1 00:00:00,240 --> 00:00:01,280 Hello, everybody. 2 00:00:01,280 --> 00:00:02,320 I'm Dave Grohl. 3 00:00:02,320 --> 00:00:10,280 Welcome to The Graham Norton Show. 4 00:00:17,000 --> 00:00:18,280 Woo! 5 00:00:18,280 --> 00:00:21,480 Woo! 6 00:00:21,480 --> 00:00:22,880 Woo! 7 00:00:22,880 --> 00:00:23,920 Hello! 8 00:00:23,920 --> 00:00:25,920 Good evening. 9 00:00:25,920 --> 00:00:33,360 You're all so welcome to the show. 10 00:00:33,360 --> 00:00:35,720 And hello to our virtual studio audience at home there. 11 00:00:35,720 --> 00:00:36,760 Hello. 12 00:00:36,760 --> 00:00:38,200 Page after page, there they are. 13 00:00:38,200 --> 00:00:40,960 Hey, just as well you are watching safe in your homes, 14 00:00:40,960 --> 00:00:47,040 because, ladies, we've got a treat for you tonight. 15 00:00:47,040 --> 00:00:48,040 Wa-hey! 16 00:00:48,040 --> 00:00:55,200 The cameramen are excited as well. 17 00:00:55,200 --> 00:00:56,400 Phwoar, the jangling of keys. 18 00:00:56,400 --> 00:00:59,760 Yes, right here in the studio, we have one of the sexiest TV stars 19 00:00:59,760 --> 00:01:00,800 in the world. 20 00:01:00,800 --> 00:01:02,880 No, Alan, it's not you. 21 00:01:02,880 --> 00:01:06,160 It is in fact the star of Bridgerton, Rege-Jean Page! 22 00:01:06,160 --> 00:01:09,080 He's the new host of Interior Design 23 00:01:09,080 --> 00:01:11,600 Masters, it's Alan Carr! 24 00:01:11,600 --> 00:01:13,280 She's Sister Michael from Derry Girls, now 25 00:01:13,280 --> 00:01:17,720 hosting the great pottery throw-down, Siobhan McSweeney. 26 00:01:17,720 --> 00:01:19,640 And she's the star of classic shows like 27 00:01:19,640 --> 00:01:21,800 The Good Life and Rosemary and Thyme, now setting 28 00:01:21,800 --> 00:01:22,840 sail in Anything Goes, 29 00:01:22,840 --> 00:01:27,680 it's the fabulous Felicity Kendal. 30 00:01:27,680 --> 00:01:30,200 Last, shortly we'll be joined from Los Angeles 31 00:01:30,200 --> 00:01:33,640 by Foo Fighter Dave Grohl. 32 00:01:33,640 --> 00:01:36,040 And we'll have music right here in the studio from 33 00:01:36,040 --> 00:01:38,640 singer-songwriter and podcaster Jessie Ware. 34 00:01:38,640 --> 00:01:39,680 Good, right? 35 00:01:39,680 --> 00:01:41,520 Good! 36 00:01:41,520 --> 00:01:42,560 Jessie Ware. 37 00:01:42,560 --> 00:01:45,760 Love that album. 38 00:01:45,760 --> 00:01:46,800 Welcome, all. 39 00:01:46,800 --> 00:01:48,240 First time for you, Felicity Kendal. 40 00:01:48,240 --> 00:01:50,560 Yes, I know. 41 00:01:50,560 --> 00:01:52,240 Why have you not asked me before? 42 00:01:52,240 --> 00:01:53,280 I'm... 43 00:01:53,280 --> 00:01:54,960 Now I wonder what was I thinking? 44 00:01:54,960 --> 00:01:56,160 I don't know what happened. 45 00:01:56,160 --> 00:01:57,280 You're here now. 46 00:01:57,280 --> 00:01:58,960 I'm so happy to be here. 47 00:01:58,960 --> 00:02:01,120 I'm free just for an hour and a half. 48 00:02:01,120 --> 00:02:02,680 I love you so much. 49 00:02:02,680 --> 00:02:03,720 Thank you. 50 00:02:03,720 --> 00:02:06,360 I'm released, legally. 51 00:02:06,360 --> 00:02:08,280 Felicity may be joining us again next week. 52 00:02:08,280 --> 00:02:09,320 We'll see. 53 00:02:09,320 --> 00:02:11,360 Thank you. 54 00:02:11,360 --> 00:02:13,520 We'll show up, and she'll just still be here. 55 00:02:13,520 --> 00:02:17,440 "I'm not going home." 56 00:02:17,440 --> 00:02:20,880 And, Rege-Jean Page, I mention Bridgerton. 57 00:02:20,880 --> 00:02:23,760 I guess what's weird is you're in the biggest show in the 58 00:02:23,760 --> 00:02:26,160 world, you're a global superstar, but you're presumably just telling 59 00:02:26,160 --> 00:02:33,080 your fridge. 60 00:02:33,080 --> 00:02:37,320 Yeah, it's just me and the four walls and my cushions, my 61 00:02:37,320 --> 00:02:39,720 exceedingly bad cushions all my friends tell me off for. 62 00:02:39,720 --> 00:02:41,640 But has the postman been impressed to find 63 00:02:41,640 --> 00:02:42,840 Rege-Jean Page behind the door? 64 00:02:42,840 --> 00:02:45,240 No, because I don't go to the door because I'm 65 00:02:45,240 --> 00:02:46,440 scared of the postie and 66 00:02:46,440 --> 00:02:47,480 the tabloids. 67 00:02:47,480 --> 00:02:49,640 That's the only bit that's real about the global 68 00:02:49,640 --> 00:02:50,680 superstar. 69 00:02:50,680 --> 00:02:52,600 Oh, so you don't know what's out there? 70 00:02:52,600 --> 00:02:53,640 Yeah. 71 00:02:53,640 --> 00:02:55,320 You don't know who's behind the door. 72 00:02:55,320 --> 00:02:57,000 Lockdown has ended about three months ago. 73 00:02:57,000 --> 00:02:59,160 And this is why I don't like the postie. 74 00:02:59,160 --> 00:03:00,200 He didn't tell me. 75 00:03:00,200 --> 00:03:01,640 He didn't tell me at all. 76 00:03:01,640 --> 00:03:03,160 I just don't like an audience. 77 00:03:03,160 --> 00:03:05,560 Siobhan McSweeney, now, I would have thought, Derry Girls, so 78 00:03:05,560 --> 00:03:08,680 big that when you go home to Cork, you must be a superstar. 79 00:03:08,680 --> 00:03:09,720 Yeah, no. 80 00:03:09,720 --> 00:03:12,640 Well, as you know, it's very hard to impress a Cork person. 81 00:03:12,640 --> 00:03:15,040 No, absolutely no recognition, no flicker of recognition. 82 00:03:15,040 --> 00:03:17,400 And it's good, actually, because you don't 83 00:03:17,400 --> 00:03:20,600 want to be looking like you have notions. 84 00:03:20,600 --> 00:03:24,640 You don't want to be standing there in the middle of 85 00:03:24,640 --> 00:03:26,800 Patrick's Street going, "You're right, it is me." 86 00:03:26,800 --> 00:03:29,560 You have to be very, very cool. 87 00:03:29,560 --> 00:03:37,520 Even if your head was on fire, nobody would look at you in Cork. 88 00:03:39,960 --> 00:03:43,320 Because, Alan Carr, it must be quite nice to be in a studio because 89 00:03:43,320 --> 00:03:46,440 you've been doing a lot of things on Zoom, and I don't mean 90 00:03:46,440 --> 00:03:48,600 to criticise, but you haven't got any better at 91 00:03:48,600 --> 00:03:49,640 it. 92 00:03:49,640 --> 00:03:50,720 No! 93 00:03:50,720 --> 00:03:53,320 I was on Good Morning Britain talking to Ben Shephard and 94 00:03:53,320 --> 00:03:55,720 I have a very bad Wi-Fi signal where I live, 95 00:03:55,720 --> 00:03:57,200 and then I was talking and 96 00:03:57,200 --> 00:03:59,800 it just froze and it looked like I was pleasuring myself, 97 00:03:59,800 --> 00:04:07,360 and then they actually had to go to another item, 98 00:04:07,360 --> 00:04:10,440 and of course you're still talking and I looked and I'm like this... 99 00:04:10,440 --> 00:04:11,480 LAUGHTER 100 00:04:11,480 --> 00:04:12,520 You're not joking. 101 00:04:12,520 --> 00:04:13,560 We've got a... 102 00:04:13,560 --> 00:04:14,600 You've got the thing? 103 00:04:14,600 --> 00:04:15,800 We've got a screen grab. 104 00:04:15,800 --> 00:04:16,840 Oh, no. 105 00:04:16,840 --> 00:04:17,880 No, no. 106 00:04:17,880 --> 00:04:19,080 They went to another item. 107 00:04:19,080 --> 00:04:24,120 I was still talking. 108 00:04:24,120 --> 00:04:27,880 That does look like good morning Britain, yeah. 109 00:04:27,880 --> 00:04:28,920 LAUGHTER 110 00:04:28,920 --> 00:04:29,960 Well, now. 111 00:04:29,960 --> 00:04:33,600 Let's start tonight with you, Felicity 112 00:04:33,600 --> 00:04:35,840 Kendal, and good news - theatre is back. 113 00:04:35,840 --> 00:04:36,880 Hopefully! 114 00:04:36,880 --> 00:04:37,920 CHEERING 115 00:04:37,920 --> 00:04:38,960 That's the plan. 116 00:04:38,960 --> 00:04:41,120 Anything Goes, a huge, big, lavish musical, is going 117 00:04:41,120 --> 00:04:43,760 to open at London's Barbican Theatre on the 5th of June. 118 00:04:43,760 --> 00:04:44,800 Tickets are available now. 119 00:04:44,800 --> 00:04:45,840 So this is happening. 120 00:04:45,840 --> 00:04:48,000 Big cast, full orchestra. 121 00:04:48,000 --> 00:04:51,160 It is happening if it's safe and if it's 122 00:04:51,160 --> 00:04:53,160 allowed and if it's legal. 123 00:04:53,160 --> 00:04:55,560 So the idea is, as we know, it's all going 124 00:04:55,560 --> 00:04:56,760 to get back to normal. 125 00:04:56,760 --> 00:05:00,080 Life is going back. 126 00:05:00,080 --> 00:05:02,720 So in the sort of spirit of being completely positive about 127 00:05:02,720 --> 00:05:07,040 things that are completely and utterly impossible to guarantee, we 128 00:05:07,040 --> 00:05:10,160 are going ahead we think with this, but it obviously depends on the... 129 00:05:10,160 --> 00:05:13,040 Yes, but if it happens, people would be so desperate for it, 130 00:05:13,040 --> 00:05:14,480 because it's such a joyous musical. 131 00:05:14,480 --> 00:05:15,520 I think it's just... 132 00:05:15,520 --> 00:05:16,560 It's like... 133 00:05:16,560 --> 00:05:18,720 You know, I'm not being silly buggers, but it's 134 00:05:18,720 --> 00:05:19,760 about... 135 00:05:19,760 --> 00:05:20,960 It's like watching your show. 136 00:05:20,960 --> 00:05:22,160 It's exactly what we need. 137 00:05:22,160 --> 00:05:23,840 We've had doom and gloom and disaster 138 00:05:23,840 --> 00:05:27,840 and trauma and everything. 139 00:05:27,840 --> 00:05:30,480 Now what we need coming out of it is to just 140 00:05:30,480 --> 00:05:33,360 go and watch some wonderful escapist thing, and this is a wonderful 141 00:05:33,360 --> 00:05:34,400 musical. 142 00:05:34,400 --> 00:05:35,840 I've seen the clips from America. 143 00:05:35,840 --> 00:05:36,880 And it's all... 144 00:05:36,880 --> 00:05:37,920 It's so stylish. 145 00:05:37,920 --> 00:05:40,320 It's set on an ocean liner, and it's a romance. 146 00:05:40,320 --> 00:05:48,280 It's a farce. 147 00:05:49,920 --> 00:05:50,920 It's wonderful. 148 00:05:50,920 --> 00:05:52,680 It's like a tragic Titanic. 149 00:05:52,680 --> 00:05:53,880 I think Titanic is tragic. 150 00:05:53,880 --> 00:05:55,320 I mean, I hated Leo DiCaprio. 151 00:05:55,320 --> 00:05:56,520 He didn't die fast enough. 152 00:05:56,520 --> 00:05:58,720 No, no. 153 00:05:58,720 --> 00:05:59,760 It's a comic Titanic. 154 00:05:59,760 --> 00:06:00,800 There you go. 155 00:06:00,800 --> 00:06:04,520 A comic Titanic? 156 00:06:04,520 --> 00:06:05,560 Yes, yes. 157 00:06:05,560 --> 00:06:07,520 It's that sort of story. 158 00:06:07,520 --> 00:06:11,320 The boy is the wrong person for the girl and then there 159 00:06:11,320 --> 00:06:15,960 are crooks and then there are romances and it's all very, very 160 00:06:15,960 --> 00:06:18,600 glamorous and everyone is moving from, you know, America to England 161 00:06:18,600 --> 00:06:19,640 except it doesn't sink. 162 00:06:19,640 --> 00:06:20,840 It's a wonderful, funny farce. 163 00:06:20,840 --> 00:06:23,040 Silly buggers. 164 00:06:23,040 --> 00:06:24,320 There's no ice. 165 00:06:24,320 --> 00:06:25,760 There's no ice, not even ice-skating. 166 00:06:25,760 --> 00:06:33,720 It's just fun. 167 00:06:34,560 --> 00:06:35,960 And you've got these iconic songs. 168 00:06:35,960 --> 00:06:37,200 It's all Cole Porter songs. 169 00:06:37,200 --> 00:06:40,520 I have seen you in plays, but I've never seen you in a musical. 170 00:06:40,520 --> 00:06:41,560 No. 171 00:06:41,560 --> 00:06:43,000 So this is your first one. 172 00:06:43,000 --> 00:06:44,040 Yes. 173 00:06:44,040 --> 00:06:45,240 Is there a reason why? 174 00:06:45,240 --> 00:06:46,280 I can't sing. 175 00:06:46,280 --> 00:06:47,320 OK. 176 00:06:47,320 --> 00:06:48,360 But it's joyous. 177 00:06:48,360 --> 00:06:49,400 Don't worry. 178 00:06:49,400 --> 00:06:50,440 It will... 179 00:06:50,440 --> 00:06:51,480 I'll be fine. 180 00:06:51,480 --> 00:06:52,520 It will. 181 00:06:52,520 --> 00:06:53,560 Or I'll be fired. 182 00:06:53,560 --> 00:06:55,520 Now without Felicity Kendal. 183 00:06:55,520 --> 00:07:02,640 Anything Goes, but Felicity went. 184 00:07:02,640 --> 00:07:05,640 Now, here's... 185 00:07:05,640 --> 00:07:07,320 This is an odd bit of trivia. 186 00:07:07,320 --> 00:07:09,240 Because, Felicity, I think I'm right in thinking... 187 00:07:09,240 --> 00:07:14,320 We are 188 00:07:14,320 --> 00:07:15,960 in old BBC TV Centre here tonight. 189 00:07:15,960 --> 00:07:18,160 And you made the Good Life in this building. 190 00:07:18,160 --> 00:07:20,760 And a lot of people, I think, are discovering the show 191 00:07:20,760 --> 00:07:22,200 again in lockdown, you know, bingeing... 192 00:07:22,200 --> 00:07:23,280 Thank you, Graham. 193 00:07:23,280 --> 00:07:29,040 It's on Gold and all those sorts of things. 194 00:07:29,040 --> 00:07:31,960 There's nowhere to go! 195 00:07:31,960 --> 00:07:33,760 Oh, I'll watch this again. 196 00:07:33,760 --> 00:07:35,920 I just think you watch it now and you 197 00:07:35,920 --> 00:07:38,880 forget how radical it was at the time. 198 00:07:38,880 --> 00:07:42,000 I mean, you and Penelope kind of pushed the envelope for women. 199 00:07:42,000 --> 00:07:43,440 Tell us about the home-brew episode. 200 00:07:43,440 --> 00:07:47,440 Oh... 201 00:07:47,440 --> 00:07:49,840 Oh, when we got pissed? 202 00:07:49,840 --> 00:07:50,880 Yes, the home-brew... 203 00:07:50,880 --> 00:07:53,040 First of all, the writers were absolutely amazing and 204 00:07:53,040 --> 00:07:54,080 they created the characters. 205 00:07:54,080 --> 00:07:56,440 We didn't create them. 206 00:07:56,440 --> 00:07:58,840 And they didn't write for us, they wrote for the 207 00:07:58,840 --> 00:07:59,880 characters they created. 208 00:07:59,880 --> 00:08:02,240 And they wrote these two really interesting 209 00:08:02,240 --> 00:08:04,640 women, not deep and serious and psychological, but actually very 210 00:08:04,640 --> 00:08:12,600 clever. 211 00:08:16,360 --> 00:08:19,720 And there was a scene when the boys got pissed on made up wine, 212 00:08:19,720 --> 00:08:21,880 and I thought, what if we get pissed, Penny? 213 00:08:21,880 --> 00:08:22,920 Wouldn't that be good? 214 00:08:22,920 --> 00:08:24,120 She said, that would be... 215 00:08:24,120 --> 00:08:26,520 It's the nicest thing in the world to act pissed, 216 00:08:26,520 --> 00:08:28,200 I love acting pissed more than anything. 217 00:08:28,200 --> 00:08:29,400 I mean, it's really fun. 218 00:08:29,400 --> 00:08:32,280 And I said, we'll do that, and they went and asked the 219 00:08:32,280 --> 00:08:35,160 head of the BBC and they said, no, you can't do that. 220 00:08:35,160 --> 00:08:36,840 Margot and Barbara, they can't get pissed. 221 00:08:36,840 --> 00:08:37,880 They're loved by people. 222 00:08:37,880 --> 00:08:42,320 They're sacred cows in a nice way. 223 00:08:42,320 --> 00:08:44,720 No, they can't be rude and dirty and get pissed. 224 00:08:44,720 --> 00:08:46,640 And anyway, we fought this with the producer, 225 00:08:46,640 --> 00:08:49,040 director and with the writers, and eventually we did that 226 00:08:49,040 --> 00:08:50,080 scene. 227 00:08:50,080 --> 00:08:52,000 Because in those days, they didn't want the... 228 00:08:52,000 --> 00:08:53,040 Yeah, yeah. 229 00:08:53,040 --> 00:08:54,480 So how far have we come? 230 00:08:54,480 --> 00:08:55,520 Now everybody's pissed. 231 00:08:55,520 --> 00:08:56,840 Oh, yeah. 232 00:08:56,840 --> 00:08:57,880 I'm pissed right now. 233 00:08:57,880 --> 00:08:58,920 I won't remember this. 234 00:08:58,920 --> 00:09:01,240 No. 235 00:09:01,240 --> 00:09:02,280 Cheers. 236 00:09:02,280 --> 00:09:03,920 No, but actually, here's the thing. 237 00:09:03,920 --> 00:09:06,800 Because I love The Good Life, but are you aware of it? 238 00:09:06,800 --> 00:09:14,760 I grew up on The Good Life. 239 00:09:19,560 --> 00:09:21,720 FELICITY IMPRESSION: Margot and Jenny, just like you expect. 240 00:09:21,720 --> 00:09:23,160 In fact, what was in that? 241 00:09:23,160 --> 00:09:24,200 Sorry. 242 00:09:24,200 --> 00:09:32,160 It sounds like you, doesn't it? 243 00:09:37,280 --> 00:09:39,440 FELICITY IMPRESSION: Oh, the goats are eating the cabbages! 244 00:09:39,440 --> 00:09:41,600 Because for Alan, though, watching The Good Life must 245 00:09:41,600 --> 00:09:42,800 be like watching a documentary. 246 00:09:42,800 --> 00:09:43,840 Oh, I know. 247 00:09:43,840 --> 00:09:46,720 Well, we've got a farm, you see, with all of these animals. 248 00:09:46,720 --> 00:09:47,920 You got some new animals. 249 00:09:47,920 --> 00:09:48,960 You got chickens now. 250 00:09:48,960 --> 00:09:50,000 Yes. 251 00:09:50,000 --> 00:09:52,400 Well, the next-door neighbour, a fox killed all of the 252 00:09:52,400 --> 00:09:54,800 chickens apart from this one, so we said we'd look 253 00:09:54,800 --> 00:09:57,440 after it with our chickens, but they picked on it, our 254 00:09:57,440 --> 00:09:59,840 chickens do, and my partner says it's because it's ginger. 255 00:09:59,840 --> 00:10:00,880 So... 256 00:10:00,880 --> 00:10:02,320 My brother's a ginge, just saying. 257 00:10:02,320 --> 00:10:03,360 Don't write and complain. 258 00:10:03,360 --> 00:10:06,240 So we've got it in the house now and, yeah, it's a 259 00:10:06,240 --> 00:10:07,280 bit... 260 00:10:07,280 --> 00:10:08,320 What's in the house? 261 00:10:08,320 --> 00:10:09,520 A chicken in the house. 262 00:10:09,520 --> 00:10:11,920 We've got a picture of you and the chicken in 263 00:10:11,920 --> 00:10:12,960 the house. 264 00:10:12,960 --> 00:10:14,000 Yes. 265 00:10:14,000 --> 00:10:16,160 Now, that blanket appears to be covered in chicken 266 00:10:16,160 --> 00:10:17,200 shit. 267 00:10:17,200 --> 00:10:18,240 I know. 268 00:10:18,240 --> 00:10:20,880 It shits everywhere, and someone told me if you take a 269 00:10:20,880 --> 00:10:23,040 Covid mask and put the handles round the wing 270 00:10:23,040 --> 00:10:24,480 and put the mask under its 271 00:10:24,480 --> 00:10:26,160 private bits, then it's a chicken nappy. 272 00:10:26,160 --> 00:10:34,120 He must be quite... 273 00:10:35,680 --> 00:10:37,120 Well, he doesn't pull it down. 274 00:10:37,120 --> 00:10:38,560 I mean, he's not that clever. 275 00:10:38,560 --> 00:10:40,720 But also, it would catch the eggs as well. 276 00:10:40,720 --> 00:10:41,760 Yes, you see? 277 00:10:41,760 --> 00:10:43,440 Or it comes shooting straight back up. 278 00:10:43,440 --> 00:10:46,760 A shocked-looking chicken. 279 00:10:46,760 --> 00:10:49,360 Ooh! 280 00:10:49,360 --> 00:10:50,400 Well, I never! 281 00:10:50,400 --> 00:10:52,800 Because, Siobhan, now, you don't live on a farm, but 282 00:10:52,800 --> 00:10:56,000 you do have a green fingers. 283 00:10:56,000 --> 00:10:57,440 You produce produce. 284 00:10:57,440 --> 00:10:59,360 So what is it, a balcony you have? 285 00:10:59,360 --> 00:11:00,400 No, it's... 286 00:11:00,400 --> 00:11:04,560 I live in central London, so it's not a 287 00:11:04,560 --> 00:11:06,240 balcony, it's a sort of a balco. 288 00:11:06,240 --> 00:11:08,640 It's not big enough to be the full word, really. 289 00:11:08,640 --> 00:11:14,200 It's basically how a door can go like that, that's what I 290 00:11:14,200 --> 00:11:16,360 have, but during lockdown, I along with, I imagine, 291 00:11:16,360 --> 00:11:17,400 many people decided 292 00:11:17,400 --> 00:11:19,320 that I would be really good at gardening. 293 00:11:19,320 --> 00:11:20,360 I'm from Cork. 294 00:11:20,360 --> 00:11:21,400 I'm from County Cork. 295 00:11:21,400 --> 00:11:23,080 It's in my blood, for God sake. 296 00:11:23,080 --> 00:11:24,760 I would be able to do this. 297 00:11:24,760 --> 00:11:26,440 So turns out it's really fucking hard. 298 00:11:26,440 --> 00:11:30,840 But then you did... 299 00:11:30,840 --> 00:11:31,880 You went with radishes. 300 00:11:31,880 --> 00:11:32,920 I went with radishes. 301 00:11:32,920 --> 00:11:33,960 And this... 302 00:11:33,960 --> 00:11:35,920 What I find surprising about this picture 303 00:11:35,920 --> 00:11:42,080 you posted is that this is when you chose to harvest them. 304 00:11:42,080 --> 00:11:44,760 You know what radishes look like? 305 00:11:44,760 --> 00:11:47,760 They were... 306 00:11:47,760 --> 00:11:49,720 That was them ready. 307 00:11:49,720 --> 00:11:52,800 Like, I even gave them a couple of extra weeks, 308 00:11:52,800 --> 00:11:55,160 like, and oh, my God, Graham, I talked to them. 309 00:11:55,160 --> 00:11:57,960 Like, I hugged them at night. 310 00:11:57,960 --> 00:12:00,760 I went bananas during the first lockdown, so I was like, 311 00:12:00,760 --> 00:12:01,800 hello, radishes! 312 00:12:01,800 --> 00:12:03,200 How are you doing? 313 00:12:03,200 --> 00:12:08,800 Oh, my God. 314 00:12:08,800 --> 00:12:10,040 They didn't like that? 315 00:12:10,040 --> 00:12:13,480 Were you on anything else? 316 00:12:13,480 --> 00:12:14,520 They took agin you. 317 00:12:14,520 --> 00:12:15,720 But, you know, it's hard. 318 00:12:15,720 --> 00:12:16,920 Because we don't eat anything. 319 00:12:16,920 --> 00:12:18,600 We don't kill anything on our farm. 320 00:12:18,600 --> 00:12:26,400 Even the... 321 00:12:26,400 --> 00:12:28,760 And Paul bought four cows and, like, when the cows 322 00:12:28,760 --> 00:12:31,480 aren't killed, they live to be like 35-40. 323 00:12:31,480 --> 00:12:34,120 There's a good chance these cows could be at our funeral. 324 00:12:34,120 --> 00:12:35,560 So you've got chickens and cows... 325 00:12:35,560 --> 00:12:36,600 And alpacas... 326 00:12:36,600 --> 00:12:37,640 There you go. 327 00:12:37,640 --> 00:12:41,640 And pygmy goats. 328 00:12:41,640 --> 00:12:44,120 I'm glad I asked that question. 329 00:12:44,120 --> 00:12:46,760 Did you have real pigs when you did The Good Life? 330 00:12:46,760 --> 00:12:47,800 They're horrible, aren't they? 331 00:12:47,800 --> 00:12:48,840 They're very bitey. 332 00:12:48,840 --> 00:12:50,280 Yes, they bite and they push. 333 00:12:50,280 --> 00:12:52,720 Yes. 334 00:12:52,720 --> 00:12:55,360 And they're not aggressive, but they're just heavy going and they 335 00:12:55,360 --> 00:12:56,560 won't do what you want. 336 00:12:56,560 --> 00:12:59,880 And Dickie hated them. 337 00:12:59,880 --> 00:13:03,840 Every time he had to get into the pen and say, how are you 338 00:13:03,840 --> 00:13:07,240 pinky or how are you perky or whatever it was, 339 00:13:07,240 --> 00:13:14,240 and when they said cut, he leapt up. 340 00:13:14,240 --> 00:13:18,000 Well, Alan Carr, you've gone from outdoors to indoors 341 00:13:18,000 --> 00:13:20,840 with your latest project as the new host of Interior Design Masters. 342 00:13:20,840 --> 00:13:21,880 Yes! 343 00:13:21,880 --> 00:13:23,800 It's on BBC Two, Tuesdays at eight o'clock. 344 00:13:23,800 --> 00:13:26,640 So explain what goes on. 345 00:13:26,640 --> 00:13:29,520 OK, ten fantastic designers, all want to be the new interior design 346 00:13:29,520 --> 00:13:33,920 Master. 347 00:13:33,920 --> 00:13:37,320 And every week, they have to do up either a luxury hotel, a beach 348 00:13:37,320 --> 00:13:41,520 hut, a restaurant, a salon, and then we have to eliminate people every 349 00:13:41,520 --> 00:13:44,440 week... 350 00:13:44,440 --> 00:13:49,000 I know, and it's so horrible. 351 00:13:49,000 --> 00:13:51,440 And because of Covid, you can't hug them or anything. 352 00:13:51,440 --> 00:13:56,120 Because on your show, I mean, you can't... 353 00:13:56,120 --> 00:13:57,160 They're in a bubble. 354 00:13:57,160 --> 00:13:59,560 We were in a bubble, but, yeah, but it's still 355 00:13:59,560 --> 00:14:00,600 tough going, isn't it? 356 00:14:00,600 --> 00:14:01,640 It's horrible. 357 00:14:01,640 --> 00:14:04,280 I say, "I'm afraid you're going home," and then they're crying 358 00:14:04,280 --> 00:14:05,480 and then you're like, "Bye." 359 00:14:05,480 --> 00:14:07,880 You know, and you might as well basically have 360 00:14:07,880 --> 00:14:11,960 a trapdoor which leads to a skip. 361 00:14:11,960 --> 00:14:14,800 You know what I'm like, Graham. 362 00:14:14,800 --> 00:14:17,880 I say what I feel and I think that's what they want, but... 363 00:14:17,880 --> 00:14:19,120 I was surprised. 364 00:14:19,120 --> 00:14:22,000 I imagined you would be quite lovely and a bit kind, but 365 00:14:22,000 --> 00:14:23,040 you're actually... 366 00:14:23,040 --> 00:14:24,960 You're quite harsh in the things you say. 367 00:14:24,960 --> 00:14:26,000 Really? 368 00:14:26,000 --> 00:14:27,040 Too harsh? 369 00:14:27,040 --> 00:14:28,080 No, no. 370 00:14:28,080 --> 00:14:29,760 You show up when things go wrong. 371 00:14:29,760 --> 00:14:32,400 That's what I hated about it, because you know what TV's 372 00:14:32,400 --> 00:14:34,040 like. 373 00:14:34,040 --> 00:14:36,920 They're like, so and so, the awning has fallen down and the 374 00:14:36,920 --> 00:14:40,840 paint has gone over the curtains. 375 00:14:40,840 --> 00:14:43,680 And of course I turn up like Maleficent. 376 00:14:43,680 --> 00:14:47,040 "So, what's happened here?" 377 00:14:47,040 --> 00:14:49,080 And then it's so funny because they're like 378 00:14:49,080 --> 00:14:56,120 that at the beginning 379 00:14:56,120 --> 00:14:59,000 when they're doing up the house and everything, "How are you doing? 380 00:14:59,000 --> 00:15:00,040 Oh, Alan." 381 00:15:00,040 --> 00:15:01,080 And they're all giggling. 382 00:15:01,080 --> 00:15:03,000 But, you know, there is a time constraint. 383 00:15:03,000 --> 00:15:05,640 They have to finish by five o'clock and then, of course, 384 00:15:05,640 --> 00:15:06,840 I'm turning up at 4.55. 385 00:15:06,840 --> 00:15:09,000 "So, explain, how did you make this book shelf?" 386 00:15:09,000 --> 00:15:13,000 And they're like, "Fuck off." 387 00:15:13,000 --> 00:15:14,040 So, yeah, it was... 388 00:15:14,040 --> 00:15:15,080 I love doing it. 389 00:15:15,080 --> 00:15:17,240 I love doing it, but you've worried me now 390 00:15:17,240 --> 00:15:20,120 about being too harsh. 391 00:15:20,120 --> 00:15:21,560 No, because you're funny with it. 392 00:15:21,560 --> 00:15:22,600 We've got a clip. 393 00:15:22,600 --> 00:15:23,680 We've got a clip. 394 00:15:23,680 --> 00:15:26,280 This is you checking in on one of the contestants progress. 395 00:15:26,280 --> 00:15:27,320 Hello, John. 396 00:15:27,320 --> 00:15:28,360 Hello, you. 397 00:15:28,360 --> 00:15:30,040 Another day, another pair of skimpy shorts 398 00:15:30,040 --> 00:15:31,080 I see. 399 00:15:31,080 --> 00:15:32,120 They're lovely. 400 00:15:32,120 --> 00:15:33,320 Get a bit of ventilation. 401 00:15:33,320 --> 00:15:34,360 That's the one. 402 00:15:34,360 --> 00:15:36,280 So tell us about the colour, because it's 403 00:15:36,280 --> 00:15:37,720 very satsuma-y for a meeting room. 404 00:15:37,720 --> 00:15:38,920 Have I said something wrong? 405 00:15:38,920 --> 00:15:39,960 I feel offended. 406 00:15:39,960 --> 00:15:41,040 I like satsumas. 407 00:15:41,040 --> 00:15:46,720 Yeah, satsumas are good for you. 408 00:15:46,720 --> 00:15:49,120 If you're in a meeting for two or three hours, 409 00:15:49,120 --> 00:15:51,760 there's nothing worse than looking at a plain, blank, boring wall. 410 00:15:51,760 --> 00:15:52,800 It's bright, it's good... 411 00:15:52,800 --> 00:15:53,840 I like it. 412 00:15:53,840 --> 00:15:54,880 Yes. 413 00:15:54,880 --> 00:15:56,560 OK, I'll leave you to it, John. 414 00:15:56,560 --> 00:15:57,600 Thank you. 415 00:15:57,600 --> 00:15:59,760 The trouble with the colour orange, it's very divisive. 416 00:15:59,760 --> 00:16:01,920 When some people think of orange, they think zesty 417 00:16:01,920 --> 00:16:03,120 and fresh, but to other 418 00:16:03,120 --> 00:16:06,240 people, they think budget airlines and fake tan. 419 00:16:06,240 --> 00:16:07,280 It's funny. 420 00:16:07,280 --> 00:16:11,600 It's funny. 421 00:16:11,600 --> 00:16:15,480 Well, Interior Design Masters with Alan Carr continues on 422 00:16:15,480 --> 00:16:16,520 Tuesdays. 423 00:16:16,520 --> 00:16:18,680 OK, it's time to meet our virtual guest tonight. 424 00:16:18,680 --> 00:16:20,840 He's the front man of the biggest rock band 425 00:16:20,840 --> 00:16:22,040 in the world, Foo Fighters. 426 00:16:22,040 --> 00:16:23,080 Please welcome Dave Grohl. 427 00:16:23,080 --> 00:16:24,120 CHEERING 428 00:16:24,120 --> 00:16:27,400 Hey, everybody. 429 00:16:27,400 --> 00:16:29,480 How are you, sir? 430 00:16:29,480 --> 00:16:30,520 I'm doing all right. 431 00:16:30,520 --> 00:16:33,880 It's not bad here. 432 00:16:33,880 --> 00:16:34,920 How are you? 433 00:16:34,920 --> 00:16:36,960 We're great, thank you very much. 434 00:16:36,960 --> 00:16:38,000 Lovely to meet you. 435 00:16:38,000 --> 00:16:40,160 And actually we were just talking about interior design. 436 00:16:40,160 --> 00:16:42,040 What a beautiful painting. 437 00:16:42,040 --> 00:16:43,240 Oh, do you like this? 438 00:16:43,240 --> 00:16:44,280 Well, I'm actually... 439 00:16:44,280 --> 00:16:48,640 I'm in the room that my wife designed. 440 00:16:48,640 --> 00:16:51,280 She's got one of those, like, those present wrapping table things. 441 00:16:51,280 --> 00:16:53,920 I guess Oprah invented this, I don't know. 442 00:16:53,920 --> 00:16:56,760 I've never used it, but this is the room I'm in now. 443 00:16:56,760 --> 00:16:58,440 It's not very rock and roll, but... 444 00:16:58,440 --> 00:16:59,480 But it's beautiful. 445 00:16:59,480 --> 00:17:02,120 I can wrap one hell of a present if you like. 446 00:17:02,120 --> 00:17:03,160 Alan, don't say anything. 447 00:17:03,160 --> 00:17:04,200 Say nothing. 448 00:17:04,200 --> 00:17:05,240 It's beautiful. 449 00:17:05,240 --> 00:17:07,120 It's beautiful. 450 00:17:07,120 --> 00:17:08,960 Alan's a little harsh. 451 00:17:08,960 --> 00:17:10,880 Now, we're all delighted to see you, Dave. 452 00:17:10,880 --> 00:17:14,000 I don't know if you have been watching 453 00:17:14,000 --> 00:17:16,640 Bridgerton, but Rege-Jean Page, I mean, you are a proper Foo 454 00:17:16,640 --> 00:17:17,680 Fighters... 455 00:17:17,680 --> 00:17:19,600 I'm hugely relieved you're not in the studio. 456 00:17:19,600 --> 00:17:21,280 I wouldn't be functional if you were. 457 00:17:21,280 --> 00:17:23,440 It's a pleasure to meet you at a distance, 458 00:17:23,440 --> 00:17:24,480 though. 459 00:17:24,480 --> 00:17:25,720 A pleasure to meet you. 460 00:17:25,720 --> 00:17:27,400 No, but didn't you learn the drums? 461 00:17:27,400 --> 00:17:29,560 You're pretty much the reason I'm a performer, entirely. 462 00:17:29,560 --> 00:17:31,960 The first song I learned to play on drums was 463 00:17:31,960 --> 00:17:33,000 Learning To Fly. 464 00:17:33,000 --> 00:17:35,160 My brother and I would terrorise the neighbours with 465 00:17:35,160 --> 00:17:36,640 this on a loop. 466 00:17:36,640 --> 00:17:42,840 We'd play it at all of our local church halls. 467 00:17:42,840 --> 00:17:45,680 I think we've got a picture of you, Rege, in your band. 468 00:17:45,680 --> 00:17:46,720 Here you are. 469 00:17:46,720 --> 00:17:47,760 Look at you. 470 00:17:47,760 --> 00:17:48,800 You're so cool. 471 00:17:48,800 --> 00:17:50,000 That's what you did, Dave. 472 00:17:50,000 --> 00:17:51,040 You built this. 473 00:17:51,040 --> 00:17:52,080 You built that. 474 00:17:52,080 --> 00:17:53,280 Don't put that on me. 475 00:17:53,280 --> 00:17:54,720 Don't put that on me, man. 476 00:17:54,720 --> 00:17:59,320 Hey, exciting times. 477 00:17:59,320 --> 00:18:01,240 Tomorrow is the 25th anniversary of Foo Fighters. 478 00:18:01,240 --> 00:18:04,120 The new album, Medicine At Midnight, I believe I've got it here. 479 00:18:04,120 --> 00:18:05,200 Yes, I do. 480 00:18:05,200 --> 00:18:07,560 It's out today, and this is your tenth studio album. 481 00:18:07,560 --> 00:18:09,240 I'm right in saying that, aren't I? 482 00:18:09,240 --> 00:18:11,120 Yeah. 483 00:18:11,120 --> 00:18:14,440 I mean, at this point, we've been a band for 25 years, and it's 484 00:18:14,440 --> 00:18:16,040 our tenth album. 485 00:18:16,040 --> 00:18:18,720 You know, 2020 was meant to be like the greatest year 486 00:18:18,720 --> 00:18:19,760 of our band's career. 487 00:18:19,760 --> 00:18:27,720 I mean, we finished this record a year ago. 488 00:18:31,680 --> 00:18:34,080 We finished the record, the trucks were packed with all 489 00:18:34,080 --> 00:18:35,760 of the equipment, all of the CDs... 490 00:18:35,760 --> 00:18:36,800 CDs! 491 00:18:36,800 --> 00:18:39,680 All of the T-shirts were pressed and we were ready to go. 492 00:18:39,680 --> 00:18:41,360 And then the world just shut down. 493 00:18:41,360 --> 00:18:42,800 And we had made this record. 494 00:18:42,800 --> 00:18:44,720 It's kind of our most danceable boogie record. 495 00:18:44,720 --> 00:18:46,880 I was like, "Oh, man, stadiums are going to 496 00:18:46,880 --> 00:18:47,920 bounce to this. 497 00:18:47,920 --> 00:18:49,360 The festivals are going to be... 498 00:18:49,360 --> 00:18:51,760 I can't wait to hear 100,000 people singing this song." 499 00:18:51,760 --> 00:18:54,880 Now it's like some lonely bachelor in his kitchen with a glass of 500 00:18:54,880 --> 00:18:57,040 whisky dancing in his underwear to our new record. 501 00:18:57,040 --> 00:18:59,200 But, you know, I'll take what I can get. 502 00:18:59,200 --> 00:19:01,120 Of course, we're used to hearing people talking 503 00:19:01,120 --> 00:19:03,760 about cancelling the gigs, but it hasn't struck me before, thinking 504 00:19:03,760 --> 00:19:07,760 about the merchandise, do you have dates on your merchandise? 505 00:19:07,760 --> 00:19:12,480 Yeah, you know, we made a lot of 25th 506 00:19:12,480 --> 00:19:14,360 anniversary merchandise, which at this point... 507 00:19:14,360 --> 00:19:22,320 I think I'm just going to take a sharpie or a spray 508 00:19:28,840 --> 00:19:31,920 paint can to X out the five and put a six above it. 509 00:19:31,920 --> 00:19:32,960 I mean, who knows? 510 00:19:32,960 --> 00:19:34,000 Let's watch a clip. 511 00:19:34,000 --> 00:19:36,640 This is the latest single off the album, Medicine At Midnight. 512 00:19:36,640 --> 00:19:38,080 This is Waiting On A War. 513 00:19:38,080 --> 00:19:39,120 Here we go. 514 00:19:39,120 --> 00:19:40,560 # Is there more to this? 515 00:19:40,560 --> 00:19:48,080 # More to this 516 00:19:48,080 --> 00:19:52,080 # Just waiting on a war. 517 00:19:52,080 --> 00:19:58,200 # Just waiting on a war. 518 00:19:58,200 --> 00:20:00,600 # For this and that has got to mean more. 519 00:20:00,600 --> 00:20:01,800 # To this and that. 520 00:20:01,800 --> 00:20:03,240 # Just waiting on a war. 521 00:20:03,240 --> 00:20:04,440 # For this and that. 522 00:20:04,440 --> 00:20:06,840 # There's got to be more to this than that. 523 00:20:06,840 --> 00:20:08,520 # Just waiting on a war. 524 00:20:08,520 --> 00:20:11,600 # For this and that. 525 00:20:11,600 --> 00:20:13,960 # There's got to be more to this than that. 526 00:20:13,960 --> 00:20:18,120 # Just waiting on a war. 527 00:20:18,120 --> 00:20:21,480 # For this and that. 528 00:20:21,480 --> 00:20:22,920 # There's got to be more...# 529 00:20:22,920 --> 00:20:23,960 Wow. 530 00:20:23,960 --> 00:20:25,000 CHEERING 531 00:20:25,000 --> 00:20:26,440 An instant classic, Dave Grohl. 532 00:20:26,440 --> 00:20:27,480 It's so good. 533 00:20:27,480 --> 00:20:29,640 The stadiums are going to go mad with that. 534 00:20:29,640 --> 00:20:31,320 That's going to be brilliant. 535 00:20:31,320 --> 00:20:35,400 At least one of the lonely dudes dancing in his 536 00:20:35,400 --> 00:20:40,440 underwear in his kitchen will be me. 537 00:20:40,440 --> 00:20:41,880 And this lonely dude as well! 538 00:20:41,880 --> 00:20:42,920 Make that promo happen. 539 00:20:42,920 --> 00:20:43,960 Talk to my people. 540 00:20:43,960 --> 00:20:45,640 You've got some dancing going on here. 541 00:20:45,640 --> 00:20:47,800 This must be so frustrating, this idea of Foo 542 00:20:47,800 --> 00:20:48,840 Fighters being grounded. 543 00:20:48,840 --> 00:20:50,040 Because nothing stops you guys. 544 00:20:50,040 --> 00:20:51,080 I mean, even 545 00:20:51,080 --> 00:20:55,960 your broken leg did not stop you. 546 00:20:55,960 --> 00:20:57,000 Well, I was... 547 00:20:57,000 --> 00:20:59,960 Yeah. 548 00:20:59,960 --> 00:21:02,120 I fell off stage and I broke my leg. 549 00:21:02,120 --> 00:21:03,320 I mean, here's the thing... 550 00:21:03,320 --> 00:21:04,360 Wait a minute, Dave. 551 00:21:04,360 --> 00:21:07,000 Is that you still singing while your leg is being set? 552 00:21:07,000 --> 00:21:08,040 Yes. 553 00:21:08,040 --> 00:21:09,080 Basically, what happened... 554 00:21:09,080 --> 00:21:10,520 It was a stadium in Sweden. 555 00:21:10,520 --> 00:21:16,600 There was like 60,000 people there. 556 00:21:16,600 --> 00:21:20,200 We were two songs into the set and I then, like a clown, I have 557 00:21:20,200 --> 00:21:21,640 fallen off the stage, shattered my... 558 00:21:21,640 --> 00:21:24,280 Dislocated my ankle, tore all the ligaments and broke a bone. 559 00:21:24,280 --> 00:21:26,200 And I tried to stand and there's nothing 560 00:21:26,200 --> 00:21:27,240 there. 561 00:21:27,240 --> 00:21:30,360 So we stopped the show, and I say to my drummer, just keep 562 00:21:30,360 --> 00:21:32,520 playing, play a Queen song, play a Queen song. 563 00:21:32,520 --> 00:21:39,880 And they pulled me off to the side in a gurney, and the guy 564 00:21:39,880 --> 00:21:42,760 says, ankle's dislocated, I've got to put it back in right now. 565 00:21:42,760 --> 00:21:44,440 So I said to my tour manager. 566 00:21:44,440 --> 00:21:45,880 I said, get me a whisky. 567 00:21:45,880 --> 00:21:47,560 My wife was sitting next to me. 568 00:21:47,560 --> 00:21:51,400 I put her leather jacket in my mouth and I bit as hard as I could 569 00:21:51,400 --> 00:21:53,320 and the guy puts my ankle back in. 570 00:21:53,320 --> 00:21:55,240 And so I'm sitting there and because of 571 00:21:55,240 --> 00:21:56,680 the adrenaline and the whisky I 572 00:21:56,680 --> 00:21:57,720 don't feel a thing. 573 00:21:57,720 --> 00:21:58,760 So I just... 574 00:21:58,760 --> 00:22:02,360 I'm like, that same man that you see holding my leg right there, I look 575 00:22:02,360 --> 00:22:05,720 at him and I say, OK, can I go up and finish the show? 576 00:22:05,720 --> 00:22:06,760 And he goes, no. 577 00:22:06,760 --> 00:22:10,120 Because if I let go of your ankle, it's just going to fall out. 578 00:22:10,120 --> 00:22:13,240 And I said, well, then, you're coming on stage with me right now. 579 00:22:13,240 --> 00:22:15,880 So we went up on stage and we did another, like, 580 00:22:15,880 --> 00:22:17,080 two and a half hours. 581 00:22:17,080 --> 00:22:19,000 And then I said, OK, where's the ambulance? 582 00:22:19,000 --> 00:22:20,200 Get me out of here. 583 00:22:20,200 --> 00:22:21,240 Phew. 584 00:22:21,240 --> 00:22:23,400 Listen, it's been lovely talking to you, Dave Grohl. 585 00:22:23,400 --> 00:22:26,040 Medicine At Midnight is out now and good luck when the 586 00:22:26,040 --> 00:22:27,080 tour resumes. 587 00:22:27,080 --> 00:22:28,120 Dave Grohl, everyone! 588 00:22:28,120 --> 00:22:29,160 CHEERING 589 00:22:29,160 --> 00:22:30,200 Good night. 590 00:22:30,200 --> 00:22:33,240 What a nice man. 591 00:22:33,240 --> 00:22:37,240 He's great. 592 00:22:37,240 --> 00:22:39,160 I mean, you are a proper huge fan. 593 00:22:39,160 --> 00:22:42,520 I mean, all I want to know is whether he recorded the screen when 594 00:22:42,520 --> 00:22:45,160 they put the ankle back in because I want to hear 595 00:22:45,160 --> 00:22:46,720 that on the record. 596 00:22:46,720 --> 00:22:48,200 I think that would be brilliant. 597 00:22:48,200 --> 00:22:49,200 Somebody probably has it. 598 00:22:49,200 --> 00:22:50,240 Someone has it somewhere. 599 00:22:50,240 --> 00:22:52,400 Now, Rege-Jean Page is the Duke of Hastings in 600 00:22:52,400 --> 00:22:53,440 Bridgerton. 601 00:22:53,440 --> 00:22:54,640 It's streaming now on Netflix. 602 00:22:54,640 --> 00:22:56,560 I mean, this thing is a global phenomenon. 603 00:22:56,560 --> 00:22:57,920 82 million households. 604 00:22:57,920 --> 00:23:00,800 If someone isn't a member of one of those 82 million households, 605 00:23:00,800 --> 00:23:08,760 tell us what it's about. 606 00:23:14,040 --> 00:23:16,920 It's the dramas you know and love, but not as you know 607 00:23:16,920 --> 00:23:17,960 them. 608 00:23:17,960 --> 00:23:19,160 It's faster, weightier, funnier, sexier. 609 00:23:19,160 --> 00:23:20,360 It's a little bit sexier. 610 00:23:20,360 --> 00:23:21,400 Very glamorous. 611 00:23:21,400 --> 00:23:23,080 And just unashamed of its own joy. 612 00:23:23,080 --> 00:23:25,720 And so we did our best to kind of subvert the 613 00:23:25,720 --> 00:23:27,880 things that you think you know about period dramas 614 00:23:27,880 --> 00:23:31,240 and have a bit more fun with them because we all need a bit 615 00:23:31,240 --> 00:23:32,440 of fun at the moment. 616 00:23:32,440 --> 00:23:35,320 And this comes from that sort of incredible world of Shonda Rimes, 617 00:23:35,320 --> 00:23:37,240 Shonda-land, which you were in that world already. 618 00:23:37,240 --> 00:23:40,360 Yes, I'd been working for Shonda for the last three or four years 619 00:23:40,360 --> 00:23:43,720 before Bridgerton, in a show called For The People and I'm playing a New 620 00:23:43,720 --> 00:23:45,640 York lawyer, doing my best kind of fast-talking, 621 00:23:45,640 --> 00:23:46,680 high-trouser type of acting. 622 00:23:46,680 --> 00:23:49,320 And Shonda didn't actually know that I was British when they 623 00:23:49,320 --> 00:23:50,360 were cutting Bridgerton. 624 00:23:50,360 --> 00:23:52,760 She was just like, I want what he was doing 625 00:23:52,760 --> 00:23:53,960 in that show, but British. 626 00:23:53,960 --> 00:23:56,360 And then I turned up and we had our meeting, 627 00:23:56,360 --> 00:23:57,400 and she was like... 628 00:23:57,400 --> 00:23:58,440 You're not... 629 00:23:58,440 --> 00:23:59,480 You're not American. 630 00:23:59,480 --> 00:24:01,880 I was like, no, this is actually what I do. 631 00:24:01,880 --> 00:24:04,040 You'll be the first person to allow me to 632 00:24:04,040 --> 00:24:06,200 act in my own accent for about six years. 633 00:24:06,200 --> 00:24:07,240 Which was lovely. 634 00:24:07,240 --> 00:24:08,280 Wow. 635 00:24:08,280 --> 00:24:09,720 And I appreciate that very much. 636 00:24:09,720 --> 00:24:10,760 It was great. 637 00:24:10,760 --> 00:24:11,800 Not quite my accent. 638 00:24:11,800 --> 00:24:13,680 I'm a little bit more common. 639 00:24:13,680 --> 00:24:15,200 Yes, you actually are a little bit! 640 00:24:15,200 --> 00:24:16,400 I was a bit disappointed! 641 00:24:16,400 --> 00:24:17,440 I was like, oh... 642 00:24:17,440 --> 00:24:19,360 POSH VOICE: It's just a lot of effort. 643 00:24:19,360 --> 00:24:20,400 Oh, very good! 644 00:24:20,400 --> 00:24:23,040 And of course, the two of you, you share a cast-mate? 645 00:24:23,040 --> 00:24:24,080 Nicola? 646 00:24:24,080 --> 00:24:25,120 Yes. 647 00:24:25,120 --> 00:24:26,160 We do. 648 00:24:26,160 --> 00:24:27,200 Yes, lovely Nicola. 649 00:24:27,200 --> 00:24:29,360 And of course, that's why I started watching Bridgerton. 650 00:24:29,360 --> 00:24:31,280 You're one of the reasons I stopped watching. 651 00:24:31,280 --> 00:24:32,320 I do my best! 652 00:24:32,320 --> 00:24:34,480 Because I live alone and there is a pandemic 653 00:24:34,480 --> 00:24:37,400 going on and just watching very beautiful people have a lovely time, 654 00:24:37,400 --> 00:24:39,280 dancing and having sex, I'm like, you know... 655 00:24:39,280 --> 00:24:40,720 I don't want to watch that. 656 00:24:40,720 --> 00:24:42,160 Crying, eating beans in my pants. 657 00:24:42,160 --> 00:24:43,200 SOBBING. 658 00:24:43,200 --> 00:24:44,240 Another episode... 659 00:24:44,240 --> 00:24:45,280 I hate myself! 660 00:24:45,280 --> 00:24:46,320 Aagh! 661 00:24:46,320 --> 00:24:47,520 I'll just eat a radish. 662 00:24:47,520 --> 00:24:48,560 Oh, but look! 663 00:24:48,560 --> 00:24:49,760 Go back to the garden! 664 00:24:49,760 --> 00:24:50,800 No! 665 00:24:50,800 --> 00:24:52,480 If you put Bridgerton to the radishes... 666 00:24:52,480 --> 00:24:53,520 They would grow! 667 00:24:53,520 --> 00:24:55,920 We are going to watch a little bit of Bridgerton. 668 00:24:55,920 --> 00:24:57,600 This is you sparring with Daphne Bridgerton. 669 00:24:57,600 --> 00:24:58,840 You appear displeased. 670 00:24:58,840 --> 00:25:01,920 Do I? 671 00:25:01,920 --> 00:25:05,360 We find ourselves seated beside each other, Miss Bridgerton. 672 00:25:05,360 --> 00:25:07,280 I'd like to think you're happy about that. 673 00:25:07,280 --> 00:25:09,680 Perhaps, Your Grace, it would be better if you refrained 674 00:25:09,680 --> 00:25:11,120 from thinking about me at all. 675 00:25:11,120 --> 00:25:16,360 It is simply surprising. 676 00:25:16,360 --> 00:25:17,400 Yes! 677 00:25:17,400 --> 00:25:20,760 However is it possible for a lady to offer anything other than a smile 678 00:25:20,760 --> 00:25:21,960 whilst seated beside a duke? 679 00:25:21,960 --> 00:25:23,160 Even one of your reputation. 680 00:25:23,160 --> 00:25:24,600 You are aware of my reputation. 681 00:25:24,600 --> 00:25:27,000 I am aware of your friendship with my eldest brother. 682 00:25:27,000 --> 00:25:29,880 If that were not enough, I am also aware of the things 683 00:25:29,880 --> 00:25:31,800 a certain writer has recently written of you. 684 00:25:31,800 --> 00:25:33,880 Presumptuous? 685 00:25:33,880 --> 00:25:34,920 Clearly. 686 00:25:34,920 --> 00:25:35,960 Arrogant? 687 00:25:35,960 --> 00:25:37,000 Most definitely. 688 00:25:37,000 --> 00:25:38,040 You are a rake. 689 00:25:38,040 --> 00:25:39,080 Through and through. 690 00:25:39,080 --> 00:25:40,120 Tell me I'm wrong. 691 00:25:40,120 --> 00:25:42,400 Who is to refrain from thinking about whom again? 692 00:25:42,400 --> 00:25:44,880 I assure you, I am anything but interested in you. 693 00:25:44,880 --> 00:25:45,920 Good. 694 00:25:45,920 --> 00:25:46,960 Quite. 695 00:25:46,960 --> 00:25:49,400 And I anything but interested in you. 696 00:25:49,400 --> 00:25:50,440 APPLAUSE. 697 00:25:50,440 --> 00:25:53,920 FIRE ALARM SOUNDS. 698 00:25:53,920 --> 00:25:56,800 I guess we brought the heat, we set the fire alarms off! 699 00:25:56,800 --> 00:25:58,240 Has your acting overheated the studio? 700 00:25:58,240 --> 00:25:59,280 I know! 701 00:25:59,280 --> 00:26:01,400 It's going up in flames! 702 00:26:01,400 --> 00:26:03,920 He is so hot! 703 00:26:03,920 --> 00:26:06,400 He is so hot, the fire alarms go off. 704 00:26:06,400 --> 00:26:08,400 I'll take that. 705 00:26:08,400 --> 00:26:12,920 Can you please keep that in the show so I can have it in my showreel? 706 00:26:12,920 --> 00:26:16,000 I mean, yeah, Rege is used to this. 707 00:26:16,000 --> 00:26:19,440 He walks into shops, the fire alarm goes off! 708 00:26:19,440 --> 00:26:21,920 This is why I don't do the voice! 709 00:26:21,920 --> 00:26:24,440 I knew I shouldn't have done it! 710 00:26:24,440 --> 00:26:26,840 That's why he doesn't open the door because it'll probably 711 00:26:26,840 --> 00:26:28,960 be the Fire Brigade! 712 00:26:28,960 --> 00:26:31,440 I'll just check with people who know... 713 00:26:31,440 --> 00:26:33,440 Are we all safe in our beds? 714 00:26:33,440 --> 00:26:35,960 Oh, we're all good. 715 00:26:35,960 --> 00:26:39,320 Now, when we heard about Bridgerton, we were promised it was going to be 716 00:26:39,320 --> 00:26:40,440 this really raunchy, sexy... 717 00:26:40,440 --> 00:26:41,640 And I was watching it... 718 00:26:41,640 --> 00:26:43,960 Where's the sex? 719 00:26:43,960 --> 00:26:50,480 But my God, once you pull the ripcord, it's nonstop! 720 00:26:50,480 --> 00:26:52,960 There's a bit! 721 00:26:52,960 --> 00:26:54,640 But even you must have been going... 722 00:26:54,640 --> 00:26:57,040 At a table read you must have been going, blah-blah-blah... 723 00:26:57,040 --> 00:27:01,480 I haven't spoken for pages! 724 00:27:01,480 --> 00:27:05,480 I've probably got my mouth full half the time! 725 00:27:05,480 --> 00:27:08,000 Which I was insisting on, because I think that's important 726 00:27:08,000 --> 00:27:11,080 to see on TV as well. 727 00:27:11,080 --> 00:27:13,400 That is uncommon, that you see that kind of power 728 00:27:13,400 --> 00:27:14,440 dynamic in raunchy scenes. 729 00:27:14,440 --> 00:27:17,320 And that's part of the way we wanted to modernise the show. 730 00:27:17,320 --> 00:27:20,200 So the Duke does have his mouth full, and proud of it. 731 00:27:20,200 --> 00:27:21,240 Yes! 732 00:27:21,240 --> 00:27:23,880 There was a fair bit to be done on the show. 733 00:27:23,880 --> 00:27:27,000 Because you're really going for it but you're going for it in kind 734 00:27:27,000 --> 00:27:28,040 of beautiful locations. 735 00:27:28,040 --> 00:27:30,080 And occasionally very uncomfortable locations. 736 00:27:30,080 --> 00:27:35,040 Well, those library steps didn't look easy. 737 00:27:35,040 --> 00:27:36,520 They had a chiropractor! 738 00:27:36,520 --> 00:27:38,680 Didn't you have room monitors in the stately homes? 739 00:27:38,680 --> 00:27:41,320 That's the problem, because the set, as usual, is more valuable 740 00:27:41,320 --> 00:27:42,520 than any of the actors. 741 00:27:42,520 --> 00:27:45,160 So if you're in a 200-year-old bed or a 400-year-old four-poster, 742 00:27:45,160 --> 00:27:49,520 it has to have a minder. 743 00:27:49,520 --> 00:27:51,680 When people bring expensive jewellery around and they have 744 00:27:51,680 --> 00:27:52,720 to have a bodyguard. 745 00:27:52,720 --> 00:27:54,560 There is a bodyguard for the room. 746 00:27:54,560 --> 00:27:57,920 So at all times you have a minimal set and everybody gets very quiet, 747 00:27:57,920 --> 00:28:00,320 very respectful, and you de-robe and you hit the bed. 748 00:28:00,320 --> 00:28:02,720 And there's also Fran in the corner who's just there, 749 00:28:02,720 --> 00:28:04,560 deciding whether or not to look. 750 00:28:04,560 --> 00:28:08,160 She's like, I have to look, I'm not allowed to look, I have to look... 751 00:28:08,160 --> 00:28:11,040 Could you please go easy on the bed, it's very, very old! 752 00:28:11,040 --> 00:28:12,080 Not quite so enthusiastic... 753 00:28:12,080 --> 00:28:13,560 Oh, do go on! 754 00:28:13,560 --> 00:28:15,720 That's the inner monologue, I imagine, going on in 755 00:28:15,720 --> 00:28:17,560 the corner of the room. 756 00:28:17,560 --> 00:28:21,560 Yeah, I'll stop them in a minute! 757 00:28:21,560 --> 00:28:23,480 Presumably you had to have the awkward family 758 00:28:23,480 --> 00:28:25,600 conversation before? 759 00:28:25,600 --> 00:28:27,080 Yeah, a little bit. 760 00:28:27,080 --> 00:28:29,960 I mean, we've got a family WhatsApp group so there's a couple 761 00:28:29,960 --> 00:28:33,080 of flashing red light emojis and the peach emoji. 762 00:28:33,080 --> 00:28:36,160 Certain people have threatened to rate my peach. 763 00:28:36,160 --> 00:28:39,200 But we missed a couple of family members and so I always enjoy 764 00:28:39,200 --> 00:28:42,360 the fact that a couple of cousins missed the memo so they were 765 00:28:42,360 --> 00:28:45,680 watching the show and I get a very stern message in my Instagram DMs, 766 00:28:45,680 --> 00:28:47,120 oddly enough, just going... 767 00:28:47,120 --> 00:28:49,600 There really needs to be a cousin warning. 768 00:28:49,600 --> 00:28:52,000 I had to make so many tactical cups of tea. 769 00:28:52,000 --> 00:28:55,360 I left the room and made my tactical cup of tea and came back 770 00:28:55,360 --> 00:28:56,560 and it was still going. 771 00:28:56,560 --> 00:28:58,720 So I had to start doing pots of tea. 772 00:28:58,720 --> 00:29:00,160 You had to keep building up. 773 00:29:00,160 --> 00:29:02,200 A tasting menu, if you will! 774 00:29:02,200 --> 00:29:03,880 Are you not awkward doing sex scenes? 775 00:29:03,880 --> 00:29:05,800 No, not really, not when they're done right, 776 00:29:05,800 --> 00:29:07,720 because we talked a lot about our wonderful 777 00:29:07,720 --> 00:29:08,760 intimacy coordinator. 778 00:29:08,760 --> 00:29:10,000 Yeah. 779 00:29:10,000 --> 00:29:11,920 So it's scripted, just like a dramatic scene, 780 00:29:11,920 --> 00:29:12,960 except physically scripted. 781 00:29:12,960 --> 00:29:16,080 So you know where your hands are going to be, you know whose 782 00:29:16,080 --> 00:29:18,480 hands are going to be where, at what point, how 783 00:29:18,480 --> 00:29:19,520 you react to that. 784 00:29:19,520 --> 00:29:21,200 It's literally just choreography, at which point... 785 00:29:21,200 --> 00:29:23,120 Takes the embarrassment out of it, I suppose. 786 00:29:23,120 --> 00:29:26,000 Yeah, it takes the embarrassment out and it also takes the risk 787 00:29:26,000 --> 00:29:27,040 that because you can... 788 00:29:27,040 --> 00:29:28,480 It's like choreographing a fight scene. 789 00:29:28,480 --> 00:29:31,920 You can do damage if you're not careful with your co-stars. 790 00:29:31,920 --> 00:29:35,320 Did you look at that photo when the screen froze of me 791 00:29:35,320 --> 00:29:36,800 on Good Morning Britain? 792 00:29:36,800 --> 00:29:38,480 Did you use that, maybe, as inspiration? 793 00:29:38,480 --> 00:29:41,040 I thought that was your audition. 794 00:29:41,040 --> 00:29:44,400 I was about to call up the producers and say, have you seen that? 795 00:29:44,400 --> 00:29:45,960 We've got an expert! 796 00:29:45,960 --> 00:29:48,440 You could be the intimacy coach. 797 00:29:48,440 --> 00:29:50,200 Couldn't I just! 798 00:29:50,200 --> 00:29:53,520 I'm pretty sure I made that face a couple of times, to be fair. 799 00:29:53,520 --> 00:29:55,680 Right, you can catch up with Rege in Bridgerton, 800 00:29:55,680 --> 00:29:57,480 streaming now on Netflix. 801 00:29:57,480 --> 00:30:00,560 OK, we turn to Siobhan McSweeney, talented actress and now 802 00:30:00,560 --> 00:30:04,720 the new host of The Great Pottery Throwdown. 803 00:30:04,720 --> 00:30:06,640 It is currently showing on Channel 4, Sunday 804 00:30:06,640 --> 00:30:07,880 evenings at 7:45pm. 805 00:30:07,880 --> 00:30:10,760 So tell us all about it, brown eyes. 806 00:30:10,760 --> 00:30:13,480 This is a show about pottery. 807 00:30:13,480 --> 00:30:19,560 It has the same format as Bake Off, except instead of cakes, it's pots. 808 00:30:19,560 --> 00:30:22,840 So it's 12 amateur potters compete to be the last one 809 00:30:22,840 --> 00:30:25,880 standing kind of thing. 810 00:30:25,880 --> 00:30:27,720 And it's one of those weird things. 811 00:30:27,720 --> 00:30:29,160 It is similar to Bake Off. 812 00:30:29,160 --> 00:30:31,080 You have to think, where is the emotional 813 00:30:31,080 --> 00:30:32,120 involvement in that? 814 00:30:32,120 --> 00:30:34,040 But it is weirdly moving because people invest 815 00:30:34,040 --> 00:30:36,280 so much in the pottery. 816 00:30:36,280 --> 00:30:37,360 Yeah. 817 00:30:37,360 --> 00:30:40,480 I didn't know anything about pottery when I started. 818 00:30:40,480 --> 00:30:42,560 Surprise! 819 00:30:42,560 --> 00:30:46,760 Other surprise - I still don't know anything about pottery. 820 00:30:46,760 --> 00:30:49,880 When you think about it, it really is quite extraordinary what they do. 821 00:30:49,880 --> 00:30:52,520 They take a load of muck and they make something very 822 00:30:52,520 --> 00:30:56,080 beautiful that can exist forever. 823 00:30:56,080 --> 00:31:00,640 Archaeologists, what they find is pottery, mostly. 824 00:31:00,640 --> 00:31:01,680 Pottery will last. 825 00:31:01,680 --> 00:31:05,160 No one finds cake! 826 00:31:05,160 --> 00:31:07,320 No one finds cake - not around me, anyway. 827 00:31:07,320 --> 00:31:09,720 I think it's the most wonderful idea for a programme. 828 00:31:09,720 --> 00:31:10,920 And it is that thing. 829 00:31:10,920 --> 00:31:12,600 You touch it, you physically touch it. 830 00:31:12,600 --> 00:31:15,520 They don't like you to touch it. 831 00:31:15,520 --> 00:31:18,600 I got given out to because I, like you... 832 00:31:18,600 --> 00:31:23,720 It's very tactile and when you see it in front of you... 833 00:31:23,720 --> 00:31:25,880 Of course, the contestants are all trying to be 834 00:31:25,880 --> 00:31:27,800 nice and be friendly, but they're also, like, 835 00:31:27,800 --> 00:31:30,120 stop fucking touching my pot! 836 00:31:30,120 --> 00:31:32,520 We've got a clip from this Sunday's Great Pottery Throwdown. 837 00:31:32,520 --> 00:31:33,960 And this is your favourite episode? 838 00:31:33,960 --> 00:31:35,000 It is, actually. 839 00:31:35,000 --> 00:31:37,040 So what are we about to see? 840 00:31:37,040 --> 00:31:40,360 OK, well the big challenge this week is they are making 841 00:31:40,360 --> 00:31:43,000 busts of music legends. 842 00:31:43,000 --> 00:31:44,360 Not musical legends. 843 00:31:44,360 --> 00:31:45,760 So not you. 844 00:31:45,760 --> 00:31:50,120 But other music legends. 845 00:31:50,120 --> 00:31:52,560 And it's really, really brilliant. 846 00:31:52,560 --> 00:31:56,000 I love it because they make a holy show of themselves, actually. 847 00:31:56,000 --> 00:31:59,880 Things don't go as well as you would expect for a group of amateur 848 00:31:59,880 --> 00:32:05,160 potters making busts of people. 849 00:32:05,160 --> 00:32:07,160 We hope Dame Shirley Bassey won't be watching. 850 00:32:07,160 --> 00:32:10,560 Here we go... 851 00:32:10,560 --> 00:32:12,960 Sal's also struggling to capture the glamour of Dame Shirley. 852 00:32:12,960 --> 00:32:15,920 You've really captured the pole out of the top of her head, 853 00:32:15,920 --> 00:32:18,800 that she is notorious for! 854 00:32:18,800 --> 00:32:20,080 So what is this? 855 00:32:20,080 --> 00:32:23,680 This is part of the armature that's holding her up. 856 00:32:23,680 --> 00:32:25,840 So yeah, there's two balloons inside her head. 857 00:32:25,840 --> 00:32:27,960 Two small ones in her neck. 858 00:32:27,960 --> 00:32:31,800 And when I pull out all the balloons I've got a hollow that I can get 859 00:32:31,800 --> 00:32:33,000 in with the air gun. 860 00:32:33,000 --> 00:32:34,680 Are you ready to pop the balloon? 861 00:32:34,680 --> 00:32:36,120 I'm ready to pop the balloon. 862 00:32:36,120 --> 00:32:37,320 Do you want to pop? 863 00:32:37,320 --> 00:32:38,520 I'm really curious about this. 864 00:32:38,520 --> 00:32:39,560 Oh, my god! 865 00:32:39,560 --> 00:32:41,000 I think it might just deflate. 866 00:32:41,000 --> 00:32:42,440 POP. 867 00:32:42,440 --> 00:32:43,480 There you go. 868 00:32:43,480 --> 00:32:45,680 HISSING. 869 00:32:45,680 --> 00:32:47,160 Oh! 870 00:32:47,160 --> 00:32:48,600 Dame Shirley's balloons have been popped. 871 00:32:48,600 --> 00:32:50,360 There's air coming out of her ears! 872 00:32:50,360 --> 00:32:52,840 So the balloons are now deflated. 873 00:32:52,840 --> 00:32:54,440 So she's hollow inside there? 874 00:32:54,440 --> 00:32:56,920 She is very hollow, yeah. 875 00:32:56,920 --> 00:32:58,040 Good luck. 876 00:32:58,040 --> 00:32:59,080 Thank you. 877 00:32:59,080 --> 00:33:00,120 Looking good so far. 878 00:33:00,120 --> 00:33:06,800 Thank you. 879 00:33:06,800 --> 00:33:08,680 It's a different experience to being an actor. 880 00:33:08,680 --> 00:33:10,960 It's very different than this. 881 00:33:10,960 --> 00:33:14,280 So was it a big shock to you or did you find it easy? 882 00:33:14,280 --> 00:33:15,760 No. 883 00:33:15,760 --> 00:33:16,960 I found it really weird. 884 00:33:16,960 --> 00:33:18,840 I still find it really weird. 885 00:33:18,840 --> 00:33:24,040 I mean, essentially it happened for such a weird reason as well. 886 00:33:24,040 --> 00:33:29,400 I and the rest of the girls did Bake Off, the celebrity version of it. 887 00:33:29,400 --> 00:33:33,920 And I had a nervous breakdown on it. 888 00:33:33,920 --> 00:33:41,880 And they thought, I think she'll do well on a pottery show! 889 00:33:43,000 --> 00:33:45,880 It's so intense, isn't it, in that bloody tent for Bake Off? 890 00:33:45,880 --> 00:33:46,920 It's so intense. 891 00:33:46,920 --> 00:33:47,960 Oh, it's dreadful. 892 00:33:47,960 --> 00:33:49,000 I cried! 893 00:33:49,000 --> 00:33:50,680 I've never cried over a cake before. 894 00:33:50,680 --> 00:33:51,720 Oh, my God Almighty. 895 00:33:51,720 --> 00:33:52,760 It's just... 896 00:33:52,760 --> 00:33:53,800 It's really intense. 897 00:33:53,800 --> 00:33:54,840 And who cares? 898 00:33:54,840 --> 00:33:55,880 It's a bloody cake! 899 00:33:55,880 --> 00:33:56,920 It's a sponge. 900 00:33:56,920 --> 00:33:58,840 And you end up having a nervous breakdown. 901 00:33:58,840 --> 00:33:59,880 You cried? 902 00:33:59,880 --> 00:34:00,920 I cried! 903 00:34:00,920 --> 00:34:03,320 I mean, when you watch it on the telly, oh, 904 00:34:03,320 --> 00:34:05,000 get over yourself, why are you crying? 905 00:34:05,000 --> 00:34:06,680 But when you're there, I was like... 906 00:34:06,680 --> 00:34:07,720 BLUBBING: Mine isn't ready. 907 00:34:07,720 --> 00:34:08,760 Mine isn't ready! 908 00:34:08,760 --> 00:34:11,400 You're like, who gives a shit? 909 00:34:11,400 --> 00:34:14,120 I don't want any post-traumatic stress here, but let's 910 00:34:14,120 --> 00:34:16,560 look at your cakes. 911 00:34:16,560 --> 00:34:18,360 So this is your... 912 00:34:18,360 --> 00:34:19,560 What was your cake called? 913 00:34:19,560 --> 00:34:25,720 Irish camping holiday? 914 00:34:25,720 --> 00:34:26,800 Look, yeah, it was. 915 00:34:26,800 --> 00:34:28,160 It was basically... 916 00:34:28,160 --> 00:34:29,720 It was a decorated cake. 917 00:34:29,720 --> 00:34:30,760 Wasn't this for charity? 918 00:34:30,760 --> 00:34:33,880 I mean, roll with the punches! 919 00:34:33,880 --> 00:34:36,520 It was meant to represent the happiest time of my life 920 00:34:36,520 --> 00:34:38,960 and look at the state of it! 921 00:34:38,960 --> 00:34:40,000 Look at that! 922 00:34:40,000 --> 00:34:41,200 So, is that the ocean? 923 00:34:41,200 --> 00:34:42,240 Yes! 924 00:34:42,240 --> 00:34:43,320 And that's the grass? 925 00:34:43,320 --> 00:34:44,680 Yes. 926 00:34:44,680 --> 00:34:46,480 And the yellow bit is the sand. 927 00:34:46,480 --> 00:34:48,240 That's the sand? 928 00:34:48,240 --> 00:34:52,520 And what's the big cack on the top? 929 00:34:52,520 --> 00:34:54,280 It's a tent. 930 00:34:54,280 --> 00:34:55,400 Oh, OK. 931 00:34:55,400 --> 00:34:57,160 It's a chocolate tent. 932 00:34:57,160 --> 00:35:00,920 Why did you choose brown? 933 00:35:00,920 --> 00:35:05,120 I mean, I'm in no mood to criticise! 934 00:35:05,120 --> 00:35:09,800 If you're depressed by your cake, I'm about to cheer you up! 935 00:35:09,800 --> 00:35:14,160 Here's a stick - beat me with it! 936 00:35:14,160 --> 00:35:15,520 Why would you choose brown? 937 00:35:15,520 --> 00:35:18,120 Here's Alan's cake. 938 00:35:18,120 --> 00:35:22,240 APPLAUSE. 939 00:35:22,240 --> 00:35:24,520 It was a Rainbow cake. 940 00:35:24,520 --> 00:35:26,760 What is that? 941 00:35:26,760 --> 00:35:28,080 It's the ladder... 942 00:35:28,080 --> 00:35:30,720 He's asleep and it's a Rainbow dream cake, 943 00:35:30,720 --> 00:35:32,080 that's what we were told. 944 00:35:32,080 --> 00:35:33,120 Oh! 945 00:35:33,120 --> 00:35:34,280 He's asleep. 946 00:35:34,280 --> 00:35:38,160 Yes, but it looks like I've fallen off the ladder. 947 00:35:38,160 --> 00:35:40,320 And also, I don't know if you've experienced this, 948 00:35:40,320 --> 00:35:41,800 but everyone who cooks... 949 00:35:41,800 --> 00:35:43,240 Because it's long hours, isn't it? 950 00:35:43,240 --> 00:35:44,680 All the camera crew are there. 951 00:35:44,680 --> 00:35:45,720 It's very hard. 952 00:35:45,720 --> 00:35:48,840 And everyone leaves the cake on the side so the crew can nibble 953 00:35:48,840 --> 00:35:50,720 away and maybe have a slice. 954 00:35:50,720 --> 00:35:53,600 Mine was intact. 955 00:35:53,600 --> 00:35:56,480 They haven't even gone, you know what, I might have a little 956 00:35:56,480 --> 00:35:57,920 bit of a Bungle on top? 957 00:35:57,920 --> 00:36:00,120 No! 958 00:36:00,120 --> 00:36:02,240 It was intact. 959 00:36:02,240 --> 00:36:05,160 Felicity, you have done Strictly, did you ever do Bake Off? 960 00:36:05,160 --> 00:36:07,560 I have not done Bake Off. 961 00:36:07,560 --> 00:36:10,800 And I'm glad I haven't done Bake Off now. 962 00:36:10,800 --> 00:36:12,640 I don't understand cakes. 963 00:36:12,640 --> 00:36:13,880 First of all. 964 00:36:13,880 --> 00:36:17,000 I just don't understand them. 965 00:36:17,000 --> 00:36:19,400 And I don't want to be distraught in a tent, 966 00:36:19,400 --> 00:36:20,560 trying to understand them. 967 00:36:20,560 --> 00:36:23,200 No. 968 00:36:23,200 --> 00:36:25,920 And I knew it would upset me beyond measure because... 969 00:36:25,920 --> 00:36:29,000 I mean, pottery, I don't understand it, I can't do it, 970 00:36:29,000 --> 00:36:31,400 but I'd love to have a go. 971 00:36:31,400 --> 00:36:33,000 Baking is... 972 00:36:33,000 --> 00:36:35,840 I'm a foreigner to baking. 973 00:36:35,840 --> 00:36:38,240 You need to make decisions now because all these calls 974 00:36:38,240 --> 00:36:39,760 are going to start coming. 975 00:36:39,760 --> 00:36:42,680 Celebrity Bake Off, Celebrity Mastermind. 976 00:36:42,680 --> 00:36:45,480 All those calls. 977 00:36:45,480 --> 00:36:47,400 Would the pair of you come on Pottery? 978 00:36:47,400 --> 00:36:48,600 What am I, chopped liver?! 979 00:36:48,600 --> 00:36:49,640 Hey! 980 00:36:49,640 --> 00:36:50,680 Siobhan! 981 00:36:50,680 --> 00:36:52,680 Cooee! 982 00:36:52,680 --> 00:36:55,240 Over here! 983 00:36:55,240 --> 00:36:58,760 My pots are better than my cake - I'm just saying! 984 00:36:58,760 --> 00:36:59,800 Come on! 985 00:36:59,800 --> 00:37:02,560 APPLAUSE. 986 00:37:02,560 --> 00:37:04,720 Siobhan, good luck with the rest of the run. 987 00:37:04,720 --> 00:37:11,840 The Great Pottery Throwdown continues this Sunday on Channel 4 988 00:37:11,840 --> 00:37:13,760 and it's available to stream on All Four. 989 00:37:13,760 --> 00:37:15,440 Now, before we hear tonight's musical performance, 990 00:37:15,440 --> 00:37:18,320 I will need a volunteer to sit in the red chair tonight. 991 00:37:18,320 --> 00:37:21,520 Anyone at all? 992 00:37:21,520 --> 00:37:25,200 I've had such a lovely evening... 993 00:37:25,200 --> 00:37:27,400 Of course, I would love to. 994 00:37:27,400 --> 00:37:34,440 Do take your wine with you. 995 00:37:34,440 --> 00:37:37,280 It's time for music from one of the standout albums of 2020, 996 00:37:37,280 --> 00:37:38,320 What's Your Pleasure. 997 00:37:38,320 --> 00:37:40,240 Performing the new single, Remember Where You Are, 998 00:37:40,240 --> 00:37:41,280 it's Jessie Ware! 999 00:37:41,280 --> 00:37:44,080 CHEERING AND APPLAUSE. 1000 00:37:44,080 --> 00:37:48,480 # The heart of the city is on fire 1001 00:37:48,480 --> 00:37:54,240 # Sun on the rise, the highs are gonna fall 1002 00:37:54,240 --> 00:37:59,280 # But nothing is different in my arms 1003 00:37:59,280 --> 00:38:01,880 # So, darling, remember 1004 00:38:01,880 --> 00:38:05,560 # Remember where you are 1005 00:38:05,560 --> 00:38:10,040 # Do you remember where we are? 1006 00:38:10,040 --> 00:38:16,640 # I'm no enemy of yours, no, no 1007 00:38:16,640 --> 00:38:21,120 # When life is hard that's how it goes 1008 00:38:21,120 --> 00:38:27,920 # As your destiny unfolds, hold on 1009 00:38:27,920 --> 00:38:31,000 # To the picture hung on the wall 1010 00:38:31,000 --> 00:38:33,440 # Sweet reminder before the fall 1011 00:38:33,440 --> 00:38:36,400 # Remember me, remember me 1012 00:38:36,400 --> 00:38:38,720 # Remember me, remember me 1013 00:38:38,720 --> 00:38:41,040 # Every day you get up 1014 00:38:41,040 --> 00:38:43,600 # And look out of the window 1015 00:38:43,600 --> 00:38:46,680 # Take a breath of morning air 1016 00:38:46,680 --> 00:38:50,080 # And listen to the people out there 1017 00:38:50,080 --> 00:38:54,960 # The heart of the city is on fire 1018 00:38:54,960 --> 00:39:01,120 # Sun on the rise, the highs are gonna fall 1019 00:39:01,120 --> 00:39:05,880 # But nothing is different in my arms 1020 00:39:05,880 --> 00:39:08,600 # So, darling, remember 1021 00:39:08,600 --> 00:39:10,680 # Remember 1022 00:39:10,680 --> 00:39:16,640 # Where you are 1023 00:39:16,640 --> 00:39:23,720 # Where you are 1024 00:39:23,720 --> 00:39:28,240 # We are the last ones of our kind 1025 00:39:28,240 --> 00:39:34,360 # Freedom of our hearts and mind oh, oh 1026 00:39:34,360 --> 00:39:36,800 # Every day you get up 1027 00:39:36,800 --> 00:39:39,360 # And look out of the window 1028 00:39:39,360 --> 00:39:42,320 # Take a breath of morning air 1029 00:39:42,320 --> 00:39:45,840 # And listen to the people out there 1030 00:39:45,840 --> 00:39:51,600 # As the birds are singing a duet with the morning traffic 1031 00:39:51,600 --> 00:39:54,160 # What's the one you're hearing? 1032 00:39:54,160 --> 00:39:57,040 # What's the one you're hearing? 1033 00:39:57,040 --> 00:40:02,080 # The heart of the city is on fire 1034 00:40:02,080 --> 00:40:07,960 # Sun on the rise, the highs are gonna fall 1035 00:40:07,960 --> 00:40:12,880 # But nothing is different in my arms 1036 00:40:12,880 --> 00:40:15,760 # So, darling, remember 1037 00:40:15,760 --> 00:40:17,440 # Remember 1038 00:40:17,440 --> 00:40:20,200 # Where you are 1039 00:40:20,200 --> 00:40:25,320 # Can we keep moving in the after hours? 1040 00:40:25,320 --> 00:40:30,840 # Can we keep loving on the edge of doubt? 1041 00:40:30,840 --> 00:40:33,480 # You should let me save the day 1042 00:40:33,480 --> 00:40:37,840 # Please and take the pain away 1043 00:40:37,840 --> 00:40:42,040 # Why don't you take me, take me home? 1044 00:40:42,040 --> 00:40:46,440 # The heart of the city is on fire 1045 00:40:46,440 --> 00:40:53,040 # Sun on the rise, the highs are gonna fall 1046 00:40:53,040 --> 00:40:57,480 # But nothing is different in my arms 1047 00:40:57,480 --> 00:41:01,440 # So darling, remember 1048 00:41:01,440 --> 00:41:07,160 # Remember where you are #. 1049 00:41:07,160 --> 00:41:09,040 CHEERING AND APPLAUSE. 1050 00:41:09,040 --> 00:41:11,880 Oh! 1051 00:41:11,880 --> 00:41:14,920 Gorgeous! 1052 00:41:14,920 --> 00:41:16,600 Jessie Ware, everybody! 1053 00:41:16,600 --> 00:41:19,240 Come on over, Jessie, and thank you to the backing vocalists. 1054 00:41:19,240 --> 00:41:23,000 The movement was beautiful. 1055 00:41:23,000 --> 00:41:24,160 Look at you! 1056 00:41:24,160 --> 00:41:26,840 She shimmers, she shines. 1057 00:41:26,840 --> 00:41:28,240 I can't help you up. 1058 00:41:28,240 --> 00:41:29,680 Your chair's over there. 1059 00:41:29,680 --> 00:41:30,720 Thank you. 1060 00:41:30,720 --> 00:41:32,640 Hi! 1061 00:41:32,640 --> 00:41:34,280 Gorgeous. 1062 00:41:34,280 --> 00:41:37,000 That was so beautiful. 1063 00:41:37,000 --> 00:41:39,160 Thank you, it's such a treat to be here. 1064 00:41:39,160 --> 00:41:40,600 Rege, my mum sends her love. 1065 00:41:40,600 --> 00:41:42,520 Tell her I send my love right back. 1066 00:41:42,520 --> 00:41:44,200 As does the rest of the world! 1067 00:41:44,200 --> 00:41:45,840 Thank you. 1068 00:41:45,840 --> 00:41:49,400 Now you're leaving the house, that's going to happen a lot. 1069 00:41:49,400 --> 00:41:51,560 My cabbie on the way over was the same. 1070 00:41:51,560 --> 00:41:53,480 I thought I was safe in the mask. 1071 00:41:53,480 --> 00:41:56,360 And I was like, I'm going to have to explain this, it's 1072 00:41:56,360 --> 00:41:57,400 got my publicist's name. 1073 00:41:57,400 --> 00:41:59,080 He said, oh, no, I recognise you. 1074 00:41:59,080 --> 00:42:00,520 Those eyebrows, mate, not a chance! 1075 00:42:00,520 --> 00:42:02,240 My wife loves you! 1076 00:42:02,240 --> 00:42:05,920 There are several congratulations in order. 1077 00:42:05,920 --> 00:42:07,120 Are we talking about that? 1078 00:42:07,120 --> 00:42:08,160 Yeah! 1079 00:42:08,160 --> 00:42:10,320 I mean, it's kind of hard to miss, right? 1080 00:42:10,320 --> 00:42:12,480 I kind of thought if we don't mention it, 1081 00:42:12,480 --> 00:42:14,400 people will kind of thing, oh, Jessie Ware... 1082 00:42:14,400 --> 00:42:17,400 Lockdown's hit her quite hard! 1083 00:42:17,400 --> 00:42:18,440 Yes! 1084 00:42:18,440 --> 00:42:19,920 Something's in here. 1085 00:42:19,920 --> 00:42:21,120 And it's not a pie! 1086 00:42:21,120 --> 00:42:24,080 It's not a pie! 1087 00:42:24,080 --> 00:42:25,320 It's not a banana bread. 1088 00:42:25,320 --> 00:42:26,360 Congratulations. 1089 00:42:26,360 --> 00:42:28,400 That's fantastic. 1090 00:42:28,400 --> 00:42:30,800 That is the latest single off What's Your Pleasure, 1091 00:42:30,800 --> 00:42:34,480 which I would say is my favourite album of last year. 1092 00:42:34,480 --> 00:42:38,920 But you don't really need my endorsement because that track... 1093 00:42:38,920 --> 00:42:42,760 Barack O'Bloody Bama! 1094 00:42:42,760 --> 00:42:47,440 He said it was one of his top tracks of the year. 1095 00:42:47,440 --> 00:42:50,560 I think it was very much Sasha Obama who told him about me, 1096 00:42:50,560 --> 00:42:53,200 but that's fine because it made the end of year playlist 1097 00:42:53,200 --> 00:42:55,600 and I'm very happy that he even knows my name. 1098 00:42:55,600 --> 00:42:57,280 Because this has become a thing now. 1099 00:42:57,280 --> 00:42:58,520 This is huge. 1100 00:42:58,520 --> 00:43:01,880 So, do you get a call beforehand saying you're going to be on it? 1101 00:43:01,880 --> 00:43:02,920 No. 1102 00:43:02,920 --> 00:43:04,800 It was a lockdown Friday. 1103 00:43:04,800 --> 00:43:06,800 Nothing was going on. 1104 00:43:06,800 --> 00:43:10,160 And I got loads of pings on my phone and it was just like, 1105 00:43:10,160 --> 00:43:11,760 mazel tov, congratulations, oh, my God! 1106 00:43:11,760 --> 00:43:13,440 And then I realised what had happened. 1107 00:43:13,440 --> 00:43:16,320 I had to put my glasses on because it's quite small font 1108 00:43:16,320 --> 00:43:18,480 and then I realised that I was there somewhere. 1109 00:43:18,480 --> 00:43:19,520 You were there! 1110 00:43:19,520 --> 00:43:20,960 I mean, it's the coolest thing. 1111 00:43:20,960 --> 00:43:22,400 Yeah, it was a big coup. 1112 00:43:22,400 --> 00:43:23,440 It was great. 1113 00:43:23,440 --> 00:43:26,160 The other thing we need to mention is touring dates. 1114 00:43:26,160 --> 00:43:28,720 Because, God love you, like Dave Grohl there, 1115 00:43:28,720 --> 00:43:31,360 you are one of these people who keep planning the tour. 1116 00:43:31,360 --> 00:43:33,360 So when is it now? 1117 00:43:33,360 --> 00:43:36,320 So, it's moved to December. 1118 00:43:36,320 --> 00:43:38,480 And actually, look, it's sensible to do that. 1119 00:43:38,480 --> 00:43:40,480 It's realistic. 1120 00:43:40,480 --> 00:43:45,880 And I think that for this record, it's a sexy dance record. 1121 00:43:45,880 --> 00:43:48,000 I need people to be up close and personal, 1122 00:43:48,000 --> 00:43:50,440 sweating next to each other, kissing strangers. 1123 00:43:50,440 --> 00:43:54,760 I want all that so we're going to have the biggest party in December. 1124 00:43:54,760 --> 00:43:56,480 I mean... 1125 00:43:56,480 --> 00:43:58,880 Jessie Ware, she's made a baby, she's made an album 1126 00:43:58,880 --> 00:44:00,480 and you've written a book! 1127 00:44:00,480 --> 00:44:01,520 I know, yes. 1128 00:44:01,520 --> 00:44:02,560 Oh, for God's sake! 1129 00:44:02,560 --> 00:44:03,600 I've done nothing. 1130 00:44:03,600 --> 00:44:06,440 Have you seen my radishes?! 1131 00:44:06,440 --> 00:44:08,040 Yeah! 1132 00:44:08,040 --> 00:44:09,080 So, overachiever, yes. 1133 00:44:09,080 --> 00:44:11,320 What's the book called? 1134 00:44:11,320 --> 00:44:12,360 It's called Omelette? 1135 00:44:12,360 --> 00:44:14,280 It's called Omelette and it's a food memoir. 1136 00:44:14,280 --> 00:44:16,920 Apparently there is a genre called "foodoir", but I don't know 1137 00:44:16,920 --> 00:44:18,120 how I feel about that. 1138 00:44:18,120 --> 00:44:21,640 I feel like it maybe tempts people to think that there's going to be 1139 00:44:21,640 --> 00:44:23,080 a murder in it or something. 1140 00:44:23,080 --> 00:44:24,120 I don't know. 1141 00:44:24,120 --> 00:44:26,280 So there is no murdering, there's memories from childhood, 1142 00:44:26,280 --> 00:44:28,720 all revolving around food and drink. 1143 00:44:28,720 --> 00:44:30,400 Sounds good, right? 1144 00:44:30,400 --> 00:44:32,800 Listen, good luck with that, good luck with the tour, 1145 00:44:32,800 --> 00:44:35,680 good luck with the single and thank you so much for that 1146 00:44:35,680 --> 00:44:36,720 gorgeous performance. 1147 00:44:36,720 --> 00:44:37,760 Jessie Ware, everybody! 1148 00:44:37,760 --> 00:44:41,760 CHEERING AND APPLAUSE. 1149 00:44:41,760 --> 00:44:43,560 That is nearly it. 1150 00:44:43,560 --> 00:44:46,880 Before we go, just time for a quick visit to the big red chair. 1151 00:44:46,880 --> 00:44:47,920 Alan is all set. 1152 00:44:47,920 --> 00:44:48,960 There he is. 1153 00:44:48,960 --> 00:44:50,400 He's ready, he's ready! 1154 00:44:50,400 --> 00:44:54,560 OK, let's find out who's going to be trying to keep you in that chair. 1155 00:44:54,560 --> 00:44:56,120 Hello. 1156 00:44:56,120 --> 00:44:57,160 Hi! 1157 00:44:57,160 --> 00:44:58,200 What's your name? 1158 00:44:58,200 --> 00:44:59,800 Francesca. 1159 00:44:59,800 --> 00:45:01,960 And where are you, Francesca? 1160 00:45:01,960 --> 00:45:05,360 I'm in North Finchley in London. 1161 00:45:05,360 --> 00:45:09,520 I don't like the colour of your curtains. 1162 00:45:09,520 --> 00:45:11,680 They're not mine, I'm in a house-share. 1163 00:45:11,680 --> 00:45:13,800 Don't blame me! 1164 00:45:13,800 --> 00:45:16,880 Right back atcha! 1165 00:45:16,880 --> 00:45:17,960 They're not my choice! 1166 00:45:17,960 --> 00:45:19,640 What do you do in North Finchley? 1167 00:45:19,640 --> 00:45:23,360 I'm an actor and I also work in a local pub. 1168 00:45:23,360 --> 00:45:28,520 OK, so nothing. 1169 00:45:28,520 --> 00:45:29,760 Unemployed! 1170 00:45:29,760 --> 00:45:32,440 I've been there - it gets better! 1171 00:45:32,440 --> 00:45:33,480 Thank you. 1172 00:45:33,480 --> 00:45:36,120 Please put me on Bridgerton, I'd love to be on it. 1173 00:45:36,120 --> 00:45:37,600 Yeah, yeah! 1174 00:45:37,600 --> 00:45:40,240 All right, off you go with your story - and remember, 1175 00:45:40,240 --> 00:45:42,160 you're trying to keep Alan in the chair. 1176 00:45:42,160 --> 00:45:43,200 OK, good luck, everyone. 1177 00:45:43,200 --> 00:45:44,240 Off you go... 1178 00:45:44,240 --> 00:45:47,600 OK, so a few years ago I was working in Sheffield in a theatre 1179 00:45:47,600 --> 00:45:50,720 and we have this bar and restaurant where the audience and cast would 1180 00:45:50,720 --> 00:45:52,720 come before and after the show. 1181 00:45:52,720 --> 00:45:56,080 And one night this famous person had been to see the show and came 1182 00:45:56,080 --> 00:45:58,000 into the bar afterwards, where I served them. 1183 00:45:58,000 --> 00:46:00,280 And I was making their drink. 1184 00:46:00,280 --> 00:46:02,920 I think it was like a gin and tonic. 1185 00:46:02,920 --> 00:46:06,240 And as I was making their drinks, these two cast members came over 1186 00:46:06,240 --> 00:46:08,960 and started asking for their photos and that kind of thing. 1187 00:46:08,960 --> 00:46:11,840 So I put the drinks on the bar, they turn around, pick 1188 00:46:11,840 --> 00:46:14,720 up their drinks and then walk over to their table without paying. 1189 00:46:14,720 --> 00:46:17,080 Now, you're probably wondering who this famous person is. 1190 00:46:17,080 --> 00:46:19,080 It was Graham Norton... 1191 00:46:19,080 --> 00:46:22,400 I knew it would be me! 1192 00:46:22,400 --> 00:46:25,240 LAUGHTER AND APPLAUSE. 1193 00:46:25,240 --> 00:46:27,560 I knew it was going to be me! 1194 00:46:27,560 --> 00:46:32,000 I never pay for drinks! 1195 00:46:32,000 --> 00:46:36,560 How dare she ask me for money! 1196 00:46:36,560 --> 00:46:40,840 I'm supporting live theatre. 1197 00:46:40,840 --> 00:46:42,480 It was an accident. 1198 00:46:42,480 --> 00:46:43,520 I'm so sorry, Alan. 1199 00:46:43,520 --> 00:46:44,680 Are you OK? 1200 00:46:44,680 --> 00:46:47,080 Can you warn me the next time you've been tight? 1201 00:46:47,080 --> 00:46:48,280 Can you just warn me? 1202 00:46:48,280 --> 00:46:52,440 LAUGHTER. 1203 00:46:52,440 --> 00:46:53,760 I feel bad. 1204 00:46:53,760 --> 00:46:55,200 No, I'm sure I paid eventually. 1205 00:46:55,200 --> 00:46:56,960 Somebody did! 1206 00:46:56,960 --> 00:46:58,280 Who's up next? 1207 00:46:58,280 --> 00:46:59,600 Hello! 1208 00:46:59,600 --> 00:47:00,760 Hi! 1209 00:47:00,760 --> 00:47:02,920 Hi, what's your name? 1210 00:47:02,920 --> 00:47:04,880 My name's Sue and I'm from Oxfordshire. 1211 00:47:04,880 --> 00:47:06,400 And who is your dog? 1212 00:47:06,400 --> 00:47:07,480 Heidi. 1213 00:47:07,480 --> 00:47:08,520 Let me get her. 1214 00:47:08,520 --> 00:47:09,560 Heidi, here! 1215 00:47:09,560 --> 00:47:11,200 There she is. 1216 00:47:11,200 --> 00:47:12,240 Sorry! 1217 00:47:12,240 --> 00:47:14,400 No, she's not keen on those treats, is she? 1218 00:47:14,400 --> 00:47:16,360 No, she isn't! 1219 00:47:16,360 --> 00:47:18,240 All right, you're telling a story... 1220 00:47:18,240 --> 00:47:19,920 Oh, now Heidi wants them. 1221 00:47:19,920 --> 00:47:23,240 Off you go with your story. 1222 00:47:23,240 --> 00:47:26,480 Well, a few years ago I went into London. 1223 00:47:26,480 --> 00:47:30,800 I was on the train, it was a really hot day and I got to the other end. 1224 00:47:30,800 --> 00:47:33,680 It was so hot I thought, God, this jacket is too hot. 1225 00:47:33,680 --> 00:47:37,280 I thought, I've got nowhere to put it so I just tied a big knot 1226 00:47:37,280 --> 00:47:40,880 on the back of my bag and then as I was going through the day 1227 00:47:40,880 --> 00:47:43,040 I just kept checking that the knot was there, 1228 00:47:43,040 --> 00:47:44,720 to check my jacket was still there. 1229 00:47:44,720 --> 00:47:47,600 On the way home on the train, just about to get off, 1230 00:47:47,600 --> 00:47:50,000 where you're all waiting for the electric doors to open, 1231 00:47:50,000 --> 00:47:51,440 we're all close to each other. 1232 00:47:51,440 --> 00:47:53,840 And I thought, gosh, my jacket, and I reached around 1233 00:47:53,840 --> 00:47:56,000 and thought, my knot feels a little bit different. 1234 00:47:56,000 --> 00:47:58,400 And then I realised I was grabbing this man's testicles. 1235 00:47:58,400 --> 00:47:59,440 "I'm so sorry!" 1236 00:47:59,440 --> 00:48:01,120 "I didn't mean to touch your balls!" 1237 00:48:01,120 --> 00:48:03,520 And at this point I got the attention of everybody 1238 00:48:03,520 --> 00:48:04,560 in the carriage. 1239 00:48:04,560 --> 00:48:06,000 And he then said to me... 1240 00:48:06,000 --> 00:48:07,200 I said, "I'm so sorry." 1241 00:48:07,200 --> 00:48:09,360 And he said, "That's all right, I was having 1242 00:48:09,360 --> 00:48:10,800 a bad day up until then." 1243 00:48:10,800 --> 00:48:13,520 Aww! 1244 00:48:13,520 --> 00:48:14,560 Shall she walk? 1245 00:48:14,560 --> 00:48:16,240 Yes, you can walk, you can walk! 1246 00:48:16,240 --> 00:48:17,280 Well done! 1247 00:48:17,280 --> 00:48:18,840 Oh, hello! 1248 00:48:18,840 --> 00:48:21,680 And it was Graham Norton's testicles! 1249 00:48:21,680 --> 00:48:25,600 LAUGHTER. 1250 00:48:25,600 --> 00:48:29,480 All right, that is all we've got time for. 1251 00:48:29,480 --> 00:48:32,320 If you'd like to have a go in that red chair yourself 1252 00:48:32,320 --> 00:48:33,800 and tell your story, you can. 1253 00:48:33,800 --> 00:48:36,200 Just contact us via our website at this very address. 1254 00:48:36,200 --> 00:48:38,320 Please say thank you to all of my guests... 1255 00:48:38,320 --> 00:48:39,360 Jessie Ware! 1256 00:48:39,360 --> 00:48:40,400 APPLAUSE. 1257 00:48:40,400 --> 00:48:41,440 Siobhan McSweeney! 1258 00:48:41,440 --> 00:48:42,480 APPLAUSE. 1259 00:48:42,480 --> 00:48:43,520 Dave Grohl! 1260 00:48:43,520 --> 00:48:44,560 APPLAUSE. 1261 00:48:44,560 --> 00:48:45,600 Alan Carr! 1262 00:48:45,600 --> 00:48:46,640 APPLAUSE. 1263 00:48:46,640 --> 00:48:47,680 Rege-Jean Page! 1264 00:48:47,680 --> 00:48:48,720 APPLAUSE. 1265 00:48:48,720 --> 00:48:49,760 And Felicity Kendal! 1266 00:48:49,760 --> 00:48:51,160 APPLAUSE. 1267 00:48:51,160 --> 00:48:53,320 Join me next week with singer Arlo Parks, comedians 1268 00:48:53,320 --> 00:48:55,680 Marcus Brigstocke and Rachel Parris, Big Bang Theory's Mayim Bialik, 1269 00:48:55,680 --> 00:48:59,560 and three Hollywood Brits. 1270 00:48:59,560 --> 00:49:02,440 Adrian Lester, Sienna Miller and Daniel Kaluuya. 1271 00:49:02,440 --> 00:49:03,480 I'll see you then. 1272 00:49:03,480 --> 00:49:04,520 Goodnight, everybody. 1273 00:49:04,520 --> 00:49:12,240 Bye-bye!