1
00:00:29,930 --> 00:00:32,533
( knocks on door )

2
00:00:37,138 --> 00:00:39,440
( knocks )

3
00:00:40,108 --> 00:00:42,410
( pounds )

4
00:00:43,111 --> 00:00:45,213
OKAY.

5
00:00:56,190 --> 00:00:58,692
( camera clicks )

6
00:01:04,998 --> 00:01:08,169
( theme music playing )

7
00:01:26,554 --> 00:01:29,490
WHAT UP, DAWG?

8
00:01:29,590 --> 00:01:31,192
WHAT UP WIT'CHOO?

9
00:01:31,292 --> 00:01:34,828
HAVE YOU BEEN
PRACTICING?

10
00:01:34,928 --> 00:01:37,265
I APPRECIATE THAT.

11
00:01:45,105 --> 00:01:48,075
- SO--
- SO I TOOK A LOT

12
00:01:48,176 --> 00:01:50,010
OF REALLY GOOD
PICTURES THIS WEEK.

13
00:01:50,110 --> 00:01:52,913
AT LEAST I THINK
THEY'RE REALLY GOOD.
DO YOU WANT TO SEE THEM?

14
00:01:53,013 --> 00:01:55,048
SURE. SURE.

15
00:01:55,149 --> 00:01:57,318
I UPLOADED A LOT
OF THEM ONTO FACEBOOK.

16
00:01:57,418 --> 00:01:58,752
I TRIED TO FRIEND YOU,

17
00:01:58,852 --> 00:02:02,223
BUT THEN I DISCOVERED
YOU'RE NOT ON FACEBOOK.

18
00:02:02,323 --> 00:02:05,293
ARE YOU A LIBERTARIAN
OR SOMETHING?

19
00:02:05,393 --> 00:02:09,330
- NO.
- WELL, THEN YOU SHOULD
GET ON FACEBOOK.

20
00:02:09,430 --> 00:02:12,333
OUR SOCIETY IS BECOMING
INCREASINGLY BIFURCATED.

21
00:02:12,433 --> 00:02:15,203
DO YOU KNOW
WHAT THAT MEANS?

22
00:02:15,303 --> 00:02:17,605
MM-HMM. YES, I DO.

23
00:02:19,039 --> 00:02:22,743
WELL, IT WAS
A VOCAB WORD THIS WEEK,

24
00:02:22,843 --> 00:02:24,245
AND I KINDA LOVED IT.

25
00:02:24,345 --> 00:02:27,047
I FEEL I HAVE
A REAL AFFINITY

26
00:02:27,147 --> 00:02:29,350
FOR THE CONCEPT
OF BIFURCATION.

27
00:02:31,352 --> 00:02:33,854
ARE YOU LISTENING
TO ME RIGHT NOW?

28
00:02:33,954 --> 00:02:37,358
DON'T I SOUND LIKE
"MIRIAM-WEBSTER"
OR SOMETHING?

29
00:02:37,458 --> 00:02:41,395
I THINK THAT'S MERRIAM,
ISN'T IT?

30
00:02:41,495 --> 00:02:42,596
SAY WHAT?

31
00:02:42,696 --> 00:02:45,333
IT'S CALLED
"THE MERRIAM-WEBSTER
DICTIONARY."

32
00:02:45,433 --> 00:02:47,268
WHAT KIND OF NAME
IS MERRIAM?

33
00:02:47,368 --> 00:02:49,603
THERE WAS A GUY CALLED
NOAH WEBSTER

34
00:02:49,703 --> 00:02:51,805
WHO WROTE
THE ORIGINAL DICTIONARY,

35
00:02:51,905 --> 00:02:55,509
AND WHEN HE DIED
THESE TWO BROTHERS,
CHARLES AND GEORGE MERRIAM,

36
00:02:55,609 --> 00:02:58,546
THEY REVISED THE DICTIONARY
AND THEY RENAMED IT

37
00:02:58,646 --> 00:03:01,749
"THE MERRIAM-WEBSTER
DICTIONARY."

38
00:03:03,183 --> 00:03:05,185
HOW DO YOU KNOW THAT?

39
00:03:05,286 --> 00:03:08,088
- I DON'T KNOW.
I JUST--
- OKAY.

40
00:03:08,188 --> 00:03:11,024
ANYWAY, AS I WAS SAYING,

41
00:03:11,124 --> 00:03:13,327
OUR LIVES ARE NOW, LIKE,

42
00:03:13,427 --> 00:03:17,665
HALF IN REAL TIME
AND HALF IN VIRTUAL TIME.

43
00:03:19,533 --> 00:03:22,303
ALSO, HOW DO YOU EXPECT

44
00:03:22,403 --> 00:03:23,937
TO FIND YOURSELF
A LADY FRIEND?

45
00:03:24,037 --> 00:03:26,707
YOU THINK THE BRAINY GIRLS
YOU LIKE ARE AT THE BAR?

46
00:03:26,807 --> 00:03:30,311
THERE'S NO WAY.
THEY ARE AT HOME
WATCHING "MAD MEN"

47
00:03:30,411 --> 00:03:32,446
AND SURFING match.com.

48
00:03:32,546 --> 00:03:35,349
WELL, MAYBE I LIKE
TO LET THE GAME COME TO ME.

49
00:03:35,449 --> 00:03:37,451
EWW!
MAN, DON'T DO THAT.

50
00:03:37,551 --> 00:03:39,453
YOU KNOW THAT SPORTS
METAPHORS OFFEND

51
00:03:39,553 --> 00:03:42,022
MY DELICATE HOMOSEXUAL
SENSIBILITIES.

52
00:03:42,122 --> 00:03:44,992
WELL, ENOUGH ABOUT ME.

53
00:03:45,092 --> 00:03:47,661
SO WHY DON'T YOU
TELL ME ABOUT--

54
00:03:47,761 --> 00:03:49,963
OH GOD, I LOVE
THIS THING SO MUCH.

55
00:03:50,063 --> 00:03:54,001
WHEN I WAS A KID
AND I GOT MY VERY
FIRST CAMERA,

56
00:03:54,101 --> 00:03:56,370
I TOOK IT EVERYWHERE
WITH ME.

57
00:03:56,470 --> 00:03:59,673
I EVEN SLEPT WITH IT.
AND ONE TIME, IN SCHOOL,

58
00:03:59,773 --> 00:04:03,176
WE HAD TO GIVE
A SPEECH ABOUT OUR
"MOST IMPORTANT BEING"

59
00:04:03,277 --> 00:04:05,579
AND KIDS WERE, LIKE,
TALKING ABOUT THEIR MOTHER

60
00:04:05,679 --> 00:04:08,916
OR THEIR HAMSTER
OR SOMETHING.

61
00:04:09,016 --> 00:04:11,084
I TALKED ABOUT MY CAMERA.

62
00:04:11,184 --> 00:04:12,686
WHO GAVE IT TO YOU?

63
00:04:14,488 --> 00:04:16,324
DON'T REMEMBER.

64
00:04:17,825 --> 00:04:19,660
HERE THEY ARE.

65
00:04:19,760 --> 00:04:23,997
JUST CLICK THAT BUTTON
TO GO TO THE NEXT ONE.

66
00:04:24,097 --> 00:04:25,399
- LIKE THIS?
- YEAH.

67
00:04:25,499 --> 00:04:28,101
- OKAY.
- SO THAT'S THIS GUY

68
00:04:28,201 --> 00:04:29,803
AT THE BODEGA
ON MY CORNER

69
00:04:29,903 --> 00:04:32,272
WHO ALWAYS SINGS
ALONG WITH THIS, LIKE,

70
00:04:32,373 --> 00:04:35,809
- CRAZY ARABIC ROCK STATION.
- ( chuckles )

71
00:04:35,909 --> 00:04:39,413
OR ACTUALLY,
HE MIGHT BE PRAYING.
I DON'T KNOW.

72
00:04:39,513 --> 00:04:41,715
- ( camera beeps )
- THIS ONE I LIKE.

73
00:04:41,815 --> 00:04:43,016
- YOU DO?
- MM-HMM.

74
00:04:43,116 --> 00:04:44,718
I MEAN,
IT WOULD BE BETTER

75
00:04:44,818 --> 00:04:47,187
IF IT WAS LESS CENTERED
IN THE FRAME, BUT--

76
00:04:47,287 --> 00:04:50,491
OH, THAT'S THE LADY THAT
LIVES NEXT DOOR TO US

77
00:04:50,591 --> 00:04:53,361
WHO IS A ROYAL BITCH
TO MARISA.

78
00:04:53,461 --> 00:04:56,029
AND LAST SUMMER
I SUPERGLUED NAILS

79
00:04:56,129 --> 00:04:57,931
OUTSIDE
OF HER GARAGE DOOR.

80
00:04:58,031 --> 00:05:01,068
SHE PUNCTURED
ALL FOUR TIRES.

81
00:05:01,168 --> 00:05:03,070
I'M PARTICULARLY
PROUD OF THAT.

82
00:05:03,170 --> 00:05:04,438
- KEEP GOING.
- ( beeps )

83
00:05:04,538 --> 00:05:07,608
I TOOK THAT ONE
FROM BATTERY PARK.

84
00:05:07,708 --> 00:05:09,076
OH, THAT'S--

85
00:05:09,176 --> 00:05:12,346
YEAH,
THERE'S LADY LIBERTY.

86
00:05:12,446 --> 00:05:14,615
SHE'S SO HOT.

87
00:05:18,386 --> 00:05:20,421
( beeps )

88
00:05:20,521 --> 00:05:23,491
OH, THIS WAS AT THIS BAR
I WAS AT THE OTHER NIGHT.

89
00:05:23,591 --> 00:05:26,026
THAT GUY'S A HOMO,
BUT HE'S GOT A WIFE
AND THREE KIDS

90
00:05:26,126 --> 00:05:27,695
AND WON'T ADMIT IT.

91
00:05:27,795 --> 00:05:30,598
AND THIS CHICK IS
IN LOVE WITH HIM.

92
00:05:30,698 --> 00:05:33,434
( beeps )

93
00:05:33,534 --> 00:05:35,803
OH, WAIT,
THAT ONE'S NOTHING.

94
00:05:38,839 --> 00:05:41,909
YEAH, THAT'S ALL
OF THEM, I THINK.

95
00:05:42,009 --> 00:05:44,778
SO WHICH NIGHT WAS THIS?

96
00:05:44,878 --> 00:05:47,047
UM...

97
00:05:47,147 --> 00:05:49,383
FRIDAY, I THINK.

98
00:05:49,483 --> 00:05:51,852
NO-- SATURDAY.

99
00:05:51,952 --> 00:05:54,254
BUT IT SAYS TUESDAY.

100
00:05:54,354 --> 00:05:56,023
WHERE?

101
00:05:56,924 --> 00:05:58,659
ON THE CAMERA.

102
00:05:58,759 --> 00:06:02,129
OH, WELL,
THE CALENDAR'S WAY OFF.

103
00:06:04,331 --> 00:06:06,233
WHAT? IT'S BEEN OFF
SINCE I GOT IT.

104
00:06:06,333 --> 00:06:08,669
I JUST NEVER BOTHERED
TO RESET IT.

105
00:06:10,671 --> 00:06:12,339
DID YOU LIKE
THE PICTURES?

106
00:06:12,440 --> 00:06:14,842
- WHICH BAR WAS THAT?
- DOES IT MATTER?

107
00:06:14,942 --> 00:06:16,777
WAS IT THE ONE THAT
JOSH AND RAIF OWN?

108
00:06:16,877 --> 00:06:18,378
YOU KNOW WHAT
YOUR PROBLEM IS?

109
00:06:18,479 --> 00:06:21,815
YOU THINK ALL ART HAS
TO HAVE CONTEXT.

110
00:06:21,915 --> 00:06:23,250
THAT'S SO BOURGEOIS.

111
00:06:23,350 --> 00:06:26,053
WAS THIS JOSH
AND RAIF'S BAR?

112
00:06:29,590 --> 00:06:33,627
- YES.
- DID YOU TAKE
THE PICTURES LAST NIGHT?

113
00:06:40,267 --> 00:06:42,736
- YES.
- DID YOU GO
TO SCHOOL TODAY?

114
00:06:47,841 --> 00:06:49,610
NO.

115
00:06:51,445 --> 00:06:53,547
I'LL GO
TO SCHOOL TOMORROW.

116
00:06:53,647 --> 00:06:57,084
JESUS!
ANSEL ADAMS DIDN'T
FINISH HIGH SCHOOL.

117
00:06:57,184 --> 00:07:01,021
NEITHER DID RICHARD AVEDON.
AND YOU KNOW WHERE I GOT
THAT INFORMATION?

118
00:07:02,189 --> 00:07:04,424
ONLINE.

119
00:07:09,897 --> 00:07:13,066
DID I LIKE SWEAR TO YOU
I WOULDN'T SEE THEM AGAIN?

120
00:07:13,166 --> 00:07:15,368
- NO.
- NO. SO STOP
LOOKING AT ME

121
00:07:15,469 --> 00:07:17,370
LIKE I'VE DISAPPOINTED
YOU OR SOMETHING.

122
00:07:17,471 --> 00:07:19,473
I'M NOT YOUR FUCKING KID.

123
00:07:23,811 --> 00:07:26,313
YOU KNOW, JESSE,
WE'VE BEEN TALKING
FOR A WHILE NOW

124
00:07:26,413 --> 00:07:30,117
ABOUT WHY IT ISN'T
SUCH A GOOD IDEA

125
00:07:30,217 --> 00:07:32,520
FOR YOU TO CONTINUE TO SEE
JOSH AND RAIF ANYMORE.

126
00:07:32,620 --> 00:07:35,388
- YOU'VE BEEN TALKING.
- NO, NOT TRUE, JESSE.

127
00:07:35,489 --> 00:07:36,857
A FEW WEEKS AGO,

128
00:07:36,957 --> 00:07:39,527
YOU SAID TO ME
THAT YOU WERE...

129
00:07:39,627 --> 00:07:41,461
UNCOMFORTABLE THERE,

130
00:07:41,562 --> 00:07:44,665
BECAUSE THEY THINK
YOU'RE A FRESHMAN AT N.Y.U.,

131
00:07:44,765 --> 00:07:47,467
BECAUSE THEY WERE
A COUPLE AND BECAUSE
YOU WERE FEELING USED.

132
00:07:47,568 --> 00:07:50,070
- NO, I NEVER SAID "USED."
- I THINK YOU DID.

133
00:07:50,170 --> 00:07:53,406
NO, I SAID "FUCKED."

134
00:07:53,507 --> 00:07:56,143
I SAID...

135
00:07:56,243 --> 00:07:58,078
I WAS FEELING FUCKED

136
00:07:58,178 --> 00:08:01,214
WHILE I WAS BEING FUCKED

137
00:08:01,314 --> 00:08:02,983
AND I KNOW EXACTLY
WHAT I SAID

138
00:08:03,083 --> 00:08:06,186
BECAUSE I WAS TRYING
TO MAKE YOU UNCOMFORTABLE.

139
00:08:06,286 --> 00:08:08,321
YOU WERE TRYING
TO SHOCK ME, YEAH?

140
00:08:08,421 --> 00:08:10,157
( snorts )
WHATEVER.

141
00:08:10,257 --> 00:08:12,159
OR THROW ME OFF BALANCE,

142
00:08:12,259 --> 00:08:15,462
LIKE WHEN YOU FLASHED
THE CAMERA IN MY FACE
AT THE DOOR.

143
00:08:15,563 --> 00:08:18,632
IT'S YOUR WAY
OF DISTRACTING ME, YEAH?

144
00:08:18,732 --> 00:08:20,734
SENDING UP FLARES,

145
00:08:20,834 --> 00:08:23,103
OBSCURING WHO YOU ARE.

146
00:08:25,739 --> 00:08:28,976
WE'VE TALKED ABOUT THIS.

147
00:08:29,076 --> 00:08:30,544
YOU ARE A MINOR.

148
00:08:30,644 --> 00:08:32,713
( sighs )
PLEASE, DUDE,

149
00:08:32,813 --> 00:08:34,982
I'M GOING TO BE 17
IN, LIKE, A MONTH.

150
00:08:35,082 --> 00:08:38,518
WHAT ARE YOU GOING TO DO?
CALL CHILD PROTECTIVE
SERVICES?

151
00:08:38,619 --> 00:08:39,887
THEY'LL HANG UP ON YOU.

152
00:08:39,987 --> 00:08:42,522
I REMEMBER SOMETHING
THAT YOU SAID LAST MONTH.

153
00:08:42,623 --> 00:08:44,257
YOU SAID THAT
YOU WERE WORRIED

154
00:08:44,357 --> 00:08:47,294
THAT YOU HAD
A PROMISCUITY PROBLEM.
DO YOU REMEMBER THAT?

155
00:08:47,394 --> 00:08:49,897
AT THE TIME
YOU SEEMED PRETTY
UPSET ABOUT IT.

156
00:08:49,997 --> 00:08:52,265
WE'RE PERFECTLY
SAFE, OKAY?

157
00:08:52,365 --> 00:08:55,102
WE USE CONDOMS
EVERY TIME.

158
00:09:00,808 --> 00:09:04,712
YOU KNOW WHAT?
CALL THE FUCKING POLICE.
I DON'T CARE.

159
00:09:09,683 --> 00:09:12,052
HAVE YOU BEEN HAVING
TROUBLE SLEEPING?

160
00:09:12,152 --> 00:09:14,888
NO, HAVE YOU?

161
00:09:16,056 --> 00:09:18,091
HAVE YOU BEEN
TAKING YOUR ADDERALL?

162
00:09:18,191 --> 00:09:20,861
YOU MEAN, HAVE I BEEN
SELLING MY ADDERALL?

163
00:09:20,961 --> 00:09:23,363
- THAT'S NOT WHAT I SAID.
- YEAH, BUT THAT'S WHAT YOU

164
00:09:23,463 --> 00:09:25,398
ACTUALLY WANT TO KNOW,
ISN'T IT?

165
00:09:25,498 --> 00:09:27,400
YOU SEEM
PRETTY ANXIOUS TODAY.

166
00:09:27,500 --> 00:09:29,136
I'M JUST TRYING
TO FIGURE OUT WHY.

167
00:09:29,236 --> 00:09:31,404
WELL, I DON'T HAVE TO
SELL THAT SHIT ANYMORE.

168
00:09:31,504 --> 00:09:33,140
MY SHIP'S ABOUT
TO COME IN.

169
00:09:33,240 --> 00:09:35,408
WHAT-- WHAT DO YOU MEAN?

170
00:09:35,508 --> 00:09:38,912
DO YOU WANT
TO SEE SOMETHING AWESOME?

171
00:09:39,012 --> 00:09:42,082
IT'S THIS NEW APP I GOT.
IT'S CALLED "HOESR."

172
00:09:42,182 --> 00:09:43,984
YOU JUST OPEN IT,

173
00:09:44,084 --> 00:09:45,886
IT FINDS OUT WHERE
YOU ARE AND TELLS YOU

174
00:09:45,986 --> 00:09:48,388
EXACTLY WHERE
THE CLOSEST HOOK-UP IS.

175
00:09:48,488 --> 00:09:51,792
OVER 1500 GUYS
JOIN IT EVERY DAY.

176
00:09:55,328 --> 00:09:56,864
- THAT'S WEIRD.
- JESSE.

177
00:09:56,964 --> 00:09:59,332
WOW. YOUR OFFICE IS
LIKE A DEAD ZONE, DUDE.

178
00:09:59,432 --> 00:10:02,102
- CAN YOU PUT THAT AWAY, PLEASE?
- DO YOU HAVE AN ANTI-SEXUAL
FORCE FIELD

179
00:10:02,202 --> 00:10:05,272
- AROUND THIS PLACE
OR SOMETHING?
- I'M NOT GONNA ASK YOU AGAIN.

180
00:10:05,372 --> 00:10:08,175
- PUT IT AWAY.
- ALL RIGHT.

181
00:10:11,278 --> 00:10:13,747
FUCKING PURITAN.

182
00:10:27,394 --> 00:10:30,197
MARISA SENT ME
A BITCHY TEXT

183
00:10:30,297 --> 00:10:32,132
AT 5:00 A.M.
THIS MORNING.

184
00:10:32,232 --> 00:10:35,068
- AFTER YOU HADN'T
COME HOME.
- UH, YEAH.

185
00:10:35,168 --> 00:10:37,204
WELL, YOU CAN IMAGINE THAT
YOUR MOTHER MIGHT BE UPSET.

186
00:10:37,304 --> 00:10:40,173
- CAN I READ IT YOU?
- WHY DON'T YOU JUST
TELL ME WHAT IT SAYS?

187
00:10:40,273 --> 00:10:43,744
I SENT HER ONE FIRST,
TELLING HER THAT
I WAS FINE.

188
00:10:43,844 --> 00:10:46,914
AND SHE WROTE BACK--

189
00:10:47,014 --> 00:10:49,049
( chuckles )
HERE IT IS.

190
00:10:49,149 --> 00:10:52,185
SHE'S JUST LIKE...

191
00:10:52,285 --> 00:10:53,721
"GOOD."

192
00:10:53,821 --> 00:10:56,824
DON'T YOU THINK SHE WAS
RELIEVED TO HEAR FROM YOU?

193
00:10:56,924 --> 00:11:00,360
OH PLEASE.
I GAVE HER
THE NIGHT OFF.

194
00:11:05,098 --> 00:11:06,867
DO YOU THINK--

195
00:11:06,967 --> 00:11:10,570
DO YOU THINK YOUR MOTHER
FINDS YOU A BURDEN?

196
00:11:10,670 --> 00:11:11,972
I HATE TALKING

197
00:11:12,072 --> 00:11:15,375
ABOUT MY FUCKING PARENTS.

198
00:11:23,951 --> 00:11:27,921
MY FATHER HIRED
THIS NEW GUY--

199
00:11:28,989 --> 00:11:31,759
MARIO.

200
00:11:31,859 --> 00:11:34,494
REALLY HOT.

201
00:11:34,594 --> 00:11:36,897
ITALIAN, OF COURSE.

202
00:11:39,066 --> 00:11:43,303
HE'S BEING GROOMED
TO TAKE OVER THE BUSINESS.
I CAN TELL.

203
00:11:43,403 --> 00:11:45,372
DOES THAT FEEL

204
00:11:45,472 --> 00:11:47,674
TO YOU LIKE
A REJECTION?

205
00:11:47,775 --> 00:11:50,243
NO. WHY?

206
00:11:50,343 --> 00:11:52,179
WELL, ISN'T THE BUSINESS

207
00:11:52,279 --> 00:11:54,647
CALLED D'AMATO & SONS?

208
00:11:54,748 --> 00:11:57,384
DON'T TAKE IT LITERALLY.
IT'S A METAPHOR.

209
00:11:57,484 --> 00:11:59,953
- MEANING?
- LIKE, "D'AMATO

210
00:12:00,053 --> 00:12:02,089
AND PEOPLE HE WISHES
WERE HIS SONS."

211
00:12:02,189 --> 00:12:04,324
- SO IT DOES FEEL PERSONAL.
- OH PLEASE.

212
00:12:04,424 --> 00:12:08,028
YOU THINK I WANT TO BE
A FUCKING ELECTRICIAN?

213
00:12:08,128 --> 00:12:11,799
I'M GONNA BE
A DOCTOR WITHOUT BORDERS
LIKE MY REAL FATHER.

214
00:12:13,000 --> 00:12:16,870
OR A CRACK WHORE
LIKE MY REAL MOTHER.

215
00:12:19,272 --> 00:12:22,609
WHEN DID MARIO START

216
00:12:22,709 --> 00:12:25,312
TO WORK FOR YOUR FATHER?

217
00:12:25,412 --> 00:12:27,047
A FEW DAYS AGO.

218
00:12:27,147 --> 00:12:30,083
I'M JUST WONDERING
IF YOUR BEHAVIOR THIS WEEK

219
00:12:30,183 --> 00:12:32,185
HAS ANYTHING
TO DO WITH THAT.

220
00:12:32,285 --> 00:12:35,155
- MY BEHAVIOR?
- YOU WERE DEMONSTRATING

221
00:12:35,255 --> 00:12:37,490
SOME PRETTY
TROUBLING BEHAVIOR--

222
00:12:37,590 --> 00:12:40,727
SLEEPING AROUND,
SKIPPING SCHOOL,
SELLING DRUGS.

223
00:12:40,828 --> 00:12:42,896
BUT I FELT IN THE LAST
FEW SESSIONS

224
00:12:42,996 --> 00:12:45,298
YOU'D BEEN GAINING
SOME CONTROL OVER
THAT BEHAVIOR.

225
00:12:45,398 --> 00:12:47,600
- BUT IN THE PAST WEEK--
- ADDERALL IS NOT A DRUG.

226
00:12:47,700 --> 00:12:50,303
- WHAT WOULD YOU CALL IT?
- IT'S LIKE A FUCKING VITAMIN.

227
00:12:50,403 --> 00:12:54,074
I WAS PROVIDING A NECESSARY
SERVICE FOR THE YOUTH
OF THIS CITY, OKAY?

228
00:12:54,174 --> 00:12:57,377
SO GET OFF
MY FUCKING BACK.

229
00:13:02,916 --> 00:13:04,584
GOD, THIS SUCKS.

230
00:13:04,684 --> 00:13:06,519
WHAT DOES?

231
00:13:09,789 --> 00:13:12,292
I JUST FEEL LIKE
SUCH A FUCK-UP TODAY.

232
00:13:14,094 --> 00:13:16,229
WHY?

233
00:13:26,840 --> 00:13:29,576
DID YOU KNOW THAT

234
00:13:29,676 --> 00:13:33,213
DOCTORS WITHOUT BORDERS
MAKES EVERYONE EAT THIS
SPECIAL PEANUT BUTTER

235
00:13:33,313 --> 00:13:36,349
TO GAIN WEIGHT,
AND IT'S CALLED PLUMPY'NUT?

236
00:13:36,449 --> 00:13:39,352
NO, I DIDN'T KNOW THAT.

237
00:13:39,452 --> 00:13:42,122
PLUMPY'NUT.

238
00:13:42,222 --> 00:13:46,426
SOUNDS LIKE SOME
OF THE GUYS I KNOW.

239
00:13:46,526 --> 00:13:49,662
HAVE YOU EVER NOTICED
THAT WHEN YOU TALK ABOUT
YOUR BIRTH PARENTS,

240
00:13:49,762 --> 00:13:52,099
YOUR FATHER

241
00:13:53,200 --> 00:13:55,135
IS ALWAYS
SOMEBODY DIFFERENT,

242
00:13:55,235 --> 00:13:58,538
YET YOUR MOTHER
REMAINS THE SAME?

243
00:13:59,439 --> 00:14:01,008
NO.

244
00:14:01,108 --> 00:14:03,643
LIKE SOMETIMES
HE'S A NOVELIST,

245
00:14:03,743 --> 00:14:05,678
A RACE CAR DRIVER.

246
00:14:05,778 --> 00:14:07,981
TODAY, HE'S A DOCTOR.

247
00:14:08,081 --> 00:14:11,484
YET YOUR MOTHER
ALWAYS REMAINS THE SAME--

248
00:14:11,584 --> 00:14:14,387
A DEGENERATE CRACK WHORE.

249
00:14:16,389 --> 00:14:20,493
- SO?
- I'M JUST CURIOUS
WHAT YOU MAKE OF THAT.

250
00:14:22,695 --> 00:14:25,532
I MUST BE SOME
SORT OF MISOGYNIST.

251
00:14:31,338 --> 00:14:35,175
OR MAYBE I THINK ALL WOMEN
ARE USELESS BECAUSE I'M GAY.

252
00:14:41,614 --> 00:14:44,451
- DO YOU WANNA HEAR
SOMETHING CRAZY?
- NO, I DON'T.

253
00:14:44,551 --> 00:14:47,520
- NO?
- NO, BECAUSE I'D RATHER FOCUS
ON YOU FOR THE TIME BEING,

254
00:14:47,620 --> 00:14:49,923
- SO CAN YOU PUT THAT AWAY--
- WHY CAN'T I JUST HOLD IT?

255
00:14:50,023 --> 00:14:52,960
BECAUSE I THINK
IT'S DISTRACTING YOU FROM
CONCENTRATING ON YOURSELF.

256
00:14:53,060 --> 00:14:55,929
- JESSE, WHY DON'T YOU
GIVE ME THE PHONE?
- NO!

257
00:14:56,930 --> 00:14:59,299
I LIKE HOLDING IT.

258
00:14:59,399 --> 00:15:01,534
OKAY.

259
00:15:24,791 --> 00:15:26,226
HERE.

260
00:15:26,326 --> 00:15:29,396
Woman over phone:
Hello, is this Jesse D'Amato?

261
00:15:29,496 --> 00:15:31,831
If this is--

262
00:15:31,931 --> 00:15:33,200
if this is Jesse D'Amato

263
00:15:33,300 --> 00:15:36,003
that was born
in Kings County Hospital

264
00:15:36,103 --> 00:15:39,239
December 14th, 1993,

265
00:15:40,107 --> 00:15:42,042
well, then--

266
00:15:42,142 --> 00:15:44,777
well, my name
is Karen Scott
and my number is

267
00:15:44,877 --> 00:15:49,216
914-555-0178.

268
00:15:49,316 --> 00:15:52,952
I-- I think
I'm your birth mother.

269
00:15:53,053 --> 00:15:55,788
I hope you
call me back.

270
00:15:55,888 --> 00:15:58,258
( hangs up )

271
00:16:03,296 --> 00:16:05,432
WOW.

272
00:16:09,002 --> 00:16:11,471
YEAH.

273
00:16:13,306 --> 00:16:15,842
WHEN-- WHEN DID YOU
GET THAT?

274
00:16:15,942 --> 00:16:18,078
YESTERDAY.

275
00:16:18,178 --> 00:16:20,213
I PICKED IT UP
AFTER SCHOOL.

276
00:16:20,313 --> 00:16:22,749
AND HAVE YOU
RETURNED THE CALL?

277
00:16:22,849 --> 00:16:24,651
NO.

278
00:16:28,688 --> 00:16:31,724
- WHY ARE YOU NODDING?
- I'M SORRY. I DIDN'T--
I DIDN'T REALIZE--

279
00:16:31,824 --> 00:16:34,494
YEAH, LIKE THIS ALL
MAKES PERFECT SENSE
TO YOU OR SOMETHING.

280
00:16:34,594 --> 00:16:38,231
I'M SORRY.
IT'S JUST THE WAY THAT
I PROCESS INFORMATION.

281
00:16:38,331 --> 00:16:40,567
HOW COME IT'S OKAY
FOR YOU TO NOD WHEN
YOU'RE THINKING,

282
00:16:40,667 --> 00:16:42,769
BUT IF I TAP
MY FISTS TOGETHER,
I HAVE TO BE MEDICATED?

283
00:16:42,869 --> 00:16:44,504
CAN WE GET BACK
TO THE VOICEMAIL?

284
00:16:44,604 --> 00:16:47,274
THIS MUST BE LIKE
A THERAPIST'S WET DREAM
OR SOMETHING, RIGHT?

285
00:16:47,374 --> 00:16:49,142
HOW DID YOU FEEL
WHEN YOU HEARD
THAT MESSAGE?

286
00:16:49,242 --> 00:16:52,245
I DON'T KNOW, DOC.
CONFUSED,

287
00:16:52,345 --> 00:16:55,882
BETRAYED,
LIKE SUDDENLY THE WEIGHT

288
00:16:55,982 --> 00:16:58,818
OF THE ENTIRE WORLD
WAS BEARING DOWN

289
00:16:58,918 --> 00:17:02,455
ON MY SLENDER SHOULDERS.

290
00:17:11,698 --> 00:17:14,867
( sighs )
WHAT DID I FEEL?

291
00:17:14,967 --> 00:17:17,637
NOTHING. THIS WOMAN
IS A FUCKING STRANGER.

292
00:17:17,737 --> 00:17:19,206
HOW DID SHE EVEN
GET MY NUMBER?

293
00:17:19,306 --> 00:17:21,441
THAT'S A GOOD QUESTION.

294
00:17:21,541 --> 00:17:25,145
I'M ALSO NOT SURE
THAT WHAT SHE DID WAS
TECHNICALLY LEGAL.

295
00:17:25,245 --> 00:17:27,147
I SHOULD CALL
THE PHONE COMPANY.

296
00:17:27,247 --> 00:17:29,949
"HELLO, AT&T. I WOULD LIKE
TO REPORT A COMPLAINT.

297
00:17:30,049 --> 00:17:32,018
YOU GAVE MY FUCKING
CELL PHONE NUMBER

298
00:17:32,119 --> 00:17:34,187
TO THE FUCKING CRACK WHORE
WHO GAVE BIRTH TO ME!

299
00:17:34,287 --> 00:17:36,189
AND NOW SHE WON'T STOP
FUCKING CALLING ME,

300
00:17:36,289 --> 00:17:38,425
SO WHAT THE FUCK
AM I SUPPOSED TO DO?"

301
00:17:43,296 --> 00:17:45,465
WHAT DO YOU WANT
TO DO, JESSE?

302
00:17:51,138 --> 00:17:54,006
TELL ME-- TELL ME
HOW YOU'RE FEELING.

303
00:17:54,107 --> 00:17:56,143
WHY?

304
00:17:56,243 --> 00:17:59,212
BECAUSE I THINK IT'S
IMPORTANT FOR YOU TO--

305
00:17:59,312 --> 00:18:02,849
TO ARTICULATE WHAT'S
GOING ON INSIDE YOUR HEAD.

306
00:18:02,949 --> 00:18:04,417
THERE'S NOTHING
GOING ON.

307
00:18:04,517 --> 00:18:06,219
I SWEAR,
ALL I HEAR IS STATIC.

308
00:18:06,319 --> 00:18:10,157
- STATIC?
- YEAH.

309
00:18:11,324 --> 00:18:14,661
IT HAPPENS
TO ME SOMETIMES.

310
00:18:14,761 --> 00:18:17,096
STATIC AND...

311
00:18:18,465 --> 00:18:21,134
REALLY FAINT VOICES
THAT I CAN'T MAKE OUT,

312
00:18:21,234 --> 00:18:24,471
LIKE THERE'S SOME
RADIO STATION

313
00:18:24,571 --> 00:18:27,574
PLAYING FROM FAR AWAY
WITH A BAD CONNECTION.

314
00:18:27,674 --> 00:18:31,544
IS THAT WHAT'S
HAPPENING RIGHT NOW?

315
00:18:33,913 --> 00:18:35,748
YEAH.

316
00:18:42,355 --> 00:18:45,792
- SORRY.
- FOR WHAT?

317
00:18:45,892 --> 00:18:47,794
I DON'T KNOW.

318
00:18:52,365 --> 00:18:56,236
OKAY, SO YOU GOT THE MESSAGE
YESTERDAY AFTERNOON.

319
00:18:56,336 --> 00:18:59,272
WHAT DID YOU DO RIGHT
AFTER YOU PICKED IT UP?

320
00:19:01,073 --> 00:19:02,909
I WENT FOR A WALK.

321
00:19:03,009 --> 00:19:04,744
AND WHERE DID YOU WALK?

322
00:19:06,279 --> 00:19:08,781
OVER THE BRIDGE
INTO THE CITY.

323
00:19:08,881 --> 00:19:10,983
THAT'S A LONG WALK.

324
00:19:11,083 --> 00:19:13,520
WELL, I WAS
TAKING PICTURES.

325
00:19:13,620 --> 00:19:17,524
WERE YOU HEADED
ANYPLACE IN PARTICULAR?

326
00:19:19,226 --> 00:19:22,695
UH, THE BAR.

327
00:19:22,795 --> 00:19:24,664
JOSH AND RAIF'S BAR.

328
00:19:24,764 --> 00:19:26,199
YUP.

329
00:19:26,299 --> 00:19:28,901
JOSH AND RAIF--
YOUR TWO FAVORITE FAGS.

330
00:19:29,001 --> 00:19:31,037
YOU KNOW,
IT'S INTERESTING TO ME

331
00:19:31,137 --> 00:19:34,807
IN PERIODS OF REAL
EMOTIONAL CONFUSION,

332
00:19:34,907 --> 00:19:36,943
YOU SEEK OUT SEX.

333
00:19:37,043 --> 00:19:40,347
IT SEEMS LIKE
A PATTERN FOR YOU.

334
00:19:44,317 --> 00:19:46,319
WELL,
MAYBE IT'S YOUR PROBLEM.

335
00:19:46,419 --> 00:19:49,289
I MEAN, YOU'RE THE ONE
THAT KEEPS BRINGING IT UP.

336
00:19:49,389 --> 00:19:52,325
YOU'RE, LIKE,
OFFICIALLY OBSESSED

337
00:19:52,425 --> 00:19:55,495
WITH MY SEX LIFE.

338
00:19:56,796 --> 00:20:00,233
STOP FREAKING NODDING!
WE DIDN'T HAVE SEX!

339
00:20:00,333 --> 00:20:01,434
- NO?
- NO!

340
00:20:01,534 --> 00:20:03,135
THEY COULD SEE
I WAS UPSET,

341
00:20:03,236 --> 00:20:05,538
SO JOSH STAYED
AT THE BAR

342
00:20:05,638 --> 00:20:08,007
AND RAIF AND I WENT
BACK TO THEIR PLACE

343
00:20:08,107 --> 00:20:12,211
AND WE ORDERED
TAKEOUT AND WATCHED
"THE DAILY SHOW," OKAY?

344
00:20:12,312 --> 00:20:15,782
SO YOU CAN PUT
YOUR DICK AWAY. GOD!

345
00:20:15,882 --> 00:20:19,986
WHY ARE ALL STRAIGHT GUYS
SUCH FUCKING PERVS?

346
00:20:20,086 --> 00:20:22,121
- JESSE.
- WHAT?

347
00:20:22,221 --> 00:20:24,223
DON'T SPEAK
TO ME LIKE THAT.

348
00:20:24,924 --> 00:20:26,526
OKAY?

349
00:20:34,066 --> 00:20:35,902
I'M SORRY.

350
00:20:39,005 --> 00:20:41,741
AND I'M--

351
00:20:41,841 --> 00:20:43,376
AND I'M SORRY TOO.

352
00:20:43,476 --> 00:20:46,078
I GUESS
I DIDN'T REALIZE

353
00:20:46,178 --> 00:20:48,481
HOW SIGNIFICANT

354
00:20:48,581 --> 00:20:51,818
JOSH AND RAIF ARE TO YOU

355
00:20:51,918 --> 00:20:54,721
AND THAT YOU RELY
UPON THEM.

356
00:20:54,821 --> 00:20:57,690
YEAH. I MEAN,

357
00:20:58,391 --> 00:21:00,026
THEY'RE LIKE...

358
00:21:01,361 --> 00:21:04,697
REALLY GOOD GUYS.

359
00:21:04,797 --> 00:21:07,066
DID YOU TELL THEM
ABOUT THE PHONE CALL?

360
00:21:07,166 --> 00:21:09,502
NO.

361
00:21:16,409 --> 00:21:18,945
IT'S A WESTCHESTER NUMBER.

362
00:21:19,045 --> 00:21:22,114
I LOOKED IT UP.

363
00:21:22,214 --> 00:21:25,918
914. SHE LIVES
IN WESTCHESTER.

364
00:21:28,855 --> 00:21:31,924
- YOU KNOW WHAT
THAT MEANS?
- WHAT?

365
00:21:35,895 --> 00:21:38,030
THE BITCH IS RICH.

366
00:21:39,332 --> 00:21:41,601
NOT A CRACK WHORE THEN.

367
00:21:41,701 --> 00:21:43,636
NO.

368
00:21:50,710 --> 00:21:52,779
SO HOW DO YOU WANT
TO RESPOND?

369
00:21:52,879 --> 00:21:55,582
I DON'T KNOW.

370
00:21:55,682 --> 00:21:59,386
I THINK WE SHOULD TALK
ABOUT IT SOME MORE
BEFORE YOU DO.

371
00:21:59,486 --> 00:22:02,722
OKAY. YEAH, FINE.

372
00:22:07,193 --> 00:22:09,095
SO--
( clears throat )

373
00:22:09,195 --> 00:22:11,063
SO WHERE ARE YOU
HEADED AFTER THIS?

374
00:22:15,201 --> 00:22:18,471
YOU DON'T-- YOU DON'T
WANT TO GO HOME?

375
00:22:18,571 --> 00:22:21,374
WHAT THE FUCK
DOES THAT MEAN?

376
00:22:21,474 --> 00:22:23,209
WHAT AM
I SUPPOSED TO SAY?

377
00:22:23,309 --> 00:22:25,812
"OH HI, MOM.
WHAT'S FOR DINNER?
OH, GUESS WHO CALLED?

378
00:22:25,912 --> 00:22:27,647
MY BIRTH MOTHER."

379
00:22:27,747 --> 00:22:30,216
WELL, THAT'S THE FIRST TIME
I THINK I'VE HEARD YOU REFER

380
00:22:30,316 --> 00:22:33,920
TO YOUR MOTHER AS MOM,
NOT MARISA.

381
00:22:36,823 --> 00:22:39,826
- WHATEVER.
- HOW DO YOU THINK
SHE MIGHT RESPOND

382
00:22:39,926 --> 00:22:41,994
IF YOU CAME HOME
AND TOLD HER ABOUT
THE CALL?

383
00:22:42,094 --> 00:22:44,897
UM, I DON'T KNOW.

384
00:22:44,997 --> 00:22:48,768
SHE WOULD PROBABLY
JUST TURN UP THE BEATLES
AND ORGANIZE THE FRIDGE.

385
00:22:50,970 --> 00:22:53,339
SO...

386
00:22:53,440 --> 00:22:56,543
WHERE ARE YOU HEADED?

387
00:22:56,643 --> 00:23:00,112
I DON'T KNOW.
MAYBE I'LL JUST
GO FOR ANOTHER WALK

388
00:23:00,212 --> 00:23:02,482
AND SEE WHERE I END UP.

389
00:23:05,418 --> 00:23:07,854
KNOCK THE ROCK.

390
00:23:07,954 --> 00:23:11,390
EXPLODE THE ROCK.
( mimics explosion )

391
00:23:21,267 --> 00:23:24,036
- SEE YOU NEXT WEEK.
- OKAY.

392
00:23:25,672 --> 00:23:27,840
( theme music playing )