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This program me contains
some strong language.
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BOOING.
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Don't worry.
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They're not booing me.
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On the show tonight we've got
The Boss himself, Bruce Springsteen.
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Oh, I've been corrected.
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They are booing me.
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Well, let's start the show!
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Oh!
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Hello, hello, hello, hello.
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Good evening, everyone.
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You're all so welcome to the show.
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We've got some great
guests tonight and I'll be
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treating them like royalty,
though I promise
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not to throw eggs at them.
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I know.
Poor King Charles.
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Egged on his walkabout in York.
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Still, that should fill
a couple of episodes
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of The Crown, shouldn't it?
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Talking of having unpleasant
things thrown at you,
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Matt Hancock finally arrived
in the I'm a Celebrity jungle.
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Yes, the former Covid Health
Secretary was paired with
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ex Strictly contestant Seann Walsh.
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There they are.
They get on so well, don't they?
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Wonder what they're bonding about.
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"Oh, yeah, I snogged someone
and ruined my career too!"
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Hancock told his camp mates
that he just wants the chance
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to show the British public
what he's really like.
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Hmm.
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Full of shit, shameless,
and leaving a very bad smell.
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I think we get it, Matt.
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Yeah.
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Let's get some guests on!
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Later we'll have music from pop
goddess Florence and the Machine.
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APPLAUSE.
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I know!
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But first, he's a BAFTA winning
comedian and presenter.
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It's Mo Gilligan.
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Oh, hello.
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Welcome to the show.
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She's made us laugh in Motherland
and kept us in suspense
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on the Line of Duty.
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It's a first-time welcome
for Anna Maxwell Martin!
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Hello.
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Have a seat, Anna Maxwell Martin.
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After a breakthrough
performance in the global TV
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hit The Queen's Gambit,
this actor is taking
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Hollywood by storm.
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Now serving up her new thriller
The Menu, it's Anya Taylor-joy!
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Oh, she's up.
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Hello!
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Have a seat, do.
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And he's a rock and roll
legend with 150 million records sold
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and an Oscar,
a Tony and 20 Grammys to his name.
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Please welcome The Boss himself.
It's Mr Bruce Springsteen!
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MUSIC: Born to Run.
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Sit down, sit down.
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Welcome, all.
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Lovely to see you all.
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Gorgeous, gorgeous, gorgeous.
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Now, Bruce, who do
you know on the sofa?
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I've just met them.
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OK, so you've never met
any of them before?
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No.
OK, you'll love them.
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You'll love them.
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But you have seen Queen's
Gambit, haven't you?
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Yeah.
It's wonderful.
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Really?
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Yeah.
I did.
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Thank you very much.
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I am not chuffed at all.
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Thank you.
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Now, I'd forgotten this.
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I'm now looking at that.
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Are you OK, Anna Maxwell Martin?
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I did flag this, Graham.
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And I'd forgotten.
You did say and I'd forgotten.
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I don't believe you've forgotten.
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No, but now...
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So you have a phobia
of something on the set.
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It's not Graham!
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And it's not Bruce Springsteen
and it's not sofas.
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What have you got a phobia of?
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This is OK, because actually I can
see now it's made of plastic,
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but I do have a phobia
of fruit bowls.
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For real?
Not the bowl, not the bowl.
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The fruit?
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Is it that they're all
touching each other?
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Arrgh!
I'm sorry.
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When did that start?
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I just don't know.
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I've got a few phobias.
They just crop up.
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OK, so is it...
Is it the fruit or the bowl?
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No, it's not the bowl.
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It's the fruit.
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Do you eat fruit?
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So what do you do
for your five a clay?
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Are you concerned, Mo?
I am, it's like someone's parents.
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I don't think we're going to upset
you, Anya, but you have a phobia.
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Yes.
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But I think yours is
a legitimate fear.
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Thank you very much.
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Yeah, I am really scared
of revolving doors.
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Yeah, I get that.
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I'm terrified of being cut in half
or being stuck in one.
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Ancl to be fair, my first ever
scene on Peaky Blinders,
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I was supposed to...
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It was a oner and I was supposed
to run in through revolving doors,
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grab someone, take them
through the revolving doors.
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First take, I get stuck in there.
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So legitimate, I think so.
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Yes, and also, you have to match
your speed to the speed of the door.
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Oh, God, and if you're
at the airport, everyone
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with their luggage, I'm just like,
I'm going to die.
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I have a fear of my...
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sort of revolving doors,
but say if I was in flip-flops,
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my little toe being caught
in the groove of the revolving door.
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Oh!
Why did you make this worse?
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I hadn't thought about that.
Do you know what I mean?
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Because when I go on the Tube,
you know, like on the Tube,
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you got the escalators.
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But sometimes I like putting
my shoes on the side
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and they get cleaned.
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They got these little brushes.
You don't do that?
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They get cleaned.
I don't.
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I don't get my five a clay
and I don't clean my shoes.
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On the side, they get clean but I'm
always scared that one
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clay it will get stuck.
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Bruce, do you have
any fears, phobias?
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Save us, Bruce, save us.
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All right.
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On stage in Texas,
and it's a cool night.
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So I'm standing there,
and I notice a bug about this big.
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A locust.
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It's just come on and sat on my
microphone and is staring at me.
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Ancl then I notice
there's another one.
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And then another one.
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Until the stage is filled with...
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Oh!
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Thousands of locusts...
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Oh, my gosh.
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Everywhere, everywhere.
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That's like the Bible.
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They were drawn...
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They were drawn by the
lights and the warmth.
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Ancl so I'm trying to...
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I'm singing a song
called My Hometown.
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It's a serious song.
Yeah.
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I got the locust on my microphone.
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He goes to the top of my head.
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Oh, my God!
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Ancl slowly crawls down my head...
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No, "0, n0, no.
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...into my shirt.
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Into the middle of my back.
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Oh!
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Ancl I'm still singing.
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I can feel him back there.
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I finish the song.
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Walking offstage, my drummer says,
"That was incredible.
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I saw the locust go straight down
your back and you didn't even move!"
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I mean, commitment.
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APPLAUSE.
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Not a fear of bugs, but you have
a thing about flies, Mo.
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I don't like flies.
I hate flies.
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OK.
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Basically, I was doing this one show
once and it was going really well.
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Especially like when you do comedy,
you know, like, you've got them
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in the palm of your hand.
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It's going really well
and something goes, "Fly!"
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So I was like, "Huh, huh?"
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Ancl I was like, "Where's the fly?"
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Ancl they're like, "No, fly."
Ancl I'm like, "Where?"
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I can't see the fly because I don't
like being in the room
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where there's a fly.
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Sometimes I talk
to the flies, Graham.
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If there's a fly in the house,
"Get out of the house!
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Why did you come in here?"
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Everyone kept saying, "Fly, fly."
Ancl I'm like, "But there's no fly."
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Ancl then I look down.
It was open on my trousers.
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I was so embarrassed.
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APPLAUSE.
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Very good.
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Listen, this is exciting.
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Bruce Springsteen brings
us his 21st studio album,
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Only the Strong Survive.
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It is out today!
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Yes, it is.
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CHEERING.
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That is so cool.
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So this is a big deal because this
is your second volume of covers.
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Yeah, I don't do it too much, but...
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No, you really don't.
So why now?
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Why these songs?
How did you go about picking them?
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All of that.
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Basically this was still
during the Covid lockup.
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So I'd written a record that
I recorded with the E Street Band,
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and I felt I was kind of clone
writing for a while.
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But you're at home,
you're sitting at home,
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you have nothing to do.
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So, well, maybe I'll sing somebody
else's songs, you know?
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Ancl I had all these songs that
I loved from when I was a kid,
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and I was brought up on soul music.
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Ancl my mentors were James Brown
and Sam Moore from Sam and Dave,
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and of course, Jerry Butler
and the great singing
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of David Ruff in and Levi Stubbs
and all of these people
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who are my masters, you know.
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Then I started to record a song
by an artist named Frank Wilson,
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who was very popular
in the Northern Soul scene,
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you know, but it was a song called
Do I Love You, that is completely
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unknown in the United States.
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Is it really?
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Yeah, no-one had ever heard it
in the United States.
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Ancl I know it's been popular here.
Yeah.
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So cut that, that felt
great and I said, well,
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I'll make a record of soul music,
you know, and draw on
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some of the influences I've had
since I was a kid playing
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in the bars and stuff like that.
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So that's how that
record came about.
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Well, I'll tell you what,
we've got a clip of you performing
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Frank Wilson's Do I Love You (Indeed
I Do.
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Frank Wilson's Do I Love
You (Indeed I Do).
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Here it is.
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# The very thing that I want most
is just to have and hold you close
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# Do I love you?
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# From morning until late at night
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# You fill my heart
with pure delight
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# Do I love you?
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# Whenever I lay me down to sleep
I pray the Lord your soul to keep
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# Ancl bring it on home
safe to me, darling
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# Do I love you?
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# Tell me now, darling
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# Do I love you?
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#Do I?
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# Do I love you?
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# Indeed I do...
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APPLAUSE.
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Wow.
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Yeah!
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You look like you were really
having a blast doing this.
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Yeah.
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But I read somewhere you did
an interview and you were talking
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about going into this record,
you weren't confident that your
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singing was up to these songs.
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Well, I'm a bar singer, you know,
I have a really good voice
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for five sets a night.
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You know, I can go on for hours
and hours, as I usually do.
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You know, I've got
a great voice for that.
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It's strong, it doesn't go.
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But I always lack a little finesse.
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I lack a little of the precision
and some of the tone
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00:11:00,560 --> 00:11:02,255
of my greatest heroes, you know.
253
00:11:02,280 --> 00:11:04,815
So on this record,
I tried to really...
254
00:11:04,840 --> 00:11:06,375
I really focused on just singing.
255
00:11:06,400 --> 00:11:08,895
And my producer ream] put
together the tracks.
256
00:11:08,920 --> 00:11:10,335
Ancl I had a good time.
257
00:11:10,360 --> 00:11:14,415
It was fun to do and I took my
singing up a notch or two, I think.
258
00:11:14,440 --> 00:11:17,255
And then there was a thing
where you had to stop singing.
259
00:11:17,280 --> 00:11:18,975
Did you have spinal
surgery or something?
260
00:11:19,000 --> 00:11:19,975
Yeah, I did.
261
00:11:20,000 --> 00:11:27,535
I had, I guess it's C4 and C5 in my
neck and so it was going down my arm
262
00:11:27,600 --> 00:11:31,695
and for about five years my arms
and my hands slowly got number
263
00:11:31,720 --> 00:11:34,375
and number and number
untill noticed when I was playing
264
00:11:34,400 --> 00:11:37,215
the guitar it would
fatigue very quickly.
265
00:11:37,240 --> 00:11:40,575
So after about five years I said,
I got to do something about it.
266
00:11:40,600 --> 00:11:44,615
Now the problem is what they do
is they cut your throat.
267
00:11:44,640 --> 00:11:45,575
Right here.
268
00:11:45,600 --> 00:11:49,615
That is a problem.
269
00:11:49,640 --> 00:11:53,735
Right here I have a scar and they go
in and they tie your vocal cords
270
00:11:53,760 --> 00:11:56,895
off to one side.
271
00:11:56,920 --> 00:12:00,575
So if you're a singer...
Sorry!
272
00:12:00,600 --> 00:12:02,935
Bleugh!
273
00:12:02,960 --> 00:12:05,855
If you're a singer that makes
you anxious and they tell you,
274
00:12:05,880 --> 00:12:08,855
you can't sing a note
for three months.
275
00:12:08,880 --> 00:12:10,975
So you had the operation
clone and they put
276
00:12:11,000 --> 00:12:14,215
the titanium in there and...
277
00:12:14,240 --> 00:12:16,615
Woke up and it worked.
It was quite successful.
278
00:12:16,640 --> 00:12:20,575
But I didn't sing a note
for three months.
279
00:12:20,600 --> 00:12:23,295
Ancl then one morning
I went and I said, OK.
280
00:12:23,320 --> 00:12:25,255
Went into my garage,
had an acoustic guitar,
281
00:12:25,280 --> 00:12:30,535
and I started to sing a song,
Darkness on the Edge of Town.
282
00:12:30,600 --> 00:12:34,095
Ancl I said, "Well, seems to be OK."
283
00:12:34,120 --> 00:12:36,895
A couple of weeks later,
I was in South Africa
284
00:12:36,920 --> 00:12:39,655
being crowd-surfed across the room.
285
00:12:39,680 --> 00:12:42,015
APPLAUSE.
286
00:12:42,040 --> 00:12:45,735
Yeah, I know.
287
00:12:45,760 --> 00:12:50,095
Did your voice seem stronger
after the rest or...?
288
00:12:50,120 --> 00:12:52,095
It's...
289
00:12:52,120 --> 00:12:55,495
I've been lucky in that as I've got
older, my voice has gotten better
290
00:12:55,520 --> 00:12:58,815
and a lot of people have trouble
with their voices as they get older.
291
00:12:58,840 --> 00:13:01,535
But for some reason I've been lucky
and it's gotten better
292
00:13:01,560 --> 00:13:02,495
as I've gotten older.
293
00:13:02,520 --> 00:13:04,455
Because there's lots
of singers on the couch.
294
00:13:04,480 --> 00:13:07,095
Anya Taylor-joy, Last Night in Soho,
you did your own singing
295
00:13:07,120 --> 00:13:08,535
in that, didn't you?
I did.
296
00:13:08,560 --> 00:13:10,935
So did you have lots
of lessons and prep and...?
297
00:13:10,960 --> 00:13:12,095
No!
OK.
298
00:13:12,120 --> 00:13:15,415
Yeah, it was more just like,
the scene was coming up
299
00:13:15,440 --> 00:13:18,975
and I was getting nervous and rather
than prepare when I get nervous,
300
00:13:19,000 --> 00:13:23,095
I just don't do anything about it
because I try and pretend
301
00:13:23,120 --> 00:13:24,295
it's not going to happen.
302
00:13:24,320 --> 00:13:27,855
Ancl then it was happening.
303
00:13:27,880 --> 00:13:31,815
So yeah, I gave it a good go,
but I do really love to sing.
304
00:13:31,840 --> 00:13:33,815
It's really fun.
305
00:13:33,840 --> 00:13:35,775
Because Anna Maxwell Martin,
Cabaret on stage,
306
00:13:35,800 --> 00:13:38,335
you were Sally Bowles, right?
307
00:13:38,360 --> 00:13:40,255
I can't sing!
308
00:13:40,280 --> 00:13:43,495
No, I really can't.
That's not me.
309
00:13:43,520 --> 00:13:45,695
That is you.
That is definitely you.
310
00:13:45,720 --> 00:13:50,615
No, I was absolutely shit.
311
00:13:50,640 --> 00:13:53,855
The coachloads came
in and they were disappointed.
312
00:13:53,880 --> 00:13:55,335
They left and then no-one came.
313
00:13:55,360 --> 00:13:57,495
We once played that show
to six people, Graham.
314
00:13:57,520 --> 00:14:00,055
That's how good I was.
315
00:14:00,080 --> 00:14:03,095
I think that takes
tremendous courage.
316
00:14:03,120 --> 00:14:05,735
I did have an album.
They did an album of it.
317
00:14:05,760 --> 00:14:06,775
A cast album?
318
00:14:06,800 --> 00:14:10,215
Yes, which my mother bought.
319
00:14:10,240 --> 00:14:15,535
So I'm not the same as Bruce but...
320
00:14:16,720 --> 00:14:18,615
Not quite the same but you did it.
321
00:14:18,640 --> 00:14:20,135
You did it.
322
00:14:20,160 --> 00:14:23,015
And Mo, is it true that
you were kind of performing music
323
00:14:23,040 --> 00:14:24,495
before you ever turned to comedy?
324
00:14:24,520 --> 00:14:27,855
Oh, yeah, like, my dad's very
musical, so, like, in the show I do,
325
00:14:27,880 --> 00:14:30,975
I've got a show and basically we do
this thing called Nursery Grimes.
326
00:14:31,000 --> 00:14:33,575
So we get a nursery
rhyme and we get a song.
327
00:14:33,600 --> 00:14:35,975
So like, it's like classic
nursery rhymes but we do
328
00:14:36,000 --> 00:14:37,615
a different rendition of it,
but obviously
329
00:14:37,640 --> 00:14:40,495
my dad's a Rastafarian, so he'd
do his Rastafarian take on it.
330
00:14:40,520 --> 00:14:43,175
So instead of like, The Wheels
on the Bus, he'd do...
331
00:14:43,200 --> 00:14:45,575
# De wheels on de bus
go round and around...
332
00:14:45,600 --> 00:14:47,975
But it's like, when I do
like comedy shows now,
333
00:14:48,000 --> 00:14:51,095
I have it on my Netflix special
so people are like, "Go on,
334
00:14:51,120 --> 00:14:54,215
do the rhyme" because I have it
in the special and I'm like,
335
00:14:54,240 --> 00:14:55,615
"No, I can't just do it."
336
00:14:55,640 --> 00:14:58,495
I'll be in Tesco and I'm like,
the bags are 30p already,
337
00:14:58,520 --> 00:14:59,735
it's already stressing me out.
338
00:14:59,760 --> 00:15:01,415
They're like, "Do the rhyme!"
339
00:15:01,440 --> 00:15:03,535
I'm like, "No, I don't
want to do it."
340
00:15:03,560 --> 00:15:05,175
Ancl before you know it, I'm like...
341
00:15:05,200 --> 00:15:08,095
# Old MacDonald, him
sit on de farm...
342
00:15:08,120 --> 00:15:11,855
And Bruce, you've been
singing professionally...
343
00:15:11,880 --> 00:15:14,895
Next year, you'll have been singing
professionally for 50 years.
344
00:15:14,920 --> 00:15:15,935
Wow.
345
00:15:15,960 --> 00:15:16,975
Five decades.
346
00:15:17,000 --> 00:15:17,975
Actually...
347
00:15:18,000 --> 00:15:19,055
Was it more?
348
00:15:19,080 --> 00:15:20,255
Actually, I'm actually...
349
00:15:20,280 --> 00:15:25,975
Actually I've been singing for 60.
350
00:15:26,160 --> 00:15:29,015
I've been playing with my band,
in a year, for 50 years.
351
00:15:29,040 --> 00:15:29,975
50 years.
352
00:15:30,000 --> 00:15:31,415
That's the 50, OK.
353
00:15:31,440 --> 00:15:32,495
That's tricky.
354
00:15:32,520 --> 00:15:33,495
Imagine this.
355
00:15:33,520 --> 00:15:38,135
The same people that you went
to high school with,
356
00:15:38,160 --> 00:15:44,175
all of the same people,
for the rest of your life.
357
00:15:44,240 --> 00:15:48,455
The rest of your life,
you work with them every clay.
358
00:15:48,480 --> 00:15:53,455
Ancl no-one can be
replaced or changed.
359
00:15:53,920 --> 00:15:56,455
Well, great news for the people
of the UK and Ireland,
360
00:15:56,480 --> 00:15:58,975
because Bruce Springsteen
and the E Street Band,
361
00:15:59,000 --> 00:16:04,175
back together, you're
doing your first live shows
362
00:16:04,240 --> 00:16:05,895
here for is it six, seven years?
363
00:16:05,920 --> 00:16:06,935
Something like that?
364
00:16:06,960 --> 00:16:08,335
Yeah, since way before the pandemic.
365
00:16:08,360 --> 00:16:09,415
Wow.
366
00:16:09,440 --> 00:16:10,455
And so you're not...
367
00:16:10,480 --> 00:16:14,095
CH EERING AND APPLAUSE.
368
00:16:14,480 --> 00:16:18,695
BOOING.
369
00:16:19,760 --> 00:16:21,735
It still freaks me out.
370
00:16:21,760 --> 00:16:22,695
Yeah.
371
00:16:22,720 --> 00:16:24,775
Every performer's favourite sound.
372
00:16:24,800 --> 00:16:26,895
And because this isn't
attached to a new album,
373
00:16:26,920 --> 00:16:28,575
is this like a greatest hits tour?
374
00:16:28,600 --> 00:16:30,175
No, it's just a tour tour.
375
00:16:30,200 --> 00:16:32,095
OK.
376
00:16:32,120 --> 00:16:33,775
But you will play some hits, right?
377
00:16:33,800 --> 00:16:35,295
We'll play some.
378
00:16:35,320 --> 00:16:36,415
Yeah, yeah, yeah, yeah.
379
00:16:36,440 --> 00:16:38,135
And tell me, when did the thing...
380
00:16:38,160 --> 00:16:40,055
Your crowds do this
now, they all hand...
381
00:16:40,080 --> 00:16:42,455
They have signs over
the songs they want to hear.
382
00:16:42,480 --> 00:16:43,815
When did this start?
383
00:16:43,840 --> 00:16:44,895
I don't know.
384
00:16:44,920 --> 00:16:46,655
Ten, 15 years ago?
385
00:16:46,680 --> 00:16:48,615
People started to...
386
00:16:48,640 --> 00:16:51,095
It was my fault because
I started to play requests.
387
00:16:51,120 --> 00:16:55,655
So people started to bring signs
about what they wanted to hear,
388
00:16:55,680 --> 00:16:59,175
and to keep the band from getting
too comfortable, I would pull these
389
00:16:59,200 --> 00:17:02,935
signs out of the audience,
show them to the band,
390
00:17:02,960 --> 00:17:04,575
and we would play them, you know?
391
00:17:04,600 --> 00:17:06,335
But it's not always your songs.
392
00:17:06,360 --> 00:17:10,335
No, it can be anything.
393
00:17:10,360 --> 00:17:13,295
The poor band is like, "My God!"
394
00:17:13,320 --> 00:17:15,215
Bruce, do The Wheels
On The Bus, mate.
395
00:17:15,240 --> 00:17:17,415
Do The Wheels On The Bus.
396
00:17:17,480 --> 00:17:21,735
I will tell you, I have clone
The Wheels On The Bus many times.
397
00:17:21,760 --> 00:17:24,855
I have three kids and I have
sung Wheels On The Bus.
398
00:17:24,880 --> 00:17:29,135
Not with that accent,
but many times.
399
00:17:29,200 --> 00:17:30,455
And tell me about...
400
00:17:30,480 --> 00:17:32,855
Wasn't there a man who wanted
to hear Drift Away?
401
00:17:32,880 --> 00:17:34,775
Do you know the man
I'm talking about?
402
00:17:34,800 --> 00:17:35,815
He had a sign.
403
00:17:35,840 --> 00:17:36,855
I do.
404
00:17:36,880 --> 00:17:38,375
Tell me what the sign said.
405
00:17:38,400 --> 00:17:41,295
It said, "I will give my left
testicle to hear Drift Away."
406
00:17:41,320 --> 00:17:45,015
To whom?
407
00:17:46,000 --> 00:17:47,015
That is the question.
408
00:17:47,040 --> 00:17:48,015
That is the question.
409
00:17:48,040 --> 00:17:50,295
I certainly didn't want to be
responsible for it.
410
00:17:50,320 --> 00:17:52,215
So we played it.
411
00:17:52,240 --> 00:17:55,895
Now, talking of fans, Bruce, I mean,
you play the songs for the fans,
412
00:17:55,920 --> 00:17:59,215
but you do seem to go
above and beyond.
413
00:17:59,240 --> 00:18:01,895
This was, I think, early,
back in the '80s, I think.
414
00:18:01,920 --> 00:18:03,775
Do you know the story
where you were...
415
00:18:03,800 --> 00:18:05,535
I think you were at a cinema.
416
00:18:05,560 --> 00:18:06,535
Was it in Denver?
417
00:18:06,560 --> 00:18:07,575
St Louis.
418
00:18:07,600 --> 00:18:08,575
St Louis.
419
00:18:08,600 --> 00:18:10,535
So you're in the cinema in St Louis.
420
00:18:10,560 --> 00:18:11,615
Take it away.
421
00:18:11,640 --> 00:18:13,215
Unless there's a different story.
422
00:18:13,240 --> 00:18:14,695
This is a different story.
423
00:18:14,720 --> 00:18:17,335
You're thinking, "He can't want me
to tell this story!"
424
00:18:17,360 --> 00:18:20,735
I was at a cinema by myself
on an off night from the tour
425
00:18:20,760 --> 00:18:26,055
in St Louis watching
Woody Allen's Stardust Memories,
426
00:18:26,120 --> 00:18:31,415
during which Woody Allen is not
necessarily so kind to his fans,
427
00:18:31,480 --> 00:18:33,575
in the film.
428
00:18:33,600 --> 00:18:37,135
So I had met a kid in the lobby,
he was there with his
429
00:18:37,160 --> 00:18:40,575
girlfriend and said,
"Do you want to sit with us?"
430
00:18:40,600 --> 00:18:44,375
So I said, "OK."
431
00:18:44,400 --> 00:18:45,415
Really?
432
00:18:45,440 --> 00:18:46,455
I'm just...
433
00:18:46,480 --> 00:18:47,495
That's a hard no.
434
00:18:47,520 --> 00:18:49,895
You want to say, "No, no, I don't."
435
00:18:49,920 --> 00:18:53,055
But you did it.
436
00:18:53,080 --> 00:18:54,455
You went and sat with them.
437
00:18:54,480 --> 00:18:57,055
So I went and I sat
and we watched the movie.
438
00:18:57,080 --> 00:18:59,735
Ancl he says, "Is that how
you feel about your fans?"
439
00:18:59,760 --> 00:19:01,495
So I said, "Well, not so much."
440
00:19:01,520 --> 00:19:02,575
All right?
441
00:19:02,600 --> 00:19:04,455
He says, "I'm going to go home now.
442
00:19:04,480 --> 00:19:07,655
"Will you come home
and meet my parents?"
443
00:19:07,680 --> 00:19:08,975
You didn't!
444
00:19:09,000 --> 00:19:11,335
I said, "OK."
445
00:19:11,360 --> 00:19:14,535
Oh, I love them.
446
00:19:14,560 --> 00:19:18,695
Ancl so I went somewhere
in St Louis with this kid.
447
00:19:18,720 --> 00:19:25,575
Ancl we walked in the door and it's
about 11 :00 at night.
448
00:19:25,640 --> 00:19:30,695
Ancl he says, "Mum, Mum,
I have Bruce Springsteen with me."
449
00:19:30,760 --> 00:19:33,375
And she goes, “who?
450
00:19:33,400 --> 00:19:35,055
No!
451
00:19:35,080 --> 00:19:37,935
Ancl he runs in his bedroom
and comes out with the album
452
00:19:37,960 --> 00:19:40,015
and shows her the album cover.
453
00:19:40,040 --> 00:19:42,375
He says, "Bruce Springsteen!"
454
00:19:42,400 --> 00:19:49,815
Ancl of course, then she goes, "Oh,
my God, let me make him some eggs."
455
00:19:50,000 --> 00:19:52,855
Ancl so around midnight,
I was sitting in a little house
456
00:19:52,880 --> 00:19:55,735
in St Louis having some eggs
with this kid in his mum.
457
00:19:55,760 --> 00:20:01,975
Ancl and I saw them for decades after
that every time we came to town.
458
00:20:02,280 --> 00:20:06,295
Oh, what a lovely story.
459
00:20:06,480 --> 00:20:09,375
Bruce's new album is
Only The Strong Survive,
460
00:20:09,400 --> 00:20:11,695
and it's out today.
461
00:20:11,720 --> 00:20:12,855
All right.
462
00:20:12,880 --> 00:20:16,255
Now, Anya Taylor-joy brings us
a dark new thriller.
463
00:20:16,280 --> 00:20:17,815
It's called The Menu.
464
00:20:17,840 --> 00:20:21,175
It's out in cinemas next Friday,
the 18th of November.
465
00:20:21,200 --> 00:20:23,095
So, tell us all about it.
466
00:20:23,120 --> 00:20:24,135
Who are you?
467
00:20:24,160 --> 00:20:25,135
What goes on?
468
00:20:25,160 --> 00:20:26,615
How much can you tell us?
469
00:20:26,640 --> 00:20:30,135
Very little, if you want
to have a good time.
470
00:20:30,160 --> 00:20:33,695
So, technically, the story
is about a couple that is going
471
00:20:33,720 --> 00:20:37,175
to a very exclusive restaurant
on an island.
472
00:20:37,200 --> 00:20:42,255
This island is run by a,
let's say, passionate chef.
473
00:20:44,080 --> 00:20:45,295
Yeah.
474
00:20:45,320 --> 00:20:47,695
Ancl it takes place over one
night and chaos ensues.
475
00:20:47,720 --> 00:20:49,415
Ancl I will not say any more.
476
00:20:49,440 --> 00:20:52,495
But it is one of those restaurants
you read about that are in,
477
00:20:52,520 --> 00:20:54,415
like, Norway or Denmark
or Spain or something.
478
00:20:54,440 --> 00:20:55,855
You've got a plate of soil.
479
00:20:55,880 --> 00:20:58,255
It basically takes like five
people and it costs your
480
00:20:58,280 --> 00:21:02,295
house to eat there.
481
00:21:02,320 --> 00:21:03,575
And Ralph Fiennes is brilliant.
482
00:21:03,600 --> 00:21:05,695
And he plays the the
kind of godlike chef.
483
00:21:05,720 --> 00:21:08,255
And you are a big Ralph
Fiennes fan, aren't you?
484
00:21:08,280 --> 00:21:11,495
Well, I learned English
reading Harry Potter.
485
00:21:11,520 --> 00:21:14,815
So it was, you know,
like kind of a bit of a big deal.
486
00:21:14,840 --> 00:21:18,655
But my subconscious does
this thing where, like,
487
00:21:18,680 --> 00:21:21,055
it bars me from information that
I can't handle if
488
00:21:21,080 --> 00:21:22,535
I have to do a job.
489
00:21:22,560 --> 00:21:25,615
So every clay I just go in and I'd
be like, "Hi, Ralph."
490
00:21:25,640 --> 00:21:27,295
Ancl like, we got along really well.
491
00:21:27,320 --> 00:21:30,575
Ancl then the second it was over,
I was just like, "Oh my God!"
492
00:21:30,600 --> 00:21:34,255
I called my mum and I'm not
going to spoil it, but I was like,
493
00:21:34,280 --> 00:21:36,415
"The last person that,
like, faced off with Voldemort
494
00:21:36,440 --> 00:21:39,015
was Harry, and now it's me
and I'm ready for it."
495
00:21:39,880 --> 00:21:41,015
Ancl it was, it was...
496
00:21:41,040 --> 00:21:42,095
Yeah.
497
00:21:42,120 --> 00:21:43,095
I'm blushing.
498
00:21:43,120 --> 00:21:44,175
We've got a clip.
499
00:21:44,200 --> 00:21:46,615
This is you with your date,
played by Nicholas Hoult.
500
00:21:46,640 --> 00:21:49,935
And it's kind of you realising that
maybe the menu's not to your taste.
501
00:21:49,960 --> 00:21:51,335
Mm-hmm.
502
00:21:51,360 --> 00:21:53,335
Excuse me, sir, hi.
503
00:21:53,360 --> 00:21:54,655
Hey!
504
00:21:54,680 --> 00:21:55,735
Margot, Margot.
505
00:21:55,760 --> 00:21:57,615
Did you just fucking snap at me?
506
00:21:57,640 --> 00:21:59,495
I've been trying to get
a reservation here.
507
00:21:59,520 --> 00:22:00,495
I don't really care.
508
00:22:00,520 --> 00:22:02,895
You do send shit back
to this kitchen, you child.
509
00:22:02,920 --> 00:22:05,055
You thank them for
letting you in the door.
510
00:22:05,080 --> 00:22:06,575
What did you just call me?
511
00:22:06,600 --> 00:22:07,695
I called you a child.
512
00:22:07,720 --> 00:22:08,935
You're fucking acting like one.
513
00:22:08,960 --> 00:22:11,135
Tyler, you need to
apologise to me right now.
514
00:22:11,160 --> 00:22:12,775
You cannot speak to me that way.
515
00:22:12,800 --> 00:22:15,615
Actually, I can, because - ding-dong
- I'm the one who's paying.
516
00:22:15,640 --> 00:22:17,135
So maybe shut up and eat.
517
00:22:17,160 --> 00:22:20,535
Oh, my God.
518
00:22:20,560 --> 00:22:22,495
This is incredible.
519
00:22:22,520 --> 00:22:23,975
You have to try this.
520
00:22:24,000 --> 00:22:25,455
No, thanks.
521
00:22:25,480 --> 00:22:29,295
Don't let me interrupt.
522
00:22:32,760 --> 00:22:34,615
Miss Mills?
523
00:22:34,640 --> 00:22:36,815
How can I assist you?
524
00:22:36,840 --> 00:22:38,575
Just looking for the ladies' room.
525
00:22:38,600 --> 00:22:40,095
Right this way.
526
00:22:40,120 --> 00:22:43,495
Thank you.
527
00:22:43,520 --> 00:22:45,975
What's behind that silver door?
528
00:22:46,000 --> 00:22:48,215
Something very special.
529
00:22:48,880 --> 00:22:53,095
Ooh.
530
00:22:53,160 --> 00:22:56,455
I'm wondering how...
531
00:22:56,480 --> 00:22:59,295
And in real life, have you been
to one of these incredibly
532
00:22:59,320 --> 00:23:01,135
precious restaurants?
533
00:23:01,160 --> 00:23:04,855
I have once and it was
a good experience.
534
00:23:04,880 --> 00:23:07,255
But I have to say that
I'm a takeaway girl,
535
00:23:07,280 --> 00:23:09,495
like my palate is just
not that refined.
536
00:23:09,520 --> 00:23:12,135
Ancl also, if you go to one
of these places, like,
537
00:23:12,160 --> 00:23:15,535
no of fence to anyone that enjoys
them, if you go to one of these
538
00:23:15,560 --> 00:23:17,135
places and you leave hungry...
539
00:23:17,160 --> 00:23:19,575
Oh, I'm angry!
540
00:23:19,600 --> 00:23:23,135
You leave pissed off your nut,
and you just think,
541
00:23:23,160 --> 00:23:25,015
"I just want a pie!"
542
00:23:25,040 --> 00:23:27,095
They keep giving you
another glass of wine.
543
00:23:27,120 --> 00:23:29,095
"Here's the foam with the wine."
544
00:23:29,120 --> 00:23:32,935
I want some fish and chips!
545
00:23:32,960 --> 00:23:35,615
It is not that easy when you're
in the restaurant thinking,
546
00:23:35,640 --> 00:23:38,815
"What will be open on the way home?"
547
00:23:38,840 --> 00:23:42,015
Give me something hot!
548
00:23:42,040 --> 00:23:44,255
This happened to me
after a show one night.
549
00:23:44,280 --> 00:23:45,455
I just played three hours.
550
00:23:45,480 --> 00:23:46,455
I'm sweating, I'm starving.
551
00:23:46,480 --> 00:23:49,935
My manager says "We're going
to the best restaurant in Paris."
552
00:23:49,960 --> 00:23:50,935
Really?
553
00:23:50,960 --> 00:23:52,815
"Yes, I can't wait."
554
00:23:52,840 --> 00:23:53,895
We go.
555
00:23:53,920 --> 00:23:55,215
It's 12.
556
00:23:55,240 --> 00:23:59,095
First course comes out -
about this big.
557
00:23:59,120 --> 00:24:05,255
Second course comes out - this big.
558
00:24:05,320 --> 00:24:08,655
Third course comes out - this big.
559
00:24:08,680 --> 00:24:11,015
So I said, "Is that it?"
560
00:24:11,040 --> 00:24:12,375
"That's it."
561
00:24:12,400 --> 00:24:13,815
So the chef comes out.
562
00:24:13,840 --> 00:24:15,975
"Could I have another one
of those last courses?"
563
00:24:16,000 --> 00:24:18,255
"NO-"
564
00:24:18,600 --> 00:24:21,295
"OK-"
565
00:24:21,320 --> 00:24:22,815
We leave the restaurant.
566
00:24:22,840 --> 00:24:24,855
And my...
567
00:24:24,880 --> 00:24:30,415
I had an assistant who was
a white-haired, huge Navy SEAL.
568
00:24:30,480 --> 00:24:34,775
Ancl as I walk out, he's standing
by the car with a McDonald's bag.
569
00:24:37,880 --> 00:24:41,295
Happy Bruce!
570
00:24:41,360 --> 00:24:45,775
Anya, I mean, Queen's Gambit,
we mentioned there.
571
00:24:45,800 --> 00:24:47,015
This is nuts.
572
00:24:47,040 --> 00:24:53,855
62 million households, not people,
households, watched that show.
573
00:24:54,800 --> 00:24:56,855
So I'm guessing you've
bumped into some of them.
574
00:24:56,880 --> 00:24:59,255
Yes.
575
00:24:59,280 --> 00:25:02,575
But also, I mean, all of this
happened during lockdown.
576
00:25:02,600 --> 00:25:05,815
So the craziest thing was,
I was just kind of in my house
577
00:25:05,840 --> 00:25:08,495
and then the internet was telling me
that things were happening,
578
00:25:08,520 --> 00:25:09,695
but I don't believe it.
579
00:25:09,720 --> 00:25:11,095
So I'm like, "Oh, OK, fine."
580
00:25:11,120 --> 00:25:13,775
Ancl then I landed in
New York and I was like,
581
00:25:13,800 --> 00:25:14,815
"Nope, this is different!
582
00:25:14,840 --> 00:25:16,575
Must run."
583
00:25:16,600 --> 00:25:19,335
But I think the thing
that I love the most
584
00:25:19,360 --> 00:25:23,135
is the disparity between ages,
because you have really little kids
585
00:25:23,160 --> 00:25:25,855
that love it and then you have
like 87-year-old people that
586
00:25:25,880 --> 00:25:27,975
are like, "Beth!"
587
00:25:28,000 --> 00:25:29,975
Ancl I love that.
588
00:25:30,000 --> 00:25:31,015
That's my favourite.
589
00:25:31,040 --> 00:25:32,175
Yeah, I bet it is.
590
00:25:32,200 --> 00:25:34,615
Do they want to tell
you their interesting chess stories?
591
00:25:34,640 --> 00:25:37,615
Or do they just say
you were very good in it?
592
00:25:37,640 --> 00:25:40,535
No, sometimes they want
to play me at chess.
593
00:25:40,560 --> 00:25:42,655
But the thing is, it's like...
594
00:25:42,680 --> 00:25:45,095
A, I don't carry one with me.
595
00:25:45,120 --> 00:25:47,215
Sorry to disappoint.
596
00:25:47,240 --> 00:25:50,295
But B, the thing about jumping
from project to project
597
00:25:50,320 --> 00:25:53,175
is that you gain skills
for that particular project.
598
00:25:53,200 --> 00:25:55,735
So I'm like, "Yeah, chess was,
like, two years ago -
599
00:25:55,760 --> 00:26:00,135
now I'm good at cars
and stuff like that."
600
00:26:00,200 --> 00:26:01,975
"So, I'm sorry."
601
00:26:02,000 --> 00:26:03,655
Do people challenge
you with other games?
602
00:26:03,680 --> 00:26:04,655
Other games?
603
00:26:04,680 --> 00:26:05,695
Yeah.
604
00:26:05,720 --> 00:26:06,935
Rock, paper, scissors, right now.
605
00:26:06,960 --> 00:26:07,975
One, two, three!
606
00:26:08,000 --> 00:26:10,735
Ha!
607
00:26:10,760 --> 00:26:12,375
Good result, good result.
608
00:26:12,400 --> 00:26:13,415
Oh, nice.
609
00:26:13,440 --> 00:26:18,615
Almost.
610
00:26:19,280 --> 00:26:21,655
Anna Maxwell Martin -
was it after Line Of Duty
611
00:26:21,680 --> 00:26:22,735
that you felt like...
612
00:26:22,760 --> 00:26:25,335
Did you notice people noticing
you more after Line Of Duty?
613
00:26:25,360 --> 00:26:27,735
Yeah, maybe, because lots of people
watch it, don't they?
614
00:26:27,760 --> 00:26:31,335
Probably cos I was so horrible.
615
00:26:31,360 --> 00:26:32,855
People come up and say...
616
00:26:32,880 --> 00:26:35,055
They're always very honest,
you know, in the supermarket,
617
00:26:35,080 --> 00:26:38,615
they'll say, "I didn't
like you in that."
618
00:26:38,640 --> 00:26:41,535
OK, cool.
619
00:26:41,560 --> 00:26:42,855
Yeah, they'd shout...
620
00:26:42,880 --> 00:26:45,535
Yeah, I get shouted at and things
about being a bitch
621
00:26:45,560 --> 00:26:47,655
and things like that.
622
00:26:47,680 --> 00:26:49,015
Ancl this is the question.
623
00:26:49,040 --> 00:26:52,375
So when you play a character that's
that awful, because I have it too,
624
00:26:52,400 --> 00:26:53,575
do you say thank you?
625
00:26:53,600 --> 00:26:55,015
Yeah, totally.
626
00:26:55,040 --> 00:26:56,215
It's like, "You're a bitch."
627
00:26:56,240 --> 00:26:58,695
I'm like, "Thanks -
I'm a good actor."
628
00:26:58,720 --> 00:27:01,935
Don't know why I just say, "Thank
you, thank you, that's very nice.
629
00:27:01,960 --> 00:27:04,815
You're slagging me off, thank you."
630
00:27:04,840 --> 00:27:07,495
And I must just quickly mention,
you've finished filming Mad Max:
631
00:27:07,520 --> 00:27:09,015
Furiosa, is that what it's called?
632
00:27:09,040 --> 00:27:10,095
Yes.
633
00:27:10,120 --> 00:27:12,735
In Australia, and you
put this clip online.
634
00:27:12,760 --> 00:27:15,255
So basically, so here's
what you went to watch.
635
00:27:15,280 --> 00:27:16,535
So I believe I'm right.
636
00:27:16,560 --> 00:27:18,375
Anya, you were in that car, right?
637
00:27:18,400 --> 00:27:19,375
Yes.
638
00:27:19,400 --> 00:27:20,775
OK.
639
00:27:20,800 --> 00:27:25,575
Anya's challenge is to drive down
here, do a handbrake turn,
640
00:27:25,600 --> 00:27:28,895
and end up with the back of the car
in between these two poles.
641
00:27:28,920 --> 00:27:30,055
It's called a juice...
642
00:27:30,080 --> 00:27:32,735
It's called a juicy lift 180.
643
00:27:32,760 --> 00:27:33,775
Wow.
644
00:27:33,800 --> 00:27:34,815
OK, let's see.
645
00:27:34,840 --> 00:27:36,215
Let's see how Anya gets on.
646
00:27:36,240 --> 00:27:39,695
Here we go, here we go, here we go.
647
00:27:39,760 --> 00:27:40,935
Thank you.
648
00:27:40,960 --> 00:27:43,095
Excellent.
649
00:27:43,120 --> 00:27:44,095
Oh, no...
650
00:27:44,120 --> 00:27:45,175
Oh, here we go.
651
00:27:45,200 --> 00:27:46,175
Here we go.
652
00:27:46,200 --> 00:27:47,415
Has she done it yet?
653
00:27:47,440 --> 00:27:48,455
Yes, she did!
654
00:27:48,480 --> 00:27:51,455
That's impressive, isn't it?
655
00:27:51,480 --> 00:27:54,055
But what's really crazy and slightly
upsetting about that is that
656
00:27:54,080 --> 00:27:55,775
that's my first time in a car.
657
00:27:55,800 --> 00:27:57,335
Really?
658
00:27:57,360 --> 00:27:58,935
I don't have a licence.
659
00:27:58,960 --> 00:28:00,095
I can't parallel park.
660
00:28:00,120 --> 00:28:01,535
I can't go on the highway.
661
00:28:01,560 --> 00:28:02,855
I still don't have one.
662
00:28:02,880 --> 00:28:04,975
But I can do that.
663
00:28:05,000 --> 00:28:06,695
That's all you need to do.
664
00:28:06,720 --> 00:28:09,175
At some point, that will come
in handy, I'm assuming.
665
00:28:09,200 --> 00:28:13,015
Yeah, for a very tight parking
spot in a supermarket.
666
00:28:13,040 --> 00:28:16,095
How hard it is to do a three point
turn when you drive.
667
00:28:16,120 --> 00:28:17,175
Sometimes, I've been traveling...
668
00:28:17,200 --> 00:28:21,535
IMITATES CAR DOING THREE-POINT TURN.
669
00:28:22,320 --> 00:28:24,575
Well, like, the way
that they trained me how
670
00:28:24,600 --> 00:28:27,135
to drive now, is if I'm,
like, in a high intensity
671
00:28:27,160 --> 00:28:28,175
chase at all times.
672
00:28:28,200 --> 00:28:31,055
I'm kind of nervous
to get my licence now.
673
00:28:31,080 --> 00:28:32,775
Concerned about society.
674
00:28:32,800 --> 00:28:37,695
I think your instructor will be
quite nervous as well.
675
00:28:37,720 --> 00:28:38,815
It is fun, though.
676
00:28:38,840 --> 00:28:42,575
"Would you like to pull
into this space here, joy?"
677
00:28:42,640 --> 00:28:46,295
Because actually, Anna, you're now
in a new drama, Spy Among Friends.
678
00:28:46,320 --> 00:28:48,495
And it's an historical drama
based on real events.
679
00:28:48,520 --> 00:28:49,815
So are you that actor?
680
00:28:49,840 --> 00:28:52,895
Did you do lots and lots of reading
around this subject?
681
00:28:52,920 --> 00:28:55,295
Do I do a lot of reading
around the subject?
682
00:28:55,320 --> 00:28:56,335
Yeah.
683
00:28:56,360 --> 00:28:58,615
Urn, not a lot.
684
00:28:58,640 --> 00:29:00,175
Not a lot.
685
00:29:00,200 --> 00:29:05,855
What I do is I just read my bits.
686
00:29:05,920 --> 00:29:09,615
I like that.
687
00:29:09,640 --> 00:29:11,535
Highlight, highlight, no - stop.
688
00:29:11,560 --> 00:29:14,695
I don't need to know what's
going on in the rest of it.
689
00:29:14,720 --> 00:29:16,055
I'm not there.
690
00:29:16,080 --> 00:29:17,575
I like your style.
691
00:29:17,600 --> 00:29:20,495
Well, let's see what you do know
about A Spy Among Friends.
692
00:29:20,520 --> 00:29:24,575
It launches the brand-new ITVX
platform from the 8th of December.
693
00:29:24,600 --> 00:29:26,855
And as I said, it is...
694
00:29:26,880 --> 00:29:27,855
There I am.
695
00:29:27,880 --> 00:29:29,815
Oh, yes.
696
00:29:29,840 --> 00:29:31,015
You're very good at it.
697
00:29:31,040 --> 00:29:35,535
I've changed since the cabaret days.
698
00:29:35,560 --> 00:29:38,895
So as I say, based on real events,
what do you know about it?
699
00:29:38,920 --> 00:29:41,615
What can you tell us about it?
700
00:29:41,640 --> 00:29:45,135
Oh, I'd love to tell you loads,
but I'm not sure I know very much
701
00:29:45,160 --> 00:29:47,855
myself, because as I say,
I didn't actually read the script.
702
00:29:47,880 --> 00:29:48,975
But it's about Kim Philby.
703
00:29:49,000 --> 00:29:52,215
And he obviously, as we know,
ran off to Russia.
704
00:29:52,240 --> 00:29:56,495
And there's some involvement with
his best friend, Nicholas Elliot.
705
00:29:56,520 --> 00:29:58,495
And then he was sort
of under suspicion.
706
00:29:58,520 --> 00:30:01,295
So I'm sort of investigating him.
707
00:30:01,320 --> 00:30:03,695
We need to work out
what happened with Elliot.
708
00:30:03,720 --> 00:30:06,215
It's really, really good.
It's brilliant.
709
00:30:06,240 --> 00:30:08,135
And the boys...
That wasn't me on there.
710
00:30:08,160 --> 00:30:09,335
That was two other actors.
711
00:30:09,360 --> 00:30:11,015
No, that's Guy Pearce
and Damian Lewis.
712
00:30:11,040 --> 00:30:12,055
I mean, it's posh.
713
00:30:12,080 --> 00:30:13,095
It's like a thriller.
714
00:30:13,120 --> 00:30:15,615
It's not spy-y, spy-y,
it's a thriller, but it's about...
715
00:30:15,640 --> 00:30:18,935
So, my relationship with Damian's
character and Damian's relationship
716
00:30:18,960 --> 00:30:19,975
with Guy's character.
717
00:30:20,000 --> 00:30:21,015
We've got a clip.
718
00:30:21,040 --> 00:30:24,015
This is you and you're kind
of beginning your debrief
719
00:30:24,040 --> 00:30:26,735
with Nicholas Elliot,
who's the other - not Philby,
720
00:30:26,760 --> 00:30:28,895
played by Damian Lewis.
721
00:30:28,920 --> 00:30:31,175
Here we go.
722
00:30:31,200 --> 00:30:34,375
Mr Elliot, I'd like to begin
by saying how sorry I am.
723
00:30:34,400 --> 00:30:37,255
I realise how painful this must be
for you and everyone else
724
00:30:37,280 --> 00:30:40,095
here at the Intelligence Service
who counted Mr Philby as a friend
725
00:30:40,120 --> 00:30:47,095
and trusted colleague for such
an awfully long time.
726
00:30:50,480 --> 00:30:56,295
Is that Northumberland I hear?
727
00:30:56,360 --> 00:30:59,775
You and Mr Philby were friends
for, what, 25 years?
728
00:30:59,800 --> 00:31:04,495
23.
729
00:31:04,520 --> 00:31:07,855
Could you please explain to me how
he was able to escape from Beirut?
730
00:31:07,880 --> 00:31:10,775
Smart money's on a boat.
731
00:31:13,840 --> 00:31:18,855
No, thank you.
732
00:31:18,920 --> 00:31:19,935
Newcastle.
733
00:31:19,960 --> 00:31:20,975
The accent.
734
00:31:21,000 --> 00:31:24,695
Mr Elliott, I completely understand
why you might need a moment
735
00:31:24,720 --> 00:31:26,855
or two to break the ice.
736
00:31:26,880 --> 00:31:30,335
Believe me, I do.
737
00:31:30,360 --> 00:31:33,615
Would you mind if we now
consider it broken?
738
00:31:33,640 --> 00:31:34,655
APPLAUSE.
739
00:31:34,680 --> 00:31:35,655
Whoo!
740
00:31:35,680 --> 00:31:38,015
Very good.
741
00:31:38,040 --> 00:31:43,935
And Damian Lewis was trying
to guess your accent there.
742
00:31:44,520 --> 00:31:46,975
Aren't we all, Graham?
743
00:31:47,000 --> 00:31:48,975
Aren't we all?
744
00:31:49,000 --> 00:31:50,695
He was roaming around
the North East.
745
00:31:50,720 --> 00:31:52,535
Oh, OK.
746
00:31:52,560 --> 00:31:54,855
Where is she from?
747
00:31:54,880 --> 00:31:55,975
Durham.
Durham, yeah.
748
00:31:56,000 --> 00:31:57,615
Did you base it on anything?
749
00:31:57,640 --> 00:32:00,815
Well, I thought...
I initially thought of Ant and Dec.
750
00:32:00,840 --> 00:32:05,735
But then I found out a few weeks
in that they're from from Newcastle.
751
00:32:05,760 --> 00:32:09,215
So, that...
Yeah.
752
00:32:09,240 --> 00:32:10,415
I don't know.
753
00:32:10,440 --> 00:32:11,895
It's very good.
He doesn't know.
754
00:32:11,920 --> 00:32:12,895
He can't spot it.
755
00:32:12,920 --> 00:32:13,975
I've got to ask.
756
00:32:14,000 --> 00:32:18,095
Motherland - is there more
Motherland on the way?
757
00:32:18,120 --> 00:32:20,695
I can't say!
You can't say.
758
00:32:20,720 --> 00:32:25,175
That sounds like a yes.
759
00:32:25,200 --> 00:32:28,015
And Diane Morgan was on the show
and she was talking about
760
00:32:28,040 --> 00:32:30,455
how the people who work
on that show either engage
761
00:32:30,480 --> 00:32:33,215
with the children or don't.
762
00:32:33,240 --> 00:32:34,375
Which side are...?
763
00:32:34,400 --> 00:32:37,935
Oh, no, n0, n0, I10, "0,
no, no, no, no, n0.
764
00:32:37,960 --> 00:32:39,935
I don't even like them to touch me.
765
00:32:39,960 --> 00:32:41,455
I mean, I...
766
00:32:41,480 --> 00:32:44,215
I've left my children
at home to be child-free.
767
00:32:44,240 --> 00:32:49,375
I don't want to go and then
engage with more children.
768
00:32:50,120 --> 00:32:52,415
Do your own daughters watch it?
769
00:32:52,440 --> 00:32:54,895
They don't.
They don't like it.
770
00:32:54,920 --> 00:32:55,935
They don't like it.
771
00:32:55,960 --> 00:32:58,455
They don't like me
embarrassing myself so much.
772
00:32:58,480 --> 00:32:59,575
Oh, OK.
773
00:32:59,600 --> 00:33:02,375
You know, it's a very
cringeworthy...
774
00:33:02,400 --> 00:33:03,455
Isn't she?
It's cringey.
775
00:33:03,480 --> 00:33:04,495
And they don't...
776
00:33:04,520 --> 00:33:07,815
They just think I'm making
a complete tit of myself.
777
00:33:07,840 --> 00:33:10,055
And Bruce, for you,
you know, having kids,
778
00:33:10,080 --> 00:33:12,935
were they aware that a global
superstar was in the kitchen?
779
00:33:12,960 --> 00:33:15,735
Well, my kids were really little,
780
00:33:15,760 --> 00:33:18,415
and people would come up
to me and they said,
781
00:33:18,440 --> 00:33:21,335
"Why are these people
coming up to you, Dad?"
782
00:33:21,360 --> 00:33:25,015
I said, "Well,
where I work,
783
00:33:25,040 --> 00:33:30,895
I'm like Barney for adults."
784
00:33:30,960 --> 00:33:32,615
Ancl that kind of, "Ohh!"
785
00:33:32,640 --> 00:33:36,815
"Barney for adults."
786
00:33:36,840 --> 00:33:39,775
Barney.
787
00:33:39,800 --> 00:33:40,975
Was Barney very popular here?
788
00:33:41,000 --> 00:33:42,935
The purple dinosaur?
789
00:33:42,960 --> 00:33:44,455
With a certain demographic,
790
00:33:44,480 --> 00:33:45,455
Yeah, very much so.
791
00:33:45,480 --> 00:33:46,535
So, they understood that.
792
00:33:46,560 --> 00:33:48,215
But they have no interest,
virtually no...
793
00:33:48,240 --> 00:33:51,775
Or very little interest in my music
or interest in that part of my life.
794
00:33:51,800 --> 00:33:52,815
They're interested...
795
00:33:52,840 --> 00:33:55,975
I always say, your kids don't need
a hero, they need a father.
796
00:33:56,000 --> 00:34:00,815
And so, you know,
that's what they...
797
00:34:00,840 --> 00:34:03,295
But, but, very exciting -
798
00:34:03,320 --> 00:34:06,135
there's a new baby in
the Springsteen household.
799
00:34:06,160 --> 00:34:10,215
Yes,
I am a 73-year-old grandfather.
800
00:34:10,240 --> 00:34:11,255
APPLAUSE.
801
00:34:11,280 --> 00:34:13,575
First time!
802
00:34:13,600 --> 00:34:14,695
Yes, the first one.
803
00:34:14,720 --> 00:34:17,735
Yeah.
804
00:34:17,760 --> 00:34:20,055
My handsome, handsome son, Sam,
ancl his lovely partner, Alex,
805
00:34:20,080 --> 00:34:21,575
have a wonderful baby girl.
806
00:34:21,600 --> 00:34:23,375
Ancl there's a baby in the house.
807
00:34:23,400 --> 00:34:29,295
I'll be singing Wheels
On The Bus again.
808
00:34:29,360 --> 00:34:30,975
Dusting it off.
809
00:34:31,000 --> 00:34:32,455
That's right.
So we're quite happy.
810
00:34:32,480 --> 00:34:33,895
Oh, it's such a lovely thing.
811
00:34:33,920 --> 00:34:37,055
And tell me this, Mo -
you are the baby of your family.
812
00:34:37,080 --> 00:34:38,015
I'm the youngest,
yeah.
813
00:34:38,040 --> 00:34:39,895
So do they still
treat you like that?
814
00:34:39,920 --> 00:34:43,335
Well, the thing is, I'm the youngest
and I'm the only boy as well.
815
00:34:43,360 --> 00:34:46,655
So, like, when I go to my mum's,
my mum just like pulls out
816
00:34:46,680 --> 00:34:47,735
all the stops.
817
00:34:47,760 --> 00:34:49,815
She's like, "You hungry?
Do you want some food?"
818
00:34:49,840 --> 00:34:51,815
Like, "Do you want
a pillow and stuff?"
819
00:34:51,840 --> 00:34:54,375
Ancl I'm like, "Oh no!"
A pillow!
820
00:34:54,400 --> 00:34:56,095
Yeah, my mum offers me a pillow.
821
00:34:56,120 --> 00:34:57,535
Why do you need a pillow?
822
00:34:57,560 --> 00:34:58,575
It's a pillow, like.
823
00:34:58,600 --> 00:34:59,775
A pillow is so, like...
824
00:34:59,800 --> 00:35:02,175
I'm not there a lot,
you know what I mean?
825
00:35:02,200 --> 00:35:04,615
Like, so I get there
and she really pulls out
826
00:35:04,640 --> 00:35:05,615
all the stops.
827
00:35:05,640 --> 00:35:07,495
But then my sisters hate
it, because they're
828
00:35:07,520 --> 00:35:10,175
just like, "We've been here for five
hours, we haven't even
829
00:35:10,200 --> 00:35:11,215
been offered a drink!"
830
00:35:11,240 --> 00:35:16,215
Ancl I'm like, "Yeah,
but you ain't got a TV show, so..."
831
00:35:16,280 --> 00:35:18,495
But then your mum,
you talk about your mother
832
00:35:18,520 --> 00:35:19,575
a lot on stage.
833
00:35:19,600 --> 00:35:20,735
Does she enjoy it?
834
00:35:20,760 --> 00:35:22,095
My mum absolutely loves it.
835
00:35:22,120 --> 00:35:23,695
My mum absolutely loves my success.
836
00:35:23,720 --> 00:35:25,215
Ancl like...
837
00:35:25,240 --> 00:35:28,375
Because I always say
I get my comedy from my mum's side
838
00:35:28,400 --> 00:35:29,535
of my family.
839
00:35:29,560 --> 00:35:31,495
So my mum's really funny.
She's really bubbly.
840
00:35:31,520 --> 00:35:34,375
But my mum does this thing
where she hints for things like,
841
00:35:34,400 --> 00:35:37,975
so I'll be like, "Oh, Mum, you know,
I have this show happening."
842
00:35:38,000 --> 00:35:39,735
"Oh, that's great, fantastic.
Oh, really tired.
843
00:35:39,760 --> 00:35:43,175
"I'd love a Caribbean
cruise one clay."
844
00:35:43,200 --> 00:35:45,055
She just notes these little things.
845
00:35:45,080 --> 00:35:46,735
I'll be like, "Oh, Mum, guess what?
846
00:35:46,760 --> 00:35:48,895
"I'm going to be going
here and doing this."
847
00:35:48,920 --> 00:35:49,935
"Oh, that's great.
848
00:35:49,960 --> 00:35:54,015
"I'll just go back to that
old kitchen, yeah."
849
00:35:54,040 --> 00:35:57,135
So we have a cool tradeoff so that
whenever I have some success,
850
00:35:57,160 --> 00:35:59,495
I obviously I massively
share it with family,
851
00:35:59,520 --> 00:36:02,335
my mum, my sisters.
852
00:36:02,360 --> 00:36:04,975
I love your mum stuff.
853
00:36:05,000 --> 00:36:06,975
It's so funny.
So, so funny.
854
00:36:07,000 --> 00:36:09,375
But sometimes it's awkward because,
like, it's I can talk
855
00:36:09,400 --> 00:36:12,175
about my mum, but like sometimes,
"Hey, your mum's got fat ankles."
856
00:36:12,200 --> 00:36:13,455
I'm like, "Oh, hold on!"
857
00:36:13,480 --> 00:36:14,575
No!
858
00:36:14,600 --> 00:36:18,575
That's my comedy.
859
00:36:18,600 --> 00:36:20,695
You can't tell me my
mum has fat ankles.
860
00:36:20,720 --> 00:36:23,135
Well, I'm sure Mo's mother
will love his new show.
861
00:36:23,160 --> 00:36:24,335
It's called That's My jam.
862
00:36:24,360 --> 00:36:26,495
It's coming to BBC One
and iPlayer next month.
863
00:36:26,520 --> 00:36:29,615
So this is a big entertainment show
and it's connected to jimmy Fall on,
864
00:36:29,640 --> 00:36:31,215
the late night chat show in America.
865
00:36:31,240 --> 00:36:32,335
Yeah.
866
00:36:32,360 --> 00:36:33,775
So, what...?
Oh, there you are.
867
00:36:33,800 --> 00:36:35,015
Me and jimmy.
868
00:36:35,040 --> 00:36:36,455
So, yeah, he's a lovely guy.
869
00:36:36,480 --> 00:36:39,775
I was really fortunate to go out
a year ago and do the pilot
870
00:36:39,800 --> 00:36:40,855
and meet him.
871
00:36:40,880 --> 00:36:44,215
So he does the US version and he's
passed the baton on to me
872
00:36:44,240 --> 00:36:46,895
to do the UK one,
which will be on BBC One.
873
00:36:46,920 --> 00:36:47,855
Explain, explain the game.
874
00:36:47,880 --> 00:36:49,855
Yeah,
so it's basically like a music quiz
875
00:36:49,880 --> 00:36:51,735
show, but then it's got
performances with two
876
00:36:51,760 --> 00:36:52,775
teams of celebrities.
877
00:36:52,800 --> 00:36:55,655
So you get to see celebrities do
things you've never seen before,
878
00:36:55,680 --> 00:36:57,055
especially like musicians as well.
879
00:36:57,080 --> 00:36:59,695
So you have this game called
Musical Medley, so you'll get
880
00:36:59,720 --> 00:37:02,295
a famous track and then you'll
have to do a different
881
00:37:02,320 --> 00:37:03,335
genre of it.
882
00:37:03,360 --> 00:37:04,775
It's sensational.
883
00:37:04,800 --> 00:37:08,335
There's parts where I sit there,
I'm like, "Hey, this is so good,
884
00:37:08,360 --> 00:37:10,455
are you lot filming this?"
885
00:37:10,480 --> 00:37:11,495
Really good stuff.
886
00:37:11,520 --> 00:37:12,535
We've got a clip.
887
00:37:12,560 --> 00:37:14,055
And this is Alesha Dixon.
888
00:37:14,080 --> 00:37:15,255
Oh, this is Alesha Dixon.
889
00:37:15,280 --> 00:37:16,295
This is Alesha Dixon.
890
00:37:16,320 --> 00:37:17,655
And it's the musical
genre challenge.
891
00:37:17,680 --> 00:37:18,895
Yeah, yeah.
892
00:37:18,920 --> 00:37:19,975
Here we go.
893
00:37:20,000 --> 00:37:22,655
Come on, wheel!
894
00:37:22,680 --> 00:37:26,375
Give me something good!
Give me something good!
895
00:37:26,400 --> 00:37:27,415
Yes!
896
00:37:27,440 --> 00:37:29,335
Oh, my gosh, I'm
so excited for this.
897
00:37:29,360 --> 00:37:31,015
How are we going to do this?
898
00:37:31,040 --> 00:37:32,655
What kind of twist have you got?
899
00:37:32,680 --> 00:37:34,695
So I'm thinking Disney Princess.
900
00:37:34,720 --> 00:37:36,295
Yeah!
901
00:37:36,320 --> 00:37:37,255
Oh, yeah.
902
00:37:37,280 --> 00:37:40,335
It's exactly how I look.
903
00:37:40,400 --> 00:37:42,055
# Fire in the park
904
00:37:42,080 --> 00:37:44,135
# Let's go!
905
00:37:44,160 --> 00:37:48,175
# Man try say he's better than me
906
00:37:48,200 --> 00:37:51,855
# Tell my man, shut up
907
00:37:51,880 --> 00:37:55,655
# Mention my name
in one of your tweets
908
00:37:55,680 --> 00:37:59,295
# Oi, rude boy, shut up
909
00:37:59,320 --> 00:38:01,175
# Better than me?
910
00:38:01,200 --> 00:38:02,495
# Shut up!
911
00:38:02,520 --> 00:38:07,935
APPLAUSE.
912
00:38:08,000 --> 00:38:09,175
It's such a fun show.
913
00:38:09,200 --> 00:38:12,455
Ancl the cool thing is, people
at home get to play along as well.
914
00:38:12,480 --> 00:38:13,495
Yeah.
915
00:38:13,520 --> 00:38:15,215
But yeah, it was an hon our, man.
916
00:38:15,240 --> 00:38:18,095
Look, I'm a young man from south
London, so it's a go
917
00:38:18,120 --> 00:38:21,495
all the way to LA and do a show,
still, like, I can't believe
918
00:38:21,520 --> 00:38:22,695
this is a possibility.
919
00:38:22,720 --> 00:38:24,455
Oh, huge
congratulations to you, Mo.
920
00:38:24,480 --> 00:38:27,215
It's called
That's My jam, comes to BBC One
921
00:38:27,240 --> 00:38:30,335
and iPlayer next month.
922
00:38:30,360 --> 00:38:32,775
OK, time for music.
923
00:38:32,800 --> 00:38:36,415
This triple Mercury nominated band
is back with the number one album
924
00:38:36,440 --> 00:38:38,055
Dance Fever.
925
00:38:38,080 --> 00:38:41,135
Here, performing the current
single Dream Girl Evil,
926
00:38:41,160 --> 00:38:43,935
it is Florence and the Machine.
927
00:38:43,960 --> 00:38:48,055
APPLAUSE
928
00:38:48,840 --> 00:38:51,095
# Well, did you miss me
929
00:38:51,120 --> 00:38:52,055
# Walk on water
930
00:38:52,080 --> 00:38:55,015
# just to kiss me
931
00:38:55,040 --> 00:38:57,135
# Oh, come and get me
932
00:38:57,160 --> 00:39:01,135
# Drag me out, destroy me
933
00:39:01,160 --> 00:39:04,535
# I've been expecting you, I'm ready
934
00:39:04,560 --> 00:39:09,655
# Deliver me that bad news baby
935
00:39:12,680 --> 00:39:16,655
# Am I your dream girl?
936
00:39:16,680 --> 00:39:19,535
# You think of me in bed
937
00:39:19,560 --> 00:39:21,735
# But you could never hold me
938
00:39:21,760 --> 00:39:24,415
# You like me better in your head
939
00:39:24,440 --> 00:39:27,895
# Make me evil
940
00:39:27,920 --> 00:39:31,095
# Then I'm an angel instead
941
00:39:31,120 --> 00:39:37,095
# At least you'll
sanctify me when I'm dead
942
00:39:37,160 --> 00:39:44,135
# Dream Girl Evil, Dream Girl Evil
943
00:39:48,360 --> 00:39:55,255
# Dream Girl Evil, Dream Girl Evil
944
00:39:59,160 --> 00:40:01,935
# Did I disappoint you?
945
00:40:01,960 --> 00:40:04,975
# Did mummy make you sad?
946
00:40:05,000 --> 00:40:07,535
# Do I just remind you
947
00:40:07,560 --> 00:40:11,055
# Of every girl that made you mad?
948
00:40:11,080 --> 00:40:16,135
# Make me perfect,
make me your fantasy
949
00:40:16,200 --> 00:40:19,055
# You know I deserve it
950
00:40:19,080 --> 00:40:22,095
# Well, take it out on me
951
00:40:22,120 --> 00:40:26,015
# Am I your dream girl?
952
00:40:26,040 --> 00:40:28,855
# You think of me in bed
953
00:40:28,880 --> 00:40:31,015
# But you could never hold me
954
00:40:31,040 --> 00:40:33,935
# You like me better in your head
955
00:40:33,960 --> 00:40:37,095
# Make me evil
956
00:40:37,120 --> 00:40:40,695
# Then I'm an angel instead
957
00:40:40,720 --> 00:40:46,255
# At least you'll
sanctify me when I'm dead
958
00:40:46,320 --> 00:40:53,255
# Dream Girl Evil, Dream Girl Evil
959
00:40:58,240 --> 00:41:02,095
# Watch me shimmer
960
00:41:02,120 --> 00:41:08,295
# A projection of your mother
961
00:41:08,360 --> 00:41:13,335
# But don't come crying
962
00:41:13,400 --> 00:41:20,335
# I am nobody's moral centre
963
00:41:25,120 --> 00:41:33,120
# It cannot hold, it cannot hold
964
00:41:37,560 --> 00:41:43,175
# It cannot hold, it cannot hold
965
00:41:46,240 --> 00:41:47,255
# It cannot hold
966
00:41:47,280 --> 00:41:49,935
# Dream Girl
967
00:41:49,960 --> 00:41:50,975
# Evil
968
00:41:51,000 --> 00:41:52,655
# Dream Girl
969
00:41:52,680 --> 00:41:55,655
# Evil
970
00:41:55,680 --> 00:41:58,455
# Dream Girl
971
00:41:58,480 --> 00:42:01,415
# Evil
972
00:42:01,440 --> 00:42:04,655
# Dream Girl
973
00:42:04,680 --> 00:42:09,775
# Evil.
974
00:42:12,840 --> 00:42:13,815
APPLAUSE.
975
00:42:13,840 --> 00:42:17,735
WOW!
976
00:42:17,760 --> 00:42:19,575
Florence and the Machine, everybody.
977
00:42:19,600 --> 00:42:21,775
Beautiful.
978
00:42:21,800 --> 00:42:23,615
How gorgeous was that?
979
00:42:23,640 --> 00:42:24,615
And the band.
980
00:42:24,640 --> 00:42:28,015
Come on over, Florence, do.
981
00:42:28,280 --> 00:42:29,775
Shimmer, you waltz.
982
00:42:29,800 --> 00:42:31,055
Gorgeous.
983
00:42:31,080 --> 00:42:32,095
Hello.
984
00:42:32,120 --> 00:42:34,175
Have a seat there.
985
00:42:35,560 --> 00:42:37,255
Shove up slightly.
986
00:42:37,280 --> 00:42:43,095
We've got Mo, Anna, Anya, Bruce.
987
00:42:43,160 --> 00:42:44,975
Hello, hello.
988
00:42:45,000 --> 00:42:46,855
Oh, thank you so much for that.
989
00:42:46,880 --> 00:42:47,895
How gorgeous.
990
00:42:47,920 --> 00:42:49,495
Those vocals - wow!
991
00:42:49,520 --> 00:42:52,175
That is the album Dance Fever,
number one, number one album,
992
00:42:52,200 --> 00:42:53,255
Dance Fever.
993
00:42:53,280 --> 00:42:55,135
There you go.
994
00:42:55,160 --> 00:42:57,775
And you started touring this album
in America, is that right?
995
00:42:57,800 --> 00:42:58,775
Yes.
996
00:42:58,800 --> 00:42:59,855
OK.
997
00:42:59,880 --> 00:43:04,415
And why that?
just so you'd be home for Christmas?
998
00:43:04,440 --> 00:43:05,655
It's funny thing with...
999
00:43:05,680 --> 00:43:08,815
You don't do the booking
schedule yourself.
1000
00:43:08,840 --> 00:43:11,335
Sorry, sorry, I'm a fool.
1001
00:43:11,360 --> 00:43:15,495
Yeah, like...
1002
00:43:15,520 --> 00:43:20,495
If there's a why of, like,
there's someone else that will know.
1003
00:43:20,560 --> 00:43:22,415
But you are touring in this country.
Yes.
1004
00:43:22,440 --> 00:43:24,975
It kicks off soon, right?
Yes, very soon.
1005
00:43:25,000 --> 00:43:27,135
Do you know?
Vaguely.
1006
00:43:27,160 --> 00:43:28,415
It's in a week.
1007
00:43:28,440 --> 00:43:31,135
Yeah, yeah, yeah, yeah.
She'll be there, I promise.
1008
00:43:31,160 --> 00:43:32,855
In a week and I'll be there.
1009
00:43:32,880 --> 00:43:36,295
Yes, somebody will get her there.
It's going to happen.
1010
00:43:36,320 --> 00:43:38,895
But here's the thing,
because I look at you,
1011
00:43:38,920 --> 00:43:41,775
because I haven't been to one
of your live gigs, I've seen
1012
00:43:41,800 --> 00:43:45,375
you perform on the show and it seems
unlikely that you crowd-surf,
1013
00:43:45,400 --> 00:43:46,775
but you like it.
1014
00:43:46,800 --> 00:43:47,775
I really...
1015
00:43:47,800 --> 00:43:48,815
Yeah, I love it.
1016
00:43:48,840 --> 00:43:50,215
There you are.
1017
00:43:50,240 --> 00:43:52,215
I mean, there's so much
crowd interaction.
1018
00:43:52,240 --> 00:43:54,695
I mean, really getting as close
to people as possible
1019
00:43:54,720 --> 00:43:56,375
is what I really like to do.
1020
00:43:56,400 --> 00:43:59,015
So it's sometimes quite hard
when I'm doing this to stay
1021
00:43:59,040 --> 00:44:01,415
on the stage and not go down
and like, start
1022
00:44:01,440 --> 00:44:03,175
interacting with people.
1023
00:44:03,200 --> 00:44:06,975
But I'm like, OK, no,
it's TV, just behave.
1024
00:44:07,000 --> 00:44:08,175
But you have to choose...
1025
00:44:08,200 --> 00:44:11,055
Are there some outfits
where you kind of think, this is not
1026
00:44:11,080 --> 00:44:12,895
a stage crowd-surfing outfit?
1027
00:44:12,920 --> 00:44:14,135
Oh, I10, I10, no, no.
1028
00:44:14,160 --> 00:44:16,495
You can crowd-surf in Gucci.
It's fine.
1029
00:44:16,520 --> 00:44:19,095
OK.
1030
00:44:19,120 --> 00:44:22,735
You might come back
with less of it, but...
1031
00:44:22,760 --> 00:44:26,215
"I'm sure I was wearing a cape!"
1032
00:44:26,240 --> 00:44:29,335
But Bruce, you, do
you still crowd surf?
1033
00:44:29,360 --> 00:44:32,255
I'm retiring that.
1034
00:44:32,320 --> 00:44:33,375
We've got a picture.
1035
00:44:33,400 --> 00:44:34,495
That looks recent.
1036
00:44:34,520 --> 00:44:35,735
Hey!
1037
00:44:35,760 --> 00:44:38,255
Look how happy you are.
1038
00:44:38,280 --> 00:44:39,335
It's true.
1039
00:44:39,360 --> 00:44:44,815
I'm retiring, but I've had
a lot of fun doing it.
1040
00:44:45,080 --> 00:44:47,935
The only question I have
for both of you is how do
1041
00:44:47,960 --> 00:44:49,135
you control where you go?
1042
00:44:49,160 --> 00:44:52,015
Because I've done that at festivals
before and you're with your friends
1043
00:44:52,040 --> 00:44:54,255
and all of a sudden you're gone.
1044
00:44:54,280 --> 00:44:55,695
And you never find them again.
1045
00:44:55,720 --> 00:44:58,135
You can't...
You just get...
1046
00:44:58,160 --> 00:45:02,255
I've been crowd-surfed
out of a show before,
1047
00:45:02,280 --> 00:45:05,615
and I got so overexcited,
I crowd-surfed on the third song
1048
00:45:05,640 --> 00:45:10,655
in and then that was it, I was out.
1049
00:45:10,720 --> 00:45:12,855
I really wish you could
do this with comedy.
1050
00:45:12,880 --> 00:45:14,055
That'd be so fun.
1051
00:45:14,080 --> 00:45:17,935
"My mum's got fat ankles!
Ahh!"
1052
00:45:17,960 --> 00:45:22,095
That's so fun in music, man.
1053
00:45:22,120 --> 00:45:23,495
It's about trust.
1054
00:45:23,520 --> 00:45:26,215
It's about trust and the audience
trusting you and you're trusting
1055
00:45:26,240 --> 00:45:28,815
them and so you're like, OK.
1056
00:45:28,840 --> 00:45:32,335
Ancl it changes the temper of the
rest of the evening in a lovely way.
1057
00:45:32,360 --> 00:45:33,375
You're doing Hyde Park.
1058
00:45:33,400 --> 00:45:36,495
Imagine crowd-surfing at Hyde Park.
That would take hours.
1059
00:45:36,520 --> 00:45:38,975
If there was bad traffic,
you could cross the park
1060
00:45:39,000 --> 00:45:41,375
in two seconds and you're out.
1061
00:45:41,400 --> 00:45:44,215
Crowd-surf back to your hotel.
Exactly.
1062
00:45:44,240 --> 00:45:46,735
Listen, good luck with the tour,
Florence,
1063
00:45:46,760 --> 00:45:48,575
and good luck with the album.
1064
00:45:48,600 --> 00:45:50,375
But thank you for that
gorgeous performance.
1065
00:45:50,400 --> 00:45:51,975
Florence and the Machine, everyone.
1066
00:45:52,000 --> 00:45:55,935
APPLAUSE.
1067
00:45:55,960 --> 00:45:58,095
That, as they say, is nearly it.
1068
00:45:58,120 --> 00:46:01,055
But we've got just time
to visit the big red chair.
1069
00:46:01,080 --> 00:46:03,575
Hello. Hello, Graham.
1070
00:46:03,600 --> 00:46:05,335
Hello, what's your name?
1071
00:46:05,360 --> 00:46:06,375
Roger. Roger.
1072
00:46:06,400 --> 00:46:07,415
All right, Roger.
1073
00:46:07,440 --> 00:46:08,855
And what do you do, Roger?
1074
00:46:08,880 --> 00:46:09,855
I'm a doctor.
1075
00:46:09,880 --> 00:46:10,935
Oh, he's a doctor!
1076
00:46:10,960 --> 00:46:12,655
Like an actual doctor?
1077
00:46:12,680 --> 00:46:13,655
Yeah.
1078
00:46:13,680 --> 00:46:15,295
Yeah, yeah.
1079
00:46:15,320 --> 00:46:17,455
Well, there's a lot of...
1080
00:46:17,480 --> 00:46:18,495
You know.
1081
00:46:18,520 --> 00:46:19,735
Are you in general practice?
1082
00:46:19,760 --> 00:46:21,415
Or do you have a speciality?
1083
00:46:21,440 --> 00:46:22,895
I work in a hospital.
1084
00:46:22,920 --> 00:46:25,935
OK, like a doctor?
1085
00:46:26,000 --> 00:46:27,175
He knows what he's doing.
1086
00:46:27,200 --> 00:46:29,335
"Yeah, it's a hospital,
I work here."
1087
00:46:29,360 --> 00:46:30,815
And where do you do it?
1088
00:46:30,840 --> 00:46:32,455
In London. In London?
1089
00:46:32,480 --> 00:46:35,015
Keeping it nice and vague.
1090
00:46:35,040 --> 00:46:37,455
But on Monday, someone
will see this face and go,
1091
00:46:37,480 --> 00:46:40,215
"For fuck's sake, that's my doctor!"
1092
00:46:40,240 --> 00:46:41,535
"I'm relying on him."
1093
00:46:41,560 --> 00:46:44,655
Off you go with your story.
1094
00:46:44,680 --> 00:46:48,415
So I took a 24 hour
round trip to New York
1095
00:46:48,440 --> 00:46:51,015
because I wanted to see
Springsteen on Broadway.
1096
00:46:51,040 --> 00:46:52,935
Knew you'd be in one
of these stories!
1097
00:46:52,960 --> 00:46:53,975
Yes.
1098
00:46:54,000 --> 00:46:55,175
And everything was going fine.
1099
00:46:55,200 --> 00:46:58,335
I got to the theatre door
and I checked my ticket in
1100
00:46:58,360 --> 00:47:01,295
and the ticket didn't work.
1101
00:47:01,320 --> 00:47:04,215
What happened, there
was a mix-up and the friend
1102
00:47:04,240 --> 00:47:05,655
who I'd got the ticket from
1103
00:47:05,680 --> 00:47:09,815
was back in London at home,
asleep with his phone switched off.
1104
00:47:09,840 --> 00:47:12,975
So quite a challenging situation
to be in, as you can imagine.
1105
00:47:13,000 --> 00:47:14,855
Yes.
1106
00:47:14,880 --> 00:47:16,655
Very, very luckily,
a good friend,
1107
00:47:16,680 --> 00:47:21,095
Laurie from New jersey,
was there with me and she swapped
1108
00:47:21,120 --> 00:47:22,415
her ticket with me.
1109
00:47:22,440 --> 00:47:25,535
So I got in to see the show
and she had to wrangle
1110
00:47:25,560 --> 00:47:26,575
with the box office.
1111
00:47:26,600 --> 00:47:30,335
Eventually they let her in,
30 seconds before the show started.
1112
00:47:30,360 --> 00:47:32,455
Ohh!
1113
00:47:35,520 --> 00:47:38,375
That was brutal!
1114
00:47:38,440 --> 00:47:42,375
I mean, interesting for him...
1115
00:47:42,920 --> 00:47:46,735
That was just a TripAdvisor review.
1116
00:47:46,800 --> 00:47:50,015
I was so invested.
1117
00:47:50,040 --> 00:47:51,855
He got in, he got in.
1118
00:47:51,880 --> 00:47:55,415
No, I was worried that he'd float
all the way and he had to go.
1119
00:47:55,440 --> 00:47:56,495
He got in.
1120
00:47:56,520 --> 00:47:57,535
He's a doctor.
1121
00:47:57,560 --> 00:47:58,575
He can heal himself.
1122
00:47:58,600 --> 00:48:00,735
OK, that really is all
we've got time for.
1123
00:48:00,760 --> 00:48:03,855
If you would like to have a go
in that red chair yourself,
1124
00:48:03,880 --> 00:48:06,055
you can contact us via our website
at this very address.
1125
00:48:06,200 --> 00:48:09,215
Please, say a huge thank
you to all of my guests tonight -
1126
00:48:09,240 --> 00:48:10,655
Florence and the Machine!
you to all of my guests tonight -
1127
00:48:10,680 --> 00:48:13,055
Mo Gilligan!
you to all of my guests tonight -
1128
00:48:13,080 --> 00:48:15,695
Anna Maxwell Martin!
you to all of my guests tonight -
1129
00:48:15,720 --> 00:48:17,775
Anya Taylor-joy!
you to all of my guests tonight -
1130
00:48:17,800 --> 00:48:21,855
And Mr Bruce Springsteen!
you to all of my guests tonight -
1131
00:48:21,880 --> 00:48:24,415
Oh, yeah!
you to all of my guests tonight -
1132
00:48:24,440 --> 00:48:26,735
Next week it's Children
in Need, but do join me
1133
00:48:26,760 --> 00:48:28,175
the Friday after that,
1134
00:48:28,200 --> 00:48:31,055
with pop star Charlie Puth,
BBC newsman Clive Myrie,
1135
00:48:31,080 --> 00:48:34,615
Oscar winner Emma Thompson,
Knives Out star Daniel Craig,
1136
00:48:34,640 --> 00:48:37,455
and a taste of panto
with comedian john Bishop
1137
00:48:37,480 --> 00:48:39,215
and the great Sir Ian McKellen.
1138
00:48:39,240 --> 00:48:44,135
I'll see you then.
Goodnight, everybody, bye-bye!