1
00:00:07,308 --> 00:00:10,144
( female reporter
speaking on radio )

2
00:00:14,682 --> 00:00:16,250
1000 dead,

3
00:00:16,350 --> 00:00:19,353
another estimated 200,000
displaced from their homes

4
00:00:19,453 --> 00:00:21,989
in what the Governor
of West Bengal is calling

5
00:00:22,090 --> 00:00:23,991
one of the most
devastating monsoons

6
00:00:24,092 --> 00:00:26,060
to hit
the east coast...

7
00:00:26,160 --> 00:00:28,196
( static crackling )

8
00:00:28,296 --> 00:00:30,198
Aid has been
slow to arrive,

9
00:00:30,298 --> 00:00:32,066
as most of the local roads
are flooded.

10
00:00:32,166 --> 00:00:34,568
Indian Prime Minister...

11
00:00:53,053 --> 00:00:54,755
( turns off radio )

12
00:00:56,457 --> 00:01:01,061
( theme music playing )

13
00:01:17,845 --> 00:01:19,947
YOU KNOW,
I HAVE TO ADMIT

14
00:01:20,047 --> 00:01:22,183
I WAS A LITTLE BIT
WORRIED THE LAST TIME

15
00:01:22,283 --> 00:01:24,051
AT THE END
OF OUR SESSION.

16
00:01:24,152 --> 00:01:25,819
THINGS ARE
NO BETTER, PAUL.

17
00:01:25,919 --> 00:01:27,488
IN FACT
THEY ARE WORSE.

18
00:01:27,588 --> 00:01:30,158
WHY? HAS SOMETHING--
HAS SOMETHING HAPPENED?

19
00:01:31,625 --> 00:01:33,727
MONSOONS HAVE FLOODED
THE REGION

20
00:01:33,827 --> 00:01:35,963
WHERE MY PARENTS
WERE RAISED--

21
00:01:36,063 --> 00:01:39,733
ENTIRE VILLAGE
UNDERWATER.

22
00:01:39,833 --> 00:01:43,171
WELL, I--
I HAD NO IDEA.

23
00:01:43,271 --> 00:01:44,838
I'M SO SORRY
TO HEAR THAT.

24
00:01:44,938 --> 00:01:46,407
HOW WOULD YOU HAVE
ANY IDEA?

25
00:01:46,507 --> 00:01:50,110
BECAUSE FLOODS HAVE
SCARCELY MADE THE NEWS HERE.

26
00:01:50,211 --> 00:01:54,315
EVERYTHING IS ABOUT
THE NEW YORK KNICKS.

27
00:01:54,415 --> 00:01:57,485
WHO IS THIS PLAYER--

28
00:01:57,585 --> 00:02:01,422
AMARE STOUDEMIRE?

29
00:02:01,522 --> 00:02:04,024
I'M SEARCHING TO HEAR
OF THE DISASTER IN INDIA

30
00:02:04,124 --> 00:02:06,059
AND ALL THEY WANT
TO TALK ABOUT

31
00:02:06,160 --> 00:02:09,663
IS THIS
BASKETBALL PLAYER,

32
00:02:09,763 --> 00:02:11,532
AS IF HE'S
A SUPERHERO

33
00:02:11,632 --> 00:02:15,569
AND HE'S GOING TO
SAVE THE WORLD NOW.

34
00:02:15,669 --> 00:02:18,639
NOW I'M ALL THE TIME
SEARCHING FOR NEWS
ON THE B.B.C. CHANNEL

35
00:02:18,739 --> 00:02:21,909
OR ON THIS RADIO WITH
THIS TERRIBLE RECEPTION.

36
00:02:22,009 --> 00:02:25,479
AND...

37
00:02:25,579 --> 00:02:29,617
THESE PICTURES--
THEY STAY IN MY MIND.

38
00:02:29,717 --> 00:02:33,221
AND-- AND I'M HAVING
DIFFICULTY TO SLEEP.

39
00:02:33,321 --> 00:02:35,389
SO WHEN YOU DO MANAGE
TO SLEEP,

40
00:02:35,489 --> 00:02:38,025
ARE YOU HAVING ANY MORE
OF THESE DISTURBING DREAMS?

41
00:02:38,125 --> 00:02:39,993
I KEEP SEEING
THE SAME IMAGE--

42
00:02:40,093 --> 00:02:41,995
YOU KNOW, A BOY,
PERHAPS THREE OR FOUR.

43
00:02:42,095 --> 00:02:45,065
HE'S CLINGING
TO AN AUTOMOBILE TIRE,

44
00:02:45,165 --> 00:02:47,401
AND HIS HEAD BARELY
ABOVE WATER

45
00:02:47,501 --> 00:02:49,237
AND HIS EYES, YOU KNOW--
THEY ARE PLEADING.

46
00:02:49,337 --> 00:02:50,904
THIS IS IN THE DREAM?

47
00:02:51,004 --> 00:02:54,408
NO NO, THIS IS REAL.
IT WAS ON THE NEWS--
B.B.C. NEWS.

48
00:02:54,508 --> 00:02:56,877
I WANTED TO PASS
THROUGH THE TELEVISION

49
00:02:56,977 --> 00:02:58,879
AND RESCUE
THAT POOR CHILD.

50
00:02:58,979 --> 00:03:02,216
PEOPLE ARE TRAVELING
FROM OTHER AREAS TO HELP.

51
00:03:02,316 --> 00:03:04,218
AND I'M TRAPPED
IN BROOKLYN,

52
00:03:04,318 --> 00:03:08,222
USELESS, LOCKED AWAY
LIKE A PRISONER.

53
00:03:08,322 --> 00:03:10,224
SO IS THAT
WHAT YOU FEEL LIKE--

54
00:03:10,324 --> 00:03:12,893
LIKE A PRISONER
IN YOUR SON'S HOME?

55
00:03:12,993 --> 00:03:14,161
MY SON IS GONE.

56
00:03:14,262 --> 00:03:16,597
HE'S BEEN GONE
FOR THREE DAYS,

57
00:03:16,697 --> 00:03:21,302
ATTENDING A MEDICAL
CONFERENCE IN ST. LOUIS.

58
00:03:21,402 --> 00:03:24,338
BEFORE HE LEFT WE WATCHED
THE EARLY REPORTS TOGETHER.

59
00:03:24,438 --> 00:03:26,374
HE POINTED
TO THE TELEVISION
AND SAID,

60
00:03:26,474 --> 00:03:29,477
"OH BABA, I'M GLAD
THAT YOU ARE NOT THERE."

61
00:03:29,577 --> 00:03:30,978
HMM.

62
00:03:31,078 --> 00:03:33,981
I FEEL LIKE

63
00:03:34,081 --> 00:03:36,317
I'M OUTSIDE
OF MY LIFE.

64
00:03:36,417 --> 00:03:39,720
I FEEL LIKE A--
LIKE A STRANGER.

65
00:03:39,820 --> 00:03:42,723
A PRISONER,
A STRANGER.

66
00:03:42,823 --> 00:03:44,558
I CANNOT STOP MYSELF
FROM WATCHING.

67
00:03:44,658 --> 00:03:47,027
I CANNOT CHANGE
HOW I FEEL.

68
00:03:47,127 --> 00:03:49,430
I JUST WONDER IF THERE
AREN'T OTHER THINGS

69
00:03:49,530 --> 00:03:53,634
THAT YOU MIGHT BE
ABLE TO CHANGE.

70
00:03:53,734 --> 00:03:56,937
OTHER THINGS,
MEANING WHAT?

71
00:03:57,037 --> 00:04:01,141
LOOK, SUNIL,

72
00:04:01,241 --> 00:04:03,176
THINGS CAN'T GO ON
AS THEY ARE.

73
00:04:03,277 --> 00:04:05,479
WHAT ABOUT
THE POSSIBILITY

74
00:04:05,579 --> 00:04:08,682
OF YOUR MOVING
FROM YOUR SON'S HOME?

75
00:04:08,782 --> 00:04:12,152
I KNOW YOU CAN'T
GO BACK TO CALCUTTA--
YOU TOLD ME THAT--

76
00:04:12,252 --> 00:04:15,523
BUT FINDING
SOMEPLACE ELSE TO LIVE.

77
00:04:21,362 --> 00:04:25,232
AND WHERE--

78
00:04:25,333 --> 00:04:29,470
WHERE, PLEASE TELL ME,
WOULD THAT BE?

79
00:04:31,004 --> 00:04:32,840
YOUR OWN APARTMENT?

80
00:04:34,207 --> 00:04:36,777
OKAY.

81
00:04:36,877 --> 00:04:41,114
AND-- AND WHO WOULD PAY--
PAY FOR THIS?

82
00:04:41,214 --> 00:04:42,616
YOU COULD GET A JOB.

83
00:04:42,716 --> 00:04:46,053
LIKE SELLING
PRINTER CARTRIDGES
AT BEST BUY

84
00:04:46,153 --> 00:04:49,089
OR STANDING BEHIND
A KEBAB WAGON?

85
00:04:49,189 --> 00:04:52,426
I CANNOT DO THAT, PAUL.
I WILL NOT.

86
00:04:52,526 --> 00:04:53,761
I'M NOT SUGGESTING
THAT YOU--

87
00:04:53,861 --> 00:04:56,229
BUT YOU'RE JUST WASTING
YOUR TIME, PAUL.

88
00:04:56,330 --> 00:04:58,699
SEE, I'M AS HELPLESS
TO CHANGE MY SURROUNDINGS

89
00:04:58,799 --> 00:05:00,534
AS THOSE PEOPLE
IN MY COUNTRY

90
00:05:00,634 --> 00:05:03,904
WHO ARE UNABLE
TO SAVE THEIR HOUSES
FROM FLOODWATERS.

91
00:05:05,272 --> 00:05:07,941
I KNOW YOU ARE
A HOPEFUL MAN, MY FRIEND.

92
00:05:08,041 --> 00:05:10,778
YOU LIKE TO THINK
THAT YOU CAN--

93
00:05:10,878 --> 00:05:12,480
YOU CAN FIX EVERYTHING.

94
00:05:12,580 --> 00:05:15,282
I THINK THAT YOU HAVE TO
TALK WITH YOUR SON.

95
00:05:15,383 --> 00:05:17,618
NO, JUST-- JUST
HEAR ME OUT ON THIS.

96
00:05:17,718 --> 00:05:19,620
YOU'RE NOT HAPPY
WHERE YOU ARE.

97
00:05:19,720 --> 00:05:22,155
AND IT'S PRETTY OBVIOUS
THAT HAVING YOU IN THEIR HOME

98
00:05:22,255 --> 00:05:24,224
HASN'T BEEN EASY
FOR THEM EITHER.

99
00:05:24,324 --> 00:05:26,126
YET YOU'VE NEVER SPOKEN
TO YOUR SON ABOUT THIS.

100
00:05:26,226 --> 00:05:28,596
YOU'VE NEVER EXPRESSED
TO HIM DIRECTLY

101
00:05:28,696 --> 00:05:32,299
WHAT YOU FEEL
OR WHAT IT IS EXACTLY
THAT YOU WANT.

102
00:05:32,400 --> 00:05:35,503
( speaks Bengali )

103
00:05:35,603 --> 00:05:37,104
I DIDN'T UNDERSTAND THAT.

104
00:05:37,204 --> 00:05:39,072
( speaks Bengali )

105
00:05:39,907 --> 00:05:41,709
( sighs )

106
00:05:43,276 --> 00:05:45,379
I SAID

107
00:05:45,479 --> 00:05:47,848
THAT YOU ARE WASTING
MY TIME TOO.

108
00:05:51,685 --> 00:05:53,887
I KNOW, I KNOW
IT CAN BE DIFFICULT

109
00:05:53,987 --> 00:05:56,156
TO TALK TO FAMILY,

110
00:05:56,256 --> 00:05:58,492
YOUR CHILDREN,
IN A COMPLETELY HONEST WAY

111
00:05:58,592 --> 00:06:01,128
BECAUSE YOU RISK
A PAINFUL CONVERSATION.

112
00:06:01,228 --> 00:06:03,664
THIS IS JUST
A STRATEGY, YES--

113
00:06:03,764 --> 00:06:06,099
TO TELL ME YOU KNOW
HOW I FEEL?

114
00:06:06,199 --> 00:06:08,301
NO NO, IT'S NOT
A STRATEGY.

115
00:06:08,402 --> 00:06:11,238
LOOK, SUNIL,
I HAVE KIDS MYSELF.

116
00:06:11,338 --> 00:06:13,206
I KNOW WHAT
THIS IS LIKE--

117
00:06:13,306 --> 00:06:15,943
TO SOMETIMES WANT
TO PUT OFF

118
00:06:16,043 --> 00:06:18,078
DIFFICULT DISCUSSIONS.

119
00:06:18,178 --> 00:06:20,080
BUT YOU DON'T KNOW
MY SON, PAUL.

120
00:06:20,180 --> 00:06:22,650
YOU HAVE NO IDEA.

121
00:06:22,750 --> 00:06:24,685
I'M TELLING YOU
WITH CERTAINTY

122
00:06:24,785 --> 00:06:27,320
THERE'S NOTHING
TO BE GAINED--

123
00:06:27,421 --> 00:06:29,322
ABSOLUTELY NOTHING.

124
00:06:29,423 --> 00:06:31,191
YOU'RE SO CONVINCED THAT
HE'S NOT GONNA HELP YOU.

125
00:06:31,291 --> 00:06:33,126
HOW CAN YOU KNOW THAT
FOR SURE?

126
00:06:33,226 --> 00:06:36,263
BECAUSE I'VE ALREADY
SPOKEN TO HIM

127
00:06:36,363 --> 00:06:39,500
THE NIGHT
BEFORE HE LEFT.

128
00:06:39,600 --> 00:06:41,835
I WAS THINKING
OF YOU, PAUL--

129
00:06:41,935 --> 00:06:44,472
HOW YOU ENCOURAGE ME
TO EXPRESS MYSELF.

130
00:06:44,572 --> 00:06:47,541
SO I TOLD HIM
THE TRUTH.

131
00:06:47,641 --> 00:06:50,644
I TOLD HIM
THAT SEEING THE IMAGES
MADE ME CERTAIN

132
00:06:50,744 --> 00:06:52,913
AND I NEED TO RETURN.

133
00:06:53,013 --> 00:06:56,750
HERE I'M USELESS.
I'M ONLY IN THE WAY HERE,
TO LET ME GO.

134
00:06:56,850 --> 00:06:58,719
AND WHAT DID HE SAY
TO THAT?

135
00:06:58,819 --> 00:07:01,188
HE TOLD ME THAT
HE WOULD NEVER LET ME
GO BACK TO CALCUTTA,

136
00:07:01,288 --> 00:07:03,356
HE HAD MADE A PROMISE,

137
00:07:03,457 --> 00:07:05,526
AND HE COULD NEVER
BETRAY HIS MOTHER.

138
00:07:05,626 --> 00:07:08,295
HE ALSO TOLD ME THAT--

139
00:07:08,395 --> 00:07:11,298
"WHY DO YOU WANT TO MAKE
A FOOL OF YOURSELF?

140
00:07:11,398 --> 00:07:13,634
WHAT WILL YOU DO
BACK IN INDIA,

141
00:07:13,734 --> 00:07:16,436
IN ALL THAT WATER,
JOBLESS?"

142
00:07:16,537 --> 00:07:19,473
THEN HE SAID,
"JULIA WILL SEND A CHECK

143
00:07:19,573 --> 00:07:22,242
TO THE RED CROSS
IN YOUR NAME,"

144
00:07:22,342 --> 00:07:24,945
AND THAT THEY WOULD
BUY ME

145
00:07:25,045 --> 00:07:27,347
A QUEEN-SIZED MATTRESS

146
00:07:27,447 --> 00:07:29,617
FROM MACY'S
DEPARTMENTAL STORE.

147
00:07:33,587 --> 00:07:35,989
LATER THAT NIGHT
I OVERHEARD THEM

148
00:07:36,089 --> 00:07:37,691
TALKING IN THE KITCHEN.

149
00:07:37,791 --> 00:07:40,894
JULIA WAS SAYING,
"OH, IF HE WANTS TO GO,
LET HIM GO."

150
00:07:40,994 --> 00:07:43,096
AND SHE SAID

151
00:07:43,196 --> 00:07:44,898
SHE WAS NOT
COMFORTABLE

152
00:07:44,998 --> 00:07:47,267
STAYING WITH ME
ALONE IN THE HOUSE.

153
00:07:47,367 --> 00:07:49,202
AND WHAT DID ARUN SAY
TO THAT?

154
00:07:49,302 --> 00:07:51,872
HE TOLD JULIA
THAT SHE WAS BEING
DRAMATIC AND RIDICULOUS

155
00:07:51,972 --> 00:07:54,575
AND THAT HE FELT BETTER
HAVING A MAN THERE

156
00:07:54,675 --> 00:07:58,211
TO PROTECT
HER AND THE CHILDREN
WHILE HE WAS AWAY.

157
00:07:58,311 --> 00:08:01,949
THEN JULIA CALLED ME

158
00:08:02,049 --> 00:08:03,416
UNSTABLE,

159
00:08:03,517 --> 00:08:06,486
THIS WORD "UNSTABLE"--

160
00:08:06,587 --> 00:08:10,257
LIKE AN OLD FRUIT WAGON
WITH LOOSE WHEELS.

161
00:08:10,357 --> 00:08:12,359
TO BE CALLED
THIS WORD...

162
00:08:12,459 --> 00:08:14,528
I HELD A POSITION

163
00:08:14,628 --> 00:08:17,297
OF MATHEMATICS PROFESSOR
FOR 28 YEARS.

164
00:08:17,397 --> 00:08:19,600
I WAS MARRIED TO KAMALA
FOR 30 YEARS.

165
00:08:19,700 --> 00:08:21,935
IS THIS A PROFILE
OF SOMEONE

166
00:08:22,035 --> 00:08:25,272
WHO IS UNSTABLE?

167
00:08:25,372 --> 00:08:28,809
IF ANYTHING,
SHE IS UNSTABLE-- JULIA.

168
00:08:28,909 --> 00:08:31,278
SHE HAS BEEN BEHAVING
LIKE A MADPERSON--

169
00:08:31,378 --> 00:08:33,947
MADPERSON SINCE ARUN
WENT AWAY.

170
00:08:34,047 --> 00:08:36,650
HOW DO YOU MEAN, SHE'S
BEHAVING LIKE A MADPERSON?
WHAT IS SHE DOING?

171
00:08:36,750 --> 00:08:38,852
SHE'S CONTINUING
HER ADVENTURES

172
00:08:38,952 --> 00:08:40,654
WITH MR. ETHAN BARR--
THE PALE FOX.

173
00:08:40,754 --> 00:08:44,291
ON SATURDAY NIGHT
THEY WENT OUT,

174
00:08:44,391 --> 00:08:46,259
LEAVING NAYA
WITH AN UPSET STOMACH.

175
00:08:46,359 --> 00:08:48,128
AND YOU WERE WATCHING
THE CHILDREN?

176
00:08:48,228 --> 00:08:49,597
NO NO, I'M NOT ALLOWED.

177
00:08:49,697 --> 00:08:51,531
SHE WOULD NOT
ALLOW THAT.

178
00:08:52,465 --> 00:08:55,035
LIZA THE NANNY--

179
00:08:55,135 --> 00:08:57,671
SHE STAYED LATE.

180
00:08:58,405 --> 00:08:59,940
UH-HUH.

181
00:09:03,110 --> 00:09:05,445
HE ACTUALLY
CAME UP TO THE DOOR
TO PICK HER UP.

182
00:09:05,545 --> 00:09:06,614
SO YOU MET HIM?

183
00:09:06,714 --> 00:09:08,616
YEAH, HE IS NOT
QUITE AS HANDSOME

184
00:09:08,716 --> 00:09:11,018
AS HE APPEARS
ON THE JACKET COVER.

185
00:09:11,118 --> 00:09:13,320
AND DID YOU SPEAK TO HIM?
DID HE--?

186
00:09:13,420 --> 00:09:16,523
WE SHOOK HANDS.

187
00:09:16,624 --> 00:09:18,592
HE'S YOUNG,

188
00:09:18,692 --> 00:09:20,928
MORE MODEST
THAN I THOUGHT.

189
00:09:21,028 --> 00:09:23,664
I CONGRATULATED HIM
ON HIS SUCCESS.

190
00:09:23,764 --> 00:09:26,533
THEN HE SAID SOMETHING
WHICH SURPRISED ME.

191
00:09:26,634 --> 00:09:28,535
HE SAID THAT--
"I HAVE HEARD

192
00:09:28,636 --> 00:09:31,438
QUITE A LOT
ABOUT YOU."

193
00:09:31,538 --> 00:09:33,440
WHEN THEY WALKED
DOWN THE STAIRS

194
00:09:33,540 --> 00:09:37,444
THEY LOOKED BACK AT ME
AND THEY LAUGHED.

195
00:09:37,544 --> 00:09:39,713
YOU THOUGHT THEY WERE
LAUGHING AT YOU?

196
00:09:39,813 --> 00:09:41,682
PLEASE, PAUL,
YOU MUST TRUST ME.

197
00:09:41,782 --> 00:09:43,751
IF YOU HAD SEEN
FOR YOURSELF,

198
00:09:43,851 --> 00:09:48,488
YOU COULD NOT
DOUBT ME THIS TIME--
NOT THIS TIME.

199
00:09:48,588 --> 00:09:51,258
MY SON SAID HE WANTED ME
THERE TO PROTECT HER,

200
00:09:51,358 --> 00:09:53,927
BUT I FELT
QUITE THE OPPOSITE.

201
00:09:54,027 --> 00:09:56,263
I WISHED TO SMOTHER
HER LAUGHING.

202
00:09:56,363 --> 00:09:58,899
TO--

203
00:09:58,999 --> 00:10:00,901
LET ME GET THIS
STRAIGHT--

204
00:10:01,001 --> 00:10:03,436
TO SMOTHER THE SOUND
OF HER LAUGHTER

205
00:10:03,536 --> 00:10:06,640
OR TO SMOTHER HER?

206
00:10:06,740 --> 00:10:08,608
THEY WERE LAUGHING
AT ME, PAUL.

207
00:10:08,709 --> 00:10:10,243
YEAH, I UNDERSTAND--

208
00:10:10,343 --> 00:10:13,080
NO, YOU DON'T UNDERSTAND.
THEY WERE HUMILIATING ME.

209
00:10:19,086 --> 00:10:22,422
SEE, NOW LOOK AT YOUR FACE.
I HAVE ALARMED YOU NOW.

210
00:10:22,522 --> 00:10:26,026
YES ACTUALLY,
BECAUSE THE WORDS
THAT YOU'RE USING ARE--

211
00:10:26,126 --> 00:10:28,028
I'M TRYING
TO SHARE WITH YOU

212
00:10:28,128 --> 00:10:29,897
HOW THEIR LAUGHTER
DISTURBED ME.

213
00:10:29,997 --> 00:10:33,133
I'M TRYING
TO EXPRESS MYSELF,
AS YOU SAY.

214
00:10:33,233 --> 00:10:35,969
- YOU UNDERSTAND THIS, YES?
- I THINK SO, YES.

215
00:10:36,069 --> 00:10:39,106
GOOD. BECAUSE IT ONLY
GREW WORSE.

216
00:10:39,206 --> 00:10:41,641
AT 1:00

217
00:10:41,742 --> 00:10:44,477
I HEARD TALKING
IN FRONT OF THE BUILDING.

218
00:10:44,577 --> 00:10:47,180
MY WINDOW
FACES THE STREET.

219
00:10:48,381 --> 00:10:50,751
I SAW JULIA
AND ETHAN BARR.

220
00:10:51,852 --> 00:10:55,322
HE ESCORTED HER
UP THE STEPS

221
00:10:55,422 --> 00:10:57,257
AND THEN-- AND THEN

222
00:10:58,358 --> 00:11:00,193
KISSED HER GOODNIGHT.

223
00:11:02,830 --> 00:11:05,866
WHAT DO YOU MAKE
OF THIS?

224
00:11:05,966 --> 00:11:09,136
WELL, IT DEPENDS WHAT KIND
OF A KISS IT WAS.

225
00:11:09,236 --> 00:11:10,670
A KISS IS A KISS.

226
00:11:10,771 --> 00:11:13,273
DON'T YOU THINK I KNOW
WHAT A KISS LOOKS LIKE?

227
00:11:13,373 --> 00:11:14,574
WELL, WAS IT
ON THE LIPS?

228
00:11:14,674 --> 00:11:16,209
NO NO, IT WAS
ON THE CHEEK.

229
00:11:16,309 --> 00:11:18,445
WELL, THAT'S NOT REALLY
AN UNCOMMON THING

230
00:11:18,545 --> 00:11:20,981
FOR PEOPLE IN AMERICA TO DO
WHEN THEY'RE SAYING GOODBYE.

231
00:11:21,081 --> 00:11:24,818
I KNOW, I KNOW.
YOU WILL THINK
WHAT YOU WANT TO THINK.

232
00:11:27,988 --> 00:11:29,890
ANYWAY, AFTER HE
KISSED HER,

233
00:11:29,990 --> 00:11:32,525
JULIA CAREFULLY
LIFTED HER HAND

234
00:11:32,625 --> 00:11:34,928
TO A SPOT
BELOW HIS EYE

235
00:11:36,830 --> 00:11:40,333
AND THEN GENTLY DREW
THE BACK OF HER
CURLED FINGERS

236
00:11:40,433 --> 00:11:42,102
DOWN HIS CHEEK.

237
00:11:46,439 --> 00:11:49,910
JULIA NEVER
TOUCHES MY SON'S FACE
IN THIS MANNER.

238
00:11:51,144 --> 00:11:53,546
HOW MUCH PROOF
DO YOU NEED, PAUL?

239
00:11:53,646 --> 00:11:57,184
LAST WEEK I BROUGHT YOU
SOLID EVIDENCE--

240
00:11:57,284 --> 00:12:00,187
HER BIRTH CONTROL PILLS--
AND YOU STILL WANT MORE.

241
00:12:00,287 --> 00:12:02,455
IS THIS NOT ENOUGH?

242
00:12:02,555 --> 00:12:04,091
NOT NECESSARILY.

243
00:12:04,191 --> 00:12:06,293
IT'S NOT
ACCEPTABLE, PAUL.

244
00:12:06,393 --> 00:12:08,428
SHE IS DISGRACING
MY FAMILY.

245
00:12:08,528 --> 00:12:09,930
AFTER I WITNESSED
THE KISS,

246
00:12:10,030 --> 00:12:12,065
I COULD NOT MOVE
FROM THE WINDOW.

247
00:12:15,836 --> 00:12:17,938
I COULD HEAR HER

248
00:12:18,038 --> 00:12:20,073
DOWN ON THE SECOND FLOOR,
PREPARING HER BED.

249
00:12:20,173 --> 00:12:23,376
AND I THOUGHT I HEARD HER
LOCK HER BEDROOM DOOR.

250
00:12:23,476 --> 00:12:25,412
SHE DID NOT EVEN
COME UPSTAIRS

251
00:12:25,512 --> 00:12:27,580
TO CHECK ON NAYA.

252
00:12:27,680 --> 00:12:29,382
AND THEN I WANTED
TO GO TO SLEEP,

253
00:12:29,482 --> 00:12:32,752
BUT I COULD NOT STOP MYSELF
THINKING OF JULIA

254
00:12:32,853 --> 00:12:34,554
LYING ON HER BED,

255
00:12:34,654 --> 00:12:36,824
WHO SHE WAS
THINKING OF.

256
00:12:45,098 --> 00:12:47,000
I THINK IT ALL
WOULD BE BETTER

257
00:12:47,100 --> 00:12:50,070
IF SHE RAN OFF
WITH MR. PALE FOX

258
00:12:50,170 --> 00:12:52,940
OR SHE SIMPLY
DISAPPEARS.

259
00:12:55,943 --> 00:12:58,879
DISAPPEARS?
WHAT DO YOU--

260
00:12:58,979 --> 00:13:02,249
WHAT DO YOU MEAN
BY THAT-- DISAPPEARS?

261
00:13:03,583 --> 00:13:05,518
I HAVE TO SAY
THAT SOME OF THE WORDS

262
00:13:05,618 --> 00:13:07,454
THAT YOU'VE USED TODAY,
SUNIL--

263
00:13:10,190 --> 00:13:12,993
I REALLY WANT
TO UNDERSTAND

264
00:13:13,093 --> 00:13:15,929
WHAT IT IS THAT YOU ARE
TRYING TO SAY TO ME.

265
00:13:16,029 --> 00:13:18,932
IF YOUR FEELINGS
ARE AS EXTREME

266
00:13:19,032 --> 00:13:20,600
AS I'M HEARING THEM
TODAY--

267
00:13:20,700 --> 00:13:23,503
YOU ASKED ME
WHETHER I HAD

268
00:13:23,603 --> 00:13:25,438
MORE DISTURBING DREAMS.

269
00:13:25,538 --> 00:13:29,209
I HAVE HAD ONE AGAIN.

270
00:13:29,309 --> 00:13:32,345
- THE SAME ONE?
- NO, A DIFFERENT ONE.

271
00:13:32,445 --> 00:13:34,181
IT WAS QUITE
TROUBLING.

272
00:13:38,886 --> 00:13:42,222
DO YOU WANT TO TELL ME
ABOUT IT?

273
00:13:44,424 --> 00:13:46,026
YEAH.

274
00:13:47,094 --> 00:13:48,996
PERHAPS IT WILL
HELP YOU

275
00:13:49,096 --> 00:13:52,900
TO MAKE SENSE
OF MY FEELINGS.

276
00:13:53,600 --> 00:13:55,202
I HOPE SO.

277
00:13:58,638 --> 00:14:02,242
I SAW MY SON ARUN

278
00:14:02,342 --> 00:14:04,677
LYING ON THE STREET
IN FRONT OF THE HOUSE.

279
00:14:04,777 --> 00:14:07,147
AND HE WAS UNCONSCIOUS.

280
00:14:07,247 --> 00:14:09,049
THE CHILDREN WERE INSIDE,

281
00:14:09,149 --> 00:14:11,251
LOOKING OUT THE WINDOW.
THEY WERE AFRAID.

282
00:14:11,351 --> 00:14:13,853
BEYOND THE STREET
THERE WAS A FOREST

283
00:14:13,954 --> 00:14:17,991
OF THICK BLACK TREES.

284
00:14:18,091 --> 00:14:22,095
AND A WOMAN
WITH LONG DARK HAIR

285
00:14:22,195 --> 00:14:25,032
CAME WALKING OUT
OF THE FOREST.

286
00:14:25,132 --> 00:14:27,067
SHE WORE
A LONG WHITE GOWN,

287
00:14:27,167 --> 00:14:29,102
BRIGHT AS THE MOON.

288
00:14:29,202 --> 00:14:31,404
AND I WAS STANDING
OVER MY SON.

289
00:14:31,504 --> 00:14:34,975
AND AS THE WOMAN STARTED
WALKING TOWARDS THE HOUSE,

290
00:14:35,075 --> 00:14:37,877
I WAS TRYING TO HOLD
MY SON'S ARM.

291
00:14:37,978 --> 00:14:39,913
AND I PULLED IT

292
00:14:40,013 --> 00:14:43,984
AND IT BROKE CLEANLY OFF

293
00:14:44,084 --> 00:14:48,088
LIKE A PIECE
OF OLD PLASTER.

294
00:14:48,188 --> 00:14:50,890
SO I WAS THINKING THAT
I SHOULD USE THIS ARM

295
00:14:50,991 --> 00:14:52,859
TO PROTECT THE CHILDREN.

296
00:14:52,960 --> 00:14:54,694
TO PROTECT THE CHILDREN
FROM THIS WOMAN?

297
00:14:54,794 --> 00:14:58,165
NOW THE ARM WAS
QUITE HEAVY, DENSE.

298
00:14:58,265 --> 00:15:01,101
I COULD HURT
THIS WOMAN VERY MUCH.

299
00:15:01,201 --> 00:15:03,070
AND...

300
00:15:07,340 --> 00:15:08,675
I WOKE UP

301
00:15:08,775 --> 00:15:10,877
AS I WAS ABOUT
TO STRIKE HER.

302
00:15:10,978 --> 00:15:13,913
SO YOU WERE GOING TO
STRIKE THIS WOMAN

303
00:15:14,014 --> 00:15:17,084
TO PROTECT
YOUR GRANDCHILDREN?

304
00:15:17,184 --> 00:15:19,352
I'M QUITE CONFUSED
BY THIS WOMAN.

305
00:15:19,452 --> 00:15:21,221
WHO DO YOU THINK
SHE COULD BE?

306
00:15:21,321 --> 00:15:24,224
WELL, SOMETIMES
IT'S NOT SO MUCH

307
00:15:24,324 --> 00:15:28,795
THE PHYSICAL SIMILARITY
AS THE FEELING.

308
00:15:28,895 --> 00:15:31,131
DO YOU THINK
IT COULD BE JULIA?

309
00:15:34,067 --> 00:15:37,104
NO, SHE HAD DARK HAIR.

310
00:15:37,204 --> 00:15:40,573
IT WAS DARK,
BLACK AS ONYX.

311
00:15:40,673 --> 00:15:43,243
AND JULIA'S HAIR
IS YELLOW.

312
00:15:45,245 --> 00:15:48,415
PERHAPS IT WAS JULIA
IN DISGUISE.

313
00:15:48,515 --> 00:15:52,719
IS THAT HOW YOU SEE JULIA--
IN DISGUISE?

314
00:15:52,819 --> 00:15:55,688
DO YOU SEE HER
AS A THREAT?

315
00:15:55,788 --> 00:15:57,557
SHE HAS A SECRET LIFE.

316
00:16:01,294 --> 00:16:03,863
THE WOMAN WAS MOST
DEFINITELY NOT KAMALA.

317
00:16:03,963 --> 00:16:05,498
WHAT MAKES YOU
SO SURE OF THAT?

318
00:16:05,598 --> 00:16:08,201
BECAUSE I WOULD NEVER
THINK OF HARMING MY WIFE.

319
00:16:08,301 --> 00:16:10,670
DO YOU FEEL THAT
YOU COULD HARM JULIA?

320
00:16:12,839 --> 00:16:16,176
THE THING
I FOUND STRANGE WAS

321
00:16:16,276 --> 00:16:20,213
THAT I COULD NOT
MAKE OUT THE DETAILS
OF THE WOMAN'S FACE

322
00:16:20,313 --> 00:16:22,249
EVEN WHEN SHE DREW
VERY CLOSE.

323
00:16:22,349 --> 00:16:25,385
YOU KNOW, I STARTED
TO GRIP MY SON'S ARM
WITH GREAT FORCE.

324
00:16:25,485 --> 00:16:28,555
I COULD FEEL THE BLOOD
PULSING INTO MY HANDS.

325
00:16:28,655 --> 00:16:31,458
AND SHE WAS SO CLOSE

326
00:16:31,558 --> 00:16:34,694
THAT I COULD ALMOST SMELL
THE FLOWER SHE WORE
IN HER HAIR,

327
00:16:34,794 --> 00:16:37,564
BUT I COULD NOT SEE
HER FACE.

328
00:16:37,664 --> 00:16:40,700
THE FLOWER IN HER HAIR
LIKE IN THE EL GRECO PAINTING?

329
00:16:40,800 --> 00:16:41,801
SORRY?

330
00:16:41,901 --> 00:16:43,203
THAT'S THE PAINTING
YOU MENTIONED

331
00:16:43,303 --> 00:16:45,172
WHEN YOU FIRST SPOKE
OF MALINI.

332
00:16:50,977 --> 00:16:52,245
WHAT DO YOU MEAN?

333
00:16:52,345 --> 00:16:56,683
WELL, YOU'VE JUST SPOKEN
ABOUT HER DEATH

334
00:16:56,783 --> 00:17:00,353
AFTER 32 YEARS
OF SILENCE.

335
00:17:00,453 --> 00:17:04,291
IT'S NOT SURPRISING
THAT SOME FORM OF HER--

336
00:17:04,391 --> 00:17:06,359
EVEN THE SLIGHTEST
GESTURE OR DETAIL--

337
00:17:06,459 --> 00:17:09,262
MIGHT SHOW UP
IN YOUR DREAM.

338
00:17:09,362 --> 00:17:10,730
LIKE A RABBIT IN A HAT?

339
00:17:10,830 --> 00:17:13,066
BONG!
OH, THERE SHE IS.

340
00:17:13,166 --> 00:17:15,068
YOU SAID THAT YOU FELT
YOU HAD THIS NEED

341
00:17:15,168 --> 00:17:17,003
TO PROTECT
YOUR GRANDCHILDREN.

342
00:17:17,104 --> 00:17:21,040
YOU SAID YOU FELT THE BLOOD
RUSHING INTO YOUR HANDS

343
00:17:21,141 --> 00:17:24,177
AND THAT YOU WERE
PREPARED

344
00:17:24,277 --> 00:17:26,446
TO HARM THIS WOMAN.

345
00:17:28,781 --> 00:17:32,285
SEE, PAUL, I NO LONGER WISH
TO DISCUSS THIS DREAM.

346
00:17:32,385 --> 00:17:34,053
OKAY.

347
00:17:34,821 --> 00:17:36,189
CAN I ASK YOU WHY?

348
00:17:36,289 --> 00:17:38,125
BECAUSE I CANNOT SEE
THE POINT OF THIS EXERCISE.

349
00:17:38,225 --> 00:17:39,992
BUT I'M CONFUSED.
A MOMENT AGO YOU ASKED ME

350
00:17:40,093 --> 00:17:42,929
TO HELP YOU UNDERSTAND
THESE NIGHTMARES THAT
YOU'RE HAVING,

351
00:17:43,029 --> 00:17:45,865
TO HELP YOU
MAKE SENSE OF THE FEELINGS
THAT YOU'RE HAVING.

352
00:17:45,965 --> 00:17:48,368
SO THAT'S WHAT
I'D LIKE TO DO.

353
00:17:48,468 --> 00:17:51,271
FOR INSTANCE, THIS WOMAN
COMING FROM THE FOREST--

354
00:17:51,371 --> 00:17:54,841
IT'S CLEAR THAT SHE HAS
A BIG EFFECT ON YOU.

355
00:17:56,976 --> 00:18:00,147
DO YOU-- YOU DISAGREE
WITH THAT?

356
00:18:01,914 --> 00:18:05,318
SEE, THE IMAGE OF YOU
REMOVING YOUR SON'S ARM--

357
00:18:05,418 --> 00:18:09,156
WELL, SOMETIMES THERE'S
SOMETHING PRIMAL

358
00:18:09,256 --> 00:18:12,192
OR ANIMALISTIC

359
00:18:12,292 --> 00:18:15,094
THAT DREAMS ALLOW US
TO EXPRESS

360
00:18:15,195 --> 00:18:17,197
THAT OUR
CONSCIOUS MIND IS--

361
00:18:17,297 --> 00:18:20,099
( shouting in Bengali )

362
00:18:35,114 --> 00:18:37,384
A MAN CAN ONLY BE
PUSHED SO FAR.

363
00:18:37,484 --> 00:18:40,387
I HAVE DECIDED IT WAS NOT
MALINI IN MY DREAM.

364
00:18:40,487 --> 00:18:43,423
AND IT UPSETS ME VERY MUCH
FOR YOU TO SUGGEST THIS.

365
00:18:43,523 --> 00:18:45,192
I-- I--

366
00:18:45,292 --> 00:18:49,162
I WOULD NEVER EVER THINK
OF HARMING MALINI.

367
00:18:49,262 --> 00:18:52,299
WHY WOULD YOU
THINK I WOULD ASSUME
YOU'D HURT MALINI?

368
00:18:56,403 --> 00:19:00,373
OKAY, WE DON'T HAVE TO
TALK ABOUT THAT NOW.

369
00:19:03,009 --> 00:19:05,111
( speaks Bengali )

370
00:19:05,212 --> 00:19:07,480
I DON'T UNDERSTAND
WHAT YOU'RE SAYING.

371
00:19:07,580 --> 00:19:11,150
YOU HAVE NO IDEA
WHAT MY LIFE HAS BEEN.

372
00:19:11,251 --> 00:19:14,654
BUT I WANT TO UNDERSTAND.
I WANT TO KNOW.

373
00:19:30,370 --> 00:19:32,272
CAN I ASK YOU
WHAT YOU DID

374
00:19:32,372 --> 00:19:35,475
WHEN YOU WOKE UP
FROM THE DREAM?

375
00:19:39,312 --> 00:19:41,348
I CHECKED
ON THE CHILDREN.

376
00:19:41,448 --> 00:19:43,416
THEY WERE FINE,
SLEEPING.

377
00:19:43,516 --> 00:19:46,018
I THEN WENT DOWN
TO JULIA'S ROOM.

378
00:19:46,118 --> 00:19:48,154
I COULD NOT RESIST.
I WANTED TO CHECK

379
00:19:48,255 --> 00:19:51,190
TO SEE IF HER DOOR
WAS IN FACT LOCKED.

380
00:19:52,559 --> 00:19:54,126
AND?

381
00:19:54,227 --> 00:19:55,762
IT WAS.

382
00:20:01,334 --> 00:20:05,572
WHAT WOULD YOU HAVE DONE
IF HER DOOR WASN'T LOCKED?

383
00:20:05,672 --> 00:20:08,441
HER DOOR WOULD NOT OPEN,
AND THIS IS ALL
THAT MATTERS.

384
00:20:08,541 --> 00:20:11,244
NO, BUT I'M ASKING YOU,
WHAT WOULD YOU HAVE DONE

385
00:20:11,344 --> 00:20:14,381
IF THE DOOR
HAD BEEN OPEN?

386
00:20:18,451 --> 00:20:20,520
I THOUGHT
OF CALLING YOU.

387
00:20:22,889 --> 00:20:24,524
WHY DIDN'T YOU?

388
00:20:24,624 --> 00:20:27,193
IT WAS THE MIDDLE
OF THE NIGHT.

389
00:20:27,294 --> 00:20:30,797
AND THINGS FELT

390
00:20:30,897 --> 00:20:32,765
OUT OF BALANCE.

391
00:20:34,133 --> 00:20:37,003
THEN I WENT UPSTAIRS
TO MY ROOM

392
00:20:38,104 --> 00:20:39,406
AND I WROTE TO KAMALA.

393
00:20:39,506 --> 00:20:41,574
CAN I ASK YOU
WHAT YOU WROTE?

394
00:20:48,214 --> 00:20:50,883
I REALLY DID CONSIDER
CALLING YOU.

395
00:20:52,819 --> 00:20:57,089
THE NEXT TIME
I WANT YOU TO DO THAT.

396
00:20:57,189 --> 00:20:58,791
OKAY?

397
00:20:58,891 --> 00:21:01,761
YEAH, PERHAPS.

398
00:21:05,732 --> 00:21:08,801
SUNIL, THERE'S
SO MUCH GOING ON

399
00:21:08,901 --> 00:21:10,803
IN YOUR LIFE
AT THE MOMENT:

400
00:21:10,903 --> 00:21:13,239
YOU'VE LOST YOUR WIFE.

401
00:21:13,340 --> 00:21:15,508
YOU'VE STARTED TO TALK
ABOUT A LOVE AFFAIR

402
00:21:15,608 --> 00:21:17,410
THAT ENDED IN TRAGEDY.

403
00:21:17,510 --> 00:21:18,678
YOU'RE WORRIED
ABOUT YOUR SON.

404
00:21:18,778 --> 00:21:20,613
YOU'RE WORRIED ABOUT
YOUR GRANDCHILDREN.

405
00:21:20,713 --> 00:21:23,350
YOU HAVE THESE
CONFLICTED IDEAS

406
00:21:23,450 --> 00:21:26,386
ABOUT YOUR
DAUGHTER-IN-LAW.

407
00:21:26,486 --> 00:21:28,421
YOU'RE ANXIOUS
ABOUT THE FLOODS

408
00:21:28,521 --> 00:21:30,657
IN YOUR HOMELAND--
IN INDIA.

409
00:21:30,757 --> 00:21:34,293
I'M CONCERNED
ABOUT YOU, SUNIL--

410
00:21:34,394 --> 00:21:36,429
THAT WITH ALL OF THESE
INTENSE FEELINGS

411
00:21:36,529 --> 00:21:38,431
COMING TO THE SURFACE

412
00:21:38,531 --> 00:21:42,502
I UNDERSTAND
HOW DIFFICULT IT COULD BE

413
00:21:42,602 --> 00:21:46,539
FOR YOU TO STAY
IN CONTROL.

414
00:21:46,639 --> 00:21:49,141
AND I--
I WANT TO SUGGEST

415
00:21:49,241 --> 00:21:51,243
THAT YOU CONSIDER
COMING HERE

416
00:21:51,344 --> 00:21:54,514
A LITTLE MORE OFTEN,
MAYBE TWICE A WEEK.

417
00:21:54,614 --> 00:21:57,316
YOU THINK
I'M GOING CRAZY?

418
00:21:57,417 --> 00:22:00,319
NO NO NO NO, YOU'RE NOT--
YOU'RE NOT CRAZY,

419
00:22:00,420 --> 00:22:02,589
I ASSURE YOU.

420
00:22:02,689 --> 00:22:05,291
I HAVE PATIENTS
WHO COME TO SEE ME
TWO-THREE TIMES A WEEK,

421
00:22:05,392 --> 00:22:07,960
BUT IT DOESN'T MEAN
THEY'RE CRAZY.

422
00:22:08,060 --> 00:22:10,430
IT'S JUST THAT
THEY CAN BENEFIT

423
00:22:10,530 --> 00:22:14,133
FROM WORKING MORE
ON THEMSELVES,

424
00:22:14,233 --> 00:22:16,168
GOING DEEPER
WITH THERAPY.

425
00:22:16,268 --> 00:22:18,471
JULIA AND ARUN--

426
00:22:18,571 --> 00:22:21,408
THEY HAVE DONE
ENOUGH FOR ME.

427
00:22:21,508 --> 00:22:23,376
AND I WOULD PREFER

428
00:22:23,476 --> 00:22:24,911
NOT TO ASK ANYTHING
MORE THAN THIS.

429
00:22:25,011 --> 00:22:26,679
WELL, WOULD YOU LIKE ME
TO TALK TO THEM FOR YOU?

430
00:22:26,779 --> 00:22:29,682
NO NO, PLEASE.
I WOULD NOT PREFER THAT.

431
00:22:53,105 --> 00:22:54,907
DO YOU PRAY, PAUL?

432
00:22:57,209 --> 00:22:58,678
DO I-- DO I PRAY?

433
00:22:58,778 --> 00:23:00,046
YES.

434
00:23:00,880 --> 00:23:02,782
SOMETIMES, YES.

435
00:23:02,882 --> 00:23:04,651
THEN PLEASE PRAY.

436
00:23:05,351 --> 00:23:07,153
FOR WHAT?

437
00:23:10,457 --> 00:23:13,025
FOR THE RAINS
TO STOP IN INDIA.

438
00:23:27,273 --> 00:23:29,876
( theme music playing )