1
00:00:10,244 --> 00:00:11,179
PREVIOUSLY ON
"CALIFORNICATION"...

2
00:00:12,613 --> 00:00:13,747
IT'S NOT A MEMOIR.

3
00:00:13,781 --> 00:00:16,417
IT'S A WRITTEN ACCOUNT OF MY
SEXUAL RELATIONSHIP WITH YOU.

4
00:00:16,450 --> 00:00:18,486
WRITTEN BY ME
AS A FUCKIN' NOVEL.

5
00:00:18,519 --> 00:00:21,422
EVEN I'M CONFUSED,
AND I STOLE THE DAMN THING.

6
00:00:22,690 --> 00:00:25,093
HOLY GUACAMOLE!

7
00:00:25,126 --> 00:00:27,128
Charlie: YOU HOCKED EVERYTHING.
IS THAT IT?

8
00:00:27,161 --> 00:00:30,131
I NEED TO FESS UP, OKAY?
IT'S PART OF THE PROCESS.

9
00:00:30,164 --> 00:00:32,400
ARE YOU READY TO HAVE
THE TIME OF YOUR LIFE?

10
00:00:32,433 --> 00:00:34,235
I'M KING
OF FUCK MOUNTAIN!

11
00:00:34,268 --> 00:00:35,769
I DON'T WANT TO DO
ANY MORE PORN.

12
00:00:35,803 --> 00:00:36,804
REALLY?

13
00:00:36,837 --> 00:00:39,407
YOU KNOW, IF I CAN'T
ACTUALLY BE WITH YOU, CHARLIE,

14
00:00:39,440 --> 00:00:42,210
I'D KIND OF LIKE THE LAST PERSON
I HAD ON-SCREEN SEX WITH

15
00:00:42,243 --> 00:00:43,211
TO BE YOU.

16
00:00:43,244 --> 00:00:44,212
[ SIGHS ]

17
00:00:44,245 --> 00:00:45,379
WHO ARE YOU?
DAMIEN.

18
00:00:45,413 --> 00:00:47,648
CALL ME "HE WHO WILL KILL YOU
IF YOU TOUCH HIS DAUGHTER."

19
00:00:47,681 --> 00:00:50,184
SHE'S PRETTY AWESOME.
SHE IS.

20
00:00:50,218 --> 00:00:51,819
HI, YOU DON'T KNOW ME.

21
00:00:51,852 --> 00:00:53,787
MY NAME IS HANK MOODY.
I'M A WRITER.

22
00:00:53,821 --> 00:00:56,090
I WANT TO ASK YOU A QUESTION
ABOUT LEW -- LEW ASHBY.

23
00:00:56,124 --> 00:00:57,691
[ GROANING ]
GET THE PEN.

24
00:00:59,393 --> 00:01:01,629
OH, I HATE
WHEN THAT HAPPENS.

25
00:01:01,662 --> 00:01:02,730
YOU'RE AN ASSHOLE!

26
00:01:02,763 --> 00:01:04,098
BUT WE
HAVEN'T EVEN DATED.

27
00:01:04,132 --> 00:01:05,599
JUST IN TIME.

28
00:01:06,667 --> 00:01:08,636
SO, LEW,
IT'S BEEN REAL.

29
00:01:08,669 --> 00:01:10,871
YIKES. WE'RE GONNA
SHAKE HANDS?
YES, WE ARE.

30
00:01:10,904 --> 00:01:13,374
WHAT THE FUCK?

31
00:01:13,407 --> 00:01:15,443
LIFE'S JUST TOO FUCKING BORING
NOT TO TRY.

32
00:01:15,476 --> 00:01:18,612
HEY, YOU KNOW, HE THROWS
THESE, UH, HUGE PARTIES.
YEAH, I'VE HEARD.

33
00:01:18,646 --> 00:01:20,148
GUEST OF HONOR
NEVER SHOWS.

34
00:01:29,190 --> 00:01:31,459
[ Singsong voice ]
WAKEY, WAKEY...

35
00:01:31,492 --> 00:01:33,327
EGGS AND BAKEY.

36
00:01:36,430 --> 00:01:37,565
COME ON! WAKE UP!

37
00:01:37,598 --> 00:01:39,400
WE GOT TO GET THE KIDS
TO SCHOOL ALREADY!

38
00:01:39,433 --> 00:01:41,835
OH, CHRIST, MIA.

39
00:01:41,869 --> 00:01:43,837
WHAT ARE YOU --
WHAT ARE YOU DOING?

40
00:01:43,871 --> 00:01:45,273
DID YOU FONDLE ME?

41
00:01:45,306 --> 00:01:47,808
I DON'T KNOW.
DO YOU FEEL FONDLED?

42
00:01:47,841 --> 00:01:49,543
I DO A LITTLE BIT.
GET OFF.

43
00:01:49,577 --> 00:01:51,912
IT'S WAY TOO EARLY
FOR YOUR SHENANIGANS.

44
00:01:51,945 --> 00:01:54,315
BUT NOT FOR THIS --
OUR REVIEW IN THE TIMES.

45
00:01:54,348 --> 00:01:57,251
I HAD TO GO ALL THE WAY
TO ONE OF THOSE OLD-MAN
NEWSSTANDS TO GET IT.

46
00:01:57,285 --> 00:01:58,852
WHY DO THEY STILL
HAVE THOSE, ANYWAY?

47
00:01:58,886 --> 00:02:00,754
WHAT,
OLD MEN OR NEWSSTANDS?

48
00:02:00,788 --> 00:02:02,856
[ CHUCKLES ]
LET'S READ IT TOGETHER.
NO, THANK YOU.

49
00:02:02,890 --> 00:02:04,392
I DON'T WANT
TO HEAR THAT SHIT.

50
00:02:04,425 --> 00:02:05,759
OF COURSE YOU WANT
TO HEAR THAT SHIT.

51
00:02:05,793 --> 00:02:06,760
DO YOU KNOW
HOW LONG IT'S BEEN

52
00:02:06,794 --> 00:02:08,796
SINCE YOU'VE ACTUALLY
HAD SOMETHING PUBLISHED?

53
00:02:08,829 --> 00:02:10,631
ALL RIGHT.
HERE IT GOES.

54
00:02:10,664 --> 00:02:13,934
"AT 17, MIA CROSS HAS EVERYTHING
MOST GIRLS WANT."

55
00:02:13,967 --> 00:02:16,470
STOP. I TOLD YOU
I DIDN'T WANT TO HEAR IT.

56
00:02:16,504 --> 00:02:18,406
NOW, WHAT ARE YOU EVEN DOING
HERE ANYWAY?

57
00:02:18,439 --> 00:02:20,174
I THOUGHT LEW GAVE YOU...
THE SPEECH.

58
00:02:20,208 --> 00:02:21,542
THE ONE
ABOUT HOW SPECIAL I AM

59
00:02:21,575 --> 00:02:22,943
AND HOW
WE'LL ALWAYS BE FRIENDS?

60
00:02:22,976 --> 00:02:24,445
YES, THAT ONE.

61
00:02:24,478 --> 00:02:26,447
HE DID.
AND I PRETENDED TO BE SAD.

62
00:02:26,480 --> 00:02:29,283
HE LET ME HAVE MY BOOK PARTY
HERE THIS AFTERNOON.

63
00:02:29,317 --> 00:02:31,385
OH, MY GOD.
OH, MY GOD!

64
00:02:31,419 --> 00:02:33,287
HOLY SHIT, SHIT, SHIT!

65
00:02:33,321 --> 00:02:34,955
"A STRANGELY POIGNANT
COMING-OF-AGE STORY

66
00:02:34,988 --> 00:02:38,426
"WRITTEN WITH THE SELF-ASSURANCE
OF A MUCH OLDER WRITER.

67
00:02:38,459 --> 00:02:40,261
"IN THE END,
THE BOOK'S TRUE SUBJECT

68
00:02:40,294 --> 00:02:42,396
"ISN'T SEX BUT LONELINESS.

69
00:02:42,430 --> 00:02:45,266
"IT'S HAUNTINGLY,
HOPELESSLY ROMANTIC

70
00:02:45,299 --> 00:02:47,201
IN THE BEST SENSE
OF THE WORD."

71
00:02:47,235 --> 00:02:48,469
THAT'S GOOD, RIGHT?

72
00:02:48,502 --> 00:02:51,372
WELL, I'LL BE DIPPED
IN DOG SHIT.
[ SQUEALING ]

73
00:03:35,383 --> 00:03:38,786
[ INDISTINCT CONVERSATIONS ]

74
00:03:40,721 --> 00:03:43,691
Charlie:
CHRIST, THIS MAY BE THE BEST
REVIEW YOU'VE EVER GOTTEN.

75
00:03:43,724 --> 00:03:44,692
YOU'RE NOT HELPING.

76
00:03:44,725 --> 00:03:46,727
WHAT DO YOU WANT ME TO DO,
HAVE IT LAMINATED

77
00:03:46,760 --> 00:03:48,696
SO YOU CAN CARRY IT AROUND
IN YOUR WALLET

78
00:03:48,729 --> 00:03:50,598
FOR THE REST
OF YOUR NATURAL-BORN DAYS?

79
00:03:50,631 --> 00:03:52,566
HAVE YOU SEEN
YOUR OLD ASSISTANT?

80
00:03:52,600 --> 00:03:54,635
SHE CAN GO FUCK HERSELF.

81
00:03:54,668 --> 00:03:56,704
NOT ALL WOMEN ARE LIKE THAT,
YOU KNOW --

82
00:03:56,737 --> 00:03:57,838
CONNIVING, VICIOUS...

83
00:03:57,871 --> 00:04:00,574
WILLING TO WALK ALL OVER A MAN
TO GET WHAT THEY WANT.

84
00:04:00,608 --> 00:04:03,277
I FORGET. IS THAT ONE OF THE
THINGS YOU GUYS DID TOGETHER?

85
00:04:03,311 --> 00:04:05,613
[ SIGHS ]
TAKE DAISY, FOR INSTANCE.

86
00:04:05,646 --> 00:04:07,915
OH, JESUS,
NOT THIS SHIT AGAIN.

87
00:04:07,948 --> 00:04:09,283
YES, THIS AGAIN.

88
00:04:09,317 --> 00:04:11,051
TELL YOU, MAN,
BEING WITH HER JUST --

89
00:04:11,084 --> 00:04:12,520
IT REMINDS ME OF EVERYTHING

90
00:04:12,553 --> 00:04:14,422
THAT'S SIMPLE AND GOOD
IN THE WORLD.

91
00:04:14,455 --> 00:04:16,557
SHE'S NOT RETURNING YOUR PHONE
CALLS, SHIT FOR BRAINS.

92
00:04:16,590 --> 00:04:18,692
BECAUSE SHE'S GOT
TOO MUCH INTEGRITY.
OH. OKAY.

93
00:04:18,726 --> 00:04:19,993
SHE KNOWS MARCY'S HOME
FROM REHAB.

94
00:04:20,027 --> 00:04:21,429
SHE THINKS
WE SHOULD COOL IT...

95
00:04:21,462 --> 00:04:23,397
YEAH, YEAH.
TAKE A BREATHER.

96
00:04:23,431 --> 00:04:25,699
INTEGRITY -- THAT'S A FINE
QUALITY IN A MISTRESS.

97
00:04:25,733 --> 00:04:26,634
BE CAREFUL.

98
00:04:26,667 --> 00:04:28,836
WHAT, I SHOULDN'T SAY
ANYTHING BAD ABOUT HER

99
00:04:28,869 --> 00:04:31,839
BECAUSE NEXT YEAR WE
MIGHT ALL BE SITTING
DOWN TO SEDER WITH HER?

100
00:04:31,872 --> 00:04:32,773
NOT ON MY WATCH, RUNKLE.

101
00:04:32,806 --> 00:04:34,808
YOU DON'T ABANDON A WOMAN
WHO STOOD BY YOU

102
00:04:34,842 --> 00:04:35,976
THICK AND THIN,
20 YEARS,

103
00:04:36,009 --> 00:04:37,645
THE MINUTE SHE GETS
OUT OF REHAB.

104
00:04:37,678 --> 00:04:39,747
NO, YOU WAIT 90 DAYS.
I LOOKED THAT SHIT UP.

105
00:04:39,780 --> 00:04:41,315
THAT'S THE DECENT THING
TO DO.

106
00:04:41,349 --> 00:04:42,416
Marcy: OH, I KNOW.

107
00:04:43,851 --> 00:04:46,687
OH! THE MARCE.

108
00:04:46,720 --> 00:04:48,789
THIS PLACE IS SO DIFFERENT
IN THE LIGHT OF DAY --

109
00:04:48,822 --> 00:04:49,690
NOT SO OMINOUS.

110
00:04:49,723 --> 00:04:51,959
HEY, SO WHAT'D YOU THINK
OF THE READING?

111
00:04:51,992 --> 00:04:54,695
HONESTLY, I COULD NOT
BE MORE SURPRISED.

112
00:04:54,728 --> 00:04:58,098
I KNOW. WHO KNEW
THE LITTLE VIXEN COULD WRITE?

113
00:04:58,131 --> 00:04:59,166
OH.
HMM.

114
00:04:59,199 --> 00:05:02,503
SO, WHAT SURPRISED YOU WAS
THE BASIC GOODNESS OF IT?

115
00:05:02,536 --> 00:05:04,104
WELL, I HAVEN'T READ
THE WHOLE BOOK.

116
00:05:04,137 --> 00:05:05,973
I MEAN, I JUST READ
THE PASSAGE, SO...

117
00:05:06,006 --> 00:05:08,576
SO GOOD,
NOT EXCELLENT?

118
00:05:10,678 --> 00:05:12,846
WE HAVE A QUESTION.

119
00:05:12,880 --> 00:05:13,914
FIRE AWAY.

120
00:05:13,947 --> 00:05:16,450
MOM SAYS WE'RE NOT OLD ENOUGH
TO STAY FOR THE PARTY.

121
00:05:16,484 --> 00:05:17,451
RIGHT.

122
00:05:17,485 --> 00:05:18,719
WHAT DO YOU THINK?

123
00:05:18,752 --> 00:05:21,722
OH, SO IT'S A TRICK QUESTION,
BIT OF A HAND GRENADE.

124
00:05:21,755 --> 00:05:23,757
I'D KIND OF LIKE
TO MEET LEW ASHBY.

125
00:05:23,791 --> 00:05:26,894
REALLY? HERE'S A TIP -- DON'T
GIVE HIM ONE OF YOUR DEMOS.

126
00:05:26,927 --> 00:05:29,029
COME ON, MOM.
WHERE'S THE TRUST?

127
00:05:29,062 --> 00:05:30,163
LET US LIVE A LITTLE.

128
00:05:30,197 --> 00:05:34,001
THERE'S A RUMOR AFLOAT THAT
ROGER DALTREY MIGHT SHOW.

129
00:05:34,034 --> 00:05:36,604
OKAY, WE'LL STAY
FOR A LITTLE BIT,

130
00:05:36,637 --> 00:05:39,673
JUST A LITTLE WHILE,
OKAY?

131
00:05:39,707 --> 00:05:40,674
MM-HMM.

132
00:05:40,708 --> 00:05:41,742
[ CHUCKLES ]

133
00:05:41,775 --> 00:05:43,677
ALL RIGHT.
HAVE FUN, CHILDREN.

134
00:05:43,711 --> 00:05:46,447
LONG LIVE
ROCK 'N' ROLL.

135
00:05:46,480 --> 00:05:50,718
I THINK THAT WAS A --
THAT WAS A GOOD DECISION.

136
00:05:50,751 --> 00:05:52,386
SOLID PARENTING.

137
00:05:52,420 --> 00:05:55,523
[ INDISTINCT CONVERSATIONS,
ROCK-'N'-ROLL MUSIC PLAYING ]

138
00:05:59,159 --> 00:06:02,062
CLUB SODA WITH A TWIST.

139
00:06:02,095 --> 00:06:04,064
ALCOHOL IS STILL OKAY
FOR ME, RIGHT?

140
00:06:04,097 --> 00:06:05,666
YOU DO
WHAT YOU HAVE TO DO.

141
00:06:05,699 --> 00:06:08,135
PEOPLE WHO LIVE IN FEAR
NEED TO BE CHEMICALLY ALTERED.

142
00:06:08,168 --> 00:06:10,137
OKAY. SO WHAT AM I
SO AFRAID OF, THEN?

143
00:06:10,170 --> 00:06:11,805
HOW THE FUCK
SHOULD I KNOW?

144
00:06:11,839 --> 00:06:13,774
BUT YOU'VE BEEN SCARFING
THOSE THINGS

145
00:06:13,807 --> 00:06:16,444
LIKE THE STRESS-EATER
MAMA RUNKLE RAISED YOU TO BE.

146
00:06:16,477 --> 00:06:18,145
HEY, THERE'S DANI.

147
00:06:18,178 --> 00:06:20,147
I NEED TO TALK TO HER.
SHE'S ON MY LIST.

148
00:06:20,180 --> 00:06:22,716
NO, NO.
NO FUCKING WAY, OKAY?

149
00:06:22,750 --> 00:06:25,519
HER WE DO NOT FORGIVE,
NOR DO WE ASK HER FORGIVENESS.

150
00:06:25,553 --> 00:06:28,188
YOU CAN'T TELL ME WHO I CAN
AND CANNOT MAKE AMENDS TO.

151
00:06:28,221 --> 00:06:29,823
YES. YES, I CAN.

152
00:06:29,857 --> 00:06:32,526
WE, AS A FAMILY,
DO NOT FORGIVE HER.

153
00:06:32,560 --> 00:06:35,429
ALL THE BAD SHIT THAT'S HAPPENED
TO US -- SHE STARTED IT.

154
00:06:35,463 --> 00:06:37,865
SHE'S THE CAUSE OF IT.
SHE'S THE OUTBREAK MONKEY.

155
00:06:37,898 --> 00:06:40,033
DID YOU SEE THAT GIRL
WITH THE SPICY SHRIMP ROLLS

156
00:06:40,067 --> 00:06:41,201
GO THROUGH THERE?

157
00:06:41,234 --> 00:06:42,470
Lew: OKAY, OKAY.
UPSTAIRS, PEOPLE.

158
00:06:42,503 --> 00:06:44,472
YOU JUST DO
THE DRUGS UPSTAIRS.

159
00:06:44,505 --> 00:06:46,540
FOR FUCK'S SAKE, THERE'S
CHILDREN PRESENT, OKAY?

160
00:06:46,574 --> 00:06:47,675
SO JUST MOVE IT ON UP, OKAY?

161
00:06:47,708 --> 00:06:49,443
JUST MOVE IT ON UP.
MOTHER MARY.

162
00:06:49,477 --> 00:06:52,212
THAT WOULDN'T HAPPEN TO BE
COCAINE THERE, WOULD IT?

163
00:06:52,245 --> 00:06:54,982
COCAINE, METH.
I THINK THIS IS HEROIN.

164
00:06:55,015 --> 00:06:57,451
SOME PEOPLE REALLY HAVE
PROBLEMS, YOU KNOW?

165
00:06:57,485 --> 00:06:58,952
I HAD TO REMORTGAGE
OUR HOUSE

166
00:06:58,986 --> 00:07:00,654
IN ORDER TO SEND HER
TO PASSAGES.

167
00:07:00,688 --> 00:07:01,622
YOU KNOW WHAT I'M SAYING?

168
00:07:01,655 --> 00:07:03,724
HEY, NEXT TIME LET ME KNOW.
I KNOW PEOPLE.

169
00:07:03,757 --> 00:07:05,793
I CAN HOOK YOU UP,
ARRANGE A LITTLE DISCOUNT.

170
00:07:05,826 --> 00:07:06,860
"NEXT TIME"?

171
00:07:06,894 --> 00:07:08,195
YEAH, THERE'S ALWAYS
A NEXT TIME.

172
00:07:08,228 --> 00:07:11,064
YOU KEEP WORKING THOSE STEPS,
BABY GIRL.

173
00:07:11,098 --> 00:07:14,502
GOT A LITTLE SOMETHING THAT
DAVID CROSBY ONCE TOLD ME --

174
00:07:14,535 --> 00:07:18,038
A LITTLE POT --
IT'S NOT CHEATING, HUH?

175
00:07:18,071 --> 00:07:21,475
I DEEPLY AND PROFOUNDLY
LOVE MYSELF.

176
00:07:21,509 --> 00:07:24,878
I DEEPLY AND PROFOUNDLY
LOVE MYSELF.

177
00:07:26,113 --> 00:07:28,682
HEY, THERE HE IS --
NOT SO FAST, YOU.

178
00:07:28,716 --> 00:07:30,217
LOOK WHO'S HERE.
IT'S ANNIKA STALEY.

179
00:07:30,250 --> 00:07:32,152
FROM ROLLING STONE MAGAZINE.
HELLO.

180
00:07:32,185 --> 00:07:33,787
PLEASURE
TO SEE YOU AGAIN.

181
00:07:33,821 --> 00:07:35,789
HOW ARE THE TOE CRAMPS?

182
00:07:35,823 --> 00:07:37,725
ANNIKA HAS AN INTERESTING
LITTLE THEORY

183
00:07:37,758 --> 00:07:39,927
ABOUT THE BOOK
THAT SHE'S BEEN SHARING WITH US.

184
00:07:39,960 --> 00:07:42,663
A LITERARY THEORY?
NONE FOR ME, THANK YOU.

185
00:07:42,696 --> 00:07:45,666
WELL, I WAS JUST SAYING HOW,
WHEN I REREAD THE BOOK,

186
00:07:45,699 --> 00:07:47,968
IT JUST BECAME
COMPLETELY OBVIOUS TO ME

187
00:07:48,001 --> 00:07:50,270
THAT YOUR FINGERPRINTS
ARE ALL OVER IT.

188
00:07:50,303 --> 00:07:51,338
MY -- MY FINGERPRINTS?

189
00:07:51,371 --> 00:07:53,674
MY -- MY STYLISTIC
FINGERPRINTS, MY STYLE.

190
00:07:53,707 --> 00:07:56,877
NO, COME ON. HER STYLE'S
MUCH MORE FLUID THAN YOURS.

191
00:07:56,910 --> 00:07:58,278
I MEAN -- I MEAN YOU --

192
00:07:58,311 --> 00:08:01,782
YOUR PERSONALITY,
YOUR, UH -- YOUR TICS,

193
00:08:01,815 --> 00:08:03,216
THAT SENSE OF HUMOR OF YOURS,
YOU KNOW.

194
00:08:03,250 --> 00:08:05,753
COME ON.
IT'S YOU, ISN'T IT?
EXCUSE ME?

195
00:08:05,786 --> 00:08:07,287
THE GUY IN THE BOOK.

196
00:08:07,320 --> 00:08:10,558
IT'S A MEMOIR. IT'S OBVIOUSLY
BASED ON SOME REAL PERSON.

197
00:08:10,591 --> 00:08:12,292
I-I-I SEE NO REASON
TO ASSUME

198
00:08:12,325 --> 00:08:14,795
SOMETHING LIKE THAT
NOWADAYS, YOU KNOW.

199
00:08:14,828 --> 00:08:16,296
HOW ABOUT -- HOW ABOUT
ALL THESE PEOPLE

200
00:08:16,329 --> 00:08:18,031
PASSING OFF THEIR NOVELS
AS TRUE STORIES

201
00:08:18,065 --> 00:08:20,167
JUST BECAUSE NOBODY GIVES A FUCK
ABOUT FICTION ANYMORE?

202
00:08:20,200 --> 00:08:21,168
I FIND THAT FASCINATING.

203
00:08:21,201 --> 00:08:22,636
YEAH,
THAT'S TOTALLY BORING.

204
00:08:22,670 --> 00:08:25,739
NOT TO ME.
BUT -- BUT A SEXY OLDER MAN

205
00:08:25,773 --> 00:08:27,274
WHO SEDUCES A TEENAGE GIRL,

206
00:08:27,307 --> 00:08:29,242
NOT KNOWING
SHE'S A TEENAGER.

207
00:08:29,276 --> 00:08:31,044
NO.
[ WHISTLES ]

208
00:08:31,078 --> 00:08:33,614
IS THAT WHAT THIS THING'S ABOUT?
I GOT TO GET ME A COPY.

209
00:08:33,647 --> 00:08:34,782
COME ON. ADMIT IT.

210
00:08:34,815 --> 00:08:35,649
YOU GUYS OBVIOUSLY HAD

211
00:08:35,683 --> 00:08:38,786
SOME KIND OF A...
RELATIONSHIP, RIGHT?

212
00:08:40,087 --> 00:08:42,790
ANNIKA, I THINK YOU'RE WORKING
A LITTLE TOO HARD TONIGHT.

213
00:08:42,823 --> 00:08:45,225
HOW ABOUT WE GO MEET
ZAKK WYLDE?

214
00:08:45,258 --> 00:08:47,194
WHO'S ZAKK WYLDE?

215
00:08:47,227 --> 00:08:50,163
EXCUSE US. I HAVE TO THROW
THIS CHICK OUT OF MY PARTY.

216
00:08:50,197 --> 00:08:51,665
COME ON.

217
00:08:52,900 --> 00:08:54,668
WHAT THE FUCK
ARE YOU DOING?

218
00:08:54,702 --> 00:08:55,936
YOU THINK THIS IS FUNNY?

219
00:08:55,969 --> 00:08:59,339
UH, SO SHE MAYBE WRITES
A LITTLE BLURB ABOUT US.

220
00:08:59,372 --> 00:09:00,608
SO WHAT?

221
00:09:00,641 --> 00:09:02,142
IT'S NOT LIKE
THEY'RE GONNA MAKE YOU

222
00:09:02,175 --> 00:09:03,877
GO LIVE IN FRANCE
WITH ROMAN POLANSKI.

223
00:09:03,911 --> 00:09:05,779
IT'LL JUST BE
ONE OF THOSE HYPOTHETICAL,

224
00:09:05,813 --> 00:09:08,849
"GUESS WHICH WASHED-UP
NOVELIST?" THINGS.

225
00:09:08,882 --> 00:09:11,284
YEAH. I DON'T THINK KAREN IS
EVER GONNA LOOK AT IT THAT WAY.

226
00:09:11,318 --> 00:09:14,688
OH. SHE'LL GET OVER IT...
EVENTUALLY.

227
00:09:14,722 --> 00:09:15,856
[ CHUCKLES ]

228
00:09:15,889 --> 00:09:19,159
AND IT COULD BE GREAT PUBLICITY
FOR YOUR BOOK ABOUT ASHBY.

229
00:09:19,192 --> 00:09:21,361
LOOK, MIA, NOT EVERYBODY
THAT PICKS UP A PEN

230
00:09:21,394 --> 00:09:23,030
SWEATS BLOOD
FOR PUBLICITY.

231
00:09:23,063 --> 00:09:25,633
YOU'VE GOT TO DISABUSE ANNIKA
OF THIS PERSPECTIVE.

232
00:09:25,666 --> 00:09:27,601
MM. SHE BELIEVES
WHAT SHE BELIEVES.

233
00:09:27,635 --> 00:09:29,002
AND IT'S
YOUR OWN DAMN FAULT.

234
00:09:29,036 --> 00:09:31,839
YOU SHOULDN'T HAVE GIVEN HER
SUCH A MIND-BLOWING ORGASM.

235
00:09:31,872 --> 00:09:33,707
WHAT? THAT'S WHAT
THIS IS ABOUT --

236
00:09:33,741 --> 00:09:36,243
I DIDN'T CALL HER BACK?
THERE WAS NO REPEAT PERFORMANCE?

237
00:09:36,276 --> 00:09:38,612
NO. I MEAN THAT
THAT'S WHAT TIPPED HER OFF.

238
00:09:38,646 --> 00:09:40,280
SHE SAID THAT
THE REAL-LIFE FUCKING

239
00:09:40,313 --> 00:09:42,616
SEEMED A LOT LIKE THE FUCKING
IN THE BOOK.

240
00:09:42,650 --> 00:09:44,852
WHAT?
MINUS THE PUNCHING,
OF COURSE,

241
00:09:44,885 --> 00:09:47,154
SO YOU MAY WANT TO GET
SOME NEW MOVES NOW.

242
00:09:47,187 --> 00:09:51,625
IF YOU'LL EXCUSE ME,
I'M GONNA GO ENJOY MY PARTY.

243
00:09:51,659 --> 00:09:54,227
I THINK I MAY BE OVER
MY THING WITH OLDER MEN.

244
00:09:54,261 --> 00:09:55,729
MM, MM.

245
00:09:57,364 --> 00:09:59,633
I MEAN, EVER SINCE
I STARTED MEDITATING --

246
00:09:59,667 --> 00:10:02,035
DON'T SAY ANYTHING --
OH, MY GOD.

247
00:10:02,069 --> 00:10:02,970
I'M MORE IN TOUCH

248
00:10:03,003 --> 00:10:05,372
WITH THE EMOTIONS
OF THE PEOPLE AROUND ME.

249
00:10:05,405 --> 00:10:06,807
I'M NOT SO EGO-FOCUSED.

250
00:10:06,840 --> 00:10:08,175
WELL, YOU SOUND LIKE --

251
00:10:08,208 --> 00:10:10,343
WELL, OKAY.
THAT'S GOOD, SWEETIE.

252
00:10:10,377 --> 00:10:12,412
THAT'S -- THAT'S --
THAT'S PROGRESS, RIGHT?

253
00:10:12,445 --> 00:10:13,847
THAT'S WHY
YOU WENT THERE.

254
00:10:13,881 --> 00:10:15,883
DID HANK
SAY ANYTHING TO YOU

255
00:10:15,916 --> 00:10:18,218
ABOUT CHARLIE GETTING
UP TO ANY WEIRD SHIT

256
00:10:18,251 --> 00:10:19,319
WHILE I WAS AWAY?

257
00:10:19,352 --> 00:10:21,254
NO. WHAT?

258
00:10:21,288 --> 00:10:25,759
WELL, YOU KNOW,
HE'S STRESS-EATING,

259
00:10:25,793 --> 00:10:28,161
AND HE'S NOT PAWING AT ME
OR PRESSURING ME FOR SEX.

260
00:10:28,195 --> 00:10:31,164
WELL, THANK GOD, RIGHT?
I MEAN --

261
00:10:31,198 --> 00:10:33,934
WELL, HE SEEMS RESTLESS.

262
00:10:33,967 --> 00:10:36,303
WELL, HONEY,
WHAT ABOUT YOU?

263
00:10:36,336 --> 00:10:40,273
I HAVE INNER PEACE, BABY.
I SEE WHAT'S IMPORTANT.

264
00:10:40,307 --> 00:10:43,777
AND BY BEING LOYAL AND FAITHFUL
TO CHARLIE,

265
00:10:43,811 --> 00:10:46,113
I ATTRACT THAT SAME SHIT
BACK INTO MY LIFE.

266
00:10:46,146 --> 00:10:48,782
THAT'S HOW
THE UNIVERSE WORKS.

267
00:10:48,816 --> 00:10:50,784
I'M VERY PROUD OF YOU.

268
00:10:50,818 --> 00:10:52,419
YOU LIKE THAT?
YES, I DO.

269
00:10:52,452 --> 00:10:54,755
OH, YEAH, COME ON.
IT'S PROGRESS.

270
00:10:54,788 --> 00:10:56,289
HEY, NOT THAT WAY.

271
00:10:56,323 --> 00:10:57,691
UNH-UNH. COME.

272
00:10:57,725 --> 00:10:59,092
WHY? ARE THERE DRUGS
THAT WAY?

273
00:10:59,126 --> 00:11:00,460
I'M STRONG.
I CAN HANDLE IT.

274
00:11:00,493 --> 00:11:03,363
NO. I'M NOT STRONG.
COME ON, LET'S GO.

275
00:11:03,396 --> 00:11:05,766
WHAT?
IT'S JUST LEW ASHBY.
WELL, RIGHT.

276
00:11:05,799 --> 00:11:07,768
I DON'T WANT TO, LIKE,
FAN THE FLAMES, YOU KNOW.

277
00:11:07,801 --> 00:11:09,236
WHAT?

278
00:11:09,269 --> 00:11:10,437
HE BURNS FOR YOU?

279
00:11:10,470 --> 00:11:12,773
SHIT.
I MISSED A LOT, DIDN'T I?

280
00:11:12,806 --> 00:11:14,041
NO, YOU DID NOT.

281
00:11:14,074 --> 00:11:15,475
HE -- HE'S LIKE A TODDLER,
YOU KNOW.

282
00:11:15,508 --> 00:11:17,177
HE SEES SOMETHING SHINY
IN HIS MIDST,

283
00:11:17,210 --> 00:11:18,846
AND HE --
HE KIND OF WANTS IT.

284
00:11:18,879 --> 00:11:21,348
YOU ARE SHINY.

285
00:11:21,381 --> 00:11:23,416
OF COURSE HE DOES.

286
00:11:23,450 --> 00:11:25,853
OH, MY GOD.

287
00:11:25,886 --> 00:11:26,854
WHAT?

288
00:11:26,887 --> 00:11:27,888
Oh, my God!

289
00:11:27,921 --> 00:11:29,122
Look!
Look, look, look!
What?

290
00:11:29,156 --> 00:11:31,925
I've been trying to
give them space --
it's Damien and Becca.

291
00:11:31,959 --> 00:11:33,293
Where?
Right there!

292
00:11:33,326 --> 00:11:34,928
Not everyone
is freakishly tall!

293
00:11:34,962 --> 00:11:35,763
Okay.

294
00:11:35,796 --> 00:11:38,398
CAN YOU SEE?
THAT'S SWEET, ISN'T IT?

295
00:11:38,431 --> 00:11:41,001
NO?
NOT REALLY
SO SWEET, NO.

296
00:11:41,034 --> 00:11:41,902
WHY NOT?

297
00:11:41,935 --> 00:11:46,373
BECAUSE ISN'T THAT
THE BECCA RIGHT THERE?

298
00:11:46,406 --> 00:11:49,309
THAT WOULD BE.
OH, MY GOD.

299
00:11:49,342 --> 00:11:50,978
TAKE IT.

300
00:11:51,011 --> 00:11:54,047
OH, HEY, BEC!

301
00:11:54,081 --> 00:11:56,183
[ CLEARS THROAT ]
COME HERE.

302
00:11:56,216 --> 00:11:58,418
OH, NO. OH, GOD.

303
00:11:58,451 --> 00:12:01,955
I'M THE BEST ME
I CAN POSSIBLE BE.

304
00:12:01,989 --> 00:12:05,325
I'M THE BEST ME
I CAN POSSIBLE BE.

305
00:12:10,363 --> 00:12:13,033
[ SIGHS ]

306
00:12:13,066 --> 00:12:15,135
I TELL YOU, I'M JUST FRESH
OUT OF ANSWERS.

307
00:12:15,168 --> 00:12:16,804
MAYBE MARCY'S RIGHT,
YOU KNOW.

308
00:12:16,837 --> 00:12:19,006
MAYBE WE ALL JUST NEED TO
SURRENDER TO SOME HIGHER POWER,

309
00:12:19,039 --> 00:12:22,375
YOU KNOW, JUST --
JUST BE CLEAR AND LET GO.

310
00:12:22,409 --> 00:12:24,845
FUCK THAT.
YOU SOUND LIKE JULIAN.

311
00:12:24,878 --> 00:12:26,413
WELL, MAYBE JULIAN'S
ON TO SOMETHING.

312
00:12:26,446 --> 00:12:28,281
GUY GETS MORE PUSSY
THAN EITHER ONE OF US.

313
00:12:28,315 --> 00:12:29,382
EITHER ONE OF US?

314
00:12:29,416 --> 00:12:32,319
WHO ARE YOU FUCKING BESIDES
YOUR WIFE AND A PORN STAR?

315
00:12:32,352 --> 00:12:34,221
MIND IF I JOIN YOU GUYS?

316
00:12:34,254 --> 00:12:36,089
YES.
NO. NO.
PULL UP A CHAIR.

317
00:12:36,123 --> 00:12:37,457
YOU'VE ALWAYS HAD
A UNIQUE ABILITY

318
00:12:37,490 --> 00:12:39,960
TO TALK SENSE
INTO THIS MAN.

319
00:12:39,993 --> 00:12:41,194
DON'T MIND IF I DO.

320
00:12:41,228 --> 00:12:43,096
SO, WHAT COMPROMISING POSITION

321
00:12:43,130 --> 00:12:45,465
HAS HE GOTTEN HIMSELF
INTO THIS TIME?

322
00:12:45,498 --> 00:12:47,134
WELL, IT SEEMS
THAT HIS NEW CAREER IN PORN

323
00:12:47,167 --> 00:12:48,201
IS NOT ENOUGH FOR HIM.

324
00:12:48,235 --> 00:12:50,037
HE ALSO HAS TO MARRY
THE PORN STAR,

325
00:12:50,070 --> 00:12:51,538
SAVE HER FROM HER ROAD
TO RUIN.

326
00:12:51,571 --> 00:12:53,440
APPARENTLY HE'S NEVER
SEEN "STAR 80."

327
00:12:53,473 --> 00:12:55,042
WHAT ABOUT MARCY?

328
00:12:55,075 --> 00:12:56,910
WHAT ABOUT MARCY?
HERE'S A THOUGHT.

329
00:12:56,944 --> 00:12:58,445
WHAT ABOUT MARCY?
HERE'S A THOUGHT.

330
00:12:58,478 --> 00:13:00,113
MAYBE THE TWO PEOPLE
IN THIS CONVERSATION

331
00:13:00,147 --> 00:13:02,515
WHO HAVE NEVER BEEN MARRIED
SHOULD SHUT THE FUCK UP

332
00:13:02,549 --> 00:13:04,584
AND NOT PASS JUDGMENT
ON THE ONE WHO HAS.

333
00:13:04,617 --> 00:13:06,319
HERE'S A THOUGHT
RIGHT BACK AT YOU.

334
00:13:06,353 --> 00:13:07,921
MAYBE MARCY'S
NOT THE PROBLEM.

335
00:13:07,955 --> 00:13:09,522
I NEVER SAID SHE WAS.

336
00:13:09,556 --> 00:13:11,324
"DAMN MY COKE ADDICT
OF A WIFE,"

337
00:13:11,358 --> 00:13:13,393
I'VE HEARD YOU SAY
ON SEVERAL OCCASIONS.

338
00:13:13,426 --> 00:13:16,196
MM, IT SEEMS TO ME
YOU'VE TRAVELED A LONG ROAD

339
00:13:16,229 --> 00:13:18,598
TO END UP RIGHT BACK WHERE
YOU WERE NINE MONTHS AGO --

340
00:13:18,631 --> 00:13:20,467
ENTHRALLED TO SOME
MUCH YOUNGER WOMAN

341
00:13:20,500 --> 00:13:23,203
WHO ALLOWS YOU TO FEEL LIKE
YOU'RE COMPLETELY IN CONTROL --

342
00:13:23,236 --> 00:13:26,106
A MASTER OF THE UNIVERSE,
IF YOU WILL.

343
00:13:26,139 --> 00:13:30,110
OR IN HIS CASE, A MASTURBATOR
OF THE UNIVERSE, IF YOU WILL.

344
00:13:30,143 --> 00:13:32,112
[ Sarcastically ]
HA HA HA HA HA.

345
00:13:32,145 --> 00:13:33,480
WHO KNOWS?

346
00:13:33,513 --> 00:13:35,548
MAYBE IT'S YOUR DESTINY,
CHARLIE RUNKLE.

347
00:13:35,582 --> 00:13:37,417
MAYBE YOU WERE
BORN TO DOMINATE...

348
00:13:37,450 --> 00:13:39,252
OH, NO.

349
00:13:39,286 --> 00:13:41,955
...IN WHICH CASE, MY ADVICE
TO YOU IS EMBRACE IT,

350
00:13:41,989 --> 00:13:44,224
BE WHO YOU ARE,
LET YOUR FREAK FLAG FLY.

351
00:13:44,257 --> 00:13:46,526
INTERESTING.

352
00:13:46,559 --> 00:13:48,328
BECCA, COME ON, SWEETIE.

353
00:13:48,361 --> 00:13:49,462
JUST LET ME IN.
COME ON.

354
00:13:49,496 --> 00:13:50,397
Lew:
WHAT THE HELL?

355
00:13:50,430 --> 00:13:52,966
SOMEBODY BETTER NOT BE DOING
COKE IN THERE.

356
00:13:53,000 --> 00:13:54,601
OH, SORRY.

357
00:13:54,634 --> 00:13:56,136
IT'S -- IT'S BECCA.

358
00:13:56,169 --> 00:13:57,871
IS SHE OKAY?

359
00:13:57,905 --> 00:13:59,873
SHE FOUND THAT ASSHOLE
BOYFRIEND OF HERS

360
00:13:59,907 --> 00:14:01,408
MAKING OUT
WITH ANOTHER GIRL.

361
00:14:05,312 --> 00:14:08,015
BECCA.
IT'S LEW ASHBY.

362
00:14:08,048 --> 00:14:10,283
OH, WELL,
THAT'S JUST GONNA DO IT.

363
00:14:10,317 --> 00:14:14,888
BECCA, I KNOW THINGS ARE FEELING
PRETTY SHITTY RIGHT NOW --

364
00:14:14,922 --> 00:14:17,090
CRAPPY, WHATEVER.

365
00:14:17,124 --> 00:14:20,093
BUT, UH, IN TWO WEEKS,
SLIPKNOT'S AT THE FORUM,

366
00:14:20,127 --> 00:14:23,296
AND IF YOU OPEN UP THIS DOOR,
LET YOUR MOTHER IN THE BATHROOM,

367
00:14:23,330 --> 00:14:24,998
YOU'RE THERE, BACKSTAGE.

368
00:14:25,032 --> 00:14:27,000
YOU'RE AT THE FREAKIN'
SOUND CHECK, OKAY?

369
00:14:27,034 --> 00:14:28,301
YOU KNOW WHAT?

370
00:14:28,335 --> 00:14:29,469
THAT'S REALLY SWEET,

371
00:14:29,502 --> 00:14:31,504
BUT MY DAUGHTER
CANNOT BE BRIBED.

372
00:14:33,206 --> 00:14:35,208
NOT YOU...

373
00:14:35,242 --> 00:14:37,344
HIM.

374
00:14:37,377 --> 00:14:39,079
OKAY.

375
00:14:42,115 --> 00:14:43,316
I'M REALLY SORRY.

376
00:14:43,350 --> 00:14:46,086
SHE'S GOING THROUGH
SOME STUFF, SO...

377
00:14:46,119 --> 00:14:48,688
IT'S RECENTLY COME
TO MY ATTENTION

378
00:14:48,721 --> 00:14:51,124
THAT MEN
CANNOT BE TRUSTED.

379
00:14:51,158 --> 00:14:53,393
TRUER WORDS
HAVE NEVER BEEN SPOKEN.

380
00:14:53,426 --> 00:14:55,428
CAN YOU PROVIDE
ANY ASSURANCE

381
00:14:55,462 --> 00:14:58,966
THAT YOU'LL FOLLOW THROUGH
ON THIS EXTRAVAGANT PROMISE?

382
00:14:58,999 --> 00:15:00,500
CAN YOU PROVIDE
ANY ASSURANCE

383
00:15:00,533 --> 00:15:03,336
YOU'RE ACTUALLY GONNA LET
YOUR MOTHER INTO THE BATHROOM?

384
00:15:03,370 --> 00:15:05,939
NO.

385
00:15:05,973 --> 00:15:10,043
SO, I GUESS WE HAVE NO CHOICE
BUT TO, UH, TRUST EACH OTHER.

386
00:15:22,455 --> 00:15:24,958
LOOK.

387
00:15:24,992 --> 00:15:27,327
IT'S GONNA TAKE
THAT DUDE 15 YEARS

388
00:15:27,360 --> 00:15:30,030
BEFORE HE REALIZES
WHAT HE'S MISSING.

389
00:15:30,063 --> 00:15:32,365
HE'S MISSING A LOT,

390
00:15:32,399 --> 00:15:35,168
'CAUSE YOU'RE
FUCKING MAGIC.

391
00:15:35,202 --> 00:15:37,504
AND IF THAT'S TOO LONG
TO WAIT,

392
00:15:37,537 --> 00:15:39,472
I CAN ALWAYS GET LEMMY
FROM MOTORHEAD

393
00:15:39,506 --> 00:15:41,641
TO CUT OFF HIS CHEEKS
WITH A STRAIGHT RAZOR.

394
00:15:41,674 --> 00:15:43,643
TOTALLY UP TO YOU.
[ IMITATES RAZOR SLICING ]

395
00:15:43,676 --> 00:15:45,212
[ CHUCKLES ]

396
00:15:47,247 --> 00:15:49,049
GOOD?

397
00:15:51,451 --> 00:15:53,286
SHAKE IT OFF, PRINCESS.

398
00:16:00,393 --> 00:16:02,062
SHE'S ALL YOURS.

399
00:16:02,095 --> 00:16:04,297
THANK YOU.
YOU'RE WELCOME.

400
00:16:08,401 --> 00:16:10,237
Karen: HEY, YOU.

401
00:16:10,270 --> 00:16:11,638
WHAT'D HE SAY?

402
00:16:11,671 --> 00:16:13,440
I'LL NEVER TELL.

403
00:16:18,245 --> 00:16:19,979
COME HERE.

404
00:16:26,786 --> 00:16:30,157
SO, I GUESS I'M THE BIGGEST
LOSER OF ALL TIME.

405
00:16:30,190 --> 00:16:32,459
NOT EVEN CLOSE.

406
00:16:32,492 --> 00:16:36,263
TRUSTING SOMEONE DOES NOT MAKE
YOU INTO A LOSER, OKAY,

407
00:16:36,296 --> 00:16:37,564
'CAUSE YOU TOOK A LEAP.

408
00:16:37,597 --> 00:16:39,499
INTO A BRICK WALL.

409
00:16:39,532 --> 00:16:42,335
AND THAT'S
WHY IT HURTS SO MUCH.

410
00:16:42,369 --> 00:16:46,373
AND ALL YOU CAN DO
IS...LET IT HURT.

411
00:16:46,406 --> 00:16:48,408
[ SNIFFLES ]

412
00:16:53,480 --> 00:16:57,117
HEY! HEY!
LOOK WHO I FOUND!

413
00:16:57,150 --> 00:16:58,685
DAISY.
HEY.

414
00:16:58,718 --> 00:16:59,752
HI, BABY.

415
00:16:59,786 --> 00:17:01,554
OH,
SO THIS IS DAISY.

416
00:17:01,588 --> 00:17:03,690
YEAH.
DAISY, HANK.

417
00:17:03,723 --> 00:17:04,857
HANK, DAISY.

418
00:17:04,891 --> 00:17:09,062
YOU SEE THAT? EVERYBODY REALLY
DOES COME TO LEW ASHBY'S.

419
00:17:09,096 --> 00:17:11,831
HAVE YOU SEEN THE ENTIRE HOUSE,
ALL THE NOOKS AND CRANNIES?

420
00:17:11,864 --> 00:17:13,366
I COULD GIVE YOU
A GUIDED TOUR.

421
00:17:13,400 --> 00:17:15,335
NO, NO, NO. YOU'RE NOT
SQUIRRELING HER AWAY.

422
00:17:15,368 --> 00:17:16,503
NO. I JUST FOUND HER.

423
00:17:16,536 --> 00:17:18,438
SO, WHAT'S THE HAPS?

424
00:17:18,471 --> 00:17:20,273
OH, NOTHING MUCH.

425
00:17:20,307 --> 00:17:22,575
JUST SAME OLD, SAME OLD.

426
00:17:22,609 --> 00:17:24,277
NEXT GUIDED TOUR LEAVING
IN 30 SECONDS.

427
00:17:24,311 --> 00:17:25,745
COME ON, WE CAN TALK
ABOUT YOUR WORK.

428
00:17:25,778 --> 00:17:27,647
I'M NOT A BIG FAN
OF PORN MYSELF,

429
00:17:27,680 --> 00:17:30,383
BUT I WAS -- DON'T GET ME
WRONG -- IN MY FORMATIVE YEARS.

430
00:17:30,417 --> 00:17:32,519
DAISY, WHAT?
YOU CAME HERE ALL ALONE?

431
00:17:32,552 --> 00:17:33,586
WHAT?
OH, NO, NO, NO.

432
00:17:33,620 --> 00:17:34,754
SHE CAME WITH RONNY.

433
00:17:34,787 --> 00:17:36,656
WHERE THE FUCK
DID HE JUST GET OFF TO?

434
00:17:36,689 --> 00:17:38,391
RONNY!
RONNY.

435
00:17:38,425 --> 00:17:40,860
WELL, I'M NOT WITH RONNY.
HE WAS COMING TONIGHT.

436
00:17:40,893 --> 00:17:42,762
THOUGHT IT'D BE FUN
TO TAG ALONG, SO --

437
00:17:42,795 --> 00:17:44,864
THOUGHT YOU GUYS
MIGHT BE HERE.

438
00:17:44,897 --> 00:17:46,866
I KNOW LEW ASHBY'S PARTIES
ARE REALLY FAMOUS.

439
00:17:46,899 --> 00:17:48,235
RONNY!

440
00:17:48,268 --> 00:17:51,204
OI, OI. HOW DID I KNOW
I'D FIND YOU HERE?

441
00:17:51,238 --> 00:17:53,106
RUNKLE, HOW YOU DOING?

442
00:17:53,140 --> 00:17:54,241
HANK MOODY,
RONNY PRAEGER,

443
00:17:54,274 --> 00:17:56,643
THE VERY GIFTED AUTEUR
BEHIND "VAGINATOWN."

444
00:17:56,676 --> 00:17:58,111
Hank: OH, I'M HONORED.
I'M A BIG FAN.

445
00:17:58,145 --> 00:18:00,380
WHAT IS NEXT FOR YOU,
"A COCK-WORK ORANGE,"

446
00:18:00,413 --> 00:18:02,649
OR PERHAPS "2069:
A SIT-ON-MY-FACE ODYSSEY"?

447
00:18:02,682 --> 00:18:04,117
THAT'S ACTUALLY
NOT TOO FUCKING BAD.

448
00:18:04,151 --> 00:18:05,352
WE'VE ACTUALLY BEEN
TALKING ABOUT IT,

449
00:18:05,385 --> 00:18:06,386
HAVEN'T WE, SWEET TITS?

450
00:18:06,419 --> 00:18:08,721
WE'VE DECIDED
ON "NETWORK."
OH, "NETWORK."

451
00:18:08,755 --> 00:18:10,523
NO. WHAT ARE YOU
TALKING ABOUT -- DAISY?

452
00:18:10,557 --> 00:18:13,693
SHE DIDN'T TELL YOU?
DAISY IS GETTING OUT OF PORN.

453
00:18:13,726 --> 00:18:14,794
YOU ARE?

454
00:18:14,827 --> 00:18:16,296
DAISY'S HERE,
PORN'S OVER THERE.

455
00:18:16,329 --> 00:18:18,398
UH, YOU KNOW,
I'M GIVING IT SOME THOUGHT.

456
00:18:18,431 --> 00:18:20,400
NO.
YEAH.

457
00:18:20,433 --> 00:18:23,136
WHAT KIND OF SHIT-FOR-BRAINS
AGENT GAVE YOU THAT ADVICE?

458
00:18:23,170 --> 00:18:24,537
THAT'S
TERRIBLE ADVICE!

459
00:18:24,571 --> 00:18:27,140
I MEAN, SERIOUSLY, WHEN YOU'VE
GOT 100% USDA CHOICE BEEF

460
00:18:27,174 --> 00:18:28,275
LIKE THAT SLAPPIN' ABOUT,

461
00:18:28,308 --> 00:18:29,776
YOU DON'T LET IT GET
TO THE FREEZER.

462
00:18:29,809 --> 00:18:31,911
HEY, HEY, HEY. JUST BACK OFF,
BUDDY, WOULD YOU?

463
00:18:31,944 --> 00:18:33,746
OKAY? THE DECISION'S
BEEN MADE.

464
00:18:33,780 --> 00:18:35,815
DAISY DOESN'T WANT TO DO
ANY MORE PORN.

465
00:18:35,848 --> 00:18:37,717
AND MAYBE YOU SHOULD
JUST GET YOUR PAWS OFF HER,

466
00:18:37,750 --> 00:18:39,419
YOU KNOW,
GIVE HER A LITTLE SPACE.

467
00:18:39,452 --> 00:18:41,921
WHAT THE FUCK DO YOU CARE
WHERE HIS PAWS ARE?

468
00:18:41,954 --> 00:18:44,724
I DON'T THINK A GIRL SHOULD
BE HANDLED LIKE THAT AGAINST
HER WILL -- THAT'S ALL.

469
00:18:44,757 --> 00:18:45,792
IT'S FINE.
IT'S FINE?

470
00:18:45,825 --> 00:18:47,394
IT'S FINE
HE TOUCHES YOU?

471
00:18:47,427 --> 00:18:49,262
IT'S FINE YOU'RE OUT
ON A DATE WITH HIM?

472
00:18:49,296 --> 00:18:50,663
IT'S FINE THAT --

473
00:18:50,697 --> 00:18:52,565
THAT HE'S PLANNING THE REST
OF YOUR LIFE FOR YOU?

474
00:18:52,599 --> 00:18:54,401
WHAT? WHAT?
I MEAN, WHAT ABOUT US?

475
00:18:54,434 --> 00:18:55,435
WHAT?

476
00:18:55,468 --> 00:18:56,836
EXCUSE ME?

477
00:18:56,869 --> 00:18:57,770
PROFESSIONALLY
SPEAKING.

478
00:18:57,804 --> 00:18:59,739
CHARLIE, YOU LOOK LIKE
YOU NEED A REFILL.

479
00:18:59,772 --> 00:19:01,441
YOU LOOK DRY.
I THINK I SHOULD GO.

480
00:19:01,474 --> 00:19:03,243
I --
OH, NO, NO, NO, NO!

481
00:19:03,276 --> 00:19:05,512
NO. NO ONE'S
GOING ANYWHERE,

482
00:19:05,545 --> 00:19:07,947
NOT TILL
THIS SKINNY LITTLE PORNO HO

483
00:19:07,980 --> 00:19:10,383
TELLS ME
WHAT HE MEANT JUST NOW.

484
00:19:10,417 --> 00:19:11,718
CHARLIE?
UH, NOTHING.

485
00:19:11,751 --> 00:19:13,653
OKAY, YOU KNOW WHAT?
ALL RIGHT, FINE.

486
00:19:13,686 --> 00:19:14,954
I'M SORRY, MARCY, YOU KNOW,

487
00:19:14,987 --> 00:19:16,889
BUT AFTER ALL THE SHIT
WE'VE BEEN THROUGH,

488
00:19:16,923 --> 00:19:18,858
YOU KNOW,
PRETENDING IS POINTLESS.

489
00:19:18,891 --> 00:19:20,827
THIS IS
TOO MUCH FUCKING WORK.

490
00:19:20,860 --> 00:19:22,729
YOU KNOW, IT'S TOO MUCH MESS,
TOO MUCH CRAZINESS.

491
00:19:22,762 --> 00:19:25,732
I WANT TO GET A DIVORCE.
I'M GONNA BE WITH DAISY.

492
00:19:25,765 --> 00:19:29,469
THERE. I SAID IT OUT LOUD,
CAN'T TAKE IT BACK.

493
00:19:34,574 --> 00:19:36,409
YOU FUCKED MY MAN.

494
00:19:36,443 --> 00:19:38,278
MARCY, I -- MARCY --

495
00:19:38,311 --> 00:19:40,913
AAH!
[ GLASS BREAKING ]

496
00:19:40,947 --> 00:19:42,349
AH, YOU BITCH!

497
00:19:42,382 --> 00:19:43,683
DID YOU SEE THAT?

498
00:19:43,716 --> 00:19:45,418
OH!

499
00:19:45,452 --> 00:19:46,953
YOU FUCKING WHORE!

500
00:19:46,986 --> 00:19:48,555
WHOA! WHOA!

501
00:19:48,588 --> 00:19:50,457
WHAT ARE YOU DOING, MOODY?
YOU CAN'T STOP A GIRL FIGHT.

502
00:19:50,490 --> 00:19:52,559
YOU MIGHT ACCIDENTALLY HIT
ONE OF THEM.

503
00:19:52,592 --> 00:19:55,728
Hank: ASSHOLE. YOU JUST HAD
TO GO THERE, DIDN'T YOU?

504
00:19:55,762 --> 00:19:58,431
[ INDISTINCT SHOUTING ]

505
00:20:00,633 --> 00:20:02,235
NO, GO AHEAD.

506
00:20:02,269 --> 00:20:03,436
YOU DO THE HONORS.

507
00:20:03,470 --> 00:20:04,437
SURE?
YEAH.

508
00:20:04,471 --> 00:20:05,538
[ RIFLE COCKS ]

509
00:20:06,906 --> 00:20:08,975
[ SCREAMING ]

510
00:20:09,008 --> 00:20:11,844
[ LAUGHS ]

511
00:20:11,878 --> 00:20:16,583
WHAT WE HAVE HERE IS
A FAILURE TO COMMUNICATE.

512
00:20:16,616 --> 00:20:18,518
[ CRACKING ]

513
00:20:20,687 --> 00:20:22,855
[ SCREAMING ]

514
00:20:30,597 --> 00:20:33,833
ERROL FLYNN USED
TO SWING FROM THAT THING.

515
00:20:33,866 --> 00:20:36,769
WHAT, NO PROPS
FOR SAVING YOUR LIFE?

516
00:20:36,803 --> 00:20:37,937
COME ON.

517
00:20:37,970 --> 00:20:40,006
HEY, LEW.

518
00:20:40,039 --> 00:20:41,441
GREAT PARTY.

519
00:20:41,474 --> 00:20:43,443
YOU TAKING OFF?
THE NIGHT IS YOUNG.

520
00:20:43,476 --> 00:20:45,812
WE'LL TALK.

521
00:20:45,845 --> 00:20:48,415
BYE,
ANNIKA...STALEY.

522
00:20:48,448 --> 00:20:50,817
I USED TO KNOW THAT GIRL.
WHAT'D YOU DO TO HER?

523
00:20:50,850 --> 00:20:52,685
I DON'T WANT TO GO
INTO THE EXACT DETAILS,

524
00:20:52,719 --> 00:20:54,987
BUT I DID SOLVE THAT, UH,
LITTLE PROBLEM YOU WERE HAVING.

525
00:20:55,021 --> 00:20:57,657
YOU SOLVED IT
JUST LIKE THAT?

526
00:20:57,690 --> 00:20:58,958
YES, I DID.
HUH.

527
00:20:58,991 --> 00:21:01,594
I TOLD ANNIKA

528
00:21:01,628 --> 00:21:04,997
THAT I WAS THE SEXY OLDER MAN
THAT MIA'S BEEN BANGING --

529
00:21:05,031 --> 00:21:05,932
YOU KNOW,
THE ONE FROM THE BOOK.

530
00:21:05,965 --> 00:21:08,067
YEAH, BUT YOU HAVEN'T
EVEN READ THE BOOK.

531
00:21:08,100 --> 00:21:09,869
THAT'S WHAT YOU TAKE ME
FOR, RIGHT,

532
00:21:09,902 --> 00:21:11,638
LIKE A FUNCTIONAL
ILLITERATE?

533
00:21:11,671 --> 00:21:12,672
[ LAUGHS ]

534
00:21:12,705 --> 00:21:15,575
I READ THE LITTLE FUCKER --
NOT YOUR BEST WORK.

535
00:21:15,608 --> 00:21:16,809
NOT MY BEST WORK?

536
00:21:16,843 --> 00:21:17,910
GIRLS TALK
A LOT AFTER SEX.

537
00:21:17,944 --> 00:21:19,412
I MEAN,
DON'T GET DOWN ON YOURSELF.

538
00:21:19,446 --> 00:21:20,813
YOU HADN'T WRITTEN ONE
FOR A WHILE.

539
00:21:20,847 --> 00:21:22,515
I'M SURE THE NEXT ONE'S
GONNA BE A LOT BETTER.

540
00:21:22,549 --> 00:21:24,684
YOU HAVE TO SQUEEZE ONE
OUT OF THE CHAMBER,

541
00:21:24,717 --> 00:21:25,985
LET THE GOOD STUFF
COME THROUGH.

542
00:21:26,018 --> 00:21:27,820
[ LAUGHS ]

543
00:21:27,854 --> 00:21:29,088
[ LAUGHS ]

544
00:21:29,121 --> 00:21:31,458
WELL, THANK YOU,

545
00:21:31,491 --> 00:21:33,793
AND...FOR THE OTHER.

546
00:21:33,826 --> 00:21:35,395
WHATEVER, YOU KNOW?

547
00:21:35,428 --> 00:21:38,565
NO OFFENSE,
BUT I'M A MUCH BIGGER STORY.

548
00:21:38,598 --> 00:21:41,368
"CRAZY RECORD PRODUCER
LIVES ALONE IN BIG, EMPTY HOUSE

549
00:21:41,401 --> 00:21:43,870
WITH A TASTE FOR UNDERAGE
WOMEN" -- WRITES ITSELF.

550
00:21:43,903 --> 00:21:46,573
IT'S NOT
THE REAL STORY, THOUGH.
IT'S A STORY.

551
00:21:46,606 --> 00:21:48,841
IT'S A VERSION OF THE TRUTH --
THE EXTENDED DANCE MIX.

552
00:21:48,875 --> 00:21:52,111
SO, PROBLEM SOLVED.

553
00:21:52,144 --> 00:21:53,880
MARCY'S GONNA
COME BACK WITH US,

554
00:21:53,913 --> 00:21:56,516
AND I'M GONNA PUT ALL
THE ALCOHOL UNDER LOCK AND KEY.

555
00:21:56,549 --> 00:21:57,850
OH, THAT'S --
THAT'S GOOD.

556
00:21:57,884 --> 00:22:00,420
OH, NO, I HAVE
A BOTTLE STASHED --

557
00:22:00,453 --> 00:22:02,989
I KNOW WHERE ALL YOUR BOTTLES
ARE STASHED.

558
00:22:03,022 --> 00:22:05,358
OH.
YEAH.

559
00:22:05,392 --> 00:22:06,793
DAMN IT.

560
00:22:06,826 --> 00:22:09,962
SO, LEW, IT WAS
A TRULY DISASTROUS PARTY.

561
00:22:09,996 --> 00:22:11,431
IT WAS, WASN'T IT?
THANK YOU.

562
00:22:11,464 --> 00:22:12,765
THANK YOU.

563
00:22:12,799 --> 00:22:15,568
BUT YOU KNOW WHAT?
I UNDERESTIMATED YOU.

564
00:22:15,602 --> 00:22:17,003
ME?
MM-HMM.

565
00:22:17,036 --> 00:22:20,707
IN THE HEAT OF BATTLE, YOU SHONE
THROUGH, YOUR TRUE COLORS.

566
00:22:20,740 --> 00:22:25,445
HMM. WOW.
HIGH PRAISE.

567
00:22:25,478 --> 00:22:27,480
I BETTER LEAVE
ON THAT NOTE.

568
00:22:27,514 --> 00:22:29,582
THANKS FOR COMING.
THANKS FOR HAVING ME.

569
00:22:29,616 --> 00:22:30,917
[ WHISTLES ]

570
00:22:30,950 --> 00:22:31,918
[ CHUCKLES ]

571
00:22:31,951 --> 00:22:33,620
SEE YOU.

572
00:22:35,455 --> 00:22:36,856
WHAT WAS
THAT ALL ABOUT?

573
00:22:36,889 --> 00:22:38,691
I'LL NEVER TELL.

574
00:22:38,725 --> 00:22:40,560
MORE SECRETS, HUH?

575
00:22:40,593 --> 00:22:41,961
I KNOW.

576
00:22:41,994 --> 00:22:43,796
WELL, YOU KNOW,
IT'S SUCH AN EFFORT.

577
00:22:43,830 --> 00:22:45,665
I HAVE TO RETAIN
MY AURA OF MYSTERY.

578
00:22:45,698 --> 00:22:47,133
IT'S NO EFFORT.

579
00:22:52,805 --> 00:22:53,806
MM.

580
00:22:53,840 --> 00:22:54,807
GOOD NIGHT.

581
00:22:54,841 --> 00:22:55,908
GOOD NIGHT.

582
00:23:07,687 --> 00:23:08,988
HEY.

583
00:23:09,021 --> 00:23:11,157
THOUGHT I'D BE
FASHIONABLY LATE.

584
00:23:11,190 --> 00:23:12,191
YOU CAME.

585
00:23:12,224 --> 00:23:13,660
I WAS INVITED, RIGHT?

586
00:23:13,693 --> 00:23:16,596
YES, BUT I-I NEVER THOUGHT
YOU'D ACTUALLY SHOW.

587
00:23:16,629 --> 00:23:18,665
JUST WAIT RIGHT HERE.
LEW'S, LIKE, THREE FEET AWAY.

588
00:23:18,698 --> 00:23:19,999
NO, NO, NO.
WAIT A MINUTE. LEW?

589
00:23:20,032 --> 00:23:21,568
YEAH, LEW.

590
00:23:21,601 --> 00:23:23,670
AND WHAT IF I DIDN'T COME
TO SEE LEW?

591
00:23:23,703 --> 00:23:25,705
THEN YOU'RE NOT MAKING
ANY SENSE, WOMAN.

592
00:23:25,738 --> 00:23:26,939
I CAN'T LIE, HANK MOODY.

593
00:23:26,973 --> 00:23:28,908
I THINK YOU STIRRED
SOMETHING UP IN ME.

594
00:23:28,941 --> 00:23:30,109
OH.

595
00:23:30,142 --> 00:23:31,844
MEMORIES --
MISTY, WATERCOLORED ONES.

596
00:23:31,878 --> 00:23:33,045
LOOK AROUND, LADY.

597
00:23:33,079 --> 00:23:34,714
ALL THIS IS FOR YOU --
ALL OF IT --

598
00:23:34,747 --> 00:23:36,716
THE CRAZY FUCKING HOUSE,
THE PARTY, EVERYTHING.

599
00:23:36,749 --> 00:23:39,118
REALLY?
YEAH.

600
00:23:39,151 --> 00:23:40,787
I ALREADY HAVE A HOUSE.

601
00:23:40,820 --> 00:23:43,590
IT'S A TOTALLY SOULLESS ONE.
THIS IS A REAL HOUSE.

602
00:23:43,623 --> 00:23:45,558
IT'S OLD
AND BROKEN AND BATTERED

603
00:23:45,592 --> 00:23:48,094
'CAUSE SHIT HAPPENS HERE --
REAL SHIT.

604
00:23:48,127 --> 00:23:49,962
YEAH. LOOKS LIKE SOME
REAL SHIT HAPPENED HERE.

605
00:23:49,996 --> 00:23:53,032
AH, IGNORE THAT.
THINGS FALL APART. THEY BREAK.

606
00:23:53,065 --> 00:23:54,467
THAT'S LIFE.

607
00:23:54,501 --> 00:23:55,702
OH, I SEE.

608
00:23:55,735 --> 00:23:58,471
SO, LIFE HAS TO BE SAD
AND BROKEN, HAUNTED?

609
00:23:58,505 --> 00:24:00,172
YES.

610
00:24:00,206 --> 00:24:02,675
I DON'T BUY IT.

611
00:24:02,709 --> 00:24:03,976
THIS PLACE LOOKS AWFUL.

612
00:24:04,010 --> 00:24:05,512
IT LOOKS LIKE
SOMEBODY DIED HERE.

613
00:24:05,545 --> 00:24:07,714
SOMEBODY ALMOST DID,
BUT NOT TONIGHT.

614
00:24:07,747 --> 00:24:09,215
JUST WAIT HERE.
STAY PUT.

615
00:24:09,248 --> 00:24:10,983
HEY, LEW!

616
00:24:11,017 --> 00:24:12,852
LEW!

617
00:24:12,885 --> 00:24:15,087
* NO ONE KNOWS WHAT IT'S LIKE

618
00:24:15,121 --> 00:24:17,590
* TO BE THE BAD MAN

619
00:24:17,624 --> 00:24:19,659
Lew: OH, YEAH.

620
00:24:19,692 --> 00:24:21,127
* TO BE THE SAD MAN

621
00:24:21,160 --> 00:24:23,262
I FORGOT
ABOUT THAT.

622
00:24:23,295 --> 00:24:27,233
* BEHIND BLUE EYES

623
00:24:27,266 --> 00:24:28,735
YES?

624
00:24:28,768 --> 00:24:30,069
* NO ONE KNOWS
WHAT IT'S LIKE *

625
00:24:30,102 --> 00:24:31,504
* TO BE HATED

626
00:24:31,538 --> 00:24:33,105
OUT.
EVERYBODY OUT, PLEASE.

627
00:24:33,139 --> 00:24:34,774
PLEASE.
THANK YOU.
HEY. WAIT.

628
00:24:34,807 --> 00:24:37,009
WHAT THE FUCK ARE YOU DOING?
DON'T GO. DON'T GO.

629
00:24:37,043 --> 00:24:38,077
THANK YOU.
WHAT THE F--

630
00:24:38,110 --> 00:24:39,078
SHE'S HERE.
SHE WHO?

631
00:24:39,111 --> 00:24:41,013
"SHE WHO"?
JANIE, YOU ASSHOLE.

632
00:24:41,047 --> 00:24:42,649
SHE CAME.

633
00:24:42,682 --> 00:24:44,717
NO WAY.
YES WAY.

634
00:24:44,751 --> 00:24:45,985
GET YOUR ASS DOWNSTAIRS
RIGHT NOW.

635
00:24:46,018 --> 00:24:47,954
NO. I MEAN, NO WAY.

636
00:24:47,987 --> 00:24:49,255
NO FUCKING WAY
I'M GOING DOWN THERE.

637
00:24:49,288 --> 00:24:51,090
DID YOU NOT HEAR ME?

638
00:24:51,123 --> 00:24:53,693
YOU --
YOU GO TALK TO HER.

639
00:24:53,726 --> 00:24:56,596
YOU WANT ME TO TALK TO HER?
WHAT IS THIS, FIFTH GRADE?

640
00:24:56,629 --> 00:24:59,666
LOOK, I CAN'T,
I MEAN, NOT AFTER ALL THIS TIME,

641
00:24:59,699 --> 00:25:01,968
AFTER ALL THE SHIT
THAT I PULLED.

642
00:25:02,001 --> 00:25:02,969
I-I DON'T KNOW.

643
00:25:03,002 --> 00:25:05,071
ACCORDING TO HER,
YOU'RE NOT SUCH A BAD BOY.

644
00:25:05,104 --> 00:25:07,640
I MEAN, YOU KNOW, YOU LOVE MUSIC
A LITTLE TOO MUCH,

645
00:25:07,674 --> 00:25:08,875
BLAH, BLAH, BLAH.

646
00:25:08,908 --> 00:25:10,076
SHE SAID THAT SHIT?
YEAH.

647
00:25:10,109 --> 00:25:12,311
I MEAN, MAYBE SHE
REALLY DOES LOVE ME.

648
00:25:12,344 --> 00:25:14,113
WHY?

649
00:25:14,146 --> 00:25:15,715
BECAUSE
IT'S A BIG FUCKING LIE

650
00:25:15,748 --> 00:25:17,750
BECAUSE I DID ALL KINDS
OF BAD SHIT TO HER.

651
00:25:17,784 --> 00:25:18,985
I-I FUCKED AROUND CONSTANTLY.

652
00:25:19,018 --> 00:25:20,620
I CRASHED A CAR
INTO HER HOUSE.

653
00:25:20,653 --> 00:25:22,088
I, YOU KNOW, SHIT --

654
00:25:22,121 --> 00:25:25,124
ONCE I EVEN...MADE HER
GET AN ABORTION.

655
00:25:25,157 --> 00:25:26,626
YOU MADE HER?

656
00:25:26,659 --> 00:25:28,928
WELL, IT'S NOT LIKE I DID IT
MYSELF OR ANYTHING.

657
00:25:28,961 --> 00:25:31,030
IT'S JUST...
WHAT?

658
00:25:32,765 --> 00:25:35,802
I WAS KIND OF FUCKING THIS
OTHER GIRL AT THE SAME TIME.

659
00:25:35,835 --> 00:25:38,270
WHILE SHE WAS PREGNANT?
SURE.

660
00:25:38,304 --> 00:25:40,740
ONLY YOU DIDN'T KNOW THAT.
NO, I KNEW.

661
00:25:40,773 --> 00:25:42,975
I JUST -- I WAS...

662
00:25:43,009 --> 00:25:45,745
SCARED SHITLESS, SO...

663
00:25:45,778 --> 00:25:47,780
KIND OF LIKE
YOU ARE RIGHT NOW?
YEAH, YEAH, YEAH.

664
00:25:47,814 --> 00:25:50,182
SIT DOWN, RATSO RIZZO,
YOU'RE MAKING ME NERVOUS.

665
00:25:50,216 --> 00:25:51,751
COME ON.
HAVE A SEAT.

666
00:25:51,784 --> 00:25:53,620
I'M ONLY GONNA SAY
THIS ONCE,

667
00:25:53,653 --> 00:25:55,688
SO I WANT YOU TO LISTEN,
ALL RIGHT?

668
00:25:55,722 --> 00:25:58,791
NO MATTER WHAT YOU DID,
DON'T GIVE UP.

669
00:25:58,825 --> 00:26:01,027
DO NOT GIVE UP.

670
00:26:01,060 --> 00:26:03,295
WHY?

671
00:26:03,329 --> 00:26:06,733
BECAUSE IF SHE LOVES YOU,
SHE'LL FORGIVE YOU.

672
00:26:06,766 --> 00:26:07,967
YOU REALLY BELIEVE THAT?

673
00:26:08,000 --> 00:26:09,235
I HAVE TO.

674
00:26:09,268 --> 00:26:11,904
OTHERWISE
THERE'S NO POINT.

675
00:26:11,938 --> 00:26:14,874
THERE IS NO LIFE
WITHOUT LOVE --

676
00:26:14,907 --> 00:26:17,143
NONE WORTH HAVING,
ANYWAY.

677
00:26:17,176 --> 00:26:20,346
[ INHALES, EXHALES DEEPLY ]

678
00:26:21,881 --> 00:26:23,650
FUCK IT.
YOU'RE RIGHT.

679
00:26:23,683 --> 00:26:27,019
ALL RIGHT. I'M GONNA DO THIS.
IT'S GONNA SUCK.

680
00:26:27,053 --> 00:26:28,621
HOW DO I LOOK?

681
00:26:28,655 --> 00:26:30,723
LIKE A BIG DOUCHE BAG...
THANK YOU.

682
00:26:30,757 --> 00:26:34,293
...A VERY, VERY SEXY
DOUCHE BAG.

683
00:26:34,326 --> 00:26:36,062
JUST LET ME GRAB
MY JACKET.

684
00:26:36,095 --> 00:26:37,296
ALL RIGHT.

685
00:26:37,329 --> 00:26:39,031
FIX MY HAIR.

686
00:26:39,065 --> 00:26:40,667
THERE YOU GO.

687
00:26:42,401 --> 00:26:44,136
[ EXHALES DEEPLY ]

688
00:26:44,170 --> 00:26:45,672
YOU GOT IT.
HANG ON.

689
00:26:45,705 --> 00:26:47,874
WHAT?
YOU'RE GONNA DO THAT NOW?

690
00:26:47,907 --> 00:26:50,342
OKAY, HURRY UP.

691
00:26:50,376 --> 00:26:51,678
CHILL OUT.

692
00:26:51,711 --> 00:26:52,779
DO YOU WANT --
DO YOU WANT ONE?

693
00:26:52,812 --> 00:26:54,146
JUST GO AHEAD.
YOU FIRST.

694
00:26:56,315 --> 00:26:57,884
WHOA!

695
00:26:57,917 --> 00:26:59,652
COME ON.

696
00:26:59,686 --> 00:27:02,354
COME ON.

697
00:27:04,356 --> 00:27:06,993
YOU GOOD?
FORTIFIED?

698
00:27:07,026 --> 00:27:08,728
LET'S GO.

699
00:27:08,761 --> 00:27:09,962
LET'S GO.

700
00:27:09,996 --> 00:27:12,298
[ SNIFFS ]

701
00:27:12,331 --> 00:27:14,066
WHAT?

702
00:27:14,100 --> 00:27:15,267
[ GROANS ]

703
00:27:15,301 --> 00:27:16,268
OH.

704
00:27:16,302 --> 00:27:17,436
LEW.

705
00:27:17,469 --> 00:27:19,205
LEW! LEW!

706
00:27:19,238 --> 00:27:20,807
[ MOANING ]

707
00:27:20,840 --> 00:27:22,008
SHIT. LEW.

708
00:27:22,041 --> 00:27:23,342
WHERE'S YOUR
FUCKING PEN?

709
00:27:25,177 --> 00:27:28,247
I GOT IT. I GOT IT.
I GOT IT.

710
00:27:29,448 --> 00:27:32,284
THERE YOU GO.
THAT'S GOOD, RIGHT?

711
00:27:32,318 --> 00:27:33,452
* BE THE BAD MAN
LEW!

712
00:27:33,485 --> 00:27:35,321
* BE THE SAD MAN
LEW!

713
00:27:35,354 --> 00:27:37,423
[ Echoing ]
LEW.

714
00:27:37,456 --> 00:27:38,691
LEW!

715
00:27:38,725 --> 00:27:42,929
* BEHIND BLUE EYES
LEW!

716
00:27:45,131 --> 00:27:48,100
-- Captions by VITAC --
www.vitac.com

717
00:27:48,134 --> 00:27:51,103
CLOSED CAPTIONING PROVIDED BY
SHOWTIME NETWORKS

718
00:27:51,137 --> 00:27:54,140
AND BLIND DECKER PRODUCTIONS