1
00:00:10,311 --> 00:00:11,245
PREVIOUSLY ON
"CALIFORNICATION"...

2
00:00:12,346 --> 00:00:14,048
SO, WHY THE VASECTOMY?
I HATE THE RUBBERS.

3
00:00:14,082 --> 00:00:15,549
[ MOANS ]

4
00:00:15,583 --> 00:00:18,052
Hank: WHAT HAPPENED BACK THERE
COULD HAVE HAPPENED TO ANYBODY.

5
00:00:18,086 --> 00:00:19,920
WRONG PLACE, WRONG TIME...

6
00:00:19,953 --> 00:00:21,555
WRONG VAGINA!

7
00:00:21,589 --> 00:00:23,857
I THINK IT'S TIME I GO HAVE A
LITTLE CHAT WITH OUR PRESIDENT.

8
00:00:23,891 --> 00:00:24,758
[ BEEP ]

9
00:00:24,792 --> 00:00:27,027
AHHHH!

10
00:00:28,896 --> 00:00:31,565
THAT'S IT!
RUNKLE IS ANKLING!

11
00:00:31,599 --> 00:00:33,867
ARE YOU SURE YOU DON'T
WANT ME TO STEP OUTSIDE?

12
00:00:33,901 --> 00:00:35,336
I'VE HAD WAY GROSSER DUDES
THAN YOU

13
00:00:35,369 --> 00:00:37,538
STARING INTO THE BUSINESS END
OF MY COOTER ALL DAY LONG.

14
00:00:37,571 --> 00:00:38,606
PORN!

15
00:00:38,639 --> 00:00:40,174
JULIAN'S
A WRITER, TOO.

16
00:00:40,208 --> 00:00:41,775
REALLY?
MY CONDOLENCES.

17
00:00:41,809 --> 00:00:43,944
WHAT I WRITE ABOUT
IS, UH...

18
00:00:43,977 --> 00:00:48,082
ACCESSING THE ARTIST THAT EXISTS
WITHIN EVERY SINGLE ONE OF US.

19
00:00:48,116 --> 00:00:49,583
[ SNIFFING ]

20
00:00:49,617 --> 00:00:51,919
SO, LET ME GET THIS STRAIGHT --
YOUR NAME IS TRIXIE,

21
00:00:51,952 --> 00:00:53,487
AND YOU ARE A WHORE?

22
00:00:53,521 --> 00:00:54,488
LEW ASHBY.

23
00:00:54,522 --> 00:00:55,723
HANK MOODY.

24
00:00:55,756 --> 00:00:56,724
THE WRITER?

25
00:00:56,757 --> 00:00:59,793
I GOT THIS, UH,
BOOK DEAL.

26
00:00:59,827 --> 00:01:01,995
THEY WANT TO WRITE ABOUT
WHY EVERYTHING I TOUCH

27
00:01:02,029 --> 00:01:03,131
TURNS TO GOLD.

28
00:01:03,164 --> 00:01:04,298
YOU WRITE IT.

29
00:01:16,344 --> 00:01:18,112
HEY, GREAT.
YOU'RE UP.

30
00:01:18,146 --> 00:01:19,480
I MADE SOME COFFEE.

31
00:01:19,513 --> 00:01:20,648
[ SMOOCHES ]

32
00:01:20,681 --> 00:01:23,016
HEY, BECCA,
LET'S GO!

33
00:01:23,050 --> 00:01:25,018
UM, YOU KNOW
THE HOUSE --

34
00:01:25,052 --> 00:01:26,454
THE JOB THAT
WE'RE BIDDING ON?

35
00:01:26,487 --> 00:01:28,222
IT'S OVER
IN THE VALLEY,

36
00:01:28,256 --> 00:01:31,159
SO I THOUGHT I COULD
JUST GET SONJA TO DROP ME

37
00:01:31,192 --> 00:01:33,194
AT LEW ASHBY'S
HOUSE TONIGHT,

38
00:01:33,227 --> 00:01:34,562
AND MAYBE WE COULD GO

39
00:01:34,595 --> 00:01:36,564
GET DINNER SOMEPLACE
IN HOLLYWOOD.

40
00:01:36,597 --> 00:01:37,798
MMM.
WHAT DO YOU THINK?

41
00:01:37,831 --> 00:01:38,799
I'M LISTENING.

42
00:01:38,832 --> 00:01:40,268
WHAT, WITH YOUR HANDS?

43
00:01:40,301 --> 00:01:41,869
I'M LIKE
A BLIND MAN.

44
00:01:41,902 --> 00:01:43,437
[ CHUCKLES ]

45
00:01:43,471 --> 00:01:45,773
SOME OF US
HAVE JOBS TO GO TO,

46
00:01:45,806 --> 00:01:48,276
YOU KNOW,
LIKE, RESPONSIBILITIES?

47
00:01:48,309 --> 00:01:50,911
SO DO I,
BUT I-I BALANCE THAT SHIT.

48
00:01:50,944 --> 00:01:53,347
I DON'T LET THE CRUSHING
PRESSURES OF THE WORKDAY WORLD

49
00:01:53,381 --> 00:01:56,584
INTERFERE WITH THE RICHNESS
OF MY LIFE AS A SEXUAL BEING.
I NOTICED THAT.

50
00:01:56,617 --> 00:01:59,587
BUT I DON'T KNOW
IF GETTING PAID SIX-FIGURE SUMS

51
00:01:59,620 --> 00:02:03,324
TO HANG OUT WITH ROCK STARS
ALL DAY REALLY CONSTITUTES WORK,

52
00:02:03,357 --> 00:02:04,925
BUT, YOU KNOW...
OF COURSE IT DOES.

53
00:02:04,958 --> 00:02:06,427
DON'T YOU WANT TO
SEND ME OFF

54
00:02:06,460 --> 00:02:08,429
TO THE SALT MINES
WITH A SMILE ON MY FACE?

55
00:02:08,462 --> 00:02:10,130
YOU'RE NOT GIVING UP, RIGHT?
OKAY.

56
00:02:10,164 --> 00:02:11,031
MNH-MNH.

57
00:02:11,064 --> 00:02:12,433
MMM.
[ DOORBELL RINGS ]

58
00:02:12,466 --> 00:02:14,368
OH, MY GOD.
THAT'S -- NO. HEY!

59
00:02:14,402 --> 00:02:17,037
THAT'S THE MAILMAN.
THAT'S THE WRONG NUMBER.

60
00:02:17,070 --> 00:02:19,807
BECCA. IT'S MIA.
[ Laughing ] SHE'S HERE.

61
00:02:19,840 --> 00:02:21,041
Mia:
HELLO, HELLO!

62
00:02:21,074 --> 00:02:22,410
Hank:
NOBODY'S HOME!

63
00:02:22,443 --> 00:02:24,445
KNOCK, KNOCK,
FOSTER FAMILY.

64
00:02:24,478 --> 00:02:25,813
HEY.

65
00:02:25,846 --> 00:02:28,682
Karen:
BECCA, COME ON.

66
00:02:28,716 --> 00:02:30,751
YOU DON'T WANT TO BE LATE
ON YOUR FIRST DAY.

67
00:02:30,784 --> 00:02:32,486
YOU CAN SULK LATER.
HONEY, COME ON.

68
00:02:32,520 --> 00:02:33,721
DID YOU
HAVE BREAKFAST?

69
00:02:33,754 --> 00:02:35,823
Becca:
DID I MENTION I HATE YOU?

70
00:02:35,856 --> 00:02:37,024
YES, YOU DID.
I KNOW.

71
00:02:37,057 --> 00:02:40,228
I'M EVIL, BUT JUST
GET OUT HERE NOW. PLEASE?

72
00:02:40,261 --> 00:02:42,696
YOU PROMISE
YOU WON'T MAKE FUN?

73
00:02:42,730 --> 00:02:43,631
YES.

74
00:02:43,664 --> 00:02:44,698
NO!
NO.

75
00:02:44,732 --> 00:02:46,634
Hank: COME ON.
WE'RE KIDDING.

76
00:02:46,667 --> 00:02:48,369
NO ONE'S GONNA
MAKE THE FUN.

77
00:02:48,402 --> 00:02:51,705
I'M SURE YOU NEVER
LOOKED LOVELIER.
[ DOOR OPENS ]

78
00:02:51,739 --> 00:02:54,275
PARENTS WHO TRULY LOVE
THEIR CHILDREN

79
00:02:54,308 --> 00:02:56,744
MAKE SACRIFICES
TO HOMESCHOOL THEM.

80
00:02:56,777 --> 00:02:58,679
LET'S GO. COME ON.
GET YOUR STUFF.

81
00:03:01,048 --> 00:03:03,517
AND, YOU...

82
00:03:03,551 --> 00:03:04,685
GOOD LUCK TODAY.

83
00:03:04,718 --> 00:03:07,288
YOU TOO.
KICK SOME ARCHITECTURAL ASS.

84
00:03:07,321 --> 00:03:11,058
AND MAY THE FORCE BE WITH YOU,
MY PREPPY-GOTH PRINCESS.

85
00:03:11,091 --> 00:03:12,660
HEY, AND WHATEVER YOU DO,

86
00:03:12,693 --> 00:03:14,962
DON'T BE ANOTHER BRICK
IN THE WALL!

87
00:03:58,071 --> 00:03:59,740
[ ROCK MUSIC PLAYS ]

88
00:04:08,916 --> 00:04:15,222
* A GIRL WITH STIGMATA

89
00:04:21,395 --> 00:04:23,864
[ GUITAR SOLO ]

90
00:04:30,771 --> 00:04:33,073
[ MUSIC STOPS ]

91
00:04:34,642 --> 00:04:37,811
THE CHORUS
IS THE VERSE.

92
00:04:37,845 --> 00:04:40,781
WHAT -- WHAT THE FUCK
DOES THAT MEAN?

93
00:04:40,814 --> 00:04:42,383
[ SIGHS ]

94
00:04:42,416 --> 00:04:45,886
WORK IT OUT,
GRASSHOPPERS.

95
00:04:45,919 --> 00:04:46,787
SMOKE?

96
00:04:46,820 --> 00:04:49,323
AW, NO, THANKS.
I QUIT.

97
00:04:49,357 --> 00:04:50,858
CHORUS WAS
THE VERSE.

98
00:04:50,891 --> 00:04:52,593
YEAH.
THE CHORUS
WAS THE VERSE.

99
00:04:52,626 --> 00:04:53,927
SO YOU KNOW
YOU JUST --

100
00:04:53,961 --> 00:04:55,463
YOU JUST LISTENED
TO THAT SONG ONE TIME?

101
00:04:55,496 --> 00:04:57,798
I HEAR. I SPEAK.
I MOVE ON. THAT'S MY JOB.

102
00:04:57,831 --> 00:05:00,401
RIGHT. SO YOU JUST OPERATE
ON PURE INSTINCT?

103
00:05:00,434 --> 00:05:02,403
WHAT THE FUCK ELSE
IS THERE?

104
00:05:02,436 --> 00:05:04,171
I DON'T KNOW --
INTELLECT, TECHNIQUE,

105
00:05:04,204 --> 00:05:06,206
SOMEBODY LIKE WARREN ZEVON,
FOR INSTANCE.

106
00:05:06,239 --> 00:05:07,441
HEY, HEY,
HEY, HEY, HEY.

107
00:05:07,475 --> 00:05:10,611
WARREN ZEVON COULD SIT DOWN
AND TALK 12-TONE THEORY

108
00:05:10,644 --> 00:05:11,845
WITH, UH,
STRAVINSKY.

109
00:05:11,879 --> 00:05:13,847
HALF THE COCKBAGS
THAT COME THROUGH HERE

110
00:05:13,881 --> 00:05:16,650
BARELY PLAY
THEIR FUCKING INSTRUMENTS.

111
00:05:16,684 --> 00:05:19,019
[ SIGHS ] YESTERDAY THE LEAD
SINGER'S GIRLFRIEND COMES BY

112
00:05:19,052 --> 00:05:20,654
WITH ALL THESE
SPRINKLES CUPCAKES,

113
00:05:20,688 --> 00:05:22,690
AND ONE OF THOSE
LITTLE SCREAMO FAGS IN THERE

114
00:05:22,723 --> 00:05:25,092
PULLS OUT THIS LITTLE
PLASTIC KNIFE, CUTS ONE IN HALF,

115
00:05:25,125 --> 00:05:26,927
SHARES IT WITH
THE OTHER JOHNNY CUPCAKE.

116
00:05:26,960 --> 00:05:30,364
ELTON JOHN GOING DOWN
ON GEORGE MICHAEL IN
A PUBLIC WASHROOM --

117
00:05:30,398 --> 00:05:31,365
LESS GAY.

118
00:05:31,399 --> 00:05:33,233
WELL, IT WOULD'VE BEEN
MORE GAY

119
00:05:33,266 --> 00:05:35,869
IF HE SHOVES A CUPCAKE UP
THE OTHER GUY'S ASS AND
THEN ATE IT OUT OF THERE,

120
00:05:35,903 --> 00:05:38,005
BUT THANK YOU FOR PUTTING THAT
IN MY HEAD, YOU KNOW?

121
00:05:38,038 --> 00:05:39,540
BECAUSE I LOVE ME
SOME ELTON JOHN.

122
00:05:39,573 --> 00:05:40,974
OH, YOU LOVE ME
SOME ELTON JOHN?

123
00:05:41,008 --> 00:05:42,843
MM. MM. MM.
HEY! OHH.
WHOA. OHH!

124
00:05:42,876 --> 00:05:44,778
WHAT ARE YOU --
GET OFF OF MY ASS.

125
00:05:44,812 --> 00:05:47,415
LOOKS LIKE
WE'RE JUST IN TIME.

126
00:05:47,448 --> 00:05:49,950
UH, TAKE-OUT
HAS ARRIVED.

127
00:05:49,983 --> 00:05:50,818
HI.

128
00:05:50,851 --> 00:05:52,753
HOW YOU DOING?
GOOD.

129
00:05:54,087 --> 00:05:55,623
HANK MOODY.

130
00:05:55,656 --> 00:05:57,591
BEATRICE TRIXIE.

131
00:05:57,625 --> 00:05:58,959
YOU TWO KNOW
EACH OTHER?

132
00:05:58,992 --> 00:06:03,697
UH, I SEEM TO RECALL...
AN EXCHANGE OF CURRENCY, YES.

133
00:06:03,731 --> 00:06:05,799
WELL, COOL. THEN YOU TAKE
TRIXIE, I'LL TAKE AMBER,

134
00:06:05,833 --> 00:06:07,768
UNLESS YOU WANT
TO GO TOGETHER?
NO.

135
00:06:07,801 --> 00:06:09,537
SWAP MIDSTREAM?
NO!

136
00:06:09,570 --> 00:06:10,471
NO? COOL.

137
00:06:10,504 --> 00:06:12,372
CATCH YOU
ON THE FLIP SIDE.

138
00:06:12,406 --> 00:06:14,174
AMBER!

139
00:06:14,207 --> 00:06:15,876
SO...

140
00:06:15,909 --> 00:06:17,845
HOW'S TRIX?

141
00:06:17,878 --> 00:06:19,312
CHARLIE RUNKLE FROM --

142
00:06:19,346 --> 00:06:21,649
UM...J-JUST --
JUST CHARLIE RUNKLE.

143
00:06:21,682 --> 00:06:23,250
WHERE?
F-FROM PLANET EARTH.

144
00:06:23,283 --> 00:06:25,285
THAT'S WHERE
I'M CALLING FROM, OKAY?

145
00:06:25,318 --> 00:06:28,656
MEANWHILE, HOW ABOUT
WE JUST GET A LUNCH ON...

146
00:06:28,689 --> 00:06:30,290
THE BOOKS.

147
00:06:30,323 --> 00:06:32,159
NICE.

148
00:06:33,326 --> 00:06:35,496
[ SIGHS ]

149
00:06:37,498 --> 00:06:38,832
HEY.

150
00:06:38,866 --> 00:06:40,534
HEY, I KNOW YOU.
HOW YOU DOING?

151
00:06:40,568 --> 00:06:42,135
YOU -- YOU DON'T
REMEMBER ME?

152
00:06:42,169 --> 00:06:43,637
WE MET
AT MY WIFE'S SALON.

153
00:06:43,671 --> 00:06:46,507
YEAH, YOU WERE HAVING YOUR LADY
NEEDS TENDED TO, AND I WAS --

154
00:06:46,540 --> 00:06:47,808
OH, MARCY'S DUDE.

155
00:06:47,841 --> 00:06:49,109
YES. CHARLIE RUNKLE.

156
00:06:49,142 --> 00:06:50,410
DAISY.

157
00:06:50,444 --> 00:06:52,345
DAISY. THAT'S RIGHT. DAISY.
SO, THE LOVELY DAISY.

158
00:06:52,379 --> 00:06:54,081
WHERE ARE YOU OFF TO
THIS LOVELY AFTERNOON?

159
00:06:54,114 --> 00:06:55,483
YOU KNOW, JUST WORK.

160
00:06:55,516 --> 00:06:58,486
WORK? WELL, THAT'S GREAT.
THAT MEANS YOU SCORED A PART.

161
00:06:59,687 --> 00:07:00,921
WELL, YOU'RE NOT PSYCHED.

162
00:07:00,954 --> 00:07:03,123
THESE GUYS ARE
JUST TOTAL AMATEURS,

163
00:07:03,156 --> 00:07:04,958
AND I HATE
WORKING FOR THEM.

164
00:07:04,992 --> 00:07:07,394
I JU-- I UNDERSTAND
BASIC IMPULSE

165
00:07:07,427 --> 00:07:09,162
TO WANT TO STICK YOUR DICK
IN SOMETHING.

166
00:07:09,196 --> 00:07:10,097
LIKE, I GET THAT.

167
00:07:10,130 --> 00:07:11,732
I'M JUST NOT
ONE OF THESE CHICKS

168
00:07:11,765 --> 00:07:13,934
THAT'S DOWN
WITH OBJECTS.

169
00:07:13,967 --> 00:07:16,403
OBJECTS?
YOU KNOW,
LIKE BOTTLES OF BOOZE,

170
00:07:16,436 --> 00:07:18,472
CELLPHONES,
AND WHATNOT.

171
00:07:18,506 --> 00:07:19,439
UH, TOYS, SURE.

172
00:07:19,473 --> 00:07:21,174
FOOD -- MAYBE.
FOOD'S ORGANIC.

173
00:07:21,208 --> 00:07:22,476
WELL, SOME OF IT IS.

174
00:07:22,510 --> 00:07:25,345
I MEAN, YOU REALLY --
YOU GOT TO READ THE LABELS.

175
00:07:25,378 --> 00:07:27,981
BUT ONCE YOU BECOME THAT CHICK,
YOU'RE IN A BOX, RIGHT?

176
00:07:28,015 --> 00:07:29,116
FOREVER AND EVER,

177
00:07:29,149 --> 00:07:30,984
YOU'RE THE GIRL
THAT STICKS STUFF UP THERE.

178
00:07:31,018 --> 00:07:33,186
AND I JUST DIDN'T
GET INTO THIS BUSINESS

179
00:07:33,220 --> 00:07:35,823
TO BECOME
SOME KIND OF FREAK SHOW.
NO, NO. YOU MOST
CERTAINLY DID NOT. NO.

180
00:07:35,856 --> 00:07:38,325
THAT'S WHY YOU GOT TO
STAND UP FOR YOURSELF
WITH THOSE PEOPLE.

181
00:07:38,358 --> 00:07:40,360
YOU GOT TO TELL THEM
WHAT YOU JUST TOLD ME.

182
00:07:40,393 --> 00:07:41,895
YEAH, RIGHT, LIKE THEY
REALLY WANT TO HEAR THAT

183
00:07:41,929 --> 00:07:44,164
FROM SOME CHICK JUST
OFF THE BUS FROM HICKSVILLE.
HEY, HEY.

184
00:07:44,197 --> 00:07:46,700
HOW ARE YOU GONNA GET
WHAT YOU WANT IF YOU
DON'T ASK FOR IT, HUH?

185
00:07:46,734 --> 00:07:48,301
I'LL TELL YOU
WHAT WE'RE GONNA DO --

186
00:07:48,335 --> 00:07:50,070
LET ME TALK TO THEM
FOR YOU.
[ HORN HONKS ]

187
00:07:50,103 --> 00:07:52,039
THAT SOUNDS
REALLY NICE, BUT --
I'M GONNA GO WITH YOU
TO THE SET,

188
00:07:52,072 --> 00:07:54,374
ACTUALLY, THAT --
I'LL PUT IN A FEW
WELL-CHOSEN WORDS...

189
00:07:54,407 --> 00:07:57,044
THAT SOUNDS REALLY
GREAT BUT, UM --
WHAT'S UP,
SWEETHEART?

190
00:07:57,077 --> 00:08:00,347
YOU AND, UH,
UNCLE FESTER NEED A LIFT?

191
00:08:00,380 --> 00:08:02,349
UM, LOOK, MISTER,
YOU'VE BEEN REALLY...NICE,

192
00:08:02,382 --> 00:08:04,317
BUT THAT'S ACTUALLY MY RIDE,
SO I HAVE TO GO.

193
00:08:04,351 --> 00:08:05,485
HEY, HEY.
NOT SO FAST.

194
00:08:05,519 --> 00:08:07,254
ARE YOU GOING TO THE SET?
I'LL COME WITH.

195
00:08:07,287 --> 00:08:08,756
HOW YOU DOING, PAL?

196
00:08:08,789 --> 00:08:10,658
OKAY, SHOVE OVER,
MAKE ROOM.

197
00:08:10,691 --> 00:08:13,260
ONE REAL HOLLYWOOD AGENT
AT YOUR SERVICE.

198
00:08:13,293 --> 00:08:14,427
AH!

199
00:08:14,461 --> 00:08:16,564
Karen: IN CASE THEY DON'T
WANT TO DO THAT,

200
00:08:16,597 --> 00:08:18,566
I-I'VE PREPARED
A COUPLE OF OPTIONS.

201
00:08:18,599 --> 00:08:20,433
BUT --
SO WE'VE GOT...

202
00:08:20,467 --> 00:08:23,571
THE SAFE...APPROACH,
WHICH IS THAT.

203
00:08:23,604 --> 00:08:25,739
AND THEN WE'VE GOT
THE MORE RADICAL APPROACH --

204
00:08:25,773 --> 00:08:26,707
[ CLEARS THROAT ]

205
00:08:26,740 --> 00:08:28,375
HONEY, HONEY.

206
00:08:28,408 --> 00:08:31,444
I THINK YOU'RE THROWING
KAREN OFF. JESUS.
NO, NO.
IT'S FINE.

207
00:08:31,478 --> 00:08:34,081
I'M THE ONE
THAT'S INTRUDING.

208
00:08:34,114 --> 00:08:36,316
I, UM, I JUST WANTED
TO CHECK IN WITH YOU

209
00:08:36,349 --> 00:08:38,886
BEFORE WE MEET THE CLIENTS
AND GO THROUGH, UM...

210
00:08:38,919 --> 00:08:41,855
IT'S NOT REALLY
YOUR FORTE, IS IT...

211
00:08:41,889 --> 00:08:43,323
SELLING YOURSELF?

212
00:08:43,356 --> 00:08:45,492
WELL, I'M NOT
SELLING MYSELF.

213
00:08:45,525 --> 00:08:47,494
I'M SELLING MY WORKS.

214
00:08:47,527 --> 00:08:49,396
HEY, GIVE ME
YOUR WRIST.

215
00:08:49,429 --> 00:08:51,531
I DON'T REALLY WANT
TO GIVE YOU MY WRIST.

216
00:08:51,565 --> 00:08:53,266
KAREN?
GO WITH IT, OKAY?

217
00:08:53,300 --> 00:08:54,935
TRUST ME.
THE MAN KNOWS HIS SHIT.

218
00:08:54,968 --> 00:08:57,771
OH, OF COURSE,
I-I JUST...
[ Laughing ]
GIVE ME YOUR WRIST.

219
00:08:57,805 --> 00:08:59,472
OH, MY GOD.
HERE'S MY WRIST.

220
00:08:59,506 --> 00:09:00,874
THANK YOU.

221
00:09:03,043 --> 00:09:06,079
CLOSE YOUR EYES.

222
00:09:06,113 --> 00:09:07,581
CLOSE YOUR EYES.

223
00:09:07,615 --> 00:09:10,050
DON'T BE SCARED.

224
00:09:10,083 --> 00:09:11,384
GOOD.

225
00:09:11,418 --> 00:09:13,987
NOW, WE ALL HAVE THIS
PRESSURE POINT IN OUR WRISTS

226
00:09:14,021 --> 00:09:18,058
RIGHT ABOUT HERE
THAT REDUCES NERVOUSNESS.

227
00:09:18,091 --> 00:09:19,526
WOW.

228
00:09:19,559 --> 00:09:22,195
YOUR HEART IS RACING.

229
00:09:22,229 --> 00:09:24,031
WHY IS THAT?

230
00:09:25,232 --> 00:09:28,401
MM-HMM. BECAUSE YOU'RE
FEELING JUDGED.

231
00:09:28,435 --> 00:09:32,405
THE ARTIST WITHIN
FEELS THREATENED...

232
00:09:32,439 --> 00:09:34,341
UNDER ATTACK.

233
00:09:34,374 --> 00:09:36,744
NOW, THOSE ARE
VERY PRIMAL EMOTIONS.

234
00:09:36,777 --> 00:09:38,946
YOU DON'T HAVE TO BE ASHAMED.
NOW, LISTEN TO ME, KAREN.

235
00:09:38,979 --> 00:09:39,947
I'M HERE TO TELL YOU --

236
00:09:39,980 --> 00:09:41,882
IF YOU'RE OPERATING
FROM A PLACE

237
00:09:41,915 --> 00:09:43,884
OF INNER STRENGTH
AND CONVICTION,

238
00:09:43,917 --> 00:09:45,986
ANYTHING IS POSSIBLE.

239
00:09:46,019 --> 00:09:47,354
YES.

240
00:09:47,387 --> 00:09:51,291
AND NO DREAM
THAT YOU DARE TO DREAM

241
00:09:51,324 --> 00:09:54,361
CAN BE BEYOND YOUR GRASP.

242
00:09:55,996 --> 00:09:58,098
THANK YOU.

243
00:09:58,131 --> 00:10:00,367
BELIEVE IT.

244
00:10:00,400 --> 00:10:03,036
[ SNIFFS ]

245
00:10:03,070 --> 00:10:05,072
[ CHUCKLES ]

246
00:10:05,105 --> 00:10:06,907
THANKS.

247
00:10:06,940 --> 00:10:08,541
Man: [ SIGHS ]
THIS IS TOTALLY UNCOOL, DAISY.

248
00:10:08,575 --> 00:10:10,644
WHAT THE FUCK? YOU HAD
TO BRING YOUR BOYFRIEND?

249
00:10:10,678 --> 00:10:12,145
Daisy: HE IS NOT
MY BOYFRIEND.

250
00:10:12,179 --> 00:10:13,747
I'M JUST ALONG
FOR THE RIDE, FELLAS.

251
00:10:13,781 --> 00:10:15,683
HEY, HEY, WHERE WE SHOOTING
TODAY ANYWAY, HUH?

252
00:10:15,716 --> 00:10:17,184
DO YOU KNOW
WHAT A HASSLE THIS IS?

253
00:10:17,217 --> 00:10:19,386
YOU KNOW WHAT? WE'RE JUST
GONNA HAVE TO FUZZ HIM OUT.

254
00:10:19,419 --> 00:10:21,121
FUZZ ME
OUT OF WHAT?

255
00:10:21,154 --> 00:10:23,090
LISTEN, BROTHER, IF YOU WANT
TO RIDE IN THE SLAM VAN,

256
00:10:23,123 --> 00:10:24,291
YOU'VE GOT TO SIGN
A RELEASE.

257
00:10:24,324 --> 00:10:26,660
[ Chuckling ] I'M SORRY.
"THE SLAM VAN"?

258
00:10:26,694 --> 00:10:27,728
[ SIGHS ]

259
00:10:27,761 --> 00:10:29,296
FUZZ ME
OUT OF WHAT?!

260
00:10:29,329 --> 00:10:31,899
LOOK, I DON'T EVEN UNDERSTAND
WHAT THE PROBLEM IS, ALL RIGHT?

261
00:10:31,932 --> 00:10:33,834
I'M JUST -- I'M CATCHING
A RIDE TO THE SET.

262
00:10:33,867 --> 00:10:35,736
I'M GONNA SAY HELLO ONCE
TO THE DIRECTOR.

263
00:10:35,769 --> 00:10:38,238
THE -- THE SET?
THIS IS THE SET.

264
00:10:38,271 --> 00:10:40,640
AND-- HELLO --
AM THE DIRECTOR.

265
00:10:40,674 --> 00:10:42,609
OH, YOU'RE THE DIRECTOR.

266
00:10:42,642 --> 00:10:44,511
YEAH.
CHARLIE RUNKLE, UTK --

267
00:10:44,544 --> 00:10:45,846
OR FORMERLY UTK.

268
00:10:45,879 --> 00:10:49,516
LISTEN, I'M NOT FAMILIAR WITH
YOUR WORK, PER SE, ALL RIGHT?

269
00:10:49,549 --> 00:10:51,584
BUT I THINK
IT'S SAFE TO SAY

270
00:10:51,618 --> 00:10:53,821
WE'RE BOTH BIG FANS
OF DAISY, HERE, RIGHT?

271
00:10:53,854 --> 00:10:55,188
YEAH, YEAH.
YOU KNOW WHAT?

272
00:10:55,222 --> 00:10:56,957
I'D BE AN EVEN BIGGER FAN
OF DAISY

273
00:10:56,990 --> 00:10:58,826
IF SHE WOULD START
SCHLOBBING SOME KNOB.

274
00:10:58,859 --> 00:11:00,928
NOW, DAISY, CAN YOU
HURRY IT UP, PLEASE?

275
00:11:00,961 --> 00:11:02,930
WE ARE LOSING DAYLIGHT,
SWEETHEART.
ALL RIGHT,
ALL RIGHT.

276
00:11:02,963 --> 00:11:05,232
YOU KNOW WHAT?
UM, FUCK IT.

277
00:11:05,265 --> 00:11:08,535
WE'RE JUST GONNA PUT POPEYE
IN THIS SCENE HERE ANYWAY, MAN.

278
00:11:08,568 --> 00:11:11,972
YOU KNOW WHAT? YOU BE HER DADDY
OR SOMETHING IN THIS ONE.

279
00:11:12,005 --> 00:11:14,007
OR MAYBE
A CREEPY UNCLE, OKAY?

280
00:11:14,041 --> 00:11:15,709
DAISY, YOU'RE GOING TO GET
SOME ICE CREAM.

281
00:11:15,743 --> 00:11:17,845
YOUR CAR BREAKS DOWN --
SHIT LIKE THAT.
OKAY.

282
00:11:17,878 --> 00:11:19,179
LET'S JUST START SUCKING.
OKAY.

283
00:11:19,212 --> 00:11:21,514
ALL RIGHT.
ON MY GO!

284
00:11:21,548 --> 00:11:23,050
AND...ACTION!

285
00:11:23,083 --> 00:11:26,386
IT WAS SO COOL OF YOU
TO HELP ME OUT LIKE THIS.

286
00:11:26,419 --> 00:11:31,792
I JUST WISH THERE WAS SOME WAY
I COULD...THANK YOU.

287
00:11:31,825 --> 00:11:34,194
[ UNZIPPING ]

288
00:11:34,227 --> 00:11:35,295
WHAT THE F--

289
00:11:35,328 --> 00:11:38,631
WHOA! SHIT!

290
00:11:38,665 --> 00:11:40,367
UH-OH.
DADDY NO LIKEY.

291
00:11:40,400 --> 00:11:43,103
DAISY, WHAT ARE YOU DO--
OH, GEEZ!

292
00:11:43,136 --> 00:11:45,205
OH, COME ON,
LITTLE GIRL.
AW, FUCK!

293
00:11:45,238 --> 00:11:47,775
MAKE DADDY PROUD.
LITTLE GIRL, MAKE DADDY PROUD.

294
00:11:47,808 --> 00:11:50,043
[ DAISY MOANING ]
OKAY, THERE YOU GO.

295
00:11:50,077 --> 00:11:52,112
SEE, IT'S YOUR FRIEND.
IT'S YOUR FRIEND.

296
00:11:52,145 --> 00:11:53,613
UH-OH.
IT'S GETTING BIGGER.

297
00:11:53,646 --> 00:11:55,382
IT'S GETTING MEANER.
FIGHT BACK!

298
00:11:57,150 --> 00:11:59,152
Hank: THEN SHE JUMPED
INTO THE CAR,

299
00:11:59,186 --> 00:12:01,421
AND WE DROVE OFF
INTO THE SUNSET.

300
00:12:01,454 --> 00:12:03,824
WELL, NO, IT WAS --
IT WAS ACTUALLY DARK ALREADY.

301
00:12:03,857 --> 00:12:05,392
BUT YOU GET THE IDEA,
HUH?

302
00:12:05,425 --> 00:12:06,860
AWESOME.
GOOD FOR YOU.

303
00:12:06,894 --> 00:12:09,897
YEAH, AND WE'VE BEEN LIVING
HAPPILY EVER AFTER EVER SINCE.

304
00:12:09,930 --> 00:12:10,898
PRETTY MUCH.

305
00:12:10,931 --> 00:12:12,966
"PRETTY MUCH"?

306
00:12:15,568 --> 00:12:18,471
IT'S A LONG STORY,
BUT, UM...

307
00:12:18,505 --> 00:12:21,741
ONE NIGHT, I ENDED UP BECOMING
THE ACCIDENTAL ORALIST

308
00:12:21,775 --> 00:12:23,743
TO THIS VERY NAKED,
VERY YOUNG GIRL.

309
00:12:23,777 --> 00:12:25,578
IT'S BEEN
A STICKING POINT.

310
00:12:25,612 --> 00:12:28,181
I DON'T REALLY KNOW WHAT
THAT MEANS, BUT IT SOUNDS BAD.

311
00:12:28,215 --> 00:12:29,349
[ CHUCKLES ]

312
00:12:29,382 --> 00:12:32,085
DO YOU WANT A TUG JOB?

313
00:12:32,119 --> 00:12:34,354
IS THAT WITH THE --
THE FOOT?

314
00:12:35,688 --> 00:12:36,890
NO -- WHAT?

315
00:12:36,924 --> 00:12:39,326
A LITTLE HAND RELEASE?
OH, NO, THANKS.

316
00:12:39,359 --> 00:12:40,928
I'M NOT A BIG FAN
OF HAND WORK IN GENERAL.

317
00:12:40,961 --> 00:12:42,529
AND I DON'T THINK
IT WOULD BE APPROPRIATE,

318
00:12:42,562 --> 00:12:44,431
GIVEN THE STORY
I JUST TOLD YOU.

319
00:12:44,464 --> 00:12:47,200
I WAS JUST ASKING.
I AM ON THE CLOCK.

320
00:12:47,234 --> 00:12:48,836
RECORD COMPANY'S DIME.

321
00:12:48,869 --> 00:12:51,404
NOT THAT YOU'RE NOT DOING
A GREAT JOB ON MY TOES.

322
00:12:51,438 --> 00:12:54,674
[ LAUGHING ]

323
00:12:54,707 --> 00:12:57,077
I JUST THOUGHT
I'D PUT IT OUT THERE.

324
00:12:57,110 --> 00:12:58,445
IT'S HARDLY CHEATING.

325
00:12:58,478 --> 00:13:00,981
YEAH, I'M PRETTY SURE
IT IS.

326
00:13:02,015 --> 00:13:03,216
MAYBE YOU'RE RIGHT.

327
00:13:03,250 --> 00:13:05,953
SOMETIMES MY WHORE LOGIC
GETS ALL FUCKED UP.

328
00:13:05,986 --> 00:13:08,021
BUT I CAN TELL YOU THAT
THERE'S A LOT OF HUSBANDS

329
00:13:08,055 --> 00:13:09,122
AND BOYFRIENDS OUT THERE

330
00:13:09,156 --> 00:13:11,458
WHO WOULD NOT FILE THAT
UNDER "CHEATING."

331
00:13:11,491 --> 00:13:13,726
YEAH, WELL, CALL ME
AN OLD FUDDY-DUDDY,

332
00:13:13,760 --> 00:13:15,095
BUT I THINK ANYTIME

333
00:13:15,128 --> 00:13:17,865
THE TUMESCENT HEAD MAKES
AN APPEARANCE, IT'S CHEATING.

334
00:13:17,898 --> 00:13:19,266
IS THAT GOOD DIRTY TALK?

335
00:13:19,299 --> 00:13:21,068
LIKE, IF I SAID
TO A CLIENT,

336
00:13:21,101 --> 00:13:23,736
"YOU'RE SO FUCKING
TUMESCENT RIGHT NOW,"
WOULD THAT BE HOT?

337
00:13:23,770 --> 00:13:26,773
MAKES MY WIENER FEEL A LITTLE
WEIRD, BUT THAT'S JUST ME.

338
00:13:26,806 --> 00:13:28,375
I LIKE WORDS.

339
00:13:28,408 --> 00:13:30,310
HOW COME YOU NEVER
CALLED ME?

340
00:13:30,343 --> 00:13:33,313
IF YOU REMEMBER, I WAS
A LITTLE STRAPPED FOR CASH.

341
00:13:33,346 --> 00:13:36,016
YOU COULD HAVE CALLED TO
ASK ME OUT ON A PROPER DATE.

342
00:13:36,049 --> 00:13:38,385
I DID GIVE YOU MY CARD,
DIDN'T I?

343
00:13:38,418 --> 00:13:40,553
I JUST FIGURED YOU GIVE IT
TO ALL THE FELLAS.

344
00:13:40,587 --> 00:13:42,355
NO.
NO?

345
00:13:42,389 --> 00:13:43,790
NO.

346
00:13:43,823 --> 00:13:46,426
YOU REALLY GOT UNDER MY SKIN,
HANK MOODY.

347
00:13:46,459 --> 00:13:48,495
I JUST COULDN'T
SHAKE YOU OFF.

348
00:13:48,528 --> 00:13:50,964
LIKE, I'D BE BLOWING
SOME GROSS PERSIAN DUDE

349
00:13:50,998 --> 00:13:53,066
AT THE WHORE SEASONS
AND I'D BE THINKING,

350
00:13:53,100 --> 00:13:55,869
"I WONDER
HOW HANK'S DOING?"

351
00:13:55,903 --> 00:13:58,738
FUCK, THAT'S ROMANTIC.

352
00:13:58,771 --> 00:13:59,873
Man: OW!

353
00:14:02,976 --> 00:14:04,711
ARE YOU GUYS GONNA BANG
OR WHAT?

354
00:14:04,744 --> 00:14:06,313
WHAT'S IT TO YOU,
BO BICE?

355
00:14:06,346 --> 00:14:07,480
I DON'T KNOW.

356
00:14:07,514 --> 00:14:09,349
I WAS JUST THINKING
ABOUT HOW RAD IT WOULD BE

357
00:14:09,382 --> 00:14:11,051
TO BEND YOU OVER THAT BALCONY
AND SCREAM,

358
00:14:11,084 --> 00:14:14,454
"I'M THE KING OF THE WORLD!"
AS I'M ABOUT TO POP, HUH?

359
00:14:14,487 --> 00:14:16,289
HOW ABOUT IN A BED
WITH A CONDOM?

360
00:14:16,323 --> 00:14:17,357
WHATEVER, DUDE.

361
00:14:17,390 --> 00:14:18,458
SURE ABOUT THIS?

362
00:14:18,491 --> 00:14:19,726
ALL IN
A DAY'S WORK.

363
00:14:19,759 --> 00:14:21,995
HEY, MAN, YOU WANT TO WATCH
FOR YOUR BOOK?

364
00:14:22,029 --> 00:14:24,264
OH, HEY, THANKS,
BUT I'LL PASS.

365
00:14:24,297 --> 00:14:25,665
BE GOOD TO THE LADY.

366
00:14:25,698 --> 00:14:27,500
DON'T FUCK UP HER TOES.

367
00:14:27,534 --> 00:14:29,002
[ TRIXIE LAUGHS ]

368
00:14:29,036 --> 00:14:31,004
[ SCHOOL BELL RINGS ]

369
00:14:31,038 --> 00:14:33,540
[ INDISTINCT CONVERSATIONS ]

370
00:14:57,164 --> 00:14:58,498
UM...

371
00:14:58,531 --> 00:15:00,867
YOU MIGHT NOT
WANT TO SIT THERE.

372
00:15:00,900 --> 00:15:03,903
WHY? HAVE YOU GOT
THE HERP OR SOMETHING?

373
00:15:05,672 --> 00:15:07,007
NO.

374
00:15:07,040 --> 00:15:08,708
THEN I'M GOOD.

375
00:15:09,876 --> 00:15:11,411
LOOK, BUT S-SERIOUSLY.

376
00:15:11,444 --> 00:15:15,015
IF YOU SIT HERE, PEOPLE
ARE GONNA THINK YOU'RE WEIRD.

377
00:15:16,683 --> 00:15:18,118
HOW UNFORTUNATE.

378
00:15:18,151 --> 00:15:22,755
AND HERE I WAS PLANNING
TO RUN FOR PROM QUEEN.

379
00:15:25,392 --> 00:15:27,027
YOU'RE WEIRD.

380
00:15:27,060 --> 00:15:30,697
AT LEAST I'M NOT THE ONLY BOY
AT AN ALL-GIRLS SCHOOL.

381
00:15:30,730 --> 00:15:32,432
YEAH...WELL...

382
00:15:32,465 --> 00:15:34,767
FOR YOUR INFORMATION,

383
00:15:34,801 --> 00:15:37,404
I DON'T ACTUALLY GO HERE.

384
00:15:37,437 --> 00:15:39,072
I GOT SUSPENDED
FROM MY REAL SCHOOL.

385
00:15:39,106 --> 00:15:40,540
SOME BULLSHIT
I DIDN'T EVEN DO.

386
00:15:40,573 --> 00:15:42,442
AND MY MOM WAS LIKE,
"THERE'S NO F'ing WAY

387
00:15:42,475 --> 00:15:45,445
YOU'RE SITTING ON THE COUCH
ALL DAY, PLAYING 'GUITAR HERO.'"

388
00:15:45,478 --> 00:15:47,847
SHE'S A TEACHER HERE.

389
00:15:47,880 --> 00:15:50,083
ENGLISH, I PRESUME.

390
00:15:50,117 --> 00:15:51,218
YEAH.

391
00:15:51,251 --> 00:15:53,953
UH, MRS. PATTERSON.

392
00:15:55,422 --> 00:15:57,157
WHAT, DO YOU HAVE HER
OR SOMETHING?

393
00:15:57,190 --> 00:15:59,159
3rd PERIOD.

394
00:15:59,192 --> 00:16:01,461
BUT ETHAN FROME
GAVE YOU AWAY.

395
00:16:01,494 --> 00:16:04,231
TSK. RIGHT.

396
00:16:04,264 --> 00:16:07,034
YEAH, SHE'S MAKING ME READ
THIS ENTIRE STUPID BOOK.

397
00:16:07,067 --> 00:16:09,802
SOME SORT OF PUNISHMENT.

398
00:16:11,238 --> 00:16:12,839
I'M SORRY.
I TALK A LOT.

399
00:16:12,872 --> 00:16:14,741
YOU DO.

400
00:16:14,774 --> 00:16:17,510
AND YOU FORGOT
THE MOST IMPORTANT PART...

401
00:16:17,544 --> 00:16:18,778
ARE YOU ANY GOOD?

402
00:16:20,513 --> 00:16:22,315
YOU KNOW, "GUITAR HERO."

403
00:16:24,917 --> 00:16:26,453
[ MUMBLES ]

404
00:16:26,486 --> 00:16:28,321
[ DRUMS, GUITAR PLAYING ]

405
00:16:39,399 --> 00:16:42,535
OH, MAN, I THINK I JUST FOUND
THE KEYS TO MY CHI.

406
00:16:42,569 --> 00:16:43,603
HOW'S TRIX?

407
00:16:43,636 --> 00:16:45,372
SHE WAS FANTASTIC.
SHE'S A REAL DAME.

408
00:16:45,405 --> 00:16:47,874
WE DIDN'T DO ANYTHING, THOUGH.
WE JUST HUNG OUT.

409
00:16:47,907 --> 00:16:49,942
WELL, IF I KNEW YOU WERE
JUST GONNA HANG OUT,

410
00:16:49,976 --> 00:16:51,511
TALK ABOUT YOUR FEELINGS
AND SHIT,

411
00:16:51,544 --> 00:16:53,413
I WOULD'VE GONE
WITH TRIXIE.

412
00:16:53,446 --> 00:16:56,083
I MEAN, SHE'S MY FAVORITE,
MY BEST. TOTALLY GETS ME.

413
00:16:56,116 --> 00:16:58,851
I KNOW YOU RESIDE IN A WHOLE
OTHER SOLAR SYSTEM AND SHIT,

414
00:16:58,885 --> 00:17:00,853
BUT IN MINE,
I DON'T CHEAT ON MY GIRL.

415
00:17:02,722 --> 00:17:06,226
LADIES AND GENTLEMEN --
HANK MOODY, DEBAUCHED MORALIST.

416
00:17:06,259 --> 00:17:08,195
WHY DON'T YOU, UH...

417
00:17:08,228 --> 00:17:10,297
WHY DON'T YOU TELL ME MORE
ABOUT YOUR GIRL?

418
00:17:10,330 --> 00:17:12,299
WHAT GIRL?
YOU KNOW, THE ONE.
THE ONE THAT GOT AWAY.

419
00:17:12,332 --> 00:17:13,866
THE ONE WITH THE HOUSE
IN BEVERLY HILLS.

420
00:17:13,900 --> 00:17:15,368
YOUR DAISY BUCHANAN.

421
00:17:15,402 --> 00:17:17,970
THAT'S NOT COOL, MOODY, CALLING
BACK THAT SHIT. I WAS GORKED.

422
00:17:18,004 --> 00:17:20,107
I DON'T TALK ABOUT THAT STUFF
IN BROAD DAYLIGHT.

423
00:17:20,140 --> 00:17:22,442
I DON'T KNOW IF YOU
GOT THE MEMO, BUT I'M
WRITING YOUR BIOGRAPHY.

424
00:17:22,475 --> 00:17:24,177
YOU MIGHT WANT TO START
GETTING COMFORTABLE

425
00:17:24,211 --> 00:17:25,612
TALKING ABOUT THIS SHIT
IN BROAD DAYLIGHT.

426
00:17:25,645 --> 00:17:27,080
Trixie: THIS IS IT, LEW.
I AM DONE.

427
00:17:27,114 --> 00:17:29,682
NO MORE OF YOU AND YOUR FUCKING
WHITE-TRASH LOTTERY WINNERS!

428
00:17:29,716 --> 00:17:31,251
Lew: WHAT'S WRONG,
SWEETHEART?

429
00:17:31,284 --> 00:17:33,153
THAT FUCKING ASSHOLE
GOT ROUGH WITH ME,

430
00:17:33,186 --> 00:17:34,987
AND HE WENT WAY OFF
THE FUCKING MENU!

431
00:17:35,021 --> 00:17:36,756
WHAT'D HE DO, HONEY?
YOU ALL RIGHT?

432
00:17:36,789 --> 00:17:38,625
I'M FINE!
LUCKILY, HE'S A QUICK COMER.

433
00:17:38,658 --> 00:17:40,293
YEAH, YEAH,
I'M SORRY, TRIX.

434
00:17:40,327 --> 00:17:42,395
THEY'RE ANIMALS.
THEY DON'T KNOW ANY BETTER.

435
00:17:42,429 --> 00:17:43,963
YEAH, WELL, SOMEONE'S
GONNA HAVE TO DEAL

436
00:17:43,996 --> 00:17:46,233
WITH THE CLEVELAND STEAMER THAT
HE LEFT ON YOUR COFFEE TABLE.

437
00:17:46,266 --> 00:17:47,600
REALLY?
REALLY.

438
00:17:47,634 --> 00:17:48,768
JESUS!

439
00:17:48,801 --> 00:17:50,237
CONSUELA!

440
00:17:50,270 --> 00:17:52,505
CONSUELA!

441
00:17:52,539 --> 00:17:55,908
YOU'RE A FUCKING PRICK!
YOU KNOW THAT?
THANK YOU.

442
00:17:55,942 --> 00:17:57,244
SHOW SOME RESPECT.

443
00:17:57,277 --> 00:17:58,845
WHAT, TO A FUCKING WHORE?
COME ON.

444
00:17:58,878 --> 00:17:59,712
WHOA!

445
00:18:03,783 --> 00:18:06,386
Lew: WHAT THE FUCK
ARE YOU DOING, MOODY?!

446
00:18:06,419 --> 00:18:09,256
SLASH TRADED ME THAT LES PAUL
FOR AN EIGHTBALL! FUCK!

447
00:18:09,289 --> 00:18:11,758
Trixie: GET HIM!

448
00:18:11,791 --> 00:18:13,893
[ INDISTINCT YELLING ]

449
00:18:13,926 --> 00:18:17,264
I SWEAR TO GOD,
I'LL KILL YOU!

450
00:18:19,199 --> 00:18:20,267
AAH!

451
00:18:21,768 --> 00:18:23,670
Lew:
BACK TO WORK, ASSHOLES.

452
00:18:23,703 --> 00:18:25,672
WE'RE MAKING
ROCK HISTORY HERE.

453
00:18:25,705 --> 00:18:27,974
ACT ACCORDINGLY.

454
00:18:28,007 --> 00:18:29,376
[ RIFLE COCKS ]

455
00:18:30,843 --> 00:18:33,480
[ DAISY MOANING ]
Man: LOOK HOW GREAT
YOUR TITS ARE!

456
00:18:33,513 --> 00:18:37,284
CELEBRATE THEM!
THAT'S IT, DAISY! MOAN!

457
00:18:37,317 --> 00:18:39,319
MOAN LIKE IT HURTS
A LITTLE.

458
00:18:39,352 --> 00:18:40,787
NOT LIKE AN OPERATION,

459
00:18:40,820 --> 00:18:43,456
MORE LIKE --
LIKE A DENTIST VISIT.

460
00:18:43,490 --> 00:18:45,292
COME ON, BABY!
SLAM HER, FLEX!

461
00:18:45,325 --> 00:18:47,660
HOW LONG DOES THIS
GENERALLY GO ON FOR, HUH,

462
00:18:47,694 --> 00:18:50,129
THESE, UH, CINEMA VéRITé
MASTERPIECES OF YOURS?

463
00:18:50,163 --> 00:18:52,332
ASSHOLE,
SHUT THE FUCK UP!

464
00:18:52,365 --> 00:18:54,601
Charlie: OKAY! OKAY! OKAY!
I'LL MIND MY BUSINESS.

465
00:18:55,668 --> 00:18:59,138
I'M JUST A PASSENGER
ON THE SLAM VAN.

466
00:18:59,172 --> 00:19:02,575
JUST ALONG FOR THE RIDE.

467
00:19:02,609 --> 00:19:03,876
ALTHOUGH I GOT TO SAY,
DAISY,

468
00:19:03,910 --> 00:19:05,878
I'M A LITTLE BIT SURPRISED
TO SEE YOU LIKE THIS.

469
00:19:05,912 --> 00:19:07,847
WHAT ARE YOU TALKING ABOUT?
YOU KNEW I DID PORN.

470
00:19:07,880 --> 00:19:09,916
YES, I DID, BUT THE GIRL
I MET BACK AT HOT LIPS

471
00:19:09,949 --> 00:19:11,518
HAD BIGGER PLANS
FOR HERSELF, HUH?

472
00:19:11,551 --> 00:19:13,953
SHE HAD GOALS, SHE HAD DREAMS,
SHE HAD AMBITION.

473
00:19:13,986 --> 00:19:16,088
SHE DID NOT --
AND I QUOTE --

474
00:19:16,122 --> 00:19:18,258
"WANT TO END UP
THE ASS-LICKER."

475
00:19:18,291 --> 00:19:19,259
YEAH, WELL, I'M NOT.

476
00:19:19,292 --> 00:19:21,093
YOU SEE ANY OTHER GIRLS
IN THIS VAN?

477
00:19:21,127 --> 00:19:23,062
I'M TOTALLY THE STAR
OF THIS PRODUCTION.

478
00:19:23,095 --> 00:19:25,432
THIS PRODUCTION IS
ONE NOTCH ABOVE SNUFF FILM.

479
00:19:25,465 --> 00:19:26,533
HEY, EASY, BROTHER.

480
00:19:26,566 --> 00:19:27,934
TWO MORE PAYMENTS,
AND I OWN THIS VAN.

481
00:19:27,967 --> 00:19:30,970
DID YOU NEGOTIATE BEFORE YOU
GOT ON THIS VAN, DAISY, HUH?

482
00:19:31,003 --> 00:19:33,640
DID YOU LAY CLEAR RULES FOR WHAT
YOU WILL AND WILL NOT DO?
NO.

483
00:19:33,673 --> 00:19:35,275
THEN HOW YOU GONNA
GET RESPECT, HUH?

484
00:19:35,308 --> 00:19:36,643
HOW YOU GONNA GET PAID
ACCORDINGLY?

485
00:19:36,676 --> 00:19:38,245
WHAT'S THE INDUSTRY
STANDARD HERE, ANYWAY?

486
00:19:38,278 --> 00:19:39,412
DOUBLE FOR ANAL?
AM I RIGHT?

487
00:19:39,446 --> 00:19:41,314
DUMB SHIT,
WE'RE SHOOTING IN A VAN.

488
00:19:41,348 --> 00:19:42,415
SO WHAT?

489
00:19:42,449 --> 00:19:44,150
DOES FAIRNESS NOT EXIST
IN A VAN, HUH?

490
00:19:44,183 --> 00:19:46,486
JUST BECAUSE
WE'RE NOT ON A SOUND STAGE,

491
00:19:46,519 --> 00:19:48,221
DOES THIS YOUNG LADY
NOT DESERVE THE SAME DIGNITY,

492
00:19:48,255 --> 00:19:51,123
THE SAME RESPECT AS SOMEONE
ON A SITCOM OR A BROADWAY PLAY?

493
00:19:51,157 --> 00:19:53,460
LOOK, MR. RUNKLE,
IT'S FINE, REALLY.

494
00:19:53,493 --> 00:19:55,061
NO, NO, NO, DAISY,
IT IS NOT FINE.

495
00:19:55,094 --> 00:19:57,430
THERE'S A LIMIT TO
HOW MUCH SOMEONE CAN
GET FUCKED IN THE ASS

496
00:19:57,464 --> 00:19:59,299
WITHOUT GETTING PAID
FOR IT!

497
00:19:59,332 --> 00:20:02,402
AND YOU, YOUNG LADY, TODAY,
HAVE REACHED THAT LIMIT!

498
00:20:02,435 --> 00:20:04,203
THAT'S IT!
BIGS, STOP THE VAN!

499
00:20:04,237 --> 00:20:05,872
WHAT?
[ TIRES SCREECH ]

500
00:20:05,905 --> 00:20:08,107
OVITZ! HIT THE BRICKS!
GET THE FUCK OUT!

501
00:20:08,140 --> 00:20:11,010
WITH PLEASURE!

502
00:20:11,043 --> 00:20:13,012
DAISY?
Daisy:
UM, I'M GOOD.

503
00:20:13,045 --> 00:20:15,582
LITTLE GIRL,
YOU'RE GOING TOO, SWEETHEART.

504
00:20:15,615 --> 00:20:16,683
GO MAKE YOUR DREAMS
COME TRUE.

505
00:20:16,716 --> 00:20:18,285
BUT I DIDN'T DO
ANYTHING!

506
00:20:18,318 --> 00:20:19,519
O-U-G-H-T -- OUT!

507
00:20:19,552 --> 00:20:21,120
Charlie:
SHE'S REAL SCARED OF YOU.

508
00:20:21,153 --> 00:20:22,922
LET ME TELL YOU SOMETHING,
AL GOLDSTEIN.

509
00:20:22,955 --> 00:20:23,923
TALENT RUNS THIS TOWN!

510
00:20:23,956 --> 00:20:25,525
SEE YOU
AT THE OSCARS, PAL.

511
00:20:25,558 --> 00:20:26,559
LET'S GO!

512
00:20:26,593 --> 00:20:29,529
LET'S JUST
SHOOT IT SOLO, BABY.

513
00:20:30,797 --> 00:20:33,333
OH, YOU LEFT YOUR --
YOUR SHIRT.

514
00:20:33,366 --> 00:20:34,867
NO PROBLEM.

515
00:20:34,901 --> 00:20:37,670
[ SIGHS ]

516
00:20:37,704 --> 00:20:39,071
HERE YOU GO.

517
00:20:39,105 --> 00:20:40,340
THANK YOU.

518
00:20:41,674 --> 00:20:43,810
LOOKS GOOD.

519
00:20:43,843 --> 00:20:46,145
[ SIGHS ]

520
00:20:46,178 --> 00:20:49,482
WHERE THE FUCK ARE WE?

521
00:20:49,516 --> 00:20:51,284
Hank:
IT'S BASIC INSTINCT, REALLY.

522
00:20:51,318 --> 00:20:53,453
WHEN I SEE A GIRL IN TROUBLE,
I JUST REACT.

523
00:20:53,486 --> 00:20:56,723
I DON'T THINK.
I JUST DO.

524
00:20:56,756 --> 00:20:59,492
Trixie:
HANK MOODY, MY HERO.

525
00:20:59,526 --> 00:21:02,829
JUST SAY THE WORD IF YOU WANT
TO BE PROPERLY REWARDED.

526
00:21:02,862 --> 00:21:04,130
MY TREAT, OF COURSE.

527
00:21:04,163 --> 00:21:05,898
SERIOUSLY,
YOU'D COMP HIM?

528
00:21:05,932 --> 00:21:08,568
SURE, WHY NOT?
I'VE SAMPLED THE MERCHANDISE.

529
00:21:08,601 --> 00:21:09,736
I KNOW IT'S FRESH.

530
00:21:09,769 --> 00:21:11,037
I DO REMEMBER
YOU TELLING ME

531
00:21:11,070 --> 00:21:13,072
THAT YOU NEVER CAME THAT HARD
WITH A JOHN BEFORE.

532
00:21:13,105 --> 00:21:14,807
I THOUGHT IT WAS A LINE,
BUT AS YOU WALKED AWAY,

533
00:21:14,841 --> 00:21:17,577
YOUR KNEES WERE A LITTLE WOBBLY,
SO I THOUGHT, "MAYBE, YEAH --"

534
00:21:17,610 --> 00:21:18,645
HOLD ON.
SLOW DOWN.

535
00:21:18,678 --> 00:21:20,079
ARE YOU SAYING

536
00:21:20,112 --> 00:21:21,648
HE'S FUCKING
BETTER THAN ME?

537
00:21:21,681 --> 00:21:23,115
FUCKING BETTER
AT THE FUCKING, YES.

538
00:21:23,149 --> 00:21:24,717
I BELIEVE THAT'S
WHAT SHE'S GETTING AT.

539
00:21:24,751 --> 00:21:26,553
NO, THAT IS NOT
WHAT I'M GETTING AT.

540
00:21:26,586 --> 00:21:28,020
PLEASE.
WHAT A STUPID QUESTION.

541
00:21:28,054 --> 00:21:29,756
ARE THE STONES BETTER
THAN THE BEATLES?

542
00:21:29,789 --> 00:21:30,990
FUCKING "A"
THEY ARE.

543
00:21:31,023 --> 00:21:32,459
I MUST AGREE
WITH THE MAN.

544
00:21:32,492 --> 00:21:34,927
OKAY, THERE'S ONLY ONE WAY
TO SETTLE THIS.

545
00:21:34,961 --> 00:21:36,329
WE BOTH
HAVE TO HAVE HER.

546
00:21:36,363 --> 00:21:37,830
WE BOTH HAVE HAD HER.
NO.

547
00:21:37,864 --> 00:21:39,031
NOW.
RIGHT HERE.

548
00:21:39,065 --> 00:21:41,100
OH, NO. NO, NO, NO.
TRIXIE, YOU KNOW I'M A FAN.

549
00:21:41,133 --> 00:21:42,234
YOU GOT MAD SKILLS
AND ALL --

550
00:21:42,268 --> 00:21:43,603
WHIP IT OUT,
MOODY!

551
00:21:43,636 --> 00:21:46,005
ONE GIRL, TWO COCKS --
ULTIMATE SHOWDOWN.

552
00:21:46,038 --> 00:21:48,174
SO, SO TEMPTING. BUT I'M
STILL GONNA HAVE TO PASS.

553
00:21:48,207 --> 00:21:50,543
WHAT'S THAT WORD AGAIN?
UH, "PUSSY."
YES, THANK YOU.

554
00:21:50,577 --> 00:21:52,178
BUT ANY SCENARIO
INVOLVING TWO COCKS

555
00:21:52,211 --> 00:21:53,780
I'M GENERALLY
NOT DOWN WITH.

556
00:21:53,813 --> 00:21:55,214
UNLESS THEY'RE
MY OWN.

557
00:21:55,247 --> 00:21:57,584
DON'T YOU SOMETIMES
WISH YOU HAD TWO COCKS?

558
00:21:57,617 --> 00:21:58,951
I KNOW I DO.
OH!

559
00:21:58,985 --> 00:22:00,019
I GUESS NOT.

560
00:22:00,052 --> 00:22:02,622
FOR THE SAKE
OF, UH, BUSINESS,

561
00:22:02,655 --> 00:22:04,757
THAT LITTLE PRICK SHOULD
THINK I'M KICKING YOUR ASS.

562
00:22:04,791 --> 00:22:07,527
FEEL FREE
TO FIGHT BACK ANYTIME.

563
00:22:17,604 --> 00:22:20,272
WHOA! OHH!

564
00:22:20,306 --> 00:22:22,742
WHAT'S GOING ON?

565
00:22:22,775 --> 00:22:25,177
TYPICAL
MALE-EGO BULLSHIT.

566
00:22:27,213 --> 00:22:28,881
I'VE HAD BOTH OF THEM,

567
00:22:28,915 --> 00:22:30,182
BUT WHAT THEY SEEM
TO FORGET

568
00:22:30,216 --> 00:22:31,718
IS THAT THEY BOTH PAID
FOR THE SEX.

569
00:22:31,751 --> 00:22:34,153
IT IS MY JOB
TO MAKE THEM FEEL GOOD.

570
00:22:37,457 --> 00:22:41,394
THOUGH I MUST SAY THAT
THE BROWN-HAIRED ONE, HANK --

571
00:22:41,428 --> 00:22:44,263
HE'S PRETTY DAMN GOOD
IN THE SACK DEPARTMENT.

572
00:22:44,296 --> 00:22:46,466
[ GRUNTING ]

573
00:22:46,499 --> 00:22:47,434
HAVE WE MET?

574
00:22:47,467 --> 00:22:49,769
NO. TRIXIE.

575
00:22:49,802 --> 00:22:51,370
KAREN.

576
00:22:51,404 --> 00:22:52,672
YOU'RE KAREN.

577
00:22:52,705 --> 00:22:53,573
UH-HUH.

578
00:22:53,606 --> 00:22:54,874
HANK'S KAREN.

579
00:22:54,907 --> 00:22:56,075
THAT'S RIGHT.

580
00:22:56,108 --> 00:22:59,245
YOU JUMPED IN THE CAR!
HAPPILY EVER AFTER.

581
00:22:59,278 --> 00:23:01,648
THAT'S AWESOME!
GOOD FOR YOU!

582
00:23:01,681 --> 00:23:02,715
THANKS.

583
00:23:02,749 --> 00:23:04,617
[ BOTH GRUNTING ]

584
00:23:08,588 --> 00:23:10,189
Hank: KAREN.

585
00:23:10,222 --> 00:23:13,059
[ Panting ]
HEY! HEY! SWEETIE!

586
00:23:13,092 --> 00:23:14,527
[ Chuckling ] HI.

587
00:23:14,561 --> 00:23:16,496
HEY, DID YOU GET
THE JOB?

588
00:23:16,529 --> 00:23:17,464
YEAH.

589
00:23:17,497 --> 00:23:19,298
OH, FANTASTIC.

590
00:23:19,331 --> 00:23:21,233
[ PANTING ]

591
00:23:21,267 --> 00:23:23,936
SO, YOU WANT TO...

592
00:23:23,970 --> 00:23:27,006
GET SOMETHING TO EAT?

593
00:23:27,039 --> 00:23:29,442
MOROCCAN? ETHIOPIAN?

594
00:23:29,476 --> 00:23:31,578
ITALIAN.

595
00:23:31,611 --> 00:23:33,846
INDIAN!

596
00:23:33,880 --> 00:23:35,648
[ KEYBOARD CLACKING ]

597
00:23:35,682 --> 00:23:37,584
[ DOOR OPENS ]

598
00:23:37,617 --> 00:23:39,318
HEY, SWEETIE.

599
00:23:40,553 --> 00:23:43,923
ARE YOU TUCKING ME IN
OR AVOIDING MOM?

600
00:23:43,956 --> 00:23:47,359
WHAT, I CAN'T DO
TWO THINGS AT ONCE?

601
00:23:48,961 --> 00:23:50,730
WAS IT WORTH IT?

602
00:23:50,763 --> 00:23:51,731
WHAT?

603
00:23:51,764 --> 00:23:54,501
WHATEVER YOU DID
TO PISS HER OFF.

604
00:23:54,534 --> 00:23:57,604
[ SIGHS ] HEY...

605
00:23:57,637 --> 00:23:59,371
HOW WAS SCHOOL?

606
00:24:00,573 --> 00:24:02,141
FINE.

607
00:24:02,174 --> 00:24:03,576
"FINE"?

608
00:24:03,610 --> 00:24:05,745
ALREADY YOUR VOCABULARY
HAS DECREASED.

609
00:24:05,778 --> 00:24:09,916
I MET SOMEONE
WITH FRONTAL-LOBE CAPACITY.

610
00:24:09,949 --> 00:24:11,317
NAME?
DAMIEN.

611
00:24:11,350 --> 00:24:14,621
THEY HAVE GIRLS
NAMED DAMIEN NOW? WOW.

612
00:24:14,654 --> 00:24:15,922
WE'RE I.M.ing
AS WE SPEAK.

613
00:24:15,955 --> 00:24:17,289
AH.

614
00:24:17,323 --> 00:24:19,692
NOT ANYMORE, HONEY.

615
00:24:19,726 --> 00:24:22,895
T.T.Y.L., DAMIEN.
T.T.Y.L.

616
00:24:22,929 --> 00:24:24,497
I HEART YOU.

617
00:24:36,543 --> 00:24:38,978
OH, MY GOD.
YOU REEK OF CIGARETTES.

618
00:24:39,011 --> 00:24:41,514
YES, BUT THEY'RE NOT
MY CIGARETTES.

619
00:24:41,548 --> 00:24:43,015
[ SNIFFING ]

620
00:24:45,818 --> 00:24:47,353
HANK...

621
00:24:47,386 --> 00:24:48,888
WHAT ARE YOU DOING?

622
00:24:48,921 --> 00:24:51,257
I AM CHARMING YOU
INTO OUR FIRST

623
00:24:51,290 --> 00:24:54,126
POST-SNIP, SAFE/UNSAFE
ROMANCE EXPLOSION.

624
00:24:54,160 --> 00:24:56,195
ARE YOU AS EXCITED
AS I AM?

625
00:24:56,228 --> 00:24:58,230
NO.

626
00:24:58,264 --> 00:24:59,566
NO?

627
00:24:59,599 --> 00:25:01,300
THAT'S IT? NO?

628
00:25:01,333 --> 00:25:04,436
NOTHING ABOUT YOU IS REALLY
TURNING ME ON RIGHT NOW.

629
00:25:04,470 --> 00:25:06,072
THERE'S ALWAYS ANGRY SEX.

630
00:25:07,574 --> 00:25:09,742
YOU ACTUALLY THINK
THIS IS FUNNY?

631
00:25:09,776 --> 00:25:11,143
IT'S A LITTLE FUNNY --

632
00:25:11,177 --> 00:25:14,113
YOU THINK SLEEPING WITH
PROSTITUTES IS FUCKING FUNNY?!

633
00:25:14,146 --> 00:25:15,381
ONE PROSTITUTE,

634
00:25:15,414 --> 00:25:17,283
AND I DIDN'T EVEN KNOW SHE WAS
A PROSTITUTE UNTIL AFTER.

635
00:25:17,316 --> 00:25:20,419
YOU MEAN UNTIL AFTER YOU PAID
HER TO HAVE SEX WITH YOU?

636
00:25:20,452 --> 00:25:22,889
WELL, TECHNICALLY,
CHARLIE PAID FOR THE SEX.
THAT'S DISGUSTING.

637
00:25:22,922 --> 00:25:24,290
BUT YOU MET HER.
SHE WAS NICE, RIGHT?

638
00:25:24,323 --> 00:25:25,825
SHE DIDN'T SEEM LIKE
A PROSTITUTE, DID SHE?

639
00:25:25,858 --> 00:25:27,860
I HAVE NO IDEA, HANK.

640
00:25:27,894 --> 00:25:30,129
I MEAN, YOU'RE THE EXPERT.
YOU TELL ME.

641
00:25:30,162 --> 00:25:32,131
IS THERE LIKE
A GROUP-DISCOUNT THING?

642
00:25:32,164 --> 00:25:34,500
DO YOU HAVE A LITTLE
PUNCH CARD THAT YOU USE?

643
00:25:34,533 --> 00:25:36,502
ONE TIME. I WAS LONELY.
SHE WAS NICE.

644
00:25:36,535 --> 00:25:38,104
AND I DON'T THINK
THAT'S ANY WORSE

645
00:25:38,137 --> 00:25:39,271
THAN BUYING
SOMEBODY A DRINK.

646
00:25:39,305 --> 00:25:40,640
ACTUALLY, I THINK
IT'S MORE HONEST.

647
00:25:40,673 --> 00:25:42,174
THERE'S NO BULLSHIT
ELEMENT OF SEDUCTION.

648
00:25:42,208 --> 00:25:44,343
YOU KNOW, WHAT RIGHT DOES
THE GOVERNMENT HAVE --

649
00:25:44,376 --> 00:25:46,245
OH, PLEASE!
SHUT THE FUCK UP, HANK, OKAY?

650
00:25:46,278 --> 00:25:49,048
I MEAN, DON'T GIVE ME ONE OF
YOUR FUCKING BULLSHIT LECTURES

651
00:25:49,081 --> 00:25:50,817
ON LIBERTARIANISM
RIGHT NOW!

652
00:25:50,850 --> 00:25:53,319
BUT, HONEY, THAT MAKES ME KIND
OF SAD, BECAUSE YOU USED TO LOVE

653
00:25:53,352 --> 00:25:54,954
MY BULLSHIT LECTURES
ON LIBERTARIANISM.

654
00:25:54,987 --> 00:25:56,255
YOU'RE STILL
FUCKING JOKING.

655
00:25:56,288 --> 00:25:58,157
NO, I MEAN, HOW COULD I BE --
WE WEREN'T TOGETHER.

656
00:25:58,190 --> 00:25:59,926
I'M NOT GONNA
BE HELD ACCOUNTABLE

657
00:25:59,959 --> 00:26:01,828
FOR THOSE SINS.
NO, OF COURSE NOT.

658
00:26:01,861 --> 00:26:03,763
YOU'RE NOT ACCOUNTABLE
FOR ANY OF IT.

659
00:26:03,796 --> 00:26:06,065
"OOPS, I ACCIDENTALLY
WENT DOWN ON HER.

660
00:26:06,098 --> 00:26:07,299
NOT MY FAULT."

661
00:26:07,333 --> 00:26:09,669
"OH, OFFICER, YOU KNOW,
THAT COP, HE PROVOKED ME."

662
00:26:09,702 --> 00:26:12,705
I MEAN, HANK, YOU ALWAYS
HAVE SOME FUCKING EXCUSE!

663
00:26:12,739 --> 00:26:15,742
AND I'M JUST MEANT
TO STAND HERE AND ACCEPT IT...
NO, NO --

664
00:26:15,775 --> 00:26:17,877
...OVER AND OVER AGAIN
AND I'M SICK OF IT!

665
00:26:17,910 --> 00:26:19,679
FUCK, KAREN, YOU WANT
TO BE MAD ABOUT THAT SHIT?

666
00:26:19,712 --> 00:26:21,280
THEN GO AHEAD,
BE MAD ABOUT THAT SHIT,

667
00:26:21,313 --> 00:26:23,916
BUT JUST DON'T GIVE ME
SOME BULLSHIT ABOUT
HOW YOU FORGIVE ME

668
00:26:23,950 --> 00:26:25,551
AND THEN DREDGE UP SHIT
FROM THE PAST

669
00:26:25,584 --> 00:26:26,786
THAT I CAN'T
POSSIBLY FIX!

670
00:26:26,819 --> 00:26:28,420
THAT'S NOT
FORGIVENESS!

671
00:26:28,454 --> 00:26:30,056
THAT'S NOT GIVING IT
ANOTHER SHOT!

672
00:26:30,089 --> 00:26:32,224
I'M NOT TALKING ABOUT
THE PAST, OKAY?

673
00:26:32,258 --> 00:26:33,960
I'M TALKING ABOUT
RIGHT NOW.

674
00:26:33,993 --> 00:26:36,696
I'M TALKING ABOUT TRYING
TO MAKE THIS WORK, HANK!

675
00:26:36,729 --> 00:26:38,731
OKAY, WELL, HOW AM I
DIFFERENT FROM THIS MORNING?

676
00:26:38,765 --> 00:26:40,432
WHAT'S CHANGED?

677
00:26:40,466 --> 00:26:43,402
YEAH, NOTHING'S CHANGED.
YOU'RE RIGHT.

678
00:26:43,435 --> 00:26:44,771
THAT'S THE
FUCKING PROBLEM.

679
00:26:44,804 --> 00:26:46,639
NO, I'LL TELL YOU
THE FUCKING PROBLEM IS

680
00:26:46,673 --> 00:26:48,440
THAT I WON'T SIT HERE
AND BE CRUCIFIED

681
00:26:48,474 --> 00:26:50,309
FOR SHIT THAT I DID
WHILE WE WERE APART.

682
00:26:50,342 --> 00:26:52,544
DID I FUCK
HALF OF VENICE? YES.
OH, PLEA-- I --

683
00:26:52,578 --> 00:26:54,881
NO, NOT REALLY.
I REALLY DON'T NEED
TO HEAR THAT.

684
00:26:54,914 --> 00:26:56,315
BUT FOR THE SAKE
OF THIS ARGUMENT -- YES.

685
00:26:56,348 --> 00:26:57,750
BUT I DIDN'T MOVE IN
WITH ANY OF THEM.

686
00:26:57,784 --> 00:26:59,485
AND I DIDN'T SET UP HOUSE
WITH BECCA

687
00:26:59,518 --> 00:27:01,520
AND THE FUCKING
DIAL TONE.
OKAY, RIGHT.

688
00:27:01,553 --> 00:27:04,791
WELL, YOU KNOW,
NOW WHO'S CRUCIFYING WHO?!

689
00:27:04,824 --> 00:27:07,359
I MEAN, THAT'S NOT
VERY FORGIVING, HANK, IS IT?

690
00:27:07,393 --> 00:27:08,594
IT'S NOT VERY NICE.

691
00:27:08,627 --> 00:27:10,029
OH, I FUCKING HATE YOU!

692
00:27:49,535 --> 00:27:52,171
-- Captions by VITAC --
www.vitac.com

693
00:27:52,204 --> 00:27:55,207
CLOSED CAPTIONING PROVIDED BY
SHOWTIME NETWORKS

694
00:27:55,241 --> 00:27:57,043
AND BLIND DECKER PRODUCTIONS

695
00:27:57,076 --> 00:28:02,281
* GIRL WITH STIGMATA

696
00:28:08,520 --> 00:28:11,257
[ GUITAR SOLO ]