1 00:00:07,241 --> 00:00:09,243 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,277 --> 00:00:11,079 IT'S TIME, BECCA, TIME YOU STOPPED 3 00:00:11,112 --> 00:00:12,513 THIS FUNNY BUSINESS AND WENT BACK TO SCHOOL. 4 00:00:12,546 --> 00:00:14,082 - NO, I'M NOT DOING THAT. 5 00:00:14,115 --> 00:00:15,316 - THERE'S A LOT MORE, LITTLE MISSY, 6 00:00:15,349 --> 00:00:16,550 TO BEING AN ARTIST 7 00:00:16,584 --> 00:00:18,252 THAN JUST ALTERING YOUR CONSCIOUSNESS 8 00:00:18,286 --> 00:00:19,153 ON A DAILY BASIS. 9 00:00:19,187 --> 00:00:20,388 - WHICH IS WHY I'M WRITING. 10 00:00:20,421 --> 00:00:21,489 - HOW MANY PAGES YOU GOT? 11 00:00:21,522 --> 00:00:22,523 - I'M CLOSING IN ON THREE HUNDY. 12 00:00:22,556 --> 00:00:23,691 - I HATE YOU. 13 00:00:23,724 --> 00:00:25,226 - IF I'M GONNA DO THIS THING, 14 00:00:25,259 --> 00:00:27,261 GET ME THE GUY WHO WROTE THE FUCKING BOOK. 15 00:00:27,295 --> 00:00:29,663 - DO WHAT? - GOD HATES US ALL. 16 00:00:29,697 --> 00:00:31,299 I FUCKING LOVED IT, MAN. 17 00:00:31,332 --> 00:00:33,267 - THEY'RE TURNING IT INTO A BROADWAY MUSICAL. 18 00:00:33,301 --> 00:00:35,703 - YOU WRITE THE SCRIPT, I WRITE THE MUSIC AND LYRICS. 19 00:00:35,736 --> 00:00:37,471 LET'S MAKE A FUCKING MASTERPIECE. 20 00:00:37,505 --> 00:00:38,606 - CONGRATULATIONS. 21 00:00:38,639 --> 00:00:42,210 YOU HAVE MADE IT TO THE NEXT ROUND. 22 00:00:42,243 --> 00:00:44,612 - I'LL GIVE YOU ONE OF DADDY'S LONG, SLOW TONGUE BATHS. 23 00:00:44,645 --> 00:00:45,613 [flutters tongue] 24 00:00:45,646 --> 00:00:47,615 - MEN ARE THE ENEMY. 25 00:00:47,648 --> 00:00:50,218 I ADVOCATE THE USE OF A COCK CAGE. 26 00:00:50,251 --> 00:00:52,320 - OPHELIA'S GONNA BE SO PISSED AT ME. 27 00:00:52,353 --> 00:00:55,123 - WE HAVE SEX FOR THE FIRST TIME IN YEARS, 28 00:00:55,156 --> 00:00:57,258 AND THIS IS THE FIRST THING TO CROSS YOUR MIND? 29 00:00:57,291 --> 00:00:59,693 - SO HOW WAS THE FUCKING FUN ZONE? 30 00:00:59,727 --> 00:01:01,129 - THERE WAS THIS ONE MOM-- 31 00:01:01,162 --> 00:01:03,164 - DID YOU DO SOMETHING WITH HER? - NO! 32 00:01:03,197 --> 00:01:05,666 - I'D KNOW THAT BENT FUCKING CHODE ANYWHERE. 33 00:01:05,699 --> 00:01:07,701 [moaning on laptop] 34 00:01:07,735 --> 00:01:09,837 - IS THAT WHAT I THINK IT IS? - SURE IS. 35 00:01:09,870 --> 00:01:11,505 WOULD YOU MIND TAKING A LOOK? 36 00:01:11,539 --> 00:01:14,175 - OF COURSE. I'D BE HONORED. 37 00:01:36,397 --> 00:01:39,333 WHAT ARE YOU DOING? - I'M STUDYING YOUR FACE. 38 00:01:39,367 --> 00:01:43,437 FOR THE TRUTH. 39 00:01:44,838 --> 00:01:46,174 YOU HATE IT. 40 00:01:46,207 --> 00:01:47,441 - THAT'S NOT TRUE. 41 00:01:47,475 --> 00:01:48,609 WHY WOULD YOU SAY THAT? 42 00:01:48,642 --> 00:01:49,710 NO. NO, NO, NO. 43 00:01:49,743 --> 00:01:51,379 - I CAN SEE IT ON YOUR FACE. 44 00:01:51,412 --> 00:01:53,147 - HAVE YOU MET ME, BECCA? I COULD BE HATING 45 00:01:53,181 --> 00:01:54,448 ON A MILLION OTHER THINGS RIGHT NOW. 46 00:01:54,482 --> 00:01:57,618 - WOW. THANKS. 47 00:01:57,651 --> 00:01:58,852 - IS IT PERFECT? 48 00:01:58,886 --> 00:02:00,854 NO, IT'S NOT, 49 00:02:00,888 --> 00:02:03,591 BUT FIRST DRAFTS RARELY ARE, SWEETHEART. 50 00:02:03,624 --> 00:02:06,194 - OKAY. SO WHAT ARE YOUR NOTES? 51 00:02:07,628 --> 00:02:09,230 - OKAY, THIS IS WHAT I WOULD DO. 52 00:02:09,263 --> 00:02:11,232 I WOULD TAKE THIS DRAFT, AND I WOULD PUT IT IN A DRAWER-- 53 00:02:11,265 --> 00:02:13,301 IT DOESN'T HAVE TO BE A REAL DRAWER, 54 00:02:13,334 --> 00:02:14,935 IT COULD BE A VIRTUAL DRAWER-- 55 00:02:14,968 --> 00:02:17,471 AND THEN GO OUT TONIGHT AND CELEBRATE ITS BIRTH. 56 00:02:17,505 --> 00:02:20,441 YOU KNOW, HOIST AN ALCOHOLIC BEVERAGE OR TWO. 57 00:02:20,474 --> 00:02:21,575 I WILL JOIN YOU. 58 00:02:21,609 --> 00:02:22,843 AND THEN, IN THE MORNING, 59 00:02:22,876 --> 00:02:24,212 YOU SHUT THAT DRAWER AND FORGET ABOUT IT. 60 00:02:24,245 --> 00:02:27,681 AND THEN YOU START ON THE NEXT ONE. 61 00:02:27,715 --> 00:02:29,883 - THE NEXT ONE? - YEAH. 62 00:02:29,917 --> 00:02:33,287 - WELL, WHAT KIND OF NOTE IS THAT? 63 00:02:34,555 --> 00:02:36,156 - A BIG ONE? 64 00:02:37,925 --> 00:02:39,760 - SO IT'S A DISASTER. - NO, I DIDN'T-- 65 00:02:39,793 --> 00:02:43,297 NO, NOT AT ALL. NOT AT ALL. 66 00:02:43,331 --> 00:02:45,333 - YOU DON'T EVEN THINK I'M A WRITER, DO YOU? 67 00:02:45,366 --> 00:02:48,802 - I THINK YOU'RE A WRITER IF YOU KEEP ON WRITING, BECCA. 68 00:02:48,836 --> 00:02:50,604 - AM I A WRITER? 69 00:02:50,638 --> 00:02:53,374 - WELL, I KNOW THAT, WHEN I SAW YOU READ YOUR PAGES HERE 70 00:02:53,407 --> 00:02:56,477 IN THE COFFEEHOUSE, I WAS-- I WAS PROUD OF YOU. 71 00:02:56,510 --> 00:02:57,611 - YOU SAW ME? 72 00:02:57,645 --> 00:03:00,281 - YEAH. YEAH, I SNUCK IN 73 00:03:00,314 --> 00:03:02,216 AND THEN OUT AGAIN UNSEEN. 74 00:03:02,250 --> 00:03:03,651 - I ASKED YOU NOT TO COME. 75 00:03:03,684 --> 00:03:05,586 - I KNOW, BUT YOU DIDN'T REALLY MEAN IT. 76 00:03:05,619 --> 00:03:07,388 - YES, I DID. 77 00:03:07,421 --> 00:03:11,559 - WELL, AREN'T YOU SECRETLY TOUCHED THAT I CARED ENOUGH 78 00:03:11,592 --> 00:03:15,796 TO DISOBEY YOUR WISHES? 79 00:03:15,829 --> 00:03:18,399 - THANKS FOR THE DESTRUCTIVE CRITICISM, DAD. 80 00:03:18,432 --> 00:03:20,701 - TO BE CONTINUED, SWEETHEART. 81 00:03:20,734 --> 00:03:24,272 ONE PAGE AT A TIME. 82 00:03:27,875 --> 00:03:29,643 I'M AN ASSHOLE. 83 00:03:29,677 --> 00:03:32,646 [upbeat music] 84 00:03:32,680 --> 00:03:40,788 * 85 00:04:14,422 --> 00:04:18,492 - [hums] 86 00:04:18,526 --> 00:04:22,730 [knocks rhythmically] 87 00:04:22,763 --> 00:04:25,866 OW. 88 00:04:25,899 --> 00:04:27,601 HEY. - HI, CHARLIE. 89 00:04:27,635 --> 00:04:29,002 - WHAT'S UP? 90 00:04:29,036 --> 00:04:30,704 HOW COME YOU HAVEN'T BEEN RETURNING MY CALLS, 91 00:04:30,738 --> 00:04:32,573 MY TEXTS? - YEAH, WELL, I THINK 92 00:04:32,606 --> 00:04:34,975 THAT I REALLY TOOK A MAJOR STEP BACKWARD, 93 00:04:35,008 --> 00:04:36,944 AND I DISRESPECTED MY SHENESS. 94 00:04:36,977 --> 00:04:38,379 - YOUR--WAIT. WHOA, WHOA, YOUR WHAT? 95 00:04:38,412 --> 00:04:41,014 I DON'T-- YOUR--YOUR "SHENESS"? 96 00:04:41,048 --> 00:04:43,651 I-I DON'T KNOW WHAT THE FUCK THAT IS. 97 00:04:43,684 --> 00:04:45,919 IS THIS--IS THIS ABOUT THE HOUSEWIFE HANNAH THING? 98 00:04:45,953 --> 00:04:47,555 BECAUSE I'M SORRY, 99 00:04:47,588 --> 00:04:50,491 BUT COME ON, YOU'VE BEEN TO THE FUN ZONE, RIGHT? 100 00:04:50,524 --> 00:04:52,493 I MEAN, IF SOMEBODY, YOU KNOW, OFFERED YOU 101 00:04:52,526 --> 00:04:54,362 AN ICE CREAM CONE IN HELL, WOULDN'T YOU TAKE IT? 102 00:04:54,395 --> 00:04:56,664 - [laughs] - YOU KNOW YOU WOULD. 103 00:04:56,697 --> 00:04:58,031 YOU KNOW WHAT I'M SAYING? 104 00:04:58,065 --> 00:05:00,801 - WOW. HIS PICTURES DON'T DO HIM JUSTICE. 105 00:05:00,834 --> 00:05:03,737 - OH, THANK YOU. - WHAT A WORM. 106 00:05:03,771 --> 00:05:05,072 - I'M SORRY? 107 00:05:05,105 --> 00:05:07,074 - YEAH, YOU SHOULD BE, YOU FUCKING CREEP. 108 00:05:07,107 --> 00:05:09,410 - OKAY, WHO IS SHE, 109 00:05:09,443 --> 00:05:11,379 AND WHY IS SHE BEING SO MEAN TO ME? 110 00:05:11,412 --> 00:05:13,381 - WELL, THIS IS OPHELIA ROBINS. 111 00:05:13,414 --> 00:05:16,083 - OH, THIS IS OPHELIA, THE AUTHOR. 112 00:05:16,116 --> 00:05:19,420 I'M-- HEY, CONGRATULATIONS. 113 00:05:19,453 --> 00:05:22,423 'CAUSE YOU'VE REALLY CREATED QUITE A CULT FOR YOURSELF 114 00:05:22,456 --> 00:05:23,891 WITH THOSE BOOKS OUT THERE, RIGHT? 115 00:05:23,924 --> 00:05:26,594 I'M CHARLIE RUNKLE, FORMERLY OF UTK. 116 00:05:26,627 --> 00:05:28,095 VERY NICE TO MEET YOU. 117 00:05:28,128 --> 00:05:31,965 - HOW DARE YOU OFFER ME THAT DISEASED APPENDAGE? 118 00:05:31,999 --> 00:05:34,568 - SHE'S VERY HOSTILE. 119 00:05:34,602 --> 00:05:36,837 - [clears throat] 120 00:05:36,870 --> 00:05:40,641 WELL, I JUST--I CAN'T SEE YOU ANYMORE, CHARLIE. 121 00:05:40,674 --> 00:05:41,842 - WHY? - WHY? 122 00:05:41,875 --> 00:05:43,977 YOU'VE DISRESPECTED THIS WOMAN 123 00:05:44,011 --> 00:05:45,579 TIME AND TIME AGAIN. 124 00:05:45,613 --> 00:05:47,114 YOU'VE HAD YOUR CHANCE. YOU BLEW IT. 125 00:05:47,147 --> 00:05:49,116 GO AWAY. - OKAY, WAIT. 126 00:05:49,149 --> 00:05:50,684 I DON'T KNOW WHO THE FUCK YOU ARE, LADY, OKAY, 127 00:05:50,718 --> 00:05:52,085 BUT YOU HAVE NO BUSINESS 128 00:05:52,119 --> 00:05:53,787 TELLING ME WHAT TO DO-- - HOW DARE YOU RAISE 129 00:05:53,821 --> 00:05:55,389 YOUR VOICE TO ME? - UH-OH. 130 00:05:55,423 --> 00:05:56,690 - AND I BET YOU'RE PROBABLY ONE OF THOSE GUYS 131 00:05:56,724 --> 00:05:58,592 WHO LIKES TO RAISE HIS HAND TO WOMEN TOO. 132 00:05:58,626 --> 00:06:00,060 - NO! 133 00:06:00,093 --> 00:06:01,995 I MEAN, UNLESS SHE WANTS IT. 134 00:06:02,029 --> 00:06:03,397 'CAUSE, YOU KNOW, THERE ARE SOME WOMEN 135 00:06:03,431 --> 00:06:04,865 WHO SOMETIMES WANT TO BE, YOU KNOW, 136 00:06:04,898 --> 00:06:06,734 A LITTLE LIGHT SLAPPING NOW AND AGAIN. 137 00:06:06,767 --> 00:06:09,002 SOME EVEN LIKE TO HAVE THEIR BREASTS SLAPPED 138 00:06:09,036 --> 00:06:10,738 A LITTLE BIT-- - UGH, GOD, HE'S EVEN MORE 139 00:06:10,771 --> 00:06:12,440 OF A MONSTER THAN I EVER IMAGINED, MARCY. 140 00:06:12,473 --> 00:06:13,974 LET'S GO. - EVEN YOU ASKED ONE TIME. 141 00:06:14,007 --> 00:06:15,108 - DON'T! - YOU ASKED ME TO! 142 00:06:15,142 --> 00:06:17,578 MARCY! MARCY! 143 00:06:17,611 --> 00:06:19,947 I'LL CALL YOU. 144 00:06:21,181 --> 00:06:24,151 [lock clicks] JE-SUS. 145 00:06:24,184 --> 00:06:27,788 I HAVE TO SCHEDULE THE DEPROGRAMMING. 146 00:06:27,821 --> 00:06:30,458 [typing] 147 00:06:30,491 --> 00:06:32,726 HOW'S THE NEXT BROADWAY SMASH COMING, BUDDY? 148 00:06:32,760 --> 00:06:35,028 IS IT WHISKEY, WEED, AND ZEVON TIME YET? 149 00:06:35,062 --> 00:06:37,631 - ALMOST. JUST HOLD YOUR BALD HORSES. 150 00:06:37,665 --> 00:06:39,467 - YOU'RE WAY PAST DEADLINE, YOU KNOW? 151 00:06:39,500 --> 00:06:41,635 STU AND ATTICUS WERE EXPECTING A DRAFT WEEKS AGO. 152 00:06:41,669 --> 00:06:44,037 - YES, I'M WELL AWARE, BUT I'VE BEEN BUSY, 153 00:06:44,071 --> 00:06:45,172 YOU KNOW, PUTTING 'EM OFF. 154 00:06:45,205 --> 00:06:46,574 YOU'RE NOT HELPING. 155 00:06:46,607 --> 00:06:47,975 - SORRY. 156 00:06:48,008 --> 00:06:50,611 JEEZ. 157 00:06:54,081 --> 00:06:55,649 HOW DO YOU FEEL ABOUT IT? IS IT ANY GOOD? 158 00:06:55,683 --> 00:06:57,217 - HOW THE FUCK SHOULD I KNOW? 159 00:06:57,250 --> 00:06:58,852 I DO LIKE WRITING MUSICALS, THOUGH. 160 00:06:58,886 --> 00:07:00,454 YOU JUST WRITE A FEW PAGES, AND THEN SOMEBODY 161 00:07:00,488 --> 00:07:01,755 SUDDENLY BREAKS INTO SONG, 162 00:07:01,789 --> 00:07:03,724 AND I DON'T HAVE TO WORRY ABOUT THAT PART. 163 00:07:03,757 --> 00:07:05,058 WINNING! 164 00:07:05,092 --> 00:07:06,994 - I LOVE MUSICALS. 165 00:07:07,027 --> 00:07:08,028 - REALLY? 166 00:07:08,061 --> 00:07:09,597 SINCE WHEN? 167 00:07:09,630 --> 00:07:11,732 - HIGH SCHOOL PRODUCTION OF GUYS AND DOLLS. 168 00:07:11,765 --> 00:07:13,934 THE TIME OF MY YOUNG LIFE. 169 00:07:13,967 --> 00:07:15,202 - [chuckles] 170 00:07:15,235 --> 00:07:16,570 - I FINGERED A GIRL FOR THE FIRST TIME 171 00:07:16,604 --> 00:07:17,905 AT THE OPENING NIGHT PARTY. - OOH. 172 00:07:17,938 --> 00:07:20,040 - SHE WAS INCREDIBLY DRY, HANK. 173 00:07:20,073 --> 00:07:22,776 I THINK I WAS HURTING HER. 174 00:07:22,810 --> 00:07:24,044 SHE CRIED. 175 00:07:24,077 --> 00:07:25,813 - OH. 176 00:07:25,846 --> 00:07:29,082 NOTHING LIKE A SWEET, LITTLE CHUCK RUNKLE COMING-OF-AGE STORY 177 00:07:29,116 --> 00:07:31,719 TO MAKE YOU WANT TO STAB YOURSELF IN THE DICK. 178 00:07:31,752 --> 00:07:32,986 DONE. HIT IT! 179 00:07:33,020 --> 00:07:36,223 - WHOO-HOO-HOO! 180 00:07:36,256 --> 00:07:37,825 [a Warren Zevon song plays] 181 00:07:37,858 --> 00:07:39,560 - WHERE'S MY WEED? 182 00:07:39,593 --> 00:07:41,128 - WE'RE OUT. - WELL, YOU CAN'T 183 00:07:41,161 --> 00:07:43,664 REALLY HAVE WHISKEY, WEED, AND WARREN ZEVON 184 00:07:43,697 --> 00:07:45,699 WITHOUT THE WEED. 185 00:07:45,733 --> 00:07:46,967 - I KNOW. 186 00:07:47,000 --> 00:07:48,569 I'LL PICK SOME UP ON THE WAY BACK. 187 00:07:48,602 --> 00:07:50,704 I'M MAKING COPIES, AND I'M HAND-DELIVERING 188 00:07:50,738 --> 00:07:52,606 TO ATTICUS AND STU. 189 00:07:52,640 --> 00:07:53,841 - YEAH, BECAUSE THAT'S JUST THE KIND 190 00:07:53,874 --> 00:07:56,043 OF SIMPLE-MINDED LACKEY YOU ARE. 191 00:07:56,076 --> 00:07:57,578 - OH, OH, HANK? 192 00:07:57,611 --> 00:08:00,013 KAREN IS HERE, AND SHE DOES NOT LOOK HAPPY. 193 00:08:00,047 --> 00:08:01,715 - MM, WHAT ELSE IS NEW? 194 00:08:01,749 --> 00:08:03,917 - HEY. 195 00:08:03,951 --> 00:08:05,853 - PEACE OUT, BITCHES. 196 00:08:05,886 --> 00:08:08,756 - WHAT DID YOU SAY TO HER? 197 00:08:08,789 --> 00:08:10,090 - WHAT DID SHE SAY I SAID? 198 00:08:10,123 --> 00:08:12,560 - SHE SAID THAT YOU SAID IT WAS A PIECE OF SHIT 199 00:08:12,593 --> 00:08:15,028 AND THAT SHE SHOULD THROW IT OUT AND START AGAIN. 200 00:08:15,062 --> 00:08:16,597 - THAT IS NOT WHAT I SAID... 201 00:08:16,630 --> 00:08:17,831 EXACTLY. 202 00:08:17,865 --> 00:08:18,999 - WHY WOULD YOU DO THAT? 203 00:08:19,032 --> 00:08:20,668 WHY WOULD YOU BE SO BLUNT? 204 00:08:20,701 --> 00:08:22,169 WHY DO YOU WANT TO HURT HER FEELINGS? 205 00:08:22,202 --> 00:08:23,871 - I DIDN'T WANT TO. I DIDN'T MEAN TO. 206 00:08:23,904 --> 00:08:25,105 SHE KIND OF AMBUSHED ME. 207 00:08:25,138 --> 00:08:26,607 AND SHE DOES NEED TO THROW THAT OUT 208 00:08:26,640 --> 00:08:27,875 AND START AGAIN. 209 00:08:27,908 --> 00:08:29,777 IT'S A GOOD LESSON FOR A YOUNG SCRIBE. 210 00:08:29,810 --> 00:08:31,311 YOU KNOW, GET ALL THE BAD SHIT OUT OF YOUR SYSTEM. 211 00:08:31,344 --> 00:08:33,313 SHE'S WAY AHEAD OF WHERE I WAS AT THAT AGE. 212 00:08:33,346 --> 00:08:35,649 - OH, OKAY, GOOD. SO DID YOU TELL HER THAT? 213 00:08:35,683 --> 00:08:37,150 - NO, I DIDN'T GET A CHANCE. 214 00:08:37,184 --> 00:08:39,052 SHE STORMED OFF INTO A SILENT TREATMENT. 215 00:08:39,086 --> 00:08:41,188 JUST LIKE HER MOM. SHE GETS THAT FROM YOU. 216 00:08:41,221 --> 00:08:43,123 VERY EFFECTIVE. WORKS EVERY TIME. 217 00:08:43,156 --> 00:08:44,658 - SHE STORMED OFF 218 00:08:44,692 --> 00:08:46,293 BECAUSE YOU DON'T KNOW HOW TO TALK TO HER. 219 00:08:46,326 --> 00:08:48,161 - I THINK I KNOW HOW TO TALK TO MY OWN DAUGHTER, KAREN. 220 00:08:48,195 --> 00:08:49,797 - I DON'T THINK YOU DO, BECAUSE IF YOU DID, 221 00:08:49,830 --> 00:08:52,666 SHE WOULDN'T BE SO DEPRESSED RIGHT NOW. 222 00:08:52,700 --> 00:08:55,068 SHE'S TALKING ABOUT GOING TO LAW SCHOOL. 223 00:08:55,102 --> 00:08:56,904 - REALLY? AWESOME. 224 00:08:56,937 --> 00:08:58,806 - THAT'S AWESOME? - YEAH. 225 00:08:58,839 --> 00:09:00,908 BECAUSE IF I CAN TALK HER OUT OF BEING A WRITER, 226 00:09:00,941 --> 00:09:02,309 THEN SHE SHOULDN'T BE A WRITER. 227 00:09:02,342 --> 00:09:03,577 - OH, WHY? BECAUSE THERE'S ONLY ROOM 228 00:09:03,611 --> 00:09:05,178 FOR ONE WRITER IN THIS FAMILY? 229 00:09:05,212 --> 00:09:07,981 - AWW, YOU CALLED US A FAMILY. - SHUT UP. 230 00:09:08,015 --> 00:09:10,083 - NO, BECAUSE PEOPLE WHO AREN'T WRITERS 231 00:09:10,117 --> 00:09:11,719 SHOULD NOT BE WRITERS, KAREN. 232 00:09:11,752 --> 00:09:14,655 DOES THAT MAKE ANY SENSE? - I CAN UNDERSTAND THAT. 233 00:09:14,688 --> 00:09:17,190 WHAT I DON'T UNDERSTAND IS HOW YOU CAN BE SO HARSH 234 00:09:17,224 --> 00:09:19,059 AND SO MEAN TO SOMEONE YOU LOVE. 235 00:09:19,092 --> 00:09:20,661 YOU COULD SAVE THAT SHIT 236 00:09:20,694 --> 00:09:22,796 FOR WHEN YOU HAVE TO GO BACK TO TEACHING. 237 00:09:22,830 --> 00:09:25,165 - OOH, WHO'S BEING MEAN AND HARSH NOW? 238 00:09:25,198 --> 00:09:28,869 THERE IT IS! STORM OFF INTO SILENT TREATMENT! 239 00:09:31,739 --> 00:09:32,706 [door slams] 240 00:09:32,740 --> 00:09:34,274 MUST BE ME. 241 00:09:34,307 --> 00:09:37,645 [rock music] 242 00:09:37,678 --> 00:09:40,247 * 243 00:09:44,852 --> 00:09:49,122 - SAY, HAVE YOU MET THIS OPHELIA CHARACTER? 244 00:09:49,156 --> 00:09:51,625 - OH, SHE IS A FUCKING FRUITCAKE. 245 00:09:51,659 --> 00:09:53,293 - I KNOW. SHE SLAPPED ME. 246 00:09:53,326 --> 00:09:54,695 - OH, YOU THINK THAT'S BAD? 247 00:09:54,728 --> 00:09:56,396 SHE HAD ME IN A FUCKING COCK CAGE. 248 00:09:56,429 --> 00:09:58,666 - WHAT IS A COCK CAGE? 249 00:09:58,699 --> 00:10:01,201 - IT TRAPS YOUR PENIS IN ITS FLACCID STA-- 250 00:10:01,234 --> 00:10:02,970 - LADIES, ENOUGH OF YOUR JIBBER-JABBER. 251 00:10:03,003 --> 00:10:04,638 YOU HAVEN'T SAID ANYTHING ABOUT THE SCRIPT. 252 00:10:04,672 --> 00:10:07,775 HAVE YOU EVEN READ IT? 253 00:10:07,808 --> 00:10:09,109 - I HAVE. 254 00:10:09,142 --> 00:10:10,978 - OKAY. WHAT'D YOU THINK? 255 00:10:11,011 --> 00:10:15,115 - IT... WAS... 256 00:10:15,148 --> 00:10:16,684 VERY YOU. 257 00:10:16,717 --> 00:10:18,786 - WHAT THE FUCK DOES THAT MEAN? 258 00:10:18,819 --> 00:10:20,387 - IT'S A LITTLE DARK, HANK. 259 00:10:20,420 --> 00:10:22,656 - DARK IS WHAT I DO. THAT'S WHAT YOU HIRED ME FOR. 260 00:10:22,690 --> 00:10:24,157 - IT'S A BROADWAY MUSICAL, HANK. 261 00:10:24,191 --> 00:10:26,393 - IT'S A ROCK OPERA, AND IT'S TRUE TO THE BOOK, 262 00:10:26,426 --> 00:10:29,396 WHICH IS WHAT ATTICUS WANTED. 263 00:10:31,732 --> 00:10:32,966 - THANK YOU FOR COMING, EVERYBODY. 264 00:10:33,000 --> 00:10:34,201 UNFORTUNATELY, I HAVE TO GO IN A MOMENT. 265 00:10:34,234 --> 00:10:35,769 I'M FLYING TO LONDON 266 00:10:35,803 --> 00:10:39,072 TO SIT DOWN WITH EDDIE NERO AND SIR BOB GELDOFF. 267 00:10:39,106 --> 00:10:42,409 WE'RE TALKING ABOUT DOING THIS GLOBAL RELIEF CONCERT THING. 268 00:10:42,442 --> 00:10:43,977 IT'S, YOU KNOW-- 269 00:10:44,011 --> 00:10:45,278 SPEAKING OF RELIEF, 270 00:10:45,312 --> 00:10:48,248 THIS IS A FUCKING DISASTER. 271 00:10:48,281 --> 00:10:51,018 - WHAT? - IT'S SHIT, HANK. 272 00:10:51,051 --> 00:10:52,953 IT'S A FUCKING SHAMBLES. 273 00:10:52,986 --> 00:10:54,955 IT'S-- 274 00:10:54,988 --> 00:10:56,156 IT'S BOLLOCKS. 275 00:10:56,189 --> 00:10:57,691 - UM, I AGREE. 276 00:10:57,725 --> 00:11:01,128 HANK, I'M SORRY. IT NEEDS WORK. 277 00:11:01,161 --> 00:11:02,896 - YEAH, WE'RE REALLY GONNA HAVE 278 00:11:02,930 --> 00:11:04,397 TO ROLL UP OUR SLEEVES ON THIS ONE. 279 00:11:04,431 --> 00:11:05,966 - WHAT THE FUCK ARE YOU GUYS TALKING ABOUT? 280 00:11:05,999 --> 00:11:07,968 IT'S A ROCK OPERA WITH THE TONE OF MY BOOK. 281 00:11:08,001 --> 00:11:09,737 - [sniffs] - THAT'S WHAT YOU WANTED. 282 00:11:09,770 --> 00:11:11,304 - I DON'T EVEN LIKE THE FUCKING BOOK. 283 00:11:11,338 --> 00:11:13,774 - YOU SAID YOU LOVED IT. 284 00:11:13,807 --> 00:11:16,409 REMEMBER? ON YOUR FLYING WHOREHOUSE? 285 00:11:16,443 --> 00:11:17,978 - YEAH, I REMEMBER, BUT WHEN I SAID THAT, 286 00:11:18,011 --> 00:11:20,180 I HADN'T READ IT. - SO YOU LIED? 287 00:11:20,213 --> 00:11:21,915 - I WOULDN'T LOOK AT IT LIKE THAT. 288 00:11:21,949 --> 00:11:22,950 I LIKED THE TITLE. 289 00:11:22,983 --> 00:11:23,984 IT WAS QUITE STRIKING. 290 00:11:24,017 --> 00:11:25,385 TITLES MEAN A LOT TO ME, 291 00:11:25,418 --> 00:11:27,254 BUT WHEN I GOT AROUND TO READING THE FUCKING BOOK, 292 00:11:27,287 --> 00:11:29,222 OH, MY GOD, IT'S SO DEPRESSING. 293 00:11:29,256 --> 00:11:32,993 IT'S LIKE IT'S DICKENSIAN BUT NOT IN A GOOD WAY. 294 00:11:33,026 --> 00:11:34,995 THE WORKING CLASSES WANT TO LEAVE 295 00:11:35,028 --> 00:11:38,331 A BROADWAY THEATER FEELING THE WAY THEY FEEL 296 00:11:38,365 --> 00:11:39,800 WHEN THEY LEAVE ONE OF MY CONCERTS. 297 00:11:39,833 --> 00:11:42,202 - WITH TINNITUS? - HAPPY, UPLIFTED, INSPIRED, 298 00:11:42,235 --> 00:11:43,737 PREFERABLY A LITTLE BIT HORNY. 299 00:11:43,771 --> 00:11:45,205 - YEAH, WELL, THAT'S VERY FUNNY 300 00:11:45,238 --> 00:11:47,207 'CAUSE I'M NOT FEELING VERY HORNY RIGHT NOW. 301 00:11:47,240 --> 00:11:48,976 JUST HOMICIDAL MAYBE. 302 00:11:49,009 --> 00:11:51,478 - HANK, WE'RE GONNA NEED YOU TO BURN THIS DRAFT, 303 00:11:51,511 --> 00:11:53,814 JUST FORGET ALL ABOUT IT. 304 00:11:53,847 --> 00:11:57,818 CHALK IT UP TO A CREATIVE MISCARRIAGE. 305 00:11:57,851 --> 00:12:00,988 BUT WHEN YOU GET UP TOMORROW, 306 00:12:01,021 --> 00:12:02,355 YOU TAKE A FRESH PAGE, 307 00:12:02,389 --> 00:12:04,357 YOU PUT IT IN YOUR TYPER, 308 00:12:04,391 --> 00:12:06,459 AND YOU START A NEW ONE, 309 00:12:06,493 --> 00:12:11,832 ONE THAT HUES CLOSER TO THE TONE OF THE MOVIE. 310 00:12:11,865 --> 00:12:15,068 CAN YOU DO THAT? 311 00:12:15,102 --> 00:12:17,971 OTHERWISE, AARON SORKIN HAS EXPRESSED INTEREST 312 00:12:18,005 --> 00:12:19,406 IN WORKING WITH ATTICUS. 313 00:12:19,439 --> 00:12:20,874 - I HEAR HE'S QUITE GOOD, ISN'T HE? 314 00:12:20,908 --> 00:12:22,409 - HE'S THE BEST IN THE BUSINESS. 315 00:12:22,442 --> 00:12:24,277 JUST ASK HIM. 316 00:12:24,311 --> 00:12:26,179 AND HE IS A BIG ADMIRER OF YOUR WORK. 317 00:12:26,213 --> 00:12:27,981 - AS I AM OF HIS. 318 00:12:28,015 --> 00:12:29,549 - THIS IS BULLSHIT. 319 00:12:29,582 --> 00:12:31,284 - YOU KNOW WHY, HANK? 320 00:12:31,318 --> 00:12:34,454 - NO, WHY? 321 00:12:34,487 --> 00:12:37,424 - BECAUSE YOU CAN'T HANDLE THE TRUTH! 322 00:12:37,457 --> 00:12:40,060 [laughter] 323 00:12:40,093 --> 00:12:41,294 - [sarcastic laugh] 324 00:12:41,328 --> 00:12:42,462 - THAT'S SO GOOD. 325 00:12:42,495 --> 00:12:44,397 [indistinct chatter] 326 00:12:44,431 --> 00:12:47,567 [rock music] 327 00:12:47,600 --> 00:12:56,109 * 328 00:12:56,143 --> 00:12:59,246 - YOU THINK HANK'LL BE ABLE TO PULL A DECENT DRAFT 329 00:12:59,279 --> 00:13:01,148 OUT OF HIS ASS? - SURE, SURE. 330 00:13:01,181 --> 00:13:03,884 LOOK, IT'S JUST-- IT'S HIS PROCESS, STU, OKAY? 331 00:13:03,917 --> 00:13:05,385 HE BRINGS IN SOMETHING UNDERWHELMING, 332 00:13:05,418 --> 00:13:06,954 AND THEN HE KNOCKS IT OUT OF THE PARK. 333 00:13:06,987 --> 00:13:08,421 IT'S A CLASSIC BAIT-AND-SWITCH, THAT'S ALL. 334 00:13:08,455 --> 00:13:10,323 - RIGHT, RIGHT. 335 00:13:10,357 --> 00:13:11,959 AND WHEN HAS HE EVER DONE THAT EXACTLY? 336 00:13:11,992 --> 00:13:13,861 - YOU KNOW WHAT? ENOUGH ABOUT HANK. 337 00:13:13,894 --> 00:13:15,162 LOOK, I GOT A CONFESSION TO MAKE. 338 00:13:15,195 --> 00:13:17,030 - LOOK, LOOK, RUNKLE, I KNOW YOU ARE BROKE. 339 00:13:17,064 --> 00:13:18,565 I'M NOT GOING TO LEND YOU ANY MONEY. 340 00:13:18,598 --> 00:13:21,434 DON'T BE A FUCKING BEGGAR. IT'S UNBECOMING. 341 00:13:21,468 --> 00:13:23,570 - I DON'T WANT YOUR FUCKING MONEY, STU. 342 00:13:23,603 --> 00:13:26,106 - OH, OKAY. COOL. 343 00:13:26,139 --> 00:13:29,009 WHAT IS IT THEN? 344 00:13:29,042 --> 00:13:30,443 - I SLEPT WITH MARCY THE OTHER NIGHT. 345 00:13:30,477 --> 00:13:32,045 - [coughs] 346 00:13:32,079 --> 00:13:34,147 YOU DID? 347 00:13:34,181 --> 00:13:36,049 YOU FUCKING DOG. 348 00:13:36,083 --> 00:13:36,783 NOW I AM JEALOUS. 349 00:13:36,816 --> 00:13:39,486 WELL, GOOD FOR YOU, BRO. UP HIGH. 350 00:13:39,519 --> 00:13:42,055 - I'M STILL IN LOVE WITH HER, STU. 351 00:13:42,089 --> 00:13:44,925 - ME TOO. - SO WHAT ARE WE GONNA DO? 352 00:13:44,958 --> 00:13:47,027 - WELL, I DON'T KNOW WHAT YOU'RE GOING TO DO, 353 00:13:47,060 --> 00:13:49,229 BUT I AM PREPARED TO WRITE YOU A CHECK 354 00:13:49,262 --> 00:13:51,999 RIGHT THIS VERY INSTANT. - WHAT? 355 00:13:52,032 --> 00:13:53,400 YOU JUST SAID YOU WOULD NEVER GIVE ME-- 356 00:13:53,433 --> 00:13:55,468 - I WILL NOT LEND YOU A FUCKING DIME, 357 00:13:55,502 --> 00:13:58,138 BUT I WILL PAY YOU NOT TO PURSUE MARCY ANY LONGER. 358 00:13:58,171 --> 00:14:00,107 SO HOW MUCH YOU WANT? 359 00:14:00,140 --> 00:14:02,609 GIVE ME A NUMBER. 360 00:14:02,642 --> 00:14:05,979 - I DON'T WANT YOUR-- 361 00:14:06,013 --> 00:14:07,380 HOW MUCH ARE YOU WILLING TO PAY? 362 00:14:07,414 --> 00:14:09,983 - I WOULD SIGN OVER MY ENTIRE FORTUNE 363 00:14:10,017 --> 00:14:11,651 IF IT MEANT I COULD HAVE THAT SWEET AND SOUR 364 00:14:11,684 --> 00:14:17,057 LITTLE FIRECRACKER BACK IN MY LIFE. 365 00:14:17,090 --> 00:14:19,226 - SERIOUSLY? 366 00:14:19,259 --> 00:14:20,928 THIS IS CRAZY, STU. 367 00:14:20,961 --> 00:14:23,263 - NO, NO, NO. IT AIN'T OVER TILL IT'S OVER. 368 00:14:23,296 --> 00:14:24,497 MAY THE BEST MAN WIN, 369 00:14:24,531 --> 00:14:26,599 AND BY "BEST" I MEAN THE RICHEST 370 00:14:26,633 --> 00:14:28,635 AND THE MOST WELL-HUNG. 371 00:14:28,668 --> 00:14:30,370 - OKAY, HOW DO YOU PROPOSE WE GET PAST 372 00:14:30,403 --> 00:14:31,638 THIS OPHELIA BROAD, HUH? 373 00:14:31,671 --> 00:14:33,240 SHE SEEMS DETERMINED TO COCK-BLOCK US 374 00:14:33,273 --> 00:14:34,574 AT EVERY TURN. 375 00:14:34,607 --> 00:14:38,111 - WE COULD HAVE HER KILLED. - YOU THINK? 376 00:14:38,145 --> 00:14:39,612 - WELL, IT'S JUST A MATTER OF MONEY. 377 00:14:39,646 --> 00:14:41,048 NOW I DON'T KNOW A GUY, 378 00:14:41,081 --> 00:14:42,950 BUT I PROBABLY KNOW A GUY WHO KNOWS A GUY. 379 00:14:42,983 --> 00:14:46,553 - SOLID PLAN, BUT PERHAPS A LITTLE EXTREME. 380 00:14:46,586 --> 00:14:48,521 YOU KNOW, MAYBE WE TALK TO MARCY FIRST. 381 00:14:48,555 --> 00:14:50,257 - YOU'RE RIGHT, RUNKLE. 382 00:14:50,290 --> 00:14:54,527 AND IF I KNOW MY FAVORITE PINT-SIZED STONER CHICK, 383 00:14:54,561 --> 00:14:59,132 I BET SHE IS RUNNING LOW ON WEED. 384 00:14:59,166 --> 00:15:01,969 [rock music playing] 385 00:15:05,505 --> 00:15:09,042 - [strumming] 386 00:15:09,076 --> 00:15:11,144 HANK MOODY. 387 00:15:11,178 --> 00:15:12,612 LONG TIME NO SEE. 388 00:15:12,645 --> 00:15:13,713 - HE'S BEEN WORKING. 389 00:15:13,746 --> 00:15:16,249 - GOOD. GOOD TO HEAR. 390 00:15:16,283 --> 00:15:18,551 - YEAH, WELL, YOU HAD A LOT TO DO WITH IT, LADY. 391 00:15:18,585 --> 00:15:20,954 AFTER OUR WEEKEND IN NEW YORK, 392 00:15:20,988 --> 00:15:22,422 I BANGED OUT A DRAFT OF THAT THING 393 00:15:22,455 --> 00:15:23,556 I'M DOING WITH ATTICUS. 394 00:15:23,590 --> 00:15:25,425 - IT'S WHAT I DO. - YEAH. 395 00:15:25,458 --> 00:15:27,727 - HOW'D IT GO? 396 00:15:27,760 --> 00:15:30,563 - I LIKE IT. OTHERS, NOT SO MUCH. 397 00:15:30,597 --> 00:15:32,232 THEY'RE-- 398 00:15:32,265 --> 00:15:34,567 WELL, THEY'RE CALLING IT A CREATIVE MISCARRIAGE. 399 00:15:34,601 --> 00:15:37,004 - OH, GOD, NO. - YEAH. 400 00:15:37,037 --> 00:15:38,671 - THAT IS NO WAY TO TALK ABOUT OUR LOVE BABY. 401 00:15:38,705 --> 00:15:40,707 - IT ISN'T. AND I WANTED TO ASK YOU 402 00:15:40,740 --> 00:15:42,175 IF YOU MIGHT TAKE A READ, 403 00:15:42,209 --> 00:15:43,710 GIVE ME YOUR NOTES. 404 00:15:43,743 --> 00:15:46,079 I DON'T KNOW IF YOU MUSE TYPES 405 00:15:46,113 --> 00:15:48,481 DO THAT SORT OF THING, BUT I'D APPRECIATE IT. 406 00:15:48,515 --> 00:15:51,251 - OF COURSE I DO THAT. 407 00:15:51,284 --> 00:15:52,585 BUT ONLY IF YOU CAN HANDLE THE TRUTH. 408 00:15:52,619 --> 00:15:54,487 - NO, DON'T USE THAT PHRASE. 409 00:15:54,521 --> 00:15:58,025 - [laughs] OKAY. 410 00:15:58,058 --> 00:16:00,027 ALL RIGHT. YEAH. 411 00:16:00,060 --> 00:16:01,194 GRAB A DRINK. I'LL READ IT. 412 00:16:01,228 --> 00:16:02,462 - THANKS. - TAKE A SWIM. 413 00:16:02,495 --> 00:16:04,131 - THAT--THAT SOUNDS PRETTY RELAXING. 414 00:16:04,164 --> 00:16:06,333 - YEAH. OR... 415 00:16:06,366 --> 00:16:07,500 WE COULD HAVE SEX. 416 00:16:07,534 --> 00:16:09,702 YOU SEEM A LITTLE MOPEY. 417 00:16:09,736 --> 00:16:12,339 [laughs] AW, BABY! 418 00:16:12,372 --> 00:16:14,741 POOR YOU. 419 00:16:14,774 --> 00:16:17,644 MAYBE WE SHOULD COMBINE THE TWO. 420 00:16:17,677 --> 00:16:21,014 [rock music] 421 00:16:21,048 --> 00:16:24,484 * 422 00:16:24,517 --> 00:16:28,621 - [whistles] 423 00:16:28,655 --> 00:16:29,756 - WHERE IS IT? 424 00:16:29,789 --> 00:16:32,159 HAND IT OVER. - OH, SIT. 425 00:16:32,192 --> 00:16:34,027 MARCY, PLEASE. 426 00:16:34,061 --> 00:16:35,495 - I DON'T WANT TO SIT, STU. 427 00:16:35,528 --> 00:16:36,629 I JUST WANT YOU TO GIVE ME MY WEED, 428 00:16:36,663 --> 00:16:38,031 SO I CAN GO HOME AND SMOKE IT. 429 00:16:38,065 --> 00:16:40,167 - SIT DOWN, MARCY. JUST HEAR US OUT. 430 00:16:40,200 --> 00:16:42,769 - OH, FUCK, I KNEW THAT THIS WAS A FUCKING SETUP! 431 00:16:42,802 --> 00:16:45,105 - WE ARE WORRIED ABOUT YOU. 432 00:16:45,138 --> 00:16:47,674 - THIS OPHELIA BROAD HAS YOU ACTING ALL LOOPY. 433 00:16:47,707 --> 00:16:50,810 - LOOK, I KNOW SHE COMES OFF A LITTLE INTENSE... 434 00:16:50,843 --> 00:16:51,711 - OH! 435 00:16:51,744 --> 00:16:53,246 - BUT HER HEART IS IN THE RIGHT PLACE, 436 00:16:53,280 --> 00:16:55,682 AND SHE SPEAKS THE FUCKING TRUTH. 437 00:16:55,715 --> 00:16:58,051 - MARCY, THE WOMAN PUT ME IN A COCK CAGE. 438 00:16:58,085 --> 00:17:00,053 - YEESH! - YOU DESERVED IT, STU. 439 00:17:00,087 --> 00:17:01,354 YOU BETRAYED OUR LOVE. 440 00:17:01,388 --> 00:17:03,323 - I DID, AND I WILL FOREVER BE SORRY, 441 00:17:03,356 --> 00:17:06,193 BUT AT WHAT POINT CAN I TAKE THE DAMN THING OFF? 442 00:17:06,226 --> 00:17:08,528 - YOU'RE STILL WEARING IT? - YES. 443 00:17:08,561 --> 00:17:10,263 I'M TRYING TO PROVE THAT I'M DESERVING 444 00:17:10,297 --> 00:17:11,598 OF THIS WOMAN'S LOVE. - DOESN'T IT HURT? 445 00:17:11,631 --> 00:17:13,133 - IT'S EXCRUCIATING! 446 00:17:13,166 --> 00:17:15,135 DO YOU HAVE THE KEY, MARCY? 447 00:17:15,168 --> 00:17:18,138 - NO. ONLY OPHELIA HAS IT, 448 00:17:18,171 --> 00:17:20,473 AND SHE'S THE ONE WHO DECIDES WHEN IT COMES OFF. 449 00:17:20,507 --> 00:17:23,810 - THIS IS RIDICULOUS. 450 00:17:23,843 --> 00:17:25,778 I'M STILL IN LOVE WITH YOU, MARCY. 451 00:17:25,812 --> 00:17:27,180 - I'M STILL IN LOVE WITH YOU. 452 00:17:27,214 --> 00:17:28,815 - YES, BUT WE HAVE A CHILD TOGETHER. 453 00:17:28,848 --> 00:17:32,185 - TRUE, BUT I AM FAR MORE CAPABLE OF TAKING CARE OF YOU, 454 00:17:32,219 --> 00:17:35,522 BOTH FINANCIALLY AND SEXUALLY, 455 00:17:35,555 --> 00:17:38,158 AND I KNOW WHAT YOU ARE THINKING 456 00:17:38,191 --> 00:17:39,726 AT ALL TIMES. 457 00:17:39,759 --> 00:17:41,828 I MEAN, OKAY, 458 00:17:41,861 --> 00:17:43,796 LOOK AT THAT POOL TABLE OVER THERE. 459 00:17:43,830 --> 00:17:45,432 SEE, I KNOW YOU ARE THINKING, 460 00:17:45,465 --> 00:17:48,701 "MAYBE WE COULD PLAY JODIE FOSTER IN THE ACCUSED." 461 00:17:48,735 --> 00:17:51,204 WE HAD SUCH FUN TOGETHER, MARCY. 462 00:17:51,238 --> 00:17:53,373 OUR BEDROOM GAMES WERE SO DELIGHTFUL. 463 00:17:53,406 --> 00:17:54,807 - SEE, THERE YOU GO. 464 00:17:54,841 --> 00:17:56,576 NOW, I FIND THAT REVOLTING. 465 00:17:56,609 --> 00:17:59,346 BUT IT PROVES THAT YOU'RE STILL IN THERE SOMEWHERE. 466 00:18:00,780 --> 00:18:02,582 - I'M GOING. - WAIT! 467 00:18:02,615 --> 00:18:04,284 - STAY, MARCY! - ONE DRINK, ONE DRINK. 468 00:18:04,317 --> 00:18:06,653 ONE DRINK. - ONE DRINK, ONE DRINK. 469 00:18:06,686 --> 00:18:08,188 JUST HEAR A COUPLE BROTHERS OUT. 470 00:18:08,221 --> 00:18:10,323 - SOME APPLETINI TO START? 471 00:18:20,433 --> 00:18:22,869 - WHAT DO YOU THINK? YOU HATE IT, YOU HATE IT. 472 00:18:22,902 --> 00:18:24,571 I CAN TELL YOU HATE IT. THAT'S ALL RIGHT. 473 00:18:24,604 --> 00:18:26,506 - I DON'T HATE IT. - AND THAT TOTALLY BUMS ME OUT, 474 00:18:26,539 --> 00:18:28,208 BUT THEN YOU COULD-- - I DON'T HATE IT. 475 00:18:28,241 --> 00:18:29,709 - YOU COULD HAVE POOL SEX WITH ME AGAIN, 476 00:18:29,742 --> 00:18:32,545 AND I'LL MAYBE FEEL A LITTLE BETTER. 477 00:18:32,579 --> 00:18:34,881 WHAT DO YOU THINK? 478 00:18:34,914 --> 00:18:37,717 - WHAT DO I THINK? UM... 479 00:18:37,750 --> 00:18:40,520 IT'S VERY DARK. - UH-HUH. 480 00:18:40,553 --> 00:18:41,888 - DARK. FUNNY. 481 00:18:41,921 --> 00:18:43,556 FUNNY-DARK. - MM. 482 00:18:43,590 --> 00:18:46,293 - AND I DO REALLY GET WHAT YOU'RE TRYING TO DO 483 00:18:46,326 --> 00:18:48,161 AS FAR AS... 484 00:18:48,195 --> 00:18:49,729 YOU'RE DOING SOMETHING REALLY DIFFERENT WITH IT. 485 00:18:49,762 --> 00:18:51,498 I GET THAT. 486 00:18:51,531 --> 00:18:52,499 - BUT... 487 00:18:52,532 --> 00:18:55,768 - [laughs] BUT... 488 00:18:55,802 --> 00:18:57,237 IT DOESN'T HAVE ANY HEART. 489 00:18:57,270 --> 00:18:59,639 AND IF THERE IS ONE THING 490 00:18:59,672 --> 00:19:01,674 THAT I KNOW ABOUT YOU, HANK MOODY, 491 00:19:01,708 --> 00:19:06,313 IT'S THAT YOU HAVE A HUGE... 492 00:19:06,346 --> 00:19:07,714 HEART. 493 00:19:07,747 --> 00:19:09,782 [laughs] 494 00:19:09,816 --> 00:19:14,321 I THINK THAT MAYBE YOU WERE POSTURING A LITTLE BIT. 495 00:19:14,354 --> 00:19:15,822 - EWW. - YOU KNOW, YOU WERE TRYING 496 00:19:15,855 --> 00:19:17,724 TO SHOW THE WORLD THAT YOU ARE NOT GONNA WRITE 497 00:19:17,757 --> 00:19:20,360 SOME FLUFFY BROADWAY MUSICAL. 498 00:19:20,393 --> 00:19:23,263 AND I THINK, IN THE PROCESS OF DOING THAT, 499 00:19:23,296 --> 00:19:26,799 MAYBE YOU FORGOT THAT IT'S STILL A STORY 500 00:19:26,833 --> 00:19:28,801 OF BOY MEETS GIRL. 501 00:19:28,835 --> 00:19:32,305 YOU KNOW? IT'S SIMPLE. 502 00:19:32,339 --> 00:19:35,608 - I THINK I GET THAT. I DO, I GET IT. 503 00:19:35,642 --> 00:19:39,912 - ANYONE CAN BE CYNICAL, HANK. 504 00:19:39,946 --> 00:19:41,581 DARE TO BE AN OPTIMIST. 505 00:19:41,614 --> 00:19:45,518 - [sighs] 506 00:19:45,552 --> 00:19:48,921 YOU KNOW IT'S ALL JUST A BIG CAN OF KARMIC WHOOP-ASS ANYWAY, 507 00:19:48,955 --> 00:19:50,690 YOU KNOW? - MM-HMM. 508 00:19:50,723 --> 00:19:52,259 - 'CAUSE MY DAUGHTER, 509 00:19:52,292 --> 00:19:54,261 SHE JUST WROTE HER FIRST NOVEL, 510 00:19:54,294 --> 00:19:56,763 AND I WAS REALLY FUCKING HARD ON HER. 511 00:19:56,796 --> 00:19:58,798 - OH, YOU HAVE TO BE REALLY GENTLE 512 00:19:58,831 --> 00:20:01,334 WITH THOSE LITTLE GIRLS, HANK. 513 00:20:01,368 --> 00:20:04,304 GOD, MY PARENTS, 514 00:20:04,337 --> 00:20:06,573 THEY HIT ME PRETTY HARD ONCE UPON A TIME. 515 00:20:06,606 --> 00:20:07,707 I'M STILL SMARTING. 516 00:20:07,740 --> 00:20:09,876 - ABOUT WHAT? WHAT HAPPENED? 517 00:20:09,909 --> 00:20:11,844 - DO YOU KNOW BIG YELLOW TAXI? 518 00:20:11,878 --> 00:20:13,546 - NO. - BY JONI MITCHELL? 519 00:20:13,580 --> 00:20:15,715 - NO, I DON'T KNOW ANY JONI MITCHELL SONGS. 520 00:20:15,748 --> 00:20:16,949 - NO? NONE? 521 00:20:16,983 --> 00:20:19,552 - WHAT SELF-RESPECTING GUY KNOWS ANY? 522 00:20:19,586 --> 00:20:24,791 [playing Big Yellow Taxi] - * DON'T IT ALW-- 523 00:20:24,824 --> 00:20:27,460 - * DON'T IT ALWAYS SEEM TO GO * 524 00:20:27,494 --> 00:20:29,762 * THAT YOU DON'T KNOW WHAT YOU'VE GOT * 525 00:20:29,796 --> 00:20:31,431 * TILL IT'S GONE 526 00:20:31,464 --> 00:20:35,402 * PAVED PARADISE AND PUT UP A PARKING LOT * 527 00:20:35,435 --> 00:20:38,405 [both scatting] 528 00:20:38,438 --> 00:20:44,411 * 529 00:20:44,444 --> 00:20:46,746 I PLAYED THAT SONG 530 00:20:46,779 --> 00:20:49,316 AT THIS STUPID, LITTLE CHURCH SOCIAL. 531 00:20:49,349 --> 00:20:50,383 - MM. 532 00:20:50,417 --> 00:20:52,619 - I WAS OBSESSED WITH JONI MITCHELL 533 00:20:52,652 --> 00:20:54,053 WHEN I WAS A TEENAGER. 534 00:20:54,086 --> 00:20:56,055 I WANTED TO BE A LADY OF THE CANYON WHEN I GREW UP. 535 00:20:56,088 --> 00:20:57,357 - ME TOO. [laughter] 536 00:20:57,390 --> 00:20:59,025 - WE HAVE SO MUCH IN COMMON. 537 00:20:59,058 --> 00:21:03,663 AND SO I GOT TOGETHER WITH THIS CUTE BOY 538 00:21:03,696 --> 00:21:04,997 WHO PLAYED THE GUITAR, 539 00:21:05,031 --> 00:21:09,502 AND WE PRACTICED EVERY DAY AFTER SCHOOL. 540 00:21:09,536 --> 00:21:13,873 AND FINALLY, THE BIG DAY CAME, 541 00:21:13,906 --> 00:21:17,544 AND WE PLAYED OUR LITTLE HEARTS OUT, 542 00:21:17,577 --> 00:21:22,449 AND, YOU KNOW, HE FORGOT A FEW CHORDS, 543 00:21:22,482 --> 00:21:24,784 AND I FORGOT A FEW WORDS, 544 00:21:24,817 --> 00:21:28,321 AND MY VOICE CRACKED AND-- - MM-HMM. 545 00:21:28,355 --> 00:21:30,523 - BUT PEOPLE CLAPPED. 546 00:21:30,557 --> 00:21:33,860 AND I WAS SO THRILLED. AH! - AH! 547 00:21:33,893 --> 00:21:35,995 THEY KIND OF LOVED US. - YEAH. 548 00:21:36,028 --> 00:21:39,098 - AND I WENT LOOKING FOR MY PARENTS, 549 00:21:39,131 --> 00:21:40,967 AND OF COURSE, ALL MY MOM HAD TO SAY 550 00:21:41,000 --> 00:21:42,935 WAS THAT I LOOKED LIKE A SLUT UP THERE. 551 00:21:42,969 --> 00:21:46,339 - [groans] - AND MY FATHER SAID, 552 00:21:46,373 --> 00:21:48,975 "DON'T QUIT YOUR DAY JOB, KID." 553 00:21:49,008 --> 00:21:53,480 - MM. - NICE, HUH? 554 00:21:55,948 --> 00:21:58,951 THE WHOLE THING WAS NOT A BUST, HOWEVER. 555 00:21:58,985 --> 00:22:03,055 I LOST MY VIRGINITY TO THAT CUTE GUITARIST. 556 00:22:03,089 --> 00:22:07,093 - OH. - YEAH. 557 00:22:07,126 --> 00:22:09,829 I THINK IT'S BECOMING A PATTERN. 558 00:22:09,862 --> 00:22:13,433 - MM-HMM. - MM-HMM. 559 00:22:13,466 --> 00:22:15,435 MM. 560 00:22:17,470 --> 00:22:20,473 * 561 00:22:20,507 --> 00:22:24,110 * I HEARD THAT SCREEN DOOR SLAM * 562 00:22:24,143 --> 00:22:26,579 * AND A BIG YELLOW TAXI 563 00:22:26,613 --> 00:22:30,450 * TOOK AWAY MY OLD MAN 564 00:22:33,152 --> 00:22:34,854 - OH! - OH-HO-HO! 565 00:22:34,887 --> 00:22:39,125 - HA. OH, TAKE THAT, BITCHES. 566 00:22:39,158 --> 00:22:40,893 MM. 567 00:22:40,927 --> 00:22:42,495 - MARCY. 568 00:22:42,529 --> 00:22:43,563 - OH, MY. 569 00:22:43,596 --> 00:22:45,465 - I'M SO DISAPPOINTED IN YOU. 570 00:22:45,498 --> 00:22:47,500 I MEAN, I'M NOT SURPRISED. 571 00:22:47,534 --> 00:22:50,002 THE ROAD TO SHENESS IS LONG, 572 00:22:50,036 --> 00:22:51,504 AND IT'S PAVED WITH POTHOLES. 573 00:22:51,538 --> 00:22:55,842 - OKAY, THAT JUST MAKES NO SENSE AT ALL. 574 00:22:55,875 --> 00:22:57,644 YOU DON'T PAVE WITH POTHOLES. 575 00:22:57,677 --> 00:22:58,845 YOU PAVE OVER POTHOLES. 576 00:22:58,878 --> 00:23:00,613 - IT ABSOLUTELY MAKES SENSE. 577 00:23:00,647 --> 00:23:04,517 IT'S IN MY THIRD BOOK, MENIS TO SOCIETY. 578 00:23:04,551 --> 00:23:08,154 M-E-N-I-S. 579 00:23:08,187 --> 00:23:10,457 - OH, CATCHY TITLE. AND SUBTLE. 580 00:23:10,490 --> 00:23:12,859 - AND WHAT HAVE YOU WRITTEN THAT'S CHANGED LIVES, 581 00:23:12,892 --> 00:23:14,160 YOU PATHETIC, LITTLE SIMIAN? 582 00:23:14,193 --> 00:23:17,897 MARCY, LET'S GO. I'LL DRIVE YOU HOME. 583 00:23:17,930 --> 00:23:19,599 - WAIT ONE SECOND, OPHELIA. 584 00:23:19,632 --> 00:23:22,502 HOW DID YOU EVEN KNOW WHERE I WAS JUST NOW? 585 00:23:22,535 --> 00:23:24,203 - OH, I TRACKED YOUR iPHONE. 586 00:23:24,236 --> 00:23:26,639 - OH. 587 00:23:26,673 --> 00:23:28,675 - OKAY, THAT'S JUST-- WHAT? 588 00:23:28,708 --> 00:23:30,643 THAT'S SO FUCKING WEIRD. 589 00:23:30,677 --> 00:23:32,445 - IT'S NOT THAT WEIRD. I MEAN, I'VE SEEN YOU 590 00:23:32,479 --> 00:23:33,913 CHECK YOUR EMAIL, LIKE, SEVERAL TIMES, 591 00:23:33,946 --> 00:23:36,048 AND I HAPPEN TO BE VERY GOOD AT RECOGNIZING KEYSTROKES. 592 00:23:36,082 --> 00:23:38,985 AND YOUR PASSWORD IS DISTINCTIVE 593 00:23:39,018 --> 00:23:40,820 AND DISGUSTING, AND, YOU KNOW, 594 00:23:40,853 --> 00:23:42,789 THAT'S WHEN I REALLY REALIZED THAT WE HAD A PROBLEM 595 00:23:42,822 --> 00:23:45,658 THAT WAS JUST MUCH BIGGER THAN I EVER IMAGINED. 596 00:23:45,692 --> 00:23:48,795 - OH, Y-YOU'RE KIDDING. IT'S NOT STILL... 597 00:23:48,828 --> 00:23:52,965 - OH, "I LOVE MY HUBBY'S BIG, FAT COCK," ALL ONE WORD. 598 00:23:52,999 --> 00:23:55,635 YES, IT IS. YOU MUST BE SO PROUD. 599 00:23:55,668 --> 00:23:58,971 - OH, I AM, AND YOU STILL CARE. 600 00:23:59,005 --> 00:24:01,608 - OH, I WAS TOO LAZY TO CHANGE IT! 601 00:24:01,641 --> 00:24:03,009 - YEAH, WELL, EITHER WAY, 602 00:24:03,042 --> 00:24:04,677 I AM THRILLED. - AND I'M NAUSEOUS. 603 00:24:04,711 --> 00:24:06,979 - MARCY, ARE YOU READY TO COME HOME? 604 00:24:07,013 --> 00:24:09,482 YOU CAN SPEND THE NIGHT AT MY HOUSE. 605 00:24:09,516 --> 00:24:10,617 - OKAY, YOU KNOW WHAT? 606 00:24:10,650 --> 00:24:12,685 I THINK THAT YOU SHOULD LET MARCY 607 00:24:12,719 --> 00:24:15,922 EMBRACE HER SHENESS AND MAKE UP HER OWN MIND 608 00:24:15,955 --> 00:24:18,024 WHERE SHE WANTS TO SPEND THE NIGHT. 609 00:24:18,057 --> 00:24:19,959 - YOU KNOW, I HEARTILY CONCUR. 610 00:24:19,992 --> 00:24:21,994 - NEED I REMIND YOU, STU, 611 00:24:22,028 --> 00:24:24,631 THAT I HOLD THE KEY TO YOUR COCK CAGE. 612 00:24:24,664 --> 00:24:26,165 - DO YOU HAVE IT ON YOUR PERSON? 613 00:24:26,198 --> 00:24:27,967 I'LL WRITE YOU A CHECK RIGHT THIS VERY INSTANT. 614 00:24:28,000 --> 00:24:29,502 - THIS IS JUST RIDICULOUS. 615 00:24:29,536 --> 00:24:31,571 LOOK, MARCY, YOU KNOW WHAT? DON'T WORRY. 616 00:24:31,604 --> 00:24:33,072 WE WILL MAKE SURE YOU GET HOME. 617 00:24:33,105 --> 00:24:34,674 - OH, ARE YOU GONNA LAY YOUR HANDS ON HER NOW? 618 00:24:34,707 --> 00:24:36,509 YOU WANT WORSE THAN YOU GOT YESTERDAY, 619 00:24:36,543 --> 00:24:37,977 YOU SLIMY, LITTLE SEA OTTER? 620 00:24:38,010 --> 00:24:39,111 - WHAT ARE YOU GONNA DO? 621 00:24:39,145 --> 00:24:40,246 YOU GONNA SLAP ME AGAIN, IS THAT IT, 622 00:24:40,279 --> 00:24:41,848 IN FRONT OF ALL THESE PEOPLE? 623 00:24:41,881 --> 00:24:43,082 [screams] 624 00:24:43,115 --> 00:24:45,151 [Taser buzzes] - OH! 625 00:24:45,184 --> 00:24:47,854 - WOMAN, YOU ARE A FUCKING FRUITCAKE! 626 00:24:47,887 --> 00:24:48,955 [Taser buzzes] 627 00:24:48,988 --> 00:24:50,657 - OH, MY GOD! OPHELIA! 628 00:24:50,690 --> 00:24:52,592 WHAT THE FUCK IS THE MATTER WITH YOU? 629 00:24:52,625 --> 00:24:54,594 - WHAT? IT'S FINE. I STUNNED THEM, YOU KNOW? 630 00:24:54,627 --> 00:24:56,829 MARCY, EVERY WOMAN SHOULD HAVE ONE OF THESE PUPPIES. 631 00:24:56,863 --> 00:24:59,732 IT JUST TOTALLY NEUTRALIZES THE HEIGHT-WEIGHT ADVANTAGE. 632 00:24:59,766 --> 00:25:01,033 I'LL GET YOU ONE. LET'S GO. 633 00:25:01,067 --> 00:25:02,635 - NO, MAN. 634 00:25:02,669 --> 00:25:04,604 THIS IS TOO FUCKING WEIRD. YOU JUST GO. 635 00:25:04,637 --> 00:25:06,973 YOU GET OUT OF HERE. GO. 636 00:25:07,006 --> 00:25:09,275 - MARCY. 637 00:25:09,308 --> 00:25:12,178 YOU'RE GONNA REGRET THIS. 638 00:25:18,250 --> 00:25:20,219 - JESUS. ARE YOU OKAY? 639 00:25:20,252 --> 00:25:21,821 WHAT DID THAT FEEL LIKE? 640 00:25:21,854 --> 00:25:23,823 - THIS TABLE IS ALL WET. 641 00:25:23,856 --> 00:25:27,760 - OH, GROSS. YOU PISSED YOUR PANTS, CHARLIE. 642 00:25:27,794 --> 00:25:29,862 - WHAT? NO! 643 00:25:29,896 --> 00:25:32,164 WHO PISSED ON MY PANTS? 644 00:25:32,198 --> 00:25:33,800 [screaming] WHO PISSED ON MY PANTS? 645 00:25:33,833 --> 00:25:36,803 [rock music] 646 00:25:36,836 --> 00:25:41,574 * 647 00:25:48,615 --> 00:25:52,952 - WOW. I DIDN'T TAKE YOU FOR A BOOK BURNER. 648 00:25:52,985 --> 00:25:54,320 - WHAT ELSE AM I GONNA DO? 649 00:25:54,353 --> 00:25:55,922 IT'S A PIECE OF SHIT. 650 00:25:55,955 --> 00:25:59,926 - AH. YOU MIGHT AS WELL THROW ANOTHER ONE ON THE PYRE. 651 00:25:59,959 --> 00:26:01,928 - * WHAT'S YOUR STORY? - WHAT'S THAT? 652 00:26:01,961 --> 00:26:04,363 - IT'S THE PLAY I WAS WRITING WITH ATTICUS. 653 00:26:04,396 --> 00:26:06,766 APPARENTLY, IT'S NOT VERY GOOD. 654 00:26:06,799 --> 00:26:08,134 THEY DON'T LIKE IT VERY MUCH. 655 00:26:08,167 --> 00:26:09,702 - REALLY? - YEAH. 656 00:26:09,736 --> 00:26:12,071 IT HAPPENS TO US LITERARY LIONS TOO. 657 00:26:12,104 --> 00:26:14,707 - HOW DOES THAT FEEL? 658 00:26:14,741 --> 00:26:16,342 - LIKE GETTING SHANKED IN PRISON. 659 00:26:16,375 --> 00:26:19,612 - I WOULD IMAGINE. 660 00:26:19,646 --> 00:26:22,381 - YOU KNOW, MAYBE YOU COULD READ IT FOR ME 661 00:26:22,414 --> 00:26:24,684 AND GIVE ME YOUR THOUGHTS? 662 00:26:24,717 --> 00:26:25,985 - WHY WOULD YOU WANT MY THOUGHTS? 663 00:26:26,018 --> 00:26:27,286 I'M NOT A WRITER. 664 00:26:27,319 --> 00:26:29,388 - BECCA, YOU WROTE A FUCKING NOVEL. 665 00:26:29,421 --> 00:26:30,790 DO YOU KNOW HOW AMAZING THAT IS? 666 00:26:30,823 --> 00:26:32,224 NOBODY YOUR AGE IS DOING THAT. 667 00:26:32,258 --> 00:26:34,060 THEY'RE TOO BUSY TEXTING, 668 00:26:34,093 --> 00:26:35,327 TWEETING, AND FACEBOOKING 669 00:26:35,361 --> 00:26:36,663 AND FEELING ENTITLED TO A LIFE 670 00:26:36,696 --> 00:26:37,930 THEY DON'T WANT TO WORK FOR. 671 00:26:37,964 --> 00:26:40,867 - WAY TO SLAM AN ENTIRE GENERATION, DAD. 672 00:26:40,900 --> 00:26:43,135 - THANK YOU. 673 00:26:43,169 --> 00:26:47,239 AND I'M SORRY THAT YOU STORMED OFF 674 00:26:47,273 --> 00:26:50,376 BEFORE I COULD GIVE YOU MY NOTES, YOU KNOW? 675 00:26:50,409 --> 00:26:52,378 YOU KNOW WHAT I REALLY DUG ABOUT YOUR WORK 676 00:26:52,411 --> 00:26:56,315 WAS THE RELATIONSHIP BETWEEN THE DAUGHTER 677 00:26:56,348 --> 00:26:57,984 AND THE ASSHOLE FATHER. 678 00:26:58,017 --> 00:27:01,854 I MEAN, OBVIOUSLY YOU TOOK A LOT OF CREATIVE LICENSE THERE, 679 00:27:01,888 --> 00:27:03,656 BUT IT FELT AUTHENTIC TO ME. 680 00:27:03,690 --> 00:27:06,092 AND I THINK, IF YOU FLESH IT OUT, 681 00:27:06,125 --> 00:27:08,895 YOU COULD MAYBE TURN IT INTO A NOVELLA. 682 00:27:08,928 --> 00:27:11,297 - YOU THINK SO? - I DO. 683 00:27:11,330 --> 00:27:14,100 AND I'M SORRY THAT YOU WALKED AWAY FROM ME, 684 00:27:14,133 --> 00:27:16,135 THINKING THAT I DIDN'T THINK YOU WERE SPECIAL, 685 00:27:16,168 --> 00:27:17,169 BECCA, 'CAUSE I DO. 686 00:27:17,203 --> 00:27:19,939 I THINK YOU'RE SO SPECIAL. 687 00:27:19,972 --> 00:27:22,108 AND I HOPE YOU DON'T GO TO LAW SCHOOL 688 00:27:22,141 --> 00:27:23,976 'CAUSE I DON'T THINK THAT'S YOU, 689 00:27:24,010 --> 00:27:27,113 AND I-I DON'T THINK THE WORLD NEEDS ANOTHER LAWYER. 690 00:27:27,146 --> 00:27:30,316 - I'M NOT SURE IT NEEDS ANOTHER WRITER EITHER. 691 00:27:30,349 --> 00:27:32,819 - YEAH, MAYBE NOT, BUT IF YOU'RE DOING 692 00:27:32,852 --> 00:27:36,923 WHAT YOU WERE BORN TO DO, THEN THAT'S A GOOD THING. 693 00:27:36,956 --> 00:27:39,158 YOU KNOW? 694 00:27:39,191 --> 00:27:41,260 - I GUESS. - YEAH. 695 00:27:41,293 --> 00:27:44,130 ANYBODY CAN BE CYNICAL. 696 00:27:44,163 --> 00:27:46,766 DARE TO BE AN OPTIMIST. 697 00:27:46,799 --> 00:27:49,802 - WHO ARE YOU RIGHT NOW? 698 00:27:49,836 --> 00:27:54,040 - JUST YOUR ASSHOLE FATHER. WHO ELSE? 699 00:27:54,073 --> 00:27:55,908 - OKAY. 700 00:27:55,942 --> 00:27:58,845 I'LL THINK ABOUT MY NEXT MOVE. 701 00:27:58,878 --> 00:28:04,784 IN THE MEANTIME, I'LL READ THIS. 702 00:28:04,817 --> 00:28:08,187 BUT I'M GOING TO BE BRUTAL WITH MY THOUGHTS, DAD. 703 00:28:08,220 --> 00:28:11,223 I THINK YOU NEED SOME HELP REACHING A YOUNGER DEMOGRAPHIC. 704 00:28:11,257 --> 00:28:14,160 - FUCK THE YOUNGER GENERATION. 705 00:28:14,193 --> 00:28:16,295 I JUST LIKE YOU. 706 00:28:16,328 --> 00:28:20,232 - * WHAT'S GOING ON IN YOUR MIND? * 707 00:28:20,266 --> 00:28:25,471 * WHAT'S THE STORY THAT YOU'RE LEAVING BEHIND? * 708 00:28:25,504 --> 00:28:28,474 * AND NOW YOU'RE NOWHERE 709 00:28:28,507 --> 00:28:33,045 * SO WHAT YOU GONNA DO? 710 00:28:33,079 --> 00:28:36,482 * WHILE THE WORLD APPEARS TOO SMALL * 711 00:28:36,515 --> 00:28:40,219 * AND YOU HAVE TO PLAY YOUR ROLE * 712 00:28:40,252 --> 00:28:43,189 * AND THE FACES THAT YOU KNOW * 713 00:28:43,222 --> 00:28:47,827 * JUST LOOK SO STRANGE 714 00:28:47,860 --> 00:28:50,262 * BUT EVERYTHING YOU KNOW 715 00:28:50,296 --> 00:28:53,499 * IS ABOUT TO CHANGE