1
00:00:05,773 --> 00:00:08,576
Man:
PREVIOUSLY ON
"IN TREATMENT"...

2
00:00:08,676 --> 00:00:10,378
KATE RAN INTO LAURA.

3
00:00:10,478 --> 00:00:13,381
WHAT I SAW WAS
THIS HIGHLY-SEXUAL WOMAN

4
00:00:13,481 --> 00:00:15,416
WHO WAS WEARING STILETTOS
AT 10:00 IN THE MORNING.

5
00:00:15,516 --> 00:00:17,585
ISN'T IT A LITTLE
EMBARRASSING FOR YOU,

6
00:00:17,685 --> 00:00:20,788
FOLLOWING YOUR DICK
AROUND LIKE A CAVEMAN?

7
00:00:20,888 --> 00:00:23,224
KATE, I FELL IN LOVE
WITH YOU NOT JUST
BECAUSE YOU'RE...

8
00:00:23,324 --> 00:00:25,559
BEAUTIFUL AND SEXY
BUT BECAUSE OF YOUR STRENGTH.

9
00:00:25,659 --> 00:00:28,362
I NEEDED THAT.
I THINK WE BOTH
NEEDED THAT.

10
00:00:28,462 --> 00:00:30,564
NOT ANYMORE.
I DON'T NEED YOU ANYMORE.

11
00:00:30,664 --> 00:00:32,966
Gina:
YOU KNOW, YOU SAID
YOU MARRIED HIM

12
00:00:33,067 --> 00:00:35,469
BECAUSE HE PAID SUCH
DEEP ATTENTION TO YOU.

13
00:00:35,569 --> 00:00:38,339
YOU'VE OUTGROWN
THAT DEPENDENCY.

14
00:00:38,439 --> 00:00:40,241
SO SHE'S NOT
MY GROUPIE ANYMORE

15
00:00:40,341 --> 00:00:42,243
SO I FOUND SOMEBODY
TO REPLACE HER.

16
00:00:42,343 --> 00:00:44,312
IS THAT YOUR THEORY?
YOU SEE WHAT SHE'S DOING?

17
00:00:44,412 --> 00:00:47,315
SHE'S INSTRUCTING YOU
ON WHAT YOU SHOULD BE FEELING.

18
00:00:47,415 --> 00:00:49,583
GAME, SET AND MATCH
TO YOU, GINA.

19
00:00:56,957 --> 00:00:59,059
( phone ringing )

20
00:01:00,728 --> 00:01:02,396
HELLO?

21
00:01:02,496 --> 00:01:04,898
OH, HI.

22
00:01:04,998 --> 00:01:06,500
SO, UM...

23
00:01:06,600 --> 00:01:09,437
SO, WHAT DID
THE DERMATOLOGIST SAY?

24
00:01:10,371 --> 00:01:11,572
MM-HMM.

25
00:01:14,108 --> 00:01:15,709
OKAY, SO DON'T LOOK
IN THE MIRROR, SOPHIE.

26
00:01:15,809 --> 00:01:19,079
YEAH, COVER THE MIRROR UP
WITH A TOWEL OR SOMETHING.

27
00:01:19,180 --> 00:01:21,048
I'M ORDERING YOU
NOT TO LOOK AT IT.

28
00:01:21,149 --> 00:01:22,283
DOCTOR'S ORDERS, OKAY?

29
00:01:22,383 --> 00:01:25,119
TAKE IT
AS A CHALLENGE.

30
00:01:25,219 --> 00:01:27,755
MM-HMM. IT'LL PASS.

31
00:01:27,855 --> 00:01:30,291
I PROMISE.

32
00:01:30,391 --> 00:01:32,360
GOOD, SO CALL ME
IF YOU NEED ME.

33
00:01:32,460 --> 00:01:35,062
BYE.

34
00:01:35,163 --> 00:01:36,597
POOR THING.

35
00:01:36,697 --> 00:01:39,567
WHO'S THAT?

36
00:01:39,667 --> 00:01:41,902
A PATIENT ROSIE'S AGE.
SHE THINKS SHE'S A FREAK.

37
00:01:42,002 --> 00:01:45,506
NOW SHE'S GOT
A RASH ALL OVER
HER BODY TO PROVE IT.

38
00:01:45,606 --> 00:01:47,808
OH, IS IT THAT
SWEET GIRL THAT I HELPED
INTO THE DRY CLOTHES?

39
00:01:47,908 --> 00:01:49,710
YES.

40
00:01:49,810 --> 00:01:51,712
WHERE ARE MY KEYS?

41
00:01:51,812 --> 00:01:54,215
GOD, DO YOU REMEMBER
WHEN IAN USED TO GET
THOSE RASHES

42
00:01:54,315 --> 00:01:56,917
EVERY TIME HE GOT THE FLU?
SO SCARY.

43
00:01:57,017 --> 00:01:59,787
IT DIDN'T HELP THAT
I PUT THE WRONG CREAM
ON HIM THAT TIME.

44
00:01:59,887 --> 00:02:01,622
DO YOU REMEMBER?

45
00:02:07,628 --> 00:02:09,697
THE SPIDER AWAITS.
LET'S GO.

46
00:02:09,797 --> 00:02:11,765
( theme music playing )

47
00:02:28,282 --> 00:02:31,419
SO... ROSIE KNOWS.

48
00:02:31,519 --> 00:02:35,155
SHE ASKED IF PAUL AND I
WERE FIGHTING

49
00:02:35,256 --> 00:02:37,325
AND I STARTED OFF

50
00:02:37,425 --> 00:02:39,493
INTO THIS RATHER
CLICHED SPEECH

51
00:02:39,593 --> 00:02:41,529
ABOUT, YOU KNOW,
"WHEN TWO PEOPLE
HAVE BEEN TOGETHER

52
00:02:41,629 --> 00:02:43,797
AS LONG AS YOUR FATHER
AND I HAVE,

53
00:02:43,897 --> 00:02:45,299
IT'S NOT SOME
ROMANTIC MOVIE

54
00:02:45,399 --> 00:02:47,201
WHERE EVERYBODY LIVES
HAPPILY EVER AFTER--"

55
00:02:47,301 --> 00:02:49,703
WHATEVER. WHATEVER.

56
00:02:49,803 --> 00:02:52,373
AS IF THAT'S
WHAT SHE THOUGHT
TO BEGIN WITH,

57
00:02:52,473 --> 00:02:54,342
LIKE SHE'S SOME
LITTLE GIRL.

58
00:02:56,310 --> 00:02:58,346
WHAT DID SHE SAY?

59
00:02:58,446 --> 00:03:01,382
TYPICAL ROSIE--
SHE CUT RIGHT
TO THE CHASE

60
00:03:01,482 --> 00:03:04,051
AND SHE ASKED ME
IF I WAS SLEEPING
WITH SOMEBODY.

61
00:03:04,151 --> 00:03:06,754
Gina:
WHY WOULD SHE
SUSPECT THAT?

62
00:03:08,889 --> 00:03:10,758
WHEN I WAS IN ROME,

63
00:03:10,858 --> 00:03:12,693
SHE CALLED ME

64
00:03:12,793 --> 00:03:16,163
AND SHE HEARD EDWARD
IN THE BACKGROUND.

65
00:03:16,264 --> 00:03:17,831
OF COURSE, SHE DOESN'T
TELL ME THIS THOUGH,

66
00:03:17,931 --> 00:03:21,034
SO... I GOT DEFENSIVE.

67
00:03:21,134 --> 00:03:23,070
I GOT KINDA VAGUE

68
00:03:23,170 --> 00:03:25,506
AND I SAID,
"WHAT MAKES YOU THINK
THAT I'M SEEING SOMEBODY?"

69
00:03:25,606 --> 00:03:28,208
I ALMOST SAID, "WHY ME?
WHY NOT YOUR FATHER?"

70
00:03:28,309 --> 00:03:30,611
BUT THANK GOD
I DIDN'T.

71
00:03:32,546 --> 00:03:34,782
FINALLY SHE TOLD ME
THAT SHE KNEW.

72
00:03:41,889 --> 00:03:44,091
WHAT ABOUT THE BOYS?

73
00:03:44,191 --> 00:03:47,361
WELL, I SPOKE TO IAN.
NOT ABOUT KATE'S--

74
00:03:47,461 --> 00:03:48,762
KATE'S AFFAIR BUT, UM...

75
00:03:48,862 --> 00:03:52,099
JUST ABOUT THE TENSION
IN THE HOUSE.

76
00:03:52,199 --> 00:03:53,901
WHY DIDN'T YOU
TELL ME ABOUT THAT?

77
00:03:54,001 --> 00:03:55,336
WELL, I'M TELLING YOU NOW.

78
00:03:55,436 --> 00:03:58,572
WHY CAN WE NOT TALK
ABOUT THIS AT HOME?

79
00:03:58,672 --> 00:04:00,841
I DON'T
UNDERSTAND THAT.

80
00:04:00,941 --> 00:04:03,143
- WHAT DID YOU SAY TO HIM?
- I SAID WE WERE WORKING

81
00:04:03,243 --> 00:04:04,678
THROUGH SOME DISAGREEMENTS.

82
00:04:04,778 --> 00:04:07,915
HE ASKED ME
IF I WAS INTERESTED
IN ANYBODY ELSE,

83
00:04:08,015 --> 00:04:09,850
AND I SAID THAT I HAD

84
00:04:09,950 --> 00:04:13,186
FEELINGS
FOR SOMEBODY ELSE

85
00:04:13,287 --> 00:04:15,589
BUT THAT NOTHING
HAD HAPPENED.

86
00:04:17,791 --> 00:04:21,295
WELL, THAT'S GREAT.
THAT'S JUST REALLY GREAT.

87
00:04:21,395 --> 00:04:22,763
DID YOU THINK
FOR A MINUTE THAT MAYBE

88
00:04:22,863 --> 00:04:24,532
THAT WAS SOMETHING
WE COULD'VE HANDLED TOGETHER?

89
00:04:24,632 --> 00:04:26,334
I'D JUST SPOKEN TO ROSIE.
SHE SAID TO ME,

90
00:04:26,434 --> 00:04:29,069
"WHY ARE YOU
ALLOWING YOUR WIFE

91
00:04:29,169 --> 00:04:31,439
TO GO TO ROME
WITH SOMEBODY ELSE, DAD?

92
00:04:31,539 --> 00:04:34,408
FIX IT, DAD."
THAT'S WHAT SHE SAID.

93
00:04:34,508 --> 00:04:36,610
LIKE IT WAS ALL
UP TO ME... AGAIN.

94
00:04:36,710 --> 00:04:40,681
AND JUST AFTER THAT,
IAN CAME IN, SO...
( sighs )

95
00:04:40,781 --> 00:04:43,617
I DON'T KNOW, I JUST FELT
LIKE I WANTED TO COME CLEAN.

96
00:04:43,717 --> 00:04:45,619
Gina:
HOW DO YOU THINK
HE TOOK THAT,

97
00:04:45,719 --> 00:04:47,621
YOU HAVING FEELINGS
FOR SOMEONE ELSE?

98
00:04:47,721 --> 00:04:51,024
WELL, I THINK
IT HIT HIM HARD

99
00:04:51,124 --> 00:04:52,826
BUT, YOU KNOW,
HE TOUGHED IT OUT.

100
00:04:52,926 --> 00:04:56,063
"IT'S OKAY, DAD, IT'S COOL."
THAT KIND OF THING.

101
00:04:56,163 --> 00:04:57,798
Kate:
WELL, THAT'S NO SURPRISE.

102
00:04:57,898 --> 00:05:00,601
IAN'S ALWAYS
BEEN ON PAUL'S SIDE
OF THE ARGUMENT, ALWAYS.

103
00:05:00,701 --> 00:05:02,503
- THAT'S NOT TRUE.
- Kate: YES, IT IS TRUE.

104
00:05:02,603 --> 00:05:04,171
YOU'RE ALWAYS
THE POOR, INNOCENT LAMB

105
00:05:04,271 --> 00:05:05,906
AND I'M ALWAYS
THE MONSTER. IT IS TRUE.

106
00:05:06,006 --> 00:05:07,675
WHEN IN FACT,
YOU'RE BLAMELESS,
IS THAT WHAT YOU'RE

107
00:05:07,775 --> 00:05:10,778
- TRYING TO SAY?
- NO, THAT'S NOT
WHAT I'M SAYING.

108
00:05:10,878 --> 00:05:13,414
YOU KNOW YOU'VE NEVER
ONCE-- ONCE-- TAKEN

109
00:05:13,514 --> 00:05:14,915
RESPONSIBILITY
FOR WHAT YOU DID?

110
00:05:15,015 --> 00:05:16,917
YOU'VE BEEN SITTING
HERE FOR THREE WEEKS

111
00:05:17,017 --> 00:05:19,487
AND YOU NEVER ONCE
SAID, "I'M SORRY,
I MADE A MISTAKE."

112
00:05:19,587 --> 00:05:21,288
REALLY, I'VE NEVER
SAID THAT?

113
00:05:21,389 --> 00:05:23,023
- I'VE HEARD HER
SAY THAT.
- WHEN?

114
00:05:23,123 --> 00:05:26,660
I'VE HEARD HER SAY THAT
A NUMBER OF TIMES-- HERE.

115
00:05:26,760 --> 00:05:28,996
ACTUALLY, ONE TIME SHE SAID
IT WAS A STUPID MISTAKE.

116
00:05:29,096 --> 00:05:32,099
- I DIDN'T HEAR THAT.
- 'CAUSE YOU DON'T
WANNA HEAR IT.

117
00:05:33,701 --> 00:05:35,436
WHAT DO YOU MEAN
BY THAT, KATE?

118
00:05:35,536 --> 00:05:37,938
IF HE'D HEARD IT,
IT WOULD FORCE HIM
INTO DECIDING

119
00:05:38,038 --> 00:05:39,540
WHETHER HE'S WILLING
TO FORGIVE ME OR NOT,

120
00:05:39,640 --> 00:05:41,375
AND HE'S OBVIOUSLY NOT
WILLING TO FORGIVE ME

121
00:05:41,475 --> 00:05:44,144
BECAUSE HE HASN'T
MADE UP HIS MIND
ABOUT THIS OTHER WOMAN YET.

122
00:05:44,244 --> 00:05:46,380
WOW.

123
00:05:46,480 --> 00:05:49,850
WOW. ANYTHING ELSE
I SHOULD KNOW ABOUT ME?

124
00:05:54,187 --> 00:05:56,790
BY THE WAY, ANOTHER THING
WE HAVEN'T TALKED ABOUT--

125
00:05:56,890 --> 00:05:59,427
YOU KEEP SAYING THAT
I HAVEN'T BEEN AROUND,

126
00:05:59,527 --> 00:06:01,595
THAT I DON'T SEE MY KIDS,
THAT I DON'T SEE,

127
00:06:01,695 --> 00:06:05,633
THAT I DON'T GIVE,
THAT I ONLY FOCUS ON MYSELF.

128
00:06:05,733 --> 00:06:08,969
CAN WE TALK ABOUT WHAT KIND
OF MOTHER YOU'VE BEEN?

129
00:06:09,069 --> 00:06:10,738
CAN WE TALK ABOUT THAT?

130
00:06:13,140 --> 00:06:15,308
YEAH, SURE. OKAY.

131
00:06:15,409 --> 00:06:17,010
LET'S TALK ABOUT THAT.

132
00:06:17,110 --> 00:06:18,479
Paul: OKAY.

133
00:06:18,579 --> 00:06:21,915
IMPATIENT, NAGGING--
JUST ASK THEM,

134
00:06:22,015 --> 00:06:23,484
THEY'LL TELL YOU.

135
00:06:23,584 --> 00:06:25,218
ANYTHING THEY DO ISN'T
GOOD ENOUGH FOR YOU.

136
00:06:25,318 --> 00:06:27,788
OKAY.

137
00:06:27,888 --> 00:06:29,823
YOU SHOULD REALLY
BE QUIET RIGHT NOW

138
00:06:29,923 --> 00:06:32,025
'CAUSE YOU'RE SORT OF
EMBARRASSING YOURSELF.

139
00:06:32,125 --> 00:06:35,228
WHERE THE HELL HAVE YOU
BEEN FOR THE PAST YEAR?

140
00:06:35,328 --> 00:06:37,330
PAST YEAR? WHAT ABOUT
THE PAST DECADE?

141
00:06:37,431 --> 00:06:39,199
YOU DON'T KNOW A THING
ABOUT YOUR CHILDREN--

142
00:06:39,299 --> 00:06:41,569
IAN, MAYBE
A LITTLE BIT.

143
00:06:41,669 --> 00:06:44,572
MAX? ROSIE? JESUS.

144
00:06:44,672 --> 00:06:46,774
YOU DON'T KNOW WHO
SHE'S HANGING OUT WITH,

145
00:06:46,874 --> 00:06:48,842
WHAT SHE DOES.
YOU DON'T HAVE A CLUE.

146
00:06:48,942 --> 00:06:51,845
HE STILL THINKS
THAT SHE'S THIS
VIRGINAL LITTLE THING

147
00:06:51,945 --> 00:06:54,848
WHO DOESN'T
GO OFF WITH HER FRIENDS
AND PARTY OR TRY DRUGS.

148
00:06:54,948 --> 00:06:58,919
- THAT SHE'S JUST THIS...
DADDY'S LITTLE GIRL.
- WHAT DRUGS?

149
00:07:00,588 --> 00:07:02,923
COME ON,
I'M ASKING YOU:

150
00:07:03,023 --> 00:07:04,858
WHAT DRUGS?

151
00:07:08,462 --> 00:07:10,564
LOOK, SHE GOES TO CONCERTS
WITH HER FRIENDS

152
00:07:10,664 --> 00:07:12,432
AND SHE SMOKES POT,

153
00:07:12,533 --> 00:07:14,535
BUT, YOU KNOW, I GUESS
BECAUSE SHE'S YOUR DAUGHTER

154
00:07:14,635 --> 00:07:18,038
YOU THINK SHE DOESN'T
DO THAT SORT OF THING.

155
00:07:18,138 --> 00:07:21,374
DID SHE TELL YOU THAT?
THAT SHE SMOKES POT?

156
00:07:21,475 --> 00:07:22,776
WHO ELSE CAN
SHE TELL?

157
00:07:22,876 --> 00:07:25,946
- SHE COULD'VE TOLD ME.
- REALLY?

158
00:07:31,384 --> 00:07:33,253
SO WHAT DID YOU
SAY TO HER?

159
00:07:33,353 --> 00:07:36,890
I TOLD HER THAT,
IF SHE DID IT ONCE,
THAT IT'S NOT A BIG DEAL.

160
00:07:36,990 --> 00:07:38,726
THAT ONE JOINT
IS CERTAINLY NOT
GONNA MAKE YOU A JUNKIE.

161
00:07:38,826 --> 00:07:41,428
SO BASICALLY
YOU SAID IT'S OKAY

162
00:07:41,529 --> 00:07:43,330
IF SHE GETS HIGH
AND SMOKES POT.

163
00:07:43,430 --> 00:07:44,898
COME ON, ALL OF
HER FRIENDS SMOKE.

164
00:07:44,998 --> 00:07:46,634
- THAT'S WHAT THEY DO.
- Paul: SO?

165
00:07:46,734 --> 00:07:48,368
SHE TRIED SOME,
SHE WANTED TO TALK ABOUT IT.

166
00:07:48,468 --> 00:07:50,871
ALL HER FRIENDS SMOKE.
SO YOU BUY INTO THAT?

167
00:07:50,971 --> 00:07:52,706
YOU KNOW WHAT?
I'M REALLY HAPPY
THAT SHE FEELS

168
00:07:52,806 --> 00:07:54,474
THAT SHE CAN COME TO ME
AND TALK TO ME ABOUT IT.

169
00:07:54,575 --> 00:07:56,644
I FEEL REALLY GOOD
ABOUT THAT.

170
00:08:00,914 --> 00:08:03,617
SO IS THIS HOW
SHE GOT INVOLVED
WITH THIS NOAH GUY?

171
00:08:04,785 --> 00:08:06,654
NOAH IS
ROSIE'S BOYFRIEND.

172
00:08:06,754 --> 00:08:08,922
NO, SHE'S INTO NOAH
BECAUSE HE'S A BOY.

173
00:08:09,022 --> 00:08:12,325
IT'S GOT NOTHING TO DO
WITH DRUGS WHATSOEVER.

174
00:08:12,425 --> 00:08:14,194
ARE THEY SLEEPING
WITH EACH OTHER?

175
00:08:18,231 --> 00:08:19,867
YES OR NO?

176
00:08:30,143 --> 00:08:31,845
ROSIE'S ON THE PILL.

177
00:08:36,449 --> 00:08:39,853
BUT, I MEAN,
YOU'RE SO CLOSE TO HER,
YOU MUST KNOW THAT, RIGHT?

178
00:08:44,725 --> 00:08:47,060
HOW DID YOU
FIND THIS OUT?

179
00:08:55,736 --> 00:08:57,504
I TOOK HER
TO THE GYNECOLOGIST MYSELF

180
00:08:57,605 --> 00:09:01,575
- ABOUT THREE MONTHS AGO.
- WHY WOULDN'T YOU
TELL ME THAT?

181
00:09:01,675 --> 00:09:04,044
BECAUSE SHE
ASKED ME NOT TO.

182
00:09:04,144 --> 00:09:06,513
SO?

183
00:09:06,614 --> 00:09:08,716
WELL, IT'S BETWEEN
HER AND ME, PAUL.

184
00:09:08,816 --> 00:09:10,784
WOW, SEX AND DRUGS, NICE.

185
00:09:10,884 --> 00:09:12,552
THEY'RE NOT IN
THE SAME CATEGORY.

186
00:09:12,653 --> 00:09:13,854
DO YOU KNOW
HOW OFTEN SHE SMOKES?

187
00:09:13,954 --> 00:09:15,522
DO YOU KNOW
WHAT SHE SMOKES?

188
00:09:15,623 --> 00:09:16,924
DO YOU KNOW
WHAT THEY PUT
IN THIS SHIT NOW?

189
00:09:17,024 --> 00:09:18,726
IS SHE KEEPING YOU
UP TO DATE ON THAT?

190
00:09:18,826 --> 00:09:21,561
SHE'S NOT A DRUG ADDICT,
SO WHY DON'T YOU JUST RELAX?

191
00:09:21,662 --> 00:09:23,496
I'M NOT GONNA RELAX
BECAUSE THIS ISN'T ABOUT

192
00:09:23,597 --> 00:09:25,032
WHETHER ROSIE
SMOKES POT OR NOT.

193
00:09:25,132 --> 00:09:27,200
IT'S ABOUT YOU
KEEPING IT FROM ME.

194
00:09:27,300 --> 00:09:28,836
THAT'S THE ISSUE.

195
00:09:28,936 --> 00:09:30,804
YOU TOOK HER
TO A GYNECOLOGIST
WITHOUT TELLING ME.

196
00:09:30,904 --> 00:09:32,873
- SHE'S A CHILD.
- SHE'S NOT A CHILD.

197
00:09:32,973 --> 00:09:35,108
SHE'S OUR CHILD-- OURS.

198
00:09:41,348 --> 00:09:44,618
WELL, I GUESS
YOU KIND OF ENJOYED
KEEPING IT FROM ME.

199
00:09:44,718 --> 00:09:47,621
GIVES YOU SOME KIND
OF CONTROL, DOES IT?

200
00:09:47,721 --> 00:09:49,757
GOT SUCH A KICK OUT
OF YOUR LITTLE CONSPIRACY,

201
00:09:49,857 --> 00:09:51,925
YOU FORGOT TO BE
CONCERNED ABOUT ROSIE.

202
00:09:52,025 --> 00:09:54,527
NOT EVERYTHING I DO
IS FOR YOUR BENEFIT.

203
00:09:54,628 --> 00:09:56,997
- DOES IAN SMOKE POT?
- OH, FOR CHRIST'S SAKE.

204
00:09:57,097 --> 00:09:59,332
IN COLLEGE?
I CERTAINLY HOPE NOT.

205
00:09:59,432 --> 00:10:00,768
WELL, IT APPEARS I LIVE

206
00:10:00,868 --> 00:10:03,570
IN SOME KIND OF
AN ALTERNATE REALITY.

207
00:10:03,671 --> 00:10:05,572
IF ONE OF HER TEACHERS
KEPT THAT KIND OF

208
00:10:05,673 --> 00:10:07,007
INFORMATION FROM ME,
IT WOULD BE BAD.

209
00:10:07,107 --> 00:10:09,042
BUT YOU'RE HER MOTHER.
IT'S WORSE.

210
00:10:09,142 --> 00:10:11,344
IT MAKES IT
A HUNDRED TIMES WORSE.

211
00:10:16,750 --> 00:10:18,451
PAUL, LET'S LOOK

212
00:10:18,551 --> 00:10:20,387
AT HOW YOU'RE REACTING.

213
00:10:21,655 --> 00:10:23,290
NOW KATE WAS SAYING

214
00:10:23,390 --> 00:10:25,525
THAT THIS IS
WHY SHE'S AFRAID
TO TELL YOU THINGS,

215
00:10:25,625 --> 00:10:28,428
- ROSIE TOO.
- WHO WOULDN'T BE
PISSED OFF

216
00:10:28,528 --> 00:10:30,097
IF THEIR WIFE
DIDN'T TELL THEM,

217
00:10:30,197 --> 00:10:31,832
IF THEIR WIFE
DIDN'T INCLUDE THEM?

218
00:10:31,932 --> 00:10:33,801
THERE ARE REASONS
TO BE ANGRY.

219
00:10:33,901 --> 00:10:36,670
BUT CAN YOU LOOK
BEYOND THAT FOR A MINUTE?

220
00:10:36,770 --> 00:10:40,473
KATE'S TRYING TO TELL YOU
SOMETHING ABOUT ROSIE,

221
00:10:40,573 --> 00:10:43,443
ABOUT HER
RELATIONSHIP WITH ROSIE.
YOU'RE NOT HEARING IT.

222
00:10:43,543 --> 00:10:46,446
- I THINK I AM.
- NO, YOU'RE NOT.

223
00:10:46,546 --> 00:10:48,315
NO, THE WAY
YOU'RE LOOKING AT IT,

224
00:10:48,415 --> 00:10:51,084
THEY'RE EXCLUDING YOU,

225
00:10:51,184 --> 00:10:53,987
BUT KATE'S TALKING ABOUT
THEIR OWN RELATIONSHIP,

226
00:10:54,087 --> 00:10:56,656
THEIR INTIMACY,
THEIR TRUST.

227
00:11:03,630 --> 00:11:07,434
YOU KNOW, LAST WEEK
WHEN YOU WERE HERE,

228
00:11:07,534 --> 00:11:09,602
YOU HAD
A LEGITIMATE CONCERN

229
00:11:09,703 --> 00:11:11,805
ABOUT ROSIE WHEN
SHE DISAPPEARED FOR A DAY.

230
00:11:11,905 --> 00:11:14,908
WE'RE BACK HERE
AGAIN TODAY

231
00:11:15,008 --> 00:11:17,177
AND WE'RE STILL
TALKING ABOUT ROSIE.

232
00:11:17,277 --> 00:11:19,813
NOW A LOT OF THESE THINGS
ARE IMPORTANT.

233
00:11:19,913 --> 00:11:22,916
THEY ABSOLUTELY
SHOULD BE ADDRESSED,

234
00:11:23,016 --> 00:11:24,384
BUT I'M WONDERING
IF WE DON'T

235
00:11:24,484 --> 00:11:27,054
KEEP ON TALKING
ABOUT ROSIE

236
00:11:27,154 --> 00:11:31,324
BECAUSE WE'RE
AVOIDING THE ISSUES
THAT BROUGHT YOU HERE.

237
00:11:44,704 --> 00:11:46,339
( clears throat )

238
00:11:47,174 --> 00:11:48,408
OKAY.

239
00:11:48,508 --> 00:11:50,343
LET'S TRY IMAGO.

240
00:11:59,352 --> 00:12:00,487
WHAT DOES THAT MEAN?

241
00:12:00,587 --> 00:12:02,890
COME ON, GINA,
YOU'RE KIDDING.

242
00:12:02,990 --> 00:12:05,759
PAUL, I'M TRYING TO GET
A DIALOGUE STARTED.

243
00:12:05,859 --> 00:12:08,962
WAIT. HELLO,
WHAT'S IMAGO?

244
00:12:09,062 --> 00:12:12,833
IT'S THIS
POP PSYCHOLOGY

245
00:12:12,933 --> 00:12:15,668
FROM THE '80s.
THE MOST EARNEST
KIND OF BULLSHIT.

246
00:12:15,769 --> 00:12:17,370
PAUL.

247
00:12:17,470 --> 00:12:19,506
IT'S A TYPE
OF COUPLES THERAPY

248
00:12:19,606 --> 00:12:21,408
WHERE YOU REFLECT
EACH OTHER'S FEELINGS.

249
00:12:21,508 --> 00:12:23,710
WHEN I USED TO
WORK WITH YOU,
YOU USED TO LAUGH AT IT.

250
00:12:23,811 --> 00:12:26,413
THERE'S A LOT OF IT
THAT'S... BULLSHIT.

251
00:12:26,513 --> 00:12:27,848
YEAH.

252
00:12:27,948 --> 00:12:31,284
BUT IT CAN BE USEFUL

253
00:12:31,384 --> 00:12:34,221
TO GET A DIALOGUE GOING.

254
00:12:34,321 --> 00:12:36,924
WE CAN DO IT
FOR A LITTLE WHILE
AND THEN WE'LL DROP IT.

255
00:12:37,024 --> 00:12:40,160
SO-- I DON'T UNDERSTAND.
WHEN YOU SAY "REFLECT"--

256
00:12:40,260 --> 00:12:42,262
GINA, PLEASE DON'T
MAKE US DO THIS.

257
00:12:42,362 --> 00:12:45,132
CAN I UNDERSTAND
WHAT IT IS BEFORE
WE MAKE THAT DECISION?

258
00:12:50,170 --> 00:12:51,338
OKAY.

259
00:12:52,940 --> 00:12:56,143
WHAT PAUL SAID WAS RIGHT.
IT'S ABOUT REFLECTION.

260
00:12:56,243 --> 00:12:59,012
ONE PERSON BEGINS
AND THE OTHER PERSON...

261
00:12:59,112 --> 00:13:00,814
ANSWERS.

262
00:13:00,914 --> 00:13:04,084
SO PAUL WILL SAY,

263
00:13:04,184 --> 00:13:07,888
"I'M UPSET ABOUT
WHAT YOU DID LAST NIGHT."

264
00:13:07,988 --> 00:13:10,657
AND YOU RESPOND,
"I HEAR THAT YOU'RE UPSET

265
00:13:10,757 --> 00:13:12,159
ABOUT MY BEHAVIOR
LAST NIGHT."

266
00:13:12,259 --> 00:13:15,795
AND PAUL WILL CONFIRM
OR HE'LL CORRECT YOU

267
00:13:15,896 --> 00:13:17,430
IF YOU LEFT
SOMETHING OUT.

268
00:13:17,530 --> 00:13:19,632
WE DO THAT
FOR A WHILE

269
00:13:19,732 --> 00:13:23,203
AND THEN THE LISTENING PERSON
SUMMARIZES WHAT THEY HEARD.

270
00:13:23,303 --> 00:13:25,205
THOSE OF US
WHO CAN STILL HEAR.

271
00:13:25,305 --> 00:13:27,074
THE MORE YOU BITCH
ABOUT THIS, THE MORE
I WANNA DO IT,

272
00:13:27,174 --> 00:13:29,409
- SO JUST--
- OF COURSE.

273
00:13:29,509 --> 00:13:31,912
HOW DO
WE START, GINA?

274
00:13:32,012 --> 00:13:33,446
OKAY, SO TURN SO
YOU'RE FACING EACH OTHER.

275
00:13:33,546 --> 00:13:36,316
OH, GINA.

276
00:13:36,416 --> 00:13:38,318
WELL, WE'RE DEFINITELY
DOING IT NOW, SO--

277
00:13:38,418 --> 00:13:41,621
Gina:
OKAY, FACE EACH OTHER.
PAUL, WOULD YOU FACE--

278
00:13:41,721 --> 00:13:43,290
OKAY, FINE FINE FINE.

279
00:13:43,390 --> 00:13:45,658
WE'LL DO AN IMAGO.

280
00:13:45,758 --> 00:13:48,228
OKAY, MOVE IN
A LITTLE CLOSER.

281
00:13:52,732 --> 00:13:54,467
WHO WANTS
TO GO FIRST?

282
00:13:54,567 --> 00:13:56,336
ME, I WILL.

283
00:13:57,404 --> 00:13:58,872
OKAY.

284
00:14:00,507 --> 00:14:02,542
OH...

285
00:14:04,777 --> 00:14:06,146
HE ONLY REPEATS, RIGHT?
THAT'S IT.

286
00:14:06,246 --> 00:14:07,647
THAT'S RIGHT,
NOTHING ELSE--

287
00:14:07,747 --> 00:14:09,649
NO COMMENTS,
NO REACTIONS,

288
00:14:09,749 --> 00:14:12,385
- NO ANALYSIS.
- OKAY.

289
00:14:12,485 --> 00:14:14,955
LIKING THIS ALREADY.

290
00:14:16,223 --> 00:14:19,126
DURING THESE
SESSIONS WITH GINA,

291
00:14:19,226 --> 00:14:22,762
I'VE STARTED
TO LEARN A LOT

292
00:14:22,862 --> 00:14:24,898
ABOUT MYSELF...

293
00:14:24,998 --> 00:14:26,900
AND ABOUT YOU.

294
00:14:28,368 --> 00:14:29,903
Gina: PAUL?

295
00:14:30,003 --> 00:14:31,604
YEAH, I...

296
00:14:33,640 --> 00:14:36,076
I HEAR YOU SAY

297
00:14:36,176 --> 00:14:37,610
SINCE WE'VE BEEN
SEEING GINA,

298
00:14:37,710 --> 00:14:39,146
YOU'VE STARTED
TO UNDERSTAND

299
00:14:39,246 --> 00:14:42,983
A LOT ABOUT...
YOURSELF.

300
00:14:44,417 --> 00:14:46,186
AND ABOUT YOU.

301
00:14:47,087 --> 00:14:49,389
AND ABOUT ME.

302
00:14:52,792 --> 00:14:54,094
YEAH, IN MY
HEART OF HEARTS,

303
00:14:54,194 --> 00:14:56,930
I REALLY DID NOT
WANT TO COME HERE,

304
00:14:57,030 --> 00:14:59,099
BUT I REALIZED
THAT I WAS WILLING

305
00:14:59,199 --> 00:15:01,068
TO DO WHATEVER IT TOOK

306
00:15:01,168 --> 00:15:05,038
BECAUSE I CANNOT
GET THROUGH TO YOU AT HOME.

307
00:15:05,138 --> 00:15:07,607
AND I THOUGHT,
AT LEAST

308
00:15:07,707 --> 00:15:09,909
IN THIS SETTING,

309
00:15:10,010 --> 00:15:12,179
YOU MIGHT JUST HAVE
TO LISTEN TO ME.

310
00:15:12,279 --> 00:15:13,813
SO YOU DIDN'T
WANT TO COME HERE,

311
00:15:13,913 --> 00:15:15,648
BUT YOU THOUGHT
THIS WAS A PLACE

312
00:15:15,748 --> 00:15:19,319
YOU MIGHT GET ME
TO LISTEN.

313
00:15:19,419 --> 00:15:20,753
YEAH?

314
00:15:20,853 --> 00:15:22,555
YEAH.

315
00:15:22,655 --> 00:15:25,058
BUT HAVING GINA HERE

316
00:15:25,158 --> 00:15:29,096
HAS HELPED ME TO REALIZE
THAT MANY OF MY FEELINGS...

317
00:15:30,330 --> 00:15:32,932
ARE IN FACT
LEGITIMATE.

318
00:15:35,802 --> 00:15:38,038
SO YOU THINK THAT
HAVING GINA HERE

319
00:15:38,138 --> 00:15:40,573
TO LISTEN
TO US SQUABBLE--

320
00:15:40,673 --> 00:15:42,309
PAUL.

321
00:15:45,145 --> 00:15:46,879
BEING HERE WITH GINA

322
00:15:46,980 --> 00:15:49,716
HELPS YOU REALIZE

323
00:15:49,816 --> 00:15:53,286
THAT YOUR FEELINGS
ARE... LEGITIMATE.

324
00:15:54,021 --> 00:15:55,989
YEAH.

325
00:15:57,224 --> 00:16:00,693
AND I ALSO HAVE
BEGUN TO UNDERSTAND

326
00:16:00,793 --> 00:16:02,529
THAT MY...

327
00:16:05,598 --> 00:16:07,467
INVOLVEMENT
WITH EDWARD

328
00:16:07,567 --> 00:16:11,038
WAS MOST LIKELY

329
00:16:11,138 --> 00:16:14,041
SOME KIND OF REACTION

330
00:16:14,141 --> 00:16:16,476
TO THINGS I'VE BEEN
CARRYING WITH ME

331
00:16:16,576 --> 00:16:18,645
FOR MANY MANY YEARS.

332
00:16:21,181 --> 00:16:23,816
YOU THINK THAT CHEATING
ON ME WITH EDWARD

333
00:16:23,916 --> 00:16:25,885
WAS A REACTION
TO SOMETHING FROM
YOUR CHILDHOOD?

334
00:16:25,985 --> 00:16:28,188
NO. PAUL, COME ON.

335
00:16:31,891 --> 00:16:33,826
OKAY.

336
00:16:33,926 --> 00:16:38,165
YOUR RELATIONSHIP...

337
00:16:39,699 --> 00:16:40,967
WITH EDWARD

338
00:16:41,068 --> 00:16:43,603
WAS A REACTION

339
00:16:43,703 --> 00:16:47,274
TO SOMETHING THAT
YOU'VE BEEN CARRYING
AROUND FOR YEARS?

340
00:16:47,374 --> 00:16:48,775
YEAH?

341
00:16:48,875 --> 00:16:51,244
YEAH.

342
00:16:51,344 --> 00:16:53,012
A REACTION TO WHAT,
EXACTLY?

343
00:16:53,113 --> 00:16:55,415
DON'T ASK QUESTIONS.
JUST LISTEN TO HER.

344
00:16:55,515 --> 00:16:58,685
IMAGO. JESUS CHRIST, GINA.
WHAT'S HAPPENED TO YOU?

345
00:16:58,785 --> 00:17:00,987
OKAY. OKAY.

346
00:17:01,088 --> 00:17:03,423
WHAT ELSE?

347
00:17:03,523 --> 00:17:07,527
I THINK GINA'S
ALSO RIGHT THAT...

348
00:17:10,863 --> 00:17:12,832
YOUR THING WITH LAURA,

349
00:17:12,932 --> 00:17:15,668
THAT'S, UM...

350
00:17:15,768 --> 00:17:18,738
THAT'S A REACTION
TO THINGS THAT YOU'VE
BEEN CARRYING AROUND.

351
00:17:22,475 --> 00:17:24,111
PAUL.

352
00:17:27,280 --> 00:17:28,815
Kate:
CAN I...?

353
00:17:33,420 --> 00:17:36,089
WHAT I'M TRYING
TO SAY IS THAT

354
00:17:37,190 --> 00:17:40,893
I GET THAT IT'S
NOT ALL YOUR FAULT.

355
00:17:40,993 --> 00:17:44,631
I GET THAT I HAVE
DONE MY PART.

356
00:17:46,399 --> 00:17:48,301
AND, YOU KNOW,
I'VE BEEN SO BUSY

357
00:17:48,401 --> 00:17:51,938
TRYING TO BE
ALWAYS YOUR GIRLFRIEND,

358
00:17:52,038 --> 00:17:53,740
YOUR WIFE, THE MOTHER...

359
00:17:53,840 --> 00:17:58,077
AND I'VE NEVER...

360
00:17:58,778 --> 00:18:01,214
( sighs )

361
00:18:04,317 --> 00:18:07,987
THAT I JUST NEVER
ALLOWED MYSELF

362
00:18:08,087 --> 00:18:11,090
TO BE KATE, REALLY.

363
00:18:11,191 --> 00:18:13,626
AND HOW CAN THAT
POSSIBLY BE YOUR FAULT?

364
00:18:18,431 --> 00:18:20,733
SO WHAT YOU'RE
SAYING IS

365
00:18:20,833 --> 00:18:23,136
THAT YOU LET YOURSELF
GET LOCKED INTO A KIND OF--

366
00:18:24,671 --> 00:18:27,674
I DON'T KNOW--
DEPENDENT, MATERNAL ROLE?

367
00:18:29,342 --> 00:18:31,211
IT'S JUST HOW
I SAW MYSELF, REALLY.

368
00:18:31,311 --> 00:18:32,912
I NEVER QUESTIONED IT.

369
00:18:33,012 --> 00:18:36,149
YOU KNOW,
ALL THIS CARETAKING

370
00:18:36,249 --> 00:18:38,651
AND PLEASING
OTHER PEOPLE, IT'S...

371
00:18:38,751 --> 00:18:42,054
YOU KNOW, ONLY
FEELING SAFE AS
ONE-HALF OF SOMETHING.

372
00:18:42,155 --> 00:18:45,692
AND EVEN LOOKING
AT THE GAS BILL--
"MRS. DR. PAUL WESTON."

373
00:18:50,630 --> 00:18:52,665
I GUESS IT NEVER
EVEN OCCURRED TO ME

374
00:18:52,765 --> 00:18:54,934
THAT I HAD THE STRENGTH
TO DO THINGS ON MY OWN.

375
00:18:55,034 --> 00:18:59,272
BUT KATE,
YOU RUN A SHELTER
FOR BATTERED WOMEN.

376
00:18:59,372 --> 00:19:03,009
YOU WORK
WITH CODEPENDENTS,
ALCOHOLICS, KIDS AT RISK.

377
00:19:03,109 --> 00:19:05,812
YOUR WORK HAS
SUCH A POSITIVE EFFECT

378
00:19:05,912 --> 00:19:08,515
ON SO MANY
PEOPLE'S LIVES.

379
00:19:12,018 --> 00:19:14,187
BUT THAT'S...

380
00:19:17,790 --> 00:19:18,958
PAUL?

381
00:19:19,058 --> 00:19:20,893
COULD YOU REFLECT?

382
00:19:26,666 --> 00:19:29,236
YOU FEEL THAT
YOU'RE STUCK IN A...

383
00:19:31,003 --> 00:19:33,373
A MOTHERING ROLE,
THAT YOU HAVE--

384
00:19:33,473 --> 00:19:35,308
MAYBE BECAUSE
YOU'RE MARRIED TO ME--

385
00:19:35,408 --> 00:19:37,377
DEPRIVED YOURSELF

386
00:19:37,477 --> 00:19:39,812
OF A FULL, ROUNDED LIFE.

387
00:19:40,747 --> 00:19:42,582
USE HER OWN WORDS.

388
00:19:46,185 --> 00:19:48,421
I LIKE
WHAT HE JUST SAID.

389
00:19:54,527 --> 00:19:56,463
I HAVE...

390
00:19:59,466 --> 00:20:02,269
I HAVE DEPRIVED MYSELF

391
00:20:02,369 --> 00:20:05,538
OF A WELL-ROUNDED LIFE.

392
00:20:05,638 --> 00:20:08,341
BUT IT'S NOT BECAUSE
I'VE BEEN MARRIED TO YOU.

393
00:20:09,476 --> 00:20:11,378
( breathes deeply )

394
00:20:16,483 --> 00:20:18,651
KATE, ARE YOU OKAY?

395
00:20:19,886 --> 00:20:21,421
YEAH.

396
00:20:22,655 --> 00:20:23,956
MM-HMM.

397
00:20:28,495 --> 00:20:30,630
DO WE SWITCH AROUND NOW?

398
00:20:32,131 --> 00:20:33,700
YEAH.

399
00:20:35,702 --> 00:20:36,969
OKAY.

400
00:20:41,073 --> 00:20:44,110
I WANT TO SAY

401
00:20:44,210 --> 00:20:46,613
THAT I WAS LISTENING
TO YOU.

402
00:20:46,713 --> 00:20:48,681
AND THAT, UM...

403
00:20:51,851 --> 00:20:54,120
I HEAR YOU.

404
00:20:54,220 --> 00:20:56,523
IT HURTS ME
TO REALIZE

405
00:20:56,623 --> 00:20:58,625
THAT I'VE BEEN
MARRIED TO YOU
FOR ALL THIS TIME

406
00:20:58,725 --> 00:21:01,260
AND I DIDN'T KNOW
THAT YOU FELT THIS WAY.

407
00:21:01,361 --> 00:21:04,230
I SHOULD HAVE.

408
00:21:04,331 --> 00:21:07,367
AND I'M ANGRY

409
00:21:07,467 --> 00:21:09,669
AT MYSELF FOR THAT.

410
00:21:21,113 --> 00:21:24,884
I HEAR YOU SAYING
THAT YOU DIDN'T KNOW
THAT I FELT THIS WAY.

411
00:21:25,718 --> 00:21:27,053
OKAY?

412
00:21:27,153 --> 00:21:28,555
YEAH.

413
00:21:32,992 --> 00:21:34,594
I'M SCARED.

414
00:21:38,398 --> 00:21:39,799
I'M FRIGHTENED.

415
00:21:39,899 --> 00:21:41,668
( chuckles )

416
00:21:41,768 --> 00:21:44,070
I'VE HAD SO MANY
PATIENTS WHO WERE
IN THIS SITUATION,

417
00:21:44,170 --> 00:21:46,072
IT'S ALMOST LIKE...

418
00:21:47,840 --> 00:21:51,478
IT'S LIKE DEJA VU.

419
00:21:53,279 --> 00:21:56,516
AND WHERE THESE
COUPLES END UP,

420
00:21:56,616 --> 00:21:59,586
WITH ONE PERSON LEAVING
TO FIND THEMSELVES...

421
00:22:07,093 --> 00:22:10,329
I HEAR YOU SAYING

422
00:22:10,430 --> 00:22:12,399
THAT YOU'RE AFRAID
THAT I'LL LEAVE YOU.

423
00:22:12,499 --> 00:22:15,101
NO, I DIDN'T SAY...

424
00:22:15,201 --> 00:22:17,036
"LEAVE ME."

425
00:22:17,136 --> 00:22:18,871
IS THAT
WHAT YOU WANT?

426
00:22:34,253 --> 00:22:36,122
GINA, YOU SAID...

427
00:22:36,222 --> 00:22:38,925
( chuckles )
THAT I MIGHT'VE PUSHED...

428
00:22:41,193 --> 00:22:45,197
KATE INTO HER...
AFFAIR

429
00:22:45,297 --> 00:22:50,369
BECAUSE OF MY...
FEELINGS FOR LAURA.

430
00:22:51,438 --> 00:22:53,339
MAYBE IT'S
THE OTHER WAY AROUND.

431
00:22:53,440 --> 00:22:56,576
MY FEELINGS
FOR LAURA WERE...

432
00:22:58,144 --> 00:22:59,946
THE REACTION

433
00:23:01,280 --> 00:23:04,050
TO WHAT KATE'S
BEEN GOING THROUGH

434
00:23:04,150 --> 00:23:05,652
HERSELF.

435
00:23:06,919 --> 00:23:10,790
WELL, YOU'RE BOTH
GOING THROUGH SOMETHING.

436
00:23:10,890 --> 00:23:12,759
SHE'S STRUGGLING
WITH A DYNAMIC

437
00:23:12,859 --> 00:23:15,094
THAT EXISTED
BEFORE YOU MET:

438
00:23:15,194 --> 00:23:18,498
TO CATER TO OTHERS,

439
00:23:18,598 --> 00:23:21,468
TO PLEASE,
TO ADAPT TO OTHERS.

440
00:23:21,568 --> 00:23:25,337
AND YOUR PAST
INFORMS THE WAY, UH...

441
00:23:25,438 --> 00:23:27,640
YOU ACT WITH LAURA.

442
00:23:27,740 --> 00:23:30,342
YOU'RE LOOKING
FOR THAT YOUNGER WOMAN

443
00:23:30,443 --> 00:23:32,979
THAT YOU CAN NURTURE,
WHO LOOKS UP TO YOU

444
00:23:33,079 --> 00:23:35,047
THE WAY KATE USED TO.

445
00:23:43,189 --> 00:23:46,659
BUT THAT ALSO MAKES YOU
CONFRONT THE SITUATION
WITH YOUR FATHER,

446
00:23:46,759 --> 00:23:49,328
WHICH IS FRIGHTENING.

447
00:23:49,428 --> 00:23:51,030
YOU WERE 14
WHEN HE LEFT?

448
00:23:51,130 --> 00:23:53,733
- 15.
- 15.

449
00:23:53,833 --> 00:23:56,703
YOUR MOTHER HAD
A NERVOUS BREAKDOWN.

450
00:23:56,803 --> 00:23:58,971
YOU HAD TO
TAKE CARE OF HER.

451
00:23:59,071 --> 00:24:01,908
SHE WAS GIVING YOU
NOTHING IN RETURN.

452
00:24:02,008 --> 00:24:04,877
MAYBE YOU WERE TRYING
TO ADDRESS THAT

453
00:24:04,977 --> 00:24:06,613
IN YOUR RELATIONSHIP
WITH KATE--

454
00:24:06,713 --> 00:24:08,881
LOOKING FOR
THE MOTHERING

455
00:24:08,981 --> 00:24:11,450
THAT YOU DIDN'T GET.

456
00:24:11,551 --> 00:24:14,587
AT THE SAME TIME,

457
00:24:14,687 --> 00:24:16,589
YOU NEED
TO PROTECT YOURSELF

458
00:24:16,689 --> 00:24:19,125
FROM NEEDING IT
SO MUCH

459
00:24:19,225 --> 00:24:22,762
BECAUSE THERE'S ALWAYS
THE RISK OF LOSING IT.

460
00:24:22,862 --> 00:24:27,567
AND SO YOU PULL AWAY,
YOU BURY YOURSELF
IN YOUR WORK.

461
00:24:27,667 --> 00:24:29,869
YOU WANT KATE THERE,
YOU ALWAYS WANT HER THERE

462
00:24:29,969 --> 00:24:32,138
BUT YOU WANT HER
AT ARM'S LENGTH.

463
00:24:35,508 --> 00:24:38,545
SO, MAYBE...

464
00:24:38,645 --> 00:24:40,880
NOW WE HAVE
SOME IDEA...

465
00:24:42,682 --> 00:24:44,784
OF WHAT'S BEEN HAPPENING
BETWEEN YOU

466
00:24:44,884 --> 00:24:46,786
AND MAYBE NOW
WE CAN JUST BEGIN

467
00:24:46,886 --> 00:24:50,122
TO STEER THE SHIP
BACK ON COURSE?

468
00:24:53,626 --> 00:24:55,127
I DON'T KNOW.

469
00:24:55,227 --> 00:24:58,665
- MM-HMM.
- Kate: I HONESTLY
DON'T KNOW.

470
00:24:58,765 --> 00:25:01,133
I JUST FEEL THAT...

471
00:25:02,869 --> 00:25:06,505
WE'VE BEEN GOING
IN THE SAME DIRECTION
FOR SO LONG,

472
00:25:08,340 --> 00:25:11,811
MAYBE THE BEST THING
WOULD BE FOR ME TO JUST
GET OFF THE SHIP.

473
00:25:15,815 --> 00:25:17,750
WHAT ARE YOU SAYING?

474
00:25:19,151 --> 00:25:21,821
ARE YOU SAYING THAT
YOU WANT TO LEAVE?

475
00:25:25,391 --> 00:25:27,259
I'M NOT SURE, PAUL.

476
00:25:37,069 --> 00:25:39,639
YEAH, I JUST
WANT TO SAY--

477
00:25:39,739 --> 00:25:43,109
AND I DON'T MEAN THIS
IN A PATRONIZING WAY,

478
00:25:43,209 --> 00:25:46,579
BUT IT'S NOT UNCOMMON

479
00:25:46,679 --> 00:25:50,683
FOR COUPLES YOUR AGE
TO BE AT THIS CROSSROADS.

480
00:25:50,783 --> 00:25:52,752
THAT DOESN'T MEAN
THAT WHAT YOU'RE
GOING THROUGH

481
00:25:52,852 --> 00:25:56,923
ISN'T COMPLICATED
AND PAINFUL.

482
00:25:57,023 --> 00:26:00,292
AND, LIKE PAUL SAID,
IT DOES SOMETIMES END

483
00:26:00,392 --> 00:26:03,663
WITH SOMEONE LEAVING.

484
00:26:04,797 --> 00:26:07,834
BUT NO ONE HAS
LEFT HERE YET.

485
00:26:07,934 --> 00:26:10,236
AND, THOUGH IT MAY
NOT SEEM SO

486
00:26:10,336 --> 00:26:12,639
RIGHT NOW
AT THIS MOMENT,

487
00:26:12,739 --> 00:26:16,643
I DON'T THINK ANYBODY'S
QUITE READY TO LEAVE.

488
00:26:26,653 --> 00:26:28,487
OKAY, WELL,

489
00:26:28,587 --> 00:26:32,358
GIVE ME A CALL,

490
00:26:32,458 --> 00:26:34,794
AND LET ME KNOW
ABOUT NEXT FRIDAY.

491
00:26:36,395 --> 00:26:37,697
OKAY.

492
00:26:41,100 --> 00:26:42,902
THANKS, GINA.

493
00:26:53,379 --> 00:26:55,848
( cell phone buzzing )

494
00:26:58,718 --> 00:27:00,152
Gina:
BYE, DEAR.

495
00:27:04,456 --> 00:27:06,458
HELLO?

496
00:27:06,558 --> 00:27:08,895
YES, THIS IS HE.

497
00:27:12,064 --> 00:27:13,666
MM-HMM.

498
00:27:21,741 --> 00:27:24,276
( soft piano music
playing )