1 00:00:02,590 --> 00:00:05,600 {\an1\pos(137,120)}CAPTIONING MADE POSSIBLE BY \h\h\h\h\h\h\h\hACORN MEDIA 2 00:01:04,150 --> 00:01:06,150 {\an1\pos(189,432)}[CELL PHONE RINGING] 3 00:01:14,160 --> 00:01:17,660 {\an1\pos(189,432)}[ANSWERING MACHINE BEEPS] 4 00:01:17,660 --> 00:01:18,660 {\an1\pos(241,432)}Woman: INSPECTOR? 5 00:01:18,660 --> 00:01:21,660 {\an1\pos(189,432)}THIS IS D.S. CLARKE. WE MET YESTERDAY. 6 00:01:21,670 --> 00:01:24,180 {\an1\pos(189,432)}YOUR MOBILE'S OFF, AND THIS IS URGENT. 7 00:01:24,170 --> 00:01:25,670 {\an1\pos(137,432)}I'VE ARRANGED A CAR FOR YOU. 8 00:01:25,670 --> 00:01:27,670 {\an1\pos(137,432)}UM, HE'S WAITING DOWNSTAIRS. 9 00:01:27,670 --> 00:01:29,670 {\an1\pos(189,432)}I'LL SEE YOU THERE. 10 00:01:29,670 --> 00:01:31,170 {\an1\pos(293,432)}[SIRENS] 11 00:01:51,700 --> 00:01:54,210 {\an1\pos(189,432)}Policeman: GOOD RESULT FOR THE JAMBOS, SIR! 12 00:01:58,200 --> 00:01:59,700 {\an1\pos(241,432)}[DOOR CLOSES] 13 00:01:59,700 --> 00:02:01,700 {\an1\pos(293,432)}Man: SIR. 14 00:02:01,710 --> 00:02:04,720 {\an1\pos(241,432)}D.S. CLARKE, WHAT HAVE YOU GOT FOR ME TODAY? 15 00:02:04,710 --> 00:02:08,710 {\an1\pos(137,432)}SOMETHING A BIT EXOTIC, SIR. 16 00:02:08,710 --> 00:02:09,710 {\an1\pos(189,432)}NO, THANK YOU. 17 00:02:27,230 --> 00:02:28,730 {\an1\pos(137,432)}HIS NAME'S DR. JOSEPH DEVLIN. 18 00:02:28,730 --> 00:02:30,230 {\an1\pos(293,432)}I KNOW. 19 00:02:30,240 --> 00:02:32,240 {\an1\pos(189,432)}OH. 20 00:02:32,240 --> 00:02:34,250 {\an1\pos(137,432)}HIS HOUSEKEEPER FOUND HIM. 21 00:02:34,240 --> 00:02:38,740 {\an1\pos(241,432)}DR. DEVLIN RUNS, OR RAN, THE MATERNITY UNIT 22 00:02:38,740 --> 00:02:40,740 {\an1\pos(241,432)}AT TEMPLEMOUNT PRIVATE HOSPITAL. 23 00:02:40,750 --> 00:02:42,750 {\an1\pos(137,432)}RAN. HE'S RETIRED. 24 00:02:42,750 --> 00:02:46,260 {\an1\pos(241,432)}HE CERTAINLY IS. 25 00:02:46,250 --> 00:02:48,250 {\an1\pos(137,432)}WHOEVER DID IT OPENED HIS VEINS AND LET HIM 26 00:02:48,250 --> 00:02:51,250 {\an1\pos(137,432)}BLEED TO DEATH. 27 00:02:51,260 --> 00:02:53,770 {\an1\pos(241,432)}HE HAD A WIFE WHO HELPED OUT AT THE CLINIC. 28 00:02:53,760 --> 00:02:55,260 {\an1\pos(137,432)}DIED THREE YEARS AGO. 29 00:02:55,260 --> 00:02:57,260 {\an1\pos(189,432)}I HAVEN'T LOOKED AT THAT YET, INSPECTOR. 30 00:02:57,260 --> 00:02:58,760 {\an1\pos(137,432)}THE HOUSEKEEPER PREPARED A MEAL FOR THE DOCTOR 31 00:02:58,760 --> 00:03:01,260 {\an1\pos(137,432)}AND A GUEST BEFORE SHE WENT HOME LAST NIGHT. 32 00:03:01,270 --> 00:03:04,280 {\an1\pos(241,432)}DO WE KNOW WITH WHOM THE GOOD DOCTOR SHARED HIS 33 00:03:04,270 --> 00:03:06,770 {\an1\pos(293,432)}FINAL REPAST? 34 00:03:06,770 --> 00:03:08,770 {\an1\pos(137,432)}SIR JAMES HOGARTH. 35 00:03:08,770 --> 00:03:11,770 {\an1\pos(241,432)}ONE OF THE WEALTHIEST MEN IN EDINBURGH. 36 00:03:11,780 --> 00:03:14,290 {\an1\pos(241,432)}A PRIVATE BANKER. 37 00:03:14,280 --> 00:03:15,280 {\an1\pos(137,432)}THE SUPER-RICH USUALLY ARE. 38 00:03:15,280 --> 00:03:17,280 {\an1\pos(241,432)}USUALLY ARE WHAT? 39 00:03:17,280 --> 00:03:19,280 {\an1\pos(137,432)}PRIVATE BANKERS. 40 00:03:19,280 --> 00:03:20,780 {\an1\pos(137,432)}THAT IS RHYMING SLANG, ISN'T IT? 41 00:03:20,790 --> 00:03:22,290 {\an1\pos(293,432)}NO. 42 00:03:22,290 --> 00:03:23,290 {\an1\pos(241,432)}THAT'S WHAT HE ACTUALLY DOES. 43 00:03:23,290 --> 00:03:26,300 {\an1\pos(241,432)}HE'S A PRIVATE BANKER. 44 00:03:26,290 --> 00:03:29,790 {\an1\pos(189,432)}OH. 45 00:03:29,790 --> 00:03:34,800 {\an1\pos(241,432)}I WANT TO SEE THAT, AS SOON AS. 46 00:03:34,800 --> 00:03:36,800 {\an1\pos(189,432)}OF COURSE, SIR. 47 00:03:36,800 --> 00:03:39,300 {\an1\pos(189,432)}Templer: HE HAS TO BE A PSYCHO, RIGHT? 48 00:03:39,300 --> 00:03:42,800 {\an1\pos(137,432)}THIS GUY'S DEFINITELY COMING UNDER "C"--"C" FOR CRAZY. 49 00:03:42,810 --> 00:03:44,320 {\an1\pos(345,432)}EARLY THOUGHTS? 50 00:03:44,310 --> 00:03:47,810 {\an1\pos(137,432)}DEVLIN RAN A MATERNITY UNIT. 51 00:03:47,810 --> 00:03:49,310 {\an1\pos(241,432)}Rebus: THE KILLER LEFT A COFFIN 52 00:03:49,310 --> 00:03:51,310 {\an1\pos(241,432)}WITH A BABY'S EFFIGY INSIDE IT. 53 00:03:51,320 --> 00:03:54,830 {\an1\pos(293,432)}DID DEVLIN ALSO CARRY OUT 54 00:03:54,820 --> 00:03:55,820 {\an1\pos(293,432)}PREGNANCY TERMINATIONS? 55 00:03:55,820 --> 00:03:59,820 {\an1\pos(189,432)}WAS THE KILLER A PRO-LIFER WHO HAD SUDDENLY BECOME 56 00:03:59,820 --> 00:04:00,820 {\an1\pos(137,432)}SELECTIVELY PRO-LIFE? 57 00:04:00,830 --> 00:04:04,340 {\an1\pos(189,432)}INFANT MORTALITY HAS TO BE ANOTHER, RIGHT? 58 00:04:04,330 --> 00:04:07,330 {\an1\pos(137,432)}DEVLIN MUST HAVE HAD HIS FAIR SHARE OF DEAD BABIES. 59 00:04:07,330 --> 00:04:11,330 {\an1\pos(137,432)}MAYBE WE HAVE A PARENT WHO BLAMES DEVLIN FOR THEIR LOSS. 60 00:04:11,340 --> 00:04:13,850 {\an1\pos(293,432)}POSSIBLE. 61 00:04:13,840 --> 00:04:18,840 {\an1\pos(137,432)}TWO POSSIBILITIES, YET I DETECT UNCERTAINTY. 62 00:04:18,840 --> 00:04:21,340 {\an1\pos(293,432)}WHY THE SMILE ON THE BABY'S FACE? 63 00:04:25,350 --> 00:04:28,350 {\an1\pos(137,432)}NO HARM IN EXAMINING OUR POSSIBILITIES, THOUGH. 64 00:04:28,350 --> 00:04:31,350 {\an1\pos(293,432)}ESPECIALLY WHEN IT'S ALL WE'VE GOT. 65 00:04:31,360 --> 00:04:33,360 {\an1\pos(137,432)}WHERE ARE YOU GOING? 66 00:04:33,360 --> 00:04:35,870 {\an1\pos(345,432)}OH, JUST OUT. 67 00:04:40,870 --> 00:04:43,370 {\an1\pos(241,432)}[CHIMES JINGLE] 68 00:04:51,380 --> 00:04:55,890 {\an1\pos(137,432)}THERE WERE 17 OF THESE FOUND, 1830-SOMETHING. 69 00:04:59,380 --> 00:05:01,880 {\an1\pos(241,432)}THAT'S ALL THAT'S LEFT. 70 00:05:01,890 --> 00:05:05,900 {\an1\pos(241,432)}NOBODY KNOWS WHAT THEY'RE FOR, 71 00:05:05,890 --> 00:05:08,890 {\an1\pos(241,432)}AND I WAS WONDERING IF 72 00:05:08,890 --> 00:05:12,890 {\an1\pos(189,432)}THE KILLER USED THIS FOR INSPIRATION. 73 00:05:12,900 --> 00:05:17,910 {\an1\pos(241,432)}AND YOU FELT YOU HAD TO WONDER ON YOUR OWN? 74 00:05:17,900 --> 00:05:20,900 {\an1\pos(137,432)}MEA CULPA. 75 00:05:20,910 --> 00:05:22,910 {\an1\pos(137,432)}BUT I COULD'VE LEFT MY PHONE OFF, AND YOU'D NEVER HAVE 76 00:05:22,910 --> 00:05:25,420 {\an1\pos(137,432)}TRACKED ME DOWN. 77 00:05:25,410 --> 00:05:28,910 {\an1\pos(241,432)}AND I WANTED TO GET A HEAD START. 78 00:05:28,910 --> 00:05:32,410 {\an1\pos(189,432)}WHY? 79 00:05:32,420 --> 00:05:34,930 {\an1\pos(241,432)}THAT IS MIRANDA MASTERSON. 80 00:05:34,920 --> 00:05:35,920 {\an1\pos(241,432)}SHE'S A CURATOR HERE, 81 00:05:35,920 --> 00:05:37,920 {\an1\pos(241,432)}AND SHE AND I ARE HAVING AN ON-OFF 82 00:05:37,920 --> 00:05:39,920 {\an1\pos(241,432)}RELATIONSHIP WHICH IS CURRENTLY OFF, 83 00:05:39,920 --> 00:05:42,420 {\an1\pos(241,432)}AND I WANT ON. 84 00:05:42,430 --> 00:05:44,440 {\an1\pos(189,432)}SO I THOUGHT I'D KILL TWO BIRDS WITH ONE STONE. 85 00:05:44,430 --> 00:05:46,430 {\an1\pos(241,432)}REFRESH MY MEMORY ON THESE COFFINS 86 00:05:46,430 --> 00:05:47,930 {\an1\pos(241,432)}AND GET MIRANDA BACK INTO MY BED. 87 00:05:47,930 --> 00:05:48,930 {\an1\pos(241,432)}NOW, I THINK YOU'LL AGREE, 88 00:05:48,930 --> 00:05:49,930 {\an1\pos(241,432)}THAT IS SOMETHING WHICH IS 89 00:05:49,930 --> 00:05:53,940 {\an1\pos(241,432)}BEST DONE ON A ONE-TO-ONE BASIS. 90 00:05:53,940 --> 00:05:55,440 {\an1\pos(137,432)}HER AND YOU? 91 00:05:57,940 --> 00:05:59,940 {\an1\pos(241,432)}I ADMIT, SHE'S A LITTLE ON THE YOUNG 92 00:05:59,940 --> 00:06:02,440 {\an1\pos(241,432)}SIDE, BUT SHE MAKES UP FOR IT IN OTHER WAYS. 93 00:06:02,450 --> 00:06:04,960 {\an1\pos(241,432)}SHE HAS WIT AND CHARM AND A PROFOUND LOVE 94 00:06:04,950 --> 00:06:06,450 {\an1\pos(241,432)}OF HIBERNIAN FOOTBALL CLUB. 95 00:06:06,450 --> 00:06:07,450 {\an1\pos(189,432)}Miranda: IT'S DONE. 96 00:06:07,450 --> 00:06:09,950 {\an1\pos(189,432)}AROMATHERAPY SESSION CANCELLED. 97 00:06:09,950 --> 00:06:12,450 {\an1\pos(137,432)}WELL, MAYBE NOT. 98 00:06:12,460 --> 00:06:13,970 {\an1\pos(293,432)}Rebus: DRINKS AT THE OXFORD? 99 00:06:13,960 --> 00:06:14,960 {\an1\pos(293,432)}8:15? 100 00:06:14,960 --> 00:06:16,960 {\an1\pos(293,432)}Miranda: YEAH. AND ONE MINUTE LATE, 101 00:06:16,960 --> 00:06:18,460 {\an1\pos(293,432)}AND IT'S A RED CARD FOR YOU AND A TAXI 102 00:06:18,460 --> 00:06:19,460 {\an1\pos(345,432)}HOME FOR ME. 103 00:06:19,460 --> 00:06:21,960 {\an1\pos(137,432)}UNDERSTOOD. 104 00:06:22,970 --> 00:06:24,980 {\an1\pos(241,432)}HAS ANYBODY BEEN SHOWING 105 00:06:24,970 --> 00:06:28,470 {\an1\pos(137,432)}MORE THAN A CASUAL INTEREST IN THESE? 106 00:06:28,470 --> 00:06:29,970 {\an1\pos(241,432)}I'VE NO IDEA. 107 00:06:29,970 --> 00:06:32,470 {\an1\pos(293,432)}WHY? 108 00:06:32,480 --> 00:06:35,990 {\an1\pos(137,432)}I RATHER HOPED THAT THEY HAD. 109 00:06:35,980 --> 00:06:37,480 {\an1\pos(293,432)}PHILLIPPA? 110 00:06:40,490 --> 00:06:41,990 {\an1\pos(241,432)}Miranda: PHILLIPPA BALFOUR. 111 00:06:41,990 --> 00:06:44,500 {\an1\pos(189,432)}SHE'S A STUDENT WITH US ON WORK EXPERIENCE. 112 00:06:44,490 --> 00:06:45,490 {\an1\pos(241,432)}Phillippa: HELLO. 113 00:06:45,490 --> 00:06:46,990 {\an1\pos(137,432)}D.S. CLARKE, POLICE. 114 00:06:46,990 --> 00:06:49,490 {\an1\pos(137,432)}WE WERE WONDERING, HAVE YOU NOTICED ANYONE PAYING CLOSE 115 00:06:49,490 --> 00:06:51,490 {\an1\pos(137,432)}ATTENTION TO THIS EXHIBIT? 116 00:06:51,500 --> 00:06:54,010 {\an1\pos(189,432)}NO. I MEAN, IT'S POPULAR, BUT MOST PEOPLE STAND 117 00:06:54,000 --> 00:06:55,500 {\an1\pos(189,432)}FOR A MINUTE AND MOVE ON. 118 00:06:55,500 --> 00:06:57,500 {\an1\pos(241,432)}NO ONE'S EVER ASKED YOU ANY QUESTIONS ABOUT IT? 119 00:06:57,500 --> 00:07:00,000 {\an1\pos(189,432)}NO. I DON'T THINK SO. 120 00:07:00,000 --> 00:07:01,500 {\an1\pos(189,432)}IS SOMETHING WRONG? 121 00:07:01,510 --> 00:07:04,520 {\an1\pos(137,432)}I DON'T KNOW. THANK YOU. 122 00:07:09,010 --> 00:07:11,010 {\an1\pos(293,432)}8:15. 123 00:07:22,030 --> 00:07:24,040 {\an1\pos(137,432)}YOU KNOW, I STILL CAN'T BELIEVE IT. 124 00:07:24,030 --> 00:07:25,530 {\an1\pos(137,432)}A WOMAN LIKE THAT? 125 00:07:25,530 --> 00:07:27,530 {\an1\pos(241,432)}WHAT? BEING A HIBBEE? YEAH, I KNOW. 126 00:07:27,530 --> 00:07:28,530 {\an1\pos(241,432)}SHE LOOKS MORE RUGBY, DON'T YOU THINK? 127 00:07:28,530 --> 00:07:29,530 {\an1\pos(241,432)}D.S.: I WASN'T TALKING 128 00:07:29,530 --> 00:07:30,530 {\an1\pos(241,432)}ABOUT HER FOOTBALL ALLEGIANCE, 129 00:07:30,540 --> 00:07:32,540 {\an1\pos(241,432)}THOUGH GOD KNOWS THAT'S BIZARRE ENOUGH. 130 00:07:32,540 --> 00:07:36,050 {\an1\pos(241,432)}Rebus: AH, IT'S THE AGE QUESTION. 131 00:07:36,040 --> 00:07:38,540 {\an1\pos(241,432)}SO WHAT'S SO SPECIAL ABOUT YOUNGER MEN? 132 00:07:38,540 --> 00:07:40,540 {\an1\pos(137,432)}THEY TEND TO HAVE FLAT STOMACHS AND BREASTS THAT ARE 133 00:07:40,550 --> 00:07:42,550 {\an1\pos(137,432)}SMALLER THAN MY OWN. 134 00:07:42,550 --> 00:07:45,060 {\an1\pos(241,432)}THAT IS DISAPPOINTINGLY SHALLOW, SERGEANT. 135 00:07:45,050 --> 00:07:47,550 {\an1\pos(137,432)}I CAN GET EVEN SHALLOWER. 136 00:07:47,550 --> 00:07:49,050 {\an1\pos(241,432)}HEY! 137 00:07:49,050 --> 00:07:51,050 {\an1\pos(293,432)}WATCH WHERE YOU'RE GOING, MR. MAGOO! 138 00:07:51,060 --> 00:07:52,560 {\an1\pos(189,432)}MR. MAGOO? 139 00:07:52,560 --> 00:07:53,560 {\an1\pos(189,432)}ME? 140 00:08:30,600 --> 00:08:36,110 {\an1\pos(293,432)}Rebus: SIR JAMES. MRS. KOLLROSS. 141 00:08:36,100 --> 00:08:39,100 {\an1\pos(189,432)}Sir James: RIGHT. I SIMPLY CAN'T TAKE IT IN. 142 00:08:39,100 --> 00:08:43,100 {\an1\pos(137,432)}Rebus: CAN YOU TELL US ABOUT LAST NIGHT, SIR JAMES? 143 00:08:43,110 --> 00:08:46,620 {\an1\pos(189,432)}I, UH--I DINED WITH JOE, 144 00:08:46,610 --> 00:08:50,610 {\an1\pos(241,432)}AND WE DISCUSSED HIS FINANCES. 145 00:08:50,620 --> 00:08:57,130 {\an1\pos(137,432)}\h\h\h\hHE WAS A CUSTOMER OF HOGARTH'S AS WELL AS A FRIEND. 146 00:08:57,120 --> 00:09:03,620 {\an1\pos(137,432)}AND THEN ABOUT 11:00, I CALLED A CAB AND I CAME HOME. 147 00:09:03,630 --> 00:09:07,640 {\an1\pos(137,432)}WHEN YOU LEFT, DID YOU NOTICE ANYTHING OUT OF THE ORDINARY? 148 00:09:07,630 --> 00:09:09,130 {\an1\pos(137,432)}ANYONE HANGING AROUND THE HOUSE? 149 00:09:09,130 --> 00:09:11,130 {\an1\pos(241,432)}NO. NO, I DIDN'T. 150 00:09:11,140 --> 00:09:14,150 {\an1\pos(189,432)}NOTHING AT ALL UNUSUAL LAST NIGHT? 151 00:09:14,140 --> 00:09:15,140 {\an1\pos(293,432)}NO. 152 00:09:17,640 --> 00:09:19,140 {\an1\pos(241,432)}CAN YOU THINK OF ANYONE 153 00:09:19,140 --> 00:09:20,640 {\an1\pos(241,432)}WHO WOULD WISH TO HARM DR. DEVLIN? 154 00:09:20,650 --> 00:09:21,650 {\an1\pos(241,432)}SOMEONE HE MAY HAVE MENTIONED, PERHAPS? 155 00:09:21,650 --> 00:09:22,650 {\an1\pos(137,432)}NO, I CAN'T. 156 00:09:22,650 --> 00:09:24,160 {\an1\pos(189,432)}COULDN'T IT HAVE BEEN AN OPPORTUNIST CRIME, 157 00:09:24,150 --> 00:09:25,150 {\an1\pos(241,432)}A ROBBERY? 158 00:09:25,150 --> 00:09:28,150 {\an1\pos(241,432)}NO. IT WAS DELIBERATE AND PLANNED. 159 00:09:28,150 --> 00:09:29,150 {\an1\pos(189,432)}IN WHAT WAY? 160 00:09:29,150 --> 00:09:30,150 {\an1\pos(293,432)}WE CAN'T SAY. 161 00:09:30,150 --> 00:09:32,650 {\an1\pos(189,432)}CAN'T SAY, WON'T SAY? 162 00:09:32,660 --> 00:09:35,170 {\an1\pos(293,432)}WON'T, FOR NOW. 163 00:09:35,160 --> 00:09:37,160 {\an1\pos(189,432)}SHE'S GOOD, ISN'T SHE? 164 00:09:37,160 --> 00:09:39,160 {\an1\pos(137,432)}WE'VE JUST BECOME A TEAM. 165 00:09:39,160 --> 00:09:43,160 {\an1\pos(137,432)}SHE'S SORT OF ROBIN TO MY BATMAN. 166 00:09:43,170 --> 00:09:47,680 {\an1\pos(137,432)}Rebus: THANK YOU, SIR JAMES, MRS. KOLLROSS. 167 00:09:47,670 --> 00:09:49,170 {\an1\pos(189,432)}IT IS STILL MRS. KOLLROSS, ISN'T IT? 168 00:09:49,170 --> 00:09:51,170 {\an1\pos(137,432)}IT IS. IS IT STILL "INSPECTOR"? 169 00:09:51,180 --> 00:09:53,680 {\an1\pos(137,432)}I'D HAVE THOUGHT A MAN OF YOUR AGE, WELL, CHIEF 170 00:09:53,680 --> 00:09:55,190 {\an1\pos(137,432)}SUPERINTENDENT, SURELY. 171 00:09:55,180 --> 00:09:56,180 {\an1\pos(241,432)}WELL, MY FACE DOESN'T FIT. 172 00:09:56,180 --> 00:09:58,680 {\an1\pos(137,432)}PERHAPS YOUR LACK OF PROGRESS HAS MORE TO DO WITH MISPLACED 173 00:09:58,680 --> 00:10:00,180 {\an1\pos(137,432)}LEVITY, BATMAN. 174 00:10:00,180 --> 00:10:03,180 {\an1\pos(189,432)}MAYBE YOU'RE RIGHT. 175 00:10:03,190 --> 00:10:05,200 {\an1\pos(241,432)}IT'S WHAT WE CALL GALLOWS HUMOR. 176 00:10:05,190 --> 00:10:08,690 {\an1\pos(137,432)}SORT OF DEFENSE MECHANISM USED BY MOST POLICEMEN, GIVEN THE 177 00:10:08,690 --> 00:10:12,190 {\an1\pos(137,432)}HORRIBLE THINGS WE SEE AND THE DUBIOUS PEOPLE THAT WE MEET. 178 00:10:12,200 --> 00:10:13,700 {\an1\pos(137,432)}REALLY? 179 00:10:13,700 --> 00:10:15,210 {\an1\pos(293,432)}REALLY. 180 00:10:18,200 --> 00:10:20,200 {\an1\pos(189,432)}THANKS FOR YOUR HELP. 181 00:10:25,210 --> 00:10:27,210 {\an1\pos(137,432)}SORRY, DADDY. 182 00:10:29,710 --> 00:10:31,210 {\an1\pos(189,432)}WHAT? 183 00:10:31,220 --> 00:10:32,220 {\an1\pos(293,432)}YOU CLEARLY HAVE A HISTORY 184 00:10:32,220 --> 00:10:33,720 {\an1\pos(293,432)}WITH THOSE PEOPLE. 185 00:10:33,720 --> 00:10:35,230 {\an1\pos(189,432)}UH-HUH. 186 00:10:52,240 --> 00:10:54,250 {\an1\pos(137,432)}D.S.: THIS IS VERY IMPRESSIVE, MR. MAYES. 187 00:10:54,240 --> 00:10:56,240 {\an1\pos(241,432)}Mayes: WHAT IS? 188 00:10:56,240 --> 00:10:58,740 {\an1\pos(137,432)}EVERY CHILD MORTALITY GOING BACK TO 1978. 189 00:10:58,740 --> 00:11:00,740 {\an1\pos(293,432)}WELL, I LIKE TO BE THOROUGH. 190 00:11:00,750 --> 00:11:03,750 {\an1\pos(241,432)}AND THE INFORMATION IS ALL ON COMPUTER NOW. 191 00:11:03,750 --> 00:11:08,260 {\an1\pos(189,432)}Rebus: DID DR. DEVLIN PERFORM ABORTIONS? 192 00:11:08,250 --> 00:11:10,750 {\an1\pos(293,432)}HE WOULD HAVE, YES. 193 00:11:10,760 --> 00:11:12,760 {\an1\pos(137,432)}Rebus: WOULD YOU KNOW IF HE EVER RECEIVED THREATS? 194 00:11:12,760 --> 00:11:15,270 {\an1\pos(189,432)}D.S.: SAY, FROM EXTREME PRO-LIFE GROUPS? 195 00:11:15,260 --> 00:11:16,760 {\an1\pos(189,432)}\h\h\h\hRebus: OR A PARENT ON THE LIST? 196 00:11:16,760 --> 00:11:20,260 {\an1\pos(137,432)}Mayes: IF HE WAS THREATENED, \h\h\h\hI'M NOT AWARE OF IT. 197 00:11:20,260 --> 00:11:23,260 {\an1\pos(137,432)}YOU SHOULD ASK MY PREDECESSOR, MISS CURRIE. 198 00:11:23,270 --> 00:11:27,280 {\an1\pos(137,432)}SHE WAS ADMIN OFFICER HERE SINCE, WELL, THE BEGINNING 199 00:11:27,270 --> 00:11:29,270 {\an1\pos(137,432)}OF TIME, I THINK. 200 00:11:29,270 --> 00:11:30,270 {\an1\pos(189,432)}THANK YOU, MR. MAYES. 201 00:11:30,270 --> 00:11:31,770 {\an1\pos(137,432)}MY PLEASURE. 202 00:11:44,290 --> 00:11:46,290 {\an1\pos(137,432)}ANYTHING CATCH YOUR EYE? 203 00:11:46,290 --> 00:11:47,790 {\an1\pos(345,432)}GHOSTS. 204 00:11:47,790 --> 00:11:51,290 {\an1\pos(293,432)}GHOSTS? 205 00:11:51,300 --> 00:11:54,310 {\an1\pos(137,432)}BABY KOLLROSS, MALE, STILLBORN. 206 00:11:54,300 --> 00:11:58,300 {\an1\pos(137,432)}MOTHER FIONA, FATHER, MICHAEL. 207 00:11:58,300 --> 00:11:59,300 {\an1\pos(189,432)}JEEZO! 208 00:11:59,300 --> 00:12:00,800 {\an1\pos(137,432)}WAS THAT REALLY 23 YEARS AGO? 209 00:12:00,810 --> 00:12:01,810 {\an1\pos(293,432)}FIONA KOLLROSS? 210 00:12:01,810 --> 00:12:03,310 {\an1\pos(345,432)}AS IN? 211 00:12:03,310 --> 00:12:06,320 {\an1\pos(137,432)}THE VERY SAME. NEE HOGARTH. 212 00:12:06,310 --> 00:12:08,310 {\an1\pos(241,432)}YOU SAID GHOSTS, PLURAL. 213 00:12:08,310 --> 00:12:10,810 {\an1\pos(241,432)}FIONA KOLLROSS LOOKED VERY MUCH ALIVE TO ME. 214 00:12:10,820 --> 00:12:12,820 {\an1\pos(137,432)}HER HUSBAND ISN'T. 215 00:12:12,820 --> 00:12:14,330 {\an1\pos(293,432)}WHAT HAPPENED? 216 00:12:14,320 --> 00:12:17,320 {\an1\pos(137,432)}HE KILLED HIMSELF. 217 00:12:17,320 --> 00:12:18,320 {\an1\pos(241,432)}BECAUSE HIS BABY DIED? 218 00:12:18,320 --> 00:12:21,820 {\an1\pos(137,432)}NO. HE KILLED HIMSELF A FEW DAYS BEFORE HIS 219 00:12:21,830 --> 00:12:23,830 {\an1\pos(137,432)}CHILD WAS BORN. 220 00:12:23,830 --> 00:12:24,840 {\an1\pos(293,432)}WHAT MAN WOULD KILL HIMSELF 221 00:12:24,830 --> 00:12:27,830 {\an1\pos(293,432)}WITH HIS WIFE ABOUT TO GIVE BIRTH? 222 00:12:27,830 --> 00:12:31,330 {\an1\pos(137,432)}THAT'S A QUESTION I ASKED MYSELF. 223 00:12:31,340 --> 00:12:34,850 {\an1\pos(137,432)}HIS SUICIDE IS A MYSTERY TO MOST FOLK. 224 00:12:34,840 --> 00:12:37,340 {\an1\pos(137,432)}HE WAS YOUNG. HE WAS BRILLIANT. 225 00:12:37,340 --> 00:12:39,840 {\an1\pos(137,432)}HE WAS A PROMISING SURGEON. 226 00:12:39,840 --> 00:12:41,840 {\an1\pos(137,432)}HE WAS MARRYING INTO MONEY. 227 00:12:41,850 --> 00:12:44,360 {\an1\pos(137,432)}HE WAS A GOLDEN BOY IF EVER THERE WAS ONE. 228 00:12:44,350 --> 00:12:47,850 {\an1\pos(241,432)}A MYSTERY TO MOST FOLK. 229 00:12:47,850 --> 00:12:52,850 {\an1\pos(137,432)}I WAS SURE THAT FIONA KNEW WHY HE DID IT, AND SIR JAMES 230 00:12:52,860 --> 00:12:57,870 {\an1\pos(137,432)}AND HIS WIFE, BUT I WAS WARNED OFF. 231 00:12:57,860 --> 00:13:01,360 {\an1\pos(137,432)}PRIVATE BANKERS, VERY POWERFUL. 232 00:13:01,370 --> 00:13:03,870 {\an1\pos(137,432)}LOT OF MONEY, FUNNY HANDSHAKES. 233 00:13:03,870 --> 00:13:04,880 {\an1\pos(293,432)}AH, YOU AND THE HOGARTHS. 234 00:13:04,870 --> 00:13:05,870 {\an1\pos(293,432)}THE HISTORY. 235 00:13:05,870 --> 00:13:09,370 {\an1\pos(293,432)}WHAT MADE YOU THINK THEY KNEW? 236 00:13:09,370 --> 00:13:11,370 {\an1\pos(189,432)}HOI! 237 00:13:11,380 --> 00:13:17,390 {\an1\pos(137,432)}STARTS WITH A "P," RHYMES WITH FISH, DISH AND SWISH? 238 00:13:17,380 --> 00:13:19,380 {\an1\pos(241,432)}THIS COFFEE! 239 00:13:29,390 --> 00:13:32,390 {\an1\pos(137,432)}Miss Currie: NOW, THESE ARE OUR MILLENNIUM BABIES. 240 00:13:32,400 --> 00:13:35,410 {\an1\pos(137,432)}SEE HERE, 2000. 241 00:13:35,400 --> 00:13:38,400 {\an1\pos(137,432)}GIRLS ON THE LEFT, BOYS ON THE RIGHT. 242 00:13:38,400 --> 00:13:41,900 {\an1\pos(189,432)}MY, THERE'S SOME BONNY BABIES HERE, MISS CURRIE. 243 00:13:41,910 --> 00:13:43,910 {\an1\pos(189,432)}HAVE YOU SEEN THEM, SIOBHAN? 244 00:13:43,910 --> 00:13:45,420 {\an1\pos(189,432)}COME AND HAVE A LOOK. 245 00:13:46,910 --> 00:13:49,410 {\an1\pos(345,432)}VERY NICE. 246 00:13:49,410 --> 00:13:51,410 {\an1\pos(189,432)}I THINK SHE'S AFRAID TO COME TOO CLOSE IN CASE SHE STARTS 247 00:13:51,420 --> 00:13:53,420 {\an1\pos(189,432)}GETTING ALL BROODY. 248 00:13:53,420 --> 00:13:58,430 {\an1\pos(137,432)}OH, YOU GET YOURSELF A MAN AND BABIES, DEAR. 249 00:13:58,420 --> 00:14:05,930 {\an1\pos(137,432)}SPINSTERHOOD'S ONLY PLUS IS A WELL SPRUNG PELVIC FLOOR. 250 00:14:05,930 --> 00:14:07,930 {\an1\pos(189,432)}Rebus: ARE ALL THE BABIES PHOTOGRAPHED HERE? 251 00:14:07,930 --> 00:14:11,930 {\an1\pos(137,432)}OH, YES. AND THE FAMILIES ALL RECEIVED A FRAMED COPY. 252 00:14:11,940 --> 00:14:15,950 {\an1\pos(137,432)}I STARTED THAT TRADITION MYSELF, SO WHEN I RETIRED, 253 00:14:15,940 --> 00:14:21,440 {\an1\pos(137,432)}I WAS PRESENTED WITH MY HANDIWORK AS A GIFT. 254 00:14:21,450 --> 00:14:23,950 {\an1\pos(137,432)}HAVE WE MET? 255 00:14:23,950 --> 00:14:26,460 {\an1\pos(293,432)}YES. YES. WE HAVE. 256 00:14:26,450 --> 00:14:27,450 {\an1\pos(293,432)}YES, I WAS ONE OF THE POLICEMEN 257 00:14:27,450 --> 00:14:30,950 {\an1\pos(293,432)}WORKING ON THE DEATH OF MICHAEL KOLLROSS. 258 00:14:30,960 --> 00:14:31,960 {\an1\pos(241,432)}WE MET AT TEMPLEMOUNT. 259 00:14:31,960 --> 00:14:37,970 {\an1\pos(137,432)}OH, YES. POOR MICHAEL, EH? 260 00:14:37,960 --> 00:14:39,460 {\an1\pos(241,432)}TELL ME, MISS CURRIE, DID YOU KNOW, 261 00:14:39,460 --> 00:14:42,960 {\an1\pos(241,432)}DID DR. DEVLIN RECEIVE THREATS OF ANY KIND? 262 00:14:42,970 --> 00:14:43,970 {\an1\pos(137,432)}THREATS! 263 00:14:43,970 --> 00:14:44,980 {\an1\pos(137,432)}OH, NO! 264 00:14:44,970 --> 00:14:46,470 {\an1\pos(137,432)}NO, NEVER! 265 00:14:51,980 --> 00:14:55,490 {\an1\pos(137,432)}I'M SORRY. 266 00:14:55,480 --> 00:14:57,480 {\an1\pos(137,408)}I'M SORRY. 267 00:14:57,480 --> 00:14:59,480 {\an1\pos(241,432)}STICK THE KETTLE ON SIOBHAN, WILL YOU? 268 00:14:59,480 --> 00:15:02,480 {\an1\pos(241,432)}MILK, NO SUGAR. 269 00:15:02,490 --> 00:15:05,000 {\an1\pos(241,432)}MISS CURRIE? 270 00:15:04,990 --> 00:15:10,090 {\an1\pos(137,432)}NO MILK AND TWO SUGARS, SIOBHAN. 271 00:15:10,090 --> 00:15:12,590 {\an1\pos(189,432)}I'LL AWAY AND PUT THE KETTLE ON, SHALL I? 272 00:15:12,600 --> 00:15:14,610 {\an1\pos(189,432)}AND DO YOU PREFER RICH TEA OR DIGESTIVES TO 273 00:15:14,600 --> 00:15:17,100 {\an1\pos(241,432)}DUNK, INSPECTOR? 274 00:15:17,100 --> 00:15:18,600 {\an1\pos(137,432)}NO NEED FOR SARCASM. 275 00:15:21,610 --> 00:15:22,610 {\an1\pos(189,432)}HELLO? 276 00:15:32,620 --> 00:15:34,120 {\an1\pos(189,432)}Phillippa: WHEN I WAS AT OXFORD, I BECAME FRIENDS 277 00:15:34,120 --> 00:15:37,130 {\an1\pos(137,432)}WITH THIS BOY, DAVID COSTELLO. 278 00:15:37,120 --> 00:15:40,120 {\an1\pos(137,432)}AFTER A WHILE, HE WANTED MORE THAN FRIENDSHIP. 279 00:15:40,120 --> 00:15:44,120 {\an1\pos(137,432)}WHEN I DECLINED, HE DECIDED TO START BADGERING ME. 280 00:15:44,130 --> 00:15:46,140 {\an1\pos(137,432)}I WENT TO THE POLICE. 281 00:15:46,130 --> 00:15:48,130 {\an1\pos(189,432)}THE BOY'S FLAT WAS COVERED IN PHOTOGRAPHS OF PHILLIPPA. 282 00:15:48,130 --> 00:15:49,630 {\an1\pos(137,432)}HE WAS CHARGED WITH STALKING AND GIVEN 283 00:15:49,630 --> 00:15:50,630 {\an1\pos(137,432)}A SUSPENDED SENTENCE. 284 00:15:50,630 --> 00:15:52,630 {\an1\pos(241,432)}WHEN WAS THIS? 285 00:15:52,640 --> 00:15:55,650 {\an1\pos(137,432)}ABOUT 3 YEARS AGO. 286 00:15:55,640 --> 00:15:57,140 {\an1\pos(189,432)}TELL THEM ABOUT THE E-MAIL. 287 00:15:57,140 --> 00:16:00,140 {\an1\pos(137,432)}DAVID LEFT ME ALONE AFTER THAT. 288 00:16:00,140 --> 00:16:04,140 {\an1\pos(137,432)}UNTIL THIS MORNING WHEN HE SENT ME THIS. 289 00:16:04,150 --> 00:16:06,160 {\an1\pos(293,432)}SIT DOWN. 290 00:16:14,660 --> 00:16:17,660 {\an1\pos(241,432)}"MY LITTLE GENERAL. 291 00:16:17,660 --> 00:16:20,660 {\an1\pos(241,432)}"SO IT WAS EDINBURGH AFTER ALL. 292 00:16:20,660 --> 00:16:23,660 {\an1\pos(241,432)}"THAT WAS CONSIDERATE OF YOU, FLIP. 293 00:16:23,670 --> 00:16:26,680 {\an1\pos(241,432)}"READ THE PAPERS AND SEE WHAT I'VE DONE. 294 00:16:26,670 --> 00:16:29,670 {\an1\pos(241,432)}"YOU HOLD LIVES IN YOUR HANDS, FLIP. 295 00:16:29,670 --> 00:16:33,270 {\an1\pos(241,432)}"SAY YOU'LL BE MINE, AND YOU'LL SAVE THEM. 296 00:16:33,280 --> 00:16:35,790 {\an1\pos(241,432)}"I'LL LEAVE MY LITTLE COFFINS 297 00:16:35,780 --> 00:16:38,780 {\an1\pos(241,432)}SO YOU'LL KNOW IT'S ME WHAT DONE IT." 298 00:16:42,790 --> 00:16:44,800 {\an1\pos(241,432)}YOU SURE THE E-MAIL'S FROM HIM? 299 00:16:46,790 --> 00:16:50,790 {\an1\pos(137,432)}MY HOBBY IS WAR GAMES. 300 00:16:50,790 --> 00:16:53,290 {\an1\pos(137,432)}HE JOINED THE CLUB I WAS IN AT OXFORD, AND AS I WAS FOREVER 301 00:16:53,300 --> 00:16:57,310 {\an1\pos(137,432)}BEATING HIM, HE USED TO CALL ME HIS "LITTLE GENERAL." 302 00:16:57,300 --> 00:17:00,300 {\an1\pos(137,432)}AND FLIP, HE USED TO CALL ME THAT, TOO. 303 00:17:00,300 --> 00:17:02,300 {\an1\pos(241,432)}WHAT DOES THE REFERENCE TO EDINBURGH MEAN? 304 00:17:02,310 --> 00:17:04,820 {\an1\pos(137,432)}HE KNEW I INTENDED COMING HERE TO STUDY. 305 00:17:04,810 --> 00:17:07,810 {\an1\pos(137,432)}IT MADE IT EASY FOR HIM TO FOLLOW, I SUPPOSE. 306 00:17:07,810 --> 00:17:09,310 {\an1\pos(137,432)}AFTER EVERYTHING THAT HAPPENED, I DIDN'T THINK 307 00:17:09,310 --> 00:17:11,810 {\an1\pos(137,432)}HE'D DARE CONTACT ME AGAIN. 308 00:17:11,820 --> 00:17:13,820 {\an1\pos(189,432)}WHAT SHALL WE DO? 309 00:17:13,820 --> 00:17:16,330 {\an1\pos(293,432)}YOU'VE DONE MORE THAN ENOUGH ALREADY. 310 00:17:22,830 --> 00:17:24,840 {\an1\pos(449,432)}OH! 311 00:17:24,830 --> 00:17:26,330 {\an1\pos(397,432)}BLIND PUGH! 312 00:17:26,330 --> 00:17:27,330 {\an1\pos(189,432)}YOU KNOW THIS MAN? 313 00:17:27,330 --> 00:17:28,330 {\an1\pos(293,432)}I BUMPED INTO HIM. 314 00:17:28,330 --> 00:17:30,330 {\an1\pos(137,432)}Siobhan: OUTSIDE THE MUSEUM. 315 00:17:30,330 --> 00:17:33,830 {\an1\pos(241,432)}DON'T LIKE COINCIDENCES. MAKE ME NERVOUS. 316 00:17:33,840 --> 00:17:37,350 {\an1\pos(189,432)}Templer: HARDLY A SANE MAN'S WALLPAPER. 317 00:17:37,340 --> 00:17:38,840 {\an1\pos(189,432)}WHAT ABOUT THE GIRL? 318 00:17:38,840 --> 00:17:42,340 {\an1\pos(189,432)}Rebus: MOVING INTO MIRANDA'S, JUST IN CASE. 319 00:17:42,350 --> 00:17:44,860 {\an1\pos(241,432)}Templer: MIRANDA? 320 00:17:44,850 --> 00:17:47,350 {\an1\pos(189,432)}Rebus: A MEMBER OF THE EASTER ROAD HARD CORE. 321 00:17:52,860 --> 00:17:55,870 {\an1\pos(241,432)}STUDENT ACCOMMODATION'S COME A LONG WAY. 322 00:17:55,860 --> 00:17:57,860 {\an1\pos(137,432)}MY PARENTS WERE WEALTHY. 323 00:17:57,860 --> 00:18:01,360 {\an1\pos(137,432)}WHEN THEY DIED...WELL. 324 00:18:07,870 --> 00:18:10,870 {\an1\pos(293,432)}WATERLOO. 325 00:18:10,870 --> 00:18:16,880 {\an1\pos(137,432)}Rebus: WHAT MAKES A GOOD ONE--A GOOD GENERAL? 326 00:18:16,880 --> 00:18:19,880 {\an1\pos(189,432)}BE PREPARED TO TAKE THE BIG RISKS, ALWAYS CONFUSE 327 00:18:19,880 --> 00:18:24,890 {\an1\pos(189,432)}THE ENEMY, AND ALWAYS HAVE A PLAN "B." 328 00:18:24,890 --> 00:18:26,390 {\an1\pos(189,432)}THAT'LL DO, I THINK. 329 00:18:26,390 --> 00:18:29,390 {\an1\pos(137,432)}IS THAT WHERE YOU MET COSTELLO? 330 00:18:29,390 --> 00:18:31,390 {\an1\pos(137,432)}AT THE WAR GAMES CLUB? 331 00:18:31,400 --> 00:18:32,900 {\an1\pos(293,432)}NO. 332 00:18:32,900 --> 00:18:35,410 {\an1\pos(189,432)}JOINING THE CLUB WAS PART OF HIS PURSUIT OF ME. 333 00:18:38,400 --> 00:18:41,400 {\an1\pos(137,432)}HOW DID YOU MEET? 334 00:18:41,410 --> 00:18:42,910 {\an1\pos(241,432)}I'M INVOLVED IN CHILDREN'S CHARITIES. 335 00:18:42,910 --> 00:18:45,420 {\an1\pos(241,432)}DAVID WORKED FOR ONE OF THEM. 336 00:18:49,910 --> 00:18:53,910 {\an1\pos(189,432)}MY MOTHER DIED WHEN I WAS 8, AND MY FATHER REMARRIED. 337 00:18:53,920 --> 00:18:55,930 {\an1\pos(189,432)}HIS NEW WIFE DIDN'T LIKE ME VERY MUCH AND LIFE 338 00:18:55,920 --> 00:19:00,420 {\an1\pos(189,432)}BECAME...EXTREMELY DIFFICULT FOR ME. 339 00:19:00,420 --> 00:19:03,920 {\an1\pos(137,432)}WHEN I INHERITED, I DECIDED \h\h\h\hTO HELP OUT KIDS 340 00:19:03,930 --> 00:19:07,440 {\an1\pos(189,432)}IN SIMILAR SITUATIONS. 341 00:19:07,430 --> 00:19:10,930 {\an1\pos(137,432)}DO YOU THINK HE'S AFTER YOUR MONEY? 342 00:19:10,930 --> 00:19:13,930 {\an1\pos(293,432)}I HONESTLY DON'T KNOW IF THAT'S IT. 343 00:19:13,940 --> 00:19:14,950 {\an1\pos(137,432)}WHAT'S HE LIKE? 344 00:19:14,940 --> 00:19:16,440 {\an1\pos(345,432)}LIKE? 345 00:19:20,440 --> 00:19:24,950 {\an1\pos(241,432)}A FANTASIST. PURE WALTER MITTY. 346 00:19:37,460 --> 00:19:40,960 {\an1\pos(137,432)}Priest: THE LORD IS FULL OF COMPASSION AND MERCY--SLOW TO 347 00:19:40,960 --> 00:19:43,960 {\an1\pos(137,432)}ANGER AND OF GREAT KINDNESS. 348 00:19:43,970 --> 00:19:46,480 {\an1\pos(137,432)}AS A FATHER CARES FOR HIS CHILDREN, SO DOES THE LORD 349 00:19:46,470 --> 00:19:48,470 {\an1\pos(137,432)}CARE FOR THOSE WHO FEAR HIM. 350 00:19:48,470 --> 00:19:49,970 {\an1\pos(241,432)}Siobhan: HEY. 351 00:19:49,970 --> 00:19:51,470 {\an1\pos(189,432)}Priest: FOR HE HIMSELF KNOWS OF WHAT 352 00:19:51,480 --> 00:19:52,480 {\an1\pos(241,432)}WE ARE MADE. 353 00:19:52,480 --> 00:19:55,990 {\an1\pos(241,432)}HE REMEMBERS THAT WE ARE BUT DUST. 354 00:19:55,980 --> 00:19:56,980 {\an1\pos(137,432)}OUR DAYS ARE LIKE THE GRASS. 355 00:19:56,980 --> 00:19:59,480 {\an1\pos(189,432)}WE FLOURISH LIKE A FLOWER IN THE FIELD. 356 00:19:59,480 --> 00:20:01,980 {\an1\pos(137,432)}WHEN THE WIND GOES OVER IT, \h\h\h\h\h\h\h\hIT IS GONE, 357 00:20:01,990 --> 00:20:03,990 {\an1\pos(189,432)}AND ITS PLACE SHALL KNOW IT NO MORE. 358 00:20:03,990 --> 00:20:05,500 {\an1\pos(189,432)}Siobhan: OH, BOLLOCKS. 359 00:20:05,490 --> 00:20:07,990 {\an1\pos(137,432)}Priest: BUT THE MERCIFUL GOODNESS OF THE LORD ENDURES 360 00:20:07,990 --> 00:20:10,990 {\an1\pos(137,432)}FOREVER ON THOSE WHO FEAR HIM. 361 00:20:54,040 --> 00:20:56,550 {\an1\pos(293,432)}MARY, HELLO. GOOD TO SEE YOU. 362 00:20:56,540 --> 00:20:59,040 {\an1\pos(241,432)}I'M SO SORRY. I THOUGHT YOU WERE SOMEONE ELSE. 363 00:21:10,050 --> 00:21:12,050 {\an1\pos(189,432)}THAT'S MARGARET'S GIRL. 364 00:21:13,560 --> 00:21:17,070 {\an1\pos(189,432)}[CHOIR SINGING HYMN] 365 00:22:01,610 --> 00:22:02,610 {\an1\pos(241,432)}[WHISPERING] Bugger! 366 00:22:02,610 --> 00:22:05,120 {\an1\pos(345,432)}Rebus: YOU SURE IT WAS HIM? 367 00:22:05,110 --> 00:22:07,110 {\an1\pos(189,432)}NO. 368 00:22:07,110 --> 00:22:09,110 {\an1\pos(345,432)}ARE YOU OK? 369 00:22:09,110 --> 00:22:10,110 {\an1\pos(189,432)}NO. 370 00:22:10,110 --> 00:22:13,110 {\an1\pos(345,432)}Mayes: INSPECTOR REBUS. 371 00:22:13,120 --> 00:22:14,620 {\an1\pos(241,432)}MR. MAYES. 372 00:22:14,620 --> 00:22:17,130 {\an1\pos(293,432)}A LOVELY SERVICE. 373 00:22:17,120 --> 00:22:20,620 {\an1\pos(189,432)}NEVER BEEN AS CLOSE TO THAT MUCH MONEY BEFORE. 374 00:22:20,620 --> 00:22:21,620 {\an1\pos(241,432)}WHAT DO YOU MEAN, MONEY? 375 00:22:21,630 --> 00:22:23,130 {\an1\pos(137,432)}SIR JAMES HOGARTH. 376 00:22:23,130 --> 00:22:26,640 {\an1\pos(293,432)}I DIDN'T KNOW YOU KNEW DR. DEVLIN. 377 00:22:26,630 --> 00:22:32,630 {\an1\pos(137,432)}HE CAME TO TEMPLEMOUNT ABOUT 5 OR 6 WEEKS AGO. 378 00:22:32,640 --> 00:22:38,650 {\an1\pos(137,432)}HE SEEMED LIKE A NICE CHAP, SO HERE I AM. 379 00:22:38,640 --> 00:22:41,140 {\an1\pos(137,432)}I SUPPOSE IT'S GOT IT'S DOWN SIDE TO IT. 380 00:22:41,140 --> 00:22:42,140 {\an1\pos(397,432)}WHAT? 381 00:22:42,150 --> 00:22:45,160 {\an1\pos(189,432)}MONEY. 382 00:22:45,150 --> 00:22:47,150 {\an1\pos(241,432)}LET'S HOPE SO. 383 00:22:59,660 --> 00:23:01,160 {\an1\pos(397,432)}THANKS. 384 00:23:03,670 --> 00:23:06,180 {\an1\pos(241,432)}[BABY CRIES] 385 00:23:16,180 --> 00:23:18,180 {\an1\pos(189,432)}[CELL PHONE RINGS] 386 00:23:18,180 --> 00:23:20,680 {\an1\pos(241,432)}Rebus: HELLO? 387 00:23:20,680 --> 00:23:22,180 {\an1\pos(293,432)}WHERE? 388 00:23:27,690 --> 00:23:28,690 {\an1\pos(137,432)}Siobhan: HE'S ABSOLUTELY CERTAIN. 389 00:23:28,690 --> 00:23:31,190 {\an1\pos(137,432)}DRESSED IN BLACK TIE AS IF FOR A FUNERAL. 390 00:23:31,190 --> 00:23:34,190 {\an1\pos(137,432)}WHAT'S HE DOING HERE? 391 00:23:34,200 --> 00:23:36,210 {\an1\pos(293,432)}WHAT'S HE DOING NOW? 392 00:23:51,720 --> 00:23:53,220 {\an1\pos(241,432)}HE SAID COSTELLO KNEW HE'D BEEN SPOTTED 393 00:23:53,220 --> 00:23:54,220 {\an1\pos(241,432)}BUT DIDN'T SEEM TO CARE. 394 00:23:54,220 --> 00:23:55,730 {\an1\pos(293,432)}HE EVEN SMILED. 395 00:23:55,720 --> 00:23:56,720 {\an1\pos(137,432)}SMILED? 396 00:23:56,720 --> 00:23:58,220 {\an1\pos(241,432)}THAT'S WHAT HE SAID. 397 00:23:58,220 --> 00:24:03,720 {\an1\pos(137,432)}THEN MAYBE DAVID COSTELLO IS ARROGANT, WHICH MEANS WE WILL 398 00:24:03,730 --> 00:24:06,240 {\an1\pos(137,432)}MOST DEFINITELY CATCH HIM. 399 00:24:06,230 --> 00:24:11,230 {\an1\pos(137,432)}BUT NOT TONIGHT, I'M THINKING. 400 00:24:11,230 --> 00:24:12,730 {\an1\pos(137,432)}NOT TONIGHT. 401 00:24:12,740 --> 00:24:14,240 {\an1\pos(137,432)}CAN YOU GET ME TO THE OXFORD? 402 00:24:14,240 --> 00:24:15,750 {\an1\pos(189,432)}PLEASE? 403 00:24:33,260 --> 00:24:34,260 {\an1\pos(293,432)}OH, SHIT! 404 00:24:34,260 --> 00:24:35,270 {\an1\pos(189,432)}WHAT? 405 00:24:35,260 --> 00:24:36,260 {\an1\pos(293,432)}FLAT TIRE. 406 00:24:36,260 --> 00:24:40,260 {\an1\pos(137,432)}OH, NO! NO! I DON'T BELIEVE IT! 407 00:24:40,260 --> 00:24:41,260 {\an1\pos(137,432)}NOT NOW! 408 00:24:41,260 --> 00:24:42,260 {\an1\pos(293,432)}CHANGE IT, SHALL I? 409 00:24:42,270 --> 00:24:44,770 {\an1\pos(137,432)}LOOK, I'D MUCK-- I'D MUCK IN, ONLY-- 410 00:24:44,770 --> 00:24:47,780 {\an1\pos(293,432)}NO, I'LL GET YOU THERE. 411 00:24:47,770 --> 00:24:48,770 {\an1\pos(293,432)}ARSE. 412 00:24:48,770 --> 00:24:50,770 {\an1\pos(189,432)}WHAT? 413 00:24:50,770 --> 00:24:51,770 {\an1\pos(293,432)}NO SPARE! 414 00:24:51,780 --> 00:24:53,280 {\an1\pos(137,432)}OH, YOU'RE KIDDING! 415 00:25:16,300 --> 00:25:17,300 {\an1\pos(293,432)}[CLICK] 416 00:25:17,300 --> 00:25:19,300 {\an1\pos(241,432)}[DOOR OPENS] 417 00:25:26,810 --> 00:25:28,810 {\an1\pos(241,432)}[TURNING PAGES] 418 00:25:45,330 --> 00:25:48,830 {\an1\pos(189,432)}[PLAYING BAGPIPES] 419 00:25:51,840 --> 00:25:52,840 {\an1\pos(241,432)}Rebus: MIRANDA! 420 00:25:52,840 --> 00:25:54,840 {\an1\pos(241,432)}[TIRES SQUEAL] 421 00:25:54,840 --> 00:25:56,350 {\an1\pos(137,432)}YOU'RE TOO LATE! 422 00:25:56,340 --> 00:25:57,840 {\an1\pos(241,432)}Rebus: MIRANDA! 423 00:25:57,840 --> 00:25:59,840 {\an1\pos(189,432)}Miranda: YOU'RE LATE. I WARNED YOU. 424 00:25:59,840 --> 00:26:01,840 {\an1\pos(137,432)}WE HAD A PUNCTURE. 425 00:26:01,850 --> 00:26:04,350 {\an1\pos(189,432)}EXCUSES. GOOD NIGHT. 426 00:26:09,350 --> 00:26:11,350 {\an1\pos(137,432)}Rebus: I'LL GIVE YOU MY JOE BAKER! 427 00:26:11,350 --> 00:26:12,850 {\an1\pos(241,432)}YOU'RE LYING. 428 00:26:18,360 --> 00:26:21,360 {\an1\pos(189,432)}KEEP THE DATE. I'LL GIVE YOU MY JOE BAKER! 429 00:26:48,890 --> 00:26:51,390 {\an1\pos(189,432)}Miranda: HOW MUCH LONGER? 430 00:26:51,390 --> 00:26:56,900 {\an1\pos(189,432)}Rebus: BE PATIENT. 431 00:26:56,900 --> 00:26:58,900 {\an1\pos(137,432)}Miranda: WHAT ARE YOU DOING? 432 00:26:58,900 --> 00:27:03,400 {\an1\pos(189,432)}Rebus: THREE, TWO, ONE. 433 00:27:11,920 --> 00:27:13,420 {\an1\pos(293,432)}OH! 434 00:27:13,420 --> 00:27:16,430 {\an1\pos(293,432)}HA HA HA! 435 00:27:16,420 --> 00:27:17,920 {\an1\pos(293,432)}REBUS! 436 00:27:17,920 --> 00:27:20,920 {\an1\pos(241,432)}[CROWD CHEERING] 437 00:27:20,920 --> 00:27:23,420 {\an1\pos(189,432)}THIS IS GOING DANCING! 438 00:27:42,450 --> 00:27:44,450 {\an1\pos(345,432)}FORGIVEN? 439 00:27:44,450 --> 00:27:47,460 {\an1\pos(137,432)}FORGIVEN? 440 00:27:47,450 --> 00:27:50,950 {\an1\pos(137,432)}REBUS, IF YOU EVER DREAMED OF SCORING AT EASTER ROAD, 441 00:27:50,950 --> 00:27:52,950 {\an1\pos(137,432)}DREAM NO MORE. 442 00:27:56,960 --> 00:27:58,960 {\an1\pos(293,432)}[SIREN] 443 00:27:58,960 --> 00:28:00,460 {\an1\pos(189,432)}UM. 444 00:28:00,460 --> 00:28:01,960 {\an1\pos(137,432)}THAT IS A MAGNIFICENT THOUGHT. 445 00:28:01,970 --> 00:28:04,970 {\an1\pos(137,432)}JUST HOLD ON TO THAT THOUGHT. 446 00:28:04,970 --> 00:28:07,980 {\an1\pos(189,432)}JUST HOLD ON TO THAT THOUGHT. 447 00:28:07,970 --> 00:28:09,970 {\an1\pos(345,432)}HA HA HA! 448 00:28:42,010 --> 00:28:46,020 {\an1\pos(137,432)}I CAN'T BELIEVE HE'S MINE. 449 00:28:46,010 --> 00:28:53,510 {\an1\pos(293,432)}AH, WELL, I'VE STILL GOT THE FAMOUS FIVE. 450 00:28:53,520 --> 00:28:57,530 {\an1\pos(137,432)}THE FAMOUS FIVE? 451 00:28:57,520 --> 00:28:59,020 {\an1\pos(241,432)}COME AND HAVE A LOOK. 452 00:29:38,060 --> 00:29:42,560 {\an1\pos(137,432)}THEY'RE FANTASTIC. 453 00:29:42,570 --> 00:29:46,580 {\an1\pos(137,432)}WHAT ARE YOU GOING TO DO WITH THEM? 454 00:29:46,570 --> 00:29:50,570 {\an1\pos(241,432)}WELL, I THOUGHT I MIGHT FIX THEM TO THE CEILING, 455 00:29:50,570 --> 00:29:52,570 {\an1\pos(241,432)}AS A SORT OF CONVERSATION PIECE 456 00:29:52,580 --> 00:29:55,590 {\an1\pos(241,432)}VIEWED FROM THE BED. 457 00:29:55,580 --> 00:29:58,580 {\an1\pos(241,432)}HOW EROTIC IS THAT? 458 00:29:58,580 --> 00:30:00,080 {\an1\pos(137,432)}UNLESS YOU'RE A JAMBO. 459 00:30:00,080 --> 00:30:01,580 {\an1\pos(293,432)}WHAT, IN MY BED? 460 00:30:17,100 --> 00:30:19,600 {\an1\pos(189,432)}YOU KNOW, IT MIGHT JUST WORK. 461 00:30:29,110 --> 00:30:30,610 {\an1\pos(241,432)}[KNOCK KNOCK] 462 00:30:38,620 --> 00:30:40,120 {\an1\pos(189,432)}Costello: MRS. HOGARTH? 463 00:30:43,630 --> 00:30:45,640 {\an1\pos(293,432)}HELLO? 464 00:30:45,630 --> 00:30:47,130 {\an1\pos(241,432)}Rebus: STOP IT. 465 00:30:47,130 --> 00:30:49,130 {\an1\pos(189,432)}DON'T YOU MOVE IT. STOP IT. 466 00:30:49,130 --> 00:30:51,130 {\an1\pos(241,432)}DON'T. NO. NO, NO, NO, NO. 467 00:30:51,130 --> 00:30:53,130 {\an1\pos(293,432)}DON'T! 468 00:31:04,150 --> 00:31:06,660 {\an1\pos(241,432)}DID I SAY I WAS GOING TO AMERICA SOON? 469 00:31:06,650 --> 00:31:09,150 {\an1\pos(137,432)}AMERICA? 470 00:31:09,150 --> 00:31:13,150 {\an1\pos(137,432)}I DO NOT RECALL YOU SAYING THAT, NO. 471 00:31:18,160 --> 00:31:21,160 {\an1\pos(137,432)}NOT FOREVER, I HOPE? 472 00:31:21,160 --> 00:31:25,670 {\an1\pos(293,432)}6-MONTH EXCHANGE. 473 00:31:25,670 --> 00:31:29,170 {\an1\pos(189,432)}I JUST THOUGHT YOU SHOULD KNOW THAT SO THAT INSTEAD 474 00:31:29,170 --> 00:31:31,170 {\an1\pos(189,432)}OF SITTING THERE COLORING, WE MIGHT USE OUR TIME 475 00:31:31,170 --> 00:31:33,170 {\an1\pos(241,432)}MORE FRUITFULLY. 476 00:31:33,180 --> 00:31:35,690 {\an1\pos(137,432)}FRUITFULLY? 477 00:31:35,680 --> 00:31:37,680 {\an1\pos(137,432)}I LIKE THE SOUND OF THAT. 478 00:31:37,680 --> 00:31:39,680 {\an1\pos(189,432)}[CELL PHONE RINGING] 479 00:31:47,190 --> 00:31:48,690 {\an1\pos(189,432)}HEY. 480 00:31:56,700 --> 00:31:58,200 {\an1\pos(137,432)}Miranda: HELLO? 481 00:32:01,200 --> 00:32:03,700 {\an1\pos(137,432)}OH. WELL, ACTUALLY, HE'S RIGHT HERE. 482 00:32:03,710 --> 00:32:06,720 {\an1\pos(137,432)}PHILLIPPA. 483 00:32:06,710 --> 00:32:08,210 {\an1\pos(293,432)}HELLO? 484 00:32:08,210 --> 00:32:10,210 {\an1\pos(189,432)}Phillippa: I'VE HAD AN E-MAIL FROM DAVID. 485 00:32:10,210 --> 00:32:12,710 {\an1\pos(189,432)}JUST AN ADDRESS THIS TIME. 486 00:32:12,720 --> 00:32:14,720 {\an1\pos(241,432)}INVERLEVER HOUSE. 487 00:32:56,160 --> 00:32:58,660 {\an1\pos(189,432)}[INDISTINCT POLICE RADIO] 488 00:33:24,690 --> 00:33:26,700 {\an1\pos(189,432)}[CAMERA SHUTTER CLICKS] 489 00:33:34,200 --> 00:33:36,210 {\an1\pos(345,432)}THAT'S NEW. 490 00:33:36,200 --> 00:33:37,700 {\an1\pos(137,432)}WHAT'S NEW? 491 00:33:37,700 --> 00:33:40,200 {\an1\pos(293,432)}THE BIBLE. 492 00:33:40,200 --> 00:33:43,200 {\an1\pos(137,432)}HOW DO YOU KNOW? 493 00:33:43,210 --> 00:33:48,220 {\an1\pos(189,432)}LAST TIME I VISITED HERE, THERE WERE PAGES TORN OUT, 494 00:33:48,210 --> 00:33:50,710 {\an1\pos(189,432)}STREWN ACROSS THE FLOOR. 495 00:33:50,710 --> 00:33:52,710 {\an1\pos(137,432)}WHAT WERE YOU DOING HERE? 496 00:33:52,720 --> 00:33:57,230 {\an1\pos(241,432)}THIS LADY IS JESSICA HOGARTH. 497 00:33:57,220 --> 00:34:01,720 {\an1\pos(241,432)}WIFE OF SIR JAMES, MOTHER OF FIONA. 498 00:34:01,720 --> 00:34:02,720 {\an1\pos(241,432)}I WAS INVESTIGATING THE DEATH 499 00:34:02,730 --> 00:34:06,240 {\an1\pos(241,432)}OF MICHAEL KOLLROSS. 500 00:34:06,230 --> 00:34:09,230 {\an1\pos(241,432)}HE SPENT THE LAST DAYS OF HIS LIFE HERE. 501 00:34:09,230 --> 00:34:12,230 {\an1\pos(137,432)}HISTORY AGAIN. 502 00:34:12,240 --> 00:34:14,740 {\an1\pos(137,432)}MICHAEL KOLLROSS CAME TO LIVE WITH HIS MOTHER-IN-LAW? 503 00:34:14,740 --> 00:34:17,250 {\an1\pos(137,432)}HOW ODD. 504 00:34:17,240 --> 00:34:19,240 {\an1\pos(189,432)}I WAS CONVINCED THAT IF ANYBODY KNEW WHY HE KILLED 505 00:34:19,240 --> 00:34:22,240 {\an1\pos(189,432)}HIMSELF, SHE WOULD. 506 00:34:22,250 --> 00:34:23,250 {\an1\pos(137,432)}AND DID SHE? 507 00:34:23,250 --> 00:34:25,250 {\an1\pos(293,432)}OH, YES. 508 00:34:27,750 --> 00:34:29,250 {\an1\pos(241,432)}I'D ALREADY GUESSED THE REASON, BUT I NEEDED 509 00:34:29,250 --> 00:34:31,250 {\an1\pos(241,432)}IT CONFIRMED. 510 00:34:31,250 --> 00:34:32,750 {\an1\pos(137,432)}YOU GUESSED? 511 00:34:32,760 --> 00:34:36,270 {\an1\pos(293,432)}YOU SAID IT YOURSELF, SIOBHAN. 512 00:34:36,260 --> 00:34:39,760 {\an1\pos(293,432)}WHY WOULD A MAN KILL HIMSELF 513 00:34:39,760 --> 00:34:40,760 {\an1\pos(293,432)}KNOWING THAT HE HAD A CHILD 514 00:34:40,760 --> 00:34:43,260 {\an1\pos(293,432)}ABOUT TO BE BORN? 515 00:34:43,270 --> 00:34:51,280 {\an1\pos(241,432)}UNLESS HIS CHILD WASN'T ABOUT TO BE BORN. 516 00:34:51,270 --> 00:34:54,770 {\an1\pos(137,432)}YOU MEAN, NOT HIS? 517 00:34:54,780 --> 00:34:58,790 {\an1\pos(137,432)}THEN WHOSE? 518 00:34:58,780 --> 00:35:01,280 {\an1\pos(293,432)}THAT'S WHAT I NEVER FOUND OUT. 519 00:35:01,280 --> 00:35:04,780 {\an1\pos(241,432)}Man: INSPECTOR. 520 00:35:04,790 --> 00:35:07,300 {\an1\pos(241,432)}ANOTHER SMILE. 521 00:35:07,290 --> 00:35:10,290 {\an1\pos(189,432)}THERE'S SOMETHING ELSE. 522 00:35:10,290 --> 00:35:12,790 {\an1\pos(189,432)}INSIDE THE LID, SEE? 523 00:35:12,800 --> 00:35:17,310 {\an1\pos(241,432)}NUMBERS--8, 3, 8, 2. 524 00:35:22,310 --> 00:35:24,310 {\an1\pos(293,432)}BETTER. 525 00:35:24,310 --> 00:35:25,310 {\an1\pos(189,432)}CAN WE MAKE THIS QUICK? 526 00:35:25,310 --> 00:35:27,820 {\an1\pos(241,432)}I'M GOING OUT. 527 00:35:27,810 --> 00:35:31,810 {\an1\pos(293,432)}I FEEL BOUND TO SAY, MRS. KOLLROSS, 528 00:35:31,810 --> 00:35:34,310 {\an1\pos(293,432)}YOU'RE TAKING YOUR MOTHER'S DEATH 529 00:35:34,320 --> 00:35:35,830 {\an1\pos(293,432)}REMARKABLY WELL. 530 00:35:35,820 --> 00:35:40,820 {\an1\pos(137,432)}I LAST SAW MY MOTHER WHEN I WAS IN MY LATE TEENS. 531 00:35:40,820 --> 00:35:42,820 {\an1\pos(137,432)}SHE'S BEEN GONE A LONG TIME. 532 00:35:42,830 --> 00:35:48,340 {\an1\pos(241,432)}CAN I ASK, WHY THE SEPARATION? 533 00:35:48,330 --> 00:35:54,330 {\an1\pos(137,432)}MY FATHER IS A VERY COMPLEX MAN. 534 00:35:54,340 --> 00:35:58,350 {\an1\pos(137,432)}SHE WASN'T GOOD WITH COMPLEXITY. 535 00:35:58,340 --> 00:36:02,840 {\an1\pos(137,432)}THEY WEREN'T EVER HAPPY, AND AS SHE GOT OLDER SHE 536 00:36:02,850 --> 00:36:04,850 {\an1\pos(137,432)}RETREATED FROM REALITY. 537 00:36:04,850 --> 00:36:09,360 {\an1\pos(137,432)}THE BIBLE BECAME HER LENS ON THE WORLD, AND SHE'D ONLY 538 00:36:09,350 --> 00:36:13,350 {\an1\pos(137,432)}COMMUNICATE THROUGH SCRIPTURE. 539 00:36:13,360 --> 00:36:18,870 {\an1\pos(137,432)}OF COURSE WE TRIED TO HELP, BUT SHE COULDN'T SEE THAT 540 00:36:18,860 --> 00:36:22,860 {\an1\pos(137,432)}SHE WAS ILL. 541 00:36:22,870 --> 00:36:24,370 {\an1\pos(137,432)}IN THE END, SHE LEFT... 542 00:36:26,370 --> 00:36:27,870 {\an1\pos(293,432)}AND WE LET HER GO. 543 00:36:30,370 --> 00:36:34,370 {\an1\pos(241,432)}[FOOTSTEPS] 544 00:36:34,380 --> 00:36:40,890 {\an1\pos(189,432)}SERGEANT, YOU DON'T MIND IF I DO THIS, DO YOU? 545 00:36:40,880 --> 00:36:44,380 {\an1\pos(189,432)}I'M EXPECTING MY DAUGHTER OVER FOR DINNER TONIGHT. 546 00:36:44,390 --> 00:36:49,400 {\an1\pos(137,432)}OF COURSE NOT. GO RIGHT AHEAD. 547 00:36:49,390 --> 00:36:52,890 {\an1\pos(241,432)}POOR JESSICA. 548 00:36:52,900 --> 00:36:55,910 {\an1\pos(189,432)}I CAN'T IMAGINE WHO'D DO SUCH A THING. 549 00:36:55,900 --> 00:36:57,400 {\an1\pos(293,432)}OH, WE THINK WE KNOW WHO DID IT. 550 00:36:57,400 --> 00:37:02,400 {\an1\pos(241,432)}THIS COSTELLO? 551 00:37:02,410 --> 00:37:06,920 {\an1\pos(189,432)}BUT WHAT WAS HIS MOTIVE? 552 00:37:06,910 --> 00:37:12,910 {\an1\pos(137,432)}MY WIFE AND MY BEST FRIEND. 553 00:37:12,920 --> 00:37:14,920 {\an1\pos(189,432)}WHY IS HE DOING THIS? 554 00:37:14,920 --> 00:37:19,930 {\an1\pos(137,432)}WE'RE NOT SURE ABOUT MOTIVE. 555 00:37:19,920 --> 00:37:22,920 {\an1\pos(137,432)}HE LEAVES THINGS. 556 00:37:22,930 --> 00:37:24,930 {\an1\pos(293,432)}THINGS? 557 00:37:24,930 --> 00:37:30,940 {\an1\pos(137,432)}TINY COFFINS WITH EFFIGIES INSIDE. 558 00:37:30,930 --> 00:37:34,930 {\an1\pos(137,432)}EFFIGIES OF SMILING BABIES. 559 00:37:34,940 --> 00:37:38,450 {\an1\pos(137,432)}LAST TIME, THERE WAS A NUMBER ON IT. 560 00:37:43,450 --> 00:37:46,460 {\an1\pos(137,432)}Sir James: NUMBERS? 561 00:37:46,450 --> 00:37:48,950 {\an1\pos(293,432)}Siobhan: 8, 3, 8, 2. 562 00:37:52,460 --> 00:37:54,960 {\an1\pos(293,432)}SIR JAMES? 563 00:37:54,960 --> 00:37:57,470 {\an1\pos(137,432)}NOTHING. 564 00:37:57,460 --> 00:37:59,960 {\an1\pos(137,432)}JUST NUMBERS, I'M AFRAID. 565 00:38:01,960 --> 00:38:04,960 {\an1\pos(293,432)}Fiona: 8, 3, 8, 2? 566 00:38:04,970 --> 00:38:07,980 {\an1\pos(293,432)}NO. 567 00:38:07,970 --> 00:38:10,970 {\an1\pos(241,432)}CAN'T SAY THEY MEAN ANYTHING STRAIGHT OFF. 568 00:38:10,970 --> 00:38:12,970 {\an1\pos(137,432)}YOU'RE SURE? 569 00:38:12,980 --> 00:38:14,980 {\an1\pos(293,432)}I'VE JUST SAID SO. 570 00:38:17,480 --> 00:38:19,980 {\an1\pos(137,432)}Siobhan: THERE WASN'T A WET EYE IN THE HOUSE. 571 00:38:19,980 --> 00:38:23,480 {\an1\pos(293,432)}LIKEWISE. AND THE NUMBERS? 572 00:38:23,490 --> 00:38:24,990 {\an1\pos(137,432)}MEANT NOTHING TO HIM. 573 00:38:24,990 --> 00:38:27,000 {\an1\pos(293,432)}NOR HER. 574 00:38:33,500 --> 00:38:39,510 {\an1\pos(137,432)}IT COULD BE A DATE--8th OF MARCH, 1982. 575 00:38:44,510 --> 00:38:49,020 {\an1\pos(137,432)}THE DAY SHE LOST HER SON, THE DAY HE LOST HIS GRANDSON. 576 00:38:52,010 --> 00:38:56,020 {\an1\pos(137,432)}THEN AGAIN, MAYBE JUST DIDN'T REGISTER. 577 00:38:56,020 --> 00:38:58,020 {\an1\pos(137,432)}SHE WAS IN A HURRY TO GO OUT. 578 00:38:58,020 --> 00:39:01,520 {\an1\pos(241,432)}WELL, DINNER WITH DADDY IS HARDLY A BIG DEAL. 579 00:39:01,520 --> 00:39:04,020 {\an1\pos(189,432)}[CELL PHONE RINGING] 580 00:39:10,530 --> 00:39:11,530 {\an1\pos(189,432)}HELLO? 581 00:39:19,040 --> 00:39:21,540 {\an1\pos(189,432)}Phillippa: TWO PEOPLE KILLED BECAUSE OF ME. 582 00:39:25,050 --> 00:39:26,560 {\an1\pos(189,432)}Rebus: "MY LITTLE GENERAL. 583 00:39:26,550 --> 00:39:29,050 {\an1\pos(137,432)}"I HOPE THE DEMISE OF THE OLD LADY WILL CONVINCE YOU I 584 00:39:29,050 --> 00:39:30,550 {\an1\pos(241,432)}"MEAN BUSINESS. 585 00:39:30,550 --> 00:39:35,550 {\an1\pos(241,432)}WATCH THIS SPACE." 586 00:39:35,560 --> 00:39:38,070 {\an1\pos(189,432)}IT'S POSSIBLE THIS HAS GOT NOTHING TO DO WITH YOU. 587 00:39:38,060 --> 00:39:39,560 {\an1\pos(189,432)}COSTELLO COULD BE LYING. 588 00:39:39,560 --> 00:39:40,560 {\an1\pos(137,432)}Phillippa: LYING? 589 00:39:40,560 --> 00:39:43,060 {\an1\pos(189,432)}Siobhan: LET'S JUST SAY THE RANDOM SELECTION OF VICTIMS 590 00:39:43,070 --> 00:39:46,080 {\an1\pos(189,432)}THEORY HAS TAKEN A BIT OF A KNOCK. 591 00:39:46,070 --> 00:39:47,570 {\an1\pos(189,432)}OUT OF A WHOLE CITY, HE PICKS TWO PEOPLE WHO KNEW 592 00:39:47,570 --> 00:39:49,070 {\an1\pos(241,432)}EACH OTHER. 593 00:39:49,070 --> 00:39:51,570 {\an1\pos(241,432)}Miranda: THEN WHY IS HE DOING IT? 594 00:39:51,570 --> 00:39:53,070 {\an1\pos(293,432)}Rebus: I DON'T KNOW. 595 00:40:05,890 --> 00:40:07,890 {\an1\pos(293,432)}WHEN YOU MENTION MIRANDA... 596 00:40:07,890 --> 00:40:10,890 {\an1\pos(137,432)}MM-HMM? 597 00:40:10,890 --> 00:40:14,390 {\an1\pos(293,432)}THE CHIEF SUPER KIND OF TIGHTENS. 598 00:40:14,400 --> 00:40:15,910 {\an1\pos(293,432)}WHY IS THAT? 599 00:40:19,400 --> 00:40:24,900 {\an1\pos(137,432)}GIRL MEETS BOY, GIRL LOSES BOY, GIRL STILL HOLDS 600 00:40:24,910 --> 00:40:28,420 {\an1\pos(137,432)}TORCH FOR BOY. 601 00:40:28,410 --> 00:40:31,410 {\an1\pos(137,432)}THE OLD STORY. 602 00:40:31,410 --> 00:40:33,410 {\an1\pos(241,432)}YOU AND THE CHIEF SUPER! 603 00:40:33,420 --> 00:40:38,430 {\an1\pos(137,432)}MM-HMM. 604 00:40:38,420 --> 00:40:40,420 {\an1\pos(293,432)}BUT SHE'S THE CHIEF SUPER. 605 00:40:42,930 --> 00:40:45,430 {\an1\pos(137,432)}RANK COMES OFF WITH THE REST OF THE KIT. 606 00:40:49,430 --> 00:40:51,930 {\an1\pos(293,432)}ARE THEY SAYING ANYTHING YET? 607 00:40:51,930 --> 00:40:56,440 {\an1\pos(137,432)}THERE'S ONE THING THAT KEEPS RECURRING. 608 00:40:56,440 --> 00:40:57,940 {\an1\pos(137,432)}I DON'T UNDERSTAND IT. 609 00:40:57,940 --> 00:40:59,440 {\an1\pos(241,432)}AND THAT IS? 610 00:41:05,950 --> 00:41:10,450 {\an1\pos(137,432)}"I'M NOT DEAD," THEY'RE SAYING. 611 00:41:10,450 --> 00:41:14,950 {\an1\pos(137,432)}"THAT'S WHY I'M SMILING. 612 00:41:14,960 --> 00:41:16,970 {\an1\pos(137,432)}I'M STILL ALIVE." 613 00:42:13,520 --> 00:42:15,520 {\an1\pos(293,432)}[THUNDER] 614 00:42:20,520 --> 00:42:21,520 {\an1\pos(189,432)}Miranda: DO YOU MIND? 615 00:42:21,520 --> 00:42:23,520 {\an1\pos(189,432)}IT'S POURING OUTSIDE AND WE NEED SOME MILK. 616 00:42:23,530 --> 00:42:24,530 {\an1\pos(137,432)}Phillippa: OH, I'LL GO. 617 00:42:24,530 --> 00:42:26,540 {\an1\pos(293,432)}NO, IT'S OK. 618 00:42:47,050 --> 00:42:48,550 {\an1\pos(241,432)}Costello: FLIP! 619 00:42:51,050 --> 00:42:53,050 {\an1\pos(241,432)}Miranda: AAH! 620 00:43:00,060 --> 00:43:01,560 {\an1\pos(293,432)}Man: HOI! 621 00:43:17,080 --> 00:43:20,080 {\an1\pos(137,432)}Miranda: OK, SO THAT'S THE PEPLOE AND THAT FOR JANUARY. 622 00:43:20,080 --> 00:43:21,580 {\an1\pos(241,432)}Rebus: HEY. 623 00:43:27,090 --> 00:43:28,090 {\an1\pos(137,432)}ARE YOU OK? 624 00:43:28,090 --> 00:43:33,590 {\an1\pos(241,432)}YEAH, I'M... IT'S JUST MY LEG. 625 00:43:33,600 --> 00:43:35,100 {\an1\pos(137,432)}Rebus: YOU SHOULD BE AT HOME. 626 00:43:35,100 --> 00:43:36,610 {\an1\pos(293,432)}YEAH, SHE SHOULD. 627 00:43:36,600 --> 00:43:38,600 {\an1\pos(241,432)}I'M OK. 628 00:43:38,600 --> 00:43:40,600 {\an1\pos(189,432)}I HAVE TO GET THIS DONE. 629 00:43:40,600 --> 00:43:42,600 {\an1\pos(189,432)}AMERICA, REMEMBER? 630 00:43:42,610 --> 00:43:44,110 {\an1\pos(293,432)}SHE BORROWED MY COAT, AND DAVID MUST 631 00:43:44,110 --> 00:43:46,120 {\an1\pos(293,432)}HAVE THOUGHT SHE WAS ME. 632 00:43:46,110 --> 00:43:47,110 {\an1\pos(137,432)}YOU SURE IT WAS HIM? 633 00:43:47,110 --> 00:43:50,110 {\an1\pos(189,432)}Miranda: YEAH. HE CALLED ME FLIP. 634 00:43:50,110 --> 00:43:54,110 {\an1\pos(137,432)}DO YOU HAVE A THEORY ABOUT THESE COFFINS? 635 00:43:54,120 --> 00:43:56,130 {\an1\pos(137,432)}ABOUT THEIR SIGNIFICANCE? 636 00:43:56,120 --> 00:43:59,120 {\an1\pos(241,432)}IN THIS CONTEXT, NO. 637 00:43:59,120 --> 00:44:00,620 {\an1\pos(293,432)}DO YOU WANT TO KNOW WHAT I THINK? 638 00:44:00,620 --> 00:44:02,120 {\an1\pos(189,432)}SURE. 639 00:44:02,120 --> 00:44:04,620 {\an1\pos(189,432)}AT THE TIME THE COFFINS WERE LEFT ON ARTHUR'S SEAT, 640 00:44:04,630 --> 00:44:07,640 {\an1\pos(189,432)}STILLBIRTHS WEREN'T REGISTERED 641 00:44:07,630 --> 00:44:08,630 {\an1\pos(241,432)}AND STILLBORN CHILDREN WEREN'T 642 00:44:08,630 --> 00:44:10,630 {\an1\pos(241,432)}ENTITLED TO A PROPER BURIAL. 643 00:44:10,630 --> 00:44:12,630 {\an1\pos(293,432)}PERHAPS MOTHERS LEFT THE COFFINS 644 00:44:12,640 --> 00:44:15,640 {\an1\pos(241,432)}AS SYMBOLIC INTERMENTS FOR THEIR CHILDREN. 645 00:44:15,640 --> 00:44:17,150 {\an1\pos(241,432)}THAT'S NOT BAD. 646 00:44:19,640 --> 00:44:22,140 {\an1\pos(137,432)}I'VE GOT SOME STUFF TO DO. 647 00:44:25,150 --> 00:44:29,660 {\an1\pos(189,432)}TACTFUL AS WELL AS FRIGHTENINGLY BRIGHT. 648 00:44:29,650 --> 00:44:31,650 {\an1\pos(293,432)}AHH. 649 00:44:31,650 --> 00:44:34,150 {\an1\pos(241,432)}IT'S FINE. 650 00:44:34,160 --> 00:44:36,670 {\an1\pos(137,432)}YOU KNOW, I WAS THINKING. 651 00:44:36,660 --> 00:44:41,160 {\an1\pos(137,432)}THIS INJURY, YOU MAY HAVE TO CANCEL THE TRIP TO AMERICA. 652 00:44:45,670 --> 00:44:48,180 {\an1\pos(241,432)}REBUS, ARE YOU SAYING YOU DON'T WANT ME TO GO? 653 00:44:48,170 --> 00:44:49,670 {\an1\pos(137,432)}NO, NO. 654 00:44:51,670 --> 00:44:55,670 {\an1\pos(137,432)}ARE YOU SAYING IF I SAY DON'T GO, YOU WOULDN'T? 655 00:44:55,680 --> 00:44:58,190 {\an1\pos(345,432)}NO. 656 00:44:58,180 --> 00:44:59,680 {\an1\pos(241,432)}NO, I NEVER SAID THAT. 657 00:46:51,290 --> 00:46:52,790 {\an1\pos(189,432)}WHAT DO YOU WANT?! 658 00:46:52,800 --> 00:46:56,310 {\an1\pos(293,432)}TO GIVE YOU THIS. 659 00:46:56,300 --> 00:46:58,300 {\an1\pos(293,432)}AND THIS. 660 00:46:58,300 --> 00:46:59,800 {\an1\pos(189,432)}NO! 661 00:47:00,800 --> 00:47:02,300 {\an1\pos(241,432)}Man: HELLO? SIR JAMES? 662 00:47:02,300 --> 00:47:04,800 {\an1\pos(137,432)}Sir James: HELP! HELP ME! 663 00:47:31,830 --> 00:47:33,830 {\an1\pos(241,432)}YOU'VE HAD NEWS OF YOUR FATHER? 664 00:47:33,840 --> 00:47:37,350 {\an1\pos(137,432)}\h\h\h\hFiona: HIS ARM'S BROKEN...AND SHOCK, OBVIOUSLY. 665 00:47:37,340 --> 00:47:38,840 {\an1\pos(241,432)}BUT HE'S STRONG. 666 00:47:38,840 --> 00:47:41,840 {\an1\pos(189,432)}HE'LL BE ALL RIGHT. 667 00:47:41,840 --> 00:47:43,340 {\an1\pos(137,432)}THESE COFFINS. 668 00:47:43,350 --> 00:47:45,850 {\an1\pos(137,432)}FIRST DEVLIN, THEN YOUR MOTHER, NOW YOUR FATHER. 669 00:47:45,850 --> 00:47:48,360 {\an1\pos(189,432)}THERE HAS TO BE A REASON FOR THEM. 670 00:47:48,350 --> 00:47:51,850 {\an1\pos(189,432)}I'M SURE YOU'RE RIGHT, BUT THEY MEAN NOTHING TO ME. 671 00:47:51,850 --> 00:47:53,850 {\an1\pos(137,432)}YOU ARRIVED SHORTLY AFTER THE ATTACK? 672 00:47:53,860 --> 00:47:55,360 {\an1\pos(241,432)}WHAT OF IT? 673 00:47:55,360 --> 00:47:56,870 {\an1\pos(189,432)}YOUR ARRIVAL AND COSTELLO'S DEPARTURE MUST HAVE BEEN 674 00:47:56,860 --> 00:47:59,860 {\an1\pos(189,432)}PRETTY CLOSE TOGETHER. 675 00:47:59,860 --> 00:48:00,860 {\an1\pos(137,432)}Rebus: YOU DIDN'T SEE ANYTHING? 676 00:48:00,860 --> 00:48:03,360 {\an1\pos(189,432)}DON'T YOU THINK I WOULD HAVE SAID IF I HAD? 677 00:48:03,370 --> 00:48:05,870 {\an1\pos(137,432)}DID YOU? 678 00:48:05,870 --> 00:48:07,380 {\an1\pos(293,432)}NO. 679 00:48:35,400 --> 00:48:36,910 {\an1\pos(293,432)}SIOBHAN! 680 00:48:49,410 --> 00:48:52,410 {\an1\pos(137,432)}THAT PAINT COULD MATCH FIONA KOLLROSS' CAR. 681 00:48:55,920 --> 00:48:57,430 {\an1\pos(137,432)}HAVE A LOOK INSIDE. 682 00:49:36,960 --> 00:49:38,460 {\an1\pos(189,432)}Rebus: IT'S VERY GOOD OF YOU TO COOPERATE WITH US, 683 00:49:38,460 --> 00:49:40,460 {\an1\pos(241,432)}MRS. KOLLROSS. 684 00:49:40,460 --> 00:49:45,460 {\an1\pos(241,432)}I THINK DAVID COSTELLO HIT YOUR CAR. 685 00:49:45,470 --> 00:49:49,480 {\an1\pos(137,432)}AS I SAID, INSPECTOR, 686 00:49:49,470 --> 00:49:53,970 {\an1\pos(137,432)}IT HAPPENED WHILE THE VEHICLE WAS UNATTENDED. 687 00:49:53,980 --> 00:49:55,480 {\an1\pos(241,432)}AS YOU SAID. 688 00:50:00,480 --> 00:50:01,980 {\an1\pos(137,432)}THAT WAS QUICK. 689 00:50:01,980 --> 00:50:03,980 {\an1\pos(241,432)}PICTURE IT. 690 00:50:03,990 --> 00:50:06,500 {\an1\pos(189,432)}THERE'S ME AND THE POINTY HEADS WITH THEIR GIZMOS-- 691 00:50:06,490 --> 00:50:09,990 {\an1\pos(137,432)}EXCUSE ME--ALL GOING ON ABOUT HOW DIFFICULT IT IS TO GET 692 00:50:09,990 --> 00:50:12,990 {\an1\pos(137,432)}ROUND A PASSWORD, WHEN I SAY FOR A JOKE, WELL, THE GUY'S 693 00:50:13,000 --> 00:50:16,510 {\an1\pos(137,432)}NAME WAS COSTELLO, SO WHY NOT TRY ABBOTT? 694 00:50:16,500 --> 00:50:17,500 {\an1\pos(189,432)}Templer: THAT WAS NEVER IT. 695 00:50:17,500 --> 00:50:19,000 {\an1\pos(137,432)}Siobhan: IT WAS. 696 00:50:19,000 --> 00:50:21,500 {\an1\pos(137,432)}THERE WERE THE E-MAILS HE SENT TO PHILLIPPA BALFOUR, BUT THERE 697 00:50:21,500 --> 00:50:24,500 {\an1\pos(137,432)}WAS ALSO A DRAFT MESSAGE HE HAD YET TO SEND. 698 00:50:24,510 --> 00:50:26,520 {\an1\pos(137,432)}COSTELLO REFERS TO THE RECIPIENT AS "M" AND SAYS, 699 00:50:26,510 --> 00:50:28,010 {\an1\pos(137,432)}"MESSED UP ON THE OLD MAN. 700 00:50:28,010 --> 00:50:29,510 {\an1\pos(137,432)}WILL TRY AGAIN." 701 00:50:29,510 --> 00:50:31,510 {\an1\pos(293,432)}"M"? 702 00:50:31,510 --> 00:50:33,510 {\an1\pos(189,432)}COSTELLO'S KILLER, PERHAPS? 703 00:50:33,520 --> 00:50:34,520 {\an1\pos(189,432)}WAS THERE AN ADDRESS? 704 00:50:34,520 --> 00:50:37,030 {\an1\pos(137,432)}NO, JUST THE DRAFT MESSAGE. 705 00:50:37,020 --> 00:50:38,520 {\an1\pos(189,432)}Templer: WONDER WHY HE DIDN'T SEND IT. 706 00:50:38,520 --> 00:50:42,520 {\an1\pos(293,432)}MAYBE WE WERE MEANT TO FIND IT. 707 00:50:42,520 --> 00:50:45,520 {\an1\pos(189,432)}NOTHING LIKE A BIT OF ENCOURAGEMENT, AFFIRMATION. 708 00:50:45,530 --> 00:50:48,540 {\an1\pos(137,432)}AND THAT WAS NOTHING LIKE. 709 00:50:48,530 --> 00:50:50,030 {\an1\pos(293,432)}Woman: SIR? 710 00:50:50,030 --> 00:50:51,530 {\an1\pos(189,432)}JUST PUT IT DOWN THERE, \h\h\h\hWOULD YOU? 711 00:50:57,040 --> 00:50:59,040 {\an1\pos(137,432)}THIS IS THE CAMPER VAN STUFF. 712 00:51:04,050 --> 00:51:06,560 {\an1\pos(189,432)}THERE'S NO DOUBT THAT THE TWO VEHICLES COLLIDED. 713 00:51:06,550 --> 00:51:11,050 {\an1\pos(137,432)}G1936? WHAT THE HELL IS THAT? 714 00:51:14,060 --> 00:51:17,070 {\an1\pos(137,432)}IT SAYS COSTELLO'S PRINTS WERE FOUND ON IT AS WELL AS JESSICA 715 00:51:17,060 --> 00:51:20,560 {\an1\pos(137,432)}HOGARTH'S BLOOD, SUGGESTING HE WROTE IT AT THE MURDER SCENE. 716 00:51:56,000 --> 00:51:57,510 {\an1\pos(293,432)}SIOBHAN. 717 00:52:01,500 --> 00:52:03,500 {\an1\pos(241,432)}FIONA SAID HER MOTHER WOULD ONLY COMMUNICATE 718 00:52:03,510 --> 00:52:04,510 {\an1\pos(293,432)}THROUGH SCRIPTURE. 719 00:52:07,510 --> 00:52:09,510 {\an1\pos(293,432)}G1936. 720 00:52:09,510 --> 00:52:12,010 {\an1\pos(241,432)}GENESIS 19:36? 721 00:52:21,020 --> 00:52:28,530 {\an1\pos(241,432)}GENESIS...19. 722 00:52:28,530 --> 00:52:32,530 {\an1\pos(189,432)}SODOM AND GOMORRAH. 723 00:52:32,530 --> 00:52:36,540 {\an1\pos(189,432)}THE DESTRUCTION OF SODOM AND GOMORRAH. 724 00:52:36,540 --> 00:52:42,040 {\an1\pos(241,432)}34, 35, 36. 725 00:52:42,040 --> 00:52:46,040 {\an1\pos(137,432)}"THUS WERE BOTH DAUGHTERS OF LOT WITH CHILD BY 726 00:52:46,050 --> 00:52:48,060 {\an1\pos(137,432)}THEIR FATHER." 727 00:52:55,060 --> 00:52:59,070 {\an1\pos(137,432)}\h\h\h\hEVIDENCE FROM JESSICA HOGARTH'S HOUSE, TAKEN THE DAY 728 00:52:59,060 --> 00:53:05,560 {\an1\pos(137,432)}AFTER MICHAEL KOLLROSS KILLED HIMSELF THERE, 6th OF MARCH 729 00:53:05,570 --> 00:53:08,080 {\an1\pos(189,432)}1982, 23 YEARS AGO. 730 00:53:08,070 --> 00:53:11,570 {\an1\pos(241,432)}TWO DAYS BEFORE HIS WIFE HAD A SON, STILLBORN. 731 00:53:11,570 --> 00:53:15,070 {\an1\pos(137,432)}Templer: WHAT IF COSTELLO IS THAT CHILD? 732 00:53:16,580 --> 00:53:18,580 {\an1\pos(241,432)}Rebus: UH-HUH? 733 00:53:18,580 --> 00:53:21,080 {\an1\pos(137,432)}THE BABY WASN'T STILLBORN. 734 00:53:21,080 --> 00:53:23,080 {\an1\pos(137,432)}THEY GAVE IT AWAY. 735 00:53:23,090 --> 00:53:26,090 {\an1\pos(241,432)}AND WHEN HE GROWS UP, HE WANTS TO KNOW WHY. 736 00:53:26,090 --> 00:53:33,100 {\an1\pos(189,432)}Rebus: HIS FIRST TWO VICTIMS DIED SLOWLY, VERY SLOWLY. 737 00:53:33,100 --> 00:53:37,610 {\an1\pos(137,432)}THAT GIVES HIM ENOUGH TIME TO TALK TO THEM BEFORE THEY GO. 738 00:53:37,600 --> 00:53:41,100 {\an1\pos(189,432)}DEVLIN TELLS HIM THAT FIONA IS HIS MOTHER. 739 00:53:41,100 --> 00:53:42,600 {\an1\pos(137,432)}WHAT CAN JESSICA TELL HIM? 740 00:53:42,600 --> 00:53:44,100 {\an1\pos(293,432)}DADDY'S NAME. 741 00:53:44,110 --> 00:53:47,620 {\an1\pos(189,432)}Rebus: HERE WE ARE. 742 00:53:47,610 --> 00:53:50,110 {\an1\pos(137,432)}THESE ARE PAGES FROM JESSICA'S BIBLE SCATTERED ALL OVER 743 00:53:50,110 --> 00:53:52,110 {\an1\pos(241,432)}THE FLOOR. 744 00:53:52,110 --> 00:53:55,610 {\an1\pos(189,432)}GENESIS, CHAPTER 19 VERSE... 745 00:53:55,620 --> 00:53:56,630 {\an1\pos(449,432)}36. 746 00:53:56,620 --> 00:53:58,120 {\an1\pos(137,432)}WHAT? 747 00:53:58,120 --> 00:54:00,120 {\an1\pos(137,432)}\h\h\h\h"THUS WERE BOTH THE DAUGHTERS OF LOT WITH CHILD BY 748 00:54:00,120 --> 00:54:02,120 {\an1\pos(241,432)}THEIR FATHER." 749 00:54:05,630 --> 00:54:08,640 {\an1\pos(293,432)}INCEST. 750 00:54:08,630 --> 00:54:16,130 {\an1\pos(137,432)}IF FIONA IS COSTELLO'S MOTHER, SIR JAMES IS HIS FATHER. 751 00:54:16,140 --> 00:54:17,650 {\an1\pos(189,432)}JESSICA KNEW ABOUT IT. 752 00:54:17,640 --> 00:54:19,640 {\an1\pos(189,432)}THAT'S WHY SHE LEFT HOME. 753 00:54:19,640 --> 00:54:22,140 {\an1\pos(241,432)}IT SENT HER MAD. 754 00:54:22,140 --> 00:54:24,140 {\an1\pos(189,432)}WELL, IT WOULD, WOULDN'T IT? 755 00:54:24,150 --> 00:54:28,160 {\an1\pos(137,432)}SO DOES SIR JAMES KNOW WHO'S BEHIND THE KILLINGS AND WHY? 756 00:54:28,150 --> 00:54:29,150 {\an1\pos(189,432)}WELL, IF HE DOES, HE'S NOT GOING TO COME TO US AND TELL 757 00:54:29,150 --> 00:54:31,150 {\an1\pos(189,432)}US ABOUT IT, IS HE? 758 00:54:37,160 --> 00:54:40,160 {\an1\pos(189,432)}FIONA'S CAR COLLIDED WITH THE CAMPER VAN. 759 00:54:40,160 --> 00:54:43,160 {\an1\pos(241,432)}WE KNOW THAT. 760 00:54:43,170 --> 00:54:45,170 {\an1\pos(189,432)}WHY IS SHE KEEPING QUIET ABOUT IT? 761 00:54:45,170 --> 00:54:47,680 {\an1\pos(345,432)}DADDY'S ORDERS? 762 00:54:47,670 --> 00:54:50,170 {\an1\pos(241,432)}YES, ALWAYS. 763 00:54:50,170 --> 00:54:52,670 {\an1\pos(189,432)}HE WAS HER ABUSER, HE STILL IS. 764 00:54:52,670 --> 00:54:54,670 {\an1\pos(189,432)}SHE'LL DO WHAT SHE'S TOLD. 765 00:54:54,680 --> 00:54:57,190 {\an1\pos(189,432)}SO WE'RE KEPT IN THE DARK ABOUT THE CAMPER VAN. 766 00:54:57,180 --> 00:54:58,680 {\an1\pos(189,432)}SIR JAMES GOES OFF LOOKING FOR IT, 767 00:54:58,680 --> 00:55:00,680 {\an1\pos(189,432)}FINDS IT, KILLS COSTELLO. 768 00:55:00,680 --> 00:55:03,680 {\an1\pos(293,432)}HOW DID HE DO THAT WITH A BUSTED ARM? 769 00:55:03,690 --> 00:55:05,190 {\an1\pos(241,432)}TRUE. 770 00:55:05,190 --> 00:55:06,700 {\an1\pos(137,432)}YOU HAVE TO FIRM THIS UP. 771 00:55:06,690 --> 00:55:08,190 {\an1\pos(241,432)}WELL, WE'VE GOT COSTELLO'S DNA. 772 00:55:08,190 --> 00:55:09,190 {\an1\pos(189,432)}ALL WE NEED IS FIONA'S. 773 00:55:09,190 --> 00:55:10,690 {\an1\pos(137,432)}DO YOU THINK SHE WOULD COOPERATE? 774 00:55:10,690 --> 00:55:13,690 {\an1\pos(137,432)}WOULD SIR JAMES ALLOW IT? 775 00:55:13,700 --> 00:55:15,200 {\an1\pos(137,432)}WELL, THEN HOW? 776 00:55:16,700 --> 00:55:18,200 {\an1\pos(189,432)}NO! 777 00:55:18,200 --> 00:55:19,700 {\an1\pos(241,432)}THERE WILL BE NO TRICKS, JOHN! 778 00:55:19,700 --> 00:55:22,700 {\an1\pos(189,432)}NO UNDERHAND SCHEMES, NO SUBTERFUGE. 779 00:55:22,700 --> 00:55:24,200 {\an1\pos(241,432)}NOTHING THAT IS NOT WRITTEN IN THE BOOK. 780 00:55:24,210 --> 00:55:25,210 {\an1\pos(241,432)}DO YOU UNDERSTAND? 781 00:55:25,210 --> 00:55:27,720 {\an1\pos(137,432)}BUT WE NEED TO BE 100% CERTAIN! 782 00:55:27,710 --> 00:55:30,710 {\an1\pos(189,432)}YOU'RE DAMN RIGHT WE DO! BUT NO TRICKS! 783 00:55:39,220 --> 00:55:41,720 {\an1\pos(293,432)}I WON'T LET ANYTHING HAPPEN TO YOU. 784 00:55:41,720 --> 00:55:43,220 {\an1\pos(345,432)}I KNOW THAT. 785 00:55:49,230 --> 00:55:52,230 {\an1\pos(189,432)}Rebus: THANK YOU FOR COMING, MRS. KOLLROSS. 786 00:55:52,230 --> 00:55:53,230 {\an1\pos(241,432)}SIR JAMES. 787 00:55:53,240 --> 00:55:54,740 {\an1\pos(189,432)}Fiona: YOU DID SAY IT WAS IMPORTANT. 788 00:55:54,740 --> 00:55:56,750 {\an1\pos(137,432)}IT IS. 789 00:55:56,740 --> 00:55:58,740 {\an1\pos(137,432)}IT'S BEEN CONFIRMED THAT YOUR CAR CAME INTO CONTACT 790 00:55:58,740 --> 00:56:01,240 {\an1\pos(137,432)}WITH DAVID COSTELLO'S CAMPER VAN. 791 00:56:01,240 --> 00:56:02,740 {\an1\pos(449,432)}SO? 792 00:56:02,740 --> 00:56:04,740 {\an1\pos(189,432)}Rebus: AND YOU CAN'T REMEMBER HOW? 793 00:56:04,750 --> 00:56:08,760 {\an1\pos(345,432)}I TOLD YOU I DON'T KNOW. 794 00:56:08,750 --> 00:56:09,750 {\an1\pos(241,432)}WELL, CAN YOU AT LEAST TELL US 795 00:56:09,750 --> 00:56:13,250 {\an1\pos(241,432)}WHEN YOU NOTICED THE DAMAGE TO YOUR CAR? 796 00:56:13,260 --> 00:56:15,760 {\an1\pos(137,432)}LOOK, WHY IS THIS SO IMPORTANT? 797 00:56:15,760 --> 00:56:17,270 {\an1\pos(137,432)}COSTELLO IS DEAD! 798 00:56:17,260 --> 00:56:19,260 {\an1\pos(189,432)}Rebus: AND I'M TRYING TO CATCH HIS KILLER, SIR JAMES. 799 00:56:19,260 --> 00:56:22,260 {\an1\pos(189,432)}AND KNOWING THE MOVEMENTS PRIOR TO HIS DEATH WILL HELP 800 00:56:22,260 --> 00:56:23,760 {\an1\pos(189,432)}ME IN THAT ENDEAVOR. 801 00:56:23,770 --> 00:56:26,780 {\an1\pos(241,432)}I CAN'T REMEMBER WHEN I NOTICED THE DAMAGE. 802 00:56:26,770 --> 00:56:28,270 {\an1\pos(137,432)}WELL, OF COURSE, BUT-- 803 00:56:28,270 --> 00:56:29,770 {\an1\pos(189,432)}I THINK THAT'S ENOUGH. 804 00:56:29,770 --> 00:56:32,270 {\an1\pos(241,432)}FIONA'S GIVEN YOU ALL THE HELP SHE CAN. 805 00:56:41,780 --> 00:56:42,780 {\an1\pos(189,432)}Siobhan: OH, SHIT! 806 00:56:42,780 --> 00:56:43,780 {\an1\pos(137,432)}Sir James: I BEG YOUR PARDON. 807 00:56:43,790 --> 00:56:44,790 {\an1\pos(397,432)}NOTHING. 808 00:56:49,290 --> 00:56:51,290 {\an1\pos(293,432)}I SAID NO TRICKS. 809 00:56:51,290 --> 00:56:52,790 {\an1\pos(137,432)}IT'S JUST A FAG END. 810 00:56:52,790 --> 00:56:53,790 {\an1\pos(293,432)}I'M YOUR SUPERIOR OFFICER! 811 00:56:53,800 --> 00:56:55,300 {\an1\pos(293,432)}I GAVE YOU STRICT INSTRUCTIONS! 812 00:56:55,300 --> 00:56:57,310 {\an1\pos(137,432)}SUPERIOR OFFICER. 813 00:56:57,300 --> 00:57:01,300 {\an1\pos(137,432)}YOU ARE A COPPER FIRST AND LAST. 814 00:57:01,300 --> 00:57:03,800 {\an1\pos(137,432)}AND REMEMBER, I COULD ALWAYS TELL WHEN YOU SAID "NO" 815 00:57:03,810 --> 00:57:05,310 {\an1\pos(137,432)}BUT MEANT "YES." 816 00:57:09,310 --> 00:57:11,310 {\an1\pos(137,432)}OR MAYBE I CAN'T TELL. 817 00:57:23,330 --> 00:57:25,330 {\an1\pos(241,432)}[TELEPHONE RINGS] 818 00:57:25,330 --> 00:57:26,840 {\an1\pos(293,432)}REBUS. 819 00:57:34,340 --> 00:57:35,340 {\an1\pos(293,432)}YEAH. 820 00:57:35,340 --> 00:57:36,850 {\an1\pos(241,432)}THANK YOU. 821 00:57:38,840 --> 00:57:40,840 {\an1\pos(241,432)}SHIT. 822 00:57:40,840 --> 00:57:43,340 {\an1\pos(189,432)}ARSEHOLES. 823 00:57:43,350 --> 00:57:44,850 {\an1\pos(345,432)}FUCK. 824 00:57:48,350 --> 00:57:49,350 {\an1\pos(397,432)}BETTER? 825 00:57:52,350 --> 00:57:56,860 {\an1\pos(137,432)}Rebus: DAVID COSTELLO AND FIONA KOLLROSS ARE CERTAINLY 826 00:57:56,860 --> 00:57:58,360 {\an1\pos(241,432)}NOT RELATED. 827 00:58:02,860 --> 00:58:05,860 {\an1\pos(345,432)}SO, NOW WHAT? 828 00:58:05,870 --> 00:58:07,380 {\an1\pos(137,432)}Rebus: I WAS SURE I WAS RIGHT. 829 00:58:07,370 --> 00:58:09,370 {\an1\pos(241,432)}MAYBE YOU WERE PARTLY RIGHT. 830 00:58:11,370 --> 00:58:15,370 {\an1\pos(189,432)}WHAT IF THE MYSTERIOUS "M" IS THE LOST HOGARTH 831 00:58:15,380 --> 00:58:17,890 {\an1\pos(189,432)}AND COSTELLO WAS WORKING FOR HIM? 832 00:58:17,880 --> 00:58:21,880 {\an1\pos(189,432)}IF DEVLIN DID SWITCH BABIES, IT WOULD MEAN THE WOMAN WHO 833 00:58:21,880 --> 00:58:24,880 {\an1\pos(137,432)}LOST HER CHILD MUST HAVE BEEN CONFINED AT OR ABOUT THE SAME 834 00:58:24,890 --> 00:58:28,900 {\an1\pos(137,432)}TIME AS FIONA KOLLROSS, SO FIND HER AND YOU FIND "M." 835 00:58:31,890 --> 00:58:35,890 {\an1\pos(189,432)}PUT A FORM IN FOR THE PHONE, WILL YOU? 836 00:58:35,900 --> 00:58:37,910 {\an1\pos(241,432)}[BABY CRYING] 837 00:58:41,400 --> 00:58:44,900 {\an1\pos(189,432)}Mayes: SO, INSPECTOR REBUS, WHAT CAN I DO YOU FOR? 838 00:58:44,910 --> 00:58:47,420 {\an1\pos(137,432)}ANOTHER LIST. 839 00:58:47,410 --> 00:58:48,910 {\an1\pos(137,432)}ALL THE WOMEN WHO WERE CONFINED HERE 840 00:58:48,910 --> 00:58:50,410 {\an1\pos(137,432)}THE SAME TIME AS FIONA KOLLROSS. 841 00:58:50,410 --> 00:58:51,410 {\an1\pos(137,432)}CAN YOU DO THAT? 842 00:58:51,410 --> 00:58:53,910 {\an1\pos(293,432)}ABSOLUTELY NO PROBLEM. FOLLOW ME. 843 00:58:55,920 --> 00:58:58,430 {\an1\pos(189,432)}Rebus: ALL THE NAMES ARE ON THIS LIST? 844 00:58:58,420 --> 00:59:00,420 {\an1\pos(189,432)}YOU COULDN'T HAVE MISSED AN ORIGINAL FILE WHEN YOU PUT 845 00:59:00,420 --> 00:59:01,420 {\an1\pos(241,432)}THEM ONTO COMPUTER? 846 00:59:01,420 --> 00:59:04,420 {\an1\pos(137,432)}ABSOLUTELY NOT. I DO NOT MAKE MISTAKES. 847 00:59:04,430 --> 00:59:07,940 {\an1\pos(137,432)}AND NO ONE ELSE HAS ACCESS TO THE FILES. 848 00:59:07,930 --> 00:59:09,930 {\an1\pos(189,432)}EXCELLENT, MR. MAYES. 849 00:59:16,940 --> 00:59:19,940 {\an1\pos(189,432)}Mayes: WELL, THERE WAS DR. DEVLIN, OF COURSE. 850 00:59:24,950 --> 00:59:26,450 {\an1\pos(137,432)}WHAT? 851 00:59:26,450 --> 00:59:27,960 {\an1\pos(189,432)}I TOLD YOU AT THE FUNERAL. 852 00:59:27,950 --> 00:59:31,950 {\an1\pos(189,432)}HE CAME IN AND ASKED TO HAVE ACCESS TO A FILE. 853 00:59:31,950 --> 00:59:37,960 {\an1\pos(189,432)}SAID HE WAS TRYING TO TRACE AN OLD PATIENT. 854 00:59:37,960 --> 00:59:41,460 {\an1\pos(137,432)}TRYING TO ERASE AN OLD PATIENT, MORE LIKE. 855 00:59:47,470 --> 00:59:49,470 {\an1\pos(189,432)}Woman: JUST WATCH THAT STEP. THAT ONE IS A BIT TRICKY. 856 00:59:49,470 --> 00:59:51,970 {\an1\pos(241,432)}THAT'S IT. ISN'T SHE BEAUTIFUL? 857 00:59:51,970 --> 00:59:53,970 {\an1\pos(137,432)}Siobhan: 23 YEARS LATER, DEVLIN ALTERS THE RECORDS. 858 00:59:53,980 --> 00:59:56,990 {\an1\pos(137,432)}WHY? 859 00:59:56,980 --> 01:00:01,480 {\an1\pos(137,432)}HE MUST KNOW "M" IS LOOKING FOR HIS REAL PARENTS. 860 01:00:01,480 --> 01:00:04,480 {\an1\pos(137,432)}"M" HAD BEEN TO SEE HIM? 861 01:00:04,490 --> 01:00:06,490 {\an1\pos(137,432)}"M" HAD BEEN TO SEE HIM, AND HE WANTS TO PROTECT SIR 862 01:00:06,490 --> 01:00:08,500 {\an1\pos(137,432)}JAMES FROM SCANDAL. 863 01:00:08,490 --> 01:00:11,490 {\an1\pos(137,432)}AND HIMSELF, PROBABLY HIMSELF. 864 01:00:11,490 --> 01:00:13,490 {\an1\pos(293,432)}WE'LL NEVER KNOW. 865 01:00:16,000 --> 01:00:19,510 {\an1\pos(345,432)}Siobhan: THERE'S ANOTHER LIST. 866 01:00:19,500 --> 01:00:22,000 {\an1\pos(137,432)}WHAT? 867 01:00:22,000 --> 01:00:23,500 {\an1\pos(293,432)}THERE'S ANOTHER LIST. 868 01:00:32,510 --> 01:00:34,510 {\an1\pos(137,432)}Woman: SMILE! 869 01:00:34,520 --> 01:00:36,020 {\an1\pos(137,432)}Rebus: BOYD. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHERE. 870 01:00:36,020 --> 01:00:37,530 {\an1\pos(137,432)}JENKINS. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHERE. 871 01:00:37,520 --> 01:00:39,520 {\an1\pos(137,432)}PURDIE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hHERE. 872 01:00:39,520 --> 01:00:41,020 {\an1\pos(137,432)}MOORE. \h\h\h\h\h\h\h\h\h\h\h\h\h\h\h\hYUP. 873 01:00:41,020 --> 01:00:44,520 {\an1\pos(189,432)}\h\h\h\h\h\h\h\hHOLD ON. YOU MISSED ONE. HERE. 874 01:00:44,530 --> 01:00:46,030 {\an1\pos(137,432)}OH, NO, I TOLD YOU, INSPECTOR. 875 01:00:46,030 --> 01:00:47,040 {\an1\pos(137,432)}GIRLS ON THE LEFT. 876 01:00:47,030 --> 01:00:48,530 {\an1\pos(137,432)}NOW, YOU SAID A BOY! 877 01:00:48,530 --> 01:00:50,030 {\an1\pos(241,432)}THIS GIRL'S DRESSED IN BLUE. 878 01:00:50,030 --> 01:00:52,530 {\an1\pos(137,432)}AH, NOW, THE ULTRASOUND WILL HAVE SAID BOY. 879 01:00:52,530 --> 01:00:55,530 {\an1\pos(137,432)}THE FAMILY BOUGHT BLUE, AND MUM DELIVERED A GIRL. 880 01:00:55,540 --> 01:00:56,540 {\an1\pos(137,432)}IT HAPPENED. 881 01:00:56,540 --> 01:00:58,050 {\an1\pos(137,432)}YES, THERE YOU ARE. SEE? 882 01:00:58,040 --> 01:01:01,040 {\an1\pos(137,432)}MR. AND MRS. BALFOUR AND BABY PHILLIPPA, BORN 8th 883 01:01:01,040 --> 01:01:05,540 {\an1\pos(137,432)}OF MARCH, 1982. 884 01:01:05,550 --> 01:01:07,560 {\an1\pos(241,432)}SO CAN I COME IN? 885 01:01:11,550 --> 01:01:14,050 {\an1\pos(189,432)}I'LL COME BACK THEN. LATER. 886 01:01:21,560 --> 01:01:24,060 {\an1\pos(241,432)}[DOOR BUZZER] 887 01:01:36,580 --> 01:01:39,090 {\an1\pos(241,432)}[TELEPHONE RINGS] 888 01:01:39,080 --> 01:01:40,580 {\an1\pos(189,432)}Fiona on machine: THERE'S NO ONE HERE TO TAKE YOUR CALL. 889 01:01:40,580 --> 01:01:42,580 {\an1\pos(189,432)}PLEASE LEAVE A MESSAGE. 890 01:01:44,090 --> 01:01:47,100 {\an1\pos(189,432)}Rebus: MRS. KOLLROSS... INSPECTOR REBUS. 891 01:01:47,090 --> 01:01:49,590 {\an1\pos(189,432)}I NEED TO TALK TO YOU. I'LL CALL YOU ON THE MOBILE. 892 01:01:53,600 --> 01:01:55,600 {\an1\pos(137,432)}HULLO, MUMMY. 893 01:01:55,600 --> 01:01:59,110 {\an1\pos(137,432)}OR IS IT "MOTHER"? 894 01:01:59,100 --> 01:02:01,600 {\an1\pos(137,432)}WHAT SHOULD I CALL YOU? FIONA? 895 01:02:01,600 --> 01:02:03,600 {\an1\pos(345,432)}MAYBE. 896 01:02:03,610 --> 01:02:05,610 {\an1\pos(189,432)}[TELEPHONE RINGING] 897 01:02:13,110 --> 01:02:15,610 {\an1\pos(189,432)}Phillippa: HE WANTS TO TALK TO YOU. 898 01:02:15,620 --> 01:02:19,630 {\an1\pos(293,432)}IT'LL BE ABOUT ME, I EXPECT. 899 01:02:19,620 --> 01:02:20,620 {\an1\pos(293,432)}SHIT. 900 01:02:20,620 --> 01:02:22,120 {\an1\pos(137,432)}MOVE OVER! 901 01:02:22,120 --> 01:02:23,620 {\an1\pos(137,432)}FUCK YOU, TOO, YOU ARSEHOLE. 902 01:02:23,630 --> 01:02:25,130 {\an1\pos(189,432)}Rebus: MRS. KOLLROSS-- INSPECTOR REBUS. 903 01:02:25,130 --> 01:02:27,140 {\an1\pos(189,432)}I NEED TO TALK TO YOU. IT'S IMPORTANT. 904 01:02:27,130 --> 01:02:29,130 {\an1\pos(189,432)}CALL ME WHEN YOU GET THIS. 905 01:02:31,130 --> 01:02:33,630 {\an1\pos(241,432)}SHE'S RUNNING CIRCLES ROUND US. 906 01:02:33,640 --> 01:02:35,640 {\an1\pos(241,432)}COSTELLO'S NOT GOING TO THE MUSEUM TO STALK HER, 907 01:02:35,640 --> 01:02:37,150 {\an1\pos(241,432)}HE'S THERE TO GET HIS BLOODY ORDERS. 908 01:02:37,140 --> 01:02:38,140 {\an1\pos(137,432)}WELL, IT'S PERFECT. 909 01:02:38,140 --> 01:02:39,640 {\an1\pos(137,432)}YOU WANT SOMETHING DONE, GET SOMEONE WHO'S OBSESSED 910 01:02:39,640 --> 01:02:41,140 {\an1\pos(137,432)}WITH YOU TO DO IT. 911 01:02:44,150 --> 01:02:46,650 {\an1\pos(189,432)}THIS IS NICE, ISN'T IT? 912 01:02:49,650 --> 01:02:53,150 {\an1\pos(137,432)}I LIKE GREEN TEA, TOO. 913 01:02:53,150 --> 01:02:55,150 {\an1\pos(293,432)}WHAT DO YOU WANT? 914 01:02:55,160 --> 01:02:57,670 {\an1\pos(189,432)}MUGS? 915 01:02:57,660 --> 01:02:59,160 {\an1\pos(345,432)}IN THERE. 916 01:03:06,670 --> 01:03:07,680 {\an1\pos(137,432)}BUT WHAT IF WE'D CAUGHT HIM? 917 01:03:07,670 --> 01:03:10,670 {\an1\pos(241,432)}WHO WOULD YOU BELIEVE? HIM OR HER? 918 01:03:10,670 --> 01:03:12,170 {\an1\pos(241,432)}MILITARY TACTICS! 919 01:03:12,170 --> 01:03:13,670 {\an1\pos(241,432)}TAKE A RISK, BUT ALWAYS HAVE A PLAN "B." 920 01:03:13,680 --> 01:03:14,680 {\an1\pos(189,432)}Recording: I'M SORRY. 921 01:03:14,680 --> 01:03:16,180 {\an1\pos(345,432)}OH, SHIT. 922 01:03:16,180 --> 01:03:17,190 {\an1\pos(137,432)}AND WHEN HE OUTLIVED HIS USEFULNESS, SHE KILLED HIM? 923 01:03:17,180 --> 01:03:18,680 {\an1\pos(397,432)}YUP. 924 01:03:18,680 --> 01:03:20,680 {\an1\pos(293,432)}HERE, GO LEFT, GO LEFT, GO LEFT. 925 01:03:22,180 --> 01:03:24,680 {\an1\pos(241,432)}[TIRES SQUEAL] 926 01:03:24,690 --> 01:03:25,690 {\an1\pos(293,432)}HOW DID YOU-- 927 01:03:25,690 --> 01:03:27,700 {\an1\pos(137,432)}DID I FIND YOU? 928 01:03:27,690 --> 01:03:29,690 {\an1\pos(137,432)}I FOUND A PHOTOGRAPH. 929 01:03:29,690 --> 01:03:31,690 {\an1\pos(137,432)}ME AND MUM AND DAD AT THAT TEMPLEMOUNT PLACE. 930 01:03:31,690 --> 01:03:33,690 {\an1\pos(137,432)}THE REST WAS EASY. 931 01:03:33,700 --> 01:03:36,200 {\an1\pos(137,432)}HE MADE YOU GIVE ME AWAY, DIDN'T HE? 932 01:03:36,200 --> 01:03:38,210 {\an1\pos(137,432)}NO SUGAR, RIGHT? 933 01:03:38,200 --> 01:03:41,700 {\an1\pos(137,432)}I DON'T EVEN KNOW HOW YOU LIKE YOUR TEA. 934 01:03:41,700 --> 01:03:43,200 {\an1\pos(345,432)}NO. 935 01:03:49,210 --> 01:03:53,210 {\an1\pos(137,432)}WAS IT TERRIBLE, WHAT HE DID TO YOU? 936 01:03:53,210 --> 01:03:54,710 {\an1\pos(189,432)}Sir James: WHO WAS IT? 937 01:03:57,220 --> 01:03:59,720 {\an1\pos(241,432)}FIONA? DARLING. 938 01:03:59,720 --> 01:04:00,720 {\an1\pos(241,432)}WHAT'S HE DOING HERE? 939 01:04:00,720 --> 01:04:01,720 {\an1\pos(137,432)}HE'S HERE BECAUSE-- 940 01:04:01,720 --> 01:04:03,220 {\an1\pos(189,432)}Sir James: WHO'S THERE? 941 01:04:03,220 --> 01:04:05,220 {\an1\pos(137,432)}Fiona: THERE WAS A TIME WHEN I THOUGHT IT WOULD STOP, 942 01:04:05,230 --> 01:04:06,730 {\an1\pos(137,432)}BUT I COULDN'T. 943 01:04:06,730 --> 01:04:08,240 {\an1\pos(137,432)}I LOVE HIM. 944 01:04:08,230 --> 01:04:09,230 {\an1\pos(345,432)}LOVE? 945 01:04:09,230 --> 01:04:11,730 {\an1\pos(293,432)}WHAT DO--HOW COULD YOU LOVE HIM? 946 01:04:11,730 --> 01:04:13,230 {\an1\pos(241,432)}WHAT'S HAPPENING? 947 01:04:13,230 --> 01:04:14,730 {\an1\pos(345,432)}NO. 948 01:04:14,740 --> 01:04:15,740 {\an1\pos(293,432)}THAT'S NOT RIGHT. 949 01:04:15,740 --> 01:04:16,740 {\an1\pos(137,432)}DON'T DO THIS. 950 01:04:16,740 --> 01:04:20,750 {\an1\pos(137,432)}KEEPING YOU WAS...WE HAD TO GIVE YOU AWAY. 951 01:04:20,740 --> 01:04:22,740 {\an1\pos(397,432)}NO. 952 01:04:22,740 --> 01:04:24,240 {\an1\pos(293,432)}NO. MUMMY, TELL ME THAT YOU DIDN'T-- 953 01:04:24,250 --> 01:04:26,250 {\an1\pos(137,432)}I'M NOT YOUR MUMMY. I'M YOUR FUCKING SISTER. 954 01:04:26,250 --> 01:04:29,760 {\an1\pos(241,432)}[DOOR BUZZER] 955 01:04:29,750 --> 01:04:30,750 {\an1\pos(293,432)}FIONA? 956 01:04:30,750 --> 01:04:33,750 {\an1\pos(345,432)}WHAT ABOUT ME? WHAT ABOUT ME?! 957 01:04:33,760 --> 01:04:34,760 {\an1\pos(137,432)}WHAT ARE YOU DOING? 958 01:04:34,760 --> 01:04:38,270 {\an1\pos(189,432)}YOU VILE, SICK, DISGUSTING PIECE OF WORK! 959 01:04:38,260 --> 01:04:41,260 {\an1\pos(137,432)}STOP! STOP IT! 960 01:04:41,260 --> 01:04:44,260 {\an1\pos(137,432)}GO AWAY. LEAVE US ALONE. 961 01:04:44,270 --> 01:04:45,770 {\an1\pos(241,432)}[DOOR BUZZER] 962 01:04:50,270 --> 01:04:51,270 {\an1\pos(293,432)}WHAT ABOUT ME?! 963 01:04:51,270 --> 01:04:53,270 {\an1\pos(241,432)}NO! \h\h\h\h\h\h\h\h\h\h\h\hNO! 964 01:05:01,280 --> 01:05:03,780 {\an1\pos(241,432)}[DOOR BUZZER] 965 01:05:11,290 --> 01:05:13,290 {\an1\pos(241,432)}[FIONA CRYING] 966 01:05:13,290 --> 01:05:14,290 {\an1\pos(293,432)}SIT DOWN. 967 01:05:17,800 --> 01:05:19,300 {\an1\pos(397,432)}SIT DOWN. 968 01:05:29,810 --> 01:05:32,310 {\an1\pos(293,432)}[SIREN] 969 01:06:33,370 --> 01:06:36,370 {\an1\pos(241,432)}[ENGINE WHIRRING] 970 01:06:44,490 --> 01:06:48,500 {\an1\pos(293,432)}WELL, HERE WE ARE. 971 01:06:48,490 --> 01:06:50,490 {\an1\pos(137,432)}HERE WE ARE. 972 01:06:52,990 --> 01:06:55,490 {\an1\pos(293,432)}I'M GOING TO MISS YOU, REBUS. 973 01:06:55,500 --> 01:06:59,010 {\an1\pos(137,432)}AYE, BUT WILL YOU STAY TRUE TO ME? 974 01:06:59,000 --> 01:07:01,500 {\an1\pos(293,432)}GET REAL. 975 01:07:01,500 --> 01:07:02,500 {\an1\pos(293,432)}KISS? 976 01:07:16,020 --> 01:07:17,530 {\an1\pos(345,432)}CIAO. 977 01:07:20,520 --> 01:07:22,520 {\an1\pos(137,432)}SAFE JOURNEY. 978 01:08:08,070 --> 01:08:10,070 {\an1\pos(449,432)}OK? 979 01:08:10,070 --> 01:08:11,070 {\an1\pos(137,432)}UH-HUH. 980 01:08:13,570 --> 01:08:16,570 {\an1\pos(293,432)}NO, YOU'RE NOT. 981 01:08:16,580 --> 01:08:19,590 {\an1\pos(137,432)}OK, I'M NOT. 982 01:08:19,580 --> 01:08:21,580 {\an1\pos(241,432)}THE OXFORD, THEN, IS IT? 983 01:08:21,580 --> 01:08:24,080 {\an1\pos(137,432)}YOU'RE A MIND READER, SIOBHAN. 984 01:08:24,090 --> 01:08:26,590 {\an1\pos(137,432)}VERY HANDY SKILL FOR A COPPER. 985 01:09:26,650 --> 01:09:29,660 {\an1\pos(137,120)}CAPTIONING MADE POSSIBLE BY \h\h\h\h\h\h\h\hACORN MEDIA 986 01:09:29,650 --> 01:09:31,650 {\an1\pos(189,120)}CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE 987 01:09:31,650 --> 01:09:33,650 {\an1\pos(189,96)}--www.ncicap.org--