1 00:00:15,580 --> 00:00:19,180 CHEERING AND APPLAUSE 2 00:00:19,180 --> 00:00:20,220 Hello! 3 00:00:20,220 --> 00:00:22,500 Hey, hello. 4 00:00:22,500 --> 00:00:25,540 Oh, thank you very much. 5 00:00:25,540 --> 00:00:26,860 Hello, everybody. 6 00:00:26,860 --> 00:00:27,940 Hi. 7 00:00:27,940 --> 00:00:29,300 Good evening. 8 00:00:29,300 --> 00:00:31,940 You are so welcome to the show. 9 00:00:31,940 --> 00:00:35,260 Now, sorry I'm a bit late tonight, but what a great Traitors final! 10 00:00:35,260 --> 00:00:36,780 Hmm? Hmm? 11 00:00:36,780 --> 00:00:38,900 LAUGHTER 12 00:00:38,900 --> 00:00:42,300 Yes, he, she, they - such worthy winners! 13 00:00:42,300 --> 00:00:44,820 We have got some great guests for you tonight. 14 00:00:44,820 --> 00:00:46,740 I'll tell you, I couldn't be more overexcited 15 00:00:46,740 --> 00:00:49,380 if I was Victoria Beckham, about to twerk on my son 16 00:00:49,380 --> 00:00:52,180 in front of the new in-laws. 17 00:00:52,180 --> 00:00:56,180 But who is on my sofa tonight? 18 00:00:56,180 --> 00:00:59,140 Well, singing for us later, this Brit Award-winning rapper 19 00:00:59,140 --> 00:01:01,300 has given us some huge anthems like Pass Out 20 00:01:01,300 --> 00:01:03,220 and Written In The Stars. 21 00:01:03,220 --> 00:01:05,140 Now he's back with a new track, Energy. 22 00:01:05,140 --> 00:01:06,620 It is Mr Tinie Tempah! 23 00:01:06,620 --> 00:01:10,860 CHEERING AND APPLAUSE 24 00:01:10,860 --> 00:01:11,940 There he is! 25 00:01:11,940 --> 00:01:12,980 Hello. 26 00:01:12,980 --> 00:01:14,180 So good to see you. 27 00:01:14,180 --> 00:01:15,380 Welcome back to the show. 28 00:01:15,380 --> 00:01:16,420 Thank you so much. 29 00:01:16,420 --> 00:01:20,500 Have a seat there 30 00:01:20,500 --> 00:01:22,820 Yeah! 31 00:01:22,820 --> 00:01:25,220 As Steve Harrington, this musician and actor was the breakout 32 00:01:25,220 --> 00:01:29,100 star of the global hit Stranger Things. 33 00:01:29,100 --> 00:01:31,500 While a singer, Djo, he recently topped the UK charts 34 00:01:31,500 --> 00:01:33,180 with his hit song End of Beginning. 35 00:01:33,180 --> 00:01:36,260 His latest album is The Crux. 36 00:01:36,260 --> 00:01:39,300 It is a first time welcome to Joe Keery. 37 00:01:39,300 --> 00:01:40,300 CHEERING AND APPLAUSE 38 00:01:40,300 --> 00:01:41,340 Here he is. 39 00:01:41,340 --> 00:01:42,380 Hey. 40 00:01:42,380 --> 00:01:43,420 Hello. 41 00:01:43,420 --> 00:01:44,460 Hi. 42 00:01:44,460 --> 00:01:45,500 Nice to see you. 43 00:01:45,500 --> 00:01:50,420 There he is. 44 00:01:50,420 --> 00:01:54,260 And this Golden Globe and Emmy winning star of The Crown kicked ass 45 00:01:54,260 --> 00:01:57,620 in The Girl in the Spider's web and moved us in the haunting drama 46 00:01:57,620 --> 00:02:00,620 All Of Us Strangers. 47 00:02:00,620 --> 00:02:03,980 Her latest, H is for Hawk, is a tale of lost love and falconry. 48 00:02:03,980 --> 00:02:05,660 It is our good friend, Claire Foy. 49 00:02:05,660 --> 00:02:06,700 CHEERING AND APPLAUSE 50 00:02:06,700 --> 00:02:08,260 Hey! 51 00:02:08,260 --> 00:02:09,940 Hello. 52 00:02:09,940 --> 00:02:13,180 Hi, there. 53 00:02:13,180 --> 00:02:14,220 Hi, guys. 54 00:02:14,220 --> 00:02:17,420 Hi. 55 00:02:17,420 --> 00:02:20,780 We first met this Geordie duo as PJ and Duncan on Byker Grove, from 56 00:02:20,780 --> 00:02:23,620 which they conquered children's TV and became the biggest TV stars 57 00:02:23,620 --> 00:02:28,020 of our time with such shows as Britain's Got Talent, 58 00:02:28,020 --> 00:02:30,220 Saturday Night Takeaway and the unstoppable I'm a Celeb. 59 00:02:30,220 --> 00:02:31,900 Now they're launching a brand new podcast, 60 00:02:31,900 --> 00:02:33,340 Hanging Out With Ant and Dec. 61 00:02:33,340 --> 00:02:34,380 Let's do that! 62 00:02:34,380 --> 00:02:36,260 It's Ant McPartlin and Declan Donnelly. 63 00:02:36,260 --> 00:02:39,020 CHEERING AND APPLAUSE 64 00:02:39,020 --> 00:02:43,460 Hello, hello. 65 00:02:43,460 --> 00:02:45,740 Hello, everybody. 66 00:02:45,740 --> 00:02:48,340 Hi, guys. 67 00:02:48,340 --> 00:02:49,380 Hi. 68 00:02:49,380 --> 00:02:51,100 Sit down, sit down. 69 00:02:51,100 --> 00:02:53,540 Hey! 70 00:02:53,540 --> 00:03:00,220 Welcome, everybody. 71 00:03:00,220 --> 00:03:02,340 We apologise for the late start, but Traitors final, 72 00:03:02,340 --> 00:03:03,780 what are you going to do? 73 00:03:03,780 --> 00:03:05,460 A first time welcome to Joe Keery. 74 00:03:05,460 --> 00:03:06,540 Thank you very much. 75 00:03:06,540 --> 00:03:07,700 Thank you for having me. 76 00:03:07,700 --> 00:03:10,580 And what an amazing time to be meeting you. 77 00:03:10,580 --> 00:03:13,700 Stranger Things, the final is out there, and you have the number one 78 00:03:13,700 --> 00:03:14,900 song all over the world. 79 00:03:14,900 --> 00:03:15,940 Crazy! 80 00:03:15,940 --> 00:03:17,020 CHEERING AND APPLAUSE 81 00:03:17,020 --> 00:03:19,900 Amazing. 82 00:03:19,900 --> 00:03:21,580 Crazy. 83 00:03:21,580 --> 00:03:24,220 And has it kind of sunk in that you won't be 84 00:03:24,220 --> 00:03:26,620 going back to Stranger Things? 85 00:03:26,620 --> 00:03:30,300 You know, yeah, it did on the final day that it came out. 86 00:03:30,300 --> 00:03:33,180 It came out New Year's, so New Year's Day, I definitely woke 87 00:03:33,180 --> 00:03:36,060 up and felt like, "Wow, OK, that's the end of an era". 88 00:03:36,060 --> 00:03:42,060 I don't know you were on a show like that, 89 00:03:42,060 --> 00:03:45,180 I don't know if you feel like, I don't know when you finish 90 00:03:45,180 --> 00:03:47,100 something like that, it's so finite and done. 91 00:03:47,100 --> 00:03:49,260 And I was definitely left with, you know, bittersweetness. 92 00:03:49,260 --> 00:03:50,300 Well, it's ten years? 93 00:03:50,300 --> 00:03:51,340 Ten years. 94 00:03:51,340 --> 00:03:53,500 So 2016 was when Stranger Things launched on Netflix. 95 00:03:53,500 --> 00:03:54,540 Yeah. 96 00:03:54,540 --> 00:03:57,420 The same year that Netflix launched The Crown, with one Claire Foy 97 00:03:57,420 --> 00:03:58,460 playing the Queen. 98 00:03:58,460 --> 00:03:59,500 Good year. 99 00:03:59,500 --> 00:04:00,540 CHEERING AND APPLAUSE 100 00:04:00,540 --> 00:04:01,580 Yeah. 101 00:04:01,580 --> 00:04:02,620 And, yes, I know. 102 00:04:02,620 --> 00:04:03,660 Yeah. 103 00:04:03,660 --> 00:04:06,060 I mean, they were having quite the year that year. 104 00:04:06,060 --> 00:04:07,260 Yeah, they covered all bases. 105 00:04:07,260 --> 00:04:08,300 They did. 106 00:04:08,300 --> 00:04:09,340 With their programming. 107 00:04:09,340 --> 00:04:10,380 They did. 108 00:04:10,380 --> 00:04:11,580 "Who haven't we reached?" Yeah. 109 00:04:11,580 --> 00:04:13,500 Here's the thing, Claire, I believe there's also 110 00:04:13,500 --> 00:04:14,740 a frisson of excitement? 111 00:04:14,740 --> 00:04:15,820 Oh, gosh. 112 00:04:15,820 --> 00:04:20,140 That you are sat next to Mr Ant and Mr Dec. 113 00:04:20,140 --> 00:04:21,180 Hi! 114 00:04:21,180 --> 00:04:22,700 Hi. 115 00:04:22,700 --> 00:04:26,540 You've made it awkward, Graham! 116 00:04:26,540 --> 00:04:29,940 Is this, am I supposed to say something now? 117 00:04:29,940 --> 00:04:31,180 Um... 118 00:04:31,180 --> 00:04:34,940 Let me just let me just check the format. 119 00:04:34,940 --> 00:04:38,020 Yes. 120 00:04:38,020 --> 00:04:39,980 This is becoming really tense. 121 00:04:39,980 --> 00:04:41,820 OK, right, so, OK, here's the thing, 122 00:04:41,820 --> 00:04:44,940 when I was at school - and this is not going to sound... 123 00:04:44,940 --> 00:04:46,940 Anyway, when I was at school, 124 00:04:46,940 --> 00:04:50,860 there was a talent competition that we did every year at school. 125 00:04:50,860 --> 00:04:54,340 And one year the cool girls at school were doing Let's 126 00:04:54,340 --> 00:04:55,420 Get Ready to Rhumble. 127 00:04:55,420 --> 00:04:56,460 Oh! 128 00:04:56,460 --> 00:04:58,860 And somehow I ended up being included, because I think 129 00:04:58,860 --> 00:04:59,900 someone dropped out. 130 00:04:59,900 --> 00:05:01,580 And, it's one of my proudest moments. 131 00:05:01,580 --> 00:05:03,740 And the finale of the whole thing was - 132 00:05:03,740 --> 00:05:06,860 this is a bit weird and creepy, so don't react while I'm saying 133 00:05:06,860 --> 00:05:08,540 this, because otherwise it'll sound really strange. 134 00:05:08,540 --> 00:05:12,820 We pulled our trousers down! 135 00:05:12,820 --> 00:05:14,220 Oh, my God! 136 00:05:14,220 --> 00:05:16,860 The whole point was we had like, you know, like boxer 137 00:05:16,860 --> 00:05:18,220 shorts underneath. 138 00:05:18,220 --> 00:05:21,340 And we spelt out Rhumble on our bums and I was the B. 139 00:05:21,340 --> 00:05:22,380 That's amazing. 140 00:05:22,380 --> 00:05:23,420 There you go. 141 00:05:23,420 --> 00:05:24,460 Very good. 142 00:05:24,460 --> 00:05:25,900 Different times, different times, different times. 143 00:05:25,900 --> 00:05:27,100 We should've have done that. 144 00:05:27,100 --> 00:05:29,020 We would have been far more successful than 145 00:05:29,020 --> 00:05:31,660 we were as pop stars if we'd pulled our trousers down. 146 00:05:31,660 --> 00:05:32,860 Did you spell "rumble" correctly? 147 00:05:32,860 --> 00:05:34,540 We didn't do the H I think. 148 00:05:34,540 --> 00:05:35,580 You dropped the H? 149 00:05:35,580 --> 00:05:37,020 Maybe we did, I don't know. 150 00:05:37,020 --> 00:05:39,660 I mean, I was the B, I couldn't see what was 151 00:05:39,660 --> 00:05:41,180 happening up the line. 152 00:05:41,180 --> 00:05:44,100 You've been on the show so many times I've never noticed that 153 00:05:44,100 --> 00:05:45,780 it's spelt with an H, your rumble. 154 00:05:45,780 --> 00:05:46,820 Yeah. 155 00:05:46,820 --> 00:05:48,740 I still don't know why we did that. 156 00:05:48,740 --> 00:05:49,940 Do you not know why? 157 00:05:49,940 --> 00:05:51,140 To make it different maybe? 158 00:05:51,140 --> 00:05:54,020 I think it was supposed to be, it was supposed to be 159 00:05:54,020 --> 00:05:56,420 that the rumble was a dance move, not a fight. 160 00:05:56,420 --> 00:05:58,100 So the rumble was like a rumba. 161 00:05:58,100 --> 00:05:59,260 Is that what it was? 162 00:05:59,260 --> 00:06:00,740 Have I just made that up? 163 00:06:00,740 --> 00:06:01,780 Maybe. 164 00:06:01,780 --> 00:06:03,940 I think it's something to do with the wrestling 165 00:06:03,940 --> 00:06:04,980 had trademarked. 166 00:06:04,980 --> 00:06:06,020 The boxing! 167 00:06:06,020 --> 00:06:07,060 Was it the boxing? 168 00:06:07,060 --> 00:06:08,260 Let's get ready to rumble! 169 00:06:08,260 --> 00:06:10,180 I think he trade, the guy who does. 170 00:06:10,180 --> 00:06:11,220 Isn't that wrestling? 171 00:06:11,220 --> 00:06:12,260 No, that's boxing. 172 00:06:12,260 --> 00:06:13,300 Oh, is it? 173 00:06:13,300 --> 00:06:14,340 Yeah. 174 00:06:14,340 --> 00:06:16,980 The guy that does the intros, I think he trademarked that. 175 00:06:16,980 --> 00:06:20,100 So we just put in an H and we got away with it! 176 00:06:20,100 --> 00:06:21,140 Yeah. 177 00:06:21,140 --> 00:06:23,300 But even even getting Let's Get Ready To RHumble 178 00:06:23,300 --> 00:06:25,700 for the first time by the writers of that song, 179 00:06:25,700 --> 00:06:28,100 I remember reading the lyrics thinking, "This is just waffle!" 180 00:06:28,100 --> 00:06:29,300 Like, "What are these lyrics?" 181 00:06:29,300 --> 00:06:36,020 "Sit back, rap attack, don't take no flat rhyme and time 182 00:06:36,020 --> 00:06:37,420 "to the rhythm of the track. 183 00:06:37,420 --> 00:06:40,060 I still remember it, but I'm not saying it makes sense. 184 00:06:40,060 --> 00:06:41,100 I still remember it. 185 00:06:41,100 --> 00:06:43,260 But yeah, it was, we were like this, 186 00:06:43,260 --> 00:06:45,420 Nobody talks like this, we don't talk like this. 187 00:06:45,420 --> 00:06:46,500 We're from Newcastle. 188 00:06:46,500 --> 00:06:49,100 But yeah, it kind of worked and people, people liked it. 189 00:06:49,100 --> 00:06:50,140 Yeah. 190 00:06:50,140 --> 00:06:51,820 And this is exciting, not just music, 191 00:06:51,820 --> 00:06:53,500 Tinie Tempah guest Dragon on Dragons' Den. 192 00:06:53,500 --> 00:07:00,140 Yeah, very random, yeah. 193 00:07:00,140 --> 00:07:03,700 Now did you did you invest much, or did you sit there with your big 194 00:07:03,700 --> 00:07:05,900 pile of money and go, "I'm keeping that!" 195 00:07:05,900 --> 00:07:09,260 You know what, when I first got on set, I saw all the money 196 00:07:09,260 --> 00:07:12,180 and I was like, "I should just take this". 197 00:07:12,180 --> 00:07:16,380 But no, beyond that, honestly, it was one of the most amazing 198 00:07:16,380 --> 00:07:18,780 experiences, because apart from this show, obviously and Traitors, it's 199 00:07:18,780 --> 00:07:21,180 one of my favourite shows to watch. 200 00:07:21,180 --> 00:07:28,420 And, you know, I've been investing on an angel level, and... 201 00:07:28,420 --> 00:07:29,460 Oh, yeah. 202 00:07:29,460 --> 00:07:30,500 Sorry, sorry, sorry. 203 00:07:30,500 --> 00:07:31,940 And I'm A Celebrity, yeah, yeah. 204 00:07:31,940 --> 00:07:32,980 Thank you. 205 00:07:32,980 --> 00:07:34,900 And Stranger Things is very good as well. 206 00:07:34,900 --> 00:07:35,940 Yeah. 207 00:07:35,940 --> 00:07:39,620 And the crowd. 208 00:07:39,620 --> 00:07:40,660 And the Crown. 209 00:07:40,660 --> 00:07:42,140 Oh, no, what have I done? 210 00:07:42,140 --> 00:07:45,260 But yeah, for me, as someone who's kind of only entered that space 211 00:07:45,260 --> 00:07:47,700 on a kind of angel level and relatively passively, 212 00:07:47,700 --> 00:07:50,820 even though I know the producers of Dragon's Den will not like me 213 00:07:50,820 --> 00:07:52,500 to say that, especially before it's aired. 214 00:07:52,500 --> 00:07:54,900 It was a great learning curve for me, because some 215 00:07:54,900 --> 00:07:56,100 of those guys are serious. 216 00:07:56,100 --> 00:07:58,260 You know, Peter Jones, you know, Stephen is now 217 00:07:58,260 --> 00:08:00,180 emerging in that world, Deborah Meaden, Touker Suleyman, 218 00:08:00,180 --> 00:08:02,620 these guys are legendary Dragons. 219 00:08:02,620 --> 00:08:05,500 So to kind of just be sitting on the couch or, sorry, 220 00:08:05,500 --> 00:08:09,780 on my own chair alongside - it wasn't as comfortable as this! 221 00:08:09,780 --> 00:08:12,100 You know, hearing all of the due diligence 222 00:08:12,100 --> 00:08:14,900 questions they'd be asking, picking apart the businesses. 223 00:08:14,900 --> 00:08:16,820 For me, it was such a great experience. 224 00:08:16,820 --> 00:08:18,980 And yeah, there is an investment or two, yeah. 225 00:08:18,980 --> 00:08:20,660 Oh, fantastic, well, looking forward to that. 226 00:08:20,660 --> 00:08:22,700 Yeah. 227 00:08:22,700 --> 00:08:25,340 But first up, TV's Ant and Dec are joining the world 228 00:08:25,340 --> 00:08:26,660 of podcasts - cutting edge! 229 00:08:26,660 --> 00:08:29,740 Hanging Out With Ant and Dec is what is called. 230 00:08:29,740 --> 00:08:31,500 Episodes will be biweekly on Thursdays, 231 00:08:31,500 --> 00:08:35,220 with a bonus episode landing every Monday. 232 00:08:35,220 --> 00:08:37,380 And I suppose, you know the world of podcasts, 233 00:08:37,380 --> 00:08:41,460 it's a crowded world. 234 00:08:41,460 --> 00:08:43,900 But you weirdly, this is the podcast, 235 00:08:43,900 --> 00:08:46,060 but you went into podcasting very early doors when 236 00:08:46,060 --> 00:08:47,100 no-one was doing it. 237 00:08:47,100 --> 00:08:49,060 Yeah, years ago. 238 00:08:49,060 --> 00:08:51,980 It was probably about 15 years ago, and it had just started 239 00:08:51,980 --> 00:08:53,140 out as very, very new. 240 00:08:53,140 --> 00:08:54,820 And we had this idea to do, 241 00:08:54,820 --> 00:08:57,940 we used to hang out a lot, when we were a bit younger, 242 00:08:57,940 --> 00:09:01,780 and we used to go to the pub a lot, so we thought we should do 243 00:09:01,780 --> 00:09:04,420 a podcast in the pub, let's just do down the pub 244 00:09:04,420 --> 00:09:05,460 with Ant and Dec. 245 00:09:05,460 --> 00:09:08,340 So we brought a couple of mates, a bit of recording equipment, 246 00:09:08,340 --> 00:09:11,700 went down the pub and had a night in the pub and recorded it. 247 00:09:11,700 --> 00:09:12,900 What could possibly go wrong? 248 00:09:12,900 --> 00:09:16,020 It started out really fun and really good and then we listened back 249 00:09:16,020 --> 00:09:18,900 to the tapes and by the end of the night we're just 250 00:09:18,900 --> 00:09:20,340 like a couple of pub bores. 251 00:09:20,340 --> 00:09:21,380 Oh, my God. 252 00:09:21,380 --> 00:09:23,540 And we thought, God, we cannot put this out. 253 00:09:23,540 --> 00:09:25,700 Like, repeating the same stories, slurring our words - 254 00:09:25,700 --> 00:09:26,900 it wasn't a good listen. 255 00:09:26,900 --> 00:09:27,940 So we shelved it. 256 00:09:27,940 --> 00:09:29,860 We've still got those tapes somewhere locked away. 257 00:09:29,860 --> 00:09:31,540 They'll never see the light of day. 258 00:09:31,540 --> 00:09:33,460 We stepped back from it for a bit. 259 00:09:33,460 --> 00:09:35,380 And then here we are 15 years later, 260 00:09:35,380 --> 00:09:40,460 we've both got very small children who take up a lot of our time. 261 00:09:40,460 --> 00:09:43,020 We don't hang out now as much as we used to, 262 00:09:43,020 --> 00:09:44,060 because we've got... 263 00:09:44,060 --> 00:09:45,100 Aw! 264 00:09:45,100 --> 00:09:46,140 Ant's moved home. 265 00:09:46,140 --> 00:09:48,540 So we are now geographically further away from each other 266 00:09:48,540 --> 00:09:49,700 than we've ever been. 267 00:09:49,700 --> 00:09:52,460 Aw! 268 00:09:52,460 --> 00:09:55,660 So we don't, we don't hang out as much as we used to. 269 00:09:55,660 --> 00:09:58,300 So we thought if we put a podcast in the diary, 270 00:09:58,300 --> 00:10:01,420 that will force us to hang out and we have to get out 271 00:10:01,420 --> 00:10:02,460 of the house. 272 00:10:02,460 --> 00:10:03,500 It's great. 273 00:10:03,500 --> 00:10:04,540 And you're paid? 274 00:10:04,540 --> 00:10:05,700 Yeah. 275 00:10:05,700 --> 00:10:08,220 Well, they tell us we're going to get paid for it, 276 00:10:08,220 --> 00:10:09,260 we haven't seen it. 277 00:10:09,260 --> 00:10:10,300 Not yet. 278 00:10:10,300 --> 00:10:12,700 But it's genuinely really good fun - like you do 279 00:10:12,700 --> 00:10:16,300 one and you just turn up and you just have a laugh with your mate. 280 00:10:16,300 --> 00:10:18,940 Like it's two best mates catching up and we overshoot everything 281 00:10:18,940 --> 00:10:20,380 and we just catch up genuinely. 282 00:10:20,380 --> 00:10:23,260 And then what we think we can leave in, we leave in. 283 00:10:23,260 --> 00:10:26,860 And in terms of Hanging Out With Ant and Dec, what sort of thing - 284 00:10:26,860 --> 00:10:28,060 is anything on the table? 285 00:10:28,060 --> 00:10:29,980 Are you talking about all sorts of things? 286 00:10:29,980 --> 00:10:31,020 Yeah, pretty much. 287 00:10:31,020 --> 00:10:33,420 All sorts of things, we catch up about the family, 288 00:10:33,420 --> 00:10:36,780 about what we've been up to in that week, that we haven't seen each 289 00:10:36,780 --> 00:10:39,660 other, but even just mundane stuff like the week that we met 290 00:10:39,660 --> 00:10:42,540 up to do the podcast, I had been summoned to a storage 291 00:10:42,540 --> 00:10:46,140 unit near my house by my wife, because we had to have a clear out. 292 00:10:46,140 --> 00:10:49,020 So I went in the storage unit and cleared out a load 293 00:10:49,020 --> 00:10:50,220 of rubbish, like you do. 294 00:10:50,220 --> 00:10:52,860 And while we were there, I found my old memorabilia boxes 295 00:10:52,860 --> 00:10:54,780 in which I found a diary from 1994. 296 00:10:54,780 --> 00:10:55,820 Wow! 297 00:10:55,820 --> 00:10:58,700 Which was I started doing it when we started on the road 298 00:10:58,700 --> 00:11:00,860 as PJ and Duncan, before we released a song. 299 00:11:00,860 --> 00:11:01,900 Actually, we've got that! 300 00:11:01,900 --> 00:11:03,100 It's so cringe worthy. 301 00:11:03,100 --> 00:11:04,340 Have you got a clip? 302 00:11:04,340 --> 00:11:11,260 This is a clip. 303 00:11:11,260 --> 00:11:13,700 Yes, yes, this is grim, this is a viz pod. 304 00:11:13,700 --> 00:11:16,340 It's a viz pod clip from Hanging Out With Anthony Dec 305 00:11:16,340 --> 00:11:17,380 about that diary. 306 00:11:17,380 --> 00:11:18,420 Here we go. 307 00:11:18,420 --> 00:11:20,580 I found a diary that I kept from 1994. 308 00:11:20,580 --> 00:11:22,260 Do you want me to read it? 309 00:11:22,260 --> 00:11:24,420 It's definitely something in there about me, isn't it? 310 00:11:24,420 --> 00:11:26,100 Day one, arrived in Portsmouth around 4pm. 311 00:11:26,100 --> 00:11:27,140 The crowd were great. 312 00:11:27,140 --> 00:11:28,580 And Why Me Went down well. 313 00:11:28,580 --> 00:11:30,020 Bad Boys Inc were there too. 314 00:11:30,020 --> 00:11:31,460 And two guys called General Something 315 00:11:31,460 --> 00:11:32,500 were there. 316 00:11:32,500 --> 00:11:34,940 Top blokes - respect, guys! 317 00:11:34,940 --> 00:11:36,300 Did you write respect guys? 318 00:11:36,300 --> 00:11:37,740 You did not write respect, guys. 319 00:11:37,740 --> 00:11:41,180 Top blokes - respect, guys! 320 00:11:41,180 --> 00:11:44,420 Oh, my God! 321 00:11:44,420 --> 00:11:48,260 I'd like to point out now that Dec does not speak for the pair of us 322 00:11:48,260 --> 00:11:49,300 when he writes this. 323 00:11:49,300 --> 00:11:50,740 This is Dec's diary entry alone. 324 00:11:50,740 --> 00:11:53,620 It's now 1am the next day, and I suppose I'd better sleep 325 00:11:53,620 --> 00:11:56,740 before our road manager arrives and gets us both out of bed again. 326 00:11:56,740 --> 00:12:03,700 Oh, my... 327 00:12:03,700 --> 00:12:05,820 Oh, well, get us both out of bed again. 328 00:12:05,820 --> 00:12:07,500 Oh, well, life on the road, eh? 329 00:12:07,500 --> 00:12:08,540 Rock and roll! 330 00:12:08,540 --> 00:12:09,980 Oh, my God, that's so good. 331 00:12:09,980 --> 00:12:12,140 So how many weeks of this have we got? 332 00:12:12,140 --> 00:12:15,260 I think we've got about three weeks' worth, but you've got to tune 333 00:12:15,260 --> 00:12:17,660 in next week when we go to BBC Radio Coventry. 334 00:12:17,660 --> 00:12:18,700 It's amazing. 335 00:12:18,700 --> 00:12:25,900 Oh, my God, my toes are curling backwards in my shoes. 336 00:12:25,900 --> 00:12:28,980 But what's funny is that I was going to talk to you about, 337 00:12:28,980 --> 00:12:31,380 you know, being older, turning 50 things, but you sound 338 00:12:31,380 --> 00:12:32,580 like you were 65 then. 339 00:12:32,580 --> 00:12:33,780 Life on the road, eh? 340 00:12:33,780 --> 00:12:36,660 Honestly, I look back and I was like, I can't read this, 341 00:12:36,660 --> 00:12:37,700 this cannot go public. 342 00:12:37,700 --> 00:12:38,740 No, you can't. 343 00:12:38,740 --> 00:12:41,620 And then I was like, oh, go on then, we'll do it. 344 00:12:41,620 --> 00:12:44,500 And that idea of getting older and having your own kids now, 345 00:12:44,500 --> 00:12:46,900 does it make you more nostalgic about times like that? 346 00:12:46,900 --> 00:12:48,580 Do you find yourself looking backwards more? 347 00:12:48,580 --> 00:12:49,620 Oh, God yeah. 348 00:12:49,620 --> 00:12:51,780 Especially when you think back to doing Saturday mornings 349 00:12:51,780 --> 00:12:54,900 when we used to do SMTV live and we would do a show 350 00:12:54,900 --> 00:13:00,700 on a Saturday morning live, SMUK and you could do sketches, 351 00:13:00,700 --> 00:13:01,740 have fun, do comedy. SMUK and you could do sketches, 352 00:13:01,740 --> 00:13:04,380 And if it didn't work, there was no social media - 353 00:13:04,380 --> 00:13:06,540 nobody kind of said that was a rubbish sketch. 354 00:13:06,540 --> 00:13:08,220 So you just didn't do it again? 355 00:13:08,220 --> 00:13:09,420 It was a real freedom. 356 00:13:09,420 --> 00:13:12,300 And I kind of think we wanted to bring that same kind 357 00:13:12,300 --> 00:13:13,500 of energy to the podcast. 358 00:13:13,500 --> 00:13:16,140 Are you slightly worried, because, weirdly, because you guys have been 359 00:13:16,140 --> 00:13:19,260 in our lives for so long, we don't know that much about you. 360 00:13:19,260 --> 00:13:20,300 There's Newcastle is involved. 361 00:13:20,300 --> 00:13:23,340 You seem cheerful. 362 00:13:23,340 --> 00:13:25,780 One of you has got a big forehead! 363 00:13:25,780 --> 00:13:32,380 But are you worried that doing this you're going to give too much away? 364 00:13:32,380 --> 00:13:35,020 I'm worried that we might give enough away that people go, 365 00:13:35,020 --> 00:13:37,260 "Oh, actually, I don't really like them very much!" 366 00:13:37,260 --> 00:13:39,540 "I thought they were good fun, but they're not! 367 00:13:39,540 --> 00:13:40,780 "They're mean!" 368 00:13:40,780 --> 00:13:43,860 But no, it's quite interesting because we obviously we know 369 00:13:43,860 --> 00:13:44,980 each other inside out. 370 00:13:44,980 --> 00:13:48,340 So to sit there and just kind of banter on, like we would down 371 00:13:48,340 --> 00:13:50,740 the pub and we make each other laugh a lot. 372 00:13:50,740 --> 00:13:54,700 Thankfully we make each other laugh. 373 00:13:54,700 --> 00:13:57,100 So we just have a good time and hopefully people 374 00:13:57,100 --> 00:14:04,020 will enjoy that. 375 00:14:04,020 --> 00:14:05,900 And have your wives warned you about things 376 00:14:05,900 --> 00:14:06,940 that are off limits, 377 00:14:06,940 --> 00:14:08,860 and don't talk about that and well yeah. 378 00:14:08,860 --> 00:14:09,900 Yes. 379 00:14:09,900 --> 00:14:10,940 Yeah. 380 00:14:10,940 --> 00:14:11,980 Yes. 381 00:14:11,980 --> 00:14:14,380 They are more nervous about the podcast than we are. 382 00:14:14,380 --> 00:14:16,540 My wife said to me about two weeks ago 383 00:14:16,540 --> 00:14:18,220 before we started, so she was wandering 384 00:14:18,220 --> 00:14:19,260 around the house, 385 00:14:19,260 --> 00:14:21,900 "So are you are you worried about this podcast at all?" 386 00:14:21,900 --> 00:14:24,540 "Oh well, no, not really, I'm quite looking forward to it". 387 00:14:24,540 --> 00:14:25,580 "Oh, I am!" 388 00:14:25,580 --> 00:14:27,980 "What is it, dear? What is it you're worried about?" 389 00:14:27,980 --> 00:14:34,300 "Well, she said you're not going to say too much, are you? 390 00:14:34,300 --> 00:14:37,180 Are you not going to paint me out to be too much?" 391 00:14:37,180 --> 00:14:39,100 It sounds like somebody's got something to hide. 392 00:14:39,100 --> 00:14:41,020 And, you know, you're reading out that tirade, 393 00:14:41,020 --> 00:14:43,660 you think about the two of you as PJ and Duncan 394 00:14:43,660 --> 00:14:45,820 and things and starting out, you know, show business, 395 00:14:45,820 --> 00:14:47,500 there are many challenges in show business. 396 00:14:47,500 --> 00:14:48,940 And you did some tough gigs. 397 00:14:48,940 --> 00:14:49,980 We've got a clip. 398 00:14:49,980 --> 00:14:51,020 Oh, no. 399 00:14:51,020 --> 00:14:52,460 Oh, no! 400 00:14:52,460 --> 00:14:54,900 The dreaded words, we've got a clip! 401 00:14:54,900 --> 00:14:57,540 You can look away, the rest of us will enjoy this. 402 00:14:57,540 --> 00:14:59,940 It's the two of you and you're on This Morning 403 00:14:59,940 --> 00:15:01,980 with Richard and Judy. 404 00:15:01,980 --> 00:15:04,860 But like, back when it was in Liverpool, it was Liverpool Docks. 405 00:15:04,860 --> 00:15:06,300 I hope it's a Christmas episode. 406 00:15:06,300 --> 00:15:08,460 I really hope this episode. 407 00:15:08,460 --> 00:15:10,860 And the two of you, as young as you are, 408 00:15:10,860 --> 00:15:12,300 true professionals giving it your all. 409 00:15:12,300 --> 00:15:14,620 Oh, there we go. 410 00:15:14,620 --> 00:15:19,060 Feast your eyes... ..on PJ and Duncan on This Morning. 411 00:15:19,060 --> 00:15:19,980 #..my love... 412 00:15:19,980 --> 00:15:21,420 Oh, God - no, no, no! 413 00:15:21,420 --> 00:15:24,500 Beautiful use of candelabra in a minute. 414 00:15:24,500 --> 00:15:26,140 # ...a token of love... 415 00:15:26,140 --> 00:15:28,340 There it is - the candelabra. 416 00:15:28,340 --> 00:15:31,940 # I give you my love... 417 00:15:31,940 --> 00:15:34,220 Stop! Stop it! 418 00:15:34,220 --> 00:15:36,940 Find the camera, find the camera - you found it! 419 00:15:36,940 --> 00:15:41,020 OK, it's over, it's over, it's over. 420 00:15:41,020 --> 00:15:46,260 Oh, my God! Oh, my God! 421 00:15:46,260 --> 00:15:48,100 That's really patronising. 422 00:15:48,100 --> 00:15:50,500 Here's the weird thing... 423 00:15:50,500 --> 00:15:54,100 In that clip, it's a collector's item because you were Dec and Ant. 424 00:15:54,100 --> 00:15:55,460 Oh, yeah. 425 00:15:55,460 --> 00:15:57,860 We were there the wrong way round. Wrong way round. 426 00:15:57,860 --> 00:16:00,060 Is that very, very rare? That is quite rare. 427 00:16:00,060 --> 00:16:02,220 We were having this conversation with somebody earlier today. 428 00:16:02,220 --> 00:16:04,100 I don't know when we started doing that. 429 00:16:04,100 --> 00:16:06,980 I think it was kind of subconscious, doing the Ant and Dec 430 00:16:06,980 --> 00:16:08,020 thing left to right. 431 00:16:08,020 --> 00:16:09,460 But yeah, we must have had... 432 00:16:09,460 --> 00:16:11,900 Our road manager must have got us out of bed 433 00:16:11,900 --> 00:16:12,940 together that way because... 434 00:16:12,940 --> 00:16:14,100 Life on the road, huh? 435 00:16:14,100 --> 00:16:17,420 Respect, guys. He never says that. 436 00:16:17,420 --> 00:16:19,980 Musicians down the end, does that give you chills? 437 00:16:19,980 --> 00:16:21,620 Have either of you had that experience? 438 00:16:21,620 --> 00:16:26,100 The kind of daytime pop experience with no audience and a carpet? 439 00:16:26,100 --> 00:16:30,900 Well, I mean... That performance gave me chills. 440 00:16:30,900 --> 00:16:36,140 Horrendous. Horrendous. 441 00:16:36,140 --> 00:16:37,300 Don't agree. 442 00:16:37,300 --> 00:16:39,460 You guys are legends, yeah. I'm not defending it. 443 00:16:39,460 --> 00:16:41,860 But, no, I think all my memories of those opportunities 444 00:16:41,860 --> 00:16:44,020 have been good ones, like Top of the Pops. 445 00:16:44,020 --> 00:16:46,180 You know, I've been invited to do the Top 446 00:16:46,180 --> 00:16:49,060 of the Pops Christmas Special a couple of times, but I guess 447 00:16:49,060 --> 00:16:51,460 because I grew up watching it, you know, from, like, 448 00:16:51,460 --> 00:16:53,380 a little council flat somewhere in south London, 449 00:16:53,380 --> 00:16:57,500 it was always just a dream to get invited to do one of these things. 450 00:16:57,500 --> 00:17:00,620 So when it finally happened, I guess it was never like a negative, 451 00:17:00,620 --> 00:17:01,660 horrible experience. 452 00:17:01,660 --> 00:17:04,060 I was just like, "I can't believe they've invited me 453 00:17:04,060 --> 00:17:05,260 to do it", you know? 454 00:17:05,260 --> 00:17:07,900 And Joe, have you done the kind of daytime talk shows? 455 00:17:07,900 --> 00:17:11,020 I have like the opposite experience. I feel like, yeah, I've done one. 456 00:17:11,020 --> 00:17:14,140 And it was at the beginning of our tour that we did, 457 00:17:14,140 --> 00:17:17,220 and it was the first thing that we did. 458 00:17:17,220 --> 00:17:20,500 So we hadn't played any other shows in this run and we're like, "Oh, 459 00:17:20,500 --> 00:17:22,700 yeah, we'll just show up, we'll play the show. 460 00:17:22,700 --> 00:17:24,100 And it was for Jimmy Fallon. 461 00:17:24,100 --> 00:17:25,140 Amazing. Oh, my God. 462 00:17:25,140 --> 00:17:26,380 And it was very nerve-wracking. 463 00:17:26,380 --> 00:17:29,220 Yeah, I mean, you kind of like can picture the whole thing, 464 00:17:29,220 --> 00:17:32,380 but then once you're actually up there, you're sort of like, oh wow. 465 00:17:32,380 --> 00:17:34,020 OK, here we go, let's do this. 466 00:17:34,020 --> 00:17:35,060 So it's fun. Yeah. 467 00:17:35,060 --> 00:17:37,220 But it's also, you know, it's kind of crazy. 468 00:17:37,220 --> 00:17:39,900 Tinie, you're performing for us later, but I won't encourage you. 469 00:17:39,900 --> 00:17:43,260 But on Fallon, do they let you do it again if you want to? 470 00:17:43,260 --> 00:17:45,460 One and done. One and done. 471 00:17:45,460 --> 00:17:48,100 From what I remember on Jimmy Fallon, was it really cold 472 00:17:48,100 --> 00:17:49,300 in the room as well? 473 00:17:49,300 --> 00:17:50,780 Freezing. Freezing cold, bro! 474 00:17:50,780 --> 00:17:52,740 Ridiculous. 475 00:17:52,740 --> 00:17:57,060 Like, this is Barbados compared to that - it's ridiculous. 476 00:17:57,060 --> 00:17:58,460 Enjoy, enjoy! 477 00:17:58,460 --> 00:18:01,100 And Claire, you've done a bit of music in your films. 478 00:18:01,100 --> 00:18:04,660 You have. 479 00:18:04,660 --> 00:18:07,060 I'm just cycling back through what I might have said. 480 00:18:07,060 --> 00:18:08,860 Oh, no, as in song? Yeah! 481 00:18:08,860 --> 00:18:11,740 Well, once. And then they replaced me. 482 00:18:11,740 --> 00:18:14,020 What? What do you mean? 483 00:18:14,020 --> 00:18:15,940 Because I can't sing to save my life. 484 00:18:15,940 --> 00:18:17,860 And they actually said in the script, "Oh, 485 00:18:17,860 --> 00:18:19,580 she sings so beautifully." 486 00:18:19,580 --> 00:18:22,460 And so the director very kindly phoned me up and went, "Claire, 487 00:18:22,460 --> 00:18:25,100 I'm afraid we have to replace you, because it does say 488 00:18:25,100 --> 00:18:27,380 she sings so beautifully." 489 00:18:27,380 --> 00:18:29,940 # Da-da-da-da...! 490 00:18:29,940 --> 00:18:31,620 There was no need to tell you. 491 00:18:31,620 --> 00:18:34,500 You could have just gone to the opening and kind of went, 492 00:18:34,500 --> 00:18:36,620 "Oh, I sound better than I thought." 493 00:18:36,620 --> 00:18:38,260 No, I appreciate that kind of honesty. 494 00:18:38,260 --> 00:18:39,340 OK. 495 00:18:39,340 --> 00:18:41,020 We all knew it at the time. 496 00:18:41,020 --> 00:18:44,140 I could see from the grimaces on people's faces as I was singing 497 00:18:44,140 --> 00:18:45,580 that it wasn't going very well. 498 00:18:45,580 --> 00:18:48,460 And you guys, weird thing is, that wasn't even your worst gig. 499 00:18:48,460 --> 00:18:49,620 Oh, Jesus! Tell us about... 500 00:18:49,620 --> 00:18:51,420 No, no, no! 501 00:18:51,420 --> 00:18:53,740 No, there's no more clips, there's no more clips. 502 00:18:53,740 --> 00:18:57,180 Tell us about PJ and Duncan at Truckfest. 503 00:18:57,180 --> 00:19:01,140 Oh, God. Oh, God! 504 00:19:01,140 --> 00:19:04,300 So this is what it sounds like. It's a festival of trucks. 505 00:19:04,300 --> 00:19:05,620 Wow. 506 00:19:05,620 --> 00:19:08,940 It's full of trucks and truckers and people who love trucks. 507 00:19:08,940 --> 00:19:12,060 And there's a stage in one part of the Truckfest where they have 508 00:19:12,060 --> 00:19:13,100 bands come and perform. 509 00:19:13,100 --> 00:19:17,780 And we went to Truckfest to promote Eternal Love. 510 00:19:17,780 --> 00:19:24,380 So we got there. I mean, that yells truckers! 511 00:19:24,380 --> 00:19:25,380 We went on first. 512 00:19:25,380 --> 00:19:28,060 And we sang Let's Get Ready to Rumble, which didn't go 513 00:19:28,060 --> 00:19:29,380 down particularly well. 514 00:19:29,380 --> 00:19:30,420 They didn't hate it. 515 00:19:30,420 --> 00:19:33,780 One guy turned his back - that's us there, he just turned his back. 516 00:19:33,780 --> 00:19:37,380 "I dislike it so much, I'm not even going to look at you and look 517 00:19:37,380 --> 00:19:38,420 at the field opposite." 518 00:19:38,420 --> 00:19:40,580 And then we did Let's Get Ready to Rumble. 519 00:19:40,580 --> 00:19:43,220 And then towards the end of the song, the stage manager 520 00:19:43,220 --> 00:19:46,100 at the side was going, "Lads, lads, you've got to come off, 521 00:19:46,100 --> 00:19:47,900 you've got to come off!" 522 00:19:47,900 --> 00:19:49,820 And we're like, "We've got one more song." 523 00:19:49,820 --> 00:19:51,260 "No, you can't, come off!" 524 00:19:51,260 --> 00:19:54,540 So we went off to the side, like, "What's wrong?" 525 00:19:54,540 --> 00:19:56,700 He went, "We've got to turn the PA off." 526 00:19:56,700 --> 00:19:58,380 We're like, "Why?" 527 00:19:58,380 --> 00:20:02,180 He said, "Because, the farmer who we've rented the field off has 528 00:20:02,180 --> 00:20:06,020 said we can only have the field if we'll turn off the PA 529 00:20:06,020 --> 00:20:12,220 system when he needs to bring his cows past." 530 00:20:12,220 --> 00:20:16,580 So we just had to stand there as these cows went, "Moooooo!" 531 00:20:16,580 --> 00:20:18,940 It took about five minutes. 532 00:20:18,940 --> 00:20:22,300 The cows made it, and we went back on the middle of the stage. 533 00:20:22,300 --> 00:20:25,020 And there was a collective groan from the... 534 00:20:25,020 --> 00:20:27,580 "And this song's called Eternal Love." 535 00:20:27,580 --> 00:20:31,500 Oh, my God! Terrific. 536 00:20:31,500 --> 00:20:35,100 We should say, obviously the podcast is now, but telly work continues. 537 00:20:35,100 --> 00:20:38,780 I'm a Celeb All Stars from South Africa is back soon. 538 00:20:38,780 --> 00:20:41,860 Limitless Win, on right now. On right now. 539 00:20:41,860 --> 00:20:44,420 And, I mean, this is a show where you can win 540 00:20:44,420 --> 00:20:46,780 an infinite amount of money. 541 00:20:46,780 --> 00:20:48,060 There is no jackpot. 542 00:20:48,060 --> 00:20:51,660 As long as you can stay in the show, as long as you can stay 543 00:20:51,660 --> 00:20:54,300 in the game with enough lives, you can carry on climbing 544 00:20:54,300 --> 00:20:55,340 the limitless money ladder. 545 00:20:55,340 --> 00:20:57,260 Incredible. What's the most anyone's...? 546 00:20:57,260 --> 00:20:58,300 Really? Really. 547 00:20:58,300 --> 00:20:59,340 Yeah, really. 548 00:20:59,340 --> 00:21:01,060 What's the most anyone's won? A million. 549 00:21:01,060 --> 00:21:03,980 And we gave away 750,000 last week. Last week. 550 00:21:03,980 --> 00:21:05,540 Wow! Yeah. 551 00:21:05,540 --> 00:21:07,700 But all the questions are things that you can 552 00:21:07,700 --> 00:21:10,100 have a right good go at, a good guess at. 553 00:21:10,100 --> 00:21:12,020 We had a question, was it last series? 554 00:21:12,020 --> 00:21:14,180 And it was for quite a bit of money. 555 00:21:14,180 --> 00:21:16,580 And the question was - and we had to really 556 00:21:16,580 --> 00:21:18,500 stifle our laughs when this question came up... 557 00:21:18,500 --> 00:21:23,580 The next question is, in total, how many toes does a camel have? 558 00:21:23,580 --> 00:21:26,700 Genuinely. 559 00:21:26,700 --> 00:21:30,780 Now you can't be over - if you're one over, it's game over. 560 00:21:30,780 --> 00:21:33,900 Tinie? I'm going to go for eight. 561 00:21:33,900 --> 00:21:35,140 Yeah, I think it's eight. 562 00:21:35,140 --> 00:21:36,780 Eight. It's eight. 563 00:21:36,780 --> 00:21:39,540 It is eight? Yeah. 564 00:21:39,540 --> 00:21:42,620 You would have won money! 565 00:21:42,620 --> 00:21:43,780 Limitless Win continues on Saturdays. 566 00:21:43,780 --> 00:21:46,980 And, of course, Hanging Out With Ant And Dec is available right now. 567 00:21:46,980 --> 00:21:50,140 Very good. Sounds really good. 568 00:21:50,140 --> 00:21:52,980 Thank you, it's fun. 569 00:21:52,980 --> 00:21:54,900 We move on to our film offering tonight. 570 00:21:54,900 --> 00:21:57,420 Claire Foy brings us H is for Hawk. 571 00:21:57,420 --> 00:22:03,020 It opened in cinemas today, and here is a taste of the trailer. 572 00:22:03,020 --> 00:22:05,100 I need something different. 573 00:22:05,100 --> 00:22:06,340 I want a goshawk. 574 00:22:06,340 --> 00:22:14,060 Goshawks? The maddest of raptors. 575 00:22:14,060 --> 00:22:19,020 When I call her, then you let her go. 576 00:22:19,020 --> 00:22:20,540 Good girl! 577 00:22:20,540 --> 00:22:24,460 I'm going to call you Mabel. 578 00:22:24,460 --> 00:22:28,780 DOOR KNOCKS. Helen? 579 00:22:28,780 --> 00:22:33,100 Human beings can't live this way. 580 00:22:33,100 --> 00:22:35,820 Are you feeling that you're a failure? 581 00:22:35,820 --> 00:22:37,500 Well, that's just a matter of fact. 582 00:22:37,500 --> 00:22:38,980 Don't be so hard on yourself. 583 00:22:38,980 --> 00:22:43,860 It's just working out your place in the world. 584 00:22:43,860 --> 00:22:47,060 I always thought Dad taught me to be detached. 585 00:22:47,060 --> 00:22:53,140 But being with Mabel, it's an honest encounter with life. 586 00:22:53,140 --> 00:22:58,060 And now I see how engaged with life Dad was. 587 00:22:58,060 --> 00:23:02,940 Life's real - serious and beautiful. 588 00:23:02,940 --> 00:23:07,820 Remember? Smile. 589 00:23:07,820 --> 00:23:12,980 Oh! It's a beautiful film. 590 00:23:12,980 --> 00:23:17,220 And it's based on this much-loved memoir by Helen MacDonald. 591 00:23:17,220 --> 00:23:22,060 So tell me what you can about the story. 592 00:23:22,060 --> 00:23:23,580 Yeah. 593 00:23:23,580 --> 00:23:27,020 So, Helen, when you meet her at the beginning 594 00:23:27,020 --> 00:23:28,820 of the story, is an academic. 595 00:23:28,820 --> 00:23:30,740 And then their father, played by Brendan Gleeson, 596 00:23:30,740 --> 00:23:34,140 who's the best man alive, dies very suddenly. 597 00:23:34,140 --> 00:23:36,660 And one of the connections that they had was falconry, 598 00:23:36,660 --> 00:23:39,900 like an interest in nature as well, was really significant. 599 00:23:39,900 --> 00:23:42,340 And Helen was already a falconer and had always 600 00:23:42,340 --> 00:23:45,580 vowed never, ever, ever, ever, ever to get a goshawk, 601 00:23:45,580 --> 00:23:49,820 and then decides to get goshawk after their father's death as sort 602 00:23:49,820 --> 00:23:52,940 of a way of not running away from it, but trying to distract 603 00:23:52,940 --> 00:23:59,300 and sort of overwhelm the grief with a bird of prey. 604 00:23:59,300 --> 00:24:01,180 And it's done so beautifully in this film. 605 00:24:01,180 --> 00:24:05,540 But we've got to talk about a goshawk called Mabel in the film. 606 00:24:05,540 --> 00:24:09,380 How many goshawks were there? So five goshawks. 607 00:24:09,380 --> 00:24:11,780 But they all had like different jobs and different parts 608 00:24:11,780 --> 00:24:14,220 of Mabel's personality, because we wouldn't have been 609 00:24:14,220 --> 00:24:16,860 able to shoot the film with just one bird because it 610 00:24:16,860 --> 00:24:17,900 would have been impossible. 611 00:24:17,900 --> 00:24:18,940 But I love this. 612 00:24:18,940 --> 00:24:20,860 So Dede Gardner, who produced this film - 613 00:24:20,860 --> 00:24:23,020 she also produced Women Talking - she was determined 614 00:24:23,020 --> 00:24:26,820 to make this film. 615 00:24:26,820 --> 00:24:30,420 Tell us how convinced she was that she was going to make it. 616 00:24:30,420 --> 00:24:34,020 Yeah, well, in order to shoot the film, we had to have Mabel to be 617 00:24:34,020 --> 00:24:36,420 exactly the right age for when Helen got her originally. 618 00:24:36,420 --> 00:24:42,340 So Dede, who lives in Hollywood, bought two goshawk eggs a year 619 00:24:42,340 --> 00:24:45,180 before we started shooting, and they were just sort 620 00:24:45,180 --> 00:24:49,580 of in Bristol, waiting to hatch. 621 00:24:49,580 --> 00:24:52,220 Dede didn't rear the birds, but then the birds were sort 622 00:24:52,220 --> 00:24:54,620 of reared specifically for this film. 623 00:24:54,620 --> 00:24:56,460 Wow. Wow! 624 00:24:56,460 --> 00:24:59,540 I mean, good that it got made, otherwise.... 625 00:24:59,540 --> 00:25:05,980 Two birds? What am I going to do with these?! 626 00:25:05,980 --> 00:25:10,180 And there's these scenes... Because did Helen do this? 627 00:25:10,180 --> 00:25:14,540 Walk around with the hawk on her arm in the streets of Cambridge? 628 00:25:14,540 --> 00:25:15,780 Yeah. 629 00:25:15,780 --> 00:25:18,180 I mean, it's a thing that people, that falconers do. 630 00:25:18,180 --> 00:25:21,260 It's like getting your bird used to the environment they're in. 631 00:25:21,260 --> 00:25:23,700 And Helen used to walk around Cambridge. 632 00:25:23,700 --> 00:25:27,260 Yeah, none of it's kind of made dramatic by me doing it, 633 00:25:27,260 --> 00:25:33,820 but me actually walking around Cambridge with a bird was, um... 634 00:25:33,820 --> 00:25:35,820 Weird. 635 00:25:35,820 --> 00:25:38,540 And also, are they heavy? 636 00:25:38,540 --> 00:25:42,060 Because they look like a big creature on your arm. 637 00:25:42,060 --> 00:25:45,140 Well, you see, their bones are hollow so they can fly. 638 00:25:45,140 --> 00:25:47,660 AUDIENCE: Ooh! 639 00:25:47,660 --> 00:25:50,260 Good noise, everyone! "Ooh!" 640 00:25:50,260 --> 00:25:51,820 "We've learned something this evening!" 641 00:25:51,820 --> 00:25:55,020 For all you hawk-fact fans! 642 00:25:55,020 --> 00:25:58,580 So, you know, it's a weird position to have your arm in. 643 00:25:58,580 --> 00:26:00,980 And it's not like they're light, but they're not like, 644 00:26:00,980 --> 00:26:03,380 you know, I didn't have loads of muscles or anything. 645 00:26:03,380 --> 00:26:06,260 Well, I'll tell you who'll be loving this chat is Tinie Tempah, 646 00:26:06,260 --> 00:26:08,460 because apparently you've handled a cockatoo? 647 00:26:08,460 --> 00:26:09,980 Yes! 648 00:26:09,980 --> 00:26:11,780 LAUGHTER. 649 00:26:11,780 --> 00:26:14,500 I really jumped at that and said yes. 650 00:26:14,500 --> 00:26:16,260 I had a pair of cockatoos. 651 00:26:16,260 --> 00:26:19,260 See, see? OK. 652 00:26:19,260 --> 00:26:22,620 They died, but I was going to ask you, Claire, do you miss them? 653 00:26:22,620 --> 00:26:24,260 The Mabels? Yeah. 654 00:26:24,260 --> 00:26:25,780 Two in particular. Mabel 1 and... 655 00:26:25,780 --> 00:26:28,420 We had two Mabels called Mabel 1 and Mabel 2 - 656 00:26:28,420 --> 00:26:29,460 wasn't very original. 657 00:26:29,460 --> 00:26:31,740 And Jess. Yeah, I really miss them. 658 00:26:31,740 --> 00:26:36,140 But aren't they non-affectionate? I think Helen says that in the film. 659 00:26:36,140 --> 00:26:39,100 They're a non-affectionate species. But you connect. 660 00:26:39,100 --> 00:26:40,220 It's like any animal. 661 00:26:40,220 --> 00:26:43,340 You connect with them and you have a relationship with them. 662 00:26:43,340 --> 00:26:46,260 And that means that there's a love there. 663 00:26:46,260 --> 00:26:49,020 And are your cockatoos - they're not in the world anymore? 664 00:26:49,020 --> 00:26:50,900 No, they're long gone. Long gone. 665 00:26:50,900 --> 00:26:54,300 Weirdly, Johnny and Louisa - don't ask... 666 00:26:54,300 --> 00:26:55,580 Yeah, I know. 667 00:26:55,580 --> 00:26:57,300 Did you name them? I won't ask. 668 00:26:57,300 --> 00:27:00,380 I think I may have, yeah. At least they had their own names. 669 00:27:00,380 --> 00:27:02,100 I know - much better than that. 670 00:27:02,100 --> 00:27:04,500 Actually, not the only other bird-lover on the couch tonight. 671 00:27:04,500 --> 00:27:09,300 Because Ant and Dec, if people go down to Battersea Children's Zoo, 672 00:27:09,300 --> 00:27:11,300 what might they find there? 673 00:27:11,300 --> 00:27:13,780 There are a couple of emus. Yes? 674 00:27:13,780 --> 00:27:17,300 Called Ant and Dec. Yes! 675 00:27:17,300 --> 00:27:19,780 Here are Ant and Dec. There they are! 676 00:27:19,780 --> 00:27:26,140 APPLAUSE. 677 00:27:26,140 --> 00:27:28,340 Makes sense, right? Makes sense. 678 00:27:28,340 --> 00:27:29,900 Have you met them? 679 00:27:29,900 --> 00:27:33,500 No, I've walked past them many times and I've seen the little sign. 680 00:27:33,500 --> 00:27:36,580 But we knew when they were, I think, being hatched, 681 00:27:36,580 --> 00:27:39,420 that they were going to name them Ant and Dec. 682 00:27:39,420 --> 00:27:41,620 Aww - that's so sweet. My daughter's met them. 683 00:27:41,620 --> 00:27:44,020 She's been on a couple of school trips down there, 684 00:27:44,020 --> 00:27:46,060 and she's been there and seen them. 685 00:27:46,060 --> 00:27:48,700 And they're like, "Oh, look, these are called Ant and Dec." 686 00:27:48,700 --> 00:27:51,060 And she's like, "Why?" 687 00:27:51,060 --> 00:27:53,540 That's my dad! 688 00:27:53,540 --> 00:27:54,580 You say that. 689 00:27:54,580 --> 00:27:56,500 We contacted the zoo to get that picture, 690 00:27:56,500 --> 00:27:59,620 that lovely picture of Ant and Dec, and they gave us some extra 691 00:27:59,620 --> 00:28:02,500 information, and they said, like Ant and Dec, Ant and Dec emus 692 00:28:02,500 --> 00:28:03,900 are best friends. 693 00:28:03,900 --> 00:28:05,900 Oh, that's nice! 694 00:28:05,900 --> 00:28:10,620 Now, unlike Ant and Dec, they're also boyfriend and girlfriend. 695 00:28:10,620 --> 00:28:13,100 Well, we have known each other for a long time. 696 00:28:13,100 --> 00:28:16,540 And Dec has laid many eggs over her life. 697 00:28:16,540 --> 00:28:21,300 LAUGHTER AND APPLAUSE. 698 00:28:21,300 --> 00:28:22,340 You're the girl. 699 00:28:22,340 --> 00:28:24,260 That's what he's saying - you're the girl. 700 00:28:24,260 --> 00:28:26,420 Apparently they love a shower and a dust bath 701 00:28:26,420 --> 00:28:29,060 to keep their feathers in tip-top condition, and their favourite foods 702 00:28:29,060 --> 00:28:30,900 are red cabbage and broccoli. 703 00:28:30,900 --> 00:28:32,420 Now, here's a thing... 704 00:28:32,420 --> 00:28:35,540 That is the sort of showbiz honour that is reserved for people who've 705 00:28:35,540 --> 00:28:37,220 been in the business a long time. 706 00:28:37,220 --> 00:28:40,820 Joe Keery, you've already had that showbiz honour, have you not? 707 00:28:40,820 --> 00:28:43,380 I have had the showbiz...? Not to my... 708 00:28:43,380 --> 00:28:44,940 I think you have. 709 00:28:44,940 --> 00:28:47,780 Your character, Steve Harrington in Stranger Things... 710 00:28:47,780 --> 00:28:48,940 Yes. 711 00:28:48,940 --> 00:28:51,940 Is there not a Pacific Marine Mammal Centre sea lion 712 00:28:51,940 --> 00:28:53,580 called Steve Harrington? 713 00:28:53,580 --> 00:28:56,340 This is news to me - I did not know this. 714 00:28:56,340 --> 00:28:57,580 Wow! Oh, yeah. 715 00:28:57,580 --> 00:29:00,660 Did we get a picture in the end? Oh, there you go. 716 00:29:00,660 --> 00:29:04,940 Oh! That's you, that's you! 717 00:29:04,940 --> 00:29:07,020 Yeah. Sadly... 718 00:29:07,020 --> 00:29:10,100 Where is this little guy? It's in Laguna Beach. 719 00:29:10,100 --> 00:29:11,780 Oh, perfect, I gotta go. 720 00:29:11,780 --> 00:29:14,660 The Pacific Marine Mammal Centre. Sadly, I don't have any more info. 721 00:29:14,660 --> 00:29:16,860 I don't know about favourite foods or anything, or... 722 00:29:16,860 --> 00:29:20,100 No eggs. ..if you've laid an egg. 723 00:29:20,100 --> 00:29:22,980 Listen, Claire Foy, we must also mention you have such a starry 724 00:29:22,980 --> 00:29:24,900 children's film coming up. 725 00:29:24,900 --> 00:29:27,060 This is The Magic Faraway Tree. 726 00:29:27,060 --> 00:29:29,340 Yeah. I know. 727 00:29:29,340 --> 00:29:31,260 People are so looking forward to this film. 728 00:29:31,260 --> 00:29:34,140 It's weird - that book holds such a place in people's hearts. 729 00:29:34,140 --> 00:29:35,180 It does, yeah. 730 00:29:35,180 --> 00:29:37,380 I mean, it was never part of my childhood, 731 00:29:37,380 --> 00:29:41,020 so I think it would have freaked me out too much if I'd started doing 732 00:29:41,020 --> 00:29:43,820 it, but because I didn't, I just loved every second of it. 733 00:29:43,820 --> 00:29:46,940 It was so sweet to make, and unlike most things that I do. 734 00:29:46,940 --> 00:29:51,540 So that was nice. 735 00:29:51,540 --> 00:29:54,180 And you and Andrew Garfield, are you the mum and dad? 736 00:29:54,180 --> 00:29:55,220 Mum and dad, yeah. 737 00:29:55,220 --> 00:29:57,860 I'm not so nosy, what was he like to work with? 738 00:29:57,860 --> 00:29:58,900 Oh, amazing. 739 00:29:58,900 --> 00:29:59,940 Yeah? 740 00:29:59,940 --> 00:30:00,980 Yeah, absolutely amazing. 741 00:30:00,980 --> 00:30:02,020 Tell him the truth! 742 00:30:02,020 --> 00:30:04,660 No, I didn't get a lot to do with him, because... 743 00:30:04,660 --> 00:30:06,340 I mean, he's not my best friend. 744 00:30:06,340 --> 00:30:08,260 No, but because I'm not magical, you see? 745 00:30:08,260 --> 00:30:09,300 OK. 746 00:30:09,300 --> 00:30:10,340 You know, I'm mum. 747 00:30:10,340 --> 00:30:11,380 Yeah! 748 00:30:11,380 --> 00:30:12,420 The tree is magic. 749 00:30:12,420 --> 00:30:13,460 The tree is magic. 750 00:30:13,460 --> 00:30:16,340 It's out on the 27th of March - that bit is real. 751 00:30:16,340 --> 00:30:17,380 It sure is. 752 00:30:17,380 --> 00:30:20,500 And a reminder, you can see Claire Foy in H is For Hawk 753 00:30:20,500 --> 00:30:21,540 in cinemas right now. 754 00:30:21,540 --> 00:30:22,580 Excellent. 755 00:30:22,580 --> 00:30:24,820 APPLAUSE 756 00:30:24,820 --> 00:30:26,500 We turn we turn to Joe Keery. 757 00:30:26,500 --> 00:30:28,420 Joe Keery, an actor, but of course, you're 758 00:30:28,420 --> 00:30:30,340 here tonight as a musician. 759 00:30:30,340 --> 00:30:32,580 Now, Djo is the name of... 760 00:30:32,580 --> 00:30:34,020 ..I'm saying that right, aren't I? 761 00:30:34,020 --> 00:30:35,060 Correct, yeah, correct. 762 00:30:35,060 --> 00:30:36,260 It's a little, you know... 763 00:30:36,260 --> 00:30:37,300 Yeah, it's spelled D-J-O. 764 00:30:37,300 --> 00:30:38,340 Yeah. 765 00:30:38,340 --> 00:30:39,380 That's right. 766 00:30:39,380 --> 00:30:40,620 Why? 767 00:30:40,620 --> 00:30:43,020 I'll tell you when I, I was always doing music 768 00:30:43,020 --> 00:30:47,940 just as, like a hobby, 769 00:30:47,940 --> 00:30:51,340 I had played in bands and stuff, and when I was shooting the second 770 00:30:51,340 --> 00:30:54,220 season of Stranger Things, I had a little studio at my Airbnb 771 00:30:54,220 --> 00:30:55,660 and was writing and recording music. 772 00:30:55,660 --> 00:30:58,060 And then when it came time to upload this music 773 00:30:58,060 --> 00:30:59,980 on this distribution site, I didn't really think 774 00:30:59,980 --> 00:31:01,180 about what to call it. 775 00:31:01,180 --> 00:31:03,820 And last minute I said, Djo, it's kind of my name, 776 00:31:03,820 --> 00:31:05,980 it's like, you know, Djokovic or Django or something. 777 00:31:05,980 --> 00:31:07,860 And then and now I'm stuck with it. 778 00:31:07,860 --> 00:31:10,500 Now look, yeah. 779 00:31:10,500 --> 00:31:12,860 Because actually we're about to talk about the new 780 00:31:12,860 --> 00:31:17,700 album, but you are number one all over the world with this track 781 00:31:17,700 --> 00:31:22,540 In The Beginning, when did you record that track? 782 00:31:22,540 --> 00:31:25,660 That was, that was in 2021, I guess, it was recorded and released 783 00:31:25,660 --> 00:31:27,940 on an album in 2022. 784 00:31:27,940 --> 00:31:30,340 And then through the, you know, the way that music 785 00:31:30,340 --> 00:31:32,740 and stuff is consumed, it just somehow has been spit 786 00:31:32,740 --> 00:31:33,780 back out and shared. 787 00:31:33,780 --> 00:31:35,540 And, yeah, it's crazy. 788 00:31:35,540 --> 00:31:37,700 And is it having this huge moment right now, 789 00:31:37,700 --> 00:31:39,660 is it because of the Stranger Things ending, 790 00:31:39,660 --> 00:31:41,420 because the End of Beginning? 791 00:31:41,420 --> 00:31:44,060 Certainly I think a lot of people have found, I mean, 792 00:31:44,060 --> 00:31:46,940 it had like a nice little run like about a year ago. 793 00:31:46,940 --> 00:31:49,820 And then I think with the show ending and it's just kind 794 00:31:49,820 --> 00:31:51,980 of like a confluence of all these different things. 795 00:31:51,980 --> 00:31:54,140 So people have been using it in different ways. 796 00:31:54,140 --> 00:31:57,260 And it's really, to be honest with you, it is so beyond me. 797 00:31:57,260 --> 00:31:59,420 I'm kind of like confused about the whole thing 798 00:31:59,420 --> 00:32:02,060 still, sort of shocked that like a song that you write 799 00:32:02,060 --> 00:32:05,340 in your bedroom can be played by a bunch of people. 800 00:32:05,340 --> 00:32:07,740 And it was huge on social media, though, wasn't it, 801 00:32:07,740 --> 00:32:09,660 like on TikTok and stuff it was massive? 802 00:32:09,660 --> 00:32:12,780 Yeah, I think it was like originally like underscored a bunch of stuff 803 00:32:12,780 --> 00:32:15,020 from the Bear because that takes. 804 00:32:15,020 --> 00:32:16,100 Oh, yeah. 805 00:32:16,100 --> 00:32:17,140 Oh, right. 806 00:32:17,140 --> 00:32:19,060 I don't know, man, I have no idea. 807 00:32:19,060 --> 00:32:20,500 It's like so confusing to me. 808 00:32:20,500 --> 00:32:23,140 But when are you aware that song that we recorded a 809 00:32:23,140 --> 00:32:27,500 few years ago is now huge, or is it so gradual? 810 00:32:27,500 --> 00:32:31,780 Like hearing it in a car, I guess I heard it in like a taxi. 811 00:32:31,780 --> 00:32:32,980 That was kind of cool. 812 00:32:32,980 --> 00:32:34,020 Yeah. 813 00:32:34,020 --> 00:32:38,780 Or like my grandmother asking me about it, like. 814 00:32:38,780 --> 00:32:40,460 "Oh, you know, I heard your song." 815 00:32:40,460 --> 00:32:42,620 We've got a bit of you performing the track. 816 00:32:42,620 --> 00:32:46,180 This is from Chicago, Lollapalooza last year. 817 00:32:46,180 --> 00:32:49,420 # You take the man out of the city, not the city 818 00:32:49,420 --> 00:32:53,780 # You take the man out of the... 819 00:32:53,780 --> 00:32:59,020 # And when I'm back in Chicago, I feel it 820 00:32:59,020 --> 00:33:04,300 # Another version of me, I was in it 821 00:33:04,300 --> 00:33:12,260 # Oh, I wave goodbye to the end of beginning...# 822 00:33:17,140 --> 00:33:18,180 CHEERING AND APPLAUSE 823 00:33:18,180 --> 00:33:19,820 Wow! 824 00:33:19,820 --> 00:33:20,860 Such a great location. 825 00:33:20,860 --> 00:33:23,420 It's a beautiful. 826 00:33:23,420 --> 00:33:28,180 Yeah. 827 00:33:28,180 --> 00:33:30,340 So I went to school in Chicago and spent 828 00:33:30,340 --> 00:33:32,500 a lot of time there, played in bands there. 829 00:33:32,500 --> 00:33:34,900 And so to kind of come back and play, that's 830 00:33:34,900 --> 00:33:37,540 like Grant Park, right downtown, It's a massive part of Chicago. 831 00:33:37,540 --> 00:33:40,180 like Grant Park, right downtown, it's a massive part of Chicago. 832 00:33:40,180 --> 00:33:42,580 And yeah, a bunch of again, how does this happen? 833 00:33:42,580 --> 00:33:43,620 I don't know. 834 00:33:43,620 --> 00:33:45,100 All of a sudden I'm here. 835 00:33:45,100 --> 00:33:46,260 Have you played there, Tinie? 836 00:33:46,260 --> 00:33:48,420 Yeah, I've done a lot of times in Chicago. 837 00:33:48,420 --> 00:33:54,780 We were just talking about it. 838 00:33:54,780 --> 00:33:58,100 They also do one in Chile, and Joe's going to do it in March. 839 00:33:58,100 --> 00:33:59,140 March. 840 00:33:59,140 --> 00:34:00,180 Yeah. 841 00:34:00,180 --> 00:34:01,220 Oh, wow, cool. 842 00:34:01,220 --> 00:34:02,260 Book your tickets! 843 00:34:02,260 --> 00:34:03,300 Yeah, it's fun. 844 00:34:03,300 --> 00:34:05,220 Well, his third album, The Crux, is out. 845 00:34:05,220 --> 00:34:06,900 Here it is, a nice physical copy. 846 00:34:06,900 --> 00:34:08,820 Is that you hanging out of the window? 847 00:34:08,820 --> 00:34:09,860 That's me. 848 00:34:09,860 --> 00:34:10,900 There you go. 849 00:34:10,900 --> 00:34:13,060 Is that on a kind of a studio lot? 850 00:34:13,060 --> 00:34:14,500 Yeah, that's on the Paramount lot. 851 00:34:14,500 --> 00:34:16,420 And it's kind of like a dual perspective. 852 00:34:16,420 --> 00:34:19,300 It's like the same, you know, you can see on the front, 853 00:34:19,300 --> 00:34:20,740 I'm actually hanging out the window. 854 00:34:20,740 --> 00:34:22,660 It's kind of the same, the same moment. 855 00:34:22,660 --> 00:34:23,700 I'm an idiot. 856 00:34:23,700 --> 00:34:24,740 There you are. 857 00:34:24,740 --> 00:34:25,940 And we really did that. 858 00:34:25,940 --> 00:34:28,100 I got strung up and chucked out the window. 859 00:34:28,100 --> 00:34:29,140 Well worth it, because.. 860 00:34:29,140 --> 00:34:30,180 Worth it. 861 00:34:30,180 --> 00:34:31,620 There you go, there you go. 862 00:34:31,620 --> 00:34:34,740 And this is the third album and you were recording this or writing 863 00:34:34,740 --> 00:34:37,380 it when you were doing that last season of Stranger Things? 864 00:34:37,380 --> 00:34:38,420 I guess both. 865 00:34:38,420 --> 00:34:41,780 It was kind of like I would, you know how being on set works, 866 00:34:41,780 --> 00:34:44,420 it's like there's so much downtime in a big ensemble thing. 867 00:34:44,420 --> 00:34:46,820 So there's like, you know, I would have, you know, 868 00:34:46,820 --> 00:34:49,700 work really intensely for a chunk and then have some time off. 869 00:34:49,700 --> 00:34:52,820 So if I was stuck in the city that we were filming in, 870 00:34:52,820 --> 00:34:56,180 I would just write or get ready for the next session that we'd do. 871 00:34:56,180 --> 00:34:59,780 And then if I had any time, I would go to New York and record. 872 00:34:59,780 --> 00:35:02,180 So it's nice to be able to just keep busy. 873 00:35:02,180 --> 00:35:05,060 A part of being an actor is you're, you know, waiting patiently 874 00:35:05,060 --> 00:35:06,740 for someone to give you the job. 875 00:35:06,740 --> 00:35:10,100 So to be able to kind of be proactive and do this project that 876 00:35:10,100 --> 00:35:13,860 I'm really interested in, it was nice to have that to bounce. 877 00:35:13,860 --> 00:35:15,780 And you involved, family were involved in it? 878 00:35:15,780 --> 00:35:16,820 Yes I did, yeah. 879 00:35:16,820 --> 00:35:17,900 Yeah, yeah. 880 00:35:17,900 --> 00:35:20,740 In we thought that it would be nice to try to do 881 00:35:20,740 --> 00:35:21,820 some, like, gang vocals. 882 00:35:21,820 --> 00:35:24,940 This was the first album that we did like in a proper studio. 883 00:35:24,940 --> 00:35:27,340 So it was fun to, you know, utilise the studio. 884 00:35:27,340 --> 00:35:29,460 And we thought, oh, what would make it sound 885 00:35:29,460 --> 00:35:31,620 bigger to have some, you know, like gang vocals. 886 00:35:31,620 --> 00:35:35,740 And so the only people who I knew in New York who would do it on such 887 00:35:35,740 --> 00:35:37,660 short notice were my sisters who lived there. 888 00:35:37,660 --> 00:35:41,020 So it was me, and it was Kate and Emma and my friend Adam, 889 00:35:41,020 --> 00:35:42,940 who we recorded together in Austin, the engineer. 890 00:35:42,940 --> 00:35:45,580 And, so, yeah, they're all over it, which is pretty cool. 891 00:35:45,580 --> 00:35:48,220 And it has kind of an element of almost like scrapbook 892 00:35:48,220 --> 00:35:50,820 of your life, because there's things like the song Charlie's Garden 893 00:35:50,820 --> 00:35:54,140 is about being in Atlanta filming Stranger Things. 894 00:35:54,140 --> 00:35:56,060 With Charlie there. 895 00:35:56,060 --> 00:35:57,100 He's my guy. 896 00:35:57,100 --> 00:36:00,460 I think he's sitting on my lap, I guess he's sitting on my lap. 897 00:36:00,460 --> 00:36:02,140 I guess he's sitting on my lap. 898 00:36:02,140 --> 00:36:03,180 Charlie Heaton. 899 00:36:03,180 --> 00:36:04,380 That's Charlie Heaton, he's fantastic. 900 00:36:04,380 --> 00:36:06,300 And what's so special about his garden? 901 00:36:06,300 --> 00:36:08,620 Wouldn't you like to know? 902 00:36:08,620 --> 00:36:10,580 I would, hence I'm asking. 903 00:36:10,580 --> 00:36:11,900 He's got, like, a beautiful... 904 00:36:11,900 --> 00:36:16,420 He bought this place in Atlanta and he bought it from this guy, 905 00:36:16,420 --> 00:36:20,220 and the guy was a master gardener. 906 00:36:20,220 --> 00:36:23,180 There was, like, hydroponics and like just stone 907 00:36:23,180 --> 00:36:25,980 furniture and, like, a little gazebo thing 908 00:36:25,980 --> 00:36:28,860 and he put a ping pong table, so, you know, it's sort 909 00:36:28,860 --> 00:36:31,500 of like in the style of ELO or like McCartney and 910 00:36:31,500 --> 00:36:35,660 just highlighting just the whimsy of kind of... 911 00:36:35,660 --> 00:36:39,580 ..it's a bizarre situation, 912 00:36:39,580 --> 00:36:41,780 you're shooting this TV show and you're in Atlanta, 913 00:36:41,780 --> 00:36:44,380 and it kind of is sort of a play on that. 914 00:36:44,380 --> 00:36:46,100 His dog is featured in the song. 915 00:36:46,100 --> 00:36:47,140 Aw! 916 00:36:47,140 --> 00:36:48,820 And what strikes me about Stranger Things 917 00:36:48,820 --> 00:36:51,220 is you must have been, what, 22, 23 when you 918 00:36:51,220 --> 00:36:52,220 started doing it? 919 00:36:52,220 --> 00:36:53,300 Yeah. 920 00:36:53,300 --> 00:36:55,900 But you were working with these kids who were like 12, 921 00:36:55,900 --> 00:36:57,580 13, who are now grown adults. 922 00:36:57,580 --> 00:36:58,620 23. 923 00:36:58,620 --> 00:36:59,700 Yeah. 924 00:36:59,700 --> 00:37:00,740 My age. 925 00:37:00,740 --> 00:37:02,180 That must be an odd experience? 926 00:37:02,180 --> 00:37:03,380 It's a very odd experience. 927 00:37:03,380 --> 00:37:06,500 It reminds me of when you guys were talking about, like, you know, 928 00:37:06,500 --> 00:37:09,140 going to school and being on set and going to shoot. 929 00:37:09,140 --> 00:37:10,820 It's like, that's what these guys did. 930 00:37:10,820 --> 00:37:13,700 You know, they had to juggle this you know, it's very difficult. 931 00:37:13,700 --> 00:37:16,380 And I don't know about your experience, but, you know, 932 00:37:16,380 --> 00:37:19,260 trials and tribulations and I'm very happy to see that they've they're 933 00:37:19,260 --> 00:37:20,300 all very well adjusted. 934 00:37:20,300 --> 00:37:22,460 Yeah. 935 00:37:22,460 --> 00:37:25,580 You're a kid as well, but yeah, you go to work every day 936 00:37:25,580 --> 00:37:28,460 and you're expected to turn up and know your lines and be 937 00:37:28,460 --> 00:37:29,900 on time and behave on set. 938 00:37:29,900 --> 00:37:33,740 So it's a bit of a kind of a baptism of fire in a way that 939 00:37:33,740 --> 00:37:34,780 you're in the business. 940 00:37:34,780 --> 00:37:37,900 You're still a kid and you want to have fun, but you've got 941 00:37:37,900 --> 00:37:39,340 to come in and be professional. 942 00:37:39,340 --> 00:37:40,780 And then you go to school. 943 00:37:40,780 --> 00:37:43,660 I mean, you go to school, you go to, like, high school. 944 00:37:43,660 --> 00:37:44,700 Yeah. 945 00:37:44,700 --> 00:37:47,100 You're off for like the winter and you're like, OK, 946 00:37:47,100 --> 00:37:49,980 I'm going to go three months of public high school and like, 947 00:37:49,980 --> 00:37:51,180 aren't you just getting bullied? 948 00:37:51,180 --> 00:37:52,220 What's going on? 949 00:37:52,220 --> 00:37:54,620 Are people, like, obsessed with you or are people like, 950 00:37:54,620 --> 00:37:56,540 you know, it's either one or the other? 951 00:37:56,540 --> 00:37:57,580 Little bit of bullying. 952 00:37:57,580 --> 00:37:58,620 They're just jealous. 953 00:37:58,620 --> 00:37:59,660 Jealous. 954 00:37:59,660 --> 00:38:00,700 And here you are! 955 00:38:00,700 --> 00:38:02,380 You know, Stranger Things is over now. 956 00:38:02,380 --> 00:38:04,780 You've got this number one song all over the world. 957 00:38:04,780 --> 00:38:05,820 You've got the album. 958 00:38:05,820 --> 00:38:08,460 So I thought you'd be leaning into music, but you've got 959 00:38:08,460 --> 00:38:09,660 a new film coming out? 960 00:38:09,660 --> 00:38:12,860 I do, yeah, it again, sometimes the business is funny 961 00:38:12,860 --> 00:38:17,900 where you film something like, we filmed this 1 in 2023, 962 00:38:17,900 --> 00:38:20,500 where you film something like, we filmed this one in 2023, 963 00:38:20,500 --> 00:38:22,420 and it's cool that it's finally coming out. 964 00:38:22,420 --> 00:38:25,300 It's a it's like a fun, horror comedy kind of a romp, 965 00:38:25,300 --> 00:38:26,740 sort of like a, like a... 966 00:38:26,740 --> 00:38:30,340 Yeah, it's a really great film and I had a lot of fun doing it. 967 00:38:30,340 --> 00:38:31,540 Georgina Campbell, Liam Neeson, yeah. 968 00:38:31,540 --> 00:38:34,660 Yeah, and it's called Cold Storage, it's out on the 20th of February. 969 00:38:34,660 --> 00:38:37,220 That's when that comes out. 970 00:38:37,220 --> 00:38:38,900 Joe, listen, good luck with the film. 971 00:38:38,900 --> 00:38:39,940 Thank you. 972 00:38:39,940 --> 00:38:40,980 Lovely to meet you. 973 00:38:40,980 --> 00:38:42,420 And congratulations on all your success. 974 00:38:42,420 --> 00:38:45,900 Joe Keery. 975 00:38:45,900 --> 00:38:46,940 CHEERING AND APPLAUSE 976 00:38:46,940 --> 00:38:49,140 Now, Mr Tinie Tempah, we turned to you, 977 00:38:49,140 --> 00:38:50,820 we will talk some more about everything 978 00:38:50,820 --> 00:38:55,700 going on in your world. 979 00:38:55,700 --> 00:38:57,620 But right now it is time for music. 980 00:38:57,620 --> 00:39:00,500 So if you'd like to approach your massive stage, there you go. 981 00:39:00,500 --> 00:39:01,540 Oh, cool! 982 00:39:01,540 --> 00:39:02,740 There goes Mr Tinie Tempah. 983 00:39:02,740 --> 00:39:04,460 Lovely! 984 00:39:04,460 --> 00:39:10,380 Here performing his new single Energy 985 00:39:10,380 --> 00:39:12,020 featuring Alex Mills, it is Tinie Tempah. 986 00:39:12,020 --> 00:39:16,740 CHEERING AND APPLAUSE 987 00:39:16,740 --> 00:39:19,860 The Graham Norton Show. 988 00:39:19,860 --> 00:39:20,900 Alex Mills. 989 00:39:20,900 --> 00:39:21,940 Jeremiah Asiamah. 990 00:39:21,940 --> 00:39:24,820 Ladies and gentlemen, let me see you on your feet right now. 991 00:39:24,820 --> 00:39:29,780 Let's go. 992 00:39:29,780 --> 00:39:32,140 # Baby got me levitating. 993 00:39:32,140 --> 00:39:36,420 # Giving me energy yeah. 994 00:39:36,420 --> 00:39:39,540 # I just can't escape it. 995 00:39:39,540 --> 00:39:41,660 # Take me to ecstasy. 996 00:39:41,660 --> 00:39:46,460 # Baby got me levitating. 997 00:39:46,460 --> 00:39:51,140 # Giving me Energy yeah. 998 00:39:51,140 --> 00:39:53,700 # I just can't explain it. 999 00:39:53,700 --> 00:39:56,100 # Take me to ecstasy now. 1000 00:39:56,100 --> 00:39:57,420 # Hella endurance. 1001 00:39:57,420 --> 00:39:59,260 # We ain't got no decorum. 1002 00:39:59,260 --> 00:40:00,980 # In your city like Gorgon. 1003 00:40:00,980 --> 00:40:03,100 # We ain't leaving till morning. 1004 00:40:03,100 --> 00:40:05,020 # Rush of endorphins. 1005 00:40:05,020 --> 00:40:06,820 # Please don't step on my Jordans. 1006 00:40:06,820 --> 00:40:08,500 # Got girls from London to Auckland. 1007 00:40:08,500 --> 00:40:10,420 # Girl with the contour doing contortion eh. 1008 00:40:10,420 --> 00:40:12,340 # Bend ur knees, baby, arch that back. 1009 00:40:12,340 --> 00:40:13,380 # Big... 1010 00:40:13,380 --> 00:40:14,580 # Don't want no...that's flat. 1011 00:40:14,580 --> 00:40:16,500 # Tap tap on my card that's Racks. 1012 00:40:16,500 --> 00:40:18,180 # Kill Tracks got the fastest laps. 1013 00:40:18,180 --> 00:40:20,060 # Can't take me nowhere that's facts. 1014 00:40:20,060 --> 00:40:21,980 # Step out of the shard that's Paps. 1015 00:40:21,980 --> 00:40:23,660 # Matrix yo the red pill Slaps. 1016 00:40:23,660 --> 00:40:25,380 # That Feel like heart attack. 1017 00:40:25,380 --> 00:40:29,780 # Baby got me levitating. 1018 00:40:29,780 --> 00:40:36,740 # Giving me energy yeah. 1019 00:40:36,740 --> 00:40:38,180 # I just can't escape it. 1020 00:40:38,180 --> 00:40:41,700 # Take me to ecstasy. 1021 00:40:41,700 --> 00:40:44,500 # Baby got me levitating. 1022 00:40:44,500 --> 00:40:49,380 # Giving me energy yeah. 1023 00:40:49,380 --> 00:40:52,740 # I just can't explain it. 1024 00:40:52,740 --> 00:40:54,460 # Take me to ecstasy now. 1025 00:40:54,460 --> 00:40:55,700 # And away we go. 1026 00:40:55,700 --> 00:40:57,620 # Inside there pretty good ratio (right now). 1027 00:40:57,620 --> 00:40:59,100 # Going crazy yo. 1028 00:40:59,100 --> 00:41:00,140 # Hot in here. 1029 00:41:00,140 --> 00:41:01,580 # I need H2O (right now). 1030 00:41:01,580 --> 00:41:02,980 # Yes maybe no. 1031 00:41:02,980 --> 00:41:05,620 # Two of these tings tryna take me home (right now). 1032 00:41:05,620 --> 00:41:06,820 # I'm feeling wavy so. 1033 00:41:06,820 --> 00:41:08,580 # Take me to ecstasy now. 1034 00:41:08,580 --> 00:41:10,380 # Energy. 1035 00:41:10,380 --> 00:41:11,420 # Energy. 1036 00:41:11,420 --> 00:41:12,460 # Energy. 1037 00:41:12,460 --> 00:41:13,900 # Gimme more bass, more melody. 1038 00:41:13,900 --> 00:41:15,820 # Only live once so c'est la vie. 1039 00:41:15,820 --> 00:41:17,260 # Getting high off life no. 1040 00:41:17,260 --> 00:41:18,300 # Energy. 1041 00:41:18,300 --> 00:41:19,340 # Energy. 1042 00:41:19,340 --> 00:41:20,380 # Energy. 1043 00:41:20,380 --> 00:41:21,820 # Been around hate and jealousy. 1044 00:41:21,820 --> 00:41:23,260 # Kicking out Kate and Melanie. 1045 00:41:23,260 --> 00:41:25,180 # They only like fame and celebrity what. 1046 00:41:25,180 --> 00:41:26,860 # Two step, two step, four step. 1047 00:41:26,860 --> 00:41:29,260 # Sweat we be getting that floor wet (right now). 1048 00:41:29,260 --> 00:41:30,940 # No bad vibes in my orbit. 1049 00:41:30,940 --> 00:41:33,340 # All of my VVS flawless Main room hotter than. 1050 00:41:33,340 --> 00:41:35,020 # August Bad B's keep going toilet. 1051 00:41:35,020 --> 00:41:36,940 # Pulling up in a couple of Porsches. 1052 00:41:36,940 --> 00:41:38,620 # Snap snap u gotta record this. 1053 00:41:38,620 --> 00:41:39,980 # Baby. 1054 00:41:39,980 --> 00:41:42,740 # Got me levitating. 1055 00:41:42,740 --> 00:41:47,300 # Giving me energy yeah. 1056 00:41:47,300 --> 00:41:49,940 # I just can't escape it. 1057 00:41:49,940 --> 00:41:51,860 # Take me to ecstasy. 1058 00:41:51,860 --> 00:41:54,420 # Baby. 1059 00:41:54,420 --> 00:41:57,180 # Got me levitating. 1060 00:41:57,180 --> 00:42:01,660 # Giving me energy yeah. 1061 00:42:01,660 --> 00:42:04,380 # I just can't explain it. 1062 00:42:04,380 --> 00:42:06,420 # Take me to ecstasy now. 1063 00:42:06,420 --> 00:42:08,260 # And away we go. 1064 00:42:08,260 --> 00:42:10,180 # Inside there pretty good ratio (right now). 1065 00:42:10,180 --> 00:42:11,700 # Going crazy yo. 1066 00:42:11,700 --> 00:42:12,740 # Hot in here. 1067 00:42:12,740 --> 00:42:14,180 # I need H2O (right now). 1068 00:42:14,180 --> 00:42:15,340 # Yes, maybe no. 1069 00:42:15,340 --> 00:42:17,980 # Two of these tings tryna take me home (right now). 1070 00:42:17,980 --> 00:42:19,180 # I'm feeling wavy so. 1071 00:42:19,180 --> 00:42:21,300 # Take me to ecstasy now #. 1072 00:42:21,300 --> 00:42:29,260 CHEERING AND APPLAUSE 1073 00:42:30,620 --> 00:42:31,820 Thank you, ladies and gentlemen. 1074 00:42:31,820 --> 00:42:32,860 How great was that? 1075 00:42:32,860 --> 00:42:34,780 Fantastic! 1076 00:42:34,780 --> 00:42:37,580 Tinie Tempah, vocals Alex Mills, Jeremiah Atheroma of the decks. 1077 00:42:37,580 --> 00:42:38,620 Well done. 1078 00:42:38,620 --> 00:42:42,300 That was phenomenal. 1079 00:42:42,300 --> 00:42:43,380 Thank you, thank you. 1080 00:42:43,380 --> 00:42:44,420 Absolutely brilliant. 1081 00:42:44,420 --> 00:42:45,460 Have a seat. 1082 00:42:45,460 --> 00:42:47,060 How great was that? 1083 00:42:47,060 --> 00:42:49,620 Great. 1084 00:42:49,620 --> 00:42:50,820 Oh, brilliant I loved that. 1085 00:42:50,820 --> 00:42:52,020 Thank you mate. 1086 00:42:52,020 --> 00:42:54,020 That staging is brilliant. 1087 00:42:54,020 --> 00:42:56,100 We were in da club. 1088 00:42:56,100 --> 00:42:58,260 You turned it into a nightclub, which is great. 1089 00:42:58,260 --> 00:42:59,300 Yeah. 1090 00:42:59,300 --> 00:43:00,340 Just brilliant. 1091 00:43:00,340 --> 00:43:01,780 So the track is called Energy. 1092 00:43:01,780 --> 00:43:02,820 It's out now. 1093 00:43:02,820 --> 00:43:05,700 It's the single that's going to do, I mean, that's just phenomenal. 1094 00:43:05,700 --> 00:43:06,740 Fingers crossed. 1095 00:43:06,740 --> 00:43:09,380 I mean, I'm going for number one song in the world, 1096 00:43:09,380 --> 00:43:10,420 but you've got that. 1097 00:43:10,420 --> 00:43:12,820 At the moment - he's had it, he's enjoyed it. 1098 00:43:12,820 --> 00:43:13,860 Yeah. 1099 00:43:13,860 --> 00:43:15,060 And the candelabra in shot. 1100 00:43:15,060 --> 00:43:16,100 Oh, yeah. 1101 00:43:16,100 --> 00:43:17,140 And a Christmas tree. 1102 00:43:17,140 --> 00:43:18,180 Yeah, so true. 1103 00:43:18,180 --> 00:43:20,180 I mean, we didn't, yeah, it lacked certain. 1104 00:43:20,180 --> 00:43:23,700 It lacked certain things. 1105 00:43:23,700 --> 00:43:24,740 Yeah. 1106 00:43:24,740 --> 00:43:26,180 But listen, back with a bang. 1107 00:43:26,180 --> 00:43:29,060 Cos it's been a while since you've had your own music out? 1108 00:43:29,060 --> 00:43:30,100 It has, yeah. 1109 00:43:30,100 --> 00:43:31,780 It feels really good to be back. 1110 00:43:31,780 --> 00:43:34,900 And also, sorry, just to add, like as an artist who has spent 1111 00:43:34,900 --> 00:43:38,740 a lot of his time in the club, a lot of my time in the club, 1112 00:43:38,740 --> 00:43:41,380 rather, I caught wind that since the pandemic we've been losing 1113 00:43:41,380 --> 00:43:42,580 a lot of our nightlife. 1114 00:43:42,580 --> 00:43:45,460 So currently we're losing about three nightclubs a month in the UK. 1115 00:43:45,460 --> 00:43:48,100 Yeah, and they're saying by 2029 they'll be virtually any clubs, 1116 00:43:48,100 --> 00:43:49,300 like hardly any clubs left. 1117 00:43:49,300 --> 00:43:51,580 So and that's not just like nightclubs. 1118 00:43:51,580 --> 00:43:53,460 That's music venues. 1119 00:43:53,460 --> 00:43:55,180 Yeah, music venues, yeah, pubs, all sorts, 1120 00:43:55,180 --> 00:43:57,540 like it's all going. 1121 00:43:57,540 --> 00:44:00,180 So I know culture changes and society evolves and all that, 1122 00:44:00,180 --> 00:44:03,060 and I'm not saying we should go back to how it was, 1123 00:44:03,060 --> 00:44:05,460 but I guess as an artist where that's a large 1124 00:44:05,460 --> 00:44:07,620 part of our economy, I couldn't help but worry 1125 00:44:07,620 --> 00:44:10,980 about the future generation of artists. 1126 00:44:10,980 --> 00:44:12,900 And that's where I got my 10,000 hours. 1127 00:44:12,900 --> 00:44:14,820 That's where I did the very difficult gigs, 1128 00:44:14,820 --> 00:44:17,740 like The Candelabra one. 1129 00:44:17,740 --> 00:44:19,660 We had worse gigs than, I believe me. 1130 00:44:19,660 --> 00:44:22,500 Or the one with the cows. 1131 00:44:22,500 --> 00:44:26,100 Did you get me where there'd be like, 10 or 20 people at a time. 1132 00:44:26,100 --> 00:44:28,020 I really earned my stripes, built the confidence. 1133 00:44:28,020 --> 00:44:31,380 And then also when I think about how much division there is, you know, 1134 00:44:31,380 --> 00:44:33,540 in the country at the moment, how much nationalism, 1135 00:44:33,540 --> 00:44:35,220 not saying anything specifically wrong with that. 1136 00:44:35,220 --> 00:44:37,620 But the club for me is more than a place 1137 00:44:37,620 --> 00:44:39,860 where you go and have a boogie. 1138 00:44:39,860 --> 00:44:42,380 It's a place where all cultures can come together. 1139 00:44:42,380 --> 00:44:44,820 You know, white, black, Asian, gay, straight 1140 00:44:44,820 --> 00:44:47,020 and just kind of enjoy music, which is... 1141 00:44:47,020 --> 00:44:48,220 CHEERING AND APPLAUSE 1142 00:44:48,220 --> 00:44:49,900 Yeah, yeah, yeah, which is the soundtrack 1143 00:44:49,900 --> 00:44:54,060 for life, you know? 1144 00:44:54,060 --> 00:44:56,700 I think you were talking in an interview, and I think 1145 00:44:56,700 --> 00:44:59,100 you were saying that one of the things that's happening 1146 00:44:59,100 --> 00:45:01,740 with the nightclub scene is that young people now are healthier. 1147 00:45:01,740 --> 00:45:02,780 Yeah. 1148 00:45:02,780 --> 00:45:05,420 Which is a weird knock-on effect. Which is a good thing. 1149 00:45:05,420 --> 00:45:07,580 Yeah, and there's the emergence of the running clubs 1150 00:45:07,580 --> 00:45:09,260 and stuff like that, which is fun. 1151 00:45:09,260 --> 00:45:10,300 You know, I definitely... 1152 00:45:10,300 --> 00:45:11,740 You could run to that. Yeah. 1153 00:45:11,740 --> 00:45:13,180 You could run to that, exactly. 1154 00:45:13,180 --> 00:45:15,340 So I think that was exactly the thought process. 1155 00:45:15,340 --> 00:45:18,460 I wanted to create a project that evoked the feeling of being out, 1156 00:45:18,460 --> 00:45:22,060 you know, enjoying a time at a club, but you could enjoy it while you 1157 00:45:22,060 --> 00:45:23,500 were at the gym or swimming. 1158 00:45:23,500 --> 00:45:25,980 Well, I don't know how you would actually. 1159 00:45:25,980 --> 00:45:27,900 But yeah, something of the like, you know? 1160 00:45:27,900 --> 00:45:28,940 Yeah, yeah, yeah. 1161 00:45:28,940 --> 00:45:31,100 But it's funny, it never crossed my mind that 1162 00:45:31,100 --> 00:45:33,500 that was a knock-on effect of, you know, kids drinking 1163 00:45:33,500 --> 00:45:35,420 less and smoking less, that they're not clubbing 1164 00:45:35,420 --> 00:45:37,020 in the same way. 100%. 1165 00:45:37,020 --> 00:45:39,420 But like I said, music is the soundtrack to life, 1166 00:45:39,420 --> 00:45:40,900 and you don't have to necessarily. 1167 00:45:40,900 --> 00:45:43,140 You know, going out and drinking should not 1168 00:45:43,140 --> 00:45:44,820 necessarily be synonymous. 1169 00:45:44,820 --> 00:45:47,380 You know, you can go out and have a good time 1170 00:45:47,380 --> 00:45:49,300 without having a drink - or can you? 1171 00:45:49,300 --> 00:45:50,340 I can't, but! 1172 00:45:50,340 --> 00:45:58,300 I'm assured it can be done. I'm keeping those clubs open. 1173 00:45:59,060 --> 00:46:02,380 We used to play a lot of clubs when we were first starting out 1174 00:46:02,380 --> 00:46:05,100 as a music act and we'd play them/ 1175 00:46:05,100 --> 00:46:07,500 I would have thought PJ and Duncan were too famous 1176 00:46:07,500 --> 00:46:08,540 to play little clubs. 1177 00:46:08,540 --> 00:46:09,740 Oh, no. We still did. 1178 00:46:09,740 --> 00:46:12,620 It's part of the circuit. It was a lot of under-18 clubs. 1179 00:46:12,620 --> 00:46:13,660 Yeah, yeah. Under-18 discos. 1180 00:46:13,660 --> 00:46:15,220 Yeah, they were hardcore, though. 1181 00:46:15,220 --> 00:46:18,660 Like, you've got all these, these young girls in there, 1182 00:46:18,660 --> 00:46:20,580 and we turn up to do the song. 1183 00:46:20,580 --> 00:46:24,180 And like you say, a lot of artists go around and do all these clubs, 1184 00:46:24,180 --> 00:46:27,540 but we would turn up and the girls would all stand at the front 1185 00:46:27,540 --> 00:46:30,420 and all scream and cheer, but also they were at the clubs 1186 00:46:30,420 --> 00:46:33,060 with their boyfriends, who would stand at the back and go... 1187 00:46:33,060 --> 00:46:35,220 "Dicks!" 1188 00:46:35,220 --> 00:46:38,420 And it's very hard to mime a track when you're getting ice cubes 1189 00:46:38,420 --> 00:46:42,740 from the boyfriends' drinks thrown at your heads. 1190 00:46:42,740 --> 00:46:44,980 And ashtrays. 1191 00:46:44,980 --> 00:46:47,380 I'm sure it gave you thick skin, right? 1192 00:46:47,380 --> 00:46:50,500 It kind of conditioned you. And look at where you guys are now. 1193 00:46:50,500 --> 00:46:51,940 How many years? 10, 20, 30? 1194 00:46:51,940 --> 00:46:55,260 So I'm trying to be like you guys. I'm more worried that.... 1195 00:46:55,260 --> 00:46:58,980 So if you've ever thrown an ashtray at our heads - thank you. 1196 00:46:58,980 --> 00:47:01,620 Joe Keery is missing out on these ashtray years, because you've 1197 00:47:01,620 --> 00:47:03,500 just gone straight in. 1198 00:47:03,500 --> 00:47:05,620 Oh, I had some empty rooms, that's for sure. 1199 00:47:05,620 --> 00:47:09,460 I played in bands. I had some nice... 1200 00:47:09,460 --> 00:47:12,740 Just the girlfriends' shows, where they're nice enough 1201 00:47:12,740 --> 00:47:13,940 to come, and it's crickets. 1202 00:47:13,940 --> 00:47:16,260 Oh, YOUR girlfriend. Oh, I see. 1203 00:47:16,260 --> 00:47:18,420 Girlfriends of the band. Oh, yeah. 1204 00:47:18,420 --> 00:47:21,100 I thought you meant all the girlfriends showed up. 1205 00:47:21,100 --> 00:47:23,620 That'd have been awkward. 1206 00:47:23,620 --> 00:47:26,500 Yeah. They all met. 1207 00:47:26,500 --> 00:47:28,420 Well, listen, thank you for that amazing performance. 1208 00:47:28,420 --> 00:47:29,620 Good luck with that track. 1209 00:47:29,620 --> 00:47:30,980 Tinie Tempah, everybody! 1210 00:47:30,980 --> 00:47:35,140 CHEERING AND APPLAUSE. 1211 00:47:35,140 --> 00:47:36,580 OK, that's nearly it. 1212 00:47:36,580 --> 00:47:40,380 Before we go, just time for a quick visit to the big red chair. 1213 00:47:40,380 --> 00:47:43,340 Who's there? Hello! 1214 00:47:43,340 --> 00:47:44,380 Hello. 1215 00:47:44,380 --> 00:47:45,540 Hi, what's your name? Oscar. 1216 00:47:45,540 --> 00:47:47,460 Oscar, lovely. And where are you from, Oscar? 1217 00:47:47,460 --> 00:47:48,780 I'm from Australia. 1218 00:47:48,780 --> 00:47:51,660 Lovely - and do you live here now, are you on holidays? 1219 00:47:51,660 --> 00:47:54,540 Yeah, no, I live over here. I've lived here for three years. 1220 00:47:54,540 --> 00:47:56,220 OK - just one over the visa. 1221 00:47:56,220 --> 00:47:59,020 LAUGHTER. 1222 00:47:59,020 --> 00:48:01,620 And what do you do, Oscar? I'm an accountant. 1223 00:48:01,620 --> 00:48:04,820 Oh, OK - we need them. We need them. 1224 00:48:04,820 --> 00:48:06,900 Yeah. Off you go with your story, Oscar. 1225 00:48:06,900 --> 00:48:09,580 Yeah, so the story is, about ten years ago in Australia, 1226 00:48:09,580 --> 00:48:11,620 I was with a big group of mates. 1227 00:48:11,620 --> 00:48:15,220 We had tickets to a music festival, and we didn't want to get our drinks 1228 00:48:15,220 --> 00:48:18,660 confiscated when we were driving in, so we decided to drive down one 1229 00:48:18,660 --> 00:48:22,340 month before the festival, took shovels down there, 1230 00:48:22,340 --> 00:48:24,380 buried all our drinks at the... 1231 00:48:24,380 --> 00:48:28,900 Oh, my God! I know. 1232 00:48:28,900 --> 00:48:31,740 Wait, go back, go back! Claire needs a catch-up. 1233 00:48:31,740 --> 00:48:32,780 Can I just clarify? 1234 00:48:32,780 --> 00:48:35,460 A month before the day of the festival, you drove 1235 00:48:35,460 --> 00:48:38,060 down with your friends and buried alcohol? 1236 00:48:38,060 --> 00:48:43,740 That's exactly what happened. OK - please continue. 1237 00:48:43,740 --> 00:48:47,300 Can I just say, people in Australia have a lot of time on their hands. 1238 00:48:47,300 --> 00:48:49,700 We were uni students, so we had a little time. 1239 00:48:49,700 --> 00:48:51,860 OK, only time. OK, so you've buried the booze. 1240 00:48:51,860 --> 00:48:52,900 We've buried the drinks. 1241 00:48:52,900 --> 00:48:55,540 A week before the music festival, bushfires went through the area 1242 00:48:55,540 --> 00:48:57,940 because they were buried in the forest, so it was 1243 00:48:57,940 --> 00:48:59,900 very flammable area. 1244 00:48:59,900 --> 00:49:05,060 I wonder what started it? 1245 00:49:05,060 --> 00:49:07,180 And essentially, they changed the location of the festival. 1246 00:49:07,180 --> 00:49:11,540 So we effectively had about 300 beers just 1247 00:49:11,540 --> 00:49:14,340 buried in a random forest. 1248 00:49:14,340 --> 00:49:19,380 We took the shovels back down, dug them up, got them 1249 00:49:19,380 --> 00:49:23,300 into the new location, no dramas. 1250 00:49:23,300 --> 00:49:25,540 So it was a foolproof plan. 1251 00:49:25,540 --> 00:49:29,180 We just hadn't factored in the impact of a natural disaster. 1252 00:49:29,180 --> 00:49:32,540 Is that the end of the story? That is the end of the story. 1253 00:49:32,540 --> 00:49:35,420 It is quite a good story but I'm gonna flip you anyway. 1254 00:49:35,420 --> 00:49:36,460 There you go. 1255 00:49:36,460 --> 00:49:38,620 I did like it, though. I did enjoy it. 1256 00:49:38,620 --> 00:49:40,780 OK, that really is all we've got time for. 1257 00:49:40,780 --> 00:49:43,660 If you'd like to have a go on the red chair yourself, 1258 00:49:43,660 --> 00:49:46,300 you can contact us via our website at this very address. 1259 00:49:46,300 --> 00:49:48,940 Please say a huge thank you to all of our guests. 1260 00:49:48,940 --> 00:49:50,140 Tinie Tempah! CHEERING AND APPLAUSE. 1261 00:49:50,140 --> 00:49:52,260 Joe Keery! CHEERING AND APPLAUSE. 1262 00:49:52,260 --> 00:49:54,420 Claire Foy! CHEERING AND APPLAUSE. 1263 00:49:54,420 --> 00:49:58,740 And Ant and Dec! CHEERING AND APPLAUSE. 1264 00:49:58,740 --> 00:50:01,660 Join me next week with music guest Jessie Ware, comedian John Bishop, 1265 00:50:01,660 --> 00:50:05,020 Send Help star Rachel McAdams, the mighty Chris Hemsworth 1266 00:50:05,020 --> 00:50:07,220 and Oscar-winner Halle Berry. 1267 00:50:07,220 --> 00:50:15,100 I'll see you then. Goodnight, everybody - bye-bye.