Move in now.
JULES (over radio): Sarge, can't see any movement.
ED: Door's jammed from the inside. (people shouting inside)
Spike, any other way in?
Negative.
Wordy, hurry, we need the umbrella.
(shouting continues)
(panicked shouting inside)
We gotta get in there.
Everyone inside the barn
stand back from the doors!
Stay back!
(exasperated sigh)
You gotta pay inside first.
What?
No one trusts anyone anymore.
You okay?
Yeah, I'm fine.
(sighing)
(door bell jingles)
There you go. Have a great day.
(door bell jingles)
How you doing?
Can I help you find something?
I need some money.
Okay, the, uh, ATM's just in the back.
Whoa!
Please, just give me the money.
That's it.
This is all you have?
We don't usually keep a lot of money in the register.
No, that's not enough. I need more.
Don't these places have some kind of safe?
Yes, but this is my second day-- I don't know how to open it.
(toilet flushing)
(door opening)
Keep your hands up. Keep your hands up.
Stay quiet.
GIRL: Can we please have one?
Nope... Please, Mom.
Stay where you are!
Oh! Oh, God.
Oh, please don't...
Please don't hurt us. Give me your purse.
Take it, take it. Just take it, take it, take it.
Take it. You, move! Go stand next to her!
Keep your hands up where I can see them!
(quietly): It's okay.
Your car, does it have gas in it?
Yes, yeah.
I just filled it up, it's yours.
Okay, that's good.
(sirens wailing) Okay.
Now you're gonna come with me, come here. Oh, God, no.
Okay, okay, just, okay. Mommy!
It's okay, baby, it's okay.
You stay there! Stay there!
It's okay, it's okay. Go.
Go slowly. Okay, okay.
Wait, wait, wait, wait. No...
Oh, my God, no.
No, no! (tires screeching)
Go back, go back! All right, all right!
Stay there. Keep your hands up! All right, all right!
No! No, I can't let them take me!
It's okay, honey. It's okay.
(locking door)
It's gonna be okay, baby.
We're all right. Stay quiet!
You break that bag, they don't give us another one.
You know what, I'm just a little frustrated.
Clark's beating me up, he wants to go to a party,
I won't let him go-- it's just a hassle.
What's the big deal?
I'll tell you what the big deal is,
there's no parental supervision.
Oh, parents away, kid takes advantage?
You telling me you never went to a party like that
when you were Clark's age?
Why do you think I don't want him to go?
No offense, Ed, but your kid plays the cello.
I don't know how much trouble he's really gonna get into. Funny.
WINNIE: Team one, hot call. Funny stuff.
Hostage situation, gas station.
528 Brock Road.
(sirens wailing)
All right, Leah, Wordy, cover the exits.
We need a hard perimeter on this.
Copy. Copy that.
Sam, let me know how many hostages we got in there.
SPIKE: Might be able to get a snake cam in through the garage.
I'm on it. Okay, Spike, get the truck.
Copy that.
How many subjects you say? Just one, a woman.
At least one hostage, maybe more.
Mm-hmm. You have any contact with her?
She started screaming at us to go away,
waving the gun around.
Seems unstable. Who called 911?
Okay, thanks a lot.
Let's go, Jules.
PARKER: Hello, sir.
You called 911?
Yes, sir, I did. What did she seem like
when you talked to her?
Uh, she was scared.
Kind of jumpy.
Which car was hers? The red one.
Okay. Yeah.
Please stay right there.
Eddie, we're coming in.
Looks like the plates have expired.
Yeah, like, um,
15 years ago.
Spike, I need you to run some plates.
Tango, three, uniform,
Zulu, niner, seven, niner.
SPIKE: Copy that.
She can't get out this way.
Rear door secure.
Damn it, they're everywhere.
Isn't there any other way out?
No.
You should just give yourself up.
PARKER (over bullhorn): I'm talking to the lady in the store
who's in charge right now.
This is the Police Strategic Response Unit.
I'll be calling the store phone shortly.
I need you to pick it up.
(phone ringing)
(line ringing)
Go away! PARKER: How you doing?
My name is Greg Parker.
Can you tell me your name?
Okay, can you tell me how many people
you have in there with you?
Three.
That's good. How are they?
Are they okay?
Yes.
I'm glad to hear that.
Now, I want to make sure that everyone in there
comes out safely, and that includes you.
Then stay away and let me go.
Well, I just want to help you.
You're a cop.
That's right.
So tell me why I should trust you.
Don't... Oh!
Hey, Spike, you run those plates yet?
(typing)
Car is registered to a Rachel Simpson.
You got a photo?
Sending it to you now.
Mr. Milroy,
is that the woman?
Yeah, she's older than that,
but that's, yeah, definitely her.
Well, thanks.
Address on the license is her parents' place in Forest Hill.
They still live there.
What's an uptown girl doing robbing a gas station?
And driving an old beater?
Okay, go talk to the parents, see what you can find out.
On it.
How you doing, Eddie,
got eyes yet?
Boss, we're working on it.
Sam, what do we got?
Almost there.
We've got eyes.
KATE SIMPSON: We have to go down there,
try to talk to her.
She hasn't talked to us in 15 years.
You think she wants to start now?
Where has she been living all this time?
A place called the Farm.
The rehab facility?
Does she have an addiction problem?
Rachel started drinking when she was 14.
By the time she turned 16, she'd moved on to cocaine.
Was it your idea for her to go to rehab?
I came home one afternoon,
found her passed out on the floor.
I tried to wake her, but I couldn't.
I was so scared.
PARKER: Okay, subject is armed
with what looks like
a .380? Yeah.
Three hostages-- two adults, one little girl.
So far they look unharmed.
Rachel Simpson's clean as a whistle, no criminal record.
She been the victim of a crime?
Nothing's coming up.
SAM: So what's her problem with cops?
PARKER: Could be dealing with some kind of paranoid disorder.
Let's hope she doesn't think
the hostages are out to get her, too.
Uh, I don't think she seems them as the enemy.
What are our tactical options?
Explosive entry through the door?
Can't take the chance of setting Rachel off.
Not with that little girl in there.
Okay, let me work on that.
I want to go home. (phone ringing)
I know, sweetie.
They're just trying to help.
I told you if you want this to end, you have to leave.
I can't do that, Rachel.
How do you know my name?
Rachel, listen to me.
You want to get out of there,
I want to help you do that but first
you have to let these people go.
You're just trying to get me to open the door,
so you can shoot me.
No, no.
I give you my word, Rachel,
that's not gonna happen.
Okay, you don't want to let everybody go,
how about you let the mom and the little girl go?
All right.
Thank you, Rachel. Thank you.
Okay, here's what's gonna happen next.
I'm gonna have one of my men waiting near the front door,
but he's not there to hurt you.
He's there to help the woman and the child get to safety.
Okay.
RICK SIMPSON: The Farm was supposed to be
a really good facility.
All about living off the land and getting back to nature.
Rachel get clean?
Yes, but then
she wouldn't come home.
And then we found out that she and Charles had gotten married.
Who's Charles? Charles Stewart.
He runs the Farm.
Do you have his number?
I need to talk to him.
KATE: Charles doesn't have a phone.
He doesn't want any contact with the outside world.
Right, I did hear that the facility is very secretive.
He wouldn't even let us talk to our own daughter.
A friend of ours is a cop.
We brought him back there with us,
see if he could intimidate Charles
into letting us see Rachel.
That work? She said that
we were a negative influence on her life
and that she never wanted to see us again.
Charles had already
turned her against us.
RICK: Officer Callaghan, Charles has got a real hold on
our daughter.
Now, if she is robbing a gas station,
I wouldn't be surprised if he was the one behind it.
Okay.
ED: The Farm.
Didn't the police investigate that place a couple years ago?
Yeah, but no charges were laid.
JULES: Okay, I'm gonna head over there and see
if I can talk to Charles Stewart.
Maybe he can tell us why Rachel's doing this.
Jules, send me the address, I'll meet you there.
Sam, I'm gonna put you in charge of tactical.
Be ready with entry options in case negotiations fail.
All right, you got it.
Wordy?
Go slowly towards the door. It's gonna be okay.
SPIKE: She's getting ready to come out.
Everyone maintain position.
You open the door slowly. Okay, okay.
Go slow, go slow. Okay, okay.
Don't hurt me.
Don't hurt my little girl.
Go, lady, go, go.
It's okay, honey. Grab my hand.
Come towards me. That's right. Just go slowly.
Slowly. Ma'am, just come towards us slowly.
Okay, let her go. Oh, God...
Just grab my arm. Oh, please.
Go right behind me... Stay right behind me, okay?
Very slowly. Oh, God.
Oh, my God. No, you have to come back in!
Rachel. Rachel, it's okay. It's okay, Rachel.
No! Come back in!
PARKER: Rachel, it's okay.
(frustrated scream)
(grunting)
(grunts)
(Rachel muttering)
Don't! Please! Let me go.
How do I get out?! (crying): I don't know.
Captioning sponsored by CBS
I got to get out of here!
(grunting)
(yells)
She's completely shutting down.
Well, it's definitely isolated.
Yeah.
ED: Hey, buddy.
ED: Hey!
Is it something you said?
What can I tell you?
I got a way with teenagers.
I don't know.
An electric fence. Wow.
Pretty serious
about keeping people out.
I guess so.
This is private property.
Sir, I'm Ed Lane.
This is Jules Callaghan. We're with the police.
Are you Charles Stewart?
What is this about? Mr. Stewart,
your wife robbed a gas station this morning, she's holding
three people hostage.
Oh, God.
My mother would never do something like that.
Isaac.
She's your mother?
ED: Mr. Stewart,
if you could just open the gate here,
we need to talk to you about Rachel.
Isaac?
I'd prefer it
if you left your weapons outside.
That's against regulations.
We're just here to talk, sir.
ED: So, you had no idea
your wife left the Farm this morning?
None at all.
Is-is Rachel okay?
She hasn't hurt anyone, has she?
No she hasn't, but we need your help so that
we can keep everybody safe.
Um, Isaac...
go finish your chores,
then work on your book report.
Yes, sir.
Sir, do you know why Rachel is doing this?
Mr. Stewart, if you know anything,
you need to tell us.
Uh, Rachel hasn't been herself lately.
She's been moody, distant.
I'm worried she's gone back to her old ways.
You think she's using again?
I don't know.
How else do you explain her behavior?
Bring her back here. She needs help.
This is the best place for her. Mr. Stewart,
I've never seen a rehab facility with an electric fence before.
The world's a dangerous place.
I do whatever I can to keep my people safe.
Okay, we're gonna need to talk
to some of Rachel's friends here.
These people--
they're recovering addicts.
I'm sure you can appreciate
how upsetting it might be to be interrogated
by the police?
I understand that, but right now, sir, we need to do
everything that we can
to make sure that Rachel and everybody else gets out safely.
Charles?
What is it, James?
I need to speak with you.
Excuse me a moment.
PARKER: Okay, what's going on there,
Eddie? What's the situation?
I'm telling you, boss, this guy's hiding something.
Okay, you keep looking.
Got Rachel here-- feels like she's shutting down.
I think she might be using again.
We can't take that chance, so we need to go tactical.
How do you want to go in?
(Rachel screaming)
(coughing)
Police! Drop your weapon! Drop your weapon! (screaming)
No!
Come on.
No! Let me go! It's gonna be okay.
Let me go. I have to go back.
I have to save my son!
What's wrong with your son?
Just let me go.
Please?
If your son's in trouble,
Rachel, you can tell us.
I can't. Yes, you can, you can try.
He's gonna kill everybody.
Who? Who's gonna kill everybody?
Charles!
I have to go back!
You have to let me go.
Please.
(panting)
I have to save my son.
Please?!
Please!
PARKER: Jules, Eddie, watch your backs.
If Rachel's story checks out,
Charles may be planning a mass murder there today.
Spike, what do we know about Charles Stewart?
Ex-heroin addict.
Did some time for possession when he was 18.
Looks like he got clean, started up
the Farm about 20 years ago.
About eight years ago, a woman named Linda Gase
went into the Farm for treatment.
Her husband claimed
that Charles was keeping her there against her will.
Gave the police probable cause to search the place.
They raided the Farm in the middle of the night,
they turned it upside down.
That'd explain
the animosity toward the cops.
And they find
no weapons and no evidence
of criminal activity.
ED: I'll track her down,
see what we can find out.
Mrs. Gase, Rachel is in a lot of trouble.
If you know anything, please tell us.
Rachel would never go back to using drugs.
She wouldn't do that to Isaac.
Was she upset about anything?
Problems in the marriage?
She and Charles haven't been getting along lately.
Do you know why?
She doesn't appreciate him.
A man like Charles deserves better than that.
Wow. Sounds like you're very fond of him.
Before I met Charles, I was hooked
on meth.
Charles saved my life.
He saved all of us.
He's a hero.
I owe him everything.
Your husband believed
you were being kept here against your will.
He couldn't understand why I didn't want to leave.
This is my home now.
It's the only place I can be safe.
Okay. Thank you.
Excuse me.
JULES: How long have you lived here?
LINDA: Eight years.
Have you, um... have you seen your family?
You're pretty good with that ax.
She never should have left the Farm.
It's too dangerous out there.
Your father tell you that?
He knows what's best for us.
Let me ask you-- you and the, uh...
you and the other kids-- you go to school around here?
My father teaches us
here at the Farm.
So, what, so you never leave?
No need.
Huck Finn.
Pretty good book, right?
Yeah.
What do you mean, yeah?
Two guys going down
the Mississippi on a raft.
Pretty exciting stuff, right?
I guess.
You never think about doing anything like that?
Getting out there, exploring?
I have everything I need right here.
Why would I ever
want to leave?
ED: Boss, Charles has taught them
to fear everything outside the Farm.
His own son's never been off the property.
Yeah, you should hear
how they talk about this guy Charles.
They're totally devoted to him.
This is sounding like a cult mentality.
JULES: Yeah.
The people, they come here,
they're desperate, and they give themselves over--
mind, body and spirit.
Yeah, trade one dependency for another.
ED: To maintain control,
he convinces them that this is the only safe place.
Okay, well, just take a look around, see what you can find.
I needed money and gas,
and then I was gonna go back and get Isaac.
You should've gone to the police.
PARKER: I know, Rachel, you think we're the bad guys,
but it's Charles who's threatening
to kill all those people, including your son.
No.
Come on.
Let me help you.
I can't do that until you start trusting me.
Please.
(gun cocking)
Drop your weapon.
Safety's on there, James.
This is an MP5 submachine gun.
Fires 800 rounds per minute,
400 meters per second.
So, unless you want a demonstration,
I suggest you drop your weapon, and we can talk about this.
My father was right.
ISAAC: You can't be trusted.
Isaac, that's not true.
We're here to help you, son.
You're lying.
Isaac, put the gun down.
Isaac!
You first.
Put it down! Isaac.
Do it.
Okay, son.
All right.
Put your hands behind your head.
Okay, take it easy.
It's okay.
Turn around.
Charles is going to want to have a word with you.
Sarge, we've got a problem.
They got Ed. What's going on, Jules?
Isaac and one of Charles' men took him at gunpoint.
Where are you now?
I'm still in the perimeter.
I'm going to go after him.
You should wait for backup. PARKER: Sam's right.
They're probably already looking for you.
Just stay out of sight. We're on our way.
Copy that.
They wouldn't kidnap a cop
unless something serious was going down.
Okay, Team One, listen up.
We assume that all radio contact has been compromised.
From here on out, cell phones only.
Rachel, if I'm going to have any chance,
stopping Charles from doing anything stupid, you need
to tell me everything you know about him.
Like do you have any idea why he would want to do this?
I heard him saying something about voices guiding him.
Voices?
What did they tell him?
That death is the only thing that will keep his people safe.
PARKER: And how often does he hear them?
RACHEL: Only one other time as far as I know.
When Charles was in his 20s,
he-he almost died of a heroin overdose.
When he came to, he said the voices saved him.
Told him he needed to get clean, help others do the same.
So he believes
the only way to do that is by isolating them
from the outside world?
It wasn't always like that.
People would get clean, they used to leave.
So what changed?
About seven years ago
he helped a guy named Gary kick his cocaine habit.
He went home, but after a few months he started using again.
He died of an overdose.
That's when the fences went up.
Charles was afraid that if anyone left the Farm,
they would end up like Gary.
He became more and more paranoid.
Bought guns.
Wouldn't let anyone in or out.
What makes a man like that go from wanting to keep people safe
to wanting to kill them all?
(liquid pouring)
(sets container on table) Thank you, James.
And put these, uh, someplace safe.
Please.
This how you treat
all your guests?
What are you taking, Charles?
If you're using again,
you can't think straight.
Are you really
going to kill all these people?
Is that what this is all about, Charles?
Is that why you're doing this?
I'm doing this to save my people.
By what, Charles?
By sentencing them to death?
You're judging something you couldn't possibly understand.
If you're doing it to save them, why don't you just tell them,
Charles, why keep it from them?
These people are like my children.
And children don't always know what's best for them.
Spike, let's get Rachel in the truck.
Okay, Rachel, we need you to draw a map of the Farm--
every way in, how many buildings there are,
where they're situated, okay?
Okay. This way, please.
This way right now. Thank you.
PARKER: Jules, we're here.
How you doing?
I'm fine.
I've set up a sniper perch
in the center of the compound.
Negative. Any sign of Eddie?
And Charles must be getting nervous.
He's got two armed guards at the main gate.
Copy that.
Keep your eyes open--
anything that might tell us
how he's planning on killing these people.
I say we take Charles first.
Yeah, cut off the head of the snake.
Okay, let me try talking to him first.
ED: What about Isaac?
Your son, your own flesh
and blood.
You're telling me you are willing to kill him, too?
More than anyone.
Isaac needs to take this journey with me.
(phone rings)
That would be for you.
This is Charles.
Hello, Charles.
My name is Sergeant Gregory Parker.
I'm with the Police Strategic Response Unit.
I understand you're holding one of my colleagues.
Any chance you can tell me how he's doing?
He's fine.
Oh, thank you very much. I'm glad to hear that.
I'll let him go if you let my wife come home.
Well, I'm sorry.
Cannot agree to do that.
Then there's nothing left to say.
Okay, Charles, hold on.
Help me understand.
You created the Farm to help people, to save their lives.
So, why are you doing this?
My people need me. I can't desert them.
Come on, listen to me, no one has to die today.
It's not too late to call this thing off.
I wish that were true.
Get the supplies
and gather everyone into the barn.
It's time.
SPIKE: You going to keep trying to talk him down?
I doubt it'll work.
The guy thinks that what he's doing is necessary.
He's like noble even.
Options, Sam?
Our best point of entry is right here,
alongside an old delivery road, that according to Rachel,
not many people know about it.
Coming with us, boss?
Well...
figured need at least one bald guy in the field.
All right, let's head out.
Isaac, you've got to cut me loose here, son.
You're not going anywhere till the cops let my mom come home.
They're not going to let
your mother come back here to be killed.
Isaac, it's that simple.
What are you talking about?
You don't know
what's going on here, do you?
Okay, Isaac, listen to me.
Your father plans to kill everyone on this farm,
including you.
No, no, I don't believe you.
Why do you think he doesn't want me
looking around, Isaac?
He's hiding something.
No, my father wouldn't hurt anyone.
Isaac, your mother found out about it.
That's why she's trying to get money,
to get you out of here, Isaac.
She's trying to save your life.
No.
My father said
that you'd say anything to get me to let you go.
I understand that you love your father.
And you have been raised to follow him without question,
but there comes a time in all of our lives,
son, when we have to think for ourselves.
Now, what your father is doing is wrong.
Your mother knows that.
Now, if you can help me, I can stop him.
I can fix it.
Isaac.
Your father needs to see you.
Come on.
I'll be back for you.
Yeah.
One, two, three.
All clear.
All right, let's move.
Sarge, they got Ed at Charles' house.
It's the first building northeast of the barn.
PARKER: Copy, Jules.
What do you want to do?
All right, Wordy, Leah, you take the main gate.
The rest of us will go after Ed. WORDY: Copy.
(grunting)
Boss, we're clear.
This what it takes to get you out of the truck?
He didn't gag you?
You get Charles?
No, not yet.
He was taking some kind of drug.
Probably hallucinogenics.
Would explain his paranoia and delusions.
What do you need?
Got your knife? Yeah, hold up.
Morphine...
Demerol.
Prescription pain killers.
Hey, Winnie, see if you can get ahold of a Dr. Jane Barkin.
She prescribed some drugs for Charles
and I want to know why.
And let the team know that, uh,
Eddie's safe and we're back on com.
Copy that.
You ready? Lead the way.
All right, inside.
That's it.
We're safer inside.
Sarge, they're ushering everyone into the main barn.
Do you see any weapons?
They're carrying three containers.
Can you tell what's in them?
One says chlorine.
The other one says NH...
NH3?
Looks like it.
Ammonia.
They're making poison gas.
Move in now.
Wordy, get need to get a truck in here, we need gas masks!
Leah, alert DMAT.
On our way. Copy that.
Dad, what's going on? It's okay.
Thank you, Leonard.
Isaac, I need you to go inside now.
Is everyone accounted for?
They're all inside. Okay.
Please, Isaac, do as you're told.
It's true, isn't it?
Inside now.
Dad, are you really gonna kill everybody?
Okay, come here.
I know...
this is hard to understand, but I am doing this
to protect us.
Haven't I always taken care of you?
Kept you from harm? Yes, but...
I'm your father
and I will always do what is best for you.
Right?
Deep inside your heart,
you know that.
You know it.
Please, Isaac,
I need you to trust me right now.
Come on, good man.
Go, go! They're getting closer.
Go, I'll hold them off.
It's okay.
Go.
(gunshot)
Subject down.
(lock clicks)
Charles, what's happening? Don't be afraid.
Why are you locking us in?
I promised that I would keep you safe and I will.
In this life and the next.
(murmuring)
MAN: What is that stuff?
MAN 2: Hey, wait a second.
What is that?
LINDA: Charles, what are you doing?
It's okay!
It's okay.
We'll all be together, forever. (people coughing)
Let us out.
It's okay, trust me, it's okay.
Let us out!
(panicked shouting) Let us out!
Door's jammed from the inside.
Spike, any other way in? Negative.
Wordy, hurry, we need the umbrella.
WOMAN: Please help us!
Let us out of here!
Somebody please, let us out of here!
(panicked shouting continues)
(shouting) Open the door!
Somebody help us!
Help us! Open the door, please!
(panicked shouting)
We gotta get in there.
Everyone inside the barn
stand back from the doors!
Stay back!
Everybody out!
Come on, everyone out! This way, move it!
Where's Charles, Jules, can you see him?
No visual.
He must still be in the building.
Everyone just stay calm. Move it, let's go!
There, I see him.
Everyone out! This way!
Everybody out! Come on, keep moving!
(yells)
Get him out of here! I'll go after Ed.
Hurry, move it! Move towards me!
Come on. (coughing)
WINNIE: Boss, I just got off the phone with the doctor.
I think I know why Charles is doing this.
(Isaac panting)
Dad...
(grunting)
PARKER: Stop right there!
We'll be together.
I will never leave you.
Dad, please, don't. Don't come any closer!
Don't!
Jules?
No joy.
Tree's in the way.
Dad, please.
All right, Charles, just take it easy.
He has to come with me, it's the only way.
Okay, Charles, I know you have cancer.
Dad...
Get away from us! Get away!
Charles, I know you don't have much time here.
Just get away from us!
Charles, I'm sorry for what you're going through.
But just because you're dying, you know, Charles,
doesn't mean Isaac has to.
What kind of life will he have without his father?
I promised to take care of him,
to take care of all these people.
And I understand that, Charles, I do.
I get it, I know what it's like to want to protect your family.
To keep them from making mistakes.
But at a certain point you have to trust
that you have given them the tools
to make the right decisions.
Charles, you have saved a lot of people here.
You saved their lives.
And you've raised a pretty great kid there.
So, please don't rob him
of the opportunity to live his life, Charles.
I'm sorry, son.
Dad... I'm sorry, Isaac, I'm sorry.
I'm so sorry. Dad...
You can't come with me.
Go on. Go, go, go.
Dad? Isaac, walk towards us.
I love you, Isaac.
I love you, too. Isaac, come on.
Charles...
(gunshot)
Dad!
(sobbing): No!
He's gone, he's gone.
Isaac, he's gone. I'm sorry. Dad!
I'm sorry!
There's nothing you can do. No!
It's over. Dad!
I'm sorry.
¶ It's with a veil ¶
¶ She gives her heart ¶
¶ Is she afraid ¶
¶ That they'll fall apart? ¶
¶ It's with a word ¶
¶ Whispered alive ¶
¶ The depths of his heart ¶
¶ There it confides ¶
¶ Swallowed in fear ¶
¶ And handled in doubt ¶
¶ Afraid that he can't ¶
¶ Go on without ¶
¶ Will they miss the rose ¶
¶ If blind to the bloom? ¶
¶ Darkness for light ¶
¶ And shadows to lose ¶
¶ The beacons for them ¶
¶ The calling of stars ¶
¶ A pleading for two ¶
¶ Don't fall apart ¶
¶ They met at the gate ¶
¶ Late afternoon ¶
¶ The mouths of the trees ¶
¶ Whispered the news ¶
¶ Shoes underfoot ¶
¶ And souls lit alive ¶
¶ Unsure of themselves ¶
¶ But feeling the tide ¶
WORDY: Think that kid will be okay?
I think so.
Got a good head on his shoulders.
Mm-hmm.
Hey, buddy.
Doing your homework?
You know that party that you want to go to?
You can go.
Yeah.
Who's gonna be there?
(chuckles): So, can I go?
I'm kidding.
Clark, I'm kidding.
¶ Don't fall apart... ¶
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Captioned by Media Access Group at WGBH access.wgbh.org