1 00:00:05,206 --> 00:00:07,508 - WELCOME TO PATHS OF LOVE. 2 00:00:07,541 --> 00:00:09,210 I'M HILTON FOX. 3 00:00:09,243 --> 00:00:11,612 THIS IS THE SHOW WHERE YOU GET A SECOND CHANCE 4 00:00:11,645 --> 00:00:13,781 AT A CHANCE MEETING. 5 00:00:13,814 --> 00:00:17,418 MELINDA, YOU'RE DOWN TO YOUR LAST HEART. 6 00:00:17,451 --> 00:00:19,587 WHO DO YOU CHOOSE TO PROTECT IT? 7 00:00:19,620 --> 00:00:22,556 [suspenseful music] 8 00:00:22,590 --> 00:00:28,596 * 9 00:00:31,265 --> 00:00:33,534 - I CHOOSE... 10 00:00:33,567 --> 00:00:35,303 - [clicks tongue] 11 00:00:35,336 --> 00:00:38,839 * 12 00:00:38,872 --> 00:00:40,841 - TODD. 13 00:00:40,874 --> 00:00:42,076 [confused murmurs] 14 00:00:42,110 --> 00:00:43,544 - WHERE'S TODD? - OH, CRAP. 15 00:00:43,577 --> 00:00:44,678 - WHERE'S TODD? 16 00:00:44,712 --> 00:00:45,779 - CUT! 17 00:00:45,813 --> 00:00:47,415 DONNA, WHERE'S TODD? 18 00:00:47,448 --> 00:00:48,282 - OH, COME ON. 19 00:00:48,316 --> 00:00:50,584 - JAY, WHERE'S TODD? WHAT'S GOING ON? 20 00:00:50,618 --> 00:00:51,585 - SCOTT-- 21 00:00:51,619 --> 00:00:52,620 - LOOK, ALL YOU HAVE TO DO 22 00:00:52,653 --> 00:00:53,854 IS LINE THE PEOPLE UP IN A ROW. 23 00:00:53,887 --> 00:00:55,423 YOU WANT ME TO FIX IT? LOOK, WATCH THIS. 24 00:00:55,456 --> 00:00:57,225 TAKE ONE WHITE GUY, PUT HIM IN A SUIT 25 00:00:57,258 --> 00:00:58,559 ALONG WITH THE REST OF THE BACKSTREET BOYS, 26 00:00:58,592 --> 00:00:59,693 BOOM, AND YOU FALL IN LOVE. 27 00:00:59,727 --> 00:01:01,462 THERE WE GO. SHOW DONE. 28 00:01:01,495 --> 00:01:02,863 - COULD YOU TAKE CARE OF BUSINESS, PLEASE? 29 00:01:02,896 --> 00:01:06,134 'CAUSE EVERY SECOND IS COSTING ME MONEY. 30 00:01:06,167 --> 00:01:08,469 - I HOPE TODD'S OKAY. 31 00:01:08,502 --> 00:01:10,404 - TODD KRAMER, CAUCASIAN, 20s, 32 00:01:10,438 --> 00:01:12,140 WAS DRIVING AT AN ACCELERATED RATE, 33 00:01:12,173 --> 00:01:13,374 LOST CONTROL OF HIS VEHICLE, 34 00:01:13,407 --> 00:01:14,842 FLIPPED INTO THE DITCH, AND IS NOW IN A COMA. 35 00:01:14,875 --> 00:01:17,445 A TRAGIC YET TOTALLY AVOIDABLE ACCIDENT. 36 00:01:17,478 --> 00:01:21,249 HOWEVER, NOT A CRIME. 37 00:01:21,282 --> 00:01:23,451 [feet stomping] 38 00:01:23,484 --> 00:01:26,554 - GOOD MORNING, LASSIE. 39 00:01:26,587 --> 00:01:27,688 MAY I TAKE A LOOK AT THOSE PHOTOS? 40 00:01:27,721 --> 00:01:29,223 COME ON, JUST A QUICK GANDER. 41 00:01:29,257 --> 00:01:30,491 I'LL TRADE YOU GUS' HALF-EATEN CRULLER 42 00:01:30,524 --> 00:01:32,393 FOR A BABY PEEK. - NO, YOU WON'T. 43 00:01:32,426 --> 00:01:34,328 - KNOCK YOURSELF OUT. 44 00:01:34,362 --> 00:01:36,530 - GIVE HIM THE DONUT. - NO. 45 00:01:36,564 --> 00:01:38,432 - IT'S YOUR HALF CRULLER, THAT WAS THE DEAL. 46 00:01:38,466 --> 00:01:40,201 YOU CAN GET A BRAND-NEW DONUT-- - I DON'T CARE! 47 00:01:40,234 --> 00:01:41,602 - JUST GIVE HIM THE CRULLER. 48 00:01:55,349 --> 00:01:56,584 DO YOU SEE THAT? 49 00:01:56,617 --> 00:01:57,618 SALAD DRESSING. 50 00:01:57,651 --> 00:01:59,420 - BRAKE FLUID, SHAWN. 51 00:01:59,453 --> 00:02:01,922 - HUH. 52 00:02:01,955 --> 00:02:05,459 LASSIE, I AM SENSING SOMETHING VERY NON-SALADY 53 00:02:05,493 --> 00:02:08,429 AND VERY NON-ACCIDENTY ABOUT THESE PHOTOS. 54 00:02:08,462 --> 00:02:10,864 - HOW DESPERATE ARE YOU TO MAKE SOMETHING OUTTA NOTHING? 55 00:02:10,898 --> 00:02:14,302 - PRETTY--PRETTY DESPERATE. 56 00:02:14,335 --> 00:02:16,237 THANKS, LASSIE. DRIVE SAFELY. 57 00:02:16,270 --> 00:02:18,306 - PARDON ME. 58 00:02:18,339 --> 00:02:21,175 MY NAME IS STEVE ROLLINS, AND I COULDN'T HELP BUT OVERHEAR 59 00:02:21,209 --> 00:02:22,610 YOU TALKING ABOUT THE CAR ACCIDENT. 60 00:02:22,643 --> 00:02:23,944 AND I THINK YOU'RE RIGHT. 61 00:02:23,977 --> 00:02:25,546 I THINK THERE WAS FOUL PLAY INVOLVED. 62 00:02:25,579 --> 00:02:26,914 - REALLY? 63 00:02:26,947 --> 00:02:27,781 WHY IS THAT? 64 00:02:27,815 --> 00:02:29,417 - WELL, THE VICTIM WAS A PARTICIPANT 65 00:02:29,450 --> 00:02:31,885 ON A REALITY DATING SHOW THAT I'M DIRECTING. 66 00:02:31,919 --> 00:02:34,388 UM, LOOK, THESE ARE ONLY MY OWN SUSPICIONS, MIND YOU, 67 00:02:34,422 --> 00:02:36,490 BUT SOMETHING IS NOT RIGHT HERE. 68 00:02:36,524 --> 00:02:38,526 AND I HAD TO COME DOWN HERE AND TELL SOMEONE. 69 00:02:38,559 --> 00:02:41,395 IS THERE A DETECTIVE I SHOULD TALK TO? 70 00:02:41,429 --> 00:02:43,564 - YOU ARE IN LUCK. WE'RE DETECTIVES. 71 00:02:43,597 --> 00:02:45,366 - OF THE PSYCHIC VARIETY. 72 00:02:45,399 --> 00:02:48,302 MY NAME IS SHAWN SPENCER. THIS IS MY PARTNER, LARENZ TATE. 73 00:02:48,336 --> 00:02:50,438 - THAT WOULD BE COOL, BUT BURTON GUSTER IS THE NAME. 74 00:02:50,471 --> 00:02:52,406 - IF YOU GUYS WANT, YOU COULD COME DOWN TO THE SET 75 00:02:52,440 --> 00:02:54,742 AND I COULD TELL YOU EVERYTHING THAT I KNOW. 76 00:02:56,844 --> 00:02:58,879 - YES, THAT SOUNDS LIKE-- - WE'LL BE THERE. 77 00:03:11,425 --> 00:03:12,560 SHAWN? 78 00:03:12,593 --> 00:03:14,428 THIS GUY STEVE HAS WORKED 79 00:03:14,462 --> 00:03:16,530 ON ALL SIX SEASONS OF CALIFORNIA SURVIVORMAN. 80 00:03:16,564 --> 00:03:17,698 HE REALLY KNOWS HIS STUFF. 81 00:03:17,731 --> 00:03:20,268 - FANTASTIC, I'LL PITCH HIM ALL MY GENIUS REALITY IDEAS. 82 00:03:20,301 --> 00:03:22,236 - NO, NO, SHAWN. PLEASE DON'T. 83 00:03:22,270 --> 00:03:23,837 ALL YOUR IDEAS SOUND INSANE. 84 00:03:23,871 --> 00:03:25,639 - YOU MUST BE OUT OF YOUR DAMN MIND. 85 00:03:25,673 --> 00:03:27,241 PUNK MY MOM. 86 00:03:27,275 --> 00:03:28,576 THE GIRL OR THE BEAR. 87 00:03:28,609 --> 00:03:30,511 SO YOU THINK YOU CAN THINK YOU CAN DANCE. 88 00:03:30,544 --> 00:03:32,346 DON'T TOUCH THAT, IT'S INFECTED. 89 00:03:32,380 --> 00:03:33,847 THESE ARE ALL SLAM DUNKS. 90 00:03:33,881 --> 00:03:35,549 - SEE, THAT'S YOUR PROBLEM RIGHT THERE, SHAWN. 91 00:03:35,583 --> 00:03:37,951 YOU'RE TRYING TO MAKE A MOCKERY OF REALITY TV. 92 00:03:37,985 --> 00:03:40,321 THESE ARE THE DOCUDRAMAS OF OUR TIME. 93 00:03:40,354 --> 00:03:41,789 - HEY, FELLAS. HEY, YOU MADE IT. 94 00:03:41,822 --> 00:03:43,457 - DAMN RIGHT WE DID. 95 00:03:43,491 --> 00:03:45,593 - ALL RIGHT, WELL, COME ON. COME ON, COME WITH ME. 96 00:03:45,626 --> 00:03:47,561 - COOL. 97 00:03:47,595 --> 00:03:50,431 - WHAT IS THIS SHOW, STEVE? 98 00:03:50,464 --> 00:03:51,899 - IT'S CALLED PATHS OF LOVE. 99 00:03:51,932 --> 00:03:53,534 ALL THE GUYS ARE MEN THAT THE BACHELORETTE 100 00:03:53,567 --> 00:03:55,303 COULD HAVE HAD CONTACT WITH. 101 00:03:55,336 --> 00:03:57,371 YOU KNOW, THE LOCAL GUY AT HER COFFEE HOUSE, 102 00:03:57,405 --> 00:03:58,906 A GUY AT THE GYM. 103 00:03:58,939 --> 00:04:00,674 HENCE THE TITLE PATHS OF LOVE. 104 00:04:00,708 --> 00:04:01,875 - HOW DOES THIS DUDE KNOW MELINDA? 105 00:04:01,909 --> 00:04:02,943 - TODD WAS A MODEL 106 00:04:02,976 --> 00:04:04,445 WHOSE FACE IS ON A BILLBOARD 107 00:04:04,478 --> 00:04:06,414 JUST OUTSIDE MELINDA'S OFFICE. 108 00:04:06,447 --> 00:04:08,716 I'M TELLING YOU GUYS, SOMEONE IS AFTER HIM. 109 00:04:08,749 --> 00:04:10,418 I MEAN, THIS LIGHT ALMOST FELL ON HIM 110 00:04:10,451 --> 00:04:11,652 WHILE HE WAS IN THE HOT TUB, 111 00:04:11,685 --> 00:04:13,487 AND A LOOSE BALCONY RAILING 112 00:04:13,521 --> 00:04:15,523 ALMOST GAVE WAY WHILE HE WAS LEANING ON IT. 113 00:04:15,556 --> 00:04:17,391 - SOUNDS LIKE WHAT YOU NEED IS A GOOD CONTRACTOR, 114 00:04:17,425 --> 00:04:18,326 NOT A DETECTIVE. 115 00:04:18,359 --> 00:04:20,461 - THAT'S WHAT I THOUGHT UNTIL I SAW THIS. 116 00:04:20,494 --> 00:04:21,862 - OKAY. 117 00:04:24,031 --> 00:04:26,467 - SOMETHING'S GOING ON HERE. 118 00:04:26,500 --> 00:04:27,635 I'M GETTING FREAKED OUT. 119 00:04:27,668 --> 00:04:30,671 THERE'S PEOPLE WATCHING ME. 120 00:04:30,704 --> 00:04:32,506 I DON'T TRUST THESE GUYS. 121 00:04:34,041 --> 00:04:37,445 - LOOK, I KNOW WHEN A CONTESTANT IS PLAYING TO THE CAMERA. 122 00:04:37,478 --> 00:04:40,414 THIS GUY SEEMS LEGITIMATELY FREAKED OUT. 123 00:04:40,448 --> 00:04:42,049 AND THEN HIS CAR GOES OFF A CLIFF. 124 00:04:42,082 --> 00:04:43,551 SHAWN, YOU'RE A PSYCHIC. 125 00:04:43,584 --> 00:04:45,719 YOU MUST SENSE SOMETHING IS GOING WRONG HERE. 126 00:04:45,753 --> 00:04:47,054 - PERHAPS YES, 127 00:04:47,087 --> 00:04:49,690 BUT IN ORDER TO KNOW FOR SURE 128 00:04:49,723 --> 00:04:51,659 I'LL NEED TO GET CLOSER. 129 00:04:51,692 --> 00:04:52,826 FULL ACCESS. 130 00:04:52,860 --> 00:04:55,596 I NEED TO TOUCH, SEE, FEEL... 131 00:04:55,629 --> 00:04:57,631 PITCH. 132 00:04:57,665 --> 00:04:59,433 - PITCH? - PLEASE DON'T. 133 00:04:59,467 --> 00:05:00,934 - CHECK THIS OUT. JUST GO WITH ME, OKAY? 134 00:05:00,968 --> 00:05:02,670 GUY SHOWS UP, KNOCKS ON A DOOR, RIGHT? 135 00:05:02,703 --> 00:05:04,805 IT'S HIS BIG OVERNIGHT DATE, YOU KNOW? 136 00:05:04,838 --> 00:05:06,707 HE'S SHOWERED, HE FEELS FRESH, HE FEELS GOOD. 137 00:05:06,740 --> 00:05:08,476 HE'S GOT SOMETHING GOING ON DOWN HERE. 138 00:05:08,509 --> 00:05:10,411 DOOR OPENS, BOOM, IT'S-- 139 00:05:10,444 --> 00:05:11,479 - A BEAR, YEAH. 140 00:05:11,512 --> 00:05:13,046 THE JAPANESE ALREADY TRIED THAT. 141 00:05:13,080 --> 00:05:14,415 TOO MANY PEOPLE DIED. 142 00:05:14,448 --> 00:05:16,049 - WHAT? 143 00:05:16,083 --> 00:05:18,085 MAN, THE JAPANESE RUIN EVERYTHING. 144 00:05:18,118 --> 00:05:21,589 - GUYS, JAY GETS PITCHED STUFF 24/7. 145 00:05:21,622 --> 00:05:23,591 I MEAN, LOOK AT-- THERE'S A SAMPLE 146 00:05:23,624 --> 00:05:26,827 OF EVERYTHING THAT COMES ACROSS HIS DESK IN A DAY. 147 00:05:26,860 --> 00:05:28,529 - CONJUGAL MIDWIFE. 148 00:05:28,562 --> 00:05:30,398 MAN VERSUS PNEUMONIA. 149 00:05:30,431 --> 00:05:32,533 - I NEED TO GET TO THE BOTTOM OF THIS. 150 00:05:32,566 --> 00:05:34,735 OKAY, BUT I CAN'T HAVE THE CREATOR OF THE SHOW KNOWING. 151 00:05:34,768 --> 00:05:36,437 HE'S NOT GONNA DIG HAVING A COUPLE DETECTIVES 152 00:05:36,470 --> 00:05:38,939 SNOOPING AROUND, YOU KNOW, RUINING HIS PET PROJECT. 153 00:05:38,972 --> 00:05:40,441 - NO. 154 00:05:40,474 --> 00:05:41,475 THERE'S ONLY ONE WAY GUS AND I KNOW 155 00:05:41,509 --> 00:05:44,412 HOW TO INVESTIGATE AND GO COMPLETELY UNNOTICED. 156 00:05:44,445 --> 00:05:46,414 [romantic music] 157 00:05:46,447 --> 00:05:47,781 - WE HAVE NOT ONE, 158 00:05:47,815 --> 00:05:51,485 BUT TWO TWISTS, AND HERE THEY ARE. 159 00:05:51,519 --> 00:05:54,788 DR. SHAWN WOMACK AND BURTON GUSTER. 160 00:05:56,624 --> 00:05:58,058 - WHO ARE THOSE GUYS? 161 00:05:58,091 --> 00:06:00,461 - DID YOU TELL JULES ABOUT THIS? 162 00:06:00,494 --> 00:06:01,729 - NO. 163 00:06:01,762 --> 00:06:04,498 NO, I MOST CERTAINLY DID NOT. 164 00:06:06,434 --> 00:06:09,537 [The Friendly Indians' I Know You Know] 165 00:06:09,570 --> 00:06:10,571 * 166 00:06:10,604 --> 00:06:11,905 - * I KNOW YOU KNOW 167 00:06:11,939 --> 00:06:13,941 * THAT I'M NOT TELLING THE TRUTH * 168 00:06:13,974 --> 00:06:15,142 * I KNOW YOU KNOW 169 00:06:15,175 --> 00:06:16,944 * THEY JUST DON'T HAVE ANY PROOF * 170 00:06:16,977 --> 00:06:18,479 * EMBRACE THE DECEPTION 171 00:06:18,512 --> 00:06:20,581 * LEARN HOW TO BEND 172 00:06:20,614 --> 00:06:22,115 * YOUR WORST INHIBITIONS 173 00:06:22,149 --> 00:06:24,485 * TEND TO PSYCH YOU OUT IN THE END * 174 00:06:24,518 --> 00:06:27,988 * I KNOW YOU KNOW 175 00:06:30,658 --> 00:06:33,093 - WELL, AS IT TURNS OUT I COULD HAVE MET MELINDA 176 00:06:33,126 --> 00:06:36,697 A WHILE BACK AT SANTA BARBARA MERCY HOSPITAL 177 00:06:36,730 --> 00:06:39,199 WHEN SHE HAD HER APPENDIX REMOVED. 178 00:06:39,232 --> 00:06:42,536 I WAS ONE FLOOR UP DOING MY SURGICAL RESIDENCY 179 00:06:42,570 --> 00:06:47,675 IN PULMONARY MATTERS. 180 00:06:47,708 --> 00:06:49,510 I'M A HEART SURGEON 181 00:06:49,543 --> 00:06:51,712 AND SOMETIMES BRAIN. 182 00:06:51,745 --> 00:06:56,216 BUT I AM ALSO THE INVENTOR OF THE HAMBURGER CANDLE. 183 00:06:56,249 --> 00:06:58,919 - BURTON GUSTER, 35. 184 00:06:58,952 --> 00:07:01,188 PHARMACEUTICAL SALESMAN. 185 00:07:01,221 --> 00:07:03,090 I WAS MARRIED ONCE. 186 00:07:03,123 --> 00:07:04,892 BUT IT WAS ANNULLED. 187 00:07:04,925 --> 00:07:06,527 SO NOW I'M SINGLE 188 00:07:06,560 --> 00:07:09,530 AND READY TO SEE WHERE THIS JOURNEY TAKES ME. 189 00:07:09,563 --> 00:07:13,000 [suspenseful music] 190 00:07:13,033 --> 00:07:16,670 * 191 00:07:16,704 --> 00:07:19,106 - CAN I STILL CHOOSE TODD? 192 00:07:19,139 --> 00:07:21,709 - TODD IS IN A COMA. 193 00:07:21,742 --> 00:07:22,976 - I KNOW. 194 00:07:23,010 --> 00:07:24,812 CAN I STILL CHOOSE HIM? 195 00:07:24,845 --> 00:07:26,213 - CUT! 196 00:07:26,246 --> 00:07:30,050 SERIOUSLY? CUT! CUT! 197 00:07:30,083 --> 00:07:31,852 I'M GONNA CALL CUT 'CAUSE, SEE, 198 00:07:31,885 --> 00:07:33,621 THAT'S NOT SUPPOSED TO HAPPEN, ROLLINS. 199 00:07:33,654 --> 00:07:34,555 HOW DID THAT HAPPEN? 200 00:07:34,588 --> 00:07:37,691 - JAY, THESE ARE THE TWO NEW CONTESTANTS. 201 00:07:37,725 --> 00:07:40,027 DIDN'T YOU GET MY EMAIL? THE TWIST? 202 00:07:40,060 --> 00:07:41,695 - OH, THE EMAIL THAT SAYS THAT YOU'RE GONNA REPLACE HIM 203 00:07:41,729 --> 00:07:42,996 WITH SOMEONE DYNAMIC. 204 00:07:43,030 --> 00:07:45,833 OKAY, MY LEAD BACHELOR IS IN A COMA. 205 00:07:45,866 --> 00:07:48,068 A COMA--THIS IS MY MONEY ON THE LINE, NOT YOURS. 206 00:07:48,101 --> 00:07:49,837 THIS IS WHO YOU REPLACE HIM WITH? 207 00:07:49,870 --> 00:07:52,806 - HELLO, I'M BURTON GUSTER. I SELL PHARMACEUTICALS. 208 00:07:52,840 --> 00:07:53,707 - OH, THAT'S INTERESTING. 209 00:07:53,741 --> 00:07:56,009 WHAT IS GOING ON, STEVE? I DON'T GET IT. 210 00:07:56,043 --> 00:07:58,612 I REALLY DON'T UNDERSTAND. I BIRTHED THIS SHOW. 211 00:07:58,646 --> 00:07:59,747 ALL RIGHT, THIS CAME FROM MY LOINS, 212 00:07:59,780 --> 00:08:01,615 AND NO ONE'S GONNA SCREW THIS UP. 213 00:08:01,649 --> 00:08:02,650 - WE'RE NOT GONNA SCREW YOUR LOINS. 214 00:08:02,683 --> 00:08:06,787 I MEAN, IT--NO, I DON'T THINK IT'S GONNA HAPPEN. 215 00:08:06,820 --> 00:08:09,757 - OKAY, JAY, JAY, JUST TRUST ME, OKAY? 216 00:08:09,790 --> 00:08:12,593 GUS AND SHAWN ARE VERY, VERY COLORFUL CHARACTERS. 217 00:08:12,626 --> 00:08:13,994 THEY'RE GONNA MAKE GREAT TV. 218 00:08:14,027 --> 00:08:15,696 - OKAY, THEY BETTER MAKE GREAT TV. 219 00:08:15,729 --> 00:08:18,065 OKAY, BECAUSE I SOLD THIS TO NBC, RIGHT? 220 00:08:18,098 --> 00:08:20,834 NBC, THEY MAKE CLASSICS LIKE FRIENDS 221 00:08:20,868 --> 00:08:22,803 AND, UH, UH... 222 00:08:22,836 --> 00:08:24,972 UH... 223 00:08:25,005 --> 00:08:26,974 UH...UH... 224 00:08:27,007 --> 00:08:28,809 - THEIR NEXT RUNAWAY SMASH REALITY SHOW 225 00:08:28,842 --> 00:08:30,744 ABOUT THE CRABBING INDUSTRY CALLED, WAIT FOR IT, 226 00:08:30,778 --> 00:08:34,181 YOU WAIT FOR IT, AMERICA'S GOT CRABS. 227 00:08:34,214 --> 00:08:35,783 - THAT'S BRILLIANT. 228 00:08:35,816 --> 00:08:37,651 I LIKE IT. THERE'S SOMETHING THERE. 229 00:08:37,685 --> 00:08:38,786 YOU AND I ARE GONNA TALK ABOUT THAT LATER, OKAY? 230 00:08:38,819 --> 00:08:40,053 OVER A BIG BAKED POTATO. 231 00:08:40,087 --> 00:08:42,756 I'M BUILDING AN EMPIRE. EVERYBODY KNOWS THAT. 232 00:08:42,790 --> 00:08:43,957 AND I'M TAKING EVERYBODY WITH ME INTO THE STRATOSPHERE. 233 00:08:43,991 --> 00:08:44,958 ISN'T THAT RIGHT, HANK? 234 00:08:44,992 --> 00:08:46,059 - YEAH, I'M GETTING FITTED 235 00:08:46,093 --> 00:08:47,294 FOR MY SPACESUIT LATER TODAY. 236 00:08:47,327 --> 00:08:49,129 - EVERYBODY KNOWS HANK. 237 00:08:49,162 --> 00:08:51,765 EVERYBODY, THEY KNOW HIM AS THE BEST CAMERAMAN IN THE WORLD. 238 00:08:51,799 --> 00:08:53,867 I ALSO KNOW HIM AS THE MAN WHO MAKES ME LUNCH, HUH? 239 00:08:53,901 --> 00:08:55,102 MR. BAKED POTATO, HMM? 240 00:08:55,135 --> 00:08:58,171 WAH, WAH, WAH. 241 00:08:58,205 --> 00:09:00,273 - UH, EXCUSE ME JUST ONE SECOND, 242 00:09:00,307 --> 00:09:01,942 MY FELLOW BACHELORS 243 00:09:01,975 --> 00:09:04,311 AND YOU AND ALSO YOU. 244 00:09:07,280 --> 00:09:09,617 - SHAWN, WHAT ARE YOU DOING HERE? 245 00:09:09,650 --> 00:09:12,019 - UM, GUS AND I ARE INVESTIGATING 246 00:09:12,052 --> 00:09:13,754 TODD KRAMER'S CAR CRASH. 247 00:09:13,787 --> 00:09:15,789 - WHY ARE YOU WEARING A TIE AND A HEART? 248 00:09:15,823 --> 00:09:20,761 - I--WHY ARE YOU WEARING HAIR? 249 00:09:20,794 --> 00:09:22,930 AND SHOES? 250 00:09:22,963 --> 00:09:24,131 WHAT ARE YOU DOING HERE? 251 00:09:24,164 --> 00:09:25,365 - TURNS OUT YOU WERE RIGHT, OKAY? 252 00:09:25,398 --> 00:09:26,433 THE GUY'S CAR WAS TAMPERED WITH. YOU HAPPY NOW? 253 00:09:26,466 --> 00:09:28,068 - TODD'S PARENTS SAID HE'D BEEN AT THIS ADDRESS 254 00:09:28,101 --> 00:09:29,136 FOR THE LAST TWO WEEKS, 255 00:09:29,169 --> 00:09:30,904 SO WERE HERE TO TALK TO THE OWNER, JAY GIANUKOS. 256 00:09:30,938 --> 00:09:32,139 LET'S GO. 257 00:09:32,172 --> 00:09:33,774 - I DON'T THINK THAT'S GONNA BE POSSIBLE. 258 00:09:33,807 --> 00:09:35,609 LOOK, UH, I'LL EXPLAIN LATER, 259 00:09:35,643 --> 00:09:38,812 BUT FOR NOW YOU DON'T KNOW ME AND I'M VERY VERY SINGLE, OKAY? 260 00:09:38,846 --> 00:09:41,882 - YOU CAN'T RUN OFF LIKE THAT, DOCTOR. 261 00:09:41,915 --> 00:09:43,150 NOW COME ON. 262 00:09:43,183 --> 00:09:44,852 YOU'RE NEEDED AT THE POOL FOR THE SINGLE MINGLE. 263 00:09:44,885 --> 00:09:46,319 - COPY THAT. 264 00:09:46,353 --> 00:09:49,122 SHH. 265 00:09:49,156 --> 00:09:51,825 - DOCTOR? 266 00:09:51,859 --> 00:09:54,695 - SINGLE MINGLE. 267 00:09:54,728 --> 00:09:56,263 - BASED ON TODD'S TESTIMONIAL, 268 00:09:56,296 --> 00:09:57,898 HE WAS SCARED OF SOMEBODY ON THE INSIDE. 269 00:09:57,931 --> 00:09:59,132 - ON THE INSIDE. 270 00:09:59,166 --> 00:10:00,768 - YEAH, WHICH MEANS PROBABLY A CONTESTANT, 271 00:10:00,801 --> 00:10:02,736 SO LET'S GO OVER THERE, TALK TO THEM, 272 00:10:02,770 --> 00:10:04,337 FIGURE OUT WHICH ONE OF THEM HAS A MOTIVE. 273 00:10:04,371 --> 00:10:05,706 - SHAWN, YOU DON'T GET IT. 274 00:10:05,739 --> 00:10:06,940 THEY DON'T WANT TO TALK TO YOU. 275 00:10:06,974 --> 00:10:08,208 THEY'RE FOCUSED ON MELINDA. 276 00:10:08,241 --> 00:10:09,777 THE MINGLE IS A MAKE-IT-OR-BREAK-IT TIME 277 00:10:09,810 --> 00:10:11,111 WHEN YOU GET A CHANCE TO GET NOTICED 278 00:10:11,144 --> 00:10:13,346 AND PLANT SEEDS TO GET PICKED FOR A ONE-ON-ONE DATE. 279 00:10:13,380 --> 00:10:15,148 YOU GOTTA HAVE A MOMENT. 280 00:10:15,182 --> 00:10:17,685 - GUS, WE'RE NOT HAVING ANY MOMENTS, OKAY? 281 00:10:17,718 --> 00:10:19,920 WE'RE HERE TO INVESTIGATE. THIS ISN'T A COMPETITION. 282 00:10:19,953 --> 00:10:22,122 - SAYS THE GUY WHO'S GONNA GET VOTED OUT FIRST. 283 00:10:22,155 --> 00:10:24,825 LISTEN, SHAWN, I'VE STUDIED REALITY TV 284 00:10:24,858 --> 00:10:27,294 ALL MY LIFE FOR AN OPPORTUNITY JUST LIKE THIS. 285 00:10:27,327 --> 00:10:28,428 I'M IN IT TO WIN IT. 286 00:10:28,461 --> 00:10:29,897 - YEAH, WELL, I'M NOT. 287 00:10:29,930 --> 00:10:31,799 MOSTLY BECAUSE JULES WOULD KILL ME. 288 00:10:31,832 --> 00:10:34,001 I'M ACTUALLY GONNA HAVE TO TRY TO LOSE. 289 00:10:34,034 --> 00:10:35,903 - HELLO. - HI. 290 00:10:35,936 --> 00:10:37,905 EXCUSE ME, SHAWN, COULD I BORROW YOU FOR A SECOND? 291 00:10:37,938 --> 00:10:40,140 - ACTUALLY I'M IN THE MIDDLE OF A CONVERSATION WITH MY BOY. 292 00:10:40,173 --> 00:10:41,742 - [laughs] 293 00:10:47,047 --> 00:10:49,783 - MM, DOES NOT LOOK GOOD FOR YOU, HOMIE. 294 00:10:49,817 --> 00:10:50,884 - THAT'S ALL RIGHT. 295 00:10:50,918 --> 00:10:52,953 EVERYBODY KNOWS THAT AS THE ONLY BROTHER ON THE SHOW, 296 00:10:52,986 --> 00:10:55,723 I GET A FREE PASS THROUGH THE FIRST ROUND. 297 00:10:55,756 --> 00:10:57,891 - THEN SHE DUMPS YOU LIKE IT WAS THE END 298 00:10:57,925 --> 00:10:59,426 OF HER SEMESTER ABROAD. 299 00:10:59,459 --> 00:11:01,394 LOOK, HOMIE, I LIKE YOU. 300 00:11:01,428 --> 00:11:03,163 THAT'S WHY I WANT TO HELP YOU OUT. 301 00:11:03,196 --> 00:11:04,698 SO JUST DROP THE FRONT. 302 00:11:04,732 --> 00:11:07,034 YOU KNOW, THE WHOLE SAFE BROTHER WITH THE BORING JOB 303 00:11:07,067 --> 00:11:08,802 AND YOUR SHIRT TUCKED INTO YOUR PANTS. 304 00:11:08,836 --> 00:11:10,303 THAT'S SO '90s HUXTABLE. 305 00:11:10,337 --> 00:11:12,840 IF YOU WANT THAT CHICK, HERE'S WHAT YOU DO. 306 00:11:12,873 --> 00:11:14,441 YOU PLAY THE TRAGIC CARD. 307 00:11:14,474 --> 00:11:16,944 YOU TELL HER THAT YOUR FIANCEE DIED IN A SKYDIVING ACCIDENT. 308 00:11:16,977 --> 00:11:18,378 - I'M NOT LYING. 309 00:11:18,411 --> 00:11:22,349 - THEN YOU'RE NOT WINNING. 310 00:11:22,382 --> 00:11:25,819 - I COULDN'T HELP NOTICING THAT YOU HAVE AMAZING HAIR. 311 00:11:25,853 --> 00:11:27,387 - LOOKS REAL, DOESN'T IT? 312 00:11:27,420 --> 00:11:29,089 IT'S NOT. TRANSPLANT. 313 00:11:29,122 --> 00:11:31,825 MOSTLY FROM MY INNER THIGHS. 314 00:11:31,859 --> 00:11:33,026 A LITTLE FROM MY, UH, LOWER BACK. 315 00:11:33,060 --> 00:11:36,764 - [laughing] THAT'S GOOD. 316 00:11:36,797 --> 00:11:37,898 - ALL RIGHT, DETECTIVE, CAN YOU MAKE THIS QUICK? 317 00:11:37,931 --> 00:11:39,499 I'M TRYING TO SAVE MY SHOW. 318 00:11:39,532 --> 00:11:41,501 - OH, MERCY, OF COURSE, I'M SO SORRY. 319 00:11:41,534 --> 00:11:44,271 TURNS OUT YOUR CONTESTANT TODD KRAMER'S CAR WAS TAMPERED WITH. 320 00:11:44,304 --> 00:11:45,773 YOU GOT ANY THOUGHTS ON THAT? 321 00:11:45,806 --> 00:11:46,940 - YEAH, YEAH, I'M CURIOUS. 322 00:11:46,974 --> 00:11:49,810 CAN I, UH, CAN I SUE HIM BEFORE HE GETS OUT OF THE COMA? 323 00:11:49,843 --> 00:11:50,844 HE WAS MY FINALE. 324 00:11:50,878 --> 00:11:52,512 NOW I GOTTA DEAL WITH THESE GUYS. 325 00:11:52,545 --> 00:11:54,314 - IT FEELS VERY REAL TO ME. 326 00:11:54,347 --> 00:11:55,482 - THAT'S CHEATING, RIGHT? 327 00:11:55,515 --> 00:11:57,484 - ABSOLUTELY. 328 00:11:57,517 --> 00:12:00,821 - THERE'S NOTHING LIKE THE WONDERMENT ON A CHILD'S FACE 329 00:12:00,854 --> 00:12:02,222 WHEN YOU READ TO HIM FOR THE FIRST TIME. 330 00:12:02,255 --> 00:12:04,224 OH, THAT SMILE. 331 00:12:04,257 --> 00:12:06,226 - YEAH, KIDS BUG ME. 332 00:12:06,259 --> 00:12:08,428 I FIND THEM DISGUSTING. 333 00:12:08,461 --> 00:12:10,764 THEY HAVE STICKY FINGERS AND THEIR VOICES ARE ALL HIGH. 334 00:12:10,798 --> 00:12:12,532 BUT SERIOUSLY, WHICH ONE OF THESE DUDES 335 00:12:12,565 --> 00:12:14,034 DO YOU THINK COULD BE A KILLER? 336 00:12:14,067 --> 00:12:17,437 - SOMETHING ABOUT THIS SHAWN GUY WAS INTRIGUING. 337 00:12:17,470 --> 00:12:20,774 IT'S AS IF HE'S TRYING TO SAY ALL THE WRONG THINGS. 338 00:12:20,808 --> 00:12:23,210 OF COURSE IT MAKES ME WANT HIM MORE. 339 00:12:23,243 --> 00:12:26,146 I REALLY--I REALLY LOVE A CHASE. 340 00:12:26,179 --> 00:12:28,081 I'M STILL TRYING TO GET A READ ON HIS FRIEND GUS. 341 00:12:28,115 --> 00:12:31,819 KIND OF REMINDS ME OF BUD FROM THE COSBY SHOW. 342 00:12:31,852 --> 00:12:34,454 - BEFORE PHARMACEUTICALS, I USED TO SELL OFFICE EQUIPMENT. 343 00:12:34,487 --> 00:12:36,890 OOH, THE PACE. 344 00:12:36,924 --> 00:12:38,826 LIFE IS TOO SHORT. 345 00:12:38,859 --> 00:12:40,393 - MM-HM. - SO I MADE THE SWITCH. 346 00:12:40,427 --> 00:12:42,429 NOW I DRIVE AN ECHO. 347 00:12:42,462 --> 00:12:45,465 AND THINGS ARE GOOD. 348 00:12:48,969 --> 00:12:50,470 UH... 349 00:12:50,503 --> 00:12:52,806 MY FIANCEE DIED IN A SKYDIVING ACCIDENT. 350 00:12:52,840 --> 00:12:53,807 - OH. 351 00:12:53,841 --> 00:12:54,908 - CAN I BORROW YOU? - OH! 352 00:12:54,942 --> 00:12:56,476 ABSOLUTELY. 353 00:12:56,509 --> 00:13:00,881 [giggling] 354 00:13:00,914 --> 00:13:02,515 WITH BRODY, I THINK IT'S IMPORTANT 355 00:13:02,549 --> 00:13:04,885 THAT TWO PEOPLE ARE ATTRACTED TO EACH OTHER, 356 00:13:04,918 --> 00:13:07,420 SO PHYSICAL APPEARANCE IS DEFINITELY AN ATTRIBUTE 357 00:13:07,454 --> 00:13:08,889 THAT I LOOK FOR, 358 00:13:08,922 --> 00:13:10,290 BUT IT'S NOT THE MOST IMPORTANT THING. 359 00:13:10,323 --> 00:13:12,059 AND WITH BRODY, THERE'S SO MUCH MORE 360 00:13:12,092 --> 00:13:16,063 THAN JUST HIS HANDSOME LOOKS. 361 00:13:16,096 --> 00:13:19,299 LIKE... 362 00:13:19,332 --> 00:13:20,968 - I HATE THAT GUY. 363 00:13:21,001 --> 00:13:23,036 USING SUNSCREEN AS AN EXCUSE TO PAW HER-- 364 00:13:23,070 --> 00:13:24,404 THAT'S MY MOVE! 365 00:13:24,437 --> 00:13:27,975 IF I DON'T GET A HEART NECKLACE BECAUSE OF THAT DUDE, 366 00:13:28,008 --> 00:13:29,376 I'M UNLEASHING THE GUNS, 367 00:13:29,409 --> 00:13:32,012 FREDERICO AND PEPE-- BOOM BOOM! 368 00:13:32,045 --> 00:13:34,281 - OH, THE HEART. 369 00:13:34,314 --> 00:13:37,084 IT'S THE ONLY MUSCLE IN THE BODY THAT CAN 370 00:13:37,117 --> 00:13:39,452 BE BROKEN WITH A HARSH WORD AND REPAIRED WITH A GENTLE TOUCH. 371 00:13:39,486 --> 00:13:42,856 - WHAT THE HELL ARE YOU TALKING ABOUT? 372 00:13:42,890 --> 00:13:43,590 - DUDES LIKE THIS, THEY NEVER WIN. 373 00:13:43,623 --> 00:13:45,192 - [sighs] HEY. 374 00:13:45,225 --> 00:13:47,627 - I'M SORRY, GUY, I'VE JUST SEEN A LOT OF THESE. 375 00:13:47,660 --> 00:13:49,496 - YEAH, WE KEEP HIM AROUND BECAUSE HE'S GOOD AT GRILLING. 376 00:13:49,529 --> 00:13:50,998 - [giggles] 377 00:13:51,031 --> 00:13:52,499 - I THINK I MIGHT LOVE HER. 378 00:13:52,532 --> 00:13:54,902 OR SOMETHING. 379 00:13:54,935 --> 00:13:57,404 IF I FIND OUT THAT ANY ONE OF YOU PUDS 380 00:13:57,437 --> 00:14:02,342 AREN'T HERE FOR THE RIGHT REASONS... 381 00:14:02,375 --> 00:14:04,011 YOU'RE DEAD MEAT. 382 00:14:04,044 --> 00:14:08,481 - WHY ARE YOU LOOKING AT ME? 383 00:14:08,515 --> 00:14:11,885 - I GOTTA PEE. 384 00:14:11,919 --> 00:14:13,620 - DID YOU SEE THAT? 385 00:14:13,653 --> 00:14:15,588 DUDE WAS LOOKING RIGHT AT ME. 386 00:14:15,622 --> 00:14:18,058 CAN YOU SAY SUSPECTO NUMERO UNO? 387 00:14:18,091 --> 00:14:19,592 - SUSPECTO-- 388 00:14:19,626 --> 00:14:22,629 - DON'T DO IT, IT SOUNDED WAY BETTER IN MY HEAD. 389 00:14:25,665 --> 00:14:29,536 HEY, COME ON. 390 00:14:29,569 --> 00:14:33,340 NOW, REMEMBER, ALL OF OUR MOVES ARE BEING FILMED, 391 00:14:33,373 --> 00:14:36,643 SO LET'S COVER FOR EACH OTHER WHILE WE SNOOP. 392 00:14:36,676 --> 00:14:40,880 - DON'T WORRY, SHAWN, THE JACKAL IS HERE. 393 00:14:45,018 --> 00:14:46,119 WHAT ARE WE LOOKING FOR? 394 00:14:46,153 --> 00:14:47,988 - MARIO'S STUFF. HE'S TOTALLY A HOTHEAD. 395 00:14:48,021 --> 00:14:49,656 MAYBE TODD WAS GETTING TOO CLOSE TO MELINDA, 396 00:14:49,689 --> 00:14:51,524 OR WASN'T HERE "FOR THE RIGHT REASONS" 397 00:14:51,558 --> 00:14:54,694 AND HAD TO BE STOPPED. 398 00:14:54,727 --> 00:14:56,529 GIANT ROLL, ON THREE. 399 00:14:56,563 --> 00:14:59,666 ONE, TWO-- 400 00:14:59,699 --> 00:15:00,968 - JACKAL DOWN, JACKAL DOWN! 401 00:15:01,001 --> 00:15:02,069 - ARE YOU OKAY, JACKAL? 402 00:15:02,102 --> 00:15:03,971 - I'M COOL. 403 00:15:04,004 --> 00:15:07,340 I'M COOL. 404 00:15:07,374 --> 00:15:10,477 DUDE, THIS IS BRODY'S STUFF? 405 00:15:10,510 --> 00:15:11,678 ALL HE BROUGHT WAS FLAX BARS AND A SPEEDO. 406 00:15:11,711 --> 00:15:12,712 - WHAT? 407 00:15:12,745 --> 00:15:14,081 THE GUY'S HERE FOR THREE WEEKS 408 00:15:14,114 --> 00:15:15,148 AND DIDN'T PACK A SINGLE SHIRT? 409 00:15:15,182 --> 00:15:16,316 - NOPE. 410 00:15:16,349 --> 00:15:19,352 - WOW. 411 00:15:25,325 --> 00:15:27,127 - DUDE. 412 00:15:27,160 --> 00:15:30,530 WHAT WOULD SOMEONE NEED A PAIR OF GREASY GLOVES FOR 413 00:15:30,563 --> 00:15:32,432 ON A DATING SHOW? 414 00:15:32,465 --> 00:15:35,702 - I BET THESE COME IN HANDY 415 00:15:35,735 --> 00:15:38,738 WHEN YOU NEED TO CUT SOMEBODY'S BRAKE LINES. 416 00:15:38,771 --> 00:15:42,042 JUST AS I THOUGHT-- 417 00:15:42,075 --> 00:15:43,176 SALAD DRESSING. 418 00:15:43,210 --> 00:15:45,178 - BRAKE FLUID. 419 00:15:45,212 --> 00:15:48,982 - LOOKS LIKE MARIO'S WILLING TO STAND BEHIND HIS THREATS. 420 00:15:49,016 --> 00:15:50,717 - THERE'S ONLY ONE PROBLEM WITH THAT THEORY, SHAWN. 421 00:15:50,750 --> 00:15:52,519 IT'S NOT MARIO'S. 422 00:15:52,552 --> 00:15:54,221 - WHOSE IS IT? 423 00:15:54,254 --> 00:15:57,657 - IT'S DANNY'S. 424 00:16:03,430 --> 00:16:05,098 - SO WHAT EXACTLY ARE YOU GUYS LOOKING FOR? 425 00:16:05,132 --> 00:16:07,100 - PHOTOGRAPHIC EVIDENCE OF DANNY PUTTING THE GLOVES 426 00:16:07,134 --> 00:16:09,502 INSIDE HIS CUBBYHOLE. 427 00:16:09,536 --> 00:16:10,537 NOTHING. 428 00:16:10,570 --> 00:16:12,439 IT'S LIKE IT NEVER HAPPENED. 429 00:16:12,472 --> 00:16:14,641 - UNLESS DANNY CAN MAKE HIMSELF INVISIBLE. 430 00:16:14,674 --> 00:16:16,043 HEY, DO WE HAVE ANY FOOTAGE WHERE IT LOOKS LIKE 431 00:16:16,076 --> 00:16:18,045 JUST A PAIR OF GLASSES WALKING INTO THE ROOM? 432 00:16:18,078 --> 00:16:19,212 [cell phone buzzes] 433 00:16:19,246 --> 00:16:23,583 - NO. 434 00:16:23,616 --> 00:16:24,784 - HUH. EXCUSE ME. 435 00:16:24,817 --> 00:16:27,720 THIS IS A REAL CALL FROM ACTUAL REALITY. 436 00:16:27,754 --> 00:16:28,755 HEY, JULES. 437 00:16:28,788 --> 00:16:29,956 WE FOLLOWED UP ON THE GLOVES, 438 00:16:29,989 --> 00:16:32,459 BUT COULDN'T GET ANY DEFINITIVE EVIDENCE FROM THE FOOTAGE. 439 00:16:32,492 --> 00:16:33,793 I THINK YOU AND LASSIE SHOULD PROBABLY 440 00:16:33,826 --> 00:16:35,262 CHECK IT OUT FOR YOURSELVES. 441 00:16:35,295 --> 00:16:36,563 - GOOD IDEA, SHAWN. 442 00:16:36,596 --> 00:16:39,432 WE DO HAVE A FEW QUESTIONS WE'D LIKE TO ASK DANNY. 443 00:16:39,466 --> 00:16:41,101 - ALL RIGHT. GOTTA GO. 444 00:16:41,134 --> 00:16:43,036 GOT A CATAMARAN CRUISE IN TEN MINUTES 445 00:16:43,070 --> 00:16:44,271 AND I DON'T HAVE PROPER DECK SHOES. 446 00:16:44,304 --> 00:16:48,041 - OH, I AM SO, SO SORRY THAT OUR INVESTIGATION 447 00:16:48,075 --> 00:16:49,476 IS INTERFERING WITH YOUR DATING LIFE, SHAWN. 448 00:16:49,509 --> 00:16:51,044 - JULES, COME ON. 449 00:16:51,078 --> 00:16:52,379 YOU THINK I REALLY WANNA BE OUT ON A BOAT, 450 00:16:52,412 --> 00:16:53,746 SIPPING CHAMPAGNE AND FEEDING GRAPES 451 00:16:53,780 --> 00:16:55,648 TO SOME BIKINI-CLAD PHILANTHROPIST? 452 00:16:55,682 --> 00:16:58,785 - NO, LOOK, I'LL ADMIT, I WAS ANGRY AT FIRST, 453 00:16:58,818 --> 00:17:00,287 AND MAYBE A LITTLE BIT JEALOUS, 454 00:17:00,320 --> 00:17:01,821 BUT I'M NOT ANYMORE. 455 00:17:01,854 --> 00:17:03,390 - LOOK, I'LL BE HONEST. 456 00:17:03,423 --> 00:17:05,125 I'M DOING EVERYTHING I CAN TO FEND MELINDA OFF. 457 00:17:05,158 --> 00:17:07,194 BUT IN THE END, I THINK MY CHARMS 458 00:17:07,227 --> 00:17:08,661 MAY PROVE TOO MUCH FOR HER TO RESIST. 459 00:17:08,695 --> 00:17:10,230 - YOU KISS HER, YOU DIE. 460 00:17:10,263 --> 00:17:11,631 - DULY NOTED. 461 00:17:11,664 --> 00:17:14,201 - YOU NEVER REALLY LIKED TODD KRAMER, DID YOU, DANNY? 462 00:17:14,234 --> 00:17:15,802 - WAIT, I'M SORRY, DETECTIVE. 463 00:17:15,835 --> 00:17:17,437 WHAT IS HAPPENING IN THIS SCENE? 464 00:17:17,470 --> 00:17:18,638 - THIS ISN'T A SCENE, SON. 465 00:17:18,671 --> 00:17:19,639 YOU'RE IN SERIOUS TROUBLE. 466 00:17:19,672 --> 00:17:21,608 - BUT TV TROUBLE, THOUGH, RIGHT? 467 00:17:21,641 --> 00:17:24,477 I MEAN, IT'S... [laughs] 468 00:17:24,511 --> 00:17:26,179 - A MAN IS IN A COMA. 469 00:17:26,213 --> 00:17:28,148 AND WE WANT SOME ANSWERS, SO YOU BETTER START TALKING. 470 00:17:28,181 --> 00:17:30,117 - WHY WAS THERE A PAIR OF MECHANIC'S GLOVES 471 00:17:30,150 --> 00:17:31,218 IN YOUR STUFF, DANNY? 472 00:17:31,251 --> 00:17:32,752 - WAIT, HOLD ON. DO YOU THINK 473 00:17:32,785 --> 00:17:34,387 THAT I HAD SOMETHING TO DO WITH HIS ACCIDENT? 474 00:17:34,421 --> 00:17:36,556 - WELL, OF ALL OF THE CONTESTANTS ON THE SHOW, 475 00:17:36,589 --> 00:17:39,126 YOU WERE THE ONLY ONE THAT CONTACTED THEM. 476 00:17:39,159 --> 00:17:41,828 - YEAH, I MEAN, I SAW THE AD AND I-- 477 00:17:41,861 --> 00:17:42,829 WE WENT TO THE SAME COLLEGE. 478 00:17:42,862 --> 00:17:45,198 I THOUGHT MAYBE IT'D BE FUN TO SEE HER AGAIN. 479 00:17:45,232 --> 00:17:46,666 - OH, RIGHT, RIGHT, IT DOES SAY THAT 480 00:17:46,699 --> 00:17:48,868 THEY TOOK A CREATIVE WRITING CLASS TOGETHER. 481 00:17:48,901 --> 00:17:51,171 - YEAH, ABOUT THAT. YOU WERE A PHYSICS MAJOR. 482 00:17:51,204 --> 00:17:53,706 SO WHAT WERE YOU DOING TAKING A CREATIVE WRITING CLASS? 483 00:17:53,740 --> 00:17:57,810 - HEY, I'M SORRY, IS TAKING A CLASS OUTSIDE MY MAJOR A CRIME? 484 00:17:57,844 --> 00:17:59,412 - NO, BUT STALKING IS. 485 00:17:59,446 --> 00:18:00,547 COME ON. 486 00:18:00,580 --> 00:18:01,648 YOU'RE OBSESSED WITH MELINDA. 487 00:18:01,681 --> 00:18:04,551 YOU CAN'T STAND THE IDEA OF ANOTHER MAN HAVING HER. 488 00:18:04,584 --> 00:18:07,287 - OKAY, LISTEN. AM I UNDER ARREST? 489 00:18:07,320 --> 00:18:10,390 - NOT YET, BUT WE'LL BE SEEING YA AGAIN, DANNY. 490 00:18:10,423 --> 00:18:13,126 - ONLY ON TV. 491 00:18:16,463 --> 00:18:17,630 DR. WOMACK, WHAT ARE YOU DOING HERE? 492 00:18:17,664 --> 00:18:19,599 AREN'T YOU SUPPOSED TO BE AT THE MANSION? 493 00:18:19,632 --> 00:18:23,536 - I WAS AND-- AND I GOT A CALL. 494 00:18:23,570 --> 00:18:26,406 - OH, MAN, THEY'RE GONNA GRILL YOU ABOUT TODD'S ACCIDENT, TOO. 495 00:18:26,439 --> 00:18:27,807 THEY JUST ACCUSED ME OF BEING A CREEPY STALKER-TYPE. 496 00:18:27,840 --> 00:18:29,442 DO YOU BELIEVE THAT? 497 00:18:29,476 --> 00:18:32,645 - THAT IS RIDICULOUS. EVERYONE KNOWS THAT YOU'RE THE--THE-- 498 00:18:32,679 --> 00:18:33,913 - FUN GUY. 499 00:18:33,946 --> 00:18:35,515 - THE FUN GUY. THE GRILL MAN. 500 00:18:35,548 --> 00:18:36,849 DANNY THE FUN GRILL MAN. 501 00:18:36,883 --> 00:18:37,850 - 'COURSE I'M A GRILL MAN. 502 00:18:37,884 --> 00:18:39,186 STAY STRONG, DOCTOR. 503 00:18:39,219 --> 00:18:40,187 - YEAH, YOU TOO, DANNY. 504 00:18:40,220 --> 00:18:42,289 - ALL RIGHT, PEACE. 505 00:18:45,658 --> 00:18:46,659 - SPENCER, WHAT THE HELL ARE YOU DOING HERE? 506 00:18:46,693 --> 00:18:47,794 DO YOU WANNA BLOW YOUR COVER? 507 00:18:47,827 --> 00:18:50,630 - I SWUNG BY EARLY, SO I CAN GET BACK BY FOUR O'CLOCK 508 00:18:50,663 --> 00:18:52,499 FOR THE ICE CREAM BAR AT THE MANSION. 509 00:18:52,532 --> 00:18:53,700 - YOUR GUY IS DEFINITELY LYING ABOUT SOMETHING. 510 00:18:53,733 --> 00:18:54,834 BUT WE JUST COULDN'T NAIL HIM DOWN. 511 00:18:54,867 --> 00:18:56,336 - HERE'S THE GOOD NEWS. 512 00:18:56,369 --> 00:18:58,338 EVEN THOUGH HE CONSIDERS ME DIRECT COMPETITION, 513 00:18:58,371 --> 00:18:59,472 DANNY LIKES ME. 514 00:18:59,506 --> 00:19:00,507 WHICH MEANS I CAN WORK HIM. 515 00:19:00,540 --> 00:19:01,674 I CAN GET A CONFESSION. 516 00:19:01,708 --> 00:19:02,842 - OH, THAT'S GREAT, SHAWN. 517 00:19:02,875 --> 00:19:04,211 BUT YOU DON'T CONTROL THE SHOW. 518 00:19:04,244 --> 00:19:05,778 HOW ARE YOU GONNA KEEP DANNY ON IT? 519 00:19:05,812 --> 00:19:07,814 - HMM. 520 00:19:10,850 --> 00:19:13,653 - DO YOU ACCEPT MY HEART 521 00:19:13,686 --> 00:19:14,921 AND PROMISE TO PROTECT IT? 522 00:19:14,954 --> 00:19:16,489 - UH, YEAH, I SUPPOSE SO. 523 00:19:16,523 --> 00:19:17,657 FIGURATIVELY. 524 00:19:17,690 --> 00:19:18,825 LITERALLY WOULD BE KIND OF WEIRD, 525 00:19:18,858 --> 00:19:20,593 DON'T YOU THINK? 526 00:19:20,627 --> 00:19:22,195 JUST HOLDING IT? BLOODY AND VALVE-Y? 527 00:19:22,229 --> 00:19:24,964 [chuckles] YEAH, I'LL DO IT. 528 00:19:24,997 --> 00:19:28,268 IT'S ALL RIGHT, MAN. YOU TRIED. 529 00:19:28,301 --> 00:19:29,969 - GUS... 530 00:19:30,002 --> 00:19:31,571 - HMM, LOOK AT THAT. 531 00:19:31,604 --> 00:19:32,739 YOU GET ONE, TOO. 532 00:19:32,772 --> 00:19:34,307 - THANK YOU. 533 00:19:34,341 --> 00:19:35,675 I LOOK FORWARD TO THE OPPORTUNITY 534 00:19:35,708 --> 00:19:36,676 TO GET TO KNOW YOU BETTER. 535 00:19:36,709 --> 00:19:38,811 - SO SWEET. 536 00:19:38,845 --> 00:19:39,646 - YOU'RE WELCOME. 537 00:19:39,679 --> 00:19:42,749 - I SAW IT. I KNEW IT WAS COMING. 538 00:19:42,782 --> 00:19:44,617 I WAS GETTING MY HEART ON. 539 00:19:44,651 --> 00:19:47,554 - I JUST GAVE HIM A HEART 'CAUSE I FELT BAD FOR HIM. 540 00:19:47,587 --> 00:19:50,590 I MEAN, HE LOST HIS FIANCEE IN A PARACHUTE ACCIDENT. 541 00:19:58,931 --> 00:20:00,500 - BIG CHOICE. 542 00:20:00,533 --> 00:20:02,335 - THE WEEK AFTER WE GET MARRIED, 543 00:20:02,369 --> 00:20:06,973 HOPEFULLY WE JUST MAKE A TON OF KIDS. 544 00:20:07,006 --> 00:20:09,776 - UH, EXCUSE ME, SORRY, SORRY. 545 00:20:09,809 --> 00:20:12,011 I JUST--I-I NEED TO SAY SOMETHING TO THE GROUP. 546 00:20:12,044 --> 00:20:13,513 - WHAT THE HELL'S GOING ON NOW? 547 00:20:13,546 --> 00:20:15,448 - MELINDA, IF I MAY, I KNOW THE DECISION IS YOURS 548 00:20:15,482 --> 00:20:17,417 WHO YOU WANNA GIVE THE HEART TO, BUT I THINK YOU SHOULD KNOW 549 00:20:17,450 --> 00:20:19,519 THERE IS SOMEONE HERE AMONGST US 550 00:20:19,552 --> 00:20:20,887 WHO DOES NOT HAVE YOUR BEST INTERESTS IN THEIR HEART. 551 00:20:20,920 --> 00:20:22,755 - BROTHER'S GONE ROGUE. - WHAT DO YOU MEAN? 552 00:20:22,789 --> 00:20:24,023 - SEAN, WHAT ARE YOU DOING? 553 00:20:24,056 --> 00:20:28,495 - WELL, UH, THIS PERSON DID NOT COME HERE WITH A CLEAN HEART. 554 00:20:28,528 --> 00:20:30,530 THEY HAVE A GIRLFRIEND. 555 00:20:30,563 --> 00:20:33,366 THIS PERSON... IS MARIO. 556 00:20:33,400 --> 00:20:35,902 - OH, SWEET JESUS. 557 00:20:35,935 --> 00:20:37,337 - DO WE STOP TAPING? WHAT ARE WE DOING? 558 00:20:37,370 --> 00:20:39,606 NO, NO, NO, WE GO IN FOR CLOSE-UPS. HANK! 559 00:20:39,639 --> 00:20:44,744 - DUDE, WHAT THE HELL? 560 00:20:44,777 --> 00:20:45,912 - BROWN CURLY HAIR! 561 00:20:45,945 --> 00:20:46,913 SHE HAS BROWN CURLY HAIR. 562 00:20:46,946 --> 00:20:47,947 SHE LIKES TO RIDE HOGS. 563 00:20:47,980 --> 00:20:49,716 - SHE RIDES PIGS? 564 00:20:49,749 --> 00:20:52,485 - YOU TWO GUYS ARE GONNA GET YOUR ASSES PUMMELED. 565 00:20:52,519 --> 00:20:53,886 - "YOU GUYS"? WHAT'S WITH THE "YOU GUYS" PART? 566 00:20:53,920 --> 00:20:55,755 WHY IS HE SAYING "YOU GUYS"? 567 00:20:55,788 --> 00:20:57,056 - NOT EVEN THAT ATTRACTIVE, REALLY. 568 00:20:57,089 --> 00:20:58,925 MUSTACHE ISSUES. WHAT'S HER NAME, MARIO? 569 00:20:58,958 --> 00:21:01,928 - BROS BEFORE HOS! 570 00:21:01,961 --> 00:21:03,796 - OOH, FOLKS, WE HAVE GOT A FIGHT. 571 00:21:03,830 --> 00:21:04,797 - [roars] 572 00:21:04,831 --> 00:21:06,866 - N-N-N-NO, LOOK-- 573 00:21:06,899 --> 00:21:08,501 - [growls] 574 00:21:08,535 --> 00:21:09,902 - THINK ABOUT IT! DON'T DO IT. 575 00:21:09,936 --> 00:21:10,770 THINK ABOUT IT. 576 00:21:10,803 --> 00:21:13,806 [grunting] 577 00:21:13,840 --> 00:21:17,043 [groans] 578 00:21:17,076 --> 00:21:18,645 - NOW MELINDA, 579 00:21:18,678 --> 00:21:20,780 DESPITE THE UNORTHODOX EVENTS THAT HAVE JUST HAPPENED, 580 00:21:20,813 --> 00:21:23,750 YOU STILL HAVE TO DECIDE WHO GETS YOUR FINAL HEART. 581 00:21:27,520 --> 00:21:29,489 - I-I-I GUESS I CH-CHOOSE... 582 00:21:29,522 --> 00:21:33,393 ONCE YOU SEE SOMEONE HAVE A COMPLETE MENTAL BREAKDOWN, 583 00:21:33,426 --> 00:21:36,028 IT'S PROBABLY A SIGN THAT HE'S NOT A GOOD MATCH FOR YOU. 584 00:21:36,062 --> 00:21:38,965 BUT...REALLY IT JUST MADE ME THINK 585 00:21:38,998 --> 00:21:41,934 THAT MARIO'S SUPER-PASSIONATE. 586 00:21:41,968 --> 00:21:43,503 BUT I KINDA HEARD MY MOM'S VOICE IN MY HEAD. 587 00:21:43,536 --> 00:21:45,572 BUT HE'S SO MAD-- - SO THEN DANNY. 588 00:21:45,605 --> 00:21:47,907 CONGRATULATIONS, DANNY! 589 00:21:47,940 --> 00:21:51,944 - [screaming] 590 00:21:53,780 --> 00:21:55,548 - THESE GUYS ARE REALITY TV GOLD! 591 00:21:55,582 --> 00:21:56,749 - I KNOW, I KNOW! 592 00:21:59,786 --> 00:22:01,588 - SO NOW THAT YOU'VE MADE A MOCKERY 593 00:22:01,621 --> 00:22:03,790 OF A LEGITIMATE DATING PROCESS TO KEEP THIS KID ON THE SHOW, 594 00:22:03,823 --> 00:22:04,757 WHAT'S OUR NEXT MOVE? 595 00:22:04,791 --> 00:22:05,892 - "LEGITIMATE DATING PROCESS"? 596 00:22:05,925 --> 00:22:07,660 - YES, SHAWN, LEGITIMATE. 597 00:22:07,694 --> 00:22:09,829 - WE WALK OVER THERE AND WE MAKE CASUAL CONVERSATION. 598 00:22:09,862 --> 00:22:11,964 WE GET HIM TO REVEAL HIS MOTIVE FOR KILLING TODD. 599 00:22:11,998 --> 00:22:13,366 - SOUNDS LIKE A PLAN. 600 00:22:13,400 --> 00:22:14,734 BUT JUST GIVE IT A BEAT. 601 00:22:14,767 --> 00:22:17,470 LET'S LET HIM GET THE PATTIES ON THE GRILL FIRST. 602 00:22:17,504 --> 00:22:18,270 THERE'S NO REASON WE CAN'T EAT 603 00:22:18,304 --> 00:22:20,540 AND INVESTIGATE AT THE SAME TIME. 604 00:22:20,573 --> 00:22:22,575 - THAT'S TRUE, ACTUALLY. 605 00:22:28,715 --> 00:22:30,717 - DUDE, THE PATTIES AREN'T ON THE GRILL YET. 606 00:22:48,535 --> 00:22:49,969 - EASY, TIGER. 607 00:22:50,002 --> 00:22:50,970 - OH, MY GOD, HE'S BLEEDING. 608 00:22:51,003 --> 00:22:52,639 - OH, HE SURE IS. UH... 609 00:22:52,672 --> 00:22:53,640 IS THERE A DOCTOR IN THE HOUSE? 610 00:22:53,673 --> 00:22:54,674 WE NEED A DOCTOR HERE! 611 00:22:54,707 --> 00:22:55,942 - UH, YOU'RE A DOCTOR. 612 00:22:55,975 --> 00:22:57,677 - THAT'S A GOOD POINT. I AM A DOCTOR. 613 00:22:57,710 --> 00:23:00,079 BUT I SPECIALIZE IN PULMONARY AND SOMETIMES BRAIN. 614 00:23:00,112 --> 00:23:02,482 NOSE ISN'T REALLY MY FORTE. 615 00:23:02,515 --> 00:23:03,616 - WOW, SERIOUSLY? YOU HAVE PROBLEMS. 616 00:23:03,650 --> 00:23:04,751 - UH, YEAH. 617 00:23:04,784 --> 00:23:06,018 WE'LL USE THIS. 618 00:23:06,052 --> 00:23:08,455 ALL RIGHT, HERE WE GO. 619 00:23:08,488 --> 00:23:12,525 SEE? YOU'RE GONNA BE FINE. 620 00:23:12,559 --> 00:23:16,429 - DEB, I WANNA SEE GIANUKOS NOW. 621 00:23:16,463 --> 00:23:19,098 WHAT THE-- 622 00:23:19,131 --> 00:23:21,033 UH...HEY! 623 00:23:21,067 --> 00:23:22,502 WHAT ARE YOU DOING HERE? 624 00:23:22,535 --> 00:23:24,671 - I WANT A CRACK AT THAT STALKER NERD. 625 00:23:24,704 --> 00:23:25,805 THAT MAN'S HIDING SOMETHING. WHAT THE HELL HAPPENED HERE? 626 00:23:25,838 --> 00:23:27,039 - OKAY, LISTEN TO ME. 627 00:23:27,073 --> 00:23:29,809 YOUR STALKER NERD ALMOST GOT TOASTED A FEW MINUTES AGO, OKAY? 628 00:23:29,842 --> 00:23:31,811 HE WAS THE VICTIM. 629 00:23:31,844 --> 00:23:33,145 EVERYONE KNOWS HE DOES THE GRILLING. 630 00:23:33,179 --> 00:23:34,814 SO UNLESS HE WAS TRYING TO KILL HIMSELF, 631 00:23:34,847 --> 00:23:35,848 HE'S NOT OUR SUSPECT. 632 00:23:35,882 --> 00:23:37,049 NOW GET OUT OF HERE. 633 00:23:37,083 --> 00:23:38,485 - A VERY GOOD-LOOKING MAN IS IN A COMA, 634 00:23:38,518 --> 00:23:40,553 AND SOMEBODY CAUSED IT. 635 00:23:40,587 --> 00:23:42,455 I'M PUTTING AN END TO THIS CIRCUS NOW. 636 00:23:42,489 --> 00:23:43,756 LISTEN UP, 15-MINUTERS. 637 00:23:43,790 --> 00:23:46,726 TODD KRAMER'S CRASH WAS NOT AN ACCIDENT. 638 00:23:46,759 --> 00:23:48,861 SOMEONE IS TRYING TO KILL THE CONTESTANTS 639 00:23:48,895 --> 00:23:51,864 OF THIS PATHETIC REPLACEMENT FOR HUMAN INTERACTION. 640 00:23:51,898 --> 00:23:54,567 SIDE NOTE--TRUE LOVE IS NOT FOUND ON TV. 641 00:23:54,601 --> 00:23:56,202 - THIS PASTY DETECTIVE IS RIGHT. 642 00:23:56,235 --> 00:23:58,638 IT'S FOUND IN A WOMEN'S PRISON FACILITY. 643 00:23:58,671 --> 00:24:01,474 - WAIT A MINUTE. SOMEONE'S TRYING TO KILL ME? 644 00:24:01,508 --> 00:24:03,643 [hyperventilating] 645 00:24:03,676 --> 00:24:04,811 - BRODY, JUST BREATHE, MAN. 646 00:24:04,844 --> 00:24:07,547 - YEAH, AND PUT A SHIRT ON. 647 00:24:10,950 --> 00:24:13,620 - I'M SORRY. I'M--I AM, REALLY, I'M SORRY. 648 00:24:13,653 --> 00:24:15,888 I JUST--I DON'T KNOW WHAT YOU GUYS ARE DOING HERE. 649 00:24:15,922 --> 00:24:17,957 - SOMEONE WAS ALMOST BARBECUED ON YOUR GRILL. 650 00:24:17,990 --> 00:24:18,925 - THANK YOU VERY MUCH. 651 00:24:18,958 --> 00:24:20,126 I WILL CALL THE GAS COMPANY IN THE MORNING. 652 00:24:20,159 --> 00:24:23,129 BUT RIGHT NOW, I BELIEVE TWO PEOPLE ARE BREAKING THE LAW. 653 00:24:23,162 --> 00:24:24,564 OH, THAT'S RIGHT, YOU GUYS. 654 00:24:24,597 --> 00:24:26,699 TRESPASSING. HANK, STOP SHOOTING. 655 00:24:26,733 --> 00:24:29,135 WHAT ARE YOU DOING, YOU IDIOT? 656 00:24:29,168 --> 00:24:30,169 YOU STILL HERE? 657 00:24:30,202 --> 00:24:34,273 - HEY, GUYS. 658 00:24:34,306 --> 00:24:36,576 LISTEN, I HAD A VISION. 659 00:24:36,609 --> 00:24:37,810 IT WAS JAY AND MELINDA. 660 00:24:37,844 --> 00:24:39,546 SORDID. IT WAS FILTHY. 661 00:24:39,579 --> 00:24:40,547 JULES, COVER YOUR EARS. 662 00:24:40,580 --> 00:24:41,748 - SHAWN. 663 00:24:41,781 --> 00:24:43,583 - HE HIRES A BEAUTIFUL GIRL FOR THE SHOW. 664 00:24:43,616 --> 00:24:44,717 THEN HE FALLS IN LOVE WITH HER. 665 00:24:44,751 --> 00:24:47,053 AND NOW HE'S JEALOUS OF ALL THE GUYS 666 00:24:47,086 --> 00:24:48,821 THAT ARE COMPETING FOR HER AFFECTIONS. 667 00:24:48,855 --> 00:24:50,657 ESPECIALLY THE ONES THAT SHE ACTUALLY LIKES, LIKE TODD. 668 00:24:50,690 --> 00:24:52,525 AND ME. 669 00:24:52,559 --> 00:24:54,160 - I DON'T THINK YOU FIT INTO THAT CATEGORY, SHAWN. 670 00:24:54,193 --> 00:24:56,195 - OH, JULES, THAT'S CUTE. [banging sound] 671 00:24:56,228 --> 00:24:58,230 HEY, BRODY, WHERE ARE YOU GOING? 672 00:24:58,264 --> 00:24:59,666 - I'M QUITTING. 673 00:24:59,699 --> 00:25:00,800 LOOK, MELINDA'S A NICE GIRL 674 00:25:00,833 --> 00:25:02,134 AND SHE LOOKS GREAT NAKED. 675 00:25:02,168 --> 00:25:04,904 BUT SHE'S NOT WORTH DYING OVER. 676 00:25:04,937 --> 00:25:06,806 THERE'S EASIER WAYS TO GET EXPOSURE. 677 00:25:06,839 --> 00:25:08,240 - WHEN DID HE SEE HER NAKED? 678 00:25:08,274 --> 00:25:09,709 HEY, YOUR BACK IS GONNA STICK 679 00:25:09,742 --> 00:25:12,579 TO THE LEATHER SEATS OF THAT LUXURY SEDAN! 680 00:25:12,612 --> 00:25:14,280 - POOR MELINDA. 681 00:25:14,313 --> 00:25:16,816 WHO DOES SHE POSSIBLY HAVE TO CHOOSE FROM NOW? 682 00:25:16,849 --> 00:25:18,284 - HELLO? 683 00:25:18,317 --> 00:25:22,555 I'M STANDING RIGHT HERE. - I KNOW. 684 00:25:22,589 --> 00:25:25,592 - WATCH YOUR TOES. 685 00:25:31,598 --> 00:25:33,700 - SERIOUSLY? YOU'RE GONNA PUT ALL THAT OIL IN YOUR HEAD? 686 00:25:33,733 --> 00:25:34,734 - YOU KNOW THAT'S RIGHT. 687 00:25:34,767 --> 00:25:36,168 LAVENDER. 688 00:25:36,202 --> 00:25:37,336 MELINDA LIKES A MINTY SHINE. 689 00:25:37,369 --> 00:25:38,204 - WOULD YOU FOCUS? 690 00:25:38,237 --> 00:25:39,238 WE NEED TO USE THIS DAY TO FIGURE OUT 691 00:25:39,271 --> 00:25:41,641 THE REAL RELATIONSHIP BETWEEN MELINDA AND JAY. 692 00:25:41,674 --> 00:25:43,209 - RIGHT, ALL I GOTTA DO IS GET HER TO ADMIT 693 00:25:43,242 --> 00:25:44,677 THAT SHE'S SECRETLY DATING HIM. 694 00:25:44,711 --> 00:25:45,878 - YEAH, AND I'LL DO MOST OF THE TALKING. 695 00:25:45,912 --> 00:25:47,346 SINCE OBVIOUSLY SHE'S WAY MORE INTO ME. 696 00:25:47,379 --> 00:25:50,016 - MAN, PLEASE, HER HEART IS BLEEDING FOR ME, SHAWN. 697 00:25:50,049 --> 00:25:52,218 MY LADY'S 'CHUTE DIDN'T OPEN. 698 00:25:52,251 --> 00:25:54,320 - SHE ISN'T EVEN SURE WHAT YOUR NAME IS. 699 00:25:54,353 --> 00:25:55,655 - YOU HAVE A GIRLFRIEND. 700 00:25:55,688 --> 00:25:58,357 - SHH. REAL LIFE, NOT TV. 701 00:25:58,390 --> 00:26:00,760 HELLO, MELINDA. 702 00:26:00,793 --> 00:26:02,261 - HI. OH, THANK YOU. - THANK YOU FOR THAT. 703 00:26:02,294 --> 00:26:04,130 SOMETHING'S WEIGHING ON YOU. 704 00:26:04,163 --> 00:26:05,965 - WOW. 705 00:26:05,998 --> 00:26:09,135 YOU ARE SO INTUITIVE, SHAWN. 706 00:26:09,168 --> 00:26:12,038 YEAH, I GUESS THE PRESSURE OF PICKING THE RIGHT BACHELOR 707 00:26:12,071 --> 00:26:14,240 IS JUST CAUSING ME A LOT OF STRESS. 708 00:26:14,273 --> 00:26:15,808 - BELIEVE ME, I GET IT. 709 00:26:15,842 --> 00:26:19,278 IS IT POSSIBLE THAT THERE'S SOMEONE ELSE? 710 00:26:19,311 --> 00:26:20,847 SOMEONE YOU'RE INVOLVED WITH IN THE NIGHTTIME? 711 00:26:20,880 --> 00:26:21,948 - SHAWN. 712 00:26:21,981 --> 00:26:23,850 MAY I CUT IN HERE? 713 00:26:23,883 --> 00:26:26,318 - THIS IS A TACO-BURRITO CONVERSATION, NACHOS. 714 00:26:26,352 --> 00:26:27,319 - EXCUSE ME, SHAWN. 715 00:26:27,353 --> 00:26:30,389 - OH, THIS IS SO DUMB. 716 00:26:30,422 --> 00:26:32,959 - MAY I PROPOSE A TOAST? - PLEASE. 717 00:26:32,992 --> 00:26:34,794 - TO ALL THE POSSIBILITIES 718 00:26:34,827 --> 00:26:37,396 OF THINGS WE CAN GET INTO WITHOUT SHAWN... 719 00:26:37,429 --> 00:26:38,230 OR ANYBODY ELSE. 720 00:26:38,264 --> 00:26:39,331 [glasses clink] 721 00:26:39,365 --> 00:26:41,133 THERE ISN'T ANYONE ELSE, IS THERE? 722 00:26:41,167 --> 00:26:44,236 MAYBE SOMEONE...ROTUND? 723 00:26:44,270 --> 00:26:46,238 - I-I DON'T... 724 00:26:46,272 --> 00:26:48,374 - CHEERS. 725 00:26:48,407 --> 00:26:49,241 - GOODNIGHT, BUDDY, I'M CUTTING IN. 726 00:26:49,275 --> 00:26:55,181 - I JUST GOT HERE. - GET OUTTA HERE. 727 00:26:55,214 --> 00:26:57,383 - LET ME ADD TO THAT TOAST WITH THE FOLLOWING QUESTION. 728 00:26:57,416 --> 00:26:58,951 HOW MANY GUYS HAVE YOU SLEPT WITH 729 00:26:58,985 --> 00:27:00,219 SINCE WE STARTED SHOOTING THIS SHOW? 730 00:27:00,252 --> 00:27:02,254 - [gasps] 731 00:27:02,288 --> 00:27:03,422 - HE'S AN IDIOT. I'M CUTTING BACK IN. 732 00:27:03,455 --> 00:27:05,024 - YOU CAN'T CUT IN TO A CUT IN. 733 00:27:05,057 --> 00:27:06,693 - YOU CUT INTO MY CUT IN, WE'RE ALREADY MID-CUT IN. 734 00:27:06,726 --> 00:27:07,960 - I CAN'T BELIEVE YOU RIGHT NOW. 735 00:27:07,994 --> 00:27:08,961 - WELL, THAT'S YOUR PROBLEM. 736 00:27:08,995 --> 00:27:11,831 - WILL YOU GIVE US A MOMENT PLEASE, MELINDA? 737 00:27:11,864 --> 00:27:15,267 - EXCUSE ME. 738 00:27:15,301 --> 00:27:16,969 - YOU'RE DOING IT ALL STUPID. 739 00:27:17,003 --> 00:27:18,370 - OH, MAN, YOU DON'T KNOW WHAT STUPID IS. 740 00:27:18,404 --> 00:27:19,638 YOU DON'T ASK SOMEBODY HOW MANY DUDES SHE SLEPT WITH. 741 00:27:19,672 --> 00:27:21,340 - IT'S A PERFECTLY LEGITIMATE QUESTION WHEN YOU'RE ON A DATE. 742 00:27:21,373 --> 00:27:22,441 - NO, THAT WAS NOT, SHAWN, NO, IT WAS NOT. 743 00:27:22,474 --> 00:27:23,710 YOU NEED TO GO BACK AND READ THE PLAYER HANDBOOK. 744 00:27:23,743 --> 00:27:26,012 - YOU'RE LIKE RYAN GOSLING WHEN HE'S SINGING WITH THE UKULELE 745 00:27:26,045 --> 00:27:27,213 IN BLUE VALENTINE, THAT'S WHAT YOU ARE. 746 00:27:27,246 --> 00:27:27,814 - NO, NO, NO, NO, DO NOT USE AN OBSCURE REFERENCE ON ME, 747 00:27:27,847 --> 00:27:30,016 I GET THAT, I GET THAT. 748 00:27:30,049 --> 00:27:31,283 - FINE, FINE. I'M RIGHT HERE, I AIN'T GOING BACK OUT THERE. 749 00:27:31,317 --> 00:27:32,251 - I AIN'T GOIN' BACK OUT THERE EITHER. 750 00:27:32,284 --> 00:27:35,922 - FINE. - FINE. 751 00:27:35,955 --> 00:27:38,124 - ARE YOU KIDDING ME? 752 00:27:38,157 --> 00:27:41,360 ALL RIGHT, LET'S JUST--LET'S RESET FOR THE FONDUE SEGMENT. 753 00:27:41,393 --> 00:27:42,829 - FONDUE, I HEAR THAT. 754 00:27:42,862 --> 00:27:44,697 - WHAT THE HELL IS GOING ON WITH YOU GUYS? 755 00:27:44,731 --> 00:27:47,399 IT'S LIKE YOU'RE MORE INTO EACH OTHER THAN YOU ARE INTO ME. 756 00:27:47,433 --> 00:27:50,002 - YEAH, LOOK, THAT'S--THAT'S FAIR, AND--AND I APOLOGIZE 757 00:27:50,036 --> 00:27:51,303 FOR GUS' BEHAVIOR. - MY BEHAVIOR? 758 00:27:51,337 --> 00:27:53,940 - IT'S JUVENILE AND IT'S NOT VERY LIKABLE. 759 00:27:53,973 --> 00:27:55,241 - IS IT? - IT'S HIGHLY UNLIKABLE. 760 00:27:55,274 --> 00:27:57,276 - WOW. - BUT ANSWER US THIS. 761 00:27:57,309 --> 00:27:58,778 WHY HAVE YOU BEEN SLEEPING WITH JAY? 762 00:27:58,811 --> 00:27:59,946 - WHAT? 763 00:27:59,979 --> 00:28:01,280 I'M NOT SLEEPING WITH JAY. 764 00:28:01,313 --> 00:28:03,115 - WE SAW YOU KISS HIM BEHIND THE POOL. 765 00:28:03,149 --> 00:28:05,317 - NO, NO. 766 00:28:05,351 --> 00:28:09,488 JAY WAS JUST SHOWING ME HOW TO "SELL THE ROMANCE" ON CAMERA, 767 00:28:09,521 --> 00:28:11,157 AS HE CALLS IT. 768 00:28:11,190 --> 00:28:12,424 IT WAS JUST A REHEARSAL. 769 00:28:12,458 --> 00:28:14,460 I FELT REALLY SILLY ABOUT THE WHOLE THING. 770 00:28:14,493 --> 00:28:16,295 BUT I DIDN'T ACTUALLY KISS HIM. 771 00:28:16,328 --> 00:28:18,364 WAIT, WERE YOU SPYING ON ME? 772 00:28:18,397 --> 00:28:19,932 - GUS WAS. - WHAT? 773 00:28:19,966 --> 00:28:21,100 - I WAS BUSY SAVING DANNY'S LIFE. 774 00:28:21,133 --> 00:28:22,168 - I WILL PUNCH YOU IN THE FACE, SHAWN. 775 00:28:22,201 --> 00:28:23,269 - IT'S TRUE. 776 00:28:23,302 --> 00:28:25,237 - WAIT, WHAT-- YOU SAVED DANNY'S LIFE? 777 00:28:25,271 --> 00:28:27,506 - I DID WHAT ANYBODY ELSE WOULD HAVE DONE. 778 00:28:27,539 --> 00:28:29,241 - OKAY, GUYS, UM... 779 00:28:29,275 --> 00:28:30,276 GUYS, THAT WAS, UM, 780 00:28:30,309 --> 00:28:31,510 THAT WAS REALLY GOOD. 781 00:28:31,543 --> 00:28:33,512 REALLY, REALLY GOOD ENERGY. 782 00:28:33,545 --> 00:28:35,214 AND, UM, MAYBE JUST-- JUST NOT SO MUCH PUSHING. 783 00:28:35,247 --> 00:28:36,749 - SORRY ABOUT THAT. - GOT IT. 784 00:28:36,783 --> 00:28:38,284 - GUS IS PREPARED TO PAY FOR ALL THE PROFITEROLES. 785 00:28:38,317 --> 00:28:40,352 - YOU MUST BE OUT OF YOUR DAMN MIND. 786 00:28:40,386 --> 00:28:41,854 - NO, LOOK, GUYS, GUYS, NOT NECESSARY. 787 00:28:41,888 --> 00:28:45,391 JAY'S GOT THIS--THIS SHOW INSURED TO THE ROOF. 788 00:28:45,424 --> 00:28:46,993 I MEAN, LITERALLY, YOU COULD BREAK THE ROOF. 789 00:28:47,026 --> 00:28:49,028 AND JAY'D GET A NEW ROOF. 790 00:28:49,061 --> 00:28:51,831 - HUH. 791 00:28:51,864 --> 00:28:53,199 - OKAY, LOOK, DID I HIT ON MELINDA? 792 00:28:53,232 --> 00:28:54,300 YES. 793 00:28:54,333 --> 00:28:56,102 GUILTY, HUH? TAKE ME AWAY. 794 00:28:56,135 --> 00:28:58,070 BUT IF YOU ACTUALLY THINK THAT 795 00:28:58,104 --> 00:29:00,472 I'M KILLING OFF MY OWN CONTESTANTS ONE AT A TIME 796 00:29:00,506 --> 00:29:01,507 SO THAT I CAN HAVE HER TO MYSELF-- 797 00:29:01,540 --> 00:29:04,076 I MEAN, THAT'S--THAT'S CRAZY. 798 00:29:04,110 --> 00:29:07,113 - IT DOES SOUND A LITTLE CRAZY. 799 00:29:07,146 --> 00:29:08,180 - YOU'RE FREE TO GO. 800 00:29:08,214 --> 00:29:09,281 - THANK YOU. 801 00:29:09,315 --> 00:29:12,018 [phone buzzes] 802 00:29:16,388 --> 00:29:17,356 - ONE MORE QUESTION. 803 00:29:17,389 --> 00:29:18,891 - YEAH? 804 00:29:18,925 --> 00:29:20,026 - DO YOU HAVE AN INSURANCE POLICY ON THE SHOW? 805 00:29:20,059 --> 00:29:23,996 - UH, YES, I DO. 806 00:29:24,030 --> 00:29:25,231 I'M A BUSINESSMAN. 807 00:29:25,264 --> 00:29:28,334 - AND THAT MEANS ALL OF YOUR CONTESTANTS ARE INSURED AS WELL. 808 00:29:28,367 --> 00:29:30,136 - I SUPPOSE THEY ARE. 809 00:29:30,169 --> 00:29:31,570 - CORRECT ME IF I'M WRONG HERE. 810 00:29:31,603 --> 00:29:33,539 BUT THIS IS ALL YOUR OWN MONEY TIED UP IN THE SHOW, RIGHT? 811 00:29:33,572 --> 00:29:36,876 - YES, THIS IS ALL MY MONEY TIED UP IN THE SHOW, 812 00:29:36,909 --> 00:29:38,210 MONEY THAT YOU WILL NEVER SEE. 813 00:29:38,244 --> 00:29:39,812 WHY? 814 00:29:39,846 --> 00:29:41,213 I D-DON'T UNDERSTAND. 815 00:29:41,247 --> 00:29:42,214 - OH, WELL, LET ME SEE 816 00:29:42,248 --> 00:29:44,516 IF I CAN MAKE THIS A LITTLE CLEARER FOR YOU. 817 00:29:44,550 --> 00:29:47,119 SABOTAGING YOUR OWN SHOW IS THE ONLY WAY 818 00:29:47,153 --> 00:29:48,554 YOU CAN DIG YOURSELF OUT OF THIS MONEY PIT. 819 00:29:48,587 --> 00:29:52,258 - WE'RE GONNA NEED TO SEE THAT INSURANCE POLICY. 820 00:29:52,291 --> 00:29:56,362 - WOW, LOOK AT YOU TWO, MR. AND MRS. POLICEMAN. 821 00:29:56,395 --> 00:29:58,530 I HATE TO BURST YOUR BUBBLE 822 00:29:58,564 --> 00:30:00,066 AND WIPE THOSE SMILES OFF YOUR FACES, 823 00:30:00,099 --> 00:30:03,402 BUT I'VE SOLD THE SHOW TO NBC. 824 00:30:03,435 --> 00:30:06,472 SO WHY WOULD I SABOTAGE THAT? 825 00:30:06,505 --> 00:30:08,240 - NBC, HUH? 826 00:30:08,274 --> 00:30:10,843 - YEAH. 827 00:30:10,877 --> 00:30:13,279 - WOW, THAT IS JUST SUPER-IMPRESSIVE. 828 00:30:13,312 --> 00:30:14,313 WHO'S YOUR CONTACT OVER THERE? 829 00:30:14,346 --> 00:30:16,949 BECAUSE MY OLD NEIGHBOR JAN'S IN LEGAL AFFAIRS 830 00:30:16,983 --> 00:30:21,220 AND MAYBE THEY KNOW EACH OTHER. 831 00:30:21,253 --> 00:30:23,856 - I'M HILTON FOX. WELCOME BACK 832 00:30:23,890 --> 00:30:26,959 MELINDA, THE TIME HAS COME FOR YOU TO CHOOSE 833 00:30:26,993 --> 00:30:29,028 WHO GETS YOUR FINAL HEART. 834 00:30:29,061 --> 00:30:30,462 AND WHO GETS SENT PACKING. 835 00:30:30,496 --> 00:30:33,465 AND WHATEVER HAPPENS TONIGHT, YOU'RE NOT THE LOSER. 836 00:30:33,499 --> 00:30:36,302 ONE OF THEM IS. 837 00:30:36,335 --> 00:30:38,104 - OKAY. SHAWN-- 838 00:30:38,137 --> 00:30:39,538 - YES. 839 00:30:39,571 --> 00:30:43,609 - YOU ARE A VERY... ODD PERSON. 840 00:30:43,642 --> 00:30:46,045 ONE MINUTE, YOU'RE WITTY 841 00:30:46,078 --> 00:30:48,247 AND SARCASTIC AND SMART. 842 00:30:48,280 --> 00:30:49,916 AND THE NEXT... 843 00:30:49,949 --> 00:30:52,318 YOU'RE LIKE A SIX-YEAR-OLD LOOKING FOR A POPSICLE. 844 00:30:52,351 --> 00:30:54,320 - WE DON'T HAVE ANY POPSICLES. 845 00:30:54,353 --> 00:30:56,889 I CHECKED-- I SEE WHAT YOU MEAN. 846 00:30:56,923 --> 00:30:59,058 [laughing] 847 00:30:59,091 --> 00:31:00,059 - AND GUS... 848 00:31:00,092 --> 00:31:01,260 - YES? 849 00:31:01,293 --> 00:31:04,263 - YOU'RE AN...OKAY GUY. 850 00:31:04,296 --> 00:31:06,165 - WELL... 851 00:31:06,198 --> 00:31:10,002 - AND I GUESS I COULD SEE US TOGETHER. 852 00:31:10,036 --> 00:31:12,271 BUT YOUR FIANCEE 853 00:31:12,304 --> 00:31:13,672 TOOK YOUR HEART WITH HER 854 00:31:13,705 --> 00:31:18,410 WHEN SHE HIT THE GROUND IN THAT NEVADA AIRFIELD, SO... 855 00:31:18,444 --> 00:31:22,414 - UH, BUT WHO'S GONNA HELP ME RAISE MY LITTLE BOY, RONDELL? 856 00:31:22,448 --> 00:31:24,250 I CAN'T RAISE HIM ALONE. 857 00:31:24,283 --> 00:31:27,086 AND HIS BROTHER MELLARD. 858 00:31:27,119 --> 00:31:28,354 WHAT IS HE GONNA DO? 859 00:31:28,387 --> 00:31:29,555 AND WHAT ABOUT HIS COUSIN RAY-JAY? 860 00:31:29,588 --> 00:31:33,692 - THAT'S A LOT OF KIDS YOU HAVEN'T MENTIONED. 861 00:31:33,725 --> 00:31:36,428 UH, I'M GONNA CHOOSE SHAWN. 862 00:31:36,462 --> 00:31:39,631 - LET'S TAKE A WALK IN THE MEADOW. 863 00:31:39,665 --> 00:31:41,600 - [silently] 864 00:31:41,633 --> 00:31:46,472 HAVE FUN, KIDS. 865 00:31:46,505 --> 00:31:48,407 - [sighs] 866 00:31:48,440 --> 00:31:51,077 I'VE WATCHED THIS EXACT SCENE ON TV SO MANY TIMES. 867 00:31:51,110 --> 00:31:52,979 [chuckles] 868 00:31:53,012 --> 00:31:56,282 I NEVER THOUGHT IT WOULD BE ME IN THE LIMO, DRIVING AWAY. 869 00:31:56,315 --> 00:31:58,417 [sniffles] 870 00:31:58,450 --> 00:32:02,154 BURTON GUSTER, YOU ARE NOT GONNA CRY IN THIS LIMO. 871 00:32:02,188 --> 00:32:04,323 NOT TODAY. 872 00:32:04,356 --> 00:32:07,359 OH, NO, YOU'RE NOT. 873 00:32:15,434 --> 00:32:18,004 - SHAWN... 874 00:32:18,037 --> 00:32:21,673 DANCING HERE WITH YOU UNDER THE MOONLIGHT... 875 00:32:21,707 --> 00:32:23,742 IT JUST...FEELS RIGHT. 876 00:32:23,775 --> 00:32:27,213 [cell phone rings] 877 00:32:27,246 --> 00:32:29,281 - OH, I GOTTA TAKE THIS. 878 00:32:29,315 --> 00:32:31,483 HOLD THAT THOUGHT, OKAY? 879 00:32:31,517 --> 00:32:33,385 JULES! 880 00:32:33,419 --> 00:32:34,420 - HEY, WE GOT GIANUKOS. 881 00:32:34,453 --> 00:32:37,323 YEAH, IT TURNS OUT HE NEVER SOLD A SHOW TO NBC. 882 00:32:37,356 --> 00:32:38,390 LASSITER CALLED HIS BLUFF. 883 00:32:38,424 --> 00:32:39,491 HE LIED SO THAT 884 00:32:39,525 --> 00:32:41,327 HE COULD GET A MASSIVE INSURANCE POLICY ON THE SHOW, 885 00:32:41,360 --> 00:32:43,395 AND THEN HE COULD KILL AND COLLECT. 886 00:32:43,429 --> 00:32:44,630 SO THANKS FOR THE TIP, SHAWN. 887 00:32:44,663 --> 00:32:47,066 - THAT'S HOW I DO IT WHEN I--WHEN I DO IT. 888 00:32:47,099 --> 00:32:48,700 - SO NOW YOU CAN GET OFF THE SHOW. 889 00:32:48,734 --> 00:32:51,537 - BUT JULES, I CAN WIN THIS THING. 890 00:32:51,570 --> 00:32:53,472 - DO YOU HEAR ME? 891 00:32:53,505 --> 00:32:56,108 OFF THE SHOW...NOW. 892 00:32:56,142 --> 00:32:59,311 - HEY. THANK YOU. 893 00:32:59,345 --> 00:33:00,546 - SORRY. 894 00:33:00,579 --> 00:33:02,514 UH, WHERE--WHERE WERE WE? 895 00:33:02,548 --> 00:33:07,386 - I JUST...I'M SORRY IF I'M COMING ON A LITTLE STRONG. 896 00:33:07,419 --> 00:33:09,321 IT'S JUST THAT... 897 00:33:09,355 --> 00:33:10,589 SEE, I'VE ALWAYS... 898 00:33:10,622 --> 00:33:14,660 HAD THESE UNREALISTIC EXPECTATIONS OF LOVE. 899 00:33:14,693 --> 00:33:16,428 WHEN I WAS IN COLLEGE, 900 00:33:16,462 --> 00:33:19,065 IN A CREATIVE WRITING CLASS, 901 00:33:19,098 --> 00:33:24,103 I USED TO GET THESE LETTERS ON MY DESK FROM A SECRET ADMIRER. 902 00:33:24,136 --> 00:33:25,704 THEY WOULD SAY THINGS LIKE 903 00:33:25,737 --> 00:33:31,143 "THE HEART IS THE ONLY MUSCLE IN THE BODY 904 00:33:31,177 --> 00:33:34,480 "THAT CAN BE BROKEN BY A HARSH WORD--" 905 00:33:34,513 --> 00:33:39,285 - AND REPAIRED WITH A GENTLE TOUCH. 906 00:33:42,821 --> 00:33:43,589 - SHAWN, WHY ARE YOU SHOWING US THIS? 907 00:33:43,622 --> 00:33:45,491 - I JUST WANTED TO SHOW YOU PROOF 908 00:33:45,524 --> 00:33:47,226 THAT I CARRIED MYSELF LIKE A GENTLEMAN, 909 00:33:47,259 --> 00:33:48,694 AND DID THE RIGHT THING. 910 00:33:48,727 --> 00:33:53,765 FIRE HER UP, STEVE. 911 00:33:53,799 --> 00:33:57,269 [groans] 912 00:33:57,303 --> 00:33:59,838 - OH, NO. 913 00:33:59,871 --> 00:34:01,073 I'M S--I'M SO SORRY. 914 00:34:01,107 --> 00:34:02,541 I KNEW JAY'S ADVICE WAS WRONG. 915 00:34:02,574 --> 00:34:04,510 MEN DON'T LIKE WOMEN TO MAKE THE FIRST MOVE. 916 00:34:04,543 --> 00:34:05,811 - OH, NO, NO, NO. IT'S NOT YOU. 917 00:34:05,844 --> 00:34:07,713 YOU'RE--YOU'RE PERFECT...-ISH. 918 00:34:07,746 --> 00:34:11,483 IT'S ME. I HAVE A CONFESSION TO MAKE. 919 00:34:11,517 --> 00:34:12,684 [sighs] 920 00:34:12,718 --> 00:34:14,186 I'M NOT A DOCTOR. 921 00:34:14,220 --> 00:34:15,854 - YEAH, I KIND OF FIGURED THAT 922 00:34:15,887 --> 00:34:18,790 WHEN YOU SAID YOU GRADUATED FROM BOB HOSKINS MEDICAL SCHOOL. 923 00:34:18,824 --> 00:34:20,726 - THAT'S NOT ALL. 924 00:34:20,759 --> 00:34:23,862 I HAVE A GIRLFRIEND. 925 00:34:23,895 --> 00:34:26,832 AND THINGS ARE GOING REALLY WELL. 926 00:34:26,865 --> 00:34:30,802 AND...WE FLIP IT AROUND WHEN THE LIGHTS ARE DOWN 927 00:34:30,836 --> 00:34:32,404 THREE, FOUR TIMES A WEEK. 928 00:34:32,438 --> 00:34:33,805 SOMETIMES FIVE, DEPENDING ON OUR CASE LOADS. 929 00:34:33,839 --> 00:34:35,474 - WHAT? 930 00:34:35,507 --> 00:34:36,842 WHY WOULD YOU DO THIS TO ME? 931 00:34:36,875 --> 00:34:38,477 - LET ME EXPLAIN, OKAY? 932 00:34:38,510 --> 00:34:42,514 MY REAL JOB, MELINDA, IS PSYCHIC DETECTIVE. 933 00:34:42,548 --> 00:34:45,184 I WAS BROUGHT IN HERE TO SOLVE A CRIME. 934 00:34:45,217 --> 00:34:46,818 AND RIGHT NOW, I AM SENSING 935 00:34:46,852 --> 00:34:49,255 THAT THIS BEAUTIFUL, UNATTAINABLE LOVE 936 00:34:49,288 --> 00:34:54,526 THAT YOU SO DESPERATELY SEEK IS NOT ONLY VERY REAL, 937 00:34:56,595 --> 00:35:00,332 BUT MUCH CLOSER THAN YOU THINK. 938 00:35:00,366 --> 00:35:04,203 - DANNY? 939 00:35:04,236 --> 00:35:07,639 - DANNY IS THE ONE THAT WROTE 940 00:35:07,673 --> 00:35:10,209 ALL OF THOSE BEAUTIFUL ANONYMOUS LETTERS TO YOU 941 00:35:10,242 --> 00:35:12,178 IN CREATIVE WRITING CLASS. 942 00:35:12,211 --> 00:35:15,347 HE'S ALWAYS BEEN IN LOVE WITH YOU. 943 00:35:15,381 --> 00:35:16,682 AND HE IS THE ONLY ONE HERE 944 00:35:16,715 --> 00:35:19,618 THAT TRULY WANTS TO PROTECT YOUR HEART. 945 00:35:19,651 --> 00:35:20,786 - THAT WAS YOU? 946 00:35:20,819 --> 00:35:22,754 WOW. 947 00:35:22,788 --> 00:35:24,390 - I'VE LOVED YOU A LONG TIME. 948 00:35:24,423 --> 00:35:27,393 - YEAH. 949 00:35:27,426 --> 00:35:28,660 - WE'RE GOOD. - YEAH. 950 00:35:28,694 --> 00:35:30,229 - THANK YOU. 951 00:35:30,262 --> 00:35:33,365 - AND LOVE CONEXIoN. 952 00:35:37,736 --> 00:35:39,438 WHOA, WHAT WAS THAT? 953 00:35:39,471 --> 00:35:41,273 LOOKS LIKE SOME SORT OF GLITCH. 954 00:35:41,307 --> 00:35:42,841 - OH, WE CALL THAT A JUMP CUT. 955 00:35:42,874 --> 00:35:44,710 JUST INDICATES A MISSING PIECE OF FOOTAGE. 956 00:35:44,743 --> 00:35:46,278 - OR TIME. 957 00:35:46,312 --> 00:35:47,679 - IF SOMEONE REMOVED FOOTAGE, WHERE WOULD IT GO? 958 00:35:47,713 --> 00:35:49,615 - OUTER SPACE, I BELIEVE. CORRECT, STEVE? 959 00:35:49,648 --> 00:35:51,283 - UH, NO, IT'S NOT CORRECT. 960 00:35:51,317 --> 00:35:52,818 BUT IT'S ALMOST IMPOSSIBLE 961 00:35:52,851 --> 00:35:54,486 TO MAKE FOOTAGE DISAPPEAR PERMANENTLY. 962 00:35:54,520 --> 00:35:57,389 I'VE GOT IT BACKED UP ON, LIKE, A MILLION DIFFERENT SOURCES. 963 00:35:57,423 --> 00:35:59,691 - HEY, STEVE, CAN YOU, UH, CAN YOU BRING UP THE FOOTAGE 964 00:35:59,725 --> 00:36:02,828 FROM THE DAY DANNY ALMOST GOT HIS FACE BURNED OFF? 965 00:36:02,861 --> 00:36:06,532 - YEAH. - THANKS. 966 00:36:11,470 --> 00:36:13,205 THE REAPPEARING CUP. 967 00:36:13,239 --> 00:36:17,343 AND--AND CAN YOU SHOW US THE RAW FOOTAGE FROM THE BEDROOM? 968 00:36:17,376 --> 00:36:20,679 THE NIGHT THOSE GLOVES LANDED IN DANNY'S CUBBYHOLE. 969 00:36:20,712 --> 00:36:22,814 - 'KAY. 970 00:36:25,884 --> 00:36:26,852 - HANK? 971 00:36:26,885 --> 00:36:28,854 - THE CAMERA GUY? 972 00:36:28,887 --> 00:36:29,955 - YOU PUT THE WRONG GUY IN CUSTODY. 973 00:36:29,988 --> 00:36:31,690 JAY DIDN'T SABOTAGE HIS OWN SHOW. 974 00:36:31,723 --> 00:36:32,691 - WHERE'S HANK NOW? 975 00:36:32,724 --> 00:36:34,826 - HE'S ON LOCATION FILMING MELINDA AND DANNY 976 00:36:34,860 --> 00:36:36,795 FOR THE PROPOSAL DATE FINALE. 977 00:36:36,828 --> 00:36:38,830 - HANK? 978 00:36:41,700 --> 00:36:47,706 [siren] 979 00:36:57,349 --> 00:36:58,817 GUS! - WHAT? 980 00:36:58,850 --> 00:36:59,751 - LET'S GO! 981 00:36:59,785 --> 00:37:04,256 - ARE YOU SERIOUS? 982 00:37:04,290 --> 00:37:06,592 - SPENCER, WHERE THE HELL ARE YOU GOING? 983 00:37:06,625 --> 00:37:07,593 - DANNY! 984 00:37:07,626 --> 00:37:09,728 - SHAWN! 985 00:37:09,761 --> 00:37:11,697 - DON'T TAKE THAT LEAP! 986 00:37:11,730 --> 00:37:13,732 - NO, SHAWN, DON'T WORRY. WE TALKED ABOUT IT. 987 00:37:13,765 --> 00:37:15,734 WE'RE READY FOR THIS! 988 00:37:15,767 --> 00:37:17,736 - YEAH! WE'RE IN LOVE. 989 00:37:17,769 --> 00:37:19,838 - YEAH! - THANKS TO YOU, SHAWN. 990 00:37:19,871 --> 00:37:22,841 - NO, NO, NO, NOT THAT LEAP. 991 00:37:22,874 --> 00:37:23,975 THE CHUTE, IT'S NOT SAFE! 992 00:37:24,009 --> 00:37:24,976 - WHAT? 993 00:37:25,010 --> 00:37:26,845 - THE CHUTE! 994 00:37:26,878 --> 00:37:29,748 - YEAH! NO, IT'S THE FINAL SHOOT. 995 00:37:29,781 --> 00:37:32,284 [whooping] 996 00:37:32,318 --> 00:37:34,853 - SHAWN, SHAWN, I DON'T KNOW ABOUT YOU, 997 00:37:34,886 --> 00:37:38,424 BUT THE LAST TIME I CHECKED, I WASN'T FASTER THAN A PLANE. 998 00:37:38,457 --> 00:37:40,759 - YOU KNOW, BUDDY, IN RETROSPECT, 999 00:37:40,792 --> 00:37:41,827 I MAY HAVE MISCALCULATED ON THIS ONE. 1000 00:37:41,860 --> 00:37:47,333 [sirens] 1001 00:37:52,371 --> 00:37:54,840 [panting] 1002 00:37:54,873 --> 00:37:56,708 - PUT THE CAMERA DOWN. 1003 00:37:56,742 --> 00:37:58,810 ARE YOU FILMING ME RIGHT NOW? STOP FILMING ME! 1004 00:37:58,844 --> 00:37:59,811 PUT IT DOWN! 1005 00:37:59,845 --> 00:38:03,582 GET OUT HERE. 1006 00:38:03,615 --> 00:38:04,750 - HANK, I KNOW YOU WERE THE ONE 1007 00:38:04,783 --> 00:38:06,418 THAT HAD THE IDEA FOR THIS SHOW FIRST. 1008 00:38:06,452 --> 00:38:09,855 BUT YOURS WAS CALLED PASSING SHIPS. 1009 00:38:09,888 --> 00:38:10,889 AM I RIGHT? 1010 00:38:10,922 --> 00:38:12,591 - YES. 1011 00:38:12,624 --> 00:38:14,025 - A SHOW ABOUT A FEMALE CONTESTANT 1012 00:38:14,059 --> 00:38:15,661 WHO'S REINTRODUCED 1013 00:38:15,694 --> 00:38:17,729 TO SUITORS FROM HER PAST WHO SHE COULD HAVE MET 1014 00:38:17,763 --> 00:38:19,365 BUT OVERLOOKED. 1015 00:38:19,398 --> 00:38:20,666 - HOW DID YOU-- 1016 00:38:20,699 --> 00:38:22,634 - IT'S MY SKILL SET, JACK. 1017 00:38:22,668 --> 00:38:24,069 YOU THOUGHT JAY WAS GONNA MAKE YOU A PARTNER, 1018 00:38:24,102 --> 00:38:26,905 BUT INSTEAD HE WENT OUT, SOLD THIS THING WITHOUT YOU. 1019 00:38:26,938 --> 00:38:29,107 HE WAS LYING, BUT YOU DIDN'T KNOW THAT. 1020 00:38:29,140 --> 00:38:31,643 WHEN JAY STARTED BRAGGING ABOUT THE SHOW, 1021 00:38:31,677 --> 00:38:33,879 YOU DECIDED YOU WERE GONNA SABOTAGE THIS THING 1022 00:38:33,912 --> 00:38:35,781 AT ALL COSTS TO MAKE SURE IT WASN'T SUCCESSFUL. 1023 00:38:35,814 --> 00:38:37,783 - HANK, STOP FILMING. 1024 00:38:37,816 --> 00:38:40,586 WHAT ARE YOU DOING, YOU IDIOT? 1025 00:38:40,619 --> 00:38:43,789 - THAT'S COLD, HANK. COLD-BLOODED, HANK. 1026 00:38:43,822 --> 00:38:47,826 YOUR FINAL PLAN WAS TO SWITCH OUT DANNY BOY'S CHUTE... 1027 00:38:50,061 --> 00:38:51,463 WITH GUS' DIRTY LAUNDRY. 1028 00:38:51,497 --> 00:38:52,598 - THAT'S NOT MY LAUNDRY, SHAWN. 1029 00:38:52,631 --> 00:38:53,632 - WHAT ARE YOU SAYING? 1030 00:38:53,665 --> 00:38:55,100 - THAT'S NOT MY LAUNDRY. 1031 00:38:55,133 --> 00:38:56,902 - YOU SAYING I'M HOLDING ON TO SOME RANDOM DUDE'S DRAWERS? 1032 00:38:56,935 --> 00:38:58,470 - I GUESS SO. 1033 00:38:58,504 --> 00:39:00,772 YOU TWO WERE GONNA FALL TO YOUR DEATHS. 1034 00:39:00,806 --> 00:39:02,708 - [gasps] LIKE YOUR POOR FIANCEE. 1035 00:39:02,741 --> 00:39:03,642 - WHAT? 1036 00:39:03,675 --> 00:39:05,611 - WAIT A MINUTE, WHOSE DRAWERS ARE THESE? 1037 00:39:05,644 --> 00:39:06,678 - I DON'T--I DON'T KNOW. 1038 00:39:06,712 --> 00:39:07,779 - TAKE 'EM. 1039 00:39:07,813 --> 00:39:08,780 - NO. - TAKE THESE! 1040 00:39:08,814 --> 00:39:09,748 - I DON'T WANT THEM, SHAWN. 1041 00:39:09,781 --> 00:39:10,782 - TAKE THESE DRAWERS! 1042 00:39:10,816 --> 00:39:12,784 - I AIN'T GONNA TAKE THEM. 1043 00:39:12,818 --> 00:39:14,352 - TAKE 'EM! SUCK 'EM! 1044 00:39:18,123 --> 00:39:19,958 [cheering] 1045 00:39:19,991 --> 00:39:22,394 - AND WELCOME BACK TO THE PATHS OF LOVE REUNION SHOW 1046 00:39:22,428 --> 00:39:24,896 WHERE WE CHECK IN AND SEE HOW OUR BACHELORS HAVE BEEN DOING. 1047 00:39:24,930 --> 00:39:26,598 FIRST THINGS FIRST, 1048 00:39:26,632 --> 00:39:27,899 I WILL BE STARRING IN A BRAND-NEW 1049 00:39:27,933 --> 00:39:29,901 TYLER PERRY SCI-FI EPIC CALLED 1050 00:39:29,935 --> 00:39:32,871 I AIN'T GETTIN' ON NO ROCKET. 1051 00:39:32,904 --> 00:39:34,139 NOW THOSE OF YOU WHO CAUGHT THE LAST EPISODE, 1052 00:39:34,172 --> 00:39:36,107 YOU KNOW THAT SHAWN HAD A HAND IN PLAYING CUPID. 1053 00:39:36,141 --> 00:39:38,810 - OH, WHAT CAN I SAY? 1054 00:39:38,844 --> 00:39:40,446 I LOVE MAKING LOVE. 1055 00:39:40,479 --> 00:39:42,113 ESPECIALLY ON TELEVISION. 1056 00:39:42,147 --> 00:39:44,082 I HAD A FANTASTIC TIME ON THE SHOW. 1057 00:39:44,115 --> 00:39:46,084 - NOW THAT WASN'T ALWAYS THE CASE. 1058 00:39:46,117 --> 00:39:50,055 LET'S TAKE A LOOK AT SOME OF YOUR HIGHLIGHTS FROM THE SHOW. 1059 00:39:50,088 --> 00:39:51,723 - WHAT THE EFF? 1060 00:39:51,757 --> 00:39:54,960 HEY, GUYS, COME ON. 1061 00:39:54,993 --> 00:39:57,663 WHO DOESN'T PUT THE LID ON THE ICE CREAM BACK? 1062 00:39:57,696 --> 00:39:58,964 LOOK AT THIS, WHAT IS THIS? 1063 00:39:58,997 --> 00:39:59,965 YOU KNOW WHAT THAT IS? THAT'S FREEZER BURN. 1064 00:39:59,998 --> 00:40:01,767 WE'RE BACHELORS, 1065 00:40:01,800 --> 00:40:03,001 IT DOESN'T MEAN THAT WE'RE LIVING ALONE. 1066 00:40:03,034 --> 00:40:05,604 THE FIRST THOUGHT THAT I HAD WHEN I WALKED DOWN THOSE STAIRS 1067 00:40:05,637 --> 00:40:07,539 AND SAW MELINDA STANDING THERE, 1068 00:40:07,573 --> 00:40:11,042 UM, IN THAT RUFFLY DRESS, WAS, UM, 1069 00:40:11,076 --> 00:40:13,078 "NOT BAD FOR A STAND-IN. 1070 00:40:13,111 --> 00:40:16,147 "I WONDER, UH, WHAT THE RE-- 1071 00:40:16,181 --> 00:40:19,451 WHAT THE ACTUAL BACHELORETTE IS GONNA LOOK LIKE." 1072 00:40:19,485 --> 00:40:22,988 * MELINDA'S FACE 1073 00:40:23,021 --> 00:40:26,892 * IS ON TOP OF HER NECK 1074 00:40:26,925 --> 00:40:29,127 * MELINDA'S FACE IS UNDER HER HAIR * 1075 00:40:29,160 --> 00:40:30,796 * UNDER HER HAIR, UNDER HER HAIR * 1076 00:40:30,829 --> 00:40:33,732 - SHAWN AND GUS, THAT WAS A REALLY INTERESTING RELATIONSHIP. 1077 00:40:33,765 --> 00:40:38,236 IT WAS KIND OF HARD TO... PENETRATE THAT TWOSOME. 1078 00:40:38,269 --> 00:40:40,672 INITIALLY, WHEN THEY CAME INTO THE HOUSE, 1079 00:40:40,706 --> 00:40:45,210 I, UM, I ACTUALLY THOUGHT THAT THEY MAY HAVE BEEN TOGETHER. 1080 00:40:45,243 --> 00:40:48,179 I MEAN, THEY'RE REALLY INTO EACH OTHER. 1081 00:40:48,213 --> 00:40:50,015 LIKE, REALLY INTO EACH OTHER. 1082 00:40:50,048 --> 00:40:53,251 YOU WERE SUCH A CUTE BABY. 1083 00:40:53,284 --> 00:40:56,154 AND TO THINK, THAT LITTLE BUNDLE GREW UP TO BE A SURGEON. 1084 00:40:56,187 --> 00:40:57,656 DID YOU HAVE A FEELING? 1085 00:40:57,689 --> 00:40:59,991 - SHAWN, THE SURGEON, YES, YES. 1086 00:41:00,025 --> 00:41:01,627 I, WE--YEAH, YEAH, COME ON, IT'S NO WONDER. 1087 00:41:01,660 --> 00:41:04,730 HE WAS ALWAYS INTERESTED IN MEDICINE, AND UH, HE... 1088 00:41:04,763 --> 00:41:06,965 I-I'M--I'M SORRY, I-I-I CAN'T DO THIS. 1089 00:41:06,998 --> 00:41:10,035 THIS--THIS--THIS GIRL IS WAY TOO GOOD FOR MY SON. 1090 00:41:10,068 --> 00:41:12,103 - NO... 1091 00:41:12,137 --> 00:41:13,004 - I-I WOULDN'T VOTE FOR HIM. 1092 00:41:13,038 --> 00:41:14,005 - [nervous laughter] 1093 00:41:14,039 --> 00:41:16,107 - YOUR CALL. 1094 00:41:16,141 --> 00:41:17,909 - WOW. 1095 00:41:17,943 --> 00:41:18,910 - IS THIS A JOKE? 1096 00:41:18,944 --> 00:41:20,078 - COME BACK OVER HERE. 1097 00:41:20,111 --> 00:41:21,012 HAVE SOME MORE LEMONADE. 1098 00:41:21,046 --> 00:41:22,013 - I DON'T WANT ANY LEMONADE! 1099 00:41:22,047 --> 00:41:24,883 [laughter] 1100 00:41:24,916 --> 00:41:27,853 - WOW, WELL, THAT IS A PATHS OF LOVE FIRST. 1101 00:41:27,886 --> 00:41:30,055 WE'VE NOW SAVED THE BEST FOR LAST. 1102 00:41:30,088 --> 00:41:32,123 DANNY... 1103 00:41:32,157 --> 00:41:34,292 IT'S HIGHLY UNLIKELY THAT YOU WOULD BE SITTING IN THAT CHAIR 1104 00:41:34,325 --> 00:41:36,628 IF NOT FOR THE TWO-MONTH MEDICALLY-INDUCED COMA 1105 00:41:36,662 --> 00:41:38,530 OF THIS GENTLEMAN. 1106 00:41:38,564 --> 00:41:42,000 BACHELORS, PUT YOUR HANDS TOGETHER FOR TODD KRAMER. 1107 00:41:42,033 --> 00:41:44,002 ALIVE AND WELL. 1108 00:41:44,035 --> 00:41:49,040 [applause and cheering] 1109 00:41:54,012 --> 00:41:55,914 - HEY. - WOW. 1110 00:41:55,947 --> 00:41:58,016 - I WAS DREAMING ABOUT YOU IN THE COMA. 1111 00:41:58,049 --> 00:41:59,250 - OH, OKAY. 1112 00:41:59,284 --> 00:42:02,688 - I GOTTA TELL YOU, IT IS ROUGH OUT THERE IN THE REAL WORLD. 1113 00:42:02,721 --> 00:42:05,223 BEING SINGLE AND HUNTING FOR LOVE. 1114 00:42:05,256 --> 00:42:07,025 - YEAH, BUT IT'S-- IT'S NOT THE REAL WORLD, SHAWN. 1115 00:42:07,058 --> 00:42:09,961 IT'S A TV SHOW. 1116 00:42:09,995 --> 00:42:12,197 - HEY, HEY. OKAY. 1117 00:42:12,230 --> 00:42:16,101 - OH, MY GOD. 1118 00:42:16,134 --> 00:42:18,336 - I'M SAYING IT'S NICE, IT'S NICE THAT YOU'RE IN MY LIFE. 1119 00:42:18,369 --> 00:42:21,640 YOU KNOW? THAT YOU'RE ALWAYS 1120 00:42:21,673 --> 00:42:22,708 STANDING BY MY SIDE. 1121 00:42:22,741 --> 00:42:25,110 IT FEELS GOOD. 1122 00:42:25,143 --> 00:42:26,111 FEELS RIGHT. 1123 00:42:26,144 --> 00:42:28,146 HUH? 1124 00:42:28,179 --> 00:42:30,015 JULES? - WHAT? 1125 00:42:34,019 --> 00:42:35,754 - * I KNOW YOU KNOW 1126 00:42:35,787 --> 00:42:37,823 * THAT I'M NOT TELLING THE TRUTH * 1127 00:42:37,856 --> 00:42:39,224 * I KNOW YOU KNOW 1128 00:42:39,257 --> 00:42:40,892 * THEY JUST DON'T HAVE ANY PROOF * 1129 00:42:40,926 --> 00:42:42,628 * EMBRACE THE DECEPTION 1130 00:42:42,661 --> 00:42:44,062 * LEARN HOW TO BEND 1131 00:42:44,095 --> 00:42:45,697 * YOUR WORST INHIBITIONS 1132 00:42:45,731 --> 00:42:48,066 * TEND TO PSYCH YOU OUT IN THE END * 1133 00:42:48,099 --> 00:42:48,166 * I KNOW YOU KNOW