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NARRATOR: Previously on Terminator:
The Sarah Connor Chronicles:

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I'm here because Sarah Connor is a
deluded, dangerous whack-a-mole...

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...who killed a man
because she believes...

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...he'll invent a computer system
that declares war on the world.

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I'm looking for this girl.
Have you seen my niece?

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There was a guy here
looking for your sister.

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[KNOCKING ON DOOR]

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<i>-L'll</i> get rid of him.
- Riley.

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- If you don't leave, I'm calling the police.
JOHN: That guy's really dangerous.

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Really dangerous.

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This has nothing to do with Riley.
You're pissed.

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I found someone I actually
like spending time with, and it's not you.

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[POUNDING]

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JOHN: Riley, look at me.
RILEY: Show me that. That's horrifying.

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JOHN: It's supposed to stop cars
from playing Ping-Pong with your head.

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RILEY: Hey, I think your mom's out here.
Hi, Mrs. Baum.

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Thanks so much for having me over.

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JOHN: I didn't know if you were busy tonight
when I texted you.

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RILEY:
I'm never busy.

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I should do it again sometime?

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RILEY: Or maybe you could even call.
You know, with your voice.

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JOHN: Maybe I should try that sometime.
-Maybe you should.

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- See you soon?
-Okay. Be safe.

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I bought her a helmet.

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Responsible.
You think it'll stop a bullet?

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Why, are you gonna
take a shot at her?

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Well, a lot of bullets fly around here.
Someone will.

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You care about this girl?

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- Yeah.
-Then leave her alone.

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I'll talk to John.

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John's not listening.

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He's always listening.

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I was going to suggest a safe.

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Well, you might have suggested it
before we got robbed.

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SARAH:
Where are you going?

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I need to restock the supply drop.
We've been using a lot of ammunition.

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Business has been booming.
Where's John?

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- Still in his room.
-He hasn't gotten up yet?

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He needs more sleep than you do.

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It's because the circadian rhythm
of teenagers is abnormal.

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How late were you up talking to him?

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Not late.
He won't be seeing Riley anymore.

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- Is that so?
-John's not stupid.

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I don't like the way
he responds to you.

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You got what you wanted.

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[DRILL BUZZING]

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- Where is he?
-Check under the bed.

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You don't know.

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JOHN: I didn't know if you were busy
when I texted you tonight.

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RILEY:
I'm never busy.

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So then I guess
I should do it again sometime.

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Or maybe you could even call,
you know, with your voice.

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JOHN: Maybe I could try that.
-Maybe you should.

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- See you soon.
-Okay. Be safe.

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I'll talk to John.

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John's not listening.

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He's always listening.

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- Are you busy?
-No.

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- Did you change?
-lt's hot out.

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Since when do you feel heat?

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I feel heat.

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Are you hoping
Riley's gonna see us in bed...

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...and be totally scarred
for the rest of her life?

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No.

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I watched Riley leave
till I couldn't see her anymore.

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And then you and Mom high-fived.

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You bring danger into Riley's life.

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I know that.

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I'm not stupid.

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But sometimes you do stupid things.

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It would help me to understand why.

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Humans do stupid things.

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So don't worry about it,
and be happy you're a machine.

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I'm a machine. I can't be happy.

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But I understand more than you think.

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You understand
I'm gonna keep seeing Riley...

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...even if everyone
thinks it's a bad idea?

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I understand that it's a bad idea.

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And...

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...l understand
that being John Connor can be lonely.

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Oh, yeah?
How do you understand that?

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You and I talk about it a lot.

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- We do?
-We do.

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We Will.

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I need to get some sleep.

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And Riley?

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I know.

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I know.

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- He won't be seeing Riley anymore.
-I don't like the way he responds to you.

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You got what you wanted.

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It's just you.

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- You been stealing my supplies?
-We needed to make a small bomb.

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I set this drop up with my people
for my people.

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- And everything's in here for a reason.
-John was supposed to ask.

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John needs to get his head
in the game.

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Maybe he couldn't find you. You don't
spend much time at the house.

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I don't have a bed, remember?

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- You didn't have a bed in the old house.
-I had a gunshot wound at the old house.

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- Yes. You almost died.
-lt's not the first time.

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[PHONE RINGING]

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Who's that?

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[DIALING]

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[MAN SPEAKING SPANISH
ON OTHER END]

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Alarm code from John. He's in trouble.

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I need to get some sleep.

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And Riley?

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I know.

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I know.

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Yeah, right.

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Hey. I'll be there in a few minutes.

111
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Please stop doing that.

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Look, I got this from my foster parents,
and it's a rape whistle...

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...and it's totally for moments like this.
-Moments like this? Yeah. All right.

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When I was a kid,
I lived in Mexico for a year and a half...

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...in this little village called Dejalo.

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And that's where we're going.

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- Thought I'd show you around.
-Wow.

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Well, did you run this idea by your morn?
Sometimes I get the impression...

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...that she doesn't really like surprises.

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- I don't care.
-Did you guys get in a fight last night?

121
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No.

122
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So this is definitely a field trip
and not some revenge fantasy?

123
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If you don't wanna go, cool, but don't
make me feel like I'm kidnapping you.

124
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No, I'm sorry. I'm sorry.

125
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You just caught me off guard.

126
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I'm really, really happy that you
wanna show me where you grew up.

127
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Good.

128
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Because I booked
the honeymoon suite.

129
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Wait, what?

130
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It's good, right?
It's nice to get some space.

131
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You and space. The first time we talked,
you were sitting by yourself in the grass.

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That was space too.

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JOHN:
So it was.

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RILEY: You know,
I used to watch you at school.

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When the bell would ring
and those narrow hallways would fill up.

136
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It got so loud,
and people would bump into you.

137
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You looked like you could
just jump out the window and run away.

138
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God, you're such a little stalker.

139
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All right, so I get that we ran away
to get some space.

140
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The only shame is...

141
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...we ran all this way,
and there's skulls everywhere.

142
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What, you don't like skulls?

143
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I like other things better.

144
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<i>It's for Dia de los Muertos.
The festival's tonight.</i>

145
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Nice.

146
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Skulls and darkness. How charming.

147
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I'm doing the best I can.

148
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RILEY:
I never wanna leave this room.

149
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- Wait, I think I see the problem.
-Just get in. We don't need bubbles.

150
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There's bubbles to be had,
and I'm gonna have bubbles.

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[JACUZZI WHIRRING]

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- Not bad, huh?
-You're a total pro.

153
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Wait, you didn't live here
with your mom, did you?

154
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No.

155
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We actually had
a cabana on the beach.

156
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- I think we had very different childhoods.
-It wasn't always good.

157
00:14:25,657 --> 00:14:29,787
Sometimes I wish we'd just stayed here,
away from everybody.

158
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- People suck.
-Not just people.

159
00:14:36,751 --> 00:14:39,630
No, I mean,
when you meet someone...

160
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...you don't really expect
to give a damn about them, right?

161
00:14:44,509 --> 00:14:48,389
Who's got the time?
Life's too short, and people suck.

162
00:14:52,100 --> 00:14:54,569
I don't like getting attached to people.

163
00:15:01,609 --> 00:15:03,452
So...

164
00:15:03,903 --> 00:15:05,905
...why were you living in Mexico?

165
00:15:08,866 --> 00:15:10,960
Oh, you're thinking of a lie or a joke.

166
00:15:11,119 --> 00:15:13,213
- No, I'm not.
-You are. You have a tell.

167
00:15:13,371 --> 00:15:17,126
I just don't wanna sit around
and talk about my messed-up childhood.

168
00:15:19,502 --> 00:15:23,882
- Can't we just we enjoy ourselves?
-Yeah. Fine.

169
00:15:24,048 --> 00:15:27,973
Enjoy yourself. We're not the only couple
that's found themselves...

170
00:15:28,136 --> 00:15:32,016
...in a honeymoon suite and not known
the first thing about each other.

171
00:15:40,565 --> 00:15:42,067
You're right.

172
00:15:43,693 --> 00:15:44,865
People suck.

173
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[JOHN & WAITRESS
SPEAKING SPANISH]

174
00:16:10,178 --> 00:16:12,226
- What was that about?
-Hot sauce.

175
00:16:15,266 --> 00:16:18,065
You know, they do
this killer Thanksgiving buffet here.

176
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I bet.

177
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See? I'm telling you
all sorts of good stuff.

178
00:16:26,653 --> 00:16:28,997
I'm not trying to be your stalker.
I just--

179
00:16:29,155 --> 00:16:32,534
I think this is what we should be doing.
Getting to know each other.

180
00:16:32,700 --> 00:16:34,293
Well, I have a question for you.

181
00:16:36,329 --> 00:16:39,048
You said that I have a tell.

182
00:16:39,874 --> 00:16:41,251
What is it?

183
00:16:41,417 --> 00:16:44,261
Okay, you promise
not to obsess over it or anything?

184
00:16:44,420 --> 00:16:45,967
[CLICK]

185
00:16:48,257 --> 00:16:52,057
What a handsome couple.
And for only $5...

186
00:16:52,720 --> 00:16:54,597
...a photo memory.
-No, thanks.

187
00:16:55,181 --> 00:16:59,027
See? A beautiful shot.
And it's all digital...

188
00:16:59,185 --> 00:17:03,110
...which means I can e-mail it to you.
-I think I have something in my teeth.

189
00:17:03,272 --> 00:17:05,695
- Let me take another--
-No, really. That's okay.

190
00:17:06,442 --> 00:17:07,739
Hey, I said it's okay.

191
00:17:09,404 --> 00:17:12,533
Look, man,
why don't I just give you 5 bucks...

192
00:17:12,699 --> 00:17:14,701
...and you'll delete it?
Can we do that?

193
00:17:14,867 --> 00:17:15,868
<i>Gracias.</i>

194
00:17:16,119 --> 00:17:17,541
Thanks.

195
00:17:20,581 --> 00:17:23,676
The young boy and mother
who stayed in Vivian's cabana.

196
00:17:24,627 --> 00:17:26,220
Thanks a lot.

197
00:17:27,130 --> 00:17:28,347
John Connor.

198
00:17:29,215 --> 00:17:30,888
[SPEAKING SPANISH]

199
00:17:31,676 --> 00:17:33,394
You're Sarah Connor's son.

200
00:17:36,597 --> 00:17:38,645
I'll be right back.

201
00:17:46,399 --> 00:17:49,699
I remember
when the Connors left Dejalo.

202
00:17:50,027 --> 00:17:54,999
And I remember the stories
that were told after you were gone.

203
00:17:56,743 --> 00:18:00,043
Man, you really mixed me up
with somebody else. I'm just...

204
00:18:00,204 --> 00:18:03,629
These are pictures you wouldn't want
the authorities to see.

205
00:18:04,459 --> 00:18:06,928
- How much?
-Everything you've got.

206
00:18:09,839 --> 00:18:11,432
JOHN:
Hey. Back off, man.

207
00:18:14,135 --> 00:18:16,103
- We gotta get out of here now. Run.
-No.

208
00:18:23,186 --> 00:18:26,190
[COP SPEAKING SPANISH]

209
00:18:39,160 --> 00:18:40,537
[SPEAKING SPANISH]

210
00:18:40,787 --> 00:18:44,712
Stick to English, kid.
The American accent is killing rne.

211
00:18:44,957 --> 00:18:48,587
This is a misunderstanding. That's all.
I'll pay for the camera, okay?

212
00:18:48,753 --> 00:18:51,006
What the hell
were you doing down here anyway?

213
00:18:52,340 --> 00:18:54,388
- We're tourists.
-Cancun's no good for you?

214
00:18:55,218 --> 00:18:57,391
CAPTAIN: This is the guy?
COP: Yes, sir.

215
00:18:57,553 --> 00:18:59,851
I was about to take his statement.

216
00:19:01,516 --> 00:19:04,861
A man took a picture of me and my
girlfriend. He wanted us to buy it.

217
00:19:05,019 --> 00:19:06,987
It was crowded.
He dropped his camera.

218
00:19:07,146 --> 00:19:09,899
I was afraid a fight would start,
so we tried to leave.

219
00:19:10,066 --> 00:19:11,864
- How old are you?
-Sixteen.

220
00:19:12,026 --> 00:19:13,403
- You were drinking?
-No.

221
00:19:13,569 --> 00:19:16,664
- You have parents?
-My mother and an uncle.

222
00:19:16,823 --> 00:19:18,746
They know where you are?

223
00:19:20,368 --> 00:19:21,836
No.

224
00:19:24,997 --> 00:19:26,999
CAPTAIN:
I make you a deal.

225
00:19:27,166 --> 00:19:31,091
If they come pick you up,
I let you go with a warning.

226
00:19:41,430 --> 00:19:43,273
DEREK [ON RECORDING]:
Leave a message.

227
00:19:46,686 --> 00:19:48,780
- What was that?
-My uncle's voice mail.

228
00:19:48,938 --> 00:19:50,531
Call your mother.

229
00:19:56,279 --> 00:19:58,373
[DIALING]

230
00:19:59,907 --> 00:20:01,204
SARAH'S VOICE:
<i>Hello?</i>

231
00:20:02,785 --> 00:20:08,087
<i>John? Thank God. Where are you?
I've been going out of my mind.</i>

232
00:20:08,791 --> 00:20:10,259
[TAPPING KEYPAD]

233
00:20:11,294 --> 00:20:13,763
- Did you get through?
SARAH'S VOICE: John, are you <i>there?</i>

234
00:20:13,921 --> 00:20:15,798
<i>Are you in trouble?</i>

235
00:20:19,802 --> 00:20:22,146
She didn't answer.

236
00:20:23,723 --> 00:20:27,148
Put him in holding. In a few hours,
give them another phone call.

237
00:20:28,185 --> 00:20:29,858
And run his name through Interpol.

238
00:20:30,354 --> 00:20:31,901
Yes, sir.

239
00:20:34,609 --> 00:20:36,077
So which name should I run?

240
00:20:36,611 --> 00:20:39,535
The one on your passport
or the real one?

241
00:21:06,349 --> 00:21:11,776
RILEY: Sir. Sir, hello?
Hi. Can you come here, please?

242
00:21:20,529 --> 00:21:22,918
Hi. I need your help, please.

243
00:21:23,074 --> 00:21:27,420
This guy in here is a complete psycho.
He's been trying to make moves on me.

244
00:21:27,662 --> 00:21:29,790
You two came in together.

245
00:21:29,956 --> 00:21:34,052
Sir, do you have children?
Do you have a daughter?

246
00:21:34,210 --> 00:21:37,305
My dad told me to stay away
from this guy. He was totally right.

247
00:21:37,463 --> 00:21:40,683
This guy's a complete freak.
I don't care how much trouble I'm in.

248
00:21:40,883 --> 00:21:44,638
All I wanna do is call home
and tell them where I am.

249
00:21:44,971 --> 00:21:46,518
Please?

250
00:21:48,140 --> 00:21:49,437
Take a step back.

251
00:21:49,600 --> 00:21:52,194
- I'm going to open the door.
-Thank you.

252
00:22:01,028 --> 00:22:02,621
[JOHN SPEAKING SPANISH]

253
00:22:02,780 --> 00:22:04,123
[GUNSHOTS]

254
00:22:04,281 --> 00:22:05,578
[MAN SHOUTING IN SPANISH]

255
00:22:05,741 --> 00:22:07,288
Riley, you need to listen to me.

256
00:22:07,451 --> 00:22:10,705
No matter what happens,
if you see daylight, you run, okay?

257
00:22:10,913 --> 00:22:13,632
- Don't wait for me. Just run.
-John, what are you do--?

258
00:22:13,791 --> 00:22:16,590
If you see daylight, you run.

259
00:22:28,305 --> 00:22:31,104
- Your strategy's changed from last time.
-Has it?

260
00:22:31,267 --> 00:22:34,020
The first time we met,
you tried to kill yourself.

261
00:22:34,687 --> 00:22:37,816
You're right.
This time, I'm gonna kill you.

262
00:22:43,571 --> 00:22:47,121
She hasn't been careful.
She's made mistakes.

263
00:22:47,616 --> 00:22:49,789
Not as many as you, but enough.

264
00:22:50,619 --> 00:22:53,008
Does she have damage to her chip?

265
00:22:54,957 --> 00:22:58,052
- She has damage to her chip.
-How did you find the house?

266
00:22:58,502 --> 00:23:02,678
The boy told me.
The one from the bowling alley.

267
00:23:04,967 --> 00:23:08,688
You should have killed him.
Just like you should have killed yourself.

268
00:23:09,555 --> 00:23:12,149
-I'm not a murderer.
-Who is?

269
00:23:33,996 --> 00:23:36,169
[CAR STARTS]

270
00:23:36,749 --> 00:23:39,218
[SPANISH MUSIC PLAYING ON RADIO]

271
00:24:03,484 --> 00:24:05,031
[CAR STOPS]

272
00:24:05,194 --> 00:24:06,912
[DOOR OPENS]

273
00:24:07,071 --> 00:24:09,870
[FOOTSTEPS WALKING AWAY]

274
00:24:12,201 --> 00:24:13,373
[GUNSHOTS]

275
00:24:13,536 --> 00:24:14,537
[MEN SHOUTING IN SPANISH]

276
00:24:14,703 --> 00:24:16,546
Hey! Hey!

277
00:24:16,705 --> 00:24:18,127
[GUNSHOTS]

278
00:24:18,290 --> 00:24:20,042
[MEN SHOUTING IN SPANISH]

279
00:24:20,209 --> 00:24:21,882
- Hello?
GUY: Now!

280
00:24:22,670 --> 00:24:24,718
Now! Get in!

281
00:24:24,880 --> 00:24:27,554
[GUNFIRE & PEOPLE SHOUTING]

282
00:24:27,758 --> 00:24:29,681
[CAR TIRES SCREECHING]

283
00:24:29,969 --> 00:24:31,642
[GUNFIRE]

284
00:24:32,096 --> 00:24:34,815
[CAR STARTS DRIVING]

285
00:24:36,684 --> 00:24:38,686
[GUNFIRE & PEOPLE SHOUTING]

286
00:24:46,277 --> 00:24:48,279
[GUNFIRE & PEOPLE SHOUTING]

287
00:24:48,946 --> 00:24:52,496
[ENGINE REVVING]

288
00:25:02,459 --> 00:25:03,972
[CAR STOPS]

289
00:25:05,045 --> 00:25:06,968
[CAR DOOR OPENS & CLOSES]

290
00:25:07,923 --> 00:25:09,925
[GUN COCKS]

291
00:25:13,262 --> 00:25:15,356
Sarah Connor? James Ellison.

292
00:25:17,766 --> 00:25:19,905
I need you to come with me.

293
00:25:24,440 --> 00:25:27,489
[PANTING]

294
00:25:27,651 --> 00:25:29,198
[PHONE RINGING]

295
00:25:38,078 --> 00:25:39,955
James Ellison.

296
00:25:41,957 --> 00:25:46,383
Agent Crossman? How you doing?

297
00:25:47,713 --> 00:25:50,967
It's good to hear from you.
What's on your mind?

298
00:25:54,803 --> 00:25:56,521
Mexico?

299
00:25:57,848 --> 00:25:59,600
You don't say.

300
00:26:03,145 --> 00:26:07,992
I suppose they don't have anyone
looking into it over at the bureau.

301
00:26:09,235 --> 00:26:10,657
I know.

302
00:26:10,903 --> 00:26:15,158
Connor case has been cold since '99.
I was just curious.

303
00:26:17,910 --> 00:26:21,414
Sure. E-mail it over and I'll take a look.

304
00:26:23,123 --> 00:26:24,340
[PHONE BLEEPS]

305
00:26:24,500 --> 00:26:25,968
Hold on.

306
00:26:33,968 --> 00:26:37,563
Yeah. Yeah, you're right.
It does look a little bit like him.

307
00:26:38,764 --> 00:26:42,234
John Connor. God rest his soul.

308
00:26:42,518 --> 00:26:47,194
CAPTAIN: You're with the American FBI?
-Yes, sir. That's right.

309
00:26:51,235 --> 00:26:52,862
You have a boy in your custody.

310
00:26:53,153 --> 00:26:56,248
His arrest report
lists an alias of John Connor...

311
00:26:56,407 --> 00:26:58,250
...which matches a fugitive of mine.

312
00:26:58,701 --> 00:27:00,954
The domestic-terrorism case.

313
00:27:01,870 --> 00:27:03,588
You're familiar with the Connors.

314
00:27:03,747 --> 00:27:07,718
It was flagged during processing,
but we dismissed it as a coincidence.

315
00:27:08,210 --> 00:27:10,804
Your fugitive
would be 24 years old by now...

316
00:27:10,963 --> 00:27:12,431
...if he was not already dead.

317
00:27:12,798 --> 00:27:14,175
Look...

318
00:27:14,800 --> 00:27:19,021
...l'd be grateful
for just a visual identification...

319
00:27:19,179 --> 00:27:21,602
...to help bring me some closure.

320
00:27:25,436 --> 00:27:28,565
You have traveled an awful long way
for closure.

321
00:27:29,440 --> 00:27:32,034
If he is who I think he is...

322
00:27:32,401 --> 00:27:35,701
...then I have reason to believe
that your prisoner's in danger.

323
00:27:35,904 --> 00:27:39,283
And, yes, I've come a long way.

324
00:27:39,450 --> 00:27:40,827
[KNOCKING ON DOOR]

325
00:27:43,454 --> 00:27:45,582
[SPEAKING SPANISH]

326
00:27:46,999 --> 00:27:48,751
Excuse me.

327
00:28:03,640 --> 00:28:06,189
[SPEAKING INDISTINCTLY]

328
00:28:07,811 --> 00:28:10,530
[GUNSHOTS]

329
00:28:14,902 --> 00:28:17,496
[GUNFIRE & MEN SHOUTING]

330
00:28:36,173 --> 00:28:38,141
JOHN:
Daylight. Run!

331
00:28:41,303 --> 00:28:42,850
John! I'm hereto help you.

332
00:28:45,099 --> 00:28:48,228
- Oh, my God!
JOHN: The car. Riley!

333
00:28:49,103 --> 00:28:52,152
The car! Riley!
Riley, get in the car! Now!

334
00:28:53,816 --> 00:28:55,910
Now! Get in!

335
00:28:59,488 --> 00:29:01,286
ELLISON:
Get down, get down!

336
00:29:12,793 --> 00:29:15,262
- You okay?
-Yeah. Hey, look at me. Are you okay?

337
00:29:15,421 --> 00:29:16,468
- Yeah, I'm fine.
-Okay.

338
00:29:16,630 --> 00:29:18,678
I'm fine. I'm fine.

339
00:29:21,552 --> 00:29:23,680
JOHN:
Are there any rounds in this thing?

340
00:29:27,182 --> 00:29:28,274
[CLICK]

341
00:29:28,642 --> 00:29:31,111
Look for ammunition.
Look for more ammunition.

342
00:29:33,772 --> 00:29:34,773
[THUMPING]

343
00:29:34,940 --> 00:29:36,692
- What?
-I felt something back here.

344
00:29:36,859 --> 00:29:38,953
Stop the car. Stop the car.

345
00:29:47,494 --> 00:29:48,746
[COCKS GUN]

346
00:29:53,459 --> 00:29:58,135
Sarah Connor? James Ellison.
I need you to come with me.

347
00:30:00,340 --> 00:30:01,887
Mom.

348
00:30:05,137 --> 00:30:06,935
We need to move.

349
00:30:25,032 --> 00:30:28,582
ELLISON: It's a clear shot all the way
up the alley back to the jail.

350
00:30:28,827 --> 00:30:33,082
- No. That's where it'll be waiting.
-Let me do that.

351
00:30:34,082 --> 00:30:36,176
I need to be able to use it.

352
00:30:37,419 --> 00:30:39,421
I should hope so.

353
00:30:40,881 --> 00:30:42,679
Why are you here?

354
00:30:45,552 --> 00:30:47,975
John was flagged in the FBI computer.

355
00:30:49,056 --> 00:30:51,150
Couldn't you just have buried it?

356
00:30:54,353 --> 00:30:56,105
It's been watching me.

357
00:30:57,231 --> 00:30:58,357
"It"?

358
00:30:59,566 --> 00:31:02,319
Out there. It.

359
00:31:02,903 --> 00:31:05,326
And you still came to Mexico?

360
00:31:05,656 --> 00:31:07,329
You could've led it right to John.

361
00:31:07,491 --> 00:31:09,835
- Wasn't me in the trunk.
-What were you gonna do?

362
00:31:09,993 --> 00:31:11,415
Just pop him out of jail?

363
00:31:11,578 --> 00:31:14,957
- Set him free, no questions asked?
ELLISON: Yes, actually.

364
00:31:15,123 --> 00:31:19,549
- That's exactly what I was going to do.
-I have a hard time believing that.

365
00:31:22,172 --> 00:31:23,424
I owed you one.

366
00:31:25,467 --> 00:31:30,223
- The fire. Silberman's cabin.
-Wasn't much.

367
00:31:31,306 --> 00:31:32,853
It was my life.

368
00:31:34,977 --> 00:31:37,025
How you feel about that now?

369
00:31:41,024 --> 00:31:42,776
You have to go.

370
00:31:45,821 --> 00:31:50,292
I promise I'll call you
as soon as we get back to L.A.

371
00:31:50,450 --> 00:31:52,202
- But you have to go.
-John.

372
00:31:52,369 --> 00:31:54,246
Riley, don't.

373
00:31:57,624 --> 00:31:59,342
Go home.

374
00:31:59,918 --> 00:32:02,842
I swear I'll explain everything
when I get there.

375
00:32:03,005 --> 00:32:04,052
Go out the back.

376
00:32:04,214 --> 00:32:07,764
- Run due east. There's a bus route.
-You know what else there is?

377
00:32:07,926 --> 00:32:09,928
A man with a gun who's killing people.

378
00:32:10,095 --> 00:32:13,144
He won't follow you
if you run away from me.

379
00:32:13,849 --> 00:32:16,147
I don't wanna run away from you.

380
00:32:19,146 --> 00:32:20,193
Get her out of here.

381
00:32:29,406 --> 00:32:31,249
I need your phone.

382
00:32:31,742 --> 00:32:35,667
ELLISON: Have a plan?
-Got a weapon.

383
00:32:36,204 --> 00:32:37,831
Cameron.

384
00:32:38,373 --> 00:32:40,341
The girl from the bank vault?

385
00:32:45,714 --> 00:32:47,091
DEREK [ON PHONE]:
Yeah?

386
00:32:49,426 --> 00:32:52,145
- I need you and Cameron.
- John's <i>with</i> you?

387
00:32:52,304 --> 00:32:54,602
<i>- We're here already. We're at the jail.
- What?</i>

388
00:33:09,613 --> 00:33:13,959
- Cromartie's here.
-Then we should stay under cover.

389
00:33:16,703 --> 00:33:17,920
<i>HEY-</i>

390
00:33:19,998 --> 00:33:21,545
Metal.

391
00:33:33,428 --> 00:33:36,181
I'm looking for John Baum.
Where is he?

392
00:33:36,348 --> 00:33:37,349
[CAPTAIN SPEAKS SPANISH]

393
00:33:37,516 --> 00:33:39,735
- We gotta get out of here.
-We gotta find John.

394
00:33:39,893 --> 00:33:41,987
We're no good to him dead.

395
00:33:44,272 --> 00:33:46,775
I can't let anything happen to him.

396
00:33:56,201 --> 00:33:59,546
- Escaped or dead?
-Escaped.

397
00:33:59,996 --> 00:34:04,718
- A little help?
-Don't worry. It won't be back.

398
00:34:04,876 --> 00:34:07,629
Sefior, please!

399
00:34:07,796 --> 00:34:09,048
[PHONE RINGING]

400
00:34:12,634 --> 00:34:14,147
Yeah?

401
00:34:15,178 --> 00:34:17,055
<i>SARAH".
John and I are in trouble. I need you--</i>

402
00:34:17,222 --> 00:34:19,850
John's with you? We're here already.

403
00:34:20,016 --> 00:34:22,815
- We're at the jail.
-What?

404
00:34:22,978 --> 00:34:27,233
Wait, wait, wait, Sarah.
Then where the hell's Cromartie?

405
00:34:31,486 --> 00:34:35,457
CAPTAIN: I'm sorry, sefior.
I'm going to have to ask you to leave.

406
00:34:35,615 --> 00:34:38,038
I'm gonna need to see John Connor.

407
00:34:40,036 --> 00:34:43,506
[GUNSHOTS]

408
00:35:10,192 --> 00:35:11,364
[GUNSHOT]

409
00:35:15,655 --> 00:35:18,454
COP:
Help! Help me!

410
00:35:25,874 --> 00:35:28,718
- I'm looking for John Connor.
-He's gone.

411
00:35:29,878 --> 00:35:32,222
Are there any other exits?

412
00:35:32,881 --> 00:35:34,474
No.

413
00:35:53,693 --> 00:35:56,242
JOHN: The car! Riley!
Riley, get in the car! Now!

414
00:37:42,844 --> 00:37:45,267
Have you come to repent?

415
00:37:45,680 --> 00:37:48,024
I'm looking for John Connor.

416
00:37:48,683 --> 00:37:52,813
All things are possible
to him who believes.

417
00:39:43,423 --> 00:39:46,802
We'll attract less attention
if we don't travel together.

418
00:39:47,969 --> 00:39:49,892
You want me to leave.

419
00:39:51,514 --> 00:39:54,609
- What's next?
-We'll come back down here...

420
00:39:56,311 --> 00:39:59,155
...and bring something with us
to destroy it.

421
00:40:01,316 --> 00:40:06,197
ELLISON: His name's gonna be on an alert.
-He's got other names.

422
00:40:07,489 --> 00:40:09,116
Then what?

423
00:40:09,324 --> 00:40:11,418
There is no "then what."

424
00:40:11,785 --> 00:40:13,162
Pretend I died again.

425
00:40:14,829 --> 00:40:18,379
I lost a lot
when you died the first time.

426
00:40:18,541 --> 00:40:20,805
My marriage. My career.

427
00:40:21,795 --> 00:40:23,843
That's a lot to you?

428
00:40:27,842 --> 00:40:30,186
I suppose many people
lost those things.

429
00:40:35,850 --> 00:40:37,648
You want answers.

430
00:40:38,061 --> 00:40:41,361
I just wanna know my role
in all of this.

431
00:40:41,523 --> 00:40:43,070
What happens after this?

432
00:40:43,691 --> 00:40:45,364
This is it.

433
00:40:47,028 --> 00:40:49,702
There's nothing else
behind the curtain.

434
00:40:50,532 --> 00:40:53,376
This is what I do. It's all I do.

435
00:40:53,993 --> 00:40:56,542
You already know why I do it.

436
00:40:58,456 --> 00:41:00,879
I'm sorry for what you lost...

437
00:41:01,709 --> 00:41:04,337
...but I can't help you
get any of it back.

438
00:41:13,346 --> 00:41:15,189
Can I have the chip?

439
00:41:38,621 --> 00:41:41,090
Ah!

440
00:41:44,669 --> 00:41:46,137
Ah!

441
00:42:01,603 --> 00:42:03,230
[SARAH SOBBING]

442
00:43:23,101 --> 00:43:25,103
[ENGLISH SDH]