1 00:00:03,291 --> 00:00:05,083 ♪ OHHH OHHH OHHH ♪ 2 00:00:06,542 --> 00:00:09,875 (whirring) 3 00:00:11,083 --> 00:00:13,166 (clicks) 4 00:00:13,208 --> 00:00:16,750 (whirring continues) 5 00:00:16,792 --> 00:00:19,834 ♪♪♪ 6 00:00:27,250 --> 00:00:30,250 (man over intercom) Just one more minute. 7 00:00:30,291 --> 00:00:31,542 Hold still. 8 00:00:31,583 --> 00:00:32,625 (clicks) 9 00:00:32,667 --> 00:00:33,959 (whirring) 10 00:00:34,000 --> 00:00:37,875 ♪♪♪ 11 00:00:47,083 --> 00:00:50,041 (up-tempo jazz playing) 12 00:00:50,083 --> 00:00:51,041 (indistinct conversations) 13 00:00:51,083 --> 00:00:53,041 NOW WHEN DID YOU BECOME SO GRACEFUL? 14 00:00:53,083 --> 00:00:54,250 ALL THE YEARS WE WERE MARRIED, 15 00:00:54,291 --> 00:00:55,792 YOU WERE BLATANTLY DEVOID OF RHYTHM. 16 00:00:55,834 --> 00:00:57,291 YEAH, BUT NOT WHEN IT COUNTED. 17 00:00:57,333 --> 00:00:59,041 (laughs) MM. 18 00:00:59,083 --> 00:01:00,625 I'VE BEEN WATCHING "DANCING WITH THE STARS" 19 00:01:00,667 --> 00:01:01,875 FOR POINTERS. 20 00:01:01,917 --> 00:01:04,917 (laughs) 21 00:01:06,083 --> 00:01:07,083 OOH. 22 00:01:07,125 --> 00:01:08,583 MAYBE WE OUGHT TO GO TO BUENOS AIRES 23 00:01:08,625 --> 00:01:10,917 FOR OUR NEXT TRIP, HUH? WE CAN LEARN TO TANGO. 24 00:01:10,959 --> 00:01:13,041 (laughs) I DON'T THINK I'M GONNA BE TRAVELING FOR A WHILE. 25 00:01:13,083 --> 00:01:14,542 WHY NOT? 26 00:01:16,667 --> 00:01:19,375 LET'S JUST KEEP DANCING, HMM? 27 00:01:19,417 --> 00:01:22,041 SHELDON, YOU'RE WORRYING ME. 28 00:01:22,083 --> 00:01:24,166 I DON'T WANT TO. YOU KNOW, THAT--THAT'S THE POINT. 29 00:01:24,208 --> 00:01:25,625 YOU SEE, THAT DOESN'T HELP. 30 00:01:25,667 --> 00:01:27,083 WHAT'S GOING ON? 31 00:01:27,125 --> 00:01:30,250 ♪♪♪ 32 00:01:30,291 --> 00:01:32,500 PROSTATE CANCER IS WHAT'S GOING ON. 33 00:01:35,500 --> 00:01:37,542 COME ON. 34 00:01:39,667 --> 00:01:41,667 WHAT'S THE PROGNOSIS? 35 00:01:41,709 --> 00:01:43,917 THE BIOPSY WAS POSITIVE. 36 00:01:43,959 --> 00:01:45,625 IT WAS A GLEASON SCORE OF 6, SO IT'S INTERMEDIATE. 37 00:01:45,667 --> 00:01:47,667 AND IT HASN'T METASTASIZED. 38 00:01:47,709 --> 00:01:50,041 OKAY. WELL, UM, WHAT--IS THERE A-- 39 00:01:50,083 --> 00:01:51,458 IS THERE SURGERY OR--OR--OR MEDS? 40 00:01:51,500 --> 00:01:54,041 I MEAN, WHAT HAPPENS NEXT? 41 00:01:54,083 --> 00:01:56,250 I HAVEN'T DECIDED. 42 00:02:00,208 --> 00:02:02,083 I TOLD YOU WE SHOULD KEEP DANCING. 43 00:02:02,125 --> 00:02:04,709 LOOK, I'M SORRY. IT'S JUST-- IT'S KIND OF A SHOCK. 44 00:02:04,750 --> 00:02:06,375 YEAH, FOR ME, TOO. 45 00:02:06,417 --> 00:02:07,583 BUT YOU CAN COME HERE, 46 00:02:07,625 --> 00:02:09,500 AND WHEN I'M DOING WHATEVER IT IS I DECIDE TO DO, 47 00:02:09,542 --> 00:02:12,500 WE CAN CHECK OUT THOSE FIVE-STAR HOTELS. 48 00:02:12,542 --> 00:02:15,375 I CAN'T COME TO L.A. EVERY WEEK. 49 00:02:15,417 --> 00:02:17,917 BUT FLYING TO BUENOS AIRES-- THAT--THAT WORKS FOR YOU? 50 00:02:17,959 --> 00:02:20,458 SHELDON, MY PRACTICE IS IN NEW YORK. 51 00:02:20,500 --> 00:02:23,333 I DON'T KNOW IF I CAN PACK UP AND... 52 00:02:23,375 --> 00:02:24,875 AND COME HELP YOU THROUGH THIS. 53 00:02:24,917 --> 00:02:26,125 I DIDN'T ASK YOU TO. 54 00:02:26,166 --> 00:02:28,542 I SUGGESTED YOU PACK UP AND JOIN ME POOLSIDE. 55 00:02:28,583 --> 00:02:30,291 WELL, THAT'S NOT WHAT THIS IS ANYMORE. 56 00:02:30,333 --> 00:02:31,667 YEAH, RIGHT, RIGHT. 57 00:02:31,709 --> 00:02:34,750 NOW THAT THERE'S A MODICUM OF REALITY TO THIS SCENARIO, 58 00:02:34,792 --> 00:02:35,709 WHY BOTHER? 59 00:02:35,750 --> 00:02:37,375 OKAY, THIS IS WHAT WE BOTH WANTED. 60 00:02:37,417 --> 00:02:39,041 THESE WEEKENDS WERE SUPPOSED TO BE 61 00:02:39,083 --> 00:02:40,500 A-A VACATION FROM REAL LIFE. 62 00:02:40,542 --> 00:02:43,041 WELL, I'M SORRY IF MY CANCER RUINED YOUR VACATION. 63 00:02:43,083 --> 00:02:44,625 (sighs) 64 00:02:44,667 --> 00:02:48,041 (cell phone rings) 65 00:02:48,083 --> 00:02:49,625 (ring) 66 00:02:49,667 --> 00:02:51,041 OH. THAT'S THE HOSPITAL. 67 00:02:51,083 --> 00:02:53,208 MAYBE I SHOULD FIND A HOTEL. 68 00:02:53,250 --> 00:02:55,041 YEAH. YEAH, WHY DON'T YOU DO THAT? 69 00:02:55,083 --> 00:02:58,542 ♪♪♪ 70 00:03:01,458 --> 00:03:04,542 (thunder rumbling) 71 00:03:04,583 --> 00:03:07,792 CHECK IN AFTER EACH ROOM YOU CLEAR. 72 00:03:07,834 --> 00:03:10,417 HEY. IS THERE ANY UPDATE ON THE MISSING GIRL? 73 00:03:10,458 --> 00:03:11,667 NO, BUT IT'S A BIG HOSPITAL. 74 00:03:11,709 --> 00:03:12,875 THERE ARE LOTS OF PLACES TO HIDE. 75 00:03:12,917 --> 00:03:14,417 YEAH, WELL, WHAT CAN I DO? 76 00:03:14,458 --> 00:03:15,583 ARE YOU A SECURITY GUARD OR A COP? 77 00:03:15,625 --> 00:03:17,041 WELL, NO, BUT I-- 78 00:03:17,083 --> 00:03:18,834 YOUR PATIENT'S STABILIZED, AND YOU DISCHARGED HIM. 79 00:03:18,875 --> 00:03:20,417 GET BACK TO WHATEVER THE TUX WAS FOR. 80 00:03:22,166 --> 00:03:24,834 YEAH. 81 00:03:24,875 --> 00:03:27,667 (beeps) 82 00:03:27,709 --> 00:03:28,667 COME ON. 83 00:03:28,709 --> 00:03:30,041 NEED A HAND? 84 00:03:30,083 --> 00:03:32,667 PLEASE TELL ME YOU WEREN'T THE GROOM. 85 00:03:32,709 --> 00:03:34,041 (chuckles) 86 00:03:34,083 --> 00:03:35,583 (clank) 87 00:03:35,625 --> 00:03:37,458 I GUESS I'M OUT OF PRACTICE. (sighs) 88 00:03:37,500 --> 00:03:39,583 OH, THAT'S NOT NECESSARY. NO, IT IS. 89 00:03:39,625 --> 00:03:41,041 (coins clattering) I'M HAVING A BAD NIGHT, 90 00:03:41,083 --> 00:03:43,041 AND SOMETIMES THE BEST WAY TO CHEER YOURSELF UP 91 00:03:43,083 --> 00:03:45,291 IS TO TRY AND CHEER SOMEONE ELSE UP. 92 00:03:45,333 --> 00:03:47,041 (coins clink) YOU READ THAT ON A BUMPER STICKER? 93 00:03:47,083 --> 00:03:48,041 IT'S MARK TWAIN. (thud) 94 00:03:48,083 --> 00:03:50,083 MM. 95 00:03:50,125 --> 00:03:52,750 I'M MORE OF AN AGATHA CHRISTIE GAL. 96 00:03:54,083 --> 00:03:55,625 THANKS FOR THE CHOCOLATE. 97 00:03:55,667 --> 00:03:58,417 IT'S ONE OF THE FEW THINGS I CAN STILL KEEP DOWN. 98 00:03:58,458 --> 00:04:00,500 (chuckles) 99 00:04:03,208 --> 00:04:04,709 (clank) 100 00:04:12,542 --> 00:04:14,750 (woman) SHELDON, IT'S BEEN FIVE WEEKS, 101 00:04:14,792 --> 00:04:17,041 AND YOUR FASCINATION ON THIS PARTICULAR SUBJECT 102 00:04:17,083 --> 00:04:19,625 IS BORDERING ON THE OBSESSIVE. 103 00:04:19,667 --> 00:04:20,542 HE'S MY PATIENT, OKAY? 104 00:04:20,583 --> 00:04:22,417 I HAVE A RESPONSIBILITY TO HIM. 105 00:04:22,458 --> 00:04:24,041 ONLY IF HE WANTS YOUR HELP. 106 00:04:24,083 --> 00:04:27,417 AND SINCE HE'S NOT RETURNING ANY OF YOUR CALLS 107 00:04:27,458 --> 00:04:29,041 OR SHOWING UP FOR HIS APPOINTMENTS, 108 00:04:29,083 --> 00:04:30,458 CLEARLY HE DOESN'T. 109 00:04:30,500 --> 00:04:33,709 BUT THAT'S MY FAULT. I NEED TO WIN BACK HIS TRUST. 110 00:04:33,750 --> 00:04:35,041 LOOK, YOU THOUGHT HE TOOK THE LITTLE GIRL. 111 00:04:35,083 --> 00:04:37,041 HE KNOWS YOU THOUGHT THAT. 112 00:04:37,083 --> 00:04:38,917 SO NOW THERE'S NOTHING YOU CAN DO, 113 00:04:38,959 --> 00:04:40,291 EXCEPT PERHAPS USE YOUR SESSION 114 00:04:40,333 --> 00:04:43,041 TO TRY TO FIGURE OUT HOW YOUR ISSUES GOT IN THE WAY. 115 00:04:43,083 --> 00:04:44,291 MY ISSUES DIDN'T GET IN THE WAY, 116 00:04:44,333 --> 00:04:46,667 BECAUSE I-I... I DON'T HAVE ANY ISSUES. 117 00:04:46,709 --> 00:04:48,959 REALLY? BECAUSE MOST PEOPLE 118 00:04:49,000 --> 00:04:50,375 WOULD CONSIDER CANCER AN ISSUE. 119 00:04:50,417 --> 00:04:52,083 WELL, MOST PEOPLE DON'T HAVE MY INCREDIBLE OPTIMISM 120 00:04:52,125 --> 00:04:55,458 AND SUNNY DISPOSITION. 121 00:04:55,500 --> 00:04:57,333 OKAY, FINE. IT'S AN ISSUE. 122 00:04:57,375 --> 00:05:00,709 AND THERE ARE OPTIONS, BUT NONE OF THEM PALATABLE. 123 00:05:00,750 --> 00:05:02,083 WHAT ARE THEY? 124 00:05:02,125 --> 00:05:03,667 WELL, IF I CHOOSE DOOR NUMBER ONE, 125 00:05:03,709 --> 00:05:05,834 I GET SURGERY-- RADICAL PROSTATECTOMY. 126 00:05:05,875 --> 00:05:07,583 IT COMES COMPLETE WITH THE POSSIBILITY 127 00:05:07,625 --> 00:05:09,500 OF INCONTINENCE AND IMPOTENCE. 128 00:05:09,542 --> 00:05:11,709 DOOR NUMBER TWO IS ACTIVE SURVEILLANCE, 129 00:05:11,750 --> 00:05:13,083 WHERE WE WATCH AND WAIT 130 00:05:13,125 --> 00:05:15,750 WHILE THE CANCER CELLS THAT ARE ALREADY IN MY PROSTATE 131 00:05:15,792 --> 00:05:17,667 PERHAPS TAKE UP RESIDENCE ELSEWHERE, 132 00:05:17,709 --> 00:05:19,583 MAYBE MY LUNGS OR MY LIVER. 133 00:05:19,625 --> 00:05:21,542 AND THEN THERE'S DOOR NUMBER THREE-- 134 00:05:21,583 --> 00:05:25,208 TOXIC LEVELS OF RADIATION BEAMED INTO MY MANHOOD 135 00:05:25,250 --> 00:05:27,208 FIVE DAYS A WEEK FOR EIGHT WEEKS. 136 00:05:27,250 --> 00:05:30,041 CALL ME CRAZY, BUT OPTING FOR A TREATMENT 137 00:05:30,083 --> 00:05:31,583 THAT'S ASSOCIATED WITH DUCK-AND-COVER DRILLS 138 00:05:31,625 --> 00:05:33,959 JUST... GIVES ME PAUSE. 139 00:05:34,000 --> 00:05:35,500 WHAT DOES LAURA THINK? 140 00:05:35,542 --> 00:05:36,959 OH, LAURA'S GONE. 141 00:05:37,000 --> 00:05:40,000 I MEAN, CANCER DIDN'T REALLY FIT INTO HER PLANS. 142 00:05:40,041 --> 00:05:41,750 NOT EVERYONE HAS THE STRENGTH OF CHARACTER 143 00:05:41,792 --> 00:05:43,542 TO GO THROUGH THIS WITH SOMEONE. 144 00:05:43,583 --> 00:05:45,000 YEAH, I DON'T WANT TO TALK ABOUT LAURA. 145 00:05:45,041 --> 00:05:46,625 OH, YOU DON'T WANT TO TALK ABOUT LAURA. 146 00:05:46,667 --> 00:05:48,000 YOU'VE MADE UP YOUR MIND 147 00:05:48,041 --> 00:05:49,166 NOT TO MAKE UP YOUR MIND ABOUT CANCER. 148 00:05:49,208 --> 00:05:51,709 IS THERE ANYTHING ELSE THAT YOU'D LIKE TO NOT TALK ABOUT 149 00:05:51,750 --> 00:05:54,041 IN THE REMAINING HALF-HOUR? 150 00:05:54,083 --> 00:05:56,667 NO, I THINK THAT PRETTY MUCH COVERS IT. 151 00:06:22,417 --> 00:06:24,041 (laughs) 152 00:06:24,083 --> 00:06:26,542 AT LEAST YOU GET TO WEAR PANTS. 153 00:06:26,583 --> 00:06:29,625 BECAUSE I HAVE BREAST CANCER. 154 00:06:29,667 --> 00:06:31,041 OH. 155 00:06:31,083 --> 00:06:33,083 I'M SORRY. 156 00:06:33,125 --> 00:06:35,000 (exhales) 157 00:06:35,041 --> 00:06:36,625 UM, I'M JUST NERVOUS. 158 00:06:36,667 --> 00:06:38,417 YOU'LL BE FINE. 159 00:06:41,875 --> 00:06:44,625 THIS IS A GREAT FACILITY. 160 00:06:44,667 --> 00:06:47,041 I'M IN EVERY MORNING. ARE--ARE YOU? 161 00:06:47,083 --> 00:06:49,959 LET'S HOPE. 162 00:06:52,625 --> 00:06:54,000 RIGHT. 163 00:06:57,542 --> 00:07:00,542 (whirring) 164 00:07:09,375 --> 00:07:10,500 (man) Hold still. 165 00:07:10,542 --> 00:07:11,834 (clicks) 166 00:07:11,875 --> 00:07:15,166 (whirring continues) 167 00:07:21,333 --> 00:07:23,709 (laughter) 168 00:07:23,750 --> 00:07:25,875 YOU SLEEP THROUGH YOUR ALARM THIS MORNING? 169 00:07:25,917 --> 00:07:27,959 NO, I JOINED A GYM. 170 00:07:28,000 --> 00:07:30,041 DECIDED IT'S TIME TO START WORKING OUT. 171 00:07:30,083 --> 00:07:33,041 OH, SAM GETTIN' ON YOU TO STAY HEALTHY? 172 00:07:33,083 --> 00:07:35,041 I KNOW HOW TO TAKE CARE OF MYSELF. 173 00:07:35,083 --> 00:07:37,166 I'M--I AM A DOCTOR. 174 00:07:37,208 --> 00:07:42,500 UM, WHAT THE HELL IS THAT? 175 00:07:42,542 --> 00:07:44,709 (laughs) 176 00:07:44,750 --> 00:07:45,500 LOOK AT THAT ROCK! 177 00:07:45,542 --> 00:07:47,500 SHE'S LIKE A HEAT-SEEKING MISSILE. 178 00:07:47,542 --> 00:07:48,750 JAKE, I'M A WOMAN, 179 00:07:48,792 --> 00:07:51,000 AND YOU COULD SEE THAT RING FROM SPACE. 180 00:07:51,041 --> 00:07:52,709 HOW COULD YOU NOT TELL US? 181 00:07:52,750 --> 00:07:55,750 OH, WELL, WE DIDN'T WANT TO MAKE A BIG DEAL ABOUT IT. 182 00:07:55,792 --> 00:07:58,166 THAT'S, UH, THAT'S GREAT NEWS. 183 00:07:58,208 --> 00:08:00,667 CONGRATULATIONS. THANK YOU. 184 00:08:00,709 --> 00:08:01,875 CONGRATS. THANKS, SAM. 185 00:08:01,917 --> 00:08:03,709 MM-HMM. CONGRATULATIONS. 186 00:08:03,750 --> 00:08:05,041 THANKS, BUDDY. ALL RIGHT. 187 00:08:05,083 --> 00:08:06,583 (laughs) CONGRATULATIONS. 188 00:08:06,625 --> 00:08:08,041 I LOVE WEDDINGS. 189 00:08:08,083 --> 00:08:10,166 YOU KNOW, THEY'RE SO FULL OF LOVE AND JOY AND PROMISE. 190 00:08:10,208 --> 00:08:11,959 YOU CAN FOOL YOURSELF INTO THINKING 191 00:08:12,000 --> 00:08:13,834 THAT'S WHAT THE WHOLE WORLD IS LIKE. 192 00:08:13,875 --> 00:08:16,500 BUT IT'S... IT'S NOT. 193 00:08:16,542 --> 00:08:18,542 IT'S FRAUGHT WITH DANGER AND DISEASE, 194 00:08:18,583 --> 00:08:20,041 AND THERE'S NO LOYALTY, YOU KNOW, JUST... 195 00:08:20,083 --> 00:08:22,583 NONE AT ALL. 196 00:08:22,625 --> 00:08:27,041 (laughs) I'M THRILLED FOR BOTH OF YOU, THOUGH. 197 00:08:31,000 --> 00:08:33,125 DR. WALLACE? 198 00:08:33,166 --> 00:08:34,375 NICK. 199 00:08:34,417 --> 00:08:35,625 I'VE BEEN CALLING YOU. 200 00:08:35,667 --> 00:08:38,333 YEAH. I... GOT YOUR MESSAGES. 201 00:08:38,375 --> 00:08:39,792 I DIDN'T KNOW WHETHER I SHOULD CALL YOU BACK 202 00:08:39,834 --> 00:08:41,250 OR GET A RESTRAINING ORDER. 203 00:08:41,291 --> 00:08:42,625 I WAS WORRIED, ALL RIGHT? 204 00:08:42,667 --> 00:08:44,041 AND WHEN YOU DIDN'T CALL, I WAS AFRAID-- 205 00:08:44,083 --> 00:08:46,500 WHAT, I TOOK A LITTLE GIRL? 206 00:08:47,834 --> 00:08:49,875 WHEN YOU FIRST CAME TO SEE ME, YOU WERE SUICIDAL. 207 00:08:49,917 --> 00:08:52,834 YES, AND YOU HELPED ME THROUGH THAT, AND I'M GRATEFUL. 208 00:08:52,875 --> 00:08:55,458 BUT AFTER THAT NIGHT AT THE E.R.-- 209 00:08:55,500 --> 00:08:56,667 THAT WAS A MISTAKE. 210 00:08:56,709 --> 00:08:58,750 I RUSHED TO JUDGMENT, AND THAT WAS WRONG. 211 00:08:58,792 --> 00:09:00,041 I DIDN'T TAKE THAT LITTLE GIRL. 212 00:09:00,083 --> 00:09:01,667 I KNOW. I KNOW. 213 00:09:01,709 --> 00:09:04,291 AND... I WANT TO CONTINUE TO HELP YOU. 214 00:09:06,000 --> 00:09:07,375 (mutters) 215 00:09:08,792 --> 00:09:11,750 ACTUALLY, UM... 216 00:09:11,792 --> 00:09:13,458 I'M DOING PRETTY WELL. 217 00:09:13,500 --> 00:09:15,625 GOOD. GOOD. WHAT'S BEEN GOING ON? 218 00:09:15,667 --> 00:09:17,250 I GOT A PROMOTION AT WORK. 219 00:09:17,291 --> 00:09:19,208 BEEN FINISHING SOME PROJECTS AROUND THE HOUSE. 220 00:09:19,250 --> 00:09:21,083 AND THE, UH, THE URGES? 221 00:09:21,125 --> 00:09:22,375 I'M MANAGING THEM. 222 00:09:22,417 --> 00:09:25,625 I'M WORKING THE CHECKLIST, AVOIDING TRIGGERS. 223 00:09:25,667 --> 00:09:27,667 AND I'M--I'M KEEPING BUSY WITH A NEW FRIEND. 224 00:09:27,709 --> 00:09:29,083 WELL, THAT SOUNDS LIKE A POSITIVE STEP. 225 00:09:29,125 --> 00:09:30,875 YEAH. DID YOU MEET HIM AT WORK? 226 00:09:30,917 --> 00:09:32,166 IT'S HER, ACTUALLY. 227 00:09:32,208 --> 00:09:33,875 OH. 228 00:09:33,917 --> 00:09:35,417 WHAT'S HER NAME? 229 00:09:35,458 --> 00:09:38,041 ALYSSA. 230 00:09:38,083 --> 00:09:39,834 IS--IS SHE A COLLEAGUE? 231 00:09:39,875 --> 00:09:41,625 NO. NO, SHE'S JUST A FRIEND, 232 00:09:41,667 --> 00:09:44,709 BUT SHE'S... SHE'S GREAT. 233 00:09:44,750 --> 00:09:46,250 WE'RE INTO A LOT OF THE SAME MUSIC 234 00:09:46,291 --> 00:09:49,667 AND TV SHOWS, AND SHE UNDERSTANDS ME, 235 00:09:49,709 --> 00:09:52,750 YOU KNOW? AND--AND SHE'S KIND AND SO PRETTY. 236 00:09:52,792 --> 00:09:56,041 AND... I DON'T KNOW. I'VE N-- (chuckles) 237 00:09:56,083 --> 00:09:59,041 I'VE NEVER FELT THIS WAY BEFORE. (laughs) 238 00:09:59,083 --> 00:10:03,542 IT'S JUST NICE TO CONNECT WITH SOMEBODY, YOU KNOW? 239 00:10:03,583 --> 00:10:06,041 SO IT'S ROMANTIC, THEN? 240 00:10:06,083 --> 00:10:08,625 I WANT IT TO BE. 241 00:10:08,667 --> 00:10:12,417 I GET THE FEELING SHE DOES, TOO. 242 00:10:12,458 --> 00:10:16,709 NICK, I HAVE TO ASK YOU... 243 00:10:16,750 --> 00:10:19,750 HOW OLD IS SHE? 244 00:10:25,208 --> 00:10:28,291 HE SAID SHE WAS 25, BUT... HE HESITATED. 245 00:10:28,333 --> 00:10:29,542 THAT DOESN'T MEAN HE WAS LYING. 246 00:10:29,583 --> 00:10:31,166 NO, NO. HIS DEMEANOR. HE WAS EXCITED. 247 00:10:31,208 --> 00:10:32,583 ALMOST EUPHORIC. 248 00:10:32,625 --> 00:10:33,583 EUPHORIA ISN'T UNCOMMON 249 00:10:33,625 --> 00:10:35,250 WHEN THE S.S.R.I.s START TO WORK 250 00:10:35,291 --> 00:10:36,500 AND THE DEPRESSION LIFTS. 251 00:10:36,542 --> 00:10:38,375 HE WAS ACTING LIKE A SCHOOLBOY IN LOVE. 252 00:10:38,417 --> 00:10:40,291 SO YOU'RE AFRAID HE'S IN LOVE WITH A LITTLE GIRL? 253 00:10:40,333 --> 00:10:42,458 I'M AFRAID HE'S IN LOVE WITH SARAH NELSON. 254 00:10:42,500 --> 00:10:44,333 WOW. THAT'S QUITE A LEAP. 255 00:10:44,375 --> 00:10:45,542 AW, COME ON, DIANE. 256 00:10:45,583 --> 00:10:47,333 YOU SAW HIM IN THE E.R. AFTER SHE DISAPPEARED. 257 00:10:47,375 --> 00:10:49,083 HOW COULD HE HAVE TAKEN HER? I DON'T KNOW, 258 00:10:49,125 --> 00:10:51,166 BUT I DO NOT BELIEVE THAT HE WOULD BE THIS EXCITED 259 00:10:51,208 --> 00:10:53,375 ABOUT HAVING A RELATIONSHIP WITH AN AGE-APPROPRIATE WOMAN. 260 00:10:53,417 --> 00:10:56,375 YOU'RE AN EXCELLENT THERAPIST, BUT THERE ARE SOME THINGS 261 00:10:56,417 --> 00:10:58,291 THAT MAKE EVEN THE PSYCHIATRIC COMMUNITY UNCOMFORTABLE. 262 00:10:58,333 --> 00:11:00,041 OH, THIS HAS NOTHING TO DO 263 00:11:00,083 --> 00:11:02,208 WITH FINDING PEDOPHILIA TO BE REPUGNANT OR-- 264 00:11:02,250 --> 00:11:04,583 OKAY, THEN MAYBE IT'S COGNITIVE DISSONANCE. 265 00:11:04,625 --> 00:11:05,834 WHAT? 266 00:11:05,875 --> 00:11:08,083 YOU EFFECTIVELY ACCUSED HIM OF TAKING SARAH, 267 00:11:08,125 --> 00:11:09,166 AND YOU WERE WRONG. 268 00:11:09,208 --> 00:11:10,375 OBVIOUSLY, THE GUILT YOU FEEL 269 00:11:10,417 --> 00:11:13,166 OVER DESTROYING THE TRUST WITH A PATIENT-- 270 00:11:13,208 --> 00:11:15,041 IT'S OVERWHELMING. WAIT. 271 00:11:15,083 --> 00:11:17,959 YOU'RE SAYING THAT I CONCOCTED THIS SCENARIO WHERE HE TOOK HER 272 00:11:18,000 --> 00:11:21,375 TO ASSUAGE MY GUILT ABOUT ACCUSING HIM IN THE FIRST PLACE? 273 00:11:21,417 --> 00:11:23,375 I DON'T KNOW. DID YOU? 274 00:11:23,417 --> 00:11:25,500 (huffs) I WOULDN'T DO THAT. 275 00:11:25,542 --> 00:11:27,375 SHELDON, YOUR PATIENT WAS SUICIDAL 276 00:11:27,417 --> 00:11:29,208 AND JUST CAME BACK INTO THERAPY. 277 00:11:29,250 --> 00:11:31,959 YOUR WILLINGNESS TO ACCUSE HIM WITHOUT ANY EVIDENCE-- 278 00:11:32,000 --> 00:11:33,041 IT WORRIES ME. 279 00:11:33,083 --> 00:11:35,208 A LITTLE GIRL'S LIFE IS AT STAKE. 280 00:11:35,250 --> 00:11:38,500 I THINK THIS IS ABOUT YOUR LIFE. 281 00:11:51,375 --> 00:11:52,583 MARK TWAIN. 282 00:11:52,625 --> 00:11:54,959 YOU'RE THE TUXEDO GUY FROM THE E.R. 283 00:11:55,000 --> 00:11:57,041 OH. 284 00:11:57,083 --> 00:12:00,291 OH, YOU'RE THE CHOCOLATE GIRL... WOMAN. 285 00:12:00,333 --> 00:12:02,041 I DIDN'T RECOGNIZE YOU. 286 00:12:02,083 --> 00:12:05,041 I HAD A WIG ON AT THE HOSPITAL, 287 00:12:05,083 --> 00:12:06,917 OUT IN PUBLIC, AND LISTEN, 288 00:12:06,959 --> 00:12:08,166 I WAS REALLY RUDE THE OTHER DAY. 289 00:12:08,208 --> 00:12:09,875 NO, IT'S FINE. I UNDERSTAND. 290 00:12:09,917 --> 00:12:11,083 NO, IT'S JUST, YOU KNOW, 291 00:12:11,125 --> 00:12:13,166 I'VE BONDED WITH PEOPLE IN THIS SITUATION BEFORE, 292 00:12:13,208 --> 00:12:14,458 NOT HERE, BUT IN CHEMO, 293 00:12:14,500 --> 00:12:19,041 AND ONE DAY YOU SHOW UP, AND... SHE DOESN'T. 294 00:12:19,083 --> 00:12:21,250 AND YOU REALLY WANT TO TELL YOURSELF 295 00:12:21,291 --> 00:12:22,166 THAT SHE'S IN REMISSION 296 00:12:22,208 --> 00:12:23,834 AND SHE'S TAKING THAT TRIP TO PARIS 297 00:12:23,875 --> 00:12:25,291 THAT SHE'S ALWAYS DREAMED OF. 298 00:12:25,333 --> 00:12:28,041 BUT SINCE YOU BROKE YOUR OWN RULES AND GOT FRIENDLY, 299 00:12:28,083 --> 00:12:29,208 YOU'RE FRIENDS. 300 00:12:29,250 --> 00:12:33,041 SO HER HUSBAND CALLS YOU AND TELLS YOU THAT SHE DIED. 301 00:12:33,083 --> 00:12:35,041 WELL, I'M SORRY. 302 00:12:35,083 --> 00:12:36,959 ME, TOO. 303 00:12:37,000 --> 00:12:38,333 SO WE CAN CHITCHAT, 304 00:12:38,375 --> 00:12:41,083 'CAUSE IT'S WEIRD TO SIT HERE AND NOT SAY ANYTHING, 305 00:12:41,125 --> 00:12:44,959 BUT IT DOESN'T GO BEYOND THAT, OKAY? 306 00:12:45,000 --> 00:12:47,041 NICE WEATHER, DON'T YOU THINK? 307 00:12:47,083 --> 00:12:48,333 BEAUTIFUL. 308 00:12:48,375 --> 00:12:49,625 (door opens) 309 00:12:49,667 --> 00:12:51,333 (man) MIRANDA? 310 00:12:51,375 --> 00:12:52,291 SEE YA. 311 00:12:52,333 --> 00:12:54,250 YEAH. 312 00:12:56,500 --> 00:12:57,542 (whirring) 313 00:12:57,583 --> 00:12:59,917 (man) Hold still. 314 00:12:59,959 --> 00:13:03,709 (whirring continues) 315 00:13:06,000 --> 00:13:07,333 (knock on door) 316 00:13:07,375 --> 00:13:08,333 GOT A MINUTE? 317 00:13:08,375 --> 00:13:10,375 (exhales) NO. 318 00:13:10,417 --> 00:13:12,041 I CAME TO APOLOGIZE. 319 00:13:12,083 --> 00:13:13,792 THE COPS MADE AN ARREST LAST NIGHT. 320 00:13:13,834 --> 00:13:15,458 THE GUY WHO TOOK SARAH NELSON FROM THE E.R.? 321 00:13:15,500 --> 00:13:16,583 IT WASN'T YOUR PATIENT. 322 00:13:16,625 --> 00:13:18,375 THEY FOUND SARAH? 323 00:13:18,417 --> 00:13:20,041 NOT YET, BUT THEY SAY IT'S ONLY A MATTER OF TIME. 324 00:13:20,083 --> 00:13:21,166 WHO WAS IT? 325 00:13:21,208 --> 00:13:23,166 CONTRACT WORKER ON THE JANITORIAL STAFF. 326 00:13:23,208 --> 00:13:25,375 SINCE HE WASN'T AN ACTUAL HOSPITAL EMPLOYEE, 327 00:13:25,417 --> 00:13:27,125 IT TOOK A WHILE TO CONNECT THE DOTS. 328 00:13:27,166 --> 00:13:29,041 HE'S A REGISTERED SEX OFFENDER. 329 00:13:29,083 --> 00:13:31,375 THEY'RE SURE IT'S HIM? SOUNDS LIKE IT. 330 00:13:31,417 --> 00:13:34,333 I HEARD FROM A PARAMEDIC. HE HEARD FROM A COP BUDDY. 331 00:13:34,375 --> 00:13:35,583 I WAS A JERK. 332 00:13:35,625 --> 00:13:39,250 I WAS OUT OF LINE, AND I'M SORRY. 333 00:13:39,291 --> 00:13:41,625 NO HARD FEELINGS? 334 00:13:41,667 --> 00:13:45,000 JAMES, THANK YOU. THANK YOU. 335 00:13:46,208 --> 00:13:48,083 (door opens and closes) 336 00:13:48,125 --> 00:13:49,542 (exhales deeply) 337 00:13:54,083 --> 00:13:55,709 YOU HAVE TO WRITE "WHOLE CUMIN"? 338 00:13:55,750 --> 00:13:57,417 I NEED WHOLE CUMIN. 339 00:13:57,458 --> 00:13:59,375 YEAH, BUT WHY NOT JUST WRITE "CUMIN"? 340 00:13:59,417 --> 00:14:00,917 YOU AFRAID YOU'RE GONNA GET TO THE SPICE AISLE 341 00:14:00,959 --> 00:14:04,041 AND SEE "CUMIN" ON THE LIST, AND ACCIDENTALLY BUY IT GROUND? 342 00:14:04,083 --> 00:14:06,834 WELL, I DON'T NEED GROUND CUMIN, I NEED WHOLE CUMIN... 343 00:14:06,875 --> 00:14:08,709 WHICH IS WHY I'M WRITING "WHOLE CUMIN." 344 00:14:08,750 --> 00:14:11,041 (door opens) 345 00:14:11,083 --> 00:14:12,417 (man) MIRANDA? 346 00:14:18,417 --> 00:14:21,834 (whirring) 347 00:14:21,875 --> 00:14:23,417 (Nick) I THOUGHT ABOUT CANCELING TODAY, 348 00:14:23,458 --> 00:14:26,375 'CAUSE I'M GOOD. REALLY GOOD. 349 00:14:26,417 --> 00:14:27,667 WELL, WHY DIDN'T YOU? 350 00:14:27,709 --> 00:14:30,625 YOU KNOW THINGS ABOUT ME THAT NO ONE ELSE DOES. 351 00:14:30,667 --> 00:14:32,458 SO SHARING MY HAPPINESS WITH ANYONE ELSE, 352 00:14:32,500 --> 00:14:34,041 THEY DON'T... 353 00:14:34,083 --> 00:14:35,250 UNDERSTAND WHAT IT TOOK FOR YOU TO GET THERE? 354 00:14:35,291 --> 00:14:38,959 EXACTLY. BUT YOU GET IT. 355 00:14:39,000 --> 00:14:40,959 WHAT DO YOU DO? 356 00:14:41,000 --> 00:14:42,208 GUESS. 357 00:14:42,250 --> 00:14:45,000 OH, COME... I'M REALLY BAD AT GUESSING. 358 00:14:45,041 --> 00:14:46,166 YOU CAN'T BE BAD AT GUESSING. IT'S NOT A SKILL. 359 00:14:46,208 --> 00:14:48,083 JUST SAY RANDOM THINGS. 360 00:14:48,125 --> 00:14:49,583 OKAY. MUSICIAN? 361 00:14:49,625 --> 00:14:52,625 YEAH. I PLAY AND TEACH VIOLIN. 362 00:14:52,667 --> 00:14:53,709 HOW'D YOU GUESS THAT? 363 00:14:53,750 --> 00:14:55,417 YOU HAD A VIOLIN ON YOUR KEYCHAIN. 364 00:14:55,458 --> 00:14:57,208 I SAW IT IN YOUR HAND AT THE E.R. 365 00:14:57,250 --> 00:14:58,375 THAT WAS AGES AGO. 366 00:14:58,417 --> 00:15:00,375 WE DIDN'T EVEN KNOW EACH OTHER THEN. 367 00:15:00,417 --> 00:15:01,458 WELL, PAYING ATTENTION TO DETAIL 368 00:15:01,500 --> 00:15:02,834 IS AN IMPORTANT PART OF MY JOB. 369 00:15:02,875 --> 00:15:04,208 WHICH IS? 370 00:15:04,250 --> 00:15:05,875 PSYCHIATRIST. 371 00:15:05,917 --> 00:15:08,000 OH. 372 00:15:08,041 --> 00:15:09,917 YOU TAKE NAPS ON YOUR COUCH? 373 00:15:09,959 --> 00:15:11,291 YOU KNOW, LATELY I DO. 374 00:15:11,333 --> 00:15:13,792 MY ONCOLOGIST TOLD ME I'D BE EXHAUSTED, BUT, UH... 375 00:15:13,834 --> 00:15:15,417 IT'S LIKE KINDERGARTEN, RIGHT? 376 00:15:15,458 --> 00:15:16,583 WELL, I KEEP WAITING FOR SOMEONE 377 00:15:16,625 --> 00:15:18,458 TO BRING ME MILK AND COOKIES. 378 00:15:18,500 --> 00:15:19,709 (door opens) 379 00:15:19,750 --> 00:15:21,458 (man) MIRANDA? 380 00:15:25,083 --> 00:15:28,000 (whirring) 381 00:15:31,792 --> 00:15:33,041 (man) Hold still. 382 00:15:33,083 --> 00:15:34,959 I WAS THINKING ABOUT WHAT YOU SAID LAST WEEK 383 00:15:35,000 --> 00:15:37,750 ABOUT DISCONTINUING THERAPY, SINCE YOU FEEL OKAY. 384 00:15:37,792 --> 00:15:41,041 I DON'T WANT TO. I LIKE COMING HERE. 385 00:15:41,083 --> 00:15:43,250 IT'S JUST... WHEN I FEEL GOOD, 386 00:15:43,291 --> 00:15:45,875 I CAN'T HELP BUT WONDER IF IT'S A CRUTCH. 387 00:15:45,917 --> 00:15:47,291 WELL, YOU KNOW, A LOT OF PEOPLE HAVE MORE DIFFICULTY 388 00:15:47,333 --> 00:15:49,542 HANDLING HAPPINESS THAN TROUBLE. 389 00:15:49,583 --> 00:15:51,542 THEY FEEL THEY HAVEN'T EARNED IT. 390 00:15:51,583 --> 00:15:53,083 OH, I-I GET THAT. 391 00:15:53,125 --> 00:15:55,750 I MEAN, RIGHT NOW I HAVE EVERYTHING 392 00:15:55,792 --> 00:15:57,709 A NORMAL PERSON COULD EVER WANT, YOU KNOW? 393 00:15:57,750 --> 00:16:00,041 BUT... 394 00:16:00,083 --> 00:16:03,041 GIVEN WHERE WE STARTED, 395 00:16:03,083 --> 00:16:05,917 DO I DESERVE IT? 396 00:16:05,959 --> 00:16:08,375 DIVORCED, THEN BRIEFLY BACK TOGETHER, 397 00:16:08,417 --> 00:16:10,750 BUT IT... IT'S DONE NOW. 398 00:16:10,792 --> 00:16:13,583 MINE ASKED ME FOR A DIVORCE IN AN E-MAIL. 399 00:16:13,625 --> 00:16:16,458 (chuckles) I TAKE IT YOU DON'T MISS HIM, THEN? 400 00:16:16,500 --> 00:16:19,959 JUST SLEEPING NEXT TO HIM. 401 00:16:20,000 --> 00:16:21,333 HE HAD A BAD BACK, 402 00:16:21,375 --> 00:16:23,041 AND HE SLEPT ON HIS SIDE FACING OUT, 403 00:16:23,083 --> 00:16:25,166 AND I'D SLEEP WITH MY BACK NEXT TO HIS. 404 00:16:25,208 --> 00:16:28,792 NOT QUITE TOUCHING, BUT CLOSE ENOUGH TO FEEL WARM. 405 00:16:28,834 --> 00:16:30,667 THAT PART WAS NICE. 406 00:16:34,959 --> 00:16:36,208 I DON'T MISS MY EX. 407 00:16:36,250 --> 00:16:39,041 SHE COULDN'T EVER BE... STILL. 408 00:16:39,083 --> 00:16:41,166 IT FELT LIKE WE ALWAYS HAD TO BE BUSY DOING SOMETHING, 409 00:16:41,208 --> 00:16:42,834 OR SHE'D GET BORED. 410 00:16:44,750 --> 00:16:48,041 IT'S BETTER TO HAVE SOMEONE YOU CAN JUST BE ALONE WITH. 411 00:16:48,083 --> 00:16:49,667 YEAH. 412 00:16:51,959 --> 00:16:53,041 (door opens) 413 00:16:53,083 --> 00:16:54,291 MIRANDA? 414 00:16:54,333 --> 00:16:57,333 (Fort Lean's "High Definition" playing) 415 00:16:57,375 --> 00:16:59,959 ♪ I DIDN'T MIND ♪ 416 00:17:00,000 --> 00:17:01,834 ♪ BODIES IN THE ROAD ♪ 417 00:17:01,875 --> 00:17:04,834 ♪ I WAS COMING FOR YOU ♪ 418 00:17:04,875 --> 00:17:06,959 (whirring) 419 00:17:07,000 --> 00:17:08,834 (man) Hold still. 420 00:17:08,875 --> 00:17:11,041 ♪ I DIDN'T KNOW ♪ 421 00:17:11,083 --> 00:17:13,166 ♪ THE FOREST WAS ON FIRE ♪ 422 00:17:13,208 --> 00:17:15,375 ♪ I WAS COMING FOR YOU ♪ 423 00:17:18,417 --> 00:17:19,834 (Nick) IT HASN'T HAPPENED YET. 424 00:17:19,875 --> 00:17:22,041 WE'RE... WE'RE TAKING IT SLOW, 425 00:17:22,083 --> 00:17:25,166 YOU KNOW, PHYSICALLY. 426 00:17:25,208 --> 00:17:26,250 WHICH IS OKAY, I GUESS. 427 00:17:26,291 --> 00:17:28,041 WELL, THERE'S NO TIMETABLE. 428 00:17:28,083 --> 00:17:29,583 I MEAN, IT'S UP TO YOU AND ALYSSA 429 00:17:29,625 --> 00:17:31,041 AND YOUR RESPECTIVE COMFORT LEVEL. 430 00:17:31,083 --> 00:17:32,125 I'M NERVOUS. 431 00:17:32,166 --> 00:17:35,667 I MEAN, I WANT TO, YOU KNOW... 432 00:17:35,709 --> 00:17:37,041 GET CLOSER TO HER. 433 00:17:37,083 --> 00:17:40,291 BUT LIKING SOMEONE AND BEING ATTRACTED TO THEM IS ONE THING, 434 00:17:40,333 --> 00:17:42,375 BUT... 435 00:17:42,417 --> 00:17:45,458 SEX JUST TAKES IT TO A WHOLE DIFFERENT LEVEL. 436 00:17:45,500 --> 00:17:47,417 ♪ I WAS COMING FOR YOU ♪ 437 00:17:47,458 --> 00:17:50,041 INTIMACY COMES IN MANY FORMS, NICK. 438 00:17:50,083 --> 00:17:53,166 AND OUR CULTURE PRESSURES PEOPLE TO BELIEVE THAT SEX 439 00:17:53,208 --> 00:17:55,208 IS THE ULTIMATE EXPRESSION OF LOVE, 440 00:17:55,250 --> 00:17:56,583 BUT THAT'S NOT ALWAYS THE CASE. 441 00:17:56,625 --> 00:17:59,166 AND WAITING UNTIL IT'S RIGHT AND TAKING IT SLOW, 442 00:17:59,208 --> 00:18:02,250 YOU KNOW, THAT'S... THAT'S HEALTHY. 443 00:18:04,542 --> 00:18:07,041 ♪ I'D FOLLOW ♪ 444 00:18:07,083 --> 00:18:09,458 ♪ YOUR FOOTSTEPS ♪ 445 00:18:09,500 --> 00:18:11,542 ♪ HERE ♪ 446 00:18:16,083 --> 00:18:19,333 YOU HAVE THE MOST BORING SOCK COLLECTION IN THE WORLD. 447 00:18:19,375 --> 00:18:22,083 I MADE A DECISION NOT TO LET CANCER CHANGE ME, 448 00:18:22,125 --> 00:18:23,333 NOT EVEN MY SOCKS. 449 00:18:23,375 --> 00:18:25,208 WHAT DOES YOUR SHRINK SAY ABOUT THAT? 450 00:18:25,250 --> 00:18:26,709 EVERY SHRINK HAS A SHRINK. 451 00:18:26,750 --> 00:18:28,333 WE DON'T TALK ABOUT MY SOCKS. 452 00:18:28,375 --> 00:18:30,542 HERE'S SOMETHING I'VE NEVER UNDERSTOOD-- 453 00:18:30,583 --> 00:18:34,208 WHY DO ALL PSYCHIATRISTS TAKE OFF THE MONTH OF AUGUST? 454 00:18:34,250 --> 00:18:36,917 THERE MUST BE A RASH OF SUICIDES THEN. (laughs) 455 00:18:36,959 --> 00:18:38,458 PEOPLE CAN'T JUST PUT THEIR ISSUES ON HOLD. 456 00:18:38,500 --> 00:18:40,583 CANCER'S NOT GONNA GO AWAY FOR A MONTH. 457 00:18:40,625 --> 00:18:42,041 YOU STILL NEED TO DISCUSS IT. 458 00:18:42,083 --> 00:18:44,542 I TAKE MY VACATION IN MAY. 459 00:18:44,583 --> 00:18:46,166 AND AS FOR MY CANCER, 460 00:18:46,208 --> 00:18:48,125 I DON'T REALLY DISCUSS IT WITH MY THERAPIST. 461 00:18:48,166 --> 00:18:50,542 SO WHO DO YOU TALK TO, THEN? 462 00:18:50,583 --> 00:18:52,959 HONESTLY? YOU. 463 00:18:53,000 --> 00:18:55,917 I DON'T WANT MY COLLEAGUES TO KNOW WHAT'S GOING ON. 464 00:18:55,959 --> 00:18:57,750 I DON'T WANT THEM TO START LOOKING AT ME 465 00:18:57,792 --> 00:18:59,583 LIKE I'M JUST CANCER GUY. 466 00:18:59,625 --> 00:19:01,333 YOU UNDERSTAND. 467 00:19:01,375 --> 00:19:03,375 YEAH, I DO. 468 00:19:05,750 --> 00:19:07,583 YOU KNOW, EVERY BEGINNING VIOLIN STUDENT 469 00:19:07,625 --> 00:19:10,000 LEARNS TO PLAY "TWINKLE, TWINKLE, LITTLE STAR." 470 00:19:10,041 --> 00:19:12,792 AND AT FIRST, IT'S AWFUL. 471 00:19:12,834 --> 00:19:15,834 AND THEY PLAY IT OVER AND OVER AND OVER 472 00:19:15,875 --> 00:19:18,291 TILL I DON'T THINK I CAN LISTEN ONE MORE TIME, 473 00:19:18,333 --> 00:19:20,166 AND THEN IT CLICKS. 474 00:19:20,208 --> 00:19:22,834 THE FINGER PLACEMENT, THE PRESSURE ON THE BOW. 475 00:19:22,875 --> 00:19:25,291 ONE DAY IT'S NOISE, AND THEN THE NEXT DAY, IT'S MUSIC. 476 00:19:25,333 --> 00:19:27,417 I LOVE THAT MOMENT. 477 00:19:27,458 --> 00:19:29,291 I'M REALLY GONNA MISS THAT. 478 00:19:29,333 --> 00:19:31,417 YOU DON'T TEACH VIOLIN ANYMORE? 479 00:19:33,834 --> 00:19:37,166 MY CANCER HAS METASTASIZED. IT'S IN MY BRAIN. 480 00:19:37,208 --> 00:19:39,834 SO THE RADIATION IS JUST... 481 00:19:39,875 --> 00:19:42,750 I PROMISED MY NIECE I WOULD GO TO HER COLLEGE GRADUATION. 482 00:19:42,792 --> 00:19:44,917 SO I'M HOLDING ON AS LONG AS I CAN, 483 00:19:44,959 --> 00:19:48,041 BUT THIS IS JUST DELAYING THE INEVITABLE. 484 00:19:48,083 --> 00:19:50,417 I'M TERMINAL, SHELDON, 485 00:19:50,458 --> 00:19:52,375 (voice breaks) SO YOU SHOULD PROBABLY 486 00:19:52,417 --> 00:19:55,583 FIND SOMEONE ELSE TO TALK TO. 487 00:19:55,625 --> 00:19:56,792 (door opens) 488 00:19:56,834 --> 00:19:58,000 MIRANDA? 489 00:20:05,250 --> 00:20:08,250 (whirring) 490 00:20:15,000 --> 00:20:16,792 (man) Hold still. 491 00:20:22,083 --> 00:20:24,917 UGH. HOW AM I GONNA SIGN PAYROLL NEXT WEEK? 492 00:20:24,959 --> 00:20:27,834 NEED ONE OF THOSE ASTRONAUT PENS THAT WRITES UPSIDE-DOWN. 493 00:20:27,875 --> 00:20:30,166 MAKES YOUR HEAD HURT, TOO. 494 00:20:30,208 --> 00:20:32,417 MASON TRIED LAYING LIKE THIS ON THE SOFA AT HOME. 495 00:20:32,458 --> 00:20:34,208 OH. HOW LONG DID YOU MAKE IT? 496 00:20:34,250 --> 00:20:35,500 TEN MINUTES, 497 00:20:35,542 --> 00:20:37,083 THEN I THOUGHT MY BRAINS WERE GONNA EXPLODE. 498 00:20:37,125 --> 00:20:39,500 (laughs) DAD ONLY MADE IT FIVE. 499 00:20:39,542 --> 00:20:41,083 WELL, CLEARLY, THE MAN IS WEAK. 500 00:20:41,125 --> 00:20:43,417 I'M GONNA GO TO THE VENDING MACHINE. 501 00:20:43,458 --> 00:20:44,667 YOU GUYS WANT ANYTHING? 502 00:20:44,709 --> 00:20:46,125 MNH-MNH. NO, THANK YOU. 503 00:20:48,750 --> 00:20:50,041 HEY. 504 00:20:50,083 --> 00:20:51,542 COME RIGHT BACK. 505 00:20:55,125 --> 00:20:57,458 HOW ARE YOU HOLDING UP? 506 00:20:57,500 --> 00:20:59,333 UGH. HOW DO YOU THINK? 507 00:20:59,375 --> 00:21:01,166 I'M ALREADY JUMPING OUT OF MY SKIN, 508 00:21:01,208 --> 00:21:02,458 IT HASN'T BEEN THAT LONG. 509 00:21:02,500 --> 00:21:05,041 I GOT TWO MORE MONTHS LAYING HERE LIKE A SACK OF POTATOES. 510 00:21:05,083 --> 00:21:07,041 IF I EVEN THINK ABOUT GETTING UP TO PEE, 511 00:21:07,083 --> 00:21:08,417 THERE'S A WHOLE CHORUS OF "HOLD STILL," 512 00:21:08,458 --> 00:21:10,041 LIKE THE WORLD'S GONNA COME TO AN END 513 00:21:10,083 --> 00:21:11,083 IF I MOVE HALF AN INCH. 514 00:21:11,125 --> 00:21:14,041 IT'S NO FUN, SHELDON, STAYING IN ONE SPOT, 515 00:21:14,083 --> 00:21:16,625 CONTEMPLATING EVERY BAD THING THAT COULD HAPPEN 516 00:21:16,667 --> 00:21:19,542 ON A CONTINUOUS LOOP. IT'S... 517 00:21:19,583 --> 00:21:22,041 OH, IT'S NO FUN. 518 00:21:22,083 --> 00:21:24,709 I GET THAT. I DO. 519 00:21:24,750 --> 00:21:26,041 SHELDON... 520 00:21:26,083 --> 00:21:29,041 YOU HAVE AN ABUNDANCE OF EMPATHY, 521 00:21:29,083 --> 00:21:31,750 BUT HOW COULD YOU POSSIBLY IMAGINE WHAT THIS IS LIKE? 522 00:21:34,166 --> 00:21:36,041 WELL, THIS MORNING... 523 00:21:36,083 --> 00:21:38,542 WELL, EVERY MORNING FOR THE PAST FEW WEEKS, 524 00:21:38,583 --> 00:21:40,625 I-I--I'VE BEEN GOING... 525 00:21:43,500 --> 00:21:46,291 TO THE GYM, AND I USE A STATIONARY BIKE, 526 00:21:46,333 --> 00:21:48,250 AND YOU KNOW, YOU JUST DON'T GET ANYWHERE, 527 00:21:48,291 --> 00:21:49,917 NO MATTER HOW HARD YOU PEDAL. 528 00:21:49,959 --> 00:21:51,083 AND I'M NOT LOSING ANY WEIGHT. 529 00:21:51,125 --> 00:21:52,750 I MEAN, LOOK AT ME. 530 00:21:52,792 --> 00:21:55,000 SO YOU DO UNDERSTAND. 531 00:21:55,041 --> 00:21:58,083 YOU'RE RIGHT. I HAVE NO IDEA WHAT THIS IS LIKE. 532 00:21:58,125 --> 00:22:01,041 BUT YOU'RE THE STRONGEST PERSON I KNOW. 533 00:22:01,083 --> 00:22:03,834 AND JUST BEING AROUND YOU, I... 534 00:22:03,875 --> 00:22:08,000 I THINK IT GIVES ME STRENGTH, TOO. 535 00:22:09,458 --> 00:22:11,333 (chuckles) 536 00:22:16,166 --> 00:22:18,166 YOU'RE LATE. 537 00:22:18,208 --> 00:22:22,041 YEAH. TRAFFIC. 538 00:22:22,083 --> 00:22:25,291 SO I WAS THINKING OF TRYING THIS LUNCH PLACE DOWN THE STREET 539 00:22:25,333 --> 00:22:27,417 THAT HAS SALADS WITH REALLY MOTIVATIONAL NAMES, 540 00:22:27,458 --> 00:22:31,250 LIKE "YOU CAN CONQUER ANYTHING" AND "IT'S NEVER TOO LATE." 541 00:22:33,125 --> 00:22:34,750 LET ME KNOW IF IT'S ANY GOOD. 542 00:22:39,083 --> 00:22:40,583 (door opens) 543 00:22:40,625 --> 00:22:42,083 (man) MIRANDA? 544 00:22:50,083 --> 00:22:53,667 (whirring) 545 00:22:53,709 --> 00:22:55,000 (clicks) 546 00:22:55,041 --> 00:22:57,041 (man) Hold still. 547 00:22:57,083 --> 00:22:59,041 WHY DIDN'T YOU GO TO LUNCH WITH MIRANDA? 548 00:22:59,083 --> 00:23:02,041 OUR FRIENDSHIP DOESN'T GO OUTSIDE THAT ROOM. 549 00:23:02,083 --> 00:23:03,041 THAT'S THE RULE. 550 00:23:03,083 --> 00:23:05,125 I THINK IT'S ALREADY OUTSIDE THAT ROOM, 551 00:23:05,166 --> 00:23:07,000 AND YOU KNOW IT. 552 00:23:09,917 --> 00:23:11,041 SHE TOLD ME SHE'S TERMINAL. 553 00:23:11,083 --> 00:23:13,041 AHA. 554 00:23:13,083 --> 00:23:15,041 WHAT "AHA"? 555 00:23:15,083 --> 00:23:17,041 NOT EVERYONE HAS THE STRENGTH OF CHARACTER 556 00:23:17,083 --> 00:23:18,792 TO GO THROUGH THIS WITH SOMEONE. 557 00:23:18,834 --> 00:23:21,041 AT LEAST THAT'S WHAT WE DISCUSSED WITH LAURA. 558 00:23:21,083 --> 00:23:23,500 WELL, I'M NOT LAURA. LAURA WAS SELFISH. 559 00:23:23,542 --> 00:23:25,041 OR SCARED. 560 00:23:25,083 --> 00:23:27,041 GETTING CLOSER TO SOMEONE WHO'S SICK IS TERRIFYING. 561 00:23:27,083 --> 00:23:28,375 NO, IT'S NOT THE SAME THING. 562 00:23:28,417 --> 00:23:30,375 LAURA AND I HAVE A 20-YEAR HISTORY. 563 00:23:30,417 --> 00:23:33,041 I MET MIRANDA SEVEN WEEKS AGO. 564 00:23:33,083 --> 00:23:35,291 WE SPEND FIVE MINUTES A DAY TOGETHER FIVE DAYS A WEEK, 565 00:23:35,333 --> 00:23:38,291 AND OUR--OUR FRIENDSHIP IS, UH... 566 00:23:38,333 --> 00:23:39,875 THREE HOURS OLD. 567 00:23:39,917 --> 00:23:42,041 AND YET, THE EXPERIENCES YOU'RE SHARING-- 568 00:23:42,083 --> 00:23:44,875 THAT CREATES A DEEPER BOND THAN YOU WOULD NORMALLY HAVE 569 00:23:44,917 --> 00:23:46,959 WITH SOMEONE YOU'VE KNOWN FOR THREE HOURS. 570 00:23:49,542 --> 00:23:51,709 I LIKE HER. 571 00:23:51,750 --> 00:23:53,083 BUT I... 572 00:23:55,667 --> 00:23:57,417 I CAN'T TAKE THE NEXT STEP. 573 00:23:57,458 --> 00:23:59,083 WHY? 574 00:23:59,125 --> 00:24:01,208 WHAT ARE YOU AFRAID OF? 575 00:24:04,083 --> 00:24:06,000 EVERYTHING. 576 00:24:10,083 --> 00:24:11,333 HOW ARE RON AND DANA? 577 00:24:11,375 --> 00:24:13,250 IMAGINATIONS ARE RUNNING WILD. 578 00:24:13,291 --> 00:24:14,792 HOW COULD THEY NOT? 579 00:24:14,834 --> 00:24:15,959 THE GUY IN CUSTODY HAD THEIR DAUGHTER 580 00:24:16,000 --> 00:24:18,000 FOR HOW MANY DAYS BEFORE HE WAS ARRESTED? 581 00:24:18,041 --> 00:24:19,583 54. 582 00:24:19,625 --> 00:24:21,291 I MEAN, IF YOU THINK ABOUT WHAT COULD HAVE HAPPENED TO HER... 583 00:24:21,333 --> 00:24:22,500 I DON'T WANNA. 584 00:24:22,542 --> 00:24:23,750 WELL, PEOPLE ARE STRONGER THAN YOU THINK. 585 00:24:23,792 --> 00:24:25,500 AND KIDS CAN SURVIVE MOST ANYTHING 586 00:24:25,542 --> 00:24:27,792 IF THEY GET THE RIGHT KIND OF HELP. WELL, TO BE HELPED, 587 00:24:27,834 --> 00:24:30,041 SARAH HAS TO ACTUALLY BE FOUND, 588 00:24:30,083 --> 00:24:31,667 YOU KNOW, ALIVE. 589 00:24:31,709 --> 00:24:33,041 AND WHO'S TO SAY THE GUY IN CUSTODY 590 00:24:33,083 --> 00:24:34,291 IS EVEN THE ONE WHO TOOK SARAH? 591 00:24:34,333 --> 00:24:36,125 (Cooper) THE GUY DID IT BEFORE. AS FAR AS I'M CONCERNED, 592 00:24:36,166 --> 00:24:38,041 HE SHOULD BE TORTURED WHETHER IT HELPS FIND SARAH OR NOT. 593 00:24:38,083 --> 00:24:39,458 OH, MY GOD. I'M SERIOUS. 594 00:24:39,500 --> 00:24:41,083 YOU KNOW WHAT? I GOT MASON, I GOT TWO ON THE WAY, 595 00:24:41,125 --> 00:24:42,250 I HAVE A BABY IN THE NICU 596 00:24:42,291 --> 00:24:43,792 WHO'S NEVER DONE ANYTHING TO ANYBODY. 597 00:24:43,834 --> 00:24:45,583 I HAVE NO SYMPATHY FOR A PEDOPHILE. I'M SORRY. 598 00:24:45,625 --> 00:24:47,917 I LIKE VIGILANTE COOP. WHERE'D HE COME FROM? 599 00:24:47,959 --> 00:24:50,166 VIGILANTE COOP IS JUST A GUY WHO PUT A BID IN ON A HOUSE 600 00:24:50,208 --> 00:24:52,291 AND THEN HE CHECKED THE SEX OFFENDER REGISTRY. 601 00:24:52,333 --> 00:24:54,625 YOU KNOW HOW MANY LIVE WITHIN A 5-MILE RADIUS 602 00:24:54,667 --> 00:24:56,959 OF OUR DREAM HOUSE? SIX. 603 00:24:57,000 --> 00:24:58,959 AND THOSE ARE JUST THE ONES THAT ARE REGISTERED. 604 00:24:59,000 --> 00:25:00,625 FOUR BLOCKS AWAY, THERE'S A GUY THAT DID TIME 605 00:25:00,667 --> 00:25:02,625 FOR SEXUAL PENETRATION WITH A-- OH, STOP. STOP, COOP. 606 00:25:02,667 --> 00:25:04,583 NO, COOPER'S RIGHT. 607 00:25:04,625 --> 00:25:07,041 IT SEEMS LIKE THERE ARE MORE OF THEM RIGHT NOW, 608 00:25:07,083 --> 00:25:10,750 BUT THAT'S BECAUSE PEOPLE THINK IT'S OKAY TO TALK ABOUT IT. 609 00:25:10,792 --> 00:25:12,417 THEY HAVE A DISEASE, THEY WANT OUR SUPPORT, 610 00:25:12,458 --> 00:25:14,125 THEY WANT OUR HELP, THEY WANT US TO TELL THEM 611 00:25:14,166 --> 00:25:15,709 THAT GOD DIDN'T MAKE THEM WRONG. 612 00:25:15,750 --> 00:25:18,041 BUT I MEAN, HOW CAN WE DO THAT? 613 00:25:18,083 --> 00:25:20,875 THERE'S SOME MALADIES THAT ARE SIMPLY CONTRARY TO NATURE, 614 00:25:20,917 --> 00:25:22,041 AND THERE ARE SOME PEOPLE 615 00:25:22,083 --> 00:25:24,041 THAT NO LOVING GOD WOULD PUT ON THIS EARTH 616 00:25:24,083 --> 00:25:25,667 UNLESS IT WAS TO DEMONSTRATE TO THE REST OF US 617 00:25:25,709 --> 00:25:28,041 THAT THERE WAS A LIMIT TO HUMANITY 618 00:25:28,083 --> 00:25:30,000 AND PATIENCE AND COMPASSION... 619 00:25:30,041 --> 00:25:34,333 WHICH FURTHER JUSTIFIES MY UTTER LACK OF FAITH. 620 00:25:34,375 --> 00:25:35,959 THE ONLY LIFE SOME PEOPLE DESERVE 621 00:25:36,000 --> 00:25:37,166 IS A LIFE SENTENCE. 622 00:25:37,208 --> 00:25:39,875 AND YET, WE HELP THEM LIVE FREELY, 623 00:25:39,917 --> 00:25:41,458 AND WHILE WE DO THAT, 624 00:25:41,500 --> 00:25:44,250 WE'RE SUPPOSED TO BE ABLE TO SLEEP AT NIGHT. 625 00:25:54,291 --> 00:25:57,542 NICK, ARE YOU ALL RIGHT? 626 00:26:00,083 --> 00:26:02,041 YOU KNOW HOW YOU IMAGINE SOMETHING, AND... 627 00:26:02,083 --> 00:26:04,417 IN THE BEGINNING IT FEELS AMAZING, 628 00:26:04,458 --> 00:26:07,917 BUT THEN SLOWLY, THE REALITY SETS IN. 629 00:26:07,959 --> 00:26:10,041 IT JUST ISN'T WHAT YOU PLANNED. 630 00:26:10,083 --> 00:26:11,291 IS THIS ABOUT ALYSSA? 631 00:26:11,333 --> 00:26:13,792 I THOUGHT IT WAS LOVE. 632 00:26:13,834 --> 00:26:18,041 BUT REAL LOVE... THAT'S SUPPOSED TO GROW, 633 00:26:18,083 --> 00:26:22,041 RIGHT, OVER TIME? 634 00:26:22,083 --> 00:26:24,417 (exhales) ONE HOPES. 635 00:26:24,458 --> 00:26:28,041 WELL, IT'S NOT GROWING FOR ME. 636 00:26:28,083 --> 00:26:31,458 SHE JUST DOESN'T SEEM HAPPY, NO MATTER WHAT I DO. 637 00:26:34,125 --> 00:26:37,041 MAYBE THIS WASN'T MEANT TO BE. 638 00:26:37,083 --> 00:26:39,542 EVERY RELATIONSHIP IS EXCITING AT THE START. 639 00:26:39,583 --> 00:26:41,542 THE PERSON YOU'RE WITH IS A BLANK CANVAS, 640 00:26:41,583 --> 00:26:43,542 AND EVERYTHING IS NEW. 641 00:26:43,583 --> 00:26:45,417 OF COURSE, THE NOVELTY FADES, AND SOMETIMES 642 00:26:45,458 --> 00:26:47,542 YOU HAVE TO GIVE THAT RELATIONSHIP TIME, 643 00:26:47,583 --> 00:26:49,041 YOU KNOW, TO--TO REALLY KNOW-- 644 00:26:49,083 --> 00:26:51,500 MAYBE LOVE JUST ISN'T IN THE CARDS FOR ME. 645 00:26:51,542 --> 00:26:54,667 NICK, YOU'RE A YOUNG MAN. 646 00:26:54,709 --> 00:26:57,000 THE SEARCH FOR THE RIGHT WOMAN... 647 00:27:01,000 --> 00:27:02,792 ALYSSA'S NOT HER. 648 00:27:02,834 --> 00:27:08,875 AND, UH... I DON'T WANNA HURT HER, BUT... 649 00:27:08,917 --> 00:27:11,000 I THINK I HAVE TO END IT. 650 00:27:29,083 --> 00:27:32,000 (violin music playing) 651 00:27:45,375 --> 00:27:48,375 ♪♪♪ 652 00:28:02,792 --> 00:28:04,041 THE SARAH NELSON CASE. 653 00:28:04,083 --> 00:28:05,709 I THINK YOU MIGHT HAVE THE WRONG MAN IN CUSTODY. 654 00:28:05,750 --> 00:28:07,000 WHY WOULD YOU SAY THAT? 655 00:28:07,041 --> 00:28:08,834 WHAT DO YOU HAVE ON YOUR SUSPECT? 656 00:28:08,875 --> 00:28:10,542 WELL, HE'S A REGISTERED SEX OFFENDER. 657 00:28:10,583 --> 00:28:12,583 DID IT AT LEAST ONCE BEFORE. 658 00:28:12,625 --> 00:28:15,041 SAME TYPE-- BLONDE, BLUE EYES... 659 00:28:15,083 --> 00:28:17,333 THEY ALL HAVE A TYPE. 660 00:28:17,375 --> 00:28:20,458 FOUR WITNESSES PUT HIM IN THE EMERGENCY ROOM 661 00:28:20,500 --> 00:28:23,375 MOPPING FLOORS MINUTES BEFORE THE GIRL WENT MISSING. 662 00:28:23,417 --> 00:28:25,792 AND THAT WAS TEN MINUTES AFTER HIS SHIFT WAS OVER. (coffee pouring) 663 00:28:25,834 --> 00:28:27,041 THAT'S EVIDENCE? 664 00:28:27,083 --> 00:28:28,750 BEEN A COP 30 YEARS, SHELLEY. 665 00:28:28,792 --> 00:28:31,250 HE'S A LOWLIFE, THROUGH AND THROUGH. 666 00:28:31,291 --> 00:28:33,250 YEAH, BUT... (sighs) BUT HE HASN'T CONFESSED. 667 00:28:33,291 --> 00:28:34,583 WHY WOULD HE? 668 00:28:34,625 --> 00:28:37,208 WE GOT HIM ON FELONY POSSESSION OF CHILD PORNOGRAPHY 669 00:28:37,250 --> 00:28:39,041 AND PAROLE VIOLATION. 670 00:28:39,083 --> 00:28:40,166 HE'S NOT GONNA ADD LIFE ON TOP OF THAT 671 00:28:40,208 --> 00:28:42,458 JUST TO HELP US WITH OUR INVESTIGATION. 672 00:28:42,500 --> 00:28:44,041 (exhales) ALL RIGHT. 673 00:28:44,083 --> 00:28:45,667 ALL RIGHT. 674 00:28:45,709 --> 00:28:47,041 I'M BREAKING PROTOCOL, 675 00:28:47,083 --> 00:28:48,041 I'M BREAKING PROBABLY THE LAW, 676 00:28:48,083 --> 00:28:49,458 AND I'M RISKING MY... 677 00:28:49,500 --> 00:28:51,875 I'M RISKING MY LICENSE BY SAYING THIS, 678 00:28:51,917 --> 00:28:54,500 BUT I COUNT YOU AS A FRIEND, JOE. 679 00:28:54,542 --> 00:28:56,417 (sets down mug) 680 00:28:56,458 --> 00:28:57,875 ALL RIGHT. 681 00:28:57,917 --> 00:28:59,667 I HAD A PATIENT WHO WAS AT THE HOSPITAL THAT NIGHT, 682 00:28:59,709 --> 00:29:01,041 AND... I THINK HE TOOK SARAH. 683 00:29:01,083 --> 00:29:03,083 HE HAS A HISTORY OF SEXUAL URGES TOWARD CHILDREN. 684 00:29:03,125 --> 00:29:05,041 HAS HE SAID ANYTHING ABOUT THE GIRL? NO, NO, NO. 685 00:29:05,083 --> 00:29:07,000 HE'S TOO SMART. YOU KNOW, HE KNOWS THE RULES. 686 00:29:07,041 --> 00:29:08,417 BUT HE WAS IN LOVE WITH SOMEONE, 687 00:29:08,458 --> 00:29:10,500 AND NOW HE'S HAVING MOOD SWINGS BECAUSE IT WENT BAD, 688 00:29:10,542 --> 00:29:12,291 AND I THINK IF THAT SOMEONE IS SARAH, 689 00:29:12,333 --> 00:29:14,041 HE COULD BE GETTING READY TO HURT HER. 690 00:29:14,083 --> 00:29:16,041 YOU'RE NOT GIVING ME ANYTHING TO GO ON HERE, SHELLEY. 691 00:29:16,083 --> 00:29:18,208 I CAN'T BUST DOWN THE DOOR TO A GUY'S HOUSE 692 00:29:18,250 --> 00:29:19,417 WITHOUT PROBABLE CAUSE. 693 00:29:19,458 --> 00:29:21,291 JOE, COME ON. I-I JUST HAVE A FEELING. 694 00:29:21,333 --> 00:29:22,625 A FEELING? 695 00:29:22,667 --> 00:29:24,417 NOW I KNOW YOU'RE A SHRINK, BUT COME ON. 696 00:29:24,458 --> 00:29:27,083 SHE'S OUT THERE. HE COULD HAVE HER. HE... 697 00:29:27,125 --> 00:29:28,458 YOU HAVE TO DO SOMETHING. 698 00:29:28,500 --> 00:29:32,041 LOOK, THE BEST WE CAN HOPE NOW IS TO FIND HER BODY 699 00:29:32,083 --> 00:29:34,083 SO THAT THE PARENTS HAVE SOMETHING TO BURY. 700 00:29:34,125 --> 00:29:37,375 YOU CAN'T GIVE UP ON HER. 701 00:29:39,500 --> 00:29:42,375 I'M SORRY, SHELLEY. THERE'S NOTHING I CAN DO. 702 00:29:51,083 --> 00:29:52,458 (telephone ringing in distance) 703 00:29:52,500 --> 00:29:54,500 NICK. HEY. 704 00:29:54,542 --> 00:29:56,917 THANKS FOR COMING BACK SO SOON. 705 00:29:56,959 --> 00:29:58,500 I-I HAVE TO LEAVE TOWN NEXT WEEK, 706 00:29:58,542 --> 00:30:00,166 I WANTED TO MAKE SURE WE DIDN'T MISS AN APPOINTMENT. 707 00:30:00,208 --> 00:30:02,041 NO PROBLEM. OKAY. 708 00:30:02,083 --> 00:30:04,792 SO DID YOU... DID YOU HAVE ANY TROUBLE GETTING HERE? (elevator bell dings) 709 00:30:04,834 --> 00:30:07,583 'CAUSE TRAFFIC CAN BE HEAVY THIS TIME OF DAY. 710 00:30:07,625 --> 00:30:09,834 NO. NO TROUBLE AT ALL. 711 00:30:14,542 --> 00:30:15,750 WELL, WHY DON'T YOU WAIT IN MY OFFICE? 712 00:30:15,792 --> 00:30:17,375 AND I'LL, UH, I'LL BE RIGHT THERE. 713 00:30:17,417 --> 00:30:18,333 SURE. 714 00:30:18,375 --> 00:30:20,000 OKAY. 715 00:30:21,834 --> 00:30:25,583 (telephone rings) 716 00:30:25,625 --> 00:30:28,375 COULD YOU PLEASE MAKE THIS CALL IN 15 MINUTES? 717 00:30:28,417 --> 00:30:32,041 OKAY. IT'S IMPORTANT. THANK YOU. 718 00:30:39,250 --> 00:30:41,041 HOW'S IT GOING WITH ALYSSA? 719 00:30:41,083 --> 00:30:43,041 OH, THE SAME. 720 00:30:43,083 --> 00:30:44,792 SO YOU DIDN'T END IT? 721 00:30:44,834 --> 00:30:46,709 NOT YET. 722 00:30:46,750 --> 00:30:48,041 (inhales) 723 00:30:48,083 --> 00:30:50,083 (exhales deeply) 724 00:30:50,125 --> 00:30:53,041 I'M SORRY, BUT THAT COUPLE IN THE LOBBY-- 725 00:30:53,083 --> 00:30:55,166 THIS IS HIGHLY UNPROFESSIONAL, 726 00:30:55,208 --> 00:30:57,125 BUT I AM... I'M DISTRACTED. 727 00:30:57,166 --> 00:30:58,375 WHY? 728 00:30:58,417 --> 00:30:59,959 WELL, THEY WERE THE PARENTS 729 00:31:00,000 --> 00:31:02,792 OF THAT LITTLE GIRL THAT WENT MISSING FROM THE E.R. 730 00:31:02,834 --> 00:31:04,250 "WERE"? WHAT? 731 00:31:04,291 --> 00:31:06,125 YOU SAID THEY "WERE" THE PARENTS 732 00:31:06,166 --> 00:31:08,667 OF THAT MISSING GIRL, BUT... 733 00:31:08,709 --> 00:31:11,166 THEY'RE STILL HER PARENTS. WELL, NOT IF SHE'S DEAD. 734 00:31:11,208 --> 00:31:13,458 WELL, YEAH, BUT MAYBE SHE'S OKAY. 735 00:31:13,500 --> 00:31:15,125 MAYBE SHE'S DOING EVEN BETTER. 736 00:31:15,166 --> 00:31:16,125 HOW DO YOU FIGURE? 737 00:31:16,166 --> 00:31:18,417 I WAS THERE THAT NIGHT. 738 00:31:18,458 --> 00:31:19,875 THOSE PARENTS ARE AWFUL. 739 00:31:19,917 --> 00:31:22,041 FIGHTING LIKE THAT IN FRONT OF HER? 740 00:31:22,083 --> 00:31:24,750 THAT'S... THAT'S NO WAY FOR A KID TO LIVE. 741 00:31:24,792 --> 00:31:27,291 KIDS NEED TO BE LOVED. 742 00:31:27,333 --> 00:31:29,041 YES, THEY DO. YEAH. 743 00:31:29,083 --> 00:31:31,166 THEY ABSOLUTELY DO. 744 00:31:31,208 --> 00:31:33,208 SO YOU THINK MAYBE SHE'S STILL ALIVE? 745 00:31:33,250 --> 00:31:35,208 SARAH? 746 00:31:35,250 --> 00:31:36,458 YES. 747 00:31:36,500 --> 00:31:40,000 I DO. I THINK SHE'S OKAY. 748 00:31:41,834 --> 00:31:44,083 I CAN'T SIT HOME ANYMORE AND JUST WAIT. 749 00:31:44,125 --> 00:31:45,291 I CAN'T DO IT. 750 00:31:45,333 --> 00:31:47,417 WELL, I CAN'T PRETEND THAT WE NEVER HAD A KID. 751 00:31:47,458 --> 00:31:48,417 THAT'S NOT WHAT I'M DOING. 752 00:31:48,458 --> 00:31:49,917 DANA, THIS ISN'T HELPING. 753 00:31:49,959 --> 00:31:51,375 PLEASE, WHY DON'T YOU TELL ME WHAT'S GOING ON? 754 00:31:51,417 --> 00:31:53,250 WE HAVE TO PAY THE MORTGAGE. WE HAVE TO EAT. 755 00:31:53,291 --> 00:31:56,000 HE WENT BACK TO WORK. OUR BABY IS MISSING, 756 00:31:56,041 --> 00:31:58,041 AND HE IS TREATING IT LIKE IT'S A REGULAR DAY. 757 00:31:58,083 --> 00:31:59,625 RIGHT, BUT WE HAVE DISCUSSED THIS. 758 00:31:59,667 --> 00:32:02,333 EVEN THOUGH TWO PEOPLE SHARE THE SAME LOSS, 759 00:32:02,375 --> 00:32:05,208 THEY MAY NOT EXPERIENCE OR DEAL WITH GRIEF THE SAME WAY. 760 00:32:05,250 --> 00:32:07,041 EXACTLY. AND FOR A FEW HOURS A DAY 761 00:32:07,083 --> 00:32:08,417 WHEN I'M IN COURT, I CAN FORGET. 762 00:32:08,458 --> 00:32:12,667 WELL, I CAN'T, AND I WON'T. 763 00:32:12,709 --> 00:32:16,041 DANA, SHE'S DEAD. 764 00:32:16,083 --> 00:32:19,250 WHAT'S WRONG WITH YOU? HOW COULD YOU SAY THAT? 765 00:32:19,291 --> 00:32:20,709 I JUST NEEDED TO SAY IT OUT LOUD. 766 00:32:20,750 --> 00:32:23,542 I... CAN'T WALK AROUND ON EGGSHELLS ANYMORE 767 00:32:23,583 --> 00:32:26,041 AND PRETEND TO HOPE. I... I'M NOT HOPEFUL. 768 00:32:26,083 --> 00:32:27,458 DR. TURNER, YOU ARE A MOTHER. 769 00:32:27,500 --> 00:32:29,208 YOU TELL HIM HE IS WRONG. 770 00:32:29,250 --> 00:32:32,041 WELL, WE JUST... WE DON'T KNOW. 771 00:32:32,083 --> 00:32:35,041 I KNOW. 772 00:32:35,083 --> 00:32:37,083 A MOTHER KNOWS. 773 00:32:37,125 --> 00:32:39,291 SARAH IS ALIVE. 774 00:32:39,333 --> 00:32:41,375 I FEEL LIKE THERE'S SOMETHING YOU'RE NOT TELLING ME. 775 00:32:41,417 --> 00:32:43,125 WHAT ARE YOU TALKING ABOUT? 776 00:32:43,166 --> 00:32:44,750 YOUR DEPRESSION. 777 00:32:44,792 --> 00:32:46,959 I'M NOT DEPRESSED. 778 00:32:47,000 --> 00:32:49,083 I JUST SAID MY RELATIONSHIP ISN'T WORKING. 779 00:32:49,125 --> 00:32:50,375 WELL, YOU CAME TO ME IN THE BEGINNING 780 00:32:50,417 --> 00:32:51,667 BECAUSE YOU WANTED HELP, 781 00:32:51,709 --> 00:32:54,000 BECAUSE YOU DON'T LIKE WHAT YOU ARE. 782 00:32:54,041 --> 00:32:56,333 WHAT I AM? 783 00:32:56,375 --> 00:32:59,041 YOU SAID THAT'S NOT MY FAULT. 784 00:32:59,083 --> 00:33:00,041 THE URGES AREN'T YOUR FAULT, 785 00:33:00,083 --> 00:33:01,667 BUT ACTING ON THEM WOULD BE. 786 00:33:01,709 --> 00:33:04,959 YOU'D BE RESPONSIBLE FOR THAT. 787 00:33:05,000 --> 00:33:06,750 ARE YOU ACCUSING ME OF SOMETHING? 788 00:33:06,792 --> 00:33:08,375 NO. NO, I'M JUST ASKING YOU TO BE HONEST, 789 00:33:08,417 --> 00:33:10,291 BECAUSE OUR DEAL, AFTER I SAVED YOUR LIFE, 790 00:33:10,333 --> 00:33:12,125 WAS... NO MORE SECRETS. 791 00:33:12,166 --> 00:33:13,417 I DIDN'T ASK YOU TO SAVE MY LIFE. 792 00:33:13,458 --> 00:33:15,333 YOU TOOK A BOTTLE OF PILLS AND CAME TO MY OFFICE, NICK-- 793 00:33:15,375 --> 00:33:17,041 A DOCTOR'S OFFICE. 794 00:33:17,083 --> 00:33:18,291 WHAT DID YOU THINK WOULD HAPPEN? 795 00:33:18,333 --> 00:33:21,041 I THOUGHT I WOULDN'T BE ALONE WHEN I DIED. 796 00:33:21,083 --> 00:33:22,125 YOU KNOW, THE TERMS THAT WE DISCUSSED 797 00:33:22,166 --> 00:33:23,625 FOR MY CONTINUING TO HELP YOU-- 798 00:33:23,667 --> 00:33:26,291 THE ONLY REQUIREMENT WAS YOUR HONESTY. 799 00:33:26,333 --> 00:33:28,000 I'VE BEEN HONEST. 800 00:33:31,083 --> 00:33:32,333 WHO'S ALYSSA? 801 00:33:32,375 --> 00:33:34,333 THE WOMAN I'VE BEEN SEEING. 802 00:33:34,375 --> 00:33:35,583 WHERE'S SHE FROM? 803 00:33:35,625 --> 00:33:36,834 HERE. 804 00:33:36,875 --> 00:33:38,041 WHAT DOES SHE DO? 805 00:33:38,083 --> 00:33:40,083 SHE'S, UM... A WAITRESS. 806 00:33:40,125 --> 00:33:43,083 I DON'T HAVE TO KEEP ANSWERING THESE QUESTIONS. 807 00:33:43,125 --> 00:33:44,208 WHERE DOES SHE LIVE, NICK? 808 00:33:44,250 --> 00:33:46,750 VENICE. 809 00:33:46,792 --> 00:33:48,041 DO YOU HAVE A PHOTOGRAPH? 810 00:33:48,083 --> 00:33:49,333 NO. NOT EVEN ON YOUR PHONE? 811 00:33:49,375 --> 00:33:52,000 WHAT COLOR ARE HER EYES? ARE THEY BLUE? 812 00:33:52,041 --> 00:33:54,125 AND HER HAIR BLONDE, TOO, LIKE SARAH? 813 00:33:54,166 --> 00:33:57,041 BECAUSE THERE IS NO ALYSSA. IT'S ONLY SARAH, 814 00:33:57,083 --> 00:33:58,041 AND YOU TOOK HER. 815 00:33:58,083 --> 00:34:00,709 AND THAT'S HOW YOU KNOW SHE'S STILL ALIVE. 816 00:34:00,750 --> 00:34:03,792 SARAH IS DEAD, OKAY? 817 00:34:03,834 --> 00:34:05,542 AND YOU KEEP ENCOURAGING HER TO HOPE, DR. TURNER. 818 00:34:05,583 --> 00:34:08,166 IT'S GONNA KILL HER. I DON'T KNOW THAT, RON. 819 00:34:08,208 --> 00:34:10,125 YOU DON'T KNOW THAT. THEY HAVE THE GUY IN CUSTODY. 820 00:34:10,166 --> 00:34:12,208 THAT'S WHAT THE DETECTIVE SAID. HE'S THE GUY. 821 00:34:12,250 --> 00:34:14,041 AND IF THEY DIDN'T FIND SARAH AFTER A COUPLE OF DAYS, 822 00:34:14,083 --> 00:34:16,000 THE ODDS THAT THEY WERE EVER GONNA FIND HER ALIVE-- 823 00:34:16,041 --> 00:34:18,291 THE DETECTIVE DOESN'T KNOW OUR BABY. HE DOESN'T KNOW US. 824 00:34:18,333 --> 00:34:21,041 IT IS JUST A JOB TO HIM. HE IS ON TO THE NEXT CASE. 825 00:34:21,083 --> 00:34:23,250 WE ARE THE ONES WHO ARE SUPPOSED TO KEEP CARING. 826 00:34:23,291 --> 00:34:25,500 I'M THE ONLY ONE CARING! 827 00:34:25,542 --> 00:34:27,250 DANA, RON CARES. HE CARES. 828 00:34:27,291 --> 00:34:28,291 OF COURSE I CARE! 829 00:34:28,333 --> 00:34:30,417 DO YOU EVEN KNOW WHAT IT MEANS IF SHE'S ALIVE? 830 00:34:30,458 --> 00:34:32,166 DO YOU KNOW WHAT THAT MEANS, 831 00:34:32,208 --> 00:34:35,000 WHAT HE MUST HAVE DONE TO HER? 832 00:34:35,041 --> 00:34:37,458 ALL THOSE NIGHTS THAT YOU SAT THERE TAKING PILLS, 833 00:34:37,500 --> 00:34:39,291 I WAS AWAKE STARING AT THE WALL, 834 00:34:39,333 --> 00:34:41,709 AND I COULDN'T STOP IMAGINING... 835 00:34:41,750 --> 00:34:45,041 IN YOUR DREAMS, YOU COULD HEAR SARAH ASKING TO BAKE CUPCAKES. 836 00:34:45,083 --> 00:34:47,709 BUT ALL I COULD HEAR WAS HER SCREAMING... 837 00:34:47,750 --> 00:34:51,083 (voice breaking) SCREAMING FOR DADDY TO COME SAVE HER. 838 00:34:51,125 --> 00:34:53,834 I NEED TO THINK THAT SHE'S DEAD, DANA, 839 00:34:53,875 --> 00:34:56,041 BECAUSE OTHERWISE... 840 00:34:56,083 --> 00:34:57,709 (crying) OH, MY GOD, I CAN'T EVEN... 841 00:34:57,750 --> 00:35:00,041 YOU ARE WRONG. 842 00:35:00,083 --> 00:35:01,417 HER PARENTS FOUGHT AND SHE RAN AWAY, 843 00:35:01,458 --> 00:35:02,875 AND WHEN YOU LEFT THE E.R. THAT NIGHT, 844 00:35:02,917 --> 00:35:04,250 YOU FOUND HER OUTSIDE, DIDN'T YOU? 845 00:35:04,291 --> 00:35:06,041 YOU HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 846 00:35:06,083 --> 00:35:09,250 SHE WAS UPSET, SCARED, PROBABLY HIDING FROM THE RAIN. 847 00:35:09,291 --> 00:35:10,458 I MEAN, WHAT DID YOU DO? DID YOU CHARM HER? 848 00:35:10,500 --> 00:35:11,625 DID YOU BUY HER SOMETHING? 849 00:35:11,667 --> 00:35:13,041 HOW DID YOU GET HER TO GO HOME WITH YOU? 850 00:35:13,083 --> 00:35:15,041 YOU'RE CRAZY. I GET IT, NICK. I DO. 851 00:35:15,083 --> 00:35:16,208 YOU WANTED TO GIVE HER A BETTER LIFE. 852 00:35:16,250 --> 00:35:17,500 I MEAN, THAT'S IT, ISN'T IT? 853 00:35:17,542 --> 00:35:19,125 WHY WOULD I KEEP COMING HERE IF I TOOK HER? 854 00:35:19,166 --> 00:35:20,709 THAT DOESN'T MAKE ANY SENSE. 855 00:35:20,750 --> 00:35:22,291 BECAUSE YOU WANT TO TELL ME. 856 00:35:22,333 --> 00:35:24,542 JUST LIKE YOU WANTED TO SHARE YOUR JOY WITH ME, 857 00:35:24,583 --> 00:35:25,750 AND NOW YOU WANT TO CONFESS, 858 00:35:25,792 --> 00:35:28,041 BECAUSE THE URGES, THEY GOT TO BE TOO MUCH. 859 00:35:28,083 --> 00:35:29,959 YOU COULDN'T STOP YOURSELF. 860 00:35:30,000 --> 00:35:31,291 YOU NEVER THOUGHT YOU COULD HELP ME. BUT SHE DOESN'T LOVE YOU. 861 00:35:31,333 --> 00:35:33,792 HOW COULD SHE? SHE'S A CHILD. 862 00:35:33,834 --> 00:35:35,291 AND SHE DOESN'T WANT TO BE WITH YOU. 863 00:35:35,333 --> 00:35:37,041 AND MAYBE YOU HAVEN'T BEEN ABLE TO BE A MAN WITH HER. 864 00:35:37,083 --> 00:35:38,250 MAYBE YOU COULDN'T PERFORM, 865 00:35:38,291 --> 00:35:40,083 AND MAYBE THAT'S WHY YOU'RE DEPRESSED. 866 00:35:40,125 --> 00:35:41,083 GOD, YOU'RE GUESSING! 867 00:35:41,125 --> 00:35:44,041 YOU'RE... YOU'RE GUESSING. 868 00:35:44,083 --> 00:35:46,041 YOU'RE MAKING THIS UP AS YOU GO ALONG. 869 00:35:46,083 --> 00:35:49,125 YOU THINK YOU'RE SO SMART, BUT YOU DON'T KNOW ANYTHING. 870 00:35:49,166 --> 00:35:52,041 YOU'RE POWERLESS. 871 00:35:52,083 --> 00:35:55,083 YOU ARE POWERLESS AND WEAK. 872 00:35:55,125 --> 00:35:57,041 WHERE IS SHE? 873 00:35:57,083 --> 00:35:59,041 I HAVE NO IDEA. 874 00:35:59,083 --> 00:36:00,166 WHERE IS SHE?! 875 00:36:00,208 --> 00:36:02,125 I CAN'T HELP YOU. 876 00:36:08,000 --> 00:36:10,041 HE'S ACUTELY SUICIDAL AND COMBATIVE. WHAT THE HELL? 877 00:36:10,083 --> 00:36:11,709 HE'S PARANOID AND EXTERNALIZING, 878 00:36:11,750 --> 00:36:14,041 SO EXPECT ACCUSATIONS OF PERSECUTION. WHAT ARE YOU TALKING ABOUT? 879 00:36:14,083 --> 00:36:16,625 NOW HE IS SLEEP-DEPRIVED, SO WE'LL NEED ONE-ON-ONES 880 00:36:16,667 --> 00:36:18,083 UNTIL HE CAN BE HEAVILY SEDATED. (clicking) 881 00:36:18,125 --> 00:36:20,333 SEDATED? NO, I'M NOT SUICIDAL. I'M TOTALLY--I'M FINE. 882 00:36:20,375 --> 00:36:22,083 I'LL FOLLOW UP DIRECTLY WITH THE INTAKE DOCTOR. 883 00:36:22,125 --> 00:36:24,709 WE'RE PUTTING YOU ON A 5150 PSYCH HOLD, OKAY? 884 00:36:24,750 --> 00:36:26,333 IT'S FOR YOUR OWN SAFETY. 885 00:36:26,375 --> 00:36:30,583 NO, NO, YOU CAN'T DO THIS. I HAVEN'T DONE ANYTHING! 886 00:36:30,625 --> 00:36:33,041 IT'S GONNA BE OKAY, NICK. 887 00:36:39,083 --> 00:36:40,166 SHELLEY, I JUST DID A DOUBLE. I'M GOING HOME. 888 00:36:40,208 --> 00:36:41,375 MY PATIENT, NICK CALHOUN, HAS SARAH. 889 00:36:41,417 --> 00:36:43,208 HE TOOK HER AND HE HAS HER AT HIS HOUSE. 890 00:36:43,250 --> 00:36:45,041 SO WHAT CHANGED SINCE THIS MORNING, HUH? 891 00:36:45,083 --> 00:36:46,333 YOU GET SOME PROOF? 892 00:36:46,375 --> 00:36:47,583 NO, I'M TELLING YOU I KNOW. 893 00:36:47,625 --> 00:36:49,417 HOW? DID YOU SEE HER AT HIS HOUSE? 894 00:36:49,458 --> 00:36:52,041 DID HE TELL YOU THAT HE HAS HER? 895 00:36:52,083 --> 00:36:55,875 YES. HE TOLD ME. NICK CONFESSED. 896 00:36:58,709 --> 00:36:59,667 YOU KNOW WHERE HE IS? 897 00:36:59,709 --> 00:37:00,917 HE'S 5150. 898 00:37:00,959 --> 00:37:01,959 YOU HAD HIM COMMITTED? 899 00:37:02,000 --> 00:37:03,583 HE WAS IN DANGER OF HURTING HIMSELF. 900 00:37:03,625 --> 00:37:05,792 OR SOMEONE ELSE. YES. 901 00:37:05,834 --> 00:37:08,291 THAT'S PROBABLE CAUSE. LET'S GO. 902 00:37:08,333 --> 00:37:10,250 OKAY. 903 00:37:10,291 --> 00:37:13,000 (door cracks, wood clatters) 904 00:37:19,083 --> 00:37:20,667 (man) LIVING ROOM CLEAR! 905 00:37:22,208 --> 00:37:23,709 (man) KITCHEN CLEAR! 906 00:37:25,458 --> 00:37:26,667 (man) BEDROOM CLEAR! 907 00:37:26,709 --> 00:37:28,041 SHELLEY? 908 00:37:28,083 --> 00:37:31,250 SHE'S HERE. SHE... SHE HAS TO BE HERE. 909 00:37:31,291 --> 00:37:34,000 THERE'S A BASEMENT. 910 00:37:35,375 --> 00:37:36,959 (cracks) 911 00:37:45,250 --> 00:37:46,959 (clatters) 912 00:38:00,250 --> 00:38:02,667 (crying) 913 00:38:02,709 --> 00:38:06,166 (lowered voice) SHE'S UNDER THERE. FIND THE LIGHTS. 914 00:38:11,041 --> 00:38:12,709 HI, SARAH. 915 00:38:12,750 --> 00:38:14,250 MY NAME IS SHELDON. I'M HERE WITH THE POLICE. 916 00:38:14,291 --> 00:38:18,041 AND WE'RE--WE'RE GONNA TAKE YOU HOME, OKAY? 917 00:38:18,083 --> 00:38:21,291 IS HE... IS HE COMING BACK? 918 00:38:21,333 --> 00:38:24,667 NO. NO, SWEETIE. YOU'RE--YOU'RE SAFE NOW. 919 00:38:24,709 --> 00:38:29,041 WHERE'S MY MOMMY? 920 00:38:29,083 --> 00:38:31,041 THEY'LL BE HERE SOON. 921 00:38:31,083 --> 00:38:32,291 YOUR MOMMY AND DADDY ARE ON THE WAY. 922 00:38:32,333 --> 00:38:33,250 IT'S GONNA TAKE A LITTLE WHILE. 923 00:38:33,291 --> 00:38:35,166 SO YOU... YOU WANNA COME OUT? 924 00:38:35,208 --> 00:38:36,125 NO. 925 00:38:36,166 --> 00:38:39,542 OKAY. OKAY. THAT'S OKAY. 926 00:38:39,583 --> 00:38:41,500 YOU'RE NOT GONNA LEAVE ME, ARE YOU? 927 00:38:41,542 --> 00:38:44,500 NO. NO, I'M GONNA WAIT RIGHT HERE. 928 00:38:44,542 --> 00:38:46,000 I'LL TELL YOU WHAT-- 929 00:38:46,041 --> 00:38:48,333 I'LL--I'LL JUST PUT MY HAND RIGHT HERE, 930 00:38:48,375 --> 00:38:52,041 AND IF YOU NEED TO, YOU CAN HOLD ON TO IT. 931 00:38:52,083 --> 00:38:53,125 (sniffles) 932 00:38:53,166 --> 00:38:55,041 YOU KNOW, YOUR MOMMY AND DADDY 933 00:38:55,083 --> 00:38:57,041 HAVE BEEN LOOKING FOR YOU THIS WHOLE TIME. 934 00:38:57,083 --> 00:39:00,041 I WAS BAD. I RAN AWAY. 935 00:39:00,083 --> 00:39:02,250 NO, NO. THAT'S--THAT'S OKAY. 936 00:39:02,291 --> 00:39:05,291 I'M SCARED. I WANT MY MOMMY TO SING TO ME. 937 00:39:05,333 --> 00:39:09,375 HOW 'BOUT IF I SING TO YOU UNTIL SHE GETS HERE? 938 00:39:15,083 --> 00:39:17,083 ♪ TWINKLE, TWINKLE, LITTLE STAR ♪ 939 00:39:17,125 --> 00:39:19,458 ♪ HOW I WONDER WHAT YOU ARE ♪ 940 00:39:19,500 --> 00:39:22,250 ♪ UP ABOVE THE WORLD SO HIGH ♪ 941 00:39:22,291 --> 00:39:24,542 ♪ LIKE A DIAMOND IN THE SKY ♪ 942 00:39:24,583 --> 00:39:27,750 ♪ TWINKLE, TWINKLE, LITTLE STAR ♪ 943 00:39:27,792 --> 00:39:30,041 ♪ HOW I WONDER WHAT YOU ARE ♪ 944 00:39:30,083 --> 00:39:34,000 (Bonnie Raitt's "God Only Knows" playing) 945 00:39:36,291 --> 00:39:43,166 ♪ DARKNESS SETTLES ON THE GROUND ♪ 946 00:39:43,208 --> 00:39:49,375 ♪ LEAVES THE DAY STUMBLING BLIND ♪ 947 00:39:49,417 --> 00:39:55,166 ♪ COMING TO A QUIET CLOSE ♪ 948 00:39:55,208 --> 00:40:00,250 ♪ AND MAYBE JUST IN TIME ♪ 949 00:40:00,291 --> 00:40:05,041 ♪ WE'VE ALMOST LOST THE HEART TO KNOW ♪ 950 00:40:05,083 --> 00:40:11,208 ♪ HOW TO KEEP OUR BEST IN MIND ♪ 951 00:40:11,250 --> 00:40:17,667 ♪ WE'VE ALMOST LOST THE HEART TO KNOW ♪ 952 00:40:17,709 --> 00:40:22,208 ♪ HOW TO KEEP OUR BEST IN MIND ♪ 953 00:40:37,125 --> 00:40:41,041 ♪ TIME HAS TURNED AN ANGRY FACE ♪ 954 00:40:41,083 --> 00:40:43,291 OH, MY GOD. 955 00:40:43,333 --> 00:40:44,500 I CAN'T BELIEVE IT. 956 00:40:44,542 --> 00:40:46,834 THIS WHOLE TIME, SHE WAS LESS THAN A MILE FROM HERE. 957 00:40:46,875 --> 00:40:50,083 YOU SAVED HER. 958 00:40:50,125 --> 00:40:52,542 YOU FOUND HER. 959 00:40:52,583 --> 00:40:55,125 I SHOULD HAVE FOUND HER MONTHS AGO. 960 00:40:55,166 --> 00:41:02,000 ♪ WE'LL PRACTICE UNFORGIVINGLY ♪ 961 00:41:02,041 --> 00:41:05,291 ♪ AS IF MIGHT AND WILL MAKE RIGHT ♪ 962 00:41:05,333 --> 00:41:09,333 ♪ OR EITHER ONE COULD MAKE US FREE ♪ 963 00:41:09,375 --> 00:41:11,583 (exhales deeply) 964 00:41:11,625 --> 00:41:18,041 ♪ AS IF MIGHT AND WILL MAKE RIGHT ♪ 965 00:41:18,083 --> 00:41:23,000 ♪ OR EITHER ONE COULD MAKE US FREE ♪ 966 00:41:25,291 --> 00:41:27,166 (gasps) NICE SOCKS, SHELDON! 967 00:41:27,208 --> 00:41:29,041 YOU WEREN'T HERE YESTERDAY. 968 00:41:29,083 --> 00:41:31,333 OH, YEAH, MY CAR WAS-- 969 00:41:37,250 --> 00:41:39,166 WHAT ARE YOU DOING? 970 00:41:39,208 --> 00:41:40,458 I WANT TO SEE YOU-- 971 00:41:40,500 --> 00:41:44,041 HERE, OUTSIDE OF HERE. YOU LIGHT UP THIS ROOM, 972 00:41:44,083 --> 00:41:46,583 AND I WANT THAT LIGHT EVERYWHERE I GO, 973 00:41:46,625 --> 00:41:48,208 SO I'M GONNA TAKE YOU TO LUNCH, 974 00:41:48,250 --> 00:41:49,500 AND THEN DINNER, 975 00:41:49,542 --> 00:41:51,834 AND LUNCH AGAIN TOMORROW, AND EVERY DAY AFTER THAT. 976 00:41:51,875 --> 00:41:53,750 SO JUST SAY "YES." 977 00:41:53,792 --> 00:41:56,583 SAY YOU'LL GO OUT WITH ME. 978 00:41:56,625 --> 00:41:58,959 WHY AREN'T YOU SAYING "YES"? JUST SAY "YES." 979 00:41:59,000 --> 00:42:02,250 BUT, SHELDON, I'M DYING. 980 00:42:02,291 --> 00:42:04,041 ♪ BUT I'LL TRY TO BE YOUR LIGHT ♪ 981 00:42:04,083 --> 00:42:05,125 NOT TODAY. 982 00:42:05,166 --> 00:42:06,041 ♪ IN LOVE ♪ 983 00:42:06,083 --> 00:42:10,875 ♪ PRAY THAT IT'S ENOUGH FOR NOW ♪ 984 00:42:10,917 --> 00:42:17,166 ♪ WELL, I'LL TRY TO BE YOUR LIGHT IN LOVE ♪ 985 00:42:17,208 --> 00:42:20,000 ♪ AND I'LL PRAY THAT IS ENOUGH FOR NOW ♪