1 00:00:00,201 --> 00:00:06,707 . 2 00:00:06,740 --> 00:00:08,676 - WHOO! [laughs] 3 00:00:08,709 --> 00:00:10,778 [Cockney accent] OH, MAN. GOD! 4 00:00:10,811 --> 00:00:13,514 YOU REALLY CAUGHT ME FLUSH WITH THAT MIC STAND, BILLY. 5 00:00:13,547 --> 00:00:15,083 - [Cockney accent] OH, IT'S A FLESH WOUND, MATE. 6 00:00:15,116 --> 00:00:16,617 HERE, LET ME GET A GOOD LOOK AT IT. 7 00:00:16,650 --> 00:00:18,319 - [grunts] IS IT TERRIBLE? 8 00:00:18,352 --> 00:00:20,721 - UH, NO, YOU CAN BARELY SEE IT. 9 00:00:20,754 --> 00:00:23,491 IT'S BORDERLINE NONEXISTENT. - ALL RIGHT. 10 00:00:23,524 --> 00:00:25,093 IT FEELS LIKE THE BLOOD IS STREAMING 11 00:00:25,126 --> 00:00:26,594 OUT OF THE BACK OF MY HEAD, BILLY. 12 00:00:26,627 --> 00:00:27,761 - NO, IT'LL HEAL. 13 00:00:27,795 --> 00:00:29,663 - [laughs] - BILLY LIPPS! 14 00:00:29,697 --> 00:00:33,067 [both scream] 15 00:00:33,101 --> 00:00:35,136 - THAT SHOW WAS THE ROCKIN' NUTS! 16 00:00:35,169 --> 00:00:38,839 - ESPECIALLY WHEN YOU SANG ROCKIN' NUTS AS AN ENCORE. 17 00:00:38,872 --> 00:00:41,709 - YEAH. WHO ARE YOU TWO? 18 00:00:41,742 --> 00:00:44,178 - WHO ARE WE? YOU DON'T REMEMBER? 19 00:00:44,212 --> 00:00:46,547 BILLY, IT'S ME, SHAWN SPENCER, MAN. 20 00:00:46,580 --> 00:00:48,482 THIS IS MY PARTNER, DOMO ARIGATO.... 21 00:00:48,516 --> 00:00:50,151 - AHH. 22 00:00:50,184 --> 00:00:52,786 - OH, YEAH, I SORT OF REMEMBER THE BLACK KID. 23 00:00:52,820 --> 00:00:54,855 - [chanting] BILLY! BILLY! BILLY LIPPS! 24 00:00:54,888 --> 00:00:56,357 OH, MAN! 25 00:00:56,390 --> 00:00:58,526 I'VE BEEN A FAN OF YOURS SINCE THE DAPSHATS. 26 00:00:58,559 --> 00:01:00,261 ALL RIGHT. BREWSKI. 27 00:01:00,294 --> 00:01:03,697 - CHEERS. - WAIT A MINUTE. DAD? 28 00:01:03,731 --> 00:01:05,666 - SHAWN? GUS? WHAT ARE YOU DOING HERE? 29 00:01:05,699 --> 00:01:07,268 - I'M WORKING WITH THE SBPD 30 00:01:07,301 --> 00:01:10,138 ON THIS LITTLE COLD-CASE INVESTIGATION OF MELINDA LANE. 31 00:01:10,171 --> 00:01:11,839 - YOU KNOW, THAT GROUPIE THAT MYSTERIOUSLY DIED 32 00:01:11,872 --> 00:01:13,441 AT YOUR MANSION. 33 00:01:13,474 --> 00:01:15,243 - WAIT A MINUTE. YOU'RE HERE ON A CASE? 34 00:01:15,276 --> 00:01:16,577 - YES, AS A MATTER OF FACT, WE ARE. 35 00:01:16,610 --> 00:01:18,346 IT'S, LIKE, OUR THIRD ONE. - BOOM. 36 00:01:18,379 --> 00:01:19,447 - WE'RE TRYING TO IMPRESS CHIEF DICK. 37 00:01:19,480 --> 00:01:20,614 - CHIEF VICK. 38 00:01:20,648 --> 00:01:22,250 - VICK? - YES. 39 00:01:22,283 --> 00:01:23,717 - YEAH, UH, LOOK, WHY ARE YOU BRINGING UP 40 00:01:23,751 --> 00:01:25,519 THIS WHOLE MELINDA LANE BUSINESS? 41 00:01:25,553 --> 00:01:29,457 - BECAUSE, LIPPS, THERE ARE SOME VERY INTERESTING TIDBITS 42 00:01:29,490 --> 00:01:30,858 IN YOUR RECENTLY RELEASED BIOGRAPHY 43 00:01:30,891 --> 00:01:32,293 THAT SHED SOME DAMNING NEW LIGHT 44 00:01:32,326 --> 00:01:34,428 ON THE MELINDA LANE MURDER INVESTIGATION. 45 00:01:34,462 --> 00:01:35,896 - HUH, THAT'S MY BOOK. 46 00:01:35,929 --> 00:01:37,898 - YOU REMEMBER MELINDA, DON'T YOU, BILLY? 47 00:01:37,931 --> 00:01:40,268 - SORRY, BILLY. I'M THE ONE THAT TIPPED THEM OFF. 48 00:01:40,301 --> 00:01:42,536 BUT DON'T WORRY--I TOLD THEM THAT YOU COULD EXPLAIN AWAY 49 00:01:42,570 --> 00:01:44,238 ANY TIDBITS THEY MAY HAVE. 50 00:01:44,272 --> 00:01:47,141 - HA. - FOR EXAMPLE, AND I QUOTE, 51 00:01:47,175 --> 00:01:48,676 "I WOKE UP IN MY BED THAT FATEFUL NIGHT 52 00:01:48,709 --> 00:01:50,878 "AND COULDN'T HELP BUT SMELL MELINDA'S PERFUME 53 00:01:50,911 --> 00:01:52,846 THAT SHE ALWAYS WORE ALL OVER ME." 54 00:01:52,880 --> 00:01:55,516 DON'T EVER DO THAT AGAIN. - SORRY. 55 00:01:55,549 --> 00:01:58,919 - NOW, BILLY, IN OUR PREVIOUS INTERVIEWS, YOU STATED 56 00:01:58,952 --> 00:02:00,688 THAT YOU AND MELINDA DIDN'T SPEAK 57 00:02:00,721 --> 00:02:03,291 THE NIGHT SHE WAS MURDERED BECAUSE OF A FALLING OUT. 58 00:02:03,324 --> 00:02:04,925 NOW, IF THAT WERE THE CASE, 59 00:02:04,958 --> 00:02:07,261 WHY WAS HER SCENT ALL OVER YOUR CLOTHES? 60 00:02:07,295 --> 00:02:09,263 DON'T ANSWER THAT YET. 61 00:02:09,297 --> 00:02:11,832 CHAPTER FOUR-- "I HAD SCRATCHES ON MY CHEST, 62 00:02:11,865 --> 00:02:13,701 "BUT THE DENSE, MEERKAT-LIKE FUR THAT COVERS MY TORSO 63 00:02:13,734 --> 00:02:15,836 MADE THEM INVISIBLE TO THE NAKED EYE." 64 00:02:15,869 --> 00:02:18,272 - WHO GAVE YOU THOSE SCRATCHES, BILLY? 65 00:02:18,306 --> 00:02:20,308 WAS IT MELINDA LANE, AS YOU SMOTHERED HER FACE 66 00:02:20,341 --> 00:02:21,642 WITH A PILLOW AND MURDERED HER? 67 00:02:21,675 --> 00:02:23,344 - GO AHEAD, BILLY. 68 00:02:23,377 --> 00:02:26,280 READ HIM THE RIOT ACT, MAN. TELL HIM HOW WRONG HE IS. 69 00:02:26,314 --> 00:02:27,948 - WHAT DO YOU SAY WE CONTINUE THIS LITTLE CHAT 70 00:02:27,981 --> 00:02:29,350 DOWN AT THE STATION, HUH? 71 00:02:29,383 --> 00:02:31,452 - W-W-WHOA, WHOA. JUST WAIT ONE SECOND, 72 00:02:31,485 --> 00:02:33,921 OKAY, DETECTIVE LASSITER? 73 00:02:33,954 --> 00:02:34,922 GUS. - YEAH. 74 00:02:34,955 --> 00:02:37,491 OH, YEAH. WHAT? 75 00:02:38,992 --> 00:02:44,198 * ROCKIN' NUTS 76 00:02:50,003 --> 00:02:51,939 - I'M JUST NOT SURE I FOLLOW YOU, JULES. 77 00:02:51,972 --> 00:02:53,307 - SHAWN, WE'VE EATEN AT THANK THE LARD 78 00:02:53,341 --> 00:02:54,708 THREE TIMES THIS WEEK. 79 00:02:54,742 --> 00:02:55,976 PLUS, IT'S SATURDAY NIGHT. 80 00:02:56,009 --> 00:02:57,311 - YOU KNOW WHAT? YOU'RE RIGHT. 81 00:02:57,345 --> 00:02:58,779 I'M TAKING YOU TO FUDDRUCKERS. 82 00:02:58,812 --> 00:03:01,515 - * YOU'RE INVITED, LUCKY YOU * 83 00:03:01,549 --> 00:03:03,584 * TO A PARTY, WHOOP-DE-DO * 84 00:03:03,617 --> 00:03:05,386 * THERE'LL BE WINE AND COCKTAILS TOO * 85 00:03:05,419 --> 00:03:08,589 * WHO'S YOUR HOST? I WISH I KNEW * 86 00:03:08,622 --> 00:03:10,724 * YOU'RE INVITED 87 00:03:10,758 --> 00:03:14,528 * DON'T BE A D-BAG AND BE LATE * 88 00:03:14,562 --> 00:03:18,766 * YOU HAVE A PLUS-ONE 89 00:03:18,799 --> 00:03:21,869 - "BELLA ROSA MANSION. 90 00:03:21,902 --> 00:03:23,404 "TONIGHT. 7:00 P.M. 91 00:03:23,437 --> 00:03:25,806 RSVP NOW. NO CAMERAS." 92 00:03:25,839 --> 00:03:27,875 - SHAWN, I HAVE WANTED TO GO TO THE BELLA ROSA MANSION 93 00:03:27,908 --> 00:03:29,343 SINCE I MOVED TO SANTA BARBARA. 94 00:03:29,377 --> 00:03:30,778 IT'S A STUNNING LANDMARK. 95 00:03:30,811 --> 00:03:32,246 - I BET THEY HAVE THOSE THINGS IN THE BATHROOM 96 00:03:32,280 --> 00:03:34,748 THAT HOSE OFF YOUR BUM. - HUH? 97 00:03:34,782 --> 00:03:38,252 - SHAWN SPENCER AND JULIET O'HARA ARE IN. 98 00:03:38,286 --> 00:03:39,887 - WAIT, IS IT WEIRD THAT WE DON'T KNOW 99 00:03:39,920 --> 00:03:41,855 WHO INVITED US OR WHY WE WERE INVITED? 100 00:03:41,889 --> 00:03:43,557 - JULES, I THINK IT'S MYSTERIOUS BY DESIGN. 101 00:03:43,591 --> 00:03:45,693 IT MAY BE ONE OF THOSE EYES WIDE SHUT SHINDIGS 102 00:03:45,726 --> 00:03:47,561 WITH THE MASKS OR A BOOGIE NIGHTS SHINDIG 103 00:03:47,595 --> 00:03:48,829 WITH LOTS OF COCAINE. 104 00:03:48,862 --> 00:03:53,334 EITHER WAY, I AM TALKING ABOUT EXPOSED BOOBIES. 105 00:03:53,367 --> 00:03:54,602 - YOU KNOW WHAT? I DON'T CARE. 106 00:03:54,635 --> 00:03:56,837 I'M GONNA WEAR MY ONE-OF-A-KIND VINTAGE OSCAR DE LA RENTA DRESS! 107 00:03:56,870 --> 00:03:58,672 [cell phone ringing] - WAIT A MINUTE. 108 00:03:58,706 --> 00:04:00,974 THAT GUY BOXES AND DESIGNS DRESSES? 109 00:04:01,008 --> 00:04:02,310 THAT'S JUST PLAIN IMPRESSIVE. 110 00:04:02,343 --> 00:04:03,977 - HEY, CARLTON. REALLY? 111 00:04:04,011 --> 00:04:05,413 - WHAT? 112 00:04:05,446 --> 00:04:06,447 - AND YOU'RE SURE THAT YOU NEED ME? 113 00:04:06,480 --> 00:04:07,915 - NO, YOU DON'T. - OKAY. 114 00:04:07,948 --> 00:04:09,350 [groans] 115 00:04:09,383 --> 00:04:10,951 WE GOT SOME NEWS ON A MISSING-PERSONS CASE. 116 00:04:10,984 --> 00:04:12,486 IT DOESN'T LOOK LIKE I'M GONNA MAKE IT. 117 00:04:12,520 --> 00:04:14,422 - THAT SUCKS. - BUT DON'T INVITE ANYBODY ELSE. 118 00:04:14,455 --> 00:04:16,424 THERE'S STILL AN OUTSIDE CHANCE I MIGHT MAKE IT LATER. 119 00:04:16,457 --> 00:04:17,991 - ARE YOU KIDDING? I WOULDN'T DREAM OF IT. 120 00:04:18,025 --> 00:04:19,860 - OKAY. - CAREFUL OUT THERE. 121 00:04:19,893 --> 00:04:21,929 - HI, GUS. - HEY, JULES. 122 00:04:21,962 --> 00:04:24,665 - DUDE, I HAVE AN EXTRA TICKET TO A MYSTERIOUS PARTY 123 00:04:24,698 --> 00:04:26,867 AT A SWEET MANSION TONIGHT-- YOU'RE MY FIRST CHOICE. 124 00:04:26,900 --> 00:04:28,336 - WHAT? I AM SO IN. 125 00:04:28,369 --> 00:04:30,704 - * IT'S A SECRET PARTY 126 00:04:30,738 --> 00:04:32,640 * IT'S A SECRET PARTY 127 00:04:32,673 --> 00:04:34,041 - * PRI-IVATE PARTY - * IT'S A SECRET PARTY 128 00:04:34,074 --> 00:04:35,576 * LET'S GO SEE SOME BOOBS 129 00:04:35,609 --> 00:04:39,279 [thunder booms] 130 00:04:50,858 --> 00:04:53,994 - OH! ARE YOU KIDDING ME? 131 00:04:54,027 --> 00:04:55,529 - WHAT IS YOUR MAJOR MALFUNCTION? 132 00:04:55,563 --> 00:04:56,997 - I STEPPED IN SCAT, MAN! 133 00:04:57,030 --> 00:04:59,700 - SCATMAN CROTHERS? - NO, PANTHER SCAT. 134 00:04:59,733 --> 00:05:03,404 - GUS, DON'T BE THE SECOND TIME EVER I SAW YOUR FACE. 135 00:05:03,437 --> 00:05:05,439 - I KNOW MY SCAT, SHAWN. 136 00:05:05,473 --> 00:05:08,909 [feminine voice shrieks] 137 00:05:11,712 --> 00:05:14,415 [feminine voice shrieks] 138 00:05:14,448 --> 00:05:16,650 - WHAT'S UP? 139 00:05:16,684 --> 00:05:17,885 - WELL, GOOD EVENING, KIND SIR. 140 00:05:17,918 --> 00:05:19,753 - YOU'RE A HALF HOUR EARLY. 141 00:05:19,787 --> 00:05:21,054 - WE GOT STUCK IN TRAFFIC. 142 00:05:21,088 --> 00:05:22,990 - I'M SHAWN SPENCER, AND THIS IS MY PLUS-ONE. 143 00:05:23,023 --> 00:05:24,925 - JULIET O'HARA? 144 00:05:24,958 --> 00:05:26,360 - YOU INVITED JULIET BEFORE ME? 145 00:05:26,394 --> 00:05:27,928 - IT'S TRUE. I INVITED HER FIRST. 146 00:05:27,961 --> 00:05:29,597 BUT I BROUGHT YOU. YOU KNOW WHAT I'M SAYING? 147 00:05:29,630 --> 00:05:31,665 - NOT REALLY. - LET'S PARTY. 148 00:05:31,699 --> 00:05:32,900 - ENTER, GENTLEMEN. 149 00:05:32,933 --> 00:05:35,769 [thunder booms] 150 00:05:35,803 --> 00:05:39,873 - LICORICE PASTELS--12:00. - THAT'S AMAZING. 151 00:05:43,176 --> 00:05:45,145 - GIVE ME YOUR PHONES. 152 00:05:45,178 --> 00:05:47,147 - WHAT? WHY DO YOU NEED OUR PHONES? 153 00:05:47,180 --> 00:05:50,150 - BECAUSE YOUR HOST DOESN'T NEED YOU SHOOTING PHOTOS OF HIM 154 00:05:50,183 --> 00:05:52,152 AND PUTTING THEM ON THE INTERWEB. 155 00:05:52,185 --> 00:05:54,154 - OH... - I'LL BUY THAT. 156 00:05:54,187 --> 00:05:56,424 - I GOT IT. I GOT IT. HERE YOU GO. 157 00:05:56,457 --> 00:06:00,027 SO, UH, SIR, WE STILL HAVEN'T GOTTEN YOUR NAME. 158 00:06:00,060 --> 00:06:01,562 - [slowly, lisping] CLIZBY. 159 00:06:01,595 --> 00:06:02,663 [door latch clanks] 160 00:06:02,696 --> 00:06:04,465 - [both imitating lisp] CLIZBY? 161 00:06:04,498 --> 00:06:06,066 - "TH" SOUND? 162 00:06:06,099 --> 00:06:08,068 - CLIZBY. 163 00:06:08,101 --> 00:06:09,503 [latch clanks] - OKAY. 164 00:06:09,537 --> 00:06:11,672 SO, UH, [lisping] CLIZBY. 165 00:06:11,705 --> 00:06:13,974 WHO MIGHT OUR HOST BE? 166 00:06:14,007 --> 00:06:17,010 [laughter] 167 00:06:17,044 --> 00:06:18,779 - I'LL TELL YOU WHAT, [lisping] CLIZBY, 168 00:06:18,812 --> 00:06:20,881 I'VE GOT AN ABE LINCOLN WITH YOUR NAME ON IT 169 00:06:20,914 --> 00:06:22,916 IF YOU GIVE US A TOUR OF THIS JOINT, YOU FEEL ME? 170 00:06:22,950 --> 00:06:24,818 THAT MEANS YOU GET TO KEEP THE $5. 171 00:06:26,119 --> 00:06:27,688 I WAS HOPING TO GET 2 BACK, ACTUALLY. 172 00:06:27,721 --> 00:06:29,957 - [whistling] - SO, CLIZBY... 173 00:06:29,990 --> 00:06:33,927 HOW LONG HAVE YOU WORKED FOR DENZEL WASHINGTON? 174 00:06:33,961 --> 00:06:36,830 - [laughs] UH, WHAT HE MEANT TO SAY WAS, 175 00:06:36,864 --> 00:06:39,433 HOW LONG HAVE YOU WORKED FOR WENDY'S FOUNDER DAVE THOMAS? 176 00:06:39,467 --> 00:06:40,501 - HE'S DEAD, SHAWN. 177 00:06:40,534 --> 00:06:41,935 - IS HE REALLY? - YES. 178 00:06:41,969 --> 00:06:43,571 - I'M SO SORRY FOR YOUR LOSS, SIR. 179 00:06:43,604 --> 00:06:46,940 - I'VE BEEN WORKING FOR MY BOSS FOR 25 YEARS. 180 00:06:46,974 --> 00:06:50,811 - WOW. MUHAMMAD ALI MUST REALLY VALUE YOU AS AN EMPLOYEE. 181 00:06:50,844 --> 00:06:54,448 [thunder booms] 182 00:06:57,050 --> 00:06:58,786 - SO, CLIZBY, 183 00:06:58,819 --> 00:07:00,754 IS THERE AN ITINERARY FOR THE EVENING? 184 00:07:00,788 --> 00:07:02,856 - THERE WILL BE A SIX-COURSE MEAL, 185 00:07:02,890 --> 00:07:05,726 FOLLOWED BY LIVE ENTERTAINMENT. 186 00:07:05,759 --> 00:07:06,927 - I SEE. 187 00:07:06,960 --> 00:07:09,997 UH, OOH. CLIZ, WHO IS THIS GUY? 188 00:07:10,030 --> 00:07:11,532 - OH! - IT'S ALL RIGHT, BUDDY. 189 00:07:11,565 --> 00:07:13,200 IT'S--IT'S OKAY. 190 00:07:13,233 --> 00:07:15,235 I'M SORRY--MY PARTNER HAS AN INTENSE FEAR OF TOUPEES, 191 00:07:15,268 --> 00:07:16,870 TIED TO HIS GRANDFATHER. 192 00:07:16,904 --> 00:07:19,039 - HE USED TO WHUP ME. - FOR HIS FEAR OF TOUPEES. 193 00:07:19,072 --> 00:07:20,841 - IT WAS A VICIOUS CYCLE. 194 00:07:20,874 --> 00:07:22,810 - THIS IS THE ORIGINAL OWNER OF THE HOUSE, 195 00:07:22,843 --> 00:07:24,011 BUCKY SHARAVINO. 196 00:07:24,044 --> 00:07:25,913 HE WAS A CHOCOLATIER. 197 00:07:25,946 --> 00:07:28,749 MY BOSS RENTED THIS MANSION FROM BUCKY'S ESTATE. 198 00:07:28,782 --> 00:07:32,753 LEGEND HAS IT THAT BUCKY BUILT HIS OWN SECRET CHOCOLATE ROOM. 199 00:07:32,786 --> 00:07:35,556 - DOES LEGEND SAY WHERE THIS ROOM IS EXACTLY? 200 00:07:35,589 --> 00:07:38,592 - RUMOR HAS IT IT'S SOMEWHERE NEAR THE LIVING ROOM. 201 00:07:38,626 --> 00:07:40,694 [feminine voice shrieks] 202 00:07:40,728 --> 00:07:43,931 - EXCUSE ME. - OF COURSE. 203 00:07:48,068 --> 00:07:49,703 both: * LET'S ALL DO THE CHOCOLATE DANCE * 204 00:07:49,737 --> 00:07:51,038 * YAH-YAH-YAH-YAH CHOCOLATE DANCE * 205 00:07:51,071 --> 00:07:52,906 * LET'S ALL DO THE CHOCOLATE DANCE * 206 00:07:52,940 --> 00:07:53,874 - * IT'S AN ENTIRE-- - * OH, YEAH 207 00:07:53,907 --> 00:07:57,511 [rattling] 208 00:07:57,545 --> 00:07:59,046 both: * LET'S ALL DO THE CHOCOLATE DANCE * 209 00:07:59,079 --> 00:08:00,648 * CHOCOLATE DANCE, CHOCOLATE DANCE, YEAH! * 210 00:08:00,681 --> 00:08:02,149 * LET'S ALL DO THE CHOCOLATE DANCE * 211 00:08:02,182 --> 00:08:03,884 - * CHOCOLATE - * IT'S AN ENTIRE ROOM 212 00:08:03,917 --> 00:08:05,753 - AND PLEASE LEAVE A MESSAGE. [beep] 213 00:08:05,786 --> 00:08:07,087 - HEY, SHAWN, IT'S ME. 214 00:08:07,120 --> 00:08:09,089 LOOK, WE FOUND THAT MISSING PERSON'S VEHICLE 215 00:08:09,122 --> 00:08:10,991 AND WE'RE PROCESSING IT FOR EVIDENCE, 216 00:08:11,024 --> 00:08:13,561 BUT I AM STILL HOPING THAT I CAN MAKE IT TO THE PARTY. 217 00:08:13,594 --> 00:08:15,963 JUST MAKES ME SO SAD TO THINK OF YOU THERE ALL BY YOURSELF. 218 00:08:15,996 --> 00:08:17,230 - THEY FOUND BLOOD IN THE CAR. 219 00:08:17,264 --> 00:08:21,034 YOU'RE NOT MAKING IT TO THAT PARTY. 220 00:08:22,670 --> 00:08:24,605 [phone clunks] 221 00:08:28,141 --> 00:08:30,778 - OH, GOOD EVENING. - OH, HELLO. 222 00:08:30,811 --> 00:08:31,945 I'M LESLIE. 223 00:08:31,979 --> 00:08:34,014 - I'M GUS. THIS IS SHAWN. 224 00:08:34,047 --> 00:08:36,650 - I WAS WONDERING, PERHAPS, DO YOU TWO KNOW 225 00:08:36,684 --> 00:08:40,688 WHO'S HO--HO--HO--HOS-- 226 00:08:40,721 --> 00:08:41,689 HOSTING? 227 00:08:41,722 --> 00:08:43,023 - WE THOUGHT YOU MIGHT KNOW. 228 00:08:43,056 --> 00:08:45,826 [feminine voice shrieks] - OH. 229 00:08:45,859 --> 00:08:48,629 - EXCUSE ME. 230 00:08:48,662 --> 00:08:53,133 - I HAVE TO GET HOME TO MY SON, GERMAINE. 231 00:08:53,166 --> 00:08:54,935 - I'M SURE HIS FATHER CAN WATCH HIM 232 00:08:54,968 --> 00:08:55,869 WHILE YOU ENJOY A NIGHT OUT. 233 00:08:55,903 --> 00:08:57,037 - WHAT FATHER? 234 00:08:57,070 --> 00:09:00,207 HE'S NEVER MET HIS FATHER! 235 00:09:00,240 --> 00:09:02,142 OH, I'M SORRY. 236 00:09:02,175 --> 00:09:05,713 I-I-I'M A SINGLE MOM, 237 00:09:05,746 --> 00:09:08,315 AND THIS IS A S-S-S-- 238 00:09:08,348 --> 00:09:12,285 IT'S A S-S-SENSITIVE SUBJECT. 239 00:09:12,319 --> 00:09:14,021 - OH. - SURE, I CAN IMAGINE, YEAH. 240 00:09:14,054 --> 00:09:15,222 - [slurs] HARRY'S HERE. 241 00:09:15,255 --> 00:09:16,957 UH, DON'T GET UP. 242 00:09:16,990 --> 00:09:19,159 YOU! 243 00:09:19,192 --> 00:09:22,029 YOU WERE OUR BUMBER-ONE SNOOPY BACK IN THE GAY. 244 00:09:22,062 --> 00:09:24,364 [feminine voice shrieks] 245 00:09:24,397 --> 00:09:25,966 - EXCUSE ME. 246 00:09:25,999 --> 00:09:27,334 - EXCUSE ME. 247 00:09:27,367 --> 00:09:29,369 - SPENCER. GUSTER. 248 00:09:29,402 --> 00:09:30,904 DO YOU HAVE ANY IDEA WHO'S HOSTING THIS THING? 249 00:09:30,938 --> 00:09:33,206 - I'M MAGELLAN, I'M MAGELLAN. 250 00:09:33,240 --> 00:09:34,975 - HE'S MAGELLAN. - YOUR MAMA'S MAGELLAN. 251 00:09:35,008 --> 00:09:37,310 - SHAWN? - WHAT? 252 00:09:37,344 --> 00:09:38,912 OH. 253 00:09:38,946 --> 00:09:41,815 - GOOD EVENING. I'M MARTIN KAHN-- 254 00:09:41,849 --> 00:09:44,918 HARVARD, CLASS OF '86. 255 00:09:44,952 --> 00:09:46,987 - 1986? - BURTON GUSTER. 256 00:09:47,020 --> 00:09:49,056 POMONA COLLEGE, CLASS OF '98. 257 00:09:49,089 --> 00:09:52,793 - [chortles] "POMONA COLLEGE." 258 00:09:55,696 --> 00:09:58,231 - SO, MARTIN, DO YOU KNOW WHO'S HOSTING THIS EVENING? 259 00:09:58,265 --> 00:10:02,235 - OF COURSE, BUT I'M NOT ONE TO RUIN A SURPRISE, NOW, AM I? 260 00:10:02,269 --> 00:10:07,074 - HOW SHOULD WE KNOW? WE'VE ONLY JUST MET. 261 00:10:13,914 --> 00:10:15,015 - [belches] 262 00:10:15,048 --> 00:10:17,184 [utensil clinks] MY BAD. 263 00:10:19,052 --> 00:10:20,287 - SOME VERY INTERESTING TIDBITS 264 00:10:20,320 --> 00:10:22,189 IN YOUR RECENTLY RELEASED BIOGRAPHY. 265 00:10:22,222 --> 00:10:23,757 - [slaps table] GOT IT. 266 00:10:23,791 --> 00:10:24,992 YOU ARE MARTIN KAHN, 267 00:10:25,025 --> 00:10:27,127 THE BIOGRAPHER WHO WROTE ROCK BOTTOM, 268 00:10:27,160 --> 00:10:29,162 WHICH MAKES YOU HIGHWAY HARRY, 269 00:10:29,196 --> 00:10:33,033 LONGTIME MANAGER OF BILLY LIPPS AND THE GUYS BEHIND ME, 270 00:10:33,066 --> 00:10:35,703 WHICH ALSO MEANS THAT HE DIDN'T CALL YOU A "GAY SNOOPY." 271 00:10:35,736 --> 00:10:38,005 HE WAS SAYING YOU WERE THEIR NUMBER-ONE GROUPIE 272 00:10:38,038 --> 00:10:39,239 BACK IN THE DAY. 273 00:10:39,272 --> 00:10:40,774 [laughter] 274 00:10:40,808 --> 00:10:42,676 - [slurs incoherently] 275 00:10:42,710 --> 00:10:44,311 - [laughs] OOH! 276 00:10:44,344 --> 00:10:46,780 - WHICH MEANS OUR HOST CAN ONLY BE-- 277 00:10:46,814 --> 00:10:49,282 - HELLO, EVERYBODY. [thunder booms] 278 00:10:54,054 --> 00:10:55,956 - BILLY LIPPS. 279 00:10:55,989 --> 00:10:58,025 - GOOD TO SEE YOU. THANKS FOR COMING. 280 00:10:58,058 --> 00:11:01,094 AS YOU ALL KNOW, I'VE BEEN IN PRISON FOR THE LAST FIVE YEARS, 281 00:11:01,128 --> 00:11:03,897 SERVING MY SENTENCE FOR THE MANSLAUGHTER 282 00:11:03,931 --> 00:11:05,766 OF MELINDA LANE. 283 00:11:05,799 --> 00:11:07,935 - UH, SHAWN, THIS IS AWKWARD. 284 00:11:07,968 --> 00:11:08,936 - LEARNED A LOT OF LESSONS IN THE CLINK, 285 00:11:08,969 --> 00:11:11,739 LIKE PERSEVERANCE, REDEMPTION, 286 00:11:11,772 --> 00:11:13,907 AND WHEN YOUR ANDROGYNOUS BUNK MATE "APPETITE" 287 00:11:13,941 --> 00:11:16,043 SAYS HE'S GONNA SHIV YOU FOR NOT SHARING YOUR CHERRY JUBILEE, 288 00:11:16,076 --> 00:11:17,310 IT'S NOT AN IDLE THREAT. 289 00:11:17,344 --> 00:11:19,046 [cork pop] - OH! 290 00:11:19,079 --> 00:11:22,115 - MIGHT I INQUIRE WHO THE EMPTY SEAT IS FOR? 291 00:11:22,149 --> 00:11:26,086 - MY GUESS IS RIP, BUT HE'LL NEVER SHOW. 292 00:11:26,119 --> 00:11:28,789 HE HATES HIGHWAY HARRY WITH A PASSION 293 00:11:28,822 --> 00:11:31,091 BECAUSE HE SHAFTED HIM ON SONG ROYALTIES. 294 00:11:31,124 --> 00:11:32,492 I'M IN MENSA. 295 00:11:32,525 --> 00:11:34,895 - BUT WHAT IS IMPORTANT IS THAT I DISCOVERED 296 00:11:34,928 --> 00:11:37,030 THE POWER OF FAITH. 297 00:11:37,064 --> 00:11:38,766 I FOUND GOD. 298 00:11:38,799 --> 00:11:40,768 JESUS. - OH. 299 00:11:40,801 --> 00:11:42,102 - AND I ASKED THEM TO STRIKE DOWN APPETITE 300 00:11:42,135 --> 00:11:44,805 WITH A HOLY VENGEANCE. 301 00:11:44,838 --> 00:11:46,406 BUT THEY DIDN'T, SO NOW I'M JEWISH. 302 00:11:46,439 --> 00:11:49,242 FULL ON. WEAR THE HAT AND EVERYTHING. 303 00:11:49,276 --> 00:11:51,945 - [slurring incoherently] - LEGIT. 304 00:11:51,979 --> 00:11:53,947 - SERIOUSLY, HARRY. I'M JEWISH. 305 00:11:53,981 --> 00:11:55,215 YOU CAN'T TELL THOSE JOKES ANYMORE. 306 00:11:55,248 --> 00:11:56,817 - BARBRA STREISAND. - NO, I'M SERIOUS. 307 00:11:56,850 --> 00:11:58,919 - STEVEN SPIELBERG. - STOP IT. 308 00:11:58,952 --> 00:12:00,020 - BENIHANA. - STOP! 309 00:12:00,053 --> 00:12:01,889 - BOJANGLES! - STOP IT. 310 00:12:01,922 --> 00:12:03,991 - RICARDO MONTALBAN. 311 00:12:04,024 --> 00:12:06,493 - ANYWAY, THE REASON THAT I BROUGHT YOU ALL HERE TONIGHT 312 00:12:06,526 --> 00:12:08,495 IS TO TELL YOU THAT PRISON 313 00:12:08,528 --> 00:12:11,064 WAS THE BEST THING THAT EVER HAPPENED TO ME. 314 00:12:11,098 --> 00:12:12,766 I MEAN, SURE, MY GORGEOUS ANGEL OF A WIFE 315 00:12:12,800 --> 00:12:14,301 FELL IN LOVE WITH DEREK HOUGH, 316 00:12:14,334 --> 00:12:17,337 THE BLOND BASTARD-FACE FROM DANCING WITH THE STARS, 317 00:12:17,370 --> 00:12:19,807 BUT IT'S ALL RIGHT. IT'S OKAY. 318 00:12:19,840 --> 00:12:22,175 I'M CLEAN NOW. I'M SOBER. 319 00:12:22,209 --> 00:12:25,112 I'M WRITING SONGS AGAIN. I'M CIRCUMCISED. 320 00:12:25,145 --> 00:12:27,547 DOING PILATES. DON'T. 321 00:12:27,580 --> 00:12:31,518 I JUST WANT TO SAY THANK YOU. 322 00:12:31,551 --> 00:12:34,922 THIS IS A CELEBRATION IS WHAT IT IS! 323 00:12:34,955 --> 00:12:37,190 IT'S A CELEBRATION OF NEW BEGINNINGS... 324 00:12:37,224 --> 00:12:39,392 AND OF LIFE! - L'CHAIM! 325 00:12:39,426 --> 00:12:42,229 [electricity fizzles, utensils clatter] 326 00:12:42,262 --> 00:12:45,198 OOF. 327 00:12:45,232 --> 00:12:46,834 [all gasp] 328 00:12:46,867 --> 00:12:49,336 - HARRY? 329 00:12:49,369 --> 00:12:51,504 - OH! 330 00:12:54,041 --> 00:12:56,910 [The Friendly Indians' I Know You Know] 331 00:12:56,944 --> 00:12:57,878 * 332 00:12:57,911 --> 00:12:59,179 - * I KNOW YOU KNOW 333 00:12:59,212 --> 00:13:01,081 * THAT I'M NOT TELLING THE TRUTH * 334 00:13:01,114 --> 00:13:02,816 * I KNOW YOU KNOW 335 00:13:02,850 --> 00:13:04,351 * THEY JUST DON'T HAVE ANY PROOF * 336 00:13:04,384 --> 00:13:05,518 * EMBRACE THE DECEPTION 337 00:13:05,552 --> 00:13:07,821 * LEARN HOW TO BEND 338 00:13:07,855 --> 00:13:09,556 * YOUR WORST INHIBITIONS 339 00:13:09,589 --> 00:13:12,325 * TEND TO PSYCH YOU OUT IN THE END * 340 00:13:18,966 --> 00:13:21,234 - EXCUSE ME. I'M A REGISTERED NURSE. 341 00:13:21,268 --> 00:13:23,203 SORRY. I WAS A REGISTERED NURSE. 342 00:13:23,236 --> 00:13:26,974 I WAS TER-T-T-TER--TER-- 343 00:13:27,007 --> 00:13:27,975 - SPIT IT OUT, WOMAN. 344 00:13:28,008 --> 00:13:29,476 I WAS FIRED. 345 00:13:29,509 --> 00:13:31,578 LET GO. 346 00:13:31,611 --> 00:13:33,213 [gasps] 347 00:13:33,246 --> 00:13:35,482 THIS MAN IS DEAD. 348 00:13:35,515 --> 00:13:36,950 [all gasp] 349 00:13:36,984 --> 00:13:38,952 - I, FOR ONE, AM NOT SURPRISED. 350 00:13:38,986 --> 00:13:41,221 I MEAN, THE MAN HAD ONE FUNCTIONING VALVE 351 00:13:41,254 --> 00:13:42,222 IN HIS HEART. 352 00:13:42,255 --> 00:13:43,623 - MARTIN'S RIGHT. 353 00:13:43,656 --> 00:13:45,125 I MEAN, HIGHWAY HAS FLAT-LINED AND DIED 354 00:13:45,158 --> 00:13:46,259 AT LEAST TEN TIMES BEFORE. 355 00:13:46,293 --> 00:13:48,595 - I, TOO, AM SADDENED BY THE PASSING OF HIGHWAY HARRY. 356 00:13:48,628 --> 00:13:51,464 SO, IN HIS HONOR, I WOULD LIKE TO VOLUNTEER TO EAT HIS MEAL. 357 00:13:51,498 --> 00:13:52,532 - WE'RE SPLITTING THAT FOOD DOWN THE MIDDLE. 358 00:13:52,565 --> 00:13:54,101 - TOO LATE, SHAWN. I CALLED IT. 359 00:13:54,134 --> 00:13:55,368 - WE SPLIT THE FOOD OF THE DEAD 50/50. 360 00:13:55,402 --> 00:13:56,403 - MAN! - THAT'S ALWAYS BEEN THE DEAL. 361 00:13:56,436 --> 00:13:58,205 - FINE! - LISTEN UP. 362 00:13:58,238 --> 00:14:00,040 TONIGHT'S MITZVAH WILL NOW BE IN HIGHWAY'S HONOR. 363 00:14:00,073 --> 00:14:03,376 AND A PROPER KEVURAH-- THAT MEANS FUNERAL-- 364 00:14:03,410 --> 00:14:07,347 WILL TAKE PLACE MAÑANA ONCE WE PERFORM THE TAHARA. 365 00:14:07,380 --> 00:14:08,982 - DID HE JUST DO A MASH-UP OF YIDDISH AND SPANISH? 366 00:14:09,016 --> 00:14:10,317 - HE SURE DID. IT'S LIKE A MATZO-DILLA. 367 00:14:10,350 --> 00:14:12,119 - THAT SOUNDS DELICIOUS. 368 00:14:12,152 --> 00:14:15,022 - EXCUSE ME, BILLY, BUT YOU'RE THE ONE WHO'S JEWISH. 369 00:14:15,055 --> 00:14:17,090 - YEAH, THAT'S RIGHT, MATE. - SO WHY DOES HIGHWAY HARRY... 370 00:14:17,124 --> 00:14:19,459 GET A JEWISH FUNERAL? 371 00:14:19,492 --> 00:14:21,361 - WAIT A MINUTE. YOU'RE HERE ON A CASE? 372 00:14:21,394 --> 00:14:23,997 - IT'S, LIKE, OUR THIRD ONE. TRYING TO IMPRESS CHIEF DICK. 373 00:14:24,031 --> 00:14:25,332 - MARTIN, ARE YOU QUESTIONING MY FAITH? 374 00:14:25,365 --> 00:14:26,967 - HAVA NAGILA! 375 00:14:27,000 --> 00:14:29,302 HAVA! I'M HAVING A VISION. 376 00:14:29,336 --> 00:14:31,371 - WHAT THE HECK ARE YOU DOING? 377 00:14:35,508 --> 00:14:36,977 - [British accent] YOU BETTER RUN, RIP! 378 00:14:37,010 --> 00:14:38,478 AAH! 379 00:14:38,511 --> 00:14:39,712 - UH... 380 00:14:39,746 --> 00:14:42,983 - I'M GONNA SHIV YOU JUST LIKE THAT ANDROGYNOUS BOY SHIVVED ME! 381 00:14:43,016 --> 00:14:44,517 MICK HAD KEITH. 382 00:14:44,551 --> 00:14:46,019 AXL HAD SLASH. 383 00:14:46,053 --> 00:14:47,687 MORRISSEY HAD JOHNNY. 384 00:14:47,720 --> 00:14:49,056 [normal voice] AND BILLY HAS RIP. 385 00:14:49,089 --> 00:14:52,993 - [giggles] STOP. STOP. STOP! 386 00:14:53,026 --> 00:14:55,095 - MARTIN, OF COURSE, WAS CORRECT. 387 00:14:55,128 --> 00:14:56,997 THAT EMPTY SEAT WAS MEANT FOR BILLY'S LOYAL GUITARIST, 388 00:14:57,030 --> 00:14:59,099 BUT HERE'S THE TWIST. 389 00:14:59,132 --> 00:15:01,068 HE'S BEEN HERE ALL NIGHT LONG, LIONEL RICHIE STYLE, 390 00:15:01,101 --> 00:15:03,136 LURKING, WAITING FOR THE OPPORTUNITY 391 00:15:03,170 --> 00:15:04,237 TO GET BACK AT HIGHWAY HARRY 392 00:15:04,271 --> 00:15:06,039 FOR CHEATING HIM OUT OF SONG ROYALTIES. 393 00:15:06,073 --> 00:15:08,608 THIS MAN DID NOT DIE OF NATURAL CAUSES. 394 00:15:08,641 --> 00:15:10,077 - SAY WHAT? 395 00:15:10,110 --> 00:15:11,178 - HE WAS HIT IN THE BACK OF THE HEAD 396 00:15:11,211 --> 00:15:12,412 DURING THE BLACKOUT. 397 00:15:12,445 --> 00:15:15,248 - UH, SHAWN, WE NEED TO CALL LASSIE AND JULES IMMEDIATELY. 398 00:15:15,282 --> 00:15:17,284 - YES, THAT'S A GOOD IDEA. 399 00:15:17,317 --> 00:15:18,952 - [gasps] 400 00:15:25,993 --> 00:15:27,560 - THE LINE IS DEAD. 401 00:15:27,594 --> 00:15:29,129 - PROBABLY THE STORM. 402 00:15:29,162 --> 00:15:32,532 I EXPERIENCED A SIMILAR ONE YEARS AGO, 403 00:15:32,565 --> 00:15:35,135 WHEN I WAS AT HARVARD. 404 00:15:35,168 --> 00:15:38,005 - OOH! OOH! THESE PORK-BELLY BITES OF CLIZBY'S 405 00:15:38,038 --> 00:15:41,274 ARE LIKE DIVINE NUGGETS OF GOD'S HEROIN MEAT. 406 00:15:41,308 --> 00:15:43,076 - [lisping] CLIZBY! 407 00:15:43,110 --> 00:15:45,012 WE ARE GOING TO NEED TO ACCESS OUR CELL PHONES 408 00:15:45,045 --> 00:15:46,679 SO THAT WE CAN CALL THE POLICE. 409 00:15:52,219 --> 00:15:53,453 - THEY'RE GONE. 410 00:15:53,486 --> 00:15:54,988 [all gasp] 411 00:15:55,022 --> 00:15:57,190 - UH, CLIZBY, I'LL TAKE MY MAIN COURSE 412 00:15:57,224 --> 00:15:59,426 AND MY HALF OF HIGHWAY HARRY'S MEAL TO GO. 413 00:15:59,459 --> 00:16:00,760 - GUS, WHERE ARE YOU GOING? 414 00:16:00,793 --> 00:16:02,762 - HOME TO MY GIRL AND ANOTHER MAN'S CHILD. 415 00:16:02,795 --> 00:16:05,132 - YOU CAN'T DO THAT--THERE'S A ROLAND EMMERICH-STYLE STORM 416 00:16:05,165 --> 00:16:06,766 RAGING OUT THERE! - I DON'T CARE! 417 00:16:06,799 --> 00:16:09,336 I'LL TAKE MY CHANCES. - GUS. 418 00:16:09,369 --> 00:16:10,470 [thunder rumbling] 419 00:16:10,503 --> 00:16:12,272 [animal snarls] - AAH! SHAWN! 420 00:16:12,305 --> 00:16:14,207 [animal snarling] 421 00:16:14,241 --> 00:16:16,476 I TOLD YOU THERE WAS A PANTHER OUT THERE. 422 00:16:16,509 --> 00:16:19,112 - HEY, ARE YOU SERIOUS? 423 00:16:19,146 --> 00:16:21,114 BILLY, YOU REALLY HAVE A PET PANTHER? 424 00:16:21,148 --> 00:16:23,150 - YEAH, I DO-- EMMA. 425 00:16:23,183 --> 00:16:24,484 OH, SHE'S A PEACH, 426 00:16:24,517 --> 00:16:26,019 WHEN SHE'S RESTING OR, LIKE, 427 00:16:26,053 --> 00:16:28,055 WHEN SHE'S NOT BROKEN FREE OF HER CHAINS. 428 00:16:28,088 --> 00:16:29,356 BUT IF SHE'S OUT AND ABOUT, SHE'LL TAKE YOUR FACE OFF. 429 00:16:29,389 --> 00:16:30,790 - HE'S KIDDING. - NO, LITERALLY. 430 00:16:30,823 --> 00:16:32,325 SHE TOOK A FRIEND OF MINE'S FACE RIGHT OFF. 431 00:16:32,359 --> 00:16:33,793 - HE'S NOT KIDDING. - TOLD YOU. 432 00:16:33,826 --> 00:16:36,663 - HELL OF A FLAUTIST, THOUGH. THE REAL BALLS, YEAH. 433 00:16:36,696 --> 00:16:38,665 WELL, NOT ANYMORE--I MEAN, HIS GRILL'S BARELY FUNCTIONAL. 434 00:16:38,698 --> 00:16:40,100 CAN'T EVEN WHISTLE. 435 00:16:40,133 --> 00:16:43,603 BUT HE GIVES IT A GO, YEAH. AND PEOPLE CLAP. 436 00:16:43,636 --> 00:16:46,539 BUT IT'S JUST TO BE NICE-- 437 00:16:46,573 --> 00:16:48,708 EMPTY APPLAUSE, REALLY. 438 00:16:48,741 --> 00:16:50,643 - [panting] I'M--I'M HAVING-- 439 00:16:50,677 --> 00:16:54,547 PA-P-P-PA-- M-M-MENOPAUSAL FLASHES. 440 00:16:54,581 --> 00:16:58,185 FLAMES SMOLDERING IN AND AROUND MY BOSOM. 441 00:16:58,218 --> 00:17:00,653 I CANNOT STAY. I MUST LEAVE. 442 00:17:00,687 --> 00:17:05,158 - WAIT! LESLIE, COOL YOUR BOSOM. 443 00:17:05,192 --> 00:17:06,793 WE CAN'T GO OUT THERE. - HE'S RIGHT. 444 00:17:06,826 --> 00:17:08,228 THERE IS A STORM RAGING, LESLIE, 445 00:17:08,261 --> 00:17:09,762 AND THERE IS A HUNGRY PANTHER. 446 00:17:09,796 --> 00:17:14,067 AND YOUR BOSOM IS FULL, AND TH--THERE ARE SIX OF US, 447 00:17:14,101 --> 00:17:15,735 AND THERE'S ONLY ONE RIP. 448 00:17:15,768 --> 00:17:17,837 - SHAWN, ARE YOU SAYING WHAT I THINK YOU'RE SAYING? 449 00:17:17,870 --> 00:17:19,072 - ABSOLUTELY. 450 00:17:19,106 --> 00:17:20,673 - RIGHT. 451 00:17:20,707 --> 00:17:22,242 - WHAT-- - NO, NO, BILLY, BILLY, BILLY. 452 00:17:22,275 --> 00:17:25,845 I'M SAYING WE SHOULD ALL SPLIT UP INTO PAIRS 453 00:17:25,878 --> 00:17:28,081 AND SEARCH THE HOUSE FOR RIP. 454 00:17:30,617 --> 00:17:33,220 - RIGHT. 455 00:17:33,253 --> 00:17:34,587 - RIGHT. 456 00:17:34,621 --> 00:17:36,189 RIGHT? 457 00:17:42,895 --> 00:17:44,797 THIS MUST BE CLIZBY'S ROOM. 458 00:17:44,831 --> 00:17:46,266 - TELL YOU WHAT. 459 00:17:46,299 --> 00:17:48,301 WHEN WE FIND RIP, I'M GONNA BITE HIM BACK 460 00:17:48,335 --> 00:17:51,804 FOR HAVING BITTEN ME WITH HIS LITTLE SEWER-RAT TEETH. 461 00:17:51,838 --> 00:17:54,874 - RIP BIT YOU? 462 00:17:54,907 --> 00:17:56,609 OH, THAT IS SO COOL. 463 00:17:56,643 --> 00:17:59,579 - [chuckles] I MEAN, GRANTED, I HAVE NO MEMORY OF THIS, RIGHT? 464 00:17:59,612 --> 00:18:01,681 BUT APPARENTLY RIP AND I GOT INTO THIS HUGE BRAWL 465 00:18:01,714 --> 00:18:03,416 YEARS AGO OVER MELINDA LANE. 466 00:18:03,450 --> 00:18:05,352 HE FELT THAT SHE WAS TOXIC TO THE BAND 467 00:18:05,385 --> 00:18:09,256 'CAUSE SHE LOVED ME BUT ALSO FANCIED HARRY. 468 00:18:09,289 --> 00:18:10,790 PICKED ME, OF COURSE. 469 00:18:10,823 --> 00:18:13,193 - BEEN THERE. [laughing] 470 00:18:13,226 --> 00:18:15,128 YEAH, GUS ONCE BIT ME FOR STEALING HIS HONEY. 471 00:18:15,162 --> 00:18:16,296 - AH, WOMEN. 472 00:18:16,329 --> 00:18:17,764 - YEAH, COULD BARELY BLAME HIM, THOUGH. 473 00:18:17,797 --> 00:18:19,299 HE HAD JUST GOTTEN SOME GRAHAM CRACKERS 474 00:18:19,332 --> 00:18:22,202 AND HAD NOTHING TO DIP THEM IN. 475 00:18:26,873 --> 00:18:31,711 - I'VE BEEN WITH MY BOSS FOR 25 YEARS. 476 00:18:31,744 --> 00:18:33,746 - BORING! CLEAR! 477 00:18:33,780 --> 00:18:34,814 - COPY. 478 00:18:36,383 --> 00:18:37,784 [thunder booms] 479 00:18:37,817 --> 00:18:39,886 - MAN, I KNEW THEY WERE GOING TO STICK 480 00:18:39,919 --> 00:18:41,321 THE TWO BLACK DUDES TOGETHER. 481 00:18:41,354 --> 00:18:43,923 THIS EITHER ENDS WITH US DEAD OR IN JAIL. 482 00:18:43,956 --> 00:18:45,292 - MAN, WHY DO YOU HAVE TO BUY 483 00:18:45,325 --> 00:18:47,194 INTO ALL THOSE BLACK STEREOTYPES? 484 00:18:47,227 --> 00:18:48,728 - SAYS THE BLACK BUTLER. 485 00:18:48,761 --> 00:18:50,597 - TOUCHE, MY BROTHER. 486 00:18:50,630 --> 00:18:51,898 - HMM. 487 00:18:51,931 --> 00:18:54,867 UH, CLIZBY... - HUH? 488 00:18:54,901 --> 00:18:57,270 - WERE BILLY AND MARTIN WORKING ON ANOTHER BOOK? 489 00:18:57,304 --> 00:18:59,406 - MORE LIKE FIGHTING ABOUT ANOTHER BOOK. 490 00:18:59,439 --> 00:19:01,508 IN HERE ALL HOURS OF THE NIGHT, 491 00:19:01,541 --> 00:19:05,212 YELLING, THROWING STUFF. 492 00:19:05,978 --> 00:19:10,250 I USE IT TO CARAMELIZE. 493 00:19:10,283 --> 00:19:11,818 - I HEAR THAT. 494 00:19:11,851 --> 00:19:15,288 - HMM. [chuckles] 495 00:19:15,322 --> 00:19:16,823 - HEY, RIP! 496 00:19:16,856 --> 00:19:18,558 COME OUT, COME OUT, WHEREVER YOU ARE. 497 00:19:18,591 --> 00:19:20,460 - DO THE RIGHT THING, MATE. OWN UP TO IT. 498 00:19:20,493 --> 00:19:23,563 GO TO PRISON LIKE I DID. IT'S NOT AS BAD AS YOU THINK. 499 00:19:23,596 --> 00:19:24,931 [quietly] THAT'S A LIE. 500 00:19:24,964 --> 00:19:26,766 IT'S WHERE SOULS GO TO DIE. REALLY. 501 00:19:26,799 --> 00:19:30,903 - SO THIS IS WHERE ALL THE MAGIC HAPPENS, HUH? 502 00:19:30,937 --> 00:19:33,573 - OH, YEAH, YEAH. THIS SPOT RIGHT HERE-- 503 00:19:33,606 --> 00:19:35,642 THIS IS THE REASON WHY I RENTED THIS MANSION, 504 00:19:35,675 --> 00:19:36,909 [fake echoing] ITS PERFECT-ECT-ECT... 505 00:19:36,943 --> 00:19:38,578 ACOUSTICS-ICS-ICS... 506 00:19:38,611 --> 00:19:39,846 LISTEN. 507 00:19:39,879 --> 00:19:43,250 * AH 508 00:19:43,283 --> 00:19:44,251 both: * AH 509 00:19:44,284 --> 00:19:45,352 [rattling] 510 00:19:45,385 --> 00:19:46,653 [paintball gun fires] 511 00:19:46,686 --> 00:19:49,689 - [shrieks] 512 00:19:51,624 --> 00:19:53,826 - YOU'RE RIGHT. THAT SOUNDS ABSOLUTELY AMAZING. 513 00:19:53,860 --> 00:19:54,894 - I KNOW, RIGHT? 514 00:19:54,927 --> 00:19:57,897 [feminine voice shrieks] 515 00:19:59,432 --> 00:20:01,601 - THIS IS SOME BULLS-- 516 00:20:01,634 --> 00:20:04,337 [feminine voice shrieks] 517 00:20:05,972 --> 00:20:09,276 - CLIZBY, DO THE HONORS, WILL YOU? 518 00:20:09,309 --> 00:20:11,678 COME ON. 519 00:20:12,712 --> 00:20:15,548 [feminine voice shrieks] 520 00:20:18,285 --> 00:20:20,953 [feminine voice shrieks] 521 00:20:20,987 --> 00:20:24,824 - SBPD. EXTINGUISH THAT TORCH. 522 00:20:24,857 --> 00:20:26,693 - GUS? 523 00:20:26,726 --> 00:20:28,995 SHAWN, YOU SAID YOU WOULDN'T BRING ANYONE ELSE. 524 00:20:29,028 --> 00:20:30,930 - NO, SWEETHEART, I INVITED YOU FIRST. 525 00:20:30,963 --> 00:20:32,932 AND THEN I BROUGHT GUS. YOU FOLLOW? 526 00:20:32,965 --> 00:20:34,801 - NO. - YOU WILL. 527 00:20:34,834 --> 00:20:36,836 - SO WHAT? YOU COME TO ARREST ME AGAIN, HAVE YOU? 528 00:20:36,869 --> 00:20:38,538 - FIRST OFF, YOU MIGHT WANT 529 00:20:38,571 --> 00:20:40,407 TO LOWER THAT PAINT GUN, ALICE COOPER. 530 00:20:40,440 --> 00:20:41,841 SECONDLY, DOES THE NAME ALBERT SEMENTO 531 00:20:41,874 --> 00:20:43,576 RING ANY BELLS IN YOUR DEAD HEAD? 532 00:20:43,610 --> 00:20:45,512 - UH, NO. 533 00:20:45,545 --> 00:20:46,946 - WELL, HE'S BEEN MISSING FOR A FEW DAYS, 534 00:20:46,979 --> 00:20:49,516 AND WE JUST LOCATED HIS CAR NOT THAT FAR FROM HERE. 535 00:20:49,549 --> 00:20:50,817 - SPATTERED WITH BLOOD. 536 00:20:50,850 --> 00:20:52,619 AND GUESS WHAT ADDRESS WAS ON HIS GPS? 537 00:20:52,652 --> 00:20:53,920 - DO WE ALL GET ONE GUESS? 538 00:20:53,953 --> 00:20:55,922 OR CAN-- - IT'S OBVIOUS... 539 00:20:55,955 --> 00:20:57,290 IT WAS THIS HOUSE. 540 00:20:57,324 --> 00:20:59,826 HI. MARTIN KAHN-- HARVARD. 541 00:20:59,859 --> 00:21:01,561 - CARLTON LASSITER-- SHUT UP. 542 00:21:01,594 --> 00:21:02,862 - WELL, I DON'T KNOW ANY ALBERT SEMENTO, 543 00:21:02,895 --> 00:21:04,531 AND THERE'S NO ONE HERE BY THAT NAME, ALL RIGHT? 544 00:21:04,564 --> 00:21:05,765 - BUT THERE IS SOMEONE HERE 545 00:21:05,798 --> 00:21:07,667 NAMED HIGHWAY HARRY, AND HE IS DEAD. 546 00:21:07,700 --> 00:21:08,901 - ARE YOU TELLING ME THERE'S A DEAD PERSON IN THIS HOUSE? 547 00:21:08,935 --> 00:21:10,337 - HE WAS MURDERED BY RIP, AND, YES, 548 00:21:10,370 --> 00:21:11,771 WE ALREADY CALLED DIBS ON HIS MEAL. 549 00:21:11,804 --> 00:21:12,839 - AND WHERE'S RIP? 550 00:21:12,872 --> 00:21:14,507 - HE IS SOMEWHERE IN THIS HOUSE, 551 00:21:14,541 --> 00:21:16,843 KICKING ASS IN A CLASSIC GAME OF HIDE-AND-SEEK. 552 00:21:16,876 --> 00:21:17,877 - SHOW US THE BODY. 553 00:21:17,910 --> 00:21:19,812 - ALL RIGHT. 554 00:21:22,849 --> 00:21:24,551 - HARRY'S GONE. 555 00:21:24,584 --> 00:21:25,885 - GREAT SCOTT, THAT'S IMPOSSIBLE. 556 00:21:25,918 --> 00:21:27,354 - NO, IT ISN'T. 557 00:21:27,387 --> 00:21:28,921 RIP MOVED THE BODY TO GET RID OF ANY EVIDENCE. 558 00:21:28,955 --> 00:21:30,590 - WHAT IS THAT SMELL? 559 00:21:30,623 --> 00:21:31,891 [all sniffing] 560 00:21:31,924 --> 00:21:33,493 - OH. GUS STEPPED IN SOME-- 561 00:21:33,526 --> 00:21:36,829 - IT'S BURNING LONDON BROIL. - EXCUSE ME. 562 00:21:36,863 --> 00:21:37,964 - ALL RIGHT, EVERYBODY. LISTEN UP. 563 00:21:37,997 --> 00:21:39,666 AS OF 2100 HOURS, WE ARE OFFICIALLY 564 00:21:39,699 --> 00:21:40,700 ON A PHASE FOUR LOCKDOWN. 565 00:21:40,733 --> 00:21:42,402 - PHASE FOUR? 566 00:21:42,435 --> 00:21:44,003 WHAT HAPPENED TO THE OTHER THREE PHASES, YOU CHEAP BA-- 567 00:21:44,036 --> 00:21:48,908 - [screaming] 568 00:21:53,112 --> 00:21:55,448 - OH, MY GOD. 569 00:21:55,482 --> 00:21:57,450 RIP. 570 00:21:58,751 --> 00:22:02,955 - ALSO KNOWN BY HIS BIRTH NAME-- ALBERT SEMENTO. 571 00:22:02,989 --> 00:22:04,391 [all gasp] 572 00:22:10,963 --> 00:22:12,465 - DO YOU MEAN TO TELL ME 573 00:22:12,499 --> 00:22:13,900 THAT NONE OF YOU KNEW RIP'S REAL NAME? 574 00:22:13,933 --> 00:22:15,668 - OKAY, WE'VE GOT TWO STAB WOUNDS. 575 00:22:15,702 --> 00:22:17,437 LOOKS TO ME LIKE AN ICE PICK. 576 00:22:17,470 --> 00:22:19,071 AND IT'S IMPOSSIBLE TO TELL HOW LONG HE'S BEEN DEAD. 577 00:22:19,105 --> 00:22:21,073 COULD BE TWO DAYS. COULD BE TWO HOURS. 578 00:22:21,107 --> 00:22:22,509 - ALL RIGHT, PEOPLE, LISTEN UP. 579 00:22:22,542 --> 00:22:23,710 THIS IS OFFICIALLY A CRIME SCENE, 580 00:22:23,743 --> 00:22:26,078 AND I AM NOW CALLING THE SHOTS. 581 00:22:26,112 --> 00:22:28,681 AND MY FINELY HONED INVESTIGATIVE SKILLS 582 00:22:28,715 --> 00:22:30,950 ARE TELLING ME THAT SOMEONE IN THIS ROOM 583 00:22:30,983 --> 00:22:32,519 IS RESPONSIBLE FOR THE MURDERS 584 00:22:32,552 --> 00:22:34,854 OF AL SEMENTO AND HIGHWAY HARRY. 585 00:22:34,887 --> 00:22:36,956 NOW, I'M NOT SURE IF YOU'RE FAMILIAR 586 00:22:36,989 --> 00:22:39,459 WITH THE 1984 CHUCK NORRIS CLASSIC, MISSING IN ACTION, 587 00:22:39,492 --> 00:22:41,961 BUT MY PARTNER AND I ARE ABOUT TO GRILL 588 00:22:41,994 --> 00:22:43,162 EACH AND EVERY ONE OF YOU 589 00:22:43,195 --> 00:22:45,798 LIKE COLONEL BRADDOCK DID THE VIETCONG. 590 00:22:45,832 --> 00:22:47,934 - YEAH, I'M NOT DOING THAT. - FINE. 591 00:22:47,967 --> 00:22:49,702 BUT IF ANYONE'S GOING TO BE BOUND AND DENIED OXYGEN, 592 00:22:49,736 --> 00:22:52,138 MIGHT I SUGGEST WE ESTABLISH SOME CLEAR SAFE WORDS? 593 00:22:52,171 --> 00:22:53,606 - MOVE IT OUT, FREAK SHOW. 594 00:22:53,640 --> 00:22:54,941 - NO, THAT'S TOO MANY WORDS. 595 00:22:54,974 --> 00:22:57,944 I WAS THINKING MORE ALONG THE LINES OF "STOP." 596 00:22:57,977 --> 00:23:00,012 I'LL BE IN THE DEN. 597 00:23:03,950 --> 00:23:05,418 - THAT'S NOT MY JOB, MAN. 598 00:23:05,452 --> 00:23:07,454 - I NEED TO KNOW EVERYTHING YOU DID 599 00:23:07,487 --> 00:23:10,690 FROM THE TIME YOU ARRIVED HERE TONIGHT. 600 00:23:10,723 --> 00:23:12,925 - HARVARD. WELL, MARTY... 601 00:23:12,959 --> 00:23:13,993 LET ME TELL YOU WHAT HAPPENS 602 00:23:14,026 --> 00:23:16,095 WHEN YOU CRY "HARVARD" IN PRISON. 603 00:23:16,128 --> 00:23:17,864 A BUNCH OF INMATES GO TO THE PRISON LIBRARY 604 00:23:17,897 --> 00:23:19,165 AND CHECK OUT A BUNCH OF BOOKS 605 00:23:19,198 --> 00:23:20,867 THAT YOU'VE PROBABLY READ COVER TO COVER, 606 00:23:20,900 --> 00:23:23,470 AND THEN THEY TAKE TURNS BEATING YOU WITH THEM 607 00:23:23,503 --> 00:23:25,805 UNTIL YOU FORGET YOU EVER WENT TO-- 608 00:23:25,838 --> 00:23:27,540 CARE TO GUESS? 609 00:23:27,574 --> 00:23:28,908 - [whimpers] HARVARD. 610 00:23:28,941 --> 00:23:31,177 - YOU REALLY ARE SMART. 611 00:23:31,210 --> 00:23:32,645 [door locks] 612 00:23:33,646 --> 00:23:35,047 [door locks] 613 00:23:37,784 --> 00:23:39,519 - JUST ANSWER THE QUESTION, BILLY. 614 00:23:39,552 --> 00:23:42,021 - ALL RIGHT, BUT FIRST, I HAVE A QUESTION FOR YOU. 615 00:23:42,054 --> 00:23:45,024 WOULD YOU EVER CONSIDER QUITTING POLICE WORK 616 00:23:45,057 --> 00:23:47,960 AND GOING ON TOUR AND SLEEPING WITH ME 617 00:23:47,994 --> 00:23:49,195 AND MY BAND AND MY CREW? 618 00:23:49,228 --> 00:23:50,797 [thunder rumbles] 619 00:23:50,830 --> 00:23:54,033 PROFESSIONALLY. 620 00:23:54,066 --> 00:23:55,935 M&M? 621 00:23:55,968 --> 00:23:57,870 - ALL I KNOW IS I'VE GOT A FROZEN BODY 622 00:23:57,904 --> 00:23:59,038 AND YOUR ALIBI DOESN'T HOLD WATER. 623 00:23:59,071 --> 00:24:00,540 NOW START TALKING. 624 00:24:00,573 --> 00:24:02,174 - THIS IS A JOKE, RIGHT, LASSIE? 625 00:24:02,208 --> 00:24:03,976 - COME ON, MAN, YOU KNOW I DIDN'T KILL THOSE DUDES. 626 00:24:04,010 --> 00:24:06,245 - HOLD ON. WHY ARE YOU EMPHASIZING THE WORD "I"? 627 00:24:06,278 --> 00:24:07,246 - I DON'T KNOW. 628 00:24:07,279 --> 00:24:09,148 MAYBE BECAUSE YOU DISAPPEARED FOR TEN MINUTES 629 00:24:09,181 --> 00:24:10,817 AFTER CLIZBY GAVE US A TOUR OF THE HOUSE. 630 00:24:10,850 --> 00:24:11,951 - MAN, YOU KNOW I DOUBLED BACK AROUND 631 00:24:11,984 --> 00:24:13,986 TO THAT BOWL OF LICORICE PASTELS. 632 00:24:14,020 --> 00:24:16,489 AND WHEN I RETURNED, GUESS WHO WAS SUSPICIOUSLY GONE. 633 00:24:16,523 --> 00:24:18,257 - MAN, YOU KNOW, I, TOO, CRAVE THOSE LICORICE PASTELS. 634 00:24:18,290 --> 00:24:20,627 AND I DOUBLED BACK AFTER YOU DOUBLED BACK. 635 00:24:20,660 --> 00:24:22,662 - LIAR. I ATE THEM ALL, SUCKER. 636 00:24:22,695 --> 00:24:24,931 - LIAR! YOU ATE ALL OF THEM BUT THE BLACK ONES. 637 00:24:24,964 --> 00:24:26,098 SUCK IT. 638 00:24:26,132 --> 00:24:27,534 - YOU SUCK IT. - YOU SUCK IT. 639 00:24:27,567 --> 00:24:30,002 both: * SUCK IT 640 00:24:33,039 --> 00:24:34,541 - ALL RIGHT, WHAT DID YOU LEARN FROM CLIZBY? 641 00:24:34,574 --> 00:24:35,708 - [lisps] IT'S CLIZBY. [knocking on door] 642 00:24:35,742 --> 00:24:37,677 - STOP IT! CLIFBY? 643 00:24:37,710 --> 00:24:41,848 - CLIZBY. [knocking on door] 644 00:24:41,881 --> 00:24:44,050 - HEY! - NOT YOU, GUSTER. 645 00:24:44,083 --> 00:24:45,852 - SO WHAT HAVE WE GLEANED FROM THE GRILLINGS? 646 00:24:45,885 --> 00:24:48,254 - THAT ANY ONE OF THESE GUESTS COULD HAVE COMMITTED THE MURDERS 647 00:24:48,287 --> 00:24:50,022 AND THAT THEY'RE ALL POINTING FINGERS AT EACH OTHER. 648 00:24:50,056 --> 00:24:51,524 - LIKE THIS. OW! 649 00:24:51,558 --> 00:24:53,125 - AND THEY ALL CLAIM THAT A VAST AMOUNT 650 00:24:53,159 --> 00:24:55,094 OF DIRTY LAUNDRY WAS AIRED DURING BILLY LIPPS' TRIAL. 651 00:24:55,127 --> 00:24:55,995 APPARENTLY, THEY ALL HAD SOME 652 00:24:56,028 --> 00:24:57,664 PRETTY DAMNING THINGS TO SAY ABOUT HIM. 653 00:24:57,697 --> 00:24:59,131 - WAIT A MINUTE. 654 00:24:59,165 --> 00:25:01,033 EVERYONE INVITED TONIGHT TESTIFIED AT BILLY'S TRIAL. 655 00:25:01,067 --> 00:25:01,801 THAT MEANS WE ALL PLAYED A ROLE 656 00:25:01,834 --> 00:25:03,570 IN SENDING BILLY OFF TO PRISON-- 657 00:25:03,603 --> 00:25:05,004 AN EXPERIENCE HE CLAIMS WAS A BLESSING, 658 00:25:05,037 --> 00:25:06,773 BUT I BELIEVE DEEP DOWN HE'S RESENTFUL AND BITTER 659 00:25:06,806 --> 00:25:08,608 THAT HIS WIFE WAS STOLEN FROM HIM 660 00:25:08,641 --> 00:25:11,043 BY THAT BEAUTIFUL BASTARD-FACE DANCER DEREK HOUGH--HIS WORDS. 661 00:25:11,077 --> 00:25:12,211 THOUGH I, TOO, WOULD HAVE CHOSEN THE WORD "DEREK." 662 00:25:12,244 --> 00:25:13,880 OH, MY GOD. 663 00:25:13,913 --> 00:25:15,582 BILLY LIPPS DIDN'T INVITE US HERE TONIGHT TO CELEBRATE. 664 00:25:15,615 --> 00:25:17,984 HE INVITED US HERE TO EXACT REVENGE. 665 00:25:18,017 --> 00:25:20,587 HIGHWAY HARRY AND RIP WERE HIS FIRST VICTIMS. 666 00:25:20,620 --> 00:25:21,988 BUT HE IS PLANNING ON TAKING US OUT ONE BY ONE 667 00:25:22,021 --> 00:25:23,590 BY ONE BY ONE BY ONE BY ONE BY ONE. 668 00:25:23,623 --> 00:25:25,858 - SO HE'S GOING TO KILL FOUR MORE PEOPLE? 669 00:25:25,892 --> 00:25:27,627 - NO. HE'S GOING TO KILL FIVE MORE PEOPLE. 670 00:25:27,660 --> 00:25:29,896 TWO PLUS ONE PLUS ONE PLUS ONE PLUS ONE PLUS ONE IS SEVEN. 671 00:25:29,929 --> 00:25:32,832 - LET'S TALK TO LIPPS. - YEAH. 672 00:25:34,366 --> 00:25:35,868 - LIPPS SPLIT. 673 00:25:35,902 --> 00:25:38,237 THE OTHER GUESTS ARE IN GRAVE DANGER. 674 00:25:40,873 --> 00:25:42,041 [thunder booms] 675 00:25:42,074 --> 00:25:44,143 EVERYBODY, LISTEN UP! 676 00:25:44,176 --> 00:25:46,078 WHEN I CALL YOUR NAMES, YOU ANSWER. 677 00:25:46,112 --> 00:25:48,915 MARTIN! - DETECTIVE, I HAVE RIGHTS! 678 00:25:48,948 --> 00:25:52,051 - LESLIE! - I'M FL--FL--FLAB-- 679 00:25:52,084 --> 00:25:53,352 - FLABBERGASTED? - CLIZBY? 680 00:25:53,385 --> 00:25:57,957 - MAN, YOU KNOW I'M IN HERE. - GUSTER. 681 00:25:57,990 --> 00:25:59,992 GUSTER? - GUS? 682 00:26:01,894 --> 00:26:03,963 GUS? [thunder booms] 683 00:26:03,996 --> 00:26:06,866 GUS? 684 00:26:06,899 --> 00:26:09,268 OH, NO. BILLY MUST HAVE TAKEN HIM. 685 00:26:09,301 --> 00:26:12,104 - HOW IN THE HELL DID LIPPS GET OUT OF THE DEN, 686 00:26:12,138 --> 00:26:14,941 INTO THE LIVING ROOM, AND ABDUCT GUS WITHOUT ANYONE SEEING HIM? 687 00:26:14,974 --> 00:26:16,643 - THIS IS ALL MY FAULT. I LEFT HIM. 688 00:26:16,676 --> 00:26:18,611 AND I BROUGHT HIM AS MY PLUS-ONE. 689 00:26:18,645 --> 00:26:20,847 THIS SHOULD HAVE BEEN YOU, JULES. 690 00:26:20,880 --> 00:26:21,881 - SHAWN. 691 00:26:21,914 --> 00:26:24,350 [gunshot] 692 00:26:28,054 --> 00:26:29,956 - RUMOR HAS IT THAT THE SECRET CHOCOLATE ROOM 693 00:26:29,989 --> 00:26:32,358 IS SOMEWHERE OFF THE LIVING ROOM. 694 00:26:34,794 --> 00:26:37,630 - GUS? 695 00:26:37,664 --> 00:26:39,231 - ALL I KNOW IS I'VE GOT A FROZEN BODY 696 00:26:39,265 --> 00:26:40,399 AND YOUR ALIBI DOESN'T HOLD WATER. 697 00:26:40,432 --> 00:26:42,935 NOW START TALKING! 698 00:26:42,969 --> 00:26:44,170 - DID YOU GO LOOKING FOR... 699 00:26:44,203 --> 00:26:46,839 [French accent] THE CHOCOLATE ROOM? 700 00:26:59,819 --> 00:27:03,189 YOU DESERVED BETTER, MY MAGNIFICENT FRIEND. 701 00:27:11,731 --> 00:27:13,199 - TOUPEES. 702 00:27:13,232 --> 00:27:15,134 - [crying] 703 00:27:15,167 --> 00:27:16,969 - OH, NO. GUS. 704 00:27:17,003 --> 00:27:18,671 - [crying] I-I-I THOUGHT-- 705 00:27:18,705 --> 00:27:23,009 I THOUGHT IT WAS THE CHOCOLATE ROOM. 706 00:27:23,042 --> 00:27:24,376 - I KNOW YOU DID, BUDDY. COME ON, LET'S-- 707 00:27:24,410 --> 00:27:25,778 LET'S GET OUT OF YOU HERE. 708 00:27:25,812 --> 00:27:27,747 - [sobbing] NO, NO. - COME ON. 709 00:27:27,780 --> 00:27:29,181 YOU CAN DO IT. 710 00:27:33,285 --> 00:27:34,921 [thunder booms] 711 00:27:37,056 --> 00:27:39,058 - I FOUND GUS. HE'S ALL RIGHT. 712 00:27:39,091 --> 00:27:40,392 - HE DOESN'T LOOK ALL RIGHT. 713 00:27:40,426 --> 00:27:42,461 - [groans] I THOUGHT IT WAS CHOCOLATE. 714 00:27:42,494 --> 00:27:43,963 - I KNOW. 715 00:27:43,996 --> 00:27:47,033 - I'VE WRITTEN A NEW SONG! 716 00:27:47,066 --> 00:27:49,135 - [whimpering] 717 00:27:52,872 --> 00:27:54,774 [thunder booms] 718 00:27:54,807 --> 00:27:56,042 - HOW THE HELL DID YOU ALL GET OUT OF YOUR ROOMS? 719 00:27:56,075 --> 00:27:57,409 - I'VE WRITTEN A SONG! 720 00:27:57,443 --> 00:27:59,245 YOW, YEAH! 721 00:27:59,278 --> 00:28:02,949 'CAUSE I'M A GENIUS IN ME OWN GENES. 722 00:28:02,982 --> 00:28:05,317 GATHER ROUND. COME ON, PEOPLE. 723 00:28:05,351 --> 00:28:08,387 OH, AFTER-PARTY WILL BE IN MY PANTS. 724 00:28:08,420 --> 00:28:10,957 IT'S A HIT SONG THAT I HAVE PENNED... 725 00:28:10,990 --> 00:28:12,324 [strums guitar] IN MEMORY OF MY MATES, 726 00:28:12,358 --> 00:28:14,761 RIP AND HIGHWAY HARRY. 727 00:28:14,794 --> 00:28:15,995 [strums guitar] 728 00:28:16,028 --> 00:28:17,096 - ALL RIGHT, ENOUGH OF THIS NONSENSE. 729 00:28:17,129 --> 00:28:18,130 YOU'RE UNDER ARREST, LIPPS. 730 00:28:18,164 --> 00:28:19,398 [strums guitar] 731 00:28:19,431 --> 00:28:23,970 [whistling] 732 00:28:24,003 --> 00:28:27,139 - I WAS SPEAKING ENGLISH, RIGHT? 733 00:28:27,173 --> 00:28:32,144 - [continues whistling] 734 00:28:32,178 --> 00:28:34,981 * IT'S A LONG ROAD, MY BROTHERS * 735 00:28:35,014 --> 00:28:38,785 * AND WE TRAVEL IT ALONE 736 00:28:38,818 --> 00:28:41,453 * TOGETHER WE RIDE FOREVER 737 00:28:41,487 --> 00:28:44,490 * FOREVER, TO THE OTHER SIDE * 738 00:28:44,523 --> 00:28:46,258 * IT'S A LONG ROAD 739 00:28:46,292 --> 00:28:48,460 - WAIT A MINUTE-- SO HE'S RIDING SOLO 740 00:28:48,494 --> 00:28:49,661 TO THE OTHER SIDE OR-- 741 00:28:49,695 --> 00:28:51,931 - I THINK HE STARTS OFF ALONE, AND THEN HE JOINS HIS FRIENDS. 742 00:28:51,964 --> 00:28:52,865 I THINK. 743 00:28:52,899 --> 00:28:54,834 - THEY'RE WAITING FOR HIM? - I DON'T KNOW. 744 00:28:54,867 --> 00:28:57,436 - WELL, IT'S NOT CLEAR WHO HE'S WITH. 745 00:28:57,469 --> 00:28:59,471 - * TOGETHER, ALONE, ALONE 746 00:28:59,505 --> 00:29:01,841 * ALONE, ALONE, ALONE 747 00:29:01,874 --> 00:29:03,209 * ALONE, ALONE, TOGETHER 748 00:29:03,242 --> 00:29:05,812 * AND TOGETHER, ALONE, ALONE [chandelier rattling] 749 00:29:05,845 --> 00:29:08,447 * ALONE, ALONE, ALONE, ALONE * 750 00:29:08,480 --> 00:29:11,050 - BILLY, MOVE! - DON'T MOVE, BILLY. 751 00:29:11,083 --> 00:29:13,352 - * TOGETHER ALONE 752 00:29:16,088 --> 00:29:19,058 - AAH! AAH! 753 00:29:19,091 --> 00:29:20,827 - [groans] 754 00:29:24,897 --> 00:29:27,900 - OH. THAT IS QUITE A MESS. 755 00:29:32,104 --> 00:29:34,807 - I DON'T KNOW WHAT THE HELL'S GOING ON AROUND HERE, LIPPS, 756 00:29:34,841 --> 00:29:36,008 BUT DON'T GO THINKING YOU'RE IN THE CLEAR. 757 00:29:36,042 --> 00:29:37,877 YOU'VE GOT A LOT OF EXPLAINING TO DO. 758 00:29:37,910 --> 00:29:39,178 - CAN I MAKE A PHONE CALL? 759 00:29:39,211 --> 00:29:40,346 - PHONE CALL? TO WHO? 760 00:29:40,379 --> 00:29:42,381 - I HAVE TO TALK TO MY SHRINK. 761 00:29:42,414 --> 00:29:44,550 IT WAS RIP WHO ACTUALLY TURNED ME ON TO HER. 762 00:29:44,583 --> 00:29:46,585 SHE'S BEEN WORKING MIRACLES FOR US. 763 00:29:46,618 --> 00:29:49,088 HELPING US TO GET BACK ALL THE YEARS THAT WE LOST TO DRUGS 764 00:29:49,121 --> 00:29:52,925 AND LATE NIGHT GAMES OF "CLOCK ME NOGGIN." 765 00:29:52,959 --> 00:29:55,527 - THAT'S A WHITE MAN'S GAME. 766 00:29:55,561 --> 00:29:57,363 - IT'S TRUE. - PULL YOURSELF TOGETHER, MAN. 767 00:29:57,396 --> 00:29:59,065 YOU CAN CALL YOUR QUACK RIGHT AFTER I FIGURE OUT 768 00:29:59,098 --> 00:30:01,367 WHICH ONE OF THESE THREE'S THE KILLER. 769 00:30:06,072 --> 00:30:08,240 [feminine voice shrieks] 770 00:30:12,078 --> 00:30:14,113 - O'HARA, COVER ME. 771 00:30:15,281 --> 00:30:17,349 [thunder booms] 772 00:30:17,383 --> 00:30:19,018 - CURT SMITH! - WHAT? 773 00:30:19,051 --> 00:30:20,419 - THIS IS AWESOME. - WHAT ARE YOU DOING HERE? 774 00:30:20,452 --> 00:30:22,188 - BILLY INVITED ME. 775 00:30:22,221 --> 00:30:23,589 - I'M PRODUCING HIS NEW ALBUM, 776 00:30:23,622 --> 00:30:25,291 CURT SMITH DUETS WITH CURT SMITH. 777 00:30:25,324 --> 00:30:27,026 HOW ARE YOU, MATE? 778 00:30:27,059 --> 00:30:29,028 - WELL, BILLY, I'VE BEEN SHOT IN THE DIAPHRAGM.... 779 00:30:29,061 --> 00:30:30,529 [all gasp] 780 00:30:30,562 --> 00:30:33,065 AND I'M FAIRLY CERTAIN I WAS ALSO ATTACKED BY... 781 00:30:33,099 --> 00:30:34,433 AN ADULT PANTHER? 782 00:30:34,466 --> 00:30:36,535 - EMMA, SURE. - DID YOU SAY "SHOT"? 783 00:30:36,568 --> 00:30:38,437 - THAT WOULD EXPLAIN THE SHOT WE HEARD. 784 00:30:38,470 --> 00:30:39,939 - [groans] - OH. 785 00:30:39,972 --> 00:30:41,007 - [gasps] - OH. 786 00:30:41,040 --> 00:30:42,608 - ELEVATE HIM! ELEVATE HIM! 787 00:30:42,641 --> 00:30:45,577 - HE--HE IS DECEPTIVELY HEAVY! 788 00:30:45,611 --> 00:30:47,613 [all grunting] 789 00:30:47,646 --> 00:30:49,381 - LET ME THROUGH. LET ME THROUGH. 790 00:30:49,415 --> 00:30:51,583 - IT'S OKAY, CURT. IT'S REALLY JUST A FLESH WOUND. 791 00:30:51,617 --> 00:30:53,185 DON'T THINK ABOUT IT, OKAY? DON'T THINK ABOUT IT. 792 00:30:53,219 --> 00:30:55,354 WHY DON'T-- WHY DON'T YOU SING US A SONG 793 00:30:55,387 --> 00:30:57,990 FROM YOUR NEW DUETS ALBUM? 794 00:30:58,024 --> 00:30:59,291 - ALL RIGHT. 795 00:30:59,325 --> 00:31:02,895 THE FIRST ONE IS A SPECIAL VERSION OF BILLY BOY. 796 00:31:02,929 --> 00:31:04,630 - OH, BILLY BOY. - SO I START... 797 00:31:04,663 --> 00:31:09,668 * WHERE HAVE YOU GONE, BILLY BOY, BILLY BOY? * 798 00:31:09,701 --> 00:31:11,070 AND THEN I COME IN. 799 00:31:11,103 --> 00:31:13,172 * WHERE HAVE YOU GONE 800 00:31:13,205 --> 00:31:15,407 both: * CHARMING BILLY? 801 00:31:15,441 --> 00:31:17,977 - IS YOUR NAME CURT SMITH? 802 00:31:18,010 --> 00:31:18,945 - [muffled] NO, IT'S NOT. 803 00:31:18,978 --> 00:31:20,512 - THIS IS REALLY SERIOUS. 804 00:31:20,546 --> 00:31:23,015 IT'S SO SERIOUS. IT'S VERY, VERY SERIOUS. 805 00:31:23,049 --> 00:31:24,984 I HAVE TO GET-- all: GO! 806 00:31:25,017 --> 00:31:26,252 - OKAY, YES, I WILL. 807 00:31:26,285 --> 00:31:28,020 - O'HARA, GET ON THE PHONE 808 00:31:28,054 --> 00:31:29,421 AND CALL THE PARAMEDICS. 809 00:31:29,455 --> 00:31:31,357 I DON'T SUPPOSE YOU SAW WHO SHOT YOU? 810 00:31:31,390 --> 00:31:35,427 - I DID, YES. THEY WERE GRIPPING AN ICE PICK. 811 00:31:35,461 --> 00:31:37,596 AND I SAW THE FACE CLEAR AS DAY. 812 00:31:37,629 --> 00:31:40,099 IT WAS... 813 00:31:45,404 --> 00:31:50,176 - NO! NO! 814 00:31:50,209 --> 00:31:54,280 THE LEGEND THAT IS CURT SMITH IS DEAD. 815 00:31:54,313 --> 00:31:58,150 - YOUR HAND IS ON THE GENTLEMAN'S HEAD. 816 00:31:58,184 --> 00:31:59,685 - HE'S STILL ALIVE. - OH, THANK GOD! 817 00:31:59,718 --> 00:32:01,020 - ALL RIGHT. 818 00:32:01,053 --> 00:32:03,522 ONE OF YOU IS THE KILLER. 819 00:32:03,555 --> 00:32:05,057 NOW FESS UP. 820 00:32:08,760 --> 00:32:12,064 - WHAT FATHER? HE'S NEVER MET HIS FATHER. 821 00:32:12,098 --> 00:32:16,402 - YOU WERE OUR BUMBER ONE SNOOPY BACK IN THE GAY. 822 00:32:19,305 --> 00:32:22,041 - THE KILLER IS NOT IN THIS ROOM. 823 00:32:22,074 --> 00:32:24,343 - REALLY? 824 00:32:24,376 --> 00:32:28,114 - I'M SORRY. THE KILLER IS IN THIS ROOM. 825 00:32:28,147 --> 00:32:30,549 - IS THE KILLER IN THIS ROOM OR NOT--YES OR NO? 826 00:32:30,582 --> 00:32:32,118 - YES. 827 00:32:32,151 --> 00:32:33,352 - YES, THE KILLER IS IN THIS ROOM, 828 00:32:33,385 --> 00:32:35,187 OR, YES, THE KILLER IS NOT IN THIS ROOM? 829 00:32:35,221 --> 00:32:38,357 - [British accent] THE KILLER IS LESLIE, THE GROUPIE. 830 00:32:38,390 --> 00:32:39,425 - [gasps] 831 00:32:39,458 --> 00:32:40,759 - THAT'S RIGHT. 832 00:32:40,792 --> 00:32:42,561 YOU HOPSCOTCHED FROM BED TO BED 833 00:32:42,594 --> 00:32:44,530 WITH RICH ROCK STARS BACK IN THE DAY, 834 00:32:44,563 --> 00:32:46,565 AND IT LED TO A PEA IN YOUR POD. 835 00:32:46,598 --> 00:32:50,136 THE QUESTION IS, WHO IS THE DADDY? 836 00:32:50,169 --> 00:32:52,204 WASN'T SO EASY TO FORCE A PATERNITY TEST BACK THEN. 837 00:32:52,238 --> 00:32:55,507 SO YOU WERE LEFT TO RAISE YOUR CHILD ALL BY YOURSELF. 838 00:32:55,541 --> 00:32:58,444 YEARS OF BITTERNESS FUELED A VENGEFUL FIRE 839 00:32:58,477 --> 00:33:00,279 MADE FROM FLAMES, 840 00:33:00,312 --> 00:33:01,580 AND YOU CAME BACK HERE TONIGHT 841 00:33:01,613 --> 00:33:03,315 TO OFF ALL THE POTENTIAL DADDIES, 842 00:33:03,349 --> 00:33:05,617 ONE BY ONE BY ONE BY ONE BY ONE. 843 00:33:05,651 --> 00:33:08,287 I'M ALSO SENSING THAT YOU LIFTED A FEW ITEMS 844 00:33:08,320 --> 00:33:11,157 WITH DNA ON THEM THIS EVENING. 845 00:33:11,190 --> 00:33:14,593 - [gasps] OH! 846 00:33:14,626 --> 00:33:18,164 - WHAT A BRILLIANT YET MURDEROUS PLAN. 847 00:33:18,197 --> 00:33:21,800 COME BACK HERE, TAKE OUT ALL THE POTENTIAL DADDIES, 848 00:33:21,833 --> 00:33:24,236 USE DNA TO FIGURE OUT WHO THE REAL ONE WAS, 849 00:33:24,270 --> 00:33:26,638 AND THEN COLLECT MONEY FROM THEIR ESTATE 850 00:33:26,672 --> 00:33:29,141 TO BETTER SUPPORT YOUR CHILD. 851 00:33:29,175 --> 00:33:30,442 AH. 852 00:33:30,476 --> 00:33:32,478 - OKAY! I TOOK ALL THE ITEMS. 853 00:33:32,511 --> 00:33:36,182 BUT IT WAS ONLY BECAUSE I NEEDED SOME EXTRA CASH. 854 00:33:36,215 --> 00:33:39,151 I WAS GOING TO PUT THEM ON eBAY. 855 00:33:39,185 --> 00:33:40,752 I WAS HIT HARD BY THE RECE-- 856 00:33:40,786 --> 00:33:42,688 RECE--RE-R-- 857 00:33:42,721 --> 00:33:43,755 all: RECESSION! 858 00:33:43,789 --> 00:33:45,124 - YES. 859 00:33:45,157 --> 00:33:47,293 BUT I NEVER, NEVER HURT ANYONE. 860 00:33:47,326 --> 00:33:50,262 AND I KNOW WHO GERMAINE'S FATHER 861 00:33:50,296 --> 00:33:52,398 REALLY IS. 862 00:33:54,200 --> 00:33:56,802 [both gasp] 863 00:33:56,835 --> 00:33:58,104 - [gasps] 864 00:33:58,137 --> 00:34:02,108 FROM OUR ONE NIGHT OF PASSION. 865 00:34:02,141 --> 00:34:03,008 I REMEMBER IT SO CLEARLY. 866 00:34:03,041 --> 00:34:05,544 YOU WERE A VISION IN YOUR BIRTHDAY SUIT. 867 00:34:05,577 --> 00:34:08,414 - [giggles] - AND ON THAT SAME NIGHT, 868 00:34:08,447 --> 00:34:10,816 MELINDA LANE WAS FOUND DEAD IN THE GUEST ROOM. 869 00:34:10,849 --> 00:34:15,221 WE WERE SLEEPING WHEN I HEARD BILLY SCREAMING FOR HELP. 870 00:34:15,254 --> 00:34:16,522 I RUSHED TO THE ROOM WITH MARTIN, 871 00:34:16,555 --> 00:34:17,823 AND YOU STAYED BEHIND... - YES. 872 00:34:17,856 --> 00:34:20,859 - IN A DEEP SLEEP FROM ALL OF THE ALCOHOL, 873 00:34:20,892 --> 00:34:23,695 QUAALUDES, AND CLIZBY. 874 00:34:23,729 --> 00:34:25,564 - OH, I OBSESSED OVER 875 00:34:25,597 --> 00:34:27,733 WHETHER TO TELL YOU ABOUT GERMAINE, 876 00:34:27,766 --> 00:34:31,103 BECAUSE I WAS ONLY SLEEPING WITH THE BUTLER. 877 00:34:31,137 --> 00:34:34,606 I WAS WORRIED THEY WOULD FIRE YOU, CLIZBY. 878 00:34:34,640 --> 00:34:36,242 - WELL, SPENCER, YOUR WHOLE LESLIE THEORY 879 00:34:36,275 --> 00:34:37,509 DOESN'T SEEM TO BE HOLDING WATER, NOW, DOES IT? 880 00:34:37,543 --> 00:34:39,245 - JUST, YOU KNOW, FOR THE RECORD, 881 00:34:39,278 --> 00:34:42,781 I'M PRETTY SURE THAT LESLIE AND I HAD SEX. 882 00:34:42,814 --> 00:34:44,816 - I DIDN'T SLEEP WITH YOU, BILLY. 883 00:34:44,850 --> 00:34:46,718 AND I DIDN'T SLEEP WITH RIP. 884 00:34:46,752 --> 00:34:49,188 AND I CERTAINLY DIDN'T SLEEP WITH HIGHWAY HARRY. 885 00:34:49,221 --> 00:34:50,522 [thunder booms, electricity fizzles] 886 00:34:50,556 --> 00:34:52,158 [all gasp] 887 00:34:52,191 --> 00:34:55,494 - [slurring] SHE'S RIGHT. WE NEVER DID IT. 888 00:34:55,527 --> 00:34:57,363 [all gasp] 889 00:34:57,396 --> 00:35:00,266 IT WAS--IT WAS LIKE SHOOTING POOL WITH A ROPE. 890 00:35:00,299 --> 00:35:02,168 - FREEZE! 891 00:35:02,201 --> 00:35:03,435 [candy clinks] 892 00:35:05,871 --> 00:35:08,574 [thunder booms] 893 00:35:08,607 --> 00:35:14,146 - YOU PUT THAT GUN ON THE FLOOR AND KICK IT OVER. 894 00:35:14,180 --> 00:35:16,348 - HARRY, MATE! WE THOUGHT YOU WERE DEAD. 895 00:35:16,382 --> 00:35:17,649 WHERE HAVE YOU BEEN? 896 00:35:17,683 --> 00:35:19,185 - I BACKED OOT, 897 00:35:19,218 --> 00:35:21,353 YOKE UP, EVERY BLONDE WAS BLONDE. 898 00:35:21,387 --> 00:35:22,621 - YEAH? 899 00:35:22,654 --> 00:35:23,722 - POUND OF BUNS IN THE YARD. 900 00:35:23,755 --> 00:35:25,391 HOVERED THE ROCKET BOOM. ZIT. 901 00:35:25,424 --> 00:35:26,892 - HE BLACKED OUT, WOKE UP, 902 00:35:26,925 --> 00:35:29,628 EVERYONE WAS GONE, FOUND A GUN IN THE YARD, 903 00:35:29,661 --> 00:35:31,263 AND THEN DISCOVERED THE CHOCOLATE ROOM, 904 00:35:31,297 --> 00:35:33,732 AND THAT WAS IT. 905 00:35:33,765 --> 00:35:36,268 - YOU TELL ME WHERE THAT CHOCOLATE ROOM IS RIGHT NOW, 906 00:35:36,302 --> 00:35:37,503 OR I WILL KILL YOU MYSELF. 907 00:35:37,536 --> 00:35:39,838 - I DON'T--STONE BLENDER. 908 00:35:39,871 --> 00:35:41,640 - WHAT? - HE DOESN'T REMEMBER. 909 00:35:41,673 --> 00:35:45,744 - YOU SUMBITCH. 910 00:35:45,777 --> 00:35:48,847 - BUT THEN WHO HIT HARRY ON THE BACK OF THE HEAD? 911 00:35:48,880 --> 00:35:50,616 - OH, BE BOB. 912 00:35:50,649 --> 00:35:54,586 BIT ME WITH A BOT AND BALDY TO GROOVE OUT OF HER BLAZEMINT. 913 00:35:54,620 --> 00:35:56,688 - HIS MUM HIT HIM ON THE BACK OF THE HEAD WITH A POT 914 00:35:56,722 --> 00:35:59,291 AND TOLD HIM TO MOVE OUT OF HER BASEMENT. 915 00:35:59,325 --> 00:36:00,726 - YOU LIVE IN YOUR MOTHER'S BASEMENT? 916 00:36:00,759 --> 00:36:01,760 - DON'T JUDGE ME. 917 00:36:01,793 --> 00:36:03,195 - DON'T JUDGE ME! 918 00:36:03,229 --> 00:36:07,466 - OKAY, SO SOMEONE IN THIS ROOM KILLED RIP, 919 00:36:07,499 --> 00:36:08,900 DRAGGED HIM TO THE FREEZER, 920 00:36:08,934 --> 00:36:10,736 DUMPED THE MURDER WEAPON IN THE FRONT YARD, 921 00:36:10,769 --> 00:36:11,770 SHOT CURT SMITH, 922 00:36:11,803 --> 00:36:15,407 AND ORCHESTRATED THE COLOSSAL-CHANDELIER TRAP? 923 00:36:15,441 --> 00:36:17,843 - SHE'S SUMMARIZING, THE FEMALE DETECTIVE. 924 00:36:17,876 --> 00:36:19,978 SHE'S GIVING US A SUMMARY OF THE NIGHT'S EVENTS. 925 00:36:20,011 --> 00:36:21,880 - MY POINT IS THAT PERHAPS IT WASN'T 926 00:36:21,913 --> 00:36:23,882 ONE PERSON WHO COMMITTED THE CRIMES. 927 00:36:23,915 --> 00:36:25,517 - OH. 928 00:36:25,551 --> 00:36:28,220 - ONE PERSON DIDN'T COMMIT ALL THESE CRIMES. 929 00:36:28,254 --> 00:36:30,256 IT HAD TO BE MORE THAN ONE PERSON. 930 00:36:30,289 --> 00:36:32,224 - YEAH, I'M PRETTY SURE I JUST SAID THAT. 931 00:36:32,258 --> 00:36:33,692 - I MEAN, THINK ABOUT IT. 932 00:36:33,725 --> 00:36:36,328 HOW COULD ONE PERSON HAVE PULLED ALL THIS OFF 933 00:36:36,362 --> 00:36:38,964 WITHOUT AN ACCOMPLICE? - VERY INTERESTING. 934 00:36:38,997 --> 00:36:41,267 WELL, LASSIE, WHAT DO YOU SAY WE PUT JULIET'S THEORY 935 00:36:41,300 --> 00:36:43,269 TO THE TEST? - THANK YOU, SHAWN. 936 00:36:43,302 --> 00:36:44,570 [slap] WHOO! 937 00:36:50,609 --> 00:36:51,943 - PERHAPS IT WAS RIP 938 00:36:51,977 --> 00:36:53,979 WHO KILLED MELINDA ALL THOSE YEARS AGO. 939 00:36:54,012 --> 00:36:56,515 - APPARENTLY RIP AND I GOT INTO A HUGE BRAWL 940 00:36:56,548 --> 00:36:58,384 YEARS AGO OVER MELINDA LANE. 941 00:36:58,417 --> 00:36:59,951 - AFTER ALL, SHE WAS TOYING 942 00:36:59,985 --> 00:37:01,953 WITH BOTH BILLY'S HEART AND HARRY'S HEART. 943 00:37:01,987 --> 00:37:04,256 SHE WAS A CANCER TO THE BAND. 944 00:37:04,290 --> 00:37:07,293 RIP WOULDN'T ALLOW IT, SO HE KILLED HER. 945 00:37:09,995 --> 00:37:11,963 YOU SON OF A BITCH! OW! 946 00:37:11,997 --> 00:37:13,665 - AND RIP'S MIND WAS SUCH MUSH, 947 00:37:13,699 --> 00:37:15,467 HE PROBABLY DIDN'T EVEN REMEMBER COMMITTING THE MURDERS. 948 00:37:15,501 --> 00:37:16,802 BUT THEN, HE STARTED SEEING A SHRINK, 949 00:37:16,835 --> 00:37:17,669 AND ALL THE LOST MEMORIES CAME BACK, 950 00:37:17,703 --> 00:37:19,671 INCLUDING THE MURDER OF MELINDA LANE. 951 00:37:19,705 --> 00:37:20,872 - RIDDLED WITH GUILT, 952 00:37:20,906 --> 00:37:23,008 HE CONFESSED TO BILLY WHAT HE'D DONE. 953 00:37:23,041 --> 00:37:24,976 - AFTER FIVE YEARS IN PRISON FOR A MURDER 954 00:37:25,010 --> 00:37:26,445 YOU DIDN'T COMMIT, YOU SNAPPED. 955 00:37:26,478 --> 00:37:28,647 - AND YOU PICKED UP AN ICE PICK, 956 00:37:28,680 --> 00:37:30,749 AND YOU CHASED HIM THROUGHOUT THE HOUSE! 957 00:37:30,782 --> 00:37:33,652 [screaming] 958 00:37:33,685 --> 00:37:37,889 [screaming continues] 959 00:37:37,923 --> 00:37:39,391 AND YOU CAUGHT HIM, AND YOU PLUNGED THE ICE PICK 960 00:37:39,425 --> 00:37:40,892 INTO HIS BACK, KILLING HIM. 961 00:37:44,963 --> 00:37:48,467 [imitates stabbing sounds] 962 00:37:48,500 --> 00:37:49,735 [sighs] 963 00:37:49,768 --> 00:37:51,870 AND THEN YOU ALMOST THREW UP, 964 00:37:51,903 --> 00:37:53,572 BUT YOU DIDN'T. 965 00:37:53,605 --> 00:37:55,874 AND YOU BENT DOWN AND YOU GRABBED HIS WARM, 966 00:37:55,907 --> 00:37:59,911 THICK, HEAVILY TATTOOED ARMS 967 00:37:59,945 --> 00:38:03,582 AND BEGAN DRAGGING HIS LIFELESS CORPSE. 968 00:38:03,615 --> 00:38:04,850 [grunts] 969 00:38:04,883 --> 00:38:07,586 YOU DRAGGED RIP'S BODY THROUGH THE KITCHEN 970 00:38:07,619 --> 00:38:09,988 AND HID HIM IN THE FREEZER. 971 00:38:10,021 --> 00:38:12,624 [grunts] 972 00:38:12,658 --> 00:38:14,460 - BUT THEN I CAME STRUTTING THROUGH THE DOOR, 973 00:38:14,493 --> 00:38:15,861 AND, STRICKEN WITH PANIC, 974 00:38:15,894 --> 00:38:16,962 YOU HAD TO GET RID OF THE MURDER WEAPON. 975 00:38:16,995 --> 00:38:20,432 - INDEED! TO THE PORTE COCHERE. 976 00:38:23,835 --> 00:38:27,506 AND SO YOU SNUCK INTO THE YARD TO DISPOSE OF THE ICE PICK. 977 00:38:27,539 --> 00:38:28,907 - WHERE YOU SAW CURT SMITH. 978 00:38:28,940 --> 00:38:30,442 - WHAT ARE YOU-- 979 00:38:30,476 --> 00:38:33,845 [gunshot] [groans] 980 00:38:33,879 --> 00:38:36,748 - AND YOU SHOT THE LEGENDARY ROCK ICON DEAD. 981 00:38:36,782 --> 00:38:37,816 all: HE'S NOT DEAD! 982 00:38:37,849 --> 00:38:39,518 - YOU SON OF A BITCH! 983 00:38:39,551 --> 00:38:40,986 [panther snarling] 984 00:38:41,019 --> 00:38:43,889 [all scream] 985 00:38:47,893 --> 00:38:50,862 [breathing heavily] 986 00:38:50,896 --> 00:38:53,399 BOOM. 987 00:38:53,432 --> 00:38:56,535 - BUT THEN WHO TRIED TO KILL BILLY 988 00:38:56,568 --> 00:38:59,037 WITH THAT BIG, MONSTROUS CHANDELIER? 989 00:38:59,070 --> 00:39:01,373 both: * CHOCOLATE DANCE, CHOCOLATE DANCE * 990 00:39:01,407 --> 00:39:06,077 * CHOCOLATE DANCE, YEAH! IT'S AN ENTIRE ROOM * 991 00:39:06,111 --> 00:39:07,979 - YOU KNOW, IT'S FUNNY, 992 00:39:08,013 --> 00:39:11,016 I DON'T HAVE ANY REAL CLARITY ON THAT ONE, BURTON. 993 00:39:11,049 --> 00:39:13,051 - THAT'S A LOT OF NONSENSE. 994 00:39:13,084 --> 00:39:15,487 RIP DIDN'T KILL NOBODY. 995 00:39:15,521 --> 00:39:17,456 HE WAS IN THE ROOM NEXT TO ME ALL NIGHT 996 00:39:17,489 --> 00:39:19,558 SNORING HIS ASS OFF. 997 00:39:19,591 --> 00:39:22,894 - WHICH MEANS I DIDN'T KILL RIP BECAUSE HE DIDN'T KILL MELINDA, 998 00:39:22,928 --> 00:39:24,763 WHICH MEANS I WAS NEVER IN THE YARD 999 00:39:24,796 --> 00:39:26,932 DUMPING ANY MURDER WEAPON 1000 00:39:26,965 --> 00:39:30,836 BECAUSE I DIDN'T MURDER ANYONE! 1001 00:39:30,869 --> 00:39:32,904 EXCEPT FOR MELINDA LANE. 1002 00:39:32,938 --> 00:39:36,174 I GUESS I STILL MURDERED HER. 1003 00:39:36,207 --> 00:39:37,909 - I'M SORRY, SWEETIE. 1004 00:39:37,943 --> 00:39:40,045 IT LOOKS LIKE THIS MULTIPLE-KILLER THEORY 1005 00:39:40,078 --> 00:39:41,847 ISN'T HOLDING MUCH WATER AT THE MOMENT. 1006 00:39:41,880 --> 00:39:43,582 AND YOU'RE RIGHT, BILLY. 1007 00:39:43,615 --> 00:39:45,951 SO EVERYONE GET COMFY, 1008 00:39:45,984 --> 00:39:47,419 'CAUSE I'M GONNA TELL YOU 1009 00:39:47,453 --> 00:39:50,589 HOW THE REAL KILLER PULLED THIS OFF. 1010 00:39:50,622 --> 00:39:51,957 [thunder booms] 1011 00:39:51,990 --> 00:39:52,958 [all gasp] 1012 00:39:57,963 --> 00:40:00,065 - MELINDA LANE WASN'T THE REAL MUSE 1013 00:40:00,098 --> 00:40:02,067 BEHIND THE BAND BACK IN THE DAY. 1014 00:40:02,100 --> 00:40:03,835 THE REAL MUSE 1015 00:40:03,869 --> 00:40:06,004 MAKES THE TASTIEST SNACKS THIS SIDE OF THE PECOS 1016 00:40:06,037 --> 00:40:07,873 AND ALSO HAS A GIFT FOR WHISTLING 1017 00:40:07,906 --> 00:40:09,875 UNDENIABLY CATCHY MELODIES. 1018 00:40:09,908 --> 00:40:12,744 ISN'T THAT RIGHT, CLIZBY? 1019 00:40:12,778 --> 00:40:15,447 - [whistling a tune] 1020 00:40:15,481 --> 00:40:17,916 - [whistling same tune] 1021 00:40:17,949 --> 00:40:20,151 - YOU SEE, BILLY LIPPS AND THE GUYS BEHIND HIM 1022 00:40:20,185 --> 00:40:22,554 HAD BEEN STEALING YOUR TUNES AND CASH FOR YEARS, 1023 00:40:22,588 --> 00:40:27,025 AND ALL YOU HAVE TO SHOW FOR IT IS A $25 WATCH? 1024 00:40:27,058 --> 00:40:27,926 MELINDA KEPT TAKING ALL THE CREDIT 1025 00:40:27,959 --> 00:40:29,661 WITH THE PRESS FOR BEING THE INSPIRATION 1026 00:40:29,695 --> 00:40:31,196 BEHIND ALL THE BAND'S HIT SONGS, 1027 00:40:31,229 --> 00:40:33,532 AND ONE DAY, YOU LOOKED IN THE MIRROR AND SAID, 1028 00:40:33,565 --> 00:40:37,936 "MAN, I'M DONE WITH THESE DAPSHATS." 1029 00:40:37,969 --> 00:40:39,037 YOU SNUCK INTO THE ROOM 1030 00:40:39,070 --> 00:40:42,674 MELINDA WAS SLEEPING, AND YOU SMOTHERED HER GOOD. 1031 00:40:42,708 --> 00:40:44,710 - THAT'S CRAZY, MAN. - IS IT? 1032 00:40:44,743 --> 00:40:47,679 YEARS LATER, RIP, AFTER INTENSIVE PSYCHOTHERAPY, 1033 00:40:47,713 --> 00:40:48,914 STARTED FILLING IN THE BLANKS. 1034 00:40:48,947 --> 00:40:50,516 HE REALIZED IT WAS YOU WHO KILLED MELINDA. 1035 00:40:50,549 --> 00:40:52,884 CAME HERE TO CONFRONT YOU. 1036 00:40:52,918 --> 00:40:54,185 YOU ICE-PICKED HIM 1037 00:40:54,219 --> 00:40:55,621 AND WERE LOOKING FOR A BETTER HIDING PLACE 1038 00:40:55,654 --> 00:40:56,922 FOR YOUR MURDER WEAPON 1039 00:40:56,955 --> 00:40:59,024 WHEN CURT SMITH, LEGEND THAT HE IS, 1040 00:40:59,057 --> 00:41:03,128 FOUND HIMSELF IN THE WRONG PLACE AT THE WRONG TIME. 1041 00:41:03,161 --> 00:41:04,730 MAY HE REST IN PEACE. 1042 00:41:04,763 --> 00:41:05,997 all: HE'S NOT DEAD. 1043 00:41:06,031 --> 00:41:08,066 - OF COURSE IT WAS YOU, CLIZBY, 1044 00:41:08,099 --> 00:41:10,902 WHO LOOSENED THE SCREWS ON THE GINORMOUS CHANDELIER, 1045 00:41:10,936 --> 00:41:12,904 KNOWING FULL WELL THAT IT WAS BILLY'S MAGIC SPOT, 1046 00:41:12,938 --> 00:41:14,606 AND IT WAS ONLY A MATTER OF TIME 1047 00:41:14,640 --> 00:41:18,677 BEFORE IT FELL AND CRUSHED THAT PASTY, THIEVING ASS. 1048 00:41:18,710 --> 00:41:21,813 - CLIZBY! SAY IT ISN'T SO. 1049 00:41:21,847 --> 00:41:23,882 I ONLY HAVE ONE BLACK FRIEND. IT'S YOU. 1050 00:41:23,915 --> 00:41:25,216 AND I JUST DON'T HAVE THE TIME 1051 00:41:25,250 --> 00:41:27,152 OR RESOURCES TO FIND A REPLACEMENT. 1052 00:41:27,185 --> 00:41:30,221 HELLO. WHO ARE YOU? 1053 00:41:30,255 --> 00:41:31,923 - FINE. 1054 00:41:31,957 --> 00:41:33,224 IT WAS ME. 1055 00:41:33,258 --> 00:41:34,993 [all gasp] 1056 00:41:35,026 --> 00:41:38,764 THOSE CATS HAVE BEEN STEALING FROM ME FOR YEARS. 1057 00:41:38,797 --> 00:41:39,965 - HANDS BEHIND YOUR BACK. 1058 00:41:39,998 --> 00:41:42,568 TIME TO GO TO JAIL... 1059 00:41:42,601 --> 00:41:44,002 [lisps] CLIZBY. 1060 00:41:44,035 --> 00:41:45,637 STUPID NAME. 1061 00:41:45,671 --> 00:41:48,006 [slap] - OOH! 1062 00:41:48,039 --> 00:41:49,675 - DON'T WORRY, CURT. 1063 00:41:49,708 --> 00:41:51,042 WE'RE GOING TO BE WITH YOU THE WHOLE WAY, MATE. 1064 00:41:51,076 --> 00:41:52,578 YOU'RE GONNA BE FINE, CURT. 1065 00:41:52,611 --> 00:41:53,979 JUST A FLESH WOUND, BABY. 1066 00:41:54,012 --> 00:41:55,581 BE GOOD AS NEW IN NO TIME. - YOU'RE A TROOPER. 1067 00:41:55,614 --> 00:41:56,848 - CURT SMITH SINGS WITH CURT SMITH. 1068 00:41:56,882 --> 00:41:59,084 [panther snarling] 1069 00:41:59,117 --> 00:42:00,719 - OH, GOD, NO! 1070 00:42:00,752 --> 00:42:04,055 [panther snarling] 1071 00:42:04,089 --> 00:42:06,558 - SOMEBODY SHOULD PROBABLY CALL ANIMAL CONTROL, RIGHT? 1072 00:42:06,592 --> 00:42:07,659 all: YES! 1073 00:42:07,693 --> 00:42:09,027 - GREAT. [clears throat] 1074 00:42:09,060 --> 00:42:10,829 NOW... 1075 00:42:10,862 --> 00:42:11,863 GUS AND I ARE GOING TO GO HOME 1076 00:42:11,897 --> 00:42:13,599 AND MAKE LOVE TO OUR WIVES. 1077 00:42:13,632 --> 00:42:17,202 - WE'RE NOT MARRIED, SHAWN. 1078 00:42:21,907 --> 00:42:24,943 - * YOU'RE INVITED, LUCKY YOU * 1079 00:42:24,976 --> 00:42:28,246 * T TO A PARTY, WHOOP-P-DE-DO * 1080 00:42:28,279 --> 00:42:31,349 * THERE'LL BE WINEE AND COCKTAILS S TOO * 1081 00:42:31,382 --> 00:42:34,686 * WHO'S'S YOUR HOST? I WIWISH I KNEW * 1082 00:42:34,720 --> 00:42:37,589 * YOU'RE INVITED 1083 00:42:37,623 --> 00:42:42,728 * D DON'T BE A D-BAG AND BE LATE * 1084 00:42:42,761 --> 00:42:46,131 * YOU HAVE A A PLUS-ONE