1 00:00:04,080 --> 00:00:07,120 On the show tonight, it's welcome back to the great Tom Hanks. 2 00:00:07,120 --> 00:00:09,720 And this time, he is playing the grumpiest man alive. 3 00:00:09,720 --> 00:00:11,360 Is the world going mad? 4 00:00:11,360 --> 00:00:14,440 Let's start the show! 5 00:00:31,240 --> 00:00:34,400 Hello! 6 00:00:34,400 --> 00:00:37,560 That wasn't so bad. 7 00:00:37,560 --> 00:00:39,400 Hello, everybody. 8 00:00:39,400 --> 00:00:40,680 Good evening. 9 00:00:40,680 --> 00:00:42,680 You are all so welcome to the show. 10 00:00:42,680 --> 00:00:45,320 Great guests for you tonight, I can tell you. 11 00:00:45,320 --> 00:00:47,760 Excitement levels are going over-the-top. 12 00:00:47,760 --> 00:00:49,760 A bit like a Harry Kane penalty. 13 00:00:49,760 --> 00:00:53,840 AUDIENCE GROANS. 14 00:00:53,840 --> 00:00:55,960 Ooh, Harry. 15 00:00:55,960 --> 00:00:58,440 Still, at least the French were magnanimous in victory... 16 00:00:58,440 --> 00:01:03,200 LAUGHTER. 17 00:01:03,200 --> 00:01:05,440 So, now it's the World Cup final on Sunday. 18 00:01:05,440 --> 00:01:07,080 Argentina versus France. 19 00:01:07,080 --> 00:01:09,080 Everyone watching it? 20 00:01:09,080 --> 00:01:12,160 Maybe not! 21 00:01:12,160 --> 00:01:14,600 It promises to be the biggest, fiercest International grudge 22 00:01:14,600 --> 00:01:17,960 match since Wales versus Sussex. 23 00:01:17,960 --> 00:01:20,080 LAUGHTER. 24 00:01:20,080 --> 00:01:21,800 Chilly, chilly! 25 00:01:21,800 --> 00:01:23,800 Netflix and chilly! 26 00:01:23,800 --> 00:01:25,720 Now, this is our last show before Christmas. 27 00:01:25,720 --> 00:01:28,800 A bit earlier than normal but we wanted to give the audience 28 00:01:28,800 --> 00:01:30,480 nine days to find a train home. 29 00:01:30,480 --> 00:01:34,800 Good luck, everyone! 30 00:01:34,800 --> 00:01:36,080 I mean, everyone's on strike. 31 00:01:36,080 --> 00:01:38,600 Even the nurses came out yesterday. 32 00:01:38,600 --> 00:01:41,280 In response Rishi Sunak offered hospital staff a 4% pay rise. 33 00:01:41,280 --> 00:01:44,240 Hmm. 34 00:01:44,240 --> 00:01:47,080 And that's him trying to get an appointment after they told him 35 00:01:47,080 --> 00:01:49,520 to shove it up his arse. 36 00:01:49,520 --> 00:01:51,360 But hey, it's not all doom and gloom. 37 00:01:51,360 --> 00:01:54,160 Luckily for this time of year there's one cheerful old man 38 00:01:54,160 --> 00:01:56,320 with a beard who going on strike. 39 00:01:56,320 --> 00:01:58,680 I'm still doing my show! 40 00:01:58,680 --> 00:02:00,840 Hey! 41 00:02:00,840 --> 00:02:04,320 Let's get some guests on. 42 00:02:04,320 --> 00:02:07,160 Later, we'll have music from rising star Rina Sawayama. 43 00:02:07,160 --> 00:02:09,080 There she is. 44 00:02:09,080 --> 00:02:12,560 But first - he's gone from Pointless presenter to best-selling novelist 45 00:02:12,560 --> 00:02:17,560 - it's Richard Osman! 46 00:02:17,640 --> 00:02:21,160 Why, there he is now! 47 00:02:21,160 --> 00:02:22,880 Hello, sir. 48 00:02:22,880 --> 00:02:25,680 Hello, Graham, how are you? 49 00:02:25,680 --> 00:02:30,920 She's the BAFTA-winning star who's taking the lead as Whitney Houston 50 00:02:31,000 --> 00:02:35,200 in the biopic I Wanna Dance with Somebody - it's Naomi Ackie! 51 00:02:35,200 --> 00:02:40,360 CHEERING. 52 00:02:41,280 --> 00:02:43,560 Merry Christmas. 53 00:02:43,560 --> 00:02:47,000 Richard, Naomi. 54 00:02:47,000 --> 00:02:50,160 She's one of our best-loved actors, star of Doctor Foster, 55 00:02:50,160 --> 00:02:52,600 Gentleman Jack and Vigil - it's Suranne Jones! 56 00:02:52,600 --> 00:02:55,080 CHEERING. 57 00:02:55,080 --> 00:02:57,760 Oh! 58 00:02:57,760 --> 00:03:02,960 She shimmers, she shines. 59 00:03:04,240 --> 00:03:08,120 And he's the double-Oscar- winning star of Forrest Gump, 60 00:03:08,120 --> 00:03:11,600 Philadelphia, Saving Private Ryan and Toy Story, to name 61 00:03:11,600 --> 00:03:14,200 but a few and he's one of our favourite guests - 62 00:03:14,200 --> 00:03:16,760 it's Mr Tom Hanks! 63 00:03:16,760 --> 00:03:22,000 CHEERING. 64 00:03:26,160 --> 00:03:31,240 Tom Hanks, everybody. 65 00:03:34,240 --> 00:03:38,120 Lovely to see you all and so nice to have you back in the studio, Tom. 66 00:03:38,120 --> 00:03:39,480 Last time it was on Zoom. 67 00:03:39,480 --> 00:03:41,440 How about that? It was from Australia, yes. 68 00:03:41,440 --> 00:03:43,640 You guys were so separated. Oh, look at that! 69 00:03:43,640 --> 00:03:46,680 Oh, my lord. Stop! 70 00:03:46,680 --> 00:03:48,520 LAUGHTER. 71 00:03:48,520 --> 00:03:53,600 He looks better in person, right? My lord, that's horrifying! 72 00:03:53,640 --> 00:03:58,920 That looks like the guy who says, "before I kill you, Mr Bond...!" 73 00:03:59,280 --> 00:04:03,600 Sad, sad, sad portrait. 74 00:04:03,600 --> 00:04:05,880 Welcome to you, Suranne. 75 00:04:05,880 --> 00:04:09,280 I think you're the only person who's ever come on the show and drank 76 00:04:09,280 --> 00:04:11,600 a generic Irish cream liqueur. Hmm. 77 00:04:11,600 --> 00:04:14,320 Well, yes, they said what do you want and I said, 78 00:04:14,320 --> 00:04:18,200 just a sparkling water and then I heard that there were 79 00:04:18,200 --> 00:04:20,040 other Christmas drinks going and being a nana, 80 00:04:20,040 --> 00:04:21,720 I said I'll have a Bailey's, thanks. 81 00:04:21,720 --> 00:04:22,960 So that's what I've got. 82 00:04:22,960 --> 00:04:26,120 I would have had a Bailey's if I'd known there were Bailey's See? 83 00:04:26,120 --> 00:04:29,400 It's a generic Irish cream liqueur! 84 00:04:29,400 --> 00:04:32,400 But it's the most delicious generic Irish cream liqueur. 85 00:04:32,400 --> 00:04:34,240 And a first-time welcome to Naomi Ackie. 86 00:04:34,240 --> 00:04:36,480 Hello. 87 00:04:36,480 --> 00:04:39,000 APPLAUSE. 88 00:04:39,000 --> 00:04:40,960 I'm so excited for you. 89 00:04:40,960 --> 00:04:43,360 Whitney Houston and I Wanna Dance with Somebody. 90 00:04:43,360 --> 00:04:45,480 You just had the big premiere in New York. 91 00:04:45,480 --> 00:04:46,920 Yeah, I just flew in today. 92 00:04:46,920 --> 00:04:49,080 There, how about that for a red carpet look? 93 00:04:49,080 --> 00:04:50,040 Wow. 94 00:04:50,040 --> 00:04:53,960 That's taking the world by storm. 95 00:04:53,960 --> 00:04:56,400 And what do Americans make of meeting the woman playing 96 00:04:56,400 --> 00:04:58,760 Whitney Houston and then you speak with a British accent? 97 00:04:58,760 --> 00:05:03,280 Oh, they were really freaked out. 98 00:05:03,280 --> 00:05:08,560 Accents don't come easy to me at all, so onset I would be talking 99 00:05:09,440 --> 00:05:12,960 as Whitney and then afterwards I'd be like, "bloody hell, 100 00:05:12,960 --> 00:05:15,520 that was a hard day, innit?" 101 00:05:15,520 --> 00:05:18,440 "Oh, I'll tell what, I don't half want to dance with somebody!" 102 00:05:18,440 --> 00:05:19,480 Yeah! 103 00:05:19,480 --> 00:05:20,520 LAUGHTER. 104 00:05:20,520 --> 00:05:25,720 It's DAN-ce, not DARN-ce! 105 00:05:25,800 --> 00:05:26,840 Well, congratulations. 106 00:05:26,840 --> 00:05:28,280 Thank you. 107 00:05:28,280 --> 00:05:30,200 We'll find out more about it later on. 108 00:05:30,200 --> 00:05:35,360 Talking of congratulations, let's keep it going 109 00:05:37,000 --> 00:05:40,480 because Richard Osman just got married! 110 00:05:40,480 --> 00:05:43,600 CHEERING. 111 00:05:43,600 --> 00:05:45,960 Congratulations! 112 00:05:45,960 --> 00:05:47,880 This is the honeymoon. This is my honeymoon. 113 00:05:47,880 --> 00:05:49,600 Now they are. Different suit, that's good. 114 00:05:49,600 --> 00:05:50,560 Exactly. 115 00:05:50,560 --> 00:05:53,480 You know what, don't think it didn't go through my mind, Graham. 116 00:05:53,480 --> 00:05:55,880 When was that? That was the third, two weeks ago. 117 00:05:55,880 --> 00:05:56,920 Wow. 118 00:05:56,920 --> 00:05:58,560 You should know exactly when it was! 119 00:05:58,560 --> 00:06:02,000 About two weeks ago! 120 00:06:02,000 --> 00:06:04,640 And did you go on a honeymoon or is this it? 121 00:06:04,640 --> 00:06:06,800 Yeah, we did. We just got back from Venice. 122 00:06:06,800 --> 00:06:07,840 You sound quite bored! 123 00:06:07,840 --> 00:06:09,440 "Yeah, we did..." 124 00:06:09,440 --> 00:06:12,160 Every mistake in the book. 125 00:06:12,160 --> 00:06:14,240 I couldn't be happier. 126 00:06:14,240 --> 00:06:18,440 And then you get to meet Tom Hanks after a honeymoon, that's not bad. 127 00:06:18,440 --> 00:06:20,440 Again, shouldn't say that either. 128 00:06:20,440 --> 00:06:21,880 You've peaked. 129 00:06:21,880 --> 00:06:25,200 That's it, it's all downhill. 130 00:06:25,200 --> 00:06:27,560 We had to cut it short by about a week-and-a-half, 131 00:06:27,560 --> 00:06:28,800 but it was worth it. 132 00:06:28,800 --> 00:06:30,720 Actually, you say that. 133 00:06:30,720 --> 00:06:33,600 I mean, lovely wedding picture, there, but it was missing one thing 134 00:06:33,600 --> 00:06:34,960 and that was Mr Tom Hanks. 135 00:06:34,960 --> 00:06:36,760 You like to photobomb a wedding. 136 00:06:36,760 --> 00:06:38,440 Oh, I'll jump into that any chance. 137 00:06:38,440 --> 00:06:39,560 Really? 138 00:06:39,560 --> 00:06:40,840 Can you photobomb into mine? 139 00:06:40,840 --> 00:06:44,840 Just tell me when and where and I'll happen to be jogging by! 140 00:06:44,840 --> 00:06:50,080 It started in Rome, right? 141 00:06:50,160 --> 00:06:55,200 Yes, we needed to shoot, we were shooting Angels and demons 142 00:06:55,200 --> 00:06:58,440 and we were shooting in front of the Parthenon, very famous. 143 00:06:58,440 --> 00:07:01,920 It is also a church, an ordained church and there 144 00:07:01,920 --> 00:07:04,520 was a beautiful young couple that were getting married and their 145 00:07:04,520 --> 00:07:06,200 limousines were in our shot. 146 00:07:06,200 --> 00:07:09,480 And Ron Howard said, "I don't know what we going to do with this! 147 00:07:09,480 --> 00:07:10,560 "What is going on?" 148 00:07:10,560 --> 00:07:15,760 Let me take care of this. 149 00:07:15,920 --> 00:07:18,960 So I went up and knocked on the door and said, "young lady, 150 00:07:18,960 --> 00:07:21,040 "you are very beautiful and will you allow me 151 00:07:21,040 --> 00:07:22,600 "to escort you to the altar?" 152 00:07:22,600 --> 00:07:25,640 So, she came out with her dad and we walked through the crowd. 153 00:07:25,640 --> 00:07:26,880 Parted like the Red Sea. 154 00:07:26,880 --> 00:07:28,800 Oh, my God. There we are, that's right. 155 00:07:28,800 --> 00:07:31,320 You know what I saw that picture earlier and I thought, 156 00:07:31,320 --> 00:07:33,040 I really hope that is her dad! 157 00:07:33,040 --> 00:07:37,200 Yeah. 158 00:07:37,200 --> 00:07:39,800 There I am in my costume and we got right up 159 00:07:39,800 --> 00:07:41,200 to the door to the Parthenon. 160 00:07:41,200 --> 00:07:44,800 As movie people we are not allowed inside so on they went and she made 161 00:07:44,800 --> 00:07:46,160 it to the church on time. 162 00:07:46,160 --> 00:07:47,720 # Made it to the church! 163 00:07:47,720 --> 00:07:49,160 Me coming over and doing that! 164 00:07:49,160 --> 00:07:51,360 # Made it to the church on time! 165 00:07:51,360 --> 00:07:56,640 APPLAUSE. 166 00:07:56,760 --> 00:07:58,560 All right, let's start with Tom's latest movie. 167 00:07:58,560 --> 00:08:01,200 It is called A Man Called Otto. 168 00:08:01,200 --> 00:08:03,240 It opens here on the 6th of January. 169 00:08:03,240 --> 00:08:04,920 So, Tom, you play Otto. 170 00:08:04,920 --> 00:08:08,760 Who is Otto and why are we interested in him? 171 00:08:08,760 --> 00:08:12,600 Otto is a man, he has no faith in the future, 172 00:08:12,600 --> 00:08:14,640 he thinks he's lived it all, done it all. 173 00:08:14,640 --> 00:08:18,080 He's retired, he is alone, and he's ready to sort of cash it in. 174 00:08:18,080 --> 00:08:22,360 And then the worst possible thing happens, fabulous people 175 00:08:22,360 --> 00:08:25,600 move across the street, from another country, and he thinks, 176 00:08:25,600 --> 00:08:28,680 this is the last thing I want, these people knocking on my door. 177 00:08:28,680 --> 00:08:33,120 And it turns out to be the greatest thing that ever happened. 178 00:08:33,120 --> 00:08:36,000 And this is based on a Swedish book A Man Called Ove, 179 00:08:36,000 --> 00:08:37,400 and then there was a film. 180 00:08:37,400 --> 00:08:40,120 So, did you see that Swedish film before you said yes? 181 00:08:40,120 --> 00:08:44,680 Six years ago we are watching and if you remember the Academy 182 00:08:44,680 --> 00:08:48,360 of Motion Pictures, a BAFTA, one of the two, you get free DVDs. 183 00:08:48,360 --> 00:08:51,960 Back when you still had a DVD player in your house, anybody? 184 00:08:51,960 --> 00:08:55,840 Those kids, scratching their heads. 185 00:08:55,840 --> 00:09:00,240 And we saw this and my wife Rita produced as well, 186 00:09:00,240 --> 00:09:03,600 she was a producer and I was watching, this movie is fantastic, 187 00:09:03,600 --> 00:09:07,480 it has a performance by a man named Rolf Lassgard, 188 00:09:07,480 --> 00:09:11,000 who played Ove. 189 00:09:11,000 --> 00:09:13,720 And I was thinking, this is fantastic, I wonder if this 190 00:09:13,720 --> 00:09:15,560 could work in America? 191 00:09:15,560 --> 00:09:19,040 And just as this was going through my head, Rita said to me, 192 00:09:19,040 --> 00:09:21,000 "we have to make this movie in America!" 193 00:09:21,000 --> 00:09:24,720 "You have to play this guy." 194 00:09:24,720 --> 00:09:27,520 So we did and we were just in Sweden, we were in 195 00:09:27,520 --> 00:09:30,520 Stockholm last night. 196 00:09:30,520 --> 00:09:35,080 This was, honestly, if the Swedes don't like what you've done 197 00:09:35,080 --> 00:09:37,440 to their national treasure, this is a recipe for 198 00:09:37,440 --> 00:09:39,760 disaster, am I wrong? 199 00:09:39,760 --> 00:09:45,040 And they actually appreciate it. 200 00:09:48,200 --> 00:09:51,520 It's very much an American movie and in fact I said to Marc Forster, 201 00:09:51,520 --> 00:09:53,960 who directed it, and the producers, I said there's already 202 00:09:53,960 --> 00:09:57,720 been a man called Ove, there's been a great performance 203 00:09:57,720 --> 00:10:01,280 by an actor playing a man called Ove, so I will be playing a man 204 00:10:01,280 --> 00:10:03,720 called Otto in a movie called A Man Called Otto. 205 00:10:03,720 --> 00:10:05,600 And they said, "how do you spell that?" 206 00:10:05,600 --> 00:10:07,080 "O-T-T-O." 207 00:10:07,080 --> 00:10:09,800 They said, "we thought you said A-U-T-O". 208 00:10:09,800 --> 00:10:14,080 So that actually makes sense. 209 00:10:14,080 --> 00:10:16,160 Weirdly, that's just about to be in our clip. 210 00:10:16,160 --> 00:10:20,920 We've got a clip. 211 00:10:20,920 --> 00:10:26,080 This is you as Otto being very grumpy to your new neighbours, 212 00:10:26,840 --> 00:10:28,680 played by Manuel Garcia-Rulfo and Mariana Trevino. 213 00:10:28,680 --> 00:10:30,160 Trev-VEENIO. 214 00:10:30,160 --> 00:10:31,400 Trev-VEENIO! 215 00:10:31,400 --> 00:10:33,720 Hmm. 216 00:10:34,520 --> 00:10:35,560 Hi. 217 00:10:35,560 --> 00:10:36,800 Hey. 218 00:10:36,800 --> 00:10:39,440 Otto, right? 219 00:10:39,440 --> 00:10:41,680 Otto. 220 00:10:41,680 --> 00:10:43,800 Yeah, that's what I said. 221 00:10:43,800 --> 00:10:44,920 What did I say? 222 00:10:44,920 --> 00:10:46,320 It doesn't matter what you said. 223 00:10:46,320 --> 00:10:47,360 Otto. 224 00:10:47,360 --> 00:10:48,600 O-t-t-o. 225 00:10:48,600 --> 00:10:50,040 Oh, Otto. Oh Otto. 226 00:10:50,040 --> 00:10:52,200 So it's the same forward as it is backwards. 227 00:10:52,200 --> 00:10:53,880 Otto. 228 00:10:53,880 --> 00:10:55,560 You don't hear that name very often. 229 00:10:55,560 --> 00:10:57,160 I do. 230 00:10:57,160 --> 00:10:59,560 OK, if we are interrupting, we can always come back. 231 00:10:59,560 --> 00:11:00,760 What is it you want? 232 00:11:00,760 --> 00:11:02,120 I brought you some guacamole. 233 00:11:02,120 --> 00:11:04,440 Why? 234 00:11:04,440 --> 00:11:06,480 Because you looked hungry. 235 00:11:06,480 --> 00:11:08,600 Anyway... 236 00:11:08,600 --> 00:11:10,360 We just... 237 00:11:10,360 --> 00:11:13,160 We just wanted to properly introduce ourselves, because we're 238 00:11:13,160 --> 00:11:14,680 going be neighbours, so... 239 00:11:14,680 --> 00:11:16,640 So. 240 00:11:16,640 --> 00:11:19,920 OK, bye. 241 00:11:19,920 --> 00:11:25,160 Are you always this unfriendly? 242 00:11:29,600 --> 00:11:32,000 I'm not unfriendly. 243 00:11:32,000 --> 00:11:33,440 OK, you're not. 244 00:11:33,440 --> 00:11:36,320 You're not unfriendly. 245 00:11:36,320 --> 00:11:39,760 Every word you say is like a warm cuddle. 246 00:11:39,760 --> 00:11:44,880 APPLAUSE. 247 00:11:46,680 --> 00:11:51,320 Tom, I wonder, in this movie, is it nice to release your inner grouch? 248 00:11:51,320 --> 00:11:53,560 Oh, it's fantastic. 249 00:11:53,560 --> 00:11:58,640 You see, OK... 250 00:11:58,720 --> 00:12:01,920 And my family, I have two phrases that the whole family knows. 251 00:12:01,920 --> 00:12:03,760 The first one is, oh, dad is boiling. 252 00:12:03,760 --> 00:12:07,600 Dad is boiling. 253 00:12:07,600 --> 00:12:11,080 That phrase is, "OK, let me get this straight." 254 00:12:11,080 --> 00:12:14,520 You ever do this, you know? 255 00:12:14,520 --> 00:12:18,480 "I see, I see." 256 00:12:18,480 --> 00:12:22,640 "Let me get this straight." 257 00:12:22,640 --> 00:12:24,040 "You la-la-la-la-la-la, but I doddle-dee-dee-dee. 258 00:12:24,040 --> 00:12:25,680 That would become a dad's going there. 259 00:12:25,680 --> 00:12:26,840 All of us are leaning! 260 00:12:26,840 --> 00:12:30,160 Tom Hanks has been mean to us! 261 00:12:30,160 --> 00:12:32,800 The second half is, "why would it work for me?" 262 00:12:32,800 --> 00:12:34,600 That means I've gone over the edge. 263 00:12:34,600 --> 00:12:37,240 Why would it work for me? 264 00:12:37,320 --> 00:12:41,120 Why would it work for me? 265 00:12:41,120 --> 00:12:44,160 The entire world picks up a remote and watches the Graham Norton Show 266 00:12:44,160 --> 00:12:45,200 anytime they want to. 267 00:12:45,200 --> 00:12:49,680 Why would it work for me? 268 00:12:49,680 --> 00:12:52,600 I'll tell you why, because the remote says 269 00:12:52,600 --> 00:12:54,720 menu, press, source, on, subject a camera subject become 270 00:12:54,720 --> 00:12:55,920 a red button, yellow button. 271 00:12:55,920 --> 00:12:57,560 None of this turns on the TV! 272 00:12:57,560 --> 00:12:59,040 Why would it work for me? 273 00:12:59,040 --> 00:13:04,280 APPLAUSE. Have some generic Irish liqueur. 274 00:13:08,320 --> 00:13:11,400 I have a six-year-old who said to me when I left the house, 275 00:13:11,400 --> 00:13:16,240 "are you going to meet Woody?" 276 00:13:16,240 --> 00:13:18,520 Angry Woody! 277 00:13:18,520 --> 00:13:21,160 Woody wasn't happy today. 278 00:13:21,160 --> 00:13:25,200 But I haven't had to press any remote. 279 00:13:25,200 --> 00:13:28,880 Everyone has things that trigger them. 280 00:13:28,880 --> 00:13:34,120 Suranne, have you got things that set you off? 281 00:13:40,560 --> 00:13:43,480 The biggest thing, it's weird to say this on a talk show 282 00:13:43,480 --> 00:13:45,680 but public loos and the state of public loos. 283 00:13:45,680 --> 00:13:49,120 You know if you've been on a flight or whether you really need the loo, 284 00:13:49,120 --> 00:13:50,840 you just want it to be clean. 285 00:13:50,840 --> 00:13:52,840 So maybe there should be a public announcement, 286 00:13:52,840 --> 00:13:55,200 if you've done your business and it hasn't flushed right 287 00:13:55,200 --> 00:13:56,280 or whatever, try again. 288 00:13:56,280 --> 00:13:57,320 I'm so sorry, Tom. 289 00:13:57,320 --> 00:13:58,480 Let me get this straight... 290 00:13:58,480 --> 00:14:01,960 LAUGHTER. 291 00:14:01,960 --> 00:14:03,160 Like, and it's women's toilets. 292 00:14:03,160 --> 00:14:04,160 It's really bad. 293 00:14:04,160 --> 00:14:05,160 It's really bad. 294 00:14:05,160 --> 00:14:06,560 Try men's! 295 00:14:06,560 --> 00:14:08,800 You kind of expect it of men. 296 00:14:08,800 --> 00:14:11,400 Not that you expect it of men. Expect it of men? 297 00:14:11,400 --> 00:14:14,560 LAUGHTER. 298 00:14:14,560 --> 00:14:17,600 You know, but ladies, you would think that we are clean about it. 299 00:14:17,600 --> 00:14:21,520 Yeah. 300 00:14:21,520 --> 00:14:22,680 Really don't. 301 00:14:22,680 --> 00:14:25,520 But that's like, sometimes if women are forced to use men's toilets 302 00:14:25,520 --> 00:14:28,760 in an emergency and they just go, that was disgusting you go, yeah, 303 00:14:28,760 --> 00:14:31,080 I know, we've had to use them our entire lives. 304 00:14:31,080 --> 00:14:32,200 We don't love them. 305 00:14:32,200 --> 00:14:34,280 And Naomi, you have a thing that upsets you. 306 00:14:34,280 --> 00:14:35,320 It's feet. 307 00:14:35,320 --> 00:14:37,520 LAUGHTER. 308 00:14:37,520 --> 00:14:39,920 What, all feet? 309 00:14:39,920 --> 00:14:45,200 It's like, when it touches me. 310 00:14:47,080 --> 00:14:50,520 My dad used to torture me with his feet when I was a kid. 311 00:14:50,520 --> 00:14:51,520 OK. 312 00:14:51,520 --> 00:14:53,200 LAUGHTER. 313 00:14:53,200 --> 00:14:55,120 This has turned dark all of a sudden. 314 00:14:55,120 --> 00:14:56,840 I'm sorry, dad. 315 00:14:56,840 --> 00:15:00,000 We'd be watching TV and I'm eight years old and I'd turn around 316 00:15:00,000 --> 00:15:01,240 and his foot is just... 317 00:15:01,240 --> 00:15:05,160 Distressing. 318 00:15:05,160 --> 00:15:09,160 Once I had a birthday sleepover, I was sat on the floor and one 319 00:15:09,160 --> 00:15:12,640 of my friends was on the sofa and she put her foot on my face 320 00:15:12,640 --> 00:15:14,120 and then scrunched up her toes! 321 00:15:14,120 --> 00:15:18,320 I kicked her out of my house. 322 00:15:18,320 --> 00:15:22,400 LAUGHTER. 323 00:15:22,400 --> 00:15:24,640 You've got to have rules. 324 00:15:24,640 --> 00:15:29,880 You have to have boundaries. 325 00:15:32,200 --> 00:15:34,760 And Tom, one of your sons, Truman, is in this film, 326 00:15:34,760 --> 00:15:36,160 playing the younger... 327 00:15:36,160 --> 00:15:38,600 The younger version of me, yes. 328 00:15:38,600 --> 00:15:41,040 He's not the actor in the family. 329 00:15:41,040 --> 00:15:46,200 He's an artist, he is going to a cinematographer. 330 00:15:47,000 --> 00:15:49,600 He's being carrying around a camera since he was 13 years 331 00:15:49,600 --> 00:15:51,080 old and developing his own film. 332 00:15:51,080 --> 00:15:53,200 Marc Forster, the director, he is Swiss. 333 00:15:53,200 --> 00:15:55,600 He says, "you know we're going to have to cast 334 00:15:55,600 --> 00:15:57,760 a young version of you." 335 00:15:57,760 --> 00:16:00,120 "Too bad you have two kids that are too old." 336 00:16:00,120 --> 00:16:01,840 My sons, Colin and Chester, too old. 337 00:16:01,840 --> 00:16:04,080 "But what about your youngest, can I meet him?" 338 00:16:04,080 --> 00:16:07,120 I said, well, he doesn't want to be an actor. 339 00:16:07,120 --> 00:16:08,320 He said, I don't care. 340 00:16:08,320 --> 00:16:09,640 Can I meet him? 341 00:16:09,640 --> 00:16:11,920 "Because then I won't have to audition a bunch 342 00:16:11,920 --> 00:16:13,400 "of people who look like you. 343 00:16:13,400 --> 00:16:15,280 So he did and our DNA actually matches. 344 00:16:15,280 --> 00:16:16,480 It does! 345 00:16:16,480 --> 00:16:18,960 LAUGHTER. 346 00:16:18,960 --> 00:16:23,360 That would have made me mad! 347 00:16:23,360 --> 00:16:27,760 I thought he was extraordinary in it. 348 00:16:27,760 --> 00:16:31,600 But I always say to the kids, it is great work if you can get it 349 00:16:31,600 --> 00:16:36,800 but you've got to make it stick, so follow what you want to do. 350 00:16:38,200 --> 00:16:40,640 So his passion really is shaping the shot as opposed 351 00:16:40,640 --> 00:16:42,960 to being in the shot, but he can do either. 352 00:16:42,960 --> 00:16:46,560 Well, you can see Truman and you can see Tom as A Man Called Otto 353 00:16:46,560 --> 00:16:48,280 in cinemas from the six of January. 354 00:16:48,280 --> 00:16:49,360 Tom Hanks, everybody. 355 00:16:49,360 --> 00:16:54,600 APPLAUSE. 356 00:16:55,440 --> 00:17:00,320 I haven't finished my generic tea! 357 00:17:00,320 --> 00:17:04,080 Weirdly, Tom is not the only person paying someone grumpy. 358 00:17:04,080 --> 00:17:08,080 Suranne Jones brings us Christmas Carole. 359 00:17:08,080 --> 00:17:10,920 This is the updated Dickens, it is Sky Max, Christmas Eve 360 00:17:10,920 --> 00:17:15,360 at eight o'clock and you play Carole with a E. 361 00:17:15,360 --> 00:17:18,000 So, how does this take on the Dickens work? 362 00:17:18,000 --> 00:17:22,480 So, I was doing Gentleman Jack and I was sat in the make-up chair 363 00:17:22,480 --> 00:17:25,920 and I said the next thing I want to do is a Christmas film. 364 00:17:25,920 --> 00:17:30,000 I want to make something that my son, who is six, can watch, 365 00:17:30,000 --> 00:17:33,160 because he hasn't really been able to watch a lot of my things. 366 00:17:33,160 --> 00:17:35,440 So... 367 00:17:35,440 --> 00:17:37,120 Exactly, yeah. 368 00:17:37,120 --> 00:17:39,160 APPLAUSE. 369 00:17:39,160 --> 00:17:44,280 Good mother. 370 00:17:45,000 --> 00:17:47,280 Yes, this is what mummy does that you can watch. 371 00:17:47,280 --> 00:17:50,000 It is Christmas Eve, it is a tale of Christmas Carol. 372 00:17:50,000 --> 00:17:51,120 Who is Christmas Carole underneath? 373 00:17:51,120 --> 00:17:56,160 So, she has this company that makes awful Christmas decorations 374 00:17:56,160 --> 00:17:59,600 and Christmas produce and sells it for lots of money and she just rips 375 00:17:59,600 --> 00:18:03,080 everyone off, basically. 376 00:18:03,080 --> 00:18:05,000 There's actually a sustainability thread that goes through. 377 00:18:05,000 --> 00:18:06,480 That's good. 378 00:18:06,480 --> 00:18:11,720 There is. 379 00:18:12,040 --> 00:18:14,240 So, we have the ghosts as you can see, 380 00:18:14,240 --> 00:18:16,560 the ghost of Christmas past, which is Morecambe and Wise. 381 00:18:16,560 --> 00:18:18,680 Jo Brand, with her golden loo brush is present. 382 00:18:18,680 --> 00:18:19,960 And she plays Jo Brand. 383 00:18:19,960 --> 00:18:21,160 She plays Jo Brand, yeah. 384 00:18:21,160 --> 00:18:23,560 And then Nish Kumar is the ghost of Christmas future. 385 00:18:23,560 --> 00:18:24,560 So, all comedians. 386 00:18:24,560 --> 00:18:26,040 They're just brilliant. 387 00:18:26,040 --> 00:18:28,520 They really are. 388 00:18:28,520 --> 00:18:31,720 This is a clip and it is Christmas Carole meeting Morecambe and Wise. 389 00:18:35,960 --> 00:18:41,080 THEY SING "BRING ME SUNSHINE". 390 00:18:46,600 --> 00:18:48,480 Excuse me, young sir. 391 00:18:48,480 --> 00:18:50,840 We are looking for the one they call Christmas Carole. 392 00:18:50,840 --> 00:18:53,440 That's me. 393 00:18:53,440 --> 00:18:54,880 He thought you were Des O'Connor. 394 00:18:54,880 --> 00:18:56,320 Yeah. 395 00:18:56,320 --> 00:18:57,720 You're actually Eric Morecambe. Oh, yes. 396 00:18:57,720 --> 00:18:59,280 And he's Ernie Wise. 397 00:18:59,280 --> 00:19:00,960 Delighted to meet you, Miss Christmas. 398 00:19:00,960 --> 00:19:02,840 But you're both dead. 399 00:19:02,840 --> 00:19:06,200 She's quick, I'll give her that. What's happening to me? 400 00:19:06,200 --> 00:19:11,360 She hasn't got it yet, has she? No. 401 00:19:13,760 --> 00:19:17,000 I don't think she has. We're the ghosts of Christmas past. 402 00:19:19,800 --> 00:19:25,040 APPLAUSE. 403 00:19:25,760 --> 00:19:28,920 So, Nish plays Nish, Jo plays Jo, but Morecambe and Wise are played 404 00:19:28,920 --> 00:19:30,800 by Jonty Stephens and is it Ian Ashpitel? 405 00:19:30,800 --> 00:19:32,720 Yes. 406 00:19:32,720 --> 00:19:35,320 Now, they are amazing. 407 00:19:35,320 --> 00:19:37,520 So, is this what they do? 408 00:19:37,520 --> 00:19:42,240 Yeah, so, I'd actually already seen them in a theatre. 409 00:19:42,240 --> 00:19:46,120 When me and my husband got married we did the Morecambe and Wise dance. 410 00:19:46,120 --> 00:19:49,320 So we got married on our own. 411 00:19:49,320 --> 00:19:51,160 Was Tom there? 412 00:19:51,160 --> 00:19:56,360 Tom wasn't there! 413 00:19:59,440 --> 00:20:00,720 The Morecambe and Wise dance. 414 00:20:00,720 --> 00:20:03,720 We got married on our own and we played Bring Me Sunshine 415 00:20:03,720 --> 00:20:06,080 so when we came out, two seconds after this picture, 416 00:20:06,080 --> 00:20:07,200 I fell over the dress. 417 00:20:07,200 --> 00:20:10,080 Lawrence was like, oh, my God. 418 00:20:10,080 --> 00:20:12,720 So I took him for our first anniversary to see Ian 419 00:20:12,720 --> 00:20:13,920 and Jonty in their show. 420 00:20:13,920 --> 00:20:16,360 And they're not in anyway doing a parody of them. 421 00:20:16,360 --> 00:20:21,600 It's not a tribute act, they're so good. 422 00:20:22,720 --> 00:20:25,960 And the song, Bring Me Sunshine which you had at your wedding, 423 00:20:25,960 --> 00:20:27,760 also very popular in Richard Osman's house. 424 00:20:27,760 --> 00:20:29,760 It wasn't at your wedding. 425 00:20:29,760 --> 00:20:32,400 No, it was my first song on Desert Island Discs. 426 00:20:32,400 --> 00:20:35,040 I was thinking about television and how much I love television 427 00:20:35,040 --> 00:20:40,200 and how much it means to me and how much it means to us as a country. 428 00:20:43,560 --> 00:20:46,800 And that song and those two people brought the country together 429 00:20:46,800 --> 00:20:49,440 in a way perhaps that will never be brought together again, 430 00:20:49,440 --> 00:20:50,880 if you know what I mean. 431 00:20:50,880 --> 00:20:53,280 Everyone loved them and everyone understood where they came from, 432 00:20:53,280 --> 00:20:55,920 they came from the music Hall and vaudeville and that kind 433 00:20:55,920 --> 00:20:58,280 of stuff and came through into this incredible new world, 434 00:20:58,280 --> 00:21:00,200 so they held us all together for years. 435 00:21:00,200 --> 00:21:02,560 And that one song is the one song I think, 436 00:21:02,560 --> 00:21:04,720 when you think about television, you think about entertainment, 437 00:21:04,720 --> 00:21:07,080 you think about joy, that's the song you think about. 438 00:21:07,080 --> 00:21:08,200 Yeah. 439 00:21:08,200 --> 00:21:10,320 So, if you didn't have that at your wedding, 440 00:21:10,320 --> 00:21:12,000 what did you have at your wedding? 441 00:21:12,000 --> 00:21:14,440 I walked on, I had my own entrance. Theme tune! 442 00:21:14,440 --> 00:21:16,840 I didn't have Tom Hanks, I had to have something. 443 00:21:16,840 --> 00:21:18,480 I walked into Lose Yourself by Eminem. 444 00:21:18,480 --> 00:21:19,520 LAUGHTER. 445 00:21:19,520 --> 00:21:22,160 You only get one shot, don't miss your chance, that one. 446 00:21:22,160 --> 00:21:24,400 My palms are sweating, all that kind of stuff. 447 00:21:24,400 --> 00:21:27,440 I walked in on the beat and it got such a huge cheer. 448 00:21:27,440 --> 00:21:30,880 My wife was in a little anteroom said she was nervous and then heard 449 00:21:30,880 --> 00:21:33,920 this enormous cheer and I thought, everything is going to be all right. 450 00:21:33,920 --> 00:21:37,320 And then she walked onto The Long And Winding Road and the whole place 451 00:21:37,320 --> 00:21:38,400 just absolutely disintegrated. 452 00:21:38,400 --> 00:21:40,240 And then we walked into our wedding breakfast 453 00:21:40,240 --> 00:21:42,680 to Let's Get Ready To Rumble by PJ and Duncan. 454 00:21:42,680 --> 00:21:43,640 LAUGHTER. 455 00:21:43,640 --> 00:21:45,360 So we lost a lot of goodwill. 456 00:21:45,360 --> 00:21:46,560 I like the playlist, yeah. 457 00:21:46,560 --> 00:21:48,960 Tom, did you have any special songs at your wedding? 458 00:21:48,960 --> 00:21:52,400 I fought for the theme to On Her Majesty's Secret Service 459 00:21:52,400 --> 00:21:53,400 sung by Louis Armstrong. 460 00:21:53,400 --> 00:21:55,640 # We have all the time in the world. 461 00:21:55,640 --> 00:21:58,000 # Time enough to love. 462 00:21:58,000 --> 00:22:00,880 But my wife chose True Love by the Everly Brothers. 463 00:22:00,880 --> 00:22:02,160 Oh, beautiful. 464 00:22:02,160 --> 00:22:04,200 Naomi, obviously you're planning your wedding. 465 00:22:04,200 --> 00:22:05,160 Tom's booked. 466 00:22:05,160 --> 00:22:06,880 Of course! 467 00:22:06,880 --> 00:22:09,040 Have you got any songs in your back pocket? 468 00:22:09,040 --> 00:22:13,160 LAUGHTER. 469 00:22:13,160 --> 00:22:15,320 It's in my head but I won't share it! 470 00:22:15,320 --> 00:22:16,400 OK. 471 00:22:16,400 --> 00:22:17,760 It's... 472 00:22:17,760 --> 00:22:20,840 # Ooh here she comes.# Oh! 473 00:22:20,840 --> 00:22:22,440 Oh, yeah, that would be good. 474 00:22:22,440 --> 00:22:23,520 What's the...? 475 00:22:23,520 --> 00:22:24,680 She's a man eater! 476 00:22:24,680 --> 00:22:27,280 A man eater! 477 00:22:27,280 --> 00:22:30,320 APPLAUSE. 478 00:22:30,320 --> 00:22:31,360 Yeah, use that! 479 00:22:31,360 --> 00:22:33,640 Go with that. 480 00:22:33,640 --> 00:22:38,760 The groom standing at the altar going... 481 00:22:46,440 --> 00:22:50,080 "I came on to I Will Always Love You and you're coming on to this?" 482 00:22:50,080 --> 00:22:51,200 LAUGHTER. 483 00:22:51,200 --> 00:22:53,360 If I was officiating that wedding and you came 484 00:22:53,360 --> 00:22:56,000 in to Maneater I would say, "dude, get out of here! 485 00:22:56,000 --> 00:22:57,040 Run, run! 486 00:22:57,040 --> 00:22:59,400 And Suranne, as you say, your son can watch this. 487 00:22:59,400 --> 00:23:00,880 So, has he seen it yet? 488 00:23:00,880 --> 00:23:02,280 Yeah, he came to the screening. 489 00:23:02,280 --> 00:23:05,600 It was the first time that he was able to come to a screening. 490 00:23:05,600 --> 00:23:06,880 So, he was quite excited. 491 00:23:06,880 --> 00:23:09,760 He managed to sit through the whole thing and he said "yes, 492 00:23:09,760 --> 00:23:10,960 mummy, it was very good. 493 00:23:10,960 --> 00:23:11,920 Phew! 494 00:23:11,920 --> 00:23:13,000 Phew, exactly, yeah. 495 00:23:13,000 --> 00:23:14,080 The reviews are in. 496 00:23:14,080 --> 00:23:18,120 Yeah and then he had a lot of sugar and he fell on the floor, you know. 497 00:23:18,120 --> 00:23:19,720 So, Gentlemen Jack is obviously quite adult. 498 00:23:19,720 --> 00:23:21,520 Could he not have watched Vigil? 499 00:23:21,520 --> 00:23:26,680 He... 500 00:23:28,520 --> 00:23:31,480 Well, with Vigil I said "well, mummy gets put on a helicopter 501 00:23:31,480 --> 00:23:32,760 and dropped onto a submarine." 502 00:23:32,760 --> 00:23:35,760 So, I showed him that bit and then it got a bit violent. 503 00:23:35,760 --> 00:23:37,000 I mean, that is great. 504 00:23:37,000 --> 00:23:38,160 And that is real you. 505 00:23:38,160 --> 00:23:40,600 Is that happening, are you being lowered onto a submarine? 506 00:23:40,600 --> 00:23:41,640 No, Graham, I'm not! 507 00:23:41,640 --> 00:23:43,960 LAUGHTER. 508 00:23:43,960 --> 00:23:47,160 So, when I read scripts, I get so excited and this 509 00:23:47,160 --> 00:23:50,640 one I immediately went, oh, I really want to do it 510 00:23:50,640 --> 00:23:53,480 because I had a vision that I would be, not thinking 511 00:23:53,480 --> 00:23:55,880 about insurance, obviously, I'm going to be in a helicopter 512 00:23:55,880 --> 00:23:58,360 and get dropped in the middle of the North Sea. 513 00:23:58,360 --> 00:24:03,000 And I was in a car park of a supermarket on a crane. 514 00:24:03,000 --> 00:24:04,920 LAUGHTER. 515 00:24:04,920 --> 00:24:06,000 We got a picture. 516 00:24:06,000 --> 00:24:08,280 This is the reality. 517 00:24:08,280 --> 00:24:10,080 Oh, no, it's fake! 518 00:24:10,080 --> 00:24:15,360 I don't want to know it's fake! 519 00:24:15,680 --> 00:24:20,680 And when I got to the bottom there was a man here underneath the crane 520 00:24:20,680 --> 00:24:25,920 that threw a load of water on me. 521 00:24:27,280 --> 00:24:28,960 I would watch that, to be fair. 522 00:24:28,960 --> 00:24:30,320 Put a live fish in it! 523 00:24:30,320 --> 00:24:33,280 Did they call lunch when you were right up at the top? 524 00:24:33,280 --> 00:24:34,320 "It's lunch!" 525 00:24:34,320 --> 00:24:37,160 You know when they're checking takes and stuff and you don't hear 526 00:24:37,160 --> 00:24:39,600 anything and you're like, "Did you like it or not?" 527 00:24:39,600 --> 00:24:42,440 So I was up there and I'm like, "Are we going again?" 528 00:24:42,440 --> 00:24:44,880 Did they give you any direction up there? 529 00:24:44,880 --> 00:24:48,800 "Can you have more of a look in your eye that says, 530 00:24:48,800 --> 00:24:53,000 'What's happening to me?'" How did they direct you up there? 531 00:24:53,000 --> 00:24:55,200 They kept saying, "Spin round to the camera." 532 00:24:55,200 --> 00:24:58,840 Oh, because you can control that. 533 00:24:58,840 --> 00:25:00,320 And that was the camera there. 534 00:25:00,320 --> 00:25:04,000 So there's a video of me doing, like a ballet dance... 535 00:25:04,000 --> 00:25:06,800 Is it true that they're going to make another Vigil? 536 00:25:06,800 --> 00:25:08,240 They are, but not with submarines. 537 00:25:08,240 --> 00:25:10,680 I was going to say, she wouldn't be that stupid. 538 00:25:10,680 --> 00:25:11,760 No! 539 00:25:11,760 --> 00:25:14,480 She kept getting locked in places and everyone kept dying. 540 00:25:14,480 --> 00:25:17,080 That bit when you were in the tube was so scary. 541 00:25:17,080 --> 00:25:22,240 Yeah, and I was submerged, actually, in the tube. 542 00:25:23,280 --> 00:25:26,080 I think you forget that actually, at any moment, you can just 543 00:25:26,080 --> 00:25:28,960 say, "Can I get out?" 544 00:25:28,960 --> 00:25:30,200 You get so into it. 545 00:25:30,200 --> 00:25:34,600 That's why stuntpeople should do stunts and actors shouldn't. 546 00:25:34,600 --> 00:25:36,880 Well, we look forward to Vigil 2 547 00:25:36,880 --> 00:25:39,840 and you can see Suranne in Christmas Carole on Christmas Eve. 548 00:25:39,840 --> 00:25:44,960 Very good. 549 00:25:46,200 --> 00:25:48,000 Christmas Eve. 550 00:25:48,000 --> 00:25:49,640 Now, this is exciting. 551 00:25:49,640 --> 00:25:53,960 Naomi Ackie is Whitney Houston in I Wanna Dance With Somebody. 552 00:25:53,960 --> 00:25:57,280 It opens everywhere on Boxing Day, and this is a big deal. 553 00:25:57,280 --> 00:26:02,480 It's the first biopic that's been authorised by her family. 554 00:26:05,080 --> 00:26:06,320 Clive Davis executive produced it. 555 00:26:06,320 --> 00:26:08,440 So were all those people involved in casting you? 556 00:26:08,440 --> 00:26:09,560 Yeah, I guess so. 557 00:26:09,560 --> 00:26:13,320 I mean, I didn't know at the time. 558 00:26:13,320 --> 00:26:16,120 I was just filming self-takes and then seeing what happened. 559 00:26:16,120 --> 00:26:19,920 But yeah, they were and it was great because I got to talk to them all 560 00:26:19,920 --> 00:26:22,160 the way through the whole process. 561 00:26:22,160 --> 00:26:25,720 Clive, I went to his house when I arrived in the US and we had 562 00:26:25,720 --> 00:26:28,840 a lovely lunch and then we went to his cinema room and sat 563 00:26:28,840 --> 00:26:31,240 and watched Whitney's live performances and I was just like, 564 00:26:31,240 --> 00:26:34,360 like, you're Clive and I'm me. 565 00:26:34,360 --> 00:26:37,000 And I just sat with a notepad while he's pointing out 566 00:26:37,000 --> 00:26:39,640 all the things he found special in her live performances and, 567 00:26:39,640 --> 00:26:44,760 working with that, I tried to make sure I did that. 568 00:26:45,600 --> 00:26:50,800 Listen, the clip we have is one of the highlights of her career. 569 00:26:50,840 --> 00:26:52,520 It's that amazing performance 570 00:26:52,520 --> 00:26:54,920 she did of the national anthem at the Super Bowl. 571 00:26:54,920 --> 00:27:00,160 So this is Naomi Ackie as Whitney Houston. 572 00:27:09,600 --> 00:27:14,800 # O'er the ramparts we watched 573 00:27:15,640 --> 00:27:20,880 # Were so gallantly streaming 574 00:27:21,280 --> 00:27:26,560 # And the rockets' red glare, the bombs bursting in air... 575 00:27:26,960 --> 00:27:28,400 Yeah, hit that. 576 00:27:28,400 --> 00:27:29,800 Hit that. 577 00:27:29,800 --> 00:27:31,760 Yeah! 578 00:27:31,760 --> 00:27:37,040 # Gave proof through the night that our flag was still there 579 00:27:44,680 --> 00:27:49,920 # O say, does that star-spangled banner yet wave? 580 00:27:59,800 --> 00:28:05,000 # O'er the land of the free 581 00:28:08,200 --> 00:28:13,480 # And the home of the brave? 582 00:28:22,840 --> 00:28:28,040 CHEERING AND APPLAUSE. 583 00:28:32,840 --> 00:28:35,320 I'm an American! 584 00:28:35,320 --> 00:28:37,280 I'm an American. 585 00:28:37,280 --> 00:28:40,920 You got me. 586 00:28:40,920 --> 00:28:43,000 That wasn't in a Sainsbury's car park, was it? 587 00:28:43,000 --> 00:28:47,400 No. 588 00:28:47,400 --> 00:28:49,400 Such epic performance and God, Americans do do those 589 00:28:49,400 --> 00:28:50,480 things really well. 590 00:28:50,480 --> 00:28:52,880 You can ask an American, they all remember that moment 591 00:28:52,880 --> 00:28:55,720 because everybody watches the Super Bowl and 592 00:28:55,720 --> 00:28:58,600 everybody saw that. 593 00:28:58,600 --> 00:29:01,000 And the voice, the singing, a lot of it's Whitney, 594 00:29:01,000 --> 00:29:05,880 but you were mixed in as well? 595 00:29:05,880 --> 00:29:08,720 Yeah, so there was a kind of question about how to morph 596 00:29:08,720 --> 00:29:14,040 into Whitney's voice because we do do some songs from when she's a lot 597 00:29:15,560 --> 00:29:18,400 younger and there are things we don't know about in that area, 598 00:29:18,400 --> 00:29:21,720 so I took about one and a half of the songs at the beginning 599 00:29:21,720 --> 00:29:22,960 and then, you know, Whitney. 600 00:29:22,960 --> 00:29:25,200 You know, and for some dramatic beats and stuff, 601 00:29:25,200 --> 00:29:28,040 I filled in some of those spaces but hopefully, by that point, 602 00:29:28,040 --> 00:29:29,880 you're along for the ride and you understand 603 00:29:29,880 --> 00:29:32,680 what the rules are. 604 00:29:32,680 --> 00:29:34,720 And I noticed Whitney's teeth are not your teeth. 605 00:29:34,720 --> 00:29:35,960 Yeah, I've got a gap. 606 00:29:35,960 --> 00:29:39,920 LAUGHTER. 607 00:29:39,920 --> 00:29:43,160 So what were they, were they painted in? 608 00:29:43,160 --> 00:29:44,880 No, they were fake. They were flippers. 609 00:29:44,880 --> 00:29:47,520 We had one on the bottom and one on the top. 610 00:29:47,520 --> 00:29:52,040 And I had been working on the accent for about six months. 611 00:29:52,040 --> 00:29:56,240 Um, and I thought, "OK, I've got the accent down, 612 00:29:56,240 --> 00:29:59,720 I think I've got this". 613 00:29:59,720 --> 00:30:03,120 And then suddenly they put the teeth in and it was like relearning it 614 00:30:03,120 --> 00:30:04,400 all over again because...th-th-th. 615 00:30:04,400 --> 00:30:07,240 So it took a second to get used to. 616 00:30:07,240 --> 00:30:10,400 I don't know about you guys, but at the end of the film 617 00:30:10,400 --> 00:30:15,520 when you realise it's ten years since Whitney died, I had no idea. 618 00:30:15,600 --> 00:30:17,800 It feels long, but also quite a short time. 619 00:30:17,800 --> 00:30:19,040 Yeah. 620 00:30:19,040 --> 00:30:21,120 And of course, it was the oddest of circumstances 621 00:30:21,120 --> 00:30:22,440 with that Grammy party. 622 00:30:22,440 --> 00:30:23,880 Tom, were you at that party? 623 00:30:23,880 --> 00:30:24,920 Yes. 624 00:30:24,920 --> 00:30:27,760 Every now and again, you get invited to a party and say, 625 00:30:27,760 --> 00:30:30,200 "I cannot miss this, because everybody who has ever been 626 00:30:30,200 --> 00:30:33,760 a fabulous singer is at this". 627 00:30:33,760 --> 00:30:35,840 But because the news had broken in Los Angeles, 628 00:30:35,840 --> 00:30:39,720 it was like an earthquake. 629 00:30:39,720 --> 00:30:42,960 We couldn't believe it and the question was, 630 00:30:42,960 --> 00:30:44,280 "Do we still have this?" 631 00:30:44,280 --> 00:30:45,400 Clive Davis said, "Absolutely. 632 00:30:45,400 --> 00:30:50,600 We are not going to not celebrate the life of this woman". 633 00:30:51,320 --> 00:30:52,720 It was quite a profound get-together. 634 00:30:52,720 --> 00:30:53,840 I can't imagine. 635 00:30:53,840 --> 00:30:55,960 Naomi, having done this film and been Whitney, can 636 00:30:55,960 --> 00:30:59,960 you listen to Whitney now? 637 00:30:59,960 --> 00:31:03,280 I had to take a break, I won't lie, because I was obviously really 638 00:31:03,280 --> 00:31:04,720 immersed in the world. 639 00:31:04,720 --> 00:31:07,160 So I came home indefinitely was like, all right, Whitney, 640 00:31:07,160 --> 00:31:09,280 I will give you a second. 641 00:31:09,280 --> 00:31:11,640 But now, I actually listen to it to remember some 642 00:31:11,640 --> 00:31:15,320 of the moments I had filming. 643 00:31:15,320 --> 00:31:18,920 Like, it was such a formative time in my life and in my career that 644 00:31:18,920 --> 00:31:24,000 I look back on it fondly. 645 00:31:24,120 --> 00:31:25,880 Well, congratulations, and you can see Naomi 646 00:31:25,880 --> 00:31:31,000 in I Wanna Dance With Somebody from Boxing Day. 647 00:31:33,360 --> 00:31:35,480 So on Christmas Eve, I got to watch yours. 648 00:31:35,480 --> 00:31:37,640 And the day after, I have to watch yours. 649 00:31:37,640 --> 00:31:40,680 In the States, you don't call Boxing Day anything, do you? 650 00:31:40,680 --> 00:31:43,120 We think Boxing Day is when the families finally break 651 00:31:43,120 --> 00:31:45,080 out the fisticuffs to work out their problems. 652 00:31:45,080 --> 00:31:50,040 Well, often, it is. 653 00:31:50,040 --> 00:31:55,320 Right, good news, murder mystery lovers. 654 00:31:55,400 --> 00:31:56,480 Richard Osman 655 00:31:56,480 --> 00:31:58,560 has written a new book, The Bullet That Missed. 656 00:31:58,560 --> 00:32:01,000 It is the third in The Thursday Murder Club series. 657 00:32:01,000 --> 00:32:03,200 Tell us about this one. Same cast of characters? 658 00:32:03,200 --> 00:32:05,240 Same group of people, four detectives in their seventies. 659 00:32:05,240 --> 00:32:08,960 They all live together in a retirement community and look 660 00:32:08,960 --> 00:32:10,800 over old, unsolved cases. 661 00:32:10,800 --> 00:32:13,960 One day there's a real murder, they team up and they solve it 662 00:32:13,960 --> 00:32:15,640 and we're on the third book now. 663 00:32:15,640 --> 00:32:17,760 This one, every time I release a new one, 664 00:32:17,760 --> 00:32:21,400 I think this is going to be where people find me out but so far, 665 00:32:21,400 --> 00:32:24,280 this seems to be the most popular of all, which is lovely. 666 00:32:24,280 --> 00:32:27,400 And lots of this is set in the world of television, funnily enough. 667 00:32:27,400 --> 00:32:29,720 Some of it is in the world of local news. 668 00:32:29,720 --> 00:32:32,160 You know any time you see any local news, wherever 669 00:32:32,160 --> 00:32:34,320 you are in the country, there's always a guy 670 00:32:34,320 --> 00:32:36,520 in his seventies and a woman in her twenties. 671 00:32:36,520 --> 00:32:39,200 So this is about the guy in his seventies who Joyce, 672 00:32:39,200 --> 00:32:41,240 who is our hero, essentially has a crush on. 673 00:32:41,240 --> 00:32:43,440 And so they start investigating. There's loads in telly. 674 00:32:43,440 --> 00:32:45,640 There's even a quiz show in there as well. 675 00:32:45,640 --> 00:32:48,880 You've got to write what you know. 676 00:32:48,880 --> 00:32:53,360 So you wrote the first two kind of under the radar, in a way. 677 00:32:53,360 --> 00:32:58,440 This is the first one you've written knowing what an enormous 678 00:33:01,520 --> 00:33:02,560 hit the franchise is. 679 00:33:02,560 --> 00:33:05,920 So did that give you confidence, or did it freak you out a bit? 680 00:33:05,920 --> 00:33:07,840 I kind of loved it, is the truth. 681 00:33:07,840 --> 00:33:09,480 I've had a whole career in television. 682 00:33:09,480 --> 00:33:12,640 Guys, you know you have an awful lot of flops if you're in 683 00:33:12,640 --> 00:33:13,680 a creative business. 684 00:33:13,680 --> 00:33:14,720 Ah, speak for yourself. 685 00:33:14,720 --> 00:33:15,760 LAUGHTER. 686 00:33:15,760 --> 00:33:19,840 Not over here, baby. Not over here. 687 00:33:19,840 --> 00:33:22,040 Did you not see the submarine thing she did? 688 00:33:22,040 --> 00:33:24,720 I have had a lot of flops in my career. 689 00:33:24,720 --> 00:33:28,520 And one of the nicest things you can have is a hit. 690 00:33:28,520 --> 00:33:31,600 When I'm writing, I'm just in the room, the door is shut 691 00:33:31,600 --> 00:33:34,720 and all I've got is the cat on the keyboard and I'm trying 692 00:33:34,720 --> 00:33:39,880 to write, so then I'm with the characters. 693 00:33:41,160 --> 00:33:43,800 But knowing that people are going to read it and knowing 694 00:33:43,800 --> 00:33:46,800 that people want to read it and find out what happens to 695 00:33:46,800 --> 00:33:47,840 the characters is a joy. 696 00:33:47,840 --> 00:33:50,480 And Joyce, who writes the diary in this, I find myself, 697 00:33:50,480 --> 00:33:53,360 when I'm writing, as she's writing, I think, "Joyce, people love you. 698 00:33:53,360 --> 00:33:54,520 You're doing a great job". 699 00:33:54,520 --> 00:33:56,760 It is so lovely to be in her brain. 700 00:33:56,760 --> 00:33:59,200 And how does Mother Osman feel about book number three? 701 00:33:59,200 --> 00:34:02,280 Yeah, she lives in a retirement community and it was when I would 702 00:34:02,280 --> 00:34:04,480 meet the people there who had these incredible life 703 00:34:04,480 --> 00:34:05,440 stories that I thought, 704 00:34:05,440 --> 00:34:07,360 "I've got to team you up as detectives". 705 00:34:07,360 --> 00:34:08,840 She is fine with it now. 706 00:34:08,840 --> 00:34:11,200 The first one, she was worried for legal reasons that 707 00:34:11,200 --> 00:34:13,440 I was going to be talking about her friends. 708 00:34:13,440 --> 00:34:16,080 But any time I visit now, they're very much on board. 709 00:34:16,080 --> 00:34:18,880 When I go down there, they all pitch me ideas for murders. 710 00:34:18,880 --> 00:34:20,560 Honestly, they're terrible. 711 00:34:20,560 --> 00:34:25,400 She has two friends - honestly, they're called Peggy and Sue. 712 00:34:25,400 --> 00:34:27,720 And I was down there recently because we were filming 713 00:34:27,720 --> 00:34:29,600 for the ten o'clock news. 714 00:34:29,600 --> 00:34:31,760 They were all just being interviewed for the ten 715 00:34:31,760 --> 00:34:33,760 o'clock news, all dressed up, 716 00:34:33,760 --> 00:34:36,200 line dancing, and Peggy said to me, "Oh, one second. 717 00:34:36,200 --> 00:34:38,640 You know, there's a concert hall here and they're thinking 718 00:34:38,640 --> 00:34:40,840 of shutting it down and turning it into flats. 719 00:34:40,840 --> 00:34:42,440 That could be a plot, couldn't it?" 720 00:34:42,440 --> 00:34:44,720 And I was like, "Yeah, probably". 721 00:34:44,720 --> 00:34:47,840 And then Sue could see maybe I wasn't buying it and she said, 722 00:34:47,840 --> 00:34:50,200 "There's a balcony at the end of the concert hall. 723 00:34:50,200 --> 00:34:52,440 You could push someone off that and kill them". 724 00:34:52,440 --> 00:34:56,320 Yes! Now we have a plot. 725 00:34:56,320 --> 00:34:59,840 So she's exec-producing the new movie. 726 00:34:59,840 --> 00:35:01,920 Suranne, you're halfway through this, is that right? 727 00:35:01,920 --> 00:35:03,680 Actually, can I have that? 728 00:35:03,680 --> 00:35:06,480 LAUGHTER. 729 00:35:06,480 --> 00:35:08,120 You're hiding it. Because you want it. 730 00:35:08,120 --> 00:35:10,720 No, I just want Richard to sell books. 731 00:35:10,720 --> 00:35:15,360 OK, I'll buy the book. 732 00:35:15,360 --> 00:35:17,000 My husband could buy it for Christmas. 733 00:35:17,000 --> 00:35:18,920 There's a Waterstones on Piccadilly. 734 00:35:18,920 --> 00:35:20,800 Exactly. 735 00:35:20,800 --> 00:35:23,880 I think Suranne can have one. 736 00:35:23,880 --> 00:35:25,520 Thank you. I've read one and two. 737 00:35:25,520 --> 00:35:26,520 I love Joyce. 738 00:35:26,520 --> 00:35:29,360 When she does her diary entries, oh! 739 00:35:29,360 --> 00:35:30,760 I love Elizabeth, she's very kick-ass, 740 00:35:30,760 --> 00:35:35,920 but I'm more of a Joyce fan. 741 00:35:36,280 --> 00:35:40,280 Would you be a Peggy or a Sue? 742 00:35:40,280 --> 00:35:42,400 I'd be a Peggy, I guess, if I'm Joyce. 743 00:35:42,400 --> 00:35:44,840 Can I play the person who's pushed off the balcony? 744 00:35:44,840 --> 00:35:47,840 Listen, there's a role for all three of you in the movie. 745 00:35:47,840 --> 00:35:51,280 This is why we do Graham's show. 746 00:35:51,280 --> 00:35:53,960 As long as you can do cockney. 747 00:35:53,960 --> 00:35:56,200 Oh, watch this. Let me be that American. 748 00:35:56,200 --> 00:35:58,440 TERRIBLE COCKNEY ACCENT: Well, I think I'll get me 749 00:35:58,440 --> 00:35:59,640 to the church on time. 750 00:35:59,640 --> 00:36:04,600 APPLAUSE. 751 00:36:04,680 --> 00:36:06,960 You're Ron. 752 00:36:06,960 --> 00:36:09,840 Next up, the yearly panto. 753 00:36:09,840 --> 00:36:13,200 Tom, you're also turning novelist. You've got a book out next spring? 754 00:36:13,200 --> 00:36:15,120 It will be out in May, yes. 755 00:36:15,120 --> 00:36:17,720 It's called The Making Of Another Major Motion Picture Masterpiece - 756 00:36:17,720 --> 00:36:18,720 write what you know. 757 00:36:18,720 --> 00:36:20,680 Yeah. 758 00:36:20,680 --> 00:36:23,240 Because I've read a number of books about the making... 759 00:36:23,240 --> 00:36:27,120 No one knows how we do this. Everybody assumes they know. 760 00:36:27,120 --> 00:36:30,120 It is so cockamamie, the way you get a movie 761 00:36:30,120 --> 00:36:33,880 from somebody's idea to the finished screen. 762 00:36:33,880 --> 00:36:39,040 I invested about 480 pages and about nine quarts of blood. 763 00:36:39,080 --> 00:36:42,200 Oh, it's so hard to write. 764 00:36:42,200 --> 00:36:43,880 Everybody says, "How do you write books?" 765 00:36:43,880 --> 00:36:49,040 I write books like this. 766 00:36:53,240 --> 00:36:57,760 So serious. 767 00:36:57,760 --> 00:37:00,840 "But if that happened on a Tuesday, that couldn't happen on the Monday". 768 00:37:00,840 --> 00:37:01,840 Oh! 769 00:37:01,840 --> 00:37:05,480 Do you forget the characters' names sometimes? 770 00:37:05,480 --> 00:37:08,040 I'm a professional author. 771 00:37:08,040 --> 00:37:11,760 I had a guy that was named Diego, and at page 300 I changed his name 772 00:37:11,760 --> 00:37:13,080 to Francisco and no-one knew. 773 00:37:13,080 --> 00:37:16,720 Someone said, "Who is Francisco?" "Oh, Diego, sorry about that". 774 00:37:16,720 --> 00:37:19,880 Proofreaders are the best people in the world because if you make any 775 00:37:19,880 --> 00:37:22,200 mistake at all, their job is to pick it up. 776 00:37:22,200 --> 00:37:23,160 They're so brilliant. 777 00:37:23,160 --> 00:37:27,320 Everything, like, what time a train is to London. 778 00:37:27,320 --> 00:37:31,080 They'll say, "By the way, there's no longer a trolly service 779 00:37:31,080 --> 00:37:33,960 on that train" and you think, "Oh, that's useful". 780 00:37:33,960 --> 00:37:35,920 The only time I got in trouble was... 781 00:37:35,920 --> 00:37:37,800 They checked everything, and in the first book 782 00:37:37,800 --> 00:37:39,960 I talked about the Waitrose in Tunbridge Wells, right? 783 00:37:39,960 --> 00:37:41,640 And no one thought to check that, 784 00:37:41,640 --> 00:37:43,880 because of course Tunbridge Wells has got a Waitrose. 785 00:37:43,880 --> 00:37:44,880 They haven't! 786 00:37:44,880 --> 00:37:45,880 LAUGHTER. 787 00:37:45,880 --> 00:37:47,040 They haven't got a Waitrose. 788 00:37:47,040 --> 00:37:50,160 And if you think they were furious before about that, after I wrote... 789 00:37:50,160 --> 00:37:53,600 And in this new book, I send Joyce to Tunbridge Wells a day trip. 790 00:37:53,600 --> 00:37:55,040 And when she's there, she went, 791 00:37:55,040 --> 00:37:58,480 "I'm sure I read somewhere that there was a Waitrose here". 792 00:37:58,480 --> 00:38:00,840 Apologies to the people of Tunbridge Wells. 793 00:38:00,840 --> 00:38:04,760 Where will Suranne be able to shoot the next season? 794 00:38:04,760 --> 00:38:06,840 Lidl. 795 00:38:06,840 --> 00:38:08,760 Oh, lovely. 796 00:38:08,760 --> 00:38:11,560 And Richard, I see at the back of the book, you can 797 00:38:11,560 --> 00:38:12,720 pre-order book four. 798 00:38:12,720 --> 00:38:13,760 You can. 799 00:38:13,760 --> 00:38:16,160 I mean, I wouldn't, because I haven't finished it yet. 800 00:38:16,160 --> 00:38:17,600 But you can. 801 00:38:17,600 --> 00:38:20,000 Am I right in thinking you're having a little pause 802 00:38:20,000 --> 00:38:22,040 with The Thursday Murder Club? 803 00:38:22,040 --> 00:38:25,120 Yeah, so that will be four and I will go back to it, 804 00:38:25,120 --> 00:38:28,200 but I want to write a different sort of crime thing, slightly more 805 00:38:28,200 --> 00:38:30,200 Da Vinci Code-esque. 806 00:38:30,200 --> 00:38:32,560 There are certain things The Thursday Murder Club can't do. 807 00:38:32,560 --> 00:38:33,640 They can't... 808 00:38:33,640 --> 00:38:34,640 LAUGHTER. 809 00:38:34,640 --> 00:38:38,520 They can't kick down doors into warehouses and shoot people, 810 00:38:38,520 --> 00:38:41,560 and I'd quite like to write a book where they do that. 811 00:38:41,560 --> 00:38:44,160 So I've got a book called We Solve Murders which is 812 00:38:44,160 --> 00:38:45,200 about a detective duo 813 00:38:45,200 --> 00:38:47,840 who traverse the world solving murders that no one else can. 814 00:38:47,840 --> 00:38:50,280 A man and a woman? A man and a woman. 815 00:38:50,280 --> 00:38:54,480 A saucy American and a plucky Brit, by any chance? 816 00:38:54,480 --> 00:38:56,840 Hold on a minute. 817 00:38:56,840 --> 00:38:58,040 I could be the assistant. 818 00:38:58,040 --> 00:39:00,400 I'm afraid Graham is playing the cop. 819 00:39:00,400 --> 00:39:03,200 Yeah, right. 820 00:39:03,200 --> 00:39:05,120 Book three of The Thursday Murder Club series, 821 00:39:05,120 --> 00:39:10,280 The Bullet That Missed, is out now! 822 00:39:10,400 --> 00:39:15,680 Excellent. 823 00:39:15,880 --> 00:39:19,560 Honestly, why can't I preorder book five and six right now? 824 00:39:19,560 --> 00:39:21,200 I want to put pressure on you. 825 00:39:21,200 --> 00:39:22,160 Keep typing. 826 00:39:22,160 --> 00:39:23,720 Right, it is time for music. 827 00:39:23,720 --> 00:39:26,480 This singer-songwriter had one of the albums 828 00:39:26,480 --> 00:39:28,520 of the year with Hold The Girl. 829 00:39:28,520 --> 00:39:33,720 Here performing the title track, it is Rina Sawayama! 830 00:39:38,160 --> 00:39:42,000 # Reach inside and hold you close 831 00:39:42,000 --> 00:39:46,280 # I won't leave you on your own 832 00:39:46,280 --> 00:39:50,520 # Teach me the words I used to know 833 00:39:50,520 --> 00:39:55,760 # Yeah, I forgot 'em long ago 834 00:39:56,360 --> 00:40:00,560 # So hold the girl 835 00:40:00,560 --> 00:40:03,760 # Hold the girl 836 00:40:04,400 --> 00:40:07,920 # Hold the girl 837 00:40:08,240 --> 00:40:12,320 # Hold the girl 838 00:40:12,320 --> 00:40:17,600 # Hold that girl 839 00:40:18,000 --> 00:40:21,520 # Sometimes I get down with guilt 840 00:40:21,520 --> 00:40:25,240 # For the promises I've broken to my younger self 841 00:40:25,240 --> 00:40:28,600 # Moving on, maybe I never will 842 00:40:28,600 --> 00:40:31,880 # Cos I left you spinning on the carousel 843 00:40:31,880 --> 00:40:35,520 # Been living without you 844 00:40:35,720 --> 00:40:40,760 # Been living without you 845 00:40:40,840 --> 00:40:44,640 # Reach inside and hold you close 846 00:40:44,640 --> 00:40:48,400 # I won't leave you on your own 847 00:40:48,400 --> 00:40:52,120 # Teach me the words I used to know 848 00:40:52,120 --> 00:40:55,960 # Yeah, I forgot them long ago 849 00:40:55,960 --> 00:40:59,680 # I wanna remember 850 00:40:59,680 --> 00:41:04,720 # She is me and I am her 851 00:41:04,760 --> 00:41:08,640 # So hold the girl 852 00:41:08,640 --> 00:41:13,280 # Hold the girl 853 00:41:13,280 --> 00:41:15,520 # Hold that girl 854 00:41:16,160 --> 00:41:19,720 # Hold that girl 855 00:41:20,000 --> 00:41:24,240 # Hold that girl 856 00:41:25,840 --> 00:41:29,120 # Sometimes I just wanna run away 857 00:41:29,120 --> 00:41:32,760 # Leave behind that old me, start again 858 00:41:32,760 --> 00:41:36,560 # Then I'll remember who I'm really made of 859 00:41:36,560 --> 00:41:39,560 # And she's been hide-and-seeking, waiting all alone 860 00:41:39,560 --> 00:41:43,360 # Been living without you 861 00:41:43,360 --> 00:41:48,400 # Been living without you, oh 862 00:41:48,440 --> 00:41:52,480 # Reach inside and hold you close 863 00:41:52,480 --> 00:41:56,320 # I won't leave you on your own 864 00:41:56,320 --> 00:41:59,960 # Teach me the words I used to know 865 00:41:59,960 --> 00:42:03,840 # Yeah, I forgot 'em long ago 866 00:42:03,840 --> 00:42:09,160 # I wanna remember, she is me, and I am her 867 00:42:12,560 --> 00:42:17,760 # So, hold the girl, hold the girl 868 00:42:18,960 --> 00:42:22,760 # Reach inside and hold you close 869 00:42:22,760 --> 00:42:26,640 # I won't leave you on your own 870 00:42:26,640 --> 00:42:30,240 # Teach me the words I used to know 871 00:42:30,240 --> 00:42:34,120 # Yeah, I forgot 'em long ago 872 00:42:34,120 --> 00:42:37,840 # Reach inside and hold you close 873 00:42:37,840 --> 00:42:41,440 # I won't leave you on your own 874 00:42:41,440 --> 00:42:45,440 # Teach me the words I used to know 875 00:42:45,440 --> 00:42:49,160 # Yeah, I forgot 'em long ago 876 00:42:49,160 --> 00:42:54,440 # I wanna remember, she is me, and I am her 877 00:42:57,920 --> 00:43:02,960 # So, hold the girl, hold the girl #. 878 00:43:05,000 --> 00:43:06,000 CHEERING AND APPLAUSE. 879 00:43:06,000 --> 00:43:08,680 Wow. 880 00:43:08,680 --> 00:43:13,240 Rina Sawayama, everybody! 881 00:43:13,240 --> 00:43:16,360 And her amazing dancers. 882 00:43:16,360 --> 00:43:19,000 Come on over. 883 00:43:19,000 --> 00:43:21,160 Wowser. 884 00:43:21,160 --> 00:43:22,400 Amazing. 885 00:43:22,400 --> 00:43:25,720 That was so good, thank you very much. 886 00:43:25,720 --> 00:43:26,720 Come and meet everyone. 887 00:43:26,720 --> 00:43:31,960 Richard, Naomi, Suranne and Tom. 888 00:43:34,240 --> 00:43:37,080 Wowser, wowser, wowser. 889 00:43:37,080 --> 00:43:39,680 That is something else, wow. 890 00:43:39,680 --> 00:43:41,320 Thank you. 891 00:43:41,320 --> 00:43:43,080 A great performance. 892 00:43:43,080 --> 00:43:45,440 And that is off the album of the same name. 893 00:43:45,440 --> 00:43:47,120 Congratulations on the success of the album. 894 00:43:47,120 --> 00:43:48,200 Thank you so much. 895 00:43:48,200 --> 00:43:49,680 We saw the amazing choreography there. 896 00:43:49,680 --> 00:43:51,520 And you can do that rarest thing, sing 897 00:43:51,520 --> 00:43:54,320 and dance at the same time. 898 00:43:54,320 --> 00:43:56,760 Oh, God, just about, thank you. 899 00:43:56,760 --> 00:43:59,240 You're young. 900 00:43:59,240 --> 00:44:03,440 But the choreography has now got you into the world of film? 901 00:44:03,440 --> 00:44:04,800 Yes. 902 00:44:04,800 --> 00:44:08,600 So I've always shot music videos and kind of part-directed it 903 00:44:08,600 --> 00:44:10,840 with the view that I wanted it to be 904 00:44:10,840 --> 00:44:12,440 my acting portfolio. 905 00:44:12,440 --> 00:44:17,640 So I've purposefully written characters 906 00:44:18,640 --> 00:44:20,760 So I've purposefully written characters for myself and there's 907 00:44:20,760 --> 00:44:22,440 a video called XS and Bad Friend 908 00:44:22,440 --> 00:44:23,880 where I do some stunt choreography 909 00:44:23,880 --> 00:44:27,080 and I pretend I'm like a robot breaking down, all that kind of 910 00:44:27,080 --> 00:44:28,120 stuff. 911 00:44:28,120 --> 00:44:30,320 And then I got a call from Chad Stahelski, 912 00:44:30,320 --> 00:44:31,880 who is the director of John Wick. 913 00:44:31,880 --> 00:44:33,160 Yeah. 914 00:44:33,160 --> 00:44:36,800 Naomi's like, "Get out of town!" 915 00:44:36,800 --> 00:44:37,960 That's what I felt like. 916 00:44:37,960 --> 00:44:41,080 "And I was just stupid Whitney Houston!" 917 00:44:41,080 --> 00:44:43,440 Shucks! 918 00:44:43,440 --> 00:44:47,800 And then, so I got a call and I was like, 919 00:44:47,800 --> 00:44:50,840 "Why the hell does he want to speak to me?" 920 00:44:50,840 --> 00:44:53,680 And he goes, "I've seen your music videos and I've got the 921 00:44:53,680 --> 00:44:56,320 perfect role for you, do you want to come to Berlin 922 00:44:56,320 --> 00:44:57,960 and shoot for the new John Wick?" 923 00:44:57,960 --> 00:45:03,240 I know! I've done it, yeah. 924 00:45:04,480 --> 00:45:06,320 It was the hardest thing I've ever done. 925 00:45:06,320 --> 00:45:08,720 That is easy compared to John Wick. 926 00:45:08,720 --> 00:45:12,840 And are you fighting Keanu or fighting with Keanu? 927 00:45:12,840 --> 00:45:14,640 Oh, a secret! 928 00:45:14,640 --> 00:45:16,800 Am I a goodie or a baddie, who knows? 929 00:45:16,800 --> 00:45:19,680 Are you in John Wick 5? 930 00:45:19,680 --> 00:45:23,760 Is there a John Wick 5? 931 00:45:23,760 --> 00:45:27,120 I know I'm in John Wick 5 and I haven't seen you on set, 932 00:45:27,120 --> 00:45:29,840 but... 933 00:45:29,840 --> 00:45:33,280 And you're in the middle of a tour. It's a world tour. 934 00:45:33,280 --> 00:45:35,960 Yeah, it's my first world tour. 935 00:45:35,960 --> 00:45:38,120 I released my debut album in 2020, so couldn't 936 00:45:38,120 --> 00:45:40,800 tour for two years. 937 00:45:40,800 --> 00:45:43,480 Now it's all opened up, going touring. 938 00:45:43,480 --> 00:45:45,680 Doing Australia, New Zealand and Japan, and some of 939 00:45:45,680 --> 00:45:49,240 my family have never seen me live. 940 00:45:49,240 --> 00:45:50,760 And this is family in Japan? 941 00:45:50,760 --> 00:45:52,600 Yeah, most of my family live in Japan. 942 00:45:52,600 --> 00:45:55,240 So they've been watching your videos and thinking, "She looks good". 943 00:45:55,240 --> 00:45:59,080 They're like, "This is going pretty well". 944 00:45:59,080 --> 00:46:02,120 Yeah, but have you written any novels? 945 00:46:02,120 --> 00:46:03,120 Next on my list. 946 00:46:03,120 --> 00:46:04,800 You know she will. 947 00:46:04,800 --> 00:46:07,880 She'll probably crank out two of them on the world tour. 948 00:46:07,880 --> 00:46:10,680 Just on the tour bus. 949 00:46:10,680 --> 00:46:11,680 "Yeah, I finished one. 950 00:46:11,680 --> 00:46:14,120 It's a bestseller". 951 00:46:14,120 --> 00:46:16,160 Congratulations on everything. 952 00:46:16,160 --> 00:46:19,240 Thank you so much for that spectacular performance. 953 00:46:19,240 --> 00:46:23,120 Rina Sawayama, everybody! 954 00:46:23,120 --> 00:46:25,840 So good. 955 00:46:25,840 --> 00:46:27,680 Thank you so much. 956 00:46:27,680 --> 00:46:29,360 And that is nearly it. 957 00:46:29,360 --> 00:46:32,440 Before we go, just time for a visit to the big red chair. 958 00:46:32,440 --> 00:46:33,520 Who is there? 959 00:46:33,520 --> 00:46:34,560 Hello! 960 00:46:34,560 --> 00:46:35,640 Hello! 961 00:46:35,640 --> 00:46:38,880 You've amused yourself. 962 00:46:38,880 --> 00:46:41,760 Wondering how I got here. 963 00:46:41,760 --> 00:46:44,000 Oh, calm down, you'll be fine. What's your name? 964 00:46:44,000 --> 00:46:46,000 Alice. Hello, Alice. 965 00:46:46,000 --> 00:46:47,000 Do you know Alice? 966 00:46:47,000 --> 00:46:49,480 No. 967 00:46:49,480 --> 00:46:50,480 Where are you from? 968 00:46:50,480 --> 00:46:52,360 Originally Manchester, but live down here now. 969 00:46:52,360 --> 00:46:56,360 Oh, I might do. 970 00:46:56,360 --> 00:46:58,000 What do you do down here, Alice? 971 00:46:58,000 --> 00:46:59,920 I work in project management for the NHS. 972 00:46:59,920 --> 00:47:05,120 OK, very good. Suddenly very hard to flip now. 973 00:47:06,360 --> 00:47:08,200 "I do something very good to help people, 974 00:47:08,200 --> 00:47:11,200 don't flip me". 975 00:47:11,200 --> 00:47:14,960 Off you go with your story, Alice, good luck. 976 00:47:14,960 --> 00:47:19,920 So I was about 16, watching the Ryder Cup 977 00:47:19,960 --> 00:47:22,600 with my dad, and Tiger Woods kind of brings the ball 978 00:47:22,600 --> 00:47:26,040 to his lips, his golf ball, 979 00:47:26,040 --> 00:47:29,280 and then he said, "You can't do that at the local golf club any 980 00:47:29,280 --> 00:47:30,800 more because they've put insecticide down". 981 00:47:30,800 --> 00:47:33,360 So I was like, "OK, nice titbit". 982 00:47:33,360 --> 00:47:36,840 And then we go to the golf club later and I'm sat 983 00:47:36,840 --> 00:47:39,800 with my dad's mates, who are all older and I don't know 984 00:47:39,800 --> 00:47:40,880 what to say to them. 985 00:47:40,880 --> 00:47:43,600 And I just came out with, "Oh, I heard you're not 986 00:47:43,600 --> 00:47:47,000 allowed to lick your balls any more". 987 00:47:47,000 --> 00:47:48,400 So the old men all erupt. 988 00:47:48,400 --> 00:47:50,600 I sit there going red, and my dad doesn't 989 00:47:50,600 --> 00:47:52,240 look at me for a week. 990 00:47:52,240 --> 00:47:55,200 You can walk, Alice! 991 00:47:55,200 --> 00:48:00,000 Go on. 992 00:48:00,000 --> 00:48:02,200 OK, that really is all we've got time for. 993 00:48:02,200 --> 00:48:05,800 If you want to go in the red chair and share a story, you can. 994 00:48:05,800 --> 00:48:08,080 Contact us via our website at this very address. 995 00:48:08,080 --> 00:48:10,720 Please say a huge thank you to all of my guests 996 00:48:10,720 --> 00:48:12,800 tonight - Rina Sawayama! 997 00:48:12,800 --> 00:48:15,160 Richard Osman! 998 00:48:15,160 --> 00:48:17,840 Naomi Ackie! 999 00:48:17,840 --> 00:48:20,240 Suranne Jones! 1000 00:48:20,240 --> 00:48:23,760 And Mr Tom Hanks! 1001 00:48:23,760 --> 00:48:26,440 Graham Norton! 1002 00:48:26,440 --> 00:48:30,240 We'll be back on New Year's Eve for a Hogmanay chat with Cabaret 1003 00:48:30,240 --> 00:48:33,680 stars Callum Scott Howells and Madeline Brewer, comedian Romesh 1004 00:48:33,680 --> 00:48:36,520 Ranganathan, Lioness captain Leah Williamson, 1005 00:48:36,520 --> 00:48:38,720 comedy great Hugh Laurie, 1006 00:48:38,720 --> 00:48:41,560 Top Boy's Micheal Ward and Oscar-winner Olivia Colman! 1007 00:48:41,560 --> 00:48:43,600 Have a very happy Christmas. 1008 00:48:43,600 --> 00:48:48,800 Good night, everybody, bye-bye!