1 00:00:06,640 --> 00:00:09,143 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,177 --> 00:00:11,412 - COME ON UP, HONEY. - TYLER SWITCHED DRINKS. 3 00:00:11,445 --> 00:00:12,813 THOUGHT IT'D BE FUNNY TO WATCH HIM GET DRUNK. 4 00:00:12,846 --> 00:00:14,815 - JESUS, THAT KID REALLY IS A YOUNG ME. 5 00:00:14,848 --> 00:00:16,184 - GIVE ME A HUG. 6 00:00:16,217 --> 00:00:17,185 THERE WE GO. THERE WE GO. 7 00:00:17,218 --> 00:00:18,419 DON'T WAIT UP. 8 00:00:18,452 --> 00:00:20,088 - IS HE WITH YOU, BY ANY CHANCE? 9 00:00:20,121 --> 00:00:21,655 - NO, I'VE NEVER SEEN HIM BEFORE IN MY LIFE. 10 00:00:21,689 --> 00:00:22,656 - AIN'T THIS THE LITTLE ROMEO WE HAD TO SMACK DOWN 11 00:00:22,690 --> 00:00:23,724 AT THE CLUB THE OTHER NIGHT? 12 00:00:23,757 --> 00:00:25,226 - YES. YES, IT IS. 13 00:00:25,259 --> 00:00:27,461 - DAD, WHAT DID YOU DO? 14 00:00:27,495 --> 00:00:29,363 - I-I DID NOTHING. WILL YOU TELL 'EM? 15 00:00:29,397 --> 00:00:30,698 - I KNEW IT WAS IMPORTANT TO HIM, 16 00:00:30,731 --> 00:00:32,133 SO I TOOK CARE OF IT. 17 00:00:32,166 --> 00:00:34,735 THAT'S WHAT WE DO FOR EACH OTHER. 18 00:00:34,768 --> 00:00:36,537 - THAT'S PLENTY OF TIME TO TAKE KALI OUT. 19 00:00:36,570 --> 00:00:40,308 BUT YOU KEEP YOUR MOTHERFUCKIN' PAWS OFF HER, MOODY. 20 00:00:40,341 --> 00:00:42,776 AND YOUR FUCKIN' PENIS. 21 00:00:42,810 --> 00:00:46,180 NOW, THAT'S FUCKIN' KALI'S NEW BOYFRIEND RIGHT THERE, MAN. 22 00:00:46,214 --> 00:00:49,150 - OH, SHE'S GOT A-- A NEW BOYFRIEND, DOES SHE? 23 00:00:49,183 --> 00:00:50,784 SOONER OR LATER, HE'S GONNA FIND OUT ABOUT US. 24 00:00:50,818 --> 00:00:52,586 - I'M NOT GONNA TELL HIM. ARE YOU GONNA TELL HIM? 25 00:00:52,620 --> 00:00:54,455 - NO FUCKIN' WAY. - SO WE DON'T HAVE A PROBLEM. 26 00:00:54,488 --> 00:00:56,257 I'M GONNA ASK YOU A QUESTION. 27 00:00:56,290 --> 00:00:58,692 IF YOU'RE LEAVING TONIGHT-- LIKE, THIS VERY NIGHT, 28 00:00:58,726 --> 00:01:00,294 WHAT'S THE HARM IN A GOOD-BYE KISS? 29 00:01:00,328 --> 00:01:01,395 - MAYBE JUST ONE. 30 00:01:26,787 --> 00:01:27,821 - BATESY. 31 00:01:27,855 --> 00:01:30,324 - AAH! 32 00:01:30,358 --> 00:01:32,860 HANK? 33 00:01:32,893 --> 00:01:34,762 GOOD GOD, MAN, YOU'RE GIVING ME THE FUCKIN' WILLIES. 34 00:01:34,795 --> 00:01:36,664 - THOUGHT IT'D HELP MY CAUSE. 35 00:01:36,697 --> 00:01:38,866 WHO CAN TURN THEIR BACKS ON A SAD CLOWN? 36 00:01:38,899 --> 00:01:40,401 - [chuckles] 37 00:01:40,434 --> 00:01:43,237 LET ME GUESS: MY WIFE AND YOUR DAUGHTER. 38 00:01:43,271 --> 00:01:45,373 - NOT EVEN SO MUCH AS A SMILE. 39 00:01:45,406 --> 00:01:46,840 YOU STILL HITTIN' THE SAUCE? 40 00:01:46,874 --> 00:01:49,510 - YEAH, BUT, I MEAN, I GOT IT UNDER CONTROL. 41 00:01:49,543 --> 00:01:51,712 - UH-HUH. - FALLING OFF THE WAGON 42 00:01:51,745 --> 00:01:54,915 IS TYPICALLY FOLLOWED BY A BIT OF A BENDER. 43 00:01:54,948 --> 00:01:57,918 I MEAN, IT USUALLY WORKS ITSELF OUT IN A WEEK OR THREE. 44 00:01:57,951 --> 00:02:00,288 OHH. 45 00:02:00,321 --> 00:02:02,623 I'M NOT WORRIED. 46 00:02:02,656 --> 00:02:04,325 - I'M GLAD TO HEAR THAT. 47 00:02:04,358 --> 00:02:06,327 - I'M SORRY, HANK. 48 00:02:06,360 --> 00:02:08,629 OKAY? THEY'LL GET OVER IT. 49 00:02:08,662 --> 00:02:09,930 EVENTUALLY. - YEAH. 50 00:02:09,963 --> 00:02:11,599 YEAH, IN A WEEK OR THREE, 51 00:02:11,632 --> 00:02:13,401 BUT THAT'S THE THING ABOUT THIS THING. 52 00:02:13,434 --> 00:02:15,269 - HMM. - THERE'S NOTHING TO GET OVER. 53 00:02:15,303 --> 00:02:17,405 - HEY-- - I DIDN'T ACTUALLY DO ANYTHING. 54 00:02:17,438 --> 00:02:19,407 - UH, YOU--YOU'RE PREACHING TO THE CHOIR, HONEY. 55 00:02:19,440 --> 00:02:21,375 OKAY? I WOULDN'T GIVE TWO FUCKS 56 00:02:21,409 --> 00:02:23,211 IF YOU HAD DONE IT THE WAY THEY THINK YOU'VE DONE IT. 57 00:02:23,244 --> 00:02:24,278 - BUT I DIDN'T DONE IT. 58 00:02:24,312 --> 00:02:26,647 - OKAY. I GET IT. 59 00:02:28,582 --> 00:02:30,251 MAN, YOU KNOW I'D NEVER TELL, RIGHT? 60 00:02:30,284 --> 00:02:32,486 THAT SHIT WOULD BE BETWEEN YOU, ME, AND THE WALL. 61 00:02:32,520 --> 00:02:33,821 I'D TAKE A FUCKIN' BLOOD OATH. 62 00:02:33,854 --> 00:02:35,789 - NOTHING ACTUALLY HAPPENED. - OKAY. 63 00:02:35,823 --> 00:02:37,291 - SO THERE'S NOTHING TO TELL YOU. 64 00:02:37,325 --> 00:02:38,926 - I BELIEVE YOU. - IT'S DUE TODAY, SO... 65 00:02:38,959 --> 00:02:42,263 both: I'M SORRY, BABY. 66 00:02:42,296 --> 00:02:44,398 - COME IN. I'LL MAKE YOU SOME BREAKFAST. 67 00:02:44,432 --> 00:02:45,966 - OOH, YUMMY--THAT SOUNDS GOOD. I COULD EAT. 68 00:02:45,999 --> 00:02:47,701 - CAN YOU TELL HIM I'M NOT TALKING TO HIM? 69 00:02:47,735 --> 00:02:49,803 - SHE'S NOT TALKING TO HIM. - WHAT? 70 00:02:49,837 --> 00:02:51,705 - WELL, THAT'S A FINE HOW-DO-YOU-DO-DO. 71 00:02:51,739 --> 00:02:53,441 YOU'LL FORGIVE HIM, BUT NOT ME? 72 00:02:53,474 --> 00:02:54,842 - I'LL WORK ON HER FOR YOU. 73 00:02:54,875 --> 00:02:56,444 - ONE DAY AT A TIME, BATESY. 74 00:02:56,477 --> 00:02:59,580 [cell phone chiming] 75 00:02:59,613 --> 00:03:02,250 - AH, HELLS TO THE NO! 76 00:03:02,283 --> 00:03:03,584 - HANK FUCKIN' MOODY. [rap music in background] 77 00:03:03,617 --> 00:03:05,853 - NO MORE NOTES, SAM. I CAN'T TAKE IT. 78 00:03:05,886 --> 00:03:07,421 JUST FIND ANOTHER WRITER. 79 00:03:07,455 --> 00:03:09,457 I WON'T BE OFFENDED. I PROMISE. 80 00:03:09,490 --> 00:03:10,724 - IT AIN'T ABOUT THAT MOVIE SHIT, MAN. 81 00:03:10,758 --> 00:03:13,494 I NEED TO SEE YOUR ASS NOW, THOUGH. 82 00:03:13,527 --> 00:03:15,729 - WHAT ABOUT? - KALI. 83 00:03:15,763 --> 00:03:19,600 - WHAT ABOUT KALI? - NOT OVER THE PHONE, NIGGA. 84 00:03:19,633 --> 00:03:22,470 JUST GET YOUR ASS OVER TO MY STUDIO RIGHT NOW. 85 00:03:22,503 --> 00:03:24,872 * 86 00:03:24,905 --> 00:03:26,740 YOU HEAR ME? - YEAH. I'M COMING. 87 00:03:26,774 --> 00:03:28,642 - OR ELSE MY BOYS COME GET YOU, NIGGA--YOUR CHOICE. 88 00:03:28,676 --> 00:03:30,478 - NO, NO, NO, NO. NO, THAT--THAT'S OKAY. 89 00:03:30,511 --> 00:03:31,912 - DON'T BLOW ME OFF, MOODY. I'M SERIOUS, MAN. 90 00:03:31,945 --> 00:03:33,481 - I'M ON MY WAY. 91 00:03:33,514 --> 00:03:34,882 - ALL RIGHT, MO'FUCKER. 92 00:03:34,915 --> 00:03:36,384 [phone beeps] 93 00:03:37,585 --> 00:03:40,554 [upbeat music] 94 00:03:40,588 --> 00:03:48,529 * 95 00:04:28,836 --> 00:04:30,538 - I CAN EXPLAIN. 96 00:04:30,571 --> 00:04:33,374 - YOU BETTER FUCKIN' EXPLAIN YOURSELF, MOTHERFUCKER. 97 00:04:33,407 --> 00:04:34,742 - WELL, IT WAS A LONG FLIGHT. 98 00:04:34,775 --> 00:04:36,477 YOU KNOW, WE GOT TO TALKING. 99 00:04:36,510 --> 00:04:38,712 ONE THING LED TO ANOTHER. 100 00:04:38,746 --> 00:04:40,448 - WHAT THE FUCK YOU TALKIN' ABOUT, MAN? 101 00:04:42,683 --> 00:04:43,651 - I DON'T KNOW, WHAT THE FUCK AM I TALKIN' ABOUT? 102 00:04:43,684 --> 00:04:45,018 WHAT THE FUCK AM I TALK-- 103 00:04:45,052 --> 00:04:46,387 WHAT THE FUCK ARE YOU TALKIN' ABOUT? 104 00:04:46,420 --> 00:04:47,888 - I'M TALKIN' ABOUT THE FACT 105 00:04:47,921 --> 00:04:49,757 THAT YOU'RE ALWAYS FUCKIN' LATE, MAN. 106 00:04:49,790 --> 00:04:51,492 - OH, ALL RIGHT. 107 00:04:51,525 --> 00:04:52,693 - THAT'S SOME REAL PASSIVE-AGGRESSIVE SHIT, RIGHT? 108 00:04:52,726 --> 00:04:53,694 YOU THINK YOUR TIME IS MORE VALUABLE 109 00:04:53,727 --> 00:04:54,995 THAN MY TIME, DON'T YOU? 110 00:04:55,028 --> 00:04:56,397 - ACTUALLY-- - I SENSE THAT SHIT, MAN. 111 00:04:56,430 --> 00:04:57,398 - ACTUALLY, I DON'T. I DON'T. 112 00:04:57,431 --> 00:04:59,032 BUT--BUT IN A LARGER SENSE, 113 00:04:59,066 --> 00:05:01,001 MY TIME WILL ALWAYS BE MY TIME. 114 00:05:01,034 --> 00:05:02,870 SO IT WILL ALWAYS MEAN MORE TO ME PERSONALLY. 115 00:05:02,903 --> 00:05:05,072 - AH, MAN, SHUT THE FUCK UP AND BUY A WATCH, NIGGA. 116 00:05:05,105 --> 00:05:06,073 - A'IGHT. 117 00:05:06,106 --> 00:05:07,074 - IN THE MEANTIME, NIGGA, 118 00:05:07,107 --> 00:05:08,576 I NEED YOUR HELP, MOODY. 119 00:05:08,609 --> 00:05:11,011 - HOW CAN I BE OF SERVICE, MY LIEGE? 120 00:05:11,044 --> 00:05:12,513 - I GOT THIS PIECE OF MUSIC HERE, RIGHT? 121 00:05:12,546 --> 00:05:15,516 [playing slow ballad on piano] 122 00:05:15,549 --> 00:05:23,491 * 123 00:05:33,734 --> 00:05:36,103 - THAT IS...MIGHTY PURTY. 124 00:05:36,136 --> 00:05:38,539 IT'S LIKE VINTAGE ELTON JOHN THERE. 125 00:05:38,572 --> 00:05:40,608 - YEAH, WELL, THIS BITCH AIN'T NO FUCKIN' BERNIE TAUPIN. 126 00:05:40,641 --> 00:05:42,009 - THAT'S WHY WE CAN'T WORK TOGETHER, CALVIN. 127 00:05:42,042 --> 00:05:43,877 BECAUSE IF I'M NOT SLEEPING WITH HIM, 128 00:05:43,911 --> 00:05:45,746 HE'S A TOTAL FUCKING ASSHOLE. - YEAH, WELL, YOU KNOW... 129 00:05:45,779 --> 00:05:47,448 - SHE CAN'T WRITE NOT FUCKIN' LYRICS, YO. 130 00:05:47,481 --> 00:05:48,916 JUST A PRETTY FACE AND A FUCKIN' SMILE. 131 00:05:48,949 --> 00:05:50,050 - ALL RIGHT, ALL RIGHT, ALL RIGHT. 132 00:05:50,083 --> 00:05:51,819 WELL, HOW CAN I HELP? 133 00:05:51,852 --> 00:05:53,854 - HELP THE GIRL WRITE SOME FUCKIN' LYRICS, MAN. 134 00:05:53,887 --> 00:05:55,423 - OH, NO, NO. 135 00:05:55,456 --> 00:05:58,792 I WRITE BOOKS... SCREENPLAYS, EMAILS, UH-- 136 00:05:58,826 --> 00:06:00,060 - NIGGA, WRITIN' IS WRITIN', MAN. 137 00:06:00,093 --> 00:06:01,995 - I DON'T. - HELP A BROTHER OUT. 138 00:06:06,600 --> 00:06:08,135 - OKAY, I'LL GIVE IT A SHOT. 139 00:06:08,168 --> 00:06:10,671 BUT WE'RE GONNA HAVE TO GET GOOD AND DRUNK FIRST. 140 00:06:10,704 --> 00:06:13,173 - SEE, NOW, THAT'S THE BEST FUCKIN' IDEA I'VE HEARD ALL DAY. 141 00:06:13,206 --> 00:06:15,142 LET'S GO. 142 00:06:15,175 --> 00:06:16,544 - ALL RIGHT, SO WHERE ARE WE STARTING? 143 00:06:16,577 --> 00:06:17,878 - I DON'T KNOW. 144 00:06:17,911 --> 00:06:19,146 - IT'S OBVIOUSLY A LOVE SONG, RIGHT? 145 00:06:19,179 --> 00:06:21,482 SO WHAT RHYMES WITH LOVE? 146 00:06:21,515 --> 00:06:23,183 DOVE, SHOVE. 147 00:06:23,216 --> 00:06:25,919 "DID YOU JUST SHOVE A DOVE UP MY ASS AND CALL IT LOVE?" 148 00:06:25,953 --> 00:06:26,920 DONE! 149 00:06:26,954 --> 00:06:28,989 WRITING LYRICS IS EASY. 150 00:06:29,022 --> 00:06:30,724 NEXT! 151 00:06:30,758 --> 00:06:31,892 OKAY, THE "NO FUN" FACE. 152 00:06:31,925 --> 00:06:33,461 WHAT DO YOU WANNA WRITE ABOUT? 153 00:06:33,494 --> 00:06:34,628 - I JUST DON'T WANT IT TO BE CHEESY. 154 00:06:34,662 --> 00:06:35,763 I DIDN'T COME ALL THE WAY HERE 155 00:06:35,796 --> 00:06:37,665 TO WRITE CHEESY LOVE SONGS. 156 00:06:37,698 --> 00:06:39,132 - SORRY, THAT'S MY THING. 157 00:06:39,166 --> 00:06:40,634 I SPECIALIZE IN CHEESE-- 158 00:06:40,668 --> 00:06:42,570 BIG, GOOEY GLOBS OF IT. 159 00:06:42,603 --> 00:06:43,704 YOU'RE OUT OF LUCK. 160 00:06:43,737 --> 00:06:46,173 - OKAY, I JUST WANT IT TO BE... 161 00:06:46,206 --> 00:06:48,008 BITTERSWEET AND DARK. 162 00:06:48,041 --> 00:06:52,813 - WELL, YOU ARE NOTHING IF NOT A SEMISWEET PIECE OF... 163 00:06:52,846 --> 00:06:53,947 MILK CHOCOLATE? 164 00:06:55,983 --> 00:06:57,885 - YOU ARE CHEESY. 165 00:06:57,918 --> 00:06:59,086 - YEAH. 166 00:06:59,119 --> 00:07:01,088 SPEAKING OF LOVE AND WHATNOT, UM-- 167 00:07:01,121 --> 00:07:02,222 OH, TWO WHISKIES, BARKEEP, PLEASE, 168 00:07:02,255 --> 00:07:03,657 AND KEEP 'EM COMING. 169 00:07:03,691 --> 00:07:05,793 I THINK THE SAMURAI IS DEEP IN IT. 170 00:07:05,826 --> 00:07:07,027 WIT' YOU. 171 00:07:07,060 --> 00:07:08,596 - GOD, PLEASE. 172 00:07:08,629 --> 00:07:10,030 WHAT THE FUCK DOES THAT GUY KNOW ABOUT LOVE? 173 00:07:10,063 --> 00:07:11,799 HE'S A SPOILED MAN-CHILD. 174 00:07:11,832 --> 00:07:14,702 HE GETS WHATEVER HE WANTS, AND HE CAN'T HAVE ME. 175 00:07:14,735 --> 00:07:16,504 HE JUST WANTS TO CONTROL HIS PRODUCT. 176 00:07:16,537 --> 00:07:18,005 - I DON'T THINK THAT'S IT. 177 00:07:18,038 --> 00:07:20,040 I-I THINK EVERYBODY'S GOT THAT SPECIAL SOMEONE 178 00:07:20,073 --> 00:07:21,775 THAT GETS UNDER THEIR SKIN AND DOESN'T GO AWAY. 179 00:07:21,809 --> 00:07:23,010 I THINK MAYBE YOU HAVE 180 00:07:23,043 --> 00:07:24,978 THAT PARTICULAR FUNGAL PROPERTY FOR HIM. 181 00:07:25,012 --> 00:07:26,914 - [chuckles] 182 00:07:26,947 --> 00:07:29,116 - ALL RIGHT, SO IF SOMEBODY WAS ASKING ME 183 00:07:29,149 --> 00:07:30,818 ABOUT A SHORT STORY, 184 00:07:30,851 --> 00:07:33,821 I'D ASK THEM, "WHAT ARE YOU TRYING TO SAY?" 185 00:07:35,288 --> 00:07:36,524 - I DON'T KNOW. 186 00:07:36,557 --> 00:07:39,993 UM... 187 00:07:40,027 --> 00:07:41,929 I'D LOVE TO TALK ABOUT 188 00:07:41,962 --> 00:07:45,499 COMING TO L.A. FOR THE FIRST TIME. 189 00:07:45,533 --> 00:07:48,869 AND THE FACT THAT YOU TEND TO LEAVE SOMETHING 190 00:07:48,902 --> 00:07:50,604 OR SOMEONE BEHIND. 191 00:07:50,638 --> 00:07:52,205 - ALL RIGHT. 192 00:07:52,239 --> 00:07:54,742 NOW WE'RE GETTING SOMEWHERE. I CAN RELATE TO THAT. 193 00:07:54,775 --> 00:07:58,946 I CAN REMEMBER THAT SHIT AS IF IT WERE FUCKIN' YESTERDAY. 194 00:07:58,979 --> 00:08:00,213 [car horn blares] 195 00:08:02,315 --> 00:08:04,084 - SO WHAT DO YOU THINK? 196 00:08:04,117 --> 00:08:05,653 - I DON'T KNOW, YOU KNOW. 197 00:08:05,686 --> 00:08:06,987 I THINK WE SHOULD KEEP LOOKING. 198 00:08:07,020 --> 00:08:08,589 - REALLY? - YEAH. 199 00:08:08,622 --> 00:08:09,923 - OH, I GOT A GOOD FEELING ABOUT THIS PLACE. 200 00:08:09,957 --> 00:08:11,625 - REALLY? - ESPECIALLY THE BEDROOM. 201 00:08:11,659 --> 00:08:13,694 I THINK WE COULD GET UP TO SOME TROUBLE IN THERE-- 202 00:08:13,727 --> 00:08:15,228 - YOU'VE SAID THAT ABOUT EVERY PLACE WE'VE SEEN. 203 00:08:15,262 --> 00:08:16,664 - WELL, THAT'S JUST A TRIBUTE 204 00:08:16,697 --> 00:08:17,998 TO HOW WARM I AM FOR YOUR FORM, WOMAN. 205 00:08:18,031 --> 00:08:19,567 - YOU KNOW WHAT? 206 00:08:19,600 --> 00:08:20,901 I'M STILL CHAFING FROM THIS MORNING, SO... 207 00:08:20,934 --> 00:08:22,302 - I'M SORRY. HOTELS MAKE ME HORNY. 208 00:08:22,335 --> 00:08:24,271 - WHAT DOESN'T MAKE YOU HORNY, BABY? 209 00:08:24,304 --> 00:08:26,707 - UM...COCKROACHES. 210 00:08:26,740 --> 00:08:28,609 DEAD BABIES. 211 00:08:28,642 --> 00:08:29,777 POOP. 212 00:08:29,810 --> 00:08:31,078 - [laughing] SHUT UP. 213 00:08:31,111 --> 00:08:32,780 - LOOK HOW CLOSE WE'D BE TO THE BEACH. 214 00:08:32,813 --> 00:08:35,048 - AND THE HOMELESS. - WHICH WOULD SURELY ALLEVIATE 215 00:08:35,082 --> 00:08:37,184 ANY HOMESICKNESS FOR NEW YORK THAT MIGHT DEVELOP. 216 00:08:37,217 --> 00:08:38,719 - [groans] - OH, GOD. 217 00:08:38,752 --> 00:08:40,053 YOU SO DON'T WANNA DO THIS, HUH? 218 00:08:40,087 --> 00:08:42,222 - YOU KNOW WHAT? I JUST THINK OF BECCA. 219 00:08:42,255 --> 00:08:43,657 - YEAH? - AND I-I-- 220 00:08:43,691 --> 00:08:45,192 AND IT-- IT FEELS ALL WRONG. 221 00:08:45,225 --> 00:08:47,060 - BUT SHE'S SO LITTLE AND ADAPTABLE. 222 00:08:47,094 --> 00:08:49,162 NOT TO MENTION TOTALLY DEPENDENT ON US. 223 00:08:49,196 --> 00:08:50,664 IF SHE COMPLAINED AT ALL, 224 00:08:50,698 --> 00:08:52,199 WE COULD EASILY THREATEN TO ABANDON HER. 225 00:08:52,232 --> 00:08:55,002 I'M PRETTY SURE THAT WOULD SHUT HER UP IMMEDIATELY. 226 00:08:55,035 --> 00:08:56,637 [both laughing] 227 00:08:56,670 --> 00:08:58,872 - YOU REALLY SURE ABOUT THIS? 228 00:08:58,906 --> 00:09:00,674 - I'M NOT, NO. NOT--NOT AT ALL. 229 00:09:00,708 --> 00:09:02,175 - JESUS. - CHARLIE THOUGHT IT WOULD BE 230 00:09:02,209 --> 00:09:03,944 A GOOD IDEA FOR ME TO SPEND SOME TIME OUT HERE 231 00:09:03,977 --> 00:09:07,080 SO PEOPLE COULD PUT THIS BEAUTIFUL VISAGE TO THE NAME. 232 00:09:07,114 --> 00:09:09,282 AND I'M TRYING TO DO WHAT MY AGENT SAYS FOR ONCE 233 00:09:09,316 --> 00:09:12,352 RATHER THAN JUST TELLING HIM TO FUCK OFF AND GET ME PAID. 234 00:09:12,385 --> 00:09:13,687 - YOU KNOW WHAT? 235 00:09:13,721 --> 00:09:15,055 - HUH? 236 00:09:15,088 --> 00:09:16,690 - WE WERE DOING JUST FINE. 237 00:09:16,724 --> 00:09:18,692 - NO, WE WEREN'T. - YES, WE WERE, WE WERE. 238 00:09:18,726 --> 00:09:20,794 - WE COULDN'T EVEN AFFORD CABLE, KAREN. 239 00:09:20,828 --> 00:09:22,229 - THAT WAS A CHOICE. 240 00:09:22,262 --> 00:09:23,330 - REALLY? - YES. 241 00:09:23,363 --> 00:09:24,965 - WHATEVER. 242 00:09:24,998 --> 00:09:28,736 YOU'RE NOT BEING A VERY SUPPORTIVE BABY MAMA. 243 00:09:28,769 --> 00:09:30,904 - I THOUGHT I WAS YOUR MUSE. 244 00:09:30,938 --> 00:09:33,006 - YOU ARE. 245 00:09:33,040 --> 00:09:34,975 AND RIGHT NOW, YOU'RE INSPIRING ME TO POINT OUT THAT, 246 00:09:35,008 --> 00:09:37,310 COMPARED TO WHAT WE PAID FOR IN NEW YORK FOR A BROOM CLOSET, 247 00:09:37,344 --> 00:09:39,713 THAT PLACE IS A STEAL. 248 00:09:41,649 --> 00:09:42,850 - [sighs] - PLUS, YOU'D GET THAT. 249 00:09:42,883 --> 00:09:44,885 [urine trickling] 250 00:09:44,918 --> 00:09:47,054 - [laughing] - JUST LIKE HOME. 251 00:09:48,388 --> 00:09:50,924 - SO NEXT WE HAVE... 252 00:09:50,958 --> 00:09:52,860 WE NEED TO GO TO, UM... 253 00:09:52,893 --> 00:09:54,762 WHAT IS IT, "SEPUL-VEDA"? - SEPUL-VEDA? 254 00:09:54,795 --> 00:09:57,264 [paper rustling] 255 00:09:57,297 --> 00:09:59,399 - LOOK ALIVE. 256 00:09:59,432 --> 00:10:01,034 - AH, SORRY. 257 00:10:01,068 --> 00:10:03,003 - WHERE'D YOU JUST GO? 258 00:10:03,036 --> 00:10:04,071 - NOWHERE. 259 00:10:04,104 --> 00:10:06,273 JUST DIGGING DEEP. 260 00:10:06,306 --> 00:10:07,941 OKAY... 261 00:10:07,975 --> 00:10:10,143 WHAT RHYMES WITH "VAGINA"? 262 00:10:10,177 --> 00:10:11,745 - I'M NOT GONNA SING "VAGINA." 263 00:10:11,779 --> 00:10:13,046 - YOUR LOSS-- THAT COULD BE 264 00:10:13,080 --> 00:10:15,015 SOME SERIOUSLY GROUNDBREAKING SHIT. 265 00:10:15,048 --> 00:10:17,017 - YEAH, SOME SONGWRITER YOU ARE. 266 00:10:17,050 --> 00:10:18,752 - OOH, OOH, OOH. HERE WE GO. 267 00:10:18,786 --> 00:10:20,053 HERE WE GO. I GOT SOMETHING HERE. 268 00:10:20,087 --> 00:10:21,154 YOU READY? - YEP. 269 00:10:21,188 --> 00:10:23,223 - PEOPLE THINK IT'S FUNNY. 270 00:10:23,256 --> 00:10:24,858 * BUT IT'S REALLY HOT AND RUNNY * 271 00:10:24,892 --> 00:10:26,126 * DIARRHEA 272 00:10:26,159 --> 00:10:27,127 * DIARRHEA 273 00:10:27,160 --> 00:10:28,395 PEOPLE THINK IT'S GROSS. 274 00:10:28,428 --> 00:10:30,130 BUT IT'S REALLY GOOD ON TOAST. 275 00:10:30,163 --> 00:10:32,733 * DIARRHEA, DIARRHEA HERE COMES THE CHORUS. 276 00:10:32,766 --> 00:10:34,301 * DIARRHEA, CHA CHA CHA - OKAY, ASSHOLE. 277 00:10:34,334 --> 00:10:36,003 COME ON, COME ON, COME ON. THIS IS MY CAREER. 278 00:10:36,036 --> 00:10:37,104 - YOU DON'T WANNA HAVE ANY FUN? NO FUN. 279 00:10:37,137 --> 00:10:38,706 OKAY, NO FUN, NO FUN. 280 00:10:38,739 --> 00:10:39,940 ALL RIGHT, WHAT DO YOU WANT TO WRITE ABOUT? 281 00:10:39,973 --> 00:10:43,176 - [sighs] I DON'T KNOW. I JUST... 282 00:10:43,210 --> 00:10:45,345 - WELL, TELL ME ABOUT THE GUY YOU LEFT BEHIND. 283 00:10:45,378 --> 00:10:46,847 YOU KNOW, THAT GUY. THAT ONE. 284 00:10:46,880 --> 00:10:49,282 - UM... 285 00:10:49,316 --> 00:10:51,919 HE WAS JEALOUS. 286 00:10:51,952 --> 00:10:54,054 - WELL, YOU SEEM TO ATTRACT THE JEALOUS TYPE. 287 00:10:54,087 --> 00:10:55,288 YOU BAD GIRL, YOU. 288 00:10:55,322 --> 00:10:57,090 - I'M NOT BAD, I'M JUST... 289 00:10:57,124 --> 00:10:58,291 DRAWN THAT WAY. 290 00:10:58,325 --> 00:11:00,327 - A HIP-HOP JESSICA RABBIT, HUH? 291 00:11:00,360 --> 00:11:04,097 - HE DIDN'T LIKE... THE ATTENTION I WAS GETTING 292 00:11:04,131 --> 00:11:05,398 FROM OUR FRIEND SAMURAI. 293 00:11:05,432 --> 00:11:07,000 - WELL, WHO COULD BLAME HIM? 294 00:11:07,034 --> 00:11:08,836 - AND THAT I GOT THE OFFER TO COME HERE 295 00:11:08,869 --> 00:11:10,337 AND TO MAKE A RECORD. 296 00:11:10,370 --> 00:11:12,105 SO... 297 00:11:14,975 --> 00:11:18,478 - I...HAVE AN OFFER FOR YOU! 298 00:11:18,511 --> 00:11:20,380 - [chuckles] - WHY ARE YOU YELLING? 299 00:11:20,413 --> 00:11:21,949 - IT'S MY STYLE. 300 00:11:21,982 --> 00:11:24,084 MY THING. IT'S--IT'S BOMBASTIC. 301 00:11:24,117 --> 00:11:25,218 MY CLIENTS LOVE IT. 302 00:11:25,252 --> 00:11:26,720 - NOT THIS CLIENT. 303 00:11:26,754 --> 00:11:28,088 - OH. - SORRY. 304 00:11:28,121 --> 00:11:30,090 - [chuckles] - WHAT'S THE OFFER? 305 00:11:30,123 --> 00:11:32,292 - THERE IS A SCRIPT. IT'S AT UNIVERSAL. 306 00:11:32,325 --> 00:11:33,493 THEY'RE ABOUT TO START PRODUCTION. 307 00:11:33,526 --> 00:11:34,828 THEY NEED A POLISH. 308 00:11:34,862 --> 00:11:36,029 - OH! I CAN POLISH THINGS. 309 00:11:36,063 --> 00:11:37,330 - AH. - YEAH. 310 00:11:37,364 --> 00:11:39,833 - YOU HAVE NEVER POLISHED ANYTHING... 311 00:11:39,867 --> 00:11:41,268 - KAREN... - IN YOUR ENTIRE LIFE, EVER. 312 00:11:41,301 --> 00:11:42,936 - DO I NOT POLISH YOUR BEAUTIFUL LADY PARTS 313 00:11:42,970 --> 00:11:44,738 ON A SEMI-NIGHTLY BASIS? 314 00:11:44,772 --> 00:11:45,773 [high-pitched] NAILED IT! 315 00:11:45,806 --> 00:11:48,508 [trills] HOW MUCH? 316 00:11:48,541 --> 00:11:51,144 - 25 A WEEK. 317 00:11:52,212 --> 00:11:53,180 - 25... 318 00:11:53,213 --> 00:11:55,348 - GRAND. 319 00:11:55,382 --> 00:11:57,384 - LOOK AT HIS FACE. - I LOVE L.A. 320 00:11:57,417 --> 00:11:59,119 - [laughs] - I LOVE IT! I LOVE IT. 321 00:11:59,152 --> 00:12:00,520 I SAID IT, I MEANT IT. 322 00:12:00,553 --> 00:12:01,955 I'M HERE TO REPRESENT IT. 323 00:12:01,989 --> 00:12:03,356 - YOU KNOW THAT. - WHO ARE YOU RIGHT NOW? 324 00:12:03,390 --> 00:12:04,792 - I DON'T KNOW. I DON'T KNOW. 325 00:12:04,825 --> 00:12:06,226 - WHOO! 326 00:12:06,259 --> 00:12:07,460 - YOU'RE GONNA LOVE IT HERE TOO, KARENINA. 327 00:12:07,494 --> 00:12:08,896 - THEY KISSED. 328 00:12:08,929 --> 00:12:10,397 - I'M TELLING YOU-- OOH, OOH. 329 00:12:10,430 --> 00:12:12,132 - I DON'T THINK THAT... 330 00:12:12,165 --> 00:12:13,533 A DECISION HAS YET BEEN MADE. 331 00:12:13,566 --> 00:12:15,869 - WHY? - WELL, BECAUSE, YOU KNOW, 332 00:12:15,903 --> 00:12:17,204 WE'RE STILL LOOKING AT PLACES. 333 00:12:17,237 --> 00:12:18,405 - UH, "WE" MEANS "SHE." 334 00:12:18,438 --> 00:12:20,841 - I SENSED THAT. - YEAH. 335 00:12:20,874 --> 00:12:22,042 - YOU KNOW WHAT? 336 00:12:22,075 --> 00:12:23,176 THIS MOTHERFUCKER HAD TO DRAG ME 337 00:12:23,210 --> 00:12:24,778 KICKING AND SCREAMING HERE. 338 00:12:24,812 --> 00:12:26,046 AT FIRST, I HATED IT. 339 00:12:26,079 --> 00:12:28,281 NOW I FUCKING LOVE IT. 340 00:12:28,315 --> 00:12:29,783 - OKAY, WHAT DO YOU LOVE ABOUT IT? 341 00:12:29,817 --> 00:12:31,484 - EVERYTHING IS FUCKING FAKE! 342 00:12:31,518 --> 00:12:33,386 OKAY? THE HOUSES ARE LIKE SETS, 343 00:12:33,420 --> 00:12:35,823 AND THE PEOPLE ARE INDISTINGUISHABLE FROM ACTORS. 344 00:12:35,856 --> 00:12:37,224 IT'S AWESOME. 345 00:12:37,257 --> 00:12:40,027 - HANK'S CAREER IS ABOUT TO EXPLODE, KAREN. 346 00:12:40,060 --> 00:12:42,495 HE NEEDS TO BE HERE. - CHARLIE RUNKLE. 347 00:12:42,529 --> 00:12:45,265 - AH, ALI, SO NICE TO SEE YOU. 348 00:12:45,298 --> 00:12:46,834 - YOU TOO, MWAH. MWAH. 349 00:12:46,867 --> 00:12:49,336 MWAH. IS THIS HIM? 350 00:12:49,369 --> 00:12:51,438 - HANK MOODY, ALI ANDREWS, 351 00:12:51,471 --> 00:12:53,340 YOUR EXECUTIVE ON GOD HATES US ALL. 352 00:12:53,373 --> 00:12:54,875 - AH, NICE TO MEET YOU. 353 00:12:54,908 --> 00:12:56,043 - YOU DIDN'T TELL ME HE WAS GORGEOUS. 354 00:12:56,076 --> 00:12:57,577 - WELL, FOR YOU TO DISCOVER. 355 00:12:57,610 --> 00:12:59,479 - IT'S GREAT TO FINALLY MEET YOU, HANK. 356 00:12:59,512 --> 00:13:01,314 I'M A HUGE FAN. - NO, YOU'RE NOT. 357 00:13:01,348 --> 00:13:03,150 - [laughs] OH, I'M NOT, HUH? 358 00:13:03,183 --> 00:13:05,552 I AM A HUGE FAN, HANK. I SWEAR. 359 00:13:05,585 --> 00:13:07,454 I LOVE YOU. I CANNOT WAIT TO GET STARTED. 360 00:13:07,487 --> 00:13:09,189 - WOW, PEOPLE ARE VERY EXCITABLE HERE. 361 00:13:09,222 --> 00:13:10,523 YOU NOTICE THAT, KAREN? 362 00:13:10,557 --> 00:13:12,159 ALI, IS IT? - UH-HUH. 363 00:13:12,192 --> 00:13:13,260 - THIS IS KAREN. - HI. 364 00:13:13,293 --> 00:13:14,361 - KAREN IS MY... BEST FRIEND, 365 00:13:14,394 --> 00:13:15,829 MY LOVER... 366 00:13:15,863 --> 00:13:16,864 - [whispering] DON'T TELL HER-- 367 00:13:16,897 --> 00:13:18,031 - AND MY BABY MAMA. 368 00:13:18,065 --> 00:13:19,266 DID I COVER IT? - [giggles] YEAH. 369 00:13:19,299 --> 00:13:21,234 - PRETTY MUCH? - NICE TO MEET YOU, ALI. 370 00:13:21,268 --> 00:13:22,936 - NICE TO MEET YOU TOO. 371 00:13:22,970 --> 00:13:25,338 HEY, COULD I PULL YOU ASIDE AND BUY YOU A DRINK? 372 00:13:25,372 --> 00:13:27,007 I KNOW WE'VE GOT A MEETING ON THE BOOKS FOR TOMORROW, 373 00:13:27,040 --> 00:13:28,876 BUT I WOULD LOVE TO HIT THE GROUND RUNNING 374 00:13:28,909 --> 00:13:31,344 AND GET YOU UP TO SPEED. 375 00:13:31,378 --> 00:13:33,847 - GO. HIT THE GROUND RUNNING. 376 00:13:33,881 --> 00:13:35,348 [whispering] GET UP TO SPEED. - [whispering] OKAY. 377 00:13:35,382 --> 00:13:36,816 YOU KNOW HOW I LOVE JARGON. 378 00:13:39,152 --> 00:13:41,254 THERE'S SOMETHING YOU'RE NOT TELLING ME. 379 00:13:41,288 --> 00:13:42,923 YOU'RE HOLDING OUT ON ME, LADY. 380 00:13:47,094 --> 00:13:51,531 - BECAUSE WHAT IF I THINK THE TRUTH MAKES ME A BAD PERSON? 381 00:13:51,564 --> 00:13:53,066 - MAYBE THE TRUTH IS WHAT YOU NEED 382 00:13:53,100 --> 00:13:54,601 TO FINISH THIS SONG. 383 00:13:54,634 --> 00:13:56,503 [clicks tongue] 384 00:13:58,138 --> 00:13:59,539 - [sighs] 385 00:13:59,572 --> 00:14:01,241 THE NIGHT I LEFT FOR L.A., 386 00:14:01,274 --> 00:14:03,010 THE NIGHT THAT I MET YOU ON THE PLANE... 387 00:14:03,043 --> 00:14:04,277 - MM-HMM. 388 00:14:04,311 --> 00:14:06,479 - ME AND MY EX HAD ONE LAST DINNER. 389 00:14:06,513 --> 00:14:08,581 AND WE'D BEEN ARGUING A LOT, YOU KNOW. 390 00:14:08,615 --> 00:14:12,385 AND, TO BE HONEST, I WAS HAPPY TO LEAVE TOWN. 391 00:14:12,419 --> 00:14:14,988 BUT THAT NIGHT, HE WAS SO SWEET. 392 00:14:15,022 --> 00:14:17,490 HE WAS ACTUALLY THE GUY THAT I HAD BEEN IN LOVE WITH 393 00:14:17,524 --> 00:14:19,626 FOR AS LONG AS I CAN REMEMBER. 394 00:14:19,659 --> 00:14:22,996 AND I WANTED TO... 395 00:14:23,030 --> 00:14:24,564 STAY. 396 00:14:24,597 --> 00:14:27,600 I WANTED TO BE WITH HIM. 397 00:14:27,634 --> 00:14:30,137 BUT THEN HE ASKED ME IF I SLEPT WITH SAMURAI. 398 00:14:30,170 --> 00:14:32,272 AND I LIED. 399 00:14:32,305 --> 00:14:35,542 I TOLD HIM WHAT HE WANTED TO HEAR. 400 00:14:35,575 --> 00:14:38,145 AND THEN HE PULLED A RING OUT AND ASKED ME TO MARRY HIM. 401 00:14:38,178 --> 00:14:40,080 - OHH... 402 00:14:40,113 --> 00:14:41,348 WHAT'D YOU SAY? 403 00:14:41,381 --> 00:14:43,917 - NOTHING. 404 00:14:46,219 --> 00:14:47,587 [scoffs] 405 00:14:47,620 --> 00:14:51,524 I WAS SPEECHLESS. 406 00:14:51,558 --> 00:14:53,493 I GOT UP, I WENT TO THE BATHROOM. 407 00:14:53,526 --> 00:14:55,328 I SPLASHED SOME WATER ON MY FACE. 408 00:15:01,468 --> 00:15:03,403 I SLIPPED OUT THE BACK, 409 00:15:03,436 --> 00:15:05,072 JUMPED IN A CAB, 410 00:15:05,105 --> 00:15:06,974 AND WENT STRAIGHT TO THE AIRPORT. 411 00:15:10,110 --> 00:15:12,946 DIDN'T LOOK BACK. 412 00:15:12,980 --> 00:15:14,547 I KNEW, IF I WENT BACK TO THE TABLE, 413 00:15:14,581 --> 00:15:16,483 I WOULD HAVE SAID YES. 414 00:15:19,352 --> 00:15:21,321 BUT... 415 00:15:21,354 --> 00:15:24,124 THEN MY DREAMS WOULD NEVER COME TRUE. 416 00:15:34,467 --> 00:15:37,404 [waves crashing, seagulls calling] 417 00:16:02,529 --> 00:16:03,696 - HEY, LADY. 418 00:16:03,730 --> 00:16:05,032 COME ON BACK TO BED. 419 00:16:05,065 --> 00:16:08,168 - I FOUND THIS IN YOUR POCKET. 420 00:16:08,201 --> 00:16:09,736 ALI ANDREWS. - AH. 421 00:16:09,769 --> 00:16:11,338 - "PLEASE CALL ME ANYTIME." 422 00:16:11,371 --> 00:16:12,772 - [laughs] COME ON. GIVE ME A BREAK, KAREN. 423 00:16:12,805 --> 00:16:14,141 I DIDN'T EVEN LOOK AT IT. - OH, SHE'S A-- 424 00:16:14,174 --> 00:16:15,475 - SHOWS YOU HOW MUCH I CARE. 425 00:16:15,508 --> 00:16:17,144 - YOU LOOKED LIKE YOU CARED LAST NIGHT. 426 00:16:17,177 --> 00:16:19,246 - WELL, SHE WAS FULL OF KIND WORDS AND FLATTERY. 427 00:16:19,279 --> 00:16:20,747 WHO DOESN'T LIKE THAT SORT OF THING? 428 00:16:20,780 --> 00:16:21,781 - SHE'S A HUGE FAN. - WHAT'S NOT TO LIKE? 429 00:16:21,814 --> 00:16:23,250 - SHE WOULD TOTALLY FUCK YOU. 430 00:16:23,283 --> 00:16:25,285 - YES, AND I ONLY WANT TO FUCK YOU. 431 00:16:25,318 --> 00:16:26,519 SO WHAT? - YEAH, RIGHT NOW. 432 00:16:26,553 --> 00:16:27,787 BUT THAT COULD CHANGE, YOU KNOW. 433 00:16:27,820 --> 00:16:29,622 L.A. CHANGES PEOPLE. - NO, NO, NO. 434 00:16:29,656 --> 00:16:31,691 CITIES DON'T CHANGE PEOPLE. 435 00:16:31,724 --> 00:16:33,460 PEOPLE DON'T EVEN CHANGE PEOPLE. 436 00:16:33,493 --> 00:16:35,428 WE ARE WHO WE ARE. 437 00:16:37,430 --> 00:16:39,599 - DO YOU REALLY THINK WE'RE GONNA BEAT THE ODDS? 438 00:16:39,632 --> 00:16:42,602 - FUCK THE ODDS. YOU KNOW, WE MAKE OUR OWN ODDS. 439 00:16:44,704 --> 00:16:46,506 - YOU'RE INCREDIBLY NAIVE. 440 00:16:46,539 --> 00:16:50,043 - AND YOU'RE INCREDIBLY INCREDIBLE. 441 00:16:50,077 --> 00:16:52,545 NOT TO MENTION BEAUTIFUL. 442 00:16:52,579 --> 00:16:54,281 - AND, AFTER ALL THESE YEARS, 443 00:16:54,314 --> 00:16:56,783 YOU STILL GET ME WETTER THAN A WEST AFRICAN SLUT 444 00:16:56,816 --> 00:16:58,818 DURING MONSOON SEASON. HUH? 445 00:16:58,851 --> 00:17:00,420 - OH, MY GOD, I'M SO NOT CHARMED BY THAT. 446 00:17:00,453 --> 00:17:02,089 THAT'S REPULSIVE. - NO, YOU ARE CHARMED. 447 00:17:02,122 --> 00:17:03,823 BECAUSE YOU KNOW I LOVE YOU LONG TIME. 448 00:17:03,856 --> 00:17:07,294 AND NO TRAMPY D-GIRL THIS SIDE OF THE MISSISSIPPI 449 00:17:07,327 --> 00:17:09,429 IS EVER GONNA CHANGE ANY OF THAT. 450 00:17:09,462 --> 00:17:10,663 - REALLY? 451 00:17:12,865 --> 00:17:15,168 - NOW, COME ON. 452 00:17:15,202 --> 00:17:16,536 COME ON BACK TO BED. 453 00:17:16,569 --> 00:17:19,506 LET'S CALIFORNICATE. 454 00:17:19,539 --> 00:17:20,540 - REALLY? 455 00:17:20,573 --> 00:17:22,509 IS IT DIFFERENT HERE? 456 00:17:22,542 --> 00:17:24,444 - A LITTLE BIT. - OKAY. 457 00:17:24,477 --> 00:17:25,478 [chuckles] 458 00:17:25,512 --> 00:17:26,713 - LET'S GET WET. 459 00:17:26,746 --> 00:17:30,617 [chatter and laughter] 460 00:17:34,587 --> 00:17:35,788 - THIS IS CHEESY, HANK. 461 00:17:35,822 --> 00:17:37,690 - FUCK YOU. 462 00:17:37,724 --> 00:17:41,194 - I'M JUST KIDDING. IT'S BEAUTIFUL. 463 00:17:41,228 --> 00:17:43,696 - YEAH, YOU THINK YOU CAN WORK WITH IT? 464 00:17:43,730 --> 00:17:45,332 - [giggles] 465 00:17:45,365 --> 00:17:48,201 I HOPE SO. I MEAN, THEY'RE BEAUTIFUL WORDS. 466 00:17:48,235 --> 00:17:49,869 - YEAH, BUT THEY'RE JUST WORDS. 467 00:17:49,902 --> 00:17:51,571 YOU GOTTA MAKE THE MUSIC. 468 00:17:51,604 --> 00:17:54,741 - WELL, I DEFINITELY THINK I CAN MAKE THEM WORK. 469 00:17:54,774 --> 00:17:56,109 THEY'RE LIKE A TIME MACHINE. 470 00:17:56,143 --> 00:17:58,678 TAKE ME BACK TO NEW YORK. 471 00:17:58,711 --> 00:18:01,114 I REMEMBER EXACTLY HOW EXCITED I WAS, 472 00:18:01,148 --> 00:18:04,851 AND HOW SAD AND SCARED. 473 00:18:04,884 --> 00:18:08,821 - DO YOU THINK YOU'LL EVER MAKE IT BACK TO YOUR GUY? 474 00:18:08,855 --> 00:18:11,758 - I DON'T KNOW. 475 00:18:11,791 --> 00:18:14,561 I SPEND A LOT OF TIME GOING BACK AND FORTH IN MY HEAD 476 00:18:14,594 --> 00:18:16,896 ABOUT WHAT MIGHT HAVE BEEN 477 00:18:16,929 --> 00:18:19,566 AND, UH, "JUST AS WELL." 478 00:18:21,301 --> 00:18:23,370 - I KNOW THE FEELING. 479 00:18:23,403 --> 00:18:25,638 - I THINK THAT THERE ARE PEOPLE IN YOUR LIFE 480 00:18:25,672 --> 00:18:28,175 WHO--THEY INSPIRE ART. 481 00:18:28,208 --> 00:18:31,878 YOU KNOW, AND YOU BLOW THEM UP INTO THESE MYTHICAL CHARACTERS 482 00:18:31,911 --> 00:18:37,450 AND YOU GIVE THEM ALL THOSE MAGICAL QUALITIES. 483 00:18:37,484 --> 00:18:38,918 OR MAYBE THEY'RE JUST STEPPING STONES 484 00:18:38,951 --> 00:18:40,753 FOR SOMETHING BIGGER AND BETTER. 485 00:18:40,787 --> 00:18:42,889 - THAT'S A PRETTY CYNICAL WAY TO LOOK AT THINGS. 486 00:18:42,922 --> 00:18:44,624 - YEAH, WELL, LOOK AT YOU. 487 00:18:44,657 --> 00:18:47,394 I MEAN, SHIT, I GOT A FUCKIN' SONG OUT OF YOU. 488 00:18:47,427 --> 00:18:50,297 AND... THAT'S FUCKIN' COOL. 489 00:18:50,330 --> 00:18:52,665 - GOD, I FEEL SO EXPLOITED. 490 00:18:52,699 --> 00:18:54,467 - [laughs] 491 00:18:54,501 --> 00:18:55,935 - WHAT DO I GET IN EXCHANGE FOR DIGGING DEEP 492 00:18:55,968 --> 00:18:57,537 AND BARING YOUR SOUL? 493 00:19:02,909 --> 00:19:05,612 - ANYTHING YOU WANT. 494 00:19:05,645 --> 00:19:08,648 - NO, I... 495 00:19:08,681 --> 00:19:10,383 I DON'T THINK IT'S RIGHT TO CAPITALIZE 496 00:19:10,417 --> 00:19:12,452 ON ALL THIS HEARTBREAK AND CHAMPAGNE. 497 00:19:12,485 --> 00:19:14,454 - IT'S MORE THAN THAT, AND I THINK YOU KNOW THAT. 498 00:19:14,487 --> 00:19:15,822 - I DO? - MM-HMM. 499 00:19:15,855 --> 00:19:19,926 BECAUSE, NO MATTER HOW MESSY... 500 00:19:19,959 --> 00:19:22,395 OR WRONG... 501 00:19:22,429 --> 00:19:25,665 OR HOW MUCH OF A SHITLOAD OF TROUBLE WE CAN GET INTO, 502 00:19:25,698 --> 00:19:28,268 WE JUST KEEP COMING BACK. 503 00:19:29,602 --> 00:19:30,970 - TRUE DAT. 504 00:19:31,003 --> 00:19:32,572 - [chuckles softly] 505 00:19:39,846 --> 00:19:42,449 OR MAYBE THAT'S WHAT MAKES IT SO HOT. 506 00:19:55,462 --> 00:19:57,530 [phone ringing] 507 00:19:57,564 --> 00:19:58,865 - CAN I GET YOU ANOTHER WATER? 508 00:19:58,898 --> 00:20:01,268 - MM. 509 00:20:01,301 --> 00:20:02,469 NO, I'M FINE. 510 00:20:02,502 --> 00:20:03,736 - YEAH, YOU DON'T LOOK FINE. 511 00:20:03,770 --> 00:20:05,438 - HOW DO I LOOK? 512 00:20:05,472 --> 00:20:06,873 - THUNDERSTRUCK. - MM. 513 00:20:06,906 --> 00:20:08,475 THAT'S A GOOD WORD. 514 00:20:08,508 --> 00:20:11,010 - LOOK, I KNOW IT'S A LOT TO TAKE IN. 515 00:20:11,043 --> 00:20:12,779 - MAYBE I SHOULD CALL CHARLIE. 516 00:20:12,812 --> 00:20:14,314 - WHY? WHAT WOULD YOU SAY? 517 00:20:14,347 --> 00:20:15,715 - I DON'T THINK I'D SAY ANYTHING. 518 00:20:15,748 --> 00:20:17,884 I'D JUST SCREAM. 519 00:20:17,917 --> 00:20:18,885 - I UNDERSTAND. 520 00:20:18,918 --> 00:20:20,887 - YOU DO? - I DO. 521 00:20:20,920 --> 00:20:22,522 YOUR BOOK IS BRILLIANT. 522 00:20:22,555 --> 00:20:23,823 AND NOW WE'RE GONNA MAKE IT INTO A MOVIE. 523 00:20:23,856 --> 00:20:25,358 - MM-HMM. - BUT YOU GOTTA TRUST ME. 524 00:20:25,392 --> 00:20:26,993 - BUT IT'S NOT A ROMANTIC COMEDY. 525 00:20:27,026 --> 00:20:29,028 - I KNOW WHAT I'M DOING. - IT'S NOT A ROMANTIC COMEDY. 526 00:20:29,061 --> 00:20:32,465 - YOUR BOOK IS DEEPLY ROMANTIC AND VERY FUNNY. 527 00:20:32,499 --> 00:20:34,334 - BUT IT'S ALSO VERY DARK AND BITTERSWEET. 528 00:20:34,367 --> 00:20:36,703 - MM-HMM, TOTALLY. 529 00:20:42,475 --> 00:20:43,543 - MM. 530 00:20:43,576 --> 00:20:45,612 IS THIS REALLY HAPPENING? 531 00:20:45,645 --> 00:20:47,380 - YES. - HMM. 532 00:20:47,414 --> 00:20:50,350 - AND YOU'RE NOT EXACTLY RESPONDING 533 00:20:50,383 --> 00:20:52,785 IN THE APPROPRIATE MANNER-- WHAT'S THAT ABOUT? 534 00:20:52,819 --> 00:20:54,921 - UH, IT'S ABOUT THE FACT THAT MY BETTER HALF 535 00:20:54,954 --> 00:20:57,390 WOULD CUT OFF MY DICK IF SHE KNEW WHAT WAS GOING ON. 536 00:20:57,424 --> 00:20:58,925 - WELL, THEN YOU PROBABLY SHOULDN'T MENTION IT. 537 00:20:58,958 --> 00:21:00,693 - WELL, I'M NOT GOING TO. 538 00:21:00,727 --> 00:21:01,994 SHE ALREADY THINKS YOU'RE A WOMAN OF ILL-REPUTE. 539 00:21:02,028 --> 00:21:03,430 - SHE'S RIGHT. 540 00:21:03,463 --> 00:21:04,431 - I WISH I COULD TELL HER, THOUGH. 541 00:21:04,464 --> 00:21:05,965 SHE'D BE THRILLED. 542 00:21:05,998 --> 00:21:08,000 I'M USUALLY TELLING HER HOW WRONG SHE IS ABOUT SHIT. 543 00:21:08,034 --> 00:21:10,670 - HOW LONG HAVE YOU GUYS BEEN TOGETHER? 544 00:21:10,703 --> 00:21:13,406 - DO YOU REALLY CARE? - YOU DON'T CHEAT ON HER? 545 00:21:13,440 --> 00:21:14,807 - NO. AM I SUPPOSED TO? 546 00:21:14,841 --> 00:21:17,410 - NONE OF MY BUSINESS. - HMM. 547 00:21:17,444 --> 00:21:20,780 - GUESS I JUST MISJUDGED YOU. 548 00:21:20,813 --> 00:21:22,549 - WHAT DOES THAT MEAN? - NOTHIN'. 549 00:21:22,582 --> 00:21:24,551 FIRST DRAFT, 12 WEEKS. 550 00:21:24,584 --> 00:21:25,585 IS THAT DOABLE? 551 00:21:25,618 --> 00:21:27,420 - I DON'T SEE WHY NOT. 552 00:21:27,454 --> 00:21:29,356 - GREAT. GOOD LUCK WITH THE WRITING. 553 00:21:29,389 --> 00:21:31,057 [intercom bloops] GET ME TODD CARR! 554 00:21:47,740 --> 00:21:50,510 [waves crashing] 555 00:21:50,543 --> 00:21:51,744 - HOW WAS YOUR MEETING? 556 00:21:51,778 --> 00:21:54,581 - KIND OF A NIGHTMARE, ACTUALLY. 557 00:21:54,614 --> 00:21:58,385 - DID SHE TRY TO FUCK YOU? - OF COURSE. 558 00:21:58,418 --> 00:21:59,986 I'M JUST THAT IRRESISTIBLE. 559 00:22:00,019 --> 00:22:02,622 I'M LIKE SPANISH FLY TO THESE HOLLYWOOD TYPES. 560 00:22:02,655 --> 00:22:03,856 [kiss] 561 00:22:03,890 --> 00:22:05,458 AH. 562 00:22:05,492 --> 00:22:06,793 BUT IT DID GET ME THINKIN'. 563 00:22:06,826 --> 00:22:10,897 - ABOUT... 564 00:22:10,930 --> 00:22:12,732 - LET'S NOT AND SAY WE DID. 565 00:22:12,765 --> 00:22:14,634 - WHAT DO YOU MEAN? 566 00:22:14,667 --> 00:22:17,003 - FUCK IT. FUCK THIS PLACE. 567 00:22:17,036 --> 00:22:19,606 WHY MESS WITH A GOOD THING? 568 00:22:19,639 --> 00:22:21,774 YOU KNOW, "LEAVE WELL ENOUGH ALONE" AND OTHER CLICHES. 569 00:22:21,808 --> 00:22:23,610 LET'S STAY IN NEW YORK. 570 00:22:23,643 --> 00:22:25,144 CHARLIE'LL UNDERSTAND. 571 00:22:25,177 --> 00:22:26,513 AND IF HE DOESN'T, 572 00:22:26,546 --> 00:22:29,749 FUCK HIM AND HIS BALD HEAD. 573 00:22:29,782 --> 00:22:30,783 - WE DO HAVE A GREAT LIFE. 574 00:22:30,817 --> 00:22:31,784 - WE DO. 575 00:22:31,818 --> 00:22:32,952 - WE'RE SO LUCKY. 576 00:22:32,985 --> 00:22:34,987 - [Valley girl accent] TOTALLY. 577 00:22:35,021 --> 00:22:36,556 - WHICH IS EXACTLY WHY WE SHOULD DO IT. 578 00:22:36,589 --> 00:22:37,624 - YEAH. 579 00:22:37,657 --> 00:22:39,859 WHAT? - MM-HMM. 580 00:22:43,530 --> 00:22:45,632 YOU'RE IN A REALLY EXCITING PLACE RIGHT NOW. 581 00:22:45,665 --> 00:22:49,802 I MEAN, MOST PEOPLE DON'T EVEN GET TO WHERE YOU ARE. 582 00:22:49,836 --> 00:22:53,005 IT'S LIKE... THE AMERICAN DREAM OR SOME SHIT. 583 00:22:53,039 --> 00:22:54,907 WE SHOULD JUST RIDE THE WAVE 584 00:22:54,941 --> 00:22:57,644 AND SEE WHERE IT TAKES US. 585 00:22:57,677 --> 00:22:59,045 - ARE YOU SURE? - I MEAN... 586 00:22:59,078 --> 00:23:01,047 YEAH, BECAUSE AS LONG AS WE'RE TOGETHER, 587 00:23:01,080 --> 00:23:04,116 WHO GIVES A FUCK WHERE WE LIVE, RIGHT? 588 00:23:06,218 --> 00:23:07,587 SO... 589 00:23:07,620 --> 00:23:09,722 THERE IT IS. 590 00:23:09,756 --> 00:23:11,624 WE'RE MOVIN' TO L.A. 591 00:23:11,658 --> 00:23:14,927 - [chuckles] - SHIT, FUCK. 592 00:23:14,961 --> 00:23:17,764 NOW THAT I SAID IT OUT LOUD, I CAN'T TAKE IT BACK. 593 00:23:17,797 --> 00:23:20,132 [chuckles] 594 00:23:20,166 --> 00:23:22,935 - MMM. 595 00:23:22,969 --> 00:23:24,971 YOU'RE PRETTY AMAZING, YOU KNOW THAT? 596 00:23:25,004 --> 00:23:28,641 - NO, I'M NOT. - YEAH, YOU ARE. 597 00:23:28,675 --> 00:23:29,909 PRETTY MUCH THE BEST BABY MAMA 598 00:23:29,942 --> 00:23:31,578 A GUY COULD EVER HOPE FOR. 599 00:23:31,611 --> 00:23:32,812 - REALLY? 600 00:23:32,845 --> 00:23:35,582 AND DON'T FORGET IT. 601 00:23:35,615 --> 00:23:37,717 - NEVER. 602 00:23:37,750 --> 00:23:39,452 EVER. 603 00:23:43,556 --> 00:23:45,558 [indistinct chatter] 604 00:23:45,592 --> 00:23:47,660 - MOODY, BUDDY. 605 00:23:47,694 --> 00:23:49,562 YO, COME ON. GET IN ON SOME OF THIS SHIT. 606 00:23:49,596 --> 00:23:51,764 THERE YOU GO, BUDDY. 607 00:23:51,798 --> 00:23:52,965 - I TAKE IT YOU LIKEY? 608 00:23:52,999 --> 00:23:54,534 - IT'S BEAUTIFUL, MAN. 609 00:23:54,567 --> 00:23:55,802 IT'S THE MISSING PIECE OF THE PUZZLE. 610 00:23:55,835 --> 00:23:57,870 THIS ALBUM HAD A LOT OF COLOR ON IT. 611 00:23:57,904 --> 00:24:00,607 BUT WHAT Y'ALL DID, THAT'S THE HOME RUN, MAN. 612 00:24:00,640 --> 00:24:02,141 YOU BOTH OUTDID YOURSELVES. 613 00:24:02,174 --> 00:24:04,243 [pouring] - GLAD TO BE OF SERVICE. 614 00:24:04,276 --> 00:24:05,244 - [chuckles] 615 00:24:05,277 --> 00:24:07,547 [plastic cups clink] 616 00:24:13,520 --> 00:24:15,087 - YO, YOU TWO FUCKED? 617 00:24:17,624 --> 00:24:19,892 - COME ON, DOES IT SEEM LIKE WE HAD TIME TO DO THAT? 618 00:24:19,926 --> 00:24:21,928 WE BEEN WRITIN' A FRICKIN' SONG. 619 00:24:24,897 --> 00:24:27,199 - HEH, I'M FUCKIN' TRIPPIN'. 620 00:24:27,233 --> 00:24:28,267 HEY, YO. - YEAH? 621 00:24:28,300 --> 00:24:29,268 - PLAY THAT SHIT. 622 00:24:29,301 --> 00:24:30,603 - ALL RIGHT. 623 00:24:32,038 --> 00:24:34,140 [ballad playing] - GRAB SOME TISSUE, MOODY. 624 00:24:34,173 --> 00:24:35,942 IT'S JUST GONNA BREAK YOUR FUCKIN' HEART. 625 00:24:35,975 --> 00:24:37,577 * 626 00:24:37,610 --> 00:24:40,613 TURN THE SHIT UP, MOTHERFUCKER. 627 00:24:40,647 --> 00:24:42,882 [volume increasing] 628 00:24:42,915 --> 00:24:44,717 [exhales] 629 00:24:44,751 --> 00:24:50,156 * 630 00:24:50,189 --> 00:24:51,724 [acoustic guitar] 631 00:24:51,758 --> 00:24:54,627 - * SHE PROMISED YOU STARS 632 00:24:54,661 --> 00:24:58,898 * LIKE YOU READ ON HER PAGES 633 00:24:58,931 --> 00:25:02,001 * ALL OF THE TINSEL 634 00:25:02,034 --> 00:25:05,772 * AND THE COMPANY OF STRANGERS 635 00:25:05,805 --> 00:25:08,174 * THE FEAR THAT YOU CAME WITH * 636 00:25:08,207 --> 00:25:12,078 * YOU THOUGHT YOU'D ESCAPED IT * 637 00:25:12,111 --> 00:25:14,914 * BUT EVEN WHILE BREAKING 638 00:25:14,947 --> 00:25:19,952 * YOU COULD STILL BE PERSUADED * 639 00:25:19,986 --> 00:25:23,055 * LOOKING OUT 640 00:25:23,089 --> 00:25:26,225 * ACROSS THE LIGHTS 641 00:25:26,258 --> 00:25:31,931 * UNTIL THE MORNING 642 00:25:31,964 --> 00:25:33,566 * OH, BUT DIDN'T 643 00:25:33,600 --> 00:25:40,206 * THEY SHINE 644 00:25:40,239 --> 00:25:46,078 * LIKE THE NIGHT SKY 645 00:25:46,112 --> 00:25:53,853 * AND DIDN'T THEY SHINE 646 00:25:53,886 --> 00:25:57,990 * LIKE THE HAZY DAYBREAK 647 00:25:58,024 --> 00:26:02,361 * LIKE CHAMPAGNE AND HEARTBREAK * 648 00:26:02,394 --> 00:26:05,097 * OH 649 00:26:05,131 --> 00:26:09,636 * YEAH-EAH EH EH 650 00:26:09,669 --> 00:26:13,606 * OH, BUT DIDN'T THEY SHINE 651 00:26:13,640 --> 00:26:17,677 * OH, DIDN'T THEY SHINE 652 00:26:17,710 --> 00:26:20,847 * LIKE THE NIGHT SKY 653 00:26:20,880 --> 00:26:23,716 * HEY EH EH 654 00:26:23,750 --> 00:26:25,351 * DIDN'T THEY SHINE 655 00:26:25,384 --> 00:26:27,353 [doorbell rings] 656 00:26:27,386 --> 00:26:30,923 * OH, DIDN'T THEY SHINE... 657 00:26:34,426 --> 00:26:36,629 - HEY. CAN I COME IN? 658 00:26:36,663 --> 00:26:38,130 - SURE. EVERYTHING ALL RIGHT? 659 00:26:38,164 --> 00:26:39,398 IS IT BECCA? - NO, NO, NO. 660 00:26:39,431 --> 00:26:40,633 SHE'S--SHE'S GOOD. 661 00:26:40,667 --> 00:26:44,103 SHE'S FINE, ACTUALLY. 662 00:26:44,136 --> 00:26:46,138 - WHAT'S UP? 663 00:26:46,172 --> 00:26:47,406 - IT'S RICHARD. 664 00:26:47,439 --> 00:26:50,777 HE'S, UM... 665 00:26:50,810 --> 00:26:52,945 HE...YOU KNOW, HE WON'T STOP DRINKING. 666 00:26:52,979 --> 00:26:55,281 IT'S...I DON'T THINK HE CAN. 667 00:26:55,314 --> 00:26:56,716 SO... 668 00:26:56,749 --> 00:26:57,750 [sighs] 669 00:26:57,784 --> 00:26:59,051 [crying] AND I JUST... 670 00:27:01,453 --> 00:27:03,322 I-I DON'T THINK I CAN DO IT. 671 00:27:03,355 --> 00:27:05,024 I DON'T THINK I CAN, UM... 672 00:27:05,057 --> 00:27:06,659 I DON'T THINK I CAN LIVE LIKE THIS. 673 00:27:06,693 --> 00:27:08,895 - I-I'M SURE. I'M SURE HE'S GONNA BE-- 674 00:27:08,928 --> 00:27:10,396 I'M SURE HE'LL GET IT UNDER CONTROL. 675 00:27:10,429 --> 00:27:12,164 - YEAH, MAYBE. MAYBE. 676 00:27:12,198 --> 00:27:14,701 MAYBE HE WILL. 677 00:27:14,734 --> 00:27:17,670 [crying] I JUST DON'T KNOW IF I CAN WAIT, YOU KNOW? 678 00:27:22,274 --> 00:27:24,143 AND THE TRUTH IS THAT... 679 00:27:27,046 --> 00:27:29,749 I THINK I MADE A TERRIBLE MISTAKE, YOU KNOW? 680 00:27:39,826 --> 00:27:41,360 [crying softly] 681 00:27:41,393 --> 00:27:44,296 Captioning by CaptionMax www.captionmax.com