1
00:00:07,541 --> 00:00:09,343
( knocks on door )

2
00:00:15,483 --> 00:00:16,417
JULIA.

3
00:00:16,517 --> 00:00:20,254
HELLO, DR. WESTON.
SUNIL'S OUTSIDE SMOKING.

4
00:00:20,354 --> 00:00:22,623
I WONDERED IF WE COULD
SPEAK FOR A MOMENT.

5
00:00:22,723 --> 00:00:23,824
SURE.

6
00:00:23,924 --> 00:00:26,394
- MAY I COME IN?
- OF COURSE.

7
00:00:32,866 --> 00:00:34,568
YOU OBVIOUSLY
WEREN'T EXPECTING

8
00:00:34,668 --> 00:00:36,870
THE WICKED, INSENSITIVE
DAUGHTER-IN-LAW.

9
00:00:36,970 --> 00:00:39,607
I HAVE NO DOUBT
THAT'S HOW HE PAINTS ME.

10
00:00:40,474 --> 00:00:42,143
AM I WRONG?

11
00:00:44,212 --> 00:00:47,215
CAN I ASK WHAT HAPPENED
TO YOUR ARM?

12
00:00:47,315 --> 00:00:50,718
UH, WE HAD AN ARGUMENT.

13
00:00:50,818 --> 00:00:52,553
WE?

14
00:00:52,653 --> 00:00:55,289
WHO DO YOU THINK?

15
00:00:55,389 --> 00:00:57,791
- AND--
- AND THINGS
GOT OUT OF HAND.

16
00:01:00,394 --> 00:01:03,197
WHEN YOU SAY "THINGS GOT
OUT OF HAND," WHAT--

17
00:01:03,297 --> 00:01:05,199
"OUT OF HAND" MEANING
HE PUSHED ME

18
00:01:05,299 --> 00:01:06,867
AND I FELL
INTO A BOOKCASE

19
00:01:06,967 --> 00:01:08,702
IN FRONT
OF THE CHILDREN.

20
00:01:08,802 --> 00:01:10,738
SUNIL PUSHED YOU?

21
00:01:10,838 --> 00:01:13,407
THERE WAS A NAIL HEAD
THAT WASN'T HAMMERED
ALL THE WAY INTO THE WOOD.

22
00:01:13,507 --> 00:01:16,544
A VISIT
TO THE EMERGENCY ROOM,
THREE STITCHES.

23
00:01:16,644 --> 00:01:19,180
AND HOW DID THIS--

24
00:01:19,280 --> 00:01:21,249
HOW DID THIS
ARGUMENT BEGIN?

25
00:01:21,349 --> 00:01:24,785
WE'RE ENDING
SUNIL'S TREATMENT.

26
00:01:24,885 --> 00:01:27,355
TODAY WILL BE
HIS LAST SESSION.

27
00:01:28,989 --> 00:01:30,424
THIS SHOULD
COVER TODAY

28
00:01:30,524 --> 00:01:32,826
AND ONE MORE
FOR THE LAST-MINUTE
CANCELATION.

29
00:01:32,926 --> 00:01:34,395
THAT'S NOT REALLY
NECESSARY.

30
00:01:34,495 --> 00:01:37,565
IT WOULD MAKE ME
MORE COMFORTABLE.
TAKE THE CHECK.

31
00:01:39,099 --> 00:01:41,335
I'M NOT SURE
THAT I UNDERSTAND.

32
00:01:41,435 --> 00:01:43,471
I DON'T THINK
I COULD SAY IT
ANY MORE CLEARLY.

33
00:01:43,571 --> 00:01:45,406
WELL, IT'S JUST THAT
I'VE REALLY STARTED

34
00:01:45,506 --> 00:01:47,408
TO MAKE CONTACT
WITH HIM.

35
00:01:47,508 --> 00:01:50,077
WE'RE STARTING
TO BUILD AN ALLIANCE.

36
00:01:50,178 --> 00:01:51,712
WITH ALL DUE RESPECT,
DR. WESTON,

37
00:01:51,812 --> 00:01:53,981
IF THIS IS WHAT HAPPENS
WHEN YOU BUILD
AN ALLIANCE,

38
00:01:54,081 --> 00:01:56,284
THEN I FEEL FOR
YOUR OTHER PATIENTS,

39
00:01:56,384 --> 00:01:59,119
NOT TO MENTION
THEIR FAMILIES.

40
00:01:59,220 --> 00:02:00,788
HE'S GOTTEN WORSE.

41
00:02:00,888 --> 00:02:02,356
I HAVE TO
RESPECTFULLY DISAGREE.

42
00:02:02,456 --> 00:02:04,258
I THINK HE'S BEGINNING
TO REALLY--

43
00:02:04,358 --> 00:02:06,494
WELL, YOU DON'T LIVE
WITH HIM, DO YOU?

44
00:02:06,594 --> 00:02:08,562
THERE'S BEEN A SHARP
DECLINE IN HIS BEHAVIOR

45
00:02:08,662 --> 00:02:11,064
EVER SINCE
HE STARTED TREATMENT.

46
00:02:11,165 --> 00:02:14,302
CAN YOU BE
MORE SPECIFIC?

47
00:02:16,304 --> 00:02:17,838
HAVE THERE BEEN
OTHER INCIDENTS?

48
00:02:17,938 --> 00:02:21,509
HE'S BEEN ACTING
STRANGER AND STRANGER
BY THE DAY.

49
00:02:21,609 --> 00:02:23,477
HE'S BACK TO
HIDING OUT IN HIS ROOM.

50
00:02:23,577 --> 00:02:26,347
WHEN HE DOES
DECIDE TO COME OUT,
IT SEEMS PERFECTLY TIMED.

51
00:02:26,447 --> 00:02:29,082
JUST LAST NIGHT HE CAME OUT
INTO THE HALLWAY

52
00:02:29,183 --> 00:02:30,884
AFTER I PUT
THE CHILDREN TO BED.

53
00:02:30,984 --> 00:02:32,886
HE JUST STOOD THERE

54
00:02:32,986 --> 00:02:35,323
STARING AT ME.

55
00:02:35,423 --> 00:02:37,625
IT TOOK EVERYTHING I HAD
TO MUSTER THE COURAGE

56
00:02:37,725 --> 00:02:39,460
JUST TO WALK PAST HIM.

57
00:02:40,961 --> 00:02:44,131
IT'S THE WAY
HE LOOKS AT ME.

58
00:02:44,232 --> 00:02:46,367
HE-- HE DOESN'T
EVEN BLINK.

59
00:02:49,303 --> 00:02:51,905
I ACTUALLY THOUGHT ABOUT
CALLING THE POLICE.

60
00:02:53,374 --> 00:02:55,409
I CAN'T IMAGINE
WHAT HE'S TELLING YOU.

61
00:02:55,509 --> 00:02:57,245
I MEAN, WHAT DOES
HE SAY ABOUT US?

62
00:02:57,345 --> 00:02:59,213
UM, UNFORTUNATELY

63
00:02:59,313 --> 00:03:01,915
I'M NOT AT LIBERTY
TO DISCLOSE

64
00:03:02,015 --> 00:03:03,951
THE DETAILS
OF MY WORK WITH SUNIL.

65
00:03:05,353 --> 00:03:07,288
BUT I'M PAYING
FOR THIS.

66
00:03:08,922 --> 00:03:10,558
GOD, WHAT A WASTE.

67
00:03:10,658 --> 00:03:13,727
$220 A WEEK FOR HIM
TO GET EVEN CRAZIER.

68
00:03:13,827 --> 00:03:15,896
THE SIMPLE FACT IS

69
00:03:15,996 --> 00:03:18,466
YOU HAVE NOT BEEN
HELPING.

70
00:03:18,566 --> 00:03:21,369
I NEED ARUN TO PRESCRIBE
SOMETHING STRONGER
FOR HIS FATHER--

71
00:03:21,469 --> 00:03:23,471
SOMETHING THAT
ACTUALLY WORKS.

72
00:03:23,571 --> 00:03:26,474
SO PLEASE
TAKE THE CHECK.

73
00:03:27,708 --> 00:03:29,343
WHEN YOU SAY

74
00:03:29,443 --> 00:03:31,645
THAT YOU CONSIDERED
CALLING THE POLICE--

75
00:03:31,745 --> 00:03:34,615
IT WENT THROUGH MY MIND.
I WASN'T REALLY--

76
00:03:35,683 --> 00:03:38,719
I'M NOT AS BAD
AS YOU THINK I AM.

77
00:03:38,819 --> 00:03:41,822
THERE IS A PART OF ME
THAT ACTUALLY FEELS
FOR SUNIL.

78
00:03:41,922 --> 00:03:43,023
IN WHAT WAY?

79
00:03:43,123 --> 00:03:44,625
HE'S AN ATTRACTIVE
MIDDLE-AGED MAN.

80
00:03:44,725 --> 00:03:46,694
HIS LIFE DOESN'T HAVE
TO BE OVER.

81
00:03:46,794 --> 00:03:48,829
IT'S ALMOST
AS THOUGH HE CHOOSES
TO BE MISERABLE.

82
00:03:48,929 --> 00:03:51,499
AND THAT, IN TURN,
MAKES THE REST OF US
MISERABLE.

83
00:03:51,599 --> 00:03:53,967
THE WHOLE SITUATION
HAS MADE ME ANXIOUS.

84
00:03:54,067 --> 00:03:56,437
I'M SORRY
TO HEAR THAT.

85
00:03:56,537 --> 00:03:59,239
I'M NOT SLEEPING.
I'M LOSING FOCUS AT WORK.

86
00:03:59,340 --> 00:04:01,275
I'M FINDING IT
HARDER AND HARDER

87
00:04:01,375 --> 00:04:04,878
TO CONCENTRATE
ON MY MANUSCRIPTS,
MY AUTHORS.

88
00:04:06,514 --> 00:04:09,350
HONESTLY, WHAT WOULD YOU DO
IF YOU WERE IN MY POSITION?

89
00:04:09,450 --> 00:04:12,753
HONESTLY, I WOULD
KEEP HIM IN TREATMENT.

90
00:04:14,988 --> 00:04:17,958
AND IF YOU WOULD LIKE
TO DISCUSS

91
00:04:18,058 --> 00:04:19,960
YOUR ISSUES
WITH A PROFESSIONAL,

92
00:04:20,060 --> 00:04:22,730
I'D BE HAPPY
TO RECOMMEND SOMEBODY.

93
00:04:25,799 --> 00:04:27,034
RIGHT.

94
00:04:29,069 --> 00:04:30,804
I WOULD LIKE TO HEAR

95
00:04:30,904 --> 00:04:32,573
MORE OF THE DETAILS
OF THIS INCIDENT.

96
00:04:32,673 --> 00:04:34,475
THAT'S ALL RIGHT.
IT'S PRETTY CLEAR

97
00:04:34,575 --> 00:04:36,544
YOU'RE ONLY INTERESTED
IN ONE SIDE OF THE STORY.

98
00:04:36,644 --> 00:04:37,611
I--

99
00:04:37,711 --> 00:04:40,581
HE OBVIOUSLY HAS YOU
UNDER HIS SPELL.

100
00:04:40,681 --> 00:04:42,249
JULIA, I WOULD VERY MUCH
LIKE TO HEAR

101
00:04:42,350 --> 00:04:44,685
YOUR SIDE
OF THE STORY. I--

102
00:04:54,061 --> 00:04:56,330
( door closes )

103
00:04:56,430 --> 00:04:58,899
I SUSPECT THAT
SHE JUST INFORMED YOU

104
00:04:58,999 --> 00:05:00,668
MY THERAPY IS OVER.

105
00:05:04,372 --> 00:05:07,741
( theme music playing )

106
00:05:31,532 --> 00:05:33,934
I'M SORRY.
I DIDN'T HAVE TIME

107
00:05:34,034 --> 00:05:38,171
TO MAKE TEA TODAY.

108
00:05:38,271 --> 00:05:41,975
JULIA'S VISIT WAS
SOMEWHAT UNEXPECTED.

109
00:05:42,075 --> 00:05:44,044
THAT IS OKAY.

110
00:05:45,579 --> 00:05:48,516
THE FACT THAT THIS IS
OUR LAST SESSION

111
00:05:48,616 --> 00:05:50,751
FEELS PECULIAR TO ME.

112
00:05:52,486 --> 00:05:55,589
I'VE COME TO LOOK FORWARD
TO THESE CONVERSATIONS.

113
00:05:55,689 --> 00:05:57,124
ME TOO.

114
00:05:58,526 --> 00:06:00,360
I CANNOT QUITE PICTURE
WHAT I'LL DO NOW.

115
00:06:00,461 --> 00:06:02,630
MAYBE I'LL GO
AND SPEAK TO THE GUY

116
00:06:02,730 --> 00:06:05,733
WHO SELLS MY CANDY
ON CHURCH AVENUE.

117
00:06:06,434 --> 00:06:08,368
( chuckles )

118
00:06:10,070 --> 00:06:12,906
SOMETHING TELLS ME
IT WON'T BE AS GRATIFYING.

119
00:06:13,006 --> 00:06:15,643
I UNDERSTAND
THERE WAS--

120
00:06:15,743 --> 00:06:20,213
THERE WAS AN INCIDENT
AT THE HOUSE THIS WEEK.

121
00:06:20,313 --> 00:06:23,083
I'VE COME TO THINK
OF YOU AS A MAN

122
00:06:24,685 --> 00:06:28,221
WHO POSSESSES
GREAT WISDOM.

123
00:06:28,321 --> 00:06:31,559
SO YOU DON'T--
YOU DON'T WANT TO TALK
ABOUT WHAT HAPPENED?

124
00:06:33,461 --> 00:06:35,896
AND I'VE BEEN THINKING
QUITE A LOT

125
00:06:35,996 --> 00:06:38,098
ABOUT MY DREAM,

126
00:06:38,198 --> 00:06:40,333
THE ONE WITH
THE DARK-HAIRED WOMAN.

127
00:06:40,434 --> 00:06:42,269
I BELIEVE
YOU WERE RIGHT.

128
00:06:42,369 --> 00:06:46,674
OH? IN WHAT WAY?

129
00:06:46,774 --> 00:06:49,910
THE WOMAN
HAS RETURNED

130
00:06:50,010 --> 00:06:53,413
TO MY-- TO MY THOUGHTS
OVER AND OVER THIS WEEK.

131
00:06:53,514 --> 00:06:55,783
MM-HMM.

132
00:06:55,883 --> 00:06:58,151
YOU MUST BE
VERY VERY SKILLED

133
00:06:58,251 --> 00:07:00,921
TO MAKE ME THINK
OF MALINI SO OFTEN

134
00:07:01,021 --> 00:07:02,723
AFTER SO MANY YEARS.

135
00:07:02,823 --> 00:07:06,093
THE FLOWER IN HER HAIR,
THE EL GRECO PAINTING--

136
00:07:06,193 --> 00:07:10,397
IT'S-- THAT WAS
OBSERVANT OF YOU,

137
00:07:10,498 --> 00:07:12,600
QUITE POWERFUL.

138
00:07:12,700 --> 00:07:17,370
WHEN YOU THINK
ABOUT MALINI,

139
00:07:17,471 --> 00:07:19,873
WHAT EMOTIONS
COME UP FOR YOU?

140
00:07:19,973 --> 00:07:22,242
EMOTIONS SUCH AS...?

141
00:07:22,342 --> 00:07:25,646
YOU TOLD ME ABOUT
THE BREAK-UP, HER DEATH,

142
00:07:25,746 --> 00:07:28,348
BUT I DON'T KNOW,
I JUST--

143
00:07:28,448 --> 00:07:31,218
I HAVE THIS SENSE
THAT THERE'S--

144
00:07:31,318 --> 00:07:33,521
THERE'S MORE
TO THE STORY.

145
00:07:33,621 --> 00:07:35,989
I THINK
IT'S INTERESTING

146
00:07:36,089 --> 00:07:39,760
THAT SHE APPEARED TO YOU
AS A THREATENING FIGURE

147
00:07:39,860 --> 00:07:41,762
AND THAT WHEN YOU WOKE
FROM THE DREAM

148
00:07:41,862 --> 00:07:44,932
YOU WERE JUST ABOUT
TO STRIKE HER.

149
00:07:45,032 --> 00:07:47,768
AND NOW THERE'S BEEN

150
00:07:47,868 --> 00:07:50,904
A PHYSICAL INCIDENT
AT HOME.

151
00:07:51,004 --> 00:07:54,407
( speaks Bengali )

152
00:07:54,508 --> 00:07:56,644
CAN YOU PLEASE--

153
00:07:56,744 --> 00:07:59,412
I SAID THERE'S
NO POINT TO THIS.

154
00:07:59,513 --> 00:08:01,014
AND WHY DO YOU
SAY THAT?

155
00:08:01,114 --> 00:08:03,116
THIS IS OUR FINAL SESSION.
WHAT IS THE POINT

156
00:08:03,216 --> 00:08:05,853
OF ALL THESE QUESTIONS
WE WILL HAVE NO CHANCE
TO ANSWER?

157
00:08:05,953 --> 00:08:08,689
YOU DON'T SEEM
TO WANT TO ANSWER.

158
00:08:08,789 --> 00:08:12,660
I ASK YOU ABOUT MALINI
AND YOU EVADE.

159
00:08:12,760 --> 00:08:14,762
I ASK YOU WHAT HAPPENED
AT THE HOUSE

160
00:08:14,862 --> 00:08:17,965
AND YOU DON'T SEEM TO WANT
TO ANSWER THAT EITHER.

161
00:08:18,065 --> 00:08:19,600
DID JULIA NOT GIVE YOU
FINAL PAYMENT?

162
00:08:19,700 --> 00:08:23,203
- YES, SHE DID BUT--
- SO IT'S TOO LATE, PAUL.

163
00:08:23,303 --> 00:08:25,005
IT'S TOO LATE.

164
00:08:29,643 --> 00:08:31,511
CAN YOU TELL ME

165
00:08:31,612 --> 00:08:34,882
WHAT YOU THINK LED JULIA
TO MAKE THIS DECISION?

166
00:08:37,184 --> 00:08:40,588
DOES IT HAVE ANYTHING TO DO
WITH THE BANDAGE ON HER ARM?

167
00:08:41,521 --> 00:08:43,156
SHE HAS NOT ALREADY
TOLD YOU?

168
00:08:43,256 --> 00:08:46,627
WELL, SHE SAID THAT
YOU'D HAD AN ARGUMENT

169
00:08:46,727 --> 00:08:48,896
AND THAT YOU PUSHED HER
INTO THE BOOKCASE.

170
00:08:48,996 --> 00:08:50,463
I PUSHED HER?

171
00:08:50,564 --> 00:08:52,700
DID YOU NOT PUSH HER?

172
00:08:59,773 --> 00:09:03,476
OKAY, SO I WALKED
INTO THE TV ROOM.

173
00:09:03,577 --> 00:09:06,179
SAM AND NAYA
WERE WATCHING THIS--

174
00:09:06,279 --> 00:09:09,516
THEIR FAVORITE
ANIMATED DVD

175
00:09:09,617 --> 00:09:11,985
FOR THE 18th TIME
THIS MONTH.

176
00:09:12,085 --> 00:09:15,022
AND I WANTED TO SPEND
SOME TIME WITH THEM.

177
00:09:15,122 --> 00:09:17,424
AND I COULD NOT BEAR
THIS MOVIE ANYMORE,

178
00:09:17,524 --> 00:09:20,327
SO I SWITCHED IT OFF.

179
00:09:20,427 --> 00:09:22,462
THIS MOVIE IS ABOUT
A CLOWN FISH.

180
00:09:22,562 --> 00:09:25,332
AND I'VE GROWN
SO TIRESOME

181
00:09:25,432 --> 00:09:27,668
OF WATCHING MY
GRANDCHILDREN ABSORBING

182
00:09:27,768 --> 00:09:30,270
THIS SENSELESS
POISON.

183
00:09:30,370 --> 00:09:32,305
SO INSTEAD I TRIED
TO TEACH THEM

184
00:09:32,405 --> 00:09:33,941
A BENGALI FOLK SONG.

185
00:09:34,041 --> 00:09:36,476
I WAS HALFWAY THROUGH
MY FIRST VERSE

186
00:09:36,576 --> 00:09:38,578
WHEN JULIA CAME
INSIDE THE ROOM.

187
00:09:38,679 --> 00:09:40,447
AND SHE WAS FURIOUS.

188
00:09:40,547 --> 00:09:42,415
WELL, IF I REMEMBER,
SHE'D ASKED YOU

189
00:09:42,515 --> 00:09:44,451
NOT TO TEACH BENGALI
TO SAM.

190
00:09:44,551 --> 00:09:46,419
IT'S JUST A SONG, PAUL.

191
00:09:46,519 --> 00:09:49,657
IT'S A SONG.
YOU KNOW, IT'S...

192
00:09:49,757 --> 00:09:54,027
( singing in Bengali )

193
00:10:08,742 --> 00:10:12,045
IT'S A SONG.
IT'S SAYING GOODBYE
TO A FRIEND, YOU KNOW.

194
00:10:12,145 --> 00:10:14,047
IT HAS MUCH MORE
RELEVANCE TO LIFE

195
00:10:14,147 --> 00:10:18,218
THAN THIS FOOLISH,
RIDICULOUS CARTOON FISH.

196
00:10:20,153 --> 00:10:23,323
( singing in Bengali )

197
00:10:36,436 --> 00:10:38,505
SEE?

198
00:10:38,605 --> 00:10:40,708
DO YOU FIND THIS
TERRIBLE?

199
00:10:42,042 --> 00:10:43,410
NO, IT'S--

200
00:10:43,510 --> 00:10:46,046
NO, IT DOESN'T SOUND
TERRIBLE AT ALL.

201
00:10:47,047 --> 00:10:50,818
SO JULIA QUICKLY
RAISED HER VOICE.

202
00:10:50,918 --> 00:10:52,652
SO WHEN NAYA SAW HER
RAISING HER VOICE,

203
00:10:52,753 --> 00:10:54,121
SHE STARTED CRYING.

204
00:10:54,221 --> 00:10:57,057
SAM SAW NAYA CRYING,
SO SAM STARTED CRYING.

205
00:10:57,157 --> 00:10:59,626
AND JULIA TOLD ME
TO STOP SINGING THE SONG

206
00:10:59,727 --> 00:11:01,461
AND I WOULD NOT.

207
00:11:01,561 --> 00:11:04,231
( singing )
"STOP."

208
00:11:05,933 --> 00:11:08,035
"STOP."
AND I WOULDN'T.

209
00:11:08,135 --> 00:11:11,304
MY SON CAME INTO THE ROOM
AND HE JOINED JULIA'S SIDE.

210
00:11:11,404 --> 00:11:13,974
HE SAID, "BABA, YOU ARE
SCARING THE CHILDREN."

211
00:11:14,074 --> 00:11:16,643
I WAS SCARING THE CHILDREN?
I WAS SCARING THE CHILDREN?

212
00:11:16,744 --> 00:11:19,546
THEIR YELLING AT ME
WAS SCARING THE CHILDREN.

213
00:11:19,646 --> 00:11:22,615
SO WHEN I TRIED TO LEAVE,
JULIA WOULD NOT MOVE OUT
OF THE WAY,

214
00:11:22,716 --> 00:11:25,352
SO I PUSHED PAST HER.

215
00:11:25,452 --> 00:11:28,055
SHE LOST HER BALANCE.
SHE FELL ON THIS BOOKSHELF.

216
00:11:28,155 --> 00:11:31,558
SO YOU'RE SAYING
IT WAS AN ACCIDENT.

217
00:11:31,658 --> 00:11:33,460
PAUL, IT'S NOT
A DEEP CUT.

218
00:11:33,560 --> 00:11:35,495
ARUN TRIED
TO TEND TO HER,

219
00:11:35,595 --> 00:11:37,464
BUT OF COURSE
SHE INSISTED

220
00:11:37,564 --> 00:11:39,733
ON GOING TO
THE EMERGENCY ROOM,

221
00:11:39,833 --> 00:11:41,701
AS IF SHE WAS MAULED
BY A TIGER.

222
00:11:41,802 --> 00:11:43,937
SO AFTER THEY RETURNED
FROM THE HOSPITAL

223
00:11:44,037 --> 00:11:46,473
ARUN CAME INTO MY ROOM
AND TOLD ME

224
00:11:46,573 --> 00:11:48,776
THAT I WAS DISRUPTING
THEIR MARRIAGE,

225
00:11:48,876 --> 00:11:51,711
THAT I WAS
CREATING DISHARMONY
IN THEIR HOUSEHOLD

226
00:11:51,812 --> 00:11:56,149
AND I MUST MOVE DOWN
TO THE BASEMENT,

227
00:11:56,249 --> 00:11:57,684
FURTHER AWAY
FROM THE CHILDREN.

228
00:11:57,785 --> 00:12:00,053
AND WHAT DID YOU SAY?

229
00:12:06,459 --> 00:12:08,161
THE IRONY IS

230
00:12:09,562 --> 00:12:12,599
IT'S THE SAME SONG
KAMALA AND I USED TO
SING TO HIM

231
00:12:12,699 --> 00:12:14,968
WHEN HE WAS
A SMALL BOY.

232
00:12:15,068 --> 00:12:18,505
SAYING GOODNIGHT WAS ALWAYS
DIFFICULT FOR HIM.

233
00:12:18,605 --> 00:12:20,507
AND HOW HE USED TO
BEG TO US

234
00:12:20,607 --> 00:12:23,110
TO SING THIS SONG
EVERY NIGHT.

235
00:12:23,210 --> 00:12:26,313
AND NOW HE'S
BEGGING YOU TO STOP.

236
00:12:27,614 --> 00:12:30,884
IT WAS AS IF HE DIDN'T
EVEN RECOGNIZE IT.

237
00:12:32,652 --> 00:12:35,455
AND HE TELLS ME
I AM DESTROYING

238
00:12:35,555 --> 00:12:37,858
HIS MARRIAGE,
HIS FAMILY.

239
00:12:40,994 --> 00:12:44,531
YOU SAID THAT JULIA WAS
IN THE WAY

240
00:12:44,631 --> 00:12:48,001
WHEN YOU WERE TRYING
TO LEAVE AND THAT YOU
PUSHED PAST HER.

241
00:12:49,903 --> 00:12:52,973
SEE, PAUL, YOU NEED NOT
CONCERN YOURSELF WITH THIS.

242
00:12:53,073 --> 00:12:54,975
NO, THIS IS GONNA BE
OUR LAST SESSION.

243
00:12:55,075 --> 00:12:57,845
I WANT THIS TO BE CLEAR.
DID YOU PUSH JULIA?

244
00:12:57,945 --> 00:12:59,612
SHE WOULD NOT MOVE
OUT OF THE WAY,

245
00:12:59,712 --> 00:13:01,915
I WISHED TO LEAVE
AND I PUSHED BY HER.

246
00:13:02,015 --> 00:13:03,951
BUT THIS IS WHAT
I'M TALKING ABOUT
WHEN I SAY

247
00:13:04,051 --> 00:13:05,585
THAT YOU AVOID
ANSWERING MY QUESTIONS.

248
00:13:05,685 --> 00:13:10,157
WHAT'S THE DIFFERENCE BETWEEN
"PUSHED BY" AND "PUSHED"?

249
00:13:15,162 --> 00:13:17,430
WHERE WERE
THE CHILDREN?

250
00:13:17,530 --> 00:13:18,899
SAM WAS CRYING

251
00:13:18,999 --> 00:13:21,301
AND NAYA WAS
HANGING ONTO HER LEG.

252
00:13:21,401 --> 00:13:26,106
AND DID YOU ASK JULIA
TO MOVE OUT OF THE WAY?

253
00:13:29,276 --> 00:13:31,744
THEY THINK
HER INJURED ARM IS PROOF

254
00:13:31,845 --> 00:13:35,482
THAT MY TIME WITH YOU
HAS NOT BEEN HELPFUL,

255
00:13:35,582 --> 00:13:37,450
THAT IT HAS
MADE ME WORSE.

256
00:13:38,986 --> 00:13:41,221
I WOKE UP THIS MORNING
AND THERE WAS A NOTE

257
00:13:41,321 --> 00:13:44,591
ON THE KITCHEN TABLE
FROM JULIA, SAYING,

258
00:13:44,691 --> 00:13:46,159
"SUNIL,

259
00:13:46,259 --> 00:13:48,962
THIS IS YOUR LAST SESSION
WITH DR. WESTON

260
00:13:49,062 --> 00:13:51,932
AND I'M SCHEDULING
MY EARLY LUNCH

261
00:13:52,032 --> 00:13:54,034
SO I CAN
MEET YOU THERE."

262
00:13:54,134 --> 00:13:56,403
AND HOW DID YOU RESPOND
TO THE NOTE?

263
00:13:56,503 --> 00:13:57,871
I CRUMPLED IT UP

264
00:13:57,971 --> 00:14:01,141
AND PUT IT INSIDE
HER ESPRESSO MACHINE.

265
00:14:06,279 --> 00:14:07,948
LET ME ASK YOU--

266
00:14:08,048 --> 00:14:10,117
DO YOU THINK THE WORK
THAT WE'VE DONE HERE

267
00:14:10,217 --> 00:14:13,153
HAS MADE YOU WORSE,
WOULD YOU SAY?

268
00:14:14,888 --> 00:14:16,789
YOU KNOW,
I HAVE TO TELL YOU

269
00:14:16,890 --> 00:14:18,791
THAT I THINK
ENDING TREATMENT NOW

270
00:14:18,892 --> 00:14:20,961
WOULD BE
A CRITICAL MISTAKE.

271
00:14:21,061 --> 00:14:23,030
IT IS OUT
OF MY HANDS, PAUL.

272
00:14:23,130 --> 00:14:25,732
WELL, I'D BE HAPPY
TO CALL ARUN AND JULIA
ON YOUR BEHALF.

273
00:14:25,832 --> 00:14:28,801
ONCE JULIA
MAKES UP HER MIND
ABOUT SOMETHING,

274
00:14:28,902 --> 00:14:30,971
THEN IT IS THE WAY
THINGS MUST BE.

275
00:14:31,071 --> 00:14:33,173
THAT'S HOW SHE IS.

276
00:14:33,273 --> 00:14:35,342
I'M STUCK.

277
00:14:35,442 --> 00:14:37,644
I'M TRAPPED

278
00:14:37,744 --> 00:14:39,279
AND THERE'S NOTHING
TO BE DONE.

279
00:14:39,379 --> 00:14:41,748
I DON'T THINK SO.
I THINK THAT IT'S
STILL POSSIBLE

280
00:14:41,848 --> 00:14:42,815
IF WE APPROACH
HER AGAIN--

281
00:14:42,916 --> 00:14:44,551
I REFUSE TO BEG HER.

282
00:14:46,786 --> 00:14:49,156
I'M NOT THAT
PATHETIC, PAUL.

283
00:14:53,026 --> 00:14:55,028
WELL, WHAT ABOUT
THE POSSIBILITY

284
00:14:55,128 --> 00:14:58,365
- OF YOUR
CONTINUING PRO BONO?
- ( lighter flicks )

285
00:15:01,234 --> 00:15:03,103
BUT WHAT DO YOU
GET OUT OF IT?

286
00:15:03,203 --> 00:15:05,872
THE PLEASURE
OF MY MADNESS?

287
00:15:05,973 --> 00:15:07,240
I WANT TO HELP YOU.

288
00:15:07,340 --> 00:15:09,276
I THINK THAT
WE HAVE A CONNECTION.

289
00:15:09,376 --> 00:15:11,011
I KNOW, PAUL,
YOU'RE A KIND MAN.

290
00:15:11,111 --> 00:15:14,314
YOU'RE A WISE MAN.
YOU'RE A GOOD-HEARTED MAN.

291
00:15:14,414 --> 00:15:17,184
AND I'VE COME TO--

292
00:15:17,284 --> 00:15:19,919
TO THINK
OF YOU FONDLY,

293
00:15:21,421 --> 00:15:24,757
BUT I REFUSE TO BECOME
YOUR CHARITY CASE.

294
00:15:24,857 --> 00:15:26,326
I UNDERSTAND THAT,

295
00:15:26,426 --> 00:15:29,429
BUT YOU HAVE
ONE MORE SESSION
THAT'S IN CREDIT.

296
00:15:29,529 --> 00:15:33,500
JULIA PAID ME FOR
CANCELING NEXT WEEK. I...

297
00:15:36,569 --> 00:15:40,040
AT LEAST TELL ME THAT
YOU'LL THINK ABOUT IT.

298
00:15:43,276 --> 00:15:45,678
CAN I ASK YOU
A FAVOR, PAUL?

299
00:15:45,778 --> 00:15:47,947
OF COURSE.

300
00:15:50,883 --> 00:15:53,987
I WAS WONDERING
IF YOU COULD PLEASE...

301
00:15:55,188 --> 00:15:57,824
KEEP THIS FOR ME.

302
00:15:57,924 --> 00:16:00,994
AFTER THE ARGUMENT
ON SATURDAY NIGHT,

303
00:16:01,094 --> 00:16:05,265
I COULD NOT BE
IN THE SAME HOUSE
ANY LONGER,

304
00:16:05,365 --> 00:16:07,300
SO I WALKED
INTO THE PARK.

305
00:16:07,400 --> 00:16:10,837
THERE'S A FIELD
WHERE SOUTH ASIAN MEN

306
00:16:10,937 --> 00:16:13,673
PLAY CRICKET
ON WEEKENDS.

307
00:16:13,773 --> 00:16:16,176
I KNEW IT WAS LATE,

308
00:16:16,276 --> 00:16:18,945
BUT, I DON'T KNOW WHY,
I FOUND MYSELF

309
00:16:19,046 --> 00:16:21,081
WALKING TOWARDS
THAT FIELD.

310
00:16:22,815 --> 00:16:26,386
THE FIELD WAS EMPTY,
BUT I FOUND THIS.

311
00:16:32,025 --> 00:16:34,694
I SAT ON A BENCH
FOR A LONG TIME,

312
00:16:34,794 --> 00:16:39,132
JUST TURNING THE HANDLE
OF THIS BAT OVER AND OVER.

313
00:16:42,602 --> 00:16:45,672
I THOUGHT, "WHY HAVE
THEY LEFT THIS BEHIND?"

314
00:16:47,807 --> 00:16:50,377
IT'S OLD, YES,
SLIGHTLY BROKEN,

315
00:16:50,477 --> 00:16:53,280
BUT DOES IT NEED
TO BE DISCARDED?

316
00:16:53,380 --> 00:16:56,216
COULD IT STILL NOT HAVE
SOME PURPOSE?

317
00:17:00,987 --> 00:17:03,190
SO I DECIDED
YOU SHOULD KEEP IT, PAUL.

318
00:17:03,290 --> 00:17:06,359
PERHAPS, ONCE I'M GONE,
IT WILL REMIND YOU OF ME.

319
00:17:08,328 --> 00:17:10,563
THAT'S WHY YOU WANT ME
TO KEEP IT?

320
00:17:10,663 --> 00:17:13,032
AND ALSO BECAUSE--

321
00:17:16,236 --> 00:17:18,071
BECAUSE I SHOULD NOT
KEEP IT.

322
00:17:18,171 --> 00:17:20,407
WHY SHOULDN'T YOU
HAVE IT?

323
00:17:20,507 --> 00:17:22,942
ARUN IS GOING
FOR ANOTHER CONFERENCE

324
00:17:23,042 --> 00:17:25,545
TO CHICAGO THIS WEEKEND

325
00:17:25,645 --> 00:17:30,049
AND JULIA WILL
SURELY ENJOY HER TIME
WITH MR. PALE FOX.

326
00:17:31,218 --> 00:17:35,788
ARE YOU TELLING ME
THAT YOU'RE WORRIED

327
00:17:35,888 --> 00:17:37,357
THAT YOU MIGHT

328
00:17:38,291 --> 00:17:41,060
DO SOMETHING
WITH THIS BAT?

329
00:17:41,161 --> 00:17:44,564
I NEED YOU TO EXPLAIN
WHAT YOU MEAN BY THAT.

330
00:17:49,836 --> 00:17:51,771
WOULD YOU PLEASE
KEEP IT?

331
00:17:54,841 --> 00:17:56,376
PLEASE.

332
00:17:59,112 --> 00:18:00,680
THANK YOU.

333
00:18:10,723 --> 00:18:13,626
WHAT WERE YOU THINKING
ABOUT DOING WITH THE BAT?

334
00:18:15,162 --> 00:18:17,997
YOU KNOW, WHEN JULIA
IS IN HER STUDY,

335
00:18:18,097 --> 00:18:20,200
SHE FACES THE WINDOW

336
00:18:20,300 --> 00:18:22,535
WITH HER BACK
TO THE DOOR.

337
00:18:22,635 --> 00:18:26,239
SO IF YOU ARE CAREFUL,
YOU CAN ENTER WITHOUT
BEING HEARD.

338
00:18:26,339 --> 00:18:28,975
AND SHE IS
SO TRANSFIXED

339
00:18:29,075 --> 00:18:31,878
BY HER MANUSCRIPTS.

340
00:18:35,815 --> 00:18:37,850
WHAT-- WHAT DO YOU MEAN,

341
00:18:37,950 --> 00:18:40,420
"IF YOU ARE CAREFUL"?

342
00:18:41,521 --> 00:18:43,256
IS IT--

343
00:18:43,356 --> 00:18:45,958
IS THIS SOMETHING THAT
YOU'VE ACTUALLY DONE?

344
00:18:46,058 --> 00:18:48,395
I'VE IMAGINED IT.

345
00:18:48,495 --> 00:18:52,599
EVEN A BROKEN BAT
CAN BE QUITE EFFECTIVE,

346
00:18:52,699 --> 00:18:55,402
AND I HAVE PLAYED CRICKET
FOR SEVERAL YEARS.

347
00:18:57,170 --> 00:18:58,805
( lighter flicks )

348
00:19:01,408 --> 00:19:04,477
PAUL, I HAVE
NO IDEA WHY THESE--

349
00:19:04,577 --> 00:19:07,214
WHY MY MIND IS SEIZED
WITH THESE--

350
00:19:07,314 --> 00:19:09,616
THESE TERRIBLE IDEAS,
YOU KNOW.

351
00:19:09,716 --> 00:19:12,585
DO YOU THINK
THERE'S SOMETHING
TERRIBLY WRONG WITH ME,

352
00:19:12,685 --> 00:19:15,154
SOMETHING SERIOUSLY
WRONG WITH ME?

353
00:19:15,255 --> 00:19:17,557
I THINK THAT WHAT
YOU'RE TELLING ME TODAY

354
00:19:17,657 --> 00:19:20,760
IS DISTURBING.

355
00:19:20,860 --> 00:19:23,296
- YOU DO?
- YES, I DO.

356
00:19:23,396 --> 00:19:26,165
SO PERHAPS THEY WERE RIGHT
TO DISCONTINUE MY THERAPY.

357
00:19:26,266 --> 00:19:28,501
NO, I'M CERTAIN
THEY WEREN'T.

358
00:19:30,570 --> 00:19:32,239
SEE, IT'S NOT
YOUR FAULT, PAUL.

359
00:19:32,339 --> 00:19:35,608
SOMETIMES OUR BEST
INTENTIONS FALL SHORT

360
00:19:35,708 --> 00:19:39,078
BECAUSE THE OTHER PERSON
IS NOT CAPABLE OF CHANGE.

361
00:19:39,178 --> 00:19:42,114
YOU KNOW, THERE'S
A SAYING IN BENGALI--
( speaks Bengali )

362
00:19:42,215 --> 00:19:44,384
I DON'T WANT TO HEAR
THE SAYING, OKAY?

363
00:19:44,484 --> 00:19:46,653
I WANT US TO SPEAK
CLEARLY IN ENGLISH.

364
00:19:46,753 --> 00:19:49,656
I WANT TO GET
TO THE BOTTOM OF WHAT YOU
ARE TRYING TO SAY TO ME.

365
00:19:49,756 --> 00:19:52,259
YOU'VE JUST ASKED ME
TO HOLD ONTO A CRICKET BAT

366
00:19:52,359 --> 00:19:55,328
BECAUSE YOU'RE AFRAID
YOU'RE GONNA TURN IT ON
YOUR DAUGHTER-IN-LAW,

367
00:19:55,428 --> 00:19:57,330
THAT YOU'RE GONNA USE IT
AGAINST HER.

368
00:19:57,430 --> 00:20:00,233
DO YOU UNDERSTAND
WHAT YOU'RE SAYING?

369
00:20:00,333 --> 00:20:04,571
DO YOU UNDERSTAND
THE POSITION THAT
YOU PUT ME IN,

370
00:20:04,671 --> 00:20:07,139
NOT JUST
AS YOUR THERAPIST,
BUT AS A PERSON?

371
00:20:07,240 --> 00:20:09,476
WHAT POSITION
HAVE I PUT YOU IN?

372
00:20:09,576 --> 00:20:12,545
- WHAT AM I DOING?
- I WISH I KNEW.

373
00:20:14,481 --> 00:20:18,084
YOU KNOW, YOU MAKE THESE
EXTREME STATEMENTS,

374
00:20:18,184 --> 00:20:21,788
FULL OF VIOLENCE
AND-AND-- AND RAGE.

375
00:20:21,888 --> 00:20:25,425
YOU RAISE
SERIOUS QUESTIONS,
BUT YOU DON'T GIVE--

376
00:20:25,525 --> 00:20:28,861
YOU ENCOURAGED ME, PAUL.
YOU TOLD ME TO EXPRESS
MY ANGER.

377
00:20:28,961 --> 00:20:30,430
- THAT'S NOT WHAT I MEANT.
- YOU ASKED EM TO CHANGE MYSELF.

378
00:20:30,530 --> 00:20:31,764
I'M TRYING
TO FOLLOW YOUR ADVICE.

379
00:20:31,864 --> 00:20:34,267
THERE IS A VERY BIG
DIFFERENCE BETWEEN--

380
00:20:36,235 --> 00:20:39,572
LOOK, THE THINGS
THAT YOU'VE TOLD ME
OVER THE PAST FEW WEEKS--

381
00:20:39,672 --> 00:20:42,342
I'M JUST NOT CLEAR ABOUT
ANY OF IT AT THE MOMENT.

382
00:20:42,442 --> 00:20:46,245
I DON'T KNOW WHETHER
YOU WOULD ACTUALLY
EVER HURT JULIA,

383
00:20:46,346 --> 00:20:48,114
WHETHER YOU PUSHED HER

384
00:20:48,214 --> 00:20:50,717
OR PUSHED PAST HER

385
00:20:50,817 --> 00:20:53,853
AND WHAT REALLY HAPPENED
WITH MALINI.

386
00:20:55,087 --> 00:20:56,055
WITH MALINI?

387
00:20:56,155 --> 00:20:56,923
YES.

388
00:20:57,023 --> 00:20:58,491
WHAT?

389
00:21:00,660 --> 00:21:02,462
I'VE HAD THIS FEELING
FROM THE BEGINNING

390
00:21:02,562 --> 00:21:06,299
THERE ARE THINGS
YOU'RE NOT TELLING ME.

391
00:21:06,399 --> 00:21:09,569
YOU SAID THAT
YOU WERE IN LOVE WITH HER,
THAT SHE BROKE UP WITH YOU,

392
00:21:09,669 --> 00:21:12,405
THAT SHE TOOK HER OWN LIFE
BY JUMPING OFF A HIGH BRIDGE.

393
00:21:12,505 --> 00:21:14,341
ALL OF THIS IS TRUE.
THAT'S WHAT I TOLD YOU.

394
00:21:14,441 --> 00:21:16,443
AND THAT THE POLICE CAME
AND THEY QUESTIONED YOU,

395
00:21:16,543 --> 00:21:19,446
AND THAT SHE WAS WEARING
YOUR JACKET,

396
00:21:19,546 --> 00:21:21,948
THAT YOU'D HAD
AN ARGUMENT.

397
00:21:30,890 --> 00:21:34,060
YOU DO NOT THINK
I HARMED HER, PAUL?

398
00:21:34,160 --> 00:21:36,463
IS THAT WHAT
YOU'RE SAYING?

399
00:21:40,467 --> 00:21:45,004
I DON'T KNOW
WHAT TO THINK, SUNIL,

400
00:21:45,104 --> 00:21:47,006
TO BE HONEST.

401
00:21:47,106 --> 00:21:49,776
I'M JUST TRYING
TO PIECE THIS TOGETHER
FROM WHAT YOU'VE TOLD ME.

402
00:21:49,876 --> 00:21:53,546
I MUST-- I MUST ADMIT
THIS MAKES ME VERY SAD,

403
00:21:53,646 --> 00:21:55,882
THAT YOU THINK
THAT I'M A BAD PERSON.

404
00:21:55,982 --> 00:21:58,718
- I DON'T THINK
YOU'RE A BAD PERSON.
- NO?

405
00:21:58,818 --> 00:22:02,522
NO, BUT I DO THINK
IT'S CRUCIAL THAT YOU
CONTINUE IN THERAPY

406
00:22:02,622 --> 00:22:04,724
AND THAT WE HAVE
THE TIME TO SORT THROUGH

407
00:22:04,824 --> 00:22:09,228
ALL OF THESE CONFLICTED
IMPULSES AND EMOTIONS.

408
00:22:09,328 --> 00:22:11,631
WHAT'S FACT?
WHAT'S FANTASY?

409
00:22:11,731 --> 00:22:16,268
THESE FEELINGS OF ANGER,
JEALOUSY AND LOSS--

410
00:22:16,369 --> 00:22:18,705
WHAT ARE YOU ARE CAPABLE
OF HANDLING?

411
00:22:18,805 --> 00:22:22,008
WHAT NEEDS
SERIOUS ATTENTION?

412
00:22:26,379 --> 00:22:29,181
YOU KNOW, I--

413
00:22:29,281 --> 00:22:31,217
I JUST HAVE THIS
VERY STRONG FEELING

414
00:22:31,317 --> 00:22:32,885
THAT YOU'RE TRYING
TO TELL ME SOMETHING,

415
00:22:32,985 --> 00:22:36,723
TO GET ME TO HAVE
A PARTICULAR RESPONSE.

416
00:22:36,823 --> 00:22:39,659
I DON'T KNOW
WHAT THAT IS PRECISELY,

417
00:22:39,759 --> 00:22:43,463
BUT I FEEL VERY CLEARLY
THAT YOU ARE ACTUALLY

418
00:22:43,563 --> 00:22:46,799
ASKING ME FOR HELP.

419
00:22:46,899 --> 00:22:49,602
WOULD YOU SAY
THAT THAT'S TRUE?

420
00:22:53,440 --> 00:22:56,876
LOOK, I UNDERSTAND
YOUR DISCOMFORT

421
00:22:56,976 --> 00:23:00,713
WITH THIS--
WAIVING MY FEE.
THAT'S NOT--

422
00:23:02,348 --> 00:23:03,750
WH--

423
00:23:06,419 --> 00:23:08,655
WHAT IF I CHARGED YOU

424
00:23:08,755 --> 00:23:10,490
A SMALL AMOUNT
OF MONEY

425
00:23:10,590 --> 00:23:12,391
THAT YOU FEEL THAT
YOU'RE CAPABLE OF PAYING

426
00:23:12,492 --> 00:23:14,861
SO IT WOULDN'T FEEL
LIKE IT'S CHARITY?

427
00:23:14,961 --> 00:23:17,697
I WOULD PAY YOU
THE ALLOWANCE THAT
JULIA GIVES ME?

428
00:23:17,797 --> 00:23:19,766
HOW WOULD I AFFORD
MY TOBACCO AND MY TEA?

429
00:23:19,866 --> 00:23:22,602
WE COULD MEET
OUTSIDE THE OFFICE,

430
00:23:22,702 --> 00:23:25,104
IN A LESS
FORMAL SITUATION.
WE COULD HAVE TEA.

431
00:23:25,204 --> 00:23:27,173
YEAH, THERE'S ALWAYS TEA.

432
00:23:30,342 --> 00:23:32,812
I WOULDN'T DO THIS
WITH ANY OTHER PATIENT,
SUNIL. I--

433
00:23:32,912 --> 00:23:34,547
I KNOW.

434
00:23:38,718 --> 00:23:40,887
SUNIL, I WANT YOU
TO PROMISE

435
00:23:40,987 --> 00:23:43,590
THAT YOU WILL COME BACK
NEXT WEEK.

436
00:23:45,758 --> 00:23:48,127
YOU SAY JULIA HAS ALREADY
GIVEN YOU THE MONEY

437
00:23:48,227 --> 00:23:50,362
FOR ONE ADDITIONAL
MEETING?

438
00:23:50,463 --> 00:23:53,099
YES, SHE HAS, YES.

439
00:24:05,444 --> 00:24:07,179
I WANT TO GO.

440
00:24:09,248 --> 00:24:11,217
I NEED SOME REST.

441
00:24:26,633 --> 00:24:29,468
YOU KNOW,
IN JULIA'S OFFICE,
HER WINDOW--

442
00:24:30,436 --> 00:24:32,772
WHAT-- WHAT ABOUT IT?

443
00:24:32,872 --> 00:24:36,342
IT'S THE NICEST WINDOW
IN THE HOUSE.

444
00:24:36,442 --> 00:24:38,578
YOU CAN SEE
THE TREES SWAYING

445
00:24:38,678 --> 00:24:42,214
AND THE MOONLIGHT GLOWING
SO SOFTLY ON THE GLASS.

446
00:24:42,314 --> 00:24:46,018
AND SOMETIMES
WHEN I CANNOT SLEEP

447
00:24:46,853 --> 00:24:49,488
I JUST GO
AND STARE AT IT.

448
00:24:51,658 --> 00:24:55,528
SUNIL, DON'T GO
IN THAT ROOM AGAIN.

449
00:24:55,628 --> 00:24:59,766
IF YOU HAVE AN IMPULSE
TO GO IN THAT ROOM,

450
00:24:59,866 --> 00:25:03,235
YOU PICK UP THE PHONE
AND YOU CALL ME.

451
00:25:03,335 --> 00:25:05,738
EVEN IF YOU HAVE

452
00:25:05,838 --> 00:25:10,242
A FLEETING THOUGHT
OF HARMING JULIA,

453
00:25:11,310 --> 00:25:13,680
YOU MUST CALL ME.

454
00:25:18,918 --> 00:25:22,188
YOU HAVE MY CELL PHONE
AND MY OFFICE NUMBER.

455
00:25:24,857 --> 00:25:26,559
THIS IS
MY HOME NUMBER.

456
00:25:26,659 --> 00:25:30,930
AND I'LL BE HERE
ALL WEEKEND.

457
00:25:31,831 --> 00:25:34,200
DON'T WORRY,
MY FRIEND.

458
00:25:38,237 --> 00:25:40,072
( grunts )

459
00:25:40,172 --> 00:25:41,974
SUNIL.

460
00:25:45,044 --> 00:25:47,614
SUNIL.

461
00:25:47,714 --> 00:25:49,916
I'LL SEE YOU
NEXT WEEK, RIGHT?

462
00:25:51,550 --> 00:25:53,419
YOU WILL HAVE
ONE FINAL CHANCE

463
00:25:53,519 --> 00:25:55,755
TO HELP ME,
I ASSURE YOU.

464
00:26:05,264 --> 00:26:08,601
( theme music playing )