1 00:00:10,244 --> 00:00:11,179 PREVIOUSLY ON "CALIFORNICATION"... 2 00:00:12,246 --> 00:00:14,648 Hank: I CAN'T BELIEVE YOU MADE ME GET A VASECTOMY. 3 00:00:14,682 --> 00:00:17,318 WHAT DO YOU KNOW ABOUT IT? I KNOW YOU FUCKED AND PUNCHED HIM, 4 00:00:17,351 --> 00:00:19,587 SET HIM UP, STOLE HIS BOOK. 5 00:00:19,620 --> 00:00:21,255 OH, WHAT ARE YOU GONNA DO ABOUT IT, HUH? 6 00:00:21,289 --> 00:00:22,190 YOU GUYS ARE... 7 00:00:22,223 --> 00:00:23,724 WHAT -- YOU'RE OFFICIALLY BACK TOGETHER? 8 00:00:23,757 --> 00:00:24,692 UNTIL WE FUCK IT UP. 9 00:00:24,725 --> 00:00:27,128 WE'RE GOING TO THIS PARTY UP IN LAUREL CANYON. 10 00:00:27,161 --> 00:00:29,163 [ INHALES SHARPLY ] OH, MY MAMA! 11 00:00:29,197 --> 00:00:30,364 WHAT THE FUCK?! 12 00:00:30,398 --> 00:00:31,732 I LEAVE YOU ALONE FOR TWO SECONDS! 13 00:00:31,765 --> 00:00:33,301 YOU'RE NOT SUPPOSED TO DO THAT! 14 00:00:33,334 --> 00:00:35,503 WHAT ARE YOU DOING? ASSUMING THE "POSISH." 15 00:00:35,536 --> 00:00:37,271 [ Chuckling ] I'LL BE RIGHT BACK. 16 00:00:42,243 --> 00:00:44,545 [ SIGHS ] 17 00:00:46,247 --> 00:00:47,648 [ GASPS ] 18 00:00:47,681 --> 00:00:50,384 DUDE, THIS FUCKING PERV JUST TRIED TO MOUTH-RAPE ME! 19 00:00:50,418 --> 00:00:51,352 I ACCIDENTALLY WENT DOWN ON HER. 20 00:00:51,385 --> 00:00:53,254 HOW DO YOU ACCIDENTALLY GO DOWN ON SOMEONE? 21 00:00:53,287 --> 00:00:54,722 [ SIREN WAILS ] HAVE YOU BEEN DRINKING, SIR? 22 00:00:54,755 --> 00:00:56,090 HOURS AGO. 23 00:00:56,124 --> 00:00:57,158 OUT OF THE CAR. 24 00:00:57,191 --> 00:00:59,660 WHY DON'T YOU JUST MIND YOUR OWN FUCKING BUSINESS? 25 00:01:01,562 --> 00:01:03,797 Karen: NO! 26 00:01:10,238 --> 00:01:12,206 [ BUZZER ] 27 00:01:21,149 --> 00:01:23,384 SILENT TREATMENT? 28 00:01:23,417 --> 00:01:24,785 YES. 29 00:01:24,818 --> 00:01:26,587 HOW LONG? 30 00:01:26,620 --> 00:01:27,688 HARD TO SAY. 31 00:01:27,721 --> 00:01:30,758 THINK WE CAN SKIP THE PART WHERE I APOLOGIZE PROFUSELY 32 00:01:30,791 --> 00:01:33,194 AND TELL YOU WHAT A LAME PARENTAL FIGURE I AM? 33 00:01:33,227 --> 00:01:34,728 NO. 34 00:01:34,762 --> 00:01:36,330 I'M SORRY. 35 00:01:36,364 --> 00:01:37,498 I KNOW. 36 00:01:37,531 --> 00:01:38,666 ME TOO. 37 00:01:38,699 --> 00:01:40,634 WHY ARE YOU SORRY? 38 00:01:40,668 --> 00:01:43,137 BECAUSE WE'RE NOT BAILING YOU OUT. 39 00:01:43,171 --> 00:01:44,338 YOU'RE SHITTING ME. 40 00:01:44,372 --> 00:01:45,739 I SHIT YOU NOT. 41 00:01:45,773 --> 00:01:49,143 MOM SAYS YOU SHOULD USE THIS TIME TO THINK. 42 00:01:49,177 --> 00:01:51,412 ABOUT WHAT? HOW MUCH MY BALLS ACHE? 43 00:01:51,445 --> 00:01:53,214 WHAT ABOUT MOM'S HEART? 44 00:01:53,247 --> 00:01:55,449 DON'T YOU THINK THAT ACHES A BIT, TOO? 45 00:01:58,952 --> 00:02:00,821 TOUCHé, DAUGHTER. 46 00:02:02,390 --> 00:02:05,826 CHECK IT OUT -- YOU'RE ON DEFAMER. 47 00:02:08,896 --> 00:02:11,265 OW! THAT'S A PRETTY GOOD PICTURE. 48 00:02:11,299 --> 00:02:13,667 [ Laughing ] I THOUGHT SO. 49 00:02:20,474 --> 00:02:22,410 I'LL WORK ON HER. 50 00:02:22,443 --> 00:02:23,677 OKAY. 51 00:02:23,711 --> 00:02:27,681 IN THE MEANTIME, DON'T BEND OVER FOR THE SOAP. 52 00:02:27,715 --> 00:02:28,716 OOH. 53 00:02:28,749 --> 00:02:31,819 [ RECEIVER CLICKS ] 54 00:03:20,000 --> 00:03:22,370 WHAT'S THE OCCASION? DO WE NEED AN OCCASION? 55 00:03:22,403 --> 00:03:23,971 LIFE IS GOOD. BUSINESS IS BETTER. 56 00:03:24,004 --> 00:03:26,440 LET'S PARTY WHILE THIS BITCH CAN STILL GET WET. 57 00:03:26,474 --> 00:03:28,342 AW. YOU GUYS ARE GREAT TOGETHER. 58 00:03:28,376 --> 00:03:30,911 BABY, TONIGHT WE ARE KICKIN' IT OLD-SCHOOL -- 59 00:03:30,944 --> 00:03:33,681 CONDOMS, COKE, AND LOBSTER CLAWS. 60 00:03:33,714 --> 00:03:35,316 MEET ME AFTER WORK. 61 00:03:35,349 --> 00:03:37,651 [ GASPS ] I RESERVED OUR FAVORITE ROOM. 62 00:03:37,685 --> 00:03:40,354 MARCE... DON'T "MARCE" ME, SHORT BUS. 63 00:03:40,388 --> 00:03:43,491 TURN OVER. I GOT TO GET YOUR TAIL. 64 00:03:45,559 --> 00:03:46,860 [ TAPE RIPS ] OHH! 65 00:03:46,894 --> 00:03:48,662 YOU SURE YOU DON'T WANT ME TO STEP OUTSIDE? 66 00:03:48,696 --> 00:03:50,731 PLEASE. I'VE HAD WAY GROSSER DUDES THAN YOU 67 00:03:50,764 --> 00:03:53,000 STARING INTO THE BUSINESS END OF MY COOTER ALL DAY LONG. 68 00:03:53,033 --> 00:03:54,935 PORN! THANKS. 69 00:03:54,968 --> 00:03:55,936 GOT IT. 70 00:03:55,969 --> 00:03:57,438 HOW'S THAT WORKING FOR YOU? 71 00:03:57,471 --> 00:03:59,573 I DON'T KNOW. I MEAN, I LOVE IT. I DO. 72 00:03:59,607 --> 00:04:02,443 BUT I'M JUST NOT GETTING THE KIND OF JOBS I REALLY WANT. 73 00:04:02,476 --> 00:04:03,677 YOU GOT TO BE CAREFUL. 74 00:04:03,711 --> 00:04:05,713 ONE WRONG MOVE, AND YOU END UP THE ASS-LICKER. 75 00:04:05,746 --> 00:04:06,714 OHH! 76 00:04:06,747 --> 00:04:08,916 I'M LOATHE TO ASK. 77 00:04:08,949 --> 00:04:11,819 YOU'RE WATCHING SOME PORN, AND THERE'S TWO GIRLS AND A GUY. 78 00:04:11,852 --> 00:04:13,554 ONE GIRL -- SHE'S CLEARLY THE STAR. 79 00:04:13,587 --> 00:04:16,557 BUT THE OTHER ONE -- SHE ENDS UP TONGUING THE DUDE'S BALLOON KNOT 80 00:04:16,590 --> 00:04:18,459 WHILE HE FUCKS THE SHIT OUT OF THE LEADING LADY. 81 00:04:18,492 --> 00:04:22,363 THAT'S WHAT I'M AFRAID OF -- CHOCOLATE-STARFISH DUTY. 82 00:04:22,396 --> 00:04:25,799 OHH! COME ON, YOU'RE FAR TOO PRETTY FOR SUCH THINGS. 83 00:04:25,833 --> 00:04:27,568 YOU REALLY THINK SO? I DO. 84 00:04:27,601 --> 00:04:28,969 YOU COULD CROSS OVER, GO MAINSTREAM. 85 00:04:29,002 --> 00:04:30,070 I'VE SEEN IT HAPPEN. 86 00:04:30,103 --> 00:04:31,305 DON'T TELL HER THAT. 87 00:04:31,339 --> 00:04:34,742 DON'T FILL HER PRETTY LITTLE HEAD FULL OF HOLLYWOOD BULLSHIT. 88 00:04:34,775 --> 00:04:37,044 SHE DOES WHAT SHE DOES, AND SHE'S GOOD AT IT. 89 00:04:37,077 --> 00:04:38,111 THAT'S THE SECRET. 90 00:04:38,145 --> 00:04:41,749 YOU FIND YOUR FUCKING NICHE, AND YOU STICK TO IT. 91 00:04:41,782 --> 00:04:44,985 LIKE ME -- I COULD BRANCH OUT. I COULD DIVERSIFY. 92 00:04:45,018 --> 00:04:47,955 BUT, NO, I WAX HAIRY TACOS. 93 00:04:47,988 --> 00:04:50,023 MAYBE I BLEACH AN ASSHOLE OR TWO. 94 00:04:50,057 --> 00:04:51,459 THAT'S MY THING. 95 00:04:51,492 --> 00:04:53,927 ONE WRONG MOVE, YOU END UP THE ASS-LICKER. 96 00:04:53,961 --> 00:04:55,829 WORDS TO LIVE BY. 97 00:04:55,863 --> 00:04:57,465 GIVE ME SOME. 98 00:05:00,000 --> 00:05:01,835 YEAH, CHARLIE RUNKLE. 99 00:05:01,869 --> 00:05:02,836 YEAH. 100 00:05:02,870 --> 00:05:05,439 NO, HE'S NOT IN A MEETING. HE HATES MEETINGS. 101 00:05:05,473 --> 00:05:07,575 COME ON, TRY HIS CELL. NO, DON'T HANG UP. 102 00:05:07,608 --> 00:05:09,510 LISTEN, TELL HIM HANK MOODY CALLED. 103 00:05:09,543 --> 00:05:11,111 TELL HIM THEY SET BAIL. 104 00:05:11,144 --> 00:05:12,613 JUST -- 105 00:05:14,582 --> 00:05:16,016 ONE MORE. 106 00:05:16,049 --> 00:05:17,885 I'M TRYING TO REACH MY AGENT. COME ON. 107 00:05:17,918 --> 00:05:20,354 MAYBE YOU SHOULD THINK ABOUT NEW REPRESENTATION, HOMEY. 108 00:05:21,789 --> 00:05:23,757 EVERYBODY'S A FUCKING COMEDIAN. 109 00:05:30,964 --> 00:05:33,901 WHAT THE FUCK? 110 00:05:37,104 --> 00:05:38,439 WHAT? 111 00:05:38,472 --> 00:05:40,508 YOU TOUCHED MY ASS. 112 00:05:40,541 --> 00:05:43,511 NOT MY THING, MAN. TRUST ME. 113 00:05:46,647 --> 00:05:50,918 MY SWEET, SEXY ASS, AND YOU TOUCHED IT. 114 00:05:52,653 --> 00:05:54,121 CAN'T SAY I BLAME YA. 115 00:05:54,154 --> 00:05:56,490 WHAT ARE YOU ON? I WANT SOME. 116 00:06:05,032 --> 00:06:06,900 AH. 117 00:06:06,934 --> 00:06:08,769 AH. 118 00:06:08,802 --> 00:06:10,971 [ URINATING ] NOW YOU'RE LOOKING AT IT. 119 00:06:11,004 --> 00:06:14,475 WELL, YOU'RE NOT GIVING ME A WHOLE LOT OF CHOICE IN THE MATTER, ARE YOU? 120 00:06:14,508 --> 00:06:15,409 THING OF BEAUTY, AIN'T IT? 121 00:06:15,443 --> 00:06:18,879 THIS NICE, WHITE, MICK-KRAUT ASS OF MINE. 122 00:06:18,912 --> 00:06:21,915 THERE'S NO PLACE LIKE HOME. THERE'S NO PLACE LIKE HOME. 123 00:06:23,717 --> 00:06:26,520 Man: COMING IN ON THE GATE! 124 00:06:39,900 --> 00:06:41,935 Lew: YOU. 125 00:06:41,969 --> 00:06:43,804 I KNOW YOU. 126 00:06:43,837 --> 00:06:45,873 LAST NIGHT -- 127 00:06:45,906 --> 00:06:48,642 THE WHOLE CUNNILINGUS SWITCHEROO INCIDENT. 128 00:06:48,676 --> 00:06:50,444 RIGHT. MOUTH RAPE. 129 00:06:50,478 --> 00:06:51,579 [ CHUCKLES ] 130 00:06:51,612 --> 00:06:53,847 THAT CHICK -- STONE FREAK. 131 00:06:53,881 --> 00:06:55,649 I ENDED UP BANGING THESE OTHER TWO. 132 00:06:55,683 --> 00:06:58,786 SHE FLIPS OUT, CALLS THE COPS, AND CRIES "DOMESTIC ABUSE." 133 00:06:58,819 --> 00:07:02,089 I'M PRETTY SURE I NEVER LAID A HAND ON HER. 134 00:07:03,624 --> 00:07:04,992 LEW ASHBY. 135 00:07:05,025 --> 00:07:06,627 HANK MOODY. 136 00:07:12,600 --> 00:07:13,901 THE WRITER? 137 00:07:13,934 --> 00:07:15,703 SO, HOW'S THE SCRIPT COMING? 138 00:07:15,736 --> 00:07:16,537 REALLY GOOD. 139 00:07:16,570 --> 00:07:18,472 I DON'T SEE WHAT THE BIG DEAL IS. 140 00:07:18,506 --> 00:07:19,907 SCREENPLAYS ARE EASY. 141 00:07:19,940 --> 00:07:21,842 WHAT'S HARD IS ADAPTING YOUR OWN WORK. 142 00:07:21,875 --> 00:07:24,545 SURE, SURE. I WOULD IMAGINE. 143 00:07:24,578 --> 00:07:26,647 I BET YOU JUST LOOK AT THOSE PAGES SOMETIMES 144 00:07:26,680 --> 00:07:29,016 AND HAVE NO IDEA WHERE ALL THAT BRILLIANCE CAME FROM. 145 00:07:29,049 --> 00:07:32,152 YOU KNOW, AS ONE OF MY AGENTS, 146 00:07:32,185 --> 00:07:34,588 I WOULD THINK YOU'D BE A WHOLE LOT NICER TO ME. 147 00:07:34,622 --> 00:07:35,723 I WOULD THINK SO, TOO. 148 00:07:35,756 --> 00:07:36,890 YOU KNOW WHAT, LADIES? 149 00:07:36,924 --> 00:07:40,060 JUST DON'T GANG-BANG UP ON ME, OKAY? PLEASE. 150 00:07:40,093 --> 00:07:43,196 OH, YOU'D LIKE THAT, WOULDN'T YOU, YOU SWEATY LITTLE PERV? 151 00:07:43,230 --> 00:07:44,264 [ CHUCKLES ] 152 00:07:44,297 --> 00:07:45,766 I'VE GOT A MEETING. 153 00:07:45,799 --> 00:07:48,902 GOOD LUCK. JUST BE YOURSELF. 154 00:07:48,936 --> 00:07:51,038 A LITTLE CLEAVAGE IS ALWAYS GOOD. 155 00:07:51,071 --> 00:07:52,873 DONE...AND DONE. 156 00:07:52,906 --> 00:07:55,275 DON'T YOU HAVE A SCHOOL TO ATTEND SOMEWHERE? 157 00:07:55,308 --> 00:07:57,144 IF IT'S ALL THE SAME TO YOU, RUNKLE, 158 00:07:57,177 --> 00:07:59,012 I THINK I'D RATHER SIT DOWN WITH DAVID FINCHER. 159 00:07:59,046 --> 00:08:01,915 WORD OF ADVICE -- IF HE'S ABOUT TO COME, JUST LET HIM COME. 160 00:08:01,949 --> 00:08:03,817 DON'T PUNCH THE POOR GUY IN THE FACE. 161 00:08:03,851 --> 00:08:05,819 DICK. 162 00:08:09,322 --> 00:08:10,958 WHAT'S YOUR PROBLEM? 163 00:08:10,991 --> 00:08:13,594 SHE'S AN IMPORTANT CLIENT. NOT TO ME. 164 00:08:13,627 --> 00:08:15,228 WELL, SHE IS TO ME AND THE AGENCY. 165 00:08:15,262 --> 00:08:17,998 SHE IS EVERYTHING THAT'S WRONG WITH HOLLYWOOD RIGHT NOW, 166 00:08:18,031 --> 00:08:20,067 MUCH LIKE YOURSELF. 167 00:08:20,100 --> 00:08:21,602 OH, HOW THE MIGHTY HAVE FALLEN. 168 00:08:21,635 --> 00:08:23,203 WHAT'S THAT SUPPOSED TO MEAN? 169 00:08:23,236 --> 00:08:25,305 YOU'VE GONE SOFT, CHARLIE. 170 00:08:25,338 --> 00:08:28,642 YOU LOST THAT KILLER INSTINCT I USED TO ADMIRE SO MUCH. 171 00:08:28,676 --> 00:08:30,210 OH, I SEE -- YOU'VE BEEN AN AGENT NOW FOR, 172 00:08:30,243 --> 00:08:31,645 WHAT IS IT, THREE WHOLE MONTHS? 173 00:08:31,679 --> 00:08:33,046 YOU GOT IT ALL FIGURED OUT NOW, HUH? 174 00:08:33,080 --> 00:08:34,648 I LOVE WHAT I DO. I KNOW THAT MUCH. 175 00:08:34,682 --> 00:08:36,283 BLACKMAILING YOUR WAY INTO A CAREER 176 00:08:36,316 --> 00:08:37,951 DOESN'T MAKE YOU A GOOD AGENT. 177 00:08:37,985 --> 00:08:40,688 NO, JUST A SUCCESSFUL ONE. 178 00:08:40,721 --> 00:08:43,256 I'M SORRY I EVER SPANKED YOU. 179 00:08:43,290 --> 00:08:46,193 I'M NOT. 180 00:08:46,226 --> 00:08:48,929 [ SIGHS ] 181 00:08:48,962 --> 00:08:52,099 I MISS YOU, BOSS. 182 00:08:52,132 --> 00:08:54,768 I MISS OUR LITTLE, UM... 183 00:08:54,802 --> 00:08:56,536 PLAYDATES. 184 00:08:57,838 --> 00:08:59,640 [ CHUCKLES ] 185 00:09:04,044 --> 00:09:05,979 OH HO HO HO HO. 186 00:09:06,013 --> 00:09:08,916 WRONG MOVE, CHARLIE. 187 00:09:08,949 --> 00:09:11,785 WOW, YOU ARE JUST TOTALLY BAT-SHIT CRAZY NOW, AREN'T YOU? 188 00:09:13,921 --> 00:09:16,256 A YEAR FROM NOW... 189 00:09:16,289 --> 00:09:19,159 WHEN YOU'RE SELLING BMWs IN THE VALLEY, 190 00:09:19,192 --> 00:09:20,661 REMEMBER THIS MOMENT. 191 00:09:20,694 --> 00:09:22,295 I'VE HAD ENOUGH OF THIS, ALL RIGHT? 192 00:09:22,329 --> 00:09:25,132 I THINK IT'S TIME I GO HAVE A LITTLE CHAT WITH OUR PRESIDENT. 193 00:09:25,165 --> 00:09:27,167 HE'S HAD HIS SHARE OF PSYCHO-HOSEBAG ASSISTANTS. 194 00:09:27,200 --> 00:09:29,136 I'M THINKING HE'S GONNA HAVE MY BACK! 195 00:09:29,169 --> 00:09:31,038 DON'T GO THERE, CHARLIE. 196 00:09:31,071 --> 00:09:33,240 INSTEAD, MAYBE IT'S TIME TO THINK ABOUT 197 00:09:33,273 --> 00:09:36,209 DOING SOMETHING A LITTLE DIFFERENT WITH YOUR SKILL SET. 198 00:09:36,243 --> 00:09:37,210 WHAT ABOUT PRODUCING? 199 00:09:37,244 --> 00:09:39,279 THE ONLY THING I'D LIKE TO PRODUCE RIGHT NOW 200 00:09:39,312 --> 00:09:41,148 IS A FIST UP YOUR ASS. 201 00:09:41,181 --> 00:09:43,884 ONCE UPON A TIME, I MIGHT'VE TAKEN YOU UP ON THAT. 202 00:09:45,052 --> 00:09:47,655 GOOD LUCK, BOSS. 203 00:09:51,825 --> 00:09:55,295 YOU GOT A LOT OF FANS IN THE MUSIC BUSINESS. 204 00:09:55,328 --> 00:09:57,130 HUH? YEAH? 205 00:09:57,164 --> 00:09:59,399 YOUR WRITING ALWAYS HAD THIS IN-YOUR-FACE, 206 00:09:59,432 --> 00:10:01,201 ROCK-'N'-ROLL ENERGY TO IT -- 207 00:10:01,234 --> 00:10:04,805 HUNTER S. THOMPSON MEETS A LOST STOOGES ALBUM. 208 00:10:04,838 --> 00:10:06,139 "GOD HATES US ALL" -- 209 00:10:06,173 --> 00:10:07,641 THAT WAS YOUR GATSBY. 210 00:10:07,675 --> 00:10:08,909 WHAT HAPPENED TO YOU, MAN? 211 00:10:08,942 --> 00:10:10,778 WHAT HAPPENED TO ME? 212 00:10:10,811 --> 00:10:11,879 YEAH. 213 00:10:11,912 --> 00:10:14,915 I CAME OUT HERE FROM NEW YORK TO FIGHT THE GOOD FIGHT. 214 00:10:14,948 --> 00:10:16,917 I LOST. THIS FUCKING CITY HAPPENED TO ME. 215 00:10:16,950 --> 00:10:18,251 AW, PLEASE. 216 00:10:18,285 --> 00:10:20,287 ALL YOU HATERS CAN GO FELLATE YOURSELVES. 217 00:10:20,320 --> 00:10:22,055 I MEAN, ALWAYS WHINING ABOUT L.A. 218 00:10:22,089 --> 00:10:23,857 AND HOW NEW YORK IS LIKE A HOLY LAND. 219 00:10:23,891 --> 00:10:26,026 WELL, GO THE FUCK MOVE BACK THERE. 220 00:10:26,059 --> 00:10:28,428 THE SHEER AMOUNT OF TALENT IN THIS TOWN, 221 00:10:28,461 --> 00:10:30,731 ANY GIVEN TIME -- MIND-BOGGLING. 222 00:10:30,764 --> 00:10:32,432 THAT CAVEMAN OVER THERE, FARTING IN HIS SLEEP -- 223 00:10:32,465 --> 00:10:35,035 ONE OF THE GREATEST ROCK 'N' ROLL GUITAR PLAYERS OF ALL TIME. 224 00:10:35,068 --> 00:10:36,636 [ FARTS ] 225 00:10:37,738 --> 00:10:39,072 I GOT A... 226 00:10:39,106 --> 00:10:41,308 I GOT THIS, UH, BOOK DEAL. 227 00:10:41,341 --> 00:10:44,211 THEY WANT TO WRITE ABOUT WHY EVERYTHING I TOUCH 228 00:10:44,244 --> 00:10:47,380 TURNS TO GOLD, UH, PLATINUM, ZIRCONIUM, OR SOME SUCH SHIT. 229 00:10:47,414 --> 00:10:49,282 FSG IS TRYING TO PUSH 230 00:10:49,316 --> 00:10:52,953 THESE DWEEBY ROLLING STONE WRITERS ON ME. 231 00:10:52,986 --> 00:10:54,722 YOU WRITE IT. 232 00:10:54,755 --> 00:10:56,456 BE MY BOSWELL. 233 00:10:56,489 --> 00:10:58,425 SLOW DOWN, THERE, CHARM SCHOOL. 234 00:10:58,458 --> 00:11:00,460 I DON'T PUT OUT ON A FIRST DATE. 235 00:11:00,493 --> 00:11:02,730 HEY, I'M NOT TRYING TO PUT IT IN YOUR PAIL, BUDDY. 236 00:11:02,763 --> 00:11:04,164 I GOT INSTINCTS ABOUT THESE THINGS. 237 00:11:04,197 --> 00:11:05,866 YEAH, BUT I'M ONE OF THE HATERS. 238 00:11:05,899 --> 00:11:07,735 I'M ACTUALLY DOING SOMETHING ABOUT IT. 239 00:11:07,768 --> 00:11:08,869 I'M MOVING BACK TO MECCA. 240 00:11:08,902 --> 00:11:10,771 BULLSHIT. YOU'RE NOT GOING ANYWHERE. 241 00:11:10,804 --> 00:11:13,240 YOU TOOK A SWING AT A COP. YOU NEED A FUCKIN' LAWYER. 242 00:11:13,273 --> 00:11:14,241 Man: ASHBY. 243 00:11:14,274 --> 00:11:16,443 A GOOD LAWYER IS EVERYTHING. I GOT A GREAT ONE. 244 00:11:16,476 --> 00:11:17,845 [ CELL DOOR OPENS ] 245 00:11:17,878 --> 00:11:19,780 GOOD HANGING WITH YOU, MOODY. 246 00:11:19,813 --> 00:11:20,781 ASHBY. 247 00:11:20,814 --> 00:11:21,782 GET WRITING AGAIN. 248 00:11:21,815 --> 00:11:23,083 PEACE. 249 00:11:25,018 --> 00:11:26,854 THANK YOU. 250 00:11:35,362 --> 00:11:38,465 OKAY, LOOK, I KNOW I'M SUPPOSED TO BE LIKE A SISTER HERE, 251 00:11:38,498 --> 00:11:40,901 BUT IT'S NOT LIKE HE DID IT ON PURPOSE. 252 00:11:40,934 --> 00:11:41,902 [ CHUCKLES ] 253 00:11:41,935 --> 00:11:45,505 SONJA...YOU SLEPT WITH THE FATHER OF MY CHILD 254 00:11:45,538 --> 00:11:48,041 IN MY VERY OWN BED, AND THEN YOU VOMITED ALL OVER IT. 255 00:11:48,075 --> 00:11:50,510 [ Chuckling ] I WOULD NEVER ACCUSE YOU OF BEING A SISTER. 256 00:11:50,543 --> 00:11:52,245 YOU HOOKED ME UP WITH HIM, SO... 257 00:11:52,279 --> 00:11:54,347 I KNOW. WHAT THE FUCK WAS I THINKING? 258 00:11:54,381 --> 00:11:56,049 I'M SORRY ABOUT THE COMFORTER. 259 00:11:56,083 --> 00:11:57,317 YOU READY? 260 00:11:57,350 --> 00:11:58,752 FOR WHAT? 261 00:11:58,786 --> 00:12:00,788 MM. MY PITCH. 262 00:12:00,821 --> 00:12:03,791 [ Chuckling ] WHAT, ARE YOU PEDDLING SCREENPLAYS NOW, OR... 263 00:12:03,824 --> 00:12:05,225 OH, GOD. NO, NO, NO. 264 00:12:05,258 --> 00:12:08,461 I THINK WE SHOULD GO INTO BUSINESS TOGETHER. 265 00:12:08,495 --> 00:12:10,764 I'M FLATTERED, REALLY. 266 00:12:10,798 --> 00:12:13,400 THANK YOU, BUT THIS IS, UM... 267 00:12:13,433 --> 00:12:15,969 THIS IS KIND OF A HARD TIME FOR ME RIGHT NOW. 268 00:12:16,003 --> 00:12:17,337 THE HOUSE IS ON THE MARKET, 269 00:12:17,370 --> 00:12:19,472 AND I'M INTERVIEWING FOR JOBS IN NEW YORK. 270 00:12:19,506 --> 00:12:20,573 HOW WOULD YOU FEEL 271 00:12:20,607 --> 00:12:23,844 ABOUT RESTORING AN ORIGINAL LAUTNER HOUSE WITH ME? 272 00:12:23,877 --> 00:12:25,478 DON'T FUCK WITH ME. 273 00:12:25,512 --> 00:12:27,047 I'M NOT. 274 00:12:27,080 --> 00:12:29,516 I'M BIDDING ON ONE TOMORROW. 275 00:12:29,549 --> 00:12:31,051 ARE YOU SERIOUS? 276 00:12:31,084 --> 00:12:32,085 YEAH. 277 00:12:33,420 --> 00:12:35,255 I GOT SOME THINGS TO SAY TO YOU -- 278 00:12:35,288 --> 00:12:37,224 SOME OF IT UGLY, SOME OF IT EMBARRASSING, 279 00:12:37,257 --> 00:12:38,558 BUT ALL OF IT TRUE. 280 00:12:38,591 --> 00:12:40,828 I AM NOT GOING DOWN WITHOUT A FIGHT. 281 00:12:44,597 --> 00:12:45,465 [ BEEP ] 282 00:12:45,498 --> 00:12:48,836 [ BREATHING HEAVILY ] 283 00:12:55,042 --> 00:12:57,477 AHH. 284 00:12:57,510 --> 00:12:58,778 [ BEEP ] 285 00:13:05,318 --> 00:13:07,254 SO, WHAT? 286 00:13:07,287 --> 00:13:10,057 YOU GONNA SHIT-CAN 15 YEARS' EXPERIENCE 287 00:13:10,090 --> 00:13:12,325 'CAUSE A GUY MESSES UP ONE TIME? 288 00:13:12,359 --> 00:13:13,326 [ SCOFFS ] [ BEEP ] 289 00:13:13,360 --> 00:13:15,162 [ BREATHING HEAVILY ] 290 00:13:17,497 --> 00:13:19,532 AH. 291 00:13:23,370 --> 00:13:24,371 AH! 292 00:13:26,239 --> 00:13:31,111 AHHHHHH! 293 00:13:39,452 --> 00:13:41,855 OKAY, THAT'S IT! 294 00:13:41,889 --> 00:13:43,090 I'M ANKLING! 295 00:13:43,123 --> 00:13:46,126 HUH?! RUNKLE IS ANKLING! 296 00:13:52,933 --> 00:13:57,137 WHOOOOOO! 297 00:13:57,170 --> 00:14:00,440 Karen: OKAY, BECCA, DINNER. 298 00:14:00,473 --> 00:14:03,443 WHAT ARE YOU UP TO, YOUNG LADY? 299 00:14:03,476 --> 00:14:06,379 HOW LONG ARE YOU GOING TO LET MY FATHER ROT IN JAIL? 300 00:14:08,481 --> 00:14:11,051 LOOK, I KNOW THIS IS HARD FOR YOU, 301 00:14:11,084 --> 00:14:14,054 BUT YOUR FATHER HAS TO UNDERSTAND 302 00:14:14,087 --> 00:14:16,556 THAT THERE ARE CONSEQUENCES TO HIS ACTIONS, OKAY? 303 00:14:16,589 --> 00:14:18,959 HE CAN'T JUST GO AROUND SAYING AND DOING 304 00:14:18,992 --> 00:14:21,328 EXACTLY WHAT HE WANTS AT ALL TIMES. 305 00:14:21,361 --> 00:14:22,896 I MEAN, YOU GET THAT, RIGHT? 306 00:14:22,930 --> 00:14:23,964 [ DOOR OPENS, CLOSES ] 307 00:14:23,997 --> 00:14:25,565 Mia: HEY! 308 00:14:25,598 --> 00:14:27,434 HI. 309 00:14:27,467 --> 00:14:28,668 HEY! 310 00:14:28,701 --> 00:14:30,037 OH, WHAT'S THIS? 311 00:14:30,070 --> 00:14:31,504 GALLEY PROOFS. 312 00:14:31,538 --> 00:14:32,672 ONCE UPON A TIME, 313 00:14:32,705 --> 00:14:35,108 BEFORE YOU HUMILIATED MY FATHER ON HIS WEDDING NIGHT, 314 00:14:35,142 --> 00:14:36,576 YOU PROMISED TO READ MY BOOK. 315 00:14:36,609 --> 00:14:38,511 HIGH TIME I COLLECT, DON'T YOU THINK? 316 00:14:38,545 --> 00:14:40,580 YOU'RE RIGHT. I DID AND I WILL. 317 00:14:40,613 --> 00:14:42,082 I WANT TO READ IT. 318 00:14:42,115 --> 00:14:43,951 OH, I THINK THIS ONE MIGHT BE 319 00:14:43,984 --> 00:14:45,953 A LITTLE TOO NC-17 FOR YOU, JUNO. 320 00:14:45,986 --> 00:14:47,554 WHAT ARE YOU TALKING ABOUT? 321 00:14:47,587 --> 00:14:49,957 IF I'VE READ ALL MY FATHER'S BOOKS, 322 00:14:49,990 --> 00:14:51,658 I'M SURE I CAN HANDLE YOURS. 323 00:14:51,691 --> 00:14:55,495 UH, WHERE IS THE ESTEEMED AUTHOR THIS EVENING? 324 00:14:55,528 --> 00:14:57,397 IN THE BIG HOUSE. 325 00:15:00,133 --> 00:15:01,301 JAIL. 326 00:15:01,334 --> 00:15:03,136 HE'S IN JAIL. 327 00:15:03,170 --> 00:15:05,205 NO SHIT. WHAT DID HE DO? 328 00:15:05,238 --> 00:15:06,606 I'M NOT ALLOWED TO KNOW. 329 00:15:06,639 --> 00:15:09,076 BECAUSE I DON'T WANT TO TURN YOU OFF MEN 330 00:15:09,109 --> 00:15:10,377 FOR THE REST OF YOUR LIFE. 331 00:15:10,410 --> 00:15:11,511 WELL, WHAT ARE WE GONNA DO? 332 00:15:11,544 --> 00:15:14,081 SHOULDN'T WE BE CALLING CHICO'S BAIL BONDS OR SOMETHING? 333 00:15:14,114 --> 00:15:16,083 MOM THINKS HE NEEDS TIME TO THINK. 334 00:15:16,116 --> 00:15:17,484 HE DOES NEED TIME. 335 00:15:17,517 --> 00:15:20,520 WELL, WHAT IF, WHILE HE'S THINKING, SOME CHOLO TOSSES HIS SALAD? 336 00:15:20,553 --> 00:15:21,588 UH, MIA... 337 00:15:21,621 --> 00:15:23,356 WHAT DOES THAT MEAN? 338 00:15:23,390 --> 00:15:25,058 NOTHING GOOD. 339 00:15:25,092 --> 00:15:28,195 I GOT TO SAY, I DON'T APPROVE OF THIS COURSE OF ACTION. 340 00:15:28,228 --> 00:15:31,264 FOR ALL OF HIS FAULTS, HANK'S A LOVER...NOT A FIGHTER. 341 00:15:31,298 --> 00:15:34,201 THE MAN IS FAR TOO PRETTY FOR JAIL, MOM. 342 00:15:34,234 --> 00:15:36,503 WHAT IF HE'S SOMEONE'S BITCH RIGHT NOW? 343 00:15:36,536 --> 00:15:38,638 INSTEAD OF BEING YOURS. 344 00:15:40,007 --> 00:15:42,375 THAT IS NOT FAIR... OR NICE. 345 00:15:42,409 --> 00:15:44,177 HE IS WHO HE IS, MOM. 346 00:15:44,211 --> 00:15:47,114 YOU KNEW THAT WHEN YOU JUMPED INTO THE CAR WITH US. 347 00:15:47,147 --> 00:15:51,251 IF YOU'RE WORRIED YOU MADE A MISTAKE, THAT'S NOT HIS FAULT. 348 00:15:51,284 --> 00:15:54,221 YOU HAVE TO LOVE HIM FOR WHO HE IS, 349 00:15:54,254 --> 00:15:56,289 NOT HIS POTENTIAL. 350 00:15:58,058 --> 00:15:59,192 [ PAPER RUSTLING ] 351 00:15:59,226 --> 00:16:00,393 NO, NO, NO, SWEETIE. 352 00:16:03,663 --> 00:16:06,566 SHIT. 353 00:16:06,599 --> 00:16:08,035 COULD YOU WATCH HER? 354 00:16:08,068 --> 00:16:10,037 SURE. WHERE YOU GOING? 355 00:16:10,070 --> 00:16:11,504 TO BAIL HIM OUT, 356 00:16:11,538 --> 00:16:16,309 BECAUSE THAT IS THE INFURIATING MAGIC OF HANK. 357 00:16:16,343 --> 00:16:17,310 [ KEYS JINGLING ] 358 00:16:17,344 --> 00:16:20,213 YOU CAN NEVER STAY MAD AT HIM FOR VERY LONG. 359 00:16:20,247 --> 00:16:23,683 I'LL BE BACK... WITH THE HANK. 360 00:16:28,088 --> 00:16:30,057 DUDE, YOU ATE THE WRONG PUSSY. 361 00:16:30,090 --> 00:16:31,691 THAT'S ALL THERE IS TO IT. 362 00:16:31,724 --> 00:16:33,693 THAT SHIT IS FUCKED UP. 363 00:16:33,726 --> 00:16:35,495 BEYOND FUCKED UP. 364 00:16:35,528 --> 00:16:36,663 [ Chuckling ] FUCK! 365 00:16:36,696 --> 00:16:38,765 IF I GOT CAUGHT MUNCHING THE WRONG RUG, 366 00:16:38,798 --> 00:16:41,701 THE WARDEN WOULD GO LORENA BOBBITT ON MY ASS. 367 00:16:41,734 --> 00:16:43,603 MY SWEET, SEXY ASS. 368 00:16:43,636 --> 00:16:45,505 MOODY, YOU'RE OUT OF HERE. 369 00:16:45,538 --> 00:16:47,074 [ SIGHS ] 370 00:16:47,107 --> 00:16:50,443 GENTLEMEN...LADY... IT'S BEEN A SLICE. 371 00:16:50,477 --> 00:16:52,379 LET'S KEEP IN TOUCH. 372 00:16:56,616 --> 00:16:57,650 YOU? 373 00:16:57,684 --> 00:16:59,519 THAT'S RIGHT, MOTHERFUCKER. 374 00:16:59,552 --> 00:17:01,654 WHY THE FUCK WOULD YOU BAIL ME OUT? 375 00:17:01,688 --> 00:17:04,091 WHY THE FUCK NOT? 376 00:17:04,124 --> 00:17:05,258 THAT'S MIGHTY WHITE OF YOU. 377 00:17:05,292 --> 00:17:06,459 HEY, IT'S ONLY MONEY. 378 00:17:06,493 --> 00:17:08,328 NOW YOU GOT TO DRINK WITH ME. 379 00:17:08,361 --> 00:17:10,130 WELL, I HATE TO SEEM UNAPPRECIATIVE, 380 00:17:10,163 --> 00:17:11,531 BUT I GOT SOME GIRLS BACK HOME 381 00:17:11,564 --> 00:17:13,600 WHO DESERVE THE FULL-COURT PRESS ON THIS ONE, 382 00:17:13,633 --> 00:17:14,701 SO I'M GONNA HAVE TO PASS. 383 00:17:14,734 --> 00:17:17,637 OH, COME ON, ONE DRINK, AND THEN I'LL DROP YOU OFF. 384 00:17:17,670 --> 00:17:19,439 ONE. 385 00:17:19,472 --> 00:17:20,373 COME ON. 386 00:17:20,407 --> 00:17:21,374 YES! 387 00:17:21,408 --> 00:17:23,310 SILENCE IS A "YES." 388 00:17:25,678 --> 00:17:27,847 [ INHALES SHARPLY ] 389 00:17:27,880 --> 00:17:30,250 [ CHUCKLES ] 390 00:17:30,283 --> 00:17:32,485 [ Groaning ] OH, MY BALLS. 391 00:17:32,519 --> 00:17:36,289 [ KID ROCK'S "SO HOTT" PLAYS ] 392 00:17:40,827 --> 00:17:42,495 Lew: TAKE A WHIFF. 393 00:17:42,529 --> 00:17:43,763 SMELL THE HISTORY. 394 00:17:43,796 --> 00:17:45,798 THIS WAS LED ZEPPELIN'S TABLE. 395 00:17:45,832 --> 00:17:48,868 JIMMY FUCKING PAGE USED TO GET UNDER-THE-TABLE ORAL 396 00:17:48,901 --> 00:17:50,803 FROM MISS PAMELA RIGHT HERE. 397 00:17:50,837 --> 00:17:53,806 I BET YOU COULD STILL SCRAPE SOME OF HIS DNA OFF THE FLOOR. 398 00:17:53,840 --> 00:17:56,409 FIRST ALBUM I EVER BOUGHT WITH MY OWN MONEY -- "ZEPPELIN II." 399 00:17:56,443 --> 00:17:59,179 OH, YOU GOT GOOD TASTE. MINE WAS CAPTAIN & TENNILLE. 400 00:17:59,212 --> 00:18:02,115 I WAS A HOMO UNTIL I HEARD THE HARD STUFF. INDEED. 401 00:18:02,149 --> 00:18:03,250 WANT A BLOWJOB? 402 00:18:03,283 --> 00:18:05,785 I DON'T KNOW. I THINK IT MIGHT RUIN THE FRIENDSHIP. 403 00:18:05,818 --> 00:18:07,820 TAKE YOUR PICK. I'LL HOOK YOU UP. 404 00:18:07,854 --> 00:18:08,821 HER? 405 00:18:08,855 --> 00:18:10,823 HER? NO, I'M -- I'M -- 406 00:18:10,857 --> 00:18:12,792 HIM? I'M GOOD. I HAD A BIG BREAKFAST. 407 00:18:12,825 --> 00:18:15,195 OKAY. YOU HAVE A PROBLEM WITH BLOWJOBS? 408 00:18:15,228 --> 00:18:17,330 OH, ACTUALLY, I'M A BIG FAN OF THE BLOWJOB, 409 00:18:17,364 --> 00:18:19,899 AS LONG AS SHE USES TWO HANDS AND DOESN'T MEANDER TOO MUCH. 410 00:18:19,932 --> 00:18:22,535 I JUST HAVE A WOMAN AT HOME WHO MIGHT NOT APPRECIATE 411 00:18:22,569 --> 00:18:24,737 SOMEBODY ELSE'S LIPS WRAPPED AROUND MY MONKEY. 412 00:18:24,771 --> 00:18:27,140 I IMAGINE SHE'S STILL A LITTLE MIFFED 413 00:18:27,174 --> 00:18:28,675 ABOUT THE, UH, ACCIDENTAL MUFF-DIVE. 414 00:18:28,708 --> 00:18:30,743 YOU WOULD IMAGINE CORRECTLY. RIGHT. 415 00:18:30,777 --> 00:18:32,179 ANY... 416 00:18:33,480 --> 00:18:35,182 ...TIT-SUCKERS? 417 00:18:35,215 --> 00:18:36,716 DAUGHTER -- REBECCA. 418 00:18:36,749 --> 00:18:37,817 SHE'S MAGIC. 419 00:18:37,850 --> 00:18:39,152 PLAYS GUITAR. 420 00:18:39,186 --> 00:18:42,255 LOVES THE HEAVY METAL. WORSHIPS SATAN. 421 00:18:42,289 --> 00:18:45,692 AW, SHUCKS, YOU GOT YOURSELF A LITTLE FAMN-DAMILY, MOODY, 422 00:18:45,725 --> 00:18:48,695 WHICH IS WHY YOU SHOULD WRITE MY FUCKIN' BOOK, 423 00:18:48,728 --> 00:18:51,264 'CAUSE YOU NEED TO PROVIDE FOR THEM. 424 00:18:51,298 --> 00:18:53,666 YOU KNOW WHAT? WHAT AM I GONNA WRITE ABOUT? 425 00:18:53,700 --> 00:18:55,935 WHAT, YOU WERE BORN A POOR, BLACK CHILD, 426 00:18:55,968 --> 00:18:57,670 AND NOW YOU'RE AN ICON? 427 00:18:57,704 --> 00:18:59,672 EVERYTHING YOU TOUCH TURNS TO GOLD? 428 00:18:59,706 --> 00:19:01,941 NO OFFENSE, BUT I NEED A BIGGER THEME. 429 00:19:01,974 --> 00:19:04,944 * BECAUSE YOU KNOW YOU'RE SO HOT * 430 00:19:04,977 --> 00:19:07,280 * I WANNA GET YOU ALONE 431 00:19:07,314 --> 00:19:08,481 * YOU'RE SO HOT 432 00:19:08,515 --> 00:19:11,518 * I WANNA GET YOU STONED 433 00:19:11,551 --> 00:19:12,885 * YOU'RE SO HOT 434 00:19:12,919 --> 00:19:15,722 [ CHUCKLES ] 435 00:19:15,755 --> 00:19:18,591 * I WANNA FUCK YOU LIKE I'M NEVER GONNA SEE YOU AGAIN * 436 00:19:18,625 --> 00:19:19,592 THANKS, SWEETHEART. 437 00:19:19,626 --> 00:19:20,960 ANYTIME. 438 00:19:20,993 --> 00:19:22,795 JOB WELL DONE. THANK YOU. 439 00:19:24,797 --> 00:19:26,466 COOL. 440 00:19:26,499 --> 00:19:27,567 VERY COOL. 441 00:19:27,600 --> 00:19:28,768 [ CHUCKLES ] 442 00:19:28,801 --> 00:19:32,272 LET'S FIND OURSELVES A BIGGER THEME? 443 00:19:32,305 --> 00:19:34,874 [ INHALES SHARPLY ] 444 00:19:34,907 --> 00:19:35,908 MMM! 445 00:19:35,942 --> 00:19:37,677 HANG THE FUCKIN' POPE! 446 00:19:37,710 --> 00:19:38,678 OH! 447 00:19:38,711 --> 00:19:40,580 YOU WANT SOME, DADDY? 448 00:19:40,613 --> 00:19:42,382 [ CLEARS THROAT LOUDLY, COUGHS ] 449 00:19:42,415 --> 00:19:43,883 I GOT TO TELL YOU SOMETHING, MARCE. 450 00:19:43,916 --> 00:19:45,252 [ SIGHS ] 451 00:19:45,285 --> 00:19:46,253 MARCE? 452 00:19:46,286 --> 00:19:47,820 MARCE! 453 00:19:47,854 --> 00:19:49,622 I GOT TO FUCKIN' TELL YOU SOMETHING, BABY. 454 00:19:49,656 --> 00:19:51,791 WHAT?! WHAT DO YOU GOT TO TELL ME?! 455 00:19:51,824 --> 00:19:54,727 [ BREATHING HEAVILY ] 456 00:19:56,028 --> 00:19:57,964 I LOVE YOU. 457 00:19:57,997 --> 00:20:01,501 OH, I FUCKIN' LOVE YOU, BABE. 458 00:20:01,534 --> 00:20:02,702 YOU WANT TO FUCK? 459 00:20:02,735 --> 00:20:05,238 YOU COULD CHOKE ME IF YOU WANT. 460 00:20:05,272 --> 00:20:06,373 JUST A LITTLE. 461 00:20:06,406 --> 00:20:07,173 [ SNIFFLES ] 462 00:20:07,206 --> 00:20:08,875 I DON'T KNOW IF I CAN DO IT ANYMORE. 463 00:20:08,908 --> 00:20:10,710 THAT'S COOL. TAKE IT EASY, BABY. 464 00:20:10,743 --> 00:20:11,944 [ SIGHS ] SLOW DOWN. 465 00:20:11,978 --> 00:20:13,613 I WON'T BOGIE ANY OF YOURS. 466 00:20:13,646 --> 00:20:15,748 NOT THE BLOW -- THE JOB! JESUS CHRIST! 467 00:20:15,782 --> 00:20:17,650 MARCY, YOU GOT TO LISTEN TO ME ONCE IN A WHILE! 468 00:20:17,684 --> 00:20:18,918 OKAY, OKAY! 469 00:20:18,951 --> 00:20:22,389 BUT WHAT THE FUCK ARE YOU TALKING ABOUT?! 470 00:20:22,422 --> 00:20:23,256 YOU LOVE YOUR JOB. 471 00:20:23,290 --> 00:20:25,492 YOU WERE BORN TO BE A 10-PERCENTER. 472 00:20:25,525 --> 00:20:27,594 WELL, BABE, I GOT TO GET OFF THE TRAIN. 473 00:20:27,627 --> 00:20:28,728 IT'S FUCKING KILLING ME. 474 00:20:28,761 --> 00:20:29,729 YOU KNOW WHAT? 475 00:20:29,762 --> 00:20:31,298 MAYBE I NEED TO PRODUCE. 476 00:20:31,331 --> 00:20:33,866 OH, FUCK THAT, YOU FUCKING ASS-LICKER. 477 00:20:33,900 --> 00:20:35,902 YOU'RE NOT CREATIVE. 478 00:20:35,935 --> 00:20:37,937 [ SNIFFS ] YOU HAVEN'T HAD AN ORIGINAL THOUGHT 479 00:20:37,970 --> 00:20:41,040 SINCE THE DAY WE MET, WHICH ISN'T A BAD THING. 480 00:20:41,073 --> 00:20:42,108 YOU NEED TO SELL. 481 00:20:42,141 --> 00:20:45,712 IT IS WHAT YOU DO, AND YOU DO THE SHIT OUT OF IT. 482 00:20:45,745 --> 00:20:47,314 BUT WHAT IF I COULDN'T, HUH? 483 00:20:47,347 --> 00:20:49,015 WHAT IF, ALL OF A SUDDEN, I JUST, YOU KNOW, 484 00:20:49,048 --> 00:20:50,182 I FUCKIN' COULDN'T? 485 00:20:50,216 --> 00:20:52,852 LIKE WHAT? LIKE, IF YOU ENDED UP IN A FUCKIN' WHEELCHAIR, 486 00:20:52,885 --> 00:20:54,321 ALL TWEAKED AND SHIT? 487 00:20:54,354 --> 00:20:56,389 YOU'RE NOT FUCKIN' LISTENING TO ME! 488 00:20:56,423 --> 00:20:57,590 YOU NEVER FUCKIN' LISTEN TO ME! 489 00:20:57,624 --> 00:20:58,591 AAH! 490 00:20:58,625 --> 00:21:01,828 [ SHOUTING INDISTINCTLY ] 491 00:21:01,861 --> 00:21:03,530 I'M LISTENING, BABY. 492 00:21:03,563 --> 00:21:04,731 I'M RIGHT HERE. 493 00:21:04,764 --> 00:21:05,732 [ SNIFFS ] 494 00:21:05,765 --> 00:21:07,400 [ INHALES SHARPLY ] 495 00:21:12,572 --> 00:21:15,475 WHAT THE FUCK? YOU'RE SUPPOSED TO BE TAKING ME HOME. 496 00:21:15,508 --> 00:21:17,777 I JUST THOUGHT I'D GIVE YOU A LITTLE SOMETHING 497 00:21:17,810 --> 00:21:19,879 TO...PUT IN YOUR BOOK. 498 00:21:21,848 --> 00:21:23,850 WE DROVE OUT HERE TOGETHER IN A BEAT-TO-SHIT MUSTANG 499 00:21:23,883 --> 00:21:25,552 THAT DIDN'T GO IN REVERSE ANYMORE. 500 00:21:25,585 --> 00:21:27,520 I WAS GONNA BE A GUITAR HERO. 501 00:21:27,554 --> 00:21:29,822 SHE WAS GONNA DESIGN MY STAGE CLOTHES. 502 00:21:29,856 --> 00:21:31,824 I ENDED UP PRODUCING. 503 00:21:31,858 --> 00:21:35,061 SHE ENDED UP ALONE... ALL THE TIME. 504 00:21:35,094 --> 00:21:37,964 SHE WANTED THE HOUSE. 505 00:21:37,997 --> 00:21:41,468 I WANTED, UH, THE FREEDOM. 506 00:21:41,501 --> 00:21:44,103 SURE AS FUCK GOT IT. 507 00:21:44,136 --> 00:21:46,673 NOW I DRINK WHAT I WANT... 508 00:21:46,706 --> 00:21:48,708 SNORT WHAT I WANT... 509 00:21:48,741 --> 00:21:50,610 FUCK WHAT I WANT. 510 00:21:52,879 --> 00:21:54,647 ALL I WANT IS HER. 511 00:21:58,818 --> 00:22:00,487 LET'S GO KNOCK ON HER DOOR. 512 00:22:00,520 --> 00:22:01,621 FUCK THAT. 513 00:22:01,654 --> 00:22:04,857 NOT NEARLY DRUNK ENOUGH FOR THAT. 514 00:22:04,891 --> 00:22:06,726 THANK YOU. FOR WHAT? 515 00:22:06,759 --> 00:22:09,396 REMINDING ME TO CALL MY OLD LADY. 516 00:22:09,429 --> 00:22:11,598 THE ONE WHO DIDN'T BAIL YOU OUT? 517 00:22:11,631 --> 00:22:13,733 PROBABLY WHAT I DIG MOST ABOUT HER. 518 00:22:13,766 --> 00:22:14,734 OOH. 519 00:22:14,767 --> 00:22:16,135 [ CELLPHONE RINGS ] 520 00:22:16,168 --> 00:22:17,136 [ BEEP ] 521 00:22:17,169 --> 00:22:19,005 KAREN? 522 00:22:19,038 --> 00:22:20,373 MARCY? 523 00:22:21,774 --> 00:22:23,543 WHAT? HOLD ON A SEC. WHAT? 524 00:22:23,576 --> 00:22:24,944 IS SOMEBODY CRYING? 525 00:22:24,977 --> 00:22:26,779 CHARLIE'S CRYING? WHAT THE... 526 00:22:26,813 --> 00:22:29,015 [ SIGHS ] YOU GUYS ARE FUCKIN' RETARDED. 527 00:22:29,048 --> 00:22:30,617 [ KNOCK ON DOOR ] 528 00:22:33,152 --> 00:22:35,722 [ TAPPING ON DOOR ] 529 00:22:38,090 --> 00:22:39,859 WHAT'S UP, COKIE SMURF? 530 00:22:39,892 --> 00:22:43,630 HE KEEPS SAYING SOME SHIT ABOUT NOT WANTING TO BE AN AGENT ANYMORE. 531 00:22:43,663 --> 00:22:44,997 I DIDN'T KNOW WHAT TO DO. 532 00:22:45,031 --> 00:22:46,899 YOU DID THE RIGHT THING, HALF-PINT. 533 00:22:46,933 --> 00:22:48,868 HEY, RUNKLE, OPEN UP! 534 00:22:48,901 --> 00:22:51,738 CHARLIE, COME ON, LET ME IN. 535 00:22:51,771 --> 00:22:53,973 CHARLIE? 536 00:22:54,006 --> 00:22:55,975 CHARLIE? 537 00:22:56,008 --> 00:22:57,577 COME ON. 538 00:22:57,610 --> 00:22:59,145 CHARLIE! 539 00:23:06,018 --> 00:23:08,421 WHAT THE FUCK, RUNKLE? 540 00:23:09,556 --> 00:23:11,190 I GOT THE AX TODAY. 541 00:23:11,223 --> 00:23:12,692 YOU GOT FIRED?! 542 00:23:12,725 --> 00:23:15,595 WHY THE FUCK DIDN'T YOU TELL ME?! 543 00:23:15,628 --> 00:23:16,596 I TRIED! 544 00:23:16,629 --> 00:23:18,465 YOU WEREN'T FUCKING LISTENING! 545 00:23:18,498 --> 00:23:20,967 YOU NEVER FUCKING LISTEN TO ME ANYMORE! 546 00:23:21,000 --> 00:23:23,736 RIGHT, RIGHT, RIGHT! I NEVER LISTEN TO YOU! 547 00:23:23,770 --> 00:23:24,737 GOT IT! 548 00:23:24,771 --> 00:23:25,872 ASSHOLE! HOLD IT! 549 00:23:25,905 --> 00:23:27,740 AHHHHH! SCARFACE, YOU'RE NOT HELPING. 550 00:23:27,774 --> 00:23:29,442 GO ELSEWHERE. 551 00:23:29,476 --> 00:23:31,811 [ FOOTSTEPS DEPARTING ] 552 00:23:31,844 --> 00:23:33,580 OKAY, BIG BOY. 553 00:23:33,613 --> 00:23:35,081 LAY IT ON ME. 554 00:23:35,114 --> 00:23:37,884 [ ROCK MUSIC PLAYING THROUGH HEADPHONES ] 555 00:23:40,687 --> 00:23:42,889 WELL, HELP YOURSELF. WHATEVER. 556 00:23:46,158 --> 00:23:47,894 [ SNIFFS ] 557 00:23:50,630 --> 00:23:51,864 [ SNIFFS ] 558 00:23:51,898 --> 00:23:55,535 THEY SHIT-CANNED MY ASS, WHICH MAKES TOTAL SENSE. 559 00:23:55,568 --> 00:23:57,870 MY HEART WASN'T IN IT ANYMORE. 560 00:23:57,904 --> 00:24:00,907 WELL...THAT AND THE MASTURBATION VIDEOS. 561 00:24:00,940 --> 00:24:01,708 OH. 562 00:24:01,741 --> 00:24:04,010 DO I EVEN WANT TO KNOW? 563 00:24:04,043 --> 00:24:05,812 IT'S SOBERING, HANK, 564 00:24:05,845 --> 00:24:08,781 SEEING YOURSELF MAKE FACES LIKE THAT. 565 00:24:08,815 --> 00:24:09,916 I HEAR YA. 566 00:24:09,949 --> 00:24:13,486 NO MAN SHOULD EVER HAVE TO BEAR WITNESS TO HIS "OH" FACE. 567 00:24:13,520 --> 00:24:14,621 WORD. 568 00:24:14,654 --> 00:24:15,488 BUH-DOOP! 569 00:24:15,522 --> 00:24:18,024 WELL, WHAT'S THE WORST THAT CAN HAPPEN? 570 00:24:18,057 --> 00:24:20,527 YOU NEVER WORK AGAIN IN THIS TOWN? 571 00:24:20,560 --> 00:24:21,528 [ CRYING ] 572 00:24:21,561 --> 00:24:22,995 NO! OKAY, LOOK, NO, NO, SORRY. 573 00:24:23,029 --> 00:24:24,797 SORRY, SORRY, SORRY, SORRY. 574 00:24:24,831 --> 00:24:26,833 LOOK, THAT'S -- LET'S CROSS THAT BRIDGE 575 00:24:26,866 --> 00:24:28,568 WHEN WE INEVITABLY COME TO IT. 576 00:24:28,601 --> 00:24:31,003 OKAY? LOOK, BUT TILL THEN, IT'S ME AND YOU, BROHEIM. 577 00:24:31,037 --> 00:24:32,872 I'M WITH YOU THROUGH HILL AND DALE, 578 00:24:32,905 --> 00:24:33,973 THROUGH HELL AND BACK. 579 00:24:34,006 --> 00:24:34,974 THAT'S NICE, HANK. 580 00:24:35,007 --> 00:24:36,042 I'M RIGHT BEHIND YOU. 581 00:24:36,075 --> 00:24:37,877 BUT YOU DON'T BRING IN ANY MONEY. 582 00:24:37,910 --> 00:24:39,679 WELL, IT JUST SO HAPPENS, 583 00:24:39,712 --> 00:24:41,848 LEW ASHBY IS OUT THERE RIGHT NOW. 584 00:24:41,881 --> 00:24:44,283 WANTS ME TO WRITE HIS BIOGRAPHY FOR HIM. 585 00:24:44,316 --> 00:24:45,284 REALLY? MM-HMM. 586 00:24:45,317 --> 00:24:46,553 THAT'S A BIG DEAL. 587 00:24:46,586 --> 00:24:49,288 THEY'VE BEEN TRYING TO PUT A WRITER ON THAT FOR A WHILE NOW. 588 00:24:49,321 --> 00:24:52,024 YOU SEE THAT? THINGS ARE LOOKING UP ALREADY. 589 00:24:52,058 --> 00:24:54,493 YOU DONE WITH YOUR BATH, THERE, KING DONG? 590 00:24:55,862 --> 00:24:57,096 LET'S TOWEL YOU OFF, BIG BOY. 591 00:24:57,129 --> 00:24:59,632 WHAT'S WITH THE BIB, BUB? COME ON. 592 00:24:59,666 --> 00:25:01,067 I ATE SOME CRUSTACEANS. 593 00:25:01,100 --> 00:25:03,302 YOU LOOK LIKE YOU CRAWLED OUT OF A DUMPSTER 594 00:25:03,335 --> 00:25:04,671 BEHIND THE RED LOBSTER, 595 00:25:04,704 --> 00:25:06,839 AND YOU SMELL LIKE A MERMAID'S ASS CRACK. 596 00:25:41,708 --> 00:25:45,311 [ TOM PETTY'S "WAKE UP TIME" PLAYS ] 597 00:25:57,023 --> 00:25:58,725 [ SIGHS ] 598 00:25:58,758 --> 00:26:01,160 ANY POINTS FOR SAYING "I'M SORRY" 599 00:26:01,193 --> 00:26:02,795 IN A ROMANCE LANGUAGE? 600 00:26:02,829 --> 00:26:05,364 I DON'T KNOW. 601 00:26:05,397 --> 00:26:07,767 * YOU FOLLOW YOUR FEELINGS 602 00:26:07,800 --> 00:26:11,070 I'LL THINK ABOUT IT NEXT TIME I'M GOING DOWN ON THE WRONG GUY. 603 00:26:11,103 --> 00:26:12,605 FAIR ENOUGH. 604 00:26:12,639 --> 00:26:16,809 AS LONG HE'S THIN, BENT, AND UNCIRCUMCISED. 605 00:26:16,843 --> 00:26:19,078 THAT'S LOVELY. 606 00:26:23,950 --> 00:26:25,718 COME TO BED. 607 00:26:25,752 --> 00:26:29,188 * NEITHER ONE OF US KNOWS 608 00:26:29,221 --> 00:26:35,795 * YOU GOTTA KEEP ONE EYE OPEN THE FURTHER YOU GO * 609 00:26:38,831 --> 00:26:40,900 [ SIGHS ] 610 00:26:40,933 --> 00:26:44,937 * YOU NEVER DREAMED YOU'D GO DOWN ON ONE KNEE * 611 00:26:44,971 --> 00:26:47,907 I'M SORRY, BABY. 612 00:26:47,940 --> 00:26:49,676 I KNOW. 613 00:26:49,709 --> 00:26:51,277 ME TOO. 614 00:26:53,780 --> 00:26:56,949 I LOVE YOU. 615 00:26:56,983 --> 00:26:59,852 [ SIGHS ] 616 00:27:01,988 --> 00:27:03,990 I LOVE YOU, TOO. 617 00:27:06,258 --> 00:27:09,328 BUT WHAT IF THAT'S NOT ENOUGH? 618 00:27:13,733 --> 00:27:17,336 THIS IS NOT VERY GOOD PILLOW TALK. 619 00:27:17,369 --> 00:27:19,105 OH, SHUT UP. 620 00:27:19,138 --> 00:27:22,141 [ CHUCKLES ] 621 00:27:24,110 --> 00:27:28,447 * TIME TO OPEN UP YOUR EYES 622 00:27:28,480 --> 00:27:31,450 * AND RISE 623 00:27:31,483 --> 00:27:33,720 * AND SHINE 624 00:27:33,753 --> 00:27:35,254 -- Captions by VITAC -- www.vitac.com 625 00:27:35,287 --> 00:27:37,123 CLOSED CAPTIONING PROVIDED BY SHOWTIME NETWORKS 626 00:27:37,156 --> 00:27:38,457 AND BLIND DECKER PRODUCTIONS 627 00:27:38,490 --> 00:27:41,327 * YOU'RE JUST A POOR BOY 628 00:27:41,360 --> 00:27:44,463 * A LONG WAY FROM HOME 629 00:27:44,496 --> 00:27:47,433 * YOU'RE JUST A POOR BOY 630 00:27:47,466 --> 00:27:54,040 * A LONG WAY FROM HOME 631 00:27:54,073 --> 00:27:57,877 * AND IT'S WAKE UP TIME 632 00:27:57,910 --> 00:28:00,813 * TIME TO OPEN UP YOUR EYES 633 00:28:03,883 --> 00:28:06,986 * AND RISE 634 00:28:07,019 --> 00:28:09,421 * AND SHINE