1
00:00:00,300 --> 00:00:03,300
Uploaded by Alooloo
Ali-rabeh@hotmail.com
2
00:00:06,900 --> 00:00:09,000
are you crying, mommy?
3
00:00:13,100 --> 00:00:15,700
oh. no, sweetheart.
4
00:00:16,300 --> 00:00:17,200
here.
5
00:00:17,200 --> 00:00:18,400
lay down, sweetheart.
6
00:00:19,600 --> 00:00:21,900
mommy is so happy
to see you.
7
00:00:24,800 --> 00:00:27,100
do you know how much
mommy loves you, sammy?
8
00:00:27,400 --> 00:00:30,000
will you sing me
the sandman song?
9
00:00:30,000 --> 00:00:33,600
* the sandman's coming
from a distant star *
10
00:00:33,900 --> 00:00:37,400
* his silver ship
has taken him far *
11
00:00:38,100 --> 00:00:41,800
* so go to sleep,
that's what sandmen do *
12
00:00:42,200 --> 00:00:46,200
* in your dreams
you'll be a sandman, too *
13
00:00:56,800 --> 00:00:59,900
president nixon called
for a manhattan project on energy
14
00:01:00,100 --> 00:01:03,200
so the country
can meet its energy needs by the end of the decade
15
00:01:03,300 --> 00:01:05,400
without reliance
on foreign oil.
16
00:01:05,400 --> 00:01:08,100
if the congress does not act
upon these proposals,
17
00:01:08,100 --> 00:01:11,200
increasing the domestic...
just resign already, will ya?
18
00:01:11,200 --> 00:01:15,000
to create its energy. you know you're
going to. i know you're going to.
19
00:01:15,000 --> 00:01:17,700
at the mercy of the producers
of oil in the mid east.
20
00:01:17,700 --> 00:01:20,100
listen, breaking our reliance
on oil and gas
21
00:01:20,100 --> 00:01:25,000
is not gonna happen overnight... by
saying, "we are a nation addicted to oil. "
22
00:01:29,400 --> 00:01:30,200
good one!
23
00:01:31,000 --> 00:01:33,100
* has taken him far
24
00:01:34,100 --> 00:01:37,700
* the sandman's coming
from a distant star *
25
00:01:37,700 --> 00:01:41,300
* his silver ship
has taken him far *
26
00:01:41,300 --> 00:01:43,700
hey! * the sandman's
coming from a distant star *
27
00:01:43,700 --> 00:01:44,500
hey!
28
00:01:45,000 --> 00:01:48,600
hey, wait a minute! * his
silver ship has taken him far *
29
00:01:48,600 --> 00:01:50,800
hey, wait up!
* the sandman's coming...
30
00:01:52,300 --> 00:01:55,800
* no, i would not give you
false hope * i want my money.
31
00:01:56,300 --> 00:01:58,500
* on this strange
and mournful day *
32
00:01:58,500 --> 00:02:00,200
hear what i said? let go of
my arm! you're hurting me!
33
00:02:00,200 --> 00:02:01,600
just get in the car
before i get...
34
00:02:01,600 --> 00:02:04,500
shut up and get in the car.
hey! let go of the lady now.
35
00:02:04,500 --> 00:02:06,700
hey, buddy, buddy, why don't
you mind your own business?
36
00:02:06,700 --> 00:02:08,200
it's no concern of you.
i'm a cop.
37
00:02:08,200 --> 00:02:10,600
congratulations.
i'm very impressed. get lost.
38
00:02:11,400 --> 00:02:15,800
get the-ohh! just let me
know when you're impressed.
39
00:02:16,400 --> 00:02:17,300
how about now?
40
00:02:17,600 --> 00:02:18,700
i'm gettin' there.
41
00:02:21,100 --> 00:02:22,100
excuse me.
42
00:02:22,100 --> 00:02:23,900
* they say let it be
43
00:02:25,100 --> 00:02:28,800
* but it just don't work out
that way *
44
00:02:29,000 --> 00:02:30,100
mom?
45
00:02:36,200 --> 00:02:38,100
hey, sizable ted.
how you doing?
46
00:02:38,200 --> 00:02:40,200
you mind telling
this boy scout who i am?
47
00:02:40,300 --> 00:02:43,700
"nicholas profaci" is being
charged with the assault
48
00:02:44,000 --> 00:02:46,900
and attempted kidnapping of
this woman. this isn't necessary.
49
00:02:46,900 --> 00:02:48,000
sam.
what?
50
00:02:48,000 --> 00:02:50,700
you may want to, uh... never
mind. give me a minute. thanks.
51
00:02:50,700 --> 00:02:52,600
keep an eye on him. if he
so much as twists the ring
52
00:02:52,600 --> 00:02:55,400
on his pinkie finger, i want
you to shoot him. sam, he's-
53
00:02:55,400 --> 00:02:58,400
look, i don't want to cause any trouble.
it's no trouble. it's no trouble.
54
00:03:00,400 --> 00:03:01,600
you keep staring at me
like that,
55
00:03:01,600 --> 00:03:04,000
your eyeballs are gonna fall
out of your head, skelton.
56
00:03:04,900 --> 00:03:05,900
???
57
00:03:06,200 --> 00:03:09,500
??? uh, rose a cup of coffee?
58
00:03:09,500 --> 00:03:11,800
sure.
okay. have a seat.
59
00:03:11,800 --> 00:03:14,100
we-we were just talking.
there was no kidnapping
60
00:03:14,100 --> 00:03:16,000
or anything like that.
i know what i saw.
61
00:03:16,500 --> 00:03:20,400
you must be pretty shaken, rose. i'm fine,
really. please, i don't want to be here.
62
00:03:21,600 --> 00:03:23,200
i don't want
to be here either.
63
00:03:24,800 --> 00:03:27,200
that's why i really need
to talk to you.
64
00:03:29,000 --> 00:03:30,400
i'm...
65
00:03:37,300 --> 00:03:38,500
hold tight for a minute.
66
00:03:38,800 --> 00:03:40,700
annie,
keep rose comfortable.
67
00:03:41,400 --> 00:03:43,400
um...
are you okay?
68
00:03:43,400 --> 00:03:44,900
not really, no.
69
00:03:48,700 --> 00:03:49,800
125th. can i help you?
70
00:03:53,200 --> 00:03:54,700
where the hell
did he go, chris?
71
00:03:55,600 --> 00:03:58,300
well, you weren't really serious
about shooting him, were you?
72
00:04:03,300 --> 00:04:06,000
5 bus? come on!
for "easy edna"?
73
00:04:06,500 --> 00:04:09,100
besides, i mean, i was only
with her for a half an hour.
74
00:04:09,100 --> 00:04:12,400
28 minutes of that was probably
hagglin' over the price. yeah, it was,
75
00:04:12,400 --> 00:04:14,900
because 5 bucks-that's
a t-bone at peter luger's.
76
00:04:14,900 --> 00:04:17,500
and your johnson don't fall
off. yeah, but you gotta tip.
77
00:04:17,500 --> 00:04:18,800
oh, no,
i gave her a tip.
78
00:04:18,800 --> 00:04:21,300
i said, "edna, next time
don't grunt so much. "
79
00:04:22,500 --> 00:04:23,500
i can't take her.
80
00:04:25,400 --> 00:04:27,700
and what can we do for you,
detective tyler?
81
00:04:28,700 --> 00:04:29,900
he's my prisoner.
82
00:04:30,600 --> 00:04:32,100
when he's done
with his drink.
83
00:04:32,900 --> 00:04:35,500
i collared him abducting my...
84
00:04:36,600 --> 00:04:38,200
a woman off the street.
85
00:04:38,200 --> 00:04:39,400
jeez, nicky, for 5 bucks,
86
00:04:39,400 --> 00:04:41,400
you'd think she'd just
get in the car with you.
87
00:04:43,000 --> 00:04:45,700
sam? sam? that woman rose-
she just walked out.
88
00:04:45,700 --> 00:04:46,800
couldn't stop her.
89
00:04:46,800 --> 00:04:49,400
* i would not give you false hope * * no
90
00:04:49,400 --> 00:04:52,900
* on this strange
and mournful day *
91
00:04:52,900 --> 00:04:53,700
ma?
92
00:04:53,700 --> 00:04:55,700
* but the mother and child
rose?
93
00:04:55,700 --> 00:04:57,800
* reunion
mom!
94
00:04:57,800 --> 00:05:02,000
* is only a motion away
95
00:05:02,000 --> 00:05:03,500
My name is Sam Tyler
96
00:05:03,700 --> 00:05:06,800
i was in an accident,
and i woke up in 1973.
97
00:05:07,500 --> 00:05:09,500
i don't know how
or why i'm here.
98
00:05:10,000 --> 00:05:11,400
but whatever's happened,
99
00:05:11,400 --> 00:05:13,600
it's like i've landed
on a different planet.
100
00:05:13,600 --> 00:05:17,300
now maybe if i can work out
the reason, i can get home.
101
00:05:18,700 --> 00:05:21,700
-==http://www.ragbear.com==-
火星生活 第一季第4集
102
00:05:21,700 --> 00:05:25,300
-=破烂熊字幕组=-
时间轴：里知 松鼠
103
00:05:25,300 --> 00:05:28,600
all right. put me down for
50 on red rum in the 9th.
104
00:05:28,600 --> 00:05:32,400
i don't mind taking your money. no, i got an
itch between my toes. that means it's a winner.
105
00:05:32,400 --> 00:05:34,700
you know, they make an ointment for
that, carling. what are you doing?
106
00:05:34,700 --> 00:05:38,000
i'm having a private conversation
with my friend. yeah, we, turn around,
107
00:05:38,000 --> 00:05:39,500
'cause "goodfellas" here
is still in custody.
108
00:05:39,500 --> 00:05:43,300
hey, your lady took off, tyler.
you got no victim, no witness.
109
00:05:43,300 --> 00:05:45,200
in the eyes of the law,
nothin' happened.
110
00:05:46,200 --> 00:05:47,800
red rum in the 9th.
111
00:05:47,800 --> 00:05:49,400
say hi to louise.
i will.
112
00:05:49,700 --> 00:05:54,000
listen, take care of yourself,
huh? don't go near that woman again.
113
00:05:54,000 --> 00:05:55,600
do you understand?
do you understand?
114
00:05:55,600 --> 00:05:57,600
tyler!
you understand?
115
00:05:57,600 --> 00:05:59,500
release the man!
you understand?
116
00:06:00,900 --> 00:06:02,100
on your way.
117
00:06:03,500 --> 00:06:05,700
hey, take care.
i'll see you around.
118
00:06:05,700 --> 00:06:06,900
and don't push it!
119
00:06:09,100 --> 00:06:11,200
so this is the way
it works around here.
120
00:06:11,200 --> 00:06:14,100
look, it ain't news he's
an unpleasant little scrotum.
121
00:06:14,400 --> 00:06:17,200
but the man is a necessary evil,
a devil i know.
122
00:06:17,500 --> 00:06:18,900
yeah, i'm waiting
for the punch line.
123
00:06:19,400 --> 00:06:22,500
profaci works for elliot
casso. who's elliot casso?
124
00:06:22,500 --> 00:06:25,900
you don't know who elliot casso is?
well, if i did, i wouldn't have asked,
125
00:06:25,900 --> 00:06:30,000
"who's elliot casso?"he's a local b
uh, remarkable insight
126
00:06:30,000 --> 00:06:32,500
into the criminal mind.
you mean he's a gangster.
127
00:06:33,000 --> 00:06:36,300
he owns a nightclub,
tyler. it's not "the godfather. "
128
00:06:37,700 --> 00:06:39,500
look, i don't know
how things work in hyde,
129
00:06:39,500 --> 00:06:41,200
but this is the 1-2-5.
130
00:06:41,200 --> 00:06:43,300
the animals run wild
in the stree.
131
00:06:43,300 --> 00:06:47,200
we gotta have checks and balances.
what the hell does that mean?
132
00:06:47,600 --> 00:06:50,800
elliot tips us to robbery crews,
killers at large,
133
00:06:50,800 --> 00:06:52,200
all kinds of bad guys.
134
00:06:52,300 --> 00:06:56,100
we've got more felony arrests
in this squad ???
135
00:06:56,700 --> 00:07:00,000
so we don't touch
casso's pit bull-nick profaci-
136
00:07:00,000 --> 00:07:03,400
while he's still holding the
leash. checks and balances.
137
00:07:06,200 --> 00:07:07,500
yeah, marino here.
138
00:07:11,400 --> 00:07:13,200
i thought you might
want to see these,
139
00:07:13,200 --> 00:07:15,100
due to your run-in
with nick profaci.
140
00:07:22,100 --> 00:07:24,100
both women were pulled
from the east river
141
00:07:24,100 --> 00:07:25,900
within about a month
of each other.
142
00:07:27,000 --> 00:07:28,900
profaci was
a suspect in these?
143
00:07:29,500 --> 00:07:31,300
he was last seen
with both of them.
144
00:07:31,800 --> 00:07:33,300
ray caught the cases.
145
00:07:33,400 --> 00:07:36,400
he said the investigations
stalled due to lack of evidence.
146
00:07:36,600 --> 00:07:37,800
they never try too hard
147
00:07:37,800 --> 00:07:40,000
when it comes to casso,
profaci and that crew.
148
00:07:42,400 --> 00:07:43,500
linda cooper...
149
00:07:43,900 --> 00:07:47,000
amy savitsky...
both early 20s,
150
00:07:47,100 --> 00:07:48,800
gunshot wounds to the head.
151
00:07:49,300 --> 00:07:51,600
cooper was a dancer
at casso's club.
152
00:07:51,900 --> 00:07:55,000
savitsky was a waitress.
she had a kid.
153
00:07:55,400 --> 00:07:57,200
even that didn't matter
to these guys.
154
00:07:58,400 --> 00:07:59,800
a 4-year-old boy.
155
00:08:02,500 --> 00:08:04,700
the woman that came in
this morning-ro tyler-
156
00:08:06,600 --> 00:08:07,800
do you have
an address for her?
157
00:08:08,100 --> 00:08:08,900
yeah.
158
00:08:11,900 --> 00:08:12,900
mrs. tyler?
159
00:08:13,600 --> 00:08:14,700
hi again.
160
00:08:17,500 --> 00:08:20,500
um, we-we never
got a chance to talk.
161
00:08:20,500 --> 00:08:22,500
i- i told you nothing happened,
all right?
162
00:08:22,500 --> 00:08:23,600
i don't need any help.
163
00:08:26,500 --> 00:08:28,500
profaci's not
in custody anymore.
164
00:08:28,700 --> 00:08:31,400
i can't guarantee i'll be there
next time he comes around.
165
00:08:42,300 --> 00:08:44,400
uh, apologies for the mess.
166
00:08:44,600 --> 00:08:46,900
uh, sammy's my little boy.
167
00:08:47,100 --> 00:08:49,000
should have a hurricane
named after him.
168
00:08:49,300 --> 00:08:50,200
where is he?
169
00:08:50,200 --> 00:08:53,900
oh, he's asleep. came home
from the sitr with the flu-
170
00:08:53,900 --> 00:08:55,100
102 fever.
171
00:08:56,000 --> 00:08:57,200
would you like
a cup of coffee?
172
00:08:57,200 --> 00:09:00,800
um... that'd be great.
173
00:09:00,800 --> 00:09:03,500
thanks. i
- i'm sorry i didn't thank you for before,
174
00:09:03,500 --> 00:09:07,200
but i-oh, you know,
i don't even know your name.
175
00:09:07,700 --> 00:09:08,600
my name?
176
00:09:08,900 --> 00:09:12,000
it's, uh, s-sky... walker.
177
00:09:12,000 --> 00:09:13,600
luke skywalker.
178
00:09:13,600 --> 00:09:15,100
that's an unusual name.
179
00:09:15,100 --> 00:09:19,200
yeah, my family has, um...
navajo roots.
180
00:09:19,200 --> 00:09:21,500
well, sammy will, uh,
be disappointed
181
00:09:21,500 --> 00:09:23,200
that he missed you,
detective skywalker.
182
00:09:23,200 --> 00:09:26,600
he wants tbe a policeman
when he grows up.
183
00:09:26,800 --> 00:09:27,600
he will be.
184
00:09:28,200 --> 00:09:30,100
you have a nice home,
mrs. tyler.
185
00:09:30,100 --> 00:09:32,900
how long have you lived here?
oh, only a few months.
186
00:09:32,900 --> 00:09:35,100
we've moved around a lot
the last couple of years.
187
00:09:35,100 --> 00:09:37,800
my husband's
changed jobs a few times.
188
00:09:38,200 --> 00:09:40,900
he's a salesman.
cleaning products.
189
00:09:41,500 --> 00:09:44,700
that's right. how did you
know that? it's in the files.
190
00:09:45,200 --> 00:09:48,200
ugh. the neighbor's dog
barks nonstop.
191
00:09:48,200 --> 00:09:48,900
murdoch.
192
00:09:48,900 --> 00:09:52,400
how did you know that?
oh, yeah.
193
00:09:52,400 --> 00:09:55,000
we've-we've had some,
uh, complaints about him
194
00:09:55,000 --> 00:09:57,100
from the other neighbors.
they send a dective for that?
195
00:09:57,100 --> 00:09:59,000
noise pollution is a crime,
mrs. tyler.
196
00:10:02,100 --> 00:10:04,100
so... you want to tell me
197
00:10:04,100 --> 00:10:06,600
why profaci was
roughing you up like that?
198
00:10:10,500 --> 00:10:13,300
vic had a...
a rough month in june.
199
00:10:13,800 --> 00:10:15,700
the company wouldn't
give him another advance.
200
00:10:15,700 --> 00:10:19,800
so he went to a loan shark? no,
i did. it was stupid, i know.
201
00:10:19,800 --> 00:10:22,000
i took the loan from a guy
from the neighborhood.
202
00:10:22,000 --> 00:10:25,700
he's a very nice man, but i had no
idea who he worked for. nick profaci.
203
00:10:25,700 --> 00:10:28,400
my husband vic kept having
to go out on the road,
204
00:10:28,400 --> 00:10:30,900
and i just thought
with a little extra money,
205
00:10:30,900 --> 00:10:32,500
he could stay home
a little longer.
206
00:10:34,000 --> 00:10:35,700
sammy misses his father.
207
00:10:38,000 --> 00:10:40,600
i told vic that
a distant aunt had passed away,
208
00:10:40,600 --> 00:10:41,700
left me some money.
209
00:10:46,400 --> 00:10:47,700
why are you
looking at me like that?
210
00:10:49,100 --> 00:10:50,500
sorry. um...
211
00:10:52,100 --> 00:10:55,500
you just remind me of someone
from a long time ago...
212
00:10:56,900 --> 00:10:58,100
when i was a kid.
213
00:11:03,100 --> 00:11:04,200
so how are you?
214
00:11:05,700 --> 00:11:06,900
how is everything?
215
00:11:09,200 --> 00:11:10,600
uh, i don't understand
the question.
216
00:11:10,600 --> 00:11:13,100
i mean, aside from the fact that
you took money from a thug,
217
00:11:13,200 --> 00:11:15,100
and your husband's never home,
how are you?
218
00:11:16,500 --> 00:11:19,500
that's a very odd question,
detective skywalker.
219
00:11:19,800 --> 00:11:20,700
sorry.
220
00:11:21,800 --> 00:11:24,400
it's been a very odd day.
mommy?
221
00:11:24,900 --> 00:11:27,600
oh. sammy's awake. he-he would
really love to meet you.
222
00:11:28,000 --> 00:11:30,200
no, that's-that's okay.
i gotta get going.
223
00:11:30,300 --> 00:11:33,600
oh. thank you
for checking in on me.
224
00:11:33,600 --> 00:11:36,000
i'm gonna take care of
the situation, mrs. tyler.
225
00:11:37,200 --> 00:11:38,600
mommy?
226
00:11:39,200 --> 00:11:41,200
uh, it-be right there,
sweetheart.
227
00:11:45,000 --> 00:11:46,100
mommy!
228
00:11:47,000 --> 00:11:49,600
i had a bad dream.
i'm here.
229
00:11:51,200 --> 00:11:54,500
we are going to casso's club
tonight to mend the fences.
230
00:11:54,600 --> 00:11:56,200
oh, make no mistake, boss,
231
00:11:56,200 --> 00:11:59,500
if i see profaci, i'm gonna beat
him soft... are you listening to me?
232
00:11:59,500 --> 00:12:02,200
and then we're gonna have
a long talk about the two women he dumped in the east river.
233
00:12:02,700 --> 00:12:05,200
there's
no evidence he killed those twirls.
234
00:12:07,200 --> 00:12:08,800
what are you talkin' about?
235
00:12:10,000 --> 00:12:13,300
they went home with a different
tom, dick and harry every night.
236
00:12:13,300 --> 00:12:14,900
that's the avenue
of their demise.
237
00:12:14,900 --> 00:12:17,700
yeah, well, i'll be sure
to ask profaci all about it
238
00:12:17,700 --> 00:12:20,500
during our little sit-down. i don't
want a war in my precinct, tyler,
239
00:12:20,500 --> 00:12:23,900
so make love, not war.
240
00:12:30,300 --> 00:12:33,100
* jenny said that
she was just 5 years old *
241
00:12:33,100 --> 00:12:36,000
* there was nothing
happening at all *
242
00:12:39,300 --> 00:12:42,000
* every time
she puts on a radio *
243
00:12:42,000 --> 00:12:44,100
* there was nothing
going down at all *
244
00:12:44,100 --> 00:12:47,100
there he is-
man of the hour.
245
00:12:47,900 --> 00:12:50,100
they're upstairs.
yeah.
246
00:12:50,700 --> 00:12:53,800
* you know, she don't believe
what she heard at all *
247
00:12:56,600 --> 00:12:59,700
* she started shakin'
to that fine, fine music *
248
00:12:59,700 --> 00:13:02,000
* you know, her life
was saved by rock and roll *
249
00:13:02,000 --> 00:13:02,800
sam!
250
00:13:03,900 --> 00:13:04,700
annie!
251
00:13:06,500 --> 00:13:09,300
*... amputations,
you know, you could just *
252
00:13:09,300 --> 00:13:12,600
what are you doing here?
lee got us on the guest list.
253
00:13:12,600 --> 00:13:14,600
i've been dying
to check this place out.
254
00:13:15,100 --> 00:13:16,200
don't you just dig it?
255
00:13:16,200 --> 00:13:18,800
police business, no-nuts.
tyler ain't got time
256
00:13:18,800 --> 00:13:20,700
for any
off-duty jabberwocky.
257
00:13:20,700 --> 00:13:22,700
he's gotta make room
for all the humble pie
258
00:13:22,700 --> 00:13:24,100
he's gonna eat tonight.
259
00:13:26,000 --> 00:13:27,000
straight up.
260
00:13:33,600 --> 00:13:34,800
elliot!
261
00:13:35,200 --> 00:13:38,300
gene hunt! the jean genie,
lives on his back.
262
00:13:38,300 --> 00:13:41,200
good to see you. say hello
to detective sam tyler.
263
00:13:41,200 --> 00:13:43,600
hey, here's five good ones,
detective tyler.
264
00:13:43,600 --> 00:13:44,700
it's a pleasure to meet you.
265
00:13:48,000 --> 00:13:51,700
mr. casso. oh, "mr. casso. "
come on. we're gonna be friends.
266
00:13:51,700 --> 00:13:52,700
call me elliot.
267
00:13:53,500 --> 00:13:55,900
let's get to it.
apologize, tyler.
268
00:13:58,900 --> 00:14:01,900
i saw a man physically
and verbally abusing a woman.
269
00:14:02,100 --> 00:14:05,200
i did my job. he's very
big on doing his job.
270
00:14:05,200 --> 00:14:06,800
nah, no apology necessary.
271
00:14:06,800 --> 00:14:08,800
the whole incident
was regrettable.
272
00:14:08,800 --> 00:14:11,200
come on. we're party people.
let's go to paris
273
00:14:11,200 --> 00:14:14,900
and sleep with models. offer you guys
a libatn? got one downstairs, thanks.
274
00:14:14,900 --> 00:14:16,700
you know what? when jilly
here makes a martini,
275
00:14:16,700 --> 00:14:18,800
you want it shaken,
not stirred.
276
00:14:19,300 --> 00:14:24,500
uh, nicky has something he wants to say
to you, detective tyler. no, i don't.
277
00:14:26,000 --> 00:14:28,400
good enough for me.
here, have a cigar.
278
00:14:29,700 --> 00:14:32,300
please, detective tyler,
they don't explode.
279
00:14:35,200 --> 00:14:37,900
nicky! i told you,
if you can't play nice
280
00:14:37,900 --> 00:14:39,600
with the new boy
in the neighborhood,
281
00:14:39,800 --> 00:14:41,900
i'm gonna take away
your hot wheels.
282
00:14:45,700 --> 00:14:48,200
i'm willing to forget about
what happened if you are.
283
00:14:48,800 --> 00:14:52,800
that woman you were hassling-
hands off her and her kid.
284
00:14:52,800 --> 00:14:54,700
rose tyler.
who's rose tyler?
285
00:14:54,700 --> 00:14:56,400
oh, it's nothing.
it's like this.
286
00:14:57,400 --> 00:15:00,700
she family to you?
she'll pay you when she can.
287
00:15:00,700 --> 00:15:01,800
you leave them alone.
288
00:15:01,800 --> 00:15:05,400
it's left alone.
done, huh?
289
00:15:05,400 --> 00:15:07,700
and this rose tyler,
whoever she may be,
290
00:15:07,700 --> 00:15:09,200
will never have
her pretty little eyes
291
00:15:09,200 --> 00:15:13,300
sullied by the sight of my man,
nick profaci. finito!
292
00:15:13,700 --> 00:15:15,500
providing, detective tyler,
293
00:15:15,500 --> 00:15:18,000
that you accept one
of these lovely cubanos.
294
00:15:19,900 --> 00:15:21,300
take the cigar.
295
00:15:21,300 --> 00:15:24,500
don't be such a clunk. jilly,
adrienne, get over here.
296
00:15:24,500 --> 00:15:27,100
jean genie. someone let you
out of your bottle?
297
00:15:27,100 --> 00:15:29,100
sweet adrienne.
how are you, kid?
298
00:15:30,100 --> 00:15:34,500
i'm adrienne. want to help us
kick the polh off our toes?
299
00:15:34,500 --> 00:15:37,300
come on. go downstairs.
have a great time, will ya?
300
00:15:37,300 --> 00:15:40,100
i'll be down in a bit.
everything's on the house.
301
00:15:42,200 --> 00:15:43,800
* come on now
302
00:15:44,300 --> 00:15:48,500
* listen,
it was all right *
303
00:15:48,500 --> 00:15:50,600
* it was all right
304
00:15:50,600 --> 00:15:51,500
sam!
305
00:15:51,500 --> 00:15:53,200
* it was all right
306
00:15:53,200 --> 00:15:56,100
i'm going home.
oh, come on. just one dance.
307
00:15:56,100 --> 00:15:56,900
annie...
308
00:15:58,400 --> 00:16:03,000
* and it's all right,
it's all right now *
309
00:16:10,500 --> 00:16:12,500
WHAT? WHAT IS IT?
310
00:16:13,100 --> 00:16:14,400
THAT GUY-THAT...
311
00:16:15,300 --> 00:16:17,000
"SMELLS LIKE TEEN SPIRIT."
312
00:16:17,000 --> 00:16:20,700
HE SMELLS? HE WAS WEARING A NIRVANA T
- SHIRT. DID YOU SEE THAT?
313
00:16:20,700 --> 00:16:22,700
HE'S PROBABLY
A BUDDHIST, SAM.
314
00:16:22,700 --> 00:16:25,900
EASTERN PHILOSOPHY IS
VERY POPULAR THE DAYS.
315
00:16:28,200 --> 00:16:29,400
OH, MY GOD.
316
00:16:30,200 --> 00:16:31,400
THAT'S JOE NAMATH!
317
00:16:33,100 --> 00:16:34,200
I'LL BE RIGHT BACK.
318
00:16:35,100 --> 00:16:37,200
WHOA, EXCUSE ME. JIM CROCE?
319
00:16:37,800 --> 00:16:40,800
THAT'S RIGHT. HEY,
I- I'M A BIG FAN OF YOURS.
320
00:16:40,800 --> 00:16:44,100
"BAD, BAD LEROY BROWN"- IT WAS
MY FAVORITE SONG AS A KID.
321
00:16:44,300 --> 00:16:47,200
AS A KID? THE ALBUM
JUST CAME OUT THIS YEAR.
322
00:16:48,000 --> 00:16:48,800
MY MISTAKE.
323
00:16:48,800 --> 00:16:50,700
HEY, UM,
ATEVER YOU DO, JIM,
324
00:16:51,100 --> 00:16:53,600
YOU STAY AWAY FROM
SMALL AIRPLANES, ALL RIGHT?
325
00:16:54,400 --> 00:16:56,800
RIGHT. AND YOU STAY AWAY
FROM HALLUCINOGENS.
326
00:16:56,600 --> 00:17:00,000
* EVERY TIME
I PUT ON THE RADIO *
327
00:17:00,000 --> 00:17:01,400
* YOU KNOW THERE'S NOTHING *
HEY, TYLER.
328
00:17:02,400 --> 00:17:04,400
* GOING DOWN AT ALL
ALL RIGHT? FOR YOU.
329
00:17:05,200 --> 00:17:06,200
WHAT IS THIS?
330
00:17:06,200 --> 00:17:08,700
IT'S YOURS. ELLIOT WANTS YOU
TO HAVE IT, YOU KNOW,
331
00:17:08,700 --> 00:17:11,000
BYGONES AND SUCH.
YOU ENJOY IT.
332
00:17:11,300 --> 00:17:13,400
LOOK, HEY, I DON'T KNOW
WHAT DEALS YOU HAVE
333
00:17:13,400 --> 00:17:16,200
WITH OTHER COPS,
BUT YOU HAVE NO DEALS WITH ME.
334
00:17:16,400 --> 00:17:18,900
IS THAT SO? IT IS. YOU TRY THAT AGAIN,
335
00:17:18,900 --> 00:17:22,300
AND I'LL ARREST YOU FOR BRIBING
A POLICE OFFICER. SOMETHING WRONG?
336
00:17:22,300 --> 00:17:25,500
TALK TO YOUR GUY. YEAH, YOUR
FRIEND JUST TRIED TO PAY ME OFF.
337
00:17:26,200 --> 00:17:28,100
THEY CAN'T HELP THEMSELVES.
338
00:17:28,700 --> 00:17:31,100
I'D RATHER BURN THAT MONEY
THAN SPEND IT.
339
00:17:31,100 --> 00:17:34,700
SO BURN IT. BURN IT.
BURN IT.
340
00:17:38,200 --> 00:17:40,400
COME ON, SAM.
WE'RE HERE TO HAVE FUN.
341
00:17:40,400 --> 00:17:43,600
RIGHT.
THAT MUST BE WHY I'M HERE.
342
00:17:43,600 --> 00:17:47,500
* WELL, YOU'RE DIRTY AND SWEET,
CLAD IN BLACK *
343
00:17:47,500 --> 00:17:50,100
* DON'T LOOK BACK,
AND I LOVE YOU *
344
00:17:50,100 --> 00:17:52,500
* YOU'RE DIRTY AND SWEET,
OH, YEAH *
345
00:17:55,000 --> 00:17:56,500
* GET IT ON
346
00:17:57,100 --> 00:17:59,800
* BANG A GONG, GET IT ON
347
00:18:02,600 --> 00:18:04,200
* GET IT ON
348
00:18:04,200 --> 00:18:07,400
* BANG A GONG, GET IT ON
349
00:18:10,100 --> 00:18:13,500
* GET IT ON,
BANG A GONG, GET IT ON *
350
00:18:13,500 --> 00:18:16,300
THE NEW KID THINKS
HE'S TOO GOOD FOR THE WORLD.
351
00:18:16,900 --> 00:18:18,300
SO, UH, LEAN ON THAT WOMAN
352
00:18:18,300 --> 00:18:21,100
HE SEEMS TO BE SO CONCERNED
ABOUT-UH, ROSE TYLER.
353
00:18:21,300 --> 00:18:22,600
THAT'LL KEEP HIM DANCING.
354
00:18:27,000 --> 00:18:28,900
* GET IT ON
355
00:18:28,900 --> 00:18:31,900
* BANG A GONG, GET IT ON
356
00:18:34,800 --> 00:18:37,000
* GET IT ON
357
00:18:37,000 --> 00:18:39,600
* BANG A GONG, GET IT ON
358
00:18:42,300 --> 00:18:43,800
* GET IT ON
359
00:18:43,800 --> 00:18:45,600
* BANG A GONG
360
00:18:45,600 --> 00:18:47,700
* GET IT ON
361
00:19:00,500 --> 00:19:01,800
ROUGH NIGHT?
362
00:19:02,500 --> 00:19:04,300
OH, NO, NO. NOT REALLY.
363
00:19:05,800 --> 00:19:08,100
I MEAN,
ALL I DID LAST NIGHT
364
00:19:08,100 --> 00:19:11,300
WAS SAVE MY MOTHER
FROM A GORILLA NAMED NICKY,
365
00:19:11,300 --> 00:19:14,200
RAN INTO JOE NAMATH,
JIM CROCE
366
00:19:14,200 --> 00:19:16,000
AND SOME DUDE
IN A NIRVANA T-SHIRT,
367
00:19:16,500 --> 00:19:17,900
GOT OFFERED A BRIBE
BY THE GANGSTER
368
00:19:17,900 --> 00:19:20,800
WHO RUNS THIS PART OF TOWN,
AND, OH, YEAH,
369
00:19:20,800 --> 00:19:23,000
I THINK A TINY ROBOT
CRAWLED INSIDE MY EAR
370
00:19:23,000 --> 00:19:24,600
WHILE I WAS SLEEPING,
SO YEAH.
371
00:19:24,600 --> 00:19:27,800
YEAH, WHY AM I FEELING
SO... TUCKERED?
372
00:19:28,000 --> 00:19:30,200
JIM CROCE? FAR OUT!
373
00:19:30,200 --> 00:19:31,300
I MEAN,
WHAT THE HELL'S GOING ON?
374
00:19:31,300 --> 00:19:32,900
I GOT MY PAST,
PRESENT AND FUTURE
375
00:19:32,900 --> 00:19:37,500
ALL DROPPING IN ON ME THIS WEEK. OH, YEAH,
THAT KINDA THING HAPPENS TO ME ALL THE TIME.
376
00:19:38,100 --> 00:19:40,700
YOUR WIRES GOT CROSSED,THAT'
MY WIRES?
377
00:19:40,900 --> 00:19:44,200
DIFFERENT PLANES OF EXISTENCE
BETWEEN PARALLEL DIMENSIONS-
378
00:19:44,200 --> 00:19:45,500
THE YOU NOW, THE YOU THEN
379
00:19:45,500 --> 00:19:47,000
AND THE YOU
COMING DOWN THE PIKE.
380
00:19:47,300 --> 00:19:51,300
SOMETIMES YOUR WIRES GET CROSSED
AND YOUR WORLDS MIX,
381
00:19:51,300 --> 00:19:52,900
AND THINGS
DON'T FEEL RIGHT-
382
00:19:53,600 --> 00:19:57,600
LIKE THAT TIME DEEP PURPLE WENT
ON "THE DATING GAME." RIGHT.
383
00:19:57,800 --> 00:20:02,000
THEN AGAIN, 2-B, WHEN YOU GOT
THAT KIND OF COSMIC JAMBALAYA,
384
00:20:02,000 --> 00:20:05,000
MAYBE THE UNIVERSE IS TRYING TO
TELL YOU SOMETHING. TELL ME WHAT?
385
00:20:05,000 --> 00:20:08,300
THAT YOU GOTTA DO SOMETHING-
HELP YOURSELF
386
00:20:08,500 --> 00:20:11,000
OR-OR HELP SOMEONE ELSE
OR GO TELL IT ON THE MOUNTAIN.
387
00:20:11,000 --> 00:20:12,800
ALL THREE, NONE OF THE ABOVE-
I DON'T KNOW.
388
00:20:12,800 --> 00:20:17,700
ONLY YOU CAN FIGURE IT OUT. WELL,
THAT'S... ILLUMINATING. THANK YOU.
389
00:20:17,800 --> 00:20:20,300
SURE. THANKS FOR THE MILK.
390
00:20:27,500 --> 00:20:28,500
THERE SHE IS.
391
00:20:28,500 --> 00:20:31,000
SO ARE WE GONNA
FOLLOW HER AROUND ALL DAY?
392
00:20:31,000 --> 00:20:34,200
BECAUSE THE LOOT WOULD BE PRETTY UPSET
IF HE FOUND OUT. JUST FOR A FEW MORE DAYS
393
00:20:34,200 --> 00:20:35,800
TILL WE CAN RESOLVE THE CASSO THING.
WELL, ONE WAY TO RESOLVE THE CASSO THING-
394
00:20:35,800 --> 00:20:40,300
DON'T THROW MONEY
BACK IN HIS FACE.
395
00:20:40,900 --> 00:20:44,400
CORRECTION-I THREW
A BRIBE BACK IN HIS FACE.
396
00:20:45,100 --> 00:20:46,700
OOH, SHE'S KIND OF FOXY.
397
00:20:47,000 --> 00:20:49,100
NO, CHRIS, SHE'S NOT.
398
00:20:50,700 --> 00:20:51,600
ROSE!
399
00:20:53,100 --> 00:20:54,000
WAIT UP.
400
00:20:57,100 --> 00:20:58,200
ARE YOU FOLLOWING ME?
401
00:20:58,200 --> 00:21:01,100
NO, I W-
I WAS JUST DRIVING BY.
402
00:21:01,100 --> 00:21:02,600
I- I'VE TRIED CALLING YOU
ALL DAY. THERE'S-
403
00:21:02,600 --> 00:21:05,900
THERE'S NO DETECTIVE SKYWALKER
AT THE 125th PRECINCT.
404
00:21:05,900 --> 00:21:08,300
OH, YEAH, UH,
I'M-I'M A NEW TRANSFER.
405
00:21:08,300 --> 00:21:10,400
THEY HAVEN'T UPDATED
THEIR LOGS YET, I GUESS.
406
00:21:10,400 --> 00:21:13,000
PROFACI WAS GIVING ME
THREE WEEKS TO PAY HIM BACK.
407
00:21:13,000 --> 00:21:14,800
THEN HE CALLS THIS MORNING
GIVING ME THREE DAYS.
408
00:21:14,800 --> 00:21:17,800
HOW AM I GONNA COME UP WITH $1,000
IN 3 DAYS?
409
00:21:17,800 --> 00:21:20,900
NOTHING'S GONNA HAPPEN TOOU, OKAY?
410
00:21:20,900 --> 00:21:24,300
SAMMY SAW ME CRYING
YESTERDAY.
411
00:21:24,300 --> 00:21:25,900
HE WAS CONFUSED...
412
00:21:25,900 --> 00:21:27,900
SCARED.
413
00:21:27,900 --> 00:21:29,800
SAMMY'S GONNA BE FINE.
414
00:21:29,800 --> 00:21:32,300
HE HAS A GOOD MOTHER.
415
00:21:32,300 --> 00:21:34,300
JUST WANT HIM TO HAVE
A NORMAL LIFE, YOU KNOW?
416
00:21:34,300 --> 00:21:36,300
WH-WHERE WE'RE NOT
MOVING EVERY SIX MONTHS,
417
00:21:36,300 --> 00:21:40,300
WHERE HIS FATHER'S HOME
EVERY NIGHT.
418
00:21:40,300 --> 00:21:43,000
DO YOU UNDERAND?
419
00:21:43,000 --> 00:21:45,400
MY MOTHER RAISED ME ALONE.
420
00:21:45,400 --> 00:21:49,000
WHERE WAS YOUR FATHER?
421
00:21:49,000 --> 00:21:52,600
HE LEFT WHEN I WAS A KID.
422
00:21:52,600 --> 00:21:55,000
SHE SACRIFICED A LOT FOR ME.
423
00:21:55,000 --> 00:21:58,300
SHE WAS STRONG...
424
00:21:58,300 --> 00:22:03,400
BUT... I KNOW
IT TOOK A TOLL.
425
00:22:03,400 --> 00:22:05,200
WELL...
426
00:22:05,200 --> 00:22:08,000
I'M SURE YOU MADE HER
VERY HAPPY.
427
00:22:10,900 --> 00:22:13,300
UH, I... I GOTTA GO.
428
00:22:13,300 --> 00:22:16,000
I- I HAVE A NEIGHBOR
SITTING WITH SAMMY.
429
00:22:20,600 --> 00:22:23,500
I'M GONNA TAKE CARE OF THIS.
430
00:22:27,000 --> 00:22:28,600
OKAY.
431
00:22:37,100 --> 00:22:39,000
I REMEMBER THAT RED DRESS.
432
00:22:39,000 --> 00:22:41,500
I WAS ASLEEP WHEN
SHE CAME HOME ONE NIGHT.
433
00:22:41,500 --> 00:22:43,500
SHE WOKE ME UP
TO SAY GOOD NIGHT,
434
00:22:43,500 --> 00:22:48,400
AND, UH, SHE HUGGED ME
FOR A LONG TIME.
435
00:22:48,400 --> 00:22:51,100
I THINK
SHE HAD BEEN CRYING.
436
00:22:51,100 --> 00:22:54,200
YOU WANT TO KNOW
WHAT I THINK?
437
00:22:54,200 --> 00:22:58,000
I INK THIS WOMAN IS GORGEOUS,
SWEET AND IN DANGER,
438
00:22:58,000 --> 00:23:00,200
AND YOU FEEL LIKE YOU
GOTTA PLAY SIR LANCELOT.
439
00:23:00,200 --> 00:23:02,700
ALSO, SHE'S OPENING UP A LOT
OF UNRESOLVED FEELINGS-
440
00:23:02,700 --> 00:23:06,000
FEELINGS ABOUT YOUR OWN MOTHER.
SHE IS MY OWN MOTHER.
441
00:23:06,000 --> 00:23:09,100
CALL HER WHAT YOU WANT, SAM.
YOU'RE PROJECTING.
442
00:23:09,100 --> 00:23:11,300
IT'S A CLASSIC
OEPIDAL CONFLICT.
443
00:23:11,300 --> 00:23:14,100
FREUD WOULD SAY THE RED DRESS
SYMBOLIZES DESIRE.
444
00:23:14,100 --> 00:23:15,400
DESIRE TO WHAT?
445
00:23:15,400 --> 00:23:18,600
SLEEP WITH YOUR MOTHER,
OBVIOUSLY.
446
00:23:20,600 --> 00:23:22,100
ARE YOU COMING?
447
00:23:24,400 --> 00:23:25,800
HEY, LEE AND I
WERE GONNA GO SEE
448
00:23:25,800 --> 00:23:27,200
THE NEW WOODY ALLEN MOVIE
TONIGHT,
449
00:23:27,200 --> 00:23:30,000
BUT HE'S GOTTA WORK LATE.
WILL YOU BE MY BUDDY?
450
00:23:30,000 --> 00:23:32,300
IT'S A TIME TRAVEL FLICK.
I THINK YOU'LL LIKE IT.
451
00:23:32,300 --> 00:23:34,500
"SLEEPER," YEAH.
IT'S A CLASSIC.
452
00:23:34,500 --> 00:23:37,000
A CLASSIC?
IT JUST OPENED.
453
00:23:37,000 --> 00:23:39,400
AN INSTANT CLASSIC.
YEAH, I'D SEE IT AGAIN.
454
00:23:39,400 --> 00:23:41,700
GREAT. IT'S AT 9:30
AT THE BIJOU. MEET YOU THERE?
455
00:23:41,700 --> 00:23:43,900
SURE.
456
00:23:43,900 --> 00:23:47,800
MY MOTHER WAS TAKING MONEY
OFF THE STREETS.
457
00:23:47,800 --> 00:23:50,400
MY WHOLE LIFE, I HAD NO IDEA
SHE WAS IN THIS KIND OF TROUBLE.
458
00:23:50,400 --> 00:23:54,100
AND I'M THINKING MAYBE
I'M HERE IN 1973 TO HELP HER.
459
00:23:54,100 --> 00:23:58,100
UH, PERMISSION TO INDULGE YOUR
ONGOING DELUSION FOR A MINUTE?
460
00:23:58,100 --> 00:23:59,300
PERMISSION GRANTED.
461
00:23:59,300 --> 00:24:03,300
THIS MOTHER/MOTHER FIGURE
YOU'RE PURPORTEDLY HERE TO SAVE,
462
00:24:03,300 --> 00:24:05,400
WELL, YOU'RE DOING
AN AWFUL JOB OF IT.
463
00:24:05,400 --> 00:24:07,800
OH, THANK YOU.
464
00:24:07,800 --> 00:24:09,600
WHAT WOULD YOU RECOMMEND?
465
00:24:09,600 --> 00:24:11,600
YOU WANT TO GET
CASSO AND PROFACI?
466
00:24:11,600 --> 00:24:13,800
YOU GO AFTER
THE OPEN HOMICIDES.
467
00:24:13,800 --> 00:24:14,900
HUNT DOESN'T LIKE 'EM
FOR THOSE.
468
00:24:14,900 --> 00:24:16,600
HE HAS A HOOKER/JOHN THEORY OF
THE CRIME.
469
00:24:16,600 --> 00:24:17,700
I KNOW WHAT HE THINKS,
470
00:24:17,700 --> 00:24:20,000
BUT AMY SAVITSKY
WAS NOT A PROSTITUTE.
471
00:24:20,000 --> 00:24:22,500
SHE WAS A WAITRESS
AT THE CLUB.
472
00:24:22,500 --> 00:24:25,900
I'M TELLING YOU, SAM,
YOU FIND THEIR KILLERS,
473
00:24:25,900 --> 00:24:28,500
YOU SAVE MAMA RO.
474
00:24:37,300 --> 00:24:38,200
ADRIENNE?
475
00:24:38,200 --> 00:24:40,600
WHAT-WHAT HAPPENED
TO YOUR EYE?
476
00:24:40,600 --> 00:24:43,100
NICKY WAS DRUNK.
I WASN'T INTERESTED.
477
00:24:43,100 --> 00:24:46,200
APPARENTLY, I'M SUPPOSED
TO ALWAYS BE INTERESTED.
478
00:24:46,200 --> 00:24:47,700
HOLD ON. I GOTTA CALL GENE HUNT.
479
00:24:47,700 --> 00:24:50,800
NO, PLEASE. YOU'RE THE ONLY COP
WHO'S NOT IN ELLIOT'S POCKET.
480
00:24:50,800 --> 00:24:52,100
HOW DO YOU KNOW WHERE I LIVE?
481
00:24:52,100 --> 00:24:54,200
BECAUSE YOUR ADDRESS WAS ON ELLIOT'S DESK-
482
00:24:54,200 --> 00:24:57,000
SOMETHING MAYBE YOU SHOULD
BE CONCERNED ABOUT.
483
00:24:57,000 --> 00:24:58,400
WHAT DO YOU WANT?
484
00:24:58,400 --> 00:25:01,700
LOOK, I CAN'T GO BACK
TO THAT CLUB,
485
00:25:01,700 --> 00:25:02,900
AND I'M NOT SAFE AT MY PLACE.
486
00:25:02,900 --> 00:25:04,700
MY MOM'S DRIVING DOWN
FROM ALBANY IN THE MORNING.
487
00:25:04,700 --> 00:25:07,900
I JUST...
488
00:25:07,900 --> 00:25:11,000
I JUST NEED A PLACE
TO CRASH TONIGHT.
489
00:25:11,000 --> 00:25:14,000
WHY ARE YOU COMING TO ME?
490
00:25:14,000 --> 00:25:16,400
YOU STOOD UP TO THOSE GUYS.
491
00:25:16,400 --> 00:25:20,000
NO ONE DOES THAT.
492
00:25:20,000 --> 00:25:23,400
SO CAN I COME IN?
493
00:25:23,400 --> 00:25:25,700
PLEASE?
494
00:25:39,300 --> 00:25:42,900
YOU GOT A COOL PAD.
LOTTA TEXTURE.
495
00:25:42,900 --> 00:25:46,700
OH, YEAH, YEAH,
SO INTO TEXTURE.
496
00:25:46,700 --> 00:25:48,800
NEVER KNOWN A COP
WHO READ PHYSICS.
497
00:25:48,800 --> 00:25:49,600
WELL, YOU KNOW, I READ IT,
498
00:25:49,600 --> 00:25:53,000
BUT, UH, IT JUST LEAVES ME
SLEEPY AND CONFUSED.
499
00:25:53,000 --> 00:25:54,300
THAT BOOK'S ABOUT, UH,
500
00:25:54,300 --> 00:25:57,800
THE POSSIBILITY OF PARALLEL
DIMENSIONS, ALTERNATE REALITIES.
501
00:25:57,800 --> 00:25:59,900
IT SAYS THAT OUR EXISTENCE IS
HELD TOGETHER BY NOTHING MORE
502
00:25:59,900 --> 00:26:02,400
THAN OUR BELIEF THAT WE EXIST.
FAR OUT.
503
00:26:02,400 --> 00:26:05,100
YEAH. BON APP門IT.
504
00:26:05,100 --> 00:26:07,500
NEVER MET A GUY WHO MADE A GRILLED
CHEESE SANDWICH WITH A HOT IRON.
505
00:26:07,500 --> 00:26:09,000
OH, WAIT TILL BREAKFAST.
506
00:26:09,000 --> 00:26:10,700
I MAKE A MEAN WESTERN OMELETTE
WITH A VACUUM CLEANER
507
00:26:10,700 --> 00:26:14,100
AND A SPONGE.
OOH. MMM.
508
00:26:14,100 --> 00:26:17,600
RIGHT?
YEAH, THAT IS GOOD. THANKS.
509
00:26:17,600 --> 00:26:20,400
SO WHY'D YOU DO IT-
LET CASSO USE YOU LIKE THAT?
510
00:26:20,400 --> 00:26:23,600
OH, DON'T START GETTING
ALL HEAVY ON ME, S.
511
00:26:23,600 --> 00:26:25,800
WAS I GETTING HEAVY?
YEAH.
512
00:26:25,800 --> 00:26:28,200
OKAY. YOU DEFINITELY WERE GETTING HEAVY.
513
00:26:28,200 --> 00:26:29,400
I APOLOGIZE.
514
00:26:29,400 --> 00:26:31,000
NO, IT'S COOL.
515
00:26:33,300 --> 00:26:36,500
MY DAD OWED ELLIOT
A LOT OF MONEY.
516
00:26:36,500 --> 00:26:38,700
SO I STARTED HANGING
AROUND THE CLUB,
517
00:26:38,700 --> 00:26:41,700
AND NOW MY DAD'S DEBT
IS GONE,
518
00:26:41,700 --> 00:26:47,200
ALTHOUGH HE'S NOT SURE
EXACTLY WHY.
519
00:26:47,200 --> 00:26:49,500
BUT MY FAMILY'S HAPPY.
520
00:26:49,500 --> 00:26:51,600
SO NOW THAT
THE DEBT'S PAID OFF,
521
00:26:51,600 --> 00:26:53,100
WHY DO YOU STILL
HANG OUT THERE?
522
00:26:53,100 --> 00:26:56,600
WELL, I GUESS I WON'T BE
ANYMORE, WILL I?
523
00:26:56,600 --> 00:27:01,400
SO DO YOU WANT TO GO
TO BED WITH ME?
524
00:27:01,400 --> 00:27:02,400
EXCUSE ME?
525
00:27:02,400 --> 00:27:07,500
I'M CREATING MY OWN REALITY,
SAM-JUST YOU AND ME...
526
00:27:07,500 --> 00:27:10,200
TONIGHT.
527
00:27:28,400 --> 00:27:29,400
HELLO?
528
00:27:29,400 --> 00:27:31,000
ANNIE. HEY.
529
00:27:31,000 --> 00:27:32,500
WHO'S ANNIE?
530
00:27:33,800 --> 00:27:34,100
OOPS.
531
00:27:34,100 --> 00:27:35,100
AW, DAMN IT.
532
00:27:35,100 --> 00:27:39,000
I FORGOT ABOUT THE MOVIE.
YEAH, I'M JUST WORKIN' THE CASE.
533
00:27:39,000 --> 00:27:40,400
THAT'S WHERE MY HEAD'S AT.
534
00:27:40,400 --> 00:27:41,600
COME ON, SAM.
535
00:27:41,600 --> 00:27:43,400
HMM? NO, THAT'S
- THAT'S JUST THE TV.
536
00:27:43,400 --> 00:27:45,200
THAT MARY TYLER MOORE-
SHE REALLY TURNS THE WORLD ON
537
00:27:45,200 --> 00:27:48,300
WITH HER SMILE, DOESN'T
SHE?
538
00:27:48,300 --> 00:27:49,000
YEAH. OKAY. HMM.
539
00:27:49,000 --> 00:27:51,300
YEAH. BYE.
540
00:27:52,800 --> 00:27:54,900
LISTEN, ADRIENNE,
541
00:27:54,900 --> 00:27:56,700
I'M GONNA SLEEP IN MY CHAIR
TONIGHT, ALL RIGHT?
542
00:27:56,700 --> 00:27:58,000
REALLY?
543
00:27:58,000 --> 00:28:01,700
YOU'D RATHER SLEEP
IN YOUR CHAIR?
544
00:28:01,700 --> 00:28:02,800
NO.
545
00:28:02,800 --> 00:28:05,800
BUT I'M JUST...
546
00:28:05,800 --> 00:28:09,300
I'M SORT OF INVOLVED
WITH SOMEONE AT THE MOMENT.
547
00:28:09,300 --> 00:28:11,500
HAVE HER JOIN US, THEN.
548
00:28:11,500 --> 00:28:13,400
THAT'S, UM, GENEROUS,
549
00:28:13,400 --> 00:28:15,500
BUT, UM, SHE'S NOT HERE.
550
00:28:15,500 --> 00:28:18,200
SHE'S FAR, FAR, FAR AWAY.
551
00:28:18,200 --> 00:28:21,100
WELL, THEN SHE'LL NEVER KNOW,
WILL SHE?
552
00:28:25,400 --> 00:28:26,800
MAYBE I'LL HATE MYSELF
IN THE MORNING,
553
00:28:26,800 --> 00:28:30,700
BUT I JUST CAN'T, OKAY?
554
00:28:31,100 --> 00:28:34,500
IT IS A BEAUTIFUL,
WONDERFUL LIFE, ADRIENNE...
555
00:28:37,000 --> 00:28:39,300
TOO BEAUTIFUL TO WASTE
TRAPPED IN A RUS CAGE
556
00:28:39,300 --> 00:28:43,300
WORKING FOR A MAN LIKE THAT.
557
00:28:43,300 --> 00:28:47,000
I KNOW.
558
00:28:47,000 --> 00:28:49,400
GOOD NIGHT, THEN,
DETECTIVE SAM.
559
00:28:49,400 --> 00:28:51,600
HAVE SWEET DREAMS...
560
00:28:51,600 --> 00:28:52,400
IN YOUR CHAIR.
561
00:28:52,400 --> 00:28:54,500
* THE LUCKY LADY,
THE LUCKY LADY *
562
00:28:54,500 --> 00:28:56,600
* THE LADY, LADY *
563
00:28:56,600 --> 00:28:58,900
* THE LUCKY LADY *
564
00:29:14,500 --> 00:29:17,600
* THIS IS
E AGE OF MACHINERY *
565
00:29:17,600 --> 00:29:19,400
* A MECHANICAL NIGHTMARE
566
00:29:19,400 --> 00:29:20,400
SAMMY?
567
00:29:20,400 --> 00:29:21,900
* THE WONDERFUL WORLD
OF TECHNOLOGY *
568
00:29:21,900 --> 00:29:24,600
ADRIENNE,
WAKE UP. SOMETHING'S HAPPENING.
569
00:29:24,600 --> 00:29:27,800
* NAPALM HYDROGEN BOMBS
BIOLOGICAL WARFARE *
570
00:29:27,800 --> 00:29:29,800
SAM?
SAMMY, WHERE ARE YOU?
571
00:29:29,800 --> 00:29:31,100
I'M RIGHT HERE. MA?
572
00:29:31,100 --> 00:29:32,600
* MY MAMA
SAID SHE CAN'T UNDERSTAND ME *
573
00:29:32,600 --> 00:29:34,200
FORGET ABOUT SAMMY.
NO.
574
00:29:34,200 --> 00:29:37,600
* SHE CAN'T SEE
MY MOTIVION *
575
00:29:37,600 --> 00:29:40,700
* JUST GIVE ME SOME SECURITY *
IT ONLY TAKES TWO TO TANGO.
576
00:29:40,700 --> 00:29:44,000
* I'M A PARANOID SCHIZO
PRODUCT OF THE 20th CENTURY *
577
00:29:44,000 --> 00:29:45,000
NO!
578
00:29:50,000 --> 00:29:51,400
MA!
* THIS IS THE 20th CENTURY
579
00:29:51,400 --> 00:29:52,800
NO!
580
00:29:52,800 --> 00:29:55,800
* TOO MUCH AGGRAVATION
581
00:29:55,800 --> 00:29:58,600
* IT'S THE AGE OF INSANITY
582
00:29:58,600 --> 00:30:01,100
* I'M A 20th CENTURY MAN
583
00:30:01,100 --> 00:30:03,800
* BUT I DON'T WANNA BE HERE
584
00:30:03,800 --> 00:30:05,700
TYLER!
585
00:30:05,700 --> 00:30:07,500
OPEN UP, MAN.
586
00:30:10,700 --> 00:30:12,600
OPEN UP, SPACEMAN!
587
00:30:14,400 --> 00:30:17,100
TYLER, OPEN UP!
588
00:30:17,100 --> 00:30:18,700
TYLER!
589
00:30:22,700 --> 00:30:26,100
HOLY HELL!
590
00:30:27,100 --> 00:30:31,300
YOU'RE A.W.O.L. FROM WORK-
MY WORST FEARS COME TRUE!
591
00:30:31,300 --> 00:30:32,700
I HAD A FEELING
IT WAS GONNA BE BAD,
592
00:30:32,700 --> 00:30:35,500
BUT NOT HAVING-TO-SEE-YOU-
IN-THE-NUDE BAD.
593
00:30:35,500 --> 00:30:39,400
JEEZ. HE'S OKAY.HE'S
594
00:30:39,400 --> 00:30:42,100
YOU GOT A KEY, RAY?
595
00:30:42,100 --> 00:30:43,500
I DON'T KNOW WHAT HAPPENED.
596
00:30:43,500 --> 00:30:45,900
ADRIENNE WAS HERE,
AND THEN SHE-
597
00:30:45,900 --> 00:30:47,600
BLASTED YOU INTO OUTER SPACE
598
00:30:47,600 --> 00:30:53,100
TO EXPLORE THE VAST REACHES
OF HER CRAB NEBULA.
599
00:30:53,100 --> 00:30:55,200
WHAT? YOU GOT PLAYED
THE HONEY TRAP, TYLER.
600
00:30:55,200 --> 00:30:57,400
IT'S THE OLDEST TRICK IN THE
BOOK. COME ON.
601
00:30:57,400 --> 00:30:58,600
HONEY TRAP?
602
00:30:58,600 --> 00:31:01,700
CASSS GIRL DOSED YOU
WITH SOMETHIN' PENT-
603
00:31:01,700 --> 00:31:03,800
PROBABLY L.S.D.,
KNOWING THOSE TWIRLS-
604
00:31:03,800 --> 00:31:05,800
AND THEN SHE TOOK
A COUPLE OF PHOTOGRAPHS
605
00:31:05,800 --> 00:31:08,700
OF YOUR,
UH, SHORTCOMINGS THERE.
606
00:31:10,100 --> 00:31:12,800
WORKING THE CASE, HUH?
607
00:31:15,100 --> 00:31:18,400
ANNIE? ANNIE, WAIT. WAIT!
608
00:31:18,400 --> 00:31:19,800
LET HER GO...
609
00:31:19,800 --> 00:31:22,100
AT LEAST TILL
YOU GET SOME PANTS ON.
610
00:31:23,200 --> 00:31:25,400
MUST'VE BEEN
A HELL OF A TRIP.
611
00:31:32,200 --> 00:31:35,300
CONGRATULAONS.
GREAT PERFORMANCE LAST NIGHT.
612
00:31:35,300 --> 00:31:37,800
I WAS JUST DOING A JOB,
SAM.
613
00:31:37,800 --> 00:31:41,000
THE PHOTOS YOU TOOK-
I WANT THE NEGATIVES.
614
00:31:41,000 --> 00:31:43,400
WELL, ELLIOT HAS THEM NOW.
615
00:31:43,400 --> 00:31:46,900
YOU KNOW,
AS MERCHANDISE GOES,
616
00:31:46,900 --> 00:31:48,500
YOU'RE WORTH EVERY PENNY.
617
00:31:48,500 --> 00:31:52,100
CASSO WOULD BE AN IDIOT
TO EVER LET YOU GO.
618
00:31:52,100 --> 00:31:56,800
BUT THEN AGAIN, WHAT'S ANOTHER
DEAD HOOKER TO HIM, RIGHT?
619
00:31:56,800 --> 00:32:01,000
PLENTY MORE TO CHOOSE FROM.
620
00:32:01,000 --> 00:32:03,000
TYLER.
621
00:32:04,300 --> 00:32:07,700
WHAT ARE YOU DOING?
622
00:32:07,700 --> 00:32:10,900
YOU WANNA GO AT ME,
BOY SCOUT?
623
00:32:10,900 --> 00:32:12,500
YOU'RE GOING DOWN, YOU SON OF A
BITCH.
624
00:32:12,500 --> 00:32:14,300
SAY THE WORD. JUST SAY THE WORD!
625
00:32:14,300 --> 00:32:17,100
THOSE PHOTOS'LL WIND UP
ON EVERY NEWS DESK IN THE CITY.
626
00:32:17,100 --> 00:32:19,700
GET HIM OUTTA HERE.
627
00:32:19,700 --> 00:32:21,300
WHAT THE HELL ARE YOU THINKIN'?
628
00:32:21,300 --> 00:32:22,800
YOU'RE A CROOKED COP, GENE.
629
00:32:22,800 --> 00:32:24,200
YOU GOT A CANCER
GROWING IN YOUR HOUSE.
630
00:32:24,200 --> 00:32:27,800
CASSO OWNS YOU AND YOUR PRECINCT.
CUT YOUR SELF-RIGHTEOUS CRAP.
631
00:32:27,800 --> 00:32:29,700
IT'S ALL ABOUT CHECKS
AND BALANCES. THAT'S RIGHT.
632
00:32:29,700 --> 00:32:30,800
THAT'S WHY YOU'RE ON THE TAKE.
633
00:32:30,800 --> 00:32:32,800
THAT
MONEY GOES BACK INTO THE STREET, TYLER.
634
00:32:32,800 --> 00:32:35,200
DIRTBAGS DON'T INFORM OUT
OF THE GOODNESS OF THEIR HEART.
635
00:32:35,200 --> 00:32:37,100
TELL THAT TO THE TWO WOMEN THEY
FISHED OUT OF THE EAST RIVER.
636
00:32:37,100 --> 00:32:39,300
THOSE BASTARDS NEED TO PAY FOR WHAT
THEY'VE DONE.
637
00:32:39,300 --> 00:32:40,600
YOU'RE MAKING ACCUSATIONS.
638
00:32:40,600 --> 00:32:43,400
TRY TO GET SOME EVIDENCE
TO BACK 'EM UP.
639
00:32:43,400 --> 00:32:48,100
BY THE WAY, ELLIOT GAVE ME
THE DUPLICATES.
640
00:32:48,100 --> 00:32:49,700
THE ONE WITH ADRIENNE
WITH HER TONGUE IN YOUR EAR
641
00:32:49,700 --> 00:32:53,000
AND HER NEEDLE IN YOUR ARM
- MY PERSONAL FAVORITE.
642
00:32:53,000 --> 00:32:56,800
IT WAS A SETUP. THESE PHOTOS AREN'T REAL.
643
00:32:56,800 --> 00:32:58,500
HOW WOULD YOU KNOW?
644
00:32:58,500 --> 00:33:00,100
REAL ENOUGH FOR THE I.A.B.
645
00:33:00,100 --> 00:33:03,000
AND ANY REPORTER
WITH A JONES FOR BAD COPS.
646
00:33:03,000 --> 00:33:05,100
I CAME HERE TOLEAN UP
YOUR MESS, TYLER.
647
00:33:05,100 --> 00:33:08,200
SHOW SOME GRATITUDE.
YOU'RE DONE WITH CASSO.
648
00:33:08,200 --> 00:33:11,700
IT'S OVER. PERIOD. FINISHED.
YOU GOT IT?
649
00:33:17,200 --> 00:33:17,800
WHAT IS THIS?
650
00:33:17,800 --> 00:33:20,100
MY SAVINGS. IT'S NOT MUCH.
TAKE IT. GET OUT OF TOWN.
651
00:33:20,100 --> 00:33:21,800
TAKE SAMMY TO THE BEACH.
GO TO THE CATSKILLS.
652
00:33:21,800 --> 00:33:23,100
JUST DON'T STAY IN NEW YORK CITY.
653
00:33:23,100 --> 00:33:25,100
I - I CAN'T TAKE THIS, DETECTIVE.
654
00:33:25,100 --> 00:33:27,100
LOOK, VIC CALLED LAST NIGHT.
HE'S GONNA BE HOME
655
00:33:27,100 --> 00:33:29,500
IN A COUPLE OF DAYS.
HE HAS THE MONEY TO-
656
00:33:29,500 --> 00:33:30,200
TO PAY FOR THE LOAN.
657
00:33:30,200 --> 00:33:33,300
I DON'T KNOW IF MONEY
MATTERS TO THESE GUYS ANYMORE.
658
00:33:33,300 --> 00:33:36,000
I SPOKE TO PROFACI THIS MORNING.
I WORKED THINGS OUT.
659
00:33:36,000 --> 00:33:38,000
EVERYTHING'S GONNA BE FINE.
PLEASE.
660
00:33:38,000 --> 00:33:39,800
THANK YOU.
661
00:33:39,800 --> 00:33:40,900
Mam?
662
00:33:56,700 --> 00:33:58,600
SO I THOUGHT
ABOUT WHAT YOU SAID.
663
00:33:58,600 --> 00:34:01,100
TODAY I CALLED MY MOM
TO COME PICK ME UP.
664
00:34:01,100 --> 00:34:02,500
I WANT IT TO BE
A BEAUTIFUL LIFE.
665
00:34:02,500 --> 00:34:05,600
I'M GONNA TRY
TO MAKE IT HAPPEN. THANKS.
666
00:34:05,600 --> 00:34:07,200
OH, ONE LAST THING-
667
00:34:07,200 --> 00:34:09,100
IF YOU CAN'T GET CASSO
FOR THOSE DEAD GIRLS,
668
00:34:09,100 --> 00:34:10,600
MAYBE THERE'S ANOTHER WAY.
669
00:34:10,600 --> 00:34:13,300
HE KEEPS A SERIOUS STASH
OF DRUGS IN HIS CREDENZA,
670
00:34:13,300 --> 00:34:17,500
RIGHT NEXT TO THE CUBAN CIGARS.
GOOD LUCK, DETECTIVE SAM.
671
00:34:40,000 --> 00:34:41,600
COMING.
672
00:34:41,600 --> 00:34:43,600
HEY. THE LOOT ASKED ME
TO COME GET YOU.
673
00:34:43,600 --> 00:34:44,600
WHAT IS IT?
674
00:34:44,600 --> 00:34:48,600
THEY, UH, PULLED A BODY
OUT OF THE RIVER-FEMALE.
675
00:34:48,600 --> 00:34:51,200
MA.
676
00:34:51,200 --> 00:34:53,600
WHAT?
677
00:34:53,600 --> 00:34:54,800
WAIT!
678
00:35:31,500 --> 00:35:33,800
THERE YOU GO, TYLER.
679
00:35:35,100 --> 00:35:37,600
THAT'S WHAT HAPPENS
WHEN YOU DON'T PLAY THE GAME.
680
00:35:37,600 --> 00:35:40,200
IF YOU'VE HAVE DONE YOUR JOB,
SHE'D STILL BE ALIVE.
681
00:35:40,200 --> 00:35:41,800
IF I'D DONE MY JOB?
WHAT DO YOU KNOW ABOUT-
682
00:35:41,800 --> 00:35:44,500
THEY DUMPED TWO OTHER GIRLS IN
THE RIVER! HER DYING AIN'T ON ME!
683
00:35:44,500 --> 00:35:47,200
YOU LOOKED THE OTHER WAY!
THAT AIN'T ON ME!
684
00:36:11,400 --> 00:36:14,300
1
ON THE FORCE...
685
00:36:16,600 --> 00:36:20,300
POUNDING THE BEAT
AS A 19-YEAR-OLD FLATFOOT.
686
00:36:20,300 --> 00:36:25,400
ME AND EDWIN BROOKS TEAMED UPWITH THIS G
687
00:36:25,400 --> 00:36:27,300
HARRY'D BEEN
ON THE BEACHES OF NORMANDY.
688
00:36:27,300 --> 00:36:31,500
WON A MEDAL.
NEVER TALKED ABOUT IT.
689
00:36:31,500 --> 00:36:35,400
HARRY WAS A LEGEND.
690
00:36:35,400 --> 00:36:38,300
BUT IN THEM DAYS, THERE WERE
SOME BAD APPLES IN OUR HOUSE,
691
00:36:38,300 --> 00:36:43,400
AND WE FOUND OUT THAT
HARRY WAS ONE OF THEM.
692
00:36:43,400 --> 00:36:45,400
WHAT DID YOU DO?
693
00:36:45,400 --> 00:36:49,200
EDWIN DID WHAT
MOST SHINY, MORAL,
694
00:36:49,200 --> 00:36:51,100
JUST-SHAVING
NEW KID ON THE BLOCK WOULD DO-
695
00:36:51,100 --> 00:36:54,900
HE RATTED HARRY OUT
FOR BEING ON THE TAKE.
696
00:36:54,900 --> 00:37:01,100
ME, I KEPT MY MOUTH SHUT
AND MY HEAD DOWN.
697
00:37:01,100 --> 00:37:03,000
EVERYONE HATED EDDIE
FOR SQUEALING.
698
00:37:03,000 --> 00:37:04,100
THEY TURNED
THEIR BACKS ON HIM.
699
00:37:04,100 --> 00:37:06,700
PEOPLE HE ADMIRED,
PEOPLE HE WANTED TO BE-
700
00:37:06,700 --> 00:37:10,300
THEY DIDN'T WANT HIM
IN THEIR CLUB.
701
00:37:10,300 --> 00:37:11,600
HE DID THE RIGHT THING.
702
00:37:11,600 --> 00:37:14,200
HE COULDN'T HANDLE IT.
703
00:37:14,200 --> 00:37:18,300
ATE HIS GUN
FOR SUNDAY BRUNCH.
704
00:37:18,300 --> 00:37:20,000
HOW DID THAT MAKE YOU FEEL?
705
00:37:20,000 --> 00:37:22,200
LIKE CRAP.
706
00:37:22,200 --> 00:37:23,900
HOW DOES IT
MAKE YOU FEEL NOW?
707
00:37:23,900 --> 00:37:27,800
I TRY NOT TO THINK ABOUT IT.
708
00:37:27,800 --> 00:37:29,600
I DO MY JOB AS BEST I CAN.
709
00:37:29,600 --> 00:37:31,200
I TRY TO TAKE CARE OF MY MEN
710
00:37:31,200 --> 00:37:34,600
AND THE PEOPLE IN MY CITY.
711
00:37:34,600 --> 00:37:37,700
WHEN YOU DO THINK ABOUT IT,
712
00:37:37,700 --> 00:37:42,200
HOW DO YOU FEEL?
713
00:37:42,200 --> 00:37:48,100
LIKE THERE'S AN ANAL
EATING AWAY AT MY INSIDES.
714
00:37:48,100 --> 00:37:50,200
WANT TO DO
SOMETHING ABOUT IT?
715
00:37:50,200 --> 00:37:52,800
THOUGHT YOU'D NEVER ASK.
716
00:38:02,300 --> 00:38:03,500
POLICE!
HEY, HEY!
717
00:38:03,500 --> 00:38:04,700
WHAT DO YOU THINK
YOU'RE DOIN', HUNT?
718
00:38:04,700 --> 00:38:07,300
SWEET ADRIENNE ASKED ME
TO PAY YOU BOYS A VISIT
719
00:38:07,300 --> 00:38:09,500
AFTER WE PLED HEROUT OF TH
720
00:38:09,500 --> 00:38:11,800
BOSS, WE GOT 'EM.
721
00:38:11,800 --> 00:38:14,400
YOU THINK THERE AREN'T GONNA BE
CONSEQUENCES FOR THIS, HUNT?
722
00:38:14,400 --> 00:38:17,100
HOLD IT. NOT TO MENTION ALLOWING
THE PIGNATO BROTHERS, MORGAN,
723
00:38:17,100 --> 00:38:18,500
ALL THE REST OF 'EM TO RUN AMOK?
724
00:38:18,500 --> 00:38:20,800
I'M SHAKIN' IN MY SNAPPY WHI SHOES.
725
00:38:20,800 --> 00:38:23,600
SPEAKING OF CONSEQUENCES, JAIL
IS A PRETTY DANGEROUS PLACE...
726
00:38:23,600 --> 00:38:25,600
FOR A COUPLE OF RATS, AIN'T IT, DETECTIVE
TYLER?
727
00:38:25,600 --> 00:38:27,300
OH, YEAH. RIKERS IS GONNA BE CRAWLING
728
00:38:27,300 --> 00:38:28,700
WITH SOME
VERY PISSED OFF MEATBALLS
729
00:38:28,700 --> 00:38:31,300
THESE TWO SNITCHED OFF
TO YOU, LIEUTENANT HUNT.
730
00:38:36,200 --> 00:38:37,200
WHAT ARE YOU DOING HERE?
731
00:38:37,200 --> 00:38:41,900
WHAT DO YOU THINK,
BOY SCOUT? SHE WAS GONNA SETTLE A DEBT.
732
00:38:41,900 --> 00:38:45,700
I'VE NEVER DONE ANYTHING
LIKE THIS BEFORE.
733
00:38:45,700 --> 00:38:48,300
N- NOTHING HAPPENED.
OKAY? NOTHING.
734
00:38:48,300 --> 00:38:51,300
I WAS SCARED FOR SAMMY.
735
00:38:53,800 --> 00:38:56,900
GO HOME.
736
00:38:56,900 --> 00:38:59,000
KISS YOUR SON GOOD NIGHT.
737
00:39:01,400 --> 00:39:04,500
OH, U ARE A GOOD MAN,
DETECTIVE.
738
00:39:06,200 --> 00:39:09,500
YOUR MOTHER MUST BE
VERY PROUD.
739
00:39:17,300 --> 00:39:18,400
* WHOO
740
00:39:20,700 --> 00:39:24,200
* WELL, WITH JUST ONE LOOK,
I WAS A BAD MESS *
741
00:39:24,200 --> 00:39:29,200
* 'CAUSE THAT LONG COOL WOMAN
HAD IT ALL *
742
00:39:29,200 --> 00:39:32,200
* HAD IT ALL
743
00:39:32,600 --> 00:39:37,500
* HAD IT ALL
YEAH!
744
00:39:42,000 --> 00:39:44,600
MAKE IT AN HOUR OF LOST
TIME. I'M POURING.
745
00:39:44,600 --> 00:39:46,900
ALL RIGHT!
746
00:39:46,900 --> 00:39:48,500
ANNIE.
747
00:39:48,500 --> 00:39:50,300
LISTEN, ABOUT YESTERDAY MORNING
748
00:39:50,300 --> 00:39:51,500
YEAH, ABOUT THAT.
749
00:39:51,500 --> 00:39:57,500
I AM S-
SAM, I HEARD WHAT HAPPENED.
750
00:39:57,500 --> 00:40:00,300
I'M SORRY ANYWAY.
751
00:40:00,300 --> 00:40:02,700
YOU DID GOOD TONIGHT,
TYLER.
752
00:40:02,700 --> 00:40:06,000
EVERY COP IN THIS HOUSE IS GONNA
WALK A LITTLE TALLER TOMORROW.
753
00:40:06,000 --> 00:40:09,000
THANKS.
754
00:40:09,000 --> 00:40:11,500
YOU KNOW...
755
00:40:11,500 --> 00:40:13,100
I THOUGHT IF I EVER
SAW YOU NAKED,
756
00:40:13,100 --> 00:40:15,800
IF WOULD BE UNDER
VERY DIFFERENT CIRCUMSTANCES.
757
00:40:15,800 --> 00:40:20,400
* AND THE TEARS
START TO TORTURE MY MIND *
758
00:40:20,400 --> 00:40:23,700
* SO HARD TO SHED
THE LIFE OF BEFORE *
759
00:40:23,700 --> 00:40:27,300
* TO LET MY SOUL
AUTOMATICALLY SOAR *
760
00:40:27,300 --> 00:40:32,300
* BUT I HIT HARD AT THE BATTLE
THAT'S CONFRONTING ME, YEAH *
761
00:40:32,300 --> 00:40:36,000
* KNOCK DOWN ALL THE ROADBLOCKS
A- STUMBLING ME *
762
00:40:36,000 --> 00:40:41,100
* THROW OFF ALL THE SHACKLES
THAT ARE BINDING ME DOWN *
763
00:40:43,700 --> 00:40:46,900
* SEW UP THE WOUNDS
OFVOLUTION *
764
00:40:46,900 --> 00:40:50,300
* AND THE NOW STARTS
TO GET IN MY WAY *
765
00:40:50,300 --> 00:40:51,800
* NA NA NA NA
766
00:40:51,800 --> 00:40:54,600
MOMMY! * SO WHAT IF
LIFE'S A REVELATION *
767
00:40:54,600 --> 00:40:59,400
* IF THE MIND SPEAKS
OF ONLY TODAY? *
768
00:40:59,400 --> 00:41:00,600
* SO REAL
THE PAIN OF GROWING IN SOUL *
769
00:41:00,600 --> 00:41:02,800
HELLO, SWEETIE. HERE, LAY DOWN.
770
00:41:02,800 --> 00:41:06,200
* OF CLIMBING
UP TO REALITY'S GOAL *
771
00:41:06,200 --> 00:41:11,300
* BUT I HIT HARD AT THE BATTLE
THAT'S CONFRONTING ME, YEAH *
772
00:41:11,300 --> 00:41:15,700
* THROW OFF ALL THE SHACKLES
THAT ARE BINDING ME DOWN *
773
00:41:15,700 --> 00:41:18,600
* DOWN, DOWN, DOWN, DOWN
774
00:41:18,600 --> 00:41:22,800
YOU KNOW HOW MUCH
MOMMY LOVES YOU, SAMMY?
775
00:41:22,800 --> 00:41:24,500
YOU'RE GONNA GROW UP TO BE
A GOOD MAN, AREN'T YOU?
776
00:41:24,500 --> 00:41:30,700
* ON TO THE SEASON'S ENDING
777
00:41:30,700 --> 00:41:34,700
* LONG PROMISED ROAD
778
00:41:34,700 --> 00:41:37,700
* FLOWS TO THE SOURCE,
GENTLE FORCE *
779
00:41:37,700 --> 00:41:40,000
* NEVER ENDING
780
00:41:40,000 --> 00:41:45,000
Uploaded by Alooloo
Ali-rabeh@hotmail.com