1 00:00:01,000 --> 00:00:02,702 Michael: MY NAME IS MICHAEL WESTEN. 2 00:00:02,736 --> 00:00:04,038 I USED TO BE A SPY UNTIL... 3 00:00:04,072 --> 00:00:05,339 [ CELLPHONE RINGS ] 4 00:00:05,373 --> 00:00:07,041 MAN: We got a burn notice on you. You're blacklisted. 5 00:00:07,075 --> 00:00:08,375 [ WHISTLES ] 6 00:00:08,409 --> 00:00:10,711 WHEN YOU'RE BURNED, YOU'VE GOT NOTHING -- 7 00:00:10,743 --> 00:00:12,980 NO CASH, NO CREDIT, NO JOB HISTORY. 8 00:00:13,012 --> 00:00:15,483 YOU'RE STUCK IN WHATEVER CITY THEY DECIDE TO DUMP YOU IN. 9 00:00:15,516 --> 00:00:17,318 WHERE AM I? MIAMI. 10 00:00:17,350 --> 00:00:20,053 YOU DO WHATEVER WORK COMES YOUR WAY. 11 00:00:20,088 --> 00:00:22,323 YOU RELY ON ANYONE WHO'S STILL TALKING TO YOU. 12 00:00:22,356 --> 00:00:23,224 [ LAUGHS ] 13 00:00:23,257 --> 00:00:24,858 A TRIGGER-HAPPY GIRLFRIEND... 14 00:00:24,891 --> 00:00:26,327 SHOULD WE SHOOT THEM? 15 00:00:26,359 --> 00:00:28,161 ...AN OLD FRIEND WHO USED TO INFORM ON YOU TO THE FBI... 16 00:00:28,196 --> 00:00:30,897 YOU KNOW SPIES -- A BUNCH OF BITCHY LITTLE GIRLS. 17 00:00:30,931 --> 00:00:33,201 ...FAMILY, TOO... HEY, IS THAT YOUR MOM AGAIN? 18 00:00:33,234 --> 00:00:35,168 ...IF YOU'RE DESPERATE.... SOMEONE NEEDS YOUR HELP, MICHAEL. 19 00:00:35,203 --> 00:00:38,405 ...AND A DOWN-AND-OUT SPY YOU MET ALONG THE WAY. 20 00:00:38,439 --> 00:00:39,906 THAT'S HOW WE DO IT, PEOPLE. 21 00:00:39,939 --> 00:00:42,743 BOTTOM LINE -- AS LONG AS YOU'RE BURNED, 22 00:00:42,776 --> 00:00:44,777 YOU'RE NOT GOING ANYWHERE. 23 00:00:47,448 --> 00:00:49,116 AYN, I NEED SOMETHING. 24 00:00:50,783 --> 00:00:51,884 I NEED TO DISAPPEAR. 25 00:00:51,918 --> 00:00:53,052 I MIGHT BE ABLE 26 00:00:53,087 --> 00:00:54,588 TO ARRANGE FOR YOU TO HAVE A LITTLE PRIVACY. 27 00:00:54,621 --> 00:00:56,023 IF YOU HIDE ME, 28 00:00:56,055 --> 00:00:58,759 I THINK IT'S ONLY FAIR THAT YOU BE THE ONE TO FIND ME. 29 00:00:58,792 --> 00:01:01,262 THAT KIND OF COOPERATION COULD KNOCK YEARS OFF MY SENTENCE. 30 00:01:01,295 --> 00:01:05,533 SAY HELLO TO TYLER GRAY, THE MAN WHO MURDERED YOUR BROTHER, NATE. 31 00:01:05,566 --> 00:01:06,599 Michael: GRAY! 32 00:01:06,634 --> 00:01:07,468 [ GRUNTS ] 33 00:01:07,501 --> 00:01:08,468 DON'T MOVE. 34 00:01:09,670 --> 00:01:10,771 I GOT HIM. 35 00:01:10,804 --> 00:01:12,206 NOW WE JUST WAIT FOR CARD'S EXTRACTION TEAM. 36 00:01:12,239 --> 00:01:14,608 CARD ISN'T SENDING YOU AN EXTRACTION TEAM. 37 00:01:14,641 --> 00:01:15,709 HOW DO YOU KNOW ABOUT CARD? 38 00:01:15,742 --> 00:01:17,111 WHO DO YOU THINK SENT ME OUT HERE? 39 00:01:17,144 --> 00:01:19,480 THIS WAS SUPPOSED TO BE A SUICIDE MISSION FOR YOU. 40 00:01:19,513 --> 00:01:20,948 HE PLAYED BOTH OF US. 41 00:01:20,980 --> 00:01:22,582 Card: WHAT HAPPENED TO THE TARGETS? 42 00:01:22,615 --> 00:01:24,718 I HAVE PEOPLE LOOKING -- THEY CAN'T FIND A TRACE. 43 00:01:24,751 --> 00:01:26,787 WHAT, YOU THINK I FORGOT EVERYTHING YOU TAUGHT ME? 44 00:01:26,819 --> 00:01:28,989 I'm saying Michael Westen is dead. 45 00:01:29,021 --> 00:01:30,823 I'M PROUD OF YOU, KID. 46 00:01:37,465 --> 00:01:39,633 DO YOU EVER WONDER WHAT IT WOULD BE LIKE -- 47 00:01:39,667 --> 00:01:42,135 ACTUALLY GETTING TO ENJOY AN AFTERNOON LIKE THIS? 48 00:01:42,170 --> 00:01:44,171 I'M SORRY. WHO ARE YOU? 49 00:01:44,204 --> 00:01:46,340 I CAME HERE WITH MY BOYFRIEND, MICHAEL WESTEN. 50 00:01:46,373 --> 00:01:48,975 I NEED A REST AS MUCH AS YOU DO, FI -- BELIEVE ME. 51 00:01:49,009 --> 00:01:50,610 I'M GLAD TO HEAR YOU SAY THAT. 52 00:01:50,644 --> 00:01:53,480 YOU'VE BEEN GETTING ABOUT AS MUCH SLEEP AS A P.O.W. LATELY. 53 00:01:53,514 --> 00:01:55,649 ADMITTING THERE'S A PROBLEM IS THE FIRST STEP. 54 00:01:57,685 --> 00:02:00,353 AFTER WE TAKE CARD DOWN, WHAT DO YOU SAY WE GO -- 55 00:02:00,388 --> 00:02:01,822 [ RUSTLING ] 56 00:02:01,855 --> 00:02:03,856 HEY. WHOA. WHOA. WHOA. IT'S JUST ME. 57 00:02:03,891 --> 00:02:05,926 IT'S TRUE. HE CAME ALONE. 58 00:02:05,959 --> 00:02:07,295 WHAT? YOU BROUGHT A LOOKOUT? 59 00:02:07,328 --> 00:02:08,795 MORE LIKE BACKUP. 60 00:02:08,829 --> 00:02:10,598 IT'S ALMOST LIKE YOU GUYS DON'T TRUST ME. 61 00:02:10,631 --> 00:02:11,664 WE WERE SUPPOSED TO LAY LOW. 62 00:02:11,699 --> 00:02:12,865 WHY DID YOU WANT TO MEET? 63 00:02:12,900 --> 00:02:15,169 CARD REACHED OUT TO ME. HE'S GETTING COMFORTABLE. 64 00:02:15,203 --> 00:02:17,337 I MEAN, OBVIOUSLY, NOBODY FOUND YOUR BODIES. 65 00:02:17,371 --> 00:02:20,341 HE'S STARTING TO THINK THAT THE F-18 INCINERATED YOU. 66 00:02:20,373 --> 00:02:22,376 SO, HE WANTS ME TO DO THE SAME TO YOUR LOFT. 67 00:02:22,409 --> 00:02:24,010 HE TOLD ME TO SEARCH YOUR PLACE 68 00:02:24,044 --> 00:02:27,046 FOR ANYTHING CONNECTED TO THIS MESS AND THEN BURN IT. 69 00:02:27,079 --> 00:02:28,348 YOU'VE GOT TO BE KIDDING ME. 70 00:02:28,382 --> 00:02:31,117 MICHAEL, YOU CAN'T EXPECT ME TO PLAY DEAD 71 00:02:31,151 --> 00:02:33,152 WHILE THIS BASTARD TURNS EVERYTHING WE OWN 72 00:02:33,187 --> 00:02:34,354 INTO A PILE OF ASH. 73 00:02:34,388 --> 00:02:35,889 FI, THIS IS A HUGE BREAK. 74 00:02:35,923 --> 00:02:38,759 WE GET TO FEED CARD WHATEVER INFORMATION WE WANT HIM TO HAVE. 75 00:02:40,228 --> 00:02:42,195 DO YOU WANT TO HOLD ON TO ALL OF OUR OLD STUFF, 76 00:02:42,229 --> 00:02:43,997 OR DO YOU WANT TO NAIL CARD TO THE WALL? 77 00:02:48,602 --> 00:02:50,903 FINE. 78 00:02:50,937 --> 00:02:56,075 BUT I'M NOT LETTING HIM RANSACK AND TORCH OUR HOME. 79 00:02:56,109 --> 00:02:57,411 WE'LL DO IT TOGETHER. 80 00:03:03,217 --> 00:03:06,719 PLANTING FALSE INFORMATION FOR AN ENEMY TO FIND 81 00:03:06,753 --> 00:03:08,087 IS A SUBTLE ART. 82 00:03:08,121 --> 00:03:10,390 THERE HAS TO BE ENOUGH SOLID INFORMATION 83 00:03:10,424 --> 00:03:11,724 TO MAKE IT SEEM CREDIBLE, 84 00:03:11,759 --> 00:03:14,228 BUT NOT SO MUCH IT CAN BE VERIFIED. 85 00:03:14,262 --> 00:03:16,829 DO IT RIGHT, AND YOU CAN MAKE YOUR TARGET SO PARANOID, 86 00:03:16,864 --> 00:03:18,064 THEY'LL BE READY TO CRACK. 87 00:03:18,098 --> 00:03:19,400 ALL RIGHT. 88 00:03:19,432 --> 00:03:21,568 THIS SHOULD LOOK LIKE WE'RE JUST A FEW STEPS AWAY 89 00:03:21,602 --> 00:03:23,236 FROM CONNECTING ANSON TO CARD. 90 00:03:23,271 --> 00:03:26,105 LOOKS LEGIT. YOU THINK THERE'S ENOUGH HERE? 91 00:03:26,139 --> 00:03:29,042 BELIEVE ME -- QUESTIONS ARE SCARIER THAN ANSWERS. 92 00:03:29,075 --> 00:03:31,110 YOU HELP HIM CONNECT THE DOTS, SHOW HIM HOW WORRIED YOU ARE, 93 00:03:31,144 --> 00:03:32,579 YOU CAN PUSH FOR MORE INTEL. 94 00:03:32,612 --> 00:03:34,114 HOW MANY MANY OF THESE DO I GET TO TAKE? 95 00:03:34,146 --> 00:03:36,216 OH, I DON'T KNOW, FI. TWO OR THREE? 96 00:03:36,250 --> 00:03:39,420 IT HAS TO LOOK LIKE ALL OF OUR STUFF HAS BURNED, 97 00:03:39,453 --> 00:03:41,788 SO...ALL OF OUR STUFF HAS TO BURN. 98 00:03:41,822 --> 00:03:42,756 [ SIGHS ] 99 00:03:42,789 --> 00:03:43,924 [ KNOCK ON DOOR ] 100 00:03:43,956 --> 00:03:45,224 WHAT THE HELL WAS THAT? 101 00:03:45,259 --> 00:03:46,960 I THOUGHT NOBODY KNEW YOU WERE BACK. NOBODY DOES. 102 00:03:46,993 --> 00:03:50,229 BUT MOST PEOPLE DON'T KNOW WE'RE DEAD, EITHER. 103 00:03:58,671 --> 00:04:00,441 AND A GOOD EVENING TO YOU, TOO. 104 00:04:00,473 --> 00:04:02,475 WHAT ARE YOU DOING HERE? YOU KNOW HER? 105 00:04:02,509 --> 00:04:04,777 I'M AYN. WE GO BACK. 106 00:04:04,812 --> 00:04:07,814 ALL THE WAY BACK TO ALLAROD FEDERAL PENITENTIARY. 107 00:04:07,848 --> 00:04:09,149 I JUST GOT OUT. 108 00:04:09,181 --> 00:04:11,050 CRIMINAL, I GOT A SERIOUS PROBLEM. 109 00:04:11,084 --> 00:04:12,319 YOU AND I NEED TO TALK. 110 00:04:18,591 --> 00:04:19,627 IT'S MICHAEL, RIGHT? 111 00:04:19,660 --> 00:04:21,661 I HEARD A BIT ABOUT YOU FROM THIS ONE. 112 00:04:21,694 --> 00:04:23,297 LOOKS LIKE SHE WASN'T LYING. 113 00:04:23,331 --> 00:04:24,398 WHO IS THIS PERSON? 114 00:04:24,432 --> 00:04:26,266 HOW -- HOW DID YOU KNOW WE WERE HERE? 115 00:04:26,300 --> 00:04:29,069 I PAID SOME NEIGHBORHOOD KIDS TO CALL IF ANYBODY SHOWED UP. 116 00:04:29,101 --> 00:04:30,737 LITTLE HOPPERS DESERVE A BONUS. 117 00:04:30,771 --> 00:04:32,639 Y'ALL DIDN'T EVEN TURN ON THE LIGHTS. 118 00:04:32,673 --> 00:04:33,641 OH. 119 00:04:33,673 --> 00:04:36,644 I GUESS I CAN SEE WHY. NO, NO, NO. 120 00:04:36,677 --> 00:04:39,646 WE'RE NOT ARSONISTS. IT'S, UH -- NOT MY BUSINESS. NOT WHY I'M HERE. 121 00:04:39,680 --> 00:04:41,281 WHY A YOU HERE? WELL, YOU KNOW, 122 00:04:41,314 --> 00:04:42,983 GIRLFRIEND HERE HELPED SPRING ME. 123 00:04:43,016 --> 00:04:45,952 BUT SO FAR, BEING OUT ISN'T MUCH BETTER THAN PRISON. 124 00:04:45,985 --> 00:04:49,021 I GOT A COP AFTER ME -- A DIRTY DETECTIVE NAMED GARZA. 125 00:04:49,055 --> 00:04:50,858 WELL, THAT DIDN'T TAKE LONG. 126 00:04:50,891 --> 00:04:52,826 HEY. I'VE BEEN KEEPING MY NOSE CLEAN. 127 00:04:52,860 --> 00:04:53,927 THIS IS OLD BUSINESS. 128 00:04:53,961 --> 00:04:55,829 GARZA'S BEEN HAUNTING ME SINCE I GOT HOME. 129 00:04:55,862 --> 00:04:57,764 YESTERDAY HE CAUGHT UP TO ME ON THE STREET, 130 00:04:57,798 --> 00:04:58,798 TOLD ME POINT BLANK, 131 00:04:58,831 --> 00:05:00,300 "YOU'RE GONNA WISH YOU STAYED IN." 132 00:05:00,334 --> 00:05:01,834 WHAT DO YOU THINK HE'S GONNA DO? 133 00:05:01,869 --> 00:05:04,504 I DON'T KNOW. BUT I KNOW I NEED HELP. 134 00:05:04,538 --> 00:05:06,406 IT'S JUST THAT RIGHT NOW'S NOT A GOOD TIME. 135 00:05:07,641 --> 00:05:09,410 BUT WE'RE GONNA HELP YOU ANYWAY. 136 00:05:12,713 --> 00:05:13,947 HERE'S MY NUMBER. 137 00:05:13,980 --> 00:05:15,014 [ SIGHS ] 138 00:05:15,048 --> 00:05:17,817 FI, CAN I TALK TO YOU FOR A MINUTE? 139 00:05:17,850 --> 00:05:19,519 NOW IS NOT A GOOD TIME. 140 00:05:19,552 --> 00:05:20,853 YOU CALL ME FIRST THING. 141 00:05:20,887 --> 00:05:23,223 WE'LL GO OVER THE DETAILS, AND WE'LL GET TO WORK, OKAY? 142 00:05:23,255 --> 00:05:24,492 THANKS. 143 00:05:24,524 --> 00:05:27,360 I'LL LET YOU GET BACK TO... WHATEVER THIS IS. 144 00:05:29,562 --> 00:05:30,963 [ DOOR CLOSES ] 145 00:05:30,997 --> 00:05:32,298 WHAT WAS THAT? 146 00:05:32,331 --> 00:05:33,834 WE'RE SUPPOSED TO BE PLAYING DEAD. 147 00:05:33,867 --> 00:05:35,968 WELL, I WOULD HAVE BEEN DEAD IF IT WEREN'T FOR AYN. 148 00:05:36,002 --> 00:05:37,370 SHE SAVED MY LIFE IN PRISON. 149 00:05:37,404 --> 00:05:38,838 I KNOW THE TIMING ISN'T GREAT, 150 00:05:38,872 --> 00:05:40,139 BUT HER PROBLEM ISN'T GONNA WAIT 151 00:05:40,173 --> 00:05:41,375 TILL IT'S CONVENIENT FOR US. 152 00:05:41,408 --> 00:05:44,343 WE CAN'T GO UP AGAINST A COP RIGHT NOW. WE JUST CAN'T. 153 00:05:44,377 --> 00:05:47,848 FINE. 154 00:05:47,880 --> 00:05:50,149 WELL, IF THAT'S THE WAY YOU FEEL, I'LL DO IT MYSELF. 155 00:05:50,182 --> 00:05:52,886 WHAT THE HELL ARE YOU LOOKING AT? 156 00:05:52,920 --> 00:05:55,755 YOU'RE SUPPOSED TO BE BURNING DOWN MY HOUSE. 157 00:06:05,098 --> 00:06:07,535 [ CELLPHONE RINGS ] 158 00:06:07,567 --> 00:06:09,101 [ CELLPHONE BEEPS ] 159 00:06:09,136 --> 00:06:10,336 TOOK YOU LONG ENOUGH, BUCKO. 160 00:06:10,370 --> 00:06:11,439 IT'S NOT DONE YET. 161 00:06:11,471 --> 00:06:13,173 Then why are you interrupting my "me" time? 162 00:06:13,206 --> 00:06:14,374 I FOUND SOMETHING. 163 00:06:14,408 --> 00:06:16,175 IT LOOKS LIKE WESTEN WAS PUTTING SOMETHING TOGETHER. 164 00:06:16,209 --> 00:06:19,846 WHAT? THE -- 165 00:06:19,879 --> 00:06:22,048 YOU KNOW WHAT? NEVER MIND. THIS ISN'T THE TIME. 166 00:06:22,081 --> 00:06:23,182 YOU JUST GO AHEAD 167 00:06:23,216 --> 00:06:25,084 AND GRAB WHATEVER'S GOT YOUR PANTIES IN A BUNCH. 168 00:06:25,117 --> 00:06:26,086 LIGHT A MATCH. 169 00:06:26,119 --> 00:06:27,588 You can brief me tomorrow. 170 00:06:27,620 --> 00:06:28,755 [ CELLPHONE BEEPS ] 171 00:06:28,788 --> 00:06:30,591 MISSION ACCOMPLISHED. CARD'S SPOOKED. 172 00:06:30,624 --> 00:06:32,625 TIME TO LIGHT THIS PLACE UP. 173 00:06:32,659 --> 00:06:33,927 [ SIGHS ] 174 00:06:33,961 --> 00:06:36,196 WE CAN TAKE IT FROM HERE. 175 00:06:36,228 --> 00:06:37,898 WHY DON'T YOU GIVE US A MINUTE? 176 00:06:47,139 --> 00:06:48,908 ARE YOU OKAY? YOU OKAY? 177 00:06:54,247 --> 00:06:56,550 [ SIGHS ] 178 00:06:56,584 --> 00:06:59,552 IT'S THE ONLY HOME WE'VE SHARED. 179 00:06:59,586 --> 00:07:00,653 IT WON'T BE THE LAST. 180 00:07:05,291 --> 00:07:07,160 [ BREATHES DEEPLY ] 181 00:07:09,797 --> 00:07:11,163 [ SIGHS ] 182 00:07:11,197 --> 00:07:13,533 [ DEVICE BEEPS ] 183 00:08:03,817 --> 00:08:04,884 THANKS FOR WAITING UP. 184 00:08:04,918 --> 00:08:08,055 I'M SORRY WE HAVE TO MEET LIKE THIS. 185 00:08:08,088 --> 00:08:09,856 THIS STORY THAT WE'VE ALL BEEN KILLED -- 186 00:08:09,889 --> 00:08:11,658 YOU WON'T HAVE TO PRETEND MUCH LONGER. 187 00:08:14,995 --> 00:08:16,863 YOU SMELL LIKE A BARBECUE. 188 00:08:19,098 --> 00:08:21,401 YEAH, WE HAD TO... BURN THE LOFT. 189 00:08:21,434 --> 00:08:25,172 "HAD TO." 190 00:08:25,204 --> 00:08:27,940 LIKE YOU "HAD TO" WORK WITH THE MAN WHO KILLED YOUR BROTHER? 191 00:08:28,908 --> 00:08:29,877 DID YOU THINK I WAS STUPID? 192 00:08:29,910 --> 00:08:32,546 YOU GO TO PANAMA TO CATCH TYLER GRAY. 193 00:08:32,580 --> 00:08:34,380 IT OCCURRED TO ME THIS MORNING... 194 00:08:34,413 --> 00:08:36,082 I HAVEN'T HEARD HIS NAME SINCE. 195 00:08:36,115 --> 00:08:37,684 I'M SORRY. I DIDN'T WANT TO -- 196 00:08:37,717 --> 00:08:39,385 I KNOW DAMN WELL WHY YOU DIDN'T WANT TO TELL ME. 197 00:08:39,418 --> 00:08:41,520 TOM CARD IS THE REASON NATE'S DEAD. 198 00:08:41,554 --> 00:08:45,424 TYLER GRAY IS -- HE'S JUST A GUN. 199 00:08:45,457 --> 00:08:48,360 YEAH, WELL, I WANT TO TALK TO THE "GUN." 200 00:08:48,394 --> 00:08:50,931 MOM, HE WON'T BE ABLE TO GIVE YOU THE ANSWERS YOU NEED. 201 00:08:50,963 --> 00:08:52,399 WELL, MAYBE NOT. 202 00:08:52,432 --> 00:08:56,536 BUT I LOST MY SON, AND I GET TO ASK THE QUESTIONS. 203 00:08:56,570 --> 00:08:58,138 SET IT UP. 204 00:09:00,607 --> 00:09:03,009 [ INDISTINCT CONVERSATIONS ] 205 00:09:03,043 --> 00:09:05,278 WELL, YOUR PAL'S GOT A NICE PLACE HERE. 206 00:09:05,312 --> 00:09:08,280 I'M STARTING TO THINK MIKE HAD THE RIGHT IDEA OPTING OUT. 207 00:09:08,315 --> 00:09:09,349 [ SIGHS ] 208 00:09:09,381 --> 00:09:11,118 HE OPTED OUT BECAUSE HE'S BEING AN ASS. 209 00:09:11,150 --> 00:09:13,253 YOU KNOW HOW MANY JOBS I'VE HELPED HIM WITH? 210 00:09:13,285 --> 00:09:15,221 OKAY, BUT HOW MANY OF THOSE JOBS HAPPENED 211 00:09:15,254 --> 00:09:17,090 WHILE YOU WERE SUPPOSED TO BE PLAYING DEAD? 212 00:09:17,124 --> 00:09:18,859 I MEAN, HELL, THE ONLY REASON I'M HERE 213 00:09:18,892 --> 00:09:21,427 IS TO KEEP YOU FROM BLOWING UP A POLICE STATION AND BLOWING OUR COVER. 214 00:09:21,461 --> 00:09:23,029 THE POINT IS, YOU'RE HERE. 215 00:09:23,062 --> 00:09:24,197 YEAH, WELL, I WISH I WASN'T. 216 00:09:24,230 --> 00:09:25,698 I'M NOT TOO THRILLED ABOUT GOING TO BAT 217 00:09:25,732 --> 00:09:27,200 FOR SOMEBODY WHO JUST GOT OUT OF JAIL. 218 00:09:27,234 --> 00:09:30,638 HI. ARE YOU THE PEOPLE WHO ARE SUPPOSED TO HELP MY MOM? 219 00:09:30,671 --> 00:09:32,304 YEAH, WE ARE. 220 00:09:32,338 --> 00:09:33,774 RIGHT, SAM? 221 00:09:33,807 --> 00:09:35,375 [ CHUCKLES ] 222 00:09:35,408 --> 00:09:37,309 HEY. [ CHUCKLES ] 223 00:09:41,782 --> 00:09:45,885 WHEN I WENT IN, AMARI DIDN'T KNOW HOW TO ASK FOR BREAKFAST. 224 00:09:45,918 --> 00:09:48,587 NOW HE MAKES ME EGGS EVERY MORNING. 225 00:09:48,621 --> 00:09:51,457 I'VE ALREADY MISSED TOO MUCH OF THAT BOY'S LIFE. 226 00:09:51,490 --> 00:09:54,293 TELL US ABOUT THIS COP THAT'S COMING AFTER YOU. 227 00:09:54,326 --> 00:09:55,495 WHAT'S HIS PROBLEM? 228 00:09:55,528 --> 00:09:57,831 THE MAN I WENT TO PRISON FOR KILLING. 229 00:09:57,865 --> 00:09:59,432 MY BROTHER-IN-LAW, MARCUS. 230 00:09:59,466 --> 00:10:01,500 HE WAS DETECTIVE GARZA'S C.I. 231 00:10:01,533 --> 00:10:03,636 AND SHE'S THE GOOD GUY IN THIS SCENARIO? 232 00:10:03,671 --> 00:10:05,938 HEY, I THOUGHT YOU SAID THIS GUY WAS COOL. 233 00:10:05,972 --> 00:10:07,307 NO, ACTUALLY, I'M N THAT COOL -- 234 00:10:07,340 --> 00:10:09,241 NOT WHEN IT COMES TO KILLING POLICE INFORMANTS. 235 00:10:09,275 --> 00:10:10,442 HOW ABOUT WIFE-BEATERS? 236 00:10:10,476 --> 00:10:13,245 THE SON OF A BITCH NEARLY KILLED MY SISTER, 237 00:10:13,279 --> 00:10:14,815 AND GARZA LET HIM DO IT. 238 00:10:14,847 --> 00:10:17,317 I GUESS YOU DID WHAT YOU HAD TO DO. 239 00:10:17,350 --> 00:10:20,120 WHY WAS GARZA PROTECTING HIM? 240 00:10:20,153 --> 00:10:22,322 MARCUS WAS FEEDING HIM DIRT ON THE GARDEN TERRACE MAFIA. 241 00:10:22,355 --> 00:10:23,990 GARZA HATES THAT CREW. 242 00:10:24,024 --> 00:10:25,258 THEY KILLED HIS PARTNER, 243 00:10:25,292 --> 00:10:27,427 AND HE'S BEEN OUT FOR REVENGE EVER SINCE. 244 00:10:27,460 --> 00:10:29,028 MOM! THERE'S POLICEMEN OUTSIDE! 245 00:10:34,835 --> 00:10:35,903 THAT'S GARZA. 246 00:10:38,171 --> 00:10:40,472 AND HE BROUGHT MY P.O. THIS IS GONNA BE BAD. 247 00:10:40,506 --> 00:10:42,142 HE'S GONNA VIOLATE MY PAROLE. 248 00:10:42,174 --> 00:10:44,476 IS THERE SOME OTHER WAY OUT OF HERE, LIKE A BACK WINDOW? 249 00:10:44,510 --> 00:10:46,113 THEY'VE ALL GOT BARS ON THEM. 250 00:10:46,145 --> 00:10:47,547 WELL, THEN, WE'RE JUST GONNA HAVE TO BUST OUT. 251 00:10:47,580 --> 00:10:49,048 GOT A LAUNDRY ROOM? END OF THE HALL. 252 00:10:49,081 --> 00:10:50,383 OKAY. WE'LL GO OUT THAT WAY. 253 00:10:50,417 --> 00:10:52,485 I CAN'T GO WITH YOU. AYN -- 254 00:10:52,519 --> 00:10:54,520 IF I RUN FROM MY P.O., I REALLY AM GUILTY. 255 00:10:54,553 --> 00:10:56,155 THERE'LL BE NO WAY TO GET ME OUT. 256 00:10:56,188 --> 00:10:58,658 AMARI WILL GO BACK INTO FOSTER CARE. 257 00:10:58,692 --> 00:11:00,293 I CAN'T WATCH THAT HAPPEN AGAIN. 258 00:11:00,326 --> 00:11:02,361 PLEASE, TAKE HIM WITH YOU. 259 00:11:07,234 --> 00:11:11,604 WE NEED TO MOVE IT. THEY'RE ON THEIR WAY UP. 260 00:11:15,241 --> 00:11:17,210 FI, GIVE ME A HAND HERE. 261 00:11:19,678 --> 00:11:21,715 MOST LATE-MODEL WASHING MACHINES 262 00:11:21,749 --> 00:11:24,884 SPIN AT SPEEDS OF OVER 1,200 RPMs 263 00:11:24,918 --> 00:11:27,220 AND CREATE MORE THAN 100 G's OF FORCE. 264 00:11:27,254 --> 00:11:29,856 THAT'S MORE THAN ENOUGH TO RIP OFF YOUR FINGER... 265 00:11:29,889 --> 00:11:33,025 OR PULL A CURTAIN ROD THROUGH A COUPLE LAYERS OF DRYWALL. 266 00:11:33,059 --> 00:11:35,562 [ WASHING MACHINE WHIRS ] 267 00:11:39,432 --> 00:11:41,835 [ BANGING ON DOOR ] 268 00:11:41,869 --> 00:11:43,903 HOLD ON! I'M GETTING DRESSED! 269 00:11:43,937 --> 00:11:48,008 Garza: OPEN UP, REEDS! COME ON! I GOT YOUR P.O. OVER HERE! 270 00:11:48,040 --> 00:11:49,408 DENY US ENTRY, 271 00:11:49,442 --> 00:11:51,577 I'M GONNA THROW YOUR SORRY ASS BACK IN JAIL. YOU HEAR ME? 272 00:11:51,610 --> 00:11:52,578 [ BANGING ON DOOR ] 273 00:11:52,611 --> 00:11:55,682 JESUS. WHAT ARE YOU, DEAF, WOMAN? 274 00:11:55,715 --> 00:11:58,018 GOT A TIP YOU WERE SCORING DRUGS DOWN THE BLOCK. 275 00:11:58,051 --> 00:11:59,418 GO ON. SEARCH IT. 276 00:11:59,451 --> 00:12:01,855 IS YOUR BOY HERE? 277 00:12:01,889 --> 00:12:03,289 Ayn: YOU LEAVE MY BOY OUT OF THIS. 278 00:12:03,322 --> 00:12:04,691 I'VE NEVER DONE DRUGS IN MY LIFE. 279 00:12:04,724 --> 00:12:06,125 YOU GOT NO RIGHT COMING IN HERE. 280 00:12:06,158 --> 00:12:07,059 [ CHUCKLES ] 281 00:12:07,094 --> 00:12:08,461 BACK HER UP. BACK THIS GIRL UP. 282 00:12:10,898 --> 00:12:13,633 CALM DOWN, MA'AM. YOU NEED TO CALM DOWN. 283 00:12:15,467 --> 00:12:16,970 WHOA, WHOA, WHOA. LOOK AT THIS. 284 00:12:18,138 --> 00:12:20,106 SURPRISE, SURPRISE. 285 00:12:20,139 --> 00:12:22,274 LOOKS LIKE YOU'LL BE FINISHING YOUR SENTENCE AFTER ALL. 286 00:12:22,308 --> 00:12:23,710 THAT'S NOT MINE! 287 00:12:23,743 --> 00:12:24,977 YES, IT IS. 288 00:12:25,011 --> 00:12:26,312 YOU KILL A MAN, YOU DO THE TIME AND PAY THE PRICE. 289 00:12:26,346 --> 00:12:28,380 HE PLANTED THAT! 290 00:12:28,414 --> 00:12:29,716 SHUT YOUR MOUTH. 291 00:12:29,749 --> 00:12:32,786 OKAY, AMARI. HERE WE GO. JUST A LITTLE TRIP. 292 00:12:32,820 --> 00:12:35,054 EASY-PEASY. 293 00:12:35,087 --> 00:12:36,489 [ GRUNTS ] 294 00:12:36,523 --> 00:12:38,158 OKAY, YEAH, YEAH. DON'T -- DON'T GET THE NECK. 295 00:12:38,191 --> 00:12:39,225 THERE WE GO. 296 00:12:39,259 --> 00:12:40,894 Garza: NOW, GO ON. KEEP SEARCHING. 297 00:12:40,927 --> 00:12:42,796 THE KID'S GOT TO BE HERE SOMEWHERE. 298 00:12:42,830 --> 00:12:45,298 HANG ON, ALL RIGHT? HERE WE GO. 299 00:12:45,331 --> 00:12:47,734 [ GRUNTS ] 300 00:12:47,767 --> 00:12:49,568 Officer: WHAT THE HELL WAS THAT? 301 00:12:49,601 --> 00:12:51,904 DON'T KNOW. KID'S NOT HERE. 302 00:12:51,938 --> 00:12:54,441 LET HIM BE. HE'S AT HIS GRANDMA'S HOUSE. 303 00:12:54,474 --> 00:12:57,244 DON'T TELL ME WHAT TO DO, KILLER. NOW, LET'S GO. 304 00:12:57,277 --> 00:13:00,113 I'M GONNA TAKE YOU BACK WHERE YOU BELONG. 305 00:13:10,356 --> 00:13:12,091 Sam: THERE YOU GO. FREE CANDY. 306 00:13:12,125 --> 00:13:13,592 FOR REAL? YEP. 307 00:13:13,625 --> 00:13:15,327 I'M FRIENDS WITH THE LADY WHO OWNS THIS PLACE, 308 00:13:15,361 --> 00:13:16,729 SO YOU CAN HAVE WHATEVER YOU WANT. 309 00:13:18,164 --> 00:13:21,100 NOW, LOOK, UH...I KNOW YOU'RE WORRIED ABOUT YOUR MOM. 310 00:13:21,134 --> 00:13:23,536 BUT WE'RE GONNA GET HER OUT, OKAY? 311 00:13:23,570 --> 00:13:24,703 I PROMISE YOU. 312 00:13:30,743 --> 00:13:33,446 IF YOU NEED THIS GUY TO COP TO PLANTING DRUGS ON YOUR FRIEND, 313 00:13:33,480 --> 00:13:35,148 BLACKMAIL IS THE EASIEST WAY TO GO. 314 00:13:35,182 --> 00:13:36,816 YOU KNOW WHAT I WOULD LIKE TO DO? 315 00:13:36,850 --> 00:13:38,817 I WOULD LIKE TO MARCH INTO THE NEAREST POLICE STATION 316 00:13:38,851 --> 00:13:40,153 AND TELL THEM THAT HE'S DIRTY. 317 00:13:40,187 --> 00:13:42,956 BUT I CAN'T BECAUSE I AM TRAPPED 318 00:13:42,990 --> 00:13:45,158 IN THE WORLD'S NICEST SAFE HOUSE. 319 00:13:45,192 --> 00:13:47,527 FI, WHAT YOU NEED IS PROOF HE'S DIRTY. 320 00:13:47,559 --> 00:13:49,996 GARZA'S NEVER BEEN ABLE TO FIND ANOTHER C.I. 321 00:13:50,029 --> 00:13:52,532 TO TAKE DOWN THE CREW THAT KILLED HIS PARTNER. 322 00:13:52,565 --> 00:13:53,700 LET'S GIVE HIM ONE. 323 00:13:53,732 --> 00:13:55,001 WELL, A NEW FRIEND LIKE THAT 324 00:13:55,034 --> 00:13:56,536 COULD TALK HIM INTO DOING SOME DIRT. 325 00:13:56,568 --> 00:13:58,538 MAYBE STEAL SOME EVIDENCE FROM POLICE IMPOUND -- 326 00:13:58,571 --> 00:13:59,838 THAT WOULD BE ENOUGH. 327 00:13:59,873 --> 00:14:02,875 BUT, OF COURSE, THE QUESTION IS, 328 00:14:02,909 --> 00:14:07,714 WHO COULD PASS FOR A...GANG MEMBER? 329 00:14:11,018 --> 00:14:12,019 WHAT? 330 00:14:12,052 --> 00:14:13,086 Michael: I HATE TO ASK. 331 00:14:13,120 --> 00:14:14,053 WOW. 332 00:14:14,086 --> 00:14:15,388 SERIOUSLY? GUYS? 333 00:14:15,422 --> 00:14:17,423 NOW IS GOOD TIME TO GO AFTER A COP 334 00:14:17,456 --> 00:14:18,691 ON BEHALF OF A CONVICTED MURDERER? 335 00:14:18,725 --> 00:14:19,725 NO, THANK YOU. 336 00:14:19,759 --> 00:14:21,528 GARZA DOESN'T DESERVE TO CALL HIMSELF A COP. 337 00:14:21,561 --> 00:14:23,763 AND YOU'RE WRONG ABOUT AYN. 338 00:14:23,796 --> 00:14:26,033 SHE'S A GOOD PERSON. 339 00:14:26,066 --> 00:14:27,200 SHE KILLED A GUY, FI. 340 00:14:27,234 --> 00:14:28,567 SO, AS A PERSON, I'D GIVE HER, LIKE, A "C." 341 00:14:28,600 --> 00:14:29,568 C-PLUS TOPS. 342 00:14:29,601 --> 00:14:31,571 JESSE, IF YOU DON'T HELP, 343 00:14:31,604 --> 00:14:34,573 THAT KID IS GONNA GROW UP WITHOUT A MOTHER. 344 00:14:34,606 --> 00:14:35,741 [ SIGHS ] 345 00:14:35,774 --> 00:14:37,543 YOU KNOW SOMETHING ABOUT THAT. 346 00:14:37,576 --> 00:14:38,912 JUST GIVE ME THE DAMN PHONE. 347 00:14:38,946 --> 00:14:41,081 LET ME CALL THIS BASTARD BEFORE I CHANGE MY MIND. 348 00:14:48,087 --> 00:14:50,090 WHEN POSING AS A HARD-CORE CRIMINAL, 349 00:14:50,123 --> 00:14:51,790 THE KEY IS TO COME ON STRONG. 350 00:14:51,823 --> 00:14:54,394 YOU SIT IN THE POWER POSITION IN THE ROOM 351 00:14:54,427 --> 00:14:56,763 AND TAKE UP AS MUCH SPACE AS POSSIBLE. 352 00:14:56,796 --> 00:14:57,965 DETECTIVE. YO. 353 00:14:57,998 --> 00:14:59,631 WHAT'S GOING ON, BABY? 354 00:14:59,665 --> 00:15:03,602 AND YOU NEVER, EVER SHOW ANY RESPECT FOR THE POLICE. 355 00:15:03,635 --> 00:15:05,138 I'M YOUR DATE, PLAYBOY. 356 00:15:05,172 --> 00:15:06,572 LUCKY YOU, RIGHT? SHH! SHH-SHH-SHH. 357 00:15:06,605 --> 00:15:07,941 YOU WANT TO GET DOWN ON SOME FOOD? 358 00:15:07,975 --> 00:15:09,642 LISTEN, THANKS FOR MAKING THE DRIVE, 359 00:15:09,676 --> 00:15:11,278 BUT YOU GOT TO KEEP YOUR GODDAMN VOICE DOWN, ALL RIGHT? 360 00:15:11,311 --> 00:15:12,778 MY BAD. 361 00:15:12,812 --> 00:15:14,480 Waitress: HERE YOU GO, DETECTIVE. 362 00:15:14,514 --> 00:15:15,648 HOW YOU DOING? 363 00:15:15,682 --> 00:15:18,418 JACE ROBINSON'S GONNA SOLVE ALL MY PROBLEMS 364 00:15:18,451 --> 00:15:19,986 WITH THE G.T. MAFIA, HUH? 365 00:15:20,019 --> 00:15:21,788 DON'T BE COMING UP IN HERE USING MY REAL NAME, MAN. 366 00:15:21,821 --> 00:15:23,789 I TOLD YOU ON THE PHONE -- YOU CALL ME J-TRAIN. 367 00:15:23,822 --> 00:15:25,993 [ LAUGHS ] 368 00:15:26,025 --> 00:15:28,628 I THINK I WOULD REMEMBER AN A.K.A. THAT STUPID. 369 00:15:28,661 --> 00:15:30,397 WE GOT NO RECORD OF YOU. 370 00:15:30,429 --> 00:15:32,399 SO, WHO THE HELL ARE YOU? 371 00:15:32,432 --> 00:15:34,634 LOOK, I AIN'T GONNA BE ALL UP IN YOUR SYSTEM, MAN. 372 00:15:34,667 --> 00:15:36,168 I'M NEW BLOOD. I'M FROM QUEENS. 373 00:15:36,202 --> 00:15:38,105 I WASN'T GETTING MY DUE UP IN THE APPLE. 374 00:15:38,138 --> 00:15:39,306 I CAME DOWN HERE LAST YEAR. 375 00:15:39,338 --> 00:15:40,673 KA-BLOOEY. I'M BLOWING UP. 376 00:15:40,706 --> 00:15:42,475 YOU'RE "BLOWING UP," HUH? THAT'S RIGHT. 377 00:15:42,509 --> 00:15:44,076 AND YOU THOUGHT YOUR NEXT LOGICAL STEP 378 00:15:44,110 --> 00:15:45,177 IS TO BECOME A SNITCH? 379 00:15:45,211 --> 00:15:47,413 OKAY, "A," LET'S NOT USE THAT WORD. 380 00:15:47,447 --> 00:15:48,648 THAT'S AN UGLY WORD. 381 00:15:48,681 --> 00:15:51,283 "B," I WANT TO BE YOUR C.I. 382 00:15:51,317 --> 00:15:53,485 BECAUSE THE ONLY THING BETWEEN ME AND THE TOP 383 00:15:53,519 --> 00:15:54,653 IS THE BOSS. 384 00:15:54,687 --> 00:15:56,288 I CAN HELP YOU TAKE HIM OUT. 385 00:15:56,322 --> 00:15:58,658 YOU'RE GONNA HELP ME TAKE DOWN SHERROD WASHINGTON, 386 00:15:58,691 --> 00:16:00,994 THE MAN THAT KILLED MY PARTNER? 387 00:16:01,028 --> 00:16:03,163 I THINK YOU'RE PLAYING AN ANGLE, AND I DON'T LIKE IT. OF COURSE I'M PLAYING AN ANGLE. 388 00:16:03,196 --> 00:16:04,596 WHAT THE HELL YOU THINK I'M DOING? 389 00:16:04,630 --> 00:16:06,633 LOOK, SHERROD AND HIS BOYS GO DOWN, 390 00:16:06,666 --> 00:16:08,967 THAT'S WHAT YOU CALL A REGIME CHANGE, SON. 391 00:16:09,001 --> 00:16:10,503 HAPPENS ALL THE TIME. 392 00:16:10,537 --> 00:16:13,639 AND GUESS WHO'S GOT NEXT. OOH. OOH. 393 00:16:13,673 --> 00:16:17,110 YOU DO THIS, DETECTIVE, YOU GET A NICE, LITTLE, SHINY MEDAL, 394 00:16:17,144 --> 00:16:20,246 YOU GET PEACE IN THE TERRACE, AND YOU GET A PARTNER. 395 00:16:23,482 --> 00:16:24,616 HOW CLOSE TO SHERROD ARE YOU? 396 00:16:24,650 --> 00:16:26,186 WHAT I SAY? WE TIGHT, MAN. 397 00:16:26,219 --> 00:16:27,287 OKAY. 398 00:16:27,320 --> 00:16:29,155 LET'S GO FIND OUT HOW TIGHT YOU ARE, HUH? 399 00:16:29,188 --> 00:16:32,058 YEAH, LET'S DO THAT. 400 00:16:39,032 --> 00:16:40,232 YOU WANT TO WORK TOGETHER, 401 00:16:40,267 --> 00:16:42,034 YOU'RE GONNA HAVE TO SHOW ME SOMETHING, J-TRAIN. 402 00:16:42,068 --> 00:16:44,671 SHERROD'S BAR RIGHT BEHIND ME. 403 00:16:44,703 --> 00:16:47,073 YOU NEED TO GET INSIDE AND GO TO HIS PRIVATE OFFICE 404 00:16:47,106 --> 00:16:49,076 AND TAKE A PICTURE OF IT WITH YOUR PHONE. 405 00:16:49,109 --> 00:16:50,476 OKAY. 406 00:16:50,509 --> 00:16:52,312 NOW. 407 00:16:52,345 --> 00:16:54,380 NO PROBLEM, MAN. I'LL BE BACK. 408 00:17:05,758 --> 00:17:07,227 FI: Hey, Jesse. How's it going? 409 00:17:07,259 --> 00:17:08,394 UH, THAT DEPENDS. 410 00:17:08,428 --> 00:17:10,230 HOW FAST CAN YOU GET DOWN TO ALIZE IN OVERTOWN? 411 00:17:10,262 --> 00:17:11,498 20 MINUTES. 412 00:17:11,530 --> 00:17:12,432 BETTER MAKE IT 10. 413 00:17:12,464 --> 00:17:14,000 GARZA'S GOT ME ON A SCAVENGER HUNT. 414 00:17:14,032 --> 00:17:16,435 I GOT TO GET A PICTURE OF THE INSIDE OF SHERROD'S OFFICE. 415 00:17:16,469 --> 00:17:19,538 IT'S GUARDED BY A GIGANTIC HUMAN BEING. 416 00:17:19,571 --> 00:17:21,039 AND JUDGING BY THE LOOKS OF THIS PLACE, 417 00:17:21,074 --> 00:17:22,075 I'M BETTING IT'S LOCKED. 418 00:17:22,108 --> 00:17:23,776 I'LL BE THERE. Thank you. 419 00:17:30,782 --> 00:17:32,085 HERE WE GO. 420 00:17:32,118 --> 00:17:35,422 GRAY IS HEADED OVER. 421 00:17:35,454 --> 00:17:37,690 HEY. SORRY I'M LATE. 422 00:17:37,723 --> 00:17:38,924 NO WORRIES. 423 00:17:38,958 --> 00:17:41,760 THIS IS, UH... 424 00:17:41,794 --> 00:17:43,863 THIS IS SOME HEAT WE'RE HAVING, HUH? 425 00:17:43,895 --> 00:17:46,065 IT'S FINE WITH ME. I LIKE SUNNY DAYS. 426 00:17:46,098 --> 00:17:47,967 WHAT DID HE SAY? 427 00:17:48,000 --> 00:17:49,902 SOMETHING ABOUT SUNNY DAYS. 428 00:17:49,935 --> 00:17:50,936 THE WEATHER. 429 00:17:50,970 --> 00:17:52,939 THAT'S CARD'S FAVORITE RECOGNITION CODE. 430 00:17:52,971 --> 00:17:55,407 HE HAD DIFFERENT SIGNALS FOR ALL HIS FIELD OPS. 431 00:17:55,442 --> 00:17:56,976 WHAT? DO YOU THINK WE'RE BLOWN? I DON'T KNOW. 432 00:17:57,009 --> 00:17:58,545 BUT HE MUST BE WORRIED SOMEONE'S LISTENING IN. 433 00:17:58,577 --> 00:17:59,945 WAIT, WAIT. MIKE, MIKE, HANG ON. HANG ON. 434 00:17:59,979 --> 00:18:02,582 I MEAN, MAYBE GRAY'S JUST GIVING HIM THE ALL-CLEAR. 435 00:18:02,615 --> 00:18:05,251 LET'S NOT JUMP SHIP UNTIL WE KNOW WHERE IT'S GOING. 436 00:18:06,919 --> 00:18:08,387 SEE WHAT I MEAN? 437 00:18:08,421 --> 00:18:12,625 WESTEN WAS LOOKING FOR PEOPLE WHO WANTED ANSON DEAD. 438 00:18:12,659 --> 00:18:13,759 LONG LIST. 439 00:18:13,792 --> 00:18:15,194 I THINK HE KNEW YOU WERE ON IT. 440 00:18:17,329 --> 00:18:19,398 WHY DO YOU THINK WE CLOSED THE LOOP? 441 00:18:19,432 --> 00:18:22,000 IT WASN'T 'CAUSE MICHAEL STOPPED SENDING ME CHRISTMAS CARDS. 442 00:18:22,034 --> 00:18:24,936 I GET IT. BUT IF HE WAS ONTO YOU, HE MIGHT HAVE TOLD SOMEONE. 443 00:18:24,971 --> 00:18:27,240 IT'S UNDER CONTROL. 444 00:18:27,273 --> 00:18:29,476 BACK OFF THE CAFFEINE, CHAMP. 445 00:18:29,509 --> 00:18:32,244 SOMETHING IS WRONG, SAM. HE'S SOFT-SELLING IT. 446 00:18:32,278 --> 00:18:35,748 HOW ABOUT IF WE GIVE THE MAN 30 WHOLE SECONDS TO PITCH THIS? 447 00:18:35,781 --> 00:18:36,982 IF YOU'RE SO CONFIDENT, 448 00:18:37,016 --> 00:18:39,286 HOW COME I'M PULLING TRIGGERS AND BURNING LOFTS? 449 00:18:39,318 --> 00:18:40,787 THAT'S A NEED-TO-KNOW, TYLER. 450 00:18:40,819 --> 00:18:42,855 WELL, WHATEVER THIS IS, I'M A PART OF IT NOW. 451 00:18:42,888 --> 00:18:45,090 THERE'S BLOOD ON MY HANDS. 452 00:18:45,124 --> 00:18:47,826 READ...ME...IN. 453 00:18:47,859 --> 00:18:50,363 FINE. 454 00:18:50,396 --> 00:18:51,498 BUT NOT HERE. 455 00:18:51,530 --> 00:18:52,832 FRIDAY. 456 00:18:52,865 --> 00:18:54,834 I'LL SHOW YOU THE BRIEFING MATERIAL, THE WHOLE LID. 457 00:18:56,202 --> 00:18:58,637 WE'RE DONE. YOU'LL HEAR FROM ME. 458 00:18:58,671 --> 00:19:00,207 OKAY. SEE? HE DIALED IT IN. 459 00:19:00,240 --> 00:19:03,210 I THINK HE JUST -- OKAY. DAMN IT. MIKE. 460 00:19:07,747 --> 00:19:10,048 WHAT THE HELL WAS THAT? WHAT WAS WHAT? 461 00:19:10,082 --> 00:19:11,718 WE REHEARSED THIS FIVE TIMES. 462 00:19:11,750 --> 00:19:14,153 AND IN NO VERSION WAS THERE A RECOGNITION CODE. 463 00:19:14,186 --> 00:19:15,054 I SAID NO SURPRISES! 464 00:19:15,086 --> 00:19:16,189 HE ASKED ABOUT THE HEAT. 465 00:19:16,222 --> 00:19:18,023 HE WANTED TO KNOW IF I'D BEEN FOLLOWED. 466 00:19:18,057 --> 00:19:19,692 I HAD TO LET HIM KNOW WE WERE CLEAR. 467 00:19:19,726 --> 00:19:21,861 YOU DIDN'T PUSH FOR ONE HARD PIECE OF INTEL! 468 00:19:21,894 --> 00:19:23,563 IF YOU'RE RUNNING SOME DOUBLE GAME -- 469 00:19:23,596 --> 00:19:26,031 BACK OFF! I KNOW WHAT I'M DOING! 470 00:19:26,065 --> 00:19:27,165 CARD IS SPOOKED. 471 00:19:27,200 --> 00:19:29,701 IF I HAD PUSHED TOO HARD, HE WOULD'VE SHUT DOWN. 472 00:19:29,736 --> 00:19:30,970 GIVE ME TIME. 473 00:19:31,002 --> 00:19:32,505 I'LL REEL HIM IN. 474 00:19:32,538 --> 00:19:34,340 I WILL GET WHAT WE NEED. 475 00:19:34,374 --> 00:19:35,875 YOU BETTER. 476 00:19:47,586 --> 00:19:50,021 OH, NICE NECKLACE. 477 00:19:50,056 --> 00:19:51,857 YOU KNOW, I THINK I HAVE A MATCHING BRACELET 478 00:19:51,891 --> 00:19:53,393 IF YOU'D LIKE TO BORROW IT SOMETIME. 479 00:19:53,425 --> 00:19:55,994 YOU GOT JOKES. 480 00:19:56,028 --> 00:19:58,096 THE OFFICE IS BACK THERE. THE BOSS IS OVER THERE. 481 00:19:58,130 --> 00:20:01,233 AND BEEFY "T" HAS NOT MOVED SINCE I CALLED YOU. 482 00:20:01,268 --> 00:20:03,903 [ SIGHS ] 483 00:20:03,935 --> 00:20:05,238 UH, CHAMPAGNE? 484 00:20:05,271 --> 00:20:07,374 THE ONE ON THE TOP SHELF. 485 00:20:07,406 --> 00:20:12,244 AND CAN I KEEP THE CORK AND THE CAGE? 486 00:20:12,278 --> 00:20:13,445 I'M A COLLECTOR. 487 00:20:15,914 --> 00:20:17,250 CAN WE NOT CELEBRATE JUST YET? 488 00:20:17,284 --> 00:20:18,750 YOU STILL GOT TO PICK YOUR WAY IN. 489 00:20:18,785 --> 00:20:20,386 DID YOU GET SOME TOOLS? 490 00:20:20,420 --> 00:20:22,054 WHAT DO YOU THINK I'M COLLECTING? 491 00:20:22,087 --> 00:20:24,290 CLEVER GIRL. 492 00:20:24,324 --> 00:20:26,759 SO, HOW YOU GONNA CLEAR BIG BOY OUT OF THE WAY? 493 00:20:26,792 --> 00:20:29,496 I'LL TAKE CARE OF IT. WISH ME LUCK. 494 00:20:32,765 --> 00:20:34,433 PARTY PEOPLE, WHAT IS UP? 495 00:20:34,467 --> 00:20:36,234 [ CHUCKLES ] 496 00:20:36,269 --> 00:20:38,237 YOU. 497 00:20:38,270 --> 00:20:40,239 YOU. YOU LOOK LIKE A PLAYER. 498 00:20:40,272 --> 00:20:41,641 AM I RIGHT, LADIES? AM I RIGHT? 499 00:20:41,673 --> 00:20:43,108 IS HE A PLAYER? LOOK AT HIM. 500 00:20:43,142 --> 00:20:44,277 WHY DON'T YOU GET UP OUT OF HERE, MAN? 501 00:20:44,310 --> 00:20:46,211 NO, NO. SHH. LISTEN. LISTEN. LISTEN. 502 00:20:46,244 --> 00:20:47,413 SERIOUSLY. 503 00:20:47,447 --> 00:20:48,414 I'M DOWN HERE FROM JACKSONVILLE ON BUSINESS, 504 00:20:48,448 --> 00:20:49,816 AND I GOT A DEAL FOR YOU, HOMEY. 505 00:20:49,848 --> 00:20:52,250 MY MAN SAID GET OUT OF HERE. I NEED YOU TO -- 506 00:20:52,285 --> 00:20:53,786 HEY, MALIK! 507 00:20:53,819 --> 00:20:55,587 NO! I DIDN'T WANT TO DO THAT. 508 00:20:55,622 --> 00:20:56,388 WHO'S MALIK? 509 00:20:56,423 --> 00:20:57,457 HEY, NO, NO. 510 00:20:57,490 --> 00:20:59,157 WE DON'T NEED MALIK INVOLVED IN THIS. 511 00:20:59,191 --> 00:21:00,460 NO. FALSE ALARM, MALIK. 512 00:21:00,492 --> 00:21:02,295 WE'RE GOOD. WE'RE GOOD. WE'RE GOOD. WE'RE GOOD. 513 00:21:02,328 --> 00:21:03,829 BACK TO YOUR BUSINESS. 514 00:21:03,863 --> 00:21:04,963 BOUNCE THIS FOOL. 515 00:21:06,465 --> 00:21:09,969 NO, NO BOUNCING. LOOK, I JUST WANT TO TALK TO YOU. 516 00:21:10,001 --> 00:21:12,003 [ GRUNTING ] 517 00:21:19,378 --> 00:21:22,248 WHEN YOU IN MY CLUB... 518 00:21:22,280 --> 00:21:23,249 YOU... 519 00:21:23,281 --> 00:21:24,683 BEST... 520 00:21:24,717 --> 00:21:25,718 LISTEN! 521 00:21:30,856 --> 00:21:33,192 THAT WAS FUN. THAT WAS FUN. 522 00:21:33,224 --> 00:21:34,861 WE ALL LEARNED SOME THINGS. 523 00:21:34,894 --> 00:21:36,528 YOU GUYS DON'T LIKE MONEY. I DIG IT. 524 00:21:36,563 --> 00:21:37,763 DON'T LET ME SEE YOU AGAIN. 525 00:21:37,797 --> 00:21:39,198 THAT'S SOME GOOD ADVICE. 526 00:21:40,400 --> 00:21:43,234 HERE YOU GO. 527 00:21:48,474 --> 00:21:51,210 WHOO. 528 00:21:51,242 --> 00:21:53,278 [ CHUCKLES ] HEY, HEY. 529 00:21:53,311 --> 00:21:54,346 SO, WHAT HAPPENED? 530 00:21:54,381 --> 00:21:55,647 WHAT CAN I SAY, MAN? 531 00:21:55,682 --> 00:21:57,517 SHERROD LOVES HIS DRINK. IT'S A PARTY UP IN THERE. 532 00:21:57,549 --> 00:21:58,851 RIGHT. DID YOU GET THE SHOT OR NOT? 533 00:21:58,884 --> 00:22:00,787 WHAT? THE PICTURE. DO YOU HAVE IT? 534 00:22:00,819 --> 00:22:04,056 AH, YEAH, YEAH, YEAH. YEAH, MAN. 535 00:22:04,089 --> 00:22:05,692 WHOOP. BOOM. 536 00:22:05,724 --> 00:22:08,361 JUST LIKE YOU ASKED. 537 00:22:10,229 --> 00:22:11,196 ALL RIGHT, MR. TRAIN. 538 00:22:11,230 --> 00:22:12,699 IT LOOKS LIKE YOU'RE FOR REAL. 539 00:22:12,731 --> 00:22:15,201 WHY DON'T YOU GO TAKE A NAP SOMEWHERE? 540 00:22:15,233 --> 00:22:16,301 WE'LL BE TALKING REAL SOON. 541 00:22:16,335 --> 00:22:17,869 CAN'T WAIT. 542 00:22:22,608 --> 00:22:25,444 [ GROANS ] 543 00:22:27,513 --> 00:22:29,315 I JU-- OW! OW! OW! 544 00:22:29,347 --> 00:22:30,883 YOU SHOULD HAVE LET ME STOP THEM. 545 00:22:30,916 --> 00:22:31,884 I COULD HAVE STOPPED THEM. 546 00:22:31,917 --> 00:22:33,685 YEAH. THAT'S DEBATABLE. 547 00:22:33,720 --> 00:22:36,556 THAT ONE DUDE WAS THREE BILLS, EASY. 548 00:22:36,588 --> 00:22:38,257 [ Groaning ] OUCH. 549 00:22:38,289 --> 00:22:39,892 I HATE THIS JOB SO MUCH. 550 00:22:39,925 --> 00:22:41,993 WELL, THE HARD PART'S OVER. YOU'RE IN. 551 00:22:42,028 --> 00:22:43,229 NOW ALL YOU HAVE TO DO 552 00:22:43,261 --> 00:22:45,597 IS CONVINCE GARZA TO STEAL A GUN FROM POLICE LOCKUP, 553 00:22:45,632 --> 00:22:48,233 WE'LL GET HIM ON TAPE, AND AYN GETS HER LIFE BACK. 554 00:22:48,267 --> 00:22:49,367 YEAH, I GET IT. 555 00:22:49,402 --> 00:22:50,836 BUT IF GARZA CATCHES ME WEARING A WIRE, 556 00:22:50,869 --> 00:22:52,404 MY KIDNEYS ARE GONNA GET ANOTHER WORKOUT. 557 00:22:52,439 --> 00:22:53,905 YOU DON'T HAVE TO WORRY ABOUT THAT. 558 00:22:53,940 --> 00:22:55,842 I HAVE SAM WORKING ON SOMETHING. 559 00:22:55,875 --> 00:22:58,376 WE'RE GONNA CATCH THE BASTARD ON TAPE FROM DOWN THE BLOCK. 560 00:23:03,883 --> 00:23:06,352 HEY, YOU WANT TO HELP? 561 00:23:06,384 --> 00:23:07,420 HELP DO WHAT? 562 00:23:07,453 --> 00:23:08,921 [ LAUGHS ] SMART MAN. 563 00:23:08,954 --> 00:23:10,189 COME OVER HERE. 564 00:23:10,221 --> 00:23:12,023 ALWAYS ASK THAT QUESTION. 565 00:23:12,057 --> 00:23:14,093 I GET MYSELF INTO SO MUCH TROUBLE 566 00:23:14,125 --> 00:23:16,895 HELPING PEOPLE WITH STUFF WITHOUT ASKING WHAT. 567 00:23:16,929 --> 00:23:18,931 SIT DOWN. 568 00:23:18,964 --> 00:23:22,034 YOU WANT TO HELP US TAKE DOWN THE GUY THAT SENT YOUR MOM TO PRISON? 569 00:23:22,067 --> 00:23:23,803 TELL ME WHAT TO DO. 570 00:23:23,836 --> 00:23:27,539 Michael: THE TWO MOST CHALLENGING PARTS OF PLANTING A LISTENING DEVICE 571 00:23:27,574 --> 00:23:30,276 ARE QUICK CONCEALMENT AND POWER. 572 00:23:30,308 --> 00:23:32,878 IF YOUR TARGET WEARS A RADIO FOR WORK, 573 00:23:32,912 --> 00:23:34,447 YOU CAN KILL TWO BIRDS WITH ONE STONE 574 00:23:34,480 --> 00:23:38,150 BY BUGGING A DUPLICATE POWER PACK AND SWITCHING THEM OUT. 575 00:23:38,183 --> 00:23:40,152 DO IT RIGHT, AND YOU GET A BUG 576 00:23:40,185 --> 00:23:42,387 THAT YOUR TARGET CARRIES EVERYWHERE HE GOES. 577 00:23:42,421 --> 00:23:45,525 OKAY. LET'S TEST IT. 578 00:23:47,159 --> 00:23:48,326 CHICKEN BUTT. 579 00:23:48,359 --> 00:23:49,327 [ LAUGHS ] 580 00:23:49,361 --> 00:23:51,262 I READ THAT, 10-BY-10. 581 00:23:51,297 --> 00:23:52,298 YOU READY, JESSE? 582 00:23:52,330 --> 00:23:54,099 YEAH, JUST GIVE ME THE THING. 583 00:23:54,133 --> 00:23:57,670 THANKS -- FOR HELPING MY MOM. 584 00:24:00,006 --> 00:24:01,106 SURE THING, LITTLE MAN. 585 00:24:07,145 --> 00:24:09,615 [ SIREN CHIRPING ] 586 00:24:09,648 --> 00:24:12,618 [ POLICE RADIO CHATTER ] 587 00:24:12,652 --> 00:24:15,354 I ASKED YOU TO KEEP THIS ON THE LOW. 588 00:24:15,386 --> 00:24:16,923 YOU GOT ME STROLLING UP TO A POLICE STATION? 589 00:24:16,955 --> 00:24:18,990 YOU LAZY MOTHER-- DON'T YOU WORRY ABOUT IT. 590 00:24:19,025 --> 00:24:21,961 NO, NO. I'M WORRIED ABOUT IT. 591 00:24:21,993 --> 00:24:24,430 MATTER OF FACT, GIVE ME YOUR PHONE AND YOUR RADIO. 592 00:24:24,462 --> 00:24:25,597 [ LAUGHS ] 593 00:24:25,632 --> 00:24:27,098 I'M SERIOUS. REALLY? 594 00:24:27,133 --> 00:24:28,934 I'M TURNING BOTH THEM BITCHES OFF. 595 00:24:28,968 --> 00:24:30,368 I AIN'T GETTING BUGGED TODAY. 596 00:24:30,402 --> 00:24:31,871 THERE. 597 00:24:37,676 --> 00:24:40,179 WAIT. WHAT? YOU TAKING THEM APART? 598 00:24:40,211 --> 00:24:41,313 YOU'RE DAMN STRAIGHT. 599 00:24:41,346 --> 00:24:43,682 MY BOY TINY'S DOING 10 TO 15 600 00:24:43,715 --> 00:24:45,852 BECAUSE OF SOME ELECTRONIC VOODOO THE FEDS PULLED. 601 00:24:45,884 --> 00:24:47,452 JUST TELL ME WHAT WE'RE PUTTING ON SHERROD 602 00:24:47,486 --> 00:24:48,887 SO I CAN GET THE HELL OUT OF HERE, MAN. 603 00:24:48,921 --> 00:24:50,557 JUST A DIME BAG. 604 00:24:50,589 --> 00:24:52,724 I FIGURE I CAN PULL A STREET RIP LATER, AND WHATEVER I -- A DIME BAG? HELL NO. 605 00:24:52,759 --> 00:24:54,226 HOW AM I SUPPOSED TO STEP UP 606 00:24:54,259 --> 00:24:55,862 IF SHERROD'S GONNA BE OUT ON BAIL THE NEXT DAY, MAN? 607 00:24:55,894 --> 00:24:57,529 I COULD HAVE FRAMED HIM FOR POSSESSION MY DAMN SELF. 608 00:24:57,564 --> 00:24:59,731 I CAME TO YOU TO PUT HIM AWAY FOR GOOD. COME ON, NOW. 609 00:24:59,766 --> 00:25:02,167 WHAT EXACTLY DID YOU HAVE IN MIND? 610 00:25:02,201 --> 00:25:03,869 YOU GO GET A GUN FROM AN UNSOLVED CASE. 611 00:25:03,903 --> 00:25:05,738 WHAT? NO. I'M NOT DOING THAT. 612 00:25:05,771 --> 00:25:07,205 YOU FIRE A FEW SHOTS INTO A PHONE BOOK, 613 00:25:07,239 --> 00:25:08,740 I PLANT THE SHELLS IN SHERROD'S DESK. 614 00:25:08,775 --> 00:25:09,842 I SAID I'M NOT DOING THAT. 615 00:25:09,875 --> 00:25:11,009 PLANTING A LITTLE WEED IS ONE THING, 616 00:25:11,042 --> 00:25:12,077 BUT STEALING EVIDENCE FROM IMPOUND? 617 00:25:12,111 --> 00:25:13,078 THAT'S TOO MUCH. COME ON, MAN! MAN! 618 00:25:13,112 --> 00:25:14,380 YOU GOT THIS REP 619 00:25:14,413 --> 00:25:16,347 LIKE YOU THIS OUTLAW COP WHO BREAKS ALL THE RULES. 620 00:25:16,382 --> 00:25:18,718 "OOH, GARZA, HE'S A BAD MAN. YOU BETTER WATCH YOUR ASS." 621 00:25:18,750 --> 00:25:21,053 AND NOW WHAT? YOU SCARED? I THOUGHT YOU DID WHAT IT TAKES. 622 00:25:21,086 --> 00:25:23,388 I THOUGHT YOU GOT THINGS DONE. 623 00:25:23,422 --> 00:25:26,057 [ SIGHS ] 624 00:25:26,092 --> 00:25:27,058 FINE. 625 00:25:27,093 --> 00:25:29,228 YEAH, THAT'S WHAT I THOUGHT. 626 00:25:29,260 --> 00:25:31,063 NOW, YOU MEET ME AT RIVER PARK -- 2:00. 627 00:25:31,096 --> 00:25:32,263 YOU BRING THE GUN. 628 00:25:32,298 --> 00:25:34,066 WE'LL POP A COUPLE OFF. AND WE FINISH THIS. 629 00:25:47,378 --> 00:25:49,048 WELL, WHERE'S GRAY? 630 00:25:49,080 --> 00:25:51,049 HE'S DOWN BY THE DOCKS. 631 00:25:51,083 --> 00:25:52,618 MOM, ARE YOU SURE YOU WANT TO DO THIS? 632 00:25:52,652 --> 00:25:54,854 I NEED TO DO THIS. I'VE SEEN THIS BEFORE. 633 00:25:54,886 --> 00:25:57,288 A VICTIM WANTS TO MEET THE CRIMINAL, AND IT NEVER HELPS. 634 00:25:57,323 --> 00:25:58,557 MICHAEL, JUST STOP. 635 00:25:58,590 --> 00:26:00,893 I JUST DON'T WANT YOU TO PUT YOURSELF THROUGH SOMETHING 636 00:26:00,926 --> 00:26:02,361 THAT'S JUST GONNA MAKE IT WORSE. 637 00:26:02,394 --> 00:26:05,632 TRUST ME -- THAT'S NOT POSSIBLE. 638 00:26:08,400 --> 00:26:10,102 [ SIGHS ] 639 00:26:18,243 --> 00:26:19,211 Gray: MA'AM. 640 00:26:19,244 --> 00:26:22,280 MADELINE WESTEN. 641 00:26:22,314 --> 00:26:25,785 THANK YOU FOR AGREEING TO MEET. 642 00:26:25,817 --> 00:26:29,087 I WANT TO START BY SAYING HOW SORRY I AM -- 643 00:26:29,121 --> 00:26:30,321 I DON'T GIVE A DAMN ABOUT THAT. 644 00:26:30,355 --> 00:26:33,893 ALL I WANT FROM YOU IS HONEST ANSWERS. 645 00:26:33,925 --> 00:26:37,763 I WANT TO KNOW WHAT GOES ON IN THE MIND OF SOMEONE LIKE YOU. 646 00:26:42,835 --> 00:26:44,435 WHAT'S YOUR TRAINING? 647 00:26:44,470 --> 00:26:46,238 I WAS A SNIPER IN THE MARINES. 648 00:26:46,271 --> 00:26:47,906 WHY'D YOU JOIN THE CIA? 649 00:26:47,940 --> 00:26:50,076 I WANTED TO SERVE MY COUNTRY. 650 00:26:50,108 --> 00:26:52,611 THAT'S ALL? HUH? 651 00:26:54,113 --> 00:26:58,116 DO YOU HAVE A HARD TIME GETTING CLOSE TO PEOPLE? 652 00:26:58,150 --> 00:26:59,250 BAD CHILDHOOD? 653 00:26:59,285 --> 00:27:01,319 IS THAT WHY CARD PICKED YOU? 654 00:27:01,353 --> 00:27:03,588 'CAUSE YOU LIKE HURTING PEOPLE? 655 00:27:03,622 --> 00:27:05,657 HE PICKED ME BECAUSE I'M VERY GOOD AT WHAT I DO. 656 00:27:05,692 --> 00:27:11,663 THEN WHY DID MY SON DIE... IF YOU'RE SO GOOD? 657 00:27:11,698 --> 00:27:15,300 I WAS WORRIED ABOUT THE WIND -- 658 00:27:15,334 --> 00:27:17,970 SPEED, TRAJECTORY, DISTANCE. 659 00:27:18,003 --> 00:27:21,173 AND SO I SWITCHED TO A HIGHER-CALIBER GUN. 660 00:27:21,207 --> 00:27:24,143 I KNEW IT WOULD GO THROUGH. 661 00:27:24,175 --> 00:27:27,645 I TOOK THE SHOT ANYWAY. 662 00:27:27,680 --> 00:27:28,681 IT WAS MY JOB. 663 00:27:28,714 --> 00:27:29,882 [ SIGHS ] 664 00:27:29,915 --> 00:27:32,483 [ Voice breaking ] DID YOU EVEN KNOW WHO HE WAS? 665 00:27:32,518 --> 00:27:34,019 NO. 666 00:27:34,052 --> 00:27:35,688 HE WAS MY BABY BOY. 667 00:27:35,721 --> 00:27:37,189 [ SNIFFLES ] 668 00:27:37,222 --> 00:27:40,960 HE LIKED CARS, ACTION MOVIES, AND GRAPHIC DESIGN. 669 00:27:40,992 --> 00:27:43,695 HE LOVED HIS FAMILY. 670 00:27:43,730 --> 00:27:48,968 HIS NAME WAS NATHANIEL ELIAS WESTEN. 671 00:27:49,000 --> 00:27:53,372 THE NEXT TIME YOU FIRE A BULLET THAT COULD END SOMEONE'S LIFE, 672 00:27:53,404 --> 00:27:56,041 YOU KNOW THEIR NAME. 673 00:27:56,075 --> 00:27:57,876 YES, MA'AM. 674 00:27:57,910 --> 00:27:59,811 I'M SORRY. 675 00:27:59,846 --> 00:28:00,846 [ SIGHS ] 676 00:28:10,422 --> 00:28:11,589 OKAY. 677 00:28:11,623 --> 00:28:12,825 It's been an hour. 678 00:28:12,858 --> 00:28:14,359 When are we pulling the plug on "Candid Camera"? 679 00:28:14,393 --> 00:28:15,827 AS A SPY, 680 00:28:15,862 --> 00:28:18,564 YOUR JOB IS OFTEN TO GET PEOPLE TO BREAK THE RULES. 681 00:28:18,596 --> 00:28:21,400 OKAY. THAT'S HIM. HERE WE GO. 682 00:28:21,432 --> 00:28:23,736 YOU USE THEIR GREED, THEIR FEAR, OR THEIR RAGE 683 00:28:23,769 --> 00:28:26,105 TO MAKE THEM BETRAY THE THINGS THEY VALUE MOST. 684 00:28:26,137 --> 00:28:29,407 WITH A PROFESSIONAL SPY PUSHING THEM HARD, 685 00:28:29,441 --> 00:28:31,410 MOST PEOPLE ABANDON THEIR PRINCIPLES. 686 00:28:31,442 --> 00:28:32,912 WHAT THE HELL IS ALL THIS? 687 00:28:32,944 --> 00:28:35,681 BUT SOMETIMES, VERY OCCASIONALLY, THEY WON'T. 688 00:28:35,713 --> 00:28:37,249 WHAT'S WRONG WITH YOU? YOU BRING THE GUN OR WHAT? 689 00:28:37,282 --> 00:28:40,551 I THOUGHT ABOUT YOUR PLAN. 690 00:28:40,586 --> 00:28:42,888 SORRY. I'M NOT DOING IT. 691 00:28:42,922 --> 00:28:46,424 THAT'S KIND OF THE OPPOSITE OF WHAT WE WANTED ON TAPE. 692 00:28:46,458 --> 00:28:50,061 AND WHEN A TARGET DECIDES TO STICK TO HIS PRINCIPLES, 693 00:28:50,096 --> 00:28:53,132 YOU CAN SUDDENLY FIND A MISSION GOING VERY, VERY BADLY. 694 00:28:53,164 --> 00:28:54,566 WHAT? NOW ALL THE SUDDEN YOU'RE CAPTAIN AMERICA? 695 00:28:54,599 --> 00:28:55,634 PLEASE, I'M -- [ GRUNTS ] 696 00:28:55,666 --> 00:28:57,135 YOU DON'T THINK I CAN BE? 697 00:28:57,169 --> 00:28:58,436 OKAY, WHAT THE HELL? 698 00:28:58,470 --> 00:28:59,738 HEY, HEY, FI, HANG ON. HANG ON. 699 00:28:59,771 --> 00:29:01,039 Garza: YOU THINK YOU KNOW ME? YOU'RE WRONG. 700 00:29:01,073 --> 00:29:03,041 SHERROD KILLED MY PARTNER. 701 00:29:03,075 --> 00:29:04,576 HE SHOT HIM DOWN IN FRONT OF WITNESSES, 702 00:29:04,609 --> 00:29:05,912 ONLY NO ONE CAME FORWARD TO TESTIFY, 703 00:29:05,944 --> 00:29:07,046 SO THE CASE FELL APART. 704 00:29:07,078 --> 00:29:08,380 I HAD NOTHING TO DO WITH THAT, MAN. 705 00:29:08,413 --> 00:29:09,816 YOU'RE ALL THE SAME -- EVERY C.I. I EVER WORKED WITH. 706 00:29:09,848 --> 00:29:11,482 I'M NOT GONNA MAKE THIS MISTAKE AGAIN. 707 00:29:11,517 --> 00:29:13,751 ARE YOU CRACKED? I THOUGHT YOU WANTED REVENGE. NO. 708 00:29:13,786 --> 00:29:15,586 WHAT I WANT IS MY PARTNER -- YOU HEAR ME? 709 00:29:15,621 --> 00:29:17,588 THAT'S WHAT I WANT. I WANT MY PARTNER BACK. 710 00:29:17,623 --> 00:29:19,826 SO, WHAT? NOW YOU FOLDING UP SHOP? IT'S JUST A GUN, MAN. 711 00:29:19,858 --> 00:29:22,994 I SAID I'M NOT STEALING EVIDENCE FROM ANY CASE TO CLOSE MINE. 712 00:29:23,028 --> 00:29:27,133 I'M NOT SCREWING COPS. I'M NOT SCREWING VICTIMS. 713 00:29:27,165 --> 00:29:28,233 THAT'S NOT WHO I AM. 714 00:29:28,267 --> 00:29:29,768 YOU WANT TO RUN THE GARDEN TERRACE, 715 00:29:29,801 --> 00:29:31,136 YOU MIGHT JUST GET YOUR CHANCE. 716 00:29:31,170 --> 00:29:32,805 BUT IF I'M STILL ALIVE TO SEE IT, 717 00:29:32,838 --> 00:29:34,140 I'M GONNA TAKE YOU DOWN, TRAIN. 718 00:29:34,173 --> 00:29:35,507 MAN, HOLD ON. WE HAD A DEAL. 719 00:29:35,540 --> 00:29:37,643 NO. NOW WE'VE GOT A NEW DEAL. 720 00:29:37,675 --> 00:29:39,778 YOU STAY THE HELL AWAY FROM THE TERRACE THIS AFTERNOON. 721 00:29:39,811 --> 00:29:41,012 AND KEEP YOUR MOUTH SHUT. 722 00:29:41,047 --> 00:29:43,182 OH, SO, WHAT? YOU GONNA TAKE ON SHERROD IN HIS PROJECT. 723 00:29:43,214 --> 00:29:46,218 WELL, HIS PROJECT HAPPENS TO BE IN MY CITY. 724 00:29:50,355 --> 00:29:51,323 [ ENGINE TURNS OVER ] 725 00:29:51,356 --> 00:29:52,357 HEY, YOU GO DOWN THERE, 726 00:29:52,391 --> 00:29:53,692 YOU'RE GONNA GET THROWN OFF A ROOF, MAN. 727 00:29:53,724 --> 00:29:55,461 [ TIRES SCREECH ] YEAH? 728 00:29:55,493 --> 00:29:57,864 WELL, THEN MAYBE THIS TIME HE'LL GO DOWN FOR KILLING A COP. 729 00:29:57,896 --> 00:30:00,231 [ TIRES SQUEAL ] 730 00:30:06,172 --> 00:30:07,605 Sam: HEY, MAN. 731 00:30:07,638 --> 00:30:09,641 MY GOD. THAT BASTARD'S CRAZY. 732 00:30:09,674 --> 00:30:11,809 YEAH, WELL, HE'S NOT THE BASTARD WE THOUGHT HE WAS. 733 00:30:11,844 --> 00:30:14,346 HE'S GONNA GET HIMSELF KILLED TRYING TO BUST SHERROD HEAD-ON. 734 00:30:14,380 --> 00:30:17,182 AND IF THAT HAPPENS, AYN ROTS IN PRISON, 735 00:30:17,215 --> 00:30:18,650 AMARI GOES TO FOSTER CARE... 736 00:30:18,683 --> 00:30:21,519 AND WE GOT A COP KILLED. 737 00:30:24,990 --> 00:30:26,858 Michael: FI, WHAT'S WRONG? 738 00:30:26,893 --> 00:30:30,628 AYN'S COP JUST CHOSE A VERY INCONVENIENT TIME 739 00:30:30,662 --> 00:30:33,499 TO DECIDE TO BECOME A BETTER MAN. 740 00:30:33,531 --> 00:30:35,401 AND THAT MAKES YOU UPSET? 741 00:30:35,433 --> 00:30:38,237 HE'S ABOUT TO GET HIMSELF KILLED IN OVERTOWN. 742 00:30:38,269 --> 00:30:40,873 SAM AND JESSE ARE ON THEIR WAY, 743 00:30:40,906 --> 00:30:42,273 BUT I DON'T KNOW IF THEY'RE GONNA MAKE IT. 744 00:30:47,546 --> 00:30:50,182 [ SIGHS ] NOW YOU'RE IN? 745 00:30:50,215 --> 00:30:52,084 I SHOULD HAVE BEEN IN FROM THE BEGINNING. 746 00:30:57,423 --> 00:31:00,893 Jesse: JUST MAKE SURE YOU APPROACH ON HOWARD FROM THE NORTHEAST. 747 00:31:00,926 --> 00:31:02,728 YEAH. 748 00:31:02,760 --> 00:31:03,930 FI'S ON HER WAY. 749 00:31:03,962 --> 00:31:05,696 SHE'S BRINGING MIKE AND A TRUNKLOAD OF WEAPONS. 750 00:31:05,730 --> 00:31:06,999 [ SIREN WAILING ] 751 00:31:07,032 --> 00:31:08,433 HERE COMES GARZA. 752 00:31:16,942 --> 00:31:19,077 Garza: OUR FATHER WHO ART IN HEAVEN, HALLOWED BE THY NAME. 753 00:31:19,111 --> 00:31:20,578 AND LEAD US NOT INTO TEMPTATION, 754 00:31:20,612 --> 00:31:21,747 BUT DELIVER US FROM EVIL. 755 00:31:21,779 --> 00:31:23,249 HOW CLOSE ARE MIKE AND FI? ABOUT FIVE MINUTES. 756 00:31:23,281 --> 00:31:24,282 OKAY. 757 00:31:24,316 --> 00:31:25,917 WELL, I THINK THEY'RE GONNA BE TOO LATE 758 00:31:25,951 --> 00:31:28,253 BECAUSE GARZA IS GETTING READY TO DIE. 759 00:31:28,287 --> 00:31:32,857 ...FOR THEY KINGDOM IS THE GLORY AND POWER FOREVER AND EVER. 760 00:31:32,891 --> 00:31:33,858 AMEN. 761 00:31:33,892 --> 00:31:37,096 MAYBE HE'S... JUST REALLY RELIGIOUS. 762 00:31:39,965 --> 00:31:43,301 SHERROD, COME OUT HERE AND FACE ME LIKE A MAN, YOU LITTLE BITCH! 763 00:31:43,335 --> 00:31:45,270 NOPE, YOU'RE RIGHT. HE'S GONNA DIE. 764 00:31:45,304 --> 00:31:47,472 YOUR TIME IS UP. 765 00:31:52,611 --> 00:31:53,912 SHERROD! 766 00:31:53,945 --> 00:31:55,381 I KNOW YOU'RE HOME! 767 00:31:55,413 --> 00:31:57,383 SOMEBODY GOT TO STOP HIM. WITH WHAT? A BUTTERFLY NET? 768 00:31:57,415 --> 00:31:59,317 WELL, I'M NOT JUST GONNA SIT HERE AND WATCH A COP GET KILLED. 769 00:31:59,351 --> 00:32:01,220 IF HE'S NOT CALLING FOR BACKUP, I'LL DO IT FOR HIM. 770 00:32:01,252 --> 00:32:02,453 [ CELLPHONE BEEPS ] 771 00:32:02,488 --> 00:32:03,654 I'M TAKING YOU IN! 772 00:32:06,258 --> 00:32:08,227 THERE YOU ARE. 773 00:32:08,259 --> 00:32:10,328 SHERROD WASHINGTON, 774 00:32:10,362 --> 00:32:12,897 YOU'RE WANTED FOR QUESTIONING ABOUT YOUR INVOLVEMENT 775 00:32:12,931 --> 00:32:14,932 IN THE SALE AND DISTRIBUTION OF COCAINE. 776 00:32:14,967 --> 00:32:17,568 YOU'RE WANTED FOR QUESTIONING ABOUT YOUR INVOLVEMENT 777 00:32:17,603 --> 00:32:19,438 IN THE PROSTITUTION OF UNDERAGE WOMEN. 778 00:32:19,471 --> 00:32:21,807 AND YOU'RE WANTED FOR QUESTIONING 779 00:32:21,839 --> 00:32:25,111 ABOUT YOUR INVOLVEMENT IN THE DEATH OF MY PARTNER, 780 00:32:25,144 --> 00:32:26,912 OFFICER ANTON SPROLES. 781 00:32:26,944 --> 00:32:28,146 I'M TAKING YOU IN. 782 00:32:28,180 --> 00:32:29,815 DAMN, GARZA. 783 00:32:29,847 --> 00:32:33,751 YOU TURNED THIS PLACE INTO A GHOST TOWN. 784 00:32:33,785 --> 00:32:36,422 I GUESS WE'RE JUST MISSING A GHOST, HUH? 785 00:32:36,454 --> 00:32:38,190 YOU'RE JUST MAKING THINGS EASIER ON ME, SHERROD. 786 00:32:42,193 --> 00:32:44,630 GOOD. NOW I'M TAKING YOU IN FOR ASSAULTING A POLICE OFFICER. 787 00:32:44,663 --> 00:32:45,530 [ GRUNTS ] 788 00:32:52,671 --> 00:32:54,173 [ SIGHS ] HOW'S IT GOING, BOYS? 789 00:32:54,205 --> 00:32:55,641 WHAT? DID YOU STOP FOR COFFEE? 790 00:32:55,673 --> 00:32:57,276 GARZA'S OVER THERE GETTING BEATEN TO DEATH. 791 00:32:57,308 --> 00:32:58,977 Jesse: YEAH, AND THEY GOT NO PROBLEM DOING IT RIGHT OUT IN THE OPEN. 792 00:32:59,010 --> 00:33:00,278 ALL RIGHT, THEN. 793 00:33:00,311 --> 00:33:01,946 LET'S SHOW THEM HOW PROFESSIONALS SEND A MESSAGE. 794 00:33:01,980 --> 00:33:03,815 GIVE ME THE RADIO. 795 00:33:03,848 --> 00:33:06,684 FI -- THAT CAR. 796 00:33:06,718 --> 00:33:08,186 JESSE -- THAT CAR. 797 00:33:08,220 --> 00:33:09,020 BIG? 798 00:33:09,055 --> 00:33:10,622 BIGGER. 799 00:33:10,655 --> 00:33:12,324 USE THE TRACER ROUNDS. 800 00:33:12,357 --> 00:33:14,526 WHEN I OPEN UP, YOU JOIN IN. 801 00:33:14,559 --> 00:33:17,528 WE'LL MAKE IT LOOK LIKE HELL IS RAINING DOWN ON THEIR HEADS. 802 00:33:17,563 --> 00:33:18,797 [ LAUGHS ] 803 00:33:18,829 --> 00:33:20,865 MIKE, I HAVE SO MUCH MORE FUN WHEN YOU'RE HERE. 804 00:33:28,507 --> 00:33:30,842 HEY. YO, HOLD UP. YO, HOLD UP. 805 00:33:35,913 --> 00:33:36,815 [ GARZA COUGHING ] 806 00:33:36,847 --> 00:33:37,915 MAN, YOU SHOULD HAVE NEVER 807 00:33:37,949 --> 00:33:39,585 STEPPED FOOT ON THE TERRACE BY YOURSELF. 808 00:33:39,617 --> 00:33:40,719 [ GUN COCKS ] 809 00:33:40,751 --> 00:33:43,088 ATTENTION, SHERROD WASHINGTON. 810 00:33:43,122 --> 00:33:45,590 STEP AWAY FROM THE DETECTIVE. 811 00:33:45,624 --> 00:33:47,093 TELL ME YOU HEAR ME, SHERROD. 812 00:33:47,125 --> 00:33:49,027 WE CAN HEAR EVERY WORD YOU'RE SAYING. 813 00:33:52,931 --> 00:33:53,898 WHO IS THIS? 814 00:33:53,932 --> 00:33:55,433 WELL, THAT'S A GOOD QUESTION. 815 00:33:55,467 --> 00:33:57,769 ALLOW ME TO INTRODUCE MYSELF. MY NAME IS... 816 00:34:00,605 --> 00:34:01,940 AND I'M FROM THE DEPARTMENT OF... 817 00:34:01,972 --> 00:34:03,108 [ DEVICE BEEPS ] 818 00:34:05,211 --> 00:34:06,244 WHOA! WHOA! 819 00:34:06,278 --> 00:34:08,012 You want to find out where the next one is, 820 00:34:08,045 --> 00:34:09,414 OR DO YOU WANT TO BACK AWAY? 821 00:34:09,447 --> 00:34:11,048 Y'ALL CAN HAVE THIS PIG! WE'RE OUT! 822 00:34:16,788 --> 00:34:18,956 NO, I DON'T THINK SO. YOU'RE NOT GOING ANYWHERE. 823 00:34:18,989 --> 00:34:21,092 WHAT THE HELL DO Y'ALL WANT?! 824 00:34:21,126 --> 00:34:23,628 I want you all to surrender your weapons to Detective Garza. 825 00:34:23,661 --> 00:34:24,730 [ SIRENS WAILING ] 826 00:34:24,762 --> 00:34:26,632 AFTER ALL, HE JUST ARRESTED YOU. 827 00:34:29,168 --> 00:34:31,969 [ TIRES SCREECH ] 828 00:34:32,003 --> 00:34:33,704 YOU HEARD THE MAN. DROP YOUR WEAPONS. 829 00:34:33,739 --> 00:34:36,474 [ GUN CLATTERS ] 830 00:34:36,507 --> 00:34:39,545 THANK YOU. THANK YOU, WHOEVER YOU ARE. 831 00:34:39,577 --> 00:34:40,811 BE GOOD, GARZA. 832 00:34:42,313 --> 00:34:43,514 [ HANDCUFFS CLICKING ] 833 00:34:59,297 --> 00:35:00,931 OH, AWESOME! 834 00:35:00,965 --> 00:35:01,833 [ CHUCKLES ] 835 00:35:01,867 --> 00:35:03,101 SAY, "THANK YOU." 836 00:35:03,135 --> 00:35:04,902 THANK YOU. 837 00:35:04,936 --> 00:35:05,903 Sam: YOU'RE WELCOME. 838 00:35:05,936 --> 00:35:07,338 I DON'T KNOW HOW YOU DID IT, GIRL. 839 00:35:07,373 --> 00:35:09,307 WHEN THEY PULLED ME OUT OF LOCKUP THIS MORNING 840 00:35:09,340 --> 00:35:11,143 AND SAID THAT I WAS FREE TO GO, I THOUGHT, 841 00:35:11,177 --> 00:35:13,778 "THAT CRIMINAL IS STONE-COLD MAGIC." 842 00:35:13,811 --> 00:35:14,980 WELL, I GOT A LOT OF HELP. 843 00:35:15,012 --> 00:35:16,648 I EVEN GOT A LITTLE FROM GARZA HIMSELF, 844 00:35:16,681 --> 00:35:18,583 BUT YOU PROBABLY DON'T WANT TO HEAR ABOUT THAT. 845 00:35:18,617 --> 00:35:20,786 OH, I THINK I DO. 846 00:35:20,818 --> 00:35:24,623 WELL, WE TRIED ENTRAPMENT, AND WE WERE GONNA BLACKMAIL HIM. 847 00:35:24,655 --> 00:35:25,990 THAT DIDN'T HAPPEN. 848 00:35:26,023 --> 00:35:29,527 HE JUST -- HE JUST DECIDED TO DO THIS. 849 00:35:29,561 --> 00:35:31,496 SOMETIMES WHEN YOU PUSH PEOPLE PAST THEIR LIMITS, 850 00:35:31,530 --> 00:35:32,864 THEY REALIZE THEY HAVE NO BUSINESS 851 00:35:32,898 --> 00:35:33,998 STANDING SO CLOSE TO THE LINE. 852 00:35:34,032 --> 00:35:37,268 WELL, GOOD FOR HIM. 853 00:35:37,302 --> 00:35:39,938 MAN LEARNED SOMETHING TOOK ME SIX YEARS TO REALIZE. 854 00:35:39,971 --> 00:35:43,108 SOME CHOICES WE MAKE... 855 00:35:43,141 --> 00:35:45,543 YOU WANT TO TAKE THEM BACK, BUT YOU CAN'T. 856 00:35:45,577 --> 00:35:48,713 I'M JUST GLAD TO HAVE A SECOND CHANCE. 857 00:35:50,081 --> 00:35:51,250 ME TOO. 858 00:35:59,557 --> 00:36:01,193 [ DOOR OPENS ] 859 00:36:02,728 --> 00:36:04,230 Madeline: MICHAEL. 860 00:36:04,262 --> 00:36:06,697 Michael: HEY, MOM. BIG DAY TOMORROW. 861 00:36:06,731 --> 00:36:08,733 WE START GATHERING EVIDENCE AGAINST CARD -- 862 00:36:08,766 --> 00:36:10,969 THE SECRETS HE'S KEEPING, THE REASON NATE DIED. 863 00:36:11,001 --> 00:36:12,403 THERE'S NO REASON NATE DIED. 864 00:36:12,438 --> 00:36:14,005 I UNDERSTAND HOW YOU FEEL, MOM. 865 00:36:14,039 --> 00:36:16,208 I WANT YOU TO KNOW THAT HE'S GONNA PAY FOR WHAT HE DID. 866 00:36:16,242 --> 00:36:17,742 I PROMISE YOU THAT. 867 00:36:17,775 --> 00:36:21,045 AND ALL THE THINGS I'VE DONE, THEY'LL BE WORTH IT. 868 00:36:21,079 --> 00:36:24,181 MICHAEL, I'M LEAVING MIAMI. 869 00:36:27,353 --> 00:36:29,387 I GUESS THAT WOULD BE A GOOD IDEA. 870 00:36:29,420 --> 00:36:32,056 IT WILL SELL THE STORY THAT WE REALLY DIED IN -- 871 00:36:32,090 --> 00:36:35,092 NO, IT'S NO RUSE. IT'S PERMANENT. 872 00:36:35,126 --> 00:36:36,927 YOUR AUNT JILL SAID I COULD STAY WITH HER, 873 00:36:36,961 --> 00:36:38,764 AND I'VE BEEN MISSING HER FOR A LONG TIME. 874 00:36:38,797 --> 00:36:39,831 SO, THAT'LL WORK. 875 00:36:39,864 --> 00:36:41,432 DON'T YOU THINK IT'S A LITTLE DRASTIC? 876 00:36:45,237 --> 00:36:48,239 I CAN'T KEEP WATCHING YOU TURN YOUR SOUL INSIDE OUT, 877 00:36:48,273 --> 00:36:50,708 WORKING WITH THESE MONSTERS -- 878 00:36:50,742 --> 00:36:53,679 TYLER GRAY AND CARD AND WHOEVER'S NEXT. 879 00:36:53,711 --> 00:36:55,347 IT DOESN'T MATTER. 880 00:36:55,380 --> 00:36:58,516 THERE'S NO ONE NEXT. AFTER THIS, NO ONE. 881 00:36:58,550 --> 00:37:00,251 RIGHT. 882 00:37:00,286 --> 00:37:02,353 I NEED YOU. 883 00:37:02,387 --> 00:37:04,021 I CAN'T. 884 00:37:04,054 --> 00:37:06,190 I CAN'T GO ON LIVING IN A PLACE 885 00:37:06,224 --> 00:37:09,394 WHERE EVERYTHING REMINDS ME OF THE SONS I'VE LOST. 886 00:37:09,427 --> 00:37:10,795 I'M STILL HERE. 887 00:37:12,297 --> 00:37:13,798 I DON'T KNOW ABOUT THAT. 888 00:37:15,434 --> 00:37:18,403 I NEED A NEW BEGINNING, MICHAEL. 889 00:37:18,436 --> 00:37:21,407 AND I WANT YOU TO DO ME A FAVOR. 890 00:37:21,440 --> 00:37:25,277 WHEN THIS BUSINESS WITH CARD IS OVER... 891 00:37:25,311 --> 00:37:28,146 I WANT YOU TO START OVER, TOO. 892 00:37:35,920 --> 00:37:38,123 Westen: WHEN YOU'RE ON A HIGH-STAKES 893 00:37:38,155 --> 00:37:40,291 INTELLIGENCE-GATHERING OPERATION, 894 00:37:40,326 --> 00:37:41,592 CONCENTRATION IS KEY. 895 00:37:41,626 --> 00:37:43,829 WHETHER YOU'RE IN A CAR OR ON THE STREET 896 00:37:43,862 --> 00:37:45,963 OR DOING YOUR SURVEILLANCE POOLSIDE, 897 00:37:45,996 --> 00:37:47,965 YOU HAVE TO STAY FOCUSED AT ALL TIMES. 898 00:37:47,998 --> 00:37:50,735 Jesse: LOOK ALIVE. GRAY'S HERE FOR THE MEETING. 899 00:37:50,768 --> 00:37:53,304 ALL CLEAR OVER HERE. WE'LL STAND BY. 900 00:37:53,338 --> 00:37:55,440 BECAUSE EVEN THE SLIGHTEST DETAIL 901 00:37:55,474 --> 00:37:56,807 CAN MEAN THE DIFFERENCE 902 00:37:56,842 --> 00:37:59,478 BETWEEN A SUCCESSFUL MISSION AND A COMPLETE DISASTER. 903 00:38:02,514 --> 00:38:04,315 YOU'RE A LITTLE EDGY THERE, BUDDY. 904 00:38:04,349 --> 00:38:05,650 DON'T. WE HAVE A JOB TO DO. 905 00:38:05,684 --> 00:38:07,284 YOU'RE WORRIED ABOUT YOUR MOM. IT'S OKAY. 906 00:38:07,318 --> 00:38:08,286 IT'S PERFECTLY NORMAL. 907 00:38:08,320 --> 00:38:09,286 QUIET. 908 00:38:09,320 --> 00:38:10,655 [ KNOCK ON DOOR, DOOR OPENS ] 909 00:38:10,688 --> 00:38:12,458 Card: GOOD TO SEE YOU, TYLER. 910 00:38:12,490 --> 00:38:13,492 ANOTHER SUNNY DAY. 911 00:38:13,525 --> 00:38:15,092 Gray: IT'S A SCORCHER. 912 00:38:15,126 --> 00:38:16,994 YOU GONNA INVITE ME IN, OR ARE WE GONNA TALK IN THE HALL-- 913 00:38:17,027 --> 00:38:17,996 [ STATIC CRACKLES ] 914 00:38:18,028 --> 00:38:19,664 OKAY. WHAT THE HELL? WE JUST LOST HIM. 915 00:38:19,697 --> 00:38:20,965 WAIT. IS THAT? 916 00:38:20,998 --> 00:38:22,300 NO SIGNAL. 917 00:38:22,333 --> 00:38:24,369 FREQUENCY JAMMER. THAT'S NOT GOOD. 918 00:38:27,038 --> 00:38:28,440 AND THAT'S NOT GOOD, EITHER. 919 00:38:28,474 --> 00:38:30,041 CARD BROUGHT A TEAM. 920 00:38:30,074 --> 00:38:33,512 WAIT. MIKE, HOLD ON. 921 00:38:33,545 --> 00:38:34,846 LOOK, LOOK, IF HE WANTED GRAY DEAD, 922 00:38:34,880 --> 00:38:36,347 HE WOULDN'T HAVE BROUGHT ALL THESE GUYS. 923 00:38:36,382 --> 00:38:37,449 HE'S NOT GONNA KILL HIM. 924 00:38:37,483 --> 00:38:38,550 HE'S GONNA BRING GRAY IN 925 00:38:38,583 --> 00:38:40,351 AND HANG EVERYTHING AROUND HIS NECK -- 926 00:38:40,385 --> 00:38:42,387 PANAMA, NATE, ANSON, ALL OF IT. 927 00:38:42,420 --> 00:38:44,523 WE GOT TO HAUL CARD OUT IN CUFFS 928 00:38:44,556 --> 00:38:47,659 AND TAKE OUR CHANCES NOW BEFORE HIS TEAM'S IN PLACE. 929 00:38:51,597 --> 00:38:52,898 [ ELEVATOR BELL DINGS ] 930 00:38:57,702 --> 00:38:58,670 KEEP AN EYE OUT. 931 00:38:58,704 --> 00:38:59,804 I SHOULD GO IN WITH YOU. 932 00:38:59,838 --> 00:39:01,873 IF CARD'S PEOPLE ARE COMING, I NEED A HEADS-UP. 933 00:39:01,907 --> 00:39:03,909 GET DOWN TO THE WINDOW AT THE END OF THE HALL 934 00:39:03,942 --> 00:39:05,175 AND KEEP AN EYE OUT. 935 00:39:17,889 --> 00:39:18,889 HELLO, THERE. 936 00:39:18,923 --> 00:39:20,057 SHOW ME YOUR HANDS, TOM. 937 00:39:21,460 --> 00:39:22,893 WHAT ARE YOU DOING? 938 00:39:22,927 --> 00:39:25,362 GRAY, HE HAS A WEAPON TRAINED ON YOU. 939 00:39:28,567 --> 00:39:31,702 MICHAEL WESTEN. 940 00:39:31,737 --> 00:39:32,838 BACK FROM THE DEAD. 941 00:39:32,871 --> 00:39:34,405 NOT JUST ME, TOM. 942 00:39:34,440 --> 00:39:36,206 THE WHOLE TEAM. IT'S OVER. 943 00:39:36,240 --> 00:39:37,608 THE TRUTH'S COMING OUT. 944 00:39:37,643 --> 00:39:38,909 PUT THE WEAPON DOWN. 945 00:39:38,943 --> 00:39:39,777 RIGHT. 946 00:39:39,811 --> 00:39:42,179 RIGHT AFTER YOU, KILLER. 947 00:39:42,213 --> 00:39:44,449 TOM, DROP THE WEAPON. 948 00:39:44,483 --> 00:39:47,885 THIS IS BETWEEN HIM AND ME, SPORT. 949 00:39:47,918 --> 00:39:49,920 I SHOULD HAVE KNOWN SOMETHING WAS GOING ON. 950 00:39:49,954 --> 00:39:53,425 ESPECIALLY WITH THOSE JUST-TOO-CUTE FILES 951 00:39:53,458 --> 00:39:54,592 THAT SHOWED UP FROM YOUR LOFT. 952 00:39:54,626 --> 00:39:55,793 TOM. 953 00:39:55,827 --> 00:39:57,496 PUT THE WEAPON DOWN. 954 00:40:00,965 --> 00:40:01,932 DON'T DO -- 955 00:40:01,967 --> 00:40:02,967 [ WHISTLES ] 956 00:40:05,670 --> 00:40:08,273 WHAT ARE YOU GONNA DO? SHOOT ME? 957 00:40:08,306 --> 00:40:10,541 YOU'RE NOT THE ONLY GUY IN THE ROOM WHO HAS A TEAM OUTSIDE. 958 00:40:10,576 --> 00:40:14,713 I TOLD MY PEOPLE THAT I WAS COMING TO SEE AN UNSTABLE ASSET. 959 00:40:14,746 --> 00:40:16,280 GOD DAMN IT! 960 00:40:16,313 --> 00:40:18,617 I DON'T WANT TO DO THIS. I DON'T WANT TO DO THIS. 961 00:40:18,650 --> 00:40:19,784 I DON'T WANT TO DO THIS! 962 00:40:19,818 --> 00:40:20,952 DON'T! DON'T. 963 00:40:20,985 --> 00:40:23,822 I'M SO SORRY. 964 00:40:23,855 --> 00:40:25,623 HE PAINTED ME INTO A CORNER 965 00:40:25,657 --> 00:40:27,659 THE MINUTE HE KICKED DOWN THAT DOOR. 966 00:40:27,693 --> 00:40:29,126 NO. NO, TOM. 967 00:40:29,159 --> 00:40:30,829 HE KILLED YOUR BROTHER! 968 00:40:34,132 --> 00:40:35,333 HANDS ON YOUR HEAD! 969 00:40:35,365 --> 00:40:37,503 HANDS ON YOUR HEAD! 970 00:40:38,603 --> 00:40:39,737 LISTEN TO ME, MICHAEL. 971 00:40:39,771 --> 00:40:41,806 GRAY KILLED ANSON. GRAY SHOT YOUR BROTHER. 972 00:40:41,840 --> 00:40:44,141 HE MURDERED NATE. HE DID THAT. 973 00:40:44,175 --> 00:40:45,510 RIGHT THERE. HE DID THAT. 974 00:40:45,543 --> 00:40:48,112 YOU ORDERED HIM TO. YOU'RE RESPONSIBLE. 975 00:40:48,146 --> 00:40:49,981 I NEVER WANTED NATE DEAD. 976 00:40:50,014 --> 00:40:51,916 I WOULD NEVER HAVE TAKEN THAT SHOT! 977 00:40:51,949 --> 00:40:53,018 YOU TRIED TO HAVE ME KILLED. 978 00:40:53,050 --> 00:40:55,152 AND THAT IS MY OWN PERSONAL HELL. 979 00:40:55,186 --> 00:40:57,355 IT WASN'T SUPPOSED TO GO LIKE THAT. 980 00:40:57,387 --> 00:40:58,623 YOU WERE LIKE A SON TO ME. 981 00:41:03,795 --> 00:41:06,431 [ Chuckling ] YOU ARE OUT OF YOUR MIND. 982 00:41:06,463 --> 00:41:10,668 WE BOTH KNOW THAT IT IS A BIG, BAD WORLD OUT THERE, MICHAEL. 983 00:41:10,702 --> 00:41:13,838 AND GUYS LIKE YOU AND ME -- WE MAKE CALLS. 984 00:41:13,871 --> 00:41:14,873 WE GET UP IN THE MORNING 985 00:41:14,905 --> 00:41:16,675 AND WE KNOW THE ENDS JUSTIFY THE MEANS. 986 00:41:16,708 --> 00:41:19,143 WHY DO YOU THINK ANSON HAD TO GO? I'LL TELL YOU WHY. 987 00:41:19,177 --> 00:41:21,713 BECAUSE HE KNEW WHAT I HAD GOING ON IN YEMEN, 988 00:41:21,746 --> 00:41:25,516 IN CHINA, IN PAKISTAN. 989 00:41:25,550 --> 00:41:28,519 SOMEONE HAS TO CARRY THE BAG ON THE FRONT LINE. 990 00:41:28,554 --> 00:41:34,659 SO...I PULL THE TRIGGER ON A COUPLE OF REALLY BAD GUYS... 991 00:41:37,027 --> 00:41:38,697 ...OR WE ROLL THE DICE 992 00:41:38,730 --> 00:41:41,331 ON A COUPLE OF REALLY BAD CONFLICTS. 993 00:41:44,101 --> 00:41:45,670 YOU'RE TALKING ABOUT TREASON, TOM. 994 00:41:45,704 --> 00:41:49,507 MIGHT BE TIME FOR YOU TO GROW UP, MY FRIEND. 995 00:41:49,541 --> 00:41:50,708 YOU'RE NOT MY FRIEND. 996 00:41:50,742 --> 00:41:53,043 BUT I WAS. AND I DAMN SURE CAN BE AGAIN. 997 00:41:53,077 --> 00:41:55,380 WE CAN DO THINGS, MICHAEL -- GREAT THINGS. 998 00:41:55,413 --> 00:41:57,347 NECESSARY THINGS. 999 00:41:57,382 --> 00:42:00,818 THERE'S A LONG TO-DO LIST, AND THERE'S NOBODY LEFT TO DO THEM. 1000 00:42:00,851 --> 00:42:02,688 YOU WIPED OUT THE LAST BATCH. 1001 00:42:02,721 --> 00:42:04,956 IT'S JUST YOU AND ME NOW. 1002 00:42:06,958 --> 00:42:09,360 CLOCK'S TICKING. 1003 00:42:09,393 --> 00:42:11,128 WHAT DO YOU THINK? 1004 00:42:12,931 --> 00:42:16,568 CAN WE -- CAN WE PUT ALL THIS BEHIND US? 1005 00:42:16,601 --> 00:42:20,405 HUH? CAN WE MOVE INTO THE FUTURE? 1006 00:42:39,257 --> 00:42:40,425 I'M SO PROUD OF YOU, SON. 1007 00:42:41,992 --> 00:42:43,128 [ GUNSHOT ] 1008 00:42:44,429 --> 00:42:45,630 [ BODY THUDS ]