28,949 --> 00:02:31,385 I'VE BEEN SET UP AND I'M ON THE RUN. 63 00:02:31,419 --> 00:02:33,554 EWAN TOLD ME ABOUT YOU. 64 00:02:33,587 --> 00:02:34,888 HE WAS IMPRESSED WITH YOUR SKILLS. 65 00:02:34,922 --> 00:02:36,790 - YOU'RE NOT KIDDING? YOU'RE REALLY A SPY? 66 00:02:36,824 --> 00:02:37,858 THIS--THIS IS FOR REAL? 67 00:02:37,891 --> 00:02:39,593 - YEAH, THIS IS FOR REAL. 68 00:02:39,627 --> 00:02:41,595 - SO YOU WEREN'T UNDRESSING HIM WITH YOUR EYES EARLIER? 69 00:02:41,629 --> 00:02:42,663 SEE, I TOLD YOU. 70 00:02:42,696 --> 00:02:44,265 - LISTEN, I HAVE VERY LITTLE TIME. 71 00:02:44,298 --> 00:02:48,469 I NEED TO BE ERASED. TO DISAPPEAR. 72 00:02:48,502 --> 00:02:49,670 - UH... 73 00:02:49,703 --> 00:02:51,672 HOW DO YOU EXPECT US TO HELP YOU DO THAT? 74 00:02:51,705 --> 00:02:53,341 - MY MENTOR AND MOST TRUSTED ALLY-- 75 00:02:53,374 --> 00:02:54,675 CODE NAME: STRABINSKY-- 76 00:02:54,708 --> 00:02:56,910 WAS THE ONLY ONE WHO SUCCESSFULLY ERASED HIMSELF. 77 00:02:56,944 --> 00:02:58,579 HE HAS THE TOOLS. 78 00:02:58,612 --> 00:03:00,548 O'HARA SAID IF SOMEONE DOESN'T EXIST, 79 00:03:00,581 --> 00:03:02,350 YOU'D BE THE PERSON TO FIND HIM. 80 00:03:03,684 --> 00:03:04,985 WILL YOU HELP ME? 81 00:03:05,018 --> 00:03:07,655 - WELL, I CAN ONLY SPEAK FOR MYSELF, 82 00:03:07,688 --> 00:03:09,323 BUT A FEW SECONDS AGO, I THOUGHT WE WERE 83 00:03:09,357 --> 00:03:10,891 GONNA HAVE TO JUMP OFF THIS PIER, SO. 84 00:03:10,924 --> 00:03:12,660 - YEAH. WE CAN HELP YOU. 85 00:03:12,693 --> 00:03:14,462 - OKAY. 86 00:03:14,495 --> 00:03:16,264 WELL, WE DON'T HAVE A LOT OF TIME. 87 00:03:16,297 --> 00:03:17,465 THEY'RE FOLLOWING ME. 88 00:03:17,498 --> 00:03:18,666 THEY COULD BE HERE ANY MINUTE. 89 00:03:18,699 --> 00:03:20,901 - WHOA, WHOA, WHOA, THERE'S NO REASON TO BE SO DRAMATIC. 90 00:03:20,934 --> 00:03:22,636 - I MEAN, COME ON. - WE GET IT, YOU'RE A SPY. 91 00:03:22,670 --> 00:03:24,372 AND THINGS ARE HEIGHTENED FOR YOU PEOPLE. 92 00:03:24,405 --> 00:03:26,907 BUT COME ON, WE'RE A LITTLE MORE LAID-BACK IN SANTA BARBARA. 93 00:03:26,940 --> 00:03:28,809 THIS IS A BEACH COMMUNITY. 94 00:03:28,842 --> 00:03:31,712 [helicopter whirring] 95 00:03:40,654 --> 00:03:41,889 - AH. 96 00:03:41,922 --> 00:03:44,592 [gunshots] 97 00:03:44,625 --> 00:03:46,594 - AH! 98 00:03:46,627 --> 00:03:49,597 [The Friendly Indians' I Know You Know] 99 00:03:49,630 --> 00:03:50,598 * 100 00:03:50,631 --> 00:03:51,932 - * I KNOW YOU KNOW 101 00:03:51,965 --> 00:03:53,601 * THAT I'M NOT TELLING THE TRUTH * 102 00:03:53,634 --> 00:03:55,303 * I KNOW YOU KNOW 103 00:03:55,336 --> 00:03:57,371 * THEY JUST DON'T HAVE ANY PROOF * 104 00:03:57,405 --> 00:03:58,872 * EMBRACE THE DECEPTION 105 00:03:58,906 --> 00:04:00,541 * LEARN HOW TO BEND 106 00:04:00,574 --> 00:04:01,875 * YOUR WORST INHIBITIONS 107 00:04:01,909 --> 00:04:04,678 * TEND TO PSYCH YOU OUT IN THE END * 108 00:04:04,712 --> 00:04:06,580 * I KNOW YOU KNOW 109 00:04:10,584 --> 00:04:11,519 - [groans] 110 00:04:11,552 --> 00:04:13,521 - HOW ARE THOSE STALLION ANKLES NOW, BUDDY? 111 00:04:13,554 --> 00:04:16,657 - WHERE IS SHE, SHAWN? 112 00:04:18,626 --> 00:04:20,461 - GET OVER HERE. 113 00:04:20,494 --> 00:04:23,497 GET OUT OF THE LINE OF SIGHT. 114 00:04:25,533 --> 00:04:26,534 - COME ON. 115 00:04:26,567 --> 00:04:29,570 [helicopter blades whirring] 116 00:04:34,608 --> 00:04:35,909 - WHERE THE HELL DID SHE GO? 117 00:04:35,943 --> 00:04:38,045 - UNDERNEATH THE PIER, SIR. 118 00:04:38,078 --> 00:04:40,614 - HOW THE HELL DID WE LOSE HER? 119 00:04:40,648 --> 00:04:43,617 - COME AROUND THE OTHER SIDE. 120 00:04:51,625 --> 00:04:52,993 - OKAY, GREAT. 121 00:04:53,026 --> 00:04:54,928 WHAT'S YOUR GENIUS PLAN TO GET US OUT OF HERE NOW? 122 00:04:54,962 --> 00:04:56,697 - LISTEN, YOU TWO... 123 00:04:56,730 --> 00:04:58,732 FROM NOW ON, YOU'RE GONNA DO EXACTLY WHAT I SAY. 124 00:04:58,766 --> 00:05:00,568 - WHO ARE THOSE GUYS SHE'S WITH? 125 00:05:00,601 --> 00:05:03,337 - I HAVE NO IDEA. 126 00:05:03,371 --> 00:05:04,638 PUT THIS THING DOWN. 127 00:05:04,672 --> 00:05:06,407 WE GOTTA GET TO HER FROM THE GROUND. 128 00:05:11,745 --> 00:05:14,682 [phone ringing] 129 00:05:14,715 --> 00:05:16,049 - LASSIE, WHAT'S UP? - SPENCER. 130 00:05:16,083 --> 00:05:18,486 I JUST GOT A CALL ABOUT A WHITE GUY AND A BLACK GUY 131 00:05:18,519 --> 00:05:19,387 RUNNING DOWN THE BOARDWALK, WREAKING HAVOC, 132 00:05:19,420 --> 00:05:20,654 AND I IMMEDIATELY THOUGHT OF YOU GUYS. 133 00:05:20,688 --> 00:05:21,855 ARE YOU INVOLVED? 134 00:05:21,889 --> 00:05:23,591 - DON'T KNOW ANYTHING ABOUT SAID HAVOC. 135 00:05:23,624 --> 00:05:25,393 - WHAT ABOUT THE REPORT OF A BLACK OPS HELICOPTER 136 00:05:25,426 --> 00:05:26,827 CIRCLING THE BAY, FIRING OFF SHOTS? 137 00:05:26,860 --> 00:05:29,563 - HELICOPTER IN SANTA BARBARA, FIRING SHOTS? 138 00:05:29,597 --> 00:05:31,098 LASSIE, PLEASE. GO TO THE MEN'S BATHROOM. 139 00:05:31,131 --> 00:05:33,567 BEHIND THE CONDOM MACHINE IS A VIAL OF SANITY SERUM. 140 00:05:33,601 --> 00:05:35,436 CRACK IT, DIGEST, CALL ME IN HALF AN HOUR. 141 00:05:35,469 --> 00:05:37,571 BUT DON'T-- 142 00:05:47,648 --> 00:05:48,849 - THIS IS A WOMEN'S BATHROOM. 143 00:05:48,882 --> 00:05:52,052 I DON'T THINK WE SHOULD BE IN HERE. 144 00:05:52,085 --> 00:05:53,687 - GET DOWN, AWAY FROM THE WINDOW. 145 00:05:56,824 --> 00:05:58,592 - DUDE... 146 00:05:58,626 --> 00:06:01,795 PURPLE OCTOPUS, 12:00. 147 00:06:01,829 --> 00:06:03,664 - SHAWN, YOU NEED TO FOCUS. 148 00:06:03,697 --> 00:06:05,633 - OKAY, THIS IS THE DEAL. 149 00:06:05,666 --> 00:06:07,701 I WAS IN KIEV SEVERAL YEARS AGO WITH STRABINSKY. 150 00:06:07,735 --> 00:06:09,703 IT WAS AN N.Q.K. MISSION. - N.Q.K.? 151 00:06:09,737 --> 00:06:12,139 - NO QUESTIONS KILL MISSION. 152 00:06:12,172 --> 00:06:13,507 ANY MORE QUESTIONS? 153 00:06:13,541 --> 00:06:14,675 HE TOLD ME THE DAY WOULD COME 154 00:06:14,708 --> 00:06:16,810 THAT WE WOULD NEED TO CUT TIES AND GO DARK. 155 00:06:16,844 --> 00:06:18,546 NEXT MORNING, HE HAD ERASED HIMSELF 156 00:06:18,579 --> 00:06:21,682 AND DROPPED OFF THE GRID. 157 00:06:21,715 --> 00:06:22,750 I FOUND THIS IN MY BACKPACK. 158 00:06:22,783 --> 00:06:23,684 HE LEFT IT THERE. 159 00:06:23,717 --> 00:06:25,653 I BELIEVE IT WAS A CLUE FOR ME TO FIND HIM 160 00:06:25,686 --> 00:06:27,788 IF I EVER NEEDED HIS HELP. - NADIA, THIS IS BLANK. 161 00:06:27,821 --> 00:06:29,590 - TOUCH IT. - WHAT IS IT, BRAILLE? 162 00:06:29,623 --> 00:06:31,659 - I DON'T THINK IT'S BRAILLE. [knocking] 163 00:06:31,692 --> 00:06:32,626 - HELLO? UGH. 164 00:06:32,660 --> 00:06:34,495 WHY'S IT LOCKED DURING THE DAY? 165 00:06:34,528 --> 00:06:36,430 - THESE IMPRESSIONS ARE IN A FORMATION, SHAWN. 166 00:06:36,464 --> 00:06:39,633 I THINK THIS HAS SOMETHING TO DO WITH CELESTIAL PATTERNS. 167 00:06:39,667 --> 00:06:41,469 STARS. - I GOT SOMETHING. 168 00:06:41,502 --> 00:06:43,837 SOMETHING HELPFUL AND IMPRESSIVE. 169 00:06:43,871 --> 00:06:45,906 I SEE STRABINSKY IN THE SKY. 170 00:06:45,939 --> 00:06:48,509 POSSIBLY WITH DIAMONDS. 171 00:06:48,542 --> 00:06:49,643 - PLEASE MAKE SOME SENSE SOON. 172 00:06:49,677 --> 00:06:52,112 - DO YOU STILL HAVE THAT GIANT ASTRONOMY COLORING BOOK 173 00:06:52,145 --> 00:06:53,581 BACK IN THE PSYCH OFFICE? 174 00:06:53,614 --> 00:06:54,682 - IT'S NOT A COLORING BOOK. 175 00:06:54,715 --> 00:06:56,684 - UH-OH. 176 00:06:56,717 --> 00:06:59,019 HE'S GONNA BE SO MAD AT ME. 177 00:07:03,991 --> 00:07:05,793 - REMEMBER, WE HAVE T-MINUS SIX MINUTES 178 00:07:05,826 --> 00:07:08,228 BEFORE A TEAM OF BLACK OPS CLOSE IN AND TORTURE TO KILL. 179 00:07:08,261 --> 00:07:09,663 - TORTURE TO KILL? 180 00:07:09,697 --> 00:07:10,498 IS THAT PRETTY CUT AND DRY, 181 00:07:10,531 --> 00:07:13,667 OR IS THERE SOME WIGGLE ROOM THERE? 182 00:07:13,701 --> 00:07:15,569 - UH, NADIA, I HAVE FLOOR PADS 183 00:07:15,603 --> 00:07:17,237 AS TO AVOID THE SCRATCHING OF HARDWOOD FLOORS. 184 00:07:17,270 --> 00:07:19,673 - YOU'RE KIDDING, RIGHT? 185 00:07:19,707 --> 00:07:21,108 - YES, I AM. 186 00:07:21,141 --> 00:07:23,611 [softly screeching] 187 00:07:23,644 --> 00:07:27,147 NADIA, THAT'S GONNA COST US $438 PLUS TAX-- 188 00:07:27,180 --> 00:07:28,982 NEVER MIND. 189 00:07:46,867 --> 00:07:47,868 - BOOM! 190 00:07:47,901 --> 00:07:49,970 PHOENIX CONSTELLATION. 191 00:07:50,003 --> 00:07:52,005 DAMN IT, THAT MEANS STRABINSKY'S IN ALABAMA. 192 00:07:52,039 --> 00:07:53,574 - YOU MEAN ARIZONA? - NO. 193 00:07:53,607 --> 00:07:55,175 HE ALWAYS TALKED ABOUT RETIRING HERE. 194 00:07:55,208 --> 00:07:56,744 THIS MUCH I KNOW FOR SURE. 195 00:07:56,777 --> 00:07:58,612 ANOTHER REASON WHY O'HARA THOUGHT YOU COULD HELP. 196 00:07:58,646 --> 00:08:00,748 - WAIT A SECOND. WAIT A SECOND. 197 00:08:00,781 --> 00:08:02,516 THIS HAS NOTHING TO DO WITH CONSTELLATIONS. 198 00:08:02,550 --> 00:08:03,517 - GET DOWN. 199 00:08:03,551 --> 00:08:05,819 - IT'S JUST A CLUE TO GET US TO THE LOCATION. 200 00:08:05,853 --> 00:08:08,656 F-E-N-I-X, THE FENIX VALLEY PATH. 201 00:08:08,689 --> 00:08:11,091 IT'S IN THE LOS PADRES FOREST, JUST OUTSIDE OF SANTA BARBARA. 202 00:08:11,124 --> 00:08:12,660 - GUS, YOU CAN'T JUST MAKE UP STUFF 203 00:08:12,693 --> 00:08:14,962 THAT DOESN'T EXIST. - IT DOES EXIST, SHAWN. 204 00:08:14,995 --> 00:08:16,564 IT'S JUST NOT IN ANY GUIDEBOOKS. 205 00:08:16,597 --> 00:08:17,898 IT'S NAMED AFTER A HIKER WHO GOT LOST THERE. 206 00:08:17,931 --> 00:08:19,933 - OH. WELL, THAT'S IT, THEN. 207 00:08:19,967 --> 00:08:21,635 THAT'S WHERE WE'LL FIND STRABINSKY. 208 00:08:21,669 --> 00:08:22,536 - THAT'S WHAT I JUST SAID. 209 00:08:22,570 --> 00:08:24,738 BUT THE LOS PADRES FOREST IS TOO BIG. 210 00:08:24,772 --> 00:08:26,574 YOU CAN'T JUST WALK THROUGH THERE AND FIND STRABINSKY. 211 00:08:26,607 --> 00:08:27,775 - WE HAVE TO FLY OVER. 212 00:08:27,808 --> 00:08:29,543 DO YOU KNOW ANYBODY WHO OWNS A CHOPPER? 213 00:08:29,577 --> 00:08:31,579 - 99.6% OF THE TIME, 214 00:08:31,612 --> 00:08:34,648 THE ANSWER TO THAT QUESTION IS NOBODY. 215 00:08:34,682 --> 00:08:37,117 BUT THERE'S ONE GUY. 216 00:08:42,322 --> 00:08:45,058 [knocking] 217 00:08:45,092 --> 00:08:46,927 - I SHOULD BE CONCERNED, RIGHT? 218 00:08:46,960 --> 00:08:48,629 - CONCERNED AND EXCITED. 219 00:08:48,662 --> 00:08:49,830 - REALLY BAD TIMING. 220 00:08:49,863 --> 00:08:51,098 - DECLAN, WE'RE BEING TRACKED. 221 00:08:51,131 --> 00:08:52,633 WHICH MEANS IN ABOUT SEVEN-ISH MINUTES, 222 00:08:52,666 --> 00:08:54,668 DUDES IN CAPES ARE GONNA STORM YOUR DOPE PAD 223 00:08:54,702 --> 00:08:56,269 AND START SNIPING US. - THEY WILL NOT BE 224 00:08:56,303 --> 00:08:58,739 WEARING CAPES, BUT THEY WILL BE SNIPING US. 225 00:08:58,772 --> 00:08:59,673 - DECLAN, THIS IS NADIA, SHE IS A SPY. 226 00:08:59,707 --> 00:09:02,209 THE CASE WE'RE WORKING ON IS A MATTER OF 227 00:09:02,242 --> 00:09:05,579 NATIONAL, INTERNATIONAL, AND GUBERNATIONAL SECURITY. 228 00:09:05,613 --> 00:09:07,147 - OKAY, OKAY, BUT YOU CAN'T STAY LONG. 229 00:09:07,180 --> 00:09:09,216 - DA, DA, DA--NO NEED TO WORRY ABOUT BEING TRACKED, NADIA. 230 00:09:09,249 --> 00:09:10,183 - WHY'S THAT? 231 00:09:10,217 --> 00:09:12,052 - I OWN THE AIR RIGHTS FOR THE WHOLE BLOCK. 232 00:09:12,085 --> 00:09:13,687 I CAN SCRAMBLE THE STRONGEST OF SIGNALS. 233 00:09:13,721 --> 00:09:15,889 NOW UNFORTUNATELY, WHATEVER YOU GUYS ARE INVOLVED IN, 234 00:09:15,923 --> 00:09:17,658 I DON'T THINK I CAN ASSIST YOU ON THIS ONE. 235 00:09:17,691 --> 00:09:18,626 - LISTEN, JUST HEAR US OUT. - NO, NO, NO. 236 00:09:18,659 --> 00:09:20,227 - WE NEED YOU TO SPONSOR US. - SORRY, GUYS. 237 00:09:20,260 --> 00:09:21,662 BUT EVER SINCE I ADMITTED TO JULIET 238 00:09:21,695 --> 00:09:23,631 THAT I'M NOT A REAL CRIMINAL PROFILER, 239 00:09:23,664 --> 00:09:25,666 I PROMISED I WOULDN'T ASSIST ON ANY POLICE CASES 240 00:09:25,699 --> 00:09:26,667 WHATSOEVER. - WHO'S JULIET? 241 00:09:26,700 --> 00:09:29,002 - THAT'S MY GIRLFRIEND. - WOW. 242 00:09:29,036 --> 00:09:31,271 JUST DROPPING THE G-BOMB WITH RECKLESS ABANDON, HUH? 243 00:09:31,304 --> 00:09:32,940 YOU KNOW WHAT? 244 00:09:32,973 --> 00:09:34,341 YOU ARE MISSING A HUGE OPPORTUNITY HERE. 245 00:09:34,374 --> 00:09:36,309 AN OPPORTUNITY TO JUMP RIGHT INTO A BOURNE FILM. 246 00:09:36,343 --> 00:09:37,911 - THIS IS NOT A MOVIE. 247 00:09:37,945 --> 00:09:39,980 THIS IS REALITY, AND IT'S HAPPENING RIGHT NOW. 248 00:09:40,013 --> 00:09:41,348 - LOOK, GUYS, BETWEEN YOU AND ME, 249 00:09:41,381 --> 00:09:43,050 I'D KILL TO GET MYSELF KNEECAP DEEP IN THIS THING. 250 00:09:43,083 --> 00:09:44,785 BUT I'M TRYING TO PLAY THE HONESTY CARD, 251 00:09:44,818 --> 00:09:47,721 SO NO LIES, PERIOD. - DEC, I'M SORRY, 252 00:09:47,755 --> 00:09:50,791 BUT I THINK I JUST USED THE LAST OF YOUR SHAMPOO. 253 00:09:50,824 --> 00:09:53,661 SHAWN. GUS. - SORRY, BUNNY, 254 00:09:53,694 --> 00:09:55,228 THEY JUST STOPPED BY. BUT THEY'RE LEAVING NOW. 255 00:09:55,262 --> 00:09:58,331 - [inhales] I SEE WHAT HAPPENED HERE. 256 00:09:58,365 --> 00:10:00,133 JULIET WAS DRIVING IN THE AREA, 257 00:10:00,167 --> 00:10:01,769 SHE SPILLED SOMETHING ON HERSELF, 258 00:10:01,802 --> 00:10:04,404 SHE DROPPED BY AND ASKED IF SHE COULD USE THE FACILITIES. 259 00:10:04,437 --> 00:10:07,708 - NO, SHAWN. I SLEPT HERE. 260 00:10:07,741 --> 00:10:09,109 AND THEN I WOKE UP HERE. 261 00:10:09,142 --> 00:10:11,411 AND THEN I TOOK A SHOWER. - YES. 262 00:10:11,444 --> 00:10:13,714 THE OLD CRASHING IN THE GUEST ROOM ROUTINE. 263 00:10:13,747 --> 00:10:15,015 - I AM SORRY, WHAT IS YOUR NAME? 264 00:10:15,048 --> 00:10:16,650 - NADIA. HER NAME IS NADIA. 265 00:10:16,684 --> 00:10:17,718 AND WE HAVE CHEMISTRY. 266 00:10:19,252 --> 00:10:23,223 - OKAY, SHAWN, GUS, WOMAN IN LEATHER... 267 00:10:23,256 --> 00:10:24,758 ENJOY THE REST OF YOUR WEEKEND. 268 00:10:24,792 --> 00:10:26,259 - CAN WE PLEASE GET DOWN TO BUSINESS? 269 00:10:26,293 --> 00:10:27,661 - YES, OF COURSE. 270 00:10:27,695 --> 00:10:29,329 DECLAN, CAN WE BORROW YOUR CHOPPER OR WHAT? 271 00:10:29,362 --> 00:10:30,397 - YEAH, WELL, THAT DEPENDS. 272 00:10:30,430 --> 00:10:31,799 I NEED IT BACK TONIGHT. - TONIGHT? 273 00:10:31,832 --> 00:10:33,701 WHAT DO YOU MEAN, LIKE, THIS COMING NIGHT? 274 00:10:33,734 --> 00:10:36,136 - YEAH, I'M DRIVING JULIET TO NAPA FOR DINNER, 275 00:10:36,169 --> 00:10:37,938 AND SURPRISING HER WITH A VACATION PLAN-- 276 00:10:37,971 --> 00:10:40,708 THE AMALFI COAST. - AMALFI COAST? OOH, BRO. 277 00:10:40,741 --> 00:10:42,676 [inhales] I'D PULL BACK. 278 00:10:42,710 --> 00:10:44,011 STEP ON THE BRAKES IF I WAS YOU, MAN. 279 00:10:44,044 --> 00:10:45,345 IF I KNOW ONE THING ABOUT JULES, 280 00:10:45,378 --> 00:10:48,181 IS THAT SHE LIKES TO ROUGH IT ON HER VACAYS. 281 00:10:48,215 --> 00:10:49,683 - HMM, YEAH, I WOULDN'T HAVE GUESSED THAT. 282 00:10:49,717 --> 00:10:50,751 - REALLY? 283 00:10:50,784 --> 00:10:53,787 IT'S TRUE, SHE'S A HUNTER, GATHERER, WOODSWOMAN. 284 00:10:53,821 --> 00:10:55,823 TENTS, BEANS, AND BUGS, THAT'S HOW SHE DOES IT. 285 00:10:55,856 --> 00:10:58,125 - WE CAN HAVE THE CHOPPER BACK IN TWO, THREE HOURS, TOPS. 286 00:11:00,928 --> 00:11:02,295 - WELL, I GUESS THAT SHOULD WORK. 287 00:11:02,329 --> 00:11:03,964 I MEAN, TECHNICALLY, I'M JUST LOANING YOU A CHOPPER 288 00:11:03,997 --> 00:11:05,132 TO FLY FROM POINT "A" TO POINT "B." 289 00:11:05,165 --> 00:11:07,200 - AND LOANING US YOUR PILOT TOO. 290 00:11:07,234 --> 00:11:09,870 - OH, I AM THE PILOT. 291 00:11:13,340 --> 00:11:14,541 DAMN, THIS IS GOOD FUN. 292 00:11:14,574 --> 00:11:17,444 IT'S SO MUCH MORE SATISFYING THAN THE REMOTE CONTROL VERSION. 293 00:11:17,477 --> 00:11:19,713 - WE HAVE TO FIND STRABINSKY SOON. 294 00:11:19,747 --> 00:11:21,481 JUST A MATTER OF TIME BEFORE THEY FIGURE OUT 295 00:11:21,514 --> 00:11:23,784 WE'RE IN AN AIRPLANE AND SEND AN F-14 TO SHOOT US DOWN. 296 00:11:23,817 --> 00:11:25,218 - WHAT? WE'RE GONNA GET SHOT DOWN? 297 00:11:28,989 --> 00:11:30,257 - WHOA, WHOA, WHOA, WHOA, WHOA. 298 00:11:30,290 --> 00:11:31,224 WE'RE IN THE RIGHT SPOT. 299 00:11:31,258 --> 00:11:33,426 THIS IS IT. BRING THIS BIRDIE DOWN, DECLAN. 300 00:11:33,460 --> 00:11:34,962 - YOU GOT IT, YOU GOT IT. 301 00:11:34,995 --> 00:11:37,397 BUT HOLD ON TIGHT. LANDING'S DICEY AT BEST FOR ME. 302 00:11:37,430 --> 00:11:38,899 - HAVEN'T YOU BEEN FLYING YOUR WHOLE LIFE? 303 00:11:38,932 --> 00:11:40,367 - UH, NO, THAT'S A NEGATIVE. 304 00:11:40,400 --> 00:11:42,269 NO, I JUST GOT MY PILOT'S LICENSE THREE DAYS AGO. 305 00:11:42,302 --> 00:11:43,436 - WHAT? 306 00:11:52,179 --> 00:11:54,915 - KNOCK, KNOCK. 307 00:11:54,948 --> 00:11:56,750 - WHO'S THERE? - IS IT A KNOCK-KNOCK JOKE? 308 00:11:56,784 --> 00:11:57,985 - MUST BE SOME KIND OF SPY CODE. 309 00:11:58,018 --> 00:11:59,219 - NADIA. 310 00:11:59,252 --> 00:12:01,188 - I GUESS NOT. 311 00:12:02,790 --> 00:12:04,758 - NADIA. - STRABINSKY. 312 00:12:06,493 --> 00:12:10,497 [speaking German] - [speaking German] 313 00:12:10,530 --> 00:12:12,465 IT'S BEEN A WHILE. - LAST TIME I SAW YOU, 314 00:12:12,499 --> 00:12:14,434 YOU WERE FOUR CLICKS OUTSIDE OF MOZAMBIQUE. 315 00:12:14,467 --> 00:12:17,537 - MM, MOZAMBIQUE. TORTURED BY PYGMIES. 316 00:12:17,570 --> 00:12:20,774 WELL, GET IN HERE. 317 00:12:20,808 --> 00:12:23,276 COME ON INSIDE. 318 00:12:27,547 --> 00:12:30,183 WELL... 319 00:12:30,217 --> 00:12:31,985 WELCOME TO MY HIDDEN ABODE. 320 00:12:32,019 --> 00:12:34,087 WOULD YOU LIKE A QUICK TOUR? 321 00:12:34,121 --> 00:12:35,989 [chuckles] I JOKE. 322 00:12:36,023 --> 00:12:37,457 IT'S A JOKE. 323 00:12:37,490 --> 00:12:38,959 GET IT? - [chuckles] 324 00:12:38,992 --> 00:12:40,327 - SORRY ABOUT THE HEAT IN HERE, 325 00:12:40,360 --> 00:12:42,129 BUT THE SUPER HYDRA DRIVES ARE LIKE OVENS. 326 00:12:42,162 --> 00:12:44,164 SUCK UP POWER LIKE NOBODY'S BUSINESS. 327 00:12:44,197 --> 00:12:45,465 HEY, CAN I ASK YOU ALL A QUICK FAVOR 328 00:12:45,498 --> 00:12:47,067 BEFORE WE GET THIS PARTY STARTED? 329 00:12:47,100 --> 00:12:48,435 - YOU WANT US TO TAKE OUR SHOES OFF? 330 00:12:48,468 --> 00:12:50,503 - NO, I WANT YOU TO TELL ME WHY YOU'RE HERE 331 00:12:50,537 --> 00:12:52,906 IN THE NEXT TEN SECONDS, OR ELSE I'M GONNA KILL YOU ALL. 332 00:12:52,940 --> 00:12:54,507 - WAIT, WAIT, CALM DOWN, STRABINSKY. 333 00:12:54,541 --> 00:12:56,944 I FOUND YOU USING THE CARD YOU LEFT IN MY BACKPACK. 334 00:12:56,977 --> 00:12:59,046 IT'S TIME FOR ME TO CUT TIES. 335 00:12:59,079 --> 00:13:01,314 NADIA, YOU ARE BEING TRACKED. 336 00:13:01,348 --> 00:13:02,382 YOU PUT ME IN JEOPARDY. 337 00:13:02,415 --> 00:13:04,517 YOU KNOW HOW LONG IT TOOK ME TO FIND THIS PLACE? 338 00:13:04,551 --> 00:13:06,053 TO SET IT UP? 339 00:13:06,086 --> 00:13:07,554 THAT DOOR YOU CAME THROUGH? THAT'S CUSTOM. 340 00:13:07,587 --> 00:13:09,823 TRANSLATION: IT'S NOT FROM HOME DEPOT. 341 00:13:09,857 --> 00:13:11,524 - I'M SORRY, BUT-- - BUT NOTHING. 342 00:13:11,558 --> 00:13:13,360 IT TOOK ME A WEEK TO PUT IN THAT DOOR. 343 00:13:13,393 --> 00:13:14,427 AND THEN YOU BRING IN TWO CIVVIES HERE, 344 00:13:14,461 --> 00:13:16,563 AND THERE'S A JACK SNAPPER OUT THERE IN A CHOPPER. 345 00:13:16,596 --> 00:13:19,399 - I'M A PSYCHIC DETECTIVE, SO THAT TECHNICALLY MEANS 346 00:13:19,432 --> 00:13:22,069 I'M NO LONGER A CIVVY, IF YOU WILL. 347 00:13:22,102 --> 00:13:26,473 - I WILL SNUFF YOU OUT WITHOUT EVEN TOUCHING YOU. 348 00:13:26,506 --> 00:13:28,441 - HARSH. INTIMIDATING. 349 00:13:28,475 --> 00:13:31,278 INTRIGUING HOW YOU WOULD ACTUALLY SNUFF WITHOUT TOUCHING. 350 00:13:31,311 --> 00:13:32,612 BUT ALSO FAIR. 351 00:13:32,645 --> 00:13:34,614 - YOU'RE RIGHT, I AM BEING TRACKED. 352 00:13:34,647 --> 00:13:37,584 SO WILL YOU ERASE ME OR NOT? 353 00:13:38,618 --> 00:13:42,856 - NADIA, YOU HAVE BEEN A BUSY, BUSY BEE. 354 00:13:42,890 --> 00:13:45,926 I'M JUST ABOUT DONE HERE DELETING ALL YOUR MISSION FIL-- 355 00:13:45,959 --> 00:13:47,427 - WAIT, WAIT, WAIT. 356 00:13:47,460 --> 00:13:49,062 DON'T DELETE OPERATION MITLU-BOLIVIA. 357 00:13:49,096 --> 00:13:50,230 OPEN THAT ONE. 358 00:13:50,263 --> 00:13:55,268 [beeps] 359 00:13:55,302 --> 00:13:57,637 - I CAN'T OPEN THAT FILE, THAT'S GOT SPECIAL SECURITY. 360 00:13:57,670 --> 00:13:59,606 - SERIOUSLY, OPEN IT. 361 00:13:59,639 --> 00:14:03,610 - OKAY, MAYBE I WAS UNCLEAR, OR I SPOKE SUPER-DUPER FAST, 362 00:14:03,643 --> 00:14:05,545 OR SWITCHED LANGUAGES, OR SOMETHING. 363 00:14:05,578 --> 00:14:07,314 BUT I CAN'T OPEN THIS FILE. 364 00:14:07,347 --> 00:14:09,516 - I KNOW YOU CAN OPEN THE FILE. 365 00:14:09,549 --> 00:14:10,450 OPEN IT! 366 00:14:10,483 --> 00:14:12,986 - THIS FEELS LIKE AN OLD SCHOOL SPY TIFF 367 00:14:13,020 --> 00:14:15,455 THAT DESERVES SOME PRIVACY. - YOU KNOW THAT'S RIGHT. 368 00:14:15,488 --> 00:14:19,359 - DON'T MOVE A MUSCLE. 369 00:14:19,392 --> 00:14:20,427 - WHAT IS OPERATION MITLU? 370 00:14:20,460 --> 00:14:22,896 - OPEN IT! 371 00:14:22,930 --> 00:14:25,598 - OH, YEAH, WAIT A SECOND. BOLIVIA. 372 00:14:25,632 --> 00:14:27,134 I REMEMBER HEARING SOMETHING 373 00:14:27,167 --> 00:14:29,602 OVER THE AGENCY WIRE ABOUT THAT. 374 00:14:29,636 --> 00:14:31,138 THE EMBASSY WAS BROKEN INTO. 375 00:14:31,171 --> 00:14:32,572 A COUPLE OF DIPLOMATS WERE KILLED 376 00:14:32,605 --> 00:14:35,375 AND SOMEONE MADE OFF WITH A SUITCASE OF GCCs. 377 00:14:35,408 --> 00:14:39,446 - WHAT ARE GCCs? - GLOBAL CURRENCY CERTIFICATES. 378 00:14:39,479 --> 00:14:41,514 YOU CAN CASH THEM IN FOR ANY CURRENCY AROUND THE WORLD. 379 00:14:41,548 --> 00:14:44,617 IT'S LIKE LITERALLY HAVING A MONEY PRINTING PRESS. 380 00:14:44,651 --> 00:14:46,153 - [scoffs] 381 00:14:46,186 --> 00:14:47,587 SO THAT'S WHAT THIS IS ABOUT, HUH, NADIA? 382 00:14:47,620 --> 00:14:51,191 YOU USED MY INCREDIBLE GIFTS TO GET YOURSELF ERASED 383 00:14:51,224 --> 00:14:53,060 SO THAT YOU COULD GO RETIRE SOMEWHERE EXOTIC 384 00:14:53,093 --> 00:14:55,328 IN THE WORLD WITH A BUNCH OF GCCs? 385 00:14:55,362 --> 00:14:57,064 - YOU HAVE ONE MINUTE TO OPEN THE FILE, STRABINSKY. 386 00:14:57,097 --> 00:14:59,632 - GO AHEAD, SHOOT ME. I CAN'T OPEN THIS FILE. 387 00:14:59,666 --> 00:15:02,235 YOU OF ALL PEOPLE SHOULD KNOW. 388 00:15:02,269 --> 00:15:03,403 THE ONLY WAY TO OPEN A FILE THIS SECURE 389 00:15:03,436 --> 00:15:06,373 IS ON A LEVEL THREE COMPUTER IN A GOVERNMENT BUILDING. 390 00:15:13,380 --> 00:15:15,115 - WHO DID WE JUST HELP ERASE? 391 00:15:15,148 --> 00:15:17,117 - A VERY CAPABLE KILLER. 392 00:15:23,090 --> 00:15:24,457 - SHAWN, IT'S MY DAY OFF. 393 00:15:24,491 --> 00:15:26,559 I HAD A COLD BEER IN MY HAND, I'M ON MY BOAT, 394 00:15:26,593 --> 00:15:29,329 AND LITERALLY HAD MY FISHING LINE IN THE WATER 395 00:15:29,362 --> 00:15:31,398 WHEN I GOT THIS CALL. - DAD, DOES CHIEF VICK KNOW 396 00:15:31,431 --> 00:15:33,633 THAT YOU'RE SITTING IN HER CHAIR WHILE SHE'S ON HOLIDAY? 397 00:15:33,666 --> 00:15:35,702 - I AM IN NO MOOD. - I'M JUST SAYING 398 00:15:35,735 --> 00:15:37,737 YOUR NAKED THIGHS ARE TOUCHING THE FABRIC THERE. 399 00:15:37,770 --> 00:15:39,206 DON'T YOU THINK SHE'D BE A LITTLE WEIRDED OUT? 400 00:15:39,239 --> 00:15:41,308 - SORRY, GUYS. NO CHOICE. 401 00:15:41,341 --> 00:15:42,742 I MADE A PROMISE TO JULIET 402 00:15:42,775 --> 00:15:45,278 SO I HAD TO COME CLEAN, AND I TOLD THEM EVERYTHING. 403 00:15:45,312 --> 00:15:46,146 - EVERYTHING? - EVERYTHING. 404 00:15:46,179 --> 00:15:48,448 - YES, SHAWN, I KNOW HE WAS WITH YOU. 405 00:15:48,481 --> 00:15:49,682 AND YOU GUYS GOT IN OVER YOUR HEADS 406 00:15:49,716 --> 00:15:52,485 IN AN INTERNATIONAL CASE YOU HAD NO BUSINESS BEING A PART OF. 407 00:15:52,519 --> 00:15:54,287 - BUT ON MY PART, MOSTLY AS A PILOT. 408 00:15:54,321 --> 00:15:56,456 - YOU'RE A PILOT? - OH, DID I LEAVE THAT PART OUT? 409 00:15:56,489 --> 00:15:57,590 IT'S ONLY BEEN THREE DAYS. 410 00:15:57,624 --> 00:15:59,526 - NOW THE GUY DECIDES TO HAVE A CRISIS OF CONSCIENCE. 411 00:15:59,559 --> 00:16:01,128 - IS THERE ANYTHING ELSE YOU'D LIKE TO CONFESS? 412 00:16:01,161 --> 00:16:03,396 - YES. THIS MORNING, WHEN YOU FOUND THAT 413 00:16:03,430 --> 00:16:05,398 FRESH-SLICED GRAPEFRUIT ON YOUR BEDSIDE TABLE, 414 00:16:05,432 --> 00:16:06,766 AND YOU ASKED ME WHO PUT IT THERE, 415 00:16:06,799 --> 00:16:08,235 AND I SAID, "THE GRAPEFRUIT FAIRY," 416 00:16:08,268 --> 00:16:09,436 I WAS LYING. 417 00:16:09,469 --> 00:16:11,338 IT WAS ME. - OH, MY GOD, THAT'S SO CUTE. 418 00:16:11,371 --> 00:16:14,407 - PRETTY CUTE. - ALL RIGHT, EVERYONE, SHAWN. 419 00:16:14,441 --> 00:16:16,076 WHERE IS THIS NADIA WOMAN? 420 00:16:16,109 --> 00:16:18,745 - I MEAN... 421 00:16:23,516 --> 00:16:24,484 LASSIE, GRAB THEM! 422 00:16:24,517 --> 00:16:27,120 GRAB THOSE--GRAB THOSE MEN. 423 00:16:27,154 --> 00:16:28,455 THESE ARE THE GUYS THAT WERE IN THE HELICOPTER. 424 00:16:28,488 --> 00:16:29,656 THEY'RE THE ONES THAT TRIED TO KILL US 425 00:16:29,689 --> 00:16:31,624 ON THE PIER THIS MORNING. - I KNEW YOU WERE ON THAT PIER. 426 00:16:31,658 --> 00:16:33,793 - SHAWN, CALM DOWN. THESE ARE THE GOOD GUYS. 427 00:16:33,826 --> 00:16:36,429 - AGENT CAMDEN DRIGGS, SPECIAL DIVISION. 428 00:16:36,463 --> 00:16:38,398 DEPARTMENT OF CLANDESTINE HUMAN SOURCE INTELLIGENCE. 429 00:16:38,431 --> 00:16:39,499 THIS IS TOM. 430 00:16:39,532 --> 00:16:41,501 - YOU GET THAT WHOLE SWANKY INTRO 431 00:16:41,534 --> 00:16:42,735 AND ALL HE GETS IS, "THIS IS TOM?" 432 00:16:42,769 --> 00:16:44,537 - SENIOR COMMUNICATIONS ANALYST 433 00:16:44,571 --> 00:16:46,606 IN CHARGE OF OPERATIVE IN-CALL STATUS OBJECTIVES. 434 00:16:46,639 --> 00:16:48,641 SUBDIVISION SUPERVISOR, TOM FONG. 435 00:16:48,675 --> 00:16:51,711 - I GET IT. I GET "THIS IS TOM." 436 00:16:51,744 --> 00:16:53,646 - YOU GUYS ARE CIA? - WHEN WAS THE LAST TIME 437 00:16:53,680 --> 00:16:55,582 YOU WERE IN WASHINGTON, HMM-- YOUR EIGHTH GRADE FIELD TRIP? 438 00:16:55,615 --> 00:16:58,251 EVERYONE IN A SUIT ISN'T CIA. 439 00:16:58,285 --> 00:16:59,786 WE'RE SPECIAL MILITARY OPS. - MR. SPENCER, 440 00:16:59,819 --> 00:17:01,588 YOU ARE AWARE THAT YOU HELPED AID AND ABET 441 00:17:01,621 --> 00:17:03,490 ONE OF THE WORLD'S MOST DANGEROUS GOVERNMENT OPERATIVES? 442 00:17:03,523 --> 00:17:04,824 - WELL, WHEN YOU SAY IT LIKE THAT 443 00:17:04,857 --> 00:17:06,359 IT MAKES IT SOUND WAY WORSE THAN IT IS. 444 00:17:06,393 --> 00:17:08,328 - AND HOW WOULD YOU PREFER I SAY IT? 445 00:17:08,361 --> 00:17:10,530 - INFLECTION IS EVERYTHING. TRY IT AGAIN. 446 00:17:10,563 --> 00:17:12,365 MAYBE A LITTLE SINGSONGY. - SHAWN. 447 00:17:12,399 --> 00:17:14,401 YOU WILL COOPERATE WITH THESE MEN. 448 00:17:14,434 --> 00:17:16,569 - I WANNA KNOW EVERYTHING THAT NADIA SAID TO YOU. 449 00:17:16,603 --> 00:17:20,073 I WANT YOU TO RETRACE EVERY STEP YOU TOOK SINCE SHE MADE CONTACT. 450 00:17:20,107 --> 00:17:21,841 - AND WE KNOW ABOUT STRABINSKY. 451 00:17:21,874 --> 00:17:24,111 WHERE IS HE? - OH, COME ON, YOU GUYS. 452 00:17:24,144 --> 00:17:25,512 THAT MAN JUST WANTS TO LIVE IN PEACE. 453 00:17:25,545 --> 00:17:28,448 HE GAVE 12 YEARS OF HIS LIFE TO YOU ALL. 454 00:17:28,481 --> 00:17:30,450 - I'LL GIVE YOU MY FLIGHT LOGS. 455 00:17:30,483 --> 00:17:33,453 GOD, THAT FELT GOOD. 456 00:17:33,486 --> 00:17:36,123 BEING OPEN AND HONEST. 457 00:17:49,402 --> 00:17:51,438 - GOOD JOB, SPENCER. 458 00:17:51,471 --> 00:17:53,340 YOU LED NADIA RIGHT TO STRABINSKY 459 00:17:53,373 --> 00:17:54,541 AND NOW SHE TOOK HIM OUT. 460 00:17:54,574 --> 00:17:56,143 - SHE WAS CLEANING UP HER TRACKS, 461 00:17:56,176 --> 00:17:58,245 ELIMINATING WITNESSES. - WELL, IF THAT'S THE CASE, 462 00:17:58,278 --> 00:17:59,246 THEN WHY ARE GUS AND I STILL ALIVE? 463 00:17:59,279 --> 00:18:01,481 - BECAUSE YOU TWO AREN'T WORTH ELIMINATING. 464 00:18:01,514 --> 00:18:03,183 - OH, WE'RE WORTH ELIMINATING. 465 00:18:03,216 --> 00:18:05,218 - AGENT FONG, CALL IN FOR AIR SUPPORT. 466 00:18:05,252 --> 00:18:07,454 I WANT THE REST OF YOU TO FAN OUT ON THE MOUNTAINSIDE. 467 00:18:07,487 --> 00:18:09,656 WE'VE GOT HOURS, NOT DAYS. - CORRECT ME IF I'M WRONG, 468 00:18:09,689 --> 00:18:11,291 BUT INDUSTRY STANDARD IS 18 HOURS. 469 00:18:11,324 --> 00:18:12,692 OTHERWISE WE CAN KISS HER ASS GOOD-BYE. 470 00:18:12,725 --> 00:18:14,227 - THAT'S RIGHT, DETECTIVE. 471 00:18:14,261 --> 00:18:16,529 - WELL, I CAN FIND THAT SPY IN 19 HOURS. 472 00:18:16,563 --> 00:18:18,298 - THIS IS NOT A NEGOTIATION, AND YOU WENT UP. 473 00:18:18,331 --> 00:18:20,433 - FINE, I CAN FIND THAT SPY IN 13 HOURS. 474 00:18:20,467 --> 00:18:22,269 - SHAWN. - YOU KNOW, IF YOU SHUT UP 475 00:18:22,302 --> 00:18:24,404 AND LET ME DO MY JOB, I'LL FIND THAT SPY IN EIGHT HOURS. 476 00:18:24,437 --> 00:18:26,406 - OKAY. 477 00:18:26,439 --> 00:18:27,407 FIND THAT SPY. 478 00:18:27,440 --> 00:18:28,675 - YOU KNOW WHAT, GET OUT OF HERE. 479 00:18:28,708 --> 00:18:30,377 BOTH OF YOU. 480 00:18:30,410 --> 00:18:32,545 GO SIT IN THE CHOPPER, I'M TIRED OF LOOKING AT YOUR FACE. 481 00:18:32,579 --> 00:18:36,449 - [scoffs] 482 00:18:36,483 --> 00:18:39,552 - HEY, TOM FONG. YOU COMING WITH? 483 00:18:41,521 --> 00:18:42,555 - LISTEN, SHAWN. 484 00:18:42,589 --> 00:18:45,525 IF THIS WOMAN HAS ANY CONNECTION TO MY BROTHER... 485 00:18:45,558 --> 00:18:46,626 - COME ON, JULES. - NO, SHAWN. 486 00:18:46,659 --> 00:18:48,228 I KNOW THAT YOU WERE TAKEN BY HIM 487 00:18:48,261 --> 00:18:50,397 AND YOU GUYS SHARED SOME SORT OF BOND OR SOMETHING. 488 00:18:50,430 --> 00:18:52,365 BUT LET'S NOT FORGET, HE ELUDED AUTHORITIES 489 00:18:52,399 --> 00:18:53,600 AND EXISTS IN MORE THAN A GRAY WORLD. 490 00:18:53,633 --> 00:18:55,735 - HOW MUCH MORE? - THESE PEOPLE CAN'T BE TRUSTED. 491 00:18:55,768 --> 00:18:57,370 WATCH YOURSELF, SHAWN. 492 00:18:57,404 --> 00:18:59,172 THIS IS NOT A CASE YOU SHOULD FOOL WITH. 493 00:18:59,206 --> 00:19:01,241 IT'S BIGGER THAN US. - US? 494 00:19:01,274 --> 00:19:03,210 - THE DEPARTMENT. 495 00:19:03,243 --> 00:19:04,477 - OH, I'M SORRY, AREN'T YOU TWO 496 00:19:04,511 --> 00:19:06,246 SUPPOSED TO BE WAITING IN THE CHOPPER? 497 00:19:06,279 --> 00:19:08,315 - LASSIE, WHAT ARE YOU DOING HERE? 498 00:19:08,348 --> 00:19:10,383 YOU KNOW EVERY TIME THOSE WASHINGTON GUYS COME TO TOWN, 499 00:19:10,417 --> 00:19:13,420 YOU TURN INTO A 14TH WHEEL. LOOK AT TOM FONG. 500 00:19:13,453 --> 00:19:15,522 - GOT IT? - PATCH ME THROUGH-- 501 00:19:15,555 --> 00:19:17,290 - HE'S WEARING TWO WATCHES. HOW YOU GONNA HANG WITH THAT? 502 00:19:17,324 --> 00:19:19,326 - SPENCER, YOU KNOW NOTHING OF THESE PEOPLE. 503 00:19:19,359 --> 00:19:20,960 HE DOES THAT SO HE CAN TELL THE TIME 504 00:19:20,993 --> 00:19:22,929 AT TWO PLACES IN THE WORLD SIMULTANEOUSLY. 505 00:19:22,962 --> 00:19:25,698 - GUS LIKES TO KNOW THE TIME IN SANTA BARBARA AND PASADENA. 506 00:19:25,732 --> 00:19:27,900 ONLY NEEDS ONE WATCH. 507 00:19:27,934 --> 00:19:29,769 - YOU, LASSITER. 508 00:19:29,802 --> 00:19:31,538 YOU'RE RUNNING POINT ON THIS. - WHAT? 509 00:19:31,571 --> 00:19:33,406 - I'VE BEEN DOING THIS LONG ENOUGH TO KNOW 510 00:19:33,440 --> 00:19:34,707 THAT THE GUY WITH NO LIFE WILL GET THE JOB DONE. 511 00:19:34,741 --> 00:19:37,444 NOT TO MENTION, YOU KNOW THE LANDSCAPE. 512 00:19:37,477 --> 00:19:39,579 - DO I EVER. O'HARA. 513 00:19:42,315 --> 00:19:43,750 - I CAN'T BELIEVE DRIGGS BEAT ME 514 00:19:43,783 --> 00:19:45,518 IN THE FIRST ROUND OF "FIND THAT SPY." 515 00:19:45,552 --> 00:19:46,686 - SHAWN, THIS ISN'T FUNNY. 516 00:19:46,719 --> 00:19:48,388 NADIA IS GONNA FIND US AND KILL US. 517 00:19:48,421 --> 00:19:50,357 - GUS, DON'T BE A FINE YOUNG CANNIBALS COVER 518 00:19:50,390 --> 00:19:51,358 OF SUSPICIOUS MINDS. 519 00:19:51,391 --> 00:19:53,493 WE'RE GONNA FIND HER. 520 00:19:53,526 --> 00:19:55,428 BUT WE DO NEED A PLAN. - OH, I HAVE A PLAN. 521 00:19:55,462 --> 00:19:56,929 I'M GONNA PACK ME A MEDIUM-SIZED SUITCASE 522 00:19:56,963 --> 00:19:59,666 AND MOVE TO MEXICO. 523 00:19:59,699 --> 00:20:01,268 - YOU, OF ALL PEOPLE, SHOULD KNOW 524 00:20:01,301 --> 00:20:03,836 THAT A FILE THIS SECURE CAN ONLY BE OPENED 525 00:20:03,870 --> 00:20:05,938 ON A LEVEL THREE COMPUTER IN A GOVERNMENT BUILDING. 526 00:20:05,972 --> 00:20:07,374 - I GOT IT. 527 00:20:07,407 --> 00:20:08,975 I KNOW WHERE SHE IS. 528 00:20:09,008 --> 00:20:11,511 DOES ANYONE KNOW WHERE THE CLOSEST GOVERNMENT BUILDING IS 529 00:20:11,544 --> 00:20:14,914 WITH A LEVEL THREE COMPUTER? 530 00:20:44,477 --> 00:20:46,679 - DON'T FORGET IT NEXT TIME. 531 00:20:46,713 --> 00:20:49,248 - [softly grunts] 532 00:20:59,759 --> 00:21:01,461 - [grunts] 533 00:21:10,637 --> 00:21:12,405 - YES! 534 00:21:12,439 --> 00:21:13,906 YES, I AM SENSING SHE IS HERE. 535 00:21:13,940 --> 00:21:15,542 SHE'S HERE IN THIS BUILDING. 536 00:21:15,575 --> 00:21:17,744 - LET'S SPLIT UP AND COVER ALL HIGH SECURITY FLOORS. 537 00:21:17,777 --> 00:21:19,479 - WAIT, CAN WE JUST WALK INTO A GOVERNMENT BUILDING 538 00:21:19,512 --> 00:21:20,980 LIKE THIS WITHOUT CLEARANCE? 539 00:21:21,013 --> 00:21:22,582 - YOU CAN IF YOU'RE WITH ME. 540 00:21:22,615 --> 00:21:23,816 WE'RE LOOKING FOR SOMEBODY. 541 00:21:23,850 --> 00:21:24,717 - WELL, CAN I TAKE A LOOK AT THAT? 542 00:21:24,751 --> 00:21:26,085 DOES IT HAVE A PRESIDENTIAL SEAL ON IT? 543 00:21:26,118 --> 00:21:28,321 - LET'S MOVE, PEOPLE! - GO, GO, GO! 544 00:21:28,355 --> 00:21:30,957 GO, GO! - SOMEHOW I THINK SHE'LL 545 00:21:30,990 --> 00:21:33,426 BE FOUND SOMEWHERE A LITTLE LESS OBVIOUS. 546 00:21:57,083 --> 00:21:58,418 - COMPUTER PROBLEMS? [chuckles] 547 00:21:58,451 --> 00:21:59,652 I HATE IT WHEN THAT HAPPENS. 548 00:21:59,686 --> 00:22:01,020 WHERE'S AN EASY BUTTON WHEN YOU NEED ONE? 549 00:22:01,053 --> 00:22:02,555 - OH, SHAWN, YOU DO HAVE A SKILL SET. 550 00:22:02,589 --> 00:22:04,424 DO YOU HAVE ANY OTHER TALENTS? 551 00:22:04,457 --> 00:22:05,792 - YOU USED US, YOU LIED TO US. 552 00:22:05,825 --> 00:22:07,494 - AND YOU KILLED STRABINSKY. - OH, COME ON. 553 00:22:07,527 --> 00:22:09,596 I DIDN'T KILL STRABINSKY. MAYBE NO ONE DID. 554 00:22:11,130 --> 00:22:12,532 PLUS, IF I HAD THESE CERTIFICATES, 555 00:22:12,565 --> 00:22:13,900 WHY AM I STILL HERE? WHY? 556 00:22:13,933 --> 00:22:16,369 - OKAY, FINE. SO IF YOU REALLY WERE SET UP, 557 00:22:16,403 --> 00:22:17,303 LET US HELP YOU. 558 00:22:17,336 --> 00:22:18,905 - YOU HAVE NO IDEA WHAT YOU'RE INVOLVED IN. 559 00:22:18,938 --> 00:22:20,373 THEY MADE ME TAKE THE CERTIFICATES. 560 00:22:20,407 --> 00:22:23,376 - WHO? WHO WAS IT? 561 00:22:23,410 --> 00:22:24,844 - IF I KNEW WHO IT WAS, I WOULDN'T BE HERE. 562 00:22:24,877 --> 00:22:27,447 HE WAS IN DISGUISE. BUT IT'S SOMEONE ON THE INSIDE. 563 00:22:27,480 --> 00:22:28,981 I DON'T KNOW WHO, AND I DON'T HAVE TIME 564 00:22:29,015 --> 00:22:30,450 TO GIVE YOU SPY 101 LESSONS RIGHT NOW. 565 00:22:30,483 --> 00:22:31,684 - OH, REALLY? BECAUSE GUS 566 00:22:31,718 --> 00:22:33,119 RECENTLY SAW HALF OF SPIES LIKE US. 567 00:22:33,152 --> 00:22:34,153 - DOCTOR. - DOCTOR. 568 00:22:34,186 --> 00:22:35,655 - DOCTOR. - DOCTOR. 569 00:22:35,688 --> 00:22:38,024 [both giggle] AND YOU DON'T HAVE A CHOICE. 570 00:22:43,496 --> 00:22:45,565 - UH, SHE HAS CHOICES, AND SHE JUST MADE ONE. 571 00:22:45,598 --> 00:22:47,434 - I'M ABOUT TO MAKE ONE TOO. 572 00:22:47,467 --> 00:22:48,801 I CAN EITHER DIAL UP DRIGGS, 573 00:22:48,835 --> 00:22:50,503 OR YOU CAN TELL US WHAT HAPPENED IN BOLIVIA 574 00:22:50,537 --> 00:22:52,572 DURING OPERATION MITLU. 575 00:22:52,605 --> 00:22:54,441 BY THE WAY, WHO GETS TO NAME THOSE OPERATIONS? 576 00:22:54,474 --> 00:22:56,075 'CAUSE THAT SEEMS FUN. - HAND ME THE PHONE 577 00:22:56,108 --> 00:22:57,744 BEFORE I HAVE TO RESORT TO HURTING YOU. 578 00:22:57,777 --> 00:22:59,846 - YEAH, RIGHT. WITHOUT TOUCHING ME, HMM? 579 00:22:59,879 --> 00:23:01,514 - [chuckles] NO. 580 00:23:01,548 --> 00:23:02,915 I AM GOING TO TOUCH YOU. 581 00:23:02,949 --> 00:23:05,952 - FAN OUT, PEOPLE. 582 00:23:10,523 --> 00:23:11,991 - WHAT THE HELL IS THAT? 583 00:23:13,125 --> 00:23:16,128 [explosion, screams] 584 00:23:30,543 --> 00:23:31,811 - OKAY, PEOPLE, LISTEN UP. 585 00:23:31,844 --> 00:23:33,646 NO ONE IS TO LEAVE THIS BUILDING. 586 00:23:33,680 --> 00:23:35,482 I'LL BE QUESTIONING EACH OF YOU. 587 00:23:35,515 --> 00:23:37,617 SEPARATELY. ONE AT A TIME. 588 00:23:37,650 --> 00:23:39,519 THIS IS GONNA TAKE A WHILE SO I HOPE YOU PACKED A SNACK. 589 00:23:39,552 --> 00:23:41,721 - I'LL HANDLE IT FROM HERE. 590 00:23:41,754 --> 00:23:43,890 I WANT THIS UNIT SENT TO HEADQUARTERS TO BE WASHED. 591 00:23:43,923 --> 00:23:45,658 SHE WAS DEFINITELY LOOKING FOR SOMETHING, 592 00:23:45,692 --> 00:23:47,694 THERE'S JUST NO WAY OF KNOWING WHAT. 593 00:23:47,727 --> 00:23:49,496 - YOU KNOW, I THINK I CAN HELP YOU WITH THIS. 594 00:23:49,529 --> 00:23:51,030 I'M PROBABLY GONNA NEED SOME SORT OF CLEARANCE LEVEL. 595 00:23:51,063 --> 00:23:51,998 IT DOESN'T HAVE TO BE THE HIGHEST, 596 00:23:52,031 --> 00:23:53,666 JUST ENOUGH TO GIVE ME ONE OF THOSE BADGES 597 00:23:53,700 --> 00:23:54,601 THAT BEEPS WHEN YOU SCAN IT. 598 00:23:54,634 --> 00:23:56,669 - DETECTIVE, I'M NOT AT LIBERTY TO DISCLOSE 599 00:23:56,703 --> 00:23:59,806 ANY INFORMATION REGARDING CLASSIFIED DOCUMENTS. 600 00:23:59,839 --> 00:24:01,641 PERHAPS IF YOU WANNA GO BACK IN TIME, 601 00:24:01,674 --> 00:24:03,476 MAKE A COUPLE OF DIFFERENT LIFE DECISIONS, 602 00:24:03,510 --> 00:24:05,612 JOIN THE ACADEMY, TRAIN WITH SOME REAL INVESTIGATORS, 603 00:24:05,645 --> 00:24:09,181 THEN WE CAN TALK. BUT UNTIL THEN... 604 00:24:09,215 --> 00:24:11,651 - NADIA SAID SHE WAS SET UP BY SOMEONE ON THE INSIDE. 605 00:24:11,684 --> 00:24:13,986 YOU GET THE FEELING THAT DRIGGS IS HIDING MORE THAN HE HAS TO? 606 00:24:14,020 --> 00:24:15,555 - NO, NO, NO, SHAWN. DON'T DO THIS. 607 00:24:15,588 --> 00:24:17,089 NADIA IS CRAZY AND DANGEROUS. 608 00:24:17,123 --> 00:24:18,625 DRIGGS MAY BE AN UNPLEASANT MAN, 609 00:24:18,658 --> 00:24:19,926 BUT THAT DOESN'T MAKE HIM THE BAD GUY. 610 00:24:19,959 --> 00:24:21,528 - I DON'T TRUST HIM. 611 00:24:21,561 --> 00:24:22,662 - WHAT ARE YOU DOING? 612 00:24:22,695 --> 00:24:23,863 WHATEVER'S ON THIS FILE HAS THE SECRET 613 00:24:23,896 --> 00:24:25,031 TO WHAT HAPPENED IN BOLIVIA 614 00:24:25,064 --> 00:24:26,833 AND WILL PROVE THAT DRIGGS IS BEHIND IT. 615 00:24:26,866 --> 00:24:28,501 - THAT THING IS HALF-MELTED, SHAWN. 616 00:24:28,535 --> 00:24:30,169 THERE'S NO WAY WE CAN RETRIEVE ANY INFORMATION OFF OF IT. 617 00:24:30,202 --> 00:24:31,671 - YEAH, BUT STRABINSKY CAN. 618 00:24:31,704 --> 00:24:33,239 - OH, COME ON, I DIDN'T KILL STRABINSKY. 619 00:24:33,272 --> 00:24:34,707 MAYBE NO ONE DID. 620 00:24:34,741 --> 00:24:35,642 - SORRY ABOUT THE HEAT IN HERE, 621 00:24:35,675 --> 00:24:38,144 BUT THE SUPER HYDRA DRIVES ARE LIKE OVENS. 622 00:24:38,177 --> 00:24:39,646 SUCK UP POWER LIKE NOBODY'S BUSINESS. 623 00:24:39,679 --> 00:24:41,914 - OH, MY GOSH. 624 00:24:41,948 --> 00:24:44,717 - YEAH, THE SANTA BARBARA POWER GRID WOULD SHOW HOT SPOTS 625 00:24:44,751 --> 00:24:47,186 FOR AREAS THAT ARE USING CRAZY AMOUNTS OF ELECTRICITY. 626 00:24:47,219 --> 00:24:48,521 - LIKE HOSPITALS OR POWER PLANTS. 627 00:24:48,555 --> 00:24:50,523 - AND GIANT MANSIONS LIKE MINE. 628 00:24:50,557 --> 00:24:52,725 - I HEAR THAT. SEE, THAT'S WHAT WE NEED, SHAWN. 629 00:24:52,759 --> 00:24:55,127 OUR VERY OWN COMPUTER GUY FOR THE OFFICE, NICE. 630 00:24:55,161 --> 00:24:58,631 - OH, THAT'S NOT A COMPUTER GUY, HE'S MY PASTRY CHEF. 631 00:24:58,665 --> 00:25:00,867 THAT'S MY SNACK. THANK YOU, CHUY. 632 00:25:00,900 --> 00:25:02,769 - CREME BRULEE, GUYS? both: YES. 633 00:25:05,337 --> 00:25:06,873 - OH. 634 00:25:06,906 --> 00:25:08,975 WHAT'S THAT ONE? THE WHITE ONE. 635 00:25:09,008 --> 00:25:11,077 RIGHT THERE. 636 00:25:11,110 --> 00:25:12,612 - WHITE MEANS HOT. 637 00:25:12,645 --> 00:25:15,582 HUH, A SMALL APARTMENT BUILDING. 638 00:25:15,615 --> 00:25:18,685 YEAH, UNLESS THIS PERSON HAS 85 MICROWAVES IN HIS KITCHEN, 639 00:25:18,718 --> 00:25:20,086 THAT'S GOTTA BE STRABINSKY. 640 00:25:20,119 --> 00:25:21,588 - DECLAN, I MUST SAY YOU'VE ONCE AGAIN 641 00:25:21,621 --> 00:25:22,955 DELIVERED IN THE CLUTCH. 642 00:25:22,989 --> 00:25:24,557 I ALSO HAVE TO ASK YOU ONE MORE TEENY, WEENY FAVOR. 643 00:25:24,591 --> 00:25:26,058 - I BELIEVE I'M FRESH OUT OF FAVORS. 644 00:25:26,092 --> 00:25:28,695 - PLEASE, PLEASE, WAIT 30 MINUTES 645 00:25:28,728 --> 00:25:31,197 BEFORE YOU CALL JULIET AND TELL HER WE WERE HERE. 646 00:25:44,744 --> 00:25:46,579 [knocking] 647 00:25:46,613 --> 00:25:48,615 [whispers] KNOCK, KNOCK. 648 00:25:48,648 --> 00:25:50,750 - WHO'S THERE? 649 00:25:50,783 --> 00:25:56,122 - SHAWN. - AND GUS. 650 00:25:56,155 --> 00:25:58,124 - MAN. ARE YOU KIDDING ME? 651 00:25:58,157 --> 00:26:00,660 AGAIN? HOW DID YOU GUYS FIND ME? 652 00:26:00,693 --> 00:26:02,895 YOU KNOW WHAT, NORMALLY, I'D BE HOT UNDER THE COLLAR. 653 00:26:02,929 --> 00:26:05,698 BUT I HAVE TO ADMIT, 654 00:26:05,732 --> 00:26:07,734 I'M A SUCKER FOR A COUPLE OF FAMILIAR FACES. 655 00:26:07,767 --> 00:26:08,835 GO ON, GET IN HERE. COME ON. 656 00:26:08,868 --> 00:26:09,969 - THANKS, MAN. 657 00:26:10,002 --> 00:26:12,739 OH, LOOK, IT'S VERY EARTHY. - HUH. 658 00:26:12,772 --> 00:26:15,274 - IT'S CREAMY. 659 00:26:15,307 --> 00:26:17,710 - HEY, I HATE TO ASK THIS OF GUESTS, YOU KNOW. 660 00:26:17,744 --> 00:26:19,646 BUT COULD YOU GUYS DO ME A HUGE FAVOR? 661 00:26:19,679 --> 00:26:21,213 - I THINK SO, PROBABLY. 662 00:26:21,247 --> 00:26:22,882 - COULD YOU TAKE YOUR SHOES OFF? 663 00:26:22,915 --> 00:26:24,183 IT'S A NEW PLACE. - OH. 664 00:26:24,216 --> 00:26:26,686 [scoffs] - BERBER CARPETS. 665 00:26:26,719 --> 00:26:29,355 THEY SAY IT'S STAIN-RESISTANT, BUT I DON'T TRUST THEM. 666 00:26:29,388 --> 00:26:30,790 I DON'T TRUST THEM AT ALL. 667 00:26:30,823 --> 00:26:32,659 AND WHILE YOU'RE AT IT, IN THE NEXT TEN SECONDS, 668 00:26:32,692 --> 00:26:33,793 WHY DON'T YOU TELL ME WHY YOU'RE HERE 669 00:26:33,826 --> 00:26:35,127 OR ELSE I'M GONNA SET YOU BOTH ON FIRE 670 00:26:35,161 --> 00:26:36,629 WITHOUT EVEN STRIKING A MATCH. 671 00:26:36,663 --> 00:26:37,864 - WHOA, STRABS. EASY, BUDDY. 672 00:26:37,897 --> 00:26:41,634 - HEY...I JUST MOVED IN HERE, COME ON. 673 00:26:41,668 --> 00:26:45,371 I MEAN, THEY'VE GOT A LAUNDRY. THEY'VE GOT AN AWESOME POOL. 674 00:26:45,404 --> 00:26:46,906 LOOK AT THAT. 675 00:26:46,939 --> 00:26:48,675 HUH? 676 00:26:48,708 --> 00:26:51,277 WELL, IT'S NOT AWESOME. BUT IT'S CIRCULAR. 677 00:26:51,310 --> 00:26:55,014 YOU CAN'T EVEN SWIM LAPS IN IT, BUT IT'S A POOL. 678 00:26:55,047 --> 00:26:57,650 YOU GUYS HAVE ANY IDEA HOW HARD IT IS 679 00:26:57,684 --> 00:26:59,085 TO FIND A BODY DECOY THAT WORKS? 680 00:26:59,118 --> 00:27:01,688 THIS ONE'S TOO FAT, THIS ONE'S TOO SKINNY. 681 00:27:01,721 --> 00:27:03,389 THIS GUY'S JUST RIGHT, BUT HE'S AN ESKIMO. 682 00:27:03,422 --> 00:27:07,026 - STRABINSKY, IF YOU HELP US THIS ONE LAST TIME, 683 00:27:07,059 --> 00:27:09,762 YOU HAVE MY WORD THAT WE WILL NOT FIND YOU A THIRD TIME. 684 00:27:09,796 --> 00:27:11,664 - UNLESS WE NEED YOUR EXPERTISE A THIRD TIME. 685 00:27:11,698 --> 00:27:14,400 OR WE WANNA GO SWIMMING IN CIRCLES. 686 00:27:14,433 --> 00:27:16,836 - [sighs] 687 00:27:16,869 --> 00:27:19,071 WHAT DO YOU WANT? 688 00:27:19,105 --> 00:27:22,675 - NADIA WAS TRYING TO DOWNLOAD SOMETHING ON THIS THING. 689 00:27:24,443 --> 00:27:28,748 - AH, IT LOOKS LIKE A STILL PHOTO FROM AN EMBASSY. 690 00:27:28,781 --> 00:27:30,750 IT'S A SURVEILLANCE PICTURE. 691 00:27:30,783 --> 00:27:34,420 AT THE EMBASSY IN BOLIVIA. 692 00:27:34,453 --> 00:27:37,189 THAT MUST BE THE SUITCASE WITH THE CERTIFICATES. 693 00:27:37,223 --> 00:27:39,158 - SO SHE DID TAKE IT. 694 00:27:39,191 --> 00:27:40,459 - HOW DID I FALL FOR THIS AGAIN? 695 00:27:40,492 --> 00:27:41,928 - PLEASE TELL ME YOU HAVE A PLAN. 696 00:27:41,961 --> 00:27:45,197 - I CAN SEE HER RUNNING FROM A BUILDING. 697 00:27:45,231 --> 00:27:46,733 IT'S A GOVERNMENT BUILDING. 698 00:27:46,766 --> 00:27:48,935 THERE IS A RED, YELLOW, AND GREEN FLAG. 699 00:27:48,968 --> 00:27:51,704 THE FLAG IS ON FIRE, THOUGH. 700 00:27:51,738 --> 00:27:54,741 SOMETHING WENT... [imitates explosion] 701 00:27:54,774 --> 00:27:56,843 THERE WAS AN EXPLOSION. - THAT'S RIGHT. 702 00:27:56,876 --> 00:27:58,978 THAT'S THE BOLIVIAN EMBASSY. HOW DO YOU KNOW THIS? 703 00:27:59,011 --> 00:28:01,814 - SHE HAS A SUITCASE. - WHAT'S IN THE SUITCASE? 704 00:28:01,848 --> 00:28:04,250 - GIVE ME A SECOND, LET ME TRY TO X-RAY THROUGH IT. 705 00:28:04,283 --> 00:28:06,819 I'M SENSING, I'M GETTING, I'M SEEING... 706 00:28:06,853 --> 00:28:09,756 CERTIFICATES OF SOME KIND. 707 00:28:09,789 --> 00:28:11,390 CRATE AND BARREL. NO. 708 00:28:11,423 --> 00:28:14,293 BED, BATH, AND BEYOND? THAT SEEMS UNLIKELY. 709 00:28:14,326 --> 00:28:19,265 GLOBAL CURRENT AFFAIRS... SOMETHING. 710 00:28:19,298 --> 00:28:21,834 - GCCs, GLOBAL CURRENCY CERTIFICATES. 711 00:28:21,868 --> 00:28:25,404 WHERE DO YOU SEE THEM? - I SEE THEM IN MY MIND, TOM. 712 00:28:25,437 --> 00:28:27,940 I'M A PSYCHIC, YOU SEE. 713 00:28:27,974 --> 00:28:30,142 A PSYCHIC SPY. MAYBE THE ONLY ONE. 714 00:28:30,176 --> 00:28:31,510 PROBABLY THE ONLY ONE. 715 00:28:31,543 --> 00:28:33,012 DEFINITELY THE ONLY NON-RUSSIAN ONE. 716 00:28:33,045 --> 00:28:35,381 UNLESS YOU COUNT MEN WHO STARE AT GOATS. 717 00:28:35,414 --> 00:28:37,316 [phone vibrates] 718 00:28:37,349 --> 00:28:39,385 - YOU'RE GONNA TAKE A PHONE CALL IN THE MIDDLE OF THIS? 719 00:28:39,418 --> 00:28:41,087 - LIFE DOESN'T STOP FOR THE PSYCHIC WORLD. 720 00:28:41,120 --> 00:28:42,488 HOW DO YOU THINK I GET ANY ERRANDS DONE, 721 00:28:42,521 --> 00:28:44,190 OR KNOCK KINKY BOOTS AT NIGHTTIME? 722 00:28:44,223 --> 00:28:45,457 - JUST GET IT GOING, WOULD YOU? 723 00:28:45,491 --> 00:28:46,292 [whispers] STOP MILKING IT. 724 00:28:46,325 --> 00:28:48,460 - I KNOW WHAT YOU'RE UP TO, SHAWN. 725 00:28:50,329 --> 00:28:52,398 - WILL--WILL YOU ALL EXCUSE ME FOR A MOMENT? 726 00:28:52,431 --> 00:28:54,867 - COULD SOMEBODY TELL ME WHAT THE HELL'S GOING ON? 727 00:28:56,568 --> 00:28:57,536 - WHAT DO YOU WANT? 728 00:28:57,569 --> 00:28:59,371 - YOU'RE POKING AROUND WHERE YOU DON'T BELONG. 729 00:28:59,405 --> 00:29:01,841 YOU HAVE ALL YOUR FACTS WRONG. - OKAY, LISTEN. 730 00:29:01,874 --> 00:29:03,542 I SAW THE PICTURE OF YOU IN BOLIVIA. 731 00:29:03,575 --> 00:29:05,244 YOU LIED TO ME AGAIN. 732 00:29:05,277 --> 00:29:07,246 YOU'RE MAKING ME QUESTION MY OWN JUDGMENT HERE. 733 00:29:07,279 --> 00:29:09,048 AN HOUR AGO, I ACCUSED GUS OF TRYING 734 00:29:09,081 --> 00:29:10,983 TO ROPE ME INTO A PYRAMID SCHEME. 735 00:29:11,017 --> 00:29:12,518 - A LITTLE CRY? YOU NEED A SHOULDER TO CRY ON, 736 00:29:12,551 --> 00:29:14,453 GO BUY A GOLDFISH. 737 00:29:14,486 --> 00:29:15,922 YOU HAVE SOMETHING THAT'S MINE. 738 00:29:15,955 --> 00:29:18,124 I WANT IT BACK. [clicking] 739 00:29:18,157 --> 00:29:19,391 - OKAY, LOOK, LOOK, LOOK, LOOK, LOOK. 740 00:29:19,425 --> 00:29:21,493 I WILL GIVE YOU THE PICTURE, OKAY? 741 00:29:21,527 --> 00:29:23,796 [clicking continues, tapping] 742 00:29:23,830 --> 00:29:28,000 YOU HAVE TO AGREE TO MEET ME NOW. 743 00:29:28,034 --> 00:29:29,335 CAN I REACH YOU ON THIS PHONE? 744 00:29:29,368 --> 00:29:31,570 - MAYBE ANOTHER TEN SECONDS? I FIND YOU. 745 00:29:31,603 --> 00:29:33,105 - NO, HOLD-- LOOK, GUS AND I ARE BUSY. 746 00:29:33,139 --> 00:29:34,506 I'M NOT SURE WHERE WE'LL BE LATER. 747 00:29:34,540 --> 00:29:36,508 MAYBE, UH--MAYBE WE SHOULD FIND YOU. 748 00:29:36,542 --> 00:29:37,643 - NOT GONNA HAPPEN. 749 00:29:37,676 --> 00:29:39,445 I'M GONNA GIVE YOU A LOCATION WHERE YOU CAN MEET ME. 750 00:29:39,478 --> 00:29:41,313 DON'T CHANGE YOUR CLOTHES. - WHY? 751 00:29:41,347 --> 00:29:43,916 DO YOU LIKE THIS OUTFIT? - NO. 752 00:29:43,950 --> 00:29:45,484 SO I CAN SPOT YOU IN A CROWD. 753 00:29:45,517 --> 00:29:47,820 [clicking] 754 00:29:50,389 --> 00:29:53,893 [clicking] 755 00:29:58,597 --> 00:30:01,934 - [sighs] 756 00:30:05,537 --> 00:30:06,839 - WHO WERE YOU JUST TALKING TO? 757 00:30:06,873 --> 00:30:08,374 - NADIA. SHE WAS IN THE POLICE STATION. 758 00:30:08,407 --> 00:30:11,443 - ARE YOU KIDDING ME? - SO RISKY, SO SEXY! 759 00:30:11,477 --> 00:30:13,012 SHE'S REALLY STARTING TO LIKE ME. 760 00:30:13,045 --> 00:30:14,480 - SHE WANTS TO KILL YOU, SHAWN. - OH, REALLY? 761 00:30:14,513 --> 00:30:15,915 THEN WHY DID SHE JUST MAKE A DATE WITH ME 762 00:30:15,948 --> 00:30:17,516 FOR TONIGHT? - A DATE TO KILL YOU. 763 00:30:17,549 --> 00:30:19,018 YOU NEED TO GO BACK UP IN THE ROOM 764 00:30:19,051 --> 00:30:20,586 AND TELL THE FEDS EVERYTHING SHE JUST SAID. 765 00:30:20,619 --> 00:30:22,421 - NO, GUS, THIS IS OUR CHANCE TO BOURNE IT UP. 766 00:30:22,454 --> 00:30:23,856 I'M MATT DAMON, 767 00:30:23,890 --> 00:30:25,925 YOU'RE ADEWALE AKINNUOYE-AG...BAJNAN. 768 00:30:25,958 --> 00:30:27,326 - THAT'S NOT HOW YOU SAY HIS NAME. 769 00:30:27,359 --> 00:30:29,028 - THAT'S WHO YOU ARE, THOUGH. - OH, NO, I'M NOT. 770 00:30:29,061 --> 00:30:30,897 I'M NOT GONNA BE THAT. - IT'S TOO LATE TO RECAST. 771 00:30:30,930 --> 00:30:33,933 THE PART IS YOURS. LET'S GO TAKE DOWN A SPY. 772 00:30:45,144 --> 00:30:48,915 - [whispers] SHAWN. 773 00:30:48,948 --> 00:30:50,883 SHAWN. - NADIA. 774 00:30:50,917 --> 00:30:52,484 MY CODE NAME IS DABNEY WILHELM. 775 00:30:52,518 --> 00:30:54,320 PLEASE CALL ME THAT. 776 00:30:54,353 --> 00:30:56,288 - I WILL NOT. 777 00:30:56,322 --> 00:30:57,589 - WHY? 778 00:30:57,623 --> 00:31:01,160 - BECAUSE I KNOW YOUR NAME IS SHAWN SPENCER. 779 00:31:01,193 --> 00:31:04,396 I KNOW YOU. CODE NAMES ARE FOR ANONYMITY. 780 00:31:04,430 --> 00:31:07,566 WHAT IT THIS? - IT'S A NEWSPAPER. 781 00:31:07,599 --> 00:31:09,401 - YES, BUT WHY DO YOU HAVE IT? 782 00:31:09,435 --> 00:31:11,370 - IT'S A SPY THING. 783 00:31:11,403 --> 00:31:13,572 IT LOOKS LIKE I'M SITTING HERE READING ADS ABOUT PUPPIES, 784 00:31:13,605 --> 00:31:15,908 BUT REALLY... I'M SCOPING THE PERIMETER. 785 00:31:15,942 --> 00:31:18,377 - IT'S TOTALLY IDIOTIC. 786 00:31:18,410 --> 00:31:21,313 IT'S NIGHTTIME. IT'S IDIOTIC. 787 00:31:21,347 --> 00:31:23,549 LIKE THIS SILLY COAT YOU'RE WEARING. 788 00:31:23,582 --> 00:31:25,417 - YOU ARE SO HARSH. 789 00:31:25,451 --> 00:31:28,287 [stage whisper] GUS, LOSE THE PAPER. 790 00:31:31,723 --> 00:31:33,525 - WHAT THE HELL'S HE DOING IN THERE? 791 00:31:33,559 --> 00:31:36,028 - UNFORTUNATELY, NOTHING OUT OF THE ORDINARY. 792 00:31:36,062 --> 00:31:38,164 - SERIOUSLY, HOW LONG ARE WE GONNA LET THIS GO ON FOR? 793 00:31:38,197 --> 00:31:40,099 - JUST RELAX, I WANNA SEE IF SHE'LL HANG HERSELF. 794 00:31:40,132 --> 00:31:41,433 WE MIGHT GET A CONFESSION. 795 00:31:41,467 --> 00:31:42,668 - SIR, WE DON'T NEED A CONFESSION. 796 00:31:42,701 --> 00:31:45,037 WE'VE GOT ENOUGH ON HER GOING AWOL. 797 00:31:45,071 --> 00:31:46,638 WITH THE BREAK-IN, WE CAN NAIL HER RIGHT NOW. 798 00:31:46,672 --> 00:31:48,607 - ALL RIGHT, LET'S CUT TO THE CHASE, SHALL WE? 799 00:31:48,640 --> 00:31:50,943 - I WANT YOU TO TRUST ME, SHAWN. 800 00:31:50,977 --> 00:31:52,678 BECAUSE WE HAVE A CONNECTION. 801 00:31:52,711 --> 00:31:55,581 - WHAT IS IT ABOUT SPENCER THAT PEOPLE SEE THAT I DON'T? 802 00:31:55,614 --> 00:31:59,585 - SHE'S CONNING HIM. 803 00:31:59,618 --> 00:32:01,653 - LET'S CUT TO THE REAL CHASE. 804 00:32:01,687 --> 00:32:03,990 THIS IS ABOUT YOU AND ME. 805 00:32:04,023 --> 00:32:06,092 FROM THE MOMENT WE LEAPT FROM THAT PIER, 806 00:32:06,125 --> 00:32:07,626 WE HAD SOMETHING. 807 00:32:07,659 --> 00:32:10,529 TELL ME YOU BELIEVE THAT I'M INNOCENT, 808 00:32:10,562 --> 00:32:14,466 AND MAYBE WE COULD SPEND SOME TIME OFF THE GRID. 809 00:32:14,500 --> 00:32:16,268 A GUY WITH YOUR ABILITIES AND A GIRL LIKE ME, 810 00:32:16,302 --> 00:32:18,070 WE COULD DO SOME DAMAGE. 811 00:32:18,104 --> 00:32:19,271 YEAH. 812 00:32:19,305 --> 00:32:22,141 COME ON, YOU DON'T HAVE TO BE SHY WITH ME. 813 00:32:22,174 --> 00:32:24,376 - STOP IT, STOP IT. 814 00:32:24,410 --> 00:32:26,312 YOU'VE BEEN PLAYING WITH ME THIS WHOLE TIME. 815 00:32:26,345 --> 00:32:28,647 I DON'T BELIEVE ANYTHING YOU SAY. 816 00:32:28,680 --> 00:32:30,349 - PREPARE TO MOBILIZE. WE'RE GOING IN. 817 00:32:30,382 --> 00:32:31,683 REPEAT, WE'RE ABOUT TO MOVE IN. 818 00:32:31,717 --> 00:32:34,220 - SO WHAT IF I DID THIS? 819 00:32:34,253 --> 00:32:36,622 - I CAN'T. I'M SORRY. 820 00:32:36,655 --> 00:32:39,325 I'M SORRY, NADIA. I CAN'T. 821 00:32:39,358 --> 00:32:41,260 IT'S JUST, I'D LIKE TO BE THE SWISS TO YOUR HAM 822 00:32:41,293 --> 00:32:43,562 IN ONE OF THOSE CROISSANTS AT AU BON PAIN, 823 00:32:43,595 --> 00:32:44,763 BUT THAT JUST WOULDN'T BE FAIR TO YOU. 824 00:32:44,796 --> 00:32:46,232 - WHY IS THAT? 825 00:32:46,265 --> 00:32:48,167 - BECAUSE I TRUST THE CROISSANT MORE THAN YOU. 826 00:32:48,200 --> 00:32:50,536 - FINE. WHY DID YOU EVEN COME HERE? 827 00:32:50,569 --> 00:32:53,372 TO HEAR ME SAY THAT I KILLED THOSE TWO BOLIVIANS 828 00:32:53,405 --> 00:32:54,673 THAT STOLE THE CERTIFICATES? 829 00:32:54,706 --> 00:32:56,742 THAT I USED MY SKILLS TO STEAL ENOUGH MONEY 830 00:32:56,775 --> 00:32:58,710 TO LIVE OUT MY DAYS AT THE AMALFI COAST? 831 00:32:58,744 --> 00:33:00,612 - WHAT IS IT WITH EVERYONE AND THE AMALFI COAST? 832 00:33:00,646 --> 00:33:01,547 - MOBILIZE ALL TACTILE UNITS. 833 00:33:01,580 --> 00:33:05,317 GET IN THERE AND TAKE THE SUBJECT DOWN NOW. 834 00:33:05,351 --> 00:33:08,354 - STAY WITH THE VAN. - WHAT? 835 00:33:12,758 --> 00:33:14,193 - AH! 836 00:33:18,630 --> 00:33:21,033 - GOOD JOB, MEN. 837 00:33:21,067 --> 00:33:23,702 AGENT FONG, TAKE HER THROUGH PROCESSING. 838 00:33:23,735 --> 00:33:26,705 - I'M SORRY, NADIA. 839 00:33:26,738 --> 00:33:28,774 I LOVE MY COUNTRY TOO MUCH. 840 00:33:28,807 --> 00:33:31,543 MY COUNTRY IS AMERICA. 841 00:33:31,577 --> 00:33:33,679 - I TOLD YOU THAT NEWSPAPER THING WAS A DUMB IDEA. 842 00:33:33,712 --> 00:33:35,281 - ARE YOU AT ALL SERIOUS? 843 00:33:35,314 --> 00:33:37,183 WE JUST CAPTURED A DANGEROUS INTERNATIONAL SPY. 844 00:33:37,216 --> 00:33:38,684 YOU'RE HUNG UP ON THE NEWSPAPER BIT? 845 00:33:38,717 --> 00:33:40,319 - NO, I'M HUNG UP ON THE FACT THAT 846 00:33:40,352 --> 00:33:42,154 YOU'VE BEEN OBSESSED WITH THIS WOMAN THIS WHOLE TIME, 847 00:33:42,188 --> 00:33:43,555 SHE MAKES THE ULTIMATE MOVE ON YOU, 848 00:33:43,589 --> 00:33:44,756 AND YOU SHUT HER DOWN-- WHAT'S WRONG WITH YOU? 849 00:33:44,790 --> 00:33:46,158 THAT MAKES NO SENSE. ARE YOU CRAZY? 850 00:33:46,192 --> 00:33:48,494 - I KNOW, IT DOESN'T MAKE ANY SENSE. 851 00:33:48,527 --> 00:33:51,530 MAYBE I AM CRAZY. 852 00:33:51,563 --> 00:33:54,666 ALL I CAN TELL YOU IS THAT JUST NOW, IN THAT MOMENT, 853 00:33:54,700 --> 00:33:56,635 ALL I COULD THINK ABOUT WAS JULES. 854 00:33:58,370 --> 00:34:00,339 [sighs] I JUST CAN'T WRAP MYSELF 855 00:34:00,372 --> 00:34:01,840 AROUND THE FACT THAT SHE'S DATING DECLAN. 856 00:34:01,873 --> 00:34:05,077 IT'S ACTUALLY... IT'S ACTUALLY KILLING ME. 857 00:34:05,111 --> 00:34:06,812 - SHAWN, THAT IS NOT FAIR. - I KNOW. 858 00:34:06,845 --> 00:34:09,648 I KNOW IT'S NOT FAIR. AND YOU'RE RIGHT. 859 00:34:09,681 --> 00:34:11,583 IF SHE LIKES THIS GUY, WHO AM I TO STAND IN THE WAY? 860 00:34:11,617 --> 00:34:13,419 - EXACTLY. 861 00:34:13,452 --> 00:34:14,686 - YOU THINK I DON'T WANT HER TO BE HAPPY? 862 00:34:14,720 --> 00:34:16,288 I WANT HER TO BE HAPPY. 863 00:34:16,322 --> 00:34:18,557 BUT... 864 00:34:18,590 --> 00:34:21,160 SERIOUS SHAWN MOMENT HERE. 865 00:34:21,193 --> 00:34:22,661 I WANNA BE HAPPY TOO. 866 00:34:22,694 --> 00:34:24,263 AND FOR SOME REASON, I CAN'T IMAGINE 867 00:34:24,296 --> 00:34:26,332 THAT HAPPENING WITHOUT JULIET. 868 00:34:30,602 --> 00:34:32,371 HOW CRAZY IS THAT? 869 00:34:32,404 --> 00:34:34,473 - ON A SCALE OF ONE TO TEN? 870 00:34:34,506 --> 00:34:36,742 - EH. 871 00:34:36,775 --> 00:34:39,778 - WHAT? I WAS GONNA SAY FOUR. 872 00:34:47,786 --> 00:34:49,621 - NOW I KNOW YOU ALL WERE WONDERING... 873 00:34:49,655 --> 00:34:51,490 WAS IT DANGEROUS OUT THERE? 874 00:34:51,523 --> 00:34:54,360 [chuckles] IT WAS A LITTLE TOUCH AND GO. 875 00:34:54,393 --> 00:34:55,694 - MOSTLY GO. - WITH PLENTY OF TOUCH. 876 00:34:55,727 --> 00:34:56,895 - MM-HMM. - AND TO QUOTE 877 00:34:56,928 --> 00:34:59,231 AN UNLIKELY SOURCE, MR. WILLIAM OCEAN... 878 00:34:59,265 --> 00:35:02,401 - MM. - WHEN THE GOING GETS TOUGH, 879 00:35:02,434 --> 00:35:03,835 THE TOUGH GET GOING. 880 00:35:03,869 --> 00:35:07,173 - ARE WE FINISHED? - I BELIEVE SO, FEELS GOOD. 881 00:35:07,206 --> 00:35:08,674 GUS, WE GOOD? - I'M GREAT. 882 00:35:08,707 --> 00:35:10,842 - GREAT. I'M OUTTA HERE. 883 00:35:10,876 --> 00:35:13,445 [phone rings] 884 00:35:13,479 --> 00:35:15,414 - WHOA, WHOA, HOLD UP. 885 00:35:17,649 --> 00:35:19,451 THIS IS NADIA'S PHONE. 886 00:35:19,485 --> 00:35:21,253 SHE MUST'VE SLIPPED IT IN MY POCKET 887 00:35:21,287 --> 00:35:22,888 WHILE SHE WAS FEELING ME UP AT THE PARK. 888 00:35:22,921 --> 00:35:24,790 SOMETHING'S DOWNLOADING. 889 00:35:28,494 --> 00:35:31,430 OH, MY GOD. SHE WAS SET UP. 890 00:35:31,463 --> 00:35:32,698 - HOW COME THE GUY WITH THE GUN 891 00:35:32,731 --> 00:35:33,699 DIDN'T SHOW UP IN THE SECURITY CAMERA PHOTOS 892 00:35:33,732 --> 00:35:35,634 WE SAW AT STRABINSKY'S? - 'CAUSE IT WASN'T TAKEN 893 00:35:35,667 --> 00:35:37,703 WITH THAT CAMERA, GUS. IT WAS TAKEN FROM THE SKY. 894 00:35:37,736 --> 00:35:39,738 LIKE FROM AN AIRPLANE, OR A HOT AIR BALLOON. 895 00:35:39,771 --> 00:35:40,939 - OR A SATELLITE? 896 00:35:40,972 --> 00:35:43,175 - DON'T MAKE UP CRAP FROM THE FUTURE. 897 00:35:43,209 --> 00:35:44,243 - HE'S RIGHT. 898 00:35:44,276 --> 00:35:45,744 THESE ARE THE KIND OF PHOTOGRAPHS USUALLY TAKEN 899 00:35:45,777 --> 00:35:47,446 OVER OCCUPIED TERRITORIES OR FOREIGN EMBASSIES. 900 00:35:47,479 --> 00:35:49,381 - THAT'S WHY SHE HAD TO BREAK INTO THE GOVERNMENT OFFICE. 901 00:35:49,415 --> 00:35:50,816 SHE NEEDED A LEVEL THREE COMPUTER 902 00:35:50,849 --> 00:35:52,451 SO SHE COULD ACCESS THE SATELLITE PHOTOS. 903 00:35:52,484 --> 00:35:54,886 - IT'S THE ONLY PHOTO THAT COULD VINDICATE HER. 904 00:35:54,920 --> 00:35:56,922 - WHO'S THIS? THE GUY WITH THE GUN. 905 00:36:01,627 --> 00:36:03,695 - TWO WATCHES? 906 00:36:03,729 --> 00:36:05,897 - AGENT TOM FONG. 907 00:36:05,931 --> 00:36:09,201 PATCH ME THROUGH TO AIR STRIKE COMMAND. 908 00:36:09,235 --> 00:36:12,404 - CRAP. 909 00:36:12,438 --> 00:36:14,673 IT'S TOM FONG. 910 00:36:23,415 --> 00:36:25,684 - LASSITER, THIS THING ISN'T OVER. 911 00:36:25,717 --> 00:36:27,753 ASSEMBLE THE TEAM, GET AHOLD OF DRIGGS. 912 00:36:27,786 --> 00:36:29,555 WE HAVE TO FIND FONG. 913 00:36:29,588 --> 00:36:31,790 DRIGGS HAS TO HAVE A WAY OF TRACKING HIM. 914 00:36:36,528 --> 00:36:38,764 - [groaning] 915 00:36:38,797 --> 00:36:41,367 [spits] 916 00:36:41,400 --> 00:36:44,436 - EH, YOU GOT AWAY FROM ME IN BOLIVIA, NADIA. 917 00:36:44,470 --> 00:36:46,438 BUT THAT'S OVER. 918 00:36:46,472 --> 00:36:47,806 NOW TELL ME WHERE YOU HID THE CERTIFICATES. 919 00:36:47,839 --> 00:36:50,742 - I'LL TELL YOU. 920 00:36:50,776 --> 00:36:52,010 WAIT. 921 00:36:52,043 --> 00:36:53,879 NO, I WON'T! 922 00:36:53,912 --> 00:36:57,749 [loud slap] 923 00:36:57,783 --> 00:37:00,252 - I GUESS IT'S GONNA GET UGLY THEN. 924 00:37:00,286 --> 00:37:03,755 [crackles] 925 00:37:03,789 --> 00:37:05,824 - FREEZE! DROP THE WEAPON, TOM! 926 00:37:05,857 --> 00:37:08,860 - FREEZE, TOM! 927 00:37:08,894 --> 00:37:10,996 - HOW DID YOU FIND ME? 928 00:37:11,029 --> 00:37:12,998 - I FOUND STRABINSKY TWICE IN ONE DAY. 929 00:37:13,031 --> 00:37:14,800 YOU'RE ASKING ME HOW I TRACKED YOU DOWN, 930 00:37:14,833 --> 00:37:17,836 JACK...FONG? 931 00:37:17,869 --> 00:37:20,272 - YOU'RE A DISGRACE TO THE SUIT, TOM. 932 00:37:20,306 --> 00:37:23,975 GET HIM OUTTA HERE. 933 00:37:24,009 --> 00:37:25,644 - OH. OH, NADIA. 934 00:37:25,677 --> 00:37:27,779 YOU WANTED TO GET CAUGHT IN THAT PARK. 935 00:37:27,813 --> 00:37:29,715 YOU KNEW YOU WOULD, YOU NEEDED TO. 936 00:37:29,748 --> 00:37:31,049 YOU KNEW YOU'D BEEN BETRAYED, 937 00:37:31,082 --> 00:37:32,651 BUT WITHOUT KNOWING WHO THE BAD GUY WAS, 938 00:37:32,684 --> 00:37:34,820 WHO COULD YOU TRUST? ME. 939 00:37:34,853 --> 00:37:36,588 BECAUSE YOU KNEW I WOULD FIGURE IT OUT 940 00:37:36,622 --> 00:37:38,690 AND LEAD EVERYONE HERE TO SEE IT WITH THEIR OWN EYES. 941 00:37:38,724 --> 00:37:40,459 AND YOU DIG ME. 942 00:37:40,492 --> 00:37:41,960 AND YOU LOOK ALMOST AS GOOD UPSIDE DOWN 943 00:37:41,993 --> 00:37:43,395 AS YOU DO RIGHT SIDE UP. 944 00:37:43,429 --> 00:37:45,597 AND THAT CAN ONLY BE SAID ABOUT YOU, ME, 945 00:37:45,631 --> 00:37:47,065 AND MAYBE JAVIER BARDEM. 946 00:37:47,098 --> 00:37:49,701 - NO, NOT JAVIER BARDEM. - NO, YOU DON'T THINK SO? 947 00:37:49,735 --> 00:37:52,504 - JON STEWART. - JON STEWART, REALLY? 948 00:37:52,538 --> 00:37:54,873 I WOULDN'T-- - WE DIDN'T FIND FONG. 949 00:37:54,906 --> 00:37:56,675 DRIGGS DID. - IT'S ALL SEMANTICS, GUS. 950 00:37:56,708 --> 00:37:58,644 - IT'S NOT SEMANTICS AT ALL. 951 00:37:58,677 --> 00:38:00,612 - NOTE TO SELF, LOOK UP THE WORD "SEMANTICS." 952 00:38:00,646 --> 00:38:03,749 - UH, GUYS, EXCUSE ME. 953 00:38:03,782 --> 00:38:05,684 - OH, RIGHT. - OH, OF COURSE. 954 00:38:05,717 --> 00:38:06,985 - WHAT DO WE, UH-- - OH, WOW. 955 00:38:07,018 --> 00:38:08,420 - OH, THAT LOOKS COMPLICATED. 956 00:38:08,454 --> 00:38:09,588 DO YOU KNOW WHAT HE DID 957 00:38:09,621 --> 00:38:11,657 TO YOUR FEET TO GET YOU UP THERE? 958 00:38:19,898 --> 00:38:22,033 - HEY, SHAWN, GUS. 959 00:38:22,067 --> 00:38:22,868 I BUZZED YOU UP, LIKE, HALF AN HOUR AGO. 960 00:38:22,901 --> 00:38:23,735 - WELL, WE WOULD'VE BEEN HERE SOONER 961 00:38:23,769 --> 00:38:24,670 BUT WE GOT LOST IN YOUR TOPIARY MAZE. 962 00:38:24,703 --> 00:38:26,905 - WE JUST WANTED TO THANK YOU ONE MORE TIME 963 00:38:26,938 --> 00:38:28,440 FOR SPONSORING OUR CASE. - ALL RIGHT. 964 00:38:28,474 --> 00:38:29,975 WELL, IT ALL WORKED OUT SO I'M HAPPY TO HAVE HELPED. 965 00:38:30,008 --> 00:38:31,610 WELL, LISTEN, I WAS IN THE MIDDLE OF BIDDING ON SOMETHING 966 00:38:31,643 --> 00:38:33,379 WHEN YOU GUYS RANG THE BELL. 967 00:38:33,412 --> 00:38:35,714 IT'S UP TO 30 MILLION, SO IT'S GETTING SLIGHTLY HEATED. 968 00:38:35,747 --> 00:38:37,048 THEY'RE WAITING FOR ME UPSTAIRS ON THE PHONE. 969 00:38:37,082 --> 00:38:39,050 - YOU'RE MAKING A PHONE BID OF $30 MILLION U.S.? 970 00:38:39,084 --> 00:38:40,952 - YEAH, I WISH. EUROS. 971 00:38:43,422 --> 00:38:44,490 - MAY I? 972 00:38:46,057 --> 00:38:49,761 - [scoffs] 973 00:38:49,795 --> 00:38:51,096 - SHAWN. 974 00:38:51,129 --> 00:38:52,230 - HEY. - HI. 975 00:38:52,263 --> 00:38:55,567 WHY ARE YOU STANDING IN DECLAN'S FOYER ALL BY YOURSELF? 976 00:38:55,601 --> 00:38:58,136 - CREEPY? - SORT OF. 977 00:38:58,169 --> 00:38:59,571 - YEAH. - SHAWN, 978 00:38:59,605 --> 00:39:03,108 YOU HAVE SOLVED A LOT OF CASES FOR THE S.B.P.D. 979 00:39:03,141 --> 00:39:05,076 BUT THIS ONE WAS PARTICULARLY IMPRESSIVE. 980 00:39:05,110 --> 00:39:08,914 I MEAN, BOLIVIAN EMBASSIES AND INTERNATIONAL ESPIONAGE. 981 00:39:08,947 --> 00:39:10,816 HOW DID YOU AND GUS DO IT ALL BY YOURSELF? 982 00:39:10,849 --> 00:39:12,518 - WELL, I'M NOT GONNA LIE TO YOU, JULES. 983 00:39:12,551 --> 00:39:14,119 IT WAS DIFFICULT. 984 00:39:14,152 --> 00:39:17,656 BUT NOW THAT IT'S OVER, I'M READY TO PUT "FREELANCE SPY" 985 00:39:17,689 --> 00:39:18,924 ON MY LIST OF SPECIAL SKILLS. 986 00:39:18,957 --> 00:39:20,926 - WELL, HERE'S A MYSTERY YOU CAN SOLVE FOR ME. 987 00:39:20,959 --> 00:39:23,028 YESTERDAY, I CAME HERE AFTER WORK 988 00:39:23,061 --> 00:39:26,432 AND I FOUND THREE CREME BRULEE DISHES BY DECLAN'S COMPUTER. 989 00:39:26,465 --> 00:39:28,400 ANY IDEA WHO COULD'VE EATEN ALL OF THOSE? 990 00:39:28,434 --> 00:39:30,135 - MM... 991 00:39:30,168 --> 00:39:32,938 I WOULD SAY THAT DECLAN HAS AN ENORMOUS SWEET TOOTH. 992 00:39:32,971 --> 00:39:34,773 AND THAT SHOULDN'T BE IGNORED, JULES. 993 00:39:34,806 --> 00:39:36,908 SUGAR IS A GATEWAY DRUG. 994 00:39:36,942 --> 00:39:38,810 - HMM. 995 00:39:38,844 --> 00:39:42,414 WELL, I GUESS THEN IT WILL REMAIN AN OPEN CASE. 996 00:39:42,448 --> 00:39:45,050 - I GUESS SO. 997 00:39:45,083 --> 00:39:47,152 - WELL, I WAS JUST ABOUT TO HEAD OUT 998 00:39:47,185 --> 00:39:48,754 AND DO SOME SHOPPING FOR THE TRIP. 999 00:39:48,787 --> 00:39:51,122 - RIGHT. THE TRIP, OF COURSE. 1000 00:39:51,156 --> 00:39:55,494 UH, HAVE A--YEAH, HAVE A GREAT FOUR DAYS OFF, JULES. 1001 00:39:55,527 --> 00:39:58,497 - IT'S TWO WEEKS, SHAWN. - WOW, THAT'S LENGTHY. 1002 00:39:58,530 --> 00:40:01,166 THAT'S SIGNIFICANT. 1003 00:40:01,199 --> 00:40:03,134 THAT'S A REAL AMOUNT OF VACATION TIME. 1004 00:40:08,039 --> 00:40:11,009 HAVE AN AMAZING TRIP. 1005 00:40:11,042 --> 00:40:12,978 OKAY? 1006 00:40:13,011 --> 00:40:14,980 PROMISE ME. 1007 00:40:15,013 --> 00:40:17,082 'CAUSE YOU KNOW, THEY SAY, THAT-- 1008 00:40:17,115 --> 00:40:20,151 THAT THESE KIND OF TRIPS ARE ONCE-IN-A-LIFETIME EXPERIENCES. 1009 00:40:20,185 --> 00:40:22,187 AND THAT THEY'RE EVEN BETTER WHEN YOU HAVE SOMEONE 1010 00:40:22,220 --> 00:40:23,822 YOU CARE ABOUT TO SHARE THEM WITH. 1011 00:40:23,855 --> 00:40:27,092 AND... 1012 00:40:27,125 --> 00:40:29,961 YOU DO. 1013 00:40:29,995 --> 00:40:32,097 TAKE LOTS OF PICTURES. 1014 00:40:32,130 --> 00:40:33,665 NOT OF SIGHTS. 1015 00:40:33,699 --> 00:40:37,068 DON'T TAKE PICTURES OF BUILDINGS. 1016 00:40:37,102 --> 00:40:38,970 TAKE PICTURES OF MOMENTS. 1017 00:40:39,004 --> 00:40:41,206 THAT'S WHAT MATTERS. 1018 00:40:41,239 --> 00:40:43,475 CAPTURE THEM HERE... 1019 00:40:43,509 --> 00:40:45,644 AND HOLD ON TO THEM HERE. 1020 00:40:49,781 --> 00:40:51,216 AT LEAST, THAT'S WHAT I WOULD DO. 1021 00:40:51,249 --> 00:40:53,885 I DON'T KNOW, YOU MIGHT TAKE BLURRY PHOTOS 1022 00:40:53,919 --> 00:40:56,221 OF YOUR ESPRESSO AT SOME RANDOM CAFE. 1023 00:41:21,613 --> 00:41:23,982 - HEY, BUNNY! 1024 00:41:24,015 --> 00:41:25,717 BUNNY, HEY! 1025 00:41:25,751 --> 00:41:27,886 AW, WE'RE NOT GONNA HAVE TO WORRY ANY MORE 1026 00:41:27,919 --> 00:41:30,221 ABOUT THAT HOTEL IN AMALFI BEING ALL BOOKED UP. 1027 00:41:30,255 --> 00:41:32,958 - OH, YEAH? WHY'S THAT? 1028 00:41:32,991 --> 00:41:36,795 - BECAUSE I JUST BOUGHT IT. OH, YEAH! 1029 00:41:41,299 --> 00:41:43,735 - WELL, GOOD LUCK WITH THAT, MAN. 1030 00:41:43,769 --> 00:41:45,136 IF GUS AND I EVER MAKE IT OUT THAT WAY, 1031 00:41:45,170 --> 00:41:47,673 WE'LL LOOK FORWARD TO STEALING SOME TOWELS. 1032 00:41:47,706 --> 00:41:50,208 - I'M GONNA HAVE THEM MONOGRAMMED. 1033 00:41:56,147 --> 00:41:59,150 AMALFI. - [giggles] 1034 00:42:01,753 --> 00:42:04,289 [sighs] 1035 00:42:06,224 --> 00:42:09,227 Captioning by CaptionMax www.captionmax.com