1 00:00:06,740 --> 00:00:09,710 [dramatic music] 2 00:00:09,743 --> 00:00:14,115 * 3 00:00:14,148 --> 00:00:16,384 - ALL RIGHT, SHAWN. SAY A FEW WORDS. 4 00:00:16,417 --> 00:00:18,252 LET'S WRAP THIS UP SO I CAN GET THIS DEAD THING 5 00:00:18,286 --> 00:00:19,687 OFF MY KITCHEN TABLE. 6 00:00:19,720 --> 00:00:21,155 - I'M NOT READY YET. 7 00:00:21,189 --> 00:00:22,256 - SHAWN, NOT AGAIN. 8 00:00:22,290 --> 00:00:24,525 YOU LEFT THE HAMSTER IN THE FREEZER FOR TWO MONTHS 9 00:00:24,558 --> 00:00:26,527 WHILE YOU HEMMED AND HAWED OVER THE APPROPRIATENESS 10 00:00:26,560 --> 00:00:27,561 OF A BURIAL AT SEA. 11 00:00:27,595 --> 00:00:29,597 NOW JUST SAY SOMETHING NICE ABOUT YOUR LIZARD 12 00:00:29,630 --> 00:00:33,834 BEFORE RIGOR MORTIS SETS IN, HE BLOATS, AND HIS ARMS POP OFF. 13 00:00:33,867 --> 00:00:38,772 - OKAY. FINE. 14 00:00:38,806 --> 00:00:41,775 LIZARDY...UH... 15 00:00:41,809 --> 00:00:46,280 YOU WERE FOUND IN THE YARD ON A REALLY GREAT DAY. 16 00:00:46,314 --> 00:00:48,116 YOU CAME TO THIS HOUSE AS MY PRISONER 17 00:00:48,149 --> 00:00:51,185 BUT... 18 00:00:51,219 --> 00:00:54,188 YOU LEFT AS MY FRIEND. 19 00:00:58,759 --> 00:01:00,194 - SH--SHAW-- 20 00:01:00,228 --> 00:01:02,330 - I CAN'T DEAL WITH THIS RIGHT NOW. 21 00:01:02,363 --> 00:01:03,764 - SHAWN. 22 00:01:03,797 --> 00:01:05,133 [door slams] 23 00:01:05,166 --> 00:01:09,503 OKAY, I'LL BURY HIM MYSELF. 24 00:01:27,788 --> 00:01:29,657 - YOU WANT TO EXPLAIN THIS? 25 00:01:29,690 --> 00:01:32,293 - UM... 26 00:01:32,326 --> 00:01:34,662 YES, I WOULD LIKE TO VERY MUCH. 27 00:01:34,695 --> 00:01:36,664 [coughs] BUT WE ARE SO LATE, GUS. 28 00:01:36,697 --> 00:01:40,368 AND THESE COFFEE CUPS ARE NOT GONNA PUT THEMSELVES AWAY. 29 00:01:40,401 --> 00:01:41,902 - YOU TAKE A TRIP WITH THE INTENTION OF PROPOSING 30 00:01:41,935 --> 00:01:44,372 AND DON'T TELL ME, YOUR OLDEST AND BLACKEST FRIEND? 31 00:01:44,405 --> 00:01:46,907 - I CALLED YOU EIGHT TIMES ON THAT TRIP. 32 00:01:46,940 --> 00:01:48,809 - I'M NOT LETTING YOU OFF ON A TECHNICALITY, SHAWN. 33 00:01:48,842 --> 00:01:50,578 - LOOK... 34 00:01:50,611 --> 00:01:51,779 IT'S MY EMERGENCY RING. 35 00:01:51,812 --> 00:01:53,247 - THAT IS THE DUMBEST THING I EVER HEARD. 36 00:01:53,281 --> 00:01:54,348 - WHAT, ARE YOU KIDDING ME? 37 00:01:54,382 --> 00:01:56,350 WHAT IF THE PERFECT PROPOSAL MOMENT PRESENTS ITSELF? 38 00:01:56,384 --> 00:01:57,918 I GOTTA BE READY. 39 00:01:57,951 --> 00:01:59,920 I MEAN, WHAT IF OUR FACES 40 00:01:59,953 --> 00:02:01,889 SUDDENLY POP UP ON THE JUMBOTRON 41 00:02:01,922 --> 00:02:03,357 OR I GET SELECTED FROM THE AUDIENCE 42 00:02:03,391 --> 00:02:05,526 TO FEED SHAMU AT SEA WORLD? 43 00:02:05,559 --> 00:02:07,228 I GOTTA BE READY FOR THAT. 44 00:02:07,261 --> 00:02:08,496 - YOU'RE ACTUALLY READY TO BE MARRIED? 45 00:02:08,529 --> 00:02:11,532 - NO. WELL, SOMEDAY MAYBE. 46 00:02:11,565 --> 00:02:12,900 NOT ANYTIME SOON. 47 00:02:12,933 --> 00:02:15,669 LOOK, THAT IS--IT'S MY GRANDMOTHER'S RING, OKAY? 48 00:02:15,703 --> 00:02:17,405 I CAN BARELY LOOK AT IT. 49 00:02:17,438 --> 00:02:18,872 NOW CAN WE PLEASE GO? 50 00:02:18,906 --> 00:02:20,774 WE WERE SUPPOSED TO BE AT THE MUSEUM AN HOUR AGO. 51 00:02:20,808 --> 00:02:23,211 THAT SHIPMENT'S GONNA GET THERE BEFORE WE DO. 52 00:02:24,678 --> 00:02:26,380 - FINE. 53 00:02:27,781 --> 00:02:30,218 - THANK YOU. 54 00:02:30,251 --> 00:02:31,919 I'M PUTTING THIS THING AWAY. 55 00:02:31,952 --> 00:02:34,455 JUST KNOW IF I EVER DO POP THE QUESTION, 56 00:02:34,488 --> 00:02:36,357 I WANT YOU ON ONE SIDE, JULES ON THE OTHER 57 00:02:36,390 --> 00:02:39,427 JUST AS A KILLER WHALE LEAPS OVER OUR HEADS 58 00:02:39,460 --> 00:02:40,894 TO GRAB A MACKEREL. 59 00:02:40,928 --> 00:02:42,663 - THAT'S STORYBOOK RIGHT THERE. 60 00:02:58,746 --> 00:03:00,848 SHAWN, THIS IS SO EMBARRASSING. 61 00:03:00,881 --> 00:03:04,318 - I WOULDN'T BE STUCK IF IT WASN'T FOR YOUR STUPID WATCH. 62 00:03:06,354 --> 00:03:07,721 [groans] 63 00:03:07,755 --> 00:03:09,823 - WHAT THE HELL IS GOING ON HERE? 64 00:03:09,857 --> 00:03:11,259 - NOTHING! SMALL, LITTLE PROBLEM. 65 00:03:11,292 --> 00:03:12,192 DON'T BE CONCERNED. 66 00:03:12,226 --> 00:03:14,362 - HE THOUGHT HE SAW A CANDY BAR INSIDE. 67 00:03:14,395 --> 00:03:16,497 - THERE IS A RENOIR, A DEGAS, 68 00:03:16,530 --> 00:03:17,765 A VAN GOGH, 69 00:03:17,798 --> 00:03:19,900 AND AN IRREPLACEABLE COLLECTION 70 00:03:19,933 --> 00:03:23,271 OF HISTORICAL ARTIFACTS IN THIS SHIPMENT. 71 00:03:23,304 --> 00:03:26,740 WHY WOULD THERE BE A HERSHEY BAR IN THE SAME CONTAINER? 72 00:03:26,774 --> 00:03:29,577 - I KNOW INTERNATIONAL SHIPPING IS QUITE EXPENSIVE THESE DAYS. 73 00:03:29,610 --> 00:03:30,878 - IN HIS DEFENSE, HE THOUGHT IT WAS 74 00:03:30,911 --> 00:03:32,946 THAT COOL, EUROPEAN CANDY THAT TASTES LIKE SALT. 75 00:03:32,980 --> 00:03:35,883 - AHH! 76 00:03:35,916 --> 00:03:38,286 OH. 77 00:03:38,319 --> 00:03:39,320 OOH. 78 00:03:39,353 --> 00:03:40,554 - WHAT ARE YOU DOING HERE ANYWAY? 79 00:03:40,588 --> 00:03:42,456 - WE'RE ALWAYS HERE WHENEVER A VALUABLE SHIPMENT COMES IN. 80 00:03:42,490 --> 00:03:44,325 - TO SENSE TROUBLE. - AND COLLECT A CHECK. 81 00:03:44,358 --> 00:03:45,893 - BUT MOSTLY SENSE TROUBLE. 82 00:03:45,926 --> 00:03:46,894 SEE, I AM A PSYCHIC, 83 00:03:46,927 --> 00:03:48,429 AND WE ARE VERY VALUABLE TO THIS MUSEUM COMPLEX. 84 00:03:48,462 --> 00:03:49,697 - WE DISCOVERED THE DINOSAUR 85 00:03:49,730 --> 00:03:51,332 OVER AT THE NATURAL HISTORY MUSEUM. 86 00:03:51,365 --> 00:03:53,334 - DO YOU KNOW WHO I AM? 87 00:03:53,367 --> 00:03:54,435 - I KNOW YOU'RE NOT THE DUDE THAT DISCOVERED 88 00:03:54,468 --> 00:03:56,504 A TYRANNOSAURUS REX AT THE NATURAL HISTORY MUSEUM. 89 00:03:56,537 --> 00:03:57,505 - THAT'S US. 90 00:03:57,538 --> 00:04:00,474 - I AM CHRISTOPHER HOLM. 91 00:04:00,508 --> 00:04:02,376 - CHRIS HOLM? CHRISSY HOLM? 92 00:04:02,410 --> 00:04:03,744 NO? YOU HAVE ANY NICKNAMES? 93 00:04:03,777 --> 00:04:05,479 - I'M THE CURATOR OF THIS MUSEUM. 94 00:04:05,513 --> 00:04:08,982 AND I DID NOT SIGN OFF ON YOU OR YOU. 95 00:04:09,016 --> 00:04:10,851 - WELL, YOU NEED TO CHECK YOUR FACTS, JACK, 96 00:04:10,884 --> 00:04:12,886 BECAUSE WE ARE MUSEUM HEROES. 97 00:04:12,920 --> 00:04:14,688 - SO YOU'RE KIND OF STUCK WITH US. 98 00:04:14,722 --> 00:04:16,457 - DON'T CHECK HIM THOUGH. 99 00:04:16,490 --> 00:04:18,058 THEY GOT YOUR NAME WRONG ON THE PLAQUE. 100 00:04:18,091 --> 00:04:19,660 - OH, TWICE! 101 00:04:19,693 --> 00:04:21,729 THE FIRST TIME, THEY CALLED ME BRUTON GASTER. 102 00:04:21,762 --> 00:04:23,564 AND THEN THEY SWITCHED IT TO BRUTAL HUSTLER ON THE NEW ONE. 103 00:04:23,597 --> 00:04:24,865 - HE LIKES IT. - WELL, I DON'T MIND IT. 104 00:04:24,898 --> 00:04:26,066 - HE DOESN'T WANT 'EM TO CHANGE IT. 105 00:04:26,099 --> 00:04:28,536 - YOU CAN CALL ME BRUTAL. - RIGHT. 106 00:04:28,569 --> 00:04:30,538 RIGHT. 107 00:04:30,571 --> 00:04:31,672 WELL, AS OF NOW, 108 00:04:31,705 --> 00:04:32,973 YOU ARE REASSIGNED. 109 00:04:33,006 --> 00:04:36,544 - OKAY. - ET TU, BRUTE. 110 00:04:36,577 --> 00:04:37,845 - TAL. 111 00:04:37,878 --> 00:04:39,747 BRU-TAL. 112 00:04:39,780 --> 00:04:41,782 - GET OUT OF HERE! 113 00:04:43,016 --> 00:04:44,818 - REALLY? WE'RE GUARDING A WALL? 114 00:04:44,852 --> 00:04:47,455 - IT'S PROBABLY A PRETTY IMPORTANT WALL. 115 00:04:48,989 --> 00:04:50,558 MAN, THIS NEVER WOULD HAVE HAPPENED 116 00:04:50,591 --> 00:04:51,859 IF YOU HAD REACHED FOR THAT CANDY. 117 00:04:51,892 --> 00:04:53,060 - HOW IS THAT ANY DIFFERENT? 118 00:04:53,093 --> 00:04:54,061 - 'CAUSE MY ARMS ARE WAY BIGGER THAN YOURS. 119 00:04:54,094 --> 00:04:55,062 - PLEASE. 120 00:04:55,095 --> 00:04:57,865 - YOU KNOW WHAT, LEAVE ME ALONE. 121 00:04:57,898 --> 00:04:58,999 - HEY, LOOK AT THAT. 122 00:04:59,032 --> 00:05:00,701 - GET AWAY FROM ME. 123 00:05:00,734 --> 00:05:01,869 - I SHOULD PROBABLY HELP HER. 124 00:05:01,902 --> 00:05:03,371 - HELP HER DO WHAT, RUN AWAY? 125 00:05:03,404 --> 00:05:05,038 - I'LL REMIND YOU, I'VE HAD 11 KUNG FU LESSONS. 126 00:05:05,072 --> 00:05:06,540 - YOU TOOK FOUR, MISSED SIX, 127 00:05:06,574 --> 00:05:07,675 AND SLEPT THROUGH THE LAST ONE. 128 00:05:07,708 --> 00:05:08,709 - I WAS MEDITATING! 129 00:05:08,742 --> 00:05:09,710 YOU KNOW WHAT, I DON'T NEED THIS. 130 00:05:09,743 --> 00:05:10,711 HEY! 131 00:05:10,744 --> 00:05:12,546 YOU GET YOUR DAMN HANDS OFF HER! 132 00:05:12,580 --> 00:05:13,981 - REALLY, YOU'RE GONNA THREATEN THEM 133 00:05:14,014 --> 00:05:15,449 BY QUOTING BACK TO THE FUTURE? 134 00:05:20,554 --> 00:05:22,122 - HEY! 135 00:05:22,155 --> 00:05:23,957 WAH! 136 00:05:27,027 --> 00:05:28,028 YOU OKAY? 137 00:05:28,061 --> 00:05:29,597 - OH, MY GOD, THANK YOU SO MUCH. 138 00:05:29,630 --> 00:05:31,532 - WHOA, WHOA, WHOA, WHOA. I HAVE A GIRLFRIEND. 139 00:05:31,565 --> 00:05:32,500 - WHAT? 140 00:05:32,533 --> 00:05:34,101 - I KNOW WHAT I JUST DID WAS INCREDIBLY COOL, 141 00:05:34,134 --> 00:05:35,836 BUT I NEED TO GET THAT OUT OF THE WAY 142 00:05:35,869 --> 00:05:37,971 BECAUSE I'M SENSING THAT YOU WERE HAVING ROMANTIC FEELINGS. 143 00:05:38,005 --> 00:05:39,707 - NO, ACTUALLY I'M JUST CONCERNED ABOUT MY WALLET. 144 00:05:39,740 --> 00:05:40,774 - RIGHT, RIGHT. 145 00:05:40,808 --> 00:05:42,142 YOUR WALLET AND THEN THE PASSION, 146 00:05:42,175 --> 00:05:43,343 THE BURNING PASSION. 147 00:05:43,377 --> 00:05:46,380 JUST NEGATE THOSE FEELINGS, BECAUSE I'M OFF THE MARKET. 148 00:05:46,414 --> 00:05:47,481 - THAT WAS PRETTY AMAZING. 149 00:05:47,515 --> 00:05:48,882 I MEAN, WHO DOES THAT ANYMORE, RIGHT? 150 00:05:48,916 --> 00:05:50,484 I MEAN, THEY COULDA KILLED ME, 151 00:05:50,518 --> 00:05:52,520 AND YOU JUST TOOK YOUR LIFE IN YOUR HANDS. 152 00:05:52,553 --> 00:05:53,954 - I KNOW, I KNOW, IT'S ALMOST AS IF I ATTENDED 153 00:05:53,987 --> 00:05:55,989 ALL OF MY MARTIAL ARTS CLASSES. 154 00:05:56,023 --> 00:05:56,857 - AND THEN SOME. 155 00:05:56,890 --> 00:05:58,492 - YEAH, AND YOU WOULD NEVER SUSPECT 156 00:05:58,526 --> 00:05:59,660 THAT ONE DAY I MIGHT HAVE FALLEN ASLEEP 157 00:05:59,693 --> 00:06:00,828 AND THE INSTRUCTOR USED MY KNEES 158 00:06:00,861 --> 00:06:03,664 TO BALANCE THE BOARDS THAT THEY WERE CHOPPING IN HALF. 159 00:06:03,697 --> 00:06:04,832 - NO, NO. 160 00:06:04,865 --> 00:06:06,867 - I THINK WHAT THIS WOMAN IS TRYING TO SAY HERE, GUS, 161 00:06:06,900 --> 00:06:08,168 IS THAT YOU CAN SUCK IT. 162 00:06:08,201 --> 00:06:09,537 - NO, I'M NOT SAYING THAT. - I'M PARAPHRASING. 163 00:06:09,570 --> 00:06:10,904 - DO YOU EVEN KNOW WHAT "PARAPHRASE" MEANS? 164 00:06:10,938 --> 00:06:12,406 - IT MEANS, "SUCK IT PLEASE, GUS." 165 00:06:12,440 --> 00:06:13,574 - IT DOESN'T MEAN "SUCK IT PLEASE, GUS." 166 00:06:13,607 --> 00:06:14,975 - OKAY, WELL, YOU WERE BOTH VERY BRAVE. 167 00:06:15,008 --> 00:06:16,777 - MISS, PLEASE, STAY OUT OF THIS. 168 00:06:16,810 --> 00:06:18,446 OTHERWISE, HE'LL NEVER LEARN. 169 00:06:18,479 --> 00:06:22,416 BESIDES, HE WAS LOBBYING FOR LEAVING YOU HERE TO DIE. 170 00:06:22,450 --> 00:06:24,518 [loud crash] 171 00:06:24,552 --> 00:06:25,819 UH-OH. - OH, MY GOD. 172 00:06:25,853 --> 00:06:26,654 - UM... 173 00:06:26,687 --> 00:06:29,523 - UH, EXCUSE US WHILE OUR LIVES END. 174 00:06:32,826 --> 00:06:34,094 - THANK YOU. 175 00:06:42,770 --> 00:06:47,675 - I GUESS THAT WAS A PRETTY IMPORTANT WALL. 176 00:06:47,708 --> 00:06:51,745 [The Friendly Indians' I Know You Know] 177 00:06:51,779 --> 00:06:55,148 * I KNOW YOU KNOW THAT I'M NOT TELLING THE TRUTH * 178 00:06:55,182 --> 00:06:57,818 * I KNOW YOU KNOW THEY JUST DON'T HAVE ANY PROOF * 179 00:06:57,851 --> 00:06:59,453 * EMBRACE THE DECEPTION 180 00:06:59,487 --> 00:07:00,854 * LEARN HOW TO BEND 181 00:07:00,888 --> 00:07:02,523 * YOUR WORST INHIBITIONS 182 00:07:02,556 --> 00:07:05,993 * TEND TO PSYCH YOU OUT IN THE END * 183 00:07:12,199 --> 00:07:13,701 - I WANT HIM JAILED. 184 00:07:13,734 --> 00:07:16,036 - MR. HOLM, AS MUCH AS THAT IDEA PLEASES ME, 185 00:07:16,069 --> 00:07:18,606 YOU CAN'T ACTUALLY PUT SOMEONE IN JAIL FOR BEING STUPID. 186 00:07:18,639 --> 00:07:19,907 - OR FOR BEING A GOOD SAMARITAN. 187 00:07:19,940 --> 00:07:21,809 - OR STUPID! 188 00:07:21,842 --> 00:07:23,611 IT DOES BEAR REPEATING. 189 00:07:23,644 --> 00:07:25,012 - EXCUSE ME. 190 00:07:25,045 --> 00:07:27,180 WE DID SAVE A WOMAN-- A FINE WOMAN AT THAT. 191 00:07:27,214 --> 00:07:29,049 - YOU DIDN'T MENTION THAT SHE WAS ATTRACTIVE. 192 00:07:29,082 --> 00:07:30,984 - I DON'T REMEMBER WHAT SHE LOOKED LIKE. 193 00:07:31,018 --> 00:07:32,252 - YES, YOU DO. 194 00:07:32,285 --> 00:07:34,822 - OH, THIS IS PREPOSTEROUS. A PSYCHIC INDEED! 195 00:07:34,855 --> 00:07:36,223 YOU ARE NOT WHAT YOU CLAIM TO BE. 196 00:07:36,256 --> 00:07:37,791 AND I HOLD YOU RESPONSIBLE. 197 00:07:37,825 --> 00:07:39,527 I HOLD YOU ALL RESPONSIBLE! 198 00:07:39,560 --> 00:07:42,229 - YOU CAN NO MORE DO THAT THEN I CAN SUPPRESS MY HEROIC INSTINCTS 199 00:07:42,262 --> 00:07:43,797 OR GUS CAN CONTROL HIS BLADDER DURING INTERCOURSE. 200 00:07:43,831 --> 00:07:45,032 - WHAT? 201 00:07:45,065 --> 00:07:47,100 - THAT'S DISGUSTING. - IT'S NOT TRUE. 202 00:07:47,134 --> 00:07:48,268 - IT'S CONJECTURE. 203 00:07:48,301 --> 00:07:49,737 LOOK, GUYS, WE STILL HAVE A CHANCE HERE. 204 00:07:49,770 --> 00:07:54,174 IT'S ONLY BEEN A SHORT TIME, ASSUMINGLY. 205 00:07:58,111 --> 00:08:02,182 AND I CAN TELL YOU EXACTLY WHERE THAT CRATE IS, 206 00:08:02,215 --> 00:08:06,219 RIGHT DOWN TO THE GEOGRAPHICAL COORDINATES. 207 00:08:09,256 --> 00:08:10,924 - THIS IS FRUITLESS, SHAWN. 208 00:08:10,958 --> 00:08:12,960 YOU MADE A GUARANTEE BASED ON ME BEING ABLE TO DO 209 00:08:12,993 --> 00:08:15,763 A REVERSE GPS SEARCH ON AN $80 HIKING WATCH. 210 00:08:15,796 --> 00:08:18,065 IT NEEDS TO HAVE THE DISTRESS SIGNAL ON TO WORK. 211 00:08:18,098 --> 00:08:19,066 - I AGREE. 212 00:08:19,099 --> 00:08:20,901 WE NEED A PROFESSIONAL AT THIS SORT OF THING. 213 00:08:20,934 --> 00:08:22,570 - EXACTLY, WHICH IS WHY WE NEED TO FORGET 214 00:08:22,603 --> 00:08:23,871 THIS PSYCHIC THING FOR ONCE 215 00:08:23,904 --> 00:08:25,305 AND GIVE THE INFORMATION TO THE COPS. 216 00:08:25,338 --> 00:08:27,274 - BELIEVE ME, I WOULD, BUT THE COPS DON'T EVEN HAVE 217 00:08:27,307 --> 00:08:28,976 THE KIND OF FIREPOWER WE NEED. 218 00:08:29,009 --> 00:08:31,044 - DUDE, IF YOU SUGGEST BATMAN ONE MORE TIME, 219 00:08:31,078 --> 00:08:32,580 I WILL PULL OUT YOUR EARDRUMS. 220 00:08:32,613 --> 00:08:33,881 - I'M TALKING ABOUT A PRO, GUS. 221 00:08:33,914 --> 00:08:34,948 A PRO'S PRO. 222 00:08:34,982 --> 00:08:35,816 I'VE ALREADY CALLED HIM 223 00:08:35,849 --> 00:08:37,184 AND DOWNLOADED HIM ON THE SITUATION. 224 00:08:37,217 --> 00:08:40,821 - REALLY? AND WHO MIGHT THAT BE? 225 00:08:40,854 --> 00:08:42,956 - SOMEBODY CALL FOR AN ART THIEF? 226 00:08:44,592 --> 00:08:45,826 HELLO, BARTON. 227 00:08:52,633 --> 00:08:54,234 - CAN YOU JUST GIVE US AN APPROXIMATE VALUE 228 00:08:54,267 --> 00:08:55,603 OF THE COLLECTION? 229 00:08:55,636 --> 00:08:57,938 - ARE YOU SERIOUS? 230 00:08:57,971 --> 00:09:01,642 COULD YOU PUT A VALUE ON YOUR OWN FATHER? 231 00:09:01,675 --> 00:09:03,644 - 387,000. 232 00:09:03,677 --> 00:09:05,212 - WE JUST NEED TO KNOW WHAT WE'RE UP AGAINST. 233 00:09:05,245 --> 00:09:07,247 - LET ME SHOW YOU WHAT WE WERE GOING TO EXHIBIT 234 00:09:07,280 --> 00:09:08,982 IN THE FOYER. 235 00:09:09,016 --> 00:09:12,285 THESE ARE JUST SOME OF THE PIECES OF ART 236 00:09:12,319 --> 00:09:15,322 FROM THE FEW ARTIFACTS OF HARRISON YERDEN. 237 00:09:15,355 --> 00:09:17,991 YOU DO KNOW WHO HE WAS, DON'T YOU? 238 00:09:18,025 --> 00:09:19,727 - YES. 239 00:09:19,760 --> 00:09:21,829 HE'S THE RICH GUY WHO BUILT THE AIRPLANES. 240 00:09:21,862 --> 00:09:25,999 ONE OF THE RICHEST MEN IN THE WORLD BY THE AGE OF 32. 241 00:09:26,033 --> 00:09:28,669 HE SPENT THE REST OF HIS LIFE TRYING TO SPEND HIS MONEY. 242 00:09:28,702 --> 00:09:31,872 HE COLLECTED ART WITH THE PASSION 243 00:09:31,905 --> 00:09:33,874 OF A RENAISSANCE PRINCE. 244 00:09:33,907 --> 00:09:35,976 HE FINANCED EXPEDITIONS 245 00:09:36,009 --> 00:09:38,278 TO THE MOST REMOTE CORNERS OF THE EARTH 246 00:09:38,311 --> 00:09:41,882 IN SEARCH OF THE RAREST ARTIFACTS. 247 00:09:41,915 --> 00:09:43,050 - I GET IT. 248 00:09:43,083 --> 00:09:45,218 HE'S HOWARD HUGHES AND INDIANA JONES. 249 00:09:45,252 --> 00:09:47,354 - THE TERMS OF HIS WILL STIPULATE 250 00:09:47,387 --> 00:09:49,657 THAT ON THE 50TH ANNIVERSARY OF HIS DEATH, 251 00:09:49,690 --> 00:09:52,159 WHICH WAS LAST THURSDAY, 252 00:09:52,192 --> 00:09:55,128 HIS ENTIRE COLLECTION SHOULD BE REMOVED FROM THE LOUVRE 253 00:09:55,162 --> 00:09:58,666 AND BROUGHT TO THE SANTA BARBARA MUSEUM OF ART. 254 00:09:58,699 --> 00:09:59,800 - WHERE IT STAYED FOR EXACTLY ONE HOUR 255 00:09:59,833 --> 00:10:01,769 UNTIL YOUR BOYFRIEND LOST IT. 256 00:10:01,802 --> 00:10:03,136 - [sighs] 257 00:10:03,170 --> 00:10:06,874 - WE'RE VERY SORRY FOR YOUR LOSS. 258 00:10:06,907 --> 00:10:08,208 - WE WILL FIND IT. 259 00:10:08,241 --> 00:10:09,409 THERE'S ALWAYS A WAY. 260 00:10:09,442 --> 00:10:11,211 - WE HAVE OUR BEST PEOPLE WORKING ON IT. 261 00:10:11,244 --> 00:10:12,946 - THAT'S WHAT TROUBLES ME. 262 00:10:12,980 --> 00:10:15,148 YOU DO REALIZE I AM FINISHED, DON'T YOU? 263 00:10:15,182 --> 00:10:22,255 I WILL BE KNOWN AS THE MAN WHO LOST THE YERDEN MASTERS. 264 00:10:22,289 --> 00:10:24,858 - YOU CAN'T DO THIS. YOU'RE ON TRIAL. 265 00:10:24,892 --> 00:10:26,059 - I'M OUT ON BAIL. 266 00:10:26,093 --> 00:10:27,928 - IN FACT, YOU'RE ON TRIAL RIGHT NOW 267 00:10:27,961 --> 00:10:29,362 FOR DOING THIS SAME EXACT THING. 268 00:10:29,396 --> 00:10:32,265 OH, MY GOSH, YOU DID THIS. 269 00:10:32,299 --> 00:10:36,103 - OH, PLEASE, BRAXTON, THIS WAS BRASH, VIOLENT. 270 00:10:36,136 --> 00:10:37,404 COMMITTED BY A TEAM. 271 00:10:37,437 --> 00:10:39,406 EVERYONE KNOWS I WORK ALONE. 272 00:10:39,439 --> 00:10:41,942 IT WAS SO...INELEGANT. 273 00:10:44,778 --> 00:10:46,880 I WAS IN COURT WHILE IT HAPPENED. 274 00:10:46,914 --> 00:10:47,881 - CHECK ON THAT. 275 00:10:47,915 --> 00:10:50,117 - I DID, MAN. THERE ARE PICTURES AND EVERYTHING. 276 00:10:50,150 --> 00:10:51,852 - GENTLEMEN, I'M HERE TO HELP. 277 00:10:51,885 --> 00:10:53,353 MY TRIAL ENDS IN A FEW DAYS, 278 00:10:53,386 --> 00:10:55,022 AND MY ACQUITTAL HAS BEEN EVIDENT SINCE DAY TWO. 279 00:10:55,055 --> 00:10:56,724 FRANKLY, I WAS SHOCKED THEY HAVEN'T CALLED 280 00:10:56,757 --> 00:10:57,825 THE WHOLE THING OFF YET. 281 00:10:57,858 --> 00:10:58,926 AND BESIDES, I OWE YOU 282 00:10:58,959 --> 00:11:00,193 FOR BREAKING ME OUT OF PRISON. 283 00:11:00,227 --> 00:11:01,461 - WE DIDN'T KNOW WE WERE DOING THAT. 284 00:11:01,494 --> 00:11:03,130 WE WERE PATSIES. SHAWN. 285 00:11:03,163 --> 00:11:05,999 - AND I'VE ALWAYS HAD A FONDNESS FOR SHAWN. 286 00:11:06,033 --> 00:11:08,902 WHY DON'T YOU SHOW ME THE PROGRAM 287 00:11:08,936 --> 00:11:12,840 YOU'RE USING TO LOCATE THIS GPS SIGNAL? 288 00:11:14,742 --> 00:11:17,845 - OOH, HIS IS MUCH BIGGER. 289 00:11:17,878 --> 00:11:19,847 - THIS IS GOING TO TAKE ME A FEW HOURS. 290 00:11:19,880 --> 00:11:21,715 - THAT'S PERFECT, 'CAUSE I'M GONNA NEED SOME TIME TOO 291 00:11:21,749 --> 00:11:23,483 IF WE'RE GOING AFTER THIS TREASURE. 292 00:11:23,516 --> 00:11:25,218 AND THIS IS THE KINDA THING THAT COULD GET GUS KILLED. 293 00:11:28,288 --> 00:11:31,258 [Raiders of the Lost Ark- like music] 294 00:11:31,291 --> 00:11:39,299 * 295 00:11:45,906 --> 00:11:47,140 - YOU LOOK RIDICULOUS. 296 00:11:47,174 --> 00:11:48,508 - YOU'RE JUST JEALOUS 297 00:11:48,541 --> 00:11:50,510 'CAUSE THERE'S NO BLACK DUDES IN RAIDERS. 298 00:11:50,543 --> 00:11:53,313 - WRONG, KATANGA. HE DROVE THE BANTU WIND. 299 00:11:53,346 --> 00:11:55,482 - THAT WAS BENEATH YOU. - YOU'RE RIGHT. 300 00:11:55,515 --> 00:11:56,750 - WHERE DID YOU GET THAT THING? 301 00:11:56,784 --> 00:11:57,684 - DON'T ASK. 302 00:11:57,717 --> 00:11:59,887 - SHAWN, WHENEVER WE DEAL WITH DESPEREAUX, 303 00:11:59,920 --> 00:12:01,021 IT ALWAYS ENDS BADLY. 304 00:12:01,054 --> 00:12:03,190 - YOUR GLASS IS ALWAYS HALF-EMPTY. 305 00:12:03,223 --> 00:12:06,994 - WHOO, SERIOUS PLAYERS WE HAVE HERE. 306 00:12:07,027 --> 00:12:11,765 NOW, HOW DO YOU SUPPOSE WE GET UP ONTO THAT ROOF? 307 00:12:11,799 --> 00:12:14,167 [whistles] 308 00:12:25,478 --> 00:12:27,080 - REALLY? 309 00:12:28,215 --> 00:12:30,818 WAIT, WAIT, WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 310 00:12:33,553 --> 00:12:36,156 DESPEREAUX, YOU ARE A GENIUS. 311 00:12:36,189 --> 00:12:39,326 - I KNOW. IT'S HARD BEING ME SOMETIMES. 312 00:12:39,359 --> 00:12:41,394 - EXCUSE ME, IT'S MY WATCH. 313 00:12:41,428 --> 00:12:43,296 - WHY DO YOU NEED A WATCH WITH A DISTRESS SIGNAL? 314 00:12:43,330 --> 00:12:45,032 - FOR HIKING, SHAWN. - YOU DON'T HIKE. 315 00:12:45,065 --> 00:12:46,967 - I PLAN TO HIKE. - PLAYERS DON'T HIKE. 316 00:12:47,000 --> 00:12:48,235 - MAN, YOU DON'T KNOW WHAT PLAYERS DO. 317 00:12:48,268 --> 00:12:49,336 - WHAT DO THEY DO? 318 00:12:49,369 --> 00:12:50,270 - PLAYERS HIKE DEEP INTO THE WOODS, 319 00:12:50,303 --> 00:12:51,939 THEY GET LOST, THEY DEVELOP HYPOTHERMIA, 320 00:12:51,972 --> 00:12:55,275 AND THAT'S WHY THEY NEED GPS. 321 00:12:55,308 --> 00:12:58,045 WAIT A SECOND, THEY'RE LEAVING ALL THE PAINTINGS? 322 00:12:58,078 --> 00:12:59,579 WHY ARE THEY ABANDONING THE EXPENSIVE STUFF? 323 00:12:59,612 --> 00:13:01,014 - WE NEED A CLOSER LOOK. 324 00:13:01,048 --> 00:13:03,917 - ARE YOU CRAZY? - SHH, SHH. 325 00:13:05,485 --> 00:13:07,487 OKAY, I'M CONFUSED. WHAT WAS THAT THING? 326 00:13:07,520 --> 00:13:09,056 - IT WAS A CIVIL WAR ERA DAGGER. 327 00:13:09,089 --> 00:13:10,858 ONLY ABOUT 500 OF THEM WERE MADE. 328 00:13:10,891 --> 00:13:11,959 - REALLY? WHAT'S IT WORTH? 329 00:13:11,992 --> 00:13:13,493 - OH, ABOUT $9,000 MAYBE. 330 00:13:13,526 --> 00:13:16,363 - DO THEY KNOW THAT? 331 00:13:16,396 --> 00:13:19,366 - YES, THEY DO. 332 00:13:20,533 --> 00:13:23,136 - WAIT A MINUTE, THAT'S THE WOMAN WE RESCUED 333 00:13:23,170 --> 00:13:25,505 BEHIND THE MUSEUM. 334 00:13:25,538 --> 00:13:27,040 - GOOD SAMARITAN, MY ASS. 335 00:13:27,074 --> 00:13:28,976 - WE GOT PLAYED, SHAWN. - NO, YOU GOT PLAYED. 336 00:13:29,009 --> 00:13:30,243 I HAD MY SUSPICIONS ALL ALONG. 337 00:13:30,277 --> 00:13:32,112 - THAT'S JACQUELINE MEDEIROS... 338 00:13:32,145 --> 00:13:33,881 AS HIGH-END THIEF AS THEY COME. 339 00:13:33,914 --> 00:13:36,083 AND SHE'S STRICTLY BUSINESS. 340 00:13:36,116 --> 00:13:40,020 QUESTION IS: WHY IS SHE DOING THIS? 341 00:13:40,053 --> 00:13:43,857 A WOMAN LIKE THAT DOESN'T MESS WITH A VAN GOGH. 342 00:13:43,891 --> 00:13:46,193 UNLESS... 343 00:13:46,226 --> 00:13:50,130 UNLESS SHE'S GOING AFTER THE CORE COLLECTION. 344 00:13:50,163 --> 00:13:51,431 OF COURSE. 345 00:13:51,464 --> 00:13:53,100 - WHAT IS THE CORE COLLECTION? 346 00:13:53,133 --> 00:13:55,135 - NOBODY KNOWS. IT'S A LEGEND REALLY. 347 00:13:55,168 --> 00:13:57,604 STORY GOES THAT YERDEN KEPT HIS MOST SECRET 348 00:13:57,637 --> 00:14:00,140 AND VALUABLE ITEMS HIDDEN IN A CORE COLLECTION. 349 00:14:00,173 --> 00:14:02,109 WENT TO THE GRAVE BEFORE HE MANAGED TO TELL ANYBODY 350 00:14:02,142 --> 00:14:04,277 WHAT OR WHERE IT WAS. 351 00:14:04,311 --> 00:14:07,014 A DAGGER WAS SAID TO PROTECT THE COLLECTION. 352 00:14:07,047 --> 00:14:08,148 - I THINK YOU MEAN DRAGON. 353 00:14:08,181 --> 00:14:11,318 - NO, I MEAN DAGGER. 354 00:14:12,585 --> 00:14:15,022 - OKAY, LET'S TAKE THIS INFORMATION BACK TO THE POLICE 355 00:14:15,055 --> 00:14:16,523 SO WE CAN BE HEROES AGAIN. 356 00:14:16,556 --> 00:14:19,359 - HOLD THAT THOUGHT ONE MOMENT. 357 00:14:19,392 --> 00:14:21,194 - WHERE'S HE GOING? 358 00:14:25,933 --> 00:14:27,901 - SHAWN WAS SO DESPERATE AT THE MUSEUM TODAY. 359 00:14:27,935 --> 00:14:29,236 I'VE NEVER SEEN HIM SO DOWN. 360 00:14:29,269 --> 00:14:31,038 - YEAH, HE WAS REALLY AFFECTED. 361 00:14:31,071 --> 00:14:33,306 HEY, TELL ME AGAIN WHAT IT LOOKED LIKE 362 00:14:33,340 --> 00:14:35,075 WHEN THAT CURATOR WAS BERATING HIM. 363 00:14:35,108 --> 00:14:36,376 DO YOU THINK HE WAS HOLDING BACK TEARS? 364 00:14:36,409 --> 00:14:38,045 BECAUSE THAT'S HOW I REMEMBER IT. 365 00:14:38,078 --> 00:14:39,312 - CARLTON. - COME ON, O'HARA, 366 00:14:39,346 --> 00:14:41,048 ALLOW ME THIS ONE THING. I DON'T ASK FOR MUCH. 367 00:14:41,081 --> 00:14:42,282 - I JUST DON'T WANT THIS TO RUIN HIM. 368 00:14:42,315 --> 00:14:43,650 - DO YOU SERIOUSLY THINK THAT'S A POSSIBILITY? 369 00:14:43,683 --> 00:14:45,252 BECAUSE THAT WOULD BE AWESOME. 370 00:14:45,285 --> 00:14:46,519 - I KNOW SHAWN, AND HE IS NOT WELL EQUIPPED 371 00:14:46,553 --> 00:14:47,554 TO DEAL WITH FAILURE. 372 00:14:47,587 --> 00:14:48,922 I HAVEN'T HEARD FROM HIM ALL DAY. 373 00:14:48,956 --> 00:14:50,357 HE'S PROBABLY SULKING ON THE COUCH. 374 00:14:50,390 --> 00:14:51,959 - OH, COME ON, O'HARA, DON'T BEAT YOURSELF UP. 375 00:14:51,992 --> 00:14:54,995 I'M SURE HE'S OUT SCREWING SOMETHING ELSE UP. 376 00:14:56,196 --> 00:14:59,299 [phone buzzes] 377 00:14:59,332 --> 00:15:00,700 - NO. NO, SHAWN. 378 00:15:00,733 --> 00:15:02,569 YOU WILL NOT RETURN MESSAGES RIGHT NOW. 379 00:15:02,602 --> 00:15:05,072 - CAN I AT LEAST SEND A TEXT? - NO! 380 00:15:05,105 --> 00:15:06,506 - LOOK, MAN, I'VE GOTTEN A LOT OF MESSAGES 381 00:15:06,539 --> 00:15:08,475 SINCE WE STARTED THIS THING, GUS. 382 00:15:08,508 --> 00:15:10,610 YOU'RE JUST JEALOUS 'CAUSE YOU HAVEN'T GOTTEN ANY CALLS. 383 00:15:10,643 --> 00:15:12,279 - PLEASE, I HAVE MY WORK PHONE. 384 00:15:12,312 --> 00:15:14,114 THE MAILBOX ON MY PLAYER PHONE IS FULL. 385 00:15:14,147 --> 00:15:15,382 IF I HAD MY PLAYER PHONE, 386 00:15:15,415 --> 00:15:16,984 MY CELLY WOULD BE BLOWING UP RIGHT NOW. 387 00:15:17,017 --> 00:15:18,218 - YOU DON'T HAVE A PLAYER PHONE. 388 00:15:18,251 --> 00:15:20,487 - [stammering] I HAVE A-- 389 00:15:20,520 --> 00:15:21,688 I HAVE THREE PLAYER PHONES, 390 00:15:21,721 --> 00:15:23,290 ONE FOR EACH PART-TIME SHORTY. 391 00:15:23,323 --> 00:15:24,524 - PART--WHAT ARE YOU TALKING ABOUT? 392 00:15:24,557 --> 00:15:25,993 - MAN, YOU DON'T KNOW. 393 00:15:30,563 --> 00:15:31,531 NO. - YES. 394 00:15:31,564 --> 00:15:32,532 - NO. - YES. 395 00:15:32,565 --> 00:15:33,533 - NO. - YES. 396 00:15:33,566 --> 00:15:35,202 - WE ARE LEAVING. WE ARE LEAVING RIGHT NOW. 397 00:15:35,235 --> 00:15:37,670 - WE JUST GOT HERE. SHH. 398 00:15:42,342 --> 00:15:44,377 - HE'S NOT ANSWERING. - HE'S NOT? 399 00:15:44,411 --> 00:15:46,046 - YOU KNOW WHAT, I'LL JUST GIVE HIM SOME DOWNTIME. 400 00:15:46,079 --> 00:15:48,681 - YEAH, THAT'S PROBABLY A GOOD IDEA. 401 00:15:49,682 --> 00:15:51,484 - GOT IT. - GOT IT? 402 00:15:51,518 --> 00:15:52,752 NO, NO GOT IT. 403 00:15:52,785 --> 00:15:55,022 PUT BACK. PUT BACK NOW. 404 00:15:55,055 --> 00:15:56,623 - HOW DID YOU EVEN DO-- 405 00:15:59,592 --> 00:16:01,228 GUYS. - HMM? 406 00:16:01,261 --> 00:16:03,696 - WE SHOULD PROBABLY GO. - GO! 407 00:16:11,038 --> 00:16:12,539 WE'RE TRAPPED. 408 00:16:12,572 --> 00:16:14,407 UH... 409 00:16:14,441 --> 00:16:16,143 - NO, WE'RE NOT. 410 00:16:24,351 --> 00:16:25,585 - [mouths words] 411 00:16:26,586 --> 00:16:28,488 - IT'S TOO FAR TO JUMP. 412 00:16:30,557 --> 00:16:32,559 - I'VE GOT THIS. 413 00:16:32,592 --> 00:16:34,294 - WHAT? 414 00:16:36,463 --> 00:16:39,532 WHAT ARE YOU DOING, SHAWN? WHAT? 415 00:16:39,566 --> 00:16:41,701 - OOH, OOH, OOH, OOH. 416 00:16:41,734 --> 00:16:44,404 [whip snapping] 417 00:16:49,609 --> 00:16:51,078 HANG ON, GUS. 418 00:16:51,111 --> 00:16:52,312 both: OHH! 419 00:16:52,345 --> 00:16:53,313 - LET GO. 420 00:16:53,346 --> 00:16:55,048 - NO, YOU LET GO. 421 00:16:55,082 --> 00:16:56,749 - SHAWN, LET GO. 422 00:16:56,783 --> 00:16:58,485 - WHAT THE HELL WAS THAT? 423 00:16:58,518 --> 00:17:01,454 ONE AT A TIME. NOW TOSS ME THE WHIP. 424 00:17:01,488 --> 00:17:02,689 - I THINK I DROPPED IT! 425 00:17:02,722 --> 00:17:04,824 - ALL RIGHT, JUST MEET ME AT THE SPEEDBOAT AT THE DOCK, OKAY? 426 00:17:04,857 --> 00:17:07,294 - OKAY, ONE QUESTION: WHICH BOAT? 427 00:17:07,327 --> 00:17:09,162 - THE BOAT I SHOWED YOU ON THE WAY IN. 428 00:17:09,196 --> 00:17:11,464 WEREN'T YOU PAYING ATTENTION? 429 00:17:11,498 --> 00:17:12,632 - YEAH. 430 00:17:12,665 --> 00:17:14,601 WELL, WE GOT A LITTLE EXCITED, BUT YEAH. 431 00:17:14,634 --> 00:17:16,236 - YEAH. 432 00:17:22,775 --> 00:17:24,511 - THAT'S IT. THAT'S GOTTA BE IT. 433 00:17:24,544 --> 00:17:26,179 - NO, IT'S A SPEEDBOAT. - IT'S COMPLETELY SPEEDY. 434 00:17:26,213 --> 00:17:27,714 SINCE WHEN DO YOU KNOW ANYTHING ABOUT BOATS? 435 00:17:27,747 --> 00:17:30,483 - FINE. UNTIE THE ROPE! 436 00:17:30,517 --> 00:17:32,685 - UGH. GOT IT! 437 00:17:32,719 --> 00:17:34,087 - [groaning] 438 00:17:34,121 --> 00:17:35,488 - WHAT'S TAKING YOU SO LONG? 439 00:17:35,522 --> 00:17:36,756 - IT'S A TINY ROPE, SHAWN. 440 00:17:36,789 --> 00:17:38,425 DO I LOOK LIKE I HAVE CHILDREN'S HANDS? 441 00:17:38,458 --> 00:17:40,493 - WHERE'S THE BUTTON? - TURN THE KEY! 442 00:17:40,527 --> 00:17:42,495 - AH. [engine starts] 443 00:17:42,529 --> 00:17:43,630 - OKAY, GO, GO, GO. 444 00:17:43,663 --> 00:17:45,265 [horn honking] 445 00:17:51,138 --> 00:17:53,106 - WE GOT THE WRONG BOAT. 446 00:18:04,251 --> 00:18:05,452 [gunfire] 447 00:18:07,387 --> 00:18:08,721 - STARBOARD, STARBOARD. 448 00:18:08,755 --> 00:18:10,757 - WHICH WAY'S STARBOARD? - TO THE RIGHT, SHAWN. 449 00:18:10,790 --> 00:18:13,160 WHAT ARE YOU DOING? 450 00:18:17,930 --> 00:18:19,299 - WELL, WHY DON'T YOU JUST SAY RIGHT? 451 00:18:19,332 --> 00:18:20,533 - WE'RE SEAMEN RIGHT NOW. - WE'RE WHAT? 452 00:18:20,567 --> 00:18:21,901 - SEAMEN. WE'RE SEAMEN. 453 00:18:21,934 --> 00:18:23,470 - STOP SAYING THAT. ANYONE COULD BE WALKING BY. 454 00:18:23,503 --> 00:18:25,438 - WELL, WE ARE, WE'RE SEAMEN! 455 00:18:28,441 --> 00:18:30,710 [gunshots] 456 00:18:37,350 --> 00:18:39,186 - TURN IT. 457 00:18:40,487 --> 00:18:42,189 - WE'RE GOING RIGHT BACK TO WHERE WE STARTED, SHAWN. 458 00:18:42,222 --> 00:18:44,824 - WELL, YOU'RE PUTTING A LOT OF PRESSURE ON ME RIGHT NOW. 459 00:18:44,857 --> 00:18:45,825 - I KNOW WHAT TO DO. I GOT IT. 460 00:18:45,858 --> 00:18:46,826 I GOT IT. I KNOW WHAT TO DO. 461 00:18:46,859 --> 00:18:48,328 I GOT IT. I GOT IT. 462 00:18:48,361 --> 00:18:51,731 [gunshots] 463 00:18:51,764 --> 00:18:52,799 THIS WAY, THIS WAY. 464 00:18:52,832 --> 00:18:54,367 STARBOARD, STARBOARD, THAT WAY. 465 00:18:54,401 --> 00:18:56,403 - IT DOES THE OPPOSITE OF WHAT I'M TELLING IT TO DO. 466 00:18:56,436 --> 00:18:58,471 OOH, LABRADOODLE. 467 00:18:58,505 --> 00:19:01,208 [gunfire] 468 00:19:11,984 --> 00:19:13,620 - WHAT THE HELL ARE YOU DOING? 469 00:19:16,756 --> 00:19:20,227 [engine sputtering] 470 00:19:38,345 --> 00:19:39,779 - ENGINE TROUBLE? 471 00:19:46,986 --> 00:19:48,855 - UH-OH. 472 00:20:05,538 --> 00:20:06,906 - WE WERE HOME WHEN WE GOT THE CALL. 473 00:20:06,939 --> 00:20:08,675 WE ALMOST GOT LOST FINDING THIS PLACE. 474 00:20:08,708 --> 00:20:09,876 WHAT HAPPENED? 475 00:20:09,909 --> 00:20:11,911 - I'M SO SORRY, SHAWN. WE GOT AN I.D. 476 00:20:11,944 --> 00:20:13,313 IT'S DESPEREAUX. 477 00:20:13,346 --> 00:20:14,781 BUT THE GOOD NEWS IS THE CRATE 478 00:20:14,814 --> 00:20:16,916 IS EXACTLY WHERE YOU SAID IT WOULD BE 479 00:20:16,949 --> 00:20:18,651 IN THE FACTORY ALONG WITH ALL OF THE OTHER PAINTINGS. 480 00:20:18,685 --> 00:20:20,253 THE MUSEUM'S GOING TO BE ECSTATIC. 481 00:20:20,287 --> 00:20:21,454 - STRONG RALLY, SPENCER. 482 00:20:21,488 --> 00:20:23,923 JUST A FEW HOURS, AND THE GUILTY PARTY 483 00:20:23,956 --> 00:20:25,925 IS ALREADY BLOWN TO SMITHEREENS. 484 00:20:25,958 --> 00:20:27,427 - DESPEREAUX DIDN'T DO THIS. 485 00:20:27,460 --> 00:20:30,263 - OF COURSE HE DIDN'T. WHY WOULD I THINK HE DID? 486 00:20:30,297 --> 00:20:31,731 I MEAN, WE FOUND HIM, WELL, PARTS OF HIM 487 00:20:31,764 --> 00:20:33,833 300 YARDS FROM THE STOLEN GOODS. 488 00:20:33,866 --> 00:20:35,735 I MEAN, IT'S CIRCUMSTANTIAL AT BEST. 489 00:20:35,768 --> 00:20:36,969 - CARLTON. 490 00:20:37,003 --> 00:20:39,739 - LOOK, THE IMPORTANT THING IS THAT WE SAVED THE TAXPAYERS 491 00:20:39,772 --> 00:20:40,840 THOUSANDS OF DOLLARS, 492 00:20:40,873 --> 00:20:43,443 AND I'VE GOT A NEW SLOT ON MY HOME MOST WANTED WALL. 493 00:20:43,476 --> 00:20:45,778 GOOD-BYE, DESPEREAUX. HELLO, CAROLINE KAPICKI. 494 00:20:45,812 --> 00:20:47,314 MURDEROUS HOUSEWIFE FROM OJAI, 495 00:20:47,347 --> 00:20:48,781 WHO'S ALSO KIND OF A LOOKER, SO...THAT'S A PLUS. 496 00:20:48,815 --> 00:20:50,617 - LASSITER, PLEASE, PRETEND YOU'RE A PERSON. 497 00:20:50,650 --> 00:20:51,884 - RIGHT. 498 00:20:51,918 --> 00:20:55,588 SPENCER, I AM SORRY FOR YOUR LOSS. 499 00:20:55,622 --> 00:20:56,756 BUT DESPEREAUX WAS CRIMINAL TRASH, 500 00:20:56,789 --> 00:21:00,059 SO ESSENTIALLY THAT MEANS I WIN. 501 00:21:00,092 --> 00:21:02,562 - DESPEREAUX DIDN'T DO IT, JULES. 502 00:21:02,595 --> 00:21:04,397 YOU'RE LOOKING FOR A DARK-HAIRED WOMAN 503 00:21:04,431 --> 00:21:05,665 NAMED JACQUELINE. 504 00:21:05,698 --> 00:21:08,601 - WOW, THAT'S SO SPECIFIC. 505 00:21:08,635 --> 00:21:10,337 I'LL LOOK INTO IT. 506 00:21:23,550 --> 00:21:24,984 - MR. DESPEREAUX'S BELONGINGS 507 00:21:25,017 --> 00:21:28,321 WILL THEREFORE BE DISTRIBUTED IN THE FOLLOWING MANNER. 508 00:21:28,355 --> 00:21:30,590 - I'M SORRY, YOU'RE HERE FOR A WILL READING? 509 00:21:30,623 --> 00:21:31,991 SHOULDN'T THIS BE AT YOUR OFFICE 510 00:21:32,024 --> 00:21:33,893 OR IN A ROOM FULL OF FAMILY AND FRIENDS? 511 00:21:33,926 --> 00:21:36,429 - SADLY, MR. DESPEREAUX DID NOT HAVE THE BENEFIT 512 00:21:36,463 --> 00:21:38,398 OF CLOSE FAMILY AND FRIENDS. 513 00:21:38,431 --> 00:21:39,932 MR. SPENCER, IF I MAY SPEAK CANDIDLY, 514 00:21:39,966 --> 00:21:42,869 YOU WERE REALLY HIS ONLY FRIEND. 515 00:21:42,902 --> 00:21:45,104 HE LEFT YOU THE BULK OF HIS POSSESSIONS. 516 00:21:45,137 --> 00:21:46,873 - NO, NO, NO, THANK YOU. 517 00:21:46,906 --> 00:21:48,608 THOSE ARE INSTRUMENTS OF CRIME 518 00:21:48,641 --> 00:21:50,009 AND PROBABLY ALL STOLEN. 519 00:21:50,042 --> 00:21:51,611 - I'LL TAKE THIS THOUGH. - YOU CAN'T HAVE IT. 520 00:21:51,644 --> 00:21:53,613 - WHAT ARE YOU, MY BOSS? - I'M YOUR CONSCIENCE. 521 00:21:53,646 --> 00:21:55,382 - TONY COX IS MY CONSCIENCE! - WHAT? 522 00:21:55,415 --> 00:21:57,884 - THERE'S THE MATTER OF MR. DESPEREAUX'S CASH ACCOUNTS, 523 00:21:57,917 --> 00:22:00,119 ALL OF WHICH WERE WILLED TO PSYCH. 524 00:22:00,152 --> 00:22:02,088 - HE WAS AN AMAZING MAN. 525 00:22:02,121 --> 00:22:03,890 - I KEEP THIS THEN. 526 00:22:03,923 --> 00:22:05,492 - THAT'S PACKING MATERIAL. 527 00:22:05,525 --> 00:22:08,094 - YOU HAVE YOUR VALUE SYSTEM, AND I HAVE MINE. 528 00:22:08,127 --> 00:22:10,397 - MOST IMPORTANTLY, THERE'S THE MATTER 529 00:22:10,430 --> 00:22:12,499 OF THE EULOGY. 530 00:22:12,532 --> 00:22:14,901 THIS WOULD SEEM TO INDICATE TO ME 531 00:22:14,934 --> 00:22:16,769 THAT YOU, MR. SPENCER, 532 00:22:16,803 --> 00:22:18,505 ARE THE ONE MOST SUITED FOR IT. 533 00:22:18,538 --> 00:22:20,039 - OF COURSE, OF COURSE. 534 00:22:20,072 --> 00:22:22,041 NOW WHEN DO WE GET OUR MONEY? 535 00:22:22,074 --> 00:22:24,511 - WELL, MOST OF MR. DESPEREAUX'S ACCOUNTS 536 00:22:24,544 --> 00:22:26,479 WERE FROZEN WHEN THE TRIAL BEGAN. 537 00:22:26,513 --> 00:22:27,580 - CAN'T DO IT, GUS. 538 00:22:27,614 --> 00:22:29,081 - YOU CAN GET YOUR MONEY ANY WAY YOU WANT IT, SHAWN. 539 00:22:29,115 --> 00:22:31,083 EXCEPT FOR NICKELS. I WILL NOT ALLOW THAT AGAIN. 540 00:22:31,117 --> 00:22:32,018 - I CAN'T DO THE EULOGY. 541 00:22:32,051 --> 00:22:33,853 - DO NOT INSULT THE MAN. OF COURSE YOU CAN. 542 00:22:33,886 --> 00:22:35,422 OF COURSE HE CAN. 543 00:22:35,455 --> 00:22:37,490 - IT'S TOO REAL. 544 00:22:37,524 --> 00:22:38,658 IT'S TOO SOON. 545 00:22:41,761 --> 00:22:44,597 - CAN WE DELAY THE FUNERAL? - ARE YOU SERIOUS? 546 00:22:44,631 --> 00:22:46,699 IT'S A MATTER OF... THE SMELL. 547 00:22:46,733 --> 00:22:48,668 - TOO STINKY, SHAWN. GET TO WRITING. 548 00:22:48,701 --> 00:22:49,936 - NO! 549 00:22:49,969 --> 00:22:51,871 I'M NOT GONNA GET UP IN FRONT OF 10,000 PEOPLE 550 00:22:51,904 --> 00:22:53,506 AND FACE THE REALITY OF THE GRIM REAPER. 551 00:22:53,540 --> 00:22:54,674 - 10,000? 552 00:22:54,707 --> 00:22:55,942 - DEPENDING ON WHICH ARENA WE BOOK. 553 00:22:55,975 --> 00:22:57,076 - YOU WERE THE ONLY FRIEND HE HAD, SHAWN. 554 00:22:57,109 --> 00:22:58,845 - MALE. 555 00:22:58,878 --> 00:22:59,979 MALE FRIEND. 556 00:23:00,012 --> 00:23:01,047 - EXCUSE ME. 557 00:23:01,080 --> 00:23:03,550 - HE HAD PLENTY OF FEMALE RELATIONSHIPS, BUT... 558 00:23:03,583 --> 00:23:04,817 - OH. 559 00:23:04,851 --> 00:23:05,985 - IT WOULD BE A SMALL CEREMONY. 560 00:23:06,018 --> 00:23:08,688 - OKAY, WELL, I WILL BE THERE, FRONT ROW. 561 00:23:08,721 --> 00:23:10,557 I WILL START THE WAVE IF NEED BE. 562 00:23:10,590 --> 00:23:12,191 - WELL, THAT FIGURES. 563 00:23:12,224 --> 00:23:13,826 THIS MAY BE SOMETHING THAT YOU CAN 564 00:23:13,860 --> 00:23:15,428 JUST DANCE IN THE FACE OF, GUS, 565 00:23:15,462 --> 00:23:17,430 BUT NOT ME. NOT ME! 566 00:23:17,464 --> 00:23:18,998 I WILL NOT STAND UP THERE 567 00:23:19,031 --> 00:23:21,167 AND TALK ABOUT THE TRAGEDY OF PIERRE'S LIFE. 568 00:23:21,200 --> 00:23:22,735 - TRAGEDY? 569 00:23:22,769 --> 00:23:24,103 - HE WAS ABOUT TO BE ACQUITTED, YOU FOOL. 570 00:23:24,136 --> 00:23:25,605 FOR THE FIRST TIME IN HIS LIFE, 571 00:23:25,638 --> 00:23:27,039 HE WASN'T GONNA BE ON THE RUN. 572 00:23:27,073 --> 00:23:28,608 - PARDON ME, BUT MR. DESPEREAUX 573 00:23:28,641 --> 00:23:30,109 WAS NOT ABOUT TO BE ACQUITTED. 574 00:23:30,142 --> 00:23:32,144 - YOU SHUT YOUR DRUNK MOUTH. 575 00:23:32,178 --> 00:23:33,713 HE TOLD ME AS MUCH. 576 00:23:33,746 --> 00:23:34,814 - WE WERE LOSING THAT TRIAL. 577 00:23:34,847 --> 00:23:35,982 I WAS TRYING TO MAKE A PLEA, 578 00:23:36,015 --> 00:23:39,018 BUT THE STATE WAS RELUCTANT BECAUSE WE HAD NO GROUNDS. 579 00:23:39,051 --> 00:23:40,653 - WHAT? 580 00:23:40,687 --> 00:23:42,889 NO, I'M-- 581 00:23:51,898 --> 00:23:55,101 - UH, WILL HE BE MIC'D? 582 00:24:00,039 --> 00:24:01,207 - WAIT, I NEED DESPEREAUX'S REMAINS. 583 00:24:01,240 --> 00:24:02,709 - I CAN'T SELL THEM TO YOU, SHAWN. 584 00:24:02,742 --> 00:24:04,110 I'M KIND OF ON PROBATION FOR THAT SORT OF THING. 585 00:24:04,143 --> 00:24:05,211 - I DON'T WANT TO OWN THEM. 586 00:24:05,244 --> 00:24:08,748 - GOOD, BECAUSE AS A HOBBY, IT IS VERY EXPENSIVE. 587 00:24:08,781 --> 00:24:10,483 - I JUST NEED TO SEE 'EM. 588 00:24:10,517 --> 00:24:11,818 - OKAY. 589 00:24:11,851 --> 00:24:13,553 BUT IT'S NOT AS FUN AS IT SEEMS. 590 00:24:18,758 --> 00:24:20,627 - FIRST THING IN THE MORNING? 591 00:24:20,660 --> 00:24:24,230 - YEAH, BUT YOU KNOW... IT'S 9:00 A.M. SOMEWHERE. 592 00:24:24,263 --> 00:24:25,765 - I'M GOOD. 593 00:24:25,798 --> 00:24:28,034 - YOU KNOW, I'M GOOD TOO. 594 00:24:31,738 --> 00:24:34,607 PIERRE DESPEREAUX. 595 00:24:34,641 --> 00:24:36,909 - WHAT, THAT'S IT? - THAT'S ENOUGH. 596 00:24:36,943 --> 00:24:39,646 CAUSE OF DEATH, DIABETES. 597 00:24:39,679 --> 00:24:42,181 I KID. HE EXPLODED. 598 00:24:42,214 --> 00:24:44,684 WE HAVE TEETH, PART OF A FOOT, 599 00:24:44,717 --> 00:24:46,953 HIS WALLET, AND ODDLY ENOUGH 600 00:24:46,986 --> 00:24:48,087 A HANDFUL OF GUS' THINGS. 601 00:24:48,120 --> 00:24:51,257 - [chuckles] 602 00:24:51,290 --> 00:24:53,593 - I DON'T KNOW THAT IT'S FUNNY. 603 00:24:53,626 --> 00:24:55,795 [both laugh] 604 00:24:55,828 --> 00:24:57,063 OKAY, MAYBE IT IS. 605 00:24:57,096 --> 00:24:58,731 - WOODY, WOODY, YOU DON'T UNDERSTAND. 606 00:24:58,765 --> 00:25:00,066 THIS ISN'T DESPEREAUX. 607 00:25:00,099 --> 00:25:02,669 - WHAT? - HE'S STILL ALIVE. 608 00:25:05,972 --> 00:25:07,840 - I'M PRETTY SURE THAT'S IMPOSSIBLE. 609 00:25:07,874 --> 00:25:09,809 - HIS TRIAL WAS GOING POORLY. 610 00:25:09,842 --> 00:25:11,644 HIS MONEY WAS FROZEN, 611 00:25:11,678 --> 00:25:13,613 AND THEN WE OFFERED TO LEAD HIM 612 00:25:13,646 --> 00:25:15,281 TO A CRATE OF STOLEN ART. 613 00:25:15,314 --> 00:25:18,618 SO HE FAKED HIS DEATH. 614 00:25:18,651 --> 00:25:20,252 HE'S STILL ALIVE. 615 00:25:20,286 --> 00:25:22,789 AND WE DON'T HAVE TO BE SAD. 616 00:25:22,822 --> 00:25:25,558 - SHAWN, I HAVE SOME BAD NEWS. 617 00:25:25,592 --> 00:25:26,893 I'M AFRAID THE DENTAL RECORDS MATCH. 618 00:25:26,926 --> 00:25:28,160 - NO. - YES. 619 00:25:28,194 --> 00:25:29,829 WE HAVE A PARTIAL PRINT, SHAWN. 620 00:25:29,862 --> 00:25:31,097 WE HAVE EVERYTHING BUT THE DNA, 621 00:25:31,130 --> 00:25:32,231 AND THAT WILL BE IN SHORTLY. 622 00:25:32,264 --> 00:25:33,232 IT'S HIM. 623 00:25:33,265 --> 00:25:36,703 - TRUST ME ON THIS ONE, WOODY. 624 00:25:36,736 --> 00:25:38,871 THERE IS ALWAYS A WAY. 625 00:25:42,642 --> 00:25:43,976 - SHAWN. - HEY! 626 00:25:44,010 --> 00:25:45,712 DON'T RAIN ON IT. I'VE GOT A PARADE GOING HERE. 627 00:25:45,745 --> 00:25:47,179 - SHAWN, I KNOW WHAT'S GOING ON. 628 00:25:47,213 --> 00:25:49,181 HE'S GONE. DEAL WITH IT. 629 00:25:49,215 --> 00:25:50,717 - HE'S NOT GONE! HE'S TOO GOOD. 630 00:25:50,750 --> 00:25:52,051 - YOU'VE BEEN HIDING FROM THE PAIN OF DEATH 631 00:25:52,084 --> 00:25:53,686 EVER SINCE YOU WERE A KID. 632 00:25:53,720 --> 00:25:55,688 LET IT HURT. IT'S GONNA HURT. 633 00:25:55,722 --> 00:25:57,990 - THE ONLY THING THAT'S GONNA HURT IS YOUR PRIDE 634 00:25:58,024 --> 00:26:02,729 WHEN I PROVE THAT DESPEREAUX IS STILL VERY MUCH ALIVE. 635 00:26:05,031 --> 00:26:06,699 - WHAT IF HE ISN'T? 636 00:26:13,673 --> 00:26:15,708 - WHAT ARE YOU DOING? 637 00:26:15,742 --> 00:26:17,309 - ADDING ANOTHER JOKE. 638 00:26:17,343 --> 00:26:20,012 - TO THE EULOGY? 639 00:26:20,046 --> 00:26:22,348 - PEOPLE DON'T LIKE DEALING WITH DEATH. 640 00:26:22,381 --> 00:26:24,617 OKAY, GUS? THEY WANT JOKES. 641 00:26:24,651 --> 00:26:25,852 THEY WANT JEFF GOLDBLUM IMPRESSIONS. 642 00:26:25,885 --> 00:26:29,756 THEY WANT...IRONIC JUXTAPOSITION OF RICK SPRINGFIELD LYRICS. 643 00:26:29,789 --> 00:26:31,624 - PLEASE DON'T SAY ANY OF THIS, SHAWN. 644 00:26:31,658 --> 00:26:34,060 - I'M NOT SAYING IT. I'M RAPPING IT. 645 00:26:34,093 --> 00:26:35,327 - WHAT IS WRONG WITH YOU? 646 00:26:35,361 --> 00:26:37,196 JUST YESTERDAY I COULDN'T SAY THE WORLD "DIED" 647 00:26:37,229 --> 00:26:38,631 WITHOUT YOU SHIVERING. 648 00:26:38,665 --> 00:26:39,666 - OKAY, FIRST OF ALL, DON'T EVER SAY THAT. 649 00:26:39,699 --> 00:26:42,902 SECONDLY, I'LL LET YOU IN ON A LITTLE SECRET. 650 00:26:42,935 --> 00:26:45,237 DESPEREAUX IS ALIVE. 651 00:26:45,271 --> 00:26:46,739 - THAT IS IMPOSSIBLE. - IT'S PERFECT. 652 00:26:46,773 --> 00:26:48,240 - I WATCHED HIM BLOW UP. 653 00:26:48,274 --> 00:26:49,776 - I DON'T KNOW HOW HE DID IT, GUS. 654 00:26:49,809 --> 00:26:52,111 BUT HOWEVER HE DID IT, THAT'S HOW HE DOES IT. 655 00:26:52,144 --> 00:26:53,780 IF WE LEARNED ANYTHING FROM F/X AND F/X2, 656 00:26:53,813 --> 00:26:55,648 IT'S THAT ANYTHING CAN BE FAKED... 657 00:26:55,682 --> 00:26:57,149 AND BRYAN BROWN CANNOT CARRY A MOVIE. 658 00:26:57,183 --> 00:26:58,785 - WHAT ABOUT FULL-BODY MASSAGE? 659 00:26:58,818 --> 00:27:00,352 - WE BOTH KNOW WHY WE RENTED THAT. 660 00:27:00,386 --> 00:27:02,121 - SHAWN, I DON'T THINK YOU'RE STAYING IN REALITY. 661 00:27:02,154 --> 00:27:03,222 - TRUST ME, GUS. 662 00:27:03,255 --> 00:27:05,792 WHY DO YOU THINK HE WANTED ME TO GIVE THE EULOGY? 663 00:27:05,825 --> 00:27:08,194 BECAUSE HE'S COMING. - HE'S NOT GONNA BE HERE. 664 00:27:08,227 --> 00:27:10,062 - HE MOST CERTAINLY IS. YOU WANNA KNOW WHY? 665 00:27:10,096 --> 00:27:11,430 BECAUSE THAT'S WHAT I WOULD DO. 666 00:27:11,463 --> 00:27:12,832 HA. 667 00:27:12,865 --> 00:27:15,034 I AM GIVING THIS SPEECH TO HIM. 668 00:27:15,067 --> 00:27:17,203 - DON'T YOU THINK YOUR TAKE ON THIS IS A LITTLE EASY? 669 00:27:17,236 --> 00:27:18,805 - EASY? 670 00:27:18,838 --> 00:27:21,440 YES, BUT LIFE IS EASY, GUS. 671 00:27:21,473 --> 00:27:22,975 IF YOU REALLY WANT IT TO BE. 672 00:27:29,081 --> 00:27:32,084 DESPEREAUX IS HERE. 673 00:27:32,118 --> 00:27:33,219 HE'S IN OUR HEARTS. 674 00:27:33,252 --> 00:27:35,354 MAYBE IN THESE PLANTS. 675 00:27:35,387 --> 00:27:38,324 AND MAYBE BEHIND THAT TREE OVER THERE. 676 00:27:38,357 --> 00:27:40,059 WHEREVER HE IS, I JUST WANT HIM TO KNOW 677 00:27:40,092 --> 00:27:43,362 THAT WE CAN ALL FEEL HIS PRESENCE, 678 00:27:43,395 --> 00:27:46,733 LISTENING TO EVERYTHING WE'RE SAYING. 679 00:27:46,766 --> 00:27:49,301 AH, IT'S LIKE MY DAD HERE ALWAYS SAYS, 680 00:27:49,335 --> 00:27:51,738 PLEASE, HELP ME WITH MY PANTS, 681 00:27:51,771 --> 00:27:53,973 FOR I CAN NO LONGER CONTROL MY BOWELS. 682 00:27:54,006 --> 00:27:55,307 - I DON'T SAY THAT. 683 00:27:55,341 --> 00:27:56,776 - COME ON UP HERE. - I DON'T WANNA. 684 00:27:56,809 --> 00:27:58,444 - COME ON, BRING ME MY ENVELOPE. 685 00:27:58,477 --> 00:28:00,780 IT'S GONNA CLEAR UP ALL KINDS OF MYSTERIES. 686 00:28:00,813 --> 00:28:02,782 GIVE IT UP, LADIES. 687 00:28:02,815 --> 00:28:04,183 AND...THAT DUDE IN THE THIRD ROW. 688 00:28:04,216 --> 00:28:05,718 HOW'D HE GET THE INVITE? 689 00:28:05,752 --> 00:28:07,219 I DIDN'T KNOW THERE WAS GONNA BE ANY-- 690 00:28:07,253 --> 00:28:08,487 MY DAD! 691 00:28:08,520 --> 00:28:10,189 MY DAD. 692 00:28:10,222 --> 00:28:12,759 HE'S ALMOST ALWAYS WRONG. 693 00:28:12,792 --> 00:28:15,928 - HE CRIED AT BENJI: THE HUNTED. 694 00:28:15,962 --> 00:28:18,197 - IT'S BECAUSE HE WAS BEING HUNTED. 695 00:28:18,230 --> 00:28:20,132 - HE'S AFRAID OF RACCOONS. 696 00:28:20,166 --> 00:28:23,469 - BECAUSE THEY'RE TERRIFYING AND WEAR LITTLE MASKS. 697 00:28:23,502 --> 00:28:25,337 - THEY ARE. 698 00:28:25,371 --> 00:28:27,106 - THE GOLDEN GLOBE GOES TO... 699 00:28:27,139 --> 00:28:29,075 ANGELINA JOLIE... 700 00:28:29,108 --> 00:28:31,077 FOR THE TOURIST. [laughs] 701 00:28:31,110 --> 00:28:32,845 JUST KIDDING. WE ALL KNOW SHE DIDN'T WIN. 702 00:28:32,879 --> 00:28:34,080 SHE SHOULD'VE. 703 00:28:34,113 --> 00:28:36,348 - NOPE. - SHE WAS ROBBED. 704 00:28:36,382 --> 00:28:37,984 [clears throat] 705 00:28:45,357 --> 00:28:47,159 THIS CAN'T-- THIS CAN'T BE RIGHT. 706 00:28:50,396 --> 00:28:52,765 HE'S DEAD. 707 00:28:52,799 --> 00:28:53,933 HE'S-- 708 00:28:53,966 --> 00:28:56,102 UH... 709 00:28:56,135 --> 00:29:00,106 I'VE NEVER--I'VE NEVER LOST ANYONE CLOSE TO ME BEFORE 710 00:29:00,139 --> 00:29:01,440 IN MY ENTIRE LIFE. 711 00:29:01,473 --> 00:29:04,844 UM... 712 00:29:04,877 --> 00:29:06,979 JESUS, HOW STUPID SAD IS THIS? 713 00:29:07,013 --> 00:29:09,315 PEOPLE DIE. 714 00:29:09,348 --> 00:29:10,917 IT'S AWFUL. 715 00:29:10,950 --> 00:29:12,384 AND UNFAIR. 716 00:29:12,418 --> 00:29:15,454 AND--AND, OH, MY GOD, GUS IS GONNA DIE. 717 00:29:15,487 --> 00:29:16,789 - I'M NOT GONNA DIE, SHAWN. 718 00:29:16,823 --> 00:29:18,991 - YOU ARE. SOON. 719 00:29:19,025 --> 00:29:22,261 DEFINITELY BEFORE ME IF STATISTICS PROVE CORRECT. 720 00:29:22,294 --> 00:29:25,497 WHICH IS SO WRONG, BECAUSE I'M PRACTICALLY ASKING FOR IT. 721 00:29:25,531 --> 00:29:27,433 - PEOPLE ARE GONNA MISS ME SO MUCH. 722 00:29:30,036 --> 00:29:32,138 - MY DAD SAID THIS WOULD HAPPEN. 723 00:29:32,171 --> 00:29:35,141 I GUESS I WAS WRONG, AND I SHOULD SAY THAT NOW 724 00:29:35,174 --> 00:29:38,544 BECAUSE GOD KNOWS YOUR MINUTES ARE SEVERELY LIMITED. 725 00:29:38,577 --> 00:29:41,780 [sobs] 726 00:29:50,422 --> 00:29:53,025 - SORRY TO HEAR ABOUT YOUR FRIEND. 727 00:29:53,059 --> 00:29:55,294 YOU MUST HAVE BEEN SHOCKED. 728 00:29:55,327 --> 00:29:59,966 - YEAH, YEAH, AND SO UNNECESSARY. 729 00:29:59,999 --> 00:30:01,500 - OH, VICTIM OF FOUL PLAY. 730 00:30:01,533 --> 00:30:03,302 - GEE, I WONDER WHO COULD HAVE DONE IT. 731 00:30:03,335 --> 00:30:04,904 - I DON'T KNOW. 732 00:30:04,937 --> 00:30:08,007 BUT I BET SHE KINDA LIKED THE LOOK ON HIS FACE 733 00:30:08,040 --> 00:30:10,009 AS HE BLEW UP. 734 00:30:10,042 --> 00:30:12,178 NO ONE CROSSES ME. 735 00:30:12,211 --> 00:30:14,113 I BELIEVE YOU HAVE SOMETHING OF MINE. 736 00:30:14,146 --> 00:30:16,048 - DID I BORROW YOUR SOCKS? 737 00:30:16,082 --> 00:30:18,150 - WE SCOURED THE BOTTOM OF THE LAKE AND THE WRECKAGE, 738 00:30:18,184 --> 00:30:19,451 AND IT WAS NOWHERE TO BE FOUND, 739 00:30:19,485 --> 00:30:21,520 WHICH MEANS IT CAN ONLY BE IN ONE PLACE. 740 00:30:21,553 --> 00:30:22,922 - DAVID LEE ROTH'S BEACH HOUSE. 741 00:30:22,955 --> 00:30:24,023 - GIVE ME THE DAGGER. 742 00:30:24,056 --> 00:30:25,591 - I DON'T HAVE IT. - REALLY? 743 00:30:25,624 --> 00:30:28,360 IT LOOKS A LITTLE SOMETHING LIKE THIS. 744 00:30:28,394 --> 00:30:30,462 DO YOU NEED A CLOSER LOOK? 745 00:30:30,496 --> 00:30:33,065 - WHAT IS THIS, YOU SHOW ME YOURS, I SHOW YOU MINE? 746 00:30:33,099 --> 00:30:35,467 - MAYBE. 747 00:30:35,501 --> 00:30:37,436 - HEY, SHAWN, YOU BACK HERE? 748 00:30:37,469 --> 00:30:39,105 OH, SHAWN, THERE YOU ARE. 749 00:30:39,138 --> 00:30:40,239 - TALK TO YOU LATER. 750 00:30:40,272 --> 00:30:42,341 - WHAT'S GOING ON? 751 00:30:42,374 --> 00:30:44,476 - OH, CRAP. 752 00:30:44,510 --> 00:30:48,447 - SERIOUSLY, SPENCER, WORST EULOGY EVER. 753 00:30:48,480 --> 00:30:50,449 IT WAS HILARIOUS, PATHETIC AT THE SAME TIME 754 00:30:50,482 --> 00:30:51,650 FOR ALL THE WRONG REASONS. 755 00:30:51,683 --> 00:30:53,352 - WHO WAS THAT? - JACQUELINE MEDEIROS. 756 00:30:53,385 --> 00:30:54,353 - THE WOMAN WHO BROKE INTO THE MUSEUM? 757 00:30:54,386 --> 00:30:55,487 - YES. - AND SHE LIES. 758 00:30:55,521 --> 00:30:58,157 ARREST HER. - YOU HAVE PROOF OF THIS? 759 00:30:58,190 --> 00:31:00,192 I GOTTA GO. 760 00:31:03,195 --> 00:31:04,596 - WHAT THE HELL HAPPENED? 761 00:31:04,630 --> 00:31:06,532 AND WHY DOES SHE THINK WE HAVE THE DAGGER? 762 00:31:06,565 --> 00:31:08,467 - OH, I DON'T KNOW. 763 00:31:08,500 --> 00:31:13,172 MAYBE... 764 00:31:13,205 --> 00:31:14,573 BECAUSE OF THIS. 765 00:31:14,606 --> 00:31:16,175 - YOU HAD THAT IN YOUR PANTS? 766 00:31:16,208 --> 00:31:18,044 - I SWIPED IT OFF DESPEREAUX AT THE BUCKET 767 00:31:18,077 --> 00:31:20,012 BEFORE WE SPLIT OFF. YOU KNOW WHAT THAT MEANS. 768 00:31:20,046 --> 00:31:21,513 - YOU'RE NOT GOING AFTER THE CORE COLLECTION, ARE YOU? 769 00:31:21,547 --> 00:31:23,382 - NO. WE ARE. 770 00:31:23,415 --> 00:31:25,517 WE'RE GONNA MAKE SURE DESPEREAUX DIDN'T DIE IN VAIN. 771 00:31:25,551 --> 00:31:27,353 - OH, NO, WE'RE NOT. GIVE ME THAT. 772 00:31:27,386 --> 00:31:28,520 I'M TAKING IT TO THE POLICE. 773 00:31:28,554 --> 00:31:30,122 - NO WAY. NO WAY. 774 00:31:30,156 --> 00:31:32,491 THAT DASTARDLY WOMAN KILLED THE COOLEST MAN ON EARTH 775 00:31:32,524 --> 00:31:34,393 OVER THIS TREASURE, AND I WILL NOT LET HER 776 00:31:34,426 --> 00:31:35,661 GET THERE FIRST, GUS. 777 00:31:35,694 --> 00:31:37,129 THERE IS NOTHING IN THE WORLD 778 00:31:37,163 --> 00:31:38,464 THAT WOULD MAKE ME GIVE THIS BACK. 779 00:31:38,497 --> 00:31:40,399 - I WILL SLUG YOU IN THE FACE CARTILAGE, SHAWN. 780 00:31:40,432 --> 00:31:43,535 - HERE WE GO. BACK TO THIS. 781 00:31:43,569 --> 00:31:46,305 ALL RIGHT, YOU KNOW WHAT, DO IT. 782 00:31:46,338 --> 00:31:47,239 I'M BEGGING YOU. 783 00:31:47,273 --> 00:31:50,209 I AM BEGGING YOU TO GIVE ME YOUR BEST SHOT. 784 00:31:50,242 --> 00:31:53,312 - REALLY? - YEAH. 785 00:31:53,345 --> 00:31:54,580 OW! 786 00:31:54,613 --> 00:31:56,582 THAT HURTS LIKE THE DICKENS. 787 00:31:56,615 --> 00:31:58,284 - WELL. 788 00:31:58,317 --> 00:31:59,685 - I WILL STRIKE YOU BACK. 789 00:31:59,718 --> 00:32:01,954 - I DARE YOU. I DOUBLE DOG DARE YOU. 790 00:32:01,988 --> 00:32:04,590 I TRIPLE DOG DARE YOU. AH! 791 00:32:04,623 --> 00:32:06,025 YOU WENT FROM LOW TO HIGH. 792 00:32:06,058 --> 00:32:07,326 - YOU WERE READY FOR THAT. 793 00:32:09,395 --> 00:32:10,963 THAT'S YOUR PROBLEM, GUS. 794 00:32:10,997 --> 00:32:12,498 YOU BROUGHT A FUNERAL PROGRAM TO A KNIFE FIGHT. 795 00:32:12,531 --> 00:32:14,566 COME ON. COME ON, BABY GIRL. 796 00:32:14,600 --> 00:32:16,702 - YOU WANT TO BUMBLE WITH THE BEE, HUH? 797 00:32:16,735 --> 00:32:19,038 - BZZZ. 798 00:32:19,071 --> 00:32:20,172 WHAT'S THIS? WHAT IS THAT? 799 00:32:20,206 --> 00:32:22,508 WHAT IS THAT? 800 00:32:22,541 --> 00:32:24,410 - [laughs] 801 00:32:24,443 --> 00:32:26,178 AH! 802 00:32:28,114 --> 00:32:30,482 [both grunting] 803 00:32:34,620 --> 00:32:36,188 CAMEL CLUTCH. TAKE THAT. 804 00:32:36,222 --> 00:32:37,523 ASK HIM, REF. ASK HIM. 805 00:32:37,556 --> 00:32:38,624 - [groaning] 806 00:32:41,127 --> 00:32:45,331 - DON'T EVEN TRY IT. 807 00:32:45,364 --> 00:32:48,334 [both grunting] 808 00:32:48,367 --> 00:32:50,036 - AH, WHAT IS HAPPENING? 809 00:32:50,069 --> 00:32:51,437 - I DON'T KNOW! AHH! 810 00:32:51,470 --> 00:32:54,006 - YOU BIT ME. WHAT IS WRONG WITH YOU? 811 00:32:56,375 --> 00:32:58,477 - WE ARE GOING ON A TREASURE HUNT! 812 00:32:58,510 --> 00:33:00,246 - OH, NO, WE'RE NOT. 813 00:33:02,348 --> 00:33:04,516 [groaning] 814 00:33:08,254 --> 00:33:09,621 - DUDE, YOU BROKE IT. 815 00:33:09,655 --> 00:33:13,359 - YOU BROKE IT... 'CAUSE YOU WOULDN'T LET IT GO. 816 00:33:13,392 --> 00:33:15,094 - WAIT A MINUTE. 817 00:33:15,127 --> 00:33:16,762 THIS BROKE OFF WAY TOO CLEANLY. 818 00:33:16,795 --> 00:33:18,597 ALMOST LIKE IT WAS SUPPOSED TO. 819 00:33:18,630 --> 00:33:21,767 - IT DIDN'T BREAK. THAT PIECE IS A CAP. 820 00:33:21,800 --> 00:33:25,104 AND THIS ISN'T A DAGGER. 821 00:33:29,308 --> 00:33:31,310 - IT'S A KEY. 822 00:33:37,583 --> 00:33:40,186 - WHAT CAN YOU TELL US ABOUT THE CORE COLLECTION? 823 00:33:40,219 --> 00:33:42,421 - IT DOESN'T EXIST. - WHAT IF IT DID? 824 00:33:42,454 --> 00:33:43,655 - BUT IT DOESN'T. 825 00:33:43,689 --> 00:33:46,758 - HAVE YOU EVER SEEN A KEY LIKE THIS? 826 00:33:46,792 --> 00:33:48,694 - YES. WHERE DID YOU GET THIS? 827 00:33:48,727 --> 00:33:51,163 - UH, I DREW THAT. - REALLY? 828 00:33:51,197 --> 00:33:53,465 YES, IT'S A PRESSURE POINT KEY. 829 00:33:53,499 --> 00:33:55,234 IT DOESN'T TWIST. 830 00:33:55,267 --> 00:33:58,437 IT DISENGAGES THE LOCK BY INSERTION. 831 00:33:58,470 --> 00:34:00,572 - NOW THAT'S A SEXY IDEA FOR A KEY. 832 00:34:00,606 --> 00:34:03,142 - IT'S DESIGNED FOR A LOCK THAT YOU CANNOT SEE 833 00:34:03,175 --> 00:34:04,543 DEEP INSIDE SOMETHING ELSE. 834 00:34:04,576 --> 00:34:06,212 - LIKE IN A CAKE. 835 00:34:06,245 --> 00:34:07,179 - NO. 836 00:34:07,213 --> 00:34:11,517 MORE LIKE A SECRET WALL INSIDE AN OLD SAFE. 837 00:34:11,550 --> 00:34:14,253 DO YOU HAVE MORE OF THESE PICTURES? 838 00:34:14,286 --> 00:34:17,523 - UH, I'M NOT CLOTHED IN MANY OF THESE. 839 00:34:17,556 --> 00:34:18,757 - THE KEY, BY THE WAY, 840 00:34:18,790 --> 00:34:21,127 WOULD BE ATTACHED TO SOME SORT OF POST. 841 00:34:21,160 --> 00:34:23,329 - OR A DAGGER? HYPOTHETICALLY. 842 00:34:23,362 --> 00:34:24,730 - HYPOTHETICALLY, YES. 843 00:34:24,763 --> 00:34:26,132 - SO WOULD YOU SAY THESE LOCKS WERE MADE 844 00:34:26,165 --> 00:34:29,501 AROUND, UM... 845 00:34:29,535 --> 00:34:31,603 - GET THERE. - THE CIVIL WAR? 846 00:34:31,637 --> 00:34:33,339 - OH, NO, NO, NO, NO. 847 00:34:33,372 --> 00:34:37,209 NO, I WOULD SAY THAT WAS 1920s. 848 00:34:37,243 --> 00:34:38,610 - HAVE YOU EVER SEEN A LOCK LIKE THAT BEFORE? 849 00:34:38,644 --> 00:34:41,547 - AS A MATTER OF FACT, I HAVE, YES. 850 00:34:41,580 --> 00:34:42,781 AT MR. YERDEN'S ESTATE. 851 00:34:42,814 --> 00:34:44,483 THAT WAS BUILT IN THE 1920s. 852 00:34:44,516 --> 00:34:46,152 HAVE YOU EVER TAKEN THE TOUR? 853 00:34:46,185 --> 00:34:48,320 - NO, WE HAVE NOT, BUT WE WILL NOW. 854 00:34:48,354 --> 00:34:50,122 - GOOD. ENJOY. 855 00:34:50,156 --> 00:34:51,723 DON'T HURRY BACK. 856 00:34:56,528 --> 00:34:59,598 - THERE IS A LOCK BURIED IN A WALL SOMEWHERE AROUND HERE 857 00:34:59,631 --> 00:35:01,867 WITH AN OPENING THAT MATCHES THIS DAGGER PERFECTLY. 858 00:35:01,900 --> 00:35:03,302 - WILL YOU PUT THAT AWAY? 859 00:35:03,335 --> 00:35:04,836 - OH, STOP WORRYING. 860 00:35:04,870 --> 00:35:07,506 GONNA BLEND. NOBODY'S GONNA--AH! 861 00:35:07,539 --> 00:35:11,377 AH--NOTICE US. 862 00:35:11,410 --> 00:35:12,378 - NO FOOD. 863 00:35:12,411 --> 00:35:13,512 - I DON'T HAVE ANY FOOD. 864 00:35:13,545 --> 00:35:15,614 - I SMELL IT. [sniffs] 865 00:35:15,647 --> 00:35:19,151 - [sniffs] CHEETOS. 866 00:35:19,185 --> 00:35:21,287 - ALL RIGHT, FINE. IT'S JUST A SNACK. 867 00:35:21,320 --> 00:35:23,655 AND A BAG OF FRUIT PUNCH. BUT DON'T WORRY, IT WON'T SPILL. 868 00:35:23,689 --> 00:35:26,592 - NO FOOD! DRINKS...SMOKING. 869 00:35:26,625 --> 00:35:28,627 [whispering] FLASH PICTURES. [louder] HEELED SHOES. 870 00:35:28,660 --> 00:35:32,264 HAND LOTIONS. OFFENSIVE COLOGNES. 871 00:35:32,298 --> 00:35:35,534 MINNESOTANS. TATTOOS WITH WOLVES. 872 00:35:35,567 --> 00:35:37,203 EXPOSED LIPOSUCTION SCARS. 873 00:35:37,236 --> 00:35:39,905 LAPBANDS. HAIR EXTENSIONS, LOUD NOISES. 874 00:35:39,938 --> 00:35:41,940 SURPRISING GESTURES. 875 00:35:41,973 --> 00:35:45,311 BODILY...FLUIDS. 876 00:35:45,344 --> 00:35:47,546 - ALL RIGHT, I'LL LOSE THE CHEETOS. 877 00:35:47,579 --> 00:35:49,815 - I'VE ALREADY DISPOSED OF THEM. 878 00:35:49,848 --> 00:35:52,418 - [pats down pockets] 879 00:35:52,451 --> 00:35:55,221 - I DO NOT REPEAT, SO YOU MUST LISTEN. 880 00:35:55,254 --> 00:35:56,455 CONTRARY TO POPULAR BELIEF, 881 00:35:56,488 --> 00:35:58,824 THERE IS SUCH A THING AS A DUMB QUESTION. 882 00:35:58,857 --> 00:36:01,693 I'LL ASSUME MANY OF YOU HAVE COMPLETED THE THIRD GRADE. 883 00:36:01,727 --> 00:36:04,396 IF AT ANY TIME YOU'RE CONFUSED BY SOMETHING THAT YOU HEAR, 884 00:36:04,430 --> 00:36:06,932 RIGHT, THERE'S A BOOK IN THE GIFT SHOP TO HELP YOU. 885 00:36:06,965 --> 00:36:09,935 IT'S CALLED THE DICTIONARY. OPEN IT UP ONCE IN A WHILE. 886 00:36:09,968 --> 00:36:11,570 NOW WHO'S READY TO HAVE A GOOD TIME? 887 00:36:11,603 --> 00:36:13,772 TRY AND KEEP YOUR LOWER LIP FROM DROPPING TO YOUR WAIST 888 00:36:13,805 --> 00:36:16,575 DURING THE PARTS WITH MULTIPLE SYLLABLES. 889 00:36:22,914 --> 00:36:24,683 MR. YERDEN SPENT THE BULK OF HIS LIFE 890 00:36:24,716 --> 00:36:27,453 ACQUIRING THE RARE WORKS OF ART AND PRICELESS ARTIFACTS 891 00:36:27,486 --> 00:36:30,456 THAT YOU SEE-- BUT DO NOT TOUCH--HERE. 892 00:36:30,489 --> 00:36:33,725 MR. YERDEN ALSO DABBLED IN PAINTING HIMSELF, 893 00:36:33,759 --> 00:36:35,861 BUT WE WERE NEVER FORTUNATE ENOUGH TO SEE HIS WORKS 894 00:36:35,894 --> 00:36:37,996 AS HE KEPT THEM TO HIMSELF. 895 00:36:38,029 --> 00:36:40,599 DO YOU NEED FLASH CARDS? LET'S GO. 896 00:36:40,632 --> 00:36:42,701 LET'S GO. 897 00:36:46,305 --> 00:36:47,606 - DAMN IT. 898 00:36:47,639 --> 00:36:49,908 - THE GRANITE IN EACH HANDLE ON THE ESTATE 899 00:36:49,941 --> 00:36:51,743 COMES FROM A QUARRY ON THE SAME SITE 900 00:36:51,777 --> 00:36:54,480 AS ONE OF MR. YERDEN'S GREATEST DISCOVERIES. 901 00:36:54,513 --> 00:36:56,615 EVEN HIS CRYPT, RIGHT HERE ON THE GROUNDS, 902 00:36:56,648 --> 00:36:58,384 IS MADE OF THE MATERIAL. 903 00:36:58,417 --> 00:37:00,552 - UH, UH. 904 00:37:00,586 --> 00:37:02,888 OH, WHAT ARE, UH... 905 00:37:02,921 --> 00:37:04,523 PILLOWS? 906 00:37:04,556 --> 00:37:06,958 - YOU KNOW, I HAVE A QUESTION AS WELL. 907 00:37:06,992 --> 00:37:08,294 WHAT IS WRONG WITH YOU? 908 00:37:08,327 --> 00:37:11,630 - I MEAN, WHAT I MEANT TO SAY WAS: 909 00:37:11,663 --> 00:37:15,301 WHAT MADE MR. YERDEN CHOOSE THESE PARTICULAR PILLOWS? 910 00:37:16,702 --> 00:37:21,340 - YOU KNOW, IF YOU WANNA ASK AN UNANSWERABLE QUESTION, 911 00:37:21,373 --> 00:37:24,776 ASK YOURSELF WHY YOU CHOSE TO WEAR THAT SHIRT. 912 00:37:24,810 --> 00:37:26,745 NOW...IS THE DUM-DUM SHOW OVER 913 00:37:26,778 --> 00:37:29,781 SO WE CAN GET TO BIG FOLKS TALK? 914 00:37:29,815 --> 00:37:32,318 REALLY? 915 00:37:32,351 --> 00:37:34,520 - CAN WE GET OUTTA HERE? I'M EXHAUSTED. 916 00:37:34,553 --> 00:37:36,388 YOU STABBED EVERYTHING IN THIS MAN'S HOUSE. 917 00:37:36,422 --> 00:37:37,923 - I DON'T GET IT, GUS. 918 00:37:37,956 --> 00:37:39,525 MAYBE THE KEY FITS SOMEWHERE ELSE. 919 00:37:39,558 --> 00:37:40,926 - MAYBE THE KEY FITS NOTHING. 920 00:37:40,959 --> 00:37:43,061 MAYBE IT WAS ALL AN INVENTION. 921 00:37:43,094 --> 00:37:44,530 IF I'VE LEARNED NOTHING FROM THIS TOUR, 922 00:37:44,563 --> 00:37:46,998 IT'S THAT YERDEN WAS AN EGOMANIAC. 923 00:37:47,032 --> 00:37:49,901 I'LL BET HE'S LAUGHING IN HIS GRANITE-COATED CRYPT RIGHT NOW. 924 00:37:49,935 --> 00:37:51,970 WHAT? 925 00:38:10,121 --> 00:38:12,057 - GUS. 926 00:38:25,471 --> 00:38:26,705 THIS IS IT. 927 00:38:26,738 --> 00:38:27,973 - WHAT, THE SWITCH TO THE WATER FOUNTAIN? 928 00:38:28,006 --> 00:38:29,575 - NO, NO, NO, I HEARD SOMETHING. 929 00:38:29,608 --> 00:38:31,009 THE GROUND RUMBLED. THIS IS IT. 930 00:38:31,042 --> 00:38:32,578 - YOU DON'T KNOW WHAT YOU HEARD, SHAWN. 931 00:38:32,611 --> 00:38:33,845 STOP IT. 932 00:38:33,879 --> 00:38:35,981 - [screams] 933 00:38:37,148 --> 00:38:38,584 - HEY. 934 00:38:38,617 --> 00:38:39,851 - BANNED FOR LIFE. 935 00:38:39,885 --> 00:38:41,920 DID THEY REALLY HAVE TO FINGERPRINT US FOR THAT? 936 00:38:46,892 --> 00:38:50,095 CHEETOS. 937 00:38:52,431 --> 00:38:53,865 - I KNOW WHAT THAT KEY OPENED. 938 00:38:59,405 --> 00:39:00,739 WOW. 939 00:39:00,772 --> 00:39:05,544 THAT SLY OLD BASTARD. 940 00:39:05,577 --> 00:39:07,979 DUDE, THERE'S A CENTIPEDE ON YOUR SHIRT. 941 00:39:14,753 --> 00:39:17,088 GUS. 942 00:39:17,122 --> 00:39:19,558 THIS IS IT. 943 00:39:19,591 --> 00:39:21,760 WE JUST GOTTA FIGURE OUT HOW TO OPEN IT. 944 00:39:21,793 --> 00:39:23,429 - THIS IS A TRAP, SHAWN. 945 00:39:23,462 --> 00:39:24,830 YOU PUSH THE WRONG THING, 946 00:39:24,863 --> 00:39:27,132 AND A GIANT ROCK COMES SPINNING THROUGH HERE 947 00:39:27,165 --> 00:39:28,700 OR SPIKES COME OUT OF THE CEILING, 948 00:39:28,734 --> 00:39:30,001 AND THE NEXT THING I KNOW, 949 00:39:30,035 --> 00:39:31,870 I'M THE SKELETON LOCKED IN A PERPETUAL SCREAM 950 00:39:31,903 --> 00:39:34,039 THAT'S MEANT TO SCARE SOME DUDE 100 YEARS LATER 951 00:39:34,072 --> 00:39:35,607 FOR THE JOKE. 952 00:39:35,641 --> 00:39:40,045 MY SKELETON IS NOT GONNA BE A PUNCH LINE, SHAWN. 953 00:39:40,078 --> 00:39:41,480 - I'VE WORKED WITH PROFESSIONALS, 954 00:39:41,513 --> 00:39:44,182 MERCENARIES, COMPROMISED DOUBLE AGENTS, 955 00:39:44,215 --> 00:39:45,917 AND YET NO ONE'S BEHAVIOR 956 00:39:45,951 --> 00:39:48,520 HAS BEEN AS UTTERLY CONFUSING AS YOURS. 957 00:39:48,554 --> 00:39:50,021 - THANK YOU. 958 00:39:50,055 --> 00:39:51,189 - IT'S NOT A COMPLIMENT. 959 00:39:51,222 --> 00:39:53,058 - WELL, THAT DEPENDS ON YOUR DEFINITION OF "CONFUSING," 960 00:39:53,091 --> 00:39:54,292 DOESN'T IT? 961 00:39:54,325 --> 00:39:56,462 - I'VE SPENT MY ENTIRE LIFE SEARCHING FOR THE IMPOSSIBLE, 962 00:39:56,495 --> 00:39:58,530 AND YET SOMEHOW YOU'VE BEEN ONE STEP AHEAD OF ME 963 00:39:58,564 --> 00:39:59,798 AT ALL TIMES. 964 00:39:59,831 --> 00:40:02,167 - JACKIE, I TOLD YOU, I'M SPOKEN FOR. 965 00:40:02,200 --> 00:40:03,168 - HA. 966 00:40:03,201 --> 00:40:04,503 - THOUGH I DO HAVE A SKILL SET 967 00:40:04,536 --> 00:40:06,171 THAT REACHES WELL BEYOND THE NORMAL. 968 00:40:06,204 --> 00:40:07,773 - GREAT. 969 00:40:07,806 --> 00:40:09,675 THEN YOU CAN OPEN THAT. 970 00:40:09,708 --> 00:40:12,678 - MMM... 971 00:40:12,711 --> 00:40:16,181 SEE, THERE'S SIX AND, UH... 972 00:40:16,214 --> 00:40:17,816 - DON'T DO IT, SHAWN. 973 00:40:17,849 --> 00:40:20,519 - I DON'T THINK HE HAS MUCH OF A CHOICE. 974 00:40:23,489 --> 00:40:26,024 - SHE JUST GOT SO SERIOUS. 975 00:40:27,493 --> 00:40:29,828 LEVERS. 976 00:40:29,861 --> 00:40:32,631 WHY DID IT HAVE TO BE LEVERS? 977 00:40:39,170 --> 00:40:41,507 - OPEN IT. 978 00:40:50,782 --> 00:40:53,151 [rumbling] 979 00:41:01,960 --> 00:41:04,229 - "LOOK BEHIND YOU." 980 00:41:09,034 --> 00:41:11,202 - DON'T YOU JUST HATE PEOPLE WHO KILL YOU? 981 00:41:16,608 --> 00:41:17,743 - I MEAN, REALLY, 982 00:41:17,776 --> 00:41:20,111 THE AMOUNT OF SATISFACTION THIS WOMAN GOT 983 00:41:20,145 --> 00:41:22,113 FROM WHAT LEGITIMATELY AMOUNTS TO MURDER 984 00:41:22,147 --> 00:41:23,515 IS MIND-BOGGLING. 985 00:41:23,549 --> 00:41:25,016 OH, SURE, WE WERE STEALING THE KEY 986 00:41:25,050 --> 00:41:26,952 TO PRICELESS ARTIFACTS FROM HER, 987 00:41:26,985 --> 00:41:29,821 BUT YOU DON'T HAVE TO ENJOY IT IS ALL I'M SAYING. 988 00:41:29,855 --> 00:41:32,190 - I AM SO HAPPY THAT YOU ARE ALIVE. 989 00:41:32,223 --> 00:41:33,959 - OH, THANK YOU. - WAIT A MINUTE. 990 00:41:33,992 --> 00:41:36,995 YOU SON OF A BITCH. HOW COULD YOU DO THAT TO ME? 991 00:41:37,028 --> 00:41:39,665 OH, NEVER MIND, YOU'RE SO FRICKIN' AWESOME. 992 00:41:39,698 --> 00:41:42,133 HOW DID YOU DO IT? - HOW DID I GET IN HERE? 993 00:41:42,167 --> 00:41:44,836 WELL, YOU OPENED THE WAY, SHAWN. 994 00:41:44,870 --> 00:41:47,038 NICE CALL WITH THE FOUNTAIN BY THE WAY. 995 00:41:47,072 --> 00:41:48,874 I'D HAVE GUESSED THE STONE LIONS IN THE LIBRARY, 996 00:41:48,907 --> 00:41:51,242 BUT THEN AGAIN, I'M A TRADITIONALIST. 997 00:41:51,276 --> 00:41:53,745 - NO, YOU SILLY BOTTOM. 998 00:41:53,779 --> 00:41:55,581 HOW ARE YOU ALIVE? 999 00:41:55,614 --> 00:41:58,016 - I HAD A PERFECTLY GOOD MEDICAL SCHOOL BODY ON ICE. 1000 00:41:58,049 --> 00:41:59,818 AND I'D ALREADY COME UP WITH AN EXIT PLAN 1001 00:41:59,851 --> 00:42:02,120 WHEN YOU'D CALLED WITH A MUCH BETTER IDEA. 1002 00:42:02,153 --> 00:42:04,155 HELLO. HELLO, SHAWN. 1003 00:42:04,189 --> 00:42:06,257 WELL, NOTHING TOO IMPORTANT. 1004 00:42:06,291 --> 00:42:09,661 I'M ACTUALLY IN THE MIDDLE OF CUTTING MY HAIR. 1005 00:42:09,695 --> 00:42:12,864 I LOCATED YOUR WATCH SIGNAL INSTANTLY. 1006 00:42:12,898 --> 00:42:15,567 I JUST NEEDED MORE TIME TO SET THINGS UP. 1007 00:42:15,601 --> 00:42:17,603 THIS WILL TAKE A FEW HOURS. 1008 00:42:17,636 --> 00:42:19,871 I CHANGED A PLANNED FISHING ACCIDENT 1009 00:42:19,905 --> 00:42:20,806 INTO A BOAT ESCAPE. 1010 00:42:20,839 --> 00:42:23,041 I JUST NEEDED TO LOSE YOU ALONG THE WAY. 1011 00:42:23,074 --> 00:42:24,275 - SO THIS WHOLE THING WAS A SETUP 1012 00:42:24,309 --> 00:42:25,877 FROM THE MOMENT WE REACHED THE FACTORY? 1013 00:42:25,911 --> 00:42:26,812 - MM-HMM. 1014 00:42:26,845 --> 00:42:28,614 - OOH, HOW DID YOU GET THE DNA TO MATCH? 1015 00:42:28,647 --> 00:42:30,115 - NOW THAT WAS THE PROBLEM. 1016 00:42:30,148 --> 00:42:33,619 I NEEDED IRREFUTABLE PROOF THAT I WAS DEAD. 1017 00:42:33,652 --> 00:42:35,286 AND IT WOULD BE IMPOSSIBLE TO LEAVE A LARGE ENOUGH SAMPLE 1018 00:42:35,320 --> 00:42:38,023 WITHOUT LOSING A HAND OR A BODY PART. 1019 00:42:38,056 --> 00:42:40,191 AND I'D SEEN 127 HOURS, 1020 00:42:40,225 --> 00:42:43,028 AND, WELL, UGH. 1021 00:42:43,061 --> 00:42:45,330 SO I SIMPLY DID THE NEXT BEST THING. 1022 00:42:45,363 --> 00:42:47,265 I CHANGED MY DNA IN THE DATABASE 1023 00:42:47,298 --> 00:42:49,635 TO JOHN DOE NUMBER 12. 1024 00:42:49,668 --> 00:42:51,770 OF COURSE IT WAS GONNA MATCH. IT'S HIM. 1025 00:42:51,803 --> 00:42:53,905 - YOU CAN HACK TOO. - I HAVE A GUY. 1026 00:42:53,939 --> 00:42:55,907 - CAN YOU INTRODUCE HIM TO US? - OF COURSE. 1027 00:42:55,941 --> 00:42:58,376 - GUYS. - BUT THEN AGAIN, 1028 00:42:58,409 --> 00:43:00,979 I DIDN'T EXPECT YOU TO SWIPE THE DAGGER FROM ME 1029 00:43:01,012 --> 00:43:02,648 IN THE FACTORY. THAT WAS A CLASS LIFT. 1030 00:43:02,681 --> 00:43:03,949 I'VE NOTHING LEFT TO TEACH YOU. 1031 00:43:10,021 --> 00:43:11,823 - WHERE IS IT? 1032 00:43:11,857 --> 00:43:15,326 - LET'S OPEN IT TOGETHER. 1033 00:43:21,366 --> 00:43:24,035 - OH. 1034 00:43:24,069 --> 00:43:25,203 - IT'S A GENIE. 1035 00:43:25,236 --> 00:43:27,673 - IT'S NOT A GENIE. 1036 00:43:27,706 --> 00:43:30,375 - GUS, DON'T BE RIDICULOUS. GENIES COME IN LAMPS. 1037 00:43:35,714 --> 00:43:36,882 YOU DO IT. 1038 00:43:43,288 --> 00:43:45,190 - HIS ASHES? 1039 00:43:45,223 --> 00:43:46,892 - ALL THIS WAY FOR THAT? 1040 00:43:46,925 --> 00:43:49,227 THAT CAN'T BE. IT'S HIS LEGACY. 1041 00:43:49,260 --> 00:43:51,229 - EVEN HIS CRYPT RIGHT HERE ON THE GROUNDS 1042 00:43:51,262 --> 00:43:53,331 IS MADE OF THE SAME MATERIAL. 1043 00:43:55,300 --> 00:43:57,703 - IF HIS ASHES ARE IN THE URN, 1044 00:43:57,736 --> 00:44:00,205 WHAT'S IN THE CRYPT? 1045 00:44:00,238 --> 00:44:04,342 - THE STUDENT HAS BECOME THE MASTER. 1046 00:44:06,411 --> 00:44:09,047 LET'S GO. 1047 00:44:16,755 --> 00:44:17,989 - YOU'RE DOING A BANG-UP JOB 1048 00:44:18,023 --> 00:44:19,758 DESECRATING THIS GUY'S FINAL RESTING PLACE. 1049 00:44:19,791 --> 00:44:21,993 - GUS, HIS ASHES WERE IN THE URN. 1050 00:44:22,027 --> 00:44:23,261 THEY WERE A CLUE. 1051 00:44:23,294 --> 00:44:25,263 IN THE END, HE WANTED US TO DO THIS. 1052 00:44:25,296 --> 00:44:26,798 - NO. 1053 00:44:26,832 --> 00:44:28,734 - AGH! 1054 00:44:36,307 --> 00:44:38,209 - YOU'RE NOT... 1055 00:44:38,243 --> 00:44:40,045 YOU'RE NOT CRYING, ARE YOU? 1056 00:44:40,078 --> 00:44:43,048 - WELL...I'M SORRY, IT'S JUST-- 1057 00:44:43,081 --> 00:44:45,784 THIS GUY'S NEVER GONNA SEE HIS DOG TARTOOF AGAIN. 1058 00:44:45,817 --> 00:44:46,985 - HIS DOG'S NAME WAS TARTOOF? 1059 00:44:47,018 --> 00:44:49,988 - PROBABLY. 1060 00:44:50,021 --> 00:44:52,457 - WELL, YOU'VE COME A LONG WAY, SHAWN. 1061 00:44:52,490 --> 00:44:55,226 WHAT YOU SAID AT MY FUNERAL... MADE ME MIST UP AS WELL. 1062 00:44:55,260 --> 00:44:56,294 IT WAS WONDERFUL. 1063 00:44:56,327 --> 00:44:58,196 REALLY MOVING. - YOU WERE THERE? 1064 00:44:58,229 --> 00:45:00,165 - OF COURSE, I WAS IN THE COFFIN. 1065 00:45:00,198 --> 00:45:01,900 - OH! I WAS GONNA CHECK THERE. 1066 00:45:01,933 --> 00:45:03,134 - THAT WOULD'VE BEEN WEIRD. - GUYS. 1067 00:45:03,168 --> 00:45:06,037 CAN WE DO THIS? 1068 00:45:17,215 --> 00:45:18,984 - IT'S GOTTA BE REMBRANDT'S UNFINISHED PORTRAIT 1069 00:45:19,017 --> 00:45:20,318 OF ALEXANDER THE GREAT. 1070 00:45:20,351 --> 00:45:22,453 IT WAS RUMORED YERDEN HAD IT FOR YEARS. 1071 00:45:22,487 --> 00:45:24,956 - OR PERHAPS IT'S A THOMAS KINCAID. 1072 00:45:24,990 --> 00:45:26,925 - SHAWN, YOU REALLY NEED TO LEARN ANOTHER PAINTER. 1073 00:45:26,958 --> 00:45:30,195 - YEAH, LIKE THAT'S EVER GONNA BE NECESSARY. 1074 00:45:44,843 --> 00:45:46,211 IT'S BREATHTAKING. 1075 00:45:46,244 --> 00:45:47,345 - IT'S CRAPPY. 1076 00:45:47,378 --> 00:45:48,814 - YOU'RE CRAPPY. 1077 00:45:48,847 --> 00:45:50,015 DON'T KNOW WHAT YOU WANT. 1078 00:45:50,048 --> 00:45:51,983 HE'S GOING FOR FRUIT. IT LOOKS LIKE FRUIT. 1079 00:45:52,017 --> 00:45:54,886 - THIS DOESN'T MAKE SENSE. 1080 00:45:54,920 --> 00:45:57,956 I MEAN, HE CREATED THIS HUNT, 1081 00:45:57,989 --> 00:45:59,991 LEFT ALL THESE CLUES, LEAKED THE RUMOR OF THIS COLLECTION, 1082 00:46:00,025 --> 00:46:03,094 AND ALL FOR--FOR THIS? 1083 00:46:05,130 --> 00:46:07,833 - MR. YERDEN ALSO DABBLED IN PAINTING HIMSELF. 1084 00:46:07,866 --> 00:46:10,101 BUT WE WERE NEVER FORTUNATE ENOUGH TO SEE HIS WORKS 1085 00:46:10,135 --> 00:46:11,903 SINCE HE KEPT THEM TO HIMSELF. 1086 00:46:11,937 --> 00:46:13,371 - THEY'RE HIS. 1087 00:46:13,404 --> 00:46:14,505 - WHAT? 1088 00:46:14,539 --> 00:46:16,041 - OH. 1089 00:46:16,074 --> 00:46:19,277 HARRISON YERDEN PAINTED THOSE HIMSELF. 1090 00:46:19,310 --> 00:46:22,447 THESE ARE HIS MOST CHERISHED POSSESSIONS. 1091 00:46:22,480 --> 00:46:24,249 - UH, I BEG TO DIFFER. 1092 00:46:24,282 --> 00:46:25,984 - THINK ABOUT IT, FELLAS. 1093 00:46:26,017 --> 00:46:27,452 THIS MAN TRAVELED TO THE ENDS OF THE EARTH, 1094 00:46:27,485 --> 00:46:29,855 RISKING EVERYTHING TO FIND BEAUTIFUL THINGS 1095 00:46:29,888 --> 00:46:31,256 MADE BY OTHERS. 1096 00:46:31,289 --> 00:46:33,158 BUT THE ONE UNATTAINABLE GOAL 1097 00:46:33,191 --> 00:46:35,126 THAT HE WOULD NEVER ACHIEVE 1098 00:46:35,160 --> 00:46:38,263 WAS TO BE THE OBJECT OF ONE OF THOSE SEARCHES. 1099 00:46:38,296 --> 00:46:40,331 TO HAVE SOMEONE GO ON A QUEST LIKE OURS 1100 00:46:40,365 --> 00:46:41,867 FOR HIS WORKS. 1101 00:46:41,900 --> 00:46:44,102 TO BE THE PRIZE AT THE END OF A JOURNEY. 1102 00:46:44,135 --> 00:46:45,871 - PERFECT. - HE'S NARCISSISTIC. 1103 00:46:45,904 --> 00:46:47,338 - IN THE BIGGEST WAY. [sirens approaching] 1104 00:46:47,372 --> 00:46:48,840 - I LIKE THE ONE WITH THE CAT. 1105 00:46:48,874 --> 00:46:50,876 - STILL CRAPPY. - GUS IS CRAPPY. 1106 00:46:50,909 --> 00:46:52,944 - YOUR MAMA'S CRAPPY. - YOU'RE JUST PLAIN CRAPOLA. 1107 00:46:52,978 --> 00:46:54,079 - SUCK IT, SHAWN. 1108 00:46:54,112 --> 00:46:55,613 YOU KNOW WHAT, LET'S GET OUT OF HERE 1109 00:46:55,646 --> 00:46:58,183 BEFORE WE ALL GET ARRESTED. 1110 00:47:12,497 --> 00:47:16,868 - I'M NEVER GONNA SEE YOU AGAIN, AM I? 1111 00:47:16,902 --> 00:47:18,536 - IF YOU'D LIKE TO PLAN A VACATION 1112 00:47:18,569 --> 00:47:20,638 TO SOME FRIENDLY, NON-EXTRADITING COUNTRY, 1113 00:47:20,671 --> 00:47:22,941 I'D BE HAPPY TO SET UP A WEEKEND FOR YOU. 1114 00:47:22,974 --> 00:47:26,111 - IT HURTS. IT'S REAL. 1115 00:47:26,144 --> 00:47:28,546 I GET THAT NOW. 1116 00:47:30,248 --> 00:47:32,617 - WE'RE NOT GONNA GET THAT 1.6 MILLION, ARE WE? 1117 00:47:32,650 --> 00:47:33,718 - WHEN THE COURTS RELEASE IT, 1118 00:47:33,751 --> 00:47:36,154 IT WILL GO INTO YOUR ACCOUNT FOR ABOUT NINE MINUTES, 1119 00:47:36,187 --> 00:47:38,356 AND THEN IT WILL MYSTERIOUSLY DISAPPEAR. 1120 00:47:38,389 --> 00:47:39,958 DON'T TRY TO STOP IT. 1121 00:47:39,991 --> 00:47:41,960 - WE WON'T ACCEPT IT. - OH, YES, WE WILL. 1122 00:47:41,993 --> 00:47:43,494 - WHAT ABOUT THE TAXES? 1123 00:47:43,528 --> 00:47:45,496 - YOU DON'T HAVE TO PAY TAXES ON MONEY YOU DON'T HAVE. 1124 00:47:45,530 --> 00:47:47,598 - WHERE DO YOU GET YOUR INFORMATION FROM, SHAWN? 1125 00:47:47,632 --> 00:47:49,634 - GUS, DON'T BE LAO CHE. - WHO? 1126 00:47:49,667 --> 00:47:51,502 - THE DUDE FROM TEMPLE OF DOOM. - WHAT? 1127 00:47:51,536 --> 00:47:52,737 - REMEMBER, THEY GOT ON HIS PLANE IN SHANGHAI 1128 00:47:52,770 --> 00:47:54,940 AND FLEW ALL THE WAY TO INDIA BEFORE THE PILOTS JUMPED OUT 1129 00:47:54,973 --> 00:47:56,241 WHEN CLEARLY THEY COULD HAVE JUST NOT TAKEN OFF 1130 00:47:56,274 --> 00:47:57,208 IN THE FIRST PLACE. 1131 00:47:57,242 --> 00:47:58,609 - WHAT DOES THAT HAVE TO DO WITH ANYTHING? 1132 00:47:58,643 --> 00:48:01,279 - WHAT? 1133 00:48:04,115 --> 00:48:06,251 - WELL, I'LL BE. 1134 00:48:13,024 --> 00:48:15,660 HEY, TEAM. 1135 00:48:15,693 --> 00:48:17,395 I JUST WANTED TO APOLOGIZE 1136 00:48:17,428 --> 00:48:19,530 FOR THE SCENE THAT I CAUSED AT THE FUNERAL. 1137 00:48:19,564 --> 00:48:21,266 I KNOW I'VE PROBABLY SEEMED A LITTLE CRAZY 1138 00:48:21,299 --> 00:48:23,301 THESE LAST FEW DAYS. 1139 00:48:23,334 --> 00:48:25,336 - COME ON, SPENCER, DON'T BEAT YOURSELF UP. 1140 00:48:25,370 --> 00:48:28,940 I MEAN, THANKS TO YOU ANOTHER CRIMINAL IS DEAD. 1141 00:48:28,974 --> 00:48:31,009 IN MY BOOK, YOU CAN HOLD YOUR HEAD UP HIGH AROUND HERE. 1142 00:48:31,042 --> 00:48:32,510 - YOU EVEN FOUND THE FIVE PAINTINGS 1143 00:48:32,543 --> 00:48:34,312 OF THE CORE COLLECTION IN YERDEN'S CRYPT. 1144 00:48:34,345 --> 00:48:36,714 - THIS IS TRUE. WAIT, WHAT? 1145 00:48:36,747 --> 00:48:38,683 - THE WILD GOOSE CHASE THAT RICH NUTBAG SENT US ON. 1146 00:48:38,716 --> 00:48:40,151 WE FOUND ALL FIVE PAINTINGS. 1147 00:48:40,185 --> 00:48:42,520 - THERE WERE SIX PAINTINGS. - SIX? 1148 00:48:42,553 --> 00:48:45,656 ARE YOU TELLING ME SOMEONE STOLE ONE OF THOSE HEAPS? 1149 00:48:45,690 --> 00:48:47,625 - NO. 1150 00:48:47,658 --> 00:48:50,962 THAT WOULDN'T MAKE ANY SENSE. 1151 00:48:50,996 --> 00:48:54,099 [dramatic music] 1152 00:48:54,132 --> 00:49:02,140 * 1153 00:49:23,094 --> 00:49:28,466 - HELLO, REMBRANDT.