You're gonna show me that you're still a guy that I can trust.
I told you, when the time's right,
I'll do... The time is right now!
There needs to be retribution.
They're gonna die anyway; might as well be by you.
Bravo Team, what's your ETA on B Ward?
Minutes, boss.
We've got seconds.
We've got to get to the hostages
before they do.
She is gonna keep you in here as long as she lives.
You do this now. Finish it. No one knows it's you.
She doesn't show up at your parole board hearings.
It's your shot to get out.
No. No.
Let me put it another way: You kill her,
or I kill you. Your choice.
(screaming)
Captioning sponsored by CBS
So, Anton Burrows,
you've been incarcerated now for 15 years,
and this is your fourth appeal for parole, is that right?
Yes, ma'am.
And you feel you've been rehabilitated?
I've tried.
Tried?
What, Mr. Burrows?
To understand, ma'am,
what I did.
So I can l-learn from it,
be a better person.
(scoffs)
It says here that you have become something of an artist.
Participation in therapeutic activities--
that's very positive.
Yes, it is.
Do you have something you could show us?
I-I'd rather not.
All right.
I-I brought something, uh...
A statement.
Go ahead.
"To the Amiri family.
"There are no words that can express how sorry I am
"for what I did to your family
"and to Mr. Amiri.
"I know and you know that...
"there's nothing I can say or do
that will bring Mr. Amiri back."
I want you to know that I-I'd do anything
if I could go back and change what happened that day.
Miss Amiri, this parole board has
all of your letters on record describing the pain
that your family has suffered since Mr. Burrows's crime.
Is there any further statement
that you would like to make at this time regarding
Mr. Burrows's request for parole?
What I would like to say...
I can't.
Not in front of my mother.
I congratulate Mr. Burrows
on his success in the visual arts,
and on his performance for us today.
He says he's changed?
That's nice.
We haven't.
In 15 years, it's been the same life,
the same feeling day after day.
I had so little time with my father, I can barely remember
what he looks like.
But I know he was a kind man,
a gentle man, and he was slaughtered by this...
animal.
I want him to die, alone,
like my father did.
Y-You don't know what happened.
You don't know me. I know he meant nothing
to you, nothing, and he was the only father... What do you want me to say?
(several shouting) Stop!
What do you need me to tell you?
What do you want from me?!
What do you need to hear me say?
GUARD: Anton, calm down.
And I'll be at your next parole hearing
and the next one. Get him out to the yard,
cool him off.
Until you're dead,
do you understand me?
I'll escort these folks out of here.
They're transferring Warshaw to maximum lockdown tomorrow.
I know. We're going today.
Today? You sure?
We've got everything we need. Crew's up to speed.
Word's out already.
Get it started.
All right, boys, put your cards down.
Let's get this started right now.
Follow my lead.
(indistinct shouting)
(grunting)
(yells)
You two doing okay?
We're fine, thank you.
I don't buy that crap, either.
You know they got a book out on how to write
these boo-hoo statements to the victims?
(alarm blaring) What's that?
This is Potter. What's the alarm?
Follow me.
What's going on? Just follow me now.
Come on. We got to go.
(alarm continues blaring)
(excited chattering in distance, alarm continues blaring)
(door opens, bell over door rings)
Give me your money!
Give me the money!
Get out of my store!
(gunshot)
(groans)
(excited chattering)
Open the door! Open the door!
For God's sakes, open the door!
(indistinct shouting)
Everybody knows
what to do!
Break into the box! Gear up!
Find me some phones!
Carter!
We got visitors hallway eight.
Grab them. They may come in handy.
Anything you can! Find me a phone!
¶ ¶ (sirens blaring)
Okay, we've got multiple hostages
and 75 to a hundred inmates involved.
We're looking for knives, shivs, shanks, improvised maces.
Everything is a weapon,
so we're strictly less lethal: gas, rubber bullets, Tasers.
A prison riot, and we're less lethal? Yes.
No firearms in the prison.
You think it's bad now? Throw a loaded gun into the mix.
And us up against a hundred cons with shanks and shivs isn't? Come on,
you ever get hit by a rubber bullet?
Take anybody down. That's good 'cause it's not
like we're running into a place
with a dozen guys we've put away or anything.
All we know is, it appears to have started in the yard.
One inmate attacked another unprovoked;
the guards intervened; and things escalated from there.
We'll set up command post here.
Any casualties reported so far?
So far only the inmate and a guard
who was attacked in the yard,
but I've got three guards unaccounted for.
They've blacked out CCTV cameras,
so we've got a lot of blind spots.
We've been trying to lock down the wings,
but they've disabled the main control.
So all the prisoners are out of their cells.
Except for the ones in maximum lockdown.
Okay, folks, priority here is containment.
Let's look at the floor plans.
There's a guard station on each wing.
Can we do a manual lockdown from those stations?
Yeah, it's the only way.
They've taken the inner control room.
It overrides us here.
Taking over four guard stations,
letting everyone loose; this is looking
a little more planned than spontaneous to me.
Warden, how many guards can you give us?
We got 20 already inside.
There's more coming in. Okay, good.
Sam, head up Alpha Team with Jules and Spike.
Leah, Wordy, you're with me. Bravo.
We clear and contain,
wing by wing, A through D.
Warden, we're gonna use your guards as backup.
Maximum caution.
These gentlemen have already lost their freedom.
They won't win friends by being cooperative with us here today.
We're gonna need you on comm, Warden.
This your P.A.? Mm-hmm.
This is Sergeant Gregory Parker
with the Police Strategic Response Unit.
PARKER: Attention, all inmates.
Tactical teams and reinforcements to the guards
are being deployed throughout the facility.
We have been instructed to take all necessary steps
to resolve this disturbance.
If you return immediately to your cells,
there will be no further repercussions.
Sergeant, problem.
Who are they, Warden?
WARDEN: There was a parole hearing today.
That looks like the victim's family.
They didn't make it out in time.
Okay, team, we've got civilians inside,
A Wing hallway.
Sam, new priority.
Alpha Team to A Wing; civilians at risk.
We're gonna stay less lethal?
Till you hear otherwise. Let's go.
All right, Warden, you run the show here.
Any idea what triggered this thing?
They've got good services here. We're pretty progressive.
We're not overcrowded.
Yeah, but how about: who might be behind it? Well,
I haven't any prison grievances in the last two months.
They take all their grievances to you?
No, of course not. Then how about telling me
about some of the power players you got in here.
Multiple stab wounds.
We have to move him.
Boss, we got the injured inmate.
Multiple stab wounds
to the chest.
Any identifying marks or tattoos?
Picture coming your way.
Boss, we got to get him out of here fast.
(man whistles) I'm gonna send him to the EMTs.
Hey, you got to come here. Stay where you are! Do not move!
Whoa, whoa, whoa.
Do not move!
Okay, okay, okay.
They got the guards.
Where?
They took three guards to C Wing.
Who took them? I didn't see their faces.
You sure about that?
Look, I don't need that kind of trouble.
Boss, we may have a location
on the missing guards.
I'm taking an alternate route to get the Amiris out.
(inmates clamoring in distance)
Back off, Carter.
Really want to do this, Frank?
SLOAN: Where's Carter?
He's still running down civilians.
We don't have time.
Come on, Carter.
(woman screaming)
No, no! Please!
(screaming)
Hey! Let me get you going!
WOMAN: No!
Back off.
No one touches them.
They're mine.
Captioning sponsored by CBS
Boss, we've got a second victim:
male, 30 to 35,
looks like he was thrown down a flight of stairs.
Thanks, Mike. I'm uploading a photo.
Team, any sign of the civilians?
Not yet,
but we've got A Wing contained.
Prisoners are in their cell.
Manual override's in the guard room, 300 feet
to the north of you. Lock it down
and move out. Copy that.
What do we do with the body?
We'll have to deal with him later.
The priority one is to locate those civilians.
Warden, help me see if there's a bigger picture here.
The first victim from the yard attack,
the, um, guy with the bandana?
He's Satan's Blood.
He's an untouchable.
Satan's Blood's the top gang in this place.
He's one of their captains.
They pretty much control all the drugs, everything.
Yeah, well, riot's a good time to settle scores.
No, this was a mistake though.
Why's that?
You hit the Blood, they hit you twice as hard.
That's why they stay on top.
Boss, I need Alpha Team to run down this lead on the guards.
Eddie, we still have two civilians out here.
I hear you. They could be anywhere.
The guard's position we know.
Get in there.
(grunts)
So this is you, the changed man?
Shut it! Animal!
What'd you call me?
You want to say that again?
PARKER: Sam, I need you
to hook up with Ed at C Wing.
SAM: Copy that.
Hey, Winnie.
WINNIE: Yeah, boss?
Tell Team Four to step on it.
We're under the gun here.
I'm on it.
Warden. Hmm?
Can you ID the, uh, the victim from the hallway?
Yeah, that's Keenan Carter, one of the NTLs.
What's NTL?
Nothing to Lose-- they're a collection of lifers.
They've had a beef with the Blood for years.
Carter's the leader?
No, their leader's name is Sloan Keller.
Sloan Keller-- that name's familiar.
Can I see his file? Mm-hmm.
He's a hired killer, in for life.
The Panetta killings-- that Sloan Keller?
The Benares killings, the Mitchinson killings--
that Sloan Keller.
SLOAN: You kill Carter?
I didn't think you had that in you.
Did you know he was one of my boys?!
Your boy was about to kill them.
I mean, that's not smart.
I mean, two civilians?
This here's gold.
We can get whatever we want.
He's up for parole, no crew, no rep.
What, are we supposed to trust you?
Parole? I just lost my shot.
I got nothing else to lose today.
What are they to you?
This one's the reason I lost my shot.
We finish this,
I want to get mine.
I can appreciate that.
Carter was a good man.
He was a good soldier. He was a friend.
I got a mind to settle this!
Hey, hey! Keep your head in the game!
Hey!
Keeping them alive right now was a smart play.
When we're done here, you want them?
Yeah.
Then you're gonna do it exactly the way I say.
Say, "Yes, boss!"
Yes, boss.
One: you're gonna take the hostages,
you're gonna put them where I tell you to.
And two: I need someone to talk to the cops about our demands.
It was gonna be Carter,
but maybe it'll be a little bit better
if it was coming from the warden's little buddy.
What are we asking for?
It doesn't matter. You just keep them busy.
We're breaking out of D Wing, going through a wall.
But no one's going anywhere unless you buy us a little time.
All right.
But they're still mine.
No one touches Burrows' little pets.
Boss, we've reached C Wing.
Bravo Team, what's your 20?
Bravo approaching from east hall.
PARKER: Copy that.
There's a common room to your left.
Might be where they're holding the guards.
WORDY (whispers): Three guards,
immediate left.
They look hurt.
Two inmates-- one on the hostages, one to the right.
Weapons?
Looks like a knife,
two guard batons, a lot of bad attitude.
Barricades?
Access is clear.
ED: Okay, Leah,
cover the door.
Spike and Jules, take the guards.
Sam, Wordy and I will take the inmates.
On three.
One, two, three.
Hands in the air! SRU!
Police! Drop your weapons!
Everybody down! Drop your weapons!
Show me your hands!
Drop your weapon!
Hostages secured.
Heading to Command.
PARKER: Okay.
Got guards on the way to deal with the inmates.
Thank you.
You good?
Nice work, Eddie.
Sergeant Parker, got something.
This is Anton Burrows.
We have a list of demands.
Send us someone out here
who can make some decisions.
I know him.
Boss, I know him.
Back in the day, when I was in 41 Division patrolling gangland.
Who'd he run with?
Wasn't a gangbanger.
He was more like a hang-around.
There's something you should know.
Anton Burrows was up for parole this morning.
And? He was denied
for the fourth time.
Four times-- why?
Because every time,
the victim's family-- the Amiris-- they attend.
And they make sure he doesn't get out.
So you're telling me they are the civilian hostages in there.
Yeah.
Okay, boss, I can do this.
You sure?
I know him. Let me do it.
Okay, go.
Sam, I got to do this alone.
Been a long time, Anton.
Yeah, long time.
Not the place I was hoping to find you.
You knew I was in here.
I mean, right now, standing there...
running this whole mess.
Got to do what I got to do.
Hostages safe?
They're safe.
Anton, I trusted your word once.
They're safe. I swear to you.
ED: I hope so.
Anton, I know who they are.
We demand the following.
One: increase to two the number of conjugal visits per month.
Two: larger number of spaces available for work detail.
Three: creation of a prisoners' advocacy board
to address inmate concerns.
All this for conjugal visits?
There's got to be something more going on.
That's it?
For now.
But this thing's not over until we say it is.
Don't forget that.
Anton, if anything happens to those hostages...
Only way something happens
to those hostages
is if you come in here looking for them.
Now, get us what we want.
You don't have much time.
Remember the Ridgestone Towers
back in the days?
That's exactly what you're looking at here
unless we get some satisfaction.
You understand?
Do you understand me? I understand.
I'll start working on the demands.
Not adding up, Eddie.
Boss, we need to regroup, set up for immediate action.
Eddie, we just agreed to negotiate.
No time, not if we're gonna stop a breakout.
Where ae you taking u?
Where the boss wants us to go.
MAN: Hey.
(whistling)
(whooping, laughter)
Here we go, guys.
Move.
Come on. (kissing noises, whistles)
ED: The guy right there.
He was trying hard to look like Anton's sidekick.
Okay, it's the other way around. Warden?
WARDEN: If Sloan Keller's behind the riot,
then this isn't just about a list of minor grievances.
Well, does a breakout make sense?
Sloan thinks big.
Eddie, what's making you feel so sure?
He brought up the Ridgestone Towers. And?
And it was a big gang bust.
Boss, it was the West End Crew.
We-we had them holed up in a standoff.
When we finally went in, they were gone.
They'd cut through the walls in all the other apartments.
So Sloan wants to break out, but first he triggers a riot
so that the place is surrounded by cops? Smart.
The fact that they're here
kind of suggests they're not master criminals.
PARKER: Well, maybe he didn't trigger the riot.
Maybe he's just capitalizing on it.
Nah, feels like it was part of the plan.
You sure Anton's not playing you?
I know how it sounds.
I got a feeling he's on the level.
JULES: Where do you figure
they're staging this? Well, A and C is locked down.
So it's gonna be B or D.
D has the most exposed wall leading to the outside.
I've got Team Four positioned along the perimeter,
so no one's going anywhere.
All right, what kind of eyes
we got in there? Couple cameras is all.
They've knocked the others out.
All right, let's take a look at D Wing.
Entrances? There's a hallway runs to it from here.
Comes out right in the back
of D Wing.
So we got the element of surprise.
Wordy, Spike, you're with me.
Sam? We'll grill for intel.
Yeah, we're gonna start with the inmates.
Let's go.
Eddie.
Hold on one second.
I took a look at Anton's file.
It says that Anton's lawyer contacted you at his sentencing
as a character witness.
Anything I need to know?
You checking up on me or...?
Just doing a background.
We grew up in the same neighborhood.
Malvern, right?
Yeah.
Tough crowd.
My folks and his folks were friends.
He was a little bit younger than me.
And when his dad died, he got mixed up with the wrong crowd.
My old man asked me to look out for him.
He was a good kid going off the rails.
He was a good kid.
He was a great kid. He had a big heart.
I was a rookie uniform trying to save the world,
so I went to his mother and I went to his teachers,
and I said, "I'll look out for him. I'll look out for him."
And then one night,
then one night I get a call from a buddy of mine in Homicide.
There was a shooting down at Kingston Road.
Convenience store.
That's not your fault. It doesn't matter.
I thought he could beat the odds.
Eddie... Eddie,
do you believe what Anton's telling you now?
I don't know if he's telling the truth or not,
but I do know
that he could have killed those hostages by now if he wanted to.
When they meet those demands, I mean,
what are we gonna do then?
Well, we'll make more demands and more
until our work here is done.
I thought we were busting out.
Who asked you to think?
Get back to your pets.
There's no breakout?
Sure there is.
For anyone who wants to run
straight into the arms of a SWAT team.
Bomb's good to go.
How we doing with the Bloods?
We've taken care of all four captains.
Warshaw's the last one.
SLOAN: Good.
¶ ¶
(men scream)
Let's go! Right there! Right there!
Up against the wall! (officers shouting)
Hands on the wall!
Up against the wall!
Do not move!
Don't move! Don't move!
All right, let's go.
Get them out of here.
Get them out of here, out of here now.
This doesn't make any sense.
Why?
The bomb-- it's good to go.
It's set up really smart.
It's a solid piece of work, but it's lame.
What do you mean? I mean it's just propane.
The kind of explosion you're going to get from this--
you'll get a big flash, a big boom,
but a flash isn't going to take out a wall.
You need something with actual force,
and this just doesn't have any.
Spike, those guys looked like they were good to go. Well, everything about this
looks good to go, but to go nowhere unless...
Unless the big boom was the whole point.
A distraction?
Eddie, we've got a situation in the commissary.
Alpha is on their way.
You'd better move fast.
Bomb is defused, boss.
We're on our way.
What happens now?
You've made your demands.
Now what?
I don't know.
I'm sorry.
(whispers in Persian)
My daughter--
what she said about you today--
you have to understand.
I know.
You know what?
(both whispering in Persian)
You don't want to hurt us, do you?
Why did you have to come here?
Because you killed
my father, left him to die alone.
You belong here.
If I belonged here, you'd already be dead.
Why did you kill my husband?
We know why: for money, for...
Tell me.
Not what you tell them to get out.
The truth.
Why?
The place I grew up...
either you get with a gang or the gang gets you.
My ma,
this... this cop--
they tried to keep me out.
I tried, too...
but I just got tired...
of trying...
of being scared all the time.
So these guys said to me,
"You want to get with something, something good,
"something strong?
"Get with us.
"See that corner store over on Kingston Road?
"You got to rob it.
The guy there-- he's used to it."
(door opening, bell jingling)
Give me the money.
Give me the money!
It was just a way in.
To show they could trust me.
I wanted that so bad.
Just to be with something.
So I went in.
I had the gun they gave me.
I mean, that store had been hit ten, 12 times already that year.
Give me the money!
Get out of my store!
(gunshot)
(groans)
All I wanted... was the money.
But I guess he was just...
sick of being robbed, of being afraid all the time.
But...
I did it.
I shot and killed him.
Because I was afraid.
That's the only "why" I can think of.
I-I killed your father
and there's, and there's nothing I can do to take it back.
But he didn't die alone.
Please don't die.
(sobbing)
ED: Boss, we got three more victims, all prisoners.
This was never about a breakout.
They all have the same tattoo. Yeah, these victims
are all Satan's Blood-- leaders, enforcers.
PARKER: The ones you want to hit
when you're attempting a takeover.
So he triggered a riot to keep the guards busy.
Take advantage of the chaos to get to his enemies.
Tries to distract us with bogus bombs and bogus demands.
Makes sense-- king of the empire.
It's a whole lot more power than Sloan would have
in the outside world. And it's a day
on the inside no one will forget.
Warden, how many other
Satan's Blood untouchables?
WARDEN: After those guys, just the top man--
Terry Warshaw.
We got him in custody? No, he's in B Wing.
All right, we're on the move.
Boss, upload us a photo on the fly.
PARKER: Copy.
(typing)
That's your man.
Boss, we split up
into Alpha and Bravo.
We need to get those hostages secure
before they get a hold of Warshaw.
Bravo Team, what's your ETA on B Ward?
Minutes, boss.
You got seconds; we got to get to him before they do.
He's the grand prize.
With Warshaw gone,
Sloan's got what he wants.
When he's got what he wants,
he's got no reason to let the hostages live.
MAN: We got you, dead man.
You're dead meat, Warshaw.
Make a move, man.
(footsteps approaching)
SLOAN: What the hell did you say to that cop, Burrows?
You were there. You heard me.
What I heard now was
the sound of a bomb not going off.
Cops must have got to it before.
Means they found out.
Means we have a rat.
Yeah, well, let's go find him.
Oh, I think we already have.
Oh, yeah, it couldn't be
the 20 other goofs you got working for you.
But if that's what you feel, make your move.
This won't take but a minute.
Oh, come on! Hey, Sloan,
I'm telling you I... In a few moments,
it's either going to be all good or it's not.
Then I'll hear what you have to say.
PARKER: So the bomb wasn't
about a breakout.
It was saved as their biggest distraction
for their biggest target: Warshaw.
ED: Boss, it looks like Anton played me...
again.
Freeze! SRU!
Drop the weapon! (overlapping yelling, gunshot)
Drop your weapon! Drop your weapon now!
Hands in the air! Get down!
Right now! (gunshot) Get on your knees!
Hands on your head!
Rubber bullets take down anyone, huh?
Yeah, so I thought.
CLEAN: No, you stay there. You keep me posted.
Well, word's out.
Cops got 'em before they could finish Warshaw.
He's in protective custody now.
That's it.
So... things didn't go all our way today.
Close.
So my question is:
which side are you going to be on?
Same as always, man:
My own. No.
You're gonna need protection,
especially now that Satan's Blood knows
how close you and me are, so...
you are gonna show me that you're still a guy that I can trust.
Yeah, man, I told you, when the time's right
I'll take 'em out. Time's right now!
They're gonna die anyway.
Might as well be by you.
Wordy?
(beep)
Yeah.
Two seated.
Not moving, small. It's got to be them.
Boss, we've located the hostages.
That door is pretty heavy.
If there are obstacles...
Yeah, the hostages will be dead before we get the door open.
There's got to be another way.
Doesn't look like it, Eddie.
Warden, what is this room?
That's an old weight room.
But it's been closed over a year for renos.
It's the only part of the prison that's just brick.
Posed an escape risk, even though it's four stories up.
Well, if they can break out, we can break in.
Hey, Spike, how do you feel about explosive entry?
She is gonna keep you in here as long as she lives.
You do this now. Finish it. No one knows it's you.
She doesn't shows up to your parole board hearing.
It's your only shot to get out.
No.
Let me put it another way:
You kill her, or I kill you.
Your choice.
(panting)
You called me an animal.
Why are you thinking about this?
But I'm not.
(phone rings)
Cops are on the move.
They're coming in.
(knife clatters on floor)
Sloan, let 'em live.
I'll say whatever you want; I'll take the heat
for this whole thing. Just let them live...
I told the cops, they come in,
the hostages die.
No!
(screaming)
Let me go. Let me go.
Kill him!
No! No! Get off me!
Yes. No, get...
Yes. Get off me. Get off me.
Let me go.
(mumbling)
Now, get out!
He's mine.
(Anton crying)
Oh, I've been waiting for this all day.
Yeah.
(grunting)
(panting)
(touch tones beeping)
(phone ringing)
Warden.
It's 911.
They've got Anton on the phone.
It's Parker.
It-It... It's Anton.
Listen to me. You got to get in here.
They're gonna kill the hostages.
Anton, it's okay.
We're working on it. Just sit tight.
No. You don't have any time.
You got to get in here now.
Okay, we're already at the door.
No.
They're expecting that.
All right, just stay on the line.
Eddie, I got Anton.
I'm gonna patch him through.
ED: Go ahead.
You can't go through the door.
They're expecting it.
Anton, you told me there was gonna be a breakout.
Why should I trust you now?
I was told there was gonna be a breakout.
That's what I was told.
I'm just trying to keep them alive, that's it.
If I can just...
You don't believe anyone can change, do you?
Seeing is believing, Anton.
Yeah.
Well, if you don't get in here soon,
you're not gonna like what you see.
ED: All right.
Get everybody away from that west wall,
try to buy us as much time as possible.
Can you do that for me, Anton?
I'm gonna try.
No! No!
PARKER: Yeah, I need
everyone's status now!
Waiting on Spike.
Need more time.
It's up to you, Anton.
No! No!
No!
(grunts)
(screaming)
No! No! No!
(screaming)
(crying) No.
(grunting)
(indistinct chatter)
Ah. Get up!
Charge is in.
Let's go! Let's go! Let's go! Let's go! Let's go!
(groans)
Hands on you. Drop your weapons. Drop your weapons.
Right now! Right now!
Everybody on the floor! Get down!
Get down now! Stay where you are!
Down. Down. Get down. You stay down.
Stay where you are. Drop your weapon.
Turn around.
It's all right, okay?
It's gonna be all right. All right, come with me. Come on.
Come on. Let's go. Move.
Come on, this way.
It's okay. You're safe now.
Against the wall!
(panting)
They okay?
They're safe.
You did good. (laughs)
I'm keeping it true.
You're going to be okay.
You did good. I'm proud of you.
You all right?
Can you do something for me?
Anything you need.
Anything you need, buddy.
PARKER: Nice job.
Team job.
He survives 15 years in this place,
he still manages to hang on to his soul.
Yeah. Something to be said for that.
And when you figure out what that is,
I'm sure you'll say it.
Excuse me.
How you doing? Is your mom okay?
She will be.
Can you get a message to Anton
for me?
Yeah, yeah. I'm sure we can do that.
Tell him... at his next parole hearing,
I'll be there.
I'll speak for him.
Do you think people can change?
I think some people always had it in them.
Anton wanted me to give you something.
¶ It's not a game ¶
¶ I take lightly for nothing is gained ¶
¶ The song is never the same ¶
¶ And we could lose everything ¶
¶ It's the mood ¶
¶ You do what you do to get through ¶
¶ So fast that you never get fooled ¶
¶ Can't double back on the truth ¶
¶ It's not a game ¶
¶ I take lightly for nothing is gained ¶
¶ The song is never the same ¶
¶ And we could lose everything ¶
¶ It's the mood ¶ ¶ It's the mood ¶
¶ So subtle the light never fades ¶
¶ But somehow it's further away ¶
¶ And we could burn everything ¶
¶ Don't get fooled ¶
¶ If it's the last ¶
¶ The last ¶
¶ Thing ¶ ¶ Thing ¶
¶ You do ¶
¶ You better make your move ¶
¶ Or it's the same sad song for you ¶
¶ You better make your move ¶
¶ Or it's the same sad song for you... ¶
Captioning sponsored by CBS
Captioned by Media Access Group at WGBH access.wgbh.org