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Hello, everybody.
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I'm Dave Grohl.
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Welcome to The Graham Norton Show.
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Woo!
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Woo!
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Woo!
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Hello!
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Good evening.
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You're all so welcome to the show.
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And hello to our virtual studio
audience at home there.
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Hello.
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Page after page, there they are.
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Hey, just as well you are watching
safe in your homes,
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because, ladies, we've got
a treat for you tonight.
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Wa-hey!
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The cameramen are excited as well.
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Phwoar, the jangling of keys.
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Yes, right here in the studio,
we have one of the sexiest TV stars
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in the world.
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No, Alan, it's not you.
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It is in fact the star
of Bridgerton, Rege-Jean Page!
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He's the new host of Interior Design
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Masters, it's Alan Carr!
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She's Sister Michael
from Derry Girls, now
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hosting the great pottery
throw-down, Siobhan McSweeney.
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And she's the star
of classic shows like
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The Good Life and Rosemary
and Thyme, now setting
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sail in Anything Goes,
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it's the fabulous Felicity Kendal.
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Last, shortly we'll be
joined from Los Angeles
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by Foo Fighter Dave Grohl.
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And we'll have music right
here in the studio from
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singer-songwriter and
podcaster Jessie Ware.
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Good, right?
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Good!
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Jessie Ware.
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Love that album.
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Welcome, all.
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First time for you, Felicity Kendal.
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Yes, I know.
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Why have you not asked me before?
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I'm...
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Now I wonder what was I thinking?
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I don't know what happened.
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You're here now.
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I'm so happy to be here.
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I'm free just for
an hour and a half.
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I love you so much.
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Thank you.
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I'm released, legally.
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Felicity may be joining
us again next week.
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We'll see.
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Thank you.
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We'll show up, and she'll
just still be here.
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"I'm not going home."
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And, Rege-Jean Page,
I mention Bridgerton.
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I guess what's weird is you're
in the biggest show in the
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world, you're a global superstar,
but you're presumably just telling
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your fridge.
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Yeah, it's just me and the four
walls and my cushions, my
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exceedingly bad cushions
all my friends tell me off for.
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But has the postman
been impressed to find
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Rege-Jean Page behind the door?
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No, because I don't go
to the door because I'm
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scared of the postie
and
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the tabloids.
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That's the only bit that's
real about the global
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superstar.
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Oh, so you don't know
what's out there?
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Yeah.
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You don't know who's
behind the door.
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Lockdown has ended
about three months ago.
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And this is why I don't
like the postie.
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He didn't tell me.
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He didn't tell me at all.
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I just don't like an audience.
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Siobhan McSweeney, now, I would have
thought, Derry Girls, so
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big that when you go home to Cork,
you must be a superstar.
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Yeah, no.
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Well, as you know, it's very hard to
impress a Cork person.
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No, absolutely no recognition,
no flicker of recognition.
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And it's good, actually,
because you don't
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want to be looking
like you have notions.
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You don't want to be standing
there in the middle of
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Patrick's Street going,
"You're right, it is me."
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You have to be very, very cool.
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Even if your head was on fire,
nobody would look at you in Cork.
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Because, Alan Carr, it must be quite
nice to be in a studio because
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you've been doing a lot of things
on Zoom, and I don't mean
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to criticise, but you haven't got
any better at
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it.
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No!
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I was on Good Morning Britain
talking to Ben Shephard and
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I have a very bad Wi-Fi
signal where I live,
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and then I was talking
and
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it just froze and it looked
like I was pleasuring myself,
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and then they actually had to go
to another item,
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and of course you're still talking
and I looked and I'm like this...
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LAUGHTER
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You're not joking.
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We've got a...
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You've got the thing?
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We've got a screen grab.
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Oh, no.
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No, no.
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They went to another item.
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I was still talking.
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That does look like good
morning Britain, yeah.
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LAUGHTER
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Well, now.
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Let's start tonight
with you, Felicity
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Kendal, and good news -
theatre is back.
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Hopefully!
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CHEERING
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That's the plan.
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Anything Goes, a huge, big,
lavish musical, is going
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to open at London's Barbican Theatre
on the 5th of June.
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Tickets are available now.
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So this is happening.
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Big cast, full orchestra.
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It is happening if it's
safe and if it's
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allowed and if it's legal.
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So the idea is, as we
know, it's all going
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to get back to normal.
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Life is going back.
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So in the sort of spirit
of being completely positive about
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things that are completely and
utterly impossible to guarantee, we
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are going ahead we think with this,
but it obviously depends on the...
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Yes, but if it happens,
people would be so desperate for it,
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because it's such a joyous musical.
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I think it's just...
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It's like...
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You know, I'm not being
silly buggers, but it's
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about...
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It's like watching your show.
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It's exactly what we need.
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We've had doom and
gloom and disaster
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and trauma and everything.
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Now what we need coming
out of it is to just
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go and watch some wonderful escapist
thing, and this is a wonderful
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musical.
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I've seen the clips from America.
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And it's all...
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It's so stylish.
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It's set on an ocean liner,
and it's a romance.
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It's a farce.
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It's wonderful.
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It's like a tragic Titanic.
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I think Titanic is tragic.
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I mean, I hated Leo DiCaprio.
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He didn't die fast enough.
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No, no.
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It's a comic Titanic.
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There you go.
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A comic Titanic?
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Yes, yes.
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It's that sort of story.
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The boy is the wrong person
for the girl and then there
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are crooks and then there
are romances and it's all very, very
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glamorous and everyone is moving
from, you know, America to England
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except it doesn't sink.
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It's a wonderful, funny farce.
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Silly buggers.
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There's no ice.
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There's no ice, not
even ice-skating.
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It's just fun.
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And you've got these iconic songs.
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It's all Cole Porter songs.
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I have seen you in plays, but I've
never seen you in a musical.
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No.
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So this is your first one.
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Yes.
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Is there a reason why?
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I can't sing.
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OK.
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But it's joyous.
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Don't worry.
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It will...
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I'll be fine.
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It will.
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Or I'll be fired.
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Now without Felicity Kendal.
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Anything Goes, but Felicity went.
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Now, here's...
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This is an odd bit of trivia.
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Because, Felicity, I think I'm
right in thinking...
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We are
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in old BBC TV Centre here tonight.
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And you made the Good
Life in this building.
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And a lot of people, I think,
are discovering the show
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again in lockdown,
you know, bingeing...
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Thank you, Graham.
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It's on Gold and all
those sorts of things.
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There's nowhere to go!
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Oh, I'll watch this again.
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I just think you watch
it now and you
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forget how radical
it was at the time.
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I mean, you and Penelope kind
of pushed the envelope for women.
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Tell us about the home-brew episode.
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Oh...
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Oh, when we got pissed?
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Yes, the home-brew...
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First of all, the writers
were absolutely amazing and
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they created the characters.
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We didn't create them.
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And they didn't write
for us, they wrote for the
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00:07:58,840 --> 00:07:59,880
characters they created.
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00:07:59,880 --> 00:08:02,240
And they wrote these
two really interesting
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00:08:02,240 --> 00:08:04,640
women, not deep and serious
and psychological, but actually very
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00:08:04,640 --> 00:08:12,600
clever.
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00:08:16,360 --> 00:08:19,720
And there was a scene when the boys
got pissed on made up wine,
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and I thought, what if
we get pissed, Penny?
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00:08:21,880 --> 00:08:22,920
Wouldn't that be good?
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00:08:22,920 --> 00:08:24,120
She said, that would be...
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00:08:24,120 --> 00:08:26,520
It's the nicest thing
in the world to act pissed,
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00:08:26,520 --> 00:08:28,200
I love acting pissed
more than anything.
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00:08:28,200 --> 00:08:29,400
I mean, it's really fun.
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00:08:29,400 --> 00:08:32,280
And I said, we'll do that,
and they went and asked the
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00:08:32,280 --> 00:08:35,160
head of the BBC and they said,
no, you can't do that.
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00:08:35,160 --> 00:08:36,840
Margot and Barbara,
they can't get pissed.
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00:08:36,840 --> 00:08:37,880
They're loved by people.
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00:08:37,880 --> 00:08:42,320
They're sacred cows in a nice way.
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00:08:42,320 --> 00:08:44,720
No, they can't be rude
and dirty and get pissed.
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00:08:44,720 --> 00:08:46,640
And anyway, we fought
this with the producer,
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00:08:46,640 --> 00:08:49,040
director and with the writers,
and eventually we did that
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00:08:49,040 --> 00:08:50,080
scene.
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00:08:50,080 --> 00:08:52,000
Because in those days,
they didn't want the...
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00:08:52,000 --> 00:08:53,040
Yeah, yeah.
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00:08:53,040 --> 00:08:54,480
So how far have we come?
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00:08:54,480 --> 00:08:55,520
Now everybody's pissed.
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00:08:55,520 --> 00:08:56,840
Oh, yeah.
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00:08:56,840 --> 00:08:57,880
I'm pissed right now.
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00:08:57,880 --> 00:08:58,920
I won't remember this.
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00:08:58,920 --> 00:09:01,240
No.
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00:09:01,240 --> 00:09:02,280
Cheers.
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00:09:02,280 --> 00:09:03,920
No, but actually, here's the thing.
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00:09:03,920 --> 00:09:06,800
Because I love The Good Life,
but are you aware of it?
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00:09:06,800 --> 00:09:14,760
I grew up on The Good Life.
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00:09:19,560 --> 00:09:21,720
FELICITY IMPRESSION: Margot
and Jenny, just like you expect.
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00:09:21,720 --> 00:09:23,160
In fact, what was in that?
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00:09:23,160 --> 00:09:24,200
Sorry.
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00:09:24,200 --> 00:09:32,160
It sounds like you, doesn't it?
243
00:09:37,280 --> 00:09:39,440
FELICITY IMPRESSION: Oh,
the goats are eating the cabbages!
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00:09:39,440 --> 00:09:41,600
Because for Alan, though,
watching The Good Life must
245
00:09:41,600 --> 00:09:42,800
be like watching a documentary.
246
00:09:42,800 --> 00:09:43,840
Oh, I know.
247
00:09:43,840 --> 00:09:46,720
Well, we've got a farm, you see,
with all of these animals.
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00:09:46,720 --> 00:09:47,920
You got some new animals.
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00:09:47,920 --> 00:09:48,960
You got chickens now.
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00:09:48,960 --> 00:09:50,000
Yes.
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00:09:50,000 --> 00:09:52,400
Well, the next-door neighbour,
a fox killed all of the
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00:09:52,400 --> 00:09:54,800
chickens apart from this one,
so we said we'd look
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00:09:54,800 --> 00:09:57,440
after it with our chickens,
but they picked on it, our
254
00:09:57,440 --> 00:09:59,840
chickens do, and my partner says
it's because it's ginger.
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00:09:59,840 --> 00:10:00,880
So...
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00:10:00,880 --> 00:10:02,320
My brother's a ginge, just saying.
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00:10:02,320 --> 00:10:03,360
Don't write and complain.
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00:10:03,360 --> 00:10:06,240
So we've got it in the house
now and, yeah, it's a
259
00:10:06,240 --> 00:10:07,280
bit...
260
00:10:07,280 --> 00:10:08,320
What's in the house?
261
00:10:08,320 --> 00:10:09,520
A chicken in the house.
262
00:10:09,520 --> 00:10:11,920
We've got a picture
of you and the chicken in
263
00:10:11,920 --> 00:10:12,960
the house.
264
00:10:12,960 --> 00:10:14,000
Yes.
265
00:10:14,000 --> 00:10:16,160
Now, that blanket appears
to be covered in chicken
266
00:10:16,160 --> 00:10:17,200
shit.
267
00:10:17,200 --> 00:10:18,240
I know.
268
00:10:18,240 --> 00:10:20,880
It shits everywhere,
and someone told me if you take a
269
00:10:20,880 --> 00:10:23,040
Covid mask and put
the handles round the wing
270
00:10:23,040 --> 00:10:24,480
and put the mask under
its
271
00:10:24,480 --> 00:10:26,160
private bits, then
it's a chicken nappy.
272
00:10:26,160 --> 00:10:34,120
He must be quite...
273
00:10:35,680 --> 00:10:37,120
Well, he doesn't pull it down.
274
00:10:37,120 --> 00:10:38,560
I mean, he's not that clever.
275
00:10:38,560 --> 00:10:40,720
But also, it would catch
the eggs as well.
276
00:10:40,720 --> 00:10:41,760
Yes, you see?
277
00:10:41,760 --> 00:10:43,440
Or it comes shooting
straight back up.
278
00:10:43,440 --> 00:10:46,760
A shocked-looking chicken.
279
00:10:46,760 --> 00:10:49,360
Ooh!
280
00:10:49,360 --> 00:10:50,400
Well, I never!
281
00:10:50,400 --> 00:10:52,800
Because, Siobhan, now,
you don't live on a farm, but
282
00:10:52,800 --> 00:10:56,000
you do have a green fingers.
283
00:10:56,000 --> 00:10:57,440
You produce produce.
284
00:10:57,440 --> 00:10:59,360
So what is it, a balcony you have?
285
00:10:59,360 --> 00:11:00,400
No, it's...
286
00:11:00,400 --> 00:11:04,560
I live in central
London, so it's not a
287
00:11:04,560 --> 00:11:06,240
balcony, it's a sort of a balco.
288
00:11:06,240 --> 00:11:08,640
It's not big enough to be
the full word, really.
289
00:11:08,640 --> 00:11:14,200
It's basically how a door can go
like that, that's what I
290
00:11:14,200 --> 00:11:16,360
have, but during lockdown,
I along with, I imagine,
291
00:11:16,360 --> 00:11:17,400
many people decided
292
00:11:17,400 --> 00:11:19,320
that I would be really
good at gardening.
293
00:11:19,320 --> 00:11:20,360
I'm from Cork.
294
00:11:20,360 --> 00:11:21,400
I'm from County Cork.
295
00:11:21,400 --> 00:11:23,080
It's in my blood, for God sake.
296
00:11:23,080 --> 00:11:24,760
I would be able to do this.
297
00:11:24,760 --> 00:11:26,440
So turns out it's
really fucking hard.
298
00:11:26,440 --> 00:11:30,840
But then you did...
299
00:11:30,840 --> 00:11:31,880
You went with radishes.
300
00:11:31,880 --> 00:11:32,920
I went with radishes.
301
00:11:32,920 --> 00:11:33,960
And this...
302
00:11:33,960 --> 00:11:35,920
What I find surprising
about this picture
303
00:11:35,920 --> 00:11:42,080
you posted is that this
is when you chose to harvest them.
304
00:11:42,080 --> 00:11:44,760
You know what radishes look like?
305
00:11:44,760 --> 00:11:47,760
They were...
306
00:11:47,760 --> 00:11:49,720
That was them ready.
307
00:11:49,720 --> 00:11:52,800
Like, I even gave them
a couple of extra weeks,
308
00:11:52,800 --> 00:11:55,160
like, and oh, my God,
Graham, I talked to them.
309
00:11:55,160 --> 00:11:57,960
Like, I hugged them at night.
310
00:11:57,960 --> 00:12:00,760
I went bananas during the first
lockdown, so I was like,
311
00:12:00,760 --> 00:12:01,800
hello, radishes!
312
00:12:01,800 --> 00:12:03,200
How are you doing?
313
00:12:03,200 --> 00:12:08,800
Oh, my God.
314
00:12:08,800 --> 00:12:10,040
They didn't like that?
315
00:12:10,040 --> 00:12:13,480
Were you on anything else?
316
00:12:13,480 --> 00:12:14,520
They took agin you.
317
00:12:14,520 --> 00:12:15,720
But, you know, it's hard.
318
00:12:15,720 --> 00:12:16,920
Because we don't eat anything.
319
00:12:16,920 --> 00:12:18,600
We don't kill anything on our farm.
320
00:12:18,600 --> 00:12:26,400
Even the...
321
00:12:26,400 --> 00:12:28,760
And Paul bought four cows and,
like, when the cows
322
00:12:28,760 --> 00:12:31,480
aren't killed, they live
to be like 35-40.
323
00:12:31,480 --> 00:12:34,120
There's a good chance these cows
could be at our funeral.
324
00:12:34,120 --> 00:12:35,560
So you've got chickens and cows...
325
00:12:35,560 --> 00:12:36,600
And alpacas...
326
00:12:36,600 --> 00:12:37,640
There you go.
327
00:12:37,640 --> 00:12:41,640
And pygmy goats.
328
00:12:41,640 --> 00:12:44,120
I'm glad I asked that question.
329
00:12:44,120 --> 00:12:46,760
Did you have real pigs
when you did The Good Life?
330
00:12:46,760 --> 00:12:47,800
They're horrible, aren't they?
331
00:12:47,800 --> 00:12:48,840
They're very bitey.
332
00:12:48,840 --> 00:12:50,280
Yes, they bite and they push.
333
00:12:50,280 --> 00:12:52,720
Yes.
334
00:12:52,720 --> 00:12:55,360
And they're not aggressive, but
they're just heavy going and they
335
00:12:55,360 --> 00:12:56,560
won't do what you want.
336
00:12:56,560 --> 00:12:59,880
And Dickie hated them.
337
00:12:59,880 --> 00:13:03,840
Every time he had to get
into the pen and say, how are you
338
00:13:03,840 --> 00:13:07,240
pinky or how are you perky
or whatever it was,
339
00:13:07,240 --> 00:13:14,240
and when they said cut,
he leapt up.
340
00:13:14,240 --> 00:13:18,000
Well, Alan Carr, you've gone
from outdoors to indoors
341
00:13:18,000 --> 00:13:20,840
with your latest project as the new
host of Interior Design Masters.
342
00:13:20,840 --> 00:13:21,880
Yes!
343
00:13:21,880 --> 00:13:23,800
It's on BBC Two, Tuesdays
at eight o'clock.
344
00:13:23,800 --> 00:13:26,640
So explain what goes on.
345
00:13:26,640 --> 00:13:29,520
OK, ten fantastic designers, all
want to be the new interior design
346
00:13:29,520 --> 00:13:33,920
Master.
347
00:13:33,920 --> 00:13:37,320
And every week, they have to do up
either a luxury hotel, a beach
348
00:13:37,320 --> 00:13:41,520
hut, a restaurant, a salon, and then
we have to eliminate people every
349
00:13:41,520 --> 00:13:44,440
week...
350
00:13:44,440 --> 00:13:49,000
I know, and it's so horrible.
351
00:13:49,000 --> 00:13:51,440
And because of Covid,
you can't hug them or anything.
352
00:13:51,440 --> 00:13:56,120
Because on your show,
I mean, you can't...
353
00:13:56,120 --> 00:13:57,160
They're in a bubble.
354
00:13:57,160 --> 00:13:59,560
We were in a bubble, but,
yeah, but it's still
355
00:13:59,560 --> 00:14:00,600
tough going, isn't it?
356
00:14:00,600 --> 00:14:01,640
It's horrible.
357
00:14:01,640 --> 00:14:04,280
I say, "I'm afraid you're
going home," and then they're crying
358
00:14:04,280 --> 00:14:05,480
and then you're like, "Bye."
359
00:14:05,480 --> 00:14:07,880
You know, and you might
as well basically have
360
00:14:07,880 --> 00:14:11,960
a trapdoor which leads to a skip.
361
00:14:11,960 --> 00:14:14,800
You know what I'm like, Graham.
362
00:14:14,800 --> 00:14:17,880
I say what I feel and I think that's
what they want, but...
363
00:14:17,880 --> 00:14:19,120
I was surprised.
364
00:14:19,120 --> 00:14:22,000
I imagined you would be quite
lovely and a bit kind, but
365
00:14:22,000 --> 00:14:23,040
you're actually...
366
00:14:23,040 --> 00:14:24,960
You're quite harsh
in the things you say.
367
00:14:24,960 --> 00:14:26,000
Really?
368
00:14:26,000 --> 00:14:27,040
Too harsh?
369
00:14:27,040 --> 00:14:28,080
No, no.
370
00:14:28,080 --> 00:14:29,760
You show up when things go wrong.
371
00:14:29,760 --> 00:14:32,400
That's what I hated about it,
because you know what TV's
372
00:14:32,400 --> 00:14:34,040
like.
373
00:14:34,040 --> 00:14:36,920
They're like, so and so,
the awning has fallen down and the
374
00:14:36,920 --> 00:14:40,840
paint has gone over the curtains.
375
00:14:40,840 --> 00:14:43,680
And of course I turn
up like Maleficent.
376
00:14:43,680 --> 00:14:47,040
"So, what's happened here?"
377
00:14:47,040 --> 00:14:49,080
And then it's so funny
because they're like
378
00:14:49,080 --> 00:14:56,120
that at the beginning
379
00:14:56,120 --> 00:14:59,000
when they're doing up the house
and everything, "How are you doing?
380
00:14:59,000 --> 00:15:00,040
Oh, Alan."
381
00:15:00,040 --> 00:15:01,080
And they're all giggling.
382
00:15:01,080 --> 00:15:03,000
But, you know, there
is a time constraint.
383
00:15:03,000 --> 00:15:05,640
They have to finish by five o'clock
and then, of course,
384
00:15:05,640 --> 00:15:06,840
I'm turning up at 4.55.
385
00:15:06,840 --> 00:15:09,000
"So, explain, how did
you make this book shelf?"
386
00:15:09,000 --> 00:15:13,000
And they're like, "Fuck off."
387
00:15:13,000 --> 00:15:14,040
So, yeah, it was...
388
00:15:14,040 --> 00:15:15,080
I love doing it.
389
00:15:15,080 --> 00:15:17,240
I love doing it, but
you've worried me now
390
00:15:17,240 --> 00:15:20,120
about being too harsh.
391
00:15:20,120 --> 00:15:21,560
No, because you're funny with it.
392
00:15:21,560 --> 00:15:22,600
We've got a clip.
393
00:15:22,600 --> 00:15:23,680
We've got a clip.
394
00:15:23,680 --> 00:15:26,280
This is you checking in on one
of the contestants progress.
395
00:15:26,280 --> 00:15:27,320
Hello, John.
396
00:15:27,320 --> 00:15:28,360
Hello, you.
397
00:15:28,360 --> 00:15:30,040
Another day, another
pair of skimpy shorts
398
00:15:30,040 --> 00:15:31,080
I see.
399
00:15:31,080 --> 00:15:32,120
They're lovely.
400
00:15:32,120 --> 00:15:33,320
Get a bit of ventilation.
401
00:15:33,320 --> 00:15:34,360
That's the one.
402
00:15:34,360 --> 00:15:36,280
So tell us about the
colour, because it's
403
00:15:36,280 --> 00:15:37,720
very satsuma-y for a meeting room.
404
00:15:37,720 --> 00:15:38,920
Have I said something wrong?
405
00:15:38,920 --> 00:15:39,960
I feel offended.
406
00:15:39,960 --> 00:15:41,040
I like satsumas.
407
00:15:41,040 --> 00:15:46,720
Yeah, satsumas are good for you.
408
00:15:46,720 --> 00:15:49,120
If you're in a meeting
for two or three hours,
409
00:15:49,120 --> 00:15:51,760
there's nothing worse than looking
at a plain, blank, boring wall.
410
00:15:51,760 --> 00:15:52,800
It's bright, it's good...
411
00:15:52,800 --> 00:15:53,840
I like it.
412
00:15:53,840 --> 00:15:54,880
Yes.
413
00:15:54,880 --> 00:15:56,560
OK, I'll leave you to it, John.
414
00:15:56,560 --> 00:15:57,600
Thank you.
415
00:15:57,600 --> 00:15:59,760
The trouble with the colour orange,
it's very divisive.
416
00:15:59,760 --> 00:16:01,920
When some people think
of orange, they think zesty
417
00:16:01,920 --> 00:16:03,120
and fresh, but to other
418
00:16:03,120 --> 00:16:06,240
people, they think budget
airlines and fake tan.
419
00:16:06,240 --> 00:16:07,280
It's funny.
420
00:16:07,280 --> 00:16:11,600
It's funny.
421
00:16:11,600 --> 00:16:15,480
Well, Interior Design Masters
with Alan Carr continues on
422
00:16:15,480 --> 00:16:16,520
Tuesdays.
423
00:16:16,520 --> 00:16:18,680
OK, it's time to meet our
virtual guest tonight.
424
00:16:18,680 --> 00:16:20,840
He's the front man of
the biggest rock band
425
00:16:20,840 --> 00:16:22,040
in the world, Foo Fighters.
426
00:16:22,040 --> 00:16:23,080
Please welcome Dave Grohl.
427
00:16:23,080 --> 00:16:24,120
CHEERING
428
00:16:24,120 --> 00:16:27,400
Hey, everybody.
429
00:16:27,400 --> 00:16:29,480
How are you, sir?
430
00:16:29,480 --> 00:16:30,520
I'm doing all right.
431
00:16:30,520 --> 00:16:33,880
It's not bad here.
432
00:16:33,880 --> 00:16:34,920
How are you?
433
00:16:34,920 --> 00:16:36,960
We're great, thank you very much.
434
00:16:36,960 --> 00:16:38,000
Lovely to meet you.
435
00:16:38,000 --> 00:16:40,160
And actually we were just talking
about interior design.
436
00:16:40,160 --> 00:16:42,040
What a beautiful painting.
437
00:16:42,040 --> 00:16:43,240
Oh, do you like this?
438
00:16:43,240 --> 00:16:44,280
Well, I'm actually...
439
00:16:44,280 --> 00:16:48,640
I'm in the room that
my wife designed.
440
00:16:48,640 --> 00:16:51,280
She's got one of those, like,
those present wrapping table things.
441
00:16:51,280 --> 00:16:53,920
I guess Oprah invented
this, I don't know.
442
00:16:53,920 --> 00:16:56,760
I've never used it, but this
is the room I'm in now.
443
00:16:56,760 --> 00:16:58,440
It's not very rock and roll, but...
444
00:16:58,440 --> 00:16:59,480
But it's beautiful.
445
00:16:59,480 --> 00:17:02,120
I can wrap one hell
of a present if you like.
446
00:17:02,120 --> 00:17:03,160
Alan, don't say anything.
447
00:17:03,160 --> 00:17:04,200
Say nothing.
448
00:17:04,200 --> 00:17:05,240
It's beautiful.
449
00:17:05,240 --> 00:17:07,120
It's beautiful.
450
00:17:07,120 --> 00:17:08,960
Alan's a little harsh.
451
00:17:08,960 --> 00:17:10,880
Now, we're all delighted
to see you, Dave.
452
00:17:10,880 --> 00:17:14,000
I don't know if you
have been watching
453
00:17:14,000 --> 00:17:16,640
Bridgerton, but Rege-Jean Page,
I mean, you are a proper Foo
454
00:17:16,640 --> 00:17:17,680
Fighters...
455
00:17:17,680 --> 00:17:19,600
I'm hugely relieved
you're not in the studio.
456
00:17:19,600 --> 00:17:21,280
I wouldn't be
functional if you were.
457
00:17:21,280 --> 00:17:23,440
It's a pleasure to meet
you at a distance,
458
00:17:23,440 --> 00:17:24,480
though.
459
00:17:24,480 --> 00:17:25,720
A pleasure to meet you.
460
00:17:25,720 --> 00:17:27,400
No, but didn't you learn the drums?
461
00:17:27,400 --> 00:17:29,560
You're pretty much the reason I'm
a performer, entirely.
462
00:17:29,560 --> 00:17:31,960
The first song I learned
to play on drums was
463
00:17:31,960 --> 00:17:33,000
Learning To Fly.
464
00:17:33,000 --> 00:17:35,160
My brother and I would terrorise
the neighbours with
465
00:17:35,160 --> 00:17:36,640
this on a loop.
466
00:17:36,640 --> 00:17:42,840
We'd play it at all of our
local church halls.
467
00:17:42,840 --> 00:17:45,680
I think we've got a picture of you,
Rege, in your band.
468
00:17:45,680 --> 00:17:46,720
Here you are.
469
00:17:46,720 --> 00:17:47,760
Look at you.
470
00:17:47,760 --> 00:17:48,800
You're so cool.
471
00:17:48,800 --> 00:17:50,000
That's what you did, Dave.
472
00:17:50,000 --> 00:17:51,040
You built this.
473
00:17:51,040 --> 00:17:52,080
You built that.
474
00:17:52,080 --> 00:17:53,280
Don't put that on me.
475
00:17:53,280 --> 00:17:54,720
Don't put that on me, man.
476
00:17:54,720 --> 00:17:59,320
Hey, exciting times.
477
00:17:59,320 --> 00:18:01,240
Tomorrow is the 25th
anniversary of Foo Fighters.
478
00:18:01,240 --> 00:18:04,120
The new album, Medicine At Midnight,
I believe I've got it here.
479
00:18:04,120 --> 00:18:05,200
Yes, I do.
480
00:18:05,200 --> 00:18:07,560
It's out today, and this
is your tenth studio album.
481
00:18:07,560 --> 00:18:09,240
I'm right in saying that, aren't I?
482
00:18:09,240 --> 00:18:11,120
Yeah.
483
00:18:11,120 --> 00:18:14,440
I mean, at this point, we've been
a band for 25 years, and it's
484
00:18:14,440 --> 00:18:16,040
our tenth album.
485
00:18:16,040 --> 00:18:18,720
You know, 2020 was meant to be
like the greatest year
486
00:18:18,720 --> 00:18:19,760
of our band's career.
487
00:18:19,760 --> 00:18:27,720
I mean, we finished
this record a year ago.
488
00:18:31,680 --> 00:18:34,080
We finished the record,
the trucks were packed with all
489
00:18:34,080 --> 00:18:35,760
of the equipment, all of the CDs...
490
00:18:35,760 --> 00:18:36,800
CDs!
491
00:18:36,800 --> 00:18:39,680
All of the T-shirts were pressed
and we were ready to go.
492
00:18:39,680 --> 00:18:41,360
And then the world just shut down.
493
00:18:41,360 --> 00:18:42,800
And we had made this record.
494
00:18:42,800 --> 00:18:44,720
It's kind of our most
danceable boogie record.
495
00:18:44,720 --> 00:18:46,880
I was like, "Oh, man,
stadiums are going to
496
00:18:46,880 --> 00:18:47,920
bounce to this.
497
00:18:47,920 --> 00:18:49,360
The festivals are going to be...
498
00:18:49,360 --> 00:18:51,760
I can't wait to hear 100,000
people singing this song."
499
00:18:51,760 --> 00:18:54,880
Now it's like some lonely bachelor
in his kitchen with a glass of
500
00:18:54,880 --> 00:18:57,040
whisky dancing in his
underwear to our new record.
501
00:18:57,040 --> 00:18:59,200
But, you know, I'll
take what I can get.
502
00:18:59,200 --> 00:19:01,120
Of course, we're used
to hearing people talking
503
00:19:01,120 --> 00:19:03,760
about cancelling the gigs, but it
hasn't struck me before, thinking
504
00:19:03,760 --> 00:19:07,760
about the merchandise, do you have
dates on your merchandise?
505
00:19:07,760 --> 00:19:12,480
Yeah, you know,
we made a lot of 25th
506
00:19:12,480 --> 00:19:14,360
anniversary merchandise,
which at this point...
507
00:19:14,360 --> 00:19:22,320
I think I'm just going to take
a sharpie or a spray
508
00:19:28,840 --> 00:19:31,920
paint can to X out the five
and put a six above it.
509
00:19:31,920 --> 00:19:32,960
I mean, who knows?
510
00:19:32,960 --> 00:19:34,000
Let's watch a clip.
511
00:19:34,000 --> 00:19:36,640
This is the latest single off
the album, Medicine At Midnight.
512
00:19:36,640 --> 00:19:38,080
This is Waiting On A War.
513
00:19:38,080 --> 00:19:39,120
Here we go.
514
00:19:39,120 --> 00:19:40,560
# Is there more to this?
515
00:19:40,560 --> 00:19:48,080
# More to this
516
00:19:48,080 --> 00:19:52,080
# Just waiting on a war.
517
00:19:52,080 --> 00:19:58,200
# Just waiting on a war.
518
00:19:58,200 --> 00:20:00,600
# For this and that
has got to mean more.
519
00:20:00,600 --> 00:20:01,800
# To this and that.
520
00:20:01,800 --> 00:20:03,240
# Just waiting on a war.
521
00:20:03,240 --> 00:20:04,440
# For this and that.
522
00:20:04,440 --> 00:20:06,840
# There's got to be
more to this than that.
523
00:20:06,840 --> 00:20:08,520
# Just waiting on a war.
524
00:20:08,520 --> 00:20:11,600
# For this and that.
525
00:20:11,600 --> 00:20:13,960
# There's got to be
more to this than that.
526
00:20:13,960 --> 00:20:18,120
# Just waiting on a war.
527
00:20:18,120 --> 00:20:21,480
# For this and that.
528
00:20:21,480 --> 00:20:22,920
# There's got to be more...#
529
00:20:22,920 --> 00:20:23,960
Wow.
530
00:20:23,960 --> 00:20:25,000
CHEERING
531
00:20:25,000 --> 00:20:26,440
An instant
classic, Dave Grohl.
532
00:20:26,440 --> 00:20:27,480
It's so good.
533
00:20:27,480 --> 00:20:29,640
The stadiums are going
to go mad with that.
534
00:20:29,640 --> 00:20:31,320
That's going to be brilliant.
535
00:20:31,320 --> 00:20:35,400
At least one of the lonely
dudes dancing in his
536
00:20:35,400 --> 00:20:40,440
underwear in his kitchen will be me.
537
00:20:40,440 --> 00:20:41,880
And this lonely dude as well!
538
00:20:41,880 --> 00:20:42,920
Make that promo happen.
539
00:20:42,920 --> 00:20:43,960
Talk to my people.
540
00:20:43,960 --> 00:20:45,640
You've got some
dancing going on here.
541
00:20:45,640 --> 00:20:47,800
This must be so frustrating,
this idea of Foo
542
00:20:47,800 --> 00:20:48,840
Fighters being grounded.
543
00:20:48,840 --> 00:20:50,040
Because nothing stops you guys.
544
00:20:50,040 --> 00:20:51,080
I mean, even
545
00:20:51,080 --> 00:20:55,960
your broken leg did not stop you.
546
00:20:55,960 --> 00:20:57,000
Well, I was...
547
00:20:57,000 --> 00:20:59,960
Yeah.
548
00:20:59,960 --> 00:21:02,120
I fell off stage and I broke my leg.
549
00:21:02,120 --> 00:21:03,320
I mean, here's the thing...
550
00:21:03,320 --> 00:21:04,360
Wait a minute, Dave.
551
00:21:04,360 --> 00:21:07,000
Is that you still singing
while your leg is being set?
552
00:21:07,000 --> 00:21:08,040
Yes.
553
00:21:08,040 --> 00:21:09,080
Basically, what happened...
554
00:21:09,080 --> 00:21:10,520
It was a stadium in Sweden.
555
00:21:10,520 --> 00:21:16,600
There was like 60,000 people there.
556
00:21:16,600 --> 00:21:20,200
We were two songs into the set
and I then, like a clown, I have
557
00:21:20,200 --> 00:21:21,640
fallen off the stage,
shattered my...
558
00:21:21,640 --> 00:21:24,280
Dislocated my ankle, tore
all the ligaments and broke a bone.
559
00:21:24,280 --> 00:21:26,200
And I tried to stand
and there's nothing
560
00:21:26,200 --> 00:21:27,240
there.
561
00:21:27,240 --> 00:21:30,360
So we stopped the show,
and I say to my drummer, just keep
562
00:21:30,360 --> 00:21:32,520
playing, play a Queen
song, play a Queen song.
563
00:21:32,520 --> 00:21:39,880
And they pulled me off to the side
in a gurney, and the guy
564
00:21:39,880 --> 00:21:42,760
says, ankle's dislocated, I've got
to put it back in right now.
565
00:21:42,760 --> 00:21:44,440
So I said to my tour manager.
566
00:21:44,440 --> 00:21:45,880
I said, get me a whisky.
567
00:21:45,880 --> 00:21:47,560
My wife was sitting next to me.
568
00:21:47,560 --> 00:21:51,400
I put her leather jacket in my mouth
and I bit as hard as I could
569
00:21:51,400 --> 00:21:53,320
and the guy puts my ankle back in.
570
00:21:53,320 --> 00:21:55,240
And so I'm sitting
there and because of
571
00:21:55,240 --> 00:21:56,680
the adrenaline and the whisky
I
572
00:21:56,680 --> 00:21:57,720
don't feel a thing.
573
00:21:57,720 --> 00:21:58,760
So I just...
574
00:21:58,760 --> 00:22:02,360
I'm like, that same man that you see
holding my leg right there, I look
575
00:22:02,360 --> 00:22:05,720
at him and I say, OK,
can I go up and finish the show?
576
00:22:05,720 --> 00:22:06,760
And he goes, no.
577
00:22:06,760 --> 00:22:10,120
Because if I let go of your ankle,
it's just going to fall out.
578
00:22:10,120 --> 00:22:13,240
And I said, well, then, you're
coming on stage with me right now.
579
00:22:13,240 --> 00:22:15,880
So we went up on stage
and we did another, like,
580
00:22:15,880 --> 00:22:17,080
two and a half hours.
581
00:22:17,080 --> 00:22:19,000
And then I said, OK,
where's the ambulance?
582
00:22:19,000 --> 00:22:20,200
Get me out of here.
583
00:22:20,200 --> 00:22:21,240
Phew.
584
00:22:21,240 --> 00:22:23,400
Listen, it's been lovely
talking to you, Dave Grohl.
585
00:22:23,400 --> 00:22:26,040
Medicine At Midnight is out now
and good luck when the
586
00:22:26,040 --> 00:22:27,080
tour resumes.
587
00:22:27,080 --> 00:22:28,120
Dave Grohl, everyone!
588
00:22:28,120 --> 00:22:29,160
CHEERING
589
00:22:29,160 --> 00:22:30,200
Good night.
590
00:22:30,200 --> 00:22:33,240
What a nice man.
591
00:22:33,240 --> 00:22:37,240
He's great.
592
00:22:37,240 --> 00:22:39,160
I mean, you are a proper huge fan.
593
00:22:39,160 --> 00:22:42,520
I mean, all I want to know is
whether he recorded the screen when
594
00:22:42,520 --> 00:22:45,160
they put the ankle back
in because I want to hear
595
00:22:45,160 --> 00:22:46,720
that on the record.
596
00:22:46,720 --> 00:22:48,200
I think that would be brilliant.
597
00:22:48,200 --> 00:22:49,200
Somebody probably has it.
598
00:22:49,200 --> 00:22:50,240
Someone has it somewhere.
599
00:22:50,240 --> 00:22:52,400
Now, Rege-Jean Page
is the Duke of Hastings in
600
00:22:52,400 --> 00:22:53,440
Bridgerton.
601
00:22:53,440 --> 00:22:54,640
It's streaming now on Netflix.
602
00:22:54,640 --> 00:22:56,560
I mean, this thing is
a global phenomenon.
603
00:22:56,560 --> 00:22:57,920
82 million households.
604
00:22:57,920 --> 00:23:00,800
If someone isn't a member of one
of those 82 million households,
605
00:23:00,800 --> 00:23:08,760
tell us what it's about.
606
00:23:14,040 --> 00:23:16,920
It's the dramas you know and love,
but not as you know
607
00:23:16,920 --> 00:23:17,960
them.
608
00:23:17,960 --> 00:23:19,160
It's faster, weightier,
funnier, sexier.
609
00:23:19,160 --> 00:23:20,360
It's a little bit sexier.
610
00:23:20,360 --> 00:23:21,400
Very glamorous.
611
00:23:21,400 --> 00:23:23,080
And just unashamed of its own joy.
612
00:23:23,080 --> 00:23:25,720
And so we did our best
to kind of subvert the
613
00:23:25,720 --> 00:23:27,880
things that you think
you know about period dramas
614
00:23:27,880 --> 00:23:31,240
and have a bit more fun with them
because we all need a bit
615
00:23:31,240 --> 00:23:32,440
of fun at the moment.
616
00:23:32,440 --> 00:23:35,320
And this comes from that sort
of incredible world of Shonda Rimes,
617
00:23:35,320 --> 00:23:37,240
Shonda-land, which you were
in that world already.
618
00:23:37,240 --> 00:23:40,360
Yes, I'd been working for Shonda
for the last three or four years
619
00:23:40,360 --> 00:23:43,720
before Bridgerton, in a show called
For The People and I'm playing a New
620
00:23:43,720 --> 00:23:45,640
York lawyer, doing my best
kind of fast-talking,
621
00:23:45,640 --> 00:23:46,680
high-trouser type of acting.
622
00:23:46,680 --> 00:23:49,320
And Shonda didn't actually know that
I was British when they
623
00:23:49,320 --> 00:23:50,360
were cutting Bridgerton.
624
00:23:50,360 --> 00:23:52,760
She was just like,
I want what he was doing
625
00:23:52,760 --> 00:23:53,960
in that show, but British.
626
00:23:53,960 --> 00:23:56,360
And then I turned up
and we had our meeting,
627
00:23:56,360 --> 00:23:57,400
and she was like...
628
00:23:57,400 --> 00:23:58,440
You're not...
629
00:23:58,440 --> 00:23:59,480
You're not American.
630
00:23:59,480 --> 00:24:01,880
I was like, no, this
is actually what I do.
631
00:24:01,880 --> 00:24:04,040
You'll be the first
person to allow me to
632
00:24:04,040 --> 00:24:06,200
act in my own accent
for about six years.
633
00:24:06,200 --> 00:24:07,240
Which was lovely.
634
00:24:07,240 --> 00:24:08,280
Wow.
635
00:24:08,280 --> 00:24:09,720
And I appreciate that very much.
636
00:24:09,720 --> 00:24:10,760
It was great.
637
00:24:10,760 --> 00:24:11,800
Not quite my accent.
638
00:24:11,800 --> 00:24:13,680
I'm a little bit more common.
639
00:24:13,680 --> 00:24:15,200
Yes, you actually are a little bit!
640
00:24:15,200 --> 00:24:16,400
I was a bit disappointed!
641
00:24:16,400 --> 00:24:17,440
I was like, oh...
642
00:24:17,440 --> 00:24:19,360
POSH VOICE: It's just
a lot of effort.
643
00:24:19,360 --> 00:24:20,400
Oh, very good!
644
00:24:20,400 --> 00:24:23,040
And of course, the two of you,
you share a cast-mate?
645
00:24:23,040 --> 00:24:24,080
Nicola?
646
00:24:24,080 --> 00:24:25,120
Yes.
647
00:24:25,120 --> 00:24:26,160
We do.
648
00:24:26,160 --> 00:24:27,200
Yes, lovely Nicola.
649
00:24:27,200 --> 00:24:29,360
And of course, that's why I started
watching Bridgerton.
650
00:24:29,360 --> 00:24:31,280
You're one of the reasons
I stopped watching.
651
00:24:31,280 --> 00:24:32,320
I do my best!
652
00:24:32,320 --> 00:24:34,480
Because I live alone
and there is a pandemic
653
00:24:34,480 --> 00:24:37,400
going on and just watching very
beautiful people have a lovely time,
654
00:24:37,400 --> 00:24:39,280
dancing and having sex,
I'm like, you know...
655
00:24:39,280 --> 00:24:40,720
I don't want to watch that.
656
00:24:40,720 --> 00:24:42,160
Crying, eating beans in my pants.
657
00:24:42,160 --> 00:24:43,200
SOBBING.
658
00:24:43,200 --> 00:24:44,240
Another episode...
659
00:24:44,240 --> 00:24:45,280
I hate myself!
660
00:24:45,280 --> 00:24:46,320
Aagh!
661
00:24:46,320 --> 00:24:47,520
I'll just eat a radish.
662
00:24:47,520 --> 00:24:48,560
Oh, but look!
663
00:24:48,560 --> 00:24:49,760
Go back to the garden!
664
00:24:49,760 --> 00:24:50,800
No!
665
00:24:50,800 --> 00:24:52,480
If you put Bridgerton
to the radishes...
666
00:24:52,480 --> 00:24:53,520
They would grow!
667
00:24:53,520 --> 00:24:55,920
We are going to watch
a little bit of Bridgerton.
668
00:24:55,920 --> 00:24:57,600
This is you sparring
with Daphne Bridgerton.
669
00:24:57,600 --> 00:24:58,840
You appear displeased.
670
00:24:58,840 --> 00:25:01,920
Do I?
671
00:25:01,920 --> 00:25:05,360
We find ourselves seated beside each
other, Miss Bridgerton.
672
00:25:05,360 --> 00:25:07,280
I'd like to think you're
happy about that.
673
00:25:07,280 --> 00:25:09,680
Perhaps, Your Grace,
it would be better if you refrained
674
00:25:09,680 --> 00:25:11,120
from thinking about me at all.
675
00:25:11,120 --> 00:25:16,360
It is simply surprising.
676
00:25:16,360 --> 00:25:17,400
Yes!
677
00:25:17,400 --> 00:25:20,760
However is it possible for a lady
to offer anything other than a smile
678
00:25:20,760 --> 00:25:21,960
whilst seated beside a duke?
679
00:25:21,960 --> 00:25:23,160
Even one of your reputation.
680
00:25:23,160 --> 00:25:24,600
You are aware of my reputation.
681
00:25:24,600 --> 00:25:27,000
I am aware of your friendship
with my eldest brother.
682
00:25:27,000 --> 00:25:29,880
If that were not enough,
I am also aware of the things
683
00:25:29,880 --> 00:25:31,800
a certain writer has recently
written of you.
684
00:25:31,800 --> 00:25:33,880
Presumptuous?
685
00:25:33,880 --> 00:25:34,920
Clearly.
686
00:25:34,920 --> 00:25:35,960
Arrogant?
687
00:25:35,960 --> 00:25:37,000
Most definitely.
688
00:25:37,000 --> 00:25:38,040
You are a rake.
689
00:25:38,040 --> 00:25:39,080
Through and through.
690
00:25:39,080 --> 00:25:40,120
Tell me I'm wrong.
691
00:25:40,120 --> 00:25:42,400
Who is to refrain from
thinking about whom again?
692
00:25:42,400 --> 00:25:44,880
I assure you, I am anything
but interested in you.
693
00:25:44,880 --> 00:25:45,920
Good.
694
00:25:45,920 --> 00:25:46,960
Quite.
695
00:25:46,960 --> 00:25:49,400
And I anything but
interested in you.
696
00:25:49,400 --> 00:25:50,440
APPLAUSE.
697
00:25:50,440 --> 00:25:53,920
FIRE ALARM SOUNDS.
698
00:25:53,920 --> 00:25:56,800
I guess we brought the heat,
we set the fire alarms off!
699
00:25:56,800 --> 00:25:58,240
Has your acting
overheated the studio?
700
00:25:58,240 --> 00:25:59,280
I know!
701
00:25:59,280 --> 00:26:01,400
It's going up in flames!
702
00:26:01,400 --> 00:26:03,920
He is so hot!
703
00:26:03,920 --> 00:26:06,400
He is so hot, the fire
alarms go off.
704
00:26:06,400 --> 00:26:08,400
I'll take that.
705
00:26:08,400 --> 00:26:12,920
Can you please keep that in the show
so I can have it in my showreel?
706
00:26:12,920 --> 00:26:16,000
I mean, yeah, Rege is used to this.
707
00:26:16,000 --> 00:26:19,440
He walks into shops,
the fire alarm goes off!
708
00:26:19,440 --> 00:26:21,920
This is why I don't do the voice!
709
00:26:21,920 --> 00:26:24,440
I knew I shouldn't have done it!
710
00:26:24,440 --> 00:26:26,840
That's why he doesn't open the door
because it'll probably
711
00:26:26,840 --> 00:26:28,960
be the Fire Brigade!
712
00:26:28,960 --> 00:26:31,440
I'll just check with
people who know...
713
00:26:31,440 --> 00:26:33,440
Are we all safe in our beds?
714
00:26:33,440 --> 00:26:35,960
Oh, we're all good.
715
00:26:35,960 --> 00:26:39,320
Now, when we heard about Bridgerton,
we were promised it was going to be
716
00:26:39,320 --> 00:26:40,440
this really raunchy, sexy...
717
00:26:40,440 --> 00:26:41,640
And I was watching it...
718
00:26:41,640 --> 00:26:43,960
Where's the sex?
719
00:26:43,960 --> 00:26:50,480
But my God, once you pull
the ripcord, it's nonstop!
720
00:26:50,480 --> 00:26:52,960
There's a bit!
721
00:26:52,960 --> 00:26:54,640
But even you must have been going...
722
00:26:54,640 --> 00:26:57,040
At a table read you must have been
going, blah-blah-blah...
723
00:26:57,040 --> 00:27:01,480
I haven't spoken for pages!
724
00:27:01,480 --> 00:27:05,480
I've probably got my mouth
full half the time!
725
00:27:05,480 --> 00:27:08,000
Which I was insisting on,
because I think that's important
726
00:27:08,000 --> 00:27:11,080
to see on TV as well.
727
00:27:11,080 --> 00:27:13,400
That is uncommon, that
you see that kind of power
728
00:27:13,400 --> 00:27:14,440
dynamic in raunchy scenes.
729
00:27:14,440 --> 00:27:17,320
And that's part of the way we wanted
to modernise the show.
730
00:27:17,320 --> 00:27:20,200
So the Duke does have his mouth
full, and proud of it.
731
00:27:20,200 --> 00:27:21,240
Yes!
732
00:27:21,240 --> 00:27:23,880
There was a fair bit
to be done on the show.
733
00:27:23,880 --> 00:27:27,000
Because you're really going for it
but you're going for it in kind
734
00:27:27,000 --> 00:27:28,040
of beautiful locations.
735
00:27:28,040 --> 00:27:30,080
And occasionally very
uncomfortable locations.
736
00:27:30,080 --> 00:27:35,040
Well, those library
steps didn't look easy.
737
00:27:35,040 --> 00:27:36,520
They had a chiropractor!
738
00:27:36,520 --> 00:27:38,680
Didn't you have room monitors
in the stately homes?
739
00:27:38,680 --> 00:27:41,320
That's the problem, because the set,
as usual, is more valuable
740
00:27:41,320 --> 00:27:42,520
than any of the actors.
741
00:27:42,520 --> 00:27:45,160
So if you're in a 200-year-old bed
or a 400-year-old four-poster,
742
00:27:45,160 --> 00:27:49,520
it has to have a minder.
743
00:27:49,520 --> 00:27:51,680
When people bring expensive
jewellery around and they have
744
00:27:51,680 --> 00:27:52,720
to have a bodyguard.
745
00:27:52,720 --> 00:27:54,560
There is a bodyguard for the room.
746
00:27:54,560 --> 00:27:57,920
So at all times you have a minimal
set and everybody gets very quiet,
747
00:27:57,920 --> 00:28:00,320
very respectful, and you de-robe
and you hit the bed.
748
00:28:00,320 --> 00:28:02,720
And there's also Fran
in the corner who's just there,
749
00:28:02,720 --> 00:28:04,560
deciding whether or not to look.
750
00:28:04,560 --> 00:28:08,160
She's like, I have to look, I'm not
allowed to look, I have to look...
751
00:28:08,160 --> 00:28:11,040
Could you please go easy on the bed,
it's very, very old!
752
00:28:11,040 --> 00:28:12,080
Not quite so enthusiastic...
753
00:28:12,080 --> 00:28:13,560
Oh, do go on!
754
00:28:13,560 --> 00:28:15,720
That's the inner monologue,
I imagine, going on in
755
00:28:15,720 --> 00:28:17,560
the corner of the room.
756
00:28:17,560 --> 00:28:21,560
Yeah, I'll stop them in a minute!
757
00:28:21,560 --> 00:28:23,480
Presumably you had to
have the awkward family
758
00:28:23,480 --> 00:28:25,600
conversation before?
759
00:28:25,600 --> 00:28:27,080
Yeah, a little bit.
760
00:28:27,080 --> 00:28:29,960
I mean, we've got a family WhatsApp
group so there's a couple
761
00:28:29,960 --> 00:28:33,080
of flashing red light emojis
and the peach emoji.
762
00:28:33,080 --> 00:28:36,160
Certain people have
threatened to rate my peach.
763
00:28:36,160 --> 00:28:39,200
But we missed a couple of family
members and so I always enjoy
764
00:28:39,200 --> 00:28:42,360
the fact that a couple of cousins
missed the memo so they were
765
00:28:42,360 --> 00:28:45,680
watching the show and I get a very
stern message in my Instagram DMs,
766
00:28:45,680 --> 00:28:47,120
oddly enough, just going...
767
00:28:47,120 --> 00:28:49,600
There really needs to
be a cousin warning.
768
00:28:49,600 --> 00:28:52,000
I had to make so many
tactical cups of tea.
769
00:28:52,000 --> 00:28:55,360
I left the room and made my
tactical cup of tea and came back
770
00:28:55,360 --> 00:28:56,560
and it was still going.
771
00:28:56,560 --> 00:28:58,720
So I had to start doing pots of tea.
772
00:28:58,720 --> 00:29:00,160
You had to keep building up.
773
00:29:00,160 --> 00:29:02,200
A tasting menu, if you will!
774
00:29:02,200 --> 00:29:03,880
Are you not awkward
doing sex scenes?
775
00:29:03,880 --> 00:29:05,800
No, not really, not
when they're done right,
776
00:29:05,800 --> 00:29:07,720
because we talked a lot
about our wonderful
777
00:29:07,720 --> 00:29:08,760
intimacy coordinator.
778
00:29:08,760 --> 00:29:10,000
Yeah.
779
00:29:10,000 --> 00:29:11,920
So it's scripted, just
like a dramatic scene,
780
00:29:11,920 --> 00:29:12,960
except physically scripted.
781
00:29:12,960 --> 00:29:16,080
So you know where your hands
are going to be, you know whose
782
00:29:16,080 --> 00:29:18,480
hands are going to be where,
at what point, how
783
00:29:18,480 --> 00:29:19,520
you react to that.
784
00:29:19,520 --> 00:29:21,200
It's literally just
choreography, at which point...
785
00:29:21,200 --> 00:29:23,120
Takes the embarrassment
out of it, I suppose.
786
00:29:23,120 --> 00:29:26,000
Yeah, it takes the embarrassment out
and it also takes the risk
787
00:29:26,000 --> 00:29:27,040
that because you can...
788
00:29:27,040 --> 00:29:28,480
It's like choreographing
a fight scene.
789
00:29:28,480 --> 00:29:31,920
You can do damage if you're not
careful with your co-stars.
790
00:29:31,920 --> 00:29:35,320
Did you look at that photo
when the screen froze of me
791
00:29:35,320 --> 00:29:36,800
on Good Morning Britain?
792
00:29:36,800 --> 00:29:38,480
Did you use that,
maybe, as inspiration?
793
00:29:38,480 --> 00:29:41,040
I thought that was your audition.
794
00:29:41,040 --> 00:29:44,400
I was about to call up the producers
and say, have you seen that?
795
00:29:44,400 --> 00:29:45,960
We've got an expert!
796
00:29:45,960 --> 00:29:48,440
You could be the intimacy coach.
797
00:29:48,440 --> 00:29:50,200
Couldn't I just!
798
00:29:50,200 --> 00:29:53,520
I'm pretty sure I made that face
a couple of times, to be fair.
799
00:29:53,520 --> 00:29:55,680
Right, you can catch up
with Rege in Bridgerton,
800
00:29:55,680 --> 00:29:57,480
streaming now on Netflix.
801
00:29:57,480 --> 00:30:00,560
OK, we turn to Siobhan McSweeney,
talented actress and now
802
00:30:00,560 --> 00:30:04,720
the new host of The Great Pottery
Throwdown.
803
00:30:04,720 --> 00:30:06,640
It is currently showing
on Channel 4, Sunday
804
00:30:06,640 --> 00:30:07,880
evenings at 7:45pm.
805
00:30:07,880 --> 00:30:10,760
So tell us all about it, brown eyes.
806
00:30:10,760 --> 00:30:13,480
This is a show about pottery.
807
00:30:13,480 --> 00:30:19,560
It has the same format as Bake Off,
except instead of cakes, it's pots.
808
00:30:19,560 --> 00:30:22,840
So it's 12 amateur potters
compete to be the last one
809
00:30:22,840 --> 00:30:25,880
standing kind of thing.
810
00:30:25,880 --> 00:30:27,720
And it's one of those weird things.
811
00:30:27,720 --> 00:30:29,160
It is similar to Bake Off.
812
00:30:29,160 --> 00:30:31,080
You have to think,
where is the emotional
813
00:30:31,080 --> 00:30:32,120
involvement in that?
814
00:30:32,120 --> 00:30:34,040
But it is weirdly moving
because people invest
815
00:30:34,040 --> 00:30:36,280
so much in the pottery.
816
00:30:36,280 --> 00:30:37,360
Yeah.
817
00:30:37,360 --> 00:30:40,480
I didn't know anything
about pottery when I started.
818
00:30:40,480 --> 00:30:42,560
Surprise!
819
00:30:42,560 --> 00:30:46,760
Other surprise - I still don't know
anything about pottery.
820
00:30:46,760 --> 00:30:49,880
When you think about it, it really
is quite extraordinary what they do.
821
00:30:49,880 --> 00:30:52,520
They take a load of muck
and they make something very
822
00:30:52,520 --> 00:30:56,080
beautiful that can exist forever.
823
00:30:56,080 --> 00:31:00,640
Archaeologists, what they find
is pottery, mostly.
824
00:31:00,640 --> 00:31:01,680
Pottery will last.
825
00:31:01,680 --> 00:31:05,160
No one finds cake!
826
00:31:05,160 --> 00:31:07,320
No one finds cake -
not around me, anyway.
827
00:31:07,320 --> 00:31:09,720
I think it's the most wonderful
idea for a programme.
828
00:31:09,720 --> 00:31:10,920
And it is that thing.
829
00:31:10,920 --> 00:31:12,600
You touch it, you
physically touch it.
830
00:31:12,600 --> 00:31:15,520
They don't like you to touch it.
831
00:31:15,520 --> 00:31:18,600
I got given out to
because I, like you...
832
00:31:18,600 --> 00:31:23,720
It's very tactile and when you see
it in front of you...
833
00:31:23,720 --> 00:31:25,880
Of course, the contestants
are all trying to be
834
00:31:25,880 --> 00:31:27,800
nice and be friendly,
but they're also, like,
835
00:31:27,800 --> 00:31:30,120
stop fucking touching my pot!
836
00:31:30,120 --> 00:31:32,520
We've got a clip from this
Sunday's Great Pottery Throwdown.
837
00:31:32,520 --> 00:31:33,960
And this is your favourite episode?
838
00:31:33,960 --> 00:31:35,000
It is, actually.
839
00:31:35,000 --> 00:31:37,040
So what are we about to see?
840
00:31:37,040 --> 00:31:40,360
OK, well the big challenge this
week is they are making
841
00:31:40,360 --> 00:31:43,000
busts of music legends.
842
00:31:43,000 --> 00:31:44,360
Not musical legends.
843
00:31:44,360 --> 00:31:45,760
So not you.
844
00:31:45,760 --> 00:31:50,120
But other music legends.
845
00:31:50,120 --> 00:31:52,560
And it's really, really brilliant.
846
00:31:52,560 --> 00:31:56,000
I love it because they make a holy
show of themselves, actually.
847
00:31:56,000 --> 00:31:59,880
Things don't go as well as you would
expect for a group of amateur
848
00:31:59,880 --> 00:32:05,160
potters making busts of people.
849
00:32:05,160 --> 00:32:07,160
We hope Dame Shirley Bassey
won't be watching.
850
00:32:07,160 --> 00:32:10,560
Here we go...
851
00:32:10,560 --> 00:32:12,960
Sal's also struggling to capture
the glamour of Dame Shirley.
852
00:32:12,960 --> 00:32:15,920
You've really captured the pole out
of the top of her head,
853
00:32:15,920 --> 00:32:18,800
that she is notorious for!
854
00:32:18,800 --> 00:32:20,080
So what is this?
855
00:32:20,080 --> 00:32:23,680
This is part of the armature
that's holding her up.
856
00:32:23,680 --> 00:32:25,840
So yeah, there's two
balloons inside her head.
857
00:32:25,840 --> 00:32:27,960
Two small ones in her neck.
858
00:32:27,960 --> 00:32:31,800
And when I pull out all the balloons
I've got a hollow that I can get
859
00:32:31,800 --> 00:32:33,000
in with the air gun.
860
00:32:33,000 --> 00:32:34,680
Are you ready to pop the balloon?
861
00:32:34,680 --> 00:32:36,120
I'm ready to pop the balloon.
862
00:32:36,120 --> 00:32:37,320
Do you want to pop?
863
00:32:37,320 --> 00:32:38,520
I'm really curious about this.
864
00:32:38,520 --> 00:32:39,560
Oh, my god!
865
00:32:39,560 --> 00:32:41,000
I think it might just deflate.
866
00:32:41,000 --> 00:32:42,440
POP.
867
00:32:42,440 --> 00:32:43,480
There you go.
868
00:32:43,480 --> 00:32:45,680
HISSING.
869
00:32:45,680 --> 00:32:47,160
Oh!
870
00:32:47,160 --> 00:32:48,600
Dame Shirley's balloons
have been popped.
871
00:32:48,600 --> 00:32:50,360
There's air coming out of her ears!
872
00:32:50,360 --> 00:32:52,840
So the balloons are now deflated.
873
00:32:52,840 --> 00:32:54,440
So she's hollow inside there?
874
00:32:54,440 --> 00:32:56,920
She is very hollow, yeah.
875
00:32:56,920 --> 00:32:58,040
Good luck.
876
00:32:58,040 --> 00:32:59,080
Thank you.
877
00:32:59,080 --> 00:33:00,120
Looking good so far.
878
00:33:00,120 --> 00:33:06,800
Thank you.
879
00:33:06,800 --> 00:33:08,680
It's a different experience
to being an actor.
880
00:33:08,680 --> 00:33:10,960
It's very different than this.
881
00:33:10,960 --> 00:33:14,280
So was it a big shock
to you or did you find it easy?
882
00:33:14,280 --> 00:33:15,760
No.
883
00:33:15,760 --> 00:33:16,960
I found it really weird.
884
00:33:16,960 --> 00:33:18,840
I still find it really weird.
885
00:33:18,840 --> 00:33:24,040
I mean, essentially it happened
for such a weird reason as well.
886
00:33:24,040 --> 00:33:29,400
I and the rest of the girls did Bake
Off, the celebrity version of it.
887
00:33:29,400 --> 00:33:33,920
And I had a nervous breakdown on it.
888
00:33:33,920 --> 00:33:41,880
And they thought, I think she'll do
well on a pottery show!
889
00:33:43,000 --> 00:33:45,880
It's so intense, isn't it,
in that bloody tent for Bake Off?
890
00:33:45,880 --> 00:33:46,920
It's so intense.
891
00:33:46,920 --> 00:33:47,960
Oh, it's dreadful.
892
00:33:47,960 --> 00:33:49,000
I cried!
893
00:33:49,000 --> 00:33:50,680
I've never cried over a cake before.
894
00:33:50,680 --> 00:33:51,720
Oh, my God Almighty.
895
00:33:51,720 --> 00:33:52,760
It's just...
896
00:33:52,760 --> 00:33:53,800
It's really intense.
897
00:33:53,800 --> 00:33:54,840
And who cares?
898
00:33:54,840 --> 00:33:55,880
It's a bloody cake!
899
00:33:55,880 --> 00:33:56,920
It's a sponge.
900
00:33:56,920 --> 00:33:58,840
And you end up having
a nervous breakdown.
901
00:33:58,840 --> 00:33:59,880
You cried?
902
00:33:59,880 --> 00:34:00,920
I cried!
903
00:34:00,920 --> 00:34:03,320
I mean, when you watch
it on the telly, oh,
904
00:34:03,320 --> 00:34:05,000
get over yourself, why
are you crying?
905
00:34:05,000 --> 00:34:06,680
But when you're there, I was like...
906
00:34:06,680 --> 00:34:07,720
BLUBBING: Mine isn't ready.
907
00:34:07,720 --> 00:34:08,760
Mine isn't ready!
908
00:34:08,760 --> 00:34:11,400
You're like, who gives a shit?
909
00:34:11,400 --> 00:34:14,120
I don't want any post-traumatic
stress here, but let's
910
00:34:14,120 --> 00:34:16,560
look at your cakes.
911
00:34:16,560 --> 00:34:18,360
So this is your...
912
00:34:18,360 --> 00:34:19,560
What was your cake called?
913
00:34:19,560 --> 00:34:25,720
Irish camping holiday?
914
00:34:25,720 --> 00:34:26,800
Look, yeah, it was.
915
00:34:26,800 --> 00:34:28,160
It was basically...
916
00:34:28,160 --> 00:34:29,720
It was a decorated cake.
917
00:34:29,720 --> 00:34:30,760
Wasn't this for charity?
918
00:34:30,760 --> 00:34:33,880
I mean, roll with the punches!
919
00:34:33,880 --> 00:34:36,520
It was meant to represent
the happiest time of my life
920
00:34:36,520 --> 00:34:38,960
and look at the state of it!
921
00:34:38,960 --> 00:34:40,000
Look at that!
922
00:34:40,000 --> 00:34:41,200
So, is that the ocean?
923
00:34:41,200 --> 00:34:42,240
Yes!
924
00:34:42,240 --> 00:34:43,320
And that's the grass?
925
00:34:43,320 --> 00:34:44,680
Yes.
926
00:34:44,680 --> 00:34:46,480
And the yellow bit is the sand.
927
00:34:46,480 --> 00:34:48,240
That's the sand?
928
00:34:48,240 --> 00:34:52,520
And what's the big cack on the top?
929
00:34:52,520 --> 00:34:54,280
It's a tent.
930
00:34:54,280 --> 00:34:55,400
Oh, OK.
931
00:34:55,400 --> 00:34:57,160
It's a chocolate tent.
932
00:34:57,160 --> 00:35:00,920
Why did you choose brown?
933
00:35:00,920 --> 00:35:05,120
I mean, I'm in no mood to criticise!
934
00:35:05,120 --> 00:35:09,800
If you're depressed by your cake,
I'm about to cheer you up!
935
00:35:09,800 --> 00:35:14,160
Here's a stick - beat me with it!
936
00:35:14,160 --> 00:35:15,520
Why would you choose brown?
937
00:35:15,520 --> 00:35:18,120
Here's Alan's cake.
938
00:35:18,120 --> 00:35:22,240
APPLAUSE.
939
00:35:22,240 --> 00:35:24,520
It was a Rainbow cake.
940
00:35:24,520 --> 00:35:26,760
What is that?
941
00:35:26,760 --> 00:35:28,080
It's the ladder...
942
00:35:28,080 --> 00:35:30,720
He's asleep and it's
a Rainbow dream cake,
943
00:35:30,720 --> 00:35:32,080
that's what we were told.
944
00:35:32,080 --> 00:35:33,120
Oh!
945
00:35:33,120 --> 00:35:34,280
He's asleep.
946
00:35:34,280 --> 00:35:38,160
Yes, but it looks like I've
fallen off the ladder.
947
00:35:38,160 --> 00:35:40,320
And also, I don't know
if you've experienced this,
948
00:35:40,320 --> 00:35:41,800
but everyone who cooks...
949
00:35:41,800 --> 00:35:43,240
Because it's long hours, isn't it?
950
00:35:43,240 --> 00:35:44,680
All the camera crew are there.
951
00:35:44,680 --> 00:35:45,720
It's very hard.
952
00:35:45,720 --> 00:35:48,840
And everyone leaves the cake
on the side so the crew can nibble
953
00:35:48,840 --> 00:35:50,720
away and maybe have a slice.
954
00:35:50,720 --> 00:35:53,600
Mine was intact.
955
00:35:53,600 --> 00:35:56,480
They haven't even gone,
you know what, I might have a little
956
00:35:56,480 --> 00:35:57,920
bit of a Bungle on top?
957
00:35:57,920 --> 00:36:00,120
No!
958
00:36:00,120 --> 00:36:02,240
It was intact.
959
00:36:02,240 --> 00:36:05,160
Felicity, you have done Strictly,
did you ever do Bake Off?
960
00:36:05,160 --> 00:36:07,560
I have not done Bake Off.
961
00:36:07,560 --> 00:36:10,800
And I'm glad I haven't
done Bake Off now.
962
00:36:10,800 --> 00:36:12,640
I don't understand cakes.
963
00:36:12,640 --> 00:36:13,880
First of all.
964
00:36:13,880 --> 00:36:17,000
I just don't understand them.
965
00:36:17,000 --> 00:36:19,400
And I don't want to be
distraught in a tent,
966
00:36:19,400 --> 00:36:20,560
trying to understand them.
967
00:36:20,560 --> 00:36:23,200
No.
968
00:36:23,200 --> 00:36:25,920
And I knew it would upset me
beyond measure because...
969
00:36:25,920 --> 00:36:29,000
I mean, pottery, I don't
understand it, I can't do it,
970
00:36:29,000 --> 00:36:31,400
but I'd love to have a go.
971
00:36:31,400 --> 00:36:33,000
Baking is...
972
00:36:33,000 --> 00:36:35,840
I'm a foreigner to baking.
973
00:36:35,840 --> 00:36:38,240
You need to make decisions now
because all these calls
974
00:36:38,240 --> 00:36:39,760
are going to start coming.
975
00:36:39,760 --> 00:36:42,680
Celebrity Bake Off,
Celebrity Mastermind.
976
00:36:42,680 --> 00:36:45,480
All those calls.
977
00:36:45,480 --> 00:36:47,400
Would the pair of
you come on Pottery?
978
00:36:47,400 --> 00:36:48,600
What am I, chopped liver?!
979
00:36:48,600 --> 00:36:49,640
Hey!
980
00:36:49,640 --> 00:36:50,680
Siobhan!
981
00:36:50,680 --> 00:36:52,680
Cooee!
982
00:36:52,680 --> 00:36:55,240
Over here!
983
00:36:55,240 --> 00:36:58,760
My pots are better than my cake -
I'm just saying!
984
00:36:58,760 --> 00:36:59,800
Come on!
985
00:36:59,800 --> 00:37:02,560
APPLAUSE.
986
00:37:02,560 --> 00:37:04,720
Siobhan, good luck with
the rest of the run.
987
00:37:04,720 --> 00:37:11,840
The Great Pottery Throwdown
continues this Sunday on Channel 4
988
00:37:11,840 --> 00:37:13,760
and it's available to stream
on All Four.
989
00:37:13,760 --> 00:37:15,440
Now, before we hear tonight's
musical performance,
990
00:37:15,440 --> 00:37:18,320
I will need a volunteer to sit
in the red chair tonight.
991
00:37:18,320 --> 00:37:21,520
Anyone at all?
992
00:37:21,520 --> 00:37:25,200
I've had such a lovely evening...
993
00:37:25,200 --> 00:37:27,400
Of course, I would love to.
994
00:37:27,400 --> 00:37:34,440
Do take your wine with you.
995
00:37:34,440 --> 00:37:37,280
It's time for music from one
of the standout albums of 2020,
996
00:37:37,280 --> 00:37:38,320
What's Your Pleasure.
997
00:37:38,320 --> 00:37:40,240
Performing the new single,
Remember Where You Are,
998
00:37:40,240 --> 00:37:41,280
it's Jessie Ware!
999
00:37:41,280 --> 00:37:44,080
CHEERING AND APPLAUSE.
1000
00:37:44,080 --> 00:37:48,480
# The heart of the city is on fire
1001
00:37:48,480 --> 00:37:54,240
# Sun on the rise,
the highs are gonna fall
1002
00:37:54,240 --> 00:37:59,280
# But nothing is
different in my arms
1003
00:37:59,280 --> 00:38:01,880
# So, darling, remember
1004
00:38:01,880 --> 00:38:05,560
# Remember where you are
1005
00:38:05,560 --> 00:38:10,040
# Do you remember where we are?
1006
00:38:10,040 --> 00:38:16,640
# I'm no enemy of yours, no, no
1007
00:38:16,640 --> 00:38:21,120
# When life is hard
that's how it goes
1008
00:38:21,120 --> 00:38:27,920
# As your destiny unfolds, hold on
1009
00:38:27,920 --> 00:38:31,000
# To the picture hung on the wall
1010
00:38:31,000 --> 00:38:33,440
# Sweet reminder before the fall
1011
00:38:33,440 --> 00:38:36,400
# Remember me, remember me
1012
00:38:36,400 --> 00:38:38,720
# Remember me, remember me
1013
00:38:38,720 --> 00:38:41,040
# Every day you get up
1014
00:38:41,040 --> 00:38:43,600
# And look out of the window
1015
00:38:43,600 --> 00:38:46,680
# Take a breath of morning air
1016
00:38:46,680 --> 00:38:50,080
# And listen to the people out there
1017
00:38:50,080 --> 00:38:54,960
# The heart of the city is on fire
1018
00:38:54,960 --> 00:39:01,120
# Sun on the rise,
the highs are gonna fall
1019
00:39:01,120 --> 00:39:05,880
# But nothing is
different in my arms
1020
00:39:05,880 --> 00:39:08,600
# So, darling, remember
1021
00:39:08,600 --> 00:39:10,680
# Remember
1022
00:39:10,680 --> 00:39:16,640
# Where you are
1023
00:39:16,640 --> 00:39:23,720
# Where you are
1024
00:39:23,720 --> 00:39:28,240
# We are the last ones of our kind
1025
00:39:28,240 --> 00:39:34,360
# Freedom of our hearts
and mind oh, oh
1026
00:39:34,360 --> 00:39:36,800
# Every day you get up
1027
00:39:36,800 --> 00:39:39,360
# And look out of the window
1028
00:39:39,360 --> 00:39:42,320
# Take a breath of morning air
1029
00:39:42,320 --> 00:39:45,840
# And listen to the people out there
1030
00:39:45,840 --> 00:39:51,600
# As the birds are singing a duet
with the morning traffic
1031
00:39:51,600 --> 00:39:54,160
# What's the one you're hearing?
1032
00:39:54,160 --> 00:39:57,040
# What's the one you're hearing?
1033
00:39:57,040 --> 00:40:02,080
# The heart of the city is on fire
1034
00:40:02,080 --> 00:40:07,960
# Sun on the rise,
the highs are gonna fall
1035
00:40:07,960 --> 00:40:12,880
# But nothing is
different in my arms
1036
00:40:12,880 --> 00:40:15,760
# So, darling, remember
1037
00:40:15,760 --> 00:40:17,440
# Remember
1038
00:40:17,440 --> 00:40:20,200
# Where you are
1039
00:40:20,200 --> 00:40:25,320
# Can we keep moving
in the after hours?
1040
00:40:25,320 --> 00:40:30,840
# Can we keep loving
on the edge of doubt?
1041
00:40:30,840 --> 00:40:33,480
# You should let me save the day
1042
00:40:33,480 --> 00:40:37,840
# Please and take the pain away
1043
00:40:37,840 --> 00:40:42,040
# Why don't you take
me, take me home?
1044
00:40:42,040 --> 00:40:46,440
# The heart of the city is on fire
1045
00:40:46,440 --> 00:40:53,040
# Sun on the rise,
the highs are gonna fall
1046
00:40:53,040 --> 00:40:57,480
# But nothing is
different in my arms
1047
00:40:57,480 --> 00:41:01,440
# So darling, remember
1048
00:41:01,440 --> 00:41:07,160
# Remember where you are #.
1049
00:41:07,160 --> 00:41:09,040
CHEERING AND APPLAUSE.
1050
00:41:09,040 --> 00:41:11,880
Oh!
1051
00:41:11,880 --> 00:41:14,920
Gorgeous!
1052
00:41:14,920 --> 00:41:16,600
Jessie Ware, everybody!
1053
00:41:16,600 --> 00:41:19,240
Come on over, Jessie, and thank
you to the backing vocalists.
1054
00:41:19,240 --> 00:41:23,000
The movement was beautiful.
1055
00:41:23,000 --> 00:41:24,160
Look at you!
1056
00:41:24,160 --> 00:41:26,840
She shimmers, she shines.
1057
00:41:26,840 --> 00:41:28,240
I can't help you up.
1058
00:41:28,240 --> 00:41:29,680
Your chair's over there.
1059
00:41:29,680 --> 00:41:30,720
Thank you.
1060
00:41:30,720 --> 00:41:32,640
Hi!
1061
00:41:32,640 --> 00:41:34,280
Gorgeous.
1062
00:41:34,280 --> 00:41:37,000
That was so beautiful.
1063
00:41:37,000 --> 00:41:39,160
Thank you, it's such
a treat to be here.
1064
00:41:39,160 --> 00:41:40,600
Rege, my mum sends her love.
1065
00:41:40,600 --> 00:41:42,520
Tell her I send my love right back.
1066
00:41:42,520 --> 00:41:44,200
As does the rest of the world!
1067
00:41:44,200 --> 00:41:45,840
Thank you.
1068
00:41:45,840 --> 00:41:49,400
Now you're leaving the house,
that's going to happen a lot.
1069
00:41:49,400 --> 00:41:51,560
My cabbie on the way
over was the same.
1070
00:41:51,560 --> 00:41:53,480
I thought I was safe in the mask.
1071
00:41:53,480 --> 00:41:56,360
And I was like, I'm going to have
to explain this, it's
1072
00:41:56,360 --> 00:41:57,400
got my publicist's name.
1073
00:41:57,400 --> 00:41:59,080
He said, oh, no, I recognise you.
1074
00:41:59,080 --> 00:42:00,520
Those eyebrows, mate, not a chance!
1075
00:42:00,520 --> 00:42:02,240
My wife loves you!
1076
00:42:02,240 --> 00:42:05,920
There are several
congratulations in order.
1077
00:42:05,920 --> 00:42:07,120
Are we talking about that?
1078
00:42:07,120 --> 00:42:08,160
Yeah!
1079
00:42:08,160 --> 00:42:10,320
I mean, it's kind of
hard to miss, right?
1080
00:42:10,320 --> 00:42:12,480
I kind of thought if
we don't mention it,
1081
00:42:12,480 --> 00:42:14,400
people will kind of thing,
oh, Jessie Ware...
1082
00:42:14,400 --> 00:42:17,400
Lockdown's hit her quite hard!
1083
00:42:17,400 --> 00:42:18,440
Yes!
1084
00:42:18,440 --> 00:42:19,920
Something's in here.
1085
00:42:19,920 --> 00:42:21,120
And it's not a pie!
1086
00:42:21,120 --> 00:42:24,080
It's not a pie!
1087
00:42:24,080 --> 00:42:25,320
It's not a banana bread.
1088
00:42:25,320 --> 00:42:26,360
Congratulations.
1089
00:42:26,360 --> 00:42:28,400
That's fantastic.
1090
00:42:28,400 --> 00:42:30,800
That is the latest single off
What's Your Pleasure,
1091
00:42:30,800 --> 00:42:34,480
which I would say is my favourite
album of last year.
1092
00:42:34,480 --> 00:42:38,920
But you don't really need my
endorsement because that track...
1093
00:42:38,920 --> 00:42:42,760
Barack O'Bloody Bama!
1094
00:42:42,760 --> 00:42:47,440
He said it was one of his top
tracks of the year.
1095
00:42:47,440 --> 00:42:50,560
I think it was very much Sasha Obama
who told him about me,
1096
00:42:50,560 --> 00:42:53,200
but that's fine because it made
the end of year playlist
1097
00:42:53,200 --> 00:42:55,600
and I'm very happy that
he even knows my name.
1098
00:42:55,600 --> 00:42:57,280
Because this has become a thing now.
1099
00:42:57,280 --> 00:42:58,520
This is huge.
1100
00:42:58,520 --> 00:43:01,880
So, do you get a call beforehand
saying you're going to be on it?
1101
00:43:01,880 --> 00:43:02,920
No.
1102
00:43:02,920 --> 00:43:04,800
It was a lockdown Friday.
1103
00:43:04,800 --> 00:43:06,800
Nothing was going on.
1104
00:43:06,800 --> 00:43:10,160
And I got loads of pings on my phone
and it was just like,
1105
00:43:10,160 --> 00:43:11,760
mazel tov, congratulations,
oh, my God!
1106
00:43:11,760 --> 00:43:13,440
And then I realised
what had happened.
1107
00:43:13,440 --> 00:43:16,320
I had to put my glasses
on because it's quite small font
1108
00:43:16,320 --> 00:43:18,480
and then I realised that
I was there somewhere.
1109
00:43:18,480 --> 00:43:19,520
You were there!
1110
00:43:19,520 --> 00:43:20,960
I mean, it's the coolest thing.
1111
00:43:20,960 --> 00:43:22,400
Yeah, it was a big coup.
1112
00:43:22,400 --> 00:43:23,440
It was great.
1113
00:43:23,440 --> 00:43:26,160
The other thing we need
to mention is touring dates.
1114
00:43:26,160 --> 00:43:28,720
Because, God love you,
like Dave Grohl there,
1115
00:43:28,720 --> 00:43:31,360
you are one of these people who keep
planning the tour.
1116
00:43:31,360 --> 00:43:33,360
So when is it now?
1117
00:43:33,360 --> 00:43:36,320
So, it's moved to December.
1118
00:43:36,320 --> 00:43:38,480
And actually, look, it's
sensible to do that.
1119
00:43:38,480 --> 00:43:40,480
It's realistic.
1120
00:43:40,480 --> 00:43:45,880
And I think that for this record,
it's a sexy dance record.
1121
00:43:45,880 --> 00:43:48,000
I need people to be up
close and personal,
1122
00:43:48,000 --> 00:43:50,440
sweating next to each
other, kissing strangers.
1123
00:43:50,440 --> 00:43:54,760
I want all that so we're going to
have the biggest party in December.
1124
00:43:54,760 --> 00:43:56,480
I mean...
1125
00:43:56,480 --> 00:43:58,880
Jessie Ware, she's made a baby,
she's made an album
1126
00:43:58,880 --> 00:44:00,480
and you've written a book!
1127
00:44:00,480 --> 00:44:01,520
I know, yes.
1128
00:44:01,520 --> 00:44:02,560
Oh, for God's sake!
1129
00:44:02,560 --> 00:44:03,600
I've done nothing.
1130
00:44:03,600 --> 00:44:06,440
Have you seen my radishes?!
1131
00:44:06,440 --> 00:44:08,040
Yeah!
1132
00:44:08,040 --> 00:44:09,080
So, overachiever, yes.
1133
00:44:09,080 --> 00:44:11,320
What's the book called?
1134
00:44:11,320 --> 00:44:12,360
It's called Omelette?
1135
00:44:12,360 --> 00:44:14,280
It's called Omelette
and it's a food memoir.
1136
00:44:14,280 --> 00:44:16,920
Apparently there is a genre called
"foodoir", but I don't know
1137
00:44:16,920 --> 00:44:18,120
how I feel about that.
1138
00:44:18,120 --> 00:44:21,640
I feel like it maybe tempts people
to think that there's going to be
1139
00:44:21,640 --> 00:44:23,080
a murder in it or something.
1140
00:44:23,080 --> 00:44:24,120
I don't know.
1141
00:44:24,120 --> 00:44:26,280
So there is no murdering,
there's memories from childhood,
1142
00:44:26,280 --> 00:44:28,720
all revolving around food and drink.
1143
00:44:28,720 --> 00:44:30,400
Sounds good, right?
1144
00:44:30,400 --> 00:44:32,800
Listen, good luck with that,
good luck with the tour,
1145
00:44:32,800 --> 00:44:35,680
good luck with the single and thank
you so much for that
1146
00:44:35,680 --> 00:44:36,720
gorgeous performance.
1147
00:44:36,720 --> 00:44:37,760
Jessie Ware, everybody!
1148
00:44:37,760 --> 00:44:41,760
CHEERING AND APPLAUSE.
1149
00:44:41,760 --> 00:44:43,560
That is nearly it.
1150
00:44:43,560 --> 00:44:46,880
Before we go, just time for a quick
visit to the big red chair.
1151
00:44:46,880 --> 00:44:47,920
Alan is all set.
1152
00:44:47,920 --> 00:44:48,960
There he is.
1153
00:44:48,960 --> 00:44:50,400
He's ready, he's ready!
1154
00:44:50,400 --> 00:44:54,560
OK, let's find out who's going to be
trying to keep you in that chair.
1155
00:44:54,560 --> 00:44:56,120
Hello.
1156
00:44:56,120 --> 00:44:57,160
Hi!
1157
00:44:57,160 --> 00:44:58,200
What's your name?
1158
00:44:58,200 --> 00:44:59,800
Francesca.
1159
00:44:59,800 --> 00:45:01,960
And where are you, Francesca?
1160
00:45:01,960 --> 00:45:05,360
I'm in North Finchley in London.
1161
00:45:05,360 --> 00:45:09,520
I don't like the colour
of your curtains.
1162
00:45:09,520 --> 00:45:11,680
They're not mine,
I'm in a house-share.
1163
00:45:11,680 --> 00:45:13,800
Don't blame me!
1164
00:45:13,800 --> 00:45:16,880
Right back atcha!
1165
00:45:16,880 --> 00:45:17,960
They're not my choice!
1166
00:45:17,960 --> 00:45:19,640
What do you do in North Finchley?
1167
00:45:19,640 --> 00:45:23,360
I'm an actor and I also
work in a local pub.
1168
00:45:23,360 --> 00:45:28,520
OK, so nothing.
1169
00:45:28,520 --> 00:45:29,760
Unemployed!
1170
00:45:29,760 --> 00:45:32,440
I've been there - it gets better!
1171
00:45:32,440 --> 00:45:33,480
Thank you.
1172
00:45:33,480 --> 00:45:36,120
Please put me on Bridgerton,
I'd love to be on it.
1173
00:45:36,120 --> 00:45:37,600
Yeah, yeah!
1174
00:45:37,600 --> 00:45:40,240
All right, off you go
with your story - and remember,
1175
00:45:40,240 --> 00:45:42,160
you're trying to keep Alan
in the chair.
1176
00:45:42,160 --> 00:45:43,200
OK, good luck, everyone.
1177
00:45:43,200 --> 00:45:44,240
Off you go...
1178
00:45:44,240 --> 00:45:47,600
OK, so a few years ago I was working
in Sheffield in a theatre
1179
00:45:47,600 --> 00:45:50,720
and we have this bar and restaurant
where the audience and cast would
1180
00:45:50,720 --> 00:45:52,720
come before and after the show.
1181
00:45:52,720 --> 00:45:56,080
And one night this famous person had
been to see the show and came
1182
00:45:56,080 --> 00:45:58,000
into the bar afterwards,
where I served them.
1183
00:45:58,000 --> 00:46:00,280
And I was making their drink.
1184
00:46:00,280 --> 00:46:02,920
I think it was like a gin and tonic.
1185
00:46:02,920 --> 00:46:06,240
And as I was making their drinks,
these two cast members came over
1186
00:46:06,240 --> 00:46:08,960
and started asking for their photos
and that kind of thing.
1187
00:46:08,960 --> 00:46:11,840
So I put the drinks on the bar,
they turn around, pick
1188
00:46:11,840 --> 00:46:14,720
up their drinks and then walk over
to their table without paying.
1189
00:46:14,720 --> 00:46:17,080
Now, you're probably wondering
who this famous person is.
1190
00:46:17,080 --> 00:46:19,080
It was Graham Norton...
1191
00:46:19,080 --> 00:46:22,400
I knew it would be me!
1192
00:46:22,400 --> 00:46:25,240
LAUGHTER AND APPLAUSE.
1193
00:46:25,240 --> 00:46:27,560
I knew it was going to be me!
1194
00:46:27,560 --> 00:46:32,000
I never pay for drinks!
1195
00:46:32,000 --> 00:46:36,560
How dare she ask me for money!
1196
00:46:36,560 --> 00:46:40,840
I'm supporting live theatre.
1197
00:46:40,840 --> 00:46:42,480
It was an accident.
1198
00:46:42,480 --> 00:46:43,520
I'm so sorry, Alan.
1199
00:46:43,520 --> 00:46:44,680
Are you OK?
1200
00:46:44,680 --> 00:46:47,080
Can you warn me the next
time you've been tight?
1201
00:46:47,080 --> 00:46:48,280
Can you just warn me?
1202
00:46:48,280 --> 00:46:52,440
LAUGHTER.
1203
00:46:52,440 --> 00:46:53,760
I feel bad.
1204
00:46:53,760 --> 00:46:55,200
No, I'm sure I paid eventually.
1205
00:46:55,200 --> 00:46:56,960
Somebody did!
1206
00:46:56,960 --> 00:46:58,280
Who's up next?
1207
00:46:58,280 --> 00:46:59,600
Hello!
1208
00:46:59,600 --> 00:47:00,760
Hi!
1209
00:47:00,760 --> 00:47:02,920
Hi, what's your name?
1210
00:47:02,920 --> 00:47:04,880
My name's Sue and I'm
from Oxfordshire.
1211
00:47:04,880 --> 00:47:06,400
And who is your dog?
1212
00:47:06,400 --> 00:47:07,480
Heidi.
1213
00:47:07,480 --> 00:47:08,520
Let me get her.
1214
00:47:08,520 --> 00:47:09,560
Heidi, here!
1215
00:47:09,560 --> 00:47:11,200
There she is.
1216
00:47:11,200 --> 00:47:12,240
Sorry!
1217
00:47:12,240 --> 00:47:14,400
No, she's not keen
on those treats, is she?
1218
00:47:14,400 --> 00:47:16,360
No, she isn't!
1219
00:47:16,360 --> 00:47:18,240
All right, you're telling a story...
1220
00:47:18,240 --> 00:47:19,920
Oh, now Heidi wants them.
1221
00:47:19,920 --> 00:47:23,240
Off you go with your story.
1222
00:47:23,240 --> 00:47:26,480
Well, a few years ago
I went into London.
1223
00:47:26,480 --> 00:47:30,800
I was on the train, it was a really
hot day and I got to the other end.
1224
00:47:30,800 --> 00:47:33,680
It was so hot I thought, God,
this jacket is too hot.
1225
00:47:33,680 --> 00:47:37,280
I thought, I've got nowhere to put
it so I just tied a big knot
1226
00:47:37,280 --> 00:47:40,880
on the back of my bag and then
as I was going through the day
1227
00:47:40,880 --> 00:47:43,040
I just kept checking
that the knot was there,
1228
00:47:43,040 --> 00:47:44,720
to check my jacket was still there.
1229
00:47:44,720 --> 00:47:47,600
On the way home on the train,
just about to get off,
1230
00:47:47,600 --> 00:47:50,000
where you're all waiting
for the electric doors to open,
1231
00:47:50,000 --> 00:47:51,440
we're all close to each other.
1232
00:47:51,440 --> 00:47:53,840
And I thought, gosh, my jacket,
and I reached around
1233
00:47:53,840 --> 00:47:56,000
and thought, my knot feels
a little bit different.
1234
00:47:56,000 --> 00:47:58,400
And then I realised I was grabbing
this man's testicles.
1235
00:47:58,400 --> 00:47:59,440
"I'm so sorry!"
1236
00:47:59,440 --> 00:48:01,120
"I didn't mean to touch your balls!"
1237
00:48:01,120 --> 00:48:03,520
And at this point I got
the attention of everybody
1238
00:48:03,520 --> 00:48:04,560
in the carriage.
1239
00:48:04,560 --> 00:48:06,000
And he then said to me...
1240
00:48:06,000 --> 00:48:07,200
I said, "I'm so sorry."
1241
00:48:07,200 --> 00:48:09,360
And he said, "That's
all right, I was having
1242
00:48:09,360 --> 00:48:10,800
a bad day up until then."
1243
00:48:10,800 --> 00:48:13,520
Aww!
1244
00:48:13,520 --> 00:48:14,560
Shall she walk?
1245
00:48:14,560 --> 00:48:16,240
Yes, you can walk, you can walk!
1246
00:48:16,240 --> 00:48:17,280
Well done!
1247
00:48:17,280 --> 00:48:18,840
Oh, hello!
1248
00:48:18,840 --> 00:48:21,680
And it was Graham
Norton's testicles!
1249
00:48:21,680 --> 00:48:25,600
LAUGHTER.
1250
00:48:25,600 --> 00:48:29,480
All right, that is all
we've got time for.
1251
00:48:29,480 --> 00:48:32,320
If you'd like to have a go
in that red chair yourself
1252
00:48:32,320 --> 00:48:33,800
and tell your story, you can.
1253
00:48:33,800 --> 00:48:36,200
Just contact us via our website
at this very address.
1254
00:48:36,200 --> 00:48:38,320
Please say thank you
to all of my guests...
1255
00:48:38,320 --> 00:48:39,360
Jessie Ware!
1256
00:48:39,360 --> 00:48:40,400
APPLAUSE.
1257
00:48:40,400 --> 00:48:41,440
Siobhan McSweeney!
1258
00:48:41,440 --> 00:48:42,480
APPLAUSE.
1259
00:48:42,480 --> 00:48:43,520
Dave Grohl!
1260
00:48:43,520 --> 00:48:44,560
APPLAUSE.
1261
00:48:44,560 --> 00:48:45,600
Alan Carr!
1262
00:48:45,600 --> 00:48:46,640
APPLAUSE.
1263
00:48:46,640 --> 00:48:47,680
Rege-Jean Page!
1264
00:48:47,680 --> 00:48:48,720
APPLAUSE.
1265
00:48:48,720 --> 00:48:49,760
And Felicity Kendal!
1266
00:48:49,760 --> 00:48:51,160
APPLAUSE.
1267
00:48:51,160 --> 00:48:53,320
Join me next week with singer
Arlo Parks, comedians
1268
00:48:53,320 --> 00:48:55,680
Marcus Brigstocke and Rachel Parris,
Big Bang Theory's Mayim Bialik,
1269
00:48:55,680 --> 00:48:59,560
and three Hollywood Brits.
1270
00:48:59,560 --> 00:49:02,440
Adrian Lester, Sienna Miller
and Daniel Kaluuya.
1271
00:49:02,440 --> 00:49:03,480
I'll see you then.
1272
00:49:03,480 --> 00:49:04,520
Goodnight, everybody.
1273
00:49:04,520 --> 00:49:12,240
Bye-bye!