1 00:00:00,934 --> 00:00:02,136 - PREVIOUSLY ON PSYCH... 2 00:00:02,170 --> 00:00:05,573 - YANG IS THE MOST NOTORIOUS KILLER THIS CITY HAS NEVER SEEN. 3 00:00:05,606 --> 00:00:07,041 - THIS SWITCH HAS SUCH A LIGHT TOUCH. 4 00:00:07,075 --> 00:00:08,509 AND THEN BOOM! 5 00:00:08,542 --> 00:00:11,045 - YOU'RE GONNA ROT IN A CELL WITH FOUR PADDED WALLS, THE END. 6 00:00:11,079 --> 00:00:13,547 - MARY, YOU SEEM DISTURBED. EVEN MORE SO THAN USUAL. 7 00:00:13,581 --> 00:00:15,083 - YANG WASN'T WORKING ALONE. 8 00:00:15,116 --> 00:00:17,718 - SO THERE REALLY IS A YIN TO HER YANG. 9 00:00:17,751 --> 00:00:19,653 - MARY! I WANTED TO BE HEROIC. 10 00:00:19,687 --> 00:00:20,521 - HE WAS RIGHT THERE! 11 00:00:20,554 --> 00:00:21,822 - SHAWN, THE LAST TIME THIS HAPPENED, 12 00:00:21,855 --> 00:00:23,357 YOU PUT YOUR LIFE ON THE LINE. 13 00:00:23,391 --> 00:00:24,592 AND WE ALMOST LOST YOUR MOTHER. 14 00:00:24,625 --> 00:00:26,794 - THIS GUY HAS NEVER GONE UP AGAINST ME. 15 00:00:26,827 --> 00:00:28,529 I WILL BEAT HIM. 16 00:00:28,562 --> 00:00:29,530 - JULIET! 17 00:00:29,563 --> 00:00:30,598 - HE'S GOT HER. 18 00:00:30,631 --> 00:00:32,366 - IF YOU THINK I'M SICK... 19 00:00:32,400 --> 00:00:34,568 YOU AIN'T SEEN NOTHING YET. 20 00:00:34,602 --> 00:00:36,570 - THIS GAME ISN'T OVER. 21 00:00:50,118 --> 00:00:52,420 [children yelling, playing] 22 00:00:52,453 --> 00:00:54,722 [dog barks] 23 00:01:12,706 --> 00:01:14,475 - IF I HAD TO CHOOSE... 24 00:01:14,508 --> 00:01:17,345 I WOULD DIE EXECUTION-STYLE BY FIRING SQUAD. 25 00:01:17,378 --> 00:01:19,680 - FIRST OF ALL, NOBODY'S ASKING YOU TO CHOOSE. 26 00:01:19,713 --> 00:01:21,649 AND SECONDLY, WHY THAT? IT'S BRUTAL AND VIOLENT. 27 00:01:21,682 --> 00:01:22,683 - I KNOW. 28 00:01:22,716 --> 00:01:24,552 BUT I WOULD SELECT ALL MY SHOOTERS PERSONALLY. 29 00:01:24,585 --> 00:01:26,620 GEORGE CARLIN, ABBOT-- OR COSTELLO-- 30 00:01:26,654 --> 00:01:28,156 OR WHOEVER THE FAT ONE WAS. 31 00:01:28,189 --> 00:01:30,424 RICHARD PRYOR, ADAM BRODY-- ALL THE COMEDY GREATS. 32 00:01:30,458 --> 00:01:31,759 HOW FUNNY WOULD THAT BE? - IT WOULDN'T BE. 33 00:01:31,792 --> 00:01:33,127 YOU'D BE DEAD. 34 00:01:33,161 --> 00:01:34,762 - WHY DO YOU GOTTA TAKE IT TO A DARK PLACE? 35 00:01:34,795 --> 00:01:36,597 - HER NAME IS ALLISON COWLEY. 36 00:01:36,630 --> 00:01:39,700 SHE CLAIMS TO HAVE BEEN ABDUCTED BY OUR SERIAL KILLER, MR. YIN. 37 00:01:39,733 --> 00:01:42,136 AND SHE WON'T GIVE HER STATEMENT TO ANYONE BUT YOU. 38 00:01:42,170 --> 00:01:43,471 WHAT IS THAT SOUND? 39 00:01:43,504 --> 00:01:44,672 - OH, I'M SORRY, CHIEF. 40 00:01:44,705 --> 00:01:45,906 SUCKING CANDY? 41 00:01:45,939 --> 00:01:47,708 - WE HAVE A SITUATION HERE. 42 00:01:47,741 --> 00:01:49,410 - OKAY, THE SITUATION IS THAT GUS AND I 43 00:01:49,443 --> 00:01:50,578 FIELD SIX OF THESE YIN CALLS A MONTH 44 00:01:50,611 --> 00:01:51,779 - 6.8. 45 00:01:51,812 --> 00:01:54,348 - THAT WOULD INSINUATE ONE OF US WAS MISSING AN APPENDAGE. 46 00:01:54,382 --> 00:01:55,449 SUCKING CANDY? 47 00:01:55,483 --> 00:01:56,684 - NO. 48 00:01:56,717 --> 00:01:58,252 THESE YINITES COME OUT OF THE WOODWORK 49 00:01:58,286 --> 00:02:00,388 LOOKING FOR SOME KIND OF THRILL, OR A VALIDATION, OR-- 50 00:02:00,421 --> 00:02:03,191 - CLOSURE. - SICKOS AND WHACKJOBS. 51 00:02:03,224 --> 00:02:04,358 BUT VERY SAD. 52 00:02:04,392 --> 00:02:05,659 - I CONCUR, LASSIE. 53 00:02:05,693 --> 00:02:07,261 SUCK. 54 00:02:07,295 --> 00:02:08,896 - MR. SPENCER, WE HAVE AN OBLIGATION 55 00:02:08,929 --> 00:02:11,665 TO INVESTIGATE EVERY CLAIM THAT COMES INTO THIS STATION. 56 00:02:11,699 --> 00:02:12,733 SO GET IN THERE. 57 00:02:12,766 --> 00:02:14,168 - YOU KNOW, THESE YINITES 58 00:02:14,202 --> 00:02:15,736 ARE USUALLY WOMEN IN THEIR LATE 40s. 59 00:02:15,769 --> 00:02:17,638 YOU'RE OFF-TYPE, I'LL GIVE YOU THAT. 60 00:02:17,671 --> 00:02:19,840 AND I'M GUESSING THAT'S YOUR RED JETTA OUT FRONT? 61 00:02:19,873 --> 00:02:21,709 AM I RIGHT? 62 00:02:23,544 --> 00:02:26,280 - SHE SEEMS GENUINELY UPSET. 63 00:02:26,314 --> 00:02:28,382 - I WAS KIDNAPPED. 64 00:02:28,416 --> 00:02:29,883 I SHOULD BE DEAD RIGHT NOW. 65 00:02:29,917 --> 00:02:31,652 DO YOU HAVE ANY IDEA HOW THAT FEELS? 66 00:02:31,685 --> 00:02:32,520 - [sighs] 67 00:02:32,553 --> 00:02:33,854 - WHY DO YOU THINK THAT THIS IS YIN? 68 00:02:33,887 --> 00:02:35,723 - I DON'T THINK, I KNOW. 69 00:02:35,756 --> 00:02:37,425 I HEARD HIS VOICE. 70 00:02:37,458 --> 00:02:39,560 HE TOLD ME I WAS SPECIAL. 71 00:02:39,593 --> 00:02:41,762 AND THEN HE SHACKLED ME TO A PIPE. 72 00:02:42,863 --> 00:02:45,433 THIS WAS MY RETAINER. 73 00:02:45,466 --> 00:02:48,336 NOW IT'S JUST A LITTLE PIECE OF WIRE THAT SAVED MY LIFE. 74 00:02:48,369 --> 00:02:52,706 I CAME TO YOU BECAUSE THIS IS VERY, VERY REAL 75 00:02:52,740 --> 00:02:54,242 AND VERY PERSONAL. 76 00:02:55,943 --> 00:02:57,611 - I DON'T NEED TO BE HERE ANYMORE, DO I? 77 00:02:57,645 --> 00:02:59,380 - NO. 78 00:02:59,413 --> 00:03:00,581 - ALL RIGHT, LOOK, 79 00:03:00,614 --> 00:03:02,316 YOU'VE OBVIOUSLY BEEN THROUGH SOMETHING. 80 00:03:02,350 --> 00:03:03,183 OKAY, SURE. 81 00:03:03,217 --> 00:03:04,752 AND I KNOW IT FEELS VERY REAL TO YOU. 82 00:03:04,785 --> 00:03:07,755 BUT REGARDLESS OF WHAT YOU'VE READ OR MAY HAVE HEARD, 83 00:03:07,788 --> 00:03:10,924 I HAVE NO PERSONAL CONNECTION TO THIS PSYCHOPATH. 84 00:03:10,958 --> 00:03:12,626 ALL RIGHT? I'M SORRY. 85 00:03:12,660 --> 00:03:13,727 SORRY TO LET YOU DOWN. 86 00:03:13,761 --> 00:03:15,396 - I STOLE THIS ON MY WAY OUT. 87 00:03:15,429 --> 00:03:16,530 [picture thuds] 88 00:03:27,608 --> 00:03:30,578 [The Friendly Indians' I Know, You Know] 89 00:03:30,611 --> 00:03:34,715 * 90 00:03:34,748 --> 00:03:38,352 - * IN BETWEEN THE LINES THERE'S A LOT OF OBSCURITY * 91 00:03:38,386 --> 00:03:41,589 * I'M NOT INCLINED TO RESIGN TO MATURITY * 92 00:03:41,622 --> 00:03:43,757 * IF IT'S ALL RIGHT 93 00:03:43,791 --> 00:03:45,493 * THEN YOU'RE ALL WRONG 94 00:03:45,526 --> 00:03:50,464 * BUT WHY BOUNCE AROUND TO THE SAME DAMN SONG? * 95 00:03:50,498 --> 00:03:53,767 * YOU'D RATHER RUN WHEN YOU CAN'T CRAWL * 96 00:03:53,801 --> 00:03:55,803 * 97 00:03:55,836 --> 00:03:59,340 * I KNOW, YOU KNOW, THAT I'M NOT TELLING THE TRUTH * 98 00:03:59,373 --> 00:04:02,610 * I KNOW, YOU KNOW, THEY JUST DON'T HAVE ANY PROOF * 99 00:04:02,643 --> 00:04:04,478 * EMBRACE THE DECEPTION 100 00:04:04,512 --> 00:04:05,679 * LEARN HOW TO BEND 101 00:04:05,713 --> 00:04:07,715 * YOUR WORST INHIBITIONS 102 00:04:07,748 --> 00:04:10,318 * TEND TO PSYCH YOU OUT IN THE END * 103 00:04:10,351 --> 00:04:12,720 * I KNOW, YOU KNOW 104 00:04:20,528 --> 00:04:21,862 - YOU'RE SURE THIS IS THE HOUSE, RIGHT? 105 00:04:21,895 --> 00:04:22,896 - I'M POSITIVE. 106 00:04:22,930 --> 00:04:24,532 - STAY HERE. 107 00:04:29,370 --> 00:04:30,838 ALL RIGHT, ON MY COUNT. 108 00:04:30,871 --> 00:04:33,974 OKAY. ONE, TWO, GO! 109 00:04:34,007 --> 00:04:36,477 [loud bang] - SBPD! 110 00:04:36,510 --> 00:04:37,711 HANDS IN THE AIR! 111 00:04:37,745 --> 00:04:38,879 - HEY! - HANDS IN THE AIR! 112 00:04:38,912 --> 00:04:41,715 HANDS IN THE AIR! - HEY! 113 00:04:41,749 --> 00:04:46,687 [overlapping shouts and struggling] 114 00:04:46,720 --> 00:04:48,589 - AW, CRAP. 115 00:04:48,622 --> 00:04:51,425 - AGAIN, WE APOLOGIZE PROFUSELY. 116 00:04:51,459 --> 00:04:53,461 AND THE SERGEANT BEHIND YOU WILL INDEED 117 00:04:53,494 --> 00:04:54,995 TAKE YOUR STATEMENT AT THIS TIME. 118 00:04:55,028 --> 00:04:56,597 - IT'S NOT POSSIBLE. 119 00:04:56,630 --> 00:04:57,998 THERE WERE NO PEOPLE. 120 00:04:58,031 --> 00:04:59,933 NONE OF THIS IS RIGHT. 121 00:04:59,967 --> 00:05:01,869 - I DON'T KNOW WHAT KIND OF THRILLS YOU WERE AFTER 122 00:05:01,902 --> 00:05:03,871 AT THE EXPENSE OF THE SANTA BARBARA POLICE DEPARTMENT, 123 00:05:03,904 --> 00:05:06,039 BUT YOU CAN BET THAT I WILL PERSONALLY 124 00:05:06,073 --> 00:05:08,509 BE PURSUING CHARGES FOR FILING A FALSE POLICE REPORT. 125 00:05:08,542 --> 00:05:11,044 - CHIEF, WE JUMPED THE GUN, AND WE DO APOLOGIZE PROFUSELY. 126 00:05:11,078 --> 00:05:12,946 - WHOA, WHOA, WAIT JUST ONE PROFUSE SECOND HERE. 127 00:05:12,980 --> 00:05:14,682 WHAT ABOUT THE PHOTOGRAPH? 128 00:05:14,715 --> 00:05:16,917 - IF YOU HADN'T HAD THAT PSYCHIC TIZZY FIT BACK AT THE STATION, 129 00:05:16,950 --> 00:05:19,119 WE WOULD'VE TAKEN THE TIME TO HAVE THE PHOTOGRAPH ANALYZED. 130 00:05:19,152 --> 00:05:20,788 LOOKED PHOTOSHOPPED TO ME. 131 00:05:20,821 --> 00:05:21,989 - ANALYZE IT. 132 00:05:22,022 --> 00:05:23,491 AND THEN GET BACK TO ME WITHIN SECONDS 133 00:05:23,524 --> 00:05:26,093 OF YOU HAVING ANYTHING CONCLUSIVE. 134 00:05:27,961 --> 00:05:30,030 - I'M NOT CRAZY. HE BROUGHT ME HERE. 135 00:05:30,063 --> 00:05:31,699 - [sigh] - I'LL PROVE IT TO YOU. 136 00:05:36,103 --> 00:05:37,638 STRAIGHT AHEAD IS THE KITCHEN. 137 00:05:37,671 --> 00:05:38,939 GO TO THE LEFT, THERE'S A FIREPLACE 138 00:05:38,972 --> 00:05:40,374 WITH RIVER ROCK. 139 00:05:40,408 --> 00:05:41,742 FRENCH DOORS GO OUT TO THE YARD. 140 00:05:41,775 --> 00:05:43,110 TO MY RIGHT, THERE'S STAIRS GOING UP 141 00:05:43,143 --> 00:05:45,479 WITH A STAINED GLASS WINDOW. AT THE BASE, TULIPS. 142 00:05:46,847 --> 00:05:47,915 - WOW. 143 00:05:47,948 --> 00:05:49,016 REALLY? TULIPS? 144 00:05:49,049 --> 00:05:50,984 THEY THOUGHT THAT WAS WORTH STAINING IN THE GLASS? 145 00:05:51,018 --> 00:05:52,653 NO. I WOULD'VE DONE SOMETHING 146 00:05:52,686 --> 00:05:54,522 WITH KRISTY SWANSON'S CHARACTER FROM HIGHER LEARNING. 147 00:05:54,555 --> 00:05:56,156 HUH? MAYBE HER HITTING A BACKHAND. 148 00:05:56,189 --> 00:05:57,925 - PLEASE BELIEVE ME. 149 00:06:00,528 --> 00:06:02,730 - UM, SHAWN, CAN I TALK TO YOU FOR A SEC? 150 00:06:02,763 --> 00:06:03,997 - YEAH. 151 00:06:04,031 --> 00:06:06,434 ONE SECOND. 152 00:06:06,467 --> 00:06:08,135 - SHAWN, I'M A LITTLE CONCERNED. - I KNOW. 153 00:06:08,168 --> 00:06:10,137 I KNOW, I'VE BEEN WEARING THESE JEANS FOR SEVEN MONTHS STRAIGHT. 154 00:06:10,170 --> 00:06:11,171 I'M GONNA WASH THEM THIS WEEKEND. 155 00:06:11,204 --> 00:06:12,172 - STOP IT. 156 00:06:12,205 --> 00:06:14,007 YOU STILL BELIEVE THIS GIRL? 157 00:06:14,041 --> 00:06:16,610 - I DON'T KNOW FOR SURE, BUT SHOULDN'T WE GIVE HER A CHANCE? 158 00:06:16,644 --> 00:06:17,878 WHAT IF SHE IS TELLING THE TRUTH? 159 00:06:17,911 --> 00:06:20,113 - SHAWN, I WAS WILLING TO GIVE HER THE BENEFIT OF THE DOUBT, 160 00:06:20,147 --> 00:06:22,616 BUT THIS HAS BEEN A COMPLETE WASTE OF OUR TIME. 161 00:06:22,650 --> 00:06:24,952 AND A LITTLE SICK, QUITE FRANKLY. 162 00:06:24,985 --> 00:06:26,487 - WHY IS IT SO HARD FOR YOU TO IMAGINE? 163 00:06:26,520 --> 00:06:27,955 YOU, OF ALL PEOPLE. 164 00:06:27,988 --> 00:06:29,156 ARE YOU AFRAID TO BELIEVE HER? 165 00:06:38,699 --> 00:06:40,868 HEY, ALLISON, WHERE ARE YOU STAYING? 166 00:06:40,901 --> 00:06:42,903 - I'M LIVING IN AN APARTMENT OFF-CAMPUS. 167 00:06:42,936 --> 00:06:44,071 - RIGHT. 168 00:06:44,104 --> 00:06:46,173 THAT DOESN'T FEEL TOO SAFE. 169 00:06:46,206 --> 00:06:47,975 AT LEAST NOT UNTIL WE SORT THIS OUT. 170 00:06:48,008 --> 00:06:51,979 YOU KNOW, WE KNOW A PLACE WHERE YOU'LL BE IN GOOD HANDS. 171 00:06:52,012 --> 00:06:56,083 OLD, CALLOUSED HANDS, BUT SAFE. 172 00:06:59,487 --> 00:07:01,455 - SO ARE YOU PSYCHIC TOO? 173 00:07:01,489 --> 00:07:03,491 - [chokes softly] UH, NO. 174 00:07:03,524 --> 00:07:05,493 NO, THAT'S... 175 00:07:05,526 --> 00:07:09,497 THAT'S SHAWN'S GIFT... ALONE. 176 00:07:09,530 --> 00:07:10,864 HERE YOU GO. NOW SIP IT, IT'S HOT. 177 00:07:10,898 --> 00:07:12,032 - THANK YOU. 178 00:07:12,065 --> 00:07:13,934 YOU GUYS SEEM REALLY CLOSE. 179 00:07:13,967 --> 00:07:16,870 - YEAH, THAT'S ME FORCING SHAWN TO FISH. 180 00:07:16,904 --> 00:07:17,938 HE HATED IT. 181 00:07:17,971 --> 00:07:19,439 PHOTOGRAPHS CAN BE VERY DECEIVING. 182 00:07:20,941 --> 00:07:23,110 - THE PIXEL IS THE SMALLEST ADDRESSABLE SCREEN ELEMENT. 183 00:07:23,143 --> 00:07:26,013 IT'S THE SMALLEST UNIT OF A PICTURE THAT CAN BE CONTROLLED. 184 00:07:26,046 --> 00:07:28,081 EACH PIXEL HAS IT'S OWN ADDRESS. 185 00:07:28,115 --> 00:07:28,916 - IS THE PICTURE REAL? 186 00:07:28,949 --> 00:07:30,651 - PARTS OF IT ARE. 187 00:07:30,684 --> 00:07:32,052 - WHAT DOES THAT MEAN? 188 00:07:32,085 --> 00:07:35,523 - WELL THE BACKGROUND IS SIMPLY THAT--IT'S CHANGEABLE. 189 00:07:35,556 --> 00:07:39,092 THIS IMAGE HAS BEEN LAID ON TOP OF A FIXED PIXEL ARRAY. 190 00:07:39,126 --> 00:07:40,561 IT'S FAKE. 191 00:07:40,594 --> 00:07:42,029 - NOW WE'RE TALKING. 192 00:07:42,062 --> 00:07:44,031 - THESE PIXELS, HOWEVER, 193 00:07:44,064 --> 00:07:46,066 ARE RENDERED FROM THE SAME SET OF SUBPIXELS. 194 00:07:46,099 --> 00:07:48,769 THEY'RE UNDENIABLY CONNECTED. 195 00:07:48,802 --> 00:07:52,072 YOU WERE DEFINITELY STANDING NEXT TO THE WOMAN IN THE PHOTO. 196 00:07:57,778 --> 00:07:59,980 - OH, ANOTHER HAND TURKEY. 197 00:08:00,013 --> 00:08:01,949 THINK THAT MAKES SIX. - YEAH, IT'S A GOOD THING 198 00:08:01,982 --> 00:08:03,083 THAT SHAWN IS SHARP IN OTHER AREAS, 199 00:08:03,116 --> 00:08:05,919 BECAUSE HE IS ARTISTICALLY-CHALLENGED. 200 00:08:05,953 --> 00:08:08,055 - OH, COME ON, THAT'S NOT BAD FOR A TODDLER. 201 00:08:08,088 --> 00:08:10,524 - HE MADE THAT ONE LAST THANKSGIVING. 202 00:08:17,865 --> 00:08:22,002 I HOPE THE HE-MAN SHEETS ARE ACCEPTABLE. 203 00:08:22,035 --> 00:08:23,737 - WOW, SEEMS UNTOUCHED. 204 00:08:28,175 --> 00:08:29,877 - YEAH, I THOUGHT ABOUT TURNING THE ROOM 205 00:08:29,910 --> 00:08:31,579 INTO SOME SORT OF WORKSPACE, BUT IN MY CASE 206 00:08:31,612 --> 00:08:33,013 THAT MEANT TARGET PRACTICE. 207 00:08:33,046 --> 00:08:34,948 WHICH DIDN'T SEEM TOO PRACTICAL. 208 00:08:38,919 --> 00:08:40,954 - [crying softly] - HEY. 209 00:08:40,988 --> 00:08:42,255 HEY, COME ON, COME ON. 210 00:08:42,289 --> 00:08:43,691 EVERYTHING'S GONNA BE OKAY, 211 00:08:43,724 --> 00:08:44,992 YOU JUST WENT THROUGH A TRAUMA, 212 00:08:45,025 --> 00:08:46,827 AND SOMETIMES THE BODY HAS TO GO INTO SHOCK 213 00:08:46,860 --> 00:08:48,962 BEFORE IT CAN START TO PROCESS THIS STUFF. 214 00:08:48,996 --> 00:08:50,130 - [sniffles] 215 00:08:50,163 --> 00:08:53,133 I'M NOT CRYING ABOUT THAT. 216 00:08:53,166 --> 00:08:55,168 I'M CRYING BECAUSE SHAWN BELIEVES ME. 217 00:08:55,202 --> 00:08:59,907 HE'S THE ONLY ONE. [sniffs] 218 00:08:59,940 --> 00:09:01,942 - THE FAMILY HAD JUST RETURNED HOME 219 00:09:01,975 --> 00:09:03,744 FROM A TWO WEEK VACATION IN FORT LAUDERDALE. 220 00:09:03,777 --> 00:09:05,012 - SO? 221 00:09:05,045 --> 00:09:07,981 - SO HE MAY HAVE BEEN THERE THE NIGHT BEFORE. 222 00:09:08,015 --> 00:09:10,684 - YOUR THEORY IS THAT YIN BROKE INTO THE HOUSE, 223 00:09:10,718 --> 00:09:12,052 STOLE ALL THE FURNITURE, ABDUCTED THE GIRL, 224 00:09:12,085 --> 00:09:14,054 THEN MOVED IT ALL BACK IN ONCE SHE ESCAPED? 225 00:09:14,087 --> 00:09:15,188 YOU SOUND LIKE SPENCER. 226 00:09:15,222 --> 00:09:17,057 - OKAY, I KNOW IT SOUNDS FARFETCHED, 227 00:09:17,090 --> 00:09:19,660 BUT YIN HAS DONE MORE ELABORATE THINGS IN THE PAST. 228 00:09:19,693 --> 00:09:22,362 ALLISON COWLEY KNEW THE EXACT LAYOUT OF THIS HOME. 229 00:09:22,395 --> 00:09:24,064 - SO MAYBE SHE BROKE INTO THE HOUSE HERSELF 230 00:09:24,097 --> 00:09:26,099 TO LEARN THE LAYOUT. SHE'S A WHACKJOB! 231 00:09:26,133 --> 00:09:27,300 COME ON, O'HARA. - LOOK... 232 00:09:27,334 --> 00:09:30,203 I KNOW WHAT IT FEELS LIKE, OKAY? 233 00:09:30,237 --> 00:09:33,874 I HAVE HEARD HIS VOICE, I HAVE FELT HIS BREATH, CARLTON. 234 00:09:33,907 --> 00:09:35,208 I KNOW WHAT YOU'RE THINKING, 235 00:09:35,242 --> 00:09:37,778 AND I DON'T NEED TO HEAR IT, OKAY? 236 00:09:37,811 --> 00:09:40,848 IF THIS GIRL IS TELLING THE TRUTH, SHE NEEDS OUR HELP. 237 00:09:40,881 --> 00:09:42,582 MY HELP. 238 00:09:52,425 --> 00:09:54,628 [creaking and scraping] 239 00:10:00,668 --> 00:10:02,670 [gun clicks] 240 00:10:24,992 --> 00:10:27,695 [gasping] 241 00:10:33,834 --> 00:10:36,269 - OH... [panting] 242 00:10:36,303 --> 00:10:41,108 [clock chiming] 243 00:10:46,313 --> 00:10:49,416 [walkie-talkie chatter] 244 00:10:49,449 --> 00:10:51,351 [camera clicks] 245 00:10:51,384 --> 00:10:53,186 - I WANT PICTURES OF EVERY INCH OF THIS ROOM. 246 00:10:53,220 --> 00:10:55,188 WITH THIS GUY, ANYTHING CAN BE A CLUE. 247 00:10:55,222 --> 00:10:57,224 - THIS CANNOT HAPPEN AGAIN. 248 00:10:57,257 --> 00:10:59,292 IF THIS GIRL DIES, WE ALL HAVE BLOOD ON OUR HANDS. 249 00:10:59,326 --> 00:11:01,328 - NO, NO, NO, THERE IS NOTHING DOWN THERE. 250 00:11:01,361 --> 00:11:03,263 I CANNOT BELIEVE I DID NOT CHECK THIS ROOM FIRST. 251 00:11:03,296 --> 00:11:05,132 - LOOK DAD, YOU FOLLOWED YOUR INSTINCTS, OKAY? 252 00:11:05,165 --> 00:11:07,167 AND THEY WERE RIGHT. SHE SHOULD'VE BEEN SAFE HERE. 253 00:11:07,200 --> 00:11:08,836 - THE SON OF A BITCH WAS IN MY HOUSE, 254 00:11:08,869 --> 00:11:10,170 HE'S GONNA CONTEND WITH ME NOW. 255 00:11:10,203 --> 00:11:11,839 - HE'S GONNA CONTEND WITH ALL OF US. 256 00:11:11,872 --> 00:11:14,674 AND I MEAN...ALL OF US. 257 00:11:18,145 --> 00:11:19,913 - YOU REALLY THINK THIS WILL WORK? 258 00:11:19,947 --> 00:11:21,148 - CERTAINLY WORTH A SHOT. 259 00:11:21,181 --> 00:11:23,951 WE WOULDN'T HAVE MADE IT THROUGH THE LAST ROUND WITHOUT HER. 260 00:11:23,984 --> 00:11:25,018 - WHAT THE...? 261 00:11:25,052 --> 00:11:26,419 - HEY! 262 00:11:26,453 --> 00:11:28,789 LOOKS LIKE SOMEBODY WAS A BAD GIRL 263 00:11:28,822 --> 00:11:30,123 AND RAIDED MOMMY'S CLOSET. 264 00:11:30,157 --> 00:11:32,025 - HI, BOYS. 265 00:11:32,059 --> 00:11:35,062 THANK YOU, GREGORY. 266 00:11:35,095 --> 00:11:38,098 SHAWN, SHAWN, SHAWN. 267 00:11:38,131 --> 00:11:40,901 THE PRODIGAL SON RETURNS. 268 00:11:40,934 --> 00:11:42,102 - ARE YOU WEARING MAKEUP? 269 00:11:42,135 --> 00:11:43,436 - I AM. 270 00:11:43,470 --> 00:11:45,806 IT'S PART OF MY NEW SELF-ESTEEM CLASS. 271 00:11:45,839 --> 00:11:46,807 DO YOU THINK I LOOK PRETTY? 272 00:11:46,840 --> 00:11:48,842 - DEPENDS, HOW FAR ALONG ARE YOU IN THE CLASS? 273 00:11:48,876 --> 00:11:51,111 - YES, WE DO. WE THINK YOU LOOK LOVELY. 274 00:11:51,144 --> 00:11:53,380 A LOT OF PROGRESS - I'VE MADE 275 00:11:53,413 --> 00:11:55,182 SINCE THE LAST TIME WE SAW EACH OTHER, SHAWN. 276 00:11:55,215 --> 00:11:56,516 [sigh] 277 00:11:56,549 --> 00:12:00,120 THEY'RE CALLING ME A MODEL PRISONER PATIENT. 278 00:12:00,153 --> 00:12:01,789 NO LONGER CONSIDERED TO BE A DANGER 279 00:12:01,822 --> 00:12:03,190 TO MYSELF OR OTHERS. 280 00:12:03,223 --> 00:12:06,026 EXCEPT FOR THE FAT BITCH IN THE CAFETERIA 281 00:12:06,059 --> 00:12:06,860 WHO CAN'T GRASP THE CONCEPT 282 00:12:06,894 --> 00:12:10,130 OF A FULL SCOOP OF MASHED POTATOES. 283 00:12:10,163 --> 00:12:13,233 - WE'RE HERE TO ASK FOR YOUR HELP AGAIN. 284 00:12:13,266 --> 00:12:16,136 - YOU LOOK SO MUCH HAPPIER, SHAWN. 285 00:12:16,169 --> 00:12:17,104 ARE YOU SEEING SOMEONE? 286 00:12:17,137 --> 00:12:19,773 - UH, I DON'T REALLY THINK THAT'S REALLY-- 287 00:12:19,807 --> 00:12:22,309 - SHAWN SPENCER HAS TAKEN A LOVER. 288 00:12:22,342 --> 00:12:24,277 YAY! [applause] 289 00:12:24,311 --> 00:12:26,246 ABOUT TIME, WE WERE WORRIED ABOUT YOU. 290 00:12:26,279 --> 00:12:28,882 - WHY DON'T YOU TELL ME ABOUT THIS? 291 00:12:28,916 --> 00:12:30,483 - OH, LOOK! 292 00:12:31,584 --> 00:12:33,854 WE LOOKED SO INNOCENT BACK THEN. 293 00:12:33,887 --> 00:12:35,088 - WHY CAN'T I REMEMBER IT? 294 00:12:35,122 --> 00:12:37,090 - YOU DON'T REMEMBER IT? 295 00:12:38,558 --> 00:12:41,028 SHAWN, I'M INSULTED. 296 00:12:41,061 --> 00:12:42,129 THIS WAS OUR MOMENT. 297 00:12:42,162 --> 00:12:44,064 - WHERE WAS THIS PHOTO TAKEN? 298 00:12:44,097 --> 00:12:45,132 - NO, NO, NO, NO. 299 00:12:45,165 --> 00:12:47,334 YOU GUYS HAVE TO FIGURE THAT OUT FOR YOURSELVES. 300 00:12:47,367 --> 00:12:49,036 I'M NOT JUST GOING TO TELL YOU. 301 00:12:49,069 --> 00:12:50,137 HOW MUCH FUN WOULD THAT BE? 302 00:12:50,170 --> 00:12:52,039 - YIN HAS TAKEN ANOTHER VICTIM. 303 00:12:52,072 --> 00:12:54,074 HER NAME IS ALLISON COWLEY. 304 00:12:54,107 --> 00:12:55,475 IF YOU'VE MADE ALL THIS PROGRESS, 305 00:12:55,508 --> 00:12:56,810 WHY DON'T YOU PROVE IT TO US? 306 00:12:56,844 --> 00:12:58,078 - IF YOU WANT REDEMPTION, 307 00:12:58,111 --> 00:12:59,880 LEAD US TO YIN AND HELP US SAVE THIS GIRL. 308 00:12:59,913 --> 00:13:02,115 - COLOR ME INTRIGUED. 309 00:13:02,149 --> 00:13:04,217 - GREAT. START TALKING. 310 00:13:04,251 --> 00:13:07,054 - NO, SHAWN. 311 00:13:07,087 --> 00:13:10,190 THAT'S NOT THE WAY I WORK, YOU KNOW THAT. 312 00:13:10,223 --> 00:13:12,025 I'M JUST LIKE YOU. 313 00:13:12,059 --> 00:13:15,062 I NEED TO FEEL, AND TOUCH, AND SEE THINGS 314 00:13:15,095 --> 00:13:17,064 WITH MY OWN EYES. 315 00:13:17,097 --> 00:13:18,531 TAKE ME TO THE CRIME SCENE. 316 00:13:18,565 --> 00:13:20,100 - OH, COME ON, THAT'S IMPOSSIBLE. 317 00:13:20,133 --> 00:13:21,301 - NO, ME HOSTING THE VIEW 318 00:13:21,334 --> 00:13:23,937 AND MAKING OUT WITH ELIZABETH HASSELBECK IS IMPOSSIBLE. 319 00:13:23,971 --> 00:13:26,173 THIS IS NOT. IT'S NON-NEGOTIABLE. 320 00:13:26,206 --> 00:13:27,540 YOU'RE GONNA TAKE ME THERE, 321 00:13:27,574 --> 00:13:29,109 I'M GONNA TELL YOU WHERE I THINK YIN IS, 322 00:13:29,142 --> 00:13:31,178 WHERE HE'S HOLDING THE GIRL, ET CETERA. 323 00:13:31,211 --> 00:13:33,046 OTHERWISE, I'M LATE FOR THE AFTERNOON MOVIE. 324 00:13:33,080 --> 00:13:34,414 THEY'RE SCREENING CARBON COPY. 325 00:13:34,447 --> 00:13:36,549 I CAN'T RESIST A YOUNG SUSAN SAINT JAMES. 326 00:13:36,583 --> 00:13:38,318 SPUNKY. 327 00:13:38,351 --> 00:13:40,520 - YEAH, I CAN'T BELIEVE THIS. 328 00:13:42,322 --> 00:13:44,091 LASSIE, HEY. 329 00:13:44,124 --> 00:13:46,259 I NEED A SMALLISH FAVOR. 330 00:13:48,095 --> 00:13:49,897 - YOU REMEMBER A SHIRT THAT SHAWN HAD AS A KID? 331 00:13:49,930 --> 00:13:52,299 IT WAS A SKY BLUE SHIRT WITH A DARK BLUE COLLAR. 332 00:13:52,332 --> 00:13:54,234 - HENRY, WHAT IS THIS ABOUT? 333 00:13:54,267 --> 00:13:56,069 WHO WOULD REMEMBER HIS SHIRTS FROM CHILDHOOD? 334 00:13:56,103 --> 00:13:57,504 - I DO. ALMOST ALL OF THEM. 335 00:13:57,537 --> 00:13:58,972 I JUST DON'T REMEMBER THIS ONE. 336 00:13:59,006 --> 00:14:00,107 NOW I KNOW HE STOPPED WEARING SHIRTS 337 00:14:00,140 --> 00:14:02,575 WITH BRAND NAMES ON THEM RIGHT AFTER HIS NINTH BIRTHDAY. 338 00:14:02,609 --> 00:14:04,044 - WHY DO YOU KNOW THAT? 339 00:14:04,077 --> 00:14:05,278 - BECAUSE WE HAD AN ARGUMENT ABOUT IT. 340 00:14:05,312 --> 00:14:07,047 HE DIDN'T WANNA PROMOTE PRODUCTS WITHOUT BEING PAID FOR IT-- 341 00:14:07,080 --> 00:14:10,117 MADDY, DO YOU REMEMBER THE SHIRT OR DON'T YOU? 342 00:14:10,150 --> 00:14:10,984 - WHAT'S GOING ON, HENRY? 343 00:14:11,018 --> 00:14:12,519 YOU SOUND LIKE A DETECTIVE RIGHT NOW. 344 00:14:12,552 --> 00:14:14,254 - I AM A DETECTIVE. 345 00:14:15,488 --> 00:14:17,958 MADDY, I DON'T WANT YOU TO BE ALARMED, 346 00:14:17,991 --> 00:14:19,092 BUT THIS HAS TO DO WITH YANG. 347 00:14:19,126 --> 00:14:20,593 - DID SHE ESCAPE? 348 00:14:20,627 --> 00:14:22,930 - NO, NO, NO, IT'S NOTHING LIKE THAT. 349 00:14:22,963 --> 00:14:24,932 SHE'S SAFE, SHE'S BEHIND BARS, 350 00:14:24,965 --> 00:14:27,067 IT'S JUST THIS PHOTOGRAPH-- THIS PICTURE... 351 00:14:27,100 --> 00:14:29,069 IT'S NOTHING, DON'T WORRY ABOUT IT. 352 00:14:29,102 --> 00:14:30,137 I'M GONNA HANDLE IT ALL. 353 00:14:30,170 --> 00:14:31,604 - LOOK, IF SHAWN IS IN TROUBLE, 354 00:14:31,638 --> 00:14:33,206 YOU BETTER TELL ME RIGHT NOW-- [sirens] 355 00:14:33,240 --> 00:14:35,008 - MADDY, I'M GONNA HAVE TO CALL YOU BACK. 356 00:14:35,042 --> 00:14:36,309 - [sigh] 357 00:14:44,117 --> 00:14:46,353 - WOW. 358 00:14:46,386 --> 00:14:49,189 SO THIS IS WHERE IT ALL BEGAN. 359 00:14:49,222 --> 00:14:51,591 BOYHOOD NIGHTS, UNDER THE COVERS WITH A FLASHLIGHT, 360 00:14:51,624 --> 00:14:53,493 MAKING SHADOWS ON THE CEILING DANCE, 361 00:14:53,526 --> 00:14:56,196 COUNTING LITTLE LAMBS WHILE YOU DRIFTED OFF TO SLEEP. 362 00:14:56,229 --> 00:14:58,131 OH, I WISH I COULD GO BACK IN TIME. 363 00:14:58,165 --> 00:15:00,200 AND PINCH THOSE CHUBBY LITTLE CHEEKS, 364 00:15:00,233 --> 00:15:02,102 AND TELL YOU NOTHING WILL BE OKAY. 365 00:15:02,135 --> 00:15:04,171 - START TALKING, YANG, OR IT'S BACK TO THE RUBBER ROOM. 366 00:15:04,204 --> 00:15:06,306 - WHAT DOES LASSIE THINK THIS IS, SHUTTER ISLAND? 367 00:15:06,339 --> 00:15:08,108 - EITHER THAT OR TOOTSIE. - OKAY, OKAY, 368 00:15:08,141 --> 00:15:11,078 DON'T GET YOUR 1950s BOXERS IN A TWIST, CARLTON. 369 00:15:11,111 --> 00:15:13,513 COME ON, SHAWN, LET'S DO THIS TOGETHER. 370 00:15:13,546 --> 00:15:15,148 MM. 371 00:15:15,182 --> 00:15:17,117 YOU MUST'VE CARED A LOT ABOUT THIS GIRL 372 00:15:17,150 --> 00:15:18,651 TO LET HER SLEEP IN YOUR BED. 373 00:15:18,685 --> 00:15:20,420 DOES YOUR LOVER KNOW? 374 00:15:20,453 --> 00:15:22,089 - I HAVEN'T TAKEN A LOVER, OKAY? 375 00:15:22,122 --> 00:15:24,257 BESIDES, MY DAD MADE THE SLEEPING ARRANGEMENTS. 376 00:15:24,291 --> 00:15:26,159 - OH, AND THEY CALL ME THE SICK ONE? 377 00:15:27,227 --> 00:15:28,996 THE GIRL WASN'T DRAGGED OUT OF HERE, 378 00:15:29,029 --> 00:15:31,131 SHE WAS LIFTED OUT. 379 00:15:31,164 --> 00:15:32,365 WAS SHE DRUGGED? 380 00:15:32,399 --> 00:15:34,301 - CSI SAID THEY FOUND AN ALCOHOL SWAB. 381 00:15:34,334 --> 00:15:37,137 - SO HE WAS GENTLE WITH HER. WHY? 382 00:15:39,406 --> 00:15:42,042 - HE TOLD ME I WAS SPECIAL. 383 00:15:42,075 --> 00:15:44,144 - SOMETHING DIFFERENT ABOUT THIS ONE. 384 00:15:44,177 --> 00:15:45,212 SHE'S SPECIAL. 385 00:15:45,245 --> 00:15:48,348 - EXACTLY, SHAWN. SEE HOW WELL WE WORK TOGETHER? 386 00:15:48,381 --> 00:15:49,649 - SO MAYBE HE WON'T KILL HER. 387 00:15:49,682 --> 00:15:51,751 - OH, NO, HE IS DEFINITELY GOING TO KILL HER. 388 00:15:51,784 --> 00:15:54,087 HE'S JUST GOT SOMETHING SPECIAL PLANNED. 389 00:15:54,121 --> 00:15:56,089 SOMETHING FIT FOR A GRAND FINALE. 390 00:15:56,123 --> 00:15:57,590 - SO WHERE WOULD HE HAVE TAKEN HER? 391 00:15:57,624 --> 00:16:01,094 - SADLY, I HAVE NOT BEEN IN CONTACT WITH YIN. 392 00:16:01,128 --> 00:16:02,562 SURPRISE, SURPRISE, HE HASN'T VISITED ME 393 00:16:02,595 --> 00:16:04,031 DURING MY INCARCERATION. 394 00:16:04,064 --> 00:16:05,665 - THEN WHY THE HELL DID WE BRING YOU HERE? 395 00:16:05,698 --> 00:16:09,569 - BECAUSE SHAWN AND I HAVE A ROMANTIC HISTORY TOGETHER. 396 00:16:09,602 --> 00:16:11,704 AND I DESERVE TO SEE HIS BEDROOM. 397 00:16:11,738 --> 00:16:13,773 - THAT'S IT. THIS CIRCUS IS OVER. 398 00:16:13,806 --> 00:16:16,076 LET'S GO. - OKAY, OW! 399 00:16:16,109 --> 00:16:19,179 GOSH. FINE. 400 00:16:19,212 --> 00:16:23,183 SOMETIMES IT ISN'T SOMETHING HE LEAVES BEHIND, THE CLUE. 401 00:16:23,216 --> 00:16:26,619 SOMETIMES IT'S SOMETHING HE TAKES WITH HIM. 402 00:16:26,653 --> 00:16:29,089 SHAWN. - WHAT? 403 00:16:29,122 --> 00:16:31,024 I'VE BEEN IN THIS ROOM TWICE IN THE LAST 15 YEARS, 404 00:16:31,058 --> 00:16:32,792 HOW AM I SUPPOSED TO KNOW IF SOMETHING'S MISSING? 405 00:16:32,825 --> 00:16:35,228 - SHAWN, THINK. USE YOUR GIFT. 406 00:16:35,262 --> 00:16:38,265 GO BACK IN TIME AND SE-- SENSE THE WAY THINGS WERE. 407 00:16:38,298 --> 00:16:39,066 - WHAT DOES THIS POSSIBLY 408 00:16:39,099 --> 00:16:40,600 HAVE TO DO WITH BARBRA STREISAND? 409 00:16:40,633 --> 00:16:42,102 - FOCUS. 410 00:17:03,523 --> 00:17:05,292 - ONE OF MY ARMY MEN. 411 00:17:05,325 --> 00:17:07,160 IT'S FACING THE WRONG DIRECTION. 412 00:17:10,263 --> 00:17:11,764 IT'S POINTING AT MY VINYL. 413 00:17:17,304 --> 00:17:18,738 MEAT IS MURDER, BY THE SMITHS, 414 00:17:18,771 --> 00:17:21,174 1984, VAN HALEN-- BOTH MISSING. 415 00:17:21,208 --> 00:17:22,242 - ARE YOU SURE? 416 00:17:22,275 --> 00:17:24,611 - OF COURSE I'M SURE, THEY'RE CLEARLY IN ORDER. 417 00:17:24,644 --> 00:17:26,713 - TEARS FOR FEARS, DEPECHE MODE, THOMPSON TWINS, 418 00:17:26,746 --> 00:17:27,914 WHAT ORDER ARE YOU USING? - SWEETNESS. 419 00:17:27,947 --> 00:17:30,450 - MEN WITHOUT HATS IS COOLER THAN ECHO AND THE BUNNYMEN? 420 00:17:30,483 --> 00:17:31,518 - BUT MORE IMPORTANTLY, 421 00:17:31,551 --> 00:17:33,653 WHERE ARE DEVO AND THE TALKING HEADS IN ALL THIS? 422 00:17:33,686 --> 00:17:36,523 - ALL RIGHT, LET'S JUST THINK ABOUT THIS FOR A SECOND. 423 00:17:36,556 --> 00:17:39,492 MEAT IS MURDER, FIRST TRACK, THE HEADMASTER RITUAL. 424 00:17:39,526 --> 00:17:43,530 SECOND TRACK... WAIT A SECOND. 425 00:17:43,563 --> 00:17:45,432 1984 HAS HOT FOR TEACHER. 426 00:17:45,465 --> 00:17:48,235 THE HEADMASTER, TEACHER... 427 00:17:48,268 --> 00:17:50,637 - I LIVE IN AN APARTMENT OFF-CAMPUS. 428 00:17:53,473 --> 00:17:55,375 - I'M SENSING THAT THIS IS ABOUT HER TEACHER. 429 00:17:56,643 --> 00:17:59,179 - SAVE FERRIS. SAVE FERRIS. 430 00:17:59,212 --> 00:18:01,148 AWESOME, GREAT. 431 00:18:01,181 --> 00:18:02,615 - HEY, THIS IS ALLISON'S CLASS SCHEDULE. 432 00:18:02,649 --> 00:18:04,284 MAYBE YOU CAN... 433 00:18:06,386 --> 00:18:09,156 - 'CAUSE SHAWN AND I HAVE A ROMANTIC HISTORY TOGETHER, 434 00:18:09,189 --> 00:18:11,224 AND I DESERVE TO SEE HIS BEDROOM. 435 00:18:12,625 --> 00:18:15,228 - HEY, SIMOLEUM BUILDING, LECTURE HALL C, WHERE IS IT? 436 00:18:15,262 --> 00:18:16,896 - ARE YOU SERIOUS? 437 00:18:16,929 --> 00:18:20,167 - OH, NO, I'M NOT. NOT VERY OFTEN! 438 00:18:20,200 --> 00:18:22,569 - IF YOU HIT LECTURE HALL D, YOU'VE GONE TOO FAR! 439 00:18:24,804 --> 00:18:29,209 [footsteps approaching] 440 00:18:29,242 --> 00:18:30,643 - KARL ROTMENSEN! 441 00:18:30,677 --> 00:18:32,412 YOU'RE WANTED FOR QUESTIONING IN THE ABDUCTION OF-- 442 00:18:32,445 --> 00:18:34,747 - I'M NOT KARL ROTMENSEN, I'M JUST HIS SUBSTITUTE. 443 00:18:34,781 --> 00:18:36,015 - WHERE IS HE? - I DON'T KNOW. 444 00:18:36,048 --> 00:18:38,418 I DON'T KNOW, I WAS JUST GIVEN HIS LESSON TO COPY ON THE BOARD. 445 00:18:38,451 --> 00:18:40,320 - LET ME SEE SOME I.D. IT'S OKAY. 446 00:18:43,623 --> 00:18:46,559 "A WILY PRINCE NAMED SPENCERTON ATTEMPTS TO SAVE LADY ALLISON 447 00:18:46,593 --> 00:18:48,495 "FROM THE EVIL CLUTCHES OF THE HANDSOME, 448 00:18:48,528 --> 00:18:50,563 BUT VICIOUS LORD YIN." WHAT THE HELL IS THIS? 449 00:18:50,597 --> 00:18:53,233 - IT'S AN EXERCISE, A WRITING ESSAY. 450 00:18:53,266 --> 00:18:54,434 THE STUDENTS CAN WRITE THE DETAILS OF THE STORY 451 00:18:54,467 --> 00:18:56,436 ANYWAY THEY WANT BUT THEY ALL HAVE TO USE THE SAME ENDING. 452 00:18:56,469 --> 00:18:57,504 - WHAT IS THE ENDING? 453 00:18:57,537 --> 00:18:59,206 - THE GIRL DIES. IT'S A REAL DOWNER. 454 00:19:05,545 --> 00:19:07,647 - PROFESSOR ROTMENSEN HAS NOT SHOWN UP FOR HIS LECTURE 455 00:19:07,680 --> 00:19:09,782 SINCE LAST WEEK, SO WE BROUGHT IN A SUB. 456 00:19:09,816 --> 00:19:12,219 HE NEVER CALLED IN SICK AND WE NEVER HEARD FROM HIM. 457 00:19:12,252 --> 00:19:14,754 - YOU NEVER NOTICED ANYTHING STRANGE ABOUT HIM? 458 00:19:14,787 --> 00:19:16,756 ANY ODD BEHAVIOR? - IF YOU'RE ASKING ME 459 00:19:16,789 --> 00:19:18,658 IF HE CONDUCTED HIMSELF LIKE A SERIAL KILLER, 460 00:19:18,691 --> 00:19:20,460 RUNNING AROUND WITH SHRUNKEN HEADS, 461 00:19:20,493 --> 00:19:23,463 OR WEARING STUDENTS' SKIN AS A DRESS, THEN NO. 462 00:19:23,496 --> 00:19:25,332 WE'RE TALKING ABOUT A HIGHLY INTELLIGENT MAN 463 00:19:25,365 --> 00:19:27,734 WHO WAS EITHER TENURED OR AN ADJUNCT PROFESSOR 464 00:19:27,767 --> 00:19:30,403 AT EVERY PRESTIGIOUS INSTITUTION IN CALIFORNIA. 465 00:19:30,437 --> 00:19:31,804 WE WERE LUCKY TO GET HIM. 466 00:19:31,838 --> 00:19:34,241 - I'D HOLD OFF ON NAMING A LIBRARY AFTER HIM JUST YET. 467 00:19:34,274 --> 00:19:36,309 - I DON'T SUPPOSE YOU HAVE AN ADDRESS FOR HIM ON FILE? 468 00:19:36,343 --> 00:19:38,845 - THIS IS THE ONLY ADDRESS ON FILE. 469 00:19:38,878 --> 00:19:41,548 - THANK YOU, YOU'VE BEEN VERY UNHELPFUL. 470 00:19:51,924 --> 00:19:54,461 - I SHOULD'VE REMEMBERED THE SHIRT. 471 00:19:54,494 --> 00:19:56,229 I SHOULD'VE REMEMBERED A LOT OF THINGS. 472 00:19:56,263 --> 00:19:58,598 - LOOK, MADDY, I-- - I GOT ON A PLANE, 473 00:19:58,631 --> 00:20:01,468 AND I FLEW HERE, AND NOW I'M STANDING HERE IN YOUR HOUSE. 474 00:20:01,501 --> 00:20:03,836 THIS IS WHERE YOU MAKE ME A POT OF YOUR HORRENDOUS COFFEE. 475 00:20:03,870 --> 00:20:05,872 IT'S GONNA BE A LONG NIGHT. 476 00:20:05,905 --> 00:20:06,939 - THESE ARE ALL THE PHOTOGRAPHS 477 00:20:06,973 --> 00:20:08,508 I TOOK THAT SUMMER WITH MY CAMERA. 478 00:20:08,541 --> 00:20:10,843 I'VE BEEN THROUGH EVERYTHING, TWICE, THREE TIMES, 479 00:20:10,877 --> 00:20:12,412 I JUST CAN'T FIND A MATCH. [door opens] 480 00:20:12,445 --> 00:20:13,946 - MOM! 481 00:20:13,980 --> 00:20:15,648 WHAT ARE YOU DOING HERE? 482 00:20:15,682 --> 00:20:17,384 - GOOSE. 483 00:20:17,417 --> 00:20:19,352 YOUR FATHER CALLED ME. 484 00:20:19,386 --> 00:20:20,820 I CAME HERE TO HELP. 485 00:20:20,853 --> 00:20:22,689 - DAD, WHY IN THE HELL WOULD-- - SHAWN, 486 00:20:22,722 --> 00:20:24,657 SHE FIGURED IT OUT, SHE'S HERE NOW, OKAY? 487 00:20:24,691 --> 00:20:25,825 LET'S FOCUS ON WHAT'S IMPORTANT. 488 00:20:25,858 --> 00:20:27,560 WE'RE GONNA HAVE TO DO THIS TOGETHER. 489 00:20:29,896 --> 00:20:30,897 - GUS, JULIET... 490 00:20:30,930 --> 00:20:33,500 DETECTIVE LASSITER. - DOCTOR. 491 00:20:33,533 --> 00:20:34,967 - ALL RIGHT, FINE. 492 00:20:35,001 --> 00:20:36,603 WE GOT AN ADDRESS FOR YIN. 493 00:20:36,636 --> 00:20:37,737 IT WAS A FIELD. 494 00:20:37,770 --> 00:20:38,971 IN THE MIDDLE OF THE FIELD WAS A BOX, 495 00:20:39,005 --> 00:20:41,641 INSIDE THE BOX WAS SOME VHS TAPES. 496 00:20:41,674 --> 00:20:43,943 WE DON'T KNOW WHAT'S ON THEM, BUT WE'RE ABOUT TO FIND OUT. 497 00:20:45,712 --> 00:20:47,013 - I CAN'T BELIEVE HE LED US TO A CARDBOARD BOX 498 00:20:47,046 --> 00:20:48,481 IN THE MIDDLE OF A FIELD. 499 00:20:48,515 --> 00:20:50,483 THAT'S SUCH A BLATANT RIP-OFF OF SE7EN. 500 00:20:50,517 --> 00:20:52,552 - WE GOT LUCKY, IT COULD'VE BEEN GWYNETH PALTROW'S HEAD. 501 00:20:52,585 --> 00:20:53,920 - GOOD THING YOU STILL HAD A VCR, SHAWN. 502 00:20:53,953 --> 00:20:55,988 - I'VE GOT A LASER DISC PLAYER TOO. 503 00:20:56,022 --> 00:20:58,024 GUS STILL HAS HIS LITE-BRITE. 504 00:21:06,633 --> 00:21:08,401 - [sigh] 505 00:21:08,435 --> 00:21:10,537 HEY, SHAWN. 506 00:21:10,570 --> 00:21:11,871 GUSTER. 507 00:21:11,904 --> 00:21:13,940 SO A LOT OF THIS STUFF IS JUST GONNA BE, YOU KNOW, 508 00:21:13,973 --> 00:21:15,975 JUST SOME RANDOM THOUGHTS THAT I'M HAVING. 509 00:21:16,008 --> 00:21:19,712 IDEAS... THERE'LL BE A LOT OF MY PERSONAL POETRY, 510 00:21:19,746 --> 00:21:23,950 AND THERE'LL BE SOME OBSERVATIONS ON YIN AND YANG. 511 00:21:23,983 --> 00:21:25,718 - WHAT THE HELL IS THIS? 512 00:21:25,752 --> 00:21:27,787 - IT'S HIS VIDEO DIARIES. 513 00:21:27,820 --> 00:21:29,589 YIN MUST'VE STOLEN IT FROM MARY'S APARTMENT 514 00:21:29,622 --> 00:21:30,823 WHEN HE BROKE IN LAST YEAR. 515 00:21:30,857 --> 00:21:31,958 - HE KEPT THEM THIS WHOLE TIME? 516 00:21:31,991 --> 00:21:33,826 - I SUSPECT FOR THIS PRECISE MOMENT, 517 00:21:33,860 --> 00:21:34,994 TO HELP US FIND HIM. 518 00:21:35,027 --> 00:21:36,829 - YOU'RE SAYING HE WANTED US TO FIND HIM? 519 00:21:36,863 --> 00:21:38,765 - YEAH, I'VE BEEN THINKING WHY ELSE 520 00:21:38,798 --> 00:21:40,767 TAKE SOMEONE SO CLOSE TO HOME? 521 00:21:40,800 --> 00:21:42,101 THIS FEELS LIKE AN EXIT STRATEGY. 522 00:21:42,134 --> 00:21:43,936 - IN OTHER WORDS, IF WE DON'T CATCH HIM NOW, 523 00:21:43,970 --> 00:21:45,972 WE DON'T CATCH HIM. - THEN LET'S PAY ATTENTION. 524 00:21:46,005 --> 00:21:47,807 - DAY ONE, HOUR ONE. 525 00:21:47,840 --> 00:21:49,842 WHAT IS THE DEAL WITH ONE TREE HILL? 526 00:21:49,876 --> 00:21:52,044 I DON'T UNDERSTAND. 527 00:21:52,078 --> 00:21:55,348 IT'S LIKE A POORLY-EXECUTED DAWSON'S CREEK. 528 00:21:55,382 --> 00:21:57,083 WHY ARE THEY DOING THAT? 529 00:21:57,116 --> 00:22:00,052 DON'T EVEN GET ME STARTED ON CHAD MICHAEL MURRAY. 530 00:22:00,086 --> 00:22:02,088 TOO LATE, I'M GONNA START IN. 531 00:22:02,121 --> 00:22:04,524 HE HAS DEAD EYES. [static] 532 00:22:04,557 --> 00:22:07,126 JASPER PEAKS, ARROWS AND BOWS... 533 00:22:07,159 --> 00:22:08,828 - IS HE WEARING A MONKEY ASCOT? 534 00:22:08,861 --> 00:22:10,797 - IT'S A MONKSCOT. 535 00:22:10,830 --> 00:22:13,500 - THE TICKLE OF A GOOD FRIEND'S NOSE, 536 00:22:13,533 --> 00:22:15,768 AND A TUM TUM FILLED WITH SPAGHETTIOS. 537 00:22:15,802 --> 00:22:18,805 [high-pitched voice] 538 00:22:24,176 --> 00:22:25,945 - SPENCER, WHEN DO WE TURN THIS CRAP OFF? 539 00:22:25,978 --> 00:22:28,648 - THERE HAS TO BE A CLUE BURIED IN HERE SOMEWHERE FOR ME. 540 00:22:28,681 --> 00:22:29,916 THERE HAS TO BE. 541 00:22:31,984 --> 00:22:33,386 WHOA, WAIT A MINUTE. 542 00:22:33,420 --> 00:22:35,087 THAT'S DATED TWO NIGHTS BEFORE HE WAS MURDERED. 543 00:22:36,756 --> 00:22:39,992 - NO, MARIAN. 544 00:22:40,026 --> 00:22:41,561 OKAY, SHAWN... 545 00:22:41,594 --> 00:22:43,630 STRING CHEESE RIGHT NOW, I MIGHT BE LOOPY ON TOO MUCH 546 00:22:43,663 --> 00:22:45,398 BUT I THINK I JUST REALIZED SOMETHING. 547 00:22:45,432 --> 00:22:47,934 THE REASON THAT YANG'S BOOK RANG FALSE 548 00:22:47,967 --> 00:22:52,104 COULD BE...'CAUSE SHE'S A PAWN IN ALL THIS, OKAY. 549 00:22:52,138 --> 00:22:54,841 SHE EXHIBITS CHARACTERISTICS THAT ARE WAY MORE 550 00:22:54,874 --> 00:22:58,745 INDICATIVE OF A VICTIM THAN AN AGGRESSOR, ALL RIGHT? 551 00:22:58,778 --> 00:23:01,814 AND WE KNOW SHE DIDN'T DO IT ALONE, RIGHT? 552 00:23:01,848 --> 00:23:03,883 MAYBE SHE DIDN'T DO IT AT ALL. 553 00:23:03,916 --> 00:23:07,520 I JUST THINK YIN IS VERY, VERY ANGRY WITH HER FOR BEING CAUGHT. 554 00:23:07,554 --> 00:23:09,522 MAYBE EVEN JEALOUS OF THE INFAMY. 555 00:23:09,556 --> 00:23:12,492 SHAWN, I THINK YIN'S ABOUT TO TAKE REVENGE 556 00:23:12,525 --> 00:23:14,093 OF THE HIGHEST MALEVOLENCE. 557 00:23:14,126 --> 00:23:17,063 AND I'M WORRIED. 558 00:23:17,096 --> 00:23:19,899 - HENRY, WAIT A MINUTE. 559 00:23:19,932 --> 00:23:21,067 - WHAT? WHAT'D YOU FIND? 560 00:23:21,100 --> 00:23:22,902 - REMEMBER THAT INSTAMATIC YOU BOUGHT ME 561 00:23:22,935 --> 00:23:25,572 FOR MY PHOTOGRAPHY CLASS? 562 00:23:25,605 --> 00:23:27,940 THESE ARE THE PICTURES I TOOK. 563 00:23:30,943 --> 00:23:32,912 - WHOA, WHOA, WHOA. - WAIT A MINUTE. 564 00:23:32,945 --> 00:23:35,214 OH, MY GOD. IT'S HER. 565 00:23:35,247 --> 00:23:37,784 - WHOSE CAR WAS THIS? WHAT WERE YOU DOING THERE? 566 00:23:37,817 --> 00:23:39,886 - I THINK THAT CGI HAS RUINED 567 00:23:39,919 --> 00:23:41,454 MOVIE STORY-TELLING FOR ALL OF US. 568 00:23:41,488 --> 00:23:42,989 - IS HE WEARING A ONESIE? - YES. 569 00:23:43,022 --> 00:23:45,892 - I DON'T WANNA SAY IT'S COMPLETELY MICHAEL BAY'S FAULT, 570 00:23:45,925 --> 00:23:48,160 BUT THAT GUY NEEDS TO BE STOPPED 'CAUSE IT'S ALL HIS FAULT. 571 00:23:50,863 --> 00:23:53,065 - WHOA, WHOA. THAT'S ALLISON. 572 00:23:53,099 --> 00:23:54,701 WHERE IS SHE? 573 00:23:54,734 --> 00:23:57,169 - THOSE STAIRS SEEM TO INDICATE A BASEMENT SOMEWHERE. 574 00:23:57,203 --> 00:24:00,940 - I WAS OUT LOOKING FOR SHAWN BECAUSE HE WAS LATE FOR DINNER. 575 00:24:00,973 --> 00:24:01,808 AND IT WAS STARTING TO RAIN. 576 00:24:01,841 --> 00:24:04,644 I FOUND HIM ON HIS BIKE, AND I MET HER. 577 00:24:04,677 --> 00:24:06,813 SHE ASKED IF SHE COULD HAVE HER PICTURE TAKEN WITH HIM. 578 00:24:06,846 --> 00:24:07,914 - AND YOU LET HER? 579 00:24:07,947 --> 00:24:09,482 - SHE SEEMED SO SAD. 580 00:24:09,516 --> 00:24:12,652 SHE SAID SHAWN WAS THE LUCKIEST, MOST HANDSOME BOY 581 00:24:12,685 --> 00:24:14,921 SHE'D EVER SEEN, AND THAT HE HAD KINDNESS IN HIS EYES. 582 00:24:14,954 --> 00:24:16,255 I FELT SO BAD FOR HER. 583 00:24:16,288 --> 00:24:18,525 I NEVER SAW HER AGAIN. I LOOKED FOR HER THAT WEEK. 584 00:24:18,558 --> 00:24:19,859 I PUT THE PICTURE IN THE MAILBOX, 585 00:24:19,892 --> 00:24:20,993 I NEVER KNEW SHE EVER GOT IT. 586 00:24:21,027 --> 00:24:22,829 - YEAH, WELL, NOW WE KNOW SHE DID. 587 00:24:22,862 --> 00:24:25,565 SHAWN! SHAWN, GET DOWN HERE! 588 00:24:28,768 --> 00:24:31,103 WE FOUND IT. YOUR MOM TOOK THIS PHOTOGRAPH. 589 00:24:31,137 --> 00:24:33,005 IT'S A HOUSE, IT'S OVER ON GRAYSON STREET. 590 00:24:33,039 --> 00:24:34,073 - GRAYSON STREET? 591 00:24:39,646 --> 00:24:41,581 - OH, MY GOD. 592 00:24:41,614 --> 00:24:42,915 THAT WAS YANG? 593 00:24:42,949 --> 00:24:44,984 THIS WHOLE THING STARTED THREE BLOCKS AWAY. 594 00:24:45,017 --> 00:24:46,152 COME ON, GUS! - NO, SHAWN-- 595 00:24:46,185 --> 00:24:47,754 SHAWN, GET BACK! SHAWN, GET-- 596 00:24:47,787 --> 00:24:48,955 DAMN IT, SHAWN. 597 00:24:48,988 --> 00:24:50,757 - WHERE THE HELL IS GRAYSON STREET? 598 00:24:50,790 --> 00:24:52,158 - DAMN IT, SHAWN! MADDY, STAY HERE, 599 00:24:52,191 --> 00:24:54,126 LOCK BOTH DOORS, DO NOT LEAVE. 600 00:25:06,138 --> 00:25:07,907 - THE FLAG'S UP. 601 00:25:14,046 --> 00:25:15,882 "SHAWN AND THE SALESMAN, 602 00:25:15,915 --> 00:25:17,850 "THE KEY'S UNDER THE MAT, WIPE YOUR FEET, 603 00:25:17,884 --> 00:25:19,919 COME ALONE OR THE GIRL DIES." 604 00:25:19,952 --> 00:25:22,288 - SHAWN... - WE DON'T HAVE A CHOICE, GUS. 605 00:25:31,030 --> 00:25:35,868 [locks snap] 606 00:25:35,902 --> 00:25:37,169 - WHAT IS THIS ABOUT? 607 00:25:37,203 --> 00:25:38,771 IS THIS ABOUT SHAWN? - THAT'S YOUR MOM'S VOICE. 608 00:25:38,805 --> 00:25:39,739 - IS HE OKAY? 609 00:25:39,772 --> 00:25:41,908 LOOK, IF SHAWN IS IN TROUBLE... - [mumbles] 610 00:25:41,941 --> 00:25:43,976 - YOU BETTER TELL ME RIGHT NOW BECAUSE I-- 611 00:25:44,010 --> 00:25:45,344 HENRY? - HE MUST'VE TAPPED 612 00:25:45,377 --> 00:25:47,914 MY DAD'S PHONE AND RECORDED IT. 613 00:25:59,926 --> 00:26:01,994 - HENRY. HENRY, BACKUP'S ON THE WAY! 614 00:26:09,836 --> 00:26:10,870 - [whispers] ALLISON. 615 00:26:14,073 --> 00:26:16,709 WHERE IS HE? 616 00:26:16,743 --> 00:26:18,177 IT'S OKAY, WE'RE GONNA GET YOU OUTTA HERE. 617 00:26:18,210 --> 00:26:19,979 IT'S GONNA BE OKAY. 618 00:26:20,012 --> 00:26:22,048 - SHAWN, NOTHING'S GONNA BE OKAY. 619 00:26:32,992 --> 00:26:36,262 - OH, MY GOD. 620 00:26:36,295 --> 00:26:38,765 - I TOLD HIM THAT I DIDN'T THINK YOU WOULD TAKE THE BAIT. 621 00:26:38,798 --> 00:26:40,967 BUT I GUESS THAT'S WHY HE'S THE MASTER. 622 00:26:42,869 --> 00:26:44,303 AND I'M THE APPRENTICE. 623 00:26:44,336 --> 00:26:47,039 [gun clicks] 624 00:26:47,073 --> 00:26:49,141 WHAT DO YOU SAY I GIVE YOU A TOUR OF THE HOUSE? 625 00:26:55,982 --> 00:26:57,717 - ALLISON, DON'T DO THIS. 626 00:26:57,750 --> 00:26:58,985 YOU HAVE BEEN BRAINWASHED. 627 00:26:59,018 --> 00:27:00,787 PUT THE GUN DOWN, YOU COULD STILL HAVE A LIFE. 628 00:27:00,820 --> 00:27:02,254 - SAVE IT, PYRAMUS. 629 00:27:02,288 --> 00:27:04,657 YOU WERE SO EASY. 630 00:27:04,691 --> 00:27:07,059 ALL I'VE HEARD IS, "HE'S SO WORTHY. 631 00:27:07,093 --> 00:27:10,930 MY GREATEST FOE..." BLAH, BLAH, BLAH. 632 00:27:10,963 --> 00:27:13,933 I BUST OUT THE POUTY LIPS AND PUFFY EYES, 633 00:27:13,966 --> 00:27:16,936 YOU FELL FOR EVERY NEO-ROMANTIC CLICHE IN THE BOOK. 634 00:27:19,706 --> 00:27:21,040 - OH! - GO ON. 635 00:27:24,010 --> 00:27:25,945 MOVE. SIT, UBU, SIT. 636 00:27:28,815 --> 00:27:29,949 GO ON. 637 00:27:32,919 --> 00:27:35,021 - OW, WH-- OW. 638 00:27:37,924 --> 00:27:39,826 - OW. 639 00:27:39,859 --> 00:27:40,993 - THERE'S NO WAY IN. 640 00:27:41,027 --> 00:27:43,730 THIS PLACE IS LIKE FORT KNOX. 641 00:27:43,763 --> 00:27:45,998 CARLTON! IT WAS IN THE MAILBOX. 642 00:27:49,035 --> 00:27:50,069 - SON OF A BITCH! 643 00:27:50,102 --> 00:27:51,237 - CALL FOR THE RAM. 644 00:27:51,270 --> 00:27:53,172 - THAT'LL JUST ABOUT DO IT. 645 00:27:53,205 --> 00:27:54,941 I'D LIKE TO THANK MR. YIN 646 00:27:54,974 --> 00:27:56,308 FOR LETTING ME OPEN UP FOR HIM TONIGHT. 647 00:27:56,342 --> 00:27:57,977 IT'S BEEN A BLAST. 648 00:27:58,010 --> 00:28:00,246 I'VE GOT T-SHIRTS AND IRON-ONS FOR SALE IN THE LOBBY. 649 00:28:00,279 --> 00:28:01,814 - DO YOU REMEMBER THE PRECISE MOMENT 650 00:28:01,848 --> 00:28:03,215 THAT YOU KNEW YOU WERE A COMPLETE PSYCHOPATH? 651 00:28:03,249 --> 00:28:04,817 - SHAWN. - NO, I'M INTERESTED. 652 00:28:04,851 --> 00:28:06,919 WAS IT GRADUAL, OR DID YOU JUST WAKE UP ONE MORNING, 653 00:28:06,953 --> 00:28:09,055 LOOK IN THE MIRROR, AND SEE THE CHIMP FROM MONKEY SHINES? 654 00:28:09,088 --> 00:28:11,490 - MS. COWLEY, YOU'RE EXCUSED. 655 00:28:11,523 --> 00:28:13,059 - WHAT? 656 00:28:13,092 --> 00:28:14,226 NO WAY AM I MISSING THIS. 657 00:28:14,260 --> 00:28:16,228 I DID EVERYTHING THAT YOU ASKED ME TO. 658 00:28:16,262 --> 00:28:18,230 I WAS PERFECT. I DESERVE THIS. 659 00:28:18,264 --> 00:28:20,432 - I WON'T ASK AGAIN. 660 00:28:34,546 --> 00:28:36,949 WELL? FIRST IMPRESSIONS? 661 00:28:36,983 --> 00:28:38,450 - HIDEOUS. - ARCANE. 662 00:28:38,484 --> 00:28:40,953 - I MUST APOLOGIZE FOR THE LACK OF DECORUM 663 00:28:40,987 --> 00:28:43,022 ON THE PART OF MY NEW COLLEAGUE. 664 00:28:43,055 --> 00:28:44,523 KIDS, YOU KNOW, THESE DAYS. 665 00:28:44,556 --> 00:28:47,393 HOWEVER THERE IS NO SUBSTITUTE FOR ENTHUSIASM, 666 00:28:47,426 --> 00:28:49,028 AND HERS IS OFF THE CHARTS. 667 00:28:49,061 --> 00:28:51,864 EVEN I SHUDDER TO THINK WHAT SHE'LL BE CAPABLE OF 668 00:28:51,898 --> 00:28:55,434 ONCE I PASS OFF THE PROVERBIAL BATON. 669 00:28:55,467 --> 00:29:00,472 IF ONLY YOUR GOOD FRIEND YANG HAD BEEN AS PASSIONATE. 670 00:29:00,506 --> 00:29:03,976 OH, WELL, NO USE CRYING OVER SPILLED SODA. 671 00:29:05,244 --> 00:29:08,247 - UH, WHAT IS GOING INSIDE THE SYRINGE? 672 00:29:08,280 --> 00:29:11,951 - YOU SHOULD KNOW THAT TWO FAMOUS 15TH CENTURY KNIGHTS 673 00:29:11,984 --> 00:29:13,052 OF THE ITALIAN RENAISSANCE-- 674 00:29:13,085 --> 00:29:16,222 I BELIEVE THEY WERE FROM THE ESTE FAMILY OF FERRARA-- 675 00:29:16,255 --> 00:29:20,927 MET THEIR DEATHS IN THOSE TWO VERY CHAIRS. 676 00:29:20,960 --> 00:29:21,961 - REALLY? 677 00:29:21,994 --> 00:29:24,196 - NO, I FOUND THEM AT A FLEA MARKET IN OXNARD. 678 00:29:24,230 --> 00:29:27,333 BUT DON'T WORRY, SHAWN, TONIGHT WE'LL BE MAKING OUR OWN 679 00:29:27,366 --> 00:29:30,136 NEW STYLE OF HISTORY. 680 00:29:30,169 --> 00:29:32,104 - ARE YOU IGNORING MY QUESTION ON PURPOSE? 681 00:29:32,138 --> 00:29:33,272 - GUS, DO YOU REALLY WANT TO KNOW? 682 00:29:33,305 --> 00:29:34,841 - YES, SHAWN, I'M VERY PARTICULAR 683 00:29:34,874 --> 00:29:35,975 ABOUT WHAT GOES INTO MY BODY. 684 00:29:36,008 --> 00:29:38,077 - IT'S PROBABLY SAFE TO ASSUME IT'S SOMETHING LETHAL. 685 00:29:38,110 --> 00:29:39,812 IS THAT ACCURATE? 686 00:29:39,846 --> 00:29:41,380 - A BOX OF MARS BARS TO YOU, SHAWN. 687 00:29:42,982 --> 00:29:44,083 - HOW MUCH LONGER ARE WE GONNA WAIT? 688 00:29:44,116 --> 00:29:46,318 - IT'S NOT MY CALL, WHAT THE HELL DO YOU WANT ME TO DO? 689 00:29:46,352 --> 00:29:48,287 - THIS IS WRONG. 690 00:29:48,320 --> 00:29:50,022 - O'HARA, EVERY FIBER OF MY BEING TELLS ME 691 00:29:50,056 --> 00:29:50,756 THIS IS A BAD IDEA. 692 00:29:50,789 --> 00:29:52,291 - IT'S THE ONLY THING WE HAVE 693 00:29:52,324 --> 00:29:54,593 THAT YIN HASN'T PLANNED FOR, CHIEF. 694 00:29:54,626 --> 00:29:56,095 - THERE'S A HIDDEN STORM CELLAR. 695 00:29:56,128 --> 00:29:58,064 I CAN GET YOU INTO THE HOUSE ON TWO CONDITIONS. 696 00:29:58,097 --> 00:30:00,066 - YOU'RE IN NO POSITION TO NEGOTIATE TERMS. 697 00:30:00,099 --> 00:30:02,034 - WHAT ARE THEY? 698 00:30:02,068 --> 00:30:05,471 - ONE, I GO IN WITH YOU ALONE, YOU NEED ME TO NAVIGATE. 699 00:30:05,504 --> 00:30:07,473 ANYTHING MORE AND HE'S GONNA KNOW WHAT WE'RE UP TO, 700 00:30:07,506 --> 00:30:09,876 IF HE DOESN'T ALREADY. - WHAT'S NUMBER TWO? 701 00:30:09,909 --> 00:30:11,110 - I GET ANOTHER PICTURE WITH SHAWN, 702 00:30:11,143 --> 00:30:12,511 THE OTHER ONE IS JUST TOO OLD. 703 00:30:12,544 --> 00:30:14,914 - O'HARA, LISTEN TO ME, YOU DON'T HAVE TO DO THIS. 704 00:30:14,947 --> 00:30:17,884 - YES, I DO. 705 00:30:17,917 --> 00:30:20,920 STAY HERE, CARLTON. 706 00:30:20,953 --> 00:30:23,956 - GIRL TIME! 707 00:30:29,661 --> 00:30:34,033 OKAY, THIS IS AS FAR AS I GO UNLESS THE SHACKLES COME OFF. 708 00:30:34,066 --> 00:30:37,069 - NOT HAPPENING. THAT WAS NOT PART OF THE DEAL. 709 00:30:37,103 --> 00:30:40,006 - DEALS ARE MEANT TO BE BROKEN, AREN'T THEY, JULIET? 710 00:30:43,009 --> 00:30:45,044 SHAWN HAS SUCH KIND EYES, DON'T YOU THINK? 711 00:30:45,077 --> 00:30:47,646 - WHAT ARE YOU UP TO? 712 00:30:47,679 --> 00:30:49,648 - YOU DON'T TRUST ME. - OF COURSE NOT. 713 00:30:49,681 --> 00:30:51,583 - WELL, YOU SHOULD. 714 00:30:51,617 --> 00:30:53,219 I'M THE ONLY CHANCE YOUR BOYFRIEND HAS 715 00:30:53,252 --> 00:30:54,586 OF GETTING OUT OF HERE ALIVE. 716 00:30:54,620 --> 00:30:57,623 [metal clanging, struggling noises] 717 00:31:00,192 --> 00:31:03,095 FOLLOW ME! 718 00:31:10,336 --> 00:31:12,004 - NOW TO ANSWER YOUR QUESTION, BURTON, 719 00:31:12,038 --> 00:31:13,973 WHAT WE HAVE HERE IS A LITTLE CONCOCTION 720 00:31:14,006 --> 00:31:17,509 I AFFECTIONATELY COINED "THE LAST KISS." 721 00:31:17,543 --> 00:31:19,578 ONE PART CYANIDE, ONE PART STRYCHNINE, 722 00:31:19,611 --> 00:31:22,248 TWO PARTS ATROPINE, WITH JUST A SHAKE-- 723 00:31:22,281 --> 00:31:25,117 NOT STIRRED-- OF BOAT CLEANER. 724 00:31:25,151 --> 00:31:27,653 AND IT'S ALL FOR YOU. 725 00:31:27,686 --> 00:31:30,056 - THAT'S NOT GONNA WORK. 726 00:31:30,089 --> 00:31:31,924 I CAN'T WATCH HIM DIE, YOU'LL HAVE TO KILL ME FIRST. 727 00:31:31,958 --> 00:31:33,292 - YOU MUST BE OUT OF YOUR DAMN MIND 728 00:31:33,325 --> 00:31:34,994 IF YOU THINK I'M GONNA SIT HERE AND DIE 729 00:31:35,027 --> 00:31:37,029 AFTER WATCHING YOU DIE WITH SOME RIDICULOUS GRIN 730 00:31:37,063 --> 00:31:38,330 ON YOUR FACE BECAUSE YOU'RE THINKING OF SOPAPILLAS, 731 00:31:38,364 --> 00:31:39,665 OR THAT STUPID SCENE FROM SUMMER SCHOOL 732 00:31:39,698 --> 00:31:42,001 WHERE THE STUDENTS ALL PRETEND TO BE DEAD. 733 00:31:42,034 --> 00:31:43,535 AND DO YOU HAVE JUST THE ONE NEEDLE? 734 00:31:43,569 --> 00:31:45,704 DO YOU PLAN ON STERILIZING IN BETWEEN USES? 735 00:31:45,737 --> 00:31:46,672 - SURELY YOU CAN'T BE SERIOUS. 736 00:31:46,705 --> 00:31:48,941 - I DON'T KNOW WHERE ALL YOU'VE BEEN, SHAWN. 737 00:31:54,113 --> 00:31:55,581 - OKAY, CHIEF, EVERYTHING IS FINE 738 00:31:55,614 --> 00:31:57,950 WE ARE INSIDE THE HOUSE. 739 00:32:05,191 --> 00:32:08,160 [rock music plays] 740 00:32:08,194 --> 00:32:11,197 * 741 00:32:17,103 --> 00:32:18,070 ALLISON? 742 00:32:20,039 --> 00:32:22,074 - DETECTIVE O'HARA. 743 00:32:23,109 --> 00:32:25,044 - UH, CHIEF, I HAVE ALLISON. 744 00:32:25,077 --> 00:32:26,745 SHE'S OKAY, I'M GONNA BRING HER OUT. 745 00:32:26,778 --> 00:32:28,247 ALLISON, ARE YOU HURT? 746 00:32:28,280 --> 00:32:29,581 - NO. - HERE, GIVE ME THE GUN, 747 00:32:29,615 --> 00:32:31,683 GIVE ME THE GUN. DO YOU KNOW WHERE THE OTHERS ARE? 748 00:32:31,717 --> 00:32:33,019 CAN YOU TAKE ME TO THEM? 749 00:32:33,052 --> 00:32:34,286 - I DON'T KNOW WHERE SHAWN AND GUS ARE. 750 00:32:34,320 --> 00:32:37,223 HE DRUGGED ME WITH SOMETHING, I JUST WOKE UP, I DON'T KNOW. 751 00:32:37,256 --> 00:32:39,025 - OKAY, OKAY, EVERYTHING'S GONNA BE FINE. 752 00:32:39,058 --> 00:32:40,226 EVERYTHING'S GONNA BE FINE, 753 00:32:40,259 --> 00:32:42,461 I'M GONNA TAKE YOU OUT RIGHT NOW. 754 00:32:52,338 --> 00:32:54,740 - DON'T STOP, PLEASE. YOU GOTTA GET ME OUTTA HERE. 755 00:32:56,675 --> 00:32:58,744 - YOU SAID YOU JUST WOKE UP, ALLISON. 756 00:32:58,777 --> 00:33:01,380 - YEAH, HE DRUGGED ME OR SOMETHING. 757 00:33:01,413 --> 00:33:02,548 - SO HOW DID YOU KNOW 758 00:33:02,581 --> 00:33:04,250 THAT SHAWN AND GUS WERE IN THIS HOUSE? 759 00:33:04,283 --> 00:33:08,054 I DON'T KNOW WHAT YOU'RE TALKING-- 760 00:33:08,087 --> 00:33:12,558 - HOW DID YOU KNOW? 761 00:33:12,591 --> 00:33:15,161 - NOT BAD FOR A BLONDE. 762 00:33:15,194 --> 00:33:18,164 [slap] - [soft groan] 763 00:33:18,197 --> 00:33:24,136 [struggling] 764 00:33:32,111 --> 00:33:33,545 - WHAT'S GOING ON? - WE LOST CONTACT. 765 00:33:33,579 --> 00:33:35,147 - WHAT? - O'HARA! 766 00:33:35,181 --> 00:33:38,084 BREAK DOWN THE WALLS, DO WHATEVER IT TAKES. 767 00:33:38,117 --> 00:33:41,087 [struggling] 768 00:33:41,120 --> 00:33:43,322 AH! AH! 769 00:33:43,355 --> 00:33:46,358 [board clanks] 770 00:33:48,560 --> 00:33:50,462 - SINCE WHEN AM I AN UNCLEAN PERSON? 771 00:33:50,496 --> 00:33:52,498 - YOU RODE HALFWAY AROUND THE WORLD ON A MOTORCYCLE 772 00:33:52,531 --> 00:33:54,600 WITH A BUMPER STICKER THAT SAID "PUCKER UP AND BLOW." 773 00:33:54,633 --> 00:33:56,735 - IT WAS A LITTLE CARTOON TUBA. - WITH HUMAN LIPS. 774 00:33:56,768 --> 00:33:58,104 - THAT'S ENOUGH. 775 00:33:58,137 --> 00:33:59,771 YOU TWO ARE INSUFFERABLE. 776 00:34:04,576 --> 00:34:08,847 [glass shattering] - [soft groan] 777 00:34:08,880 --> 00:34:13,619 - DON'T YOU EVEN BREATHE. 778 00:34:13,652 --> 00:34:15,687 - ONLY BURTON GETS THE NEEDLE, 779 00:34:15,721 --> 00:34:19,591 I HAVE SOMETHING FAR MORE COLORFUL IN MIND FOR YOU, SHAWN. 780 00:34:19,625 --> 00:34:20,859 - FIRING SQUAD? 781 00:34:20,892 --> 00:34:22,761 PLEASE SAY FIRING SQUAD. 782 00:34:22,794 --> 00:34:24,663 - I DON'T BLAME YOU, SHAWN. 783 00:34:24,696 --> 00:34:26,398 I WANT YOU TO KNOW THAT... 784 00:34:26,432 --> 00:34:28,534 THAT IF I HAD A CHANCE TO DO IT ALL OVER AGAIN, 785 00:34:28,567 --> 00:34:30,068 I WOULDN'T CHANGE A THING. 786 00:34:31,770 --> 00:34:33,639 YOU'RE MY BEST FRIEND AND WE GOT A CHANCE 787 00:34:33,672 --> 00:34:34,840 TO LIVE OUT OUR CHILDHOOD DREAMS. 788 00:34:34,873 --> 00:34:37,476 I DON'T BLAME YOU, OKAY? 789 00:34:37,509 --> 00:34:38,777 AND I'M SORRY IF I COULDN'T ALWAYS 790 00:34:38,810 --> 00:34:41,813 CUT LOOSE THE WAY YOU WANTED ME TO. 791 00:34:41,847 --> 00:34:44,150 - YOU KILL HIM, I KILL YOU, YOU GOT IT? 792 00:34:44,183 --> 00:34:46,318 - THAT RACE DONE DID RUN, BABY. 793 00:34:46,352 --> 00:34:47,819 - NO, SHOULDN'T YOU BE LAUNCHING INTO 794 00:34:47,853 --> 00:34:49,121 SOME KIND OF SOLILOQUY, HUH? 795 00:34:49,155 --> 00:34:50,689 ABOUT WHY YOU DO THE THINGS THAT YOU DO, 796 00:34:50,722 --> 00:34:52,591 AND WHY YOU PICKED ME, AND ALL THAT STUFF? 797 00:34:52,624 --> 00:34:54,826 I MEAN, I THINK I DESERVE AN EXPLANATION HERE. 798 00:34:54,860 --> 00:34:56,728 - YOU'RE STALLING, IT'S BENEATH YOU. 799 00:34:56,762 --> 00:34:58,730 - NO, HE ISN'T, WE JUST APPRECIATE A LITTLE CLOSURE 800 00:34:58,764 --> 00:35:00,766 BEFORE WE SAY GOOD-BYE TO GROVER'S CORNERS ONE LAST TIME. 801 00:35:00,799 --> 00:35:02,468 - THAT'S RIGHT. WHOA-WHOA-WHOA, WHAT IS THAT? 802 00:35:02,501 --> 00:35:04,503 WHAT IS THAT, A SESAME STREET REFERENCE? 803 00:35:04,536 --> 00:35:05,704 - NO, SHAWN. 804 00:35:05,737 --> 00:35:07,673 YOU WANT TO TELL US, YOU CAN'T HELP IT. 805 00:35:07,706 --> 00:35:09,475 IT'S CALLED SERIAL KILLER'S PREROGATIVE. 806 00:35:09,508 --> 00:35:12,178 YOU CAN'T RESIST, IT'S PROTOCOL. 807 00:35:12,211 --> 00:35:14,780 - VERY GOOD, DON CHEADLE, JUNIOR. 808 00:35:14,813 --> 00:35:16,515 I DIDN'T LURE THE TWO OF YOU YES, I SUPPOSE 809 00:35:16,548 --> 00:35:19,685 TO FLASH YOU MY FOLKSY SMILE. ALL THE WAY OVER HERE JUST 810 00:35:19,718 --> 00:35:21,820 - I BET YOU ARE SO TEXTBOOK. 811 00:35:21,853 --> 00:35:22,854 - [scoffs] 812 00:35:22,888 --> 00:35:25,657 - OVERBEARING MOMMY LOCK YOU IN A CLOSET, HUH? 813 00:35:25,691 --> 00:35:28,160 DISSECT SMALL ANIMALS WHEN YOU WERE A LITTLE KID? 814 00:35:28,194 --> 00:35:29,895 MEMORIZE EPISODES OF PERFECT STRANGERS 815 00:35:29,928 --> 00:35:33,165 LINE FOR LINE? - NONE OF THE ABOVE, FREUD-ZOID. 816 00:35:33,199 --> 00:35:34,633 I COULD'VE GONE EITHER DIRECTION, 817 00:35:34,666 --> 00:35:37,603 BUT I CHOSE TO INDULGE THE CRAZIES. 818 00:35:37,636 --> 00:35:40,339 I LIKE TO DEFY STEREOTYPES AT EVERY TURN. 819 00:35:40,372 --> 00:35:43,675 I NEVER JUMPED ON THE FROZEN YOGURT TRAIN EITHER. 820 00:35:43,709 --> 00:35:45,644 - WHY DID YOU PICK ME IN THE FIRST PLACE? 821 00:35:45,677 --> 00:35:46,745 - BECAUSE YOU WERE PRETTY GOOD. 822 00:35:46,778 --> 00:35:48,180 YOU WERE INTERESTING. 823 00:35:48,214 --> 00:35:50,749 YOU HAD A BLACK SIDE-KICK, AND THAT FELT FUN. 824 00:35:50,782 --> 00:35:52,251 - NO, IT WAS MORE THAN THAT. 825 00:35:52,284 --> 00:35:53,885 YOU'VE BEEN OBSESSED WITH ME SINCE I WAS A KID. 826 00:35:53,919 --> 00:35:55,587 - NO, YANG. 827 00:35:55,621 --> 00:35:57,323 YANG WAS OBSESSED WITH YOU, SHAWN. 828 00:35:57,356 --> 00:35:58,724 YANG. 829 00:35:58,757 --> 00:36:00,392 I DIDN'T EVEN KNOW WHO THE HELL YOU WERE 830 00:36:00,426 --> 00:36:02,428 UNTIL YOU STARTED DOING THIS SHTICK. 831 00:36:02,461 --> 00:36:04,863 YANG TOOK NOTICE OF THE PRE-PUBESCENT YOU 832 00:36:04,896 --> 00:36:07,233 AND DEVELOPED AN UNHEALTHY CRUSH. 833 00:36:07,266 --> 00:36:10,302 FEELINGS ARE THE ENEMY OF EFFICIENCY, SHAWN. 834 00:36:10,336 --> 00:36:11,770 SHE BETRAYED ME TO SAVE YOUR MOTHER, 835 00:36:11,803 --> 00:36:13,272 AND THAT THREW A SERIOUS WRENCH 836 00:36:13,305 --> 00:36:15,574 INTO THE COGS OF MY CAREER PLANS. 837 00:36:15,607 --> 00:36:17,343 SHE BROKE MY TRUST 838 00:36:17,376 --> 00:36:19,411 AND SHE BROKE MY HEART, 839 00:36:19,445 --> 00:36:22,448 AND FOR THAT, I BLAME YOU. 840 00:36:22,481 --> 00:36:24,850 AND NOW IT'S TIME TO DIE. SATISFIED? 841 00:36:24,883 --> 00:36:26,952 - AB-- - HI, DADDY. 842 00:36:30,922 --> 00:36:32,791 - WELL, WELL, WELL, WELL, WELL. 843 00:36:32,824 --> 00:36:34,826 - DID YOU READ IT, DADDY? 844 00:36:34,860 --> 00:36:36,428 DID YOU READ MY BOOK? 845 00:36:36,462 --> 00:36:39,798 - NO, I DID NOT READ YOUR BOOK, I WAS ANGRY WITH YOU. 846 00:36:39,831 --> 00:36:40,999 - [sigh] 847 00:36:41,032 --> 00:36:42,868 YOU GUYS REALLY DROPPED THE BALL, HUH? 848 00:36:42,901 --> 00:36:44,903 - WE GOT PLAYED BY THE NEW YOU. 849 00:36:46,372 --> 00:36:49,608 - YOU REPLACED ME? 850 00:36:49,641 --> 00:36:51,477 DADDY, I'M YOUR OWN FLESH AND BLOOD, 851 00:36:51,510 --> 00:36:52,844 I JUST WANTED YOU TO BE PROUD OF ME. 852 00:36:52,878 --> 00:36:55,681 - YOU BETRAYED ME. YOU CHOSE HIM. 853 00:36:55,714 --> 00:36:58,584 - NO, NO, NO, I JUST WANTED US TO BE LIKE A REAL FAMILY, 854 00:36:58,617 --> 00:37:00,986 LIKE THE SPENCERS. - A REAL FAMILY? 855 00:37:01,019 --> 00:37:03,722 YOU'RE OBSESSED WITH A FAIRY TALE, MY DEAR, 856 00:37:03,755 --> 00:37:05,257 I TAUGHT YOU BETTER. 857 00:37:05,291 --> 00:37:06,958 - NO, YOU'RE RIGHT. YOU'RE RIGHT, DADDY. 858 00:37:06,992 --> 00:37:08,527 I'M SORRY. 859 00:37:08,560 --> 00:37:10,896 [sigh] I WAS SADLY MISTAKEN. 860 00:37:10,929 --> 00:37:12,398 - NO. NO, YANG. 861 00:37:12,431 --> 00:37:14,266 DON'T LISTEN TO HIM, HE DOESN'T CONTROL YOU. 862 00:37:14,300 --> 00:37:15,767 NOT ANYMORE. - DADDY, 863 00:37:15,801 --> 00:37:17,536 I JUST WANNA COME HOME. 864 00:37:17,569 --> 00:37:20,439 CAN I COME HOME NOW, DADDY? 865 00:37:20,472 --> 00:37:24,343 - YES, MY DARLING GIRL, YOU CAN COME HOME. 866 00:37:24,376 --> 00:37:26,645 YOU CAN COME HOME, COME TO DADDY. 867 00:37:26,678 --> 00:37:29,548 COME TO DADDY. COME GIVE DADDY A BIG HUG. 868 00:37:29,581 --> 00:37:33,352 YES, DADDY LOVES YOU. HERE, SIT ON DADDY'S LAP. 869 00:37:35,921 --> 00:37:38,924 - [grunts] AH! 870 00:37:38,957 --> 00:37:43,929 AH! - [gasps] 871 00:37:43,962 --> 00:37:45,997 - I NEVER LOVED YOU. 872 00:37:46,031 --> 00:37:47,433 - I KNOW. 873 00:37:48,800 --> 00:37:50,902 - DON'T MOVE A MUSCLE! 874 00:37:50,936 --> 00:37:51,770 YOU GUYS ALL RIGHT? 875 00:37:51,803 --> 00:37:53,339 - YEAH, YEAH, YEAH. 876 00:37:53,372 --> 00:37:55,374 - ALLISON'S CRAZY, THOUGH. SHE'S IN ON THIS. 877 00:37:55,407 --> 00:37:57,343 - YEAH, I LEARNED THAT THE HARD WAY. 878 00:37:57,376 --> 00:37:59,445 - I WAS DEAD WRONG, I'M SO SORRY. 879 00:37:59,478 --> 00:38:00,712 OH, MY GOD, ARE YOU ALL RIGHT? 880 00:38:00,746 --> 00:38:01,880 - YEAH. 881 00:38:01,913 --> 00:38:02,881 YOU SHOULD SEE HER. 882 00:38:02,914 --> 00:38:05,917 [walkie-talkie chatter] 883 00:38:32,611 --> 00:38:35,514 - SHE'S GONNA HAUNT ME IN MY DREAMS, SHAWN. 884 00:38:35,547 --> 00:38:38,350 AND NOT IN A GOOD WAY. 885 00:38:38,384 --> 00:38:40,619 WELL... 886 00:38:40,652 --> 00:38:42,388 - WELL, WHAT? 887 00:38:43,689 --> 00:38:45,891 YANG. 888 00:38:45,924 --> 00:38:48,694 YOU NEVER ACTUALLY KILLED ANYONE, DID YOU? 889 00:38:48,727 --> 00:38:50,996 - I COULD'VE STOPPED HIM. I WAS WEAK. 890 00:38:51,029 --> 00:38:52,964 - HE RAISED YOU. 891 00:38:52,998 --> 00:38:54,400 YOU NEVER HAD A CHANCE. 892 00:38:54,433 --> 00:38:55,834 - COME ON. 893 00:38:55,867 --> 00:38:57,669 - CARLTON, WAIT. 894 00:38:57,703 --> 00:38:59,838 A DEAL'S A DEAL. 895 00:38:59,871 --> 00:39:00,839 - DEAL? 896 00:39:00,872 --> 00:39:03,775 WHAT DEAL? 897 00:39:03,809 --> 00:39:04,976 OH-- 898 00:39:05,010 --> 00:39:06,878 [camera clicks] - ONE MORE, ONE MORE, FAST. 899 00:39:06,912 --> 00:39:09,448 [camera clicks] 900 00:39:09,481 --> 00:39:10,816 - LET'S GO. - [clapping] 901 00:39:10,849 --> 00:39:12,884 GOOD-BYE, SHAWN, GOOD-BYE, GUS. 902 00:39:12,918 --> 00:39:14,019 AND GOOD-BYE, JULIET. 903 00:39:14,052 --> 00:39:17,389 DON'T BE STRANGERS, WE HAVE BADMINTON EVERY WEDNESDAY. 904 00:39:17,423 --> 00:39:19,491 - WELL, I HAVEN'T PLAYED BADMINTON-- 905 00:39:19,525 --> 00:39:20,792 - NO, SHAWN. 906 00:39:20,826 --> 00:39:22,928 - I'LL CATCH UP WITH YOU LATER, MR. SPENCER. 907 00:39:26,998 --> 00:39:28,700 - GOOSE! 908 00:39:28,734 --> 00:39:31,737 - WE'RE OKAY. 909 00:39:46,452 --> 00:39:47,686 - MCNABB... YOU STILL HERE? 910 00:39:47,719 --> 00:39:50,556 - THERE WAS NO WAY I WAS LEAVING HERE TILL THIS THING WAS OVER. 911 00:39:50,589 --> 00:39:52,791 THIS HAS BEEN A TRAUMATIC DAY. 912 00:39:52,824 --> 00:39:54,660 YEAR, ACTUALLY. 913 00:39:54,693 --> 00:39:56,094 JUST THINKING ABOUT ALL OF THE... 914 00:39:56,127 --> 00:39:57,529 - JUSTICE? 915 00:39:57,563 --> 00:39:59,397 - I WAS GONNA SAY NEAR-DEATH EXPERIENCES. 916 00:40:00,999 --> 00:40:04,035 YOU DON'T FEEL ANYTHING? 917 00:40:04,069 --> 00:40:05,737 - CLOSURE. 918 00:40:05,771 --> 00:40:07,005 INDIFFERENCE. 919 00:40:07,038 --> 00:40:08,006 HUNGER. 920 00:40:08,039 --> 00:40:09,608 - WOW. 921 00:40:09,641 --> 00:40:11,743 YOU'RE LIKE A ROBOT. - THANK YOU. 922 00:40:11,777 --> 00:40:13,178 I GOT THE SAME COMMENT ON MY EHARMONY PAGE 923 00:40:13,211 --> 00:40:14,680 SO IT MUST BE TRUE. 924 00:40:14,713 --> 00:40:16,615 ONE THING YOU LEARN ABOUT ME RIGHT OFF THE BAT, 925 00:40:16,648 --> 00:40:17,949 TAKES A LOT MORE THAN A DAY LIKE TODAY 926 00:40:17,983 --> 00:40:20,018 TO RUFFLE THIS BIRD'S FEATHERS. 927 00:40:20,051 --> 00:40:22,888 GO HOME TO YOUR WIFE, MCNABB, WE START AT 9:00 A.M. 928 00:40:22,921 --> 00:40:25,991 - IT'S 7:00 RIGHT NOW. 929 00:40:26,024 --> 00:40:27,125 - FINE. 930 00:40:27,158 --> 00:40:28,894 COME IN AN HOUR LATE. 931 00:40:41,006 --> 00:40:42,941 - HEY, THERE YOU ARE. 932 00:40:42,974 --> 00:40:45,744 I FINISHED WRITING MY STATEMENT 20 MINUTES AGO, 933 00:40:45,777 --> 00:40:49,515 GUS IS IN THE CAR, ENGINE ON, WHEELS POINTED TOWARDS PANCAKES. 934 00:40:49,548 --> 00:40:51,082 PLEASE, TELL ME YOU'RE IN. 935 00:40:51,116 --> 00:40:53,819 - I CAN'T WRITE THIS. 936 00:40:53,852 --> 00:40:56,988 I THOUGHT IF I JUST HAD A MOMENT TO MYSELF I COULD. 937 00:40:57,022 --> 00:40:59,057 BUT IT'S JUST LIVING IT ALL OVER AGAIN, 938 00:40:59,090 --> 00:41:00,992 AND...I CAN'T. 939 00:41:01,026 --> 00:41:04,730 - ALL RIGHT. 940 00:41:04,763 --> 00:41:06,532 THIS IS WHAT YOU WRITE. 941 00:41:06,565 --> 00:41:08,800 "WE DID IT." 942 00:41:08,834 --> 00:41:10,035 MAYBE YOU ADD AN EXCLAMATION POINT 943 00:41:10,068 --> 00:41:11,703 IF THAT DOESN'T FEEL TOO EXCESSIVE. 944 00:41:11,737 --> 00:41:14,940 - I COULD QUITE POSSIBLY BE ELATED VERY SOON, 945 00:41:14,973 --> 00:41:19,210 BUT PART OF ME JUST FEELS LIKE WE ARE JUST MARKING TIME 946 00:41:19,244 --> 00:41:21,780 TILL THE NEXT CRAZY ROLLS IN. 947 00:41:21,813 --> 00:41:23,715 - OH, YEAH, OF COURSE WE ARE. 948 00:41:23,749 --> 00:41:26,251 BUT THE NEXT CRAZY'S GONNA BE SMALL POTATOES COMPARED TO YIN. 949 00:41:26,284 --> 00:41:29,254 PLUS...YOU HAVE ME NOW. 950 00:41:29,287 --> 00:41:30,856 I KNOW I MAY NOT APPEAR 951 00:41:30,889 --> 00:41:32,558 THAT PHYSICALLY IMPOSING AT FIRST BLUSH, 952 00:41:32,591 --> 00:41:35,293 BUT IT TURNS OUT I HAVE THE TENACITY OF A SWISS FOX, 953 00:41:35,326 --> 00:41:36,895 AND THE INSTINCTS OF A DRAGONFLY. 954 00:41:36,928 --> 00:41:39,297 - YOU REALIZE ONE OF THOSE IS A RABBIT 955 00:41:39,330 --> 00:41:41,032 AND THE OTHER IS AN INSECT? 956 00:41:41,066 --> 00:41:42,801 - YEAH, THAT'S WHY I CHOSE THEM. 957 00:41:46,605 --> 00:41:48,740 BUT I'M TRYING TO TELL YOU... 958 00:41:48,774 --> 00:41:49,941 THAT I WOULD PROTECT YOU. 959 00:41:49,975 --> 00:41:51,943 - AND I WOULD PROTECT YOU RIGHT BACK. 960 00:41:51,977 --> 00:41:53,645 - I THINK YOU'RE SWELL. 961 00:42:00,018 --> 00:42:01,953 I'LL SEE YOU TONIGHT. 962 00:42:04,590 --> 00:42:05,957 I'LL BRING YOU SOME PANCAKES. 963 00:42:05,991 --> 00:42:07,826 I DON'T KNOW IF THEY'RE GONNA TRAVEL. 964 00:42:07,859 --> 00:42:09,895 THEY MIGHT. 965 00:42:09,928 --> 00:42:12,931 I'LL GET ALL THE STUFF ON THE SIDE. 966 00:42:18,970 --> 00:42:21,973 Captioning by CaptionMax www.captionmax.com