1 00:00:08,809 --> 00:00:11,312 - DR. STRODE, DOES THE NAME BOB WHITE 2 00:00:11,345 --> 00:00:13,047 MEAN ANYTHING TO YOU? 3 00:00:13,081 --> 00:00:14,148 - IS HE A CHILDREN'S CLOWN? 4 00:00:14,182 --> 00:00:15,516 - NO. - ADULT'S-ONLY CLOWN? 5 00:00:15,549 --> 00:00:17,218 - NO, HE'S NOT A CLOWN OF ANY SORT. 6 00:00:17,251 --> 00:00:20,054 YOU PERFORMED AN AUTOPSY ON HIM TWO NIGHTS AGO. 7 00:00:20,088 --> 00:00:21,389 HE WAS HIT BY A BUS? 8 00:00:21,422 --> 00:00:23,591 - OH, OF COURSE. I'M SORRY, YEAH. 9 00:00:23,624 --> 00:00:26,327 I-I OFTEN CONFUSE CLOWNS AND BUS VICTIMS. 10 00:00:26,360 --> 00:00:27,395 YEAH, YEAH. THAT WAS A-- 11 00:00:27,428 --> 00:00:29,230 THAT WAS A TRAGIC ACCIDENT. 12 00:00:29,263 --> 00:00:30,331 - OR WAS IT? 13 00:00:30,364 --> 00:00:32,466 IT'S VERY POSSIBLE THAT IT WAS NOT 14 00:00:32,500 --> 00:00:33,767 AND THAT YOU MADE A MISTAKE. 15 00:00:33,801 --> 00:00:37,471 - UH, NO, NO, CHIEF, I-I DON'T MAKE MISTAKES. 16 00:00:37,505 --> 00:00:39,107 - SAYS THE GUY WHO LEFT HIS KEYS 17 00:00:39,140 --> 00:00:40,474 IN AN OLD LADY'S SPLEEN LAST MONTH. 18 00:00:40,508 --> 00:00:42,476 - OH, PLEASE, DETECTIVE. LIKE YOU'VE NEVER LOST KEYS? 19 00:00:42,510 --> 00:00:45,846 - DO YOU REMEMBER A MISSING EARLOBE? 20 00:00:45,879 --> 00:00:47,648 WELL, THIS WOMAN DOES. 21 00:00:47,681 --> 00:00:51,385 SHE IS THE MORTICIAN WHO WAS IN PROCESS OF EMBALMING MR. WHITE 22 00:00:51,419 --> 00:00:54,288 WHEN SHE DISCOVERED THE INCONSISTENCY. 23 00:00:54,322 --> 00:00:57,391 - HELLO, WOODROW. 24 00:00:57,425 --> 00:00:59,193 - HELLO, GRACE. 25 00:00:59,227 --> 00:01:00,728 - YOU TWO KNOW EACH OTHER? 26 00:01:00,761 --> 00:01:03,497 - OH, DR. STRODE AND I WERE IN FORENSICS SCHOOL TOGETHER. 27 00:01:03,531 --> 00:01:06,334 - WE WERE ALSO BRIEFLY... 28 00:01:06,367 --> 00:01:09,337 LOVERS. 29 00:01:09,370 --> 00:01:10,671 - EW. 30 00:01:10,704 --> 00:01:12,606 - THE EARLOBE WAS SLICED PRIOR TO QUIETUS 31 00:01:12,640 --> 00:01:14,475 AND CERTAINLY NOT BY A TIRE. 32 00:01:14,508 --> 00:01:15,876 THE INCISION WAS CLEAN, PRECISE, 33 00:01:15,909 --> 00:01:18,546 AS THOUGH MADE BY A BOX CUTTER OR SOMETHING. 34 00:01:18,579 --> 00:01:20,248 THIS WAS NO ACCIDENT. 35 00:01:20,281 --> 00:01:23,451 THE WOODY I KNOW WOULD NEVER HAVE MISSED SOMETHING LIKE THIS. 36 00:01:27,421 --> 00:01:30,858 - AH, NO. THE BLOOD ALCOHOL WAS .31. 37 00:01:30,891 --> 00:01:32,660 HE PASSES OUT, FALLS. 38 00:01:32,693 --> 00:01:35,496 I MEAN, CHIEF, LOOK, I MAY HAVE MISSED THIS DETAIL, 39 00:01:35,529 --> 00:01:37,498 BUT I STILL DON'T KNOW THAT THIS WAS A MURDER. 40 00:01:37,531 --> 00:01:39,800 I MEAN, CLOWNS FALL. 41 00:01:39,833 --> 00:01:41,369 - I GOT TO TELL YOU, WOODY. 42 00:01:41,402 --> 00:01:43,271 I'M GETTING A LITTLE FED UP WITH THIS SLOPPY WORK. 43 00:01:43,304 --> 00:01:44,605 - OKAY. 44 00:01:44,638 --> 00:01:46,874 IF THE WOODMAN SAYS IT'S AN ACCIDENT, THEN SO DO WE. 45 00:01:46,907 --> 00:01:48,776 - I'M GOING TO NEED A LITTLE BIT MORE THAN THAT. 46 00:01:48,809 --> 00:01:50,478 - ALL RIGHT, FINE. GUS AND I WILL HIT THE SCENE. 47 00:01:50,511 --> 00:01:52,513 AND DON'T WORRY-- IT'S GOING TO BE PRO BONO. 48 00:01:52,546 --> 00:01:54,482 WE'RE GOING TO GO ALL HALEY JOEL OSMENT ON THIS-- 49 00:01:54,515 --> 00:01:55,416 PAY IT FORWARD. 50 00:01:55,449 --> 00:01:57,318 - WHY CAN'T WE GO ALL HALEY JOEL OSMENT 51 00:01:57,351 --> 00:01:58,586 AND GET PAID, LIKE HE DID WITH COUNTRY BEARS? 52 00:01:58,619 --> 00:02:00,621 - H.J.O. WAS IN COUNTRY BEARS? 53 00:02:00,654 --> 00:02:02,523 - HE PLAYED A BEAR NAMED BEARY BARRINGTON. 54 00:02:02,556 --> 00:02:03,691 - MY GOD. 55 00:02:03,724 --> 00:02:05,693 IS THERE ANYTHING THIS KID CAN'T DO? 56 00:02:05,726 --> 00:02:07,161 - WELL, HE'S NOT REALLY A KID ANYMORE. 57 00:02:07,195 --> 00:02:08,362 HE'S IN HIS 20s, 58 00:02:08,396 --> 00:02:11,265 TECHNICALLY, HE'S A YOUNG MAN. 59 00:02:16,337 --> 00:02:17,771 - SO THIS IS THE ADDRESS OF THE REPORT. 60 00:02:17,805 --> 00:02:19,840 WHERE DO YOU WANT TO START? YOU WANT TO WALK THE SCENE? 61 00:02:19,873 --> 00:02:21,375 - WELL, YOU ARE STANDING RIGHT WHERE 62 00:02:21,409 --> 00:02:22,343 THE BUS RAN OVER OVER BOB WHITE'S BODY. 63 00:02:22,376 --> 00:02:24,445 WHY DON'T YOU JUST LAY DOWN? - I WILL NOT. 64 00:02:24,478 --> 00:02:25,479 - GUS, YOU'RE THE VICTIM. 65 00:02:25,513 --> 00:02:26,614 - WHY DO I HAVE TO BE THE VICTIM? 66 00:02:26,647 --> 00:02:28,449 - BECAUSE TO CAST YOU AS THE KILLER WOULDN'T BE VERY P.C. 67 00:02:28,482 --> 00:02:29,817 - SINCE WHEN ARE YOU P.C., SHAWN? 68 00:02:29,850 --> 00:02:31,552 - DO YOU WANT TO BE OUT HERE ALL NIGHT, 69 00:02:31,585 --> 00:02:32,586 OR DO YOU WANT TO GO GET SOME FOOD? 70 00:02:32,620 --> 00:02:34,422 - FINE. 71 00:02:43,231 --> 00:02:44,465 - THIS SAYS THE STREETLAMP 72 00:02:44,498 --> 00:02:47,568 DIRECTLY OVER THE BUS STOP WAS OUT. 73 00:02:47,601 --> 00:02:50,604 [electricity crackles, glass shattering] 74 00:02:52,940 --> 00:02:54,942 GUS, YOU STILL THERE? 75 00:02:54,975 --> 00:02:56,477 - YOU SEE MY FACE ON THIS ASPHALT, SHAWN. 76 00:02:56,510 --> 00:02:57,578 HURRY UP. 77 00:02:57,611 --> 00:03:00,548 - THAT'S INTERESTING. 78 00:03:04,518 --> 00:03:08,356 - SO THE LAMP WAS VANDALIZED-- PROBABLY TEENAGERS. 79 00:03:08,389 --> 00:03:10,558 STILL SAYS ACCIDENT. - I DON'T KNOW. 80 00:03:10,591 --> 00:03:11,859 THEY DECIDE TO BUST ONE LAMP, 81 00:03:11,892 --> 00:03:13,594 AND IT JUST HAPPENS TO BE THE STREETLAMP 82 00:03:13,627 --> 00:03:15,563 THAT PREVENTS THE BUS DRIVER FROM SEEING 83 00:03:15,596 --> 00:03:17,365 THE DRUNKEST GUY IN THE WORLD LAYING IN THE STREET? 84 00:03:17,398 --> 00:03:19,233 - GENTLEMEN... 85 00:03:19,267 --> 00:03:22,370 MIGHT I ASK WHY THIS MAN IN STRAIGHT-CUT DENIM 86 00:03:22,403 --> 00:03:23,437 IS LYING IN THE STREET 87 00:03:23,471 --> 00:03:26,240 WHILE YOU ARE MAKING BUS SOUNDS IN THE MOONLIGHT? 88 00:03:26,274 --> 00:03:28,008 - IF YOU MUST KNOW, WE ARE PANTOMIME ARTISTS 89 00:03:28,041 --> 00:03:30,578 FROM NEW GUINEA DEVELOPING A NEW ROUTINE. 90 00:03:30,611 --> 00:03:33,747 LOOK, I AM TRAPPED IN THIS BOX ON CASTORS. 91 00:03:33,781 --> 00:03:37,585 LUCKILY, THIS BOX ALSO HAS AN ELEVATOR. 92 00:03:37,618 --> 00:03:39,853 GOOD-BYE. 93 00:03:39,887 --> 00:03:41,922 - NO. - WE ARE DETECTIVES. 94 00:03:41,955 --> 00:03:43,691 AND WE'RE INVESTIGATING A POSSIBLE MURDER 95 00:03:43,724 --> 00:03:45,593 THAT HAPPENED HERE TWO NIGHTS AGO AT 1:00 A.M. 96 00:03:45,626 --> 00:03:47,695 - REALLY? RIGHT HERE ON THE STREET? 97 00:03:47,728 --> 00:03:48,929 UNBELIEVABLE. 98 00:03:48,962 --> 00:03:50,998 I MEAN, THE ONE NIGHT THAT THERE'S A MURDER, 99 00:03:51,031 --> 00:03:51,965 AND I WAS SLEEPING. 100 00:03:51,999 --> 00:03:54,968 I NEVER SLEEP. DAMN YOU, CIRCADIAN RHYTHMS. 101 00:03:55,002 --> 00:03:56,770 - YOU COULDN'T JUST GO WITH THE PANTOMIME THING? 102 00:03:56,804 --> 00:03:59,573 - GENTLEMEN, MY NAME IS WHIP CHATTERLY. 103 00:03:59,607 --> 00:04:03,043 AND I CAN TELL YOU ANYTHING AND EVERYTHING YOU NEED TO KNOW. 104 00:04:03,076 --> 00:04:05,679 - WELL, WITH ALL DUE RESPECT, WHIP... 105 00:04:05,713 --> 00:04:07,047 CREAM, WAS IT? 106 00:04:07,080 --> 00:04:09,917 I HAPPEN TO BE THE HEAD PSYCHIC DETECTIVE 107 00:04:09,950 --> 00:04:11,985 FOR THE S.B.P.D., AND MY PARTNER HERE IS BLACK. 108 00:04:12,019 --> 00:04:13,721 SO I BELIEVE OUR BASES ARE COVERED. 109 00:04:13,754 --> 00:04:15,055 - WHAT DOES THAT HAVE TO DO WITH ANYTHING? 110 00:04:15,088 --> 00:04:18,359 - OH, MY. OH, YOU'RE SHAWN SPENCER. 111 00:04:18,392 --> 00:04:20,761 OH, OH, HI. 112 00:04:20,794 --> 00:04:23,063 OH, YOU GUYS ARE LIKE CELEBRITIES TO ME. 113 00:04:23,096 --> 00:04:24,632 - [chuckles] 114 00:04:24,665 --> 00:04:25,833 - THAT'S VERY FLATTERING. 115 00:04:25,866 --> 00:04:28,869 UH, ACTUALLY WE DON'T HAVE ANY HEAD SHOTS ON US RIGHT NOW, 116 00:04:28,902 --> 00:04:30,838 BUT, UH... AH, TO HECK WITH IT. 117 00:04:30,871 --> 00:04:32,039 WHY DON'T YOU GIVE GUS A BIG HUG? 118 00:04:32,072 --> 00:04:33,807 - I WOULD LOVE TO. - HOW ABOUT YOU DON'T? 119 00:04:33,841 --> 00:04:34,875 - ALL RIGHT. 120 00:04:34,908 --> 00:04:37,445 LISTEN, I WOULD LIKE TO OFFER YOU UP MY PROWESS. 121 00:04:37,478 --> 00:04:40,814 YOU SEE, I AM A-- BIT OF A MURDER EXPERT. 122 00:04:40,848 --> 00:04:42,983 - WHAT? DID YOU KILL SOMEONE? 123 00:04:43,016 --> 00:04:45,819 - NO. 124 00:04:45,853 --> 00:04:49,022 BUT THE NEXT BEST THING... 125 00:04:49,056 --> 00:04:50,458 THIS... 126 00:04:50,491 --> 00:04:54,628 IS MY ESTABLISHMENT. 127 00:04:57,631 --> 00:05:01,669 [The Friendly Indians' I Know You Know] 128 00:05:01,702 --> 00:05:02,836 - * I KNOW YOU KNOW 129 00:05:02,870 --> 00:05:05,038 * THAT I'M NOT TELLING THE TRUTH * 130 00:05:05,072 --> 00:05:06,440 * I KNOW YOU KNOW 131 00:05:06,474 --> 00:05:08,476 * THEY JUST DON'T HAVE ANY PROOF * 132 00:05:08,509 --> 00:05:10,878 * EMBRACE THE DECEPTION, LEARN HOW TO BEND * 133 00:05:10,911 --> 00:05:12,413 * YOUR WORST INHIBITIONS 134 00:05:12,446 --> 00:05:15,783 * TEND TO PSYCH YOU OUT AT THE END * 135 00:05:15,816 --> 00:05:18,552 * I KNOW YOU KNOW 136 00:05:19,653 --> 00:05:22,690 - SO, WE HAVE A DRUNKEN MAN RUN OVER BY A LARGE VEHICLE 137 00:05:22,723 --> 00:05:24,792 AFTER HE WAS ALREADY MURDERED. 138 00:05:24,825 --> 00:05:28,596 THIS REMINDS ME OF A CASE FROM 1983 THAT I READ ABOUT. 139 00:05:28,629 --> 00:05:29,863 - WOW, THAT'S SOUNDS COOL. 140 00:05:29,897 --> 00:05:31,832 DUDE, WE ALREADY HUNG OUT 141 00:05:31,865 --> 00:05:33,601 WITH ENOUGH CRAZY WHITE PEOPLE THIS YEAR. 142 00:05:33,634 --> 00:05:35,603 - IN THIS CASE, AN ILLINOIS FARMER 143 00:05:35,636 --> 00:05:38,772 HAD SEEMINGLY BEEN RUN OVER BY HIS OWN TRACTOR, 144 00:05:38,806 --> 00:05:41,975 BUT IT WAS LATER DISCOVERED THAT THE GEAR PEDALS 145 00:05:42,009 --> 00:05:43,877 HAD BEEN ADJUSTED FOR A TINY PERSON. 146 00:05:43,911 --> 00:05:46,414 TURNS OUT HE WAS KILLED WITH CYANIDE 147 00:05:46,447 --> 00:05:48,616 BY A DWARF BEFORE HE EVER EVEN GOT ON THAT TRACTOR. 148 00:05:48,649 --> 00:05:50,651 THEY NEVER CAUGHT THAT LITTLE FELLOW. 149 00:05:50,684 --> 00:05:55,723 - YOU'RE SAYING THE DWARF IS STILL AT LARGE? 150 00:05:55,756 --> 00:05:58,559 - WHAT I'M SAYING IS, IS THAT MURDER 151 00:05:58,592 --> 00:05:59,860 IS ALWAYS A MACABRE BUSINESS. 152 00:05:59,893 --> 00:06:01,929 BUT ONE MAKES IT LOOK LIKE AN ACCIDENT-- 153 00:06:01,962 --> 00:06:03,897 WELL, THAT TAKES SKILL, 154 00:06:03,931 --> 00:06:05,899 KNOWLEDGE, THE MOST INTRICATE PLANNING. 155 00:06:05,933 --> 00:06:07,901 PLEASE TURN AROUND. - WHAT? 156 00:06:07,935 --> 00:06:10,738 - RUMPS FACING ME. LET ME SEE YOUR RUMPS. 157 00:06:10,771 --> 00:06:13,441 - [sighs] 158 00:06:17,811 --> 00:06:18,679 - WHAT'S THAT FOR? 159 00:06:18,712 --> 00:06:20,814 - I JUST GOT IT-- THE "AT LARGE" JOKE. 160 00:06:20,848 --> 00:06:23,684 - AH. - HILARIOUS. 161 00:06:23,717 --> 00:06:26,053 - COME, COME. 162 00:06:27,788 --> 00:06:30,057 - OH, NICE. YOU HAVE SURVEILLANCE CAMERAS. 163 00:06:30,090 --> 00:06:32,926 - HERE'S THE OUTSIDE CAMERA. 164 00:06:32,960 --> 00:06:35,028 - WELL, IF SOMEONE DECIDES TO COMMIT A MURDER 165 00:06:35,062 --> 00:06:37,097 INSIDE OF THAT THREE-FOOT RADIUS, WE ARE COVERED. 166 00:06:37,130 --> 00:06:39,066 - OKAY, CONFESSION... 167 00:06:39,099 --> 00:06:42,135 I JUST WANTED TO GET YOU GUYS IN HERE. 168 00:06:42,169 --> 00:06:43,704 - WHY--TO KILL US? 169 00:06:43,737 --> 00:06:45,072 - LOOK, WHIP, 170 00:06:45,105 --> 00:06:47,875 YOU'RE RAMBUNCTIOUS AND ODD AND TURTLENECK-Y. 171 00:06:47,908 --> 00:06:49,843 WE ALWAYS DO ENJOY MEETING A TRUE FAN, 172 00:06:49,877 --> 00:06:52,580 BUT IT'S TIME FOR GUS AND I TO RUN OFF INTO THE NIGHT NOW. 173 00:06:52,613 --> 00:06:53,914 - GOOD NIGHT. 174 00:06:53,947 --> 00:06:56,450 - NO, NO, NO, W-WAIT, WAIT. 175 00:06:56,484 --> 00:06:59,152 WAIT, WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 176 00:06:59,186 --> 00:07:00,353 WOULD YOU AT LEAST 177 00:07:00,387 --> 00:07:03,924 BESTOW UPON ME THE HONOR OF SIGNING MY YANG BOOK? 178 00:07:03,957 --> 00:07:05,793 both: AH. 179 00:07:05,826 --> 00:07:06,860 - AM I THE ONLY ONE WHO THOUGHT 180 00:07:06,894 --> 00:07:08,696 THAT MARY LIGHTLY WAS THE KILLER? 181 00:07:08,729 --> 00:07:10,764 - WOW. YOU REALLY READ THIS CLOSELY. 182 00:07:10,798 --> 00:07:12,733 - OH, I'VE READ IT 100 TIMES. 183 00:07:12,766 --> 00:07:14,802 IN FACT, I HAVE READ EVERY BOOK PUBLISHED ON MURDER SINCE 1850, 184 00:07:14,835 --> 00:07:16,069 TO BE PRECISE. 185 00:07:16,103 --> 00:07:18,105 - WHY ARE YOU SO FASCINATED WITH MURDER? 186 00:07:18,138 --> 00:07:19,473 - I DON'T KNOW. 187 00:07:19,507 --> 00:07:20,974 WITH ONE TERRIBLE ACT, SOMEONE CAN BECOME 188 00:07:21,008 --> 00:07:22,576 IMMORTALIZED FOREVER. 189 00:07:22,610 --> 00:07:24,044 I JUST FIND IT FASCINATING. 190 00:07:24,077 --> 00:07:26,046 PRECEDENT TELLS US THAT THE VICTIM'S INNARDS 191 00:07:26,079 --> 00:07:27,981 WILL TELL THE STORY OF HIS DEATH. 192 00:07:28,015 --> 00:07:30,217 ITS CONTENTS ARE LIKE A CLOCKWORK BACKWARDS 193 00:07:30,250 --> 00:07:32,219 FROM THE TIME OF DEATH, BUT YOU MUST HURRY. 194 00:07:32,252 --> 00:07:34,722 - WE KNOW THE DRILL, WHIP. UH, WE'VE-- 195 00:07:34,755 --> 00:07:36,223 WE'VE SEEN THE FIRST 48. 196 00:07:36,256 --> 00:07:38,125 - AND SO HAVE I, EVERY EPISODE. 197 00:07:38,158 --> 00:07:40,160 - OKAY. WELL, WATCHING IT ON TV 198 00:07:40,193 --> 00:07:41,929 AND EVEN--EVEN READING ABOUT IT IN BOOKS 199 00:07:41,962 --> 00:07:44,732 IS A LITTLE DIFFERENT THAN THE REAL THING. 200 00:07:44,765 --> 00:07:47,768 - GENTLEMEN, ALLOW ME TO BE YOUR SECRET WEAPON. 201 00:07:47,801 --> 00:07:50,771 WHAT HAVE YOU GOT TO LOSE, HUH? 202 00:07:50,804 --> 00:07:53,907 I WILL ALSO COVER THE COST OF ALL SNACKS. 203 00:07:53,941 --> 00:07:55,108 - WHAT KIND OF SNACKS? 204 00:07:55,142 --> 00:07:59,179 KEEPING IN MIND THAT FRUIT AND DRIED FRUIT ARE NOT SNACKS. 205 00:07:59,212 --> 00:08:00,681 - FOOD FOR THOUGHT. 206 00:08:00,714 --> 00:08:03,717 LET'S BRING IT IN. 207 00:08:03,751 --> 00:08:04,885 NO? 208 00:08:04,918 --> 00:08:06,654 - MR. SPENCER HAS CONCLUDED AS WELL 209 00:08:06,687 --> 00:08:08,556 THAT BOB WHITE MAY HAVE BEEN MURDERED. 210 00:08:08,589 --> 00:08:09,957 - I'M SORRY, WOODY. 211 00:08:09,990 --> 00:08:11,992 - THIS MISCUE HAS COST US THE 40 HOURS OF LEAD TIME 212 00:08:12,025 --> 00:08:13,126 IN SOLVING THIS CASE. 213 00:08:13,160 --> 00:08:15,295 - I AM WILLING TO DO WHATEVER IT TAKES TO SOLVE THIS. 214 00:08:15,328 --> 00:08:18,599 I WILL STAY HERE UNTIL 6:15 P.M. IF NEED BE. 215 00:08:18,632 --> 00:08:20,067 NOW, IF YOU'LL EXCUSE ME, 216 00:08:20,100 --> 00:08:23,136 I WILL RECHECK FOR SIGNS OF HEAD TRAUMA. 217 00:08:23,170 --> 00:08:24,905 - UH, SINCE TIME IS OF THE ESSENCE, 218 00:08:24,938 --> 00:08:27,007 WOULDN'T IT BE WISE TO START WITH THE STOMACH? 219 00:08:27,040 --> 00:08:29,610 IT WOULD GIVE US AN INDICATION OF WHERE THE VICTIM HAS EATEN 220 00:08:29,643 --> 00:08:30,477 IN THE LAST 18 HOURS. 221 00:08:30,510 --> 00:08:33,681 - BY THE WAY, I AM SENSING THAT, UH... 222 00:08:33,714 --> 00:08:36,850 THE STOMACH IS PROBABLY THE RIGHT PLACE TO START. 223 00:08:36,884 --> 00:08:38,686 - ALL RIGHT, LOOK, CHIEF, I, UH... 224 00:08:38,719 --> 00:08:42,089 I ADMIT, I AM--I AM THROWN BY THE IDEA THAT MY MISTAKE 225 00:08:42,122 --> 00:08:44,291 MAY HAVE SET US BEHIND THE EIGHT BALL HERE. 226 00:08:44,324 --> 00:08:46,994 BUT IF THERE IS A MURDER TO BE SOLVED, 227 00:08:47,027 --> 00:08:50,564 NO ONE IS BETTER THAN ME-- NO ONE. 228 00:08:50,598 --> 00:08:53,000 WELL, MAYBE GARY SINISE. 229 00:08:53,033 --> 00:08:55,102 MAYBE SINISE. - MS. LARSON... 230 00:08:55,135 --> 00:08:57,037 ARE YOU A LICENSED EXAMINER IN THIS STATE? 231 00:08:57,070 --> 00:08:59,006 - WELL, I KEEP MY CREDENTIALS UP, BUT-- 232 00:08:59,039 --> 00:09:01,041 - I'M EXERCISING MY DISCRETION IN THE COUNTY 233 00:09:01,074 --> 00:09:03,944 TO HIRE YOU ON TO CONSULT ON THIS CASE. 234 00:09:03,977 --> 00:09:05,045 - [scoffs] 235 00:09:05,078 --> 00:09:09,216 [laughing] WELL, THAT IS JUST INSANELY RIDICULOUS. 236 00:09:09,249 --> 00:09:10,751 RIM SHOT? 237 00:09:10,784 --> 00:09:12,219 - OKAY, LOOK, DR. STRODE IS--IS RIGHT. 238 00:09:12,252 --> 00:09:13,887 I DIDN'T KNOW IT WAS HIS CASE WHEN I CALLED, 239 00:09:13,921 --> 00:09:16,023 AND I DON'T WANT TO STEP ON ANYONE'S TOES HERE. 240 00:09:16,056 --> 00:09:17,591 I MEAN, OBVIOUSLY THE CASE IS SENSITIVE. 241 00:09:17,625 --> 00:09:19,326 - SHE HASN'T EVEN PRACTICED SINCE SHE LEFT SCHOOL. 242 00:09:19,359 --> 00:09:20,961 I MEAN, LET'S FACE IT. 243 00:09:20,994 --> 00:09:22,996 A MORTICIAN'S NOTHING MORE THAN A GLORIFIED MAKEUP ARTIST. 244 00:09:23,030 --> 00:09:24,998 - WELL, A MAKEUP ARTIST WHO KNEW TO START 245 00:09:25,032 --> 00:09:26,266 WITH THE ABDOMINAL CAVITY. 246 00:09:26,299 --> 00:09:27,768 - YOU LOOKED BETTER WITH LONG HAIR. 247 00:09:27,801 --> 00:09:30,638 - YOU LOOK LIKE A GREAT, BIG GERBER BABY. 248 00:09:30,671 --> 00:09:32,072 - YOU MOVE YOUR LIPS WHEN YOU READ. 249 00:09:32,105 --> 00:09:33,807 - IS THAT A BALD CAP ON YOUR HEAD, 250 00:09:33,841 --> 00:09:34,942 BECAUSE YOU KNOW WHAT? 251 00:09:34,975 --> 00:09:35,809 IT REMINDS ME OF ONE THAT I SAW 252 00:09:35,843 --> 00:09:37,711 IN A REALLY BAD HIGH-SCHOOL PRODUCTION 253 00:09:37,745 --> 00:09:40,347 OF THE KING AND I, WHICH I'VE NEVER FORGOTTEN. 254 00:09:40,380 --> 00:09:41,982 - BY THE WAY, I LIED. 255 00:09:42,015 --> 00:09:43,717 MY FATHER WAS NEVER KING OF SWEDEN. 256 00:09:43,751 --> 00:09:45,052 - HA HA HA! 257 00:09:45,085 --> 00:09:46,854 - [mumbling mockingly] OKAY. 258 00:09:46,887 --> 00:09:48,088 - COME ON, JUST FIGHT! GO, GO, GO, GO! 259 00:09:48,121 --> 00:09:49,289 - ENOUGH! 260 00:09:49,322 --> 00:09:51,091 OKAY, WOODY, I'M TRYING TO HELP YOU HERE, 261 00:09:51,124 --> 00:09:54,261 BECAUSE IF THIS CASE TURNS INTO AN UNSOLVED MURDER-- 262 00:09:54,294 --> 00:09:56,997 AND IT'S LOOKING MORE LIKELY BY THE MINUTE THAT IT WILL BE-- 263 00:09:57,030 --> 00:09:59,833 YOU MAY BE OUT OF A JOB. 264 00:10:02,002 --> 00:10:03,270 - THANK YOU. 265 00:10:03,303 --> 00:10:06,106 - OKAY, WOODY, LET'S BE MATURE ABOUT THIS. 266 00:10:06,139 --> 00:10:08,241 LET'S NOT REHASH OLD TIMES AND PLAY POWER GAMES. 267 00:10:08,275 --> 00:10:12,112 LET'S SLICE OPEN THIS MAN'S STOMACH AND SOLVE A MURDER. 268 00:10:13,380 --> 00:10:17,317 - WHAT ARE THESE-- WAFFLE CHUNKS? 269 00:10:17,350 --> 00:10:18,652 - SERIOUSLY, 270 00:10:18,686 --> 00:10:20,721 DO WE REALLY HAVE TO BE HERE FOR THIS? 271 00:10:20,754 --> 00:10:24,124 - THERE'S LEMONGRASS AND BEAN PASTE, 272 00:10:24,157 --> 00:10:25,926 BUT I ALSO SEE... 273 00:10:25,959 --> 00:10:27,961 THESE GREENS... 274 00:10:27,995 --> 00:10:29,029 - COLLARD, MAYBE? 275 00:10:29,062 --> 00:10:33,801 - AND WHAT APPEARS TO BE POTATO AND SUGAR CONTENT. 276 00:10:33,834 --> 00:10:35,703 - SWEET-POTATO PIE? 277 00:10:35,736 --> 00:10:37,771 - WHERE WOULD SOMEONE HAVE GONE 278 00:10:37,805 --> 00:10:40,040 TO HAVE EATEN BOTH SOUL FOOD AND THAI? 279 00:10:40,073 --> 00:10:43,210 - AFRO-THAI. 280 00:10:43,243 --> 00:10:45,278 both: PHAT THAI JONES. 281 00:10:50,117 --> 00:10:51,852 - I CAN'T BELIEVE YOU CALLED WHIP. 282 00:10:51,885 --> 00:10:53,687 - WELL, BELIEVE IT, GUS, BECAUSE HERE HE IS. 283 00:10:53,721 --> 00:10:56,056 HIS VAST KNOWLEDGE OF MURDER AND TRUE CRIME 284 00:10:56,089 --> 00:10:58,325 MAY JUST COME IN HANDY. - UNTIL HE KILLS US. 285 00:10:58,358 --> 00:11:01,194 - THIS IS INVIGORATING. 286 00:11:01,228 --> 00:11:03,263 I FEEL TINGLY. - MM-HMM. 287 00:11:03,296 --> 00:11:05,465 - I MEAN, IT MIGHT JUST BE MY SHAMPOO. 288 00:11:05,498 --> 00:11:07,167 YOU KNOW, IT'S GOT TEA TREE OIL IN IT. 289 00:11:07,200 --> 00:11:09,336 NOW, HOW DO THESE PSYCHIC INQUISITIONS WORK? 290 00:11:09,369 --> 00:11:11,371 WILL WE BE TOUCHING OUR SUBJECTS? 291 00:11:11,404 --> 00:11:13,306 - MAY I HELP YOU? - YES. 292 00:11:13,340 --> 00:11:15,342 DID YOU SEE THIS MAN HERE TWO NIGHTS AGO? 293 00:11:15,375 --> 00:11:16,877 - HEY, SINGH. 294 00:11:16,910 --> 00:11:19,446 [speaking Thai] 295 00:11:19,479 --> 00:11:21,949 COME ON. 296 00:11:21,982 --> 00:11:23,383 - OH, THIS GUY MIGHT BE MORE HELPFUL. 297 00:11:23,416 --> 00:11:25,753 - [Thai accent] I UNDERSTAND YOU HAVE PICTURE. 298 00:11:25,786 --> 00:11:28,488 - WHOA. WHOA! TAKE IT DOWN, MAN. 299 00:11:28,521 --> 00:11:30,724 DON'T YOU THINK THAT ACCENT'S A LITTLE OFFENSIVE? 300 00:11:30,758 --> 00:11:33,426 - MY ACCENT OFFENSIVE? - YES. 301 00:11:33,460 --> 00:11:36,730 - YOUR ACCENT OFFENSIVE. T-THIS IS HOW I TALK. 302 00:11:36,764 --> 00:11:38,298 I'M HIS SON. 303 00:11:38,331 --> 00:11:40,901 - OH, YOU'RE, UH-- 304 00:11:40,934 --> 00:11:43,270 - ADOPTED, YES. OKAY, BUD FROM COSBY? 305 00:11:43,303 --> 00:11:46,306 I GREW UP IN BANGKOK. WE CAME HERE THREE YEARS AGO. 306 00:11:46,339 --> 00:11:49,977 STILL HAVE A LITTLE BIT OF A TWANG. 307 00:11:50,010 --> 00:11:52,512 - YES, YES, UH, BOB WHITE. 308 00:11:52,545 --> 00:11:54,447 YES, OF COURSE I KNOW HIM. HE'S A REGULAR. 309 00:11:54,481 --> 00:11:57,317 HE WAS HERE TWO NIGHTS AGO. HE SIT RIGHT OVER THERE. 310 00:11:57,350 --> 00:11:59,319 - DO YOU KNOW WHAT TIME HE WAS HERE? 311 00:11:59,352 --> 00:12:01,321 - 6:00. 312 00:12:01,354 --> 00:12:04,024 - GENTLEMEN, WE ARE STANDING IN THE PRESENCE 313 00:12:04,057 --> 00:12:05,025 OF WHERE BOB WHITE WAS 314 00:12:05,058 --> 00:12:08,195 APPROXIMATELY SEVEN HOURS BEFORE HIS DEATH. 315 00:12:13,400 --> 00:12:14,902 - [sighs] 316 00:12:14,935 --> 00:12:17,470 WAS HE HERE WITH SOMEONE? 317 00:12:17,504 --> 00:12:19,006 - TABLE FOR ONE-- HE LONELY. 318 00:12:19,039 --> 00:12:20,473 HE HAVE NO HONEY. 319 00:12:20,507 --> 00:12:22,109 - WAS HE DRINKING A LOT? - DRINKING? 320 00:12:22,142 --> 00:12:24,111 NO, NO, HE ALLERGIC TO ALCOHOL. 321 00:12:24,144 --> 00:12:25,946 - ALLERGIC? ARE YOU SURE ABOUT THAT, SINGH? 322 00:12:25,979 --> 00:12:29,416 AUTOPSY REPORT SAID HIS BLOOD ALCOHOL LEVEL WAS .31. 323 00:12:29,449 --> 00:12:31,785 - NO, I OFFER HIM PLUM WINE, BUT HE SAY NO. 324 00:12:31,819 --> 00:12:33,987 I GIVE HIM PLUM CAKE INSTEAD. 325 00:12:34,021 --> 00:12:35,422 - PLUM CAKE IS MADE WITH ALCOHOL. 326 00:12:35,455 --> 00:12:37,524 - TEENY BIT, YES, YOU KNOW. 327 00:12:37,557 --> 00:12:39,359 BUT HE INSIST, YOU KNOW, BECAUSE OUR PLUM CAKE-- 328 00:12:39,392 --> 00:12:43,296 IT TASTES LIKE YOU HAVE PICKED A PLUM STRAIGHT FROM A TREE, 329 00:12:43,330 --> 00:12:45,332 AND YOU STICK IT IN A CAKE. 330 00:12:45,365 --> 00:12:46,499 - HOLY-- 331 00:12:46,533 --> 00:12:47,801 - REALLY? - HMM. 332 00:12:47,835 --> 00:12:49,136 - YOU THINKING WHAT I'M THINKING? 333 00:12:49,169 --> 00:12:51,171 - YOU WANT PLUM CAKE? - YOU KNOW THAT'S RIGHT. 334 00:12:51,204 --> 00:12:54,007 - COULD YOU MAKE THAT HAPPEN? 335 00:12:54,041 --> 00:12:56,176 - CAN WE HAVE TWO PIECES OF PLUM CAKE, PLEASE? 336 00:12:56,209 --> 00:12:57,878 - THREE. - THREE. 337 00:12:57,911 --> 00:13:00,013 - HE WAS ALLERGIC TO ALCOHOL? 338 00:13:00,047 --> 00:13:02,515 BOY, I DIDN'T REALIZED PLUM CAKE HAD THAT MUCH ALCOHOL IN IT. 339 00:13:02,549 --> 00:13:04,551 WELL, THAT EXPLAINS THE DILATION OF THE BLOOD VESSELS. 340 00:13:04,584 --> 00:13:08,121 - WELL, EITHER WAY YOU DON'T GET .31 SATURATION FROM PLUM CAKE. 341 00:13:08,155 --> 00:13:09,256 SOMEONE WITH SUCH AN ALLERGY 342 00:13:09,289 --> 00:13:11,491 WOULD NEVER BE ABLE TO INGEST THAT AMOUNT OF ALCOHOL. 343 00:13:11,524 --> 00:13:14,027 IS IT AT ALL POSSIBLE THE ALCOHOL 344 00:13:14,061 --> 00:13:17,064 COULD HAVE BEEN INSERTED INTO THE BLOODSTREAM SOMEHOW? 345 00:13:17,097 --> 00:13:19,366 - TWO THINGS-- 346 00:13:19,399 --> 00:13:20,600 THAT IS THE SEXIEST THING 347 00:13:20,633 --> 00:13:22,235 I HAVE EVER HEARD IN THIS OFFICE. 348 00:13:22,269 --> 00:13:24,237 AND IT IS POSSIBLE, WITH A SYRINGE. 349 00:13:24,271 --> 00:13:26,339 - WE WOULD START SCANNING THE BODY FOR INJECTION MARKS, 350 00:13:26,373 --> 00:13:27,607 AND IT COULD TAKE A WHILE. 351 00:13:27,640 --> 00:13:30,210 - NO, HE'S PRETTY MUCH SAME OLD BOB WHITE. 352 00:13:30,243 --> 00:13:32,412 YOU KNOW, HE LEFT HALF A WARM COKE... 353 00:13:32,445 --> 00:13:34,848 OH, AND, UH, ALSO THIS. 354 00:13:34,882 --> 00:13:37,484 BUT, UH, I KEEP FOR MYSELF. 355 00:13:37,517 --> 00:13:40,587 - CARNIVAL TICKETS? - THE SITE OF GRISLY MURDERS-- 356 00:13:40,620 --> 00:13:44,992 CARN-EVIL BY STUART ROBSON, MIDDLETON PRESS, 1971. 357 00:13:45,025 --> 00:13:47,260 GENTLEMEN, THESE ARE NOT CARNIVAL TICKETS. 358 00:13:47,294 --> 00:13:49,096 BUT IT IS GOING TO BE A HELL OF A RIDE. 359 00:13:51,899 --> 00:13:54,167 - THAT'S WEIRD. ALL RIGHT, GOT IT. 360 00:13:54,201 --> 00:13:55,535 THAT WAS WOODY. 361 00:13:55,568 --> 00:13:58,205 GRACE FOUND AN INJECTION SITE ON BOB'S LEFT FOOT. 362 00:13:58,238 --> 00:13:59,539 SO APPARENTLY THE ALCOHOL WAS PUMPED DIRECTLY 363 00:13:59,572 --> 00:14:00,573 INTO HIS BLOODSTREAM. 364 00:14:00,607 --> 00:14:02,042 - OOH, WAS THE INJECTION SITE 365 00:14:02,075 --> 00:14:03,576 BETWEEN THE SECOND AND THIRD TOE? 366 00:14:03,610 --> 00:14:06,546 - YEAH, IT WAS. HOW DID YOU KNOW THAT? 367 00:14:06,579 --> 00:14:09,016 - OH, STRAIGHT OUT OF LOST IN THE PARADE-- 368 00:14:09,049 --> 00:14:11,584 TYNE HANNERMAN, SOJI PRESS, 1931. 369 00:14:11,618 --> 00:14:15,255 THE POINT IS, SOMEBODY HANDPICKED THIS GUY. 370 00:14:15,288 --> 00:14:17,624 IT WAS CONTROLLED, CALCULATED... 371 00:14:17,657 --> 00:14:21,461 COLD-BLOODED. 372 00:14:21,494 --> 00:14:23,330 GET THOSE TICKETS OUT, BOYS. 373 00:14:23,363 --> 00:14:25,899 WE'VE ARRIVED AT BOB'S NEXT DESTINATION. 374 00:14:25,933 --> 00:14:28,902 [slow jazz] 375 00:14:28,936 --> 00:14:36,944 * 376 00:14:42,715 --> 00:14:44,184 - WHERE THE... 377 00:14:44,217 --> 00:14:46,286 HELL ARE WE? 378 00:14:46,319 --> 00:14:49,622 - WHEN THE HELL ARE WE? 379 00:14:54,627 --> 00:14:58,498 - GENTLEMEN, WE ARE STANDING IN A RETRO DIME-A-DANCE HALL-- 380 00:14:58,531 --> 00:15:00,333 ONE OF THE LAST OF ITS KIND. 381 00:15:00,367 --> 00:15:03,636 HERE, REGULAR FELLOWS CAN DRESS UP LIKE SERVICEMEN 382 00:15:03,670 --> 00:15:05,638 ON LEAVE FROM THE 1930s 383 00:15:05,672 --> 00:15:08,675 AND OFFER UP A COUPON TO TRIP THE LIGHT FANTASTIC 384 00:15:08,708 --> 00:15:11,711 WITH ONE OF THESE ALLURING AND VOLUPTUOUS WOMEN. 385 00:15:11,744 --> 00:15:14,514 - AND HOW DO YOU KNOW ABOUT THIS PLACE? 386 00:15:14,547 --> 00:15:17,017 - BECAUSE I AM A LONELY INDIVIDUAL... 387 00:15:17,050 --> 00:15:18,651 AND SO WAS BOB WHITE. 388 00:15:18,685 --> 00:15:19,852 OH, LOOK AT THIS. 389 00:15:19,886 --> 00:15:23,423 ANY ONE OF THESE CREATURES COULD HAVE AUTHORED HIS DEMISE. 390 00:15:23,456 --> 00:15:24,657 - WE'RE GOING TO NEED REINFORCEMENTS. 391 00:15:24,691 --> 00:15:25,658 - OOH... 392 00:15:25,692 --> 00:15:27,194 WHO YOU THINKING OF GOING WITH? 393 00:15:27,227 --> 00:15:35,535 * 394 00:15:37,437 --> 00:15:38,738 - YOU SAID YOU HAD A PRIORITY-ONE CASE 395 00:15:38,771 --> 00:15:40,107 THAT INVOLVED MY SKILLS? 396 00:15:40,140 --> 00:15:42,209 - YES, YOUR DANCING SKILLS. 397 00:15:42,242 --> 00:15:44,644 - WHO ARE YOU? - I'M WHIP CHATTERLY. 398 00:15:44,677 --> 00:15:47,247 - LOOK, DAD, WE ONLY HAVE A COUPLE HOURS 399 00:15:47,280 --> 00:15:49,449 TO QUESTION ALL THESE VOLUPTUOUS WOMEN. 400 00:15:49,482 --> 00:15:51,551 WE NEED YOUR HELP. WOODY'S ABOUT TO GET FIRED. 401 00:15:51,584 --> 00:15:53,987 - I DON'T KNOW, SHAWN. 402 00:15:58,391 --> 00:16:00,727 COUNT ME IN. 403 00:16:00,760 --> 00:16:04,097 DOES THE NAME BOB WHITE MEAN ANYTHING TO YOU? 404 00:16:04,131 --> 00:16:07,000 - CAN'T SAY THAT IT DOES. 405 00:16:07,034 --> 00:16:10,037 CAN I CALL YOU CAPTAIN MAGIC? 406 00:16:10,070 --> 00:16:11,771 - YEAH. 407 00:16:11,804 --> 00:16:16,043 - DOES THIS MAN'S IMAGE INCITE ANYTHING IN YOU? 408 00:16:16,076 --> 00:16:19,746 - I'M SORRY, HONEY. I DON'T DO THREE-WAYS. 409 00:16:19,779 --> 00:16:23,283 - I WAS WONDERING-- - SHH. 410 00:16:23,316 --> 00:16:25,452 - DON'T WASTE YOUR BREATH, BROWN SUGAR, 411 00:16:25,485 --> 00:16:28,021 YOU JUST LET SANDY HOLD YOU TIGHT, 412 00:16:28,055 --> 00:16:30,790 AND ALL THE PAIN WILL MELT AWAY LIKE BUTTER. 413 00:16:30,823 --> 00:16:33,060 - [chuckles] 414 00:16:33,093 --> 00:16:35,028 ACTUALLY, I'M DOING GREAT, 415 00:16:35,062 --> 00:16:38,665 BUT MY FRIEND BOB WHITE-- SO SAD. 416 00:16:38,698 --> 00:16:40,300 DID YOU KNOW HIM? - [gasps] 417 00:16:42,402 --> 00:16:46,306 - [whistling] 418 00:16:48,708 --> 00:16:51,178 WHAT? 419 00:16:51,211 --> 00:16:53,180 OH, I'M THE A-HOLE? 420 00:16:53,213 --> 00:16:56,083 - SHAWN! SHAWN! 421 00:16:57,684 --> 00:16:59,052 - I JUST CAN'T BELIEVE ANYBODY 422 00:16:59,086 --> 00:17:01,188 WOULD WANT TO KILL THAT POOR LITTLE MAN. 423 00:17:01,221 --> 00:17:03,356 - REALLY? WHY IS THAT SO HARD TO BELIEVE? 424 00:17:03,390 --> 00:17:06,126 - BECAUSE BOBBY WOULDN'T HURT A FLY. 425 00:17:06,159 --> 00:17:08,728 HE USED TO COME IN HERE AND DANCE WITH ME FOR HOURS, 426 00:17:08,761 --> 00:17:10,397 'CAUSE HE JUST LOST HIS MAMA. 427 00:17:10,430 --> 00:17:13,733 [sighs] HE'D LAY HIS HEAD RIGHT HERE. 428 00:17:13,766 --> 00:17:15,502 I'D JUST LET HIM FALL ASLEEP. 429 00:17:15,535 --> 00:17:17,370 - THAT'S SOUNDS REAL NICE. 430 00:17:17,404 --> 00:17:18,538 - UH, SHAWN? 431 00:17:18,571 --> 00:17:20,840 - HANG IN THERE, BUDDY. 432 00:17:20,873 --> 00:17:22,442 - SANDY, DID ROB COME HERE TO DANCE 433 00:17:22,475 --> 00:17:24,577 AND NAP ON YOUR BOSOM TWO NIGHTS AGO? 434 00:17:24,611 --> 00:17:26,146 - HE DID. 435 00:17:26,179 --> 00:17:28,115 IT WAS THE WORST I'VE EVER SEEN HIM. 436 00:17:28,148 --> 00:17:29,349 HE SEEMED PARANOID. 437 00:17:29,382 --> 00:17:32,585 AND HE KEPT GOING ON AND ON ABOUT SOMEBODY FOLLOWING HIM. 438 00:17:32,619 --> 00:17:34,821 - BEING FOLLOWED-- OOH! 439 00:17:34,854 --> 00:17:36,589 THIS REMINDS ME OF A CASE 440 00:17:36,623 --> 00:17:39,492 THAT OCCURRED IN SALT LAKE CITY IN 1992. 441 00:17:39,526 --> 00:17:42,229 OH, IT WAS A STORMY WINTER-- - SPIT IT OUT, WHIP. 442 00:17:42,262 --> 00:17:44,631 I THINK GUS IS LOSING CONSCIOUSNESS. 443 00:17:44,664 --> 00:17:46,299 - I THINK OUR KILLER WAS SCOUTING BOB. 444 00:17:46,333 --> 00:17:47,467 I MEAN, HE'S A LONELY GUY, 445 00:17:47,500 --> 00:17:49,169 YOU KNOW, KEPT A REGULAR ROUTINE. 446 00:17:49,202 --> 00:17:50,237 WHO WOULD MISS HIM? 447 00:17:50,270 --> 00:17:52,805 - SANDY, WHERE WOULD BOB GO WHEN HE WAS FINISHED 448 00:17:52,839 --> 00:17:54,141 WITH THE PLEASURE OF YOUR COMPANY? 449 00:17:54,174 --> 00:17:57,477 - THE OTHER NIGHT HE SEEMED SO DOWN, 450 00:17:57,510 --> 00:17:59,146 SO I SENT HIM TO A FRIEND OF MINE. 451 00:17:59,179 --> 00:18:00,880 I ASKED HER FOR A SPECIAL FAVOR. 452 00:18:00,913 --> 00:18:03,816 - YOU SENT HIM TO A BROTHEL? - WHAT? NO. 453 00:18:03,850 --> 00:18:06,553 MY GIRL OPERATES ON A MORE SPIRITUAL LEVEL. 454 00:18:11,558 --> 00:18:16,696 - GENTLEMEN, WE STAND FOUR HOURS FROM BOB WHITE'S LAST BREATH. 455 00:18:16,729 --> 00:18:20,200 - HUH. - THIS IS ALL YOU, SHAWNIE BOY. 456 00:18:20,233 --> 00:18:21,534 - HEY, SUCK IT, GUS. 457 00:18:21,568 --> 00:18:24,271 - WE'LL SEE. WE'LL SEE. 458 00:18:24,304 --> 00:18:28,375 - MS. IVANA, OUR FRIEND SHAWN HERE IS A PSYCHIC, TOO. 459 00:18:28,408 --> 00:18:30,243 MAYBE YOU WANT TO TEST HIM OUT BEFORE YOU ANSWER OUR QUESTIONS. 460 00:18:30,277 --> 00:18:31,344 - DUDE, WHAT ARE YOU DOING? 461 00:18:31,378 --> 00:18:33,246 - [Russian accent] SHH. NO TALK. 462 00:18:33,280 --> 00:18:34,247 YOU, LOOK AT MY BRAIN. 463 00:18:34,281 --> 00:18:35,315 - I'D RATHER NOT. - DO IT. 464 00:18:35,348 --> 00:18:37,217 - OKAY. - WHAT DO YOU SEE? 465 00:18:37,250 --> 00:18:40,320 - UM... 466 00:18:42,255 --> 00:18:44,224 OH, YOU... 467 00:18:44,257 --> 00:18:46,193 ARE PUTTING UP A WALL. 468 00:18:46,226 --> 00:18:50,197 YOU DON'T WANT ME TO SEE YOUR NAKED, INNERMOST THOUGHTS. 469 00:18:50,230 --> 00:18:51,598 - TRUE. 470 00:18:51,631 --> 00:18:54,367 I HAVE TRUST ISSUES. MY THERAPIST TELLS ME THIS. 471 00:18:54,401 --> 00:18:57,270 YOUR TURN. 472 00:18:57,304 --> 00:18:59,306 - HAVE AT IT. I'M AN OPEN BOOK. 473 00:18:59,339 --> 00:19:00,340 [grunts] 474 00:19:00,373 --> 00:19:03,443 - [breathes deeply] 475 00:19:03,476 --> 00:19:05,278 YOU'RE THINKING... 476 00:19:05,312 --> 00:19:08,415 WHETHER TED KNIGHT AND JIM J. BULLOCK 477 00:19:08,448 --> 00:19:12,552 HAD ANYTHING TO TALK ABOUT ON THE SET OF... 478 00:19:12,585 --> 00:19:14,221 TOO CLOSE FOR COMFORT. 479 00:19:14,254 --> 00:19:15,888 - [grunts] 480 00:19:15,922 --> 00:19:17,624 - [gasps] 481 00:19:17,657 --> 00:19:18,925 - HOLY CRAP. SHE'S THE REAL DEAL. 482 00:19:18,958 --> 00:19:21,294 - WOW. YOUR TURN AGAIN, SHAWN. 483 00:19:21,328 --> 00:19:22,729 THIS TIME TRY TO LET YOUR GUARD DOWN. 484 00:19:22,762 --> 00:19:25,232 - GUS, WE'RE HERE TO INVESTIGATE. 485 00:19:25,265 --> 00:19:28,435 I BELIEVE YOU KNOW THIS MAN. 486 00:19:36,309 --> 00:19:38,278 - GOLLY, HOW MANY POTTED PLANTS 487 00:19:38,311 --> 00:19:40,313 DOES IT TAKE TO SPELL LOSER? 488 00:19:40,347 --> 00:19:42,449 TURNS OUT THIS WAS A SUICIDE, I CAN'T SAY I BLAME THE GUY. 489 00:19:42,482 --> 00:19:44,384 - OH, DON'T BE UGLY, CARLTON. 490 00:19:44,417 --> 00:19:45,552 - WHAT? 491 00:19:45,585 --> 00:19:49,289 - ALL RIGHT, WHAT DO YOU WANT TO CHECK-- 492 00:19:49,322 --> 00:19:50,390 THE EMPTY ANSWERING MACHINE 493 00:19:50,423 --> 00:19:52,925 OR THE LETTERS ADDRESSED TO "RESIDENT"? 494 00:19:52,959 --> 00:19:56,429 - YES, HE CAME TO SEE ME THE OTHER NIGHT. 495 00:19:56,463 --> 00:19:57,430 HE WAS VERY SAD. 496 00:19:57,464 --> 00:19:59,599 HE TELLS ME HE'S IN LOVE WITH BEAUTIFUL WOMAN. 497 00:19:59,632 --> 00:20:00,633 - REALLY? 498 00:20:00,667 --> 00:20:02,302 WHAT'S HER NAME? - PENNY. 499 00:20:02,335 --> 00:20:05,338 HE SAID SHE IS SO BEAUTIFUL, HE CAN WATCH HER ALL DAY LONG, 500 00:20:05,372 --> 00:20:07,340 POURING THE TEA OR READING THE PAPER. 501 00:20:07,374 --> 00:20:09,476 EVEN THE WAY SHE FOLDING THE LAUNDRY 502 00:20:09,509 --> 00:20:11,411 IS A THING OF BEAUTY. 503 00:20:11,444 --> 00:20:13,313 SO I TELL HIM SHE CARES FOR HIM. 504 00:20:13,346 --> 00:20:14,981 - OH, WHAT DO YOU KNOW? 505 00:20:15,014 --> 00:20:17,284 SHE WAS INTO OLD BOB, HUH? 506 00:20:17,317 --> 00:20:18,951 - NO. 507 00:20:18,985 --> 00:20:21,854 I ONLY TOLD HIM THIS BECAUSE BIG SANDY ASKED ME TO. 508 00:20:21,888 --> 00:20:23,656 I OWE HER A FAVOR FOR INTRODUCING ME 509 00:20:23,690 --> 00:20:26,359 TO CHAD LOWE AT PAJAMA PARTY AT THE PLAYBOY MANSION. 510 00:20:26,393 --> 00:20:27,860 - YOU LIED TO HIM? 511 00:20:27,894 --> 00:20:29,362 - I HAD TO. 512 00:20:29,396 --> 00:20:31,398 CHAD WASN'T GOING TO GET WITH A FORTUNE TELLER. 513 00:20:31,431 --> 00:20:35,034 - NOT TALKING ABOUT CHAD. I AM TALKING ABOUT BOB. 514 00:20:35,067 --> 00:20:36,736 - YES. HIM TOO. 515 00:20:36,769 --> 00:20:37,737 - OH. 516 00:20:37,770 --> 00:20:39,539 - BUT HE WAS SO HAPPY. 517 00:20:39,572 --> 00:20:41,641 - HE RUSH OUT OF HERE TO GO AND SEE HER. 518 00:20:41,674 --> 00:20:45,478 - THIS IS AN OUTRAGE. 519 00:20:45,512 --> 00:20:46,579 SHAME YOUR FACE. 520 00:20:46,613 --> 00:20:47,914 POOR BOB. 521 00:20:47,947 --> 00:20:49,482 - WHO IS NOW VERY, VERY SAD. 522 00:20:49,516 --> 00:20:51,984 YOU WANT TO KNOW WHY? MOSTLY BECAUSE HE'S DEAD. 523 00:20:52,018 --> 00:20:53,353 - [American accent] SAY WHAT? 524 00:20:53,386 --> 00:20:54,954 - MURDER! - NUH-UH. 525 00:20:54,987 --> 00:20:56,022 - HOPE YOU'RE SATISFIED. 526 00:20:56,055 --> 00:20:57,757 - OH, MY GOD, YOU GUYS. SERIOUSLY? 527 00:20:57,790 --> 00:20:59,392 THIS IS ALL MY FAULT. 528 00:20:59,426 --> 00:21:01,494 I'M GOING TO HELL IN A HANDBASKET. 529 00:21:01,528 --> 00:21:03,530 - UH... WHAT HAPPENED TO YOUR ACCENT? 530 00:21:03,563 --> 00:21:06,933 - PEOPLE ARE MORE COMFORTABLE WHEN I USE IT? 531 00:21:06,966 --> 00:21:09,569 - NO, NO, NO, NO, NO, NO, NO, NO. 532 00:21:09,602 --> 00:21:12,839 WE ARE LEAVING. - TO FIND A GIRL NAMED PENNY. 533 00:21:12,872 --> 00:21:14,374 - [gasps] 534 00:21:14,407 --> 00:21:16,042 - WHAT THE-- 535 00:21:16,075 --> 00:21:18,445 DAMN, GIRL, WHAT'S WRONG WITH YOU? 536 00:21:18,478 --> 00:21:20,713 - I SEE DEATH IN YOU. 537 00:21:20,747 --> 00:21:22,982 - ME? NO. 538 00:21:23,015 --> 00:21:25,918 - THE REAPER IS COMING TO COLLECT YOUR SOUL. 539 00:21:25,952 --> 00:21:27,587 - NO, NO. WRONG AGAIN. 540 00:21:27,620 --> 00:21:29,889 UM, OH, SEE, YES, I GET THIS ALL THE TIME. 541 00:21:29,922 --> 00:21:33,593 YOU KNOW, ACTUALLY, IT'S BECAUSE DEATH IS MY BUSINESS. 542 00:21:33,626 --> 00:21:35,462 - [speaking foreign language] 543 00:21:35,495 --> 00:21:37,063 - DON'T. 544 00:21:37,096 --> 00:21:40,500 AH, OH, I KNOW WHAT IT IS. 545 00:21:40,533 --> 00:21:44,036 I'VE GOT A DEAD TOOTH AND, UM, A TOENAIL 546 00:21:44,070 --> 00:21:45,472 THAT'S GONE COMPLETELY BLACK. 547 00:21:45,505 --> 00:21:47,807 - LEAVE, NOW. ALL OF YOU, GET OUT. SHOO! 548 00:21:47,840 --> 00:21:49,108 - OKAY. - SHOO! 549 00:21:49,141 --> 00:21:50,643 - DON'T GOT TO TELL ME TWICE. 550 00:21:50,677 --> 00:21:54,714 - BAD JUJU, BAD JUJU, BAD JUJU. 551 00:21:54,747 --> 00:21:57,784 - WELL, THAT WAS UNSAVORY. 552 00:21:57,817 --> 00:21:59,486 - DON'T SWEAT IT, WHIP, OKAY? 553 00:21:59,519 --> 00:22:00,753 SHE WAS A FREAK. TRUST ME. 554 00:22:00,787 --> 00:22:01,988 FULL OF "BOLOGNA." 555 00:22:02,021 --> 00:22:03,122 - YEAH, THAT SHORTY WAS WACK. 556 00:22:03,155 --> 00:22:07,660 - GENTLEMEN, I APPRECIATE YOU BOTH WORKING OVERTIME 557 00:22:07,694 --> 00:22:11,664 TO PUT ME AT EASE, BUT I THINK MAYBE IT'S TIME 558 00:22:11,698 --> 00:22:15,535 I LEAVE THE RESIDUE OF THIS DEADLY CRYPTOGRAM 559 00:22:15,568 --> 00:22:20,940 TO THOSE FAR MORE EQUIPPED TO DECODE IT THAN I. 560 00:22:20,973 --> 00:22:25,712 WHAT I'M TRYING TO SAY IS THAT I'M FREAKED OUT. 561 00:22:25,745 --> 00:22:26,913 [sobbing] 562 00:22:26,946 --> 00:22:28,881 - I GUESS THE LEAST WE CAN DO IS, UH-- 563 00:22:28,915 --> 00:22:30,717 WE'LL GIVE YOU A RIDE HOME. 564 00:22:30,750 --> 00:22:32,519 OW. WHAT? - WHAT'S WRONG WITH YOU? 565 00:22:32,552 --> 00:22:34,587 - WELL, LOOK AT HIM. - MUCH APPRECIATED. 566 00:22:34,621 --> 00:22:38,625 UM, WOULD IT BE OUT OF LINE TO MAKE A QUICK STOP AT ARBY'S 567 00:22:38,658 --> 00:22:41,661 ON THE WAY HOME? 568 00:22:41,694 --> 00:22:44,363 - NO, IT WOULD NOT. THAT'S HAPPENING, FOR SURE. 569 00:22:47,734 --> 00:22:49,536 - I'LL BE DAMNED. 570 00:22:49,569 --> 00:22:52,038 HEY, O'HARA, I GOT SOMETHING. 571 00:22:52,071 --> 00:22:53,506 - PENNY? - YEAH. 572 00:22:53,540 --> 00:22:54,941 - YEAH. 573 00:22:54,974 --> 00:22:57,644 LOOKS LIKE MR. LONELY WASN'T SO LONELY AFTER ALL. 574 00:22:57,677 --> 00:22:58,911 - WELL, LET'S PAY HER A VISIT 575 00:22:58,945 --> 00:23:00,680 AND MAKE THIS LITTLE PIGGY SQUEAL. 576 00:23:00,713 --> 00:23:02,615 - OR WE COULD JUST ASK HER SOME QUESTIONS. 577 00:23:02,649 --> 00:23:04,984 - WE COULD. IT'S NEVER AS MUCH FUN. 578 00:23:05,017 --> 00:23:06,786 [cell phone rings] - HEY, SHAWN. 579 00:23:06,819 --> 00:23:09,756 - JULES, I'M HAVING A VERY STRONG FEELING 580 00:23:09,789 --> 00:23:13,993 ABOUT OUR GUY BOB AND THE NAME PENNY. 581 00:23:14,026 --> 00:23:18,565 DOES THAT MEAN ANYTHING TO YOU? 582 00:23:18,598 --> 00:23:20,199 - YEAH, IT DOES. 583 00:23:20,232 --> 00:23:21,400 - I GOT TO TELL YOU, LASSIE, 584 00:23:21,434 --> 00:23:24,537 INVESTIGATING THIS NEIGHBORHOOD HAS BEEN PRETTY BIZARRE-- 585 00:23:24,571 --> 00:23:25,638 UNDERBELLY. 586 00:23:25,672 --> 00:23:26,773 IT'S KIND OF LIKE AFTER HOURS. 587 00:23:26,806 --> 00:23:28,741 - WITHOUT THE ACCOMPANYING PRESENCE OF GRIFFIN DUNNE. 588 00:23:28,775 --> 00:23:29,809 - PLEASE, SPENCER. 589 00:23:29,842 --> 00:23:31,911 IF ANYONE KNOWS THE UNDERBELLY OF SANTA BARBARA, 590 00:23:31,944 --> 00:23:33,680 IT'S ME, SO I'LL DO THE TALKING, ALL RIGHT? 591 00:23:33,713 --> 00:23:34,747 I KNOW THESE PEOPLE, 592 00:23:34,781 --> 00:23:37,484 AND I'M A HIGHLY TRAINED COMMUNICATOR ABLE TO ADAPT 593 00:23:37,517 --> 00:23:39,786 INTO ANY SITUATION LIKE A MASTER CHAMELEON. 594 00:23:39,819 --> 00:23:41,087 both: YOU'RE NOT A MASTER CHAMELEON. 595 00:23:41,120 --> 00:23:43,623 - NO? WATCH THIS. 596 00:23:43,656 --> 00:23:46,959 [knocks on door] - IT'S OPEN. 597 00:23:49,829 --> 00:23:51,197 - PENNY CHALMERS. 598 00:23:51,230 --> 00:23:53,933 - OF COURSE. WHO ELSE WOULD I BE, SILLY? 599 00:23:53,966 --> 00:23:56,903 - I AM NOT SILLY. IN FACT, I'M QUITE THE OPPOSITE. 600 00:23:56,936 --> 00:23:58,571 HEAD DETECTIVE CARL LASSITER OF THE S.B.P.D. 601 00:23:58,605 --> 00:23:59,839 I'M HERE TO TALK TO YOU ABOUT BOB WHITE. 602 00:23:59,872 --> 00:24:02,942 - OH, YEAH. WELL, COME ON IN. 603 00:24:02,975 --> 00:24:05,678 I'M JUST ABOUT TO MAKE SOME TEA. 604 00:24:05,712 --> 00:24:06,746 - OH, YEAH. 605 00:24:06,779 --> 00:24:08,515 THIS GIRL'S GOT UNDERBELLY WRITTEN ALL OVER HER. 606 00:24:08,548 --> 00:24:10,583 - DETECTIVES, PLEASE HAVE A SEAT. 607 00:24:10,617 --> 00:24:12,685 MAKE YOURSELVES AT HOME. 608 00:24:12,719 --> 00:24:15,888 [applause] 609 00:24:17,857 --> 00:24:19,726 - LOOK UP, SEBASTIAN. 610 00:24:19,759 --> 00:24:21,694 THIS COULD GET INTERESTING. 611 00:24:21,728 --> 00:24:24,731 - BREAK A LEG, MASTER C. 612 00:24:31,137 --> 00:24:34,607 - [clears throat] - WHAT THE HELL IS GOING ON? 613 00:24:34,641 --> 00:24:37,777 - HE SAID SHE'S SO BEAUTIFUL THAT HE CAN WATCH HER ALL DAY-- 614 00:24:37,810 --> 00:24:40,547 THE WAY SHE POURS THE TEA OR READS THE PAPER. 615 00:24:40,580 --> 00:24:43,716 - OH, SHE'S A PERFORMANCE ARTIST. 616 00:24:43,750 --> 00:24:44,851 - OH. - OH. 617 00:24:44,884 --> 00:24:46,653 - GUYS LIKE BOB WHITE PAY MONEY 618 00:24:46,686 --> 00:24:49,556 TO WATCH HER LIVE HER EVERYDAY LIFE. 619 00:24:49,589 --> 00:24:51,090 - YOU SERIOUS? 620 00:24:51,123 --> 00:24:53,125 - ALL RIGHT, BEATNIKS, SHOW'S OVER. 621 00:24:53,159 --> 00:24:54,226 HIT THE ROAD. 622 00:24:54,260 --> 00:24:56,529 - [laughing] 623 00:24:56,563 --> 00:24:59,832 [applause] 624 00:24:59,866 --> 00:25:01,668 - ARE YOU PEOPLE DENSE? 625 00:25:01,701 --> 00:25:03,970 THIS IS OFFICIAL POLICE BUSINESS--GET OUT OF HERE. 626 00:25:04,003 --> 00:25:06,305 - [laughs] 627 00:25:06,338 --> 00:25:08,841 - WHOO-WHOO. 628 00:25:08,875 --> 00:25:11,277 - SPENCER, YOU GONNA HELP ME OUT HERE? 629 00:25:11,310 --> 00:25:14,213 - YES, WE ARE. 630 00:25:14,246 --> 00:25:17,216 [applause] 631 00:25:19,151 --> 00:25:21,320 - THE FEMALE COP'S GOT A PRESENCE, 632 00:25:21,353 --> 00:25:23,823 BUT DETECTIVE GANGLY'S A BIT STIFF, DON'T YOU THINK? 633 00:25:23,856 --> 00:25:26,158 - HMM. - HEY, OFFICER. 634 00:25:26,192 --> 00:25:27,960 NO NEED TO BE NERVOUS. IT'S GOING TO BE OKAY. 635 00:25:27,994 --> 00:25:32,031 THIS IS JUST LIFE IMITATING ART--NO LINES, JUST LIFE. 636 00:25:32,064 --> 00:25:35,602 SO GO AHEAD, ASK ME ANYTHING YOU WANT. 637 00:25:35,635 --> 00:25:38,571 - UH, LOOK, MISS... I, UM--- 638 00:25:38,605 --> 00:25:40,206 - WE CAN'T HEAR YOU. 639 00:25:40,239 --> 00:25:41,340 - UH-- 640 00:25:41,373 --> 00:25:44,043 - DO YOU KNOW BOB WHITE? 641 00:25:44,076 --> 00:25:46,613 - WELL, YEAH. WHY? 642 00:25:46,646 --> 00:25:48,080 - WELL, I DON'T REALLY KNOW 643 00:25:48,114 --> 00:25:49,616 IF YOU WANT AN AUDIENCE FOR THIS, 644 00:25:49,649 --> 00:25:51,951 BUT BOB IS DEAD. 645 00:25:51,984 --> 00:25:54,587 [audience gasps] 646 00:25:54,621 --> 00:25:57,223 - MY SWEET BOBBY IS DEAD? 647 00:25:57,256 --> 00:25:59,759 - WE BELIEVE HE WAS MURDERED. 648 00:25:59,792 --> 00:26:04,296 - [sobbing] OH, BOBBY. 649 00:26:04,330 --> 00:26:06,165 - KIND OF CLICHE. 650 00:26:06,198 --> 00:26:07,900 - WELL, SOMEONE MAY HAVE BEEN STALKING HIM FOR A WHILE, 651 00:26:07,934 --> 00:26:10,202 IF THAT HELPS. - OH, YEAH, THAT DOES. 652 00:26:10,236 --> 00:26:11,771 - [crying] OH, BOBBY, NO... 653 00:26:11,804 --> 00:26:12,705 - ALL RIGHT, THAT IS IT. 654 00:26:12,739 --> 00:26:14,641 YOU EITHER GET THESE PEOPLE OUT OF HERE, 655 00:26:14,674 --> 00:26:16,175 OR I'M GOING TO HAUL YOU DOWNTOWN. 656 00:26:16,208 --> 00:26:18,044 WE'RE GONNA SET UP ALL THE CHAIRS IN A HOLDING CELL. 657 00:26:18,077 --> 00:26:19,646 HOW'S THAT FOR HONESTY AND TRUTH? 658 00:26:19,679 --> 00:26:21,714 - DOES THAT COST EXTRA? - GET THEM OUT OF HERE. 659 00:26:31,423 --> 00:26:33,826 - LET'S GO. COME ON. 660 00:26:33,860 --> 00:26:36,696 - SEE YOU NEXT TIME. BYE. 661 00:26:36,729 --> 00:26:38,130 THANKS--THANKS FOR COMING. 662 00:26:38,164 --> 00:26:41,734 - DID YOU COMPLETE THE RESIDUE TEST 663 00:26:41,768 --> 00:26:43,770 ON THOSE FINGERNAILS LIKE A GOOD BOY? 664 00:26:43,803 --> 00:26:45,171 - I DID. 665 00:26:45,204 --> 00:26:48,107 I FOUND A MIXTURE OF PIGMENT FILLERS IN THE NAIL BEDS. 666 00:26:48,140 --> 00:26:49,809 - IS THERE ANYTHING HOTTER 667 00:26:49,842 --> 00:26:52,645 THAN A MAN SCALING ANOTHER MAN'S DEAD CUTICLES? 668 00:26:52,679 --> 00:26:53,646 - NO. 669 00:26:53,680 --> 00:26:55,848 AND BY THE WAY, 670 00:26:55,882 --> 00:26:59,986 I REALIZE I'M ACTUALLY ACUTELY TURNED ON BY TAKING ORDERS 671 00:27:00,019 --> 00:27:01,754 FROM A WOMAN. 672 00:27:01,788 --> 00:27:03,756 IF THIS CONTINUES, I MIGHT HAVE TO CHANGE 673 00:27:03,790 --> 00:27:06,959 MY FACEBOOK RELATIONSHIP STATUS TO "IT'S COMPLICATED." 674 00:27:06,993 --> 00:27:08,828 - ARE YOU TRYING TO SEDUCE ME? 675 00:27:08,861 --> 00:27:11,363 - MAYBE. IS IT WORKING? 676 00:27:11,397 --> 00:27:16,202 - IT'S NOT NOT WORKING. 677 00:27:16,235 --> 00:27:19,171 HOW'S ELAINE? 678 00:27:19,205 --> 00:27:20,339 - WE'RE SEPARATED. 679 00:27:20,372 --> 00:27:22,742 SHE CHEATED ON ME 12 TIMES WITH 10 MEN. 680 00:27:22,775 --> 00:27:27,246 - NOT A VERY SMART WOMAN. - THAT'S WHY I MARRIED HER. 681 00:27:27,279 --> 00:27:28,948 - YOU KNOW, I DO NOT APPRECIATE BEING MADE A PART 682 00:27:28,981 --> 00:27:30,316 OF YOUR LITTLE DOG AND PONY SHOW. 683 00:27:30,349 --> 00:27:31,884 - OH, I DON'T WORK WITH ANIMALS. 684 00:27:31,918 --> 00:27:32,985 - YOU THINK I'M KIDDING AROUND? 685 00:27:33,019 --> 00:27:35,387 I CAN TAKE YOU DOWNTOWN FOR OBSTRUCTION OF JUSTICE. 686 00:27:35,421 --> 00:27:37,990 - EASY, OKAY? I'M A PERFORMANCE ARTIST. 687 00:27:38,024 --> 00:27:39,726 I JUST THOUGHT I'D TAKE THE OPPORTUNITY 688 00:27:39,759 --> 00:27:42,128 TO MILK THE DRAMA WHEN A BUNCH OF DETECTIVES SHOWED UP. 689 00:27:42,161 --> 00:27:43,863 - THAT IS AN ODD WAY TO MAKE A LIVING. 690 00:27:43,896 --> 00:27:46,699 - IT'S WAY LESS CREEPY THAN DOING WEBCAM FEEDS. 691 00:27:46,733 --> 00:27:48,868 AND SURE BEATS THE HELL OF MY LAST GIG. 692 00:27:48,901 --> 00:27:51,303 DOING SPOTS FOR "HOWZA MEATS." 693 00:27:51,337 --> 00:27:53,205 - WAIT A SECOND. 694 00:27:53,239 --> 00:27:55,842 YOU'RE THE BOLOGNA GIRL? I KNEW I RECOGNIZED YOU. 695 00:27:55,875 --> 00:27:57,043 I JUST COULDN'T REMEMBER WHERE. 696 00:27:57,076 --> 00:27:59,311 * HOWZA HOWZA HOWZA MEATS? YOU TELL ME * 697 00:27:59,345 --> 00:28:01,047 * BO--BO--BO--BOLONGA 698 00:28:01,080 --> 00:28:02,481 - YOU QUITE DONE, GUSTER? 699 00:28:02,514 --> 00:28:06,252 * BO--BO--BO--BOLONGA 700 00:28:06,285 --> 00:28:09,255 SHE DOES IT TWICE IN THE COMMERCIAL. 701 00:28:09,288 --> 00:28:11,290 - YEAH, I DO IT TWICE. 702 00:28:11,323 --> 00:28:12,859 - I'M DONE. 703 00:28:12,892 --> 00:28:14,861 - WHAT CAN YOU TELL US ABOUT BOB WHITE? 704 00:28:14,894 --> 00:28:17,930 - HE WOULD COME TO THE SHOW MOST EVERY DAY, BUT WE NEVER SPOKE. 705 00:28:17,964 --> 00:28:20,867 TWO NIGHTS AGO, HE CAME IN. IT WAS REALLY LATE. 706 00:28:20,900 --> 00:28:23,035 I TOLD HIM THE SHOW WAS OVER FOR THE NIGHT, 707 00:28:23,069 --> 00:28:25,171 AND HE INSISTED ON COMING IN, 708 00:28:25,204 --> 00:28:27,373 AND THEN HE PROFESSED HIS LOVE FOR ME. 709 00:28:27,406 --> 00:28:29,776 HE SAID THAT A FORTUNE TELLER TOLD HIM I LOVED HIM, TOO. 710 00:28:29,809 --> 00:28:30,709 [scoffs] 711 00:28:30,743 --> 00:28:34,413 - [imitating Thai accent] HE HAD NO HONEY. 712 00:28:34,446 --> 00:28:36,448 [normal voice] THAT IS NOT OFFENSIVE. 713 00:28:36,482 --> 00:28:38,184 THAT'S EXACTLY HOW THE WHITE WAITER SOUNDED. 714 00:28:38,217 --> 00:28:39,952 GUS WAS THERE. 715 00:28:39,986 --> 00:28:42,054 PLEASE TELL ME YOU LET HIM DOWN EASY. 716 00:28:42,088 --> 00:28:44,256 I'M SENSING HE WAS VERY--VERY VULNERABLE. 717 00:28:44,290 --> 00:28:45,825 - I THREATENED TO CALL THE COPS. 718 00:28:45,858 --> 00:28:47,093 - BUT YOU'RE THE BOLOGNA GIRL. 719 00:28:47,126 --> 00:28:48,928 - YEAH, BUT I'M ALSO A SINGLE GIRL IN THE CITY. 720 00:28:48,961 --> 00:28:51,497 - WHO INVITES AN ENTIRE AUDIENCE OF STRANGERS 721 00:28:51,530 --> 00:28:52,799 INTO HER APARTMENT? 722 00:28:52,832 --> 00:28:53,866 - ANY IDEA WHERE HE WENT 723 00:28:53,900 --> 00:28:55,267 AFTER YOU RIPPED HIS HEART OUT AND STEPPED ON IT? 724 00:28:55,301 --> 00:28:56,468 - I WATCHED HIM FROM THE WINDOW. 725 00:28:56,502 --> 00:28:57,970 HE WALKED DOWN THE STREET, 726 00:28:58,004 --> 00:28:59,972 AN THEN THIS BLACK IMPALA PULLED UP, 727 00:29:00,006 --> 00:29:01,507 AND THEN HE WAS TALKING TO THE DRIVER, AND THEN HE GOT IN. 728 00:29:01,540 --> 00:29:04,010 - GREAT. IT'S ONLY THE MOST POPULAR CAR IN AMERICA. 729 00:29:04,043 --> 00:29:05,912 - WHAT TIME DID ALL OF THIS GO DOWN? 730 00:29:05,945 --> 00:29:07,079 - MIDNIGHT. 731 00:29:07,113 --> 00:29:09,148 - WELL, HE DIED AROUND 1:00, 732 00:29:09,181 --> 00:29:11,050 WHICH MEANS WHOEVER PICKED HIM UP IN THAT CAR 733 00:29:11,083 --> 00:29:12,852 IS PROBABLY THE LAST PERSON WHO SAW HIM ALIVE, 734 00:29:12,885 --> 00:29:16,122 MOST LIKELY BECAUSE THEY'RE ALSO THE PERSON WHO KILLED HIM. 735 00:29:18,324 --> 00:29:21,794 - * BO--BO--BO--BOLONGA 736 00:29:21,828 --> 00:29:24,964 - HELLO, BOYS. 737 00:29:24,997 --> 00:29:28,000 [sighs] I HAD TO GO TO THREE STORES 738 00:29:28,034 --> 00:29:30,036 TO FIND CREAM FRESH FOR OUR STRAWBERRIES. 739 00:29:30,069 --> 00:29:34,340 - WELL, I THINK WE SQUEEZED ALL WE CAN OUT OF THESE INTESTINES. 740 00:29:34,373 --> 00:29:35,875 MMM! 741 00:29:35,908 --> 00:29:37,343 WORTH THE WAIT. THAT IS FRESH FRESH. 742 00:29:37,376 --> 00:29:40,079 WE ARE QUITE THE TEAM, GRACE AND I. 743 00:29:40,112 --> 00:29:41,213 AS IT TURNS OUT, 744 00:29:41,247 --> 00:29:45,117 WE ALSO STILL ENJOY BOTH JERRY GARCIA AND CHERRY GARCIA. 745 00:29:45,151 --> 00:29:47,086 [both laughing] 746 00:29:47,119 --> 00:29:49,388 - GUYS, UH, HERE'S WHAT WE KNOW. 747 00:29:49,421 --> 00:29:52,358 SOMEONE DROVE HIM AWAY IN WHAT MAY HAVE BEEN, 748 00:29:52,391 --> 00:29:53,359 UH, AN IMPALA? 749 00:29:53,392 --> 00:29:54,560 - MM-HMM. - 'PALA. 750 00:29:54,593 --> 00:29:56,328 OKAY, AND THAT'S WHERE THE TRAIL RUNS COLD. 751 00:29:56,362 --> 00:29:58,030 WHAT YOU'RE DOING IS POSITIVELY DISGUSTING. 752 00:29:58,064 --> 00:29:59,498 - WHY ARE YOU STILL MESSING WITH THAT? 753 00:29:59,531 --> 00:30:02,168 - BECAUSE IT FEELS AMAZING. 754 00:30:02,201 --> 00:30:05,437 OH, UH, I DON'T KNOW WHAT THIS WILL MEAN TO YOU, 755 00:30:05,471 --> 00:30:10,276 BUT I FOUND A MIXTURE OF CALCIUM CARBONATE TITANIUM OXIDE 756 00:30:10,309 --> 00:30:12,444 AND PIGMENT FILLERS IN THE NAIL BEDS. 757 00:30:12,478 --> 00:30:13,946 - HMM. 758 00:30:13,980 --> 00:30:15,982 THOSE ARE THE COMMON ELEMENTS OF ACRYLIC STAINS. 759 00:30:16,015 --> 00:30:16,849 - PAINT. 760 00:30:16,883 --> 00:30:18,184 - I WAS--I WAS JUST ABOUT TO SAY THAT. 761 00:30:18,217 --> 00:30:20,086 - NO, YOU WEREN'T. - RIGHT, GUSTER. 762 00:30:20,119 --> 00:30:22,121 IN ADDITION, THERE WAS A STRING OF MURIATIC ACID. 763 00:30:22,154 --> 00:30:23,189 THAT'S A PRESERVING AGENT. 764 00:30:23,222 --> 00:30:25,091 WE'RE PROBABLY TALKING ABOUT AN OUTDOOR LOCATION. 765 00:30:25,124 --> 00:30:26,592 - YOU THINKING WHAT I'M THINKING? 766 00:30:26,625 --> 00:30:29,228 - YOU WANT MORE PLUM CAKE? - I DO, BUT, NO. 767 00:30:29,261 --> 00:30:32,965 YOU PRESERVE A MURAL. 768 00:30:32,999 --> 00:30:34,233 - I WATCHED HIM FROM THE WINDOW. 769 00:30:34,266 --> 00:30:37,036 HE WAS WALKING DOWN THE STREET, AND THIS BLACK IMPALA PULLS UP, 770 00:30:37,069 --> 00:30:38,905 AND HE WAS TALKING TO THE DRIVER, 771 00:30:38,938 --> 00:30:41,941 AND THEN HE GOT IN. 772 00:30:41,974 --> 00:30:43,442 - OKEYDOKE. 773 00:30:43,475 --> 00:30:46,012 THE KILLER DROVE BOB TO THIS ALLEY FROM PENNY'S, 774 00:30:46,045 --> 00:30:48,080 MADE HIM GET OUT, TURNS HIM AROUND, 775 00:30:48,114 --> 00:30:49,215 BOOM! BLUDGEONS HIM OVER THE HEAD. 776 00:30:49,248 --> 00:30:51,183 SO DO IT, BLUDGEON ME. - WHAT? 777 00:30:51,217 --> 00:30:52,584 - BLUDGEON ME. - WHY ME, SHAWN? 778 00:30:52,618 --> 00:30:54,586 - ALL YOU DO IS COMPLAIN ABOUT BEING A VICTIM. 779 00:30:54,620 --> 00:30:56,488 NOW I AM OFFERING YOU THE ROLE OF THE KILLER 780 00:30:56,522 --> 00:30:58,124 JUST LIKE BLAIR UNDERWOOD IN JUST CAUSE, 781 00:30:58,157 --> 00:30:59,491 AND YOU'RE GONNA PASS? - I DON'T WANT TO BLUDGEON YOU. 782 00:30:59,525 --> 00:31:01,127 - JUST DO IT. - I DON'T WANT TO BLUDGEON YOU. 783 00:31:01,160 --> 00:31:02,128 - BLUDGEON ME, BLUDGEON ME, BLUDGEON ME, BLUDGEON ME. 784 00:31:02,161 --> 00:31:04,030 - I DON'T WANT TO DO IT. I DON'T WANT TO DO IT. 785 00:31:04,063 --> 00:31:05,631 - [groans] 786 00:31:05,664 --> 00:31:09,301 [grunts] 787 00:31:09,335 --> 00:31:12,438 [sighs] 788 00:31:25,451 --> 00:31:28,320 HOLY CRAP. 789 00:31:30,522 --> 00:31:32,124 WHIP'S OUR KILLER. 790 00:31:32,158 --> 00:31:33,359 - WHAT? - LOOK... 791 00:31:33,392 --> 00:31:35,928 HE ABSOLUTELY NEEDED US TO SOLVE THIS MURDER. 792 00:31:35,962 --> 00:31:38,530 - HE WANTED TO GET CAUGHT. 793 00:31:38,564 --> 00:31:39,598 - WITH ONE TERRIBLE ACT, 794 00:31:39,631 --> 00:31:42,234 SOMEONE CAN BE IMMORTALIZED FOREVER. 795 00:31:42,268 --> 00:31:44,136 I THINK IT'S FASCINATING. 796 00:31:44,170 --> 00:31:46,238 - EXACTLY. 797 00:31:46,272 --> 00:31:49,041 HE WANTS TO GO DOWN IN HISTORY JUST LIKE ALL THE KILLERS 798 00:31:49,075 --> 00:31:51,043 THAT HE STUDIES, AND IF THIS GOES UNSOLVED, 799 00:31:51,077 --> 00:31:52,644 THEN NO ONE IS GOING TO WRITE ABOUT IT. 800 00:31:52,678 --> 00:31:55,081 AH, I BET HE SEVERED THE EARLOBE 801 00:31:55,114 --> 00:31:56,282 JUST TO LAUNCH THE INVESTIGATION. 802 00:31:56,315 --> 00:31:57,249 - THAT'S WHY HE WANTED TO TAG ALONG-- 803 00:31:57,283 --> 00:31:58,650 TO MAKE SURE WE FIGURED OUT ALL THE CLUES. 804 00:31:58,684 --> 00:31:59,851 - OF COURSE. 805 00:31:59,885 --> 00:32:02,454 THIS THING IS SO TWISTED, IT CAN ONLY COME FROM A BOOK. 806 00:32:02,488 --> 00:32:04,123 I'M CALLING LASSIE. 807 00:32:04,156 --> 00:32:06,458 WE'LL HAVE HIM MEET US AT WHIP'S. 808 00:32:10,329 --> 00:32:11,363 - THE BLACK IMPALA. 809 00:32:11,397 --> 00:32:15,401 - CHATTERLY, GET OUT OF THE CAR! 810 00:32:15,434 --> 00:32:18,670 - WE'VE GOT A BODY. 811 00:32:18,704 --> 00:32:21,173 - WE GOT SOMETHING ELSE, TOO. 812 00:32:21,207 --> 00:32:24,543 "THANK YOU, SHAWN AND GUS, FOR BEING THE SLEUTHS 813 00:32:24,576 --> 00:32:26,412 "I ALWAYS KNEW YOU WERE... 814 00:32:26,445 --> 00:32:28,147 "AND FOR HELPING ME FIND MY RIGHTFUL PLACE 815 00:32:28,180 --> 00:32:30,082 "IN THE ANNALS OF MURDER HISTORY. 816 00:32:30,116 --> 00:32:32,351 FILE THIS UNDER 'C' FOR CHATTERLY." 817 00:32:32,384 --> 00:32:35,154 - JEEZ, WHIP. 818 00:32:35,187 --> 00:32:36,522 - I KNEW IT. 819 00:32:36,555 --> 00:32:40,126 - YOU DID NOT. - I KIND OF DID. 820 00:32:41,593 --> 00:32:44,696 - DAMN YOU, WHIP CHATTERLY-- YOU ENSNARED US IN A WEB 821 00:32:44,730 --> 00:32:46,732 WITH TURTLENECK LIES, AND NOW BECAUSE OF YOU, 822 00:32:46,765 --> 00:32:49,101 WE DON'T HAVE ANY SNACKS. 823 00:32:49,135 --> 00:32:51,503 - YOU JUST CAN'T TELL WHAT A PERSON IS CAPABLE OF 824 00:32:51,537 --> 00:32:53,605 UNTIL YOU'VE SEEN THEM NAKED. 825 00:32:53,639 --> 00:32:55,241 - HMM. 826 00:32:55,274 --> 00:32:57,443 - I'M ALMOST POSITIVE THAT'S HOW THE SAYING GOES. 827 00:32:57,476 --> 00:32:58,677 - MM... - CAKESTERS? 828 00:32:58,710 --> 00:33:00,346 - YOU BETCHA. 829 00:33:00,379 --> 00:33:03,382 - YEP, I HAVE LEARNED MY LESSON. 830 00:33:03,415 --> 00:33:05,517 IF IT WASN'T FOR YOU GUYS, I'D BE OUT OF A JOB. 831 00:33:05,551 --> 00:33:07,453 - WELL... - FROM NOW ON... 832 00:33:07,486 --> 00:33:10,022 I'M NOT HALF-ASSING ANY AUTOPSIES 833 00:33:10,056 --> 00:33:11,357 UNLESS THE CORPSE HAS HALF AN ASS. 834 00:33:11,390 --> 00:33:14,593 [laughter] 835 00:33:14,626 --> 00:33:16,428 YOU GOT TO KEEP IT LIGHT, GUYS. 836 00:33:16,462 --> 00:33:18,030 - SURE DO. 837 00:33:18,064 --> 00:33:19,365 - I THINK WE'RE GONNA ROLL, WOODSTER. 838 00:33:19,398 --> 00:33:22,134 WE GOT BACK-TO-BACK EPISODES OF HOT IN CLEVELAND ON TiVo, 839 00:33:22,168 --> 00:33:24,370 AND WE'RE PRETTY SPENT. - YEAH. 840 00:33:24,403 --> 00:33:28,474 - WHOA, GUS. I HAVE A MISSED CALL FROM WHIP. 841 00:33:28,507 --> 00:33:29,508 - WHAT? 842 00:33:29,541 --> 00:33:31,443 - YEAH, LIKE, AN HOUR BEFORE WE FOUND HIS BODY. 843 00:33:31,477 --> 00:33:33,179 HE LEFT A MESSAGE. 844 00:33:33,212 --> 00:33:35,481 [static over phone] 845 00:33:35,514 --> 00:33:37,816 [gunshot, thud] 846 00:33:37,849 --> 00:33:39,585 - CREEPIEST BUTT-DIAL EVER. 847 00:33:39,618 --> 00:33:40,852 - WAIT A MINUTE. I GOT TO HEAR THAT AGAIN. 848 00:33:40,886 --> 00:33:43,189 - WHAT IS WRONG WITH YOU, SHAWN? THE MAN IS COMMITTING SUICIDE. 849 00:33:43,222 --> 00:33:44,723 - SHH. LISTEN. 850 00:33:47,493 --> 00:33:49,195 [gunshot, thud] 851 00:33:49,228 --> 00:33:50,462 ALL RIGHT, WHAT DOES THAT SOUND LIKE TO YOU? 852 00:33:50,496 --> 00:33:52,431 - I DON'T KNOW. - YES, YOU DO. 853 00:33:52,464 --> 00:33:54,600 THERE'S A CAR DOOR SLAMMING AFTER THE GUNSHOT. 854 00:33:54,633 --> 00:33:56,302 WE GOT TO GO BACK TO WHIP'S BOOKSTORE. 855 00:33:56,335 --> 00:33:58,737 - WHAT ARE WE DOING HERE, SHAWN? 856 00:33:58,770 --> 00:34:01,073 - LOOKING FOR SIGNS OF A STRUGGLE. 857 00:34:01,107 --> 00:34:02,341 - OH, GOSH. 858 00:34:02,374 --> 00:34:05,077 I DON'T WANT TO BE HERE FOR ONE MORE SECOND THAN WE HAVE TO BE. 859 00:34:05,111 --> 00:34:07,079 - THIS DOESN'T ADD UP, GUS, AND YOU KNOW IT. 860 00:34:07,113 --> 00:34:10,549 AND WE'RE GOING TO FIGURE OUT WHY. 861 00:34:10,582 --> 00:34:11,583 - WHAT? 862 00:34:11,617 --> 00:34:13,385 COME ONE, SON. 863 00:34:13,419 --> 00:34:15,454 - YOU'RE GONNA DRINK A DEAD MAN'S YOO-HOO? 864 00:34:15,487 --> 00:34:18,190 - YOU HAD TO PUT THAT IMAGE IN MY HEAD, DIDN'T YOU? 865 00:34:18,224 --> 00:34:19,491 THE MAN MAY BE DEAD, 866 00:34:19,525 --> 00:34:21,460 BUT THAT YOO-HOO IS VERY MUCH ALIVE, SHAWN. 867 00:34:21,493 --> 00:34:24,163 - I'M GOING INSIDE. - YEAH, SUCK IT. 868 00:34:32,638 --> 00:34:35,141 - YOU'RE NOT GOING TO DIE FOR LETTING A YOO-HOO GO TO WASTE. 869 00:34:35,174 --> 00:34:36,475 - WHIP DID. 870 00:34:36,508 --> 00:34:38,610 - THIS INVESTIGATION IS NOT OVER, AND YOU KNOW IT. 871 00:34:38,644 --> 00:34:40,246 - SHAWN, I DON'T WANT TO BE HERE. 872 00:34:40,279 --> 00:34:41,580 - I FEEL LIKE I'M IN ONE OF THOSE MOVIES 873 00:34:41,613 --> 00:34:43,549 WHERE A LITTLE JAPANESE KID IN DEATH MAKEUP 874 00:34:43,582 --> 00:34:45,317 IS GOING TO BE UP ON THE CEILING LIKE A FROG 875 00:34:45,351 --> 00:34:47,586 IF I LOOK UP. - SO DON'T LOOK UP. 876 00:34:47,619 --> 00:34:49,455 BESIDES, WHY WOULD YOU POSSIBLY FEEL THAT WAY? 877 00:34:49,488 --> 00:34:50,722 - I DON'T KNOW. 878 00:34:50,756 --> 00:34:52,624 - WHAT ARE YOU DOING UP THERE? YOU'RE CLOSER TO THE CEILING. 879 00:34:52,658 --> 00:34:53,492 - I DON'T KNOW, SHAWN. 880 00:34:53,525 --> 00:34:55,461 MAYBE BECAUSE I'M STARVING TO DEATH. 881 00:34:55,494 --> 00:34:56,562 - I GAVE YOU MY CAKESTER. 882 00:34:56,595 --> 00:34:57,696 - THAT WAS ALMOST HALF AN HOUR AGO. 883 00:34:57,729 --> 00:34:59,698 - [clicks tongue] COME ON, SON. 884 00:35:07,606 --> 00:35:12,744 WAIT FOR IT. 885 00:35:15,847 --> 00:35:19,651 - DUDE. 886 00:35:19,685 --> 00:35:21,720 - WHAT DO WE HAVE HERE? 887 00:35:26,792 --> 00:35:31,129 WHY IS WHIP WATCHING OLD SURVEILLANCE FOOTAGE? 888 00:35:50,716 --> 00:35:51,950 - SO WE HAVE FIVE TAPES. 889 00:35:51,983 --> 00:35:53,652 AND ON EACH ONE OF THEM, 890 00:35:53,685 --> 00:35:58,324 THE SAME WEIRDO'S READING ONE OF THESE FIVE BOOKS. 891 00:35:58,357 --> 00:35:59,791 - IN THIS CASE, AN ILLINOIS FARMER 892 00:35:59,825 --> 00:36:02,561 HAD SEEMINGLY BEEN RUN OVER BY HIS OWN TRACTOR, 893 00:36:02,594 --> 00:36:05,431 BUT LATER, IT WAS DISCOVERED HE WAS KILLED WITH CYANIDE 894 00:36:05,464 --> 00:36:07,966 BY A DWARF BEFORE HE EVER EVEN GOT ON THAT TRACTOR. 895 00:36:07,999 --> 00:36:12,838 THEY NEVER CAUGHT THAT LITTLE FELLOW. 896 00:36:12,871 --> 00:36:15,207 - DUDE, WHAT ARE YOU DOING? 897 00:36:19,010 --> 00:36:20,446 - AAH. 898 00:36:20,479 --> 00:36:22,881 OH, YOU SCARED ME. 899 00:36:22,914 --> 00:36:26,918 ARE THOSE HOMEMADE BISCOTTI? - IS THERE ANY OTHER KIND? 900 00:36:26,952 --> 00:36:29,788 - YOU LOOK HAPPY. - WELL, I GUESS I AM. 901 00:36:29,821 --> 00:36:31,857 DO YOU STILL TAKE SUGAR WITH YOUR JOE? 902 00:36:31,890 --> 00:36:34,893 - MM. 903 00:36:36,395 --> 00:36:38,330 - HEY, WHAT IS ALL THAT? - YOU DON'T WANT TO KNOW. 904 00:36:38,364 --> 00:36:39,798 LET'S PRETEND WE'RE DOING AN EPISODE OF RED SHOE DIARIES. 905 00:36:39,831 --> 00:36:41,600 - WELL, NOT IF THERE'S WORK TO BE DONE. 906 00:36:41,633 --> 00:36:42,801 - FINE. 907 00:36:42,834 --> 00:36:45,371 THE CONTENTS OF WHIP CHATTERLY'S ESOPHAGUS. 908 00:36:45,404 --> 00:36:46,872 - OH, I THOUGHT THE CASE WAS CLOSED. 909 00:36:46,905 --> 00:36:48,774 - IT IS. IT WAS. 910 00:36:48,807 --> 00:36:50,809 OR... THAT'S WHAT I THOUGHT. 911 00:36:50,842 --> 00:36:52,344 NOW I'M NOT SO SURE. 912 00:36:52,378 --> 00:36:53,879 THESE WERE FOLDED UP INTO TINY BITS 913 00:36:53,912 --> 00:36:56,848 AND PUT INSIDE THIS METAL CAPSULE. 914 00:36:56,882 --> 00:37:00,919 - THIS IS NEW EVIDENCE, AND IT COULD BE A GAME CHANGER. 915 00:37:00,952 --> 00:37:03,422 I THINK WE MAY HAVE TO PULL ANOTHER ALL-NIGHTER. 916 00:37:03,455 --> 00:37:04,723 GOD, I LOVE THIS JOB. 917 00:37:04,756 --> 00:37:07,393 - YOU KNOW, I DO, TOO. 918 00:37:08,894 --> 00:37:12,964 - OKAY, CLEARLY THERE'S A REASON WHEY THESE PAGES ARE TORN. 919 00:37:12,998 --> 00:37:16,034 - DUDE, I THINK WHIP WAS FRAMED. 920 00:37:16,067 --> 00:37:17,369 - WHY? 921 00:37:17,403 --> 00:37:18,670 - BECAUSE HE WAS THE PERFECT MARK-- 922 00:37:18,704 --> 00:37:20,038 A WEIRDO OBSESSED WITH DEATH AND STRANGE MURDERS 923 00:37:20,071 --> 00:37:21,740 THROUGHOUT HISTORY. 924 00:37:21,773 --> 00:37:22,874 I MEAN, WE DIDN'T QUESTION IT FOR A SECOND 925 00:37:22,908 --> 00:37:23,842 WHEN WE HEARD HIS SUICIDE CONFESSION. 926 00:37:23,875 --> 00:37:25,911 THINK ABOUT IT. - SO IT WAS CREEPY SHERLOCK. 927 00:37:25,944 --> 00:37:27,813 WELL, IT MAKES SENSE. 928 00:37:27,846 --> 00:37:29,448 I MEAN, HE OBVIOUSLY DID ALL OF HIS RESEARCH 929 00:37:29,481 --> 00:37:30,416 RIGHT HERE IN WHIP'S STORE. 930 00:37:30,449 --> 00:37:32,418 HE PROBABLY EVEN HAD A CONVERSATION WITH HIM. 931 00:37:32,451 --> 00:37:33,985 - THAT'S SICK. 932 00:37:34,019 --> 00:37:36,955 - THE ONE NIGHT THAT THERE'S A MURDER, AND I WAS SLEEPING. 933 00:37:36,988 --> 00:37:37,989 UNBELIEVABLE-- I NEVER SLEEP. 934 00:37:38,023 --> 00:37:40,426 - OH. 935 00:37:40,459 --> 00:37:43,895 HE MUST HAVE DRUGGED WHIP'S COFFEE. 936 00:37:43,929 --> 00:37:46,465 - THAT'S WHY HE FELL ASLEEP THE NIGHT BOB WHITE WAS MURDERED. 937 00:37:46,498 --> 00:37:48,500 HE TOOK WHIP'S CAR. HE TOOK WHIP'S STAMP. 938 00:37:48,534 --> 00:37:50,969 AND HE PUT IT ALL BACK BEFORE HE EVER KNEW WHAT HIT HIM. 939 00:37:51,002 --> 00:37:53,038 - OH, MAN, NOW I FEEL BAD. 940 00:37:53,071 --> 00:37:55,407 POOR WHIP. YOU KNOW, HE WAS A FUNNY GUY. 941 00:37:55,441 --> 00:37:56,775 I'VE THOUGHT ABOUT ROCKING THE TURTLENECK, 942 00:37:56,808 --> 00:37:57,943 BUT, YOU KNOW, I THINK ABOUT WHAT YOU WOULD SAY, 943 00:37:57,976 --> 00:37:59,978 AND THEN WHAT PEOPLE AT WORK WOULD SAY. 944 00:38:00,011 --> 00:38:01,713 WHIP NEVER WORRIED ABOUT STUFF LIKE THAT--HE WAS FEARLESS. 945 00:38:01,747 --> 00:38:02,948 - GUS? - WHAT? 946 00:38:02,981 --> 00:38:04,950 - THIS IS REALLY, REALLY NOT GOOD. 947 00:38:04,983 --> 00:38:07,986 - WELL, WE CAN SEND THESE TO THE LAB IN THE MORNING 948 00:38:08,019 --> 00:38:10,021 AND DUST THEM FOR PRINTS. 949 00:38:10,055 --> 00:38:11,323 [cell phone rings] - OH, THAT'S ODD. 950 00:38:11,357 --> 00:38:14,059 I THOUGHT THEY WERE GOING HOME TO WATCH HOT IN CLEVELAND. 951 00:38:14,092 --> 00:38:15,927 HE MUST HAVE COME UP WITH SOMETHING AS WELL. 952 00:38:15,961 --> 00:38:18,730 I SHOULD FILL HIM IN. - UM... 953 00:38:18,764 --> 00:38:20,799 I'M AFRAID THAT'S NOT GOING TO BE POSSIBLE. 954 00:38:20,832 --> 00:38:23,735 - WELL, IT'S SUCH AN EASY TASK, EVEN I CAN'T SCREW IT UP. 955 00:38:23,769 --> 00:38:25,671 HAVE SOME FAITH, BANANA. 956 00:38:25,704 --> 00:38:28,006 [chuckling] 957 00:38:28,039 --> 00:38:31,577 - GRACE, WHAT ARE YOU DOING? THAT'S EVIDENCE. 958 00:38:31,610 --> 00:38:33,345 - YOU JUST HAD TO GO AND RUIN EVERYTHING, 959 00:38:33,379 --> 00:38:34,613 DIDN'T YOU, WOODY? 960 00:38:34,646 --> 00:38:36,815 I MEAN, THE CASE WAS CLOSED. 961 00:38:36,848 --> 00:38:39,050 ALL THE EVIDENCE POINTED TO THIS DUMMY DOING IT. 962 00:38:39,084 --> 00:38:41,487 I MEAN, HE EVEN CONFESSED. 963 00:38:41,520 --> 00:38:44,122 ALL YOU HAD TO DO WAS COVER HIM UP, 964 00:38:44,155 --> 00:38:47,025 EAT SOME COOKIES, AND THEN TAKE ME TO BED. 965 00:38:47,058 --> 00:38:50,061 - HEY, WE CAN STILL GO TWO FOR THREE. 966 00:38:50,095 --> 00:38:51,597 [gun cocks] 967 00:38:51,630 --> 00:38:52,864 [gasps] 968 00:38:52,898 --> 00:38:55,033 - LET'S GO. 969 00:38:55,066 --> 00:38:57,403 - GRACE, IT'S--IT'S WOODY. 970 00:38:57,436 --> 00:38:59,004 DON'T YOU OWE ME AN EXPLANATION? 971 00:38:59,037 --> 00:39:01,139 - YOU WANT AN EXPLANATION? - YES. 972 00:39:01,172 --> 00:39:04,075 - OKAY. WHIP CHATTERLY SET ME UP 973 00:39:04,109 --> 00:39:06,412 BY SWALLOWING THAT LITTLE CAPSULE. 974 00:39:06,445 --> 00:39:08,747 HE WAS SMARTER THAN I GAVE HIM CREDIT FOR-- 975 00:39:08,780 --> 00:39:11,950 CRAFTY, LIKE A LITTLE FOX. 976 00:39:11,983 --> 00:39:13,719 I MEAN, WHOSE FINGERPRINTS DO YOU THINK 977 00:39:13,752 --> 00:39:14,986 THE LAB IS GOING TO FIND 978 00:39:15,020 --> 00:39:17,489 ON THOSE STUPID LITTLE PIECES OF PAPER, HUH? 979 00:39:17,523 --> 00:39:21,927 FOR 25 YEARS, I HAVE BEEN PUTTING MAKEUP ON CORPSES, 980 00:39:21,960 --> 00:39:23,094 DREAMING OF THE DAY 981 00:39:23,128 --> 00:39:26,097 THAT I WOULD GET THE CALL WHEN SOMEBODY WOULD TELL ME 982 00:39:26,131 --> 00:39:29,635 THAT I WAS AS GOOD AS WOODY STRODE-- 983 00:39:29,668 --> 00:39:32,738 TEACHER'S PET, BRILLIANT, BUT MISUNDERSTOOD. 984 00:39:32,771 --> 00:39:35,641 - A DREAM WORTH KILLING FOR? COME ON. 985 00:39:35,674 --> 00:39:39,478 - I HAVE APPLIED FOR EVERY OPENING 986 00:39:39,511 --> 00:39:41,112 IN CRIME PATHOLOGY 987 00:39:41,146 --> 00:39:44,650 THIS SIDE OF THE GULF OF MEXICO, WITH NO SUCCESS. 988 00:39:44,683 --> 00:39:47,586 AND THEN I MET BOB WHITE. 989 00:39:47,619 --> 00:39:50,589 AND I REALIZED THAT HE WAS THE PERFECT MARK. 990 00:39:50,622 --> 00:39:53,659 I MEAN, YOU KNOW, IT WAS REALLY KIND OF A MERCY KILLING. 991 00:39:53,692 --> 00:39:56,094 BUT WHEN I GOT THE IDEA OF PINNING THE MURDER 992 00:39:56,127 --> 00:40:00,398 ON WHIP CHATTERLY, IT WAS EPIC. 993 00:40:01,867 --> 00:40:05,437 I BROKE OPEN THE CASE, AND I SOLVED IT. 994 00:40:06,872 --> 00:40:08,206 [gunshot] 995 00:40:08,239 --> 00:40:14,480 I BEAT YOU, WOODY. I OWNED YOU. 996 00:40:14,513 --> 00:40:17,449 - YOU SLICED THE EARLOBE AFTER MY AUTOPSY, DIDN'T YOU? 997 00:40:17,483 --> 00:40:19,718 - YES, MUTTONHEAD, I DID. 998 00:40:19,751 --> 00:40:21,052 AND YOU KNOW WHAT? 999 00:40:21,086 --> 00:40:23,822 YOU AND THE POLICE HAD RULED IT AN ACCIDENT, 1000 00:40:23,855 --> 00:40:25,857 BUT I NEEDED IT TO BE AN INVESTIGATION. 1001 00:40:25,891 --> 00:40:28,527 - YOU KNOW, YOU MAY NOT REALIZE THIS, GRACE, 1002 00:40:28,560 --> 00:40:31,129 BUT YOU'RE INSANE. 1003 00:40:31,162 --> 00:40:34,933 - WELL, I'M A WOMAN, AND I CAN MASK IT. 1004 00:40:34,966 --> 00:40:36,935 LET'S GO. 1005 00:40:36,968 --> 00:40:39,104 - YOU'RE TOTALLY GOING TO PULL THIS OFF, AREN'T YOU? 1006 00:40:39,137 --> 00:40:41,673 NO, I'M NOT READY TO DIE YET. 1007 00:40:41,707 --> 00:40:43,942 I HAVEN'T EVEN GOTTEN TO SEE GLORIA ESTEFAN IN CONCERT YET. 1008 00:40:43,975 --> 00:40:45,477 PLEASE. PLEASE, GRACE. 1009 00:40:45,511 --> 00:40:47,245 I WILL GET DOWN ON MY KNEES, 1010 00:40:47,278 --> 00:40:49,848 AND I WILL BEG LIKE A SAINT BERNARD. 1011 00:40:49,881 --> 00:40:51,983 NO. 1012 00:40:52,017 --> 00:40:54,185 - THAT WON'T BE NECESSARY. 1013 00:40:54,219 --> 00:40:57,122 PUT IT DOWN, GRACE. - OH, THANK GOD. 1014 00:40:59,024 --> 00:41:00,726 - WELL, THAT WAS QUITE THE ALL-NIGHTER, WOODROW. 1015 00:41:00,759 --> 00:41:02,994 YOU'RE VERY LUCKY THAT O'HARA WAS STILL HERE DOING PAPERWORK 1016 00:41:03,028 --> 00:41:04,596 WHEN SHAWN CALLED. 1017 00:41:04,630 --> 00:41:07,499 - CHIEF, UH, I JUST WANTED YOU TO KNOW THAT, UH... 1018 00:41:07,533 --> 00:41:09,735 HEY, I ONLY CRIED BECAUSE I WAS TIRED. 1019 00:41:09,768 --> 00:41:11,503 - THAT'S REASSURING. 1020 00:41:11,537 --> 00:41:14,540 YOUR STATUS AS CHIEF CORONER HAS BEEN FULLY RESTORED. 1021 00:41:14,573 --> 00:41:16,007 all: YES! 1022 00:41:16,041 --> 00:41:17,709 - THAT SAID, I EXPECT YOUR WORK 1023 00:41:17,743 --> 00:41:19,778 TO BE NOTHING SHORT OF EXEMPLARY MOVING FORWARD. 1024 00:41:19,811 --> 00:41:21,513 IS THAT CLEAR? 1025 00:41:21,547 --> 00:41:24,282 - IT IS, AND I CAN'T THANK YOU ENOUGH FOR BELIEVING IN ME. 1026 00:41:24,315 --> 00:41:26,084 - I DIDN'T. 1027 00:41:26,117 --> 00:41:27,553 I BELIEVED IN YOUR COLLEAGUE 1028 00:41:27,586 --> 00:41:28,754 WHO TURNED OUT TO BE A HOMICIDAL MANIAC. 1029 00:41:28,787 --> 00:41:30,989 - NONE OF US IS PERFECT, CHIEF. 1030 00:41:31,022 --> 00:41:33,892 - THANKS FOR LOOKING OUT FOR ME. - [chuckles] 1031 00:41:33,925 --> 00:41:36,695 - I LOVE YOU, GUYS. I MEAN THAT. 1032 00:41:36,728 --> 00:41:38,930 IT'S JUST AS EASY FOR ME TO LOVE A MAN AS IT IS A WOMAN. 1033 00:41:38,964 --> 00:41:43,001 WE'RE ALL JUST MELTABLE FLESH AND BREAKABLE BONES. 1034 00:41:43,034 --> 00:41:44,670 WOW, THIS FEELS GOOD! 1035 00:41:44,703 --> 00:41:46,137 CHIEF, ARE YOU CURRENTLY SEEING ANYONE? 1036 00:41:46,171 --> 00:41:47,673 - EXCUSE ME? - WOODY. 1037 00:41:47,706 --> 00:41:48,874 - DON'T BE COY WITH ME. 1038 00:41:48,907 --> 00:41:51,109 I DON'T NEED TO PLAY FIRST FIDDLE IN THIS BLUEGRASS BAND. 1039 00:41:51,142 --> 00:41:52,744 TEACH ME THE NOTES. [chuckles] 1040 00:41:52,778 --> 00:41:54,980 - I AM MARRIED WITH A CHILD, 1041 00:41:55,013 --> 00:41:57,148 AND THIS IS WILDLY INAPPROPRIATE. 1042 00:41:57,182 --> 00:41:59,150 - STOP IT. - OF COURSE. 1043 00:41:59,184 --> 00:42:01,019 OF COURSE. I APOLOGIZE. 1044 00:42:01,052 --> 00:42:04,890 I AM JUST SO OVERJOYED AT GETTING MY MOJO BACK. 1045 00:42:04,923 --> 00:42:06,191 I GUESS IT WILL JUST BE IN MY DREAMS 1046 00:42:06,224 --> 00:42:07,793 THAT YOU ARE THE CHIEF OF DOING ME. 1047 00:42:07,826 --> 00:42:11,062 - GOOD TALK, CHIEF. - ALWAYS A PLEASURE. 1048 00:42:14,032 --> 00:42:17,002 [slow jazz music] 1049 00:42:17,035 --> 00:42:25,110 *