1 00:00:07,541 --> 00:00:08,709 - [gasps] 2 00:00:08,742 --> 00:00:10,744 PREVIOUSLY ON CALIFORNICATION... 3 00:00:10,778 --> 00:00:12,746 THIS BETTER NOT BE AN INTERVENTION. 4 00:00:12,780 --> 00:00:14,382 - YOU GOTTA GET YOUR ASS TO REHAB. 5 00:00:14,415 --> 00:00:16,784 - WHY ARE YOU HERE? WHY ARE YOU WASTING ALL OF OUR TIME? 6 00:00:16,817 --> 00:00:18,486 MAYBE YOU'RE JUST AN ASSHOLE. 7 00:00:18,519 --> 00:00:21,222 - YOUR FRIEND CHARLIE SAID YOU DRANK YOUR OWN URINE. 8 00:00:21,255 --> 00:00:22,456 - HANK MOODY. 9 00:00:22,490 --> 00:00:23,791 - IS THAT ATTICUS FETCH? 10 00:00:23,824 --> 00:00:26,160 - LET'S MAKE A FUCKIN' MASTERPIECE. 11 00:00:26,194 --> 00:00:27,428 WHAT DO YOU SAY? 12 00:00:27,461 --> 00:00:28,696 - [retches] 13 00:00:28,729 --> 00:00:29,763 - [whimpers] 14 00:00:29,797 --> 00:00:31,199 - ARE YOU HIGH RIGHT NOW? 15 00:00:31,232 --> 00:00:32,100 - [laughs] 16 00:00:32,133 --> 00:00:34,235 IT WAS SUCH AN INCREDIBLE OPPORTUNITY, 17 00:00:34,268 --> 00:00:35,703 I DIDN'T WANT TO MISS OUT. - WHEN CAN YOU START? 18 00:00:35,736 --> 00:00:37,105 - I HAVE THE JOB? 19 00:00:37,138 --> 00:00:38,772 - WHAT DO YOU DO IN THE REAL WORLD? 20 00:00:38,806 --> 00:00:41,642 - I TRAVERSE THE GLOBE IN THE COMPANY OF MUSICIANS. 21 00:00:41,675 --> 00:00:43,411 - YOU'RE A GROUPIE. - I PREFER "MUSE." 22 00:00:43,444 --> 00:00:47,748 I WOKE UP WITH THE MOST GIFTED GUITAR PLAYER, BUT HE WAS DEAD. 23 00:00:47,781 --> 00:00:49,250 - DO YOU WANT TO GET HIGH? 24 00:00:55,589 --> 00:00:58,559 [rock music] 25 00:00:58,592 --> 00:01:01,795 * 26 00:01:01,829 --> 00:01:03,831 - LOOK, COULD I STAND TO LOSE A FEW POUNDS? 27 00:01:03,864 --> 00:01:05,433 SURE, I'M A BIG BOY, I GET IT, 28 00:01:05,466 --> 00:01:08,436 BUT ADDICTED TO FOOD? THAT'S JUST FUCKIN' GAY. 29 00:01:08,469 --> 00:01:10,638 GAY, MAN--I MEAN, NO OFFENSE, BUT IT'S GAY. 30 00:01:10,671 --> 00:01:12,406 I EAT 'CAUSE I LIKE THE TASTE. 31 00:01:12,440 --> 00:01:15,109 LOOK, IF I DIDN'T LIKE THE TASTE OF IT, I WOULDN'T EAT IT. 32 00:01:15,143 --> 00:01:18,179 YOU KNOW WHAT I'M TALKIN' ABOUT, SWEETHEART, RIGHT? HUH? 33 00:01:18,212 --> 00:01:20,148 - BUT WASN'T A TRIP TO THE EMERGENCY ROOM 34 00:01:20,181 --> 00:01:21,715 WHAT BROUGHT YOU HERE? SEVERE CHEST PAINS? 35 00:01:21,749 --> 00:01:23,284 - BULLSHIT. - BULLSHIT. 36 00:01:23,317 --> 00:01:24,852 - THAT WAS A PANIC ATTACK, NOT A HEART ATTACK. 37 00:01:24,885 --> 00:01:27,721 IT WAS A PANIC ATTACK BROUGHT ON BY THAT SHRILL VOICE 38 00:01:27,755 --> 00:01:29,357 OF THAT FUCKIN' MOTHER OF MINE. 39 00:01:29,390 --> 00:01:31,359 "OH, YOU'RE TOO FAT, TEDDY. YOU'RE GONNA DIE. 40 00:01:31,392 --> 00:01:33,227 "YOU'RE TOO FUCKIN' FAT TO DO ANYTHING, TEDDY. 41 00:01:33,261 --> 00:01:35,163 YOU'RE TOO FAT TO WORK THE SNOWBLOWER." 42 00:01:35,196 --> 00:01:37,631 FUCK HER. SHE'S THE REASON I'M IN HERE, YOU UNDERSTAND? 43 00:01:37,665 --> 00:01:40,268 THEY TOOK AN EKG ON ME, ALL RIGHT? 44 00:01:40,301 --> 00:01:42,170 I GOT THE HEART OF A TEENAGER. 45 00:01:42,203 --> 00:01:44,538 - [laughs] 46 00:01:44,572 --> 00:01:46,374 A MORBIDLY OBESE TEENAGER. 47 00:01:46,407 --> 00:01:49,177 - [mocking laugh] - [laughs] COME ON. 48 00:01:49,210 --> 00:01:51,912 DON'T BE SO SENSITIVE. 49 00:01:51,945 --> 00:01:52,613 - FAITH? 50 00:01:52,646 --> 00:01:55,516 DO YOU KNOW WHAT TIME IT IS? 51 00:01:55,549 --> 00:01:58,219 IT'S TIME TO GET REAL. 52 00:01:58,252 --> 00:02:00,521 SHARE WITH US. 53 00:02:00,554 --> 00:02:01,889 - WELL, UM, 54 00:02:01,922 --> 00:02:04,292 AS MANY OF YOU KNOW... - [coughs] 55 00:02:04,325 --> 00:02:08,196 - THE OTHER DAY I WOKE UP NEXT TO A GUY 56 00:02:08,229 --> 00:02:12,433 I WAS PRETTY FUCKING FOND OF, AND HE WAS DEAD. 57 00:02:12,466 --> 00:02:18,372 SO TEARS WERE SHED, BOOS WERE FUCKIN' HOO'D, 58 00:02:18,406 --> 00:02:20,308 AND IT SUCKS TO BE ME. 59 00:02:20,341 --> 00:02:21,775 - AND THAT LED TO THE DRUGS AND ALCOHOL. 60 00:02:21,809 --> 00:02:23,911 - NO, NOT REALLY. 61 00:02:23,944 --> 00:02:26,914 UM, BEEN ON PRETTY GOOD TERMS WITH DRUGS AND ALCOHOL. 62 00:02:26,947 --> 00:02:28,849 - HALLELUJAH! PREACH ON, SISTER. 63 00:02:28,882 --> 00:02:30,484 - YOU KNOW WHAT I THINK, FAITH? 64 00:02:30,518 --> 00:02:32,553 I THINK YOU NEED TO GO AND SAY GOOD-BYE TO THIS MAN. 65 00:02:32,586 --> 00:02:36,257 - TOO LATE. FUNERAL'S HAPPENING AS WE SPEAK. 66 00:02:36,290 --> 00:02:37,925 - WELL, THEN YOU SHOULD BE THERE. 67 00:02:37,958 --> 00:02:41,929 - THAT WOULD BE A PRETTY SERIOUS BREACH OF GROUPIE ETIQUETTE. 68 00:02:41,962 --> 00:02:43,797 - YEAH, WELL, NOT HEALING THYSELF, 69 00:02:43,831 --> 00:02:45,666 THAT'S A SERIOUS BREACH OF HUMAN ETIQUETTE. 70 00:02:45,699 --> 00:02:48,769 - BIBLES OF TRUTH, GABE. AS-SALAAM ALAIKUM, MY BROTHER! 71 00:02:48,802 --> 00:02:49,937 - [laughs] 72 00:02:49,970 --> 00:02:51,339 "AS-ALAIKA MALA." [laughs] 73 00:02:51,372 --> 00:02:53,807 [coughs] I'M SORRY. - [laughs] 74 00:02:53,841 --> 00:02:56,910 - YOU SHOULD GO, FAITH. PAY YOUR RESPECTS. SAY GOOD-BYE. 75 00:02:56,944 --> 00:02:58,679 THE WEIGHT, IT WILL LIFT OFF YOUR CHEST 76 00:02:58,712 --> 00:03:00,548 AND YOU WILL BE ABLE TO SOAR AGAIN. 77 00:03:00,581 --> 00:03:03,284 - THAT'S ALL WELL AND GOOD, IT REALLY IS, 78 00:03:03,317 --> 00:03:07,855 BUT I CAN'T JUST SHOW UP THERE ALL ALONE. [laughs] I C-- 79 00:03:07,888 --> 00:03:11,825 I MEAN, THE CHICK WHO ROLLS UP SOLO TO A FUNERAL 80 00:03:11,859 --> 00:03:14,762 IS USUALLY THE ONE WHO WAS FUCKING THE DEAD GUY. 81 00:03:14,795 --> 00:03:16,564 - HEY, THE ANSWER IS YES, SWEETHEART. 82 00:03:16,597 --> 00:03:18,832 I'LL BE YOUR DATE, ANY TIME. HERE'S THE THING, THOUGH, 83 00:03:18,866 --> 00:03:20,734 CAN WE STOP BY AN IN-N-OUT BURGER ON THE WAY? 84 00:03:20,768 --> 00:03:23,971 I'M FUCKING FAMISHED. [laughs] 85 00:03:24,004 --> 00:03:25,473 - HANK? - YES, GABE? 86 00:03:25,506 --> 00:03:26,840 - I THINK THAT YOU SHOULD GO WITH FAITH. 87 00:03:26,874 --> 00:03:28,342 - OH, GOSH. 88 00:03:28,376 --> 00:03:30,844 I WOULD TOTALLY LOVE TO, BUT, UH, 89 00:03:30,878 --> 00:03:32,580 FUNERALS KINDA BUM ME OUT. - YEAH. 90 00:03:32,613 --> 00:03:34,448 WELL, I THINK IT WOULD BE A GOOD TEST FOR YOU 91 00:03:34,482 --> 00:03:36,850 TO GO OUT INTO THE REAL WORLD, SEE IF YOU CAN STAY SOBER. 92 00:03:36,884 --> 00:03:38,752 - OH, I DON'T SEE WHY I WOULD. 93 00:03:38,786 --> 00:03:40,321 - YEAH. WELL, I THINK YOU SHOULD TRY. 94 00:03:40,354 --> 00:03:42,290 - TELL ME THE TRUTH, GABE. YOU JUST WANT ME 95 00:03:42,323 --> 00:03:45,259 OUT OF YOUR HAIR FOR THE DAY, IS THAT RIGHT? 96 00:03:45,293 --> 00:03:45,893 - YES. 97 00:03:45,926 --> 00:03:47,661 - THAT SHIT IS COLD. 98 00:03:47,695 --> 00:03:49,397 I'M JUST SAYIN'. 99 00:03:49,430 --> 00:03:52,933 AH, FUCK STICKS. I GUESS A FIELD TRIP 100 00:03:52,966 --> 00:03:56,304 DOES SOUND KINDA GOOD TO ME RIGHT ABOUT NOW. OKAY. 101 00:03:56,337 --> 00:03:58,772 CAN I BRING ANYTHING BACK FOR YOU DAMAGED FUCKERS? 102 00:03:58,806 --> 00:04:01,942 SOME COKE? SOME HEROIN? SOME, UH, PINK DOT? 103 00:04:01,975 --> 00:04:03,411 - YEAH, IF YOU GO TO PINK DOT, 104 00:04:03,444 --> 00:04:05,012 GET ME SOME BON BONS OR A DOUBLE DOG, OR SO-- 105 00:04:05,045 --> 00:04:06,780 AND DON'T TEASE ME, PRETTY BOY. 106 00:04:06,814 --> 00:04:08,682 I'LL FUCKIN' LAY YOU OUT, RIGHT? 107 00:04:08,716 --> 00:04:11,685 [upbeat music] 108 00:04:11,719 --> 00:04:19,827 * 109 00:04:57,931 --> 00:05:04,037 [moaning from the TV] 110 00:05:05,639 --> 00:05:07,074 - NOTHING. 111 00:05:07,107 --> 00:05:12,446 MAN-ON-MAN SEX IS INTRIGUING, YES, BUT NOT AROUSING. 112 00:05:12,480 --> 00:05:14,582 THAT'S VERY INTERESTING. 113 00:05:14,615 --> 00:05:15,883 [yells] 114 00:05:15,916 --> 00:05:19,086 [groans in frustration] 115 00:05:19,119 --> 00:05:21,955 [sighs] - IT'S--IT'S-- 116 00:05:21,989 --> 00:05:23,457 IT'S OKAY, CHARLIE. 117 00:05:23,491 --> 00:05:25,693 IT WAS BOUND TO HAPPEN SOONER OR LATER, BUDDY. 118 00:05:25,726 --> 00:05:29,997 IT'S OKAY, I-I SUPPORT YOU. IN FACT, I AM PROUD OF YOU. 119 00:05:30,030 --> 00:05:33,701 - NO, HANK, NO! I WAS JUST-- I WAS TESTING MYSELF, 120 00:05:33,734 --> 00:05:36,970 'CAUSE I'M IN A PICKLE, HANK. IT'S A BIG, GAY PICKLE. 121 00:05:37,004 --> 00:05:39,139 - I'M SURE IT IS, MY BALD BROMOSEXUAL, 122 00:05:39,172 --> 00:05:41,709 AND I SUPPORT YOU NO MATTER HOW MANY DUDES YOU PLOW. 123 00:05:41,742 --> 00:05:42,876 I JUST GOTTA GRAB A SUIT. 124 00:05:42,910 --> 00:05:44,512 - WHAT ARE YOU DOING OUT OF REHAB? 125 00:05:44,545 --> 00:05:45,846 - I GOT A FUNERAL. 126 00:05:45,879 --> 00:05:47,381 - WHAT? WHO DIED? 127 00:05:47,415 --> 00:05:48,582 - A GUY I WAS SEEING. 128 00:05:48,616 --> 00:05:49,983 - FAITH, CHARLIE. CHARLIE, FAITH. 129 00:05:50,017 --> 00:05:51,719 CHARLIE IS MY BALD, GAY AGENT. 130 00:05:51,752 --> 00:05:55,423 - LOVELY TO MEET YOU, FAITH. I'M TRULY SORRY FOR YOUR LOSS. 131 00:05:55,456 --> 00:05:57,525 I'M NOT GAY. IS THERE ANYTHING I CAN DO? 132 00:05:57,558 --> 00:06:00,528 - NO. THANK YOU, CHARLIE. THAT'S VERY SWEET. 133 00:06:00,561 --> 00:06:02,029 IT'S TRUE WHAT THEY SAY. - OH? 134 00:06:02,062 --> 00:06:03,431 GAY MEN ARE MORE SENSITIVE. 135 00:06:03,464 --> 00:06:05,032 - GONNA NEED THE PORSCHE TOO. 136 00:06:05,065 --> 00:06:06,867 - BUT I'VE GOT A BIG, GAY MEETING TODAY. 137 00:06:06,900 --> 00:06:10,003 - I BELIEVE FUNERAL TRUMPS BIG, GAY HOLLYWOOD MEETING, 138 00:06:10,037 --> 00:06:12,139 DON'T YOU THINK? - OH, DEPENDS WHOSE FUNERAL, 139 00:06:12,172 --> 00:06:13,507 I THINK. - DEAD ROCK STAR. 140 00:06:13,541 --> 00:06:16,710 - OH, OKAY, YEAH. SORRY. TAKE THE CAR. 141 00:06:16,744 --> 00:06:18,011 - THANKS, CHARLIE. 142 00:06:18,045 --> 00:06:21,014 NOW YOU CAN GET BACK TO YOUR GAY PORN. 143 00:06:21,048 --> 00:06:22,683 [moaning] - OH, YEAH. OH. 144 00:06:22,716 --> 00:06:25,118 [moaning] 145 00:06:25,152 --> 00:06:28,489 [hard rock music] 146 00:06:28,522 --> 00:06:36,464 * 147 00:06:41,168 --> 00:06:42,169 - HEY. - HEY. 148 00:06:42,202 --> 00:06:43,637 - IS KRULL AROUND? 149 00:06:43,671 --> 00:06:46,106 - UH, THAT DEPENDS. ARE YOU ON THE LIST? 150 00:06:46,139 --> 00:06:48,542 - MOST DEFINITELY NOT, MY GOOD SIR, BUT, UH, 151 00:06:48,576 --> 00:06:50,578 KRULL, THE TOUR MANAGER SHOULD BE AROUND HERE SOMEWHERE. 152 00:06:50,611 --> 00:06:53,013 HE'LL VOUCH FOR ME. - UM, SURE, SURE, 153 00:06:53,046 --> 00:06:54,682 BUT MAYBE I CAN VOUCH FOR YOU. 154 00:06:54,715 --> 00:06:58,018 MAYBE WE CAN MAKE THIS WHOLE THING BENEFICIAL FOR BOTH OF US. 155 00:06:58,051 --> 00:07:00,788 I MEAN, I WANT TO GET IT IN, YOU WANT IN, 156 00:07:00,821 --> 00:07:02,189 HOW BAD YOU WANT IT? TALK TO ME. 157 00:07:02,222 --> 00:07:06,193 - REALLY, DUDE? AT A FUNERAL? HAVE YOU NO SHAME? 158 00:07:06,226 --> 00:07:07,995 WHAT, ARE WE GONNA GO BEHIND A TOMBSTONE? 159 00:07:08,028 --> 00:07:09,663 YOU BELIEVE THIS FUCKIN' GUY? 160 00:07:09,697 --> 00:07:11,599 - I'M NOT GONNA SUCK HIS DICK TO GET YOU IN THERE. 161 00:07:11,632 --> 00:07:12,933 - DON'T KNOCK IT TILL YOU TRY IT. 162 00:07:12,966 --> 00:07:14,034 BLOWJOBS OPEN A LOT OF DOORS. 163 00:07:14,067 --> 00:07:15,536 - BITCH. - OKAY, YOU KNOW WHAT? 164 00:07:15,569 --> 00:07:17,771 MOVE IT ALONG, GROUPIE, AND TAKE HIM WITH YOU. 165 00:07:17,805 --> 00:07:19,973 - YOU WATCH YOUR TONGUE, YOU FILTHY MONGREL. 166 00:07:20,007 --> 00:07:22,810 THIS IS FAITH. ALL RIGHT? 167 00:07:22,843 --> 00:07:25,078 HAVE A LOOK AND GRASP THE COSMIC IMPORTANCE 168 00:07:25,112 --> 00:07:27,515 OF THIS LOVELY, YOUNG LADY. 169 00:07:27,548 --> 00:07:29,950 WITHOUT HER THERE'D BE NO ROCK AND ROLL. 170 00:07:29,983 --> 00:07:32,219 GET IT? GOT IT? 171 00:07:32,252 --> 00:07:34,087 GOOD, NOW, FUCK OFF, FATTY. 172 00:07:34,121 --> 00:07:35,856 - [laughs] 173 00:07:35,889 --> 00:07:37,224 KRULL, COME HERE. MWAH. 174 00:07:37,257 --> 00:07:38,826 THANK YOU, YOU'RE THE BEST. 175 00:07:38,859 --> 00:07:41,829 - ANYTHING FOR YOU, LOVE. WHO'S THE CIVILIAN? 176 00:07:41,862 --> 00:07:44,264 - HANK. KRULL, HANK. 177 00:07:44,297 --> 00:07:47,200 - KRULL. RIGHT ON. 178 00:07:47,234 --> 00:07:48,201 GOOD TO MEET YOU. - [chuckles] 179 00:07:48,235 --> 00:07:50,270 - ONE DEAD ROCK STAR, 180 00:07:50,303 --> 00:07:52,272 NOW WE'RE DATING GEEZERS FROM THE REAL WORLD? 181 00:07:52,305 --> 00:07:54,241 - DOES HE LOOK LIKE HE'S FROM THE REAL WORLD? 182 00:07:54,274 --> 00:07:57,010 AND DO I LOOK LIKE I DATE? HE'S A FRIEND. 183 00:07:57,044 --> 00:07:58,579 - FRENEMY, REALLY. 184 00:07:58,612 --> 00:07:59,713 - YEAH. 185 00:07:59,747 --> 00:08:02,015 - WHAT ARE YOU DOING HERE, LOVE? YOU'RE NOT PLAYING NICE. 186 00:08:02,049 --> 00:08:03,684 - I JUST CAME TO PAY MY RESPECTS. 187 00:08:03,717 --> 00:08:07,287 - I LOVE YOU, BABE, I REALLY DO, BUT YOU KNOW WHAT I MEAN? 188 00:08:07,320 --> 00:08:08,856 IT'S INAPPROPRIATE, YOU BEIN' HERE. 189 00:08:08,889 --> 00:08:10,123 IT'S HIS OLD LADY. 190 00:08:10,157 --> 00:08:11,859 - COME ON, KRULL, I'LL BE IN AND OUT. 191 00:08:11,892 --> 00:08:15,696 NO MONKEY BUSINESS, I PROMISE. PLEASE, DON'T MAKE ME BEG. 192 00:08:15,729 --> 00:08:16,897 - YOU PROMISE. 193 00:08:16,930 --> 00:08:19,800 - SCOUT'S HONOR. 194 00:08:22,936 --> 00:08:24,137 - ALL RIGHT. 195 00:08:24,171 --> 00:08:25,606 KRULLER, COMIN' THROUGH. - NOT YOU, PAL. 196 00:08:25,639 --> 00:08:27,140 NOT YOU, PAL. - ALL RIGHT, NO PLUS ONE. 197 00:08:27,174 --> 00:08:29,509 UH-UHH. MM. - GOOD NIGHT. GOOD NIGHT. 198 00:08:41,054 --> 00:08:43,791 - AH, HELLO, HELLO. MM. 199 00:08:43,824 --> 00:08:46,159 - [laughs] - AH, KISS ON THE HEAD. AH. 200 00:08:46,193 --> 00:08:48,328 - GOTTA SAY, CHARLIE, I DON'T KNOW HOW I FEEL 201 00:08:48,361 --> 00:08:50,698 ABOUT MY NEW AGENT SHOWING UP IN A CAB. 202 00:08:50,731 --> 00:08:53,667 - SORRY, SORRY. THE PORSCHE IS IN THE SHOP. 203 00:08:53,701 --> 00:08:56,036 - DON'T WORRY, ROBBIE, CHARLIE'S GONNA GET A BIG RAISE. 204 00:08:56,069 --> 00:08:57,571 HE'LL BE ABLE TO AFFORD A SECOND CAR. 205 00:08:57,605 --> 00:08:59,707 - I'M GETTING A RAISE? - YOU BET, BUDDY. 206 00:08:59,740 --> 00:09:03,644 PARTNERS TALKED ABOUT IT. YOU'RE GOIN' PLACES, DOROTHY. 207 00:09:03,677 --> 00:09:04,878 - CHARLIE, I GOT A QUESTION FOR YOU. 208 00:09:04,912 --> 00:09:06,079 - YEAH, WHAT'S THAT? 209 00:09:06,113 --> 00:09:07,948 - HOW MANY DICKS HAVE YOU SUCKED TODAY? 210 00:09:07,981 --> 00:09:10,818 - [laughs] 211 00:09:10,851 --> 00:09:14,655 UH, SADLY, IT HAS BEEN A DICK-FREE DAY THUS FAR. 212 00:09:14,688 --> 00:09:18,058 - [clicks tongue] CHARLIE. DOESN'T HAVE TO BE THAT WAY. 213 00:09:18,091 --> 00:09:21,194 HAVE YOU TRIED GRINDR? - MM, I DON'T BELIEVE I HAVE. 214 00:09:21,228 --> 00:09:23,931 - OOH, YOU'D KNOW. - [chuckles] 215 00:09:23,964 --> 00:09:26,667 - IT'S AN APP. HERE, GIVE ME YOUR PHONE. 216 00:09:26,700 --> 00:09:29,336 - IT'S AMAZING, CHARLIE. IT USES YOUR GPS. 217 00:09:29,369 --> 00:09:31,739 ANYWHERE YOU ARE, YOU CAN FIND A GUY WHO'S READY TO FUCK. 218 00:09:31,772 --> 00:09:36,076 - WOW. STEVE JOBS. RESPECT. 219 00:09:36,109 --> 00:09:39,346 - THERE YOU GO. YOU'RE ALL SET. YOU'RE THE "BALD BEAR." 220 00:09:39,379 --> 00:09:42,382 - [laughs] GREAT. 221 00:09:42,415 --> 00:09:44,351 OKAY, [clears throat] ROBBIE. 222 00:09:44,384 --> 00:09:46,253 YOU'RE CLEAN, YOU'RE SOBER, 223 00:09:46,286 --> 00:09:47,921 LET'S GET YOU BACK IN THE GAME, HUH? 224 00:09:47,955 --> 00:09:51,725 LET'S REMIND THIS TOWN HOW FUCKING GOOD YOU REALLY ARE. 225 00:09:51,759 --> 00:09:53,226 ALL RIGHT, I GOT THREE SCRIPTS HERE. 226 00:09:53,260 --> 00:09:56,096 ANY ONE OF 'EM WOULD BE A KILLER MOVE. 227 00:09:56,129 --> 00:09:59,700 THIS ONE, A REMAKE OF CRUISING. 228 00:10:00,768 --> 00:10:02,936 - THAT'S AN INTERESTING IDEA. 229 00:10:02,970 --> 00:10:05,238 - IT'S A FUCKING HOT IDEA IS WHAT IT IS. 230 00:10:05,272 --> 00:10:07,875 SCRIPT GAVE ME A RAGING BONER. 231 00:10:07,908 --> 00:10:10,978 - ME TOO. [laughter] 232 00:10:11,011 --> 00:10:14,882 - OH, THERE YOU GO. YOUR FIRST DICK OF THE DAY. 233 00:10:16,016 --> 00:10:17,250 - HUH? WHAT? 234 00:10:17,284 --> 00:10:19,753 - GO FOR IT. YOU DESERVE IT. 235 00:10:19,787 --> 00:10:23,156 - OH, NO, NO, NO, NO, NO, NO, NO, NO, NO. 236 00:10:23,190 --> 00:10:25,125 I'M GOOD, I'M GOOD, YEAH. SEE, 237 00:10:25,158 --> 00:10:26,727 I JUST BEAT OFF THIS MORNING. 238 00:10:26,760 --> 00:10:28,729 YEAH, SHOULD CARRY ME RIGHT THROUGH LUNCH. 239 00:10:28,762 --> 00:10:31,665 - CHARLIE, WOULD YOU RATHER BEAT OFF 240 00:10:31,699 --> 00:10:34,067 OR GET YOUR DICK SUCKED BY A 21-YEAR-OLD 241 00:10:34,101 --> 00:10:36,303 WHO JUST SKIPPED OUT OF CRUNCH? 242 00:10:38,471 --> 00:10:42,342 - I SEE YOUR POINT. - CHARLIE, I INSIST. 243 00:10:42,375 --> 00:10:45,012 - THE CLIENT INSISTS, CHARLIE. 244 00:10:45,045 --> 00:10:48,982 NOW GO GET YOUR DICK SUCKED BY A STRANGER. 245 00:11:08,135 --> 00:11:09,770 - MISS YOU, BROHEME. 246 00:11:09,803 --> 00:11:11,705 I GOT THE FEELING THIS IS THE KIND OF SHINDIG 247 00:11:11,739 --> 00:11:12,840 YOU WOULD DIG, YOU KNOW? 248 00:11:12,873 --> 00:11:18,378 - [hiccups] - OOH. HOWDY. 249 00:11:18,411 --> 00:11:22,115 - HOWDY YOURSELF. I'M THE WIDOW. 250 00:11:22,149 --> 00:11:26,419 - OH, SHITNESS. MY CONDOLIES, AND WHATNOT. I'M HANK. 251 00:11:26,453 --> 00:11:28,321 - HOW DO YOU KNOW MY HUSBAND? 252 00:11:28,355 --> 00:11:30,423 - OH, I-I DIDN'T. I DIDN'T, I'M--I'M HERE WITH A FRIEND, 253 00:11:30,457 --> 00:11:32,760 AND VISITING WITH ANOTHER FRIEND. 254 00:11:32,793 --> 00:11:34,194 - YOU YOU KNOW WHAT THE WEIRD THING IS, FRANK? 255 00:11:34,227 --> 00:11:35,495 - UH, HANK. 256 00:11:35,528 --> 00:11:38,098 - MY HUSBAND'S DEAD AND I'M NUMB. 257 00:11:38,131 --> 00:11:40,367 - IT'S NOT SO WEIRD. - I JUST WANT TO FEEL SOMETHING, 258 00:11:40,400 --> 00:11:41,468 YOU KNOW? ANYTHING. - YEAH, YOU KNOW, IT'S-- 259 00:11:41,501 --> 00:11:43,070 IT'S UNDERSTANDABLE. 260 00:11:43,103 --> 00:11:44,471 I-I'M GOING THROUGH A SIMILAR THING RIGHT NOW. 261 00:11:44,504 --> 00:11:47,207 - I-I-I TOTALLY UNDERSTAND-- - SHUT UP! 262 00:11:47,240 --> 00:11:50,410 YOU'LL DO. 263 00:11:50,443 --> 00:11:52,412 - UH, [chuckles] - [laughs] 264 00:11:52,445 --> 00:11:54,948 HAVE YOU GOT A FEW MINUTES, FRANK? 265 00:11:54,982 --> 00:11:56,884 - WELL-- - 'CAUSE I'D REALLY LOVE 266 00:11:56,917 --> 00:11:58,786 TO GOB YOUR KNOB. 267 00:11:58,819 --> 00:12:02,189 - WELL, ANYTHING IN YOUR TIME OF NEED. COME ON. 268 00:12:02,222 --> 00:12:04,925 - [laughs] 269 00:12:04,958 --> 00:12:05,893 MM. 270 00:12:07,795 --> 00:12:11,398 [zipper zips] - LOOK AT THIS. 'ELLO. 271 00:12:12,900 --> 00:12:14,167 BRILLIANT. 272 00:12:14,201 --> 00:12:15,268 - HEY. 273 00:12:15,302 --> 00:12:18,839 - OH, HEY, UH, COULD YOU, UH, 274 00:12:18,872 --> 00:12:20,540 COULD YOU--COULD YOU GIVE US A FEW MINUTES HERE? 275 00:12:20,573 --> 00:12:21,909 - [laughs] OH, WHAT THE FUCK, DUDE? 276 00:12:21,942 --> 00:12:23,376 - CAN YOU GIVE ME A FEW MINUTES? 277 00:12:23,410 --> 00:12:24,912 - ALL RIGHT, IT'S YOUR FIELD TRIP TOO. 278 00:12:24,945 --> 00:12:26,246 - COME HERE. COME ON-- COME HERE, COME HERE. 279 00:12:26,279 --> 00:12:27,514 [straining] OH. - WHAT? OH. 280 00:12:27,547 --> 00:12:29,249 - IT WAS--IT WAS VERY NICE TO MEET YOU... 281 00:12:29,282 --> 00:12:30,517 - SO NICE TO MEET YOU. BRILLIANT. 282 00:12:30,550 --> 00:12:32,385 - AND I'M SO SORRY FOR YOUR LOSS. 283 00:12:32,419 --> 00:12:33,987 - NOT AS SORRY AS I AM, MY LOVE. 284 00:12:34,021 --> 00:12:37,825 - MM, APPARENTLY, HE IS NOT AS SORRY AS I AM. 285 00:12:39,960 --> 00:12:43,130 - YOU. 286 00:12:43,163 --> 00:12:44,164 - ME? 287 00:12:44,197 --> 00:12:46,900 - YOU LOOK FAMILIAR. 288 00:12:46,934 --> 00:12:48,201 - I DON'T BELIEVE WE'VE MET. 289 00:12:48,235 --> 00:12:50,871 - NO, I DON'T BELIEVE WE HAVE. 290 00:12:50,904 --> 00:12:53,406 YOU WERE ON THE ROAD WITH HIM, WEREN'T YOU? 291 00:12:53,440 --> 00:12:55,809 - OH, YOU MEAN BIG DAVE IN LIGHTING? 292 00:12:55,843 --> 00:12:58,211 YEAH, WELL, YOU KNOW, BINGO STARR. 293 00:12:58,245 --> 00:13:00,047 - OH, GIMME A BREAK. 294 00:13:00,080 --> 00:13:02,049 YOU'RE WAY TOO HOT FOR THE LIGHTING GUY. 295 00:13:02,082 --> 00:13:03,216 - WELL, THANK YOU. 296 00:13:03,250 --> 00:13:04,952 - NO, I RE-- I REMEMBER YOU. 297 00:13:04,985 --> 00:13:08,588 I REMEMBER, THE RECORD COMPANY THREW SOME KIND OF A PARTY. 298 00:13:08,621 --> 00:13:12,425 WAS IT GREENVILLE? MAYBE, I DON'T REMEMBER, 299 00:13:12,459 --> 00:13:14,895 BUT YOU WERE SORT OF HANGIN' AROUND. 300 00:13:14,928 --> 00:13:17,330 THERE WAS ENTIRELY WAY TOO MUCH EYE CONTACT 301 00:13:17,364 --> 00:13:19,332 BETWEEN THE TWO OF YOU. HUH? - LISTEN, LADY, 302 00:13:19,366 --> 00:13:21,168 I-I REALLY DON'T KNOW WHAT YOU'RE TALKING ABOUT. 303 00:13:21,201 --> 00:13:26,539 - HE WAS NEVER GONNA LEAVE ME, YOU KNOW. EVER. 304 00:13:26,573 --> 00:13:28,909 - WELL, WASN'T GONNA WRITE A SONG ABOUT YOU, EITHER. 305 00:13:28,942 --> 00:13:33,446 - OH, IS THAT WHAT HE TOLD YOU? THAT HE WROTE A SONG ABOUT YOU? 306 00:13:33,480 --> 00:13:36,083 HA! HOW CUTE! 307 00:13:36,116 --> 00:13:38,886 WHAT WAS THAT BALLAD FROM THE JAZZ RECORD, FRANK? HELP ME. 308 00:13:38,919 --> 00:13:40,553 - I--I NEVER LISTEN TO A-- 309 00:13:40,587 --> 00:13:42,355 - WHAT WAS IT? UM, FAITH? 310 00:13:42,389 --> 00:13:46,927 [chuckles] I BET YOU THINK THAT SONG'S ABOUT YOU, DON'T YOU? 311 00:13:46,960 --> 00:13:49,229 - GUESS I'M JUST THAT VAIN. - HUH. 312 00:13:49,262 --> 00:13:51,398 - FAITH. 313 00:13:51,431 --> 00:13:53,200 - OH, BOY. - HEY, 314 00:13:53,233 --> 00:13:56,603 LISTEN, [laughs] IT'S ALL JUST ROCK AND ROLL, RIGHT? 315 00:13:56,636 --> 00:14:01,341 - YOU THINK I GIVE A FUCK ABOUT ALL HIS ROAD WHORES? 316 00:14:01,374 --> 00:14:03,143 I'M THE ONE HE CAME HOME TO. 317 00:14:03,176 --> 00:14:04,411 - THOUGHT THEY HAD AN UNDERSTANDING. 318 00:14:04,444 --> 00:14:06,246 - [hisses] - SORRY, I JUST-- 319 00:14:06,279 --> 00:14:08,515 - I MAY NOT BE A NUN, BUT I'M NO WHORE. 320 00:14:08,548 --> 00:14:11,952 - HA! KEEP TELLING YOURSELF THAT, SWEETIE. 321 00:14:11,985 --> 00:14:16,890 AND BY THE WAY, OUR BULLDOG'S NAMED FAITH. 322 00:14:18,125 --> 00:14:20,093 - OOH. 323 00:14:20,127 --> 00:14:22,963 YOU KNOW, ALL THINGS CONSIDERED, THAT COULD'VE GONE A LOT WORSE. 324 00:14:22,996 --> 00:14:24,231 - FUCK! 325 00:14:24,264 --> 00:14:26,967 GOD, YOU KNOW, THE LAST THING I WANTED TO DO WAS UPSET HER, 326 00:14:27,000 --> 00:14:28,902 AND... - MM-HMM, I KNOW. 327 00:14:28,936 --> 00:14:31,504 I MEAN, JUST SEEING HIM ALL LAID OUT LIKE THAT, 328 00:14:31,538 --> 00:14:34,507 IT'S JUST TOO MUCH, YOU KNOW? - MM. 329 00:14:34,541 --> 00:14:36,509 HE EVEN HAD ON HIS NECKLACE. 330 00:14:36,543 --> 00:14:39,947 HIS CROSS. 331 00:14:39,980 --> 00:14:44,184 IT WAS MY FAVORITE, AND HE KNEW IT. 332 00:14:44,217 --> 00:14:46,253 HE GAVE IT TO ME THE NIGHT BEFORE HE DIED. 333 00:14:46,286 --> 00:14:48,021 I GOT RUSHED OUT OF THERE, I DIDN'T EVEN THINK 334 00:14:48,055 --> 00:14:49,990 TO TAKE IT WITH ME, AND NOW IT'S GONE FOREVER. 335 00:14:50,023 --> 00:14:52,425 - THAT'S--THAT'S THE PROBLEM WITH THIS OPEN CASKET SHIT. 336 00:14:52,459 --> 00:14:54,928 IN WHAT UNIVERSE IS SEEING A DEAD PERSON A GOOD THING? 337 00:14:54,962 --> 00:14:57,330 - SHIT'S FUCKED UP. [laughter] 338 00:14:57,364 --> 00:14:58,698 [sniffles] [geese honking] 339 00:14:58,731 --> 00:15:00,167 COME ON, LET'S JUST GET OUT OF HERE. 340 00:15:00,200 --> 00:15:02,002 [geese honking] - OH, BACK TO REHAB, REALLY? 341 00:15:02,035 --> 00:15:07,407 - NO, I NEED A DRINK, MAYBE TEN. THEN BACK TO REHAB. 342 00:15:07,440 --> 00:15:09,442 - HOLD ON, HOLD ON, HOLD ON. 343 00:15:12,179 --> 00:15:15,048 - WHAT ARE YOU DOING? - SOMETHING IDIOTIC, I'M SURE. 344 00:15:15,082 --> 00:15:18,018 IF I'M NOT BACK IN TEN MINUTES, BLOW SOMEONE TO FIND ME. 345 00:15:18,051 --> 00:15:21,021 [techno music] 346 00:15:21,054 --> 00:15:24,524 * 347 00:15:24,557 --> 00:15:27,527 - [chuckles] RIGHT ON, BALD BEAR. 348 00:15:27,560 --> 00:15:29,029 [chuckles] LET'S DO THIS. 349 00:15:29,062 --> 00:15:30,230 - HO, HO, HO, HOLD ON A SECOND. 350 00:15:30,263 --> 00:15:31,598 HOLD ON A SECOND. HOLD ON A SECOND. 351 00:15:31,631 --> 00:15:33,700 I HAVE A CONFESSION TO MAKE. 352 00:15:33,733 --> 00:15:36,403 I'M NOT REALLY A HOMOSEXUAL MAN. 353 00:15:36,436 --> 00:15:38,605 - [laughs] 354 00:15:38,638 --> 00:15:41,574 SO YOU WANNA PLAY THIS STRAIGHT? THAT'S YOUR GAME? 355 00:15:41,608 --> 00:15:43,977 WHATEVER, DUDE, I JUST WANNA GET MY DICK SUCKED. 356 00:15:44,011 --> 00:15:48,015 - AS YOU SHOULD. I TOTALLY UNDERSTAND, AND YOU'RE ENTITLED. 357 00:15:48,048 --> 00:15:53,486 I'M PRO-GAY. I'M PRO-SEXUALITY IN ANY FORM--ANY FORM, 358 00:15:53,520 --> 00:15:56,056 AND I REALLY RESPECT AND ADMIRE 359 00:15:56,089 --> 00:15:57,590 THE WAY YOU GUYS ARE USING TECHNOLOGY 360 00:15:57,624 --> 00:15:59,392 TO GET YOUR ROCKS OFF IN THE MIDDLE OF THE DAY, 361 00:15:59,426 --> 00:16:03,196 BUT ME, MYSELF, I'M NOT GAY. 362 00:16:03,230 --> 00:16:05,565 [laughing] I JUST-- I GOT MYSELF IN THE MIDDLE 363 00:16:05,598 --> 00:16:08,335 OF A HUGE MISUNDERSTANDING. HU-U-UGE. 364 00:16:08,368 --> 00:16:10,737 - [laughs] "MISUNDERSTANDING." - DON'T--NO, NO, NO. 365 00:16:10,770 --> 00:16:14,341 - DON'T DO THAT. YES, I SORT OF 366 00:16:14,374 --> 00:16:18,078 LED A PROSPECTIVE CLIENT TO BELIEVE I WAS GAY, 367 00:16:18,111 --> 00:16:20,780 'CAUSE THAT'S WHAT HE WAS LOOKING FOR IN AN AGENT. 368 00:16:20,813 --> 00:16:22,449 HE WANTED A "GAYGENT." 369 00:16:22,482 --> 00:16:26,619 - SO YOU'RE PRETENDING TO BE GAY FOR CAREER ADVANCEMENT? 370 00:16:26,653 --> 00:16:28,521 THAT'S REALLY OFFENSIVE, DUDE. 371 00:16:28,555 --> 00:16:30,157 ROBBIE MAC IS A BRAVE MAN. 372 00:16:30,190 --> 00:16:31,758 HE'S ONE OF THE FIRST FULLY-OUT MOVIE STARS. 373 00:16:31,791 --> 00:16:36,596 - I KNOW. HE'S INCREDIBLE. A REAL TRAILBLAZER. 374 00:16:36,629 --> 00:16:37,797 - WHAT IF I MARCHED OUT THERE 375 00:16:37,830 --> 00:16:41,134 AND TOLD HIM WHAT YOU JUST TOLD ME? 376 00:16:43,103 --> 00:16:45,205 - WHAT IF I PAID YOU NOT TO? 377 00:16:52,679 --> 00:16:54,514 - FORGIVE ME, FATHER, FOR I AM ABOUT TO 378 00:16:54,547 --> 00:16:58,118 PURLOIN SOME SHIT OFF A DEAD MAN. 379 00:16:58,151 --> 00:17:01,421 [sobs] 380 00:17:01,454 --> 00:17:04,291 [grunts, sobs] 381 00:17:04,324 --> 00:17:08,061 [sobbing] 382 00:17:08,095 --> 00:17:09,262 [grunts] 383 00:17:09,296 --> 00:17:11,664 [sobs] 384 00:17:11,698 --> 00:17:13,266 - WHAT THE FUCK DO YOU THINK YOU'RE DOING? 385 00:17:13,300 --> 00:17:18,271 - UH, I'M JUST PAYING RESPECTS TO A FALLEN HERO. 386 00:17:18,305 --> 00:17:19,139 - YOU KISSED HIM. 387 00:17:19,172 --> 00:17:22,675 - YEAH, I-I WAS OVERCOME WITH EMOTION. 388 00:17:22,709 --> 00:17:25,412 - HE WAS MY BEST FRIEND. A CHILDHOOD MATE. 389 00:17:25,445 --> 00:17:27,614 IF ANYONE'S GONNA PLANT LIPS ON HIM, IT SHOULD BE ME, 390 00:17:27,647 --> 00:17:29,249 OR HIS WIFE. 391 00:17:29,282 --> 00:17:31,684 - YEAH, YOU--YOU'RE RIGHT, IT WAS A MISCALCULATION. 392 00:17:31,718 --> 00:17:33,653 - WAIT A SECOND. 393 00:17:33,686 --> 00:17:36,723 YOU'RE THAT CHEEKY FUCKER WHO THREW UP ALL OVER MY BABY GRAND 394 00:17:36,756 --> 00:17:38,691 AND RUINED MY COCAINE. THE--THE WRITER. 395 00:17:38,725 --> 00:17:40,327 - HEY, NICE-- - WHO'S NOT A FAN OF MINE. 396 00:17:40,360 --> 00:17:41,494 - WELL. 397 00:17:41,528 --> 00:17:42,495 - WHAT THE FUCK ARE YOU DOING HERE? 398 00:17:42,529 --> 00:17:43,830 - I-I'M A BIG FAN. 399 00:17:43,863 --> 00:17:45,665 BIG FAN OF-- - OH, SO YOU'RE A FAN OF HIS, 400 00:17:45,698 --> 00:17:46,766 BUT NOT OF MINE? - HE'S A BRILLIANT 401 00:17:46,799 --> 00:17:48,368 FUCKING GUITAR PLAYER. 402 00:17:48,401 --> 00:17:50,370 - OH, AND I'M NOT BRILLIANT IN MY OWN REGARD? 403 00:17:50,403 --> 00:17:52,839 DO YOU HAVE ANY IDEA HOW HARD IT IS TO BE A FRONT MAN? 404 00:17:52,872 --> 00:17:54,441 THE--THE PRESSURE THAT'S ON ME 405 00:17:54,474 --> 00:17:57,677 TO ENTERTAIN MILLIONS OF WORKING-CLASS CITIZENS 406 00:17:57,710 --> 00:18:01,348 AND CONSTANTLY REINVENT MYSELF AND MAINTAIN MY BEAUTIFUL-- 407 00:18:01,381 --> 00:18:03,350 - EVERYTHING OKAY? - YEAH, IT'S PEACHY. 408 00:18:03,383 --> 00:18:05,718 IT'S PEACHY. - THIS ARROGANT FUCKING WANKER 409 00:18:05,752 --> 00:18:07,187 IS TRYING TO BUGGER OUR DEAD FRIEND. 410 00:18:07,220 --> 00:18:08,621 - WELL, MAYBE WE SHOULD BUGGER HIM. 411 00:18:08,655 --> 00:18:10,190 - NO, I DON'T THINK ANYBODY SHOULD BUGGER ANYBODY. 412 00:18:10,223 --> 00:18:11,324 - YEAH. - COME ON, NOW. COME ON, BOYS, 413 00:18:11,358 --> 00:18:12,725 BOYS, THIS IS REALLY MY FAULT. 414 00:18:12,759 --> 00:18:14,194 HE WAS JUST TRYING TO GET MY NECKLACE BACK. 415 00:18:14,227 --> 00:18:16,496 - YOU--YOU'RE STEALING FROM A DEAD MAN? 416 00:18:16,529 --> 00:18:17,730 - NO-- - TECHNICALLY, YES-- 417 00:18:17,764 --> 00:18:19,866 - TONY GAVE IT TO ME, OKAY? 418 00:18:19,899 --> 00:18:21,434 IT'S THE ONLY THING HE EVER GAVE ME. 419 00:18:21,468 --> 00:18:23,836 - FAITH, YOU NEED TO HIT THE ROAD, LOVE. 420 00:18:23,870 --> 00:18:27,440 - WAIT A SECOND. THIS IS FAITH? 421 00:18:27,474 --> 00:18:28,708 - YES. 422 00:18:28,741 --> 00:18:31,144 - IT IS A PLEASURE TO MEET YOU, SWEETHEART. 423 00:18:31,178 --> 00:18:32,545 TONY TALKED ABOUT YOU ALL THE TIME. 424 00:18:32,579 --> 00:18:33,846 - OH! 425 00:18:33,880 --> 00:18:36,349 - HE SAID YOU HAD AN UNCANNY ABILITY 426 00:18:36,383 --> 00:18:37,884 TO SUCK KILLER RIFFS OUT OF HIM. - AH! 427 00:18:37,917 --> 00:18:42,155 - WHAT THE FUCK IS THIS SKANKY SKANK STILL DOING HERE? 428 00:18:42,189 --> 00:18:43,490 - I WAS JUST LEAVING. - ALL RIGHT, YEAH. 429 00:18:43,523 --> 00:18:44,891 - GOOD! NO, HE CAN STAY. 430 00:18:44,924 --> 00:18:46,393 - OH, LADIES, LADIES-- - HE CAN STAY. 431 00:18:46,426 --> 00:18:47,794 - IT'S BIG ENOUGH FOR THE BOTH OF YOU. 432 00:18:47,827 --> 00:18:49,196 - I THINK SHE SHOULD PROBABLY STAY TOO. 433 00:18:49,229 --> 00:18:51,498 - UH, IF SHE INSISTS ON STAYING, 434 00:18:51,531 --> 00:18:54,667 THEN I INSIST ON KICKING HER IN THE FUCKING CUNT! 435 00:18:54,701 --> 00:18:56,203 [overlapping chatter] 436 00:18:56,236 --> 00:18:57,504 - OH, THE FUCKING CUNT! - THAT'S ENOUGH. 437 00:18:57,537 --> 00:18:58,638 - [whimpers] 438 00:18:58,671 --> 00:18:59,706 [crowd gasps] - I'LL KILL YOU! 439 00:18:59,739 --> 00:19:01,474 I'LL KILL YOU! 440 00:19:01,508 --> 00:19:03,376 [struggling] 441 00:19:03,410 --> 00:19:04,477 - OH. [crowd ohs] 442 00:19:04,511 --> 00:19:06,546 - [screams] OH, NO! MY HAIR! 443 00:19:06,579 --> 00:19:09,216 STOP IT! STOP IT! NO! 444 00:19:09,249 --> 00:19:10,783 - COME ON, IT'S TIME. - NO! 445 00:19:10,817 --> 00:19:11,784 - IT'S TIME. 446 00:19:11,818 --> 00:19:12,785 [organ fanfare] 447 00:19:12,819 --> 00:19:15,522 - HELLO, LOS ANGELES! 448 00:19:15,555 --> 00:19:18,591 IF YOU'RE SEEING ME IN THIS BADASS HOLOGRAPHIC FORM, 449 00:19:18,625 --> 00:19:19,692 THAT MEANS I MUST BE DEAD, 450 00:19:19,726 --> 00:19:21,394 WHICH TOTALLY SUCKS FOR ME, 451 00:19:21,428 --> 00:19:23,230 BUT I DON'T WANT ANY OF YOU GOOD PEOPLE 452 00:19:23,263 --> 00:19:26,499 FEELING SORRY FOR ME. I'VE HAD A GREAT FUCKING LIFE. 453 00:19:26,533 --> 00:19:27,900 I WANT TO THANK YOU ALL 454 00:19:27,934 --> 00:19:31,238 FOR COMING OUT TO CELEBRATE MY UNTIMELY DEMISE. 455 00:19:31,271 --> 00:19:33,506 I LEAVE YOU WITH THIS... 456 00:19:33,540 --> 00:19:36,943 [rock chord] 457 00:19:36,976 --> 00:19:39,379 [cheers and applause] 458 00:19:39,412 --> 00:19:42,549 [guitar soloing] [cheers and applause] 459 00:19:42,582 --> 00:19:50,557 * 460 00:19:50,590 --> 00:19:56,529 [cheers and applause] 461 00:19:58,598 --> 00:19:59,832 - COME HERE, BABY. - [sobs] 462 00:19:59,866 --> 00:20:01,801 - COME HERE. [kisses] 463 00:20:01,834 --> 00:20:03,503 I'M SORRY I WAS SUCH A BITCH. 464 00:20:03,536 --> 00:20:07,440 - NO, GOD, I'M SO SORRY I FUCKED YOUR HUSBAND. 465 00:20:07,474 --> 00:20:08,875 - [sniffs] HEY. 466 00:20:12,345 --> 00:20:14,547 IT'S ROCK AND ROLL, RIGHT? 467 00:20:14,581 --> 00:20:16,416 - YEAH, YEAH. [sobs] 468 00:20:16,449 --> 00:20:17,917 - OH. 469 00:20:17,950 --> 00:20:19,852 - IT'S NOT THE DOPE TALKING, 470 00:20:19,886 --> 00:20:21,654 BUT I STILL REALLY DIG YOUR WRITING, MAN. 471 00:20:21,688 --> 00:20:23,823 - THANK YOU. 472 00:20:23,856 --> 00:20:26,459 YEAH, THANKS. 473 00:20:26,493 --> 00:20:28,861 - YOU REALLY GOTTA CHECK OUT SOME OF MY EARLIER STUFF. 474 00:20:28,895 --> 00:20:31,264 THERE'S SOME GOOD SHIT ON THERE. 475 00:20:31,298 --> 00:20:33,866 BEFORE EVERYTHING GOT SO FUCKING POLISHED. 476 00:20:35,902 --> 00:20:38,237 FUCKING PRO TOOLS. 477 00:20:42,975 --> 00:20:44,477 [piano chord] 478 00:20:44,511 --> 00:20:48,348 THAT DEAD MAN THERE WAS MY BEST FRIEND. 479 00:20:48,381 --> 00:20:49,916 WE MET WHEN WE WERE FIVE YEARS OLD. 480 00:20:49,949 --> 00:20:51,584 [piano chords] 481 00:20:51,618 --> 00:20:54,387 WE USED TO GO AROUND TO HIS MUM AND DAD'S AFTER SCHOOL 482 00:20:54,421 --> 00:20:58,791 AND WEAR OUT THEIR COPY OF EXILE ON MAIN STREET. 483 00:20:58,825 --> 00:21:01,994 ONE DAY HE SHOWED ME HIS PENIS. 484 00:21:02,028 --> 00:21:05,398 IT WAS ALARMINGLY BIG FOR A FIVE-YEAR-OLD. 485 00:21:05,432 --> 00:21:06,933 [piano chords] 486 00:21:06,966 --> 00:21:08,335 HE TOLD ME WHEN HE GREW UP 487 00:21:08,368 --> 00:21:11,371 HE WANTED TO BE A ROCK AND ROLL STAR, 488 00:21:11,404 --> 00:21:13,773 AND BUGGER ME IF HE DIDN'T GROW UP AND DO JUST THAT. 489 00:21:13,806 --> 00:21:15,508 [piano chords] 490 00:21:15,542 --> 00:21:17,777 SO BEFORE WE PUT THAT FUCKER IN THE GROUND, 491 00:21:17,810 --> 00:21:20,647 I'D LIKE TO PLAY YOU ONE OF HIS FAVORITE SONGS. 492 00:21:20,680 --> 00:21:22,649 AFTER THAT, YOU'RE ALL INVITED BACK TO MY PLACE. 493 00:21:22,682 --> 00:21:27,520 WE'LL CONSUME NARCOTICS, AND LISTEN TO EXILE, AND... 494 00:21:29,589 --> 00:21:32,992 GET OUR PENISES OUT IN HONOR OF OUR FALLEN COMRADE. 495 00:21:33,025 --> 00:21:34,527 [The Rolling Stones' Shine A Light] 496 00:21:34,561 --> 00:21:39,366 - * SAW YOU STRETCHED OUT IN ROOM 1009 * 497 00:21:39,399 --> 00:21:44,804 * WITH A SMILE ON YOUR FACE AND A TEAR RIGHT IN YOUR EYE * 498 00:21:44,837 --> 00:21:51,944 * WHOA-OH-OH, COULDN'T SEEM TO GET A LINE ON YOU * 499 00:21:51,978 --> 00:21:56,416 * MY SWEET HONEY LOVE 500 00:21:56,449 --> 00:21:58,418 * 501 00:21:58,451 --> 00:22:02,555 * MAY THE GOOD LORD SHINE A LIGHT ON YOU * 502 00:22:02,589 --> 00:22:04,757 [clapping along] 503 00:22:04,791 --> 00:22:06,693 * MAKE EVERY SONG YOU SING... * 504 00:22:06,726 --> 00:22:07,827 [fades into recorded Rolling Stones version] 505 00:22:07,860 --> 00:22:10,096 - * YOUR FAVORITE TUNE 506 00:22:10,129 --> 00:22:14,934 * MAY THE GOOD LORD SHINE A LIGHT ON YOU * 507 00:22:14,967 --> 00:22:17,003 - YOU DON'T SEEM NEARLY AS FUCKED-UP 508 00:22:17,036 --> 00:22:18,705 AS EVERYBODY ELSE HERE. 509 00:22:18,738 --> 00:22:22,108 - I WAS TEMPTED TO PARTAKE, BUT IT SEEMS LIKE 510 00:22:22,141 --> 00:22:25,111 THE KIND OF NIGHT WHERE YOU NEED TO FEEL EVERYTHING. 511 00:22:25,144 --> 00:22:28,415 EVEN IF IT HURTS SO BAD YOU WANT TO TEAR YOUR FUCKING SKIN OFF. 512 00:22:28,448 --> 00:22:31,050 - MM. I HEAR THAT, PRETTY LADY. 513 00:22:31,083 --> 00:22:33,986 OH, SHIT, I ALMOST FORGOT. 514 00:22:36,489 --> 00:22:39,392 [hums] 515 00:22:39,426 --> 00:22:40,359 - [sighs] 516 00:22:45,598 --> 00:22:47,567 THIS MEANS SO MUCH. 517 00:22:47,600 --> 00:22:49,368 THANK YOU. 518 00:22:50,837 --> 00:22:51,871 THANK YOU. 519 00:22:51,904 --> 00:22:54,607 SO WHAT NOW? BACK TO REHAB? 520 00:22:54,641 --> 00:22:56,809 - YEAH. - YEAH? 521 00:22:56,843 --> 00:22:58,511 - JUST TO PICK UP MY STUFF. 522 00:22:58,545 --> 00:23:02,181 I THINK IT'S TIME TO COME BACK TO LIFE. 523 00:23:02,214 --> 00:23:04,517 - MM. - ROAD BECKONS. 524 00:23:04,551 --> 00:23:08,821 ANOTHER PROJECT AWAITS. - REALLY? PROJECT? 525 00:23:08,855 --> 00:23:12,024 - YEAH. THEY'RE MY PROJECTS. 526 00:23:12,058 --> 00:23:16,028 YEAH, I SEE A SPARK, A FLASH OF TRUE GENIUS, 527 00:23:16,062 --> 00:23:18,498 AND I HAVE TO HELP. - MM. 528 00:23:18,531 --> 00:23:20,166 - I WANT THEM TO BE THE VERY BEST THEY CAN BE. 529 00:23:20,199 --> 00:23:22,569 - YOU SOUND LIKE QUITE THE PATRON OF THE ARTS. 530 00:23:22,602 --> 00:23:26,973 - IT'S WHAT I DO. HMM. HOW 'BOUT YOURSELF? 531 00:23:27,006 --> 00:23:28,641 - WHAT ABOUT ME? 532 00:23:28,675 --> 00:23:30,176 - WHAT'S NEXT? 533 00:23:30,209 --> 00:23:32,645 - OH, I SUPPOSE I SHOULD WRITE SOMETHING. 534 00:23:32,679 --> 00:23:34,914 SIT MY ASS IN A CHAIR. THE CHAIR BECKONS. 535 00:23:34,947 --> 00:23:37,517 - GOOD FOR YOU. 536 00:23:39,486 --> 00:23:41,854 - RIGHT, 'CAUSE IT'S JUST THAT EASY. 537 00:23:41,888 --> 00:23:44,156 - HAVE A LITTLE FAITH, HANK. 538 00:23:44,190 --> 00:23:46,993 - * WARM LIKE THE EVENING SUN * 539 00:23:47,026 --> 00:23:50,930 * [vocalizing] 540 00:23:50,963 --> 00:23:52,532 * YEAH 541 00:23:52,565 --> 00:23:53,633 * 542 00:23:53,666 --> 00:23:56,703 - HANK MOODY, GET UP OFF YOUR ASS AND COME WITH ME. 543 00:23:56,736 --> 00:23:59,472 I'M GONNA PLAY YOU THE GREATEST SONG EVER WRITTEN 544 00:23:59,506 --> 00:24:01,007 IN THE HISTORY OF THE UNIVERSE. 545 00:24:01,040 --> 00:24:03,776 AFTER WHICH, WE SHALL SNORT COCAINE 546 00:24:03,810 --> 00:24:07,480 AND HAVE OUR ASSHOLES TONGUED BY THE ANGELS. 547 00:24:07,514 --> 00:24:11,450 * 548 00:24:21,160 --> 00:24:23,730 [doorbell ringing] 549 00:24:30,302 --> 00:24:33,239 - [gasps] OKAY, HI. 550 00:24:33,272 --> 00:24:35,742 - GOOD MORNING, GORGEOUS. 551 00:24:35,775 --> 00:24:39,712 - UM... - YES, PLEASE. I'D LOVE SOME. 552 00:24:39,746 --> 00:24:40,680 - SOME WHAT? 553 00:24:40,713 --> 00:24:44,016 - SOME OF YOUR DELICIOUS GIRL SCOUT COOKIES. 554 00:24:44,050 --> 00:24:45,552 - NO, I'M NOT THAT. 555 00:24:45,585 --> 00:24:47,186 I'M--I'M HERE TO SEE NATALIE. YEAH. 556 00:24:47,219 --> 00:24:48,555 - NATALIE, NATALIE. 557 00:24:48,588 --> 00:24:52,659 AH, NATALIE'S MY WIFE. - OH. 558 00:24:52,692 --> 00:24:54,727 - NATALIE TOOK THE CHILDREN TO SCHOOL. 559 00:24:54,761 --> 00:24:57,664 NATALIE SAID, "LET THE NEW DESIGNER IN." 560 00:24:57,697 --> 00:24:59,165 - TH--THAT'S ME. IT'S-- 561 00:24:59,198 --> 00:25:01,701 - WHAT NATALIE FAILED TO SAY 562 00:25:01,734 --> 00:25:06,172 IS HOW ABSOLUTELY FUCKING SMOKINGLY GORGEOUS YOU ARE. 563 00:25:07,807 --> 00:25:10,543 - I'M GONNA GO, AND THEN-- - YOU'RE GONNA COME IN. 564 00:25:10,577 --> 00:25:13,946 I'M INCREDIBLY INTERESTED IN WHAT YOUR PLANS ARE 565 00:25:13,980 --> 00:25:16,282 FOR THE INTERIOR OF MY HOME. 566 00:25:16,315 --> 00:25:20,052 - UM, COULD-- COULD YOU PUT SOME CLOTHES ON? 567 00:25:20,086 --> 00:25:21,988 - WHY WOULD I PUT SOME CLOTHES ON? 568 00:25:22,021 --> 00:25:24,857 THIS IS THE WAY THE BABY JESUS MADE ME. 569 00:25:24,891 --> 00:25:26,626 - THAT'S NICE. UH-- 570 00:25:26,659 --> 00:25:29,662 - I'M JOKING. COME ON, I'LL DIG UP SOME TROUSERS. 571 00:25:29,696 --> 00:25:32,899 - ARE YOU A FAN OF MINE? AS I AM OF YOURS? 572 00:25:32,932 --> 00:25:37,069 - UM, YOU COULD-- UH, I--I DON'T KNOW. UH... 573 00:25:37,103 --> 00:25:40,607 [Father John Misty's Hollywood Forever Cemetery Sings] 574 00:25:40,640 --> 00:25:42,642 * 575 00:25:42,675 --> 00:25:44,210 - YOU ATTACHED? 576 00:25:44,243 --> 00:25:45,712 - EXCUSE ME? 577 00:25:45,745 --> 00:25:48,781 - ARE YOU SPOKEN FOR? DO YOU HAVE A LOVER? 578 00:25:48,815 --> 00:25:50,583 OR MANY LOVERS? 579 00:25:50,617 --> 00:25:54,320 THERE ARE NO WRONG ANSWERS HERE, ONLY AROUSING ONES. 580 00:26:00,860 --> 00:26:02,094 - MM. 581 00:26:02,128 --> 00:26:04,030 - [laughs] YOU KNOW THAT FUCKER? 582 00:26:04,063 --> 00:26:07,333 - OH, YEAH. I KNOW THIS FUCKER. 583 00:26:07,366 --> 00:26:10,336 THIS FUCKER IS SUPPOSED TO BE IN REHAB RIGHT NOW. 584 00:26:10,369 --> 00:26:13,339 - THAT FUCKER WAS ABOUT A MILLION MILES AWAY 585 00:26:13,372 --> 00:26:15,207 FROM REHAB LAST NIGHT. 586 00:26:15,241 --> 00:26:17,944 WE SHARED AN EIGHT BALL, AMONG OTHER THINGS. 587 00:26:17,977 --> 00:26:22,081 WE SPOKE OF HOPES AND DREAMS, OF WHAT THE WORLD NEEDS NOW. 588 00:26:22,114 --> 00:26:25,718 I PLAYED HIM A SONG INSPIRED BY HIS "MAGNUS OPUM," 589 00:26:25,752 --> 00:26:29,121 A SONG ABOUT THE HEALING POWER OF SEX AND LOVE 590 00:26:29,155 --> 00:26:32,358 AND ROCK AND ROLL. HE SAID IT SOUNDED 591 00:26:32,391 --> 00:26:36,162 LIKE A PIT BULL RAPING A SMALL, DEAF CHILD. 592 00:26:36,195 --> 00:26:37,664 I DON'T THINK HE MEANT IT 593 00:26:37,697 --> 00:26:38,831 AS A COMPLIMENT! [kicking sound] 594 00:26:38,865 --> 00:26:42,201 - NO, HE CAN BE A TOUGH CRITIC THAT WAY. 595 00:26:42,234 --> 00:26:46,038 - OW. OW, STOP KICKING ME. 596 00:26:46,072 --> 00:26:47,373 WHA--? 597 00:26:47,406 --> 00:26:50,309 KAREN, WHAT THE FUCK? 598 00:26:50,342 --> 00:26:52,111 - HEY, YOU STOLE MY LINE. 599 00:26:52,144 --> 00:26:54,246 - NO, THEN IT MUST BE A SIGN. 600 00:26:54,280 --> 00:26:58,384 IT APPEARS THAT I'VE HAD A RELAPSE OF SOME SORT. 601 00:26:58,417 --> 00:27:02,188 I'VE BEEN TESTED AND FOUND SEVERELY LACKING, 602 00:27:02,221 --> 00:27:05,992 AND I SHOULD PROBABLY GO BACK TO REHAB POSTHASTE. 603 00:27:06,025 --> 00:27:08,260 YOU THINK MAYBE YOU CAN-- YOU CAN GIVE ME A RIDE? 604 00:27:08,294 --> 00:27:11,063 PROBABLY GET MYSELF-- 605 00:27:11,097 --> 00:27:15,434 OH, WELL, MAYBE-- MAYBE JUST A FEW MORE WINKS. 606 00:27:15,467 --> 00:27:17,804 I WAS HAVING THE NICEST DREAM. 607 00:27:17,837 --> 00:27:19,972 I WAS ON A BEACH SOMEWHERE WITH YOU 608 00:27:20,006 --> 00:27:23,943 AND GOD WAS MARRYING US, AND YOU TURNED INTO A MERMAID, 609 00:27:23,976 --> 00:27:25,712 AND I COULDN'T FIND YOUR VAGINA, 610 00:27:25,745 --> 00:27:27,379 AND YOUR HAIR WAS COVERING YOUR BREASTS, 611 00:27:27,413 --> 00:27:29,015 WHICH WAS KIND OF PISSING ME OFF, 612 00:27:29,048 --> 00:27:30,883 AND THEN SOMEONE WAS KICKING ME. 613 00:27:30,917 --> 00:27:32,151 - HE'S FINE. 614 00:27:32,184 --> 00:27:36,155 IT'S COCAINE-INDUCED DEMENTIA, THERE'S NOTHING TO WORRY ABOUT. 615 00:27:36,188 --> 00:27:38,290 HE JUST NEEDS HIS BEAUTY SLEEP. 616 00:27:38,324 --> 00:27:41,427 IN THE MEANTIME, WOULD YOU LIKE TO HEAR A SONG 617 00:27:41,460 --> 00:27:44,697 THAT I PENNED ABOUT THE PROBLEMS IN THE SUDAN? 618 00:27:44,731 --> 00:27:47,399 I'D REALLY APPRECIATE YOUR TAKE. 619 00:27:47,433 --> 00:27:53,039 - * YOU CAME, I THINK * 620 00:27:53,072 --> 00:27:59,779 * 'CAUSE THE MARBLE MADE MY CHEEKS LOOK PINK * 621 00:27:59,812 --> 00:28:04,050 * BUT I'M UNSURE OF SO MANY THINGS * 622 00:28:04,083 --> 00:28:09,221 * 623 00:28:09,255 --> 00:28:16,796 - * [vocalizing]