1 00:00:03,990 --> 00:00:07,030 On the show tonight, it's welcome back to the great Tom Hanks. 2 00:00:07,030 --> 00:00:09,670 And this time, he is playing the grumpiest man alive. 3 00:00:09,670 --> 00:00:11,310 Is the world going mad? 4 00:00:11,310 --> 00:00:14,350 Let's start the show! 5 00:00:31,190 --> 00:00:34,310 Hello! 6 00:00:34,310 --> 00:00:37,510 That wasn't so bad. 7 00:00:37,510 --> 00:00:39,350 Hello, everybody. 8 00:00:39,350 --> 00:00:40,630 Good evening. 9 00:00:40,630 --> 00:00:42,590 You are all so welcome to the show. 10 00:00:42,590 --> 00:00:45,230 Great guests for you tonight, I can tell you. 11 00:00:45,230 --> 00:00:47,670 Excitement levels are going over-the-top. 12 00:00:47,670 --> 00:00:49,710 A bit like a Harry Kane penalty. 13 00:00:49,710 --> 00:00:53,750 AUDIENCE GROANS. 14 00:00:53,750 --> 00:00:55,870 Ooh, Harry. 15 00:00:55,870 --> 00:00:58,350 Still, at least the French were magnanimous in victory... 16 00:00:58,350 --> 00:01:03,110 LAUGHTER. 17 00:01:03,110 --> 00:01:05,390 So, now it's the World Cup final on Sunday. 18 00:01:05,390 --> 00:01:06,990 Argentina versus France. 19 00:01:06,990 --> 00:01:08,990 Everyone watching it? 20 00:01:08,990 --> 00:01:12,070 Maybe not! 21 00:01:12,070 --> 00:01:14,510 It promises to be the biggest, fiercest International grudge 22 00:01:14,510 --> 00:01:17,910 match since Wales versus Sussex. 23 00:01:17,910 --> 00:01:19,990 LAUGHTER. 24 00:01:19,990 --> 00:01:21,750 Chilly, chilly! 25 00:01:21,750 --> 00:01:23,710 Netflix and chilly! 26 00:01:23,710 --> 00:01:25,630 Now, this is our last show before Christmas. 27 00:01:25,630 --> 00:01:28,710 A bit earlier than normal but we wanted to give the audience 28 00:01:28,710 --> 00:01:30,430 nine days to find a train home. 29 00:01:30,430 --> 00:01:34,750 Good luck, everyone! 30 00:01:34,750 --> 00:01:36,030 I mean, everyone's on strike. 31 00:01:36,030 --> 00:01:38,510 Even the nurses came out yesterday. 32 00:01:38,510 --> 00:01:41,190 In response Rishi Sunak offered hospital staff a 4% pay rise. 33 00:01:41,190 --> 00:01:44,150 Hmm. 34 00:01:44,150 --> 00:01:47,030 And that's him trying to get an appointment after they told him 35 00:01:47,030 --> 00:01:49,430 to shove it up his arse. 36 00:01:49,430 --> 00:01:51,270 But hey, it's not all doom and gloom. 37 00:01:51,270 --> 00:01:54,070 Luckily for this time of year there's one cheerful old man 38 00:01:54,070 --> 00:01:56,230 with a beard who going on strike. 39 00:01:56,230 --> 00:01:58,590 I'm still doing my show! 40 00:01:58,590 --> 00:02:00,790 Hey! 41 00:02:00,790 --> 00:02:04,230 Let's get some guests on. 42 00:02:04,230 --> 00:02:07,110 Later, we'll have music from rising star Rina Sawayama. 43 00:02:07,110 --> 00:02:08,990 There she is. 44 00:02:08,990 --> 00:02:12,470 But first - he's gone from Pointless presenter to best-selling novelist 45 00:02:12,470 --> 00:02:17,510 - it's Richard Osman! 46 00:02:17,590 --> 00:02:21,110 Why, there he is now! 47 00:02:21,110 --> 00:02:22,790 Hello, sir. 48 00:02:22,790 --> 00:02:25,590 Hello, Graham, how are you? 49 00:02:25,590 --> 00:02:30,870 She's the BAFTA-winning star who's taking the lead as Whitney Houston 50 00:02:30,910 --> 00:02:35,110 in the biopic I Wanna Dance with Somebody - it's Naomi Ackie! 51 00:02:35,110 --> 00:02:40,310 CHEERING. 52 00:02:41,190 --> 00:02:43,470 Merry Christmas. 53 00:02:43,470 --> 00:02:46,910 Richard, Naomi. 54 00:02:46,910 --> 00:02:50,070 She's one of our best-loved actors, star of Doctor Foster, 55 00:02:50,070 --> 00:02:52,510 Gentleman Jack and Vigil - it's Suranne Jones! 56 00:02:52,510 --> 00:02:55,030 CHEERING. 57 00:02:55,030 --> 00:02:57,670 Oh! 58 00:02:57,670 --> 00:03:02,910 She shimmers, she shines. 59 00:03:04,150 --> 00:03:08,030 And he's the double-Oscar- winning star of Forrest Gump, 60 00:03:08,030 --> 00:03:11,510 Philadelphia, Saving Private Ryan and Toy Story, to name 61 00:03:11,510 --> 00:03:14,150 but a few and he's one of our favourite guests - 62 00:03:14,150 --> 00:03:16,670 it's Mr Tom Hanks! 63 00:03:16,670 --> 00:03:21,910 CHEERING. 64 00:03:26,110 --> 00:03:31,190 Tom Hanks, everybody. 65 00:03:34,150 --> 00:03:38,070 Lovely to see you all and so nice to have you back in the studio, Tom. 66 00:03:38,070 --> 00:03:39,390 Last time it was on Zoom. 67 00:03:39,390 --> 00:03:41,350 How about that? It was from Australia, yes. 68 00:03:41,350 --> 00:03:43,550 You guys were so separated. Oh, look at that! 69 00:03:43,550 --> 00:03:46,630 Oh, my lord. Stop! 70 00:03:46,630 --> 00:03:48,430 LAUGHTER. 71 00:03:48,430 --> 00:03:53,510 He looks better in person, right? My lord, that's horrifying! 72 00:03:53,550 --> 00:03:58,870 That looks like the guy who says, "before I kill you, Mr Bond...!" 73 00:03:59,190 --> 00:04:03,550 Sad, sad, sad portrait. 74 00:04:03,550 --> 00:04:05,790 Welcome to you, Suranne. 75 00:04:05,790 --> 00:04:09,190 I think you're the only person who's ever come on the show and drank 76 00:04:09,190 --> 00:04:11,510 a generic Irish cream liqueur. Hmm. 77 00:04:11,510 --> 00:04:14,230 Well, yes, they said what do you want and I said, 78 00:04:14,230 --> 00:04:18,110 just a sparkling water and then I heard that there were 79 00:04:18,110 --> 00:04:19,990 other Christmas drinks going and being a nana, 80 00:04:19,990 --> 00:04:21,670 I said I'll have a Bailey's, thanks. 81 00:04:21,670 --> 00:04:22,870 So that's what I've got. 82 00:04:22,870 --> 00:04:26,030 I would have had a Bailey's if I'd known there were Bailey's See? 83 00:04:26,030 --> 00:04:29,310 It's a generic Irish cream liqueur! 84 00:04:29,310 --> 00:04:32,310 But it's the most delicious generic Irish cream liqueur. 85 00:04:32,310 --> 00:04:34,150 And a first-time welcome to Naomi Ackie. 86 00:04:34,150 --> 00:04:36,390 Hello. 87 00:04:36,390 --> 00:04:38,910 APPLAUSE. 88 00:04:38,910 --> 00:04:40,870 I'm so excited for you. 89 00:04:40,870 --> 00:04:43,270 Whitney Houston and I Wanna Dance with Somebody. 90 00:04:43,270 --> 00:04:45,430 You just had the big premiere in New York. 91 00:04:45,430 --> 00:04:46,830 Yeah, I just flew in today. 92 00:04:46,830 --> 00:04:48,990 There, how about that for a red carpet look? 93 00:04:48,990 --> 00:04:49,990 Wow. 94 00:04:49,990 --> 00:04:53,870 That's taking the world by storm. 95 00:04:53,870 --> 00:04:56,310 And what do Americans make of meeting the woman playing 96 00:04:56,310 --> 00:04:58,710 Whitney Houston and then you speak with a British accent? 97 00:04:58,710 --> 00:05:03,190 Oh, they were really freaked out. 98 00:05:03,190 --> 00:05:08,470 Accents don't come easy to me at all, so onset I would be talking 99 00:05:09,350 --> 00:05:12,910 as Whitney and then afterwards I'd be like, "bloody hell, 100 00:05:12,910 --> 00:05:15,430 that was a hard day, innit?" 101 00:05:15,430 --> 00:05:18,390 "Oh, I'll tell what, I don't half want to dance with somebody!" 102 00:05:18,390 --> 00:05:19,390 Yeah! 103 00:05:19,390 --> 00:05:20,470 LAUGHTER. 104 00:05:20,470 --> 00:05:25,670 It's DAN-ce, not DARN-ce! 105 00:05:25,750 --> 00:05:26,750 Well, congratulations. 106 00:05:26,750 --> 00:05:28,190 Thank you. 107 00:05:28,190 --> 00:05:30,110 We'll find out more about it later on. 108 00:05:30,110 --> 00:05:35,310 Talking of congratulations, let's keep it going 109 00:05:36,910 --> 00:05:40,430 because Richard Osman just got married! 110 00:05:40,430 --> 00:05:43,510 CHEERING. 111 00:05:43,510 --> 00:05:45,870 Congratulations! 112 00:05:45,870 --> 00:05:47,790 This is the honeymoon. This is my honeymoon. 113 00:05:47,790 --> 00:05:49,510 Now they are. Different suit, that's good. 114 00:05:49,510 --> 00:05:50,470 Exactly. 115 00:05:50,470 --> 00:05:53,390 You know what, don't think it didn't go through my mind, Graham. 116 00:05:53,390 --> 00:05:55,790 When was that? That was the third, two weeks ago. 117 00:05:55,790 --> 00:05:56,830 Wow. 118 00:05:56,830 --> 00:05:58,470 You should know exactly when it was! 119 00:05:58,470 --> 00:06:01,910 About two weeks ago! 120 00:06:01,910 --> 00:06:04,550 And did you go on a honeymoon or is this it? 121 00:06:04,550 --> 00:06:06,750 Yeah, we did. We just got back from Venice. 122 00:06:06,750 --> 00:06:07,790 You sound quite bored! 123 00:06:07,790 --> 00:06:09,390 "Yeah, we did..." 124 00:06:09,390 --> 00:06:12,070 Every mistake in the book. 125 00:06:12,070 --> 00:06:14,150 I couldn't be happier. 126 00:06:14,150 --> 00:06:18,390 And then you get to meet Tom Hanks after a honeymoon, that's not bad. 127 00:06:18,390 --> 00:06:20,390 Again, shouldn't say that either. 128 00:06:20,390 --> 00:06:21,790 You've peaked. 129 00:06:21,790 --> 00:06:25,110 That's it, it's all downhill. 130 00:06:25,110 --> 00:06:27,510 We had to cut it short by about a week-and-a-half, 131 00:06:27,510 --> 00:06:28,710 but it was worth it. 132 00:06:28,710 --> 00:06:30,630 Actually, you say that. 133 00:06:30,630 --> 00:06:33,550 I mean, lovely wedding picture, there, but it was missing one thing 134 00:06:33,550 --> 00:06:34,910 and that was Mr Tom Hanks. 135 00:06:34,910 --> 00:06:36,710 You like to photobomb a wedding. 136 00:06:36,710 --> 00:06:38,350 Oh, I'll jump into that any chance. 137 00:06:38,350 --> 00:06:39,470 Really? 138 00:06:39,470 --> 00:06:40,750 Can you photobomb into mine? 139 00:06:40,750 --> 00:06:44,790 Just tell me when and where and I'll happen to be jogging by! 140 00:06:44,790 --> 00:06:50,030 It started in Rome, right? 141 00:06:50,070 --> 00:06:55,110 Yes, we needed to shoot, we were shooting Angels and demons 142 00:06:55,110 --> 00:06:58,350 and we were shooting in front of the Parthenon, very famous. 143 00:06:58,350 --> 00:07:01,830 It is also a church, an ordained church and there 144 00:07:01,830 --> 00:07:04,470 was a beautiful young couple that were getting married and their 145 00:07:04,470 --> 00:07:06,110 limousines were in our shot. 146 00:07:06,110 --> 00:07:09,430 And Ron Howard said, "I don't know what we going to do with this! 147 00:07:09,430 --> 00:07:10,510 "What is going on?" 148 00:07:10,510 --> 00:07:15,710 Let me take care of this. 149 00:07:15,830 --> 00:07:18,870 So I went up and knocked on the door and said, "young lady, 150 00:07:18,870 --> 00:07:20,950 "you are very beautiful and will you allow me 151 00:07:20,950 --> 00:07:22,510 "to escort you to the altar?" 152 00:07:22,510 --> 00:07:25,590 So, she came out with her dad and we walked through the crowd. 153 00:07:25,590 --> 00:07:26,790 Parted like the Red Sea. 154 00:07:26,790 --> 00:07:28,710 Oh, my God. There we are, that's right. 155 00:07:28,710 --> 00:07:31,270 You know what I saw that picture earlier and I thought, 156 00:07:31,270 --> 00:07:32,990 I really hope that is her dad! 157 00:07:32,990 --> 00:07:37,110 Yeah. 158 00:07:37,110 --> 00:07:39,750 There I am in my costume and we got right up 159 00:07:39,750 --> 00:07:41,110 to the door to the Parthenon. 160 00:07:41,110 --> 00:07:44,750 As movie people we are not allowed inside so on they went and she made 161 00:07:44,750 --> 00:07:46,110 it to the church on time. 162 00:07:46,110 --> 00:07:47,630 # Made it to the church! 163 00:07:47,630 --> 00:07:49,070 Me coming over and doing that! 164 00:07:49,070 --> 00:07:51,270 # Made it to the church on time! 165 00:07:51,270 --> 00:07:56,550 APPLAUSE. 166 00:07:56,670 --> 00:07:58,510 All right, let's start with Tom's latest movie. 167 00:07:58,510 --> 00:08:01,150 It is called A Man Called Otto. 168 00:08:01,150 --> 00:08:03,150 It opens here on the 6th of January. 169 00:08:03,150 --> 00:08:04,830 So, Tom, you play Otto. 170 00:08:04,830 --> 00:08:08,670 Who is Otto and why are we interested in him? 171 00:08:08,670 --> 00:08:12,510 Otto is a man, he has no faith in the future, 172 00:08:12,510 --> 00:08:14,550 he thinks he's lived it all, done it all. 173 00:08:14,550 --> 00:08:17,990 He's retired, he is alone, and he's ready to sort of cash it in. 174 00:08:17,990 --> 00:08:22,270 And then the worst possible thing happens, fabulous people 175 00:08:22,270 --> 00:08:25,510 move across the street, from another country, and he thinks, 176 00:08:25,510 --> 00:08:28,590 this is the last thing I want, these people knocking on my door. 177 00:08:28,590 --> 00:08:33,030 And it turns out to be the greatest thing that ever happened. 178 00:08:33,030 --> 00:08:35,910 And this is based on a Swedish book A Man Called Ove, 179 00:08:35,910 --> 00:08:37,310 and then there was a film. 180 00:08:37,310 --> 00:08:40,030 So, did you see that Swedish film before you said yes? 181 00:08:40,030 --> 00:08:44,590 Six years ago we are watching and if you remember the Academy 182 00:08:44,590 --> 00:08:48,270 of Motion Pictures, a BAFTA, one of the two, you get free DVDs. 183 00:08:48,270 --> 00:08:51,910 Back when you still had a DVD player in your house, anybody? 184 00:08:51,910 --> 00:08:55,750 Those kids, scratching their heads. 185 00:08:55,750 --> 00:09:00,150 And we saw this and my wife Rita produced as well, 186 00:09:00,150 --> 00:09:03,510 she was a producer and I was watching, this movie is fantastic, 187 00:09:03,510 --> 00:09:07,390 it has a performance by a man named Rolf Lassgard, 188 00:09:07,390 --> 00:09:10,910 who played Ove. 189 00:09:10,910 --> 00:09:13,670 And I was thinking, this is fantastic, I wonder if this 190 00:09:13,670 --> 00:09:15,470 could work in America? 191 00:09:15,470 --> 00:09:18,950 And just as this was going through my head, Rita said to me, 192 00:09:18,950 --> 00:09:20,950 "we have to make this movie in America!" 193 00:09:20,950 --> 00:09:24,630 "You have to play this guy." 194 00:09:24,630 --> 00:09:27,470 So we did and we were just in Sweden, we were in 195 00:09:27,470 --> 00:09:30,430 Stockholm last night. 196 00:09:30,430 --> 00:09:34,990 This was, honestly, if the Swedes don't like what you've done 197 00:09:34,990 --> 00:09:37,390 to their national treasure, this is a recipe for 198 00:09:37,390 --> 00:09:39,710 disaster, am I wrong? 199 00:09:39,710 --> 00:09:44,950 And they actually appreciate it. 200 00:09:48,110 --> 00:09:51,430 It's very much an American movie and in fact I said to Marc Forster, 201 00:09:51,430 --> 00:09:53,870 who directed it, and the producers, I said there's already 202 00:09:53,870 --> 00:09:57,630 been a man called Ove, there's been a great performance 203 00:09:57,630 --> 00:10:01,190 by an actor playing a man called Ove, so I will be playing a man 204 00:10:01,190 --> 00:10:03,630 called Otto in a movie called A Man Called Otto. 205 00:10:03,630 --> 00:10:05,510 And they said, "how do you spell that?" 206 00:10:05,510 --> 00:10:06,990 "O-T-T-O." 207 00:10:06,990 --> 00:10:09,710 They said, "we thought you said A-U-T-O". 208 00:10:09,710 --> 00:10:13,990 So that actually makes sense. 209 00:10:13,990 --> 00:10:16,110 Weirdly, that's just about to be in our clip. 210 00:10:16,110 --> 00:10:20,830 We've got a clip. 211 00:10:20,830 --> 00:10:25,990 This is you as Otto being very grumpy to your new neighbours, 212 00:10:26,750 --> 00:10:28,590 played by Manuel Garcia-Rulfo and Mariana Trevino. 213 00:10:28,590 --> 00:10:30,110 Trev-VEENIO. 214 00:10:30,110 --> 00:10:31,350 Trev-VEENIO! 215 00:10:31,350 --> 00:10:33,670 Hmm. 216 00:10:34,470 --> 00:10:35,510 Hi. 217 00:10:35,510 --> 00:10:36,750 Hey. 218 00:10:36,750 --> 00:10:39,390 Otto, right? 219 00:10:39,390 --> 00:10:41,590 Otto. 220 00:10:41,590 --> 00:10:43,750 Yeah, that's what I said. 221 00:10:43,750 --> 00:10:44,830 What did I say? 222 00:10:44,830 --> 00:10:46,270 It doesn't matter what you said. 223 00:10:46,270 --> 00:10:47,270 Otto. 224 00:10:47,270 --> 00:10:48,510 O-t-t-o. 225 00:10:48,510 --> 00:10:49,950 Oh, Otto. Oh Otto. 226 00:10:49,950 --> 00:10:52,110 So it's the same forward as it is backwards. 227 00:10:52,110 --> 00:10:53,790 Otto. 228 00:10:53,790 --> 00:10:55,510 You don't hear that name very often. 229 00:10:55,510 --> 00:10:57,070 I do. 230 00:10:57,070 --> 00:10:59,510 OK, if we are interrupting, we can always come back. 231 00:10:59,510 --> 00:11:00,710 What is it you want? 232 00:11:00,710 --> 00:11:02,030 I brought you some guacamole. 233 00:11:02,030 --> 00:11:04,350 Why? 234 00:11:04,350 --> 00:11:06,390 Because you looked hungry. 235 00:11:06,390 --> 00:11:08,510 Anyway... 236 00:11:08,510 --> 00:11:10,270 We just... 237 00:11:10,270 --> 00:11:13,110 We just wanted to properly introduce ourselves, because we're 238 00:11:13,110 --> 00:11:14,590 going be neighbours, so... 239 00:11:14,590 --> 00:11:16,550 So. 240 00:11:16,550 --> 00:11:19,830 OK, bye. 241 00:11:19,830 --> 00:11:25,110 Are you always this unfriendly? 242 00:11:29,550 --> 00:11:31,950 I'm not unfriendly. 243 00:11:31,950 --> 00:11:33,390 OK, you're not. 244 00:11:33,390 --> 00:11:36,230 You're not unfriendly. 245 00:11:36,230 --> 00:11:39,710 Every word you say is like a warm cuddle. 246 00:11:39,710 --> 00:11:44,790 APPLAUSE. 247 00:11:46,590 --> 00:11:51,270 Tom, I wonder, in this movie, is it nice to release your inner grouch? 248 00:11:51,270 --> 00:11:53,510 Oh, it's fantastic. 249 00:11:53,510 --> 00:11:58,590 You see, OK... 250 00:11:58,630 --> 00:12:01,830 And my family, I have two phrases that the whole family knows. 251 00:12:01,830 --> 00:12:03,670 The first one is, oh, dad is boiling. 252 00:12:03,670 --> 00:12:07,510 Dad is boiling. 253 00:12:07,510 --> 00:12:10,990 That phrase is, "OK, let me get this straight." 254 00:12:10,990 --> 00:12:14,430 You ever do this, you know? 255 00:12:14,430 --> 00:12:18,430 "I see, I see." 256 00:12:18,430 --> 00:12:22,550 "Let me get this straight." 257 00:12:22,550 --> 00:12:23,950 "You la-la-la-la-la-la, but I doddle-dee-dee-dee. 258 00:12:23,950 --> 00:12:25,590 That would become a dad's going there. 259 00:12:25,590 --> 00:12:26,750 All of us are leaning! 260 00:12:26,750 --> 00:12:30,070 Tom Hanks has been mean to us! 261 00:12:30,070 --> 00:12:32,710 The second half is, "why would it work for me?" 262 00:12:32,710 --> 00:12:34,550 That means I've gone over the edge. 263 00:12:34,550 --> 00:12:37,190 Why would it work for me? 264 00:12:37,230 --> 00:12:41,030 Why would it work for me? 265 00:12:41,030 --> 00:12:44,110 The entire world picks up a remote and watches the Graham Norton Show 266 00:12:44,110 --> 00:12:45,110 anytime they want to. 267 00:12:45,110 --> 00:12:49,590 Why would it work for me? 268 00:12:49,590 --> 00:12:52,510 I'll tell you why, because the remote says 269 00:12:52,510 --> 00:12:54,670 menu, press, source, on, subject a camera subject become 270 00:12:54,670 --> 00:12:55,870 a red button, yellow button. 271 00:12:55,870 --> 00:12:57,510 None of this turns on the TV! 272 00:12:57,510 --> 00:12:58,950 Why would it work for me? 273 00:12:58,950 --> 00:13:04,230 APPLAUSE. Have some generic Irish liqueur. 274 00:13:08,230 --> 00:13:11,310 I have a six-year-old who said to me when I left the house, 275 00:13:11,310 --> 00:13:16,190 "are you going to meet Woody?" 276 00:13:16,190 --> 00:13:18,430 Angry Woody! 277 00:13:18,430 --> 00:13:21,070 Woody wasn't happy today. 278 00:13:21,070 --> 00:13:25,110 But I haven't had to press any remote. 279 00:13:25,110 --> 00:13:28,790 Everyone has things that trigger them. 280 00:13:28,790 --> 00:13:34,070 Suranne, have you got things that set you off? 281 00:13:40,470 --> 00:13:43,390 The biggest thing, it's weird to say this on a talk show 282 00:13:43,390 --> 00:13:45,590 but public loos and the state of public loos. 283 00:13:45,590 --> 00:13:49,070 You know if you've been on a flight or whether you really need the loo, 284 00:13:49,070 --> 00:13:50,750 you just want it to be clean. 285 00:13:50,750 --> 00:13:52,750 So maybe there should be a public announcement, 286 00:13:52,750 --> 00:13:55,150 if you've done your business and it hasn't flushed right 287 00:13:55,150 --> 00:13:56,190 or whatever, try again. 288 00:13:56,190 --> 00:13:57,230 I'm so sorry, Tom. 289 00:13:57,230 --> 00:13:58,430 Let me get this straight... 290 00:13:58,430 --> 00:14:01,910 LAUGHTER. 291 00:14:01,910 --> 00:14:03,110 Like, and it's women's toilets. 292 00:14:03,110 --> 00:14:05,110 It's really bad. 293 00:14:05,110 --> 00:14:06,510 Try men's! 294 00:14:06,510 --> 00:14:08,710 You kind of expect it of men. 295 00:14:08,710 --> 00:14:11,350 Not that you expect it of men. Expect it of men? 296 00:14:11,350 --> 00:14:14,470 LAUGHTER. 297 00:14:14,470 --> 00:14:17,510 You know, but ladies, you would think that we are clean about it. 298 00:14:17,510 --> 00:14:21,430 Yeah. 299 00:14:21,430 --> 00:14:22,590 Really don't. 300 00:14:22,590 --> 00:14:25,430 But that's like, sometimes if women are forced to use men's toilets 301 00:14:25,430 --> 00:14:28,670 in an emergency and they just go, that was disgusting you go, yeah, 302 00:14:28,670 --> 00:14:31,030 I know, we've had to use them our entire lives. 303 00:14:31,030 --> 00:14:32,110 We don't love them. 304 00:14:32,110 --> 00:14:34,190 And Naomi, you have a thing that upsets you. 305 00:14:34,190 --> 00:14:35,230 It's feet. 306 00:14:35,230 --> 00:14:37,470 LAUGHTER. 307 00:14:37,470 --> 00:14:39,870 What, all feet? 308 00:14:39,870 --> 00:14:45,110 It's like, when it touches me. 309 00:14:46,990 --> 00:14:50,430 My dad used to torture me with his feet when I was a kid. 310 00:14:50,430 --> 00:14:51,470 OK. 311 00:14:51,470 --> 00:14:53,110 LAUGHTER. 312 00:14:53,110 --> 00:14:55,070 This has turned dark all of a sudden. 313 00:14:55,070 --> 00:14:56,750 I'm sorry, dad. 314 00:14:56,750 --> 00:14:59,950 We'd be watching TV and I'm eight years old and I'd turn around 315 00:14:59,950 --> 00:15:01,190 and his foot is just... 316 00:15:01,190 --> 00:15:05,070 Distressing. 317 00:15:05,070 --> 00:15:09,070 Once I had a birthday sleepover, I was sat on the floor and one 318 00:15:09,070 --> 00:15:12,590 of my friends was on the sofa and she put her foot on my face 319 00:15:12,590 --> 00:15:14,030 and then scrunched up her toes! 320 00:15:14,030 --> 00:15:18,270 I kicked her out of my house. 321 00:15:18,270 --> 00:15:22,310 LAUGHTER. 322 00:15:22,310 --> 00:15:24,550 You've got to have rules. 323 00:15:24,550 --> 00:15:29,790 You have to have boundaries. 324 00:15:32,110 --> 00:15:34,710 And Tom, one of your sons, Truman, is in this film, 325 00:15:34,710 --> 00:15:36,110 playing the younger... 326 00:15:36,110 --> 00:15:38,550 The younger version of me, yes. 327 00:15:38,550 --> 00:15:40,950 He's not the actor in the family. 328 00:15:40,950 --> 00:15:46,150 He's an artist, he is going to a cinematographer. 329 00:15:46,910 --> 00:15:49,550 He's being carrying around a camera since he was 13 years 330 00:15:49,550 --> 00:15:50,990 old and developing his own film. 331 00:15:50,990 --> 00:15:53,110 Marc Forster, the director, he is Swiss. 332 00:15:53,110 --> 00:15:55,550 He says, "you know we're going to have to cast 333 00:15:55,550 --> 00:15:57,670 a young version of you." 334 00:15:57,670 --> 00:16:00,070 "Too bad you have two kids that are too old." 335 00:16:00,070 --> 00:16:01,750 My sons, Colin and Chester, too old. 336 00:16:01,750 --> 00:16:03,990 "But what about your youngest, can I meet him?" 337 00:16:03,990 --> 00:16:07,030 I said, well, he doesn't want to be an actor. 338 00:16:07,030 --> 00:16:08,230 He said, I don't care. 339 00:16:08,230 --> 00:16:09,550 Can I meet him? 340 00:16:09,550 --> 00:16:11,870 "Because then I won't have to audition a bunch 341 00:16:11,870 --> 00:16:13,310 "of people who look like you. 342 00:16:13,310 --> 00:16:15,190 So he did and our DNA actually matches. 343 00:16:15,190 --> 00:16:16,390 It does! 344 00:16:16,390 --> 00:16:18,910 LAUGHTER. 345 00:16:18,910 --> 00:16:23,270 That would have made me mad! 346 00:16:23,270 --> 00:16:27,670 I thought he was extraordinary in it. 347 00:16:27,670 --> 00:16:31,510 But I always say to the kids, it is great work if you can get it 348 00:16:31,510 --> 00:16:36,710 but you've got to make it stick, so follow what you want to do. 349 00:16:38,110 --> 00:16:40,550 So his passion really is shaping the shot as opposed 350 00:16:40,550 --> 00:16:42,870 to being in the shot, but he can do either. 351 00:16:42,870 --> 00:16:46,510 Well, you can see Truman and you can see Tom as A Man Called Otto 352 00:16:46,510 --> 00:16:48,190 in cinemas from the six of January. 353 00:16:48,190 --> 00:16:49,270 Tom Hanks, everybody. 354 00:16:49,270 --> 00:16:54,510 APPLAUSE. 355 00:16:55,390 --> 00:17:00,230 I haven't finished my generic tea! 356 00:17:00,230 --> 00:17:03,990 Weirdly, Tom is not the only person paying someone grumpy. 357 00:17:03,990 --> 00:17:07,990 Suranne Jones brings us Christmas Carole. 358 00:17:07,990 --> 00:17:10,830 This is the updated Dickens, it is Sky Max, Christmas Eve 359 00:17:10,830 --> 00:17:15,270 at eight o'clock and you play Carole with a E. 360 00:17:15,270 --> 00:17:17,910 So, how does this take on the Dickens work? 361 00:17:17,910 --> 00:17:22,390 So, I was doing Gentleman Jack and I was sat in the make-up chair 362 00:17:22,390 --> 00:17:25,830 and I said the next thing I want to do is a Christmas film. 363 00:17:25,830 --> 00:17:29,910 I want to make something that my son, who is six, can watch, 364 00:17:29,910 --> 00:17:33,070 because he hasn't really been able to watch a lot of my things. 365 00:17:33,070 --> 00:17:35,390 So... 366 00:17:35,390 --> 00:17:37,030 Exactly, yeah. 367 00:17:37,030 --> 00:17:39,110 APPLAUSE. 368 00:17:39,110 --> 00:17:44,230 Good mother. 369 00:17:44,910 --> 00:17:47,190 Yes, this is what mummy does that you can watch. 370 00:17:47,190 --> 00:17:49,950 It is Christmas Eve, it is a tale of Christmas Carol. 371 00:17:49,950 --> 00:17:51,030 Who is Christmas Carole underneath? 372 00:17:51,030 --> 00:17:56,070 So, she has this company that makes awful Christmas decorations 373 00:17:56,070 --> 00:17:59,550 and Christmas produce and sells it for lots of money and she just rips 374 00:17:59,550 --> 00:18:02,990 everyone off, basically. 375 00:18:02,990 --> 00:18:04,950 There's actually a sustainability thread that goes through. 376 00:18:04,950 --> 00:18:06,430 That's good. 377 00:18:06,430 --> 00:18:11,670 There is. 378 00:18:11,950 --> 00:18:14,150 So, we have the ghosts as you can see, 379 00:18:14,150 --> 00:18:16,470 the ghost of Christmas past, which is Morecambe and Wise. 380 00:18:16,470 --> 00:18:18,630 Jo Brand, with her golden loo brush is present. 381 00:18:18,630 --> 00:18:19,870 And she plays Jo Brand. 382 00:18:19,870 --> 00:18:21,070 She plays Jo Brand, yeah. 383 00:18:21,070 --> 00:18:23,510 And then Nish Kumar is the ghost of Christmas future. 384 00:18:23,510 --> 00:18:24,510 So, all comedians. 385 00:18:24,510 --> 00:18:25,990 They're just brilliant. 386 00:18:25,990 --> 00:18:28,430 They really are. 387 00:18:28,430 --> 00:18:31,670 This is a clip and it is Christmas Carole meeting Morecambe and Wise. 388 00:18:35,870 --> 00:18:41,030 THEY SING "BRING ME SUNSHINE". 389 00:18:46,550 --> 00:18:48,390 Excuse me, young sir. 390 00:18:48,390 --> 00:18:50,750 We are looking for the one they call Christmas Carole. 391 00:18:50,750 --> 00:18:53,350 That's me. 392 00:18:53,350 --> 00:18:54,790 He thought you were Des O'Connor. 393 00:18:54,790 --> 00:18:56,230 Yeah. 394 00:18:56,230 --> 00:18:57,630 You're actually Eric Morecambe. Oh, yes. 395 00:18:57,630 --> 00:18:59,190 And he's Ernie Wise. 396 00:18:59,190 --> 00:19:00,910 Delighted to meet you, Miss Christmas. 397 00:19:00,910 --> 00:19:02,750 But you're both dead. 398 00:19:02,750 --> 00:19:06,110 She's quick, I'll give her that. What's happening to me? 399 00:19:06,110 --> 00:19:11,270 She hasn't got it yet, has she? No. 400 00:19:13,670 --> 00:19:16,950 I don't think she has. We're the ghosts of Christmas past. 401 00:19:19,750 --> 00:19:24,950 APPLAUSE. 402 00:19:25,670 --> 00:19:28,830 So, Nish plays Nish, Jo plays Jo, but Morecambe and Wise are played 403 00:19:28,830 --> 00:19:30,750 by Jonty Stephens and is it Ian Ashpitel? 404 00:19:30,750 --> 00:19:32,670 Yes. 405 00:19:32,670 --> 00:19:35,230 Now, they are amazing. 406 00:19:35,230 --> 00:19:37,430 So, is this what they do? 407 00:19:37,430 --> 00:19:42,150 Yeah, so, I'd actually already seen them in a theatre. 408 00:19:42,150 --> 00:19:46,070 When me and my husband got married we did the Morecambe and Wise dance. 409 00:19:46,070 --> 00:19:49,270 So we got married on our own. 410 00:19:49,270 --> 00:19:51,070 Was Tom there? 411 00:19:51,070 --> 00:19:56,270 Tom wasn't there! 412 00:19:59,390 --> 00:20:00,630 The Morecambe and Wise dance. 413 00:20:00,630 --> 00:20:03,630 We got married on our own and we played Bring Me Sunshine 414 00:20:03,630 --> 00:20:05,990 so when we came out, two seconds after this picture, 415 00:20:05,990 --> 00:20:07,150 I fell over the dress. 416 00:20:07,150 --> 00:20:09,990 Lawrence was like, oh, my God. 417 00:20:09,990 --> 00:20:12,670 So I took him for our first anniversary to see Ian 418 00:20:12,670 --> 00:20:13,830 and Jonty in their show. 419 00:20:13,830 --> 00:20:16,270 And they're not in anyway doing a parody of them. 420 00:20:16,270 --> 00:20:21,550 It's not a tribute act, they're so good. 421 00:20:22,630 --> 00:20:25,870 And the song, Bring Me Sunshine which you had at your wedding, 422 00:20:25,870 --> 00:20:27,670 also very popular in Richard Osman's house. 423 00:20:27,670 --> 00:20:29,670 It wasn't at your wedding. 424 00:20:29,670 --> 00:20:32,310 No, it was my first song on Desert Island Discs. 425 00:20:32,310 --> 00:20:34,950 I was thinking about television and how much I love television 426 00:20:34,950 --> 00:20:40,110 and how much it means to me and how much it means to us as a country. 427 00:20:43,470 --> 00:20:46,710 And that song and those two people brought the country together 428 00:20:46,710 --> 00:20:49,350 in a way perhaps that will never be brought together again, 429 00:20:49,350 --> 00:20:50,790 if you know what I mean. 430 00:20:50,790 --> 00:20:53,190 Everyone loved them and everyone understood where they came from, 431 00:20:53,190 --> 00:20:55,830 they came from the music Hall and vaudeville and that kind 432 00:20:55,830 --> 00:20:58,190 of stuff and came through into this incredible new world, 433 00:20:58,190 --> 00:21:00,110 so they held us all together for years. 434 00:21:00,110 --> 00:21:02,470 And that one song is the one song I think, 435 00:21:02,470 --> 00:21:04,630 when you think about television, you think about entertainment, 436 00:21:04,630 --> 00:21:07,030 you think about joy, that's the song you think about. 437 00:21:07,030 --> 00:21:08,110 Yeah. 438 00:21:08,110 --> 00:21:10,270 So, if you didn't have that at your wedding, 439 00:21:10,270 --> 00:21:11,910 what did you have at your wedding? 440 00:21:11,910 --> 00:21:14,350 I walked on, I had my own entrance. Theme tune! 441 00:21:14,350 --> 00:21:16,750 I didn't have Tom Hanks, I had to have something. 442 00:21:16,750 --> 00:21:18,430 I walked into Lose Yourself by Eminem. 443 00:21:18,430 --> 00:21:19,430 LAUGHTER. 444 00:21:19,430 --> 00:21:22,070 You only get one shot, don't miss your chance, that one. 445 00:21:22,070 --> 00:21:24,310 My palms are sweating, all that kind of stuff. 446 00:21:24,310 --> 00:21:27,350 I walked in on the beat and it got such a huge cheer. 447 00:21:27,350 --> 00:21:30,790 My wife was in a little anteroom said she was nervous and then heard 448 00:21:30,790 --> 00:21:33,830 this enormous cheer and I thought, everything is going to be all right. 449 00:21:33,830 --> 00:21:37,230 And then she walked onto The Long And Winding Road and the whole place 450 00:21:37,230 --> 00:21:38,310 just absolutely disintegrated. 451 00:21:38,310 --> 00:21:40,150 And then we walked into our wedding breakfast 452 00:21:40,150 --> 00:21:42,590 to Let's Get Ready To Rumble by PJ and Duncan. 453 00:21:42,590 --> 00:21:43,590 LAUGHTER. 454 00:21:43,590 --> 00:21:45,270 So we lost a lot of goodwill. 455 00:21:45,270 --> 00:21:46,470 I like the playlist, yeah. 456 00:21:46,470 --> 00:21:48,870 Tom, did you have any special songs at your wedding? 457 00:21:48,870 --> 00:21:52,350 I fought for the theme to On Her Majesty's Secret Service 458 00:21:52,350 --> 00:21:53,350 sung by Louis Armstrong. 459 00:21:53,350 --> 00:21:55,550 # We have all the time in the world. 460 00:21:55,550 --> 00:21:57,910 # Time enough to love. 461 00:21:57,910 --> 00:22:00,830 But my wife chose True Love by the Everly Brothers. 462 00:22:00,830 --> 00:22:02,070 Oh, beautiful. 463 00:22:02,070 --> 00:22:04,110 Naomi, obviously you're planning your wedding. 464 00:22:04,110 --> 00:22:05,110 Tom's booked. 465 00:22:05,110 --> 00:22:06,790 Of course! 466 00:22:06,790 --> 00:22:08,990 Have you got any songs in your back pocket? 467 00:22:08,990 --> 00:22:13,070 LAUGHTER. 468 00:22:13,070 --> 00:22:15,230 It's in my head but I won't share it! 469 00:22:15,230 --> 00:22:16,310 OK. 470 00:22:16,310 --> 00:22:17,710 It's... 471 00:22:17,710 --> 00:22:20,790 # Ooh here she comes.# Oh! 472 00:22:20,790 --> 00:22:22,390 Oh, yeah, that would be good. 473 00:22:22,390 --> 00:22:23,430 What's the...? 474 00:22:23,430 --> 00:22:24,630 She's a man eater! 475 00:22:24,630 --> 00:22:27,190 A man eater! 476 00:22:27,190 --> 00:22:30,230 APPLAUSE. 477 00:22:30,230 --> 00:22:31,270 Yeah, use that! 478 00:22:31,270 --> 00:22:33,550 Go with that. 479 00:22:33,550 --> 00:22:38,710 The groom standing at the altar going... 480 00:22:46,350 --> 00:22:50,030 "I came on to I Will Always Love You and you're coming on to this?" 481 00:22:50,030 --> 00:22:51,110 LAUGHTER. 482 00:22:51,110 --> 00:22:53,270 If I was officiating that wedding and you came 483 00:22:53,270 --> 00:22:55,910 in to Maneater I would say, "dude, get out of here! 484 00:22:55,910 --> 00:22:56,950 Run, run! 485 00:22:56,950 --> 00:22:59,310 And Suranne, as you say, your son can watch this. 486 00:22:59,310 --> 00:23:00,790 So, has he seen it yet? 487 00:23:00,790 --> 00:23:02,190 Yeah, he came to the screening. 488 00:23:02,190 --> 00:23:05,550 It was the first time that he was able to come to a screening. 489 00:23:05,550 --> 00:23:06,790 So, he was quite excited. 490 00:23:06,790 --> 00:23:09,670 He managed to sit through the whole thing and he said "yes, 491 00:23:09,670 --> 00:23:10,870 mummy, it was very good. 492 00:23:10,870 --> 00:23:11,870 Phew! 493 00:23:11,870 --> 00:23:12,910 Phew, exactly, yeah. 494 00:23:12,910 --> 00:23:13,990 The reviews are in. 495 00:23:13,990 --> 00:23:18,030 Yeah and then he had a lot of sugar and he fell on the floor, you know. 496 00:23:18,030 --> 00:23:19,670 So, Gentlemen Jack is obviously quite adult. 497 00:23:19,670 --> 00:23:21,430 Could he not have watched Vigil? 498 00:23:21,430 --> 00:23:26,590 He... 499 00:23:28,430 --> 00:23:31,430 Well, with Vigil I said "well, mummy gets put on a helicopter 500 00:23:31,430 --> 00:23:32,670 and dropped onto a submarine." 501 00:23:32,670 --> 00:23:35,710 So, I showed him that bit and then it got a bit violent. 502 00:23:35,710 --> 00:23:36,950 I mean, that is great. 503 00:23:36,950 --> 00:23:38,070 And that is real you. 504 00:23:38,070 --> 00:23:40,550 Is that happening, are you being lowered onto a submarine? 505 00:23:40,550 --> 00:23:41,590 No, Graham, I'm not! 506 00:23:41,590 --> 00:23:43,870 LAUGHTER. 507 00:23:43,870 --> 00:23:47,070 So, when I read scripts, I get so excited and this 508 00:23:47,070 --> 00:23:50,550 one I immediately went, oh, I really want to do it 509 00:23:50,550 --> 00:23:53,390 because I had a vision that I would be, not thinking 510 00:23:53,390 --> 00:23:55,790 about insurance, obviously, I'm going to be in a helicopter 511 00:23:55,790 --> 00:23:58,270 and get dropped in the middle of the North Sea. 512 00:23:58,270 --> 00:24:02,950 And I was in a car park of a supermarket on a crane. 513 00:24:02,950 --> 00:24:04,870 LAUGHTER. 514 00:24:04,870 --> 00:24:05,910 We got a picture. 515 00:24:05,910 --> 00:24:08,230 This is the reality. 516 00:24:08,230 --> 00:24:09,990 Oh, no, it's fake! 517 00:24:09,990 --> 00:24:15,310 I don't want to know it's fake! 518 00:24:15,590 --> 00:24:20,590 And when I got to the bottom there was a man here underneath the crane 519 00:24:20,590 --> 00:24:25,870 that threw a load of water on me. 520 00:24:27,230 --> 00:24:28,910 I would watch that, to be fair. 521 00:24:28,910 --> 00:24:30,230 Put a live fish in it! 522 00:24:30,230 --> 00:24:33,230 Did they call lunch when you were right up at the top? 523 00:24:33,230 --> 00:24:34,230 "It's lunch!" 524 00:24:34,230 --> 00:24:37,070 You know when they're checking takes and stuff and you don't hear 525 00:24:37,070 --> 00:24:39,510 anything and you're like, "Did you like it or not?" 526 00:24:39,510 --> 00:24:42,350 So I was up there and I'm like, "Are we going again?" 527 00:24:42,350 --> 00:24:44,790 Did they give you any direction up there? 528 00:24:44,790 --> 00:24:48,710 "Can you have more of a look in your eye that says, 529 00:24:48,710 --> 00:24:52,910 'What's happening to me?'" How did they direct you up there? 530 00:24:52,910 --> 00:24:55,150 They kept saying, "Spin round to the camera." 531 00:24:55,150 --> 00:24:58,790 Oh, because you can control that. 532 00:24:58,790 --> 00:25:00,230 And that was the camera there. 533 00:25:00,230 --> 00:25:03,910 So there's a video of me doing, like a ballet dance... 534 00:25:03,910 --> 00:25:06,710 Is it true that they're going to make another Vigil? 535 00:25:06,710 --> 00:25:08,150 They are, but not with submarines. 536 00:25:08,150 --> 00:25:10,590 I was going to say, she wouldn't be that stupid. 537 00:25:10,590 --> 00:25:11,670 No! 538 00:25:11,670 --> 00:25:14,390 She kept getting locked in places and everyone kept dying. 539 00:25:14,390 --> 00:25:16,990 That bit when you were in the tube was so scary. 540 00:25:16,990 --> 00:25:22,150 Yeah, and I was submerged, actually, in the tube. 541 00:25:23,190 --> 00:25:26,030 I think you forget that actually, at any moment, you can just 542 00:25:26,030 --> 00:25:28,870 say, "Can I get out?" 543 00:25:28,870 --> 00:25:30,110 You get so into it. 544 00:25:30,110 --> 00:25:34,550 That's why stuntpeople should do stunts and actors shouldn't. 545 00:25:34,550 --> 00:25:36,790 Well, we look forward to Vigil 2 546 00:25:36,790 --> 00:25:39,750 and you can see Suranne in Christmas Carole on Christmas Eve. 547 00:25:39,750 --> 00:25:44,910 Very good. 548 00:25:46,150 --> 00:25:47,950 Christmas Eve. 549 00:25:47,950 --> 00:25:49,550 Now, this is exciting. 550 00:25:49,550 --> 00:25:53,870 Naomi Ackie is Whitney Houston in I Wanna Dance With Somebody. 551 00:25:53,870 --> 00:25:57,190 It opens everywhere on Boxing Day, and this is a big deal. 552 00:25:57,190 --> 00:26:02,390 It's the first biopic that's been authorised by her family. 553 00:26:05,030 --> 00:26:06,230 Clive Davis executive produced it. 554 00:26:06,230 --> 00:26:08,390 So were all those people involved in casting you? 555 00:26:08,390 --> 00:26:09,470 Yeah, I guess so. 556 00:26:09,470 --> 00:26:13,230 I mean, I didn't know at the time. 557 00:26:13,230 --> 00:26:16,030 I was just filming self-takes and then seeing what happened. 558 00:26:16,030 --> 00:26:19,830 But yeah, they were and it was great because I got to talk to them all 559 00:26:19,830 --> 00:26:22,070 the way through the whole process. 560 00:26:22,070 --> 00:26:25,630 Clive, I went to his house when I arrived in the US and we had 561 00:26:25,630 --> 00:26:28,750 a lovely lunch and then we went to his cinema room and sat 562 00:26:28,750 --> 00:26:31,190 and watched Whitney's live performances and I was just like, 563 00:26:31,190 --> 00:26:34,270 like, you're Clive and I'm me. 564 00:26:34,270 --> 00:26:36,910 And I just sat with a notepad while he's pointing out 565 00:26:36,910 --> 00:26:39,550 all the things he found special in her live performances and, 566 00:26:39,550 --> 00:26:44,670 working with that, I tried to make sure I did that. 567 00:26:45,510 --> 00:26:50,710 Listen, the clip we have is one of the highlights of her career. 568 00:26:50,750 --> 00:26:52,430 It's that amazing performance 569 00:26:52,430 --> 00:26:54,830 she did of the national anthem at the Super Bowl. 570 00:26:54,830 --> 00:27:00,070 So this is Naomi Ackie as Whitney Houston. 571 00:27:09,510 --> 00:27:14,710 # O'er the ramparts we watched 572 00:27:15,550 --> 00:27:20,790 # Were so gallantly streaming 573 00:27:21,190 --> 00:27:26,510 # And the rockets' red glare, the bombs bursting in air... 574 00:27:26,910 --> 00:27:28,310 Yeah, hit that. 575 00:27:28,310 --> 00:27:29,750 Hit that. 576 00:27:29,750 --> 00:27:31,670 Yeah! 577 00:27:31,670 --> 00:27:36,990 # Gave proof through the night that our flag was still there 578 00:27:44,590 --> 00:27:49,830 # O say, does that star-spangled banner yet wave? 579 00:27:59,710 --> 00:28:04,950 # O'er the land of the free 580 00:28:08,110 --> 00:28:13,390 # And the home of the brave? 581 00:28:22,750 --> 00:28:27,950 CHEERING AND APPLAUSE. 582 00:28:32,750 --> 00:28:35,230 I'm an American! 583 00:28:35,230 --> 00:28:37,230 I'm an American. 584 00:28:37,230 --> 00:28:40,830 You got me. 585 00:28:40,830 --> 00:28:42,950 That wasn't in a Sainsbury's car park, was it? 586 00:28:42,950 --> 00:28:47,310 No. 587 00:28:47,310 --> 00:28:49,350 Such epic performance and God, Americans do do those 588 00:28:49,350 --> 00:28:50,390 things really well. 589 00:28:50,390 --> 00:28:52,790 You can ask an American, they all remember that moment 590 00:28:52,790 --> 00:28:55,670 because everybody watches the Super Bowl and 591 00:28:55,670 --> 00:28:58,510 everybody saw that. 592 00:28:58,510 --> 00:29:00,950 And the voice, the singing, a lot of it's Whitney, 593 00:29:00,950 --> 00:29:05,790 but you were mixed in as well? 594 00:29:05,790 --> 00:29:08,630 Yeah, so there was a kind of question about how to morph 595 00:29:08,630 --> 00:29:13,950 into Whitney's voice because we do do some songs from when she's a lot 596 00:29:15,470 --> 00:29:18,310 younger and there are things we don't know about in that area, 597 00:29:18,310 --> 00:29:21,670 so I took about one and a half of the songs at the beginning 598 00:29:21,670 --> 00:29:22,870 and then, you know, Whitney. 599 00:29:22,870 --> 00:29:25,110 You know, and for some dramatic beats and stuff, 600 00:29:25,110 --> 00:29:27,950 I filled in some of those spaces but hopefully, by that point, 601 00:29:27,950 --> 00:29:29,790 you're along for the ride and you understand 602 00:29:29,790 --> 00:29:32,590 what the rules are. 603 00:29:32,590 --> 00:29:34,630 And I noticed Whitney's teeth are not your teeth. 604 00:29:34,630 --> 00:29:35,870 Yeah, I've got a gap. 605 00:29:35,870 --> 00:29:39,830 LAUGHTER. 606 00:29:39,830 --> 00:29:43,070 So what were they, were they painted in? 607 00:29:43,070 --> 00:29:44,790 No, they were fake. They were flippers. 608 00:29:44,790 --> 00:29:47,430 We had one on the bottom and one on the top. 609 00:29:47,430 --> 00:29:51,950 And I had been working on the accent for about six months. 610 00:29:51,950 --> 00:29:56,190 Um, and I thought, "OK, I've got the accent down, 611 00:29:56,190 --> 00:29:59,630 I think I've got this". 612 00:29:59,630 --> 00:30:03,070 And then suddenly they put the teeth in and it was like relearning it 613 00:30:03,070 --> 00:30:04,350 all over again because...th-th-th. 614 00:30:04,350 --> 00:30:07,150 So it took a second to get used to. 615 00:30:07,150 --> 00:30:10,310 I don't know about you guys, but at the end of the film 616 00:30:10,310 --> 00:30:15,470 when you realise it's ten years since Whitney died, I had no idea. 617 00:30:15,510 --> 00:30:17,710 It feels long, but also quite a short time. 618 00:30:17,710 --> 00:30:18,950 Yeah. 619 00:30:18,950 --> 00:30:21,070 And of course, it was the oddest of circumstances 620 00:30:21,070 --> 00:30:22,390 with that Grammy party. 621 00:30:22,390 --> 00:30:23,830 Tom, were you at that party? 622 00:30:23,830 --> 00:30:24,830 Yes. 623 00:30:24,830 --> 00:30:27,670 Every now and again, you get invited to a party and say, 624 00:30:27,670 --> 00:30:30,110 "I cannot miss this, because everybody who has ever been 625 00:30:30,110 --> 00:30:33,670 a fabulous singer is at this". 626 00:30:33,670 --> 00:30:35,790 But because the news had broken in Los Angeles, 627 00:30:35,790 --> 00:30:39,630 it was like an earthquake. 628 00:30:39,630 --> 00:30:42,910 We couldn't believe it and the question was, 629 00:30:42,910 --> 00:30:44,230 "Do we still have this?" 630 00:30:44,230 --> 00:30:45,310 Clive Davis said, "Absolutely. 631 00:30:45,310 --> 00:30:50,510 We are not going to not celebrate the life of this woman". 632 00:30:51,230 --> 00:30:52,630 It was quite a profound get-together. 633 00:30:52,630 --> 00:30:53,750 I can't imagine. 634 00:30:53,750 --> 00:30:55,910 Naomi, having done this film and been Whitney, can 635 00:30:55,910 --> 00:30:59,870 you listen to Whitney now? 636 00:30:59,870 --> 00:31:03,230 I had to take a break, I won't lie, because I was obviously really 637 00:31:03,230 --> 00:31:04,630 immersed in the world. 638 00:31:04,630 --> 00:31:07,070 So I came home indefinitely was like, all right, Whitney, 639 00:31:07,070 --> 00:31:09,190 I will give you a second. 640 00:31:09,190 --> 00:31:11,550 But now, I actually listen to it to remember some 641 00:31:11,550 --> 00:31:15,230 of the moments I had filming. 642 00:31:15,230 --> 00:31:18,830 Like, it was such a formative time in my life and in my career that 643 00:31:18,830 --> 00:31:23,950 I look back on it fondly. 644 00:31:24,030 --> 00:31:25,790 Well, congratulations, and you can see Naomi 645 00:31:25,790 --> 00:31:30,950 in I Wanna Dance With Somebody from Boxing Day. 646 00:31:33,270 --> 00:31:35,390 So on Christmas Eve, I got to watch yours. 647 00:31:35,390 --> 00:31:37,550 And the day after, I have to watch yours. 648 00:31:37,550 --> 00:31:40,590 In the States, you don't call Boxing Day anything, do you? 649 00:31:40,590 --> 00:31:43,030 We think Boxing Day is when the families finally break 650 00:31:43,030 --> 00:31:45,030 out the fisticuffs to work out their problems. 651 00:31:45,030 --> 00:31:49,950 Well, often, it is. 652 00:31:49,950 --> 00:31:55,230 Right, good news, murder mystery lovers. 653 00:31:55,310 --> 00:31:56,390 Richard Osman 654 00:31:56,390 --> 00:31:58,470 has written a new book, The Bullet That Missed. 655 00:31:58,470 --> 00:32:00,910 It is the third in The Thursday Murder Club series. 656 00:32:00,910 --> 00:32:03,110 Tell us about this one. Same cast of characters? 657 00:32:03,110 --> 00:32:05,150 Same group of people, four detectives in their seventies. 658 00:32:05,150 --> 00:32:08,910 They all live together in a retirement community and look 659 00:32:08,910 --> 00:32:10,710 over old, unsolved cases. 660 00:32:10,710 --> 00:32:13,910 One day there's a real murder, they team up and they solve it 661 00:32:13,910 --> 00:32:15,550 and we're on the third book now. 662 00:32:15,550 --> 00:32:17,670 This one, every time I release a new one, 663 00:32:17,670 --> 00:32:21,310 I think this is going to be where people find me out but so far, 664 00:32:21,310 --> 00:32:24,190 this seems to be the most popular of all, which is lovely. 665 00:32:24,190 --> 00:32:27,310 And lots of this is set in the world of television, funnily enough. 666 00:32:27,310 --> 00:32:29,630 Some of it is in the world of local news. 667 00:32:29,630 --> 00:32:32,070 You know any time you see any local news, wherever 668 00:32:32,070 --> 00:32:34,230 you are in the country, there's always a guy 669 00:32:34,230 --> 00:32:36,430 in his seventies and a woman in her twenties. 670 00:32:36,430 --> 00:32:39,110 So this is about the guy in his seventies who Joyce, 671 00:32:39,110 --> 00:32:41,150 who is our hero, essentially has a crush on. 672 00:32:41,150 --> 00:32:43,350 And so they start investigating. There's loads in telly. 673 00:32:43,350 --> 00:32:45,590 There's even a quiz show in there as well. 674 00:32:45,590 --> 00:32:48,790 You've got to write what you know. 675 00:32:48,790 --> 00:32:53,270 So you wrote the first two kind of under the radar, in a way. 676 00:32:53,270 --> 00:32:58,390 This is the first one you've written knowing what an enormous 677 00:33:01,430 --> 00:33:02,470 hit the franchise is. 678 00:33:02,470 --> 00:33:05,870 So did that give you confidence, or did it freak you out a bit? 679 00:33:05,870 --> 00:33:07,750 I kind of loved it, is the truth. 680 00:33:07,750 --> 00:33:09,390 I've had a whole career in television. 681 00:33:09,390 --> 00:33:12,550 Guys, you know you have an awful lot of flops if you're in 682 00:33:12,550 --> 00:33:13,630 a creative business. 683 00:33:13,630 --> 00:33:14,670 Ah, speak for yourself. 684 00:33:14,670 --> 00:33:15,670 LAUGHTER. 685 00:33:15,670 --> 00:33:19,750 Not over here, baby. Not over here. 686 00:33:19,750 --> 00:33:21,950 Did you not see the submarine thing she did? 687 00:33:21,950 --> 00:33:24,630 I have had a lot of flops in my career. 688 00:33:24,630 --> 00:33:28,430 And one of the nicest things you can have is a hit. 689 00:33:28,430 --> 00:33:31,510 When I'm writing, I'm just in the room, the door is shut 690 00:33:31,510 --> 00:33:34,630 and all I've got is the cat on the keyboard and I'm trying 691 00:33:34,630 --> 00:33:39,830 to write, so then I'm with the characters. 692 00:33:41,070 --> 00:33:43,710 But knowing that people are going to read it and knowing 693 00:33:43,710 --> 00:33:46,750 that people want to read it and find out what happens to 694 00:33:46,750 --> 00:33:47,750 the characters is a joy. 695 00:33:47,750 --> 00:33:50,390 And Joyce, who writes the diary in this, I find myself, 696 00:33:50,390 --> 00:33:53,270 when I'm writing, as she's writing, I think, "Joyce, people love you. 697 00:33:53,270 --> 00:33:54,470 You're doing a great job". 698 00:33:54,470 --> 00:33:56,670 It is so lovely to be in her brain. 699 00:33:56,670 --> 00:33:59,110 And how does Mother Osman feel about book number three? 700 00:33:59,110 --> 00:34:02,190 Yeah, she lives in a retirement community and it was when I would 701 00:34:02,190 --> 00:34:04,390 meet the people there who had these incredible life 702 00:34:04,390 --> 00:34:05,350 stories that I thought, 703 00:34:05,350 --> 00:34:07,270 "I've got to team you up as detectives". 704 00:34:07,270 --> 00:34:08,750 She is fine with it now. 705 00:34:08,750 --> 00:34:11,110 The first one, she was worried for legal reasons that 706 00:34:11,110 --> 00:34:13,350 I was going to be talking about her friends. 707 00:34:13,350 --> 00:34:15,990 But any time I visit now, they're very much on board. 708 00:34:15,990 --> 00:34:18,830 When I go down there, they all pitch me ideas for murders. 709 00:34:18,830 --> 00:34:20,470 Honestly, they're terrible. 710 00:34:20,470 --> 00:34:25,310 She has two friends - honestly, they're called Peggy and Sue. 711 00:34:25,310 --> 00:34:27,670 And I was down there recently because we were filming 712 00:34:27,670 --> 00:34:29,510 for the ten o'clock news. 713 00:34:29,510 --> 00:34:31,670 They were all just being interviewed for the ten 714 00:34:31,670 --> 00:34:33,670 o'clock news, all dressed up, 715 00:34:33,670 --> 00:34:36,110 line dancing, and Peggy said to me, "Oh, one second. 716 00:34:36,110 --> 00:34:38,550 You know, there's a concert hall here and they're thinking 717 00:34:38,550 --> 00:34:40,750 of shutting it down and turning it into flats. 718 00:34:40,750 --> 00:34:42,390 That could be a plot, couldn't it?" 719 00:34:42,390 --> 00:34:44,630 And I was like, "Yeah, probably". 720 00:34:44,630 --> 00:34:47,750 And then Sue could see maybe I wasn't buying it and she said, 721 00:34:47,750 --> 00:34:50,110 "There's a balcony at the end of the concert hall. 722 00:34:50,110 --> 00:34:52,350 You could push someone off that and kill them". 723 00:34:52,350 --> 00:34:56,230 Yes! Now we have a plot. 724 00:34:56,230 --> 00:34:59,750 So she's exec-producing the new movie. 725 00:34:59,750 --> 00:35:01,870 Suranne, you're halfway through this, is that right? 726 00:35:01,870 --> 00:35:03,630 Actually, can I have that? 727 00:35:03,630 --> 00:35:06,390 LAUGHTER. 728 00:35:06,390 --> 00:35:08,030 You're hiding it. Because you want it. 729 00:35:08,030 --> 00:35:10,630 No, I just want Richard to sell books. 730 00:35:10,630 --> 00:35:15,270 OK, I'll buy the book. 731 00:35:15,270 --> 00:35:16,910 My husband could buy it for Christmas. 732 00:35:16,910 --> 00:35:18,870 There's a Waterstones on Piccadilly. 733 00:35:18,870 --> 00:35:20,750 Exactly. 734 00:35:20,750 --> 00:35:23,790 I think Suranne can have one. 735 00:35:23,790 --> 00:35:25,470 Thank you. I've read one and two. 736 00:35:25,470 --> 00:35:26,470 I love Joyce. 737 00:35:26,470 --> 00:35:29,270 When she does her diary entries, oh! 738 00:35:29,270 --> 00:35:30,710 I love Elizabeth, she's very kick-ass, 739 00:35:30,710 --> 00:35:35,870 but I'm more of a Joyce fan. 740 00:35:36,230 --> 00:35:40,190 Would you be a Peggy or a Sue? 741 00:35:40,190 --> 00:35:42,310 I'd be a Peggy, I guess, if I'm Joyce. 742 00:35:42,310 --> 00:35:44,750 Can I play the person who's pushed off the balcony? 743 00:35:44,750 --> 00:35:47,790 Listen, there's a role for all three of you in the movie. 744 00:35:47,790 --> 00:35:51,230 This is why we do Graham's show. 745 00:35:51,230 --> 00:35:53,870 As long as you can do cockney. 746 00:35:53,870 --> 00:35:56,110 Oh, watch this. Let me be that American. 747 00:35:56,110 --> 00:35:58,350 TERRIBLE COCKNEY ACCENT: Well, I think I'll get me 748 00:35:58,350 --> 00:35:59,590 to the church on time. 749 00:35:59,590 --> 00:36:04,550 APPLAUSE. 750 00:36:04,590 --> 00:36:06,910 You're Ron. 751 00:36:06,910 --> 00:36:09,750 Next up, the yearly panto. 752 00:36:09,750 --> 00:36:13,110 Tom, you're also turning novelist. You've got a book out next spring? 753 00:36:13,110 --> 00:36:15,030 It will be out in May, yes. 754 00:36:15,030 --> 00:36:17,670 It's called The Making Of Another Major Motion Picture Masterpiece - 755 00:36:17,670 --> 00:36:18,670 write what you know. 756 00:36:18,670 --> 00:36:20,590 Yeah. 757 00:36:20,590 --> 00:36:23,150 Because I've read a number of books about the making... 758 00:36:23,150 --> 00:36:27,030 No one knows how we do this. Everybody assumes they know. 759 00:36:27,030 --> 00:36:30,030 It is so cockamamie, the way you get a movie 760 00:36:30,030 --> 00:36:33,790 from somebody's idea to the finished screen. 761 00:36:33,790 --> 00:36:38,990 I invested about 480 pages and about nine quarts of blood. 762 00:36:39,030 --> 00:36:42,110 Oh, it's so hard to write. 763 00:36:42,110 --> 00:36:43,790 Everybody says, "How do you write books?" 764 00:36:43,790 --> 00:36:48,950 I write books like this. 765 00:36:53,190 --> 00:36:57,670 So serious. 766 00:36:57,670 --> 00:37:00,750 "But if that happened on a Tuesday, that couldn't happen on the Monday". 767 00:37:00,750 --> 00:37:01,750 Oh! 768 00:37:01,750 --> 00:37:05,390 Do you forget the characters' names sometimes? 769 00:37:05,390 --> 00:37:07,950 I'm a professional author. 770 00:37:07,950 --> 00:37:11,710 I had a guy that was named Diego, and at page 300 I changed his name 771 00:37:11,710 --> 00:37:12,990 to Francisco and no-one knew. 772 00:37:12,990 --> 00:37:16,630 Someone said, "Who is Francisco?" "Oh, Diego, sorry about that". 773 00:37:16,630 --> 00:37:19,790 Proofreaders are the best people in the world because if you make any 774 00:37:19,790 --> 00:37:22,150 mistake at all, their job is to pick it up. 775 00:37:22,150 --> 00:37:23,070 They're so brilliant. 776 00:37:23,070 --> 00:37:27,230 Everything, like, what time a train is to London. 777 00:37:27,230 --> 00:37:30,990 They'll say, "By the way, there's no longer a trolly service 778 00:37:30,990 --> 00:37:33,870 on that train" and you think, "Oh, that's useful". 779 00:37:33,870 --> 00:37:35,830 The only time I got in trouble was... 780 00:37:35,830 --> 00:37:37,710 They checked everything, and in the first book 781 00:37:37,710 --> 00:37:39,870 I talked about the Waitrose in Tunbridge Wells, right? 782 00:37:39,870 --> 00:37:41,550 And no one thought to check that, 783 00:37:41,550 --> 00:37:43,790 because of course Tunbridge Wells has got a Waitrose. 784 00:37:43,790 --> 00:37:44,790 They haven't! 785 00:37:44,790 --> 00:37:45,790 LAUGHTER. 786 00:37:45,790 --> 00:37:46,950 They haven't got a Waitrose. 787 00:37:46,950 --> 00:37:50,070 And if you think they were furious before about that, after I wrote... 788 00:37:50,070 --> 00:37:53,550 And in this new book, I send Joyce to Tunbridge Wells a day trip. 789 00:37:53,550 --> 00:37:54,950 And when she's there, she went, 790 00:37:54,950 --> 00:37:58,390 "I'm sure I read somewhere that there was a Waitrose here". 791 00:37:58,390 --> 00:38:00,750 Apologies to the people of Tunbridge Wells. 792 00:38:00,750 --> 00:38:04,710 Where will Suranne be able to shoot the next season? 793 00:38:04,710 --> 00:38:06,750 Lidl. 794 00:38:06,750 --> 00:38:08,670 Oh, lovely. 795 00:38:08,670 --> 00:38:11,470 And Richard, I see at the back of the book, you can 796 00:38:11,470 --> 00:38:12,630 pre-order book four. 797 00:38:12,630 --> 00:38:13,670 You can. 798 00:38:13,670 --> 00:38:16,070 I mean, I wouldn't, because I haven't finished it yet. 799 00:38:16,070 --> 00:38:17,510 But you can. 800 00:38:17,510 --> 00:38:19,950 Am I right in thinking you're having a little pause 801 00:38:19,950 --> 00:38:21,950 with The Thursday Murder Club? 802 00:38:21,950 --> 00:38:25,030 Yeah, so that will be four and I will go back to it, 803 00:38:25,030 --> 00:38:28,150 but I want to write a different sort of crime thing, slightly more 804 00:38:28,150 --> 00:38:30,110 Da Vinci Code-esque. 805 00:38:30,110 --> 00:38:32,470 There are certain things The Thursday Murder Club can't do. 806 00:38:32,470 --> 00:38:33,550 They can't... 807 00:38:33,550 --> 00:38:34,550 LAUGHTER. 808 00:38:34,550 --> 00:38:38,430 They can't kick down doors into warehouses and shoot people, 809 00:38:38,430 --> 00:38:41,470 and I'd quite like to write a book where they do that. 810 00:38:41,470 --> 00:38:44,110 So I've got a book called We Solve Murders which is 811 00:38:44,110 --> 00:38:45,110 about a detective duo 812 00:38:45,110 --> 00:38:47,750 who traverse the world solving murders that no one else can. 813 00:38:47,750 --> 00:38:50,190 A man and a woman? A man and a woman. 814 00:38:50,190 --> 00:38:54,390 A saucy American and a plucky Brit, by any chance? 815 00:38:54,390 --> 00:38:56,750 Hold on a minute. 816 00:38:56,750 --> 00:38:57,950 I could be the assistant. 817 00:38:57,950 --> 00:39:00,350 I'm afraid Graham is playing the cop. 818 00:39:00,350 --> 00:39:03,110 Yeah, right. 819 00:39:03,110 --> 00:39:05,030 Book three of The Thursday Murder Club series, 820 00:39:05,030 --> 00:39:10,230 The Bullet That Missed, is out now! 821 00:39:10,310 --> 00:39:15,590 Excellent. 822 00:39:15,790 --> 00:39:19,470 Honestly, why can't I preorder book five and six right now? 823 00:39:19,470 --> 00:39:21,150 I want to put pressure on you. 824 00:39:21,150 --> 00:39:22,110 Keep typing. 825 00:39:22,110 --> 00:39:23,630 Right, it is time for music. 826 00:39:23,630 --> 00:39:26,390 This singer-songwriter had one of the albums 827 00:39:26,390 --> 00:39:28,430 of the year with Hold The Girl. 828 00:39:28,430 --> 00:39:33,670 Here performing the title track, it is Rina Sawayama! 829 00:39:38,070 --> 00:39:41,950 # Reach inside and hold you close 830 00:39:41,950 --> 00:39:46,190 # I won't leave you on your own 831 00:39:46,190 --> 00:39:50,430 # Teach me the words I used to know 832 00:39:50,430 --> 00:39:55,670 # Yeah, I forgot 'em long ago 833 00:39:56,310 --> 00:40:00,470 # So hold the girl 834 00:40:00,470 --> 00:40:03,710 # Hold the girl 835 00:40:04,350 --> 00:40:07,870 # Hold the girl 836 00:40:08,190 --> 00:40:12,270 # Hold the girl 837 00:40:12,270 --> 00:40:17,550 # Hold that girl 838 00:40:17,950 --> 00:40:21,430 # Sometimes I get down with guilt 839 00:40:21,430 --> 00:40:25,150 # For the promises I've broken to my younger self 840 00:40:25,150 --> 00:40:28,510 # Moving on, maybe I never will 841 00:40:28,510 --> 00:40:31,830 # Cos I left you spinning on the carousel 842 00:40:31,830 --> 00:40:35,430 # Been living without you 843 00:40:35,630 --> 00:40:40,710 # Been living without you 844 00:40:40,790 --> 00:40:44,550 # Reach inside and hold you close 845 00:40:44,550 --> 00:40:48,310 # I won't leave you on your own 846 00:40:48,310 --> 00:40:52,070 # Teach me the words I used to know 847 00:40:52,070 --> 00:40:55,870 # Yeah, I forgot them long ago 848 00:40:55,870 --> 00:40:59,590 # I wanna remember 849 00:40:59,590 --> 00:41:04,670 # She is me and I am her 850 00:41:04,710 --> 00:41:08,550 # So hold the girl 851 00:41:08,550 --> 00:41:13,190 # Hold the girl 852 00:41:13,190 --> 00:41:15,470 # Hold that girl 853 00:41:16,070 --> 00:41:19,630 # Hold that girl 854 00:41:19,910 --> 00:41:24,190 # Hold that girl 855 00:41:25,790 --> 00:41:29,030 # Sometimes I just wanna run away 856 00:41:29,030 --> 00:41:32,670 # Leave behind that old me, start again 857 00:41:32,670 --> 00:41:36,470 # Then I'll remember who I'm really made of 858 00:41:36,470 --> 00:41:39,510 # And she's been hide-and-seeking, waiting all alone 859 00:41:39,510 --> 00:41:43,270 # Been living without you 860 00:41:43,270 --> 00:41:48,350 # Been living without you, oh 861 00:41:48,390 --> 00:41:52,430 # Reach inside and hold you close 862 00:41:52,430 --> 00:41:56,230 # I won't leave you on your own 863 00:41:56,230 --> 00:41:59,910 # Teach me the words I used to know 864 00:41:59,910 --> 00:42:03,750 # Yeah, I forgot 'em long ago 865 00:42:03,750 --> 00:42:09,070 # I wanna remember, she is me, and I am her 866 00:42:12,510 --> 00:42:17,670 # So, hold the girl, hold the girl 867 00:42:18,910 --> 00:42:22,670 # Reach inside and hold you close 868 00:42:22,670 --> 00:42:26,550 # I won't leave you on your own 869 00:42:26,550 --> 00:42:30,190 # Teach me the words I used to know 870 00:42:30,190 --> 00:42:34,070 # Yeah, I forgot 'em long ago 871 00:42:34,070 --> 00:42:37,790 # Reach inside and hold you close 872 00:42:37,790 --> 00:42:41,350 # I won't leave you on your own 873 00:42:41,350 --> 00:42:45,350 # Teach me the words I used to know 874 00:42:45,350 --> 00:42:49,070 # Yeah, I forgot 'em long ago 875 00:42:49,070 --> 00:42:54,350 # I wanna remember, she is me, and I am her 876 00:42:57,830 --> 00:43:02,910 # So, hold the girl, hold the girl #. 877 00:43:04,910 --> 00:43:05,950 CHEERING AND APPLAUSE. 878 00:43:05,950 --> 00:43:08,590 Wow. 879 00:43:08,590 --> 00:43:13,150 Rina Sawayama, everybody! 880 00:43:13,150 --> 00:43:16,310 And her amazing dancers. 881 00:43:16,310 --> 00:43:18,950 Come on over. 882 00:43:18,950 --> 00:43:21,110 Wowser. 883 00:43:21,110 --> 00:43:22,310 Amazing. 884 00:43:22,310 --> 00:43:25,670 That was so good, thank you very much. 885 00:43:25,670 --> 00:43:26,670 Come and meet everyone. 886 00:43:26,670 --> 00:43:31,910 Richard, Naomi, Suranne and Tom. 887 00:43:34,190 --> 00:43:37,030 Wowser, wowser, wowser. 888 00:43:37,030 --> 00:43:39,630 That is something else, wow. 889 00:43:39,630 --> 00:43:41,270 Thank you. 890 00:43:41,270 --> 00:43:42,990 A great performance. 891 00:43:42,990 --> 00:43:45,350 And that is off the album of the same name. 892 00:43:45,350 --> 00:43:47,070 Congratulations on the success of the album. 893 00:43:47,070 --> 00:43:48,110 Thank you so much. 894 00:43:48,110 --> 00:43:49,590 We saw the amazing choreography there. 895 00:43:49,590 --> 00:43:51,430 And you can do that rarest thing, sing 896 00:43:51,430 --> 00:43:54,270 and dance at the same time. 897 00:43:54,270 --> 00:43:56,710 Oh, God, just about, thank you. 898 00:43:56,710 --> 00:43:59,150 You're young. 899 00:43:59,150 --> 00:44:03,350 But the choreography has now got you into the world of film? 900 00:44:03,350 --> 00:44:04,710 Yes. 901 00:44:04,710 --> 00:44:08,510 So I've always shot music videos and kind of part-directed it 902 00:44:08,510 --> 00:44:10,750 with the view that I wanted it to be 903 00:44:10,750 --> 00:44:12,350 my acting portfolio. 904 00:44:12,350 --> 00:44:17,590 So I've purposefully written characters 905 00:44:18,550 --> 00:44:20,710 So I've purposefully written characters for myself and there's 906 00:44:20,710 --> 00:44:22,350 a video called XS and Bad Friend 907 00:44:22,350 --> 00:44:23,790 where I do some stunt choreography 908 00:44:23,790 --> 00:44:26,990 and I pretend I'm like a robot breaking down, all that kind of 909 00:44:26,990 --> 00:44:28,030 stuff. 910 00:44:28,030 --> 00:44:30,230 And then I got a call from Chad Stahelski, 911 00:44:30,230 --> 00:44:31,830 who is the director of John Wick. 912 00:44:31,830 --> 00:44:33,070 Yeah. 913 00:44:33,070 --> 00:44:36,750 Naomi's like, "Get out of town!" 914 00:44:36,750 --> 00:44:37,870 That's what I felt like. 915 00:44:37,870 --> 00:44:40,990 "And I was just stupid Whitney Houston!" 916 00:44:40,990 --> 00:44:43,350 Shucks! 917 00:44:43,350 --> 00:44:47,710 And then, so I got a call and I was like, 918 00:44:47,710 --> 00:44:50,750 "Why the hell does he want to speak to me?" 919 00:44:50,750 --> 00:44:53,590 And he goes, "I've seen your music videos and I've got the 920 00:44:53,590 --> 00:44:56,270 perfect role for you, do you want to come to Berlin 921 00:44:56,270 --> 00:44:57,870 and shoot for the new John Wick?" 922 00:44:57,870 --> 00:45:03,190 I know! I've done it, yeah. 923 00:45:04,390 --> 00:45:06,230 It was the hardest thing I've ever done. 924 00:45:06,230 --> 00:45:08,630 That is easy compared to John Wick. 925 00:45:08,630 --> 00:45:12,790 And are you fighting Keanu or fighting with Keanu? 926 00:45:12,790 --> 00:45:14,550 Oh, a secret! 927 00:45:14,550 --> 00:45:16,750 Am I a goodie or a baddie, who knows? 928 00:45:16,750 --> 00:45:19,590 Are you in John Wick 5? 929 00:45:19,590 --> 00:45:23,670 Is there a John Wick 5? 930 00:45:23,670 --> 00:45:27,070 I know I'm in John Wick 5 and I haven't seen you on set, 931 00:45:27,070 --> 00:45:29,750 but... 932 00:45:29,750 --> 00:45:33,230 And you're in the middle of a tour. It's a world tour. 933 00:45:33,230 --> 00:45:35,870 Yeah, it's my first world tour. 934 00:45:35,870 --> 00:45:38,030 I released my debut album in 2020, so couldn't 935 00:45:38,030 --> 00:45:40,710 tour for two years. 936 00:45:40,710 --> 00:45:43,390 Now it's all opened up, going touring. 937 00:45:43,390 --> 00:45:45,590 Doing Australia, New Zealand and Japan, and some of 938 00:45:45,590 --> 00:45:49,190 my family have never seen me live. 939 00:45:49,190 --> 00:45:50,670 And this is family in Japan? 940 00:45:50,670 --> 00:45:52,510 Yeah, most of my family live in Japan. 941 00:45:52,510 --> 00:45:55,150 So they've been watching your videos and thinking, "She looks good". 942 00:45:55,150 --> 00:45:58,990 They're like, "This is going pretty well". 943 00:45:58,990 --> 00:46:02,070 Yeah, but have you written any novels? 944 00:46:02,070 --> 00:46:03,070 Next on my list. 945 00:46:03,070 --> 00:46:04,710 You know she will. 946 00:46:04,710 --> 00:46:07,830 She'll probably crank out two of them on the world tour. 947 00:46:07,830 --> 00:46:10,590 Just on the tour bus. 948 00:46:10,590 --> 00:46:11,590 "Yeah, I finished one. 949 00:46:11,590 --> 00:46:14,070 It's a bestseller". 950 00:46:14,070 --> 00:46:16,070 Congratulations on everything. 951 00:46:16,070 --> 00:46:19,150 Thank you so much for that spectacular performance. 952 00:46:19,150 --> 00:46:23,070 Rina Sawayama, everybody! 953 00:46:23,070 --> 00:46:25,790 So good. 954 00:46:25,790 --> 00:46:27,590 Thank you so much. 955 00:46:27,590 --> 00:46:29,270 And that is nearly it. 956 00:46:29,270 --> 00:46:32,350 Before we go, just time for a visit to the big red chair. 957 00:46:32,350 --> 00:46:33,430 Who is there? 958 00:46:33,430 --> 00:46:35,550 Hello! 959 00:46:35,550 --> 00:46:38,830 You've amused yourself. 960 00:46:38,830 --> 00:46:41,670 Wondering how I got here. 961 00:46:41,670 --> 00:46:43,910 Oh, calm down, you'll be fine. What's your name? 962 00:46:43,910 --> 00:46:45,910 Alice. Hello, Alice. 963 00:46:45,910 --> 00:46:46,950 Do you know Alice? 964 00:46:46,950 --> 00:46:49,390 No. 965 00:46:49,390 --> 00:46:50,390 Where are you from? 966 00:46:50,390 --> 00:46:52,310 Originally Manchester, but live down here now. 967 00:46:52,310 --> 00:46:56,270 Oh, I might do. 968 00:46:56,270 --> 00:46:57,910 What do you do down here, Alice? 969 00:46:57,910 --> 00:46:59,830 I work in project management for the NHS. 970 00:46:59,830 --> 00:47:05,030 OK, very good. Suddenly very hard to flip now. 971 00:47:06,270 --> 00:47:08,150 "I do something very good to help people, 972 00:47:08,150 --> 00:47:11,110 don't flip me". 973 00:47:11,110 --> 00:47:14,870 Off you go with your story, Alice, good luck. 974 00:47:14,870 --> 00:47:19,830 So I was about 16, watching the Ryder Cup 975 00:47:19,870 --> 00:47:22,550 with my dad, and Tiger Woods kind of brings the ball 976 00:47:22,550 --> 00:47:25,950 to his lips, his golf ball, 977 00:47:25,950 --> 00:47:29,190 and then he said, "You can't do that at the local golf club any 978 00:47:29,190 --> 00:47:30,710 more because they've put insecticide down". 979 00:47:30,710 --> 00:47:33,270 So I was like, "OK, nice titbit". 980 00:47:33,270 --> 00:47:36,750 And then we go to the golf club later and I'm sat 981 00:47:36,750 --> 00:47:39,750 with my dad's mates, who are all older and I don't know 982 00:47:39,750 --> 00:47:40,790 what to say to them. 983 00:47:40,790 --> 00:47:43,510 And I just came out with, "Oh, I heard you're not 984 00:47:43,510 --> 00:47:46,950 allowed to lick your balls any more". 985 00:47:46,950 --> 00:47:48,310 So the old men all erupt. 986 00:47:48,310 --> 00:47:50,510 I sit there going red, and my dad doesn't 987 00:47:50,510 --> 00:47:52,150 look at me for a week. 988 00:47:52,150 --> 00:47:55,110 You can walk, Alice! 989 00:47:55,110 --> 00:47:59,910 Go on. 990 00:47:59,910 --> 00:48:02,110 OK, that really is all we've got time for. 991 00:48:02,110 --> 00:48:05,710 If you want to go in the red chair and share a story, you can. 992 00:48:05,710 --> 00:48:07,990 Contact us via our website at this very address. 993 00:48:07,990 --> 00:48:10,630 Please say a huge thank you to all of my guests 994 00:48:10,630 --> 00:48:12,750 tonight - Rina Sawayama! 995 00:48:12,750 --> 00:48:15,110 Richard Osman! 996 00:48:15,110 --> 00:48:17,750 Naomi Ackie! 997 00:48:17,750 --> 00:48:20,190 Suranne Jones! 998 00:48:20,190 --> 00:48:23,710 And Mr Tom Hanks! 999 00:48:23,710 --> 00:48:26,350 Graham Norton! 1000 00:48:26,350 --> 00:48:30,150 We'll be back on New Year's Eve for a Hogmanay chat with Cabaret 1001 00:48:30,150 --> 00:48:33,590 stars Callum Scott Howells and Madeline Brewer, comedian Romesh 1002 00:48:33,590 --> 00:48:36,430 Ranganathan, Lioness captain Leah Williamson, 1003 00:48:36,430 --> 00:48:38,630 comedy great Hugh Laurie, 1004 00:48:38,630 --> 00:48:41,510 Top Boy's Micheal Ward and Oscar-winner Olivia Colman! 1005 00:48:41,510 --> 00:48:43,550 Have a very happy Christmas. 1006 00:48:43,550 --> 00:48:48,710 Good night, everybody, bye-bye!