1 00:00:02,831 --> 00:00:04,664 TONIGHT ON KITCHEN NIGHTMARES REVISITED, 2 00:00:04,664 --> 00:00:06,998 CHEF RAMSAY RETURNS TO SOME OF THE MOST EXPLOSIVE 3 00:00:06,998 --> 00:00:09,764 AND UNFORGETTABLE RESTAURANTS TO SEE WHAT HAPPENED 4 00:00:09,764 --> 00:00:12,131 TO THE EATERIES HE TRIED TO TURN AROUND. 5 00:00:12,131 --> 00:00:13,898 - TOO HOT FOR HER. - GET THE OUT. 6 00:00:13,898 --> 00:00:15,098 DON'T WASTE MY TIME. 7 00:00:15,098 --> 00:00:16,564 I DON'T EVEN TALK TO MY STAFF LIKE THIS. 8 00:00:16,564 --> 00:00:17,731 WHY DON'T YOU GET THE OUT OF MY RESTAURANT? 9 00:00:17,731 --> 00:00:18,998 YOU WANT ME TO GO? I WOULD LOVE YOU TO GO. 10 00:00:18,998 --> 00:00:20,631 CLOSE YOUR BUSINESS. 11 00:00:20,631 --> 00:00:23,564 CLOSE IT. 12 00:00:23,564 --> 00:00:25,964 FIRST, WE RETURN TO CLASSIC AMERICAN 13 00:00:25,964 --> 00:00:27,364 IN WEST BABYLON, NEW YORK. 14 00:00:27,364 --> 00:00:28,931 YOU GOTTA GO WORK THE LINE 15 00:00:28,931 --> 00:00:30,000 BECAUSE I'M LOSING MY MIND. 16 00:00:30,000 --> 00:00:30,798 BECAUSE I'M LOSING MY MIND. 17 00:00:30,798 --> 00:00:33,764 OWNED BY FRIENDS WHO WERE ON THE VERGE OF LOSING IT ALL. 18 00:00:33,764 --> 00:00:38,664 I FEEL LIKE I'VE FAILED, AND I'VE TRIED HARD, YOU KNOW. 19 00:00:38,664 --> 00:00:41,531 THEN WE'LL CHECK IN ON DAVIDE IN BOSTON'S NORTH END. 20 00:00:41,531 --> 00:00:43,131 HEY, MORON, THIS IS YOUR TABLE. 21 00:00:43,131 --> 00:00:44,731 GET THE OUT OF HERE, REALLY. 22 00:00:44,731 --> 00:00:47,864 WHERE TWO BROTHERS WERE AT WAR WITH EACH OTHER. 23 00:00:47,864 --> 00:00:49,198 I'M MAD. I'M PISSED. 24 00:00:49,198 --> 00:00:50,631 I'M TELLING YOU TO GO YOURSELF 25 00:00:50,631 --> 00:00:52,431 FOR THE YOU PUT ME THROUGH. 26 00:00:52,431 --> 00:00:54,531 OH, MY GOD, FRANK. 27 00:00:54,531 --> 00:00:56,231 AND FINALLY, WHO CAN FORGET 28 00:00:56,231 --> 00:00:57,664 DOWNCITY IN PROVIDENCE, RHODE ISLAND? 29 00:00:57,664 --> 00:00:59,498 YOU'RE A DISGRACE TO THIS INDUSTRY. 30 00:00:59,498 --> 00:01:00,000 GET OUT OF MY RESTAURANT. 31 00:01:00,000 --> 00:01:01,364 GET OUT OF MY RESTAURANT. 32 00:01:01,364 --> 00:01:03,298 WHERE CHEF RAMSAY WENT TOE-TO-TOE 33 00:01:03,298 --> 00:01:05,498 WITH A STUBBORN OWNER NAMED ABBY. 34 00:01:05,498 --> 00:01:07,531 - YOU CAN'T EVEN ACCEPT IT. - YOU. 35 00:01:07,531 --> 00:01:09,398 - YEAH, WALK OUT AGAIN. - I AM,. 36 00:01:09,398 --> 00:01:11,731 TONIGHT, CHEF RAMSAY IS BACK 37 00:01:11,731 --> 00:01:13,764 TO SEE IF HIS HARD WORK HAS PAID OFF. 38 00:01:13,764 --> 00:01:17,198 WHO HAS EMBRACED CHANGE AND TURNED THEIR BUSINESS AROUND? 39 00:01:17,198 --> 00:01:21,198 AND WHO TURNED THEIR RESTAURANT BACK INTO A NIGHTMARE? 40 00:01:23,031 --> 00:01:24,698 WHAT IS THAT? 41 00:01:24,698 --> 00:01:25,998 DISGUSTING CRAP. 42 00:01:25,998 --> 00:01:27,131 YOU'RE DONE. I'M DONE? 43 00:01:27,131 --> 00:01:29,131 I'M NOT INSANE. YES, YOU ARE. 44 00:01:29,131 --> 00:01:30,000 SHUT THE PLACE DOWN. 45 00:01:30,000 --> 00:01:30,164 SHUT THE PLACE DOWN. 46 00:01:30,164 --> 00:01:31,298 GET OUT OF HERE! 47 00:01:31,298 --> 00:01:33,464 THAT IS AMAZING! 48 00:01:33,464 --> 00:01:35,164 I CAN'T TAKE ANY MORE. 49 00:01:35,164 --> 00:01:36,964 I JUST CAN'T THANK YOU ENOUGH. 50 00:01:40,098 --> 00:01:41,498 IN THIS DAY AND AGE, 51 00:01:41,498 --> 00:01:43,198 RUNNING A RESTAURANT HAS NEVER BEEN HARDER. 52 00:01:43,198 --> 00:01:44,431 TONIGHT, I'M GONNA SHOW YOU WHAT HAPPENED 53 00:01:44,431 --> 00:01:45,664 TO SOME OF THE RESTAURANTS 54 00:01:45,664 --> 00:01:47,198 WE TRIED TO TURN AROUND LAST YEAR, 55 00:01:47,198 --> 00:01:49,531 BUT FIRST LET'S TAKE A LOOK BACK AT WHAT HAPPENED 56 00:01:49,531 --> 00:01:53,398 WHEN I ARRIVED AT CLASSIC AMERICAN. 57 00:01:53,398 --> 00:01:56,531 WEST BABYLON, NEW YORK, JUST AN HOUR OUTSIDE MANHATTAN. 58 00:01:56,531 --> 00:02:00,000 IT'S A CUTE, STUNNING, ALL-AMERICAN TOWN, 59 00:02:00,000 --> 00:02:00,064 IT'S A CUTE, STUNNING, ALL-AMERICAN TOWN, 60 00:02:00,064 --> 00:02:04,498 THE PERFECT LOCATION FOR A CLASSIC AMERICAN DINER, 61 00:02:04,498 --> 00:02:07,731 JUST NOT THIS ONE. 62 00:02:07,731 --> 00:02:08,998 SO TONIGHT SUCKED. 63 00:02:08,998 --> 00:02:10,631 EVERY NIGHT SUCKS HERE. 64 00:02:10,631 --> 00:02:12,598 THE OWNERS, COLLEEN AND NAOMI, 65 00:02:12,598 --> 00:02:15,764 WERE $700,000 IN DEBT 66 00:02:15,764 --> 00:02:17,864 AND NOT ONE OF THEM HAD PAID THEMSELVES A PAYCHECK 67 00:02:17,864 --> 00:02:20,298 IN OVER A YEAR. 68 00:02:20,298 --> 00:02:25,364 I FEEL LIKE I'VE FAILED, AND I'VE TRIED HARD, YOU KNOW. 69 00:02:25,364 --> 00:02:28,098 COLLEEN'S SON, KEVIN, WAS THEIR HEAD CHEF. 70 00:02:28,098 --> 00:02:30,000 WHAT'S SOFT AND CHEWY? THE CALAMARI. 71 00:02:30,000 --> 00:02:30,098 WHAT'S SOFT AND CHEWY? THE CALAMARI. 72 00:02:32,398 --> 00:02:33,664 SHE KNOWS EVERYONE'S WAITING A LONG TIME, OKAY? 73 00:02:33,664 --> 00:02:34,998 WHAT DO YOU WANT ME TO DO? 74 00:02:34,998 --> 00:02:36,998 AND HER BOYFRIEND, DOM, WAS THE MANAGER. 75 00:02:36,998 --> 00:02:38,898 HEY, DOM, WHY'D WE RUN OUT OF EVERYTHING? 76 00:02:38,898 --> 00:02:40,864 HOW THE DO I KNOW? 77 00:02:40,864 --> 00:02:42,764 WHEN I ARRIVED, THE MENU WAS SIMPLE, 78 00:02:42,764 --> 00:02:45,131 SO I PLAYED IT SAFE AND STUCK TO THE CLASSICS. 79 00:02:45,131 --> 00:02:46,498 I THINK I'LL HAVE A MAC AND CHEESE. 80 00:02:46,498 --> 00:02:47,931 DO YOU HAVE MAC ANY CHEESE? YES. 81 00:02:47,931 --> 00:02:50,164 ALMOST IMPOSSIBLE TO SCREW UP. 82 00:02:50,164 --> 00:02:52,798 EH, IT'S A MOUTHFUL OF GOO. 83 00:02:52,798 --> 00:02:53,798 THAT'S GROSS. 84 00:02:53,798 --> 00:02:56,598 ALMOST IMPOSSIBLE TO SCREW UP. 85 00:02:58,098 --> 00:02:59,831 THE BOMB BURGER. 86 00:02:59,831 --> 00:03:00,000 HELL. 87 00:03:00,000 --> 00:03:02,298 HELL. 88 00:03:02,298 --> 00:03:04,464 HE PROBABLY WON'T LIKE THAT EITHER. 89 00:03:04,464 --> 00:03:05,631 THAT IS CHEWY AS HELL. 90 00:03:05,631 --> 00:03:06,731 WILL YOU ASK THE CHEF TO TASTE THAT? 91 00:03:06,731 --> 00:03:07,898 OKAY. THANK YOU. 92 00:03:07,898 --> 00:03:08,898 YOU'RE WELCOME. 93 00:03:12,431 --> 00:03:13,798 MY APPETITE GONE, I WENT STRAIGHT BACK 94 00:03:13,798 --> 00:03:15,931 IN THE KITCHEN TO CONFRONT KEVIN, THE CHEF. 95 00:03:15,931 --> 00:03:18,731 ON A SCALE OF ONE TO TEN, RATE THE FOOD IN THE RESTAURANT. 96 00:03:18,731 --> 00:03:20,464 BETWEEN SIX AND SEVEN. 97 00:03:20,464 --> 00:03:22,231 SIX AND SEVEN? 98 00:03:22,231 --> 00:03:23,631 I WOULD'VE SAID SIX. 99 00:03:23,631 --> 00:03:27,198 HALF IT AND TAKE TWO AWAY, AND YOU'RE ON MY MARK. 100 00:03:30,098 --> 00:03:31,131 AT THAT NIGHT'S DINNER SERVICE, 101 00:03:31,131 --> 00:03:33,064 I WITNESSED FIRSTHAND 102 00:03:33,064 --> 00:03:34,831 THE REAL ISSUES WITH CLASSIC AMERICAN. 103 00:03:34,831 --> 00:03:35,864 ORDER UP. 104 00:03:35,864 --> 00:03:37,698 BAD FOOD. 105 00:03:37,698 --> 00:03:39,731 THE SHRIMP IS NO GOOD. 106 00:03:39,731 --> 00:03:40,764 NOT ENOUGH FOOD. 107 00:03:40,764 --> 00:03:42,598 THERESA, NO BURGERS. WE'RE OUT? 108 00:03:42,598 --> 00:03:43,864 THERE IS NO MORE! 109 00:03:43,864 --> 00:03:44,964 WHAT A JOKE. 110 00:03:44,964 --> 00:03:46,798 I GOT TO-- I CAN'T DO THIS TONIGHT. 111 00:03:46,798 --> 00:03:48,098 I CAN'T. 112 00:03:48,098 --> 00:03:49,298 YOU GOTTA GO WORK THE LINE 113 00:03:49,298 --> 00:03:51,798 BECAUSE I'M LOSING MY MIND. 114 00:03:51,798 --> 00:03:52,664 WHAT'S THE MATTER? 115 00:03:52,664 --> 00:03:54,664 I'M SCARED. 116 00:03:54,664 --> 00:03:55,798 I'M REALLY, REALLY SCARED. 117 00:03:55,798 --> 00:03:57,764 YOU UNDERSTAND? 118 00:03:57,764 --> 00:04:00,000 I DO UNDERSTAND, AND I CAN SEE HOW PAINFUL IT IS. 119 00:04:00,000 --> 00:04:00,731 I DO UNDERSTAND, AND I CAN SEE HOW PAINFUL IT IS. 120 00:04:00,731 --> 00:04:02,464 I FEEL I HAD MORE TO LOSE 121 00:04:02,464 --> 00:04:04,131 THAN ANYBODY ELSE IN THIS PLACE. 122 00:04:04,131 --> 00:04:06,798 EXCUSE ME. 123 00:04:06,798 --> 00:04:09,264 HERE'S THE HONEST TRUTH. 124 00:04:09,264 --> 00:04:11,231 FRIENDSHIP'S GOT - ALL TO DO WITH IT, 125 00:04:11,231 --> 00:04:14,831 'CAUSE THERE'S NO FRIENDS WHEN THAT PLACE IS CLOSED. 126 00:04:14,831 --> 00:04:17,431 YOU'RE RIGHT. YOU'RE ABSOLUTELY RIGHT. 127 00:04:17,431 --> 00:04:19,531 YOU CANNOT GIVE UP. 128 00:04:19,531 --> 00:04:21,831 COLLEEN WAS WEARING ALL THE PRESSURE 129 00:04:21,831 --> 00:04:23,431 OF CLASSIC AMERICAN ON HER FACE. 130 00:04:23,431 --> 00:04:27,498 YOU COULD SEE SHE'S ON THE VERGE OF A NERVOUS BREAKDOWN. 131 00:04:27,498 --> 00:04:28,864 THE NEXT MORNING, 132 00:04:28,864 --> 00:04:30,000 I SAT EVERYBODY DOWN AND I HELD A STAFF MEETING. 133 00:04:30,000 --> 00:04:32,131 I SAT EVERYBODY DOWN AND I HELD A STAFF MEETING. 134 00:04:32,131 --> 00:04:35,031 DOM, WHY ARE WE ALWAYS RUNNING OUT OF PRODUCT? 135 00:04:35,031 --> 00:04:36,564 'CAUSE WHEN I OPEN MY MOUTH, 136 00:04:36,564 --> 00:04:38,498 EVERYBODY SHRUGS THEIR SHOULDERS 137 00:04:38,498 --> 00:04:40,464 AND GETS A ATTITUDE, THAT'S WHY. 138 00:04:40,464 --> 00:04:41,931 THIS IS THE PROBLEM. 139 00:04:41,931 --> 00:04:45,164 IS IT YOU, IS IT HIM, IS IT ME, IS IT HER? 140 00:04:45,164 --> 00:04:46,364 WHO? WHO? 141 00:04:46,364 --> 00:04:47,964 IT'S EVERYBODY! NO! 142 00:04:47,964 --> 00:04:50,698 I WAS READY TO KILL SOMEBODY. 143 00:04:50,698 --> 00:04:52,364 YOU DON'T DISRESPECT ME LIKE THAT. 144 00:04:52,364 --> 00:04:54,964 THEY GOTTA FIND A WAY TO PISS ME OFF. 145 00:04:54,964 --> 00:04:56,031 NO. 146 00:04:56,031 --> 00:04:57,764 UNBELIEVABLE. 147 00:04:57,764 --> 00:04:58,931 NOTHING WAS WORKING. 148 00:04:58,931 --> 00:05:00,000 SO TO ADD SOME EXCITEMENT, 149 00:05:00,000 --> 00:05:00,798 SO TO ADD SOME EXCITEMENT, 150 00:05:00,798 --> 00:05:03,364 FOR THAT NIGHT'S SERVICE I INTRODUCED A NEW SPECIAL. 151 00:05:03,364 --> 00:05:04,698 LET'S START OFF WITH SOME SLIDERS. 152 00:05:04,698 --> 00:05:06,564 FUN AND BITE SIZE, YEAH? 153 00:05:06,564 --> 00:05:09,831 THAT IS A THOUSAND MILES AWAY FROM THE BOMB BURGER, YEAH? 154 00:05:09,831 --> 00:05:11,998 HAVE A TASTE. MM, THIS IS GOOD. 155 00:05:11,998 --> 00:05:13,864 HOW'S THAT? PERFECT. 156 00:05:13,864 --> 00:05:16,631 TRY AND CHEW IT BEFORE YOU SWALLOW IT, YES? 157 00:05:16,631 --> 00:05:18,198 YOUR MENUS WILL BE RIGHT OUT. 158 00:05:18,198 --> 00:05:20,431 FINALLY, CLASSIC AMERICAN HAD A DISH 159 00:05:20,431 --> 00:05:22,764 CUSTOMERS ACTUALLY ENJOYED. 160 00:05:25,364 --> 00:05:26,631 THEY SAID IT WAS EXCELLENT. 161 00:05:26,631 --> 00:05:28,031 UNFORTUNATELY, 162 00:05:28,031 --> 00:05:30,000 THE REST OF THE OLD STANDBYS 163 00:05:30,000 --> 00:05:30,098 THE REST OF THE OLD STANDBYS 164 00:05:30,098 --> 00:05:33,031 WERE A CLASSIC AMERICAN FLOP. 165 00:05:33,031 --> 00:05:34,631 LOOK AT THAT! JUST TOUCH IT. 166 00:05:34,631 --> 00:05:36,364 A PLATE OF VEGETABLES. 167 00:05:36,364 --> 00:05:37,864 MY FINGER'S GOING RIGHT THROUGH IT. 168 00:05:37,864 --> 00:05:41,098 THIS IS THE SORRY STATE THAT WE'VE GOT OURSELVES INTO. 169 00:05:41,098 --> 00:05:42,464 I WOULDN'T SERVE THAT TO MY DOG. 170 00:05:42,464 --> 00:05:45,098 STOP. STOP. 171 00:05:45,098 --> 00:05:47,364 DON'T SEND ANYTHING ELSE. CLOSE IT. 172 00:05:47,364 --> 00:05:50,131 WE'RE CLOSED. 173 00:05:50,131 --> 00:05:51,664 YOU GUYS ARE CLOSED? 174 00:05:51,664 --> 00:05:53,031 CAN I GET A WAITRESS OVER HERE, PLEASE? 175 00:05:53,031 --> 00:05:54,298 I'M SORRY, WE'RE NOT SERVING ANYMORE. 176 00:05:54,298 --> 00:05:55,764 I WAS RUNNING OUT OF TIME. 177 00:05:55,764 --> 00:05:57,564 NOTHING WAS WORKING. 178 00:05:57,564 --> 00:06:00,000 THERE'S NO WAY THIS RESTAURANT CAN SURVIVE 179 00:06:00,000 --> 00:06:00,164 THERE'S NO WAY THIS RESTAURANT CAN SURVIVE 180 00:06:00,164 --> 00:06:02,798 UNLESS THERE'S A DRAMATIC CHANGE. 181 00:06:02,798 --> 00:06:05,131 SO THAT NIGHT, MY TEAM MOVED IN 182 00:06:05,131 --> 00:06:07,664 AND GAVE CLASSIC AMERICAN A STUNNING, 183 00:06:07,664 --> 00:06:09,698 AND I MEAN STUNNING, MAKEOVER. 184 00:06:09,698 --> 00:06:10,764 AHH! 185 00:06:10,764 --> 00:06:12,031 COME IN, COME IN. 186 00:06:12,031 --> 00:06:15,531 GONE IS THE OLD COUNTRY STYLE, WHATEVER IT WAS, 187 00:06:15,531 --> 00:06:19,198 AND WELCOME TO THE NEW CLASSIC AMERICAN. 188 00:06:20,731 --> 00:06:22,631 TALK TO ME, DARLING. 189 00:06:22,631 --> 00:06:25,764 ARE YOU HAPPY? 190 00:06:25,764 --> 00:06:26,698 WHAT DO YOU THINK? 191 00:06:26,698 --> 00:06:28,098 IT LOOKS GREAT. 192 00:06:28,098 --> 00:06:30,000 LET'S HAVE A LOOK AT THE NEW MENU. 193 00:06:30,000 --> 00:06:30,298 LET'S HAVE A LOOK AT THE NEW MENU. 194 00:06:30,298 --> 00:06:33,998 CLASSIC AMERICAN DISHES DONE BRILLIANTLY WELL. 195 00:06:38,998 --> 00:06:40,464 I SWEAR TO GOD, WHO NEEDS A PIG IN THE BACKYARD 196 00:06:40,464 --> 00:06:41,864 WHEN YOU GOT DOM? 197 00:06:41,864 --> 00:06:43,431 BIG DEEP BREATH. 198 00:06:43,431 --> 00:06:45,664 DOM, SAVE SOME FOR THE STAFF, WILL YOU, PLEASE, YEAH? 199 00:06:45,664 --> 00:06:47,031 UH-HUH. 200 00:06:47,031 --> 00:06:49,431 AND THEN, THE BREAKTHROUGH I'D BEEN WAITING FOR. 201 00:06:49,431 --> 00:06:52,331 SOMEWHERE ALONG THE LINE WE GOT LOST, 202 00:06:52,331 --> 00:06:56,164 AND I JUST WANNA APOLOGIZE FOR THAT. 203 00:06:56,164 --> 00:06:58,231 COLLEEN FINALLY TOOK CHARGE OF HER BUSINESS. 204 00:06:58,231 --> 00:07:00,000 WE'RE FAMILY, 205 00:07:00,000 --> 00:07:00,764 WE'RE FAMILY, 206 00:07:00,764 --> 00:07:03,264 BUT WE HAVE A BUSINESS TO RUN, OKAY? 207 00:07:03,264 --> 00:07:06,298 SO THOSE TWO THINGS NEED TO BE SEPARATED. 208 00:07:06,298 --> 00:07:09,564 AND I KNOW 209 00:07:09,564 --> 00:07:11,964 YOU HAVE TO LEAD BY EXAMPLE. 210 00:07:11,964 --> 00:07:15,364 AND WE WILL SHOW YOU THE LEADERSHIP 211 00:07:15,364 --> 00:07:17,431 THAT YOU NEED TO DO YOUR JOB. 212 00:07:17,431 --> 00:07:18,798 HALLELUJAH! 213 00:07:20,664 --> 00:07:22,764 LET'S HAVE SOME FUN TONIGHT, GUYS. 214 00:07:22,764 --> 00:07:24,731 YOU KNOW IT. WHOOP, WHOOP! 215 00:07:24,731 --> 00:07:25,831 RELAUNCH NIGHT. 216 00:07:25,831 --> 00:07:27,298 OPEN IN FIVE MINUTES, GUYS, YES? 217 00:07:27,298 --> 00:07:28,731 KEVIN, YOU READY? READY. 218 00:07:28,731 --> 00:07:30,000 WITH COLLEEN STEPPING IN AND TAKING CHARGE... 219 00:07:30,000 --> 00:07:30,531 WITH COLLEEN STEPPING IN AND TAKING CHARGE... 220 00:07:30,531 --> 00:07:32,498 PULLED PORK RIGHT AWAY, LET'S GO. 221 00:07:32,498 --> 00:07:34,631 THE KITCHEN RAN SMOOTHLY. 222 00:07:34,631 --> 00:07:35,998 KEVIN, YOU GOT A CLASSIC BURGER. 223 00:07:35,998 --> 00:07:37,698 OKAY. TWO ORDERS OF WINGS ALL DAY. 224 00:07:37,698 --> 00:07:39,464 GOT THE WINGS, YEAH. 225 00:07:39,464 --> 00:07:40,498 EXCELLENT, NICE. 226 00:07:40,498 --> 00:07:41,531 KEEP IT GOING, GUYS. 227 00:07:41,531 --> 00:07:42,431 HOW DO WE LIKE EVERYTHING? 228 00:07:42,431 --> 00:07:44,031 ABSOLUTELY DELICIOUS. 229 00:07:44,031 --> 00:07:45,231 WE'LL COME BACK FOR MORE. 230 00:07:45,231 --> 00:07:46,198 WHERE ARE ALL THE TICKETS? 231 00:07:46,198 --> 00:07:47,264 YEAH, WE CLEARED THE BOARD. 232 00:07:47,264 --> 00:07:49,064 CUSTOMERS ARE HAPPY. 233 00:07:49,064 --> 00:07:50,598 GOOD NIGHT. THANK YOU VERY MUCH. 234 00:07:50,598 --> 00:07:52,698 THAT NIGHT'S RELAUNCH 235 00:07:52,698 --> 00:07:54,198 WAS ONE OF THE BEST WE'VE EVER DONE. 236 00:07:54,198 --> 00:07:57,298 YOU ALL PULLED OFF 237 00:07:57,298 --> 00:07:58,531 A FANTASTIC SERVICE. 238 00:07:58,531 --> 00:08:00,000 CONGRATULATIONS. THANK YOU. 239 00:08:00,000 --> 00:08:00,298 CONGRATULATIONS. THANK YOU. 240 00:08:00,298 --> 00:08:02,464 AMAZING. 241 00:08:02,464 --> 00:08:04,131 COLLEEN, NAOMI, 242 00:08:04,131 --> 00:08:06,831 THIS RESTAURANT HAS EVERY POTENTIAL 243 00:08:06,831 --> 00:08:09,998 TO REALLY BECOME A HUGE SUCCESS. 244 00:08:09,998 --> 00:08:12,364 DO NOT START DROPPING IN STANDARD. 245 00:08:12,364 --> 00:08:13,364 IT MEANS TOO MUCH. 246 00:08:13,364 --> 00:08:14,764 YES. 247 00:08:14,764 --> 00:08:16,364 COME HERE, YOU. WELL DONE. 248 00:08:16,364 --> 00:08:18,864 OH, WELL DONE. 249 00:08:20,564 --> 00:08:23,831 I'M BACK AT CLASSIC AMERICAN, WEST BABYLON, NEW YORK, 250 00:08:23,831 --> 00:08:25,864 WHERE TWO WAITRESSES BOUGHT A BUSINESS 251 00:08:25,864 --> 00:08:27,498 TO FULFILL THEIR AMERICAN DREAM. 252 00:08:27,498 --> 00:08:29,531 IT TURNED OUT TO BE AN AMERICAN NIGHTMARE. 253 00:08:29,531 --> 00:08:30,000 WE MADE A LOT OF CHANGES. 254 00:08:30,000 --> 00:08:30,998 WE MADE A LOT OF CHANGES. 255 00:08:30,998 --> 00:08:33,698 WE'RE ABOUT TO FIND OUT IF THEY TURNED THINGS AROUND. 256 00:08:33,698 --> 00:08:35,031 UP NEXT, 257 00:08:35,031 --> 00:08:37,931 FIND OUT IF COLLEEN AND NAOMI HAVE TAKEN CHARGE 258 00:08:37,931 --> 00:08:41,631 OR IS CLASSIC AMERICAN SLIDING BACK TO ITS OLD WAYS? 259 00:08:41,631 --> 00:08:42,731 WHO'S BUYING THE INGREDIENTS? 260 00:08:42,731 --> 00:08:44,298 DOM.. 261 00:08:44,298 --> 00:08:45,831 AND LATER, 262 00:08:45,831 --> 00:08:47,231 WE'LL GO BACK TO DOWNCITY, 263 00:08:47,231 --> 00:08:48,398 THE RESTAURANT WHERE THE OWNER 264 00:08:48,398 --> 00:08:50,064 TRIED TO THROW OUT CHEF RAMSAY. 265 00:08:50,064 --> 00:08:51,164 YOU NEED THERAPY! 266 00:08:51,164 --> 00:08:52,764 YOU, GET OUTTA MY RESTAURANT. 267 00:08:52,764 --> 00:08:55,764 SEE WHAT HAPPENS WHEN GORDON AND ABBY REUNITE. 268 00:08:55,764 --> 00:08:58,398 CAN I STAY TODAY OR YOU GONNA KICK ME OUT? 269 00:08:58,398 --> 00:09:00,000 COMING UP ON KITCHEN NIGHTMARES REVISITED. 270 00:09:00,000 --> 00:09:01,264 COMING UP ON KITCHEN NIGHTMARES REVISITED. 271 00:09:06,639 --> 00:09:08,306 LAST TIME I WAS AT CLASSIC AMERICAN, 272 00:09:08,306 --> 00:09:10,472 I MET TWO OWNERS THAT WERE ON THEIR LAST LEGS. 273 00:09:10,472 --> 00:09:12,672 THE FOOD WAS DISGUSTING, THE STAFF WERE DISORGANIZED, 274 00:09:12,672 --> 00:09:14,772 AND THE RESTAURANT WAS BLEEDING MONEY. 275 00:09:14,772 --> 00:09:16,239 WE MADE A LOT OF CHANGES-- 276 00:09:16,239 --> 00:09:19,372 NEW DECOR, NEW MENU, AND A NEW ATTITUDE. 277 00:09:19,372 --> 00:09:22,139 I'M BACK NOW TO SEE IF ALL THOSE CHANGES HAVE PAID OFF. 278 00:09:22,139 --> 00:09:24,272 FINGERS CROSSED. 279 00:09:26,472 --> 00:09:27,672 HELLO, HELLO, HELLO. 280 00:09:27,672 --> 00:09:29,006 HOW ARE YOU? 281 00:09:29,006 --> 00:09:30,272 I'M VERY WELL, THANK YOU. HOW ARE YOU? 282 00:09:30,272 --> 00:09:31,439 I'M GOOD, THANK YOU. 283 00:09:31,439 --> 00:09:32,442 I CAN'T BELIEVE HOW WELL YOU LOOK. 284 00:09:32,442 --> 00:09:32,706 I CAN'T BELIEVE HOW WELL YOU LOOK. 285 00:09:32,706 --> 00:09:33,939 YOU LOOK YOU'VE JUST BEEN AWAY ON A HOLIDAY. 286 00:09:33,939 --> 00:09:35,839 YEAH. WHERE'D YOU GO? 287 00:09:35,839 --> 00:09:37,272 NOWHERE. NOWHERE? 288 00:09:37,272 --> 00:09:38,572 JUST A LITTLE WEIGHT OFF THE SHOULDERS. 289 00:09:38,572 --> 00:09:39,572 LITTLE WEIGHT OFF THE SHOULDERS? 290 00:09:39,572 --> 00:09:40,639 AND NO NEED TO ASK, 291 00:09:40,639 --> 00:09:43,939 BUT OBVIOUSLY BUSINESS TODAY IS BUSY. 292 00:09:43,939 --> 00:09:45,339 IT'S BEEN VERY GOOD. 293 00:09:45,339 --> 00:09:46,606 OH, REALLY? YES. 294 00:09:46,606 --> 00:09:48,239 WE GET A GOOD CROWD FOR LUNCH AND DINNER. 295 00:09:48,239 --> 00:09:49,539 WHO'S IN CHARGE? 296 00:09:49,539 --> 00:09:51,572 OUT HERE, COLLEEN IS IN CHARGE. 297 00:09:51,572 --> 00:09:54,872 IN THE BACK OF THE HOUSE, IT'S NAOMI. 298 00:09:54,872 --> 00:09:55,972 SYNERGY THERE. YES. 299 00:09:55,972 --> 00:09:57,572 FANTASTIC. I'M GONNA JUMP IN THE KITCHEN. 300 00:09:57,572 --> 00:09:59,039 YOU GOT THE REINS. 301 00:09:59,039 --> 00:10:00,506 YOU'RE IN CONTROL. 302 00:10:00,506 --> 00:10:01,706 RIGHT. 303 00:10:01,706 --> 00:10:02,442 I'M MORE RELAXED. 304 00:10:02,442 --> 00:10:03,072 I'M MORE RELAXED. 305 00:10:03,072 --> 00:10:05,339 THERE'S MORE STRUCTURE AGAIN, 306 00:10:05,339 --> 00:10:07,472 AND THE BUSINESS IS GROWING. 307 00:10:07,472 --> 00:10:08,472 HELLO. 308 00:10:08,472 --> 00:10:10,006 SOMEBODY'S BUSY. 309 00:10:10,006 --> 00:10:11,072 HI. HOW ARE YOU? 310 00:10:11,072 --> 00:10:12,306 GOOD, HOW ARE YOU? GOOD TO SEE YOU. 311 00:10:12,306 --> 00:10:13,339 ARE YOU WELL? YEAH. 312 00:10:13,339 --> 00:10:14,872 OH, GOODNESS ME. YOU LOOK GREAT. 313 00:10:14,872 --> 00:10:17,139 THANK YOU, YOU TOO. SO DOES YOUR PARTNER. 314 00:10:17,139 --> 00:10:19,306 I WAS SUPER EXCITED TO SEE GORDON COME BACK. 315 00:10:19,306 --> 00:10:21,939 I WAS NERVOUS, BUT I WAS REALLY HAPPY, 316 00:10:21,939 --> 00:10:23,806 AND I KNEW IT WAS ONLY GONNA BE POSITIVE. 317 00:10:23,806 --> 00:10:25,539 WHO'S IN CONTROL? WE'RE IN CONTROL. 318 00:10:25,539 --> 00:10:27,172 YOU ARE? THAT'S GOOD NEWS. 319 00:10:27,172 --> 00:10:30,239 BATTLE SCARS. BATTLE SCARS. 320 00:10:30,239 --> 00:10:32,006 FANTASTIC. WHO'S INVOLVED IN THE MENU? 321 00:10:32,006 --> 00:10:32,442 KEVIN, MYSELF, COLLEEN. 322 00:10:32,442 --> 00:10:34,272 KEVIN, MYSELF, COLLEEN. 323 00:10:34,272 --> 00:10:35,972 PRETTY BIG TIME. HEY, BIG BOY, HOW ARE YOU? 324 00:10:35,972 --> 00:10:37,039 GOOD. HOW'S IT GOING? 325 00:10:37,039 --> 00:10:38,072 GOOD TO SEE YOU. 326 00:10:38,072 --> 00:10:39,139 WANNA GRAB AN APRON? 327 00:10:39,139 --> 00:10:40,672 AN APRON? OH, GOOD. 328 00:10:40,672 --> 00:10:42,139 SOMEONE'S FOUND HIS BALLS. 329 00:10:42,139 --> 00:10:43,272 EXCUSE ME, YOU WANT ME TO COOK NOW? 330 00:10:43,272 --> 00:10:44,606 YES. 331 00:10:44,606 --> 00:10:45,872 IS THAT PASSION STILL THERE? 332 00:10:45,872 --> 00:10:47,506 ABSOLUTELY. MORE, MORE SO. 333 00:10:47,506 --> 00:10:49,739 RATE THE FOOD OUT OF TEN, WHAT WOULD YOU GIVE IT? 334 00:10:49,739 --> 00:10:51,439 BETWEEN SIX AND SEVEN. 335 00:10:51,439 --> 00:10:54,206 HALF IT AND TAKE TWO AWAY, AND YOU'RE ON MY MARK. 336 00:10:54,206 --> 00:10:55,472 TEN. A TEN? 337 00:10:55,472 --> 00:10:56,739 YES, SIR. 338 00:10:56,739 --> 00:10:57,706 YOU DIDN'T EVEN THINK ABOUT THAT. 339 00:10:57,706 --> 00:10:58,772 BRILLIANT, YOU. 340 00:10:58,772 --> 00:10:59,806 IT'S GOOD TO SEE YOU. 341 00:10:59,806 --> 00:11:01,839 YOU TOO. BUSINESS IS UP. 342 00:11:01,839 --> 00:11:02,442 IN TERMS OF THE LAST SIX MONTHS, 343 00:11:02,442 --> 00:11:02,739 IN TERMS OF THE LAST SIX MONTHS, 344 00:11:02,739 --> 00:11:03,739 WHERE IS IT? 345 00:11:03,739 --> 00:11:04,806 35%. 346 00:11:04,806 --> 00:11:06,772 35% UP? 347 00:11:06,772 --> 00:11:08,372 THAT'S FANTASTIC. ARE THE COSTS IN CONTROL? 348 00:11:08,372 --> 00:11:09,972 YES. THEY ARE, YEAH? 349 00:11:09,972 --> 00:11:11,139 AND WHO'S BUYING THE INGREDIENTS NOW? 350 00:11:11,139 --> 00:11:12,306 WHO'S RUNNING THAT SIDE? DOM. 351 00:11:12,306 --> 00:11:14,306 DOM? 352 00:11:14,306 --> 00:11:15,372 OH,. 353 00:11:15,372 --> 00:11:16,406 DO YOU ALWAYS GOT A COMEBACK? 354 00:11:16,406 --> 00:11:17,506 THAT'S RIGHT, I GOT A COMMENT 355 00:11:17,506 --> 00:11:19,106 ABOUT EVERY THING 356 00:11:19,106 --> 00:11:20,539 'CAUSE WHEN I OPEN MY MOUTH, 357 00:11:20,539 --> 00:11:22,472 EVERYBODY SHRUGS THEIR SHOULDERS 358 00:11:22,472 --> 00:11:23,539 AND GETS A ATTITUDE. 359 00:11:23,539 --> 00:11:24,706 THAT'S WHY. 360 00:11:24,706 --> 00:11:26,039 WE KEPT HIM OUT OF THE KITCHEN. 361 00:11:26,039 --> 00:11:27,772 YOU KEPT HIM OUT OF THE KITCHEN? 362 00:11:27,772 --> 00:11:29,272 THAT'S GOOD NEWS. 363 00:11:29,272 --> 00:11:30,806 OH, DOM'S GOT AN OFFICE? 364 00:11:30,806 --> 00:11:31,772 OH, WOW. THE GARAGE. 365 00:11:31,772 --> 00:11:32,442 OH, THE GARAGE, GOOD. 366 00:11:32,442 --> 00:11:33,039 OH, THE GARAGE, GOOD. 367 00:11:33,039 --> 00:11:34,639 HE'S ALLOWED TO BE IN FOR AN HOUR A DAY 368 00:11:34,639 --> 00:11:36,306 TO EAT AND HAVE COFFEE. 369 00:11:36,306 --> 00:11:37,939 THAT'S IT. 370 00:11:37,939 --> 00:11:39,206 HOW ARE YOU? 371 00:11:39,206 --> 00:11:40,439 HEY, GORDON, HOW YOU DOING? 372 00:11:40,439 --> 00:11:41,506 VERY WELL, THANK YOU. HOW ARE YOU? 373 00:11:41,506 --> 00:11:43,172 GOOD TO SEE YOU. LIKEWISE. 374 00:11:43,172 --> 00:11:46,306 I THOUGHT I'D SEE YOU RUNNING AROUND THE DINING ROOM, 375 00:11:46,306 --> 00:11:48,639 TOPPING OFF WATER, SHOUTING AT EVERYBODY. 376 00:11:48,639 --> 00:11:50,539 NO, I'M A LITTLE IN THE BACKGROUND NOW. 377 00:11:50,539 --> 00:11:52,372 HOW DO THE STAFF RATE YOU NOW? 378 00:11:52,372 --> 00:11:55,039 DO THEY SEE YOU AS AN INTERFERER? 379 00:11:55,039 --> 00:11:56,772 I'M STILL AN INTERFERER, YEAH. 380 00:11:56,772 --> 00:11:58,472 WHAT, YOU MEAN YOU'RE STILL THROWING THINGS? 381 00:11:58,472 --> 00:12:01,206 THEY GOTTA FIND A WAY TO PISS ME OFF. 382 00:12:01,206 --> 00:12:02,442 NO, I DON'T THROW THINGS. I JUST SCREAM NOW. 383 00:12:02,442 --> 00:12:03,006 NO, I DON'T THROW THINGS. I JUST SCREAM NOW. 384 00:12:03,006 --> 00:12:04,372 OH, YOU SCREAM NOW? 385 00:12:04,372 --> 00:12:05,306 YEAH, I'M YELLING AT EVERYBODY. 386 00:12:05,306 --> 00:12:06,439 THAT'S WHY I STAY OUT HERE. 387 00:12:06,439 --> 00:12:07,939 OKAY, COLLEEN LOOKS GREAT BY THE WAY. 388 00:12:07,939 --> 00:12:09,206 I MEAN, SERIOUSLY. 389 00:12:09,206 --> 00:12:11,039 YOU KNOW, THE STRESS-- A LOT OF STRESS IS RELIEVED. 390 00:12:11,039 --> 00:12:12,039 SHE LOOKS TEN YEARS YOUNGER. 391 00:12:12,039 --> 00:12:13,306 COLLEEN'S A LOT HAPPIER. 392 00:12:13,306 --> 00:12:15,672 THE CHANGES SHE'S MADE IN THE LAST YEAR, 393 00:12:15,672 --> 00:12:16,706 THINGS ARE LOOKING UP. 394 00:12:16,706 --> 00:12:19,572 GOOD TO SEE YOU. 395 00:12:19,572 --> 00:12:21,706 OH, NO, NO. 396 00:12:21,706 --> 00:12:23,206 HE HASN'T CHANGED ONE BIT, HAS HE? 397 00:12:23,206 --> 00:12:25,572 OH, MY GOD-- LISTEN, IT'S STILL GOOD 398 00:12:25,572 --> 00:12:27,406 TO HAVE SOMEONE THAT PASSIONATE 399 00:12:27,406 --> 00:12:29,306 BEHIND YOU AND THE BUSINESS. 400 00:12:29,306 --> 00:12:30,806 BUT THERE'S A PLACE FOR HIM, 401 00:12:30,806 --> 00:12:32,006 AND IT'S NOT IN THE RESTAURANT. 402 00:12:32,006 --> 00:12:32,442 NO. IT'S IN THE SHED. 403 00:12:32,442 --> 00:12:33,806 NO. IT'S IN THE SHED. 404 00:12:33,806 --> 00:12:36,072 HE'S VERY HIGH-STRUNG, DOM, 405 00:12:36,072 --> 00:12:37,906 BUT HE'S GOT MY BEST INTERESTS AT HEART. 406 00:12:37,906 --> 00:12:40,072 I'M SITTING HERE LOOKING AT BOTH OF YOU NOW, 407 00:12:40,072 --> 00:12:42,339 AND A COMPLETE DIFFERENCE FROM THE LAST TIME I SAW YOU BOTH. 408 00:12:43,939 --> 00:12:46,239 LAST TIME ROUND, YOU SORT OF HADN'T GIVEN UP, 409 00:12:46,239 --> 00:12:47,339 BUT YOU WERE JUST GOING THROUGH THE MOTIONS. 410 00:12:47,339 --> 00:12:48,739 YES. 411 00:12:48,739 --> 00:12:50,006 I GOT EMBARRASSED THE WAY YOU WERE LETTING 412 00:12:50,006 --> 00:12:52,606 THE DINING ROOM STAFF GET AWAY WITH MURDER. 413 00:12:52,606 --> 00:12:54,239 DO YOU WANNA GO OUT THERE OR NO? 414 00:12:54,239 --> 00:12:56,206 I DON'T KNOW. 415 00:12:56,206 --> 00:12:59,139 HOW'S THEIR ATTITUDE CHANGED TOWARDS BOTH OF YOU? 416 00:12:59,139 --> 00:13:00,506 THEY'RE NOT AS CONFUSED ANYMORE, 417 00:13:00,506 --> 00:13:01,606 OR FRUSTRATED. 418 00:13:01,606 --> 00:13:02,442 THEY'RE MORE HAPPIER 419 00:13:02,442 --> 00:13:03,072 THEY'RE MORE HAPPIER 420 00:13:03,072 --> 00:13:04,606 AND MORE WILLING TO DO WHAT NEEDS TO BE DONE. 421 00:13:04,606 --> 00:13:05,572 YEAH. 422 00:13:05,572 --> 00:13:06,772 THERE YOU GO. 423 00:13:06,772 --> 00:13:08,206 OH, WOW. THANK YOU MUCH INDEED. 424 00:13:08,206 --> 00:13:09,472 THE MEATLOAF. 425 00:13:09,472 --> 00:13:10,839 THE MEATLOAF. JEEZ, THAT LOOKS LOVELY. 426 00:13:10,839 --> 00:13:12,472 DOESN'T IT? 427 00:13:12,472 --> 00:13:14,039 IT DOES. 428 00:13:14,039 --> 00:13:15,306 WOW, THAT IS DELICIOUS. 429 00:13:15,306 --> 00:13:16,339 A-PLUS? 430 00:13:16,339 --> 00:13:17,372 NO, THAT'S AN A-DOUBLE-PLUS. 431 00:13:17,372 --> 00:13:18,506 A TEN OUT OF TEN. 432 00:13:18,506 --> 00:13:20,672 I'D GIVE THAT 10 1/2 OUT OF 10. 433 00:13:20,672 --> 00:13:22,339 THE LAST TIME I WAS HERE, THE WORST MOMENT, 434 00:13:22,339 --> 00:13:23,772 COLLEEN, WHAT WAS IT? 435 00:13:23,772 --> 00:13:25,106 THE GARAGE. 436 00:13:25,106 --> 00:13:26,172 I'VE BEEN FIGHTING 437 00:13:26,172 --> 00:13:29,939 A LOSING BATTLE EVERY DAY. 438 00:13:29,939 --> 00:13:31,039 IN TERMS OF? 439 00:13:31,039 --> 00:13:32,442 JUST FEELING TOTALLY HELPLESS. 440 00:13:32,442 --> 00:13:32,939 JUST FEELING TOTALLY HELPLESS. 441 00:13:32,939 --> 00:13:34,072 MM-HMM. 442 00:13:34,072 --> 00:13:35,506 ALMOST GIVING UP. 443 00:13:35,506 --> 00:13:38,772 KNOWING THAT I COULDN'T BUT WANTING TO. 444 00:13:38,772 --> 00:13:40,539 NAOMI, WORST MOMENT FOR YOU WAS WHAT? 445 00:13:40,539 --> 00:13:45,106 AFTER PEOPLE ORDERED, WE SHUT THE KITCHEN DOWN. 446 00:13:45,106 --> 00:13:46,172 STOP. 447 00:13:46,172 --> 00:13:48,506 DON'T SEND ANYTHING ELSE. CLOSE IT. 448 00:13:48,506 --> 00:13:50,539 I WOULD LIKE TO TELL YOU SOMETHING. 449 00:13:50,539 --> 00:13:53,972 AND IF I CRY, IT'S HAPPY TEARS, ALL RIGHT? 450 00:13:53,972 --> 00:13:55,539 YES. ALL RIGHT. 451 00:13:55,539 --> 00:13:57,339 I JUST WANNA TELL YOU THAT... 452 00:14:02,872 --> 00:14:06,539 HAD YOU NOT COME, WE WOULDN'T BE SITTING HERE RIGHT NOW. 453 00:14:06,539 --> 00:14:08,772 IT WASN'T ME WHO TURNED THIS PLACE AROUND. 454 00:14:08,772 --> 00:14:09,839 IT WAS BOTH OF YOU. 455 00:14:09,839 --> 00:14:11,472 NEVER FORGET THAT. 456 00:14:11,472 --> 00:14:16,672 HAD HE NOT COME, WE WOULD HAVE HAD TO SHUT OUR DOORS. 457 00:14:16,672 --> 00:14:20,606 HE GAVE US A SECOND CHANCE, YOU KNOW? 458 00:14:20,606 --> 00:14:24,139 HE BROUGHT US BACK TO LIFE. 459 00:14:24,139 --> 00:14:25,806 I'VE GOT A LITTLE SURPRISE FOR YOU BOTH. 460 00:14:25,806 --> 00:14:27,606 PLEASE, COME WITH ME. 461 00:14:27,606 --> 00:14:30,106 I KNOW. JUST FOR TWO SECONDS. 462 00:14:30,106 --> 00:14:31,739 LADIES AND GENTLEMEN, CAN I JUST HAVE YOUR ATTENTION 463 00:14:31,739 --> 00:14:32,442 FOR 30 SECONDS? 464 00:14:32,442 --> 00:14:33,106 FOR 30 SECONDS? 465 00:14:33,106 --> 00:14:35,672 I'M SO HAPPY TO BE BACK HERE IN WEST BABYLON. 466 00:14:35,672 --> 00:14:37,106 WHY? 467 00:14:37,106 --> 00:14:38,772 'CAUSE I THINK THIS PLACE IS AMAZING, 468 00:14:38,772 --> 00:14:41,272 AND THERE'S A GENTLEMAN HERE WHO HAS AN AMAZING AWARD. 469 00:14:41,272 --> 00:14:43,706 WOULD YOU SAY GOOD MORNING TO RICHARD BRANCIFORTE? 470 00:14:43,706 --> 00:14:45,739 PLEASE. 471 00:14:45,739 --> 00:14:47,539 HOW ARE YOU, CHEF? 472 00:14:47,539 --> 00:14:49,239 GOOD TO SEE YOU. 473 00:14:49,239 --> 00:14:50,406 ON BEHALF OF ALL THE HAMBURGER LOVERS 474 00:14:50,406 --> 00:14:51,906 OF LONG ISLAND, 475 00:14:51,906 --> 00:14:54,739 GOOD TIMES MAGAZINE'S BOUNTIFUL GOURMET COLUMN 476 00:14:54,739 --> 00:14:56,206 WOULD LIKE TO PRESENT YOU 477 00:14:56,206 --> 00:14:58,039 WITH LONG ISLAND'S BEST BURGER AWARD. 478 00:14:58,039 --> 00:15:00,406 WOW. 479 00:15:03,406 --> 00:15:04,439 THANK YOU. 480 00:15:04,439 --> 00:15:06,239 CONGRATULATIONS. THANK YOU. 481 00:15:06,239 --> 00:15:08,206 THE BIGGEST THING THAT GORDON TAUGHT ME 482 00:15:08,206 --> 00:15:10,806 WAS TO BE THE BOSS 483 00:15:10,806 --> 00:15:13,239 AND STOP LETTING EVERYBODY WALK ALL OVER ME. 484 00:15:13,239 --> 00:15:15,406 THANK YOU TO OUR COMMUNITY AND OUR EMPLOYEES 485 00:15:15,406 --> 00:15:16,772 FOR MAKING THIS POSSIBLE. 486 00:15:16,772 --> 00:15:18,439 IF CHEF GORDON RAMSAY HASN'T COME, 487 00:15:18,439 --> 00:15:20,072 WE WOULDN'T BE HERE. 488 00:15:20,072 --> 00:15:21,872 OUR DOORS WOULD HAVE CLOSED A YEAR AGO. 489 00:15:21,872 --> 00:15:23,706 WELL DONE. 490 00:15:23,706 --> 00:15:26,439 THE MOST IMPORTANT THING THAT I GOT FROM HIM 491 00:15:26,439 --> 00:15:29,106 IS THAT YOU HAVE TO BELIEVE IN YOURSELF. 492 00:15:29,106 --> 00:15:31,339 YOU KNOW, YOU CAN DO THIS, YOU KNOW. 493 00:15:31,339 --> 00:15:32,442 YOU DID DO IT. YOU CAN DO IT AGAIN. 494 00:15:32,442 --> 00:15:33,739 YOU DID DO IT. YOU CAN DO IT AGAIN. 495 00:15:33,739 --> 00:15:36,006 I'M SO HAPPY FOR COLLEEN AND NAOMI, 496 00:15:36,006 --> 00:15:38,206 INCREASING BUSINESS BY 35%. 497 00:15:38,206 --> 00:15:41,039 IN TODAY'S ECONOMY, THAT'S PRACTICALLY UNHEARD OF. 498 00:15:41,039 --> 00:15:44,506 THEY ARE A TRUE CLASSIC AMERICAN SUCCESS STORY. 499 00:15:44,506 --> 00:15:48,439 BRILLIANT. 500 00:15:48,439 --> 00:15:49,706 COMING UP, 501 00:15:49,706 --> 00:15:51,472 WE'LL GO BACK TO BOSTON'S NORTH END 502 00:15:51,472 --> 00:15:52,772 TO VISIT DAVIDE, 503 00:15:52,772 --> 00:15:55,039 A RESTAURANT THAT WAS TEARING A FAMILY APART. 504 00:15:55,039 --> 00:15:56,439 SHUT THE UP. 505 00:15:56,439 --> 00:15:58,506 TAKE THE FOOD THAT'S UP IN THE WINDOW AND COME BACK. 506 00:15:58,506 --> 00:15:59,906 GO AWAY. 507 00:15:59,906 --> 00:16:01,139 AND LATER, CHEF RAMSAY IS BACK 508 00:16:01,139 --> 00:16:02,442 FOR A REMATCH WITH THE QUEEN OF MEAN, 509 00:16:02,442 --> 00:16:03,039 FOR A REMATCH WITH THE QUEEN OF MEAN, 510 00:16:03,039 --> 00:16:04,672 DOWNCITY'S OWNER, ABBY. 511 00:16:04,672 --> 00:16:08,606 HOW HAVE YOU CHANGED? 512 00:16:08,606 --> 00:16:11,306 THAT'S COMING UP WHENKITCHEN NIGHTMARES REVISITEDCONTINUES. 513 00:16:15,306 --> 00:16:16,972 BOSTON'S HISTORIC NORTH END 514 00:16:16,972 --> 00:16:21,439 IS RICH IN HISTORY, CULTURE, AND BRILLIANT FOOD. 515 00:16:21,439 --> 00:16:25,006 THERE ARE SO MANY THRIVING ITALIAN RESTAURANTS IN THE AREA. 516 00:16:25,006 --> 00:16:28,306 UNFORTUNATELY, DAVIDE IS NOT ONE OF THEM. 517 00:16:28,306 --> 00:16:30,772 HEY, MORON, THIS IS YOUR TABLE. 518 00:16:30,772 --> 00:16:32,172 GET THE OUTTA HERE, REALLY. 519 00:16:32,172 --> 00:16:33,839 THE RESTAURANT WAS OWNED BY TWO BROTHERS 520 00:16:33,839 --> 00:16:35,839 WHO WERE CONSTANTLY AT WAR WITH EACH OTHER. 521 00:16:35,839 --> 00:16:37,572 TOO HOT FOR HER! 522 00:16:37,572 --> 00:16:39,506 GET THE OUT. DON'T WASTE MY TIME. 523 00:16:39,506 --> 00:16:40,739 FRANK WAS THE CHEF. 524 00:16:40,739 --> 00:16:42,438 BITTER AND FRUSTRATED. 525 00:16:42,438 --> 00:16:42,506 BITTER AND FRUSTRATED. 526 00:16:42,506 --> 00:16:43,872 SHUT THE UP. 527 00:16:43,872 --> 00:16:45,472 TAKE THE FOOD THAT'S UP IN THE WINDOW AND COME BACK. 528 00:16:45,472 --> 00:16:47,872 WORST OF ALL, HE'D GIVEN UP ON HIMSELF. 529 00:16:47,872 --> 00:16:49,439 IT'S 3:30. YOU GOTTA GET READY FOR DINNER. 530 00:16:49,439 --> 00:16:51,972 GONNA GET ANYWAYS TONIGHT. 531 00:16:51,972 --> 00:16:53,406 FRANK'S BROTHER ANTHONY 532 00:16:53,406 --> 00:16:55,306 JUST LOOKED SO DOWN AND BEAT 533 00:16:55,306 --> 00:16:57,806 AND CONSTANTLY TRYING TO PLEASE. 534 00:16:57,806 --> 00:16:59,872 ANTHONY, WHY DON'T YOU GO KILL YOURSELF? 535 00:16:59,872 --> 00:17:02,339 OH, MY GOD. I CAN'T WORK LIKE THIS. 536 00:17:02,339 --> 00:17:03,839 TO MAKE MATTERS WORSE, 537 00:17:03,839 --> 00:17:07,572 THE BROTHERS WERE HUNDREDS OF THOUSANDS OF DOLLARS IN DEBT. 538 00:17:07,572 --> 00:17:09,939 ARE WE GONNA BE ABLE TO TAKE CHECKS NEXT WEEK? 539 00:17:09,939 --> 00:17:12,372 THE MOMENT I ARRIVED I CALLED THE STAFF TOGETHER, 540 00:17:12,372 --> 00:17:12,438 AND THAT'S WHEN I DISCOVERED THE PROBLEMS RAN FAR DEEPER 541 00:17:12,438 --> 00:17:15,339 AND THAT'S WHEN I DISCOVERED THE PROBLEMS RAN FAR DEEPER 542 00:17:15,339 --> 00:17:17,672 THAN I EVER IMAGINED. 543 00:17:17,672 --> 00:17:19,372 ANTHONY HAS BEEN IN AND OUT OF THE RESTAURANT 544 00:17:19,372 --> 00:17:22,539 OVER THE 13 YEARS. 545 00:17:22,539 --> 00:17:24,772 FRANK FOUND OUT THAT ANTHONY WAS EMBEZZLING MONEY. 546 00:17:24,772 --> 00:17:26,106 AND WHAT HAPPENED? 547 00:17:26,106 --> 00:17:28,306 YOU KNOW, I'M HOOKED ON PAIN-KILLERS, 548 00:17:28,306 --> 00:17:29,639 GOT IN TROUBLE, WENT TO JAIL, 549 00:17:29,639 --> 00:17:31,772 THE WHOLE NINE YARDS. 550 00:17:31,772 --> 00:17:33,439 FRANKY GOT LEFT WITH THE WHOLE SHIP. 551 00:17:33,439 --> 00:17:34,706 IT GOT TO HIM. HE GOT DEPRESSED. 552 00:17:34,706 --> 00:17:37,039 HE GOT BURNT OUT. MONEY WENT DOWN EVERY YEAR. 553 00:17:37,039 --> 00:17:38,506 NATURALLY. 554 00:17:38,506 --> 00:17:42,239 WHEN ANTHONY LEFT, FRANK GAVE UP. 555 00:17:42,239 --> 00:17:42,438 HE'S BROKEN MENTALLY AND PHYSICALLY. 556 00:17:42,438 --> 00:17:44,072 HE'S BROKEN MENTALLY AND PHYSICALLY. 557 00:17:44,072 --> 00:17:45,606 COME ON, I'M MAD, I'M PISSED, 558 00:17:45,606 --> 00:17:47,539 I'M TELLING YOU TO GO YOURSELF 559 00:17:47,539 --> 00:17:49,306 FOR THE THAT YOU PUT ME THROUGH. 560 00:17:49,306 --> 00:17:51,339 OH, MY GOD, FRANK. 561 00:17:51,339 --> 00:17:54,139 IF YOU CAN'T PUT THE PAST BEHIND YOU, WE CAN'T GO ON. 562 00:17:54,139 --> 00:17:55,672 HE DOESN'T RESPECT ME, 563 00:17:55,672 --> 00:17:57,306 AND I DON'T RESPECT HIM BECAUSE I THINK HE LAID DOWN 564 00:17:57,306 --> 00:17:58,872 AND DIED. 565 00:17:58,872 --> 00:18:01,839 THE FAMILY WERE VERY OPEN AND HONEST ABOUT THEIR FEELINGS. 566 00:18:01,839 --> 00:18:03,872 BUT WHEN IT CAME TO THE FOOD TASTING... 567 00:18:03,872 --> 00:18:05,506 ALL THE PASTAS ARE HANDMADE. 568 00:18:05,506 --> 00:18:06,606 THAT'S A BIG POSITIVE. 569 00:18:06,606 --> 00:18:10,206 ALL I GOT WAS A BUNCH OF B.S. 570 00:18:10,206 --> 00:18:11,872 THIS IS REALLY SPONGY AND HORRIBLE. 571 00:18:11,872 --> 00:18:12,438 ARE THEY FROZEN? NO, NO, THAT'S FRESH. 572 00:18:12,438 --> 00:18:14,306 ARE THEY FROZEN? NO, NO, THAT'S FRESH. 573 00:18:14,306 --> 00:18:15,672 WILL YOU JUST CHECK IF THAT WAS DONE THIS MORNING? 574 00:18:15,672 --> 00:18:16,772 'CAUSE IT TASTES LIKE IT WAS DONE LAST WEEK. 575 00:18:16,772 --> 00:18:18,006 WHEN WERE THEY MADE? 576 00:18:18,006 --> 00:18:20,472 UH, THREE WEEKS AGO. 577 00:18:20,472 --> 00:18:21,706 YEAH, THERE'S A BATCH IN THE FREEZER. 578 00:18:21,706 --> 00:18:23,206 I DON'T MAKE THEM TO ORDER EVERY DAY. 579 00:18:23,206 --> 00:18:25,839 IT WAS ACTUALLY MADE THREE WEEKS AGO. 580 00:18:25,839 --> 00:18:28,572 DISAPPOINTED BY THE FOOD, I WENT STRAIGHT IN THE KITCHEN 581 00:18:28,572 --> 00:18:31,039 AND GAVE FRANK A REALITY CHECK. 582 00:18:31,039 --> 00:18:32,906 IF YOU CAN'T EVEN BE BOTHERED TO COOK FRESH FOOD, 583 00:18:32,906 --> 00:18:34,239 WHAT DO YOU WANT ME TO DO? 584 00:18:34,239 --> 00:18:37,172 WAVE A MAGIC WAND AND TURN THIS PLACE AROUND? 585 00:18:37,172 --> 00:18:38,939 COME ON! I DON'T NOW HOW TO DO ANY BETTER. 586 00:18:38,939 --> 00:18:39,939 THAT'S A LIE. 587 00:18:39,939 --> 00:18:42,438 YOU COULD DO MUCH BETTER. 588 00:18:42,438 --> 00:18:42,539 YOU COULD DO MUCH BETTER. 589 00:18:42,539 --> 00:18:46,206 THAT NIGHT, I WAS HOPING FOR A RE-INVIGORATED FRANK. 590 00:18:46,206 --> 00:18:48,172 FAT CHANCE. 591 00:18:48,172 --> 00:18:50,406 WHAT DO YOU GOT DOWN THERE, LITTLE BOOTH? 592 00:18:50,406 --> 00:18:52,672 I'M THINKING. COME ON! 593 00:18:52,672 --> 00:18:55,606 YOU NEED TO SIT DOWN ON YOUR ASS TO THINK? 594 00:18:55,606 --> 00:18:57,572 MY SEAT OF DEPRESSION. 595 00:18:57,572 --> 00:18:59,006 HOLY CRAP. 596 00:18:59,006 --> 00:19:02,639 FROM THE FIRST TICKET, DINNER SERVICE WAS A DISASTER. 597 00:19:02,639 --> 00:19:04,406 TABLE 31 HAS BEEN WAITING AN HOUR. 598 00:19:04,406 --> 00:19:05,872 PLEASE SHUT THE UP. 599 00:19:05,872 --> 00:19:07,239 I'M WAITING ON 32. 600 00:19:07,239 --> 00:19:08,906 I CAN'T COOK THAT FAST. 601 00:19:08,906 --> 00:19:09,939 THIS IS LUKEWARM. 602 00:19:09,939 --> 00:19:11,339 YOU SON OF A BITCH, 603 00:19:11,339 --> 00:19:12,438 YOU AND YOUR LEMON JUICE, 604 00:19:12,438 --> 00:19:12,539 YOU AND YOUR LEMON JUICE, 605 00:19:12,539 --> 00:19:15,139 STUPID CHICKEN ARTICHOKE. 606 00:19:15,139 --> 00:19:17,506 I WASN'T WATCHING A DINNER SERVICE. 607 00:19:17,506 --> 00:19:20,306 I WAS WATCHING A MAN ON THE VERGE 608 00:19:20,306 --> 00:19:22,006 OF AN EMOTIONAL BREAKDOWN. 609 00:19:22,006 --> 00:19:24,872 AHH! 610 00:19:24,872 --> 00:19:26,039 IT WASN'T OVER YET. 611 00:19:26,039 --> 00:19:29,172 FRANK WALKED OUT OF HIS OWN DINNER SERVICE. 612 00:19:29,172 --> 00:19:30,506 ARE YOU KIDDING ME? 613 00:19:30,506 --> 00:19:32,072 I'M NOT COOKING. I'M NOT DOING IT. 614 00:19:32,072 --> 00:19:34,206 DAVIDE WAS DOOMED 615 00:19:34,206 --> 00:19:36,739 UNLESS WE CAN BRING FRANK BACK. 616 00:19:36,739 --> 00:19:38,606 THE NEXT MORNING, A VERY EMOTIONAL ANTHONY 617 00:19:38,606 --> 00:19:41,772 SPOKE THE WORDS THAT HIS BROTHER WAS DYING TO HEAR 618 00:19:41,772 --> 00:19:42,438 FOR SO LONG. 619 00:19:42,438 --> 00:19:43,272 FOR SO LONG. 620 00:19:43,272 --> 00:19:46,072 I KNOW HOW MUCH DAMAGE I'VE DONE. 621 00:19:49,839 --> 00:19:52,572 AND YOU HAD TO HOLD IT TOGETHER. 622 00:19:52,572 --> 00:19:55,272 NOW I BELIEVE YOU NEED TO TAKE CARE OF YOURSELF. 623 00:19:55,272 --> 00:19:57,406 WE DON'T EVER SAY IT, BUT I DO LOVE YOU. 624 00:19:57,406 --> 00:19:59,739 THAT'S IT. 625 00:19:59,739 --> 00:20:01,939 THAT'S THE FIRST TIME I HEARD ANY REMORSE FROM HIM. 626 00:20:01,939 --> 00:20:04,572 SHOULD I LISTEN OR SHOULD I NOT LISTEN? 627 00:20:04,572 --> 00:20:06,306 I DON'T KNOW. 628 00:20:06,306 --> 00:20:07,739 KIM? 629 00:20:07,739 --> 00:20:10,206 YOU HAVEN'T PUT THIS CHEF'S JACKET ON 630 00:20:10,206 --> 00:20:11,972 IN FOUR YEARS, 631 00:20:11,972 --> 00:20:12,438 'CAUSE I THINK INSIDE YOU FELT YOU DIDN'T DESERVE IT ANYMORE, 632 00:20:12,438 --> 00:20:15,106 'CAUSE I THINK INSIDE YOU FELT YOU DIDN'T DESERVE IT ANYMORE, 633 00:20:15,106 --> 00:20:17,806 BUT YOU DO. 634 00:20:17,806 --> 00:20:19,606 YOU'RE ACTUALLY ONE OF THE MOST TALENTED PEOPLE 635 00:20:19,606 --> 00:20:21,672 I'VE EVER MET IN MY LIFE. 636 00:20:21,672 --> 00:20:24,572 THAT LACK OF PASSION THAT SHOWED IN THE FOOD YESTERDAY 637 00:20:24,572 --> 00:20:26,606 FOR GORDON WAS A CRY FOR HELP. 638 00:20:26,606 --> 00:20:29,239 PLEASE PUT THIS BACK ON. 639 00:20:31,072 --> 00:20:34,039 NOW. I'M SERIOUS. 640 00:20:34,039 --> 00:20:36,039 FRANK WAS BEGINNING TO COME AROUND, 641 00:20:36,039 --> 00:20:37,539 WHICH IS VERY POSITIVE. 642 00:20:37,539 --> 00:20:39,539 I WANT YOU TO THINK OF SOMETHING THAT YOU WANNA COOK. 643 00:20:39,539 --> 00:20:42,072 PAN-SEAR THIS IN A SIMPLE LEMON CAPER WHITE WINE. 644 00:20:42,072 --> 00:20:42,438 NICE. 645 00:20:42,438 --> 00:20:43,572 NICE. 646 00:20:43,572 --> 00:20:44,839 WHAT HAVE YOU GOT IN THE SAUCE? 647 00:20:44,839 --> 00:20:46,706 SHALLOTS, THYME, A LITTLE DASH OF ROSEMARY. 648 00:20:46,706 --> 00:20:48,072 IT'S DELICIOUS. 649 00:20:48,072 --> 00:20:50,172 HE EVEN PUT HIS CHEF JACKET ON. 650 00:20:50,172 --> 00:20:52,706 AND NOW YOU LOOK LIKE THE CHEF THAT YOU ARE. 651 00:20:52,706 --> 00:20:54,839 THEN I GOT TO WORK ON THE NEW MENU IMMEDIATELY. 652 00:20:54,839 --> 00:20:57,006 HAVE A LOOK AT THIS. 653 00:20:57,006 --> 00:20:58,772 WOW. OH, MY GOD. 654 00:20:58,772 --> 00:21:02,472 GONE ARE THE DREADFUL PLATES OF THE '80s. 655 00:21:04,072 --> 00:21:06,406 THE MAIN COURSE, HOMEMADE GNOCCHI. 656 00:21:06,406 --> 00:21:08,039 BROWN BUTTER, TRUFFLE OIL, 657 00:21:08,039 --> 00:21:09,606 AND SOME FRESH CHIVES AT THE END. 658 00:21:09,606 --> 00:21:11,439 AWESOME. I AM OVERWHELMED. 659 00:21:11,439 --> 00:21:12,438 RELAUNCH NIGHT. 660 00:21:12,438 --> 00:21:13,172 RELAUNCH NIGHT. 661 00:21:13,172 --> 00:21:14,406 WELCOME TO DAVIDE. 662 00:21:14,406 --> 00:21:16,239 TONIGHT WE CHANGED THE MENU. 663 00:21:16,239 --> 00:21:18,172 THE STAKES WERE REALLY HIGH. 664 00:21:18,172 --> 00:21:21,372 A PACKED HOUSE AND TWO WRITERS FROMBOSTON MAGAZINE. 665 00:21:21,372 --> 00:21:23,306 SHRIMP CHITTARA. 666 00:21:23,306 --> 00:21:24,406 I'LL DO THE TUSCAN BEAN SOUP. 667 00:21:24,406 --> 00:21:25,806 WITHIN MINUTES, 668 00:21:25,806 --> 00:21:28,439 ANTHONY AND FRANK REVERTED BACK TO THEIR OLD WAYS. 669 00:21:28,439 --> 00:21:30,772 FRANK, CAN I GET THE PORK SO I CAN COMPLETE? 670 00:21:30,772 --> 00:21:32,472 I SAID DON'T EVER RUSH ME. 671 00:21:32,472 --> 00:21:33,806 I'LL PUT IT UP WHEN IT'S READY. 672 00:21:33,806 --> 00:21:34,872 GIVE ME, GO. 673 00:21:36,672 --> 00:21:39,306 TABLE 15 WANTS IT COOKED MORE. 674 00:21:40,306 --> 00:21:41,439 IT'S THEBOSTON MAGAZINE. 675 00:21:41,439 --> 00:21:42,438 OH, NO. 676 00:21:42,438 --> 00:21:43,539 OH, NO. 677 00:21:43,539 --> 00:21:45,906 OH, MY GOD, WE'RE SO. 678 00:21:45,906 --> 00:21:48,572 FRANK LOOKED READY TO BOLT OUT THE BACK DOOR AGAIN. 679 00:21:48,572 --> 00:21:53,172 I STEPPED IN IMMEDIATELY AND REALLY TURNED HIM AROUND. 680 00:21:53,172 --> 00:21:54,339 LISTEN, WE CAN PULL THIS BACK. 681 00:21:54,339 --> 00:21:55,506 WE CAN PULL IT BACK, COME ON, OKAY? 682 00:21:55,506 --> 00:21:56,972 YEAH, I KNOW, I KNOW. 683 00:21:56,972 --> 00:21:58,639 I KNOW IT'S UNDERCOOKED, BUT WE CAN GET IT GOING, YEAH? 684 00:21:58,639 --> 00:22:00,172 I'M PISSED AT MYSELF. 685 00:22:00,172 --> 00:22:01,772 I KNOW, BUT YOU CAN'T LET IT FOLLOW YOU. 686 00:22:01,772 --> 00:22:03,006 DON'T LET IT DESTROY YOU. 687 00:22:03,006 --> 00:22:04,206 I'M NOT GIVING UP. 688 00:22:04,206 --> 00:22:05,506 I'M TIRED BUT I'M NOT GIVING UP. 689 00:22:05,506 --> 00:22:07,272 I THOUGHT I WAS GONNA IMPRESS YOU TONIGHT. 690 00:22:07,272 --> 00:22:08,339 THANK YOU. 691 00:22:08,339 --> 00:22:09,572 I'M SORRY. 692 00:22:09,572 --> 00:22:12,438 MAKE SURE IT'S GOOD. 693 00:22:12,438 --> 00:22:12,806 MAKE SURE IT'S GOOD. 694 00:22:12,806 --> 00:22:13,872 IT'S GOOD. 695 00:22:13,872 --> 00:22:14,839 IT WAS ROCKY, 696 00:22:14,839 --> 00:22:16,672 BUT FRANK AND ANTHONY PROVED 697 00:22:16,672 --> 00:22:20,472 THEY COULD WORK AS A TEAM AND WORK UNDER PRESSURE. 698 00:22:20,472 --> 00:22:24,672 THAT'S HOW OUR RESTAURANT SHOULD BE EVERY NIGHT. 699 00:22:24,672 --> 00:22:26,106 FRANK, YOU PROVED TO ME TONIGHT 700 00:22:26,106 --> 00:22:29,506 THAT YOU CAN RUN A KITCHEN. 701 00:22:29,506 --> 00:22:33,706 AND, FRANK, KEEP THAT CHEF JACKET ON, 702 00:22:33,706 --> 00:22:35,472 KEEP THE ATTITUDE WITH IT, 703 00:22:35,472 --> 00:22:38,506 AND NEVER SIT DOWN 704 00:22:38,506 --> 00:22:40,339 IN A KITCHEN EVER AGAIN. 705 00:22:43,739 --> 00:22:45,039 I'M ROOTING FOR YOUR SUCCESS. 706 00:22:48,239 --> 00:22:50,206 I'M BACK AT DAVIDE'S IN BOSTON'S NORTH END. 707 00:22:50,206 --> 00:22:52,906 LAST TIME I WAS HERE, IT WAS LIKE WALKING INTO A WAR ZONE. 708 00:22:52,906 --> 00:22:54,406 TWO BROTHERS FEUDING SO MUCH 709 00:22:54,406 --> 00:22:55,872 THEY WERE DESTROYING THEIR BUSINESS. 710 00:22:55,872 --> 00:22:57,406 WE BROUGHT THEM BACK TOGETHER AS A TEAM. 711 00:22:57,406 --> 00:23:00,272 WE'RE ABOUT TO FIND OUT IF THEY'RE STILL ON THE RIGHT PATH. 712 00:23:00,272 --> 00:23:03,106 UP NEXT, FIND OUT IF THE BROTHERS HAVE KEPT THE PEACE 713 00:23:03,106 --> 00:23:04,872 OR ARE THEY BACK AT WAR? 714 00:23:04,872 --> 00:23:06,272 BROTHERLY LOVE ON A ONE TO TEN, 715 00:23:06,272 --> 00:23:08,006 WHERE'S THAT NOW? 716 00:23:08,006 --> 00:23:10,339 AND CHEF RAMSAY MAKES A SHOCKING DISCOVERY. 717 00:23:10,339 --> 00:23:11,639 OH, NO, COME ON, FRANK. 718 00:23:11,639 --> 00:23:12,438 NO, YOU'RE KIDDING ME. 719 00:23:12,438 --> 00:23:13,106 NO, YOU'RE KIDDING ME. 720 00:23:13,106 --> 00:23:14,606 THAT'S ALL COMING UP 721 00:23:14,606 --> 00:23:16,539 WHENKITCHEN NIGHTMARES REVISITEDCONTINUES. 722 00:23:22,688 --> 00:23:24,188 LAST TIME I WAS AT DAVIDE, 723 00:23:24,188 --> 00:23:25,622 THE FOOD WAS ROTTEN 724 00:23:25,622 --> 00:23:26,225 AND THE CUSTOMERS WERE STAYING AWAY. 725 00:23:26,225 --> 00:23:27,659 BUT NOTHING WAS GONNA CHANGE 726 00:23:27,659 --> 00:23:29,692 UNTIL I HELPED THE TWO BROTHERS WHO OWN THE RESTAURANT 727 00:23:29,692 --> 00:23:31,225 TO LET GO OF THE PAST. 728 00:23:31,225 --> 00:23:35,192 LET'S HOPE THEY HAVEN'T GONE BACK TO THEIR OLD FIGHTING WAYS. 729 00:23:40,125 --> 00:23:41,759 ANTHONY. 730 00:23:41,759 --> 00:23:44,092 HOW ARE YOU, SIR? 731 00:23:44,092 --> 00:23:45,625 HOW HAVE YOU BEEN SINCE I LAST SAW YOU? 732 00:23:45,625 --> 00:23:46,892 I'M GOOD. YOU LOOK GREAT. 733 00:23:46,892 --> 00:23:48,059 YEAH, THINGS ARE GOOD. 734 00:23:48,059 --> 00:23:48,530 I WAS DEFINITELY A LITTLE NERVOUS 735 00:23:48,530 --> 00:23:49,359 I WAS DEFINITELY A LITTLE NERVOUS 736 00:23:49,359 --> 00:23:50,992 HAVING HIM COME BACK IN. 737 00:23:50,992 --> 00:23:52,792 I STILL WORRY, IS HE GONNA COME BACK AND SAY, 738 00:23:52,792 --> 00:23:55,125 "YOU GUYS AREN'T DOING THE RIGHT THING AGAIN." 739 00:23:55,125 --> 00:23:56,392 NICE ATMOSPHERE IN HERE. 740 00:23:56,392 --> 00:23:57,725 THERE'S A BUZZ. 741 00:23:57,725 --> 00:23:59,259 BIG BROTHER, WHERE IS HE? 742 00:23:59,259 --> 00:24:00,325 HE'S IN THE KITCHEN. 743 00:24:00,325 --> 00:24:01,825 PLEASE TELL ME ONE THING. 744 00:24:01,825 --> 00:24:04,359 HAS FRANK KEPT HIS BUTT OFF THAT CHAIR? 745 00:24:04,359 --> 00:24:06,525 WHAT YOU GOT DOWN THERE, A LITTLE BOOTH? 746 00:24:06,525 --> 00:24:08,725 COME ON! 747 00:24:08,725 --> 00:24:09,959 MY SEAT OF DEPRESSION. 748 00:24:09,959 --> 00:24:12,259 YOU ASK HIM. OKAY, I'M GONNA FIND OUT. 749 00:24:12,259 --> 00:24:14,059 GOOD TO SEE YOU, BUDDY. ALL RIGHT, YOU TOO. 750 00:24:14,059 --> 00:24:15,192 NICE TO SEE YOU. THANK YOU. 751 00:24:18,792 --> 00:24:21,625 PICK UP. 752 00:24:21,625 --> 00:24:23,225 HEY. 753 00:24:23,225 --> 00:24:24,992 HOW ARE YOU, BIG MAN? GOOD. 754 00:24:24,992 --> 00:24:26,459 YOU LOOK GOOD. YOU'RE BUSY OUT THERE. 755 00:24:26,459 --> 00:24:27,959 OH, YEAH. 756 00:24:27,959 --> 00:24:29,492 GOT THE CHEF JACKET ON. 757 00:24:29,492 --> 00:24:31,092 PLEASE TELL ME YOU CONTINUE TO WEAR THAT. 758 00:24:31,092 --> 00:24:32,125 YEAH. YEAH? 759 00:24:32,125 --> 00:24:33,825 OH, NO, COME ON, FRANK. 760 00:24:33,825 --> 00:24:37,425 WHAT IS THAT DOING HERE? 761 00:24:37,425 --> 00:24:39,425 YOU LITTLE. 762 00:24:41,459 --> 00:24:42,825 I GOTTA REST MY ASS ONCE IN A WHILE. 763 00:24:42,825 --> 00:24:45,625 OH, NO, COME ON, FRANK. YOU'RE KIDDING ME. 764 00:24:45,625 --> 00:24:47,725 BEFORE SERVICE, AFTER SERVICE? 765 00:24:47,725 --> 00:24:48,530 BEFORE AND AFTER. 766 00:24:48,530 --> 00:24:49,059 BEFORE AND AFTER. 767 00:24:49,059 --> 00:24:50,292 NOT IN THE MIDDLE OF SERVICE? 768 00:24:50,292 --> 00:24:51,325 NO. PROMISE? 769 00:24:54,159 --> 00:24:55,125 HAVE YOU KEPT THAT PASSION? 770 00:24:55,125 --> 00:24:56,025 YEAH. GOOD. 771 00:24:56,025 --> 00:24:57,359 WELL, IT WAS ALWAYS THERE. 772 00:24:57,359 --> 00:25:00,159 IT JUST NEEDED A LITTLE BIT OF A PUSH, I GUESS. 773 00:25:00,159 --> 00:25:01,692 BIGGEST THING I LEARNED FROM CHEF RAMSAY 774 00:25:01,692 --> 00:25:04,225 WAS THAT YOU GOTTA CARE ABOUT WHAT YOU'RE DOING. 775 00:25:04,225 --> 00:25:06,259 BOTTOM LINE, IF YOU DON'T WANNA DO IT, GET OUT. 776 00:25:06,259 --> 00:25:07,659 HELLO, KIM. HI. 777 00:25:07,659 --> 00:25:08,925 COME ROUND, DARLING. 778 00:25:08,925 --> 00:25:11,525 I WAS EXCITED TO SEE HIM, 779 00:25:11,525 --> 00:25:13,859 'CAUSE I WANTED HIM TO SEE 780 00:25:13,859 --> 00:25:15,459 THAT FRANK HAD REALLY TAKEN HIS SUGGESTIONS 781 00:25:15,459 --> 00:25:16,725 AND IMPLEMENTED THEM. 782 00:25:16,725 --> 00:25:18,530 RIGHT, NICE TO SEE YOU. IT'S NICE TO SEE YOU. 783 00:25:18,530 --> 00:25:18,892 RIGHT, NICE TO SEE YOU. IT'S NICE TO SEE YOU. 784 00:25:18,892 --> 00:25:20,425 THE LAST TIME I WAS HERE, YOU WERE AT YOUR WIT'S END. 785 00:25:20,425 --> 00:25:22,092 YEAH. THE WEIGHT ON YOUR SHOULDERS, 786 00:25:22,092 --> 00:25:23,325 I MEAN, YOU WERE ON THE VERGE OF BREAKING DOWN 787 00:25:23,325 --> 00:25:24,759 BEFORE ANYBODY. 788 00:25:24,759 --> 00:25:26,125 I LOVE HIM, 789 00:25:26,125 --> 00:25:27,825 AND I'VE SEEN HOW MUCH OVER THE YEARS 790 00:25:27,825 --> 00:25:29,925 HE'S DONE FORE EVERYONE. 791 00:25:29,925 --> 00:25:30,859 HOW'S THEIR RELATIONSHIP, 792 00:25:30,859 --> 00:25:32,992 BETWEEN ANTHONY AND FRANK? 793 00:25:32,992 --> 00:25:34,592 I MEAN, THEY'RE BROTHERS, SO THEY'RE GONNA FIGHT. 794 00:25:34,592 --> 00:25:36,192 YOU LOOK AT IT AS 795 00:25:36,192 --> 00:25:38,425 FRANK HAS ONE WAY AND ANTHONY HAS ANOTHER. 796 00:25:38,425 --> 00:25:39,459 YEAH. 797 00:25:39,459 --> 00:25:40,892 I THINK GORDON BRINGING 798 00:25:40,892 --> 00:25:43,559 A LOT OF THE ISSUES TO LIGHT DID HELP 799 00:25:43,559 --> 00:25:45,259 IN THAT, YOU KNOW, FRANK AND ANTHONY 800 00:25:45,259 --> 00:25:46,792 KIND OF UNDERSTAND NOW 801 00:25:46,792 --> 00:25:48,392 WHERE THE OTHER ONE'S COMING FROM. 802 00:25:48,392 --> 00:25:48,530 I LOOK AT YOU NOW-- 803 00:25:48,530 --> 00:25:49,692 I LOOK AT YOU NOW-- 804 00:25:49,692 --> 00:25:51,192 AND NOT JUST HOW HAPPY YOU LOOK-- 805 00:25:51,192 --> 00:25:53,459 BUT GREAT TO SEE FRANK SWEATING, BUSY, ON TOP OF IT. 806 00:25:53,459 --> 00:25:55,625 I KNOW. IT'S AMAZING. 807 00:25:55,625 --> 00:25:56,892 HOW COOL WAS THAT? 808 00:25:56,892 --> 00:25:58,225 TO SEE HIM HAPPY ABOUT IT 809 00:25:58,225 --> 00:26:00,525 AND TO BE RESEARCHING NEW DISHES 810 00:26:00,525 --> 00:26:03,625 AND LOOKING FOR NEW MENU THINGS TO BRING IN 811 00:26:03,625 --> 00:26:04,792 IS AMAZING, 812 00:26:04,792 --> 00:26:06,425 BECAUSE THAT WAS GONE. 813 00:26:06,425 --> 00:26:07,692 IT'S GREAT NEWS. HE'S GOT HIS PASSION BACK. 814 00:26:07,692 --> 00:26:08,792 YOU'VE GOT YOUR MAN BACK. 815 00:26:08,792 --> 00:26:12,159 YES. 816 00:26:12,159 --> 00:26:13,325 RIGHT, LUNCH, WHAT ARE WE EATING? 817 00:26:13,325 --> 00:26:14,459 I'M NOT SURE. 818 00:26:14,459 --> 00:26:15,859 NO? LEAD ME TO FRANK. 819 00:26:20,692 --> 00:26:22,125 OOH, ALL THIS. 820 00:26:22,125 --> 00:26:23,525 THAT'S LOVELY. 821 00:26:23,525 --> 00:26:24,825 WHEN I LOOK AT THESE THREE DISHES HERE 822 00:26:24,825 --> 00:26:27,825 AND I THINK BACK TO WHAT WAS SERVED, 823 00:26:27,825 --> 00:26:29,559 SERIOUSLY, I MEAN, IT'S A DIFFERENT LEAGUE. 824 00:26:29,559 --> 00:26:30,559 LOOK AT THAT. 825 00:26:32,792 --> 00:26:33,959 MMM. 826 00:26:33,959 --> 00:26:35,225 MMM. 827 00:26:35,225 --> 00:26:36,459 WHEN RAMSAY TASTED THE FOOD, 828 00:26:36,459 --> 00:26:37,859 I WAS THINKING, HERE WE GO AGAIN. 829 00:26:37,859 --> 00:26:39,259 THAT'S DELICIOUS. 830 00:26:39,259 --> 00:26:41,125 REALLY GOOD. 831 00:26:41,125 --> 00:26:42,959 EH, HE LIKED IT. 832 00:26:42,959 --> 00:26:46,692 HE DIDN'T ME A NEW ONE. 833 00:26:46,692 --> 00:26:48,530 BROTHERLY LOVE ON A ONE TO TEN, WHERE'S THAT NOW? 834 00:26:48,530 --> 00:26:48,825 BROTHERLY LOVE ON A ONE TO TEN, WHERE'S THAT NOW? 835 00:26:48,825 --> 00:26:50,292 TOO HOT FOR HER! 836 00:26:50,292 --> 00:26:52,159 GET THE OUT. DON'T WASTE MY TIME. 837 00:26:52,159 --> 00:26:54,725 HIS ATTITUDE SUCKS BUT-- HIS ATTITUDE SUCKS. 838 00:26:54,725 --> 00:26:57,825 WE'RE AT A SEVEN. WE'LL GO WITH SEVEN. 839 00:26:57,825 --> 00:26:59,125 SINCE THE LAST VISIT, 840 00:26:59,125 --> 00:27:01,759 ME AND FRANK HAVE DEFINITELY MADE PROGRESS 841 00:27:01,759 --> 00:27:04,259 AND LET GO OF MORE STUFF THAN BEFORE. 842 00:27:04,259 --> 00:27:06,425 IF YOU BLOW UP FIVE TIMES A WEEK, 843 00:27:06,425 --> 00:27:07,892 NOW WE'RE BLOWING UP TWICE A WEEK. 844 00:27:07,892 --> 00:27:09,359 GOING WELL. ON A GOOD DAY. 845 00:27:09,359 --> 00:27:10,625 ON A GOOD DAY. 846 00:27:10,625 --> 00:27:12,059 SEVEN ON A GOOD DAY. 847 00:27:12,059 --> 00:27:14,692 SEVEN ON A REAL GOOD DAY. 848 00:27:14,692 --> 00:27:16,459 FEEL LIKE I'VE MOVED FORWARD A LITTLE BIT, 849 00:27:16,459 --> 00:27:18,359 'CAUSE I THINK HE HAS MORE RESPECT FOR WHAT I DO. 850 00:27:18,359 --> 00:27:18,530 HE FINALLY GETS IT A LITTLE BIT. 851 00:27:18,530 --> 00:27:19,892 HE FINALLY GETS IT A LITTLE BIT. 852 00:27:19,892 --> 00:27:21,092 BUSINESS IN GENERAL 853 00:27:21,092 --> 00:27:22,259 SINCE I WAS LAST HERE. 854 00:27:22,259 --> 00:27:23,592 10%, 15% UP. 855 00:27:23,592 --> 00:27:24,892 OH, WOW. 856 00:27:24,892 --> 00:27:26,125 VERY WELL. GOOD. 857 00:27:26,125 --> 00:27:27,392 HAVE YOU SEEN WHAT'S HAPPENED TO BOSTON, 858 00:27:27,392 --> 00:27:28,425 IN TERMS OF HOW MANY RESTAURANTS HAVE BEEN CLOSING 859 00:27:28,425 --> 00:27:29,492 OVER THE LAST FOUR MONTHS? 860 00:27:29,492 --> 00:27:32,092 I MEAN, SURVIVING THIS RECESSION 861 00:27:32,092 --> 00:27:33,225 IS A SUCCESS. 862 00:27:33,225 --> 00:27:34,659 LET ME TELL YOU THAT. 863 00:27:34,659 --> 00:27:36,092 IF YOU WEREN'T HERE, WE WOULD HAVE BEEN CLOSED. 864 00:27:36,092 --> 00:27:37,092 YOU THINK SO? 865 00:27:37,092 --> 00:27:38,892 YEAH, YEAH, GUARANTEED. 866 00:27:38,892 --> 00:27:41,959 REALLY? GUARANTEED. 867 00:27:41,959 --> 00:27:44,092 GREAT NEWS. GOT A SURPRISE FOR YOU. 868 00:27:44,092 --> 00:27:45,659 OKAY? UH-OH. 869 00:27:45,659 --> 00:27:47,425 DON'T BE LIKE THAT. BEHAVE YOURSELF. 870 00:27:47,425 --> 00:27:48,530 YES? 871 00:27:48,530 --> 00:27:49,092 YES? 872 00:27:52,459 --> 00:27:53,492 SORRY, LADIES AND GENTLEMEN, 873 00:27:53,492 --> 00:27:54,659 MAY I JUST HAVE YOUR ATTENTION 874 00:27:54,659 --> 00:27:55,659 FOR 30 SECONDS, PLEASE? 875 00:27:55,659 --> 00:27:56,925 HOW WAS LUNCH? 876 00:27:56,925 --> 00:27:58,025 GREAT. REALLY GOOD. FABULOUS. 877 00:27:58,025 --> 00:27:59,492 DELICIOUS. 878 00:27:59,492 --> 00:28:01,359 THIS CITY'S ON A HIGH ON THE BACK OF THE STANLEY CUP. 879 00:28:06,759 --> 00:28:07,859 WE HAVE A BIG SURPRISE HERE. 880 00:28:07,859 --> 00:28:09,425 LADIES AND GENTLEMEN, 881 00:28:09,425 --> 00:28:11,292 PLEASE WELCOME SHAWN THORNTON. 882 00:28:12,325 --> 00:28:14,925 OH, YEAH. 883 00:28:17,392 --> 00:28:18,530 WHEN HE SAID HE HAD A SURPRISE, 884 00:28:18,530 --> 00:28:18,625 WHEN HE SAID HE HAD A SURPRISE, 885 00:28:18,625 --> 00:28:19,959 I REALLY HAD NO IDEA. 886 00:28:19,959 --> 00:28:21,025 THAT WAS AWESOME. 887 00:28:21,025 --> 00:28:22,592 ON BEHALF OF THE BOSTON BRUINS, 888 00:28:22,592 --> 00:28:23,992 YOU GUYS HELPING US GET WHERE WE ARE, 889 00:28:23,992 --> 00:28:25,792 I'D LIKE TO GIVE YOU THIS JERSEY TO PUT UP IN HERE, 890 00:28:25,792 --> 00:28:27,625 SO THANK YOU VERY MUCH. 891 00:28:27,625 --> 00:28:30,625 SEEING THORNTON IS LIKE-- HE'S ALWAYS A FIGHTER. 892 00:28:30,625 --> 00:28:31,859 HE COMES BACK. 893 00:28:31,859 --> 00:28:34,225 IT FELT GOOD TO SEE SOMEBODY LIKE THAT. 894 00:28:34,225 --> 00:28:35,692 THANK YOU, SIR, THANK YOU. 895 00:28:35,692 --> 00:28:36,892 THANK YOU SO MUCH. 896 00:28:36,892 --> 00:28:38,959 THE BIGGEST THING I LEARNED FROM CHEF RAMSAY 897 00:28:38,959 --> 00:28:40,325 IS PERSISTENCE, 898 00:28:40,325 --> 00:28:43,359 BUT THE MOST I LEARNED IS THAT HE REALLY DID EMPHASIZE, 899 00:28:43,359 --> 00:28:46,525 YOU KNOW, HAVING PEOPLE AROUND THAT LOVE YOU AND FAMILY. 900 00:28:46,525 --> 00:28:47,859 I'M GONNA FRAME THIS JACKET. 901 00:28:47,859 --> 00:28:48,530 I'LL SEND YOU ANOTHER ONE. 902 00:28:48,530 --> 00:28:49,025 I'LL SEND YOU ANOTHER ONE. 903 00:28:49,025 --> 00:28:50,192 THE ONLY ONE I HAD. 904 00:28:50,192 --> 00:28:51,925 THANK YOU FOR BUILDING MY CONFIDENCE 905 00:28:51,925 --> 00:28:54,892 AND FOR HELPING ME AND MY BUSINESS. 906 00:28:54,892 --> 00:28:56,659 SO NICE TO SEE THEM SMILING AGAIN. 907 00:28:56,659 --> 00:28:58,159 AND JUST LIKE THEIR BELOVED BRUINS, 908 00:28:58,159 --> 00:29:01,825 IF FRANK AND ANTHONY CONTINUE WORKING TOGETHER AS A TEAM, 909 00:29:01,825 --> 00:29:06,759 DAVIDE IS ON TRACK TO BECOME A BIG WINNER. 910 00:29:06,759 --> 00:29:09,092 COMING UP, ABBY FROM DOWNCITY 911 00:29:09,092 --> 00:29:10,459 CHASED GORDON OUT THE DOOR. 912 00:29:10,459 --> 00:29:11,792 YOU WANT ME TO GO? 913 00:29:11,792 --> 00:29:13,192 GET THE OUT OF MY RESTAURANT, PLEASE. 914 00:29:13,192 --> 00:29:14,292 NOW, ONE YEAR LATER, 915 00:29:14,292 --> 00:29:15,859 IS ABBY A CHANGED WOMAN? 916 00:29:15,859 --> 00:29:18,530 HAVE YOU EMBRACED THE WORD "CHANGE"? 917 00:29:18,530 --> 00:29:18,825 HAVE YOU EMBRACED THE WORD "CHANGE"? 918 00:29:18,825 --> 00:29:21,959 FIND OUT WHENKITCHEN NIGHTMARES REVISITEDCONTINUES. 919 00:29:26,525 --> 00:29:29,654 PROVIDENCE, RHODE ISLAND, GREAT LITTLE CITY, 920 00:29:29,654 --> 00:29:31,321 LOTS OF COOL RESTAURANTS, 921 00:29:31,321 --> 00:29:32,754 AND A PHENOMENAL ART SCENE. 922 00:29:32,754 --> 00:29:34,754 BUT HONESTLY, I SPENT SO MUCH TIME THERE 923 00:29:34,754 --> 00:29:37,521 WITH A THROBBING HEADACHE NAMED ABBY. 924 00:29:37,521 --> 00:29:39,254 I JUST WANT AN ANSWER! 925 00:29:39,254 --> 00:29:41,288 IT IS IMPOSSIBLE FOR THE FRIES TO BE ICE COLD. 926 00:29:41,288 --> 00:29:43,354 ABBY OWNED AND RAN DOWNCITY. 927 00:29:43,354 --> 00:29:46,121 THE PROBLEM WAS SHE WAS RUNNING IT INTO THE GROUND. 928 00:29:46,121 --> 00:29:48,888 AS LONG AS YOU WORK FOR ME, YOU DO IT MY WAY, ENOUGH SAID. 929 00:29:48,888 --> 00:29:51,721 HER EMPLOYEES DIDN'T RESPECT HER. 930 00:29:51,721 --> 00:29:52,821 ABBY ACTS LIKE... 931 00:29:52,821 --> 00:29:53,528 WHATEVER, DON'T ARGUE. 932 00:29:53,528 --> 00:29:53,821 WHATEVER, DON'T ARGUE. 933 00:29:53,821 --> 00:29:55,721 CRUELLA DE VIL. 934 00:29:55,721 --> 00:29:57,988 AND HER PARTNER RICO, 935 00:29:57,988 --> 00:30:00,688 HE COULDN'T GET A WORD IN EDGEWISE. 936 00:30:00,688 --> 00:30:02,188 ALL I THINK ABOUT IS WHY PEOPLE ARE NOT COMING 937 00:30:02,188 --> 00:30:04,188 TO MY RESTAURANT. 938 00:30:04,188 --> 00:30:06,488 DOWNCITY WAS BLEEDING MONEY. 939 00:30:06,488 --> 00:30:10,854 ABBY AND RICO WERE IN DEBT TO THE TUNE OF A MILLION DOLLARS. 940 00:30:10,854 --> 00:30:12,554 WE'VE GOT ALL THESE BILLS TO PAY THIS WEEKEND. 941 00:30:12,554 --> 00:30:14,054 THAT'S THE STACK. 942 00:30:15,454 --> 00:30:18,888 WHEN I FIRST ARRIVED, ABBY WAS ACTUALLY QUITE PLEASANT. 943 00:30:18,888 --> 00:30:20,688 HELLO. OH, CHEF RAMSAY. 944 00:30:20,688 --> 00:30:22,388 WELCOME TO DOWNCITY. NICE TO MEET YOU. LIKEWISE. MY PLEASURE. 945 00:30:22,388 --> 00:30:23,528 FOR FIVE SECONDS. 946 00:30:23,528 --> 00:30:23,754 FOR FIVE SECONDS. 947 00:30:23,754 --> 00:30:25,254 AND ON A SCALE OF ONE TO TEN, 948 00:30:25,254 --> 00:30:27,121 MARK THE FOOD, WHAT WOULD YOU SAY, WHERE ARE WE? 949 00:30:27,121 --> 00:30:29,588 IT'S A TEN. WOW. WOW, WOW, WOW. 950 00:30:29,588 --> 00:30:31,454 YEAH. PERFECT. I'M STARVING. 951 00:30:31,454 --> 00:30:33,588 BECAUSE THE ROOM SERVICE NEXT DOOR WAS SHOCKING. 952 00:30:33,588 --> 00:30:34,754 WE DO THE ROOM SERVICE FOR THAT HOTEL. 953 00:30:34,754 --> 00:30:36,021 WHAT WAS THE PROBLEM? 954 00:30:36,021 --> 00:30:38,688 CRAB CAKES THAT WERE STONE COLD IN THE CENTER. 955 00:30:38,688 --> 00:30:40,988 IT WAS JUST LIKE THIS BALL OF MUSH. 956 00:30:40,988 --> 00:30:41,988 DISGUSTING. 957 00:30:41,988 --> 00:30:43,021 THAT'S IMPOSSIBLE. 958 00:30:43,021 --> 00:30:44,421 CAN YOU SAY DENIAL? 959 00:30:44,421 --> 00:30:45,721 I THINK YOU'RE ONE OF THOSE CUSTOMERS 960 00:30:45,721 --> 00:30:47,221 THAT I WOULD FIRE IMMEDIATELY. 961 00:30:47,221 --> 00:30:49,554 NOW OBVIOUSLY I DIDN'T THINK THE FOOD WAS GONNA BE A TEN, 962 00:30:49,554 --> 00:30:52,788 BUT WHAT ABBY SERVED ME, SHOCKING. 963 00:30:55,088 --> 00:30:56,621 WH-WHAT DO YOU THINK? 964 00:30:58,554 --> 00:31:01,554 UGH, SOGGY, CHEWY, DISGUSTING CALAMARI. 965 00:31:01,554 --> 00:31:02,688 WHAT'D HE SAY ABOUT IT? 966 00:31:02,688 --> 00:31:03,954 HE SPIT THE CALAMARI BACK OUT. 967 00:31:03,954 --> 00:31:05,288 OH. 968 00:31:05,288 --> 00:31:07,088 THIS IS PARTY IN YOUR MOUTH. 969 00:31:10,021 --> 00:31:11,188 I'M TAKING IT, 970 00:31:11,188 --> 00:31:12,588 THAT WAS ONE PARTY THAT WASN'T A TEN. 971 00:31:12,588 --> 00:31:13,788 IT WASN'T A PARTY IN MY MOUTH. 972 00:31:13,788 --> 00:31:15,321 IT WAS LIKE A FUNERAL IN MY MOUTH. 973 00:31:15,321 --> 00:31:16,521 A FUNERAL. YEAH. 974 00:31:16,521 --> 00:31:19,754 WELL, IT KINDA DOES LOOK LIKE SOMETHING DIED. 975 00:31:19,754 --> 00:31:22,921 IT WAS SO CLEAR THAT ABBY WAS BLOODY DELUSIONAL, 976 00:31:22,921 --> 00:31:23,528 AND IT WAS TIME FOR ME TO GIVE HER 977 00:31:23,528 --> 00:31:24,821 AND IT WAS TIME FOR ME TO GIVE HER 978 00:31:24,821 --> 00:31:26,488 A BIG WAKEUP CALL. 979 00:31:26,488 --> 00:31:28,221 HOW CAN I FIX IT WHEN YOU STAND THERE 980 00:31:28,221 --> 00:31:30,421 IN FRONT OF YOUR TEAM RATING YOU AND YOUR RESTAURANT 981 00:31:30,421 --> 00:31:32,854 AND YOUR FOOD TEN OUT OF TEN? 982 00:31:32,854 --> 00:31:34,221 DREAMER. 983 00:31:34,221 --> 00:31:36,788 I DON'T THINK IT'S AS BAD AS YOU SAY IT IS. 984 00:31:36,788 --> 00:31:38,688 STOP BEING IN DENIAL. 985 00:31:38,688 --> 00:31:40,621 WAKE UP AND ADMIT IT'S. 986 00:31:40,621 --> 00:31:42,421 NO SURPRISE, THAT NIGHT'S DINNER SERVICE 987 00:31:42,421 --> 00:31:45,954 WAS A BIG DISASTER, AND I MEAN DISASTER. 988 00:31:45,954 --> 00:31:48,188 THIS NEEDS TO BE COOKED A LITTLE MORE. 989 00:31:48,188 --> 00:31:49,821 CAN WE JUST 86 THIS SPECIAL? 990 00:31:49,821 --> 00:31:51,421 EVERY SINGLE ONE OF THEM HAS BEEN SENT BACK. 991 00:31:51,421 --> 00:31:52,621 I'D SEEN ENOUGH. 992 00:31:52,621 --> 00:31:53,528 SO I DECIDED TO SNEAK AWAY 993 00:31:53,528 --> 00:31:54,154 SO I DECIDED TO SNEAK AWAY 994 00:31:54,154 --> 00:31:55,754 AND HAVE A QUICK LOOK AROUND THE FRIDGES. 995 00:31:55,754 --> 00:31:57,521 OH, THIS IS GROSS DOWN HERE. 996 00:31:57,521 --> 00:31:58,821 HOLY CRAP. 997 00:31:58,821 --> 00:32:00,154 I WAS TOTALLY SHOCKED. 998 00:32:00,154 --> 00:32:02,621 I LED ABBY AND RICO STRAIGHT DOWNSTAIRS. 999 00:32:02,621 --> 00:32:04,954 THE PLACE IS A FILTHY MESS. 1000 00:32:04,954 --> 00:32:06,221 LOOK. WHAT IS THAT? 1001 00:32:06,221 --> 00:32:07,654 LAMB BONES? 1002 00:32:07,654 --> 00:32:09,188 WHO'S ORGANIZING THIS? 1003 00:32:09,188 --> 00:32:12,721 AND THAT'S WHEN ALL HELL BROKE LOOSE. 1004 00:32:12,721 --> 00:32:14,188 YOU'RE BEING A. THIS WASN'T LIKE THIS. 1005 00:32:14,188 --> 00:32:15,054 HOLD ON A MINUTE. IT WASN'T LIKE THIS. 1006 00:32:15,054 --> 00:32:17,254 HOLD-- HOLD ON A MINUTE. 1007 00:32:17,254 --> 00:32:18,888 YOU'RE CALLING ME A? 1008 00:32:18,888 --> 00:32:20,121 I AM. 1009 00:32:20,121 --> 00:32:22,288 YOU STUCK-UP, PRECIOUS LITTLE BITCH. 1010 00:32:22,288 --> 00:32:23,528 LET ME TELL YOU SOMETHING. OH, BOY, HERE WE GO. 1011 00:32:23,528 --> 00:32:24,088 LET ME TELL YOU SOMETHING. OH, BOY, HERE WE GO. 1012 00:32:24,088 --> 00:32:25,554 LISTEN TO ME. I'M NOT GONNA LISTEN TO YOU. 1013 00:32:25,554 --> 00:32:27,521 YOU'RE IN DENIAL. I'M NOT IN DENIAL. 1014 00:32:27,521 --> 00:32:28,821 YES, YOU ARE. I AM NOT IN DENIAL. 1015 00:32:28,821 --> 00:32:29,788 CAN'T ACCEPT IT. 1016 00:32:29,788 --> 00:32:30,921 YOU. 1017 00:32:30,921 --> 00:32:31,954 YEAH, WALK OUT AGAIN. 1018 00:32:31,954 --> 00:32:32,954 I AM.. 1019 00:32:32,954 --> 00:32:34,488 THERE YOU GO, FLIP THE BIRD. 1020 00:32:34,488 --> 00:32:36,088 YOU ARE INSANE. YOU ARE LIKE-- 1021 00:32:36,088 --> 00:32:37,621 YEAH, BLAME ME ALL YOU WANT. 1022 00:32:37,621 --> 00:32:39,621 IT'S AN EASY EXCUSE, ISN'T IT? YOU'RE INSANE. 1023 00:32:39,621 --> 00:32:40,688 I'M INSANE? YOU'RE INSANE! 1024 00:32:40,688 --> 00:32:42,754 YOU'RE INSANE! 1025 00:32:42,754 --> 00:32:44,254 I DON'T EVEN TALK TO MY STAFF LIKE THIS. 1026 00:32:44,254 --> 00:32:45,421 WHY DON'T YOU GET THE OUT OF MY RESTAURANT? 1027 00:32:45,421 --> 00:32:46,988 YOU WANT ME TO GO? I WOULD LOVE YOU TO GO. 1028 00:32:46,988 --> 00:32:49,188 GET THE OUT OF MY RESTAURANT, PLEASE. 1029 00:32:49,188 --> 00:32:52,221 YOU ARE SO IN DENIAL, YOU NEED THERAPY. 1030 00:32:52,221 --> 00:32:53,528 YOU'RE A DISGRACE TO THIS INDUSTRY. 1031 00:32:53,528 --> 00:32:55,021 YOU'RE A DISGRACE TO THIS INDUSTRY. 1032 00:32:55,021 --> 00:32:56,788 YOU AND GET OUT OF MY RESTAURANT. 1033 00:32:56,788 --> 00:32:57,954 YOU'RE STILL HERE? 1034 00:32:57,954 --> 00:32:59,154 NOT NOW, GUYS, PLEASE. PLEASE, PLEASE. 1035 00:32:59,154 --> 00:33:00,188 HIM. 1036 00:33:00,188 --> 00:33:01,588 I WAS PISSED. 1037 00:33:01,588 --> 00:33:03,654 THAT HAS NOT EVER, EVER HAPPENED TO ME BEFORE. 1038 00:33:03,654 --> 00:33:06,588 EXCUSE ME, THEY CALLED ME. 1039 00:33:06,588 --> 00:33:08,454 HE'S COMING BACK TONIGHT, ISN'T HE? 1040 00:33:08,454 --> 00:33:09,921 I DON'T GIVE A WHERE HE GOES. 1041 00:33:09,921 --> 00:33:11,721 HE CAN GO TO HELL FOR ALL I CARE. 1042 00:33:11,721 --> 00:33:12,721 CHEF RAMSAY. 1043 00:33:12,721 --> 00:33:13,954 THEN RICO CAME OUT 1044 00:33:13,954 --> 00:33:16,254 AND BEGGED ME TO WALK BACK IN THOSE DOORS. 1045 00:33:16,254 --> 00:33:18,588 HONESTLY, SHE'S GOT TO START LISTENING. 1046 00:33:18,588 --> 00:33:19,688 I KNOW. 1047 00:33:19,688 --> 00:33:21,154 AND I DON'T KNOW HOW TO MAKE HER DO IT. 1048 00:33:21,154 --> 00:33:23,121 I REALLY--I DON'T KNOW. 1049 00:33:23,121 --> 00:33:23,528 IF YOU WANT ME TO LEAVE, I'M OUT OF THERE. 1050 00:33:23,528 --> 00:33:25,188 IF YOU WANT ME TO LEAVE, I'M OUT OF THERE. 1051 00:33:25,188 --> 00:33:26,488 ABSOLUTELY NOT. 1052 00:33:26,488 --> 00:33:27,788 ABSOLUTELY NOT. 1053 00:33:27,788 --> 00:33:31,421 TOMORROW WE NEED TO START BEING HONEST AND OPEN. 1054 00:33:31,421 --> 00:33:32,721 I AGREE. 1055 00:33:32,721 --> 00:33:34,321 I WANT YOU TO HELP ME GET THIS RESTAURANT 1056 00:33:34,321 --> 00:33:36,254 TO WHERE I NEED IT TO BE. 1057 00:33:38,554 --> 00:33:41,321 THE NEXT MORNING, I HELD A STAFF MEETING, 1058 00:33:41,321 --> 00:33:42,854 WHICH THEY'D NEVER HAD BEFORE, 1059 00:33:42,854 --> 00:33:46,354 AND GOT THEM TO ASK ABBY SOME SERIOUS QUESTIONS. 1060 00:33:46,354 --> 00:33:48,288 SHE HAD NO CHOICE BUT TO LISTEN TO THE TEAM, 1061 00:33:48,288 --> 00:33:49,988 AND SHE WAS BEING EXPOSED. 1062 00:33:49,988 --> 00:33:51,521 IT WAS SO IMPORTANT. 1063 00:33:51,521 --> 00:33:53,528 ABBY, WHY DO YOU NOT ALLOW ANYONE 1064 00:33:53,528 --> 00:33:54,488 ABBY, WHY DO YOU NOT ALLOW ANYONE 1065 00:33:54,488 --> 00:33:56,254 TO EXPRESS THEIR OPINIONS 1066 00:33:56,254 --> 00:33:59,221 WITHOUT IT BEING SEEN AS A PERSONAL ATTACK TO YOU? 1067 00:34:01,521 --> 00:34:02,854 SINCE I BOUGHT THIS RESTAURANT, 1068 00:34:02,854 --> 00:34:07,121 I BECAME A DEFENSIVE BITCH. 1069 00:34:07,121 --> 00:34:08,354 WOW. 1070 00:34:08,354 --> 00:34:10,554 IS THIS THE SAME PERSON? A NEW ABBY. 1071 00:34:10,554 --> 00:34:12,054 I FELT REALLY ENCOURAGED. 1072 00:34:12,054 --> 00:34:15,821 IMMEDIATELY, WE GOT TO REVAMPING DOWNCITY'S MENU. 1073 00:34:15,821 --> 00:34:18,188 THE APPETIZERS, GOAT'S CHEESE TRUFFLE DIP, 1074 00:34:18,188 --> 00:34:19,621 HONEY-SPICED CHICKEN WINGS, 1075 00:34:19,621 --> 00:34:21,121 MEATBALL SLIDERS. 1076 00:34:21,121 --> 00:34:22,654 DELICIOUS. WOW. 1077 00:34:22,654 --> 00:34:23,528 NOW WE CAN HAVE A REAL PARTY IN OUR MOUTH, ABBY. 1078 00:34:23,528 --> 00:34:25,488 NOW WE CAN HAVE A REAL PARTY IN OUR MOUTH, ABBY. 1079 00:34:25,488 --> 00:34:27,454 ISN'T THAT AWESOME? OH, MY GOD. 1080 00:34:27,454 --> 00:34:30,288 THAT'S UNBELIEVABLE. 1081 00:34:30,288 --> 00:34:32,354 OH, MY GOD. 1082 00:34:32,354 --> 00:34:34,388 THIS IS LIKE.... 1083 00:34:34,388 --> 00:34:36,754 I'VE NEVER SEEN ABBY THIS EMOTIONAL. 1084 00:34:36,754 --> 00:34:38,354 LIKE, SHE DOES HAVE A HEART IN THERE. 1085 00:34:38,354 --> 00:34:39,454 SHE DOES HAVE A SOUL. 1086 00:34:39,454 --> 00:34:41,954 IT'S AMAZING. 1087 00:34:41,954 --> 00:34:43,688 NOW WE JUST GOTTA MAKE IT WORK. 1088 00:34:43,688 --> 00:34:45,688 YEP. 1089 00:34:45,688 --> 00:34:47,921 RELAUNCH NIGHT. 1090 00:34:47,921 --> 00:34:48,954 WE ARE GONNA ROCK THIS TOWN TONIGHT. 1091 00:34:48,954 --> 00:34:50,454 LET'S GO, LET'S GO. 1092 00:34:50,454 --> 00:34:52,054 I INVITED A SPECIAL GUEST, 1093 00:34:52,054 --> 00:34:53,528 BLOGGER STACEY PLACE. 1094 00:34:53,528 --> 00:34:54,388 BLOGGER STACEY PLACE. 1095 00:34:54,388 --> 00:34:56,021 SHE HAS 10,000 FOLLOWERS. 1096 00:34:56,021 --> 00:34:57,821 SHE BLOGS TOMORROW, 1097 00:34:57,821 --> 00:35:00,588 WE'RE 10,000 POTENTIAL CUSTOMERS BACK UP. 1098 00:35:00,588 --> 00:35:01,988 THE NIGHT STARTED OFF WELL. 1099 00:35:01,988 --> 00:35:04,888 RIGHT NOW IN THE WINDOW I NEED THAT FISH AND CHIP. 1100 00:35:04,888 --> 00:35:06,421 I NEED THAT SLIDER. SLIDER'S UP, CHEF. 1101 00:35:06,421 --> 00:35:07,521 JIMMY, KEEP IT GOING, YEAH. 1102 00:35:07,521 --> 00:35:09,754 FRISEE SALAD, ON THE FLY. 1103 00:35:09,754 --> 00:35:10,754 BUT IT DIDN'T TAKE LONG 1104 00:35:10,754 --> 00:35:11,788 FOR ABBY TO GO BACK 1105 00:35:11,788 --> 00:35:13,721 TO HER OLD WAYS. 1106 00:35:13,721 --> 00:35:15,788 JIMMY, DID YOU CALL THE CALAMARI FOR TABLE 30? 1107 00:35:15,788 --> 00:35:16,888 I DID THAT. 1108 00:35:16,888 --> 00:35:18,154 OH. 1109 00:35:18,154 --> 00:35:19,821 I NEED FOUR SOUPS AND ONE CHOWDER 1110 00:35:19,821 --> 00:35:21,021 UP IN THE LINE, PLEASE. 1111 00:35:21,021 --> 00:35:22,121 THAT'S INCORRECT. 1112 00:35:22,121 --> 00:35:23,288 THE KITCHEN FELL BEHIND, 1113 00:35:23,288 --> 00:35:23,528 AND IT WAS RELAUNCH NIGHT. 1114 00:35:23,528 --> 00:35:25,021 AND IT WAS RELAUNCH NIGHT. 1115 00:35:25,021 --> 00:35:27,054 AND IT FELT LIKE IT WAS ALL GOING UP IN FLAMES. 1116 00:35:27,054 --> 00:35:28,554 SHE JUST TWEETED, 1117 00:35:28,554 --> 00:35:30,454 "WAITING FOR APPETIZERS. GETTING HUNGRY." 1118 00:35:30,454 --> 00:35:32,554 OKAY, THIS IS NOT NOW. 1119 00:35:32,554 --> 00:35:34,121 MENU'S THERE, CHEFS ARE THERE. 1120 00:35:34,121 --> 00:35:35,788 I NEED YOU THERE. COME ON, PLEASE. 1121 00:35:35,788 --> 00:35:37,254 ALL RIGHT, OKAY, LET'S GO. 1122 00:35:37,254 --> 00:35:38,988 LISTEN, JIMMY, THEY'RE ALREADY BLOGGING 1123 00:35:38,988 --> 00:35:40,154 THAT THEY'RE WAITING TOO LONG FOR FOOD. 1124 00:35:40,154 --> 00:35:41,954 LET'S GET THIS FOOD OUT. 1125 00:35:41,954 --> 00:35:44,588 ALL RIGHT, HOW LONG ON A SOLO TRUFFLE DIP? 1126 00:35:44,588 --> 00:35:46,088 URGENTLY, PLEASE. 1127 00:35:46,088 --> 00:35:49,088 WITH ABBY COOL, CALM, AND IN CONTROL, 1128 00:35:49,088 --> 00:35:50,888 THE KITCHEN GOT BACK ON TRACK. 1129 00:35:50,888 --> 00:35:53,254 JIMMY, TABLE 37, DID YOU FIRE? 1130 00:35:53,254 --> 00:35:53,528 I DID FIRE. 1131 00:35:53,528 --> 00:35:54,654 I DID FIRE. 1132 00:35:54,654 --> 00:35:56,621 GOOD. ABBY, READ THAT DISCREETLY. 1133 00:35:58,054 --> 00:35:59,621 TRUFFLE DIP AMAZING, YES? 1134 00:35:59,621 --> 00:36:01,388 COME ON, KEEP IT GOING, YES? 1135 00:36:04,854 --> 00:36:06,521 A LOT BETTER THAN LAST NIGHT, RIGHT? YEAH. 1136 00:36:06,521 --> 00:36:08,521 JIMMY, IT WAS AWESOME. THANK YOU. 1137 00:36:11,988 --> 00:36:14,354 CUSTOMERS LOVED THE FOOD. 1138 00:36:14,354 --> 00:36:16,921 ABBY, HOW'D YOU FEEL, BABE? 1139 00:36:16,921 --> 00:36:20,321 I FEEL BEYOND BELIEF FANTASTIC. 1140 00:36:20,321 --> 00:36:21,888 COME ON THEN. 1141 00:36:21,888 --> 00:36:22,954 GIVE ME A HUG. 1142 00:36:22,954 --> 00:36:23,528 YOU'RE NOT GONNA ASK ME, 1143 00:36:23,528 --> 00:36:24,388 YOU'RE NOT GONNA ASK ME, 1144 00:36:24,388 --> 00:36:25,388 THEN I'M GONNA ASK YOU, THAT'S RIGHT. 1145 00:36:25,388 --> 00:36:26,621 I, GORDON RAMSAY, 1146 00:36:26,621 --> 00:36:27,821 AM ASKING YOU FOR A HUG. 1147 00:36:27,821 --> 00:36:29,221 COME HERE. 1148 00:36:29,221 --> 00:36:31,488 THANK YOU SO MUCH. 1149 00:36:34,588 --> 00:36:35,821 IF YOU WANTED BAD FOOD 1150 00:36:35,821 --> 00:36:37,721 SERVED BY A VERY, VERY ANGRY OWNER, 1151 00:36:37,721 --> 00:36:39,588 DOWNCITY IN PROVIDENCE WAS THE PLACE. 1152 00:36:39,588 --> 00:36:41,054 WE MADE A LOT OF CHANGES. 1153 00:36:41,054 --> 00:36:43,854 WE'RE ABOUT TO FIND OUT IF IT PAID OFF. 1154 00:36:43,854 --> 00:36:47,221 COMING UP, IT'S THE REVISIT WE'VE ALL BEEN WAITING FOR. 1155 00:36:47,221 --> 00:36:49,088 CAN I STAY TODAY OR ARE YOU GONNA KICK ME OUT? 1156 00:36:49,088 --> 00:36:51,354 CHEF RAMSAY AND ABBY, THE REMATCH 1157 00:36:51,354 --> 00:36:53,528 WHENKITCHEN NIGHTMARES REVISITEDCONTINUES. 1158 00:36:53,528 --> 00:36:54,221 WHENKITCHEN NIGHTMARES REVISITEDCONTINUES. 1159 00:36:58,954 --> 00:37:01,347 I'M BACK AT DOWNCITY, 1160 00:37:01,347 --> 00:37:02,880 THE SCENE OF ONE OF THE BIGGEST FIGHTS 1161 00:37:02,880 --> 00:37:04,213 IN THE HISTORY OFKITCHEN NIGHTMARES. 1162 00:37:04,213 --> 00:37:06,180 THE OWNER, ABBY, WOW, WHAT A TOUGH NUT TO CRACK. 1163 00:37:06,180 --> 00:37:07,880 WE MADE A LOT OF CHANGES. 1164 00:37:07,880 --> 00:37:09,747 LET'S HOPE THEY'VE PAID OFF 1165 00:37:09,747 --> 00:37:11,980 AND SHE HASN'T SLIPPED BACK TO HER OLD WAYS. 1166 00:37:11,980 --> 00:37:14,147 PRAY TO GOD, PLEASE, HALLELUJAH. 1167 00:37:14,147 --> 00:37:15,580 HEY, RICO, HOW ARE YOU? 1168 00:37:15,580 --> 00:37:16,713 GORDON RAMSAY. 1169 00:37:16,713 --> 00:37:18,213 GOOD TO SEE YOU. HOW ARE YOU, SIR? 1170 00:37:18,213 --> 00:37:19,480 VERY WELL INDEED, THANK YOU. ARE YOU WELL? 1171 00:37:19,480 --> 00:37:20,713 I'M EXCELLENT. YOU'RE LOOKING WELL. 1172 00:37:20,713 --> 00:37:21,680 THANK YOU. YOU TOO. 1173 00:37:21,680 --> 00:37:22,880 BRILLIANT. 1174 00:37:22,880 --> 00:37:24,380 THE BIG QUESTION, HOW IS SHE? 1175 00:37:25,480 --> 00:37:25,547 OH, LET ME LEAD YOU TO HER. 1176 00:37:25,547 --> 00:37:26,580 OH, LET ME LEAD YOU TO HER. 1177 00:37:26,580 --> 00:37:27,613 YEAH, DO I NEED-- 1178 00:37:27,613 --> 00:37:28,713 YOU DON'T NEED ARMOR. 1179 00:37:28,713 --> 00:37:29,813 YOU DON'T NEED ANYTHING LIKE THAT. 1180 00:37:29,813 --> 00:37:30,947 BULLETPROOF VEST, NO, YOU'RE FINE. 1181 00:37:30,947 --> 00:37:32,047 OKAY, GREAT. 1182 00:37:32,047 --> 00:37:33,513 I THINK SHE'LL BE HAPPY TO SEE YOU. 1183 00:37:33,513 --> 00:37:35,480 OKAY, I'M ANXIOUS FOR THIS ONE. 1184 00:37:35,480 --> 00:37:37,380 HEY! WELCOME BACK. 1185 00:37:37,380 --> 00:37:38,913 YOU LOOK GREAT. 1186 00:37:38,913 --> 00:37:40,447 I WAS SO HAPPY THAT HE WAS HERE 1187 00:37:40,447 --> 00:37:41,980 BECAUSE I KNEW HE WAS GONNA LOVE THE FOOD. 1188 00:37:41,980 --> 00:37:43,013 DO YOU STILL HATE ME? 1189 00:37:43,013 --> 00:37:45,147 NO, I NEVER HATED YOU. REALLY? 1190 00:37:45,147 --> 00:37:46,647 WHY DON'T YOU GET THE OUT OF MY RESTAURANT. 1191 00:37:46,647 --> 00:37:48,080 YOU WANT ME TO GO? I WOULD LOVE YOU TO GO. 1192 00:37:48,080 --> 00:37:50,280 GET THE OUT OF MY RESTAURANT, PLEASE. 1193 00:37:50,280 --> 00:37:51,780 CAN I STAY TODAY OR ARE YOU GONNA KICK ME OUT? 1194 00:37:51,780 --> 00:37:52,747 WE'LL SEE. 1195 00:37:52,747 --> 00:37:55,547 OH, WE'LL SEE. OKAY, GREAT. 1196 00:37:55,547 --> 00:37:55,647 OH, WE'LL SEE. OKAY, GREAT. 1197 00:37:55,647 --> 00:37:56,947 WELL, NEED I ASK? BUSINESS IS LOOKING GOOD. 1198 00:37:56,947 --> 00:37:58,347 JUST LOOK IT, 1199 00:37:58,347 --> 00:38:00,113 EVERYONE'S HAPPY, EVERYTHING'S GREAT. 1200 00:38:00,113 --> 00:38:01,880 SINCE GORDON WAS HERE LAST, 1201 00:38:01,880 --> 00:38:03,980 BUSINESS HAS IMPROVED AT LEAST 30%, 1202 00:38:03,980 --> 00:38:06,380 AND THAT'S HUGE IN THIS ECONOMIC ENVIRONMENT. 1203 00:38:06,380 --> 00:38:08,480 HOW HAVE YOU CHANGED? 1204 00:38:08,480 --> 00:38:09,780 I DON'T COME IN THE RESTAURANT ANYMORE ANY SAY, 1205 00:38:09,780 --> 00:38:10,813 "OKAY, THIS IS WHAT WE'RE GONNA DO. 1206 00:38:10,813 --> 00:38:11,813 IT'S MY WAY OR THE HIGHWAY." 1207 00:38:11,813 --> 00:38:13,413 THAT ABBY IS GONE. 1208 00:38:13,413 --> 00:38:16,580 I THINK THE STAFF IS GOING COMPLETELY CRAZY 1209 00:38:16,580 --> 00:38:18,747 BECAUSE I AM SO CALM AND I DON'T RUN AROUND 1210 00:38:18,747 --> 00:38:21,180 YELLING AND SCREAMING AT THEM INDIVIDUALLY ANYMORE. 1211 00:38:21,180 --> 00:38:23,880 AND FOOD-WISE, LAST TIME YOU RATED THE FOOD 1212 00:38:23,880 --> 00:38:25,547 YOU GAVE IT A TEN. HOW'S THE RATINGS NOW? 1213 00:38:25,547 --> 00:38:26,013 YOU GAVE IT A TEN. HOW'S THE RATINGS NOW? 1214 00:38:26,013 --> 00:38:27,213 I MEAN, I'M DYING TO FIND OUT. 1215 00:38:27,213 --> 00:38:28,213 IT'S A TEN. 1216 00:38:28,213 --> 00:38:29,280 AND YOU MEAN IT THIS TIME? 1217 00:38:29,280 --> 00:38:32,013 I'M NOT IN DENIAL. 1218 00:38:32,013 --> 00:38:33,113 YOU'LL SEE. 1219 00:38:33,113 --> 00:38:34,180 HEY, LOOK AT YOU. EXCUSE ME. 1220 00:38:34,180 --> 00:38:35,380 JIMMY, LOOK WHO'S HERE. 1221 00:38:35,380 --> 00:38:36,847 HOW ARE YOU? ARE YOU WELL? 1222 00:38:36,847 --> 00:38:37,980 I'M DOING ALL RIGHT. HOW ARE YOU? 1223 00:38:37,980 --> 00:38:39,147 GOOD TO SEE YOU. 1224 00:38:39,147 --> 00:38:41,813 JIMMY HAS IMPRESSED THE HELL OUT OF ME 1225 00:38:41,813 --> 00:38:43,247 WITH HIS WORK ETHIC. 1226 00:38:43,247 --> 00:38:45,313 THAT KID WOULD RATHER BE WORKING THAN DOING ANYTHING. 1227 00:38:45,313 --> 00:38:46,580 ABBY RATED IT A TEN. 1228 00:38:46,580 --> 00:38:48,413 HOW WOULD YOU RATE YOUR FOOD NOW FROM ONE TO TEN? 1229 00:38:48,413 --> 00:38:50,247 A TEN OUT OF TEN. A TEN OUT OF TEN? 1230 00:38:50,247 --> 00:38:52,213 AND SHE'S CHANGED? 1231 00:38:52,213 --> 00:38:55,180 TONIGHT WAS THE WORST SHOW I'VE EVER SEEN. 1232 00:38:55,180 --> 00:38:55,547 EVER, EVER, EVER SEEN. 1233 00:38:55,547 --> 00:38:56,447 EVER, EVER, EVER SEEN. 1234 00:38:56,447 --> 00:38:57,813 FOR THE BETTER. 1235 00:38:57,813 --> 00:38:59,180 HOW'S YOUR WORK RELATIONSHIP WITH HER? 1236 00:38:59,180 --> 00:39:00,413 IS SHE GIVING YOU MORE LEEWAY? 1237 00:39:00,413 --> 00:39:01,780 CAN YOU BECOME THE CHEF? 1238 00:39:01,780 --> 00:39:02,780 YEAH. YEAH? 1239 00:39:02,780 --> 00:39:04,480 JIMMY IS ABSOLUTELY WONDERFUL. 1240 00:39:04,480 --> 00:39:06,747 AND HIS DYNAMIC WITH ABBY 1241 00:39:06,747 --> 00:39:11,780 HAS MELDED INTO A REALLY NICE RELATIONSHIP. 1242 00:39:11,780 --> 00:39:12,880 THERE YOU GO. GOOD TO SEE YOU, JIMMY. 1243 00:39:12,880 --> 00:39:14,480 YOU TOO. 1244 00:39:16,280 --> 00:39:18,913 I'M DYING TO SEE DOWNSTAIRS. 1245 00:39:18,913 --> 00:39:20,247 OUR FAMOUS PLACE, YOU KNOW, 1246 00:39:20,247 --> 00:39:21,713 WHERE YOU AND I REALLY HIT IT OFF. 1247 00:39:21,713 --> 00:39:22,947 WHAT HAPPENED DOWNSTAIRS? I DON'T REMEMBER THAT. 1248 00:39:22,947 --> 00:39:24,213 TAKE ME DOWN THERE AGAIN, PLEASE. 1249 00:39:24,213 --> 00:39:25,547 I DON'T KNOW WHAT THAT IS. WHAT IS THAT? 1250 00:39:25,547 --> 00:39:26,113 I DON'T KNOW WHAT THAT IS. WHAT IS THAT? 1251 00:39:26,113 --> 00:39:27,447 WHAT, ARE YOU AT A LOSS FOR WORDS? 1252 00:39:27,447 --> 00:39:29,780 THE PLACE IS A FILTHY MESS. 1253 00:39:29,780 --> 00:39:31,680 LOOK, WHAT IS THAT? 1254 00:39:31,680 --> 00:39:33,013 YOU'RE BEING A. THIS WASN'T LIKE THIS. 1255 00:39:33,013 --> 00:39:34,247 IT WASN'T LIKE THIS. 1256 00:39:34,247 --> 00:39:35,680 YOU'RE CALLING ME A? 1257 00:39:35,680 --> 00:39:36,813 I AM. 1258 00:39:36,813 --> 00:39:39,080 YOU STUCK-UP, PRECIOUS LITTLE BITCH, 1259 00:39:39,080 --> 00:39:40,147 LET ME TELL YOU SOMETHING. 1260 00:39:40,147 --> 00:39:41,980 SHALL WE? PLEASE. 1261 00:39:41,980 --> 00:39:44,180 SHOULD I PREPARE MYSELF? 1262 00:39:44,180 --> 00:39:46,580 HOLY MACKEREL. 1263 00:39:46,580 --> 00:39:48,047 WOW. 1264 00:39:48,047 --> 00:39:49,913 WHAT DO YOU THINK? WELL, BLOODY HELL. 1265 00:39:49,913 --> 00:39:52,147 IT'S ORGANIZED. 1266 00:39:52,147 --> 00:39:53,513 IT'S STRUCTURED. 1267 00:39:53,513 --> 00:39:55,547 AND IT ALL LOOKS INCREDIBLE. 1268 00:39:55,547 --> 00:39:57,080 AND IT ALL LOOKS INCREDIBLE. 1269 00:39:57,080 --> 00:39:59,880 LET'S GET OUT OF HERE. 1270 00:39:59,880 --> 00:40:01,147 WE'VE JUST BEEN WORKING SO HARD 1271 00:40:01,147 --> 00:40:03,547 TO KEEP THE STANDARDS UP THAT HE LEFT US WITH. 1272 00:40:03,547 --> 00:40:05,080 I'VE GOT A QUESTION FOR YOU. 1273 00:40:05,080 --> 00:40:06,413 WHAT'S UP? 1274 00:40:06,413 --> 00:40:09,280 ON MY LAST VISIT HERE, YOU TOLD ME... 1275 00:40:09,280 --> 00:40:11,480 YOU'RE A DISGRACE TO THIS INDUSTRY. 1276 00:40:11,480 --> 00:40:12,880 I TAKE IT BACK. 1277 00:40:12,880 --> 00:40:14,180 OH, YOU TAKE IT BACK. 1278 00:40:14,180 --> 00:40:15,447 IT JUST CAME OUT. 1279 00:40:15,447 --> 00:40:16,880 SOMETIMES I DON'T HAVE A FILTER. 1280 00:40:16,880 --> 00:40:18,213 HOW YOU DOING? 1281 00:40:18,213 --> 00:40:19,513 GOOD TO SEE YOU LIKEWISE. GOOD TO SEE YOU TOO. 1282 00:40:19,513 --> 00:40:20,980 HOW ARE YOU, BUDDY? GOOD, GOOD, HOW ARE YOU? 1283 00:40:20,980 --> 00:40:22,113 WHAT'S HAPPENED? 1284 00:40:22,113 --> 00:40:23,780 IT'S LIKE THIS SORT OF-- 1285 00:40:23,780 --> 00:40:24,713 WE'VE CHANGED. 1286 00:40:24,713 --> 00:40:25,547 SHE GOES UP TO OUR TABLES 1287 00:40:25,547 --> 00:40:26,013 SHE GOES UP TO OUR TABLES 1288 00:40:26,013 --> 00:40:27,347 ALL THE TIME NOW. 1289 00:40:27,347 --> 00:40:29,580 SHE'S VERY INTERACTIVE WITH THE CUSTOMERS. 1290 00:40:29,580 --> 00:40:31,547 YOU KNOW, SHE'S LOOKING FOR POSITIVE 1291 00:40:31,547 --> 00:40:33,680 AND THE NEGATIVE FEEDBACK. 1292 00:40:33,680 --> 00:40:34,713 OKAY, GREAT. IT'S GOOD TO SEE YOU, BUD. 1293 00:40:34,713 --> 00:40:35,813 GOOD TO SEE YOU. 1294 00:40:35,813 --> 00:40:38,013 OH, THANKS. 1295 00:40:38,013 --> 00:40:39,047 WOW. 1296 00:40:39,047 --> 00:40:40,547 THAT LOOKS GREAT. 1297 00:40:40,547 --> 00:40:41,613 THAT'S A STEAK. 1298 00:40:41,613 --> 00:40:43,413 THAT SALMON LOOKS LOVELY. 1299 00:40:43,413 --> 00:40:44,680 DO YOU MIND IF I HAVE A LITTLE BITE OF THAT? 1300 00:40:44,680 --> 00:40:46,780 ABSOLUTELY. IT IS SO GOOD. 1301 00:40:49,647 --> 00:40:52,280 THAT'S DELICIOUS. 1302 00:40:52,280 --> 00:40:54,013 TO GET GORDON RAMSAY'S SEAL OF APPROVAL, 1303 00:40:54,013 --> 00:40:55,547 I MEAN, IT REALLY MEANS EVERYTHING TO ME. 1304 00:40:55,547 --> 00:40:56,413 I MEAN, IT REALLY MEANS EVERYTHING TO ME. 1305 00:40:56,413 --> 00:40:58,413 HAVE YOU EMBRACED THE WORD "CHANGE"? 1306 00:40:58,413 --> 00:40:59,580 YES. 1307 00:41:01,813 --> 00:41:03,080 NO PINKY CROSS. 1308 00:41:03,080 --> 00:41:04,647 PUT YOUR RIGHT HAND UP AND SWEAR TO GOD, 1309 00:41:04,647 --> 00:41:06,213 I, ABBY... I, ABBY... 1310 00:41:06,213 --> 00:41:07,880 HAVE EMBRACED... HAVE EMBRACED... 1311 00:41:07,880 --> 00:41:09,347 CHANGE. CHANGE. 1312 00:41:09,347 --> 00:41:10,513 FOREVER. FOREVER. 1313 00:41:10,513 --> 00:41:11,780 WOW. 1314 00:41:11,780 --> 00:41:14,013 WOW. 1315 00:41:14,013 --> 00:41:16,680 SO WITH THE SUCCESS OF THE BUSINESS, 1316 00:41:16,680 --> 00:41:18,280 HAS IT BROUGHT YOU TWO TOGETHER 1317 00:41:18,280 --> 00:41:20,613 IN TERMS OF AS A PROPER PARTNERSHIP? 1318 00:41:20,613 --> 00:41:22,613 WHAT'S THE WORKING RELATIONSHIP NOW LIKE? 1319 00:41:27,680 --> 00:41:29,247 I SENSE A LITTLE TENSION BETWEEN YOU TWO. 1320 00:41:30,947 --> 00:41:32,480 INSTEAD OF THE VOLCANO 1321 00:41:32,480 --> 00:41:35,047 ERUPTING ON THE EMPLOYEES, 1322 00:41:35,047 --> 00:41:36,580 IT ERUPTS ON ME. 1323 00:41:36,580 --> 00:41:37,613 REALLY? 1324 00:41:37,613 --> 00:41:38,780 NO. 1325 00:41:38,780 --> 00:41:40,880 WHAT SHE WAS TOLD ON FRIDAY, 1326 00:41:40,880 --> 00:41:43,813 SO SHE TOLD ME TO OFF. 1327 00:41:43,813 --> 00:41:45,380 SHE TOLD YOU TO OFF? 1328 00:41:45,380 --> 00:41:46,680 ABBY. 1329 00:41:46,680 --> 00:41:48,047 THERE'S ME THINKING THAT YOU'RE A COMPLETE 1330 00:41:48,047 --> 00:41:50,347 CHANGED, TURN-AROUND, AMAZING WOMAN, 1331 00:41:50,347 --> 00:41:52,247 AND YOU SLIP BACK INTO YOUR OLD WAYS. 1332 00:41:52,247 --> 00:41:54,380 NO, I DIDN'T; WE'RE LIKE AN OLD MARRIED COUPLE. 1333 00:41:54,380 --> 00:41:55,547 YOU'RE IN BUSINESS TOGETHER. 1334 00:41:55,547 --> 00:41:55,547 YOU SHOULDN'T TELL HIM TO OFF. 1335 00:41:55,547 --> 00:41:56,847 YOU SHOULDN'T TELL HIM TO OFF. 1336 00:41:56,847 --> 00:41:59,613 HE'S YOUR PARTNER. 1337 00:41:59,613 --> 00:42:01,513 YOU'RE RIGHT. YOU'RE ABSOLUTELY RIGHT. 1338 00:42:01,513 --> 00:42:02,880 DON'T TELL HIM TO OFF AGAIN. 1339 00:42:02,880 --> 00:42:06,613 IN FACT, I'D LIKE YOU TO APOLOGIZE. 1340 00:42:06,613 --> 00:42:09,847 I LOVE YOU, RICO. I'M SORRY. 1341 00:42:09,847 --> 00:42:11,613 THAT'S ALL I'VE BEEN WAITING FOR 1342 00:42:11,613 --> 00:42:13,680 SINCE FRIDAY, IT'S VERY SIMPLE. 1343 00:42:13,680 --> 00:42:14,880 I WISH YOU DID IT FRIDAY NIGHT. 1344 00:42:14,880 --> 00:42:17,813 THERE ISN'T ANYONE I WOULD EVER DO THIS WITH 1345 00:42:17,813 --> 00:42:19,147 BESIDES ABBY. 1346 00:42:19,147 --> 00:42:22,747 HER HEART AND SOUL ARE THERE 110% OF THE TIME. 1347 00:42:22,747 --> 00:42:23,747 WELL, LISTEN, I'M PLEASED. 1348 00:42:23,747 --> 00:42:24,947 GOOD JOB. 1349 00:42:24,947 --> 00:42:25,547 I KNEW HE WOULD BE. 1350 00:42:25,547 --> 00:42:26,180 I KNEW HE WOULD BE. 1351 00:42:26,180 --> 00:42:28,947 NOW AS ALWAYS, TAKE CARE. 1352 00:42:28,947 --> 00:42:30,713 AND TAKE CARE OF HER, WOULD YOU PLEASE, YES? 1353 00:42:30,713 --> 00:42:33,880 I THINK WHAT ABBY LEARNED FROM CHEF RAMSAY 1354 00:42:33,880 --> 00:42:37,547 WAS ACCEPT CRITICISM, 1355 00:42:37,547 --> 00:42:39,480 'CAUSE ACCEPTING CRITICISM AND DEALING WITH IT 1356 00:42:39,480 --> 00:42:40,780 MAKES YOU STRONGER. 1357 00:42:40,780 --> 00:42:42,747 COME HERE, NAPOLEON. 1358 00:42:42,747 --> 00:42:44,380 GOOD TO SEE YOU. THANK YOU SO MUCH. GREAT TO SEE YOU. 1359 00:42:44,380 --> 00:42:45,647 COME BACK AGAIN. 1360 00:42:45,647 --> 00:42:47,213 I WANT TO THANK HIM. 1361 00:42:47,213 --> 00:42:49,980 HE WAS A LIFESAVER, 'CAUSE DOWNCITY IS MY LIFE. 1362 00:42:49,980 --> 00:42:51,613 I REALLY LIKE HIM A LOT. 1363 00:42:51,613 --> 00:42:54,913 HE'S A COOL GUY. 1364 00:42:54,913 --> 00:42:55,547 I DON'T NEED TO TELL YOU, BUT IT'S BEEN A ROUGH 1365 00:42:55,547 --> 00:42:56,680 I DON'T NEED TO TELL YOU, BUT IT'S BEEN A ROUGH 1366 00:42:56,680 --> 00:42:58,480 COUPLE OF YEARS FOR ALL BUSINESS OWNERS. 1367 00:42:58,480 --> 00:43:00,613 SO FOR DAVIDE, CLASSIC AMERICAN, 1368 00:43:00,613 --> 00:43:03,380 AND DOWNCITY TO BE THRIVING IN THIS ENVIRONMENT 1369 00:43:03,380 --> 00:43:05,280 IS A TRIBUTE TO ALL THEIR HARD WORK. 1370 00:43:05,280 --> 00:43:07,280 I AM SO PROUD OF THEM ALL.