1
00:00:10,244 --> 00:00:11,179
PREVIOUSLY ON
"CALIFORNICATION"...

2
00:00:12,646 --> 00:00:14,448
I THINK WE SHOULD
GO INTO BUSINESS TOGETHER.

3
00:00:14,482 --> 00:00:17,451
TO BE HONEST, I'M INTERVIEWING
FOR JOBS IN NEW YORK.

4
00:00:17,485 --> 00:00:18,752
SO, HOW DO YOU TWO
KNOW EACH OTHER?

5
00:00:18,786 --> 00:00:21,189
HANK IS THE FATHER.
ALLEGED FATHER.

6
00:00:21,222 --> 00:00:25,193
I'LL RAISE THE CHILD,
AND I'LL LOVE IT AS MY OWN.

7
00:00:25,226 --> 00:00:26,094
OH, MY GOD.

8
00:00:26,127 --> 00:00:28,229
Look, look, look --
Damien and Becca.

9
00:00:28,262 --> 00:00:30,798
BECAUSE ISN'T THAT
THE BECCA RIGHT THERE?

10
00:00:30,831 --> 00:00:32,200
OH! BEC!

11
00:00:32,233 --> 00:00:35,069
I DON'T WANT TO DO
ANY MORE PORN.
REALLY?

12
00:00:35,103 --> 00:00:37,671
I'D LIKE THE LAST PERSON I HAD
ON-SCREEN SEX WITH TO BE YOU.

13
00:00:37,705 --> 00:00:38,572
Charlie:
ALL RIGHT, MARCY.

14
00:00:38,606 --> 00:00:40,774
AFTER ALL THE SHIT
WE'VE BEEN THROUGH,

15
00:00:40,808 --> 00:00:42,076
I WANT TO GET A DIVORCE.

16
00:00:42,110 --> 00:00:43,411
I'M GONNA BE WITH DAISY.

17
00:00:43,444 --> 00:00:44,578
YOU FUCKED MY MAN.

18
00:00:44,612 --> 00:00:45,813
MARCY,
I DIDN'T MEAN --

19
00:00:45,846 --> 00:00:46,847
AAH!

20
00:00:46,880 --> 00:00:48,516
SHE'S HERE.
SHE WHO?

21
00:00:48,549 --> 00:00:49,817
"SHE WHO"?
JANIE, YOU ASSHOLE!

22
00:00:49,850 --> 00:00:51,319
COME ON!

23
00:00:51,352 --> 00:00:53,654
[ SNORTS ]

24
00:00:53,687 --> 00:00:54,788
WHAT?

25
00:00:54,822 --> 00:00:56,790
LEW. SHIT, LEW.

26
00:00:56,824 --> 00:00:58,259
LEW!

27
00:00:58,292 --> 00:00:59,427
LEW!

28
00:00:59,460 --> 00:01:01,562
LEW?

29
00:01:07,601 --> 00:01:12,773
* SHADOWS ARE FALLING
AND I'M RUNNING OUT OF BREATH *

30
00:01:12,806 --> 00:01:16,110
* KEEP ME IN YOUR HEART
FOR A WHILE *

31
00:01:16,144 --> 00:01:17,778
[ TYPEWRITER KEYS CLACKING ]

32
00:01:17,811 --> 00:01:19,480
* IF I LEAVE YOU

33
00:01:19,513 --> 00:01:23,584
* IT DOESN'T MEAN
I LOVE YOU ANY LESS *

34
00:01:23,617 --> 00:01:28,456
* KEEP ME IN YOUR HEART
FOR A WHILE *

35
00:01:28,489 --> 00:01:31,459
* WHEN YOU GET UP
IN THE MORNING *

36
00:01:31,492 --> 00:01:34,562
* AND YOU SEE THAT CRAZY SUN

37
00:01:34,595 --> 00:01:39,133
* KEEP ME IN YOUR HEART
FOR A WHILE *

38
00:01:39,167 --> 00:01:41,669
* THERE'S A TRAIN LEAVING
NIGHTLY *

39
00:01:41,702 --> 00:01:45,673
* CALLED
"WHEN ALL IS SAID AND DONE" *

40
00:01:45,706 --> 00:01:50,711
* KEEP ME IN YOUR HEART
FOR A WHILE *

41
00:01:50,744 --> 00:01:52,580
* SHA LA-LA-LA, LA-LA

42
00:01:52,613 --> 00:01:56,417
* LA LA LA-LA-LI-LO

43
00:01:56,450 --> 00:01:59,353
* KEEP ME IN YOUR HEART
FOR A WHILE *

44
00:02:01,722 --> 00:02:03,757
* SHA LA-LA-LA, LA-LA

45
00:02:03,791 --> 00:02:07,528
* LA LA LA-LA-LI-LO

46
00:02:07,561 --> 00:02:09,297
[ CHUCKLES ]

47
00:02:09,330 --> 00:02:11,699
YOU GOT YOURSELF
A BIT OF A RITUAL THERE, HUH?

48
00:02:11,732 --> 00:02:12,933
YEP.

49
00:02:12,966 --> 00:02:17,771
EVERY TIME I FINISH A BOOK,
WHISKEY, WEED, AND WARREN ZEVON.

50
00:02:17,805 --> 00:02:19,607
IT'S THE LITTLE THINGS.

51
00:02:19,640 --> 00:02:21,642
YEAH.
HOW'D IT TURN OUT?
HARD TO SAY.

52
00:02:21,675 --> 00:02:24,745
YOU WOULD KNOW BETTER THAN I.
YOU LIVED THE MOTHERFUCKER.

53
00:02:24,778 --> 00:02:25,679
YEAH,
BUT LIVING IT RIGHT

54
00:02:25,713 --> 00:02:27,481
MEANS YOU DON'T REMEMBER
MUCH OF IT AT ALL.

55
00:02:27,515 --> 00:02:29,617
WELL, YOU CAN
READ ALL ABOUT IT HERE --

56
00:02:29,650 --> 00:02:31,185
YOUR DIRTY LIFE AND TIMES.

57
00:02:31,219 --> 00:02:33,354
[ EXHALES HEAVILY ]

58
00:02:33,387 --> 00:02:34,922
WHAT'S NEXT?

59
00:02:34,955 --> 00:02:39,693
I SUPPOSE I TRY TO GET MY LIFE
BACK IN ORDER IN SOME FASHION.

60
00:02:39,727 --> 00:02:41,362
YEAH, YOU...

61
00:02:41,395 --> 00:02:42,830
YOU DO THAT.

62
00:02:42,863 --> 00:02:46,234
REMEMBER,
AT THE END OF THE DAY,

63
00:02:46,267 --> 00:02:47,935
IT'S ALL ABOUT HER.

64
00:02:47,968 --> 00:02:49,870
WHO?

65
00:02:49,903 --> 00:02:51,605
YOU KNOW.

66
00:02:53,941 --> 00:02:57,278
I'LL MISS SEEING YOU
AROUND HERE, MAN.

67
00:02:58,312 --> 00:02:59,813
GONNA MISS YOU, TOO.

68
00:03:02,383 --> 00:03:04,552
AND IT'S TRUE
WHAT THEY SAY, YOU KNOW.

69
00:03:04,585 --> 00:03:06,454
THEY GOT
ONE HELL OF A BAND.

70
00:03:06,487 --> 00:03:08,689
* THESE WHEELS KEEP TURNING

71
00:03:08,722 --> 00:03:11,959
* BUT THEY'RE
RUNNING OUT OF STEAM *

72
00:03:11,992 --> 00:03:17,465
* KEEP ME IN YOUR HEART
FOR A WHILE *

73
00:03:17,498 --> 00:03:22,202
* KEEP ME IN YOUR HEART
FOR A WHILE *

74
00:04:06,647 --> 00:04:10,418
[ INTRO TO THE ANIMALS'
"IT'S MY LIFE" PLAYS ]

75
00:04:17,991 --> 00:04:21,829
* IT'S A HARD WORLD
TO GET A BREAK IN *

76
00:04:21,862 --> 00:04:25,966
* ALL THE GOOD THINGS
HAVE BEEN TAKEN *

77
00:04:25,999 --> 00:04:27,801
* BUT, GIRL,
THERE ARE WAYS... *

78
00:04:27,835 --> 00:04:29,337
WHAT UP, BUTTERCUP?

79
00:04:31,071 --> 00:04:34,675
OH, I JUST THOUGHT
I'D PAY MY LAST RESPECTS

80
00:04:34,708 --> 00:04:37,578
BEFORE I HIT THE ROAD.

81
00:04:37,611 --> 00:04:38,912
WHERE YOU HEADED?

82
00:04:38,946 --> 00:04:40,748
OH, DIDN'T YOU GET
THE MEMO?
MNH-MNH.

83
00:04:40,781 --> 00:04:42,850
I'M TAKING
"FUCKING & PUNCHING"

84
00:04:42,883 --> 00:04:44,552
ALL OVER THIS FAIR COUNTRY
OF OURS.

85
00:04:44,585 --> 00:04:47,355
COMING SOON TO A SUPERSIZED
BOOKSTORE NEAR YOU.

86
00:04:47,388 --> 00:04:49,457
MOTHERS,
LOCK UP YOUR SONS.

87
00:04:49,490 --> 00:04:51,692
AND HUSBANDS.

88
00:04:52,493 --> 00:04:53,126
* REMEMBER
* REMEMBER

89
00:04:54,027 --> 00:04:57,731
* IT'S MY LIFE,
AND I'LL DO WHAT I WANT *

90
00:04:57,765 --> 00:04:59,400
* IT'S MY MIND...

91
00:04:59,433 --> 00:05:01,001
I'M GONNA MISS HIM...

92
00:05:01,034 --> 00:05:02,936
WAY MORE THAN I THOUGHT.

93
00:05:02,970 --> 00:05:04,672
YEAH,
I KNOW THE FEELING.

94
00:05:04,705 --> 00:05:07,908
AT FIRST,
FUCKING HIM WAS...

95
00:05:07,941 --> 00:05:10,043
WAS JUST A WAY
OF YANKING YOUR CHAIN.

96
00:05:10,077 --> 00:05:11,712
REALLY?
YOU DON'T SAY?

97
00:05:11,745 --> 00:05:14,815
YEAH, BUT THEN HE JUST HAD TO
WIN ME OVER, YOU KNOW?

98
00:05:14,848 --> 00:05:17,518
LIKE SOME SWEET,
MANGY LITTLE PUPPY

99
00:05:17,551 --> 00:05:18,819
WHO JUST WANTED SOMEONE
TO PET HIM

100
00:05:18,852 --> 00:05:20,053
AND TELL HIM
HE WAS A GOOD BOY.

101
00:05:20,087 --> 00:05:22,923
THEN HE'D SHIT THE RUG.
OR HUMP YOUR LEG.

102
00:05:22,956 --> 00:05:24,692
MM.
WHERE'S YOUR FIRST STOP?

103
00:05:24,725 --> 00:05:26,427
UH, BORDERS IN TACOMA.

104
00:05:26,460 --> 00:05:28,929
KNOW IT. THERE'S A GREAT
COFFEE SHOP DOWN THE STREET.

105
00:05:28,962 --> 00:05:31,665
AROUND THE BLOCK,
THERE'S THIS OLD RECORD STORE,

106
00:05:31,699 --> 00:05:33,967
SELLS USED VINYL, TONS OF IT --
FANTASTIC.

107
00:05:34,001 --> 00:05:36,937
GREAT -- OLD GUY'S GUIDE
TO TACOMA. GOOD TO KNOW.

108
00:05:36,970 --> 00:05:40,641
WELL, JUST BE GENTLE WITH
OUR RETARDED LOVE CHILD.

109
00:05:40,674 --> 00:05:41,809
I WILL.

110
00:05:42,776 --> 00:05:45,045
BE GOOD OUT THERE,
PSYCHO.

111
00:05:45,078 --> 00:05:46,914
TELL 'EM WHO SENT YOU.

112
00:05:46,947 --> 00:05:49,550
* I AIN'T NO SAINT

113
00:05:49,583 --> 00:05:52,085
* NO COMPLAINTS

114
00:05:52,119 --> 00:05:53,587
* AND BABY

115
00:05:53,621 --> 00:05:55,956
[ CELLPHONE RINGING ]

116
00:05:55,989 --> 00:05:59,527
* IT'S MY LIFE
AND I'LL DO WHAT I WANT *

117
00:05:59,560 --> 00:06:01,995
WELL, IF IT ISN'T
THE MADRE OF MY BAMBINO.

118
00:06:02,029 --> 00:06:03,697
WHAT'S SHAKIN', SWEET DUCK?

119
00:06:03,731 --> 00:06:04,898
I GOT A JOB.

120
00:06:04,932 --> 00:06:06,066
A GOOD JOB?

121
00:06:06,099 --> 00:06:09,470
A GREAT JOB.
I MEAN, MY DREAM JOB.

122
00:06:09,503 --> 00:06:10,904
WOW,
WAY TO GO, FANCY PANTS.

123
00:06:10,938 --> 00:06:13,907
YEAH.
IT'S, UM...

124
00:06:13,941 --> 00:06:15,108
IT'S IN NEW YORK.

125
00:06:15,142 --> 00:06:16,577
EVEN BETTER.

126
00:06:16,610 --> 00:06:18,979
RIGHT.
I START MONDAY.

127
00:06:19,012 --> 00:06:20,147
NO TIME
LIKE THE PRESENT.

128
00:06:20,180 --> 00:06:22,983
OH, MY GOD. YOU'RE TAKING THIS
MUCH BETTER THAN I THOUGHT.

129
00:06:23,016 --> 00:06:24,151
WHY SHOULDN'T I?

130
00:06:24,184 --> 00:06:27,588
I'VE BEEN TRYING TO GET
BACK TO NEW YORK FOR YEARS NOW.

131
00:06:27,621 --> 00:06:28,689
HANK.

132
00:06:28,722 --> 00:06:29,823
KAREN.

133
00:06:29,857 --> 00:06:31,124
I GOT A JOB.

134
00:06:31,158 --> 00:06:33,461
YOU GOT A JOB.
THAT'S WHAT YOU JUST SAID.

135
00:06:33,494 --> 00:06:34,628
NOT YOU.

136
00:06:34,662 --> 00:06:37,598
N-NO. NOT --
I'M NOT FOLLOWING.

137
00:06:37,631 --> 00:06:40,468
NO, YOU'RE NOT FOLLOWING.
I MEAN, YOU'RE NOT INVITED.

138
00:06:41,602 --> 00:06:42,970
THAT IS FUCKED UP.

139
00:06:43,003 --> 00:06:45,205
WELL, THIS IS NOT ABOUT
YOU OR US, OKAY.

140
00:06:45,238 --> 00:06:46,740
THIS IS ABOUT ME AND BECCA.

141
00:06:46,774 --> 00:06:48,476
BUT YOU CAN'T
JUST WHISK HER AWAY

142
00:06:48,509 --> 00:06:51,445
AND EXPECT ME TO SIT HERE IN
L.A. WITH A DRY THUMB UP MY ASS.

143
00:06:51,479 --> 00:06:52,480
WELL, YOU KNOW WHAT?

144
00:06:52,513 --> 00:06:54,982
YOU DO HAVE SOME SERIOUS SHIT
TO DEAL WITH HERE.

145
00:06:55,015 --> 00:06:57,217
KAREN,
I CAN WRITE ANYWHERE...

146
00:06:57,250 --> 00:07:00,087
OR NOT, AS THE CASE MAY BE,
WHICH IS NOT THE CASE.

147
00:07:00,120 --> 00:07:01,955
I JUST FINISHED
THE ASHBY BOOK

148
00:07:01,989 --> 00:07:03,791
THIS MORNING,
AS A MATTER OF FACT.
GOOD.

149
00:07:03,824 --> 00:07:05,125
HONEY, I'M ON FIRE...
GOOD FOR YOU.

150
00:07:05,158 --> 00:07:06,760
...WHICH IS WHY
WE SHOULD BE TOGETHER,

151
00:07:06,794 --> 00:07:09,663
OR, AT THE VERY LEAST,
WHY I SHOULD BE YOUR MANNY.

152
00:07:09,697 --> 00:07:10,864
[ CHUCKLES ]

153
00:07:10,898 --> 00:07:12,199
DO YOU LAUGH?

154
00:07:12,232 --> 00:07:13,100
MY MANNY?
YEAH!

155
00:07:13,133 --> 00:07:15,469
YOU'RE A HIGH-POWERED
CAREER GAL NOW.

156
00:07:15,503 --> 00:07:17,771
YOU NEED SOMEBODY
TO HOLD DOWN THE FORT.
RIGHT.

157
00:07:17,805 --> 00:07:18,806
A MAJORDOMO.
THANK YOU.

158
00:07:18,839 --> 00:07:19,940
I'M YOUR MAN, WOMAN.

159
00:07:19,973 --> 00:07:22,943
I'M NOT TALKING ABOUT YOUR
WRITING OR LACK THEREOF, OKAY?

160
00:07:22,976 --> 00:07:26,480
I WAS TALKING ABOUT
THE IMPENDING ARRIVAL
OF YOUR LATEST MISTAKE.

161
00:07:26,514 --> 00:07:27,481
D-DID YOU FORGET?

162
00:07:27,515 --> 00:07:30,050
UH, SIR FRANCIS DRAKE
SAID HE WAS TOTALLY DOWN

163
00:07:30,083 --> 00:07:32,252
WITH RAISING
THE LITTLE BASTARD AS HIS OWN.

164
00:07:32,285 --> 00:07:34,655
YOU HEARD
THE BEARDED WOMAN.
Y-YOU'RE OKAY WITH THAT?

165
00:07:34,688 --> 00:07:36,256
I'M NOT ENTIRELY CONVINCED
IT'S MINE.

166
00:07:36,289 --> 00:07:37,958
YOU KNOW,
I NEVER CAME INSIDE HER.

167
00:07:37,991 --> 00:07:39,627
I-I DON'T --
I DON'T THINK I DID.

168
00:07:39,660 --> 00:07:41,529
I MEAN,
WHEN SHE BRONCOED ME,

169
00:07:41,562 --> 00:07:43,196
I SPASMED OUT
A LITTLE DOG WATER, YOU KNOW.

170
00:07:43,230 --> 00:07:44,197
THANK YOU.

171
00:07:44,231 --> 00:07:45,432
I'M STILL
HOLDING OUT THE HOPE

172
00:07:45,465 --> 00:07:48,135
THAT SHE BANGED SOME DUDE
IN THE P.F. CHANG'S PARKING LOT

173
00:07:48,168 --> 00:07:49,903
WHILE SHE WAS LOOKING FOR
MR. GOODBAR.

174
00:07:49,937 --> 00:07:51,939
I THINK THAT'S
AN ENTIRELY PLAUSIBLE SCENARIO.

175
00:07:51,972 --> 00:07:53,607
THERE IS SOMETHING WRONG
WITH YOU.

176
00:07:53,641 --> 00:07:54,708
WELL, I'M SPECIAL.

177
00:07:54,742 --> 00:07:55,976
I THINK I'M SPECIAL.
I REALLY DO.

178
00:07:56,009 --> 00:07:59,079
WHAT DOES JEFF BECCA THINK ABOUT
YOU TEARING OUR FAMILY APART?

179
00:07:59,112 --> 00:08:02,149
WELL, NO -- RIGHT NOW --
SHE'S HEARTBROKEN RIGHT NOW.

180
00:08:02,182 --> 00:08:03,717
YEAH, OF COURSE
SHE'S HEARTBROKEN.

181
00:08:03,751 --> 00:08:05,085
YOU RIP HER AWAY
FROM HER OLD MAN,

182
00:08:05,118 --> 00:08:06,754
YOU DON'T INVITE HIM
TO COME WITH.

183
00:08:06,787 --> 00:08:07,855
THAT SHIT IS HARSH!

184
00:08:07,888 --> 00:08:09,256
SHE'S HEARTBROKEN
ABOUT DAMIEN.

185
00:08:09,289 --> 00:08:10,558
WHAT ABOUT DAMIEN?

186
00:08:10,591 --> 00:08:12,159
WELL,
SHE SAW HIM MAKING OUT

187
00:08:12,192 --> 00:08:16,129
WITH SOMEONE ELSE
AT MIA'S PARTY, SO...

188
00:08:16,163 --> 00:08:17,731
[ TIRES SCREECH ]

189
00:08:17,765 --> 00:08:19,533
[ HORN HONKS ]

190
00:08:23,036 --> 00:08:25,573
WELCOME TO ALL AMERICAN BURGER.
MAY I TAKE YOUR ORDER?

191
00:08:25,606 --> 00:08:28,542
CAN I GET A JUMBO "WHAT THE FUCK
WERE YOU THINKING?"

192
00:08:28,576 --> 00:08:31,011
THAT'S THE PROBLEM --
I WASN'T THINKING.

193
00:08:31,044 --> 00:08:34,815
I MEAN,
SHE FUCKING KISSED ME, DUDE.

194
00:08:34,848 --> 00:08:40,187
THAT KIND OF SHIT JUST DOESN'T
JUST HAPPEN TO ME A LOT...

195
00:08:40,220 --> 00:08:41,589
LIKE EVER.

196
00:08:41,622 --> 00:08:45,292
W-- W-- YO.

197
00:08:45,325 --> 00:08:48,796
BE THAT AS IT MAY,
ON THE FLIP SIDE,

198
00:08:48,829 --> 00:08:51,732
WHAT I'VE GOT IS A YOUNG GIRL
WHOSE HEART IS BROKEN.

199
00:08:51,765 --> 00:08:52,733
YEAH, I KNOW.

200
00:08:52,766 --> 00:08:55,769
I KNOW, AND I FEEL ALL SORTS
OF AWFUL ABOUT IT.

201
00:08:57,237 --> 00:09:00,140
BUT, YOU KNOW,
I'VE BEEN THINKING ABOUT IT,

202
00:09:00,173 --> 00:09:04,612
AND GIVEN THE OPPORTUNITY
TO -- TO DO IT AGAIN,

203
00:09:04,645 --> 00:09:07,014
I DON'T THINK IT WOULD GO
ANY DIFFERENTLY, HONESTLY.

204
00:09:07,047 --> 00:09:13,721
I MEAN, A BEAUTIFUL GIRL
IS KIND ENOUGH TO KISS YOU...

205
00:09:13,754 --> 00:09:15,689
FUCK,
YOU KISS HER RIGHT BACK.

206
00:09:15,723 --> 00:09:17,290
'CAUSE...

207
00:09:17,324 --> 00:09:19,259
YOU KNOW,
WHO -- WHO KNOWS

208
00:09:19,292 --> 00:09:22,329
WHERE THAT KISS
IS GONNA TAKE YOU?

209
00:09:28,001 --> 00:09:29,803
I WENT THERE
TO KICK HIS ASS,

210
00:09:29,837 --> 00:09:31,872
AND I STAYED
TO SOAK UP HIS WISDOM.

211
00:09:31,905 --> 00:09:34,875
THEY KNOW MORE THAN WE DO --
THE CHILDREN. WE FORGET.

212
00:09:34,908 --> 00:09:37,878
WHICH IS WHY WE END UP
IN THESE FUCKED-UP SITUATIONS.

213
00:09:37,911 --> 00:09:39,747
YEAH. SELLING BMWs
IN THE VALLEY --

214
00:09:39,780 --> 00:09:41,281
WHAT THE FUCK, DUDE?
[ SCOFFS ]

215
00:09:41,314 --> 00:09:44,151
DON'T KID YOURSELF, PAL.
I ALWAYS WAS.

216
00:09:44,184 --> 00:09:46,153
SELLING WRITERS, ACTORS,
DIRECTORS --

217
00:09:46,186 --> 00:09:47,287
IT'S ALL THE SAME SHIT.

218
00:09:47,320 --> 00:09:49,156
HAVE YOU TALKED TO
THE MARCE?

219
00:09:49,189 --> 00:09:50,824
[ INHALES SHARPLY ]
THROUGH THE LAWYERS.

220
00:09:50,858 --> 00:09:52,960
SHE'S A LITTLE FERAL
RIGHT NOW --

221
00:09:52,993 --> 00:09:55,195
WANTS TO TAKE ME
FOR ALL I'M WORTH.

222
00:09:55,228 --> 00:09:57,030
OH, NO.
ALL FOUR FIGURES?

223
00:09:57,064 --> 00:09:59,166
[ Chuckling ]
I DON'T EVEN CARE, REALLY.

224
00:09:59,199 --> 00:10:01,034
I JUST WANT TO BE HAPPY,
YOU KNOW.

225
00:10:01,068 --> 00:10:03,370
THAT'S ALL THAT MATTERS NOW --
THE BIG HAPPY.

226
00:10:03,403 --> 00:10:05,639
RIGHT -- PIMPING RIDES,
LIVING IN A STUDIO APARTMENT

227
00:10:05,673 --> 00:10:07,074
IN THE VALLEY
WITH A PORNO CHICK.

228
00:10:07,107 --> 00:10:10,210
HEY, HEY, HEY --
RETIRED PORNO CHICK.

229
00:10:10,243 --> 00:10:12,279
SHE'S TAKING
SOME GROUNDLINGS CLASSES.

230
00:10:12,312 --> 00:10:13,714
SHE'S REALLY QUITE FUNNY.

231
00:10:13,747 --> 00:10:15,749
I AM SURE SHE'S A DEEP-THROATING
LUCILLE BALL.

232
00:10:15,783 --> 00:10:17,217
BULLY FOR HER,
BUT WHAT ABOUT YOU?

233
00:10:17,250 --> 00:10:20,320
DOES THIS WORK FOR YOU,
GIVE YOU THE BIG HAPPY?

234
00:10:20,353 --> 00:10:23,023
MORE THAN YOU KNOW, PAL.
I FEEL LIKE I'M 23 AGAIN.

235
00:10:23,056 --> 00:10:26,026
YOU KNOW, LIFE IS SIMPLE.
IT'S GOOD.

236
00:10:26,059 --> 00:10:27,828
MONEY'S A LITTLE TIGHT,
YOU KNOW.

237
00:10:27,861 --> 00:10:30,030
I THINK I'M GONNA HAVE TO USE
THE OFFICE XEROX

238
00:10:30,063 --> 00:10:31,198
TO COPY YOUR MANUSCRIPT.

239
00:10:31,231 --> 00:10:33,300
I'M SO HAPPY
I STAYED WITH YOU.

240
00:10:33,333 --> 00:10:36,670
ME TOO. GOOD FOR US.
WE'RE MAKING SHIT HAPPEN.

241
00:10:36,704 --> 00:10:37,705
LET'S GO, RUNKLE.

242
00:10:37,738 --> 00:10:40,173
YOU GOT TO BE ON THAT
SALES FLOOR AT ALL TIMES.

243
00:10:40,207 --> 00:10:43,443
A.B.C., BABY --
"ALWAYS BE CLOSING."

244
00:10:43,476 --> 00:10:45,779
YES, SIR!

245
00:10:45,813 --> 00:10:48,215
"A.B.C., BABY --
'ALWAYS BE CLOSING'".

246
00:10:48,248 --> 00:10:49,316
THESE FUCKING GUYS --

247
00:10:49,349 --> 00:10:50,918
THEY ALL THINK
THEY'RE THE ONLY ONE

248
00:10:50,951 --> 00:10:52,352
WHO EVER SAW
"GLENGARRY GLEN ROSS."

249
00:10:52,385 --> 00:10:53,821
[ CHUCKLES ]
HEY, IF YOU WANT,

250
00:10:53,854 --> 00:10:55,923
I'LL TAKE YOU OUT BACK
AND SHOOT YOU.

251
00:10:55,956 --> 00:10:57,157
I WILL LET YOU KNOW.

252
00:10:57,190 --> 00:10:58,892
THAT NUMBER, MY FRIEND,

253
00:10:58,926 --> 00:11:02,896
PUTS YOU IN A BEAUTIFUL
'07 CONVERTIBLE WITH NAVIGATION.

254
00:11:02,930 --> 00:11:05,165
OH, YOU'RE GOOD.

255
00:11:05,198 --> 00:11:08,268
HOW WE DOING OVER HERE?
CHUCK RUNKLE.

256
00:11:08,301 --> 00:11:09,770
Man:
NICE TO MEET YOU.

257
00:11:09,803 --> 00:11:11,705
THERE GOES MY AGENT.

258
00:11:16,043 --> 00:11:18,078
I'M SICK TO MY STOMACH.

259
00:11:18,111 --> 00:11:20,213
IT'S GONNA GET BETTER.
I PROMISE.

260
00:11:20,247 --> 00:11:21,815
MAYBE IT DOES,
MAYBE IT DOESN'T.

261
00:11:21,849 --> 00:11:23,050
WELL --

262
00:11:23,083 --> 00:11:25,285
EITHER WAY, DAD,
WORDS DON'T HELP.
YEAH.

263
00:11:25,318 --> 00:11:28,455
I SUDDENLY UNDERSTAND THE APPEAL
OF CIGARETTES AND ALCOHOL.

264
00:11:28,488 --> 00:11:31,191
HERE'S AN IDEA -- WHY DON'T YOU
HANG BEHIND WITH ME

265
00:11:31,224 --> 00:11:32,960
AND NURSE
YOUR BROKEN HEART?

266
00:11:32,993 --> 00:11:35,262
WE COULD, UH,
SMOKE SOME CIGARETTES,

267
00:11:35,295 --> 00:11:37,264
PASS THE BOTTLE,
LISTEN TO SOME BLUES.

268
00:11:37,297 --> 00:11:38,498
IT'LL BE FUN.

269
00:11:38,531 --> 00:11:40,300
HANK, THAT IS
VERY MANIPULATIVE.

270
00:11:40,333 --> 00:11:43,136
NO! IT'S NOT.
IT'S NOT MANIPULATIVE.

271
00:11:43,170 --> 00:11:44,938
DAD...
IT'S A SUGGESTION.

272
00:11:44,972 --> 00:11:47,440
...I'M GOING WITH MOM.
I NEED A CHANGE OF SCENERY.

273
00:11:47,474 --> 00:11:50,010
I DON'T WANT TO BE
DRIVING DOWN THE STREET

274
00:11:50,043 --> 00:11:52,312
AND BE REMINDED OF ALL
THE PLACES WE KISSED.

275
00:11:52,345 --> 00:11:53,380
"ALL THE PLACES"?!

276
00:11:53,413 --> 00:11:56,383
WHAT KIND OF AN OPERATION
ARE YOU...RUNNING HERE?

277
00:11:56,416 --> 00:11:57,918
WHAT THE HELL?
[ CELLPHONE RINGING ]

278
00:11:57,951 --> 00:12:00,053
HEY, NO, DON'T ANSWER THAT.
IT'S RUDE.

279
00:12:00,087 --> 00:12:01,922
NO, IT'S SONJA.
IT COULD BE IMPORTANT.

280
00:12:01,955 --> 00:12:03,456
WELL, REALLY
DON'T ANSWER IT.

281
00:12:03,490 --> 00:12:05,358
NO! IT'S AROUND
THE DUE DATE, RIGHT?

282
00:12:05,392 --> 00:12:07,094
RIGHT TO VOICEMAIL --
THAT'S WHAT IT'S FOR.

283
00:12:07,127 --> 00:12:08,328
NO, NO.
EXCUSE ME, SWEETIE.

284
00:12:08,361 --> 00:12:09,897
[ CELLPHONE BEEPS ]
HEY, SONJA.

285
00:12:09,930 --> 00:12:11,431
YOU ARE?

286
00:12:11,464 --> 00:12:13,500
DRUGS!
I WANT SOME FUCKING DRUGS!

287
00:12:13,533 --> 00:12:17,070
FUCK! CAN'T YOU HIPPIES
MAKE THIS SHIT STOP?!

288
00:12:17,104 --> 00:12:19,006
BREATHE, MOMMY.
IT'S ALL ABOUT TRANSC--

289
00:12:19,039 --> 00:12:22,175
OKAY, YOU KNOW WHAT? FUCK YOU,
YOU STUPID FUCKING DOULA!

290
00:12:22,209 --> 00:12:24,477
HEY.
OH, GOD.
HEY. HI, GUYS.

291
00:12:24,511 --> 00:12:26,346
THANKS.
THANKS FOR COMING.

292
00:12:26,379 --> 00:12:27,347
AND BY THE WAY, HANK,
FUCK YOU

293
00:12:27,380 --> 00:12:29,449
FOR PUTTING THIS GODDAMN MONSTER
IN MY STOMACH.

294
00:12:29,482 --> 00:12:31,952
I'M NOT ENTIRELY SURE IT'S MINE.
THERE WILL BE SOME GENETIC --

295
00:12:31,985 --> 00:12:34,054
HANK,
DO NOT BE AN ASSHOLE!

296
00:12:34,087 --> 00:12:36,189
YOU'RE RIGHT, AND WHEN
YOU'RE RIGHT, YOU'RE RIGHT.

297
00:12:36,223 --> 00:12:39,192
LET'S GET THE LITTLE FUCKER OUT
FIRST, THEN WE'RE GONNA TEST.

298
00:12:39,226 --> 00:12:42,162
OH, HEY, LOOK AT YOU.
LOOK WHO SHOWED UP.

299
00:12:42,195 --> 00:12:44,898
I'M BACK.
THE MAN'S BACK.

300
00:12:44,932 --> 00:12:46,066
HAVE YOU BEEN DRINKING?

301
00:12:46,099 --> 00:12:48,201
JUST A LITTLE TEQUILA
FOR THE PAIN.

302
00:12:48,235 --> 00:12:51,371
YOU BEARDED FUCKING LUNATIC.
WHO DO YOU THINK YOU ARE?!

303
00:12:51,404 --> 00:12:53,073
YOU'RE STRESSED OUT,
HUH?!

304
00:12:53,106 --> 00:12:54,808
YOU NEED A DRINK?!
Shh.

305
00:12:54,842 --> 00:12:56,076
YOU KNOW WHAT?
DON'T COME NEAR ME.

306
00:12:56,109 --> 00:12:59,046
I'LL RIP HIS FUCKING HANDLEBARS
RIGHT OFF YOUR FUCKING FACE!

307
00:12:59,079 --> 00:13:00,280
I'LL DO IT.
FUCKING DRUNK.

308
00:13:00,313 --> 00:13:02,249
COME ON. YOU GOT TO GET
YOUR SHIT TOGETHER.

309
00:13:02,282 --> 00:13:06,153
IT'S TIME TO STAND UP
AND EXTRACT THAT LITTLE
ARTIST WITHIN. COME ON.

310
00:13:06,186 --> 00:13:08,021
I'M JUST A FRAUD,
HANK.

311
00:13:08,055 --> 00:13:09,322
I KNOW,
BUT IT'S TIME TO STAND UP.

312
00:13:09,356 --> 00:13:11,224
NO.
TAKE THE DRESS OFF
ALREADY.

313
00:13:11,258 --> 00:13:12,860
[ SOBBING ]
OH, STOP.

314
00:13:12,893 --> 00:13:15,062
I AM.
DON'T. DON'T.

315
00:13:15,095 --> 00:13:17,530
NO, ACTUALLY, ACTUALLY,
THAT'S GOOD. THAT'S GOOD.

316
00:13:17,564 --> 00:13:19,199
YOU MARCH OVER THERE
WITH THOSE TEARS,

317
00:13:19,232 --> 00:13:21,101
AND YOU TELL HER
THOSE ARE TEARS OF JOY, OKAY?

318
00:13:21,134 --> 00:13:23,136
SHE WILL SWOON.
TRUST ME. GO.

319
00:13:23,170 --> 00:13:24,171
OKAY.
YOU GO.

320
00:13:24,204 --> 00:13:26,073
THANK YOU.
YES, YOU'RE WELCOME.

321
00:13:26,106 --> 00:13:27,074
YOU'RE BEAUTIFUL.

322
00:13:27,107 --> 00:13:29,042
[ SMOOCHES ]

323
00:13:29,076 --> 00:13:30,210
JUST GO.

324
00:13:30,243 --> 00:13:31,979
NO,
YOU GOT TO GO ALONE.

325
00:13:34,481 --> 00:13:37,050
OKAY,
I'M JUST GONNA...

326
00:13:37,084 --> 00:13:39,086
[ CRIES ]
WHAT THE FUCK,
JULIAN?

327
00:13:39,119 --> 00:13:40,553
I'M CRYING.
ARE YOU CRYING?

328
00:13:40,587 --> 00:13:42,489
YEAH.
WHAT THE FUCK?!

329
00:13:42,522 --> 00:13:45,092
I'M THE ONE FUCKING PUSHING OUT
A GODDAMN BOWLING BALL

330
00:13:45,125 --> 00:13:48,061
OUT OF MY PUSSY --
MY SWEET, BEAUTIFUL PUSSY

331
00:13:48,095 --> 00:13:49,596
THAT IS NEVER GONNA
LOOK THE SAME AGAIN!

332
00:13:49,629 --> 00:13:51,331
I SHOULD BE CRYING!
YOU A CRYING.

333
00:13:51,364 --> 00:13:53,934
I DID HAVE A PRETTY PUSSY,
DIDN'T I, HANK?

334
00:13:53,967 --> 00:13:55,969
OH, MY GOD, YES.
I MEAN, A BEAUTIFUL PUSSY.

335
00:13:56,003 --> 00:13:58,071
I WOULD PUT IT IN
THE TOP 10 OF PUSSIES.

336
00:13:58,105 --> 00:13:59,907
I LOVE
YOUR PUSSY, TOO.

337
00:13:59,940 --> 00:14:02,409
YOUR P-- YOU KNOW, NOT --
NO DISRESPECT TO YOURS.

338
00:14:02,442 --> 00:14:05,078
KAREN -- NUMBER-ONE PUSSY
IN THE WORLD, WITH A BULLET.

339
00:14:05,112 --> 00:14:06,846
[ WHISTLES ]
FUCK YOU.

340
00:14:07,647 --> 00:14:09,049
[ HORN HONKS ]

341
00:14:09,082 --> 00:14:11,051
[ BRAKES HISS ]

342
00:14:17,524 --> 00:14:19,960
LOVER!

343
00:14:19,993 --> 00:14:21,294
YOU HOME?

344
00:14:30,170 --> 00:14:32,305
[ MOANS PLEASURABLY ]

345
00:14:32,339 --> 00:14:35,075
OH, YEAH.

346
00:14:35,108 --> 00:14:36,576
CHARLIE.

347
00:14:36,609 --> 00:14:38,145
Marcy: OH, SHIT.

348
00:14:38,178 --> 00:14:41,048
I KNOW THAT LOOK.
HE'S GONNA BLOW.

349
00:14:41,081 --> 00:14:43,283
Ronny:
SLOW IT DOWN, RUNKLE.

350
00:14:43,316 --> 00:14:47,087
AHH. AHH.
AHH. AHH. AHH.

351
00:14:47,120 --> 00:14:49,189
Daisy: FORGET IT, JAKE.
IT'S VAGINATOWN!

352
00:14:49,222 --> 00:14:50,490
[ DOOR OPENS ]

353
00:14:50,523 --> 00:14:53,193
I KNOW.
THAT'S THE ONLY WAY --

354
00:14:53,226 --> 00:14:55,362
CHARLIE,
WHAT ARE YOU DOING?

355
00:14:55,395 --> 00:14:57,430
EH! AAH!

356
00:14:57,464 --> 00:14:58,331
I'M SORRY.

357
00:14:58,365 --> 00:15:00,633
CAN YOU JUST WAIT OUTSIDE
FOR A SECOND?

358
00:15:00,667 --> 00:15:02,535
SURE THING, BABE.

359
00:15:07,240 --> 00:15:08,976
I'M SORRY, BABY.
I JUST --

360
00:15:09,009 --> 00:15:12,145
I THOUGHT I WAS GONNA BE
BY MYSELF FOR A WHILE, YOU KNOW?

361
00:15:12,179 --> 00:15:13,346
I -- WHO'S THAT?

362
00:15:13,380 --> 00:15:14,614
OH, JUST A GUY
FROM MY GROUNDLINGS CLASS.

363
00:15:14,647 --> 00:15:15,949
WE WERE GONNA WORK ON
A SKETCH.

364
00:15:15,983 --> 00:15:18,385
OH, OKAY.
WOW. I'M REALLY SORRY.

365
00:15:18,418 --> 00:15:20,954
I JUST -- I THOUGHT I WAS GONNA
HAVE A FEW MINUTES TO MYSELF.

366
00:15:20,988 --> 00:15:22,022
OH, IT'S OKAY.

367
00:15:22,055 --> 00:15:24,124
YOU KNOW I'M TOTALLY FINE
WITH YOU MASTURBATING.

368
00:15:24,157 --> 00:15:28,228
IT'S JUST KIND OF WEIRD
WHEN YOU BRING SOMEBODY OVER.

369
00:15:28,261 --> 00:15:32,966
I UNDERSTAND, AND IT'S IMPORTANT
THAT WE SET THESE GROUND RULES.

370
00:15:33,000 --> 00:15:34,601
GUS?

371
00:15:34,634 --> 00:15:35,668
OH.

372
00:15:35,702 --> 00:15:38,405
UM, GUS, THIS IS
MY LOVER, CHARLIE.

373
00:15:38,438 --> 00:15:39,472
GUS, CHUCK RUNKLE.

374
00:15:42,109 --> 00:15:43,443
HEY, CHARLIE.

375
00:15:43,476 --> 00:15:44,677
UH, SHOULD WE START?

376
00:15:44,711 --> 00:15:45,979
OH, FUCK.

377
00:15:46,013 --> 00:15:47,647
HERE IT COMES.
Woman: OKAY.

378
00:15:47,680 --> 00:15:48,982
FUCK.
OKAY, IT'S TIME.

379
00:15:49,016 --> 00:15:51,151
OH, YEAH.
BREATHE, BREATHE.

380
00:15:51,184 --> 00:15:53,420
OKAY, GO, SONJA.
GO! YES!
[ SCREAMING ]

381
00:15:53,453 --> 00:15:54,621
FUCK!

382
00:15:54,654 --> 00:15:56,656
[ GAGGING ]

383
00:15:57,657 --> 00:15:59,126
PUSH. PUSH!

384
00:15:59,159 --> 00:16:01,461
OH, MY GOD!

385
00:16:01,494 --> 00:16:03,396
OH, LOOK.

386
00:16:03,430 --> 00:16:06,099
WHAT THE FUCK?!

387
00:16:06,133 --> 00:16:07,234
OHH.

388
00:16:07,267 --> 00:16:09,202
BOOOOOO-YA!

389
00:16:09,236 --> 00:16:11,771
BABY IS BLACK!
KAREN!

390
00:16:11,804 --> 00:16:14,107
DAMN IT, THE BABY'S BLACK.
YOU SEE THAT SHIT?!

391
00:16:14,141 --> 00:16:15,675
GODDAMN IT!
I DIDN'T KNOCK HER UP.

392
00:16:15,708 --> 00:16:17,710
I KNOW!
I LOVE YOU.

393
00:16:17,744 --> 00:16:19,312
I LOVE YOU.
OHH.

394
00:16:19,346 --> 00:16:21,681
CONGRATULATIONS, MOMMY.

395
00:16:21,714 --> 00:16:25,252
BATHE THE CHILD,
AND BRING HIM TO ME.

396
00:16:25,285 --> 00:16:27,054
I FORGOT ABOUT
THAT FUCKING BARISTA.

397
00:16:27,087 --> 00:16:29,089
HE WAS SO HOT.
HE LOOKED LIKE LENNY KRAVITZ.

398
00:16:29,122 --> 00:16:30,123
FUCK.

399
00:16:30,157 --> 00:16:32,692
I SAID, BATHE THE INFANT,
AND BRING HIM TO ME.

400
00:16:32,725 --> 00:16:33,793
COMING. COMING.

401
00:16:33,826 --> 00:16:36,063
FUCK, I FORGOT.
I'M SORRY, HANK.

402
00:16:37,397 --> 00:16:39,066
[ BABY CRYING ]
YES.

403
00:16:39,099 --> 00:16:42,102
OH, YES.

404
00:16:42,135 --> 00:16:43,403
I WILL RAISE...

405
00:16:43,436 --> 00:16:46,706
THIS BLACK BABY
AS MY OWN.

406
00:16:46,739 --> 00:16:50,043
BEFORE YOU DROP HIM,
YOU FUCKING DRUNK, COME HERE.

407
00:16:50,077 --> 00:16:53,580
I WILL RAISE THIS BLACK BABY
AS MY OWN.

408
00:16:55,115 --> 00:16:57,150
AS MY OWN.

409
00:16:57,184 --> 00:16:58,718
YEAH.

410
00:16:58,751 --> 00:17:00,253
OH.

411
00:17:00,287 --> 00:17:03,556
HE'S BEAUTIFUL.
CONGRATULATIONS.

412
00:17:03,590 --> 00:17:05,758
HE LOOKS LIKE ME.
HE DOESN'T
LOOK LIKE YOU.

413
00:17:05,792 --> 00:17:07,194
[ DOOR OPENS ]

414
00:17:08,561 --> 00:17:10,130
HEY, LOVER.

415
00:17:10,163 --> 00:17:11,098
HEY!

416
00:17:11,131 --> 00:17:12,532
MWAH.

417
00:17:12,565 --> 00:17:14,067
[ GASPS ] OH!

418
00:17:14,101 --> 00:17:15,335
HOW'D IT GO?

419
00:17:15,368 --> 00:17:16,169
GOOD.

420
00:17:16,203 --> 00:17:18,705
I THINK IT'S GONNA BE
REALLY FUNNY.

421
00:17:18,738 --> 00:17:20,740
GOOD. GOOD.

422
00:17:20,773 --> 00:17:22,642
I HAD SEX WITH GUS.

423
00:17:24,611 --> 00:17:25,612
WHAT?

424
00:17:25,645 --> 00:17:27,480
I GOT CONFUSED.

425
00:17:27,514 --> 00:17:29,782
YOU GOT CONFUSED?
WHAT THE FUCK DOES THAT MEAN?

426
00:17:29,816 --> 00:17:32,285
WELL, I'VE NEVER
DONE A SCENE LIKE THAT BEFORE,

427
00:17:32,319 --> 00:17:35,088
AND WE GOT TO THE KISSING PART,
AND I GOT ALL CONFUSED.

428
00:17:35,122 --> 00:17:37,257
MY AUTOPILOT KICKED IN,
AND I KISSED HIM FOR REAL,

429
00:17:37,290 --> 00:17:39,426
AND THE NEXT THING YOU KNOW,
HE WAS INSIDE ME.

430
00:17:39,459 --> 00:17:41,294
THAT SOUNDS LIKE RAPE.

431
00:17:41,328 --> 00:17:42,562
NO, NOT REALLY --

432
00:17:42,595 --> 00:17:44,464
UNLESS HE WANTS TO
PRESS CHARGES.

433
00:17:44,497 --> 00:17:46,633
IT FELT GOOD.
HE HAD A REALLY NICE COCK.

434
00:17:46,666 --> 00:17:48,735
JESUS CHRIST, DAISY!

435
00:17:48,768 --> 00:17:50,137
I'M SORRY.

436
00:17:50,170 --> 00:17:51,304
DOES THAT
MAKE YOU FEEL BAD?

437
00:17:51,338 --> 00:17:53,640
YEAH, IT MAKES ME FEEL BAD!
IT MAKES ME WANT TO THROW UP!

438
00:17:53,673 --> 00:17:55,875
DO YOU WANT ME
TO SUCK YOUR DICK?

439
00:17:55,908 --> 00:17:57,777
NO!

440
00:17:59,146 --> 00:18:00,313
YES.

441
00:18:00,347 --> 00:18:02,482
I DON'T KNOW.
NOW I'M CONFUSED.

442
00:18:02,515 --> 00:18:05,652
SEE?!
THIS IS CONFUSING STUFF!

443
00:18:05,685 --> 00:18:07,454
MAYBE WE SHOULD
TAKE A BREAK.

444
00:18:07,487 --> 00:18:10,357
"TAKE A BREAK"?!
I JUST LEFT MY WIFE FOR YOU!

445
00:18:10,390 --> 00:18:11,824
I DIDN'T ASK YOU TO,
CHARLIE!

446
00:18:11,858 --> 00:18:13,660
I KNOW!

447
00:18:15,695 --> 00:18:19,332
IT JUST...SEEMED INCREDIBLY
ROMANTIC AT THE TIME.

448
00:18:19,366 --> 00:18:20,533
IT WAS.

449
00:18:20,567 --> 00:18:24,337
MAYBE WE SHOULD HAVE SOME SEX,
JUST FUCK THROUGH THE PAIN.

450
00:18:24,371 --> 00:18:27,340
O...KAY.

451
00:18:27,374 --> 00:18:31,744
OKAY, CITIZEN,
FUCK THE GUS OUT OF ME.

452
00:18:36,716 --> 00:18:38,318
AHH!

453
00:18:38,351 --> 00:18:39,452
[ GRUNTING ]

454
00:18:39,486 --> 00:18:41,621
OH! AHH!

455
00:18:41,654 --> 00:18:44,757
AAH! OHH.

456
00:18:44,791 --> 00:18:45,858
OHHH.

457
00:18:45,892 --> 00:18:47,727
[ EXHALES HEAVILY ]

458
00:18:47,760 --> 00:18:50,830
WHY DIDN'T YOU
PINCH ME?

459
00:18:50,863 --> 00:18:52,532
[ HEAVY BREATHING ]

460
00:18:52,565 --> 00:18:54,401
[ KAREN MOANING ]

461
00:18:54,434 --> 00:18:56,736
Hank:
JESUS! WOMAN!

462
00:18:56,769 --> 00:18:58,738
UHH,
I'M TAPPING OUT.

463
00:18:58,771 --> 00:18:59,739
[ LAUGHS ]

464
00:18:59,772 --> 00:19:03,576
YOU HAD ME LOOKING FOR
THE FUCKING RODEO CLOWN.

465
00:19:03,610 --> 00:19:04,677
REALLY?

466
00:19:04,711 --> 00:19:06,813
[ EXHALES HEAVILY ]

467
00:19:06,846 --> 00:19:08,415
HEY, YOU KNOW WHAT?

468
00:19:08,448 --> 00:19:11,618
I THINK YOU SHOULD COME
TO NEW YORK.

469
00:19:14,587 --> 00:19:15,888
WELL.

470
00:19:17,524 --> 00:19:19,492
WHY THE CHANGE OF HEART?

471
00:19:19,526 --> 00:19:22,362
I CAN'T LIVE
WITHOUT THIS.

472
00:19:22,395 --> 00:19:24,397
MM. I THOUGHT
MAYBE IT WAS 'CAUSE

473
00:19:24,431 --> 00:19:26,299
YOU WANTED TO MAKE
A BLACK BABY WITH ME.

474
00:19:27,467 --> 00:19:29,402
NO,
I JUST NEED A MANNY.

475
00:19:29,436 --> 00:19:30,803
OH, I HAVE
EXCELLENT REFERENCES.

476
00:19:30,837 --> 00:19:31,804
MM.

477
00:19:31,838 --> 00:19:36,409
PLUS, MY VAGINA'S BECOME
REALLY ATTACHED TO YOU.

478
00:19:36,443 --> 00:19:37,944
NOT YOUR HEART?
JUST YOUR VAG?

479
00:19:37,977 --> 00:19:39,679
WELL,
IT'S TOUGH IF, YOU KNOW,

480
00:19:39,712 --> 00:19:42,215
THE HEART AND THE VAG
ARE NOT ON THE SAME PAGE.

481
00:19:42,249 --> 00:19:44,884
BUT, YOU KNOW WHAT?
IN THIS INSTANCE, THEY ARE.

482
00:19:44,917 --> 00:19:47,620
WELL, THAT'S TERRIFIC
BECAUSE I AM ALL ABOUT

483
00:19:47,654 --> 00:19:49,622
IMPROVING HEART/VAG
RELATIONS, YOU KNOW?

484
00:19:49,656 --> 00:19:50,623
IT'S MY THING.

485
00:19:50,657 --> 00:19:52,459
SO WE'RE IN SYNC.
MM-HMM.

486
00:19:52,492 --> 00:19:54,894
SHOULD WE
TAKE ADVANTAGE OF THAT?

487
00:19:54,927 --> 00:19:56,229
COULD -- COULD WE --

488
00:19:56,263 --> 00:19:57,364
ROUND TWO?
YEAH.

489
00:19:57,397 --> 00:19:59,632
I-I'M ANSWERING
THE BELL.

490
00:19:59,666 --> 00:20:02,201
YOU GOT FIVE MINUTES,
RUNKLE.

491
00:20:04,337 --> 00:20:05,605
YOU LOOK BEAUTIFUL.

492
00:20:05,638 --> 00:20:07,940
THAT'S RIGHT,
MOTHERFUCKER, I DO.

493
00:20:07,974 --> 00:20:09,576
I'VE ALWAYS
LOOKED BEAUTIFUL.

494
00:20:09,609 --> 00:20:10,810
THAT'S TRUE.
YOU HAVE.

495
00:20:10,843 --> 00:20:13,246
THEN WHY THE FUCK
DID YOU HAVE TO GO

496
00:20:13,280 --> 00:20:16,015
AND STICK YOUR DICK
INTO SOME SKANKY PORNO CHICK?

497
00:20:16,048 --> 00:20:17,817
I DON'T KNOW.

498
00:20:17,850 --> 00:20:19,286
I GOT CONFUSED.

499
00:20:19,319 --> 00:20:21,321
YOU COULD'VE STAYED
WITH ME.

500
00:20:21,354 --> 00:20:22,755
YOU WERE NUMBER 19.

501
00:20:22,789 --> 00:20:25,958
THERE WERE 18 COCKS
BEFORE YOU, CHARLIE --

502
00:20:25,992 --> 00:20:28,928
NOT A TON,
NOT A ROGUES GALLERY,

503
00:20:28,961 --> 00:20:31,831
BUT ENOUGH TO KNOW
THAT I LIKED YOURS THE BEST.

504
00:20:31,864 --> 00:20:34,767
NOT THE LONGEST,
NOT THE THICKEST,

505
00:20:34,801 --> 00:20:38,538
LITTLE BIT OF ENGLISH ON IT,
BUT IT WAS MINE -- ALL MINE.

506
00:20:38,571 --> 00:20:40,440
AND NOW YOU
AND YOUR COCK

507
00:20:40,473 --> 00:20:42,809
HAVE BETRAYED ME
FOR THE LAST TIME.

508
00:20:42,842 --> 00:20:43,943
DON'T GO, MARCE.

509
00:20:43,976 --> 00:20:45,312
I'M ALREADY GONE, BABY.

510
00:20:45,345 --> 00:20:46,446
I WAS GONE THE MOMENT

511
00:20:46,479 --> 00:20:48,681
THAT YOU SAID
YOU WANTED TO BE WITH DAISY.

512
00:20:48,715 --> 00:20:51,551
YOU SAID IT OUT LOUD!
YOU CAN'T TAKE IT BACK.

513
00:20:51,584 --> 00:20:56,456
OH, AND, UH...YOUR FRIEND
RONNY PRAEGER CALLED.

514
00:20:56,489 --> 00:20:59,392
HE SAID SOMETHING ABOUT
INTENSE VIDEO WANTING TO

515
00:20:59,426 --> 00:21:01,661
[ Australian accent ]
"BUY 'VAGINATOWN'

516
00:21:01,694 --> 00:21:03,296
FOR A SHITLOAD OF MONEY."

517
00:21:03,330 --> 00:21:04,564
REALLY?
MM-HMM.

518
00:21:04,597 --> 00:21:05,732
THAT'S GOOD NEWS.

519
00:21:05,765 --> 00:21:08,735
OH, HELLS YEAH.
IT'S GREAT NEWS...FOR ME.

520
00:21:09,869 --> 00:21:12,572
WHAT? YOU SAID
I COULD HAVE EVERYTHING.

521
00:21:12,605 --> 00:21:14,741
BUT DON'T WORRY YOUR
PRETTY LITTLE HEAD ABOUT IT.

522
00:21:14,774 --> 00:21:16,376
WE'LL LET MY LAWYER
FIGURE IT OUT.

523
00:21:16,409 --> 00:21:17,577
HE'S REALLY GOOD.

524
00:21:19,011 --> 00:21:21,013
LATER, RUNKLE.

525
00:21:24,984 --> 00:21:28,955
WHERE'S MY iPOD?
I CAN'T FIND MY FUCKING iPOD!

526
00:21:30,122 --> 00:21:31,891
BEC --
[ LAUGHS ]

527
00:21:31,924 --> 00:21:34,427
IT'S GONNA BE
A LONG TRIP.

528
00:21:34,461 --> 00:21:36,729
YEAH.

529
00:21:36,763 --> 00:21:37,830
UH-OH.

530
00:21:37,864 --> 00:21:39,766
WHAT?

531
00:21:39,799 --> 00:21:42,068
SOMETHING PUBESCENT
THIS WAY COMES.

532
00:21:44,704 --> 00:21:47,840
OKAY, I KNOW
YOU HATE ME RIGHT NOW.

533
00:21:47,874 --> 00:21:48,841
I DO.

534
00:21:48,875 --> 00:21:51,878
OKAY, BUT I FIGURED
I'D HATE MYSELF EVEN MORE

535
00:21:51,911 --> 00:21:55,815
IF I DIDN'T, YOU KNOW,
AT LEAST SAY GOODBYE.

536
00:21:57,884 --> 00:21:59,452
THAT'S IT?

537
00:21:59,486 --> 00:22:00,920
THAT'S THE BEST
YOU CAN DO?

538
00:22:00,953 --> 00:22:03,356
HERE,
I GOT YOU SOMETHING.

539
00:22:06,058 --> 00:22:08,060
I PUT A PLAYLIST
ON THERE --

540
00:22:08,094 --> 00:22:10,730
OUR PLAYLIST --
THE ONE WE MADE OUT TO...

541
00:22:10,763 --> 00:22:12,432
ALL 17 SONGS.

542
00:22:12,465 --> 00:22:14,601
WHAT?! 17 SONGS?

543
00:22:14,634 --> 00:22:16,503
THAT'S A LOT
OF MAKING OUT.

544
00:22:16,536 --> 00:22:17,804
H-HANK,
COULD YOU SHUT UP?

545
00:22:17,837 --> 00:22:18,938
HE SAID 17 SONGS.

546
00:22:18,971 --> 00:22:20,540
I STILL
LOATHE YOU.

547
00:22:20,573 --> 00:22:23,109
I KNOW. I KNOW.
AND YOU HAVE EVERY RIGHT.

548
00:22:23,142 --> 00:22:25,478
I DO FEEL LIKE
I WAS UNJUSTLY SEDUCED,

549
00:22:25,512 --> 00:22:27,547
BUT I KNOW THAT DOESN'T
MAKE IT OKAY.

550
00:22:27,580 --> 00:22:29,616
ANYWAY, I JUST WISH
YOU WEREN'T LEAVING 'CAUSE...

551
00:22:31,518 --> 00:22:35,755
'CAUSE I -- I LOVE YOU...
BECCA MOODY.

552
00:22:35,788 --> 00:22:39,626
YOU'RE LIKE THE ONLY
POST-PUNK, HEAVY-METAL CHICK

553
00:22:39,659 --> 00:22:42,395
WHO'S EVER
TRULY ROCKED MY WORLD.

554
00:22:50,202 --> 00:22:52,939
IS IT OKAY IF WE GO UPSTAIRS
FOR A MINUTE?

555
00:22:52,972 --> 00:22:54,173
OF COURSE --
NO FUCKING WAY.

556
00:22:54,206 --> 00:22:56,409
NO, NO, NO.
YOU TAKE IT OUT ON THE STRAND

557
00:22:56,443 --> 00:22:58,678
WHERE THERE ARE PEOPLE,
AND I'M WATCHING YOU --

558
00:22:58,711 --> 00:23:00,179
EYES IN THE BACK
OF MY HEAD.

559
00:23:00,212 --> 00:23:01,614
AS ALWAYS.

560
00:23:03,483 --> 00:23:05,485
HEY, DAMIEN.

561
00:23:05,518 --> 00:23:06,819
WELL PLAYED.

562
00:23:06,853 --> 00:23:08,621
BIG UPS.

563
00:23:11,023 --> 00:23:13,626
YOU KNOW, THAT WAS
A NICE PARENTAL MOVE.

564
00:23:13,660 --> 00:23:15,462
I-I-I -- YEAH.

565
00:23:15,495 --> 00:23:17,764
I-I KIND OF --

566
00:23:17,797 --> 00:23:19,566
I LIKE THE WAY
YOU HANDLED THAT SHIT.

567
00:23:19,599 --> 00:23:21,434
THAT'S RIGHT,
MOTHAFUCKAH!

568
00:23:23,603 --> 00:23:28,107
I FEEL KIND OF BAD
SPLITTING THEM UP RIGHT NOW.

569
00:23:28,140 --> 00:23:30,677
[ SIGHS ]

570
00:23:30,710 --> 00:23:31,978
WELL, THEN DON'T.

571
00:23:32,011 --> 00:23:33,946
WHAT DO YOU MEAN?

572
00:23:33,980 --> 00:23:36,015
YOU GO. I STAY.

573
00:23:37,584 --> 00:23:39,752
ARE YOU CRAZY?

574
00:23:39,786 --> 00:23:41,854
WHAT, YOU THINK
I'D LEAVE BECCA BEHIND?

575
00:23:41,888 --> 00:23:44,123
WELL, I'M NOT GONNA BREAK HER.
I PROMISE.

576
00:23:44,156 --> 00:23:46,593
WELL, HOLD ON A SECOND.
WHAT ABOUT YOU?

577
00:23:46,626 --> 00:23:48,561
I MEAN,
YOU'D GIVE UP NEW YORK?

578
00:23:48,595 --> 00:23:50,830
FOR HER, YEAH.

579
00:23:50,863 --> 00:23:55,001
AT THE END OF THE DAY,
IT'S ALL ABOUT HER.

580
00:23:55,034 --> 00:23:57,737
IT'S ALWAYS BEEN ABOUT HER.

581
00:23:57,770 --> 00:24:01,173
WHAT HAPPENS BETWEEN US,
I CAN'T FUCKING CONTROL.

582
00:24:01,207 --> 00:24:03,242
LORD KNOWS
I'VE TRIED EVERY WHICH WAY.

583
00:24:03,275 --> 00:24:04,744
BUT WHAT I CAN DO

584
00:24:04,777 --> 00:24:07,914
IS BE THE ABSOLUTE BEST
I CAN BE FOR HER.

585
00:24:07,947 --> 00:24:10,116
IF I FOLLOWED YOU
TO NEW YORK,

586
00:24:10,149 --> 00:24:12,552
I'D JUST BE
HOPING AGAINST HOPE

587
00:24:12,585 --> 00:24:14,887
THAT WE LIVED
HAPPILY EVER AFTER.

588
00:24:14,921 --> 00:24:17,256
MAYBE WE DO.
MAYBE WE DON'T.

589
00:24:17,289 --> 00:24:20,860
BUT YOU GOT SOME SHIT
YOU GOT TO DO, LADY.

590
00:24:20,893 --> 00:24:22,862
I THINK YOU SHOULD DO IT.

591
00:24:22,895 --> 00:24:25,932
I'LL HOLD DOWN THE FORT...

592
00:24:25,965 --> 00:24:28,167
KEEP HER OFF THE POLE.

593
00:24:28,200 --> 00:24:30,603
[ CHUCKLES ]

594
00:24:30,637 --> 00:24:32,739
OH, JESUS.

595
00:24:32,772 --> 00:24:36,242
I WISH YOU HADN'T
JUST SAID ALL THAT.

596
00:24:36,275 --> 00:24:37,977
WHY?

597
00:24:38,010 --> 00:24:39,111
I DON'T KNOW.

598
00:24:39,145 --> 00:24:43,082
'CAUSE, YOU KNOW, IT JUST
MAKES ME LOVE YOU EVEN MORE.

599
00:24:43,115 --> 00:24:46,953
YEAH, WELL...
THAT REALLY CAN'T BE HELPED.

600
00:24:46,986 --> 00:24:48,788
I AM ME, AFTER ALL.

601
00:24:58,164 --> 00:25:00,767
A QUICK ONE
WHILE THEY'RE AWAY?

602
00:25:00,800 --> 00:25:02,101
YOU'RE DISGUSTING.

603
00:25:02,134 --> 00:25:03,402
MM.

604
00:25:03,435 --> 00:25:09,008
* SOMETIMES WHEN YOU'RE DOING
SIMPLE THINGS AROUND THE HOUSE *

605
00:25:09,041 --> 00:25:13,880
* MAYBE YOU'LL THINK OF ME
AND SMILE *

606
00:25:13,913 --> 00:25:16,583
* YOU KNOW, I'M TIED TO YOU

607
00:25:16,616 --> 00:25:19,819
* LIKE THE BUTTONS
ON YOUR BLOUSE *

608
00:25:19,852 --> 00:25:24,991
* KEEP ME IN YOUR HEART
FOR A WHILE *

609
00:25:25,024 --> 00:25:27,794
* HOLD ME IN YOUR THOUGHTS

610
00:25:27,827 --> 00:25:30,262
* TAKE ME TO YOUR DREAMS

611
00:25:30,296 --> 00:25:35,602
* TOUCH ME AS I FALL INTO VIEW

612
00:25:35,635 --> 00:25:38,270
* WHEN THE WINTER COMES

613
00:25:38,304 --> 00:25:40,607
* KEEP THE FIRES LIT

614
00:25:40,640 --> 00:25:46,212
* AND I WILL BE
RIGHT NEXT TO YOU *

615
00:25:46,245 --> 00:25:48,014
* LA LA-LA LA

616
00:25:48,047 --> 00:25:51,651
* LA LA-LA-LA-LA OHH

617
00:25:51,684 --> 00:25:54,320
* KEEP ME IN YOUR HEART

618
00:25:54,353 --> 00:25:57,624
LOOK, JUST BECAUSE
IT'S YOU AND ME NOW, ALONE,

619
00:25:57,657 --> 00:26:00,292
DOESN'T MEAN I'M GONNA LET YOU
GET AWAY WITH STUFF.

620
00:26:00,326 --> 00:26:01,427
IT'S GOOD.

621
00:26:01,460 --> 00:26:04,096
'CAUSE I'M NOT GONNA LET YOU
GET AWAY WITH STUFF EITHER.

622
00:26:04,130 --> 00:26:06,165
OH, REALLY? WHAT ARE --
WHAT ARE YOU GONNA DO?

623
00:26:06,198 --> 00:26:07,133
I'M NOT SCARED OF YOU.

624
00:26:07,166 --> 00:26:09,168
YOU'RE -- YOU'RE --
YOU'RE VERY DIMINUTIVE,

625
00:26:09,201 --> 00:26:11,270
YOU KNOW,
AND I-I KNOW JUJITSU.

626
00:26:11,303 --> 00:26:13,105
I CAN STILL
KICK YOUR ASS.

627
00:26:13,139 --> 00:26:15,074
YEAH,
AT "GUITAR HERO," MAYBE.

628
00:26:15,107 --> 00:26:16,208
AHH.

629
00:26:16,242 --> 00:26:17,276
OH.

630
00:26:17,309 --> 00:26:18,678
HEY.
HEY, YOURSELF.

631
00:26:18,711 --> 00:26:20,046
IS THIS
YOUR OFFSPRING?

632
00:26:20,079 --> 00:26:22,949
YES, THIS IS, UH,
THIS IS BECCA, MY DAUGHTER,

633
00:26:22,982 --> 00:26:24,250
AND THIS IS...

634
00:26:25,885 --> 00:26:27,754
THIS IS SURFER GIRL.

635
00:26:27,787 --> 00:26:29,889
HELLO,
SURFER GIRL.

636
00:26:29,922 --> 00:26:31,223
IT'S MICHELLE.

637
00:26:31,257 --> 00:26:33,192
MY NAME
IS MICHELLE.
OKAY.

638
00:26:33,225 --> 00:26:35,762
I'M GONNA GO CHECK OUT
THAT HEAD SHOP.

639
00:26:35,795 --> 00:26:37,764
I'LL BE WATCHING.
N--

640
00:26:37,797 --> 00:26:40,633
EYES IN BACK
OF MY HEAD.

641
00:26:40,667 --> 00:26:41,634
HEAD SHOP.

642
00:26:41,668 --> 00:26:43,069
WOW.
OH, BOY.

643
00:26:43,102 --> 00:26:45,104
[ LAUGHS ]
CUTE KID.

644
00:26:45,137 --> 00:26:46,639
SHE HAS HER MOMENTS.

645
00:26:46,673 --> 00:26:49,842
SO, MICHELLE, HUH?
THAT'S -- THAT'S INTERESTING.

646
00:26:49,876 --> 00:26:52,111
YOU'RE DISAPPOINTED,
AREN'T YOU?

647
00:26:52,144 --> 00:26:54,847
WELL, YOU KNOW,
I DID KIND OF LIKE NOT KNOWING.

648
00:26:54,881 --> 00:26:56,048
IT WAS -- IT WAS COOL

649
00:26:56,082 --> 00:26:58,284
IN A "LAST TANGO IN PARIS"
KIND OF WAY.

650
00:26:58,317 --> 00:27:01,220
I THINK YOU MYTHOLOGIZE ME
JUST A LITTLE TOO MUCH.

651
00:27:01,253 --> 00:27:02,889
OH.

652
00:27:02,922 --> 00:27:05,257
YOU KNOW,
I'M JUST A NORMAL GIRL...

653
00:27:05,291 --> 00:27:08,227
WITH NORMAL WANTS
AND NEEDS.

654
00:27:08,260 --> 00:27:12,131
YOU KNOW, I HAVE BEEN AROUND
THE BLOCK A TIME OR TWO, LADY,

655
00:27:12,164 --> 00:27:15,034
AND THERE AIN'T
NOTHING NORMAL ABOUT YOU.

656
00:27:15,067 --> 00:27:18,370
AW, YOU'RE STILL THE SWEETEST
GUY I EVER FUCKED AND ROBBED.

657
00:27:18,404 --> 00:27:20,807
YOU KNOW, I'D LIKE NOTHING MORE
THAN TO GET HIGH,

658
00:27:20,840 --> 00:27:23,342
FUCK YOU GOOFY, AND INDULGE
YOUR LARCENOUS TENDENCIES,

659
00:27:23,375 --> 00:27:29,348
BUT I HAVE A, UH,
SERIOUS CHILD-RAISING...

660
00:27:29,381 --> 00:27:30,349
PROBLEM HERE.

661
00:27:30,382 --> 00:27:31,317
LOOK AT THAT.

662
00:27:31,350 --> 00:27:34,120
I THINK SHE'S --
SHE'S LOOKING FOR A BONG.

663
00:27:35,221 --> 00:27:38,324
[ INTRO TO
"CALIFORNIA DREAMIN'" PLAYS ]

664
00:27:40,226 --> 00:27:41,994
MM.

665
00:27:42,028 --> 00:27:44,130
AND THE DANCE
CONTINUES.

666
00:27:44,163 --> 00:27:45,297
SO IT DOES.

667
00:27:46,232 --> 00:27:47,399
* ALL THE LEAVES ARE BROWN
* ALL THE LEAVES ARE BROWN

668
00:27:51,103 --> 00:27:52,138
* AND THE SKY IS GRAY
* AND THE SKY IS GRAY

669
00:27:54,406 --> 00:27:55,875
SHE SEEMS NICE.

670
00:27:55,908 --> 00:27:58,344
I DON'T KNOW IF "NICE"
IS EXACTLY THE WORD.

671
00:27:58,377 --> 00:28:00,446
HAVE YOU BEEN INTIMATE
WITH HER?

672
00:28:00,479 --> 00:28:02,949
WHY DO YOU GOT TO
TALK TO ME LIKE THAT?!

673
00:28:02,982 --> 00:28:04,183
WHAT?

674
00:28:04,216 --> 00:28:06,485
YOU'RE ALWAYS UP IN MY GRILL
ABOUT BOYS.

675
00:28:06,518 --> 00:28:10,022
WELL, AND UP IN YOUR GRILL
I ALWAYS WILL BE. COUNT ON IT.

676
00:28:10,056 --> 00:28:11,090
DON'T STOP, OKAY?

677
00:28:11,123 --> 00:28:14,761
EVEN IF I CURSE YOUR NAME
ON A SEMI-DAILY BASIS.

678
00:28:14,794 --> 00:28:17,429
I WOULDN'T DREAM OF IT.
THAT'S THE GIG.

679
00:28:17,463 --> 00:28:18,931
HEY.

680
00:28:18,965 --> 00:28:22,034
OH.
WHAT'S THIS FOR?

681
00:28:22,068 --> 00:28:24,436
FOR STAYING.

682
00:28:24,470 --> 00:28:27,039
YOU'RE STUCK
ON THE ISLAND NOW.

683
00:28:27,073 --> 00:28:28,841
AND YOU DID IT FOR ME.

684
00:28:28,875 --> 00:28:30,276
WHAT ARE YOU
TALKING ABOUT?

685
00:28:30,309 --> 00:28:31,878
I LIKE IT HERE.
IT'S NICE.

686
00:28:31,911 --> 00:28:34,046
THE SUN IS CHIRPING.
THE BIRDS ARE SHINING.

687
00:28:34,080 --> 00:28:37,283
THE WATER'S WET.
LIFE IS GOOD, SWEETHEART.

688
00:28:37,316 --> 00:28:38,918
LIFE IS GOOD.

689
00:28:41,253 --> 00:28:42,321
* AND THE SKY IS GRAY
* ...AND THE SKY IS GRAY

690
00:28:45,091 --> 00:28:46,058
* I'VE BEEN FOR A WALK
* I WENT FOR A WALK

691
00:28:49,461 --> 00:28:50,429
* ON A WINTER'S DAY
* ON A WINTER'S DAY

692
00:28:53,132 --> 00:28:54,200
* AND IF I DIDN'T TELL HER
* IF I DIDN'T TELL HER

693
00:28:57,336 --> 00:28:58,370
* I COULD LEAVE TODAY
* I COULD LEAVE TODAY

694
00:29:01,473 --> 00:29:02,508
* CALIFORNIA DREAMIN'
* CALIFORNIA DREAMIN'

695
00:29:06,145 --> 00:29:07,213
* ON SUCH A WINTER'S DAY
* CALIFORNIA DREAMIN'

696
00:29:10,349 --> 00:29:11,417
* ON SUCH A WINTER'S DAY
* CALIFORNIA DREAMIN'

697
00:29:12,484 --> 00:29:15,955
-- Captions by VITAC --
www.vitac.com

698
00:29:15,988 --> 00:29:18,958
CLOSED CAPTIONING PROVIDED BY
SHOWTIME NETWORKS

699
00:29:18,991 --> 00:29:21,994
AND BLIND DECKER PRODUCTIONS