1 00:00:10,233 --> 00:00:11,967 I'M BEAR GRYLLS. 2 00:00:12,033 --> 00:00:13,800 WHOO! 3 00:00:13,867 --> 00:00:15,967 I'VE TRAVELED TO THE ENDS OF THE EARTH 4 00:00:16,033 --> 00:00:18,200 IN SEARCH OF THE MOST EXTREME CHALLENGES... WHOO! 5 00:00:18,266 --> 00:00:20,200 ...TO SHOW YOU THE SKILLS YOU NEED 6 00:00:20,266 --> 00:00:22,700 TO SURVIVE IN THE WORLD'S TOUGHEST ENVIRONMENTS. 7 00:00:24,166 --> 00:00:26,533 DOWN HERE, IT'S GONNA BE A NIGHTMARE! 8 00:00:26,600 --> 00:00:28,533 I'VE GORED DEADLY ANIMALS... [ SNAKE HISSES ] 9 00:00:28,600 --> 00:00:30,166 ...BEEN DROPPED... 10 00:00:30,233 --> 00:00:33,066 FROZEN... [ BLOWING SHARPLY ] 11 00:00:33,133 --> 00:00:34,767 ...BAKED... IT'S HOT! 12 00:00:34,834 --> 00:00:36,834 ...AND HUNTED. OW! 13 00:00:36,900 --> 00:00:38,500 I'VE EATEN THE IMPOSSIBLE... 14 00:00:38,567 --> 00:00:40,066 [ RETCHING ] 15 00:00:40,133 --> 00:00:42,066 ...AND SLEPT IN THE UNTHINKABLE. 16 00:00:42,133 --> 00:00:44,634 BUT IN ALL OF THIS, I'M NOT ALONE. 17 00:00:44,700 --> 00:00:45,934 COME ON, KEEP WITH ME, KEEP WITH ME! 18 00:00:46,000 --> 00:00:48,433 MY SMALL FILM CREW ARE RIGHT BEHIND ME 19 00:00:48,500 --> 00:00:50,333 THROUGH EVERY ADVENTURE. 20 00:00:50,400 --> 00:00:52,000 AND IN THIS SPECIAL EPISODE, 21 00:00:52,066 --> 00:00:53,967 I'M GONNA TAKE YOU BEHIND THE SCENES 22 00:00:54,033 --> 00:00:58,166 TO MEET THIS EXTRAORDINARY TEAM AND SHOW HOW WE OPERATE. 23 00:01:04,367 --> 00:01:06,066 FILMING THIS SHOW HAS TAKEN ME 24 00:01:06,133 --> 00:01:09,400 TO THE EDGES OF HUMAN EXISTENCE. 25 00:01:09,467 --> 00:01:11,400 IT'S NEVER EASY. 26 00:01:11,467 --> 00:01:12,867 THERE'S DANGER... 27 00:01:14,033 --> 00:01:17,767 ...DISCOMFORT, AND SOMETIMES DESPAIR. 28 00:01:17,834 --> 00:01:19,500 BUT IN THE END, IT'S A PRIVILEGE 29 00:01:19,567 --> 00:01:22,700 TO BE PART OF THE TEAM WHO MAKE THIS PROGRAM. 30 00:01:22,767 --> 00:01:24,867 I WORK WITH A VERY SMALL, TIGHT-KNIT CREW, 31 00:01:24,934 --> 00:01:26,634 AND THEY'RE KIND OF AMAZING GUYS. 32 00:01:26,700 --> 00:01:29,800 YOU KNOW, WE GO TO EVERY EXTREMES OF THE EARTH. 33 00:01:29,867 --> 00:01:32,734 AND IN MY EYES, THEY REALLY ARE THE REAL HEROES OF THE SHOW. 34 00:01:32,800 --> 00:01:34,233 ALWAYS WORKING WHEN IT'S TOUGH 35 00:01:34,300 --> 00:01:36,400 AND KIND OF RIGHT THERE BESIDE ME. 36 00:01:36,467 --> 00:01:37,734 GOOD GUYS. 37 00:01:40,200 --> 00:01:42,300 SIMON'S THE CAMERAMAN. 38 00:01:43,367 --> 00:01:45,066 Reay: IT'S A REALLY EXCITING JOB TO DO. 39 00:01:45,133 --> 00:01:48,100 WE GET TO JUST TRAVEL AROUND THE WORLD, WE GET TO EXPLORE STUFF. 40 00:01:48,166 --> 00:01:50,634 WE GET TO GET MESSY, CLIMB THINGS -- 41 00:01:50,700 --> 00:01:51,867 BOYS' ADVENTURE. 42 00:01:51,934 --> 00:01:54,567 EX-ROYAL MARINE COMMANDO DAVE 43 00:01:54,634 --> 00:01:56,567 IS AN EXPERT MOUNTAINEER. 44 00:01:56,634 --> 00:01:58,700 FOR ME, THE MOTIVATION IS THE TEAM 45 00:01:58,767 --> 00:02:01,100 AND THE PEOPLE WITHIN THAT SMALL TEAM. 46 00:02:01,166 --> 00:02:06,200 AND FORMER PARATROOPER DANNY COORDINATES THE CREW. 47 00:02:06,266 --> 00:02:08,033 I'M JUST WATCHING AT ALL TIMES, YOU KNOW, 48 00:02:08,100 --> 00:02:10,033 JUST TO MAKE SURE EVERYTHING'S GOING RIGHT. 49 00:02:12,634 --> 00:02:15,533 THE TEAM JUST GET ON REALLY, REALLY WELL, 50 00:02:15,600 --> 00:02:18,634 AND BEAR IS DEFINITELY THE KINGPIN IN THAT. 51 00:02:18,700 --> 00:02:20,900 Pearce: BEAR WILL TAKE THE BULL BY THE HORNS AND SAY, 52 00:02:20,967 --> 00:02:22,166 "COME ON, LET'S JUST DO IT." 53 00:02:22,233 --> 00:02:24,367 LET'S DO IT. JUST GO FOR IT. LET'S DO IT. 54 00:02:27,900 --> 00:02:30,300 WHATEVER ENVIRONMENT WE'RE DEALING WITH, 55 00:02:30,367 --> 00:02:32,433 THE FIRST CHALLENGE IS OFTEN THE MOST DIFFICULT... 56 00:02:34,033 --> 00:02:35,367 ...GETTING US ON THE GROUND. 57 00:02:40,934 --> 00:02:43,567 WE FILM IN SOME OF THE MOST REMOTE LOCATIONS ON EARTH, 58 00:02:43,634 --> 00:02:48,200 AND THE ONLY WAY IN IS USUALLY BY PARACHUTE. 59 00:02:50,500 --> 00:02:52,533 IN ALASKA, THE TEAM AND I JOINED FORCES 60 00:02:52,600 --> 00:02:54,433 WITH A SEARCH-AND-RESCUE SQUADRON. 61 00:02:54,500 --> 00:02:56,667 [ INDISTINCT CONVERSATION ] 62 00:02:56,734 --> 00:02:58,967 THEY WERE GONNA TAKE ME HIGH INTO THE MOUNTAINS 63 00:02:59,033 --> 00:03:01,600 IN THEIR HH-60 PAVE HAWK. 64 00:03:03,233 --> 00:03:05,667 IT'S A PRETTY TYPICAL SCENE FOR US. 65 00:03:05,734 --> 00:03:07,834 YOU KNOW, WE GOT A HELI ON THE GROUND HERE. 66 00:03:07,900 --> 00:03:09,066 WE'RE JUST RIGGING THAT. 67 00:03:09,133 --> 00:03:11,333 HAVE A BIG BRIEFING WITH THE MILITARY GUYS 68 00:03:11,400 --> 00:03:12,467 WHO ARE FLYING US IN. 69 00:03:12,533 --> 00:03:14,300 EVERY MINUTE OF THE FLIGHT PLAN 70 00:03:14,367 --> 00:03:16,767 HAS TO BE CHECKED AND DOUBLE-CHECKED. 71 00:03:18,200 --> 00:03:20,734 A SECOND HELICOPTER WITH A CAMERA CREW ON BOARD 72 00:03:20,800 --> 00:03:22,767 WILL BE FLYING IN CLOSE FORMATION. 73 00:03:22,834 --> 00:03:25,433 WHAT'S IMPORTANT IS THE SPEED ON THAT, 'CAUSE I CAN'T -- 74 00:03:25,500 --> 00:03:27,667 I CAN'T, OBVIOUSLY, TILT UP AND SEE THAT VIEW 75 00:03:27,734 --> 00:03:29,967 UNTIL YOU'VE GONE UP THERE TO SHOW ME THE VIEW. 76 00:03:30,033 --> 00:03:31,567 YEAH, I GOTCHA. 77 00:03:31,634 --> 00:03:33,033 ONCE WE'VE REACHED THE DROP ZONE, 78 00:03:33,100 --> 00:03:35,133 I RAPPEL FROM THE HOVERING CHOPPER. 79 00:03:35,200 --> 00:03:36,767 AGAIN, I START... 80 00:03:36,834 --> 00:03:38,233 IT'LL BE DOWN TO ME, 81 00:03:38,300 --> 00:03:42,000 BUT WITHOUT CAREFUL PLANNING, IT COULD ALL GO WRONG. 82 00:03:42,066 --> 00:03:43,266 I'VE ALWAYS SAID TO THE GUYS, 83 00:03:43,333 --> 00:03:45,233 "LOOK, YOU GOT TO GET IT RIGHT EVERY SINGLE TIME. 84 00:03:45,300 --> 00:03:46,934 "YOU ONLY NEED EVER GET IT WRONG ONCE, 85 00:03:47,000 --> 00:03:48,834 "SO WE NEED TO REALLY LOOK OUT FOR EACH OTHER 86 00:03:48,900 --> 00:03:51,934 AND MAKE SURE, ABOVE ALL, TOGETHER WE'RE SAFE." 87 00:03:53,367 --> 00:03:58,233 ONCE THE PILOTS HAVE SET THEIR PLAN, IT'S TIME TO GO. 88 00:04:00,767 --> 00:04:03,500 I'M BEING DROPPED DEEP INTO THE WILDERNESS 89 00:04:03,567 --> 00:04:05,800 BY THE ALASKA AIR NATIONAL GUARD. 90 00:04:05,867 --> 00:04:08,066 YOU DON'T WANT TO GET LOST OUT HERE. 91 00:04:08,133 --> 00:04:09,900 BUT IF YOU DO, THESE ARE THE GUYS 92 00:04:09,967 --> 00:04:12,500 THAT'LL BE LOOKING TO GET YOU OUT. 93 00:04:12,567 --> 00:04:16,200 WE'RE IN POSITION AND 80 FEET UP. 94 00:04:16,266 --> 00:04:18,400 THE ONLY WAY IS DOWN. 95 00:04:18,467 --> 00:04:21,233 HELICOPTER RAPPELS ARE ALWAYS FRAUGHT WITH RISK, 96 00:04:21,300 --> 00:04:24,800 'CAUSE YOU'VE GOT ROTORS, ROPE, 97 00:04:24,867 --> 00:04:27,600 AND PEOPLE THAT CAN GET CAUGHT UP. 98 00:04:27,667 --> 00:04:29,800 THIS PAVE HAWK IS A COMBAT CHOPPER, 99 00:04:29,867 --> 00:04:33,033 SO IT'S THE IDEAL PLATFORM FOR RAPID INSERTION. 100 00:04:33,100 --> 00:04:34,500 Reay: THE PAVE HAWK HELICOPTER 101 00:04:34,567 --> 00:04:37,333 IS A FULLY KITTED-OUT BLACK HAWK HELICOPTER, 102 00:04:37,400 --> 00:04:41,200 AND IT'S THE MILITARY HELICOPTER THAT YOU SEE IN THE NEWS. 103 00:04:41,266 --> 00:04:44,100 YOU LOOKED UP, YOU'RE GOING INTO COMBAT THAT DAY. 104 00:04:44,166 --> 00:04:47,300 THIS CHOPPER CREW KNOW THEIR STUFF, 105 00:04:47,367 --> 00:04:49,100 AND I'M SAFELY ON THE DECK, 106 00:04:49,166 --> 00:04:52,567 AND THE HELICOPTER'S OUT OF HERE. 107 00:04:52,634 --> 00:04:55,900 BUT THINGS DON'T ALWAYS GO THAT SMOOTHLY. 108 00:04:58,200 --> 00:05:01,700 IN GUATEMALA, SIMON AND I PLAN TO RAPPEL TOGETHER 109 00:05:01,767 --> 00:05:04,867 OUT OF A HOVERING HELICOPTER. 110 00:05:04,934 --> 00:05:07,133 AND THIS TIME, WE WENT IN HOT. 111 00:05:07,200 --> 00:05:09,433 THERE WAS A LIVE VOLCANO BENEATH US. 112 00:05:10,600 --> 00:05:12,400 Grylls: THAT'S THE LAVA! 113 00:05:12,467 --> 00:05:15,600 YOU CAN JUST FEEL THE HEAT COMING OFF THIS STUFF! 114 00:05:15,667 --> 00:05:17,767 MUST BE A COUPLE HUNDRED FEET UP, 115 00:05:17,834 --> 00:05:20,800 BUT EVEN HERE, IT'S HOT! 116 00:05:20,867 --> 00:05:22,800 Pearce: THERE WAS NOWHERE TO LAND. 117 00:05:22,867 --> 00:05:24,500 RIGHT ON THE TOP OF THE VOLCANO. 118 00:05:24,567 --> 00:05:27,066 LAVA JUST OFF THE BACKSIDE OF IT. 119 00:05:27,133 --> 00:05:29,834 SMOKING SULFUR FUMES EVERYWHERE, 120 00:05:29,900 --> 00:05:31,900 AND WINDS THAT WERE JUST THROWING THE HELICOPTER 121 00:05:31,967 --> 00:05:34,400 ALL OVER THE PLACE, AND IT WAS A REAL BATTLE. 122 00:05:34,467 --> 00:05:37,834 YOU'VE GOT A HELICOPTER PILOT, 123 00:05:37,900 --> 00:05:40,433 BUT HE CAN'T SEE WHAT'S GOING ON. 124 00:05:40,500 --> 00:05:42,834 AND, BASICALLY, I BECOME THE PILOT'S EYES, 125 00:05:42,900 --> 00:05:45,300 SO I TELL THE PILOT EXACTLY WHAT'S GOING ON. 126 00:05:45,367 --> 00:05:46,867 Okay, then, we're good. 127 00:05:46,934 --> 00:05:49,867 BEAR IS UNDERNEATH THE HELO. 128 00:05:49,934 --> 00:05:51,600 THE PILOT WAS FIGHTING WITH THE HELICOPTER, 129 00:05:51,667 --> 00:05:53,400 'CAUSE THE WINDS WERE THROWING THE HELICOPTER 130 00:05:53,467 --> 00:05:54,734 ALL OVER THE PLACE, 131 00:05:54,800 --> 00:05:56,800 AND I WAS LOWERING SIMON DOWN THE OTHER SIDE. 132 00:05:56,867 --> 00:05:58,367 That's good. 133 00:05:58,433 --> 00:05:59,634 I WAS HALFWAY DOWN THE ROPE, 134 00:05:59,700 --> 00:06:01,533 BETWEEN THE HELICOPTER AND THE GROUND. 135 00:06:01,600 --> 00:06:03,667 AND THE PILOT SAID, "DAVE, I GOT TO GO. 136 00:06:03,734 --> 00:06:05,734 I CAN'T HOLD THE HELICOPTER ANYMORE." 137 00:06:05,800 --> 00:06:07,900 I HAD ONE HAND ON SIMON. 138 00:06:07,967 --> 00:06:10,700 AND I'M TRYING TO LOOK AT BEAR, I'M TRYING TO LOWER SIMON. 139 00:06:10,767 --> 00:06:12,166 I'M TRYING TO CONVINCE THE PILOT 140 00:06:12,233 --> 00:06:14,700 JUST TO HOLD ON FOR ANOTHER, YOU KNOW, 15 SECONDS 141 00:06:14,767 --> 00:06:16,600 SO I COULD GET SIMON TO THE GROUND. 142 00:06:16,667 --> 00:06:20,166 LITERALLY, JUST ABOUT TO PULL MY KNIFE OUT TO CUT THE ROPE. 143 00:06:21,567 --> 00:06:23,300 Reay: ANOTHER 5 SECONDS, I WAS ON THE GROUND. 144 00:06:23,367 --> 00:06:24,934 BEAR RELEASED THE ROPE FROM ME, 145 00:06:25,000 --> 00:06:27,400 AND THE HELICOPTER JUST PEELED OFF AND GOT OUT OF THERE. 146 00:06:28,667 --> 00:06:30,467 IT WAS VERY, VERY TENSE. 147 00:06:34,133 --> 00:06:36,567 THEY ALWAYS SAY THAT IT TAKES FIVE SMALL THINGS 148 00:06:36,634 --> 00:06:37,734 TO MAKE A DISASTER -- 149 00:06:37,800 --> 00:06:39,867 LIKE, YOU KNOW, THE PILOT CAN'T STAND, 150 00:06:39,934 --> 00:06:41,233 YOU GOT CLOUDS COMING IN, 151 00:06:41,300 --> 00:06:43,100 WHILE I'M STRUGGLING TO GET YOU OFF THE LINE. 152 00:06:43,166 --> 00:06:44,300 BEFORE YOU KNOW IT, YOU GOT -- 153 00:06:44,367 --> 00:06:46,033 ANYWAY, WE'RE -- WE'RE ALIVE, WE'RE HERE. 154 00:06:46,100 --> 00:06:47,367 WE MADE IT. 155 00:06:49,166 --> 00:06:51,333 IN SOUTHERN TEXAS, WE TRIED SOMETHING 156 00:06:51,400 --> 00:06:52,767 WE'D NEVER DONE BEFORE -- 157 00:06:52,834 --> 00:06:56,200 PARACHUTING IN FROM A BIPLANE. 158 00:06:56,266 --> 00:06:57,734 BUT THERE WAS A PROBLEM -- 159 00:06:57,800 --> 00:06:59,900 HOW TO FIT THE PILOT, SIMON, AND ME 160 00:06:59,967 --> 00:07:04,400 INTO AN AIRPLANE WITH JUST TWO SEATS. 161 00:07:04,467 --> 00:07:07,133 I'M RIGHT HERE, ABOUT 6 FEET AWAY FROM BEAR, 162 00:07:07,200 --> 00:07:10,400 WHICH, UM, THERE WAS NO OTHER PLACE TO BE, 163 00:07:10,467 --> 00:07:12,333 SO THAT'S WHERE I'M GONNA BE FOR THE SHOOT. 164 00:07:12,400 --> 00:07:14,000 DAVE'S STRAPPING ME IN. 165 00:07:14,066 --> 00:07:16,300 I THINK A BIT OF AN EYE-OPENER FOR BOTH OF US, 166 00:07:16,367 --> 00:07:18,100 'CAUSE HE WAS THINKING, AS I WAS, 167 00:07:18,166 --> 00:07:20,266 "THERE SHOULD BE MORE TO CLIP INTO THAN THIS." 168 00:07:20,333 --> 00:07:22,300 BUT YOU LOOKED, AND THERE WAS NOTHING ELSE 169 00:07:22,367 --> 00:07:23,834 YOU COULD DO -- THAT WAS IT. 170 00:07:23,900 --> 00:07:25,600 Pearce: I DON'T THINK SIMON KNOWS THIS, 171 00:07:25,667 --> 00:07:27,433 BUT I SPOKE TO THE PILOT ABOUT IT BEFORE, 172 00:07:27,500 --> 00:07:29,800 AND HE WAS SORT OF SHRUGGING HIS SHOULDERS 173 00:07:29,867 --> 00:07:31,400 AND GIVING ME ODD LOOKS, 174 00:07:31,467 --> 00:07:33,433 BECAUSE HE WAS SAYING, "WELL, IT'S GONNA REALLY AFFECT 175 00:07:33,500 --> 00:07:34,634 "THE AERODYNAMICS OF THE WING, 176 00:07:34,700 --> 00:07:37,133 AND I'M NOT SURE IF I CAN HOLD THE PLANE PROPERLY." 177 00:07:37,200 --> 00:07:39,333 I SAID, "DO YOU THINK YOU CAN?" HE SAID, "YEAH, I THINK SO." 178 00:07:39,400 --> 00:07:40,834 BUT, OF COURSE, SIMON NEVER KNEW THAT. 179 00:07:40,900 --> 00:07:43,433 [ ENGINE TURNS OVER ] 180 00:07:44,634 --> 00:07:46,100 Reay: THE SORT OF POINT OF NO RETURN -- 181 00:07:46,166 --> 00:07:47,867 WHEN YOU ABSOLUTELY BELIEVE, IN YOUR OWN MIND, 182 00:07:47,934 --> 00:07:50,333 YOU CAN'T GET OUT OF THIS... 183 00:07:50,400 --> 00:07:52,467 YOU -- THAT'S IT -- YOU'RE GOING. 184 00:07:52,533 --> 00:07:54,233 YOU'RE TAKING OFF ON A WING. 185 00:07:57,634 --> 00:08:00,533 Beneath me is the Chihuahuan Desert. 186 00:08:00,600 --> 00:08:04,834 You can't mistake this place. It will kill you. 187 00:08:04,900 --> 00:08:06,066 Reay: WHEN YOU'RE IN THE AIR, 188 00:08:06,133 --> 00:08:08,367 YOU'RE JUST A LUMP OF MEAT HANGING ON THE WING. 189 00:08:08,433 --> 00:08:09,767 YOU CAN'T DO ANYTHING. 190 00:08:09,834 --> 00:08:11,433 I WAS JUST SORT OF WEDGED IN A SORT OF -- 191 00:08:11,500 --> 00:08:14,100 SORT OF MIME-ARTIST STATIC POSITION, 192 00:08:14,166 --> 00:08:15,734 TRYING TO GET THESE SHOTS. 193 00:08:15,800 --> 00:08:17,300 AND THE PILOT'S SMILING AWAY, 194 00:08:17,367 --> 00:08:19,300 AND BEAR'S ALL COMFORTABLE IN HIS SEAT. 195 00:08:19,367 --> 00:08:20,967 AND I'M THINKING, "HANG ON, THIS ISN'T -- 196 00:08:21,033 --> 00:08:23,500 USUALLY, I'M IN A SLIGHTLY MORE COMFORTABLE POSITION THAN BEAR." 197 00:08:25,200 --> 00:08:28,567 Okay, Bear, we're coming up on 8,000 feet now. 198 00:08:28,634 --> 00:08:29,934 You better get ready to jump. 199 00:08:30,000 --> 00:08:32,200 THIS WAS A FIRST FOR ME. 200 00:08:32,266 --> 00:08:36,433 IF I CATCH THE TAIL ON EXIT, IT'S GAME OVER. 201 00:08:36,500 --> 00:08:39,266 THE ONLY WAY TO DO IT WAS TO INVERT THE PLANE 202 00:08:39,333 --> 00:08:40,700 SO I COULD HANG CLEAR. 203 00:08:40,767 --> 00:08:43,533 SO, I WAS IN THE COCKPIT, FILMING BEAR. 204 00:08:43,600 --> 00:08:45,533 BEAR WAS NOW STANDING ON TOP OF THE WING. 205 00:08:45,600 --> 00:08:46,967 AS SOON AS THE PLANE INVERTED, 206 00:08:47,033 --> 00:08:49,367 HE WOULD THEN BE HANGING OFF THE TOP OF THE WING. 207 00:08:52,333 --> 00:08:54,734 IT TILTS 'ROUND, HE'S THEN SUDDENLY HANGING, 208 00:08:54,800 --> 00:08:57,800 AND BEAR GOES FROM FEET IN MY EYE VIEW 209 00:08:57,867 --> 00:09:03,500 TO FEET SUDDENLY HANGING OFF THE GROUND. 210 00:09:03,567 --> 00:09:05,634 AMAZING. ABSOLUTELY AMAZING FEELING. 211 00:09:05,700 --> 00:09:07,133 BUT I REMEMBER IT GOING THROUGH MY MIND, 212 00:09:07,200 --> 00:09:09,033 "YEAH, I'M UPSIDE DOWN IN THE PLANE. THIS IS GREAT." 213 00:09:09,100 --> 00:09:10,533 [ LAUGHS ] 214 00:09:10,600 --> 00:09:12,467 "AND BEAR'S JUMPING OUT, HMM." 215 00:09:12,533 --> 00:09:15,533 Good luck down there. You're gonna need it. 216 00:09:17,433 --> 00:09:20,400 OVER THE YEARS, I'VE DONE HUNDREDS OF JUMPS, 217 00:09:20,467 --> 00:09:22,867 BUT IT STILL GETS MY HEART GOING EVERY TIME. 218 00:09:24,767 --> 00:09:27,066 WHAT'S GOING THROUGH MY MIND WHEN BEAR JUMPS OUT THE AIRCRAFT? 219 00:09:27,133 --> 00:09:29,100 "I HOPE THE PARACHUTE OPENS." 220 00:09:29,166 --> 00:09:31,834 Reay: HE ALWAYS DOES THE SIGN OF THE CROSS, 221 00:09:31,900 --> 00:09:34,100 THEN HE JUST FALLS AWAY LIKE THAT. 222 00:09:34,166 --> 00:09:37,300 AND HE DOESN'T PULL THE PARACHUTE. 223 00:09:37,367 --> 00:09:39,533 AND HE'LL PRETTY MUCH STAY LOOKING AT ME 224 00:09:39,600 --> 00:09:42,033 FOR AS LONG AS HE CAN, EVEN WHEN HE'S A LITTLE SPECK. 225 00:09:42,100 --> 00:09:43,834 AND AS HE GETS SMALLER AND SMALLER AND SMALLER, 226 00:09:43,900 --> 00:09:45,634 IT ALWAYS GOES THROUGH MY MIND -- 227 00:09:45,700 --> 00:09:48,233 "PULL THE PARACHUTE. PULL THE CORD, PULL THE CORD." 228 00:09:49,734 --> 00:09:52,367 IT'S TERRIFYING. YOU KIND OF THINK, "OH, NO, THIS IS THE MALFUNCTION. 229 00:09:52,433 --> 00:09:54,800 THIS IS THE TIME. HE'S NOT GONNA DO IT. IT'S GONNA GO WRONG." 230 00:09:54,867 --> 00:09:57,166 [ SIGHS ] HOPEFULLY, HE'LL BE ALL RIGHT. 231 00:09:57,233 --> 00:10:00,467 "IS HE GONNA GO SPLAT?" [ CHUCKLES ] 232 00:10:00,533 --> 00:10:02,734 HE NEVER HAS, SO FAR, 233 00:10:02,800 --> 00:10:05,166 BUT I ALWAYS HAVE THAT FEELING, ALWAYS. 234 00:10:15,266 --> 00:10:17,233 [ THUD ] 235 00:10:18,767 --> 00:10:21,834 WHEW! ON THE GROUND! 236 00:10:21,900 --> 00:10:26,533 BUT STRAIGHT INTO ONE OF THESE CACTUS. 237 00:10:26,600 --> 00:10:29,333 HOWEVER UNCOMFORTABLE THE LANDING, 238 00:10:29,400 --> 00:10:32,800 WE ALWAYS HIT THE GROUND RUNNING. 239 00:10:32,867 --> 00:10:35,967 AND THAT MEANS MY CREW HAS A LOT OF KEEPING UP TO DO. 240 00:10:38,100 --> 00:10:39,433 [ SPLASH ] 241 00:10:50,668 --> 00:10:53,067 FROM THE FREEZING WASTES OF THE ARCTIC CIRCLE 242 00:10:53,134 --> 00:10:55,234 TO THE BURNING HEAT OF THE SAHARA DESERT, 243 00:10:55,301 --> 00:11:01,001 IN MAKING "MAN VS. WILD," WE FILM ALL OVER THE WORLD. 244 00:11:01,067 --> 00:11:02,334 ECUADOR... MONTANA... 245 00:11:02,401 --> 00:11:03,735 PANAMA, PATAGONIA... 246 00:11:03,801 --> 00:11:05,001 SUMATRA... TURKEY... 247 00:11:05,067 --> 00:11:06,334 SCOTLAND... MEXICO TWICE... 248 00:11:06,401 --> 00:11:08,167 NORWAY, SIBERIA... 249 00:11:08,234 --> 00:11:10,101 GUATEMALA... NAMIBIA AND ZAMBIA... 250 00:11:10,167 --> 00:11:12,001 BELIZE... ALABAMA, LOUISIANA... 251 00:11:12,067 --> 00:11:14,034 UH... CHINA... 252 00:11:14,101 --> 00:11:15,735 YEAH, AND THERE'S PROBABLY A FEW OTHERS 253 00:11:15,801 --> 00:11:18,434 WHICH I CAN'T QUITE REMEMBER. [ CHUCKLES ] 254 00:11:18,501 --> 00:11:20,301 WHEREVER WE ARE, 255 00:11:20,368 --> 00:11:23,935 SIMON THE CAMERAMAN'S ALWAYS JUST BEHIND ME. 256 00:11:29,167 --> 00:11:31,368 BEAR, IN ALL THESE ENVIRONMENTS, HE WILL MOVE FAST. 257 00:11:31,434 --> 00:11:32,735 BANG, BANG, BANG, BANG. 258 00:11:32,801 --> 00:11:35,034 Reay: WHATEVER BEAR DOES, YOU HAVE TO BE THERE. 259 00:11:35,101 --> 00:11:36,401 LOTS OF CUTS, LOTS OF BRUISES. 260 00:11:36,468 --> 00:11:37,768 Reay: YOU HAVE TO JUST STEAM IN. 261 00:11:37,835 --> 00:11:39,267 YOU HAVE TO COMMIT TO IT AND GO FOR IT. 262 00:11:39,334 --> 00:11:41,301 I GUESS IT IS DANGEROUS, BUT A LOT OF THE TIME, 263 00:11:41,368 --> 00:11:43,735 YOU KNOW, YOU JUST DON'T GET A CHANCE TO THINK ABOUT THAT, 264 00:11:43,801 --> 00:11:45,701 BECAUSE YOU'RE -- YOU'RE JUST DOING THE SHOT. 265 00:11:45,768 --> 00:11:47,401 YOU'RE JUST DOING WHAT YOU NEED TO DO. 266 00:11:47,468 --> 00:11:50,434 I SUPPOSE I'VE GOT TO JUST KEEP THE SHOT AS STEADY AS I CAN. 267 00:11:50,501 --> 00:11:52,534 BUT THAT VISION OF BEAR IN MY VIEWFINDER NOW 268 00:11:52,601 --> 00:11:54,735 IS SORT OF JUST PERMANENTLY ETCHED ON MY MIND. 269 00:11:54,801 --> 00:11:57,735 HE'S ALWAYS THERE. IT'S JUST THE BACKGROUND CHANGES. 270 00:12:04,134 --> 00:12:05,568 [ GRUNTS ] 271 00:12:05,635 --> 00:12:07,935 [ Chuckling ] YOU ALL RIGHT? 272 00:12:08,001 --> 00:12:10,468 FIRE, ICE... 273 00:12:10,534 --> 00:12:12,167 WATER, DESERT, FOREST -- 274 00:12:12,234 --> 00:12:14,401 WE'VE BEEN THROUGH IT ALL. 275 00:12:14,468 --> 00:12:15,868 KEEPING UP WITH ME 276 00:12:15,935 --> 00:12:19,735 TAKES THE CREW A LONG WAY OUT OF THEIR COMFORT ZONE. 277 00:12:19,801 --> 00:12:22,001 IN ALASKA, THE BEST ROUTE TO SAFETY 278 00:12:22,067 --> 00:12:24,835 WAS TO GET ONTO A GLACIER, 279 00:12:24,901 --> 00:12:29,334 BUT THAT MEANT A JUMP ACROSS ICY WATER FOR ME AND FOR SIMON. 280 00:12:29,401 --> 00:12:32,334 DON'T LIKE THE LOOK OF THIS STUFF AT ALL. 281 00:12:32,401 --> 00:12:36,635 YOU SEE, IT'S JUST ALL FREE-FLOATING, BROKEN ICE. 282 00:12:38,301 --> 00:12:41,067 TO GET TO THE GLACIER, YOU HAD TO SORT OF STEP ACROSS 283 00:12:41,134 --> 00:12:44,368 WHICH WERE EFFECTIVELY ICEBERGS FLOATING IN THE WATER. 284 00:12:44,434 --> 00:12:45,701 OFTEN THEY'RE PRETTY UNSTABLE. 285 00:12:45,768 --> 00:12:47,835 HERE WE GO, TWINKLETOES. 286 00:12:53,601 --> 00:12:55,801 [ GRUNTS ] WHOO! JUST -- 287 00:12:55,868 --> 00:12:59,134 OKAY, COME ON, THEN, GIVE ME YOUR HAND, THIS LAST BIT. 288 00:12:59,201 --> 00:13:01,267 HE SAID, "NO, COME ON. DO THIS LAST ONE. IT'S GREAT. 289 00:13:01,334 --> 00:13:03,401 WE'LL MAKE IT, WE'LL MAKE IT." I'M LIKE, "UGH, OKAY." 290 00:13:03,468 --> 00:13:05,368 LOOK DOWN, LOOK ACROSS, GO FOR IT, COMMIT TO IT. 291 00:13:05,434 --> 00:13:08,234 1, 2, 3. GOOD. GOOD, GOOD. 292 00:13:08,301 --> 00:13:11,601 AND AGAIN. NICE. 293 00:13:11,668 --> 00:13:14,468 Pearce: SIMON -- HE'S NO SLOUCH IN THOSE SITUATIONS, 294 00:13:14,534 --> 00:13:16,434 AND DANCED ACROSS IT REALLY WELL. 295 00:13:16,501 --> 00:13:18,368 BUT HE ALSO HAS TO HOLD A CAMERA. 296 00:13:18,434 --> 00:13:21,735 SOMETIMES YOU JUST GOT TO COMMIT TO THESE THINGS. OKAY. 297 00:13:23,935 --> 00:13:25,368 I'M AS CAREFUL AS I CAN BE, 298 00:13:25,434 --> 00:13:27,967 BUT THERE'S ALWAYS AN ELEMENT OF RISK FOR ME... 299 00:13:28,034 --> 00:13:30,701 AND THE CREW. 300 00:13:30,768 --> 00:13:33,935 THERE WAS A SCREE SLOPE WHICH BEAR AND I WERE POWERING DOWN. 301 00:13:36,434 --> 00:13:38,668 WE GOT TO ABOUT 20 FEET BEFORE THE END OF THIS THING, 302 00:13:38,735 --> 00:13:43,401 AND BEAR SAYS TO ME, "I'M GONNA STOP BY THAT TREE THERE." 303 00:13:45,368 --> 00:13:47,434 AND HE DOESN'T STOP. 304 00:13:47,501 --> 00:13:51,134 [ ROCKS RATTLING ] 305 00:13:51,201 --> 00:13:54,434 [ INDISTINCT SHOUTING ] 306 00:13:58,768 --> 00:14:00,101 WE MANAGED TO RELEASE OURSELVES 307 00:14:00,167 --> 00:14:03,901 AND PULL OURSELVES OFF INTO THE DUST. 308 00:14:03,967 --> 00:14:06,735 SO I GOT OFF LIGHTLY, BUT PURELY DOWN TO LUCK. 309 00:14:06,801 --> 00:14:08,468 BUT THESE BOULDERS WERE WHIZZING -- 310 00:14:08,534 --> 00:14:09,935 WHIZZING PAST OUR HEADS. 311 00:14:10,001 --> 00:14:11,967 [ ROCKS RATTLING ] 312 00:14:15,835 --> 00:14:18,967 [ INDISTINCT SHOUTING ] 313 00:14:19,034 --> 00:14:21,401 NOT NICE. NOT NICE. 314 00:14:23,167 --> 00:14:26,001 FOR THE CREW, FOLLOWING ME AT GROUND LEVEL IS TOUGH ENOUGH, 315 00:14:26,067 --> 00:14:29,868 BUT THE REALLY TESTING TIMES ARE WHEN WE'RE CLIMBING. 316 00:14:29,935 --> 00:14:32,701 Pearce: BEAR TAKES ALL THE RISKS WHEN HE CLIMBS, 317 00:14:32,768 --> 00:14:35,401 BECAUSE IT'S KIND OF NEW GROUND, GENERALLY. 318 00:14:35,468 --> 00:14:38,134 IT'S USUALLY IN REALLY CHALLENGING ENVIRONMENTS. 319 00:14:38,201 --> 00:14:41,835 SO, YEAH, DEFINITELY, RISKS ARE TAKEN. 320 00:14:44,568 --> 00:14:47,801 IN MONTANA, I CLIMBED A BRIDGE TO GET TO A RAILWAY LINE, 321 00:14:47,868 --> 00:14:51,568 AND SIMON THE CAMERAMAN FOLLOWED ME UP. 322 00:14:51,635 --> 00:14:55,301 JUST TILTING DOWN JUST GIVES YOU A HUGE SENSE OF REALITY 323 00:14:55,368 --> 00:14:57,735 ABOUT ACTUALLY HOW HIGH YOU'VE COME. 324 00:14:57,801 --> 00:14:59,101 [ CAMERA SHUTTER CLICKS ] 325 00:14:59,167 --> 00:15:03,534 YOU'RE JUST NOT HUMAN IF YOU DON'T FEEL A FLUTTER. 326 00:15:07,368 --> 00:15:09,901 BEAR GETS TO THE TOP OF THIS, AND HE'S GOT A CHAIN WITH HIM, 327 00:15:09,967 --> 00:15:12,534 AND HE HAS TO THEN BASICALLY MANEUVER HIMSELF 328 00:15:12,601 --> 00:15:17,134 ON A SORT OF AN OVERHANG, ONTO THE TOP OF THIS BRIDGE. 329 00:15:17,201 --> 00:15:18,835 [ METAL CREAKS ] 330 00:15:18,901 --> 00:15:21,534 AND IT'S PROBABLY ABOUT 350 FEET HIGH, MAYBE 400 FEET HIGH. 331 00:15:21,601 --> 00:15:23,901 IT'S A HIGH BRIDGE. 332 00:15:23,967 --> 00:15:26,034 THERE HE WAS, HANGING ON WITH ONE HAND. 333 00:15:26,101 --> 00:15:28,768 AND HE CLIMBS HIMSELF UP, AND IT WAS -- 334 00:15:28,835 --> 00:15:32,801 THAT WAS A LONG WAY UP. 335 00:15:38,468 --> 00:15:40,768 [ BREATHING HEAVILY ] 336 00:15:40,835 --> 00:15:42,735 I'M UP. 337 00:15:42,801 --> 00:15:45,501 AND SO, EVEN THOUGH I'M NOT SCARED OF HEIGHTS, 338 00:15:45,568 --> 00:15:47,967 LOOKING DOWN AT THAT KIND OF HEIGHT, YOU THINK -- 339 00:15:48,034 --> 00:15:50,668 YOUR HEART IS DEFINITELY IN YOUR MOUTH. 340 00:15:50,735 --> 00:15:53,668 AND WHAT GOES UP MUST COME DOWN -- 341 00:15:53,735 --> 00:15:58,101 IN THIS CASE, DOWN A VERY HIGH WATERFALL. 342 00:15:58,167 --> 00:15:59,501 I'M GONNA TRY AND DO THAT. 343 00:15:59,568 --> 00:16:02,134 DOWN THE TRUNK. I'LL GET TO THAT LEDGE. 344 00:16:02,201 --> 00:16:03,601 YEAH. AND THEN WAVE TO YOU. 345 00:16:03,668 --> 00:16:05,668 AND THEN YOU CAN JUST RAPPEL YOURSELF DOWN... 346 00:16:05,735 --> 00:16:07,368 OKAY. ...JOIN ME. 347 00:16:07,434 --> 00:16:10,835 WE FIND A GOOD PLACE TO TIE IT OFF, LADDER GOES OFF, 348 00:16:10,901 --> 00:16:13,167 WE GO DOWN TOGETHER, AND THEN WE'RE OUT OF THERE. 349 00:16:13,234 --> 00:16:15,901 ALL RIGHT. GREAT. LET'S DO IT. 350 00:16:19,201 --> 00:16:20,967 [ CAMERA SHUTTER CLICKS ] 351 00:16:21,034 --> 00:16:23,901 SO, I'M ON AN END OF A ROPE, DANGLING IN A WATERFALL. 352 00:16:23,967 --> 00:16:25,735 IN A WATERFALL, NOT NEXT TO THE WATERFALL. 353 00:16:25,801 --> 00:16:27,768 IN THE WATERFALL. AND IT'S NOT -- 354 00:16:27,835 --> 00:16:29,501 IT'S NOT NORMAL TO BE THERE. 355 00:16:29,568 --> 00:16:32,701 GET ONTO THE LEDGE! 356 00:16:32,768 --> 00:16:34,001 WATER'S POUNDING DOWN ON ME. 357 00:16:35,368 --> 00:16:37,368 AND IT IS A VERY UNCOMFORTABLE PLACE TO BE. 358 00:16:37,434 --> 00:16:39,067 IT'S NOT ONLY IT'S UNCOMFORTABLE, 359 00:16:39,134 --> 00:16:41,801 WITH THE WATER BANGING ON YOUR HEAD AND MOST OF YOUR BODY. 360 00:16:44,501 --> 00:16:47,701 EVEN THOUGH I'VE GOT A DRY SUIT ON, I'M STILL FREEZING COLD. 361 00:16:52,568 --> 00:16:55,267 IF THERE'S ENOUGH WATER FOR A SAFE LANDING, 362 00:16:55,334 --> 00:16:56,768 I ALWAYS LIKE TO JUMP IN, 363 00:16:56,835 --> 00:16:59,735 THOUGH THE HEIGHT IS SOMETIMES AN ISSUE. 364 00:16:59,801 --> 00:17:03,368 I'VE BEEN AT THE TOP OF SOME OF THESE JUMPS AND HAD A LOOK DOWN. 365 00:17:03,434 --> 00:17:05,368 WHOO! 366 00:17:05,434 --> 00:17:07,868 BUT I'M JUST GLAD I AIN'T DOING THEM, YOU KNOW? 367 00:17:11,101 --> 00:17:14,801 IN GUATEMALA, I JUMPED 40 FOOT INTO A POOL OF WATER. 368 00:17:14,868 --> 00:17:16,901 SIMON WAS SUPPOSED TO FOLLOW ME, 369 00:17:16,967 --> 00:17:20,701 BUT, THIS TIME, HE GOT COLD FEET. 370 00:17:20,768 --> 00:17:22,234 WE DO TWO STYLES OF JUMP -- 371 00:17:22,301 --> 00:17:24,768 ONE WHERE I JUMP WITH HIM, WHICH I PREFER... 372 00:17:24,835 --> 00:17:27,301 AND THE OTHER ONE IS, HE JUMPS AND THEN CALLS ME IN, 373 00:17:27,368 --> 00:17:28,534 WHICH I DON'T PREFER. 374 00:17:28,601 --> 00:17:31,167 Pearce: ABOUT 250-ODD-FOOT-HIGH WATERFALL 375 00:17:31,234 --> 00:17:34,568 WITH JUST THOUSANDS AND THOUSANDS OF GALLONS OF WATER. 376 00:17:34,635 --> 00:17:37,635 THE WATER WAS JUST TOO POWERFUL TO GET DOWN, 377 00:17:37,701 --> 00:17:39,668 AND BEAR HAD TO FIND THIS HUGE VINE 378 00:17:39,735 --> 00:17:41,935 TO CLIMB DOWN -- AND GET SIMON DOWN. 379 00:17:43,267 --> 00:17:46,201 GET DOWN TO ME ON THIS LEDGE. 380 00:17:46,267 --> 00:17:48,501 Reay: BEAR HAD GONE DOWN FIRST, AND I'D FOLLOWED HIM DOWN LATER. 381 00:17:48,568 --> 00:17:50,835 HE WANTED TO CHECK OUT THAT HE COULD GET TO THIS LEDGE AT THE BOTTOM. 382 00:17:50,901 --> 00:17:52,134 HE'D GOT TO THIS LEDGE AT THE BOTTOM. 383 00:17:52,201 --> 00:17:54,034 HE GOT THERE. I FOLLOW HIM DOWN. 384 00:17:54,101 --> 00:17:57,568 YOU'RE SAFE THERE. DON'T MOVE. 385 00:17:57,635 --> 00:18:00,101 LET'S DO THE JUMP. YOU'LL NEED TO FOLLOW ME DOWN, OKAY? 386 00:18:00,167 --> 00:18:02,434 NO HESITATION. WE JUST GO FOR IT. 387 00:18:02,501 --> 00:18:04,868 STROKE MY GOAT. IT'S A LONG WAY DOWN. 388 00:18:04,935 --> 00:18:06,835 BUT I KNOW THIS IS DEEP ENOUGH NOW. 389 00:18:06,901 --> 00:18:10,601 HE SAID, "RIGHT, OKAY, I'M OFF." SO, HE JUMPED. 390 00:18:15,067 --> 00:18:17,868 I THOUGHT, "ACTUALLY, YOU'RE IN THE AIR FOR QUITE A LONG TIME." 391 00:18:23,434 --> 00:18:25,501 JUMP! 392 00:18:25,568 --> 00:18:27,868 HE'S IN THE WATER, GOING, "JUMP!" 393 00:18:27,935 --> 00:18:30,067 I'M THINKING, "YEAH, JUST JUMP. HE'S DONE IT. 394 00:18:30,134 --> 00:18:31,434 I KNOW I CAN DO IT. DO IT." 395 00:18:33,568 --> 00:18:36,201 AND I HESITATE, AND I SWITCH FEET, THINKING, 396 00:18:36,267 --> 00:18:38,501 "SHALL I PUSH OFF WITH MY LEFT FOOT, MY RIGHT FOOT?" 397 00:18:38,568 --> 00:18:40,101 AND IT JUST STARTED GOING THROUGH MY MIND -- 398 00:18:40,167 --> 00:18:42,001 I JUST STARTED THINKING, "ACTUALLY, THAT IS QUITE HIGH. 399 00:18:42,067 --> 00:18:43,568 I DON'T REALLY WANT TO DO THIS." 400 00:18:43,635 --> 00:18:45,668 Grylls: JUMP! 401 00:18:46,701 --> 00:18:48,635 YOUR MIND STARTS GOING, "DON'T DO IT, DON'T DO IT." 402 00:18:48,701 --> 00:18:50,601 AND THE OTHER SIDE OF YOU IS GOING, "NO, DO DO IT. 403 00:18:50,668 --> 00:18:52,601 YOU KNOW HOW TO DO IT. EVERYTHING'S GONNA BE FINE." 404 00:18:52,668 --> 00:18:55,701 Pearce: I THINK HE HAD A COUPLE OF MOMENTS UP THERE 405 00:18:55,768 --> 00:18:58,601 BEFORE HE WAS ENCOURAGED TO JUMP. 406 00:18:58,668 --> 00:19:00,167 JUMP! 407 00:19:02,635 --> 00:19:05,401 I THINK IT TOOK ME THREE ATTEMPTS OF HESITATION 408 00:19:05,468 --> 00:19:06,701 BEFORE I WENT FOR IT. 409 00:19:11,534 --> 00:19:14,234 [ SPLASH ] 410 00:19:16,534 --> 00:19:18,768 I THINK HE TAKES HIS HEART IN HIS MOUTH A FEW TIMES AND -- 411 00:19:18,835 --> 00:19:21,468 AND, YOU KNOW, TRUSTS THE PEOPLE AROUND HIM AND GOES FOR IT, 412 00:19:21,534 --> 00:19:24,067 WHICH IS -- WHICH IS, YOU KNOW, ABSOLUTE CREDIT TO HIM. 413 00:19:25,568 --> 00:19:27,201 Reay: HE WAS VERY GRACIOUS WHEN I DID THAT. 414 00:19:27,267 --> 00:19:29,901 HE DIDN'T TAKE THE MICK. THANK YOU. THANK YOU, BEAR. 415 00:19:34,401 --> 00:19:37,301 WHOO! [ SHOUTING INDISTINCTLY ] 416 00:19:37,368 --> 00:19:39,501 IT'S A TOUGH JOB FOR A FILM CREW, 417 00:19:39,568 --> 00:19:41,034 WITH ALL THEIR EQUIPMENT, 418 00:19:41,101 --> 00:19:43,534 TO KEEP UP IN THESE HARSH ENVIRONMENTS, 419 00:19:43,601 --> 00:19:46,868 BUT THESE GUYS DO IT INCREDIBLY WELL. 420 00:19:46,935 --> 00:19:49,901 THAT'S IT. I GOT YOU. OKAY. 421 00:19:49,967 --> 00:19:52,001 SOMETIMES, THOUGH, 422 00:19:52,067 --> 00:19:54,735 THE ONLY WAY THROUGH IS ON MY OWN. 423 00:19:54,801 --> 00:19:56,234 STOP, STOP, STOP, STOP. 424 00:19:56,301 --> 00:19:58,434 HANG ON. HANG ON. JUST WAIT HERE A SEC. 425 00:19:58,501 --> 00:20:01,768 WHEN THAT HAPPENS, I'VE GOT TO USE ONE OF THESE -- 426 00:20:01,835 --> 00:20:04,301 A MINICAM, OR AS WE CALL IT, 427 00:20:04,368 --> 00:20:05,935 "BEAR-CAM." 428 00:20:06,001 --> 00:20:09,534 BEAR-CAM -- THIS WRIST-MOUNTED CAMERA, 429 00:20:09,601 --> 00:20:12,468 YOU KNOW, THAT'S LOOKING UP OR LOOKING DOWN. 430 00:20:12,534 --> 00:20:13,901 OH, OH. GOT MY FOOT. 431 00:20:13,967 --> 00:20:16,267 I CAN JUST MOVE IT TO THE LEFT OR THE RIGHT. 432 00:20:16,334 --> 00:20:17,468 [ BREATHING HEAVILY ] 433 00:20:17,534 --> 00:20:19,468 Reay: TOUGH LITTLE THING, AND IT HAS TO BE. 434 00:20:19,534 --> 00:20:22,468 STRAPPED TO BEAR GRYLLS' ARM, HE SMACKS IT ABOUT ALL THE TIME. 435 00:20:22,534 --> 00:20:24,301 I DON'T KNOW. 436 00:20:24,368 --> 00:20:25,967 WHOA! 437 00:20:30,234 --> 00:20:32,101 Reay: BUT IT ALWAYS SURVIVES. 438 00:20:32,167 --> 00:20:34,735 IT'S -- I SUPPOSE IT'S BEAR-PROOF. 439 00:20:35,935 --> 00:20:39,368 THIS TINY CAMERA ENABLES ME TO GET SOME EXTRAORDINARY SHOTS 440 00:20:39,434 --> 00:20:43,334 WHEN IT'S JUST TOO DANGEROUS TO RISK THE CREW. 441 00:20:45,768 --> 00:20:47,935 IT'S NOT ALWAYS JUST THE TERRAIN 442 00:20:48,001 --> 00:20:49,568 THAT'S DIFFICULT, THOUGH. 443 00:20:49,635 --> 00:20:52,735 OFTEN, IT'S THE CREATURES AND THE CLIMATE. 444 00:20:52,801 --> 00:20:57,001 JUST HAD TO EVACUATE ANOTHER OF THE CREW WITH HEATSTROKE. 445 00:21:12,736 --> 00:21:15,836 IN MY QUEST TO SHOW YOU HOW TO SURVIVE IN THE WILD, 446 00:21:15,902 --> 00:21:18,535 I'VE VISITED DOZENS OF DIFFERENT ENVIRONMENTS. 447 00:21:18,602 --> 00:21:19,669 [ GRUNTS ] 448 00:21:19,736 --> 00:21:21,769 WHAT ALL THESE LOCATIONS SHARE 449 00:21:21,836 --> 00:21:25,502 IS THAT THEY'RE TOUGH ON THE MIND AND THE BODY. 450 00:21:26,736 --> 00:21:29,569 IN PLACES LIKE THESE, ILLNESS, EXTREME TEMPERATURE, 451 00:21:29,636 --> 00:21:31,469 AND THE NASTIEST BUGS ON THE PLANET 452 00:21:31,535 --> 00:21:34,569 ARE ALL OUT TO GET YOU. 453 00:21:34,636 --> 00:21:35,968 ACCLIMATIZATION IS A TRICKY THING. 454 00:21:36,035 --> 00:21:39,402 IT IS QUITE A SHOCK TO THE BODY. 455 00:21:39,469 --> 00:21:41,535 Cane: IF YOU'RE IN THE MILITARY, 456 00:21:41,602 --> 00:21:45,535 THEY GIVE YOU A WEEK, NORMALLY, ACCLIMATIZATION PERIOD. 457 00:21:45,602 --> 00:21:47,168 NOT THIS TEAM. 458 00:21:47,235 --> 00:21:49,769 YOU KNOW, YOU GET A COUPLE OF DAYS, AND THEN THAT'S IT. 459 00:21:49,836 --> 00:21:51,502 YOU'RE STRAIGHT INTO IT, YOU KNOW? 460 00:21:51,569 --> 00:21:54,168 MOST OF THE LOCAL HAZARDS I FACE, 461 00:21:54,235 --> 00:21:56,335 MY CREW FACE, TOO, 462 00:21:56,402 --> 00:21:58,602 FROM GETTING COVERED IN CACTUS SPINES... 463 00:21:58,669 --> 00:22:02,769 BLOODY, BLOODY, BLOODY CACTUS. 464 00:22:02,836 --> 00:22:05,902 ...DEALING WITH THE NIGHTMARE OF MOSQUITOS... 465 00:22:05,968 --> 00:22:09,202 OHH, MAN, THESE MOSQUITOS. 466 00:22:09,268 --> 00:22:10,836 [ GROANS ] 467 00:22:10,902 --> 00:22:13,135 JUST RELENTLESS HERE. 468 00:22:13,202 --> 00:22:16,369 ...TO GETTING ATTACKED BY BLOOD-SUCKING LEECHES. 469 00:22:16,435 --> 00:22:20,068 OH, WELL, I'M GETTING HAMMERED BY THESE THINGS. 470 00:22:20,135 --> 00:22:22,836 WHEN BEAR'S ON CAMERA AND HE'S PEELING OFF A LEECH, 471 00:22:22,902 --> 00:22:25,102 DON'T FORGET THAT BEHIND THAT CAMERA 472 00:22:25,168 --> 00:22:26,335 IS ANOTHER PERSON 473 00:22:26,402 --> 00:22:28,335 WITH A PROBABLY EQUAL AMOUNT OF LEECHES ON HIM. 474 00:22:28,402 --> 00:22:33,836 OH, LOOK, YOU SEE, THIS ONE IS JUST FULL OF BLOOD. 475 00:22:36,102 --> 00:22:41,335 YOU CAN JUST SEE HOW MUCH THEY TAKE OUT. 476 00:22:41,402 --> 00:22:42,968 ON LOCATION, 477 00:22:43,035 --> 00:22:45,369 THE PLANTS AND THE INSECTS CAN BE DIFFICULT ENOUGH, 478 00:22:45,435 --> 00:22:47,702 BUT IT'S THE TEMPERATURE THAT CAN BE THE BIGGEST CHALLENGE. 479 00:22:47,769 --> 00:22:51,602 THE ENVIRONMENTS I PREFER ARE THE EXTREME COLD. 480 00:22:51,669 --> 00:22:53,802 I PROBABLY WOULD PREFER EXTREME HEAT. 481 00:22:53,869 --> 00:22:56,369 FOR ME, I'D GO WITH THE COLD ANY DAY. 482 00:22:56,435 --> 00:22:59,302 IN THE ARCTIC CIRCLE, 483 00:22:59,369 --> 00:23:02,569 THE PLAN WAS TO CROSS A NEAR-FREEZING RIVER. 484 00:23:04,268 --> 00:23:05,736 YOU KNOW, I CAN'T SAY ENOUGH 485 00:23:05,802 --> 00:23:09,268 JUST HOW CAREFUL YOU GOT TO BE WITH WATER THIS COLD. 486 00:23:09,335 --> 00:23:11,335 YOU KNOW, IT CAN BE SUCH A KILLER. 487 00:23:11,402 --> 00:23:14,302 THE TECHNIQUE IS, YOU DON'T WANT TO DO THAT WITH YOUR CLOTHES ON. 488 00:23:14,369 --> 00:23:16,702 Cane: SO WE STRIPPED OFF. 489 00:23:16,769 --> 00:23:19,035 I THINK IT WAS ABOUT MINUS-30 DEGREES, 490 00:23:19,102 --> 00:23:21,802 AND, YOU KNOW, IT WAS ABSOLUTELY FREEZING. 491 00:23:21,869 --> 00:23:23,502 [ GRUNTS ] 492 00:23:23,569 --> 00:23:25,602 WHOA! SNOW DOWN THE BACK. 493 00:23:25,669 --> 00:23:27,002 OKAY, LET'S GET INTO IT. 494 00:23:27,068 --> 00:23:29,035 Reay: BEFORE HE EVEN MANAGED TO DO THE SWIM, 495 00:23:29,102 --> 00:23:32,535 HE HAD TO BREAK THE ICE, TO GET INTO THE DEEPER WATER. 496 00:23:32,602 --> 00:23:34,135 YOU KNOW, I'VE GOT A FULL DRY SUIT ON. 497 00:23:34,202 --> 00:23:36,102 AND JUST THE THOUGHT OF DOING THAT -- 498 00:23:36,168 --> 00:23:38,636 IT WAS HARD ENOUGH DOING THAT, YOU KNOW, IN A DRY SUIT. 499 00:23:42,669 --> 00:23:45,968 I THINK, ONCE YOU TAKE THE PLUNGE, SO TO SPEAK, 500 00:23:46,035 --> 00:23:47,902 AND YOU'RE COMMITTED, 501 00:23:47,968 --> 00:23:49,636 THEN THERE'S NO TURNING BACK. 502 00:23:49,702 --> 00:23:52,535 Reay: AND I'VE GOT SORT OF 5-MIL NEOPRENE GLOVES ON, 503 00:23:52,602 --> 00:23:54,135 AND MY HANDS ARE NOW FREEZING 504 00:23:54,202 --> 00:23:56,302 AND MY FACE IS ABSOLUTELY FREEZING. 505 00:23:56,369 --> 00:23:57,569 BEAR DOING IT NAKED -- 506 00:23:57,636 --> 00:23:59,268 I DON'T KNOW HOW HE DOES STUFF LIKE THAT. 507 00:23:59,335 --> 00:24:01,068 I HAVE NO IDEA HOW HE DOES STUFF LIKE THAT. 508 00:24:01,135 --> 00:24:03,502 I'M FOLLOWING HIM. THE LENS FREEZES OVER. 509 00:24:03,569 --> 00:24:05,902 MANAGE TO CLEAR IT, AND WE CARRY ON FILMING THE SCENE. 510 00:24:05,968 --> 00:24:10,902 I'LL USE THIS ICE BLOCK TO TRY AND FLOAT MY RUCKSACK ACROSS. 511 00:24:10,968 --> 00:24:13,302 Pearce: BEAR MAKES IT LOOK EASY. 512 00:24:13,369 --> 00:24:15,968 HE'S VERY GOOD AT IT, AND HE GETS HIS HEAD 'ROUND IT. 513 00:24:20,135 --> 00:24:22,302 OKAY, IT'S OVER THE DEEP BIT. 514 00:24:22,369 --> 00:24:24,335 LET'S GET ASHORE. 515 00:24:24,402 --> 00:24:26,702 Reay: HE GOT TO THE SIDE IN SORT OF RECORD TIME. 516 00:24:26,769 --> 00:24:29,268 HE DIDN'T WANT TO HANG AROUND IN THAT KIND OF WATER. 517 00:24:29,335 --> 00:24:31,502 GOT TO THE SIDE. WE PULL OURSELVES OUT. 518 00:24:31,569 --> 00:24:32,935 I'M STANDING THERE FROZEN. 519 00:24:33,002 --> 00:24:36,002 LITERALLY, NO JOKE, MY HANDS ARE LITERALLY JUST... 520 00:24:36,068 --> 00:24:37,702 I'M LIKE, "I CAN'T MOVE MY FINGERS." 521 00:24:37,769 --> 00:24:39,836 ONE OF THE GLOVES WAS STUCK TO THE CAMERA LENS. 522 00:24:39,902 --> 00:24:41,068 I COULDN'T ACTUALLY MOVE IT. 523 00:24:41,135 --> 00:24:44,335 [ BLOWING SHARPLY ] 524 00:24:44,402 --> 00:24:47,636 HIS BOOTLACES ACTUALLY WERE STIFF, STRAIGHT OUT. 525 00:24:47,702 --> 00:24:50,702 HE HELD UP HIS BOOT, AND HIS LACE WENT LIKE THAT. 526 00:24:50,769 --> 00:24:52,102 IT WAS THAT COLD. 527 00:24:52,168 --> 00:24:54,068 OUT HORIZONTAL. 528 00:24:54,135 --> 00:24:56,902 THEN YOU KNOW IT'S COLD. 529 00:24:56,968 --> 00:24:59,202 AND IT WASN'T JUST MY SHOELACES 530 00:24:59,268 --> 00:25:02,268 THAT WERE AFFECTED BY THE TEMPERATURE. 531 00:25:02,335 --> 00:25:06,002 THERE WAS DEFINITELY, UM, A SHRINKAGE TO HIS MANHOOD 532 00:25:06,068 --> 00:25:07,435 IN THAT ONE. 533 00:25:07,502 --> 00:25:10,569 TURNED FROM A GRIZZLY BEAR INTO A LITTLE TEDDY BEAR. 534 00:25:10,636 --> 00:25:11,836 [ CHUCKLES ] 535 00:25:11,902 --> 00:25:14,369 [ GRUNTING, BLOWS SHARPLY ] 536 00:25:14,435 --> 00:25:19,369 EXTREME TEMPERATURES DON'T JUST TAKE THEIR TOLL ON ME. 537 00:25:19,435 --> 00:25:21,702 MY CREW GO THROUGH IT ALL, TOO. 538 00:25:21,769 --> 00:25:25,302 IN THE SAHARA, WE REALLY RAN INTO PROBLEMS. 539 00:25:25,369 --> 00:25:27,302 IT WAS ALMOST 130 DEGREES, 540 00:25:27,369 --> 00:25:30,168 AND ALL OF US WERE FINDING IT HARD. 541 00:25:30,235 --> 00:25:32,602 Grylls: I THINK HEAT'S GONNA BE A BIG ISSUE 542 00:25:32,669 --> 00:25:34,802 FOR EVERYONE WORKING ON THIS FACE TODAY. 543 00:25:34,869 --> 00:25:37,335 YOU KNOW, IT'S GONNA BE HOT -- HOT AS YOU LIKE ON THERE. 544 00:25:37,402 --> 00:25:40,068 YOU KNOW, ANY ISSUES, FEELING WEIRD, YOU KNOW, WATER. 545 00:25:40,135 --> 00:25:43,102 YOU KNOW, YOU CAN DEHYDRATE SO FAST IN THESE SORT OF CLIMES, 546 00:25:43,168 --> 00:25:45,602 SO WE JUST LOOK OUT FOR EACH OTHER THERE. 547 00:25:45,669 --> 00:25:47,035 [ WIND GUSTING ] 548 00:25:47,102 --> 00:25:50,002 WHEN IT'S AT ITS HIGHEST AND MOST INTENSE, 549 00:25:50,068 --> 00:25:53,035 THE SUN IS A BRUTAL ENEMY. 550 00:25:53,102 --> 00:25:57,669 REALLY, THE HEAT OUT HERE IS JUST RELENTLESS, 551 00:25:57,736 --> 00:25:59,469 AND WE'VE JUST HAD TO EVACUATE 552 00:25:59,535 --> 00:26:02,902 ANOTHER OF THE CREW WITH HEATSTROKE. 553 00:26:02,968 --> 00:26:04,836 Reay: "SAHARA" WAS AN INTERESTING ONE. 554 00:26:04,902 --> 00:26:08,002 WE DID HAVE CREW MEMBERS DROPPING LIKE FLIES OUT THERE. 555 00:26:08,068 --> 00:26:10,769 IT WAS SERIOUS HEAT. WE HAD SERIOUS EXPOSURE TO THE HEAT. 556 00:26:10,836 --> 00:26:13,402 AND WE WEREN'T GETTING ANY SHADE THROUGHOUT THE DAYS. 557 00:26:13,469 --> 00:26:15,302 AND YOUR BODY CAN ONLY TAKE SO MUCH. 558 00:26:15,369 --> 00:26:16,968 [ BREATHING HEAVILY ] 559 00:26:17,035 --> 00:26:18,168 IT WAS SO HOT. 560 00:26:20,168 --> 00:26:21,702 SO, I WATCHED THE SOUND MAN, 561 00:26:21,769 --> 00:26:23,769 I WAS WATCHING, YOU KNOW, THE CAMERAMAN, 562 00:26:23,836 --> 00:26:25,968 THINKING, "WHO'S GONNA BE NEXT?" 563 00:26:26,035 --> 00:26:28,535 Reay: IT COMES HOME TO YOU, WHEN YOU'RE EVACUATING PEOPLE, 564 00:26:28,602 --> 00:26:30,702 HOW DANGEROUS SOMETIMES THESE SCENARIOS ARE 565 00:26:30,769 --> 00:26:32,636 AND HOW DANGEROUS THE WEATHER CAN BE. 566 00:26:32,702 --> 00:26:34,836 [ SIGHING HEAVILY ] 567 00:26:34,902 --> 00:26:38,836 WHETHER IT'S DEALING WITH THE CLIMATE OR THE CREATURES, 568 00:26:38,902 --> 00:26:40,802 SURVIVING IN THE WILD IS TOUGH, 569 00:26:40,869 --> 00:26:45,469 AND EXTREME ENVIRONMENTS CALL FOR EXTREME TECHNIQUES. 570 00:26:45,535 --> 00:26:49,435 I'M NOT EXPECTING THIS TO BE PARTICULARLY PLEASANT. 571 00:26:49,502 --> 00:26:51,569 [ GROANS LOUDLY ] 572 00:27:08,336 --> 00:27:11,003 SURVIVING IN THE WILD ISN'T EASY. 573 00:27:11,069 --> 00:27:14,236 YOU'VE GOT TO STAY FOCUSED AND MOTIVATED, 574 00:27:14,303 --> 00:27:15,969 BUT YOU ALSO NEED TO IMPROVISE, 575 00:27:16,036 --> 00:27:20,203 USING WHATEVER YOU FIND TO STAY ALIVE AND REACH SAFETY. 576 00:27:20,269 --> 00:27:22,536 ADAPTABILITY IS THE KEY. 577 00:27:22,603 --> 00:27:24,637 Pearce: IT'S VERY HARD TO PLAN, 578 00:27:24,703 --> 00:27:26,169 BECAUSE, ULTIMATELY, 579 00:27:26,236 --> 00:27:28,336 THE ENVIRONMENT WILL TRY AND TAKE CONTROL. 580 00:27:28,403 --> 00:27:30,169 SO YOU'VE JUST GOT TO BE FLEXIBLE, 581 00:27:30,236 --> 00:27:32,069 YOU GOT TO KEEP YOUR WITS ABOUT YOU. 582 00:27:32,136 --> 00:27:33,303 TRIGGERS IT. 583 00:27:33,370 --> 00:27:35,637 WHETHER IT'S MAKING A TRAP... 584 00:27:35,703 --> 00:27:38,936 ...A RAFT, OR SOMEWHERE SAFE TO SLEEP... 585 00:27:39,003 --> 00:27:40,203 PERFECT! 586 00:27:40,269 --> 00:27:44,503 ...YOU'VE GOT TO USE WHATEVER YOU FIND. 587 00:27:44,570 --> 00:27:46,403 IN PANAMA, I WANTED TO SHOW 588 00:27:46,470 --> 00:27:48,902 HOW YOU CAN ABSORB THE UNBOILED, DIRTY WATER 589 00:27:48,969 --> 00:27:50,703 I'D FOUND ON A DESERTED ROCK. 590 00:27:52,470 --> 00:27:56,370 THE THING IS, THIS IS FULL OF BIRD DROPPINGS 591 00:27:56,436 --> 00:27:58,169 AND LOOKING PRETTY FETID. 592 00:27:58,236 --> 00:28:02,069 DRINKING THIS FOUL WATER WOULD MAKE YOU VOMIT. 593 00:28:02,136 --> 00:28:05,069 VOMITING WOULD LEAD TO FURTHER DEHYDRATION, 594 00:28:05,136 --> 00:28:07,436 WHICH ULTIMATELY COULD KILL YOU. 595 00:28:07,503 --> 00:28:11,637 BUT THERE IS A LAST DESPERATE MEASURE YOU CAN TAKE. 596 00:28:11,703 --> 00:28:13,003 USING MY WATER BOTTLE 597 00:28:13,069 --> 00:28:15,737 AND A RUBBER PIPE I FOUND WASHED UP ON THE BEACH, 598 00:28:15,803 --> 00:28:19,737 I'M GONNA GIVE MYSELF A MAKESHIFT ENEMA. 599 00:28:19,803 --> 00:28:23,203 THERE ARE STORIES OF THIS SAVING PEOPLE'S LIVES. 600 00:28:23,269 --> 00:28:26,837 THERE'S ONE PARTICULAR FAMILY WHO WAS STRANDED IN A LIFE RAFT, 601 00:28:26,902 --> 00:28:29,303 AND ALL THIS WATER HAD GATHERED IN THE BOTTOM OF IT. 602 00:28:29,370 --> 00:28:31,136 AND THEY'D BEEN FEEDING OFF TURTLES, 603 00:28:31,203 --> 00:28:32,902 AND IT WAS MIXED WITH TURTLE BLOOD. 604 00:28:32,969 --> 00:28:35,203 IT HAD GONE FETID. 605 00:28:35,269 --> 00:28:37,803 AND THE ONLY WAY THEY MANAGED TO STAY HYDRATED 606 00:28:37,870 --> 00:28:41,269 WAS BY USING THAT FETID WATER AND GIVING THEMSELVES AN ENEMA. 607 00:28:41,336 --> 00:28:45,536 BY NOT DRINKING THE FLUID, YOU BYPASS THE GAG REFLEX, 608 00:28:45,603 --> 00:28:47,737 REHYDRATING WITHOUT THE RISK OF VOMITING, 609 00:28:47,803 --> 00:28:51,069 BUT IT'S NOT PLEASANT. 610 00:28:53,503 --> 00:28:56,570 YEAH, I WON'T DENY IT SORT OF MADE ME CRINGE SLIGHTLY, 611 00:28:56,637 --> 00:28:58,003 YOU KNOW, WHEN HE DID IT. 612 00:28:58,069 --> 00:29:01,670 I GUESS ALL YOU CAN DO IS LIE BACK... 613 00:29:01,737 --> 00:29:03,902 AND THINK OF ENGLAND! 614 00:29:03,969 --> 00:29:06,136 GOOD ON HIM, YOU KNOW. HE WENT FOR IT AND DID IT. 615 00:29:07,036 --> 00:29:08,969 IN EXTREME SURVIVAL SITUATIONS, 616 00:29:09,036 --> 00:29:11,870 YOU'VE GOT TO BE PREPARED TO DO ANYTHING TO STAY ALIVE. 617 00:29:11,936 --> 00:29:17,637 AND ONE OF THE BIGGEST BATTLES IS KEEPING WARM AT NIGHT. 618 00:29:17,703 --> 00:29:18,902 Cane: WE WERE FILMING IN IRELAND, 619 00:29:18,969 --> 00:29:22,403 AND BEAR CAME ACROSS A SHEEP THAT HAD DIED 620 00:29:22,470 --> 00:29:26,837 AND EVENTUALLY PULLED OFF THE WHOLE SKIN IN ONE, YOU KNOW, 621 00:29:26,902 --> 00:29:30,136 WHICH HE THEN TURNED INTO A "SHEEPING" BAG. 622 00:29:30,203 --> 00:29:31,403 [ LAUGHS ] 623 00:29:31,470 --> 00:29:33,036 NICE AND SNUG, 624 00:29:33,103 --> 00:29:37,470 EVEN THOUGH IT LOOKS PRETTY DISGUSTING. 625 00:29:37,536 --> 00:29:39,670 AND IT REALLY DID WORK. HE USED IT AS A "SHEEPING" BAG. 626 00:29:39,737 --> 00:29:40,936 YOU KNOW, IT WAS FANTASTIC. 627 00:29:41,003 --> 00:29:43,969 MAKING GOOD USE OF WHATEVER YOU COME ACROSS, 628 00:29:44,036 --> 00:29:45,570 HOWEVER UNPLEASANT, 629 00:29:45,637 --> 00:29:49,069 IS AT THE HEART OF SURVIVING IN THE WILD. 630 00:29:49,136 --> 00:29:51,403 A BERBER HAD GIVEN ME THIS CAMEL. 631 00:29:51,470 --> 00:29:54,503 BUT, YOU KNOW, THEY'LL USE EVERY SINGLE BIT OF THIS ANIMAL, 632 00:29:54,570 --> 00:29:57,470 NOT ONLY, THOUGH, FOR FOOD, ALSO FOR WATER 633 00:29:57,536 --> 00:30:00,503 AND, IN EXTREMITY, FOR SHELTER. 634 00:30:00,570 --> 00:30:03,336 IT'S JUST AS WELL THAT THE VIEWER DOESN'T GET TO SMELL 635 00:30:03,403 --> 00:30:05,770 THE CARCASSES AND ANIMALS THAT BEAR EATS. 636 00:30:05,837 --> 00:30:08,436 Pearce: ANY ANIMAL KILL IS -- 637 00:30:08,503 --> 00:30:11,136 IS NOT PLEASANT -- THE SMELL OF DEATH. 638 00:30:11,203 --> 00:30:12,969 THERE WE GO. 639 00:30:13,036 --> 00:30:15,269 Reay: AS SOON AS HE CUTS INTO THE STOMACH CONTENTS, 640 00:30:15,336 --> 00:30:17,403 THAT IS WHEN YOU GET THIS ROTTING STENCH -- 641 00:30:17,470 --> 00:30:20,303 AN AROMA OF WHATEVER IT'S BEEN EATING IN THE LAST 24 HOURS. 642 00:30:20,370 --> 00:30:22,103 [ COUGHING ] 643 00:30:22,169 --> 00:30:24,069 UGH! 644 00:30:24,136 --> 00:30:25,936 GOT A LOAD OF -- 645 00:30:26,003 --> 00:30:31,770 A STENCH OF CAMEL DIGESTED FOOD STRAIGHT UP MY NOSTRILS. 646 00:30:31,837 --> 00:30:35,570 THE FLUID IN THIS HALF-DIGESTED PULP IS DRINKABLE, 647 00:30:35,637 --> 00:30:37,103 AND IT CAN SAVE YOUR LIFE. 648 00:30:37,169 --> 00:30:38,403 [ SNIFFS, SCOFFS ] 649 00:30:38,470 --> 00:30:40,203 IT WAS RANCID. 650 00:30:40,269 --> 00:30:41,936 YOU KNOW, I COULDN'T BELIEVE IT. 651 00:30:42,003 --> 00:30:44,203 THE SMELL WAS TERRIBLE. 652 00:30:44,269 --> 00:30:47,303 AND THEN HE JUST DRANK THIS WATER. 653 00:30:56,003 --> 00:30:57,103 [ SPITS ] 654 00:30:57,169 --> 00:30:58,637 AND THEN... 655 00:30:58,703 --> 00:31:00,969 HE TURNS IT INTO A SHELTER. 656 00:31:01,036 --> 00:31:03,069 Grylls: GET INSIDE IT... 657 00:31:03,136 --> 00:31:05,536 PULL IT OVER... 658 00:31:05,603 --> 00:31:10,203 AND I'LL BE 100% PROTECTED FROM THE SUN. 659 00:31:11,236 --> 00:31:13,436 THE CREW -- WE WERE NEARLY THROWING UP, 660 00:31:13,503 --> 00:31:14,737 ACTUALLY, AT THE SMELL. 661 00:31:14,803 --> 00:31:17,902 THIS BLANKET... 662 00:31:17,969 --> 00:31:20,136 AND THIS WHOLE CAMEL... 663 00:31:20,203 --> 00:31:24,069 JUST STINKS. 664 00:31:24,136 --> 00:31:26,436 ANY ANIMAL CARCASS SMELLS BAD, 665 00:31:26,503 --> 00:31:29,036 BUT THERE'S A CLEAR WINNER FOR THE WORST SMELL 666 00:31:29,103 --> 00:31:31,036 THE CREW AND I HAVE EVER EXPERIENCED. 667 00:31:31,103 --> 00:31:33,169 [ GASPS ] SMELL THAT? 668 00:31:33,236 --> 00:31:36,403 THAT IS TRULY... 669 00:31:36,470 --> 00:31:39,169 [ GAGGING, SPITTING, COUGHING ] 670 00:31:39,236 --> 00:31:40,803 ...TERRIBLE! 671 00:31:49,471 --> 00:31:51,671 MAKING THE SHOW, 672 00:31:51,738 --> 00:31:55,337 THE CREW AND I HAVE HAD TO ENDURE SOME PRETTY FOUL SMELLS, 673 00:31:55,404 --> 00:32:00,870 BUT IT WAS IN MEXICO THAT WE EXPERIENCED THE WORST. 674 00:32:07,337 --> 00:32:09,204 GOT IT, MAN. I CAN SMELL IT! 675 00:32:09,270 --> 00:32:11,604 THERE WE GO. HE'S CAUGHT IN THE NOOSE. 676 00:32:11,671 --> 00:32:15,104 UGH! ABSOLUTELY STINKS. 677 00:32:15,170 --> 00:32:17,970 Reay: THE WORST SMELL THAT I'VE ENDURED, SO FAR, 678 00:32:18,037 --> 00:32:20,137 IN FOUR YEARS OF THIS SHOW, IS SKUNK. 679 00:32:20,204 --> 00:32:21,838 IF YOU SMELL IT, IT'S LIKE -- 680 00:32:21,903 --> 00:32:24,671 LIKE A HUNDRED BURNING TIRES ALL AT ONCE. 681 00:32:24,738 --> 00:32:28,504 I HAVE NEVER SMELT ANYTHING SO BAD IN MY LIFE. 682 00:32:28,571 --> 00:32:31,371 THAT IS TRULY... 683 00:32:31,437 --> 00:32:34,237 [ GAGGING, SPITTING, COUGHING ] 684 00:32:34,304 --> 00:32:35,537 ...TERRIBLE! 685 00:32:35,604 --> 00:32:37,104 AND THEN HE STARTED COOKING THE MEAT. 686 00:32:39,970 --> 00:32:41,604 I'M THINKING [SNIFFING] "WHAT IS THAT?" 687 00:32:41,671 --> 00:32:43,704 YOU CAN SEE HOW THIS IS LOOKING. 688 00:32:43,771 --> 00:32:46,070 THE SMELL WAS SO BAD, IT WAS JUST TELLING YOU, 689 00:32:46,137 --> 00:32:47,537 "DO NOT EAT ME." 690 00:32:47,604 --> 00:32:48,838 IT STINKS. 691 00:32:55,804 --> 00:32:58,037 I TAKE A PERSONAL ENJOYMENT WHEN HE HAS TO EAT IN THE SCENE. 692 00:32:58,104 --> 00:32:59,604 YOU'RE JUST KEEPING THE CAMERA RUNNING ON HIM 693 00:32:59,671 --> 00:33:01,070 AND NOT LETTING HIM EITHER SPIT IT OUT -- 694 00:33:01,137 --> 00:33:02,937 HE'S GOT TO SWALLOW IT. AND HE DOES. GIVE HIM HIS DUES. 695 00:33:03,004 --> 00:33:05,404 EVERY TIME, HE DOES SWALLOW IT. BUT HE DIDN'T WANT TO EAT THAT AT ALL. 696 00:33:07,471 --> 00:33:09,604 IT'S LIKE... 697 00:33:09,671 --> 00:33:11,471 SOMEBODY'S GOT YOUR STEAK... 698 00:33:11,537 --> 00:33:13,304 [ SPITS ] 699 00:33:13,371 --> 00:33:15,204 ...RUBBED IT IN DOG FECES, 700 00:33:15,270 --> 00:33:17,170 AND THEN POPPED IT IN YOUR MOUTH. 701 00:33:17,237 --> 00:33:19,738 GORBLIMEY! 702 00:33:20,738 --> 00:33:22,070 IF YOU WANT TO EAT IN THE WILD, 703 00:33:22,137 --> 00:33:24,504 YOU'RE GONNA HAVE TO HUNT FOR YOUR DINNER... 704 00:33:24,571 --> 00:33:27,738 AND THE OLD WAYS ARE OFTEN THE BEST. 705 00:33:27,804 --> 00:33:29,237 IN LOUISIANA, THE LOCALS 706 00:33:29,304 --> 00:33:33,638 USED TO FISH USING THEMSELVES AS BAIT. 707 00:33:33,704 --> 00:33:36,371 Pearce: THEY WOULD LOOK AROUND UNDER THE WATER LINE, 708 00:33:36,437 --> 00:33:39,704 IN LITTLE HOLES WHERE THESE CATFISH WOULD BE, 709 00:33:39,771 --> 00:33:41,270 AND STICKING THEIR HANDS IN THERE. 710 00:33:41,337 --> 00:33:43,571 AND THEN THE CATFISH WOULD GRAB THE HAND, 711 00:33:43,638 --> 00:33:45,804 AND YOU'D PULL IT OUT, AND THERE YOU GOT A CATFISH, 712 00:33:45,870 --> 00:33:47,204 WHICH IS GOOD TO EAT. 713 00:33:47,270 --> 00:33:50,771 UNFORTUNATELY, CATFISH AREN'T THE ONLY CREATURES 714 00:33:50,838 --> 00:33:52,137 LURKING UNDER THE WATER. 715 00:33:52,204 --> 00:33:53,371 [ GRUNTS ] 716 00:33:53,437 --> 00:33:55,104 Pearce: IT'S EVERYTHING ELSE AROUND THERE -- 717 00:33:55,170 --> 00:33:57,771 YOU KNOW, THE DEADLY SNAKES, THE ALLIGATORS, 718 00:33:57,838 --> 00:34:00,970 THE SNAPPER TURTLES, WHICH CAN BITE YOUR HAND OFF. 719 00:34:01,037 --> 00:34:03,371 OW! 720 00:34:03,437 --> 00:34:06,804 THE SUSPENSE IS, YOU KNOW, WORSE THAN THE BEST HORROR FILM, 721 00:34:06,870 --> 00:34:09,838 WITH BEAR STICKING HIS HAND IN THESE MUDDY HOLES, 722 00:34:09,903 --> 00:34:13,671 WONDERING WHAT'S GONNA BITE ON THE END OF HIS HAND, 723 00:34:13,738 --> 00:34:15,471 WHICH HE'S USING AS BAIT. 724 00:34:15,537 --> 00:34:16,937 OH! [ GASPS ] 725 00:34:17,004 --> 00:34:20,404 OH! OH! AAH! 726 00:34:20,471 --> 00:34:22,970 SO, IT'S, LIKE, FRANTIC SORT OF MOVEMENT IN THE WATER, 727 00:34:23,037 --> 00:34:25,571 AND HE PULLS HIS HAND OUT, AND THERE'S A HUGE CATFISH 728 00:34:25,638 --> 00:34:28,104 WHICH HAS LATCHED ONTO THE END OF HIS FIVE FINGERS. 729 00:34:28,170 --> 00:34:29,870 [ CATFISH GRUNTING ] 730 00:34:29,937 --> 00:34:32,638 IT'S GOT MY FINGERS. 731 00:34:32,704 --> 00:34:36,037 OW! 732 00:34:36,104 --> 00:34:37,937 THEY'VE GOT, YOU KNOW, A VISELIKE GRIP. 733 00:34:38,004 --> 00:34:40,970 OW, OW, OW! OW, OW, OW, OW, OW, OW, OW! 734 00:34:41,037 --> 00:34:42,638 SO, YOU KNOW, HAVE TO SORT OF KILL IT 735 00:34:42,704 --> 00:34:44,270 BEFORE YOU CAN GET IT OFF YOUR HAND. 736 00:34:44,337 --> 00:34:49,537 THAT MUST BE -- MUST BE 20 POUNDS OF FISH. 737 00:34:51,571 --> 00:34:55,471 AND, LOOK, ALL OF THAT IS GREAT JUST TO EAT RAW. 738 00:34:55,537 --> 00:34:58,304 I'VE SORT OF BECOME USED TO EATING RAW FOOD, 739 00:34:58,371 --> 00:35:00,371 BUT IT'S DEFINITELY AN ACQUIRED TASTE. 740 00:35:00,437 --> 00:35:01,970 [ CRUNCH ] 741 00:35:02,037 --> 00:35:04,671 DOESN'T THINK ABOUT IT. HE DOESN'T HESITATE. 742 00:35:06,437 --> 00:35:08,870 THAT IS GONNA BE DELICIOUS. 743 00:35:08,937 --> 00:35:12,037 I THINK HE JUST LITERALLY SWITCHES HIS BRAIN OFF 744 00:35:12,104 --> 00:35:13,870 AND JUST DOES THE JOB, YOU KNOW? 745 00:35:18,671 --> 00:35:22,037 I HAVE EATEN SOME OF THE STUFF THAT BEAR HAS EATEN. 746 00:35:22,104 --> 00:35:23,970 BUT THERE'S ALSO A LOT OF STUFF 747 00:35:24,037 --> 00:35:26,537 THAT I HAVEN'T EATEN THAT BEAR HAS EATEN, 748 00:35:26,604 --> 00:35:28,537 BECAUSE I DON'T WANT TO EAT IT, 'CAUSE IT'S HORRENDOUS. 749 00:35:28,604 --> 00:35:31,838 IN CHINA, I'VE KILLED AND EATEN MOST OF A FROG, 750 00:35:31,903 --> 00:35:36,771 BUT I THOUGHT I'D SAVE A LITTLE BIT STILL FOR THE CREW. 751 00:35:36,838 --> 00:35:38,337 I'M DONE WITH THE FROG. 752 00:35:38,404 --> 00:35:40,270 DANNY, OVER TO YOU FOR THE REST OF THAT. 753 00:35:40,337 --> 00:35:42,604 HEY, YOU KNOW MY POLICY, RIGHT? 754 00:35:42,671 --> 00:35:44,838 IF HE KILLS IT, WE ALL SHARE IT. 755 00:35:44,903 --> 00:35:46,870 ALL RIGHT. 756 00:35:46,937 --> 00:35:52,004 DANNY DID EAT SOME FROGS' LEGS IN CHINA, AND HE LOVES IT. 757 00:35:53,804 --> 00:35:54,937 THE FROGS' LEGS -- 758 00:35:55,004 --> 00:35:57,337 YEAH, THEY TASTED A LITTLE BIT LIKE CHICKEN. 759 00:35:57,404 --> 00:35:59,437 NOT THAT I OFTEN EAT UNCOOKED CHICKEN, 760 00:35:59,504 --> 00:36:01,704 BUT THEY TASTED A LITTLE BIT LIKE CHICKEN. 761 00:36:01,771 --> 00:36:03,504 OKAY, IT'S NOT GREAT, BUT, YOU KNOW, 762 00:36:03,571 --> 00:36:05,070 THERE ARE WORSE THINGS TO EAT. 763 00:36:05,137 --> 00:36:07,471 [ LAUGHS ] 764 00:36:07,537 --> 00:36:10,437 DEFINITELY NEEDS MORE GARLIC. 765 00:36:10,504 --> 00:36:11,738 HE CAN'T GET ENOUGH OF IT. 766 00:36:11,804 --> 00:36:13,604 I THINK HE PREFERS THE FOOD THAT BEAR CREATES 767 00:36:13,671 --> 00:36:15,104 TO THE FOOD THAT HE GETS AT HOME. 768 00:36:17,671 --> 00:36:19,903 BUT IN THE SAHARA, THERE WAS NO WAY 769 00:36:19,970 --> 00:36:22,704 THE CREW WERE GOING ANYWHERE NEAR WHAT I WAS ABOUT TO EAT. 770 00:36:22,771 --> 00:36:24,037 [ CAMEL GRUNTS ] 771 00:36:24,104 --> 00:36:26,704 WELL, TODAY, WE'RE AT THE BERBER CAMP, 772 00:36:26,771 --> 00:36:28,838 AND WE'RE GONNA BE FILMING WITH THESE GUYS. 773 00:36:28,903 --> 00:36:31,471 THE BERBER TRIBESMEN WERE VERY KEEN 774 00:36:31,537 --> 00:36:33,471 FOR ME TO TRY THEIR LOCAL DELICACY -- 775 00:36:33,537 --> 00:36:35,504 GOATS' TESTICLES. 776 00:36:35,571 --> 00:36:37,504 THE GOAT'S STRUNG UP, SKINNED. 777 00:36:37,571 --> 00:36:40,104 THE TESTICLES ARE HANGING THERE, TWO OF THEM -- 778 00:36:40,170 --> 00:36:41,937 ONE FOR THE BERBER, ONE FOR BEAR. 779 00:36:42,004 --> 00:36:43,537 AND HE KNOWS THIS IS COMING. 780 00:36:43,604 --> 00:36:46,337 I'M SURE HE'S PSYCHOLOGICALLY BUILDING HIMSELF UP TO IT. 781 00:36:46,404 --> 00:36:49,671 GETS HANDED IT AND STARTS MUNCHING ON IT LIKE AN APPLE. 782 00:36:49,738 --> 00:36:51,704 [ SPEAKING INDISTINCTLY ] 783 00:36:51,771 --> 00:36:53,838 [ SQUISHING ] 784 00:36:55,270 --> 00:36:57,070 Cane: THAT WAS THE FIRST TIME 785 00:36:57,137 --> 00:37:01,204 I HAD EVER REALLY SEEN HIM GO GREEN. 786 00:37:02,903 --> 00:37:04,903 [ GAGGING ] 787 00:37:04,970 --> 00:37:06,638 [ Chuckling ] AND HE WAS RETCHING. 788 00:37:06,704 --> 00:37:08,037 HE WAS REALLY RETCHING. 789 00:37:08,104 --> 00:37:11,838 [ RETCHING ] 790 00:37:11,903 --> 00:37:13,903 I HAVE NO IDEA HOW HE WASN'T SICK. 791 00:37:13,970 --> 00:37:15,571 I HAVE NO IDEA. 792 00:37:15,638 --> 00:37:17,137 OKAY, MUHAMMAD, SORRY ABOUT THAT. 793 00:37:17,204 --> 00:37:18,571 LET'S CARRY ON. 794 00:37:20,137 --> 00:37:22,571 IT'S NOT OFTEN THAT THINGS GO WRONG. 795 00:37:22,638 --> 00:37:25,270 LANDED STRAIGHT ON A CACTUS. [ GROANS ] 796 00:37:25,337 --> 00:37:29,204 BUT WHEN THEY DO, THEY TEND TO HURT. 797 00:37:41,405 --> 00:37:43,904 MY LIFE IS ABOUT PUSHING MYSELF... 798 00:37:43,971 --> 00:37:47,238 BUT ALSO TRUSTING MYSELF AND TRUSTING MY TEAM. 799 00:37:48,904 --> 00:37:50,938 IN MY QUEST TO SHOW YOU HOW TO SURVIVE, 800 00:37:51,005 --> 00:37:54,572 JUST OCCASIONALLY, I'VE PUSHED IT A LITTLE TOO FAR... 801 00:37:54,639 --> 00:37:56,938 AND PAID THE PRICE. 802 00:38:01,572 --> 00:38:06,338 IN ZAMBIA, I WAS TRYING TO CLIMB A SLIPPERY ROCK FACE. 803 00:38:06,405 --> 00:38:09,305 I WAS ALREADY A COUPLE OF HUNDRED FEET ABOVE THE RIVER, 804 00:38:09,372 --> 00:38:12,171 AND ONE SLIP HERE COULD BE FATAL. 805 00:38:14,105 --> 00:38:16,138 ALL OF THIS ROCK HERE... 806 00:38:16,205 --> 00:38:20,538 ALL THE WAY UP IS REALLY SLIMY. 807 00:38:20,605 --> 00:38:22,938 I CAN USE A TREE... 808 00:38:23,005 --> 00:38:24,904 JUST TO KEEP OFF THE ROCK. 809 00:38:24,971 --> 00:38:27,505 Reay: I WAS FILMING HIM AS HE WENT ACROSS AND REMEMBER THINKING, 810 00:38:27,572 --> 00:38:29,505 "THAT BRANCH IS NOT PARTICULARLY STR--" 811 00:38:29,572 --> 00:38:31,705 AND AS I -- DIDN'T EVEN FINISH THE SENTENCE IN MY MIND, 812 00:38:31,772 --> 00:38:33,071 AND THE BRANCH JUST WENT "DONK!" 813 00:38:35,639 --> 00:38:38,271 HE LANDED ON A CACTUS. 814 00:38:38,338 --> 00:38:39,805 ONE CACTUS, RIGHT UNDERNEATH HIM. 815 00:38:39,871 --> 00:38:42,205 BAM! RIGHT ON TOP OF IT. BRILLIANT. 816 00:38:42,271 --> 00:38:44,971 PLACES I GET MYSELF INTO. 817 00:38:45,038 --> 00:38:47,038 [ GRUNTING ] 818 00:38:48,772 --> 00:38:50,171 IN ALASKA, TO SHOW YOU 819 00:38:50,238 --> 00:38:52,472 HOW TO THROW BLACK BEARS OFF YOUR SCENT, 820 00:38:52,538 --> 00:38:54,572 I PLANNED TO CROSS A RAGING RIVER. 821 00:38:54,639 --> 00:38:59,405 BUT WHAT HAPPENED NEXT LEFT ME WISHING THAT I HADN'T. 822 00:38:59,472 --> 00:39:02,338 I WANTED TO TEST MY MAKESHIFT BRIDGE BEFORE COMMITTING. 823 00:39:02,405 --> 00:39:04,605 THE LOG SEEMED SOLID. 824 00:39:04,672 --> 00:39:06,705 IT LOOKED FINE, AND BEAR SAYS, "YEAH, THAT'D BE GREAT." 825 00:39:06,772 --> 00:39:08,438 AND WE ALL THOUGHT, "YEAH, THAT'D BE GREAT." 826 00:39:08,505 --> 00:39:09,739 YOU KNOW, WE'D GET ACROSS THERE. 827 00:39:15,005 --> 00:39:17,739 JUST TO SEE THIS HUGE TREE 828 00:39:17,805 --> 00:39:21,438 THAT WAS WEDGED ACROSS THIS GORGE JUST DISAPPEAR 829 00:39:21,505 --> 00:39:23,438 ONCE HIS WEIGHT WENT ON IT... 830 00:39:30,372 --> 00:39:32,572 GOD, I HATE IT WHEN THAT HAPPENS. 831 00:39:34,338 --> 00:39:35,971 CROSSING GULLIES AND GORGES 832 00:39:36,038 --> 00:39:39,871 ALWAYS REQUIRES GUTS AND DETERMINATION. 833 00:39:39,938 --> 00:39:41,838 TO CROSS A DEEP CANYON IN TEXAS, 834 00:39:41,904 --> 00:39:45,705 I USED AN OLD TETHERED TRAP I'D FOUND EARLIER, 835 00:39:45,772 --> 00:39:47,238 IMPROVISED A GRAPPLING HOOK, 836 00:39:47,305 --> 00:39:49,538 AND SET UP A TYROLEAN ROPE SLIDE. 837 00:39:49,605 --> 00:39:50,971 BULL'S-EYE! 838 00:39:51,038 --> 00:39:53,038 FEELS LIKE IT'S CAUGHT. 839 00:39:53,105 --> 00:39:56,805 AND THAT'S PROBABLY AS GOOD AS I'M GONNA GET. 840 00:39:56,871 --> 00:39:58,438 LET'S BRING THIS BACK. OKAY, WATCH OUT. 841 00:39:58,505 --> 00:40:00,271 Pearce: THE GRAPPLING HOOK THAT WAS THROWN -- 842 00:40:00,338 --> 00:40:02,739 THAT BEAR THREW ACROSS THE GORGE AND GOT CAUGHT 'ROUND A ROCK -- 843 00:40:02,805 --> 00:40:06,772 COULDN'T SEE EXACTLY IF IT WAS WELL-SECURED, BUT WENT FOR IT. 844 00:40:06,838 --> 00:40:11,305 IT'S DEFINITELY QUITE A SQUEEZE ON THE OL' MEAT AND TWO BITS. 845 00:40:11,372 --> 00:40:14,305 BUT THERE'S NO DOUBT, IT'S A LONG... 846 00:40:14,372 --> 00:40:16,372 LONG WAY DOWN. 847 00:40:16,438 --> 00:40:18,271 Cane: AND HE'S GOING ACROSS THERE, 848 00:40:18,338 --> 00:40:20,372 AND I THOUGHT, "WELL, THAT LOOKS PRETTY SECURE." 849 00:40:20,438 --> 00:40:21,805 AND THEN IT SLIPS. 850 00:40:21,871 --> 00:40:24,038 [ SNAP ] 851 00:40:24,105 --> 00:40:27,338 AAH! 852 00:40:27,405 --> 00:40:31,038 [ GRUNTING ] 853 00:40:31,105 --> 00:40:33,472 BAD PLACE FOR THE ANCHOR TO SLIP! 854 00:40:33,538 --> 00:40:36,505 Reay: I THOUGHT, "THAT'S ACTUALLY A LONG WAY DOWN." 855 00:40:36,572 --> 00:40:38,605 AND YOU GET REMINDED ABOUT HOW HIGH HE IS 856 00:40:38,672 --> 00:40:40,505 WHEN SOMETHING LIKE THAT HAPPENS. 857 00:40:40,572 --> 00:40:42,205 [ SNAP ] 858 00:40:42,271 --> 00:40:44,238 HOWEVER DANGEROUS THE SITUATION, 859 00:40:44,305 --> 00:40:46,438 WHAT KEEPS ME GOING IS THE KNOWLEDGE 860 00:40:46,505 --> 00:40:49,438 THAT I'VE GOT SOME OF THE BEST GUYS IN THE BUSINESS 861 00:40:49,505 --> 00:40:51,805 RIGHT BEHIND ME. 862 00:40:51,871 --> 00:40:55,105 Pearce: IT'S KIND OF LIKE BEING BACK IN MY COMMANDO DAYS, 863 00:40:55,171 --> 00:40:57,938 WITH, YOU KNOW, SMALL TEAMS OF GUYS 864 00:40:58,005 --> 00:41:00,438 GOING OFF TO DO KIND OF MAD THINGS, I GUESS. 865 00:41:00,505 --> 00:41:03,372 Reay: WE'RE ALL KITTED UP, WE'RE ALL GEARED UP. 866 00:41:03,438 --> 00:41:05,739 AND IN WE GO, DO OUR JOB, AND THEN WE FLY OUT AGAIN. 867 00:41:05,805 --> 00:41:08,005 [ HELICOPTER BLADES WHIRRING ] 868 00:41:08,071 --> 00:41:09,305 FOR THE SURVIVOR, 869 00:41:09,372 --> 00:41:12,739 REACHING SAFETY IS ALWAYS THE ULTIMATE GOAL. 870 00:41:13,672 --> 00:41:15,672 BUT SOMETIMES GETTING RESCUED 871 00:41:15,739 --> 00:41:18,938 CAN BE THE MOST DANGEROUS PART OF YOUR ORDEAL. 872 00:41:19,005 --> 00:41:21,105 Grylls: NOW, STOP, STOP. 873 00:41:21,171 --> 00:41:23,238 ME AND THE CREW ARE IN A NARROW TUNNEL, 874 00:41:23,305 --> 00:41:24,639 AND THERE'S A TRAIN COMING. 875 00:41:24,705 --> 00:41:26,105 [ TRAIN HORN BLOWING ] 876 00:41:26,171 --> 00:41:27,705 WE NEED TO MOVE! COME ON! GO, GO, GO, GO, GO! 877 00:41:27,772 --> 00:41:29,838 Reay: WE'RE IN THE TUNNEL. WE'RE RUNNING AWAY FROM THIS THING. 878 00:41:29,904 --> 00:41:31,305 IT'S ENTERED THE TUNNEL. 879 00:41:31,372 --> 00:41:33,171 AND IT'S JUST THE BLACKNESS AND THIS LIGHT, 880 00:41:33,238 --> 00:41:35,838 AND THEN THE [IMITATES HORN] SOUND OF THE HORN. 881 00:41:35,904 --> 00:41:38,338 [ TRAIN HORN BLOWING ] 882 00:41:38,405 --> 00:41:40,805 VERY DISORIENTATING AND VERY, VERY INTIMIDATING. 883 00:41:40,871 --> 00:41:43,739 Grylls: KEEP FOLLOWING ME! RUN! 884 00:41:43,805 --> 00:41:46,038 WE'RE RUNNING, AND I'M BEHIND BEAR, RUNNING. 885 00:41:46,105 --> 00:41:48,871 I TRIP AND LAND ON THE TRACKS. 886 00:41:48,938 --> 00:41:52,472 Grylls: GET UP, GET UP, GET UP, GET UP! 887 00:41:52,538 --> 00:41:53,772 AND IT DOES OCCUR TO ME, 888 00:41:53,838 --> 00:41:55,605 YOU KNOW, THINKING, "THIS THING CANNOT STOP." 889 00:41:55,672 --> 00:41:57,838 [ TRAIN HORN BLOWING ] 890 00:41:57,904 --> 00:41:59,805 AND BEAR TURNS AROUND, AND THEN, LITERALLY IN A HEARTBEAT, 891 00:41:59,871 --> 00:42:01,372 HE'S GRABBED ME, THROWS ME IN FRONT OF HIM, 892 00:42:01,438 --> 00:42:03,538 AND WE'RE RUNNING OUT, AND THE CAMERA'S NOW POINTING BACKWARD. 893 00:42:03,605 --> 00:42:05,405 Grylls: RUN! 894 00:42:05,472 --> 00:42:08,071 THAT'S IT! KEEP GOING! KEEP GOING! KEEP GOING! 895 00:42:08,138 --> 00:42:09,372 [ TRAIN HORN BLOWING ] 896 00:42:09,438 --> 00:42:12,705 HOT AND CRAZY, AND WE'RE LEGGING IT OUT OF THIS TUNNEL. 897 00:42:14,238 --> 00:42:16,372 WE GET TO THE END OF THE TUNNEL, DIVE OUT. 898 00:42:16,438 --> 00:42:17,605 AAH! 899 00:42:17,672 --> 00:42:19,405 [ TRAIN HORN BLOWING ] 900 00:42:19,472 --> 00:42:20,739 SO, IMMEDIATELY, WE'VE HIT DIRT, 901 00:42:20,805 --> 00:42:23,338 BEAR'S UP ON HIS HEELS AGAIN, AND HE'S RUNNING. 902 00:42:23,405 --> 00:42:25,005 WE CAN MAKE IT! 903 00:42:25,071 --> 00:42:26,739 [ CAMERA SHUTTER CLICKING ] 904 00:42:26,805 --> 00:42:30,405 GONNA BOARD THIS TRAIN. 905 00:42:32,705 --> 00:42:34,038 AND WE BOTH CLIMB ONTO THE TRAIN, 906 00:42:34,105 --> 00:42:36,105 AND THEN HE DOES THE CLASSIC SORT OF WILD WEST THING 907 00:42:36,171 --> 00:42:39,505 WHERE HE'S JUMPING BETWEEN CARRIAGES TO CARRIAGES. 908 00:42:39,572 --> 00:42:41,639 AND, FINALLY, HE RUNS ON THE FLATBED CARS 909 00:42:41,705 --> 00:42:43,038 AND GETS UP TO THE TRAIN, 910 00:42:43,105 --> 00:42:47,805 AND YOU SEE THIS BEAUTIFUL MONTANA VISTA IN FRONT OF YOU. 911 00:42:47,938 --> 00:42:49,372 SO IT WAS A REALLY SUCCESSFUL PICKUP, 912 00:42:49,438 --> 00:42:51,772 A REALLY DRAMATIC ENDING TO A GREAT SHOW. 913 00:42:53,205 --> 00:42:55,138 Pearce: THE END OF THE JOURNEY OR THE TRIP 914 00:42:55,205 --> 00:42:56,605 IS ALWAYS A HIGHLIGHT. 915 00:42:56,672 --> 00:42:59,472 EVERYONE TAKES A DEEP BREATH AND THINKS [SIGHS] "THAT WAS GOOD." 916 00:42:59,538 --> 00:43:01,772 AND THERE'S ALWAYS SOMETHING GREAT TO REFLECT ON. 917 00:43:01,838 --> 00:43:03,772 Cane: WHEN WE COME TO THE END OF THE SHOOT 918 00:43:03,838 --> 00:43:08,105 AND BEAR GETS ON THE PLANE, HELICOPTER, OR TRAIN, YOU KNOW, 919 00:43:08,171 --> 00:43:09,405 IT'S SUCH A GOOD FEELING. 920 00:43:09,472 --> 00:43:12,271 WE KNOW IT'S A WRAP, AND WE KNOW WE'RE GOING HOME. 921 00:43:12,338 --> 00:43:13,605 A NICE FEELING. 922 00:43:15,639 --> 00:43:18,705 IT'S BEEN A PRIVILEGE. IT'S BEEN A FANTASTIC JOURNEY. 923 00:43:18,772 --> 00:43:22,305 IT'S A REALLY EXCITING -- REALLY EXCITING JOB TO DO. 924 00:43:23,971 --> 00:43:26,205 Grylls: THE TRUTH IS, I ABSOLUTELY LOVE DOING THE SHOW. 925 00:43:26,271 --> 00:43:27,605 YOU KNOW, WE GO TO AMAZING PLACES, 926 00:43:27,672 --> 00:43:30,038 FACE SOME PRETTY INTENSE ADVENTURES AND CHALLENGES. 927 00:43:30,105 --> 00:43:31,538 AND THERE'S NO DOUBT IN MY MIND, 928 00:43:31,605 --> 00:43:35,205 WITHOUT THE CREW, THIS SHOW WOULD NEVER HAPPEN. 929 00:43:35,271 --> 00:43:38,205 -- Captions by VITAC -- www.vitac.com 930 00:43:38,271 --> 00:43:41,338 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS