1 00:00:00,201 --> 00:00:06,140 . 2 00:00:06,174 --> 00:00:07,808 - PREVIOUSLY ON PSYCH... 3 00:00:07,841 --> 00:00:10,111 - I HOPE YOU WEREN'T SAVING THIS STOOL FOR SOMEBODY ELSE. 4 00:00:10,144 --> 00:00:11,812 - DO I KNOW YOU? 5 00:00:11,845 --> 00:00:13,047 - OH! 6 00:00:13,081 --> 00:00:14,682 - MARLOWE VICCELLIO. 7 00:00:14,715 --> 00:00:17,085 - HOW'D YOU FIND ME? 8 00:00:17,118 --> 00:00:18,586 I FELT SOMETHING. 9 00:00:18,619 --> 00:00:19,787 - SO DID I. 10 00:00:19,820 --> 00:00:21,355 THE ONLY THING IT COMPARES TO 11 00:00:21,389 --> 00:00:22,790 IS THE RUSH OF JUBILATION I FELT 12 00:00:22,823 --> 00:00:24,225 WHEN I HEARD CHUCK NORRIS SPEAK 13 00:00:24,258 --> 00:00:26,560 AT AN NRA CONVENTION IN ABERDEEN. 14 00:00:26,594 --> 00:00:27,828 [pounding on door] 15 00:00:27,861 --> 00:00:30,064 - MARLOWE VICCELLIO, THIS IS THE POLICE. 16 00:00:30,098 --> 00:00:31,832 - OKAY, SO I DID TAKE THE BLOOD, 17 00:00:31,865 --> 00:00:34,402 BUT ONLY BECAUSE I'M TRYING TO MAKE ENDS MEET. 18 00:00:34,435 --> 00:00:36,504 BUT I PROMISE, I DIDN'T KILL ANYBODY. 19 00:00:36,537 --> 00:00:38,572 - YOU'RE UNDER ARREST. - WHAT? 20 00:00:38,606 --> 00:00:40,341 - MARLOWE, I WOULD MOVE HEAVEN AND EARTH TO BE WITH YOU, 21 00:00:40,374 --> 00:00:42,376 JUST AS LONG AS THAT MOVEMENT'S IN ACCORDANCE 22 00:00:42,410 --> 00:00:44,278 WITH THE STATE LAWS OF CALIFORNIA. 23 00:00:54,888 --> 00:00:57,458 - SEE YA, MARLOWE! 24 00:00:59,193 --> 00:01:00,228 - OOH, GIRL, GO GET HIM! 25 00:01:00,261 --> 00:01:02,596 - [laughs] 26 00:01:02,630 --> 00:01:05,833 - [grunts] - OH! 27 00:01:05,866 --> 00:01:07,801 MMM! 28 00:01:18,679 --> 00:01:20,548 - [groans] 29 00:01:20,581 --> 00:01:23,484 [gasping] 30 00:01:23,517 --> 00:01:25,419 - ARE YOU SHAWN SPENCER? 31 00:01:25,453 --> 00:01:27,788 - [exhales] 32 00:01:27,821 --> 00:01:29,257 - MY NAME IS ZOLA. 33 00:01:29,290 --> 00:01:30,658 I AM A CONTORTIONIST WITH LE CIRQUE. 34 00:01:30,691 --> 00:01:32,260 - OH, A CONTORTIONIST. 35 00:01:32,293 --> 00:01:34,295 AH, WELL, THAT EXPLAINS HOW YOU WERE ABLE TO SLIP IN 36 00:01:34,328 --> 00:01:38,266 WHILE I WAS DOING A PULL-- I MEAN, 150 PULL-UPS. 37 00:01:38,299 --> 00:01:39,900 - ACTUALLY, YOU WERE KICKING YOUR LEGS SO WIDE, 38 00:01:39,933 --> 00:01:41,802 IT WAS EASY TO WALK UNDERNEATH. 39 00:01:41,835 --> 00:01:43,171 - MAN, YOU KNOW YOU COULD HAVE HELPED ME. 40 00:01:43,204 --> 00:01:46,740 - I AM THE ONE IN NEED OF HELP. 41 00:01:46,774 --> 00:01:47,608 TWO WEEKS AGO, 42 00:01:47,641 --> 00:01:49,243 OUR STAR PERFORMER, FRANCOIS ANGELO, 43 00:01:49,277 --> 00:01:52,480 STARTED ACTING ANXIOUS, ALMOST PARANOID. 44 00:01:52,513 --> 00:01:54,882 I FEAR HE'S IN TROUBLE. 45 00:01:54,915 --> 00:01:56,584 CAN YOU PSYCHICALLY FIND HIM? 46 00:01:56,617 --> 00:01:58,219 - HERE'S THE THING. 47 00:01:58,252 --> 00:02:01,155 UM, MY PSYCHIC POWERS GENERALLY DON'T KICK IN 48 00:02:01,189 --> 00:02:03,191 UNTIL SOMEONE'S BEEN MISSING FOR 48 HOURS, 49 00:02:03,224 --> 00:02:04,725 UNLESS, OF COURSE, THAT PERSON IS EDDIE MURPHY, 50 00:02:04,758 --> 00:02:06,494 FROM THE MOVIE 48 HOURS, 51 00:02:06,527 --> 00:02:08,162 BUT SADLY, I FEAR HE'S LOST FOREVER. 52 00:02:08,196 --> 00:02:09,663 - HMM. 53 00:02:09,697 --> 00:02:11,165 - UH, YOU LET ME KNOW IF YOUR BUDDY FRANCOIS 54 00:02:11,199 --> 00:02:12,300 IS MISSING IN A COUPLE DAYS. 55 00:02:12,333 --> 00:02:13,501 WE'LL SEE WHAT WE CAN DO. 56 00:02:13,534 --> 00:02:14,735 - OH, NO. I WILL WAIT HERE. 57 00:02:14,768 --> 00:02:17,571 - GO BACK TO YOUR PULL-UP. 58 00:02:19,873 --> 00:02:21,875 - [clears throat] 59 00:02:26,847 --> 00:02:29,383 I TELL YOU WHAT. I'M GONNA TAKE THIS. 60 00:02:29,417 --> 00:02:32,186 - OH! THANK YOU SO MUCH, SHAWN SPENCER. 61 00:02:32,220 --> 00:02:33,687 UH, YOU SHOULD COME 62 00:02:33,721 --> 00:02:35,389 TO TODAY'S DRESS REHEARSAL BEFORE THE SHOW. 63 00:02:35,423 --> 00:02:37,525 MAYBE YOU CAN DIVINE SOMETHING THERE, NO? 64 00:02:37,558 --> 00:02:38,859 - BACKSTAGE PASS? - UH-HUH. 65 00:02:38,892 --> 00:02:41,962 - GREAT. - YEAH. MERCI. 66 00:02:41,995 --> 00:02:43,497 THANK YOU. - THANK YOU. 67 00:02:43,531 --> 00:02:45,899 - [laughs] 68 00:02:45,933 --> 00:02:48,302 - SOME MORE RISING, HUH? - KEEP TRYING. 69 00:02:48,336 --> 00:02:50,871 - I DO, LIKE, 100 OF THESE A DAY. 70 00:02:50,904 --> 00:02:53,474 [sighs] 71 00:02:53,507 --> 00:02:54,742 [exhales] 72 00:02:54,775 --> 00:03:00,848 [groaning] 73 00:03:04,985 --> 00:03:06,987 - REALLY? 74 00:03:07,020 --> 00:03:10,291 - MAXIMUS? WHAT ARE YOU DO-- 75 00:03:10,324 --> 00:03:11,759 - HEY, SHAWN. 76 00:03:11,792 --> 00:03:13,961 - HEY, WHAT'S UP, MAN? [laughs] 77 00:03:13,994 --> 00:03:17,465 WHAT'S UP, RACH? RAY-RAY? 78 00:03:17,498 --> 00:03:19,233 CHEL? 79 00:03:19,267 --> 00:03:21,802 PROFESSOR WILLARD DICK PETER JOHNSON. 80 00:03:21,835 --> 00:03:23,471 - YOU HAVE A PROBLEM WITH "RACHAEL"? 81 00:03:23,504 --> 00:03:24,938 IT'S A CLASSIC GIRL'S NAME, LIKE "SHAWN." 82 00:03:24,972 --> 00:03:27,575 - [laughs] RAY-RAY. 83 00:03:27,608 --> 00:03:32,246 MAXIMUS, MY MAN. BOOM! WHO'S DA--PSSH! 84 00:03:32,280 --> 00:03:35,549 - YEAH, BOY. WHO GOT THE BALL? 85 00:03:35,583 --> 00:03:36,917 - UH, YOU KNOW, DON'T WORRY ABOUT MAX. 86 00:03:36,950 --> 00:03:38,286 HE'S ALWAYS TOUGH ON PEOPLE 87 00:03:38,319 --> 00:03:39,587 UNTIL HE REALLY GETS TO KNOW THEM. 88 00:03:39,620 --> 00:03:41,455 - REALLY? I'M NOT WORRIED AT ALL. 89 00:03:41,489 --> 00:03:42,890 I HAVE A KILLER DAY PLANNED. 90 00:03:42,923 --> 00:03:45,793 HE IS GONNA LOVE IT. - OF COURSE HE WILL. 91 00:03:45,826 --> 00:03:47,395 NOW, HERE IS EVERYTHING YOU NEED. 92 00:03:47,428 --> 00:03:48,929 AND REMEMBER, IF YOU RUN OUT OF THINGS TO TALK ABOUT, 93 00:03:48,962 --> 00:03:50,264 YOU CAN NEVER GO WRONG WITH STAR WARS. 94 00:03:50,298 --> 00:03:51,599 - THE ORIGINAL OR PREQUELS? 95 00:03:51,632 --> 00:03:52,833 - COME ON, SON. - YOU COME ON, SON. 96 00:03:52,866 --> 00:03:54,368 - COME ON, SON. - COME ON, SON. 97 00:03:54,402 --> 00:03:55,703 - COME ON, SON. - COME ON, SON. 98 00:03:55,736 --> 00:03:56,904 - COME ON, SON. - YOU COME ON, SON. 99 00:03:56,937 --> 00:03:58,906 [laughter] 100 00:03:58,939 --> 00:04:00,974 - TIME OUT. WHAT IS THIS? 101 00:04:01,008 --> 00:04:03,544 SHE'S DOING OUR "COME ON, SONS"? - NO. 102 00:04:03,577 --> 00:04:05,613 - OH, SHAWN, DON'T BE SUCH A FILIPINO STEVE PERRY. 103 00:04:05,646 --> 00:04:06,847 [laughter] 104 00:04:06,880 --> 00:04:08,349 - THAT DOESN'T MAKE ANY SENSE. 105 00:04:08,382 --> 00:04:10,684 - WATCH YOUR BOO DO HIS THING. 106 00:04:10,718 --> 00:04:12,286 HEY, LITTLE MAN. 107 00:04:12,320 --> 00:04:13,787 WHICH ONE OF THESE FUN THINGS YOU WANT TO DO 108 00:04:13,821 --> 00:04:18,492 FOR OUR BIG BOY DAY? 109 00:04:18,526 --> 00:04:19,860 THE PLANETARIUM? - MM-MM. 110 00:04:19,893 --> 00:04:20,828 - THE AQUARIUM? 111 00:04:20,861 --> 00:04:22,396 - MM-MM. 112 00:04:22,430 --> 00:04:24,532 - OLD SONORA WESTERN TOWN? - NO. 113 00:04:24,565 --> 00:04:25,933 - SANTA'S YEAR-ROUND VILLAGE? 114 00:04:25,966 --> 00:04:27,368 - NO. 115 00:04:27,401 --> 00:04:28,869 - THE YERDEN ESTATE TOUR? 116 00:04:28,902 --> 00:04:30,338 - MM-MM. 117 00:04:30,371 --> 00:04:32,606 - LE CIRQUE? - NOT NOW, SHAWN. 118 00:04:32,640 --> 00:04:33,807 - YEAH, THE CIRCUS. - NO, WHOA. NOT SO FAST. 119 00:04:33,841 --> 00:04:35,476 LE CIRQUE? 120 00:04:35,509 --> 00:04:36,977 WHO'S GONNA STAY UP WITH HIM ALL NIGHT 121 00:04:37,010 --> 00:04:38,446 WHEN HE'S HAVING NIGHTMARES ABOUT THE CLOWNS 122 00:04:38,479 --> 00:04:39,680 AND THE FREAKY-FREAKS IN THE SHOW? 123 00:04:39,713 --> 00:04:41,014 - I WILL. 124 00:04:41,048 --> 00:04:42,950 NOT THAT ME AND YOUR MOM ARE HAVING ANY SLEEPOVERS. 125 00:04:42,983 --> 00:04:45,353 - PLEASE, MOM? 126 00:04:45,386 --> 00:04:47,555 - LOOK, IT'LL BE FINE. 127 00:04:47,588 --> 00:04:49,890 I PROMISE, HE'S IN GREAT HANDS. 128 00:04:54,562 --> 00:04:57,097 - WHAT? IT'S THE CIRCUS, KID. 129 00:04:57,130 --> 00:04:59,400 - WHAT? WHAT? 130 00:04:59,433 --> 00:05:01,869 UH, SHAWN, I THOUGHT THAT YOU SAID 131 00:05:01,902 --> 00:05:03,904 WE WERE GOING TO THE LE CIRQUE SHOW. 132 00:05:03,937 --> 00:05:05,873 - YEAH. THIS IS A DRESS REHEARSAL. 133 00:05:05,906 --> 00:05:08,542 - YES, BUT WE PROMISED MAX THAT HE WOULD BE SEEING THE SHOW. 134 00:05:08,576 --> 00:05:10,110 - AND HE WILL. 135 00:05:10,143 --> 00:05:14,715 JUST WITHOUT ALL THE UNNECESSARY EXCITEMENT AND ENTERTAINMENT. 136 00:05:14,748 --> 00:05:16,817 NOW, WHAT IS JEFFREY DUKE DOING HERE? 137 00:05:16,850 --> 00:05:19,720 - WHO? - REALLY? JEFFREY DUKE? 138 00:05:19,753 --> 00:05:21,755 HE MAKES THE MERCEDES OF PORT-O-POTTIES, 139 00:05:21,789 --> 00:05:24,592 AND I SHOULD KNOW BECAUSE I'VE PEED IN BOTH. 140 00:05:24,625 --> 00:05:27,861 HE'S ALSO ONE OF THE MOST RUTHLESS WISE GUYS AROUND. 141 00:05:27,895 --> 00:05:29,530 HE'S THE GOTTI OF POTTIES. 142 00:05:29,563 --> 00:05:31,732 HE'S THE DON OF THE JOHNS. 143 00:05:31,765 --> 00:05:33,000 HE'S--HE'S NUMBER ONE AT GOING-- 144 00:05:33,033 --> 00:05:35,603 - SHAWN. 145 00:05:35,636 --> 00:05:37,571 - HEY, DOES THAT GUY LOOK SUSPICIOUS TO YOU? 146 00:05:37,605 --> 00:05:38,906 - WHAT IS GOING ON? 147 00:05:38,939 --> 00:05:41,008 IT'S LIKE WE'RE ON AN INVESTIGATION. 148 00:05:41,041 --> 00:05:44,011 OH, MY GOSH. 149 00:05:44,044 --> 00:05:45,579 WE ARE ON AN INVESTIGATION, AREN'T WE? 150 00:05:45,613 --> 00:05:46,947 - DEFINE "INVESTIGATION." - UNBELIEVABLE. 151 00:05:46,980 --> 00:05:48,649 - NO, THAT IS THE DEFINITION OF "NOT BELIEVABLE." 152 00:05:48,682 --> 00:05:49,917 - AND ALL THIS TIME, 153 00:05:49,950 --> 00:05:51,619 I THOUGHT YOU WERE JUST TRYING TO HELP ME OUT. 154 00:05:51,652 --> 00:05:52,953 DID IT EVER EVEN OCCUR TO YOU 155 00:05:52,986 --> 00:05:54,722 THAT THIS MIGHT PUT ME IN TROUBLE WITH RACHAEL? 156 00:05:54,755 --> 00:05:56,089 AND WHAT ABOUT IF SOMETHING HAD HAPPENED TO MAX? 157 00:05:56,123 --> 00:05:57,958 - OH, PLEASE. 158 00:05:57,991 --> 00:05:59,427 MAY GOD STRIKE ME DEAD 159 00:05:59,460 --> 00:06:01,862 IF ANYTHING HAPPENS TO THIS KID, OKAY? 160 00:06:06,667 --> 00:06:10,971 - [hyperventilating] 161 00:06:11,004 --> 00:06:14,007 - OH, I HOPE THIS GOES WELL. 162 00:06:14,041 --> 00:06:15,476 - OH, YOU JUST RELAX 163 00:06:15,509 --> 00:06:17,478 AND LET YOUR HONEYBEAR TAKE CARE OF EVERYTHING. 164 00:06:17,511 --> 00:06:18,979 ONCE YOUR PAROLE OFFICER 165 00:06:19,012 --> 00:06:20,914 SEES THAT HE'S DEALING WITH ONE OF HIS BRETHREN, 166 00:06:20,948 --> 00:06:22,983 IT WILL BE SMOOTH SAILING FROM HERE ON OUT. 167 00:06:23,016 --> 00:06:24,485 - OKAY. 168 00:06:24,518 --> 00:06:25,853 - WE CAN FINALLY GET ON WITH OUR LIVES. 169 00:06:25,886 --> 00:06:26,954 - [chuckles] 170 00:06:26,987 --> 00:06:29,557 - READY? - YES. 171 00:06:33,193 --> 00:06:34,962 WHAT? - THAT'S URSULA GIBBS. 172 00:06:34,995 --> 00:06:37,130 - OH, SO YOU KNOW HER? EVEN BETTER. 173 00:06:37,164 --> 00:06:40,468 - WELL... OKAY, HERE'S THE THING. 174 00:06:40,501 --> 00:06:45,873 UM, I MIGHT HAVE HOOKED UP 175 00:06:45,906 --> 00:06:47,174 WITH URSULA A FEW YEARS BACK 176 00:06:47,207 --> 00:06:48,909 AFTER AN INTER-DEPARTMENTAL DRINK MIXER 177 00:06:48,942 --> 00:06:54,014 AND I MIGHT HAVE NOT EVER CALLED HER AFTERWARDS 178 00:06:54,047 --> 00:06:57,618 WHEN IT WAS DISCOVERED THAT SHE MIGHT BE 179 00:06:57,651 --> 00:07:00,921 AN OBSESSIVE, VINDICTIVE, VENGEFUL LOON. 180 00:07:00,954 --> 00:07:02,590 - STILL, YOU SHOULD HAVE CALLED HER. 181 00:07:02,623 --> 00:07:04,925 - I THINK IT WOULD BE BEST 182 00:07:04,958 --> 00:07:07,928 IF SHE DIDN'T KNOW YOU WERE MY GIRLFRIEND. 183 00:07:07,961 --> 00:07:10,097 - AH, GOT IT. 184 00:07:10,130 --> 00:07:12,600 - SO I'M HERE, ASSISTING MS. VICCELLIO 185 00:07:12,633 --> 00:07:13,901 ON A PROFESSIONAL BASIS. 186 00:07:13,934 --> 00:07:16,470 I WAS INVOLVED IN HER INITIAL CRIMINAL CASE, 187 00:07:16,504 --> 00:07:17,871 AND I CAN ATTEST TO THE FACT 188 00:07:17,905 --> 00:07:20,073 THAT SHE IS COMPLETELY REHABILITATED. 189 00:07:20,107 --> 00:07:22,510 - HMM. I SEE. 190 00:07:22,543 --> 00:07:24,912 I'LL TAKE YOUR PROFESSIONAL ENDORSEMENT INTO CONSIDERATION 191 00:07:24,945 --> 00:07:27,848 WHEN DETERMINING THE CONDITIONS OF PAROLE. 192 00:07:27,881 --> 00:07:30,784 THE FIRST ITEM TO DEAL WITH IS PLACE OF RESIDENCE. 193 00:07:30,818 --> 00:07:34,755 MS. VICCELLIO IS FREE TO LIVE WHEREVER IN THE CITY SHE WANTS, 194 00:07:34,788 --> 00:07:39,593 WITHIN A 15.7-SQUARE-MILE AREA. 195 00:07:39,627 --> 00:07:41,629 - WHY THE .7? 196 00:07:41,662 --> 00:07:45,032 - OH. 197 00:07:45,065 --> 00:07:48,168 - THAT STOPS JUST 400 FEET SHORT OF MY HOUSE. 198 00:07:48,201 --> 00:07:50,871 YOU FOUND OUT WE'RE A COUPLE, DIDN'T YOU? 199 00:07:50,904 --> 00:07:52,272 - MUST HAVE BEEN HARD TO COMMUNICATE 200 00:07:52,305 --> 00:07:54,908 WHILE SHE WAS IN PRISON. 201 00:07:54,942 --> 00:07:56,009 I GUESS THE PHONES IN YOUR HOUSE 202 00:07:56,043 --> 00:07:58,211 SUDDENLY STARTED WORKING AGAIN. 203 00:07:58,245 --> 00:07:59,713 WHO KNEW? 204 00:07:59,747 --> 00:08:01,982 - YOU VENGEFUL LITTLE-- 205 00:08:02,015 --> 00:08:04,585 - NOW, WE MOVE ON TO RESTRICTIONS. 206 00:08:04,618 --> 00:08:08,155 NO ALCOHOL, NO STAYING OUT PAST 10:00 P.M., 207 00:08:08,188 --> 00:08:10,891 NO NON-SPOUSAL CO-HABITATION. 208 00:08:10,924 --> 00:08:12,693 - OH, YOU HAVE GOT TO BE KIDDING ME. 209 00:08:12,726 --> 00:08:14,828 - LET'S NOT MAKE MATTERS WORSE, HONEYBEAR. 210 00:08:14,862 --> 00:08:17,898 - MM-MM. NO COMBINING "HONEY" AND "BEAR." 211 00:08:17,931 --> 00:08:18,999 [cell phone rings] 212 00:08:19,032 --> 00:08:20,100 - LOOK, WE GOTTA RELAX, OKAY? 213 00:08:20,133 --> 00:08:21,669 WE'RE GONNA FIND HIM, 214 00:08:21,702 --> 00:08:23,036 AND RACHAEL'S GONNA BE NONE THE WISER. 215 00:08:23,070 --> 00:08:24,304 - IT'S HER NOW. WHAT DO I DO? 216 00:08:24,337 --> 00:08:25,906 - GIVE ME THE PHONE. I DO A PERFECT MAXIMUS. 217 00:08:25,939 --> 00:08:28,609 - NO WAY. HELLO? 218 00:08:28,642 --> 00:08:30,978 - BURTON, I KNOW I'M BEING ONE OF THOSE PARENTS, 219 00:08:31,011 --> 00:08:32,913 BUT I'M JUST CHECKING TO MAKE SURE EVERYTHING'S OKAY. 220 00:08:32,946 --> 00:08:36,049 - [high-pitched] HI, MOMMY. I'M HAVING A BIG BOY--UHH! 221 00:08:36,083 --> 00:08:37,885 - WHO WAS THAT? - [groans] 222 00:08:37,918 --> 00:08:39,987 THAT WAS TOO HARSH! - WHAT WAS TOO HARSH? 223 00:08:40,020 --> 00:08:41,589 WHO WAS THAT? - NO ONE. 224 00:08:41,622 --> 00:08:43,223 LOOK, I'M SO SORRY, 225 00:08:43,256 --> 00:08:45,993 BUT I'M GONNA HAVE TO HANG UP ON YOU NOW. 226 00:08:46,026 --> 00:08:47,327 - WHAT DO YOU MEAN, YOU HAVE TO HANG UP ON ME? 227 00:08:47,360 --> 00:08:49,329 - GET OVER HERE. - GUS, WHAT'S GOING ON? 228 00:08:49,362 --> 00:08:51,932 - QUICK. SAY SOMETHING TO GIVE YOUR MOM PROOF OF LIFE. 229 00:08:51,965 --> 00:08:55,603 - WHAT? - THAT'LL DO. BYE, SWEETIE. 230 00:08:55,636 --> 00:08:59,106 - WHAT'S UP, KID? 231 00:09:00,974 --> 00:09:02,175 - ALL RIGHT, PEOPLE. 232 00:09:02,209 --> 00:09:04,177 READY FOR FINAL TAG RUN-THROUGH. 233 00:09:04,211 --> 00:09:10,217 [indistinct chatter] 234 00:09:12,052 --> 00:09:17,591 - [gasps] 235 00:09:17,625 --> 00:09:20,060 - TEN SECONDS TILL IT'S TIME. CLEAR THE LANE. 236 00:09:20,093 --> 00:09:22,896 - SEE, MAN? EVERYTHING'S ALL RIGHT. 237 00:09:22,930 --> 00:09:24,665 - NO, EVERYTHING IS NOT ALL RIGHT. 238 00:09:24,698 --> 00:09:25,899 I'M STILL MAD AT YOU 239 00:09:25,933 --> 00:09:27,935 FOR BRINGING HIM ON AN INVESTIGATION. 240 00:09:35,208 --> 00:09:37,010 - FRANCOIS IS READY. ON MY CUE. 241 00:09:37,044 --> 00:09:41,148 - FRANCOIS? DUDE, THAT'S THE GUY WE WERE HIRED TO FIND. 242 00:09:41,181 --> 00:09:43,951 THAT MEANS THIS IS NO LONGER AN INVESTIGATION. 243 00:09:43,984 --> 00:09:45,619 WE'RE JUST TWO DUDES 244 00:09:45,653 --> 00:09:47,087 AND THE FRUIT OF ANOTHER MAN'S LOINS, 245 00:09:47,120 --> 00:09:48,922 WATCHING LE CIRQUE 246 00:09:48,956 --> 00:09:51,158 AND EATING SOME DELICIOUS SNYDER'S PRETZELS. 247 00:09:51,191 --> 00:09:53,026 WHAT ELSE COULD BE BETTER? 248 00:09:53,060 --> 00:09:56,096 - FRANCOIS, STAND BY FOR TRAPEZE LAUNCH. 249 00:09:56,129 --> 00:10:01,134 AT THREE, TWO, ONE, AND ACTION. 250 00:10:04,404 --> 00:10:07,908 [onlookers gasp] [thud] 251 00:10:07,941 --> 00:10:08,909 - SOMEBODY CALL AN AMBULANCE. 252 00:10:08,942 --> 00:10:11,879 - THAT'S JUST PART OF THE ACT. 253 00:10:11,912 --> 00:10:14,882 [The Friendly Indians' I Know You Know] 254 00:10:14,915 --> 00:10:18,218 * 255 00:10:18,251 --> 00:10:22,089 - * IN BETWEEN THE LINES THERE'S A LOT OF OBSCURITY * 256 00:10:22,122 --> 00:10:25,859 * I'M NOT INCLINED TO RESIGN TO MATURITY * 257 00:10:25,893 --> 00:10:27,027 * IF IT'S ALL RIGHT 258 00:10:27,060 --> 00:10:28,762 * THEN YOU'RE ALL WRONG 259 00:10:28,796 --> 00:10:32,032 * BUT WHY BOUNCE AROUND TO THE SAME DAMN SONG? * 260 00:10:32,065 --> 00:10:34,034 - * OOH 261 00:10:34,067 --> 00:10:37,104 - * YOU'D RATHER RUN WHEN YOU CAN'T CRAWL * 262 00:10:37,137 --> 00:10:39,707 * 263 00:10:39,740 --> 00:10:42,910 * I KNOW YOU KNOW THAT I'M NOT TELLING THE TRUTH * 264 00:10:42,943 --> 00:10:46,780 * I KNOW YOU KNOW THEY JUST DON'T HAVE ANY PROOF * 265 00:10:46,814 --> 00:10:48,415 * EMBRACE THE DECEPTION 266 00:10:48,448 --> 00:10:50,017 * LEARN HOW TO BEND 267 00:10:50,050 --> 00:10:51,685 * YOUR WORST INHIBITIONS 268 00:10:51,719 --> 00:10:53,887 * TEND TO PSYCH YOU OUT IN THE END * 269 00:10:53,921 --> 00:10:56,356 - * I KNOW YOU KNOW 270 00:10:58,959 --> 00:11:00,260 - HE SAW SOMEONE GET KILLED. 271 00:11:00,293 --> 00:11:04,765 - SEE, SEE, WHAT HAD HAPPENED WAS-- 272 00:11:04,798 --> 00:11:08,001 WAIT, NOW. YOU'RE NOT LETTING ME FINISH. 273 00:11:08,035 --> 00:11:09,169 ALL RIGHT, ALL RIGHT. 274 00:11:09,202 --> 00:11:10,838 I SEE YOUR POINT, BUT, I MEAN, 275 00:11:10,871 --> 00:11:14,007 WE CAN GO BACK AND FORTH ON THIS ALL DAY, 276 00:11:14,041 --> 00:11:16,910 [stammering] BUT I THINK THE IMPORTANT THING IS, 277 00:11:16,944 --> 00:11:18,879 IS THAT MAX IS FINE. 278 00:11:18,912 --> 00:11:20,047 - FINE? 279 00:11:20,080 --> 00:11:21,314 HE'S BEEN GRILLING ME 280 00:11:21,348 --> 00:11:23,316 ABOUT WHERE CIRCUS PERFORMERS GO WHEN THEY DIE. 281 00:11:23,350 --> 00:11:25,986 - [laughs] LIKE THEY HAVE SOULS. 282 00:11:26,019 --> 00:11:28,121 - LOOK, YOU'RE RIGHT. 283 00:11:28,155 --> 00:11:29,990 WE SHOULD HAVE NEVER TAKEN MAX. 284 00:11:30,023 --> 00:11:33,927 IT WAS JUST A MISCOMMUNICATION BETWEEN ME AND SHAWN. 285 00:11:33,961 --> 00:11:35,963 I PROMISE TO BE MORE CAREFUL NEXT TIME. 286 00:11:35,996 --> 00:11:37,130 - I DON'T THINK THERE'S GONNA BE 287 00:11:37,164 --> 00:11:40,768 ANY MORE BIG BOY DAYS OUT FOR A WHILE. 288 00:11:40,801 --> 00:11:42,002 - NICE. 289 00:11:42,035 --> 00:11:43,303 NOW I MAY NEVER GET A CHANCE 290 00:11:43,336 --> 00:11:45,238 TO HANG WITH THE KID AGAIN. 291 00:11:45,272 --> 00:11:46,974 - THERE--THERE ARE STILL NO LEADS 292 00:11:47,007 --> 00:11:48,508 IN THE ROBBERY AT THE INDUSTRIAL SIGN FACTORY, 293 00:11:48,541 --> 00:11:50,944 BUT THE OWNER SAYS NOTHING WAS TAKEN. 294 00:11:50,978 --> 00:11:52,813 - SOUNDS GOOD, O'HARA. DO WHATEVER YOU LIKE. 295 00:11:52,846 --> 00:11:53,914 - ALSO, A TRAPEZE ARTIST DIED 296 00:11:53,947 --> 00:11:55,248 AT THE LE CIRQUE PERFORMANCE TODAY. 297 00:11:55,282 --> 00:11:57,017 - GREAT. 298 00:11:57,050 --> 00:11:58,485 - CARLTON? 299 00:11:58,518 --> 00:12:02,022 CARLTON, YOU'RE NOT LISTENING. 300 00:12:02,055 --> 00:12:03,857 - SORRY, O'HARA, I'M-- 301 00:12:03,891 --> 00:12:05,358 YOU KNOW, I'M JUST TOO FRUSTRATED RIGHT NOW 302 00:12:05,392 --> 00:12:08,028 TO CARE ABOUT WHAT LOWLIFE BROKE INTO WHAT SIGN FACTORY 303 00:12:08,061 --> 00:12:10,397 OR HOW THE ACLU IS GONNA TAKE ALL THE FUN OUT OF CATCHING HIM. 304 00:12:10,430 --> 00:12:13,233 - WOW, I THOUGHT WITH MARLOWE FINALLY OUT OF JAIL, 305 00:12:13,266 --> 00:12:15,035 YOU'D BE ON CLOUD NINE. 306 00:12:15,068 --> 00:12:16,837 - YEAH, WELL, THAT ALL CHANGED ONCE WE DISCOVERED 307 00:12:16,870 --> 00:12:19,406 THAT URSULA GIBBS WAS GOING TO BE HER PAROLE OFFICER. 308 00:12:19,439 --> 00:12:21,508 - URSULA? THE GIRL YOU HOOKED UP WITH AFTER THE-- 309 00:12:21,541 --> 00:12:23,310 - YEAH. - LET ME GUESS, YOU NEVER-- 310 00:12:23,343 --> 00:12:24,311 - NO. - DIDN'T I TRY TO WARN YOU 311 00:12:24,344 --> 00:12:25,979 THAT SHE WAS--? - YEP. 312 00:12:26,013 --> 00:12:27,781 - BUT YOU DIDN'T LISTEN BECAUSE YOU KEPT CUTTING ME OFF. 313 00:12:27,815 --> 00:12:29,482 - YEP, AND SO SHE'S TAKING IT OUT ON MARLOWE. 314 00:12:29,516 --> 00:12:31,919 SO NOT ONLY CAN MARLOWE NOT LIVE WITH ME 315 00:12:31,952 --> 00:12:34,054 IN THE HOME THAT I HAVE BUILT FOR US, 316 00:12:34,087 --> 00:12:36,023 BUT HER ONLY AFFORDABLE HOUSING OPTIONS 317 00:12:36,056 --> 00:12:39,059 ARE NO-I.D.-REQUIRED APARTMENTS IN ADJACENT NEIGHBORHOODS. 318 00:12:39,092 --> 00:12:41,094 [clicking] 319 00:12:41,128 --> 00:12:42,896 - UM-- 320 00:12:42,930 --> 00:12:44,898 UH-- 321 00:12:44,932 --> 00:12:47,067 CARLTON! 322 00:12:47,100 --> 00:12:49,803 I THINK I HAVE A WAY TO HELP YOU AND MARLOWE. 323 00:12:51,071 --> 00:12:52,973 - I STILL CAN'T BELIEVE IT. 324 00:12:53,006 --> 00:12:56,076 - ZOLA, WE'RE--WE'RE VERY SORRY FOR YOUR LOSS, 325 00:12:56,109 --> 00:12:58,378 BUT I CAN ASSURE YOU THAT FRANCOIS IS-- 326 00:12:58,411 --> 00:13:01,849 IS LOOKING DOWN ON YOU FROM THE BIG TENT IN THE SKY. 327 00:13:01,882 --> 00:13:04,017 OR LOOKING UP AT YOU FROM THE FIERY-- 328 00:13:04,051 --> 00:13:06,119 - WHAT HAPPENED WAS NO ACCIDENT. 329 00:13:06,153 --> 00:13:09,156 I'VE SEEN HIM PERFORM THAT TRICK A THOUSAND TIMES. 330 00:13:09,189 --> 00:13:10,924 - WE'RE GONNA LOOK INTO IT FOR YOU, OKAY? 331 00:13:10,958 --> 00:13:12,559 BUT WE--WE NEED TO KNOW 332 00:13:12,592 --> 00:13:15,595 THE GOINGS-ON BEHIND THE SCENES, ALL RIGHT? 333 00:13:15,628 --> 00:13:17,130 IT'S IMPORTANT THAT WE-- WE BE IN THE MIX. 334 00:13:17,164 --> 00:13:18,999 - ALL UP IN THE KOOL-AID. 335 00:13:19,032 --> 00:13:20,300 - OUR KIND OF PEOPLE 336 00:13:20,333 --> 00:13:22,002 TRADITIONALLY DON'T TAKE WELL TO OUTSIDERS. 337 00:13:22,035 --> 00:13:24,171 THEY CAN BE GUARDED. 338 00:13:24,204 --> 00:13:26,339 - LIKE GUS WITH HIS BELLY BUTTON. 339 00:13:26,373 --> 00:13:28,876 - IT WOULD BE ESPECIALLY DIFFICULT NOW. 340 00:13:28,909 --> 00:13:31,344 BECAUSE OF FRANCOIS' DEATH, EVERYONE IS ON EDGE. 341 00:13:31,378 --> 00:13:32,980 WE'VE EVEN HAD TWO PERFORMERS QUIT. 342 00:13:33,013 --> 00:13:35,615 WE JUST LOST OUR MASTER OF CEREMONY AND YODELER. 343 00:13:35,648 --> 00:13:36,984 - YODELER? 344 00:13:37,017 --> 00:13:43,023 [yodeling] 345 00:13:55,202 --> 00:13:57,437 - TERRIBLE, BUT WE'RE IN A BIND, 346 00:13:57,470 --> 00:13:59,940 SO YOU'LL HAVE TO DO. 347 00:13:59,973 --> 00:14:01,508 YOU'RE ON AT 7:00. DON'T BE LATE. 348 00:14:01,541 --> 00:14:04,077 - WHAT? COME ON, SON. 349 00:14:04,111 --> 00:14:05,245 COME ON, SON. YOU GOT THAT. 350 00:14:05,278 --> 00:14:07,247 GET IT, GET IT. GET UP IN IT. 351 00:14:07,280 --> 00:14:09,082 DO IT. GOT IT. WHAT UP? 352 00:14:09,116 --> 00:14:10,550 WOULD YOU GIVE ME THAT? 353 00:14:10,583 --> 00:14:11,952 - I GOT IT, SHAWN. - YOU'RE GONNA DROP IT. 354 00:14:11,985 --> 00:14:13,320 - I SAID, I GOT IT. 355 00:14:13,353 --> 00:14:15,088 YOU KNOW WHAT THEY SAY ABOUT MEN WITH LONG ARMS. 356 00:14:15,122 --> 00:14:16,489 - YEAH, THAT EVERYTHING ELSE IS REALLY, REALLY SHORT. 357 00:14:16,523 --> 00:14:19,059 - WHA--WHAT? - THAT'S HUGO. 358 00:14:19,092 --> 00:14:20,560 HE'S THE ONE THAT WAS SUPPOSED TO CATCH FRANCOIS. 359 00:14:20,593 --> 00:14:21,628 [musical ringtone] 360 00:14:21,661 --> 00:14:22,963 - LET'S GO CHAT HIM UP. 361 00:14:22,996 --> 00:14:24,564 - WHOA, WHOA, WHOA. 362 00:14:24,597 --> 00:14:27,400 THIS IS, LIKE, THE FOURTH TIME JULES HAS CALLED ME. 363 00:14:27,434 --> 00:14:30,003 HI, SWEETIE. [clears throat] 364 00:14:30,037 --> 00:14:34,174 UH-HUH. UH, I'M KIND OF DOING MY THING RIGHT NOW, BUT SURE. 365 00:14:34,207 --> 00:14:35,542 WHATEVER YOU THINK, JULES. 366 00:14:35,575 --> 00:14:38,311 OKAY. ALL RIGHT. I'LL SEE YOU TONIGHT. 367 00:14:38,345 --> 00:14:39,479 MRAH MRAH MRAH. 368 00:14:39,512 --> 00:14:41,014 DUDE, WE GOTTA BE CAREFUL. 369 00:14:41,048 --> 00:14:43,183 ZOLA SAID HUGO'S NOT A BIG FAN 370 00:14:43,216 --> 00:14:45,185 OF CHARACTER ARTISTS LIKE US. 371 00:14:45,218 --> 00:14:47,921 YOU LAY BACK. I GOT THIS. 372 00:14:47,955 --> 00:14:52,525 - GOT IT. 373 00:14:52,559 --> 00:14:55,395 - [laughs] WHAT'S UP, CIRCULES? 374 00:14:55,428 --> 00:14:58,065 [laughs] 375 00:14:58,098 --> 00:14:59,299 - I DON'T BELIEVE WE GOT YOUR NAME. 376 00:14:59,332 --> 00:15:00,968 - OH, SORRY. 377 00:15:01,001 --> 00:15:04,938 UH, ORENTHAL JAMES SIMPSON. I KNOW, I KNOW. 378 00:15:04,972 --> 00:15:07,074 MY FOLKS WERE BIG FANS OF HERTZ RENTAL CAR. 379 00:15:07,107 --> 00:15:08,308 [clears throat] 380 00:15:08,341 --> 00:15:09,642 HEARD ABOUT THE ACCIDENT LAST WEEK, MAN. 381 00:15:09,676 --> 00:15:11,444 THAT'S A BUMMER, HUH? 382 00:15:11,478 --> 00:15:14,081 - I WAS RIGHT THERE. I STILL DON'T KNOW WHAT HAPPENED. 383 00:15:14,114 --> 00:15:16,616 I MEAN, WE'VE BEEN DOING THAT TRICK FOREVER, 384 00:15:16,649 --> 00:15:18,251 BUT THE OTHER DAY, HE JUST-- 385 00:15:18,285 --> 00:15:20,120 HE DIDN'T EXTEND ALL THE WAY. 386 00:15:20,153 --> 00:15:22,155 - HMM. 387 00:15:27,060 --> 00:15:29,963 - YOUR PSYCHIC HUNCH WAS SPOT-ON AGAIN, SHAWN. 388 00:15:29,997 --> 00:15:31,664 THIS MAN WAS DEAD 389 00:15:31,698 --> 00:15:34,034 BEFORE HIS BODY WAS LAUNCHED INTO THE AIR. 390 00:15:34,067 --> 00:15:36,136 THE BROKEN NECK AND INTERNAL INJURIES FROM THE FALL 391 00:15:36,169 --> 00:15:37,370 WERE ALL POST-MORTEM. 392 00:15:37,404 --> 00:15:38,605 - SO THEN, WHAT KILLED HIM? 393 00:15:38,638 --> 00:15:40,140 - ELECTROCUTION. - HMM. 394 00:15:40,173 --> 00:15:41,474 - IT WASN'T OBVIOUS AT FIRST. 395 00:15:41,508 --> 00:15:42,742 WHOEVER COVERED THIS UP 396 00:15:42,775 --> 00:15:44,744 MUST HAVE KEPT THE BODY ON ICE. 397 00:15:44,777 --> 00:15:46,313 NOW, COME OVER HERE. 398 00:15:46,346 --> 00:15:48,248 COME ON, I WANT TO SHOW YOU SOMETHING. 399 00:15:48,281 --> 00:15:50,150 IT'S NOT LIKE YOU'RE GONNA CATCH NECROPHYLOPIGMENTOSIS. 400 00:15:50,183 --> 00:15:52,252 [laughs] PROBABLY NOT. 401 00:15:59,592 --> 00:16:02,295 AS ANYONE GOOD AT FOREPLAY CAN TELL YOU, 402 00:16:02,329 --> 00:16:06,033 ELECTRICITY ALWAYS LEAVES A MARK. 403 00:16:06,066 --> 00:16:08,768 I KNOW, I KNOW. T.M.I. TELL MORE INFORMATION. 404 00:16:08,801 --> 00:16:11,538 YOU SEE, A FLASHLIGHT BATTERY AND A PAPER CLIP-- 405 00:16:11,571 --> 00:16:13,540 - UH, NO NEED TO EXPLAIN, WOODY. 406 00:16:13,573 --> 00:16:16,009 - I GOTTA TELL YOU, I SOMETIMES HAVE TROUBLE 407 00:16:16,043 --> 00:16:19,046 READING SOCIAL CUES, ESPECIALLY CROSS-CULTURALLY. 408 00:16:19,079 --> 00:16:20,347 - WHAT? 409 00:16:20,380 --> 00:16:22,049 - YEAH, IT'S REALLY STARTING TO HURT ME 410 00:16:22,082 --> 00:16:23,483 IN THE DATING DEPARTMENT. 411 00:16:23,516 --> 00:16:26,019 I CAN'T--I CAN'T READ ALIVE WOMEN ANYMORE. 412 00:16:26,053 --> 00:16:29,522 IT'S LIKE, YOU'RE STROBING RIGHT NOW. 413 00:16:29,556 --> 00:16:31,624 - I'M GOING TO OPEN AN OFFICIAL MURDER INVESTIGATION 414 00:16:31,658 --> 00:16:33,093 BASED ON THIS NEW EVIDENCE. 415 00:16:33,126 --> 00:16:34,461 - RIGHT. - MM-HMM. 416 00:16:34,494 --> 00:16:36,396 - KEEP IT LOOSE. 417 00:16:36,429 --> 00:16:38,765 - UM, SHAWN, ARE YOU SURE YOU'RE OKAY 418 00:16:38,798 --> 00:16:40,567 WITH WHAT WE TALKED ABOUT EARLIER ON THE PHONE? 419 00:16:40,600 --> 00:16:44,071 - YEAH, YEAH. I'M TOTALLY COOL WITH THAT. 420 00:16:44,104 --> 00:16:45,372 - THANK YOU. - MM. 421 00:16:45,405 --> 00:16:47,107 MRAH. - MRAH. 422 00:16:47,140 --> 00:16:48,675 I'LL SEE YOU LATER. 423 00:16:48,708 --> 00:16:51,644 - UH, JULIET, UH, YOU WOULDN'T HAPPEN TO KNOW 424 00:16:51,678 --> 00:16:55,382 ANY SINGLE FEMALES THAT ARE CURRENTLY LIVING, WOULD YOU? 425 00:16:55,415 --> 00:16:57,250 - YOU KNOW WHAT, WOODY? 426 00:16:57,284 --> 00:17:01,588 I AM GOING TO GIVE THAT SOME SERIOUS THOUGHT. 427 00:17:02,789 --> 00:17:05,792 - JULES, I'M HOME. [sighs] 428 00:17:05,825 --> 00:17:07,294 - OH, HEY, SPENCER. I HOPE YOU DON'T MIND. 429 00:17:07,327 --> 00:17:08,628 I JUST WHIPPED SOMETHING TOGETHER 430 00:17:08,661 --> 00:17:09,762 WITH WHAT YOU GUYS HAD IN THE FRIDGE. 431 00:17:09,796 --> 00:17:13,566 [shaker squeaks] 432 00:17:15,268 --> 00:17:19,372 - SOME BREAD FOR YOU, MY DEAR? 433 00:17:19,406 --> 00:17:23,476 - HELLO, SHAWN. - HI. 434 00:17:23,510 --> 00:17:25,078 - WELL, IF YOU WANT SOME PASTA, JUST ASK. 435 00:17:25,112 --> 00:17:26,379 THERE'S PLENTY. 436 00:17:26,413 --> 00:17:29,816 - OMG, WTF, AND JTT. 437 00:17:29,849 --> 00:17:31,751 - JONATHAN TAYLOR THOMAS IS NOT AN ACRONYM, SHAWN. 438 00:17:31,784 --> 00:17:33,153 - WHAT ARE THEY DOING HERE? 439 00:17:33,186 --> 00:17:34,654 - SHAWN, YOU SAID YOU WERE COOL WITH THIS. 440 00:17:34,687 --> 00:17:36,289 WHAT WE TALKED ABOUT ON THE PHONE. 441 00:17:36,323 --> 00:17:38,091 THAT MARLOWE COULD STAY HERE WHILE SHE AND CARLTON 442 00:17:38,125 --> 00:17:39,426 WORKED OUT HER PAROLE SITUATION. 443 00:17:39,459 --> 00:17:41,161 - RIGHT, THE THING WE TALKED ABOUT ON THE PHONE 444 00:17:41,194 --> 00:17:41,761 THAT I SAID I WAS COOL WITH. 445 00:17:41,794 --> 00:17:43,296 RIGHT. 446 00:17:43,330 --> 00:17:44,631 THEN I SAID I WAS COOL WITH IT AGAIN 447 00:17:44,664 --> 00:17:45,865 WHEN WE WERE AT WOODY'S. 448 00:17:45,898 --> 00:17:47,467 ALL RIGHT, FINE, BUT IT BETTER BE TEMPORARY, 449 00:17:47,500 --> 00:17:50,603 AND THEN IT'S JUST YOU AND ME. 450 00:17:50,637 --> 00:17:53,140 - OF COURSE. 451 00:17:53,173 --> 00:17:54,874 - OH, HEY, I TOOK A QUICK SHOWER AFTER WORK, 452 00:17:54,907 --> 00:17:56,476 AND I PUT YOUR ROBE BACK ON THE HOOK. 453 00:17:56,509 --> 00:18:00,147 - IT'S YOURS. SO IS THE HOOK. SO IS THE DOOR. 454 00:18:00,180 --> 00:18:03,316 I HAVE TO GO...ANYWHERE. 455 00:18:10,157 --> 00:18:11,791 NO, I AM NOT OKAY 456 00:18:11,824 --> 00:18:14,494 WITH LASSITER AND MARLOWE BEING ALL UP IN OUR SPACE. 457 00:18:14,527 --> 00:18:16,129 WE JUST MOVED IN TOGETHER. 458 00:18:16,163 --> 00:18:18,198 DO YOU HAVE ANY IDEA HOW INTRUSIVE THAT IS? 459 00:18:18,231 --> 00:18:20,467 - I CALLED TO SPEAK TO GUS. 460 00:18:20,500 --> 00:18:22,835 - I'M SORRY, RACHAEL. THAT'S MY BAD. 461 00:18:22,869 --> 00:18:24,637 - THANKS FOR PICKING MAX UP FROM SOCCER PRACTICE. 462 00:18:24,671 --> 00:18:26,373 I'LL BE LEAVING WORK IN AN HOUR. 463 00:18:26,406 --> 00:18:29,176 AND DO ME A FAVOR, KEEP MAX AWAY FROM DEAD PEOPLE, OKAY? 464 00:18:29,209 --> 00:18:31,178 - [laughs] - SEE YOU. 465 00:18:31,211 --> 00:18:32,545 - [mimics Rachael] DO ME A FAVOR 466 00:18:32,579 --> 00:18:34,314 AND KEEP MAX AWAY FROM DEAD PEOPLE, OKAY? 467 00:18:34,347 --> 00:18:35,848 [laughs] 468 00:18:35,882 --> 00:18:38,851 - STILL HERE, SHAWN. AND I'M NOT A LEPRECHAUN. 469 00:18:38,885 --> 00:18:41,488 - OF COURSE NOT. [phone beeps] 470 00:18:41,521 --> 00:18:44,524 MAX! HEY, LITTLE MAN, GET IN THE CAR. 471 00:18:44,557 --> 00:18:45,658 - BYE. 472 00:18:45,692 --> 00:18:48,161 - IS THAT YOUR AUDITION FOR TO CATCH A PREDATOR? 473 00:18:48,195 --> 00:18:49,862 - SUCK IT, SHAWN. 474 00:18:50,963 --> 00:18:52,865 - HEY, BIG BOY. - OH, JEEZ. 475 00:18:52,899 --> 00:18:54,567 - BUCKLE IN. 476 00:18:54,601 --> 00:18:56,869 - LOOK, MAN. YOU HAVE TO STOP IT. TRUST ME. 477 00:18:56,903 --> 00:18:59,572 AND WE NEED TO FIGURE OUT WHO STUFFED FRANCOIS' DEAD BODY 478 00:18:59,606 --> 00:19:01,441 INTO THAT CAPSULE BEFORE THE SHOW STARTED. 479 00:19:01,474 --> 00:19:05,545 - UH, SHAWN, LET'S NOT TALK ABOUT THE D-E-C-E-A-S-E-D 480 00:19:05,578 --> 00:19:06,913 IN FRONT OF YOU-KNOW-WHO. 481 00:19:06,946 --> 00:19:08,615 - WHY ARE YOU SPELLING? 482 00:19:08,648 --> 00:19:10,217 - BECAUSE WE DON'T WANT TO EXPOSE-- 483 00:19:10,250 --> 00:19:15,855 TO ANYTHING I-N-A-P-P-R-O-P-R-I-A-T-E 484 00:19:15,888 --> 00:19:18,525 A-B-O-U-T-- - HOLD IT, MAN. 485 00:19:18,558 --> 00:19:19,892 YOU DON'T NEED TO GET SOME PEN AND A PAPER? 486 00:19:19,926 --> 00:19:21,694 - "INAPPROPRIATE"? 487 00:19:21,728 --> 00:19:25,432 - AH, FINE. NO MORE TALKING ABOUT THE CASE. 488 00:19:25,465 --> 00:19:26,866 THAT'S PRODUCTIVE. 489 00:19:26,899 --> 00:19:28,268 - THEY WERE TALKING ABOUT IT ON THE NEWS. 490 00:19:28,301 --> 00:19:29,536 THEY SHOWED THE DEAD GUY THAT DIED 491 00:19:29,569 --> 00:19:30,903 THAT I SAW BACKSTAGE, FOR REAL. 492 00:19:30,937 --> 00:19:33,373 - WHOA, WHOA, WHOA. YOU SAW FRANCOIS BACKSTAGE? 493 00:19:33,406 --> 00:19:34,974 - WHILE I WAS LOOKING FOR THE BATHROOM, 494 00:19:35,007 --> 00:19:36,876 TWO PEOPLE WERE PUTTING MAKEUP ON HIS FACE. 495 00:19:36,909 --> 00:19:38,745 - DUDE, THAT'S IT. 496 00:19:38,778 --> 00:19:40,447 IF WE FIND THOSE TWO GUYS, WE'VE GOT OUR KILLERS 497 00:19:40,480 --> 00:19:42,315 BECAUSE THEY WERE PUTTING MAKEUP ON A DEAD MAN. 498 00:19:42,349 --> 00:19:43,916 MAX, YOU THINK YOU'D RECOGNIZE THEM 499 00:19:43,950 --> 00:19:44,917 IF WE TOOK YOU BACK TO THE CIRCUS? 500 00:19:44,951 --> 00:19:49,289 - UH, NO, NO, NO, SHAWN. NO, NO, NO, NO, NO. 501 00:19:49,322 --> 00:19:50,990 - PLEASE, GUS, PLEASE? 502 00:19:51,023 --> 00:19:52,592 - [laughs] 503 00:19:52,625 --> 00:19:54,594 HOW ABOUT HER? 504 00:19:54,627 --> 00:19:58,231 ONE OF THESE TWO? - MM, NO. 505 00:19:58,265 --> 00:19:59,999 - [laughs] WAIT. 506 00:20:00,032 --> 00:20:03,002 - YES, I WILL MAKE SURE THAT MAX GETS HIS HOMEWORK DONE. 507 00:20:03,035 --> 00:20:04,804 IN FACT, SHAWN IS HELPING HIM 508 00:20:04,837 --> 00:20:06,773 WITH SOME MULTIPLE CHOICE PROBLEMS AS WE SPEAK. 509 00:20:06,806 --> 00:20:08,275 - WHAT ABOUT THIS GUY? - MM-MM. 510 00:20:08,308 --> 00:20:09,742 - HEY, HOW ARE YOU DOING? GUY WITH THE BIKE? 511 00:20:09,776 --> 00:20:10,777 - MM-MM. - YOU SURE? 512 00:20:10,810 --> 00:20:11,811 - MM-HMM. - BYE, BOO. 513 00:20:14,347 --> 00:20:15,782 - HIM? - MM-MM. 514 00:20:15,815 --> 00:20:17,650 - UH, WE NEED TO GET GOING. 515 00:20:17,684 --> 00:20:18,885 RACHAEL'S GONNA START GETTING WORRIED. 516 00:20:18,918 --> 00:20:20,620 - JUST GIVE THE KID A FEW MORE MINUTES. 517 00:20:20,653 --> 00:20:23,723 - NO, NO, NO, NO, NO. I'M RESPONSIBLE FOR HIM. 518 00:20:23,756 --> 00:20:25,325 I DECIDE WHEN WE TAKE HIM HOME. 519 00:20:25,358 --> 00:20:28,895 - I WANT TO STAY WITH SHAWN, BUT YOU CAN GO. 520 00:20:28,928 --> 00:20:32,365 - ZOLA? 521 00:20:32,399 --> 00:20:33,600 HUH. 522 00:20:33,633 --> 00:20:36,269 - EW. - THAT'S INTERESTING. 523 00:20:36,303 --> 00:20:37,570 LOOKS LIKE SHE LEFT IN A HURRY, 524 00:20:37,604 --> 00:20:39,306 OR SHE'S JUST A FILTHY PIG. 525 00:20:39,339 --> 00:20:40,840 - MAX, DO YOU REMEMBER AT ALL WHAT THESE GUYS LOOK LIKE? 526 00:20:40,873 --> 00:20:42,041 - NO, I DON'T. 527 00:20:42,074 --> 00:20:43,543 THEY WERE WEARING MAKEUP TOO. 528 00:20:43,576 --> 00:20:44,644 - MAX. - DID YOU HEAR THAT, SHAWN? 529 00:20:44,677 --> 00:20:45,845 THEY WERE ALL WEARING MAKEUP, 530 00:20:45,878 --> 00:20:47,880 SO HE WON'T BE ABLE TO I.D. THEM. 531 00:20:47,914 --> 00:20:50,383 NOW, LET'S GO. - NO, WE'RE TOGETHER ON THIS. 532 00:20:50,417 --> 00:20:51,884 THIS IS TAKING TOO LONG. I CANNOT WAIT. 533 00:20:51,918 --> 00:20:53,786 - WHAT IS IT? WHAT'S WRONG, LITTLE MAN? 534 00:20:53,820 --> 00:20:55,655 - THAT'S THE VOICE OF THE MAN I HEARD PUTTING ON THE MAKEUP. 535 00:20:55,688 --> 00:21:00,360 - ARE YOU SURE ABOUT THAT? 536 00:21:00,393 --> 00:21:01,661 - CAN WE JUST GET THIS DONE? 537 00:21:01,694 --> 00:21:03,696 MONDAY, WE'RE OUT. 538 00:21:03,730 --> 00:21:06,733 - THEY WERE IN THE LUNCHROOM. THEY'RE NON-SPEAKERS. 539 00:21:10,703 --> 00:21:12,305 GUS, THOSE COULD BE OUR GUYS. WE NEED TO FOLLOW THEM. 540 00:21:12,339 --> 00:21:13,373 - I DON'T THINK THAT'S A GOOD IDEA, SHAWN. 541 00:21:13,406 --> 00:21:14,874 - COOL. 542 00:21:14,907 --> 00:21:17,910 - SHAWN, I DON'T THINK THAT'S A--WAIT! 543 00:21:21,848 --> 00:21:22,815 - AH! 544 00:21:22,849 --> 00:21:24,984 OH, HI. 545 00:21:25,017 --> 00:21:29,021 - O'HARA. ANY-- ANY NEWS FROM THE OFFICE? 546 00:21:29,055 --> 00:21:32,925 - UM, UM, UH, WELL, UH, 547 00:21:32,959 --> 00:21:36,729 WE DID BRING SOMEONE IN FOR QUESTIONING 548 00:21:36,763 --> 00:21:40,099 ON THAT SIGN FACTORY CASE, AND, UH, 549 00:21:40,132 --> 00:21:41,934 WE'VE NARROWED DOWN THE ELECTROCUTION 550 00:21:41,968 --> 00:21:43,636 IN THE LE CIRQUE THING. 551 00:21:43,670 --> 00:21:46,539 UM, HAVE THESE, UH, LIGHTS BEEN ON ALL DAY? 552 00:21:46,573 --> 00:21:49,842 OH, MY GOD. THE VASE IS NOT AN ASHTRAY! 553 00:21:49,876 --> 00:21:52,512 CARLTON, MAY I HAVE A WORD? 554 00:21:52,545 --> 00:21:55,047 - SURE. CERTAINLY. 555 00:21:56,649 --> 00:21:57,984 - I'LL WAIT OUTSIDE. 556 00:22:01,020 --> 00:22:04,957 THIS MIGHT NOT HAVE BEEN A GOOD IDEA. 557 00:22:04,991 --> 00:22:06,959 - OKAY, LOOK, I-I KNOW IT'S A BIT OF AN INCONVENIENCE, 558 00:22:06,993 --> 00:22:08,395 BUT, YOU KNOW, MY HANDS ARE TIED. 559 00:22:08,428 --> 00:22:09,929 URSULA IS MAKING IT DAMN NEAR IMPOSSIBLE 560 00:22:09,962 --> 00:22:11,798 FOR US TO SPEND ANY TIME TOGETHER. 561 00:22:11,831 --> 00:22:13,833 - I UNDERSTAND YOUR FRUSTRATION, I REALLY DO. 562 00:22:13,866 --> 00:22:15,101 - YEAH, AND I PROMISE TO REIMBURSE YOU 563 00:22:15,134 --> 00:22:16,736 FOR ANY INCIDENTALS, 564 00:22:16,769 --> 00:22:18,805 PROVIDED YOU HAVE THE ORIGINAL RECEIPT. 565 00:22:18,838 --> 00:22:21,841 - I STILL JUST-- I HAVE TO ASK, UM, 566 00:22:21,874 --> 00:22:26,646 HOW LONG WILL YOU BE NEEDING THIS ARRANGEMENT? 567 00:22:26,679 --> 00:22:29,115 - DON'T WORRY ABOUT IT. 568 00:22:29,148 --> 00:22:32,919 I'LL FIGURE SOMETHING ELSE OUT. 569 00:22:32,952 --> 00:22:35,021 - OKAY. - OKAY. 570 00:22:41,861 --> 00:22:43,563 - THAT'S THEM. TURN LEFT. 571 00:22:43,596 --> 00:22:44,931 THEY'RE HEADING TOWARDS THAT INDUSTRIAL PARK. 572 00:22:47,133 --> 00:22:48,768 - YOU KNOW I HAVE TO GET MAX HOME. 573 00:22:48,801 --> 00:22:50,036 RACHAEL'S GIVEN ME ANOTHER CHANCE WITH HIM. 574 00:22:50,069 --> 00:22:52,939 I CAN'T BLOW IT. 575 00:22:52,972 --> 00:22:56,709 - DUDE. 576 00:22:56,743 --> 00:22:59,178 - OH, MY GOSH. 577 00:22:59,211 --> 00:23:00,713 - COOL. 578 00:23:00,747 --> 00:23:02,849 - NOT TOO MANY PEOPLE CAN DO THAT. 579 00:23:02,882 --> 00:23:06,052 - WHERE THE HECK IS HE GOING? 580 00:23:10,890 --> 00:23:13,893 - HMM. 581 00:23:13,926 --> 00:23:17,864 - [grunts] 582 00:23:17,897 --> 00:23:20,867 - ELECTRICITY ALWAYS LEAVES A MARK. 583 00:23:20,900 --> 00:23:23,002 - THEY'RE A BUNCH OF THIEVES. 584 00:23:23,035 --> 00:23:25,438 FRANCOIS WAS THE FOURTH MEMBER. 585 00:23:25,472 --> 00:23:26,939 WHATEVER'S IN THERE, HE DIED TRYING TO GET IT, 586 00:23:26,973 --> 00:23:28,708 AND THE OTHER THREE COVERED UP HIS DEATH 587 00:23:28,741 --> 00:23:30,843 BY MAKING IT LOOK LIKE AN ACCIDENT IN THE SHOW. 588 00:23:30,877 --> 00:23:32,612 YEAH, WE NEED TO FOLLOW THEM INSIDE. 589 00:23:32,645 --> 00:23:34,013 - YOU MUST BE OUT OF YOUR DAMN MIND. 590 00:23:34,046 --> 00:23:36,449 I'M NOT TAKING MAX INSIDE A POSSIBLE CRIME SCENE. 591 00:23:36,483 --> 00:23:37,884 IT'S IRRESPONSIBLE. - ALL RIGHT. 592 00:23:37,917 --> 00:23:39,151 LET'S BE RESPONSIBLE. 593 00:23:39,185 --> 00:23:40,820 LEAVE HIM OUT HERE IN THE CAR, BY HIMSELF, 594 00:23:40,853 --> 00:23:45,558 LIKE A SHIH-TZU. 595 00:23:45,592 --> 00:23:47,460 - MAX, WAIT! 596 00:23:47,494 --> 00:23:51,864 - OH. OH, THAT FEELS SO GOOD. - [laughs] 597 00:23:51,898 --> 00:23:53,533 OKAY, BEFORE YOU SAY ANYTHING, 598 00:23:53,566 --> 00:23:54,801 WE HAVE AN ANNOUNCEMENT. 599 00:23:54,834 --> 00:23:57,837 WE ARE GONNA BEAT URSULA AT HER OWN GAME. 600 00:23:57,870 --> 00:23:59,772 THE PAROLE GUIDELINES SAY THAT THE PAROLEE 601 00:23:59,806 --> 00:24:01,708 MUST BE ALLOWED TO LIVE WITH HER LAWFUL SPOUSE, 602 00:24:01,741 --> 00:24:04,877 SO...DO YOU WANT TO TELL HER? 603 00:24:04,911 --> 00:24:06,979 both: WE GOT ENGAGED! 604 00:24:11,217 --> 00:24:14,921 - WHERE'D THE CIRCUS GUYS GO? - SHH! 605 00:24:14,954 --> 00:24:18,691 - WHAT IS IN HERE THAT IS SO DAMN VALUABLE? 606 00:24:18,725 --> 00:24:20,860 [alarm] 607 00:24:20,893 --> 00:24:23,095 WHOA! ALL RIGHT. 608 00:24:23,129 --> 00:24:25,932 - UH, SHAWN, WE NEED TO GET OUT OF HERE. 609 00:24:25,965 --> 00:24:28,034 [sirens] 610 00:24:28,067 --> 00:24:32,038 - THIS IS THE S.B.P.D. STAY RIGHT WHERE YOU ARE. 611 00:24:32,071 --> 00:24:35,174 [cell phone rings] DO NOT MOVE. 612 00:24:35,207 --> 00:24:38,511 - HOW DOES SHE ALWAYS PICK THE WRONG TIME TO CALL? 613 00:24:38,545 --> 00:24:40,246 [indistinct shouting] HEY, BOO. 614 00:24:44,884 --> 00:24:46,753 - HE WAS INVOLVED IN A BREAK-IN? HOW COULD YOU LET THIS HAPPEN? 615 00:24:46,786 --> 00:24:49,055 - SEE, I KNOW YOU'RE DISAPPOINTED, BUT I CAN EXPLAIN. 616 00:24:49,088 --> 00:24:50,957 - "DISAPPOINTED" DOESN'T EVEN BEGIN TO DESCRIBE HOW I FEEL. 617 00:24:50,990 --> 00:24:51,958 WHAT SORT OF FUTURE IS MAX GONNA HAVE 618 00:24:51,991 --> 00:24:53,993 WITH A CRIMINAL RECORD? 619 00:24:54,026 --> 00:24:56,529 - A LEGITIMATE SHOT AT PLAYING PROFESSIONAL FOOTBALL SOMEDAY? 620 00:24:56,563 --> 00:24:59,999 - NO. - THEN BLEAK. 621 00:25:00,032 --> 00:25:03,603 - RACHAEL, WAIT. 622 00:25:03,636 --> 00:25:05,137 - JULES, QUESTION OF THE DAY. 623 00:25:05,171 --> 00:25:07,907 WHY WOULD THESE DUDES BREAK INTO A LABORATORY 624 00:25:07,940 --> 00:25:08,975 A FEW DAYS AGO, 625 00:25:09,008 --> 00:25:10,877 SEE ONE OF THEIR CREW MEMBERS DIE, 626 00:25:10,910 --> 00:25:12,845 AND THEN RISK BREAKING INTO THE SAME EXACT LABORATORY, 627 00:25:12,879 --> 00:25:15,682 ALL FOR SOME WORTHLESS LABORATORY SUPPLIES? 628 00:25:15,715 --> 00:25:17,083 - NOT SO FAST. 629 00:25:17,116 --> 00:25:19,018 THE BUILDING MANAGER SAID THERE WAS A BREAK-IN, 630 00:25:19,051 --> 00:25:20,820 AND 10 GRAMS OF A SUBSTANCE CALLED "TRITIUM" WAS STOLEN. 631 00:25:20,853 --> 00:25:22,589 - JULES, DON'T BE RIDICULOUS. 632 00:25:22,622 --> 00:25:24,190 NO ONE'S GONNA RISK THEIR LIVES FOR THAT MUCH CHEWING GUM. 633 00:25:24,223 --> 00:25:26,826 - "TRITIUM IS A SELF-ILLUMINATING, 634 00:25:26,859 --> 00:25:30,129 "MANMADE ISOTOPE USED IN THINGS LIKE WATCH FACES AND KEY CHAINS. 635 00:25:30,162 --> 00:25:31,998 "IT'S HIGHLY SOUGHT AFTER. 636 00:25:32,031 --> 00:25:35,201 JUST 10 GRAMS OF IT HAS A STREET VALUE OF 300 GRAND." 637 00:25:39,271 --> 00:25:43,075 - WHOA. LIKE AN EXIT SIGN. 638 00:25:43,109 --> 00:25:44,611 OR AN INDUSTRIAL SIGN. 639 00:25:44,644 --> 00:25:46,045 - THE BREAK-IN AT THE SIGN FACTORY. 640 00:25:46,078 --> 00:25:47,847 I BET IT WAS THE SAME CREW. 641 00:25:47,880 --> 00:25:49,682 - THEY WERE LOOKING FOR TRITIUM, BUT THEY COULDN'T FIND ANY 642 00:25:49,716 --> 00:25:51,350 BECAUSE IT'S ONLY MADE IN A LABORATORY. 643 00:25:51,383 --> 00:25:53,953 - STOP SAYING IT LIKE THAT. - SAYING WHAT LIKE WHAT? 644 00:25:53,986 --> 00:25:56,789 - TODAY WAS THEM GOING BACK TO DO THE JOB RIGHT. 645 00:25:56,823 --> 00:25:58,691 I'LL PUT OUT AN APB ON THE CIRCUS CRIMINALS 646 00:25:58,725 --> 00:26:00,727 WITH INSTRUCTIONS TO CHECK ALL THE PLACES 647 00:26:00,760 --> 00:26:02,261 THEY COULD SAFELY STORE THE UNSTABLE TRITIUM. 648 00:26:02,294 --> 00:26:04,931 - WELL DONE! 649 00:26:22,982 --> 00:26:25,752 DUDE, I HAVE A PRETTY GOOD HUNCH OF WHERE OUR GUYS ARE GOING, 650 00:26:25,785 --> 00:26:27,386 AND I THINK ZOLA'S INVOLVED. WE DON'T HAVE MUCH TIME. 651 00:26:27,419 --> 00:26:28,988 - RACHAEL JUST BROKE UP WITH ME. 652 00:26:29,021 --> 00:26:31,824 - WHAT? OH, THAT IS JUST AWFUL, GUSTER. 653 00:26:31,858 --> 00:26:33,860 I AM SO SORRY TO HEAR THAT. 654 00:26:33,893 --> 00:26:35,962 HEY, EVERYBODY, I JUST GOT ENGAGED! 655 00:26:35,995 --> 00:26:38,898 - LASSIE, THAT'S GREAT! - [laughs] 656 00:26:38,931 --> 00:26:40,967 - I MEAN--I MEAN, THAT'S--IT'S ALL RIGHT. 657 00:26:41,000 --> 00:26:42,835 LOOK, BUDDY, COME WITH ME. 658 00:26:42,869 --> 00:26:43,970 YOU'LL GET YOUR MIND OFF THINGS. 659 00:26:44,003 --> 00:26:45,371 - THIS IS YOUR FAULT. 660 00:26:45,404 --> 00:26:47,306 THIS WHOLE TIME, I'VE BEEN TELLING YOU 661 00:26:47,339 --> 00:26:49,041 THAT YOU'VE BEEN GOING TOO FAR, BUT NO, YOU WOULDN'T LISTEN. 662 00:26:49,075 --> 00:26:51,110 NOW IT'S TOO LATE. - NO, IT'S NOT TOO LATE. 663 00:26:51,143 --> 00:26:52,845 LOOK, RACHAEL'S GONNA CALM DOWN, 664 00:26:52,879 --> 00:26:54,847 AND IT'S GONNA BE FINE, BUT IN THE MEANTIME-- 665 00:26:54,881 --> 00:26:56,783 - IN THE MEANTIME, YOU'LL GO ABOUT LIKE EVERYTHING'S FINE, 666 00:26:56,816 --> 00:26:58,851 AND I'LL BE LEFT TO CLEAN UP THE MESS THAT YOU'VE CAUSED. 667 00:26:58,885 --> 00:27:00,119 I'M TIRED OF YOUR MOUTH WRITING CHECKS 668 00:27:00,152 --> 00:27:03,055 THAT MY ASS HAS TO CASH! 669 00:27:03,089 --> 00:27:05,291 - GUS, I'M GONNA NEED YOU TO LOWER THE VOLUME 670 00:27:05,324 --> 00:27:07,293 OR, AT THE VERY LEAST, CHANGE THAT METAPHOR. 671 00:27:07,326 --> 00:27:10,730 - SHAWN, I REALLY LIKE RACHAEL, 672 00:27:10,763 --> 00:27:13,299 AND BECAUSE OF YOU, I MAY HAVE LOST HER. 673 00:27:13,332 --> 00:27:17,303 - ALL RIGHT, I'M SORRY. OKAY? 674 00:27:17,336 --> 00:27:20,039 I'M SORRY. WHAT-- WHAT DO YOU WANT ME TO SAY? 675 00:27:20,072 --> 00:27:23,142 - I CAN'T DO THIS WITH YOU RIGHT NOW. 676 00:27:23,175 --> 00:27:26,178 I NEED TIME ALONE. 677 00:27:29,148 --> 00:27:31,150 - RAWR! [giggles] 678 00:27:31,183 --> 00:27:34,053 - CARLTON, DID YOU HAVE A CHANCE TO LOOK AT THAT FILE? 679 00:27:34,086 --> 00:27:38,758 - YEAH, RIGHT HERE. 680 00:27:38,791 --> 00:27:40,192 - THESE ARE CHINA SETTINGS. 681 00:27:40,226 --> 00:27:41,928 - YEAH. WHICH GOES BEST WITH MY SILVERWARE? 682 00:27:41,961 --> 00:27:43,763 OH, YOU MEANT THE FILE YOU FAXED OVER. 683 00:27:43,796 --> 00:27:45,064 [laughs] I'M SORRY. 684 00:27:45,097 --> 00:27:46,298 WE'RE STILL CELEBRATING. 685 00:27:46,332 --> 00:27:48,067 YEAH, I GOT IT RIGHT HERE. 686 00:27:48,100 --> 00:27:50,202 SO THE SIGN FACTORY CASE 687 00:27:50,236 --> 00:27:52,338 AND THE CIRQUE MURDER ARE NOW ONE AND THE SAME? 688 00:27:52,371 --> 00:27:56,776 - YEAH, AND-- [knocks on door] 689 00:27:56,809 --> 00:27:59,078 - THE WEDDING PLANNER'S NOT SUPPOSED TO BE HERE UNTIL 6:00. 690 00:27:59,111 --> 00:28:01,814 - I KNOW. 691 00:28:01,848 --> 00:28:03,950 - HELLO. - HELLO. 692 00:28:03,983 --> 00:28:06,919 I'M HERE FOR A SURPRISE CHECK-IN ON MY PAROLEE. 693 00:28:06,953 --> 00:28:08,087 - [laughs] OKAY. 694 00:28:08,120 --> 00:28:11,023 MARLOWE, YOUR PAROLE OFFICER'S HERE. 695 00:28:11,057 --> 00:28:14,093 - I HEAR THAT THERE HAS BEEN A CHANGE 696 00:28:14,126 --> 00:28:16,395 IN MS. VICCELLIO'S RELATIONSHIP STATUS. 697 00:28:16,428 --> 00:28:19,832 - YES, MS. VICCELLIO AND I ARE NOW ENGAGED, 698 00:28:19,866 --> 00:28:23,803 SO I'M AFRAID THAT MAY ALTER SOME OF YOUR RESTRICTIONS. 699 00:28:23,836 --> 00:28:26,839 - I SEE. I UNDERSTAND THIS JUST HAPPENED? 700 00:28:26,873 --> 00:28:28,107 - YES, I WOULD HAVE TOLD YOU MYSELF, 701 00:28:28,140 --> 00:28:29,942 BUT I COULDN'T FIND YOUR NUMBER. 702 00:28:29,976 --> 00:28:31,844 - HONEY. 703 00:28:31,878 --> 00:28:33,980 - WELL, I'M SURE YOUR CELEBRATION 704 00:28:34,013 --> 00:28:35,915 HASN'T INVOLVED ANY ALCOHOL 705 00:28:35,948 --> 00:28:41,921 BECAUSE, AS WE ALL KNOW, THAT'S A VIOLATION OF YOUR PAROLE. 706 00:28:41,954 --> 00:28:46,959 UH-HUH. I SUSPECTED AS MUCH. 707 00:28:46,993 --> 00:28:51,063 I'M SURE THAT YOU KNOW WHAT TO DO WITH THIS. 708 00:28:51,097 --> 00:28:56,936 URINE SAMPLE, NOW. - [sighs] 709 00:28:56,969 --> 00:28:59,305 - I WONDER IF YOU WILL BE WEARING WHITE 710 00:28:59,338 --> 00:29:03,009 OR PRISON ORANGE AT YOUR WEDDING? 711 00:29:03,042 --> 00:29:05,077 I'LL WAIT RIGHT THERE TO FIND OUT. 712 00:29:15,922 --> 00:29:19,191 - O'HARA, MAY I HAVE A QUICK WORD WITH YOU, PLEASE? 713 00:29:19,225 --> 00:29:21,961 - MM-HMM. 714 00:29:21,994 --> 00:29:23,362 - I NEED YOU TO DO A FAVOR. 715 00:29:23,395 --> 00:29:24,964 DON'T WORRY. IT'S NOTHING WEIRD. 716 00:29:24,997 --> 00:29:27,366 JUST--I NEED YOU TO TAKE THIS VASE AND GO PEE IN IT. 717 00:29:27,399 --> 00:29:28,968 - NO. 718 00:29:29,001 --> 00:29:31,971 - IF MARLOWE TESTS POSITIVE FOR ALCOHOL, 719 00:29:32,004 --> 00:29:34,807 THEN THE SYSTEM HAS BEATEN US, O'HARA. 720 00:29:34,841 --> 00:29:35,975 IT'S BEATEN LOVE. 721 00:29:36,008 --> 00:29:38,044 NOW, JUST TAKE THIS IN THE BATHROOM 722 00:29:38,077 --> 00:29:39,045 AND DO ME A SOLID. 723 00:29:39,078 --> 00:29:40,179 POOR CHOICE OF WORDS. 724 00:29:40,212 --> 00:29:45,051 JUST, PLEASE, I AM DESPERATE. 725 00:29:45,084 --> 00:29:47,453 - OKAY, I THINK I HAVE A WAY TO HELP. 726 00:29:47,486 --> 00:29:55,394 - GREAT. 727 00:29:55,427 --> 00:29:58,297 IT'S YOU! YOU! YOU LET IT HAPPEN! 728 00:29:58,330 --> 00:30:01,567 YOU, GUS! YOU LET IT HAPPEN TO YOURSELF! 729 00:30:01,600 --> 00:30:04,971 YOU LET IT HAPPEN TO YOUR-- - GUS? 730 00:30:05,004 --> 00:30:06,939 I WAS JUST HEADING OVER TO THE PSYCH OFFICE 731 00:30:06,973 --> 00:30:08,474 TO SEE IF SHAWN WANTED TO GRAB SOME LUNCH. 732 00:30:08,507 --> 00:30:10,042 - I DON'T KNOW WHERE HE IS, AND I DON'T CARE. 733 00:30:10,076 --> 00:30:11,878 - ALL RIGHT, WELL, IT WAS GOOD TO SEE YOU. 734 00:30:11,911 --> 00:30:13,279 - HOLD ON, HOLD ON. YOU DON'T WANT TO KNOW WHAT HAPPENED? 735 00:30:13,312 --> 00:30:15,047 - OH, LET ME GUESS. 736 00:30:15,081 --> 00:30:16,883 SHAWN TOLD YOU HE WAS GONNA TRY TO HELP YOU OUT, 737 00:30:16,916 --> 00:30:18,517 AND AS IT TURNS OUT, HE'S REALLY JUST TOO FOCUSED ON HIMSELF, 738 00:30:18,550 --> 00:30:20,052 AND HE ENDED UP RUINING THINGS. 739 00:30:20,086 --> 00:30:21,387 - WOW, THAT'S IMPRESSIVE. 740 00:30:21,420 --> 00:30:22,989 - [laughs] NOT REALLY. 741 00:30:23,022 --> 00:30:24,290 WHILE YOU WERE PACING AROUND, 742 00:30:24,323 --> 00:30:25,925 I WAS SITTING ON A PARK BENCH OVER THERE, 743 00:30:25,958 --> 00:30:26,993 LISTENING TO YOU BLABBER TO YOURSELF. 744 00:30:27,026 --> 00:30:28,360 - IT'S NOT LIKE SHAWN 745 00:30:28,394 --> 00:30:29,929 HASN'T MESSED UP MY RELATIONSHIPS BEFORE, 746 00:30:29,962 --> 00:30:31,297 BUT RACHAEL IS DIFFERENT. 747 00:30:31,330 --> 00:30:33,232 I REALLY CARE ABOUT HER, AND SHAWN DOESN'T CARE 748 00:30:33,265 --> 00:30:35,534 BECAUSE HE'S TOO CAUGHT UP IN HIS OWN SELF-INTERESTS. 749 00:30:35,567 --> 00:30:37,303 - GUS, YOU REMEMBER WHEN YOU GUYS WERE GROWING UP, 750 00:30:37,336 --> 00:30:39,405 AND SHAWN STOLE THAT CAR TO IMPRESS THE GIRL? 751 00:30:39,438 --> 00:30:41,207 I DISCOVERED THAT HE STOLE IT ON OCTOBER 15TH. 752 00:30:41,240 --> 00:30:43,009 YOU KNOW WHAT THAT DAY IS? 753 00:30:43,042 --> 00:30:45,177 - OF COURSE I DO. IT'S TITO JACKSON'S BIRTHDAY. 754 00:30:45,211 --> 00:30:46,645 - IT'S THE DAY HIS MOTHER MOVED OUT. 755 00:30:46,678 --> 00:30:48,580 - WHAT'S YOUR POINT? 756 00:30:48,614 --> 00:30:50,216 - IN ALL THOSE YEARS, 757 00:30:50,249 --> 00:30:52,952 THE ONE CONSTANT IN SHAWN'S LIFE HAS BEEN YOU. 758 00:30:52,985 --> 00:30:54,020 NOW, HERE YOU ARE. 759 00:30:54,053 --> 00:30:55,187 YOU'VE MET THIS GREAT GIRL, 760 00:30:55,221 --> 00:30:56,455 AND HE'S FACING HIS WORST FEAR. 761 00:30:56,488 --> 00:31:00,592 AND WHAT YOU SEE AS BEING PURELY SELFISH 762 00:31:00,626 --> 00:31:02,361 MIGHT JUST BE HIM 763 00:31:02,394 --> 00:31:03,963 AFRAID THAT HE MIGHT LOSE SOMETHING ELSE 764 00:31:03,996 --> 00:31:06,465 THAT'S VERY IMPORTANT TO HIM. 765 00:31:06,498 --> 00:31:09,035 - [sighs] 766 00:31:09,068 --> 00:31:10,636 - HI, URSULA. 767 00:31:10,669 --> 00:31:13,139 DO YOU MIND IF I SIT DOWN FOR A MOMENT? 768 00:31:13,172 --> 00:31:15,074 - OF COURSE, DETECTIVE. 769 00:31:15,107 --> 00:31:16,308 LET ME GUESS. 770 00:31:16,342 --> 00:31:19,979 YOU WOULD LIKE TO CONVINCE ME 771 00:31:20,012 --> 00:31:22,048 TO GIVE CARLTON A BREAK. 772 00:31:22,081 --> 00:31:24,483 - WHAT? NO WAY. 773 00:31:24,516 --> 00:31:27,053 BASED ON WHAT HE DID TO YOU, I'D SAY HE HAD IT COMING. 774 00:31:27,086 --> 00:31:29,088 - RIGHT. - [laughs] 775 00:31:29,121 --> 00:31:32,324 YOU KNOW, I AM JUST SITTING HERE, LOOKING AT YOUR STYLE, 776 00:31:32,358 --> 00:31:35,962 AND I AM WONDERING WHY A HOTTIE LIKE YOURSELF 777 00:31:35,995 --> 00:31:38,597 IS STILL EVEN GIVING HIM A MOMENT OF THOUGHT. 778 00:31:38,630 --> 00:31:40,532 - I'LL TELL YOU WHY. - HMM? 779 00:31:40,566 --> 00:31:43,469 - BECAUSE HE'S A GOD AMONGST LOVERS. 780 00:31:43,502 --> 00:31:44,937 - WHOA. HOLD ON. 781 00:31:44,971 --> 00:31:46,973 - THE MAN KNOWS HIS WAY AROUND THE FEMALE FORM 782 00:31:47,006 --> 00:31:49,075 LIKE NONE OTHER. 783 00:31:49,108 --> 00:31:50,943 - URSULA, YOU KNOW, I'D REALLY PREFER IF YOU DIDN'T-- 784 00:31:50,977 --> 00:31:52,078 - AND IT'S NOT JUST THE PASSION. 785 00:31:52,111 --> 00:31:53,412 IT'S THE STAMINA. - [groans] 786 00:31:53,445 --> 00:31:54,646 - AND IMAGINATION. 787 00:31:54,680 --> 00:31:56,115 - I AM BEGGING YOU TO SHARE LESS. 788 00:31:56,148 --> 00:31:59,151 - AND THEN HE NEVER CALLED ME BACK. 789 00:31:59,185 --> 00:32:01,053 - BASTARD. 790 00:32:01,087 --> 00:32:02,955 - GETTING THAT NIGHT, 791 00:32:02,989 --> 00:32:06,658 THAT ONE COSMICALLY SATISFYING NIGHT OUT OF MY MIND 792 00:32:06,692 --> 00:32:09,128 JUST DOESN'T SEEM POSSIBLE. 793 00:32:09,161 --> 00:32:10,997 - HMM. [phone rings] 794 00:32:11,030 --> 00:32:13,532 - WHICH DOESN'T BODE SO WELL FOR YOUR PARTNER. 795 00:32:13,565 --> 00:32:15,067 - YOU KNOW, I NEED TO TAKE THIS CALL. 796 00:32:15,101 --> 00:32:18,037 - MM-HMM. - REALLY QUICK, FROM THE MORGUE. 797 00:32:18,070 --> 00:32:20,072 HI, WOODY. 798 00:32:24,410 --> 00:32:27,013 - GUS, THIS IS MY TENTH MESSAGE. 799 00:32:27,046 --> 00:32:29,548 THAT'S MORE THAN MIKEY LEFT FOR NICKY IN SWINGERS. 800 00:32:29,581 --> 00:32:31,717 LOOK, I TRACKED THEM HERE. THEIR CAR IS OUTSIDE. 801 00:32:31,750 --> 00:32:33,952 JUST CALL ME BACK. 802 00:32:37,056 --> 00:32:39,558 OH, HEY, UH, PUT THAT DOWN! 803 00:32:39,591 --> 00:32:41,327 ACTUALLY, DON'T. 804 00:32:41,360 --> 00:32:43,662 KEEP DOING WHAT YOU'RE DOING, BUT DO IT VERY GENTLY. 805 00:32:43,695 --> 00:32:46,332 YOU PROBABLY DON'T WANT TO DROP THAT. 806 00:32:48,567 --> 00:32:50,469 - [exhales] 807 00:32:50,502 --> 00:32:51,770 - YOU GUYS ARE JUST A BUNCH OF THIEVES, 808 00:32:51,803 --> 00:32:55,574 THIEVES GIVING TOOTHLESS CARNIES A BAD NAME. 809 00:32:55,607 --> 00:32:58,110 - HEAR US OUT. - YOU HAVE TWO MINUTES. 810 00:32:58,144 --> 00:33:01,547 - THE THREE OF US AND FRANCOIS 811 00:33:01,580 --> 00:33:03,049 WERE DESPERATE FOR WORK, 812 00:33:03,082 --> 00:33:04,416 SO WE LIED ABOUT HAVING IMMIGRATION PAPERS, 813 00:33:04,450 --> 00:33:05,617 AND WE JOINED LE CIRQUE. 814 00:33:05,651 --> 00:33:06,752 - WE NEEDED TO GET VISAS FAST, 815 00:33:06,785 --> 00:33:08,087 AND THEN THIS BUSINESSMAN CAME TO US 816 00:33:08,120 --> 00:33:11,123 AND SAID HE COULD HELP. 817 00:33:11,157 --> 00:33:12,691 - JEFFREY DUKE. 818 00:33:12,724 --> 00:33:15,261 - HE SAID WE HAD A SPECIAL SKILL SET HE NEEDED, 819 00:33:15,294 --> 00:33:19,331 AND HE PROMISED US VISAS IN EXCHANGE FOR SOME FAVORS. 820 00:33:23,569 --> 00:33:25,071 - LIKE BREAKING INTO THE SIGN FACTORY 821 00:33:25,104 --> 00:33:28,307 OR THE EXCELLARATOR LAB TO FIND THIS TRITIUM, 822 00:33:28,340 --> 00:33:30,476 ONLY THE SECOND ONE DIDN'T GO QUITE AS PLANNED, DID IT? 823 00:33:30,509 --> 00:33:32,544 REST IN PEACE, FRANCOIS. 824 00:33:32,578 --> 00:33:34,246 - I KNOW WHAT WE WERE DOING WAS ILLEGAL, 825 00:33:34,280 --> 00:33:37,149 BUT WE REALLY DIDN'T HAVE MANY OPTIONS, MATE. 826 00:33:43,155 --> 00:33:45,557 - OF COURSE, THEY'VE GOT ZOLA. 827 00:33:45,591 --> 00:33:48,294 - HE SAYS IF WE GIVE HIM THE TRITIUM, HE'LL RELEASE HER, 828 00:33:48,327 --> 00:33:51,197 BUT IF WE FAIL OR IF WE TRY TO INVOLVE THE POLICE, 829 00:33:51,230 --> 00:33:52,731 HE'LL KILL HER. 830 00:33:54,600 --> 00:33:55,767 WE'RE HEADED OVER TO HIS WAREHOUSE 831 00:33:55,801 --> 00:33:57,069 IN ONE HOUR TO MEET HIM. 832 00:33:57,103 --> 00:33:58,637 - THAT IS A HORRIBLE IDEA. 833 00:33:58,670 --> 00:34:01,073 - WELL, WHAT DO YOU RECKON WE DO, MATE? 834 00:34:01,107 --> 00:34:04,110 - I RECKON WE BREAK HER OUT. 835 00:34:09,281 --> 00:34:12,318 - YOUR BOYFRIEND'S LATE. I DON'T LIKE WAITING. 836 00:34:12,351 --> 00:34:18,324 - [whistling] 837 00:34:18,357 --> 00:34:20,692 OH, HELLO. DON'T BE MINDING ME. 838 00:34:20,726 --> 00:34:23,129 I'M FROM THE COUNTY PEST CONTROL. 839 00:34:23,162 --> 00:34:24,830 - ACT CASUAL. 840 00:34:24,863 --> 00:34:29,101 - SOME MALAYSIAN WEEVILS BEEN COMING OVER ON THE BOATS, 841 00:34:29,135 --> 00:34:31,337 EATING UP ALL OF THE LOCAL WEEVILS, 842 00:34:31,370 --> 00:34:34,473 SO COUNTY HAS US SPRAYING ALL THE WAREHOUSES 843 00:34:34,506 --> 00:34:37,243 DOWN HERE BY THE DOCKS. 844 00:34:37,276 --> 00:34:38,877 NOT TAKING LONG AT ALL. 845 00:34:38,910 --> 00:34:41,247 BUT HERE IS ONE QUESTION FOR YOU. 846 00:34:41,280 --> 00:34:43,682 HAVE YOU SEEN WEEVILS 847 00:34:43,715 --> 00:34:47,553 IN ANY OF THESE SMALL POOP HOUSES? 848 00:34:47,586 --> 00:34:49,888 - NO! NOW, GET OUT OF HERE. 849 00:34:49,921 --> 00:34:53,359 - BEST BE CHECKING ONE JUST TO BE SURE. 850 00:35:02,934 --> 00:35:04,203 [chuckles] 851 00:35:04,236 --> 00:35:07,639 - [exhales] 852 00:35:10,276 --> 00:35:12,244 - WHAT'S GOING ON IN THERE? 853 00:35:12,278 --> 00:35:15,281 - OH, MY. THERE IS MUCH TROUBLE IN HERE. 854 00:35:15,314 --> 00:35:19,185 WEEVILS MAKING LOVE IN THE SINK COMPARTMENT. 855 00:35:21,687 --> 00:35:24,456 OKAY, HERE WE GO. 856 00:35:24,490 --> 00:35:27,926 WELL, THANK YOU VERY MUCH FOR YOUR HOSPITALITY. 857 00:35:27,959 --> 00:35:30,496 BIGGEST PROBLEM, I MUST STAY HERE 858 00:35:30,529 --> 00:35:34,500 UNTIL ALL THE WEEVILS ARE MOSTLY MADE DEAD. 859 00:35:34,533 --> 00:35:36,568 PERSONAL NOTE, I FIND THEM 860 00:35:36,602 --> 00:35:38,170 BOTH DELICIOUS AND ADORABLE, 861 00:35:38,204 --> 00:35:42,741 SO I HAVE, AS YOU SAY, A CONFLICT. 862 00:35:42,774 --> 00:35:46,912 NOW, IF I MAY BE BOTHERING YOU ONE MORE TIME, 863 00:35:46,945 --> 00:35:48,880 CAN YOU SHOW ME WHERE THE CLOSEST HOUSE 864 00:35:48,914 --> 00:35:50,949 OF THE PROSTITUTES-- - HEY. 865 00:35:50,982 --> 00:35:52,218 - OH, ALL RIGHT. 866 00:35:52,251 --> 00:35:54,820 I WILL JUST GO UPON MY MERRY WAY. 867 00:35:56,655 --> 00:35:58,924 [overlapping shouts] 868 00:35:58,957 --> 00:36:02,894 - GUYS, RUN! 869 00:36:04,430 --> 00:36:07,833 [both grunt] 870 00:36:07,866 --> 00:36:08,834 - WHERE DID HE GO? 871 00:36:08,867 --> 00:36:13,905 - [grunts] 872 00:36:13,939 --> 00:36:15,407 - FIND HER! 873 00:36:15,441 --> 00:36:16,908 - I CAN'T SEE! 874 00:36:16,942 --> 00:36:17,976 - MY EYES! 875 00:36:18,009 --> 00:36:19,811 - I DON'T CARE ABOUT YOUR EYES! 876 00:36:19,845 --> 00:36:21,680 FIND THEM! 877 00:36:21,713 --> 00:36:23,982 - WHERE ARE THEY? - OCCUPIED! 878 00:36:24,015 --> 00:36:25,851 OH, GUS, WHAT ARE YOU DOING HERE? 879 00:36:25,884 --> 00:36:27,686 - I GOT YOUR LAST MESSAGE. - I DIDN'T THINK YOU'D COME. 880 00:36:27,719 --> 00:36:29,455 - FROM THE LOOKS OF THINGS, I GOT HERE RIGHT IN TIME. 881 00:36:29,488 --> 00:36:30,522 DUKE AND HIS THUGS ARE IN THE NEXT ROOM, 882 00:36:30,556 --> 00:36:31,890 LOOKING FOR YOU. WE GOTTA GO. 883 00:36:31,923 --> 00:36:33,292 - LOOK, BEFORE I USE YOU AS A HUMAN SHIELD, 884 00:36:33,325 --> 00:36:34,960 THERE'S SOME THINGS I WANT TO SAY. 885 00:36:34,993 --> 00:36:36,828 - LOOK, I KNOW YOU'RE TERRIFIED AND AFRAID OF CHANGE 886 00:36:36,862 --> 00:36:38,397 AND THAT YOU HATE TITO JACKSON'S BIRTHDAY, 887 00:36:38,430 --> 00:36:40,966 BUT I WILL ALWAYS BE HERE, UNLESS YOU KEEP ACTING 888 00:36:40,999 --> 00:36:42,568 LIKE YOU HAVE THESE LAST COUPLE OF DAYS. 889 00:36:42,601 --> 00:36:44,470 - I WON'T. I PROMISE. 890 00:36:44,503 --> 00:36:47,406 WHAT I HATE IS HOW LITTLE IS MADE OF TITO JACKSON'S BIRTHDAY. 891 00:36:47,439 --> 00:36:48,940 I WILL NEVER JEOPARDIZE 892 00:36:48,974 --> 00:36:50,942 YOUR RELATIONSHIP WITH RACHAEL EVER AGAIN. 893 00:36:50,976 --> 00:36:54,813 THAT'S HOW SOME GROWN-ASS MEN SETTLE THEIR DIFFERENCES. 894 00:36:54,846 --> 00:36:56,748 - MAN, WHAT'S UP-- [gunshot] 895 00:36:56,782 --> 00:36:59,518 - HUMAN SHIELD, HUMAN SHIELD! - GET OFF ME! GET OFF ME! 896 00:36:59,551 --> 00:37:02,554 [both whimpering] 897 00:37:02,588 --> 00:37:04,490 - O.J., COME WITH ME IF YOU WANT TO LIVE. 898 00:37:04,523 --> 00:37:05,991 - WHAT? HE BETTER BE TALKING TO YOU. 899 00:37:06,024 --> 00:37:09,628 - HE IS. 900 00:37:09,661 --> 00:37:10,696 - [grunts] 901 00:37:10,729 --> 00:37:12,264 - RICO! 902 00:37:12,298 --> 00:37:14,900 - FOLLOW ME. 903 00:37:14,933 --> 00:37:16,435 - HE MUST BE OUT OF HIS DAMN MIND. 904 00:37:16,468 --> 00:37:17,736 - GUS, I THINK I'VE GOT THAT. 905 00:37:17,769 --> 00:37:18,937 - NO, YOU DON'T. - SHOOT AT THEM! 906 00:37:18,970 --> 00:37:19,938 [gunshot] - OH! 907 00:37:19,971 --> 00:37:22,974 RUN! 908 00:37:23,008 --> 00:37:24,476 [gunshots] 909 00:37:24,510 --> 00:37:26,312 - THESE GUYS ARE CRAZY. THEY'RE SHOOTING BLIND. 910 00:37:26,345 --> 00:37:27,813 - THAT'S BECAUSE I SPRAYED THEM IN THE FACE WITH PESTICIDE. 911 00:37:27,846 --> 00:37:30,449 - WHAT? - DON'T LET THEM ESCAPE! 912 00:37:30,482 --> 00:37:32,484 - YOU DID THE EXTERMINATOR MAN WITH THAT STUPID ACCENT? 913 00:37:32,518 --> 00:37:34,886 - [shouting] 914 00:37:34,920 --> 00:37:37,055 HE IS FROM ICELAND. - HE'S NOT FROM ICELAND. 915 00:37:37,088 --> 00:37:38,457 - YOU DON'T KNOW WHERE HE'S FROM! 916 00:37:38,490 --> 00:37:41,893 - WHERE'S-- [gunshot] 917 00:37:41,927 --> 00:37:43,962 - GUS, IT'S JUST LIKE PITFALL. - WHAT? 918 00:37:43,995 --> 00:37:46,432 - JUST JUMP. KNOCK 'EM OUT. 919 00:37:46,465 --> 00:37:48,800 - AAH! - LET GO! 920 00:37:48,834 --> 00:37:51,470 WHY DIDN'T YOU LET GO? - BECAUSE YOU DIDN'T LET GO! 921 00:37:51,503 --> 00:37:54,940 - WHOA! - [groans] 922 00:37:54,973 --> 00:37:57,576 [with accent] OH, HELLO. 923 00:37:57,609 --> 00:37:59,445 - GOOD-BYE. [door slams open] 924 00:37:59,478 --> 00:38:01,680 - POLICE! 925 00:38:01,713 --> 00:38:02,814 HOLD IT RIGHT THERE. 926 00:38:02,848 --> 00:38:04,783 HANDS UP! - DROP IT. 927 00:38:04,816 --> 00:38:07,453 DROP IT. 928 00:38:07,486 --> 00:38:09,921 - DUDE, IS IT IRONIC 929 00:38:09,955 --> 00:38:11,457 THAT I'VE HAD TO GO TO THE BATHROOM 930 00:38:11,490 --> 00:38:12,724 THIS ENTIRE TIME? 931 00:38:12,758 --> 00:38:15,026 - MAN, NOW I HAVE TO GO TOO. 932 00:38:20,899 --> 00:38:22,868 - [gasps] WHAT ARE THESE FOR? 933 00:38:22,901 --> 00:38:24,370 - JUST A LITTLE THANK-YOU 934 00:38:24,403 --> 00:38:26,805 FOR LETTING MARLOWE STAY AT YOUR PLACE, 935 00:38:26,838 --> 00:38:28,474 BUT WE WON'T BE NEEDING YOUR HELP ANYMORE. 936 00:38:28,507 --> 00:38:29,908 - OH? 937 00:38:29,941 --> 00:38:31,577 - URSULA CANCELLED MARLOWE'S DRUG TEST. 938 00:38:31,610 --> 00:38:33,679 GAVE US HER OFFICIAL APPROVAL TO MOVE IN TOGETHER. 939 00:38:33,712 --> 00:38:36,882 - AW, THAT MAKES ME VERY HAPPY. - THANK YOU VERY MUCH. 940 00:38:36,915 --> 00:38:38,784 ALTHOUGH WE'RE STILL NOT SURE WHY SHE HAD A CHANGE OF HEART. 941 00:38:38,817 --> 00:38:41,853 - THIS IS TO THANK YOU FOR HOOKING ME UP 942 00:38:41,887 --> 00:38:44,356 WITH THAT DELIGHTFUL, WONDERFUL, 943 00:38:44,390 --> 00:38:47,893 PLAYFUL ANGEL OF A WOMAN, URSULA. 944 00:38:47,926 --> 00:38:49,795 YOU KNOW, IT'S LIKE WE'RE EACH 945 00:38:49,828 --> 00:38:50,996 WHAT THE OTHER'S BEEN LOOKING FOR. 946 00:38:51,029 --> 00:38:55,701 - HMM. 947 00:38:55,734 --> 00:38:57,369 [laughs] 948 00:38:57,403 --> 00:39:01,006 - YOU'RE GOOD, LADY. YOU'RE GOOD. 949 00:39:01,039 --> 00:39:02,874 - HMM. 950 00:39:02,908 --> 00:39:04,776 - STILL NO WORD FROM RACHAEL, HUH? 951 00:39:04,810 --> 00:39:06,945 - NAH. SHE WENT ALL HALLE BERRY IN BOOMERANG ON A BROTHER. 952 00:39:06,978 --> 00:39:08,447 - [laughs] 953 00:39:08,480 --> 00:39:09,848 YOU SHOULD GO FIND THAT SAME KID 954 00:39:09,881 --> 00:39:10,982 THAT EDDIE USED AT THE END OF THE MOVIE, 955 00:39:11,016 --> 00:39:12,751 TUG ON HER HEARTSTRINGS A LITTLE. 956 00:39:12,784 --> 00:39:14,420 OF COURSE, THAT KID'S PROBABLY 30 BY NOW. 957 00:39:14,453 --> 00:39:15,754 - YOU THINK? 958 00:39:15,787 --> 00:39:17,823 - HEY, IT'S THE THOUGHT THAT COUNTS. 959 00:39:17,856 --> 00:39:19,691 - I JUST NEED TO TELL HER HOW I FEEL. 960 00:39:19,725 --> 00:39:25,531 THE SURPRISING THING IS, I ACTUALLY MISS MAX A LITTLE TOO. 961 00:39:25,564 --> 00:39:26,998 WHAT ARE YOU TWO DOING HERE? 962 00:39:27,032 --> 00:39:31,437 - SOMEONE WAS MISSING YOU. CAN WE TALK? 963 00:39:31,470 --> 00:39:32,438 - YES, WE CAN. 964 00:39:32,471 --> 00:39:33,905 MAX, YOU STAY HERE 965 00:39:33,939 --> 00:39:35,441 WHILE GUS AND I HAVE A LITTLE CHAT WITH YOUR MOTHER. 966 00:39:35,474 --> 00:39:36,442 - SHAWN. 967 00:39:36,475 --> 00:39:37,609 - ON SECOND THOUGHT, 968 00:39:37,643 --> 00:39:38,877 I'M GONNA HANG HERE WITH YOU 969 00:39:38,910 --> 00:39:40,779 WHILE GUS HANDLES THIS ON HIS OWN. 970 00:39:40,812 --> 00:39:43,515 HELLO, RA-CHAEL. 971 00:39:43,549 --> 00:39:44,683 - DOCTOR. 972 00:39:44,716 --> 00:39:48,987 - [laughs] 973 00:39:49,020 --> 00:39:51,189 [sighs] 974 00:39:51,222 --> 00:39:53,759 YOU REALIZE THAT IS THE COOLEST DUDE 975 00:39:53,792 --> 00:39:56,462 IN THE WHOLE WIDE WORLD, RIGHT? 976 00:39:56,495 --> 00:39:58,530 - I KNOW. - ALL RIGHT, GOOD. 977 00:39:58,564 --> 00:40:00,165 - I'M SORRY ABOUT POPPING IN LIKE THIS, 978 00:40:00,198 --> 00:40:02,000 BUT SHAWN CALLED AND EXPLAINED HIS ROLE 979 00:40:02,033 --> 00:40:03,769 IN EVERYTHING THAT HAPPENED BETWEEN US. 980 00:40:03,802 --> 00:40:06,972 HE THEN EXPLAINED HIS ROLE IN SOME HEROIC THINGS 981 00:40:07,005 --> 00:40:08,874 THAT HISTORICALLY CANNOT BE POSSIBLE. 982 00:40:08,907 --> 00:40:12,077 - THAT'S MY BOY. - BUT I'M GLAD HE DID. 983 00:40:12,110 --> 00:40:14,980 I WAS KIND OF MISSING YOU. - REALLY? 984 00:40:15,013 --> 00:40:17,649 - BUT MORE THAN THAT, MAX HAS BEEN A DIFFERENT KID 985 00:40:17,683 --> 00:40:19,651 SINCE SPENDING TIME WITH YOU AND SHAWN. 986 00:40:19,685 --> 00:40:23,088 HE'S BEEN MORE OUTGOING, MORE CONFIDENT. 987 00:40:23,121 --> 00:40:25,023 I KNOW I WORRY ABOUT HIM SO MUCH, 988 00:40:25,056 --> 00:40:28,527 AND I KNOW IT'S GOOD FOR HIM TO LET LOOSE A LITTLE. 989 00:40:28,560 --> 00:40:29,828 BUT YOU KNEW THAT, DIDN'T YOU? 990 00:40:29,861 --> 00:40:31,630 - WELL, YOU KNOW. 991 00:40:31,663 --> 00:40:32,964 - BUT YOU WON'T BE TAKING HIM OUT FOR A WHILE. 992 00:40:32,998 --> 00:40:34,466 - I KNOW THAT'S RIGHT. 993 00:40:34,500 --> 00:40:36,502 - AND NO MORE ARRESTS OR DEAD BODIES. 994 00:40:36,535 --> 00:40:38,970 - I PROMISE, WE'LL BE THE PERFECT ROLE MODELS. 995 00:40:44,275 --> 00:40:46,144 - REMEMBER, FOOD CHALLENGE RULES STATE, 996 00:40:46,177 --> 00:40:47,979 YOU ONLY GET THIS FIVER 997 00:40:48,013 --> 00:40:49,848 IF YOU DRINK EVERY LAST DROP OF THAT PICKLE JUICE. 998 00:40:49,881 --> 00:40:52,083 ARE WE CLEAR? ALL RIGHT. 999 00:40:52,117 --> 00:40:53,719 - WAIT, MAX. - SHAWN. 1000 00:40:53,752 --> 00:40:55,153 - WHAT? 1001 00:40:55,186 --> 00:40:57,188 - [sighs]