1 00:00:06,607 --> 00:00:09,210 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,243 --> 00:00:10,211 MY NAME IS HANK. 3 00:00:10,244 --> 00:00:12,380 - I KNOW. 4 00:00:12,413 --> 00:00:13,647 - OH! 5 00:00:13,681 --> 00:00:14,782 - THIS IS MIA, BILL'S DAUGHTER, 6 00:00:14,815 --> 00:00:16,317 AND THIS IS HANK. SHE'S 16. 7 00:00:16,350 --> 00:00:17,518 - 16. 8 00:00:17,551 --> 00:00:18,786 I NEED TO TELL YOU SOMETHING. 9 00:00:18,819 --> 00:00:21,755 - OKAY. - IT'S NOT A MEMOIR. 10 00:00:21,789 --> 00:00:24,225 - IT'S A WRITTEN ACCOUNT OF MY SEXUAL RELATIONSHIP WITH YOU. 11 00:00:24,258 --> 00:00:26,460 - WRITTEN BY ME AS A FUCKIN' NOVEL. 12 00:00:26,494 --> 00:00:27,395 - THE PUBLISHING WORLD 13 00:00:27,428 --> 00:00:29,697 KNOWS YOU AS THIS BRILLIANT TRAIN WRECK. 14 00:00:29,730 --> 00:00:31,699 LET EVERYONE ELSE IN ON IT. 15 00:00:31,732 --> 00:00:33,367 - ABBY HERE IS THE BEST THERE IS 16 00:00:33,401 --> 00:00:35,203 AT DEFENDING THE UNJUSTLY ACCUSED. 17 00:00:35,236 --> 00:00:36,737 - HANK MOODY? - FUCK. WHAT NOW? 18 00:00:36,770 --> 00:00:39,507 - YOU'RE BEING CHARGED WITH STATUTORY RAPE. 19 00:00:39,540 --> 00:00:40,608 - I'M NOT GOING TO SLEEP WITH YOU. 20 00:00:40,641 --> 00:00:42,843 - HANK. - MIA. 21 00:00:42,876 --> 00:00:44,145 - OKAY. 22 00:00:44,178 --> 00:00:45,746 - SASHA BINGHAM IS AMERICA'S SWEETHEART. 23 00:00:45,779 --> 00:00:48,749 - HOW ABOUT YOU REWRITE THE SCRIPT THAT I LOATHE? 24 00:00:48,782 --> 00:00:50,251 - HANK--HANK, LET ME HANDLE THIS. 25 00:00:50,284 --> 00:00:52,253 - YOU CONVINCE YOUR CLIENT TO TAKE THIS JOB, 26 00:00:52,286 --> 00:00:53,721 AND YOU CAN HAVE YOUR OLD JOB BACK. 27 00:00:53,754 --> 00:00:55,089 - YOU SAID YOU HAD SOME NOTES. 28 00:00:55,123 --> 00:00:57,625 YOU REALLY HAD SOME FUCKIN' NOTES. 29 00:00:57,658 --> 00:01:00,261 - WHAT WAS IT LIKE, HER PUNCH? 30 00:01:00,294 --> 00:01:02,130 - THERE'S ONLY ONE WAY TO FIND OUT. 31 00:01:02,163 --> 00:01:03,297 GO ON. GIVE IT A SHOT. 32 00:01:49,243 --> 00:01:50,711 - AAH! 33 00:01:50,744 --> 00:01:51,712 - AAH! 34 00:01:51,745 --> 00:01:56,284 - AAH! 35 00:01:56,317 --> 00:01:59,453 both: AAH! 36 00:01:59,487 --> 00:02:02,390 - OH. - WHAT THE FUCK, HANK? 37 00:02:02,423 --> 00:02:03,524 - UGH. I'M SORRY, MARCE. 38 00:02:03,557 --> 00:02:05,293 I JUST--I COULDN'T SLEEP LAST NIGHT. 39 00:02:05,326 --> 00:02:06,694 MY MIND WAS RACING, 40 00:02:06,727 --> 00:02:09,197 AND THAT COUCH OF YOURS IS NO FUCKING HELP WHATSOEVER. 41 00:02:09,230 --> 00:02:11,199 IT'S, LIKE, A MEDIEVAL FUCKING TORTURE DEVICE. 42 00:02:11,232 --> 00:02:13,634 - I WAS TOUCHING YOUR PENIS, HANK. 43 00:02:13,667 --> 00:02:15,369 - I KNOW, MARCE. FELT GOOD TOO. 44 00:02:15,403 --> 00:02:16,570 YOU GIVE A NICE TUG JOB. 45 00:02:16,604 --> 00:02:18,606 - SHE DOES, DOESN'T SHE? - YEAH. 46 00:02:18,639 --> 00:02:22,743 - WHEN SHE'S MOTIVATED. IT'S A LOST ART, REALLY. 47 00:02:22,776 --> 00:02:24,312 OH, SHIT. I THINK I'M GONNA PUKE. 48 00:02:24,345 --> 00:02:25,579 DID YOU GUYS FUCK? 49 00:02:25,613 --> 00:02:27,448 both: GROSS. 50 00:02:27,481 --> 00:02:29,617 - HEY! WHAT DO YOU MEAN, GROSS? 51 00:02:29,650 --> 00:02:31,185 FUCK YOU, YOU FUCKING PEDOPHILE. 52 00:02:31,219 --> 00:02:33,187 WHAT'S SO GROSS ABOUT FUCKING ME? 53 00:02:33,221 --> 00:02:34,255 - NOTHING, MARCE. 54 00:02:34,288 --> 00:02:35,523 YOU KNOW I'D THROW A SHOT INTO YOU. 55 00:02:35,556 --> 00:02:37,225 ANY TIME. 56 00:02:37,258 --> 00:02:38,526 - OH, CHRIST. MAKE IT STOP. 57 00:02:38,559 --> 00:02:40,494 - THAT'S IT. ALL YOU DO IS MOPE AROUND THE HOUSE 58 00:02:40,528 --> 00:02:41,495 ALL DAY IN YOUR UNDERWEAR. 59 00:02:41,529 --> 00:02:42,396 YOU'RE ON NOTICE. 60 00:02:42,430 --> 00:02:44,398 CONSIDER YOUR ASS KICKED TO THE CURB. 61 00:02:44,432 --> 00:02:45,766 - MARCE, I GOT NO PLACE TO GO. 62 00:02:45,799 --> 00:02:47,768 I MEAN, KAREN WON'T HAVE ME. BECCA WON'T HAVE ME. 63 00:02:47,801 --> 00:02:49,903 THE WORLD THINKS I'M THIS DEGENERATE SCUMBAG. 64 00:02:49,937 --> 00:02:52,473 I'M OUT ON BAIL FOR THE SECOND TIME THIS WEEK. 65 00:02:52,506 --> 00:02:55,976 YOU ARE MY TWO AND ONLY FRIENDS LEFT IN THE WORLD. 66 00:02:56,009 --> 00:03:00,248 COME ON. LOVE ME. 67 00:03:00,281 --> 00:03:01,915 - [sighs] - HANK NEEDS SOME SUGAR. 68 00:03:01,949 --> 00:03:04,485 - GOD. 69 00:03:17,798 --> 00:03:19,933 - I'M GAME IF YOU GUYS ARE. 70 00:03:19,967 --> 00:03:21,702 - FUCKING ANIMAL. 71 00:03:21,735 --> 00:03:25,706 AND WOULD IT KILL YOU TO PUT SOME GODDAMN CLOTHES ON? 72 00:03:25,739 --> 00:03:27,675 - SO I LIKE TO SLEEP IN THE RAW NOW. 73 00:03:27,708 --> 00:03:28,809 BIG WHOOP. WHAT DO YOU CARE? 74 00:03:28,842 --> 00:03:30,411 - [retching and vomiting] 75 00:03:30,444 --> 00:03:32,946 - GET A LOAD OF FLORENCE OLIVIER. 76 00:03:32,980 --> 00:03:34,748 I DON'T LOOK THAT BAD, DO I? 77 00:03:34,782 --> 00:03:35,849 - NO WAY, CHARLIE. 78 00:03:35,883 --> 00:03:36,850 NO, YOU LOOK GOOD. 79 00:03:36,884 --> 00:03:37,851 - HMM. 80 00:03:37,885 --> 00:03:38,852 - LIKE A BABY. 81 00:03:38,886 --> 00:03:40,988 LIKE A BIG, SEXY BABY. 82 00:03:41,021 --> 00:03:42,523 - THANK YOU. 83 00:03:48,862 --> 00:03:50,831 [upbeat music] 84 00:03:50,864 --> 00:03:58,839 * 85 00:04:30,671 --> 00:04:32,039 - GOOD LUCK TODAY, BUDDY. 86 00:04:32,072 --> 00:04:33,040 - THANK YOU. 87 00:04:33,073 --> 00:04:34,575 - WHO KNOWS? 88 00:04:34,608 --> 00:04:35,909 MAYBE YOU'LL GET SOME WRITING DONE. 89 00:04:35,943 --> 00:04:39,347 - FUCK YOU. 90 00:04:39,380 --> 00:04:41,682 - LOVE YOU TOO. 91 00:04:43,617 --> 00:04:45,819 - HELLO, OLD FRIEND. 92 00:04:45,853 --> 00:04:48,021 YOU'RE LOOKING QUITE WELL. 93 00:04:55,496 --> 00:04:57,365 MUCH BETTER. 94 00:05:02,670 --> 00:05:05,038 [engine falters] 95 00:05:05,072 --> 00:05:07,675 COME ON. 96 00:05:10,811 --> 00:05:12,580 - YEAH, I'M ON MY WAY. 97 00:05:12,613 --> 00:05:13,914 UH-HUH. I'M A LITTLE, UM... 98 00:05:13,947 --> 00:05:16,784 - OH. UH, HI. 99 00:05:16,817 --> 00:05:18,952 JUST PICKING UP OLD BLACKIE HERE. 100 00:05:18,986 --> 00:05:20,621 YEAH. 101 00:05:20,654 --> 00:05:22,089 ME? OH, I'M--I'M OKAY. 102 00:05:22,122 --> 00:05:23,190 - OKAY... 103 00:05:23,223 --> 00:05:25,793 - AS GOOD AS CAN BE EXPECTED UNDER THE CIRCUMSTANCES. 104 00:05:25,826 --> 00:05:26,794 AND YOU? 105 00:05:26,827 --> 00:05:28,696 EXCELLENT. HOW ABOUT BECCA? 106 00:05:28,729 --> 00:05:29,997 COOL. GLAD TO HEAR THAT. 107 00:05:30,030 --> 00:05:31,264 GIVE HER A KISS FOR ME. 108 00:05:31,298 --> 00:05:34,034 HEY, YOU WOULDN'T HAPPEN TO HAVE ANY JUMPER CABLES, WOULD YOU? 109 00:05:34,067 --> 00:05:35,836 OH, I GET IT. JUST KEEP ON WALKING. 110 00:05:35,869 --> 00:05:37,571 I KNOW. I RUINED YOUR LIFE AND ALL, 111 00:05:37,605 --> 00:05:38,939 AND I COULDN'T BE MORE SORRY ABOUT IT, 112 00:05:38,972 --> 00:05:41,609 BUT I GOT TO GET ACROSS TOWN TO MY ATTORNEY'S OFFICE, 113 00:05:41,642 --> 00:05:43,511 WHERE LATENESS IS FROWNED UPON. 114 00:05:43,544 --> 00:05:44,745 - OKAY, BYE. 115 00:05:51,919 --> 00:05:53,120 - I CAUGHT THAT. 116 00:05:53,153 --> 00:05:55,556 YOU WOULDN'T HAVE LOOKED IF YOU DIDN'T CARE, 117 00:05:55,589 --> 00:05:57,525 AND YOU SHOULD CARE, YOU KNOW? 118 00:05:57,558 --> 00:05:58,526 I'M BLEEDING HERE. 119 00:05:58,559 --> 00:06:00,761 I'M FEELING A LITTLE FAINT. 120 00:06:00,794 --> 00:06:02,763 LOOK, I DON'T HOPE TO GET BACK 121 00:06:02,796 --> 00:06:05,466 INTO YOUR GOOD GRACES ANYTIME SOON. 122 00:06:05,499 --> 00:06:07,835 OKAY, EVER. 123 00:06:07,868 --> 00:06:09,069 I JUST HOPE THAT MAYBE ONE DAY 124 00:06:09,102 --> 00:06:10,504 I CAN SIT DOWN ACROSS FROM YOU, 125 00:06:10,538 --> 00:06:11,705 LOOK YOU IN THE EYE AND TALK TO YOU 126 00:06:11,739 --> 00:06:13,140 AND EXPLAIN TO YOU WHAT HAPPENED. 127 00:06:13,173 --> 00:06:15,175 UNTIL THEN, I'D SETTLE FOR SEEING OUR DAUGHTER, 128 00:06:15,208 --> 00:06:17,177 WHO I MISS DEARLY. 129 00:06:17,210 --> 00:06:18,812 SHE STILL HAS A FATHER, YOU KNOW, 130 00:06:18,846 --> 00:06:20,748 EVEN IF HER MOTHER HATES HIS GUTS. 131 00:06:20,781 --> 00:06:25,018 - YEAH. WELL, WHAT HAPPENS IF SHE HATES YOUR GUTS TOO? 132 00:06:46,474 --> 00:06:48,609 - HEY, YOU. LADY LAWYER. 133 00:06:48,642 --> 00:06:49,610 - [sighs] 134 00:06:49,643 --> 00:06:50,611 - WHERE YOU GOING? 135 00:06:50,644 --> 00:06:51,612 - I HAVE A MEETING. 136 00:06:51,645 --> 00:06:52,746 - I THOUGHT WE HAD A MEETING. 137 00:06:52,780 --> 00:06:54,815 - WE DID. BUT YOU'RE 45 MINUTES LATE. 138 00:06:54,848 --> 00:06:55,816 - OH. - SO I'M MOVING ON 139 00:06:55,849 --> 00:06:56,817 TO MY NEXT MEETING. 140 00:06:56,850 --> 00:06:57,851 - OKAY, FUCK. FUCK. 141 00:06:57,885 --> 00:06:58,786 - SO I'M NOT LATE. AND RUDE. 142 00:06:58,819 --> 00:07:00,488 AND INCONSIDERATE OF OTHER PEOPLE'S TIME. 143 00:07:00,521 --> 00:07:01,489 - I'M SORRY. - NO, DON'T BE. IT'S YOUR LIFE. 144 00:07:01,522 --> 00:07:02,823 - I WAS JUST--I HAD THIS THING WITH MY FAMILY. 145 00:07:02,856 --> 00:07:03,624 - THREE YEARS, HANK. 146 00:07:03,657 --> 00:07:05,859 - WHAT? WHAT THREE YEARS? WHAT? 147 00:07:05,893 --> 00:07:08,996 - THAT'S THE MAXIMUM SENTENCE FOR UNLAWFUL SEXUAL INTERCOURSE. 148 00:07:09,029 --> 00:07:10,831 THREE YEARS, STATE PRISON. 149 00:07:10,864 --> 00:07:12,600 - YES, BUT I THOUGHT WE WERE ALL GUNG HO 150 00:07:12,633 --> 00:07:14,902 ABOUT MAKING SURE IT DIDN'T GO DOWN THAT WAY. 151 00:07:14,935 --> 00:07:17,037 - WELL, THAT'S CERTAINLY MY PLAN. 152 00:07:17,070 --> 00:07:18,739 BECAUSE I'M A COCKY FUCKING ATTORNEY 153 00:07:18,772 --> 00:07:19,940 AND THIS IS A GREAT CASE FOR ME. 154 00:07:19,973 --> 00:07:22,476 BUT IF YOU INSIST ON DICKING AROUND AND WASTING MY TIME, 155 00:07:22,510 --> 00:07:23,844 I'LL BE HAPPY TO SEE YOU ROT IN JAIL. 156 00:07:23,877 --> 00:07:24,978 WHAT THE FUCK DO I CARE? 157 00:07:25,012 --> 00:07:26,780 YOU'RE JUST ANOTHER ENTITLED SMART ASS 158 00:07:26,814 --> 00:07:28,248 WHO THINKS IT'S OKAY TO FUCK A TEENAGER. 159 00:07:28,281 --> 00:07:29,817 - NO--NO, NO, I DON'T THINK IT'S OKAY. 160 00:07:29,850 --> 00:07:32,019 I THINK IT'S WRONG. SICK AND WRONG. 161 00:07:32,052 --> 00:07:33,987 - AND YET YOU FUCKED A TEENAGER. 162 00:07:34,021 --> 00:07:35,255 - COME ON, I THOUGHT WE COVERED THIS. 163 00:07:35,288 --> 00:07:37,124 I DIDN'T KNOW HOW OLD SHE WAS. SHE SET ME UP. 164 00:07:37,157 --> 00:07:38,158 - OKAY, IT DOESN'T MATTER. 165 00:07:38,191 --> 00:07:40,227 THE D.A. IS LOOKING TO MAKE AN EXAMPLE OF YOU. 166 00:07:40,260 --> 00:07:43,564 STATUTORY RAPE IS A BIG FUCKIN' DEAL HERE IN THE GOLDEN STATE. 167 00:07:43,597 --> 00:07:44,431 - WHO KNEW? 168 00:07:44,464 --> 00:07:45,966 - MAYBE NO ONE WAS HURT IN YOUR CASE. 169 00:07:45,999 --> 00:07:47,267 - I WAS HURT. SHE PUNCHED ME. 170 00:07:47,300 --> 00:07:49,236 - MAYBE IT WAS ALL JUST GOOD, DIRTY FUN. 171 00:07:49,269 --> 00:07:51,572 BUT THERE IS PROBABLY SOME CREEP OUT THERE 172 00:07:51,605 --> 00:07:53,273 WHO'S GONNA THINK TWICE BEFORE BANGING THE BABYSITTER 173 00:07:53,306 --> 00:07:55,509 BECAUSE HE'S JUST READ ABOUT THE HOLLYWOOD ASSHOLE 174 00:07:55,543 --> 00:07:57,177 WHO'S DOING SERIOUS TIME FOR STICKING HIS DICK 175 00:07:57,210 --> 00:07:58,612 IN SOME UNDERAGE PUSSY. 176 00:07:58,646 --> 00:07:59,613 - [laughs] 177 00:07:59,647 --> 00:08:01,181 CAN YOU SAY IT LOUDER? 178 00:08:01,214 --> 00:08:02,883 'CAUSE I DON'T THINK THEY HEARD YOU IN CULVER CITY. 179 00:08:02,916 --> 00:08:04,151 - I THINK YOU NEED TO HEAR ME. - I GET IT. 180 00:08:04,184 --> 00:08:06,554 - OKAY, FROM NOW UNTIL THE PRELIMINARY HEARING, 181 00:08:06,587 --> 00:08:08,055 JUST BEHAVE YOURSELF. 182 00:08:08,088 --> 00:08:09,557 STAY OUT OF TROUBLE. - YES. YES, MA'AM. 183 00:08:09,590 --> 00:08:10,958 - OKAY? WITH ANY LUCK, 184 00:08:10,991 --> 00:08:11,992 I'LL CONVINCE THE JUDGE 185 00:08:12,025 --> 00:08:14,261 THERE'S NOT ENOUGH OF A CASE TO TAKE TO TRIAL. 186 00:08:14,294 --> 00:08:16,697 - AND IF YOU CAN'T? 187 00:08:16,730 --> 00:08:18,231 - THEN IT'S TIME TO WHEEL AND DEAL. 188 00:08:18,265 --> 00:08:19,867 DO SOME HORSE TRADING. 189 00:08:19,900 --> 00:08:21,001 THAT CAN BE FUN TOO. 190 00:08:21,034 --> 00:08:22,603 - YOU REALLY LOVE THIS SHIT, HUH? 191 00:08:22,636 --> 00:08:25,539 - DON'T TELL ANYONE I TOLD YOU, BUT, UM... 192 00:08:25,573 --> 00:08:27,307 SOMETIMES IT'S EVEN BETTER THAN SEX. 193 00:08:27,340 --> 00:08:28,809 - WOW. - SAFER TOO. 194 00:08:28,842 --> 00:08:31,278 - YOU MUST NOT LIKE SEX VERY MUCH. 195 00:08:31,311 --> 00:08:32,880 - NO, SEE, THAT'S WHERE YOU'RE WRONG. 196 00:08:32,913 --> 00:08:34,247 I LOVE SEX. 197 00:08:34,281 --> 00:08:37,751 - ARE YOU TRYING TO TURN ME ON, LADY LAWYER? 198 00:08:37,785 --> 00:08:39,753 - OH, PLEASE. 199 00:08:39,787 --> 00:08:41,254 I'M OBVIOUSLY FAR TOO OLD FOR YOU. 200 00:08:41,288 --> 00:08:42,923 - NO, YOU SEE, THAT'S WHERE YOU'RE WRONG. 201 00:08:42,956 --> 00:08:44,692 I LIKE ME A MATURE WOMAN. 202 00:08:44,725 --> 00:08:45,959 - OH? - CROW'S FEET, STRETCH MARKS, 203 00:08:45,993 --> 00:08:47,928 NIPPLE HAIR, I DIG THAT. DIG IT ALL. 204 00:08:47,961 --> 00:08:50,631 LOVE THAT SHIT. NOT THAT YOU HAVE ANY OF THAT SHIT. 205 00:08:50,664 --> 00:08:52,132 STUFF. I'M GONNA GO NOW. 206 00:08:52,165 --> 00:08:54,868 - YES. - THANK YOU. 207 00:09:02,309 --> 00:09:04,978 - IT'S COMING. - WHAT? 208 00:09:05,012 --> 00:09:08,248 - UGH. MY FUCKING PERIOD. 209 00:09:08,281 --> 00:09:10,083 - I'LL ALERT THE MEDIA. 210 00:09:10,117 --> 00:09:11,885 - MY TITS ARE SO SORE, 211 00:09:11,919 --> 00:09:15,689 I'M CRAMPY AS HELL, AND I'VE BEEN THROWING UP IN MY MOUTH 212 00:09:15,723 --> 00:09:17,224 ALL DAY LONG. - NICE. NICE. 213 00:09:17,257 --> 00:09:18,826 YOU'RE PROBABLY PREGGERS. 214 00:09:18,859 --> 00:09:21,294 I MEAN, YOU ARE QUITE A SLUT. 215 00:09:21,328 --> 00:09:23,697 - FUCK YOU. 216 00:09:23,731 --> 00:09:25,298 I'M TOO OLD TO SUSTAIN LIFE. 217 00:09:25,332 --> 00:09:26,767 I'M TOO BITTER TOO. 218 00:09:26,800 --> 00:09:29,937 SPERM WOULD ENTER MY PRETTY LITTLE VAJEW-JEW, 219 00:09:29,970 --> 00:09:35,275 AND MY COLD, BLACK HEART WOULD KILL THAT SHIT DEAD, SON. 220 00:09:35,308 --> 00:09:38,045 [mouths words] 221 00:09:38,078 --> 00:09:40,781 CAN YOU PLEASE DO SOMETHING ABOUT THAT FUCKIN' HANK? 222 00:09:40,814 --> 00:09:42,883 - WHAT? YOU WANT ME TO PUT OUT A HIT ON HIM, OR-- 223 00:09:42,916 --> 00:09:45,052 - YES. SERIOUSLY. 224 00:09:45,085 --> 00:09:46,186 - HE'S NOT MY PROBLEM. 225 00:09:46,219 --> 00:09:47,387 - THE GUY IS FUCKING MISERABLE. 226 00:09:47,420 --> 00:09:49,156 HE'S MAKING MY LIFE MISERABLE, ALL RIGHT? 227 00:09:49,189 --> 00:09:50,157 - I KNOW. 228 00:09:50,190 --> 00:09:51,892 - ISN'T IT BAD ENOUGH THAT I HAVE THAT PASTY, 229 00:09:51,925 --> 00:09:53,360 LITTLE MAN-CHILD EX-HUSBAND OF MINE 230 00:09:53,393 --> 00:09:55,162 UNDERFOOT ALL THE TIME? 231 00:09:55,195 --> 00:09:58,766 COME ON. YOU GOT TO LET HIM SEE BECCA. 232 00:09:58,799 --> 00:10:00,233 HE NEEDS A FIX. 233 00:10:00,267 --> 00:10:02,169 IT'LL DO THEM BOTH SOME GOOD. 234 00:10:02,202 --> 00:10:03,303 - I DON'T KNOW, YOU KNOW. 235 00:10:03,336 --> 00:10:05,639 I DON'T KNOW. I'LL THINK ABOUT IT. 236 00:10:17,450 --> 00:10:18,752 - WHAT PAGE YOU ON? 237 00:10:18,786 --> 00:10:20,287 DON'T ROUND UP TO THE NEAREST TEN. 238 00:10:20,320 --> 00:10:21,922 I KNOW YOUR TRICKS. 239 00:10:21,955 --> 00:10:23,857 - I'VE BEEN KIND OF BUSY, ASSHOLIO. 240 00:10:23,891 --> 00:10:26,226 - OF COURSE, OF COURSE, BUT YOU STARTED, RIGHT? 241 00:10:26,259 --> 00:10:28,996 I MEAN, YOU TYPED "FADE IN"? 242 00:10:29,029 --> 00:10:30,330 - CHARLIE, I HAVEN'T EVEN HAD TIME 243 00:10:30,363 --> 00:10:32,299 TO READ THE DRAFT THEY DON'T LIKE. 244 00:10:32,332 --> 00:10:35,335 - HANK, YOUR DEAL IS CLOSED. 245 00:10:35,368 --> 00:10:37,270 IT'S OKAY TO START WRITING. 246 00:10:37,304 --> 00:10:39,372 YOU SAID YOU WANTED TO DO THIS. 247 00:10:39,406 --> 00:10:41,174 - YES, BUT THAT WAS BEFORE I BECAME HANK MOODY, 248 00:10:41,208 --> 00:10:42,242 STATUTORY RAPIST. 249 00:10:42,275 --> 00:10:43,777 IT DOESN'T EXACTLY INSPIRE ONE 250 00:10:43,811 --> 00:10:44,878 TO SIT IN FRONT OF THE TYPER. 251 00:10:44,912 --> 00:10:46,013 - HEY, HEY. 252 00:10:46,046 --> 00:10:48,215 THIS KIND OF BALLYHOO DIDN'T STOP POLANSKI, DID IT? 253 00:10:48,248 --> 00:10:50,684 NO. THE MAN BANGED OUT SCRIPT AFTER SCRIPT, 254 00:10:50,718 --> 00:10:52,185 MOVIE AFTER MOVIE. 255 00:10:52,219 --> 00:10:54,354 HE WON HIMSELF A NICE LITTLE ACADEMY AWARD TOO, DIDN'T HE? 256 00:10:54,387 --> 00:10:56,356 - COMPARING ME TO THE WORLD'S MOST INFAMOUS 257 00:10:56,389 --> 00:10:57,324 FAN OF UNDERAGE GIRLS 258 00:10:57,357 --> 00:10:59,793 IS NOT THE WAY TO START A PEP TALK, CHARLIE. 259 00:10:59,827 --> 00:11:01,729 - ARE YOU FORGETTING ABOUT R. KELLY? 260 00:11:01,762 --> 00:11:03,263 JERRY LEE LEWIS. THERE'S ANOTHER ONE. 261 00:11:03,296 --> 00:11:04,698 SHIT. HE MARRIED ONE. 262 00:11:04,732 --> 00:11:07,034 I THINK SHE WAS HIS COUSIN TOO. 263 00:11:07,067 --> 00:11:08,435 THAT'S KIND OF HOT. 264 00:11:08,468 --> 00:11:09,870 - IF YOU SAY SO. 265 00:11:09,903 --> 00:11:12,105 - WORK WITH ME HERE, HANK. 266 00:11:12,139 --> 00:11:15,042 [cell phone vibrates] 267 00:11:15,075 --> 00:11:17,344 [uplifting music] 268 00:11:17,377 --> 00:11:24,918 * 269 00:11:26,319 --> 00:11:29,823 [electric guitar] 270 00:11:36,263 --> 00:11:38,999 - HEY. 271 00:11:39,032 --> 00:11:41,368 HI. 272 00:11:41,401 --> 00:11:42,369 - HI. 273 00:11:42,402 --> 00:11:43,871 - HUG? 274 00:11:43,904 --> 00:11:44,972 - TOO SOON. 275 00:11:45,005 --> 00:11:45,973 - FAIR ENOUGH. 276 00:11:46,006 --> 00:11:48,141 UM... 277 00:11:48,175 --> 00:11:49,810 SO YOU... [clears throat] 278 00:11:49,843 --> 00:11:52,012 YOU WANT TO, UH, GO FOR A WALK OR SOMETHING? 279 00:11:52,045 --> 00:11:54,447 YOU HUNGRY? YOU WANT TO GO DOWN TO THE STRAND, 280 00:11:54,481 --> 00:11:56,083 OR YOU WANT TO GET ICE CREAM OR SOMETHING? 281 00:11:56,116 --> 00:11:57,918 - NOT REALLY. 282 00:11:57,951 --> 00:12:01,154 - IS THERE ANYTHING THAT YOU WANT TO DO PARTICULARLY, 283 00:12:01,188 --> 00:12:05,058 OR ANYTHING YOU NEED? 284 00:12:05,092 --> 00:12:10,097 COME ON, BECCA. I'M DYING HERE. 285 00:12:10,130 --> 00:12:11,431 - I NEED GUITAR STRINGS. 286 00:12:11,464 --> 00:12:14,802 - OKAY. I CAN HELP WITH THAT. 287 00:12:14,835 --> 00:12:16,336 DEFINITELY. WE--WE--WE CAN GET ON-- 288 00:12:16,369 --> 00:12:18,205 LET'S GET ON IT. LET'S DO THIS. 289 00:12:18,238 --> 00:12:19,907 COME ON. IS THAT OKAY, KAREN? 290 00:12:19,940 --> 00:12:22,375 - AS LONG AS YOU COME STRAIGHT BACK. 291 00:12:22,409 --> 00:12:25,779 - WELL, IT'S NOT LIKE I'M GONNA MAKE A RUN FOR THE BORDER. 292 00:12:25,813 --> 00:12:28,348 - I DON'T KNOW WHAT YOU'RE CAPABLE OF NOWADAYS. 293 00:12:28,381 --> 00:12:31,184 - I'LL BE IN THE CAR. 294 00:12:39,226 --> 00:12:40,327 - THANK YOU, KAREN. 295 00:12:40,360 --> 00:12:45,065 I KNOW HOW HARD THIS MUST BE FOR YOU. 296 00:12:45,098 --> 00:12:47,167 - DO YOU? 297 00:13:01,982 --> 00:13:07,554 [electric guitar playing] 298 00:13:07,587 --> 00:13:11,091 - SOUNDS GOOD, JEFF BECCA. 299 00:13:11,124 --> 00:13:13,093 IT SOUNDS PRETTY GOOD. 300 00:13:13,126 --> 00:13:15,462 - WHAT? - YOU'VE BEEN PRACTICING. 301 00:13:15,495 --> 00:13:20,233 - YEAH, WELL, IT'S SOMETHING TO DO. 302 00:13:20,267 --> 00:13:22,970 - IT DOESN'T HAVE TO BE THIS HARD, BECCA. 303 00:13:23,003 --> 00:13:25,338 - SHOULDN'T IT BE HARD? 304 00:13:25,372 --> 00:13:27,440 I MEAN, ISN'T THAT PRETTY MUCH WHAT HAPPENS 305 00:13:27,474 --> 00:13:29,142 AFTER THE FINAL STRAW? 306 00:13:29,176 --> 00:13:32,946 IT'S IMPOSSIBLE TO MAKE THINGS GO BACK TO THE WAY THEY WERE? 307 00:13:32,980 --> 00:13:37,050 [plays guitar] 308 00:13:37,084 --> 00:13:38,051 - YOU LIKE THAT GUITAR? 309 00:13:38,085 --> 00:13:39,452 - WHAT'S NOT TO LIKE? 310 00:13:39,486 --> 00:13:41,088 IT'S A CLASSIC. 311 00:13:41,121 --> 00:13:43,190 - WELL, LET'S GET IT THEN. 312 00:13:43,223 --> 00:13:45,092 - NO WAY. IT'S TOO EXPENSIVE. 313 00:13:45,125 --> 00:13:46,894 - YOU WANT TO TAKE THE INSTRUMENT SERIOUSLY, 314 00:13:46,927 --> 00:13:48,528 YOU NEED A SERIOUS INSTRUMENT. COME ON. 315 00:13:48,561 --> 00:13:50,330 - WHATEVER. I DON'T WANT IT. SAVE YOUR MONEY. 316 00:13:50,363 --> 00:13:52,332 FOR A LAWYER. 317 00:13:56,036 --> 00:13:58,872 - WE'LL TAKE THIS ONE. 318 00:14:00,673 --> 00:14:03,310 THANK YOU. 319 00:14:03,343 --> 00:14:04,277 - THIS IS ONE HELL OF A FIDDLE. 320 00:14:04,311 --> 00:14:06,479 YOUNG LADY, YOU ARE ONE HELL OF A LUCKY GIRL. 321 00:14:06,513 --> 00:14:08,982 - THAT'S ME. A LUCKY GIRL. 322 00:14:09,016 --> 00:14:11,484 - YOU'LL THANK ME ONE DAY. 323 00:14:11,518 --> 00:14:12,452 [machine beeps] 324 00:14:12,485 --> 00:14:14,988 - IT CAME UP DECLINED ON THIS THING, MAN. 325 00:14:15,022 --> 00:14:16,223 - CAN YOU TRY IT AGAIN? 326 00:14:16,256 --> 00:14:17,390 - YEAH, IT'S ACTUALLY BEEN DOING THIS ALL DAY. 327 00:14:17,424 --> 00:14:19,192 [mutters] 328 00:14:19,226 --> 00:14:20,393 [beeps] 329 00:14:20,427 --> 00:14:22,562 NAH, I'M SORRY, MAN. IT'S DECLINED. 330 00:14:25,698 --> 00:14:27,334 HEY, YOU KNOW, NO WORRIES, MAN. 331 00:14:27,367 --> 00:14:28,601 I CAN SET THIS THING ASIDE FOR YOU. 332 00:14:28,635 --> 00:14:30,370 YOU KNOW, YOU GET YOUR CARD SORTED OUT. 333 00:14:30,403 --> 00:14:32,039 - WON'T BE NECESSARY. 334 00:14:32,072 --> 00:14:34,107 - OH, ALL RIGHT. 335 00:14:34,141 --> 00:14:35,642 SHE'S GOT TALENT, YOUR KID, BY THE WAY. 336 00:14:35,675 --> 00:14:36,643 GOT GREAT TALENT, MAN. 337 00:14:36,676 --> 00:14:38,178 LOT OF SOUL. 338 00:14:38,211 --> 00:14:40,380 - YEAH, SHE SURE DOES. 339 00:14:59,632 --> 00:15:02,035 HEY, YOU FORGOT THESE. 340 00:15:06,273 --> 00:15:08,441 HONEY, I LOVE YOU. 341 00:15:34,134 --> 00:15:37,737 - UH-HUH. RIGHT. OKAY. 342 00:15:37,770 --> 00:15:40,173 COOL. WE'LL SEE YOU THERE. 343 00:15:40,207 --> 00:15:43,110 WHAT, ARE YOU KIDDING? THIS IS GREAT NEWS. 344 00:15:43,143 --> 00:15:45,212 YEAH. OKAY. GOOD. 345 00:15:45,245 --> 00:15:46,646 [phone beeps] 346 00:15:46,679 --> 00:15:48,015 NO, NO, NO, NO, NO. 347 00:15:48,048 --> 00:15:49,082 PANTS ON, BUDDY BOY. 348 00:15:49,116 --> 00:15:50,150 WE GOT OURSELVES A MEETING. 349 00:15:50,183 --> 00:15:51,218 - OH, FUCK THAT NOISE. 350 00:15:51,251 --> 00:15:52,552 I'VE HAD A SHIT FUCKIN' DAY. 351 00:15:52,585 --> 00:15:54,354 MY PANTS ARE OFF. 352 00:15:54,387 --> 00:15:56,256 I'M JUST GONNA SIT HERE 353 00:15:56,289 --> 00:15:59,092 AND GET GOOD AND SNOOKERED AND WATCH MY STORIES. 354 00:15:59,126 --> 00:16:00,994 CAN YOU MAKE ME SOME DINNER? 355 00:16:01,028 --> 00:16:03,163 - HOW ABOUT I BUY YOU SOME DINNER? 356 00:16:03,196 --> 00:16:06,333 - MM. OH, CAN WE GO TO LONG JOHN SILVER'S? 357 00:16:06,366 --> 00:16:08,335 I USED TO LOVE THAT PLACE WHEN I WAS A KID. 358 00:16:08,368 --> 00:16:10,537 - I DON'T KNOW WHAT THE FUCK YOU'RE TALKING ABOUT RIGHT NOW, 359 00:16:10,570 --> 00:16:13,240 BUT I HAVE SOME VERY GOOD NEWS. 360 00:16:13,273 --> 00:16:15,742 EDDIE NERO WANTS TO SIT DOWN. 361 00:16:15,775 --> 00:16:17,377 - WHY? 362 00:16:17,410 --> 00:16:20,280 - WHY? BECAUSE HE WANTS TO PLAY YOU, DUMBASS, IN THE MOVIE. 363 00:16:20,313 --> 00:16:21,781 - NO, I HATE THAT FUCK, 364 00:16:21,814 --> 00:16:23,450 THAT SELF-SATISFIED PRICK. 365 00:16:23,483 --> 00:16:24,417 I'M HOLDING OUT FOR KEITEL. 366 00:16:24,451 --> 00:16:26,753 WHEN IN DOUBT, CALL IN THE BAD LIEUTENANT. 367 00:16:26,786 --> 00:16:28,588 PLUS THE GUY LOVES TO SHOW HIS DONG. 368 00:16:28,621 --> 00:16:30,157 GOT TO LOVE THAT IN A THESPIAN. 369 00:16:30,190 --> 00:16:31,158 - WE'LL PUT HIM ON THE LIST. 370 00:16:31,191 --> 00:16:32,259 COME--COME ON, COME ON. 371 00:16:32,292 --> 00:16:33,760 YOU'RE GONNA HAVE A GOOD TIME. COME ON. HERE WE GO. 372 00:16:33,793 --> 00:16:35,795 - WILL THERE BE ALCOHOLIC BEVERAGES? 373 00:16:35,828 --> 00:16:38,431 - MOST DEF. MOST DEF. AS MANY AS YOU LIKE. 374 00:16:38,465 --> 00:16:42,802 AND I'M SURE THERE WILL BE KIND WORDS AND FLATTERY. 375 00:16:42,835 --> 00:16:44,704 - CAN WE STOP AT IN-N-OUT ON THE WAY? 376 00:16:44,737 --> 00:16:46,106 - YES, HANK. WE CAN STOP AT IN-N-OUT. 377 00:16:46,139 --> 00:16:48,075 - YAY. - LET'S GO. LET'S GO. 378 00:16:48,108 --> 00:16:51,378 LET'S GO. PANTS UP. 379 00:16:51,411 --> 00:16:53,546 - BECCA HATES ME, CHARLIE. 380 00:16:58,718 --> 00:17:02,655 - SHE'LL GET OVER IT, BUDDY BOY. 381 00:17:02,689 --> 00:17:04,524 WE ALL DO. 382 00:17:16,569 --> 00:17:18,171 - SO IS THERE A SCRIPT? 383 00:17:18,205 --> 00:17:20,240 - FUCK NO. - BUT HE'S GETTING CLOSE. 384 00:17:20,273 --> 00:17:21,608 - ISH. 385 00:17:21,641 --> 00:17:24,744 HOPEFULLY IT'LL GIVE YOU A SIZEABLE BONER WHEN I'M DONE. 386 00:17:24,777 --> 00:17:26,679 - THANK YOU. 387 00:17:26,713 --> 00:17:28,515 - YOU KNOW WHAT I LIKE ABOUT YOU, MOODY? 388 00:17:28,548 --> 00:17:30,417 - NO, WHAT'S THAT? 389 00:17:33,620 --> 00:17:37,357 - YOU'RE HANDSOME. 390 00:17:37,390 --> 00:17:38,691 - WELL, AREN'T YOU THE CHARMER. 391 00:17:38,725 --> 00:17:41,161 - MOST WRITERS AREN'T HANDSOME. 392 00:17:41,194 --> 00:17:45,165 THEY'RE USUALLY PALE, SUN-STARVED, MAN-TITTED 393 00:17:45,198 --> 00:17:46,533 LITTLE WEAKLINGS LIKE YOUR FRIEND HERE. 394 00:17:46,566 --> 00:17:48,668 - THANK YOU. THANK YOU VERY MUCH. 395 00:17:48,701 --> 00:17:51,371 - ALWAYS WHINING ABOUT THE WORDS. 396 00:17:51,404 --> 00:17:54,407 IF IT AIN'T ON THE PAGE IT AIN'T ON THE STAGE. 397 00:17:54,441 --> 00:17:55,842 FUCK THAT. 398 00:17:55,875 --> 00:17:57,410 YOU KNOW WHAT I SAY? 399 00:17:57,444 --> 00:17:59,479 IF IT AIN'T ON THE STAGE, 400 00:17:59,512 --> 00:18:00,747 AIN'T NOBODY SHOWING UP 401 00:18:00,780 --> 00:18:03,150 AT THE GODDAMN MOTHERFUCKIN' THEATER ANYWAY. 402 00:18:03,183 --> 00:18:05,118 THIS ISN'T CLASSICAL MUSIC. 403 00:18:05,152 --> 00:18:07,554 THIS IS MOTHERFUCKIN' JAZZ! 404 00:18:07,587 --> 00:18:11,391 [imitates jazz music] 405 00:18:11,424 --> 00:18:13,593 [laughs] 406 00:18:13,626 --> 00:18:14,594 GOT ME? 407 00:18:14,627 --> 00:18:15,395 - NO. 408 00:18:15,428 --> 00:18:17,130 YOU REPRESENT EVERYTHING I HATE, 409 00:18:17,164 --> 00:18:18,565 BUT I DO FIND YOU HIGHLY ENTERTAINING. 410 00:18:18,598 --> 00:18:19,666 CONTINUE. PLEASE. 411 00:18:19,699 --> 00:18:21,901 - YOU'RE A FUCKIN' MAN. 412 00:18:21,934 --> 00:18:23,903 YOU UNDERSTAND THE DARK SIDE. 413 00:18:23,936 --> 00:18:25,305 - I DO? 414 00:18:25,338 --> 00:18:27,640 - YOU'VE SEEN SOME SHIT. 415 00:18:27,674 --> 00:18:31,778 A HANDSOME MAN COMES WITH A PRICE. 416 00:18:31,811 --> 00:18:34,314 IT'S A BURDEN. 417 00:18:34,347 --> 00:18:36,349 AND YOU UNDERSTAND THAT. 418 00:18:36,383 --> 00:18:42,255 AND THUS THE MOTHERFUCKIN' DARK SIDE. 419 00:18:42,289 --> 00:18:44,191 YOU KNOW YOU WANT TO GO! 420 00:18:44,224 --> 00:18:45,592 WELL, YOU KNOW YOU DO. 421 00:18:45,625 --> 00:18:46,859 LIKE A SEX MACHINE? MOVING IT? DOING IT? 422 00:18:46,893 --> 00:18:48,395 DOING IT? DOING IT? MOVING IT? 423 00:18:48,428 --> 00:18:49,396 - MOVING IT. MOVING IT. 424 00:18:49,429 --> 00:18:50,463 - YOU HEAR THIS GUY? 425 00:18:50,497 --> 00:18:52,932 BIBLES OF TRUTH. BIBLES OF TRUTH. 426 00:18:52,965 --> 00:18:54,767 BA-DOOP-BOOP. 427 00:18:54,801 --> 00:18:55,868 - EXCUSE ME? 428 00:18:55,902 --> 00:18:56,703 - HMM? WHAT? 429 00:18:56,736 --> 00:18:58,938 NO, I WAS AGREEING WITH YOU, EDDIE. 430 00:18:58,971 --> 00:19:00,940 I'M A BIG FAN, BY THE WAY. 431 00:19:00,973 --> 00:19:01,941 BIG FAN. 432 00:19:01,974 --> 00:19:03,510 - KEEP QUIET, LITTLE BOY. 433 00:19:03,543 --> 00:19:04,911 JUST SIT BACK AND NOD 434 00:19:04,944 --> 00:19:09,249 AND DRINK YOUR FUCKIN' GIRLY COCKTAIL. 435 00:19:09,282 --> 00:19:10,950 YOU KNOW WHAT I'D LIKE TO DO TO YOU? 436 00:19:10,983 --> 00:19:12,752 I'D LIKE TO SHOOT YOU IN THE DICK WITH A PAINTBALL GUN... 437 00:19:12,785 --> 00:19:13,853 - [laughs] 438 00:19:13,886 --> 00:19:17,624 - AND WATCH YOU SCREAM LIKE A 14-YEAR-OLD FAT GIRL. 439 00:19:17,657 --> 00:19:20,460 NO PLACE FOR YOU IN A MAN'S WORLD. 440 00:19:20,493 --> 00:19:23,663 FUCKIN' SUIT. RUINING EVERYTHING. 441 00:19:23,696 --> 00:19:25,932 - EDDIE, EDDIE, EDDIE, WHAT'S WITH THE FUCKIN' MOOD SWINGS? 442 00:19:25,965 --> 00:19:27,800 BE NICE TO MY FRIEND AND COUNTRYMAN. 443 00:19:27,834 --> 00:19:30,270 HAVE A FUCKIN' DRINK. PSYCHO. 444 00:19:30,303 --> 00:19:32,605 - OKAY. 445 00:19:34,907 --> 00:19:37,310 TO HARD COCKS. 446 00:19:37,344 --> 00:19:41,214 AND HANDSOME MEN. 447 00:19:41,248 --> 00:19:45,418 - ALL RIGHT. CHEERS. 448 00:19:45,452 --> 00:19:48,355 - COME ON, GOLDILOCKS. 449 00:19:50,957 --> 00:19:52,058 EXCUSE ME. 450 00:19:52,091 --> 00:19:56,429 I SEE A GIRL THAT I DEFECATED ON IN PALM SPRINGS ONCE. 451 00:19:59,966 --> 00:20:01,934 - HEY, GUYS. I'M SORRY I'M LATE. 452 00:20:01,968 --> 00:20:03,002 WHERE'S EDDIE GOING? 453 00:20:03,035 --> 00:20:04,704 - HE SAW SOMEONE HE POOPED ON ONCE. 454 00:20:04,737 --> 00:20:07,474 - SWEET. SO WHAT DO WE THINK? 455 00:20:07,507 --> 00:20:09,242 DO YOU THINK HE'D BE A GOOD HANK? 456 00:20:09,276 --> 00:20:11,678 - WE THINK HE'S PRETTY MUCH FUCKIN' INSANE. 457 00:20:11,711 --> 00:20:12,679 THAT'S WHAT WE THINK. 458 00:20:12,712 --> 00:20:13,746 - SPEAK FOR YOURSELF. 459 00:20:13,780 --> 00:20:15,448 I THOUGHT HE WAS VERY COMPELLING. 460 00:20:15,482 --> 00:20:16,583 - WHEN HE WAS CUPPING YOUR JUNK, 461 00:20:16,616 --> 00:20:17,884 YOU FOUND THAT COMPELLING, DID YOU? 462 00:20:17,917 --> 00:20:19,386 - I DID. IT WAS VERY INTENSE. 463 00:20:19,419 --> 00:20:20,920 CAN SEE WHY THE MAN HAS AN OSCAR. 464 00:20:20,953 --> 00:20:23,556 - HEY, YOU KNOW, I NEVER DID FINISH GIVING YOU MY NOTES. 465 00:20:23,590 --> 00:20:24,657 - OH, YEAH, I THINK YOU DID. 466 00:20:24,691 --> 00:20:25,792 - NO, I'M PRETTY SURE I DIDN'T. 467 00:20:25,825 --> 00:20:26,926 - WELL, GUESS WHAT? 468 00:20:26,959 --> 00:20:28,328 I'M NOT TAKING ANY MORE NOTES. 469 00:20:28,361 --> 00:20:29,596 I'M FULL. SO THERE. 470 00:20:29,629 --> 00:20:31,298 - HUH. 471 00:20:31,331 --> 00:20:33,533 YOUR CLIENT'S BEING VERY NAUGHTY. 472 00:20:33,566 --> 00:20:39,272 I THINK YOU SHOULD SEND HIM TO MY ROOM WITHOUT ANY SUPPER. 473 00:20:39,306 --> 00:20:41,408 - CHARLIE, THIS CAN'T BE WORTH IT. 474 00:20:41,441 --> 00:20:43,276 ALL FOR A STUPID, FUCKIN' MOVIE 475 00:20:43,310 --> 00:20:45,812 THAT'LL PROBABLY TURN OUT TO BE WORSE THAN THE LAST ONE. 476 00:20:45,845 --> 00:20:48,281 - THE ODDS ARE AGAINST US, MY FRIEND. 477 00:20:48,315 --> 00:20:50,617 ALWAYS. WHAT ARE YOU GONNA DO? 478 00:20:50,650 --> 00:20:51,618 GET A REAL JOB? 479 00:20:51,651 --> 00:20:53,386 [elevator bell dings] 480 00:21:14,807 --> 00:21:16,976 - HELLO? 481 00:21:19,412 --> 00:21:21,514 HELLO? 482 00:21:21,548 --> 00:21:23,015 SASHA BINGHAM. 483 00:21:23,049 --> 00:21:25,352 - HEY. HELLO. 484 00:21:25,385 --> 00:21:26,819 - HELLO. 485 00:21:26,853 --> 00:21:30,423 YOU ARE, UH, PRETTY NAKED UNDER THAT THING, AREN'T YOU? 486 00:21:30,457 --> 00:21:33,360 - YOU'RE PRETTY GOOD AT STATING THE OBVIOUS. 487 00:21:33,393 --> 00:21:35,995 - YOU KNOW, I GOT TO BE HONEST WITH YOU. 488 00:21:36,028 --> 00:21:40,066 UM, I DON'T THINK THAT WE CAN CONTINUE TO DO...STUFF. 489 00:21:40,099 --> 00:21:43,736 OF A--STUFF OF A PHYSICAL NATURE. 490 00:21:43,770 --> 00:21:45,505 - WHY IS THAT? 491 00:21:45,538 --> 00:21:46,706 YOU DIDN'T ENJOY YOURSELF? 492 00:21:46,739 --> 00:21:48,107 - NO, NO, SURE, IT WAS STELLAR. 493 00:21:48,140 --> 00:21:50,109 IT'S JUST THAT I DON'T REMEMBER MUCH AFTER THE KNOCKOUT. 494 00:21:50,142 --> 00:21:51,844 YOU KNOW. BUT SEX IS ALWAYS PRETTY GOOD. 495 00:21:51,878 --> 00:21:54,113 - PRETTY GOOD? - YEAH, YOU KNOW, LIKE PIZZA. 496 00:21:54,146 --> 00:21:55,982 OR MEXICAN FOOD OR SUSHI, EVEN. 497 00:21:56,015 --> 00:21:58,385 NO, NAH, SUSHI'S PRETTY HIT OR MISS. 498 00:21:58,418 --> 00:22:00,553 - IS THIS, LIKE, A TECHNIQUE OF YOURS, 499 00:22:00,587 --> 00:22:01,888 YOU KNOW, WHERE YOU INSULT THE GIRL 500 00:22:01,921 --> 00:22:03,022 SO SHE'LL WANT YOU EVEN MORE? 501 00:22:03,055 --> 00:22:05,358 BECAUSE IT'S TOTALLY WORKING. 502 00:22:05,392 --> 00:22:07,126 - YEAH, IT'S JUST THAT I'M-- 503 00:22:07,159 --> 00:22:09,762 I'M IN A HELL OF A LOT OF TROUBLE THESE DAYS. 504 00:22:09,796 --> 00:22:12,399 - YEAH, THIS WHOLE STATUTORY RAPE THING IS PRETTY FUCKED UP. 505 00:22:12,432 --> 00:22:13,733 - TOTALLY. 506 00:22:13,766 --> 00:22:15,402 - IT IS KIND OF HOT THOUGH TOO. 507 00:22:15,435 --> 00:22:17,637 YOU KNOW, KNOWING I SLEPT WITH A CRIMINAL. 508 00:22:17,670 --> 00:22:19,739 - ALLEGED CRIMINAL, THANK YOU VERY MUCH. 509 00:22:19,772 --> 00:22:20,740 - YES. 510 00:22:20,773 --> 00:22:22,742 - AND SPEAKING OF THAT BIT OF UNPLEASANTNESS, 511 00:22:22,775 --> 00:22:24,444 THE RAPE, NOT OUR PHYSICAL UNION, 512 00:22:24,477 --> 00:22:26,679 IT'S PROBABLY NOT THE BEST TIME FOR ME TO BE GETTING INVOLVED 513 00:22:26,713 --> 00:22:28,581 WITH THE ACTRESS WHO'S GONNA PLAY THE GIRL 514 00:22:28,615 --> 00:22:30,750 WHO I...RAPED, ALLEGEDLY. 515 00:22:30,783 --> 00:22:32,051 - I GET WHAT YOU'RE SAYING. 516 00:22:32,084 --> 00:22:33,152 THAT DOESN'T MEAN I DON'T WANT 517 00:22:33,185 --> 00:22:36,656 ONE OR MORE OF YOUR FINGERS IN MY VAGINA RIGHT NOW. 518 00:22:36,689 --> 00:22:37,957 - WHY YOU GOT TO TALK TO ME LIKE THAT? 519 00:22:37,990 --> 00:22:39,792 - TALK LIKE WHAT? 520 00:22:39,826 --> 00:22:43,463 - IT JUST MAKES IT KIND OF HARD TO... 521 00:22:43,496 --> 00:22:45,965 CLINK THEARLY. 522 00:22:45,998 --> 00:22:47,567 - [laughs] 523 00:22:47,600 --> 00:22:50,136 I GUESS IT DOES MAKE IT KIND OF HARD. 524 00:22:50,169 --> 00:22:52,138 [hard rock music] 525 00:22:52,171 --> 00:23:00,379 * 526 00:23:04,617 --> 00:23:06,586 - SHIT. - OH, I CAN DO BETTER. 527 00:23:06,619 --> 00:23:08,588 - OH, NO, NO, NO. IT'S THE DOOR. 528 00:23:08,621 --> 00:23:12,592 - WHAT? 529 00:23:12,625 --> 00:23:14,461 SHIT. SHIT, SHIT. EDDIE NERO. 530 00:23:14,494 --> 00:23:15,795 HOLD ON, EDDIE. 531 00:23:15,828 --> 00:23:16,996 - WHAT DOES THAT DOUCHEBAG WANT? 532 00:23:17,029 --> 00:23:18,498 - HE WANTED TO TALK ABOUT THE PROJECT, 533 00:23:18,531 --> 00:23:19,566 AND I TOLD HIM HE COULD STOP BY, 534 00:23:19,599 --> 00:23:20,700 BUT I DID NOT THINK HE WOULD. 535 00:23:20,733 --> 00:23:22,435 - I'LL GO THEN. I'LL JUST LEAVE. 536 00:23:22,469 --> 00:23:23,703 - YOU DON'T MIND? - NO, I DON'T MIND. 537 00:23:23,736 --> 00:23:24,971 I MEAN, MAYBE I SHOULD, 538 00:23:25,004 --> 00:23:27,574 BUT I JUST THINK I'M A LITTLE TOO TIRED TO FIGURE THAT OUT. 539 00:23:27,607 --> 00:23:28,775 SO, YOU KNOW, I'M GOOD. 540 00:23:28,808 --> 00:23:32,579 - HEY, ACTUALLY, JUST, UM, JUST HIDE IN THE BATHROOM, OKAY? 541 00:23:32,612 --> 00:23:34,180 HIDE IN THE BATHROOM? WHY DO I HAVE TO HIDE? 542 00:23:34,213 --> 00:23:35,915 - BECAUSE I DON'T WANT HIM TO KNOW YOU'RE HERE. DUH. 543 00:23:35,948 --> 00:23:37,149 - DUH? - YEAH. 544 00:23:37,183 --> 00:23:38,585 LOOK, THE SECRET TO BEING 545 00:23:38,618 --> 00:23:40,119 A SUCCESSFUL HOLLYWOOD ACTRESS 546 00:23:40,152 --> 00:23:41,721 IS PROJECTING THE VIBE 547 00:23:41,754 --> 00:23:44,591 THAT EVERYONE YOU WORK WITH HAS A SHOT AT FUCKING YOU. 548 00:23:44,624 --> 00:23:45,758 - THAT'S THE SECRET? 549 00:23:45,792 --> 00:23:46,793 YOU MEAN TO TELL ME 550 00:23:46,826 --> 00:23:48,628 THAT YOU WOULDN'T FUCK EDDIE NERO? 551 00:23:48,661 --> 00:23:51,163 ONE OF THE GREATEST ACTORS OF HIS GENERATION? 552 00:23:51,197 --> 00:23:52,632 ALLEGEDLY? 553 00:23:52,665 --> 00:23:54,133 - NO, I WOULD. HE'S HOT. 554 00:23:54,166 --> 00:23:55,968 THAT'S JUST NOT THE POINT. 555 00:23:56,002 --> 00:23:57,136 - HMM. HE POOPS ON PEOPLE. 556 00:23:57,169 --> 00:23:58,871 - JUST HIDE IN THE BATHROOM, OKAY? 557 00:23:58,905 --> 00:24:01,173 I'M GONNA GO GET RID OF HIM. GO DOWNSTAIRS FOR A DRINK. 558 00:24:01,207 --> 00:24:03,476 HOW DO I LOOK? - GOOD ENOUGH TO SHIT ON. 559 00:24:03,510 --> 00:24:04,577 - AH, HA HA. 560 00:24:04,611 --> 00:24:05,978 - WOULD IT KILL YOU TO PUT ON A BRA? 561 00:24:06,012 --> 00:24:08,715 - OOH. ARE YOU JEALOUS? - NO. 562 00:24:08,748 --> 00:24:10,783 - NO. - I'M NOT. 563 00:24:10,817 --> 00:24:13,920 IT'S JUST THAT I JUST HAD ONE OR MORE FINGERS INSIDE YOU, 564 00:24:13,953 --> 00:24:15,722 AND I--I DON'T KNOW WHERE YOU COME FROM, 565 00:24:15,755 --> 00:24:19,526 BUT THE WAY I WAS RAISED, THAT'S PRETTY INTIMATE. 566 00:24:22,662 --> 00:24:24,196 [exclaims] 567 00:25:16,783 --> 00:25:18,818 [soft moaning] 568 00:25:59,859 --> 00:26:02,261 "TO MY DEAR BEAUTIFUL DAUGHTER, 569 00:26:02,294 --> 00:26:03,896 "I'M WRITING YOU A LETTER. 570 00:26:03,930 --> 00:26:06,098 "THAT'S RIGHT, A GOOD OLD-FASHIONED LETTER. 571 00:26:06,132 --> 00:26:08,067 "IT'S A LOST ART, REALLY. 572 00:26:08,100 --> 00:26:09,836 LIKE HANDJOBS." 573 00:26:09,869 --> 00:26:12,338 SHIT. 574 00:26:12,371 --> 00:26:14,106 "I HAVE A CONFESSION TO MAKE. 575 00:26:14,140 --> 00:26:16,643 "I DIDN'T LIKE YOU VERY MUCH AT FIRST. 576 00:26:16,676 --> 00:26:19,145 "YOU WERE JUST THIS ANNOYING, LITTLE BLOB. 577 00:26:19,178 --> 00:26:22,281 "YOU SMELLED NICE. MOST OF THE TIME. 578 00:26:22,314 --> 00:26:25,117 "BUT YOU DIDN'T SEEM TO HAVE MUCH INTEREST IN ME. 579 00:26:25,151 --> 00:26:28,621 "WHICH I, OF COURSE, FOUND VAGUELY INSULTING. 580 00:26:28,655 --> 00:26:31,624 "IT WAS YOU AND YOUR MOM AGAINST THE WORLD. 581 00:26:31,658 --> 00:26:34,193 "FUNNY HOW SOME THINGS NEVER CHANGE. 582 00:26:34,226 --> 00:26:36,796 "SO I CRUISED ALONG, DOING MY THING, 583 00:26:36,829 --> 00:26:39,632 "ACTING THE FOOL, NOT REALLY UNDERSTANDING 584 00:26:39,666 --> 00:26:42,068 "HOW BEING A PARENT CHANGES YOU. 585 00:26:42,101 --> 00:26:45,938 "AND I DON'T REMEMBER THE EXACT MOMENT EVERYTHING CHANGED. 586 00:26:45,972 --> 00:26:48,107 "I JUST KNOW THAT IT DID. 587 00:26:48,140 --> 00:26:50,342 "ONE MINUTE I WAS IMPENETRABLE. 588 00:26:50,376 --> 00:26:52,044 "NOTHING COULD TOUCH ME. 589 00:26:52,078 --> 00:26:56,215 "THE NEXT, MY HEART WAS SOMEHOW BEATING OUTSIDE MY CHEST, 590 00:26:56,248 --> 00:26:58,785 "EXPOSED TO THE ELEMENTS. 591 00:26:58,818 --> 00:27:01,688 "LOVING YOU HAS BEEN THE MOST PROFOUND, 592 00:27:01,721 --> 00:27:04,857 "INTENSE, PAINFUL EXPERIENCE OF MY LIFE. 593 00:27:04,891 --> 00:27:08,027 "IN FACT, IT'S BEEN ALMOST TOO MUCH TO BEAR. 594 00:27:08,060 --> 00:27:09,128 "AS YOUR FATHER, 595 00:27:09,161 --> 00:27:12,331 "I MADE A SILENT VOW TO PROTECT YOU FROM THE WORLD, 596 00:27:12,364 --> 00:27:14,133 "NEVER REALIZING I WAS THE ONE 597 00:27:14,166 --> 00:27:16,302 "WHO WOULD END UP HURTING YOU THE MOST. 598 00:27:16,335 --> 00:27:19,706 "WHEN I FLASH FORWARD, MY HEART BREAKS. 599 00:27:19,739 --> 00:27:21,440 "MOSTLY BECAUSE I CAN'T IMAGINE YOU 600 00:27:21,473 --> 00:27:24,243 "SPEAKING OF ME WITH ANY SORT OF PRIDE. 601 00:27:24,276 --> 00:27:28,881 "HOW COULD YOU? YOUR FATHER IS A CHILD IN A MAN'S BODY. 602 00:27:28,915 --> 00:27:32,018 "HE CARES FOR NOTHING AND EVERYTHING AT THE SAME TIME. 603 00:27:32,051 --> 00:27:35,187 "NOBLE IN THOUGHT, WEAK IN ACTION. 604 00:27:35,221 --> 00:27:40,993 "SOMETHING HAS TO CHANGE. SOMETHING HAS TO GIVE. 605 00:27:41,027 --> 00:27:42,762 "IT'S GETTING DARK. 606 00:27:42,795 --> 00:27:44,831 TOO DARK TO SEE." 607 00:27:48,134 --> 00:27:50,803 Captioning by CaptionMax www.captionmax.com