1 00:00:06,540 --> 00:00:08,273 WHERE IS MICHELLE DALTON?! 2 00:00:08,275 --> 00:00:09,608 (PANICKED SCREAMING) 3 00:00:09,610 --> 00:00:11,126 MICHELLE!!! 4 00:00:11,127 --> 00:00:12,643 ED: TEAM ONE, JAMES IS HEADED TO THE BANQUET KITCHEN. 5 00:00:12,646 --> 00:00:14,346 JULES: COME ON, LET'S GO. RAF: EXCUSE ME. 6 00:00:14,348 --> 00:00:16,415 (YELLING) WHERE IS SHE?! 7 00:00:18,119 --> 00:00:19,618 WH-WHAT'S HE DOING? 8 00:00:19,620 --> 00:00:20,619 ED? 9 00:00:20,621 --> 00:00:22,021 ED: SECONDS AWAY. 10 00:00:23,090 --> 00:00:24,056 MICHELLE?!! 11 00:00:24,058 --> 00:00:25,591 MICHELLE: JAMES? 12 00:00:25,593 --> 00:00:29,094 (MICHELLE GASPS, SCARED) 13 00:00:29,096 --> 00:00:30,162 MOM... 14 00:00:34,335 --> 00:00:36,568 (SIRENS WAIL IN THE DISTANCE) 15 00:00:37,638 --> 00:00:39,438 WE CARRY MACHINE GUNS; 16 00:00:39,440 --> 00:00:42,574 NINE MILLIMETERS, CORNERSHOTS. 17 00:00:42,576 --> 00:00:44,443 AND WE ARE TRAINED TO FIRE THOSE GUNS... 18 00:00:44,445 --> 00:00:46,245 (GUNSHOTS POP) 19 00:00:47,248 --> 00:00:49,581 AND THEN WE ARE TRAINED NOT TO FIRE THEM. 20 00:00:49,583 --> 00:00:51,750 NOW, THIS JOB ISN'T ABOUT FIRING GUNS, 21 00:00:51,752 --> 00:00:55,154 THIS JOB IS ABOUT GETTING INTO THE SUBJECT'S HEAD. 22 00:00:55,156 --> 00:00:57,239 (LOW MURMUR OF RAF'S VOICE) 23 00:00:57,240 --> 00:00:59,323 ED: IT'S ABOUT LISTENING TO WHAT THEY HAVE TO SAY. 24 00:00:59,326 --> 00:01:01,360 RAF: I'M GONNA HOLSTER MY GUN... 25 00:01:01,362 --> 00:01:02,694 ED: YOU GOTTA CONNECT... 26 00:01:02,696 --> 00:01:04,797 RESPECT AND PROTECT. 27 00:01:04,799 --> 00:01:06,398 KEEP THE PEACE. 28 00:01:06,400 --> 00:01:07,699 THAT'S RIGHT. 29 00:01:07,701 --> 00:01:08,700 OKAY. (CLAPS) 30 00:01:08,702 --> 00:01:10,135 YOU GUYS, 31 00:01:10,137 --> 00:01:12,371 WHO HERE HAS THOUGHT ABOUT BEING A COP? 32 00:01:12,373 --> 00:01:14,540 GOOD. GOOD, GOOD. 33 00:01:14,542 --> 00:01:17,409 MY SON, CLARK, HE'S GOT OTHER PLANS; 34 00:01:17,411 --> 00:01:18,610 I CAN RESPECT THAT. 35 00:01:19,547 --> 00:01:21,080 ANYBODY ELSE? 36 00:01:24,185 --> 00:01:26,285 (GUNSHOTS POP) 37 00:01:26,287 --> 00:01:28,554 NOW, IN MY CASE, MY DAD WAS A COP, 38 00:01:28,556 --> 00:01:29,855 MY BROTHER'S A COP, 39 00:01:29,857 --> 00:01:31,857 AND I STARTED OUT WALKING THE BEAT. 40 00:01:31,859 --> 00:01:34,526 AND IT WAS ACTUALLY THIS GUY'S DAD 41 00:01:34,528 --> 00:01:36,728 WHO CONVINCED ME TO JOIN THIS NEW UNIT - 42 00:01:36,730 --> 00:01:38,097 THE SRU. 43 00:01:39,200 --> 00:01:41,333 WASN'T EASY - NOT FOR ANY OF US. 44 00:01:41,335 --> 00:01:43,836 HUNDREDS APPLY, FEW MAKE IT IN. 45 00:01:43,838 --> 00:01:45,671 FIRST YOU TAKE A PSYCH TEST, 46 00:01:45,673 --> 00:01:47,189 MULTIPLE CHOICE - 47 00:01:47,190 --> 00:01:48,706 WHAT KIND OF COP ARE YOU? WHAT KIND OF HUMAN BEING? - 48 00:01:48,709 --> 00:01:50,609 1600 QUESTIONS. 49 00:01:50,611 --> 00:01:53,012 AND YOU GET THROUGH THAT, 50 00:01:53,013 --> 00:01:55,414 THEN IT'S FITNESS TESTS AND DRILLS. 51 00:01:55,416 --> 00:01:57,449 WE SPECIALIZE IN MARKSMANSHIP... 52 00:01:57,451 --> 00:01:59,118 (GUNSHOTS POP) 53 00:01:59,120 --> 00:02:02,521 BOMBS, TECH, PSYCHOLOGY, NEGOTIATIONS. 54 00:02:02,523 --> 00:02:04,456 EVERY DAY, YOU PUSH YOURSELF TO YOUR LIMIT... 55 00:02:04,458 --> 00:02:05,557 GO! GO! GO! GO! 56 00:02:05,559 --> 00:02:07,693 ED: PHYSICALLY, MENTALLY... 57 00:02:07,695 --> 00:02:11,263 SO THAT YOU CAN HANDLE THE JOB WHEN THE JOB GETS TOUGH. 58 00:02:11,265 --> 00:02:12,464 (GUNSHOTS POP) 59 00:02:17,872 --> 00:02:20,772 BECAUSE THE JOB DOES GET TOUGH. 60 00:02:20,774 --> 00:02:22,274 BUT YOU WORK HARD, 61 00:02:22,276 --> 00:02:23,542 YOU DO YOUR BEST. 62 00:02:23,544 --> 00:02:26,478 YOU DO WHAT YOU THINK IS RIGHT 63 00:02:26,480 --> 00:02:30,315 AND YOU'LL FIND PEACE IN WHATEVER YOU CHOOSE TO DO. 64 00:02:30,317 --> 00:02:31,583 (GRUNTS OF EFFORT) 65 00:02:33,354 --> 00:02:34,419 AGHHH! 66 00:02:36,857 --> 00:02:37,923 (EXHALES) 67 00:02:42,229 --> 00:02:43,629 WOMAN: WATCH THE CORNER. 68 00:02:43,631 --> 00:02:45,564 WE'RE ALMOST THERE. 69 00:02:45,566 --> 00:02:47,900 WE ARE GETTING WAY TOO GOOD AT THIS. 70 00:02:47,902 --> 00:02:49,168 YOUNGER WOMAN: SERIOUSLY. 71 00:02:51,505 --> 00:02:53,372 OH MY GOD. OKAY. 72 00:02:53,374 --> 00:02:54,706 WOMAN: SO I'LL TELL YOU WHAT I'M THINKING. 73 00:02:54,708 --> 00:02:56,909 AFTER WORK, I'LL BUY A BOTTLE OF BUBBLY, 74 00:02:56,911 --> 00:02:59,178 BRING IT BACK HERE, AND WE'LL CRACK IT OPEN 75 00:02:59,180 --> 00:03:00,345 AND CELEBRATE YOUR SHOW TONIGHT. 76 00:03:00,347 --> 00:03:01,513 JUST THE TWO OF US. 77 00:03:01,515 --> 00:03:02,814 WELL, MAYBE NOT THE FIRST TIME. 78 00:03:02,816 --> 00:03:05,517 SECOND MAYBE? I COULD SUCK. 79 00:03:05,519 --> 00:03:07,386 SHUT UP! YOU SHUT UP. 80 00:03:08,322 --> 00:03:10,522 YOU ARE MAY DALTON. 81 00:03:10,524 --> 00:03:12,658 YOU'RE SMART, TALENTED. 82 00:03:12,660 --> 00:03:15,360 WISE BEYOND YOUR YEARS, 83 00:03:15,362 --> 00:03:17,529 AND YOU ARE THE BRAVEST PERSON 84 00:03:17,531 --> 00:03:18,864 THAT I HAVE EVER KNOWN. 85 00:03:22,303 --> 00:03:24,269 AND WHO DO YOU THINK I GOT ALL THAT FROM? 86 00:03:24,271 --> 00:03:25,938 (CHUCKLES) 87 00:03:25,940 --> 00:03:28,273 (PHONE CHIRPS) I GOTTA GO. BYE. 88 00:03:30,778 --> 00:03:31,777 HEY. 89 00:03:31,779 --> 00:03:33,412 TOBIAS: HEY, GODDESS. 90 00:03:33,414 --> 00:03:35,314 SHOULDN'T YOU BE WORKING? 91 00:03:36,417 --> 00:03:37,967 I'VE GOT ELEVEN POSTERS LEFT, 92 00:03:37,968 --> 00:03:39,518 AND I DO NOT PLAN ON LETTING THEM GO TO WASTE. 93 00:03:39,520 --> 00:03:40,886 TOBIAS, YOU'RE ALREADY LATE, 94 00:03:40,888 --> 00:03:41,954 AND YOUR BOSS IS GONNA- 95 00:03:41,956 --> 00:03:43,288 IT'S WHATEVER. 96 00:03:44,225 --> 00:03:45,490 YOU'RE WORTH IT. 97 00:03:45,492 --> 00:03:48,860 YOU KNOW, IT'S KILLING ME THAT YOU CAN'T BE THERE TONIGHT. 98 00:03:48,862 --> 00:03:51,530 SO SING FOR ME NOW. 99 00:03:51,532 --> 00:03:52,698 WHAT? 100 00:03:52,700 --> 00:03:53,999 TOBIAS: PLEASE? I CAN'T JUST- 101 00:03:54,001 --> 00:03:55,701 JUST SING IT LIKE YOU'RE UP THERE 102 00:03:55,703 --> 00:03:58,704 AND I'M THE ONLY ONE WATCHING YOU. 103 00:03:58,706 --> 00:03:59,838 (QUIET LAUGH) 104 00:04:00,774 --> 00:04:03,308 OKAY, JUST HANG ON A SECOND. 105 00:04:07,982 --> 00:04:10,983 ¶ MY HEART HAS WINGS, LOVE ¶ 106 00:04:11,919 --> 00:04:14,786 ¶ WINGS TO CARRY ME HOME ¶ 107 00:04:15,723 --> 00:04:18,390 ¶ MY HEART IT SINGS, LOVE ¶ 108 00:04:19,326 --> 00:04:21,760 ¶ YOUR NAME IS ITS SONG ¶ 109 00:04:22,730 --> 00:04:24,696 ¶ THOUGH VALLEYS- ¶ (PHONE BEEPS) 110 00:04:25,633 --> 00:04:27,566 HANG ON. CALL WAITING. 111 00:04:31,038 --> 00:04:32,871 IT'S HIM. NOT TAKING IT. 112 00:04:32,873 --> 00:04:36,575 UH, THAT'S GOOD. THAT'S GOOD, THAT'S GOOD. 113 00:04:36,577 --> 00:04:39,645 YOU KNOW WHAT? I'M GONNA UM... I'M GONNA COME SEE YOU. 114 00:04:39,647 --> 00:04:41,480 I NEED MY GOOD LUCK KISS. 115 00:04:42,416 --> 00:04:43,782 (DOOR BUZZES) 116 00:04:43,784 --> 00:04:45,751 (VOICEMAIL) HI, THIS IS MAY, LEAVE A MESSAGE. 117 00:04:45,753 --> 00:04:47,019 HEY... IT'S ME. 118 00:04:47,021 --> 00:04:48,320 (DOOR BUZZES) 119 00:04:49,623 --> 00:04:52,658 UM... I JUST I WANTED TO CALL 120 00:04:52,660 --> 00:04:54,693 AND GIVE YOU THIS CELL PHONE NUMBER. 121 00:04:54,694 --> 00:04:56,727 I HAD TO GET A NEW CELL PHONE BECAUSE THE PHONE COMPANY... 122 00:04:56,730 --> 00:04:57,829 (DOOR BUZZES) 123 00:04:59,433 --> 00:05:01,467 ALL RIGHT, I JUST... 124 00:05:01,468 --> 00:05:03,502 I JUST WANT YOU TO KNOW THAT I'M THINKING ABOUT YOU 125 00:05:03,504 --> 00:05:05,037 AND... 126 00:05:05,039 --> 00:05:07,072 AND HAPPY BIRTHDAY. 127 00:05:09,610 --> 00:05:11,410 AND UH... 128 00:05:13,681 --> 00:05:16,915 AND I WOULD REALLY LIKE TO HEAR YOUR VOICE, OKAY? 129 00:05:16,917 --> 00:05:18,383 (DOOR BUZZES) 130 00:05:18,385 --> 00:05:19,451 DAMMIT! 131 00:05:21,055 --> 00:05:22,721 THE COUPLE MOVING IN'S BEEN MORE THAN PATIENT. 132 00:05:22,723 --> 00:05:24,456 I TOLD YOU, I CAN PAY. 133 00:05:24,458 --> 00:05:25,674 YOU WERE SUPPOSED TO BE OUT A WEEK AGO- 134 00:05:25,675 --> 00:05:26,891 LOOK, THE NEW JOB, IT'S AS GOOD AS MINE- 135 00:05:26,894 --> 00:05:28,243 NO WAY. 136 00:05:28,244 --> 00:05:29,593 TWO WEEKS - FIRST PAYCHEQUE, IT'S ALL YOURS. COME ON- 137 00:05:29,596 --> 00:05:30,996 I'VE HEARD IT BEFORE. 138 00:05:31,932 --> 00:05:33,932 OKAY, LOOK, TAKE MY WATCH. 139 00:05:33,934 --> 00:05:34,933 IT'S WORTH $300 BUCKS, ALL RIGHT? 140 00:05:34,935 --> 00:05:35,934 I DON'T WANT YOUR DAMN WATCH- 141 00:05:35,936 --> 00:05:37,469 $300 BUCKS, ALL RIGHT? 142 00:05:37,470 --> 00:05:39,003 YOU CAN HAVE THE RING AS WELL. IT'S WHITE GOLD, ALL RIGHT? 143 00:05:39,006 --> 00:05:40,806 I SURE AS HELL DON'T NEED IT ANYMORE. TAKE IT. 144 00:05:40,808 --> 00:05:42,441 JAMES... 145 00:05:42,443 --> 00:05:43,508 COME ON. 146 00:05:44,978 --> 00:05:46,545 ALL RIGHT, LOOK... 147 00:05:46,547 --> 00:05:48,580 HERE. TAKE THIS. 148 00:05:48,582 --> 00:05:49,915 IT'S REAL CRYSTAL. 149 00:05:49,917 --> 00:05:51,461 IT'S REAL. 150 00:05:51,462 --> 00:05:53,006 YOU GOTTA BE ABLE TO GET SOMETHING FOR THIS. 151 00:05:53,007 --> 00:05:54,551 COME ON, TAKE IT. TAKE IT! 152 00:05:54,555 --> 00:05:55,620 (SHATTERING SMASH) 153 00:05:57,524 --> 00:05:58,990 (PANICKED BREATHS) 154 00:06:00,127 --> 00:06:02,627 YOU'RE GONE BY TONIGHT. 155 00:06:03,564 --> 00:06:05,897 DON'T MAKE ME CALL THE COPS. 156 00:06:07,034 --> 00:06:09,701 YOU WILL SHOW ME SOME RESPECT! 157 00:06:13,040 --> 00:06:14,906 (OVERWHELMED BREATHS) 158 00:06:15,843 --> 00:06:25,951 ¶¶¶ 159 00:06:25,953 --> 00:06:31,056 ¶¶¶ 160 00:06:31,992 --> 00:06:33,925 HOW WAS CLASS, ED? 161 00:06:33,927 --> 00:06:35,127 YOUR KID'S SCHOOL, RIGHT? 162 00:06:35,129 --> 00:06:37,562 YEAH. BOSS'S KID GOES THERE TOO. 163 00:06:37,564 --> 00:06:38,997 DEAN SEEMED PRETTY INTO IT. 164 00:06:38,999 --> 00:06:40,065 OH, YEAH? 165 00:06:40,067 --> 00:06:41,500 WELL, MORE THAN CLARK DID. 166 00:06:41,501 --> 00:06:42,934 THAT'S BECAUSE YOUR BOY'S HAD SEVENTEEN YEARS 167 00:06:42,936 --> 00:06:43,935 LIVING WITH A COP. 168 00:06:43,937 --> 00:06:44,770 MINE'S JUST GETTING STARTED. 169 00:06:44,772 --> 00:06:46,438 YEAH, WE'LL SEE. 170 00:06:47,508 --> 00:06:49,574 SPIKE: WHAT'S NOT TO LOVE ABOUT BEING A COP? 171 00:06:49,576 --> 00:06:51,576 THE HOURS, THE GLAMOUR, THE GIRLS... 172 00:06:51,578 --> 00:06:52,844 JULES: THE GIRLS? 173 00:06:52,845 --> 00:06:54,111 SPIKE: KING STREET, SATURDAY NIGHT? 174 00:06:54,114 --> 00:06:55,981 I'M JUST SAYING, I SAW YOU. 175 00:06:55,983 --> 00:06:57,883 HEY, I WAS JUST MAKING SURE THE LADIES GOT HOME SAFE. 176 00:06:57,885 --> 00:06:58,884 BOTH LADIES. 177 00:06:58,886 --> 00:06:59,985 (SHOCKED LAUGH) 178 00:06:59,987 --> 00:07:00,986 RAF. 179 00:07:00,988 --> 00:07:02,754 RAF: YEAH, BOSS. 180 00:07:02,756 --> 00:07:05,991 SO, UH, COMING UP ON A YEAR NEXT WEEK. 181 00:07:05,993 --> 00:07:07,726 YEAH, I KNOW. 182 00:07:07,728 --> 00:07:09,861 SO HOW IS IT GOIN'? 183 00:07:09,863 --> 00:07:11,696 YOU TELL ME. 184 00:07:11,698 --> 00:07:14,733 I THINK YOU'RE DOING GREAT. 185 00:07:14,735 --> 00:07:16,868 BUT IT'S A TWO-WAY RELATIONSHIP, YOU AND THE JOB. 186 00:07:16,870 --> 00:07:17,869 YOU KNOW WHAT I'M SAYING? 187 00:07:17,871 --> 00:07:19,538 I THINK SO. 188 00:07:20,774 --> 00:07:22,324 AFTER A YEAR, 189 00:07:22,325 --> 00:07:23,875 YOU GET A TASTE OF HOW THE JOB'S DOING FOR YOU. 190 00:07:23,877 --> 00:07:26,778 I HEAR YOU, BOSS. IT'S ALL GOOD. 191 00:07:26,780 --> 00:07:28,180 GOOD. OKAY. 192 00:07:30,150 --> 00:07:31,633 SO TWO GIRLS, HUH? 193 00:07:31,634 --> 00:07:33,117 RAF: ACTUALLY, IT WAS THREE, BUT WHO'S COUNTIN'? 194 00:07:37,024 --> 00:07:38,824 (TECHNO MUSIC PLAYS) 195 00:07:43,964 --> 00:07:45,964 DAVID: YO! TOBIAS! 196 00:07:45,966 --> 00:07:47,532 THE NEW GRAPHICS LOOK GOOD. 197 00:07:47,534 --> 00:07:49,017 JUST FINISHED PROGRAMMING. 198 00:07:49,018 --> 00:07:50,501 DAVID: SWEET! HOW'S MAY? BIG NIGHT. 199 00:07:50,504 --> 00:07:51,603 SHE'S GONNA BE AWESOME! 200 00:07:53,507 --> 00:07:54,806 WON'T BE LONG TILL SHE'S PLAYING HERE. 201 00:07:54,808 --> 00:07:56,208 TOBIAS: YOU KNOW IT! 202 00:07:58,479 --> 00:07:59,544 CAN I HELP YOU? 203 00:08:01,815 --> 00:08:03,231 HEY, WE'RE NOT OPEN YET! 204 00:08:03,232 --> 00:08:04,648 JAMES: I'M HERE FOR HIM. 205 00:08:06,520 --> 00:08:08,487 HEY! 206 00:08:08,489 --> 00:08:09,654 WE NEED TO TALK. 207 00:08:09,656 --> 00:08:11,256 DOING HERE? I NEED SOME INFORMATION. 208 00:08:13,260 --> 00:08:14,493 I'M NOT GONNA TALK TO YOU. 209 00:08:14,495 --> 00:08:16,962 YES, YOU ARE GONNA TALK TO ME. 210 00:08:18,098 --> 00:08:19,264 (SIRENS WAIL) 211 00:08:20,200 --> 00:08:22,267 WINNIE, GO FOR THE 911... 212 00:08:23,270 --> 00:08:24,603 DAVID? 213 00:08:24,604 --> 00:08:25,937 DAVID, THIS IS SERGEANT GREG PARKER, 214 00:08:25,939 --> 00:08:28,173 I'M WITH THE STRATEGIC RESPONSE UNIT. 215 00:08:28,175 --> 00:08:30,008 CAN YOU IDENTIFY THE GUNMAN? 216 00:08:30,010 --> 00:08:31,676 NO IDEA. 217 00:08:31,678 --> 00:08:34,045 HE CAME IN, WENT STRAIGHT FOR MY FRIEND. 218 00:08:34,047 --> 00:08:35,247 PARKER: OKAY. DOES HE KNOW HIM? 219 00:08:35,249 --> 00:08:37,682 I DON'T KNOW. HE'S SHOUTING AT HIM- 220 00:08:37,684 --> 00:08:38,817 JAMES: TELL ME WHERE SHE IS! 221 00:08:38,819 --> 00:08:40,585 YOU GOTTA GET HERE. 222 00:08:40,587 --> 00:08:41,586 OOF! 223 00:08:41,588 --> 00:08:42,654 OH MY GOD! 224 00:08:43,891 --> 00:08:46,024 PARKER: WHAT'S GOING ON? 225 00:08:46,026 --> 00:08:47,959 I DON'T WANT TO HURT YOU! TELL ME WHERE SHE IS! 226 00:08:47,961 --> 00:08:49,728 COME ON, DAVID, TALK TO ME. WHAT'S HAPPENING? 227 00:08:51,231 --> 00:08:52,297 TELL ME NOW! 228 00:08:53,033 --> 00:08:54,633 (FIGHTING GRUNTS) 229 00:09:01,008 --> 00:09:02,073 UNGH! 230 00:09:03,176 --> 00:09:04,242 AGHHHH! 231 00:09:05,679 --> 00:09:07,012 (GUNSHOT FIRES) 232 00:09:09,216 --> 00:09:10,282 (GUNSHOT FIRES) 233 00:09:10,284 --> 00:09:11,550 EDDIE... 234 00:09:14,087 --> 00:09:15,987 GET UP! GET UP! 235 00:09:15,989 --> 00:09:16,988 GET UP NOW! 236 00:09:16,990 --> 00:09:18,223 START WALKING! 237 00:09:18,225 --> 00:09:19,324 DAVID! DAVID! 238 00:09:20,260 --> 00:09:21,259 I'M HERE. 239 00:09:21,261 --> 00:09:23,094 DON'T ENGAGE HIM, PLEASE! 240 00:09:23,096 --> 00:09:25,597 I JUST NEED YOU TO TELL ME WHAT HE IS DOING? 241 00:09:25,599 --> 00:09:28,667 HE'S TAKING HIM OUTSIDE. HE'S GETTING AWAY. 242 00:09:28,669 --> 00:09:30,669 ALL RIGHT, WE'RE ALMOST THERE. YOU HANG TIGHT. 243 00:09:30,671 --> 00:09:31,770 (GUNSHOT POPS) 244 00:09:31,772 --> 00:09:33,138 I HEARD ANOTHER SHOT! 245 00:09:33,140 --> 00:09:35,140 DAVID, STAY INSIDE! 246 00:09:35,142 --> 00:09:37,175 ED: SAM, TAKE THE ENTRANCE ON RICHARDSON. 247 00:09:37,177 --> 00:09:38,677 SAM: COPY THAT. 248 00:09:39,780 --> 00:09:41,046 HE'S GETTING AWAY, 249 00:09:41,048 --> 00:09:42,747 I THINK HE'S GOT TOBIAS IN THE CAR. 250 00:09:42,749 --> 00:09:44,282 WHAT KIND OF CAR IS IT? 251 00:09:44,284 --> 00:09:46,184 GREY SEDAN. I CAN'T MAKE OUT THE PLATE. 252 00:09:46,186 --> 00:09:47,886 ENDS IN A ONE. SIXTY-ONE. 253 00:09:47,888 --> 00:09:49,020 SAM, YOU GET THAT? 254 00:09:49,022 --> 00:09:50,221 (SIRENS WAIL) 255 00:09:50,223 --> 00:09:52,757 AFFIRMATIVE. WE GOT HIM. 256 00:09:52,759 --> 00:09:55,026 RAF: ONLY ONE PERSON IN THE CAR. 257 00:09:55,028 --> 00:09:56,328 (TIRES SCREECH) 258 00:10:00,834 --> 00:10:03,068 RAF: (OVER SPEAKER) THIS IS THE STRATEGIC RESPONSE UNIT! 259 00:10:03,070 --> 00:10:05,637 THIS IS THE POLICE! PULL OVER IMMEDIATELY! 260 00:10:05,639 --> 00:10:07,672 I REPEAT, PULL YOUR VEHICLE OVER! 261 00:10:07,674 --> 00:10:09,374 (SIREN WAILS) 262 00:10:09,376 --> 00:10:12,010 SPIKE: WE GOT AN IMAGE FROM THE CCTV, IT'S GONE TO YOUR PHONES. 263 00:10:12,012 --> 00:10:13,086 JULES: NO SIGN OF TOBIAS. 264 00:10:13,087 --> 00:10:14,161 ED: IF TOBIAS TOOK A BLOW TO THE HEAD, 265 00:10:14,162 --> 00:10:15,236 HE COULD HAVE PASSED OUT IN THE CAR. 266 00:10:15,237 --> 00:10:16,311 PARKER: YOU HEARD THREE SHOTS, RIGHT? 267 00:10:16,316 --> 00:10:17,649 DAVID: YEAH. 268 00:10:17,650 --> 00:10:18,983 ED: SO ONE WHEN YOU LAND, AND THE SECOND HIT HERE... 269 00:10:18,986 --> 00:10:20,051 AND THEN ONE OUTSIDE. 270 00:10:20,053 --> 00:10:21,653 I'LL CALL IN FORENSICS, 271 00:10:21,654 --> 00:10:23,254 SEE IF THEY CAN ACCOUNT FOR THE THIRD. 272 00:10:23,255 --> 00:10:24,855 JULES: WE DIDN'T SEE ANY IMPACT OR RICOCHET MARKS OUTSIDE. 273 00:10:24,858 --> 00:10:27,258 YOU THINK HE'S BEEN SHOT? 274 00:10:27,260 --> 00:10:28,360 WHAT'S GOING ON? 275 00:10:28,362 --> 00:10:29,711 EXCUSE ME, WHO ARE YOU? 276 00:10:29,712 --> 00:10:31,061 MAY DALTON. THE COP OUTSIDE TOLD ME TO COME IN 277 00:10:31,064 --> 00:10:32,330 AND TALK TO YOU. 278 00:10:32,332 --> 00:10:33,865 HIS GIRLFRIEND. 279 00:10:35,302 --> 00:10:37,235 WHERE'S TOBIAS? 280 00:10:37,237 --> 00:10:40,205 JULES: LISTEN, MAY, YOUR BOYFRIEND WAS TAKEN BY SOMEBODY. 281 00:10:40,207 --> 00:10:42,841 WHAT? SOMEBODY CAME IN HERE, TOOK HIM OUTSIDE. 282 00:10:42,843 --> 00:10:44,409 HE WAS ARMED. 283 00:10:44,411 --> 00:10:46,311 ED: OKAY, MAY, SIT DOWN- 284 00:10:46,313 --> 00:10:47,646 MAY: NO, I DON'T NEED TO SIT DOWN, 285 00:10:47,648 --> 00:10:49,248 I NEED TO KNOW WHAT'S GOING ON. 286 00:10:49,249 --> 00:10:50,849 ED: WE'RE TRYING TO FIGURE THAT OUT, ALL RIGHT? SPIKE. 287 00:10:50,851 --> 00:10:52,717 DO YOU KNOW THIS MAN? 288 00:10:55,288 --> 00:10:56,655 OH GOD... 289 00:10:56,657 --> 00:10:59,190 MAY, DO YOU KNOW THIS MAN? 290 00:10:59,192 --> 00:11:01,059 THAT'S MY FATHER! 291 00:11:02,796 --> 00:11:04,329 (SIREN WAILS) 292 00:11:04,331 --> 00:11:07,098 STILL IN PURSUIT. THIS GUY'S NOT SLOWING DOWN. 293 00:11:07,100 --> 00:11:08,433 (TIRES SQUEAL) 294 00:11:09,369 --> 00:11:10,435 (SIREN WAILS) 295 00:11:12,339 --> 00:11:14,172 (NERVOUS BREATHS) 296 00:11:14,174 --> 00:11:15,240 RAF: PULL OVER! 297 00:11:15,242 --> 00:11:17,976 I REPEAT, PULL YOUR VEHICLE OVER! 298 00:11:18,912 --> 00:11:20,245 YOU SEE THAT? 299 00:11:20,247 --> 00:11:21,746 LET'S SEE IF WE CAN FORCE HIM OFF GERRARD. 300 00:11:21,748 --> 00:11:23,348 GET UP CLOSE. 301 00:11:23,350 --> 00:11:25,817 (ENGINE ROARS, SIREN WAILS) 302 00:11:30,724 --> 00:11:31,573 (GASPS) 303 00:11:31,574 --> 00:11:32,423 WINNIE, SET UP A ROADBLOCK ON JARVIS. 304 00:11:32,426 --> 00:11:33,692 SAM! 305 00:11:37,364 --> 00:11:39,130 PULL BACK! PULL BACK! 306 00:11:39,132 --> 00:11:40,198 OOF! 307 00:11:42,069 --> 00:11:43,334 (PAINED GRUNTS) 308 00:11:46,440 --> 00:11:48,206 RAF: WINNIE, WE NEED EMS, RIGHT NOW! 309 00:11:49,142 --> 00:12:04,055 ¶¶¶ 310 00:12:04,057 --> 00:12:18,336 ¶¶¶ 311 00:12:26,747 --> 00:12:27,779 (GROANS IN PAIN) 312 00:12:27,781 --> 00:12:28,847 RAF: WINNIE, GIVE US AN APB, 313 00:12:28,849 --> 00:12:30,181 GERRARD HEADING EAST FROM ONTARIO. 314 00:12:30,183 --> 00:12:31,538 WHERE'S EMS? 315 00:12:31,539 --> 00:12:32,894 TOBIAS, KEEP STILL, WE'RE GONNA TAKE CARE OF YOU. 316 00:12:32,895 --> 00:12:34,250 TOBIAS: YOU GOTTA TELL MAY... SAM: EASY, EASY, EASY... 317 00:12:34,254 --> 00:12:35,253 HE'S GONNA FIND HER, OKAY? 318 00:12:35,255 --> 00:12:36,488 HE'S GONNA FIND BOTH OF THEM- 319 00:12:36,490 --> 00:12:37,789 WHAT DO YOU MEAN? BOTH OF WHO? 320 00:12:37,790 --> 00:12:39,089 HE SAID HE WANTED TO KNOW WHERE MAY WAS, 321 00:12:39,090 --> 00:12:40,389 BUT I WOULDN'T TELL HIM, AND THEN HE SAID 322 00:12:40,393 --> 00:12:41,292 HE'D ASK HER MOM, SO I TOLD HIM... 323 00:12:41,294 --> 00:12:42,644 TOLD HIM WHAT, TOBIAS? 324 00:12:42,645 --> 00:12:43,995 ROYAL YORK HOTEL, WHERE SHE WORKS. 325 00:12:43,997 --> 00:12:47,098 HE'S GOING THERE NOW. HE'S GOT A GUN! 326 00:13:00,247 --> 00:13:01,946 JULES: I'M CALLING THE HOTEL. 327 00:13:01,948 --> 00:13:03,782 EVERYTHING WE CAN ON ANY JAMES MITCHELL 328 00:13:03,784 --> 00:13:05,183 MATCHING HIS DESCRIPTION. COPY. 329 00:13:05,185 --> 00:13:07,051 TOBIAS. TOBIAS IS GONNA BE OKAY, 330 00:13:07,053 --> 00:13:08,253 BUT WE GOTTA GET TO YOUR MOM AND DAD 331 00:13:08,255 --> 00:13:09,487 AND MAKE SURE THEY'RE GONNA BE OKAY, TOO. 332 00:13:09,489 --> 00:13:11,189 YOU CAN'T LET HIM NEAR MY MOM. 333 00:13:11,191 --> 00:13:12,223 I HEAR YOU. 334 00:13:12,225 --> 00:13:14,192 WHAT'S YOUR NAME? 335 00:13:15,128 --> 00:13:17,929 IT'S ED. ED LANE. 336 00:13:17,931 --> 00:13:20,799 ED, YOU CAN'T LET THIS HAPPEN. 337 00:13:20,801 --> 00:13:22,534 YOU DON'T KNOW MY FATHER. 338 00:13:22,536 --> 00:13:24,202 CAN YOU HELP US KNOW HIM, MAY? 339 00:13:24,204 --> 00:13:25,470 MAY, CAN YOU RIDE WITH US? 340 00:13:25,472 --> 00:13:26,905 YEAH. LET'S GO. 341 00:13:31,077 --> 00:13:32,143 SAM: TOBIAS IS WITH EMS. 342 00:13:32,145 --> 00:13:33,344 WE'RE ON OUR WAY TO THE HOTEL, 343 00:13:33,346 --> 00:13:34,546 SQUAD CARS EN ROUTE. 344 00:13:34,548 --> 00:13:36,214 JULES, ANY LUCK REACHING THE MOTHER? 345 00:13:36,216 --> 00:13:37,566 JULES: SHE WORKS THE BANQUETS, 346 00:13:37,567 --> 00:13:38,917 THEY DON'T KNOW IF SHE'S SHOWED UP TO WORK YET. 347 00:13:38,919 --> 00:13:40,518 THEY'RE LOOKING FOR HER. 348 00:13:43,857 --> 00:13:45,089 ED: SO YOU AND YOUR MOM LEFT LAST YEAR? 349 00:13:45,091 --> 00:13:46,558 IS THAT RIGHT? 350 00:13:46,560 --> 00:13:49,127 IT SHOULD'VE BEEN SOONER. 351 00:13:49,129 --> 00:13:50,829 WHAT HAPPENED? 352 00:13:50,831 --> 00:13:53,965 IT WASN'T JUST ONE THING, IT WAS EVERYTHING. 353 00:13:53,967 --> 00:13:55,433 THEN IT JUST GOT WORSE. 354 00:13:55,435 --> 00:13:57,602 WERE YOU AFRAID OF YOUR DAD? 355 00:13:57,604 --> 00:14:00,004 YEAH. 356 00:14:00,006 --> 00:14:03,241 HE THOUGHT I DIDN'T KNOW WHO HE WAS. 357 00:14:03,243 --> 00:14:04,576 I KNEW WHO HE WAS. 358 00:14:04,578 --> 00:14:07,979 JAMES: (MENACING) YOUR PROBLEM IS YOU JUST DON'T THINK. 359 00:14:07,981 --> 00:14:10,114 MICHELLE: JAMES, I TOLD YOU ABOUT IT LAST WEEK. 360 00:14:10,116 --> 00:14:11,482 JAMES: YOU TOLD ME... 361 00:14:11,484 --> 00:14:12,984 MICHELLE: YOU SAID IT WAS OKAY. 362 00:14:12,985 --> 00:14:14,485 THE SHEETS WERE ONLY ON SALE FOR THE WEEKEND- 363 00:14:14,487 --> 00:14:16,554 JAMES: I SAID IT WAS OKAY. 364 00:14:16,556 --> 00:14:18,523 YOU DID. 365 00:14:18,525 --> 00:14:20,592 ARE YOU TELLING ME WHAT I REMEMBER NOW? 366 00:14:20,594 --> 00:14:21,593 MICHELLE: OH, PLEASE... JAMES: ARE YOU?! 367 00:14:21,595 --> 00:14:23,061 MICHELLE: NO! 368 00:14:23,062 --> 00:14:24,528 JAMES: BECAUSE NOW I HAVE A CAR PAYMENT THAT BOUNCES. 369 00:14:24,531 --> 00:14:26,531 I HAVE A CAR PAYMENT UNCES 370 00:14:26,533 --> 00:14:29,567 BECAUSE YOU NEED NEW (SMASHES PLATE) SHEETS! 371 00:14:29,569 --> 00:14:31,236 YOU KNOW WHAT? FROM NOW ON, 372 00:14:31,237 --> 00:14:32,904 YOU SIGN YOUR CHEQUES OVER TO ME, MICHELLE. 373 00:14:32,906 --> 00:14:34,239 I GIVE YOU WHAT YOU NEED. 374 00:14:34,241 --> 00:14:35,240 YOU DON'T NEED TO DO THAT. 375 00:14:35,242 --> 00:14:36,725 WHY NOT? 376 00:14:36,726 --> 00:14:38,209 YOU PLANNING ON MAKING A MOVE, MICHELLE? 377 00:14:40,914 --> 00:14:42,313 DON'T YOU LIKE TO ME! 378 00:14:42,315 --> 00:14:43,381 DAD? 379 00:14:48,021 --> 00:14:49,220 HEY, MAY-BE. 380 00:14:51,224 --> 00:14:54,359 UH, YOU FINISH YOUR EGYPTIAN PROJECT? 381 00:14:55,295 --> 00:14:57,095 YEAH... YEAH, ALMOST. 382 00:14:58,164 --> 00:15:01,099 HEY, UM... DO ME A FAVOUR? 383 00:15:02,035 --> 00:15:05,003 HELP YOUR MOM CLEAN UP THE PLATES SHE BROKE. 384 00:15:05,005 --> 00:15:07,305 YOU KNOW HOW SHE GETS. 385 00:15:07,307 --> 00:15:09,407 THANK YOU, SWEETIE. 386 00:15:12,612 --> 00:15:14,112 (MICHELLE SOBS) 387 00:15:21,988 --> 00:15:24,289 HE TOOK AWAY ALL HER MONEY SO SHE COULDN'T LEAVE, 388 00:15:24,291 --> 00:15:25,556 MADE HER THINK SHE WAS CRAZY, 389 00:15:25,558 --> 00:15:28,059 AND THAT HE WAS THE NORMAL ONE. 390 00:15:28,061 --> 00:15:30,662 MAY, MOVING OUT, THE RESTRAINING ORDER, 391 00:15:30,664 --> 00:15:32,931 YOUR MOM CHANGING HER NAME, 392 00:15:32,932 --> 00:15:35,199 THOSE ARE ALL THINGS THAT BOTH OF YOU DID RIGHT, 393 00:15:35,201 --> 00:15:36,968 AND THAT PAST IS BEHIND YOU. 394 00:15:36,970 --> 00:15:39,570 BUT IT'S NOT! I MEAN, LOOK WHERE I AM. 395 00:15:39,572 --> 00:15:41,039 I'M IN A CAR WITH TWO COPS. 396 00:15:41,041 --> 00:15:42,340 I MEAN, NO OFFENCE, GUYS, 397 00:15:42,342 --> 00:15:43,641 BUT YOU REALLY HAVEN'T DONE THE BEST JOB 398 00:15:43,643 --> 00:15:45,443 OF KEEPING HIM AWAY. 399 00:15:47,180 --> 00:15:50,481 HE CALLED ME TODAY 'CAUSE IT'S MY BIRTHDAY. 400 00:15:50,483 --> 00:15:52,717 HOW'D HE GET MY CELL PHONE NUMBER? 401 00:15:52,719 --> 00:15:55,353 HE EVEN TRACKED DOWN WHERE TOBIAS WORKS. 402 00:15:55,355 --> 00:15:56,955 NOW HE KNOWS WHERE MOM WORKS. 403 00:15:56,957 --> 00:15:59,257 I MEAN, WHAT ARE WE SUPPOSED TO DO? 404 00:16:00,627 --> 00:16:05,663 TOBIAS HAS DONE EVERYTHING SO THAT WE CAN FEEL SAFE. 405 00:16:07,400 --> 00:16:11,002 BUT I GUESS THAT'S JUST NOT GONNA HAPPEN. 406 00:16:16,309 --> 00:16:18,576 (PATRONS CHATTER AND LAUGH) 407 00:16:22,182 --> 00:16:23,673 HELLO. HI. 408 00:16:23,674 --> 00:16:25,165 JAMES: (READING HER NAMETAG) UH, HEATHER, 409 00:16:25,166 --> 00:16:26,657 I WONDER IF YOU CAN HELP ME, I'M LOOKING FOR SOMEONE. 410 00:16:26,658 --> 00:16:28,149 HEATHER: OF COURSE. IS THIS PERSON A GUEST WITH US TODAY? 411 00:16:28,154 --> 00:16:29,587 NO. AN EMPLOYEE. 412 00:16:29,589 --> 00:16:31,005 OH, OKAY. 413 00:16:31,006 --> 00:16:32,422 YOU'D NEED TO SPEAK TO THE RESIDENT MANAGER. 414 00:16:32,425 --> 00:16:34,392 SHALL I CALL HIM? 415 00:16:36,563 --> 00:16:39,130 YOU KNOW, ACTUALLY, I JUST CAME IN TO SAY HI. 416 00:16:39,132 --> 00:16:40,231 IT'S THE MANAGER I'M LOOKING FOR... 417 00:16:40,233 --> 00:16:42,233 I HAVE A JOB INTERVIEW. 418 00:16:42,235 --> 00:16:43,267 A FRIEND SET IT UP. 419 00:16:43,269 --> 00:16:46,004 I HAVE HIS NAME HERE SOMEWHERE... 420 00:16:46,006 --> 00:16:47,405 FLOYD MATHER. 421 00:16:47,407 --> 00:16:49,273 MR. MATHER. RIGHT. 422 00:16:49,275 --> 00:16:50,675 TAKE THOSE STAIRS UP TO THE MEZZANINE, 423 00:16:50,677 --> 00:16:53,378 THEN ALL THE WAY AROUND AND LOOK FOR THE SIGNS. 424 00:16:53,380 --> 00:16:54,679 THANK YOU SO MUCH. 425 00:16:54,681 --> 00:16:56,214 CONCIERGE: GOOD LUCK! 426 00:17:00,153 --> 00:17:02,787 SPIKE: BOSS, JAMES SERVED TWO 30-DAY SENTENCES LAST YEAR - 427 00:17:02,789 --> 00:17:05,289 ASSAULT AND VIOLATING A RESTRAINING ORDER. 428 00:17:05,291 --> 00:17:07,325 DOMESTIC OFFENSES GO BACK FOUR YEARS, 429 00:17:07,327 --> 00:17:09,093 AND HE'S BEEN OUT OF WORK FOR OVER A YEAR. 430 00:17:09,095 --> 00:17:10,428 THERE'S GONNA BE MONEY ISSUES. 431 00:17:10,430 --> 00:17:11,830 I TALKED TO TOBIAS. 432 00:17:11,831 --> 00:17:13,231 MICHELLE AND MAY HAVE MOVED THREE TIMES 433 00:17:13,233 --> 00:17:14,232 IN THE LAST YEAR 434 00:17:14,234 --> 00:17:15,633 AND JAMES KEEPS FINDING THEM, 435 00:17:15,635 --> 00:17:17,552 AND EVERY TIME HE ESCALATES. 436 00:17:17,553 --> 00:17:19,470 PARKER: DOMINATING PERSONALITY, MULTIPLE STRESSORS, 437 00:17:19,472 --> 00:17:21,472 HIS LIFE IS OUT OF CONTROL. 438 00:17:21,474 --> 00:17:26,611 HE PICKS TODAY TO LASH BACK AT THE ONE PERSON HE CAN BLAME. 439 00:17:26,613 --> 00:17:28,312 AND WE KNOW HOW THESE THINGS OFTEN GO. 440 00:17:28,314 --> 00:17:29,747 JULES: YEAH, THAT'S WHAT I'M AFRAID OF. 441 00:17:29,749 --> 00:17:30,815 MURDER-SUICIDE. 442 00:17:35,488 --> 00:17:37,088 (HEAVY BREATHING) 443 00:17:41,194 --> 00:17:43,061 I'M LOOKING FOR THE MANAGER. 444 00:17:43,063 --> 00:17:44,062 CAN I HELP YOU? 445 00:17:44,064 --> 00:17:46,664 YES. WHERE'S MICHELLE DALTON? 446 00:17:50,670 --> 00:17:52,537 MAY, WE'RE GONNA DO EVERYTHING WE CAN 447 00:17:52,539 --> 00:17:53,604 TO KEEP YOUR MOM SAFE. 448 00:17:53,606 --> 00:17:55,706 ED: THIS IS WHAT WE DO, MAY. 449 00:17:55,708 --> 00:17:57,275 NOBODY NEEDS TO GET HURT TODAY. 450 00:17:59,079 --> 00:18:00,812 TELL ME YOUR NAME AGAIN. 451 00:18:02,449 --> 00:18:04,348 GREG PARKER. 452 00:18:04,350 --> 00:18:06,084 GREG. 453 00:18:06,086 --> 00:18:07,685 GREG AND ED. 454 00:18:12,225 --> 00:18:14,325 I WANNA BE ABLE TO HOLD YOU 455 00:18:14,327 --> 00:18:16,294 TO WHAT YOU JUST TOLD TO ME, OKAY? 456 00:18:19,866 --> 00:18:21,132 OKAY, MAY. 457 00:18:23,303 --> 00:18:24,368 OKAY. 458 00:18:28,641 --> 00:18:29,774 (SIRENS WAIL) 459 00:18:33,246 --> 00:18:34,679 ED: LET'S GO! 460 00:18:34,681 --> 00:18:35,746 LET'S GO! 461 00:18:43,790 --> 00:18:45,656 WHERE IS MICHELLE DALTON?! 462 00:18:45,658 --> 00:18:47,258 (STAFF SCREAMS) 463 00:18:47,260 --> 00:18:48,392 MICHELLE! 464 00:18:48,394 --> 00:18:49,494 WHERE IS SHE? 465 00:18:51,698 --> 00:18:52,697 MICHELLE! 466 00:18:52,699 --> 00:18:53,764 MICHELLE: JAMES... 467 00:18:54,901 --> 00:18:56,667 (FRIGHTENED WHIMPERS) 468 00:19:04,611 --> 00:19:05,676 (SIRENS WAIL) 469 00:19:09,549 --> 00:19:11,415 IS THAT HIM? 470 00:19:11,417 --> 00:19:12,717 YEAH. THAT'S DEFINITELY HIM. 471 00:19:12,719 --> 00:19:14,752 SPIKE, WE GOT A POSITIVE ID ON JAMES. 472 00:19:14,754 --> 00:19:17,221 CONCIERGE SAYS HE'S LOOKING FOR THE HR MANAGER. 473 00:19:17,223 --> 00:19:18,473 THANK YOU, HEATHER. 474 00:19:18,474 --> 00:19:19,724 HEATHER, WHERE CAN I FIND THE MANAGER? 475 00:19:19,726 --> 00:19:20,858 UH, MEZZANINE. UP THOSE STAIRS. 476 00:19:20,860 --> 00:19:22,393 THANK YOU. SPIKE, TRANSPONDERS ON. 477 00:19:24,397 --> 00:19:25,330 LET'S MOVE. 478 00:19:25,331 --> 00:19:26,264 (TYPES FURIOUSLY, COMPUTER TRILLS) 479 00:19:28,368 --> 00:19:29,901 UP THE STAIRS, LEFT AND LEFT. 480 00:19:29,903 --> 00:19:31,435 (DOOR BANGS SHUT) MAY'S GONNA HELP US PROFILE. 481 00:19:31,437 --> 00:19:32,436 NO PROBLEM. 482 00:19:32,438 --> 00:19:33,437 MAY? SPIKE. HAVE A SEAT. 483 00:19:33,439 --> 00:19:35,373 THANKS. 484 00:19:35,375 --> 00:19:35,773 OKAY? 485 00:19:40,246 --> 00:19:41,846 (WHIMPERS, FRIGHTENED) 486 00:19:46,886 --> 00:19:49,320 THIS WASN'T NECESSARY, MICHELLE? 487 00:19:49,322 --> 00:19:51,689 YOU KNOW THAT NONE OF THIS HAD TO HAPPEN, 488 00:19:51,691 --> 00:19:52,823 DON'T YOU? 489 00:19:54,527 --> 00:19:56,661 ALL YOU HAD TO DO WAS TALK TO ME. 490 00:19:56,663 --> 00:19:58,896 YOU KNOW WHAT DAY IT IS TODAY. 491 00:19:59,832 --> 00:20:00,965 (PLATE BREAKS) 492 00:20:00,967 --> 00:20:02,466 (STAFF SCREAMS) 493 00:20:04,938 --> 00:20:07,538 FOUR, SEVEN, BRAVO, KILO 494 00:20:07,540 --> 00:20:10,675 UNDERSCORE TANGO X-RAY. THANK YOU. 495 00:20:10,677 --> 00:20:12,376 THOSE DOTS, IS THAT YOUR TEAM? 496 00:20:12,378 --> 00:20:14,278 YEP, AND IF MY MOM WAS IN TROUBLE? 497 00:20:14,280 --> 00:20:15,980 THEY'RE THE ONES I'D WANNA SEE COMING THROUGH THE WINDOW. 498 00:20:18,785 --> 00:20:20,351 THAT'S-THAT'S INSIDE. HOW DID YOU...? 499 00:20:20,353 --> 00:20:22,253 IT'S MAGIC. 500 00:20:22,255 --> 00:20:24,789 OR HOTEL SECURITY JUST GAVE YOU THEIR ACCESS CODE 501 00:20:24,791 --> 00:20:25,656 AND WI-FI PASSWORD. 502 00:20:25,658 --> 00:20:27,758 SHE SEES RIGHT THOUGH ME. 503 00:20:29,229 --> 00:20:30,695 SIR, THE MAN WHO ATTACKED YOU, WHERE DID HE GO? 504 00:20:30,697 --> 00:20:32,296 MICHELLE DALTON, HE WENT AFTER HER. 505 00:20:32,298 --> 00:20:33,698 SHE WAS JUST IN THE BANQUET KITCHEN. 506 00:20:33,700 --> 00:20:35,499 BANQUET KITCHEN? 507 00:20:35,501 --> 00:20:37,001 THROUGH THAT DOOR, TWO FLIGHTS DOWN. 508 00:20:37,003 --> 00:20:38,481 SAM: OKAY, GO BACK TO YOUR OFFICE. 509 00:20:38,482 --> 00:20:39,960 WE'LL GET YOU HELP AS SOON AS WE CAN. 510 00:20:39,961 --> 00:20:41,439 ED: TEAM ONE, JAMES IS HEADED TO THE BANQUET KITCHEN. 511 00:20:41,441 --> 00:20:43,141 SPIKE: COPY THAT. 512 00:20:43,142 --> 00:20:44,842 BOSS, YOU'RE CLOSE. DOWN THE STAIRS TO YOUR RIGHT. 513 00:20:44,844 --> 00:20:46,444 OKAY. HERE WE GO. 514 00:20:48,681 --> 00:20:50,097 HE'S GOING TO SHOOT HER. 515 00:20:50,098 --> 00:20:51,514 NO, THIS IS TEAM ONE WE'RE TALKING ABOUT MAY. 516 00:20:51,517 --> 00:20:53,117 MAY: I NEED TO HEAR. CAN WE HEAR? 517 00:20:53,118 --> 00:20:54,718 SPIKE: NO. YOU KNOW, IT CAN GET A LITTLE BIT INTENSE- 518 00:20:54,721 --> 00:20:57,288 SPIKE, I'M NOT A KID, OKAY? 519 00:20:57,290 --> 00:20:58,623 YOU SAID SO YOURSELF, SHE'LL BE FINE. 520 00:20:58,625 --> 00:21:00,992 NOW AM I HERE TO HELP OR AM I NOT? 521 00:21:00,994 --> 00:21:03,327 BOSS, OKAY IF I PATCH MAY INTO THE CONVERSATION? 522 00:21:03,329 --> 00:21:05,329 PARKER: OKAY, SPIKE, BUT USE YOUR JUDGMENT. 523 00:21:05,331 --> 00:21:06,397 SPIKE: COPY THAT. 524 00:21:06,398 --> 00:21:07,464 OKAY, I'M GONNA PUT IT ON SPEAKER. 525 00:21:07,467 --> 00:21:08,466 YOU'RE GONNA HEAR THE TEAM'S MICS 526 00:21:08,468 --> 00:21:09,467 AND WHATEVER WE CAN PICK UP 527 00:21:09,469 --> 00:21:11,369 FROM THE KITCHEN INTERCOM SYSTEM. 528 00:21:11,371 --> 00:21:14,472 JAMES: I'VE BEEN MORE THAN REASONABLE WITH YOU. 529 00:21:14,474 --> 00:21:15,873 THIS IS WHAT HAPPENS 530 00:21:15,875 --> 00:21:19,710 WHEN YOU PUSH A REASONABLE MAN FOR TOO LONG! 531 00:21:19,712 --> 00:21:23,748 NO PROBLEM, JAMES. IT'S NO PROBLEM. 532 00:21:23,750 --> 00:21:25,016 PUT THE GUN AWAY 533 00:21:25,018 --> 00:21:28,786 AND YOU AND I CAN HAVE A REASONABLE TALK, OKAY? 534 00:21:29,722 --> 00:21:31,055 ALL RIGHT. 535 00:21:33,426 --> 00:21:35,760 LET'S START WITH THIS: 536 00:21:37,563 --> 00:21:38,996 WHERE IS MY DAUGHTER? 537 00:21:40,667 --> 00:21:42,667 WHERE IS SHE?! 538 00:21:42,669 --> 00:21:44,402 PARKER: LET'S GET THE OTHER CIVILIANS OUT OF THE KITCHEN 539 00:21:44,404 --> 00:21:45,970 AND GET HIM TALKING. 540 00:21:45,971 --> 00:21:47,537 JULES: THIS MAN NEEDS TO FEEL IN CONTROL. 541 00:21:47,540 --> 00:21:49,874 PARKER HE'S NOT A FAN OF COPS TELLING HIM WHAT TO DO. 542 00:21:49,876 --> 00:21:51,742 HE DOESN'T LIKE ANYONE TELLING HIM WHAT TO DO. 543 00:21:51,744 --> 00:21:53,077 HE HAS TO BE IN CHARGE. 544 00:21:53,079 --> 00:21:54,512 BOSS, YOU COPY THAT? 545 00:21:54,514 --> 00:21:55,646 PARKER: YEAH, SPIKE, I HEARD. 546 00:21:55,648 --> 00:21:56,647 RAF: LET'S CLEAR THE ROOM. 547 00:21:56,649 --> 00:21:58,349 JULES: YEAH. 548 00:21:58,351 --> 00:21:59,584 JULES: EXCUSE ME. WE NEED YOU TO LEAVE. 549 00:21:59,585 --> 00:22:00,818 RAF: SIR, I NEED YOU TO LEAVE RIGHT NOW. 550 00:22:03,956 --> 00:22:05,489 I NEED YOU TO LEAVE NOW. 551 00:22:05,491 --> 00:22:07,491 JULES: COME ON, LET'S GO. RAF: EXCUSE ME... 552 00:22:07,493 --> 00:22:09,093 SPIKE: SUBJECT'S STANDING TWENTY FEET FROM THE BANQUET DOORS, 553 00:22:09,095 --> 00:22:10,361 FACING AWAY. 554 00:22:12,065 --> 00:22:14,598 JAMES: (MUFFLED) HOW COULD YOU DO THIS TO ME?! 555 00:22:14,600 --> 00:22:16,033 MICHELLE: JAMES, I DON'T KNOW WHAT YOU'RE TALKING ABOUT! 556 00:22:16,035 --> 00:22:17,401 JAMES: DON'T LIE TO ME! 557 00:22:17,403 --> 00:22:18,719 MICHELLE: I'M NOT! 558 00:22:18,720 --> 00:22:20,036 JAMES: DON'T STAND THERE AND LIE TO MY FACE! 559 00:22:20,039 --> 00:22:21,472 DON'T TRY TO TURN THIS AROUND! 560 00:22:21,474 --> 00:22:23,007 YOU KNOW DAMN WELL THIS IS YOUR FAULT! 561 00:22:23,009 --> 00:22:24,559 MICHELLE: PLEASE PUT THE GUN DOWN. 562 00:22:24,560 --> 00:22:26,110 I DON'T KNOW WHAT YOU WANT ME TO SAY. 563 00:22:26,112 --> 00:22:28,612 JAMES: I WANT YOU TO TELL ME THE TRUTH! 564 00:22:28,614 --> 00:22:29,980 PARKER: JAMES? 565 00:22:29,982 --> 00:22:32,049 MY NAME IS GREG PARKER. 566 00:22:32,050 --> 00:22:34,117 I'D LIKE TO TALK TO YOU IF THAT'S ALL RIGHT? 567 00:22:34,120 --> 00:22:36,654 THIS IS NO ONE ELSE'S BUSINESS. 568 00:22:36,656 --> 00:22:38,756 I APPRECIATE THAT, BUT WHAT I'D LIKE TO DO- 569 00:22:38,758 --> 00:22:40,057 JAMES: WHO THE HELL ARE YOU? 570 00:22:40,059 --> 00:22:41,525 MY NAME IS GREG, LIKE I SAID, 571 00:22:41,527 --> 00:22:43,594 I'M A PROFESSIONAL NEGOTIATOR. 572 00:22:43,596 --> 00:22:45,279 WHAT I'D LIKE TO DO HERE 573 00:22:45,280 --> 00:22:46,963 IS MAYBE HELP FACILITATE A DIALOGUE. 574 00:22:46,966 --> 00:22:50,768 JAMES: A CONVERSATION IS WHAT I AM TRYING TO DO HERE! 575 00:22:51,738 --> 00:22:54,004 I DON'T NEED A PROFESSIONAL NEGOTIATOR 576 00:22:54,006 --> 00:22:57,041 TO HAVE A CONVERSATION WITH MY OWN EX-WIFE, 577 00:22:57,043 --> 00:22:58,609 FOR GODSAKE! 578 00:22:58,611 --> 00:22:59,910 ALL RIGHT? 579 00:22:59,912 --> 00:23:01,979 WHAT I NEED IS A LITTLE PRIVACY. 580 00:23:01,981 --> 00:23:04,081 PARKER: OKAY, THAT'S GREAT. LET'S DO THAT. 581 00:23:04,083 --> 00:23:05,583 I MEAN, YOU'RE IN CHARGE HERE. 582 00:23:05,584 --> 00:23:07,084 WHY DON'T YOU JUST TELL THE OTHER PEOPLE IN THE ROOM 583 00:23:07,086 --> 00:23:09,520 THAT IT'S TIME FOR THEM TO GO. 584 00:23:10,456 --> 00:23:12,656 JAMES: I JUST WANNA TALK TO MY WIFE! 585 00:23:12,658 --> 00:23:14,392 PARKER: I HEAR YOU, JAMES. 586 00:23:14,394 --> 00:23:15,860 ED, WHAT'S YOUR STATUS? 587 00:23:15,862 --> 00:23:17,561 ED: SECONDS AWAY. 588 00:23:18,698 --> 00:23:20,531 PARKER: IT'D BE EASIER TO HAVE THAT CONVERSATION... 589 00:23:20,533 --> 00:23:21,782 IN POSITION. 590 00:23:21,783 --> 00:23:23,032 PARKER: YOU'RE CALLING THE SHOTS HERE. 591 00:23:23,035 --> 00:23:24,135 THEY'LL DO WHATEVER YOU SAY. 592 00:23:24,137 --> 00:23:25,403 JUST ASK THEM TO LEAVE. 593 00:23:25,405 --> 00:23:27,005 SAM: IN POSITION. 594 00:23:27,006 --> 00:23:28,606 PARKER: YOU WANT PRIVACY? THAT'S REASONABLE. 595 00:23:28,608 --> 00:23:29,807 YOU WANT THEM TO GO? THAT'S FAIR. 596 00:23:29,809 --> 00:23:30,941 JUST TELL THEM. 597 00:23:32,745 --> 00:23:35,813 JAMES: OKAY, OKAY. GET OUT OF HERE! 598 00:23:35,815 --> 00:23:37,615 EVERYONE GET OUT! 599 00:23:37,617 --> 00:23:38,916 EXCEPT FOR YOU. 600 00:23:38,918 --> 00:23:39,984 GET OUT NOW! 601 00:23:41,687 --> 00:23:43,154 GET OUT! 602 00:23:43,156 --> 00:23:44,922 THANK YOU, JAMES, THAT'S A GOOD CHOICE. 603 00:23:46,492 --> 00:23:47,792 I SAID, GET OUTTA HERE, NOW! 604 00:23:47,794 --> 00:23:49,410 KEITH: I'M NOT GOING ANYWHERE. 605 00:23:49,411 --> 00:23:51,027 YOU'VE GOT SOMETHING TO SAY, YOU CAN SAY IT NOW. 606 00:23:51,030 --> 00:23:52,029 NO. 607 00:23:52,031 --> 00:23:53,030 WHAT'S WRONG? 608 00:23:53,032 --> 00:23:54,865 HOLD IT! 609 00:23:54,867 --> 00:23:57,034 YOU HOLD IT RIGHT THERE! 610 00:23:57,036 --> 00:24:00,938 THAT'S KEITH; THAT'S MY MOTHER'S BOYFRIEND. 611 00:24:01,874 --> 00:24:03,707 YOU'RE HIM, AREN'T YOU? 612 00:24:03,709 --> 00:24:06,177 JAMES. HE IS, ISN'T HE? 613 00:24:06,179 --> 00:24:08,179 YOU'RE THE WORKPLACE BOYFRIEND. 614 00:24:08,181 --> 00:24:09,847 (TO HIMSELF) OH BOY... 615 00:24:10,783 --> 00:24:13,717 JAMES: CONGRATULATIONS. HOW IS IT? 616 00:24:13,719 --> 00:24:15,019 KEITH: W-W-WHAT'RE YOU TALKING ABOUT? 617 00:24:15,021 --> 00:24:16,086 MY EX-WIFE. 618 00:24:18,124 --> 00:24:19,190 HOW IS IT? 619 00:24:20,726 --> 00:24:22,526 IT'S MY FAULT. 620 00:24:22,528 --> 00:24:24,795 LAST TIME I TALKED TO HIM, I WAS JUST TRYING TO HELP. 621 00:24:24,797 --> 00:24:26,130 YOU MENTIONED YOUR MOTHER WAS SEEING SOMEONE? 622 00:24:26,132 --> 00:24:28,732 I JUST SAID WE HAVE TO STOP DWELLING ON THE PAST, 623 00:24:28,734 --> 00:24:30,167 ON GRUDGES, AND WE HAVE TO MOVE ON... 624 00:24:30,169 --> 00:24:31,168 AND THEN I MENTIONED KEITH. 625 00:24:31,170 --> 00:24:32,236 OH MY GOD! 626 00:24:32,238 --> 00:24:33,654 MAY! YOU DIDN'T MAKE THIS HAPPEN. 627 00:24:33,655 --> 00:24:35,071 PARKER: HEY, JAMES, WHY DON'T WE JUST STAY ON TRACK- 628 00:24:35,074 --> 00:24:36,807 JAMES: I AM TALKING HERE! 629 00:24:36,809 --> 00:24:39,143 DON'T YOU TAKE ANOTHER STEP! 630 00:24:40,746 --> 00:24:41,946 KEITH: LOOK, IF IT'S ME YOU GOT A PROBLEM WITH- 631 00:24:41,948 --> 00:24:43,448 YOU BACK OFF! 632 00:24:43,449 --> 00:24:44,949 PARKER: JAMES, YOU WANNA HAVE A CONVERSATION WITH MICHELLE, 633 00:24:44,951 --> 00:24:46,951 LET'S JUST DO THAT! 634 00:24:46,952 --> 00:24:48,952 LET ME GIVE YOU A FRIENDLY WARNING: 635 00:24:48,955 --> 00:24:50,388 YOU WATCH YOUR BACK. 636 00:24:50,389 --> 00:24:51,822 MICHELLE: I'M SERIOUS, JAMES, THIS IS BETWEEN YOU AND ME- 637 00:24:51,823 --> 00:24:53,256 JAMES: (VOICE RISING) WATCH YOUR BANK ACCOUNT, WATCH YOUR WALLET, 638 00:24:53,257 --> 00:24:54,690 WATCH YOUR GODDAMN DOG! 639 00:24:54,694 --> 00:24:55,726 (SCREAMING) BECAUSE THIS WOMAN, 640 00:24:55,728 --> 00:24:57,561 SHE WILL TAKE EVERYTHING FROM YOU! 641 00:24:57,563 --> 00:24:59,029 (FIRE ALARM RINGS) 642 00:25:03,002 --> 00:25:05,135 YOU MAKE 'EM STOP THAT! YOU SHUT IT OFF! 643 00:25:05,137 --> 00:25:06,337 PARKER: YUP. 644 00:25:06,338 --> 00:25:07,538 JAMES: GET 'EM TO TURN IT OFF RIGHT NOW! 645 00:25:09,242 --> 00:25:10,508 JAMES? 646 00:25:10,510 --> 00:25:14,078 LET'S YOU AND I JUST GO AND TALK. JUST... 647 00:25:14,080 --> 00:25:14,945 NO PROBLEM. 648 00:25:14,947 --> 00:25:16,647 JUST THE TWO OF US. 649 00:25:17,583 --> 00:25:18,849 I KNOW THE BEST WAY... 650 00:25:18,851 --> 00:25:20,551 WAY OUT OF HERE, OKAY? 651 00:25:20,553 --> 00:25:22,019 (FIRE ALARM RINGS) 652 00:25:28,594 --> 00:25:30,027 OKAY. 653 00:25:30,029 --> 00:25:31,862 OKAY. 654 00:25:31,864 --> 00:25:33,697 I WANT NICE AND SLOW. 655 00:25:34,667 --> 00:25:36,066 LET'S GO. 656 00:25:36,068 --> 00:25:37,134 ED: NEW DEAL. SUBJECT'S PREPARING TO EXIT. 657 00:25:37,136 --> 00:25:38,602 RAF, JULES, GO AROUND, 658 00:25:38,604 --> 00:25:40,004 ISOLATE MICHELLE, AND CUT HIM OFF. 659 00:25:40,006 --> 00:25:42,540 JULES: COPY THAT. RAF: COPY. 660 00:25:45,044 --> 00:25:46,810 (RUNNING FOOTSTEPS) 661 00:25:48,281 --> 00:25:49,280 MAY: WAIT. W-W-WHAT'S HE DOING? 662 00:25:52,318 --> 00:25:53,117 SPIKE: ED?! 663 00:25:53,118 --> 00:25:53,917 (TROLLEY RATTLES AND SLAMS INTO JAMES) 664 00:25:53,920 --> 00:25:54,919 (JAMES SCREAMS) 665 00:25:54,921 --> 00:25:57,288 (HOT OIL IGNITES AND ROARS) 666 00:25:57,290 --> 00:25:59,256 ED: GET DOWN! 667 00:25:59,258 --> 00:26:02,092 SAM: CLEAR THE ROOM! ED: NO SHOT! GET DOWN! 668 00:26:02,094 --> 00:26:04,895 ED: JAMES MITCHELL! RIGHT THERE! 669 00:26:06,065 --> 00:26:07,231 JAMES MITCHELL! 670 00:26:08,167 --> 00:26:10,100 THEY'RE IN THE ELEVATOR. 671 00:26:10,102 --> 00:26:11,702 WE LOST 'EM! THEY'RE GONE! 672 00:26:11,704 --> 00:26:12,770 MOM! 673 00:26:22,181 --> 00:26:23,681 SAM: UNIS HAVE TAKEN CARE OF THE EVAC, 674 00:26:23,683 --> 00:26:24,949 GETTING THE FIRE UNDER CONTROL. 675 00:26:24,951 --> 00:26:26,350 ED: SPIKE, THE SUBJECT AND HIS HOSTAGE 676 00:26:26,352 --> 00:26:27,985 HAVE TAKEN THE SERVICE ELEVATOR. 677 00:26:27,987 --> 00:26:29,053 SPIKE: I KNOW, AND I'M ON IT. 678 00:26:29,054 --> 00:26:30,120 THE ELEVATOR THEY TOOK IS THE ONLY ONE 679 00:26:30,122 --> 00:26:31,322 WITH ROOFTOP ACCESS. 680 00:26:31,324 --> 00:26:32,990 RAF: YOU GOT CONTROL? SPIKE: I DO. 681 00:26:32,992 --> 00:26:33,991 WE GET HIM TO THE ROOF, IT'S CONTAINED, 682 00:26:33,993 --> 00:26:35,259 WE KEEP HIM AWAY FROM CIVILIANS. 683 00:26:35,261 --> 00:26:36,594 OKAY, GOOD. NICE. 684 00:26:36,596 --> 00:26:37,928 IS THERE A SECURITY CAMERA IN THERE TOO? 685 00:26:37,930 --> 00:26:39,630 THAT'S JUST WHERE I WAS GOING. 686 00:26:39,632 --> 00:26:41,231 AND WE ALSO GOTTA HAVE A PHONE THAT WE CAN HEAR THROUGH. 687 00:26:41,233 --> 00:26:42,900 (TYPING FURIOUSLY) 688 00:26:44,637 --> 00:26:45,836 WHAT IF HE GETS OUT AT THE LOBBY 689 00:26:45,838 --> 00:26:47,455 AND MAKES A RUN FOR IT? 690 00:26:47,456 --> 00:26:49,073 I'VE GOT FULL OVERRIDE AND THEY GO WHERE I SAY. 691 00:26:49,075 --> 00:26:50,774 GUYS, I'M GONNA SEND DOWN ANOTHER ELEVATOR. 692 00:26:50,776 --> 00:26:52,154 IT DOESN'T GO TO THE ROOF 693 00:26:52,155 --> 00:26:53,533 BUT I CAN GET YOU THROUGH A WINDOW. 694 00:26:53,534 --> 00:26:54,912 ED: SPIKE, GET THE UNIFORMS TO THE STAIRS 695 00:26:54,914 --> 00:26:56,046 WITH REMMY'S FOR ME AND SAM. 696 00:26:56,048 --> 00:26:57,598 COPY THAT. 697 00:26:57,599 --> 00:26:59,149 SAM: 'KAY, THERE'S VENTS FOR COVER. YOU TAKE THE LOW ONE; 698 00:26:59,151 --> 00:27:00,618 I'LL GET A HIGHER VANTAGE FROM THE 18TH FLOOR. 699 00:27:00,620 --> 00:27:02,086 ED: LET'S MOVE. 700 00:27:02,087 --> 00:27:03,553 PARKER: THERE'S STILL A CHANCE WE CAN TALK HIM DOWN. 701 00:27:03,554 --> 00:27:05,020 JULES IF HE WANTED TO KILL MICHELLE, HE ALREADY WOULD'VE DONE IT. 702 00:27:05,024 --> 00:27:07,257 THERE'S SOMETHING ELSE HE WANTS. 703 00:27:08,194 --> 00:27:09,727 (ELEVATOR WHIRS) 704 00:27:11,964 --> 00:27:14,365 JAMES: (STRESSED, BREATHLESS) 705 00:27:15,868 --> 00:27:18,902 COME ON, COME ON, COME ON... 706 00:27:18,904 --> 00:27:20,204 JULES: OKAY, LET'S BREAK IT DOWN. 707 00:27:20,206 --> 00:27:22,139 THIS IS A GUY WHO'S LOST EVERYTHING. 708 00:27:22,141 --> 00:27:23,907 I THINK WHAT HE'S FIGHTING FOR IS A SITUATION 709 00:27:23,909 --> 00:27:25,643 WHERE HE'S BACK IN CONTROL AGAIN. 710 00:27:25,645 --> 00:27:27,211 EVEN IF IT'S THE LAST THING HE CONTROLS. 711 00:27:27,213 --> 00:27:28,646 SPIKE: THIS MIGHT NOT BE A DEAD END. 712 00:27:28,648 --> 00:27:30,047 HE'S GOT MAY. 713 00:27:30,049 --> 00:27:31,482 IT'S ME HE WANTS. 714 00:27:31,483 --> 00:27:32,916 HE DOESN'T BELIEVE I DON'T LIKE HIM. 715 00:27:32,918 --> 00:27:34,668 HE WANTS ME, NOT HER. 716 00:27:34,669 --> 00:27:36,419 SPIKE: SHE'S THE ONE THING STANDING BETWEEN HIM AND GIVING UP. 717 00:27:36,422 --> 00:27:38,822 SHE IS THE LIGHT AT THE END OF HIS TUNNEL. 718 00:27:38,824 --> 00:27:41,125 THE TALK'S GOTTA BE ABOUT HER. 719 00:27:41,127 --> 00:27:42,660 (ELEVATOR WHIRS) 720 00:27:45,965 --> 00:27:47,665 WHAT THE HELL...? 721 00:27:47,667 --> 00:27:49,199 (STABS LOBBY BUTTON REPEATEDLY) 722 00:27:49,201 --> 00:27:50,734 WHAT THE HELL? 723 00:27:50,736 --> 00:27:52,303 COME ON! NO, NO, NO, NO. 724 00:27:52,304 --> 00:27:53,871 MICHELLE: SOMEONE ELSE MUST'VE CALLED THE ELEVATOR. 725 00:27:53,873 --> 00:27:55,673 JAMES: I REALIZE THAT, BRIGHT-EYES! 726 00:27:55,675 --> 00:27:57,007 IT STILL SHOULD'VE STOPPED AT THE LOBBY 727 00:27:57,009 --> 00:27:58,653 ON THE WAY UP! 728 00:27:58,654 --> 00:28:00,298 (STABBING BUTTON REPEATEDLY) JAMES, JUST CALM DOWN. 729 00:28:00,299 --> 00:28:01,943 WE'RE GONNA GET THERE ONE WAY OR ANOTHER. 730 00:28:01,947 --> 00:28:03,881 STAY CALM, OKAY? 731 00:28:05,251 --> 00:28:06,316 (WHIMPERS) 732 00:28:09,455 --> 00:28:13,290 THE MOST...PRECIOUS THING IN THE WORLD TO ME... 733 00:28:15,327 --> 00:28:17,261 AND YOU TOOK HER FROM ME! 734 00:28:17,263 --> 00:28:19,897 WHY WOULD YOU DO THAT? 735 00:28:19,899 --> 00:28:22,032 JULES: HE THINKS COPS ARE MESSING WITH HIM. 736 00:28:22,034 --> 00:28:23,233 IF WE WANT HIS ATTENTION, 737 00:28:23,235 --> 00:28:25,202 HE'S MORE LIKELY TO LISTEN TO THE DAUGHTER. 738 00:28:25,204 --> 00:28:27,204 USE MAY AS A T.P.I.? 739 00:28:27,206 --> 00:28:28,439 THIRD PARTY INTERMEDIARY; 740 00:28:28,441 --> 00:28:30,474 A CIVILIAN INVOLVED IN NEGOTIATIONS. 741 00:28:30,476 --> 00:28:32,242 RAF: IT GIVES HIM A REASON TO LOOK TO THE FUTURE. 742 00:28:32,244 --> 00:28:33,844 SHE'S JUST A TEENAGER. 743 00:28:33,846 --> 00:28:35,379 WHY WOULD YOU DO THAT TO ME?! 744 00:28:35,381 --> 00:28:37,347 JAMES... 745 00:28:37,349 --> 00:28:39,349 (SCREAMING) WHY?! 746 00:28:39,351 --> 00:28:42,352 AGGGHHHHH! T GETTING AWAY NYMORE! 747 00:28:42,354 --> 00:28:43,353 MICHELLE: (TERRIFIED) JAMES, PLEASE! 748 00:28:43,355 --> 00:28:45,789 SPIKE, TURN THE SPEAKER OFF. 749 00:28:45,791 --> 00:28:47,091 (JAMES' SCREAMING VOICE SUDDENLY CUTS OUT) 750 00:28:47,093 --> 00:28:48,959 WHAT'RE YOU DOING? 751 00:28:48,961 --> 00:28:50,127 WHY ARE YOU TURNING IT OFF? 752 00:28:50,129 --> 00:28:51,462 I'M SORRY. 753 00:28:51,464 --> 00:28:52,963 GUYS, THIS COULD BE EMOTIONALLY TRAUMATIC. 754 00:28:52,965 --> 00:28:54,264 DO WE WANNA PUT HER THROUGH THAT? 755 00:28:54,266 --> 00:28:55,265 I'LL DO IT! HE'LL LISTEN TO ME. 756 00:28:55,267 --> 00:28:57,001 USUALLY, WE TRY NOT- 757 00:28:57,002 --> 00:28:58,736 I'M EIGHTEEN, OKAY? I CAN MAKE THIS CHOICE. 758 00:28:58,738 --> 00:29:00,003 PLEASE, LET ME HELP MY MOM, 759 00:29:00,005 --> 00:29:01,972 OR THIS WILL NEVER BE OVER. 760 00:29:01,974 --> 00:29:03,941 BOSS, SHE IS OLD ENOUGH TO KNOW WHAT SHE'S DOING. 761 00:29:03,943 --> 00:29:05,008 SPIKE: RAF'S RIGHT; MAY'S NOT A KID. 762 00:29:05,010 --> 00:29:06,143 SHE'S PRETTY TOGETHER. 763 00:29:06,145 --> 00:29:08,212 LET ME TALK TO HIM. 764 00:29:08,214 --> 00:29:10,080 (OPENS COMM LINK) GO AHEAD. 765 00:29:11,016 --> 00:29:13,751 (INTO MIC) GREG, I WON'T EVEN TALK TO HIM IF YOU DON'T WANT ME TO, 766 00:29:13,753 --> 00:29:16,253 BUT IF HE SEES ME UP THERE, WATCHING... 767 00:29:16,255 --> 00:29:18,856 HE CARES A LOT MORE ABOUT MY RESPECT 768 00:29:18,858 --> 00:29:20,824 THAN HE DOES YOURS. 769 00:29:20,826 --> 00:29:24,428 (ELEVATOR DINGS OPEN, MICHELLE WHIMPERS) 770 00:29:24,430 --> 00:29:26,230 SUBJECT'S ON THE ROOF. 771 00:29:26,232 --> 00:29:27,498 (MICHELLE CRIES OUT, STRUGGLING) 772 00:29:27,500 --> 00:29:29,233 JAMES: (POUNDS THE LOBBY BUTTON) COME ON! 773 00:29:29,235 --> 00:29:31,902 (MICHELLE YELPS IN PAIN) COME! 774 00:29:34,306 --> 00:29:36,240 COME ON! COME ON! 775 00:29:36,242 --> 00:29:39,143 PARKER: MAY, WE CAN'T CONTROL WHAT YOUR FATHER MIGHT DO. 776 00:29:39,145 --> 00:29:40,344 ED: YOU GOT ME AND SAM ON SIERRA. 777 00:29:40,346 --> 00:29:42,780 THERE'S NO WAY WE'LL LET JAMES HARM HER. 778 00:29:42,782 --> 00:29:44,014 JULES: IT'S WORTH A TRY. 779 00:29:44,016 --> 00:29:45,466 HE'S HEADING INTO AN ENDGAME... 780 00:29:45,467 --> 00:29:46,917 IF HE FEELS THAT HE CAN REVIVE HIS RELATIONSHIP 781 00:29:46,919 --> 00:29:48,919 WITH HIS DAUGHTER... 782 00:29:48,920 --> 00:29:50,920 SAM: EVEN IF IT'S FROM JAIL, IT'S SOMETHING TO HOPE FOR. 783 00:29:50,923 --> 00:29:52,923 IT'LL FEEL MORE WITHIN REACH IF HE CAN SEE HER. 784 00:30:00,199 --> 00:30:00,831 ALL RIGHT, MAY. 785 00:30:00,832 --> 00:30:01,464 BUT YOU HAVE TO FOLLOW OUR INSTRUCTIONS 786 00:30:01,467 --> 00:30:03,033 AND STICK TO THE SCRIPT. 787 00:30:03,035 --> 00:30:04,401 PROMISE. 788 00:30:04,402 --> 00:30:05,768 PARKER: SPIKE, BRING HER TO THE ROOF. 789 00:30:05,769 --> 00:30:07,135 SPIKE: COPY THAT. LET'S GO, BELLA. 790 00:30:08,507 --> 00:30:10,407 (HARD PUNCH, MICHELLE CRIES OUT) 791 00:30:10,409 --> 00:30:11,542 AGGGHHHH! 792 00:30:15,815 --> 00:30:16,914 PARKER: SAM, YOU GOT EYES? 793 00:30:18,918 --> 00:30:20,484 SAM: IN POSITION. I SEE 'IM. 794 00:30:20,486 --> 00:30:22,119 JAMES YOU KNOW IT'S OVER, RIGHT? 795 00:30:22,121 --> 00:30:24,521 EVERYTHING CHANGES TODAY. 796 00:30:24,523 --> 00:30:26,290 MICHELLE: WHAT CHANGES? 797 00:30:26,291 --> 00:30:28,058 JAMES: THIS GAME YOU PLAY, THIS POWER GAME, 798 00:30:28,060 --> 00:30:31,261 WHERE YOUR ATTORNEY SUCKS MY ACCOUNT DRY, 799 00:30:31,263 --> 00:30:33,397 WHERE YOU SABOTAGE MY REPUTATION, 800 00:30:33,399 --> 00:30:37,100 WHERE YOU PLAY HIDE AND SEEK ALL OVER THE DAMN CITY, 801 00:30:37,102 --> 00:30:38,502 AND YOUR FAVORITE PART - 802 00:30:38,504 --> 00:30:39,970 WHERE YOU WRITE DOWN THE RULES 803 00:30:39,972 --> 00:30:42,105 ABOUT WHEN I CAN SEE MY OWN DAUGHTER. 804 00:30:42,107 --> 00:30:44,875 BLAME! DID YOU SAY SOMETHING? 805 00:30:44,877 --> 00:30:46,627 SPIKE: WE'RE ALMOST THERE, GUYS. 806 00:30:46,628 --> 00:30:48,378 JAMES MY LITTLE GIRL IS EIGHTEEN, FOR CHRIST SAKE! 807 00:30:48,380 --> 00:30:50,314 I JUST WANNA HEAR HER VOICE. 808 00:30:50,316 --> 00:30:51,415 I CALL HER 809 00:30:51,417 --> 00:30:53,217 AND NONE OF MY MESSAGES GET THROUGH. 810 00:30:53,219 --> 00:30:55,252 SO, I'M SORRY, BUT I GOTTA WONDER WHY. 811 00:30:55,254 --> 00:30:57,421 YOU HAVE HER CELL PHONE NUMBER? 812 00:30:57,423 --> 00:30:58,622 JAMES: YOU MADE ME DO IT! 813 00:30:58,624 --> 00:31:00,858 I HAD TO TRACK YOU DOWN AND ASK YOU, 814 00:31:00,860 --> 00:31:03,293 WHERE THE HELL IS MAY?! 815 00:31:03,295 --> 00:31:04,294 (DOOR BURSTS OPEN) 816 00:31:04,296 --> 00:31:06,080 JULES: COME ON. 817 00:31:06,081 --> 00:31:07,865 ALL RIGHT, LISTEN TO ME. I WANT YOU TO TALK ABOUT HOPE, 818 00:31:07,867 --> 00:31:09,399 I WANT YOU TO TALK ABOUT THE FUTURE. 819 00:31:09,401 --> 00:31:10,984 LOOK AT ME. 820 00:31:10,985 --> 00:31:12,568 I NEED YOU TO STAY POSITIVE, ALL RIGHT? 821 00:31:12,571 --> 00:31:13,904 THAT'S ALL YOU NEED TO DO. 822 00:31:13,906 --> 00:31:15,339 WE'RE GONNA BE RIGHT THERE WITH YOU, 823 00:31:15,341 --> 00:31:16,373 OKAY? 824 00:31:16,375 --> 00:31:17,374 OKAY. 825 00:31:17,376 --> 00:31:18,609 OKAY. LET'S DO IT. 826 00:31:21,180 --> 00:31:23,914 MICHELLE: IF SHE'S NOT RETURNING YOUR CALLS, 827 00:31:23,916 --> 00:31:25,148 SHE'S CHOOSING NOT TO. 828 00:31:25,150 --> 00:31:26,617 T NO! YOU'RE A LIAR! 829 00:31:26,619 --> 00:31:28,285 MAY: DADDY?! 830 00:31:31,056 --> 00:31:33,140 MAY! 831 00:31:33,141 --> 00:31:35,225 I'M RIGHT HERE, OKAY? I'M RIGHT HERE. 832 00:31:42,902 --> 00:31:44,401 JAMES: (HISSES) LOOK WHAT YOU'VE DONE! 833 00:31:44,403 --> 00:31:46,670 (RAGES) LOOK WHAT YOU'VE DONE! 834 00:31:46,672 --> 00:31:48,171 THE COPS, AGAIN! 835 00:31:48,173 --> 00:31:50,274 YOU BITCH! 836 00:31:50,275 --> 00:31:52,376 I NEED YOU TO GET HIM TO FOCUS ON THE TWO OF YOU. 837 00:31:52,378 --> 00:31:53,410 ALL RIGHT. OKAY. 838 00:31:53,411 --> 00:31:54,443 PLEASE, DAD, JUST LET HER GO, OKAY? 839 00:31:54,446 --> 00:31:55,512 IT'LL JUST BE YOU AND ME 840 00:31:55,514 --> 00:31:57,981 AND WE CAN TALK AS MUCH AS YOU WANT. 841 00:31:57,983 --> 00:32:00,517 (RAGING) I HAVE SURVIVED, I HAVE PULLED THROUGH, 842 00:32:00,519 --> 00:32:02,085 AND EVERY TIME I THINK I'M CLOSE, 843 00:32:02,087 --> 00:32:03,620 YOU DO IT AGAIN! 844 00:32:03,622 --> 00:32:06,657 MAY: DAD, I WANNA HEAR WHAT YOU'RE FEELING, OKAY? 845 00:32:06,659 --> 00:32:08,309 WHY DON'T YOU TELL ME! 846 00:32:08,310 --> 00:32:09,960 JAMES: WHEN WILL IT BE ENOUGH?! WHEN?! 847 00:32:09,962 --> 00:32:11,061 TELL ME! 848 00:32:11,063 --> 00:32:12,095 ED? 849 00:32:12,097 --> 00:32:13,586 WEAPON'S NOT IN PLAY. 850 00:32:13,587 --> 00:32:15,076 JAMES: WHAT DO YOU WANT?! YOU WANT ME TO GIVE UP?! 851 00:32:15,077 --> 00:32:16,566 WHAT'RE YOU DOING?! YOU HAVE TO STOP IT! 852 00:32:16,568 --> 00:32:18,302 MAY, WHEN WE SHOOT, WE SHOOT TO KILL. 853 00:32:18,304 --> 00:32:19,503 IT'S A LAST RESORT. 854 00:32:19,505 --> 00:32:21,138 CAN'T YOU JUST SHOOT HIM IN THE LEG, 855 00:32:21,140 --> 00:32:22,606 OR DO SOMETHING? 856 00:32:22,608 --> 00:32:24,474 IT'S TOO RISKY. HE COULD FIRE BY REFLEX. 857 00:32:24,476 --> 00:32:25,976 DON'T GIVE UP ON WORDS. 858 00:32:25,977 --> 00:32:27,477 JAMES DO YOU WANT ME TO DIE, MICHELLE? 859 00:32:27,479 --> 00:32:28,712 WOULD THAT MAKE YOU HAPPY? 860 00:32:28,714 --> 00:32:30,681 WOULD THAT WORK FOR YOU? 861 00:32:30,683 --> 00:32:32,149 SIERRA TWO, STAND BY. ON MY GO. 862 00:32:32,151 --> 00:32:33,717 COPY. 863 00:32:33,719 --> 00:32:34,985 MICHELLE: (SOBBING) 864 00:32:39,591 --> 00:32:41,491 DON'T YOU DARE! 865 00:32:41,493 --> 00:32:42,559 MAY! 866 00:32:45,364 --> 00:32:46,447 BOSS? 867 00:32:46,448 --> 00:32:47,531 MAY'S GOT A WEAPON. SHE'S GOT A WEAPON. 868 00:32:56,976 --> 00:32:58,976 MAY: DON'T YOU DARE! 869 00:32:58,978 --> 00:33:01,278 JULES: MAY, DROP YOUR WEAPON! 870 00:33:01,280 --> 00:33:02,746 PARKER: HOLD FIRE! 871 00:33:05,617 --> 00:33:08,719 MAY: LEAVE HER ALONE! THIS ENDS NOW! 872 00:33:08,721 --> 00:33:10,253 PARKER: OKAY, SHE'S CROSSED THE LINE. 873 00:33:12,591 --> 00:33:13,724 I'VE GOT... I'VE GOT MAY. 874 00:33:13,726 --> 00:33:15,258 I HAVE JAMES! 875 00:33:15,260 --> 00:33:17,728 JULES: MAY, DROP YOUR WEAPON NOW! 876 00:33:17,730 --> 00:33:19,430 MICHELLE: MAY, BABY, NO! 877 00:33:19,431 --> 00:33:21,131 PARKER: MAY, DON'T DO IT! JULES: DROP YOUR WEAPON! 878 00:33:21,133 --> 00:33:24,067 JULES: DROP YOUR WEAPON! DROP YOUR WEAPON NOW! 879 00:33:24,069 --> 00:33:25,335 SPIKE: MAY! BACK AWAY! BACK AWAY RIGHT NOW! 880 00:33:25,337 --> 00:33:26,636 PARKER: MAY, YOU PUT THAT WEAPON DOWN 881 00:33:26,638 --> 00:33:28,071 OR WE WILL HAVE TO SHOOT YOU! 882 00:33:28,073 --> 00:33:31,141 (TIME SLOWS, SOUNDS BECOME DISTORTED) 883 00:33:31,143 --> 00:33:34,678 (SLOW PULSING HEARTBEAT, SLOW, MEASURED, DEEP BREATH) 884 00:33:37,016 --> 00:33:39,216 (GUNSHOT POPS AND PINGS OFF CONCRETE) 885 00:33:39,218 --> 00:33:40,283 BOSS? 886 00:33:41,387 --> 00:33:42,386 JULES: DROP IT, MAY! 887 00:33:42,388 --> 00:33:45,555 (GUNSHOT POPS AND PINGS, MISSING) 888 00:33:45,557 --> 00:33:47,357 BOSS, SHE'S ACTIVE. 889 00:33:50,763 --> 00:33:52,462 GREG, SHE'S GONNA KILL HIM. 890 00:33:52,464 --> 00:33:53,563 (GASPS) 891 00:33:53,565 --> 00:33:54,631 DROP IT! 892 00:33:54,633 --> 00:33:56,099 SCORPIO. 893 00:33:56,101 --> 00:33:57,167 (LOUD CRACK) 894 00:34:03,342 --> 00:34:06,076 (MELANCHOLY CELLO MUSIC PLAYS) 895 00:34:06,078 --> 00:34:16,186 ¶¶¶ 896 00:34:16,188 --> 00:34:21,124 ¶¶¶ 897 00:34:21,126 --> 00:34:26,196 ¶¶¶ 898 00:34:27,466 --> 00:34:29,733 (MICHELLE SHRIEKS AND SOBS) 899 00:34:32,805 --> 00:34:36,073 (MICHELLE SHRIEKS, GRIEF-STRICKEN) 900 00:34:42,815 --> 00:34:44,314 OH MY GOD... OH MY GOD... 901 00:34:44,316 --> 00:34:45,382 (JAMES SOBS) 902 00:34:48,353 --> 00:34:50,153 (SOBBING) I JUST WANTED TO SEE HER... 903 00:34:54,259 --> 00:34:57,594 (MICHELLE SHRIEKS, GRIEF-STRICKEN) 904 00:34:59,665 --> 00:35:01,298 JAMES: NOOOO! 905 00:35:04,636 --> 00:35:07,370 MICHELLE: OH MY GOD... OH MY GOD... 906 00:35:12,711 --> 00:35:14,211 MY BABY! 907 00:35:14,212 --> 00:35:15,712 JAMES: YOU SON OF A BITCH! YOU KILLED HER! 908 00:35:16,715 --> 00:35:18,115 YOU KILLED HER! 909 00:35:18,117 --> 00:35:19,583 ED: WHO KILLED HER?! JAMES: YOU KILLED HER! 910 00:35:19,585 --> 00:35:21,418 ED: YOU DID IT! 911 00:35:21,420 --> 00:35:24,187 YOU DON'T CALL ME A KILLER, YOU SON OF A BITCH! 912 00:35:24,189 --> 00:35:25,755 YOU DID THIS! 913 00:35:29,294 --> 00:35:30,360 (SOBBING) 914 00:35:32,464 --> 00:35:42,572 ¶¶¶ 915 00:35:42,574 --> 00:35:47,611 ¶¶¶ 916 00:35:47,613 --> 00:35:53,483 ¶¶¶ 917 00:35:54,419 --> 00:35:56,686 KOWALSKI: SO IT WAS A COMPLEX SITUATION. 918 00:35:56,688 --> 00:35:59,322 ED: IT WAS A COMPLEX SITUATION. 919 00:35:59,324 --> 00:36:01,258 KOWALSKI: IN THE AUDIO LOG, IN THE LAST TWO MINUTES 920 00:36:01,260 --> 00:36:02,759 BEFORE SCORPIO COMMAND, 921 00:36:02,761 --> 00:36:05,762 THERE WERE NUMEROUS VOICES, RAISED VOICES, 922 00:36:05,764 --> 00:36:07,397 SHOUTED INSTRUCTIONS. 923 00:36:07,399 --> 00:36:09,733 THE IMPRESSION IT GIVES IS... 924 00:36:09,735 --> 00:36:11,268 LOSS OF CONTROL. 925 00:36:13,505 --> 00:36:15,605 (IN A LOW, MENACING VOICE) WE HAD COMPLETE CONTROL. 926 00:36:15,607 --> 00:36:18,241 WHAT YOU HEARD WAS COMMUNICATION 927 00:36:18,243 --> 00:36:19,576 BETWEEN MEMBERS OF MY TEAM. 928 00:36:19,578 --> 00:36:21,645 THE RAISED VOICES WERE OUR INSTRUCTIONS 929 00:36:21,647 --> 00:36:24,314 TO MAY DALTON, WE WERE... 930 00:36:24,316 --> 00:36:27,217 TRYING TO AVOID THE USE OF LETHAL FORCE. 931 00:36:27,219 --> 00:36:30,587 THERE WERE... TWO GUNSHOTS BEFORE SCORPIO CALL. 932 00:36:30,589 --> 00:36:32,089 YES. 933 00:36:32,090 --> 00:36:33,590 YOU ALLOWED HER TO FIRE BEFORE SCORPIO CALL. 934 00:36:33,592 --> 00:36:35,392 SHE RAISED HER WEAPON, 935 00:36:35,394 --> 00:36:36,593 HER GRIP WAS UNSTEADY- 936 00:36:36,595 --> 00:36:38,395 YOU ALLOWED HER TO FIRE TWICE. 937 00:36:38,397 --> 00:36:39,596 ISN'T THAT A BREACH OF PROTOCOL? 938 00:36:39,598 --> 00:36:41,464 YOU HEARD THE AUDIO. 939 00:36:41,466 --> 00:36:44,267 WE WERE TRYING TO GET HER TO STOP. 940 00:36:44,269 --> 00:36:45,335 NOTED. 941 00:36:46,705 --> 00:36:48,638 YOUR SERGEANT, GREG PARKER, STATES... 942 00:36:48,640 --> 00:36:50,373 SHE WAS IN THE "TUNNEL." 943 00:36:50,375 --> 00:36:51,808 SHE STEADIED HER RIGHT HAND WITH HER LEFT, 944 00:36:51,810 --> 00:36:54,744 AND PREPARED TO FIRE A THIRD TIME. 945 00:36:55,847 --> 00:36:59,649 SHE CROSSED THE LINE, I TOOK THE SHOT. 946 00:36:59,651 --> 00:37:01,451 AFTER YOUR SERGEANT'S SCORPIO COMMAND? 947 00:37:01,453 --> 00:37:03,103 AT THE SAME TIME. 948 00:37:03,104 --> 00:37:04,754 AND ARE YOU CONVINCED THAT ALL OPTIONS WERE EXHAUSTED 949 00:37:04,756 --> 00:37:07,490 BEFORE THE USE OF LETHAL FORCE? 950 00:37:08,794 --> 00:37:12,329 (THREATENING TONE) WHAT DID I JUST SAY? 951 00:37:12,331 --> 00:37:13,964 KOWALSKI: WELL, THANK YOU FOR YOUR TIME. 952 00:37:13,966 --> 00:37:15,799 YOU KNOW THE PROCESS. 953 00:37:20,372 --> 00:37:21,404 SPIKE: SHE WAS RIGHT BESIDE ME IN THE TRUCK, 954 00:37:21,406 --> 00:37:23,273 HOW COULD I NOT HAVE KNOWN? 955 00:37:23,275 --> 00:37:24,858 JULES: SPIKE, WHAT, 956 00:37:24,859 --> 00:37:26,442 ARE WE SUPPOSED TO FRISK ALL OUR WITNESSES? 957 00:37:26,445 --> 00:37:28,678 SAM: OKAY, MAY SAID SHE AND HER MOM NEVER FELT SAFE, RIGHT? 958 00:37:28,680 --> 00:37:30,280 THAT THE COPS COULDN'T PROTECT THEM? 959 00:37:30,282 --> 00:37:31,414 SPIKE: THAT HE COULD TRACK THEM DOWN ANYWHERE. 960 00:37:31,416 --> 00:37:33,183 I REMEMBER THAT. 961 00:37:33,184 --> 00:37:34,951 PARKER: "TOBIAS HAS DONE EVERYTHING SO THAT WE CAN FEEL SAFE." 962 00:37:34,953 --> 00:37:36,386 COME ON, FROM THAT, WE'RE SUPPOSED TO KNOW 963 00:37:36,388 --> 00:37:38,321 THAT TOBIAS PROCURED HER AN ILLEGAL GUN, 964 00:37:38,323 --> 00:37:39,990 WHICH SHE KEPT WITH HER AT ALL TIMES, JUST IN CASE? 965 00:37:39,992 --> 00:37:41,591 PARKER: SHE SHOULD NEVER HAVE BEEN ON THAT ROOF; 966 00:37:41,593 --> 00:37:42,659 THAT WAS MY FAULT. 967 00:37:42,661 --> 00:37:43,660 SPIKE: BOSS, DON'T GO THERE. 968 00:37:43,662 --> 00:37:44,661 WE ALL SIGNED OFF ON IT. 969 00:37:44,663 --> 00:37:46,380 SAM: IT WAS A JUDGMENT CALL. 970 00:37:46,381 --> 00:37:48,098 SPIKE: SHE INSISTED - YOU ALL HEARD THAT, RIGHT? 971 00:37:48,099 --> 00:37:49,816 SHE SAID, "LET ME GO UP THERE, LET ME TALK TO HIM." 972 00:37:49,817 --> 00:37:51,534 PARKER: THAT'S IRRELEVANT; SHE WAS EMOTIONALLY INVOLVED. 973 00:37:51,536 --> 00:37:52,736 THAT WASN'T HER CHOICE TO MAKE. 974 00:37:52,738 --> 00:37:54,354 WE MADE THAT CHOICE. 975 00:37:54,355 --> 00:37:55,971 SPIKE: SHE KNEW WHEN SHE SAID IT THAT SHE HAD A LOADED WEAPON. 976 00:37:55,974 --> 00:37:57,841 I'M JUST SAYING. 977 00:37:57,843 --> 00:37:59,676 SAM: ALL RIGHT, BEAN BAG ROUNDS. RAF AND SPIKE, 978 00:37:59,678 --> 00:38:01,911 IF WE SENT YOU FROM HERE AND HERE, AND WE TIMED IT- 979 00:38:01,913 --> 00:38:04,347 SAM, WE DON'T TAKE THAT RISK, 980 00:38:04,349 --> 00:38:05,849 NOT WHEN THE SUBJECT HAS A WEAPON 981 00:38:05,851 --> 00:38:07,751 INCHES FROM THE VICTIM! 982 00:38:07,752 --> 00:38:09,652 SAM: I KNOW, BUT WHAT I'M SAYING IS WE MISSED AN OPPORTUNITY 983 00:38:09,655 --> 00:38:11,721 WHEN HE WAS DISTRACTED BY MAY COMING TOWARDS- 984 00:38:11,723 --> 00:38:13,857 JULES: I WAS THE ONE WHO LET HER RUN. 985 00:38:13,859 --> 00:38:15,759 (EMOTIONS RISING) I HAD HER, HAND ON SHOULDER. 986 00:38:15,761 --> 00:38:17,560 SHE WAS SAFE. 987 00:38:17,562 --> 00:38:18,778 AND NEXT THING I KNOW 988 00:38:18,779 --> 00:38:19,995 SHE'S RUNNING INTO THE LINE OF FIRE. 989 00:38:19,998 --> 00:38:22,966 ED: ALL RIGHT, STOP! JUST STOP. 990 00:38:23,902 --> 00:38:27,637 WE DID NOTHING WRONG. WE FOLLOWED PROTOCOL. 991 00:38:30,942 --> 00:38:32,342 AN EIGHTEEN-YEAR-OLD GIRL'S DEAD 992 00:38:32,344 --> 00:38:34,811 AND THERE'S NOTHING RIGHT ABOUT THAT. 993 00:38:34,813 --> 00:38:36,513 SHE WAS A BRAVE GIRL. 994 00:38:36,515 --> 00:38:38,648 SHE DESERVED TO LIVE, 995 00:38:38,650 --> 00:38:41,484 AND IT IS A TRAGEDY THAT SHE'S GONE. 996 00:38:41,486 --> 00:38:42,585 BUT SHE KNEW WHAT SHE WAS DOING; 997 00:38:42,587 --> 00:38:44,321 SHE WAS ARMED. 998 00:38:44,323 --> 00:38:45,989 SHE WAS AN ACTIVE SHOOTER, 999 00:38:45,991 --> 00:38:47,791 AND WE HAVE A CODE, WE HAVE RULES, 1000 00:38:47,793 --> 00:38:51,328 SO THAT WHEN WE ARE UNDER PRESSURE 1001 00:38:51,330 --> 00:38:55,398 WE FUNCTION AS A TEAM AND WE KNOW WHAT TO DO. 1002 00:38:55,400 --> 00:38:58,601 THIS ONE TIME, WE COULD'VE MADE AN EXCEPTION. 1003 00:38:58,603 --> 00:38:59,602 WE COULD'VE TAKEN THE RISK. 1004 00:38:59,604 --> 00:39:01,004 WE COULD'VE SHOT TO WOUND. 1005 00:39:01,005 --> 00:39:02,405 JULES: RAF, THAT'S A SLIPPERY SLOPE. 1006 00:39:02,406 --> 00:39:03,806 RAF: OKAY, YOU KNOW WHAT? HOW 'BOUT I JUST DO US ALL A FAVOR 1007 00:39:03,809 --> 00:39:06,076 AND SAY WHAT WE'RE ALL THINKING. 1008 00:39:06,078 --> 00:39:08,745 WE COULD'VE JUST HELD FIRE AND... 1009 00:39:10,015 --> 00:39:11,915 LET HER KILL HIM. 1010 00:39:11,917 --> 00:39:13,650 (THE TEAM'S SILENT) 1011 00:39:18,023 --> 00:39:20,657 (DEADLY QUIET) NO, WE COULDN'T. 1012 00:39:20,659 --> 00:39:22,125 NO, WE COULDN'T. 1013 00:39:23,061 --> 00:39:24,527 BECAUSE THAT'S NOT HOW IT WORKS. 1014 00:39:24,529 --> 00:39:26,763 WE ARE NOT JUDGES, WE ARE COPS. 1015 00:39:27,699 --> 00:39:29,399 WE'RE COPS AND WE ALL - ALL OF US - 1016 00:39:29,401 --> 00:39:30,633 HAVE TO BE ON THE SAME PAGE. 1017 00:39:30,635 --> 00:39:31,868 PARKER: OKAY, LET'S ALL SIT DOWN. 1018 00:39:31,869 --> 00:39:33,102 RAF: I GET IT, ALL RIGHT? I GET THAT'S THE JOB- 1019 00:39:33,105 --> 00:39:35,138 NO, NO, NO! WE DON'T GET TO WING IT. 1020 00:39:35,140 --> 00:39:37,040 WE DON'T GET TO CHOOSE WHICH RULES WE'RE GONNA FOLLOW; 1021 00:39:37,042 --> 00:39:38,074 THAT'S WHAT THE BAD GUYS DO. 1022 00:39:38,076 --> 00:39:41,778 WHAT WE DO... WE SERVE THE LAW. 1023 00:39:43,749 --> 00:39:45,982 NOW, ARE YOU GOOD WITH THAT? 1024 00:39:45,984 --> 00:39:49,853 RAF: ED, I RESPECT THAT THIS IS WHAT YOU'VE GOTTA BELIEVE 1025 00:39:49,855 --> 00:39:51,955 TO GET THROUGH THIS, AFTER WHAT YOU HAD TO DO. 1026 00:39:51,957 --> 00:39:53,340 OH MAN... 1027 00:39:53,341 --> 00:39:54,724 RAF: I'M JUST SAYING, IF THAT'S THE JOB... 1028 00:39:54,726 --> 00:39:56,092 (FIGHTING HIS EMOTIONS) 1029 00:39:58,897 --> 00:40:02,832 LOOK, I AM VERY SERIOUS ABOUT SERVING THE LAW, 1030 00:40:05,003 --> 00:40:08,071 AND THIS LAST YEAR HAS BEEN THE PROUDEST OF MY LIFE, 1031 00:40:08,073 --> 00:40:09,606 BUT... 1032 00:40:10,876 --> 00:40:12,609 I JUST DON'T THINK THIS IS THE BEST PLACE FOR ME 1033 00:40:12,611 --> 00:40:14,077 TO KEEP THE PEACE. 1034 00:40:17,015 --> 00:40:18,982 RAF, IT'S BEEN A LONG DAY. 1035 00:40:18,984 --> 00:40:21,117 RAF, WE'VE ALL HAD DAYS WHERE WE'VE QUESTIONED THE JOB- 1036 00:40:21,119 --> 00:40:22,819 RAF: I KNOW, I GET THAT, BOSS. 1037 00:40:22,821 --> 00:40:24,888 IT'S JUST, FOR ME, THIS... 1038 00:40:26,491 --> 00:40:28,558 THIS CAN'T HAPPEN AGAIN. 1039 00:40:30,862 --> 00:40:32,796 IT WON'T HAPPEN AGAIN. 1040 00:40:35,867 --> 00:40:37,450 WHY DON'T YOU SLEEP ON IT? 1041 00:40:37,451 --> 00:40:39,034 GIVE US A CHANCE TO TALK YOU OUT OF IT. 1042 00:40:39,037 --> 00:40:41,871 I APPRECIATE THAT, GUYS. IT'S UM... 1043 00:40:44,643 --> 00:40:47,577 IT'S JUST NOT A PLACE THAT I CAN GO. 1044 00:40:48,447 --> 00:40:54,984 ¶¶¶ 1045 00:40:54,986 --> 00:40:58,855 May: ¶ My heart has wings, love ¶ 1046 00:40:59,791 --> 00:41:04,461 ¶ Wings that carry me home ¶ 1047 00:41:06,064 --> 00:41:09,532 ¶ My heart, it sings, love ¶ 1048 00:41:11,470 --> 00:41:14,737 ¶ Your name is its song ¶ (MICHELLE SOBS) 1049 00:41:15,674 --> 00:41:17,807 ¶ Should we be parted ¶ 1050 00:41:19,611 --> 00:41:22,579 ¶ By winter winds blowing cold ¶ 1051 00:41:23,515 --> 00:41:24,581 (SOBBING) 1052 00:41:25,851 --> 00:41:29,886 ¶ I'll give my hand, love ¶ 1053 00:41:30,822 --> 00:41:32,188 CLARK: HEY, DAD. HOW WAS YOUR DAY? 1054 00:41:32,190 --> 00:41:34,691 DID YOU KEEP THE PEACE? 1055 00:41:36,228 --> 00:41:39,829 May: ¶ The waters be wide, love ¶ 1056 00:41:40,765 --> 00:41:44,167 ¶ Though they be mighty and fast ¶ 1057 00:41:44,169 --> 00:41:47,203 ¶ I will ford over ¶ 1058 00:41:49,140 --> 00:41:52,509 ¶ Held in your arms at last ¶ (SHAKY, EMOTIONAL SIGH)