1 00:00:03,040 --> 00:00:05,135 On the show tonight we've got some real characters. 2 00:00:05,160 --> 00:00:07,615 The Greatest Showman, Adonis Creed, Jim's dad from American Pie, 3 00:00:07,640 --> 00:00:10,135 Gordon Gecko and Ant Man. 4 00:00:10,160 --> 00:00:12,455 All this and your actual Damejudi Dench! 5 00:00:12,480 --> 00:00:14,495 Say the words, Judi. 6 00:00:14,520 --> 00:00:17,695 Let's start the show! 7 00:00:17,720 --> 00:00:23,015 CHEERING. 8 00:00:23,080 --> 00:00:26,335 Oh! 9 00:00:38,080 --> 00:00:39,095 Oh! 10 00:00:39,120 --> 00:00:41,095 Hah, hah, hah, hah. 11 00:00:41,120 --> 00:00:44,255 Hello, everybody, good evening, you are also welcome to the show. 12 00:00:44,280 --> 00:00:46,935 Oh, we've got a great show for you tonight. 13 00:00:46,960 --> 00:00:50,055 I tell you, I couldn't be more excited if I was Rishi Sunak 14 00:00:50,080 --> 00:00:52,055 watching the lunchtime news about Nicola Sturgeon. 15 00:00:52,080 --> 00:00:54,615 Yes! 16 00:00:54,640 --> 00:00:57,495 I must ask you, did you all have a lovely Valentines Day? 17 00:00:57,520 --> 00:00:59,295 Audience: Whoo! 18 00:00:59,320 --> 00:01:00,975 Aw, who ate some nice Valentines food? 19 00:01:01,000 --> 00:01:02,455 Perhaps oysters. 20 00:01:02,480 --> 00:01:08,975 Feed your partner half a dozen of those adults some be 21 00:01:12,040 --> 00:01:14,895 Feed your partner half a dozen of those and they'll some be 22 00:01:14,920 --> 00:01:15,935 desperate to go upstairs. 23 00:01:15,960 --> 00:01:20,495 Now, did you see this Valentine story? 24 00:01:20,520 --> 00:01:23,415 A shop in London was selling a bunch of roses for £200. 25 00:01:23,440 --> 00:01:24,415 £200! 26 00:01:24,440 --> 00:01:27,295 You think, "Who wants sex so badly they're going to pay that 27 00:01:27,320 --> 00:01:28,375 much for some flowers?" 28 00:01:28,400 --> 00:01:31,095 Let's get some guests on! 29 00:01:31,120 --> 00:01:34,695 Later, the stars of the new Ant Man film will be dropping by - that's 30 00:01:34,720 --> 00:01:37,855 Paul Rudd and the legendary Michael Douglas! 31 00:01:37,880 --> 00:01:45,335 And we'll have music from pop superstar Pink. 32 00:01:45,760 --> 00:01:48,335 But first, this comedy great has starred in American Pie, Splash, 33 00:01:48,360 --> 00:01:52,175 Best in Show and the global television hit Schitt's Creek. 34 00:01:52,200 --> 00:01:57,695 Welcome for the first time Eugene Levy! 35 00:01:58,080 --> 00:02:00,775 Here he is. 36 00:02:00,800 --> 00:02:01,815 Hello. 37 00:02:01,840 --> 00:02:03,375 They love you, they love you. 38 00:02:03,400 --> 00:02:04,735 Eugene Levy. 39 00:02:04,760 --> 00:02:07,455 Have a seat there. 40 00:02:07,480 --> 00:02:10,855 He's the Black Panther star who's taking over Hollywood, 41 00:02:10,880 --> 00:02:17,815 now back in the ring for Creed 3, please welcome Mr Michael B Jordan! 42 00:02:22,240 --> 00:02:23,775 How are you, sir? 43 00:02:23,800 --> 00:02:27,535 There you go, Eugene, Michael. 44 00:02:27,560 --> 00:02:30,295 He's the Grammy, Emmy, and Tony award-winning star 45 00:02:30,320 --> 00:02:33,415 of The Greatest Showman, Les Miserables and X-Men. 46 00:02:33,440 --> 00:02:39,855 It's the one and only Hugh Jackman! 47 00:02:42,960 --> 00:02:45,655 So nice to see you. 48 00:02:45,680 --> 00:02:48,055 And this star of stage and screen is a BAFTA, 49 00:02:48,080 --> 00:02:50,695 Golden Globe and Oscar winner, and we couldn't love her any 50 00:02:50,720 --> 00:02:57,695 more than we do - please welcome Damejudi Dench! 51 00:03:01,120 --> 00:03:06,855 There's a stair and a stair. 52 00:03:06,920 --> 00:03:07,975 There we go. 53 00:03:08,000 --> 00:03:11,735 Have a seat. 54 00:03:11,760 --> 00:03:16,375 Oh, have a seat, there is a cushion there, you're all good. 55 00:03:16,400 --> 00:03:18,055 Quite a couch I think you'll agree. 56 00:03:18,080 --> 00:03:21,455 CHEERING. 57 00:03:21,480 --> 00:03:22,655 Shove up, Eugene. 58 00:03:22,680 --> 00:03:25,335 Shove up, shove up. 59 00:03:25,360 --> 00:03:28,015 Sit close, sit close. 60 00:03:28,040 --> 00:03:30,895 You're good, you're good. 61 00:03:30,920 --> 00:03:33,735 Damejudi Dench, do you know everyone on the couch? 62 00:03:33,760 --> 00:03:34,735 Well, I do now. 63 00:03:34,760 --> 00:03:35,775 Oh, good. 64 00:03:35,800 --> 00:03:37,975 We've had a bit of a hug back here. 65 00:03:38,000 --> 00:03:39,015 Oh, nice. 66 00:03:39,040 --> 00:03:42,095 It was a warm hug. 67 00:03:42,120 --> 00:03:43,775 You met Hugh Jackman before, I think. 68 00:03:43,800 --> 00:03:44,815 We did. 69 00:03:44,840 --> 00:03:45,855 Oh, we met. 70 00:03:45,880 --> 00:03:47,095 Oh, we did. 71 00:03:47,120 --> 00:03:48,255 We did once. 72 00:03:48,280 --> 00:03:50,135 Once? 73 00:03:50,160 --> 00:03:54,735 You only remember once? 74 00:03:54,760 --> 00:03:56,175 Oh, is that all I remember? 75 00:03:56,200 --> 00:03:57,375 Yeah, there's many more times. 76 00:03:57,400 --> 00:03:58,415 Was it a fortnight? 77 00:03:58,440 --> 00:03:59,855 It was at least a fortnight. 78 00:03:59,880 --> 00:04:01,535 You met in a corridor, didn't you? 79 00:04:01,560 --> 00:04:07,175 We did meet in a corridor. 80 00:04:07,320 --> 00:04:09,135 Total strangers and we had a great kiss. 81 00:04:09,160 --> 00:04:10,135 AUDIENCE: Wh00! 82 00:04:10,160 --> 00:04:11,415 People are very, very envious. 83 00:04:11,440 --> 00:04:15,735 We had another one just now so I've had two kisses. 84 00:04:15,760 --> 00:04:18,175 Wow, and the night is young, the night is young. 85 00:04:18,200 --> 00:04:19,175 Keep drinking. 86 00:04:19,200 --> 00:04:22,095 See you, GUYS- 87 00:04:22,120 --> 00:04:24,775 But, Hugh Jackman, you nearly worked with Dame Judy. 88 00:04:24,800 --> 00:04:30,455 Oh, yes, well, no. 89 00:04:30,520 --> 00:04:34,135 I wish I had worked with Damejudi in anything and everything 90 00:04:34,160 --> 00:04:37,255 but there was a point where my agent rang me and said are 91 00:04:37,280 --> 00:04:38,455 you interested in playing Bond? 92 00:04:38,480 --> 00:04:40,375 Not that it was an offer for bond. 93 00:04:40,400 --> 00:04:43,735 Of course I didn't know that you were playing M at the time, 94 00:04:43,760 --> 00:04:46,895 but it was one of those things where I have since found out 95 00:04:46,920 --> 00:04:49,535 when I was being asked if I was interested about eight 96 00:04:49,560 --> 00:04:51,695 other actors were being asked at the same time. 97 00:04:51,720 --> 00:04:52,695 OK. 98 00:04:52,720 --> 00:04:54,415 Including Daniel Craig, so there you go. 99 00:04:54,440 --> 00:04:58,255 And he killed it. 100 00:04:58,280 --> 00:04:59,655 I was approached to play Bond. 101 00:04:59,680 --> 00:05:00,695 Were you? 102 00:05:00,720 --> 00:05:03,055 Not James Bond. 103 00:05:03,080 --> 00:05:06,175 And it's funny being on, I've got to say, being on a show 104 00:05:06,200 --> 00:05:09,895 with Hugh because I've been compared to Hugh Jackman so many times. 105 00:05:09,920 --> 00:05:12,215 You know, the difference between us really is... 106 00:05:12,240 --> 00:05:15,015 Professionalism. 107 00:05:15,040 --> 00:05:21,335 APPLAUSE. 108 00:05:21,400 --> 00:05:24,495 I have very little. 109 00:05:24,520 --> 00:05:28,455 By the way, Jordan, I didn't realise your name is kind 110 00:05:28,480 --> 00:05:30,615 of directly connected to your dad. 111 00:05:30,640 --> 00:05:33,495 Yeah, I'm not a junior because our middle names 112 00:05:33,520 --> 00:05:35,695 are different but my clad is MichaelAjordan 113 00:05:35,720 --> 00:05:36,655 and I'm Michael B. 114 00:05:36,680 --> 00:05:38,255 Isn't that cute? 115 00:05:38,280 --> 00:05:39,935 By chance I think. 116 00:05:39,960 --> 00:05:41,655 I don't know if that was intentional. 117 00:05:41,680 --> 00:05:48,495 Oh, it must have been. 118 00:05:51,600 --> 00:05:52,975 I'll ask right after the show. 119 00:05:53,000 --> 00:05:55,615 I never really thought about it like that until just now, 120 00:05:55,640 --> 00:05:56,855 it's actually a little weird. 121 00:05:56,880 --> 00:05:59,975 I just assumed if you had a son it would be Michael C 122 00:06:00,000 --> 00:06:01,175 and on down the line. 123 00:06:01,200 --> 00:06:02,175 Mm-mm, mm-mm. 124 00:06:02,200 --> 00:06:05,335 I think I'm breaking the cycle now, I've got to give him something 125 00:06:05,360 --> 00:06:06,495 else, I can't do it. 126 00:06:06,520 --> 00:06:09,175 And, Eugene Levy, a lot of people know you and love 127 00:06:09,200 --> 00:06:10,215 you from Shitt's Creek. 128 00:06:10,240 --> 00:06:13,895 CHEERING. 129 00:06:13,920 --> 00:06:16,535 Is it true, because now it's a success so everybody knows 130 00:06:16,560 --> 00:06:19,415 that it is Schitt's Creek, but when it started there was some 131 00:06:19,440 --> 00:06:20,455 resistance to that name. 132 00:06:20,480 --> 00:06:25,895 A little. 133 00:06:26,120 --> 00:06:28,975 Yeah, the broadcaster loved the idea of the show and then 134 00:06:29,000 --> 00:06:33,895 they finally got to, "Now, let's talk about the title." 135 00:06:33,920 --> 00:06:36,615 And we had to tell them quite honestly there 136 00:06:36,640 --> 00:06:41,295 were Schitts all over the world. 137 00:06:41,320 --> 00:06:45,175 You know, we had to tell them look in a phone book 138 00:06:45,200 --> 00:06:52,095 and you are going to find Schitt as a name it's S- H-I-T-T, 139 00:06:55,920 --> 00:06:58,055 H-I-T-T, it's a legitimate name, I believe Irish derivation. 140 00:06:58,080 --> 00:07:03,015 No, don't blame us. 141 00:07:03,040 --> 00:07:05,655 And they tried to change it, they try to say what 142 00:07:05,680 --> 00:07:06,655 about without a paddle? 143 00:07:06,680 --> 00:07:08,855 No, it doesn't have the same ring to it. 144 00:07:08,880 --> 00:07:10,495 It doesn't have the same ring. 145 00:07:10,520 --> 00:07:13,495 So that's what happened. 146 00:07:13,520 --> 00:07:16,135 A perfect name and the rest is history, ladies and gentlemen. 147 00:07:16,160 --> 00:07:23,095 We've got such a busy show tonight, so let's get going. 148 00:07:29,680 --> 00:07:31,855 We're going to start Damejudi's new film Alleluia. 149 00:07:31,880 --> 00:07:34,015 It is in cinemas from the 17th of March. 150 00:07:34,040 --> 00:07:37,095 So this is a lovely play, is based on an Alan Bennett play. 151 00:07:37,120 --> 00:07:38,175 It is. 152 00:07:38,200 --> 00:07:41,055 Who do you play, what can you tell us about the story? 153 00:07:41,080 --> 00:07:43,655 I play somebody called Mary Moss who is a kind of, 154 00:07:43,680 --> 00:07:45,095 I think she was a librarian. 155 00:07:45,120 --> 00:07:47,975 She sits on her bed all clay and does the Times crossword 156 00:07:48,000 --> 00:07:49,975 and fancies her doctor, played by Barry Gill, 157 00:07:50,000 --> 00:07:51,335 not a difficult thing to act. 158 00:07:51,360 --> 00:07:52,855 So that's really all I do. 159 00:07:52,880 --> 00:07:54,735 And Jennifer Saunders we saw there is... 160 00:07:54,760 --> 00:07:57,575 It's a very different role for her. 161 00:07:57,600 --> 00:08:00,655 I mean, there are laughs, but it is not a full out comedy. 162 00:08:00,680 --> 00:08:03,095 It isn't, it's got a surprise or two in it. 163 00:08:03,120 --> 00:08:04,135 Yes. 164 00:08:04,160 --> 00:08:05,975 Which I'm not going to tell you about. 165 00:08:06,000 --> 00:08:07,055 No. 166 00:08:07,080 --> 00:08:09,375 Please don't. 167 00:08:09,400 --> 00:08:12,015 Ancl wonderful it was and Julia McKenzie and a whole crowd 168 00:08:12,040 --> 00:08:15,415 of people, it was heaven to do. 169 00:08:15,440 --> 00:08:18,535 And on one level it's a story but on another level it's also 170 00:08:18,560 --> 00:08:21,175 a big cheer for the NHS. 171 00:08:21,200 --> 00:08:24,295 It certainly is and we need to be reminded, I think, don't we? 172 00:08:24,320 --> 00:08:26,695 I think it comes out at a very good time. 173 00:08:26,720 --> 00:08:30,095 I tell you what, we've got a clip, this is you as Mary getting 174 00:08:30,120 --> 00:08:31,615 to grips with technology. 175 00:08:31,640 --> 00:08:33,895 Has it got a mouse? 176 00:08:33,920 --> 00:08:36,575 You don't need a mouse, Mary. 177 00:08:36,600 --> 00:08:39,495 Everything is operated by the touch-screen. 178 00:08:39,520 --> 00:08:41,535 Swipe on the icon like we did before. 179 00:08:41,560 --> 00:08:45,095 With greater gentleness as though you've seen a speck of dust 180 00:08:45,120 --> 00:08:50,735 and wish to brush it away. 181 00:08:51,840 --> 00:08:53,735 You'll put us all out of a job. 182 00:08:53,760 --> 00:08:57,055 I said that to my computer the clay they digitalised the library. 183 00:08:57,080 --> 00:09:00,095 I was at the forefront of modernisation. 184 00:09:00,120 --> 00:09:04,495 What do you wish me to record? 185 00:09:04,520 --> 00:09:09,975 Well, the film-makers simply want your point of view. 186 00:09:10,040 --> 00:09:14,575 For you to record what you see, to tell them what your life is like. 187 00:09:14,600 --> 00:09:21,535 I could tell you something about that chair, only I won't. 188 00:09:25,920 --> 00:09:30,455 That's such an Alan Bennett line. 189 00:09:30,480 --> 00:09:33,775 That is Barry Gill there and that iPad has become crucial to the plot. 190 00:09:33,800 --> 00:09:36,535 It does, it does. 191 00:09:36,560 --> 00:09:40,055 She gets up, well, she doesn't get up to no good, she gets up 192 00:09:40,080 --> 00:09:43,175 to quite a lot of good but, yes, it's very much to do 193 00:09:43,200 --> 00:09:48,655 with the plot and what unfolds. 194 00:09:49,600 --> 00:09:51,695 And because it's an Alan Bennett it's his words. 195 00:09:51,720 --> 00:09:53,175 Presumably they're quite precious. 196 00:09:53,200 --> 00:09:56,335 And I heard you in an interview talking about how learning lines has 197 00:09:56,360 --> 00:09:58,255 become harder for you now. 198 00:09:58,280 --> 00:10:03,095 It has become impossible, it's become absolutely impossible, 199 00:10:03,120 --> 00:10:07,615 because I can't see now, I can't read or anything, 200 00:10:07,640 --> 00:10:10,175 now normally somebody could just teach you the lines and, 201 00:10:10,200 --> 00:10:14,095 goodness knows, that's happened before, but now I just found 202 00:10:14,120 --> 00:10:18,455 I have a photographic memory so I need to know where the line 203 00:10:18,480 --> 00:10:21,575 is so I've got to find a machine that teaches me the line, 204 00:10:21,600 --> 00:10:25,215 but also says this is at the top of page 17 or whatever 205 00:10:25,240 --> 00:10:26,655 so that I can, you know. 206 00:10:26,680 --> 00:10:29,335 So prior to this learning lines was very easy for you? 207 00:10:29,360 --> 00:10:35,495 Yes, it used to be. 208 00:10:36,480 --> 00:10:38,615 Not so easy now, but I'll find a way. 209 00:10:38,640 --> 00:10:40,295 Can you remember lines from way back? 210 00:10:40,320 --> 00:10:42,895 I can do the whole of Twelfth night for you now. 211 00:10:42,920 --> 00:10:45,335 Don't encourage her. 212 00:10:45,360 --> 00:10:50,335 Like a runaway train, you asked, Hugh. 213 00:10:50,400 --> 00:10:54,415 And in the end of the movie, Alleluia, we hear the hymn Alleluia 214 00:10:54,440 --> 00:10:56,215 and you are in the choir. 215 00:10:56,240 --> 00:10:58,615 Well, choir, I suppose so, yes. 216 00:10:58,640 --> 00:10:59,775 You are in it. 217 00:10:59,800 --> 00:11:01,015 A group of people singing. 218 00:11:01,040 --> 00:11:03,375 Yes. 219 00:11:03,400 --> 00:11:06,575 I don't think I'd go so far as saying choir. 220 00:11:06,600 --> 00:11:12,815 But you're no stranger to musical theatre. 221 00:11:12,880 --> 00:11:16,695 No, I mean, one of your big hits in the West End was when you were 222 00:11:16,720 --> 00:11:17,655 Sally Bowles in Cabaret. 223 00:11:17,680 --> 00:11:19,175 Yeah, that was a while ago. 224 00:11:19,200 --> 00:11:24,015 APPLAUSE. 225 00:11:24,040 --> 00:11:26,575 I think it was the West End premiere of that. 226 00:11:26,600 --> 00:11:29,855 It was, it was at the Palace Theatre. 227 00:11:29,880 --> 00:11:32,775 We had a most marvellous time. 228 00:11:32,800 --> 00:11:34,695 It looks like you had a fabulous time. 229 00:11:34,720 --> 00:11:36,615 You can see I'm having a good time. 230 00:11:36,640 --> 00:11:38,255 Well, you're having a better time here. 231 00:11:38,280 --> 00:11:40,335 APPLAUSE. 232 00:11:40,360 --> 00:11:45,455 That is some bottom. 233 00:11:45,520 --> 00:11:47,455 The trouble... 234 00:11:47,480 --> 00:11:51,935 We were at the Palace Theatre and my dressing room 235 00:11:51,960 --> 00:11:54,735 at the Palace Theatre was below ground with a bit of window, 236 00:11:54,760 --> 00:11:55,975 you must know it, Graham. 237 00:11:56,000 --> 00:11:57,775 Yes. 238 00:11:57,800 --> 00:12:01,175 With a bit of window at the top so you hear everybody walking by. 239 00:12:01,200 --> 00:12:03,335 Ancl I heard one person walking by very early 240 00:12:03,360 --> 00:12:06,215 on and I heard this woman saying, "Judi Dench in a musical? 241 00:12:06,240 --> 00:12:11,855 No one will go to see that, clear, no one." 242 00:12:11,920 --> 00:12:13,295 As you are making-up. 243 00:12:13,320 --> 00:12:15,215 Can I tell a little story aboutjudy? 244 00:12:15,240 --> 00:12:16,175 Please, do. 245 00:12:16,200 --> 00:12:21,135 Which you can cut out later. 246 00:12:21,160 --> 00:12:24,895 The first time we met was backstage at a Royal command performance, 247 00:12:24,920 --> 00:12:28,215 I think it was Hey Mr Producer, I think it was 1998 or something. 248 00:12:28,240 --> 00:12:30,895 I had just come to London and I was doing Oklahoma 249 00:12:30,920 --> 00:12:34,255 and I was going to sing a song from Oklahoma and you were singing 250 00:12:34,280 --> 00:12:35,295 Send In The Clowns. 251 00:12:35,320 --> 00:12:36,975 There were a number of different performers. 252 00:12:37,000 --> 00:12:40,095 Ancl I will never forget this, I was so nervous, I'm in London, 253 00:12:40,120 --> 00:12:41,975 the Queen, the whole thing, everyone is there, 254 00:12:42,000 --> 00:12:46,815 and as I came down the stairs you were performing before me. 255 00:12:46,840 --> 00:12:49,895 As I came down the stairs you are standing, the stage is right 256 00:12:49,920 --> 00:12:52,815 there, you were right in the wing and you were like this. 257 00:12:52,840 --> 00:12:54,735 You were going, "why did I say yes? 258 00:12:54,760 --> 00:12:59,855 Why did I say yes?" 259 00:13:00,920 --> 00:13:02,895 Ancl you were muttering and I said, "Judy?" 260 00:13:02,920 --> 00:13:04,895 Ancl you are like, "What?" 261 00:13:04,920 --> 00:13:07,775 I said, "You are amazing, I saw you at the dress rehearsal, 262 00:13:07,800 --> 00:13:09,215 you are the best thing here." 263 00:13:09,240 --> 00:13:10,575 Ancl she goes, "Really?" 264 00:13:10,600 --> 00:13:13,215 Ancl I go, "You are an incredible singer," and she goes, 265 00:13:13,240 --> 00:13:15,335 "Shut up I can't sing one of those things." 266 00:13:15,360 --> 00:13:20,215 It's a great story. 267 00:13:20,240 --> 00:13:22,855 As actors we need the encouragement, you know what I'm saying? 268 00:13:22,880 --> 00:13:25,415 And we support each other so when we see somebody locked 269 00:13:25,440 --> 00:13:28,535 in and they are in the zone sometimes the right words can give 270 00:13:28,560 --> 00:13:29,735 them that edge they need. 271 00:13:29,760 --> 00:13:30,815 That's beautiful. 272 00:13:30,840 --> 00:13:31,815 Yeah, you're right. 273 00:13:31,840 --> 00:13:34,015 It's also that thing about finding the fire alarm 274 00:13:34,040 --> 00:13:35,495 backstage just in case. 275 00:13:35,520 --> 00:13:42,455 Knowing where it is. 276 00:13:50,040 --> 00:13:51,895 So Judy's Alleluia, meanwhile, Hugh Jackman brings us 277 00:13:51,920 --> 00:13:53,095 such a powerful drama. 278 00:13:53,120 --> 00:13:54,775 This is called The Son. 279 00:13:54,800 --> 00:13:56,655 It is in cinemas from today. 280 00:13:56,680 --> 00:13:59,695 This is a film written and directed by Florian Zeller who we know 281 00:13:59,720 --> 00:14:00,975 because he wrote The Father. 282 00:14:01,000 --> 00:14:03,375 This isn't a sequel but it is a companion piece, 283 00:14:03,400 --> 00:14:04,535 would you describe it as? 284 00:14:04,560 --> 00:14:06,255 Yes, it's spiritually connected, it's thematically connected. 285 00:14:06,280 --> 00:14:08,655 He wrote three plays, The Father, The Son, The Mother. 286 00:14:08,680 --> 00:14:11,295 So he turned the first one, The Father, into a film. 287 00:14:11,320 --> 00:14:14,415 This is his second one, I'm not sure if he's doing The Mother. 288 00:14:14,440 --> 00:14:17,535 But, for example, Anthony Hopkins is in our movie and of course won 289 00:14:17,560 --> 00:14:20,175 the Oscar for The Father but it's not the same character. 290 00:14:20,200 --> 00:14:22,095 So it's all round families facing a crisis. 291 00:14:22,120 --> 00:14:25,455 In the first one there was a man with dementia in the film really 292 00:14:25,480 --> 00:14:29,175 takes you inside the head of Anthony Hopkins permanent 293 00:14:29,200 --> 00:14:31,095 takes you inside the head of Anthony Hopkins' 294 00:14:31,120 --> 00:14:33,175 character and what it is like to have dementia. 295 00:14:33,200 --> 00:14:34,935 That was an amazing movie, The Father. 296 00:14:34,960 --> 00:14:36,615 Extraordinary, and it was Florian's first director, 297 00:14:36,640 --> 00:14:39,935 his directorial debut, and he was incredible. 298 00:14:39,960 --> 00:14:42,935 Ancl so this follow up film The Son is about a 17-year-old boy 299 00:14:42,960 --> 00:14:44,095 going through acute depression. 300 00:14:44,120 --> 00:14:50,095 Instead of being inside his head, it is centred around 301 00:14:50,520 --> 00:14:53,175 the people caring for the son. 302 00:14:53,200 --> 00:14:55,735 The parents, I play the father who has now remarried, 303 00:14:55,760 --> 00:14:58,175 so there is a stepmother, a baby. 304 00:14:58,200 --> 00:15:01,575 It is complicated and what Florian is able to do is make you feel 305 00:15:01,600 --> 00:15:04,175 what it's like to be in the shoes of those characters. 306 00:15:04,200 --> 00:15:05,255 Yeah, he really does. 307 00:15:05,280 --> 00:15:07,855 You are starring in it but it is an amazing cast... 308 00:15:07,880 --> 00:15:11,535 Vanessa Kirby, our own Vanessa Kirby. 309 00:15:11,560 --> 00:15:17,055 Anthony Hopkins, there is a young actor from Australia actually, 310 00:15:20,120 --> 00:15:22,255 auditioned on the zoom, his name is Zen McGrath. 311 00:15:22,280 --> 00:15:23,295 He's Australian? 312 00:15:23,320 --> 00:15:25,295 He's an Aussie, yeah. 313 00:15:25,320 --> 00:15:27,615 It was an amazing cast, it was an amazing experience 314 00:15:27,640 --> 00:15:29,335 and it's a film that I hope. 315 00:15:29,360 --> 00:15:31,455 Some conversations around mental health. 316 00:15:31,480 --> 00:15:37,775 We've got a clip, this is you and your son played 317 00:15:38,400 --> 00:15:40,815 by the Australian, Zen McGrath and it's the two of 318 00:15:40,840 --> 00:15:41,815 you having a showdown. 319 00:15:41,840 --> 00:15:43,535 Take back what you've just said, Nicholas. 320 00:15:43,560 --> 00:15:46,415 Do you hear me, you take back what you've just said now. 321 00:15:46,440 --> 00:15:47,415 Asshole. 322 00:15:47,440 --> 00:15:48,495 Me, an asshole? 323 00:15:48,520 --> 00:15:49,535 Me? 324 00:15:49,560 --> 00:15:51,215 Haven't I always clone everything for you. 325 00:15:51,240 --> 00:15:53,615 I stayed with your mother for years for your sake, 326 00:15:53,640 --> 00:15:55,055 so why are you saying this? 327 00:15:55,080 --> 00:15:56,055 Why? 328 00:15:56,080 --> 00:15:57,055 Tell me why? 329 00:15:57,080 --> 00:15:59,535 Is it because I fell in love with another woman? 330 00:15:59,560 --> 00:16:00,575 Is that my crime? 331 00:16:00,600 --> 00:16:06,415 How is that any of your business? 332 00:16:06,480 --> 00:16:08,415 I have the right to reinvent my life? 333 00:16:08,440 --> 00:16:10,095 It's my life, do you hear me? 334 00:16:10,120 --> 00:16:11,055 It is my life. 335 00:16:11,080 --> 00:16:13,055 I'm sorry, Nicholas. 336 00:16:13,080 --> 00:16:14,735 I don't know what just happened there. 337 00:16:14,760 --> 00:16:18,495 APPLAUSE. 338 00:16:18,520 --> 00:16:23,935 Powerful, powerful. 339 00:16:24,000 --> 00:16:28,415 It is really powerful and clearly you are playing a character, 340 00:16:28,440 --> 00:16:35,335 but at the same time you are a dad playing a dad. 341 00:16:43,320 --> 00:16:46,335 Did it inform this dad, or did that dad inform your home life? 342 00:16:46,360 --> 00:16:48,975 I didn't go home and do that, just so you know. 343 00:16:49,000 --> 00:16:50,015 LAUGHTER. 344 00:16:50,040 --> 00:16:51,495 It changed me as a parent. 345 00:16:51,520 --> 00:16:54,375 I think the one thing there is a beautiful line in this 346 00:16:54,400 --> 00:16:57,055 play by one of the doctors when the boy ends up 347 00:16:57,080 --> 00:16:59,695 going to a psychiatric hospital and we had this agonising decision 348 00:16:59,720 --> 00:17:02,575 as to whether to leave him in order to take him out. 349 00:17:02,600 --> 00:17:04,255 The boy is desperate to come out. 350 00:17:04,280 --> 00:17:07,055 Ancl the doctor is saying, love isn't enough, it's not always enough. 351 00:17:07,080 --> 00:17:10,695 Ancl it's one of the most difficult things I think for a parent to hear. 352 00:17:10,720 --> 00:17:12,615 Because you love that kid more than anyone, 353 00:17:12,640 --> 00:17:15,735 you were there for that kid, you know that kid more than anyone 354 00:17:15,760 --> 00:17:17,695 but sometimes with really difficult mental health issues, 355 00:17:17,720 --> 00:17:18,735 you need help. 356 00:17:18,760 --> 00:17:20,895 You don't know what to do, you need professionals. 357 00:17:20,920 --> 00:17:24,015 That's one of the things I've taken away from this as a parent, 358 00:17:24,040 --> 00:17:26,895 it's OK not to know, it's OK to say, I don't know. 359 00:17:26,920 --> 00:17:29,775 It is OK to be open with your kids, to be vulnerable. 360 00:17:29,800 --> 00:17:32,415 I used to think that they probably wanted surety for me, 361 00:17:32,440 --> 00:17:34,335 strength, they don't want to see me vulnerable. 362 00:17:34,360 --> 00:17:38,935 I now share with them things I wouldn't have clone before 363 00:17:38,960 --> 00:17:41,815 and hopefully I'm not a boring clad doing it, but I think 364 00:17:41,840 --> 00:17:42,855 they appreciate it. 365 00:17:42,880 --> 00:17:50,055 APPLAUSE. 366 00:17:50,120 --> 00:17:53,495 And then in the middle of all of this you lost your own dad? 367 00:17:53,520 --> 00:17:57,095 Yes, my father passed away during filming. 368 00:17:57,120 --> 00:18:03,295 It was a very emotional time and I'm so grateful, 369 00:18:03,440 --> 00:18:06,335 to first of all my family, they were in a Covid bubble. 370 00:18:06,360 --> 00:18:08,255 Thank goodness I had my family with me. 371 00:18:08,280 --> 00:18:10,015 The director, Florian, but every single member 372 00:18:10,040 --> 00:18:12,935 of that crew and cast. 373 00:18:12,960 --> 00:18:15,535 Because when you go through something like that 374 00:18:15,560 --> 00:18:18,175 and you are doing a film that intense, you just can't... 375 00:18:18,200 --> 00:18:20,335 Do it alone. 376 00:18:20,360 --> 00:18:24,735 You can't. 377 00:18:24,760 --> 00:18:31,495 You need to lean on people and I had people there. 378 00:18:31,560 --> 00:18:36,215 Ancl I did, so I am very grateful for it. 379 00:18:36,240 --> 00:18:39,855 You should be so proud of this film because you are so good in it, 380 00:18:39,880 --> 00:18:41,055 it's such a powerful film. 381 00:18:41,080 --> 00:18:45,015 APPLAUSE. 382 00:18:45,040 --> 00:18:47,415 It's called The Son it's out today, Hugh Jackman, everybody. 383 00:18:47,440 --> 00:18:48,775 CH EERING AND APPLAUSE. 384 00:18:48,800 --> 00:18:55,775 I'm sorry, I didn't mean to upset you. 385 00:19:02,600 --> 00:19:04,455 You didn't, it's just there and it's life. 386 00:19:04,480 --> 00:19:05,935 It's life, it is. 387 00:19:05,960 --> 00:19:11,215 Michael Pjordan brings us a very different movie. 388 00:19:11,280 --> 00:19:12,735 Adonis Creed returns in Creed Ill. 389 00:19:12,760 --> 00:19:15,855 This is out in cinemas on March the 3rd and he is just 390 00:19:15,880 --> 00:19:19,975 a taste of what to expect. 391 00:19:20,000 --> 00:19:22,375 Damien's fighting the world and he's trying to hurt people. 392 00:19:22,400 --> 00:19:23,575 I vouched for you. 393 00:19:23,600 --> 00:19:24,695 You think you're mad? 394 00:19:24,720 --> 00:19:27,135 Try spending half your life in a cell watching somebody 395 00:19:27,160 --> 00:19:28,175 else live your life. 396 00:19:28,200 --> 00:19:29,215 I'm coming for everything. 397 00:19:29,240 --> 00:19:30,255 You threatening me? 398 00:19:30,280 --> 00:19:31,695 Something is going on with you. 399 00:19:31,720 --> 00:19:36,255 Damien was like family. 400 00:19:36,280 --> 00:19:41,175 Now we're past talking. 401 00:19:41,200 --> 00:19:43,375 Then may be you just have to fight him. 402 00:19:43,400 --> 00:19:45,495 I need you to let go of your fear. 403 00:19:45,520 --> 00:19:46,735 Let go of the guilt. 404 00:19:46,760 --> 00:19:52,695 Let go of whatever was and fork into parties. 405 00:19:55,760 --> 00:19:58,095 Let go of whatever was and walk into what is. 406 00:19:58,120 --> 00:20:04,215 CH EERING AND APPLAUSE. 407 00:20:07,320 --> 00:20:09,055 That is Creed Ill. 408 00:20:09,080 --> 00:20:13,535 Don't make him mad, Eugene. 409 00:20:13,560 --> 00:20:16,055 One difference between us. 410 00:20:16,080 --> 00:20:19,655 When we last saw Adonis Creed on top of the world, why is he back, 411 00:20:19,680 --> 00:20:21,935 what drags him back into the ring? 412 00:20:21,960 --> 00:20:24,255 H is past. 413 00:20:24,280 --> 00:20:27,175 You know, how can we somehow make Adonis Creed the underdog again? 414 00:20:27,200 --> 00:20:29,775 He has everything he wanted, he checked off all the boxes, 415 00:20:29,800 --> 00:20:34,735 he has the family, he has the cars, he has the fame, he has the title. 416 00:20:34,760 --> 00:20:38,935 The one thing I wanted to explore with this movie is childhood trauma 417 00:20:38,960 --> 00:20:41,095 and how during those transformative years, how does that 418 00:20:41,120 --> 00:20:44,775 shape us as men today? 419 00:20:44,800 --> 00:20:48,455 Ancl just listening to you speak about parenting and how to do 420 00:20:48,480 --> 00:20:51,095 the right thing and as a man, what does toxic masculinity 421 00:20:51,120 --> 00:20:52,175 look like today? 422 00:20:52,200 --> 00:20:54,855 It doesn't make you any less of a man to speak 423 00:20:54,880 --> 00:20:57,735 about your feelings or something that happened to you in the past. 424 00:20:57,760 --> 00:21:00,575 We wanted to kind of frame that around Adonis in the form 425 00:21:00,600 --> 00:21:04,615 of his childhood best friend that went through some childhood trauma, 426 00:21:04,640 --> 00:21:07,935 went through some experiences. 427 00:21:07,960 --> 00:21:11,455 One went left and the other went right and a lot of space in between, 428 00:21:11,480 --> 00:21:12,935 I'm trying to not spoil everything. 429 00:21:12,960 --> 00:21:16,775 Ancl they end up having to meet 20 years later and he has to face that 430 00:21:16,800 --> 00:21:23,255 best friend he hasn't seen in over 20 years. 431 00:21:23,400 --> 00:21:26,255 And you're not just starring in it, you are directing this one? 432 00:21:26,280 --> 00:21:30,655 I am. 433 00:21:30,680 --> 00:21:31,695 Hats off to you... 434 00:21:31,720 --> 00:21:33,255 CH EERING AND APPLAUSE. 435 00:21:33,280 --> 00:21:35,055 Appreciate that, man. 436 00:21:35,080 --> 00:21:40,495 Directing any movie is difficult, but directing boxing sequences, that 437 00:21:43,560 --> 00:21:46,735 that must be a specific challenge? 438 00:21:46,760 --> 00:21:48,655 It was but funnily enough, directing the boxing 439 00:21:48,680 --> 00:21:49,695 was the easiest thing. 440 00:21:49,720 --> 00:21:50,655 Really? 441 00:21:50,680 --> 00:21:53,855 Because it was something I knew very well, there a formula to it. 442 00:21:53,880 --> 00:21:56,695 Yes, I wanted to take some creative swings because it's the ninth 443 00:21:56,720 --> 00:21:57,775 movie over the sagas. 444 00:21:57,800 --> 00:22:00,575 You think about how many fights that was shot and how many 445 00:22:00,600 --> 00:22:01,695 boxing scenes and punches. 446 00:22:01,720 --> 00:22:05,295 I had to lean on my love ofjapanese animation and the themes of that, 447 00:22:05,320 --> 00:22:07,455 that make this one creatively and visually look different. 448 00:22:07,480 --> 00:22:09,375 It's funny because when you are directing yourself 449 00:22:09,400 --> 00:22:11,295 you can somehow come in your performance, direct. 450 00:22:11,320 --> 00:22:14,895 So if I need you to look up stage and I know the shot is, 451 00:22:14,920 --> 00:22:18,495 all I have to do is move up stage, I don't have to yell, cut, 452 00:22:18,520 --> 00:22:21,375 I don't have to break the momentum, I can keep the flow. 453 00:22:21,400 --> 00:22:23,975 That stage presence that you have when you are doing theatre. 454 00:22:24,000 --> 00:22:27,615 I found if I did longer takes and I stayed in longer I can adjust 455 00:22:27,640 --> 00:22:30,415 I can keep detention without having to cut, back to the monitors 456 00:22:30,440 --> 00:22:31,655 and look for certain things. 457 00:22:31,680 --> 00:22:33,615 So it was like a Chico of sorts. 458 00:22:33,640 --> 00:22:36,255 That is so much to have going on in your head? 459 00:22:36,280 --> 00:22:38,135 We are a little nuts, a little bit. 460 00:22:38,160 --> 00:22:41,015 But it was the challenge, honestly acting for such a long time 461 00:22:41,040 --> 00:22:47,055 I wanted to see how I could evolve. 462 00:22:47,240 --> 00:22:50,095 I've seen it clone before, obviously been on set for a really 463 00:22:50,120 --> 00:22:52,255 long time and I just wanted to challenge myself 464 00:22:52,280 --> 00:22:53,655 to see how I could grow. 465 00:22:53,680 --> 00:22:57,775 And a part of being in a movie like this you need to be in great shape. 466 00:22:57,800 --> 00:23:00,335 Clearly, you are in great shape. 467 00:23:00,360 --> 00:23:05,455 Is it this month's Rolling Stone, this is you in this 468 00:23:05,520 --> 00:23:12,815 month's Rolling Stone. 469 00:23:13,320 --> 00:23:15,815 CH EERING AND APPLAUSE. 470 00:23:15,840 --> 00:23:18,135 Yes, that was after we finished shooting. 471 00:23:18,160 --> 00:23:19,815 So this is like the before picture. 472 00:23:19,840 --> 00:23:22,095 No, that's their what's left picture. 473 00:23:22,120 --> 00:23:24,295 Judith has just asked if we could swap seats. 474 00:23:24,320 --> 00:23:25,735 Keep on drinking, keep on drinking. 475 00:23:25,760 --> 00:23:26,815 APPLAUSE. 476 00:23:26,840 --> 00:23:32,455 Often people have to get in shape for movies but in this 477 00:23:32,520 --> 00:23:39,455 you have an opponent played by the mighty Jonathan Major 478 00:23:42,640 --> 00:23:44,255 Jonathan Majors, how great is he? 479 00:23:44,280 --> 00:23:47,815 When you got into the ring with him, presumably there was a bit of, oh, 480 00:23:47,840 --> 00:23:48,895 he's gotten eight pack! 481 00:23:48,920 --> 00:23:51,695 Yeah, it was crazy because when we first started training for this, 482 00:23:51,720 --> 00:23:55,135 about a year and a half ago, going on two years and he was 483 00:23:55,160 --> 00:23:56,135 in great shape then. 484 00:23:56,160 --> 00:23:58,575 I was like, we could shoot the movie right now. 485 00:23:58,600 --> 00:24:00,975 He's so competitive and such a workhorse, he would be 486 00:24:01,000 --> 00:24:03,615 in the gym before me and he would leave after me. 487 00:24:03,640 --> 00:24:06,495 He's one of the guys that he really lived in the gym 488 00:24:06,520 --> 00:24:07,695 and it shows on screen. 489 00:24:07,720 --> 00:24:08,655 It really does. 490 00:24:08,680 --> 00:24:10,655 And talking of getting in shape, Hugh Jackman, 491 00:24:10,680 --> 00:24:11,815 you are back being Wolverine? 492 00:24:11,840 --> 00:24:13,335 Yes. 493 00:24:13,360 --> 00:24:16,735 APPLAUSE. 494 00:24:16,760 --> 00:24:22,415 That is the blueprint for actors. 495 00:24:22,480 --> 00:24:25,575 When we saw this, every actor that wanted to mimic what he did 496 00:24:25,600 --> 00:24:27,695 and listening to his diet and his work-out regiment 497 00:24:27,720 --> 00:24:28,775 that is the blueprint. 498 00:24:28,800 --> 00:24:29,815 This is CGI. 499 00:24:29,840 --> 00:24:30,855 LAUGHTER. 500 00:24:30,880 --> 00:24:35,575 Don't have any sugar right before you shoot. 501 00:24:35,600 --> 00:24:40,415 I wasn't directing at the same time. 502 00:24:40,440 --> 00:24:43,295 Obviously there's a lot of work in the gym but the diet 503 00:24:43,320 --> 00:24:44,735 is even worse in a way? 504 00:24:44,760 --> 00:24:48,455 That's the thing I didn't realise, body-builders will always 505 00:24:48,480 --> 00:24:52,295 say their body is 70% their diet and only 30% their training. 506 00:24:52,320 --> 00:24:55,375 I assumed it was all about pumping iron, but it is a science, 507 00:24:55,400 --> 00:25:01,535 the whole eating thing is a science. 508 00:25:02,720 --> 00:25:04,535 I complained it all clay long. 509 00:25:04,560 --> 00:25:07,175 I am in this thing right now where I am eating 510 00:25:07,200 --> 00:25:09,135 5000 calories a clay, just loading, eating, eating. 511 00:25:09,160 --> 00:25:11,495 I'm complaining and my wife is like, shut up. 512 00:25:11,520 --> 00:25:13,815 Sitting beside these two guys, I feel like they are 513 00:25:13,840 --> 00:25:16,055 a tuxedo and I'm a pair of brown shoes. 514 00:25:16,080 --> 00:25:17,015 LAUGHTER. 515 00:25:17,040 --> 00:25:24,055 APPLAUSE. 516 00:25:31,880 --> 00:25:35,215 When I told my daughter I was on the show with you she said, 517 00:25:35,240 --> 00:25:39,095 will you get him to say my two left feet line, just when you said shoes 518 00:25:39,120 --> 00:25:41,735 and I thought of it, it's one of the greatest lines 519 00:25:41,760 --> 00:25:43,655 in a movie from, do you remember it? 520 00:25:43,680 --> 00:25:44,695 The best in show. 521 00:25:44,720 --> 00:25:45,735 Best in show. 522 00:25:45,760 --> 00:25:47,655 I can't dance, I've got two left feet. 523 00:25:47,680 --> 00:25:52,655 APPLAUSE. 524 00:25:52,720 --> 00:25:56,975 Talking of iconic characters, Eugene Levy, you have created some 525 00:25:57,000 --> 00:26:04,655 extraordinary comedy characters over the years. 526 00:26:04,720 --> 00:26:08,455 A lot of people know you as Jim's dad in American Pie. 527 00:26:08,480 --> 00:26:09,535 Yes. 528 00:26:09,560 --> 00:26:10,895 APPLAUSE. 529 00:26:10,920 --> 00:26:17,655 But you didn't want to do that, you said no to that? 530 00:26:17,720 --> 00:26:21,735 I said no initially, yes because I got the script 531 00:26:21,760 --> 00:26:25,455 and reading the script you get to, you know, page number four 532 00:26:25,480 --> 00:26:33,415 and somebody is masterbating into a glass of beer and then 533 00:26:33,480 --> 00:26:38,975 somebody else unknowingly picks up the beer and then kind of drinks it. 534 00:26:42,040 --> 00:26:44,895 And then two pages later there is somebody kind of, you know, 535 00:26:44,920 --> 00:26:48,255 performing oral sex... 536 00:26:48,280 --> 00:26:51,095 Can I just say, I can only apologise, I had no idea 537 00:26:51,120 --> 00:26:52,695 where this was going to go. 538 00:26:52,720 --> 00:26:54,615 I am building up to a point here. 539 00:26:54,640 --> 00:26:59,815 LAUGHTER. 540 00:27:02,840 --> 00:27:05,735 I didn't want to do it, I didn't even like the part, 541 00:27:05,760 --> 00:27:08,375 the way it was written, Jim's dad because it was kind 542 00:27:08,400 --> 00:27:11,735 of written as a nudge, nudge, wink, wink kind of thing with the dad 543 00:27:11,760 --> 00:27:14,615 trying to be friends, kind of a hip friend with his son. 544 00:27:14,640 --> 00:27:16,775 And I said I don't want to play that. 545 00:27:16,800 --> 00:27:19,895 I think a dad should be the kind of dad that nobody wants 546 00:27:19,920 --> 00:27:20,895 to hang around with. 547 00:27:20,920 --> 00:27:21,975 Right? 548 00:27:22,000 --> 00:27:24,335 When they are a kid, just a square dad trying 549 00:27:24,360 --> 00:27:25,575 to do the right thing. 550 00:27:25,600 --> 00:27:32,455 So they allowed me to improvise. 551 00:27:36,880 --> 00:27:39,295 Do all the scenes, take them out and improvise before 552 00:27:39,320 --> 00:27:41,455 we started shooting, before I committed to do it 553 00:27:41,480 --> 00:27:43,815 and then I liked the way the improvisations were going, 554 00:27:43,840 --> 00:27:46,255 it was turning out the way I wanted it to. 555 00:27:46,280 --> 00:27:47,295 So I said, OK. 556 00:27:47,320 --> 00:27:49,935 But that was a tough one. 557 00:27:49,960 --> 00:27:52,535 It must be nearly 50 years now of creating amazing comedy 558 00:27:52,560 --> 00:27:54,255 characters and finally you are playing yourself, 559 00:27:54,280 --> 00:27:56,975 you are being yourself. 560 00:27:57,000 --> 00:28:04,015 Eugene Levy in the TV series The Reluctant Traveller, 561 00:28:08,720 --> 00:28:11,775 this is streaming on Apple TV+ on the 24th of February 562 00:28:11,800 --> 00:28:14,095 which is next Friday, so where did the reluctant traveller 563 00:28:14,120 --> 00:28:15,575 go, where did they take you? 564 00:28:15,600 --> 00:28:16,815 Where did they take me? 565 00:28:16,840 --> 00:28:18,455 They took me all over the world. 566 00:28:18,480 --> 00:28:19,495 This was a show... 567 00:28:19,520 --> 00:28:22,895 I got a call saying Apple TV plus wants you to host a travel 568 00:28:22,920 --> 00:28:24,535 show about exotic hotels around the world. 569 00:28:24,560 --> 00:28:26,175 In the first second I'm going, wow! 570 00:28:26,200 --> 00:28:28,815 I get this call? 571 00:28:28,840 --> 00:28:30,975 And they didn't know anything. 572 00:28:31,000 --> 00:28:33,655 What they didn't know was I'm not fond of travelling. 573 00:28:33,680 --> 00:28:36,575 I really don't love it, you know. 574 00:28:36,600 --> 00:28:41,215 I don't hate it, I just don't love it. 575 00:28:41,240 --> 00:28:46,695 It's like a pain, it's getting through security at an airport 576 00:28:46,760 --> 00:28:50,375 and taking off your things and your shoes, your belt 577 00:28:50,400 --> 00:28:53,015 and getting berated by security people, you know, who are never 578 00:28:53,040 --> 00:28:58,335 in a good mood. 579 00:28:58,400 --> 00:29:01,735 No wonder, how many times a day can you say, take your shoes off. 580 00:29:01,760 --> 00:29:05,375 Take your shoes off. 581 00:29:05,400 --> 00:29:08,935 So by the time you get through that experience I'm ready to go home. 582 00:29:08,960 --> 00:29:12,215 Yeah, we went all over the world and... 583 00:29:12,240 --> 00:29:14,495 Amazing places? 584 00:29:14,520 --> 00:29:18,855 Yeah, the point of the show for me is trying things. 585 00:29:18,880 --> 00:29:21,935 It's just getting to the point where you try things, 586 00:29:21,960 --> 00:29:26,175 go to the places you wouldn't necessarily have gone to. 587 00:29:26,200 --> 00:29:31,295 I wouldn't have booked Lapland to go on vacation near the arctic Circle. 588 00:29:31,360 --> 00:29:36,215 I don't have a very adventurous spirit, I'm not a curious person, 589 00:29:36,240 --> 00:29:39,935 which is one of the reasons I said no from the beginning. 590 00:29:39,960 --> 00:29:42,935 You've got the wrong person, I'm not an explorer. 591 00:29:42,960 --> 00:29:46,855 We've got a clip of you. 592 00:29:46,880 --> 00:29:49,495 This is you in Finland and you are trying out something, 593 00:29:49,520 --> 00:29:51,175 you are trying out some ice fishing. 594 00:29:51,200 --> 00:29:52,255 Oh, God. 595 00:29:52,280 --> 00:29:53,255 Nice to meet you. 596 00:29:53,280 --> 00:29:54,575 Hi, nice to meet you. 597 00:29:54,600 --> 00:29:57,215 This must be Little Lulu. 598 00:29:57,240 --> 00:29:59,615 So he's very anxious to start some fishing. 599 00:29:59,640 --> 00:30:01,095 Well, I've never fished. 600 00:30:01,120 --> 00:30:02,575 Never'? 601 00:30:02,600 --> 00:30:07,615 Never fished, no. 602 00:30:07,680 --> 00:30:10,295 We are going to test a really old-fashioned rod to fish 603 00:30:10,320 --> 00:30:11,735 and hope to get some perch. 604 00:30:11,760 --> 00:30:13,175 We have to make a hole. 605 00:30:13,200 --> 00:30:14,375 Do you want to try? 606 00:30:14,400 --> 00:30:15,415 How's that? 607 00:30:15,440 --> 00:30:20,615 Sounds good. 608 00:30:21,680 --> 00:30:23,615 Are you having a good time? 609 00:30:23,640 --> 00:30:27,095 You are doing well. 610 00:30:27,120 --> 00:30:33,095 I wasn't expecting to manually drill through the ice. 611 00:30:33,280 --> 00:30:36,095 So it takes a lot if you are not used to it. 612 00:30:36,120 --> 00:30:37,335 Do you need some help? 613 00:30:37,360 --> 00:30:40,375 No, I got it. 614 00:30:40,400 --> 00:30:44,575 For anybody with lesser capabilities it might have been a chore, 615 00:30:44,600 --> 00:30:47,615 but, it was kind of one, two, three for me. 616 00:30:47,640 --> 00:30:51,095 Wow. 617 00:30:51,120 --> 00:30:56,815 See, I'm tougher than I look. 618 00:30:56,880 --> 00:31:01,015 Well done. 619 00:31:01,040 --> 00:31:06,735 Eugene's show The Reluctant Traveller is on TV+. 620 00:31:06,800 --> 00:31:11,095 But now I hear it's time to meet our next guest, 621 00:31:11,120 --> 00:31:15,935 hotfoot from the UK premiere of the latest Ant Man 622 00:31:15,960 --> 00:31:17,655 please welcome Paul Rudd and Michael Douglas. 623 00:31:17,680 --> 00:31:21,535 CHEERING. 624 00:31:21,560 --> 00:31:23,015 So nice to see you again. 625 00:31:23,040 --> 00:31:28,535 Nice to see you. 626 00:31:39,040 --> 00:31:40,335 So, welcome, gentlemen. 627 00:31:40,360 --> 00:31:42,695 How was the premiere? 628 00:31:42,720 --> 00:31:46,095 It's kind of happening right now, isn't it? 629 00:31:46,120 --> 00:31:50,175 It has just started and everything. 630 00:31:50,200 --> 00:31:53,215 It's crazy, they have a big press line and there are people 631 00:31:53,240 --> 00:31:55,375 dressed up in costumes, it's like a Come con, really. 632 00:31:55,400 --> 00:31:57,495 But it's very exciting. 633 00:31:57,520 --> 00:31:59,615 Are the people dressed up as your character, Michael? 634 00:31:59,640 --> 00:32:05,735 Unfortunately, yes. 635 00:32:06,160 --> 00:32:08,735 The film, Ant Man And The Wasp, a quantum mania, it 636 00:32:08,760 --> 00:32:09,855 in cinemas from today. 637 00:32:09,880 --> 00:32:12,135 Let's take a look. 638 00:32:12,160 --> 00:32:16,615 Let me make this easy for you. 639 00:32:16,640 --> 00:32:21,855 You will bring me glad news or everything you call life will end. 640 00:32:21,920 --> 00:32:27,175 This is all my fault. 641 00:32:27,240 --> 00:32:29,775 You may not want her to watch this. 642 00:32:29,800 --> 00:32:36,655 We may have a deal. 643 00:32:39,760 --> 00:32:45,215 You thought you could win. 644 00:32:45,280 --> 00:32:48,855 I don't have to win. 645 00:32:48,880 --> 00:32:52,015 We both deserve to lose. 646 00:32:52,040 --> 00:32:58,735 CHEERING. 647 00:32:58,800 --> 00:33:04,335 It is epic. 648 00:33:04,400 --> 00:33:09,575 So, Paul Rudd, Ant Man, he's in a good place. 649 00:33:09,640 --> 00:33:13,655 Yes, he's in a good place. 650 00:33:13,680 --> 00:33:16,535 After the events of Endgame and all of the other Marvel stories 651 00:33:16,560 --> 00:33:19,775 we have seen before, so he's been in jail a few times, 652 00:33:19,800 --> 00:33:24,215 he's been in the quantum room a few times, he's saved the universe. 653 00:33:24,240 --> 00:33:27,215 Great shape. 654 00:33:27,240 --> 00:33:29,055 He's written a book. 655 00:33:29,080 --> 00:33:32,575 He's written a book and he goes, "Finally, I can just rest." 656 00:33:32,600 --> 00:33:36,455 Ancl he's kind of taking a little bit of a victory lap and he gets some 657 00:33:36,480 --> 00:33:39,375 time now to spend with his daughter which is what he wants. 658 00:33:39,400 --> 00:33:42,215 Ancl things are good, for five minutes. 659 00:33:42,240 --> 00:33:45,495 And your character Hank is sort of semi-retired? 660 00:33:45,520 --> 00:33:47,295 Henry to you. 661 00:33:47,320 --> 00:33:51,015 Henry, sorry. 662 00:33:51,040 --> 00:33:54,495 Hank is semi-retired in the second one which is Ant Man And The Wasp. 663 00:33:54,520 --> 00:33:59,975 My wife, Michelle Pfeiffer, named Janet, has been lost 664 00:34:00,440 --> 00:34:03,015 to the quantum realm for 30 years. 665 00:34:03,040 --> 00:34:07,135 30 years. 666 00:34:07,160 --> 00:34:09,855 A long time. 667 00:34:09,880 --> 00:34:17,255 You're selling this film one ticket at a time. 668 00:34:17,400 --> 00:34:20,295 Ancl we have a new member of our family, our grand-daughter Cassie, 669 00:34:20,320 --> 00:34:22,175 Catherine, who makes a little faux pas, 670 00:34:22,200 --> 00:34:27,095 a little faux pas, brings the whole family back to the quantum realm. 671 00:34:27,120 --> 00:34:29,495 Yes, which is what we try to get out of. 672 00:34:29,520 --> 00:34:34,455 You following this? 673 00:34:34,560 --> 00:34:36,175 There will be a quiz afterwards, Judi. 674 00:34:36,200 --> 00:34:42,375 LAUGHTER. 675 00:34:42,440 --> 00:34:45,455 What is the quantum realm? 676 00:34:45,480 --> 00:34:51,655 I just got out about a week ago. 677 00:34:52,800 --> 00:34:54,695 The quantum realm is a really small place. 678 00:34:54,720 --> 00:34:56,775 It's really tiny. 679 00:34:56,800 --> 00:34:59,455 If you look at your pinky and you take the tip 680 00:34:59,480 --> 00:35:01,855 of a needle and just touch it, that's the size 681 00:35:01,880 --> 00:35:08,775 of the quantum realm. 682 00:35:12,320 --> 00:35:17,175 Michael B is following. 683 00:35:17,200 --> 00:35:19,055 The movie takes place in Michael's fingernail. 684 00:35:19,080 --> 00:35:21,455 Let's get into this, let's get into this because there 685 00:35:21,480 --> 00:35:24,615 is a new baddie in this movie played by Jonathan Majors, who also 686 00:35:24,640 --> 00:35:26,055 is opposite you in Creed 3. 687 00:35:26,080 --> 00:35:27,895 He is having an amazing time right now. 688 00:35:27,920 --> 00:35:35,055 He couldn't be more different in these films, it's extraordinary. 689 00:35:35,960 --> 00:35:38,095 He was getting ready to go and film Creed 690 00:35:38,120 --> 00:35:41,735 while we were I'm sorry. 691 00:35:41,760 --> 00:35:44,015 He was in it. 692 00:35:44,040 --> 00:35:47,895 He was in it, I felt bad for you, but I know you can handle yourself. 693 00:35:47,920 --> 00:35:48,935 I can't handle myself. 694 00:35:48,960 --> 00:35:49,975 It was terrifying. 695 00:35:50,000 --> 00:35:53,335 Are they all long fight scenes? 696 00:35:53,360 --> 00:35:56,175 Really long fight scenes, he is a good actor, he's in it. 697 00:35:56,200 --> 00:35:58,415 The choreography, we mapped everything out but... 698 00:35:58,440 --> 00:36:03,055 Occasionally you might miss a step and so it was pretty intense. 699 00:36:03,080 --> 00:36:07,015 Did you actually get hurt hurt? 700 00:36:07,040 --> 00:36:09,175 You cracked a rib, didn't you crack a rib? 701 00:36:09,200 --> 00:36:13,055 I did, I cracked a rib. 702 00:36:13,080 --> 00:36:15,735 Not on Jonathan, on a part of the set. 703 00:36:15,760 --> 00:36:19,735 LAUGHTER. 704 00:36:19,760 --> 00:36:23,855 I went to the side, oh. 705 00:36:23,880 --> 00:36:27,255 Someone else had action scenes with someone in this movie 706 00:36:27,280 --> 00:36:30,055 because Hugh Jackman, you have worked with 707 00:36:30,080 --> 00:36:34,615 The Wasp, Evangeline Lilly? 708 00:36:34,640 --> 00:36:38,655 Yes, Evangeline Lilly in Real Steel. 709 00:36:38,680 --> 00:36:42,615 We had a kiss in the movie and it was the first time 710 00:36:42,640 --> 00:36:45,535 at the premiere as the scene was playing, I realised my son 711 00:36:45,560 --> 00:36:48,015 was there, who was ten and I was like, "Oh, 712 00:36:48,040 --> 00:36:52,975 he's never seen me kiss anyone other than his mum." 713 00:36:53,000 --> 00:36:55,855 And I looked as we go in for the kiss, I looked 714 00:36:55,880 --> 00:36:57,255 at him and he was like... 715 00:36:57,280 --> 00:36:58,455 LAUGHTER. 716 00:36:58,480 --> 00:37:01,575 And I looked at him and he looked at me and he goes, 717 00:37:01,600 --> 00:37:03,015 "You are in so much trouble." 718 00:37:03,040 --> 00:37:04,055 LAUGHTER. 719 00:37:04,080 --> 00:37:07,575 APPLAUSE. 720 00:37:07,600 --> 00:37:10,575 There is another nice connection on the couch because Michael, 721 00:37:10,600 --> 00:37:12,855 you worked with Eugene a long time ago? 722 00:37:12,880 --> 00:37:15,655 In the 70s. 723 00:37:15,680 --> 00:37:17,095 1979. 724 00:37:17,120 --> 00:37:21,215 Yeah, in Montreal, Canada. 725 00:37:21,240 --> 00:37:23,855 Montreal, Canada and New York. 726 00:37:23,880 --> 00:37:25,735 Yeah, I blame New York. 727 00:37:25,760 --> 00:37:26,975 Was that your first movie? 728 00:37:27,000 --> 00:37:31,535 That was my first film. 729 00:37:31,560 --> 00:37:34,415 You were in Second City, weren't you, before that? 730 00:37:34,440 --> 00:37:36,615 Before that, I was in Second City, in 1979, 731 00:37:36,640 --> 00:37:39,735 I wasn't doing much, to be honest. 732 00:37:39,760 --> 00:37:43,095 It was also very early in my career. 733 00:37:43,120 --> 00:37:45,455 I had finished, I did The Streets Of San Francisco, 734 00:37:45,480 --> 00:37:47,535 a series, a few years before that. 735 00:37:47,560 --> 00:37:53,455 APPLAUSE. 736 00:37:53,520 --> 00:37:59,215 We did this movie, I got the part. 737 00:37:59,360 --> 00:38:02,255 I don't know why I got it because when I was auditioning 738 00:38:02,280 --> 00:38:04,655 for it and I was getting laughs in the audition. 739 00:38:04,680 --> 00:38:08,255 I thought, there you go. 740 00:38:08,280 --> 00:38:11,055 I thought it was a drama. 741 00:38:11,080 --> 00:38:14,655 I thought it was a drama and then they came and they said no, no, 742 00:38:14,680 --> 00:38:15,855 no it was very good. 743 00:38:15,880 --> 00:38:19,455 Sol did get the part, but it was kind of nerve-racking. 744 00:38:19,480 --> 00:38:24,415 Look at us, what a line-up you've got here by the way. 745 00:38:24,480 --> 00:38:28,295 CH EERING AND APPLAUSE. 746 00:38:28,320 --> 00:38:32,935 You don't find this in the states. 747 00:38:32,960 --> 00:38:37,255 Judi, you haven't worked with Michael but you had a lovely 748 00:38:37,280 --> 00:38:38,735 hon our from his father, Kirk Douglas? 749 00:38:38,760 --> 00:38:40,215 I did indeed. 750 00:38:40,240 --> 00:38:43,935 I got invited to meet him. 751 00:38:43,960 --> 00:38:45,255 The Santa Barbara International film Festival? 752 00:38:45,280 --> 00:38:46,855 It was, it was. 753 00:38:46,880 --> 00:38:49,975 He wasn't well at the time, but I did go and was invited 754 00:38:50,000 --> 00:38:51,615 to go and meet him. 755 00:38:51,640 --> 00:38:53,455 I will never forget it, ever. 756 00:38:53,480 --> 00:38:56,295 I think we've got a picture of the two of you together. 757 00:38:56,320 --> 00:38:57,375 Oh. 758 00:38:57,400 --> 00:38:58,935 I like that picture. 759 00:38:58,960 --> 00:39:00,895 We'll get you one. 760 00:39:00,920 --> 00:39:03,975 2017. 761 00:39:04,000 --> 00:39:05,535 We also shared a birthday. 762 00:39:05,560 --> 00:39:06,975 Are you September the 25th too? 763 00:39:07,000 --> 00:39:08,455 December the 9th. 764 00:39:08,480 --> 00:39:15,455 LAUGHTER. 765 00:39:20,240 --> 00:39:25,255 One of you is right. 766 00:39:25,320 --> 00:39:28,535 That was dad's birthday. 767 00:39:28,560 --> 00:39:30,615 We shared it. 768 00:39:30,640 --> 00:39:33,215 Must be me. 769 00:39:33,240 --> 00:39:37,255 Earlier we were talking about getting in shape in film 770 00:39:37,280 --> 00:39:39,855 so when you are Ant Man is their pressure to really 771 00:39:39,880 --> 00:39:44,295 bulk up the Ant Man? 772 00:39:44,320 --> 00:39:47,175 I try and get in shape and there is a whole kind 773 00:39:47,200 --> 00:39:50,455 of regimen I go through. 774 00:39:50,480 --> 00:39:51,935 I have in each one. 775 00:39:51,960 --> 00:39:54,575 I was doing it for this one too and working out 776 00:39:54,600 --> 00:39:55,615 simultaneously with Jonathan. 777 00:39:55,640 --> 00:39:56,615 WOW! 778 00:39:56,640 --> 00:40:00,015 Yeah, which seemed kind of just pointless. 779 00:40:00,040 --> 00:40:02,015 Also, Wolverine, Creed, they take their shirts off. 780 00:40:02,040 --> 00:40:04,295 Ant Man never takes his shirt off? 781 00:40:04,320 --> 00:40:07,215 I stupidly realised that about half way through filming. 782 00:40:07,240 --> 00:40:10,455 I thought, why am I putting myself through this? 783 00:40:10,480 --> 00:40:17,975 The suit can do most of the work. 784 00:40:18,160 --> 00:40:21,055 I like to think it gave me enough, my conditioning was good 785 00:40:21,080 --> 00:40:23,175 and I was able to film throughout the clay. 786 00:40:23,200 --> 00:40:24,615 We know he has great abs. 787 00:40:24,640 --> 00:40:26,735 Yeah. 788 00:40:26,760 --> 00:40:28,335 Do we know? 789 00:40:28,360 --> 00:40:32,375 Michael talks about little else. 790 00:40:32,400 --> 00:40:36,255 We are out of time and it's such a pleasure to have you on the show. 791 00:40:36,280 --> 00:40:38,615 Thank you so much and good luck with the film. 792 00:40:38,640 --> 00:40:39,855 Paul Rudd and Michael Douglas! 793 00:40:39,880 --> 00:40:43,735 CH EERING AND APPLAUSE. 794 00:40:43,760 --> 00:40:47,175 Right, this is special, time for music. 795 00:40:47,200 --> 00:40:50,095 With 60 million album sales worldwide, this pop superstar 796 00:40:50,120 --> 00:40:53,615 is the UK's most played female artist of the century. 797 00:40:53,640 --> 00:40:56,855 Here, with a really amazing performance of the title track 798 00:40:56,880 --> 00:40:59,775 from her ninth studio album, Trust fall it is, Pink! 799 00:40:59,800 --> 00:41:06,735 CH EERING AND APPLAUSE. 800 00:41:11,080 --> 00:41:13,775 # Trust fall, baby 801 00:41:13,800 --> 00:41:15,855 # Picture a place where it all doesn't hurt 802 00:41:15,880 --> 00:41:19,535 # Where everything's safe and it doesn't get worse, oh my 803 00:41:19,560 --> 00:41:25,575 # We see through bloodshot eyes 804 00:41:25,640 --> 00:41:29,375 # Picture a place, somewhere else far away 805 00:41:29,400 --> 00:41:35,295 # Where you know what they mean and they mean what they say to us 806 00:41:35,360 --> 00:41:42,895 # and would that be enough? 807 00:41:42,960 --> 00:41:46,415 # Are we running out of time? 808 00:41:46,440 --> 00:41:50,575 # Are we hiding from the light? 809 00:41:50,600 --> 00:41:57,415 # Are we just too scared to fight for what we want tonight? 810 00:41:57,480 --> 00:42:01,575 # Close your eyes and leave it all behind 811 00:42:01,600 --> 00:42:04,815 # Go where love is on our side 812 00:42:04,840 --> 00:42:08,495 # It's a trust fall, baby 813 00:42:08,520 --> 00:42:11,935 # It's a trust fall, baby 814 00:42:11,960 --> 00:42:17,255 # You and I and everyone alive 815 00:42:17,320 --> 00:42:23,695 # We can run into the fire It's a trust fall, baby 816 00:42:23,760 --> 00:42:27,095 # Yeah, it's a trust fall, baby 817 00:42:27,120 --> 00:42:33,015 #jump with me, come with me, burn like the sun 818 00:42:33,080 --> 00:42:36,495 #jump with me, come with me, burn like the sun 819 00:42:36,520 --> 00:42:38,935 # We'll talk, then we'll cry, then we'll laugh 820 00:42:38,960 --> 00:42:42,655 # till we're done, oh my 821 00:42:42,680 --> 00:42:48,335 # It's like we're out our minds 822 00:42:48,400 --> 00:42:53,495 # We've been running for our lives 823 00:42:53,560 --> 00:42:57,615 # We've been hiding from the light 824 00:42:57,640 --> 00:43:04,295 # We've been far too scared to fight for what we want tonight 825 00:43:04,360 --> 00:43:08,255 # Close your eyes and leave it all behind 826 00:43:08,280 --> 00:43:11,295 # Go where love is on our side 827 00:43:11,320 --> 00:43:14,975 # It's a trust fall, baby 828 00:43:15,000 --> 00:43:18,855 # Yeah it's a trust fall, baby 829 00:43:18,880 --> 00:43:22,495 # What if we just fall? 830 00:43:22,520 --> 00:43:25,615 # I'm not going without you 831 00:43:25,640 --> 00:43:29,455 # And you're not going alone 832 00:43:29,480 --> 00:43:33,295 # I fell so far till I found you 833 00:43:33,320 --> 00:43:37,175 # But you know what you know when you know 834 00:43:37,200 --> 00:43:41,295 # So I'm not going without you 835 00:43:41,320 --> 00:43:46,495 # And you're not going alone 836 00:43:46,560 --> 00:43:51,815 # 'Cause you know when you know 837 00:43:51,880 --> 00:43:55,415 # Close your eyes and leave it all behind 838 00:43:55,440 --> 00:43:58,535 # Go where love is on our side 839 00:43:58,560 --> 00:44:02,855 # It's a trust fall, baby 840 00:44:02,880 --> 00:44:09,775 # It's a trust fall, baby 841 00:44:09,840 --> 00:44:13,415 # What if we just fall? 842 00:44:13,440 --> 00:44:17,575 # What if we just fall? 843 00:44:17,600 --> 00:44:21,695 # What if we just fall? 844 00:44:21,720 --> 00:44:25,175 # What if we just fall? 845 00:44:25,200 --> 00:44:30,295 # What if we just fall? 846 00:44:30,320 --> 00:44:34,655 # What if we just...# 847 00:44:34,680 --> 00:44:42,175 CH EERING AND APPLAUSE. 848 00:44:45,280 --> 00:44:46,975 How incredible was that? 849 00:44:47,000 --> 00:44:53,935 CH EERING AND APPLAUSE. 850 00:44:57,320 --> 00:44:59,615 That is one for the ages. 851 00:44:59,640 --> 00:45:05,855 Thank you so much. 852 00:45:08,920 --> 00:45:12,935 Pink, this is everybody. 853 00:45:12,960 --> 00:45:19,135 I have so much room. 854 00:45:22,200 --> 00:45:23,375 He put his hand down. 855 00:45:23,400 --> 00:45:24,415 At that old trick. 856 00:45:24,440 --> 00:45:25,815 I think that was amazing. 857 00:45:25,840 --> 00:45:26,855 Thank you. 858 00:45:26,880 --> 00:45:27,975 Johann? 859 00:45:28,000 --> 00:45:29,055 Yes, he's incredible. 860 00:45:29,080 --> 00:45:35,135 APPLAUSE. 861 00:45:35,200 --> 00:45:36,775 How did you find him? 862 00:45:36,800 --> 00:45:38,415 On the gram. 863 00:45:38,440 --> 00:45:42,135 On the gram? 864 00:45:42,160 --> 00:45:45,055 Yes, I think I've seen a video of you... 865 00:45:45,080 --> 00:45:47,455 I've been watching him perform the years and I finally, 866 00:45:47,480 --> 00:45:49,535 thank you for letting me do that. 867 00:45:49,560 --> 00:45:52,615 It's the least work I've ever clone in a performance, so thank you. 868 00:45:52,640 --> 00:45:59,135 Just incredible, incredible. 869 00:45:59,200 --> 00:46:02,415 That is the title track of the album which is out today, congratulations. 870 00:46:02,440 --> 00:46:08,295 CH EERING AND APPLAUSE. 871 00:46:11,360 --> 00:46:18,375 And when I heard we were sourcing a trampoline for Pink, 872 00:46:18,920 --> 00:46:21,415 I assumed you would be trampolining. 873 00:46:21,440 --> 00:46:24,055 I know, I feel like I've kind of let you down. 874 00:46:24,080 --> 00:46:25,215 But that wouldn't have happened. 875 00:46:25,240 --> 00:46:26,295 Crash cart and medics. 876 00:46:26,320 --> 00:46:28,695 You have become famous now for doing these aerial stunts? 877 00:46:28,720 --> 00:46:29,695 I am Pinkerbell. 878 00:46:29,720 --> 00:46:31,815 LAUGHTER. 879 00:46:31,840 --> 00:46:33,775 You've watched the aerial stunts that Pink does? 880 00:46:33,800 --> 00:46:36,935 Yeah, it's incredible. 881 00:46:36,960 --> 00:46:39,375 It's a lot of fun, it's very scary, it's fun. 882 00:46:39,400 --> 00:46:42,575 I was afraid of heights so I decided I had to do it. 883 00:46:42,600 --> 00:46:46,695 That begs the question, why? 884 00:46:46,720 --> 00:46:49,575 Lots of people go on tour and they stay on the stage 885 00:46:49,600 --> 00:46:50,775 and they sing the songs. 886 00:46:50,800 --> 00:46:52,935 My mum asks me why I won't do that. 887 00:46:52,960 --> 00:46:57,295 Why would you when you can do that? 888 00:46:57,320 --> 00:47:00,735 I love the ones where you are, these ones, I love these ones. 889 00:47:00,760 --> 00:47:02,535 It's really fun. 890 00:47:02,560 --> 00:47:04,695 I can't describe it. 891 00:47:04,720 --> 00:47:07,135 Are you singing live when you are up in those? 892 00:47:07,160 --> 00:47:09,815 Always, I will never, I have never lip-synched in my life. 893 00:47:09,840 --> 00:47:10,815 APPLAUSE. 894 00:47:10,840 --> 00:47:12,735 But that must be so hard? 895 00:47:12,760 --> 00:47:15,815 I don't know if it's hard, because I'm a screamer, 896 00:47:15,840 --> 00:47:21,975 I don't sing ballads. 897 00:47:22,200 --> 00:47:24,975 Is it a different feeling from the fans, you get the energy 898 00:47:25,000 --> 00:47:26,935 as opposed to being on stage? 899 00:47:26,960 --> 00:47:30,055 You get to see everybody, I can see that one kid that had 900 00:47:30,080 --> 00:47:31,095 to drive his sister. 901 00:47:31,120 --> 00:47:33,855 LAUGHTER. 902 00:47:33,880 --> 00:47:36,415 20,000 people and I'm like oh, yeah, you're the one. 903 00:47:36,440 --> 00:47:39,495 Don't smile. 904 00:47:39,520 --> 00:47:42,375 She is going to win you over. 905 00:47:42,400 --> 00:47:45,495 That kid can go and see you on tour because you are bringing 906 00:47:45,520 --> 00:47:46,695 Summer Carnival to the UK. 907 00:47:46,720 --> 00:47:50,255 Tickets are available now. 908 00:47:50,280 --> 00:47:53,135 It kicks off in Bolton on the 7th ofjune and this 909 00:47:53,160 --> 00:47:55,335 is all big arenas, right? 910 00:47:55,360 --> 00:47:57,895 Stadiums. 911 00:47:57,920 --> 00:48:00,535 And a few dates in Hyde Park, that would be amazing? 912 00:48:00,560 --> 00:48:01,895 CH EERING AND APPLAUSE. 913 00:48:01,920 --> 00:48:05,735 Hyde Park is magic, I did it once before and it's magic. 914 00:48:05,760 --> 00:48:08,615 I heard last year's was the hottest clay on record, so I'm 915 00:48:08,640 --> 00:48:09,695 trying to avoid that. 916 00:48:09,720 --> 00:48:16,215 The chances of that happening again are quite slim. 917 00:48:16,840 --> 00:48:19,295 Pink, I can't thank you enough for that performance. 918 00:48:19,320 --> 00:48:20,735 Thank you for having me back. 919 00:48:20,760 --> 00:48:22,375 It was just epic, really, really special. 920 00:48:22,400 --> 00:48:23,455 APPLAUSE. 921 00:48:23,480 --> 00:48:25,895 Good luck with the album and the tour, Pink everybody. 922 00:48:25,920 --> 00:48:28,895 CH EERING AND APPLAUSE. 923 00:48:28,920 --> 00:48:31,775 That is it for tonight, no time for red chairs I'm afraid, 924 00:48:31,800 --> 00:48:34,415 so please say a huge thank you to my other guests 925 00:48:34,440 --> 00:48:38,175 tonight, Eugene Levy. 926 00:48:38,200 --> 00:48:39,215 Michael P Jordan. 927 00:48:39,240 --> 00:48:40,215 Hugh Jackman. 928 00:48:40,240 --> 00:48:41,335 Damejudi Dench. 929 00:48:41,360 --> 00:48:43,655 Michael Douglas. 930 00:48:43,680 --> 00:48:44,695 And Paul Rudd. 931 00:48:44,720 --> 00:48:50,335 CH EERING AND APPLAUSE. 932 00:48:51,480 --> 00:48:53,415 Join me next week with singer, Freya Ridings. 933 00:48:53,440 --> 00:48:55,575 The Mandolorian's Pedro Pascal, Oscar-winner Ariana DeBose, 934 00:48:55,600 --> 00:48:59,055 and acting greats Sir Patrick Stewart and Dame Helen Mirren. 935 00:48:59,080 --> 00:49:00,775 I'll see you then, good night everybody. 936 00:49:00,800 --> 00:49:07,655 Bye-bye.