1 00:00:00,201 --> 00:00:00,234 . 2 00:00:07,808 --> 00:00:10,578 - WELCOME BACK TO THE CROCK POT, 3 00:00:10,611 --> 00:00:13,514 CROCK-OS AND OTHER, LESSER BEINGS. 4 00:00:13,547 --> 00:00:15,483 HEY, DEAN, ARE YOU ALIVE OVER THERE? 5 00:00:15,516 --> 00:00:16,784 - COME ON, I FEEL LIKE A KID AGAIN, CROCK. 6 00:00:16,817 --> 00:00:19,120 - WELL, TRY NOT TO WET YOURSELF, 7 00:00:19,153 --> 00:00:21,055 OR AT LEAST PUT A TOWEL DOWN THIS TIME. 8 00:00:21,089 --> 00:00:22,756 [laughs] 9 00:00:22,790 --> 00:00:26,394 DEAN AND I ARE HERE WITH TWO LOCAL PSYCHIC DETECTIVES, 10 00:00:26,427 --> 00:00:28,829 SHAWN SPENCER AND VIJAY AMRITRAJ. 11 00:00:28,862 --> 00:00:31,232 NOW, SHAWN, BEFORE THE BREAK, YOU WERE ABOUT TO TELL US 12 00:00:31,265 --> 00:00:33,667 JUST WHAT IT FEELS LIKE TO HAVE THESE OTHER-WORLDLY ABILITIES. 13 00:00:33,701 --> 00:00:36,770 I MEAN, BASICALLY, YOU'RE LIKE DREW BARRYMORE IN FIRESTARTER, 14 00:00:36,804 --> 00:00:39,740 EXCEPT YOU DON'T GET OLDER AND THEN GET NAKED IN DOPPELGANGER. 15 00:00:39,773 --> 00:00:41,075 HAVE I GOT THAT RIGHT? HAVE I GOT IT RIGHT? 16 00:00:41,109 --> 00:00:42,643 - YOU PRETTY MUCH NAILED IT, CROCK. 17 00:00:42,676 --> 00:00:43,777 - [laughs] 18 00:00:43,811 --> 00:00:45,379 - WELL, YOU KNOW, CROCK, 19 00:00:45,413 --> 00:00:47,348 I'M THE SPARK THAT LIGHTS THE FIRE, 20 00:00:47,381 --> 00:00:49,783 AND I CAN TELL YOU WHAT TIME IT IS ANYWHERE IN THE WORLD, 21 00:00:49,817 --> 00:00:52,520 EXCEPT FOR THE POLES. [crickets chirping] 22 00:00:52,553 --> 00:00:53,787 - WHY DON'T YOU LIVEN THINGS UP A LITTLE BIT 23 00:00:53,821 --> 00:00:55,689 AND READ DEAN-O'S MIND AND TELL US 24 00:00:55,723 --> 00:00:58,759 WHAT JONAS BROTHER HE'S DAYDREAMING ABOUT RIGHT NOW? 25 00:00:58,792 --> 00:00:59,860 - WHAT? - YOU GUYS ARE CRAZY! 26 00:00:59,893 --> 00:01:01,729 OH, YOU GUYS. 27 00:01:01,762 --> 00:01:02,830 IT'S LIKE A ZOO IN HERE. [laughter] 28 00:01:02,863 --> 00:01:07,768 EXCEPT FOR VEGETABLES. 29 00:01:07,801 --> 00:01:10,738 - EH, IT'S ALWAYS A BIT OF A DICE ROLL WITH VENISON. 30 00:01:10,771 --> 00:01:13,141 - WELL, NOT TODAY. IT WAS AN ABSOLUTELY LOVELY MEAL, HENRY. 31 00:01:13,174 --> 00:01:14,875 THANK YOU SO MUCH. - OH, PLEASE. 32 00:01:14,908 --> 00:01:17,711 IT'S BEEN AGES SINCE I'VE BEEN ABLE TO GRILL FOR ANYONE. 33 00:01:17,745 --> 00:01:19,847 SHAWN DOESN'T COME AROUND MUCH THESE DAYS. 34 00:01:19,880 --> 00:01:22,550 - NOPE, NOT SINCE THE INCIDENT. 35 00:01:22,583 --> 00:01:24,218 - MORE THAN FAIR. - LOOK, SHAWN. 36 00:01:24,252 --> 00:01:25,486 WHAT HAPPENED BETWEEN YOUR MOTHER AND I 37 00:01:25,519 --> 00:01:27,455 THAT NIGHT WAS COMPLETELY NATURAL 38 00:01:27,488 --> 00:01:29,890 AND ARABESQUE. - OH, GOD. 39 00:01:29,923 --> 00:01:31,625 - SHAWN, YOU SAW YOUR PARENTS SHAGGING? 40 00:01:31,659 --> 00:01:33,161 - [sobs] 41 00:01:33,194 --> 00:01:36,864 - [slow-motion] NO! 42 00:01:36,897 --> 00:01:38,432 - HE'S STILL NOT READY TO TALK ABOUT IT. 43 00:01:38,466 --> 00:01:40,234 - WHOA, LOOK AT THAT, [clears throat] 44 00:01:40,268 --> 00:01:41,335 IT'S TIME FOR THE CROCK POT. 45 00:01:41,369 --> 00:01:42,770 - OH, NO! - WHAT? 46 00:01:42,803 --> 00:01:44,405 - WE ARE NOT SPENDING THE NEXT TWO HOURS 47 00:01:44,438 --> 00:01:45,873 LISTENING TO CROCK DANIELS. 48 00:01:45,906 --> 00:01:47,808 - WHO'S CROCK DANIELS? - WHO'S CROCK DANIELS? 49 00:01:47,841 --> 00:01:49,410 HE'S LIKE THE HOWARD STERN OF RADIO. 50 00:01:49,443 --> 00:01:51,912 - THAT DOESN'T EVEN MAKE ANY SENSE. 51 00:01:51,945 --> 00:01:53,481 I CAN'T BELIEVE YOU GUYS LIKE HIM. 52 00:01:53,514 --> 00:01:54,782 HE HAS THE MENTALITY OF A FIVE-YEAR-OLD. 53 00:01:54,815 --> 00:01:57,885 - OH, COME ON, JULES. HE HAD US ON HIS SHOW. 54 00:01:57,918 --> 00:01:59,387 - TO MAKE FUN OF YOU. 55 00:01:59,420 --> 00:02:00,921 - HE WAS LAUGHING WITH US, JULES, 56 00:02:00,954 --> 00:02:02,490 AND YOU KNOW, HE'S MATURED SINCE THEN. 57 00:02:02,523 --> 00:02:04,525 HE TACKLES THE REAL ISSUES ON AIR THE NOW. 58 00:02:04,558 --> 00:02:06,360 - THAT'S RIGHT. - PROCTOLOGY IS WITCHCRAFT. 59 00:02:06,394 --> 00:02:07,695 - PASS. 60 00:02:07,728 --> 00:02:09,163 - DO YOU FANCY A WALK ON THE BEACH? 61 00:02:09,197 --> 00:02:10,298 - THAT SOUNDS DELIGHTFUL. 62 00:02:10,331 --> 00:02:11,865 - YOU'RE ON WITH THE CROCK POT. 63 00:02:11,899 --> 00:02:13,467 WHAT SEEMINGLY IMPORTANT ISSUE DO YOU HAVE THAT YOU WANT... 64 00:02:13,501 --> 00:02:15,203 - BE CAREFUL. - IT'S BETTER THIS WAY. 65 00:02:15,236 --> 00:02:16,670 - TO SHARE WITH THOUSANDS OF PEOPLE 66 00:02:16,704 --> 00:02:18,506 WHO WILL IMMEDIATELY JUDGE AND BERATE YOU? 67 00:02:18,539 --> 00:02:20,574 TIME FOR THE CROCK TO PUT A BIT OF MONEY IN THE BANK, 68 00:02:20,608 --> 00:02:23,211 SO STAY PUT. YOU KNOW I WANT YOU TO THINK, 69 00:02:23,244 --> 00:02:26,180 BUT JUST DON'T THINK ABOUT TOUCHING THAT DIAL. 70 00:02:26,214 --> 00:02:29,450 THIS IS THE CROCK POT. 71 00:02:29,483 --> 00:02:32,720 SYD! I'M BRINGING IN A LIVE ALLIGATOR NEXT SEGMENT, 72 00:02:32,753 --> 00:02:34,388 SO HONEY UP YOUR SACK. 73 00:02:34,422 --> 00:02:38,659 - WOW, SO YOU'RE GOING TO LONDON FOR SIX MONTHS? 74 00:02:38,692 --> 00:02:42,463 - IT'S MY TEMPORARY VISA, IT'S A NIGHTMARE SITUATION. 75 00:02:42,496 --> 00:02:44,198 IT WOULDN'T BE SO TERRIBLE IF I HADN'T MET BURTON. 76 00:02:44,232 --> 00:02:46,934 - MM, HOW IS HE TAKING IT? 77 00:02:46,967 --> 00:02:49,837 [clicks tongue] OH, YOU HAVEN'T TOLD HIM. 78 00:02:49,870 --> 00:02:51,905 - I DON'T KNOW HOW TO BREAK IT TO HIM. 79 00:02:51,939 --> 00:02:53,807 HE CRIES AT THE DROP OF A HAT. 80 00:02:53,841 --> 00:02:55,376 - UGH. - LITERALLY. 81 00:02:55,409 --> 00:02:58,679 [laughter] - YEAH, THIS DUDE IS A FOOL. 82 00:02:58,712 --> 00:03:00,948 - PEOPLE WANT TO TALK, AND THEY DON'T WANT TO LISTEN. 83 00:03:00,981 --> 00:03:03,451 HEY, HEY, WHAT THE HELL ARE YOU DOING? 84 00:03:03,484 --> 00:03:07,221 NO, PLEASE! NO, PLEASE, DON'T! NO! 85 00:03:07,255 --> 00:03:08,222 [gunshots] 86 00:03:08,256 --> 00:03:12,593 - WAS THAT A GUNSHOT? 87 00:03:12,626 --> 00:03:14,262 - IT'S GOTTA BE SOME KIND OF A JOKE. 88 00:03:14,295 --> 00:03:16,997 - YEAH, IT'S GOTTA BE. IT'S CROCK, RIGHT? 89 00:03:17,030 --> 00:03:18,599 HE'S UP TO HIS OLD TRICKS. - NO. 90 00:03:18,632 --> 00:03:24,872 NO, IT WAS A GUNSHOT. 91 00:03:24,905 --> 00:03:26,940 - SOMEBODY SHOT THE CROCK POT? 92 00:03:26,974 --> 00:03:29,943 [The Friendly Indians' I Know You Know] 93 00:03:29,977 --> 00:03:30,944 * 94 00:03:30,978 --> 00:03:32,780 - * I KNOW YOU KNOW 95 00:03:32,813 --> 00:03:34,482 * THAT I'M NOT TELLING THE TRUTH * 96 00:03:34,515 --> 00:03:35,849 * I KNOW YOU KNOW 97 00:03:35,883 --> 00:03:37,885 * THEY JUST DON'T HAVE ANY PROOF * 98 00:03:37,918 --> 00:03:38,886 * EMBRACE THE DECEPTION 99 00:03:38,919 --> 00:03:40,788 * LEARN HOW TO BEND 100 00:03:40,821 --> 00:03:42,022 * YOUR WORST INHIBITIONS 101 00:03:42,055 --> 00:03:45,459 * TEND TO PSYCH YOU OUT IN THE END * 102 00:03:45,493 --> 00:03:48,862 * I KNOW YOU KNOW 103 00:03:54,302 --> 00:03:57,938 [indistinct chatter] 104 00:03:57,971 --> 00:04:01,709 - MOMENT OF SILENCE FOR THE CROCKER, GUS. 105 00:04:01,742 --> 00:04:04,845 OH, HEAVENLY BEARDED FATHER OF THE NAZARENE-- 106 00:04:04,878 --> 00:04:07,848 - THAT'S NOT SILENCE. - SHH. 107 00:04:07,881 --> 00:04:09,817 [clicks tongue] 108 00:04:09,850 --> 00:04:23,531 SUCH A BUMMER, MAN. - MM. 109 00:04:23,564 --> 00:04:25,533 - WHAT TIME DID WE HEAR THAT GUNSHOT? 110 00:04:25,566 --> 00:04:27,301 - TEN MINUTES INTO THE SHOW. 111 00:04:27,335 --> 00:04:29,002 I REMEMBER, BECAUSE CROCK JUST MADE HIS CRANK PHONE CALL 112 00:04:29,036 --> 00:04:30,871 AS WILLIE, THE TWO-YEAR-OLD TELEMARKETER. 113 00:04:30,904 --> 00:04:33,874 - THAT BABY COULD SELL ANYTHING. - WHAT? 114 00:04:33,907 --> 00:04:35,075 - LET'S HEAR IT AGAIN. 115 00:04:35,108 --> 00:04:36,510 - NO, YOU-- OH, PLEASE, DON'T! NO! 116 00:04:36,544 --> 00:04:37,911 [gunshots] 117 00:04:37,945 --> 00:04:39,547 - DUDE, I-- 118 00:04:39,580 --> 00:04:40,914 HEY! 119 00:04:40,948 --> 00:04:43,351 I THINK I JUST HEARD A VOICE ON THE RECORDING, 120 00:04:43,384 --> 00:04:44,685 JUST BEFORE CROCK WAS SHOT. 121 00:04:44,718 --> 00:04:47,621 - IS CROCK OKAY? TELL ME HE'S OKAY! 122 00:04:47,655 --> 00:04:49,490 - WHO THE HELL ARE THOSE WHACKADOS? 123 00:04:49,523 --> 00:04:51,359 - THOSE ARE CROCK-OS, CROCK'S BIGGEST FANS. 124 00:04:51,392 --> 00:04:52,826 - DOES HE NEED SOUP? 125 00:04:52,860 --> 00:04:54,495 - SHE DOES REALIZE HE WAS SHOT, RIGHT? 126 00:04:54,528 --> 00:04:55,929 - WHAT KIND OF SOUP DO YOU THINK SHE'S PACKING? 127 00:04:55,963 --> 00:04:58,366 - NOT SURE. SOMETHING SEASONAL, THOUGH. 128 00:04:58,399 --> 00:05:00,401 - WINTER BEAN. 129 00:05:00,434 --> 00:05:01,635 - LET'S MAKE THE ROUNDS, SEE WHAT WE CAN FIND OUT. 130 00:05:01,669 --> 00:05:03,537 [cell phone ringing] 131 00:05:03,571 --> 00:05:05,473 - [chuckles] HEY, BOO. 132 00:05:05,506 --> 00:05:07,875 I'M AT THE CRIME SCENE, TALK LATER? 133 00:05:07,908 --> 00:05:10,444 ALL RIGHT. KISSES. 134 00:05:10,478 --> 00:05:12,380 OKEYDOKEY. [kissing] 135 00:05:12,413 --> 00:05:15,048 MAN, RACHAEL CAN'T GET ENOUGH OF THIS. 136 00:05:15,082 --> 00:05:17,918 - I THINK SHE CAN, AND I SUSPECT SHE WILL. 137 00:05:17,951 --> 00:05:19,420 GUS, SOMEONE HERE KNOWS SOMETHING. 138 00:05:19,453 --> 00:05:20,621 - WHERE YOU WANT TO START? 139 00:05:20,654 --> 00:05:21,855 - WE SHOULD START AT THE TOP. 140 00:05:21,889 --> 00:05:22,890 - I HOPE HE'S NEAR A KITCHEN. 141 00:05:22,923 --> 00:05:23,924 THAT SOUP MADE ME HUNGRY. 142 00:05:23,957 --> 00:05:30,598 - YEAH. 143 00:05:30,631 --> 00:05:36,970 - AHEM. THAT IS MY PRIVATE OFFICE. 144 00:05:37,004 --> 00:05:38,439 - AND YOU ARE? 145 00:05:38,472 --> 00:05:40,941 - MIRANDA SHERROD. I OWN THIS STATION. 146 00:05:40,974 --> 00:05:42,643 - OH. - I SEE. 147 00:05:42,676 --> 00:05:44,077 WELL, I AM PSYCHIC DETECTIVE, SHAWN SPENCER, 148 00:05:44,111 --> 00:05:46,480 AND THIS IS MY PARTNER, DJANGO UNCHAINED. 149 00:05:46,514 --> 00:05:47,948 - I'M NOT AMUSED BY THAT. 150 00:05:47,981 --> 00:05:49,550 YOU WANT TO TRY IT AGAIN? 151 00:05:49,583 --> 00:05:50,851 I WOULDN'T IF I WERE YOU. 152 00:05:50,884 --> 00:05:53,053 - OH, EXCUSE HIM. MY NAME IS BURTON GUSTER, 153 00:05:53,086 --> 00:05:55,523 MS. SHERROD. WE WERE HUGE FANS OF CROCK. 154 00:05:55,556 --> 00:05:57,057 I KNOW THIS MUST BE DEVASTATING FOR YOU. 155 00:05:57,090 --> 00:05:58,992 - YOU CAN'T REPLACE THESE KIND OF NUMBERS. 156 00:05:59,026 --> 00:06:01,529 - NO, I WAS TALKING ABOUT AS A FRIEND. 157 00:06:01,562 --> 00:06:04,665 - BEING A FRIEND IS NOT IN HIS JOB DESCRIPTION. 158 00:06:04,698 --> 00:06:06,967 THIS IS A CUTTHROAT, STAB-YOU-IN-THE-BACK, 159 00:06:07,000 --> 00:06:09,703 TAKE-NO-PRISONERS CORPORATION, YOU DIG? 160 00:06:09,737 --> 00:06:11,104 - I GAVE GUS FUN NAMES. 161 00:06:11,138 --> 00:06:13,674 LIKE SILLY, IMPROMPTU NICKNAMES. 162 00:06:13,707 --> 00:06:15,142 I'VE ALWAYS DONE THAT. - THERE YOU ARE. 163 00:06:15,175 --> 00:06:17,478 WOULD YOU STOP WANDERING OFF LIKE CHILDREN? 164 00:06:17,511 --> 00:06:19,947 WHO ARE YOU, AND WHY ARE YOU HIDING IN HERE? 165 00:06:19,980 --> 00:06:22,082 - MIRANDA SHERROD, OWNER, AND, NO, 166 00:06:22,115 --> 00:06:24,452 I AM NOT GOING DOWNTOWN TO ANSWER QUESTIONS. 167 00:06:24,485 --> 00:06:29,156 BERT JOHANSEN IS MY ATTORNEY. HE WILL RUIN YOUR LIFE. 168 00:06:29,189 --> 00:06:31,091 - AS YOU WERE. 169 00:06:31,124 --> 00:06:34,495 - UH, MS. SHERROD, WE WERE TRYING TO GET 170 00:06:34,528 --> 00:06:36,997 SOME INSIGHT INTO CROCK, HIS BRIEF HISTORY HERE. 171 00:06:37,030 --> 00:06:39,833 - HE DOUBLED THE RATINGS OF HIS PREVIOUS SHOW IN SIX MONTHS. 172 00:06:39,867 --> 00:06:41,535 - HE DOUBLED THE RATINGS OF HIS PREVIOUS SHOW? 173 00:06:41,569 --> 00:06:43,504 HOW IS THAT POSSIBLE, WITH AUDIENCE EROSION 174 00:06:43,537 --> 00:06:45,606 AND COMPETITION FROM INTERNET AND SATELLITE? 175 00:06:45,639 --> 00:06:48,709 - LOOKS LIKE SOMEONE HERE IS MORE THAN JUST A PRETTY FACE. 176 00:06:48,742 --> 00:06:50,110 - [chuckles] WELL-- 177 00:06:50,143 --> 00:06:52,946 - CROCK'S SUCCESS WAS IMPRESSIVE, 178 00:06:52,980 --> 00:06:55,182 AND IT DROVE HIS COMPETITION CRAZY. 179 00:06:55,215 --> 00:06:56,950 - AS IN HIS OLD PARTNER, DEAN BALLOU? 180 00:06:56,984 --> 00:06:59,019 - DEAN? YOU BET YOUR MEGAWATT SMILE 181 00:06:59,052 --> 00:07:00,588 THAT HE WAS JEALOUS OF CROCK. 182 00:07:00,621 --> 00:07:02,022 NOW WOULD YOU TWO GET THE HELL OUT OF HERE? 183 00:07:02,055 --> 00:07:04,091 I HAVE A CRISIS TO MANAGE. - YES, MA'AM. 184 00:07:04,124 --> 00:07:12,933 - SHE'S JUST MEAN. - YEAH, SHE IS. 185 00:07:12,966 --> 00:07:14,468 - SO WE'D LIKE TO SPEAK TO YOU 186 00:07:14,502 --> 00:07:16,236 ABOUT YOUR FORMER PARTNER, CROCK DANIELS. 187 00:07:16,269 --> 00:07:17,671 I'M SURE YOU HEARD THAT HE WAS MURDERED. 188 00:07:17,705 --> 00:07:19,707 - SUCH A TRAGEDY, DEAN-O. 189 00:07:19,740 --> 00:07:22,175 SINCE WE WERE ON THE SHOW, WE CONSIDER OURSELVES FAMILY. 190 00:07:22,209 --> 00:07:25,846 THIS HURTS US JUST AS MUCH AS IT HURTS YOU. 191 00:07:25,879 --> 00:07:27,014 - OW! 192 00:07:27,047 --> 00:07:28,148 - HE DESERVED IT! 193 00:07:28,181 --> 00:07:29,617 - WHAT? 194 00:07:29,650 --> 00:07:31,018 - I HATED THAT BASTARD WITH A PASSION. 195 00:07:31,051 --> 00:07:32,052 - WHY ARE YOU SPEAKING IN THAT RIDICULOUS VOICE? 196 00:07:32,085 --> 00:07:34,021 THIS IS A SERIOUS MATTER. 197 00:07:34,054 --> 00:07:36,624 - THIS IS MY VOICE. - SURE IT IS. 198 00:07:36,657 --> 00:07:37,858 AND GRAFFITI IS AN ART FORM. 199 00:07:37,891 --> 00:07:39,993 - WE WERE TOGETHER FOR 20 YEARS, 200 00:07:40,027 --> 00:07:42,896 THEN LAST YEAR, HE COMES IN AND SAYS IT'S OVER. 201 00:07:42,930 --> 00:07:43,931 - DID HE SAY IT LIKE A NORMAL PERSON, 202 00:07:43,964 --> 00:07:45,733 OR LIKE THE MOVIE PHONE GUY? 203 00:07:45,766 --> 00:07:48,536 - HE BAILED ON ME TO TAKE A SEVEN-FIGURE PAYDAY 204 00:07:48,569 --> 00:07:51,004 AT THAT DUMP HOLE STATION. - SEVEN FIGURES? 205 00:07:51,038 --> 00:07:53,040 - MR. BALLOU, I DON'T KNOW IF YOU KNOW HOW THIS WORKS, 206 00:07:53,073 --> 00:07:54,942 BUT UNLESS YOU HAVE A FIRM ALIBI, 207 00:07:54,975 --> 00:07:56,910 YOU'RE PAINTING YOURSELF AS OUR NUMBER ONE SUSPECT. 208 00:07:56,944 --> 00:08:01,114 - I WAS DOING WHAT I'M DOING RIGHT NOW, MY RADIO SHOW. 209 00:08:01,148 --> 00:08:07,054 SPEAKING OF WHICH... 210 00:08:07,087 --> 00:08:13,961 I'VE GOT A SHOW TO DO. 211 00:08:13,994 --> 00:08:15,262 IT'S INCREDIBLE OUT THERE. 212 00:08:15,295 --> 00:08:16,897 THANKS FOR JOINING US, KIDS, CATS, 213 00:08:16,930 --> 00:08:19,700 AND TEEN QUEENS AND GUYS IN BLUE JEANS. 214 00:08:19,733 --> 00:08:23,937 KKSB DRIVE TIME. 215 00:08:23,971 --> 00:08:26,540 THAT'S MY RADIO VOICE. 216 00:08:26,574 --> 00:08:28,642 - WHAT A BUMMER. - [scoffs] 217 00:08:28,676 --> 00:08:30,110 - MAN. - I'M GETTING A WARRANT 218 00:08:30,143 --> 00:08:32,112 TO SEARCH THIS GUY'S HOUSE. HE'S OUR MAN. 219 00:08:32,145 --> 00:08:34,181 - WHAT? THERE'S NO WAY HE COULD HAVE 220 00:08:34,214 --> 00:08:36,049 PULLED OFF A CLEAN MURDER. YOU SAW THE DUDE. 221 00:08:36,083 --> 00:08:37,685 - O'HARA, LET'S CHECK HIS ALIBI. 222 00:08:37,718 --> 00:08:39,987 I'M GUESSING IT'S SWISS, AS IN CHEESE, 223 00:08:40,020 --> 00:08:42,289 AS IN FULL OF LACTATE. 224 00:08:42,322 --> 00:08:46,159 - LACTATE? - HMM. 225 00:08:46,193 --> 00:08:48,128 - CROCK WAS PULLING IN OVER $1 MILLION. 226 00:08:48,161 --> 00:08:50,030 MAN, YOU KIDDING ME? 227 00:08:50,063 --> 00:08:51,865 - NOW WE KNOW HOW MIRANDA GOT HIM TO SWITCH STATIONS. 228 00:08:51,899 --> 00:08:53,834 - I WONDER WHAT THAT MEANT FOR THE REST OF THE STAFF. 229 00:08:53,867 --> 00:08:56,169 - PROBABLY A LOT OF PAY CUTS. 230 00:08:56,203 --> 00:08:58,806 WHICH COULD BE MOTIVE FOR SOMEONE TO BUMP OFF CROCK. 231 00:08:58,839 --> 00:09:00,574 - WELL, WELL, WELL. 232 00:09:00,608 --> 00:09:02,876 LOOKS LIKE SOMEONE'S MORE THAN JUST A BROWNISH FACE. 233 00:09:02,910 --> 00:09:06,847 - SHE SAID PRETTY FACE, SHAWN. PRETTY. 234 00:09:06,880 --> 00:09:08,315 - HELLO AGAIN, MS. SHERROD. 235 00:09:08,348 --> 00:09:10,217 IT'S YOUR FAVORITE PSYCHIC, SHAWN SPENCER, 236 00:09:10,250 --> 00:09:12,085 AND HIS PARTNER, BURTON GUSTER. 237 00:09:12,119 --> 00:09:14,922 - YOU JUST THREW IN THE TOWEL ON YOUR NICKNAME GAME, HUH? 238 00:09:14,955 --> 00:09:16,690 - WELL, I THOUGHT YOU DIDN'T-- 239 00:09:16,724 --> 00:09:18,258 - GUS, WHAT A PLEASURE TO SEE YOU AGAIN. 240 00:09:18,291 --> 00:09:20,694 - MS. SHERROD. - MIRANDA TO YOU. 241 00:09:20,728 --> 00:09:22,029 - JUST TO HIM? - YES. 242 00:09:22,062 --> 00:09:23,964 - MIRANDA, WE HAVE REASON TO BELIEVE 243 00:09:23,997 --> 00:09:25,899 THAT CROCK'S KILLER IS IN THIS STATION, 244 00:09:25,933 --> 00:09:27,234 SOMEONE HE WORKED WITH. 245 00:09:27,267 --> 00:09:28,969 - AND WHY WOULD YOU THINK THAT? 246 00:09:29,002 --> 00:09:31,171 - BECAUSE I HAVE HAD A VISION 247 00:09:31,204 --> 00:09:33,140 OF OTHER STAFFERS TAKING HUGE PAY CUTS 248 00:09:33,173 --> 00:09:35,676 SO THAT YOU COULD BRING IN A BIG SHOT LIKE CROCK. 249 00:09:35,709 --> 00:09:37,010 - YES, AND THEY WERE HAPPY TO TAKE LESS 250 00:09:37,044 --> 00:09:39,312 AND NOT BE SENT PACKING. TRY AGAIN. 251 00:09:39,346 --> 00:09:42,182 - MY ADVICE TO YOU, AND I THINK YOU'D BE WISE TO TAKE IT, 252 00:09:42,215 --> 00:09:44,017 IS TO GIVE US ACCESS TO EVERY DEPARTMENT. 253 00:09:44,051 --> 00:09:46,053 I'M TALKING AD SALES, ON-AIR PERSONALITIES, 254 00:09:46,086 --> 00:09:47,320 PROGRAM DIRECTORS. 255 00:09:47,354 --> 00:09:48,922 - YOU KNOW YOUR STUFF. 256 00:09:48,956 --> 00:09:50,791 - WELL, I WORKED AT MY COLLEGE RADIO STATION 257 00:09:50,824 --> 00:09:52,926 FOR A SEMESTER. I WAS A BIT OF A STAR. 258 00:09:52,960 --> 00:09:55,062 - YOU FELL ASLEEP DURING YOUR OWN SHOW. 259 00:09:55,095 --> 00:09:57,197 - IT WAS A 3:00 A.M. SHOW, SHAWN. I WAS DOING RADIO VERITE. 260 00:09:57,230 --> 00:09:59,066 - NOBODY NOTICED. 261 00:09:59,099 --> 00:10:02,936 - WHAT I'M SAYING IS YOU'RE IN GOOD HANDS. 262 00:10:02,970 --> 00:10:04,938 - THEY DON'T SUCK. - THEY'RE NOT GREAT. 263 00:10:04,972 --> 00:10:07,007 - KNOCK YOURSELVES OUT, BUT YOU BETTER MAKE IT QUICK, 264 00:10:07,040 --> 00:10:09,009 'CAUSE I'M ABOUT TO SHUT THE STATION DOWN. 265 00:10:09,042 --> 00:10:11,779 both: WHAT? - UH, MS. SHERROD, 266 00:10:11,812 --> 00:10:14,047 I REALIZE THAT YOUR STAFF IS SMALL, 267 00:10:14,081 --> 00:10:16,249 AND WHILE MY TALENTS ARE PRODIGIOUS, 268 00:10:16,283 --> 00:10:19,152 IT WILL TAKE ME SOME TIME TO VET THEM ALL. 269 00:10:19,186 --> 00:10:21,088 - WITHOUT CROCK, I HAVE NOTHING, 270 00:10:21,121 --> 00:10:24,725 AND I CAN'T KEEP PUTTING THESE OTHER MORONS ON THE AIR. 271 00:10:24,758 --> 00:10:26,426 - WELL, WHY DON'T YOU BRING IN SOME NEW BLOOD? 272 00:10:26,459 --> 00:10:28,028 - AND WHAT DO YOU SUGGEST I DO? 273 00:10:28,061 --> 00:10:35,035 JUST PLUCK SOMEONE OFF THE STREET? 274 00:10:35,068 --> 00:10:38,739 - GOOD MORNING, 275 00:10:38,772 --> 00:10:42,342 SANTA BARBS! 276 00:10:42,375 --> 00:10:43,944 [cow bell tap] 277 00:10:46,213 --> 00:10:47,881 - HELL, YOU'VE JUST BEEN S-BAGGED... 278 00:10:47,915 --> 00:10:49,817 [cow bell tap] ON SANTA BARBARA'S NEWEST 279 00:10:49,850 --> 00:10:53,687 AND MOST POTENT MORNING SHOW, SPENCE-AIR! 280 00:10:53,721 --> 00:10:55,188 - LOOK, WHOEVER THIS IS, I'M COMING DOWN THERE, 281 00:10:55,222 --> 00:10:58,391 AND I AM [bleep]ING YOU UP FOR [bleep]ING PRANK-CALLING ME! 282 00:10:58,425 --> 00:10:59,993 WAIT A MINUTE. 283 00:11:00,027 --> 00:11:01,261 SHAWN? - OOPS. 284 00:11:01,294 --> 00:11:04,832 - YOU [bleep]ING IDIOT! [click] 285 00:11:04,865 --> 00:11:08,969 - THAT'S WHAT IT SOUNDS LIKE TO BE BALD, ANGRY, AND DIVORCED... 286 00:11:09,002 --> 00:11:10,237 [cow bell tap] 287 00:11:10,270 --> 00:11:11,805 WITH NIPPLES LIKE ELEPHANT DARTS. 288 00:11:11,839 --> 00:11:13,073 - [laughs] - WE'LL BE RIGHT BACK, 289 00:11:13,106 --> 00:11:16,143 AFTER WE PAY SOME BILLS. - [laughs] 290 00:11:16,176 --> 00:11:17,778 - PHEW! 291 00:11:17,811 --> 00:11:19,279 MAN, I'M EXHAUSTED. 292 00:11:19,312 --> 00:11:21,081 I GUESS, NOW THAT WE HAVE THE FIRST HOUR UNDER OUR BELTS, 293 00:11:21,114 --> 00:11:22,215 IT'LL GET EASIER, HUH? 294 00:11:22,249 --> 00:11:24,384 SEA LEGS, AND WHATNOT. - HOUR? 295 00:11:24,417 --> 00:11:25,953 - YOU'VE BEEN ON FOR SEVEN MINUTES. 296 00:11:25,986 --> 00:11:29,056 - WHAT? WE HAVE 4 HOURS AND 53 MINUTES TO GO? 297 00:11:29,089 --> 00:11:31,759 - TALK ABOUT YOUR PERSONAL LIFE. LISTENERS LOVE THAT STUFF. 298 00:11:31,792 --> 00:11:35,062 - YEAH. YEAH, WHAT SYD SAID, 299 00:11:35,095 --> 00:11:38,732 EXPOSE MYSELF, OPEN UP, GET PERSONAL. 300 00:11:38,766 --> 00:11:40,400 WELCOME BACK, SANTA BARBARA. 301 00:11:40,433 --> 00:11:42,936 YOU GUESSED IT, IT'S TIME TO GET PERSONAL. 302 00:11:42,970 --> 00:11:45,906 [cow bell tap] 303 00:11:45,939 --> 00:11:48,008 UH-- 304 00:11:48,041 --> 00:11:50,443 HEY, GUS, HOW DO YOU FEEL ABOUT YOUR GIRLFRIEND 305 00:11:50,477 --> 00:11:52,946 HEADING BACK TO THE U.K. FOR SIX MONTHS? 306 00:11:52,980 --> 00:11:55,215 - WHAT? RACHAEL'S HEADING OVERSEAS? 307 00:11:55,248 --> 00:11:58,251 - JULIET TOLD ME. I ASSUMED YOU ALREADY KNEW. 308 00:11:58,285 --> 00:12:01,154 - JULIET KNOWS? AND NOW, SO DOES ALL OF SANTA BARBARA. 309 00:12:01,188 --> 00:12:02,956 WHY IS SHE LEAVING? WHY HASN'T SHE TOLD ME? 310 00:12:02,990 --> 00:12:04,992 - THAT'S NOT THE MUTE BUTTON... 311 00:12:05,025 --> 00:12:06,359 AND YOU HAVE A CALL. 312 00:12:06,393 --> 00:12:08,395 WE HAVE A RACHAEL FROM SANTA BARBARA. 313 00:12:08,428 --> 00:12:11,799 - NO, NO, NO. NO, SHAWN, DO NOT TAKE THAT CALL! 314 00:12:11,832 --> 00:12:12,966 - YOU DESERVE AN EXPLANATION. 315 00:12:13,000 --> 00:12:15,035 - NOT ON THE RA-- 316 00:12:15,068 --> 00:12:17,037 NOT ON THE RADIO! 317 00:12:17,070 --> 00:12:21,441 - RACHAEL FROM SANTA BARBARA, YOU'RE LIVE ON SPENCE-AIR. 318 00:12:21,474 --> 00:12:23,811 - GUS? WE NEED TO TALK. 319 00:12:23,844 --> 00:12:26,079 - I DON'T HAVE ANYTHING TO SAY, RACHAEL. 320 00:12:26,113 --> 00:12:27,214 - BUDDY, THAT'S JUST BAD RADIO. 321 00:12:27,247 --> 00:12:28,916 - I DON'T CARE. 322 00:12:28,949 --> 00:12:30,350 MY LIFE IS NOT FODDER FOR YOUR SHOW, SHAWN. 323 00:12:30,383 --> 00:12:31,985 I'M NOT GOING TO USE MY PAIN TO FILL AIR TIME. 324 00:12:32,019 --> 00:12:34,988 RACHAEL, HOW COULD YOU DO THIS TO ME? 325 00:12:35,022 --> 00:12:36,990 IS THIS ABOUT MAX'S DAD? 326 00:12:37,024 --> 00:12:39,827 - ONLY GOING BACK TO SORT OUT SOME IMMIGRATION ISSUES. 327 00:12:39,860 --> 00:12:41,161 - [scoffs] - GUS, THAT RELATIONSHIP 328 00:12:41,194 --> 00:12:42,963 IS LONG OVER. - [scoffs] 329 00:12:42,996 --> 00:12:44,464 - I'M WITH YOU NOW. 330 00:12:44,497 --> 00:12:51,471 YOU'VE NOTHING TO BE AFRAID OF. DO YOU HEAR ME? 331 00:12:51,504 --> 00:12:52,940 - YOU STAY CLASSY, SANTA BARBARA. 332 00:12:52,973 --> 00:12:55,876 THANKS FOR SPENDING YOUR MORNING WITH ME! 333 00:12:55,909 --> 00:13:01,915 SPENCE-AIR, OUT. 334 00:13:01,949 --> 00:13:04,084 - MAN, I CAN'T BELIEVE I JUST TO CONFESSED 335 00:13:04,117 --> 00:13:05,919 TO ALL OF SANTA BARBARA THAT I MAKE LOVE WITH MY SOCKS ON. 336 00:13:05,953 --> 00:13:07,287 - YOU SURE DID. 337 00:13:07,320 --> 00:13:08,521 - HEY, GUYS, I'M GOING TO TAKE OFF. 338 00:13:08,555 --> 00:13:09,890 I JUST WANTED TO SAY THANK YOU. 339 00:13:09,923 --> 00:13:11,124 - THANK US? FOR WHAT? 340 00:13:11,158 --> 00:13:13,460 - OH, FOR NOT ASKING ME TO MEASURE MY JUNK 341 00:13:13,493 --> 00:13:15,896 OR CRANK-CALLING MY BIRTH MOM ON THE AIR. 342 00:13:15,929 --> 00:13:17,197 - WHAT ARE YOU TALKING ABOUT? 343 00:13:17,230 --> 00:13:18,966 - THAT WAS ALWAYS CROCK'S MOVE. 344 00:13:18,999 --> 00:13:21,134 HE DID WHATEVER HE COULD TO HUMILIATE ME FOR LAUGHS. 345 00:13:21,168 --> 00:13:22,535 - YOU WERE OKAY WITH THAT? 346 00:13:22,569 --> 00:13:23,971 - NO, BUT WHAT COULD I DO? 347 00:13:24,004 --> 00:13:25,105 POP A COUPLE CAPS IN HIM 348 00:13:25,138 --> 00:13:26,974 AND PRETEND SOMEONE KNOCKED ME OUT? 349 00:13:27,007 --> 00:13:30,377 - [laughs] SYD, THAT'S-- 350 00:13:30,410 --> 00:13:33,947 THAT'S...DARK. - NO. 351 00:13:33,981 --> 00:13:36,884 DUDE, DID THAT MAN JUST CONFESS TO US? 352 00:13:36,917 --> 00:13:39,086 - NO. IT'S WAY TOO EASY. 353 00:13:39,119 --> 00:13:40,353 WE SHOULD TALK TO THE OTHER EMPLOYEES. 354 00:13:40,387 --> 00:13:42,089 - YEAH, ALL RIGHT. 355 00:13:42,122 --> 00:13:44,024 I'M FILING HIM UNDER "SUSPECT NUMBER ONE." 356 00:13:44,057 --> 00:13:46,059 [knocking at the door] 357 00:13:46,093 --> 00:13:48,128 HELLO? 358 00:13:48,161 --> 00:13:50,898 DANG! - WHOA. 359 00:13:50,931 --> 00:13:53,400 - THIS GUY REDD KILLS A LOT OF STUFF, SHAWN. 360 00:13:53,433 --> 00:13:55,068 - IT CERTAINLY EXPLAINS WHY MY DAD 361 00:13:55,102 --> 00:13:57,070 LIKES HIS OUTDOORS SHOW SO MUCH. 362 00:13:57,104 --> 00:14:01,041 - HEY, BEAVER. LOOK AT YA. 363 00:14:01,074 --> 00:14:02,876 NATURE'S ENGINEER. 364 00:14:02,910 --> 00:14:05,078 YOU DON'T BELONG STUFFED IN SOMEBODY'S OFFICE. 365 00:14:05,112 --> 00:14:07,214 MAYBE REDD NEEDS A TASTE OF HIS OWN MEDICINE, 366 00:14:07,247 --> 00:14:10,350 SEE WHAT IT'S LIKE BEING STALKED AND HUNTED. 367 00:14:10,383 --> 00:14:11,518 - JUST NAME THE TIME AND THE PLACE. 368 00:14:11,551 --> 00:14:14,054 - WHOA, HEY, REDD HERRING. 369 00:14:14,087 --> 00:14:16,423 [chuckles] I AM RADIO PERSONALITY, SHAWN SPENCER, 370 00:14:16,456 --> 00:14:17,891 AND THIS IS-- 371 00:14:17,925 --> 00:14:21,962 - THE MAN WHO'S GONNA HUNT ME. 372 00:14:21,995 --> 00:14:24,031 SON... 373 00:14:24,064 --> 00:14:27,034 DO YOU REALLY THINK YOU HAVE WHAT IT TAKES 374 00:14:27,067 --> 00:14:29,970 TO TRACK ME DOWN AND SHOOT ME? 375 00:14:30,003 --> 00:14:34,041 - UH, REDD, DID YOU KILL CROCK? 376 00:14:34,074 --> 00:14:38,211 - [laughs] IF I WANTED TO KILL CROCK... 377 00:14:38,245 --> 00:14:39,646 I WOULDN'T HAVE MISSED. 378 00:14:39,679 --> 00:14:41,514 - FAIR POINT. THAT'S FAIR. 379 00:14:41,548 --> 00:14:43,350 BUT WERE YOU ANGRY WITH HIM? 380 00:14:43,383 --> 00:14:45,919 BECAUSE YOU DID HAVE TO TAKE A PAY CUT WHEN HE CAME ON BOARD. 381 00:14:45,953 --> 00:14:48,488 - AND, UM, ARE YOU SURE YOU DIDN'T KILL CROCK? 382 00:14:48,521 --> 00:14:51,959 - WELL, I DID HAVE TO TAKE A TEENY PAY CUT, 383 00:14:51,992 --> 00:14:54,661 BUT MOST OF CROCK'S SALARY COME OUT OF MIRANDA'S BIRD BAG. 384 00:14:54,694 --> 00:14:56,463 SHE JUST USED CROCK TO BOOST HER RATINGS 385 00:14:56,496 --> 00:14:58,331 TILL SHE COULD SELL THE STATION TO CLEAR CHANNEL 386 00:14:58,365 --> 00:15:01,701 AND MAKE HER MONEY BACK, BUT THE DEAL FELL THROUGH. 387 00:15:01,734 --> 00:15:04,271 - REALLY? - DEAL FELL THROUGH? 388 00:15:04,304 --> 00:15:06,006 GOOD TALK, REDD. - GREAT TALK. 389 00:15:06,039 --> 00:15:07,941 - GOOD-BYE FOREVER. - SEE YOU 390 00:15:07,975 --> 00:15:10,944 IN MY RECURRING HUNGER GAMES NIGHTMARE. 391 00:15:10,978 --> 00:15:14,047 DUDE, MIRANDA HAD MOTIVE TO KILL CROCK. 392 00:15:14,081 --> 00:15:15,382 ONCE THE STATION DIDN'T SELL, 393 00:15:15,415 --> 00:15:17,084 SHE WAS ON THE HOOK FOR THE REST OF HIS DEAL. 394 00:15:17,117 --> 00:15:18,251 - WE GOTTA PUT THE NAILS TO HER. 395 00:15:18,285 --> 00:15:19,686 - HOW? SHE KNOWS WE'RE INVESTIGATING. 396 00:15:19,719 --> 00:15:21,254 SHE'LL SEE US COMING A MILE AWAY. 397 00:15:21,288 --> 00:15:23,290 - IF ONLY WE KNEW SOMEONE WITH A MEGAWATT SMILE. 398 00:15:23,323 --> 00:15:25,092 HE COULD GET HER FROM BEHIND. - WHAT? 399 00:15:25,125 --> 00:15:27,060 - YOU KNOW, SLIP IN BENEATH HER GUARD 400 00:15:27,094 --> 00:15:30,130 WITH HIS GORGEOUS FACE. - MAN! 401 00:15:30,163 --> 00:15:40,740 [doorbell dings] 402 00:15:40,773 --> 00:15:47,280 [sighs] 403 00:15:47,314 --> 00:15:49,716 HI. OUR DINNER RESERVATION IS AT 8:00. 404 00:15:49,749 --> 00:15:51,518 WE WILL ARRIVE IN SEPARATE VEHICLES. 405 00:15:51,551 --> 00:15:54,721 ONCE THERE, WE WILL CONVERSE ABOUT BUSINESS ONLY. 406 00:15:54,754 --> 00:15:56,589 AFTER OUR MEAL, WE WILL SHAKE HANDS 407 00:15:56,623 --> 00:15:58,558 AND DRIVE AWAY SEPARATELY. 408 00:15:58,591 --> 00:16:00,260 - I SEE. 409 00:16:00,293 --> 00:16:03,130 YOU'RE LIKE A MORE AGITATED BLAIR UNDERWOOD, 410 00:16:03,163 --> 00:16:05,098 BUT I HAVE A COUNTEROFFER. 411 00:16:05,132 --> 00:16:08,001 WE STAY HERE. I COOK YOU A JERK CHICKEN DINNER 412 00:16:08,035 --> 00:16:10,270 WEARING THIS. 413 00:16:10,303 --> 00:16:13,673 - COUNTER-COUNTEROFFER. JERK CHICKEN, NO APRON, 414 00:16:13,706 --> 00:16:15,475 WE TALK ABOUT WHAT'S GOING ON AT THE STATION. 415 00:16:15,508 --> 00:16:18,545 - COUNTER-COUNTER-COUNTEROFFER. JERK CHICKEN, 416 00:16:18,578 --> 00:16:23,283 APRON ON TOP OF DRESS, OPTION TO BEND OVER ONLY AS NEEDED. 417 00:16:23,316 --> 00:16:29,022 - DEAL. 418 00:16:29,056 --> 00:16:31,158 OH, GOSH. 419 00:16:31,191 --> 00:16:33,426 SO THIS DEAL WITH CROCK 420 00:16:33,460 --> 00:16:34,694 WAS THE LARGEST TALENT ACQUISITION 421 00:16:34,727 --> 00:16:35,762 YOU EVER MADE, RIGHT? 422 00:16:35,795 --> 00:16:38,431 - MM-HMM. - HMM. 423 00:16:38,465 --> 00:16:43,136 MM-MM. 424 00:16:43,170 --> 00:16:44,804 - I LIKE HOW YOU KNOW YOUR WAY AROUND A CHICKEN LEG. 425 00:16:44,837 --> 00:16:46,273 - MM-HMM. 426 00:16:46,306 --> 00:16:52,079 - HOW DO YOU DO WITH THE HUMAN KIND? 427 00:16:52,112 --> 00:16:55,148 - UM... 428 00:16:55,182 --> 00:16:56,683 AS I WAS SAYING, 429 00:16:56,716 --> 00:16:58,651 IF ALL YOUR ASSETS WERE WRAPPED UP AT THE STATION, 430 00:16:58,685 --> 00:17:00,720 YOU'D BE IN SOME PRETTY HOT WATER 431 00:17:00,753 --> 00:17:02,655 IF A BUSINESS DEAL SUDDENLY WENT SOUTH. 432 00:17:02,689 --> 00:17:05,225 - YOU'RE TALKING ABOUT THE CLEAR CHANNEL DEAL? 433 00:17:05,258 --> 00:17:07,794 - BUT CROCK'S DEATH MAKES HIS CONTRACT VOID, AM I CORRECT? 434 00:17:07,827 --> 00:17:09,829 - OH. 435 00:17:09,862 --> 00:17:13,133 YOU THINK I KILLED HIM JUST TO GET OUT OF THE MONEY I OWE? 436 00:17:13,166 --> 00:17:16,136 [scoffs] WH--? 437 00:17:16,169 --> 00:17:17,237 - UH, UH, 438 00:17:17,270 --> 00:17:19,672 WELL, HOLD ON. HOLD ON. HOLD ON, NOW. 439 00:17:19,706 --> 00:17:22,075 MIRANDA, MIRANDA, MIRANDA, CALM DOWN. 440 00:17:22,109 --> 00:17:24,711 NO ONE SAID ANYTHING ABOUT ANYBODY KILLING ANYBODY. 441 00:17:24,744 --> 00:17:26,579 - I LOVE THAT YOU THINK THAT I COULD BE SO CUNNING, 442 00:17:26,613 --> 00:17:30,417 SO CALCULATED THAT I COULD PULL OFF THE PERFECT MURDER. 443 00:17:30,450 --> 00:17:31,718 - I DIDN'T SAY "PERFECT." 444 00:17:31,751 --> 00:17:33,386 - IT WOULD BE IF I DID IT. 445 00:17:33,420 --> 00:17:35,522 INTERROGATE ME, BURTON! - WHAT? 446 00:17:35,555 --> 00:17:37,557 - TURN THE SCREWS. SEE IF I'LL BREAK. 447 00:17:37,590 --> 00:17:39,559 - UH, WHERE WERE YOU THE NIGHT OF THE MURDER? 448 00:17:39,592 --> 00:17:40,860 - FASTER. - UH, WHERE WERE YOU 449 00:17:40,893 --> 00:17:42,429 THE NIGHT OF THE MURDER? - SLOWER. 450 00:17:42,462 --> 00:17:45,498 - WHERE WERE YOU... THE NIGHT OF THE MURDER? 451 00:17:45,532 --> 00:17:46,766 - YOU'RE NOT ATTRACTED TO ME, ARE YOU? 452 00:17:46,799 --> 00:17:48,335 - WELL, NO, THAT'S NOT IT. 453 00:17:48,368 --> 00:17:49,836 - THAT'S RHETORICAL. OF COURSE, YOU ARE. 454 00:17:49,869 --> 00:17:52,605 - LOOK, I'M IN A RELATIONSHIP, MIRANDA, A REAL ONE, 455 00:17:52,639 --> 00:17:54,174 AND NOT JUST ONE WITH GOD. 456 00:17:54,207 --> 00:17:56,509 RACHAEL AND I HAVE OUR ISSUES, YES, 457 00:17:56,543 --> 00:17:58,578 BUT WE ARE COMMITTED TO MAKING IT WORK. 458 00:17:58,611 --> 00:18:00,280 - YOU HAVE SEX WITH YOUR SOCKS ON 459 00:18:00,313 --> 00:18:01,681 BECAUSE YOUR TOES GET COLD. ISN'T THAT RIGHT? 460 00:18:01,714 --> 00:18:04,451 - YES! [whimpers] 461 00:18:04,484 --> 00:18:06,886 SEE--SEE, HERE'S YOUR PROBLEM, MIRANDA. 462 00:18:06,919 --> 00:18:11,158 SOME MEN--EVOLVED MEN-- SEEK A CHASE, SEEK ROMANCE. 463 00:18:11,191 --> 00:18:14,294 I AM ONE OF THOSE MEN. I BELIEVE IN SLOW SEDUCTION. 464 00:18:14,327 --> 00:18:16,829 I BELIEVE IN FEEDING EACH OTHER POACHED EGGS IN BED 465 00:18:16,863 --> 00:18:18,898 AND LEAVING LOVE NOTES SQUEEGEED ON THE SHOWER DOOR. 466 00:18:18,931 --> 00:18:20,500 I BELIEVE IN WRITING 467 00:18:20,533 --> 00:18:22,135 THE SOUNDTRACK TO EACH OTHER'S LIVES. 468 00:18:22,169 --> 00:18:23,370 I BELIEVE I CAN FLY. 469 00:18:23,403 --> 00:18:24,804 WHAT? 470 00:18:24,837 --> 00:18:31,811 I BELIEVE IN MAKING MY WOMAN MY QUEEN. 471 00:18:31,844 --> 00:18:35,282 WELL, SHAWN, I HAVE GOOD NEWS AND BAD NEWS. 472 00:18:35,315 --> 00:18:36,783 - YOU KNOW I'M BAD NEWS FIRST 473 00:18:36,816 --> 00:18:38,818 EVER SINCE WE SAW PROMETHEUS ON OPENING NIGHT. 474 00:18:38,851 --> 00:18:41,288 - I HAD TO ENDURE SOME SERIOUS SEXUAL HARASSMENT LAST NIGHT. 475 00:18:41,321 --> 00:18:43,590 MIRANDA ACTUALLY WANTED TO BE INTERROGATED. 476 00:18:43,623 --> 00:18:45,658 - HOW IS THAT THE BAD NEWS? - THAT'S NOT THE BAD NEWS. 477 00:18:45,692 --> 00:18:48,195 THE BAD NEWS IS THAT SHE MADE A DECISION TO CANCEL YOUR SHOW. 478 00:18:48,228 --> 00:18:49,462 - WHAT? - YUP. 479 00:18:49,496 --> 00:18:50,897 - COME ON, SON, I WAS ONLY ON FOR A DAY! 480 00:18:50,930 --> 00:18:52,365 - THE RADIO GAME IS BRUTAL. 481 00:18:52,399 --> 00:18:54,434 - SURE IS. AIN'T THAT A-- 482 00:18:54,467 --> 00:18:56,603 WELL, WHAT'S THE GOOD NEWS? 483 00:18:56,636 --> 00:18:58,538 - SHE FOUND A REPLACEMENT. 484 00:18:58,571 --> 00:19:00,740 [slurps coffee] 485 00:19:00,773 --> 00:19:03,676 AHH. 486 00:19:03,710 --> 00:19:08,515 - AWWWW, YEEEAAAH. 487 00:19:08,548 --> 00:19:12,785 SANTA BARBARA, YOU ARE NOW ENTERING THE SMOOTH STORM. 488 00:19:12,819 --> 00:19:16,689 [thunder effects] KJAD'S NEW AFTER-DARK TALK. 489 00:19:16,723 --> 00:19:19,859 I'M YOUR HOST, A PLAYER NAMED GUS. 490 00:19:19,892 --> 00:19:21,861 NOW SIT BACK AND CHILLAX WITH ME, 491 00:19:21,894 --> 00:19:24,231 AS I TAKE YOU ON A FUNKY RIDE. 492 00:19:24,264 --> 00:19:27,867 IF YOU DON'T SCREAM, WELL, I SURE ENOUGH WON'T HOLLER. 493 00:19:27,900 --> 00:19:32,939 [chuckles] YOU FEEL ME, WHITE CHOCOLATE? 494 00:19:32,972 --> 00:19:36,909 - SERIOUSLY, YOU'RE GONNA DO "A PLAYER NAMED GUS?" 495 00:19:36,943 --> 00:19:39,279 MAN, YOU COULDN'T EVEN STAY AWAKE 496 00:19:39,312 --> 00:19:40,847 DOING THIS SHTICK IN COLLEGE! 497 00:19:40,880 --> 00:19:42,615 - MIRANDA HAS A VISION FOR ME, SHAWN. 498 00:19:42,649 --> 00:19:45,252 - YEAH, YOU, STANDING NAKED, POSING LIKE CAPTAIN MORGAN. 499 00:19:45,285 --> 00:19:47,287 - SHE STILL BELIEVES I KNOW WOMEN AND HOW THEY OPERATE 500 00:19:47,320 --> 00:19:48,921 AND WHAT IT MEANS TO TOUCH SOMEONE. 501 00:19:48,955 --> 00:19:50,790 I HAVE THE POWER TO TOUCH PEOPLE, SHAWN. 502 00:19:50,823 --> 00:19:52,592 - SHE PROBABLY KILLED CROCK DANIELS. 503 00:19:52,625 --> 00:19:55,428 - WELL, UNTIL WE KNOW FOR SURE... 504 00:19:55,462 --> 00:19:58,565 WHY DON'T WE OPEN UP THESE CALL LINES 505 00:19:58,598 --> 00:20:00,800 FOR ALL YOU LOVERS OUT THERE? 506 00:20:00,833 --> 00:20:03,503 - WE HAVE LONG-TIME CALLER, LAURA, ON LINE ONE. 507 00:20:03,536 --> 00:20:04,871 - WHAT? HE ACTUALLY HAS A CALLER? 508 00:20:04,904 --> 00:20:08,441 - AWWWW, YEEEAAAH. 509 00:20:08,475 --> 00:20:12,245 L-BOOGIE. WHY DON'T YOU TELL A PLAYER NAMED GUS 510 00:20:12,279 --> 00:20:13,946 WHAT'S ON YOUR MIND? 511 00:20:13,980 --> 00:20:15,982 - I'VE ALWAYS LISTENED TO KJAD, 512 00:20:16,015 --> 00:20:19,252 AND I WAS A BIG FAN OF THE CROCK PO SHOW, 513 00:20:19,286 --> 00:20:22,422 BUT AFTER HEARING YOUR SMOOTH VOICE, 514 00:20:22,455 --> 00:20:25,925 I KNEW I HAD TO BE THE FIRST TO CALL AND SAY HELLO. 515 00:20:25,958 --> 00:20:28,728 - WELL, I LIKE HOW YOU SOUND, GIRL. 516 00:20:28,761 --> 00:20:31,531 - [chuckles] I LIKE HOW YOU SOUND TOO. 517 00:20:31,564 --> 00:20:32,865 - [chuckles] 518 00:20:32,899 --> 00:20:35,702 - WHAT IS YOUR RELATIONSHIP SITUATION? 519 00:20:35,735 --> 00:20:39,806 - WELL, L-BOOGIE, I DO HAVE A SPECIAL FRIEND. 520 00:20:39,839 --> 00:20:42,675 - OH, DOES THAT MEAN I CAN'T HAVE A HUG? 521 00:20:42,709 --> 00:20:44,444 - [laughs] 522 00:20:44,477 --> 00:20:50,016 I TELL YOU WHAT, THIS IS ME HUGGING YOU OVER THE AIRWAVES. 523 00:20:50,049 --> 00:20:54,587 MMM. MMM. 524 00:20:54,621 --> 00:20:56,989 MMM. 525 00:20:57,023 --> 00:20:58,825 [chuckles] YOU FEEL THAT? 526 00:20:58,858 --> 00:21:01,828 - HEY, MAYBE I SHOULD COME ON DOWN. 527 00:21:01,861 --> 00:21:04,364 - UH, A PLAYER NAMED GUS IS GOING TO TAKE ANOTHER CALL 528 00:21:04,397 --> 00:21:06,833 AS QUICK AS HE CAN, SO YOU HANG RIGHT THERE, LAURA. 529 00:21:06,866 --> 00:21:08,000 - I'LL BE WAITING. - RIGHT NOW, 530 00:21:08,034 --> 00:21:10,870 WE HAVE JALINDA ON THE LINE. 531 00:21:10,903 --> 00:21:15,608 - [high-pitched] OH, HI. MY NAME IS JALINDA. 532 00:21:15,642 --> 00:21:17,810 AND I WAS JUST WONDERING 533 00:21:17,844 --> 00:21:20,347 IF THIS IS THE SAME PLAYER NAMED GUS 534 00:21:20,380 --> 00:21:23,983 WHO BACK AT CAMP TIKI-HAMA HAD TO USE RUBBER SHEETS, 535 00:21:24,016 --> 00:21:28,054 BECAUSE EVERY NIGHT, HE WOULD WATER-LOG HIS MATTRESS. 536 00:21:28,087 --> 00:21:32,692 - UH, PEOPLE OUT THERE, A PLAYER NAMED GUS WAS FIVE, 537 00:21:32,725 --> 00:21:36,329 YOU DIG? AND THEN HE DISCOVERED HE HAD A SHY BLADDER. 538 00:21:36,363 --> 00:21:40,667 - [giggles] WELL, THAT MAKES ME FEEL FUNNY. 539 00:21:40,700 --> 00:21:45,872 - JALINDA, YOU KEEP ON TALKING RIGHT THERE, ALL RIGHT? 540 00:21:45,905 --> 00:21:47,907 - IS THIS THE SAME PLAYER NAMED GUS 541 00:21:47,940 --> 00:21:51,778 THAT USED TO RUN SO HARD AND SO FAST 542 00:21:51,811 --> 00:21:54,347 IN HIS SQUISHY BOOTS AT THE PLAYGROUND, 543 00:21:54,381 --> 00:21:57,984 THAT ONCE HE TRIPPED AND SPRAINED HIS DING-DING? 544 00:21:58,017 --> 00:22:00,052 - DUDE, WHAT ARE YOU DOING? 545 00:22:00,086 --> 00:22:01,988 - WHAT AM I DOING? I'M INVESTIGATING. 546 00:22:02,021 --> 00:22:02,955 WHAT ARE YOU DOING? 547 00:22:02,989 --> 00:22:04,924 - WHAT I WAS BORN TO DO, SHAWN. 548 00:22:04,957 --> 00:22:07,760 - YEAH, WELL, WHILE YOU'RE EXERCISING YOUR BIRTHRIGHT, 549 00:22:07,794 --> 00:22:09,396 I FOUND THIS. 550 00:22:09,429 --> 00:22:11,931 MIRANDA'S WORTH OVER $8 MILLION IN ASSETS ALONE, 551 00:22:11,964 --> 00:22:13,900 AND SHE OWNS THREE EL POLLO LOCOS. 552 00:22:13,933 --> 00:22:15,067 - REALLY? WHICH ONES? 553 00:22:15,101 --> 00:22:16,903 THE ONE WITH THE REALLY HUGE SALSA BAR? 554 00:22:16,936 --> 00:22:18,671 - MAN, YOU KNOW THEY ALL HAVE BIG-ASS SALSA BARS. 555 00:22:18,705 --> 00:22:20,907 - WAIT A SECOND, THAT MEANS MIRANDA MOST DEFINITELY 556 00:22:20,940 --> 00:22:22,575 DIDN'T KILL CROCK OVER THE CLEAR CHANNEL DEAL. 557 00:22:22,609 --> 00:22:24,143 - NO KIDDING, BRUCE WAYNE. 558 00:22:24,176 --> 00:22:26,446 - FIRST RULE OF RADIO, 559 00:22:26,479 --> 00:22:28,848 SOMEONE ACTUALLY HAS TO BE ON THE AIR. 560 00:22:28,881 --> 00:22:30,883 - YOU'RE FILTHY RICH. - AND JUST PLAIN FILTHY. 561 00:22:30,917 --> 00:22:32,685 - WHY DIDN'T YOU JUST CLEAR YOUR NAME LAST NIGHT? 562 00:22:32,719 --> 00:22:34,020 - WHAT, AND MISS THE OPPORTUNITY 563 00:22:34,053 --> 00:22:36,589 TO HAVE YOU TURN THE SCREWS TO ME? 564 00:22:36,623 --> 00:22:45,932 NOW, WILL YOU TWO GET BACK ON AIR? 565 00:22:45,965 --> 00:22:48,701 - L-BOOGIE, YOU STILL THERE? 566 00:22:48,735 --> 00:22:50,870 - OF COURSE, I'D WAIT ALL DAY. 567 00:22:50,903 --> 00:22:54,741 - AWWWW, YEEEAAAH. 568 00:22:54,774 --> 00:22:57,677 [cow bell taps] 569 00:22:57,710 --> 00:22:59,679 - ARE YOU SURE YOU DON'T WANT A WALK TO YOUR CAR? 570 00:22:59,712 --> 00:23:01,080 - [chuckles] VERY. 571 00:23:01,113 --> 00:23:03,616 - STELLAR DEBUT, GUS. - SHUT UP. 572 00:23:03,650 --> 00:23:05,084 - THANK YOU FOR EVERYTHING. 573 00:23:05,117 --> 00:23:15,161 - YOU'RE WELCOME. [chuckles] 574 00:23:15,161 --> 00:23:21,601 - YOU'RE WELCOME. [chuckles] 575 00:23:21,634 --> 00:23:23,069 [keys drop on the ground] 576 00:23:23,102 --> 00:23:25,472 [gunshot] 577 00:23:25,505 --> 00:23:28,975 - [screams] 578 00:23:31,143 --> 00:23:32,712 - [whimpering] - COME ON, GUS. 579 00:23:32,745 --> 00:23:33,980 COME ON, BUDDY, BREATHE. IN THROUGH YOUR NOSE 580 00:23:34,013 --> 00:23:36,816 AND JUST--JUST BREATHE. - [whimpers] 581 00:23:36,849 --> 00:23:38,851 - ALL RIGHT, NOBODY GOT A LOOK AT OUR SHOOTER, 582 00:23:38,885 --> 00:23:41,488 BUT WE DO HAVE THE SECURITY VIDEO FROM THE PARKING LOT. 583 00:23:41,521 --> 00:23:43,656 - JUST DOWNLOADED IT FROM THE MAIN SERVER. 584 00:23:43,690 --> 00:23:45,224 - OH. - NICE, SYD, NICE. 585 00:23:45,257 --> 00:23:46,659 - OKAY. 586 00:23:46,693 --> 00:23:51,698 [screaming] 587 00:23:51,731 --> 00:23:55,034 THAT MUST HAVE BEEN WHEN I FAINTED. 588 00:23:55,067 --> 00:23:57,737 - THIS IS WHEN MIRANDA FOUND HIM AND GAVE HIM MOUTH-TO-MOUTH. 589 00:23:57,770 --> 00:24:01,608 - SHE WHAT? - HMM. 590 00:24:01,641 --> 00:24:05,011 - I'LL FAST-FORWARD THIS. THIS GOES ON FOR A LITTLE WHILE. 591 00:24:05,044 --> 00:24:06,779 - UH, YEAH, JUST-- 592 00:24:06,813 --> 00:24:09,215 - MOUTH-TO-MOUTH. 593 00:24:09,248 --> 00:24:10,883 MOUTH-TO-MOUTH. - ALL RIGHT, OKAY. 594 00:24:10,917 --> 00:24:11,951 - YOUR LITTLE LEGS ARE JUST 595 00:24:11,984 --> 00:24:14,186 KICKING ALL OVER THE PLACE THERE. 596 00:24:14,220 --> 00:24:16,255 I'LL TELL YOU WHAT, GUS, I THINK WE CAN PROBABLY 597 00:24:16,288 --> 00:24:18,057 TAKE IT FROM HERE. - YEAH. 598 00:24:18,090 --> 00:24:19,859 - WHY DON'T YOU, UH, WHY DON'T YOU CLEAR YOUR HEAD 599 00:24:19,892 --> 00:24:22,595 AND RINSE AND SPIT. - OKAY. 600 00:24:22,629 --> 00:24:24,597 [wincing] 601 00:24:24,631 --> 00:24:27,734 - SHOULD I BE WORRIED? - WHAT, ABOUT THAT? NO. 602 00:24:27,767 --> 00:24:29,569 SHE JUST THOUGHT MY CONDITION WAS WORSE THAN WHAT IT WAS. 603 00:24:29,602 --> 00:24:30,937 - I'M SURE SHE DID. - YEAH. 604 00:24:30,970 --> 00:24:32,739 COME ON, LET'S GET YOU HOME. - OKAY. 605 00:24:32,772 --> 00:24:34,841 - SO I THINK IT'S SAFE TO ASSUME WHOEVER TOOK A SHOT AT GUS 606 00:24:34,874 --> 00:24:36,008 ALSO KILLED CROCK. 607 00:24:36,042 --> 00:24:37,744 - WHY IS IT SAFE TO ASSUME THAT? 608 00:24:37,777 --> 00:24:40,947 I MEAN, I WAS ON THE AIR FIRST, NOBODY TRIED TO KILL ME. 609 00:24:40,980 --> 00:24:42,782 WHAT'S THE DIFFERENCE BETWEEN MY SHOW AND HIS SHOW? 610 00:24:42,815 --> 00:24:45,818 - WHERE TO START? UM, GUS WAS GOOD. 611 00:24:45,852 --> 00:24:47,887 - WHAT? - GUS HAD CALLERS. 612 00:24:47,920 --> 00:25:02,201 - COME ON, SYD. 613 00:25:02,234 --> 00:25:04,937 I HAVE A LINK BETWEEN GUS AND CROCK. 614 00:25:04,971 --> 00:25:09,041 IT IS A CALLER, AND HER NAME IS LAURA. 615 00:25:09,075 --> 00:25:11,210 - SHE WAS THE PRESIDENT OF CROCK'S FAN CLUB. 616 00:25:11,243 --> 00:25:13,980 ODD DUCK. NICE CANS. 617 00:25:14,013 --> 00:25:15,582 - WHICH MEANS SHE WOULD HAVE KNOWN THE STATION WELL ENOUGH 618 00:25:15,615 --> 00:25:18,284 TO GET IN, KILL CROCK, AND GET OUT WITHOUT BEING SEEN. 619 00:25:18,317 --> 00:25:19,952 - YOU GOT ALL THAT FROM HER CANS? 620 00:25:19,986 --> 00:25:22,154 - RUMOR WAS, SHE AND CROCK HAD A FLING AT ONE POINT. 621 00:25:22,188 --> 00:25:23,956 - [whistles] - OOH, THINK MAYBE 622 00:25:23,990 --> 00:25:26,092 SHE WAS A JILTED LOVER WHO WAS OUT FOR REVENGE? 623 00:25:26,125 --> 00:25:27,994 - IT'S WORTH CHECKING 'EM OUT. 624 00:25:28,027 --> 00:25:30,096 HER. IT'S WORTH CHECKING HER OUT. 625 00:25:30,129 --> 00:25:31,964 - I KNOW WHAT YOU MEANT. - WOW, GUYS, WOW. 626 00:25:31,998 --> 00:25:36,936 - [laughs] 627 00:25:36,969 --> 00:25:38,805 - HAVE A SEAT. - THANK YOU. 628 00:25:38,838 --> 00:25:42,041 SO WE ARE INVESTIGATING THE MURDER OF CROCK DANIELS, 629 00:25:42,074 --> 00:25:45,177 AND WE'D LIKE TO TALK TO YOU ABOUT THE DOZENS OF CALLS 630 00:25:45,211 --> 00:25:46,979 YOU MADE TO THE CROCK PO SHOW. 631 00:25:47,013 --> 00:25:51,217 - DON'T TOUCH THOSE. THOSE ARE CROCK'S JELLY BEANS. 632 00:25:51,250 --> 00:25:54,987 I WAS A BIG FAN GIRL OF HIS. WE MADE OUT ONCE. 633 00:25:55,021 --> 00:25:58,057 I WAS DEVASTATED WHEN HE WAS KILLED ON THE AIR. 634 00:25:58,090 --> 00:26:01,360 - HMM. - UH-UH! 635 00:26:01,393 --> 00:26:04,063 - YOU ALSO MADE NUMEROUS CALLS IN TO THE SMOOTH STORM, 636 00:26:04,096 --> 00:26:06,165 RIGHT BEFORE SOMEONE TRIED TO KILL ITS HOST. 637 00:26:06,198 --> 00:26:09,235 - WHAT? IS A PLAYER NAMED GUS OKAY? 638 00:26:09,268 --> 00:26:10,336 - OH, MY GOD. 639 00:26:10,369 --> 00:26:11,804 - HE'S FINE. 640 00:26:11,838 --> 00:26:13,272 - BY THE WAY, HIS NAME IS JUST "GUS," 641 00:26:13,305 --> 00:26:14,941 AND HE WEARS FOOTY PAJAMAS, 642 00:26:14,974 --> 00:26:17,176 AND HE GETS GOUT, LIKE, THREE TIMES A YEAR. 643 00:26:17,209 --> 00:26:18,778 - OH! - I'M SERIOUS, 644 00:26:18,811 --> 00:26:20,012 WE CALL HIM "BURTON GOUT-STER." 645 00:26:20,046 --> 00:26:22,248 - [laughing] 646 00:26:22,281 --> 00:26:24,050 - LAURA, RIGHT NOW, YOU ARE THE COMMON LINK 647 00:26:24,083 --> 00:26:25,384 BETWEEN THESE TWO INCIDENTS. 648 00:26:25,417 --> 00:26:28,988 - LISTEN, I CALL IN TO PLENTY OF RADIO SHOWS. 649 00:26:29,021 --> 00:26:30,623 EVER SINCE MY PARENTS DIED, 650 00:26:30,657 --> 00:26:32,191 IT'S JUST KINDA LONELY 651 00:26:32,224 --> 00:26:34,260 IN THIS BIG, OLD HOUSE ALL BY MYSELF. 652 00:26:34,293 --> 00:26:36,262 - MM, DON'T CARE. WHERE WERE YOU LAST NIGHT, 653 00:26:36,295 --> 00:26:37,897 AND ALSO AT THE TIME OF CROCK'S MURDER? 654 00:26:37,930 --> 00:26:39,231 - RIGHT HERE, 655 00:26:39,265 --> 00:26:42,902 MAKING SHIRTS AND BUTTONS AND PUDDING AND THINGS. 656 00:26:42,935 --> 00:26:45,972 - PUDDING. 657 00:26:46,005 --> 00:26:48,240 - AWWWW, YEEEAAAH. 658 00:26:48,274 --> 00:26:49,976 - THAT'S A MONUMENTAL WASTE OF YOUR TIME. 659 00:26:50,009 --> 00:26:51,878 DO YOU MIND IF I TAKE A LOOK AROUND YOUR HOUSE? 660 00:26:51,911 --> 00:26:54,413 - OH, NO. TO BE HONEST, 661 00:26:54,446 --> 00:26:56,415 I THOUGHT YOU WERE HERE TO TALK TO ME ABOUT BOB. 662 00:26:56,448 --> 00:26:59,285 - WHO'S BOB? - MY STALKER. 663 00:26:59,318 --> 00:27:03,055 - UM, ISN'T THAT SORT OF LIKE A BIRD EATING ANOTHER BIRD? 664 00:27:03,089 --> 00:27:04,991 - THAT HAPPENS ALL THE TIME. 665 00:27:05,024 --> 00:27:06,859 - SHH. SWEETHEART, I THOUGHT WE AGREED 666 00:27:06,893 --> 00:27:08,094 THAT BIRDS WERE MY THING. 667 00:27:08,127 --> 00:27:09,929 - BOB IS THIS GUY WHO USED TO HANG OUT 668 00:27:09,962 --> 00:27:11,964 AT MY LOCAL COFFEE SHOP, LATTE DA. 669 00:27:11,998 --> 00:27:13,733 HE ONCE BOUGHT ME A MUFFIN. 670 00:27:13,766 --> 00:27:17,136 ANYWAY, HE STARTED SHOWING UP AT THE PLACES I GO TO REGULARLY, 671 00:27:17,169 --> 00:27:20,873 AND I WAS NICE TO HIM, BUT HE TOOK IT THE WRONG WAY. 672 00:27:20,907 --> 00:27:22,141 - DOES BOB HAVE A LAST NAME? 673 00:27:22,174 --> 00:27:24,877 - DON'T KNOW IT. DON'T WANT TO KNOW IT. 674 00:27:24,911 --> 00:27:26,445 HE FREAKED ME OUT. 675 00:27:26,478 --> 00:27:28,414 HE ALSO SOMEHOW GOT MY PHONE NUMBER 676 00:27:28,447 --> 00:27:30,282 AND STARTED CALLING ME. 677 00:27:30,316 --> 00:27:35,054 [deep voice] "HI, LAURA, WHY WEREN'T YOU AT COFFEE TODAY? 678 00:27:35,087 --> 00:27:38,190 TOO BUSY ON THE RADIO?" 679 00:27:38,224 --> 00:27:39,892 - THE EGGHEADS DOWN AT THE DEPARTMENT 680 00:27:39,926 --> 00:27:41,193 SAID THEY PULLED A GRAVELLY VOICE 681 00:27:41,227 --> 00:27:43,029 OFF THE RECORDING OF CROCK'S LAST SHOW. 682 00:27:43,062 --> 00:27:45,331 - COULD YOU DESCRIBE THIS BOB TO A SKETCH ARTIST? 683 00:27:45,364 --> 00:27:49,035 - OF COURSE, ABSOLUTELY. THAT'S NEAT. 684 00:27:49,068 --> 00:27:52,371 - WHAT? I DECIDED TO STOP HATIN'. 685 00:27:52,404 --> 00:27:54,440 - THIS IS THE SKETCH ARTIST'S RENDITION OF BOB, 686 00:27:54,473 --> 00:27:56,943 BASED ON LAURA'S DESCRIPTION. 687 00:27:56,976 --> 00:27:58,845 - COULD THIS GUY LOOK ANY MORE 688 00:27:58,878 --> 00:28:00,947 LIKE A STEREOTYPICAL COMIC BOOK VILLAIN? 689 00:28:00,980 --> 00:28:02,248 - GREAT, THANKS GUYS. 690 00:28:02,281 --> 00:28:04,884 SO LISTEN TO THIS-- A GUY NAMED BOB 691 00:28:04,917 --> 00:28:06,452 CALLED IN TO THE CROCK SHOW A FEW WEEKS AGO 692 00:28:06,485 --> 00:28:08,020 AND HAD SOME CHOICE WORDS FOR HIM, 693 00:28:08,054 --> 00:28:10,790 RIGHT AFTER A LONG ON-AIR EXCHANGE WITH LAURA. 694 00:28:10,823 --> 00:28:12,258 THE TECH LAB GUYS JUST MATCHED 695 00:28:12,291 --> 00:28:15,027 THE GRAVELLY VOICE FROM THE RECORDING OF CROCK'S MURDER 696 00:28:15,061 --> 00:28:16,796 WITH BOB'S VOICE FROM A FEW WEEKS AGO. 697 00:28:16,829 --> 00:28:19,799 - THAT'S FANTASTIC. SOMEWHERE IN BOB'S DELUDED MIND, 698 00:28:19,832 --> 00:28:20,833 HE THOUGHT HE'D HAVE A CHANCE WITH LAURA 699 00:28:20,867 --> 00:28:22,969 IF HE ELIMINATED ALL THE PEOPLE THAT SHE ADORES, 700 00:28:23,002 --> 00:28:23,936 FIRST BY KILLING CROCK... 701 00:28:23,970 --> 00:28:25,738 - THEN BY TRYING TO KILL GUS. 702 00:28:25,772 --> 00:28:28,040 I BET YOU BOB WILL STRIKE AGAIN THE NEXT TIME 703 00:28:28,074 --> 00:28:30,777 HE HEARS LAURA GUSHING OVER SOMEONE--ANYONE ON-AIR. 704 00:28:30,810 --> 00:28:31,944 - A STING. 705 00:28:31,978 --> 00:28:33,813 - NO, WE SHOULD SET A TRAP. 706 00:28:33,846 --> 00:28:36,015 - WE SHOULD CREATE A SITUATION THAT SEEMS LIKE ONE THING, 707 00:28:36,048 --> 00:28:37,917 AND THEN... [squeaks] SPIDER FLY. 708 00:28:37,950 --> 00:28:42,254 - BUT WHO DO WE USE AS BAIT? 709 00:28:42,288 --> 00:28:44,056 - AWWWW... 710 00:28:44,090 --> 00:28:45,091 - YEEEAAAH. 711 00:28:45,124 --> 00:28:46,959 SANTA BARBARA, 712 00:28:46,993 --> 00:28:49,962 YOU ARE ENTERING THE SMOOTH STORM. 713 00:28:49,996 --> 00:28:52,064 [thunder effects] CAN LOVE LIGHTNING 714 00:28:52,098 --> 00:28:53,966 BE CAUGHT IN A MAN BOTTLE? 715 00:28:54,000 --> 00:28:57,904 THE ANSWER WHEN WE RETURN AFTER THIS COMMERCIAL BREAK. 716 00:28:57,937 --> 00:28:59,405 [chuckles] 717 00:28:59,438 --> 00:29:01,908 - NICE. - [sobbing] NO. 718 00:29:01,941 --> 00:29:04,844 NO! NO! NO! NO! NO! I CAN'T DO IT. 719 00:29:04,877 --> 00:29:06,979 THE MAN IS A LIVING COMIC BOOK VILLAIN, SHAWN! 720 00:29:07,013 --> 00:29:07,980 - I KNOW, IT'S RIDICULOUS, 721 00:29:08,014 --> 00:29:09,348 BUT YOU GOTTA RELAX. 722 00:29:09,381 --> 00:29:10,983 YOU'RE WEARING A BULLETPROOF VEST. 723 00:29:11,017 --> 00:29:13,052 WE GOT YOU COVERED HERE. ISN'T THAT RIGHT, LASSIE? 724 00:29:13,085 --> 00:29:15,021 - WELL, YEAH, PROVIDED GUSTER STICKS TO THE PLAN 725 00:29:15,054 --> 00:29:16,789 AND DOESN'T SCREW UP. 726 00:29:16,823 --> 00:29:18,024 WE GOT THE PERIMETER OF THE STATION MONITORED, 727 00:29:18,057 --> 00:29:19,191 AND THE PHONE LINES ARE TAPPED. 728 00:29:19,225 --> 00:29:21,460 WE'LL GET THIS BASTARD. - YOU SEE? 729 00:29:21,493 --> 00:29:23,029 YOU ARE SAFE AND SOUND. 730 00:29:23,062 --> 00:29:24,931 NOW, REMEMBER, WHEN LAURA CALLS IN, 731 00:29:24,964 --> 00:29:27,199 YOU KEEP HER ON THE LINE AS LONG AS YOU CAN. 732 00:29:27,233 --> 00:29:29,869 YOU MAKE IT HOT, YOU MAKE IT WET, 733 00:29:29,902 --> 00:29:31,137 YOU MAKE IT SMOOTH. 734 00:29:31,170 --> 00:29:34,306 - HOT, WET, AND SMOOTH. - THAT'S RIGHT. 735 00:29:34,340 --> 00:29:36,408 WE GOTTA GET BOB ALL RILED UP, SO HE TRIES TO KILL YOU AGAIN. 736 00:29:36,442 --> 00:29:38,110 - YOU'RE NOT HELPING, SHAWN! 737 00:29:38,144 --> 00:29:41,580 - WE'RE BACK IN FIVE, FOUR, THREE-- 738 00:29:41,613 --> 00:29:44,416 - [laughs] 739 00:29:44,450 --> 00:29:46,118 AND THE ANSWER IS IN. 740 00:29:46,152 --> 00:29:49,321 LOVE LIGHTNING CAN BE CAUGHT IN A MAN BOTTLE, 741 00:29:49,355 --> 00:29:53,492 AND THE LABEL READS, "A PLAYER NAMED GUS." 742 00:29:53,525 --> 00:29:56,963 SO CALL IF YOU'VE GOT A STORY OF ELECTRIC LOVE. 743 00:29:56,996 --> 00:29:59,098 - THAT'S OUR CUE. 744 00:29:59,131 --> 00:30:01,067 [dials on phone] 745 00:30:01,100 --> 00:30:03,202 - WE HAVE LAURA ON LINE ONE. 746 00:30:03,235 --> 00:30:05,104 - THIS IS GO TIME. 747 00:30:05,137 --> 00:30:07,874 - I DON'T HAVE A STORY OF ELECTRIC LOVE, 748 00:30:07,907 --> 00:30:10,877 BUT I DO HAVE A FANTASY OF ONE... 749 00:30:10,910 --> 00:30:13,479 WITH YOU, A PLAYER NAMED GUS. [giggles] 750 00:30:13,512 --> 00:30:15,948 - OHH, BABY! 751 00:30:15,982 --> 00:30:20,987 WELL, A PLAYER NAMED GUS HAS 100,000 VOLTS OF LOVE FOR YOU, 752 00:30:21,020 --> 00:30:25,491 AND MY CURRENTS RUN DEEP, IF YOU KNOW WHAT I MEAN. 753 00:30:25,524 --> 00:30:26,859 - WHAT DO YOU MEAN? 754 00:30:26,893 --> 00:30:28,327 - REALLY, SHAWN? 755 00:30:28,360 --> 00:30:30,596 YOU'RE GONNA CHOOSE NOW TO SOMETHING ABOUT ANYTHING? 756 00:30:30,629 --> 00:30:35,101 - WELL, WHEN CAN I SEE YOU, SO WE CAN BLOW UP THE POWER GRID? 757 00:30:35,134 --> 00:30:38,971 - YEAH, I'M, UH, JUST-- I'M GOING TO ANOTHER ROOM. 758 00:30:39,005 --> 00:30:42,474 - SOMEBODY CALL CON EDISON AND PREPARE FOR A BLACKOUT 759 00:30:42,508 --> 00:30:44,510 'CAUSE A PLAYER NAMED GUS AND LAURA 760 00:30:44,543 --> 00:30:47,179 ARE GONNA MAKE THE LIGHTS GO OUT IN THIS CITY. 761 00:30:47,213 --> 00:30:52,985 AWWWW, YEEEAAAH. 762 00:30:53,019 --> 00:30:55,988 - HEY, YOU CAN'T GO IN THERE. 763 00:30:56,022 --> 00:30:58,090 YOUR BOYFRIEND'S HELPING WITH A POLICE STING. 764 00:30:58,124 --> 00:31:01,093 - HE DIDN'T MENTION ANYTHING TO ME ABOUT A STING. 765 00:31:01,127 --> 00:31:02,361 - OBVIOUSLY, THERE ARE A LOT OF THINGS 766 00:31:02,394 --> 00:31:04,030 HE HASN'T MENTIONED TO YOU. 767 00:31:04,063 --> 00:31:05,932 - [scoffs] - HEY! 768 00:31:05,965 --> 00:31:07,934 I JUST SAID YOU CAN'T GO IN THERE. 769 00:31:07,967 --> 00:31:10,669 - OH, YOU DIDN'T. - OH, YES, I DID. 770 00:31:10,702 --> 00:31:12,171 WHAT ARE YOU GONNA DO ABOUT IT? 771 00:31:12,204 --> 00:31:13,372 - OH-- - WHAT? 772 00:31:13,405 --> 00:31:15,074 WHAT ARE YOU GONNA DO ABOUT IT? 773 00:31:15,107 --> 00:31:16,242 - OH, MISSY, NO. I'M GOING TO PUSH YOU BACK. 774 00:31:16,275 --> 00:31:22,949 - MAKE A WISH! [cow bell taps] 775 00:31:22,982 --> 00:31:24,416 - OH! - HEY! HEY! HEY! HEY! HEY! 776 00:31:24,450 --> 00:31:26,518 RACHAEL! WHAT HAS GOTTEN INTO YOU? 777 00:31:26,552 --> 00:31:29,288 - [sighs] I KNOW I SAID I WAS OKAY, 778 00:31:29,321 --> 00:31:31,090 AND I'M ABSOLUTELY NOT FREAKING OUT, 779 00:31:31,123 --> 00:31:33,359 BUT I'M NOT OKAY, AND THAT'S WHY I CAME DOWN HERE. 780 00:31:33,392 --> 00:31:35,127 I'M NERVOUS AND CLEARLY A LITTLE JEALOUS, 781 00:31:35,161 --> 00:31:36,595 ESPECIALLY IF THIS MAN-EATING TROLLOP 782 00:31:36,628 --> 00:31:38,397 TRIES TO SHOPLIFT YOU THE SECOND I BOARD THAT PLANE! 783 00:31:38,430 --> 00:31:40,199 - WHAT DID SHE JUST CALL ME? - LADIES, 784 00:31:40,232 --> 00:31:42,168 THIS IS NOT THE WAY TO HANDLE THIS. 785 00:31:42,201 --> 00:31:44,203 RACHAEL, YOU ARE BRITISH AND SOPHISTICATED. 786 00:31:44,236 --> 00:31:45,671 MIRANDA, YOU ARE RICH 787 00:31:45,704 --> 00:31:48,540 AND...GOSH! BUT LOOK, 788 00:31:48,574 --> 00:31:50,409 AS MUCH AS THIS WOULD CHECK AN ITEM OFF OF MY BUCKET LIST, 789 00:31:50,442 --> 00:31:52,178 YOU TWO CANNOT FIGHT. 790 00:31:52,211 --> 00:31:54,180 - I JUST HAVE MORE TO SAY, AND I THINK, 791 00:31:54,213 --> 00:31:56,115 IF I DON'T LAY IT OUT, I DON'T BELIEVE WE'LL MAKE IT, 792 00:31:56,148 --> 00:31:58,050 AND I SO BADLY WANT US TO MAKE IT, GUS. 793 00:31:58,084 --> 00:32:00,352 - ME TOO, BOO, AND WE'LL TALK, I PROMISE, 794 00:32:00,386 --> 00:32:02,021 BUT RIGHT NOW, I HAVE TO GO 795 00:32:02,054 --> 00:32:03,589 FLIRT MY BUTT OFF WITH SOME WHITE WOMEN 796 00:32:03,622 --> 00:32:05,591 AND GET A COMIC BOOK VILLAIN TO SHOOT ME. 797 00:32:05,624 --> 00:32:11,030 PLAY NICE. 798 00:32:11,063 --> 00:32:13,132 - GUYS, WE HAVE BOB ON LINE ONE. 799 00:32:13,165 --> 00:32:15,501 - BE TOUGH, MAN. DON'T BE WEEPY-BOY SANTOS. 800 00:32:15,534 --> 00:32:17,003 - ALL RIGHT, GUSTER, KEEP HIM ON THE LINE. 801 00:32:17,036 --> 00:32:18,670 WE NEED 30 SECONDS MORE FOR THE TRACE. 802 00:32:18,704 --> 00:32:22,741 - AWWWW, YEEEAAAH, BOB. 803 00:32:22,774 --> 00:32:26,112 TELL A PLAYER NAMED GUS WHAT'S ON YOUR MIND. 804 00:32:26,145 --> 00:32:29,615 - I'VE BEEN LISTENING TO YOU TRYING TO SMOOTH-TALK LAURA. 805 00:32:29,648 --> 00:32:31,683 SHE DOESN'T WANT SOMEONE LIKE YOU. 806 00:32:31,717 --> 00:32:32,985 - KEEP HIM TALKING. WE ALMOST GOT HIM. 807 00:32:33,019 --> 00:32:37,656 - WHOA, WHOA, WHOA, BOB. CALM DOWN. 808 00:32:37,689 --> 00:32:39,625 I THINK LAURA HAS MADE IT CLEAR 809 00:32:39,658 --> 00:32:42,328 THE KIND OF PERSON SHE WANTS AND WHO SHE DOESN'T. 810 00:32:42,361 --> 00:32:45,497 - OOH-OOH! 811 00:32:45,531 --> 00:32:48,000 - ALMOST THERE. 812 00:32:48,034 --> 00:32:50,302 GOT HIM. 813 00:32:50,336 --> 00:32:55,174 OH, NO. 814 00:32:55,207 --> 00:32:57,676 [phone ringing] 815 00:32:57,709 --> 00:32:59,778 - O'HARA. - O'HARA, WE TRACED BOB'S CALL. 816 00:32:59,811 --> 00:33:01,647 HE'S HEADED TOWARDS YOU. WE GOT IT WRONG. 817 00:33:01,680 --> 00:33:03,149 HE'S MAKING HIS MOVE AGAINST LAURA. 818 00:33:03,182 --> 00:33:06,052 - GOT IT. 819 00:33:06,085 --> 00:33:07,553 OKAY, BOB'S NEARBY. 820 00:33:07,586 --> 00:33:08,720 - [whines] 821 00:33:08,754 --> 00:33:19,065 - STAY PUT. 822 00:33:19,098 --> 00:33:29,141 [glass breaking] 823 00:33:29,141 --> 00:33:41,420 [glass breaking] 824 00:33:41,453 --> 00:33:44,423 UGH! 825 00:33:47,126 --> 00:33:48,394 - SO YOU GOT THAT? COOL. 826 00:33:48,427 --> 00:33:50,829 - JULES! OH, DEAR, DEAR GOODNESS. 827 00:33:50,862 --> 00:33:52,564 ARE YOU OKAY? - WHAT? 828 00:33:52,598 --> 00:33:54,833 - HERE, SIT. SIT IN THIS CHAIR, IT HAS A CUSHION. 829 00:33:54,866 --> 00:33:59,171 LOOK, I...AM...HERE... 830 00:33:59,205 --> 00:34:01,507 FOR...YOU. 831 00:34:01,540 --> 00:34:03,409 - OH, MY GOD, YOU THINK I HAVE BRAIN DAMAGE? 832 00:34:03,442 --> 00:34:04,776 - THERE'S A GOOD CHANCE THAT YOU DO, 833 00:34:04,810 --> 00:34:06,612 BUT I WILL NOT ABANDON YOU. 834 00:34:06,645 --> 00:34:08,514 - WHY DON'T YOU HAVE A SEAT, MISS? 835 00:34:08,547 --> 00:34:10,116 WE FOUND HER ABOUT THREE BLOCKS AWAY, 836 00:34:10,149 --> 00:34:12,618 HIDING IN SOME BUSHES. SHE RAN OUT THE BACK DOOR. 837 00:34:12,651 --> 00:34:14,186 YOU SURE YOU'RE OKAY, O'HARA? 838 00:34:14,220 --> 00:34:15,354 - OH, CONSIDERING I LET THE GUY GET THE JUMP ON ME, 839 00:34:15,387 --> 00:34:16,755 OH, YEAH, I'M JUST ACES. 840 00:34:16,788 --> 00:34:18,457 - OH, DON'T BE SO HARD ON YOURSELF. 841 00:34:18,490 --> 00:34:20,492 WE'VE ALL HAD OUR CLOCKS CLEANED BY A PERP AT LEAST ONCE. 842 00:34:20,526 --> 00:34:21,793 EXCEPT FOR ME, OF COURSE. 843 00:34:21,827 --> 00:34:23,129 - LASSIE! - DUDE. 844 00:34:23,162 --> 00:34:24,596 - DID YOU I.D. YOUR ASSAILANT? 845 00:34:24,630 --> 00:34:27,299 - WAS IT BOB? - THE PERP HIT ME FROM BEHIND. 846 00:34:27,333 --> 00:34:28,734 I DIDN'T GET A FACE. 847 00:34:28,767 --> 00:34:29,735 - I JUST CAN'T UNDERSTAND HOW HE GOT 848 00:34:29,768 --> 00:34:31,337 THROUGH THAT LITTLE WINDOW. 849 00:34:31,370 --> 00:34:33,139 YOU'RE SURE YOU LOCKED DOWN THE ENTIRE HOUSE? 850 00:34:33,172 --> 00:34:34,640 - OF COURSE I DID! I'M NOT A TOTAL MORON. 851 00:34:34,673 --> 00:34:45,484 - AND EVEN IF YOU WERE, I WOULD CLEAN UP YOUR MESSES. 852 00:34:45,517 --> 00:34:47,586 GUS, I NEED TO TALK TO YOU IN THE BATHROOM. 853 00:34:47,619 --> 00:34:49,188 - WHAT? YOU MUST BE OUT OF YOUR DAMN MIND. 854 00:34:49,221 --> 00:34:50,422 - DUDE, I JUST NEED YOUR EXPERTISE FOR A SECOND. 855 00:34:50,456 --> 00:34:51,790 NOW, COME ON. - I DON'T CARE. 856 00:34:51,823 --> 00:34:53,325 STAND IF IT'S ONE, SIT IF IT'S TWO. 857 00:34:53,359 --> 00:34:54,860 THAT'S ALL YOU'RE GETTING FROM ME, SHAWN. 858 00:34:54,893 --> 00:34:56,328 - I DON'T NEED TO USE THE BATHROOM, JUST-- 859 00:34:56,362 --> 00:34:57,663 - I'M NOT GOING TO THE BATHROOM WITH YOU. 860 00:34:57,696 --> 00:34:59,365 [overlapping bickering] - I DON'T CARE. 861 00:34:59,398 --> 00:35:00,732 - I CAN'T HAVE THIS CONVERSATION IN FRONT OF EVERYBODY! 862 00:35:00,766 --> 00:35:03,202 - THAT'S--THAT'S-- FINE! 863 00:35:03,235 --> 00:35:07,173 EXCUSE ME. 864 00:35:07,206 --> 00:35:11,777 MAN, THIS IS WEIRD, SHAWN, EVEN FOR YOU. 865 00:35:11,810 --> 00:35:14,180 - WHERE ARE YOU GOING? - WHAT? 866 00:35:14,213 --> 00:35:16,182 - WE DIDN'T REALLY COME UP HERE TO CROSS STREAMS, GUS. 867 00:35:16,215 --> 00:35:17,716 I HAVE A HUNCH. 868 00:35:17,749 --> 00:35:19,185 - OH. 869 00:35:19,218 --> 00:35:20,519 - YOU THINK WE'RE BACK AT CAMP TIKI-HAMA? 870 00:35:20,552 --> 00:35:22,388 COME ON, SON. 871 00:35:22,421 --> 00:35:25,691 WHOA. - DUDE. 872 00:35:25,724 --> 00:35:28,560 - LAURA'S AN ADDICT, GUS, A REAL PILL POPPER. 873 00:35:28,594 --> 00:35:29,695 I WONDER WHAT ELSE SHE'S INVOLVED IN. 874 00:35:29,728 --> 00:35:31,497 MURDER, PERHAPS? 875 00:35:31,530 --> 00:35:33,332 - THESE DRUGS AREN'T RECREATIONAL, SHAWN. 876 00:35:33,365 --> 00:35:34,900 - YOU CAN'T TAKE THESE IN A PARK OR AN ARCADE? 877 00:35:34,933 --> 00:35:36,702 - THESE ARE ANTIDEPRESSANTS, 878 00:35:36,735 --> 00:35:38,804 MOOD STABILIZERS, ANTIPSYCHOTICS. 879 00:35:38,837 --> 00:35:40,772 THESE ARE FOR A SERIOUS CONDITION. 880 00:35:40,806 --> 00:35:42,908 - WHAT CONDITION? 881 00:35:42,941 --> 00:35:45,944 JULES! OH, JULES. 882 00:35:45,977 --> 00:35:48,547 JULES, CAN YOU UNDERSTAND ME, SWEETHEART? 883 00:35:48,580 --> 00:35:51,917 WERE YOU WITH LAURA WHEN SHE CALLED IN TO GUS'S RADIO SHOW? 884 00:35:51,950 --> 00:35:54,420 - NO, I WAS RECHECKING ALL THE DOORS AND WINDOWS. 885 00:35:54,453 --> 00:35:56,488 - AND WHERE WAS LAURA WHEN YOU WERE ATTACKED 886 00:35:56,522 --> 00:35:58,257 AND ALMOST TURNED INTO A DELIGHTFUL DIMWIT 887 00:35:58,290 --> 00:35:59,925 WITH NO CONTROL OVER YOUR FACULTIES? 888 00:35:59,958 --> 00:36:01,960 - UH, SHE WAS IN THE NEXT ROOM. 889 00:36:01,993 --> 00:36:03,862 - WELL, I'M SENSING THAT CROCK'S KILLER, 890 00:36:03,895 --> 00:36:08,600 WHO IS ALSO JULIET'S ATTACKER, IS RIGHT HERE IN THIS ROOM. 891 00:36:08,634 --> 00:36:11,270 - THAT'S WHAT YOU TWO NIMRODS CAME UP WITH IN THE CRAPPER? 892 00:36:11,303 --> 00:36:12,404 THAT THE PERP IS ONE OF US? 893 00:36:12,438 --> 00:36:14,573 - NOT ONE OF US. 894 00:36:14,606 --> 00:36:16,608 ONE OF HER. 895 00:36:16,642 --> 00:36:17,809 - LAURA? - YUP. 896 00:36:17,843 --> 00:36:19,311 - LAURA IS BOB, AND BOB IS LAURA, 897 00:36:19,345 --> 00:36:20,746 AND WHO KNOWS HOW MANY OTHER PERSONALITIES 898 00:36:20,779 --> 00:36:22,848 YOU HAVE SWIMMING AROUND IN YOUR CUTE BUT CRAZY, 899 00:36:22,881 --> 00:36:25,751 AIMEE MANN-LOOKING FACE. AM I RIGHT? 900 00:36:25,784 --> 00:36:29,388 - YES AND NO. YES, I'VE HAD PROBLEMS IN THE PAST, 901 00:36:29,421 --> 00:36:31,323 BUT I TAKE MY MEDS RELIGIOUSLY. 902 00:36:31,357 --> 00:36:33,492 I'M IN A REALLY GOOD PLACE. 903 00:36:33,525 --> 00:36:35,227 - MAYBE LAURA'S IN A GOOD PLACE, 904 00:36:35,261 --> 00:36:36,895 BUT BOB IS AN ELI ROTH MOVIE. 905 00:36:36,928 --> 00:36:38,464 HE FLIPPED AND KILLED CROCK, 906 00:36:38,497 --> 00:36:40,332 AND HE DID IT ALL ON THE CHEAP IN ROMANIA. 907 00:36:40,366 --> 00:36:42,901 - THERE IS A BOB! A REAL BOB! 908 00:36:42,934 --> 00:36:44,436 - YEAH, AND PIGS FLY. 909 00:36:44,470 --> 00:36:45,437 - I KNEW IT! 910 00:36:45,471 --> 00:36:46,505 - WHAT? - LOOK. 911 00:36:46,538 --> 00:36:48,340 AS FAR AS CROCK KNEW, 912 00:36:48,374 --> 00:36:50,476 IT WAS LAURA WHO CAME TO THE STUDIO THAT DAY. 913 00:36:50,509 --> 00:36:51,910 HE HAD NO REASON TO BE ALARMED. 914 00:36:51,943 --> 00:36:53,479 IT WAS JUST A VISIT FROM HIS NUMBER ONE FAN 915 00:36:53,512 --> 00:36:56,248 WHO HE USED TO MAKE THE SPANKY-TANK-PANK DANCE WITH, 916 00:36:56,282 --> 00:36:57,983 BUT THAT DAY, YOU WERE BOB, 917 00:36:58,016 --> 00:37:00,519 AND BOB WAS JEALOUS OF LAURA'S RELATIONSHIP WITH CROCK, 918 00:37:00,552 --> 00:37:01,720 SO HE KILLED HIM. 919 00:37:01,753 --> 00:37:03,021 - HEY! WHAT THE HELL ARE YOU--? 920 00:37:03,054 --> 00:37:04,690 NO! PLEASE, DON'T! 921 00:37:04,723 --> 00:37:07,826 NO! [gunshots] 922 00:37:07,859 --> 00:37:10,829 - IT WAS YOU, AS BOB, WHO CALLED IN TO GUS'S RADIO SHOW, 923 00:37:10,862 --> 00:37:13,832 WHICH IS WHY LASSITER TRACED THE CALL BACK TO THIS AREA. 924 00:37:13,865 --> 00:37:17,303 AND IT WAS YOU, AS BOB, WHO ATTACKED JULIET, 925 00:37:17,336 --> 00:37:19,405 TRIED TO TURN HER INTO THE OTHER SISTER. 926 00:37:19,438 --> 00:37:21,873 - LAURA, BOB, WHOEVER ELSE IS IN THERE, 927 00:37:21,907 --> 00:37:23,375 WE'RE GONNA HAVE TO HEAD DOWN TO THE STATION 928 00:37:23,409 --> 00:37:27,579 BEFORE WE CAN CLEAR THIS UP. - LET'S GO. 929 00:37:27,613 --> 00:37:30,582 - PHEW! 930 00:37:30,616 --> 00:37:34,953 - WHAT? 931 00:37:34,986 --> 00:37:38,056 I HAVE TO SAY, THESE LAST TWO DAYS IN OUR RELATIONSHIP 932 00:37:38,089 --> 00:37:39,825 WERE PRETTY ROUGH. - WELL, 933 00:37:39,858 --> 00:37:41,927 I GUESS WE BOTH FLIPPED OUT A BIT, DIDN'T WE? 934 00:37:41,960 --> 00:37:43,562 - YEAH. 935 00:37:43,595 --> 00:37:44,896 - BUT WE CAN HANDLE THIS SEPARATION THING, RIGHT? 936 00:37:44,930 --> 00:37:47,766 - OH, YEAH. DEFINITELY. 937 00:37:47,799 --> 00:37:50,869 DON'T YOU THINK? - ABSOLUTELY, YES. NO DOUBT. 938 00:37:50,902 --> 00:37:52,971 [car horn honks] 939 00:37:53,004 --> 00:37:57,476 WELL, THAT'S MY TAXI. - YEAH. 940 00:37:57,509 --> 00:38:00,011 LOOK, NO MATTER WHAT HAPPENS, 941 00:38:00,045 --> 00:38:04,550 I'M SO HAPPY FOR THESE LAST FEW MONTHS I'VE HAD WITH YOU. 942 00:38:04,583 --> 00:38:07,819 AND TRUST ME, 943 00:38:07,853 --> 00:38:17,896 I WILL COUNT DOWN THE NEXT SIX MONTHS LIKE A STOPWATCH. 944 00:38:17,896 --> 00:38:22,968 I WILL COUNT DOWN THE NEXT SIX MONTHS LIKE A STOPWATCH. 945 00:38:23,001 --> 00:38:27,973 UM, CALL ME WHEN YOU LAND, SO I KNOW YOU GOT THERE SAFELY. 946 00:38:28,006 --> 00:38:29,975 - EXCEPT IT WILL BE IN THE MIDDLE OF THE NIGHT THERE. 947 00:38:30,008 --> 00:38:33,512 OH, YEAH. WELL, SEND ME A TEXT, OR EMAIL ME. 948 00:38:33,545 --> 00:38:35,481 YOU KNOW, IF YOU GET THE CHANCE. 949 00:38:35,514 --> 00:38:37,616 - I WILL. 950 00:38:37,649 --> 00:38:40,652 I'LL SEE YOU IN SIX MONTHS. 951 00:38:40,686 --> 00:38:53,432 - I'LL BE HERE. 952 00:38:53,465 --> 00:39:00,539 [knocking at the door] 953 00:39:00,572 --> 00:39:01,540 [whimpers] 954 00:39:01,573 --> 00:39:04,810 BOB? 955 00:39:04,843 --> 00:39:07,112 UGH! 956 00:39:09,781 --> 00:39:11,850 - O'HARA, SO HERE'S SOME STRANGE NEWS. 957 00:39:11,883 --> 00:39:13,051 I SPOKE WITH LAURA'S DOCTOR, WHO SAID 958 00:39:13,084 --> 00:39:14,953 SHE'S ACTUALLY DOING REALLY WELL. 959 00:39:14,986 --> 00:39:16,488 THE MEDS HAVE BEEN WORKING, AND NO OTHER PERSONALITIES 960 00:39:16,522 --> 00:39:17,889 HAVE SURFACED IN OVER TWO YEARS. 961 00:39:17,923 --> 00:39:19,925 - HMM. - MAYBE THERE REALLY IS A BOB. 962 00:39:19,958 --> 00:39:22,528 - TWO YEARS? 963 00:39:22,561 --> 00:39:25,964 GUS WAS SUPPOSED TO CALL ME WHEN HE GOT HOME. 964 00:39:25,997 --> 00:39:31,437 HE HASN'T CALLED. 965 00:39:31,470 --> 00:39:33,972 - LAURA WAS TELLING THE TRUTH ABOUT HAVING A STALKER? 966 00:39:34,005 --> 00:39:36,074 - STALKER? I LOVE HER. 967 00:39:36,107 --> 00:39:39,611 SHE JUST CAN'T SEE IT 'CAUSE PEOPLE KEEP GETTING IN THE WAY. 968 00:39:39,645 --> 00:39:41,046 - YOU KILLED CROCK, 969 00:39:41,079 --> 00:39:43,181 AND THEN YOU TOOK A SHOT AT ME AT THE STATION! 970 00:39:43,214 --> 00:39:44,916 - YOU'RE JUST FIGURING THIS OUT? 971 00:39:44,950 --> 00:39:46,752 - BREAKING DOWN A CASE IS HARDER THAN IT LOOKS! 972 00:39:46,785 --> 00:39:48,587 I'M TRYING TO REMEMBER STUFF THAT HAPPENED DAYS AGO 973 00:39:48,620 --> 00:39:50,155 AND KEEP TRACK OF WHAT'S GOING ON NOW. 974 00:39:50,188 --> 00:39:52,023 - YOU SHOULDN'T HAVE TRIED TO TAKE LAURA FROM ME. 975 00:39:52,057 --> 00:39:53,892 - I WASN'T TRYING TO TAKE YOUR GIRL, MAN! 976 00:39:53,925 --> 00:39:54,960 I ALREADY HAVE A GIRL. 977 00:39:54,993 --> 00:39:57,195 PLEASE, I HEARD YOU TALK ABOUT THAT ON THE RADIO. 978 00:39:57,228 --> 00:39:59,865 LIKE THAT'S GONNA LAST THE SIX MONTHS. 979 00:39:59,898 --> 00:40:00,699 [knocking at the door] 980 00:40:00,732 --> 00:40:02,701 - NO DOUBT THAT IS THE POLICE, BOB. 981 00:40:02,734 --> 00:40:03,969 IT'S TIME TO GIVE IT UP. 982 00:40:04,002 --> 00:40:06,772 - GUS, I HAPPENED TO BE IN THE NEIGHBORHOOD-- 983 00:40:06,805 --> 00:40:09,675 [gasps] 984 00:40:09,708 --> 00:40:11,142 - WHAT ARE YOU DOING HERE? 985 00:40:11,176 --> 00:40:13,912 - SEIZING AN OPPORTUNITY. - WHAT? 986 00:40:13,945 --> 00:40:15,547 - INDIAN GIRL'S ON THE PLANE, RIGHT? 987 00:40:15,581 --> 00:40:17,949 - OH, MY GOSH! YOU NEED JESUS. 988 00:40:17,983 --> 00:40:20,752 - THAT WOULD KIND OF RUIN THE MOOD. 989 00:40:20,786 --> 00:40:22,220 - UGH! - [screams] 990 00:40:22,253 --> 00:40:24,623 - [grunts] 991 00:40:24,656 --> 00:40:26,758 - I SEE YOU, BOB. 992 00:40:26,792 --> 00:40:29,060 YOU ARE UNDERAPPRECIATED. 993 00:40:29,094 --> 00:40:31,029 GOD, YOU'RE HUGE. 994 00:40:31,062 --> 00:40:33,031 - STOP TALKING. - I CAN'T. 995 00:40:33,064 --> 00:40:34,032 - I SAID SHUT UP! - [screams] 996 00:40:34,065 --> 00:40:35,233 - THAT'S ENOUGH, BOB! 997 00:40:35,266 --> 00:40:40,706 [urgent knocking at the door] - [gasps] 998 00:40:40,739 --> 00:40:43,842 - SON OF A-- [grunting] 999 00:40:43,875 --> 00:40:46,712 - GUS! HEY! HEY, HEY, HEY! 1000 00:40:46,745 --> 00:40:49,147 YOU DID GOOD, PLAYA. - DID I? 1001 00:40:49,180 --> 00:40:58,924 - AWWWW, YEEEAAAH. 1002 00:40:58,957 --> 00:41:01,693 - WELL, I'M GLAD YOU AND MAX LANDED SAFELY. 1003 00:41:01,727 --> 00:41:03,495 DID HE GET THE SURPRISE I LEFT IN HIS BAG? 1004 00:41:03,529 --> 00:41:05,664 - NOT YET. HE SLEPT MOST OF THE FLIGHT. 1005 00:41:05,697 --> 00:41:08,867 - OH. OH, WAIT TILL I TELL YOU WHAT HAPPENED. 1006 00:41:08,900 --> 00:41:13,138 - [gasps] DADDY! YOU SURPRISED US! 1007 00:41:13,171 --> 00:41:16,608 - YOU KNOW WHAT, ANOTHER TIME. 1008 00:41:16,642 --> 00:41:19,545 - YOU KNOW MAX REALLY ENJOYED SPENDING TIME WITH YOU, RIGHT? 1009 00:41:19,578 --> 00:41:24,082 - YEAH, BUT I KNOW IT'S NOT THE SAME. 1010 00:41:24,115 --> 00:41:26,585 - WELL, I GUESS WE BETTER-- 1011 00:41:26,618 --> 00:41:28,153 - YEAH. 1012 00:41:28,186 --> 00:41:29,988 CALL ME WHEN YOU GET A CHANCE. 1013 00:41:30,021 --> 00:41:34,826 - I WILL. 1014 00:41:34,860 --> 00:41:36,027 [farting] 1015 00:41:36,061 --> 00:41:37,295 - SHAWN. 1016 00:41:37,328 --> 00:41:38,930 - I'M SORRY. 1017 00:41:38,964 --> 00:41:40,832 I'M SORRY, I COULDN'T RESIST, MAN. 1018 00:41:40,866 --> 00:41:42,968 HOW COOL IS IT THAT MIRANDA GAVE US 1019 00:41:43,001 --> 00:41:45,771 CROCK'S SOUND EFFECTS PANEL AS A THANK-YOU GIFT? 1020 00:41:45,804 --> 00:41:46,938 - [scoffs] I HAVE A FEELING 1021 00:41:46,972 --> 00:41:48,540 I'M GOING TO BE THE ONE TO REGRET IT. 1022 00:41:48,574 --> 00:41:50,976 - I'VE BEEN THERE, BUDDY, IT SUCKS. 1023 00:41:51,009 --> 00:41:52,944 YOU LOOK LIKE YOU COULD USE SOME TIME ALONE. 1024 00:41:52,978 --> 00:41:58,850 YOU KNOW WHAT? I'LL HIT THE BRICKS. 1025 00:41:58,884 --> 00:42:04,890 [footsteps] 1026 00:42:04,923 --> 00:42:06,758 [door opening and closing] 1027 00:42:06,792 --> 00:42:09,728 [car starting] 1028 00:42:09,761 --> 00:42:11,296 [mouthing words] 1029 00:42:11,329 --> 00:42:12,564 [engine revving, tires screeching] 1030 00:42:12,598 --> 00:42:14,332 - REALLY? 1031 00:42:14,365 --> 00:42:15,867 - ALL RIGHT, I'M DONE. THAT'S IT. 1032 00:42:15,901 --> 00:42:18,904 JUST TRYING TO LIGHTEN THE MOOD. I'M DONE. 1033 00:42:18,937 --> 00:42:23,008 - COOL. 1034 00:42:23,041 --> 00:42:23,108 [tires screeching, crash] SHAWN.