1 00:00:06,640 --> 00:00:09,510 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,543 --> 00:00:10,811 - MMM! - GOD, I LOVE FUCKING YOU! 3 00:00:10,844 --> 00:00:12,513 - I LOVE FUCKING YOU TOO. 4 00:00:12,546 --> 00:00:13,747 - HEY, HEY. HEY, HEY, HEY, HEY. 5 00:00:13,781 --> 00:00:14,815 HOW'S BATESY? 6 00:00:14,848 --> 00:00:16,384 - REHAB. 7 00:00:16,417 --> 00:00:19,153 - YOU STILL THINKIN' ABOUT LEAVING HIM? 8 00:00:19,187 --> 00:00:20,688 - YOU HAVE A MAGNIFICENT BODY! 9 00:00:20,721 --> 00:00:22,590 - DO YOU THINK I HAVE WHAT IT TAKES TO BE AN ACTRESS? 10 00:00:22,623 --> 00:00:24,125 - YES. 11 00:00:24,158 --> 00:00:25,293 - HAVE YOU HAD A CHANCE TO TALK TO STUART 12 00:00:25,326 --> 00:00:26,727 ABOUT SANTA MONICA COP? 13 00:00:26,760 --> 00:00:28,662 IF THERE'S A PART THAT I COULD READ FOR. 14 00:00:28,696 --> 00:00:29,663 - NO, BUT I WILL. 15 00:00:29,697 --> 00:00:30,664 - TRIXIE. 16 00:00:30,698 --> 00:00:32,300 - THAT IS A TERRIFIC NAME... 17 00:00:32,333 --> 00:00:33,434 IF YOU'RE A HOOKER. 18 00:00:33,467 --> 00:00:34,568 YOU TAKE DINERS CLUB? 19 00:00:34,602 --> 00:00:36,070 I'M NOT KIDDING. 20 00:00:36,104 --> 00:00:37,705 - IN ABOUT FIVE MINUTES, TYLER IS GONNA BE 21 00:00:37,738 --> 00:00:39,640 THE HOTTEST SCREENWRITER IN THE BUSINESS. 22 00:00:39,673 --> 00:00:42,076 SOMEONE HAS TO REPRESENT HIM. WHY NOT ME? 23 00:00:42,110 --> 00:00:44,578 - BECAUSE YOU'RE MY FUCKIN' AGENT, CHARLIE. 24 00:00:44,612 --> 00:00:46,480 - YOU'RE FIRED. - WHAT? 25 00:00:46,514 --> 00:00:48,649 - WE'RE BRINGING IN ANOTHER WRITER FOR THE ON-SET WORK. 26 00:00:48,682 --> 00:00:50,284 - CHARLIE SENT ME TO MEET WITH STU. 27 00:00:50,318 --> 00:00:52,786 - CHARLIE DID. - YEAH, I JUST SIGNED WITH HIM. 28 00:00:52,820 --> 00:00:54,355 - YOU JUST SIGNED WITH CHARLIE? 29 00:00:54,388 --> 00:00:56,190 - I DON'T WANNA HIT YOU. 30 00:00:56,224 --> 00:00:57,558 I DON'T WANNA HAVE ANYTHING TO DO WITH YOU, ALL RIGHT? 31 00:00:57,591 --> 00:00:59,360 - COME ON, BUDDY. DON'T BE THAT WAY. 32 00:00:59,393 --> 00:01:01,829 - I'M NOT YOUR BUDDY. YOU'RE FUCKIN' FIRED. 33 00:01:01,862 --> 00:01:04,098 AS AN AGENT AND A FRIEND. 34 00:01:13,374 --> 00:01:15,376 - FIVE MINUTES. THAT'S ALL I NEED. 35 00:01:15,409 --> 00:01:16,844 - CHARLIE, HE DOESN'T WANT TO SEE YOU. 36 00:01:16,877 --> 00:01:18,846 SAME AS YESTERDAY. I'M SORRY. 37 00:01:18,879 --> 00:01:20,781 - HE'S NEVER BEEN THIS MAD AT ME BEFORE, KAREN. 38 00:01:20,814 --> 00:01:22,316 I DON'T KNOW WHAT TO DO. 39 00:01:22,350 --> 00:01:23,884 - HE FEELS LIKE YOU BETRAYED HIM. 40 00:01:23,917 --> 00:01:25,286 - I DID, I DID! 41 00:01:25,319 --> 00:01:27,521 I-I-I SAW THE FORBIDDEN FRUIT 42 00:01:27,555 --> 00:01:28,822 DANGLE IN FRONT OF MY FACE, 43 00:01:28,856 --> 00:01:30,624 AND I TOOK A BIG BITE, A JUICY BITE. 44 00:01:30,658 --> 00:01:32,760 IT WAS WRONG. I SEE THAT NOW. 45 00:01:32,793 --> 00:01:35,129 - WH-WHAT CAN I DO? 46 00:01:35,163 --> 00:01:37,265 - SOMETHING. ANYTHING. 47 00:01:37,298 --> 00:01:39,633 MAYBE, UM, TEASE HIM A LITTLE BIT, YOU KNOW. 48 00:01:39,667 --> 00:01:41,402 UH, SHOW A LITTLE FLESH. A LITTLE NIP-SLIP. 49 00:01:41,435 --> 00:01:42,836 WHATEVER GETS ME IN THE DOOR. 50 00:01:42,870 --> 00:01:45,406 - I AM MARRIED TO ANOTHER MAN, CHARLIE. 51 00:01:45,439 --> 00:01:47,741 - SURE, SURE, SURE. BUT YOU AND HANK, YOU KNOW, 52 00:01:47,775 --> 00:01:48,909 YOU'RE ALWAYS JUST A NOD AND A WINK 53 00:01:48,942 --> 00:01:50,778 FROM JUMPING BACK IN THE SACK. 54 00:01:50,811 --> 00:01:53,214 OR...NOT. 55 00:01:53,247 --> 00:01:55,516 OH-KAY... 56 00:01:55,549 --> 00:01:57,218 I'LL BE ON MY WAY. 57 00:02:07,261 --> 00:02:09,430 - HEY. - YAH! 58 00:02:09,463 --> 00:02:11,432 HAVIN' A POOL IS AWESOME. 59 00:02:11,465 --> 00:02:14,535 HAVIN' A HUSBAND IN REHAB IS EVEN BETTER. 60 00:02:14,568 --> 00:02:16,337 - HANK, THAT WAS CHARLIE AGAIN. 61 00:02:16,370 --> 00:02:18,306 - FUCK THAT PENIS-HEADED MOTHERFUCKER! 62 00:02:18,339 --> 00:02:19,640 [wood splinters] - AGH! 63 00:02:19,673 --> 00:02:21,542 UHH! [grunts] 64 00:02:21,575 --> 00:02:23,277 HANK... 65 00:02:23,311 --> 00:02:24,845 FORGIVE ME. - NO! 66 00:02:24,878 --> 00:02:26,580 - I'LL DO WHATEVER IT TAKES! 67 00:02:26,614 --> 00:02:29,250 - FUCK YOU, CHARLIE. THERE'S NOTHING YOU CAN DO. 68 00:02:29,283 --> 00:02:31,285 - THIS IS THE PINK SLIP TO MY PORSCHE. 69 00:02:31,319 --> 00:02:32,720 HANK, I SIGNED IT OVER TO YOU. 70 00:02:32,753 --> 00:02:33,721 IT'S YOURS. 71 00:02:33,754 --> 00:02:35,289 - FINE, I'LL TAKE IT. 72 00:02:35,323 --> 00:02:36,557 - SO WE'RE GOOD NOW? 73 00:02:36,590 --> 00:02:37,625 - NO, NEVER. 74 00:02:37,658 --> 00:02:38,926 - PEOPLE ARE CALLING, HANK! 75 00:02:38,959 --> 00:02:40,828 THERE ARE OPPORTUNITIES TO DISCUSS! 76 00:02:40,861 --> 00:02:42,330 - REFER THEM TO MY NEW AGENT. 77 00:02:42,363 --> 00:02:43,797 - YOU HAVE A NEW AGENT? 78 00:02:43,831 --> 00:02:45,433 - I'M TAKING MEETINGS. 79 00:02:45,466 --> 00:02:47,868 - YOU'RE TAKING MEETINGS?! 80 00:02:47,901 --> 00:02:51,239 [screaming] 81 00:02:52,640 --> 00:02:53,841 - [laughs] 82 00:02:53,874 --> 00:02:55,976 - WELL, HANK, DO SOMETHING! 83 00:02:56,009 --> 00:02:57,345 - HE'S FINE. 84 00:02:57,378 --> 00:02:58,812 HE'S LIKE A BELUGA. 85 00:02:58,846 --> 00:03:00,848 - COME ON! - I THINK HE'S GOT A BLOWHOLE. 86 00:03:00,881 --> 00:03:02,750 - [bubbling] 87 00:03:12,893 --> 00:03:15,729 [sputters] 88 00:03:15,763 --> 00:03:17,465 AHH. 89 00:03:19,367 --> 00:03:21,769 [groans] 90 00:03:28,642 --> 00:03:29,810 I'LL BE ON MY WAY. 91 00:03:31,745 --> 00:03:32,813 - SEE YOU IN HELL... 92 00:03:32,846 --> 00:03:34,648 [falsetto] MOTHERFUCKER! 93 00:03:34,682 --> 00:03:36,750 - DON'T SAY MOTHERFUCKER LIKE THAT! 94 00:03:36,784 --> 00:03:38,519 IT MAKES ME MISS YOU! 95 00:03:47,695 --> 00:03:50,664 [upbeat music] 96 00:03:50,698 --> 00:03:58,639 * 97 00:04:30,838 --> 00:04:33,641 - HAVE A NICE DAY, HONEY. 98 00:04:33,674 --> 00:04:35,576 TOO SOON? 99 00:04:35,609 --> 00:04:37,378 - GOOD LUCK WITH YOUR MEETINGS. 100 00:04:37,411 --> 00:04:39,413 - WELL, THANK YOU. IT'S ABOUT TIME I GOT MYSELF 101 00:04:39,447 --> 00:04:40,981 SOME SERIOUS REPRESENTATION, HUH? 102 00:04:41,014 --> 00:04:42,716 - YOU SEEM TO BE DOING JUST FINE 103 00:04:42,750 --> 00:04:44,552 WITH YOUR CURRENT REPRESENTATION. 104 00:04:44,585 --> 00:04:46,654 - PREVIOUS REPRESENTATION, KAREN. 105 00:04:46,687 --> 00:04:47,655 PREVIOUS. 106 00:04:47,688 --> 00:04:48,989 - COME ON. 107 00:04:49,022 --> 00:04:50,524 CHARLIE'S BEEN GOOD FOR YOU, HANK. 108 00:04:50,558 --> 00:04:51,959 - AU CONTRAIRE, LADY FAIR. 109 00:04:51,992 --> 00:04:54,094 I HAVE DONE WELL IN SPITE OF CHARLIE, 110 00:04:54,127 --> 00:04:55,763 NOT BECAUSE OF HIM. 111 00:04:55,796 --> 00:04:57,765 - COME ON, THAT GUY WOULD TAKE A BULLET FOR YOU. 112 00:04:57,798 --> 00:04:59,533 - OH, PLEASE, HE'D PISS HIMSELF 113 00:04:59,567 --> 00:05:01,068 AND RUN AWAY SCREAMIN'. 114 00:05:01,101 --> 00:05:04,037 - REALLY? THAT'S AWESOME. 115 00:05:04,071 --> 00:05:05,673 YOU'RE SO BRILLIANT, BABY. 116 00:05:05,706 --> 00:05:07,441 - OH, I DON'T KNOW WHAT'S MORE OFFENSIVE-- 117 00:05:07,475 --> 00:05:08,742 BRILLIANT OR BABY? 118 00:05:08,776 --> 00:05:10,010 - [stifles laugh] STOP. 119 00:05:10,043 --> 00:05:12,346 - OKAY...CALL ME LATER. 120 00:05:12,380 --> 00:05:13,581 LOVE YOU. 121 00:05:13,614 --> 00:05:15,349 NO, LOVE YOU MORE. 122 00:05:17,885 --> 00:05:19,086 I SAW THAT. 123 00:05:19,119 --> 00:05:20,988 - WHAT? - YOU PRETENDED TO THROW UP. 124 00:05:21,021 --> 00:05:22,790 - I WASN'T PRETENDING. I THINK I THREW UP FOR REAL. 125 00:05:22,823 --> 00:05:24,458 LOOK, SPUTUM. 126 00:05:24,492 --> 00:05:25,859 ON THE MARBLE. WHAT-- 127 00:05:25,893 --> 00:05:27,828 - TYLER SAYS THAT APOCALYPSE LOVES HIS ASS, 128 00:05:27,861 --> 00:05:29,397 THINKS HE'S BRILLIANT. 129 00:05:29,430 --> 00:05:30,531 - YOU DO REALIZE YOU'RE TALKING TO THE MAN 130 00:05:30,564 --> 00:05:31,999 HE REPLACED, RIGHT? 131 00:05:32,032 --> 00:05:33,434 - I'M SORRY, DAD. 132 00:05:33,467 --> 00:05:34,868 DIDN'T MEAN TO EMBARRASS YOU. 133 00:05:34,902 --> 00:05:36,470 - YOU DIDN'T EMBARRASS ME. YOU INSULTED ME. 134 00:05:36,504 --> 00:05:37,971 AND SAM WILL LOVE HIS ASS 135 00:05:38,005 --> 00:05:39,840 RIGHT UP UNTIL THE POINT WHERE HE DOESN'T. 136 00:05:39,873 --> 00:05:42,610 HE'S A VERY FICKLE MISTRESS, THAT BROTHA. 137 00:05:42,643 --> 00:05:44,778 - FOR WHAT IT'S WORTH, I STILL LOVE YOU. 138 00:05:44,812 --> 00:05:47,014 - THAT IS WORTH QUITE A LOT. 139 00:05:47,047 --> 00:05:49,883 OH. THANK YOU. 140 00:05:49,917 --> 00:05:51,018 YO, LADY. 141 00:05:51,051 --> 00:05:53,521 YOU WANNA GET IN ON THIS? 142 00:05:53,554 --> 00:05:54,788 ALL RIGHT, YEAH. 143 00:05:54,822 --> 00:05:56,790 - OHH. - MMM. 144 00:05:56,824 --> 00:05:59,660 - I LOVE YOU. - MMM... 145 00:05:59,693 --> 00:06:00,661 PILATES? 146 00:06:00,694 --> 00:06:01,695 - [laughs] 147 00:06:01,729 --> 00:06:02,996 THAT'S MEAN. 148 00:06:03,030 --> 00:06:04,798 - SO THIS IS WHAT IT WOULD BE LIKE, 149 00:06:04,832 --> 00:06:06,600 THE THREE OF US LIVING IN THE BIG HOUSE 150 00:06:06,634 --> 00:06:08,135 BEHIND THE WHITE PICKET FENCE? 151 00:06:08,168 --> 00:06:10,938 ALL MY LIFE, I THOUGHT THAT SORT OF THING WAS LAME. 152 00:06:10,971 --> 00:06:13,407 NOW I REALIZE THE JOKE WAS ON ME. 153 00:06:15,543 --> 00:06:17,044 HAVE A NICE DAY. 154 00:06:17,077 --> 00:06:19,513 HONEY. 155 00:06:19,547 --> 00:06:20,548 [high-pitched] NAILED IT! 156 00:06:35,696 --> 00:06:37,531 - I GOT IT! [gasps] 157 00:06:37,565 --> 00:06:38,532 - WHAT? 158 00:06:38,566 --> 00:06:39,667 - THE PART! 159 00:06:39,700 --> 00:06:41,201 IN SANTA MONICA COP. 160 00:06:41,234 --> 00:06:42,970 - REALLY? 161 00:06:43,003 --> 00:06:44,538 - HEY, WHY DO YOU SOUND SO SURPRISED? 162 00:06:44,572 --> 00:06:45,973 YOU DON'T THINK I'VE GOT THE GOODS? 163 00:06:46,006 --> 00:06:48,008 - NO, I KNOW YOU GOT THE GOODS, ALL RIGHT. 164 00:06:48,041 --> 00:06:50,711 I JUST--IT'S-- IT WAS SUCH A LONG SHOT. 165 00:06:50,744 --> 00:06:53,080 - I KNOW, BUT STU SAID THAT I NAILED IT. 166 00:06:53,113 --> 00:06:55,616 - OHH, STU SAID THAT, DID HE? 167 00:06:55,649 --> 00:06:56,884 - YEP. ARE YOU PROUD? 168 00:06:56,917 --> 00:06:58,519 - OF COURSE. 169 00:06:58,552 --> 00:06:59,787 IT'S AWESOME. 170 00:06:59,820 --> 00:07:02,055 - I KNOW, OH, MY-- I'M SO EXCITED! 171 00:07:02,089 --> 00:07:04,492 OH, UM, I HAVE TO GET NAKED, THOUGH. 172 00:07:04,525 --> 00:07:06,093 - WELL, OF COURSE YOU DO. 173 00:07:06,126 --> 00:07:07,561 BUT IT'S A GOOD THING YOU LOOK PRETTY AMAZING NAKED. 174 00:07:07,595 --> 00:07:09,597 - OH, THANK YOU, MY LORD. 175 00:07:09,630 --> 00:07:11,231 - SPEAKING OF YOU LOOKING AMAZING NAKED, 176 00:07:11,264 --> 00:07:12,533 CAN WE MAKE LOVE? 177 00:07:12,566 --> 00:07:13,767 - NO, I'M--I'M SORRY, 178 00:07:13,801 --> 00:07:14,968 BUT I DON'T HAVE THE TIME, CHARLIE. 179 00:07:15,002 --> 00:07:16,236 - YOU SURE? I CAN BE QUICK ABOUT IT. 180 00:07:16,269 --> 00:07:18,205 I COULD REALLY USE THE RELEASE. 181 00:07:18,238 --> 00:07:20,107 - I'M SORRY, BUT I HAVE THREE AUDITIONS ALL OVER TOWN, 182 00:07:20,140 --> 00:07:22,710 AND THEN I HAVE TO PICK UP STUART FROM SCHOOL. 183 00:07:22,743 --> 00:07:24,812 WAIT, WHY ARE YOU ALL WET? 184 00:07:24,845 --> 00:07:26,213 [rock music] 185 00:07:26,246 --> 00:07:28,115 [traffic zooming] 186 00:07:28,148 --> 00:07:32,119 * 187 00:07:32,152 --> 00:07:34,855 - SO, HANK, TELL ME. 188 00:07:34,888 --> 00:07:36,256 WHAT DO YOU WANNA DO NEXT? 189 00:07:36,289 --> 00:07:39,226 WHAT IS YOUR WILDEST DREAM? 190 00:07:39,259 --> 00:07:42,195 - WELL, MY WILDEST DREAM INVOLVES A THREE-BREASTED MIDGET 191 00:07:42,229 --> 00:07:44,998 WITH LABIAL PIERCINGS AND A DESIRE TO PLEASE. 192 00:07:45,032 --> 00:07:47,134 BUT AS FAR AS HOLLYWOOD IS CONCERNED, 193 00:07:47,167 --> 00:07:48,636 I THINK I'D JUST LIKE TO WORK 194 00:07:48,669 --> 00:07:50,270 WITH A WORLD-CLASS DIRECTOR FOR ONCE. 195 00:07:50,303 --> 00:07:52,172 I'M SICK AND TIRED OF THE HACK PARADE. 196 00:07:52,205 --> 00:07:54,842 AND WHY HAVEN'T YOU DONE THAT? 197 00:07:54,875 --> 00:07:56,710 - I DON'T KNOW. MAYBE IT'S ME. 198 00:07:56,744 --> 00:07:58,078 MAYBE I JUST DON'T GOT THE GOODS. 199 00:07:58,111 --> 00:07:59,913 - NONSENSE. 200 00:07:59,947 --> 00:08:01,649 IT'S BECAUSE YOU HAVEN'T HAD SOMEBODY IN YOUR CORNER 201 00:08:01,682 --> 00:08:03,283 MAKING IT HAPPEN FOR YOU. 202 00:08:03,316 --> 00:08:07,855 YOUR FORMER REPRESENTATIVE-- IF I CAN EVEN CALL HIM THAT-- 203 00:08:07,888 --> 00:08:10,791 IS A SAD, DESPERATE SOUL. 204 00:08:10,824 --> 00:08:13,093 HE'S MORE INTERESTED IN HAVING AN OFFICE TO JERK OFF IN 205 00:08:13,126 --> 00:08:16,096 THAN MAKING HIS CLIENTS' DREAMS COME TRUE! 206 00:08:16,129 --> 00:08:18,699 - ALL RIGHT, I CAN MAKE FUN OF RUNKLE, BUT YOU CAN'T. 207 00:08:18,732 --> 00:08:21,602 OKAY? SAME WITH MY MOTHER. 208 00:08:21,635 --> 00:08:24,004 - I RESPECT THAT. 209 00:08:24,037 --> 00:08:26,039 AND I APOLOGIZE. 210 00:08:26,073 --> 00:08:28,709 NOW, SEE...THAT IS THE KIND OF HONOR 211 00:08:28,742 --> 00:08:30,644 I'M TALKING ABOUT, HANK. 212 00:08:30,678 --> 00:08:32,846 I CAN ALSO MAKE THAT THREE-BREASTED MIDGET THING 213 00:08:32,880 --> 00:08:34,314 HAPPEN FOR YOU. 214 00:08:34,347 --> 00:08:36,283 I KNOW A GUY. - OH. 215 00:08:36,316 --> 00:08:38,051 - HEY, BOYS! 216 00:08:38,085 --> 00:08:40,153 I SEE WE'RE DRINKING OUR LUNCH. 217 00:08:40,187 --> 00:08:41,922 - STU BEGGS! 218 00:08:41,955 --> 00:08:43,223 HOW'S THE HORSE COCK? 219 00:08:43,256 --> 00:08:44,692 - WELL...SHH... - [laughs] 220 00:08:44,725 --> 00:08:45,726 COME ON. COME--COME ON. 221 00:08:45,759 --> 00:08:47,294 TAKE OUT JUST ENOUGH OF IT 222 00:08:47,327 --> 00:08:49,663 TO SCARE ME, HUH? [laughs] 223 00:08:49,697 --> 00:08:52,332 - HANK, IF YOU ABSOLUTELY HAVE TO LEAVE RUNKLE, 224 00:08:52,365 --> 00:08:54,902 AND I BELIEVE YOU DO, THIS IS THE GUY! 225 00:08:54,935 --> 00:08:56,704 - I'M NOT TALKING TO YOU, STU. 226 00:08:56,737 --> 00:08:58,906 - LOOK, I KNOW I FIRED YOU, 227 00:08:58,939 --> 00:09:01,709 BUT THAT DOESN'T MEAN I DON'T LOVE YOU WITH ALL MY HEART. 228 00:09:01,742 --> 00:09:03,176 DON'T BE A GRUDGE HOLDER, HANK. 229 00:09:03,210 --> 00:09:04,812 IT'S UNBECOMING. 230 00:09:04,845 --> 00:09:05,946 - DON'T WORRY, HANK. 231 00:09:05,979 --> 00:09:07,047 I'LL HOLD THE GRUDGE FOR YOU. 232 00:09:07,080 --> 00:09:08,882 [both laugh] SO... 233 00:09:08,916 --> 00:09:10,584 WHO ARE YOU HAVING LUNCH WITH? 234 00:09:10,618 --> 00:09:12,252 - WELL, ACTUALLY, UM, 235 00:09:12,285 --> 00:09:14,722 THIS COULD BE SLIGHTLY AWKWARD. 236 00:09:14,755 --> 00:09:17,024 - SLIGHTLY? 237 00:09:17,057 --> 00:09:18,792 - STU. 238 00:09:18,826 --> 00:09:20,928 LARRY. 239 00:09:20,961 --> 00:09:22,696 [sighs] HANK. 240 00:09:22,730 --> 00:09:24,297 - AFTER THE SHIT I'VE SEEN YOU DO TO YOURSELF, 241 00:09:24,331 --> 00:09:25,966 THERE'S NO WAY I'M TOUCHING 242 00:09:25,999 --> 00:09:28,368 THAT FUCKING DISGUSTING MITT OF YOURS, RUNKLE. 243 00:09:28,401 --> 00:09:30,704 - UNDERSTOOD. 244 00:09:30,738 --> 00:09:33,373 JUST TAKE GOOD CARE OF HIM, OKAY? 245 00:09:33,406 --> 00:09:36,710 - JUST BECAUSE I FIRED YOU, CHARLIE, 246 00:09:36,744 --> 00:09:39,046 DOESN'T MEAN I DON'T LOVE YOU WITH ALL MY HEART. 247 00:09:39,079 --> 00:09:40,247 - I KNOW THAT. 248 00:09:40,280 --> 00:09:42,249 IT MAKES ME FEEL A LITTLE BETTER. 249 00:09:42,282 --> 00:09:43,283 - JUST KIDDING. 250 00:09:43,316 --> 00:09:44,718 FUCK YOU. 251 00:09:44,752 --> 00:09:46,654 [high-pitched] MOTHERFUCKER. 252 00:09:49,222 --> 00:09:51,024 - [whimpers] 253 00:09:51,058 --> 00:09:53,060 - NO CRYING AT THE PALM, RUNKLE. 254 00:09:53,093 --> 00:09:54,862 IF YOU'RE NOT CAREFUL, IT'LL BE ON DEADLINE 255 00:09:54,895 --> 00:09:56,664 BEFORE YOU GET BACK TO THE OFFICE. 256 00:09:56,697 --> 00:09:57,865 MM. 257 00:10:00,868 --> 00:10:02,670 - HEY, LARRY. IT'S BEEN A SLICE. 258 00:10:02,703 --> 00:10:04,137 - OH, THIS MEETING'S NOT OVER YET, HANK. 259 00:10:04,171 --> 00:10:05,706 THERE'S SOMEBODY I'D LIKE YOU TO MEET. 260 00:10:05,739 --> 00:10:06,840 FOLLOW ME. 261 00:10:14,147 --> 00:10:17,718 - THANK YOU, ROMEO. 262 00:10:17,751 --> 00:10:18,919 ARE YOU OKAY, RUNKLE? 263 00:10:18,952 --> 00:10:21,188 - AM I OKAY...STU? 264 00:10:21,221 --> 00:10:23,857 I'M THE FURTHEST FROM OKAY I'VE EVER BEEN. 265 00:10:23,891 --> 00:10:26,293 I'VE LOST THE ONLY CLIENT WHO EVER MEANT ANYTHING TO ME. 266 00:10:26,326 --> 00:10:27,928 - OKAY, OKAY. 267 00:10:27,961 --> 00:10:29,830 JUST KEEP YOUR FUCKIN' VOICE DOWN, RUNKLE. 268 00:10:29,863 --> 00:10:31,899 I MEAN, I'VE SEEN AT LEAST THREE OF YOUR OTHER CLIENTS 269 00:10:31,932 --> 00:10:33,300 IN THIS VERY ROOM. 270 00:10:33,333 --> 00:10:35,068 I MEAN, DO YOU WANT THEM TO SEE YOU LIKE THIS? 271 00:10:35,102 --> 00:10:36,737 - WHATEVER. 272 00:10:36,770 --> 00:10:38,906 LEAST I STILL GOT LIZZIE. 273 00:10:38,939 --> 00:10:41,174 - YEAH. 274 00:10:41,208 --> 00:10:42,710 - SO SHE REALLY NAILED IT, HUH? 275 00:10:42,743 --> 00:10:44,044 [laughs] 276 00:10:44,077 --> 00:10:45,278 - [chuckling] YEAH. 277 00:10:45,312 --> 00:10:47,014 I MEAN, SHE WAS GOOD. 278 00:10:47,047 --> 00:10:49,750 I-I MEAN, SHE WAS FINE. 279 00:10:49,783 --> 00:10:51,451 - WELL... 280 00:10:51,484 --> 00:10:53,086 BUT YOU GAVE HER THE PART, RIGHT? 281 00:10:53,120 --> 00:10:54,922 I MEAN, SHE MUST HAVE BEEN BETTER THAN FINE. 282 00:10:54,955 --> 00:10:58,258 - WELL, YOU KNOW, SHE'S CERTAINLY GORGEOUS. 283 00:10:58,291 --> 00:11:00,193 - YES, I KNOW. 284 00:11:00,227 --> 00:11:01,762 - [sighs] 285 00:11:05,766 --> 00:11:08,235 - YEAH, SOMETHING'S NOT ADDING UP HERE, STU. 286 00:11:08,268 --> 00:11:10,437 - YOU DON'T WANNA KNOW, CHARLIE. 287 00:11:11,504 --> 00:11:13,240 - KNOW WHAT? 288 00:11:13,273 --> 00:11:14,942 - LOOK, THE ONLY REASON I'M GOING TO TELL YOU 289 00:11:14,975 --> 00:11:17,044 IS BECAUSE I THINK YOU NEED TO KNOW 290 00:11:17,077 --> 00:11:18,311 WHAT YOU'RE DEALING WITH HERE. 291 00:11:18,345 --> 00:11:20,914 - OHH-KAY... 292 00:11:20,948 --> 00:11:21,915 - GENTLEMEN. 293 00:11:25,886 --> 00:11:27,220 - SHE BLEW ME. 294 00:11:27,254 --> 00:11:30,123 - WHAT? WHO? 295 00:11:30,157 --> 00:11:31,358 - LIZZIE. 296 00:11:31,391 --> 00:11:34,094 - THAT'S CRAZY. 297 00:11:34,127 --> 00:11:36,964 - SHE OFFERED ME A BLOWIE IN EXCHANGE FOR THE ROLE. 298 00:11:36,997 --> 00:11:39,767 NOW, I TOOK IT. IT WAS AN HONEST TRANSACTION. 299 00:11:39,800 --> 00:11:43,070 - HOW COULD YOU DO THAT TO ME? 300 00:11:43,103 --> 00:11:44,504 OR MARCY? 301 00:11:44,537 --> 00:11:46,173 - HEY, HEY, HEY! 302 00:11:46,206 --> 00:11:48,441 THAT ONE LITTLE BLOW JOB, HOWEVER DELIGHTFUL, 303 00:11:48,475 --> 00:11:50,343 IN NO WAY DIMINISHES THE DEPTH OF MY FEELING 304 00:11:50,377 --> 00:11:51,945 FOR MY BELOVED WIFE. 305 00:11:51,979 --> 00:11:53,246 - OH, I THINK IT DOES. 306 00:11:53,280 --> 00:11:54,481 - HEY, RUNKLE, YOU KNOW, 307 00:11:54,514 --> 00:11:55,849 THERE ARE CERTAIN THINGS IN THIS LIFE 308 00:11:55,883 --> 00:11:57,484 THAT A MAN JUST CANNOT PASS UP. 309 00:11:57,517 --> 00:11:59,419 AND ONE OF THEM IS HAVING LIZZIE'S LIPS 310 00:11:59,452 --> 00:12:01,855 WRAPPED AROUND MY LOVE CANNON. 311 00:12:01,889 --> 00:12:04,524 - I CAN'T BELIEVE MY GIRLFRIEND BLEW YOU! 312 00:12:04,557 --> 00:12:06,393 - SHE'S NOT YOUR GIRLFRIEND. 313 00:12:06,426 --> 00:12:08,261 - OKAY, SO WE HAVEN'T HAD THAT CONVERSATION. 314 00:12:08,295 --> 00:12:10,263 I STILL FEEL SHE'S MY ONE AND ONLY. 315 00:12:10,297 --> 00:12:11,999 - WELL, GUESS WHAT-- SHE'S NOT, OKAY? 316 00:12:12,032 --> 00:12:13,533 SHE IS A FUCKING CLIMBER, 317 00:12:13,566 --> 00:12:15,969 AND SHE'S DOING IT WITH STYLE. 318 00:12:16,003 --> 00:12:17,537 - HOW DO YOU KNOW 319 00:12:17,570 --> 00:12:19,907 I WON'T TELL MARCY ABOUT THIS? 320 00:12:22,109 --> 00:12:24,144 - WHAT IS WRONG WITH YOU? 321 00:12:24,177 --> 00:12:25,145 - WHAT? 322 00:12:25,178 --> 00:12:27,014 - WHY WOULD YOU DO THAT? 323 00:12:27,047 --> 00:12:29,282 WHY WOULD YOU WANT TO HURT THE MOTHER OF YOUR CHILD? 324 00:12:29,316 --> 00:12:31,018 YOU KNOW, THAT IS SICK. 325 00:12:31,051 --> 00:12:34,988 THAT IS SOMETHING ONLY A MONSTER WOULD DO, CHARLIE. 326 00:12:35,022 --> 00:12:37,424 NOW, ARE YOU READY TO ORDER? I GOTTA GET TO THE SET. 327 00:12:37,457 --> 00:12:39,159 ROMEO. 328 00:12:44,097 --> 00:12:45,465 - [German accent] SO I HEAR YOUR WORK IS... 329 00:12:45,498 --> 00:12:47,167 VERY SEXUAL, JA? 330 00:12:47,200 --> 00:12:48,902 - YEAH, I SUPPOSE SO. 331 00:12:48,936 --> 00:12:50,203 JA. 332 00:12:50,237 --> 00:12:51,571 - YOU KNOW, HANK, I WOULD VERY MUCH 333 00:12:51,604 --> 00:12:53,406 LIKE TO WORK WITH YOU. 334 00:12:53,440 --> 00:12:55,342 - WOW, THAT WOULD BE A DREAM COME TRUE. 335 00:12:55,375 --> 00:12:56,910 YOU WORK FAST, DUDE. 336 00:12:56,944 --> 00:12:58,979 - IT'S WHAT I DO. - HUH. 337 00:12:59,012 --> 00:13:01,214 I HAVE TO SAY THAT YOUR-- YOUR WORK 338 00:13:01,248 --> 00:13:03,483 HAS MEANT A LOT TO ME OVER THE YEARS, SIR. 339 00:13:03,516 --> 00:13:05,185 - "SIR"? WHAT IS WITH THIS "SIR." 340 00:13:05,218 --> 00:13:06,286 YOU CAN CALL ME LARS. 341 00:13:06,319 --> 00:13:08,856 JA? - OKAY...LARS. 342 00:13:08,889 --> 00:13:10,824 I JUST GOTTA SAY THAT IT'S REALLY A KICK 343 00:13:10,858 --> 00:13:12,359 TO BE SITTING ACROSS FROM A FILMMAKER 344 00:13:12,392 --> 00:13:14,194 WHOSE WORK I ADMIRE. 345 00:13:14,227 --> 00:13:16,063 USUALLY, I WORK WITH DIRECTORS WHOSE MOVIES SUCK SO HARD 346 00:13:16,096 --> 00:13:17,564 THAT I HAVE TO PRETEND THAT I WAS OUT OF THE COUNTRY 347 00:13:17,597 --> 00:13:19,232 OR IN A COMA WHEN THEY WERE RELEASED, 348 00:13:19,266 --> 00:13:20,333 IF YOU KNOW WHAT I'M SAYING. - [laughs] 349 00:13:20,367 --> 00:13:21,568 - THAT IS EXCELLENT, HANK. 350 00:13:21,601 --> 00:13:23,170 SO NICE TO HEAR. 351 00:13:23,203 --> 00:13:25,839 HOLLYWOOD HAS GONE TO SHIT. SCHEISSE. 352 00:13:25,873 --> 00:13:27,474 WHAT SHOULD WE DO. WE SHOULD LEAVE? 353 00:13:27,507 --> 00:13:29,109 GET OUT? NO! 354 00:13:29,142 --> 00:13:31,511 WE DIG IN. WE FIGHT. 355 00:13:31,544 --> 00:13:33,080 - YEAH. 356 00:13:33,113 --> 00:13:36,216 - I SEE MYSELF RETURNING TO MY ROOT. 357 00:13:36,249 --> 00:13:39,853 I WISH NEXT TO MAKE SOMETHING VERY VIOLENT, 358 00:13:39,887 --> 00:13:41,521 VERY...SEXUAL. 359 00:13:41,554 --> 00:13:43,356 - WHEELHOUSE! 360 00:13:43,390 --> 00:13:45,258 - JA... I WANT TO MAKE A PICTURE 361 00:13:45,292 --> 00:13:48,962 ABOUT THE MOST FAMOUS WHORE IN THE HISTORY OF MANKIND. 362 00:13:48,996 --> 00:13:51,098 MARY MAGDALENE. 363 00:13:51,131 --> 00:13:53,100 - HM. INTERESTING. 364 00:13:53,133 --> 00:13:54,501 - JENNIFER ANISTON... 365 00:13:54,534 --> 00:13:57,270 SHE IS ATTACHED. 366 00:13:57,304 --> 00:13:58,638 - OKAY. 367 00:13:58,671 --> 00:14:00,974 - WHY CAN'T THE BIBLE BE SEXY, HUH? 368 00:14:01,008 --> 00:14:03,510 - TOTALLY. THAT'S WHAT MY GRANDMOTHER ALWAYS USED TO SAY. 369 00:14:03,543 --> 00:14:05,946 AHA! THE GIRLS ARE HERE! 370 00:14:05,979 --> 00:14:07,981 - TRIXIE? TRIXIE! 371 00:14:08,015 --> 00:14:09,116 - [laughing] HANK. 372 00:14:09,149 --> 00:14:11,151 - OH, YOU KNOW EACH OTHER, HMM? 373 00:14:11,184 --> 00:14:12,585 HOW LOVELY. [laughing] 374 00:14:12,619 --> 00:14:14,621 I KNEW THIS RELATIONSHIP WAS MEANT TO BE, HUH? 375 00:14:14,654 --> 00:14:16,156 [laughter] 376 00:14:16,189 --> 00:14:18,258 - LARRY, MY MAN, RUNKLE NEVER SET ME UP 377 00:14:18,291 --> 00:14:19,559 ON A MEETING LIKE THIS. 378 00:14:19,592 --> 00:14:21,261 - WELL, I JUST WANTED YOU TO SEE 379 00:14:21,294 --> 00:14:23,530 WHAT REAL REPRESENTATION IS LIKE. 380 00:14:23,563 --> 00:14:26,233 - SO, HANK, YOU DO YOUR RESEARCH, 381 00:14:26,266 --> 00:14:27,901 I DO MY RESEARCH, 382 00:14:27,935 --> 00:14:29,402 WE COMPARE NOTES, JA? 383 00:14:29,436 --> 00:14:31,371 - HELLS JA. 384 00:14:34,074 --> 00:14:35,108 - HI! 385 00:14:39,346 --> 00:14:40,981 - YOU LOOK LIKE A SLUT. 386 00:14:43,050 --> 00:14:46,086 IN A...GOOD WAY. 387 00:14:46,119 --> 00:14:47,687 - IT'S FOR AN AUDITION. 388 00:14:47,720 --> 00:14:51,591 IS EVERYTHING OKAY, CHARLIE? YOU'RE HOME EARLY. 389 00:14:51,624 --> 00:14:53,593 - [sighs] 390 00:14:53,626 --> 00:14:55,062 I'M FINE. 391 00:14:57,597 --> 00:15:00,267 - YOU SEEM AWFULLY QUIET. 392 00:15:03,236 --> 00:15:05,438 - [wailing] 393 00:15:05,472 --> 00:15:06,940 - OH, WHAT'S WRONG? 394 00:15:06,974 --> 00:15:09,309 IS IT HANK? 395 00:15:09,342 --> 00:15:13,046 - DID YOU GIVE STU A BLOW JOB? 396 00:15:13,080 --> 00:15:14,948 - NO! GROSS! 397 00:15:14,982 --> 00:15:17,584 - I KNEW YOU DIDN'T! THANK GOD. 398 00:15:17,617 --> 00:15:19,552 OHH. UHH. 399 00:15:19,586 --> 00:15:21,554 - WELL, MAYBE I DID. 400 00:15:23,623 --> 00:15:26,059 - MAYBE? 401 00:15:26,093 --> 00:15:27,560 DID HE DRUG YOU? 402 00:15:27,594 --> 00:15:31,064 - NO, HE DIDN'T DRUG ME, CHARLIE. 403 00:15:31,098 --> 00:15:33,433 OKAY, I GAVE HIM A BLOW JOB. 404 00:15:33,466 --> 00:15:35,202 - WHY? 405 00:15:35,235 --> 00:15:37,337 - BECAUSE I REALLY WANTED THE PART. 406 00:15:37,370 --> 00:15:39,506 - BUT YOU MIGHT HAVE GOTTEN THE PART ANYWAY! 407 00:15:39,539 --> 00:15:40,974 - MAYBE. 408 00:15:41,008 --> 00:15:42,475 - SEE, NOW YOU'LL NEVER KNOW. 409 00:15:42,509 --> 00:15:44,111 - IT DOESN'T MATTER ANYMORE 410 00:15:44,144 --> 00:15:45,612 BECAUSE I HAVE THE PART. 411 00:15:45,645 --> 00:15:48,481 - RIGHT. 412 00:15:48,515 --> 00:15:52,252 I GUESS I SEE YOUR LOGIC. 413 00:15:52,285 --> 00:15:53,420 - OH... 414 00:15:53,453 --> 00:15:55,222 IT DIDN'T MEAN ANYTHING, CHARLIE. 415 00:15:55,255 --> 00:15:57,090 IT WAS JUST A BLOW JOB. 416 00:15:57,124 --> 00:15:59,292 - YEAH, BUT WHAT HAPPENED TO THE GIRL WHO-- 417 00:15:59,326 --> 00:16:01,761 WHO--WHO DIDN'T WANT TO GO FROM KISSING TO FINGER BANGING 418 00:16:01,794 --> 00:16:03,630 IN JUST A MATTER OF SECONDS? 419 00:16:03,663 --> 00:16:06,066 - SHE'S STANDING RIGHT HERE. 420 00:16:06,099 --> 00:16:08,668 SHE STILL DOESN'T. 421 00:16:08,701 --> 00:16:12,005 JUST BECAUSE SHE GAVE A BIG MOVIE PRODUCER 422 00:16:12,039 --> 00:16:13,773 A BLOW JOB IN EXCHANGE FOR A ROLE 423 00:16:13,806 --> 00:16:17,177 DOESN'T MEAN THAT SHE'S CHANGED OR SOLD OUT. 424 00:16:19,312 --> 00:16:21,114 - HE'S A MARRIED MAN, YOU KNOW. 425 00:16:21,148 --> 00:16:23,516 - I KNOW, BUT HE'S THE ONE THAT ACCEPTED MY OFFER, 426 00:16:23,550 --> 00:16:25,118 AND... 427 00:16:25,152 --> 00:16:26,586 - AND...? 428 00:16:26,619 --> 00:16:29,256 - MARCY CAN BE REALLY MEAN TO ME SOMETIMES. 429 00:16:29,289 --> 00:16:31,291 - YEAH, SHE CAN BE A REAL BITCH. 430 00:16:31,324 --> 00:16:33,193 - MM-HMM. 431 00:16:33,226 --> 00:16:34,661 - AND SHE HAS BEEN KNOWN TO RELAX ON THE BLOW JOBBING 432 00:16:34,694 --> 00:16:36,729 ONCE SHE SETTLES IN TO A MARRIAGE. 433 00:16:38,798 --> 00:16:40,667 - LOOK... 434 00:16:40,700 --> 00:16:43,536 I HOPE THIS DOESN'T CHANGE ANYTHING BETWEEN US. 435 00:16:43,570 --> 00:16:46,339 I STILL REALLY LIKE YOU. 436 00:16:46,373 --> 00:16:49,176 - [crying] I REALLY LIKE YOU TOO. 437 00:16:49,209 --> 00:16:50,610 - COOL. 438 00:16:50,643 --> 00:16:52,279 OKAY, I HAVE TO GET TO MY AUDITION. 439 00:16:52,312 --> 00:16:54,114 [kiss] WISH ME LUCK. 440 00:17:01,121 --> 00:17:02,789 - GOOD LUCK. [door closes] 441 00:17:02,822 --> 00:17:04,824 - AND HOW'S BECCA? 442 00:17:04,857 --> 00:17:07,094 - SHE'S GREAT. SHE'S IN COLLEGE NOW. 443 00:17:07,127 --> 00:17:09,562 - HOLY SHIT. THAT'S TRIPPY. 444 00:17:09,596 --> 00:17:11,331 DID SHE END UP BEING A LESBIAN? 445 00:17:11,364 --> 00:17:13,333 - NO, MUCH TO MY CHAGRIN. - OH. 446 00:17:13,366 --> 00:17:15,302 - SHE IS DATING A GUY WITH TWO MOMS, THOUGH. 447 00:17:15,335 --> 00:17:17,704 - [gasps] GROOVY. 448 00:17:17,737 --> 00:17:19,439 AND KAREN? 449 00:17:19,472 --> 00:17:21,408 - SHE'S ACTUALLY MARRIED... 450 00:17:21,441 --> 00:17:23,443 TO THIS CRAZY FUCKIN' CHARACTER. 451 00:17:23,476 --> 00:17:25,712 - OOH, THAT MUST REALLY CHAP YOUR HIDE. 452 00:17:25,745 --> 00:17:27,247 - NOT AS MUCH AS YOU'D THINK. 453 00:17:27,280 --> 00:17:28,848 YOU KNOW, I LIKE HIM. HE'S A GOOD GUY. 454 00:17:28,881 --> 00:17:29,849 BIT OF A DRINKER, THOUGH. 455 00:17:29,882 --> 00:17:31,184 - MORE SO THAN YOU? 456 00:17:31,218 --> 00:17:32,452 - DIFFERENT. 457 00:17:32,485 --> 00:17:34,487 WHEN I DRINK, I DO STUPID SHIT. 458 00:17:34,521 --> 00:17:37,357 AND WHEN HE DRINKS, HE DOES STUPID SHIT WITH YOUNG BOYS. 459 00:17:37,390 --> 00:17:39,326 - OOH, THAT'S NOT GOOD. 460 00:17:39,359 --> 00:17:41,461 - ALMOST NEVER A GOOD IDEA. 461 00:17:41,494 --> 00:17:44,597 - SO ARE YOU STILL HOPING FOR A RECONCILIATION? 462 00:17:44,631 --> 00:17:48,101 - I DON'T KNOW IF I'M HOPING SO MUCH AS YEARNING, YOU KNOW? 463 00:17:48,135 --> 00:17:50,337 WE'RE STILL PRETTY MUCH AS STAR-CROSSED AS EVER. 464 00:17:50,370 --> 00:17:51,838 - COPY THAT. 465 00:17:51,871 --> 00:17:53,573 - HOW 'BOUT YOU? 466 00:17:53,606 --> 00:17:54,741 ANY LOVE IN YOUR LIFE? 467 00:17:54,774 --> 00:17:56,176 - NO. 468 00:17:56,209 --> 00:17:57,644 THE WHOLE SEX-FOR-MONEY THING 469 00:17:57,677 --> 00:17:59,612 KIND OF SCARES THEM OFF, YOU KNOW? 470 00:17:59,646 --> 00:18:00,880 - WELL, YOU SHOULDN'T CHARGE THEM, THEN. 471 00:18:00,913 --> 00:18:02,215 - [laughs] - AH HA HA HA! 472 00:18:02,249 --> 00:18:03,616 - YOU'RE FUNNY. 473 00:18:03,650 --> 00:18:06,219 - IT'S GONNA TAKE A PRETTY SPECIAL FELLA. 474 00:18:06,253 --> 00:18:07,654 - YA THINK SO? 475 00:18:07,687 --> 00:18:09,889 I'M SICK OF WAITING. 476 00:18:09,922 --> 00:18:12,625 SO SHOULD WE DO THIS? - OH, WE SHOULD DO THIS. 477 00:18:12,659 --> 00:18:15,262 AND A LITTLE BIT OF THAT, IF YOU KNOW WHAT I'M SAYIN'. 478 00:18:15,295 --> 00:18:16,463 - OKAY... 479 00:18:16,496 --> 00:18:17,564 - HELLO. 480 00:18:17,597 --> 00:18:19,232 [Lars shouting, woman shrieking] 481 00:18:19,266 --> 00:18:20,633 - WHAT IS THAT? 482 00:18:20,667 --> 00:18:21,734 - I WOULDN'T WORRY ABOUT IT. 483 00:18:21,768 --> 00:18:23,336 HE'S A LEGENDARY KINKSTER. 484 00:18:23,370 --> 00:18:24,371 - LARS? 485 00:18:24,404 --> 00:18:25,872 - AND LARRY. - OH... 486 00:18:25,905 --> 00:18:27,440 - THOSE OLD-SCHOOL GUYS LIKE TO GET THEIR PERV ON 487 00:18:27,474 --> 00:18:28,675 WITH THE 'TUTES. 488 00:18:28,708 --> 00:18:30,143 - THE... - [whispering] PROSTITUTES. 489 00:18:30,177 --> 00:18:31,378 - OH, RIGHT ON. 490 00:18:31,411 --> 00:18:32,712 SO YOU THINK SHE'S OKAY? 491 00:18:32,745 --> 00:18:34,281 - YEAH, THEY'RE PROBABLY JUST PLAYING 492 00:18:34,314 --> 00:18:35,782 PASSION OF THE CHRIST OR SOMETHING. 493 00:18:35,815 --> 00:18:37,417 - HMM. 494 00:18:37,450 --> 00:18:39,186 [shouting continues] MMM... 495 00:18:39,219 --> 00:18:40,220 - I MISSED YOU, HANK. 496 00:18:40,253 --> 00:18:42,789 - I MISSED YOU TOO, TRIXELLA. 497 00:18:42,822 --> 00:18:46,459 [loud clatter, woman screams] 498 00:18:46,493 --> 00:18:47,660 ARGH. 499 00:18:47,694 --> 00:18:48,795 I GOTTA GO CHECK ON HER. 500 00:18:48,828 --> 00:18:50,897 - CLOCK'S TICKING. 501 00:18:53,833 --> 00:18:55,402 [Lars shouting, woman whimpering] 502 00:18:55,435 --> 00:18:56,836 - HEY, DUDE, WHAT'S THE DEAL? 503 00:18:56,869 --> 00:18:58,405 - WHAT'S THE WORLD COMING TO 504 00:18:58,438 --> 00:19:00,473 WHEN A WHORE CANNOT GET A MAN HARD, EH? 505 00:19:00,507 --> 00:19:02,409 - RELAX. POP A VIAGRA. 506 00:19:02,442 --> 00:19:03,843 YOU KNOW, YOU GOT A LOT ON YOUR MIND. 507 00:19:03,876 --> 00:19:05,945 - VIAGRA? I DON'T NEED THAT MEDICAL SHIT! 508 00:19:05,978 --> 00:19:07,680 I'M VIRILITY INCARNATE, YOU ASSHOLE! 509 00:19:07,714 --> 00:19:08,815 - IT'S NOTHING TO BE ASHAMED OF. 510 00:19:08,848 --> 00:19:09,949 YOU ARE GETTING ON IN YEARS. 511 00:19:09,982 --> 00:19:11,451 - FUCK YOU, WRITER! 512 00:19:11,484 --> 00:19:12,519 - OKAY, FINE. FUCK ME. 513 00:19:12,552 --> 00:19:13,786 BUT TAKE IT EASY ON HER. 514 00:19:13,820 --> 00:19:15,555 I THINK YOU'RE SCARING THE GIRL. 515 00:19:15,588 --> 00:19:16,789 - YOU'RE GOING TO TELL ME HOW TO CONDUCT MYSELF 516 00:19:16,823 --> 00:19:19,526 IN MY OWN HOUSE WITH A WHORE?! 517 00:19:19,559 --> 00:19:20,927 - STOP RAGING, JA? 518 00:19:20,960 --> 00:19:22,795 - HANK, IT'S BETTER TO JUST LET HIM BE. 519 00:19:22,829 --> 00:19:24,731 HE'S--HE'S AN ARTIST. 520 00:19:24,764 --> 00:19:25,865 HIS PASSIONS RUN DEEP. 521 00:19:25,898 --> 00:19:27,400 - [shouting] - [shrieking] 522 00:19:27,434 --> 00:19:28,968 - FINE, WHORE! YOU DON'T GET ME HARD, 523 00:19:29,001 --> 00:19:30,570 I WILL URINATE ON YOU! 524 00:19:30,603 --> 00:19:32,839 ASSUME THE POSITION-- I WILL PISS ON YOU! 525 00:19:32,872 --> 00:19:34,807 - OH, NO, DON'T ASSUME ANYTHING. 526 00:19:34,841 --> 00:19:35,875 DON'T DO THAT. THAT'S GROSS. 527 00:19:35,908 --> 00:19:37,577 UNLESS SHE'S OKAY WITH IT. 528 00:19:37,610 --> 00:19:38,845 YOU OKAY WITH IT? REALLY? 529 00:19:38,878 --> 00:19:41,481 - I AM PAYING THIS WHORE FOR HER TIME. 530 00:19:41,514 --> 00:19:43,983 IF I CHOOSE TO TREAT HER LIKE A TOILET... 531 00:19:44,016 --> 00:19:45,385 - I DON'T WANNA FIGHT WITH YOU. 532 00:19:45,418 --> 00:19:46,619 - I WILL TREAT HER LIKE A TOILET! 533 00:19:46,653 --> 00:19:48,555 AH! - I REALLY LIKE YOUR WORK, MAN. 534 00:19:48,588 --> 00:19:50,223 WHY DO I KEEP FIGHTING WITH DIRECTORS? 535 00:19:50,257 --> 00:19:52,992 - OHH! OHH. - IT'S GOTTA BE ME, YOU KNOW? 536 00:19:53,025 --> 00:19:55,295 YOU HAPPY NOW, YOU OLD FUCKIN' CREEPER? 537 00:19:55,328 --> 00:19:57,330 I DIDN'T WANT TO GIVE ONE OF MY FAVORITE FILMMAKERS 538 00:19:57,364 --> 00:19:59,332 A BLOODY NOSE, BUT YOU MADE ME. 539 00:19:59,366 --> 00:20:01,000 HE MADE ME. 540 00:20:01,033 --> 00:20:02,835 - [groaning] 541 00:20:02,869 --> 00:20:04,737 - UH, I GUESS IT'S KIND OF COOL TO REALIZE 542 00:20:04,771 --> 00:20:06,439 THAT WORLD-CLASS FILMMAKERS 543 00:20:06,473 --> 00:20:09,476 ARE JUST AS FALLIBLE AS THE REST OF US, HUH? 544 00:20:09,509 --> 00:20:11,244 [clears throat loudly] 545 00:20:11,278 --> 00:20:12,712 SO I, UH, I'LL CALL YOU. 546 00:20:12,745 --> 00:20:14,347 I'LL LET YOU KNOW WHAT I DECIDE, LARRY. 547 00:20:14,381 --> 00:20:16,015 IT WAS NICE TO MEET YOU AND, UH, YOU KNOW, 548 00:20:16,048 --> 00:20:21,554 THANKS FOR LUNCH AND FOR THIS WHOLE THING HERE, YOU KNOW. 549 00:20:21,588 --> 00:20:23,490 - YOU JUST LOST ME A CLIENT 550 00:20:23,523 --> 00:20:25,458 I'VE WORKED WITH FOR OVER THREE DECADES. 551 00:20:25,492 --> 00:20:27,627 OSCARS, GOLDEN GLOBES. 552 00:20:27,660 --> 00:20:29,396 PALME D'ORS. 553 00:20:29,429 --> 00:20:31,364 THE AGENCY WILL NEVER SIGN YOU, HANK. 554 00:20:31,398 --> 00:20:32,365 EVER. 555 00:20:32,399 --> 00:20:33,400 AS FAR AS I'M CONCERNED, 556 00:20:33,433 --> 00:20:34,867 YOU'RE DEAD. 557 00:20:34,901 --> 00:20:38,571 YOU AND THAT ANIMAL RUNKLE DESERVE EACH OTHER. 558 00:20:43,843 --> 00:20:45,912 - GREAT SEEING YOU AGAIN, HANK. 559 00:20:45,945 --> 00:20:47,880 - AH, YOU TOO, TRIXIE. 560 00:20:47,914 --> 00:20:49,749 ALWAYS A PLEASURE. - [giggles] 561 00:20:49,782 --> 00:20:51,718 THANKS FOR STICKIN' UP FOR US WORKING GIRLS. 562 00:20:51,751 --> 00:20:53,052 - THAT'S WHAT I DO. 563 00:20:53,085 --> 00:20:55,054 - ONE OF THESE DAYS, HANK, 564 00:20:55,087 --> 00:20:56,789 YOU'RE NOT GONNA BE PINING, 565 00:20:56,823 --> 00:20:58,791 AND I'M NOT GONNA BE WORKING. 566 00:20:58,825 --> 00:21:00,927 SHIT'S GONNA HAPPEN. 567 00:21:00,960 --> 00:21:02,395 SPARKS WILL FLY. 568 00:21:02,429 --> 00:21:04,697 - I LOOK FORWARD TO THAT. 569 00:21:04,731 --> 00:21:06,032 - WRITER! 570 00:21:06,065 --> 00:21:08,435 GET THE FUCK OUT OF MY HOUSE, JA? 571 00:21:08,468 --> 00:21:10,603 - HEY, TRIXIE, HOLD UP. HOLD UP. 572 00:21:12,439 --> 00:21:13,973 - WHAT THE FUCK, CHARLIE? 573 00:21:14,006 --> 00:21:15,875 WHAT IS SO IMPORTANT THAT I HAVE TO DRIVE 574 00:21:15,908 --> 00:21:18,411 ALL THE WAY TO FUCKING MALIBU? 575 00:21:18,445 --> 00:21:20,647 WHY CAN'T WE MEET HALFWAY OR SOMETHING? 576 00:21:20,680 --> 00:21:22,549 - I DIDN'T WANT TO DRINK AND DRIVE. 577 00:21:22,582 --> 00:21:25,385 - OH, YOU'RE SUCH A SILLY CUNT. 578 00:21:25,418 --> 00:21:26,886 - WHY DON'T YOU JUST, YOU KNOW, COME ON IN. 579 00:21:26,919 --> 00:21:30,056 SIT DOWN, RELAX. 580 00:21:30,089 --> 00:21:31,724 WOULD YOU LIKE SOMETHING TO DRINK? 581 00:21:31,758 --> 00:21:33,893 - NO, NOT PARTICULARLY. 582 00:21:33,926 --> 00:21:36,429 - I THINK I'M GONNA HAVE A DRINK. 583 00:21:36,463 --> 00:21:37,797 - GOOD FOR YOU. 584 00:21:37,830 --> 00:21:39,432 [liquid pouring] 585 00:21:39,466 --> 00:21:40,600 SO WHAT'S THE PROBLEM? 586 00:21:40,633 --> 00:21:41,834 IS SOMETHING WRONG WITH STUART? 587 00:21:41,868 --> 00:21:43,670 - NO, HE'S SLEEPING. 588 00:21:43,703 --> 00:21:45,338 - [sighs] 589 00:21:45,372 --> 00:21:47,507 WE WATCHED IRON GIANT AGAIN. 590 00:21:47,540 --> 00:21:49,075 IT'S SUCH A SWEET MOVIE. 591 00:21:49,108 --> 00:21:51,010 [deep voice] "HOGARTH... 592 00:21:51,043 --> 00:21:52,845 FRIEND." 593 00:21:52,879 --> 00:21:54,814 [whimpers] 594 00:21:54,847 --> 00:21:56,983 - I KNOW WHAT THIS IS ABOUT. IT'S ABOUT HANK, RIGHT? 595 00:21:57,016 --> 00:21:59,552 LOOK, I KNOW YOU'RE TAKING IT HARD, 596 00:21:59,586 --> 00:22:01,087 BUT THESE THINGS TEND TO HAPPEN, 597 00:22:01,120 --> 00:22:02,689 ESPECIALLY TO AGENTS. 598 00:22:02,722 --> 00:22:04,491 YOU GUYS-- - OKAY, IT'S NOT ABOUT HANK. 599 00:22:04,524 --> 00:22:06,459 ALTHOUGH THAT HAS BEEN VERY UPSETTING. 600 00:22:06,493 --> 00:22:08,795 - OKAY, CAN WE SKIP TO THE POINT? 601 00:22:08,828 --> 00:22:10,830 - OKAY, OKAY. 602 00:22:10,863 --> 00:22:12,131 THIS IS ABOUT YOU. 603 00:22:12,164 --> 00:22:13,700 - ME? 604 00:22:13,733 --> 00:22:14,901 - I JUST, I... 605 00:22:14,934 --> 00:22:16,469 - [sighs] 606 00:22:16,503 --> 00:22:18,705 - I WANTED TO KNOW IF YOU'RE HAPPY. 607 00:22:18,738 --> 00:22:20,507 - OF COURSE I'M HAPPY. 608 00:22:20,540 --> 00:22:23,610 - OKAY, SO STU... 609 00:22:23,643 --> 00:22:25,578 DO YOU LOVE HIM? 610 00:22:25,612 --> 00:22:27,113 - HEY, I KNOW WHAT THIS IS. 611 00:22:27,146 --> 00:22:28,915 THIS IS ONE OF YOUR HALF-ASSED ATTEMPTS 612 00:22:28,948 --> 00:22:31,451 TO WIN ME BACK OR SOMETHING. - NO, THAT'S RIDICULOUS. 613 00:22:31,484 --> 00:22:33,520 - NO, NOT RIDICULOUS, CHARLIE. 614 00:22:33,553 --> 00:22:34,721 - OKAY! OKAY! 615 00:22:34,754 --> 00:22:36,623 I HAVE TO TELL YOU SOMETHING! 616 00:22:36,656 --> 00:22:38,124 - WHAT? 617 00:22:41,494 --> 00:22:43,763 [high-pitched] LIZZIE CHEATED ON ME. 618 00:22:43,796 --> 00:22:47,434 [sobbing] 619 00:22:47,467 --> 00:22:48,601 - OH, GOD. 620 00:22:48,635 --> 00:22:51,971 - [sobbing continues] 621 00:22:52,004 --> 00:22:53,940 - I'M SORRY, CHARLIE. 622 00:22:56,576 --> 00:22:58,778 HANK LEAVES YOU, AND THEN... 623 00:22:58,811 --> 00:23:01,448 LIZZIE CHEATS ON YOU. 624 00:23:01,481 --> 00:23:03,616 IT'S NOT SUCH A STELLAR WEEK, HUH? 625 00:23:03,650 --> 00:23:05,652 - [whimpering] NO, NOT AT ALL. 626 00:23:05,685 --> 00:23:06,719 [sobbing quietly] 627 00:23:06,753 --> 00:23:08,555 - HEY...WAIT A MINUTE. 628 00:23:08,588 --> 00:23:09,689 - [sniffles] 629 00:23:09,722 --> 00:23:11,524 - WHO'D SHE BANG? 630 00:23:11,558 --> 00:23:14,794 - SHE DIDN'T BANG. 631 00:23:14,827 --> 00:23:16,629 SHE BLEW. 632 00:23:18,831 --> 00:23:21,434 - SHE BLEW WHO? 633 00:23:28,107 --> 00:23:31,544 - SOME GUY IN HER ACTING CLASS. 634 00:23:31,578 --> 00:23:33,813 - OH, THANK GOD. 635 00:23:33,846 --> 00:23:36,549 I MEAN, I'M... 636 00:23:36,583 --> 00:23:38,084 REALLY SORRY, CHARLIE. 637 00:23:38,117 --> 00:23:40,219 THAT'S GOTTA SUCK. 638 00:23:40,252 --> 00:23:41,721 - SURE DOES. 639 00:23:45,257 --> 00:23:47,494 - [sighs] 640 00:23:47,527 --> 00:23:48,728 FUCK HER. 641 00:23:48,761 --> 00:23:50,830 SHE'S A SLUT. 642 00:23:50,863 --> 00:23:52,198 CAN I GO NOW? 643 00:23:56,503 --> 00:23:57,837 - HOW WAS YOUR DAY... 644 00:23:57,870 --> 00:23:59,539 HONEY? 645 00:23:59,572 --> 00:24:01,841 - UH...WEIRD. 646 00:24:01,874 --> 00:24:03,743 I SPENT THE DAY WITH PERVERTS AND WHORES. 647 00:24:03,776 --> 00:24:05,077 - WELL... - DON'T WORRY. 648 00:24:05,111 --> 00:24:06,879 I DIDN'T SLEEP WITH ANY OF THEM. 649 00:24:06,913 --> 00:24:08,848 CLOSE, BUT I DIDN'T TAKE MY CIGAR OUT. 650 00:24:08,881 --> 00:24:10,850 - GROSS, AND I DON'T EVEN CARE. 651 00:24:10,883 --> 00:24:12,785 - SURE YOU DO, KAREN. - NO, I DON'T. 652 00:24:12,819 --> 00:24:14,854 ANYWAY, I DON'T EVEN HAVE A RIGHT 653 00:24:14,887 --> 00:24:16,155 TO CARE ABOUT SUCH THINGS. 654 00:24:16,188 --> 00:24:18,691 - YOU DO TOO... HAVE RIGHTS. 655 00:24:18,725 --> 00:24:21,227 YOU HAVE THE BABY MAMA'S BILL OF RIGHTS. 656 00:24:21,260 --> 00:24:23,062 - YOU HUNGRY? 657 00:24:23,095 --> 00:24:24,731 - NOT PARTICULARLY. 658 00:24:24,764 --> 00:24:27,066 BUT I DO LOVE WATCHING YOU COOK. 659 00:24:27,099 --> 00:24:28,635 - REALLY? - YEAH. 660 00:24:28,668 --> 00:24:30,102 IT'S BEEN REALLY NICE PLAYING HOUSE 661 00:24:30,136 --> 00:24:32,104 THIS LAST LITTLE WHILE. 662 00:24:32,138 --> 00:24:34,173 - IT'S ALWAYS NICE TO TAKE A VACATION 663 00:24:34,206 --> 00:24:36,008 FROM YOUR REAL LIFE, HANK. 664 00:24:36,042 --> 00:24:37,276 - WELL, ALL-- ALL THAT'S MISSING 665 00:24:37,309 --> 00:24:38,811 IS THE VACATION SEX. 666 00:24:38,845 --> 00:24:40,146 WHICH IS USUALLY PRETTY PRIMO. 667 00:24:40,179 --> 00:24:42,715 REMEMBER PARIS? - I DON'T. 668 00:24:42,749 --> 00:24:45,685 BUT I DO REMEMBER THE INSIDE OF A HOTEL ROOM IN PARIS 669 00:24:45,718 --> 00:24:46,853 THAT WE NEVER LEFT. 670 00:24:46,886 --> 00:24:49,021 - MM-HMM. YEAH. 671 00:24:49,055 --> 00:24:50,289 - I WANTED TO GO TO THE LOUVRE. 672 00:24:50,322 --> 00:24:52,258 - AND I WANTED TO GO TO THE VAGINE. 673 00:24:52,291 --> 00:24:53,793 - AND I THINK YOU WON OUT. 674 00:24:53,826 --> 00:24:55,762 - I THINK WE BOTH WON OUT, KAREN. 675 00:24:55,795 --> 00:24:56,963 - MAYBE. - IT'S JUST FUNNY THAT, 676 00:24:56,996 --> 00:24:58,598 AFTER ALL THESE YEARS, 677 00:24:58,631 --> 00:25:01,267 WE CAN JUST PICK UP AS IF IT WERE YESTERDAY, HUH? 678 00:25:01,300 --> 00:25:02,869 - I'M SURE WE COULD PICK IT UP AGAIN, 679 00:25:02,902 --> 00:25:05,738 BUT IT WOULD GO TO SHIT PRETTY SOON THEREAFTER. 680 00:25:05,772 --> 00:25:07,607 - AT SOME POINT SOON, WE'RE GONNA BE TOO OLD 681 00:25:07,640 --> 00:25:08,941 FOR IT TO GO TO SHIT. 682 00:25:08,975 --> 00:25:12,144 - [laughing] THAT'S SO DEPRESSING. 683 00:25:12,178 --> 00:25:14,681 SO, UM, BATES IS COMING HOME TOMORROW. 684 00:25:14,714 --> 00:25:17,049 - OH, BUMMER. 685 00:25:17,083 --> 00:25:19,085 I MEAN, THAT'S GREAT. - YEAH. 686 00:25:19,118 --> 00:25:20,319 - YEAH, NO, IT'S GOOD FOR HIM. 687 00:25:20,352 --> 00:25:22,254 - HMM. WE'LL SEE. 688 00:25:22,288 --> 00:25:23,956 [chopping softly] 689 00:25:23,990 --> 00:25:26,225 - SO WE'VE GOT TONIGHT. 690 00:25:26,258 --> 00:25:28,194 - [laughs] 691 00:25:28,227 --> 00:25:29,762 - [laughing] WHAT? 692 00:25:33,933 --> 00:25:35,635 - HEY, I CAN'T. 693 00:25:35,668 --> 00:25:38,137 - IT DOESN'T MEAN THAT SOME SMALL PART OF YOU 694 00:25:38,170 --> 00:25:39,706 DOESN'T WANT TO. 695 00:25:39,739 --> 00:25:40,740 DOES IT? 696 00:25:40,773 --> 00:25:41,974 - SMALL? 697 00:25:45,144 --> 00:25:46,112 I CAN'T. 698 00:25:46,145 --> 00:25:47,747 - I KNOW. 699 00:25:50,316 --> 00:25:52,051 WELL, MAYBE JUST KNOWING WE COULD IS ENOUGH. 700 00:25:54,286 --> 00:25:57,056 ACTUALLY, IT'S NOT. 701 00:25:57,089 --> 00:25:58,224 SORRY. 702 00:25:58,257 --> 00:26:00,159 [door opens and closes] 703 00:26:00,192 --> 00:26:01,761 [approaching footsteps] 704 00:26:03,395 --> 00:26:04,964 - OH, SWEETIE. 705 00:26:04,997 --> 00:26:06,198 WHAT IS IT? - WHAT'S WRONG? 706 00:26:06,232 --> 00:26:07,967 - [crying] WHAT DO YOU THINK? 707 00:26:08,000 --> 00:26:10,937 SAME OLD STUPID FUCKIN' SHIT WITH THAT ASSHOLE. 708 00:26:13,873 --> 00:26:15,708 - HEY, WHAT THE FUCK IS WRONG WITH YOU? 709 00:26:15,742 --> 00:26:17,043 WHAT HAPPENED TO THE GUY WHO WAS 710 00:26:17,076 --> 00:26:18,645 HEAD-OVER-HEELS IN LOVE WITH MY DAUGHTER? 711 00:26:18,678 --> 00:26:20,012 - I DIDN'T DO ANYTHING, HANK. I PROMISE. 712 00:26:20,046 --> 00:26:21,714 - REALLY? SHE SEEMS TO THINK OTHERWISE. 713 00:26:21,748 --> 00:26:23,049 - WELL, SHE WAS LOOKING THROUGH MY TEXTS, 714 00:26:23,082 --> 00:26:24,250 AND SHE FOUND SOMETHING SHE DIDN'T LIKE. 715 00:26:24,283 --> 00:26:25,918 - CAN YOU BLAME HER? WHAT WAS IT? 716 00:26:25,952 --> 00:26:27,119 - IT WAS NOTHING. 717 00:26:27,153 --> 00:26:28,955 THERE WAS THIS GIRL WHO'S-- 718 00:26:28,988 --> 00:26:30,690 WHO HAS BEEN WORKING WITH SAMURAI. 719 00:26:30,723 --> 00:26:32,258 KALI. HE'S PRODUCING HER-- 720 00:26:32,291 --> 00:26:33,926 - JUST STAY THE FUCK AWAY FROM HER, ALL RIGHT? 721 00:26:33,960 --> 00:26:35,061 YOU HEAR ME? - WHY? 722 00:26:35,094 --> 00:26:36,663 DID YOU HIT THAT OR SOMETHING? 723 00:26:36,696 --> 00:26:38,097 - I'M JUST KIDDING, DUDE! I'M SORRY. 724 00:26:38,130 --> 00:26:39,899 - LOOK, IT'S NOTHING TO KID ABOUT, ALL RIGHT? 725 00:26:39,932 --> 00:26:41,868 AS FAR AS SAMURAI'S CONCERNED, THAT'S HIS WOMAN. 726 00:26:41,901 --> 00:26:43,803 - WELL, I APPRECIATE YOUR CONCERN, HANK, 727 00:26:43,836 --> 00:26:45,271 BUT SAM LOVES THE SHIT OUT OF ME. 728 00:26:45,304 --> 00:26:46,873 - YEAH, HE LOVES THE SHIT OUT OF YOU, 729 00:26:46,906 --> 00:26:48,140 RIGHT UP UNTIL THE POINT THAT HE FINDS OUT 730 00:26:48,174 --> 00:26:49,275 YOU BEEN MESSING AROUND WITH THE WOMAN 731 00:26:49,308 --> 00:26:51,110 THAT HE LOVES THE SHIT OUT OF. 732 00:26:51,143 --> 00:26:53,012 - OH, COME ON, DUDE. THAT GUY GETS TONS OF PUSSY. 733 00:26:53,045 --> 00:26:54,213 - IT DOESN'T MATTER. THIS IS THE ONE HE WANTS. 734 00:26:54,246 --> 00:26:55,848 - WELL, WHATEVER. 735 00:26:55,882 --> 00:26:57,183 I REALLY DON'T THINK HE'S GONNA GO 736 00:26:57,216 --> 00:26:58,885 AND BEAT THE CRAP OUT OF ME ALL OVER AGAIN. 737 00:26:58,918 --> 00:27:00,119 - JUST KEEP PLAYING WITH FIRE, AND WE'LL SEE. 738 00:27:00,152 --> 00:27:01,353 - YEAH, I HEAR YOU, "DAD." JESUS. 739 00:27:01,387 --> 00:27:02,989 - OKAY, NOW GET THE FUCK OUT OF HERE. 740 00:27:03,022 --> 00:27:04,290 AND DON'T COME BACK WITHOUT A DOZEN ROSES 741 00:27:04,323 --> 00:27:06,425 AND YOUR DICK IN A BOX! 742 00:27:06,458 --> 00:27:09,428 [You Rascal You plays] 743 00:27:09,461 --> 00:27:12,765 * 744 00:27:12,799 --> 00:27:15,101 - * YEAH, I'LL BE GLAD 745 00:27:15,134 --> 00:27:17,737 * WHEN YOU'RE DEAD, YOU RASCAL, YOU * 746 00:27:17,770 --> 00:27:19,438 * 747 00:27:19,471 --> 00:27:22,108 * WHEN YOU'RE DEAD AND IN YOUR GRAVE * 748 00:27:22,141 --> 00:27:24,944 * NO MORE WOMAN WILL YOU CRAVE * 749 00:27:24,977 --> 00:27:28,781 * I'LL BE GLAD WHEN YOU'RE DEAD, YOU RASCAL, YOU * 750 00:27:28,815 --> 00:27:30,349 * 751 00:27:30,382 --> 00:27:31,718 * HEY 752 00:27:31,751 --> 00:27:39,692 * 753 00:27:42,161 --> 00:27:43,830 * I'LL BE OH SO GLAD 754 00:27:43,863 --> 00:27:47,199 * WHEN YOU'RE DEAD, YOU RASCAL, YOU * 755 00:27:47,233 --> 00:27:50,369 * I'LL BE STANDING ON A CORNER, FULL OF GIN * 756 00:27:50,402 --> 00:27:52,939 * WHEN THEY BRING YOUR DEAD BODY IN * 757 00:27:52,972 --> 00:27:55,341 * I'LL BE SO GLAD WHEN YOU'RE DEAD * 758 00:27:55,374 --> 00:27:57,744 * YOU RASCAL, YOU 759 00:27:57,777 --> 00:28:01,447 Captioning by Brian at CaptionMax www.captionmax.com