1 00:00:00,201 --> 00:00:10,244 . 2 00:00:10,244 --> 00:00:23,457 . 3 00:00:23,491 --> 00:00:27,095 - JEEZ, CHAVO, YOU LOOK LIKE A GIANT BABY ON FILM. 4 00:00:27,128 --> 00:00:28,762 MAKE SURE THAT LITTLE RED LIGHT'S BLINKING. 5 00:00:28,796 --> 00:00:31,365 - THANK YOU FOR THAT AMAZING ADVICE. 6 00:00:31,399 --> 00:00:33,234 - THANK YOU FOR BEING SO SARCASTIC. 7 00:00:33,267 --> 00:00:34,568 - TAKE IT EASY. 8 00:00:42,876 --> 00:00:44,312 - READY? 9 00:00:44,345 --> 00:00:47,181 I AM CURRENTLY STANDING LESS THAN 200 METERS 10 00:00:47,215 --> 00:00:50,384 FROM WHERE CHAVO HERE COWERED LIKE A BITCH IN A BUSH, 11 00:00:50,418 --> 00:00:52,753 BUT SOMEHOW MANAGED TO GET A PICTURE 12 00:00:52,786 --> 00:00:55,123 OF THIS THING'S RIGHT CALF AND BUTTOCK 13 00:00:55,156 --> 00:00:56,390 BEFORE IT DISAPPEARED INTO THE BUSH. 14 00:00:56,424 --> 00:00:58,126 - AND HERE'S A FACT: IF I GO DOWN, 15 00:00:58,159 --> 00:00:59,527 YOU'RE LIKE A DOG WITHOUT A BONE, CHICA. 16 00:00:59,560 --> 00:01:01,795 - DUDE, I WOULD PICK UP THAT CAMERA AND FORGE AHEAD 17 00:01:01,829 --> 00:01:03,497 LIKE DENZEL PICKED UP THE FLAG IN GLORY. 18 00:01:03,531 --> 00:01:05,499 THERE HAVE BEEN A SPATE OF RECENT SIGHTINGS 19 00:01:05,533 --> 00:01:07,368 OF WHAT HAS LOCALLY GAINED TRACTION 20 00:01:07,401 --> 00:01:10,138 AS A BIGFOOT-TYPE CREATURE. BUT WAIT, THERE'S MORE. 21 00:01:10,171 --> 00:01:11,839 - YEAH, SHOW THEM THE TRANSMITTER. 22 00:01:11,872 --> 00:01:16,277 - WE HAVE PLANTED A NUMBER OF THESE MOTIVATIONAL DEVICES 23 00:01:16,310 --> 00:01:19,147 IN ORDER TO ENTICE OUR FAVORITE SQUATCH 24 00:01:19,180 --> 00:01:21,149 INTO GIVING US A LITTLE ENCORE. 25 00:01:21,182 --> 00:01:22,516 CALM DOWN, CHAVO. 26 00:01:22,550 --> 00:01:24,385 I KNOW HOW MUCH YOU LOVE DARK MEAT AND TECHNOLOGY. 27 00:01:24,418 --> 00:01:27,388 - CAREFUL, THAT'S A $200 TRACKING DEVICE IN THERE. 28 00:01:27,421 --> 00:01:29,557 [raspy grunting, wheezing] 29 00:01:29,590 --> 00:01:31,292 WHAT THE HELL IS THAT? 30 00:01:31,325 --> 00:01:33,327 - WOULD YOU STOP IT? THAT IS A RIDICULOUS SOUND. 31 00:01:33,361 --> 00:01:34,562 - FORGET YOU, SHAWN. 32 00:01:34,595 --> 00:01:36,264 YOU KNOW I'M ALLERGIC TO PINE NEEDLES 33 00:01:36,297 --> 00:01:38,466 AND MOST TYPES OF DIRT. PLUS, IT'S RAINING NOW. 34 00:01:38,499 --> 00:01:40,568 IF I DON'T START SMELLING SLOW-ROASTING BRISKET 35 00:01:40,601 --> 00:01:42,203 IN THE NEXT TWO MINUTES, WE'RE TURNING AROUND. 36 00:01:42,236 --> 00:01:44,405 - WHOA, WHOA, WHOA. SHAWN FRIGGING SPENCER? 37 00:01:44,438 --> 00:01:46,807 YOU REALLY CAME. THIS IS THE BOOBS. 38 00:01:46,840 --> 00:01:48,909 - UH, KATE FAVOR. 39 00:01:48,942 --> 00:01:50,878 WOW, YOU LOOK JUST LIKE YOUR PICTURE ON THE BLOG SPOT. 40 00:01:50,911 --> 00:01:52,346 I THOUGHT IT WAS A SCREEN CAP 41 00:01:52,380 --> 00:01:54,215 OF ANGELINA JOLIE IN ORIGINAL SIN. 42 00:01:54,248 --> 00:01:56,850 - SHAWN, WHO ARE THESE PEOPLE, AND WHY DO THEY KNOW YOUR NAME? 43 00:01:56,884 --> 00:01:58,252 - WE KNOW YOUR NAME TOO, POOTIE TANG. 44 00:01:58,286 --> 00:01:59,487 - WA DA TA. 45 00:01:59,520 --> 00:02:01,922 - OH, GUS, WE'RE JUST JOKING WITH YOU 46 00:02:01,955 --> 00:02:03,424 BECAUSE YOU'RE SWEET ENOUGH TO MELT 47 00:02:03,457 --> 00:02:04,525 AND DRIZZLE ON TWO SCOOPS OF ME. 48 00:02:04,558 --> 00:02:07,361 THIS IS CHI-CHI--UH, CHAVO. 49 00:02:07,395 --> 00:02:08,629 HE HID IN A BUSH WHEN HE HEARD YOU GUYS COMING 50 00:02:08,662 --> 00:02:10,264 BECAUSE HE THOUGHT YOU GUYS WERE BIGFOOT 51 00:02:10,298 --> 00:02:12,200 AND HE FORGOT TO TAKE HIS MIDOL THIS MORNING. 52 00:02:12,233 --> 00:02:14,335 - OKAY, I WAS GOING FOR A LOW, OMINOUS ANGLE, 53 00:02:14,368 --> 00:02:16,937 AND ALSO, I DON'T HAVE OVARIES. - THAT'S DEBATABLE. 54 00:02:16,970 --> 00:02:19,873 - UH, BIGFOOT? - YEAH, BIGFOOT. 55 00:02:19,907 --> 00:02:21,942 UH, DID SHAWN NOT TELL YOU THE DEAL, OR-- 56 00:02:21,975 --> 00:02:24,512 - WHAT DEAL? WE'RE ON OUR WAY TO THE SASSY QUATCH. 57 00:02:24,545 --> 00:02:26,647 IT'S A SECRET BARBECUE HUT BUILT INTO THE SIDE OF A CAVE 58 00:02:26,680 --> 00:02:28,482 THAT ALMOST NOBODY KNOWS ABOUT. 59 00:02:28,516 --> 00:02:31,885 IT HAS THE BEST TASTING CORN PUDDING IN ALL OF-- 60 00:02:31,919 --> 00:02:34,522 SHAWN, YOU SON OF A BITCH. WHY DO YOU HAVE A CAMERA? 61 00:02:34,555 --> 00:02:37,291 - UH, WELL, BUDDY, IF I'D TOLD YOU THE TRUTH, 62 00:02:37,325 --> 00:02:38,559 YOU WOULDN'T HAVE COME. 63 00:02:38,592 --> 00:02:40,428 HERE'S THE THING. I, UH--I STUMBLED 64 00:02:40,461 --> 00:02:42,930 UPON KATE AND CHAVO'S BLOG WHEN I WAS MESSING AROUND 65 00:02:42,963 --> 00:02:45,233 ON THE HARRY AND THE HENDERSONS FAN SITE. 66 00:02:45,266 --> 00:02:46,467 TURNS OUT-- - SHAWN... 67 00:02:46,500 --> 00:02:48,269 JOHN LITHGOW IS NEVER WRITING YOU BACK. 68 00:02:48,302 --> 00:02:49,537 HE'S NEVER EVEN HEARD OF THAT SITE. 69 00:02:49,570 --> 00:02:51,439 - OKAY, THAT IS YOUR OPINION. - LOOK. 70 00:02:51,472 --> 00:02:53,207 IF SHAWN CAN HELP US FIND THE BEAST 71 00:02:53,241 --> 00:02:55,409 BY USING HIS GIFT, AND WE CAN CATCH IT ALL ON CAMERA, 72 00:02:55,443 --> 00:02:58,246 WE WILL WIN THE STUDENT ACADEMY AWARD. 73 00:02:58,279 --> 00:02:59,680 - DUDE, THE STUDENT ACADEMY AWARD. 74 00:02:59,713 --> 00:03:02,383 - OH, NO. NO, NO, NO. 75 00:03:02,416 --> 00:03:04,252 I WILL NOT GET EATEN BY A BEAR 76 00:03:04,285 --> 00:03:06,587 TO PROVE THAT BIGFOOT DOES NOT EXIST. NOPE. 77 00:03:06,620 --> 00:03:09,257 NO BEARS EATING ME. NOT TODAY, NOT EVER. 78 00:03:09,290 --> 00:03:10,591 NOT EVEN IN YOUR DREAMS. - OKAY. 79 00:03:10,624 --> 00:03:12,226 YOU JUST JINXED YOURSELF. - SUCK IT, SHAWN. 80 00:03:12,260 --> 00:03:13,627 - AT LEAST STICK AROUND AND LET US SHOW YOU 81 00:03:13,661 --> 00:03:15,563 THE BIGFOOT BLIND WE BUILT. IT'S TOTALLY RAD. 82 00:03:15,596 --> 00:03:18,366 AND WE HAVE A MONDO STASH OF BEEF JERKY THERE. 83 00:03:18,399 --> 00:03:21,335 - DUDE, THEY HAVE MEAT HERE. - LOTS OF MEAT. 84 00:03:21,369 --> 00:03:23,404 - FINE. I WILL STAY ONLY LONG ENOUGH 85 00:03:23,437 --> 00:03:25,373 TO REFUEL AND PUT SOMETHING IN MY STOMACH. 86 00:03:25,406 --> 00:03:26,674 I'M FAMISHED, AND I'M STARTING 87 00:03:26,707 --> 00:03:28,376 TO SEE FLOATING PROTOZOA AND WHATNOT. 88 00:03:28,409 --> 00:03:29,743 - I KNOW EXACTLY WHAT YOU'RE TALKING ABOUT. 89 00:03:29,777 --> 00:03:31,679 - OKAY, GREAT. CHI-CHI, WHY DON'T YOU, UH, 90 00:03:31,712 --> 00:03:34,382 GRAB SOME WOOD FOR THE FIRE AND I'LL SHOW THE BOYS THE BLIND. 91 00:03:34,415 --> 00:03:36,016 ALMOST THERE, BOYS. 92 00:03:36,049 --> 00:03:38,552 - WHAT DO YOU THINK? 93 00:03:38,586 --> 00:03:40,421 YOU THINK THAT'S HER NATURAL GAIT? 94 00:03:40,454 --> 00:03:41,989 ALL RIGHT, LOOK. 95 00:03:42,022 --> 00:03:43,757 I'M SORRY I LIED, OKAY? BUT LET'S BE HONEST. 96 00:03:43,791 --> 00:03:45,359 SHAME ON YOU FOR BELIEVING 97 00:03:45,393 --> 00:03:46,760 THERE WAS A PLACE CALLED THE SASSY QUATCH 98 00:03:46,794 --> 00:03:48,462 BUILT INTO THE SIDE OF A CAVE IN THE FIRST PLACE. 99 00:03:48,496 --> 00:03:49,730 - MAN, YOU KNOW ALL I HEARD 100 00:03:49,763 --> 00:03:51,999 WERE THE KEY WORDS "DRY RUB" AND "PONE." 101 00:03:52,032 --> 00:03:53,567 WHAT ARE WE DOING OUT HERE, SHAWN? 102 00:03:53,601 --> 00:03:54,968 WE'RE NOT GONNA BE ABLE TO HELP THESE FOOLS. 103 00:03:55,002 --> 00:03:57,438 - YOU CAN SAY THAT AGAIN. HOLD UP. 104 00:03:57,471 --> 00:03:58,606 WE SHOULD BOTH BE ON CAMERA FOR THIS. 105 00:03:58,639 --> 00:03:59,973 IT'S IMPORTANT FOR STORY DRIVE. 106 00:04:00,007 --> 00:04:02,443 - WHAT? - COME ON, DUDES. 107 00:04:02,476 --> 00:04:03,711 - WHAT IS MORE INTERESTING THAN A DOCUMENTARY 108 00:04:03,744 --> 00:04:05,313 ABOUT FINDING BIGFOOT? 109 00:04:05,346 --> 00:04:06,647 - ANYTHING BUT CAPTURING THE FRIEDMANS. 110 00:04:06,680 --> 00:04:08,682 - A DOCUMENTARY ABOUT A DOCUMENTARY 111 00:04:08,716 --> 00:04:11,018 ABOUT FINDING BIGFOOT THAT FAILS. 112 00:04:11,051 --> 00:04:12,786 - I WILL SLAP YOU IN THE TEAT, SHAWN. 113 00:04:12,820 --> 00:04:15,756 - OH, THINK ABOUT IT, GUS. THEY'RE MAKING DON QUIXOTE. 114 00:04:15,789 --> 00:04:17,425 WE'RE MAKING LOST IN LA MANCHA. 115 00:04:17,458 --> 00:04:19,427 - OH, MY GOD. - WE HAVE NEVER WON ANYTHING. 116 00:04:19,460 --> 00:04:20,661 ESPECIALLY YOU. 117 00:04:20,694 --> 00:04:21,795 NOW WHO DO YOU THINK'S GONNA WIN 118 00:04:21,829 --> 00:04:23,364 THAT STUDENT ACADEMY AWARD NOW? 119 00:04:23,397 --> 00:04:26,734 HERE'S A HINT: US. 120 00:04:26,767 --> 00:04:28,636 NOW PULL OUT YOUR PHONE AND START SHOOTING SOME B-ROLL. 121 00:04:28,669 --> 00:04:31,839 - COME ON, GUYS, CHOP-CHOP. GUS TO THE WORLD. 122 00:04:31,872 --> 00:04:34,575 - HERE'S A NEWS FLASH, SHAWN: WE ARE NOT STUDENTS. 123 00:04:34,608 --> 00:04:36,477 HERE'S ANOTHER ONE: THIS IS THE WORST IDEA 124 00:04:36,510 --> 00:04:39,980 YOU'VE COME UP WITH SINCE ODWALLAPALOOZA. 125 00:04:40,013 --> 00:04:43,684 - OKAY, FIRST OF ALL, ORGANIC JUICES AND WEIRD ELIXIRS 126 00:04:43,717 --> 00:04:45,486 THAT ARE ALIVE ARE THE FUTURE, GUS. 127 00:04:45,519 --> 00:04:47,655 JUST LIKE MILK WAS THE FUTURE BACK IN THE '50s. 128 00:04:47,688 --> 00:04:49,523 AND "B," YESTERDAY, I ENROLLED YOU 129 00:04:49,557 --> 00:04:51,525 IN SOMETHING CALLED HERMENEUTICS AT UCSB. 130 00:04:51,559 --> 00:04:52,726 I THINK IT'S THE STUDY OF THE MUNSTERS, 131 00:04:52,760 --> 00:04:53,827 SO WE SHOULD BE FINE. - YOU DID NOT. 132 00:04:53,861 --> 00:04:55,463 - I SURE DID. 133 00:04:55,496 --> 00:04:57,398 - SHAWN, HERMENEUTICS IS THE STUDY OF THEORY. 134 00:04:57,431 --> 00:04:59,433 - WELL, THAT FEELS REDUNDANT. - OH, MY GOSH. 135 00:04:59,467 --> 00:05:02,069 I COULD HAVE AN EXAM ON FRIDAY. I NEED TO FIND A SYLLABUS. 136 00:05:02,102 --> 00:05:03,837 - PRETTY DOPE LITTLE SETUP, HUH? 137 00:05:03,871 --> 00:05:06,574 CHAVO DID IT IN, LIKE, 15 MINUTES. 138 00:05:06,607 --> 00:05:09,343 - YOU JUST HELPED YOURSELF, HUH? 139 00:05:09,377 --> 00:05:12,079 SO, KATE, WHAT'S THE STORY WITH YOU AND CHAVO? 140 00:05:12,112 --> 00:05:14,715 IT'S JUST A BUSINESS RELATIONSHIP, 141 00:05:14,748 --> 00:05:16,784 OR ARE YOU GUYS LOVERS IN THE NIGHTTIME? 142 00:05:16,817 --> 00:05:19,086 - MAN, I THINK WE SHOULD ALL BE LOVERS IN THE NIGHTTIME. 143 00:05:19,119 --> 00:05:21,822 THE HUMAN LIBIDO IS WAY TOO POWERFUL TO BE GOVERNED 144 00:05:21,855 --> 00:05:26,460 BY A SET OF RUDIMENTARY LAWS OR A BUTTON FLY. 145 00:05:26,494 --> 00:05:28,762 LIFE'S NOT THE NOTEBOOK, YOU KNOW? 146 00:05:28,796 --> 00:05:33,066 IT'S WILD ORCHID. IT'S LAST TANGO IN PARIS. 147 00:05:33,100 --> 00:05:36,637 IT'S JUNGLE FEVER. 148 00:05:36,670 --> 00:05:39,607 [creature growls, approaches] HOLY HELL! 149 00:05:39,640 --> 00:05:42,743 HE'S REAL. 150 00:05:42,776 --> 00:05:45,513 OH, MY GOD, ARE YOU SEEING THIS? 151 00:05:45,546 --> 00:05:48,449 - DUDE, DUDE, DUDE! 152 00:05:48,482 --> 00:05:51,519 - SHAWN, IF WE GET OUT OF HERE ALIVE, I WILL KILL YOU. 153 00:05:51,552 --> 00:05:52,786 - SO WHAT'S MY INCENTIVE TO LIVE? 154 00:05:52,820 --> 00:05:54,888 [battery warning beeps] 155 00:05:57,858 --> 00:06:00,861 [The Friendly Indians' I Know You Know] 156 00:06:00,894 --> 00:06:04,865 * 157 00:06:04,898 --> 00:06:08,702 - * IN BETWEEN THE LINES THERE'S A LOT OF OBSCURITY * 158 00:06:08,736 --> 00:06:12,172 * I'M NOT INCLINED TO RESIGN TO MATURITY * 159 00:06:12,205 --> 00:06:13,774 * IF IT'S ALL RIGHT 160 00:06:13,807 --> 00:06:15,476 * THEN YOU'RE ALL WRONG 161 00:06:15,509 --> 00:06:20,180 * BUT WHY BOUNCE AROUND TO THE SAME DAMN SONG? * 162 00:06:20,213 --> 00:06:23,917 * YOU'D RATHER RUN WHEN YOU CAN'T CRAWL * 163 00:06:23,951 --> 00:06:26,554 * 164 00:06:26,587 --> 00:06:29,657 * I KNOW YOU KNOW THAT I'M NOT TELLING THE TRUTH * 165 00:06:29,690 --> 00:06:32,860 * I KNOW YOU KNOW THEY JUST DON'T HAVE ANY PROOF * 166 00:06:32,893 --> 00:06:34,728 * EMBRACE THE DECEPTION 167 00:06:34,762 --> 00:06:35,829 * LEARN HOW TO BEND 168 00:06:35,863 --> 00:06:37,765 * YOUR WORST INHIBITIONS 169 00:06:37,798 --> 00:06:40,501 * TEND TO PSYCH YOU OUT IN THE END * 170 00:06:40,534 --> 00:06:42,903 * I KNOW YOU KNOW 171 00:06:50,077 --> 00:06:51,745 - SHE'S GONNA GET EATEN, SHAWN. 172 00:06:51,779 --> 00:06:54,448 SHE'S GONNA GET EATEN AND THEN WE'RE GONNA GET EATEN. 173 00:06:54,482 --> 00:06:57,451 - WOULD YOU--WHERE-- WOULD YOU RELAX? 174 00:06:57,485 --> 00:06:58,986 BREATHE. 175 00:06:59,019 --> 00:07:00,220 THINK ABOUT WHAT'S HAPPENING. 176 00:07:00,253 --> 00:07:01,589 WHERE'S CHAVO? 177 00:07:01,622 --> 00:07:03,657 - HE'S GATHERING TIMBER. - WRONG. 178 00:07:03,691 --> 00:07:05,493 HE JUST CHANGED INTO A GIANT DOG SUIT 179 00:07:05,526 --> 00:07:06,727 AND CAME AROUND THAT CORNER 180 00:07:06,760 --> 00:07:08,496 WITH A BIG FAKE EMU OVER HIS SHOULDER. 181 00:07:08,529 --> 00:07:10,664 - IT WASN'T AN EMU. - THIS IS BRILLIANT, GUS. 182 00:07:10,698 --> 00:07:12,733 WE'RE NO LONGER MAKING A DOCUMENTARY ABOUT A FAILURE. 183 00:07:12,766 --> 00:07:14,802 WE'RE MAKING A DOCUMENTARY ABOUT A HOAX. 184 00:07:14,835 --> 00:07:16,737 THEY'RE CIRCULATING THE RUMORS ON THEIR BLOG, 185 00:07:16,770 --> 00:07:18,071 DOCTORING THAT PHOTO, 186 00:07:18,105 --> 00:07:19,973 AND SPREADING IT ALL OVER THE INTERNET. 187 00:07:20,007 --> 00:07:24,044 - OKAY, FINE, FINE. 188 00:07:24,077 --> 00:07:25,679 YOU'RE PROBABLY RIGHT. 189 00:07:25,713 --> 00:07:27,715 BUT THERE ARE STILL BEARS OUT HERE, SHAWN. 190 00:07:27,748 --> 00:07:30,250 BLACK BEARS THAT FEEL NO KINSHIP TO BLACK MEN. 191 00:07:30,283 --> 00:07:32,019 - HEY. both: AAH! 192 00:07:32,052 --> 00:07:34,588 - SORRY, UH, I DON'T HAVE A LONG ENOUGH LENS. 193 00:07:34,622 --> 00:07:35,823 PLUS, BIGFOOT WON'T COME OUT OF THE CAVE. 194 00:07:35,856 --> 00:07:37,257 I-I THINK WE NEED TO GET CLOSER. 195 00:07:37,290 --> 00:07:39,727 - ACTUALLY, KATE, I AM-- I AM SENSING 196 00:07:39,760 --> 00:07:42,763 THAT OUR BEST BET IS TO HEAD BACK TO THE CAMP, 197 00:07:42,796 --> 00:07:44,131 GET SOME MORE SUPPLIES, 198 00:07:44,164 --> 00:07:46,066 AND COME BACK WITH CHAVO. 199 00:07:46,099 --> 00:07:47,601 - POWER IN NUMBERS. - ALL RIGHT. 200 00:07:47,635 --> 00:07:49,169 YEAH, IT'S HARD NOT TO GET A LITTLE EXCITED 201 00:07:49,202 --> 00:07:50,604 ABOUT ALL THIS. [both chuckling] 202 00:07:50,638 --> 00:07:52,573 - WE UNDERSTAND. BUT LET'S BE SMART. 203 00:07:52,606 --> 00:07:54,808 - PLUS, CHAVO WILL BE ABLE TO SPEAK THE CREATURE'S LANGUAGE. 204 00:07:54,842 --> 00:07:56,243 - HOW DO YOU KNOW SQUATCH IS LATINO? 205 00:07:56,276 --> 00:07:57,811 - HOW DO YOU KNOW HE ISN'T? 206 00:07:57,845 --> 00:08:02,282 WELL, GEE, I WONDER WHERE CHAVO COULD BE. 207 00:08:02,315 --> 00:08:03,751 - I'M HERE, I'M HERE. 208 00:08:03,784 --> 00:08:05,586 - WHERE'S THE FIREWOOD, CHAVO? 209 00:08:05,619 --> 00:08:07,621 - MIRA, I HEARD SOMETHING, LIKE A MUFFLED SCREAM 210 00:08:07,655 --> 00:08:08,856 COMING FROM THE OTHER DIRECTION. 211 00:08:08,889 --> 00:08:10,257 - YEAH? 212 00:08:10,290 --> 00:08:11,859 WELL, GUESS WHAT WE MOTHERFRIGGING SAW. IT! 213 00:08:11,892 --> 00:08:14,161 DUDE, IT TRUDGED TOWARDS THAT CAVE, 214 00:08:14,194 --> 00:08:15,763 AND YOU CAN TOTALLY SEE IT FROM THE BLIND. 215 00:08:15,796 --> 00:08:18,766 - BUT WE DIDN'T WANT YOU TO MISS ANYTHING, CHAVO, 216 00:08:18,799 --> 00:08:21,134 SO WE FIGURED WE'D ALL GO BACK TOGETHER 217 00:08:21,168 --> 00:08:23,604 AS A GROUP SO WE CAN SEE EACH OTHER. 218 00:08:23,637 --> 00:08:25,305 - OH, I GOT IT. AND THANK YOU. 219 00:08:25,338 --> 00:08:27,841 - OH, WAIT TILL YOU SEE IT, BABY, OH, MY GOD. 220 00:08:27,875 --> 00:08:29,242 I AM SO TURNED ON RIGHT NOW. 221 00:08:29,276 --> 00:08:30,310 - YEAH? - YEAH, WE'LL BE RIGHT BACK. 222 00:08:30,343 --> 00:08:32,212 - WE WILL? - YES. 223 00:08:32,245 --> 00:08:35,716 - ARE THEY GOING OFF TO DO WHAT I THINK THEY'RE GONNA DO? 224 00:08:35,749 --> 00:08:36,884 - MAKE A NEW PLAN BECAUSE WE'RE ON TO THEM? 225 00:08:36,917 --> 00:08:38,652 THEY BETTER. 226 00:08:38,686 --> 00:08:41,622 - I DON'T THINK THAT'S WHAT THEY--OH, MY GOSH. 227 00:08:41,655 --> 00:08:44,191 SHAWN, I THINK SHE'S GOING TO-- SHE IS. 228 00:08:44,224 --> 00:08:48,128 - GUS, I NEED TO SNOOP AROUND THIS TENT, OKAY? 229 00:08:48,161 --> 00:08:50,564 BE MY LOOKOUT. - OKAY. 230 00:08:50,598 --> 00:08:54,201 - VIVA MEXICO, CHAVO. 231 00:08:54,234 --> 00:08:57,805 WHAT DO WE GOT HERE? 232 00:08:57,838 --> 00:08:59,206 HUH, THAT'S CLEVER. 233 00:08:59,239 --> 00:09:01,541 [distant moans, laughter] 234 00:09:03,276 --> 00:09:06,847 WHAT THE-- 235 00:09:06,880 --> 00:09:10,217 THIS GIRL IS NOT MESSING AROUND. 236 00:09:10,250 --> 00:09:12,285 WHAT IS-- 237 00:09:12,319 --> 00:09:14,955 [grunting] 238 00:09:14,988 --> 00:09:16,824 WAIT A MINUTE, WHO'S THE BIG DOT? 239 00:09:16,857 --> 00:09:19,292 I'M THE BIG DOT? THEN WHAT THE HELL IS THAT? 240 00:09:19,326 --> 00:09:21,929 [branches rustling] 241 00:09:21,962 --> 00:09:23,363 WHOA, WHOA! 242 00:09:23,396 --> 00:09:26,867 UM, GUS, WHAT'S GOING ON OUT THERE, MAN? 243 00:09:26,900 --> 00:09:30,137 TALK TO ME, GUS. GUS? 244 00:09:30,170 --> 00:09:31,872 DUDE, WHAT THE HECK? 245 00:09:31,905 --> 00:09:33,907 - IN A TREE. CRAZY, RIGHT? 246 00:09:33,941 --> 00:09:35,943 IT'S STILL WARM. 247 00:09:35,976 --> 00:09:38,646 - I THINK THAT TURKEY LEG WAS MEANT FOR BIGFOOT, GUS. 248 00:09:38,679 --> 00:09:40,213 SO THEY WENT TO THE TROUBLE OF SETTING FOOD TRAPS 249 00:09:40,247 --> 00:09:41,749 WITH TRACKING DEVICES. 250 00:09:41,782 --> 00:09:43,183 MAN, THEY'RE REALLY COMMITTING TO THIS HOAX. 251 00:09:43,216 --> 00:09:45,919 - WAIT, I SWALLOWED A TRANSMITTER, SHAWN. 252 00:09:45,953 --> 00:09:48,622 WHAT IF MY BODY REJECTS THE ALLOYS IN THE COMPOSITE? 253 00:09:48,656 --> 00:09:50,290 - YOU'LL POOP IT OUT, IT'S FINE. - WHAT? 254 00:09:50,323 --> 00:09:52,893 - ALL RIGHT, YOU GUYS READY TO MAKE SOME CINEMATIC HISTORY? 255 00:09:52,926 --> 00:09:56,797 - GET RID OF THAT THING! 256 00:09:56,830 --> 00:09:58,632 - I RARELY ORDER FLAN. 257 00:09:58,666 --> 00:10:00,634 IF IT'S THERE FOR THE TABLE, SURE, I'LL PARTAKE, 258 00:10:00,668 --> 00:10:02,770 BUT CHANCES ARE, SOMETHING ELSE ON THE MENU'S GONNA GRAB ME. 259 00:10:02,803 --> 00:10:04,638 - WELL, THEN YOU JUST HAVEN'T HAD GOOD FLAN. 260 00:10:04,672 --> 00:10:06,406 - UH, GOOD FLAN, BAD FLAN. 261 00:10:06,439 --> 00:10:08,842 BOTTOM LINE: IT'S EGGY. PERIOD. 262 00:10:08,876 --> 00:10:10,343 UGH. - IT CAN BE EGGY. 263 00:10:10,377 --> 00:10:12,212 - OH, MAN, I SHOULD'VE PEED BACK AT CAMP. 264 00:10:12,245 --> 00:10:13,647 MY MOLARS ARE FLOATING. 265 00:10:13,681 --> 00:10:14,882 - ALL RIGHT, WELL, JUST MAKE IT QUICK. 266 00:10:14,915 --> 00:10:17,751 GIVE ME THE CAMERA. [grunting] 267 00:10:17,785 --> 00:10:20,153 YOU KNOW, HE'S GOT THE BLADDER OF A SIX-YEAR-OLD GIRL, 268 00:10:20,187 --> 00:10:21,655 BUT HE CAN HOLD MOST OF THE TANTRIC POSITIONS 269 00:10:21,689 --> 00:10:22,823 FOR, LIKE, 45 FRIGGING MINUTES. 270 00:10:22,856 --> 00:10:24,257 - WOW, THAT'S SOMETHING. - YES. 271 00:10:24,291 --> 00:10:25,859 WE HAVE TO GO TOO. - YEAH, WE GOT TO PEE. 272 00:10:25,893 --> 00:10:27,861 WE ARE GONNA CATCH HIM PUTTING ON THE COSTUME, GUS. 273 00:10:27,895 --> 00:10:29,930 WE'RE GONNA HIDE, WE'RE GONNA GET THE WHOLE THING ON CAMERA, 274 00:10:29,963 --> 00:10:31,832 AND THEN WE'RE GONNA KEEP PLAYING ALONG. 275 00:10:31,865 --> 00:10:33,366 NOW PULL OUT YOUR PHONE AND START SHOOTING. 276 00:10:33,400 --> 00:10:35,402 WE WANT AS MANY CHOICES AS POSSIBLE IN THE EDITING ROOM. 277 00:10:35,435 --> 00:10:36,937 - YOU BET. THIS IS ACTUALLY KIND OF FUN. 278 00:10:42,209 --> 00:10:44,277 - TRY AND GET SOME GEOGRAPHY. 279 00:10:48,481 --> 00:10:51,218 - SHAWN? HE LOOKS LIKE HE'S PEEING. 280 00:10:51,251 --> 00:10:52,920 - WHERE IS THE BIG FURRY DOG SUIT? 281 00:10:52,953 --> 00:10:54,955 - I'M FILMING A MAN WHO'S PEEING, SHAWN. 282 00:10:54,988 --> 00:10:58,458 THIS ISN'T RIGHT. 283 00:10:58,491 --> 00:11:00,360 - WHO'S THERE? 284 00:11:00,393 --> 00:11:03,030 I'VE GOT PEPPER SPRAY AND CHINESE THROWING STARS. 285 00:11:03,063 --> 00:11:05,365 I MEAN... I'M--I'M A NINJA. 286 00:11:10,303 --> 00:11:12,305 WHAT ARE YOU GUYS DOING HERE? - WE HAD TO GO TOO. 287 00:11:12,339 --> 00:11:14,742 - WHAT--SO YOU JUST LEFT KATE ALONE AT THE BLIND? 288 00:11:14,775 --> 00:11:15,909 - IT'S NOT LIKE ANYBODY CAN SEE HER. 289 00:11:15,943 --> 00:11:17,244 I MEAN, ISN'T THAT THE CONCEPT? 290 00:11:17,277 --> 00:11:18,746 IT'S A BLIND. 291 00:11:18,779 --> 00:11:20,247 GUS, YOU SHOULDN'T HOLD IT LIKE THAT. 292 00:11:20,280 --> 00:11:21,849 YOU'RE GONNA GET BLACK BARS ON BOTH SIDES. 293 00:11:21,882 --> 00:11:23,917 - OH, OH, RIGHT. [Kate screams] 294 00:11:23,951 --> 00:11:29,823 - KATIE? 295 00:11:29,857 --> 00:11:31,992 - OH, HE SAW ME, AND I SAW HIM! 296 00:11:32,025 --> 00:11:33,894 WE MADE EYE--EYE CONTACT. - WHO SAW YOU? 297 00:11:33,927 --> 00:11:35,929 - WHO DO YOU THINK, CHAVO? - WHAT THE-- 298 00:11:35,963 --> 00:11:38,198 [creature growling] 299 00:11:38,231 --> 00:11:44,204 [all screaming] 300 00:11:44,237 --> 00:11:45,839 - AAH! OH, MY GOD! 301 00:11:45,873 --> 00:11:47,775 OH, MY GOD! OH, MY GOD! 302 00:11:47,808 --> 00:11:49,209 OH, MY GOD! OH, CRAP! 303 00:11:49,242 --> 00:11:50,443 OH, MY GOD! OH, MY GOD! 304 00:11:50,477 --> 00:11:52,913 OH, MY GOD! - AAH! 305 00:11:52,946 --> 00:11:56,383 [grunting] 306 00:11:59,419 --> 00:12:02,322 - GUS, YOU OKAY? 307 00:12:02,355 --> 00:12:04,357 - I'M OKAY. I'M OKAY! 308 00:12:04,391 --> 00:12:06,860 AAH! 309 00:12:06,894 --> 00:12:08,461 - GUS! 310 00:12:08,495 --> 00:12:10,430 - [panting] 311 00:12:10,463 --> 00:12:11,965 - GREAT MOVE. GREAT JUKE, GUS. 312 00:12:11,999 --> 00:12:14,401 - I-I CAN'T SAY I FEEL 100% RIGHT NOW, SHAWN. 313 00:12:14,434 --> 00:12:15,402 - WE LOST THE MONSTER AND EVERYONE LIVED. 314 00:12:15,435 --> 00:12:16,837 EVEN CHAVO. 315 00:12:16,870 --> 00:12:18,305 - WHAT THE HELL IS THAT SUPPOSED TO MEAN? 316 00:12:18,338 --> 00:12:19,306 - HEY, I'VE GOT SOME ROPE IN MY BACKPACK. 317 00:12:19,339 --> 00:12:20,808 - I GOT A FLASHLIGHT. 318 00:12:20,841 --> 00:12:22,843 SO WHAT, AM I FODDER HERE? I'M EXPENDABLE? 319 00:12:22,876 --> 00:12:25,045 - HANG ON, NUTELLA. - DON'T WORRY, GUS. 320 00:12:25,078 --> 00:12:26,513 IT'S NOT LIKE YOU'RE IN THE CATACOMBS. 321 00:12:26,546 --> 00:12:29,316 [chuckling] - CATCH THE FLASHLIGHT, GUS. 322 00:12:29,349 --> 00:12:34,287 - [panting] 323 00:12:34,321 --> 00:12:37,324 [flies buzzing] 324 00:12:37,357 --> 00:12:42,295 - WHOA. - EW. 325 00:12:42,329 --> 00:12:43,563 - AAH! 326 00:12:43,596 --> 00:12:45,465 - I TAKE THAT BACK, GUS. 327 00:12:45,498 --> 00:12:47,467 YOU'RE IN, LIKE, A MINIATURE VERSION 328 00:12:47,500 --> 00:12:49,502 OF THE CATACOMBS. 329 00:12:52,906 --> 00:12:55,542 - AH! IT STINGS. - TELL YOU WHAT. 330 00:12:55,575 --> 00:12:57,444 LATER ON, YOU CAN PUT ONE ON ME, 331 00:12:57,477 --> 00:12:59,412 AND THEN RIP IT OFF SUPER HARD. 332 00:12:59,446 --> 00:13:01,114 - KATE... 333 00:13:01,148 --> 00:13:04,084 YOU'RE VERY OPEN AND SENSUAL AND EUROPEAN-SEEMING. 334 00:13:04,117 --> 00:13:06,186 - I GREW UP ON A COMMUNE-- - THAT'S AWESOME. 335 00:13:06,219 --> 00:13:08,355 BUT I'M IN A FULLY COMMITTED RELATIONSHIP, 336 00:13:08,388 --> 00:13:10,457 AND MY LADY AND HER ILLEGITIMATE SON, 337 00:13:10,490 --> 00:13:12,525 THEY COUNT ON ME TO MAKE RESPONSIBLE DECISIONS 338 00:13:12,559 --> 00:13:14,061 IN THE CLUTCH. 339 00:13:14,094 --> 00:13:17,164 - THAT MAKES ME SAD. AND ALSO REALLY HOT. 340 00:13:17,197 --> 00:13:19,599 - HEY, UH, I DON'T MEAN TO SET OFF ANY ALARMS HERE, 341 00:13:19,632 --> 00:13:21,368 BUT AM I THE ONLY ONE WHO'S TROUBLED 342 00:13:21,401 --> 00:13:23,136 BY THE THREE CORPSES IN THE HOLE? 343 00:13:23,170 --> 00:13:24,504 - IT SEEMS PRETTY CUT AND DRY TO ME. 344 00:13:24,537 --> 00:13:26,173 WE FOUND BIGFOOT'S PRIVATE PANTRY. 345 00:13:26,206 --> 00:13:28,508 NOW WE'VE JUST GOT TO GO BACK AND WAIT FOR SNACK TIME. 346 00:13:28,541 --> 00:13:29,943 - OR WE COULD BE SNACK TIME. 347 00:13:29,977 --> 00:13:31,945 UH-UH, NOPE, NOT TODAY. 348 00:13:31,979 --> 00:13:33,613 SHAWN AND I WILL BE LEAVING NOW. 349 00:13:33,646 --> 00:13:35,615 THANK YOU ALL VERY MUCH. IT'S BEEN REAL. 350 00:13:35,648 --> 00:13:38,451 - WAIT, SHAWN, I THOUGHT THIS IS WHAT YOU WANTED, MAN. 351 00:13:38,485 --> 00:13:39,987 THE STUFF WE'RE GETTING IS EPIC. WE'RE GONNA MAKE HISTORY. 352 00:13:40,020 --> 00:13:41,554 - NOPE. [rustling in bushes] 353 00:13:41,588 --> 00:13:43,423 HE'LL WANT ME FIRST. I'M THE SWEETEST. 354 00:13:43,456 --> 00:13:45,092 - WHAT ARE YOU SAYING, HE'S GONNA START WITH DESSERT? 355 00:13:45,125 --> 00:13:48,595 - OOH, GOOD POINT, MAYBE NOT. CHAVO'S TOAST THOUGH. 356 00:13:48,628 --> 00:13:52,065 - SON OF A BITCH. - LASSIE? JULES? 357 00:13:52,099 --> 00:13:54,001 I'VE NEVER BEEN SO EXCITED TO SEE YOU EVER. 358 00:13:54,034 --> 00:13:56,069 COME ON, HUG IT OUT. HUG IT OUT. 359 00:13:56,103 --> 00:13:58,505 - I WOULD RATHER SPEND ALL DAY AT THE MALL WITH MCNAB. 360 00:13:58,538 --> 00:14:00,073 - HEY, WHAT ARE YOU GUYS DOING HERE? 361 00:14:00,107 --> 00:14:01,541 - WHAT ARE WE DOING HERE? 362 00:14:01,574 --> 00:14:02,642 WE GOT A CALL FROM A COUPLE OF HIKERS 363 00:14:02,675 --> 00:14:04,244 ABOUT AN ABANDONED BLUE ECHO 364 00:14:04,277 --> 00:14:06,479 ON THE SIDE OF THE ROAD WITH GUS'S LICENSE PLATE. 365 00:14:06,513 --> 00:14:08,515 YOU DIDN'T MENTION ANYTHING ABOUT A DAY TRIP. 366 00:14:08,548 --> 00:14:10,617 - YOU TWO ARE PO-PO? - THAT'S RIGHT, LOS LOBOS. 367 00:14:10,650 --> 00:14:12,052 SO GET THAT CAMERA OUT OF MY FACE. 368 00:14:12,085 --> 00:14:13,520 THIS HAD BETTER BE GOOD, SPENCER. 369 00:14:13,553 --> 00:14:15,222 I JUST SHINED THESE SHOES. THAT AND THE FACT 370 00:14:15,255 --> 00:14:17,224 THAT YOU AND GUSTER AREN'T DEAD, I AM BORDERLINE FURIOUS. 371 00:14:17,257 --> 00:14:19,659 - OKAY, LISTEN, LISTEN. THIS IS KATE AND CHAVO. 372 00:14:19,692 --> 00:14:21,461 THEY ARE FILM STUDENTS MAKING A DOCUMENTARY 373 00:14:21,494 --> 00:14:24,932 ABOUT FINDING BIGFOOT RIGHT HERE IN THESE WOODS. 374 00:14:24,965 --> 00:14:28,435 THEY HIRED ME TO HELP THEM TRACK THE BEAST PSYCHICALLY. 375 00:14:28,468 --> 00:14:29,469 - HIRED? NO, YOU VOLUNTEERED. 376 00:14:29,502 --> 00:14:30,938 WE'RE NOT PAYING YOU CACA. 377 00:14:30,971 --> 00:14:33,473 - NEEDLESS TO SAY, WE TRACKED THE BEAST 378 00:14:33,506 --> 00:14:34,942 TO ITS DOMICILE. 379 00:14:34,975 --> 00:14:36,443 IT WAS STARTLED, IT GAVE CHASE. 380 00:14:36,476 --> 00:14:38,145 WE BARELY MADE IT OUT WITH OUR LIVES. 381 00:14:38,178 --> 00:14:39,612 BUT WE DID UNEARTH A CATACOMB 382 00:14:39,646 --> 00:14:41,581 FILLED WITH THE CORPSES OF HIS VICTIMS, 383 00:14:41,614 --> 00:14:43,483 WHICH HE WILL PRESUMABLY BE EATING LATER 384 00:14:43,516 --> 00:14:45,018 ALONG WITH GUS FOR DESSERT. - WHAT? 385 00:14:45,052 --> 00:14:46,486 - AND WE GOT THE WHOLE THING ON CAMERA. 386 00:14:46,519 --> 00:14:47,654 - THAT IS 0% FUNNY, SHAWN. 387 00:14:47,687 --> 00:14:49,222 - PLEASE LET ME SHOOT YOUR BOYFRIEND. 388 00:14:49,256 --> 00:14:51,124 JUST A FLESH WOUND, SOMETHING HE CAN WALK AWAY FROM. 389 00:14:51,158 --> 00:14:52,592 PLEASE. - BOYFRIEND? 390 00:14:52,625 --> 00:14:54,594 THIS MONOGAMY IS REALLY STARTING TO BUM ME OUT. 391 00:14:54,627 --> 00:14:55,963 - YOU SAY YOU GOT ALL THIS ON CAMERA? 392 00:14:55,996 --> 00:14:57,097 - YES, WE DID. 393 00:14:57,130 --> 00:15:00,233 NO, WAY. COME ON, LASSIE. 394 00:15:00,267 --> 00:15:02,569 YOU SAW THE FOOTAGE. - IMPOSSIBLE. 395 00:15:02,602 --> 00:15:04,938 - I KNOW. IT'S SHOCKING, REALLY. 396 00:15:04,972 --> 00:15:07,007 BUT NO CORPSES CAN ONLY MEAN ONE THING: 397 00:15:07,040 --> 00:15:08,608 IT'S THE ZOMBIE APOCALYPSE. 398 00:15:08,641 --> 00:15:10,177 WELL, PERHAPS IT'S FOR THE BEST RIGHT HERE IN THE WOODS 399 00:15:10,210 --> 00:15:12,045 AWAY FROM THE POPULOUS. - THAT CAN'T BE. 400 00:15:12,079 --> 00:15:14,948 THEY WERE COLD AND ASHY AND PALE AND DEAD. 401 00:15:14,982 --> 00:15:18,185 - I THINK IT IS PAINFULLY CLEAR WHAT IS GOING ON HERE. 402 00:15:18,218 --> 00:15:21,221 YOU TWO NIMRODS HAVE ORCHESTRATED A LITTLE HOAX 403 00:15:21,254 --> 00:15:23,323 SO THAT YOUR FILM'S NOT A TOTAL WASTE OF TIME, 404 00:15:23,356 --> 00:15:25,058 AND YOU FOUND THE PERFECT TWO CHOWDERHEADS TO FALL FOR IT. 405 00:15:25,092 --> 00:15:26,559 - THAT'S NOT TRUE. 406 00:15:26,593 --> 00:15:28,328 - LASSIE, THAT'S WHAT WE THOUGHT AT FIRST. 407 00:15:28,361 --> 00:15:31,031 BUT IT DOESN'T ADD UP ANYMORE. - THINK ABOUT IT, SPENCER. 408 00:15:31,064 --> 00:15:34,234 PUT YOUR FINGER TO YOUR HEAD AND USE YOUR BRAIN. 409 00:15:34,267 --> 00:15:35,735 THEY GOT A COUPLE OF THEIR BONG BUDDIES 410 00:15:35,768 --> 00:15:37,237 TO CRAWL IN THE HOLE AND PLAY DEAD. 411 00:15:37,270 --> 00:15:39,039 YOU GOT HOSED. 412 00:15:39,072 --> 00:15:43,076 BUT NOW THEY HAVE GONE TOO FAR, BECAUSE MY TIME IS MONEY. 413 00:15:43,110 --> 00:15:45,245 - WAIT A MINUTE. HOW COME WE'RE RULING OUT THE THEORY 414 00:15:45,278 --> 00:15:47,047 THAT THE YETI MOVED HIS FOOD STASH 415 00:15:47,080 --> 00:15:49,316 BECAUSE WE FOUND IT? - YETI IS INCORRECT. 416 00:15:49,349 --> 00:15:51,751 THEY LIVE IN MUCH SNOWIER CLIMATES LIKE HOTH. 417 00:15:51,784 --> 00:15:53,186 - YOU'RE RIGHT. MY BAD. 418 00:15:53,220 --> 00:15:55,522 - PLUS, I FOUND IT BY ACCIDENT, LASSIE. 419 00:15:55,555 --> 00:15:57,757 I HAD TO TUMBLE ALL THE WAY DOWN A RIDGE TO FIND IT. 420 00:15:57,790 --> 00:16:00,360 - GUS HAS A POINT. I MEAN, THE HOLE WAS COVERED. 421 00:16:00,393 --> 00:16:02,229 I DON'T THINK THOSE BODIES WERE MEANT TO BE FOUND. 422 00:16:02,262 --> 00:16:05,665 - O'HARA, I FORBID YOU TO BUY INTO THIS LOAD OF CRAP. 423 00:16:05,698 --> 00:16:08,101 WE SHOULD ARREST THEM AND GO BACK TO THE CITY. 424 00:16:08,135 --> 00:16:10,237 - UH, I AM SENSING THESE BODIES DID NOT GET UP 425 00:16:10,270 --> 00:16:12,072 AND WALK AWAY ON THEIR OWN. 426 00:16:12,105 --> 00:16:15,075 WHICH ALSO PUTS THE KIBOSH ON LASSIE'S ZOMBIE THEORY. 427 00:16:15,108 --> 00:16:17,344 YOU SEE... THEY WERE DRAGGED. 428 00:16:17,377 --> 00:16:20,047 - HA! CHUPALO! 429 00:16:20,080 --> 00:16:21,248 - WHAT DOES THAT MEAN? 430 00:16:21,281 --> 00:16:23,783 YOU TELL ME WHAT THAT MEANS RIGHT NOW. 431 00:16:23,816 --> 00:16:26,153 WELL, THIS IS QUITE A HAUL. 432 00:16:26,186 --> 00:16:27,754 - WELL, THIS CAN'T BE RIGHT. 433 00:16:27,787 --> 00:16:29,322 ACCORDING TO THE TRACKING DEVICE, 434 00:16:29,356 --> 00:16:31,658 BIGFOOT IS... ONE OF US. 435 00:16:31,691 --> 00:16:33,093 - STOP SAYING BIGFOOT LIKE HE'S REAL. 436 00:16:33,126 --> 00:16:34,361 - GUS ATE A GIANT TURKEY LEG 437 00:16:34,394 --> 00:16:36,096 WITH A TRANSMITTER IN IT. - AW, COME ON. 438 00:16:36,129 --> 00:16:37,630 IT WASN'T WEIRD TO YOU THAT IT WAS JUST SITTING 439 00:16:37,664 --> 00:16:38,698 IN A FREAKING TREE? 440 00:16:38,731 --> 00:16:40,633 - SOMEONE WOULD HAVE US BELIEVE 441 00:16:40,667 --> 00:16:42,635 THAT THESE BODIES WENT INTO THE DRINK, 442 00:16:42,669 --> 00:16:44,737 WHICH MEANS WE'VE GOT TO DREDGE THIS CREEK 443 00:16:44,771 --> 00:16:48,275 AND BRING IN SOME SERIOUS SBPD MANPOWER. 444 00:16:48,308 --> 00:16:49,809 NOW YOU TWO FILM GEEKS... 445 00:16:49,842 --> 00:16:52,179 THINK LONG AND HARD ABOUT WHAT YOU SAY NEXT. 446 00:16:52,212 --> 00:16:54,714 PLAYTIME IS OVER. I WILL NOT BE TOYED WITH. 447 00:16:54,747 --> 00:16:57,117 [metallic clang] 448 00:16:57,150 --> 00:16:59,319 [screams] 449 00:16:59,352 --> 00:17:02,122 SON OF A-- GOD! 450 00:17:02,155 --> 00:17:04,791 [yelps] OH, MY-- 451 00:17:04,824 --> 00:17:06,393 AAH! AAH! 452 00:17:06,426 --> 00:17:07,760 AAH! 453 00:17:07,794 --> 00:17:12,799 [screaming] 454 00:17:12,832 --> 00:17:14,801 - OH, GOD! 455 00:17:14,834 --> 00:17:16,769 DON'T FIGHT THE CURRENT! 456 00:17:16,803 --> 00:17:20,673 TRY TO GRAB ONTO SOMETHING! I'M COMING! 457 00:17:20,707 --> 00:17:22,242 - WHERE-- WHERE YOU GOING? 458 00:17:22,275 --> 00:17:24,111 - DON'T WORRY ABOUT IT, SHAWN. YOU DO YOU. 459 00:17:24,144 --> 00:17:25,745 - THERE HE IS! COME ON, WE CAN GO DOWN HERE. 460 00:17:25,778 --> 00:17:27,114 COME ON. - OH. 461 00:17:27,147 --> 00:17:29,782 - [screaming] 462 00:17:29,816 --> 00:17:31,384 - THAT'S WHAT YOU GET FOR CALLING ME LOS LOBOS. 463 00:17:31,418 --> 00:17:35,422 - DUDE, THIS IS A TOTAL BONUS. 464 00:17:35,455 --> 00:17:37,724 - AAH! - WHAT CAN I DO TO HELP? 465 00:17:37,757 --> 00:17:42,229 - STAY BACK, CHAVO! - I WAS HOPING YOU'D SAY THAT. 466 00:17:42,262 --> 00:17:48,201 - [grunting] 467 00:17:48,235 --> 00:17:49,702 LASSIE, GRAB THE BRANCH! 468 00:17:49,736 --> 00:17:51,804 IT'S RIGHT IN FRONT OF YOU. 469 00:17:51,838 --> 00:17:54,407 - THANK YOU, O'HARA! - YES! GOOD WORK! 470 00:17:54,441 --> 00:17:57,344 - JULES, YOU'RE AMAZING! 471 00:17:57,377 --> 00:17:58,845 HANG ON, LASSIE, WE'LL HAVE YOU OUT OF THERE 472 00:17:58,878 --> 00:18:01,881 IN NO TIME! [bird screeches] 473 00:18:01,914 --> 00:18:03,316 HEY! 474 00:18:03,350 --> 00:18:05,118 THAT LADY HAWK STOLE MY CAMERA! 475 00:18:05,152 --> 00:18:06,253 - HOW DO YOU KNOW IT'S A FEMALE? 476 00:18:06,286 --> 00:18:07,720 - SHE'S CIRCLING AROUND. 477 00:18:07,754 --> 00:18:09,456 - I THINK MY WHOLE LEG JUST CAME OFF. 478 00:18:09,489 --> 00:18:12,125 - LASSIE, SHE'S COMING BACK THIS WAY. 479 00:18:12,159 --> 00:18:14,127 I THINK SHE'S GONNA DROP IT. 480 00:18:14,161 --> 00:18:15,395 CATCH IT! YOU HAVE TO CATCH IT! 481 00:18:15,428 --> 00:18:17,197 CATCH IT! 482 00:18:20,733 --> 00:18:23,170 - THAT WAS THE SEXIEST THING I'VE EVER SEEN. 483 00:18:23,203 --> 00:18:25,805 OR AT LEAST TOP EIGHT. - WOW. WOW. 484 00:18:25,838 --> 00:18:27,774 - ALL RIGHT, THAT'S THE BEST 485 00:18:27,807 --> 00:18:29,276 WE'RE GONNA DO FOR NOW, PARTNER. 486 00:18:29,309 --> 00:18:30,810 - STEPPED IN A BEAR TRAP. 487 00:18:30,843 --> 00:18:32,912 - OH, WHAT IS THIS? 488 00:18:32,945 --> 00:18:36,349 - THIS IS SO HUMILIATING. I CAN'T TELL MARLOWE THE TRUTH. 489 00:18:36,383 --> 00:18:38,751 I'VE GOT TO COME UP WITH A COVER STORY. 490 00:18:38,785 --> 00:18:39,919 DO YOU MIND? 491 00:18:39,952 --> 00:18:41,521 - DOES ANYBODY KNOW WHERE WE ARE? 492 00:18:41,554 --> 00:18:43,390 BECAUSE I CERTAINLY DON'T, AND THIS SUCKS. 493 00:18:43,423 --> 00:18:44,724 - YEAH, AGREED. 494 00:18:44,757 --> 00:18:46,326 WE CAN FOLLOW THE RIVER UP A WAYS, 495 00:18:46,359 --> 00:18:48,261 BUT THE TRACKS WON'T BE GOOD ONCE THE SUN GOES DOWN. 496 00:18:48,295 --> 00:18:49,729 - DIDN'T YOU GUYS BRING A MAP? 497 00:18:49,762 --> 00:18:51,864 - I KICKED IT INTO THE CREEK. - YOU DID WHAT? 498 00:18:51,898 --> 00:18:54,201 - THAT'S THE STUPIDEST THING YOU COULD'VE DONE, CHAVO. 499 00:18:54,234 --> 00:18:56,203 - [chuckling] I WAS JUST KIDDING. 500 00:18:56,236 --> 00:18:58,805 WE ACTUALLY NEVER HAD A MAP. 501 00:18:58,838 --> 00:19:01,274 - THINK YOU CAN MOVE ON THAT LEG? 502 00:19:01,308 --> 00:19:02,875 - NOT VERY FAST. 503 00:19:02,909 --> 00:19:04,544 DAMN IT TO HELL! 504 00:19:04,577 --> 00:19:05,878 IT'S LIKE WE'RE IN BRIDGE ON THE RIVER KWAI 505 00:19:05,912 --> 00:19:07,414 BUT YOU GET TO BE BILL HOLDEN. 506 00:19:07,447 --> 00:19:09,249 - WE'RE GONNA FREEZE OUR PINONES OFF. 507 00:19:09,282 --> 00:19:10,883 - OKAY. 508 00:19:10,917 --> 00:19:12,452 WE ARE GONNA SET UP CAMP FOR THE NIGHT. 509 00:19:12,485 --> 00:19:14,387 WE'RE GONNA BACK OURSELVES UP TO THE WATER 510 00:19:14,421 --> 00:19:16,489 SO THAT WE DON'T HAVE TO WORRY ABOUT A 360-DEGREE PERIMETER. 511 00:19:16,523 --> 00:19:17,924 WE WILL BUILD A FIRE. 512 00:19:17,957 --> 00:19:20,227 AT FIRST LIGHT, I WILL FIND MY WAY OUT OF HERE, 513 00:19:20,260 --> 00:19:21,394 AND I WILL COME BACK WITH THE CAVALRY. 514 00:19:21,428 --> 00:19:23,263 - ABSOLUTELY NOT. 515 00:19:23,296 --> 00:19:24,797 I'M NOT LETTING YOU GO BY YOURSELF. 516 00:19:24,831 --> 00:19:27,267 - SHAWN, EVERYONE HAS TO STAY HERE WITH LASSITER. 517 00:19:27,300 --> 00:19:29,802 I'LL BE TWICE AS FAST ON MY OWN. - WHAT ABOUT ME, JULIET? 518 00:19:29,836 --> 00:19:30,937 I'M AT LEAST TWICE AS FAST AS SHAWN. 519 00:19:30,970 --> 00:19:32,539 - THAT IS A LIE. - SHH! 520 00:19:32,572 --> 00:19:34,407 I'M NOT TRYING TO BE HERE ALL NIGHT, JULIET. 521 00:19:34,441 --> 00:19:35,575 - NO, DETECTIVE O'HARA'S RIGHT. 522 00:19:35,608 --> 00:19:37,810 OW! NO, I'M FINE. 523 00:19:37,844 --> 00:19:39,412 FINE. 524 00:19:39,446 --> 00:19:40,980 I'M CERTAINLY NOT GONNA SLEEP A WINK TONIGHT, 525 00:19:41,013 --> 00:19:43,816 SO I'LL SET UP A PERIMETER AND TAKE WATCH. 526 00:19:43,850 --> 00:19:45,818 O'HARA WILL SET UP CAMP AND PROTECT THE HERD. 527 00:19:45,852 --> 00:19:47,587 - WAIT. PLEASE TAKE ONE OF THE CAMERAS WITH YOU. 528 00:19:47,620 --> 00:19:49,822 IT WOULD MEAN THE WORLD TO US. 529 00:19:49,856 --> 00:19:53,526 IF YOU, UH, SEE ANYTHING, JUST POINT AND SHOOT. 530 00:19:53,560 --> 00:19:54,561 - WHAT DO I LOOK LIKE TO YOU? 531 00:19:54,594 --> 00:19:55,962 - THE LOVE CHILD 532 00:19:55,995 --> 00:19:59,799 OF MATTHEW PERRY AND...TONY RANDALL. 533 00:19:59,832 --> 00:20:02,535 HERE. 534 00:20:02,569 --> 00:20:07,574 IT'S GONNA GET BALLS-COLD OUT TONIGHT. 535 00:20:07,607 --> 00:20:10,810 - WHAT KIND OF WOOL IS THIS? - IT'S AN ANGORA BLEND, I THINK. 536 00:20:10,843 --> 00:20:15,415 - IT'S DELIGHTFUL. - I KNOW, RIGHT? 537 00:20:15,448 --> 00:20:16,816 JUST POINT AND SHOOT. 538 00:20:16,849 --> 00:20:21,388 - THIS FIRE IS VERY, VERY IMPRESSIVE. 539 00:20:21,421 --> 00:20:25,258 I HAD NO IDEA THAT YOU WERE SO RUGGED AND OUTDOORSY. 540 00:20:25,292 --> 00:20:27,427 - WELL, THAT IS BECAUSE YOU STEADFASTLY REFUSE 541 00:20:27,460 --> 00:20:29,028 TO GO HIKING, CAMPING, 542 00:20:29,061 --> 00:20:31,564 OR MOUNTAIN BIKING WITH ME, SHAWN. 543 00:20:31,598 --> 00:20:34,501 - BECAUSE LOOK WHAT HAPPENS, JULES. 544 00:20:34,534 --> 00:20:36,303 MOTHER NATURE WAS NOT MEANT FOR US. 545 00:20:36,336 --> 00:20:40,907 IT WAS MEANT FOR THE ANIMALS AND JEFF PROBST. 546 00:20:40,940 --> 00:20:42,542 AND YOU KNOW WHAT? NOT REALLY PROBST, 547 00:20:42,575 --> 00:20:44,877 BECAUSE EVERYONE KNOWS THAT AFTER WRAP, 548 00:20:44,911 --> 00:20:47,380 HE GOES TO THE MARRIOTT. - MAN... 549 00:20:47,414 --> 00:20:50,550 I LOVE THE OUTDOORS MORE THAN ANYTHING. 550 00:20:50,583 --> 00:20:52,051 WE'RE ALL ANIMALS. 551 00:20:52,084 --> 00:20:55,822 HEY, HAVE YOU GUYS EVER SEEN CANNIBAL HOLOCAUST? 552 00:20:55,855 --> 00:20:57,957 - NOTHING'S BEEPING ON THE BIGFOOT TRACKER. 553 00:20:57,990 --> 00:21:01,828 - HUH? 554 00:21:01,861 --> 00:21:03,830 OH, MY GOD. 555 00:21:03,863 --> 00:21:06,533 THAT'S WHAT YOU RAN OFF TO DO? 556 00:21:06,566 --> 00:21:09,402 HOW--WAIT. WHAT DID YOU USE-- 557 00:21:09,436 --> 00:21:13,573 - WE'RE NOT TALKING ABOUT THIS, SHAWN, EVER. 558 00:21:13,606 --> 00:21:16,343 YOU CAN ALL SUCK IT. 559 00:21:16,376 --> 00:21:19,946 [distant screech] 560 00:21:19,979 --> 00:21:23,350 - STAY PUT. 561 00:21:23,383 --> 00:21:25,418 [distant screech] 562 00:21:29,356 --> 00:21:33,092 - SO...COLD. 563 00:21:33,125 --> 00:21:36,929 MY ANKLE'S A LITTLE WORSE OFF THAN I LET ON. 564 00:21:36,963 --> 00:21:41,834 I'VE LOST QUITE A LOT OF BLOOD. 565 00:21:41,868 --> 00:21:45,104 IT'S TIME TO BE HONEST. 566 00:21:45,137 --> 00:21:48,841 I'M NO HERO. NOT TONIGHT. 567 00:21:48,875 --> 00:21:53,112 - * CLOSE YOUR EYES 568 00:21:53,145 --> 00:21:57,350 * GIVE ME YOUR HAND, DARLING * 569 00:21:57,384 --> 00:22:00,620 * DO YOU FEEL MY HEART BEATING? * 570 00:22:00,653 --> 00:22:02,922 * DO YOU UNDERSTAND? 571 00:22:02,955 --> 00:22:06,526 both: * DO YOU FEEL THE SAME? * 572 00:22:06,559 --> 00:22:10,697 * AM I ONLY DREAMING? 573 00:22:10,730 --> 00:22:13,600 * IS THIS BURNING 574 00:22:13,633 --> 00:22:17,103 * AN ETERNAL FLAME? 575 00:22:17,136 --> 00:22:21,040 * I BELIEVE IT'S MEANT TO BE 576 00:22:21,073 --> 00:22:22,375 - * DARLING 577 00:22:22,409 --> 00:22:26,979 - I WOULD LIKE TO APOLOGIZE. 578 00:22:27,013 --> 00:22:31,083 I'M SORRY, MARLOWE. 579 00:22:31,117 --> 00:22:34,120 SORRY I WASN'T STRONG ENOUGH. 580 00:22:34,153 --> 00:22:37,957 MOM, ALTHEA... 581 00:22:37,990 --> 00:22:39,726 I JUST WANT TO SAY ONCE AND FOR ALL 582 00:22:39,759 --> 00:22:43,896 THAT YOUR HAPPINESS IS MY HAPPINESS. 583 00:22:43,930 --> 00:22:46,433 I WON'T BE MAKING ANY MORE OFF-COLOR LPGA JOKES 584 00:22:46,466 --> 00:22:47,967 DURING THE HOLIDAYS. 585 00:22:48,000 --> 00:22:51,704 both: * WATCH YOU WHEN YOU ARE SLEEPING * 586 00:22:51,738 --> 00:22:53,973 * YOU BELONG WITH ME 587 00:22:54,006 --> 00:22:57,577 * DO YOU FEEL THE SAME? * 588 00:22:57,610 --> 00:23:01,448 * AM I ONLY DREAMING? 589 00:23:01,481 --> 00:23:05,017 * OR IS THIS BURNING - * BURNING 590 00:23:05,051 --> 00:23:08,521 - * AN ETERNAL FLAME? - * ETERNAL FLAME 591 00:23:08,555 --> 00:23:10,557 - * SAY MY NAME 592 00:23:10,590 --> 00:23:12,692 * SUN SHINES THROUGH THE RAIN * 593 00:23:12,725 --> 00:23:14,994 * MY WHOLE LIFE WAS SO LONELY - * FLAME 594 00:23:15,027 --> 00:23:16,763 - HEY, GUYS. HI. 595 00:23:16,796 --> 00:23:18,197 YEAH, HOW 'BOUT WE DON'T ATTRACT ATTENTION 596 00:23:18,230 --> 00:23:20,066 TO OURSELVES BY SINGING A SONG? 597 00:23:20,099 --> 00:23:25,638 - I'M GOING TO DIE OUT HERE. 598 00:23:25,672 --> 00:23:27,707 [sniffling] 599 00:23:27,740 --> 00:23:33,212 O'HARA, YOU ARE THE BEST PARTNER 600 00:23:33,245 --> 00:23:36,649 THAT I HAVE EVER, EVER... 601 00:23:42,522 --> 00:23:46,526 [growling] 602 00:24:02,041 --> 00:24:04,010 - THAT IS NOT POSSIBLE. 603 00:24:04,043 --> 00:24:05,912 - OH, MY GOSH. 604 00:24:05,945 --> 00:24:08,180 BIGFOOT TOOK LASSIE. 605 00:24:08,214 --> 00:24:11,484 OH, MY GOSH, OH, MY GOSH, THIS IS REALLY HAPPENING. 606 00:24:11,518 --> 00:24:13,886 WHAT ARE WE GONNA DO? 607 00:24:13,920 --> 00:24:18,758 - I-I THINK THERE'S ONLY ONE THING TO DO HERE. 608 00:24:22,995 --> 00:24:26,232 CARLTON LASSITER WAS A DECENT MAN. 609 00:24:26,265 --> 00:24:29,502 I'LL, UH--I'LL NEVER FORGET THE TIME HE CHASED GUS 610 00:24:29,536 --> 00:24:30,870 WITH A SAMURAI SWORD. 611 00:24:30,903 --> 00:24:33,940 HE JUST ABOUT TOOK HIS HEAD OFF. 612 00:24:33,973 --> 00:24:35,942 ALTHOUGH WE MAY HAVE NOT ALWAYS SEEN EYE TO EYE, 613 00:24:35,975 --> 00:24:40,580 HE DID HAVE A GENUINE INTEREST IN UPHOLDING THE LAW. 614 00:24:40,613 --> 00:24:45,017 AND OF COURSE HE HAD THE SWEET, SWEET STERN BUSH. 615 00:24:45,051 --> 00:24:46,519 GUS, YOU WANT TO ADD ANYTHING TO THAT? 616 00:24:46,553 --> 00:24:48,521 - NO. - STOP. 617 00:24:48,555 --> 00:24:50,289 LOOK, CARLTON IS NOT DEAD. 618 00:24:50,322 --> 00:24:52,859 HE CAN'T BE, I WON'T LET HIM. YOU UNDERSTAND? 619 00:24:52,892 --> 00:24:54,561 OKAY, NOW WE'RE GOING TO FIND HIM, 620 00:24:54,594 --> 00:24:55,862 AND THEN WE'RE ALL GOING TO GET OUT OF HERE. 621 00:24:55,895 --> 00:24:57,830 - CHI-CHI, HOW ARE WE DOING ON BATTERY? 622 00:24:57,864 --> 00:24:59,532 - UH, HALF, AND WE STILL HAVE AUXILIARY. 623 00:24:59,566 --> 00:25:01,801 - NICE, WE'RE READY WHEN YOU ARE. 624 00:25:01,834 --> 00:25:03,002 - JULES, YOU'RE UPSET. 625 00:25:03,035 --> 00:25:04,737 - WHY ARE YOU FILMING THIS, SHAWN? 626 00:25:04,771 --> 00:25:06,839 - YOU'RE EMOTIONAL, AND IF THIS WAS ME SAYING, 627 00:25:06,873 --> 00:25:09,842 "HEY, LET'S GO POKE THE HORNET'S NEST WITH ONE OF GUS'S SHOES," 628 00:25:09,876 --> 00:25:12,545 YOU WOULD SAY NO, AND YOU WOULD FORCE ME TO BE REASONABLE. 629 00:25:12,579 --> 00:25:15,047 - SHAWN, I SMELL BARBECUE. - NO, YOU DON'T, BUDDY. 630 00:25:15,081 --> 00:25:16,749 YOU'RE JUST-- YOU'RE DISTRESSED, 631 00:25:16,783 --> 00:25:18,718 AND YOU'RE PROJECTING A DELUSION OF GRANDEUR. 632 00:25:18,751 --> 00:25:19,986 - NO. - GRANDEUR. 633 00:25:20,019 --> 00:25:22,288 - NO, IT'S SMOKED MEAT, AND IT'S FRESH. 634 00:25:22,321 --> 00:25:25,658 IT'S FRESHLY SMOKED MEAT. 635 00:25:25,692 --> 00:25:27,594 - THAT'S THE DIRECTION CARLTON WAS TAKEN. 636 00:25:27,627 --> 00:25:29,028 LET'S GO! EVERYBODY, NOW! 637 00:25:29,061 --> 00:25:30,897 - HE SURE KNOWS A LOT ABOUT SMOKED MEAT. 638 00:25:30,930 --> 00:25:32,999 - WHAT ARE WE DOING? WHAT--CHAVO. 639 00:25:33,032 --> 00:25:35,234 - THIS IS THE BOOBS, MAN. - NO. 640 00:25:35,267 --> 00:25:37,003 NO, THIS IS NOT THE BOOBS. 641 00:25:37,036 --> 00:25:39,806 - SHAWN, I SAID STAY BEHIND ME. 642 00:25:39,839 --> 00:25:41,874 - THREE, TWO... 643 00:25:41,908 --> 00:25:44,944 - WE ARE CURRENTLY TRACKING THE MONSTER IN AN ATTEMPT 644 00:25:44,977 --> 00:25:47,046 TO ALSO FIND THE REMAINS OF ONE OF OUR OWN. 645 00:25:47,079 --> 00:25:49,281 - THAT IS OVERSTATED. - FIX IT IN POST. 646 00:25:49,315 --> 00:25:51,718 NEEDLESS TO SAY, WE HAVE RISKED EVERYTHING 647 00:25:51,751 --> 00:25:53,720 IN ORDER TO BRING THE TRUTH BEHIND THIS LEGEND 648 00:25:53,753 --> 00:25:55,722 TO THE REST OF THE FREE SPEAKING WORLD. 649 00:25:55,755 --> 00:25:57,023 - BOOM, I DON'T CARE HOW LONG IT'S BEEN 650 00:25:57,056 --> 00:25:58,825 SINCE I BUSTED OUT THE SUPER SNIFFER. 651 00:25:58,858 --> 00:26:01,761 IT'S LIKE RIDING A BIKE WITH MY NOSTRILS AND CILIA. 652 00:26:01,794 --> 00:26:03,329 - LOOK OVER THERE. THAT'S THE SAME CAVE 653 00:26:03,362 --> 00:26:05,632 WE COULD SEE FROM THE BLIND, WHICH MEANS... 654 00:26:05,665 --> 00:26:07,600 WE'VE GONE IN A BIG CIRCLE. - SHH! 655 00:26:07,634 --> 00:26:09,068 STAY WITH ME, ALL OF YOU. 656 00:26:15,708 --> 00:26:18,611 - UH-OH. 657 00:26:18,645 --> 00:26:20,012 - OH, MY GOD, THOSE ARE CARLTON'S CLOTHES. 658 00:26:20,046 --> 00:26:22,882 - HOMES GOT ROASTED ROTISSERIE STYLE. 659 00:26:22,915 --> 00:26:25,752 - OKAY, UH, IN LIEU OF EVERYTHING 660 00:26:25,785 --> 00:26:28,688 THAT WE'VE BEEN THROUGH WITH THAT MAN... 661 00:26:28,721 --> 00:26:30,757 I CAN'T BELIEVE I'M ABOUT TO SAY THIS... 662 00:26:30,790 --> 00:26:34,093 LASSIE DOES SMELL ABSOLUTELY DELICIOUS. GUS? 663 00:26:34,126 --> 00:26:37,129 - AMEN. HE'S BEEN DRY-RUBBED. OW! 664 00:26:37,163 --> 00:26:38,998 - WHAT'S THE MATTER WITH YOU TWO? 665 00:26:39,031 --> 00:26:40,366 LOOK, I REFUSE TO BELIEVE THAT THERE ISN'T 666 00:26:40,399 --> 00:26:42,034 A RATIONAL EXPLANATION FOR ALL OF THIS, 667 00:26:42,068 --> 00:26:44,737 AND I HIGHLY DOUBT THAT BIGFOOT IS DRY-RUBBING HIS DINNER 668 00:26:44,771 --> 00:26:46,839 WITH BARBECUE SAUCE. - OF COURSE HE ISN'T. 669 00:26:46,873 --> 00:26:49,075 IT'S APPLES AND ORANGES. THE OPERATIVE WORD IS "DRY," 670 00:26:49,108 --> 00:26:50,910 MEANING "NO SAUCE." - LOOK. 671 00:26:50,943 --> 00:26:53,612 THE SHOW MUST GO ON, RIGHT? WE GOT TO GET INSIDE THAT CAVE. 672 00:27:01,453 --> 00:27:03,422 - ALL RIGHT, I'M SENSING HE'S NOT IN THERE. 673 00:27:03,455 --> 00:27:06,358 I'M ALSO SENSING THAT BIGFOOT MIGHT HAVE A GREEN THUMB. 674 00:27:06,392 --> 00:27:08,895 WHICH IS WEIRD, BECAUSE HE'S BIGFOOT. 675 00:27:10,930 --> 00:27:13,766 HUH, THESE SEEDS ALL TOOK REALLY WELL. 676 00:27:22,408 --> 00:27:26,045 HUH, WELL, THIS IS SURPRISINGLY COZY. 677 00:27:26,078 --> 00:27:28,748 WHAT IS THAT? IS THAT A SOLAR PANEL? 678 00:27:28,781 --> 00:27:31,918 - CARLTON. - HE'S HERE! HE'S ALIVE! 679 00:27:31,951 --> 00:27:34,887 - CARLTON, TALK TO ME. TELL ME YOU'RE OKAY. 680 00:27:34,921 --> 00:27:37,056 - OOH, I DON'T KNOW. I MAY HAVE JUMPED THE GUN. 681 00:27:37,089 --> 00:27:39,425 - IS THAT JUST HIS TORSO? - YOU ARE ALL HEARTLESS! 682 00:27:39,458 --> 00:27:43,429 - OH, HEY, GUYS. - CARLTON. 683 00:27:43,462 --> 00:27:45,698 OH, MY GOD, WE ALL THOUGHT THAT-- 684 00:27:45,732 --> 00:27:47,767 THEY THOUGHT. - NO, I'M FINE. 685 00:27:47,800 --> 00:27:49,135 WE WERE GONNA COME FIND YOU RIGHT AFTER BRUNCH. 686 00:27:49,168 --> 00:27:51,738 - WE? 687 00:27:51,771 --> 00:27:53,906 all: AAH! - AAH! 688 00:27:53,940 --> 00:27:56,876 all: AAH! - DON'T SHOOT! I'M UNARMED! 689 00:27:56,909 --> 00:27:58,911 - DEAR GOD, YOU CAN SPEAK. 690 00:27:58,945 --> 00:28:01,080 - SHOW ME YOUR HANDS! 691 00:28:01,113 --> 00:28:04,116 - HE'S OKAY, O'HARA. 692 00:28:04,150 --> 00:28:05,251 - OKAY, I MAY HAVE FIBBED A LITTLE BIT 693 00:28:05,284 --> 00:28:06,886 RIGHT OUT OF THE GATES THERE. 694 00:28:06,919 --> 00:28:08,454 I'M ARMED, BUT I'M NOT DANGEROUS. 695 00:28:08,487 --> 00:28:09,889 - YOU LOOK DANGEROUS. 696 00:28:09,922 --> 00:28:11,157 - I MEAN, I'M REALLY DANGEROUS. 697 00:28:11,190 --> 00:28:13,492 I'M JUST NOT VENGEFUL OR VINDICTIVE. 698 00:28:13,525 --> 00:28:14,994 - IT'S OKAY, ED. THEY'RE WITH ME. 699 00:28:15,027 --> 00:28:17,429 - CARLTON, WHAT IS GOING ON HERE? 700 00:28:17,463 --> 00:28:20,466 - O'HARA, THIS HERE IS BIG ED DIXON. 701 00:28:20,499 --> 00:28:22,769 HE SAVED MY LIFE. TRUTH IS... 702 00:28:22,802 --> 00:28:25,037 MY ANKLE WAS A LOT WORSE OFF THAN I ADMITTED. 703 00:28:25,071 --> 00:28:26,873 I BLED PROFUSELY, AND AT SOME POINT IN THE NIGHT, 704 00:28:26,906 --> 00:28:27,940 I PASSED OUT. 705 00:28:27,974 --> 00:28:29,942 HEY, YOU FOUND MY SHOE! 706 00:28:29,976 --> 00:28:32,044 - I FOUND THE TRAP WITH BLOOD ON IT, 707 00:28:32,078 --> 00:28:34,513 SAW CARLTON, PUT TWO AND TWO TOGETHER, 708 00:28:34,546 --> 00:28:36,849 AND FELT HORRIBLE. IT WAS MY TRAP. 709 00:28:36,883 --> 00:28:38,050 - BIG ED PICKED ME UP LIKE A BABY FAWN 710 00:28:38,084 --> 00:28:39,518 AND BROUGHT ME BACK HERE. 711 00:28:39,551 --> 00:28:41,921 HE CLEANED UP MY ANKLE, REDRESSED MY WOUND. 712 00:28:41,954 --> 00:28:43,089 - WHAT'S WITH THE FURRY COSTUME? 713 00:28:43,122 --> 00:28:44,924 - AND WHAT ARE YOU DOING OUT HERE? 714 00:28:44,957 --> 00:28:47,193 - I'VE BEEN LIVING IN THESE WOODS FOR OVER A DECADE. 715 00:28:47,226 --> 00:28:50,062 SAD TRUTH IS, I JUST LOST FAITH IN THE HUMAN RACE. 716 00:28:50,096 --> 00:28:52,932 NOW, I WAS AN ARMY RANGER BACK IN THE DAY, 717 00:28:52,965 --> 00:28:56,769 SO I KNEW I COULD EXIST AT ONE WITH NATURE. 718 00:28:56,803 --> 00:28:59,438 I DON'T HAVE TO OPEN THE PAPER EVERY MORNING AND GET DEPRESSED. 719 00:28:59,471 --> 00:29:01,207 - YOU LOST FAITH IN HUMANITY. 720 00:29:01,240 --> 00:29:03,042 YOU KNOW, GUS AND I THOUGHT 721 00:29:03,075 --> 00:29:04,911 ABOUT DOING THE SAME THING AFTER WE SAW THE VILLAGE, 722 00:29:04,944 --> 00:29:06,913 BUT THEN WE DIDN'T BECAUSE THAT MOVIE WAS HORRIBLE. 723 00:29:06,946 --> 00:29:10,316 - IN ANY EVENT, I CREATED THIS PELT SUIT FOR CAMOUFLAGE. 724 00:29:10,349 --> 00:29:12,051 IT ALLOWS ME TO HUNT AND MOVE ABOUT 725 00:29:12,084 --> 00:29:15,021 WITHOUT DISTURBING THE NATURAL ORDER OF THINGS. 726 00:29:15,054 --> 00:29:17,957 PLUS, I BURN EASILY. - GOD, YOU'RE LIKE PREDATOR. 727 00:29:17,990 --> 00:29:20,860 BUT TOTALLY DOABLE. 728 00:29:20,893 --> 00:29:23,796 - WELL, I CAN'T THANK YOU ENOUGH FOR SAVING MY PARTNER, 729 00:29:23,830 --> 00:29:25,998 AND I REALLY HATE TO BE A BUZZKILL HERE, 730 00:29:26,032 --> 00:29:28,000 BUT THERE ARE STILL THREE BODIES THAT ARE UNACCOUNTED FOR. 731 00:29:28,034 --> 00:29:29,168 I SUPPOSE YOU WOULDN'T KNOW ANYTHING ABOUT THAT, 732 00:29:29,201 --> 00:29:30,870 WOULD YOU, MR. DIXON? 733 00:29:30,903 --> 00:29:33,539 - NO, MA'AM, I WOULDN'T HURT A FLY. 734 00:29:33,572 --> 00:29:35,174 ANYBODY HUNGRY? 735 00:29:35,207 --> 00:29:36,976 - OH, YEAH. - YES. 736 00:29:37,009 --> 00:29:39,311 - I'VE BEEN SMOKING SOME VENISON OUTSIDE ALL MORNING. 737 00:29:39,345 --> 00:29:43,049 TRUST ME, MY DRY-RUB IS THE BEST THING YOU'LL EVER TASTE. 738 00:29:43,082 --> 00:29:44,917 - AFFIRMATIVE. 739 00:29:44,951 --> 00:29:47,253 UH, SO IT SMELLS. 740 00:29:47,286 --> 00:29:51,190 - OH, MY GOD. YOU'RE UNBELIEVABLE. 741 00:29:51,223 --> 00:29:53,125 - WHAT? - DON'T YOU "WHAT?" ME. 742 00:29:53,159 --> 00:29:55,194 SHOW ME YOUR TEETH. 743 00:29:55,227 --> 00:29:57,329 YOU SAMPLED THE MEAT. IT'S STUCK IN YOUR TEETH. 744 00:29:57,363 --> 00:30:00,532 YOU TASTED THE MEAT WHEN WE ALL THOUGHT IT WAS LASSIE? 745 00:30:00,566 --> 00:30:03,035 - SO WHAT, SHAWN? WHAT DIFFERENCE DOES IT MAKE? 746 00:30:03,069 --> 00:30:04,837 YOU'RE THE ONE WHO SAID, "HE SMELLS DELICIOUS." 747 00:30:04,871 --> 00:30:07,339 - I WAS TRYING TO PUT A POSITIVE SPIN ON A HORRIFIC EVENT. 748 00:30:07,373 --> 00:30:08,841 I CERTAINLY WASN'T GONNA PARTAKE. 749 00:30:08,875 --> 00:30:10,309 - I CAN FEEL MY RIBS, SHAWN. 750 00:30:10,342 --> 00:30:12,111 - GUS, IT HASN'T EVEN BEEN 24 HOURS. 751 00:30:12,144 --> 00:30:15,014 - OKAY, OKAY, THERE'S PLENTY OF MEAT FOR EVERYONE, 752 00:30:15,047 --> 00:30:17,049 AND NONE OF IT'S HUMAN, OKAY? 753 00:30:17,083 --> 00:30:18,851 I'M GONNA HOOF IT UP TO THE RANGER STATION, 754 00:30:18,885 --> 00:30:20,853 GET AN ATV BACK IN HERE FOR CARLTON. 755 00:30:20,887 --> 00:30:23,289 I JUST NEED TO GET OUT OF THIS SUIT. 756 00:30:23,322 --> 00:30:26,058 SPEAKING OF SUITS, YOURS SHOULD BE DRY BY NOW, CARLTON. 757 00:30:26,092 --> 00:30:27,326 - THANKS, ED. 758 00:30:27,359 --> 00:30:29,962 - OH, THIS IS LIKE CRACK MADE OUT OF DEER. 759 00:30:29,996 --> 00:30:31,163 - WHERE IS SHAWN? 760 00:30:31,197 --> 00:30:33,299 - PROBABLY IN THE BACK, SNOOPING AROUND. 761 00:30:33,332 --> 00:30:35,334 YOU GUYS AREN'T AT ALL SUSPICIOUS OF ED? 762 00:30:35,367 --> 00:30:37,103 - YOU DIDN'T SEEM TO HAVE ANY TROUBLE EATING HIS FOOD. 763 00:30:37,136 --> 00:30:38,537 OW! 764 00:30:38,570 --> 00:30:42,508 SPENCER, YOU BETTER NOT BE SNOOPING BACK THERE! 765 00:30:42,541 --> 00:30:45,912 - PRETTY BARE BONES, HUH, ED? 766 00:30:45,945 --> 00:30:48,114 WELL, WHAT DO WE HAVE THERE? 767 00:30:54,653 --> 00:30:58,190 [grunting] 768 00:30:58,224 --> 00:31:01,093 - I'M JUST SAYING, DUDE'S BEEN LIVING HERE FOR HOW LONG? 769 00:31:01,127 --> 00:31:03,195 AND HE'S NEVER SEEN OR HEARD ANYTHING? 770 00:31:03,229 --> 00:31:05,264 COME ON, SON. - ED DIXON'S AN ANGEL 771 00:31:05,297 --> 00:31:07,299 IN WOLF'S, BEAR'S, AND ELK'S CLOTHING. 772 00:31:07,333 --> 00:31:08,634 WHY WOULD HE NURSE ME BACK TO HEALTH 773 00:31:08,667 --> 00:31:10,202 IF HE WAS A COLD-BLOODED KILLER, GUSTER? 774 00:31:10,236 --> 00:31:11,670 IT DOESN'T MAKE SENSE. HE'S A REAL MAN. 775 00:31:11,703 --> 00:31:13,105 - HE'S TWO MEN. 776 00:31:13,139 --> 00:31:15,274 SEVEN FEET AND WHAT? LIKE, 400 POUNDS? 777 00:31:15,307 --> 00:31:17,143 DID YOU GET A LOAD OF THOSE MEAT HOOKS? 778 00:31:17,176 --> 00:31:20,312 CAN YOU IMAGINE? - IMAGINE WHAT? 779 00:31:45,271 --> 00:31:46,705 - HEY, YOU GUYS, YOU SHOULD GET IN HERE. 780 00:31:46,738 --> 00:31:49,308 - DAMN IT, SPENCER, I TOLD YOU NOT TO-- 781 00:31:51,410 --> 00:31:53,645 - I FOUND THESE BURIED IN THE BOTTOM 782 00:31:53,679 --> 00:31:55,281 OF ED'S FOOT LOCKER, SOAKING WET. 783 00:31:55,314 --> 00:31:57,349 - IT'S JIMMY DEL RAY. - TITUS CLACKUM. 784 00:31:57,383 --> 00:31:59,051 - BOTH WENT MISSING TWO WEEKS AGO. 785 00:31:59,085 --> 00:32:00,686 THE TRAIL WENT ICE-COLD. THEY'RE ASSOCIATED 786 00:32:00,719 --> 00:32:02,221 WITH THE SERBIAN CRIME SYNDICATE UP NORTH. 787 00:32:02,254 --> 00:32:03,722 THESE GUYS HAVE TAKEN CONTRACT KILLING 788 00:32:03,755 --> 00:32:05,691 TO A WHOLE NEW LEVEL. - WHAT DID I TELL YOU? 789 00:32:05,724 --> 00:32:07,726 BIG ED IS TAKING OUT THE TRASH FOR MOBSTERS 790 00:32:07,759 --> 00:32:09,628 WHO DON'T EVEN SPEAK ENGLISH. - WE DON'T KNOW THAT FOR SURE. 791 00:32:09,661 --> 00:32:11,163 I MEAN, THEY'RE BOUND TO HAVE ACCENTS. 792 00:32:11,197 --> 00:32:13,465 - WAIT, THERE WERE THREE BODIES IN THAT HOLE. 793 00:32:13,499 --> 00:32:15,501 - A WOMAN? - NOT NECESSARILY. 794 00:32:18,304 --> 00:32:20,472 - AAH! 795 00:32:20,506 --> 00:32:22,474 - I AM SENSING IT WAS A GIRL 796 00:32:22,508 --> 00:32:24,410 WITH A DRAGON TATTOO ON THE CALF. 797 00:32:24,443 --> 00:32:26,412 A DRAGON EATING SOMETHING BLOODY AND HEART-SHAPED. 798 00:32:26,445 --> 00:32:28,314 - A HEART. - EVA KIRILENKO. 799 00:32:28,347 --> 00:32:30,082 I'VE CERTAINLY BOOKED HER ENOUGH TIMES. 800 00:32:30,116 --> 00:32:31,984 HOOKER/STRIPPER, AND GUESS WHERE SHE WORKED THE POLE. 801 00:32:32,018 --> 00:32:33,352 - CLACKUM'S. I'LL BE DAMNED. 802 00:32:33,385 --> 00:32:34,753 - SHE MUST'VE GOTTEN MIXED UP IN HIS BUSINESS. 803 00:32:34,786 --> 00:32:36,322 - SHE SHOULD'VE STUCK TO HOOKING. 804 00:32:36,355 --> 00:32:37,689 - ALL RIGHT, THERE IT IS. 805 00:32:37,723 --> 00:32:39,325 WE KNOW WHO THE DEAD PEOPLE ARE, 806 00:32:39,358 --> 00:32:41,127 AND WE KNOW WHO KILLED THEM, AND WE'RE IN HIS HOUSE. 807 00:32:41,160 --> 00:32:42,361 - DIXON, THOUGH? I MEAN IT DOESN'T EVEN 808 00:32:42,394 --> 00:32:43,729 SORT OF SOUND LIKE SERBIAN NAME. 809 00:32:43,762 --> 00:32:46,065 - UNLESS HE CHANGED IT FROM DIXONOVICH. 810 00:32:46,098 --> 00:32:49,001 - WE NEED TO GET OUT OF HERE. 811 00:32:51,670 --> 00:32:53,272 OH! AAH! 812 00:32:55,707 --> 00:32:57,043 - YOU CARE TO EXPLAIN THESE? 813 00:32:57,076 --> 00:32:59,011 - I FOUND THOSE NETTING SALMON. 814 00:32:59,045 --> 00:33:00,746 - I'M AFRAID YOU'RE GONNA HAVE TO COME WITH US, ED. 815 00:33:00,779 --> 00:33:02,714 - I'M AFRAID YOU'RE NOT GONNA MAKE IT 816 00:33:02,748 --> 00:33:05,284 OUT OF HERE ALIVE, CARLTON. 817 00:33:11,357 --> 00:33:13,092 - UM, ED? 818 00:33:15,561 --> 00:33:17,096 - I HAVE A PULSE. HE'S STILL ALIVE. 819 00:33:17,129 --> 00:33:18,430 BUT I DON'T THINK HE'S GONNA MAKE IT. 820 00:33:18,464 --> 00:33:20,066 - DAMN IT. - SO DOES THIS MEAN 821 00:33:20,099 --> 00:33:22,168 THAT BIG ED ISN'T A KILLER? - YEAH, PROBABLY, KATE. 822 00:33:22,201 --> 00:33:23,535 BUT I DON'T THINK NOW'S THE TIME TO MAKE YOUR MOVE. 823 00:33:23,569 --> 00:33:25,071 - IT'S GOT TO BE THE SERBIANS. 824 00:33:25,104 --> 00:33:27,106 - AW, COME ON, MAN. DON'T TELL ME THAT. 825 00:33:27,139 --> 00:33:28,740 - HOW DO WE KNOW ED WASN'T ALREADY WORKING FOR THEM? 826 00:33:28,774 --> 00:33:31,143 - BECAUSE HE SAVED MY LIFE, AND HE SERVED OUR COUNTRY, 827 00:33:31,177 --> 00:33:32,578 AND HE LOST HIS WIFE, AND HE'S GOT A GARDEN, GUSTER. 828 00:33:32,611 --> 00:33:34,446 - WHY WOULD THE SERBS BE OUT HERE? 829 00:33:34,480 --> 00:33:36,115 HOW WOULD THEY HAVE KNOWN GUS WAS GONNA UNCOVER THOSE BODIES? 830 00:33:36,148 --> 00:33:37,783 - RIGHT. I DIDN'T DO IT ON PURPOSE. 831 00:33:37,816 --> 00:33:39,785 - WAIT. 832 00:33:39,818 --> 00:33:41,620 THE PICTURES ON THE BLOG. - WHAT ABOUT THEM? 833 00:33:41,653 --> 00:33:43,689 - YOU GUYS HAVE BEEN POSTING PICTURES ON YOUR BLOG 834 00:33:43,722 --> 00:33:45,524 ALL OVER THESE WOODS THIS WEEK. 835 00:33:45,557 --> 00:33:48,160 THE SERBS ARE BOUND TO HAVE PEOPLE KEEPING TABS ON THE AREA. 836 00:33:48,194 --> 00:33:50,496 YOU BASICALLY ADVERTISED THAT YOU WERE OUT HERE. 837 00:33:50,529 --> 00:33:52,198 - WHICH MEANS THEY KNEW THEIR DUMPING GROUND 838 00:33:52,231 --> 00:33:53,732 HAS BEEN COMPROMISED, SO THEY SENT OUT SOME MUSCLE 839 00:33:53,765 --> 00:33:55,467 TO TIE UP THE LOOSE ENDS AND MOVE THE BODIES. 840 00:33:55,501 --> 00:33:57,703 - INCLUDING ME? - NO, GUS, YOU'RE PROBABLY OKAY. 841 00:33:57,736 --> 00:33:59,071 OF COURSE INCLUDING YOU. 842 00:33:59,105 --> 00:34:02,074 EVERYONE, ALL OF US, AND POOR BIG ED. 843 00:34:02,108 --> 00:34:03,742 - HE MADE IT ALL THE WAY BACK HERE TO WARN US, 844 00:34:03,775 --> 00:34:05,244 THAT BRAVE SUMBITCH. 845 00:34:05,277 --> 00:34:06,745 - OR THEY LET HIM GO 846 00:34:06,778 --> 00:34:08,680 SO THEY COULD TRACK HIM AND SEE WHERE HE GOES. 847 00:34:08,714 --> 00:34:10,782 - SO SOME COLD-BLOODED SERBIANS ARE COMING TO KILL US? 848 00:34:10,816 --> 00:34:13,319 - HAS THE STUDENT ACADEMY AWARD EVER BEEN WON POSTHUMOUSLY? 849 00:34:13,352 --> 00:34:15,754 - WE NEED TO GET OUT OF HERE. - GUS, NO, IT'S TOO DANGEROUS. 850 00:34:15,787 --> 00:34:17,256 THAT'S LIKE LEADING LAMBS TO SLAUGHTER. 851 00:34:17,289 --> 00:34:18,790 - O'HARA'S RIGHT. 852 00:34:18,824 --> 00:34:20,526 IF THEY WANT A FIGHT, WE'LL GIVE THEM A FIGHT. 853 00:34:20,559 --> 00:34:22,661 - I'M REALLY MORE OF A LOVER. all: WE KNOW. 854 00:34:22,694 --> 00:34:24,196 - SO WHAT THE HELL ARE WE GONNA DO? 855 00:34:24,230 --> 00:34:27,099 - WELL, LOOK AROUND THIS PLACE. 856 00:34:31,303 --> 00:34:33,105 LET'S GET READY. 857 00:34:33,139 --> 00:34:35,841 YOU DO REALIZE WE'RE IN GRAVE DANGER, RIGHT, CHAVO? 858 00:34:35,874 --> 00:34:38,544 - PEOPLE NEED TO KNOW. - WHAT DOES THAT EVEN MEAN? 859 00:34:38,577 --> 00:34:40,546 - I HAVE NO IDEA. IT'S JUST A DEFAULT EXCUSE 860 00:34:40,579 --> 00:34:42,114 PEOPLE GIVE IN FOUND-FOOTAGE MOVIES 861 00:34:42,148 --> 00:34:44,716 FOR WHY THEY KEEP SHOOTING NO MATTER WHAT HAPPENS. 862 00:34:44,750 --> 00:34:47,819 - YOU GUYS ARE USING ME LIKE A CHEST OF DRAWERS, AREN'T YOU? 863 00:34:47,853 --> 00:34:51,290 - TRY TO RELAX, ED. - OW, THAT'S WRONG. 864 00:34:51,323 --> 00:34:53,792 - GO PRO OR GO HOME. 865 00:34:53,825 --> 00:34:57,663 [glass shattering] 866 00:34:57,696 --> 00:35:00,132 - ALL RIGHT. 867 00:35:00,166 --> 00:35:01,900 I THINK WE'VE DONE ALL WE CAN DO FOR TONIGHT. 868 00:35:01,933 --> 00:35:03,702 WITH ANY LUCK, SUNDOWN WILL COME WITHOUT INCIDENT. 869 00:35:03,735 --> 00:35:05,271 WE CAN HEAD OUT OF HERE AT FIRST LIGHT. 870 00:35:05,304 --> 00:35:07,306 I'LL BE KEEPING WATCH OUT HERE, YOU GUYS STAY 871 00:35:07,339 --> 00:35:09,608 IN THE BACK WITH LASSITER, AND TAKE YOUR CUES FROM HIM. 872 00:35:09,641 --> 00:35:12,578 WE ARE LIGHT ON FIREARMS, BUT HE'S GOT A GUN IN THE BACK, 873 00:35:12,611 --> 00:35:16,148 AND GOD KNOWS WHAT HE USED TO DO WITH THAT MORNING STAR. 874 00:35:16,182 --> 00:35:17,849 I'M SORRY IT'S COME TO THIS, 875 00:35:17,883 --> 00:35:20,352 BUT WE WILL MAKE IT OUT OF HERE IF WE WORK TOGETHER. 876 00:35:20,386 --> 00:35:22,788 - YEAH, YOU KNOW WHAT? WE'RE SORRY TOO. 877 00:35:22,821 --> 00:35:24,323 - NO, WE'RE NOT. [gunshot] 878 00:35:24,356 --> 00:35:27,193 CHI-CHI! CHI-CHI! DUDE! - TAKE COVER! 879 00:35:27,226 --> 00:35:28,727 GET IN THE CABIN NOW! 880 00:35:28,760 --> 00:35:30,396 - CHI-CHI! - AAH! FLIP THE TABLE OVER! 881 00:35:30,429 --> 00:35:33,332 GUS, FLIP THE TABLE! - OH, MY GOD! 882 00:35:33,365 --> 00:35:35,634 - WHAT ABOUT THE CAMERA? - KATE, WHAT ARE YOU DOING? 883 00:35:35,667 --> 00:35:37,869 - PEOPLE NEED TO KNOW! [gunshot] 884 00:35:37,903 --> 00:35:39,705 OH! - KATIE! 885 00:35:39,738 --> 00:35:42,574 - [groaning] - OOF! 886 00:35:42,608 --> 00:35:44,276 - DUDE, SHE TRIED THE DENZEL. 887 00:35:44,310 --> 00:35:45,744 - WE'RE GONNA GET SHOT, SHAWN! - WHERE DID JULES GO? 888 00:35:45,777 --> 00:35:46,945 I CAN'T JUST LEAVE HER OUT HERE. 889 00:35:46,978 --> 00:35:48,747 - AT LEAST SHE HAS A GUN. [gunshot] 890 00:35:48,780 --> 00:35:51,317 - [shouting in Serbian] - [squeals] IT'S THE SERBS! 891 00:35:51,350 --> 00:35:53,852 [squealing] - [shouting in Serbian] 892 00:35:53,885 --> 00:35:56,588 AH! AH! 893 00:35:56,622 --> 00:35:58,657 - HOLY LIVING MARY. 894 00:35:58,690 --> 00:36:00,192 - [shouting in Serbian] 895 00:36:00,226 --> 00:36:01,660 - WHAT DO YOU THINK THAT MEANS? 896 00:36:01,693 --> 00:36:04,630 - IT MEANS WE NEED TO GET OUT OF HERE, SHAWN. 897 00:36:04,663 --> 00:36:06,632 - SHAWN! GUS! WHERE'D YOU GUYS GO? 898 00:36:06,665 --> 00:36:07,799 - SHAWN! - LASSIE! 899 00:36:07,833 --> 00:36:09,801 JULES KNOWS HOW TO SHOOT A CROSSBOW! 900 00:36:09,835 --> 00:36:13,372 [both shouting in Serbian] 901 00:36:13,405 --> 00:36:15,641 - EVERYBODY GET DOWN! 902 00:36:15,674 --> 00:36:18,644 [gunfire] 903 00:36:18,677 --> 00:36:21,413 [Gus screams] 904 00:36:21,447 --> 00:36:22,681 - THIS IS INSANE! 905 00:36:22,714 --> 00:36:24,416 - [shouting in Serbian] 906 00:36:24,450 --> 00:36:25,717 - HOLY CRAP! - UH, KATE. 907 00:36:25,751 --> 00:36:29,655 - [speaking Serbian] 908 00:36:29,688 --> 00:36:31,357 - WHAT ARE YOU DOING, LASSIE? SHOOT THAT DUDE. 909 00:36:31,390 --> 00:36:33,859 - YOU STAY DOWN AND SHUT UP. - UH...SOMEBODY HELP US. 910 00:36:33,892 --> 00:36:35,894 - COME TO PAPA, YOU SON OF A BITCH. 911 00:36:35,927 --> 00:36:38,364 - [groaning] - KATIE? 912 00:36:38,397 --> 00:36:41,267 - UM...HELP? SOMEBODY HELP US! 913 00:36:41,300 --> 00:36:42,768 - KATIE? - SOMEBODY! SOMEBODY HELP US! 914 00:36:42,801 --> 00:36:45,637 [gunshots] 915 00:36:45,671 --> 00:36:48,240 THANK YOU! THANKS! WHERE'S THE OTHER ONE? 916 00:36:48,274 --> 00:36:50,276 - LASSIE, YOU GOT HIM. YOU TOTALLY SHOT THAT DUDE. 917 00:36:50,309 --> 00:36:52,778 - OF COURSE I GOT HIM. DON'T BE AN IDIOT. 918 00:36:52,811 --> 00:36:54,012 WHERE'S O'HARA? 919 00:36:54,045 --> 00:36:57,283 I CAN'T SEE ANYTHING TO THE WEST. 920 00:36:57,316 --> 00:37:00,719 - THIS COULD BE MY LAST MEAL, SHAWN. 921 00:37:00,752 --> 00:37:01,887 - WHOA! 922 00:37:01,920 --> 00:37:04,890 - CARLTON, COVER ME! [gunshots] 923 00:37:08,827 --> 00:37:10,296 CHAVO, KATE, I NEED YOU GUYS 924 00:37:10,329 --> 00:37:11,697 TO APPLY PRESSURE TO EACH OTHER'S WOUNDS. 925 00:37:11,730 --> 00:37:13,432 CAN YOU DO THAT? - CHAVO, HOW YOU HOLDING UP? 926 00:37:13,465 --> 00:37:16,335 - I PEED. I'M STILL PEEING. - OH, CHAVO, GOD! MY HAIR! 927 00:37:16,368 --> 00:37:18,504 [gunfire] - [grunts] 928 00:37:18,537 --> 00:37:20,472 - CARLTON! SHAWN! 929 00:37:20,506 --> 00:37:24,343 - OH, MY GOD! HE SHOT LASSIE! 930 00:37:24,376 --> 00:37:26,011 - THIS IS GONNA BE SO HARD ON MY SON. 931 00:37:26,044 --> 00:37:29,481 - YOU DON'T HAVE A SON. - YOU KNOW WHAT I MEAN, SHAWN. 932 00:37:29,515 --> 00:37:31,016 [squealing] 933 00:37:31,049 --> 00:37:32,918 - [speaking Serbian] 934 00:37:32,951 --> 00:37:35,721 [both grunting] 935 00:37:35,754 --> 00:37:38,524 [bones snap] 936 00:37:38,557 --> 00:37:42,294 - ED, YOU'RE ALIVE. THANK YOU. 937 00:37:42,328 --> 00:37:43,795 - NO PROBLEM. 938 00:37:43,829 --> 00:37:46,865 I FEEL...WOOZY. 939 00:37:49,735 --> 00:37:52,037 - JULES, YOU'RE SO BADASS. - WHAT HAPPENED? 940 00:37:52,070 --> 00:37:54,740 - THAT DEAD SERB SHOT LASSIE. 941 00:37:54,773 --> 00:37:57,376 - CARLTON? OH, COME ON. TALK TO ME, CARLTON. 942 00:37:57,409 --> 00:37:59,711 - [groans] 943 00:37:59,745 --> 00:38:01,980 THIS REALLY HASN'T BEEN MY DAY, O'HARA. 944 00:38:06,885 --> 00:38:08,754 - IT'S A DAMN SHAME. 945 00:38:08,787 --> 00:38:11,056 - HERE LIES BIG ED DIXON. 946 00:38:11,089 --> 00:38:13,091 HE WAS A GENTLE GIANT WITH A SENSITIVE SOUL 947 00:38:13,124 --> 00:38:16,094 AND AN IMPRESSIVE ARMAMENT OF MEDIEVAL WEAPONRY. 948 00:38:16,127 --> 00:38:17,563 IF IT WASN'T FOR HIM, 949 00:38:17,596 --> 00:38:19,331 GUS WOULD BE DEAD. - SO WOULD YOU, SHAWN. 950 00:38:19,365 --> 00:38:20,499 - NOW THAT REMAINS OPEN FOR DEBATE. 951 00:38:20,532 --> 00:38:21,800 - THERE IS NO DEBATE. 952 00:38:21,833 --> 00:38:23,602 BANG, BANG, I'M DEAD, YOU'RE DEAD. 953 00:38:23,635 --> 00:38:25,537 - I WOULD'VE THROWN THE CAMERA AT HIS FACE, GUS. 954 00:38:25,571 --> 00:38:27,673 - OH, PLEASE, THERE'S NO WAY YOU WOULD'VE THROWN--AAH! 955 00:38:27,706 --> 00:38:31,577 - OW! [groans] - WHAT? 956 00:38:31,610 --> 00:38:33,879 - DOESN'T ANYBODY CHECK FOR A PULSE ANYMORE? 957 00:38:33,912 --> 00:38:35,814 - OH, MY GOSH. YOU'RE STILL ALIVE. 958 00:38:35,847 --> 00:38:37,449 I-I-I'M SORRY. I DIDN'T KNOW, ED. 959 00:38:37,483 --> 00:38:39,718 HOLD ON. I NEED AN EMT OVER HERE RIGHT NOW! 960 00:38:39,751 --> 00:38:42,087 ED DIXON IS ALIVE! HANG IN THERE, ED. 961 00:38:42,120 --> 00:38:43,689 WE'RE GONNA GET YOU TO THE HOSPITAL STAT. 962 00:38:43,722 --> 00:38:45,724 - UM, I KIND OF TURNED MY BACK 963 00:38:45,757 --> 00:38:47,426 ON MODERN MEDICINE TEN YEARS AGO. 964 00:38:47,459 --> 00:38:48,760 I'M FINE. 965 00:38:48,794 --> 00:38:51,430 CAN YOU JUST PULL THIS AXE OUT OF MY SPINE, PLEASE? 966 00:38:51,463 --> 00:38:53,499 - UH, I THINK YOU MIGHT WANT TO MAKE AN EXCEPTION FOR THIS ONE. 967 00:38:53,532 --> 00:38:55,501 YOU DON'T WANT TO GET A STAPH INFECTION. 968 00:38:55,534 --> 00:38:57,703 - YEAH, I SUPPOSE SO. 969 00:38:57,736 --> 00:39:00,872 I'M GETTING WOOZY. 970 00:39:00,906 --> 00:39:04,443 - DIDN'T ANYBODY HEAR ME? ED DIXON IS ALIVE! 971 00:39:04,476 --> 00:39:07,446 [pop music] 972 00:39:07,479 --> 00:39:15,487 * 973 00:39:36,808 --> 00:39:42,781 [cheers and applause] 974 00:39:42,814 --> 00:39:45,484 - THAT'S PRETTY MUCH IT, GUYS. THAT'S--THAT'S OUR FILM. 975 00:39:45,517 --> 00:39:48,454 - DID THAT JUST SAY "SEACREST"? - YEAH, YOU KNOW WHAT, CHAVO? 976 00:39:48,487 --> 00:39:50,456 I REALIZED, UH, WHILE I WAS DOING THE CREDITS 977 00:39:50,489 --> 00:39:52,157 THAT I DON'T KNOW YOUR LAST NAME. 978 00:39:52,190 --> 00:39:55,961 I MEAN, I ASSUME IT'S SOMETHING LIKE "CORTEZ" OR "JINJOSA," 979 00:39:55,994 --> 00:39:58,730 OR "PONCE DE LEON," BUT, UH, I WASN'T POSITIVE, 980 00:39:58,764 --> 00:40:00,732 SO I JUST, UH-- I WENT WITH SOMETHING SAFE. 981 00:40:00,766 --> 00:40:02,668 - THAT IS SAFE. - IT'S GENIUS, SHAWN. 982 00:40:02,701 --> 00:40:04,570 THAT IS THE BEST FILM I HAVE SEEN 983 00:40:04,603 --> 00:40:06,204 SINCE LOVE AND BASKETBALL. 984 00:40:06,237 --> 00:40:07,739 - WOW, THAT'S-- 985 00:40:07,773 --> 00:40:09,140 - OH, UM, I REALLY LIKED 986 00:40:09,174 --> 00:40:11,142 SOME OF THE NICE EDITING CHOICES YOU MADE. 987 00:40:11,176 --> 00:40:12,844 THE DISSOLVE WAS GREAT. AND, OOH! 988 00:40:12,878 --> 00:40:15,113 THE--THE FLASHBACK? NICE TOUCH. 989 00:40:15,146 --> 00:40:18,884 - WELL, UH, THAT FLASHBACK IS ACTUALLY HOW IT-- 990 00:40:18,917 --> 00:40:21,453 HOW IT LOOKS IN MY HEAD, THIS PSYCHIC BRAIN OF MINE. 991 00:40:21,487 --> 00:40:23,722 I THOUGHT IT MIGHT BE NICE TO GIVE YOU GUYS A LITTLE PEEK 992 00:40:23,755 --> 00:40:25,724 INTO THE PROCESS THAT I AM A SLAVE TO. 993 00:40:25,757 --> 00:40:27,626 - INTERESTING. 994 00:40:27,659 --> 00:40:29,861 PLEASE REMOVE YOUR ARM FROM AROUND MY SHOULDER THIS SECOND. 995 00:40:29,895 --> 00:40:31,563 - YOU GOT IT, CHIEF. 996 00:40:31,597 --> 00:40:33,565 - YES, WELL, YOU'RE ALL VERY LUCKY TO BE ALIVE. 997 00:40:33,599 --> 00:40:35,534 THE SERBIANS DON'T MESS AROUND. 998 00:40:35,567 --> 00:40:38,236 ESPECIALLY WHEN THEY'RE WEARING MASKS AND SPEAKING SERBIAN. 999 00:40:38,269 --> 00:40:39,671 - WELL SAID, POP. 1000 00:40:39,705 --> 00:40:41,507 I'M ALSO HAPPY TO REPORT 1001 00:40:41,540 --> 00:40:43,909 THAT BIG ED WILL MAKE A FULL RECOVERY. 1002 00:40:43,942 --> 00:40:45,677 - MM-HMM. - GOD LOVE HIM. 1003 00:40:45,711 --> 00:40:47,145 AND IF I MAY JUST ADD THAT, 1004 00:40:47,178 --> 00:40:48,647 WHILE I'M NOT PARTICULARLY PLEASED 1005 00:40:48,680 --> 00:40:50,849 WITH HOW I'M PORTRAYED IN THIS FILM, 1006 00:40:50,882 --> 00:40:54,152 DETECTIVE O'HARA'S HEROICS CANNOT BE OVERSTATED. 1007 00:40:54,185 --> 00:40:56,555 - YEAH! [applause] 1008 00:40:56,588 --> 00:40:57,956 - SHAWN, THANKS FOR PUTTING THIS ALL TOGETHER. 1009 00:40:57,989 --> 00:41:00,526 - IT WAS THE LEAST WE CAN DO. I MEAN, AFTER ALL, 1010 00:41:00,559 --> 00:41:02,594 YOU ARE GIVING UP YOUR STUDENT ACADEMY AWARD 1011 00:41:02,628 --> 00:41:03,995 BY OFFERING UP THIS FOOTAGE AS EVIDENCE. 1012 00:41:04,029 --> 00:41:05,897 - HOPEFULLY IT WILL BRING YOU SOME COMFORT TO KNOW 1013 00:41:05,931 --> 00:41:07,533 THAT THE REMAINING KILLER WILL BE PROSECUTED 1014 00:41:07,566 --> 00:41:08,967 TO THE FULL EXTENT OF THE LAW. 1015 00:41:09,000 --> 00:41:10,936 - WELL, IT ALL WORKED OUT ABOUT AS WELL AS IT COULD 1016 00:41:10,969 --> 00:41:13,605 CONSIDERING THAT MOST OF YOU HAVE GUNSHOT WOUNDS. 1017 00:41:13,639 --> 00:41:17,008 - YOU EVER BEEN SHOT, PAPA BEAR? 1018 00:41:17,042 --> 00:41:20,211 - YEAH. YEAH, AS A MATTER OF FACT, I HAVE. 1019 00:41:20,245 --> 00:41:22,714 - WOW. THAT'S SUPER HOT. 1020 00:41:22,748 --> 00:41:25,216 - OKAY, WELL, YOU KNOW, SOME OF US DO HAVE TO GET BACK 1021 00:41:25,250 --> 00:41:27,953 TO RUNNING A PRECINCT, SO-- - [chuckling] 1022 00:41:27,986 --> 00:41:29,921 I APPRECIATE THAT, KAREN, BUT YOU'RE THE ONE 1023 00:41:29,955 --> 00:41:32,924 THAT DOES THE HEAVY LIFTING AROUND HERE. 1024 00:41:32,958 --> 00:41:43,001 - DRIVE SAFE, IF YOU DROVE. 1025 00:41:43,001 --> 00:41:53,011 - DRIVE SAFE, IF YOU DROVE. 1026 00:51:44,569 --> 00:51:45,470 - "GOPHER"? YOU CREDITED ME AS "GOPHER"? 1027 00:51:45,503 --> 00:51:46,171 YOU MUST BE OUT OF YOUR DAMN MIND, SHAWN. 1028 00:51:46,204 --> 00:51:47,004 I PUT MY LIFE ON THE LINE. 1029 00:51:47,037 --> 00:51:47,738 I WAS SUPPOSED TO BE C-CAMERA OPERATOR 1030 00:51:47,772 --> 00:51:49,640 AND CO-PRODUCER. WE HAD A DEAL. 1031 00:51:49,674 --> 00:51:50,475 NOT TO MENTION MY POINTS ON THE BACK END. 1032 00:51:50,508 --> 00:51:51,242 - YOU'RE RIGHT. THIS IS AN OUTRAGE. 1033 00:51:51,276 --> 00:51:51,542 I'M GONNA TAKE THIS UP WITH POST. 1034 00:51:51,576 --> 00:51:52,643 - COOL. 1035 00:51:52,677 --> 00:51:57,215 WAIT A SECOND, YOU ARE POST. GET BACK HERE, SHAWN! 1036 00:52:03,721 --> 00:52:13,731 WAIT A SECOND, YOU ARE POST. GET BACK HERE, SHAWN!