1 00:00:07,341 --> 00:00:08,576 >> I'M JUST HEADING TO THE FIELDS, DUKE. 2 00:00:08,642 --> 00:00:09,710 I'LL BE BACK. 3 00:00:09,777 --> 00:00:13,381 [engine rumbling] 4 00:00:13,447 --> 00:00:14,515 >> CLEAR! 5 00:00:14,582 --> 00:00:16,384 [rocking square dance music] 6 00:00:16,450 --> 00:00:17,851 >> ALL RIGHT! 7 00:00:17,918 --> 00:00:19,587 * * 8 00:00:19,653 --> 00:00:20,888 >> RATABUNGA. 9 00:00:20,954 --> 00:00:22,890 >> * FROM THE HAYSTACKS * 10 00:00:22,956 --> 00:00:24,225 * UP TO THE HILLTOPS * 11 00:00:24,292 --> 00:00:25,493 * WE'RE GOING DANCING... * 12 00:00:25,559 --> 00:00:27,661 >> WHOO-HOO! 13 00:00:28,829 --> 00:00:30,231 >> OW. OW. 14 00:00:30,298 --> 00:00:31,765 OKAY. OW. OW! 15 00:00:31,832 --> 00:00:35,836 >> * DO-SI-DO YOUR PARTNER NOW * 16 00:00:35,903 --> 00:00:39,173 * THERE'S A PARTY TILL THE MORNING LIGHT * 17 00:00:39,240 --> 00:00:40,174 * DO-SI-DO * 18 00:00:40,241 --> 00:00:41,475 * AND DON'T YOU KNOW * 19 00:00:41,542 --> 00:00:43,344 * IT'S JUST THE WAY WE ANIMALS ROLL * 20 00:00:43,411 --> 00:00:44,312 [motorcycle revving] 21 00:00:44,378 --> 00:00:45,313 >> HA-HA! 22 00:00:50,684 --> 00:00:58,526 * * 23 00:01:01,662 --> 00:01:03,030 >> WELCOME, EVERYONE, 24 00:01:03,131 --> 00:01:06,134 TO OUR VERY FIRST MEETING OF THE BARNYARD BOOK CLUB. 25 00:01:06,134 --> 00:01:07,568 NOW, DID Y'ALL GET A CHANCE 26 00:01:07,635 --> 00:01:09,803 TO READ I KNOW WHY THE CAGED CAT SPRAYS? 27 00:01:09,870 --> 00:01:11,472 >> I SURE DID. >> ME TOO. 28 00:01:11,539 --> 00:01:13,707 >> READ IT? I DEVOURED IT. 29 00:01:13,774 --> 00:01:14,708 GOOD CHAPTER. 30 00:01:14,775 --> 00:01:15,909 >> HOW ABOUT YOU, OTIS? 31 00:01:15,976 --> 00:01:17,845 >> YEAH, THE BOOK, YEAH, IT WAS GREAT, 32 00:01:17,911 --> 00:01:19,980 ALL THE PAGES AND STUFF. 33 00:01:20,047 --> 00:01:21,014 IS THIS GONNA TAKE LONG? 34 00:01:21,149 --> 00:01:22,250 'CAUSE IT'S SATURDAY NIGHT, 35 00:01:22,316 --> 00:01:24,352 AND GENERALLY, THAT IS MY NIGHT FOR-- 36 00:01:24,418 --> 00:01:26,420 >> NOT HAVING A BOOK CLUB? >> EXACTLY. 37 00:01:26,487 --> 00:01:28,322 >> OTIS, YOU TOLD ME I COULD USE THE SALOON 38 00:01:28,389 --> 00:01:29,857 FOR MY BOOK CLUB MEETING TONIGHT. 39 00:01:29,923 --> 00:01:31,725 >> YOU KNOW, IT'S WEIRD, YOU KEEP SAYING THAT, 40 00:01:31,792 --> 00:01:33,060 BUT I DON'T HAVE ANY MEMORY OF IT. 41 00:01:33,161 --> 00:01:34,762 >> IT WAS JUST LAST WEEK. 42 00:01:34,828 --> 00:01:36,797 YOU'D JUST BROKEN YOUR PERSONAL RECORD FOR-- 43 00:01:36,864 --> 00:01:40,268 all: 73, 74, 75. 44 00:01:40,334 --> 00:01:43,036 [all cheering] 45 00:01:43,171 --> 00:01:45,206 >> HEY, OTIS, CAN I USE THE SALOON FOR A BOOK CLUB? 46 00:01:45,273 --> 00:01:47,475 >> [grunts] >> THANKS. 47 00:01:47,541 --> 00:01:48,642 REMEMBER NOW? 48 00:01:48,709 --> 00:01:50,344 >> I HAD A LOT OF EGGS IN MY MOUTH. 49 00:01:50,411 --> 00:01:51,545 >> YOU GOT THAT RIGHT. 50 00:01:51,612 --> 00:01:53,947 >> YEAH, OKAY, WHO WANTS TO START? 51 00:01:54,014 --> 00:01:55,316 >> I'D LIKE TO EXPLORE 52 00:01:55,383 --> 00:01:57,551 THE SYMBOLISM OF HIKING BOOTS IN CHAPTER SEVEN. 53 00:01:57,618 --> 00:01:59,787 >> YES, THAT WAS EXQUISITE. >> CHAPTER SEVEN WAS DELICIOUS. 54 00:01:59,853 --> 00:02:01,189 >> [grunts] 55 00:02:01,255 --> 00:02:03,191 >> BLAH, BLAH, BLAH, BLAH, BLAH. 56 00:02:03,257 --> 00:02:05,193 >> BLAH, BLAH, BLAH, BLAH, BLAH, BLAH. 57 00:02:05,226 --> 00:02:07,228 >> BLAH, BLAH, BLAH, BLAH, BLAH, BLAH, BLAH, BLAH, BLAH. 58 00:02:07,295 --> 00:02:08,662 >> [moans] 59 00:02:08,729 --> 00:02:11,932 >> HEY, PIP, I HAVE AN IDEA. >> I LOVE IT ALREADY. 60 00:02:11,999 --> 00:02:14,067 >> NOW, WHAT'D Y'ALL THINK OF THE ENDING? 61 00:02:14,202 --> 00:02:16,637 >> OH, OH, OH. I DIDN'T READ IT. 62 00:02:16,704 --> 00:02:18,272 >> THEN WHY'D YOU PUT YOUR HAND UP? 63 00:02:18,339 --> 00:02:21,809 >> WELL, I LIKE TO PARTICIPATE. >> IS THIS GONNA BE ON THE TEST? 64 00:02:21,875 --> 00:02:23,377 >> YOU KNOW, WHAT'S INTERESTING IS HOW 65 00:02:23,444 --> 00:02:25,279 THE AUTHOR USES WORDS TO PAINT PICTURES. 66 00:02:25,346 --> 00:02:26,714 >> GOOD, PECK, GOOD. 67 00:02:26,780 --> 00:02:29,350 I FIND THE BEST WRITERS CAN REALLY MAKE WORDS 68 00:02:29,417 --> 00:02:31,985 COME TO LIFE AND DANCE ON THE PAGE. 69 00:02:32,052 --> 00:02:33,354 >> WILL THAT BE ON THE TEST? 70 00:02:33,421 --> 00:02:34,955 >> THERE'S NO TEST, FREDDY. 71 00:02:35,022 --> 00:02:36,590 WOULD ANYONE ELSE LIKE TO TALK? 72 00:02:36,657 --> 00:02:38,792 >> OH, I WOULD. >> OTIS. 73 00:02:38,859 --> 00:02:40,694 >> I THINK YOU'RE ALL MISSING THE POINT OF THE BOOK. 74 00:02:40,761 --> 00:02:43,764 CLEARLY THE BOLOGNA FOREST IN CHAPTER ELEVENTY 75 00:02:43,831 --> 00:02:47,067 SYMBOLIZES THE ETERNAL STRUGGLE OF MAN VERSUS NATURE. 76 00:02:47,134 --> 00:02:49,637 WILD MIKE DANCE PARTY! 77 00:02:49,703 --> 00:02:52,673 [driving electronic music] 78 00:02:52,740 --> 00:02:59,146 * * 79 00:02:59,247 --> 00:03:01,982 >> OH, FEET TAPPING. BOOTY SHAKING. 80 00:03:02,049 --> 00:03:04,252 FUNK LEVELS SURGING. 81 00:03:04,285 --> 00:03:06,254 >> CAN'T RESIST PARTYING. 82 00:03:06,254 --> 00:03:08,356 >> MUST TALK LIKE THIS! 83 00:03:08,422 --> 00:03:10,123 >> THREE-- >> TWO-- 84 00:03:10,258 --> 00:03:11,158 >> ONE. 85 00:03:11,259 --> 00:03:14,094 [all cheering] 86 00:03:16,430 --> 00:03:18,399 >> BESSY, WHAT IS THAT THING? 87 00:03:18,466 --> 00:03:21,134 >> WILD MIKE? SOME MUTANT HAIRBALL OTIS FOUND. 88 00:03:21,269 --> 00:03:22,470 HE LETS HIM OUT 89 00:03:22,536 --> 00:03:24,272 WHENEVER HE WANTS TO GET A PARTY STARTED FAST. 90 00:03:24,338 --> 00:03:25,573 >> IF I DON'T FEEL LIKE DANCING, 91 00:03:25,639 --> 00:03:28,842 NO HAIRY FREAK OF NATURE IS GONNA FORCE ME TO-- 92 00:03:28,909 --> 00:03:30,478 TO--TO-- 93 00:03:31,879 --> 00:03:33,113 >> YOU WERE SAYING? 94 00:03:33,180 --> 00:03:35,383 >> PARTY! 95 00:03:35,449 --> 00:03:38,319 [all cheering] 96 00:03:44,325 --> 00:03:46,560 [all moaning] 97 00:03:46,627 --> 00:03:47,761 >> THAT WAS SOMETHING. 98 00:03:47,828 --> 00:03:49,497 >> I THINK I LOST A BELT SIZE. 99 00:03:49,563 --> 00:03:50,731 ANYONE HAVE ANY NOUGAT? 100 00:03:50,798 --> 00:03:52,833 >> WHY'D YOU DO IT, OTIS? WHY? 101 00:03:52,900 --> 00:03:54,302 >> I HAD TO. 102 00:03:54,368 --> 00:03:56,470 I'VE SEEN TOO MANY GOOD BARNS DESTROYED BY BOOK CLUBS 103 00:03:56,537 --> 00:03:57,538 TO LET IT HAPPEN HERE. 104 00:03:57,605 --> 00:03:59,172 BESIDES, MIKE NEEDED THE EXERCISE. 105 00:03:59,307 --> 00:04:01,008 >> HEY, WHERE IS WILD MIKE ANYWAY? 106 00:04:01,074 --> 00:04:02,610 >> OH, HE'S AROUND, HOPPING AROUND SOMEWHERE, 107 00:04:02,676 --> 00:04:04,111 THE NUTTY LITTLE FUN BALL. 108 00:04:04,177 --> 00:04:06,847 >> OTIS, THERE'S A TUFT OF HIS HAIR ON THE WINDOWSILL. 109 00:04:06,914 --> 00:04:09,717 WILD MIKE MUST HAVE ACCIDENTALLY DANCED HIMSELF OUT THE WINDOW. 110 00:04:09,783 --> 00:04:11,719 >> THAT'S NOT GOOD. HE CAN'T SURVIVE IN THE WILD. 111 00:04:11,785 --> 00:04:13,053 HE DOESN'T EVEN HAVE A FACE. 112 00:04:13,120 --> 00:04:15,155 >> RELAX, HE ONLY MOVES WHEN HE HEARS MUSIC, 113 00:04:15,222 --> 00:04:16,390 SO HE COULDN'T HAVE GOTTEN FAR. 114 00:04:16,457 --> 00:04:17,558 COME ON. 115 00:04:22,330 --> 00:04:24,432 WILD MIKE! HERE, BOY! 116 00:04:24,498 --> 00:04:26,334 WILD MIKE! >> HERE, MIKEY, MIKEY, MIKEY! 117 00:04:26,400 --> 00:04:28,035 >> HERE, BOY, OR WHATEVER! 118 00:04:28,101 --> 00:04:29,670 >> MAYBE HE SPEAKS PORPOISE. 119 00:04:29,737 --> 00:04:30,671 [clears throat] 120 00:04:30,738 --> 00:04:33,607 [chattering] 121 00:04:33,674 --> 00:04:34,675 >> HEY, THERE HE IS. 122 00:04:34,742 --> 00:04:36,043 >> [whispering] GOOD. 123 00:04:36,109 --> 00:04:38,379 LET'S SNEAK UP GENTLY SO WE DON'T STARTLE HIM. 124 00:04:38,446 --> 00:04:41,382 GENTLY, EVER SO GENTLY. 125 00:04:41,449 --> 00:04:43,451 ALMOST GOT HIM. 126 00:04:43,517 --> 00:04:46,354 >> * AND I GOT 18 WHEELS OF A GRADE "A" TRUCK * 127 00:04:46,387 --> 00:04:48,188 * CRUISING DOWN THE HIGHWAY JUST TO MAKE THE BUCK * 128 00:04:48,255 --> 00:04:50,123 * I GOT MY WINDOWS DOWN AND THE C.B. ON * 129 00:04:50,190 --> 00:04:52,125 >> GRAB HIM BEFORE HE FOLLOWS THE MUSIC. 130 00:04:52,192 --> 00:04:53,761 >> * HE'S A TRUCKER MAN * >> * I'M GOING 65 * 131 00:04:53,861 --> 00:04:56,063 [engine rumbling] 132 00:04:56,129 --> 00:04:58,399 * * 133 00:04:58,466 --> 00:05:00,000 >> OH, NO. GUYS, WE GOT TO CATCH HIM. 134 00:05:00,067 --> 00:05:01,034 COME ON! 135 00:05:03,571 --> 00:05:06,474 [engine rumbling] 136 00:05:08,108 --> 00:05:09,710 >> STAY ON HIM, OTIS. DON'T LOSE HIM. 137 00:05:09,777 --> 00:05:11,211 >> YOU'RE CATCHING UP. >> FASTER, OTIS. 138 00:05:11,278 --> 00:05:12,546 >> I'M FASTER-ING. 139 00:05:12,613 --> 00:05:15,048 >> OKAY, YOU GOT HIM. NOW PUT ON YOUR SIREN. 140 00:05:15,115 --> 00:05:16,917 >> WHAT MAKES YOU THINK I HAVE A SIREN? 141 00:05:16,984 --> 00:05:18,386 >> OOH, I'M ON IT. 142 00:05:18,419 --> 00:05:19,820 >> * HE'S A TRUCKER MAN * 143 00:05:19,887 --> 00:05:23,190 >> [chattering] 144 00:05:23,256 --> 00:05:25,726 >> PORPOISE POLICE! TURN YOUR MUSIC OFF! 145 00:05:25,793 --> 00:05:28,529 >> MY WHAT? >> TURN YOUR MUSIC OFF! 146 00:05:28,596 --> 00:05:29,563 >> OKAY. 147 00:05:29,630 --> 00:05:30,498 [music stops] 148 00:05:32,733 --> 00:05:34,635 >> GO, GO, GO, GO. >> GET HIM, PIP. 149 00:05:34,702 --> 00:05:35,869 >> ALMOST GOT HIM. 150 00:05:35,936 --> 00:05:39,407 [rowdy rock music] 151 00:05:39,440 --> 00:05:41,208 >> WHOA! WHOA! WHAT IS IT? 152 00:05:41,274 --> 00:05:43,644 OH! GET IT OFF ME! GET IT OFF ME! 153 00:05:43,711 --> 00:05:44,945 >> OTIS, WE LOST HIM! 154 00:05:45,012 --> 00:05:46,847 >> WHAT? OH, MILK ME. 155 00:05:46,914 --> 00:05:48,882 YOU'RE FREE TO GO. STAY IN SCHOOL. 156 00:05:48,949 --> 00:05:49,917 LIVE LONG AND PROSPER. 157 00:05:49,983 --> 00:05:51,318 [engine roaring] 158 00:05:51,419 --> 00:05:52,586 >> WHOA! 159 00:05:54,121 --> 00:05:55,022 WHOA! 160 00:05:59,593 --> 00:06:00,994 >> GOT YA! >> [screaming] 161 00:06:01,061 --> 00:06:02,463 >> PROBLEM SOLVED. 162 00:06:02,530 --> 00:06:04,465 [light instrumental music] 163 00:06:04,532 --> 00:06:05,933 HUH? 164 00:06:05,999 --> 00:06:08,101 OH, I HATE ACTION SEQUENCES. 165 00:06:08,168 --> 00:06:10,938 [tires squealing] 166 00:06:11,004 --> 00:06:12,806 >> DON'T LET HIM GET AWAY. >> YOU GOT HIM THIS TIME. 167 00:06:12,873 --> 00:06:14,808 >> I WANT ICE CREAM. 168 00:06:14,875 --> 00:06:16,043 >> ALMOST GOT HIM. 169 00:06:16,109 --> 00:06:19,447 [upbeat polka music] 170 00:06:19,480 --> 00:06:22,349 >> [laughing] 171 00:06:24,184 --> 00:06:25,686 >> HUH. WEIRD. >> YEAH. 172 00:06:25,753 --> 00:06:27,721 >> VERY UNEXPECTED. >> NOT ON MY RADAR. 173 00:06:27,788 --> 00:06:29,623 >> MEANWHILE, IN A COMPLETELY DIFFERENT LOCATION 174 00:06:29,690 --> 00:06:31,091 FROM THE ONE WE WERE JUST IN... 175 00:06:31,158 --> 00:06:33,260 >> I'M SO BORED. 176 00:06:33,326 --> 00:06:34,261 [all moaning] 177 00:06:34,327 --> 00:06:35,963 >> I'M TOO BORED TO CRY. 178 00:06:36,029 --> 00:06:37,230 >> COME ON, NOW. COME ON. 179 00:06:37,297 --> 00:06:38,265 WHERE'S THE ENERGY? 180 00:06:38,331 --> 00:06:39,900 THIS IS AMERICAN BANDSTAND, 181 00:06:39,967 --> 00:06:43,103 NOT AMERICAN STAND AROUND LIKE A BUNCH OF BORED SNAILS. 182 00:06:43,170 --> 00:06:44,705 >> MEANWHILE, ON THE SET 183 00:06:44,772 --> 00:06:46,740 OF AMERICAN STAND AROUND LIKE A BUNCH OF BORED SNAILS... 184 00:06:52,279 --> 00:06:54,548 RETURNING TO THE SET WE WERE AT SECONDS BEFORE... 185 00:06:54,615 --> 00:06:57,217 >> THIS SHOW'S RATINGS ARE IN THE GOGGLEY CHUTE. 186 00:06:57,284 --> 00:06:59,620 I'VE GOT TO GET THESE FLAPPITY KIDS GROOVING AGAIN, 187 00:06:59,687 --> 00:07:01,221 BUT FLOPPITY HOW? 188 00:07:01,288 --> 00:07:03,390 [upbeat polka music] 189 00:07:03,491 --> 00:07:06,059 >> WHEW, THAT'S ENOUGH SQUEEZE-BOXING FOR ONE DAY. 190 00:07:07,227 --> 00:07:09,296 crash! 191 00:07:09,362 --> 00:07:10,631 [all scream] >> WHAT IS IT? 192 00:07:10,698 --> 00:07:13,667 [upbeat rock music] 193 00:07:13,734 --> 00:07:17,204 * * 194 00:07:17,270 --> 00:07:20,173 >> I CAN'T...NOT...DANCE. 195 00:07:20,240 --> 00:07:22,409 >> RHYTHM CONTAGIOUS. 196 00:07:22,510 --> 00:07:24,512 >> WHAT'S HAPPENING? 197 00:07:24,578 --> 00:07:26,046 >> WANT ME TO CALL SECURITY? 198 00:07:26,113 --> 00:07:27,748 >> NO, WAIT. 199 00:07:27,815 --> 00:07:30,250 LET HIM DANCE. 200 00:07:30,317 --> 00:07:33,521 >> WHOA, LOOK AT HIM GO. >> HE CAN REALLY DANCE. 201 00:07:33,587 --> 00:07:35,723 >> HEY, EVERYONE, DO THE HAIRBALL. 202 00:07:35,789 --> 00:07:39,593 [all laughing] 203 00:07:39,660 --> 00:07:42,195 >> I DON'T KNOW WHAT FLOPPITY THING THAT IS, 204 00:07:42,262 --> 00:07:46,734 BUT HE'S TAKING US ON A ONE-WAY ROCKET TRIP TO PLANET RATINGS! 205 00:07:49,537 --> 00:07:50,704 >> HOW COULD I LET THIS HAPPEN? 206 00:07:50,771 --> 00:07:52,372 I MEAN, I'M SUPPOSED TO LOOK OUT FOR HIM. 207 00:07:52,439 --> 00:07:53,941 HE'S LIKE THE HAIRY, FREAKISH, 208 00:07:54,007 --> 00:07:55,543 INVERTEBRATE LITTLE BROTHER I NEVER HAD. 209 00:07:55,609 --> 00:07:57,344 >> IT'S NOT YOUR FAULT, OTIS. 210 00:07:57,410 --> 00:07:59,212 LIKE IT SAYS IN THIS MONTH'S BOOK, 211 00:07:59,279 --> 00:08:02,449 "THE HEART IS A MOLDY CHEESE THAT SWEATS COMPASSION UPON--" 212 00:08:02,550 --> 00:08:04,552 >> HEY, GUYS, LOOK WHAT I HAVE. 213 00:08:04,618 --> 00:08:06,587 IT'S A DVD FEATURING THE NEW DANCE CRAZE 214 00:08:06,654 --> 00:08:08,622 THAT'S SWEEPING THE NATION. 215 00:08:08,689 --> 00:08:10,423 [upbeat rock music] 216 00:08:10,558 --> 00:08:12,760 >> COME ON, EVERYBODY, DO THE HAIRBALL. 217 00:08:12,826 --> 00:08:15,663 OOH, YEAH. HO. OOH. UGH. 218 00:08:15,729 --> 00:08:17,297 >> HEY, OTIS, CHECK OUT THE TV. 219 00:08:17,364 --> 00:08:18,932 >> PIP, HOW CAN YOU WATCH TV 220 00:08:18,999 --> 00:08:21,001 KNOWING WILD MIKE'S LYING IN A GUTTER SOMEWHERE 221 00:08:21,068 --> 00:08:22,570 OR BEING EXPERIMENTED ON OR-- 222 00:08:22,603 --> 00:08:25,639 >> OR DANCING ON THIS SHOW. >> OR DANCING ON THIS--WHAA? 223 00:08:28,776 --> 00:08:30,911 PIP, FREEZE FRAME, ZOOM IN ON THAT PLATFORM, 224 00:08:30,978 --> 00:08:32,345 AND ENHANCE THE IMAGE 34%. 225 00:08:32,412 --> 00:08:33,881 >> RIGHT. WHAT? 226 00:08:33,947 --> 00:08:35,816 >> PRESS THAT LITTLE RED BUTTON. >> OH. 227 00:08:38,118 --> 00:08:39,452 >> IT'S WILD MIKE. >> IT IS HIM. 228 00:08:39,587 --> 00:08:41,088 >> WHAT DO YOU KNOW? >> I CAN'T BELIEVE IT. 229 00:08:41,154 --> 00:08:43,724 >> SEE, OTIS, YOU WERE WORRIED ABOUT HIM FOR NOTHING. 230 00:08:43,791 --> 00:08:45,593 >> FOR NOTHING? LOOK AT HIM SHED! 231 00:08:45,626 --> 00:08:47,360 THEY'RE DANCING HIM INTO THE GROUND. 232 00:08:47,427 --> 00:08:48,896 COME ON, GUYS, WE GOT TO SAVE HIM. 233 00:08:48,962 --> 00:08:51,799 >> TWO SECONDS LATER... 234 00:08:51,865 --> 00:08:53,033 >> YEAH. >> YOU GOT IT. 235 00:08:53,100 --> 00:08:54,001 >> LET'S DO IT. 236 00:08:56,604 --> 00:08:57,470 >> HUH? 237 00:09:01,041 --> 00:09:02,676 >> WHOA, WHOA, WHOA. ARE YOU KIDS IN THE SHOW? 238 00:09:02,743 --> 00:09:04,044 >> ARE WE IN THE SHOW? 239 00:09:04,111 --> 00:09:06,113 WE'RE THE SOLID BARNYARD DANCERS. 240 00:09:06,179 --> 00:09:07,615 COME ON, FELLOW TEENS, 241 00:09:07,615 --> 00:09:09,750 LET'S SHOW HIM SOME OF OUR FRESH-DIGGITY MOVES. 242 00:09:09,817 --> 00:09:11,985 >> [hooting] >> AND TURN AND TURN AND TURN. 243 00:09:12,052 --> 00:09:13,086 >> BUST A MOVE. 244 00:09:13,153 --> 00:09:14,254 >> GET HIM! 245 00:09:16,056 --> 00:09:18,792 [upbeat rock music] 246 00:09:18,859 --> 00:09:22,630 * * 247 00:09:22,630 --> 00:09:24,632 ALL RIGHT, LET'S JUST GRAB WILD MIKE AND GET OUT OF HERE. 248 00:09:24,665 --> 00:09:25,633 TRY TO BLEND IN. 249 00:09:33,874 --> 00:09:35,342 >> WHAT THE CRUMPETS? 250 00:09:35,408 --> 00:09:37,778 THOSE ARE THE MOST HIDEOUS TEENS I'VE EVER SEEN. 251 00:09:37,845 --> 00:09:41,915 SECURITY, WE'VE GOT UGLY KIDS. REPEAT, WE'VE GOT UGLY KIDS. 252 00:09:46,253 --> 00:09:47,655 >> WILD MIKE, IT'S ME, OTIS. 253 00:09:47,688 --> 00:09:49,322 WE'RE BUSTING YOU OUT OF HERE, BUDDY. 254 00:09:49,389 --> 00:09:50,991 [gasps] THOSE FIENDS! 255 00:09:51,058 --> 00:09:52,693 THERE'S ONLY ONE THING TO DO. 256 00:09:52,760 --> 00:09:55,696 ABBY, FREDDY, PECK, STALL THE GUARD. 257 00:09:55,763 --> 00:09:57,497 PIP AND PIG, PLAY THIS DISC. 258 00:09:57,564 --> 00:09:58,666 IT'S WILD MIKE'S FAVORITE. 259 00:09:58,732 --> 00:10:00,267 >> RIGHT, COME ON, PIG. 260 00:10:00,333 --> 00:10:03,303 [all yelling at once] 261 00:10:04,638 --> 00:10:06,139 [music stops] 262 00:10:06,206 --> 00:10:09,276 [rollicking square dance music] 263 00:10:09,342 --> 00:10:10,878 >> DUDE, LOOK AT THAT LITTLE GUY GO. 264 00:10:14,347 --> 00:10:16,950 >> 'ELLO, THIS NEW NUMBER'S RATHER PEPPY. 265 00:10:17,017 --> 00:10:18,551 >> YEAH, I QUITE LIKE IT. 266 00:10:18,618 --> 00:10:20,620 THAT BACKBEAT'S REALLY INFECTIOUS. 267 00:10:20,688 --> 00:10:22,322 >> I WAS THINKING THE SAME THING. 268 00:10:22,389 --> 00:10:24,491 >> SHALL WE GET OUR FREAK ON? >> DO LET'S. 269 00:10:24,557 --> 00:10:26,593 [both squishing] 270 00:10:26,660 --> 00:10:29,697 >> HEY, UGLY KID, GET YOUR MITTS OFF ME FUR BALL. 271 00:10:29,763 --> 00:10:30,831 >> GUYS, FASTER! 272 00:10:30,898 --> 00:10:33,901 [tempo increases] 273 00:10:33,967 --> 00:10:36,503 EVEN FASTER! >> OTIS, ARE YOU SURE? 274 00:10:36,569 --> 00:10:37,938 >> JUST DO IT, MAN! 275 00:10:38,005 --> 00:10:39,406 [tempo increases] 276 00:10:39,472 --> 00:10:40,841 >> * IT'S A PARTY AND IT'S PUMPING * 277 00:10:40,908 --> 00:10:42,175 * GOT TO GET YOUR HANDS A-CLAPPING * 278 00:10:42,242 --> 00:10:43,443 * GET YOUR FEET ALL CRAZY STOMPING * 279 00:10:43,510 --> 00:10:44,745 [all gasp] 280 00:10:44,812 --> 00:10:46,079 * GOT TO GET YOUR HANDS A-CLAPPING * 281 00:10:46,146 --> 00:10:47,414 * GET YOUR FEET ALL CRAZY STOMPING * 282 00:10:47,480 --> 00:10:48,281 * OH * 283 00:10:52,720 --> 00:10:56,289 [all grunting] 284 00:10:56,356 --> 00:10:58,058 >> GOT HIM. LET'S GET OUT OF HERE. 285 00:10:58,125 --> 00:11:00,427 >> [laughing] 286 00:11:00,493 --> 00:11:01,328 >> FREDDY. >> [screams] 287 00:11:04,397 --> 00:11:07,367 [upbeat dance music] 288 00:11:07,434 --> 00:11:13,841 * * 289 00:11:13,907 --> 00:11:16,209 >> OKAY, THE FUR IS IN THE BOX. KILL THE TUNES. 290 00:11:16,276 --> 00:11:17,177 [music stops] 291 00:11:18,746 --> 00:11:20,180 THERE YOU GO, BUDDY. 292 00:11:20,247 --> 00:11:22,182 NO ONE'S EVER GONNA CHAIN YOU UP AGAIN. 293 00:11:22,249 --> 00:11:24,051 OH, CUTE LITTLE GUY. 294 00:11:24,117 --> 00:11:25,285 HE THINKS HE'S PEOPLE. 295 00:11:25,352 --> 00:11:27,054 >> I GOT TO ADMIT, OTIS, 296 00:11:27,120 --> 00:11:29,256 THE LITTLE CRITTER'S GROWING ON ME. 297 00:11:29,322 --> 00:11:30,891 >> ABBY, YOU DON'T HAVE TO LOCK THE DOOR. 298 00:11:30,958 --> 00:11:33,360 WILD MIKE'S SAFE AS LONG AS HE'S INSIDE HIS BOX. 299 00:11:33,426 --> 00:11:35,763 >> OH, I'M NOT LOCKING THE DOOR FOR WILD MIKE. 300 00:11:35,763 --> 00:11:38,431 I JUST DON'T WANT ANYONE LEAVING TONIGHT'S BOOK CLUB. 301 00:11:38,498 --> 00:11:41,568 TONIGHT'S BOOK, THE SCARLET CASABA MELON. 302 00:11:43,003 --> 00:11:44,604 >> [screams] 303 00:11:44,671 --> 00:11:45,773 >> FOUR HOURS LATER... 304 00:11:45,839 --> 00:11:47,908 >> [screaming] 305 00:11:49,877 --> 00:11:52,846 [upbeat banjo music] 306 00:11:52,913 --> 00:12:00,888 * * 307 00:12:00,954 --> 00:12:03,824 [all grunting] 308 00:12:05,358 --> 00:12:08,128 >> COME ON, GUYS, PULL. 309 00:12:08,195 --> 00:12:10,964 >> WE'RE PULLING. >> MY HOOFS ARE GETTING SWEATY. 310 00:12:11,031 --> 00:12:12,165 >> I'M LOSING IT. 311 00:12:12,232 --> 00:12:13,901 >> WHOA, WHOA, WHOA, OKAY, LOSING IT. 312 00:12:13,967 --> 00:12:15,502 [all grunting] 313 00:12:15,568 --> 00:12:17,871 >> DON'T QUIT NOW. YOU CAN DO IT. 314 00:12:17,938 --> 00:12:19,206 >> COME ON, GUYS, 315 00:12:19,272 --> 00:12:21,241 NO THIRD LATERAL BICUSPID IS GONNA PUSH US AROUND. 316 00:12:21,308 --> 00:12:22,375 NOW PULL! 317 00:12:22,442 --> 00:12:24,044 >> [screams] 318 00:12:24,111 --> 00:12:25,813 crash! 319 00:12:25,846 --> 00:12:28,348 >> FREDDY! FREDDY, YOU OKAY? 320 00:12:28,415 --> 00:12:29,817 >> YOU GOT IT. 321 00:12:29,883 --> 00:12:31,684 NOW, ABOUT MY KIDNEY STONE-- 322 00:12:31,819 --> 00:12:33,153 >> OH, NO, WAY. >> FORGET IT, MAN. 323 00:12:33,220 --> 00:12:34,822 >> OH, COME ON. LET'S GIVE IT A TRY. 324 00:12:34,855 --> 00:12:36,656 >> NO, PIG. >> FARMER! 325 00:12:36,723 --> 00:12:37,925 >> [singing softly] 326 00:12:37,991 --> 00:12:41,228 * STARRY-EYED LADY MAKING ME CRAZY * 327 00:12:41,294 --> 00:12:43,964 WHEW, SIGN HAMMERING'S HARD WORK. 328 00:12:44,031 --> 00:12:46,333 WELL, OFF TO BUY SUPPLIES. 329 00:12:49,569 --> 00:12:51,104 >> WHAT'S IT SAY? >> HOLD ON. 330 00:12:51,171 --> 00:12:52,605 LET ME PUT ON MY GLASSES. 331 00:12:52,672 --> 00:12:53,874 >> DUDE, YOU CAN'T READ. 332 00:12:53,941 --> 00:12:56,376 >> OH, CAN'T I? 333 00:12:56,443 --> 00:12:57,610 [clears throat] 334 00:12:57,677 --> 00:13:01,214 "GLIBBITY-GLOB. FURGLEDY SNIBBITY BOOT." 335 00:13:01,281 --> 00:13:02,950 HA, IN YOUR FACE! 336 00:13:03,016 --> 00:13:05,252 >> GUYS, IT SAYS "WELCOME BUYERS." 337 00:13:05,318 --> 00:13:06,519 CLEARLY, THE FARMER WISHES 338 00:13:06,586 --> 00:13:08,388 TO RECEIVE UNITS OF MONETARY CURRENCY 339 00:13:08,455 --> 00:13:10,657 IN EXCHANGE FOR A GOOD OR ITEM CURRENTLY IN HIS POSSESSION. 340 00:13:10,723 --> 00:13:11,859 IN THIS CASE, THE FARM. 341 00:13:11,892 --> 00:13:13,927 >> OH, THAT MAKES SENSE. 342 00:13:13,994 --> 00:13:15,062 >> THREE SECONDS LATER... 343 00:13:15,128 --> 00:13:16,463 [all gasp] 344 00:13:16,529 --> 00:13:18,298 >> EVERYBODY PANIC! >> WHAT WILL BECOME OF US? 345 00:13:18,365 --> 00:13:20,767 >> WHAT IF THE NEW OWNERS MAKE US WORK AS PACK ANIMALS? 346 00:13:20,868 --> 00:13:22,035 >> WHAT IF THEY EAT US? 347 00:13:22,102 --> 00:13:23,503 >> WHAT IF THEY MAKE US FIGHT EACH OTHER 348 00:13:23,570 --> 00:13:24,972 IN GLADIATORIAL COMBAT? 349 00:13:25,038 --> 00:13:26,306 >> OTIS, WHAT ARE WE GONNA DO? 350 00:13:26,373 --> 00:13:28,876 >> HEY, WE CAN GO LIVE WITH MY COUSIN BENNY. 351 00:13:28,942 --> 00:13:30,177 >> DOESN'T HE LIVE IN ANTARCTICA? 352 00:13:30,243 --> 00:13:32,745 [all shivering] 353 00:13:32,880 --> 00:13:34,014 >> GUYS, THE SUN'S COMING UP. 354 00:13:34,081 --> 00:13:36,749 [all cheer] 355 00:13:36,884 --> 00:13:38,485 [all moan] 356 00:13:38,551 --> 00:13:40,520 >> LOOK, NO ONE'S MOVING TO THE ARCTIC. 357 00:13:40,587 --> 00:13:42,455 >> BUT WHAT ARE WE GONNA DO WHEN THE BUYERS SHOW UP? 358 00:13:42,522 --> 00:13:44,024 >> DON'T WORRY, 359 00:13:44,091 --> 00:13:46,226 WE'RE GONNA MAKE THE IDEA OF LIVING HERE SO UNAPPEALING, 360 00:13:46,293 --> 00:13:48,728 THOSE BUYERS WILL RUN SCREAMING AND NEVER COME BACK, 361 00:13:48,795 --> 00:13:51,431 AND HERE'S HOW WE DO IT. 362 00:13:51,498 --> 00:13:53,800 [whispering] 363 00:13:53,901 --> 00:13:55,435 >> WHY ARE YOUR PLANS ALWAYS SO QUIET? 364 00:13:55,502 --> 00:13:57,905 >> [yelling] BECAUSE THIS VOLUME'S VERY ANNOYING! 365 00:14:00,507 --> 00:14:03,176 OKAY, EVERYONE READY TO SCARE AWAY THOSE BUYERS? 366 00:14:03,243 --> 00:14:06,546 >> [gasps] YOUR LOUNGE SINGER COSTUME IS TERRIFYING. 367 00:14:06,613 --> 00:14:07,915 >> I'M NOT A LOUNGE SINGER. 368 00:14:07,948 --> 00:14:09,549 >> OH, ARE YOU A CIRCUS RINGMASTER? 369 00:14:09,616 --> 00:14:11,051 >> OR A LATE-NIGHT TV MATTRESS SALESMAN? 370 00:14:11,118 --> 00:14:12,552 >> I GOT IT. 371 00:14:12,619 --> 00:14:15,088 YOU'RE A RICH DOLPHIN TRAINER WITH A TROUBLED PAST. 372 00:14:15,155 --> 00:14:17,424 >> OH, FOR--I'M SUPPOSED TO BE A REAL ESTATE AGENT. 373 00:14:17,490 --> 00:14:20,693 all: OH. 374 00:14:20,760 --> 00:14:22,795 >> CAN YOU TRAIN DOLPHINS? >> CAR! 375 00:14:25,598 --> 00:14:27,134 >> THIS MUST BE THE PLACE. 376 00:14:27,200 --> 00:14:28,701 >> WELL, IT'S A PRETTY GREAT PLACE I THINK-- 377 00:14:28,768 --> 00:14:29,937 >> HELLO, FOLKS. 378 00:14:29,937 --> 00:14:31,571 DICK HUMAN, DICK HUMAN REAL ESTATE. 379 00:14:31,638 --> 00:14:33,140 IF YOU WANT REAL ESTATE AND YOU'RE A HUMAN, 380 00:14:33,206 --> 00:14:34,241 THEN I'M YOUR COW. 381 00:14:34,307 --> 00:14:36,076 MAN! OH, I'M A MAN. 382 00:14:36,143 --> 00:14:37,710 [laughs] LET IT GO. 383 00:14:37,777 --> 00:14:39,079 SO, YOU MUST BE THE BUYERS. 384 00:14:39,146 --> 00:14:41,181 >> YEP, WELL, THAT'S US. WE'RE LOOKING FOR-- 385 00:14:41,248 --> 00:14:42,549 >> YOUR FOREVER HOME. 386 00:14:42,615 --> 00:14:44,151 THE PLACE YOU WANT TO RAISE YOUR THINGS. 387 00:14:44,217 --> 00:14:45,953 WELL, LOOK NO FURTHER. THIS PLACE HAS IT ALL, 388 00:14:46,019 --> 00:14:47,955 WALLS, FLOORS, DOORS, AND THE SWEET SCENT OF JASMINE 389 00:14:47,955 --> 00:14:49,456 WAFTING OVER THE PARAPETS. 390 00:14:49,522 --> 00:14:51,658 >> YES, IT'S VERY NICE, BUT WE-- >> WANTED TO MOVE IN TODAY? 391 00:14:51,724 --> 00:14:53,260 THIS IS SO SUDDEN. 392 00:14:53,326 --> 00:14:55,428 WELL, I DID HAVE OTHER PEOPLE COMING BY, BUT WHAT THE HECK? 393 00:14:55,495 --> 00:14:56,663 DICK HUMAN LIKES YOUR FACE. SOLD. 394 00:14:56,729 --> 00:14:57,630 I'LL GET THE PAPERWORK. 395 00:14:57,697 --> 00:14:58,966 >> YOO-HOO! 396 00:14:59,032 --> 00:15:00,968 >> WELL, WHAT A PLEASANT UNREHEARSED SURPRISE. 397 00:15:00,968 --> 00:15:02,102 FOLKS, I'D LIKE YOU TO MEET 398 00:15:02,169 --> 00:15:03,736 YOUR UNCOMFORTABLY FRIENDLY NEIGHBORS, 399 00:15:03,803 --> 00:15:05,638 MR. AND MRS. SHOUTY-YELLS-A-LOT-STON. 400 00:15:05,705 --> 00:15:06,773 >> YEAH, HOW YOU DOING? 401 00:15:06,839 --> 00:15:08,075 I DON'T KNOW YOUR NAME, 402 00:15:08,141 --> 00:15:10,477 SO I'LL JUST CALL YOU HERB, OKAY, BILL? 403 00:15:10,543 --> 00:15:13,013 >> OH, MY GOSH! I LOVE YOUR HAIR! 404 00:15:13,080 --> 00:15:15,082 WHAT CONDITIONER DO YOU USE? 405 00:15:15,148 --> 00:15:16,416 slurp! 406 00:15:16,483 --> 00:15:19,152 >> WE DON'T WORK, AND WE'RE VERY LONELY, 407 00:15:19,219 --> 00:15:21,821 BUT WE'RE FRIENDLY, SO WE'LL BE OVER ALL THE TIME! 408 00:15:21,888 --> 00:15:24,091 >> I JUST KNOW WE'LL BE BEST FRIENDS! 409 00:15:24,157 --> 00:15:25,993 THIS IS MY PET MOUSE! 410 00:15:26,026 --> 00:15:27,060 >> [screams] 411 00:15:27,127 --> 00:15:28,228 GET IT OUT! GET IT OUT! 412 00:15:28,295 --> 00:15:29,997 I HATE MICE! 413 00:15:30,030 --> 00:15:33,166 >> THAT'S TOO BAD! WE BREED 'EM! 414 00:15:33,233 --> 00:15:35,068 >> YEAH, WE ALSO LIKE TO WRESTLE! 415 00:15:35,135 --> 00:15:36,703 THINK FAST! 416 00:15:36,769 --> 00:15:38,905 [yelling] 417 00:15:39,006 --> 00:15:40,707 COME BACK HERE! >> THANKS FOR STOPPING BY! 418 00:15:40,773 --> 00:15:42,375 CAN I PUT YOU IN OUR EMAIL LIST? 419 00:15:42,442 --> 00:15:45,278 DICK HUMANS, NUMBER 12 IN THE TRI-STATE AREA. 420 00:15:45,345 --> 00:15:48,481 [tires squealing] 421 00:15:48,548 --> 00:15:52,019 [all laughing] 422 00:15:52,019 --> 00:15:53,486 >> DUDE, THAT WAS AWESOME. 423 00:15:53,553 --> 00:15:57,024 >> WOW, OTIS, THIS PLAN JUST MIGHT WORK! 424 00:15:57,090 --> 00:15:59,526 >> OKAY, THEY'RE GONE NOW, ABBY. YOU CAN DROP THE ACT. 425 00:15:59,592 --> 00:16:03,063 >> OKAY! WHAT'S HE TALKING ABOUT? 426 00:16:03,130 --> 00:16:04,431 >> WE GOT MORE BUYERS. 427 00:16:04,497 --> 00:16:05,532 >> NOT FOR LONG. 428 00:16:05,598 --> 00:16:08,035 PREPARE TO EXECUTE PLAN 36J. 429 00:16:08,101 --> 00:16:10,303 >> BUT THE ATTACK ZEPPELIN ISN'T READY YET. 430 00:16:10,370 --> 00:16:12,139 >> FREDDY, THAT'S PLAN 14F-OMEGA. 431 00:16:12,205 --> 00:16:13,106 >> OH. 432 00:16:13,173 --> 00:16:14,341 [car honks] 433 00:16:14,407 --> 00:16:16,076 >> KIDS, WE'RE HERE. 434 00:16:16,143 --> 00:16:17,677 >> HOORAY! >> YAY! 435 00:16:17,744 --> 00:16:19,312 >> WHAT A QUAINT LITTLE FARM. WELL-- 436 00:16:19,379 --> 00:16:20,513 >> HOWDY, FOLKS. 437 00:16:20,580 --> 00:16:21,781 DICK HUMAN, DICK HUMAN REAL ESTATE, 438 00:16:21,848 --> 00:16:23,250 COW-FREE SINCE '93. 439 00:16:23,316 --> 00:16:25,185 >> HELLO, WE'RE THE BUYERS. 440 00:16:25,252 --> 00:16:26,586 >> AND WHAT A GREAT TIME TO BUY IT IS. 441 00:16:26,653 --> 00:16:28,688 WHY, THESE THINGS MUST BE YOUR ADORABLE OFFSPRING. 442 00:16:28,755 --> 00:16:31,058 HEY, KIDS, YOU LIKE NATURE? both: NO. 443 00:16:31,058 --> 00:16:32,059 >> ME TOO. 444 00:16:32,092 --> 00:16:33,260 THAT'S WHY YOU'RE GONNA LOVE 445 00:16:33,326 --> 00:16:34,794 PLAYING IN THIS BEAUTIFUL OUTDOOR SETTING 446 00:16:34,861 --> 00:16:35,828 THIS PROPERTY HAS TO OFFER. 447 00:16:35,895 --> 00:16:37,230 BEHOLD. 448 00:16:37,297 --> 00:16:39,399 >> [gasps] 449 00:16:39,466 --> 00:16:40,667 [all gasp] 450 00:16:40,733 --> 00:16:42,169 >> TAKES YOUR BREATH AWAY, DON'T IT? 451 00:16:42,235 --> 00:16:43,836 NO, SERIOUSLY, IT DOES. TRY NOT TO BREATHE. 452 00:16:43,903 --> 00:16:45,938 >> I CAN'T BELIEVE ANYONE WOULD LIVE LIKE THIS. 453 00:16:46,073 --> 00:16:47,707 >> "IS THAT RADIOACTIVE WASTE?" 454 00:16:47,774 --> 00:16:49,076 YES, BUT ONCE WE SINK IT INTO THE POND, 455 00:16:49,142 --> 00:16:50,277 YOU'LL HARDLY NOTICE IT. 456 00:16:50,343 --> 00:16:52,812 HEY, LOOK, AN ADORABLE WOODLAND FAWN. 457 00:16:52,879 --> 00:16:54,214 all: AH. 458 00:16:56,516 --> 00:16:58,318 >> [coughs] 459 00:16:58,385 --> 00:17:01,688 [retching] 460 00:17:01,754 --> 00:17:03,590 >> WHAT'S HAPPENING? 461 00:17:03,656 --> 00:17:04,657 >> IS HE OKAY? 462 00:17:04,724 --> 00:17:05,958 >> HE'LL BE FINE. 463 00:17:06,093 --> 00:17:08,928 >> [retching] 464 00:17:17,604 --> 00:17:20,006 >> [screaming] 465 00:17:20,107 --> 00:17:22,008 [all screaming] 466 00:17:22,109 --> 00:17:25,112 [lasers blasting] 467 00:17:25,145 --> 00:17:26,146 [explosion] 468 00:17:26,213 --> 00:17:27,780 [all screaming] 469 00:17:27,847 --> 00:17:30,550 >> WAIT, NO, PLEASE, COME BACK. TOXIC RADIATION IS TEMPORARY. 470 00:17:30,617 --> 00:17:33,253 IT'LL BE FINE IN 200,000 YEARS. 471 00:17:33,320 --> 00:17:34,854 [all laughing] 472 00:17:34,921 --> 00:17:36,123 >> BYE-BYE. 473 00:17:36,189 --> 00:17:37,557 >> SO LONG. 474 00:17:37,624 --> 00:17:39,226 FREDDY, THAT WAS AMAZING. 475 00:17:39,292 --> 00:17:40,893 I MEAN, I KNEW ABOUT THE HEAD POPPING THING, 476 00:17:40,960 --> 00:17:42,462 BUT HOW'D YOU PULL OFF THE LASER EYES? 477 00:17:42,529 --> 00:17:45,398 >> WELL, I WANTED MY PERFORMANCE TO BE BELIEVABLE, 478 00:17:45,465 --> 00:17:49,136 SO I WENT ONLINE AND BOUGHT SOME REAL RADIOACTIVE WASTE. 479 00:17:51,003 --> 00:17:53,240 AH, THAT'S GOOD WASTE. 480 00:17:55,642 --> 00:17:57,777 >> HELLO, I'M DR. PIG. 481 00:17:57,844 --> 00:18:00,413 WHAT YOU JUST SAW WAS A FICTIONALIZED ACCOUNT 482 00:18:00,480 --> 00:18:02,782 INTENDED TO INSPIRE HUMOR. 483 00:18:02,849 --> 00:18:04,917 DRINKING ATOMIC WASTE WILL NOT GIVE YOU 484 00:18:04,984 --> 00:18:06,419 SUPER HEAT LASER VISION. 485 00:18:06,486 --> 00:18:08,955 WATCH AS I DISPEL THIS COMMON MYTH. 486 00:18:10,723 --> 00:18:13,260 YOU SEE-- [grunting] 487 00:18:13,326 --> 00:18:16,263 [yelling] 488 00:18:17,964 --> 00:18:21,067 WHY ARMY ALWAYS HOUND PIG? 489 00:18:21,168 --> 00:18:23,236 PIG SMASH! 490 00:18:23,303 --> 00:18:25,405 PIG SMASH YOU ALL! 491 00:18:25,472 --> 00:18:27,174 [roars] 492 00:18:27,207 --> 00:18:29,709 >> THE PRODUCERS OF BARNYARD WOULD LIKE TO APOLOGIZE 493 00:18:29,776 --> 00:18:31,010 FOR THE PREVIOUS SCENE. 494 00:18:31,077 --> 00:18:32,845 DRINKING ATOMIC WASTE WILL NEITHER GIVE YOU 495 00:18:32,912 --> 00:18:34,181 HEAT LASER VISION 496 00:18:34,181 --> 00:18:36,283 NOR TURN YOU INTO A HULKING PIG MONSTER 497 00:18:36,349 --> 00:18:37,917 AS I WILL NOW DEMONSTRATE. 498 00:18:37,984 --> 00:18:40,052 [gulping] 499 00:18:40,187 --> 00:18:42,489 OH, NO, WHAT'S HAPPENING? I'M SHRINKING. 500 00:18:42,555 --> 00:18:44,191 [in a high-pitched voice] OH, WHY DID I DRINK 501 00:18:44,257 --> 00:18:45,292 THAT ATOMIC WASTE? 502 00:18:45,358 --> 00:18:46,926 I NEVER GOT TO SEE PARIS. [screams] 503 00:18:46,993 --> 00:18:47,860 [high-pitched tone] 504 00:18:49,762 --> 00:18:51,198 >> OLD LADY ON A SCOOTER AT TWO O'CLOCK. 505 00:18:51,231 --> 00:18:52,899 >> OH, ONE OF THOSE OLD LADY BUYERS. 506 00:18:52,965 --> 00:18:54,334 THEY'RE EASY TO SCARE. 507 00:18:54,401 --> 00:18:56,303 THIS SHALL BE MY GREATEST TRIUMPH YET. 508 00:18:58,405 --> 00:19:00,573 GOOD AFTERNOON, OLD ONE. LET ME GUESS, YOU'RE A BUYER. 509 00:19:00,640 --> 00:19:02,675 >> WHY, YES, I AM, YOUNG FELLA. 510 00:19:02,742 --> 00:19:04,644 >> FANTASTIC. HEY, HAVE A GOOD LOOK AROUND. 511 00:19:04,711 --> 00:19:07,780 JUST, WHATEVER YOU DO, DON'T GO IN THE BARN! 512 00:19:07,847 --> 00:19:09,616 >> WHAT ARE YOU TALKING ABOUT? 513 00:19:09,682 --> 00:19:11,218 WELL, IT'S QUITE SILLY, REALLY. 514 00:19:11,251 --> 00:19:13,286 I MEAN, HARDLY WORTH MENTIONING, BUT I WILL ANYWAY. 515 00:19:13,353 --> 00:19:17,290 YOU SEE, THE BARN HAS A TEENY, TINY PORTAL TO THE UNDERWORLD! 516 00:19:17,357 --> 00:19:21,027 [all moaning] 517 00:19:21,093 --> 00:19:23,696 >> BE GONE. >> GET OUT. 518 00:19:23,763 --> 00:19:26,266 >> NO SHOES, NO SERVICE. 519 00:19:26,333 --> 00:19:28,568 >> OH, I'M NOT AFRAID OF THE UNDERWORLD. 520 00:19:28,635 --> 00:19:30,503 >> WELL, I DON'T BLAME YOU FOR WANTING TO SKEDADDLE-- 521 00:19:30,570 --> 00:19:32,104 WHAA? 522 00:19:32,239 --> 00:19:36,776 OH, WELL, UM, DID I MENTION THIS PLACE IS INFESTED WITH ZOMBIES? 523 00:19:36,843 --> 00:19:39,779 [moaning] 524 00:19:42,449 --> 00:19:45,418 >> OH, DEAR, THEY'RE MORE AFRAID OF US THAN WE ARE OF THEM. 525 00:19:45,485 --> 00:19:47,787 all: AW. 526 00:19:47,854 --> 00:19:49,722 >> IS THAT AN EARTHQUAKE? 527 00:19:49,789 --> 00:19:51,157 >> REALLY GETS THE BLOOD FLOWING. 528 00:19:51,258 --> 00:19:52,559 >> FOUR HOURS LATER... 529 00:19:52,625 --> 00:19:56,396 >> WE HAVE LOCUSTS. >> MMM. 530 00:19:56,463 --> 00:19:57,497 THEM'S GOOD EATING. 531 00:19:57,564 --> 00:19:59,699 >> WHY WOULD SHE EAT THE-- 532 00:19:59,766 --> 00:20:01,901 THAT'S IT. I'M A TALKING COW. 533 00:20:01,968 --> 00:20:04,070 >> OH, WELL, WE'RE ALL SPECIAL IN OUR OWN WAY. 534 00:20:04,136 --> 00:20:06,072 >> AH, I GIVE UP. YOU WIN. 535 00:20:06,138 --> 00:20:08,074 THE PLACE IS YOURS. HERE, TAKE THE KEYS. 536 00:20:08,140 --> 00:20:11,344 >> AH, KEYS, MY ONE TRUE FEAR! 537 00:20:11,411 --> 00:20:13,380 MAKE IT STOP! MAKE IT STOP! 538 00:20:13,446 --> 00:20:16,349 [engine revving] 539 00:20:18,251 --> 00:20:21,754 [all cheering] 540 00:20:21,821 --> 00:20:23,590 >> WELL, GUYS, IT WAS TOUGH, BUT WE DID IT. 541 00:20:23,656 --> 00:20:25,925 WHEN WORD GETS OUT ABOUT OUR LOUD-NEIGHBOR-Y, 542 00:20:25,992 --> 00:20:28,495 RADIOACTIVE, ZOMBIE-ADJACENT, KEY-JINGLING PROPERTY... 543 00:20:28,561 --> 00:20:29,662 >> AND IT WILL. 544 00:20:29,729 --> 00:20:31,864 >> NO ONE WILL TOUCH THIS PLACE. 545 00:20:31,931 --> 00:20:33,433 >> [sobbing] 546 00:20:33,500 --> 00:20:35,535 >> WHAT? WHAT THE CUD IS THAT? 547 00:20:35,602 --> 00:20:38,471 >> [sobbing] 548 00:20:40,607 --> 00:20:44,477 I CAN'T BELIEVE NO ONE SHOWED UP TO MY FAMILY REUNION. 549 00:20:44,544 --> 00:20:48,214 THE BUYER FAMILY HAS ALWAYS BEEN SO CLOSE. 550 00:20:48,281 --> 00:20:49,482 >> BUYER FAMILY? 551 00:20:49,549 --> 00:20:51,183 "WELCOME BUYERS." 552 00:20:51,250 --> 00:20:54,120 OH, MILK ME, HIS LAST NAME IS BUYER. 553 00:20:54,186 --> 00:20:55,922 GUYS, HE WASN'T GONNA SELL THE FARM. 554 00:20:55,988 --> 00:20:57,824 >> YOU MEAN WE SCARED AWAY HIS FAMILY? 555 00:20:57,890 --> 00:21:00,026 >> HOW WERE WE SUPPOSED TO KNOW HIS LAST NAME IS "BUYER"? 556 00:21:00,092 --> 00:21:02,128 >> DELIVERY FOR MR. BUYER. 557 00:21:02,194 --> 00:21:04,331 >> YOU'VE REACHED THE BUYER RESIDENCE. 558 00:21:04,397 --> 00:21:07,099 I'LL GET THIS STUMP OUT OR MY NAME ISN'T "BUYER," 559 00:21:07,166 --> 00:21:08,335 WHICH IT IS. 560 00:21:08,335 --> 00:21:10,703 THAT'S MY NAME. MY LAST NAME IS "BUYER." 561 00:21:10,770 --> 00:21:12,539 B-U-Y-E-R. 562 00:21:12,605 --> 00:21:16,142 >> THIS IS THE FBI, BUYER. COME OUT WITH YOUR HANDS UP. 563 00:21:16,208 --> 00:21:18,044 >> YOU'LL NEVER TAKE FARMER BUYER ALIVE! 564 00:21:18,110 --> 00:21:19,078 [cocks gun] 565 00:21:19,145 --> 00:21:20,246 >> YEAH, WE'RE NOT PSYCHICS. 566 00:21:20,347 --> 00:21:21,748 ANYHOWS, WE GOT TO FIX THIS FAST. 567 00:21:21,814 --> 00:21:23,049 >> BUT HOW? 568 00:21:23,115 --> 00:21:24,751 WE SCARED THE GIBLETS OUT OF THOSE PEOPLE. 569 00:21:24,817 --> 00:21:26,453 THEY'RE NEVER COMING BACK. >> WE'VE GOT TO. 570 00:21:26,519 --> 00:21:27,620 WE'LL SPLIT INTO GROUPS 571 00:21:27,687 --> 00:21:28,921 AND BRING BACK THE FARMER'S FAMILY 572 00:21:28,988 --> 00:21:30,189 BEFORE THE POTATO SALAD CURDLES. 573 00:21:32,559 --> 00:21:34,361 [both screaming] 574 00:21:34,361 --> 00:21:35,962 [tires squealing] 575 00:21:36,028 --> 00:21:39,366 [engine revving] 576 00:21:39,399 --> 00:21:43,069 [tires squeal] 577 00:21:43,135 --> 00:21:45,171 [engine revving] 578 00:21:45,237 --> 00:21:47,106 >> [screaming] 579 00:21:47,173 --> 00:21:49,376 >> [gasps] 580 00:21:49,409 --> 00:21:52,379 [laser blasting] 581 00:21:53,946 --> 00:21:56,849 [crashing, all screaming] 582 00:21:59,018 --> 00:22:01,721 >> OH, MY WONDERFUL FAMILY. 583 00:22:01,788 --> 00:22:03,990 >> WHEW, WE DID IT. 584 00:22:04,056 --> 00:22:07,527 >> IT'S SO NICE TO SEE A FAMILY WITH A STRONG, LOVING BOND. 585 00:22:07,594 --> 00:22:10,196 >> YOUR LOUD NEIGHBORS SCARED MY WIFE SOMETHING TERRIBLE. 586 00:22:10,262 --> 00:22:12,031 >> YOUR FARM'S ALL RADIATION-Y. 587 00:22:12,098 --> 00:22:13,299 >> THE FAWN HAD TWO HEADS. 588 00:22:13,400 --> 00:22:14,934 >> OUCH. 589 00:22:15,001 --> 00:22:18,405 >> LISTEN, SONNY, DON'T EVER JINGLE KEYS IN MY FACE AGAIN. 590 00:22:18,405 --> 00:22:22,108 >> I DON'T KNOW WHAT YOU'RE ALL TALKING ABOUT, AND I DON'T CARE. 591 00:22:22,174 --> 00:22:24,444 I'M JUST HAPPY YOU'RE HERE. 592 00:22:24,511 --> 00:22:27,013 all: AW. 593 00:22:27,079 --> 00:22:28,548 all: MMM. 594 00:22:28,615 --> 00:22:30,883 >> WELL, GUYS, I THINK WE REALLY LEARNED A LOT TODAY. 595 00:22:30,950 --> 00:22:32,084 >> ALL WE LEARNED WAS 596 00:22:32,151 --> 00:22:33,720 THE FARMER'S LAST NAME IS "BUYER." 597 00:22:33,786 --> 00:22:35,722 >> AND THAT THE FARMER HAS A KILLER RECIPE FOR VEGGIE CHILI. 598 00:22:35,788 --> 00:22:38,090 [munching] 599 00:22:38,157 --> 00:22:39,291 HEY, MINE GOT COLD. 600 00:22:39,426 --> 00:22:41,160 >> ALLOW ME. [laser blasting] 601 00:22:41,227 --> 00:22:44,130 [all sizzling] 602 00:22:44,196 --> 00:22:45,097 >> WHAT'D I MISS? 603 00:22:48,968 --> 00:22:51,704 Captioning by CaptionMax www.captionmax.com