1 00:00:06,474 --> 00:00:09,310 [indistinct conversations] 2 00:00:09,343 --> 00:00:12,313 [pop music plays in background] 3 00:00:12,346 --> 00:00:18,452 * 4 00:00:18,486 --> 00:00:20,154 - HEY, DEACON. 5 00:00:20,188 --> 00:00:21,489 - HEY, TINA. 6 00:00:21,522 --> 00:00:23,491 I DON'T BELIEVE YOU'VE MET JIMMY BRIGHAM. 7 00:00:23,524 --> 00:00:25,493 HE'S PRESIDENT OF ADP SECURITY. 8 00:00:25,526 --> 00:00:27,195 - OH. - TINA. 9 00:00:27,228 --> 00:00:28,429 - WELL, IT'S AN HONOR TO FINALLY MET THE MAN 10 00:00:28,462 --> 00:00:30,098 BEHIND THOSE FINE SECURITY GUARDS 11 00:00:30,131 --> 00:00:31,632 THAT KEEP BUSINESSES SAFE AROUND HERE. 12 00:00:31,665 --> 00:00:32,700 - THANK YOU. 13 00:00:32,733 --> 00:00:34,502 - LITTLE TINA HERE WENT FROM HIGH SCHOOL DROPOUT 14 00:00:34,535 --> 00:00:36,070 TO SHEPHERDING THE MILLIONS OF DOLLARS 15 00:00:36,104 --> 00:00:37,371 THAT FLOW THROUGH THIS CHARITY. 16 00:00:37,405 --> 00:00:39,840 - ANY CHANCE I CAN HIRE YOU AWAY TO BE MY CFO? 17 00:00:39,873 --> 00:00:41,209 - HEY, HEY... - YOU SURE YOU NEED ME? 18 00:00:41,242 --> 00:00:42,476 BECAUSE OF DEACON'S HARD WORK, 19 00:00:42,510 --> 00:00:43,644 CRIME IS DOWN 70%. 20 00:00:43,677 --> 00:00:45,513 COME, I'LL SHOW YOU TO YOUR TABLE. 21 00:00:45,546 --> 00:00:47,715 - OKAY. - OKAY, I'LL SEE YOU LATER. 22 00:00:47,748 --> 00:00:49,550 - DEACON JONES! 23 00:00:49,583 --> 00:00:52,653 - TONY AND DRAKE. WHAT'S UP? 24 00:00:52,686 --> 00:00:54,222 CLEMONS BROTHERS. 25 00:00:54,255 --> 00:00:56,524 HOW ARE YOU GUYS? GOOD TO SEE YOU. 26 00:00:56,557 --> 00:00:58,792 - IT'S GOOD TO SEE YOU TOO. - UH, WHERE'S JOON? 27 00:00:58,826 --> 00:01:00,394 - HE WAS SUPPOSED TO BE HERE. 28 00:01:00,428 --> 00:01:02,263 WE CHANGED ALL OUR SCHEDULES TO ACCOMMODATE HIM, 29 00:01:02,296 --> 00:01:04,132 AND HE STILL BLEW US OFF. - SUCKER. 30 00:01:04,165 --> 00:01:06,267 - PUNK-ASS. - BUSTER. I'M BURTON GUSTER. 31 00:01:06,300 --> 00:01:07,568 TONY AND DRAKE'S FRIEND FROM COLLEGE. 32 00:01:07,601 --> 00:01:09,837 - GLAD TO MEET YOU. - SHAWN SPENCER, TONY'S FRIEND 33 00:01:09,870 --> 00:01:11,572 FROM THE LAST TIME HE CAME TO TOWN AND GOT KIDNAPPED. 34 00:01:11,605 --> 00:01:13,541 - WELL, I'M REALLY HONORED THAT YOU GUYS WOULD CHOOSE 35 00:01:13,574 --> 00:01:14,842 TO COME PERFORM FOR US TONIGHT. 36 00:01:14,875 --> 00:01:16,444 - NO, WE'RE THE ONES THAT ARE HONORED. 37 00:01:16,477 --> 00:01:18,412 - YOU'RE IN BLACKAPELLA? 38 00:01:18,446 --> 00:01:20,281 - WE ALL KNOW THAT EVERY GREAT R&B BAND 39 00:01:20,314 --> 00:01:21,449 NEEDS A TOKEN WHITE PERSON. - WHAT? 40 00:01:21,482 --> 00:01:24,285 - THE BLACK EYED PEAS HAVE FERGIE, DEBARGE HAD DEBARGE, 41 00:01:24,318 --> 00:01:27,388 AND THERE'S THAT HASSIDIC RAPPER... 42 00:01:27,421 --> 00:01:28,589 MATISYAHU. 43 00:01:28,622 --> 00:01:29,723 - HE'S A SOLO ARTIST, SHAWN. 44 00:01:29,757 --> 00:01:30,858 - YEAH, BUT IT'S STILL WEIRD, 45 00:01:30,891 --> 00:01:32,360 DON'T YOU THINK, GUS? 46 00:01:32,393 --> 00:01:33,561 BY THE WAY, WE'RE NOT CALLED BLACKAPELLA. 47 00:01:33,594 --> 00:01:35,696 WE'RE CALLED QUARTER BLACK NOW. 48 00:01:35,729 --> 00:01:37,465 - WE ARE? 49 00:01:37,498 --> 00:01:39,700 - UH--UH...I ALSO NOTICED YOU GOT IT WRONG IN THE PROGRAM. 50 00:01:39,733 --> 00:01:42,270 - OKAY, SHAWN, REMEMBER WE'RE HERE TO HONOR DEACON JONES, 51 00:01:42,303 --> 00:01:43,837 NOT WORRY ABOUT OUR CREDITS IN THE PROGRAM, 52 00:01:43,871 --> 00:01:45,506 OR A NAME THAT STILL DOESN'T MAKE ANY SENSE. 53 00:01:45,539 --> 00:01:46,874 - IT MAKES PERFECT SENSE. 54 00:01:46,907 --> 00:01:48,176 - THERE'S THREE OF US AND ONE OF YOU. 55 00:01:48,209 --> 00:01:49,477 IF ANYTHING, WE SHOULD BE CALL-- - GUS! 56 00:01:49,510 --> 00:01:51,445 YOU'RE EMBARRASSING YOURSELF IN FRONT OF THE GROUP. 57 00:01:51,479 --> 00:01:54,582 - DEACON, YOU KNOW WE'D DO ANYTHING FOR YOU. 58 00:01:54,615 --> 00:01:56,250 LET ME TELL YOU SOMETHING, THIS MAN RIGHT HERE, 59 00:01:56,284 --> 00:01:57,351 HE SAVED OUR LIVES. 60 00:01:57,385 --> 00:01:58,719 - YEAH, TONY AND DRAKE TOLD ME 61 00:01:58,752 --> 00:01:59,720 HOW THEY WERE HEADING FOR THE GANG LIFE AS KIDS, 62 00:01:59,753 --> 00:02:00,754 AND HOW YOU RESCUED THEM. 63 00:02:00,788 --> 00:02:03,891 - THESE TWO GUYS ARE MY PROUDEST ACHIEVEMENTS. 64 00:02:03,924 --> 00:02:05,226 - EXCUSE ME, DEACON, WE'RE ABOUT TO START. 65 00:02:05,259 --> 00:02:06,427 - UH, THIS IS TINA. 66 00:02:06,460 --> 00:02:07,661 SHE HANDLES ALL OUR FINANCES. 67 00:02:07,695 --> 00:02:09,163 - OH, HEY. - HI. 68 00:02:09,197 --> 00:02:10,030 - [suavely] HELLO. 69 00:02:10,063 --> 00:02:14,202 - KUDOS ON THE ASIAN LORI PETTI LOOK. 70 00:02:14,235 --> 00:02:16,470 - CONGRATULATIONS ON YOUR SKINNY CHAZ BONO LOOK. 71 00:02:16,504 --> 00:02:18,472 - [laughs] - THANK YOU VERY MUCH. 72 00:02:18,506 --> 00:02:19,873 WAS THAT A COMPLIMENT? - NO. 73 00:02:19,907 --> 00:02:21,509 - I'M WEARING BOOTS BECAUSE I WAS HELPING OUT 74 00:02:21,542 --> 00:02:22,943 AT THE RIGHT NOW BOOT CAMP. 75 00:02:22,976 --> 00:02:24,478 - THERE'S A CAMP JUST FOR BOOTS? 76 00:02:24,512 --> 00:02:25,913 - IT'S WHERE THEY TEACH KIDS WILDERNESS STUFF 77 00:02:25,946 --> 00:02:27,581 AND THE VALUE OF TEAMWORK. 78 00:02:27,615 --> 00:02:29,217 - IT'S TIME FOR YOUR INTRODUCTION, DEACON. 79 00:02:29,250 --> 00:02:30,751 AND THEN YOU THREE GO ON AFTER THAT. 80 00:02:30,784 --> 00:02:33,821 - FO. WE'RE A FOURSOME. 81 00:02:33,854 --> 00:02:36,224 - OKAY. COME ON. 82 00:02:36,257 --> 00:02:37,958 - OKAY, WELL, KNOCK 'EM DEAD. - ALL RIGHT. 83 00:02:37,991 --> 00:02:39,893 - THANKS A LOT. LET'S GO, LET'S GO. 84 00:02:39,927 --> 00:02:42,496 FELLAS, OKAY, LET'S DO OUR WARM-UP EXERCISES. 85 00:02:42,530 --> 00:02:43,964 - ALL RIGHT. MI MI MI MI. 86 00:02:43,997 --> 00:02:48,202 - [Shawn vocalizing operatically] 87 00:02:48,236 --> 00:02:50,438 [fingers snapping, all harmonizing] 88 00:02:50,471 --> 00:02:55,209 * ISRAEL WAS IN EGYPT'S LAND 89 00:02:55,243 --> 00:02:59,413 * LET MY PEOPLE GO 90 00:02:59,447 --> 00:03:03,451 * OOH OOH OOH OOH 91 00:03:03,484 --> 00:03:06,420 * OOH OOH OOH OOH 92 00:03:06,454 --> 00:03:10,924 - * WHEN ISRAEL WAS IN EGYPT'S LAND * 93 00:03:10,958 --> 00:03:14,828 - * OOH OOH OOH OOH 94 00:03:14,862 --> 00:03:19,500 - * OPPRESSED SO HARD THEY COULD NOT STAND * 95 00:03:19,533 --> 00:03:22,670 - * OOH OOH OOH OOH 96 00:03:22,703 --> 00:03:26,907 - * GO DOWN, MOSES 97 00:03:26,940 --> 00:03:31,445 - * OOH OOH OOH OOH - * WAY DOWN IN EGYPT'S LAND 98 00:03:31,479 --> 00:03:34,482 - * TELL OLD PHARAOH 99 00:03:34,515 --> 00:03:37,685 - * LET MY PEOPLE GO 100 00:03:37,718 --> 00:03:43,324 [cheers and applause] 101 00:03:58,372 --> 00:03:59,540 - SHAWN, YOU OKAY? 102 00:03:59,573 --> 00:04:00,574 - GUS, I THINK YOU'RE GOING TO HAVE TO 103 00:04:00,608 --> 00:04:01,642 GET ME TO A HOSPITAL. 104 00:04:01,675 --> 00:04:04,745 [audience murmuring] 105 00:04:04,778 --> 00:04:06,847 [microphone feedback] - THANK YOU, EVERYBODY. 106 00:04:06,880 --> 00:04:08,416 WE'RE BLACKAPELLA. 107 00:04:08,449 --> 00:04:12,786 - QUARTER BLACK! WE'RE CALLED QUARTER BLACK! 108 00:04:22,763 --> 00:04:25,866 ALL RIGHT, GIVE IT TO ME STRAIGHT, HOW BAD IS IT? 109 00:04:25,899 --> 00:04:27,000 - YOUR APPENDIX BURST. 110 00:04:27,034 --> 00:04:28,536 - OH, GOD. - THEY REMOVED IT. 111 00:04:28,569 --> 00:04:30,604 - AM I GONNA DIE? - YES. 112 00:04:30,638 --> 00:04:32,406 SOMEDAY. BUT NOT FROM THIS. 113 00:04:32,440 --> 00:04:34,775 - STILL, I'VE LOST A VITAL ORGAN. 114 00:04:34,808 --> 00:04:37,311 ONE THAT'S ABSOLUTELY CRUCIAL FOR HUMAN SURVIVAL. 115 00:04:37,345 --> 00:04:40,080 GUS, I ASSUME YOU'RE PREPARED TO GIVE ME YOURS. 116 00:04:40,113 --> 00:04:42,316 - UH, NO. - SO I CAN JUMP HIGHER. 117 00:04:42,350 --> 00:04:43,751 - WHAT? THAT MAKES NO SENSE, SHAWN. 118 00:04:43,784 --> 00:04:45,819 BESIDES, YOU DON'T NEED YOUR APPENDIX. 119 00:04:45,853 --> 00:04:47,821 IN FACT, MEDICAL SCIENCE IS HAVING TROUBLE DECIDING 120 00:04:47,855 --> 00:04:49,089 IF THE APPENDIX IS ANY USE TO THE BODY AT ALL. 121 00:04:49,122 --> 00:04:50,891 - THE DOCTOR SAID ALL YOU NEED IS A FEW DAYS HERE 122 00:04:50,924 --> 00:04:52,560 TO RECOVER FROM SURGERY. 123 00:04:52,593 --> 00:04:54,428 - SO YOU'RE TELLING ME THAT MY INSURANCE 124 00:04:54,462 --> 00:04:55,496 WON'T COVER THE TRANSPLANT. 125 00:04:55,529 --> 00:04:57,598 YOU GUYS ARE TRYING TO PROTECT ME FROM THE FACT 126 00:04:57,631 --> 00:04:58,899 THAT I'M GONNA SPEND THE REST OF MY LIFE 127 00:04:58,932 --> 00:05:03,003 IN A GIGANTIC PLASTIC BUBBLE... JUST LIKE THE MOVIE I'M WRITING. 128 00:05:03,036 --> 00:05:04,772 - THEY'VE ALREADY MADE TWO BUBBLE MOVIES, SHAWN. 129 00:05:04,805 --> 00:05:07,040 - YEAH, BUT MINE'S GONNA STAR JAKE GYLLENHAAL. 130 00:05:07,074 --> 00:05:09,610 - YOU DON'T NEED A TRANSPLANT, SHAWN. 131 00:05:09,643 --> 00:05:11,379 - BUT IT IS TRUE YOUR INSURANCE WOULD NOT COVER YOUR SURGERY, 132 00:05:11,412 --> 00:05:13,647 MAINLY BECAUSE YOU DON'T HAVE INSURANCE. 133 00:05:13,681 --> 00:05:15,783 - WHICH MEANS I'M FOOTING THE BILL FOR ALL OF THIS. 134 00:05:15,816 --> 00:05:18,652 - THANKS, POP. AND YOU KNOW, I DON'T WANT TO IMPOSE, 135 00:05:18,686 --> 00:05:19,853 BUT I WOULD PREFER A PRIVATE ROOM 136 00:05:19,887 --> 00:05:21,522 WITH AN OCEAN VIEW, AND SATELLITE TV 137 00:05:21,555 --> 00:05:22,890 WITH MLB EXTRA INNINGS. 138 00:05:22,923 --> 00:05:24,057 - KEEP WISHING, I MIGHT RIP YOUR HEART OUT. 139 00:05:24,091 --> 00:05:26,059 THAT'S AN ORGAN YOU DO NEED. 140 00:05:26,093 --> 00:05:28,028 - UH, THAT'S A MUSCLE. - WHATEVER. 141 00:05:29,830 --> 00:05:31,064 - LASSIE! 142 00:05:31,098 --> 00:05:33,401 THANKS FOR DROPPING BY, BUT AS IT TURNS OUT, 143 00:05:33,434 --> 00:05:34,635 I'M PROBABLY GONNA BE OKAY. 144 00:05:34,668 --> 00:05:36,003 - I DIDN'T COME HERE TO SEE YOU, SPENCER. 145 00:05:36,036 --> 00:05:37,538 AFTER YOU LEFT THE COMMUNITY CENTER, 146 00:05:37,571 --> 00:05:38,739 THERE WAS A SHOOTING. - WHAT? 147 00:05:38,772 --> 00:05:42,410 - WHO GOT SHOT? 148 00:05:42,443 --> 00:05:44,978 - STAY WITH US, DEAC. 149 00:05:50,718 --> 00:05:53,821 [The Friendly Indians' I Know You Know] 150 00:05:53,854 --> 00:05:57,958 * 151 00:05:57,991 --> 00:05:59,560 * IN BETWEEN THE LINES 152 00:05:59,593 --> 00:06:01,895 * THERE'S A LOT OF OBSCURITY 153 00:06:01,929 --> 00:06:04,965 * I'M NOT INCLINED TO RESIGN TO MATURITY * 154 00:06:04,998 --> 00:06:06,734 * IF IT'S ALL RIGHT 155 00:06:06,767 --> 00:06:08,602 * THEN YOU'RE ALL WRONG 156 00:06:08,636 --> 00:06:13,774 * WHY DANCE AROUND TO THE SAME DAMN SONG? * 157 00:06:13,807 --> 00:06:18,011 * YOU'D RATHER RUN WHEN YOU CAN CRAWL * 158 00:06:18,045 --> 00:06:19,580 * 159 00:06:19,613 --> 00:06:20,914 * I KNOW THAT YOU KNOW 160 00:06:20,948 --> 00:06:23,484 * THAT I'M NOT TELLING THE TRUTH * 161 00:06:23,517 --> 00:06:24,885 * I KNOW THAT YOU KNOW 162 00:06:24,918 --> 00:06:26,520 * THAT THEY DON'T HAVE ANY PROOF * 163 00:06:26,554 --> 00:06:27,721 * EMBRACE THE DECEPTION 164 00:06:27,755 --> 00:06:29,723 * AND LEARN HOW TO BEND 165 00:06:29,757 --> 00:06:31,525 * YOUR WORST INHIBITIONS 166 00:06:31,559 --> 00:06:33,861 * TEND TO PSYCH YOU OUT IN THE END * 167 00:06:33,894 --> 00:06:36,530 * AHH 168 00:06:41,835 --> 00:06:44,171 [monitor beeping] 169 00:06:44,204 --> 00:06:46,974 - HOW'S DEACON DOING? 170 00:06:47,007 --> 00:06:48,776 - WELL, LUCKILY THE BULLET WENT STRAIGHT THROUGH 171 00:06:48,809 --> 00:06:49,710 AND MISSED HITTING ANY VITAL ORGANS, 172 00:06:49,743 --> 00:06:51,078 BUT HE'S LOST A LOT OF BLOOD. 173 00:06:51,111 --> 00:06:52,613 THESE NEXT TWO DAYS ARE GONNA BE CRUCIAL. 174 00:06:52,646 --> 00:06:54,047 - THANK YOU, DOCTOR. 175 00:06:54,081 --> 00:06:56,650 YOU'RE MY MAN! 176 00:06:56,684 --> 00:06:58,686 AND YOU'RE MY WO-MAN. - MM. 177 00:06:58,719 --> 00:07:01,922 - COME PUT A BABY IN ME. - NOW'S NOT THE TIME, SHAWN. 178 00:07:01,955 --> 00:07:03,156 - OKAY. 179 00:07:03,190 --> 00:07:04,758 - ANY IDEAS ON DEACON'S SHOOTER? 180 00:07:04,792 --> 00:07:07,060 - NO. ALL WE KNOW IS THAT HE WENT BACK TO THE GREEN ROOM 181 00:07:07,094 --> 00:07:08,996 AFTER THE FUNDRAISER, AND A SINGLE SHOT WAS FIRED. 182 00:07:09,029 --> 00:07:11,699 AT THIS POINT, OUR ONLY LEAD IS A WITNESS WHO SAW A BLACK SUV 183 00:07:11,732 --> 00:07:12,866 SPEEDING AWAY FROM THE SCENE. 184 00:07:15,836 --> 00:07:17,871 - ARE YOU SENSING SOMETHING? - YES. 185 00:07:17,905 --> 00:07:21,909 MY PILLOWS ARE LUMPY. WILL YOU GIVE THEM A FLOOF? 186 00:07:21,942 --> 00:07:24,177 - BECAUSE OF DEACON'S STATURE IN THE COMMUNITY, 187 00:07:24,211 --> 00:07:25,579 CHIEF WANTS FINDING HIS SHOOTER 188 00:07:25,613 --> 00:07:27,548 TO BE OUR NUMBER ONE PRIORITY. - DAMN RIGHT. 189 00:07:27,581 --> 00:07:28,649 - IN THE MEANTIME, JIMMY BRIGHAM, 190 00:07:28,682 --> 00:07:30,918 HIS SECURITY CONSULTANT, IS GONNA STAND POST HERE, 191 00:07:30,951 --> 00:07:33,120 MAKE SURE HE STAYS SAFE. 192 00:07:33,153 --> 00:07:36,056 - ALL RIGHT, I'LL CHECK IN ON YOU LATER. 193 00:07:36,089 --> 00:07:37,190 - DON'T WORRY, 194 00:07:37,224 --> 00:07:39,493 I'LL BE BACK ON MY FEET IN NO TIME. 195 00:07:39,527 --> 00:07:42,696 WAIT A MINUTE, CAN I-- 196 00:07:42,730 --> 00:07:44,264 CAN I WALK WITHOUT AN APPENDIX? - YEAH. 197 00:07:44,297 --> 00:07:45,999 - WE SHOULD PLAY THIS SAFE. 198 00:07:46,033 --> 00:07:47,568 DAD? - YEAH? 199 00:07:47,601 --> 00:07:50,738 - I WANT A MOTORIZED RASCAL WITH A SIDECAR FOR GUS. 200 00:07:50,771 --> 00:07:51,805 - NOT HAPPENING. 201 00:07:51,839 --> 00:07:54,174 - YOU GUYS HEARD THE NEWS? - YEAH. 202 00:07:54,207 --> 00:07:55,676 - JUST HOPE DEACON PULLS THROUGH. 203 00:07:55,709 --> 00:07:56,910 - GOD WILLING. 204 00:07:56,944 --> 00:07:58,145 - NOW WE JUST HAVE TO FIND THE PERPETRATORS 205 00:07:58,178 --> 00:08:00,180 WHO DID THIS EVIL DEED-- - AND KILL 'EM. 206 00:08:00,213 --> 00:08:02,182 - WHAT? - AND BRING THEM TO JUSTICE! 207 00:08:02,215 --> 00:08:03,216 MAN, WHAT'S WRONG WITH YOU? 208 00:08:03,250 --> 00:08:04,518 - LOOK, WE WANT NOTHING MORE 209 00:08:04,552 --> 00:08:05,418 THAN TO HELP BUST THIS LOWLIFE. 210 00:08:05,452 --> 00:08:08,689 - ALL RIGHT. - BUT...MY INCAPACITATION 211 00:08:08,722 --> 00:08:13,193 MEANS THAT MY PSYCHIC POWERS ARE DOWN TEMPORARILY, FELLAS. 212 00:08:13,226 --> 00:08:15,696 I'M AFRAID GUS AND I ARE GONNA HAVE TO SIT THIS ONE OUT. 213 00:08:15,729 --> 00:08:19,199 THIS CASE IS GONNA HAVE TO GO UNSOLVED. 214 00:08:19,232 --> 00:08:21,101 - I'M SORRY, GUYS, SHAWN IS RIGHT. 215 00:08:21,134 --> 00:08:23,203 WE HAVE TO BE ON THE SIDELINES FOR THIS ONE. 216 00:08:23,236 --> 00:08:24,938 - ALL RIGHT. HEY, THAT'S COOL. 217 00:08:24,972 --> 00:08:26,540 - YEAH, WE UNDERSTAND, YOU KNOW. 218 00:08:26,574 --> 00:08:27,775 - YEAH. YEAH. YEAH. 219 00:08:27,808 --> 00:08:30,544 YOU KNOW, WHY DON'T WE GO TO THE CAFETERIA 220 00:08:30,578 --> 00:08:31,679 AND GRAB A BITE TO EAT. 221 00:08:31,712 --> 00:08:32,512 - YEAH, YOU KNOW WHAT, I COULD REALLY USE 222 00:08:32,546 --> 00:08:34,247 A RAINBOW POPSICLE RIGHT ABOUT NOW. 223 00:08:34,281 --> 00:08:36,817 - [laughs] 224 00:08:38,852 --> 00:08:40,053 BE SAFE, GUYS. LATER ON WE'RE GONNA GO 225 00:08:40,087 --> 00:08:41,955 TO THE A&W. - [chuckles] 226 00:08:43,991 --> 00:08:45,058 WE NEED YOU ON THIS CASE, GEE WHIZ. 227 00:08:45,092 --> 00:08:46,727 - DEACON MEANS THE WORLD TO US. 228 00:08:46,760 --> 00:08:48,962 - YOU KNOW YOU HELPING US INVESTIGATE WHO SHOT HIM. 229 00:08:48,996 --> 00:08:52,099 - I KNOW. 230 00:08:52,132 --> 00:08:53,834 - YOU DO KNOW THAT GUS AND THOSE GUYS ARE GONNA 231 00:08:53,867 --> 00:08:55,235 GO INVESTIGATE THIS CASE WITHOUT YOU. 232 00:08:55,268 --> 00:08:57,905 - MAN, I KNOW. 233 00:08:59,973 --> 00:09:01,575 - THE TIME CODE IS 4:15. 234 00:09:01,609 --> 00:09:03,043 THERE'S DEACON JONES LEAVING THE STAGE 235 00:09:03,076 --> 00:09:04,344 AND ENTERING THE GREEN ROOM. 236 00:09:04,377 --> 00:09:05,946 - ALL RIGHT, WE KNOW HE WAS SHOT IN THE GREEN ROOM, 237 00:09:05,979 --> 00:09:07,214 BUT THERE AREN'T ANY CAMERAS IN THERE, 238 00:09:07,247 --> 00:09:08,849 SO WE DON'T HAVE A LOT TO GO ON. 239 00:09:08,882 --> 00:09:11,051 - THERE ARE TONS OF POTENTIALS ON THE SUV 240 00:09:11,084 --> 00:09:12,352 FLEEING THE COMMUNITY CENTER. 241 00:09:12,385 --> 00:09:14,755 - UGH, IT'S GONNA TAKE QUITE SOME TIME FOR US 242 00:09:14,788 --> 00:09:17,257 TO NARROW DOWN WHICH ONE OF THESE WE CAN PUT AT THE SCENE. 243 00:09:17,290 --> 00:09:19,660 WELL, YOU GUYS KEEP ME POSTED. 244 00:09:19,693 --> 00:09:21,895 - MCNAB, CALL YOUR WIFE. 245 00:09:21,929 --> 00:09:22,996 TELL HER YOU WON'T BE HOME FOR DINNER. 246 00:09:23,030 --> 00:09:25,065 - OH, SHE'S ACTUALLY VISITING HER SISTER IN SPOKANE. 247 00:09:25,098 --> 00:09:27,267 EVERY YEAR THEY KNIT A THROW FOR GRANNY-- 248 00:09:27,300 --> 00:09:29,603 - A THROW FOR GRANNY? I'VE GOTTA KNOW. 249 00:09:29,637 --> 00:09:32,039 WILL THERE BE A HIBISCUS IN THIS DESIGN? 250 00:09:32,072 --> 00:09:35,976 - THERE WOULD BE, IF THIS WERE 2004. 251 00:09:36,009 --> 00:09:38,278 THIS GUY! 252 00:09:38,311 --> 00:09:40,313 - LASSIE, JULES, 253 00:09:40,347 --> 00:09:42,182 WE'RE HERE TO HELP. - LET'S DO IT. 254 00:09:42,215 --> 00:09:44,217 - HERE'S WHAT I NEED YOU TO DO. GET BACK INTO YOUR CAR, 255 00:09:44,251 --> 00:09:45,953 MAKE LIKE A BAT OUT OF HELL FOR THE OCEAN, 256 00:09:45,986 --> 00:09:48,288 AND THEN DRIVE STRAIGHT INTO IT. 257 00:09:48,321 --> 00:09:50,724 OKAY, O'HARA, SQUARE ONE. 258 00:09:50,758 --> 00:09:52,626 WHO WOULD WANT DEACON JONES OUT OF THE WAY? 259 00:09:52,660 --> 00:09:54,895 - WELL, FOR STARTERS, THE GANG LEADERS, 260 00:09:54,928 --> 00:09:56,997 WHOSE YOUNG SOLDIERS HE'S BEEN TAKING OFF THE STREETS. 261 00:09:57,030 --> 00:09:58,298 - RIGHT, THE ONLY PROBLEM IS IDENTIFYING 262 00:09:58,331 --> 00:10:00,333 WHICH GANG HAS THE BIGGEST GRUDGE AGAINST HIM. 263 00:10:00,367 --> 00:10:02,102 THERE'S THREE OPERATING OUT OF THAT AREA OF THE CITY. 264 00:10:02,135 --> 00:10:04,237 - WELL, THE GANG THAT'S LOST THE MOST KIDS TO DEACON 265 00:10:04,271 --> 00:10:05,673 IS THE ONE THAT'S BEEN AROUND SINCE OUR DAY. 266 00:10:05,706 --> 00:10:06,674 THEY'RE CALLED "THE ROLLING ONES." 267 00:10:06,707 --> 00:10:09,810 - THE GANG UNIT SAID HE WAS RECENTLY HARASSED 268 00:10:09,843 --> 00:10:11,812 BY THE ROLLING ONES. - EXCELLENT WORK O'HARA. 269 00:10:11,845 --> 00:10:14,214 - THAT'S WHAT I JUST SAID. 270 00:10:14,247 --> 00:10:15,716 - OKAY, THAT IS THE GROUP WE WILL TARGET FIRST. 271 00:10:15,749 --> 00:10:17,751 WHO'S THEIR LEADER? - HER NAME IS LIL SIS. 272 00:10:17,785 --> 00:10:19,753 - "LIL SIS"? 273 00:10:19,787 --> 00:10:22,389 WHAT HAPPENED TO REAL NICKNAMES LIKE MAD DOG AND EL DIABLO? 274 00:10:22,422 --> 00:10:24,892 LIL SIS SOUNDS LIKE A CHARACTER IN FAMILY CIRCUS. 275 00:10:24,925 --> 00:10:26,059 - SHE'S NO JOKE. 276 00:10:26,093 --> 00:10:27,728 SHE'S DOING FIVE YEARS FOR ARMED ROBBERY. 277 00:10:27,761 --> 00:10:29,663 RUMOR IS SHE'S STILL CALLING THE SHOTS. 278 00:10:29,697 --> 00:10:30,764 - YEAH, AND GOOD LUCK GETTING HER 279 00:10:30,798 --> 00:10:31,899 TO GIVE UP ANYTHING. 280 00:10:31,932 --> 00:10:33,066 THE ROLLING ONES PRIDE THEMSELVES 281 00:10:33,100 --> 00:10:34,735 ON NEVER TALKING TO THE POLICE. 282 00:10:34,768 --> 00:10:36,269 - THERE MIGHT BE A WAY TO GET HER TO TALK. 283 00:10:36,303 --> 00:10:39,272 - GUSTER, IT IS BAD ENOUGH THAT I'M FORCED 284 00:10:39,306 --> 00:10:40,941 TO WORK WITH SPENCER WEEK AFTER WEEK. 285 00:10:40,974 --> 00:10:44,277 BUT I AM SURE AS HECK NOT GONNA DISCUSS POLICE STRATEGY 286 00:10:44,311 --> 00:10:46,446 WITH YOU AND THE PIPS! 287 00:10:46,479 --> 00:10:48,081 - LOOK, LOOK, LOOK. 288 00:10:48,115 --> 00:10:49,750 YOU NEED OUR HELP, OKAY? 289 00:10:49,783 --> 00:10:51,952 WE KNOW EXACTLY WHO WOULD AND WOULDN'T HAVE BEEF WITH DEACON 290 00:10:51,985 --> 00:10:54,087 BECAUSE WE GREW UP IN THIS COMMUNITY. 291 00:10:54,121 --> 00:10:55,756 - PLUS, LIL SIS IS IN THE SAME UNIT 292 00:10:55,789 --> 00:10:57,290 AS YOUR GIRLFRIEND. 293 00:10:57,324 --> 00:10:58,859 IF MARLOWE COULD SOMEHOW GET CLOSE TO HER, 294 00:10:58,892 --> 00:11:00,928 SHE MIGHT BE ABLE TO GET US THE INFORMATION WE NEED. 295 00:11:00,961 --> 00:11:03,163 AND THAT KIND OF COOPERATION COULD HELP EARN YOUR LADY 296 00:11:03,196 --> 00:11:04,698 AN EARLY PAROLE. 297 00:11:04,732 --> 00:11:06,333 - ON THE OTHER HAND, MAYBE YOU AND THE O'JAYS 298 00:11:06,366 --> 00:11:09,970 ARE ONTO SOMETHING. 299 00:11:13,807 --> 00:11:16,109 GOD MUST HAVE INVENTED ORANGE JUST TO SEE HOW BEAUTIFUL 300 00:11:16,143 --> 00:11:19,112 YOU LOOK IN THAT JUMPSUIT. 301 00:11:19,146 --> 00:11:21,715 - I WANT TO CURL UP IN YOUR CHEST HAIR 302 00:11:21,749 --> 00:11:22,716 AND TAKE A NAP. [whistle blows] 303 00:11:22,750 --> 00:11:25,085 - NO TOUCHING! 304 00:11:26,854 --> 00:11:29,723 - I CAN'T BELIEVE THEY'RE LETTING US MEET FACE TO FACE. 305 00:11:29,757 --> 00:11:32,159 - THE WARDEN KNOWS YOU'RE HELPING US OUT WITH THE CASE. 306 00:11:34,995 --> 00:11:37,030 WHAT? - JUST THINKING ABOUT 307 00:11:37,064 --> 00:11:39,232 HOW LUCKY I AM TO HAVE A BOYFRIEND 308 00:11:39,266 --> 00:11:41,134 THAT'S STILL COMMITTED TO OUR RELATIONSHIP 309 00:11:41,168 --> 00:11:43,436 AND WORKING ON GETTING ME AN EARLY RELEASE. 310 00:11:43,470 --> 00:11:46,106 - MARLOWE, I WOULD MOVE HEAVEN AND EARTH TO BE WITH YOU. 311 00:11:46,139 --> 00:11:47,908 JUST AS LONG AS SAID MOVEMENT IS IN ACCORDANCE 312 00:11:47,941 --> 00:11:49,076 WITH THE STATE LAWS OF CALIFORNIA. 313 00:11:49,109 --> 00:11:51,511 - OH. 314 00:11:51,544 --> 00:11:53,113 I'VE BEEN HAVING SOME TROUBLE 315 00:11:53,146 --> 00:11:55,783 GETTING CLOSE TO LIL SIS. 316 00:11:55,816 --> 00:11:58,485 SHE AND HER CREW REALLY STICK TO THEMSELVES. 317 00:11:58,518 --> 00:12:01,789 BUT I FIGURED OUT A WAY THAT MIGHT HELP ME 318 00:12:01,822 --> 00:12:02,890 TO WIN SOME FAVOR WITH THEM. 319 00:12:02,923 --> 00:12:04,057 - GREAT. WHAT? 320 00:12:05,425 --> 00:12:07,460 - [sighs] IT'S A LITTLE UNCONVENTIONAL. 321 00:12:07,494 --> 00:12:10,230 - HEY, WHATEVER IT TAKES. LAY IT ON ME. 322 00:12:10,263 --> 00:12:13,233 - JUST REMEMBER, THIS IS FOR US. OKAY? 323 00:12:16,269 --> 00:12:17,771 - AAA-- 324 00:12:17,805 --> 00:12:20,373 [whistle blowing] 325 00:12:20,407 --> 00:12:23,911 - AAH! GET YOUR HANDS OFF ME, SCREWS! 326 00:12:23,944 --> 00:12:28,315 AAH! NO! NO! 327 00:12:28,348 --> 00:12:31,952 AAH...UNH...AAH! 328 00:12:35,522 --> 00:12:37,490 [buzzer blares] 329 00:12:41,929 --> 00:12:43,931 HI, LOVER. 330 00:12:43,964 --> 00:12:45,098 IS IT BROKEN? 331 00:12:45,132 --> 00:12:47,234 - OH, DON'T WORRY ABOUT THAT, SWEET PEA. 332 00:12:47,267 --> 00:12:49,837 IT'S NOT THE FIRST TIME. PROBABLY WON'T BE THE LAST. 333 00:12:49,870 --> 00:12:51,972 SO HOW'D IT GO WITH LIL SIS? 334 00:12:52,005 --> 00:12:58,478 - UM...WE HAD A VERY INTERESTING CONVERSATION. 335 00:12:58,511 --> 00:13:00,447 OH, HI, GUS. - HELLO, MARLOWE. 336 00:13:00,480 --> 00:13:02,382 - DON'T TALK TO THEM. - THIS IS MY FRIEND TONY. 337 00:13:02,415 --> 00:13:04,284 - NICE TO MEET YOU. - HI. 338 00:13:04,317 --> 00:13:05,953 - AND DRAKE. - HOW YOU DOING? 339 00:13:05,986 --> 00:13:07,387 DAMN, JAIL GIRL, YOU'RE FINE. 340 00:13:07,420 --> 00:13:10,523 - YOU WATCH YOUR MOUTH, BARRY WHITE. 341 00:13:10,557 --> 00:13:12,993 THAT'S MY LADY. 342 00:13:13,026 --> 00:13:14,161 - AW, COME ON, I MEAN, AT SOME POINT 343 00:13:14,194 --> 00:13:16,063 HE'S GOTTA RUN OUT OF BLACK ARTIST REFERENCES, RIGHT? 344 00:13:16,096 --> 00:13:18,398 - THERE'S A LOT OF 'EM. - SO... 345 00:13:18,431 --> 00:13:20,968 WHAT DID LIL SIS TELL YOU? - WELL... 346 00:13:21,001 --> 00:13:22,435 SHE DID SAY SHE HEARD A RUMOR 347 00:13:22,469 --> 00:13:24,337 THAT SOMEONE WITHIN DEACON'S ORGANIZATION 348 00:13:24,371 --> 00:13:26,239 WAS SKIMMING MONEY, BUT-- - THAT'S IT. 349 00:13:26,273 --> 00:13:28,508 THAT IS IT! 350 00:13:28,541 --> 00:13:31,111 DEACON MUST HAVE FIGURED OUT WHO THE EMBEZZLER WAS, 351 00:13:31,144 --> 00:13:32,479 CONFRONTED THE GUILTY PARTY, 352 00:13:32,512 --> 00:13:34,381 AND THEY TRIED TO TAKE HIM OUT OVER IT. 353 00:13:34,414 --> 00:13:36,549 - DID I DO GOOD, BABY? 354 00:13:36,583 --> 00:13:38,118 - OH, BABY, YOU DID SO GOOD 355 00:13:38,151 --> 00:13:39,519 I WANT TO CLIMB OVER THIS PARTITION 356 00:13:39,552 --> 00:13:41,889 AND GIVE YOU THE BIGGEST KISS YOU'VE EVER HAD, 357 00:13:41,922 --> 00:13:43,891 BUT ONE OR BOTH OF US WOULD BE TASERED. 358 00:13:43,924 --> 00:13:45,225 - YEAH. 359 00:13:45,258 --> 00:13:48,095 - HOWEVER... 360 00:13:48,128 --> 00:13:49,129 - MMM... - [chuckling] 361 00:13:49,162 --> 00:13:50,163 OVER HERE? 362 00:13:50,197 --> 00:13:51,331 - I'M NOT BUYING IT. 363 00:13:51,364 --> 00:13:53,000 - I CAN'T EVEN LOOK. 364 00:13:53,033 --> 00:13:55,535 YOU KNOW I HAVE HANG-UPS ABOUT WHITE PEOPLE HAVING PRISON SEX. 365 00:13:55,568 --> 00:13:59,106 [cell phone ringing] 366 00:13:59,139 --> 00:14:02,509 - UM...THIS IS BURTON. 367 00:14:02,542 --> 00:14:04,311 - GUS, WHERE ARE YOU? 368 00:14:04,344 --> 00:14:05,545 - OH, HEY, SHAWN. 369 00:14:05,578 --> 00:14:07,180 YEAH, MAN, I'M JUST, YOU KNOW, 370 00:14:07,214 --> 00:14:08,248 HERE AT THE OFFICE, 371 00:14:08,281 --> 00:14:09,950 CATCHING UP ON SOME PAPERWORK. 372 00:14:09,983 --> 00:14:11,551 - [P.A. announcer] LOCK SEVEN, DOOR CHECK. 373 00:14:11,584 --> 00:14:13,353 - ARE YOU IN A WOMEN'S PRISON? [door buzzes] 374 00:14:13,386 --> 00:14:14,421 - UH...UH... 375 00:14:14,454 --> 00:14:17,190 - IS LASSITER TALKING TO MARLOWE? 376 00:14:17,224 --> 00:14:20,093 DUDE, YOU'RE INVESTIGATING THE CASE WITHOUT ME! 377 00:14:20,127 --> 00:14:21,628 - OKAY, FINE, FINE. YES. 378 00:14:21,661 --> 00:14:23,964 TONY, DRAKE, AND I ARE WORKING WITH LASSIE AND JULES. 379 00:14:23,997 --> 00:14:26,299 BUT CHECK THIS OUT-- WE GOT A BREAK IN THE CASE. 380 00:14:26,333 --> 00:14:29,469 MARLOWE THINKS THAT SOMEONE IS SKIMMING FROM DEACON'S CHARITY. 381 00:14:29,502 --> 00:14:31,939 - TINA, THAT ASIAN LORI PETTI. 382 00:14:31,972 --> 00:14:33,373 SHE HANDLES ALL OF DEACON'S MONEY. 383 00:14:33,406 --> 00:14:34,407 TELL LASSIE. 384 00:14:34,441 --> 00:14:37,210 - [whispering] LASSIE. LASSIE! 385 00:14:37,244 --> 00:14:39,079 - WHAT? - SHAWN SAYS TINA'S THE ONE 386 00:14:39,112 --> 00:14:40,147 WHO HANDLES THE FUNDRAISING. 387 00:14:40,180 --> 00:14:41,281 WE SHOULD START WITH HER. 388 00:14:41,314 --> 00:14:42,149 - THAT'S A DECENT LEAD. 389 00:14:42,182 --> 00:14:43,483 I'LL HEAD OVER TO THE COMMUNITY CENTER, 390 00:14:43,516 --> 00:14:44,918 SEE WHAT SHE KNOWS. 391 00:14:44,952 --> 00:14:47,387 MEANWHILE, YOU, WIND, AND FIRE 392 00:14:47,420 --> 00:14:49,622 STAY OUT OF MY WAY. 393 00:14:49,656 --> 00:14:51,558 I GOTTA GO, SWEET PEA. 394 00:14:51,591 --> 00:14:55,095 - NO TOUCHING! 395 00:14:55,128 --> 00:14:58,531 - I LOVE YOUR HAIR. - I LOVE YOU. 396 00:15:00,633 --> 00:15:02,369 - ONE THING I DIDN'T MENTION TO LASSIE, 397 00:15:02,402 --> 00:15:04,037 BECAUSE IT'S MORE FUN NOT TO TELL HIM STUFF-- 398 00:15:04,071 --> 00:15:05,638 TINA SAID SHE'S BEEN HELPING OUT LATELY 399 00:15:05,672 --> 00:15:07,440 AT THE RIGHT NOW BOOT CAMP. 400 00:15:07,474 --> 00:15:08,541 - RIGHT NOW BOOT CAMP. 401 00:15:08,575 --> 00:15:10,043 GOT IT. WE'LL HEAD OVER THERE. 402 00:15:10,077 --> 00:15:11,578 - HEY, I KNOW A BACK WAY WE CAN TAKE 403 00:15:11,611 --> 00:15:12,946 THAT'S EVEN FASTER. - COOL. 404 00:15:12,980 --> 00:15:13,746 - YOU'RE NOT GOING WITHOUT ME. 405 00:15:13,780 --> 00:15:15,482 IF YOU VALUE OUR FRIENDSHIP, GUS, 406 00:15:15,515 --> 00:15:17,951 YOU WON'T MAKE ANOTHER MOVE UNLESS I'M RIGHT THERE WITH YOU. 407 00:15:17,985 --> 00:15:20,988 - SHAWN, HOW DO YOU EXPECT ME TO DO THAT? 408 00:15:21,989 --> 00:15:24,224 - DUDE, HOLD ME HIGHER. I CAN'T SEE ANYTHING. 409 00:15:24,257 --> 00:15:27,294 - I CAN'T BELIEVE I LET YOU TALK ME INTO THIS, SHAWN. 410 00:15:27,327 --> 00:15:28,561 - WELL, LOOK AT IT THIS WAY. 411 00:15:28,595 --> 00:15:30,130 I'M FINALLY GONNA USE THIS THING 412 00:15:30,163 --> 00:15:32,565 FOR SOMETHING MORE THAN PLAYING FRUIT NINJA. 413 00:15:34,767 --> 00:15:36,436 - STOP LOOKING AT YOURSELF. 414 00:15:36,469 --> 00:15:37,637 LOOK INTO THE CAMERA, SHAWN. 415 00:15:37,670 --> 00:15:39,672 - I'M SORRY, I CAN'T HELP IT. 416 00:15:39,706 --> 00:15:41,541 MY HAIR LOOKS EVEN THICKER IN HD. 417 00:15:46,346 --> 00:15:48,982 - THERE SHE IS. - OOH, YEAH. 418 00:15:55,755 --> 00:15:59,326 - WHY DO YOU THINK SHE LOCKED THE DOOR? 419 00:15:59,359 --> 00:16:00,493 - MAYBE SHE'S UP TO SOMETHING 420 00:16:00,527 --> 00:16:02,062 SHE DOESN'T WANT ANYONE TO SEE. 421 00:16:02,095 --> 00:16:03,696 - [whispering] EXACTLY. WATCH ME. 422 00:16:03,730 --> 00:16:06,033 - OKAY. OKAY. 423 00:16:21,314 --> 00:16:25,452 [loud snap, safe door creaks] 424 00:16:25,485 --> 00:16:27,554 - LOOKS LIKE TINA'S THE ONE WHO'S SKIMMING. 425 00:16:27,587 --> 00:16:30,023 - SHE'S PROBABLY THE ONE WHO SHOT DEACON. 426 00:16:30,057 --> 00:16:31,191 [lock snaps shut] 427 00:16:56,683 --> 00:16:58,718 - FELLAS, I DON'T LIKE HOW THIS IS LOOKING-- 428 00:16:58,751 --> 00:17:01,221 US ALONE IN THE WOODS TRACKING A WOULD-BE KILLER. 429 00:17:01,254 --> 00:17:02,322 THIS IS NOT AFRICAN-AMERICAN. 430 00:17:02,355 --> 00:17:03,790 - I WAS THINKING THE SAME THING. 431 00:17:03,823 --> 00:17:05,258 YOU KNOW, BLACK GUYS IN THE MOVIES 432 00:17:05,292 --> 00:17:06,659 NEVER MAKE IT OUT OF THESE SITUATIONS ALIVE. 433 00:17:06,693 --> 00:17:08,495 - OH, DON'T BE RIDICULOUS, DRAKE. 434 00:17:08,528 --> 00:17:10,597 LL COOL J HAS SURVIVED MICHAEL MYERS, 435 00:17:10,630 --> 00:17:12,732 GREAT WHITE SHARKS, AND QUEEN LATIFAH. 436 00:17:12,765 --> 00:17:14,534 - WAIT A MINUTE, HOLIDAY WASN'T A HORROR MOVIE. 437 00:17:14,567 --> 00:17:16,203 - IT WASN'T? - NO. 438 00:17:16,236 --> 00:17:17,737 - OH, MAN, I DIDN'T GET THAT FLICK AT ALL. 439 00:17:17,770 --> 00:17:18,538 - WILL YOU TWO STOP IT! 440 00:17:18,571 --> 00:17:20,407 THE THREE OF US ARE NOT GONNA DIE. 441 00:17:20,440 --> 00:17:21,608 - GUS IS RIGHT. 442 00:17:21,641 --> 00:17:23,143 [whispers] ONLY ONE OF YOU IS. 443 00:17:23,176 --> 00:17:24,477 IT'LL PROBABLY BE DRAKE. 444 00:17:24,511 --> 00:17:27,214 - I KNOW. - HEY, I HEARD THAT! 445 00:17:32,652 --> 00:17:33,820 - NOW WHAT? 446 00:17:33,853 --> 00:17:35,455 - 3 1/2 AGAINST ONE. 447 00:17:35,488 --> 00:17:39,092 WE TAKE HER BY SURPRISE. - YOU GOT THAT RIGHT. 448 00:17:39,126 --> 00:17:40,427 THE QUESTION IS, 449 00:17:40,460 --> 00:17:45,132 WHICH ONE OF US GOES IN FIRST? 450 00:17:45,165 --> 00:17:49,369 - AAAAAAAAAHHH! 451 00:17:49,402 --> 00:17:51,571 - WHERE DID SHE GO? 452 00:17:51,604 --> 00:17:53,473 [trigger cocks] 453 00:17:53,506 --> 00:17:55,342 - PLEASE TELL ME THAT WAS DRAKE CRACKING A WALNUT 454 00:17:55,375 --> 00:17:57,810 AND NOT THE SOUND OF A LOADED GUN. 455 00:18:00,647 --> 00:18:02,115 - GOOD THING SHE DOESN'T HAVE ENOUGH BULLETS IN THERE 456 00:18:02,149 --> 00:18:03,316 TO SHOOT ALL OF US. 457 00:18:03,350 --> 00:18:06,519 - THIS GUN HOLDS TEN ROUNDS. 458 00:18:06,553 --> 00:18:07,887 - WELL, LET'S HOPE SHE SHOOTS GUS TEN TIMES. 459 00:18:07,920 --> 00:18:09,156 - WHAT? 460 00:18:09,189 --> 00:18:10,190 - [whispering] TELL HER TO SHOOT ME. 461 00:18:10,223 --> 00:18:12,392 TELL HER TO SHOOT ME ALL TEN TIMES. 462 00:18:12,425 --> 00:18:14,227 SHOOT ME, BITCH! 463 00:18:14,261 --> 00:18:15,295 - I'M HOLDING YOU, SHAWN, REMEMBER? 464 00:18:15,328 --> 00:18:16,629 - OH, YEAH. 465 00:18:22,602 --> 00:18:24,504 - WHAT THE HELL ARE YOU DOING HERE? 466 00:18:24,537 --> 00:18:26,639 - TRYING TO FIND OUT WHO SHOT DEACON. 467 00:18:26,673 --> 00:18:28,308 AND RIGHT NOW, YOU'RE OUR PRIME SUSPECT. 468 00:18:28,341 --> 00:18:31,644 - TINA, WE KNOW YOU'VE BEEN SKIMMING FROM DEACON'S CHARITY. 469 00:18:31,678 --> 00:18:32,745 - WE ALSO KNOW DEACON FOUND OUT, 470 00:18:32,779 --> 00:18:34,581 AND TO KEEP HIM QUIET, YOU SHOT HIM. 471 00:18:34,614 --> 00:18:37,184 - YOU DON'T KNOW ANYTHING, GUY ON THE SCREEN 472 00:18:37,217 --> 00:18:38,418 I THINK I MET ONCE. 473 00:18:38,451 --> 00:18:39,619 - OH, REALLY? 474 00:18:39,652 --> 00:18:41,754 I KNOW I COULD BE RELIEVING MYSELF IN THE BED RIGHT NOW, 475 00:18:41,788 --> 00:18:44,157 AND YOU WOULDN'T KNOW ANYTHING. - EWW. 476 00:18:44,191 --> 00:18:46,593 - I ALSO KNOW THE ONLY OPTION YOU HAVE 477 00:18:46,626 --> 00:18:48,928 IS TO TURN YOURSELF IN TO THE SBPD. 478 00:18:48,961 --> 00:18:51,798 - OKAY, YOU JACKASSES HAVE NO IDEA WHAT'S HAPPENING. 479 00:18:51,831 --> 00:18:54,567 AND ANYWAY, I GOT REAL PROBLEMS I GOTTA DEAL WITH. 480 00:18:54,601 --> 00:18:56,269 GET IN THE CLOSET. 481 00:18:56,303 --> 00:18:57,837 - AW, HELL, NO, YOU AIN'T GONNA BE TALKING TO ME CRAZY, A'IGHT. 482 00:18:57,870 --> 00:19:00,573 WE DON'T STUFF OURSELVES INTO ANY TINY SPACES, A'IGHT? 483 00:19:00,607 --> 00:19:02,675 THAT'S WHERE I DRAW THE LINE. - THAT'S RIGHT. 484 00:19:02,709 --> 00:19:04,544 AND YOU'RE GONNA HAVE TO SHOOT THIS MAN WITH ALL TEN BULLETS 485 00:19:04,577 --> 00:19:06,279 IF YOU WANT US TO GO IN SOME DAMN CLOSET. 486 00:19:06,313 --> 00:19:09,549 - ARE YOU CRAZY, DRAKE? [motorcycle revs outside] 487 00:19:09,582 --> 00:19:11,518 - PLEASE TELL ME THAT WAS TONY MAKING A MOTORBOAT SOUND. 488 00:19:11,551 --> 00:19:14,521 - THAT IS THE PROBLEM I GOTTA DEAL WITH. 489 00:19:14,554 --> 00:19:16,723 AND IF HE FINDS YOU, HE WILL KILL YOU. 490 00:19:16,756 --> 00:19:18,325 SO GET IN THE CLOSET! 491 00:19:18,358 --> 00:19:20,927 [indistinct chatter] 492 00:19:20,960 --> 00:19:24,264 - STABILIZE YOURSELF! I'M GETTING NAUSEAS. 493 00:19:27,267 --> 00:19:28,468 - WHERE'S MY MONEY? 494 00:19:30,503 --> 00:19:32,605 - FIRST WE NEED TO TALK. 495 00:19:32,639 --> 00:19:34,441 - AIN'T NOTHIN' TO TALK ABOUT. 496 00:19:34,474 --> 00:19:36,543 - I WANT TO KNOW WHY DEACON WAS PAYING YOU OFF. 497 00:19:36,576 --> 00:19:38,445 - TINA, I NEED THAT MONEY FAST. 498 00:19:38,478 --> 00:19:39,712 - WHY, YOU GOING SOMEWHERE? 499 00:19:39,746 --> 00:19:41,581 - JUST SHUT UP AND MIND YOUR DAMN BUSINESS! 500 00:19:41,614 --> 00:19:42,982 - I AIN'T SCARED OF YOU. 501 00:19:43,015 --> 00:19:45,552 - YOU WILL BE IF YOU DON'T GIVE ME MY MONEY! 502 00:19:45,585 --> 00:19:47,554 - GUS, THIS DOESN'T SOUND GOOD. CALL LASSIE AND JULES. 503 00:19:47,587 --> 00:19:49,956 - DAMN IT, I DON'T HAVE MY PHONE...YOU CALL 'EM. 504 00:19:49,989 --> 00:19:51,724 - THE NURSE TOOK MY CELL AWAY. 505 00:19:51,758 --> 00:19:53,326 SOME BUNK ABOUT THE SIGNAL INTERFERING 506 00:19:53,360 --> 00:19:54,427 WITH THE LADY'S HEART MONITOR. 507 00:19:54,461 --> 00:19:56,496 - BUT THEY LET YOU BE ON THE INTERNET ON FACETIME? 508 00:19:56,529 --> 00:19:58,431 - APPARENTLY, IT'S A VERY FINE LINE. 509 00:19:58,465 --> 00:20:00,333 [Tina grunts, fighting sounds] - THE BASTARD IS ATTACKING TINA! 510 00:20:00,367 --> 00:20:02,001 - WE HAVE TO SAVE HER! 511 00:20:02,034 --> 00:20:04,337 - iPAD SHAWN IS A LOT BRAVER THAN REAL SHAWN. 512 00:20:04,371 --> 00:20:05,738 - NO, HE'S RIGHT. TINA HAD OUR BACK. 513 00:20:05,772 --> 00:20:06,739 WE HAVE TO HAVE HERS. 514 00:20:06,773 --> 00:20:08,575 ON THREE. - NOW! 515 00:20:08,608 --> 00:20:10,377 [all shouting] 516 00:20:10,410 --> 00:20:13,880 - WHAT'S HE PAYING YOU? WHAT'S HE PAYING YOU? HUH? 517 00:20:13,913 --> 00:20:16,649 - SHE'S WHUPPIN' HIS ASS. - WHAT'S HE PAYING YOU! 518 00:20:16,683 --> 00:20:18,017 - TINA. TINA, YOU DON'T WANNA KILL HIM! 519 00:20:18,050 --> 00:20:20,787 - NO, NO, NO. YOU DON'T WANNA KILL HIM! 520 00:20:20,820 --> 00:20:22,622 RELAX! - COME ON, COME ON, COME ON. 521 00:20:22,655 --> 00:20:24,791 - WAIT. NO! 522 00:20:24,824 --> 00:20:26,793 WAIT. NO, DON'T STOP-- 523 00:20:26,826 --> 00:20:27,927 STOP! NO! 524 00:20:27,960 --> 00:20:29,529 - WAIT-- - STOP IT! 525 00:20:29,562 --> 00:20:31,598 WHAT THE HELL DID YOU DO THAT FOR? 526 00:20:31,631 --> 00:20:32,899 - IT WAS HIS IDEA. [motorcycle drives away] 527 00:20:32,932 --> 00:20:35,034 - YOU'RE POINTING AT THE LAMP. 528 00:20:35,067 --> 00:20:36,135 - HEY, AT LEAST HE DIDN'T GET THE MONEY. 529 00:20:36,168 --> 00:20:39,005 - SO, WAIT, IT WASN'T YOU SKIMMING, IT WAS DEACON? 530 00:20:39,038 --> 00:20:41,040 - WHEN DID YOU FIND OUT WHAT HE WAS UP TO? 531 00:20:41,073 --> 00:20:42,809 - A FEW DAYS AGO. 532 00:20:42,842 --> 00:20:44,844 I FOUND SOME DISCREPANCIES IN THE BOOKS, 533 00:20:44,877 --> 00:20:46,946 AND I WAS GONNA CONFRONT DEACON AFTER THE FUNDRAISER, 534 00:20:46,979 --> 00:20:48,748 BUT HE GOT SHOT. 535 00:20:48,781 --> 00:20:50,783 SO I DUG DEEPER, AND I FOUND OUT 536 00:20:50,817 --> 00:20:52,619 CHUY WAS THE ONE HE WAS PAYING OFF. 537 00:20:52,652 --> 00:20:54,721 I ARRANGED TO MEET HIM HERE, BUT THANKS TO YOU, 538 00:20:54,754 --> 00:20:56,289 I STILL DON'T KNOW WHAT FOR. 539 00:20:56,323 --> 00:20:57,824 - AGAIN, HIS FAULT. 540 00:20:57,857 --> 00:20:59,359 - DON'T MAKE ME MUTE YOU, SHAWN. 541 00:20:59,392 --> 00:21:01,294 - I JUST CAN'T BELIEVE DEACON'S A THIEF. 542 00:21:01,328 --> 00:21:03,663 - WHY WOULD HE DO SUCH A THING? 543 00:21:03,696 --> 00:21:05,798 - YOU CAN ASK HIM THAT YOURSELF. 544 00:21:15,808 --> 00:21:19,446 - TINA TOLD US ABOUT THE MONEY SKIMMING, DEACON. 545 00:21:19,479 --> 00:21:20,480 - LOOK, LOOK, LOOK, LOOK. 546 00:21:20,513 --> 00:21:21,881 THERE IS NO WAY IN THE WORLD 547 00:21:21,914 --> 00:21:23,916 THIS BEAUTIFUL, INSPIRING HUMAN BEING 548 00:21:23,950 --> 00:21:25,051 STOLE FROM HIS OWN CHARITY. 549 00:21:25,084 --> 00:21:27,086 - THAT'S RIGHT. THIS MAN SAVED MY LIFE. 550 00:21:27,119 --> 00:21:29,322 GO AHEAD, DEACON, TELL 'EM. YOU'RE NO THIEF. 551 00:21:29,356 --> 00:21:32,058 - I'M SORRY, BUT IT'S TRUE. 552 00:21:32,091 --> 00:21:35,061 - I ALWAYS KNEW YOU WERE A RAT! - YOU'RE GOING STRAIGHT TO HELL. 553 00:21:35,094 --> 00:21:37,830 - HEY, I DID IT TO SAVE LIVES. - WHAT DOES THAT MEAN? 554 00:21:37,864 --> 00:21:40,833 THE ONLY WAY CHUY WOULD LET THESE YOUNG KIDS OUT OF THE GANG 555 00:21:40,867 --> 00:21:42,569 WAS IF I PAID HIM TO DO IT. 556 00:21:42,602 --> 00:21:45,372 SO YES, I TOOK MONEY FROM MY OWN CHARITY. 557 00:21:45,405 --> 00:21:47,374 AND TECHNICALLY, IT'S AGAINST THE LAW. 558 00:21:47,407 --> 00:21:48,908 BUT I DID IT TO SAVE THESE YOUNG KIDS. 559 00:21:48,941 --> 00:21:51,978 AND THAT'S WHY PEOPLE DONATED MONEY IN THE FIRST PLACE. 560 00:21:52,011 --> 00:21:53,045 - I ALWAYS KNEW YOU WERE A SAINT. 561 00:21:53,079 --> 00:21:54,113 - YOU'RE GOING STRAIGHT TO HEAVEN. 562 00:21:54,146 --> 00:21:55,382 - I AIN'T GOING NOWHERE YET. 563 00:21:55,415 --> 00:21:57,517 I'M STILL ALIVE. 564 00:21:57,550 --> 00:21:59,586 TROUBLE IS THAT CHUY WANTED MORE AND MORE MONEY, 565 00:21:59,619 --> 00:22:00,520 AND I HAD TO CUT HIM OFF. 566 00:22:00,553 --> 00:22:02,855 THAT'S WHY HE CAME DOWN TO THE FUNDRAISER, 567 00:22:02,889 --> 00:22:04,724 TO THREATEN ME. 568 00:22:04,757 --> 00:22:06,125 SO WE WERE HAVING AN ARGUMENT, 569 00:22:06,158 --> 00:22:08,928 AND THEN I GOT SHOT, AND I BLACKED OUT. 570 00:22:08,961 --> 00:22:10,563 - LOOKS LIKE CHUY'S OUR SHOOTER, FELLAS. 571 00:22:10,597 --> 00:22:13,065 - DAMN IT! WE HAD HIM, AND WE LET HIM GET AWAY. 572 00:22:13,099 --> 00:22:14,000 - YEAH. 573 00:22:14,033 --> 00:22:15,835 - ANY IDEA WHERE WE CAN FIND CHUY, DEACON? 574 00:22:15,868 --> 00:22:17,537 - RUMOR HAS IT THAT HE HAS HIDEOUTS 575 00:22:17,570 --> 00:22:19,406 ALL OVER THE SOUTH SIDE, BUT... 576 00:22:19,439 --> 00:22:22,609 - DON'T! STOP IT. NO! STOP IT! 577 00:22:22,642 --> 00:22:25,111 - WHOA, WHOA, WHOA, I'M GETTING SOMETHING. 578 00:22:25,144 --> 00:22:28,381 I AM SENSING THAT CHUY IS BIG INTO BODY ART. RIGHT? 579 00:22:28,415 --> 00:22:30,983 I CAN SEE ONE OF HIS TATTOOS, STILL IN PROGRESS. 580 00:22:31,017 --> 00:22:34,086 I CAN'T BE SURE, IT'S EITHER A BURMESE TIGER 581 00:22:34,120 --> 00:22:36,623 OR SANDRA BERNHARD SITTING ON A SPARKLER. 582 00:22:36,656 --> 00:22:39,592 - YEAH, THAT MAKES SENSE. WORD IS HE'S BEEN OPERATING 583 00:22:39,626 --> 00:22:42,562 OUT OF THIS TATTOO PARLOR ON BLANCO STREET. 584 00:22:42,595 --> 00:22:44,431 THAT'S RIGHT NEAR THE COMMUNITY CENTER. 585 00:22:44,464 --> 00:22:47,567 - BINGO. THIS IS IT, FELLAS. THIS IS IT. 586 00:22:47,600 --> 00:22:50,703 NOW, GUS, THIS IS USUALLY THE PART OF THE INVESTIGATION 587 00:22:50,737 --> 00:22:52,539 WHERE I LOOK AT YOU, AND I SAY, "YO, GUS, 588 00:22:52,572 --> 00:22:54,841 YO, WE GOTTA GO CONFRONT THE BAD GUYS, SON." 589 00:22:54,874 --> 00:22:56,909 AND YOU LOOK BACK AT ME, AND YOU SAY, "NO, SHAWN. 590 00:22:56,943 --> 00:22:59,078 "NO, SHAWN, NO, I CAN'T GO CONFRONT A BAD-- 591 00:22:59,111 --> 00:23:00,447 WE GOTTA CALL THE COPS, KID." 592 00:23:00,480 --> 00:23:01,914 - I DO NOT TALK LIKE THAT, SHAWN! 593 00:23:01,948 --> 00:23:03,650 I DON'T TALK LIKE THAT. 594 00:23:03,683 --> 00:23:07,086 - I'M TELLING YOU, DO NOT CONFRONT THE BAD GUY. 595 00:23:07,119 --> 00:23:08,555 CALL LASSIE AND JULES. 596 00:23:08,588 --> 00:23:10,923 - GREAT IDEA, SHAWN. WE GOT IT. 597 00:23:10,957 --> 00:23:12,659 WE'LL CALL 'EM ON THE WAY BACK TO THE STATION. 598 00:23:12,692 --> 00:23:15,795 - ALL RIGHT. DRIVE SAFE, FELLAS. 599 00:23:15,828 --> 00:23:18,965 LATER ON, WE'LL DO SIT-UPS IN A CIRCLE. 600 00:23:23,102 --> 00:23:24,537 - IF WE TAKE THIS TO THE COPS, 601 00:23:24,571 --> 00:23:25,872 THEY'LL HAVE TO LAUNCH AN INVESTIGATION, 602 00:23:25,905 --> 00:23:27,740 AND DEACON WILL GET BUSTED FOR MISUSE OF FUNDS. 603 00:23:27,774 --> 00:23:29,676 - WELL, THERE'S GOTTA BE A WAY TO BRING DOWN CHUY 604 00:23:29,709 --> 00:23:31,678 WITHOUT DEACON GETTING IN TROUBLE. 605 00:23:31,711 --> 00:23:33,045 - WE HAVE TO CONFRONT THE BAD GUYS. 606 00:23:33,079 --> 00:23:34,714 - I KNOW. 607 00:23:43,990 --> 00:23:45,224 - WHAT'S THE PLAN, GEE WHIZ? 608 00:23:45,257 --> 00:23:48,027 - SHH. SHH. 609 00:23:48,060 --> 00:23:50,897 THAT'S THE TATTOO PARLOR RIGHT THERE. 610 00:23:50,930 --> 00:23:52,865 ONE OF US HAS TO SNEAK AROUND THE BACK, 611 00:23:52,899 --> 00:23:55,201 GET A VISUAL OF CHUY... - AND THEN WE KILL HIM. 612 00:23:55,234 --> 00:23:57,904 - TAKE A PICTURE OF HIM GETTING INTO THE SUV 613 00:23:57,937 --> 00:24:00,072 THAT HOPEFULLY MATCHES THE ONE THE POLICE ARE LOOKING FOR. 614 00:24:00,106 --> 00:24:02,575 THERE'S DEFINITELY SOMETHING WRONG WITH YOU. 615 00:24:02,609 --> 00:24:04,143 - RIGHT. SEE, WITH THE PHOTO, 616 00:24:04,176 --> 00:24:05,712 WE CAN TIE CHUY TO THE SUV 617 00:24:05,745 --> 00:24:06,913 THAT WAS LAST SEEN LEAVING THE CRIME SCENE. 618 00:24:06,946 --> 00:24:08,615 - RIGHT. 619 00:24:08,648 --> 00:24:10,483 AND THEN LASSIE AND JULES WILL ARREST HIM 620 00:24:10,517 --> 00:24:12,519 WITHOUT EVER KNOWING THAT DEACON DID ANYTHING ILLEGAL. 621 00:24:12,552 --> 00:24:14,587 - THE QUESTION IS, WHICH ONE OF US SNEAKS BACK THERE 622 00:24:14,621 --> 00:24:15,788 AND TAKES THE PICTURE? 623 00:24:15,822 --> 00:24:18,691 YOU KNOW WHAT, I'LL STEP UP. I VOTE TONY. 624 00:24:18,725 --> 00:24:19,692 - ME? OH, NO. I'M A TERRIBLE SHOOTER. 625 00:24:19,726 --> 00:24:20,793 YOU THE SHUTTERBUG. 626 00:24:20,827 --> 00:24:22,094 - I'LL GO BACK AND TAKE THE PICTURE. 627 00:24:22,128 --> 00:24:23,530 both: THAT WORKS TOO. 628 00:24:23,563 --> 00:24:25,898 LOOK, YOU GUYS JUST STAY HERE OUT OF SIGHT. 629 00:24:25,932 --> 00:24:28,768 I'LL BE BACK IN A SECOND. 630 00:24:28,801 --> 00:24:30,670 - IF HE'S NOT BACK IN FIVE MINUTES, 631 00:24:30,703 --> 00:24:31,838 WE'LL GO GET THE BB GUNS. 632 00:24:31,871 --> 00:24:33,740 - YOU KNOW THAT'S RIGHT. - OKAY. 633 00:24:51,624 --> 00:24:53,292 - IS TEN MINUTES ENOUGH? 634 00:24:53,325 --> 00:24:56,062 BETTER BE SAFE AND MAKE IT 20. 635 00:25:08,641 --> 00:25:11,911 [tires screech, engine revs] 636 00:25:18,585 --> 00:25:20,286 WHAT-- 637 00:25:30,863 --> 00:25:32,131 - I CANNOT BELIEVE THIS. I CANNOT BELIEVE THIS! 638 00:25:32,164 --> 00:25:33,666 I TURNED AWAY FOR A SECOND. 639 00:25:33,700 --> 00:25:35,167 ONE SECOND! AND WHEN I LOOKED UP, 640 00:25:35,201 --> 00:25:36,268 THEY WERE BEING KIDNAPPED. 641 00:25:36,302 --> 00:25:37,136 - TRY TO CALM DOWN. 642 00:25:37,169 --> 00:25:38,104 JUST TELL US EVERYTHING YOU REMEMBER. 643 00:25:38,137 --> 00:25:40,072 WHAT THE CAR LOOKED LIKE, WHO WAS DRIVING. 644 00:25:40,106 --> 00:25:42,274 - I DON'T KNOW. IT WAS A DARK-COLORED SUV 645 00:25:42,308 --> 00:25:43,810 HEADING THAT WAY. 646 00:25:43,843 --> 00:25:45,678 AND THE NUMBER-- THE LICENSE PLATE NUMBER 647 00:25:45,712 --> 00:25:47,814 ENDED IN "2190." 648 00:25:47,847 --> 00:25:49,916 - SOUNDS LIKE THE SAME SUV FROM THE DEACON SHOOTING. 649 00:25:49,949 --> 00:25:50,950 - WELL, LET'S GET GOING ON IT. 650 00:25:50,983 --> 00:25:52,151 LET'S GET A CHOPPER IN THE AIR 651 00:25:52,184 --> 00:25:53,319 AND SEARCH THE AREA OR SOMETHING. 652 00:25:53,352 --> 00:25:55,788 - SINCE WHEN ARE YOU IN CHARGE, GUSTER? 653 00:25:55,822 --> 00:25:58,891 I NEED A CHOPPER TO SEARCH THE AREA. 654 00:25:58,925 --> 00:25:59,992 - I HAVE NO IDEA HOW THIS HAPPENED. 655 00:26:00,026 --> 00:26:01,160 - WAIT, DIDN'T THE SAME THING HAPPEN 656 00:26:01,193 --> 00:26:02,629 TO TONY AND DRAKE LAST YEAR? 657 00:26:02,662 --> 00:26:04,831 - NO. THAT WAS TONY AND JOON. 658 00:26:04,864 --> 00:26:06,933 - GUS, WHAT HAPPENED? 659 00:26:06,966 --> 00:26:08,668 WHAT ARE ALL THOSE POLICE CARS DOING THERE? 660 00:26:08,701 --> 00:26:10,870 - I CAN'T LOOK AT YOU, SHAWN. I'M TOO ASHAMED. 661 00:26:10,903 --> 00:26:12,939 - DON'T YOU TURN YOUR FACE AW-- 662 00:26:12,972 --> 00:26:15,007 DON'T YOU DARE GO ELEPHANT MAN ON ME. 663 00:26:15,041 --> 00:26:16,876 - FINE! 664 00:26:16,909 --> 00:26:18,678 I GOT TONY AND DRAKE KIDNAPPED, SHAWN. 665 00:26:18,711 --> 00:26:19,779 - WHAT DO YOU MEAN, LIKE LAST TIME? 666 00:26:19,812 --> 00:26:21,848 - PRETTY MUCH. - WE NEED TO FIND THEM 667 00:26:21,881 --> 00:26:22,915 BEFORE THEY GET HURT. 668 00:26:22,949 --> 00:26:24,183 THEY'RE NOT AS STRONG AS I AM. 669 00:26:24,216 --> 00:26:25,184 - WELL, WHATEVER CHUY'S GONNA DO, 670 00:26:25,217 --> 00:26:26,619 HE'S NOT GONNA WASTE HIS TIME. 671 00:26:26,653 --> 00:26:29,956 OH, THIS WAS ON YOUR CAR. EXPIRED METER. 672 00:26:34,226 --> 00:26:36,362 - WE NEED TO GET INSIDE CHUY'S HEADQUARTERS 673 00:26:36,395 --> 00:26:37,997 AND FIND SOME CLUES NOW. 674 00:26:38,030 --> 00:26:39,899 - LUCKILY, I'M WEARING MY PROBABLE CAUSE 675 00:26:39,932 --> 00:26:40,933 DOOR-KICKING SHOES. 676 00:26:45,938 --> 00:26:47,039 - GOOD, BUDDY. 677 00:26:47,073 --> 00:26:51,043 NOW POINT ME AT EVERYTHING YOU SEE. 678 00:26:51,077 --> 00:26:52,278 - ARE YOU GETTING ANY READINGS, SHAWN? 679 00:26:52,311 --> 00:26:53,412 - IT'S ALL CLEAR. 680 00:26:53,445 --> 00:26:56,248 - THERE'S STILL A DISCONNECT BETWEEN ME AND THE ROOM. 681 00:26:56,282 --> 00:26:58,217 I'M AFRAID I'M GONNA NEED A CONDUIT. 682 00:26:58,250 --> 00:27:01,287 GUS, TOUCH LASSIE'S FACE AND NECK. 683 00:27:01,320 --> 00:27:04,356 - WAIT...HEY-- - GOOD. 684 00:27:04,390 --> 00:27:05,825 NOW GIVE HIS NOSE A GENTLE SQUEEZE. 685 00:27:05,858 --> 00:27:07,794 [trigger cocks] - YOU WANNA MESS AROUND, 686 00:27:07,827 --> 00:27:09,696 OR DO YOU WANT TO FIND YOUR FRIENDS? 687 00:27:09,729 --> 00:27:12,198 LET'S GO CHECK OUT THE FRONT. - OKAY. 688 00:27:12,231 --> 00:27:14,433 - FINALLY. NOW THAT THEY'RE GONE, 689 00:27:14,466 --> 00:27:17,003 HELP ME PIECE TOGETHER ANY CLUES THAT WE FIND. 690 00:27:17,036 --> 00:27:19,105 - I DON'T KNOW HOW MUCH HELP I'M GONNA ACTUALLY BE, SHAWN. 691 00:27:19,138 --> 00:27:21,373 MY INSTINCTS HAVE BEEN ALL WRONG. 692 00:27:21,407 --> 00:27:22,574 STARTING WITH ME TAKING THIS CASE 693 00:27:22,608 --> 00:27:24,443 WHILE YOU WERE STUCK IN THE HOSPITAL IN THE FIRST PLACE. 694 00:27:24,476 --> 00:27:26,045 AND THEN NOT GOING TO THE POLICE. 695 00:27:26,078 --> 00:27:27,346 - LIKE I TOLD YOU TO. 696 00:27:27,379 --> 00:27:28,214 - I SHOULD HAVE KNOWN IT WOULDN'T END WELL. 697 00:27:28,247 --> 00:27:29,849 - POINT ME IN A DIFFERENT DIRECTION 698 00:27:29,882 --> 00:27:32,151 AND SHOW ME SOME STUFF. 699 00:27:36,455 --> 00:27:37,389 OH, HOLD UP, HOLD UP. 700 00:27:37,423 --> 00:27:41,794 LET ME SEE THAT ARTICLE ABOUT THE SHOOTINGS. 701 00:27:45,197 --> 00:27:46,766 DAMN. 702 00:27:46,799 --> 00:27:49,902 REMIND ME TO STAY AWAY FROM JEFFERSON BOULEVARD, PBBBT. 703 00:27:49,936 --> 00:27:51,804 - JEFFERSON'S ROLLING ONES' TERRITORY. 704 00:27:51,838 --> 00:27:53,172 THEY'RE CALLED THE ROLLING ONES BECAUSE 705 00:27:53,205 --> 00:27:55,107 THEY CONTROL ALL DRUG TRAFFICKING ALONG JEFFERSON, 706 00:27:55,141 --> 00:27:57,276 FROM BLOCK 100 TO 190. 707 00:27:57,309 --> 00:27:58,945 - WHOA, SAY THE LAST PART AGAIN. 708 00:27:58,978 --> 00:28:01,280 BLOCKS 100... - TO 190. 709 00:28:01,313 --> 00:28:03,750 - GUS, WHAT WERE THE PARTIAL LICENSE PLATE NUMBERS 710 00:28:03,783 --> 00:28:05,351 FROM THE SUV THAT TOOK TONY AND DRAKE? 711 00:28:05,384 --> 00:28:09,255 - 2190. 2190! 712 00:28:09,288 --> 00:28:11,223 AS IN BLOCKS 100 TO 190. 713 00:28:11,257 --> 00:28:13,159 - GUS, THAT'S IT. I BET THE LICENSE PLATE IS 714 00:28:13,192 --> 00:28:16,162 1-0-0-2-1-9-0, 715 00:28:16,195 --> 00:28:18,164 WHICH STANDS FOR 100 TO 190. 716 00:28:18,197 --> 00:28:20,800 - IT'S A VANITY PLATE BRAGGING ABOUT THEIR GANG TERRITORY. 717 00:28:20,833 --> 00:28:23,335 - WHAT? - COME ON, SON... 718 00:28:23,369 --> 00:28:25,772 [making soft, excited noises] 719 00:28:25,805 --> 00:28:27,406 - OUCH! YOU GOTTA STOP. THAT HURTS. 720 00:28:27,439 --> 00:28:29,308 WE NEED TO GET LASSITER AND JULES. 721 00:28:29,341 --> 00:28:31,310 WE FIND THAT SUV, WE ALSO FIND TONY 722 00:28:31,343 --> 00:28:33,512 AND DRAKE, AND DEACON JONES' SHOOTER TOO. 723 00:28:33,545 --> 00:28:34,914 - I'M ON IT. 724 00:28:46,392 --> 00:28:50,396 - LOOKS LIKE THE DMV GAVE US THE RIGHT ADDRESS. 725 00:28:52,498 --> 00:28:53,833 - WHERE'S MY MONEY? 726 00:28:53,866 --> 00:28:56,068 I KNOW YOU'RE WORKING WITH TINA! 727 00:28:56,102 --> 00:28:57,436 - WE DON'T HAVE IT. - PLEASE DON'T SHOOT US. 728 00:28:57,469 --> 00:28:58,938 PLEASE...PLEASE DON'T! 729 00:28:58,971 --> 00:29:00,973 [Tony and Drake begging] 730 00:29:01,007 --> 00:29:02,174 - PLEASE. 731 00:29:02,208 --> 00:29:03,242 - WE DON'T KNOW WHERE THE MONEY IS. 732 00:29:03,275 --> 00:29:05,211 - SBPD FREEZE! - DROP YOUR WEAPON! 733 00:29:05,244 --> 00:29:09,849 - YES! YES! OH, YES! OH... 734 00:29:12,151 --> 00:29:15,221 [overlapping shouting] 735 00:29:15,254 --> 00:29:16,956 - GUS, DON'T HIDE. YOU HAVE TO DO SOMETHING. 736 00:29:16,989 --> 00:29:18,324 - THAT'S EASY FOR YOU TO SAY, SHAWN. 737 00:29:18,357 --> 00:29:19,959 THOSE AREN'T iBULLETS WHIZZING BY. 738 00:29:19,992 --> 00:29:22,929 - GUS, WOULD YOU BE A MAN! BE A MAN! 739 00:29:22,962 --> 00:29:25,164 NURSE, I WOULD LIKE A LITTLE MORE OF THAT JELL-O, PLEASE. 740 00:29:25,197 --> 00:29:28,167 [alarmed shouts] - GET DOWN! GET DOWN! 741 00:29:31,470 --> 00:29:34,173 - CHUY, STOP! [gunshot] 742 00:29:36,208 --> 00:29:39,111 GUS, DON'T LET HIM GET AWAY. 743 00:29:39,145 --> 00:29:40,112 - WHAT DO YOU EXPECT ME TO DO, SHAWN? 744 00:29:40,146 --> 00:29:41,580 - I DON'T KNOW. 745 00:29:41,613 --> 00:29:43,782 [engine turns over] 746 00:30:04,270 --> 00:30:07,139 - WELL, WE DID A SWEEP OF CHUY'S HEADQUARTERS AND RESIDENCE, 747 00:30:07,173 --> 00:30:09,008 AND UNFORTUNATELY, NONE OF THE DOZEN GUNS 748 00:30:09,041 --> 00:30:10,542 WE RECOVERED AND THE SCENE MATCH THE BALLISTICS 749 00:30:10,576 --> 00:30:11,944 OF THE ONE THAT SHOT DEACON JONES. 750 00:30:11,978 --> 00:30:12,945 - THAT DOESN'T SEEM RIGHT. 751 00:30:12,979 --> 00:30:14,914 HE MUST HAVE ANOTHER WEAPONS CACHE SOMEWHERE. 752 00:30:14,947 --> 00:30:16,415 - WELL, CHUY'S DEAD, AND THE TWO GANGBANGERS 753 00:30:16,448 --> 00:30:18,484 WE ARRESTED AT THE SCENE AREN'T TALKING. 754 00:30:18,517 --> 00:30:20,019 WHICH IS WHY WERE HOPING YOU TWO 755 00:30:20,052 --> 00:30:22,021 COULD HELP SHED SOME LIGHT ON THE SITUATION. 756 00:30:22,054 --> 00:30:23,055 - YEAH, SURE, DETECTIVE LASSITER. 757 00:30:23,089 --> 00:30:24,056 WHATEVER YOU NEED. 758 00:30:24,090 --> 00:30:25,291 - CAN YOU THINK OF ANYTHING 759 00:30:25,324 --> 00:30:26,525 THAT CHUY MIGHT HAVE SAID 760 00:30:26,558 --> 00:30:28,160 THAT WOULD CONNECT HIM TO THE DEACON SHOOTING? 761 00:30:28,194 --> 00:30:29,528 - WAIT A MINUTE. WAIT, WAIT, WAIT. 762 00:30:29,561 --> 00:30:31,163 LISTEN TO ME. 763 00:30:31,197 --> 00:30:33,032 IF THOSE OTHER TWO DUDES AREN'T TALKING, 764 00:30:33,065 --> 00:30:35,467 THEN MAYBE WE SHOULDN'T SAY ANYTHING EITHER. 765 00:30:35,501 --> 00:30:38,070 - WE'RE NOT SUSPECTS. - YOU'RE THE VICTIMS. 766 00:30:38,104 --> 00:30:39,471 - REALLY? 767 00:30:39,505 --> 00:30:41,173 WELL, HOW DO WE KNOW THAT YOU'RE NOT TELLING 768 00:30:41,207 --> 00:30:43,175 THOSE OTHER TWO DUDES THAT THEY'RE THE VICTIMS, 769 00:30:43,209 --> 00:30:45,344 AND WE'RE THE SUSPECTS? 770 00:30:45,377 --> 00:30:47,446 - WELL, I THINK SHOOTING AT THEM WITH A COLT .45 771 00:30:47,479 --> 00:30:48,915 MADE MY POSITION PRETTY CLEAR. 772 00:30:48,948 --> 00:30:51,017 - DRAKE, YOU'RE ACTING PARANOID, ALL RIGHT? 773 00:30:51,050 --> 00:30:52,584 JUST COOPERATE. - JUST COOPERATE? 774 00:30:52,618 --> 00:30:54,586 [scoffs] HOW DO I KNOW 775 00:30:54,620 --> 00:30:55,922 THIS ISN'T THAT OLD POLICE TRICK 776 00:30:55,955 --> 00:30:56,923 WHERE THEY SEPARATE US, 777 00:30:56,956 --> 00:30:58,925 TELL ME THAT YOU'RE SELLING ME UP THE RIVER, 778 00:30:58,958 --> 00:31:02,394 JUST TO GET ME TO THEN START SNITCHING ON YOU? 779 00:31:02,428 --> 00:31:04,897 - BECAUSE WE'RE NOT SEPARATED, DUDE. 780 00:31:04,931 --> 00:31:08,367 - AND YOU DIDN'T DO ANYTHING WRONG. 781 00:31:08,400 --> 00:31:11,203 - RIGHT. RIGHT. YEAH, I'M JUST CHECKING. 782 00:31:11,237 --> 00:31:13,072 YOU KNOW, I GOTTA MAKE SURE. 783 00:31:13,105 --> 00:31:14,907 JUST FYI... 784 00:31:14,941 --> 00:31:16,575 I'D BE WILLING TO TESTIFY 785 00:31:16,608 --> 00:31:19,111 AGAINST, UH... 786 00:31:19,145 --> 00:31:21,347 YOU KNOW, IN EXCHANGE FOR LESSER CHARGES, OF COURSE. 787 00:31:21,380 --> 00:31:22,514 - LESSER THAN WHAT? 788 00:31:22,548 --> 00:31:26,318 - TO ANSWER YOUR QUESTION, DETECTIVE, 789 00:31:26,352 --> 00:31:29,521 YES, WE HEARD CHUY TALKING ABOUT THE SHOOTING. 790 00:31:29,555 --> 00:31:30,689 - YEAH. - FINALLY, SOMETHING HELPFUL. 791 00:31:30,722 --> 00:31:32,524 - CHUY KNEW THAT THE COPS WERE TRYING TO 792 00:31:32,558 --> 00:31:34,093 PIN DEACON'S SHOOTING ON HIM. 793 00:31:34,126 --> 00:31:35,261 WE OVERHEARD HIM TELLING HIS BOYS 794 00:31:35,294 --> 00:31:37,563 HE DIDN'T DO IT, THOUGH. - WELL, OF COURSE HE'D SAY THAT. 795 00:31:37,596 --> 00:31:39,265 - YEAH, BUT THAT'S WHAT I THOUGHT TOO. 796 00:31:39,298 --> 00:31:40,933 BUT THEN HE SAID HE WAS GONNA PROVE HIS INNOCENCE. 797 00:31:40,967 --> 00:31:42,334 - HOW? - I DON'T KNOW HOW. 798 00:31:42,368 --> 00:31:43,602 I'M JUST GLAD YOU GOT THERE WHEN YOU DID 799 00:31:43,635 --> 00:31:44,670 BECAUSE I'M TELLING YOU, 800 00:31:44,703 --> 00:31:45,571 THESE DUDES WERE ABOUT TO TORTURE US. 801 00:31:45,604 --> 00:31:47,173 CHUY WAS GONNA JUMP START OUR NIPPLES 802 00:31:47,206 --> 00:31:48,540 WITH A CAR BATTERY. 803 00:31:48,574 --> 00:31:49,541 - WE'RE TALKING DARK AGES HERE, OKAY? 804 00:31:49,575 --> 00:31:52,044 I MEAN, THE MAN PULLED OUT KNIVES, A BLOW TORCH, 805 00:31:52,078 --> 00:31:54,046 PLIERS, BANDAGES, 806 00:31:54,080 --> 00:31:56,148 AND SOME EVIL-LOOKING STUFF IN A BOTTLE CALLED, UH-- 807 00:31:56,182 --> 00:31:57,383 HELP ME! 808 00:31:57,416 --> 00:31:58,717 - IT WAS LIDOCAINE. - LIDOCAINE! 809 00:31:58,750 --> 00:32:00,987 - WHOA, WAIT, WAIT. LIDOCAINE? 810 00:32:01,020 --> 00:32:02,354 THAT'S A LOCAL ANESTHETIC. 811 00:32:02,388 --> 00:32:03,655 SOMETHING YOU WOULD USE WHEN YOU WERE PERFORMING 812 00:32:03,689 --> 00:32:06,392 AN OUTPATIENT SURGERY. 813 00:32:06,425 --> 00:32:09,628 - WE WERE ARGUING, AND THEN I GOT SHOT. 814 00:32:09,661 --> 00:32:11,530 - LUCKILY, MOST OF THE BULLET WENT STRAIGHT THROUGH 815 00:32:11,563 --> 00:32:13,332 AND MISSED HITTING ANY VITAL ORGANS. 816 00:32:13,365 --> 00:32:15,601 - TELL ME WHY HE'S PAYING YOU! 817 00:32:15,634 --> 00:32:18,537 - GUS! UH, GUYS, I'M HAVING A PSYCHIC VISION. 818 00:32:18,570 --> 00:32:21,107 CHUY WASN'T GONNA USE THAT STUFF ON TONY AND DRAKE. 819 00:32:21,140 --> 00:32:22,641 HE WAS GONNA USE THEM ON HIMSELF. 820 00:32:22,674 --> 00:32:23,475 - FOR WHAT? 821 00:32:23,509 --> 00:32:25,744 - TO REMOVE A BULLET FROM HIS ARM. 822 00:32:25,777 --> 00:32:27,113 - WHY NOT JUST GO TO THE HOSPITAL? 823 00:32:27,146 --> 00:32:29,248 - BECAUSE HOSPITALS ARE MANDATED TO REPORT 824 00:32:29,281 --> 00:32:30,449 ANY GUNSHOT WOUNDS TO THE POLICE. 825 00:32:30,482 --> 00:32:32,184 GANGBANGERS AVOID 'EM AT ALL COST. 826 00:32:32,218 --> 00:32:34,420 - LASSIE, WE NEED TO GET WOODY TO LOOK FOR THAT BULLET 827 00:32:34,453 --> 00:32:36,755 IN CHUY'S ARM. 828 00:32:36,788 --> 00:32:38,424 - LET'S GET DOWN THERE. 829 00:32:38,457 --> 00:32:41,160 - GODSPEED. 830 00:32:41,193 --> 00:32:43,295 GET 'EM. 831 00:32:43,329 --> 00:32:46,265 - OKAY, SHAWN, ARE YOU SEEING ALL THIS? 832 00:32:46,298 --> 00:32:49,001 - IT'S JUST LIKE I'M THERE WITH YOU, WOODY, MY MAN. 833 00:32:49,035 --> 00:32:51,303 - AND ARE YOU SEEING THIS? - AAH! 834 00:32:51,337 --> 00:32:53,272 - [chuckles] YEAH, HE CAN SEE. 835 00:32:53,305 --> 00:32:55,707 SO...FIRST THE BAD NEWS. 836 00:32:55,741 --> 00:32:58,744 BASED ON MY ANALYSIS OF CHUY RODRIGUEZ' REMAINS, 837 00:32:58,777 --> 00:33:00,712 HE COULDN'T HAVE BEEN THE PERSON WHO SHOT DEACON JONES. 838 00:33:00,746 --> 00:33:02,781 - BUT DEACON IDENTIFIED CHUY AS THE SHOOTER. 839 00:33:02,814 --> 00:33:04,716 - HE MAY HAVE THOUGHT CHEWBACCA SHOT HIM, 840 00:33:04,750 --> 00:33:06,718 BUT SHAWN'S HUNCH WAS RIGHT. 841 00:33:06,752 --> 00:33:09,121 I PULLED THIS BULLET OUT OF CHUY'S ARM. 842 00:33:09,155 --> 00:33:11,157 IT MATCHES A BULLET FRAGMENT 843 00:33:11,190 --> 00:33:12,524 THAT WAS TAKEN FROM DEACON JONES' SHOULDER. 844 00:33:12,558 --> 00:33:14,060 - SO THE BULLET WENT STRAIGHT THROUGH DEACON 845 00:33:14,093 --> 00:33:14,993 AND HIT CHUY. 846 00:33:15,027 --> 00:33:16,595 - AND CHUY KNEW THAT BULLET WAS EVIDENCE 847 00:33:16,628 --> 00:33:18,330 THAT WOULD PROVE HE DIDN'T SHOOT DEACON. 848 00:33:18,364 --> 00:33:20,466 - MAYBE WHOEVER SHOT DEACON JONES KNEW THAT TOO. 849 00:33:20,499 --> 00:33:22,568 - SO THEY BLEW HIM UP BEFORE POLICE COULD FIND HIM. 850 00:33:22,601 --> 00:33:24,070 - WHICH MEANS THE SHOOTER'S STILL OUT THERE. 851 00:33:24,103 --> 00:33:25,471 - WHICH MEANS WE'RE BACK TO SQUARE ONE. 852 00:33:25,504 --> 00:33:27,039 - ALL RIGHT, LET'S GO OVER WHAT WE KNOW. 853 00:33:27,073 --> 00:33:29,308 ONE, DEACON WAS SHOT IN THE GREEN ROOM 854 00:33:29,341 --> 00:33:30,542 WHILE ARGUING WITH CHUY. 855 00:33:30,576 --> 00:33:32,144 - TWO, THE ONLY PEOPLE WHO HAD ACCESS 856 00:33:32,178 --> 00:33:33,679 TO THE BACKSTAGE AREA WERE BLACKAPELLA-- 857 00:33:33,712 --> 00:33:34,713 - QUARTER BLACK. - BLACKAPELLA... 858 00:33:34,746 --> 00:33:35,714 - QUARTER BLACK! 859 00:33:35,747 --> 00:33:37,349 - BLACKAPELLA, DEACON JONES, 860 00:33:37,383 --> 00:33:39,085 AND JIMMY BRIGHAM, THE HEAD OF SECURITY. 861 00:33:39,118 --> 00:33:42,288 - WE NEED TO INTERVIEW BRIGHAM AGAIN. 862 00:33:42,321 --> 00:33:44,556 - WHOA, HOLD UP, HOLD UP, HOLD UP. 863 00:33:44,590 --> 00:33:49,495 IN ADDITION TO BLACKAPELLA AND BRIGHAM, 864 00:33:49,528 --> 00:33:53,099 TINA--TINA ALSO HAD ACCESS BACKSTAGE. 865 00:33:53,132 --> 00:33:55,367 AND SHE WAS STILL THERE AFTER WE LEFT FOR THE HOSPITAL. 866 00:33:55,401 --> 00:33:57,369 I AM HAVING A VERY STRONG PSYCHIC VISION 867 00:33:57,403 --> 00:33:59,438 THAT SHE IS HIDING SOMETHING FROM THE POLICE. 868 00:33:59,471 --> 00:34:00,506 - YOU'RE SURE ABOUT THIS? 869 00:34:00,539 --> 00:34:03,809 - YES. 100% SURE. 870 00:34:03,842 --> 00:34:06,078 - ALL RIGHT, WELL, BASED ON YOUR HUNCH, 871 00:34:06,112 --> 00:34:07,513 WE HAVE TO QUESTION TINA AGAIN. 872 00:34:07,546 --> 00:34:09,248 - OKAY. PLEASE BE CAREFUL. 873 00:34:09,281 --> 00:34:12,818 - I WILL. 874 00:34:17,423 --> 00:34:20,326 - NICE WORK. - THANKS. 875 00:34:26,332 --> 00:34:27,733 - WHAT'S ALL THIS ABOUT, JIMMY? 876 00:34:27,766 --> 00:34:29,201 - YOUR SECURITY MAN HAS OVERHEARD 877 00:34:29,235 --> 00:34:30,336 EVERY BREAK IN THE CASE 878 00:34:30,369 --> 00:34:32,371 FROM HIS POST OUTSIDE THE DOOR. 879 00:34:32,404 --> 00:34:33,605 YOU KNOW THE COPS ARE ONTO YOU, 880 00:34:33,639 --> 00:34:35,374 SO YOU HAD TO ACT FAST. 881 00:34:35,407 --> 00:34:36,608 - THANK YOU FOR THE BRILLIANT IDEA 882 00:34:36,642 --> 00:34:38,477 TO USE FACETIME TO KEEP YOURSELF IN TOUCH 883 00:34:38,510 --> 00:34:40,346 WITH WHAT YOUR BUDDIES WERE DOING. 884 00:34:40,379 --> 00:34:42,314 - IT WAS GUS. HE INSISTED. 885 00:34:42,348 --> 00:34:44,750 - I WASN'T TRYING TO KILL YOU, DEAC. 886 00:34:44,783 --> 00:34:47,286 I ONLY WANTED TO SCARE YOU BY SHOOTING THROUGH THAT WINDOW. 887 00:34:47,319 --> 00:34:48,554 - WHY? 888 00:34:48,587 --> 00:34:51,123 - BECAUSE...YOU'RE BAD FOR BUSINESS, DEACON. 889 00:34:51,157 --> 00:34:52,558 THE SAFER YOU MAKE THE NEIGHBORHOOD 890 00:34:52,591 --> 00:34:54,193 FOR LOCAL STORE OWNERS, 891 00:34:54,226 --> 00:34:56,528 THE MORE CLIENTS JIMMY'S SECURITY COMPANY LOST. 892 00:34:56,562 --> 00:34:59,765 - OH, JIMMY. JIMMY, WE'RE ON THE SAME TEAM, MAN. 893 00:34:59,798 --> 00:35:01,767 - WE WERE WHEN I WAS MAKING ENOUGH MONEY 894 00:35:01,800 --> 00:35:03,735 TO TAKE CARE OF MY FAMILY. 895 00:35:03,769 --> 00:35:05,437 BUT THEN THE ECONOMY WENT BAD, 896 00:35:05,471 --> 00:35:07,639 AND MY BIGGEST CUSTOMERS STARTED CANCELING THEIR ACCOUNTS. 897 00:35:07,673 --> 00:35:09,241 - SO YOU WANTED TO FRAME THE GANGS 898 00:35:09,275 --> 00:35:11,177 FOR TAKING A SHOT AT DEACON JONES, 899 00:35:11,210 --> 00:35:12,311 PILLAR OF THE COMMUNITY. 900 00:35:12,344 --> 00:35:14,313 THEN EVERYBODY STARTS FEARING THE GANGS AGAIN, RIGHT? 901 00:35:14,346 --> 00:35:15,847 AND THEY ALL RUN BACK TO JIMMY TO PROTECT 'EM, 902 00:35:15,881 --> 00:35:16,748 JUST LIKE THE GOOD OLD DAYS. 903 00:35:16,782 --> 00:35:18,917 - THAT IDIOT CHUY MESSED EVERYTHING UP 904 00:35:18,950 --> 00:35:20,852 WHEN HE PUSHED YOU INTO THE LINE OF FIRE. 905 00:35:20,886 --> 00:35:22,321 - YEAH, WELL, HIS ASS TURNED INTO 906 00:35:22,354 --> 00:35:23,822 SOME SERIOUS COLLATERAL DAMAGE. 907 00:35:23,855 --> 00:35:26,358 - THE ONLY CONSOLATION IS THAT I PROBABLY SAVED LIVES 908 00:35:26,392 --> 00:35:29,195 BY TAKING HIS. 909 00:35:29,228 --> 00:35:31,497 I ONLY WISH I DIDN'T HAVE TO TAKE YOURS AS WELL. 910 00:35:31,530 --> 00:35:34,800 BUT SHAWN'S GIVEN ME NO CHOICE. 911 00:35:34,833 --> 00:35:37,303 - I'LL GIVE YOU CHOICES, MAN! 912 00:35:37,336 --> 00:35:38,904 LOOK AROUND. YOU'RE IN A HOSPITAL, JIMMY. 913 00:35:38,937 --> 00:35:41,573 THINK THIS THROUGH--YOU CAN'T JUST BE SHOOTING DUDES. 914 00:35:48,880 --> 00:35:51,383 - SOME ORDERLY IS GONNA GET IN BIG TROUBLE 915 00:35:51,417 --> 00:35:53,552 FOR ACCIDENTALLY GIVING YOU TOO MUCH MORPHINE. 916 00:35:53,585 --> 00:35:55,954 - REALLY? IS IT PRINCE MARKIE DEE FROM THE FAT BOYS? 917 00:35:55,987 --> 00:35:57,589 - HEY, JIMMY, COME ON. 918 00:35:59,858 --> 00:36:03,262 - LET'S HOPE SPENCER'S HUNCH ABOUT TINA PAYS OFF. 919 00:36:03,295 --> 00:36:06,832 - SOMETHING ABOUT IT ISN'T SITTING RIGHT WITH ME. 920 00:36:06,865 --> 00:36:08,267 DIDN'T IT SEEM ODD TO YOU GUYS 921 00:36:08,300 --> 00:36:09,435 THAT SHAWN WAS SO SURE? 922 00:36:09,468 --> 00:36:11,437 - WHEN HAVE SPENCER'S HUNCHES NOT SEEMED ODD? 923 00:36:11,470 --> 00:36:13,572 - WE JUST THOUGHT HE FELT REALLY STRONGLY ABOUT THIS ONE. 924 00:36:13,605 --> 00:36:16,408 - NO, I KNOW SHAWN. 925 00:36:16,442 --> 00:36:17,543 THE STRONGER HE FEELS ABOUT SOMETHING, 926 00:36:17,576 --> 00:36:18,510 THE SILLIER HE'LL ACT. 927 00:36:18,544 --> 00:36:21,313 HE'LL MAKE AN OBSCURE ANALOGY ON ANYTHING. 928 00:36:21,347 --> 00:36:22,881 HE'LL SAY HE'S 200% SURE, 929 00:36:22,914 --> 00:36:24,516 KNOWING GOOD AND WELL THAT I'LL CORRECT HIM, 930 00:36:24,550 --> 00:36:25,917 BECAUSE THAT'S IMPOSSIBLE. 931 00:36:25,951 --> 00:36:28,687 BUT THIS TIME HE SAID HE WAS 100% SURE. 932 00:36:28,720 --> 00:36:30,256 IT'S TOO SIMPLE. 933 00:36:30,289 --> 00:36:32,858 PLUS, HE WOULD NEVER REFER TO US AS BLACKAPELLA. 934 00:36:32,891 --> 00:36:34,893 - SO WHAT ARE YOU SAYING? YOU THINK HE GOT IT WRONG? 935 00:36:34,926 --> 00:36:37,563 - ALL I KNOW IS THAT MY GUT'S TELLING ME SOMETHING'S OFF. 936 00:36:37,596 --> 00:36:39,598 - WHAT, SO NOW WE'RE SUPPOSED TO FOLLOW YOU ON HUNCHES TOO? 937 00:36:39,631 --> 00:36:41,767 - NO, I'M ASKING YOU TO TRUST ME. 938 00:36:47,339 --> 00:36:48,607 - [groggy speech] COME ON, JIMMY, 939 00:36:48,640 --> 00:36:50,776 YOU DON'T HAVE TO DO THIS, MAN, COME ON-- 940 00:36:50,809 --> 00:36:55,447 THINK ABOUT THE COMMUNITY AND THE KIDS AND THE... 941 00:36:55,481 --> 00:36:58,750 AND THE CATS THAT HANG OUT BEHIND THE BUILDING 942 00:36:58,784 --> 00:37:01,587 WITH THE BABY CATS AND... [coughs] 943 00:37:01,620 --> 00:37:04,923 - MAN, DEACON, THAT'S SOME DEEP NOISE. 944 00:37:04,956 --> 00:37:07,526 - YEAH? - YOU KNOW, 945 00:37:07,559 --> 00:37:10,696 IF YOU HAVE TO GET MURDERED, WHICH WE DO... 946 00:37:10,729 --> 00:37:15,567 BUT, UH...THERE ARE MUCH WORSE WAYS TO GO. 947 00:37:15,601 --> 00:37:17,936 - HEY, SHAWN, IF YOU DON'T DO SOMETHING, MAN, 948 00:37:17,969 --> 00:37:19,738 WE'RE GONNA DIE. [chuckles] 949 00:37:19,771 --> 00:37:21,907 - [shrilly] MAN... 950 00:37:21,940 --> 00:37:24,643 DON'T YOU THINK I WOULD HAVE DONE SOMETHING BY NOW 951 00:37:24,676 --> 00:37:26,044 IF I COULD, DEACON? 952 00:37:26,077 --> 00:37:28,447 - [laughs] 953 00:37:28,480 --> 00:37:31,783 - I'M ON A BANANA SLED, JACK! 954 00:37:31,817 --> 00:37:34,786 COME ABOOOOOOARD! 955 00:37:34,820 --> 00:37:36,388 [both laughing] 956 00:37:36,422 --> 00:37:39,425 COME GET ON MY BANANA SLED. 957 00:37:39,458 --> 00:37:41,327 - [groggily] BANANA SLED... 958 00:37:45,764 --> 00:37:47,499 - [loud groan] 959 00:37:47,533 --> 00:37:48,934 - OH, HEY... 960 00:37:50,569 --> 00:37:52,938 - YOU COULDA GOT A SECOND JOB! 961 00:37:52,971 --> 00:37:54,706 - AH-- 962 00:38:05,116 --> 00:38:07,519 OH! 963 00:38:07,553 --> 00:38:10,389 WHOA! THAT'LL DO IT. 964 00:38:10,422 --> 00:38:12,758 - GOOD NIGHT, SWEET JIMMY. - [chuckles] 965 00:38:14,793 --> 00:38:16,528 - STAY ON THE GROUND, BRIGHAM! 966 00:38:16,562 --> 00:38:17,796 I SAID STAY ON THE GROUND! 967 00:38:17,829 --> 00:38:20,098 - MORPHINE! THE MORPHINE... 968 00:38:20,131 --> 00:38:22,868 DEACON, YOU GOTTA COME BACK DOWN TO EARTH, BUDDY. 969 00:38:22,901 --> 00:38:25,704 OKAY? HEY, YOU OKAY? 970 00:38:25,737 --> 00:38:28,974 - YEAH. I'M ON A BANANA SLED WITH YOU. 971 00:38:29,007 --> 00:38:31,343 - FEEL THE PEEL, BABY. FEEL THE PEEL. 972 00:38:33,011 --> 00:38:34,880 - SHAWN! 973 00:38:34,913 --> 00:38:36,715 THANK GOD YOU'RE ALL RIGHT. 974 00:38:36,748 --> 00:38:38,784 WE DIDN'T KNOW WHAT BRIGHAM WAS GONNA DO TO YOU TWO GUYS. 975 00:38:38,817 --> 00:38:40,018 - THANK GOD YOU GOT HERE WHEN YOU DID. 976 00:38:40,051 --> 00:38:41,653 - IT'S ALL THANKS TO GUS. 977 00:38:41,687 --> 00:38:43,054 HE HAD A FEELING SOMETHING WASN'T RIGHT, 978 00:38:43,088 --> 00:38:44,590 AND HE CONVINCED US TO TRUST HIM. 979 00:38:44,623 --> 00:38:45,857 - WHAT? 980 00:38:45,891 --> 00:38:48,093 AND WHO WAS ALL DOWN ON THEMSELVES EARLIER, 981 00:38:48,126 --> 00:38:50,629 NOT TRUSTING THEIR INSTINCTS? 982 00:38:50,662 --> 00:38:51,830 THANKS FOR SAVING ME, BRO. 983 00:38:51,863 --> 00:38:54,466 - MAN, THANKS FOR KEEPING HIM AT BAY UNTIL WE GOT HERE. 984 00:38:54,500 --> 00:38:56,034 - AW, YOU DA MAN. - NO, YOU DA MAN. 985 00:38:56,067 --> 00:38:57,669 [giggling, silly noises] 986 00:38:57,703 --> 00:38:59,771 - SON! - STOP IT! 987 00:39:04,910 --> 00:39:07,012 - WHY DID THE MORPHINE NOT AFFECT YOU? 988 00:39:07,045 --> 00:39:10,382 - UH, WELL, LUCKILY MY DAD REFUSED TO PAY 989 00:39:10,416 --> 00:39:12,751 FOR ANY KIND OF PAIN MEDICATION AFTER 24 HOURS. 990 00:39:12,784 --> 00:39:14,786 THAT'S JUST GLUCOSE. 991 00:39:14,820 --> 00:39:18,757 I GOTTA ADMIT, THOUGH, MAN, I FEEL ODDLY EUPHORIC, HUH? 992 00:39:18,790 --> 00:39:20,091 STRANGELY ENERGIZED. 993 00:39:20,125 --> 00:39:21,727 - THAT'S THE ADRENALINE RUSH FROM HAVING 994 00:39:21,760 --> 00:39:22,794 A LIFE-OR-DEATH EXPERIENCE. 995 00:39:22,828 --> 00:39:23,762 IT FADES AWAY FAST. 996 00:39:23,795 --> 00:39:25,931 - YEAH, BUT YOU KNOW MY PAIN THRESHOLD, MAN. 997 00:39:25,964 --> 00:39:27,098 - I MEAN, YOU KNOW, IT'S PRETTY HIGH. 998 00:39:27,132 --> 00:39:29,401 IT'S UP THERE. IT'S PRETTY-- 999 00:39:29,435 --> 00:39:31,403 - [pained groan] - WHAT'S HAPPENING? 1000 00:39:31,437 --> 00:39:32,638 - OH, HERE COMES THE PAIN. 1001 00:39:32,671 --> 00:39:34,673 - WHAT-- - OH, I'M GOING DOWN, GUS! 1002 00:39:34,706 --> 00:39:36,442 - DON'T GET RIGOR MORTIS ON ME, SHAWN. 1003 00:39:36,475 --> 00:39:39,778 - I'M GOING DOWN! OH....GOD! 1004 00:39:39,811 --> 00:39:41,913 DON'T LOOK AT ME, JULES! 1005 00:39:41,947 --> 00:39:43,915 [groaning in pain] 1006 00:39:43,949 --> 00:39:47,052 - YOU GOT THIS? 1007 00:39:47,085 --> 00:39:58,664 - HI, KITTY. HEY, KITTY, KITTY. 1008 00:39:58,697 --> 00:40:00,432 - MAN, I CAN'T BELIEVE YOU GUYS HAVE TO LEAVE ALREADY. 1009 00:40:00,466 --> 00:40:01,900 YOU SURE YOU CAN'T HANG OUT FOR A FEW MORE DAYS? 1010 00:40:01,933 --> 00:40:04,603 - SORRY, SHAWN, BUT WE HAVE BUSINESS TO HANDLE AT HOME. 1011 00:40:04,636 --> 00:40:06,071 - THAT'S RIGHT, BUSINESS. WE CAN'T JUST BE 1012 00:40:06,104 --> 00:40:07,506 RUNNING AROUND SANTA BARBARA 1013 00:40:07,539 --> 00:40:09,074 CHASING BAD GUYS FOR WEEKS ON END. 1014 00:40:09,107 --> 00:40:10,676 - I KNOW, RIGHT? WHAT THAT LOOK LIKE? 1015 00:40:10,709 --> 00:40:11,743 - I KNOW, WHAT DO WE LOOK LIKE TO YOU, 1016 00:40:11,777 --> 00:40:13,111 SOME KIND OF SIDEKICKS OR SOMETHING? 1017 00:40:13,144 --> 00:40:15,581 - THAT'S RIGHT. [laughter] 1018 00:40:15,614 --> 00:40:17,883 - [sighs] 1019 00:40:20,486 --> 00:40:23,088 - UH, GUYS, WE DON'T HAVE ANY MORE CASES FOR YOU. 1020 00:40:23,121 --> 00:40:24,523 - [sighs] 1021 00:40:24,556 --> 00:40:26,124 - YOU NEVER GIVE US ANYTHING. 1022 00:40:26,157 --> 00:40:29,227 - HEY, AT LEAST WE GET TO SING TOGETHER AGAIN BEFORE YOU GO. 1023 00:40:29,260 --> 00:40:31,930 - HOW'S THAT? BLACKAPELLA ISN'T SCHEDULED TO PERFORM AGAIN. 1024 00:40:31,963 --> 00:40:33,499 - NO, THEY'RE NOT. 1025 00:40:33,532 --> 00:40:36,702 BUT QUARTER BLACK IS. [fingers snapping] 1026 00:40:36,735 --> 00:40:38,904 - * WE'LL HAVE A LOVE LOCKDOWN 1027 00:40:38,937 --> 00:40:40,839 * LOCKDOWN, BABY 1028 00:40:40,872 --> 00:40:43,241 * A SUPERMAX AFFAIR OF THE HEART * 1029 00:40:43,274 --> 00:40:45,944 * WE'LL HAVE A LOVE LOCKDOWN 1030 00:40:45,977 --> 00:40:48,079 * LOCKDOWN, BABY 1031 00:40:48,113 --> 00:40:50,482 - THIS IS NICE. THANK YOU. 1032 00:40:50,516 --> 00:40:51,483 - OH, YOU DON'T HAVE TO THANK ME. 1033 00:40:51,517 --> 00:40:53,218 YOU EARNED THIS BY HELPING OUT THE DEPARTMENT 1034 00:40:53,251 --> 00:40:55,854 ON THE CASE. 1035 00:40:55,887 --> 00:40:57,656 - NO TOUCHING! 1036 00:40:57,689 --> 00:41:01,192 - THAT GUYS IS REALLY STARTING TO PISS ME OFF. 1037 00:41:01,226 --> 00:41:03,161 [singing indistinctly] 1038 00:41:03,194 --> 00:41:06,131 [shouting, cheering] 1039 00:41:08,600 --> 00:41:11,202 [whistle blowing] 1040 00:41:11,236 --> 00:41:13,204 [cheers and applause] 1041 00:41:19,545 --> 00:41:21,212 THIS WAS NICE. 1042 00:41:21,246 --> 00:41:25,551 - DUTY CALLS. 1043 00:41:25,584 --> 00:41:27,553 I WILL CUT YOU, DEBBIE! 1044 00:41:30,021 --> 00:41:31,122 [whistle blowing] 1045 00:41:34,726 --> 00:41:37,729 Captioned by Dave L at CaptionMax www.captionmax.com