1 00:00:02,164 --> 00:00:03,464 TONIGHT ON KITCHEN NIGHTMARES, 2 00:00:03,464 --> 00:00:05,998 CHEF RAMSAY HEADS TO A BEACHSIDE EATERY 3 00:00:05,998 --> 00:00:07,664 IN A TOWN CALLED HULL... 4 00:00:07,664 --> 00:00:08,764 IT'S RIDICULOUS! 5 00:00:08,764 --> 00:00:10,264 BUT QUICKLY FINDS HIMSELF 6 00:00:10,264 --> 00:00:12,198 IN A HELLISH SITUATION. 7 00:00:12,198 --> 00:00:14,064 OH, MY GOD, THOSE SCALLOPS ARE RAW. 8 00:00:14,064 --> 00:00:15,398 A HUSBAND AND WIFE TEAM 9 00:00:15,398 --> 00:00:17,731 HAVE LOST THEIR PASSION, NOT JUST FOR THE RESTAURANT, 10 00:00:17,731 --> 00:00:19,364 BUT FOR EACH OTHER AS WELL. 11 00:00:19,364 --> 00:00:21,364 THERE'S AN INDENT ON THE COUCH 12 00:00:21,364 --> 00:00:22,531 FROM WHERE HE SLEEPS. 13 00:00:22,531 --> 00:00:24,364 THE HUSBAND IS DROWNING AT WORK. 14 00:00:24,364 --> 00:00:25,631 WHOA! COME ON. 15 00:00:25,631 --> 00:00:26,698 WHILE THE WIFE 16 00:00:26,698 --> 00:00:27,764 PREFERS TO AVOID IT. 17 00:00:27,764 --> 00:00:29,098 WHAT'S LISA DOING? 18 00:00:29,098 --> 00:00:30,000 I'M GONNA GO GET A MARTINI. 19 00:00:30,000 --> 00:00:30,331 I'M GONNA GO GET A MARTINI. 20 00:00:30,331 --> 00:00:32,264 AND THAT'S JUST THE BEGINNING. 21 00:00:32,264 --> 00:00:33,464 THE FOOD IS HORRIFIC. 22 00:00:33,464 --> 00:00:34,498 BLOODY HELL. 23 00:00:34,498 --> 00:00:35,631 GOD, THAT'S DREADFUL. 24 00:00:35,631 --> 00:00:37,198 AND THE KITCHEN IS DISGUSTING. 25 00:00:37,198 --> 00:00:38,498 OH, WOW. 26 00:00:38,498 --> 00:00:40,231 LOOK AT THE MESS OF THIS PLACE! 27 00:00:40,231 --> 00:00:41,231 AND THE STAFF 28 00:00:41,231 --> 00:00:42,564 IS READY TO MUTINY. 29 00:00:42,564 --> 00:00:44,064 DOESN'T KNOW WHAT THE HE'S TALKING ABOUT. 30 00:00:44,064 --> 00:00:45,198 FIND YOURSELF A NEW BAR MANAGER. 31 00:00:45,198 --> 00:00:46,331 CAN CHEF RAMSAY 32 00:00:46,331 --> 00:00:48,498 PULL THESE OWNERS' HEADS OUT OF THE SAND? 33 00:00:48,498 --> 00:00:50,064 SOMEONE MAN UP! 34 00:00:50,064 --> 00:00:51,298 OR WILL THE RESTAURANT 35 00:00:51,298 --> 00:00:54,364 AND THE MARRIAGE BE FOREVER LOST AT SEA? 36 00:00:54,364 --> 00:00:55,431 YOU CAN SOLVE THIS. 37 00:00:55,431 --> 00:00:57,298 CLOSE THE SHOP. 38 00:01:01,498 --> 00:01:02,531 WHAT IS THAT? 39 00:01:02,531 --> 00:01:04,464 YOU'RE SERVING ROTTEN FOOD. 40 00:01:04,464 --> 00:01:05,464 YOU COULD POSSIBLY KILL THEM. 41 00:01:05,464 --> 00:01:07,098 THEN WAKE UP! YOU WAKE UP! 42 00:01:07,098 --> 00:01:08,731 SHUT THE PLACE DOWN. 43 00:01:08,731 --> 00:01:10,298 GET OUT OF HERE! 44 00:01:10,298 --> 00:01:12,031 THAT IS AMAZING. 45 00:01:12,031 --> 00:01:13,698 I CAN'T TAKE ANY MORE! 46 00:01:13,698 --> 00:01:15,698 THANK YOU, CHEF. 47 00:01:21,564 --> 00:01:23,031 HULL, MASSACHUSETTS, 48 00:01:23,031 --> 00:01:24,264 A QUAINT, BEACHSIDE TOWN 49 00:01:24,264 --> 00:01:27,664 LOCATED JUST 10 MILES FROM THE SOUTHERN TIP OF BOSTON. 50 00:01:27,664 --> 00:01:30,000 THIS IS WHERE YOU'LL FIND BAREFOOT BOB'S, 51 00:01:30,000 --> 00:01:30,031 THIS IS WHERE YOU'LL FIND BAREFOOT BOB'S, 52 00:01:30,031 --> 00:01:33,364 OPENED IN 2004 BY HUSBAND AND WIFE TEAM, 53 00:01:33,364 --> 00:01:35,998 MARC AND LISA CARADONNA. 54 00:01:35,998 --> 00:01:37,364 LISA AND I HAVE ALWAYS BEEN IN THIS INDUSTRY, 55 00:01:37,364 --> 00:01:40,331 AND, YOU KNOW, WE DECIDED, IF THIS IS WHAT WE WANT TO DO, 56 00:01:40,331 --> 00:01:43,498 THEN WE HAVE TO GO OUT AND BUY OUR OWN RESTAURANT. 57 00:01:43,498 --> 00:01:45,364 WELCOME TO BAREFOOT BOB'S. 58 00:01:45,364 --> 00:01:46,631 WE OPENED THE DOORS 59 00:01:46,631 --> 00:01:47,731 TO A GREAT CROWD. 60 00:01:47,731 --> 00:01:49,998 HI, GUYS. I THINK WE HAVE A TABLE LEFT. 61 00:01:49,998 --> 00:01:51,698 AND WE THOUGHT, "WOW, IT'S JUST ALWAYS GONNA BE LIKE THIS. 62 00:01:51,698 --> 00:01:53,398 THIS IS GONNA BE GREAT," 63 00:01:53,398 --> 00:01:55,531 AND THEN WINTER HIT HULL. 64 00:01:59,298 --> 00:02:00,000 WHERE IS EVERYBODY? 65 00:02:00,000 --> 00:02:00,564 WHERE IS EVERYBODY? 66 00:02:00,564 --> 00:02:01,998 OUR SUMMER BUSINESS 67 00:02:01,998 --> 00:02:04,431 IS NOT ENOUGH TO CARRY THE OTHER SEVEN MONTHS. 68 00:02:04,431 --> 00:02:06,731 ONCE OCTOBER HITS, IT DROPS OFF 69 00:02:06,731 --> 00:02:08,364 TO ALMOST 10% OF YOUR SUMMER BUSINESS, 70 00:02:08,364 --> 00:02:11,031 SO WE'RE BEHIND, CONSTANTLY BEHIND. 71 00:02:11,031 --> 00:02:12,231 WE DON'T HAVE ANY MONEY. 72 00:02:12,231 --> 00:02:13,531 NO, I KNOW. 73 00:02:13,531 --> 00:02:15,398 WITH BUSINESS RAPIDLY DWINDLING, 74 00:02:15,398 --> 00:02:17,598 MARC FIGURED HE WOULD SAVE SOME MONEY 75 00:02:17,598 --> 00:02:20,031 BY GETTING RID OF THE CHEF AND TAKING OVER THE KITCHEN. 76 00:02:20,031 --> 00:02:22,464 ALL RIGHT, YOU GOT A POPCORN SHRIMP BY ITSELF. 77 00:02:22,464 --> 00:02:24,764 LEAVING LISA THE RESPONSIBILITY 78 00:02:24,764 --> 00:02:26,998 OF SUPERVISING THE FRONT OF HOUSE. 79 00:02:26,998 --> 00:02:28,198 YOU TWO--OKAY, YOU AND JESS ARE OUTSIDE. 80 00:02:28,198 --> 00:02:29,198 NO, I'M IN. 81 00:02:29,198 --> 00:02:30,000 ME AND JESS ARE IN THE OUTSIDE. 82 00:02:30,000 --> 00:02:31,031 ME AND JESS ARE IN THE OUTSIDE. 83 00:02:32,264 --> 00:02:33,598 THE BIGGEST PROBLEM IN THE RESTAURANT RIGHT NOW 84 00:02:33,598 --> 00:02:36,764 WOULD DEFINITELY HAVE TO BE LISA. 85 00:02:36,764 --> 00:02:38,031 WHAT'S LISA DOING? 86 00:02:38,031 --> 00:02:39,164 I'M GONNA GO GET A MARTINI. 87 00:02:39,164 --> 00:02:40,164 WHAT? 88 00:02:40,164 --> 00:02:41,398 GOTCHA. 89 00:02:41,398 --> 00:02:42,431 MARC'S IN THE RESTAURANT AT LEAST 90 00:02:42,431 --> 00:02:44,664 10 OR 12 HOURS A DAY, 7 DAYS A WEEK. 91 00:02:44,664 --> 00:02:46,398 MARC, LET ME KNOW IF YOU NEED ANYTHING, AND I WILL AVOID YOU. 92 00:02:46,398 --> 00:02:50,131 MOST OF THE TIME, LISA IS ON THE BEACH, 93 00:02:50,131 --> 00:02:52,398 DOWN THE CAPE SOMEWHERE, 94 00:02:52,398 --> 00:02:54,664 OR WHEN SHE IS HERE, 95 00:02:54,664 --> 00:02:56,231 SHE KIND OF LEAVES A BIG TORNADO BEHIND HER 96 00:02:56,231 --> 00:02:57,464 AND GOES OUT THE DOOR, AND NEXT THING YOU KNOW, 97 00:02:57,464 --> 00:02:58,464 SHE'S GONE AGAIN FOR THE WEEKEND. 98 00:03:03,031 --> 00:03:04,531 AND IT'S SAD 99 00:03:04,531 --> 00:03:06,998 BECAUSE THIS IS HIS LIFE. HE'S SO STRESSED OUT. 100 00:03:06,998 --> 00:03:08,764 WE ALL FEAR THAT HE'S GONNA HAVE A HEART ATTACK. 101 00:03:08,764 --> 00:03:10,131 THIS SUCKS. 102 00:03:10,131 --> 00:03:11,364 THE POOR MAN IS SO TIRED. 103 00:03:11,364 --> 00:03:14,431 YOU CAN JUST SEE IT. YOU CAN SEE THE STRESS IN HIS FACE. 104 00:03:14,431 --> 00:03:16,598 I FEEL HORRIBLE FOR MARC 105 00:03:16,598 --> 00:03:19,298 'CAUSE HE WANTS TO MAKE THIS RESTAURANT WORK, 106 00:03:19,298 --> 00:03:22,098 AND SINCE IT'S SINKING, THEIR MARRIAGE IS SINKING. 107 00:03:23,664 --> 00:03:27,098 MARC AND I'S RELATIONSHIP HAS BEEN BETTER. 108 00:03:27,098 --> 00:03:29,264 I KNOW I LOVE YOU. 109 00:03:29,264 --> 00:03:30,000 LET'S JUST SAY THERE'S AN INDENT ON THE COUCH 110 00:03:30,000 --> 00:03:32,131 LET'S JUST SAY THERE'S AN INDENT ON THE COUCH 111 00:03:32,131 --> 00:03:34,231 FROM WHERE HE SLEEPS. 112 00:03:34,231 --> 00:03:35,664 IF THIS RESTAURANT 113 00:03:35,664 --> 00:03:39,764 WERE TO CLOSE, I DON'T KNOW IF MY MARRIAGE TO MY WIFE 114 00:03:39,764 --> 00:03:41,764 WOULD SURVIVE. 115 00:03:50,998 --> 00:03:51,998 IN ORDER TO HEAR 116 00:03:51,998 --> 00:03:53,298 BOTH SIDES OF THE STORY 117 00:03:53,298 --> 00:03:54,731 AS TO WHAT THE RESTAURANT'S PROBLEMS REALLY ARE... 118 00:03:54,731 --> 00:03:56,464 HI, LISA. HI. 119 00:03:56,464 --> 00:03:58,064 CHEF RAMSAY HAS DECIDED 120 00:03:58,064 --> 00:04:00,000 TO MEET WITH OWNERS LISA AND MARC SEPARATELY. 121 00:04:00,000 --> 00:04:00,231 TO MEET WITH OWNERS LISA AND MARC SEPARATELY. 122 00:04:00,231 --> 00:04:03,331 HOW ARE YOU, MAN? JUST AWFUL. 123 00:04:03,331 --> 00:04:05,398 EVERYTHING HAS JUST BEEN AWFUL. 124 00:04:05,398 --> 00:04:07,498 IT'S BEEN BRUTAL. 125 00:04:07,498 --> 00:04:09,431 LET'S GO BACK TO THE BEGINNING. 126 00:04:09,431 --> 00:04:12,031 WHEN WE GOT MARRIED, I WAS MARRYING MY BEST FRIEND, 127 00:04:12,031 --> 00:04:14,031 AND IT WAS KIND OF OUR DREAM TO ALWAYS DO THIS, 128 00:04:14,031 --> 00:04:15,098 SO WE FOUND THIS PLACE. 129 00:04:15,098 --> 00:04:16,464 IT HAD POTENTIAL. IT WAS JUST, 130 00:04:16,464 --> 00:04:18,098 YOU KNOW, KIND OF WE WANTED TO GIVE IT OUR VIBE 131 00:04:18,098 --> 00:04:19,431 AND TAKE A SHOT AT OUR DREAM. 132 00:04:19,431 --> 00:04:20,598 WHAT WAS IT LIKE WHEN YOU OPENED? 133 00:04:20,598 --> 00:04:21,598 IT WAS FANTASTIC. 134 00:04:21,598 --> 00:04:22,698 MM-HMM. WE BOTH DID 135 00:04:22,698 --> 00:04:25,531 FRONT OF THE HOUSE, AND PEOPLE FLOCKED IN. 136 00:04:25,531 --> 00:04:26,598 WHAT HAPPENED NEXT? 137 00:04:26,598 --> 00:04:29,331 WE DIDN'T KNOW HOW TO JUDGE THE WINTERS. 138 00:04:29,331 --> 00:04:30,000 WE DIDN'T KNOW WHAT IT WAS GONNA BE LIKE. 139 00:04:30,000 --> 00:04:31,064 WE DIDN'T KNOW WHAT IT WAS GONNA BE LIKE. 140 00:04:31,064 --> 00:04:32,731 THE FIRST, YOU KNOW, OCTOBER CAME AROUND, 141 00:04:32,731 --> 00:04:36,398 WE WENT, "OH, MY GOD, WHERE IS EVERYBODY?" 142 00:04:36,398 --> 00:04:37,564 THE BUSINESS HAS BEEN CRIPPLED. 143 00:04:37,564 --> 00:04:38,998 NOW WE DON'T HAVE ANY MONEY. 144 00:04:38,998 --> 00:04:41,098 SO I HAD TO BASICALLY GO INTO THE KITCHEN, 145 00:04:41,098 --> 00:04:43,098 AND I'VE ALWAYS BEEN FRONT OF THE HOUSE. 146 00:04:43,098 --> 00:04:44,998 WHILE I WAS FOCUSING ON THAT, 147 00:04:44,998 --> 00:04:46,131 THE FRONT OF THE HOUSE REALLY TOOK A BEATING. 148 00:04:46,131 --> 00:04:47,398 WHERE WAS LISA AT THIS POINT? 149 00:04:47,398 --> 00:04:49,031 SHE WAS BACKING OFF. SHE HASN'T BEEN TOO ACTIVE 150 00:04:49,031 --> 00:04:50,031 IN THE FRONT OF THE HOUSE FOR A WHILE. 151 00:04:50,031 --> 00:04:51,298 RIGHT. AND THAT'S-- 152 00:04:51,298 --> 00:04:52,998 THAT'S--THEREIN LIES THE PROBLEM. 153 00:04:52,998 --> 00:04:55,231 HELP ME UNDERSTAND YOUR ROLE IN A NUTSHELL. 154 00:04:55,231 --> 00:04:57,698 HOW WOULD YOU DESCRIBE IT? 155 00:04:57,698 --> 00:05:00,000 I COME IN, AND I DO THE BOOKS, THE RECEIPTS, 156 00:05:00,000 --> 00:05:00,131 I COME IN, AND I DO THE BOOKS, THE RECEIPTS, 157 00:05:00,131 --> 00:05:01,464 A LITTLE BIT OF EVERYTHING. MM-HMM. 158 00:05:01,464 --> 00:05:02,564 I MEAN, HANDS-ON. 159 00:05:02,564 --> 00:05:05,298 SHE BELIEVES THAT SHE'S DOING A LOT. 160 00:05:05,298 --> 00:05:07,998 SHE COMES IN IN THE MORNING A COUPLE DAYS A WEEK. 161 00:05:07,998 --> 00:05:09,164 THAT'S REALLY IT. 162 00:05:09,164 --> 00:05:10,298 SHE'S IN TWO DAYS A WEEK. YOU'RE IN--? 163 00:05:10,298 --> 00:05:11,364 UH, SEVEN. 164 00:05:11,364 --> 00:05:12,564 SEVEN DAYS A WEEK? 165 00:05:12,564 --> 00:05:14,764 YEAH. IT'S--THIS PLACE REQUIRES ME TO BE HERE. 166 00:05:14,764 --> 00:05:18,098 I HAVE TO WORK TWICE AS HARD BECAUSE SHE DOESN'T. 167 00:05:18,098 --> 00:05:20,064 AND I'LL SAY SOMETHING, 168 00:05:20,064 --> 00:05:22,164 I'M LIKE, "YOU KNOW, THIS IS JUST REALLY AWFUL," 169 00:05:22,164 --> 00:05:23,264 AND SHE'S LIKE, "WELL, I KNOW, 170 00:05:23,264 --> 00:05:24,664 I WAS ANGRY WHEN I WENT TO THE GYM." 171 00:05:24,664 --> 00:05:27,731 I SEE MYSELF STRUGGLING, AND I DON'T KNOW WHY 172 00:05:27,731 --> 00:05:30,000 SHE'S NOT JUMPING IN TO HELP. 173 00:05:30,000 --> 00:05:30,231 SHE'S NOT JUMPING IN TO HELP. 174 00:05:31,398 --> 00:05:32,398 NOW, DO YOU TALK TO MARC? 175 00:05:32,398 --> 00:05:35,531 NO. NO, YOU CAN'T TALK? 176 00:05:35,531 --> 00:05:37,664 RATHER THAN VOICING IT, WE'LL JUST-- 177 00:05:37,664 --> 00:05:39,498 JUST BE PISSED OFF ABOUT IT INSTEAD. 178 00:05:39,498 --> 00:05:40,764 HAVE YOU FALLEN OUT OF LOVE WITH HER? 179 00:05:40,764 --> 00:05:42,564 NO. 180 00:05:42,564 --> 00:05:46,298 HAS SHE FALLEN OUT OF LOVE WITH YOU? 181 00:05:46,298 --> 00:05:48,731 I DON'T KNOW. 182 00:05:48,731 --> 00:05:51,631 WHAT WOULD HAPPEN IF THE RESTAURANT CLOSED? 183 00:05:51,631 --> 00:05:54,298 THAT WOULD BE-- THAT WOULD BE CATASTROPHIC. 184 00:05:54,298 --> 00:05:57,364 I DON'T KNOW IF OUR MARRIAGE WOULD--HOW THAT WOULD BE. 185 00:05:57,364 --> 00:05:59,664 YOU KNOW? THAT SCARES ME. 186 00:06:04,064 --> 00:06:05,364 HELLO. 187 00:06:05,364 --> 00:06:06,431 HI. 188 00:06:06,431 --> 00:06:08,064 HOW ARE YOU? HI, I'M JESSICA. 189 00:06:08,064 --> 00:06:09,098 JESSICA. GORDON. NICE TO MEET YOU. 190 00:06:09,098 --> 00:06:10,264 LIKEWISE, GOOD TO SEE YOU TOO. 191 00:06:10,264 --> 00:06:11,264 CHEF RAMSAY'S GONNA HAVE 192 00:06:11,264 --> 00:06:12,664 A LOT TO SAY ABOUT LISA. 193 00:06:12,664 --> 00:06:15,531 I THINK THAT SHE THINKS SHE'S A MAJOR ASSET TO THE RESTAURANT, 194 00:06:15,531 --> 00:06:18,164 WHEN A LOT OF TIMES SHE'S ONE OF THE MAJOR DOWNFALLS 195 00:06:18,164 --> 00:06:19,731 TO THE RESTAURANT. 196 00:06:19,731 --> 00:06:21,231 PLEASE, IF YOU WOULD. OKAY, GREAT. 197 00:06:21,231 --> 00:06:22,564 OF COURSE, AND... MM-HMM. 198 00:06:22,564 --> 00:06:26,098 WHAT IS THE BIG, UNDERLYING PROBLEM WITH THIS RESTAURANT? 199 00:06:26,098 --> 00:06:27,298 IT'S LISA. IT IS. MM-HMM. 200 00:06:27,298 --> 00:06:30,000 SHE HAS IT IN FINANCIAL RUINS. 201 00:06:30,000 --> 00:06:30,331 SHE HAS IT IN FINANCIAL RUINS. 202 00:06:30,331 --> 00:06:33,064 AND WHY'D SHE PUT IT IN FINANCIAL RUINS FIRST? 203 00:06:33,064 --> 00:06:36,231 I FEEL LIKE LISA TAKES A LOT OF, UM, VACATIONS. 204 00:06:36,231 --> 00:06:38,531 VACATIONS? A LOT OF VACATIONS. 205 00:06:38,531 --> 00:06:39,531 REALLY? MM-HMM. 206 00:06:39,531 --> 00:06:40,731 WOW. 207 00:06:40,731 --> 00:06:42,598 MM-HMM. 208 00:06:42,598 --> 00:06:43,598 IF SOMEBODY DOESN'T COME IN 209 00:06:43,598 --> 00:06:44,698 AND CONFRONT LISA, 210 00:06:44,698 --> 00:06:46,198 THE RESTAURANT'S GONNA GO UNDER. 211 00:06:46,198 --> 00:06:48,398 CAN I START YOU WITH SOMETHING TO DRINK? 212 00:06:48,398 --> 00:06:50,264 UM, WHAT THE IS THIS? 213 00:06:50,264 --> 00:06:52,198 THAT'S THE MENU. SERIOUSLY? 214 00:06:52,198 --> 00:06:54,098 YES. IT'S MASSIVE. 215 00:06:54,098 --> 00:06:55,098 IT IS. WOW. 216 00:06:55,098 --> 00:06:56,598 THESE THINGS ARE DIRTY. 217 00:06:56,598 --> 00:06:59,398 IS THERE ANY CHANCE I COULD HAVE CLEAN MENU? 218 00:06:59,398 --> 00:07:00,000 ABSOLUTELY. THANK YOU, DARLING. 219 00:07:00,000 --> 00:07:00,998 ABSOLUTELY. THANK YOU, DARLING. 220 00:07:02,331 --> 00:07:03,531 MMM. 221 00:07:03,531 --> 00:07:07,664 GUYS, I NEED A CLEAN MENU, LIKE, TEN MINUTES AGO 222 00:07:07,664 --> 00:07:09,198 BECAUSE HE WON'T EVEN LOOK AT THIS MENU. 223 00:07:09,198 --> 00:07:11,331 WHAT? IT'S NOT DIRTY. 224 00:07:11,331 --> 00:07:12,731 ARE YOU KIDDING ME? FEEL IT. THERE'S NOT A THING ON IT. 225 00:07:12,731 --> 00:07:14,198 IT IS. IT'S FILTHY. 226 00:07:14,198 --> 00:07:15,464 WHERE? 227 00:07:15,464 --> 00:07:16,564 SHE'S NOT HERE CONSISTENTLY 228 00:07:16,564 --> 00:07:18,564 ENOUGH TO SEE HOW STUFF RUNS ANYMORE... 229 00:07:18,564 --> 00:07:20,198 THERE YOU GO. 230 00:07:20,198 --> 00:07:23,031 AND I THINK SHE'S IN FOR A RUDE AWAKENING. 231 00:07:26,431 --> 00:07:28,298 THANKS, DARLING. UH, THAT'S BEEN WIPED? 232 00:07:28,298 --> 00:07:29,531 YES. 233 00:07:29,531 --> 00:07:30,000 OKAY, LET'S START WITH-- IS THIS A TYPO? 234 00:07:30,000 --> 00:07:33,131 OKAY, LET'S START WITH-- IS THIS A TYPO? 235 00:07:33,131 --> 00:07:34,664 "BUFFALO CHICKEN SKINS? " 236 00:07:34,664 --> 00:07:38,164 NO, IT'S FRIED CHICKEN WITH BUFFALO SAUCE ON TOP. 237 00:07:38,164 --> 00:07:39,198 OH, NO, I GET THAT, BUT THEN YOU'VE GOT 238 00:07:39,198 --> 00:07:41,031 "BUFFALO CHICKEN SKINS" AGAIN. 239 00:07:41,031 --> 00:07:42,764 OH. YES, THAT IS A TYPO. 240 00:07:42,764 --> 00:07:43,764 DID YOU KNOW THAT WAS ON THERE? 241 00:07:43,764 --> 00:07:45,164 YES. 242 00:07:45,164 --> 00:07:46,998 LISA DID NOTICE RIGHT AFTER THEY WERE PRINTED 243 00:07:46,998 --> 00:07:48,998 AND JUST NEVER FIXED. 244 00:07:48,998 --> 00:07:50,564 I SUPPOSE FOR, OBVIOUSLY, LOCALS 245 00:07:50,564 --> 00:07:51,564 THAT ARE SLIGHTLY DOUBLE VISION. 246 00:07:51,564 --> 00:07:53,698 OKAY. 247 00:07:53,698 --> 00:07:56,064 LET'S GO FOR THE BOB'S BIG BUOY PLATTER. 248 00:07:56,064 --> 00:07:57,198 OKAY. UM, 249 00:07:57,198 --> 00:07:58,664 ANYTHING YOU'D RECOMMEND, DARLING? 250 00:07:58,664 --> 00:08:00,000 UM, THE LOBSTER ROLL. 251 00:08:00,000 --> 00:08:01,264 UM, THE LOBSTER ROLL. 252 00:08:01,264 --> 00:08:02,431 I'LL TASTE IT, YEAH. OKAY. 253 00:08:02,431 --> 00:08:04,131 I'M GONNA GO FOR THE CHOWDER. OKAY. 254 00:08:04,131 --> 00:08:05,331 PERFECT. THANKS, DARLING. 255 00:08:05,331 --> 00:08:06,431 YOU'RE WELCOME. 256 00:08:06,431 --> 00:08:07,998 THERE YOU GO, MARC. 257 00:08:07,998 --> 00:08:09,531 CHEF, ORDERING IN. OKAY. 258 00:08:09,531 --> 00:08:10,664 ALL RIGHT. ALL RIGHT. 259 00:08:10,664 --> 00:08:11,764 I DIDN'T HAVE THE FORMAL TRAINING, 260 00:08:11,764 --> 00:08:14,464 BUT I LIKE TO THINK THAT I CAN HOLD MY OWN. 261 00:08:14,464 --> 00:08:18,031 WHOA, TOO MUCH. 262 00:08:19,331 --> 00:08:20,398 OOF. 263 00:08:23,331 --> 00:08:25,698 THESE PLATES ARE FILTHY, DIRTY. 264 00:08:25,698 --> 00:08:28,498 I MEAN, LITERALLY CAKED IN DUST. 265 00:08:28,498 --> 00:08:30,000 JESSICA? YES? 266 00:08:30,000 --> 00:08:30,131 JESSICA? YES? 267 00:08:30,131 --> 00:08:31,398 DARLING, WHEN WAS THE LAST TIME THESE PLATES 268 00:08:31,398 --> 00:08:32,431 WERE TAKEN DOWN AND CLEANED? 269 00:08:32,431 --> 00:08:34,031 UM, WHEN DID WE OPEN? 270 00:08:34,031 --> 00:08:35,498 EIGHT YEARS AGO. YES. 271 00:08:35,498 --> 00:08:37,431 YOU'VE NEVER TAKEN THEM DOWN SINCE YOU'VE BEEN HERE? 272 00:08:37,431 --> 00:08:39,231 I DON'T BELIEVE SO. WOW. 273 00:08:39,231 --> 00:08:41,231 MY GOD. LISA. 274 00:08:41,231 --> 00:08:44,231 HE'S UP AGAINST THE WINDOW, PULLING ALL THE KNICKKNACKS DOWN 275 00:08:44,231 --> 00:08:46,098 THAT WERE ALL, LIKE, NASTY AND DUSTY. 276 00:08:46,098 --> 00:08:49,098 HE'S WIPING THEM ALL, LIKE, WITH HIS HANDS RIGHT NOW. 277 00:08:50,498 --> 00:08:53,164 INCHES THICK. INCHES THICK. 278 00:08:53,164 --> 00:08:56,231 DAMN, HE'S OBSERVANT! 279 00:08:57,431 --> 00:09:00,000 YES, YES. ORDERS UP. 280 00:09:00,000 --> 00:09:00,098 YES, YES. ORDERS UP. 281 00:09:00,098 --> 00:09:01,198 THANK YOU. 282 00:09:05,231 --> 00:09:07,298 THIS IS THE BIG BUOY. WOW. 283 00:09:07,298 --> 00:09:08,431 AND IT COMES WITH FRIES AND ONION RINGS. 284 00:09:08,431 --> 00:09:11,364 BLOODY HELL. IT JUST CASCADES OFF THE PLATE. 285 00:09:12,498 --> 00:09:14,298 WHAT'S THAT? 286 00:09:14,298 --> 00:09:15,364 A SCALLOP. A SMALL ONE. 287 00:09:15,364 --> 00:09:16,631 THAT'S A SCALLOP? 288 00:09:16,631 --> 00:09:18,064 YES. 289 00:09:18,064 --> 00:09:19,098 LOOK AT HOW RUBBERY THAT IS. 290 00:09:19,098 --> 00:09:20,164 I KNOW. HONESTLY. 291 00:09:20,164 --> 00:09:21,264 THEY WERE SENT BACK EARLIER THE SAME 292 00:09:21,264 --> 00:09:23,998 BECAUSE THEY WERE TOO CHEWY AND TOUGH. 293 00:09:23,998 --> 00:09:25,764 WOW. 294 00:09:25,764 --> 00:09:27,231 IT'S DISGUSTING. 295 00:09:27,231 --> 00:09:28,231 UH, YEAH. 296 00:09:28,231 --> 00:09:30,000 IT'S JUST DUMPED ON HERE. 297 00:09:30,000 --> 00:09:30,064 IT'S JUST DUMPED ON HERE. 298 00:09:30,064 --> 00:09:31,098 DO THEY SEASON ANYTHING? 299 00:09:31,098 --> 00:09:32,698 NO. BLOODY HELL. 300 00:09:32,698 --> 00:09:34,464 YEAH, I'LL BYPASS THAT, DARLING. 301 00:09:34,464 --> 00:09:35,464 OKAY. OTHERWISE, 302 00:09:35,464 --> 00:09:37,031 I'LL NEED A BYPASS. OKAY. 303 00:09:37,031 --> 00:09:38,231 THAT WAS A "BIG BUOY" DISAPPOINTMENT, 304 00:09:38,231 --> 00:09:39,231 LET ME TELL YOU. 305 00:09:40,564 --> 00:09:44,364 MARC, THE FRIES ARE SOGGY, AND HE SAID HE WILL BYPASS, 306 00:09:44,364 --> 00:09:46,431 BECAUSE IF NOT, HE'S GOING TO NEED A BYPASS. 307 00:09:46,431 --> 00:09:47,464 THIS BLOWS. 308 00:09:47,464 --> 00:09:48,764 WELL, LET'S KEEP IN MIND, 309 00:09:48,764 --> 00:09:50,531 HE COMES FROM A PLACE WHERE THEY THINK SCONES ARE DELICIOUS. 310 00:09:52,198 --> 00:09:53,364 I DON'T THINK LISA 311 00:09:53,364 --> 00:09:56,264 IS TAKING THINGS AS SERIOUS AS I AM, 312 00:09:56,264 --> 00:09:57,364 AND THAT'S THE PROBLEM. 313 00:09:57,364 --> 00:10:00,000 UGH, ALL RIGHT. LET'S DO THIS AGAIN. 314 00:10:00,000 --> 00:10:00,164 UGH, ALL RIGHT. LET'S DO THIS AGAIN. 315 00:10:00,164 --> 00:10:02,564 GOOD LUCK. 316 00:10:02,564 --> 00:10:04,531 ALL RIGHT. THIS IS THE LOBSTER ROLL. 317 00:10:04,531 --> 00:10:05,531 OKAY, GREAT. 318 00:10:05,531 --> 00:10:07,531 THANK YOU. YES. 319 00:10:08,698 --> 00:10:10,531 HOW DO YOU EAT THIS? 320 00:10:10,531 --> 00:10:12,531 WHERE DO YOU GO? 321 00:10:12,531 --> 00:10:14,598 WHERE DO YOU GO? 322 00:10:14,598 --> 00:10:18,231 HOW MUCH LOBSTER... IS IN THERE? 323 00:10:18,231 --> 00:10:20,731 LET'S SEE IF I CAN PUT THE LOBSTER BACK TOGETHER. 324 00:10:20,731 --> 00:10:22,564 THERE'S THE CLAWS. 325 00:10:22,564 --> 00:10:25,031 NO WONDER THIS PLACE IS LOSING MONEY. 326 00:10:25,031 --> 00:10:26,598 JESSICA, 327 00:10:26,598 --> 00:10:28,431 HAVE YOU SEEN HOW MUCH LOBSTER 328 00:10:28,431 --> 00:10:30,000 IS IN THIS ROLL? MM-HMM. 329 00:10:30,000 --> 00:10:30,031 IS IN THIS ROLL? MM-HMM. 330 00:10:30,031 --> 00:10:31,131 LOOK AT ALL THAT. MM-HMM. 331 00:10:31,131 --> 00:10:33,164 I KNOW. IT'S A WHOLE LOBSTER. 332 00:10:33,164 --> 00:10:35,464 IT'S MORE. LOBSTERS DON'T HAVE SIX CLAWS. 333 00:10:35,464 --> 00:10:38,198 BLOODY HELL. DOES EVERY SANDWICH HAVE THAT IN THERE? 334 00:10:38,198 --> 00:10:41,064 YES. IT'S TYPICALLY A POUND, A LITTLE OVER A POUND. 335 00:10:41,064 --> 00:10:42,331 A POUND? YES. 336 00:10:42,331 --> 00:10:44,031 THAT SHOULD THE WHOLE WEIGHT OF THE LOBSTER, 337 00:10:44,031 --> 00:10:45,331 NOT THE ACTUAL WEIGHT OF THE MEAT. 338 00:10:45,331 --> 00:10:47,598 THE PORTION SIZES OF EVERYTHING ARE HUGE. 339 00:10:47,598 --> 00:10:49,098 THAT'S PART OF THE PROBLEM. MM-HMM. 340 00:10:49,098 --> 00:10:50,664 NOTHING TOASTED. 341 00:10:50,664 --> 00:10:52,298 SOGGY. DISGUSTING. 342 00:10:52,298 --> 00:10:53,298 ALL RIGHT, DARLING, I'M DONE. 343 00:10:53,298 --> 00:10:54,431 YES. WOULD YOU SHOW MARC 344 00:10:54,431 --> 00:10:55,464 THAT ROLL? I WILL. 345 00:10:55,464 --> 00:10:56,664 THANKS, DARLING. THANK YOU. 346 00:10:56,664 --> 00:10:59,531 I'M HOLDING OUT FOR MY CHOWDER. 347 00:10:59,531 --> 00:11:00,000 WHY? 348 00:11:00,000 --> 00:11:00,598 WHY? 349 00:11:00,598 --> 00:11:01,631 WHAT'S THE MATTER WITH THAT? 350 00:11:01,631 --> 00:11:03,764 THIS IS LARGER THAN A REGULAR LOBSTER. 351 00:11:03,764 --> 00:11:05,131 WHAT? THIS, 352 00:11:06,498 --> 00:11:08,398 HE SAID THAT THE TOTAL WEIGHT OF A LOBSTER SHOULD BE A POUND, 353 00:11:08,398 --> 00:11:09,398 NOT THE MEAT IN ITSELF. 354 00:11:10,664 --> 00:11:12,164 HE SAID THIS IS WHERE YOU'RE LOSING YOUR MONEY. 355 00:11:12,164 --> 00:11:13,464 AH. 356 00:11:16,098 --> 00:11:19,431 I THINK LISA NOT BEING AROUND HAS DRAINED MARC. 357 00:11:19,431 --> 00:11:21,998 AND THAT MAKES A DIFFERENCE ON THE FOOD. 358 00:11:21,998 --> 00:11:23,464 WHAT ELSE SUCKS? 359 00:11:23,464 --> 00:11:24,698 OUR LOBSTER ROLL SUCKS. 360 00:11:24,698 --> 00:11:26,064 WHAT? 361 00:11:26,064 --> 00:11:27,364 YEAH, IT'S TOO MUCH LOBSTER. 362 00:11:27,364 --> 00:11:29,298 I'VE NEVER HEARD ANYONE COMPLAIN ABOUT TOO MUCH LOBSTER. 363 00:11:29,298 --> 00:11:30,000 WELL-- 364 00:11:30,000 --> 00:11:30,431 WELL-- 365 00:11:30,431 --> 00:11:33,064 IT'S LIKE HAVING TOO MUCH MONEY. 366 00:11:34,298 --> 00:11:36,331 MIND-BLOWING. 367 00:11:36,331 --> 00:11:38,631 HERE'S YOUR CHOWDER. OKAY. 368 00:11:41,431 --> 00:11:43,164 RIGHT. THANKS, DARLING. 369 00:11:43,164 --> 00:11:45,564 YOU'RE WELCOME. 370 00:11:49,131 --> 00:11:51,031 WOW. 371 00:11:51,031 --> 00:11:52,464 AY-YI-YI. 372 00:11:52,464 --> 00:11:55,631 FLOURY, BLAND, NO CLAMS TO BE SEEN ANYWHERE. 373 00:11:55,631 --> 00:11:58,731 I MEAN, THIS IS NEW ENGLAND. THAT'S WHAT HURTS. 374 00:11:58,731 --> 00:12:00,000 JESSICA. YOU DON'T LOOK IMPRESSED. 375 00:12:00,000 --> 00:12:01,698 JESSICA. YOU DON'T LOOK IMPRESSED. 376 00:12:01,698 --> 00:12:03,698 JUST HAVE A LITTLE TASTE IN THERE FOR ME. PLEASE. 377 00:12:06,498 --> 00:12:09,064 OH, IT'S VERY THICK. IT'S FLOURY. 378 00:12:09,064 --> 00:12:10,398 IT IS. I WOULDN'T EVEN 379 00:12:10,398 --> 00:12:11,998 PASTE MY WALLPAPER WITH THAT. 380 00:12:11,998 --> 00:12:13,598 UM, GOD, THAT'S DREADFUL. YEAH. 381 00:12:13,598 --> 00:12:15,164 THAT'S JUST BLAND... 382 00:12:15,164 --> 00:12:17,364 - I'LL GO HAVE MARC TASTE IT. - GLOOPY GLUE. 383 00:12:17,364 --> 00:12:19,431 YEAH, IT'S NOT GOOD AT ALL. 384 00:12:19,431 --> 00:12:21,298 MARC, COME TASTE THIS, PLEASE. 385 00:12:21,298 --> 00:12:23,098 HE SAID IT TASTES LIKE WALLPAPER. 386 00:12:23,098 --> 00:12:25,464 HE WOULDN'T PASTE HIS WALLS WITH IT. 387 00:12:25,464 --> 00:12:27,464 THAT'S MY SPOON. 388 00:12:30,198 --> 00:12:32,164 IT'S THICK. IT'S THICK. 389 00:12:32,164 --> 00:12:33,498 YEAH. YEAH. 390 00:12:33,498 --> 00:12:35,498 CHRIS, IT'S THICK. 391 00:12:36,998 --> 00:12:40,464 THE SCARY PART IS, I THOUGHT ALL OUR FOOD WAS GOOD. 392 00:12:40,464 --> 00:12:43,331 OH, MY GOD. WHAT AM I GONNA DO? 393 00:12:45,598 --> 00:12:46,598 COMING UP... 394 00:12:46,598 --> 00:12:47,731 OH, MY GOD. 395 00:12:47,731 --> 00:12:49,531 THINGS GO FROM BAD TO WORSE 396 00:12:49,531 --> 00:12:51,564 AS CHEF RAMSAY DISCOVERS... 397 00:12:51,564 --> 00:12:52,698 YOU'LL KILL EVERYBODY! 398 00:12:52,698 --> 00:12:54,698 A PLACE SO DISGUSTING... 399 00:12:54,698 --> 00:12:56,198 WHO COULD BE THAT DIRTY? 400 00:12:56,198 --> 00:12:57,198 HE'S READY 401 00:12:57,198 --> 00:12:58,198 TO THROW IN THE TOWEL. 402 00:12:58,198 --> 00:12:59,364 CLOSE THE SHOP. 403 00:12:59,364 --> 00:13:00,000 AND HE'S NOT THE ONLY ONE. 404 00:13:00,000 --> 00:13:01,164 AND HE'S NOT THE ONLY ONE. 405 00:13:01,164 --> 00:13:03,564 THIS ISN'T GONNA WORK. FIND YOURSELF A NEW BAR MANAGER. 406 00:13:11,298 --> 00:13:12,564 AFTER BEING DISAPPOINTED 407 00:13:12,564 --> 00:13:15,431 BY BAREFOOT BOB'S CLASSIC NEW ENGLAND DISHES... 408 00:13:15,431 --> 00:13:16,564 WHERE IS EVERYBODY, DARLING? 409 00:13:16,564 --> 00:13:18,064 IN THE KITCHEN. COULD YOU 410 00:13:18,064 --> 00:13:19,431 JUST GET THEM OUT FOR ME, PLEASE? 411 00:13:19,431 --> 00:13:20,598 CHEF RAMSAY IS READY 412 00:13:20,598 --> 00:13:22,498 TO SHARE HIS VIEW WITH THE KITCHEN STAFF... 413 00:13:22,498 --> 00:13:24,198 CHRIS? MARC? 414 00:13:24,198 --> 00:13:25,531 AND THE OWNERS. 415 00:13:25,531 --> 00:13:27,664 COME OVER, AND ARE YOU THE CHEF? 416 00:13:27,664 --> 00:13:28,664 I'M THE SOUS-CHEF. 417 00:13:28,664 --> 00:13:30,131 FIRST NAME? CHRIS. CHRIS. 418 00:13:30,131 --> 00:13:31,131 CHRIS, GOOD TO SEE YOU. 419 00:13:31,131 --> 00:13:32,131 NICE TO MEET YOU. 420 00:13:32,131 --> 00:13:34,264 UH, I DON'T KNOW WHERE TO START. 421 00:13:34,264 --> 00:13:35,698 I MEAN, I AM SERIOUSLY EMBARRASSED. 422 00:13:35,698 --> 00:13:38,830 I MEAN, GUYS, THE LOBSTER ROLL. 423 00:13:38,830 --> 00:13:39,064 I MEAN, GUYS, THE LOBSTER ROLL. 424 00:13:39,064 --> 00:13:43,764 EVEN I DON'T PUT 1/3 OF THAT LOBSTER IN MY LOBSTER ROLL. 425 00:13:43,764 --> 00:13:45,164 I MEAN, EVERYBODY LOVES-- I MEAN, I-- 426 00:13:45,164 --> 00:13:47,564 SO THIS IS SURPRISING FOR YOU? 427 00:13:47,564 --> 00:13:50,364 NO. IT WAS JUST A MESS. 428 00:13:50,364 --> 00:13:53,531 CLAM CHOWDER, WHO PUTS THAT TOGETHER? 429 00:13:53,531 --> 00:13:56,131 THAT'S ON ME, BUT I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 430 00:13:57,464 --> 00:13:59,698 YOU CONSIDER THAT BOWL OF 431 00:13:59,698 --> 00:14:02,098 TO BE A REPRESENTATION OF YOUR RESTAURANT. 432 00:14:02,098 --> 00:14:04,031 I COULDN'T EVEN FIND A CLAM IN MINE, 433 00:14:04,031 --> 00:14:07,498 AND THAT'S JUST A BOWL OF SOUP. 434 00:14:07,498 --> 00:14:08,830 IT'S A PROBLEM WITH THE RECIPE. WHERE'S IT GONE? 435 00:14:08,830 --> 00:14:09,231 IT'S A PROBLEM WITH THE RECIPE. WHERE'S IT GONE? 436 00:14:09,231 --> 00:14:10,231 IT'S IN MY HEAD. 437 00:14:10,231 --> 00:14:11,231 OH, IT'S IN YOUR HEAD? 438 00:14:11,231 --> 00:14:12,998 ONE OF THOSE RECIPES. 439 00:14:12,998 --> 00:14:14,231 APPARENTLY, 'CAUSE THAT'S WHAT YOU SAID. 440 00:14:14,231 --> 00:14:15,231 WELL, CONGRATULATIONS. 441 00:14:15,231 --> 00:14:16,698 YOU CAN STAND THERE WITH THE ARROGANCE 442 00:14:16,698 --> 00:14:18,098 AND ALL THE BRAVADO IN THE WORLD... 443 00:14:18,098 --> 00:14:19,098 OKAY. 444 00:14:19,098 --> 00:14:21,498 BUT WHEN SOMETHING , CHEF-- 445 00:14:21,498 --> 00:14:23,498 THEN WE'LL FIX IT. WE'LL FIX IT. 446 00:14:23,498 --> 00:14:25,031 I DON'T THINK YOU CARE ABOUT FIXING IT. 447 00:14:25,031 --> 00:14:26,231 NO ONE'S TOLD ME IT WAS. 448 00:14:26,231 --> 00:14:27,764 I'M NOT GONNA STAND THERE AND KISS YOUR ASS. 449 00:14:27,764 --> 00:14:29,298 I DIDN'T ASK YOU TO. WELL, I'M UPSET. 450 00:14:29,298 --> 00:14:33,498 BUT YOU SEEM TO BE CONTENT TO GET PAID TO SERVE. 451 00:14:33,498 --> 00:14:36,064 DOES ANYONE HAVE ANY STANDARDS IN HERE? 452 00:14:37,698 --> 00:14:38,830 I DO. LISA? 453 00:14:38,830 --> 00:14:39,764 I DO. LISA? 454 00:14:39,764 --> 00:14:42,031 WERE YOU SERVING FOOD LIKE THIS EIGHT YEARS AGO? 455 00:14:42,031 --> 00:14:43,998 I DON'T FEEL QUALIFIED 456 00:14:43,998 --> 00:14:46,064 TO COMMENT ON WHAT'S COMING OUT OF THE KITCHEN. 457 00:14:46,064 --> 00:14:48,298 THAT WOULD BE MARC. 458 00:14:48,298 --> 00:14:54,131 RIGHT NOW, THIS RESTAURANT IS A WASTE OF AN OCEAN VIEW, 459 00:14:54,131 --> 00:14:57,298 BUT YOU CAN SOLVE THIS. YOU KNOW THAT? 460 00:14:57,298 --> 00:14:59,331 CLOSE THE SHOP. 461 00:15:01,431 --> 00:15:04,098 I'M LOST FOR WORDS. 462 00:15:05,531 --> 00:15:06,564 WITH CHEF RAMSAY 463 00:15:06,564 --> 00:15:08,664 EXPOSING A LOT OF OUR PROBLEMS, 464 00:15:08,664 --> 00:15:08,830 IT'S OVERWHELMING. 465 00:15:08,830 --> 00:15:11,664 IT'S OVERWHELMING. 466 00:15:13,398 --> 00:15:15,331 WITH LITTLE TIME 467 00:15:15,331 --> 00:15:17,598 TO GET OVER THE BRUTAL CRITICISM FROM CHEF RAMSAY... 468 00:15:17,598 --> 00:15:18,698 THAT WAS AWFUL. 469 00:15:18,698 --> 00:15:19,998 LISA AND MARC 470 00:15:19,998 --> 00:15:21,331 PREPARE FOR DINNER SERVICE. 471 00:15:21,331 --> 00:15:23,064 STAY AHEAD OF THE GAME, BOYS. 472 00:15:23,064 --> 00:15:24,498 AND WITH IT BEING SUMMERTIME... 473 00:15:24,498 --> 00:15:25,498 HOW ARE YOU, DARLING? 474 00:15:25,498 --> 00:15:26,498 BAREFOOT BOB'S 475 00:15:26,498 --> 00:15:27,598 IS FILLING UP QUICKLY. 476 00:15:27,598 --> 00:15:29,331 WOULD YOU GUYS LIKE TO START WITH AN APPETIZER? 477 00:15:29,331 --> 00:15:30,464 POPCORN SHRIMP. OKAY. 478 00:15:30,464 --> 00:15:33,031 UH, LISA. NOW, ARE YOU JUST HOSTESSING? 479 00:15:33,031 --> 00:15:34,031 ARE YOU JUST-- 480 00:15:36,231 --> 00:15:38,131 OVERSEEING. OKAY, GOOD, AND, UM, 481 00:15:38,131 --> 00:15:38,830 WHO'S THAT GENTLEMAN WITH THE CAP ON BEHIND THE BAR? 482 00:15:38,830 --> 00:15:39,664 WHO'S THAT GENTLEMAN WITH THE CAP ON BEHIND THE BAR? 483 00:15:41,398 --> 00:15:42,398 ROBBY? 484 00:15:42,398 --> 00:15:44,531 OH. 485 00:15:44,531 --> 00:15:46,164 HOLY CRAP. JESSICA? 486 00:15:46,164 --> 00:15:47,231 YES? 487 00:15:47,231 --> 00:15:48,398 IS THAT A CRYSTAL BALL ON THE TABLE? 488 00:15:48,398 --> 00:15:49,398 YEAH, SHE'S A PSYCHIC READER. 489 00:15:49,398 --> 00:15:50,564 OH. 490 00:15:50,564 --> 00:15:51,564 IT'S KIND OF LIKE A PROMOTION 491 00:15:51,564 --> 00:15:52,598 TO BRING PEOPLE IN. 492 00:15:52,598 --> 00:15:53,764 AND DOES SHE CHARGE? 493 00:15:53,764 --> 00:15:55,031 YEAH, SHE GETS PAID THROUGH THE RESTAURANT. 494 00:15:55,031 --> 00:15:56,298 OH, WOW. 495 00:15:56,298 --> 00:15:58,698 IT'S A LITTLE ODD, I HAVE TO ADMIT, 496 00:15:58,698 --> 00:16:01,531 THAT THERE'S A PSYCHIC IN A TIKI RESTAURANT, 497 00:16:01,531 --> 00:16:02,764 READING YOUR PALM. 498 00:16:02,764 --> 00:16:04,564 WOW. 499 00:16:05,631 --> 00:16:07,031 HELLO. HOW ARE YOU? 500 00:16:07,031 --> 00:16:08,231 HI. GOOD. HOW ARE YOU? YEAH, VERY WELL, THANK YOU. 501 00:16:08,231 --> 00:16:08,830 I'VE NEVER SEEN A PSYCHIC BEFORE. 502 00:16:08,830 --> 00:16:09,764 I'VE NEVER SEEN A PSYCHIC BEFORE. 503 00:16:09,764 --> 00:16:10,764 OH. AMAZING. 504 00:16:10,764 --> 00:16:11,998 AND WHERE DID YOU TRAIN? 505 00:16:11,998 --> 00:16:12,998 UM... 506 00:16:12,998 --> 00:16:14,331 I'VE ALWAYS WANTED TO DO IT, 507 00:16:14,331 --> 00:16:15,631 AND THEN I JUST STARTED READING, 508 00:16:15,631 --> 00:16:17,998 AND I'VE LEARNED THAT THINGS WERE COMING THROUGH 509 00:16:17,998 --> 00:16:19,264 THAT I WAS THINKING. 510 00:16:19,264 --> 00:16:21,398 WHAT WAS THE FIRST FORTUNE YOU PREDICTED? 511 00:16:23,364 --> 00:16:24,731 MY GIRLFRIEND WAS TRYING TO GET PREGNANT... 512 00:16:24,731 --> 00:16:27,398 OKAY. AND I TOLD HER I SAW A GIRL. 513 00:16:27,398 --> 00:16:28,698 AND SHE GOT PREGNANT WITH A GIRL. 514 00:16:28,698 --> 00:16:32,531 I MEAN, A GIRL, BOY, 50/50, SO IT'S NOT THAT IMPRESSIVE. 515 00:16:32,531 --> 00:16:34,764 HOWEVER, I'VE GOT SOME QUESTIONS 516 00:16:34,764 --> 00:16:36,464 ABOUT THIS RESTAURANT. COULD YOU HELP ME? 517 00:16:36,464 --> 00:16:38,198 OKAY. CAN THIS RESTAURANT SURVIVE 518 00:16:38,198 --> 00:16:38,830 FOR THE NEXT SIX MONTHS? 519 00:16:38,830 --> 00:16:39,331 FOR THE NEXT SIX MONTHS? 520 00:16:39,331 --> 00:16:40,998 YOU'RE ASKING ME MY PSYCHIC OPINION ON THAT? 521 00:16:40,998 --> 00:16:44,398 OPINION OR PREDICTION? 'CAUSE YOU'RE CONFUSING ME NOW. 522 00:16:44,398 --> 00:16:47,098 ALL RIGHT, I'M GONNA LOOK AT THE CARDS THEN. 523 00:16:47,098 --> 00:16:49,098 OH, MY GOSH. 524 00:16:49,098 --> 00:16:50,398 WELL, THIS SAYS THAT IT'S A KINK IN THE SYSTEM 525 00:16:50,398 --> 00:16:51,498 THAT'S NOT WORKING. OH. 526 00:16:51,498 --> 00:16:52,631 SEE, THERE'S, LIKE, A BREAKUP, LIKE, A BREAK. 527 00:16:52,631 --> 00:16:53,631 LIKE, A LITERAL, LIKE, SHATTER. OH. 528 00:16:53,631 --> 00:16:54,764 SOMETHING NEEDS TO SPLIT UP. 529 00:16:54,764 --> 00:16:56,031 SOMEBODY NEEDS TO BE LET GO OF. 530 00:16:56,031 --> 00:16:57,031 LIKE THE OWNERS? 531 00:16:57,031 --> 00:16:58,064 POSSIBLY. 532 00:16:58,064 --> 00:16:59,431 OH, BOY. 533 00:16:59,431 --> 00:17:01,264 THIS IS LITERALLY A DIVORCE CARD. 534 00:17:01,264 --> 00:17:03,364 WOW. 535 00:17:03,364 --> 00:17:04,598 AND IS THIS IMMINENT? ARE WE TALKING 536 00:17:04,598 --> 00:17:06,464 THE NEXT SIX MONTHS, THREE MONTHS, THREE DAYS? 537 00:17:06,464 --> 00:17:08,698 HONESTLY, IT FEELS LIKE IT'S A PROCESS, 538 00:17:08,698 --> 00:17:08,830 BUT THERE'S A LOT OF FORGIVENESS 539 00:17:08,830 --> 00:17:09,698 BUT THERE'S A LOT OF FORGIVENESS 540 00:17:09,698 --> 00:17:10,698 THAT NEEDS TO HAPPEN, 541 00:17:10,698 --> 00:17:12,031 BUT IT FEELS LIKE IT IS POSSIBLE. 542 00:17:12,031 --> 00:17:13,198 SO HAPPY ENDING. 543 00:17:13,198 --> 00:17:16,364 IF THEY CAN DO THE WORK THAT THEY NEED TO DO. RIGHT? 544 00:17:19,998 --> 00:17:22,064 ALL RIGHT, HERE WE GO. BAR FOOD. 545 00:17:22,064 --> 00:17:23,131 GONNA SELL THAT. HERE YOU GO. 546 00:17:23,131 --> 00:17:24,364 ALL RIGHT, COME ON. HERE. 547 00:17:24,364 --> 00:17:27,731 FOUR SLIDERS. SEND IT. SEND IT, SEND IT. BYE-BYE. 548 00:17:27,731 --> 00:17:29,131 ALL RIGHT, FRIED SCALLOPS. 549 00:17:29,131 --> 00:17:30,164 SANTA FE EGG ROLLS. 550 00:17:30,164 --> 00:17:31,164 BOWL OF CHOWDER. 551 00:17:31,164 --> 00:17:32,731 OH, DEAR. 552 00:17:32,731 --> 00:17:34,198 DOES FOOD NORMALLY GET THROWN OUT OF THE KITCHEN 553 00:17:34,198 --> 00:17:35,331 THAT FAST? YEAH. 554 00:17:35,331 --> 00:17:36,664 YEAH? NORMALLY? IT NORMALLY COMES OUT 555 00:17:36,664 --> 00:17:38,198 AT A GOOD PACE. RIGHT. 556 00:17:38,198 --> 00:17:38,830 AND IS LISA NORMALLY WORKING LIKE THIS? 557 00:17:38,830 --> 00:17:40,398 AND IS LISA NORMALLY WORKING LIKE THIS? 558 00:17:40,398 --> 00:17:44,664 UM... LISA'S NOT REALLY HERE MOST OF THE TIME. 559 00:17:44,664 --> 00:17:47,464 REALLY? EVER? VERY RARELY. 560 00:17:47,464 --> 00:17:50,164 WOW, BUT EVERYONE SEEMS TO BE TIPTOEING OVER THIS SITUATION 561 00:17:50,164 --> 00:17:52,064 BECAUSE I DON'T THINK EVERYONE ACTUALLY UNDERSTANDS 562 00:17:52,064 --> 00:17:53,464 HOW MUCH IS ON HIS SHOULDERS. 563 00:17:53,464 --> 00:17:54,598 OH, YEAH. 564 00:17:54,598 --> 00:17:56,464 IT GETS VERY FRUSTRATING THAT LISA'S NOT HERE 565 00:17:56,464 --> 00:17:59,198 WHILE MARC IS HERE EVERY DAY, BUSTING HIS BUTT. 566 00:17:59,198 --> 00:18:00,631 EVERYTHING'S DEPENDENT ON HIM, 567 00:18:00,631 --> 00:18:04,198 AND IT'S JUST SO MUCH STRESS ON HIM THAT'S UNNECESSARY. 568 00:18:04,198 --> 00:18:06,564 IT SHOULD BE BALANCED OUT BETWEEN THE TWO OF THEM. 569 00:18:06,564 --> 00:18:07,731 THE RESTAURANT'S BEATING HIM 570 00:18:07,731 --> 00:18:08,830 INTO A PULP. OH, YEAH. 571 00:18:08,830 --> 00:18:09,131 INTO A PULP. OH, YEAH. 572 00:18:09,131 --> 00:18:11,164 HE'S HAD HEAT STROKES. HE'S HAD-- 573 00:18:11,164 --> 00:18:13,064 REALLY? YEAH. 574 00:18:13,064 --> 00:18:14,564 AND LISA CAN'T HELP OUT A BIT MORE? 575 00:18:16,698 --> 00:18:19,331 IT'S VERY SAD. THERE'S JUST NO WORDS 576 00:18:19,331 --> 00:18:21,031 TO DESCRIBE HOW BAD I FEEL FOR HIM 577 00:18:21,031 --> 00:18:22,398 BECAUSE HE'S KILLING HIMSELF HERE. 578 00:18:22,398 --> 00:18:24,598 THANK YOU, DARLING. NO PROBLEM. 579 00:18:24,598 --> 00:18:26,331 HOW IS EVERYTHING? 580 00:18:26,331 --> 00:18:27,331 IS THERE SOMETHING WRONG? 581 00:18:28,398 --> 00:18:29,498 OVERCOOKED? A LITTLE TOO WELL-DONE? 582 00:18:31,598 --> 00:18:33,331 I CAN SEND IT BACK. 583 00:18:33,331 --> 00:18:34,531 WHILE MARC QUICKLY PUSHES FOOD 584 00:18:34,531 --> 00:18:37,764 OUT TO THE DINING ROOM... 585 00:18:37,764 --> 00:18:38,830 CUSTOMERS ARE RETURNING THE FAVOR 586 00:18:38,830 --> 00:18:39,464 CUSTOMERS ARE RETURNING THE FAVOR 587 00:18:39,464 --> 00:18:41,998 AND PUSHING IT RIGHT BACK INTO THE KITCHEN. 588 00:18:41,998 --> 00:18:43,698 MARC, THESE JUST GOT SENT BACK 589 00:18:43,698 --> 00:18:45,064 'CAUSE THEY'RE COLD ON THE INSIDE. 590 00:18:45,064 --> 00:18:46,064 WHAT? 591 00:18:46,064 --> 00:18:47,064 YEAH, IT'S COLD. 592 00:18:47,064 --> 00:18:48,098 OKAY. 593 00:18:48,098 --> 00:18:49,098 THEY WANT A NEW ORDER. 594 00:18:49,098 --> 00:18:50,164 YEAH, COMING RIGHT NOW. 595 00:18:50,164 --> 00:18:51,298 MARC. OH, NO. 596 00:18:51,298 --> 00:18:53,131 CAN I HAVE AN ORDER OF CHICKEN TENDERS 597 00:18:53,131 --> 00:18:55,031 'CAUSE THEY DON'T LIKE THEIR CHICKEN PARM, PLEASE? 598 00:18:55,031 --> 00:18:56,464 YEAH, I KNOW. ALL RIGHT, TWO MINUTES. 599 00:18:56,464 --> 00:18:58,731 THERE'S THE MONTH'S PROFITS. 600 00:18:58,731 --> 00:19:01,998 TURKEY TIPS, THAI CHILI-- WHOA! COME ON,. 601 00:19:01,998 --> 00:19:03,031 NOW THAT CHEF RAMSAY 602 00:19:03,031 --> 00:19:04,598 HAS OBSERVED THE PATTERN 603 00:19:04,598 --> 00:19:06,698 OF FAST FOOD FOLLOWED BY FAST RETURNS... 604 00:19:06,698 --> 00:19:08,830 THIS PIZZA JUST GOT SENT BACK. 605 00:19:08,830 --> 00:19:08,998 THIS PIZZA JUST GOT SENT BACK. 606 00:19:08,998 --> 00:19:10,998 HE DECIDES TO DO AN EXAMINATION 607 00:19:10,998 --> 00:19:12,998 OF THE FOOD STORAGE. 608 00:19:16,331 --> 00:19:19,531 OH. THIS FRIDGE IS DREADFUL. 609 00:19:19,531 --> 00:19:21,998 WOW, CHICKEN BREASTS. 610 00:19:21,998 --> 00:19:24,264 OH, MY GOD, JUST DUMPED IN THERE. 611 00:19:24,264 --> 00:19:27,231 NOT EVEN TAKEN OUT OF THE BAG, THAT'S HOW LAZY THEY'VE BECOME, 612 00:19:27,231 --> 00:19:29,498 AND THE WHOLE FRIDGE IS NOT EVEN CHILLED. 613 00:19:29,498 --> 00:19:31,264 IT'S WARM, IT'S NOT A DECENT TEMPERATURE. 614 00:19:31,264 --> 00:19:34,664 ON THE FLOOR HERE, WHAT IS THAT? 615 00:19:34,664 --> 00:19:37,331 UNBELIEVABLE. 616 00:19:37,331 --> 00:19:38,830 PORK BELLY IN A CARRIER BAG ON THE FLOOR. 617 00:19:38,830 --> 00:19:41,231 PORK BELLY IN A CARRIER BAG ON THE FLOOR. 618 00:19:41,231 --> 00:19:44,464 NEXT TO THE PORK BELLY, YOU GOT COOKED CHICKEN. 619 00:19:44,464 --> 00:19:49,031 IT'S ACTUALLY HOT INSIDE, JUST FESTERED IN THERE. 620 00:19:49,031 --> 00:19:50,498 THAT SAT NEXT TO THE PORK BELLY, 621 00:19:50,498 --> 00:19:52,098 AND YOU GOT COOKED CHICKEN. 622 00:19:52,098 --> 00:19:54,031 COOKED CHICKEN, RAW PORK. 623 00:19:57,364 --> 00:20:01,731 WHAT THE IS THAT? SOME FORM OF CHILI. AY-YI-YI. 624 00:20:01,731 --> 00:20:03,531 OUT OF SALMON. THAT WAS THE LAST ONE. 625 00:20:03,531 --> 00:20:05,064 EXCUSE ME. HELLO. 626 00:20:05,064 --> 00:20:07,498 YOU AND YOU, COME HERE. 627 00:20:08,498 --> 00:20:08,830 LOOK, THAT IS A PORK. OH, WHAT? 628 00:20:08,830 --> 00:20:11,331 LOOK, THAT IS A PORK. OH, WHAT? 629 00:20:11,331 --> 00:20:12,364 THAT'S PORK FAT. 630 00:20:12,364 --> 00:20:13,664 JUST HOLD THAT TWO SECONDS. 631 00:20:13,664 --> 00:20:16,631 THAT'S NEXT TO THIS, WINGS. 632 00:20:16,631 --> 00:20:19,064 AND THE TOP IS SOAKING WET 633 00:20:19,064 --> 00:20:21,631 BECAUSE IT'S FULL OF CONDENSATION. 634 00:20:21,631 --> 00:20:24,131 AND THIS, WHO GRABS THAT OUT OF THERE 635 00:20:24,131 --> 00:20:25,764 AND DOESN'T THINK ABOUT CHANGING THE BOWL? 636 00:20:25,764 --> 00:20:27,631 WHO CAN BE THAT DIRTY? 637 00:20:27,631 --> 00:20:29,198 CHILI? CHILI. 638 00:20:29,198 --> 00:20:31,064 ROUND THE OUTSIDE. 639 00:20:31,064 --> 00:20:32,631 LOOK AT THE MESS OF THIS PLACE! 640 00:20:32,631 --> 00:20:34,631 IT'S RIDICULOUS! 641 00:20:34,631 --> 00:20:36,731 SOMEONE, MAN UP! 642 00:20:36,731 --> 00:20:38,830 YOUNG MAN, YOU ARE RUNNING A BUSINESS. 643 00:20:38,830 --> 00:20:39,264 YOUNG MAN, YOU ARE RUNNING A BUSINESS. 644 00:20:39,264 --> 00:20:41,731 HOT WINGS NEXT TO RAW PORK! 645 00:20:41,731 --> 00:20:44,198 YOU'LL KILL EVERYBODY! 646 00:20:55,418 --> 00:20:56,452 AFTER SEEING FOOD 647 00:20:56,452 --> 00:20:57,785 CONSTANTLY COME BACK... 648 00:20:57,785 --> 00:20:59,452 ALL RIGHT, THIS PIZZA JUST GOT SENT BACK. 649 00:20:59,452 --> 00:21:00,885 CHEF RAMSAY HEADED 650 00:21:00,885 --> 00:21:04,185 TO THE WALK-IN, AND WHAT HE FOUND WAS SIMPLY DISGUSTING. 651 00:21:04,185 --> 00:21:06,218 HOT WINGS NEXT TO RAW PORK! 652 00:21:06,218 --> 00:21:08,085 YOU'LL KILL EVERYBODY! 653 00:21:08,085 --> 00:21:10,852 ARE THESE FRIDGES OUT HERE BEHIND THE LINE THE SAME WAY? 654 00:21:10,852 --> 00:21:12,518 AFTER A SERVICE, THEY'RE PROBABLY DIRTY. 655 00:21:12,518 --> 00:21:14,785 SHOW ME. 656 00:21:14,785 --> 00:21:16,285 I DIDN'T REALIZE IT WAS THIS BAD, 657 00:21:16,285 --> 00:21:19,285 AND THAT'S A PRETTY AWFUL FEELING. 658 00:21:19,285 --> 00:21:20,875 WHAT THE? 659 00:21:20,875 --> 00:21:20,885 WHAT THE? 660 00:21:20,885 --> 00:21:21,952 WHAT IS THAT? 661 00:21:21,952 --> 00:21:23,152 IT'S A PI--IT WAS A PIZZA. 662 00:21:23,152 --> 00:21:25,052 IT WAS A PIZZA. 663 00:21:25,052 --> 00:21:27,952 WHAT IS THAT ONE? HOW OLD IS THAT ONE THEN? 664 00:21:27,952 --> 00:21:29,052 THIS ONE--THAT ONE'S GOT TO GO. 665 00:21:29,052 --> 00:21:31,218 YOU SERIOUSLY COOK THAT FOR A CUSTOMER? 666 00:21:31,218 --> 00:21:32,785 CAN'T. 667 00:21:32,785 --> 00:21:34,385 AND THIS ONE? 668 00:21:34,385 --> 00:21:36,985 I MEAN, LOOK AT IT. 669 00:21:36,985 --> 00:21:38,318 COUNT HOW MANY PIZZAS ARE HERE, PLEASE. 670 00:21:38,318 --> 00:21:40,418 HEY, AND FOR ME, THIS IS MONEY NOW. 671 00:21:40,418 --> 00:21:41,918 25. 672 00:21:41,918 --> 00:21:43,785 25. WHAT ARE YOU EXPECTING, 673 00:21:43,785 --> 00:21:46,152 A CRUISE SHIP WITH 2,000 PEOPLE COMING IN? 674 00:21:46,152 --> 00:21:49,885 AND THEN YOU LEAVE THAT SITTING THERE--LOOK. 675 00:21:49,885 --> 00:21:50,875 YOU LEAVE THAT SITTING THERE. YOU CAN'T TAKE THAT OUT? 676 00:21:50,875 --> 00:21:52,918 YOU LEAVE THAT SITTING THERE. YOU CAN'T TAKE THAT OUT? 677 00:21:52,918 --> 00:21:54,185 WHAT'S THAT? 678 00:21:54,185 --> 00:21:55,285 OH, NO. 679 00:21:55,285 --> 00:21:56,285 WHAT IS THAT, PLEASE? 680 00:21:56,285 --> 00:21:57,418 THAT'S A HIDER. IS THAT TUNA? 681 00:21:57,418 --> 00:21:58,418 THAT'S A WHAT? 682 00:21:58,418 --> 00:21:59,418 AW,. 683 00:21:59,418 --> 00:22:01,752 A TUNA. 684 00:22:01,752 --> 00:22:03,485 THAT IS A WHAT? 685 00:22:03,485 --> 00:22:06,152 OH, ME. 686 00:22:06,152 --> 00:22:07,885 AND WHEN WAS THIS LAST CLEANED? 687 00:22:07,885 --> 00:22:08,985 THAT-- 688 00:22:08,985 --> 00:22:10,118 DON'T, DON'T, DON'T, DON'T, 689 00:22:10,118 --> 00:22:11,218 DON'T, DON'T YOU DARE TRY 690 00:22:11,218 --> 00:22:12,352 TO TELL ME THAT WAS DONE FROM LAST NIGHT. 691 00:22:12,352 --> 00:22:13,452 OH, GOD, NO. GOD, NO. 692 00:22:13,452 --> 00:22:14,752 NO, NO, NO. NO. 693 00:22:14,752 --> 00:22:17,118 THAT I MISSED. 694 00:22:17,118 --> 00:22:19,985 WOW, WHAT A MESS. 695 00:22:20,985 --> 00:22:22,152 IF THERE'S ONE THING 696 00:22:22,152 --> 00:22:24,985 YOU'RE GONNA HAVE TO LEARN, GET CLEANING, MARC. 697 00:22:24,985 --> 00:22:28,085 YOU'VE GOT NO IDEA ON THE HUNDREDS OF THOUSANDS OF DOLLARS 698 00:22:28,085 --> 00:22:30,518 THAT YOU'VE PISSED THROUGH YOUR HANDS. 699 00:22:35,885 --> 00:22:37,752 OH, BOY, OH, BOY, OH, BOY, OH, BOY. 700 00:22:45,385 --> 00:22:47,852 I'M ABSOLUTELY SPEECHLESS. 701 00:22:47,852 --> 00:22:50,875 THE WHOLE SETUP IS DYSFUNCTIONAL. 702 00:22:50,875 --> 00:22:51,352 THE WHOLE SETUP IS DYSFUNCTIONAL. 703 00:22:53,218 --> 00:22:54,985 THE WALK-IN. 704 00:22:54,985 --> 00:22:58,452 A WALK-IN PACKED FULL OF. 705 00:22:58,452 --> 00:23:00,918 WE'RE NOT TALKING HUNDREDS OF DOLLARS. 706 00:23:00,918 --> 00:23:03,018 WE'RE TALKING ABOUT THOUSANDS OF DOLLARS. 707 00:23:03,018 --> 00:23:05,252 DO YOU HAVE ANY IDEA WHAT THE REAL COSTS ARE? 708 00:23:05,252 --> 00:23:07,485 WHAT'S THE TOTAL PURCHASING? 709 00:23:09,085 --> 00:23:11,885 WHAT'S YOUR LABOR COST? 710 00:23:11,885 --> 00:23:15,218 WHAT'S OUR BREAKEVEN A WEEK? 711 00:23:23,385 --> 00:23:25,018 YOU DON'T KNOW? 712 00:23:25,018 --> 00:23:26,885 I HAVE NO IDEA. 713 00:23:26,885 --> 00:23:28,218 OH, COME ON. 714 00:23:28,218 --> 00:23:31,085 DON'T YOU DO THE BOOKS? 715 00:23:31,085 --> 00:23:33,385 DOES ANYBODY KNOW WHAT THE BREAKEVEN IS? 716 00:23:33,385 --> 00:23:36,952 WE SHOULD KNOW. WE DON'T. 717 00:23:36,952 --> 00:23:38,785 YOU DON'T KNOW. 718 00:23:40,152 --> 00:23:43,818 NOT ONE OF YOU, EIGHT YEARS DOWN THE LINE, 719 00:23:43,818 --> 00:23:49,318 KNOW WHAT YOU NEED TO TAKE TO SURVIVE? 720 00:23:52,818 --> 00:23:54,818 I'M. 721 00:23:59,985 --> 00:24:03,252 NO WONDER YOU RUN OUT OF MONEY. 722 00:24:11,318 --> 00:24:13,252 ALL RIGHT, I'M GONNA CLEAN. 723 00:24:19,352 --> 00:24:20,875 NO. JUST DON'T ASK. 724 00:24:20,875 --> 00:24:22,085 NO. JUST DON'T ASK. 725 00:24:34,452 --> 00:24:36,952 THIS SUCKS. 726 00:24:36,952 --> 00:24:38,352 IT'S GONNA BE A FEW-HOUR JOB, YEAH? 727 00:24:38,352 --> 00:24:39,352 ALL RIGHT. 728 00:24:49,018 --> 00:24:50,875 I'M FLOORED. 729 00:24:50,875 --> 00:24:51,018 I'M FLOORED. 730 00:24:51,018 --> 00:24:52,985 THERE WAS A LOT OF THINGS THAT WE THOUGHT WE KNEW, 731 00:24:52,985 --> 00:24:54,118 AND WE DON'T KNOW. 732 00:24:54,118 --> 00:24:55,352 THAT'S DANGEROUS. 733 00:24:55,352 --> 00:24:56,752 THAT'S WHEN YOU FAIL, 734 00:24:56,752 --> 00:24:58,752 WHEN YOU DON'T KNOW WHAT YOU SHOULD KNOW. 735 00:25:13,118 --> 00:25:14,452 CHEF RAMSAY KNOWS 736 00:25:14,452 --> 00:25:17,218 THAT BAREFOOT BOB'S IS IN NEED OF A MAJOR TURNAROUND. 737 00:25:17,218 --> 00:25:18,985 PLEASE GO AND TAKE A SEAT THERE. 738 00:25:18,985 --> 00:25:20,252 HE ALSO REALIZES 739 00:25:20,252 --> 00:25:21,752 THAT THIS IS GOING TO ONLY HAPPEN 740 00:25:21,752 --> 00:25:24,918 IF MARC AND LISA ARE UNITED. 741 00:25:24,918 --> 00:25:27,018 YESTERDAY WAS A REAL TOUGH DAY. 742 00:25:27,018 --> 00:25:29,118 I WANT TO TALK ABOUT YOUR RELATIONSHIP 743 00:25:29,118 --> 00:25:30,285 BECAUSE THAT'S PARAMOUNT. 744 00:25:30,285 --> 00:25:32,318 BECAUSE YOU'RE NOT PARTNERS IN TERMS OF INVESTORS. 745 00:25:32,318 --> 00:25:34,752 YOU'RE HUSBAND AND WIFE. 746 00:25:34,752 --> 00:25:35,879 AND IT'S EASY TO FORGET. 747 00:25:35,879 --> 00:25:36,018 AND IT'S EASY TO FORGET. 748 00:25:36,018 --> 00:25:37,418 LISA, GO BACK TO THE BEGINNING, 749 00:25:37,418 --> 00:25:38,818 THE FIRST TIME YOU MET. 750 00:25:38,818 --> 00:25:40,518 WE HAD A LOT IN COMMON. MM-HMM. 751 00:25:40,518 --> 00:25:41,985 JUST HAD A LOT OF LAUGHS TOGETHER. 752 00:25:41,985 --> 00:25:43,118 WE HAD THE SAME PERSONALITY. 753 00:25:43,118 --> 00:25:44,885 HE KIND OF GOT ME. 754 00:25:44,885 --> 00:25:46,918 GREAT, BUT HERE'S THE IRONIC SCENARIO. 755 00:25:46,918 --> 00:25:49,218 YOU'VE GONE OFF IN DIFFERENT DIRECTIONS, 756 00:25:49,218 --> 00:25:51,785 AND THIS BUSINESS NEEDS BOTH OF YOU, 757 00:25:51,785 --> 00:25:55,785 AND UNLESS BOTH OF YOU GET ON THE SAME PAGE, 758 00:25:55,785 --> 00:25:58,318 THAT'S IT. IT'S GAME OVER. 759 00:25:58,318 --> 00:25:59,318 YEAH. 760 00:25:59,318 --> 00:26:04,218 LISA, THE BALANCE... ISN'T EQUAL. 761 00:26:04,218 --> 00:26:05,879 I WANT TO DO IT. I WANT TO TURN IT AROUND. 762 00:26:05,879 --> 00:26:05,952 I WANT TO DO IT. I WANT TO TURN IT AROUND. 763 00:26:05,952 --> 00:26:07,152 YOU SURE? POSITIVE. 764 00:26:07,152 --> 00:26:09,218 100%? 100%. 765 00:26:09,218 --> 00:26:10,752 YOU KNOW, I THINK WE JUST 766 00:26:10,752 --> 00:26:12,185 NEED TO WORK MORE AS A TEAM. 767 00:26:12,185 --> 00:26:16,852 I NEED TO FOCUS ON GETTING THAT BACK OF THE HOUSE PROPERLY RUN. 768 00:26:16,852 --> 00:26:19,052 I WANT YOU TO DO THE FRONT OF THE HOUSE, 769 00:26:19,052 --> 00:26:20,452 AND WE NEED TO TALK ABOUT IT. 770 00:26:20,452 --> 00:26:24,852 YOU KNOW, YOU'RE MY PARTNER, WHO I WANT TO BE WITH FOREVER. 771 00:26:24,852 --> 00:26:29,485 YOU KNOW? LET'S JUST REALLY WORK TOGETHER ON THIS, 772 00:26:29,485 --> 00:26:32,152 AND LET'S MAKE IT HAPPEN. WE CAN DO IT. 773 00:26:32,152 --> 00:26:33,818 I'M EXCITED TO TURN IT AROUND. 774 00:26:33,818 --> 00:26:35,452 RIGHT, NOW I GOT A SMILE. 775 00:26:35,452 --> 00:26:35,879 GOOD. THAT'S RIGHT, YEAH. 776 00:26:35,879 --> 00:26:37,385 GOOD. THAT'S RIGHT, YEAH. 777 00:26:37,385 --> 00:26:38,452 YEAH, THERE. 778 00:26:38,452 --> 00:26:39,818 BANG. DONE. 779 00:26:39,818 --> 00:26:41,452 YEAH, I FEEL OPTIMISTIC. 780 00:26:41,452 --> 00:26:42,852 I KNOW I CAN COMMIT MYSELF 781 00:26:42,852 --> 00:26:44,152 A LITTLE BIT MORE TO COMING BACK HERE. 782 00:26:46,085 --> 00:26:48,385 NOW, MARC AND I JUST NEED TO WORK IT OUT, 783 00:26:48,385 --> 00:26:50,852 RATHER THAN JUST WALKING IN SEPARATE DIRECTIONS. 784 00:26:50,852 --> 00:26:52,952 THIS HAS BEEN-- IF ANYTHING, 785 00:26:52,952 --> 00:26:54,885 IT'S MADE ME REALIZE HOW MUCH I LOVE YOU. 786 00:26:56,952 --> 00:26:58,185 GETTING THIS OFF MY CHEST 787 00:26:58,185 --> 00:27:00,052 ABOUT THE PROBLEMS THAT LISA AND I WERE HAVING 788 00:27:00,052 --> 00:27:02,918 IS JUST--IT'S RELIEVING. WE'RE BOTH ON BOARD. 789 00:27:02,918 --> 00:27:05,752 AND JUST TO HEAR IT FROM HER, THAT'S COMFORTING. 790 00:27:05,752 --> 00:27:05,879 SO THE ONE THING THAT STOOD IN MY MIND, THAT SHOCKED ME, 791 00:27:05,879 --> 00:27:10,085 SO THE ONE THING THAT STOOD IN MY MIND, THAT SHOCKED ME, 792 00:27:10,085 --> 00:27:13,818 WAS WHEN I ASKED YOU, WHAT WAS YOUR BREAKEVEN, 793 00:27:13,818 --> 00:27:15,485 AND YOUR RESPONSE WAS? 794 00:27:15,485 --> 00:27:17,085 I DON'T KNOW. 795 00:27:17,085 --> 00:27:19,185 THERE'S ONE THING I'VE GOT TO EMPHASIZE, 796 00:27:19,185 --> 00:27:23,352 IS THAT THIS BUSINESS NEEDS TO BE RUN LIKE A BUSINESS, 797 00:27:23,352 --> 00:27:25,885 AND YOU DON'T NEED A GENERAL MANAGER, 798 00:27:25,885 --> 00:27:27,352 THAT'S NOT GONNA MAKE THIS PLACE WORK, 799 00:27:27,352 --> 00:27:28,952 YOU DON'T NEED A NEW CHEF. 800 00:27:28,952 --> 00:27:32,418 WHAT YOU NEED RIGHT NOW, URGENTLY, 801 00:27:32,418 --> 00:27:34,952 IS AN ACCOUNTANT, AND HERE HE IS. 802 00:27:34,952 --> 00:27:35,879 PLEASE SAY GOOD MORNING TO TIM MCCLELLAN. 803 00:27:35,879 --> 00:27:37,752 PLEASE SAY GOOD MORNING TO TIM MCCLELLAN. 804 00:27:37,752 --> 00:27:38,752 HI. ARE YOU WELL? 805 00:27:38,752 --> 00:27:39,885 PLEASE, GOOD TO SEE YOU. GOOD MORNING. 806 00:27:39,885 --> 00:27:41,252 THIS IS MARC. NICE TO MEET YOU. MARC. 807 00:27:41,252 --> 00:27:42,485 HELLO, MARC. AND THIS IS LISA, HIS PARTNER. 808 00:27:42,485 --> 00:27:43,518 HI. NICE TO MEET YOU. 809 00:27:43,518 --> 00:27:47,785 THIS MAN KNOWS HOW TO RUN A BUSINESS. 810 00:27:47,785 --> 00:27:50,852 I'VE ARRANGED FOR HIM TO BE WITH YOU AS YOUR CONSULTANT. 811 00:27:50,852 --> 00:27:52,118 HE'LL PUT A BUSINESS PLAN TOGETHER, 812 00:27:52,118 --> 00:27:54,218 AND HE'LL COME UP WITH A BUDGET IN PLACE. 813 00:27:54,218 --> 00:27:56,185 THAT'S WHAT WE'VE ALWAYS NEEDED. 814 00:27:56,185 --> 00:27:58,818 A LOT OF TIMES, PEOPLE ARE GOOD AT WHAT THEY DO, 815 00:27:58,818 --> 00:28:00,418 BUT RUNNING THE BUSINESS ITSELF, 816 00:28:00,418 --> 00:28:02,085 YOU HAVE TO BRING IN SOME HELP. 817 00:28:02,085 --> 00:28:04,285 YEAH. LISA, I'VE NEVER SEEN YOU LOOK SO HAPPY. 818 00:28:04,285 --> 00:28:05,879 I'M... GIDDY. 819 00:28:05,879 --> 00:28:06,485 I'M... GIDDY. 820 00:28:06,485 --> 00:28:07,985 GOOD. 821 00:28:07,985 --> 00:28:09,985 PROBABLY THE MOST EXCITED PERSON TO EVER SEE AN ACCOUNTANT. 822 00:28:09,985 --> 00:28:11,985 THE BUSINESS WAS JUST SO MIND-BOGGLING 823 00:28:11,985 --> 00:28:13,385 THAT I DIDN'T THINK I'D EVER BE ABLE 824 00:28:13,385 --> 00:28:15,485 TO GET A HANDLE ON IT MYSELF. 825 00:28:15,485 --> 00:28:16,518 USE THIS TIME, GUYS. 826 00:28:16,518 --> 00:28:18,318 THIS MAN'S KEY TO MOVING FORWARD. 827 00:28:18,318 --> 00:28:19,318 THANK YOU. 828 00:28:24,952 --> 00:28:25,985 WITH LISA AND MARC 829 00:28:25,985 --> 00:28:27,452 SEEMINGLY ON THE SAME PAGE... 830 00:28:27,452 --> 00:28:29,318 MARC AND CHRIS, LET'S GO. 831 00:28:29,318 --> 00:28:30,818 CHEF RAMSAY TURNS HIS ATTENTION 832 00:28:30,818 --> 00:28:31,952 TO FIXING THE FOOD, 833 00:28:31,952 --> 00:28:34,518 BEGINNING WITH TWO NEW ENGLAND CLASSICS. 834 00:28:34,518 --> 00:28:35,879 AN AMAZING CLAM CHOWDER, 835 00:28:35,879 --> 00:28:35,952 AN AMAZING CLAM CHOWDER, 836 00:28:35,952 --> 00:28:37,218 FOLLOWED BY A STUNNING FISH AND CHIPS. 837 00:28:37,218 --> 00:28:38,252 OKAY. OKAY? 838 00:28:38,252 --> 00:28:39,818 LET'S GET THE CHOWDER GOING FIRST. 839 00:28:39,818 --> 00:28:41,952 HOT OIL FIRST, JUST A LITTLE TOUCH. 840 00:28:41,952 --> 00:28:43,818 BACON IN, YEAH? 841 00:28:43,818 --> 00:28:45,318 REALLY FRY THAT OFF. 842 00:28:45,318 --> 00:28:47,018 FISH AND CHIPS, INTO THE BOWL. 843 00:28:47,018 --> 00:28:49,118 I'VE GOT MY VODKA, WITH A TOUCH OF HONEY. 844 00:28:49,118 --> 00:28:50,818 I'VE NEVER HAD THIS KIND OF GUIDANCE 845 00:28:50,818 --> 00:28:52,852 FROM A MICHELIN-RATED CHEF EVER, 846 00:28:52,852 --> 00:28:55,318 AND JUST THE CHANCE TO LEARN FROM CHEF RAMSAY... 847 00:28:55,318 --> 00:28:56,318 IN. 848 00:28:56,318 --> 00:28:57,385 IT'S A VERY SPECIAL DEAL. 849 00:28:57,385 --> 00:28:58,485 VERY GOOD. 850 00:28:58,485 --> 00:28:59,785 YOU CAN REALLY TASTE THE CLAMS. 851 00:28:59,785 --> 00:29:01,752 WHAT YOU HAVEN'T GOT IS THE TASTE OF FLOUR. 852 00:29:01,752 --> 00:29:04,018 LET'S TAKE THEM OUT AND GIVE THE GIRLS A TASTE. 853 00:29:04,018 --> 00:29:05,879 I BELIEVE I LOST FOCUS, 854 00:29:05,879 --> 00:29:06,052 I BELIEVE I LOST FOCUS, 855 00:29:06,052 --> 00:29:08,452 AND I BELIEVE THAT MY FOOD STARTED TO SHOW IT. 856 00:29:08,452 --> 00:29:11,952 DELICIOUS FISH AND CHIPS DONE WITH A LITTLE BIT OF NOSTALGIA, 857 00:29:11,952 --> 00:29:13,318 A DELICIOUS CLAM CHOWDER, WOULD YOU BELIEVE? 858 00:29:13,318 --> 00:29:14,318 OOH. OOH. 859 00:29:14,318 --> 00:29:15,318 HAVE A TASTE. 860 00:29:15,318 --> 00:29:16,418 HAVING LISA BACK 861 00:29:16,418 --> 00:29:17,485 IN THE FRONT OF THE HOUSE IS GONNA LET ME 862 00:29:17,485 --> 00:29:19,085 FOCUS ON OUR FOOD 863 00:29:19,085 --> 00:29:21,852 AND WHAT NEEDS TO BE DONE TO OPERATE A PROPER KITCHEN. 864 00:29:21,852 --> 00:29:24,018 IT'S GONNA BE NICE TO HAVE MY PARTNER BACK. 865 00:29:24,018 --> 00:29:25,185 OH, MY GOD, THIS IS SO GOOD. 866 00:29:25,185 --> 00:29:26,385 AWESOME. THIS IS AMAZING. 867 00:29:28,518 --> 00:29:30,318 CLEARLY, ONE OF THE BIGGEST PROBLEMS 868 00:29:30,318 --> 00:29:31,752 AT THIS BEACHSIDE EATERY 869 00:29:31,752 --> 00:29:33,885 IS THE DRAMATIC DROP-OFF IN THE WINTER MONTHS. 870 00:29:33,885 --> 00:29:35,085 OKAY, COME AND STAND 871 00:29:35,085 --> 00:29:35,879 OVER HERE, PLEASE. 872 00:29:35,879 --> 00:29:36,185 OVER HERE, PLEASE. 873 00:29:36,185 --> 00:29:37,485 BUT CHEF RAMSAY HAS A PLAN 874 00:29:37,485 --> 00:29:38,785 TO TURN THAT AROUND. 875 00:29:38,785 --> 00:29:40,185 NOW, HERE'S THE THING, 876 00:29:40,185 --> 00:29:43,785 WE THINK THAT THE SUMMER IS THE ONLY TIME WE CAN SURVIVE, 877 00:29:43,785 --> 00:29:45,018 AND THE WINTER, WELL, WE JUST GOT TO ACCEPT IT. 878 00:29:45,018 --> 00:29:48,218 NO. WHEN YOU CONSIDER ALL THESE LITTLE TOWNS 879 00:29:48,218 --> 00:29:50,118 SURROUNDING YOU, COLLECTIVELY, 880 00:29:50,118 --> 00:29:52,918 YOU'VE GOT 100,000 LOCALS. 881 00:29:52,918 --> 00:29:54,352 SO TOMORROW, WE'RE RELAUNCHING THIS PLACE 882 00:29:54,352 --> 00:29:56,785 WITH A MUCH SMALLER MENU, BUT TODAY, 883 00:29:56,785 --> 00:29:58,018 WE'RE GONNA DO A LITTLE MARKETING. 884 00:29:58,018 --> 00:30:00,352 WE'RE GONNA GO AND REACH OUT TO THE LOCALS. 885 00:30:00,352 --> 00:30:03,118 SO WE'VE GOT SOME HIP T-SHIRTS THAT ARE GONNA 886 00:30:03,118 --> 00:30:05,879 GET THAT MESSAGE OUT THERE LOUD AND CLEAR. 887 00:30:05,879 --> 00:30:06,185 GET THAT MESSAGE OUT THERE LOUD AND CLEAR. 888 00:30:06,185 --> 00:30:08,885 GET THESE ON. LET'S GO, LET'S GO, LET'S GO. 889 00:30:13,752 --> 00:30:14,885 WHAT A GORGEOUS, LITTLE TOWN. 890 00:30:14,885 --> 00:30:16,885 BEAUTIFUL. I'M THINKING OF MOVING HERE. 891 00:30:16,885 --> 00:30:17,918 YOU SHOULD! 892 00:30:17,918 --> 00:30:19,018 I'M LISA, I'M THE OWNER, 893 00:30:19,018 --> 00:30:21,018 AND I'M VERY PROUD OF IT. 894 00:30:21,018 --> 00:30:22,018 THAT'S VERY GOOD. 895 00:30:22,018 --> 00:30:23,152 ISN'T IT GOOD? 896 00:30:23,152 --> 00:30:24,452 I NEVER EAT CLAM CHOWDER. NO? AND YOU LIKE IT? 897 00:30:24,452 --> 00:30:25,485 IT'S AWESOME, I LOVE IT. OH, GOOD, THAT'S GREAT. 898 00:30:25,485 --> 00:30:26,518 YOU'RE EATING IT? IT'S GOOD. 899 00:30:26,518 --> 00:30:27,518 LOOK AT THIS, SHE'S KILLING IT. 900 00:30:27,518 --> 00:30:28,518 WANT SOME CHOWDER DOWN HERE? 901 00:30:28,518 --> 00:30:29,518 I WOULD LOVE SOME. BAREFOOT BOB'S. 902 00:30:29,518 --> 00:30:30,518 WE HAVE GORDON RAMSAY HELPING US OUT, 903 00:30:30,518 --> 00:30:31,985 REDOING OUR MENU. 904 00:30:31,985 --> 00:30:34,218 IT IS GREAT THAT LISA'S OUT, GETTING HER HANDS DIRTY, 905 00:30:34,218 --> 00:30:35,452 GETTING TO PROMOTE HER OWN RESTAURANT. 906 00:30:35,452 --> 00:30:35,879 BEST FISH AND CHIPS AROUND. 907 00:30:35,879 --> 00:30:37,118 BEST FISH AND CHIPS AROUND. 908 00:30:37,118 --> 00:30:39,818 I DON'T THINK I'VE EVER SEEN HER THIS INVOLVED AND THIS EXCITED. 909 00:30:39,818 --> 00:30:41,118 YOU GUYS SHOULD COME DOWN AND VISIT US. 910 00:30:41,118 --> 00:30:42,252 OH, WE DEFINITELY WILL. 911 00:30:42,252 --> 00:30:44,152 IT'S ABSOLUTELY AMAZING. OH, GOOD, THANK YOU. 912 00:30:44,152 --> 00:30:45,218 I'LL COME BACK AND GET YOU ONE, OKAY? 913 00:30:45,218 --> 00:30:46,318 ALL RIGHT, THANK YOU. 914 00:30:46,318 --> 00:30:47,852 WE'LL SEE YOU AT BAREFOOT BOB'S. 915 00:30:49,818 --> 00:30:51,152 GOOD NIGHT. BYE, GUYS. 916 00:30:55,185 --> 00:30:56,852 COMING UP... 917 00:30:56,852 --> 00:30:58,818 THIS ISN'T GONNA WORK. 918 00:30:58,818 --> 00:31:00,252 CAN ONE BAD APPLE... 919 00:31:00,252 --> 00:31:01,318 ROBBY! 920 00:31:01,318 --> 00:31:02,318 SPOIL THE WHOLE BUNCH? 921 00:31:02,318 --> 00:31:04,085 I'M DONE. I QUIT. 922 00:31:04,085 --> 00:31:05,879 WILL LISA'S BROTHER'S NEGATIVE ATTITUDE... 923 00:31:05,879 --> 00:31:06,518 WILL LISA'S BROTHER'S NEGATIVE ATTITUDE... 924 00:31:06,518 --> 00:31:08,085 HE DOESN'T KNOW WHAT THE HE'S TALKING ABOUT. 925 00:31:08,085 --> 00:31:10,385 CREATE A NEW RIFT IN THE FAMILY... 926 00:31:10,385 --> 00:31:11,818 CAN'T HAVE THAT ATTITUDE. 927 00:31:11,818 --> 00:31:13,218 AND HAVE THE RELAUNCH 928 00:31:13,218 --> 00:31:14,285 SPINNING OUT OF CONTROL? 929 00:31:14,285 --> 00:31:16,485 FIND YOURSELF A NEW BAR MANAGER. 930 00:31:23,985 --> 00:31:25,352 WHILE YESTERDAY 931 00:31:25,352 --> 00:31:26,985 WAS A DAY IN WHICH THE WORD WAS SPREADING 932 00:31:26,985 --> 00:31:28,485 ABOUT THE NEW BAREFOOT BOB'S, 933 00:31:28,485 --> 00:31:32,185 OVERNIGHT, CHEF RAMSAY'S TEAM WAS MIRACULOUSLY CREATING IT. 934 00:31:32,185 --> 00:31:33,352 WELCOME. 935 00:31:33,352 --> 00:31:36,352 OH, MY GOODNESS. OH, MY GOODNESS. 936 00:31:36,352 --> 00:31:37,352 WOW. OH, MY GOD. 937 00:31:37,352 --> 00:31:38,352 AWESOME. 938 00:31:38,352 --> 00:31:39,818 THIS IS BEAUTIFUL. 939 00:31:39,818 --> 00:31:40,918 OH, MY GOD, I LOVE IT. 940 00:31:40,918 --> 00:31:44,052 WE HAVE CREATED A TRUE BEACHSIDE EATERY. 941 00:31:44,052 --> 00:31:45,052 WOW. 942 00:31:45,052 --> 00:31:46,085 OH, MY GOD. 943 00:31:46,085 --> 00:31:47,785 MAN, IT'S BEAUTIFUL. 944 00:31:47,785 --> 00:31:49,052 GONE IS THAT HIDEOUS 945 00:31:49,052 --> 00:31:51,785 TIKI BAR THEME AND THAT RIDICULOUS WALL COVERING. 946 00:31:51,785 --> 00:31:51,797 YOU'VE GOT THE WALLS PAINTED BLUE AND WHITE, 947 00:31:51,797 --> 00:31:54,185 YOU'VE GOT THE WALLS PAINTED BLUE AND WHITE, 948 00:31:54,185 --> 00:31:55,352 RESEMBLING THE WATER. 949 00:31:55,352 --> 00:31:56,885 GORGEOUS. 950 00:31:56,885 --> 00:32:00,185 WITH A STRONG IDENTITY, THAT STRONG, NAUTICAL FEEL. 951 00:32:00,185 --> 00:32:01,752 FROM TIKI TO CHIC-Y, LET ME TELL YOU. 952 00:32:01,752 --> 00:32:03,485 IT'S BEAUTIFUL. 953 00:32:03,485 --> 00:32:05,952 THIS IS BY FAR THE COOLEST, HIPPEST, 954 00:32:05,952 --> 00:32:07,085 GREATEST PLACE TO BE IN HULL NOW. 955 00:32:07,085 --> 00:32:08,818 - WOW. - WHAT DO YOU THINK? 956 00:32:08,818 --> 00:32:10,152 THIS IS AMAZING. THIS IS WHAT WE DREAMED 957 00:32:10,152 --> 00:32:11,785 THIS PLACE WAS GONNA BE. THIS IS IT. 958 00:32:11,785 --> 00:32:12,852 IS IT, MARC? 959 00:32:12,852 --> 00:32:13,885 THIS IS WHAT WE ENVISIONED WHEN WE BOUGHT IT. 960 00:32:13,885 --> 00:32:15,152 REALLY? 961 00:32:15,152 --> 00:32:17,185 I COULDN'T BE HAPPIER 962 00:32:17,185 --> 00:32:19,952 ABOUT BEING AN OWNER OF BAREFOOT BOB'S RIGHT NOW. 963 00:32:19,952 --> 00:32:21,797 THIS WAS OUR DREAM, BUT EVEN MY DREAM DIDN'T LOOK THIS GOOD. 964 00:32:21,797 --> 00:32:23,252 THIS WAS OUR DREAM, BUT EVEN MY DREAM DIDN'T LOOK THIS GOOD. 965 00:32:24,418 --> 00:32:26,052 NOW, ONE MORE THING. 966 00:32:26,052 --> 00:32:27,052 I WOULD LIKE TO 967 00:32:27,052 --> 00:32:29,785 INTRODUCE YOU TO... OH, MY, WOW. 968 00:32:29,785 --> 00:32:32,952 A STATE-OF-THE-ART P. O. S. SYSTEM 969 00:32:32,952 --> 00:32:36,318 FROM POSLAVU AND ZEPHYR HARDWARE. 970 00:32:36,318 --> 00:32:38,052 OH, MY GOD! 971 00:32:38,052 --> 00:32:40,885 OUR OLD P. O. S. SYSTEM WAS LIKE A DINOSAUR. 972 00:32:40,885 --> 00:32:42,018 IT WAS HORRID. 973 00:32:42,018 --> 00:32:43,352 NOW IT IS UNREAL. 974 00:32:43,352 --> 00:32:45,452 IT'S THE BEST THING I'VE EVER SEEN IN MY LIFE. 975 00:32:45,452 --> 00:32:47,885 IT'S GONNA BE OPERATED BY WIRELESS REMOTES. 976 00:32:47,885 --> 00:32:49,018 OH, GOOD LORD. OH, MY GOD. 977 00:32:49,018 --> 00:32:50,785 LISA, HERE'S THE GOOD NEWS. 978 00:32:50,785 --> 00:32:51,797 THIS BABY HERE WILL GIVE YOU AN HOUR-BY-HOUR RECORD 979 00:32:51,797 --> 00:32:55,118 THIS BABY HERE WILL GIVE YOU AN HOUR-BY-HOUR RECORD 980 00:32:55,118 --> 00:32:57,418 OF YOUR INVENTORY, YOUR PURCHASING. 981 00:32:57,418 --> 00:33:02,452 EVERY OUNCE OF DATA CAN BE FED STRAIGHT BACK TO TIM MCCLELLAN. 982 00:33:02,452 --> 00:33:05,218 EVERYTHING'S AMAZING, AND THIS IS JUST OVER THE TOP. 983 00:33:05,218 --> 00:33:07,252 NICE. 984 00:33:07,252 --> 00:33:08,485 THANK YOU. THANK YOU SO MUCH. 985 00:33:08,485 --> 00:33:09,485 THANK YOU. 986 00:33:09,485 --> 00:33:10,985 I'M SO HAPPY YOU'RE HAPPY. 987 00:33:10,985 --> 00:33:12,118 IT'S JUST NICE TO SEE HER HAPPY. 988 00:33:12,118 --> 00:33:14,385 THIS IS GONNA HELP HER WANT TO BE A PART 989 00:33:14,385 --> 00:33:15,985 OF WHAT WE'RE DOING HERE. 990 00:33:15,985 --> 00:33:17,885 I THINK THIS IS GONNA GIVE LISA AND I A FRESH START. 991 00:33:17,885 --> 00:33:19,118 THANK YOU VERY MUCH. GOOD? 992 00:33:19,118 --> 00:33:20,185 YEAH, THIS IS AWESOME. YEAH? 993 00:33:20,185 --> 00:33:21,285 TO GO ALONG 994 00:33:21,285 --> 00:33:21,797 WITH THE REVAMPED DINING ROOM... 995 00:33:21,797 --> 00:33:22,985 WITH THE REVAMPED DINING ROOM... 996 00:33:22,985 --> 00:33:24,218 TAKE A MENU, AND PASS ONE ALONG, PLEASE. 997 00:33:24,218 --> 00:33:26,018 CHEF RAMSAY HAS OVERHAULED 998 00:33:26,018 --> 00:33:28,252 THE MENU WITH THE FOCUS AND THE FINESSE 999 00:33:28,252 --> 00:33:30,785 OF THE DISHES THAT NEW ENGLAND IS FAMOUS FOR. 1000 00:33:30,785 --> 00:33:33,185 THE MENU'S BEEN CONDENSED, AND ALL THE HITS 1001 00:33:33,185 --> 00:33:36,118 HAVE BEEN PUT ON TO ONE MENU BUT REFINED. 1002 00:33:36,118 --> 00:33:37,885 OKAY. WHOA. 1003 00:33:37,885 --> 00:33:39,752 WHAT DO YOU THINK? 1004 00:33:39,752 --> 00:33:40,752 LET'S START OFF THE TOP OF THE MENU. 1005 00:33:40,752 --> 00:33:43,352 RAW OYSTERS, HALF ON THE SHELL, 1006 00:33:43,352 --> 00:33:44,852 MIGNONETTE PEPPER, CUCUMBER. 1007 00:33:44,852 --> 00:33:46,118 NEXT TO THAT, YOU'VE GOT A CRAB CAKE. 1008 00:33:46,118 --> 00:33:47,952 HOW CAN YOU BE ON THE BEACH WITH NO STUNNING CRAB CAKE? 1009 00:33:47,952 --> 00:33:49,352 OLD BAY, ONION, CELERY, AND MAYO. 1010 00:33:49,352 --> 00:33:51,352 SIMPLE, DELICIOUS. 1011 00:33:51,352 --> 00:33:51,797 NEXT, YOUR LOBSTER ROLL. 1012 00:33:51,797 --> 00:33:52,385 NEXT, YOUR LOBSTER ROLL. 1013 00:33:52,385 --> 00:33:53,985 POACHED LOBSTER WITH MAYONNAISE, 1014 00:33:53,985 --> 00:33:57,052 A SEMI-BRIOCHE ROLL, SERVED WITH A NICE TARRAGON. 1015 00:33:57,052 --> 00:33:58,218 WE'RE HERE TO MAKE MONEY, NOT LOSE IT. 1016 00:33:58,218 --> 00:33:59,218 RIGHT, LISA? RIGHT. 1017 00:33:59,218 --> 00:34:00,818 IF YOU'VE GOT QUALITY, 1018 00:34:00,818 --> 00:34:02,018 THEN LESS IS MORE, LET ME TELL YOU. 1019 00:34:02,018 --> 00:34:04,818 GOOD. DIG IN, GUYS. 1020 00:34:04,818 --> 00:34:05,952 THIS IS DELICIOUS. 1021 00:34:05,952 --> 00:34:07,252 OH, MY GOD, IT'S AMAZING. 1022 00:34:07,252 --> 00:34:08,252 HAPPY? 1023 00:34:08,252 --> 00:34:09,318 THIS IS UNBELIEVABLE. 1024 00:34:11,518 --> 00:34:14,185 I WILL STAB YOU WITH MY FORK. 1025 00:34:14,185 --> 00:34:16,085 CUSTOMERS WILL BE DOWN THE STREET, 1026 00:34:16,085 --> 00:34:18,752 AROUND THE CORNER, TRYING TO GET IN HERE TO GET THIS FOOD. 1027 00:34:18,752 --> 00:34:19,752 GET AWAY FROM MY CORN. 1028 00:34:19,752 --> 00:34:21,085 ARE YOU GUARDING THAT? 1029 00:34:25,952 --> 00:34:27,285 WITH THE GRAND REOPENING 1030 00:34:27,285 --> 00:34:30,352 JUST MINUTES AWAY, THE STAFF IS ANXIOUS TO OPEN THE DOORS. 1031 00:34:30,352 --> 00:34:31,352 IT'S GONNA BE 1032 00:34:31,352 --> 00:34:32,385 A GIGANTIC CHANGE. 1033 00:34:32,385 --> 00:34:33,985 YOU KNOW, AND EVERYBODY HERE KNOWS IT. 1034 00:34:33,985 --> 00:34:35,452 BUT LISA'S BROTHER, ROBBY... 1035 00:34:35,452 --> 00:34:36,452 THIS ISN'T GONNA WORK. 1036 00:34:36,452 --> 00:34:38,252 HAS HIS DOUBTS. 1037 00:34:38,252 --> 00:34:41,518 WE JUST LOST ALL OF OUR CUSTOMER BASE. GONE. 1038 00:34:41,518 --> 00:34:44,352 I'M PRETTY UPSET ABOUT THE WHOLE SITUATION. 1039 00:34:44,352 --> 00:34:48,485 I THINK THE LOOK IS A TERRIBLE CHANGE. 1040 00:34:50,885 --> 00:34:51,797 NO ONE'S GONNA COME IN AND WATCH A GAME HERE. 1041 00:34:51,797 --> 00:34:53,285 NO ONE'S GONNA COME IN AND WATCH A GAME HERE. 1042 00:34:53,285 --> 00:34:54,385 WHEN I LOOK AROUND AT THE RESTAURANT, 1043 00:34:54,385 --> 00:34:56,218 I DON'T SEE BAREFOOT BOB'S. 1044 00:34:56,218 --> 00:34:57,918 NOW YOU WALK IN, YOU THINK 1045 00:34:57,918 --> 00:35:00,018 YOU'RE AT SOME HOITY-TOITY, LITTLE YACHT CLUB. 1046 00:35:00,018 --> 00:35:02,285 IT'S THE COMPLETE OPPOSITE OF WHO WE ARE. 1047 00:35:02,285 --> 00:35:04,918 TRUTHFULLY, I THINK IT SUCKS. 1048 00:35:04,918 --> 00:35:05,985 I DON'T KNOW WHERE THE BLENDER WENT. 1049 00:35:05,985 --> 00:35:06,985 OH, HERE IT IS. 1050 00:35:06,985 --> 00:35:08,052 YEAH, YOU ARE GONNA BE GETTING 1051 00:35:08,052 --> 00:35:09,485 ALL THE FROZEN DRINKS THERE, ROBBY. 1052 00:35:09,485 --> 00:35:10,885 I DON'T THINK WE SHOULD DO FROZEN DRINKS ANYMORE. 1053 00:35:10,885 --> 00:35:12,918 WE'RE NOT THAT KIND OF RESTAURANT ANYMORE. 1054 00:35:12,918 --> 00:35:15,285 THIS BAR HAS NO CHANCE OF RUNNING SMOOTHLY TONIGHT. 1055 00:35:15,285 --> 00:35:16,918 THAT'S IT. I'M DONE. I QUIT. 1056 00:35:16,918 --> 00:35:18,018 I'M SORRY, I MEAN, 1057 00:35:18,018 --> 00:35:19,018 IT'S NOT LIKE THE GUY LIVES HERE. 1058 00:35:19,018 --> 00:35:20,352 THE GUY WAS HERE FOR THREE DAYS. 1059 00:35:20,352 --> 00:35:21,797 DOESN'T KNOW WHAT THE HE'S TALKING ABOUT. 1060 00:35:21,797 --> 00:35:22,085 DOESN'T KNOW WHAT THE HE'S TALKING ABOUT. 1061 00:35:22,085 --> 00:35:23,118 ROBBY! 1062 00:35:23,118 --> 00:35:24,752 FIND YOURSELF A NEW BAR MANAGER. 1063 00:35:34,285 --> 00:35:35,785 MINUTES BEFORE BAREFOOT BOB'S 1064 00:35:35,785 --> 00:35:37,152 IS READY TO OPEN FOR RELAUNCH... 1065 00:35:38,452 --> 00:35:39,852 THIS ISN'T GONNA WORK. 1066 00:35:39,852 --> 00:35:41,152 LISA'S BROTHER ROBBY 1067 00:35:41,152 --> 00:35:43,952 IS NOT EXACTLY PLEASED WITH CHEF RAMSAY'S CHANGES. 1068 00:35:43,952 --> 00:35:45,985 FIND YOURSELF A NEW BAR MANAGER. 1069 00:35:45,985 --> 00:35:47,285 WHERE IS HE GOING NOW? 1070 00:35:47,285 --> 00:35:50,285 WE GET PEOPLE DRUNK, AND WE FEED PEOPLE. 1071 00:35:50,285 --> 00:35:53,885 WE'RE NOT A FIVE-STAR RESTAURANT. 1072 00:35:53,885 --> 00:35:55,285 IS RAMSAY GONNA BE HERE TONIGHT? 1073 00:35:55,285 --> 00:35:57,118 'CAUSE I HAVE SOME REALLY GOOD WORDS FOR HIM. 1074 00:35:57,118 --> 00:35:59,753 "HEY, THANKS FOR UP OUR RESTAURANT." 1075 00:35:59,753 --> 00:36:00,252 "HEY, THANKS FOR UP OUR RESTAURANT." 1076 00:36:04,852 --> 00:36:06,252 OH. HOW ARE YOU DOING? 1077 00:36:06,252 --> 00:36:07,518 YOU ALL SET? YEAH? 1078 00:36:07,518 --> 00:36:09,185 GOOD. LIS, READY? READY. 1079 00:36:09,185 --> 00:36:10,385 GOOD, GOOD, GOOD. 1080 00:36:10,385 --> 00:36:11,852 ROBBY, ARE YOU HAPPY? 1081 00:36:11,852 --> 00:36:12,852 I HOPE THIS WORKS, MAN. 1082 00:36:12,852 --> 00:36:13,852 OH, DEAR. HEY. 1083 00:36:13,852 --> 00:36:14,852 WHAT DO YOU MEAN, "HOPE?" HEY. 1084 00:36:14,852 --> 00:36:15,985 I HOPE. 1085 00:36:15,985 --> 00:36:16,985 TALK TO ME. COME HERE. 1086 00:36:16,985 --> 00:36:17,985 WHAT'S WRONG? 1087 00:36:17,985 --> 00:36:20,018 WHY SO NEGATIVE? 1088 00:36:20,018 --> 00:36:21,252 YOU'VE GOT A FACE ON YOU LIKE YOU'VE JUST GIVEN UP. 1089 00:36:21,252 --> 00:36:22,852 I'M NOT GIVING UP, MAN. 1090 00:36:22,852 --> 00:36:23,952 YOU HAVEN'T GIVEN UP? WHAT'S THE MATTER? 1091 00:36:23,952 --> 00:36:25,352 JUST VERY SKEPTICAL. I JUST DON'T KNOW-- 1092 00:36:25,352 --> 00:36:26,818 SKEPTICAL ABOUT WHAT? 1093 00:36:26,818 --> 00:36:28,085 JUST THE SURROUNDINGS. 1094 00:36:28,085 --> 00:36:29,753 I'M WORRIED ABOUT OUR OLD CUSTOMERS COMING BACK. 1095 00:36:29,753 --> 00:36:30,952 I'M WORRIED ABOUT OUR OLD CUSTOMERS COMING BACK. 1096 00:36:30,952 --> 00:36:32,252 REALLY? YEAH. 1097 00:36:32,252 --> 00:36:33,785 THEY'RE A MEAT-AND-POTATOES GUY. 1098 00:36:33,785 --> 00:36:35,985 HAVE YOU BEEN DRINKING? THEY'RE--THEY'RE--NO. 1099 00:36:35,985 --> 00:36:37,952 I MEAN, HOW ARROGANT ARE YOU? 1100 00:36:37,952 --> 00:36:39,218 I'M NOT ARROGANT AT ALL. 1101 00:36:39,218 --> 00:36:41,152 SHALL I GIVE YOU A LITTLE INSIGHT, IF IT DOESN'T WORK? 1102 00:36:41,152 --> 00:36:44,018 THE RESTAURANT CLOSES, YOUR SISTER DIVORCES, 1103 00:36:44,018 --> 00:36:45,218 AND THEN YOU PICK UP THE PIECES. 1104 00:36:45,218 --> 00:36:46,452 WHERE THE ARE YOU GONNA WORK? 1105 00:36:46,452 --> 00:36:47,985 WHO'S GONNA EMPLOY YOU? 1106 00:36:47,985 --> 00:36:51,052 I DON'T KNOW IF YOU KNOW WHAT SIDE YOUR BREAD IS BUTTERED ON, 1107 00:36:51,052 --> 00:36:53,518 BUT ALL I'M ASKING IS COMMITMENT OF 100%, 1108 00:36:53,518 --> 00:36:55,418 ESPECIALLY IN FRONT OF YOUR TEAM. 1109 00:36:55,418 --> 00:36:56,985 EXACTLY. ALL RIGHT, BUDDY. COME ON. 1110 00:36:56,985 --> 00:36:58,085 I DON'T EVEN WANT TO SHAKE HANDS. 1111 00:36:58,085 --> 00:36:59,318 ALL RIGHT. YOU'VE UPSET ME. 1112 00:36:59,318 --> 00:36:59,753 JOKE. 1113 00:36:59,753 --> 00:37:01,052 JOKE. 1114 00:37:02,185 --> 00:37:03,352 HIM. 1115 00:37:03,352 --> 00:37:04,385 MARC, TWO SECONDS? 1116 00:37:04,385 --> 00:37:06,318 WHAT THE IS GOING ON OUT THERE? 1117 00:37:06,318 --> 00:37:08,985 HE SAYS THINGS AREN'T GONNA WORK. 1118 00:37:08,985 --> 00:37:11,818 DOES HE HAVE ANY IDEA WHERE WE ARE FINANCIALLY? YES. 1119 00:37:11,818 --> 00:37:12,818 IF ANYTHING, HE SHOULD BE SLEEPING HERE 1120 00:37:12,818 --> 00:37:13,818 TO MAKE SURE THIS THING WORKS. 1121 00:37:13,818 --> 00:37:14,818 EXACTLY. HE HAS TO BE ON BOARD. 1122 00:37:14,818 --> 00:37:16,352 LET ME TALK TO HIM. 1123 00:37:16,352 --> 00:37:18,952 I DON'T UNDERSTAND HOW HE'S NOT ON BOARD. 1124 00:37:18,952 --> 00:37:20,185 THAT'S REALLY UPSETTING. 1125 00:37:20,185 --> 00:37:22,085 WHAT KEEPS US ALIVE, WE LOST. 1126 00:37:22,085 --> 00:37:23,252 NO, WE DIDN'T. 1127 00:37:23,252 --> 00:37:25,318 WHAT WE HAD DIDN'T WORK. 1128 00:37:25,318 --> 00:37:26,385 CHANGE HAS TO HAPPEN. 1129 00:37:26,385 --> 00:37:28,518 WE GOT TO DO IT. DO YOU UNDERSTAND? 1130 00:37:28,518 --> 00:37:29,753 I'M NOT GONNA LET THIS OPPORTUNITY GO. 1131 00:37:29,753 --> 00:37:31,318 I'M NOT GONNA LET THIS OPPORTUNITY GO. 1132 00:37:31,318 --> 00:37:32,452 THIS IS WHAT WE GOT TO DO. 1133 00:37:32,452 --> 00:37:34,952 I'M NOT RUNNING THAT RESTAURANT THE WAY IT WAS. 1134 00:37:34,952 --> 00:37:36,885 I'M NOT GONNA SIT AND WATCH THIS RESTAURANT 1135 00:37:36,885 --> 00:37:38,285 CONTINUE TO GO INTO THE GROUND. 1136 00:37:38,285 --> 00:37:40,085 ALL OF US HAVE TO BE ON THE SAME PAGE. 1137 00:37:40,085 --> 00:37:43,385 CAN'T HAVE THAT ATTITUDE GOING FORWARD. 1138 00:37:43,385 --> 00:37:45,052 I HAVE A SHORT TEMPER. 1139 00:37:45,052 --> 00:37:47,752 CHANGE DOESN'T JUST SIT WELL WITH ME, 1140 00:37:47,752 --> 00:37:51,018 BUT AT THE END OF THE DAY, IF MARC AND LISA BELIEVES IN IT, 1141 00:37:51,018 --> 00:37:53,385 THEN THEY'RE MY FAMILY, AND I'M BEHIND THEM 100%. 1142 00:37:53,385 --> 00:37:54,885 THREE WEEKS FROM NOW AND WE'RE STILL PACKED, 1143 00:37:54,885 --> 00:37:55,952 AND IT'S WORKING, 1144 00:37:55,952 --> 00:37:57,318 YOU KNOW, YOU'RE WRONG. I KNOW. 1145 00:37:57,318 --> 00:37:59,753 I'M IN 110%. LET'S DO THIS. LET'S MAKE IT WORK. 1146 00:37:59,753 --> 00:37:59,885 I'M IN 110%. LET'S DO THIS. LET'S MAKE IT WORK. 1147 00:37:59,885 --> 00:38:02,152 THAT'S WHAT I WANT TO HEAR. THAT'S WHAT I WANT TO HEAR. 1148 00:38:06,985 --> 00:38:08,952 WELCOME TO THE NEW AND IMPROVED BAREFOOT BOB'S. 1149 00:38:08,952 --> 00:38:10,952 WITH MARC IN CHARGE OF THE KITCHEN... 1150 00:38:10,952 --> 00:38:11,952 LET'S GO. 1151 00:38:11,952 --> 00:38:13,418 RIGHT THIS WAY, FOLKS. 1152 00:38:13,418 --> 00:38:15,752 AND LISA CONTROLLING THE FRONT OF HOUSE... 1153 00:38:15,752 --> 00:38:16,785 THERE YOU GO. ENJOY, FOLKS. 1154 00:38:16,785 --> 00:38:17,885 TONIGHT'S RELAUNCH 1155 00:38:17,885 --> 00:38:20,185 WILL BE THE COUPLE'S FIRST BIG TEST. 1156 00:38:20,185 --> 00:38:21,185 SO IT WAS THREE CHOWDERS 1157 00:38:21,185 --> 00:38:23,252 TO START. YUP. 1158 00:38:23,252 --> 00:38:25,418 OKAY. 1159 00:38:25,418 --> 00:38:26,752 AMAZING. 1160 00:38:26,752 --> 00:38:29,185 I LOVE THE NEW P. O. S. SYSTEM. 1161 00:38:29,185 --> 00:38:29,753 IT'S JUST GONNA MAKE 1162 00:38:29,753 --> 00:38:30,852 IT'S JUST GONNA MAKE 1163 00:38:30,852 --> 00:38:32,318 EVERY SINGLE PART OF THE RESTAURANT RUN TOGETHER. 1164 00:38:32,318 --> 00:38:33,985 AND I'M SENDING. WE'RE ALL IN. 1165 00:38:33,985 --> 00:38:35,252 ORDER IN. 1166 00:38:35,252 --> 00:38:36,385 ALL RIGHT, HERE WE GO. 1167 00:38:36,385 --> 00:38:37,752 I GOT A CRAB CAKE. 1168 00:38:37,752 --> 00:38:39,185 CRAB CAKE HEARD, CHEF. 1169 00:38:39,185 --> 00:38:40,285 I WANT TO FIRE A BIG BUOY. 1170 00:38:40,285 --> 00:38:42,285 I WANT TO FIRE A FISH AND CHIPS, PLEASE. 1171 00:38:42,285 --> 00:38:43,352 HE'S GOT THE CHOWDER, 1172 00:38:43,352 --> 00:38:44,352 AND THAT'S WORKING. THAT'S WORKING. 1173 00:38:44,352 --> 00:38:45,352 GOOD. 1174 00:38:45,352 --> 00:38:47,118 FISH AND CHIPS. GOOD. 1175 00:38:47,118 --> 00:38:48,385 WITH THE FIRST ORDERS LEAVING THE KITCHEN... 1176 00:38:48,385 --> 00:38:51,118 I COME BEARING GIFTS. 1177 00:38:51,118 --> 00:38:53,352 BAREFOOT BOB'S IS OFF TO A SOLID START, 1178 00:38:53,352 --> 00:38:55,985 AND EVERYTHING SEEMS TO BE GOING ACCORDING TO PLAN. 1179 00:38:55,985 --> 00:38:57,352 I COULD EAT PROBABLY TWO OF THESE. 1180 00:38:57,352 --> 00:38:59,352 MMM. THIS IS DELICIOUS. 1181 00:38:59,352 --> 00:38:59,753 BUT AN HOUR INTO SERVICE... 1182 00:38:59,753 --> 00:39:01,418 BUT AN HOUR INTO SERVICE... 1183 00:39:01,418 --> 00:39:02,818 ORDER IN! 1184 00:39:02,818 --> 00:39:03,818 THERE'S A FLOOD OF TICKETS 1185 00:39:03,818 --> 00:39:04,985 COMING INTO THE KITCHEN. 1186 00:39:04,985 --> 00:39:06,852 TWO SCALLOPS I WANT TO FIRE UP. 1187 00:39:06,852 --> 00:39:08,385 A FISH AND CHIPS. I WANT TO FIRE UP A BIG BUOY. 1188 00:39:08,385 --> 00:39:09,918 AND MARC AND THE COOKS 1189 00:39:09,918 --> 00:39:11,385 ARE COMPLETELY BACKED UP. 1190 00:39:11,385 --> 00:39:13,218 ANOTHER CRAB CAKE FIRED. 1191 00:39:13,218 --> 00:39:14,918 I'M WAITING FOR A BIG BUOY. 1192 00:39:14,918 --> 00:39:15,985 IT'S COMING RIGHT NOW. 1193 00:39:15,985 --> 00:39:17,018 YOU GUYS GOT A LOBSTER ROLL COMING UP? 1194 00:39:17,018 --> 00:39:18,018 URGENTLY, PLEASE. 1195 00:39:18,018 --> 00:39:19,318 DID YOU PUT IT UP? 1196 00:39:19,318 --> 00:39:21,418 YOU DON'T HAVE IT? YOU DON'T HAVE THAT AT ALL? 1197 00:39:21,418 --> 00:39:23,885 WHAT HAPPENED WITH THAT CALAMARI AND CLAM STRIPS 1198 00:39:23,885 --> 00:39:25,052 THAT I THREW IN 45 MINUTES AGO? 1199 00:39:25,052 --> 00:39:26,352 LISTEN, THAT ONE'S COMING. 1200 00:39:26,352 --> 00:39:28,018 NO, 'CAUSE YOU'RE NOT GETTING THE FIRST CALAMARI 1201 00:39:28,018 --> 00:39:29,085 'CAUSE MY TABLE'S ABOUT TO LEAVE. 1202 00:39:29,085 --> 00:39:29,753 OKAY! SO IS EVERYONE AT MY BAR! 1203 00:39:29,753 --> 00:39:32,452 OKAY! SO IS EVERYONE AT MY BAR! 1204 00:39:32,452 --> 00:39:33,518 ME. 1205 00:39:33,518 --> 00:39:34,518 WITH EVERYONE ON EDGE 1206 00:39:34,518 --> 00:39:35,518 IN THE KITCHEN... 1207 00:39:36,818 --> 00:39:38,018 I DON'T KNOW, BUT WE GOT OYSTERS. 1208 00:39:38,018 --> 00:39:39,118 YOU DON'T HAVE TO COOK 'EM, DO YOU? 1209 00:39:39,118 --> 00:39:40,352 THE DINERS ARE GETTING RESTLESS, 1210 00:39:40,352 --> 00:39:42,485 AND THE RELAUNCH IS AT A CRISIS POINT. 1211 00:39:47,285 --> 00:39:49,218 YOU CAN SEE THE TEMPERATURES RISING FROM THE DINERS. 1212 00:39:49,218 --> 00:39:52,452 I HAVE TO JUMP IN AND JUST KIND OF STOP THINGS FOR A FEW. 1213 00:39:52,452 --> 00:39:54,085 STOP TAKING FOOD ORDERS RIGHT NOW. 1214 00:39:54,085 --> 00:39:55,285 STOP TAKING FOOD ORDERS. 1215 00:39:55,285 --> 00:39:57,252 I NEED THE CALAMARI. I NEED THE CLAM. I CALLED IT. 1216 00:39:57,252 --> 00:39:59,753 ALL RIGHT, NOBODY'S GONNA ORDER FOOD FOR A WHILE. 1217 00:39:59,753 --> 00:39:59,785 ALL RIGHT, NOBODY'S GONNA ORDER FOOD FOR A WHILE. 1218 00:39:59,785 --> 00:40:02,918 LISA MADE AN EXECUTIVE DECISION TO TELL EVERYONE 1219 00:40:02,918 --> 00:40:05,452 TO STOP TAKING TABLES AND JUST SLOW EVERYTHING DOWN. 1220 00:40:05,452 --> 00:40:06,952 CAN I HELP YOU AT ALL? YES, PLEASE. 1221 00:40:06,952 --> 00:40:08,152 RUN THIS TO SAM. 1222 00:40:08,152 --> 00:40:09,152 THE CHICKEN'S WORKING, RIGHT? 1223 00:40:09,152 --> 00:40:10,185 CHICKEN'S ALL SET. 1224 00:40:10,185 --> 00:40:11,185 CHICKEN, DONE. 1225 00:40:11,185 --> 00:40:12,252 FISH AND CHIPS, DONE. 1226 00:40:12,252 --> 00:40:14,318 LOOKING GOOD, GUYS. 1227 00:40:14,318 --> 00:40:16,285 SAMANTHA'S COMING UP RIGHT NOW. THERE'S THE SLIP. 1228 00:40:17,918 --> 00:40:19,452 OH, THERE YOU GO. OH. 1229 00:40:21,218 --> 00:40:23,985 72, I GOT. THIS LOOKS GOOD, RIGHT? 1230 00:40:23,985 --> 00:40:25,085 YUP, NICE. 1231 00:40:25,085 --> 00:40:26,785 WITH LISA TAKING THE INITIATIVE 1232 00:40:26,785 --> 00:40:27,918 AND CONTROL OF THE DINING ROOM... 1233 00:40:27,918 --> 00:40:29,753 THIS IS GOOD. WE'RE OKAY. BEAUTIFUL. 1234 00:40:29,753 --> 00:40:30,118 THIS IS GOOD. WE'RE OKAY. BEAUTIFUL. 1235 00:40:30,118 --> 00:40:31,818 THAT'S GONNA GET US BACK ON TRACK. 1236 00:40:31,818 --> 00:40:33,118 MARC AND THE KITCHEN STAFF 1237 00:40:33,118 --> 00:40:36,152 NOW HAVE TIME TO REGROUP AND GET ORDERS OUT. 1238 00:40:36,152 --> 00:40:37,485 WE CAN ORDER FOOD? YES. 1239 00:40:37,485 --> 00:40:39,752 THERE WE GO, FOLKS. SORRY FOR THE HOLDUP. 1240 00:40:39,752 --> 00:40:42,018 THESE ARE REALLY DIFFERENT. THOSE ARE GOOD. 1241 00:40:42,018 --> 00:40:43,085 EVERYONE LIKES EVERYTHING 1242 00:40:43,085 --> 00:40:45,185 OUT THERE, GUYS. LOOKS GOOD. 1243 00:40:45,185 --> 00:40:46,285 HAVING LISA'S SUPPORT 1244 00:40:46,285 --> 00:40:47,418 GIVES ME A LOT OF ROOM. 1245 00:40:47,418 --> 00:40:49,285 I CAN GROW BACK HERE. I CAN GET BETTER. 1246 00:40:49,285 --> 00:40:51,752 LET'S FIRE OFF A FISH AND CHIPS, AND WE'RE DONE. 1247 00:40:51,752 --> 00:40:54,885 I LOOK FORWARD TO HAVING HER BACK IN THE RESTAURANT. 1248 00:40:55,885 --> 00:40:58,285 BYE-BYE. 1249 00:41:02,218 --> 00:41:04,118 TONIGHT, CLEARLY, WE HAD OUR GROWING PAINS, 1250 00:41:04,118 --> 00:41:05,918 BUT WE DIDN'T GIVE UP, THE SPIRIT WAS THERE, 1251 00:41:05,918 --> 00:41:08,018 AND WE FOUGHT ALL NIGHT. THINK OF WHERE WE'VE COME. 1252 00:41:08,018 --> 00:41:09,018 I THINK WE GOT THROUGH IT. 1253 00:41:09,018 --> 00:41:10,052 GOOD. 1254 00:41:10,052 --> 00:41:12,418 ROBBY, YOU WERE AGAINST IT, 1255 00:41:12,418 --> 00:41:15,218 BUT CHANGE IS FOR THE BETTER, LET ME TELL YOU. 1256 00:41:15,218 --> 00:41:16,452 YOU'VE GOT TO GIVE IT YOUR ALL. 1257 00:41:16,452 --> 00:41:17,452 I WILL. 1258 00:41:17,452 --> 00:41:18,818 STAY CLOSE TO MARC AND LISA. 1259 00:41:18,818 --> 00:41:21,918 THEY NEED THAT SUPPORT, LET ME TELL YOU. 1260 00:41:21,918 --> 00:41:23,318 I'D LIKE TO SPEND A COUPLE OF MINUTES 1261 00:41:23,318 --> 00:41:25,152 WITH MARC AND LISA ON MY OWN. 1262 00:41:25,152 --> 00:41:26,152 A BIG THANK-YOU TO YOU ALL. 1263 00:41:26,152 --> 00:41:27,252 WELL DONE. THANKS, GUYS. 1264 00:41:28,518 --> 00:41:29,518 EXCELLENT, WELL DONE. 1265 00:41:29,518 --> 00:41:29,753 YEAH? MR. SKEPTICAL. 1266 00:41:29,753 --> 00:41:31,152 YEAH? MR. SKEPTICAL. 1267 00:41:31,152 --> 00:41:34,352 CHEF RAMSAY, THANK YOU. I WAS WRONG. 1268 00:41:35,818 --> 00:41:36,952 I AM VERY, VERY PROUD OF YOU BOTH 1269 00:41:36,952 --> 00:41:38,352 BECAUSE YOU PULLED IT OFF, AND YOU STUCK IN THERE. 1270 00:41:38,352 --> 00:41:39,785 THANK YOU. 1271 00:41:39,785 --> 00:41:41,452 MARC, YOU DON'T KNOW HOW STRONG YOU ARE. 1272 00:41:41,452 --> 00:41:44,218 YOU ARE A REAL LEADER, AND WHEN THE CHIPS ARE DOWN, 1273 00:41:44,218 --> 00:41:46,485 YOU HANG ON IN THERE, AND YOU DIDN'T BUCKLE. 1274 00:41:46,485 --> 00:41:47,852 WELL DONE. THANK YOU. 1275 00:41:47,852 --> 00:41:49,752 DON'T TURN BACK. 1276 00:41:49,752 --> 00:41:50,985 THAT'S RIGHT. 1277 00:41:50,985 --> 00:41:54,018 STICK TOGETHER. YEAH? AND IT WILL WORK. 1278 00:41:54,018 --> 00:41:55,485 GOOD LUCK. THANK YOU VERY MUCH. 1279 00:41:55,485 --> 00:41:57,085 GOOD NIGHT. AND YOU. THANK YOU SO MUCH. 1280 00:41:57,085 --> 00:41:58,085 I'M LOOKING FORWARD 1281 00:41:58,085 --> 00:41:59,118 TO THE FUTURE. 1282 00:41:59,118 --> 00:41:59,753 I KNOW I'M IN LOVE WITH MY WIFE. 1283 00:41:59,753 --> 00:42:00,818 I KNOW I'M IN LOVE WITH MY WIFE. 1284 00:42:00,818 --> 00:42:02,218 I KNOW SHE'S IN LOVE WITH ME. 1285 00:42:02,218 --> 00:42:03,218 IT'S WONDERFUL. 1286 00:42:03,218 --> 00:42:04,218 GOOD NIGHT. HAVE A GOOD NIGHT. 1287 00:42:04,218 --> 00:42:06,085 GOOD NIGHT, THANK YOU. 1288 00:42:07,952 --> 00:42:09,852 WE TOOK A SHACK ON THE BEACH 1289 00:42:09,852 --> 00:42:11,218 AND TRANSFORMED IT INTO A RESTAURANT 1290 00:42:11,218 --> 00:42:14,218 THAT CAN BECOME A DESTINATION FOR TOURISTS AND LOCALS. 1291 00:42:14,218 --> 00:42:16,452 AND MARC AND LISA MAY NOT HAVE KNOWN THEIR BOTTOM LINE, 1292 00:42:16,452 --> 00:42:21,218 BUT THE TRUE BOTTOM LINE IS THEY NEED EACH OTHER TO SUCCEED. 1293 00:42:21,218 --> 00:42:23,318 GET ME THE HULL OUT OF HERE. 1294 00:42:23,318 --> 00:42:26,318 WOW. WHAT A BEACH. 1295 00:42:28,218 --> 00:42:29,485 IN THE DAYS THAT FOLLOWED, 1296 00:42:29,485 --> 00:42:29,753 IT QUICKLY BECAME CLEAR THAT CHEF RAMSAY'S MANY CHANGES 1297 00:42:29,753 --> 00:42:32,418 IT QUICKLY BECAME CLEAR THAT CHEF RAMSAY'S MANY CHANGES 1298 00:42:32,418 --> 00:42:35,452 HAD THE RESTAURANT HEADING IN THE RIGHT DIRECTION. 1299 00:42:35,452 --> 00:42:36,918 WE'RE OUT OF THE OYSTERS, SO I GAVE THEM A SCALLOP APP. 1300 00:42:36,918 --> 00:42:37,918 FINE. THAT'S FINE. 1301 00:42:37,918 --> 00:42:39,152 THAT'S NO PROBLEM. ALL RIGHT. 1302 00:42:39,152 --> 00:42:41,318 I LOVE YOU. YOU'RE THE BEST. 1303 00:42:41,318 --> 00:42:42,852 AND WITH ACCOUNTANT 1304 00:42:42,852 --> 00:42:44,418 TIM MCCLELLAN HELPING WITH THE FINANCES... 1305 00:42:44,418 --> 00:42:46,185 WE'RE GONNA SAVE SOME MONEY FOR THE WINTER, 1306 00:42:46,185 --> 00:42:48,085 AND WE'LL DO THE HARD WORK WE NEED TO TO GET IT DONE. 1307 00:42:48,085 --> 00:42:49,352 THAT'S GONNA HELP LISA A LOT TOO. 1308 00:42:49,352 --> 00:42:50,818 SHE'S REALLY LOOKING FORWARD TO WORKING WITH YOU. 1309 00:42:50,818 --> 00:42:51,985 THE FUTURE IS DEFINITELY 1310 00:42:51,985 --> 00:42:53,218 LOOKING BRIGHTER. 1311 00:42:53,218 --> 00:42:54,485 THIS IS GOOD. WE'RE OKAY. 1312 00:42:54,485 --> 00:42:56,018 HOW YOU DOING, FOLKS? 1313 00:42:56,018 --> 00:42:57,152 MARC FINALLY GOT 1314 00:42:57,152 --> 00:42:58,352 WHAT HE ALWAYS WANTED, 1315 00:42:58,352 --> 00:42:59,753 HIS WIFE LISA WORKING ALONGSIDE HIM ONCE AGAIN. 1316 00:42:59,753 --> 00:43:01,318 HIS WIFE LISA WORKING ALONGSIDE HIM ONCE AGAIN.