1 00:00:02,198 --> 00:00:04,031 TONIGHT ON KITCHEN NIGHTMARES, 2 00:00:04,031 --> 00:00:05,398 GORDON MAY BE IN THE CITY OF BROTHERLY LOVE... 3 00:00:05,398 --> 00:00:07,364 ALL RIGHT, NOW I'M GETTIN' MAD! 4 00:00:07,364 --> 00:00:09,331 BUT NO ONE IS FEELING THE LOVE AT CHIARELLA'S. 5 00:00:09,331 --> 00:00:10,831 PUT IT UP! LET'S GO! 6 00:00:10,831 --> 00:00:12,998 CHEF RAMSAY IS IN FOR A MAJOR STRUGGLE 7 00:00:12,998 --> 00:00:15,764 WITH A PROUD BUT MISGUIDED HUSBAND AND WIFE TEAM. 8 00:00:15,764 --> 00:00:20,031 THE FOOD WAS DISGUSTING. I DISAGREE WITH YOU. 9 00:00:20,031 --> 00:00:22,064 WHILE ONE DEALS WITH THE FAILING BUSINESS... 10 00:00:22,064 --> 00:00:23,231 I DON'T KNOW WHAT YOUSE ARE DOING! 11 00:00:23,231 --> 00:00:24,998 BY FIGHTING BACK... 12 00:00:24,998 --> 00:00:26,231 EVERYBODY GET IT TOGETHER. 13 00:00:26,231 --> 00:00:28,964 THE OTHER HAS GIVEN UP. 14 00:00:28,964 --> 00:00:30,000 IT'S JUST SO MUCH I'M AFRAID OF. 15 00:00:30,000 --> 00:00:30,698 IT'S JUST SO MUCH I'M AFRAID OF. 16 00:00:30,698 --> 00:00:33,431 NOT SURPRISINGLY, THE MARRIAGE IS AT ITS BREAKING POINT. 17 00:00:33,431 --> 00:00:35,531 WHAT THE HELL IS GOING ON WITH YOU? 18 00:00:35,531 --> 00:00:37,831 GET READY FOR A NIGHT OF RAW EMOTION... 19 00:00:37,831 --> 00:00:39,864 IT AIN'T HER FAULT, IT'S MY FAULT! 20 00:00:39,864 --> 00:00:43,231 AS CHEF RAMSAY TRIES TO REBUILD NOT JUST A RESTAURANT... 21 00:00:43,231 --> 00:00:44,631 YOU'VE GOT TO BOUNCE BACK. 22 00:00:44,631 --> 00:00:46,631 BUT AN OWNER'S CONFIDENCE AS WELL. 23 00:00:46,631 --> 00:00:48,931 I SHOULDN'T EVEN BE HERE. 24 00:00:48,931 --> 00:00:50,398 TONIGHT, FAILURE MIGHT JUST BE AN OPTION 25 00:00:50,398 --> 00:00:52,131 IN PHILADELPHIA. 26 00:00:52,131 --> 00:00:53,498 DO YOU KNOW HOW YOU CAN TURN THIS AROUND? 27 00:00:53,498 --> 00:00:56,664 SAVE YOUR MONEY. SHUT THE DOOR! 28 00:01:00,298 --> 00:01:02,631 WHAT IS THAT? 29 00:01:02,631 --> 00:01:04,064 DISGUSTING CRAP! 30 00:01:04,064 --> 00:01:05,431 YOU'RE DONE! I'M DONE? 31 00:01:05,431 --> 00:01:07,431 I'M NOT INSANE! YES, YOU ARE! 32 00:01:07,431 --> 00:01:09,764 SHUT THE PLACE DOWN! GET OUT OF HERE! 33 00:01:09,764 --> 00:01:11,431 THAT IS AMAZING! 34 00:01:11,431 --> 00:01:13,231 I CAN'T TAKE ANYMORE! 35 00:01:13,231 --> 00:01:16,964 I JUST CAN'T THANK YOU ENOUGH. 36 00:01:18,464 --> 00:01:20,264 SOUTH PHILADELPHIA, 37 00:01:20,264 --> 00:01:22,164 BOASTING SOME OF THE MOST AUTHENTIC ITALIAN RESTAURANTS 38 00:01:22,164 --> 00:01:23,864 IN THE COUNTRY, 39 00:01:23,864 --> 00:01:27,198 AND HOME TO CHIARELLA'S. 40 00:01:27,198 --> 00:01:28,364 GOOD EVENING. TWO? 41 00:01:28,364 --> 00:01:30,000 IN 2007, TOMMY AND DINA DEFINO 42 00:01:30,000 --> 00:01:31,131 IN 2007, TOMMY AND DINA DEFINO 43 00:01:31,131 --> 00:01:33,798 OPENED THIS RESTAURANT AFTER DINA'S PARENTS 44 00:01:33,798 --> 00:01:35,498 CLOSED THE ORIGINAL CHIARELLA'S, 45 00:01:35,498 --> 00:01:38,464 WHICH WAS LOCATED IN WILDWOOD, NEW JERSEY. 46 00:01:38,464 --> 00:01:40,164 MY PARENTS OWNED THE ORIGINAL CHIARELLA'S. 47 00:01:40,164 --> 00:01:43,531 PHENOMENAL BUSINESS-- BUSY EVERY NIGHT, PACKED. 48 00:01:43,531 --> 00:01:45,131 WE JUST FIGURED ONCE WE OPENED HERE, 49 00:01:45,131 --> 00:01:47,698 WE WOULD BE JUST AS SUCCESSFUL HERE 50 00:01:47,698 --> 00:01:49,031 AS CHIARELLA'S WAS IN WILDWOOD. 51 00:01:49,031 --> 00:01:50,331 HELLO. HOW YOU DOING? 52 00:01:50,331 --> 00:01:52,264 WHEN WE FIRST OPENED CHIARELLA'S, 53 00:01:52,264 --> 00:01:54,098 TOMMY WAS FUN AND HAPPY. 54 00:01:54,098 --> 00:01:57,431 HOW YOU DOING TONIGHT? GREAT, GREAT. COULDN'T BE BETTER. 55 00:01:57,431 --> 00:02:00,000 BUT AS BUSINESS WENT DOWN... WHO DIDN'T COME IN? 56 00:02:00,000 --> 00:02:00,198 BUT AS BUSINESS WENT DOWN... WHO DIDN'T COME IN? 57 00:02:00,198 --> 00:02:01,764 A FOUR, A TWO, A FOUR. 58 00:02:01,764 --> 00:02:03,131 WHY? I DON'T KNOW. 59 00:02:03,131 --> 00:02:08,798 TOMMY BECAME, LIKE, A COMPLETELY DIFFERENT PERSON. 60 00:02:08,798 --> 00:02:11,964 THE SUCCESS IN WILDWOOD DID NOT AT ALL 61 00:02:11,964 --> 00:02:14,531 FOLLOW ME TO PHILLY. 62 00:02:14,531 --> 00:02:16,598 NO, MAN. A LOT OF PEOPLE DIDN'T COME IN. 63 00:02:16,598 --> 00:02:18,231 OH, DON'T WORRY ABOUT IT. 64 00:02:18,231 --> 00:02:19,364 WE HAVE A GREAT LITTLE RESTAURANT. 65 00:02:19,364 --> 00:02:23,098 THE MENU IS FANTASTIC. 66 00:02:23,098 --> 00:02:25,131 WE HAVE GOOD FOOD... 67 00:02:25,131 --> 00:02:28,531 AND I CAN'T FIGURE OUT WHAT THE PROBLEM IS. 68 00:02:28,531 --> 00:02:30,000 HOW'S EVERYTHING, LADIES? 69 00:02:30,000 --> 00:02:30,964 HOW'S EVERYTHING, LADIES? 70 00:02:30,964 --> 00:02:33,398 THAT'S YOUR OPINION. 71 00:02:33,398 --> 00:02:34,731 TOMMY AND DINA NEED TO ADMIT, 72 00:02:34,731 --> 00:02:36,664 LIKE, OUR FOOD BLOWS, AND THAT'S IT. 73 00:02:36,664 --> 00:02:39,464 WHAT HAPPENED WITH THAT? SHE DON'T LIKE THAT. 74 00:02:39,464 --> 00:02:40,964 THEY CAN GO THEMSELVES, ALL RIGHT? 75 00:02:40,964 --> 00:02:42,264 YOU HAVE TO PUT OUT WHAT PEOPLE WANT, 76 00:02:42,264 --> 00:02:44,731 AND WE'RE NOT DOING THAT RIGHT NOW, NOT AT ALL. 77 00:02:44,731 --> 00:02:46,931 YOU TAKE THIS OUT. I'M DONE. 78 00:02:46,931 --> 00:02:48,398 WHEN THERE'S PROBLEMS IN THE KITCHEN, 79 00:02:48,398 --> 00:02:50,831 TOMMY JUST GOES, "I AIN'T DEALING WITH THIS ," 80 00:02:50,831 --> 00:02:53,531 AND HE LEAVES. 81 00:02:54,531 --> 00:02:55,731 HE JUST GOES DOWN IN THE BASEMENT 82 00:02:55,731 --> 00:02:58,398 AND LIFTS HIS LITTLE WEIGHTS. 83 00:02:58,398 --> 00:03:00,000 AND HE DOES HIS CRAZY SIT-UPS OR WHATEVER ON THE CHAIR. 84 00:03:00,000 --> 00:03:02,031 AND HE DOES HIS CRAZY SIT-UPS OR WHATEVER ON THE CHAIR. 85 00:03:02,031 --> 00:03:03,498 OR HE'LL JUST PRACTICE HIS GOLF SWING. 86 00:03:03,498 --> 00:03:05,664 THAT'S A SHANK. 87 00:03:05,664 --> 00:03:07,864 MAYBE ONE TIME A GOLF BALL HIT HIM IN THE HEAD 88 00:03:07,864 --> 00:03:10,331 BECAUSE HE IS NOT HIMSELF, 89 00:03:10,331 --> 00:03:13,764 AND HE'S MENTALLY BREAKING DOWN. 90 00:03:13,764 --> 00:03:14,998 ANYBODY KNOW WHERE MY CHECK IS? 91 00:03:14,998 --> 00:03:16,364 I LOST A CHECK, UNLESS IT'S DOWN MY ASS. 92 00:03:16,364 --> 00:03:19,231 IS IT DOWN MY ASS? IS IT? 93 00:03:19,231 --> 00:03:21,464 I CAN'T FIGURE IT OUT. 94 00:03:23,631 --> 00:03:26,531 WHEN I SEE THE RESTAURANT DOING POORLY, 95 00:03:26,531 --> 00:03:27,998 AND I SEE AN EMPTY RESTAURANT, 96 00:03:27,998 --> 00:03:30,000 IT'S THE WORST FEELING YOU CAN EVER IMAGINE. 97 00:03:30,000 --> 00:03:30,164 IT'S THE WORST FEELING YOU CAN EVER IMAGINE. 98 00:03:30,164 --> 00:03:32,364 WHY IS THIS HAPPENING TO ME, MAN? 99 00:03:32,364 --> 00:03:34,831 I GOTTA PICK MYSELF UP. 100 00:03:34,831 --> 00:03:36,398 TOMMY CAN'T DEAL WITH THE LACK OF BUSINESS. 101 00:03:36,398 --> 00:03:38,864 IT'S DRIVING HIM CRAZY. 102 00:03:38,864 --> 00:03:41,564 I AIN'T DESTINED FOR THIS BUSINESS NO MORE, MAN. 103 00:03:41,564 --> 00:03:43,398 I DON'T KNOW WHAT TO DO. 104 00:03:43,398 --> 00:03:45,498 OVER THE LAST COUPLE YEARS, THE STRESS-- 105 00:03:45,498 --> 00:03:49,298 TOMMY'S JUST, LIKE, DRAINED FROM IT. 106 00:03:49,298 --> 00:03:50,464 LET'S GET THIS NIGHT OVER WITH, MAN, 107 00:03:50,464 --> 00:03:51,898 'CAUSE I WANNA GET OUT OF HERE. 108 00:03:51,898 --> 00:03:53,898 AND I WANT TOMMY TO BE HAPPY, 109 00:03:53,898 --> 00:03:59,464 'CAUSE HE DESERVES THAT. 110 00:03:59,464 --> 00:04:00,000 THIS IS NOT RIGHT. 111 00:04:00,000 --> 00:04:01,964 THIS IS NOT RIGHT. 112 00:04:01,964 --> 00:04:03,264 I'M NOT EVEN DOING ENOUGH BUSINESS 113 00:04:03,264 --> 00:04:05,131 TO KEEP MY ELECTRIC AND GAS ON. 114 00:04:05,131 --> 00:04:06,431 I CAN'T LOSE THIS. 115 00:04:06,431 --> 00:04:08,131 THIS WAS IT. THIS WAS EVERYTHING. 116 00:04:08,131 --> 00:04:10,564 I CAN'T LOSE THE RESTAURANT. I'M DEAD. 117 00:04:23,464 --> 00:04:25,798 I'M IN SOUTH PHILLY, KNOWN TO LOCALS 118 00:04:25,798 --> 00:04:27,798 AS THE "RED SAUCE NEIGHBORHOOD," 119 00:04:27,798 --> 00:04:29,198 BECAUSE THIS PLACE IS SURROUNDED 120 00:04:29,198 --> 00:04:30,000 WITH GREAT ITALIAN RESTAURANTS. 121 00:04:30,000 --> 00:04:30,731 WITH GREAT ITALIAN RESTAURANTS. 122 00:04:30,731 --> 00:04:33,064 NOW, I'M REALLY LOOKING FORWARD TO CHECKING OUT CHIARELLA'S. 123 00:04:33,064 --> 00:04:35,298 IT'S SMALL. 124 00:04:35,298 --> 00:04:37,698 WOW. OH, HELLO. 125 00:04:37,698 --> 00:04:39,198 HELLO. HOW ARE YOU? NICE TO SEE YOU. 126 00:04:39,198 --> 00:04:40,464 AND YOUR FIRST NAME IS? DINA. 127 00:04:40,464 --> 00:04:43,431 DINA. AND THE NAME CHIARELLA'S CAME FROM? 128 00:04:43,431 --> 00:04:44,764 MY FATHER. MY FAMILY. 129 00:04:44,764 --> 00:04:46,198 OKAY... WE HAD A RESTAURANT IN WILDWOOD. 130 00:04:46,198 --> 00:04:48,698 AND HOW LONG WAS IT IN WILDWOOD FOR? 36 YEARS. 131 00:04:48,698 --> 00:04:49,798 OH, WOW. WOW, WOW, WOW. 132 00:04:49,798 --> 00:04:51,731 AND DID YOU SPEND TIME THERE? ALL MY LIFE. 133 00:04:51,731 --> 00:04:52,764 YOU'RE NOT THAT OLD, ARE YOU? 134 00:04:52,764 --> 00:04:54,864 YEAH, I AM. 135 00:04:54,864 --> 00:04:56,731 WE NEED CHEF RAMSAY'S HELP BECAUSE 136 00:04:56,731 --> 00:05:00,000 TOMMY NEEDS TO TAKE CONTROL OF HIS BUSINESS AND HIMSELF 137 00:05:00,000 --> 00:05:00,398 TOMMY NEEDS TO TAKE CONTROL OF HIS BUSINESS AND HIMSELF 138 00:05:00,398 --> 00:05:02,164 TO MAKE THINGS WORK. 139 00:05:02,164 --> 00:05:03,931 AND THAT IS OUR PROBLEM. 140 00:05:03,931 --> 00:05:06,264 AND MR. CHIARELLA, HE OVERSEES IT? 141 00:05:06,264 --> 00:05:07,464 HE'S RETIRED. OH, HE'S RETIRED. 142 00:05:07,464 --> 00:05:09,331 IT'S MINE AND MY HUSBAND'S PLACE. 143 00:05:09,331 --> 00:05:11,098 MAY I MEET YOUR HUSBAND? YES. 144 00:05:11,098 --> 00:05:12,164 PLEASE? THANK YOU. 145 00:05:12,164 --> 00:05:14,598 EXCELLENT. IF I CAN FIND WHERE HE IS. 146 00:05:16,664 --> 00:05:19,198 THOMAS, ARE YOU IN THE BATHROOM? NO, I'M RIGHT HERE. 147 00:05:19,198 --> 00:05:20,698 CAN YOU COME UP HERE, BABE? 148 00:05:20,698 --> 00:05:22,864 IS HE IN THE KITCHEN? NO. THOMAS DOESN'T COOK. 149 00:05:22,864 --> 00:05:24,898 OH, HE DOESN'T COOK? NO. 150 00:05:24,898 --> 00:05:26,664 HEY. PLEASURE. 151 00:05:26,664 --> 00:05:28,964 PLEASURE'S ALL MINE, BUD. GOOD TO SEE YOU. YOU TOO. 152 00:05:28,964 --> 00:05:30,000 YOU LOOK FIT. YEAH, A LITTLE BIT. 153 00:05:30,000 --> 00:05:31,264 YOU LOOK FIT. YEAH, A LITTLE BIT. 154 00:05:31,264 --> 00:05:33,631 UH, LET'S SIT DOWN, LET'S HAVE A CATCH-UP, 155 00:05:33,631 --> 00:05:35,564 AND LET'S FIND OUT WHAT'S GOING ON, SHALL WE? 156 00:05:35,564 --> 00:05:36,631 YOU GOT IT. YEAH? 157 00:05:36,631 --> 00:05:38,498 IF I KNEW EXACTLY WHY I NEEDED HELP, 158 00:05:38,498 --> 00:05:40,664 I WOULDN'T NEED CHEF RAMSAY. 159 00:05:40,664 --> 00:05:42,064 SO, DINA. YES. 160 00:05:42,064 --> 00:05:44,298 SO WHOSE IDEA WAS IT TO MOVE THAT NAME 161 00:05:44,298 --> 00:05:45,531 AND TO BUY IN SOUTH PHILLY? 162 00:05:45,531 --> 00:05:46,998 WELL, MY FATHER RETIRED... RIGHT. 163 00:05:46,998 --> 00:05:48,931 AND WE NEEDED TO FIGURE OUT 164 00:05:48,931 --> 00:05:50,131 WHAT WE WERE GONNA DO WITH OUR LIVES. 165 00:05:50,131 --> 00:05:52,498 I MEAN, ALL WE KNOW IS THE RESTAURANT BUSINESS. 166 00:05:52,498 --> 00:05:54,264 THAT'S ALL WE KNEW. 167 00:05:54,264 --> 00:05:55,598 WHAT'S WRONG WITH THE RESTAURANT, DINA, WHAT? 168 00:05:55,598 --> 00:05:58,731 NO CONSISTENCY. NO CONSISTENCY. SERVICE, FOOD? 169 00:05:58,731 --> 00:06:00,000 I THINK OUR FOOD IS BETTER THAN THE AREA'S FOOD AROUND HERE-- 170 00:06:00,000 --> 00:06:01,098 I THINK OUR FOOD IS BETTER THAN THE AREA'S FOOD AROUND HERE-- 171 00:06:01,098 --> 00:06:02,431 IT'S QUALITY, IT'S FRESH. 172 00:06:02,431 --> 00:06:03,831 BUT DINA JUST SAID YOU'RE INCONSISTENT. 173 00:06:03,831 --> 00:06:06,064 WHAT'S INCONSISTENT IS THE CUSTOMERS. 174 00:06:06,064 --> 00:06:07,364 SO THE FOOD'S CONSISTENT, 175 00:06:07,364 --> 00:06:09,031 BUT THE CUSTOMERS ARE INCONSISTENT? RIGHT. 176 00:06:09,031 --> 00:06:10,931 I DON'T THINK THEY LIKE ITALIAN FOOD. 177 00:06:10,931 --> 00:06:12,731 COME ON. OH, YEAH. 178 00:06:12,731 --> 00:06:14,664 AND I STAND BEHIND OUR FOOD. 179 00:06:14,664 --> 00:06:15,864 BUT WHAT'S MISSING FROM THE RESTAURANT? 180 00:06:15,864 --> 00:06:20,764 WE DON'T KNOW WHAT'S MISSING. CUSTOMERS. 181 00:06:20,764 --> 00:06:23,998 WELL, OKAY, IN TERMS OF HOW THIS PLACE IS RUN, 182 00:06:23,998 --> 00:06:25,298 I MEAN, WHO ACTUALLY RUNS IT? 183 00:06:25,298 --> 00:06:27,498 ME. YOU'RE IN CHARGE? 184 00:06:27,498 --> 00:06:28,731 AND HOW MANY DAYS A WEEK ARE YOU HERE? 185 00:06:28,731 --> 00:06:30,000 MAYBE TWO OR THREE. RIGHT. 186 00:06:30,000 --> 00:06:30,531 MAYBE TWO OR THREE. RIGHT. 187 00:06:30,531 --> 00:06:33,598 AND DO YOU ALWAYS AGREE WITH WHAT TOMMY'S DOING? 188 00:06:33,598 --> 00:06:36,231 REALLY? YEAH. 189 00:06:36,231 --> 00:06:40,264 I DON'T AGREE WITH THE WAY HE RUNS THE KITCHEN. 190 00:06:40,264 --> 00:06:41,464 YOU'RE NOT TAKING IT SERIOUSLY ENOUGH? 191 00:06:41,464 --> 00:06:42,931 OH, I TAKE IT SERIOUS, IT'S JUST 192 00:06:42,931 --> 00:06:44,698 THERE'S NOT ENOUGH BUSINESS. 193 00:06:44,698 --> 00:06:46,064 THAT'S NOT THE ISSUE. 194 00:06:46,064 --> 00:06:47,931 THE ISSUE IS YOU CAN'T BETTER YOUR BUSINESS 195 00:06:47,931 --> 00:06:49,664 THE WAY YOU'RE RUNNING IT. 196 00:06:49,664 --> 00:06:52,531 WELL, HE'S ASKING A QUESTION-- 197 00:06:52,531 --> 00:06:54,364 HE'S ASKING A QUESTION AND I-- 198 00:06:54,364 --> 00:06:56,164 I'M HERE EVERY DAY, YOU DON'T HAVE TO BE HERE EVERY DAY. 199 00:06:56,164 --> 00:06:57,998 AND I GO HOME, AND THAT'S WHAT I DO. 200 00:06:57,998 --> 00:07:00,000 I DON'T FULLY UNDERSTAND WHY THIS PLACE IS NOT WORKING. 201 00:07:00,000 --> 00:07:01,131 I DON'T FULLY UNDERSTAND WHY THIS PLACE IS NOT WORKING. 202 00:07:01,131 --> 00:07:05,098 HE KEEPS DENYING WHAT THE REAL ISSUE IS. 203 00:07:09,064 --> 00:07:10,364 I DIDN'T THINK SHE FELT LIKE THAT. 204 00:07:10,364 --> 00:07:13,064 I MEAN, I THOUGHT... 205 00:07:16,364 --> 00:07:20,498 CAN I JUST HAVE A WORD WITH THIS MAN ON HIS OWN 206 00:07:20,498 --> 00:07:24,031 FOR TWO MINUTES, PLEASE? YES. 207 00:07:24,031 --> 00:07:26,631 I LOVE MY WIFE, BUT THIS RESTAURANT HAS KILLED 208 00:07:26,631 --> 00:07:29,264 OUR RELATIONSHIP-- IT KILLED IT. 209 00:07:29,264 --> 00:07:30,000 LISTEN, I CAN SEE YOU'RE HURTING. 210 00:07:30,000 --> 00:07:31,164 LISTEN, I CAN SEE YOU'RE HURTING. 211 00:07:31,164 --> 00:07:32,698 THAT'S WHY I WANTED A WORD IN PERSON, THAT'S ALL. 212 00:07:32,698 --> 00:07:34,731 I'M EMBARRASSED. 213 00:07:34,731 --> 00:07:38,031 SHE THINKS I DON'T CARE, MAN. 214 00:07:38,031 --> 00:07:40,864 BUT IT'S MY FAULT. 215 00:07:40,864 --> 00:07:42,464 I MEAN, MY WIFE-- I'M THE MAN. 216 00:07:42,464 --> 00:07:44,231 ITALIAN-- I'M THE MAN. 217 00:07:44,231 --> 00:07:46,198 I'M BURIED. 218 00:07:46,198 --> 00:07:48,131 I STAY IN BED BECAUSE I'M AFRAID TO GET UP. 219 00:07:48,131 --> 00:07:49,231 I'M AFRAID WHO'S GONNA COME AFTER ME. 220 00:07:49,231 --> 00:07:51,564 WHO'S GONNA SHUT MY GAS OFF? 221 00:07:51,564 --> 00:07:52,598 I NEED HELP HERE. 222 00:07:52,598 --> 00:07:54,398 I NEED SOMEBODY TO HELP ME, MAN, 223 00:07:54,398 --> 00:07:58,064 BECAUSE THIS BUSINESS HAS BEEN ABSOLUTELY HORRENDOUS. 224 00:07:58,064 --> 00:08:00,000 AND IT'S THE WORST FEELING YOU CAN EVER IMAGINE. 225 00:08:00,000 --> 00:08:00,364 AND IT'S THE WORST FEELING YOU CAN EVER IMAGINE. 226 00:08:03,298 --> 00:08:05,864 COMING UP... THAT'S GHASTLY. 227 00:08:05,864 --> 00:08:07,198 FEEL LIKE I'VE JUST GIVEN BIRTH. 228 00:08:07,198 --> 00:08:08,831 GORDON DISCOVERS HOW DEEP 229 00:08:08,831 --> 00:08:10,131 TOMMY HAS FALLEN INTO DEPRESSION... 230 00:08:10,131 --> 00:08:12,798 WHAT THE HELL IS GOING ON WITH YOU? 231 00:08:12,798 --> 00:08:14,564 HOW FAR THE RESTAURANT HAS SUNK... 232 00:08:14,564 --> 00:08:16,464 IT'S LIKE CAT FOOD. 233 00:08:16,464 --> 00:08:18,664 AND HOW FED UP DINA HAS BECOME. 234 00:08:18,664 --> 00:08:20,098 ALL RIGHT, NOW I'M GETTING MAD. 235 00:08:20,098 --> 00:08:21,998 IT'S FIGHT TIME IN PHILLY. 236 00:08:21,998 --> 00:08:23,531 PUT IT UP! LET'S GO! 237 00:08:23,531 --> 00:08:25,464 I DON'T KNOW WHAT YOUSE ARE DOING! 238 00:08:25,464 --> 00:08:27,564 COMING UP ON KITCHEN NIGHTMARES. 239 00:08:32,523 --> 00:08:34,256 AFTER A DISHEARTENING CONVERSATION 240 00:08:34,256 --> 00:08:36,356 WITH DINA AND TOMMY... GIVE YOU ANOTHER TEA. 241 00:08:36,356 --> 00:08:38,556 THANK YOU. THANK YOU. 242 00:08:38,556 --> 00:08:40,456 CHEF RAMSAY IS HOPING TO FIND ENCOURAGEMENT 243 00:08:40,456 --> 00:08:42,556 FROM CHIARELLA'S MENU. 244 00:08:42,556 --> 00:08:47,256 OKAY... CASUAL GOURMET DINING. WHOA. 245 00:08:47,256 --> 00:08:49,256 WOW, DO THEY HAVE VEAL! 246 00:08:49,256 --> 00:08:52,023 "THE VEAL CUTLET JOHNNY, VEAL PARMIGIANA, 247 00:08:52,023 --> 00:08:53,390 "VEAL CUTLET WITH ROASTED PEPPERS, 248 00:08:53,390 --> 00:08:54,890 "VEAL SCALAPINI, VEAL SALTIMBOCCA, 249 00:08:54,890 --> 00:08:56,323 "VEAL CHIARELLA, 250 00:08:56,323 --> 00:08:58,223 "VEAL SINATRA, VEAL FRANCAISE, 251 00:08:58,223 --> 00:08:59,476 "VEAL PICANTE, VEAL MARSALA 252 00:08:59,476 --> 00:08:59,623 "VEAL PICANTE, VEAL MARSALA 253 00:08:59,623 --> 00:09:03,590 VEAL CUTLET ROBERTO, AND VEAL MIA." WOW. 254 00:09:03,590 --> 00:09:06,290 THERE'S SO MUCH VEAL ON HERE. I DIDN'T SEE ANY CHICKEN. 255 00:09:06,290 --> 00:09:09,690 WHOA. HOLD ON. 256 00:09:09,690 --> 00:09:12,356 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 257 00:09:12,356 --> 00:09:15,490 11 CHICKEN DISHES. 258 00:09:15,490 --> 00:09:17,223 THAT'S INSANE. 259 00:09:17,223 --> 00:09:18,423 HELLO. HELLO, HOW ARE YOU? 260 00:09:18,423 --> 00:09:19,823 I'M GOOD, HOW ARE YOU? VERY WELL, THANK YOU. 261 00:09:19,823 --> 00:09:21,256 YOUR FIRST NAME IS? I'M RENATA. 262 00:09:21,256 --> 00:09:23,923 RENATA, PLEASED TO MEET YOU. YOU TOO. 263 00:09:23,923 --> 00:09:27,290 IS THAT REAL, ALL THESE VEAL AND CHICKEN DISHES? YEAH. 264 00:09:27,290 --> 00:09:29,456 DAMN! AND THESE NAMES... 265 00:09:29,456 --> 00:09:29,476 VEAL CHIARELLA. 266 00:09:29,476 --> 00:09:31,356 VEAL CHIARELLA. 267 00:09:31,356 --> 00:09:34,456 AND DOWN HERE, THE STEAK MICHAEL ANTHONY. 268 00:09:34,456 --> 00:09:35,890 THESE ARE ALL NAMED AFTER PEOPLE. 269 00:09:35,890 --> 00:09:38,456 YEAH, THEY'RE ALL NAMED AFTER THE FAMILY. 270 00:09:38,456 --> 00:09:41,756 SO WHY HAVE THEY GOT A VEAL SINATRA? 271 00:09:41,756 --> 00:09:43,056 YEAH, SO I THINK THEY RAN OUT OF NAMES. 272 00:09:45,423 --> 00:09:46,923 FRANK SINATRA IS NOT A RELATIVE OF THE FAMILY. 273 00:09:46,923 --> 00:09:48,590 I THINK THEY HAD TO GET A LITTLE CREATIVE WITH IT, 274 00:09:48,590 --> 00:09:50,556 SO WHY NOT GO WITH SINATRA? 275 00:09:50,556 --> 00:09:52,356 HE'S A GREAT SINGER, RIGHT? 276 00:09:52,356 --> 00:09:54,523 OKAY, LET'S ORDER, SHALL WE, DARLING? 277 00:09:54,523 --> 00:09:56,023 YES. UM... 278 00:09:56,023 --> 00:09:58,556 WHY NOT GO FOR THE VEAL SINATRA? 279 00:09:58,556 --> 00:09:59,476 SURE. 280 00:09:59,476 --> 00:10:00,256 SURE. 281 00:10:00,256 --> 00:10:02,623 YEAH, AND THE STEAK SARAH ANN, LET'S GO FOR THAT, 282 00:10:02,623 --> 00:10:03,956 MID-RARE, PLEASE, DARLING. MEDIUM-RARE. 283 00:10:03,956 --> 00:10:07,790 NEXT I'LL GO FOR THE LAND AND SEA SHEREE. 284 00:10:07,790 --> 00:10:09,623 IS THAT OKAY IF WE USE A NEW YORK STRIP FOR IT? 285 00:10:09,623 --> 00:10:11,190 OH. WE DON'T HAVE FILET. 286 00:10:11,190 --> 00:10:13,156 HOLD ON A MINUTE. NO FILET. 287 00:10:13,156 --> 00:10:15,856 YOU'RE KIDDING ME. SAYS FILET ON THE MENU. 288 00:10:15,856 --> 00:10:17,923 YEAH, I KNOW. IT'S A PROBLEM. 289 00:10:17,923 --> 00:10:19,323 HOW LONG HAS THERE BEEN NO FILET? 290 00:10:19,323 --> 00:10:20,923 WE PROBABLY HAVEN'T HAD IT SINCE I'VE BEEN HERE. 291 00:10:20,923 --> 00:10:22,090 HOW LONG HAVE YOU BEEN HERE? 292 00:10:22,090 --> 00:10:23,656 4 1/2 YEARS. 293 00:10:23,656 --> 00:10:24,923 WOW, AND DOES IT STILL COST THE SAME? 294 00:10:24,923 --> 00:10:27,323 UH, YEAH. WOW. 295 00:10:27,323 --> 00:10:29,476 WE'VE CHANGED THE FILET MIGNON TO, NOW, A NEW YORK STRIP. 296 00:10:29,476 --> 00:10:30,523 WE'VE CHANGED THE FILET MIGNON TO, NOW, A NEW YORK STRIP. 297 00:10:30,523 --> 00:10:32,790 THESE MENUS ARE STRAIGHT FROM 298 00:10:32,790 --> 00:10:36,090 WHEN THEY HAD THE PLACE DOWN THE SHORE. 299 00:10:36,090 --> 00:10:37,856 THESE ARE THE MENUS FROM THE OLD RESTAURANT? YES. 300 00:10:37,856 --> 00:10:41,490 SO THEY'VE NEVER HAD THEIR OWN IDENTITY? NO. 301 00:10:41,490 --> 00:10:43,623 WHY WOULDN'T YOU JUST CHANGE THE MENU? 302 00:10:43,623 --> 00:10:45,456 I'VE BEEN SAYING THAT SINCE I'VE GOTTEN HERE. 303 00:10:45,456 --> 00:10:48,756 WOW. SO ARE YOU GOING TO GET THE LAND AND SEA SHEREE? 304 00:10:48,756 --> 00:10:50,056 YEAH, LET'S GO FOR THAT. YEAH. 305 00:10:50,056 --> 00:10:51,523 HOW WOULD YOU LIKE YOUR STEAK COOKED? 306 00:10:51,523 --> 00:10:53,623 MID-RARE, PLEASE, DARLING. MEDIUM-RARE. 307 00:10:53,623 --> 00:10:55,723 OKAY, I THINK WE'RE DONE, DARLING. ALL RIGHT, I'LL BE RIGHT BACK. 308 00:10:55,723 --> 00:10:59,090 LOVELY. THANK YOU. 309 00:10:59,090 --> 00:10:59,476 I NEED A VEAL SINATRA, LAND AND SEA SHEREE. 310 00:10:59,476 --> 00:11:02,056 I NEED A VEAL SINATRA, LAND AND SEA SHEREE. 311 00:11:02,056 --> 00:11:04,523 I TOLD HIM IT WAS A STRIP. MEDIUM-RARE, HE WANTS IT. 312 00:11:04,523 --> 00:11:06,390 AND STEAK SARAH ANN, MEDIUM-RARE. 313 00:11:06,390 --> 00:11:07,723 OH! 314 00:11:13,523 --> 00:11:17,956 ...MY MENU. 315 00:11:19,790 --> 00:11:21,456 BATHROOM'S DOWNSTAIRS, DARLING? 316 00:11:21,456 --> 00:11:23,223 YEAH, DOWNSTAIRS TO THE RIGHT. 317 00:11:23,223 --> 00:11:25,323 WATCH YOUR STEP. WATCH YOUR STEP. THANK YOU. 318 00:11:25,323 --> 00:11:26,923 MM-HMM. WOW. 319 00:11:26,923 --> 00:11:28,756 WHAT'S THIS? 320 00:11:28,756 --> 00:11:29,476 YOU ARE KIDDING ME. WHAT THE HELL? 321 00:11:29,476 --> 00:11:31,790 YOU ARE KIDDING ME. WHAT THE HELL? 322 00:11:31,790 --> 00:11:35,023 WHAT THE HELL IS THIS? 323 00:11:35,023 --> 00:11:37,923 OH, MY GOD! 324 00:11:37,923 --> 00:11:41,923 - THIS IS A GYM. - OH,! 325 00:11:41,923 --> 00:11:45,523 MAN... WHAT IS THIS GUY DOING? 326 00:11:45,523 --> 00:11:50,456 THAT IS INCREDIBLE. 327 00:11:50,456 --> 00:11:51,756 LIKE THE SURFACE OF THE MOON. 328 00:11:51,756 --> 00:11:53,523 TOMMY? 329 00:11:53,523 --> 00:11:55,090 WOULD YOU LIKE ME TO GO GET HIM FOR YOU? 330 00:11:55,090 --> 00:11:56,156 YES, PLEASE. SURE. 331 00:11:56,156 --> 00:11:59,476 OH, MY GOD. BANG, STRAIGHT THROUGH. 332 00:11:59,476 --> 00:11:59,623 OH, MY GOD. BANG, STRAIGHT THROUGH. 333 00:11:59,623 --> 00:12:03,156 HE'S IN YOUR OFFICE. OH ,GOD. 334 00:12:03,156 --> 00:12:05,490 TOMMY. YES, SIR? 335 00:12:05,490 --> 00:12:07,356 WHAT THE HELL IS THIS DOWN HERE? HUH? 336 00:12:07,356 --> 00:12:09,990 IT'S MY, UH, OFFICE. 337 00:12:09,990 --> 00:12:11,323 I WANT TO GET A MEMBERSHIP AT YOUR GYM. 338 00:12:11,323 --> 00:12:12,490 IS THIS, UH-- IS THIS WHERE YOU COME 339 00:12:12,490 --> 00:12:13,823 TO SORT OF RELIEVE A BIT OF STRESS? 340 00:12:13,823 --> 00:12:14,923 YES. EXACTLY. 341 00:12:14,923 --> 00:12:16,556 DO YOU WORK OUT IN HERE? YEAH. 342 00:12:16,556 --> 00:12:18,623 EVERY DAY? YEAH. 343 00:12:22,523 --> 00:12:24,190 WHEN TOMMY GETS STRESSED OUT, HE GOES DOWNSTAIRS, 344 00:12:24,190 --> 00:12:25,523 STARTS LIFTING WEIGHTS, 345 00:12:25,523 --> 00:12:26,623 STARTS HITTING BALLS WITH GOLF CLUBS. 346 00:12:26,623 --> 00:12:27,623 WHAT'S THIS? 347 00:12:27,623 --> 00:12:29,476 THAT WASN'T ME. THAT WASN'T ME. 348 00:12:29,476 --> 00:12:30,056 THAT WASN'T ME. THAT WASN'T ME. 349 00:12:30,056 --> 00:12:32,090 THERE'S HOLES IN THE WALL. HE'S PUNCHED HOLES IN THE WALL. 350 00:12:32,090 --> 00:12:33,323 HE'LL SAY IT WASN'T HIM. IT WAS. 351 00:12:33,323 --> 00:12:34,556 THAT WASN'T ME. 352 00:12:34,556 --> 00:12:35,556 MAN! THAT WASN'T ME. 353 00:12:35,556 --> 00:12:36,856 AND THAT ON THE WALL THERE? 354 00:12:36,856 --> 00:12:38,156 THAT'S MY GOLF BALLS. 355 00:12:38,156 --> 00:12:39,590 SO IT'S A DRIVING RANGE AS WELL AS A GYM? 356 00:12:39,590 --> 00:12:42,123 YEAH. BROKE A FEW TVs. 357 00:12:42,123 --> 00:12:44,156 WOW. OKAY. 358 00:12:44,156 --> 00:12:45,256 ALL RIGHT, THIS IS COMING OUT TOO. 359 00:12:45,256 --> 00:12:46,523 IS THE STEAK COMING? 360 00:12:46,523 --> 00:12:47,556 STEAKS ARE IN, ALL RIGHT? 361 00:12:47,556 --> 00:12:49,223 ALL RIGHT. 362 00:12:49,223 --> 00:12:50,790 I THINK CHEF RAMSAY WILL LIKE OUR FOOD. 363 00:12:50,790 --> 00:12:52,623 THANK YOU, DARLING. 364 00:12:52,623 --> 00:12:53,690 I KNOW YOU HEAR THAT ON EVERY SHOW, 365 00:12:53,690 --> 00:12:56,256 BUT OUR FOOD IS GREAT. 366 00:12:56,256 --> 00:12:58,623 SO THIS ONE IS WHAT, DARLING? THAT'S THE STEAK SARAH ANN. 367 00:12:58,623 --> 00:12:59,476 THE ONE WITH THE PROSCIUTTO, MOZZERELLA... OKAY. 368 00:12:59,476 --> 00:13:01,390 THE ONE WITH THE PROSCIUTTO, MOZZERELLA... OKAY. 369 00:13:01,390 --> 00:13:02,756 OKAY? YEAH. THANK YOU. 370 00:13:02,756 --> 00:13:04,923 YOU'RE WELCOME. 371 00:13:04,923 --> 00:13:06,490 MAN. 372 00:13:06,490 --> 00:13:09,156 LOOK AT THAT. THAT IS FRIGHTENING. 373 00:13:09,156 --> 00:13:11,690 OH,. 374 00:13:11,690 --> 00:13:13,090 I FEEL LIKE I'VE JUST GIVEN BIRTH. 375 00:13:13,090 --> 00:13:15,623 I GUESS THAT'S THE PLACENTA. 376 00:13:19,956 --> 00:13:24,390 WOW... IT'S GHASTLY. 377 00:13:30,790 --> 00:13:34,456 RENATA. YEAH? 378 00:13:34,456 --> 00:13:37,823 THE STEAK IS RAW, AND--WHAT IS THAT? 379 00:13:37,823 --> 00:13:38,890 PROSCIUTTO AND MOZZERELLA. 380 00:13:38,890 --> 00:13:41,490 WHAT A DISGUSTING COMBINATION. TOMMY? 381 00:13:41,490 --> 00:13:44,423 YES? TWO SECONDS? 382 00:13:44,423 --> 00:13:46,123 THE STEAK IS RAW, AND... 383 00:13:46,123 --> 00:13:48,723 THAT'S SUPPOSED TO BE MOZZERELLA AND WHAT? 384 00:13:48,723 --> 00:13:50,056 PROSCIUTTO. PROSCIUTTO. 385 00:13:50,056 --> 00:13:55,190 HONESTLY, I MEAN, THAT'S GHASTLY. 386 00:13:55,190 --> 00:13:57,223 IT'S LIKE SOMEONE'S THROWN UP ON MY PLATE. 387 00:13:57,223 --> 00:13:58,623 TOMMY, HAVE A WORD WITH THE CHEF, WOULD YOU, PLEASE? 388 00:13:58,623 --> 00:13:59,476 YEAH. 389 00:13:59,476 --> 00:14:02,090 YEAH. 390 00:14:02,090 --> 00:14:04,690 I KNOW MY FOOD'S GOOD. I KNOWIT'S GOOD. 391 00:14:04,690 --> 00:14:07,090 I KNOW...PRETTY GOOD. 392 00:14:07,090 --> 00:14:11,323 WHAT'S WRONG? 393 00:14:11,323 --> 00:14:15,956 FELIPE, THIS WAS RARE. NOT GOOD AT ALL. TOO RARE. 394 00:14:15,956 --> 00:14:19,256 WHEN THE KITCHEN MESSES UP, TOMMY, INSTEAD OF, YOU KNOW, 395 00:14:19,256 --> 00:14:20,956 TELLING THEM TO STEP THEIR GAME UP, LIKE, "LET'S GO," 396 00:14:20,956 --> 00:14:26,556 LIKE, HE JUST MOPES AROUND. 397 00:14:26,556 --> 00:14:29,156 VEAL SINATRA. OKAY, THANK YOU, DARLING. 398 00:14:41,223 --> 00:14:44,356 THAT IS GHASTLY. 399 00:14:44,356 --> 00:14:46,123 ARE YOU KIDDING ME? VEAL'S OUR SPECIALTY. 400 00:14:46,123 --> 00:14:49,156 I HAVE PEOPLE THAT ORDER THE VEAL SINATRA ALL THE TIME, 401 00:14:49,156 --> 00:14:50,556 INCLUDING MYSELF. 402 00:14:50,556 --> 00:14:53,056 RENATA, PLEASE. THAT'S DREADFUL. 403 00:14:53,056 --> 00:14:55,023 IT'S JUST CHEWY. 404 00:14:55,023 --> 00:14:56,656 THEY LOST ALL THE TEXTURE WHEN THEY POUND THE VEAL. 405 00:14:56,656 --> 00:14:58,656 IT'S JUST SUCH A SHAME. OKAY. 406 00:15:01,556 --> 00:15:03,923 THIS IS THE LAND AND SEA SHEREE. 407 00:15:03,923 --> 00:15:06,356 THANK YOU. YOU'RE WELCOME. 408 00:15:06,356 --> 00:15:08,723 OH, DEAR, THEY'RE NOT ACTUALLY LOBSTERS. 409 00:15:08,723 --> 00:15:12,556 THESE ARE CRAYFISH. LARGE CRAYFISH. 410 00:15:12,556 --> 00:15:13,856 SO I DIDN'T GET MY FILET MIGNON, 411 00:15:13,856 --> 00:15:14,990 AND I DIDN'T GET MY LOBSTER. 412 00:15:14,990 --> 00:15:17,290 IT'S A CHEAP IMITATION OF LOBSTER. 413 00:15:17,290 --> 00:15:20,256 I'VE GOTTA HACK THAT OFF THERE. 414 00:15:20,256 --> 00:15:24,723 THAT'S BRIGHT WHITE, SO THAT'S JUST OVERCOOKED. 415 00:15:24,723 --> 00:15:28,723 ABSOLUTELY CHEWY AS ANYTHING. 416 00:15:28,723 --> 00:15:29,476 MY GOD, IT'S BLAND, IT'S CHEWY, 417 00:15:29,476 --> 00:15:32,256 MY GOD, IT'S BLAND, IT'S CHEWY, 418 00:15:32,256 --> 00:15:35,490 IT'S AN INSULT TO ITALY. 419 00:15:35,490 --> 00:15:38,623 RENATA, I WOULD JUST LIKE YOU TO TASTE THIS. 420 00:15:38,623 --> 00:15:40,623 THAT'S A CRAYFISH, BY THE WAY. IT'S NOT EVEN LOBSTER. 421 00:15:40,623 --> 00:15:42,490 IT'S SPINY LOBSTER-- IT'S A CRAYFISH, DARLING. 422 00:15:42,490 --> 00:15:45,190 BUT IT'S SOLID. EVERYTHING'S OVERCOOKED. 423 00:15:45,190 --> 00:15:48,090 JESUS LORD, HELP US. 424 00:15:48,090 --> 00:15:50,156 I'D LIKE TOMMY TO TASTE THOSE LOBSTERS. 425 00:15:50,156 --> 00:15:51,490 SURE. THANK YOU, DARLING. 426 00:15:51,490 --> 00:15:52,823 YOU'RE WELCOME. 427 00:15:59,190 --> 00:15:59,476 HE WANTS YOU TO TASTE THE CHEWY LOBSTER. 428 00:15:59,476 --> 00:16:02,923 HE WANTS YOU TO TASTE THE CHEWY LOBSTER. 429 00:16:02,923 --> 00:16:06,256 SO EAT UP, 'CAUSE I JUST HAD TO TASTE THE LOBSTER. 430 00:16:06,256 --> 00:16:08,090 WHAT WAS THE MATTER? IT WAS TOO CHEWY. 431 00:16:10,823 --> 00:16:12,123 I HAVE REALLY GOOD FOOD. 432 00:16:12,123 --> 00:16:14,156 CHEF RAMSAY MIGHT NOT AGREE WITH THAT. 433 00:16:14,156 --> 00:16:15,290 I THINK IT'S ALL RIGHT. 434 00:16:15,290 --> 00:16:17,790 BUT IT STILL COMES BACK TO 435 00:16:17,790 --> 00:16:19,323 I HAVE REALLY GOOD FOOD. 436 00:16:19,323 --> 00:16:21,190 AND I KNOW I DO. 437 00:16:21,190 --> 00:16:22,756 THAT WAS FOUL. 438 00:16:22,756 --> 00:16:24,656 I'M DYING TO MEET THE CHEF. 439 00:16:24,656 --> 00:16:26,923 YOU WANNA GO BACK? LET'S GET THEM OUT. 440 00:16:29,023 --> 00:16:29,476 TOMMY AND DINA NEVER THOUGHT EVERY SINGLE MEAL 441 00:16:29,476 --> 00:16:31,090 TOMMY AND DINA NEVER THOUGHT EVERY SINGLE MEAL 442 00:16:31,090 --> 00:16:34,390 THAT WE WOULD SEND OUT WOULD GET CRITIQUED THAT BIG. 443 00:16:34,390 --> 00:16:36,490 OKAY, LET'S COME AROUND, BUDDY, SO WE CAN TALK. 444 00:16:36,490 --> 00:16:41,556 WELL, EVERYTHING THAT WE DO HERE NEEDS IMPROVEMENT. 445 00:16:41,556 --> 00:16:42,890 IS HE THE HEAD CHEF? 446 00:16:42,890 --> 00:16:44,023 YEAH. 447 00:16:44,023 --> 00:16:45,956 HOW LONG HAVE YOU BEEN WORKING HERE? 448 00:16:45,956 --> 00:16:47,890 ALMOST CLOSE TO FIVE YEARS. FIVE YEARS? 449 00:16:47,890 --> 00:16:49,356 I'M GONNA TELL YOU STRAIGHT-- 450 00:16:49,356 --> 00:16:51,123 IF THAT'S THE BEST THIS RESTAURANT'S GOT TO OFFER, 451 00:16:51,123 --> 00:16:53,256 IT'S EMBARRASSING. 452 00:16:53,256 --> 00:16:57,923 IT'S 2012, AND WE'RE SERVING FOOD FROM 1970. 453 00:16:57,923 --> 00:16:59,476 ARE YOU HAPPY WITH THAT SETUP? 454 00:16:59,476 --> 00:17:01,590 ARE YOU HAPPY WITH THAT SETUP? 455 00:17:01,590 --> 00:17:04,256 I'M 28 YEARS OLD. THIS MENU'S OLDER THAN ME. 456 00:17:04,256 --> 00:17:07,590 BUT THEY DON'T LET ME CHANGE THE MENU. 457 00:17:07,590 --> 00:17:09,156 YOU NEED TO CHANGE SOMETHING DIFFERENT. 458 00:17:09,156 --> 00:17:10,923 I CAN'T BLAME HIM ENTIRELY. 459 00:17:10,923 --> 00:17:12,556 I'VE GOT TO BLAME THE INDIVIDUALS 460 00:17:12,556 --> 00:17:16,290 THAT HE'S WORKING FOR-- YOU TWO. 461 00:17:16,290 --> 00:17:18,990 BECAUSE YOU'VE HANDICAPPED HIM. 462 00:17:18,990 --> 00:17:21,590 THE STUFFED ENTREE FIRST. IT WAS GROSS. 463 00:17:21,590 --> 00:17:24,790 THE STEAK WAS RAW, COOKED ONE SIDE. 464 00:17:24,790 --> 00:17:25,890 IF THERE'S ONE THING YOU DON'T DO 465 00:17:25,890 --> 00:17:28,223 TO A NEW YORK STRIP IS STUFF IT. 466 00:17:28,223 --> 00:17:29,476 THE LAND AND SEA... 467 00:17:29,476 --> 00:17:30,090 THE LAND AND SEA... 468 00:17:30,090 --> 00:17:32,623 YOU KNOW THAT'S NOT LOBSTER. THAT'S CALLED A CRAYFISH. 469 00:17:32,623 --> 00:17:34,323 SO WE HAVEN'T EVEN GOT FILET MIGNON, 470 00:17:34,323 --> 00:17:36,023 AND WE HAVEN'T GOT LOBSTER ON THE MENU, 471 00:17:36,023 --> 00:17:38,523 YET THE DISH IS TITLED WITH BOTH THE HEADLINES-- 472 00:17:38,523 --> 00:17:41,223 "LOBSTER, FILET." 473 00:17:41,223 --> 00:17:43,523 BUT THE HORROR FOR ME TODAY WAS TO DISCOVER 474 00:17:43,523 --> 00:17:46,090 THAT YOU'VE GOT A MENU THAT HAS SCREWED YOU 475 00:17:46,090 --> 00:17:47,623 FROM THE FIRST NIGHT YOU OPENED. 476 00:17:47,623 --> 00:17:50,690 IT'S ABSOLUTE, UTTER MADNESS. 477 00:17:50,690 --> 00:17:52,090 AND YOU DON'T NEED ME TO TELL YOU THAT. 478 00:17:52,090 --> 00:17:54,923 I STILL STAND BY IT. I STILL STAND BY MY FOOD. 479 00:17:54,923 --> 00:17:58,590 BUT YOU'RE IN DENIAL. NO, I'M NOT IN DENIAL. 480 00:17:58,590 --> 00:17:59,476 WHEN YOU SIT THERE AND TELL ME THAT FOOD IS GOOD, 481 00:17:59,476 --> 00:18:00,523 WHEN YOU SIT THERE AND TELL ME THAT FOOD IS GOOD, 482 00:18:00,523 --> 00:18:01,856 THERE'S NOTHING WRONG WITH IT-- 483 00:18:01,856 --> 00:18:04,590 - IT AIN'T HER FAULT! - IT'S MY FAULT! 484 00:18:04,590 --> 00:18:06,123 IT'S MY FAULT I THREW HIM TO THE WOLVES. 485 00:18:06,123 --> 00:18:07,256 BUT WHERE AM I GOING-- 486 00:18:07,256 --> 00:18:09,323 YOU'VE GIVEN HIM AN IMPOSSIBLE TASK! 487 00:18:09,323 --> 00:18:11,990 DO WE START A WHOLE NEW MENU? I THINK OUR FOOD'S STILL GOOD. 488 00:18:11,990 --> 00:18:13,623 I DISAGREE WITH YOU. 489 00:18:13,623 --> 00:18:16,256 WELL, NOW YOU'RE IN DENIAL! 490 00:18:16,256 --> 00:18:17,856 THE FOOD WAS DISGUSTING. 491 00:18:17,856 --> 00:18:19,723 NO, I DISAGREE. THAT'S YOUR OPINION. 492 00:18:19,723 --> 00:18:21,290 COME ON. 493 00:18:21,290 --> 00:18:23,923 YOU ARE GONNA HAVE TO GET YOUR HEAD OUT YOUR ASS. 494 00:18:33,429 --> 00:18:35,262 WITH THE OWNERS AND CHEF RAMSAY HAVING 495 00:18:35,262 --> 00:18:37,296 VASTLY DIFFERENT OPINIONS OF THE FOOD... 496 00:18:37,296 --> 00:18:38,829 HOW YOU DOING, SIR? 497 00:18:38,829 --> 00:18:40,929 I'VE HAD BETTER AFTERNOONS. NICE NEIGHBORHOOD. HOW ARE YOU? 498 00:18:40,929 --> 00:18:44,229 GORDON'S CURIOUS TO SEE HOW THE LOCALS REACT 499 00:18:44,229 --> 00:18:45,862 DURING DINNER SERVICE. 500 00:18:45,862 --> 00:18:47,762 WHAT ARE YOU DOING THIS EVENING? TELL ME THE ROLES. 501 00:18:47,762 --> 00:18:49,196 HOSTING. HOSTING, GREAT. 502 00:18:49,196 --> 00:18:50,729 AND WHAT ARE YOU DOING? 503 00:18:50,729 --> 00:18:52,096 WAIT. WOW. 504 00:18:52,096 --> 00:18:55,629 TOMMY TENDS TO THINK HE IS A WAITER. 505 00:18:58,196 --> 00:19:00,543 AND HE NEEDS TO UNDERSTAND THAT HE IS THE OWNER. 506 00:19:00,543 --> 00:19:00,796 AND HE NEEDS TO UNDERSTAND THAT HE IS THE OWNER. 507 00:19:00,796 --> 00:19:02,096 HE IS NOT A WORKER. 508 00:19:02,096 --> 00:19:04,329 ALL RIGHT, I'LL GET THE ORDER IN AS SOON AS I CAN. 509 00:19:06,596 --> 00:19:09,029 GOOD EVENING HOW ARE WE? RIGHT THIS WAY. 510 00:19:09,029 --> 00:19:10,596 HERE'S SOME BREAD FOR YOUSE. 511 00:19:10,596 --> 00:19:14,262 I'M GONNA HAVE VEAL MIA. 512 00:19:14,262 --> 00:19:15,729 EXCELLENT CHOICE. 513 00:19:15,729 --> 00:19:18,029 HI, GUYS. GOD, IT'S TIGHT DOWN HERE, HUH? YEAH. 514 00:19:18,029 --> 00:19:19,229 ALL RIGHT, FIRST TABLE IN. 515 00:19:22,929 --> 00:19:27,896 TOMMY, WHO'S EXPEDITING? WHO'S EXPEDITING? 516 00:19:27,896 --> 00:19:29,396 WHO'S EXPEDITING? 517 00:19:29,396 --> 00:19:30,543 I DON'T KNOW. I'LL LET YOU KNOW IN A SECOND. 518 00:19:30,543 --> 00:19:31,696 I DON'T KNOW. I'LL LET YOU KNOW IN A SECOND. 519 00:19:31,696 --> 00:19:33,729 WOW. SO NO ONE CALLS OUT AN ORDER? 520 00:19:33,729 --> 00:19:37,662 NO. THERE'S NO SYSTEM. FELIPE, THAT'S NORMAL? 521 00:19:37,662 --> 00:19:41,696 EVEN WHEN I'M NOT HERE, THAT'S THE SAME? 522 00:19:41,696 --> 00:19:44,562 EVERY DAY. AND YOU'RE NOT FED UP? SOMETIMES. 523 00:19:44,562 --> 00:19:46,262 TOMMY, HE DON'T KNOW HOW TO RUN HIS KITCHEN, 524 00:19:46,262 --> 00:19:49,862 SO I HAVE TO DO IT MYSELF. 525 00:19:49,862 --> 00:19:51,196 OH! 526 00:19:51,196 --> 00:19:52,562 WHAT'S WRONG? 527 00:19:52,562 --> 00:19:54,796 HE'S THE BOSS. I'M NOT THE BOSS. 528 00:19:54,796 --> 00:19:56,462 THAT'S FINE. 529 00:19:56,462 --> 00:19:58,096 DESPITE NO EXPEDITER, 530 00:19:58,096 --> 00:20:00,543 AND NO REAL SYSTEM IN THE KITCHEN, 531 00:20:00,543 --> 00:20:00,562 AND NO REAL SYSTEM IN THE KITCHEN, 532 00:20:00,562 --> 00:20:03,262 FELIPE QUICKLY PUSHES FOOD OUT TO THE DINERS. 533 00:20:03,262 --> 00:20:05,796 VEAL JOHNNY? RAVIOLI AND MEATBALL. 534 00:20:05,796 --> 00:20:07,596 APPARENTUICKLY BECOMES 535 00:20:07,596 --> 00:20:11,196 THAT THE CUSTOMERS ARE FAR FROM SATISFIED. 536 00:20:11,196 --> 00:20:13,562 YES? 537 00:20:13,562 --> 00:20:17,062 OKAY, I WILL TAKE OFF THE MEATBALL. 538 00:20:17,062 --> 00:20:19,196 WHAT'S WRONG? THEY DIDN'T LIKE THE MEATBALLS. 539 00:20:19,196 --> 00:20:21,062 JUST TWO SECONDS. 540 00:20:21,062 --> 00:20:23,129 LET ME TASTE THE MEATBALL. 541 00:20:23,129 --> 00:20:25,729 ME. TOMMY, COME HERE. 542 00:20:25,729 --> 00:20:28,162 I JUST WANT YOU TO TASTE THAT FOR ME. 543 00:20:28,162 --> 00:20:30,543 I MEAN, IT'S DISGUSTING. 544 00:20:30,543 --> 00:20:31,196 I MEAN, IT'S DISGUSTING. 545 00:20:31,196 --> 00:20:33,629 AND IF ANYONE TELLS ME AGAIN THAT THEIR FOOD IS AMAZING, 546 00:20:33,629 --> 00:20:34,662 I'M GONNA BLOW MY LID. 547 00:20:34,662 --> 00:20:38,396 IT'S LIKE CAT FOOD. COME ON, TOMMY. 548 00:20:38,396 --> 00:20:39,729 IT'S DEFINITELY UP TO TOMMY 549 00:20:39,729 --> 00:20:41,562 TO MAKE SURE EVERYTHING GOES OUT PERFECT, 550 00:20:41,562 --> 00:20:44,796 NOTHING COMES BACK, AND THE RESTAURANT RUNS SMOOTH. 551 00:20:44,796 --> 00:20:46,196 I MEAN, THAT'S THE MAIN PROBLEM RIGHT NOW. 552 00:20:48,296 --> 00:20:49,796 HOW'S EVERYTHING, LADIES? 553 00:20:53,829 --> 00:20:55,929 THAT'S ALL RIGHT. 554 00:20:55,929 --> 00:20:58,196 JOHN, WHAT'S THE MATTER WITH IT? 555 00:20:58,196 --> 00:21:00,543 IT'S STRINGY AND IT'S WATERY. 556 00:21:00,543 --> 00:21:02,162 IT'S STRINGY AND IT'S WATERY. 557 00:21:02,162 --> 00:21:05,029 ALL RIGHT, TOM, I THINK YOU NEED TO GO BACK IN THE BACK 558 00:21:05,029 --> 00:21:06,396 AND CHECK ON YOUR COOKS. 559 00:21:06,396 --> 00:21:08,629 KEEP GOING BACK THERE AND JUST-- 560 00:21:08,629 --> 00:21:11,496 TOMMY NEEDS TO STAND UP FOR HIMSELF. 561 00:21:11,496 --> 00:21:13,562 THEN YOU GO EXPEDITE. 562 00:21:13,562 --> 00:21:16,562 YOU GO EXPEDITE. YOU WANNA EXPEDITE-- 563 00:21:16,562 --> 00:21:19,362 INSTEAD OF HIM GOING BACK THERE AND TALKING TO HIS CHEF, 564 00:21:19,362 --> 00:21:21,662 HE'S HIDING AND LEAVING IT UP TO ME. 565 00:21:21,662 --> 00:21:23,129 AND IT'S NOT SUPPOSED TO BE LIKE THAT. 566 00:21:23,129 --> 00:21:24,962 ALL RIGHT, NOW I'M GETTING MAD! 567 00:21:24,962 --> 00:21:26,696 PUT THE FOOD THAT WE NEED UP! 568 00:21:26,696 --> 00:21:29,496 YOUSE ARE MESSING UP MY OWN FRIGGIN' RESTAURANT! 569 00:21:29,496 --> 00:21:30,543 GIMME TABLE TEN, AND GIMME THE PASTA SPECIALS! 570 00:21:30,543 --> 00:21:32,229 GIMME TABLE TEN, AND GIMME THE PASTA SPECIALS! 571 00:21:32,229 --> 00:21:35,596 WHAT A NIGHTMARE. 572 00:21:35,596 --> 00:21:37,096 HONESTLY, DINA, SHE'S TRYING HER BEST. 573 00:21:37,096 --> 00:21:38,896 TOMMY, WELL, HE'S NOT EVEN THERE. 574 00:21:38,896 --> 00:21:40,062 HE'S JUST ALL OVER THE SHOP. 575 00:21:40,062 --> 00:21:41,396 NO WONDER THERE'S SO MANY COMPLAINTS. 576 00:21:41,396 --> 00:21:42,629 THIS RESTAURANT'S JUST NOT GOING ANYWHERE. 577 00:21:42,629 --> 00:21:46,662 IT'S SUCH A SHAME. 578 00:21:48,262 --> 00:21:51,129 LOOK AT THAT. THAT'S DISGUSTING. 579 00:21:51,129 --> 00:21:54,129 HOW'S EVERYTHING? 580 00:21:59,396 --> 00:22:00,543 WHAT'S GOING ON? 581 00:22:00,543 --> 00:22:00,896 WHAT'S GOING ON? 582 00:22:00,896 --> 00:22:02,962 WHAT IS ALL THAT? 583 00:22:02,962 --> 00:22:04,929 HERE'S YOUR BOWL, TOM. 584 00:22:04,929 --> 00:22:06,429 I DON'T WANT TO GO BACK THERE AND-- 585 00:22:06,429 --> 00:22:07,862 SO YOU'RE NOT GONNA SAY ANYTHING TO HIM? 586 00:22:07,862 --> 00:22:09,496 YEAH, I'M GONNA-- 587 00:22:09,496 --> 00:22:11,096 YEAH, LET ME GO BACK-- 588 00:22:11,096 --> 00:22:12,962 NO, GIVE-- WANT ME TO GRAB THAT LAST ONE? 589 00:22:12,962 --> 00:22:14,429 NO, GIVE ME THE OIL. 590 00:22:14,429 --> 00:22:17,029 FELIPE. HELLO. 591 00:22:17,029 --> 00:22:18,196 IT'S JUST ALL SWIMMING IN OIL. 592 00:22:18,196 --> 00:22:21,062 AND YOU WEREN'T GONNA SAY ANYTHING. 593 00:22:21,062 --> 00:22:22,396 YOU CAN'T DRAIN THAT OFF LIKE THAT 594 00:22:22,396 --> 00:22:24,029 AND THEN SERVE IT BACK TO THE CUSTOMERS. 595 00:22:24,029 --> 00:22:25,462 THEY DESERVE BETTER THAN THAT. 596 00:22:25,462 --> 00:22:26,796 WHO SAID DRAIN IT OUT? 597 00:22:26,796 --> 00:22:28,129 NO, THAT'S WHAT YOU DO ON THE SIDE. 598 00:22:28,129 --> 00:22:30,543 HE'S DRAINING THE THING ON THE SIDE. 599 00:22:30,543 --> 00:22:31,062 HE'S DRAINING THE THING ON THE SIDE. 600 00:22:31,062 --> 00:22:33,862 - WHO SAYS? - IT , TOMMY! 601 00:22:33,862 --> 00:22:35,696 IT SHOULDN'T HAVE OIL. I--YEAH. 602 00:22:35,696 --> 00:22:36,929 IT IS SO SIMPLE. AND DO YOU KNOW WHAT-- 603 00:22:36,929 --> 00:22:40,729 HEY, TOMMY! 604 00:22:40,729 --> 00:22:45,229 MY GOD. DYSFUNCTIONAL OWNER, AND A DYSFUNCTIONAL KITCHEN. 605 00:22:48,429 --> 00:22:49,629 I'M ALREADY EMBARRASSED IN LIFE. 606 00:22:49,629 --> 00:22:50,929 YOU CAN'T EMBARRASS ME ANY MORE, BUT GUESS WHAT. 607 00:22:50,929 --> 00:22:53,962 I FOUND OUT THAT YOU CAN BE EMBARRASSED EVEN MORE. 608 00:22:53,962 --> 00:22:57,596 EVEN IF IT'S ROCK BOTTOM, 609 00:22:57,596 --> 00:22:59,396 YOU CAN HIT EVEN DEEPER THAN ROCK BOTTOM. 610 00:23:02,696 --> 00:23:04,362 PUT IT UP! LET'S GO! 611 00:23:04,362 --> 00:23:06,162 I DON'T KNOW WHAT YOUSE ARE DOING! 612 00:23:06,162 --> 00:23:09,496 WHEN I TELL YOU I NEED 'EM, I'M TELLING YOU THAT'S THE ONE. 613 00:23:09,496 --> 00:23:11,396 AND EVERYBODY GET IT TOGETHER! 614 00:23:11,396 --> 00:23:13,262 WITH DINA NOW FIRMLY IN CHARGE OF THE KITCHEN... 615 00:23:13,262 --> 00:23:15,429 CRAIGY... 616 00:23:15,429 --> 00:23:17,862 AND TOMMY RETREATING TO THE BASEMENT... 617 00:23:17,862 --> 00:23:19,996 LET'S JUST PUT UP THE TWO TABLES AND END IT. 618 00:23:19,996 --> 00:23:22,496 THIS EXTREMELY ROCKY DINNER SERVICE 619 00:23:22,496 --> 00:23:27,062 COMES TO AN END. 620 00:23:27,062 --> 00:23:30,062 I DON'T KNOW WHAT TO SAY. 621 00:23:30,062 --> 00:23:30,543 I'M JUST ALMOST AT A LOSS FOR WORDS. 622 00:23:30,543 --> 00:23:33,696 I'M JUST ALMOST AT A LOSS FOR WORDS. 623 00:23:33,696 --> 00:23:34,829 EVEN WHEN FOOD WAS COMING BACK, 624 00:23:34,829 --> 00:23:36,129 NO ONE GAVE A. 625 00:23:36,129 --> 00:23:39,829 NO ONE GIVES A DAMN. 626 00:23:39,829 --> 00:23:42,362 WE'RE SERVING , AND YOU TELL ME YOUR FOOD'S GOOD. 627 00:23:42,362 --> 00:23:44,729 I THINK OUR FOOD IS REALLY GOOD. 628 00:23:44,729 --> 00:23:46,096 YOU'RE GONNA HAVE TO GET YOUR HEAD OUT YOUR ASS. 629 00:23:46,096 --> 00:23:48,829 AND, TOMMY, I FELT FOR YOU TODAY. 630 00:23:48,829 --> 00:23:50,029 I JUST THOUGHT YOU WERE UNDER IMMENSE PRESSURE. 631 00:23:50,029 --> 00:23:52,296 BUT YOU HIDE, LIKE IT'S A GAME. 632 00:23:52,296 --> 00:23:54,396 I'M NOT HERE TO PLAY GAMES, YOU KNOW? 633 00:23:54,396 --> 00:23:56,596 I JUST--THE CONFRONTATIONS-- 634 00:23:56,596 --> 00:23:58,262 AT THE TIME RIGHT NOW, I'M NOT FEELING THAT GREAT. 635 00:23:58,262 --> 00:24:00,429 CONFRONTATION? 636 00:24:00,429 --> 00:24:00,543 IT'S ABOUT BEING RESPONSIBLE, TOMMY! 637 00:24:00,543 --> 00:24:02,362 IT'S ABOUT BEING RESPONSIBLE, TOMMY! 638 00:24:02,362 --> 00:24:03,929 YES. 639 00:24:03,929 --> 00:24:05,062 THE ORECCHIETTE WAS SWIMMING IN OIL! 640 00:24:05,062 --> 00:24:06,329 YOU'RE DRAINING IT OFF. 641 00:24:06,329 --> 00:24:09,496 THIS IS NOT A TIME TO BE NERVOUS AND WIMPING AROUND. 642 00:24:09,496 --> 00:24:11,462 BUT RIGHT NOW, YOU'RE IN DENIAL. AND DO YOU KNOW WHAT? 643 00:24:11,462 --> 00:24:13,229 DO YOU KNOW HOW YOU CAN TURN THIS AROUND AND MAKE MONEY? 644 00:24:13,229 --> 00:24:15,396 HONESTLY, DINA, TOMMY-- 645 00:24:15,396 --> 00:24:17,696 STOP, AND SAVE YOUR MONEY. 646 00:24:17,696 --> 00:24:20,896 SHUT THE DOOR! 647 00:24:28,010 --> 00:24:30,143 AFTER 24 HOURS OF SHEER FRUSTRATION 648 00:24:30,143 --> 00:24:31,710 DEALING WITH OWNERS IN DENIAL, 649 00:24:31,710 --> 00:24:33,943 CHEF RAMSAY DECIDES TO MAKE A HOME VISIT... 650 00:24:33,943 --> 00:24:36,043 HI, DENAY. NICE TO MEET YOU. 651 00:24:36,043 --> 00:24:38,043 - LIKEWISE. GOOD TO SEE YOU. - TO HAVE A CHAT WITH DINA 652 00:24:38,043 --> 00:24:41,009 AND HER ELDEST DAUGHTER, DENAY. 653 00:24:41,009 --> 00:24:43,109 ROUGH MORNING? UM... 654 00:24:43,109 --> 00:24:46,076 YOU KNOW, I WOKE UP A LITTLE UPSET BECAUSE, 655 00:24:46,076 --> 00:24:48,409 LIKE I SAID, I REALLY FEEL I HAVE GOOD FOOD. 656 00:24:48,409 --> 00:24:50,509 MM-HMM. I STICK BY THAT. 657 00:24:50,509 --> 00:24:52,876 I KNOW YOU'RE HERE TO HELP ME... MM-HMM. 658 00:24:52,876 --> 00:24:54,609 BUT I WAS HUMILIATED. 659 00:24:54,609 --> 00:24:55,597 I SUPPOSE IF I PUT IT THIS WAY-- 660 00:24:55,597 --> 00:24:56,243 I SUPPOSE IF I PUT IT THIS WAY-- 661 00:24:56,243 --> 00:24:58,309 OUTSIDE THAT RESTAURANT, 662 00:24:58,309 --> 00:25:00,209 THERE'S BETTER AND CHEAPER RESTAURANTS. 663 00:25:00,209 --> 00:25:02,076 OKAY. 664 00:25:02,076 --> 00:25:04,176 YOUR MENU DOES NOT WORK IN SOUTH PHILLY. 665 00:25:04,176 --> 00:25:06,609 SO BASICALLY, WHAT HE'S SAYING IS THAT 666 00:25:06,609 --> 00:25:08,376 IS THAT YOUR FOOD ISN'T HORRIBLE, 667 00:25:08,376 --> 00:25:11,743 IT'S JUST THAT THERE'S A MILLION ITALIAN RESTAURANTS 668 00:25:11,743 --> 00:25:13,176 IN ONE AREA-- 669 00:25:13,176 --> 00:25:14,876 YOU'RE RIGHT, I DIDN'T SAY THE FOOD WAS HORRIBLE. 670 00:25:14,876 --> 00:25:16,209 I SAID IT WAS DISGUSTING. 671 00:25:16,209 --> 00:25:19,109 OH, I--I-- NO, NO. HERE'S THE ISSUE. 672 00:25:19,109 --> 00:25:20,609 HERE'S THE ISSUE. 673 00:25:20,609 --> 00:25:22,509 YOU'RE IN DENIAL THAT YOUR FOOD IS GOOD. 674 00:25:22,509 --> 00:25:24,743 IT IS. OKAY? 675 00:25:24,743 --> 00:25:25,597 DARLING, IF THAT'S THE CASE... 676 00:25:25,597 --> 00:25:26,276 DARLING, IF THAT'S THE CASE... 677 00:25:26,276 --> 00:25:28,443 THAT'S THE BOTTOM LINE. I'M--I'M GONNA GO. 678 00:25:32,676 --> 00:25:34,576 SERIOUSLY. "A," I'M NOT GONNA WASTE YOUR TIME. 679 00:25:34,576 --> 00:25:37,243 "B," I'M NOT GONNA WASTE MY TIME. 680 00:25:37,243 --> 00:25:39,409 BUT MORE IMPORTANTLY, YOU KNOW, 681 00:25:39,409 --> 00:25:44,243 I'M NOT GONNA DEAL WITH SOMEONE THAT IS THAT DELUDED. 682 00:25:44,243 --> 00:25:46,043 YOU WANT HELP... YES! 683 00:25:46,043 --> 00:25:47,209 BUT YOU DON'T LIKE THE HELP THAT I'M SUGGESTING. 684 00:25:47,209 --> 00:25:52,276 I GUESS I'M SCARED. 685 00:25:52,276 --> 00:25:54,276 DON'T BE SCARED. 686 00:25:54,276 --> 00:25:55,597 THAT'S WHY I'M HERE. 687 00:25:55,597 --> 00:25:55,709 THAT'S WHY I'M HERE. 688 00:25:55,709 --> 00:25:58,543 SCARED IS STAYING THE SAME. 689 00:25:58,543 --> 00:26:01,509 YOU'VE GOTTA GRASP A COMPLETE NEW CHANGE. 690 00:26:01,509 --> 00:26:02,909 AND THAT'S SCARY TERRITORY. 691 00:26:02,909 --> 00:26:06,343 I HAVE GREAT MEMORIES OF CHIARELLA'S, 692 00:26:06,343 --> 00:26:09,476 AND I'VE BEEN DOING THIS FOR SO LONG, IT'S ALL I KNOW. 693 00:26:09,476 --> 00:26:11,343 SO IT'S VERY HARD FOR ME TO GET PAST THE PAST, 694 00:26:11,343 --> 00:26:14,509 GET ON WITH THE FUTURE. 695 00:26:14,509 --> 00:26:15,743 IT'S NOT WORKING. 696 00:26:15,743 --> 00:26:18,243 IT'S THE TRUTH. 697 00:26:18,243 --> 00:26:20,543 I KNOW WHAT YOU'RE SAYING TO ME, 698 00:26:20,543 --> 00:26:21,743 THAT I HAVE TO GO-- 699 00:26:21,743 --> 00:26:24,076 THE MENU'S OUTDATED, THINGS AREN'T RIGHT, 700 00:26:24,076 --> 00:26:25,597 THE FOOD'S DIFFERENT-- WE'LL TRY OUR BEST. 701 00:26:25,597 --> 00:26:27,676 THE FOOD'S DIFFERENT-- WE'LL TRY OUR BEST. 702 00:26:27,676 --> 00:26:30,309 OKAY. UM, I CAME BY HERE THIS MORNING 703 00:26:30,309 --> 00:26:33,009 TO TALK ABOUT TOMMY. 704 00:26:33,009 --> 00:26:34,943 BECAUSE THERE'S THIS LEVEL OF DEPRESSION 705 00:26:34,943 --> 00:26:36,409 THAT'S SINKING THIS MAN. 706 00:26:36,409 --> 00:26:40,743 AND YOU CAN SEE THIS FIGURE JUST ALMOST DISINTEGRATING. 707 00:26:40,743 --> 00:26:44,043 AND I'VE SEEN SMALL, LITTLE FRAGMENTS OF A PERSONALITY. 708 00:26:44,043 --> 00:26:46,709 OH, HE'S GOT SUCH A GREAT PERSONALITY. 709 00:26:46,709 --> 00:26:50,643 OKAY, WE NEED TO GET HIM BACK. 710 00:26:50,643 --> 00:26:52,843 BECAUSE I DON'T THINK HE ACTUALLY UNDERSTANDS. 711 00:26:52,843 --> 00:26:54,276 NO. 712 00:26:54,276 --> 00:26:55,597 THIS PLACE JUST WIPED HIM OUT. 713 00:26:55,597 --> 00:26:56,309 THIS PLACE JUST WIPED HIM OUT. 714 00:26:56,309 --> 00:26:59,509 IT WIPED HIM OUT. IT DID. 715 00:26:59,509 --> 00:27:02,776 IF THERE'S ONE AREA THAT HE'LL LISTEN TO, 716 00:27:02,776 --> 00:27:06,476 IT'S THE FAMILY. 717 00:27:06,476 --> 00:27:07,976 AND I JUST THINK YOU NEED TO TELL HIM 718 00:27:07,976 --> 00:27:09,709 WHAT HE MEANS TO YOU, 719 00:27:09,709 --> 00:27:13,009 AND HOW WE WANT TO SEE HIM BACK AT HIS BEST. 720 00:27:15,043 --> 00:27:16,543 HEY. GOOD MORNING. AH, MY MAN. 721 00:27:16,543 --> 00:27:18,143 HOW ARE YOU, BUD? GOOD. 722 00:27:18,143 --> 00:27:20,143 TAKE A SEAT, PLEASE. SIT DOWN. 723 00:27:20,143 --> 00:27:22,443 HOW YOU DOING? 724 00:27:22,443 --> 00:27:24,143 GOOD. YEAH? 725 00:27:24,143 --> 00:27:25,597 GOOD SLEEP? NO. 726 00:27:25,597 --> 00:27:25,943 GOOD SLEEP? NO. 727 00:27:25,943 --> 00:27:27,443 NO, I DIDN'T THINK SO, NO. 728 00:27:27,443 --> 00:27:28,709 LET ME TELL YOU SOMETHING. 729 00:27:28,709 --> 00:27:30,676 I CAME TO SEE YOUR FAMILY THIS MORNING 730 00:27:30,676 --> 00:27:35,943 BECAUSE I'M CONCERNED THAT YOU'VE LOST THAT SPARK. 731 00:27:35,943 --> 00:27:38,943 YOUR SELF-ESTEEM IS AT A SORT OF ALL-TIME LOW, 732 00:27:38,943 --> 00:27:40,476 AND BEFORE I CAN MAKE ANY CHANGES, TOMMY, 733 00:27:40,476 --> 00:27:43,376 I NEED YOU BACK-- I NEED TO SEE THAT SPARK. 734 00:27:43,376 --> 00:27:45,743 DINA. 735 00:27:45,743 --> 00:27:49,409 I WANT YOU BACK. I LOVE YOU. 736 00:27:49,409 --> 00:27:51,009 I WANT ME BACK TOO. 737 00:27:51,009 --> 00:27:53,143 LISTEN, I LOVE YOU. 738 00:27:53,143 --> 00:27:55,597 I KNOW YOU LOVE ME, BABE. 739 00:27:55,597 --> 00:27:57,243 I KNOW YOU LOVE ME, BABE. 740 00:28:00,309 --> 00:28:01,909 IT'S JUST SO MUCH I'M AFRAID OF, YOU KNOW. 741 00:28:01,909 --> 00:28:04,409 THE PROBLEM WITH THE RESTAURANT IS ME. 742 00:28:04,409 --> 00:28:06,676 YOU KNOW, IT'S ME. I SHOULDN'T EVEN BE THERE. 743 00:28:06,676 --> 00:28:08,643 AN OWNER SHOULD MAKE SURE EVERYTHING RUNS PROP-- 744 00:28:08,643 --> 00:28:12,843 IT'S ME, KNOW WHAT I MEAN? I'M AFRAID. 745 00:28:12,843 --> 00:28:14,409 I'M NOT THE SAME PERSON I WAS. MY WHOLE LIFE-- 746 00:28:14,409 --> 00:28:15,709 YOU HAVE TO GET THAT PERSON. 747 00:28:15,709 --> 00:28:18,076 YOU'VE GOTTA REACH INSIDE, TOMMY, AND PULL IT OUT. 748 00:28:18,076 --> 00:28:21,543 WHAT PERSON AM I PULLING OUT? 749 00:28:21,543 --> 00:28:24,509 YOU. THE REAL YOU. THE REAL YOU. OH, COME ON. 750 00:28:24,509 --> 00:28:25,597 WHAT THE HELL IS GOING ON WITH YOU? 751 00:28:25,597 --> 00:28:26,409 WHAT THE HELL IS GOING ON WITH YOU? 752 00:28:26,409 --> 00:28:27,709 PULL IT OUT. EXCUSE ME. 753 00:28:27,709 --> 00:28:29,909 WHAT DO YOU MEAN WHAT PERSON ARE YOU PULLING OUT, DAD? 754 00:28:29,909 --> 00:28:31,509 WHAT PERSON AM I PULLING OUT? 755 00:28:31,509 --> 00:28:32,576 ARE YOU KIDDING? 756 00:28:32,576 --> 00:28:35,143 THE LAST SEVEN YEARS? 757 00:28:35,143 --> 00:28:38,876 DAD... 'CAUSE YOU DON'T THINK-- 758 00:28:38,876 --> 00:28:42,609 WHAT AM I PULLING BACK, THAT GUY THAT'S TIRED AND EXHAUSTED... 759 00:28:42,609 --> 00:28:46,009 AND NEVER SEES ANYTHING GOOD EVER HAPPEN IN HIS LIFE? 760 00:28:46,009 --> 00:28:51,509 WHEN YOU FAIL YOUR WHOLE LIFE, MAN, IT HURTS. 761 00:28:51,509 --> 00:28:55,243 YOU HAVEN'T FAILED YOUR WHOLE LIFE. 762 00:28:55,243 --> 00:28:55,597 HOW COULD YOU FAIL YOUR WHOLE LIFE? 763 00:28:55,597 --> 00:28:56,509 HOW COULD YOU FAIL YOUR WHOLE LIFE? 764 00:28:56,509 --> 00:28:59,209 YOU'VE GOT THREE BEAUTIFUL KIDS. WE LOVE YOU. 765 00:28:59,209 --> 00:29:01,676 WE WANT YOU TO BE HAPPY. 766 00:29:01,676 --> 00:29:03,543 YOU HAVE TO PULL YOURSELF OUT OF THIS. 767 00:29:03,543 --> 00:29:05,776 I'M GONNA. I KNOW I GOTTA. 768 00:29:05,776 --> 00:29:07,143 I NEED--I NEED-- WE LOVE YOU. 769 00:29:07,143 --> 00:29:08,476 , I NEED A GOOD DAY'S SLEEP, MAN. 770 00:29:08,476 --> 00:29:11,309 I'M WEAK. MY BODY'S WEAK. 771 00:29:11,309 --> 00:29:13,743 YOU DON'T THINK ANYBODY'S PROUD OF YOU--IT'S NOT TRUE. 772 00:29:13,743 --> 00:29:16,476 THEY DON'T UNDERSTAND, MAN. I'M SO DEPRESSED. 773 00:29:16,476 --> 00:29:19,543 MY WHOLE LIFE I'VE BEEN A FAILURE. 774 00:29:19,543 --> 00:29:22,943 IT'S BEEN AWFUL. 775 00:29:22,943 --> 00:29:25,597 I MEAN, ALL THROUGH LIFE, MAN. 776 00:29:25,597 --> 00:29:26,709 I MEAN, ALL THROUGH LIFE, MAN. 777 00:29:31,609 --> 00:29:34,825 IT IS CLEAR THAT TOMMY'S DEPRESSION 778 00:29:34,825 --> 00:29:37,392 IS ONE OF THE MAJOR PROBLEMS OF THE RESTAURANT. 779 00:29:37,392 --> 00:29:38,825 WHEN YOU FAIL 780 00:29:38,825 --> 00:29:40,798 YOUR WHOLE LIFE, MAN, IT HURTS. 781 00:29:40,798 --> 00:29:43,865 AND CHEF RAMSAY KNOWS THAT BEFORE HE CAN MAKE ANY CHANGES, 782 00:29:43,865 --> 00:29:45,365 TOMMY NEEDS TO CHANGE. 783 00:29:45,365 --> 00:29:46,798 HOW COULD YOU FAIL YOUR WHOLE LIFE? 784 00:29:46,798 --> 00:29:49,032 YOU GOT THREE BEAUTIFUL KIDS. WE LOVE YOU. 785 00:29:49,032 --> 00:29:51,665 WE WANT YOU TO BE HAPPY. 786 00:29:51,665 --> 00:29:53,565 YOU HAVE TO PULL YOURSELF OUT OF THIS. 787 00:29:53,565 --> 00:29:55,798 I'M GONNA. I KNOW I GOTTA. 788 00:29:55,798 --> 00:29:56,998 I NEED--I NEED-- WE LOVE YOU. 789 00:29:56,998 --> 00:29:58,698 , I NEED A GOOD DAY'S SLEEP, MAN. 790 00:29:58,698 --> 00:29:59,635 I'M WEAK, YOU KNOW? MY BODY'S WEAK. 791 00:29:59,635 --> 00:30:00,832 I'M WEAK, YOU KNOW? MY BODY'S WEAK. 792 00:30:00,832 --> 00:30:02,865 YOU DON'T THINK ANYONE'S PROUD OF YOU--IT'S NOT TRUE. 793 00:30:02,865 --> 00:30:05,698 YOU HAVEN'T FAILED. WE LOVE YOU. 794 00:30:05,698 --> 00:30:07,598 YOU HAVEN'T FAILED. YOU KNOW? 795 00:30:07,598 --> 00:30:09,698 YOU HAVE NOT FAILED. YOU HAVEN'T FAILED. 796 00:30:09,698 --> 00:30:11,398 YOU'RE A LUCKY MAN. 797 00:30:11,398 --> 00:30:13,298 YOU HAVE AMAZING KIDS, AMAZING WIFE. 798 00:30:13,298 --> 00:30:18,032 AND I'M TELLING YOU, YOU KNOW, YOU HAVE NOT FAILED. 799 00:30:18,032 --> 00:30:21,398 YOU CAN'T GIVE UP. YOU'VE GOT TO BOUNCE BACK. 800 00:30:21,398 --> 00:30:23,798 I KNOW, I GOT TO. 801 00:30:23,798 --> 00:30:24,965 OKAY? I GOTTA GET TOUGH. 802 00:30:24,965 --> 00:30:29,265 COME ON, HE NEEDS YOU. TOMMY BONES, HE NEEDS YOU! 803 00:30:29,265 --> 00:30:29,635 I NEED THE FUNNY, CHARISMATIC, WITTY, 804 00:30:29,635 --> 00:30:31,832 I NEED THE FUNNY, CHARISMATIC, WITTY, 805 00:30:31,832 --> 00:30:34,498 ENERGETIC MAN. I GOT IT. 806 00:30:34,498 --> 00:30:36,832 THAT'S WHAT I NEED. I GOTTA PULL BACK TOMMY. 807 00:30:36,832 --> 00:30:37,965 EXACTLY THAT. THAT'S WHAT HE'S TRYING TO SAY. 808 00:30:37,965 --> 00:30:39,832 WE CAN MAKE GREAT CHANGES, 809 00:30:39,832 --> 00:30:41,298 BUT UNLESS YOU'RE BACK... 810 00:30:41,298 --> 00:30:43,332 IT AIN'T GONNA WORK, I KNOW. 811 00:30:43,332 --> 00:30:45,065 NOTHING'S GONNA WORK. THANK YOU. 812 00:30:45,065 --> 00:30:47,032 YOU'RE RIGHT. THAT'S IT. 813 00:30:47,032 --> 00:30:49,565 I WANT TO FIGHT, YEAH. OKAY, GOOD. 814 00:30:49,565 --> 00:30:50,698 I'LL SEE YOU BACK AT THE RESTAURANT. 815 00:30:50,698 --> 00:30:51,998 YEAH? NEW DAY. 816 00:30:51,998 --> 00:30:53,565 IT WAS IMPORTANT TO HEAR FROM MY FAMILY. 817 00:30:53,565 --> 00:30:56,065 'CAUSE SOMETIMES, YOU KNOW, YOU GET KNOCKED DOWN A LOT. 818 00:30:56,065 --> 00:30:57,965 YOU DON'T REALIZE YOU'RE NOT GETTING BACK UP. 819 00:30:57,965 --> 00:30:59,598 I THINK IT'S TIME I GOTTA GET BACK UP. 820 00:30:59,598 --> 00:30:59,635 SO...I'M A FIGHTER. 821 00:30:59,635 --> 00:31:02,498 SO...I'M A FIGHTER. 822 00:31:02,498 --> 00:31:04,498 THIS NOSE DON'T LOOK LIKE THIS FOR A REASON. 823 00:31:04,498 --> 00:31:06,198 COME ON. OW, MAN. 824 00:31:06,198 --> 00:31:07,432 COME ON!. 825 00:31:07,432 --> 00:31:10,498 I LOVE THAT GUY. 826 00:31:13,398 --> 00:31:16,965 WITH TOMMY BEGINNING THE DAY WITH A MORE POSITIVE OUTLOOK... 827 00:31:16,965 --> 00:31:18,198 LET'S GO. ALL RIGHT. 828 00:31:18,198 --> 00:31:19,532 I WANT YOU IN THE KITCHEN. YEAH? 829 00:31:19,532 --> 00:31:21,232 I KNEW YOU WERE GONNA DO THIS TO ME. YEAH? 830 00:31:21,232 --> 00:31:24,165 CHEF RAMSAY'S ANXIOUS TO GET TOMMY MORE INVOLVED 831 00:31:24,165 --> 00:31:25,265 IN THE KITCHEN. 832 00:31:25,265 --> 00:31:27,798 WHAT YOU'VE NEVER, EVER GOTTA FEAR 833 00:31:27,798 --> 00:31:29,635 IS YOUR KITCHEN-- THIS IS THE ENGINE ROOM. 834 00:31:29,635 --> 00:31:29,665 IS YOUR KITCHEN-- THIS IS THE ENGINE ROOM. 835 00:31:29,665 --> 00:31:32,365 THE MORE HE SEES YOU SUPPORTING HIM, 836 00:31:32,365 --> 00:31:33,698 THE CLOSER YOU GUYS GET. 837 00:31:33,698 --> 00:31:35,332 I'M VERY HAPPY THAT CHEF RAMSAY'S DOING THIS 838 00:31:35,332 --> 00:31:37,232 BECAUSE THOMAS DOESN'T HAVE THE EXPERIENCE IN THE KITCHEN. 839 00:31:37,232 --> 00:31:39,065 RIGHT, NOW WE'RE GONNA MAKE SOME ORICHETTE. 840 00:31:39,065 --> 00:31:42,098 AND HE NEEDS TO UNDERSTAND THAT THIS IS HIS ENTITY. 841 00:31:42,098 --> 00:31:43,232 THIS IS HIS BUSINESS. 842 00:31:43,232 --> 00:31:45,265 OIL IN. 843 00:31:45,265 --> 00:31:46,898 GARLIC IN. 844 00:31:46,898 --> 00:31:49,798 THIS IS THE FIRST TIME I'VE EVER BEEN A COOK ON THE LINE, 845 00:31:49,798 --> 00:31:51,465 LET ALONE WITH CHEF RAMSAY. 846 00:31:51,465 --> 00:31:53,865 THAT'S PRETTY SCARY, MAN. THAT'S SCARY. 847 00:31:53,865 --> 00:31:56,265 SO FAR SO GOOD? YOU WITH ME? YEAH, YUP. 848 00:31:56,265 --> 00:31:58,465 WHAT'S THE MATTER? THIS STUFF'S TOUGH, MAN. 849 00:31:58,465 --> 00:31:59,635 WHITE WINE. WHERE'S MY WHITE WINE? NICE. 850 00:31:59,635 --> 00:32:00,865 WHITE WINE. WHERE'S MY WHITE WINE? NICE. 851 00:32:00,865 --> 00:32:03,432 GOOD. THAT'S ENOUGH. LITTLE SHAKE. 852 00:32:03,432 --> 00:32:06,732 COME ON, WHAT'S THE MATTER WITH YOU? 853 00:32:06,732 --> 00:32:09,098 FOR GOD'S SAKE! 854 00:32:09,098 --> 00:32:11,298 IT'S VERY DIFFICULT, BUT IF I KNOW MY KITCHEN, 855 00:32:11,298 --> 00:32:13,298 I CAN TAKE HOLD OF THIS PLACE, 856 00:32:13,298 --> 00:32:15,965 RUN IT THE WAY IT'S SUPPOSED TO BE RUN. 857 00:32:15,965 --> 00:32:17,265 NOW TASTE THE SEASONING. 858 00:32:17,265 --> 00:32:20,565 WELL DONE. NICE. WOW. 859 00:32:20,565 --> 00:32:22,665 YOU HAPPY WITH THAT? I'M A CHEF NOW. 860 00:32:22,665 --> 00:32:25,332 NICE. TOMMY WAS REALLY PROUD OF HIMSELF. 861 00:32:25,332 --> 00:32:28,032 LIKE, "I MADE THAT, DINA." NICE. 862 00:32:28,032 --> 00:32:29,635 NOW THAT TOMMY LEARNED A FEW THINGS WITH CHEF RAMSAY, 863 00:32:29,635 --> 00:32:30,965 NOW THAT TOMMY LEARNED A FEW THINGS WITH CHEF RAMSAY, 864 00:32:30,965 --> 00:32:32,732 IT'LL GIVE TOMMY A CHANCE 865 00:32:32,732 --> 00:32:33,998 TO TAKE CONTROL OF OUR BUSINESS. 866 00:32:33,998 --> 00:32:35,898 IT'S GONNA BE A NEW START FOR US. 867 00:32:35,898 --> 00:32:37,565 WELL DONE. ALL RIGHT, LET'S GO. 868 00:32:37,565 --> 00:32:41,165 WITH THE REBUILDING OF TOMMY'S CONFIDENCE UNDERWAY, 869 00:32:41,165 --> 00:32:43,198 CHEF RAMSAY AND HIS TEAM WORK THROUGH THE NIGHT, 870 00:32:43,198 --> 00:32:46,365 AND IN JUST 12 HOURS, THEY TRANSFORM CHIARELLA'S 871 00:32:46,365 --> 00:32:50,798 INTO A SLICK CONTEMPORARY EATERY. 872 00:32:50,798 --> 00:32:52,532 GOOD MORNING. HOW ARE YOU? WELL? HEY! 873 00:32:52,532 --> 00:32:54,165 FREEZING. GOOD TO SEE YOU. 874 00:32:54,165 --> 00:32:56,298 ARE YOU READY TO COME INSIDE? I'LL TAKE YOUR JACKET, YEAH. 875 00:32:56,298 --> 00:32:59,398 COME WITH ME. COME IN. 876 00:32:59,398 --> 00:32:59,635 WOW...OH! WOW. 877 00:32:59,635 --> 00:33:02,732 WOW...OH! WOW. 878 00:33:02,732 --> 00:33:04,865 OH, IT'S NICE. OH, MY GOD. 879 00:33:04,865 --> 00:33:06,832 THAT'S PHENOMENAL. 880 00:33:06,832 --> 00:33:10,465 OH, MY GOD. HOW'D YOU DO IT THAT FAST? 881 00:33:10,465 --> 00:33:13,432 AND NOW IT'S ANOTHER TABLE. 882 00:33:13,432 --> 00:33:14,865 WE'RE GONNA USE THIS BAR TO EAT FROM. 883 00:33:14,865 --> 00:33:17,498 IT'S GORGEOUS, IT'S STUNNING. 884 00:33:17,498 --> 00:33:19,865 AND IT'S A MAIN FEATURE AS YOU WALK IN. 885 00:33:19,865 --> 00:33:21,765 IT'S GORGEOUS, YEAH. IT REALLY IS. 886 00:33:21,765 --> 00:33:23,098 ARE YOU READY TO SEE NEXT DOOR? 887 00:33:23,098 --> 00:33:24,365 READY. OKAY, GREAT. 888 00:33:24,365 --> 00:33:25,498 COME THROUGH, PLEASE. 889 00:33:25,498 --> 00:33:27,765 OH, WOW. 890 00:33:27,765 --> 00:33:29,198 OH, MY GOD. 891 00:33:29,198 --> 00:33:29,635 HOLY, , HOW'D YOU DO THAT? 892 00:33:29,635 --> 00:33:31,532 HOLY, , HOW'D YOU DO THAT? 893 00:33:31,532 --> 00:33:34,498 '70s MUSTARD COLOR.SHIONED 894 00:33:34,498 --> 00:33:37,365 YOU HAVE THIS NICE LIGHT PALE GRAY 895 00:33:37,365 --> 00:33:39,632 THAT OPENS UP THE ROOM-- THE ROOM LOOKS TWICE AS BIG. 896 00:33:39,632 --> 00:33:41,065 IT LOOKS HUGE. 897 00:33:41,065 --> 00:33:43,265 NEW LIGHT FITTINGS. LOOK AT THE LIGHTS. 898 00:33:43,265 --> 00:33:45,365 WHERE'D YOU GET THESE LIGHTS AT? THEY'RE UNREAL. 899 00:33:45,365 --> 00:33:47,198 THERE IS A FEATURE IN THE CENTER OF THIS DINING ROOM-- 900 00:33:47,198 --> 00:33:49,332 RECLAIMED WOOD. LOCAL WOOD. 901 00:33:49,332 --> 00:33:52,398 AND IT'S PART OF THE COMMUNITY. SHELVING ADJACENT. 902 00:33:52,398 --> 00:33:53,965 ALL THESE LITTLE TOUCHES 903 00:33:53,965 --> 00:33:55,765 GIVE A CONTEMPORARY FEEL TO THIS DINING ROOM. 904 00:33:55,765 --> 00:33:57,165 IT'S SO NICE. 905 00:33:57,165 --> 00:33:58,532 YOU SHOULD BE AN ARCHITECT TOO. 906 00:33:58,532 --> 00:33:59,635 HOW THE HELL YOU KNOW ALL THIS STUFF, MAN? 907 00:33:59,635 --> 00:34:00,398 HOW THE HELL YOU KNOW ALL THIS STUFF, MAN? 908 00:34:00,398 --> 00:34:02,032 ON THE TABLE, WE GOT RID OF THOSE HIDEOUS CLOTHS. 909 00:34:02,032 --> 00:34:04,365 WE GOT WHITE, CRISP LINEN, ALL NEW CHINA, 910 00:34:04,365 --> 00:34:06,898 A VERY COOL SLAB OF SLATE, SALT, PEPPERS. 911 00:34:06,898 --> 00:34:08,498 ALL THESE LITTLE TOUCHES 912 00:34:08,498 --> 00:34:09,998 GIVE A CONTEMPORARY FEEL TO THIS DINING ROOM. 913 00:34:09,998 --> 00:34:11,732 YOU'VE BROUGHT THE NEIGHBORHOOD INTO THE RESTAURANT. 914 00:34:11,732 --> 00:34:13,665 IT'S PHENOMENAL. IT LOOKS LIKE THE CITY. 915 00:34:13,665 --> 00:34:16,565 IT LOOKS LIKE IT SHOULD LOOK. IT LOOKS LIKE THE NEIGHBORHOOD 916 00:34:16,565 --> 00:34:17,698 THE NEIGHBORHOOD WOULD WANT. 917 00:34:17,698 --> 00:34:18,965 OH, MY GOD, I LOVE IT. 918 00:34:18,965 --> 00:34:20,865 YOU'RE PHENOMENAL, MAN. 919 00:34:20,865 --> 00:34:23,265 HAPPY? OH, MY GOD, AM I HAPPY? 920 00:34:23,265 --> 00:34:24,465 THIS IS THE BEST DAY OF MY LIFE BESIDES HAVING MY KIDS. 921 00:34:24,465 --> 00:34:26,765 I LOVE THE LOOK OF THE RESTAURANT. 922 00:34:26,765 --> 00:34:28,198 IT LOOKS BRIGHTER, IT LOOKS BIGGER. 923 00:34:28,198 --> 00:34:29,635 WE DEFINITELY WILL HAVE OUR OWN IDENTITY. 924 00:34:29,635 --> 00:34:32,832 WE DEFINITELY WILL HAVE OUR OWN IDENTITY. 925 00:34:32,832 --> 00:34:36,265 NOT ONLY HAS CHEF RAMSAY GIVEN THE RESTAURANT'S INTERIOR 926 00:34:36,265 --> 00:34:38,265 A MODERN MAKEOVER... OKAY, COME OVER, PLEASE. 927 00:34:38,265 --> 00:34:40,265 WOW, LOOK AT THAT FOOD. MARONNA MIA. 928 00:34:40,265 --> 00:34:43,598 HE'S ALSO DONE THE SAME WITH THE 30-YEAR-OLD MENU. 929 00:34:43,598 --> 00:34:44,832 RIGHT, THE BEAUTY OF THIS MENU, 930 00:34:44,832 --> 00:34:47,098 IT'S SMALL, POWERFUL. 931 00:34:47,098 --> 00:34:49,165 IT SENDS OUT ALL THE RIGHT MESSAGES. YES. 932 00:34:49,165 --> 00:34:51,765 - GONE ARE THE 75 DISHES. - I LIKE THAT. 933 00:34:51,765 --> 00:34:53,032 IT LOOKS WONDERFUL. OH, BY THE WAY... 934 00:34:53,032 --> 00:34:55,498 16 VEAL, 12 CHICKEN-- ALL GONE. 935 00:34:55,498 --> 00:34:57,198 THANK GOD. 936 00:34:57,198 --> 00:34:58,565 NOW, LET'S START OFF FROM THE TOP. 937 00:34:58,565 --> 00:34:59,635 CLASSIC ITALIAN ANTIPASTO. 938 00:34:59,635 --> 00:35:00,732 CLASSIC ITALIAN ANTIPASTO. 939 00:35:00,732 --> 00:35:02,065 NEXT TO THAT YOU GOT ARANCINI-- 940 00:35:02,065 --> 00:35:04,598 PARMESAN, SMOKED PAPRIKA AIOLI, AND PARSLEY. 941 00:35:04,598 --> 00:35:06,398 SMALL BUT POWERFUL. 942 00:35:06,398 --> 00:35:07,865 I'M, LIKE, SO EXCITED. 943 00:35:07,865 --> 00:35:09,698 ENTREES--CHICKEN PARMESAN. 944 00:35:09,698 --> 00:35:10,765 IT'S A STAPLE, IT'S A CLASSIC. 945 00:35:10,765 --> 00:35:13,232 VEAL MARSALA-- OREGANO, MARSALA, 946 00:35:13,232 --> 00:35:14,365 MUSHROOMS, AND SPINACH. 947 00:35:14,365 --> 00:35:15,698 IT LOOKS SO GOOD. 948 00:35:15,698 --> 00:35:17,232 AFTER THAT YOU'VE GOT A CLASSIC SPAGHETTI, MEATBALL. 949 00:35:17,232 --> 00:35:19,898 BIG, HEARTY DISH THAT JUST OOZES ITALY. 950 00:35:19,898 --> 00:35:22,498 ORECCHIETTE. THIS TIME IT'S NOT GONNA BE SWIMMING IN OIL, 951 00:35:22,498 --> 00:35:24,065 AND TOMMY'S NOT GONNA BE TAKING IT BACK 952 00:35:24,065 --> 00:35:26,232 AND DRAINING IT. DINA, WHAT DO YOU THINK? 953 00:35:26,232 --> 00:35:27,765 I LOVE IT. YOU LOVE IT? 954 00:35:27,765 --> 00:35:29,432 PHENOMENAL. TOMMY, WHAT DO YOU THINK? 955 00:35:29,432 --> 00:35:29,635 I LOVE IT, MAN. LOVE IT. YEAH, I LOVE IT. 956 00:35:29,635 --> 00:35:32,032 I LOVE IT, MAN. LOVE IT. YEAH, I LOVE IT. 957 00:35:32,032 --> 00:35:35,565 GOOD. ONE MORE THING TO TALK TO YOU ABOUT. 958 00:35:35,565 --> 00:35:37,565 FELIPE'S NOT GONNA LEARN HOW TO COOK THIS IN A DAY. 959 00:35:37,565 --> 00:35:38,798 - I KNOW THAT. - RIGHT. 960 00:35:38,798 --> 00:35:40,798 YOU NEED HELP. YEAH. 961 00:35:40,798 --> 00:35:45,665 I PHONED AN AMAZING, TALENTED CHEF 962 00:35:45,665 --> 00:35:46,798 WHO'S BEEN HERE SINCE FIRST THING THIS MORNING. 963 00:35:46,798 --> 00:35:48,665 HE'S BEEN IN THERE, HE'S BEEN WORKING. 964 00:35:48,665 --> 00:35:50,365 AND YOU NEED TO GET CLOSE TO THIS GUY. 965 00:35:50,365 --> 00:35:51,532 YEAH? PLEASE SAY HELLO... 966 00:35:51,532 --> 00:35:53,998 CHEF MIKE TROW. 967 00:35:53,998 --> 00:35:55,365 MIKE, GOOD TO SEE YOU, BUDDY. 968 00:35:55,365 --> 00:35:56,898 LET ME INTRODUCE YOU TO OUR OWNERS. 969 00:35:56,898 --> 00:35:58,898 THIS IS DINA. HI, MIKE. 970 00:35:58,898 --> 00:35:59,635 AND THIS IS TOMMY. PLEASURE. 971 00:35:59,635 --> 00:36:00,732 AND THIS IS TOMMY. PLEASURE. 972 00:36:00,732 --> 00:36:01,898 GOOD TO SEE YOU, BUDDY. THANK YOU VERY MUCH. 973 00:36:01,898 --> 00:36:03,932 FIRST OF ALL, LOCAL BOY. 974 00:36:03,932 --> 00:36:05,232 TRAINED IN SOME OF THE BEST RESTAURANTS IN THE COUNTRY. 975 00:36:05,232 --> 00:36:07,298 BUT MORE IMPORTANTLY, THIS MAN KNOWS 976 00:36:07,298 --> 00:36:08,732 EXACTLY WHAT YOU NEED. 977 00:36:08,732 --> 00:36:11,798 I'M VERY, VERY EXCITED WITH THE CHEF MIKE TROW. 978 00:36:11,798 --> 00:36:14,132 CHEF RAMSAY DEFINITELY SET ME UP FOR SUCCESS. 979 00:36:14,132 --> 00:36:15,665 IT'S UP TO ME NOW. FOOD LOOKS AMAZING. 980 00:36:15,665 --> 00:36:17,965 GREAT NEW MENU TONIGHT. LET'S GET EXCITED. 981 00:36:17,965 --> 00:36:19,398 LET'S FOCUS AND HAVE A GREAT SERVICE. 982 00:36:19,398 --> 00:36:21,398 THANK YOU. HELL OF A JOB. I'LL SEE YOU SHORTLY. 983 00:36:21,398 --> 00:36:23,932 - YEAH? BRILLIANT. - THAT MAKES ME FEEL GOOD. 984 00:36:23,932 --> 00:36:26,098 I DON'T HAVE TO WORRY ABOUT THE KITCHEN AS MUCH, YOU KNOW? 985 00:36:26,098 --> 00:36:28,132 RIGHT, DIG IN, GUYS, COME ON. DIG IN, DIG IN, DIG IN. 986 00:36:32,132 --> 00:36:33,498 WOW. EXCELLENT. 987 00:36:33,498 --> 00:36:35,498 I REALLY LIKE THIS. I REALLY LIKE THAT. 988 00:36:35,498 --> 00:36:37,498 OH, MY GOD, THAT SAUCE IS SO GOOD. 989 00:36:37,498 --> 00:36:39,965 THAT FOOD IS DELICIOUS. 990 00:36:39,965 --> 00:36:41,898 I MEAN, I COULD KEEP EATING IT, AND I'M FULL. 991 00:36:41,898 --> 00:36:44,098 - THAT IS GOOD. - YEAH, IT'S SO GOOD. 992 00:36:44,098 --> 00:36:46,398 EVERYTHING IS GOOD. MEATBALLS ARE GOOD MEATBALLS. 993 00:36:46,398 --> 00:36:47,432 I LIKE THE MEATBALLS. 994 00:36:47,432 --> 00:36:48,832 I MEAN, IS FANTASTIC. 995 00:36:48,832 --> 00:36:51,132 THOMAS, TASTE THIS, BABE. WHAT'S THAT, JUST MEATBALLS? 996 00:36:51,132 --> 00:36:52,565 OUR MENU WAS A DINOSAUR. 997 00:36:52,565 --> 00:36:53,798 WHAT A DIFFERENCE IN THE FOOD. 998 00:36:53,798 --> 00:36:56,098 36 YEARS OF THAT MENU. 999 00:36:56,098 --> 00:36:58,232 OUT WITH THE OLD AND IN WITH THE NEW. 1000 00:36:58,232 --> 00:36:59,635 THAT LOOKS SO GOOD. I'M SO HAPPY. 1001 00:36:59,635 --> 00:36:59,698 THAT LOOKS SO GOOD. I'M SO HAPPY. 1002 00:36:59,698 --> 00:37:01,632 THIS IS A GOOD LIFE. 1003 00:37:01,632 --> 00:37:03,032 COMING UP... 1004 00:37:03,032 --> 00:37:04,898 ALL RIGHT, TOM, THEY'VE BEEN WAITING FOR A WHILE. 1005 00:37:04,898 --> 00:37:08,898 OF CHIARELLA'S.PORTANT RELAUNCH 1006 00:37:08,898 --> 00:37:10,965 I KNEW IT WAS RUNNING WAY TOO SMOOTH. 1007 00:37:10,965 --> 00:37:13,465 WILL TOMMY FINALLY STEP UP AND TAKE CONTROL... 1008 00:37:13,465 --> 00:37:15,065 ONE LITTLE MISTAKE, WE DON'T COLLAPSE. 1009 00:37:15,065 --> 00:37:18,032 OR WILL HE CRUMBLE, AND TAKE HIS RESTAURANT WITH HIM? 1010 00:37:18,032 --> 00:37:20,032 TOM, DON'T SCREW THIS UP, PLEASE. 1011 00:37:26,665 --> 00:37:29,691 IT'S RELAUNCH NIGHT AT CHIARELLA'S. 1012 00:37:29,691 --> 00:37:31,891 EVERYBODY KNOW THEIR MENUS? YES, YES. 1013 00:37:31,891 --> 00:37:33,691 WITH CHEF CONSULTANT MIKE TROW 1014 00:37:33,691 --> 00:37:35,891 GUIDING FELIPE BEHIND THE LINE... 1015 00:37:35,891 --> 00:37:37,558 ONE AT A TIME, ONE AT A TIME. 1016 00:37:37,558 --> 00:37:38,924 DON'T GET TOO FAR AHEAD OF IT. 1017 00:37:38,924 --> 00:37:41,291 ALL EYES ARE ON A RE-ENERGIZED TOMMY. 1018 00:37:41,291 --> 00:37:43,924 LET'S GO. 1019 00:37:43,924 --> 00:37:46,824 HELLO, HELLO. HOW ARE YOU? THREE? 1020 00:37:46,824 --> 00:37:48,824 FOLKS, WELCOME TO THE NEW CHIARELLA'S. HOW ARE YOU? 1021 00:37:48,824 --> 00:37:50,391 HAVE A NICE DINNER. YOU'RE WELCOME. 1022 00:37:50,391 --> 00:37:53,291 RELAUNCH NIGHT IS A BIG NIGHT. HAVE A NICE DINNER. 1023 00:37:53,291 --> 00:37:54,676 AND IF TOMMY STEPS UP AND DOES WHAT HE'S SUPPOSED TO DO, 1024 00:37:54,676 --> 00:37:55,458 AND IF TOMMY STEPS UP AND DOES WHAT HE'S SUPPOSED TO DO, 1025 00:37:55,458 --> 00:37:56,924 EVERYTHING WILL BE GREAT TONIGHT. 1026 00:37:56,924 --> 00:37:58,824 YOU FOLKS SET TO ORDER? YES. 1027 00:37:58,824 --> 00:38:01,224 CAN I HAVE THE CAESAR SALAD? 1028 00:38:01,224 --> 00:38:03,291 I'M GONNA HAVE THE BUFFALO MOZZERELLA BRUSCHETTA. 1029 00:38:04,624 --> 00:38:06,291 ALL RIGHT, CHECKING IN, GUYS. FIRST ONE. 1030 00:38:06,291 --> 00:38:09,158 ORDER IN. TWO CALAMARI AND BUFFALO. LET'S GO. 1031 00:38:09,158 --> 00:38:11,258 COME ON, COME ON. LET'S GO TONIGHT, GUYS. 1032 00:38:11,258 --> 00:38:12,524 LET'S GO. COME ON. 1033 00:38:12,524 --> 00:38:14,191 WITH TOMMY LEADING HIS STAFF... 1034 00:38:14,191 --> 00:38:16,058 FIRE UP FOUR. FIRE UP FOUR. 1035 00:38:16,058 --> 00:38:18,591 CALAMARI, SOUP, AND LIVERS. 1036 00:38:18,591 --> 00:38:19,958 DISHES ARE GOING OUT AT A RAPID PACE. 1037 00:38:19,958 --> 00:38:22,624 SERVICE, PLEASE. 1038 00:38:22,624 --> 00:38:24,676 PESTO CROSTINI? ENJOY. 1039 00:38:24,676 --> 00:38:27,424 PESTO CROSTINI? ENJOY. 1040 00:38:27,424 --> 00:38:30,524 WHILE MOST OF THE DINERS ARE ECSTATIC WITH THE NEW MENU... 1041 00:38:35,624 --> 00:38:37,791 THERE IS ONE TABLE THAT IS FEELING LEFT OUT. 1042 00:38:41,191 --> 00:38:43,758 RENATA, WHERE IS THEIR DINNER? I DON'T KNOW. 1043 00:38:43,758 --> 00:38:45,324 WHAT TABLE IS THIS? 1044 00:38:45,324 --> 00:38:47,324 THERE WAS ONE TABLE... I COULD SEE 1045 00:38:47,324 --> 00:38:48,958 THEY WERE GETTING A LITTLE ANTSY. 1046 00:38:48,958 --> 00:38:51,558 I KNEW IT WAS RUNNING WAY TOO SMOOTH TONIGHT. 1047 00:38:51,558 --> 00:38:54,224 TOMMY HAS TO STEP UP AND REALLY DO WHAT HE'S GOTTA DO. 1048 00:38:54,224 --> 00:38:54,676 ALL RIGHT, TOM, DINA WANTS TO KNOW ABOUT TABLE 20 1049 00:38:54,676 --> 00:38:56,558 ALL RIGHT, TOM, DINA WANTS TO KNOW ABOUT TABLE 20 1050 00:38:56,558 --> 00:38:59,891 BECAUSE THEY'VE BEEN WAITING FOR A WHILE. 1051 00:39:09,224 --> 00:39:11,024 I MESSED UP ON THE TABLE NUMBER. 1052 00:39:11,024 --> 00:39:14,824 TOM, DON'T SCREW THIS UP. PLEASE! 1053 00:39:14,824 --> 00:39:16,424 TOMMY, LISTEN, I SAID TO YOU, 1054 00:39:16,424 --> 00:39:17,558 ONE LITTLE MISTAKE, WE DON'T COLLAPSE. 1055 00:39:17,558 --> 00:39:18,991 STAY ON TOP OF IT. JUST CHANGE IT. 1056 00:39:18,991 --> 00:39:21,591 GET ON WITH IT. LET'S GO. COME ON. 1057 00:39:21,591 --> 00:39:24,024 CHEF RAMSAY'S DEFINITELY RIGHT. TAKE IT EASY, RELAX. 1058 00:39:24,024 --> 00:39:24,676 IT'S JUST A LITTLE BUMP IN THE ROAD HERE OR THERE. 1059 00:39:24,676 --> 00:39:27,958 IT'S JUST A LITTLE BUMP IN THE ROAD HERE OR THERE. 1060 00:39:27,958 --> 00:39:30,391 I MADE A MISTAKE ON THE TABLE NUMBER, MIKE. 1061 00:39:30,391 --> 00:39:32,891 WHAT DO YOU NEED? 1062 00:39:32,891 --> 00:39:35,424 IT'S COMING RIGHT NOW. HANG ON. 1063 00:39:35,424 --> 00:39:38,058 IT'LL BE OUT IN ABOUT FIVE MINUTES, ALL RIGHT? 1064 00:39:38,058 --> 00:39:41,591 NICE. KEEP IT GOING. COME ON, TOMMY, KEEP IT GOING. 1065 00:39:41,591 --> 00:39:44,191 HOW WE LOOKING HERE? HOW WE LOOKING HERE? 1066 00:39:44,191 --> 00:39:46,958 COMING RIGHT NOW. TABLE 20. 1067 00:39:46,958 --> 00:39:48,324 FOLLOW ME. TABLE 20. HERE WE GO. 1068 00:39:48,324 --> 00:39:51,058 SEEING TOMMY STEP UP AND RUN THE BUSINESS 1069 00:39:51,058 --> 00:39:53,958 WAS FANTASTIC... SPECTACULAR. 1070 00:39:53,958 --> 00:39:54,676 SOUP'S RIGHT HERE. ENJOY IT. 1071 00:39:54,676 --> 00:39:55,891 SOUP'S RIGHT HERE. ENJOY IT. 1072 00:39:55,891 --> 00:39:56,891 COME ON, LET'S GO, TOM. 1073 00:39:56,891 --> 00:39:58,824 COME ON, BABY. DO YOUR THING. 1074 00:40:02,224 --> 00:40:04,024 I MOVE THESE DOWN, ALL RIGHT? 1075 00:40:04,024 --> 00:40:06,024 WE'RE GOOD IN THERE. WE'RE GOOD IN THERE. 1076 00:40:06,024 --> 00:40:07,024 WE'RE GOOD IN THERE. WE'RE GOOD. 1077 00:40:07,024 --> 00:40:08,524 NICE, NICE! GOOD, GOOD, GOOD. 1078 00:40:08,524 --> 00:40:12,791 LASAGNA, BABY! OH, YES. 1079 00:40:12,791 --> 00:40:14,624 TOMMY NOW IS SHOWING HIS TRUE PASSION FOR THIS BUSINESS, 1080 00:40:14,624 --> 00:40:16,058 AND HIS TRUE LOVE FOR THIS BUSINESS. 1081 00:40:16,058 --> 00:40:18,458 HE'S FULL OF ENTHUSIASM, HE'S FULL OF LIFE. 1082 00:40:18,458 --> 00:40:20,258 GOOD JOB, MICHAEL. 1083 00:40:20,258 --> 00:40:21,991 TOMMY'S BACK. HE'S HIMSELF AGAIN. 1084 00:40:21,991 --> 00:40:24,091 AND I'M VERY, VERY HAPPY FOR HIM. 1085 00:40:24,091 --> 00:40:24,676 GOOD JOB TONIGHT. GREAT JOB. 1086 00:40:24,676 --> 00:40:26,824 GOOD JOB TONIGHT. GREAT JOB. 1087 00:40:26,824 --> 00:40:30,258 I'M THE BOSS! 1088 00:40:30,258 --> 00:40:32,824 OKAY. HOW WE FEELING? 1089 00:40:32,824 --> 00:40:35,091 GREAT, GREAT. FANTASTIC, BROTHER. 1090 00:40:35,091 --> 00:40:38,058 YOU SHOULD BE. I KNOW. 1091 00:40:38,058 --> 00:40:39,324 THIS RESTAURANT LOOKED AND FELT 1092 00:40:39,324 --> 00:40:40,891 LIKE A COMPLETELY DIFFERENT RESTAURANT 1093 00:40:40,891 --> 00:40:42,824 THAN I FIRST WALKED INTO AT THE BEGINNING OF THE WEEK, 1094 00:40:42,824 --> 00:40:44,591 LET ME TELL YOU THAT. 1095 00:40:44,591 --> 00:40:47,424 TONIGHT, CHIARELLA'S WAS THE PLACE TO BE IN PHILADELPHIA. 1096 00:40:47,424 --> 00:40:48,624 THANK YOU. THANK YOU. 1097 00:40:48,624 --> 00:40:49,924 YOU'VE GOT TO MAINTAIN THAT NOW. 1098 00:40:49,924 --> 00:40:51,391 WE GOTTA KEEP IT. WE GOTTA KEEP IT. 1099 00:40:51,391 --> 00:40:53,458 YOU CANNOT GO BACKWARDS. TO THE TEAM, WELL DONE. 1100 00:40:53,458 --> 00:40:54,676 AND A GREAT JOB, MIKE, AND FELIPE. 1101 00:40:54,676 --> 00:40:55,791 AND A GREAT JOB, MIKE, AND FELIPE. 1102 00:40:55,791 --> 00:40:58,358 FELIPE--FELIPE, EXCELLENT. 1103 00:40:58,358 --> 00:41:00,158 AND CAN I HAVE A QUICK WORD WITH YOU TWO, PLEASE? 1104 00:41:00,158 --> 00:41:02,858 WELL DONE. GOOD JOB, MIKE. GOOD JOB, YES? WELL DONE. 1105 00:41:02,858 --> 00:41:06,224 TOMMY JUST SEEMS LIKE HE'S A DIFFERENT PERSON. 1106 00:41:06,224 --> 00:41:09,858 HE FEELS SECURE IN RUNNING HIS BUSINESS. 1107 00:41:09,858 --> 00:41:11,258 HE'S TOMMY. 1108 00:41:11,258 --> 00:41:15,458 OKAY, DID YOU NOTICE HOW WELL YOUR KITCHEN RAN TONIGHT? 1109 00:41:15,458 --> 00:41:16,958 EXCELLENTLY. 1110 00:41:16,958 --> 00:41:20,158 YEAH, THE STANDARD WAS NIGHT AND DAY TONIGHT. OH, YES. 1111 00:41:20,158 --> 00:41:23,258 YOU TWO WORK WELL TOGETHER. YES, WE DO. 1112 00:41:23,258 --> 00:41:24,676 AND YOU'D FORGOTTEN THAT. AND YOUR TENACIOUSNESS... 1113 00:41:24,676 --> 00:41:26,258 AND YOU'D FORGOTTEN THAT. AND YOUR TENACIOUSNESS... 1114 00:41:26,258 --> 00:41:28,324 HE NEEDS THAT. YES. 1115 00:41:28,324 --> 00:41:31,558 AND TONIGHT I COULD SEE AND HEAR THE OLD TOMMY. 1116 00:41:31,558 --> 00:41:34,324 AND IT'S JUST--IT'S MOVING. 1117 00:41:34,324 --> 00:41:36,958 BUT CHIARELLA'S NEEDS BOTH OF YOU. 1118 00:41:36,958 --> 00:41:40,124 DINA AND TOMMY. I KNOW EXACTLY WHAT YOU'RE SAYING. 1119 00:41:40,124 --> 00:41:42,891 AND YOU CAN DO IT. YES. 1120 00:41:42,891 --> 00:41:45,591 CHEF RAMSAY, HE'S A GOOD MAN WITH A BIG HEART. 1121 00:41:45,591 --> 00:41:47,424 LOOK AFTER YOURSELF, WILL YOU? YEAH. 1122 00:41:47,424 --> 00:41:49,424 COME ON. LOOK AFTER YOURSELF. 1123 00:41:49,424 --> 00:41:51,191 HE WAS HERE TO FIX ME. BUT HE DID FIX THE RESTAURANT. 1124 00:41:51,191 --> 00:41:53,224 DON'T GET ME WRONG. BUT HE WAS HERE TO FIX ME. 1125 00:41:53,224 --> 00:41:54,676 AND I HOPE I STAY LIKE THIS. 1126 00:41:54,676 --> 00:41:54,924 AND I HOPE I STAY LIKE THIS. 1127 00:41:54,924 --> 00:41:56,291 TAKE CARE. 1128 00:41:56,291 --> 00:41:58,658 - GOD BLESS. - THANK YOU. 1129 00:42:01,424 --> 00:42:04,324 WHEN YOU CONSIDER THE CHANGES WE MADE TO THE FOOD, THE DECOR, 1130 00:42:04,324 --> 00:42:05,991 AND HOW THIS RESTAURANT WAS RUN, 1131 00:42:05,991 --> 00:42:07,858 THIS IS THE BIGGEST TRANSFORMATION 1132 00:42:07,858 --> 00:42:10,091 OF ANY ITALIAN RESTAURANT I'VE EVER DONE. 1133 00:42:10,091 --> 00:42:13,191 BUT I'M LEAVING HERE WITH ONE BIG QUESTION, 1134 00:42:13,191 --> 00:42:15,591 AND THAT IS, WILL TOMMY AND DINA MAINTAIN 1135 00:42:15,591 --> 00:42:18,091 THE HIGH STANDARDS THAT WE SET TONIGHT? 1136 00:42:18,091 --> 00:42:21,324 I PROMISE YOU, ONLY TIME WILL TELL. 1137 00:42:28,058 --> 00:42:29,191 IN THE WEEKS THAT FOLLOWED... 1138 00:42:29,191 --> 00:42:30,524 FIRE UP TABLE TEN. 1139 00:42:30,524 --> 00:42:32,391 THE COMBINATION OF A CONFIDENT TOMMY... 1140 00:42:32,391 --> 00:42:33,924 YEAH, BABY. 1141 00:42:33,924 --> 00:42:36,691 AND A SUPPORTIVE DINA HAVE MADE IT POSSIBLE 1142 00:42:36,691 --> 00:42:39,024 FOR CHIARELLA'S TO MAINTAIN THE HIGH STANDARDS 1143 00:42:39,024 --> 00:42:40,591 SET BY CHEF RAMSAY. THIS IS DECADENT. 1144 00:42:40,591 --> 00:42:41,924 YEAH, IT'S REALLY GOOD. 1145 00:42:41,924 --> 00:42:43,324 AND THIS ONCE FRACTURED COUPLE 1146 00:42:43,324 --> 00:42:46,824 IS TRULY UNITED AS A TEAM. 1147 00:42:46,824 --> 00:42:48,491 WHEN CHEF RAMSAY CAME TO OUR RESTAURANT, 1148 00:42:48,491 --> 00:42:50,291 WE WERE NOT THRILLED AT ALL 1149 00:42:50,291 --> 00:42:51,924 WITH WHAT HE HAD TO SAY. 1150 00:42:51,924 --> 00:42:53,258 I GOT FIVE RIGHT HERE. I GOT IT. I KNOW. 1151 00:42:53,258 --> 00:42:54,676 ALL RIGHT, GO. 1152 00:42:54,676 --> 00:42:55,091 ALL RIGHT, GO. 1153 00:42:55,091 --> 00:42:57,091 BUT WITH CHANGE COMES OPPORTUNITY TO GROW 1154 00:42:57,091 --> 00:42:58,391 AND BE STRONGER. 1155 00:42:58,391 --> 00:43:00,758 AND I'M HOPING THAT THIS WILL BECOME THE BEST 1156 00:43:00,758 --> 00:43:03,258 ITALIAN RESTAURANT IN SOUTH PHILADELPHIA. 1157 00:43:03,258 --> 00:43:05,124 A NEW BEGINNING, CHIARELLA'S. 1158 00:43:05,124 --> 00:43:06,558 READY? ONE, TWO, THREE... 1159 00:43:06,558 --> 00:43:09,524 A NEW BEGINNING!