1
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TONIGHT ON <i>KITCHEN NIGHTMARES,</i>

2
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CHEF RAMSAY HEADS
TO BROOKLYN...

3
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OH, MY GOD.

4
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TO TACKLE THE MANY PROBLEMS
OF A 55-YEAR-OLD RESTAURANT.

5
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I'VE JUST HAD ONE OF THE MOST
DISGUSTING LUNCHES

6
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I'VE EVER HAD.

7
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OWNER JOHN IS NOT ONLY

8
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CLINGING TO THE PAST...

9
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IT WORKED BEFORE.
WHY CAN'T IT WORK NOW?

10
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HE IS NO LONGER RUNNING
HIS RESTAURANT.

11
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DO YOU HAVE ANY IDEA
THAT THIS IS GOING ON?

12
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HE WORKS PRIMARILY
AT THE PIZZA OVEN.

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THEY WEREN'T A FAN
OF THE EGGPLANT.

14
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I DON'T KNOW WHAT
THEY'RE DOING OVER THERE.

15
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AND HE'S UNAWARE
OF WHAT'S HAPPENING...

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WHERE'S JOHN?
OH, MY GOD.

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WHERE'S JOHN?
OH, MY GOD.

18
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IN THE KITCHEN...

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I'M EMBARRASSED TO DO SOME
OF THE THINGS THAT WE DO HERE.

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IN THE DINING ROOM...
LOOK AT THIS MESS.

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OR IN THE STORAGE.

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- THEY'RE FROZEN AND MOLDY.
- AND AS A RESULT,

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THE RESTAURANT IS A DISASTER.

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THERE'S A MAN VOMITING
IN THE TOILET NOW.

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IT'S A <i>KITCHEN NIGHTMARES</i>
INSPECTION

26
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THAT WILL HAVE YOU IN SHOCK.

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IT'S GONE! IT'S OFF!

28
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CONDITIONS ARE SO BAD...

29
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WE CAN POSSIBLY KILL THEM.
KILL SOMEONE.

30
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A CUSTOMER PAYS THE PRICE.

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CALL AN AMBULANCE.
OH, MY GOD.

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GET READY FOR
AN EMOTIONAL ROLLER COASTER

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AS CHEF RAMSAY TRIES TO SAVE
A DEFIANT OWNER...

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AS CHEF RAMSAY TRIES TO SAVE
A DEFIANT OWNER...

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IF I NEEDED YOU TO TELL ME
PUT THE KEY TO THE DOOR,

36
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I WOULD HAVE DONE THAT
WITHOUT YOU COMING HERE.

37
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FROM DESTROYING
HIS PARENTS' LEGACY.

38
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I DON'T WANNA BE HERE
NO MORE.

39
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WHAT IS THAT? YOU'RE SERVING
ROTTEN FOOD.

40
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IT COULD POSSIBLY KILL THEM.
THEN WAKE UP!

41
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YOU WAKE UP!

42
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SHUT THE PLACE DOWN.

43
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GET OUT OF HERE!

44
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THAT IS AMAZING.

45
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I CAN'T TAKE ANY MORE.

46
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OH, MY GOSH.

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IN BROOKLYN, NEW YORK,
LIES THE HISTORIC NEIGHBORHOOD

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IN BROOKLYN, NEW YORK,
LIES THE HISTORIC NEIGHBORHOOD

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OF COBBLE HILL,
A HIP, THRIVING AREA,

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AND HOME TO SAL'S PIZZERIA,
RUN BY JOHN ESPOSITO

51
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MY PARENTS CAME HERE
FROM ITALY,

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AND THEY TOOK OVER
THIS PIZZERIA IN 1970.

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AND AT THE AGE OF 14,
I LEFT HIGH SCHOOL

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TO HELP MY MOM AND DAD
RUN THE BUSINESS.

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THIS HAS BECOME MY LIFE
EVER SINCE.

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HELLO, SAL'S.
HOW CAN I HELP YOU?

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WE RAN THE PLACE
VERY SUCCESSFULLY.

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THANK YOU.

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BY THE '90s, WE WERE ABLE
TO PURCHASE

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THE RESTAURANT NEXT DOOR.

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THE RESTAURANT NEXT DOOR.

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HELLO. HOW WE DOING?
WELCOME TO MARIA'S.
THANK YOU.

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MY MOM BECAME SICK.

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SHE GOT DIAGNOSED
WITH CANCER.

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WE THOUGHT THE RIGHT THING
TO DO

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WAS TO NAME THE ROOM
AFTER MY MOM.

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THAT'S WHY YOU HAVE SAL'S PIZZA
AND MAMA MARIA'S.

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HIS FATHER PASSED AWAY,
AND HIS MOM PASSED AWAY.

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HE WAS THE ONLY ONE
IN CHARGE OF EVERYTHING.

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AND AS THE YEARS PASSED,
IT STARTED TO GO DOWN.

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WE DON'T HAVE THAT KIND OF
VOLUME OF SALES

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THAT WE ONCE HAD.

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AND I CAN'T FIGURE OUT
THE REASON WHY

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IT DROPPED OFF.
WHERE'S THE PEOPLE?

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I'VE STAYED THE SAME.
I HAVEN'T CHANGED.

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I'VE STAYED THE SAME.
I HAVEN'T CHANGED.

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THEY WEREN'T A FAN
OF THE EGGPLANT.

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I DON'T KNOW WHAT
THEY'RE DOING OVER THERE.

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JOHN, AS THE OWNER,
IS SUPPOSED TO BE IN CHARGE

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OF THIS WHOLE PLACE,
INCLUDING THE KITCHEN.

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BUT HE'S USUALLY UP FRONT
MAKING PIZZAS,

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COVERED IN FLOUR.

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IT IS A  NIGHTMARE.

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A PIZZERIA AND A RESTAURANT
ARE TWO DIFFERENT ANIMALS.

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THAT'S LIKE THE ACCOUNTANT
THAT THOUGHT IT'D BE COOL

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TO OPEN A WINE BAR.

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START PAYING ATTENTION
OVER HERE FOR A MINUTE.

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GET IN THE KITCHEN.
REALLY LOOK AT WHAT'S GOING ON.

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JOHN TREATS THIS PLACE
LIKE HIS SECOND HOME.

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HE'S GOT FOUR KIDS
THAT ARE ALWAYS HERE

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HE'S GOT FOUR KIDS
THAT ARE ALWAYS HERE

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RUNNING AROUND THE RESTAURANT.

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- BANG, BANG, BANG.

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STOP.

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IT DOESN'T REALLY LOOK GOOD
FOR THE RESTAURANT.

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JOHN IS AN EXTREMELY
STUBBORN OWNER.

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ALL RIGHT, SO THIS IS THE WAY
WE'RE GONNA SET UP THE TABLES.

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LISTEN...

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IN HIS MIND,
THE SYSTEM HAS WORKED,

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BUT IT REALLY STOPPED WORKING,
LIKE, 20 YEARS AGO.

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COBBLE HILL USED TO BE A VERY
OLD-SCHOOL ITALIAN NEIGHBORHOOD.

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BUT NOW WE HAVE MUCH, MUCH
YOUNGER PEOPLE MOVING IN.

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BUT NOW WE HAVE MUCH, MUCH
YOUNGER PEOPLE MOVING IN.

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A LOT OF PEOPLE LIKE
TO CALL THEM HIPSTERS.

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HEY, SORRY, UH, THE SPAGHETTI
DOESN'T TASTE QUITE RIGHT.

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I DON'T KNOW WHAT TO TELL YOU.
IT'S FRESH TOMATO SAUCE.

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THROW THIS OUT.

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AM I GONNA PUT ON
PLASTIC GLASSES,

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GET A FUNKY HAIRCUT,
PUT AN EARRING IN MY EAR

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JUST TO ACCOMMODATE
THE NEW PEOPLE?

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NO, I'M NOT GONNA DO THAT.

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HOW ARE THINGS ON THIS SIDE?
BAD. HORRIBLE.

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REALLY?
YEAH.

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JOHN IS HOLDING
ON TO THE PAST

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AND TO THE WAY THINGS
WERE DONE

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WHEN HIS PARENTS
RAN THE BUSINESS.

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WE DIDN'T DO ANYTHING TODAY.

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WE DIDN'T DO ANYTHING TODAY.

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WE DIDN'T EVEN DO 1/4
OF WHAT WE USED TO DO.

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ANY BUSINESSMAN WOULD HAVE SAID
ENOUGH IS ENOUGH.

121
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BUT HOW DO YOU PULL THE PLUG
ON FAMILY HISTORY?

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PRETTY TOUGH.
YEAH.

123
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WE GOTTA DO SOMETHING
TO BOOST THESE CHECKS.

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THIS PLACE WAS MOM AND DAD.

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LOSING ONE IS LIKE
LOSING A PARENT AGAIN.

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I'M NOT PREPARED
TO HANDLE THAT.

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MAMA MARIA'S.

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WHAT IS THAT?
THAT'S GHASTLY.

129
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WHAT IS THAT?
THAT'S GHASTLY.

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HOLES EVERYWHERE.
THAT IS NOT A GOOD SIGN.

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DAMN.
MY GOODNESS ME.

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HELLO.
HOW ARE YOU?

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GOOD. HOW ARE YOU?

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FIRST NAME IS?
FABIO.

135
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YEAH? GOOD TO SEE YOU.

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I'M THE MANAGER HERE.

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THAT OUTSIDE LOOKS LIKE
AN EYESORE.

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WHOSE IDEA WAS THAT?
THE OWNER.

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HE ACTUALLY CUT
THE LETTERS OUT.

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WHY?
I GUESS 'CAUSE
IT WAS TEARING,

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AND HE JUST COMPLETED
THE WHOLE THING.

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AND THE OWNER IS...

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JOHN.

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AND HE IS WHERE?
NEXT DOOR.

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HE'S RESPONSIBLE FOR,
LIKE, THE PIZZERIA.

146
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HE'S RESPONSIBLE FOR,
LIKE, THE PIZZERIA.

147
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SO TWO RESTAURANTS.
RIGHT.

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MAMA MARIA'S
I'M STANDING IN?

149
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RIGHT. AND THEN THERE'S
SAL'S PIZZERIA NEXT DOOR.

150
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UM, RIGHT. I'M GONNA
GO MEET THE OWNER.

151
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OKAY. NO PROBLEM.
THANK YOU.

152
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WOW.

153
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SO SAL'S PIZZERIA.

154
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JOHN? THERE HE IS THERE.
HOW ARE YOU?

155
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VERY WELL.
HOW ARE YOU?
GOOD, THANK YOU.

156
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EXCELLENT. SO...

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ARE YOU FILLING IN TODAY?
SOMEONE PHONE IN SICK?

158
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I PRETTY MUCH
MAKE THE PIZZAS, YEAH.

159
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I ALWAYS WORK THE FRONT
OF THE COUNTER.

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I ALWAYS WORK THE FRONT
OF THE COUNTER.

161
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SO YOU'RE BEHIND THERE
CONSTANTLY?
YEAH.

162
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WOW. HOW LONG HAVE YOU BEEN
MAKING PIZZAS?

163
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SINCE I'M TEN YEARS OLD.
THAT'S INCREDIBLE.

164
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I GOT CONFUSED WITH THAT
HIDEOUS CANOPY OUTSIDE.

165
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WAS THAT YOU WHO CUT HOLES
IN THE CANOPY?

166
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UH, ACTUALLY,
THE WIND DID THAT.

167
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THE WIND DID THAT?
YEAH.

168
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ANYWAY, COME AROUND.
LET'S HAVE A CATCH-UP.

169
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OKAY, FIRST OF ALL, GIVE ME
A LITTLE INSIGHT--THE HISTORY.

170
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MY MOM AND DAD HAD
A PIZZERIA,

171
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AND MY FATHER--MY MOTHER DID
ALL THE COOKING IN THE BACK.

172
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AND MY FATHER--MY MOTHER DID
ALL THE COOKING IN THE BACK.

173
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SURE.
BY THE '90s,
MY MOM GOT SICK.

174
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SHE CAME DOWN WITH CANCER.
SHE PASSED FIRST.

175
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I'M SORRY.
SHE'S NO LONGER WITH--WOW.

176
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SO THAT'S WHY IT HAS
TWO DIFFERENT NAMES.
RIGHT.

177
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MOM AND DAD--
SAL AND MARIA.
RIGHT.

178
00:06:13,231 --> 00:06:15,667
COMBINED RESTAURANTS, WHAT IS
THE NUMBER ONE PROBLEM HERE?

179
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WE'RE NOT BUSY.
YOU'RE NOT BUSY?

180
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THERE'S MORE COMPETITION
IN THE NEIGHBORHOOD,

181
00:06:20,273 --> 00:06:22,575
AND WE'RE STRUGGLING.

182
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WE'RE STRUGGLING
TO KEEP THE DOORS OPEN.

183
00:06:24,144 --> 00:06:25,612
IT'S A HARD PILL
TO SWALLOW.

184
00:06:25,612 --> 00:06:28,149
YEAH, I CAN SEE THAT.

185
00:06:28,149 --> 00:06:30,000
UM, I'D LIKE TO MEET TO FIND OUT
WHAT'S GOING ON HERE.

186
00:06:30,000 --> 00:06:32,854
UM, I'D LIKE TO MEET TO FIND OUT
WHAT'S GOING ON HERE.

187
00:06:32,854 --> 00:06:35,558
IT'S VERY UNCOMFORTABLE FOR ME
TO SIT HERE RIGHT NOW

188
00:06:35,558 --> 00:06:36,725
AND ASK FOR HELP.

189
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THANK YOU.

190
00:06:37,826 --> 00:06:40,296
I'M NOT FEELING WHO I AM.
I FEEL WEAK.

191
00:06:40,296 --> 00:06:41,831
OH, HELLO.
HELLO.

192
00:06:41,831 --> 00:06:42,966
HOW ARE YOU?
GOOD. HOW ARE YOU?

193
00:06:42,966 --> 00:06:44,101
AND THIS IS...
LORI.

194
00:06:44,101 --> 00:06:45,235
LORI, NICE TO SEE YOU.
NICE TO MEET YOU.

195
00:06:45,235 --> 00:06:47,104
WHAT DO YOU DO?
I'M A WAITRESS.

196
00:06:47,104 --> 00:06:48,706
EXCELLENT. WHAT'S WRONG
WITH THE RESTAURANT?

197
00:06:48,706 --> 00:06:51,276
LACK OF LEADERSHIP.
JOHN'S A LITTLE FRANTIC,

198
00:06:51,276 --> 00:06:54,112
CHAOTIC...USUALLY VERY BUSY
IN THE PIZZERIA.

199
00:06:54,112 --> 00:06:56,148
JOHN HAS BEEN HERE FOREVER.

200
00:06:56,148 --> 00:06:59,018
SO YOU WOULD THINK JOHN WOULD
KNOW HOW TO RUN THIS PLACE,

201
00:06:59,018 --> 00:07:00,000
BUT HE DOESN'T WANT
TO CHANGE ANYTHING

202
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BUT HE DOESN'T WANT
TO CHANGE ANYTHING

203
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BECAUSE THIS IS WHAT
HIS PARENTS KNEW

204
00:07:01,754 --> 00:07:02,790
BEFORE THEY PASSED AWAY.

205
00:07:02,790 --> 00:07:04,758
HOMEMADE PASTAS.

206
00:07:04,758 --> 00:07:06,860
PASTA MADE DAILY
ON THE PREMISES.

207
00:07:06,860 --> 00:07:09,598
ALL THE PASTA'S MADE FRESH
ON A DAILY BASIS?
YEP.

208
00:07:09,598 --> 00:07:13,202
OKAY, START OFF WITH
THE TORTELLINI DI PATATE.
OKAY.

209
00:07:13,202 --> 00:07:14,870
I'VE GOTTA TRY
THE SPAGHETTI AND MEATBALLS.

210
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SPAGHETTI AND MEATBALLS.

211
00:07:16,005 --> 00:07:17,340
MARGHERITA PIZZA, PLEASE.

212
00:07:17,340 --> 00:07:18,641
OKAY.
THANK YOU.

213
00:07:18,641 --> 00:07:21,144
WOW.

214
00:07:21,144 --> 00:07:23,079
VONGOLE OREGENATA.

215
00:07:23,079 --> 00:07:25,883
SECOND COURSE. YOU GOT
THE TORTELLINI PATATE?

216
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THE FOOD IS NOT FOOD HERE,
BUT IT'S NOT MY FOOD.

217
00:07:28,620 --> 00:07:30,000
I'M SERVING IT THE SAME WAY
WE ALWAYS SERVE IT.
OH, BOY.

218
00:07:30,000 --> 00:07:31,890
I'M SERVING IT THE SAME WAY
WE ALWAYS SERVE IT.
OH, BOY.

219
00:07:31,890 --> 00:07:33,792
I THINK THAT CHEF RAMSAY'S
GONNA HAVE A HEART ATTACK

220
00:07:33,792 --> 00:07:35,161
WHEN HE SEES
WHAT GOES ON AROUND HERE.

221
00:07:35,161 --> 00:07:37,030
OH, MY GOD.

222
00:07:37,030 --> 00:07:38,898
OH, HELLO.
HI. HOW ARE YOU?

223
00:07:38,898 --> 00:07:40,199
I'M GOOD. HOW ARE YOU?
GOOD.

224
00:07:40,199 --> 00:07:41,801
I'M FRAN.
NICE TO MEET YOU.
FRAN, NICE TO SEE YOU.

225
00:07:41,801 --> 00:07:42,903
WHAT DO YOU DO?

226
00:07:42,903 --> 00:07:44,171
I JUST SHOW THE DESSERTS
TO THE TABLE.

227
00:07:44,171 --> 00:07:45,640
OKAY, LET'S HAVE A LOOK.
SHOW ME.

228
00:07:45,640 --> 00:07:48,176
WOW. SO THEY SHOWCASE
THE DESSERTS.

229
00:07:48,176 --> 00:07:50,311
MMM.

230
00:07:50,311 --> 00:07:51,947
SO THIS IS ALL
THE DESSERTS.

231
00:07:51,947 --> 00:07:53,249
EVERYTHING'S MADE HERE
FRESH ON THE PREMISES.

232
00:07:53,249 --> 00:07:56,686
RIGHT. SO...JEEZ.
WHAT IS THAT?

233
00:07:56,686 --> 00:07:58,321
IT'S BUTTER.
OH, IT'S BUTTER.

234
00:07:58,321 --> 00:08:00,000
YEAH, JUST FOR DISPLAY
AS THE ICE CREAM.

235
00:08:00,000 --> 00:08:01,324
YEAH, JUST FOR DISPLAY
AS THE ICE CREAM.

236
00:08:01,324 --> 00:08:06,197
AND THAT, UH--THAT MOLD
ON THERE--YOU SHOW THAT?

237
00:08:06,197 --> 00:08:07,799
NO, THE BUTTER'S ON TOP,
SO IT COVERS THAT.

238
00:08:10,202 --> 00:08:12,838
AND THAT BIT THERE?
YEAH.

239
00:08:12,838 --> 00:08:14,273
FABIO, YOU'RE
THE GENERAL MANAGER, RIGHT?
YEAH.

240
00:08:14,273 --> 00:08:16,075
SO YOU'VE GOT NO IDEA
YOU'RE PRESENTING--

241
00:08:16,075 --> 00:08:18,679
THERE IS MOLDY BITS.

242
00:08:18,679 --> 00:08:19,946
AND IT'S STUCK WITH BUTTER
ON TOP?

243
00:08:19,946 --> 00:08:22,349
WELL, THOSE ARE JUST
FOR DISPLAY, NOT FOR--
HOLD ON.

244
00:08:22,349 --> 00:08:23,750
BECAUSE THEY'RE
FOR DISPLAY,

245
00:08:23,750 --> 00:08:25,086
YOU'VE GOT THE RIGHT
TO CAKE THEM IN MOLD,

246
00:08:25,086 --> 00:08:27,955
AND SERVE CUSTOMERS A DISPLAY
THAT'S FULL OF MOLD?

247
00:08:27,955 --> 00:08:29,958
SO ARE WE SUPPOSED TO, LIKE,
PUT A FRESH ONE EVERY DAY

248
00:08:29,958 --> 00:08:30,000
SO WE CAN THROW IT OUT?
ARE YOU KIDDING ME?

249
00:08:30,000 --> 00:08:31,994
SO WE CAN THROW IT OUT?
ARE YOU KIDDING ME?

250
00:08:31,994 --> 00:08:33,829
WHAT DO YOU THINK?

251
00:08:33,829 --> 00:08:35,899
I THINK THAT, YOU KNOW,
AS LONG AS,

252
00:08:35,899 --> 00:08:38,134
I MEAN, IT'S FRESH,
IT'S GOOD.

253
00:08:38,134 --> 00:08:39,703
I WOULDN'T--
BUT I WOULDN'T--

254
00:08:39,703 --> 00:08:41,238
ARE YOU--I MEAN,
HAVE YOU LOST THE PLOT?

255
00:08:41,238 --> 00:08:42,840
NO, I HAVEN'T.
NO.

256
00:08:42,840 --> 00:08:44,409
IT'S CHANGED COLORS
FOUR TIMES,

257
00:08:44,409 --> 00:08:47,713
AND IT ABSOLUTELY REEKS.

258
00:08:47,713 --> 00:08:49,381
ALL I'M SAYING IS THAT
THIS IS FOR DISPLAY.

259
00:08:49,381 --> 00:08:52,284
WE'RE NOT SERVING IT.
SO DO THE CUSTOMERS
DESERVE A DISPLAY

260
00:08:52,284 --> 00:08:53,385
THAT'S FULL OF.

261
00:08:53,385 --> 00:08:55,988
OH, MY GOD,
HE'S RIPPING INTO HIM.

262
00:08:55,988 --> 00:08:57,324
HE'S RIPPING INTO HIM, MAN.

263
00:08:57,324 --> 00:08:59,760
LOOK AT THIS MESS.

264
00:08:59,760 --> 00:09:00,000
OH, MY GOD.

265
00:09:00,000 --> 00:09:01,395
OH, MY GOD.

266
00:09:01,395 --> 00:09:04,032
THAT, IT MUST BE
TWO MONTHS OLD.

267
00:09:04,032 --> 00:09:06,000
IT'S PROBABLY A FEW DAYS OLD.
A FEW DAYS?

268
00:09:06,000 --> 00:09:08,002
UH...
WE DON'T SERVE IT.

269
00:09:08,002 --> 00:09:09,771
IT'S FOR PRESENTATION.

270
00:09:09,771 --> 00:09:11,473
- I'M AWARE YOU'RE NOT SERVING.
- THANK , GOLD STAR.

271
00:09:11,473 --> 00:09:12,875
CONGRATULATIONS ON THAT ONE.

272
00:09:12,875 --> 00:09:14,344
THAT'S A BIG BREAKTHROUGH
WITH YOU.

273
00:09:14,344 --> 00:09:15,745
THAT'S WHY YOU'RE HERE.

274
00:09:15,745 --> 00:09:17,347
EXCUSE ME?
THAT'S WHY YOU'RE HERE.

275
00:09:17,347 --> 00:09:19,082
I'M HERE TO TELL YOU
THAT THAT'S ,

276
00:09:19,082 --> 00:09:21,085
AND YOU SHOULDN'T BE
PRESENTING IT.

277
00:09:21,085 --> 00:09:22,219
YOU DON'T KNOW THE DIFFERENCE
BETWEEN MOLD AND FRESH?

278
00:09:22,219 --> 00:09:23,888
IT'S FOR PRESENTATION ONLY.

279
00:09:23,888 --> 00:09:25,156
GIVE ME TWO SECONDS.
I NEED TO CLEAN MY HANDS.

280
00:09:25,156 --> 00:09:26,925
I'M CAKED IN MOLD.

281
00:09:26,925 --> 00:09:29,462
I'VE GOT DISGUSTING BUTTER,
AND I'VE GOT HANDS FULL OF PUS.

282
00:09:29,462 --> 00:09:30,000
OH, MY GOD.

283
00:09:30,000 --> 00:09:31,830
OH, MY GOD.

284
00:09:31,830 --> 00:09:33,800
OH,  ALMIGHTY.

285
00:09:33,800 --> 00:09:35,802
YOU GOT TYLENOL
WITH CODEINE?

286
00:09:35,802 --> 00:09:37,771
NO.

287
00:09:39,206 --> 00:09:41,341
THANK YOU.

288
00:09:41,341 --> 00:09:42,810
HE'S GONNA COME
THROW IT AT US.

289
00:09:42,810 --> 00:09:45,814
I'D RATHER HIM THROW IT AT US
THAN ME SERVE IT TO HIM.

290
00:09:45,814 --> 00:09:49,485
THE PATATE.

291
00:09:49,485 --> 00:09:52,254
THANK YOU.
YOU'RE WELCOME.

292
00:09:54,857 --> 00:09:58,929
I DON'T KNOW, IT'S BLAND.
I MEAN, REALLY BLAND.

293
00:09:58,929 --> 00:10:00,000
VISUALLY, IT LOOKS LIKE
SOMEONE HAS JUST EATEN

294
00:10:00,000 --> 00:10:00,998
VISUALLY, IT LOOKS LIKE
SOMEONE HAS JUST EATEN

295
00:10:00,998 --> 00:10:02,366
THAT WHOLE DESSERT TRY,

296
00:10:02,366 --> 00:10:04,268
AND IT SHOT OUT
TWICE AS QUICK AS IT WENT IN.

297
00:10:04,268 --> 00:10:08,273
LORI...THIS IS BLAND.
I MEAN,  REALLY BLAND.

298
00:10:08,273 --> 00:10:09,942
I'LL LET THEM KNOW.
AND IS THIS FROZEN?

299
00:10:09,942 --> 00:10:12,077
'CAUSE THERE'S A GRAINY
POTATO FLAVOR INSIDE.

300
00:10:12,077 --> 00:10:13,814
I DON'T THINK ANYTHING'S
FROZEN HERE.

301
00:10:13,814 --> 00:10:15,081
NO? SO THE TORTELLINIS
AREN'T FROZEN?

302
00:10:15,081 --> 00:10:16,417
I'LL DOUBLE-CHECK.

303
00:10:16,417 --> 00:10:19,086
THANK YOU.

304
00:10:19,086 --> 00:10:21,088
UH-OH.

305
00:10:21,088 --> 00:10:23,157
HE SAID IT WAS
VERY, VERY BLAND.

306
00:10:23,157 --> 00:10:25,828
HE ASKED IF THE TORTELLINI
WERE FROZEN.

307
00:10:25,828 --> 00:10:27,362
I WASN'T SURE IF THEY
WERE FROZEN OR NOT.

308
00:10:27,362 --> 00:10:29,532
HE'S RIGHT.

309
00:10:29,532 --> 00:10:30,000
ALL OUR PASTA IS
FRESH-FROZEN.

310
00:10:30,000 --> 00:10:31,500
ALL OUR PASTA IS
FRESH-FROZEN.

311
00:10:31,500 --> 00:10:33,369
THAT'S THE MOST MIND-BOGGLING
THING IN THIS PLACE.

312
00:10:33,369 --> 00:10:35,239
WE MAKE EVERYTHING
AND THEN FREEZE IT.

313
00:10:36,540 --> 00:10:39,309
CHEF, THE TORTELLINIS
ARE FROZEN.

314
00:10:39,309 --> 00:10:41,546
AH, THE ARE FROZEN.
THEY ARE.

315
00:10:41,546 --> 00:10:43,381
SO YOU ADVERTISE
YOU'RE MAKING IT DAILY.

316
00:10:43,381 --> 00:10:45,384
BUT YOU FREEZE IT DAILY.

317
00:10:45,384 --> 00:10:46,852
SOMETHING'S WRONG
BIG TIME.

318
00:10:46,852 --> 00:10:50,056
THANK YOU.

319
00:10:50,056 --> 00:10:51,391
WOW.

320
00:10:51,391 --> 00:10:53,293
THEY SAID THE TORTELLINI
IS FROZEN.

321
00:10:53,293 --> 00:10:55,195
I--I CAN'T--
I DIDN'T EVEN KNOW THAT.

322
00:10:55,195 --> 00:10:56,997
ME EITHER. I THOUGHT
EVERYTHING WAS, LIKE FRESH.

323
00:10:56,997 --> 00:10:58,999
IT MAKES NO SENSE.

324
00:10:58,999 --> 00:11:00,000
WHAT, TO MAKE IT FRESH
AND THEN FREEZE IT?

325
00:11:00,000 --> 00:11:00,401
WHAT, TO MAKE IT FRESH
AND THEN FREEZE IT?

326
00:11:00,401 --> 00:11:03,204
AND THEN FREEZE IT.
IT MAKES NO SENSE.

327
00:11:03,204 --> 00:11:04,939
WHAT'S THAT THERE?

328
00:11:04,939 --> 00:11:07,142
DOES ANYONE CLEAN HERE?

329
00:11:07,142 --> 00:11:09,144
FABIO, HOW OFTEN
IS THIS PLACE CLEANED?

330
00:11:09,144 --> 00:11:10,880
I HAVE NO IDEA.

331
00:11:10,880 --> 00:11:12,582
YOU'VE GOT NO IDEA WHEN
THIS PLACE WAS LAST CLEANED?

332
00:11:12,582 --> 00:11:14,050
THEY DON'T HAVE
A CLEANING CREW.

333
00:11:14,050 --> 00:11:16,153
NO LEAVES?

334
00:11:16,153 --> 00:11:18,089
I'M NOT SURE.
I'LL HAVE TO ASK JOHN.

335
00:11:18,089 --> 00:11:21,293
WHAT'S THAT SMELL IN HERE?

336
00:11:21,293 --> 00:11:23,561
AH,.

337
00:11:26,432 --> 00:11:28,902
THAT'S THE SMELL.

338
00:11:28,902 --> 00:11:30,000
OH, MY GOD.

339
00:11:30,000 --> 00:11:30,970
OH, MY GOD.

340
00:11:30,970 --> 00:11:34,508
WHAT IN THE--
DAMN!

341
00:11:34,508 --> 00:11:36,510
IT'S A LITTLE BIT
OF A PAYBACK

342
00:11:36,510 --> 00:11:38,646
BECAUSE HE JUST FINISHED
TEARING ME APART.

343
00:11:38,646 --> 00:11:41,449
I THOUGHT THAT WAS
A LITTLE BIT OF KARMA.

344
00:11:41,449 --> 00:11:42,651
DID I GET YOU?

345
00:11:42,651 --> 00:11:46,122
WHERE IN THE
DID ALL THAT COME FROM?

346
00:11:46,122 --> 00:11:47,489
WE OVER-FLOODED IT.

347
00:11:47,489 --> 00:11:49,091
WHO WATERED THE PLANTS
THIS MORNING?

348
00:11:49,091 --> 00:11:51,261
JOHN, THEY'RE FULL
OF WATER.

349
00:11:51,261 --> 00:11:52,662
SOMEBODY WATERED THE PLANTS.

350
00:11:52,662 --> 00:11:53,997
SOMEONE'S DOING A GREAT JOB

351
00:11:53,997 --> 00:11:55,132
AT WATERING PLANTS,

352
00:11:55,132 --> 00:11:56,667
BUT NOT CHANGING DESSERTS.

353
00:11:56,667 --> 00:11:57,969
MAN!

354
00:11:57,969 --> 00:12:00,000
WOW. I'LL PAY FOR
ANY DRY CLEANING.

355
00:12:00,000 --> 00:12:00,204
WOW. I'LL PAY FOR
ANY DRY CLEANING.

356
00:12:00,204 --> 00:12:02,941
- ALL RIGHT? OKAY?
- ME.

357
00:12:02,941 --> 00:12:07,079
THE SPAGHETTI AND MEATBALLS.

358
00:12:07,079 --> 00:12:09,615
I WOULD SAY ENJOY,
BUT I KNOW BETTER.

359
00:12:09,615 --> 00:12:12,419
SPAGHETTI AND MEATBALLS.

360
00:12:12,419 --> 00:12:14,388
SPAGHETTI AND MEATBALLS.

361
00:12:14,388 --> 00:12:15,689
FRESH MEATBALLS
OR FROZEN?

362
00:12:15,689 --> 00:12:18,626
FROZEN.
AW, COME ON.

363
00:12:18,626 --> 00:12:20,628
EVERYTHING IS FROZEN?

364
00:12:23,532 --> 00:12:25,634
LOOK AT THAT NOW INSIDE,

365
00:12:25,634 --> 00:12:28,504
HOW RUBBERY IT LOOKS
EVEN BEFORE TASTING IT.

366
00:12:28,504 --> 00:12:30,000
MAN, LOOK AT THAT,
HOW DRY THAT IS.

367
00:12:30,000 --> 00:12:31,541
MAN, LOOK AT THAT,
HOW DRY THAT IS.

368
00:12:31,541 --> 00:12:36,414
DRY, DISGUSTING
FROZEN MEATBALLS.

369
00:12:38,283 --> 00:12:41,319
UH-OH.

370
00:12:41,319 --> 00:12:44,056
THE MEATBALLS ARE
FROZEN, RUBBERY, AND DRY.

371
00:12:44,056 --> 00:12:46,158
HE'S RIGHT.
OKAY.

372
00:12:46,158 --> 00:12:48,995
EVERY PRODUCT WE USE
IN HERE IS FROZEN.

373
00:12:48,995 --> 00:12:51,131
WHEN I FIRST STARTED HERE,
WE CUT UP A LEG OF VEAL,

374
00:12:51,131 --> 00:12:53,066
AND I'M STILL WAITING
TO USE IT.

375
00:12:53,066 --> 00:12:55,136
AND HERE'S YOUR PIZZA.

376
00:12:55,136 --> 00:12:57,672
FOR A MARGHERITA PIZZA,
IT'S VERY GREASY.

377
00:13:02,544 --> 00:13:05,014
THE OIL STICKS IN HERE.

378
00:13:05,014 --> 00:13:06,349
HE DOESN'T LIKE
THE PIZZA EITHER.

379
00:13:06,349 --> 00:13:09,419
IT'S TOO GREASY.
IT'S JUST FULL OF GREASE.

380
00:13:09,419 --> 00:13:11,288
LORI. THE PIZZA'S
AS GREASY AS ANYTHING.

381
00:13:11,288 --> 00:13:13,224
BUT WHAT CONCERNS ME IS
JOHN'S BEHIND THE BAR.

382
00:13:13,224 --> 00:13:15,026
ALL THIS  FOOD'S
COMING OUT,

383
00:13:15,026 --> 00:13:17,695
AND I WANT HIM TO TASTE
WHAT HE'S SENDING ME,

384
00:13:17,695 --> 00:13:21,366
BECAUSE I'M A LITTLE BIT
MIFFED TO WHY I'M HERE

385
00:13:21,366 --> 00:13:22,568
IF NO ONE'S CARING.

386
00:13:22,568 --> 00:13:24,437
OKAY. SURE.
PLEASE.

387
00:13:24,437 --> 00:13:27,040
WOW.

388
00:13:27,040 --> 00:13:28,575
HE SAID THE PIZZA
IS GREASY,

389
00:13:28,575 --> 00:13:30,000
AND THAT YOU SHOULD
BE TASTING EVERYTHING

390
00:13:30,000 --> 00:13:30,444
AND THAT YOU SHOULD
BE TASTING EVERYTHING

391
00:13:30,444 --> 00:13:31,578
BEFORE IT GETS SENT OUT
TO HIM.

392
00:13:31,578 --> 00:13:34,181
I  HAD ENOUGH.

393
00:13:39,521 --> 00:13:41,590
OH, BOY.

394
00:13:41,590 --> 00:13:43,459
OH, MY GOD.

395
00:13:43,459 --> 00:13:46,329
I KNOW.
I DON'T KNOW.

396
00:13:46,329 --> 00:13:50,734
I DON'T KNOW.
I DON'T KNOW.

397
00:14:02,463 --> 00:14:04,866
AFTER BEING DISAPPOINTED
BY BLAND, FROZEN FOOD

398
00:14:04,866 --> 00:14:08,037
AND GREASY PIZZA
AT BROOKLYN'S MAMA MARIA'S,

399
00:14:08,037 --> 00:14:10,406
CHEF RAMSAY HEADS
TO THE KITCHEN,

400
00:14:10,406 --> 00:14:12,508
LOOKING FOR AN EXPLANATION.

401
00:14:12,508 --> 00:14:15,512
I DON'T WANT TO TALK TO THIS GUY
WHEN HE COMES IN HERE.

402
00:14:15,512 --> 00:14:17,748
COME ON,
EVERYBODY OUTSIDE.

403
00:14:17,748 --> 00:14:18,882
INTRODUCE ME TO
WHO'S WHO?

404
00:14:18,882 --> 00:14:20,551
THIS IS JOE.
JOE?

405
00:14:20,551 --> 00:14:21,819
THIS IS OSCAR.

406
00:14:21,819 --> 00:14:23,755
HOW ARE YOU?
COME THROUGH.
HI, HOW ARE YOU?

407
00:14:23,755 --> 00:14:24,957
VALENTINO.
VALENTINO,
HOW ARE YOU?

408
00:14:24,957 --> 00:14:27,693
GOOD TO MEET YOU.
LIKEWISE.
GOOD TO SEE YOU TOO.

409
00:14:27,693 --> 00:14:28,838
I DON'T KNOW WHERE
TO START.

410
00:14:28,838 --> 00:14:28,961
I DON'T KNOW WHERE
TO START.

411
00:14:28,961 --> 00:14:31,664
I'VE JUST HAD ONE OF THE MOST
DISGUSTING LUNCHES

412
00:14:31,664 --> 00:14:33,900
I'VE EVER HAD.

413
00:14:33,900 --> 00:14:38,773
I STOPPED A DESSERT TRAY
FULL OF MOLDY DESSERTS.

414
00:14:38,773 --> 00:14:40,908
AND THE TORTELLINI--
GRAINY, BLAND.

415
00:14:40,908 --> 00:14:43,511
AND THE POTATO WAS
JUST DREADFUL!

416
00:14:43,511 --> 00:14:46,448
THE MEATBALLS--
FROZEN, DRY, SOLID.

417
00:14:46,448 --> 00:14:49,118
YES, THEY'RE DISGUSTING.
I DON'T EAT THEM.

418
00:14:49,118 --> 00:14:53,123
BUT YOU CAN'T MAKE MEATBALLS
EVERY DAY.

419
00:14:53,123 --> 00:14:54,724
YOU GET 20 POUNDS
OF CHOPPED MEAT.

420
00:14:54,724 --> 00:14:56,827
YOU MAKE THE MEATBALLS,
YOU FREEZE THE REST.

421
00:14:56,827 --> 00:14:58,838
DO YOU KNOW HOW LONG IT TAKES TO
MAKE FIVE POUNDS OF MEATBALLS?

422
00:14:58,838 --> 00:14:59,063
DO YOU KNOW HOW LONG IT TAKES TO
MAKE FIVE POUNDS OF MEATBALLS?

423
00:14:59,063 --> 00:15:00,531
TEN MINUTES.

424
00:15:00,531 --> 00:15:01,600
IT'S WHAT WE'VE DONE
ALL OUR LIFETIME.

425
00:15:01,600 --> 00:15:02,701
I HAVEN'T JUST
STARTED THIS YESTERDAY.

426
00:15:02,701 --> 00:15:03,702
THE MEATBALLS ARE
ALWAYS DONE--

427
00:15:03,702 --> 00:15:06,706
YOU COULD GET AWAY WITH IT
IN 1967.

428
00:15:06,706 --> 00:15:10,443
IT'S 2012, JOHN.

429
00:15:10,443 --> 00:15:11,711
DOES ANYONE HAVE
STANDARDS HERE?

430
00:15:11,711 --> 00:15:13,947
WE'RE NOT IN CONTROL
OF THE MENU.

431
00:15:13,947 --> 00:15:16,583
WHOSE MENU IS IT?
IT'S MY MENU.

432
00:15:16,583 --> 00:15:19,554
I'M EMBARRASSED TO DO
SOME OF THE THINGS WE DO HERE.

433
00:15:19,554 --> 00:15:21,456
ARE YOU KIDDING ME?
WE MAKE PASTA FRESH,

434
00:15:21,456 --> 00:15:22,824
AND WE FREEZE IT.
LIKE, ARE YOU CRAZY?

435
00:15:22,824 --> 00:15:24,092
BUT WHY ARE YOU DOING IT?

436
00:15:24,092 --> 00:15:27,463
I DON'T HAVE A CHOICE.
WHO'S STOPPING YOU?

437
00:15:27,463 --> 00:15:28,838
THE MENU. MY MENU.

438
00:15:28,838 --> 00:15:30,700
THE MENU. MY MENU.

439
00:15:30,700 --> 00:15:31,868
WHY DON'T YOU LISTEN
TO THIS MAN?

440
00:15:31,868 --> 00:15:33,870
HE'S SPOKEN MORE SENSE
IN THE LAST FIVE MINUTES

441
00:15:33,870 --> 00:15:36,707
THAN ANYBODY HAS
SINCE I'VE BEEN HERE.

442
00:15:36,707 --> 00:15:37,742
DO YOU LISTEN
TO YOUR STAFF?

443
00:15:37,742 --> 00:15:38,976
THEY'RE NOT PAYING
MY BILLS.

444
00:15:38,976 --> 00:15:40,578
I'M THE GUY
PAYING THE BILLS.

445
00:15:40,578 --> 00:15:41,579
'CAUSE YOU MAKE THE PIZZA,

446
00:15:41,579 --> 00:15:42,981
SO THEY CAN'T HAVE
A VOICE.

447
00:15:42,981 --> 00:15:44,983
YOU SHOULD BE NOWHERE
NEAR THIS BUSINESS.

448
00:15:44,983 --> 00:15:46,718
I DON'T AGREE WITH YOU.

449
00:15:46,718 --> 00:15:48,588
I THINK WE SHOULD
CLOSE THE DOORS.

450
00:15:48,588 --> 00:15:50,523
I DON'T THINK THIS MAN
ACTUALLY GIVES A.

451
00:15:50,523 --> 00:15:52,125
I DIDN'T CALL YOU
BECAUSE I WANTED

452
00:15:52,125 --> 00:15:53,727
TO PUT THE KEY TO THE DOOR.

453
00:15:53,727 --> 00:15:54,862
IF I NEEDED YOU TO TELL ME TO
PUT THE KEY TO THE DOOR,

454
00:15:54,862 --> 00:15:56,063
I WOULD HAVE DONE THAT
WITHOUT YOU COMING HERE.

455
00:15:56,063 --> 00:15:58,466
IT WORKED BEFORE.
WHY CAN'T IT WORK NOW?

456
00:15:58,466 --> 00:15:58,838
BUT YOU'RE RUNNING ON NOSTALGIA.

457
00:15:58,838 --> 00:16:00,469
BUT YOU'RE RUNNING ON NOSTALGIA.

458
00:16:00,469 --> 00:16:02,737
IT'S STOOD STILL.

459
00:16:02,737 --> 00:16:04,473
AND YET, OUTSIDE
THESE FOUR WALLS,

460
00:16:04,473 --> 00:16:06,542
THE WHOLE NEIGHBORHOOD
HAS OVERTAKEN YOU!

461
00:16:06,542 --> 00:16:09,779
YOU'RE IN LOVE
WITH THE MEMORIES, JOHN.

462
00:16:09,779 --> 00:16:11,882
I DON'T KNOW WHAT TO SAY.

463
00:16:11,882 --> 00:16:14,151
THANK YOU FOR YOUR HONESTY.

464
00:16:14,151 --> 00:16:15,887
I NEED A SHOWER.

465
00:16:15,887 --> 00:16:17,622
I  STINK
OF PLANT JUICE.

466
00:16:17,622 --> 00:16:19,791
I'M NOT GONNA CLOSE
THE DOORS

467
00:16:19,791 --> 00:16:23,496
JUST BECAUSE HE SAID--
HE SAID SO.

468
00:16:23,496 --> 00:16:24,630
I DON'T AGREE WITH HIM.

469
00:16:28,835 --> 00:16:28,838
100% GAME ON, ALL RIGHT?

470
00:16:28,838 --> 00:16:30,570
100% GAME ON, ALL RIGHT?

471
00:16:30,570 --> 00:16:33,040
WITHIN A SHORT TIME
OF HIS ARRIVAL,

472
00:16:33,040 --> 00:16:35,042
CHEF RAMSAY HAS DISCOVERED
THAT THE STAFF

473
00:16:35,042 --> 00:16:36,777
MAY ACTUALLY KNOW MORE
THAN THE OWNER.

474
00:16:36,777 --> 00:16:38,179
WHAT ARE WE SUPPOSED TO DO?

475
00:16:38,179 --> 00:16:40,916
WE HAVE TO  MAKE
THESE RECIPES.

476
00:16:40,916 --> 00:16:43,185
AND NOW HE'S EAGER TO SEE
HOW THE TEAM FUNCTIONS

477
00:16:43,185 --> 00:16:47,857
IN A DINNER SERVICE.

478
00:16:47,857 --> 00:16:49,792
OH, MY GOD.

479
00:16:51,662 --> 00:16:53,964
LOCK IT IN.
ONE CAESAR SALAD APPETIZER.

480
00:16:53,964 --> 00:16:57,068
SECOND COURSE,
PAPA DEL TOMATO SAUCE.

481
00:16:57,068 --> 00:16:58,838
BOXES. PIZZA BOXES.
GRANDE. RAPIDO.

482
00:16:58,838 --> 00:17:01,673
BOXES. PIZZA BOXES.
GRANDE. RAPIDO.

483
00:17:01,673 --> 00:17:04,610
WHAT'S GOING ON
DOWN HERE? HELLO.

484
00:17:04,610 --> 00:17:07,213
BUSINESS IS RUNNING
AS NORMAL, JOHN?
YES, THIS IS.

485
00:17:07,213 --> 00:17:08,982
IF I WASN'T HERE, YOU'D BE
DOING EXACTLY THE SAME?

486
00:17:08,982 --> 00:17:12,619
EXACTLY THE SAME.
NO DIFFERENCE.

487
00:17:19,594 --> 00:17:22,130
GIMME THAT PORTOBELLO
AND CLAM--I NEED THAT FIRST.

488
00:17:22,130 --> 00:17:23,632
SO THAT'S WHAT JOHN WOULD
NORMALLY DO?

489
00:17:23,632 --> 00:17:26,169
JUST ALL NIGHT
ON THE PIZZAS OUT THERE?
YEAH.

490
00:17:26,169 --> 00:17:27,571
I MEAN, HE DOESN'T
COME IN HERE?

491
00:17:27,571 --> 00:17:28,838
HE JUST STAYS OUT THERE
ALL NIGHT?

492
00:17:28,838 --> 00:17:28,872
HE JUST STAYS OUT THERE
ALL NIGHT?

493
00:17:28,872 --> 00:17:30,774
HE'S AFRAID. I THINK
HE'S AFRAID OF THE KITCHEN.

494
00:17:30,774 --> 00:17:32,643
HE'S AFRAID OF THE KITCHEN?
I THINK SO.

495
00:17:32,643 --> 00:17:33,978
HE OWNS THE PLACE.
I KNOW.

496
00:17:33,978 --> 00:17:37,883
IT'S CRAZY.
NO, IT'S INSANE.

497
00:17:37,883 --> 00:17:39,751
AS JOHN SEEMS CONTENT

498
00:17:39,751 --> 00:17:41,187
TO POUND AWAY
AT THE PIZZA OVEN...

499
00:17:41,187 --> 00:17:43,656
MARGHERITA SAUCE.
MARGHERITA.

500
00:17:43,656 --> 00:17:46,259
THE KITCHEN, LED BY JOE,
IS PUSHING OUT FOOD

501
00:17:46,259 --> 00:17:47,727
AT A STEADY PACE.

502
00:17:47,727 --> 00:17:48,996
PICKING UP.

503
00:17:48,996 --> 00:17:50,731
HERE IS YOUR PASTA.

504
00:17:50,731 --> 00:17:53,935
BUT THAT DOESN'T MEAN
THE FAST-ARRIVING FOOD...

505
00:17:53,935 --> 00:17:55,937
IS PLEASING THE CUSTOMERS.

506
00:17:55,937 --> 00:17:56,938
HOW'S EVERYTHING?

507
00:17:56,938 --> 00:17:58,838
THE SHELLS ARE, LIKE,
FROZEN.

508
00:17:58,838 --> 00:17:59,308
THE SHELLS ARE, LIKE,
FROZEN.

509
00:17:59,308 --> 00:18:01,644
OKAY.
IT LOOK LIKE
IT'S FREEZER-BURNED.

510
00:18:01,644 --> 00:18:04,013
ALL I GOT WAS ROSEMARY.
ALL I TASTE IS ROSEMARY.

511
00:18:04,013 --> 00:18:05,015
I DON'T TASTE
ANY OF THE SAUCE.

512
00:18:06,883 --> 00:18:09,052
WHAT'S THAT?

513
00:18:09,052 --> 00:18:12,890
A BONE?

514
00:18:14,659 --> 00:18:16,294
JOE, TWO SECONDS.

515
00:18:16,294 --> 00:18:18,030
THERE'S A BONE
IN THE RIGATINI,

516
00:18:18,030 --> 00:18:19,164
AND SHE'S A VEGETARIAN.

517
00:18:19,164 --> 00:18:21,300
IN THE TOMATO SAUCE,
THEY PUT PORK BONES IN IT.

518
00:18:21,300 --> 00:18:23,369
WHAT THE.
SHE'S VEGETARIAN.

519
00:18:23,369 --> 00:18:26,973
THAT'S HOW WE DO IT
EVERY DAY.

520
00:18:26,973 --> 00:18:28,308
JOHN IS RESPONSIBLE
FOR THE METHODS THAT WE USE

521
00:18:28,308 --> 00:18:28,838
TO PRODUCE THE FOOD.

522
00:18:28,838 --> 00:18:29,309
TO PRODUCE THE FOOD.

523
00:18:29,309 --> 00:18:31,812
GET ME JOHN, URGENTLY.

524
00:18:31,812 --> 00:18:33,047
HE SAYS, "IF YOU DON'T
LIKE IT, LEAVE."

525
00:18:33,047 --> 00:18:34,916
JOHN, THIS IS URGENT, NOW.

526
00:18:34,916 --> 00:18:38,654
A LADY HAS JUST FOUND
A PORK BONE IN THE RIGATINI.

527
00:18:38,654 --> 00:18:40,322
WE USE--
TO GIVE THE SAUCE FLAVOR,

528
00:18:40,322 --> 00:18:44,661
WE ALWAYS ADDED SAUSAGE,
PORK--

529
00:18:44,661 --> 00:18:50,234
SO YOU'RE SERVING PORK BONES
IN THE SAUCE TO A VEGETARIAN?

530
00:18:50,234 --> 00:18:52,203
OH,.

531
00:18:52,203 --> 00:18:55,206
THAT'S HOW WE PREPARED FOOD
FOR THE LAST 40 YEARS,

532
00:18:55,206 --> 00:18:57,342
AND I DON'T SEE THAT
BEING A PROBLEM.

533
00:18:57,342 --> 00:18:58,838
A PORK SAUCE
TO A  VEGETARIAN?

534
00:18:58,838 --> 00:18:59,812
A PORK SAUCE
TO A  VEGETARIAN?

535
00:18:59,812 --> 00:19:01,747
THAT'S THE WAY WE'VE
ALWAYS DONE OUR BUSINESS.

536
00:19:01,747 --> 00:19:04,350
BUT YOU CAN'T SERVE
A VEGETARIAN A PORK SAUCE.

537
00:19:04,350 --> 00:19:08,021
WHAT THE
IS GOING ON HERE?

538
00:19:08,021 --> 00:19:09,356
I DON'T KNOW WHAT--
WHAT--

539
00:19:25,375 --> 00:19:27,377
ARE YOU WAITING
FOR THE BATHROOM, DARLING?

540
00:19:30,280 --> 00:19:31,449
IS HE A VEGETARIAN?

541
00:19:31,449 --> 00:19:33,151
NO.
NO. WHAT DID HE HAVE?

542
00:19:34,385 --> 00:19:35,854
DAMN.

543
00:19:35,854 --> 00:19:40,126
AND THE LOBSTER, HE SAID,
TASTED, UM...FUNNY.

544
00:19:42,862 --> 00:19:43,997
DAMN.

545
00:19:43,997 --> 00:19:47,267
JOHN, I NEED YOU HERE.

546
00:19:47,267 --> 00:19:49,002
A GENTLEMAN IS SICK
IN THE BATHROOM.

547
00:19:49,002 --> 00:19:51,873
YEAH. HE HAD LOBSTER.
I HAD THE MUSHROOMS.

548
00:19:51,873 --> 00:19:54,142
AND THEN...
WOULD YOU LIKE
MEDICAL ASSISTANCE?

549
00:19:54,142 --> 00:19:55,344
WOULD YOU LIKE FOR ME
TO CALL 911?

550
00:19:55,344 --> 00:19:56,946
JOE, PASS ME
A LOBSTER TAIL, PLEASE.

551
00:19:56,946 --> 00:19:58,838
I NEED ONE LOBSTER TAIL.
IT'S TOUGH, RIGHT?

552
00:19:58,838 --> 00:20:00,082
I NEED ONE LOBSTER TAIL.
IT'S TOUGH, RIGHT?

553
00:20:00,082 --> 00:20:01,784
WELL, A GUY'S
THROWING UP.

554
00:20:01,784 --> 00:20:04,054
HE'S IN THE BATHROOM,
AND HE'S SICK.

555
00:20:04,054 --> 00:20:06,290
PLEASE SHOW ME EXACTLY
WHAT YOU SERVED THAT CUSTOMER.

556
00:20:06,290 --> 00:20:07,959
YEAH? PLEASE.
THANK YOU.

557
00:20:07,959 --> 00:20:10,361
. OH.

558
00:20:10,361 --> 00:20:12,830
YOU ALL RIGHT?
OKAY?

559
00:20:14,833 --> 00:20:16,502
CHEF, YOUR LOBSTER'S READY.

560
00:20:22,342 --> 00:20:25,780
JOHN. COME HERE.
SMELL IT.

561
00:20:25,780 --> 00:20:26,781
SERIOUSLY.
IT'S FISHY.

562
00:20:26,781 --> 00:20:28,316
I CAN SMELL
THE AMMONIA.

563
00:20:28,316 --> 00:20:28,838
YEAH, YOU SMELL THAT?

564
00:20:28,838 --> 00:20:29,450
YEAH, YOU SMELL THAT?

565
00:20:29,450 --> 00:20:31,186
AND THAT'S WHAT
THAT MAN'S JUST EATEN.

566
00:20:31,186 --> 00:20:33,321
THAT'S AMMONIA.
THAT'S WHAT RELEASES.

567
00:20:33,321 --> 00:20:36,192
WHEN A BODY STARTS TO DECOMPOSE,
IT'S BEING PULLED APART,

568
00:20:36,192 --> 00:20:38,194
AND THEN DECOMPOSED.
THAT'S WHAT MAKES IT BAD.

569
00:20:38,194 --> 00:20:39,796
AND, JOE, JUST CLARIFY
SOMETHING FOR ME.

570
00:20:39,796 --> 00:20:41,097
IT COULD POSSIBLY
KILL THEM.

571
00:20:41,097 --> 00:20:44,267
KILL SOMEONE. AND WHILST
WE'RE DISCUSSING THIS,

572
00:20:44,267 --> 00:20:47,871
THERE'S A MAN VOMITING
IN THE TOILET NOW.

573
00:20:47,871 --> 00:20:49,841
I CAN'T BELIEVE
THIS IS HAPPENING RIGHT NOW.

574
00:20:49,841 --> 00:20:52,344
IT FEELS LIKE  TO KNOW
THAT YOU GOT SOMEBODY SICK.

575
00:20:52,344 --> 00:20:54,379
AND IT'S THE FIRST TIME
THAT YOU'VE GOT YOUR HEAD

576
00:20:54,379 --> 00:20:56,248
OUT THE DOUGH.

577
00:20:56,248 --> 00:20:58,384
BUT IT'S JOHN'S RESPONSIBILITY,
NO MATTER WHAT

578
00:20:58,384 --> 00:20:58,838
BECAUSE JOHN BUYS
ALL THE PRODUCT THAT WE USE.

579
00:20:58,838 --> 00:21:00,120
BECAUSE JOHN BUYS
ALL THE PRODUCT THAT WE USE.

580
00:21:00,120 --> 00:21:01,822
- YEAH, PLEASE.
- HE DOES NOT LOOK WELL.

581
00:21:01,822 --> 00:21:03,089
SHOULD WE CALL
AN AMBULANCE?

582
00:21:03,089 --> 00:21:04,891
HE DOES NOT LOOK WELL.

583
00:21:04,891 --> 00:21:05,960
CALL AN AMBULANCE.

584
00:21:08,229 --> 00:21:10,966
HI, THIS IS SAL'S PIZZERIA.
I NEED AN AMBULANCE.

585
00:21:10,966 --> 00:21:13,001
A CUSTOMER'S NOT
FEELING WELL.

586
00:21:13,001 --> 00:21:15,170
YOUR FACE IS
REALLY FLUSH.

587
00:21:15,170 --> 00:21:17,240
OH, MY GOD.

588
00:21:17,240 --> 00:21:19,242
MY WORST FEAR IS FOR ANYBODY
TO GET SICK IN MY RESTAURANT.

589
00:21:19,242 --> 00:21:20,844
WHERE'S A SHOT OF SOMETHING?
I NEED A SHOT.

590
00:21:20,844 --> 00:21:22,913
I NEED A SHOT OF SOMETHING.
I GOT A GUY VOMITING.

591
00:21:22,913 --> 00:21:24,381
I DON'T KNOW,
GIVE ME SOMETHING.

592
00:21:24,381 --> 00:21:26,250
WHISKEY?
VODKA. VODKA.

593
00:21:26,250 --> 00:21:28,553
IF SOMEBODY CAME TO YOUR HOUSE,
AND YOU COOKED 'EM A DINNER,

594
00:21:28,553 --> 00:21:28,838
HOW WOULD YOU FEEL IF HE STARTED
PUKING ALL OVER THE PLACE?

595
00:21:28,838 --> 00:21:33,392
HOW WOULD YOU FEEL IF HE STARTED
PUKING ALL OVER THE PLACE?

596
00:21:38,265 --> 00:21:41,001
A GUY HAD SOME LOBSTER,

597
00:21:41,001 --> 00:21:42,269
AND HE HAS A REACTION
TO IT.

598
00:21:42,269 --> 00:21:43,537
THE GENTLEMAN SITTING DOWN.

599
00:21:43,537 --> 00:21:45,406
OH, MY GOD.
WE JUST SAW AN AMBULANCE
COME UP.

600
00:21:45,406 --> 00:21:47,141
YES.
OH, MY GOD.

601
00:21:47,141 --> 00:21:48,409
OH, MY GOD.

602
00:21:48,409 --> 00:21:50,579
WE NEED TO KILL THE CAMERAS.
KILL THE CAMERAS.

603
00:21:59,613 --> 00:22:02,216
IT'S DINNER SERVICE
AT MAMA MARIA'S.

604
00:22:02,216 --> 00:22:04,285
YOU ALL RIGHT?
OKAY?

605
00:22:04,285 --> 00:22:06,154
ONE OF THE DINERS
IS FEELING ILL

606
00:22:06,154 --> 00:22:08,189
AFTER EATING
A QUESTIONABLE LOBSTER.

607
00:22:08,189 --> 00:22:10,159
SMELL IT.
SERIOUSLY.

608
00:22:10,159 --> 00:22:12,194
FISHY.
AND THAT'S WHAT THAT MAN'S
JUST EATEN.

609
00:22:12,194 --> 00:22:15,498
AND THE PARAMEDICS HAVE
JUST ARRIVED ON THE SCENE.

610
00:22:15,498 --> 00:22:18,569
A GUY HAD SOME LOBSTER,
AND HE HAS A REACTION TO IT.

611
00:22:18,569 --> 00:22:19,737
THE GENTLEMAN SITTING DOWN.

612
00:22:19,737 --> 00:22:22,373
IT'S TERRIBLE FOR ANYBODY
TO GET SICK

613
00:22:22,373 --> 00:22:23,507
ON ANYTHING THAT YOU SERVE.

614
00:22:23,507 --> 00:22:25,644
YOU--YOU, I WANT YOU
TO STOP EVERYTHING.

615
00:22:25,644 --> 00:22:25,856
JUST CLOSE
THE  PLACE DOWN NOW.

616
00:22:25,856 --> 00:22:27,779
JUST CLOSE
THE  PLACE DOWN NOW.

617
00:22:27,779 --> 00:22:29,481
OKAY, SO WHATEVER'S BEEN SERVED
HAS BEEN SERVED?

618
00:22:29,481 --> 00:22:33,519
I DO NOT WANT TO SERVE
ANYTHING ELSE. JOE...
SHUT IT DOWN.

619
00:22:33,519 --> 00:22:35,722
PORK TO  VEGETARIANS,
NOW THIS.

620
00:22:35,722 --> 00:22:38,091
I'VE HAD IT--JUST STOP.
EVERYBODY STOP, OKAY?

621
00:22:38,091 --> 00:22:39,360
NOTHING ELSE LEAVES
THIS KITCHEN,

622
00:22:39,360 --> 00:22:41,495
UNLESS IT'S GOING
IN A GARBAGE BAG.

623
00:22:41,495 --> 00:22:43,731
OKAY, SO WHEN I SHUT IT DOWN,
DO I JUST KICK EVERYBODY OUT?

624
00:22:43,731 --> 00:22:46,534
JUST APOLOGIZE. NO CHECK.
"DEEPLY SORRY.

625
00:22:46,534 --> 00:22:48,070
"AND WE HAVE AN ISSUE
THAT I HAVE TO DEAL WITH.

626
00:22:48,070 --> 00:22:49,538
MY APOLOGIES."
OKAY.

627
00:22:49,538 --> 00:22:51,407
WE NEED TO CLOSE.

628
00:22:51,407 --> 00:22:53,209
GO TO THE TABLES, TELL EVERYBODY
THEY NEED TO GO.

629
00:22:53,209 --> 00:22:55,111
NO CHECKS, JUST GO.

630
00:22:55,111 --> 00:22:55,856
UM, I'M SO SORRY,
BUT WE'RE GONNA

631
00:22:55,856 --> 00:22:56,213
UM, I'M SO SORRY,
BUT WE'RE GONNA

632
00:22:56,213 --> 00:22:58,683
CLOSE THE RESTAURANT DOWN
SOON.

633
00:22:58,683 --> 00:23:00,485
SO SHOULD WE NOT
EAT THIS?
YES, DON'T EAT IT.

634
00:23:00,485 --> 00:23:03,288
DON'T EAT IT, JUST--
WE'RE SHUTTING DOWN.
I'M STARVING.

635
00:23:03,288 --> 00:23:04,656
WE ARE SHUTTING DOWN.
I'M SORRY.

636
00:23:04,656 --> 00:23:07,293
AM I GONNA GET SICK
FROM THE APPETIZER WE ATE?

637
00:23:07,293 --> 00:23:08,627
IS IT THAT KINDA THING?
NO, NO.

638
00:23:08,627 --> 00:23:10,362
JUST, THEY'RE NOT GONNA
SERVE ANYTHING ELSE.

639
00:23:10,362 --> 00:23:12,399
IT'S EMBARRASSING
TO HAVE PARAMEDICS

640
00:23:12,399 --> 00:23:14,267
WALK INTO YOUR RESTAURANT,

641
00:23:14,267 --> 00:23:17,371
AND TO HAVE TO SHUT DOWN
YOUR RESTAURANT BECAUSE OF THAT.

642
00:23:17,371 --> 00:23:20,508
SHOULD WE TAKE HIS
CONTACT INFORMATION

643
00:23:20,508 --> 00:23:21,776
OR ANY KIND OF INFORMATION
LIKE THAT?

644
00:23:21,776 --> 00:23:25,247
JOHN, CAN I HAVE A WORD?
OUTSIDE.

645
00:23:30,786 --> 00:23:33,389
JOHN, TONIGHT WAS BEYOND
A DISASTER.

646
00:23:33,389 --> 00:23:35,659
I NEVER EXPECTED THIS.

647
00:23:35,659 --> 00:23:36,693
NEVER IN MY WILDEST DREAMS.

648
00:23:36,693 --> 00:23:38,696
TOTAL HUMILIATION.

649
00:23:38,696 --> 00:23:40,665
BUT IT'S NOT JUST
ABOUT FOOD, JOHN,

650
00:23:40,665 --> 00:23:42,267
IT'S ABOUT PRACTICES.

651
00:23:42,267 --> 00:23:44,602
I MEAN, YOU'RE SO DETACHED
FROM YOUR BUSINESS.

652
00:23:44,602 --> 00:23:46,338
YOU DON'T LOOK LIKE
AN OWNER.

653
00:23:46,338 --> 00:23:47,740
YOU DON'T SOUND LIKE
AN OWNER.

654
00:23:47,740 --> 00:23:49,542
YOU'RE LIKE A MEMBER
OF STAFF BACK THERE.

655
00:23:49,542 --> 00:23:52,145
YOU--YOU'RE RIGHT.

656
00:23:52,145 --> 00:23:54,581
BUT WHY?
I DON'T KNOW WHY.

657
00:23:54,581 --> 00:23:55,856
I DON'T KNOW WHY.

658
00:23:55,856 --> 00:23:56,283
I DON'T KNOW WHY.

659
00:23:56,283 --> 00:23:59,354
JUST BECAUSE I THINK
I'VE BEEN BEAT UP TOO MUCH.

660
00:23:59,354 --> 00:24:01,356
THERE'S GOTTA BE
SOME FIGHT INSIDE.

661
00:24:01,356 --> 00:24:03,625
THERE'S GONNA BE SOME--
LISTEN, I AM A FIGHTER.

662
00:24:03,625 --> 00:24:04,893
I'VE BEEN A FIGHTER
MY ENTIRE LIFE.

663
00:24:04,893 --> 00:24:07,629
I WAS THROWN INTO THIS PLACE
BECAUSE THEY NEEDED--

664
00:24:07,629 --> 00:24:10,567
THEY NEEDED A HORSE, A DONKEY
TO RUN THE PLACE

665
00:24:10,567 --> 00:24:12,235
'CAUSE THEY COULDN'T AFFORD
TO HIRE PEOPLE.

666
00:24:12,235 --> 00:24:15,172
THEY SACRIFICED MY EDUCATION
TO THROW ME IN HERE.

667
00:24:15,172 --> 00:24:18,709
BUT YOU'VE GIVEN UP.

668
00:24:18,709 --> 00:24:20,378
COME ON.

669
00:24:20,378 --> 00:24:23,582
YOU'RE DESTROYING YOURSELF.

670
00:24:23,582 --> 00:24:25,620
LISTEN...

671
00:24:28,454 --> 00:24:31,524
I WILL HELP YOU,
BUT YOU HAVE TO UNDERSTAND

672
00:24:31,524 --> 00:24:35,329
YOU CANNOT BE A MEMBER
OF STAFF POUNDING DOUGH.

673
00:24:35,329 --> 00:24:38,733
THAT'S NOT RIGHT.
YOU SHOULDN'T BE DOING THAT.

674
00:24:38,733 --> 00:24:44,206
I DO IT BECAUSE
I LOVE MY FAMILY.

675
00:24:44,206 --> 00:24:47,510
AND I WANT TO PROVIDE
FOR THEM...

676
00:24:47,510 --> 00:24:49,879
THE BEST WAY I KNOW HOW.

677
00:24:49,879 --> 00:24:52,382
DO YOU THINK
THEY GET ENJOYMENT

678
00:24:52,382 --> 00:24:54,752
WATCHING YOU KILL YOURSELF
IN THERE?

679
00:24:54,752 --> 00:24:55,856
JOHN, COME ON.

680
00:24:55,856 --> 00:24:57,755
JOHN, COME ON.

681
00:24:57,755 --> 00:25:01,627
YOU HAVE TO TAKE
A BIG LONG STEP BACK

682
00:25:01,627 --> 00:25:05,531
AND STOP RUNNING THIS PLACE
FROM A  PIZZA OVEN.

683
00:25:05,531 --> 00:25:09,402
I CAN'T.

684
00:25:09,402 --> 00:25:11,371
I MEAN,
EMOTIONALLY, I CAN'T.

685
00:25:11,371 --> 00:25:13,807
WHY?

686
00:25:13,807 --> 00:25:17,545
I NEED TO
TAKE A BREAK.

687
00:25:37,869 --> 00:25:38,936
OH, YEAH, OKAY.

688
00:25:38,936 --> 00:25:40,472
I WANT YOU TO GET
SOME REST, OKAY?

689
00:25:40,472 --> 00:25:41,707
I WILL AS SOON AS I CLOSE
THESE REGISTERS.

690
00:25:41,707 --> 00:25:43,008
NO, NO, NO.
LISTEN.

691
00:25:43,008 --> 00:25:46,946
YOU'RE AN OWNER.
HEY, I CAN SEE THE PAIN.

692
00:25:46,946 --> 00:25:48,615
I FEEL IT.

693
00:25:48,615 --> 00:25:49,683
LET ME TELL YOU, I'VE GOT
FOUR KIDS OF MY OWN,

694
00:25:49,683 --> 00:25:50,750
AND I KNOW HOW HARD IT IS,

695
00:25:50,750 --> 00:25:52,552
BUT I'M HERE FOR YOU.

696
00:25:52,552 --> 00:25:54,288
AND I WANT YOU TO WIN.
UNDERSTAND THAT.

697
00:25:54,288 --> 00:25:55,323
MAN TO MAN.

698
00:25:55,323 --> 00:25:55,856
I'M TELLING YOU,
I WANT YOU TO WIN.

699
00:25:55,856 --> 00:25:58,493
I'M TELLING YOU,
I WANT YOU TO WIN.

700
00:25:58,493 --> 00:26:00,862
BUT YOU'VE GOT
TO LISTEN.

701
00:26:00,862 --> 00:26:02,431
OKAY?

702
00:26:02,431 --> 00:26:03,465
WE CAN DO THIS, RIGHT?

703
00:26:03,465 --> 00:26:04,500
I WANNA DO IT.
YOU DO NOT--

704
00:26:04,500 --> 00:26:06,469
GOOD.
WE'RE GONNA START.

705
00:26:06,469 --> 00:26:09,472
NOT FOR ME.
FOR MY KIDS.

706
00:26:11,575 --> 00:26:14,712
LET'S DO IT
FOR THEM, OKAY?

707
00:26:14,712 --> 00:26:17,749
SEE YOU IN THE MORNING.

708
00:26:28,595 --> 00:26:31,332
CHEF RAMSAY MAY HAVE PLEDGE
D HIS HELP TO JOHN,

709
00:26:31,332 --> 00:26:33,334
BUT HE NEEDS TO GET A HANDLE
ON EVERYTHING

710
00:26:33,334 --> 00:26:35,337
BEFORE HE CAN
IMPLEMENT CHANGES.

711
00:26:35,337 --> 00:26:38,540
SO EARLY THIS MORNING,
HE DOES A LITTLE RESEARCH.

712
00:26:38,540 --> 00:26:41,877
WHAT IS THIS?

713
00:26:41,877 --> 00:26:44,881
BLOODY HELL.

714
00:26:44,881 --> 00:26:48,518
TIME TO SEE HOW MUCH
FROZEN FOOD THERE REALLY IS.

715
00:26:48,518 --> 00:26:50,387
MY GOD.

716
00:26:50,387 --> 00:26:51,756
THIS...

717
00:26:51,756 --> 00:26:54,759
BLOODY HELL, FETTUCCINE.

718
00:26:56,527 --> 00:26:57,829
PENNE.

719
00:26:57,829 --> 00:26:59,498
THEY SAID THEY HAD
FROZEN FOOD,

720
00:26:59,498 --> 00:27:01,500
BUT I CERTAINLY WASN'T AWARE
THERE WAS THIS MUCH.

721
00:27:01,500 --> 00:27:03,503
OH, MY GOD.

722
00:27:03,503 --> 00:27:05,905
IT JUST GOES ON.
IT'S ENDLESS.

723
00:27:05,905 --> 00:27:08,108
HOW MUCH PASTA'S IN HERE?
LOOK AT THE COLORS.

724
00:27:08,108 --> 00:27:09,643
IT'S FROZEN BADLY.

725
00:27:09,643 --> 00:27:11,779
NO DATE, NO NAME.
LOOK AT IT.

726
00:27:11,779 --> 00:27:13,915
OH, YOU'RE KIDDING ME.

727
00:27:13,915 --> 00:27:16,951
WHAT IS THAT?

728
00:27:16,951 --> 00:27:19,588
SAUSAGE SKIN.
I MEAN, HONESTLY.

729
00:27:19,588 --> 00:27:20,823
LOOK AT THIS.

730
00:27:20,823 --> 00:27:22,692
BUCKETS OF THEM.

731
00:27:22,692 --> 00:27:25,662
WHAT'S THAT?

732
00:27:25,662 --> 00:27:25,856
THAT'S JUST
OUT OF TWO FREEZERS.

733
00:27:25,856 --> 00:27:28,532
THAT'S JUST
OUT OF TWO FREEZERS.

734
00:27:28,532 --> 00:27:30,735
AND LOOK, THERE'S MORE
FREEZERS DOWN THERE.

735
00:27:30,735 --> 00:27:33,070
OH, MY GOD,
YOU ARE KIDDING ME.

736
00:27:33,070 --> 00:27:35,573
CHICKEN, FREEZER BURNED.

737
00:27:35,573 --> 00:27:37,075
OH, MAN, LOOK AT THIS.

738
00:27:37,075 --> 00:27:39,545
THIS MUST BE FIVE YEARS OLD,
THIS STUFF.

739
00:27:39,545 --> 00:27:41,080
IT'S RUINED.
YOU CAN'T COOK THAT.

740
00:27:41,080 --> 00:27:43,116
OH, MY GOD.

741
00:27:43,116 --> 00:27:45,151
OH,.

742
00:27:45,151 --> 00:27:46,753
THIS IS A JOKE.

743
00:27:46,753 --> 00:27:48,455
LOOK AT THAT.
OH, COME ON.

744
00:27:48,455 --> 00:27:50,825
MEATBALLS.
THIS IS RIDICULOUS.

745
00:27:50,825 --> 00:27:52,427
THEY'RE FROZEN, MOLDY.

746
00:27:52,427 --> 00:27:55,030
WHAT'S THAT?
OH, GOD.

747
00:27:55,030 --> 00:27:55,856
NO DATES, NO LABELS.
ANOTHER FREEZER.

748
00:27:55,856 --> 00:27:57,899
NO DATES, NO LABELS.
ANOTHER FREEZER.

749
00:27:57,899 --> 00:28:00,637
FROZEN VEGETABLES,
FROZEN PASTA.

750
00:28:00,637 --> 00:28:02,038
MY GOD, I DON'T EVEN
KNOW WHAT IT IS.

751
00:28:02,038 --> 00:28:03,640
AN ICE CREAM CONTAINER.

752
00:28:03,640 --> 00:28:05,442
SOME ARE FILLED
WITH PASTA SHELLS.

753
00:28:05,442 --> 00:28:07,578
LOOK AT THIS STUFF.
FREEZING TIRAMISU?

754
00:28:07,578 --> 00:28:08,712
YOU ARE KIDDING ME.

755
00:28:08,712 --> 00:28:10,114
UGH! THAT'S EGGPLANT.

756
00:28:10,114 --> 00:28:11,649
HOW MANY PORTIONS OF FOOD
IS HERE?

757
00:28:11,649 --> 00:28:12,584
I MEAN, IT'S JUST ENDLESS.

758
00:28:12,584 --> 00:28:14,586
OH, MY GOD.

759
00:28:21,336 --> 00:28:24,106
HORRIFIED BY THE AMOUNT
OF FROZEN FOOD...

760
00:28:24,106 --> 00:28:25,675
WOW.

761
00:28:25,675 --> 00:28:27,810
CHEF RAMSAY IS DETERMINED
TO GIVE JOHN AND HIS STAFF...

762
00:28:27,810 --> 00:28:29,379
UNBELIEVABLE.

763
00:28:29,379 --> 00:28:32,883
A MUCH NEEDED WAKE UP CALL.

764
00:28:32,883 --> 00:28:34,085
HOW ARE YOU TODAY?
GOOD.

765
00:28:34,085 --> 00:28:35,853
DAY YESTERDAY.
YEP.

766
00:28:35,853 --> 00:28:37,689
I'VE JUST SPOKEN TO CHARLES.

767
00:28:37,689 --> 00:28:39,224
THE DINER FROM LAST NIGHT.

768
00:28:39,224 --> 00:28:40,358
HE GOT CHECKED OUT
THIS MORNING

769
00:28:40,358 --> 00:28:41,393
AT THE HOSPITAL.

770
00:28:41,393 --> 00:28:42,828
TOTALLY FINE.
OKAY?

771
00:28:42,828 --> 00:28:43,829
BIG BREATH
OF FRESH AIR THERE.

772
00:28:43,829 --> 00:28:45,131
LET ME TELL YOU.
I WAS REALLY NERVOUS.

773
00:28:45,131 --> 00:28:46,820
NO, WE ALL WERE.
TODAY WE START FRESH.

774
00:28:46,820 --> 00:28:47,000
NO, WE ALL WERE.
TODAY WE START FRESH.

775
00:28:47,000 --> 00:28:49,168
UNFORTUNATELY, WE ARE STILL

776
00:28:49,168 --> 00:28:51,438
A LITTLE FROZEN
IN THE PAST.

777
00:28:51,438 --> 00:28:53,107
COME WITH ME.
OH, BOY.

778
00:28:53,107 --> 00:28:54,975
LET'S GO.
LET ME SHOW YOU SOMETHING.

779
00:28:54,975 --> 00:28:56,311
COME IN.

780
00:28:56,311 --> 00:28:58,113
WOW!

781
00:28:58,113 --> 00:29:00,882
WHAT THE
IS THIS?

782
00:29:00,882 --> 00:29:02,884
IT'S OUR MENU,
WHAT DO YOU THINK IT IS?

783
00:29:02,884 --> 00:29:04,120
THIS IS OUR STUFF.

784
00:29:04,120 --> 00:29:06,723
JOHN!

785
00:29:06,723 --> 00:29:09,392
I'VE NEVER EVER ENCOUNTERED
ANYTHING LIKE THIS

786
00:29:09,392 --> 00:29:11,795
IN MY ENTIRE COOKING CAREER.

787
00:29:11,795 --> 00:29:14,899
EVER! NEVER!

788
00:29:14,899 --> 00:29:16,820
IF WE HAD TO NOT TOUCH ANYTHING
ELSE IN THIS KITCHEN

789
00:29:16,820 --> 00:29:18,136
IF WE HAD TO NOT TOUCH ANYTHING
ELSE IN THIS KITCHEN

790
00:29:18,136 --> 00:29:19,871
AND COOK WHAT WE'VE GOT,

791
00:29:19,871 --> 00:29:22,007
YOU'D BE OPEN
FOR THE NEXT 12 MONTHS

792
00:29:22,007 --> 00:29:23,175
AND STILL NOT RUN OUT.

793
00:29:23,175 --> 00:29:25,778
OH, MY GOD.
WOW.

794
00:29:25,778 --> 00:29:28,014
COME ON!

795
00:29:28,014 --> 00:29:29,416
WE HAVE 40 STACKS.

796
00:29:29,416 --> 00:29:31,085
THAT'S LIKE
400 POUNDS OF CHICKEN.

797
00:29:31,085 --> 00:29:32,887
KENTUCKY FRIED CHICKEN
PROBABLY DOESN'T HAVE

798
00:29:32,887 --> 00:29:34,155
THAT MUCH CHICKEN ON HAND.

799
00:29:34,155 --> 00:29:37,759
JOHN, DID YOU HAVE ANY IDEA
THAT THIS IS GOING ON?

800
00:29:37,759 --> 00:29:40,896
YES.

801
00:29:40,896 --> 00:29:43,166
IT IS--IT'S AMAZING
WHEN YOU LOOK AT IT.

802
00:29:43,166 --> 00:29:44,934
BUT I KNEW IT WAS GOING ON.

803
00:29:44,934 --> 00:29:46,820
LOOK AT THE MEATBALLS.

804
00:29:46,820 --> 00:29:47,070
LOOK AT THE MEATBALLS.

805
00:29:47,070 --> 00:29:48,438
FRICKIN' TURNED COLOR.

806
00:29:48,438 --> 00:29:49,773
HEY, DON'T THROW IT AT ME.

807
00:29:49,773 --> 00:29:51,308
COME ON, GUYS.

808
00:29:51,308 --> 00:29:53,311
THERE'S MORE, JOE.
I KNOW.

809
00:29:53,311 --> 00:29:55,313
THERE'S MORE DOWNSTAIRS.
THERE'S MORE.

810
00:29:55,313 --> 00:29:56,782
IT PAINS ME.

811
00:29:56,782 --> 00:29:57,949
YOU'RE RIGHT.

812
00:29:57,949 --> 00:29:59,785
THERE'S NO--
THERE'S NO WAY AROUND IT.

813
00:29:59,785 --> 00:30:02,188
THIS IS MY--
THIS IS MY FAULT.

814
00:30:02,188 --> 00:30:03,322
IT'S A SAD TRUTH.

815
00:30:03,322 --> 00:30:04,457
IT IS.

816
00:30:04,457 --> 00:30:05,525
IT LIES WITH ME.

817
00:30:05,525 --> 00:30:10,063
THIS IS MY FAULT.

818
00:30:10,063 --> 00:30:13,802
I LET THIS GET OUT OF--
OUT OF MY GRASP.

819
00:30:13,802 --> 00:30:16,820
PAST GLORY, WE USED TO DO TEN
CASES OF CHICKEN IN TWO WEEKS.

820
00:30:16,820 --> 00:30:18,340
PAST GLORY, WE USED TO DO TEN
CASES OF CHICKEN IN TWO WEEKS.

821
00:30:18,340 --> 00:30:20,409
I'M STILL BUYING
LIKE WE WERE BUSY AT THAT--

822
00:30:20,409 --> 00:30:22,111
AT THAT LEVEL,
AND WE'RE NOT.

823
00:30:22,111 --> 00:30:24,280
THE RESTAURANT
IS STRUGGLING AS IT IS.

824
00:30:24,280 --> 00:30:28,151
BUT YOU'RE LOSING MONEY
TWICE AS FAST.

825
00:30:28,151 --> 00:30:30,487
IS THAT TRUE? HE'S TRYING
TO CHANGE, YOU'RE SAYING NO?

826
00:30:30,487 --> 00:30:34,091
YES.

827
00:30:34,091 --> 00:30:36,028
IT IS RESISTANCE TO CHANGE.

828
00:30:36,028 --> 00:30:37,362
YES.

829
00:30:37,362 --> 00:30:39,164
SO THAT'S ANOTHER OF MY
BIG PROBLEMS, LIKE I TOLD YOU...

830
00:30:39,164 --> 00:30:40,966
I MEAN, LOOK AT THIS.

831
00:30:40,966 --> 00:30:45,104
HOW LONG DO YOU THINK
THOSE HAVE BEEN SPECIAL?

832
00:30:45,104 --> 00:30:46,506
WHEN'S THIS FROM?

833
00:30:46,506 --> 00:30:46,820
I-IT--I--LISTEN...

834
00:30:46,820 --> 00:30:48,909
I-IT--I--LISTEN...

835
00:30:48,909 --> 00:30:50,244
I'M JUST ASKING.

836
00:30:50,244 --> 00:30:52,847
HOW LONG
HAS THAT BEEN HERE?

837
00:30:52,847 --> 00:30:57,052
SINCE MY PARENTS DIED.

838
00:30:57,052 --> 00:30:59,188
I DON'T WANT TO TAKE IT DOWN.
I DON'T POST THE SPECIALS.

839
00:30:59,188 --> 00:31:01,123
IT'S JUST SOMETHING--
A MEMORY TO ME.

840
00:31:01,123 --> 00:31:04,127
BUT THAT'S THE REALLY
IMPORTANT ISSUE.

841
00:31:04,127 --> 00:31:06,163
AND YOU MUSTN'T
TAKE THIS PERSONALLY.

842
00:31:06,163 --> 00:31:08,031
YOU'RE STILL
TREATING THIS BUSINESS

843
00:31:08,031 --> 00:31:12,036
AS IF MOM AND DAD ARE HERE.

844
00:31:12,036 --> 00:31:14,205
WE HAVE TO LET GO.

845
00:31:14,205 --> 00:31:16,541
THROW IT OUT. IT'S HOLDING ME
ONTO THE PAST. THROW IT OUT.

846
00:31:16,541 --> 00:31:16,820
NO, I'M NOT ASKING
TO THROW THAT OUT.

847
00:31:16,820 --> 00:31:18,143
NO, I'M NOT ASKING
TO THROW THAT OUT.

848
00:31:18,143 --> 00:31:19,545
TAKE IT HOME.

849
00:31:19,545 --> 00:31:21,281
NO, JOHN, I DON'T
WANT TO GET UPSET,

850
00:31:21,281 --> 00:31:22,582
BUT YOU'VE GOT TO
UNDERSTAND.

851
00:31:22,582 --> 00:31:25,318
YOU GOTTA LET GO
OF THE PAST.

852
00:31:25,318 --> 00:31:28,622
OKAY?
YUP.

853
00:31:30,625 --> 00:31:31,959
GUYS, GET THE
OUT OF HERE.

854
00:31:31,959 --> 00:31:34,930
JOHN, LET'S GO.

855
00:31:39,936 --> 00:31:41,204
I AM HERE TO HELP YOU.

856
00:31:41,204 --> 00:31:43,206
BUT I CAN JUST
SEE THE PRESSURE.

857
00:31:43,206 --> 00:31:45,242
I CAN FEEL THE FRUSTRATION.

858
00:31:45,242 --> 00:31:46,820
NO, IT'S NOT ME.
I DON'T WANNA BE HERE NO MORE.

859
00:31:46,820 --> 00:31:48,312
NO, IT'S NOT ME.
I DON'T WANNA BE HERE NO MORE.

860
00:31:48,312 --> 00:31:49,480
NOT THAT I DON'T
WANT TO BE HERE,

861
00:31:49,480 --> 00:31:51,049
I DON'T WANT TO BE
IN THIS POSITION NO MORE.

862
00:31:51,049 --> 00:31:53,585
IT'S JUST SAD.

863
00:31:53,585 --> 00:31:56,188
JUST BEING HERE EVERY DAY,
WORKING SEVEN DAYS A WEEK.

864
00:31:56,188 --> 00:31:58,925
I DON'T KNOW IF I TOLD YOU.
I WASN'T EDUCATED.

865
00:31:58,925 --> 00:32:00,593
MY MOM AND DAD
THREW ME IN HERE.

866
00:32:00,593 --> 00:32:02,462
I WOULD COME HOME
FROM SCHOOL,

867
00:32:02,462 --> 00:32:04,665
NOT TO EAT LUNCH,
TO SERVE LUNCH.

868
00:32:04,665 --> 00:32:06,334
HOW OLD?

869
00:32:06,334 --> 00:32:08,602
I WAS A KID.
EIGHT. TEN.

870
00:32:08,602 --> 00:32:10,972
THIS HAS BEEN
MY LIFE EVER SINCE.

871
00:32:10,972 --> 00:32:15,410
IT'S JUST SAD TO SIT HERE EVERY
DAY KNOWING WHAT WE USED TO DO.

872
00:32:15,410 --> 00:32:16,820
AND NOT BE ABLE TO DO
WHAT I USED TO DO ANYMORE.

873
00:32:16,820 --> 00:32:19,349
AND NOT BE ABLE TO DO
WHAT I USED TO DO ANYMORE.

874
00:32:19,349 --> 00:32:21,617
JUST--YOU'RE HOLDING ONTO
THE WRONG THINGS.

875
00:32:21,617 --> 00:32:25,356
AND I THINK DEEP DOWN INSIDE,
YOU'RE JUST RUNNING SCARED.

876
00:32:25,356 --> 00:32:28,560
I DON'T WANT TO BE
SCARED NO MORE.

877
00:32:32,965 --> 00:32:36,502
OR SEND MY KIDS TO CAMP.

878
00:32:36,502 --> 00:32:39,105
THEY WERE SO HAPPY
THAT YOU WERE COMING.

879
00:32:39,105 --> 00:32:42,108
MY THIRD CHILD
SAID TO ME,

880
00:32:42,108 --> 00:32:46,820
"DADDY, RAMSAY'S
GONNA FIX EVERYTHING.

881
00:32:46,820 --> 00:32:47,014
"DADDY, RAMSAY'S
GONNA FIX EVERYTHING.

882
00:32:47,014 --> 00:32:51,052
AND WE CAN SPEND
MORE TIME TOGETHER."

883
00:32:51,052 --> 00:32:53,555
HEY, YOU WILL.

884
00:32:53,555 --> 00:32:55,992
BUT YOU HAVE GOT TO
LET GO OF THE PAST.

885
00:32:55,992 --> 00:32:59,996
IT'S YOUR TURN NOW.

886
00:32:59,996 --> 00:33:03,567
I AM HERE TO HELP YOU.
DO YOU UNDERSTAND?

887
00:33:03,567 --> 00:33:06,604
BUT, IT'S ON ONE CONDITION.

888
00:33:06,604 --> 00:33:11,543
YOU STEP AWAY
FROM THAT PIZZA OVEN.

889
00:33:11,543 --> 00:33:12,744
I WANT A COMMITMENT THAT YOU ARE
NOT GONNA JUMP BEHIND THERE.

890
00:33:12,744 --> 00:33:14,313
I WILL. I WILL.
AND THE SAFETY THERE.

891
00:33:14,313 --> 00:33:15,581
THAT'S GONNA BE HARD.

892
00:33:15,581 --> 00:33:16,820
I JUST WANT
A COMMITMENT FROM YOU

893
00:33:16,820 --> 00:33:17,283
I JUST WANT
A COMMITMENT FROM YOU

894
00:33:17,283 --> 00:33:18,584
THAT YOU'LL GET
YOUR HEAD OUT THE DOUGH.

895
00:33:18,584 --> 00:33:20,587
YES, I WILL.
YES. YES.

896
00:33:20,587 --> 00:33:21,722
YEAH? I WANT YOU TO START
MAKING IT, NOT POUNDING IT.

897
00:33:21,722 --> 00:33:23,224
ALL RIGHT. YEAH.

898
00:33:23,224 --> 00:33:26,227
LET'S DO IT. LET'S DO IT.

899
00:33:26,227 --> 00:33:27,762
CAN YOU HEAR WHAT'S
GOING ON OUT THERE?

900
00:33:27,762 --> 00:33:29,197
I HEAR IT. I HEARD IT.
THAT'S FOR A REASON.

901
00:33:29,197 --> 00:33:31,066
I HOPE THEY'RE LISTENING.

902
00:33:31,066 --> 00:33:33,101
IT'S GONNA BE EXTREMELY HARD

903
00:33:33,101 --> 00:33:35,604
NOT TO FALL BACK
INTO OLD HABITS.

904
00:33:35,604 --> 00:33:38,575
BUT I'M READY TO M--
FROM TODAY ON,

905
00:33:38,575 --> 00:33:40,777
CHANGE MY WAYS
AND MOVE FORWARD.

906
00:33:40,777 --> 00:33:43,513
AND NOT LET THAT
EVER HAPPEN AGAIN.

907
00:33:50,756 --> 00:33:54,060
CHEF RAMSAY CLEARLY FEELS
FOR THIS OWNER,

908
00:33:54,060 --> 00:33:58,398
AND IS NOW READY TO REVEAL
THE FIRST IMPORTANT CHANGE.

909
00:33:58,398 --> 00:33:59,499
FIRST OF ALL, GOOD MORNING.

910
00:33:59,499 --> 00:34:01,068
GOOD MORNING, SIR.
GOOD MORNING.

911
00:34:01,068 --> 00:34:02,503
WHERE ARE YOU? WE HEAR YOU,
BUT I DON'T SEE YOU.

912
00:34:02,503 --> 00:34:04,605
DON'T WORRY ABOUT THAT.

913
00:34:04,605 --> 00:34:06,107
WE ARE RE-LAUNCHING
MAMA MARIA'S.

914
00:34:06,107 --> 00:34:07,208
EXCITED?

915
00:34:07,208 --> 00:34:08,610
VERY.
YEAH.

916
00:34:08,610 --> 00:34:11,080
GOOD.
REMOVE YOUR BLINDFOLDS.

917
00:34:11,080 --> 00:34:13,115
OH, MY GOD.
WOW.

918
00:34:13,115 --> 00:34:15,285
OH, THAT AWNING'S GONE.

919
00:34:15,285 --> 00:34:16,752
THAT'S RIGHT.
THE AWNING HAS GONE.

920
00:34:16,752 --> 00:34:16,816
LET ME WELCOME YOU
TO THE NEW SIGN.

921
00:34:16,816 --> 00:34:18,154
LET ME WELCOME YOU
TO THE NEW SIGN.

922
00:34:18,154 --> 00:34:19,423
MAMA MARIA'S.

923
00:34:19,423 --> 00:34:21,625
WHEN I FIRST ARRIVED HERE,

924
00:34:21,625 --> 00:34:23,294
I SAW A DISGUSTING AWNING.

925
00:34:23,294 --> 00:34:25,763
LETTERS CUT OUT,
JUST HIDEOUS.

926
00:34:25,763 --> 00:34:27,632
THIS NOW IS YOUR
FIRST STATEMENT.

927
00:34:27,632 --> 00:34:28,633
IT SAYS A LOT.

928
00:34:28,633 --> 00:34:29,634
FIRST IMPRESSIONS,
LET ME TELL YOU.

929
00:34:29,634 --> 00:34:31,236
OH, YEAH.
I LIKE IT.

930
00:34:31,236 --> 00:34:32,271
LOOKS MODERN.

931
00:34:32,271 --> 00:34:33,272
I MADE SOME
MINOR CHANGES INSIDE.

932
00:34:33,272 --> 00:34:34,373
MINOR?

933
00:34:34,373 --> 00:34:35,642
TRUST ME, WHEN YOU WALK
THROUGH THOSE DOORS,

934
00:34:35,642 --> 00:34:36,776
I THINK YOU'RE GONNA
YOURSELF.

935
00:34:36,776 --> 00:34:38,378
LET'S GO IN.

936
00:34:38,378 --> 00:34:40,180
COME IN, PLEASE.

937
00:34:40,180 --> 00:34:41,849
OH, WOW.
HOLY CRAP.

938
00:34:41,849 --> 00:34:43,651
WOW. WOW.

939
00:34:43,651 --> 00:34:45,286
OH, MY GOD.
OH, MY GOD.

940
00:34:45,286 --> 00:34:46,816
FIRST OF ALL, WELCOME

941
00:34:46,816 --> 00:34:47,122
FIRST OF ALL, WELCOME

942
00:34:47,122 --> 00:34:49,257
TO THE NEW, BRIGHT, VIBRANT
MAMA MARIA'S,

943
00:34:49,257 --> 00:34:51,527
AND, MY GOODNESS,
DOES IT SCREAM BROOKLYN.

944
00:34:51,527 --> 00:34:52,661
OH, WOW.

945
00:34:52,661 --> 00:34:54,330
THIS IS TOTALLY DIFFERENT.

946
00:34:54,330 --> 00:34:55,398
WHEN I FIRST CAME IN HERE,

947
00:34:55,398 --> 00:34:56,666
IT WAS RESEMBLING A RESTAURANT

948
00:34:56,666 --> 00:34:57,835
THAT HADN'T BEEN TOUCHED
IN YEARS.

949
00:34:57,835 --> 00:35:00,303
IT WAS DARK,
IT WAS GRIMY,

950
00:35:00,303 --> 00:35:01,739
AND IT HAD NO LIFE.

951
00:35:01,739 --> 00:35:04,408
WE GOT
STUNNING TURQUOISE WALLS

952
00:35:04,408 --> 00:35:05,677
THAT GIVES
THAT NICE, VIBRANT POP.

953
00:35:05,677 --> 00:35:07,546
THE CUSTOM ARTWORK,

954
00:35:07,546 --> 00:35:09,181
DONE BY A VERY TALENTED ARTIST,

955
00:35:09,181 --> 00:35:10,549
PAINTING THE BEAUTIFUL,
HISTORIC BROOKLYN BRIDGE

956
00:35:10,549 --> 00:35:12,352
ABOVE YOUR FIREPLACE.

957
00:35:12,352 --> 00:35:13,819
I LIKE THAT.

958
00:35:13,819 --> 00:35:16,222
I THINK THIS IS
WHAT BROOKLYN WANTS, NEEDS.

959
00:35:16,222 --> 00:35:16,816
WE GOT RID OF ALL THE CLUTTER

960
00:35:16,816 --> 00:35:17,824
WE GOT RID OF ALL THE CLUTTER

961
00:35:17,824 --> 00:35:19,760
THAT JOHN JUST WAS HOLDING ONTO.

962
00:35:19,760 --> 00:35:21,763
WE HAVE, ON THE WALL,

963
00:35:21,763 --> 00:35:25,833
YOUR PARENTS IN FULL-BLOWN,
STUNNING PHOTOGRAPHS,

964
00:35:25,833 --> 00:35:27,635
WHICH IS AN AMAZING MEMORY
TO HOLD ONTO.

965
00:35:27,635 --> 00:35:29,838
OH, HAVE A LOOK
AT THE PAPER.

966
00:35:29,838 --> 00:35:31,174
IT'S YOUR MOM.
OH.

967
00:35:31,174 --> 00:35:33,242
YOU DIDN'T SEE THAT.
NO.

968
00:35:33,242 --> 00:35:35,311
THAT'S ME SERVING THE DOG.

969
00:35:35,311 --> 00:35:36,446
I DIDN'T NOTICE
THE PICTURES.

970
00:35:36,446 --> 00:35:38,916
NEVER FORGET THIS DAY
MOVING FORWARD.

971
00:35:38,916 --> 00:35:41,452
A NEW BEGINNING
IN THE HISTORY

972
00:35:41,452 --> 00:35:43,621
OF THE STUNNING,
FAMILY-RUN MAMA MARIA'S,

973
00:35:43,621 --> 00:35:45,323
LET ME TELL YOU.
THIS IS MY FAMILY.

974
00:35:45,323 --> 00:35:46,725
THIS IS ME.
IT WAS HERE

975
00:35:46,725 --> 00:35:46,816
IN FRONT OF MY EYES,
AND I DIDN'T SEE IT.

976
00:35:46,816 --> 00:35:48,460
IN FRONT OF MY EYES,
AND I DIDN'T SEE IT.

977
00:35:48,460 --> 00:35:50,529
IT'S AMAZING.
IT'S CHANGING FROM OLD TO NEW

978
00:35:50,529 --> 00:35:51,864
WITHOUT LETTING GO
OF THE PAST.

979
00:35:51,864 --> 00:35:53,400
THE PAST IS STILL HERE WITH US.

980
00:35:53,400 --> 00:35:54,801
AND I GOT A NEW LEASE
ON LIFE.

981
00:35:54,801 --> 00:35:56,737
CHEF RAMSAY'S REMODEL

982
00:35:56,737 --> 00:35:59,273
OF THE RESTAURANT
IS ONLY PART OF HIS MASTER PLAN.

983
00:35:59,273 --> 00:36:00,408
COME THROUGH, PLEASE.

984
00:36:00,408 --> 00:36:01,910
THE OVERHAUL OF THE MENU

985
00:36:01,910 --> 00:36:04,513
IS THE REAL KEY TO TURNING
THIS BROOKLYN EATERY AROUND.

986
00:36:04,513 --> 00:36:06,881
FIRST OF ALL,
JUST TAKE A LOOK

987
00:36:06,881 --> 00:36:08,951
AT THE VIBRANCY.

988
00:36:08,951 --> 00:36:10,486
LOOKS GREAT.
FRESH.

989
00:36:10,486 --> 00:36:11,821
YEAH, THAT'S WHAT I WANT TOO.
THAT'S WHAT I NEED.

990
00:36:11,821 --> 00:36:13,957
RIGHT, MENU.
STARTING OFF

991
00:36:13,957 --> 00:36:15,492
WITH A DELICIOUS BRUSCHETTA.

992
00:36:15,492 --> 00:36:16,693
IT'S DONE WITH A REALLY NICE
CHOPPED-UP MOZZARELLA

993
00:36:16,693 --> 00:36:16,816
SERVED WITH MARINATED TOMATOES.

994
00:36:16,816 --> 00:36:18,395
SERVED WITH MARINATED TOMATOES.

995
00:36:18,395 --> 00:36:20,632
EARTHY, RUSTIC,
AND CHARMING.

996
00:36:20,632 --> 00:36:21,633
BRILLIANT AND FRESH.

997
00:36:21,633 --> 00:36:23,301
THE MUSSELS
ARE JUST INCREDIBLE.

998
00:36:23,301 --> 00:36:24,402
A GREAT LITTLE APPETIZER

999
00:36:24,402 --> 00:36:26,705
TO GET THE PALATE,
THE JUICES FLOWING.

1000
00:36:26,705 --> 00:36:28,441
THE SPECIALITIES OF THE HOUSE--
THE PIZZAS.

1001
00:36:28,441 --> 00:36:29,708
MARGHERITA, STUNNING,

1002
00:36:29,708 --> 00:36:30,977
SIMPLE, DELICIOUS.

1003
00:36:30,977 --> 00:36:32,512
YOU HIT IT ON THE HEAD.

1004
00:36:32,512 --> 00:36:33,580
NEXT TO THAT,
YOU'VE GOT THE OSSOBUCO

1005
00:36:33,580 --> 00:36:35,415
SERVED
IN ITS COOKING JUICES

1006
00:36:35,415 --> 00:36:36,583
OVER MASHED POTATO,
GREMOLATA,

1007
00:36:36,583 --> 00:36:37,952
AND A REALLY NICE,
RICH DEMI-GLACE.

1008
00:36:37,952 --> 00:36:39,387
I'M HUNGRY.
YOU'RE HUNGRY.

1009
00:36:39,387 --> 00:36:40,955
THAT'S A GREAT SIGN.

1010
00:36:40,955 --> 00:36:43,524
BOSS JOHN,
WHAT DO YOU THINK?

1011
00:36:43,524 --> 00:36:44,860
I'M EXCITED.
ARE YOU EXCITED?

1012
00:36:44,860 --> 00:36:46,816
YUP.
HERE'S THE SCENARIO.

1013
00:36:46,816 --> 00:36:46,928
YUP.
HERE'S THE SCENARIO.

1014
00:36:46,928 --> 00:36:50,433
WE HAVE SOME VERY,
VERY INFLUENTIAL JOURNALISTS

1015
00:36:50,433 --> 00:36:51,968
AND BLOGGERS COMING IN.

1016
00:36:51,968 --> 00:36:53,837
- EVERYBODY ON THEIR GAME.
- YES.

1017
00:36:53,837 --> 00:36:55,806
ONE MORE THING
NEEDS A LITTLE SPRUCING UP.

1018
00:36:55,806 --> 00:36:57,541
GOT THIS FOR YOU ESPECIALLY.

1019
00:36:57,541 --> 00:36:59,277
NICE...
HEY!

1020
00:36:59,277 --> 00:37:00,544
BEAUTIFUL SHIRT.

1021
00:37:00,544 --> 00:37:02,581
AFTER 40 YEARS, I GOT
TO TAKE MY COLORS OFF?

1022
00:37:02,581 --> 00:37:03,715
THAT'S RIGHT.

1023
00:37:03,715 --> 00:37:05,550
'CAUSE YOU'RE NO LONGER
A PIZZA BOY.

1024
00:37:05,550 --> 00:37:07,853
YOU ARE THE OWNER.

1025
00:37:07,853 --> 00:37:11,024
IF I CATCH YOUR HEAD
INSIDE THAT PIZZA OVEN,

1026
00:37:11,024 --> 00:37:12,993
I'LL PUT IT IN PERMANENTLY.

1027
00:37:14,328 --> 00:37:15,329
AND, AS I LOOK AT YOU NOW,

1028
00:37:15,329 --> 00:37:16,816
RIGHT OVER YOUR SHOULDER,

1029
00:37:16,816 --> 00:37:16,830
RIGHT OVER YOUR SHOULDER,

1030
00:37:16,830 --> 00:37:17,865
I SEE YOUR FATHER

1031
00:37:17,865 --> 00:37:19,300
LOOKING DOWN.

1032
00:37:19,300 --> 00:37:20,435
LOOK AT HIM. SEE?

1033
00:37:20,435 --> 00:37:21,569
THAT'S RIGHT.

1034
00:37:21,569 --> 00:37:23,505
AND YOU ARE GONNA RUN
THIS BUSINESS

1035
00:37:23,505 --> 00:37:24,573
JUST LIKE THEY DID

1036
00:37:24,573 --> 00:37:26,309
WHEN THEY BROUGHT YOU
INTO THIS WORLD.

1037
00:37:26,309 --> 00:37:27,977
YOU'VE GOT IT.

1038
00:37:27,977 --> 00:37:29,312
COMING UP...

1039
00:37:29,312 --> 00:37:30,714
LET'S GO.

1040
00:37:30,714 --> 00:37:32,316
IT'S THE MOST IMPORTANT NIGHT

1041
00:37:32,316 --> 00:37:33,883
IN 20 YEARS
FOR MAMA MARIA'S.

1042
00:37:33,883 --> 00:37:36,320
ONE MISTAKE
AND WE FALL APART.

1043
00:37:36,320 --> 00:37:37,655
WILL JOHN BE ABLE TO LEAD

1044
00:37:37,655 --> 00:37:39,724
HIS TEAM
TO A SUCCESSFUL RELAUNCH?

1045
00:37:39,724 --> 00:37:40,892
I AIN'T GOT TIME FOR THIS.

1046
00:37:40,892 --> 00:37:42,461
WHERE IS JOHN?

1047
00:37:42,461 --> 00:37:43,662
OR WILL HE COLLAPSE
UNDER THE PRESSURE

1048
00:37:43,662 --> 00:37:45,331
AND TAKE THE RESTAURANT
WITH HIM?

1049
00:37:45,331 --> 00:37:46,398
SON OF A BITCH.

1050
00:37:46,398 --> 00:37:46,816
I'M NOT LETTING YOU SINK
THE DINING ROOM.

1051
00:37:46,816 --> 00:37:47,934
I'M NOT LETTING YOU SINK
THE DINING ROOM.

1052
00:37:55,909 --> 00:37:57,345
IT'S RELAUNCH NIGHT.

1053
00:37:57,345 --> 00:37:58,646
WE GOT SOME BIG HITTERS IN
TONIGHT, YEAH.

1054
00:37:58,646 --> 00:38:00,615
AND CHEF RAMSAY IS DETERMINED

1055
00:38:00,615 --> 00:38:02,884
TO LET EVERYONE KNOW
THAT MAMA MARIA'S

1056
00:38:02,884 --> 00:38:06,088
IS THE NEW COOL PLACE
TO DINE IN BROOKLYN.

1057
00:38:06,088 --> 00:38:07,757
FIRST OFF,
BROOKLYN,

1058
00:38:07,757 --> 00:38:09,025
A BLOGGING WEB SITE,
DYNAMIC.

1059
00:38:09,025 --> 00:38:10,627
BLACKBOARD EATS, BLOG.

1060
00:38:10,627 --> 00:38:11,928
GREAT.
WE'RE GONNA IMPRESS 'EM.

1061
00:38:11,928 --> 00:38:14,031
EAT TO BLOG ARE ALSO JOINING US,

1062
00:38:14,031 --> 00:38:16,500
FOLLOWED
BY  THE NEW YORK OBSERVER.

1063
00:38:16,500 --> 00:38:18,503
BIG ONE.
ABSOLUTELY BIG ONE.

1064
00:38:18,503 --> 00:38:19,671
GETTING NERVOUS.

1065
00:38:19,671 --> 00:38:21,039
YOU HAVE GOT
A POWERHOUSE FULL OF CRITICS.

1066
00:38:21,039 --> 00:38:21,770
LOOK HOW SMART YOU ARE.
WOW.

1067
00:38:21,770 --> 00:38:22,908
LOOK HOW SMART YOU ARE.
WOW.

1068
00:38:22,908 --> 00:38:23,976
TURN AROUND.
GIVE US A SPIN.

1069
00:38:23,976 --> 00:38:26,645
WHOO!
AMAZING, AMAZING.

1070
00:38:26,645 --> 00:38:27,814
AMAZING. LET'S GO.
YEAH.

1071
00:38:28,982 --> 00:38:30,817
WELCOME TO MAMA MARIA'S.

1072
00:38:30,817 --> 00:38:32,786
THIS IS OUR BRAND-NEW MENU.

1073
00:38:32,786 --> 00:38:34,989
WELCOME TO MAMA MARIA'S,
OUR RELAUNCH,

1074
00:38:34,989 --> 00:38:37,392
AND I'M VERY PROUD
OF WHAT WE'RE DOING NOW.

1075
00:38:37,392 --> 00:38:40,996
CAN WE HAVE THE CIOPPINO?
PSST.

1076
00:38:40,996 --> 00:38:42,798
THAT TWO-TOP THAT'S COMING IN,
JUST RECOGNIZE THEM.

1077
00:38:42,798 --> 00:38:44,600
THE NEW YORK OBSERVER.
THE GUY WITH THE NOTE PAD.

1078
00:38:44,600 --> 00:38:45,735
OH, OKAY.
HE'S THE MAN.

1079
00:38:45,735 --> 00:38:47,804
2.4 MILLION READERS.

1080
00:38:47,804 --> 00:38:49,873
DON'T TELL ME WHO THEY ARE
'CAUSE I'LL GET NERVOUS.

1081
00:38:49,873 --> 00:38:51,675
NO, I'VE JUST TOLD YOU.
YOU NEED TO KNOW WHO THEY ARE.

1082
00:38:51,675 --> 00:38:51,770
LET'S GO.
YOU CAN DO IT.

1083
00:38:51,770 --> 00:38:53,076
LET'S GO.
YOU CAN DO IT.

1084
00:38:53,076 --> 00:38:54,812
IT'S TOUGH
TAKING ON THIS NEW ROLE.

1085
00:38:54,812 --> 00:38:57,081
YOU KNOW, IT'S NOT MY MAKEUP.

1086
00:38:57,081 --> 00:38:58,417
I'LL GRAB 'EM.
TWO?

1087
00:38:58,417 --> 00:38:59,684
YES.
ALL RIGHT.

1088
00:38:59,684 --> 00:39:01,553
I NEED TO STEP AWAY
FROM THAT PIZZA COUNTER

1089
00:39:01,553 --> 00:39:03,488
AND BE MORE HANDS ON
TO MAKE SURE

1090
00:39:03,488 --> 00:39:05,090
EVERYBODY'S DOING THEIR JOB
AND DOING IT CORRECTLY.

1091
00:39:05,090 --> 00:39:07,027
TABLE FOUR,
NEW YORK OBSERVER.

1092
00:39:07,027 --> 00:39:08,161
YES.
OKAY?

1093
00:39:08,161 --> 00:39:10,497
OKAY, LISTEN UP,
FIRST COURSE,

1094
00:39:10,497 --> 00:39:11,765
MINESTRONE AND A CAESAR.

1095
00:39:11,765 --> 00:39:12,833
YOU GOT IT.

1096
00:39:12,833 --> 00:39:14,168
I NEED THIS
RISOTTO CAVATELLI, PLEASE.

1097
00:39:14,168 --> 00:39:16,771
30 SECONDS IN THE WINDOW.
GOOD.

1098
00:39:16,771 --> 00:39:18,140
WHILE JOHN MAY BE

1099
00:39:18,140 --> 00:39:20,042
IN THE UNFAMILIAR ROLE
OF LEADING HIS STAFF...

1100
00:39:20,042 --> 00:39:21,143
HOW ARE WE DOING OVER HERE?

1101
00:39:21,143 --> 00:39:21,770
IS THE PIZZAS ALL DONE?

1102
00:39:21,770 --> 00:39:22,478
IS THE PIZZAS ALL DONE?

1103
00:39:22,478 --> 00:39:23,746
THERE'S ANOTHER ONE COMING.

1104
00:39:23,746 --> 00:39:26,015
MAMA MARIA
IS OFF TO A GOOD START.

1105
00:39:26,015 --> 00:39:28,785
PICK UP LASAGNA,
GNOCCHI, SPAGHETTI MEATBALLS.

1106
00:39:28,785 --> 00:39:31,021
AND CUSTOMERS ARE THOROUGHLY
ENJOYING THE FOOD.

1107
00:39:31,021 --> 00:39:32,056
THE GNOCCHI'S DELICIOUS.

1108
00:39:32,056 --> 00:39:34,592
I THINK THE SAUCE
IS SPOT-ON, DELICIOUS.

1109
00:39:34,592 --> 00:39:36,795
BUT WHILE CHEF JOE
CONTINUES TO PUSH DISHES OUT

1110
00:39:36,795 --> 00:39:37,796
IN A TIMELY MANNER...

1111
00:39:37,796 --> 00:39:38,897
MUSSELS IN THE WINDOW.

1112
00:39:38,897 --> 00:39:40,165
BRUSCHETTA IN THE WINDOW.
LET'S GO.

1113
00:39:40,165 --> 00:39:42,168
IT WAS A TYPICAL
SOUTHERN ITALIAN

1114
00:39:42,168 --> 00:39:43,670
RED SAUCE JOINT,
YEAH.

1115
00:39:43,670 --> 00:39:44,904
JOHN SEEMS TO HAVE FORGOT

1116
00:39:44,904 --> 00:39:46,506
THAT HE IS STILL NEEDED

1117
00:39:46,506 --> 00:39:47,774
IN HIS NEW ROLE
AS LEADER.

1118
00:39:47,774 --> 00:39:49,743
I'M SO HUNGRY.

1119
00:39:49,743 --> 00:39:51,745
YEAH, I'M REALLY HUNGRY
NOW TOO.

1120
00:39:51,745 --> 00:39:51,770
TABLE FOUR IN THE WINDOW,
LET'S GO.

1121
00:39:51,770 --> 00:39:53,781
TABLE FOUR IN THE WINDOW,
LET'S GO.

1122
00:39:53,781 --> 00:39:55,917
IT'S A BLOGGER'S TABLE,
GUYS.

1123
00:39:55,917 --> 00:39:57,752
LET'S GO.  RAPIDO.

1124
00:39:57,752 --> 00:39:59,889
IT'S VERY FRUSTRATING
WHEN I SEE DISHES

1125
00:39:59,889 --> 00:40:00,890
NOT LEAVING THE WINDOW.

1126
00:40:00,890 --> 00:40:02,024
THERE'S NO TIME
FOR MISTAKES.

1127
00:40:02,024 --> 00:40:03,058
I AIN'T GOT TIME
FOR THIS.

1128
00:40:03,058 --> 00:40:04,094
WHERE IS JOHN?

1129
00:40:04,094 --> 00:40:06,162
LET'S GO!

1130
00:40:06,162 --> 00:40:08,231
GET ME JOHN.
LET ME GET HIM.

1131
00:40:08,231 --> 00:40:10,701
ARE YOU SERIOUS RIGHT NOW?
SON OF A BITCH.

1132
00:40:10,701 --> 00:40:12,169
THERE'S A GUY
WALKING AROUND HERE

1133
00:40:12,169 --> 00:40:14,105
WITH A WHITE JACKET,
BLONDE HAIR.

1134
00:40:14,105 --> 00:40:15,707
OH,  SAKE.

1135
00:40:15,707 --> 00:40:16,909
JOHN?

1136
00:40:16,909 --> 00:40:18,043
YES, SIR?

1137
00:40:18,043 --> 00:40:19,778
SO YOU CAN'T JUST FAVOR
TWO GUYS AT THE BAR.

1138
00:40:19,778 --> 00:40:21,079
YOU'VE GOTTA
BE EVERYWHERE.
RIGHT.

1139
00:40:21,079 --> 00:40:21,770
IN AND OUT. WE'RE IN
THE MIDDLE OF SERVICE.
YEAH.

1140
00:40:21,770 --> 00:40:22,781
IN AND OUT. WE'RE IN
THE MIDDLE OF SERVICE.
YEAH.

1141
00:40:22,781 --> 00:40:24,651
I'M NOT LETTING YOU
SINK THE DINING ROOM.
NO.

1142
00:40:24,651 --> 00:40:27,053
THIS PLACE IS FULL OF SOME OF
THE MOST INFLUENTIAL BLOGGERS.

1143
00:40:27,053 --> 00:40:28,923
I HEAR YOU.
STEP UP, PERIOD.

1144
00:40:28,923 --> 00:40:30,057
END OF STORY.
I'M TRYING
I'M TRYING.

1145
00:40:30,057 --> 00:40:31,191
WELL, YOU HAVE TO ENCOURAGE.
DON'T STOP.

1146
00:40:31,191 --> 00:40:33,194
YOU CANNOT STOP.

1147
00:40:33,194 --> 00:40:34,729
WE'RE GONNA COMMUNICATE
WITH OUR TEAM.

1148
00:40:34,729 --> 00:40:36,197
WE STILL GOT V.I.P. TABLES
OUT THERE.

1149
00:40:36,197 --> 00:40:39,135
OKAY, THE STUFF
IS RIGHT OVER HERE.
I'LL TAKE IT OUT TO 'EM.

1150
00:40:39,135 --> 00:40:41,070
LET'S NOT DROP OUR HEADS.
LET'S BOUNCE BACK, OKAY?

1151
00:40:41,070 --> 00:40:42,138
HERE YOU GUYS, GUYS.

1152
00:40:42,138 --> 00:40:43,973
THANK YOU.
OH, I'M SO HAPPY.

1153
00:40:43,973 --> 00:40:46,609
SORRY ABOUT THIS SERVICE.
WE'RE TRYING OUT BEST.

1154
00:40:46,609 --> 00:40:47,878
WE'RE TRYING TO KEEP UP,
AND WE'RE TRYING

1155
00:40:47,878 --> 00:40:49,079
TO DO WHATEVER WE CAN.

1156
00:40:49,079 --> 00:40:50,581
THIS IS THE FIRST TIME
JOHN WAS ACTING

1157
00:40:50,581 --> 00:40:51,770
LIKE THE OWNER
HE IS TONIGHT.

1158
00:40:51,770 --> 00:40:51,983
LIKE THE OWNER
HE IS TONIGHT.

1159
00:40:51,983 --> 00:40:53,117
YOU'RE DOING GREAT.
YOU'RE DOING GREAT.
ALL RIGHT.

1160
00:40:53,117 --> 00:40:54,553
KEEP IT UP.

1161
00:40:54,553 --> 00:40:56,621
AND THAT'S EXACTLY
WHAT MAMA MARIA NEEDS.

1162
00:40:56,621 --> 00:40:58,691
THIS LOOKS AWESOME
AND SMELLS AWESOME.

1163
00:40:58,691 --> 00:41:00,292
YUM.
THIS IS DELICIOUS.

1164
00:41:00,292 --> 00:41:02,228
LET ME KNOW WHEN THAT
MARGHERITA IS READY, PLEASE.

1165
00:41:02,228 --> 00:41:03,596
I NEED THAT MARGHERITA.

1166
00:41:03,596 --> 00:41:05,298
SO, GUYS,
HOW DID EVERYTHING GO?

1167
00:41:05,298 --> 00:41:07,601
THE SPAGHETTI AND MEATBALLS
WERE DELICIOUS.

1168
00:41:07,601 --> 00:41:09,703
IT WAS AWESOME.
TOTALLY AWESOME.
ABSOLUTELY SPECTACULAR.

1169
00:41:09,703 --> 00:41:11,305
THANK YOU.

1170
00:41:13,040 --> 00:41:15,010
GOOD PLACE.
WE'LL DEFINITELY
BE COMING HERE AGAIN.

1171
00:41:15,010 --> 00:41:16,612
GREAT JOB.
WELL DONE.
THANK YOU.

1172
00:41:16,612 --> 00:41:17,880
HAVE A GOOD NIGHT.
THANK YOU.

1173
00:41:17,880 --> 00:41:19,047
THANK YOU.

1174
00:41:19,047 --> 00:41:20,316
BYE, THANK YOU.

1175
00:41:20,316 --> 00:41:21,770
GOOD NIGHT, GUYS.

1176
00:41:21,770 --> 00:41:23,653
GOOD NIGHT, GUYS.

1177
00:41:23,653 --> 00:41:26,623
JOHN, LISTEN,
YOU ARE ONE HARDWORKING,

1178
00:41:26,623 --> 00:41:29,660
HONEST GUY.
THANK YOU.

1179
00:41:29,660 --> 00:41:32,130
I FEEL I WAS
LIVING IN A SHELL.

1180
00:41:32,130 --> 00:41:33,799
I'M COMING OUT
OF THAT SHELL.

1181
00:41:33,799 --> 00:41:35,066
THAT SHELL IS BROKEN.
GOOD.

1182
00:41:35,066 --> 00:41:36,868
AND NOW I GOTTA
BE HONEST WITH YOU.

1183
00:41:36,868 --> 00:41:38,604
YOU HIT, MAN.
YOU HIT IT RIGHT ON THE HEAD.

1184
00:41:38,604 --> 00:41:40,072
HERE'S MY MEMORIES.

1185
00:41:40,072 --> 00:41:41,874
MOM AND DAD ARE HERE.
YEAH, THEY'RE HERE.
THEY'RE STILL HERE.

1186
00:41:41,874 --> 00:41:43,810
AND SO THEY
ARE LOOKING DOWN

1187
00:41:43,810 --> 00:41:46,880
AND THEY, RIGHT NOW,
ARE PROUD.
OH, THEY'RE VERY PROUD.

1188
00:41:46,880 --> 00:41:48,816
YOU HAVE GOT
THE DOOR OPEN.
THANK YOU.

1189
00:41:48,816 --> 00:41:50,785
GRAB IT.
JUST GO FORWARD.
I WILL.

1190
00:41:50,785 --> 00:41:51,770
DON'T GO BACKWARDS.
NO, NO, NO, NO.
I'M NOT GOING BACKWARDS.

1191
00:41:51,770 --> 00:41:52,186
DON'T GO BACKWARDS.
NO, NO, NO, NO.
I'M NOT GOING BACKWARDS.

1192
00:41:52,186 --> 00:41:54,189
I REFUSE
TO GO BACKWARDS.
GOOD.

1193
00:41:54,189 --> 00:41:56,826
ONE THING I REMEMBER OF
MY FATHER WAS HIS LEADERSHIP.

1194
00:41:56,826 --> 00:41:58,761
AND THAT'S WHAT
I'M GONNA CONTINUE DOING.

1195
00:41:58,761 --> 00:42:00,095
THANK YOU SO MUCH.

1196
00:42:00,095 --> 00:42:01,231
TAKE CARE OF YOURSELF.

1197
00:42:01,231 --> 00:42:03,366
I KNOW WHAT I NEED TO DO.

1198
00:42:03,366 --> 00:42:06,938
AND THERE'S MORE TO COME
OF MAMA MARIA'S IN THE FUTURE.

1199
00:42:08,305 --> 00:42:09,774
FOR THE LAST 55 YEARS,

1200
00:42:09,774 --> 00:42:11,809
THIS RESTAURANT HAS BELONGED
TO JOHN'S PARENTS.

1201
00:42:11,809 --> 00:42:13,846
AND EVEN AFTER
THEY SUDDENLY PASSED AWAY,

1202
00:42:13,846 --> 00:42:15,781
HE REMAINED A PIZZA MAKER.

1203
00:42:15,781 --> 00:42:18,084
BUT, TONIGHT
HE WAS AN OWNER.

1204
00:42:18,084 --> 00:42:21,770
THIS RESTAURANT NOW BELONGS
TO JOHN AND JOHN ONLY.

1205
00:42:21,770 --> 00:42:21,921
THIS RESTAURANT NOW BELONGS
TO JOHN AND JOHN ONLY.

1206
00:42:21,921 --> 00:42:24,691
AND I'M TRULY--
AND I MEAN TRULY ROOTING

1207
00:42:24,691 --> 00:42:27,094
FOR THIS BROOKLYN UNDERDOG.

1208
00:42:27,094 --> 00:42:30,198
HOW MUCH WATER COULD BE PUT
IN ONE PLANT POT?

1209
00:42:30,198 --> 00:42:31,867
AAH,.

1210
00:42:33,802 --> 00:42:36,072
GOD BLESS PIZZAS.

1211
00:42:37,206 --> 00:42:38,385
AFTER CHEF RAMSAY LEFT...

1212
00:42:38,385 --> 00:42:39,985
WELCOME TO MAMA MARIA.

1213
00:42:39,985 --> 00:42:41,352
JOHN HAS KEPT HIS PROMISE

1214
00:42:41,352 --> 00:42:43,819
OF RUNNING HIS BUSINESS
AWAY FROM THE PIZZA COUNTER.

1215
00:42:43,819 --> 00:42:45,819
I NEED A BOWL
OF GRATED CHEESE PLEASE.

1216
00:42:45,819 --> 00:42:47,852
A BOWL OF GRATED CHEESE.

1217
00:42:47,852 --> 00:42:49,952
MAMA MARIA'S
HAS ALREADY GENERATED

1218
00:42:49,952 --> 00:42:51,770
A TON OF POSITIVE BUZZ
FROM BLOGGERS AND WEBSITES.

1219
00:42:51,770 --> 00:42:53,085
A TON OF POSITIVE BUZZ
FROM BLOGGERS AND WEBSITES.

1220
00:42:53,085 --> 00:42:54,885
IT'S REALLY GOOD.
THANK YOU.

1221
00:42:54,885 --> 00:42:56,485
WITH HELP FROM CHEF RAMSAY,
WE'VE COME A LONG WAY.

1222
00:42:56,485 --> 00:42:58,285
AND THIS 55-YEAR-OLD
RESTAURANT

1223
00:42:58,285 --> 00:42:59,519
IS ON ITS WAY BACK

1224
00:42:59,519 --> 00:43:01,985
TO BEING A FIXTURE IN BROOKLYN
ONCE AGAIN.