1 00:00:12,000 --> 00:00:13,100 I'M BEAR GRYLLS. WHOO! 2 00:00:13,160 --> 00:00:14,360 I'VE TRAVELED TO THE ENDS OF THE EARTH 3 00:00:14,420 --> 00:00:16,480 IN SEARCH OF THE MOST EXTREME CHALLENGES 4 00:00:17,040 --> 00:00:19,000 IN THE MOST DANGEROUS LOCATIONS 5 00:00:19,140 --> 00:00:21,060 TO SHOW YOU THE SKILLS YOU NEED TO SURVIVE 6 00:00:21,120 --> 00:00:23,160 IN THE WORLD'S TOUGHEST ENVIRONMENTS. 7 00:00:25,340 --> 00:00:27,420 I'VE DROPPED INTO EVERY CORNER OF THE EARTH, 8 00:00:28,020 --> 00:00:31,060 BATTLING THE ELEMENTS, EATING THE UNIMAGINABLE, 9 00:00:31,180 --> 00:00:34,120 DOING WHATEVER IT TAKES TO SHOW YOU HOW TO SURVIVE. 10 00:00:34,220 --> 00:00:37,140 BUT IN MY QUEST FOR SURVIVAL, I'M NEVER ALONE. 11 00:00:37,220 --> 00:00:39,040 A SMALL AND DEDICATED TEAM 12 00:00:39,100 --> 00:00:40,460 FOLLOW ME EVERY STEP OF THE WAY. 13 00:00:50,480 --> 00:00:54,280 FILMING THIS SHOW HAS TAKEN ME TO ALL CORNERS OF THE GLOBE. 14 00:00:54,360 --> 00:00:56,440 WITHOUT MY DEDICATED TEAM AT MY SIDE, 15 00:00:57,020 --> 00:00:59,020 MAKING IT WOULD BE IMPOSSIBLE. 16 00:00:59,200 --> 00:01:02,080 THEY'RE MY TRUSTED CAMERAMEN, SIMON AND DAN... 17 00:01:02,200 --> 00:01:03,400 IT'S INCREDIBLE WORKING ON THIS SHOW. 18 00:01:03,460 --> 00:01:07,080 REWARDING, TOUGH, GREAT FUN, HARD WORK. 19 00:01:07,200 --> 00:01:09,140 ...DAVE, WHO HELPS KEEP THEM SAFE... 20 00:01:09,260 --> 00:01:12,180 SO, I LOOK AFTER THE SAFETY, ALL THE RIGGING, ALL THE ROPING, 21 00:01:12,400 --> 00:01:14,440 ...AND DUNCAN, WHO OVERSEES LOGISTICS. 22 00:01:15,000 --> 00:01:17,460 WE GET TO TRAVEL TO SOME UNIQUE PLACES. 23 00:01:19,340 --> 00:01:22,260 SO JOIN US AS WE TAKE A SPECIAL BEHIND-THE-SCENES LOOK 24 00:01:22,320 --> 00:01:25,000 AT WHAT IT TAKES TO FILM AN EPISODE. 25 00:01:34,180 --> 00:01:35,260 HERE WE GO. 26 00:01:36,200 --> 00:01:37,420 YAAAH! 27 00:01:38,320 --> 00:01:40,080 AT THE BEGINNING OF EVERY SHOW, 28 00:01:40,140 --> 00:01:43,100 MY FIRST MISSION IS TO FIGHT MY WAY INTO THE WILDERNESS. 29 00:01:44,280 --> 00:01:47,320 THE EXTREME TERRAIN OFTEN CALLS FOR EXTREME MEASURES. 30 00:01:47,480 --> 00:01:49,240 IT'S A SUPER IMPORTANT PART OF THE SHOW. 31 00:01:49,300 --> 00:01:51,000 IT'S THE TIME. IT'S HIS ENTRY. 32 00:01:51,100 --> 00:01:52,280 IT'S HIS BIG MOMENT WHEN HE'S GONNA BE 33 00:01:52,340 --> 00:01:54,160 COMING INTO THIS INCREDIBLE LANDSCAPE, 34 00:01:54,220 --> 00:01:56,140 WHEREVER THAT MAY BE IN THE WORLD, 35 00:01:56,240 --> 00:01:58,120 AND YOU OBVIOUSLY WANT TO DO IT IN STYLE. 36 00:01:58,180 --> 00:02:00,080 THE IDEA IS JUST TO GRAB THE VIEWERS' ATTENTION 37 00:02:00,140 --> 00:02:01,220 AND SAY "LOOK AT THIS." 38 00:02:01,280 --> 00:02:03,160 THIS IS WHAT YOU'RE GONNA GET FOR THE NEXT 45 MINUTES. 39 00:02:03,220 --> 00:02:05,300 GETTING BEAR INTO THE ENVIRONMENT, 40 00:02:05,380 --> 00:02:10,440 THERE'S BEEN HELICOPTERS, BOATS, SKI-DOOS. 41 00:02:11,400 --> 00:02:13,040 CARS SOMETIMES WE'VE DONE. 42 00:02:13,100 --> 00:02:14,160 DROPPED OUT OF PLANES INTO THE WATER, 43 00:02:14,220 --> 00:02:16,180 LANDING IN THE SEA FROM A PARACHUTE, 44 00:02:16,240 --> 00:02:18,120 HELICOPTERS AT 10,000 FEET. 45 00:02:18,180 --> 00:02:21,040 YOU NAME IT, HE'S ENTERED ON IT OR IN IT. 46 00:02:27,100 --> 00:02:30,200 MY KIND OF SURVIVAL MEANS CONFRONTING FEAR HEAD ON 47 00:02:30,260 --> 00:02:33,200 AND USING IT TO OVERCOME WHATEVER CHALLENGE YOU FACE. 48 00:02:34,060 --> 00:02:36,200 AND IN THE BAKING HEAT OF THE ARIZONA DESERT, 49 00:02:36,260 --> 00:02:39,140 THE CHALLENGE STARTED FROM 10,000 FEET UP. 50 00:02:39,320 --> 00:02:42,360 ON THE GROUND I'LL BE FIGHTING THE FURNACE-LIKE CONDITIONS. 51 00:02:43,000 --> 00:02:45,200 BUT THE INTENSE HEAT WAS CREATING THERMAL UP-CURRENTS, 52 00:02:45,260 --> 00:02:47,060 WHICH I COULD USE TO MY ADVANTAGE. 53 00:02:47,200 --> 00:02:49,480 THIS TIME, I'M NOT JUST GONNA BE SKYDIVING IN. 54 00:02:50,040 --> 00:02:52,000 I'M ACTUALLY GONNA BE USING A WING SUIT, 55 00:02:52,140 --> 00:02:53,420 WHICH GIVES ME A HUGE AMOUNT OF LIFT, 56 00:02:54,040 --> 00:02:56,260 WHICH MEANS I CAN LITERALLY FLY LIKE A BIRD 57 00:02:56,320 --> 00:02:58,340 AND TARGET MY LANDING ZONE. 58 00:02:58,440 --> 00:03:00,140 WE'RE ALWAYS TRYING TO COME UP WITH NEW IDEAS 59 00:03:00,200 --> 00:03:01,220 FOR THE OPENINGS OF THE SHOW, 60 00:03:01,280 --> 00:03:03,180 AND THE WING-SUIT IDEA WAS A BRILLIANT ONE. 61 00:03:03,240 --> 00:03:05,220 ON OPENING, BEAR IS GONNA LOVE THE WING SUIT. 62 00:03:07,060 --> 00:03:08,060 Grylls: I'VE ONLY EVER USED 63 00:03:08,120 --> 00:03:10,380 THESE ONE-MAN FLYING SUITS ONCE BEFORE, 64 00:03:10,440 --> 00:03:13,240 SO THIS IS A JUMP I'VE GOT TO GET RIGHT. 65 00:03:17,320 --> 00:03:20,160 Man: ALL RIGHT, WE'RE GONNA CIRCLE AROUND TO YOUR LEFT THERE. 66 00:03:24,020 --> 00:03:24,480 Reay: THEY'RE TRICKY THINGS TO SHOOT 67 00:03:25,040 --> 00:03:26,340 BECAUSE IT'S NOT JUST A FREE FALL, 68 00:03:26,460 --> 00:03:28,320 PERSON LEAVING AN AIRCRAFT AND DROPPING DOWN, 69 00:03:28,380 --> 00:03:30,040 WHERE YOU SEE THEM JUST DISAPPEAR. 70 00:03:30,100 --> 00:03:31,340 THEY'RE GOING DOWN, AND THEN THEY'RE GOING FORWARD. 71 00:03:31,440 --> 00:03:33,320 SO IT'S A VERY, VERY HARD THING TO COVER. 72 00:03:33,380 --> 00:03:34,420 IT WAS A COOL-LOOKING THING, 73 00:03:34,480 --> 00:03:36,240 ESPECIALLY WHEN IT WAS IN FULL FLIGHT. 74 00:03:36,380 --> 00:03:39,000 Etheridge: AND WE GOT A COUPLE OF SMALL CAMERAS, 75 00:03:39,080 --> 00:03:40,020 PUT ONE ON HIS WRIST 76 00:03:40,080 --> 00:03:43,040 AND ONE ON THE BACK OF HIS FOOT LOOKING DOWN HIS BODY. 77 00:03:43,140 --> 00:03:44,400 AWESOME, AWESOME SHOT. 78 00:03:47,160 --> 00:03:49,120 THAT DAY, EVERYTHING WENT TO PLAN. 79 00:03:49,280 --> 00:03:50,280 THE TEAM GOT THE SHOTS, 80 00:03:50,340 --> 00:03:53,180 AND I MADE IT DOWN TO EARTH WITHOUT A HITCH. 81 00:03:59,100 --> 00:04:00,380 IN NEW ZEALAND, I GOT THE CHANCE 82 00:04:00,460 --> 00:04:02,040 TO DO SOMETHING I HADN'T DONE 83 00:04:02,120 --> 00:04:03,280 SINCE MY DAYS IN THE MILITARY... 84 00:04:05,240 --> 00:04:08,080 JUMP OUT OF THE BACK OF A C-130 HERCULES. 85 00:04:10,440 --> 00:04:11,460 TODAY WE'RE DOING SOMETHING 86 00:04:12,020 --> 00:04:14,240 THAT I'VE TRIED TO GET ONTO THE SHOW FOR YEARS. 87 00:04:14,340 --> 00:04:17,280 I'M SO PLEASED THAT NEW ZEALAND AIR FORCE HAVE HELPED US OUT. 88 00:04:17,340 --> 00:04:18,400 COME CHECK THIS OUT. 89 00:04:20,480 --> 00:04:22,040 WELCOME TO THE C-130. 90 00:04:22,100 --> 00:04:24,180 IT'S GONNA BE OUR DISPATCH AIRCRAFT. 91 00:04:24,280 --> 00:04:26,400 FLYING, THE RAMP'S GONNA DROP HERE. 92 00:04:27,460 --> 00:04:30,260 AND THEN IT'S BYE-BYE. 93 00:04:30,340 --> 00:04:32,260 AND WE'RE OUT OF HERE. 94 00:04:33,360 --> 00:04:34,400 IT'S GONNA BE GOOD! 95 00:04:37,060 --> 00:04:40,200 WITH THE TEAM AND I SAFELY ON BOARD, WE HEADED FOR THE SKIES. 96 00:04:43,320 --> 00:04:46,360 FINAL CHECKS BEFORE WE GO. WE'RE AT JUMP ALTITUDE. 97 00:04:47,220 --> 00:04:49,140 IN A MINUTE, THE RAMP'S GONNA GO DOWN, 98 00:04:49,400 --> 00:04:51,360 AND THEN WE'RE OUT OF HERE. 99 00:04:51,460 --> 00:04:52,480 IT WAS AN INCREDIBLE MOMENT 100 00:04:53,040 --> 00:04:55,440 WATCHING THE TAILGATE OF THE HERCULES DROP DOWN. 101 00:04:56,000 --> 00:04:58,060 ONCE THE BACK OPENED, IT IS AN INCREDIBLE THING. 102 00:04:58,120 --> 00:05:00,080 NOT ONLY IS IT A LOT NOISIER, IT'S A LOT WINDIER, 103 00:05:00,140 --> 00:05:01,360 AND YOU GET BLOWN AROUND A LITTLE BIT. 104 00:05:01,420 --> 00:05:03,320 AND THE AIRCRAFT ACTUALLY ISN'T QUITE STABLE. 105 00:05:03,380 --> 00:05:04,420 WHEN IT STAYED OPEN, YOU GOT TO SEE 106 00:05:04,480 --> 00:05:08,140 THIS SPECTACULAR VIEW OF THE MOST INCREDIBLE MOUNTAIN RANGE 107 00:05:08,200 --> 00:05:09,400 DOWN IN THE SOUTH ISLAND OF NEW ZEALAND. 108 00:05:09,480 --> 00:05:12,080 EVERYTHING HAPPENS IN A REAL MILITARY WAY 109 00:05:12,140 --> 00:05:13,300 WHEN WE'RE DOING THIS. 110 00:05:13,360 --> 00:05:14,260 HE WILL LITERALLY LOOK AT YOU, AND HE GOES, 111 00:05:14,320 --> 00:05:15,400 "RIGHT, THIS IS MY SPOT, AND I'M GOING." 112 00:05:15,460 --> 00:05:18,420 AND YOU'VE GOT SECONDS TO SORT OF DEAL WITH THAT. 113 00:05:18,480 --> 00:05:20,220 ( BEEP ) 114 00:05:21,060 --> 00:05:22,020 LET'S GO! 115 00:05:24,180 --> 00:05:26,100 ONE BIG LEAP, AND I WAS GONE, 116 00:05:26,360 --> 00:05:29,120 FLYING OVER THE EPIC SOUTHERN ALPS OF NEW ZEALAND, 117 00:05:29,400 --> 00:05:31,440 A DAY THE TEAM AND I WILL NEVER FORGET. 118 00:05:33,060 --> 00:05:36,260 MASSIVE, MASSIVE SENSE OF RELIEF WHEN YOU GET THAT IN THE CAN. 119 00:05:36,320 --> 00:05:38,340 I MEAN, IT'S SUCH AN IMPORTANT PART OF THE SHOW. 120 00:05:43,100 --> 00:05:46,000 JUST A BIG EFFORT ON THAT ONE. BIG PLANE, BIG EFFORT. 121 00:05:47,480 --> 00:05:50,180 JUMPING OUT OF PLANES CAN BE A DANGEROUS BUSINESS. 122 00:05:50,340 --> 00:05:52,120 EVEN WITH THE BEST PREPARATION, 123 00:05:52,180 --> 00:05:54,180 THERE'S ALWAYS A STRONG ELEMENT OF RISK, 124 00:05:54,460 --> 00:05:57,300 SOMETHING I KNOW FROM PERSONAL EXPERIENCE. 125 00:05:59,160 --> 00:06:01,080 IN A SPECIAL EXPERIMENT IN NORWAY, 126 00:06:01,140 --> 00:06:03,360 I WAS FORCED TO CONFRONT ONE OF MY DARKEST HOURS. 127 00:06:04,280 --> 00:06:06,480 AGE 22, WHILE SERVING WITH THE MILITARY, 128 00:06:07,060 --> 00:06:10,060 MY PARACHUTE MALFUNCTIONED DURING A ROUTINE JUMP. 129 00:06:10,460 --> 00:06:13,060 I FAILED TO DEPLOY MY RESERVE QUICKLY ENOUGH, 130 00:06:13,120 --> 00:06:14,340 AND I HIT THE GROUND HARD, 131 00:06:14,400 --> 00:06:16,420 BREAKING MY BACK IN THREE PLACES. 132 00:06:17,440 --> 00:06:19,420 I WAS LUCKY TO ESCAPE WITH MY LIFE. 133 00:06:23,140 --> 00:06:24,340 BEAR QUITE OFTEN TURNS AROUND TO ME AND SAYS, 134 00:06:24,400 --> 00:06:28,160 "YOU KNOW, I THINK I'VE DONE MY FAIR SHARE 135 00:06:28,220 --> 00:06:29,320 OF SUPER-DANGEROUS THINGS NOW." 136 00:06:29,400 --> 00:06:31,320 AND THEN YOU GET TO NORWAY, AND YOU HEAR 137 00:06:31,420 --> 00:06:33,060 THAT HE'S JUMPING OUT OF A HELICOPTER, 138 00:06:33,120 --> 00:06:35,140 PULLING HIS PARACHUTE, CUTTING IT, 139 00:06:35,280 --> 00:06:37,400 FALLING AWAY AGAIN, AND THEN PULLING HIS RESERVE. 140 00:06:38,080 --> 00:06:40,480 RIGHT. I THOUGHT WE WERE OFF THE SUPER-DANGEROUS STUFF. 141 00:06:41,040 --> 00:06:42,340 ( CHUCKLES ) IT'S, LIKE, INSANE. 142 00:06:46,180 --> 00:06:48,320 HE WAS REALLY NERVOUS ABOUT IT. QUITE RIGHTLY SO. 143 00:06:48,380 --> 00:06:51,340 LAST TIME HE HAD TO DO THIS, HE SEVERELY INJURED HIMSELF. 144 00:06:52,080 --> 00:06:53,480 ALTHOUGH HE APPEARED QUITE CALM ON THE OUTSIDE, 145 00:06:54,080 --> 00:06:57,140 - I THINK INSIDE HE WAS BATTLING A FEW GHOSTS. - ALL RIGHT? 146 00:06:57,240 --> 00:06:59,100 YEAH, GOOD. OKAY, BEAR. YOU CAN DO THIS. 147 00:06:59,200 --> 00:07:00,440 - STAY FOCUSED. - YEAH. 148 00:07:01,000 --> 00:07:02,480 AND I'LL BE WITH THE TEAM ON THE WATER. 149 00:07:03,040 --> 00:07:04,000 - OKAY. - OKAY. 150 00:07:04,060 --> 00:07:05,040 GOOD. 151 00:07:07,460 --> 00:07:08,420 Grylls: OKAY. 152 00:07:08,480 --> 00:07:11,480 MAIN, CUTAWAY HANDLE, 153 00:07:13,040 --> 00:07:15,140 AND THEN THE AUTOCORD ON RESERVE. 154 00:07:16,020 --> 00:07:18,400 AND THAT'S WHAT I SHOULD HAVE PULLED ALL THOSE YEARS AGO. 155 00:07:19,020 --> 00:07:21,200 I DIDN'T LEAVE ENOUGH TIME TO PULL MY RESERVE, 156 00:07:21,260 --> 00:07:23,060 AND I SMASHED INTO THE GROUND. 157 00:07:24,360 --> 00:07:26,120 JUMPING FROM 10,000 FEET, 158 00:07:26,180 --> 00:07:29,160 YOU'D HIT THE GROUND IN 60 SECONDS WITHOUT A PARACHUTE. 159 00:07:29,220 --> 00:07:31,020 SO THERE'S NO MARGIN FOR ERROR. 160 00:07:31,200 --> 00:07:33,360 I TO MAKE SURE EVERYTHING WENT LIKE CLOCKWORK. 161 00:07:38,260 --> 00:07:39,200 Etheridge: WITH THE PARACHUTE JUMPS, 162 00:07:39,260 --> 00:07:41,320 MY HEART DOES ALWAYS STILL REALLY GO, 163 00:07:41,380 --> 00:07:42,480 ESPECIALLY IF I'M ON THE GROUND 164 00:07:43,040 --> 00:07:45,260 OR IF I'M IN THE HELICOPTER WATCHING HIM LEAVE. 165 00:07:45,320 --> 00:07:48,060 ALWAYS MY HEART IS GOING 10 TO THE DOZEN 166 00:07:48,120 --> 00:07:49,440 UNTIL I SEE THE PARACHUTE OPEN. 167 00:07:50,060 --> 00:07:53,000 WITH THAT ONE, I MEAN, IT WAS JUST, TIMES IT BY 10. 168 00:07:58,280 --> 00:08:00,480 NORMALLY, A PARACHUTE OPENS IN 3 SECONDS. 169 00:08:01,040 --> 00:08:02,280 THIS ONE TOOK 11. 170 00:08:02,380 --> 00:08:04,220 THAT COST ME OVER 1,000 FEET 171 00:08:04,280 --> 00:08:07,160 AND MEANT I DIDN'T HAVE LONG TO CUT AWAY THE MAIN CHUTE. 172 00:08:07,260 --> 00:08:09,160 OKAY. WE'RE ON THE CANOPY. 173 00:08:10,460 --> 00:08:13,020 LOOK FOR MY CUTAWAY HANDLE. 174 00:08:13,080 --> 00:08:14,360 LOOK FOR MY RESERVE. 175 00:08:15,340 --> 00:08:18,040 Reay: HE SAID TO ME, THE HARDEST THING 176 00:08:18,100 --> 00:08:20,060 WAS ACTUALLY GOING FROM THE CUTAWAY 177 00:08:20,120 --> 00:08:22,140 TO GET RID OF HIS OLD -- HIS MAIN CHUTE. 178 00:08:22,200 --> 00:08:23,300 HERE WE GO. 179 00:08:25,480 --> 00:08:27,180 Reay: THEN YOU FREE-FALL. 180 00:08:27,440 --> 00:08:30,020 Gaudin: BEAR IS VERY GOOD IN THOSE SITUATIONS. 181 00:08:30,140 --> 00:08:31,280 HE THINKS VERY CLEARLY. 182 00:08:36,220 --> 00:08:37,360 WHOA! 183 00:08:41,280 --> 00:08:42,480 WHOA! 184 00:08:49,420 --> 00:08:51,060 RESERVE'S OPEN. 185 00:08:52,080 --> 00:08:54,080 I'LL DROP AWAY. 186 00:08:55,140 --> 00:08:58,320 MY HEART...IS THUMPING! 187 00:09:00,160 --> 00:09:04,100 THAT TIME...IT WORKED SWEET. 188 00:09:04,420 --> 00:09:06,340 NOW JUST TO LAND THIS BABY. 189 00:09:07,240 --> 00:09:10,020 IF ONLY I'D DONE THAT ALL THOSE YEARS AGO. 190 00:09:13,060 --> 00:09:14,320 WORKING ON THE SHOW IS ALL ABOUT 191 00:09:14,380 --> 00:09:16,460 PUSHING MYSELF AND THE TEAM TO OUR LIMITS. 192 00:09:17,320 --> 00:09:20,180 IN UTAH, MY WAY INTO THE WILD WAS A FIRST, 193 00:09:20,280 --> 00:09:22,000 AND THE STAKES WERE HIGH. 194 00:09:22,060 --> 00:09:26,120 THE OPENING OF UTAH, I'M HOPING THAT THAT'S GONNA GO DOWN 195 00:09:26,180 --> 00:09:29,160 AS ONE OF THE BIG OPENINGS OF "MAN VS. WILD." 196 00:09:29,340 --> 00:09:32,440 INDIANA JONES STYLE, SKIDDING AROUND ALL OVER THE PLACE. 197 00:09:33,000 --> 00:09:34,380 IT'S JUST AN EPIC OPENING. 198 00:09:35,080 --> 00:09:38,140 SO, WE MANAGED TO FIND AN AMAZING OLD DC-3, 199 00:09:38,400 --> 00:09:40,360 WITH A PILOT CALLED SKIP EVANS, 200 00:09:40,420 --> 00:09:43,400 WHO PILOTED IN THE BOND FILMS AND SHOWS LIKE THAT. 201 00:09:44,440 --> 00:09:46,420 MY PLAN WAS TO PARACHUTE IN, 202 00:09:47,060 --> 00:09:49,000 BUT HIGH WINDS MEANT IT WAS TOO DANGEROUS. 203 00:09:49,100 --> 00:09:50,280 IT WAS TIME TO GO TO PLAN "B." 204 00:09:51,380 --> 00:09:55,060 SKIP BROUGHT THE PLANE DOWN AS LOW AND SLOW IT WOULD GO. 205 00:09:55,160 --> 00:09:57,460 Pearce: SO BEAR SAYS, "IF YOU JUST TICKLE THE SURFACE, 206 00:09:58,160 --> 00:10:03,200 "I'LL CRAWL OUT OF THE DOOR AND BASICALLY GET DRAGGED ALONG 207 00:10:03,440 --> 00:10:06,080 "FAR ENOUGH BEHIND THE REAR WHEEL, 208 00:10:06,140 --> 00:10:08,400 "THIS HUGE REAR WHEEL GOING AT WHATEVER SPEED. 209 00:10:09,120 --> 00:10:11,320 AS LONG AS I GET PAST THAT, I'LL JUST LET GO AND GET OFF." 210 00:10:11,380 --> 00:10:15,220 THE PILOT WAS LIKE, "ALL RIGHT. YOU'RE BEAR GRYLLS." 211 00:10:15,340 --> 00:10:17,120 Gaudin: A FEW THINGS COULD HAVE GONE WRONG FOR BEAR. 212 00:10:17,180 --> 00:10:19,020 OBVIOUSLY, WE DIDN'T KNOW THE TERRAIN THAT WELL. 213 00:10:19,080 --> 00:10:20,100 THERE COULD HAVE BEEN ROCKS 214 00:10:20,180 --> 00:10:22,020 THAT HE COULD HAVE GOUGED HIMSELF ON. 215 00:10:22,080 --> 00:10:23,080 Pearce: HE'S LYING ON HIS FRONT, 216 00:10:23,140 --> 00:10:26,360 SO HIS PRECIOUS PARTS COULD EASILY GET DAMAGED, 217 00:10:26,420 --> 00:10:27,420 ALONG WITH ANYTHING ELSE. 218 00:10:27,480 --> 00:10:30,440 I THINK, FOR ME, WHAT WORRIED ME WAS THE REAR WHEEL, 219 00:10:31,000 --> 00:10:31,420 WHICH IS A BIG WHEEL, 220 00:10:31,480 --> 00:10:35,220 AND THERE'S THE WHOLE OF THE WEIGHT ON THE PLANE ON IT. 221 00:10:36,060 --> 00:10:36,480 AND, YOU KNOW, 222 00:10:37,040 --> 00:10:39,080 IF YOU JUST SCREAM OR YOU LET GO OR SOMETHING 223 00:10:39,280 --> 00:10:41,060 AND GO UNDER THAT, THAT'S IT -- YOU'RE DEAD. 224 00:10:42,020 --> 00:10:45,160 DAN WAS TASKED WITH CAPTURING MY EXIT ON CAMERA. 225 00:10:45,220 --> 00:10:46,260 WE HAD A TRACKING HELICOPTER 226 00:10:46,320 --> 00:10:50,020 GETTING A SHOT FROM THE SIDE AT THE SAME TIME, 227 00:10:50,180 --> 00:10:52,380 AND WE PUT A CAMERA ON HIS WRIST SO YOU COULD SEE THAT. 228 00:10:54,080 --> 00:10:55,400 I WAS FILMING HIM HANGING ON TO THE ROPE, 229 00:10:55,460 --> 00:10:57,280 AND I WAS LEANING ON HIS ROPE. 230 00:10:57,360 --> 00:10:59,460 SO WHEN HE LET GO OF IT, I FELL FORWARD, 231 00:11:00,020 --> 00:11:02,180 AND I MISSED HIM LETTING GO. 232 00:11:03,000 --> 00:11:05,180 SO I FALL FORWARD AND BOUNCE STRAIGHT BACK UP AGAIN, 233 00:11:05,240 --> 00:11:07,040 AND YOU SEE HIM TUMBLING AROUND. 234 00:11:07,100 --> 00:11:09,020 I WAS LIKE, "OH." IT'S A CLASSIC MOMENT, 235 00:11:09,080 --> 00:11:11,040 YOU'RE THINKING, "WE'RE NOT FILMING THAT AGAIN." 236 00:11:11,340 --> 00:11:14,340 HE'S NOT GONNA HANG OFF THE BACK OF THIS DC-3 237 00:11:14,400 --> 00:11:16,080 OR WHATEVER IT WAS 238 00:11:16,140 --> 00:11:19,440 AND FLY -- BE DRAGGED ALONG AT HOWEVER MANY MILES AN HOUR 239 00:11:20,060 --> 00:11:21,420 JUST FOR ME BECAUSE I MISSED THAT BIT. 240 00:11:24,460 --> 00:11:26,160 THIS TIME, WE GOT LUCKY. 241 00:11:26,220 --> 00:11:28,120 THE ACTION WAS COVERED FROM ANOTHER CAMERA, 242 00:11:28,180 --> 00:11:29,280 IN THE TRACKING CHOPPER. 243 00:11:30,040 --> 00:11:31,400 ( COUGHING ) 244 00:11:32,120 --> 00:11:33,420 SMOKING TROUSERS! 245 00:11:34,160 --> 00:11:35,220 OKAY. LET'S GET GOING. 246 00:11:36,320 --> 00:11:38,180 GETTING INTO THE WILD IS TOUGH ENOUGH, 247 00:11:38,260 --> 00:11:41,260 BUT ONCE YOUR FEET HIT THE GROUND, THE REAL BATTLE BEGINS. 248 00:11:41,440 --> 00:11:43,060 IN THE FIGHT FOR SURVIVAL, 249 00:11:43,120 --> 00:11:45,120 YOU'VE GOT TO GRAB EVERY OPPORTUNITY, 250 00:11:45,180 --> 00:11:47,000 NO MATTER HOW BAD IT TASTES. 251 00:11:47,060 --> 00:11:48,180 UGH! 252 00:11:57,360 --> 00:12:00,380 FIGHTING YOUR WAY THROUGH THE WILD BURNS UP VITAL ENERGY, 253 00:12:01,000 --> 00:12:03,220 ENERGY THAT MUST BE REPLACED. 254 00:12:04,360 --> 00:12:06,980 BUT WILD DINING TAKES A STRONG STOMACH 255 00:12:07,040 --> 00:12:10,080 AND THE ABILITY TO LEAVE YOUR PREJUDICES WAY BEHIND. 256 00:12:10,980 --> 00:12:12,080 ( CRUNCHING ) 257 00:12:12,140 --> 00:12:15,100 COLD FROGGY, AND FULL OF BONES. 258 00:12:15,320 --> 00:12:17,360 Reay: I LOVE IT WHEN BEAR FINDS AN ANIMAL 259 00:12:17,460 --> 00:12:19,000 AND YOU KNOW HE'S GONNA EAT IT. 260 00:12:19,060 --> 00:12:20,280 AND I LOVE IT AS MUCH AS THE VIEWER LOVES IT. 261 00:12:20,340 --> 00:12:22,040 AND I THINK IT'S THAT ANTICIPATION, 262 00:12:22,120 --> 00:12:23,980 "A," OF WHAT IT'S GONNA LOOK LIKE 263 00:12:24,060 --> 00:12:25,320 AS HE'S CHEWING DOWN ON IT WITH HIS TEETH. 264 00:12:25,380 --> 00:12:26,300 UGH. 265 00:12:26,360 --> 00:12:28,040 Reay: AND YOU ALWAYS SEE A LITTLE BIT OF A LEG 266 00:12:28,100 --> 00:12:31,080 OR MAYBE A WING MAYBE STICKING OUT, WHICH I FIND QUITE AMUSING. 267 00:12:31,280 --> 00:12:33,440 TRUST ME, THERE'S A BIG GRIN ON MY FACE WHEN THIS IS HAPPENING. 268 00:12:35,180 --> 00:12:37,120 Grylls: A ROGUE LEG IN THERE. 269 00:12:37,220 --> 00:12:39,000 Etheridge: IT'S AN ENDLESS LIST 270 00:12:39,060 --> 00:12:43,300 OF DISGUSTING, ROTTEN, PUTRID THINGS, REALLY. 271 00:12:43,420 --> 00:12:44,400 STILL GRIPPING ON. 272 00:12:44,460 --> 00:12:46,280 Etheridge: HIS MOUTH HAS BEEN JAM-PACKED 273 00:12:46,340 --> 00:12:48,100 FULL OF THE UGLIEST BUGS ON THE PLANET, 274 00:12:48,160 --> 00:12:49,360 ABSOLUTELY NO DOUBT ABOUT IT. 275 00:12:50,280 --> 00:12:53,380 WE ALL KIND OF SNIGGER AND BITE OUR FINGERS OR WHATEVER. 276 00:12:56,460 --> 00:12:59,000 I WOULDN'T SAY BEAR'S THE LUCKIEST GUY IN THE WORLD, 277 00:12:59,100 --> 00:13:01,100 HAVING TO EAT WHAT HE HAS TO SOMETIMES. 278 00:13:01,460 --> 00:13:03,460 I'M NOT GONNA NEED TO EAT FOR A WEEK AFTER THIS ONE. 279 00:13:11,240 --> 00:13:12,460 Reay: I'M OFTEN LAUGHING BEHIND THE CAMERA. 280 00:13:13,020 --> 00:13:16,300 BEAR DOES OFTEN SAY HE CAN GAUGE WHETHER IT'S A GOOD EAT OR NOT 281 00:13:16,360 --> 00:13:19,000 BY THE SIZE OF THE GRIN ON MY FACE. 282 00:13:19,100 --> 00:13:20,340 UGH. 283 00:13:20,440 --> 00:13:24,140 THIS ACTUALLY RANKS AS ONE OF THE WORST THINGS 284 00:13:25,060 --> 00:13:27,460 I HAVE EVER, EVER EATEN. 285 00:13:29,380 --> 00:13:32,120 THE BEAR EATS ARE ALWAYS INTERESTING TIMES 286 00:13:32,180 --> 00:13:33,280 WHEN WE'RE MAKING THE SHOW. 287 00:13:33,340 --> 00:13:36,080 Grylls: THIS IS A PART-DEVELOPED CHICK FETUS. 288 00:13:36,160 --> 00:13:37,360 Pearce: THERE'S ALWAYS A VERY DIFFERENT ATMOSPHERE 289 00:13:37,420 --> 00:13:40,200 IN THE CREW WHEN HE COMES TO EAT SOMETHING, 290 00:13:40,280 --> 00:13:43,060 WHETHER IT LOOKS REASONABLY PLEASANT OR IT'S DISGUSTING. 291 00:13:43,160 --> 00:13:44,120 OH, THERE'S A LEG. 292 00:13:44,300 --> 00:13:46,440 THERE'S THIS SORT OF LEVEL OF ANTICIPATION -- 293 00:13:47,140 --> 00:13:49,320 ONE, WHAT'S GONNA HAPPEN WHEN HE PUTS IT IN THE MOUTH. 294 00:13:50,040 --> 00:13:51,360 TWO, WHAT'S HIS REACTION GONNA BE? 295 00:13:51,440 --> 00:13:54,200 AND, THREE, IS IT GONNA HURT HIM, 296 00:13:54,280 --> 00:13:57,000 OR IS IT GONNA MAKE HIM ILL OR WORSE? 297 00:13:57,120 --> 00:13:58,160 ( EXHALES DEEPLY ) 298 00:13:58,280 --> 00:14:00,220 HE'S GOT A CAST-IRON CONSTITUTION, 299 00:14:00,280 --> 00:14:02,040 AND THE BLOKE COULD PROBABLY EAT A JUMBO JET 300 00:14:02,100 --> 00:14:03,180 AND NOT GET AFFECTED BY IT. 301 00:14:03,240 --> 00:14:05,280 MY PERSONAL FAVORITE WAS THE WHIP SPIDER. 302 00:14:05,980 --> 00:14:09,100 I DON'T EVEN KNOW WHERE YOU BEGIN TO EAT IT. 303 00:14:12,040 --> 00:14:13,340 AND ON THIS ONE OCCASION, HE CAME ACROSS -- 304 00:14:13,400 --> 00:14:16,020 I THINK IT WAS A GRUB OR SOMETHING SIMILAR. 305 00:14:16,360 --> 00:14:20,020 HE'S BIG AND COMPLETELY EDIBLE. 306 00:14:20,200 --> 00:14:23,220 YOU JUST WANT TO TAKE OFF THE HEAD... 307 00:14:28,360 --> 00:14:30,140 ...WHICH YOU DON'T WANT TO EAT, 308 00:14:31,000 --> 00:14:34,360 BUT ALL OF THIS IS FINE. 309 00:14:34,420 --> 00:14:37,220 HE COMES UP WITH SOME INTERESTING SIMILARITIES 310 00:14:37,280 --> 00:14:38,280 TO WHAT THINGS TASTE LIKE. 311 00:14:38,340 --> 00:14:40,280 THEY SAY IT TASTES LIKE PEANUT BUTTER. 312 00:14:42,220 --> 00:14:43,440 I LOVE PEANUT BUTTER ON MY TOAST, 313 00:14:44,000 --> 00:14:45,060 BUT I WOULDN'T PUT THIS ON IT. 314 00:14:45,120 --> 00:14:47,160 YEAH, IT'S RANGED FROM, I DON'T KNOW, 315 00:14:47,280 --> 00:14:49,440 BABY POO TO PEANUT BUTTER. 316 00:14:50,000 --> 00:14:52,080 KIND OF REMINDS ME OF RAT MEAT. 317 00:14:52,300 --> 00:14:56,000 IT'S LIKE SOMEBODY'S GOT YOUR STEAK... 318 00:14:57,460 --> 00:14:59,400 RUBBED IT IN DOG FECES. 319 00:15:00,140 --> 00:15:01,240 MAN, THAT TASTES WEIRD. 320 00:15:01,300 --> 00:15:03,300 IT'S LIKE EATING A... ( SPITS ) 321 00:15:04,260 --> 00:15:07,420 ...GIANT, STICKY, SLIMY BOGEY. 322 00:15:08,000 --> 00:15:08,440 ( SPITS ) 323 00:15:09,000 --> 00:15:11,120 PEOPLE PAY A LOT OF MONEY IN A GOOD FRENCH RESTAURANT 324 00:15:11,280 --> 00:15:12,180 FOR THAT STUFF. 325 00:15:12,240 --> 00:15:14,360 ( SPITS ) GOD KNOWS WHY. 326 00:15:14,980 --> 00:15:16,160 SO WE'LL CUT, AND THEN I'LL BE LIKE, 327 00:15:16,220 --> 00:15:19,020 "WHAT DID IT REALLY TASTE LIKE?" 328 00:15:19,080 --> 00:15:20,440 HONESTLY, LIKE, GENUINELY, I'M REALLY INTERESTED TO KNOW 329 00:15:21,000 --> 00:15:24,040 WHAT THAT MASSIVE GREAT SPIDER THAT YOU JUST ATE TASTES LIKE. 330 00:15:24,160 --> 00:15:26,040 HE ALWAYS COMES OUT WITH THE SAME ANSWER, 331 00:15:26,100 --> 00:15:29,160 WHICH IS, "HOW DO I TELL YOU WHAT THAT SPIDER TASTES LIKE 332 00:15:29,220 --> 00:15:32,340 WHEN IT TASTED LIKE THE LAST SPIDER I ATE IN THE LAST SHOW?" 333 00:15:32,400 --> 00:15:34,420 HE SAID, "YOU HAVEN'T EATEN THEM, SO YOU DON'T KNOW." 334 00:15:35,020 --> 00:15:39,040 IT'S LIKE COLD, SANDY, CRUNCHY GOO 335 00:15:39,100 --> 00:15:41,460 WITH A VERY, LIKE, OFF-MUSTARD TASTE. 336 00:15:42,060 --> 00:15:43,000 THERE WAS A COUPLE OCCASIONS 337 00:15:43,060 --> 00:15:46,020 WHERE I CAN CLEARLY SEE IT IN HIS FACE. 338 00:15:46,140 --> 00:15:49,460 HE'S THINKING, YOU KNOW, "OKAY, I MIGHT GET PAID TO DO THIS, 339 00:15:50,020 --> 00:15:52,260 BUT THIS IS ACTUALLY DRAWING THE LINE." 340 00:15:53,060 --> 00:15:55,400 ONE MOMENT I'LL NEVER FORGET WAS IN NEW ZEALAND 341 00:15:55,460 --> 00:15:57,380 WHEN CAME ACROSS A TREE WETA. 342 00:15:58,980 --> 00:16:02,180 LOOK. YOU CAN SEE HIM HOLDING ON TO THAT. 343 00:16:03,220 --> 00:16:05,980 BUT JUST MEAN-LOOKING. 344 00:16:06,160 --> 00:16:10,980 THESE GUYS ACTUALLY PREDATE THE DINOSAURS, AND YOU CAN SEE WHY. 345 00:16:11,180 --> 00:16:13,400 BUT FINE TO EAT. 346 00:16:14,120 --> 00:16:17,140 NOT QUITE SURE WHERE TO BEGIN ON IT. 347 00:16:18,440 --> 00:16:22,080 Etheridge: I DO SOMETIMES THINK, "GO ON. GO ON, WETA. 348 00:16:22,460 --> 00:16:24,200 "MAKE A STAKE FOR FREEDOM. "GO ON. 349 00:16:24,260 --> 00:16:25,400 "JUST CLAW YOUR WAY OUT AND RUN OFF, 350 00:16:25,460 --> 00:16:28,360 AND TELL ALL YOUR MATES THAT YOU SURVIVED BEAR GRYLLS." 351 00:16:29,380 --> 00:16:31,360 OW, OW, OW, OW. HE GOT ME THERE. 352 00:16:31,420 --> 00:16:33,460 OW! OW! 353 00:16:34,020 --> 00:16:35,240 ( GROANS ) 354 00:16:35,300 --> 00:16:37,060 OW. 355 00:16:38,260 --> 00:16:40,380 WHAT A BRUTE. HE'S ACTUALLY DRAWN BLOOD. 356 00:16:41,020 --> 00:16:43,140 ALL RIGHT. THAT'S WAR. HEAD'S COMING OFF. 357 00:16:48,460 --> 00:16:54,060 THE BODY...IS FINE TO EAT. 358 00:16:58,220 --> 00:16:59,240 OH, MY GOODNESS. 359 00:16:59,300 --> 00:17:01,320 I'VE EATEN A LOT OF BAD THINGS BEFORE. 360 00:17:02,420 --> 00:17:04,000 WHEW. 361 00:17:04,080 --> 00:17:05,100 ( SPITS ) 362 00:17:06,300 --> 00:17:07,280 IT'S GONNA BE ONE OF THOSE ONES 363 00:17:07,340 --> 00:17:09,180 WHERE YOU WANT TO HOLD YOUR NOSE AND JUST GET IT DOWN 364 00:17:09,240 --> 00:17:10,260 SO YOU DON'T HAVE TO SMELL IT. 365 00:17:11,040 --> 00:17:12,160 OH, IT'S RANCID. 366 00:17:13,180 --> 00:17:14,340 GOD. 367 00:17:15,140 --> 00:17:18,220 ITSMELLSLIKE IT'S BEEN ALIVE SINCE BEFORE THE DINOSAURS. 368 00:17:19,420 --> 00:17:21,400 ( CLEARS THROAT ) WHEW. 369 00:17:23,200 --> 00:17:25,340 EATING IN THE WILD ISN'T ALWAYS SO TOUGH. 370 00:17:25,980 --> 00:17:28,100 IN BORNEO, WHERE I CAUGHT A LARGE CRAYFISH, 371 00:17:28,160 --> 00:17:30,460 ALL EYES WERE ON ME AS I TUCKED IN. 372 00:17:31,180 --> 00:17:33,400 THIS TIME THE CREW WERE DESPERATE TO HAVE A TASTE. 373 00:17:34,100 --> 00:17:35,980 THAT'S A WHOLE TAIL. 374 00:17:36,180 --> 00:17:40,220 POWER, MUSCLE, AND GREAT ENERGY. 375 00:17:41,020 --> 00:17:43,240 MEALS IN THE WILD DON'T COME MUCH BETTER THAN THIS, 376 00:17:43,360 --> 00:17:46,000 ENERGY-GIVING AND TASTES GREAT TOO. 377 00:17:50,060 --> 00:17:51,280 HAPPY BEAR FACE. 378 00:17:51,380 --> 00:17:53,380 Pearce: AND HE WAS A HAPPY BEAR, DEFINITELY. 379 00:17:53,440 --> 00:17:55,440 I WOULD SAY IT WAS THE ONLY TIME 380 00:17:56,000 --> 00:17:58,020 I WAS REALLY ENVIOUS WATCHING HIM EAT IT. 381 00:17:58,120 --> 00:18:00,100 Grylls: LOOK AT THAT. WOW. 382 00:18:00,240 --> 00:18:02,060 AND EVERY TIME HE TOOK A MOUTHFUL, 383 00:18:02,220 --> 00:18:04,000 I WAS LIKE, "OH, I COULD HAVE HAD THAT." 384 00:18:07,120 --> 00:18:08,420 YOU'RE LOOKING AT ME WITH ENVY. 385 00:18:10,020 --> 00:18:10,420 AND THEN HE'D TAKE ANOTHER MOUTHFUL 386 00:18:10,980 --> 00:18:11,440 BECAUSE HE WAS ENJOYING IT. 387 00:18:12,000 --> 00:18:14,080 BUT HE'S NOT THAT SELFISH, SO HE DID GIVE US SOME. 388 00:18:15,020 --> 00:18:16,020 SECOND HALF'S YOURS. 389 00:18:17,080 --> 00:18:19,020 Pearce: WE ALL ENJOYED A GOOD MORSEL OF CRAYFISH, 390 00:18:19,080 --> 00:18:20,320 AND IT DID TASTE REALLY GOOD. 391 00:18:22,300 --> 00:18:24,420 INSECTS AND BUGS ARE A GREAT SOURCE OF PROTEIN 392 00:18:25,080 --> 00:18:27,420 AND USUALLY POSE NO THREAT WHEN YOU STUMBLE ACROSS THEM. 393 00:18:28,040 --> 00:18:29,020 OW! 394 00:18:29,400 --> 00:18:31,300 BUT WHEN YOU BUMP INTO ANIMALS WITH TEETH, 395 00:18:31,360 --> 00:18:33,140 IT CAN BE A DIFFERENT STORY. 396 00:18:34,280 --> 00:18:35,980 NO SUDDEN MOVEMENTS. 397 00:18:44,420 --> 00:18:47,020 THE WILD CAN BE AN UNPREDICTABLE PLACE. 398 00:18:47,140 --> 00:18:49,020 IF IT'S NOT THE WEATHER THAT CATCHES YOU OUT, 399 00:18:49,080 --> 00:18:50,140 IT'S THE ANIMALS. 400 00:18:50,200 --> 00:18:52,160 YOU DO NOT WANT TO MESS WITH IT. 401 00:18:53,260 --> 00:18:56,140 THERE'S NO TELLING HOW ANIMALS WILL REACT WHEN THEY SPOT YOU. 402 00:18:56,260 --> 00:18:57,380 YOU'VE GOT TO THINK ON YOUR FEET. 403 00:18:57,440 --> 00:18:59,260 OW! 404 00:18:59,320 --> 00:19:01,960 AND IF YOU'RE LUCKY, YOU'LL GET A GOOD MEAL. 405 00:19:02,120 --> 00:19:04,240 THE BIGGEST RISK, I ALWAYS SAY, ON MAKING THIS SHOW, 406 00:19:04,300 --> 00:19:06,180 ARE THE THINGS THAT YOU CAN'T PREPARE FOR. 407 00:19:06,240 --> 00:19:08,260 YOU HAVE NO IDEA WHAT A WILD ANIMAL IS GONNA DO, 408 00:19:08,320 --> 00:19:12,120 AND THROUGH THE VIEWFINDER, YOU'RE ALWAYS HUGELY REMOVED 409 00:19:12,180 --> 00:19:14,380 FROM WHAT IS ACTUALLY MAYBE ONLY A FEW FEET IN FRONT OF YOU. 410 00:19:14,440 --> 00:19:16,420 Grylls: COME CLOSE. NICE, STEADY. NICE AND STEADY. 411 00:19:16,980 --> 00:19:20,040 WE'VE GOT A SERIOUS PROPER-SIZED SNAKE HERE. 412 00:19:22,000 --> 00:19:23,120 NO CLOSER. NO CLOSER. 413 00:19:23,180 --> 00:19:26,420 SO I TRUST BEAR, AND I TRUST BEAR TO PROTECT ME, AS WELL, 414 00:19:26,980 --> 00:19:27,380 KEEP AN EYE OUT FOR ME 415 00:19:27,440 --> 00:19:29,320 WHILE I'VE ONLY GOT ONE EYE ON THE SITUATION. 416 00:19:31,180 --> 00:19:34,040 Grylls: AND THAT IS A BIG BOA CONSTRICTOR. 417 00:19:34,100 --> 00:19:35,320 HE MARCHES THE PATH OUT FOR YOU. 418 00:19:35,380 --> 00:19:38,240 SO WHEREVER YOU GO, HE'S ALWAYS 10 FOOT IN FRONT OF YOU. 419 00:19:38,300 --> 00:19:39,980 SO IF THERE'S ANYTHING ABOUT 420 00:19:40,040 --> 00:19:41,260 THAT'S GONNA CAUSE ANY KIND OF PROBLEM, 421 00:19:41,320 --> 00:19:44,280 HE'S NORMALLY THE FIRST ONE TO BUMP INTO IT. 422 00:19:45,200 --> 00:19:47,100 Grylls: OKAY. HE'S SEEN US. HE'S SEEN US NOW. 423 00:19:47,200 --> 00:19:48,280 THEY GET A LITTLE BIT ANNOYED, 424 00:19:48,340 --> 00:19:49,980 AND OF COURSE THEY'LL DEFEND THEMSELVES. 425 00:19:50,040 --> 00:19:53,240 LOOK AT THOSE EYES LOOKING STRAIGHT AT ME. 426 00:19:53,300 --> 00:19:55,040 HE'S PRETTY PRIMED. 427 00:19:56,260 --> 00:19:58,260 Pearce: THE SCORPIONS ARE ALWAYS QUITE INTERESTING 428 00:19:58,320 --> 00:20:00,300 'CAUSE THE SMALLER THEY ARE, THE MORE DANGEROUS THEY ARE. 429 00:20:00,360 --> 00:20:03,320 TARANTULAS, SPIDERS, YOU NEVER REALLY KNOW. 430 00:20:03,440 --> 00:20:06,260 THE ONE THAT'S ALWAYS SHOCKED ME, I REMEMBER, 431 00:20:06,320 --> 00:20:08,420 ARE THE WILD PIGS, THE BOARS. 432 00:20:08,980 --> 00:20:13,020 THESE THINGS ARE HUGE, AND THEY'RE VERY, VERY AGGRESSIVE. 433 00:20:13,080 --> 00:20:15,360 AND IT'S THE ONLY WILD ANIMAL I'VE SEEN, REALLY, 434 00:20:16,040 --> 00:20:18,120 THAT WILL TURN AND HAVE A GO. 435 00:20:19,240 --> 00:20:20,960 WITH THAT IN THE BACK OF MY MIND, 436 00:20:21,020 --> 00:20:22,100 IT WAS WITH EXTREME CAUTION 437 00:20:22,160 --> 00:20:25,040 THAT I HUNTED A WILD PIG IN THE BORNEO JUNGLE. 438 00:20:28,020 --> 00:20:30,040 YOU CAN ACTUALLY SEE THAT PRINT. SEE THAT? 439 00:20:30,380 --> 00:20:32,100 HOOF MARK. 440 00:20:33,420 --> 00:20:37,200 ONCE HE KNOWS THERE'S SOMETHING ON AN ISLAND LIKE A PIG, 441 00:20:38,960 --> 00:20:40,420 YOU KNOW WHAT THE INEVITABLE CONCLUSION OF THAT 442 00:20:40,980 --> 00:20:43,340 IS GOING TO BE, 'CAUSE IT'S ONLY A SMALL ISLAND. 443 00:20:43,440 --> 00:20:46,280 HE FOUND A NARROWING KIND OF PINCH IN THE ISLAND 444 00:20:46,340 --> 00:20:49,400 WHERE HE KNEW, IF ANYTHING HE PUSHED DOWN OR CHASED, 445 00:20:49,960 --> 00:20:53,080 WOULD HAVE TO GO ON THIS RIDGE, POINT OF LEAST RESISTANCE. 446 00:20:53,140 --> 00:20:54,180 AND THEN RIGHT AFTER THIS RIDGE, 447 00:20:54,240 --> 00:20:57,220 HE MADE THIS SORT OF FENCE THAT GOES ACROSS INTO A FUNNEL, 448 00:20:57,280 --> 00:21:00,260 FUNNELING THE ANIMAL INTO HIS TRAP. 449 00:21:03,280 --> 00:21:05,440 Grylls: AND THIS JUST LOOPS UNDER THERE. 450 00:21:06,220 --> 00:21:08,160 THAT JUST SLIPS INTO THAT. 451 00:21:14,060 --> 00:21:18,280 HERE, LET'S JUST TRIGGER THIS, MAKE SURE IT WORKS PROPERLY. 452 00:21:18,960 --> 00:21:20,100 STAND BACK. 453 00:21:22,200 --> 00:21:25,960 ANIMAL COMES ALONG, STANDS ON THE PRESSURE PLATE. 454 00:21:27,260 --> 00:21:28,340 Reay: THEN WE RETRACED OUR STEPS 455 00:21:28,400 --> 00:21:31,240 'ROUND TO THE OTHER SIDE OF THE ISLAND, AVOIDING THE AREA 456 00:21:31,300 --> 00:21:34,060 WHERE THE PIG WAS GONNA HOPEFULLY BE PUSHED THROUGH, 457 00:21:34,200 --> 00:21:35,200 WAITED THERE FOR A WHILE. 458 00:21:35,260 --> 00:21:36,360 GO STRAIGHT DOWN THE HILL. 459 00:21:37,200 --> 00:21:40,180 SEE THE BACK END OF HIM, BLACK BACK END. IT'S A PIG. 460 00:21:40,240 --> 00:21:42,180 HE JUST KIND OF MADE NOISE AND USHERED IT 461 00:21:42,260 --> 00:21:43,300 AND WALKED AROUND IT 462 00:21:43,360 --> 00:21:46,160 AND JUST GENTLY USHERED IT TOWARDS THE TRAP. 463 00:21:48,420 --> 00:21:49,440 HE WAS REALLY CALM AT THIS, 464 00:21:50,000 --> 00:21:52,120 AND HE OFTEN TRIES TO RUSH THESE THINGS. 465 00:21:52,420 --> 00:21:54,340 I THINK EVEN HE KNEW THAT IF HE RUSHED THIS, 466 00:21:54,400 --> 00:21:56,120 HE'D NEVER, EVER GET THIS RIGHT. 467 00:21:56,260 --> 00:21:57,320 JUST MOVING ALONG. 468 00:21:58,320 --> 00:22:00,960 YOU CAN HEAR HIM MOVE PRETTY STEADILY. 469 00:22:01,180 --> 00:22:02,340 OKAY. LET'S KEEP MOVING. 470 00:22:10,000 --> 00:22:12,300 HE'S LITERALLY ABOUT FOUR FOOT FROM THE SNARE THERE. 471 00:22:13,000 --> 00:22:14,440 ( PIG SQUEALING ) WE GOT HIM. 472 00:22:19,000 --> 00:22:21,080 JUST GO AROUND THE BACK TROTTER THERE. 473 00:22:22,060 --> 00:22:24,080 JUST LET HIM SETTLE FOR A SECOND. 474 00:22:24,220 --> 00:22:26,220 ( SQUEALING CONTINUES ) 475 00:22:33,260 --> 00:22:35,200 BUT IT'S STILL ALIVE. IT'S ONLY CAUGHT BY THE LEG. 476 00:22:35,260 --> 00:22:37,440 SO A LITTLE BIT ANGRY. 477 00:22:38,440 --> 00:22:40,420 THERE'S SO MUCH UNPREDICTABILITY 478 00:22:40,980 --> 00:22:42,360 BECAUSE YOU NEVER KNEW AT ANY POINT 479 00:22:42,420 --> 00:22:44,960 WHETHER THIS PIG WOULD TURN AND RUN AT YOU. 480 00:22:45,060 --> 00:22:49,020 BUT I THINK PROBABLY, BECAUSE HE WAS SO CONCERNED ABOUT THAT, 481 00:22:49,080 --> 00:22:51,080 HE KIND OF DONE AWAY WITH IT SO QUICKLY, 482 00:22:51,240 --> 00:22:53,300 IT DIDN'T REALLY CAUSE TOO MUCH OF A PROBLEM. 483 00:22:53,360 --> 00:22:56,360 OKAY. HE'S DEAD. 484 00:22:57,360 --> 00:23:00,300 STRAIGHT THROUGH THE HEART BEHIND THE SHOULDER BLADE. 485 00:23:00,360 --> 00:23:01,260 ( CAMERA SHUTTER CLICKS ) 486 00:23:01,320 --> 00:23:05,080 SURVIVAL'S NOT PRETTY, AND THIS IS SOMETHING I DO NOT ENJOY, 487 00:23:08,020 --> 00:23:11,280 THAT TIME, I WAS FORTUNATE, BUT THINGS DON'T ALWAYS GO MY WAY. 488 00:23:12,040 --> 00:23:13,120 Gaudin: RECENTLY IN BORNEO, 489 00:23:13,180 --> 00:23:15,180 BEAR WAS PREPARING HIMSELF FOR AN OVERNIGHT 490 00:23:15,240 --> 00:23:17,260 AND WAS JUST GOING OUT AND FORAGING FOR BITS AND BOBS. 491 00:23:17,360 --> 00:23:20,000 HE SEES THIS TREE RACER. 492 00:23:21,180 --> 00:23:22,380 OH, JUST GOT IT. 493 00:23:23,080 --> 00:23:24,340 GONNA PULL HIM BACK. 494 00:23:25,360 --> 00:23:27,420 HE'S GOT A GOOD TECHNIQUE FOR SNAKES. 495 00:23:29,140 --> 00:23:31,180 "CONTROL THE HEAD, YOU CONTROL THE BODY." 496 00:23:31,240 --> 00:23:32,960 I'VE HEARD HIM SAY THAT A FEW TIMES. 497 00:23:33,200 --> 00:23:34,300 Grylls: WHERE'S HIS HEAD? 498 00:23:34,360 --> 00:23:38,040 GOT HIS TECHNIQUE WORKED OUT. GOES TO GET THE SNAKE. 499 00:23:38,260 --> 00:23:41,960 GOES OUT, THE SNAKE BITES HIM. ( LAUGHS ) STRAIGHTAWAY. 500 00:23:42,380 --> 00:23:44,120 OW! 501 00:23:44,960 --> 00:23:46,140 HE JUST GOT ME, THEN. 502 00:23:46,200 --> 00:23:47,280 Gaudin: IT WAS PRETTY DAMN QUICK. 503 00:23:47,340 --> 00:23:49,040 BEAR'S USUALLY VERY GOOD WITH SNAKES, 504 00:23:49,100 --> 00:23:51,280 BUT THIS ONE OBVIOUSLY KNEW IT MIGHT BE DINNER 505 00:23:51,340 --> 00:23:53,040 AND WASN'T TOO HAPPY ABOUT IT. 506 00:23:53,360 --> 00:23:55,380 LUCKILY, HE'S NONVENOMOUS, THOUGH. 507 00:23:55,980 --> 00:23:57,280 BUT YOU'VE ALWAYS GOT TO BE CAREFUL. 508 00:23:57,340 --> 00:23:59,040 IT'S A FRIGHTENING THING TO SEE. 509 00:23:59,100 --> 00:24:01,420 IT DOESN'T MATTER IF IT'S VENOMOUS OR NOT. 510 00:24:02,140 --> 00:24:04,040 IF IT BITES YOU, IT FREAKS YOU OUT. 511 00:24:04,100 --> 00:24:05,180 WITHOUT A DOUBT. OF COURSE IT DOES. 512 00:24:05,240 --> 00:24:07,340 THEY SAY SNAKES DON'T BRUSH THEIR TEETH. 513 00:24:08,260 --> 00:24:10,180 YOU SEE HIS JAW'S GONE 'ROUND HIMSELF. 514 00:24:10,240 --> 00:24:11,240 THAT'S WHERE HE HAD ME. 515 00:24:12,060 --> 00:24:13,000 BEING IN THE JUNGLE, 516 00:24:13,060 --> 00:24:16,100 THERE'S SO MANY MEDICINAL PLANTS IN AND AROUND THE AREA. 517 00:24:16,160 --> 00:24:17,320 HE NOTICED ONE STRAIGHTAWAY. 518 00:24:17,380 --> 00:24:20,020 Grylls: I WANT TO GIVE THAT BITE A GOOD WASH. 519 00:24:21,380 --> 00:24:23,280 YOU'RE NOT HUMAN IF YOUR HAND DOESN'T SHAKE A BIT 520 00:24:23,340 --> 00:24:25,200 AFTER GETTING BITTEN BY A SNAKE. 521 00:24:27,280 --> 00:24:30,340 THIS WILL DO. WILD YAM. SEE THIS? 522 00:24:31,340 --> 00:24:33,020 BREAK IT OFF. 523 00:24:36,180 --> 00:24:38,060 RUB THAT SAP ONTO A WOUND, 524 00:24:38,160 --> 00:24:43,020 AND THAT'S GONNA ACT LIKE A MILD ANTISEPTIC TO A SNAKE BITE. 525 00:24:43,260 --> 00:24:48,000 I DO NOT WANT AN INFECTION IN THE JUNGLE. 526 00:24:48,360 --> 00:24:50,020 WHEREVER YOU ARE IN THE WORLD, 527 00:24:50,080 --> 00:24:52,200 RIVERS ARE OFTEN A GREAT PLACE TO HUNT. 528 00:24:54,400 --> 00:24:58,040 IN BORNEO, I USED LOCAL METHODS TO MAKE A FISH TRAP. 529 00:25:00,200 --> 00:25:03,020 Gaudin: ONE OF BEAR'S FISHING TECHNIQUES 530 00:25:03,080 --> 00:25:04,200 WAS TO USE SOME LOCAL BAMBOO. 531 00:25:04,260 --> 00:25:06,380 HE MADE IT INTO, LIKE, A FUNNEL. 532 00:25:07,000 --> 00:25:08,140 YOU PLACE IT IN THE WATER, 533 00:25:08,200 --> 00:25:11,380 AND THE FISH BASICALLY GO IN AND CAN'T GET OUT. 534 00:25:12,340 --> 00:25:15,240 THE NEXT MORNING, I RETURNED TO CHECK MY TRAP. 535 00:25:17,260 --> 00:25:19,220 Etheridge: INGENIOUS LOOKING FISH TRAP. 536 00:25:20,100 --> 00:25:23,280 BEAUTIFULLY MADE, CARVED. REALLY DONE A GOOD JOB OF IT. 537 00:25:28,300 --> 00:25:30,200 USELESS. DIDN'T CATCH A THING. 538 00:25:30,260 --> 00:25:32,180 ( CHUCKLES ) HE LEFT IT IN THERE FOR HOURS. 539 00:25:33,000 --> 00:25:36,000 YOU KNOW WHAT? I REALLY THOUGHT WE'D GET SOMETHING THERE. 540 00:25:36,340 --> 00:25:39,000 IT WAS SO FUNNY. LITERALLY EVERY PIECE. 541 00:25:39,060 --> 00:25:40,980 "THERE MUST BE A MORSEL HERE SOMEWHERE." 542 00:25:41,080 --> 00:25:43,100 BUT SADLY, ON THAT OCCASION, IT DIDN'T WORK. 543 00:25:43,220 --> 00:25:44,960 KIND OF DISAPPOINTING. 544 00:25:46,160 --> 00:25:48,420 BREAKFAST IS LOOKING DECIDEDLY... 545 00:25:51,080 --> 00:25:52,400 NONEXISTENT. 546 00:25:53,060 --> 00:25:55,020 SOMETIMES YOU WIN, SOMETIMES YOU DON'T. 547 00:25:55,080 --> 00:25:57,960 THAT ONE WAS A NO. I MEAN, IT LOOKED THE PART. 548 00:25:59,160 --> 00:26:00,120 LET'S GET GOING FOR THE DAY. 549 00:26:03,340 --> 00:26:05,060 FOOD, WATER, AND SHELTER 550 00:26:05,120 --> 00:26:07,160 ARE ALL KEY IN THE BATTLE FOR SURVIVAL. 551 00:26:08,060 --> 00:26:11,080 BUT IF YOU HAVE FIRE, THE WAR GETS A WHOLE LOT EASIER. 552 00:26:32,380 --> 00:26:34,020 FACING OFF WITH THE WILD, 553 00:26:34,080 --> 00:26:37,040 THERE'S NOTHING BETTER THAN A FIRE TO MAKE LIFE FEEL GOOD. 554 00:26:38,400 --> 00:26:41,120 FIRE-STARTING IS AN ESSENTIAL SURVIVAL SKILL, 555 00:26:41,180 --> 00:26:43,180 AND THERE'S SO MANY WAYS TO ACHIEVE IT. 556 00:26:45,060 --> 00:26:46,960 THERE'S NUMEROUS WAYS THAT BEAR WILL MAKE FIRE ON THE SHOW. 557 00:26:47,020 --> 00:26:50,140 THAT RANGES FROM THE FLINT THAT HE CARRIES AROUND WITH HIM 558 00:26:50,200 --> 00:26:52,980 TO A FIRE DRILL TO A MOBILE-PHONE BATTERY. 559 00:26:53,040 --> 00:26:54,960 HE'S USED LOADS OF DIFFERENT TECHNIQUES. 560 00:26:55,080 --> 00:26:59,000 IT'S ALMOST IMPOSSIBLE NOT TO SMILE 561 00:26:59,300 --> 00:27:01,340 WHEN YOU GET A FIRE GOING LIKE THAT. 562 00:27:01,960 --> 00:27:05,200 I'D DEFY ANYBODY, ANY AGE, ANY SEX 563 00:27:05,940 --> 00:27:08,140 TO NOT BE INTRIGUED BY SEEING FIRE. 564 00:27:08,200 --> 00:27:11,220 I THINK THERE'S SOMETHING MORE INTRIGUING ABOUTMAKINGFIRE. 565 00:27:11,360 --> 00:27:13,400 IT'S TEDIOUS, IT TAKES A BIT OF TIME, 566 00:27:13,960 --> 00:27:15,180 PARTICULARLY IF IT'S TO DO WITH FRICTION 567 00:27:15,240 --> 00:27:16,980 AND, SAY, A DRILL OF SOME KIND. 568 00:27:17,200 --> 00:27:18,980 Grylls: OKAY. I'VE GOT A FIRE GOING. 569 00:27:19,380 --> 00:27:20,380 ( THUNDER RUMBLES ) 570 00:27:20,940 --> 00:27:24,220 MAN, THE HEAVENS HAVE JUST OPENED. 571 00:27:24,380 --> 00:27:26,000 THERE'S OFTEN THAT WAITING PROCESS. 572 00:27:26,060 --> 00:27:27,200 FOR ME, YOU'RE THINKING, 573 00:27:27,260 --> 00:27:29,080 "I'M GOING ONTO THE FIRE, I'M UP TO HIS FACE 574 00:27:29,140 --> 00:27:30,080 TO THE FIRE TO THE FACE." 575 00:27:30,140 --> 00:27:31,320 I'M THINKING, "SHALL I CUT? I DON'T KNOW. 576 00:27:31,380 --> 00:27:33,980 IF I CUT, SUDDENLY, IT WILL BURST INTO FLAMES." 577 00:27:34,060 --> 00:27:36,000 JUST WATCHING SOMEONE WITH A KNIFE AND A FLINT 578 00:27:36,060 --> 00:27:39,260 JUST GOING, TSH, TSH, TSH, TSH. 579 00:27:39,320 --> 00:27:40,320 "ANY SECOND." 580 00:27:40,380 --> 00:27:42,020 TSH, TSH. 581 00:27:42,120 --> 00:27:43,140 FOR HOWEVER LONG IT IS. 582 00:27:45,040 --> 00:27:46,080 Grylls: ( SCOFFS ) GOD. 583 00:27:46,140 --> 00:27:48,300 THEY SAY THERE'S NO SMOKE WITHOUT FIRE. 584 00:27:49,300 --> 00:27:52,020 LIKE A WIZARD, POOF, THERE'S FIRE. 585 00:27:52,280 --> 00:27:55,200 IT'S A GREAT MOMENT. IT'S ALWAYS A GREAT MOMENT. 586 00:27:56,020 --> 00:27:58,000 Grylls: ( SIGHS ) FIRE. 587 00:27:58,320 --> 00:28:00,340 AND THAT'S SUCH A GOOD FEELING. 588 00:28:03,940 --> 00:28:05,340 MOST PEOPLE WHO GET LOST IN THE WILD 589 00:28:06,000 --> 00:28:09,380 DON'T HAVE THE LUXURY OF HAVING A FIRE STEEL. 590 00:28:10,060 --> 00:28:15,140 MOST PEOPLE ROUTINELY CARRY, WHAT, CELLPHONE, WALLET, KEYS. 591 00:28:15,260 --> 00:28:20,180 BUT A CELLPHONE, EVEN THOUGH IT'S BROKEN AND WATERLOGGED, 592 00:28:20,340 --> 00:28:22,300 IS ACTUALLY ENOUGH TO START A FIRE. 593 00:28:22,360 --> 00:28:24,980 IT DID SEEM THAT A LITHIUM BATTERY 594 00:28:25,120 --> 00:28:27,320 MIGHT BE ABLE TO CREATE SOME SPARK, 595 00:28:27,380 --> 00:28:28,400 WHICH WOULD ALLOW YOU TO MAKE A FIRE, 596 00:28:28,960 --> 00:28:31,420 WHICH CAN GIVE YOU A FOOTPRINT OF WHERE YOU ARE, 597 00:28:31,980 --> 00:28:33,180 WHICH CAN HELP RESCUE YOU. 598 00:28:33,400 --> 00:28:36,340 SO BEAR DECIDES TO TAKE THIS MOBILE PHONE THAT HE HAD APART, 599 00:28:36,400 --> 00:28:37,960 CUTS THE BATTERY OUT, 600 00:28:38,220 --> 00:28:42,080 AND THEN EXPOSES THE GUTS OF THE BATTERY. 601 00:28:42,280 --> 00:28:44,160 AS SOON AS I CUT INTO THE BATTERY, 602 00:28:44,320 --> 00:28:46,380 IT'S GONNA EXPOSE THE LITHIUM TO THE OXYGEN. 603 00:28:46,940 --> 00:28:49,020 AND THAT MIX OF SPARK, HEAT, AND OXYGEN 604 00:28:49,100 --> 00:28:50,240 IS GONNA CREATE FIRE. 605 00:28:50,400 --> 00:28:52,100 I HAVE THE TINDER READY. 606 00:28:53,260 --> 00:28:54,280 OKAY. WATCH OUT. 607 00:29:02,340 --> 00:29:04,120 Pearce: AND THE THING FIZZED AND BUZZED. 608 00:29:04,240 --> 00:29:07,420 I REMEMBER THE REACTION OF US AND EVEN BEAR. 609 00:29:08,240 --> 00:29:09,340 IT WAS LIKE, "OH, MY GOD. 610 00:29:09,400 --> 00:29:11,260 WHAT'S HAPPENING? WHAT'S HAPPENING?" 611 00:29:12,120 --> 00:29:14,980 ( SIZZLING ) 612 00:29:15,960 --> 00:29:17,140 WELL, THAT'S GOING! 613 00:29:17,300 --> 00:29:19,360 SCARILY PUTTING THIS TINDER ON TOP OF THE SPARK 614 00:29:19,420 --> 00:29:20,340 AND PUTTING IT THERE, 615 00:29:20,400 --> 00:29:25,320 BUT IT ALL SEEMED LIKE SOME MAD EXPERIMENT GONE WRONG, ALMOST. 616 00:29:26,020 --> 00:29:27,240 BUT HE GOT AWAY WITH IT 617 00:29:27,300 --> 00:29:29,100 AND CREATED THIS FIRE OUT OF THIS BATTERY, 618 00:29:29,160 --> 00:29:33,060 WHICH IS, I THINK, A SURPRISE TO ALL OF US, REALLY. 619 00:29:35,980 --> 00:29:37,240 IT'S ALL ABOUT PRIORITIES. 620 00:29:37,980 --> 00:29:40,360 IF YOU'VE GOT A CELLPHONE THAT'S WATERLOGGED AND NOT WORKING 621 00:29:41,000 --> 00:29:42,140 AND YOU'RE FREEZING COLD, 622 00:29:42,360 --> 00:29:46,000 USE THAT BATTERY, MAKE FIRE, AND SAVE YOUR LIFE. 623 00:29:46,380 --> 00:29:48,140 THIS METHOD SHOULD ONLY BE USED 624 00:29:48,200 --> 00:29:50,260 IN AN EXTREME SURVIVAL SITUATION, 625 00:29:50,320 --> 00:29:52,020 WHEN YOUR CELLPHONE IS BROKEN 626 00:29:52,080 --> 00:29:54,060 AND ALL OTHER OPTIONS HAVE BEEN EXHAUSTED. 627 00:29:58,100 --> 00:30:00,940 DYNAMIC SURVIVAL IS MY KIND OF SURVIVAL. 628 00:30:01,100 --> 00:30:04,160 FIGHTING YOUR WAY OUT OF THE WILD AND BACK TO CIVILIZATION, 629 00:30:04,220 --> 00:30:06,420 AND YOU'VE GOT TO KEEP THINKING ONE STEP AHEAD. 630 00:30:07,020 --> 00:30:08,100 HERE SHE GOES! 631 00:30:18,200 --> 00:30:20,160 SURVIVING IN THE WILD CAN BE TOUGH. 632 00:30:20,260 --> 00:30:22,160 YOU NEED TO THINK SMART AND TAKE ADVANTAGE 633 00:30:22,220 --> 00:30:25,060 OF ANYTHING THAT CAN HELP YOU TO OVERCOME THE CHALLENGE. 634 00:30:26,080 --> 00:30:27,980 GET IT RIGHT, AND IT CAN MAKE THE DIFFERENCE 635 00:30:28,040 --> 00:30:29,320 BETWEEN LIFE AND DEATH. 636 00:30:30,040 --> 00:30:32,140 BEAR IS VERY RESOURCEFUL IN THE ENVIRONMENTS. 637 00:30:32,200 --> 00:30:33,280 DEER ANTLER. 638 00:30:33,920 --> 00:30:36,240 I SEE A ROCK, BUT BEAR SEES A RAFT. 639 00:30:36,380 --> 00:30:39,360 AND THAT THERE NOW IS READY. 640 00:30:40,000 --> 00:30:41,160 THERE'S ALWAYS A LOT OF INGENUITY 641 00:30:41,220 --> 00:30:43,960 AND CLEVER, OFTEN LOCAL TECHNIQUES THAT HE'LL USE. 642 00:30:44,060 --> 00:30:45,020 Grylls: MIGHT WELL BE ABLE TO MAKE 643 00:30:45,080 --> 00:30:47,000 SOME SORT OF WET SUIT OUT OF THAT. 644 00:30:48,180 --> 00:30:49,140 WHEW! 645 00:30:50,920 --> 00:30:51,340 SNUG FIT. 646 00:30:51,400 --> 00:30:53,340 HE'S VERY GOOD AT FINDING STUFF 647 00:30:53,920 --> 00:30:57,100 THAT MAYBE HAS BEEN LEFT FOR MANY, MANY YEARS. 648 00:30:58,020 --> 00:31:01,220 THIS HERE WILL BE QUITE GOOD TO LIE ON FOR A RAFT. 649 00:31:01,280 --> 00:31:04,000 IT IS INTERESTING TO WATCH HIM MAKING THINGS 650 00:31:04,160 --> 00:31:06,160 OUT OF THINGS YOU SEE IN THE ENVIRONMENT 651 00:31:06,220 --> 00:31:07,280 AND OFTEN INGENIOUS 652 00:31:07,340 --> 00:31:09,980 TO WATCH BEAR SORT OF CREATE THESE THINGS. 653 00:31:10,220 --> 00:31:12,200 VERY DEXTEROUS, VERY, VERY CLEVER 654 00:31:12,260 --> 00:31:14,280 AT PUTTING HIS MIND TO CREATING THINGS. 655 00:31:15,260 --> 00:31:18,200 IN NEW ZEALAND, I WAS FACED WITH A STEEP-SIDED RIVER 656 00:31:18,260 --> 00:31:20,040 THAT SEEMED IMPOSSIBLE TO CROSS. 657 00:31:20,260 --> 00:31:22,100 I TRACED ITS COURSE DOWNSTREAM 658 00:31:22,180 --> 00:31:23,960 IN THE HOPE THAT THE BANKS WOULD SHALLOW OFF 659 00:31:24,120 --> 00:31:25,240 AND I COULD CARRY ON MY WAY. 660 00:31:26,180 --> 00:31:28,160 Gaudin: WE'D BEEN TRAVELING DOWN THIS CANYON FOR A WHILE, 661 00:31:29,000 --> 00:31:31,920 AND THE SIDES HAD BEEN GETTING STEEPER AND STEEPER AND STEEPER. 662 00:31:32,000 --> 00:31:33,000 AND BEAR HAD TO GET ACROSS. 663 00:31:33,200 --> 00:31:37,220 FINALLY, I FORMULATED A PLAN. THE NEARBY TREES WOULD BE KEY. 664 00:31:37,340 --> 00:31:39,080 SO HE CAME UP WITH THIS INGENIOUS IDEA 665 00:31:39,140 --> 00:31:41,180 OF CLIMBING UP A TREE ON THE SIDE WE WERE ON, 666 00:31:41,300 --> 00:31:44,200 A VERY SMALL TREE, CLIMBING UP, GETTING IT TO WHIP AND WAVE, 667 00:31:44,260 --> 00:31:46,400 AND HE'D GET SO HIGH THAT HE'D GET IT ACROSS, 668 00:31:46,960 --> 00:31:49,240 AND HE'D ACTUALLY END UP POLE VAULTING, EFFECTIVELY, 669 00:31:49,300 --> 00:31:50,360 ACROSS TO THE OTHER SIDE. 670 00:31:51,020 --> 00:31:53,940 IT WAS ANOTHER SORT OF CRAZY IDEA TO GET ACROSS A RIVER. 671 00:31:54,040 --> 00:31:57,120 SEE, THE WHOLE ROOT SYSTEM, WITH A BIT OF ENCOURAGEMENT, 672 00:31:57,180 --> 00:31:58,360 WILL ACTUALLY GO. 673 00:31:59,080 --> 00:32:00,940 "NO, BEAR. THIS ISN'T GONNA WORK." 674 00:32:01,160 --> 00:32:02,120 WE'RE LOOKING AROUND AT THE CREW. 675 00:32:02,180 --> 00:32:04,280 "WHAT DO YOU RECKON, BOYS?" "NO, THIS ISN'T GONNA WORK." 676 00:32:04,920 --> 00:32:07,980 "TRUST ME, GUYS," HE WAS SAYING. "TRUST ME, THIS WILL WORK." 677 00:32:11,380 --> 00:32:14,020 OKAY, MOMENT OF TRUTH ON THIS, 678 00:32:15,080 --> 00:32:17,140 WHETHER THIS THING ACTUALLY WORKS. 679 00:32:18,060 --> 00:32:20,100 SOMETIMES YOU NEED TO TAKE RISKS LIKE THIS 680 00:32:20,180 --> 00:32:21,340 IF YOU HAVE NO OTHER OPTIONS. 681 00:32:22,080 --> 00:32:24,920 COME ON, YOU BRUTE. OVER YOU GO. 682 00:32:25,020 --> 00:32:26,100 Reay: YOU'RE THINKING, "IS HE GONNA MAKE IT?" 683 00:32:26,160 --> 00:32:27,200 HE WAS GETTING CLOSER AND CLOSER AND CLOSER, 684 00:32:27,260 --> 00:32:29,180 THEN FINALLY, BANG, IT SNAPPED. 685 00:32:30,160 --> 00:32:31,220 Grylls: HERE SHE GOES! 686 00:32:33,000 --> 00:32:35,020 Reay: AND IT WORKED -- A TREE. I COULDN'T BELIEVE IT. 687 00:32:35,120 --> 00:32:36,080 ACTUALLY VERY ELEGANT. 688 00:32:36,260 --> 00:32:39,240 WHAT DO YOU KNOW! IT WORKED! 689 00:32:40,080 --> 00:32:42,920 OVER HE CRAWLED, OFF HE WENT. JOB DONE. 690 00:32:46,200 --> 00:32:49,060 IN ICELAND, FACED WITH FREEZING COLD CONDITIONS, 691 00:32:49,280 --> 00:32:52,240 I CAME UP WITH AN IDEA TO USE THE NATURAL GEOTHERMIC HEAT 692 00:32:52,360 --> 00:32:56,080 TO WARM MY BODY AND FEND OFF THE ONSET OF HYPOTHERMIA. 693 00:32:58,060 --> 00:33:00,080 LOOK. YOU SEE THE BUBBLES COMING UP THERE. 694 00:33:02,080 --> 00:33:03,200 THAT'S BOILING, 695 00:33:03,960 --> 00:33:07,280 BUT THIS BIT IS GLACIAL AND FREEZING. 696 00:33:09,240 --> 00:33:11,160 IT SOUNDS A BIT CRAZY, BUT I'M JUST WONDERING 697 00:33:11,220 --> 00:33:13,940 IF I MIGHT BE ABLE TO DIVERT SOME OF THE COLD WATER 698 00:33:14,040 --> 00:33:15,940 INTO HERE, DIG IT OUT A BIT, 699 00:33:16,100 --> 00:33:20,000 AND CREATE A NATURAL KIND OF HOT TUB, REALLY. 700 00:33:20,060 --> 00:33:22,000 JUST WHEN YOU THINK YOU'VE SEEN EVERYTHING ON THIS SHOW, 701 00:33:22,240 --> 00:33:26,020 HE MAKES A JACUZZI IN A FIELD IN THE MIDDLE OF ICELAND. 702 00:33:26,920 --> 00:33:28,220 INCREDIBLE. I MEAN, I THOUGHT IT WAS WICKED. 703 00:33:28,340 --> 00:33:30,100 I LOVE THINGS LIKE THIS. 704 00:33:30,340 --> 00:33:33,160 JUST 'CAUSE I CAN SEE THIS IS GONNA TOTALLY WORK. 705 00:33:33,340 --> 00:33:37,180 ALL I'VE GOT TO DO IS PLUG A FEW OF THESE LEAKS WITH SOME MOSS, 706 00:33:38,060 --> 00:33:41,220 CREATE A BIT OF AN OUTFLOW AT THIS END. 707 00:33:41,400 --> 00:33:43,360 SO I'VE GOT WATER RUNNING IN AND RUNNING OUT. 708 00:33:44,080 --> 00:33:49,160 AND THAT NOW IS A REALLY NICE BATH TEMPERATURE. 709 00:33:49,220 --> 00:33:51,400 SHOW ME A MAN WHO DOESN'T LIKE A HOT BATH 710 00:33:51,960 --> 00:33:53,120 WHEN THEY'RE COLD AND WET. 711 00:33:53,280 --> 00:33:54,200 AWAY YOU GO. 712 00:33:54,260 --> 00:33:57,220 JACUZZI IN THE MIDDLE OF AN ICELANDIC FIELD. WHY NOT? 713 00:33:58,240 --> 00:34:00,100 FIGHTING OUR WAY THROUGH THE ENVIRONMENT 714 00:34:00,160 --> 00:34:02,240 IS ALL IN A DAY'S WORK ON THE SHOW. 715 00:34:02,340 --> 00:34:04,960 FAST AND FURIOUS, THE CREW DO ALL THEY CAN 716 00:34:05,020 --> 00:34:07,160 TO ASSURE THEY'RE WITH ME EVERY STEP OF THE WAY. 717 00:34:21,020 --> 00:34:24,100 OUT IN THE WILD, MY CREW ARE WITH ME EVERY STEP OF THE WAY. 718 00:34:24,200 --> 00:34:27,120 EVEN WHEN THE ENVIRONMENT HITS US WITH A HUGE OBSTACLE, 719 00:34:27,180 --> 00:34:29,280 THEY'LL DO ALL THEY CAN TO KEEP UP. 720 00:34:29,940 --> 00:34:31,320 Pearce: BEAR COMES UP WITH A PLAN 721 00:34:31,920 --> 00:34:33,220 TO NEGOTIATE A PIECE OF GROUND, 722 00:34:33,340 --> 00:34:36,340 AND HE'LL WORK IT OUT, AND HE'LL HAVE HIS MOMENT. 723 00:34:36,900 --> 00:34:38,200 BUT ONCE HE'S MADE HIS DECISION 724 00:34:38,940 --> 00:34:41,960 AND HE THINKS THAT EVERYTHING IS IN HIS FAVOR, 725 00:34:42,200 --> 00:34:45,900 YOU KNOW, GIVE HIM HIS DUE, HE COMMITS 120%. 726 00:34:46,000 --> 00:34:48,000 THERE'S GOOD CLARITY IN IT, YOU KNOW? 727 00:34:48,380 --> 00:34:50,160 BUT THERE'S ROCKS, TOO. 728 00:34:54,380 --> 00:34:55,980 BUP, BUP, BUP, BUP, BUP. 729 00:34:58,060 --> 00:35:00,900 I'M GONNA HAVE TO JUST GO -- HAVE TO GO FOR THIS! 730 00:35:03,120 --> 00:35:04,900 AND, OF COURSE, WHEREVER I GO... 731 00:35:04,980 --> 00:35:06,940 AT LEAST I KNOW IT'S DEEP ENOUGH! 732 00:35:07,020 --> 00:35:08,160 ...THEY'VE GOT TO FOLLOW. 733 00:35:10,240 --> 00:35:11,200 I'VE SEEN THEM 734 00:35:11,280 --> 00:35:14,920 IN SOME PRETTY, PRETTY UNCOMFORTABLE POSITIONS. 735 00:35:15,080 --> 00:35:16,180 Reay: I AM QUITE USED TO 736 00:35:16,240 --> 00:35:18,180 BEING IN AN UNCOMFORTABLE SITUATION FILMING. 737 00:35:18,240 --> 00:35:20,020 YOU ACTUALLY HAVE TO PUSH YOURSELF. 738 00:35:20,120 --> 00:35:21,060 YOU HAVE TO DO YOUR JOB, 739 00:35:21,120 --> 00:35:22,900 BUT YOU ALSO HAVE TO DEAL WITH WHERE YOU ARE. 740 00:35:22,960 --> 00:35:24,280 AND I THINK, IN ORDER 741 00:35:24,340 --> 00:35:27,100 TO GIVE THE RIGHT EXPERIENCE TO THE AUDIENCE, 742 00:35:27,300 --> 00:35:29,940 YOU DO FIND YOURSELVES IN SITUATIONS 743 00:35:30,000 --> 00:35:30,940 WHICH ARE UNCOMFORTABLE, 744 00:35:31,000 --> 00:35:32,940 BUT THAT'S THE RIGHT THING TO DO, 745 00:35:33,000 --> 00:35:36,080 AND IT'S THE RIGHT PLACE TO BE IN ORDER TO TELL THE STORY. 746 00:35:36,220 --> 00:35:38,940 WE'RE GONNA GO FOR THIS. GO, GO, GO! AAH! 747 00:35:44,000 --> 00:35:45,040 WHOO! 748 00:35:45,220 --> 00:35:47,080 IT'S A PRETTY TOUGH OLD JOB FOR THOSE BOYS, 749 00:35:47,140 --> 00:35:48,260 AND IT'S WITH A KIT, AS WELL, 750 00:35:48,320 --> 00:35:51,260 SO, YOU KNOW, I DO TAKE MY HAT OFF TO THOSE GUYS. 751 00:35:53,140 --> 00:35:55,320 IN CAPE WRATH, ON THE NORTHERN COAST OF SCOTLAND, 752 00:35:55,380 --> 00:35:58,200 DAN HAD TO FOLLOW ME AS I TRIED TO CROSS AN ESTUARY, 753 00:35:58,260 --> 00:36:00,120 BUT THINGS GOT PRETTY HAIRY. 754 00:36:03,060 --> 00:36:04,980 IT WAS OVER A MILE TO THE OTHER SIDE, 755 00:36:05,040 --> 00:36:06,260 AND THE TIDE WAS COMING IN FAST. 756 00:36:06,360 --> 00:36:08,160 WE COULDN'T AFFORD TO HANG AROUND. 757 00:36:09,080 --> 00:36:10,020 Etheridge: CROSSING THE ESTUARY 758 00:36:10,080 --> 00:36:11,960 WAS GENUINELY PRETTY SCARY, ACTUALLY. 759 00:36:12,140 --> 00:36:14,380 BEING THAT FAR OUT IN THE MIDDLE OF AN ESTUARY AND LOOKING BACK, 760 00:36:14,940 --> 00:36:15,980 AND YOU'RE JUST THINKING, 761 00:36:17,000 --> 00:36:18,320 "I DON'T KNOW IF WE'RE GONNA MAKETHATSIDE." 762 00:36:19,900 --> 00:36:21,060 AND WE'RE LOOKING BACK TO THE OTHER SIDE, AND WE'RE THINKING, 763 00:36:21,120 --> 00:36:22,980 "WELL, WE'RE NOT REALLY GONNA MAKETHATSIDE." 764 00:36:23,040 --> 00:36:24,000 AND THIS STUFF IS MOVING IN SO FAST. 765 00:36:24,060 --> 00:36:26,080 YOU CAN'T BELIEVE HOW QUICKLY IT MOVES IN. 766 00:36:27,080 --> 00:36:28,940 NOW THE WATER WAS RISING FAST. 767 00:36:29,060 --> 00:36:31,060 THE CHANNELS BETWEEN THE ISLANDS WERE GETTING DEEPER, 768 00:36:31,120 --> 00:36:33,900 AND I COULD FEEL THE CURRENT TUGGING AT MY CLOTHES. 769 00:36:35,200 --> 00:36:36,900 I WAS ONLY HALFWAY ACROSS. 770 00:36:37,020 --> 00:36:39,000 IT WAS TIME TO MAKE A CRITICAL CALL. 771 00:36:39,060 --> 00:36:40,280 HE GOT TO A POINT WHERE IT WAS JUST LIKE, 772 00:36:40,340 --> 00:36:42,900 "QUICK -- LET'S MAKE A DECISION. QUICK DECISION. 773 00:36:42,960 --> 00:36:45,020 "MAKE IT FAST. GOT TO BE DECISIVE. 774 00:36:46,000 --> 00:36:46,960 LET'S GO WITH THIS PLAN." 775 00:36:47,040 --> 00:36:49,900 LOOK, I'M ALMOST COMPLETELY SURROUNDED NOW. 776 00:36:49,960 --> 00:36:51,240 THIS WAS SAND A MINUTE AGO. 777 00:36:52,100 --> 00:36:54,000 WE'RE GOING BACK. WE NEED TO CHANGE THE PLAN HERE. 778 00:36:54,060 --> 00:36:55,320 COME ON. GO, GO, GO. 779 00:36:56,020 --> 00:36:59,000 IT WAS JUST A CASE OF, MAKE A DECISION, ACT ON IT, 780 00:36:59,060 --> 00:37:00,140 AND DO IT WITH GUSTO. 781 00:37:05,040 --> 00:37:09,200 BUT THIS PLACE WENT FROM DRY TOTHEREIN MINUTES, 782 00:37:09,360 --> 00:37:11,020 AND IT WAS POURING IN. 783 00:37:11,220 --> 00:37:14,020 AND I MEAN, WE WERE, YOU KNOW, RUNNING FOR IT. 784 00:37:14,080 --> 00:37:17,900 ABSOLUTELY FULL SPRINT, FULL TILT, TRYING TO MAKE IT BACK. 785 00:37:17,960 --> 00:37:20,280 SOMETIMES YOU'VE GOT TO KNOW -- 786 00:37:21,900 --> 00:37:22,340 YOU ALL RIGHT? 787 00:37:22,900 --> 00:37:25,000 SOMETIMES YOU'VE GOT TO KNOW WHEN TO TURN BACK. 788 00:37:28,100 --> 00:37:30,940 LATER ON, THINGS GOT EVEN STICKIER FOR DAN. 789 00:37:32,980 --> 00:37:34,120 Etheridge: WE WERE SORT OF SKIPPING AROUND, 790 00:37:34,200 --> 00:37:35,140 AND IT WAS ALL FINE. 791 00:37:35,200 --> 00:37:37,200 IT WAS NICE JUMPING FROM ONE BOG TO ANOTHER. 792 00:37:37,260 --> 00:37:38,260 NO PROBLEM, NO PROBLEM. 793 00:37:39,360 --> 00:37:40,360 ( GRUNTS ) 794 00:37:42,140 --> 00:37:46,000 YOU OKAY? I DIDN'T SEE THAT ONE COMING. 795 00:37:51,020 --> 00:37:52,080 HERE YOU GO. 796 00:37:53,120 --> 00:37:55,180 COME ON. COME. WE NEED TO KEEP MOVING. 797 00:37:56,940 --> 00:37:58,280 COME ON. PULL YOUR FEET UP. 798 00:38:04,020 --> 00:38:05,160 DON'T LEAVE THAT. 799 00:38:06,320 --> 00:38:07,980 YOU KNOW, HE'S QUITE A BIT TALLER THAN ME. 800 00:38:08,040 --> 00:38:11,020 SO I WAS KIND OF HERE, AND THEN HE'S HAVING TO 801 00:38:11,080 --> 00:38:14,940 SORT OF DRAG ME OUT AS BEST AS HE CAN. 802 00:38:15,000 --> 00:38:16,040 1, 2, 3. 803 00:38:17,320 --> 00:38:19,100 ( CHUCKLES ) 804 00:38:19,220 --> 00:38:21,020 MAN, THIS IS PRICELESS. 805 00:38:21,160 --> 00:38:24,040 I DON'T OFTEN GET YOU PROPERLY STUCK AS WELL. 806 00:38:24,100 --> 00:38:25,020 CHECK THIS OUT. 807 00:38:31,100 --> 00:38:32,160 YOU ALL RIGHT? 808 00:38:33,980 --> 00:38:36,040 Etheridge: IT WAS VERY UNDIGNIFIED, I THINK, 809 00:38:36,100 --> 00:38:38,200 IS THE WORD I'D LIKE TO DESCRIBE THAT. 810 00:38:38,300 --> 00:38:40,900 DRAGGED OUT OF A STINKING PEAT BOG 811 00:38:41,000 --> 00:38:42,040 BECAUSE I'D FALLEN INTO IT 812 00:38:42,100 --> 00:38:44,320 THROUGH NO FAULT OF ANYBODY ELSE'S BUT MY OWN. 813 00:38:44,920 --> 00:38:47,340 LUCKY HE WAS THERE TO SORT OF SAVE THE DAY. 814 00:38:50,120 --> 00:38:51,100 SOMETIMES THINGS HAPPEN, 815 00:38:51,160 --> 00:38:53,000 AND THERE ISN'T TIME TO WAIT FOR THE CREW. 816 00:38:53,060 --> 00:38:55,080 YOU'VE GOT TO ACT FAST, OR YOU'LL MISS IT. 817 00:38:55,340 --> 00:38:56,940 Reay: BEAR DOESN'T HANG AROUND. 818 00:38:57,000 --> 00:38:59,220 I'VE GOT TO BE ON MY TOES IN ORDER TO KEEP UP WITH HIM. 819 00:38:59,380 --> 00:39:01,920 HE DOES JUST DO THINGS VERY INSTINCTIVELY. 820 00:39:03,060 --> 00:39:04,380 THEY ARE THE MOMENTS YOU REALLY WANT TO CATCH. 821 00:39:04,940 --> 00:39:06,320 I'M JUST READY THERE, WITH MY THUMB ON THE "RECORD" BUTTON, 822 00:39:06,380 --> 00:39:09,120 JUST IN CASE SOMETHING DOES HAPPEN, AND OFTEN IT DOES. 823 00:39:14,320 --> 00:39:16,240 THE OPOSSUM CATCH WAS INTERESTING BECAUSE BEAR 824 00:39:16,300 --> 00:39:18,020 JUST SPOTTED THIS THING OUT OF THE CORNER OF HIS EYE 825 00:39:18,080 --> 00:39:19,320 AND HE JUST WENT RUNNING THROUGH THE JUNGLE. 826 00:39:21,100 --> 00:39:22,120 SEE THAT? 827 00:39:24,120 --> 00:39:25,320 Etheridge: I THINK IT HEARD HE WAS COMING. 828 00:39:25,940 --> 00:39:26,380 ( CHUCKLES ) 829 00:39:26,940 --> 00:39:29,240 IT'S LIKE, YOU KNOW, POKES ITS HEAD OUT FROM BEHIND THIS TREE. 830 00:39:29,900 --> 00:39:30,360 HE'S OBVIOUSLY SPOTTED HIM. 831 00:39:30,920 --> 00:39:32,120 NEXT THING YOU KNOW, BANG, HE'S OFF. 832 00:39:32,300 --> 00:39:33,360 AND HE JUST DISAPPEARED. 833 00:39:34,060 --> 00:39:35,240 PICKED UP A STICK AND DISAPPEARED. 834 00:39:35,360 --> 00:39:36,320 Grylls: STAY THERE. 835 00:39:36,920 --> 00:39:38,940 Gaudin: AND YOU HEARD THIS LITTLE SQUEAL, AND THAT WAS IT. 836 00:39:40,940 --> 00:39:42,000 Grylls: GOT HIM! 837 00:39:43,280 --> 00:39:44,940 JUST GOT HIM. 838 00:39:46,140 --> 00:39:48,300 CERTAIN SITUATIONS CALL FOR QUICK REACTIONS, 839 00:39:48,360 --> 00:39:50,320 AND THAT CAN LEAVE THE CREW PLAYING CATCH-UP. 840 00:39:51,060 --> 00:39:53,340 IN THE MALAYSIAN ARCHIPELAGO, I WAS LOOKING FOR WATER. 841 00:39:53,980 --> 00:39:56,140 BEAR SET UP THIS GOOD BASE ON THE ISLAND. 842 00:39:56,200 --> 00:39:58,040 HE HAD SHELTER, WATER. 843 00:39:58,140 --> 00:40:00,360 HE HAD FOOD -- THE PIG FOOD, YOU KNOW. 844 00:40:00,920 --> 00:40:01,960 IT WAS KIND OF ALL THERE, REALLY. 845 00:40:02,020 --> 00:40:02,920 Grylls: HELLO? 846 00:40:02,980 --> 00:40:04,200 THE SILENCE OF THE JUNGLE WAS BROKEN 847 00:40:04,260 --> 00:40:05,920 BY THE SOUND OF AN ENGINE. 848 00:40:06,080 --> 00:40:09,920 ALL THOSE PRIORITIES OF FOOD, WATER, SHELTER 849 00:40:10,100 --> 00:40:11,080 THEN GO OUT THE WINDOW. 850 00:40:13,980 --> 00:40:15,980 HE WAS OFF. ABSOLUTELY BOLTED THROUGH THE JUNGLE. 851 00:40:16,040 --> 00:40:17,100 WE HAD TO RUN AFTER HIM. 852 00:40:17,180 --> 00:40:19,100 WE WERE GOING, CRASHING THROUGH EVERYTHING. 853 00:40:19,260 --> 00:40:20,200 CAN'T SEE IT. 854 00:40:25,960 --> 00:40:28,360 Reay: AND SLIDING DOWN SLOPES, BURST OUT ONTO THE BEACH, 855 00:40:28,920 --> 00:40:30,380 AND THERE WAS OUR BOAT. 856 00:40:30,940 --> 00:40:32,340 NO DOUBTING WHAT THAT IS. 857 00:40:38,020 --> 00:40:39,220 AND THERE'S NO DOUBTING 858 00:40:39,280 --> 00:40:42,000 I COULDN'T DO THIS WITHOUT MY TEAM. 859 00:40:42,160 --> 00:40:44,080 CHANGE OF PLAN HERE. COME ON. GO, GO, GO. 860 00:40:47,160 --> 00:40:48,920 THROUGH THE YEARS OF WORKING WITH THEM, 861 00:40:48,980 --> 00:40:50,300 WE'VE BUILT UP A MUTUAL RESPECT. 862 00:40:50,920 --> 00:40:52,900 WE TRUST EACH OTHER WITH OUR LIVES. 863 00:40:53,020 --> 00:40:54,220 ( GRUNTS ) 864 00:40:55,280 --> 00:40:57,240 IN EXTREME ENVIRONMENTS LIKE THESE, 865 00:40:57,380 --> 00:40:59,260 GOOD TEAMWORK IS EVERYTHING. 866 00:41:00,040 --> 00:41:02,080 AND TOGETHER, YOU'RE ALWAYS STRONGER. 867 00:41:04,160 --> 00:41:05,960 HE'S ALWAYS LOOKING OUT FOR ME, 868 00:41:06,060 --> 00:41:09,980 AND I CAN'T THANK HIM ENOUGH FOR DOING THAT. 869 00:41:10,040 --> 00:41:13,100 IT'S SO, SO VALUABLE AND SO HELPFUL. 870 00:41:14,100 --> 00:41:15,260 Etheridge: IT'S TOUGH ON EVERYBODY, 871 00:41:15,320 --> 00:41:18,060 AND EVERYONE'S GOT TO GET THEIR JOBS RIGHT. 872 00:41:18,160 --> 00:41:19,320 AND ONLY ONE CHANCE AT IT. 873 00:41:21,100 --> 00:41:23,940 Pearce: I'VE BEEN SO PRIVILEGED AND FORTUNATE 874 00:41:24,000 --> 00:41:25,320 TO TRAVEL TO SO MANY ENVIRONMENTS 875 00:41:25,380 --> 00:41:26,940 AND SO MANY PLACES IN THE WORLD. 876 00:41:27,000 --> 00:41:28,900 IT'S THE EXTREMES. THAT'S THE KIND OF THING. 877 00:41:28,960 --> 00:41:30,100 LITERALLY, ONE WEEK YOU'LL BE 878 00:41:30,240 --> 00:41:31,900 SOMEWHERE ABSOLUTELY FREEZING COLD. 879 00:41:31,960 --> 00:41:34,000 YOU'LL BE IN NORWAY, MINUS 20, THE NEXT WEEK YOU'LL BE PLUS 30, 880 00:41:34,060 --> 00:41:37,000 IN THE MIDDLE OF A JUNGLE, SWEATY JUNGLE SOMEWHERE. 881 00:41:37,200 --> 00:41:40,360 Gaudin: AND YOU GET TO MEET SOME GREAT TRIBES, SOME GREAT PEOPLE. 882 00:41:40,920 --> 00:41:44,280 IT'S ALL PART OF THE PROCESS. VERY, VERY PRIVILEGED, INDEED. 883 00:41:45,340 --> 00:41:47,120 Pearce: CERTAINLY ARRIVED BACK HOME 884 00:41:47,180 --> 00:41:49,900 WITH A FEW SCRAPES AND BASHES TO MY BODY. 885 00:41:52,380 --> 00:41:54,200 Reay: IT'S INCREDIBLE WORKING ON THIS SHOW, 886 00:41:54,280 --> 00:41:56,180 AND I THINK THE KEY INGREDIENT OF THAT 887 00:41:56,240 --> 00:41:58,160 IS THE FACT THAT BEAR IS BRILLIANT TO WORK WITH. 888 00:41:58,260 --> 00:42:00,920 YEAH, WE GO TO SOME GREAT PLACES IN THE WORLD, 889 00:42:00,980 --> 00:42:03,220 AND IT'S LIKE GOING AWAY WITH YOUR MATES 890 00:42:03,320 --> 00:42:04,340 AND DOING SOME COOL THINGS. 891 00:42:05,000 --> 00:42:06,040 IT'S AN ABSOLUTE PRIVILEGE.