1
00:00:06,540 --> 00:00:08,273
WHERE IS MICHELLE DALTON?!
2
00:00:08,275 --> 00:00:09,608
(PANICKED SCREAMING)
3
00:00:09,610 --> 00:00:11,126
MICHELLE!!!
4
00:00:11,127 --> 00:00:12,643
ED:
TEAM ONE, JAMES IS HEADED
TO THE BANQUET KITCHEN.
5
00:00:12,646 --> 00:00:14,346
JULES: COME ON, LET'S GO.
RAF: EXCUSE ME.
6
00:00:14,348 --> 00:00:16,415
(YELLING)
WHERE IS SHE?!
7
00:00:18,119 --> 00:00:19,618
WH-WHAT'S HE DOING?
8
00:00:19,620 --> 00:00:20,619
ED?
9
00:00:20,621 --> 00:00:22,021
ED:
SECONDS AWAY.
10
00:00:23,090 --> 00:00:24,056
MICHELLE?!!
11
00:00:24,058 --> 00:00:25,591
MICHELLE:
JAMES?
12
00:00:25,593 --> 00:00:29,094
(MICHELLE GASPS, SCARED)
13
00:00:29,096 --> 00:00:30,162
MOM...
14
00:00:34,335 --> 00:00:36,568
(SIRENS WAIL IN THE DISTANCE)
15
00:00:37,638 --> 00:00:39,438
WE CARRY MACHINE GUNS;
16
00:00:39,440 --> 00:00:42,574
NINE MILLIMETERS,
CORNERSHOTS.
17
00:00:42,576 --> 00:00:44,443
AND WE ARE TRAINED
TO FIRE THOSE GUNS...
18
00:00:44,445 --> 00:00:46,245
(GUNSHOTS POP)
19
00:00:47,248 --> 00:00:49,581
AND THEN WE ARE TRAINED
NOT TO FIRE THEM.
20
00:00:49,583 --> 00:00:51,750
NOW, THIS JOB ISN'T
ABOUT FIRING GUNS,
21
00:00:51,752 --> 00:00:55,154
THIS JOB IS ABOUT GETTING
INTO THE SUBJECT'S HEAD.
22
00:00:55,156 --> 00:00:57,239
(LOW MURMUR OF RAF'S VOICE)
23
00:00:57,240 --> 00:00:59,323
ED:
IT'S ABOUT LISTENING
TO WHAT THEY HAVE TO SAY.
24
00:00:59,326 --> 00:01:01,360
RAF:
I'M GONNA HOLSTER MY GUN...
25
00:01:01,362 --> 00:01:02,694
ED:
YOU GOTTA CONNECT...
26
00:01:02,696 --> 00:01:04,797
RESPECT AND PROTECT.
27
00:01:04,799 --> 00:01:06,398
KEEP THE PEACE.
28
00:01:06,400 --> 00:01:07,699
THAT'S RIGHT.
29
00:01:07,701 --> 00:01:08,700
OKAY. (CLAPS)
30
00:01:08,702 --> 00:01:10,135
YOU GUYS,
31
00:01:10,137 --> 00:01:12,371
WHO HERE HAS THOUGHT ABOUT
BEING A COP?
32
00:01:12,373 --> 00:01:14,540
GOOD. GOOD, GOOD.
33
00:01:14,542 --> 00:01:17,409
MY SON, CLARK,
HE'S GOT OTHER PLANS;
34
00:01:17,411 --> 00:01:18,610
I CAN RESPECT THAT.
35
00:01:19,547 --> 00:01:21,080
ANYBODY ELSE?
36
00:01:24,185 --> 00:01:26,285
(GUNSHOTS POP)
37
00:01:26,287 --> 00:01:28,554
NOW, IN MY CASE,
MY DAD WAS A COP,
38
00:01:28,556 --> 00:01:29,855
MY BROTHER'S A COP,
39
00:01:29,857 --> 00:01:31,857
AND I STARTED OUT
WALKING THE BEAT.
40
00:01:31,859 --> 00:01:34,526
AND IT WAS ACTUALLY
THIS GUY'S DAD
41
00:01:34,528 --> 00:01:36,728
WHO CONVINCED ME
TO JOIN THIS NEW UNIT -
42
00:01:36,730 --> 00:01:38,097
THE SRU.
43
00:01:39,200 --> 00:01:41,333
WASN'T EASY -
NOT FOR ANY OF US.
44
00:01:41,335 --> 00:01:43,836
HUNDREDS APPLY,
FEW MAKE IT IN.
45
00:01:43,838 --> 00:01:45,671
FIRST YOU TAKE
A PSYCH TEST,
46
00:01:45,673 --> 00:01:47,189
MULTIPLE CHOICE -
47
00:01:47,190 --> 00:01:48,706
WHAT KIND OF COP ARE YOU?
WHAT KIND OF HUMAN BEING? -
48
00:01:48,709 --> 00:01:50,609
1600 QUESTIONS.
49
00:01:50,611 --> 00:01:53,012
AND YOU GET THROUGH THAT,
50
00:01:53,013 --> 00:01:55,414
THEN IT'S FITNESS TESTS
AND DRILLS.
51
00:01:55,416 --> 00:01:57,449
WE SPECIALIZE
IN MARKSMANSHIP...
52
00:01:57,451 --> 00:01:59,118
(GUNSHOTS POP)
53
00:01:59,120 --> 00:02:02,521
BOMBS, TECH, PSYCHOLOGY,
NEGOTIATIONS.
54
00:02:02,523 --> 00:02:04,456
EVERY DAY, YOU PUSH YOURSELF
TO YOUR LIMIT...
55
00:02:04,458 --> 00:02:05,557
GO! GO! GO! GO!
56
00:02:05,559 --> 00:02:07,693
ED:
PHYSICALLY, MENTALLY...
57
00:02:07,695 --> 00:02:11,263
SO THAT YOU CAN HANDLE THE JOB
WHEN THE JOB GETS TOUGH.
58
00:02:11,265 --> 00:02:12,464
(GUNSHOTS POP)
59
00:02:17,872 --> 00:02:20,772
BECAUSE THE JOB
DOES GET TOUGH.
60
00:02:20,774 --> 00:02:22,274
BUT YOU WORK HARD,
61
00:02:22,276 --> 00:02:23,542
YOU DO YOUR BEST.
62
00:02:23,544 --> 00:02:26,478
YOU DO WHAT YOU THINK IS RIGHT
63
00:02:26,480 --> 00:02:30,315
AND YOU'LL FIND PEACE
IN WHATEVER YOU CHOOSE TO DO.
64
00:02:30,317 --> 00:02:31,583
(GRUNTS OF EFFORT)
65
00:02:33,354 --> 00:02:34,419
AGHHH!
66
00:02:36,857 --> 00:02:37,923
(EXHALES)
67
00:02:42,229 --> 00:02:43,629
WOMAN:
WATCH THE CORNER.
68
00:02:43,631 --> 00:02:45,564
WE'RE ALMOST THERE.
69
00:02:45,566 --> 00:02:47,900
WE ARE GETTING WAY TOO GOOD
AT THIS.
70
00:02:47,902 --> 00:02:49,168
YOUNGER WOMAN:
SERIOUSLY.
71
00:02:51,505 --> 00:02:53,372
OH MY GOD.
OKAY.
72
00:02:53,374 --> 00:02:54,706
WOMAN:
SO I'LL TELL YOU
WHAT I'M THINKING.
73
00:02:54,708 --> 00:02:56,909
AFTER WORK,
I'LL BUY A BOTTLE OF BUBBLY,
74
00:02:56,911 --> 00:02:59,178
BRING IT BACK HERE,
AND WE'LL CRACK IT OPEN
75
00:02:59,180 --> 00:03:00,345
AND CELEBRATE
YOUR SHOW TONIGHT.
76
00:03:00,347 --> 00:03:01,513
JUST THE TWO OF US.
77
00:03:01,515 --> 00:03:02,814
WELL, MAYBE NOT
THE FIRST TIME.
78
00:03:02,816 --> 00:03:05,517
SECOND MAYBE?
I COULD SUCK.
79
00:03:05,519 --> 00:03:07,386
SHUT UP!
YOU SHUT UP.
80
00:03:08,322 --> 00:03:10,522
YOU ARE MAY DALTON.
81
00:03:10,524 --> 00:03:12,658
YOU'RE SMART, TALENTED.
82
00:03:12,660 --> 00:03:15,360
WISE BEYOND YOUR YEARS,
83
00:03:15,362 --> 00:03:17,529
AND YOU ARE
THE BRAVEST PERSON
84
00:03:17,531 --> 00:03:18,864
THAT I HAVE EVER KNOWN.
85
00:03:22,303 --> 00:03:24,269
AND WHO DO YOU THINK
I GOT ALL THAT FROM?
86
00:03:24,271 --> 00:03:25,938
(CHUCKLES)
87
00:03:25,940 --> 00:03:28,273
(PHONE CHIRPS)
I GOTTA GO. BYE.
88
00:03:30,778 --> 00:03:31,777
HEY.
89
00:03:31,779 --> 00:03:33,412
TOBIAS:
HEY, GODDESS.
90
00:03:33,414 --> 00:03:35,314
SHOULDN'T YOU BE WORKING?
91
00:03:36,417 --> 00:03:37,967
I'VE GOT ELEVEN POSTERS LEFT,
92
00:03:37,968 --> 00:03:39,518
AND I DO NOT PLAN ON
LETTING THEM GO TO WASTE.
93
00:03:39,520 --> 00:03:40,886
TOBIAS,
YOU'RE ALREADY LATE,
94
00:03:40,888 --> 00:03:41,954
AND YOUR BOSS IS GONNA-
95
00:03:41,956 --> 00:03:43,288
IT'S WHATEVER.
96
00:03:44,225 --> 00:03:45,490
YOU'RE WORTH IT.
97
00:03:45,492 --> 00:03:48,860
YOU KNOW, IT'S KILLING ME
THAT YOU CAN'T BE THERE TONIGHT.
98
00:03:48,862 --> 00:03:51,530
SO SING FOR ME NOW.
99
00:03:51,532 --> 00:03:52,698
WHAT?
100
00:03:52,700 --> 00:03:53,999
TOBIAS: PLEASE?
I CAN'T JUST-
101
00:03:54,001 --> 00:03:55,701
JUST SING IT
LIKE YOU'RE UP THERE
102
00:03:55,703 --> 00:03:58,704
AND I'M THE ONLY ONE
WATCHING YOU.
103
00:03:58,706 --> 00:03:59,838
(QUIET LAUGH)
104
00:04:00,774 --> 00:04:03,308
OKAY,
JUST HANG ON A SECOND.
105
00:04:07,982 --> 00:04:10,983
¶ MY HEART HAS WINGS, LOVE ¶
106
00:04:11,919 --> 00:04:14,786
¶ WINGS TO CARRY ME HOME ¶
107
00:04:15,723 --> 00:04:18,390
¶ MY HEART IT SINGS, LOVE ¶
108
00:04:19,326 --> 00:04:21,760
¶ YOUR NAME IS ITS SONG ¶
109
00:04:22,730 --> 00:04:24,696
¶ THOUGH VALLEYS- ¶
(PHONE BEEPS)
110
00:04:25,633 --> 00:04:27,566
HANG ON.
CALL WAITING.
111
00:04:31,038 --> 00:04:32,871
IT'S HIM.
NOT TAKING IT.
112
00:04:32,873 --> 00:04:36,575
UH, THAT'S GOOD.
THAT'S GOOD, THAT'S GOOD.
113
00:04:36,577 --> 00:04:39,645
YOU KNOW WHAT? I'M GONNA UM...
I'M GONNA COME SEE YOU.
114
00:04:39,647 --> 00:04:41,480
I NEED MY GOOD LUCK KISS.
115
00:04:42,416 --> 00:04:43,782
(DOOR BUZZES)
116
00:04:43,784 --> 00:04:45,751
(VOICEMAIL)
HI, THIS IS MAY,
LEAVE A MESSAGE.
117
00:04:45,753 --> 00:04:47,019
HEY... IT'S ME.
118
00:04:47,021 --> 00:04:48,320
(DOOR BUZZES)
119
00:04:49,623 --> 00:04:52,658
UM... I JUST I WANTED TO CALL
120
00:04:52,660 --> 00:04:54,693
AND GIVE YOU
THIS CELL PHONE NUMBER.
121
00:04:54,694 --> 00:04:56,727
I HAD TO GET A NEW CELL PHONE
BECAUSE THE PHONE COMPANY...
122
00:04:56,730 --> 00:04:57,829
(DOOR BUZZES)
123
00:04:59,433 --> 00:05:01,467
ALL RIGHT,
I JUST...
124
00:05:01,468 --> 00:05:03,502
I JUST WANT YOU TO KNOW
THAT I'M THINKING ABOUT YOU
125
00:05:03,504 --> 00:05:05,037
AND...
126
00:05:05,039 --> 00:05:07,072
AND HAPPY BIRTHDAY.
127
00:05:09,610 --> 00:05:11,410
AND UH...
128
00:05:13,681 --> 00:05:16,915
AND I WOULD REALLY LIKE
TO HEAR YOUR VOICE, OKAY?
129
00:05:16,917 --> 00:05:18,383
(DOOR BUZZES)
130
00:05:18,385 --> 00:05:19,451
DAMMIT!
131
00:05:21,055 --> 00:05:22,721
THE COUPLE MOVING IN'S
BEEN MORE THAN PATIENT.
132
00:05:22,723 --> 00:05:24,456
I TOLD YOU,
I CAN PAY.
133
00:05:24,458 --> 00:05:25,674
YOU WERE SUPPOSED TO BE OUT
A WEEK AGO-
134
00:05:25,675 --> 00:05:26,891
LOOK, THE NEW JOB,
IT'S AS GOOD AS MINE-
135
00:05:26,894 --> 00:05:28,243
NO WAY.
136
00:05:28,244 --> 00:05:29,593
TWO WEEKS - FIRST PAYCHEQUE,
IT'S ALL YOURS. COME ON-
137
00:05:29,596 --> 00:05:30,996
I'VE HEARD IT BEFORE.
138
00:05:31,932 --> 00:05:33,932
OKAY, LOOK,
TAKE MY WATCH.
139
00:05:33,934 --> 00:05:34,933
IT'S WORTH $300 BUCKS,
ALL RIGHT?
140
00:05:34,935 --> 00:05:35,934
I DON'T WANT
YOUR DAMN WATCH-
141
00:05:35,936 --> 00:05:37,469
$300 BUCKS, ALL RIGHT?
142
00:05:37,470 --> 00:05:39,003
YOU CAN HAVE THE RING AS WELL.
IT'S WHITE GOLD, ALL RIGHT?
143
00:05:39,006 --> 00:05:40,806
I SURE AS HELL DON'T NEED IT
ANYMORE. TAKE IT.
144
00:05:40,808 --> 00:05:42,441
JAMES...
145
00:05:42,443 --> 00:05:43,508
COME ON.
146
00:05:44,978 --> 00:05:46,545
ALL RIGHT, LOOK...
147
00:05:46,547 --> 00:05:48,580
HERE. TAKE THIS.
148
00:05:48,582 --> 00:05:49,915
IT'S REAL CRYSTAL.
149
00:05:49,917 --> 00:05:51,461
IT'S REAL.
150
00:05:51,462 --> 00:05:53,006
YOU GOTTA BE ABLE
TO GET SOMETHING FOR THIS.
151
00:05:53,007 --> 00:05:54,551
COME ON, TAKE IT.
TAKE IT!
152
00:05:54,555 --> 00:05:55,620
(SHATTERING SMASH)
153
00:05:57,524 --> 00:05:58,990
(PANICKED BREATHS)
154
00:06:00,127 --> 00:06:02,627
YOU'RE GONE BY TONIGHT.
155
00:06:03,564 --> 00:06:05,897
DON'T MAKE ME
CALL THE COPS.
156
00:06:07,034 --> 00:06:09,701
YOU WILL SHOW ME
SOME RESPECT!
157
00:06:13,040 --> 00:06:14,906
(OVERWHELMED BREATHS)
158
00:06:15,843 --> 00:06:25,951
¶¶¶
159
00:06:25,953 --> 00:06:31,056
¶¶¶
160
00:06:31,992 --> 00:06:33,925
HOW WAS CLASS, ED?
161
00:06:33,927 --> 00:06:35,127
YOUR KID'S SCHOOL,
RIGHT?
162
00:06:35,129 --> 00:06:37,562
YEAH. BOSS'S KID
GOES THERE TOO.
163
00:06:37,564 --> 00:06:38,997
DEAN SEEMED PRETTY INTO IT.
164
00:06:38,999 --> 00:06:40,065
OH, YEAH?
165
00:06:40,067 --> 00:06:41,500
WELL, MORE THAN
CLARK DID.
166
00:06:41,501 --> 00:06:42,934
THAT'S BECAUSE YOUR BOY'S
HAD SEVENTEEN YEARS
167
00:06:42,936 --> 00:06:43,935
LIVING WITH A COP.
168
00:06:43,937 --> 00:06:44,770
MINE'S JUST GETTING STARTED.
169
00:06:44,772 --> 00:06:46,438
YEAH, WE'LL SEE.
170
00:06:47,508 --> 00:06:49,574
SPIKE:
WHAT'S NOT TO LOVE
ABOUT BEING A COP?
171
00:06:49,576 --> 00:06:51,576
THE HOURS, THE GLAMOUR,
THE GIRLS...
172
00:06:51,578 --> 00:06:52,844
JULES:
THE GIRLS?
173
00:06:52,845 --> 00:06:54,111
SPIKE:
KING STREET,
SATURDAY NIGHT?
174
00:06:54,114 --> 00:06:55,981
I'M JUST SAYING,
I SAW YOU.
175
00:06:55,983 --> 00:06:57,883
HEY, I WAS JUST MAKING SURE
THE LADIES GOT HOME SAFE.
176
00:06:57,885 --> 00:06:58,884
BOTH LADIES.
177
00:06:58,886 --> 00:06:59,985
(SHOCKED LAUGH)
178
00:06:59,987 --> 00:07:00,986
RAF.
179
00:07:00,988 --> 00:07:02,754
RAF:
YEAH, BOSS.
180
00:07:02,756 --> 00:07:05,991
SO, UH, COMING UP
ON A YEAR NEXT WEEK.
181
00:07:05,993 --> 00:07:07,726
YEAH, I KNOW.
182
00:07:07,728 --> 00:07:09,861
SO HOW IS IT GOIN'?
183
00:07:09,863 --> 00:07:11,696
YOU TELL ME.
184
00:07:11,698 --> 00:07:14,733
I THINK YOU'RE DOING GREAT.
185
00:07:14,735 --> 00:07:16,868
BUT IT'S A TWO-WAY RELATIONSHIP,
YOU AND THE JOB.
186
00:07:16,870 --> 00:07:17,869
YOU KNOW WHAT I'M SAYING?
187
00:07:17,871 --> 00:07:19,538
I THINK SO.
188
00:07:20,774 --> 00:07:22,324
AFTER A YEAR,
189
00:07:22,325 --> 00:07:23,875
YOU GET A TASTE OF HOW
THE JOB'S DOING FOR YOU.
190
00:07:23,877 --> 00:07:26,778
I HEAR YOU, BOSS.
IT'S ALL GOOD.
191
00:07:26,780 --> 00:07:28,180
GOOD. OKAY.
192
00:07:30,150 --> 00:07:31,633
SO TWO GIRLS, HUH?
193
00:07:31,634 --> 00:07:33,117
RAF:
ACTUALLY, IT WAS THREE,
BUT WHO'S COUNTIN'?
194
00:07:37,024 --> 00:07:38,824
(TECHNO MUSIC PLAYS)
195
00:07:43,964 --> 00:07:45,964
DAVID:
YO! TOBIAS!
196
00:07:45,966 --> 00:07:47,532
THE NEW GRAPHICS LOOK GOOD.
197
00:07:47,534 --> 00:07:49,017
JUST FINISHED PROGRAMMING.
198
00:07:49,018 --> 00:07:50,501
DAVID:
SWEET! HOW'S MAY?
BIG NIGHT.
199
00:07:50,504 --> 00:07:51,603
SHE'S GONNA BE AWESOME!
200
00:07:53,507 --> 00:07:54,806
WON'T BE LONG
TILL SHE'S PLAYING HERE.
201
00:07:54,808 --> 00:07:56,208
TOBIAS:
YOU KNOW IT!
202
00:07:58,479 --> 00:07:59,544
CAN I HELP YOU?
203
00:08:01,815 --> 00:08:03,231
HEY, WE'RE NOT OPEN YET!
204
00:08:03,232 --> 00:08:04,648
JAMES:
I'M HERE FOR HIM.
205
00:08:06,520 --> 00:08:08,487
HEY!
206
00:08:08,489 --> 00:08:09,654
WE NEED TO TALK.
207
00:08:09,656 --> 00:08:11,256
DOING HERE?
I NEED SOME
INFORMATION.
208
00:08:13,260 --> 00:08:14,493
I'M NOT GONNA TALK
TO YOU.
209
00:08:14,495 --> 00:08:16,962
YES, YOU ARE GONNA
TALK TO ME.
210
00:08:18,098 --> 00:08:19,264
(SIRENS WAIL)
211
00:08:20,200 --> 00:08:22,267
WINNIE, GO FOR THE 911...
212
00:08:23,270 --> 00:08:24,603
DAVID?
213
00:08:24,604 --> 00:08:25,937
DAVID,
THIS IS SERGEANT GREG PARKER,
214
00:08:25,939 --> 00:08:28,173
I'M WITH THE STRATEGIC
RESPONSE UNIT.
215
00:08:28,175 --> 00:08:30,008
CAN YOU IDENTIFY THE GUNMAN?
216
00:08:30,010 --> 00:08:31,676
NO IDEA.
217
00:08:31,678 --> 00:08:34,045
HE CAME IN,
WENT STRAIGHT FOR MY FRIEND.
218
00:08:34,047 --> 00:08:35,247
PARKER:
OKAY. DOES HE KNOW HIM?
219
00:08:35,249 --> 00:08:37,682
I DON'T KNOW.
HE'S SHOUTING AT HIM-
220
00:08:37,684 --> 00:08:38,817
JAMES:
TELL ME WHERE SHE IS!
221
00:08:38,819 --> 00:08:40,585
YOU GOTTA GET HERE.
222
00:08:40,587 --> 00:08:41,586
OOF!
223
00:08:41,588 --> 00:08:42,654
OH MY GOD!
224
00:08:43,891 --> 00:08:46,024
PARKER:
WHAT'S GOING ON?
225
00:08:46,026 --> 00:08:47,959
I DON'T WANT TO HURT YOU!
TELL ME WHERE SHE IS!
226
00:08:47,961 --> 00:08:49,728
COME ON, DAVID, TALK TO ME.
WHAT'S HAPPENING?
227
00:08:51,231 --> 00:08:52,297
TELL ME NOW!
228
00:08:53,033 --> 00:08:54,633
(FIGHTING GRUNTS)
229
00:09:01,008 --> 00:09:02,073
UNGH!
230
00:09:03,176 --> 00:09:04,242
AGHHHH!
231
00:09:05,679 --> 00:09:07,012
(GUNSHOT FIRES)
232
00:09:09,216 --> 00:09:10,282
(GUNSHOT FIRES)
233
00:09:10,284 --> 00:09:11,550
EDDIE...
234
00:09:14,087 --> 00:09:15,987
GET UP! GET UP!
235
00:09:15,989 --> 00:09:16,988
GET UP NOW!
236
00:09:16,990 --> 00:09:18,223
START WALKING!
237
00:09:18,225 --> 00:09:19,324
DAVID! DAVID!
238
00:09:20,260 --> 00:09:21,259
I'M HERE.
239
00:09:21,261 --> 00:09:23,094
DON'T ENGAGE HIM,
PLEASE!
240
00:09:23,096 --> 00:09:25,597
I JUST NEED YOU TO TELL ME
WHAT HE IS DOING?
241
00:09:25,599 --> 00:09:28,667
HE'S TAKING HIM OUTSIDE.
HE'S GETTING AWAY.
242
00:09:28,669 --> 00:09:30,669
ALL RIGHT, WE'RE ALMOST THERE.
YOU HANG TIGHT.
243
00:09:30,671 --> 00:09:31,770
(GUNSHOT POPS)
244
00:09:31,772 --> 00:09:33,138
I HEARD ANOTHER SHOT!
245
00:09:33,140 --> 00:09:35,140
DAVID, STAY INSIDE!
246
00:09:35,142 --> 00:09:37,175
ED:
SAM, TAKE THE ENTRANCE
ON RICHARDSON.
247
00:09:37,177 --> 00:09:38,677
SAM:
COPY THAT.
248
00:09:39,780 --> 00:09:41,046
HE'S GETTING AWAY,
249
00:09:41,048 --> 00:09:42,747
I THINK HE'S GOT TOBIAS
IN THE CAR.
250
00:09:42,749 --> 00:09:44,282
WHAT KIND OF CAR IS IT?
251
00:09:44,284 --> 00:09:46,184
GREY SEDAN.
I CAN'T MAKE OUT THE PLATE.
252
00:09:46,186 --> 00:09:47,886
ENDS IN A ONE.
SIXTY-ONE.
253
00:09:47,888 --> 00:09:49,020
SAM, YOU GET THAT?
254
00:09:49,022 --> 00:09:50,221
(SIRENS WAIL)
255
00:09:50,223 --> 00:09:52,757
AFFIRMATIVE.
WE GOT HIM.
256
00:09:52,759 --> 00:09:55,026
RAF:
ONLY ONE PERSON IN THE CAR.
257
00:09:55,028 --> 00:09:56,328
(TIRES SCREECH)
258
00:10:00,834 --> 00:10:03,068
RAF: (OVER SPEAKER)
THIS IS THE STRATEGIC
RESPONSE UNIT!
259
00:10:03,070 --> 00:10:05,637
THIS IS THE POLICE!
PULL OVER IMMEDIATELY!
260
00:10:05,639 --> 00:10:07,672
I REPEAT,
PULL YOUR VEHICLE OVER!
261
00:10:07,674 --> 00:10:09,374
(SIREN WAILS)
262
00:10:09,376 --> 00:10:12,010
SPIKE:
WE GOT AN IMAGE FROM THE CCTV,
IT'S GONE TO YOUR PHONES.
263
00:10:12,012 --> 00:10:13,086
JULES:
NO SIGN OF TOBIAS.
264
00:10:13,087 --> 00:10:14,161
ED:
IF TOBIAS TOOK A BLOW
TO THE HEAD,
265
00:10:14,162 --> 00:10:15,236
HE COULD HAVE PASSED OUT
IN THE CAR.
266
00:10:15,237 --> 00:10:16,311
PARKER:
YOU HEARD THREE SHOTS,
RIGHT?
267
00:10:16,316 --> 00:10:17,649
DAVID:
YEAH.
268
00:10:17,650 --> 00:10:18,983
ED:
SO ONE WHEN YOU LAND,
AND THE SECOND HIT HERE...
269
00:10:18,986 --> 00:10:20,051
AND THEN ONE OUTSIDE.
270
00:10:20,053 --> 00:10:21,653
I'LL CALL IN FORENSICS,
271
00:10:21,654 --> 00:10:23,254
SEE IF THEY CAN ACCOUNT
FOR THE THIRD.
272
00:10:23,255 --> 00:10:24,855
JULES:
WE DIDN'T SEE ANY IMPACT
OR RICOCHET MARKS OUTSIDE.
273
00:10:24,858 --> 00:10:27,258
YOU THINK HE'S BEEN SHOT?
274
00:10:27,260 --> 00:10:28,360
WHAT'S GOING ON?
275
00:10:28,362 --> 00:10:29,711
EXCUSE ME,
WHO ARE YOU?
276
00:10:29,712 --> 00:10:31,061
MAY DALTON. THE COP OUTSIDE
TOLD ME TO COME IN
277
00:10:31,064 --> 00:10:32,330
AND TALK TO YOU.
278
00:10:32,332 --> 00:10:33,865
HIS GIRLFRIEND.
279
00:10:35,302 --> 00:10:37,235
WHERE'S TOBIAS?
280
00:10:37,237 --> 00:10:40,205
JULES:
LISTEN, MAY, YOUR BOYFRIEND
WAS TAKEN BY SOMEBODY.
281
00:10:40,207 --> 00:10:42,841
WHAT?
SOMEBODY CAME IN HERE,
TOOK HIM OUTSIDE.
282
00:10:42,843 --> 00:10:44,409
HE WAS ARMED.
283
00:10:44,411 --> 00:10:46,311
ED:
OKAY, MAY, SIT DOWN-
284
00:10:46,313 --> 00:10:47,646
MAY:
NO, I DON'T NEED
TO SIT DOWN,
285
00:10:47,648 --> 00:10:49,248
I NEED TO KNOW
WHAT'S GOING ON.
286
00:10:49,249 --> 00:10:50,849
ED:
WE'RE TRYING TO FIGURE THAT OUT,
ALL RIGHT? SPIKE.
287
00:10:50,851 --> 00:10:52,717
DO YOU KNOW THIS MAN?
288
00:10:55,288 --> 00:10:56,655
OH GOD...
289
00:10:56,657 --> 00:10:59,190
MAY, DO YOU KNOW
THIS MAN?
290
00:10:59,192 --> 00:11:01,059
THAT'S MY FATHER!
291
00:11:02,796 --> 00:11:04,329
(SIREN WAILS)
292
00:11:04,331 --> 00:11:07,098
STILL IN PURSUIT.
THIS GUY'S NOT SLOWING DOWN.
293
00:11:07,100 --> 00:11:08,433
(TIRES SQUEAL)
294
00:11:09,369 --> 00:11:10,435
(SIREN WAILS)
295
00:11:12,339 --> 00:11:14,172
(NERVOUS BREATHS)
296
00:11:14,174 --> 00:11:15,240
RAF:
PULL OVER!
297
00:11:15,242 --> 00:11:17,976
I REPEAT,
PULL YOUR VEHICLE OVER!
298
00:11:18,912 --> 00:11:20,245
YOU SEE THAT?
299
00:11:20,247 --> 00:11:21,746
LET'S SEE IF WE CAN
FORCE HIM OFF GERRARD.
300
00:11:21,748 --> 00:11:23,348
GET UP CLOSE.
301
00:11:23,350 --> 00:11:25,817
(ENGINE ROARS,
SIREN WAILS)
302
00:11:30,724 --> 00:11:31,573
(GASPS)
303
00:11:31,574 --> 00:11:32,423
WINNIE, SET UP A ROADBLOCK
ON JARVIS.
304
00:11:32,426 --> 00:11:33,692
SAM!
305
00:11:37,364 --> 00:11:39,130
PULL BACK! PULL BACK!
306
00:11:39,132 --> 00:11:40,198
OOF!
307
00:11:42,069 --> 00:11:43,334
(PAINED GRUNTS)
308
00:11:46,440 --> 00:11:48,206
RAF:
WINNIE, WE NEED EMS,
RIGHT NOW!
309
00:11:49,142 --> 00:12:04,055
¶¶¶
310
00:12:04,057 --> 00:12:18,336
¶¶¶
311
00:12:26,747 --> 00:12:27,779
(GROANS IN PAIN)
312
00:12:27,781 --> 00:12:28,847
RAF:
WINNIE, GIVE US AN APB,
313
00:12:28,849 --> 00:12:30,181
GERRARD HEADING EAST
FROM ONTARIO.
314
00:12:30,183 --> 00:12:31,538
WHERE'S EMS?
315
00:12:31,539 --> 00:12:32,894
TOBIAS, KEEP STILL,
WE'RE GONNA TAKE CARE OF YOU.
316
00:12:32,895 --> 00:12:34,250
TOBIAS: YOU GOTTA TELL MAY...
SAM: EASY, EASY, EASY...
317
00:12:34,254 --> 00:12:35,253
HE'S GONNA FIND HER,
OKAY?
318
00:12:35,255 --> 00:12:36,488
HE'S GONNA FIND
BOTH OF THEM-
319
00:12:36,490 --> 00:12:37,789
WHAT DO YOU MEAN?
BOTH OF WHO?
320
00:12:37,790 --> 00:12:39,089
HE SAID HE WANTED TO KNOW
WHERE MAY WAS,
321
00:12:39,090 --> 00:12:40,389
BUT I WOULDN'T TELL HIM,
AND THEN HE SAID
322
00:12:40,393 --> 00:12:41,292
HE'D ASK HER MOM,
SO I TOLD HIM...
323
00:12:41,294 --> 00:12:42,644
TOLD HIM WHAT, TOBIAS?
324
00:12:42,645 --> 00:12:43,995
ROYAL YORK HOTEL,
WHERE SHE WORKS.
325
00:12:43,997 --> 00:12:47,098
HE'S GOING THERE NOW.
HE'S GOT A GUN!
326
00:13:00,247 --> 00:13:01,946
JULES:
I'M CALLING THE HOTEL.
327
00:13:01,948 --> 00:13:03,782
EVERYTHING WE CAN
ON ANY JAMES MITCHELL
328
00:13:03,784 --> 00:13:05,183
MATCHING HIS DESCRIPTION.
COPY.
329
00:13:05,185 --> 00:13:07,051
TOBIAS.
TOBIAS IS
GONNA BE OKAY,
330
00:13:07,053 --> 00:13:08,253
BUT WE GOTTA GET
TO YOUR MOM AND DAD
331
00:13:08,255 --> 00:13:09,487
AND MAKE SURE
THEY'RE GONNA BE OKAY, TOO.
332
00:13:09,489 --> 00:13:11,189
YOU CAN'T LET HIM
NEAR MY MOM.
333
00:13:11,191 --> 00:13:12,223
I HEAR YOU.
334
00:13:12,225 --> 00:13:14,192
WHAT'S YOUR NAME?
335
00:13:15,128 --> 00:13:17,929
IT'S ED.
ED LANE.
336
00:13:17,931 --> 00:13:20,799
ED, YOU CAN'T LET
THIS HAPPEN.
337
00:13:20,801 --> 00:13:22,534
YOU DON'T KNOW MY FATHER.
338
00:13:22,536 --> 00:13:24,202
CAN YOU HELP US KNOW HIM,
MAY?
339
00:13:24,204 --> 00:13:25,470
MAY, CAN YOU RIDE
WITH US?
340
00:13:25,472 --> 00:13:26,905
YEAH.
LET'S GO.
341
00:13:31,077 --> 00:13:32,143
SAM:
TOBIAS IS WITH EMS.
342
00:13:32,145 --> 00:13:33,344
WE'RE ON OUR WAY
TO THE HOTEL,
343
00:13:33,346 --> 00:13:34,546
SQUAD CARS EN ROUTE.
344
00:13:34,548 --> 00:13:36,214
JULES, ANY LUCK
REACHING THE MOTHER?
345
00:13:36,216 --> 00:13:37,566
JULES:
SHE WORKS THE BANQUETS,
346
00:13:37,567 --> 00:13:38,917
THEY DON'T KNOW
IF SHE'S SHOWED UP TO WORK YET.
347
00:13:38,919 --> 00:13:40,518
THEY'RE LOOKING FOR HER.
348
00:13:43,857 --> 00:13:45,089
ED:
SO YOU AND YOUR MOM LEFT
LAST YEAR?
349
00:13:45,091 --> 00:13:46,558
IS THAT RIGHT?
350
00:13:46,560 --> 00:13:49,127
IT SHOULD'VE BEEN SOONER.
351
00:13:49,129 --> 00:13:50,829
WHAT HAPPENED?
352
00:13:50,831 --> 00:13:53,965
IT WASN'T JUST ONE THING,
IT WAS EVERYTHING.
353
00:13:53,967 --> 00:13:55,433
THEN IT JUST GOT WORSE.
354
00:13:55,435 --> 00:13:57,602
WERE YOU AFRAID
OF YOUR DAD?
355
00:13:57,604 --> 00:14:00,004
YEAH.
356
00:14:00,006 --> 00:14:03,241
HE THOUGHT I DIDN'T KNOW
WHO HE WAS.
357
00:14:03,243 --> 00:14:04,576
I KNEW WHO HE WAS.
358
00:14:04,578 --> 00:14:07,979
JAMES: (MENACING)
YOUR PROBLEM IS
YOU JUST DON'T THINK.
359
00:14:07,981 --> 00:14:10,114
MICHELLE:
JAMES, I TOLD YOU ABOUT IT
LAST WEEK.
360
00:14:10,116 --> 00:14:11,482
JAMES:
YOU TOLD ME...
361
00:14:11,484 --> 00:14:12,984
MICHELLE:
YOU SAID IT WAS OKAY.
362
00:14:12,985 --> 00:14:14,485
THE SHEETS WERE ONLY ON SALE
FOR THE WEEKEND-
363
00:14:14,487 --> 00:14:16,554
JAMES:
I SAID IT WAS OKAY.
364
00:14:16,556 --> 00:14:18,523
YOU DID.
365
00:14:18,525 --> 00:14:20,592
ARE YOU TELLING ME
WHAT I REMEMBER NOW?
366
00:14:20,594 --> 00:14:21,593
MICHELLE: OH, PLEASE...
JAMES: ARE YOU?!
367
00:14:21,595 --> 00:14:23,061
MICHELLE: NO!
368
00:14:23,062 --> 00:14:24,528
JAMES:
BECAUSE NOW I HAVE A CAR PAYMENT
THAT BOUNCES.
369
00:14:24,531 --> 00:14:26,531
I HAVE A CAR PAYMENT
UNCES
370
00:14:26,533 --> 00:14:29,567
BECAUSE YOU NEED NEW
(SMASHES PLATE) SHEETS!
371
00:14:29,569 --> 00:14:31,236
YOU KNOW WHAT?
FROM NOW ON,
372
00:14:31,237 --> 00:14:32,904
YOU SIGN YOUR CHEQUES
OVER TO ME, MICHELLE.
373
00:14:32,906 --> 00:14:34,239
I GIVE YOU
WHAT YOU NEED.
374
00:14:34,241 --> 00:14:35,240
YOU DON'T NEED
TO DO THAT.
375
00:14:35,242 --> 00:14:36,725
WHY NOT?
376
00:14:36,726 --> 00:14:38,209
YOU PLANNING ON MAKING
A MOVE, MICHELLE?
377
00:14:40,914 --> 00:14:42,313
DON'T YOU LIKE TO ME!
378
00:14:42,315 --> 00:14:43,381
DAD?
379
00:14:48,021 --> 00:14:49,220
HEY, MAY-BE.
380
00:14:51,224 --> 00:14:54,359
UH, YOU FINISH
YOUR EGYPTIAN PROJECT?
381
00:14:55,295 --> 00:14:57,095
YEAH...
YEAH, ALMOST.
382
00:14:58,164 --> 00:15:01,099
HEY, UM...
DO ME A FAVOUR?
383
00:15:02,035 --> 00:15:05,003
HELP YOUR MOM CLEAN UP
THE PLATES SHE BROKE.
384
00:15:05,005 --> 00:15:07,305
YOU KNOW HOW SHE GETS.
385
00:15:07,307 --> 00:15:09,407
THANK YOU, SWEETIE.
386
00:15:12,612 --> 00:15:14,112
(MICHELLE SOBS)
387
00:15:21,988 --> 00:15:24,289
HE TOOK AWAY ALL HER MONEY
SO SHE COULDN'T LEAVE,
388
00:15:24,291 --> 00:15:25,556
MADE HER THINK
SHE WAS CRAZY,
389
00:15:25,558 --> 00:15:28,059
AND THAT HE WAS THE NORMAL ONE.
390
00:15:28,061 --> 00:15:30,662
MAY, MOVING OUT,
THE RESTRAINING ORDER,
391
00:15:30,664 --> 00:15:32,931
YOUR MOM CHANGING HER NAME,
392
00:15:32,932 --> 00:15:35,199
THOSE ARE ALL THINGS
THAT BOTH OF YOU DID RIGHT,
393
00:15:35,201 --> 00:15:36,968
AND THAT PAST IS BEHIND YOU.
394
00:15:36,970 --> 00:15:39,570
BUT IT'S NOT!
I MEAN, LOOK WHERE I AM.
395
00:15:39,572 --> 00:15:41,039
I'M IN A CAR WITH TWO COPS.
396
00:15:41,041 --> 00:15:42,340
I MEAN,
NO OFFENCE, GUYS,
397
00:15:42,342 --> 00:15:43,641
BUT YOU REALLY HAVEN'T DONE
THE BEST JOB
398
00:15:43,643 --> 00:15:45,443
OF KEEPING HIM AWAY.
399
00:15:47,180 --> 00:15:50,481
HE CALLED ME TODAY
'CAUSE IT'S MY BIRTHDAY.
400
00:15:50,483 --> 00:15:52,717
HOW'D HE GET
MY CELL PHONE NUMBER?
401
00:15:52,719 --> 00:15:55,353
HE EVEN TRACKED DOWN
WHERE TOBIAS WORKS.
402
00:15:55,355 --> 00:15:56,955
NOW HE KNOWS WHERE MOM WORKS.
403
00:15:56,957 --> 00:15:59,257
I MEAN, WHAT ARE WE SUPPOSED
TO DO?
404
00:16:00,627 --> 00:16:05,663
TOBIAS HAS DONE EVERYTHING
SO THAT WE CAN FEEL SAFE.
405
00:16:07,400 --> 00:16:11,002
BUT I GUESS THAT'S JUST
NOT GONNA HAPPEN.
406
00:16:16,309 --> 00:16:18,576
(PATRONS CHATTER AND LAUGH)
407
00:16:22,182 --> 00:16:23,673
HELLO.
HI.
408
00:16:23,674 --> 00:16:25,165
JAMES:
(READING HER NAMETAG)
UH, HEATHER,
409
00:16:25,166 --> 00:16:26,657
I WONDER IF YOU CAN HELP ME,
I'M LOOKING FOR SOMEONE.
410
00:16:26,658 --> 00:16:28,149
HEATHER:
OF COURSE. IS THIS PERSON
A GUEST WITH US TODAY?
411
00:16:28,154 --> 00:16:29,587
NO. AN EMPLOYEE.
412
00:16:29,589 --> 00:16:31,005
OH, OKAY.
413
00:16:31,006 --> 00:16:32,422
YOU'D NEED TO SPEAK
TO THE RESIDENT MANAGER.
414
00:16:32,425 --> 00:16:34,392
SHALL I CALL HIM?
415
00:16:36,563 --> 00:16:39,130
YOU KNOW, ACTUALLY,
I JUST CAME IN TO SAY HI.
416
00:16:39,132 --> 00:16:40,231
IT'S THE MANAGER
I'M LOOKING FOR...
417
00:16:40,233 --> 00:16:42,233
I HAVE A JOB INTERVIEW.
418
00:16:42,235 --> 00:16:43,267
A FRIEND SET IT UP.
419
00:16:43,269 --> 00:16:46,004
I HAVE HIS NAME HERE
SOMEWHERE...
420
00:16:46,006 --> 00:16:47,405
FLOYD MATHER.
421
00:16:47,407 --> 00:16:49,273
MR. MATHER.
RIGHT.
422
00:16:49,275 --> 00:16:50,675
TAKE THOSE STAIRS
UP TO THE MEZZANINE,
423
00:16:50,677 --> 00:16:53,378
THEN ALL THE WAY AROUND
AND LOOK FOR THE SIGNS.
424
00:16:53,380 --> 00:16:54,679
THANK YOU SO MUCH.
425
00:16:54,681 --> 00:16:56,214
CONCIERGE:
GOOD LUCK!
426
00:17:00,153 --> 00:17:02,787
SPIKE:
BOSS, JAMES SERVED TWO
30-DAY SENTENCES LAST YEAR -
427
00:17:02,789 --> 00:17:05,289
ASSAULT AND VIOLATING
A RESTRAINING ORDER.
428
00:17:05,291 --> 00:17:07,325
DOMESTIC OFFENSES
GO BACK FOUR YEARS,
429
00:17:07,327 --> 00:17:09,093
AND HE'S BEEN OUT OF WORK
FOR OVER A YEAR.
430
00:17:09,095 --> 00:17:10,428
THERE'S GONNA BE
MONEY ISSUES.
431
00:17:10,430 --> 00:17:11,830
I TALKED TO TOBIAS.
432
00:17:11,831 --> 00:17:13,231
MICHELLE AND MAY
HAVE MOVED THREE TIMES
433
00:17:13,233 --> 00:17:14,232
IN THE LAST YEAR
434
00:17:14,234 --> 00:17:15,633
AND JAMES KEEPS
FINDING THEM,
435
00:17:15,635 --> 00:17:17,552
AND EVERY TIME
HE ESCALATES.
436
00:17:17,553 --> 00:17:19,470
PARKER:
DOMINATING PERSONALITY,
MULTIPLE STRESSORS,
437
00:17:19,472 --> 00:17:21,472
HIS LIFE IS OUT OF CONTROL.
438
00:17:21,474 --> 00:17:26,611
HE PICKS TODAY TO LASH BACK
AT THE ONE PERSON HE CAN BLAME.
439
00:17:26,613 --> 00:17:28,312
AND WE KNOW HOW THESE THINGS
OFTEN GO.
440
00:17:28,314 --> 00:17:29,747
JULES:
YEAH, THAT'S WHAT
I'M AFRAID OF.
441
00:17:29,749 --> 00:17:30,815
MURDER-SUICIDE.
442
00:17:35,488 --> 00:17:37,088
(HEAVY BREATHING)
443
00:17:41,194 --> 00:17:43,061
I'M LOOKING
FOR THE MANAGER.
444
00:17:43,063 --> 00:17:44,062
CAN I HELP YOU?
445
00:17:44,064 --> 00:17:46,664
YES.
WHERE'S MICHELLE DALTON?
446
00:17:50,670 --> 00:17:52,537
MAY, WE'RE GONNA DO
EVERYTHING WE CAN
447
00:17:52,539 --> 00:17:53,604
TO KEEP YOUR MOM SAFE.
448
00:17:53,606 --> 00:17:55,706
ED:
THIS IS WHAT WE DO, MAY.
449
00:17:55,708 --> 00:17:57,275
NOBODY NEEDS
TO GET HURT TODAY.
450
00:17:59,079 --> 00:18:00,812
TELL ME YOUR NAME AGAIN.
451
00:18:02,449 --> 00:18:04,348
GREG PARKER.
452
00:18:04,350 --> 00:18:06,084
GREG.
453
00:18:06,086 --> 00:18:07,685
GREG AND ED.
454
00:18:12,225 --> 00:18:14,325
I WANNA BE ABLE
TO HOLD YOU
455
00:18:14,327 --> 00:18:16,294
TO WHAT YOU JUST
TOLD TO ME, OKAY?
456
00:18:19,866 --> 00:18:21,132
OKAY, MAY.
457
00:18:23,303 --> 00:18:24,368
OKAY.
458
00:18:28,641 --> 00:18:29,774
(SIRENS WAIL)
459
00:18:33,246 --> 00:18:34,679
ED:
LET'S GO!
460
00:18:34,681 --> 00:18:35,746
LET'S GO!
461
00:18:43,790 --> 00:18:45,656
WHERE IS MICHELLE DALTON?!
462
00:18:45,658 --> 00:18:47,258
(STAFF SCREAMS)
463
00:18:47,260 --> 00:18:48,392
MICHELLE!
464
00:18:48,394 --> 00:18:49,494
WHERE IS SHE?
465
00:18:51,698 --> 00:18:52,697
MICHELLE!
466
00:18:52,699 --> 00:18:53,764
MICHELLE:
JAMES...
467
00:18:54,901 --> 00:18:56,667
(FRIGHTENED WHIMPERS)
468
00:19:04,611 --> 00:19:05,676
(SIRENS WAIL)
469
00:19:09,549 --> 00:19:11,415
IS THAT HIM?
470
00:19:11,417 --> 00:19:12,717
YEAH.
THAT'S DEFINITELY HIM.
471
00:19:12,719 --> 00:19:14,752
SPIKE, WE GOT A POSITIVE ID
ON JAMES.
472
00:19:14,754 --> 00:19:17,221
CONCIERGE SAYS HE'S LOOKING
FOR THE HR MANAGER.
473
00:19:17,223 --> 00:19:18,473
THANK YOU, HEATHER.
474
00:19:18,474 --> 00:19:19,724
HEATHER, WHERE CAN I FIND
THE MANAGER?
475
00:19:19,726 --> 00:19:20,858
UH, MEZZANINE.
UP THOSE STAIRS.
476
00:19:20,860 --> 00:19:22,393
THANK YOU.
SPIKE, TRANSPONDERS ON.
477
00:19:24,397 --> 00:19:25,330
LET'S MOVE.
478
00:19:25,331 --> 00:19:26,264
(TYPES FURIOUSLY,
COMPUTER TRILLS)
479
00:19:28,368 --> 00:19:29,901
UP THE STAIRS,
LEFT AND LEFT.
480
00:19:29,903 --> 00:19:31,435
(DOOR BANGS SHUT)
MAY'S GONNA HELP US PROFILE.
481
00:19:31,437 --> 00:19:32,436
NO PROBLEM.
482
00:19:32,438 --> 00:19:33,437
MAY? SPIKE.
HAVE A SEAT.
483
00:19:33,439 --> 00:19:35,373
THANKS.
484
00:19:35,375 --> 00:19:35,773
OKAY?
485
00:19:40,246 --> 00:19:41,846
(WHIMPERS, FRIGHTENED)
486
00:19:46,886 --> 00:19:49,320
THIS WASN'T NECESSARY,
MICHELLE?
487
00:19:49,322 --> 00:19:51,689
YOU KNOW THAT NONE OF THIS
HAD TO HAPPEN,
488
00:19:51,691 --> 00:19:52,823
DON'T YOU?
489
00:19:54,527 --> 00:19:56,661
ALL YOU HAD TO DO
WAS TALK TO ME.
490
00:19:56,663 --> 00:19:58,896
YOU KNOW WHAT DAY
IT IS TODAY.
491
00:19:59,832 --> 00:20:00,965
(PLATE BREAKS)
492
00:20:00,967 --> 00:20:02,466
(STAFF SCREAMS)
493
00:20:04,938 --> 00:20:07,538
FOUR, SEVEN, BRAVO, KILO
494
00:20:07,540 --> 00:20:10,675
UNDERSCORE TANGO X-RAY.
THANK YOU.
495
00:20:10,677 --> 00:20:12,376
THOSE DOTS,
IS THAT YOUR TEAM?
496
00:20:12,378 --> 00:20:14,278
YEP, AND IF MY MOM
WAS IN TROUBLE?
497
00:20:14,280 --> 00:20:15,980
THEY'RE THE ONES I'D WANNA SEE
COMING THROUGH THE WINDOW.
498
00:20:18,785 --> 00:20:20,351
THAT'S-THAT'S INSIDE.
HOW DID YOU...?
499
00:20:20,353 --> 00:20:22,253
IT'S MAGIC.
500
00:20:22,255 --> 00:20:24,789
OR HOTEL SECURITY
JUST GAVE YOU THEIR ACCESS CODE
501
00:20:24,791 --> 00:20:25,656
AND WI-FI PASSWORD.
502
00:20:25,658 --> 00:20:27,758
SHE SEES RIGHT THOUGH ME.
503
00:20:29,229 --> 00:20:30,695
SIR, THE MAN WHO ATTACKED YOU,
WHERE DID HE GO?
504
00:20:30,697 --> 00:20:32,296
MICHELLE DALTON,
HE WENT AFTER HER.
505
00:20:32,298 --> 00:20:33,698
SHE WAS JUST IN
THE BANQUET KITCHEN.
506
00:20:33,700 --> 00:20:35,499
BANQUET KITCHEN?
507
00:20:35,501 --> 00:20:37,001
THROUGH THAT DOOR,
TWO FLIGHTS DOWN.
508
00:20:37,003 --> 00:20:38,481
SAM:
OKAY, GO BACK TO YOUR OFFICE.
509
00:20:38,482 --> 00:20:39,960
WE'LL GET YOU HELP
AS SOON AS WE CAN.
510
00:20:39,961 --> 00:20:41,439
ED:
TEAM ONE, JAMES IS HEADED
TO THE BANQUET KITCHEN.
511
00:20:41,441 --> 00:20:43,141
SPIKE:
COPY THAT.
512
00:20:43,142 --> 00:20:44,842
BOSS, YOU'RE CLOSE.
DOWN THE STAIRS TO YOUR RIGHT.
513
00:20:44,844 --> 00:20:46,444
OKAY.
HERE WE GO.
514
00:20:48,681 --> 00:20:50,097
HE'S GOING TO SHOOT HER.
515
00:20:50,098 --> 00:20:51,514
NO, THIS IS TEAM ONE
WE'RE TALKING ABOUT MAY.
516
00:20:51,517 --> 00:20:53,117
MAY:
I NEED TO HEAR.
CAN WE HEAR?
517
00:20:53,118 --> 00:20:54,718
SPIKE:
NO. YOU KNOW,
IT CAN GET A LITTLE BIT INTENSE-
518
00:20:54,721 --> 00:20:57,288
SPIKE,
I'M NOT A KID, OKAY?
519
00:20:57,290 --> 00:20:58,623
YOU SAID SO YOURSELF,
SHE'LL BE FINE.
520
00:20:58,625 --> 00:21:00,992
NOW AM I HERE TO HELP
OR AM I NOT?
521
00:21:00,994 --> 00:21:03,327
BOSS, OKAY IF I PATCH MAY
INTO THE CONVERSATION?
522
00:21:03,329 --> 00:21:05,329
PARKER:
OKAY, SPIKE,
BUT USE YOUR JUDGMENT.
523
00:21:05,331 --> 00:21:06,397
SPIKE:
COPY THAT.
524
00:21:06,398 --> 00:21:07,464
OKAY, I'M GONNA PUT IT
ON SPEAKER.
525
00:21:07,467 --> 00:21:08,466
YOU'RE GONNA HEAR
THE TEAM'S MICS
526
00:21:08,468 --> 00:21:09,467
AND WHATEVER WE CAN PICK UP
527
00:21:09,469 --> 00:21:11,369
FROM THE KITCHEN
INTERCOM SYSTEM.
528
00:21:11,371 --> 00:21:14,472
JAMES:
I'VE BEEN MORE THAN REASONABLE
WITH YOU.
529
00:21:14,474 --> 00:21:15,873
THIS IS WHAT HAPPENS
530
00:21:15,875 --> 00:21:19,710
WHEN YOU PUSH A REASONABLE MAN
FOR TOO LONG!
531
00:21:19,712 --> 00:21:23,748
NO PROBLEM, JAMES.
IT'S NO PROBLEM.
532
00:21:23,750 --> 00:21:25,016
PUT THE GUN AWAY
533
00:21:25,018 --> 00:21:28,786
AND YOU AND I CAN HAVE
A REASONABLE TALK, OKAY?
534
00:21:29,722 --> 00:21:31,055
ALL RIGHT.
535
00:21:33,426 --> 00:21:35,760
LET'S START WITH THIS:
536
00:21:37,563 --> 00:21:38,996
WHERE IS MY DAUGHTER?
537
00:21:40,667 --> 00:21:42,667
WHERE IS SHE?!
538
00:21:42,669 --> 00:21:44,402
PARKER:
LET'S GET THE OTHER CIVILIANS
OUT OF THE KITCHEN
539
00:21:44,404 --> 00:21:45,970
AND GET HIM TALKING.
540
00:21:45,971 --> 00:21:47,537
JULES:
THIS MAN NEEDS TO FEEL
IN CONTROL.
541
00:21:47,540 --> 00:21:49,874
PARKER
HE'S NOT A FAN OF COPS
TELLING HIM WHAT TO DO.
542
00:21:49,876 --> 00:21:51,742
HE DOESN'T LIKE ANYONE
TELLING HIM WHAT TO DO.
543
00:21:51,744 --> 00:21:53,077
HE HAS TO BE IN CHARGE.
544
00:21:53,079 --> 00:21:54,512
BOSS, YOU COPY THAT?
545
00:21:54,514 --> 00:21:55,646
PARKER:
YEAH, SPIKE, I HEARD.
546
00:21:55,648 --> 00:21:56,647
RAF:
LET'S CLEAR THE ROOM.
547
00:21:56,649 --> 00:21:58,349
JULES:
YEAH.
548
00:21:58,351 --> 00:21:59,584
JULES:
EXCUSE ME.
WE NEED YOU TO LEAVE.
549
00:21:59,585 --> 00:22:00,818
RAF:
SIR, I NEED YOU TO LEAVE
RIGHT NOW.
550
00:22:03,956 --> 00:22:05,489
I NEED YOU TO LEAVE NOW.
551
00:22:05,491 --> 00:22:07,491
JULES: COME ON, LET'S GO.
RAF: EXCUSE ME...
552
00:22:07,493 --> 00:22:09,093
SPIKE:
SUBJECT'S STANDING TWENTY FEET
FROM THE BANQUET DOORS,
553
00:22:09,095 --> 00:22:10,361
FACING AWAY.
554
00:22:12,065 --> 00:22:14,598
JAMES:
(MUFFLED)
HOW COULD YOU DO THIS TO ME?!
555
00:22:14,600 --> 00:22:16,033
MICHELLE:
JAMES, I DON'T KNOW
WHAT YOU'RE TALKING ABOUT!
556
00:22:16,035 --> 00:22:17,401
JAMES:
DON'T LIE TO ME!
557
00:22:17,403 --> 00:22:18,719
MICHELLE:
I'M NOT!
558
00:22:18,720 --> 00:22:20,036
JAMES:
DON'T STAND THERE
AND LIE TO MY FACE!
559
00:22:20,039 --> 00:22:21,472
DON'T TRY TO TURN
THIS AROUND!
560
00:22:21,474 --> 00:22:23,007
YOU KNOW DAMN WELL
THIS IS YOUR FAULT!
561
00:22:23,009 --> 00:22:24,559
MICHELLE:
PLEASE PUT THE GUN DOWN.
562
00:22:24,560 --> 00:22:26,110
I DON'T KNOW
WHAT YOU WANT ME TO SAY.
563
00:22:26,112 --> 00:22:28,612
JAMES:
I WANT YOU TO TELL ME
THE TRUTH!
564
00:22:28,614 --> 00:22:29,980
PARKER:
JAMES?
565
00:22:29,982 --> 00:22:32,049
MY NAME IS GREG PARKER.
566
00:22:32,050 --> 00:22:34,117
I'D LIKE TO TALK TO YOU
IF THAT'S ALL RIGHT?
567
00:22:34,120 --> 00:22:36,654
THIS IS NO ONE ELSE'S BUSINESS.
568
00:22:36,656 --> 00:22:38,756
I APPRECIATE THAT,
BUT WHAT I'D LIKE TO DO-
569
00:22:38,758 --> 00:22:40,057
JAMES:
WHO THE HELL ARE YOU?
570
00:22:40,059 --> 00:22:41,525
MY NAME IS GREG,
LIKE I SAID,
571
00:22:41,527 --> 00:22:43,594
I'M A PROFESSIONAL NEGOTIATOR.
572
00:22:43,596 --> 00:22:45,279
WHAT I'D LIKE TO DO HERE
573
00:22:45,280 --> 00:22:46,963
IS MAYBE HELP FACILITATE
A DIALOGUE.
574
00:22:46,966 --> 00:22:50,768
JAMES:
A CONVERSATION IS
WHAT I AM TRYING TO DO HERE!
575
00:22:51,738 --> 00:22:54,004
I DON'T NEED
A PROFESSIONAL NEGOTIATOR
576
00:22:54,006 --> 00:22:57,041
TO HAVE A CONVERSATION
WITH MY OWN EX-WIFE,
577
00:22:57,043 --> 00:22:58,609
FOR GODSAKE!
578
00:22:58,611 --> 00:22:59,910
ALL RIGHT?
579
00:22:59,912 --> 00:23:01,979
WHAT I NEED IS
A LITTLE PRIVACY.
580
00:23:01,981 --> 00:23:04,081
PARKER:
OKAY, THAT'S GREAT.
LET'S DO THAT.
581
00:23:04,083 --> 00:23:05,583
I MEAN,
YOU'RE IN CHARGE HERE.
582
00:23:05,584 --> 00:23:07,084
WHY DON'T YOU JUST TELL
THE OTHER PEOPLE IN THE ROOM
583
00:23:07,086 --> 00:23:09,520
THAT IT'S TIME FOR THEM TO GO.
584
00:23:10,456 --> 00:23:12,656
JAMES:
I JUST WANNA TALK
TO MY WIFE!
585
00:23:12,658 --> 00:23:14,392
PARKER:
I HEAR YOU, JAMES.
586
00:23:14,394 --> 00:23:15,860
ED, WHAT'S YOUR STATUS?
587
00:23:15,862 --> 00:23:17,561
ED:
SECONDS AWAY.
588
00:23:18,698 --> 00:23:20,531
PARKER:
IT'D BE EASIER
TO HAVE THAT CONVERSATION...
589
00:23:20,533 --> 00:23:21,782
IN POSITION.
590
00:23:21,783 --> 00:23:23,032
PARKER:
YOU'RE CALLING
THE SHOTS HERE.
591
00:23:23,035 --> 00:23:24,135
THEY'LL DO WHATEVER YOU SAY.
592
00:23:24,137 --> 00:23:25,403
JUST ASK THEM TO LEAVE.
593
00:23:25,405 --> 00:23:27,005
SAM:
IN POSITION.
594
00:23:27,006 --> 00:23:28,606
PARKER:
YOU WANT PRIVACY?
THAT'S REASONABLE.
595
00:23:28,608 --> 00:23:29,807
YOU WANT THEM TO GO?
THAT'S FAIR.
596
00:23:29,809 --> 00:23:30,941
JUST TELL THEM.
597
00:23:32,745 --> 00:23:35,813
JAMES:
OKAY, OKAY.
GET OUT OF HERE!
598
00:23:35,815 --> 00:23:37,615
EVERYONE GET OUT!
599
00:23:37,617 --> 00:23:38,916
EXCEPT FOR YOU.
600
00:23:38,918 --> 00:23:39,984
GET OUT NOW!
601
00:23:41,687 --> 00:23:43,154
GET OUT!
602
00:23:43,156 --> 00:23:44,922
THANK YOU, JAMES,
THAT'S A GOOD CHOICE.
603
00:23:46,492 --> 00:23:47,792
I SAID,
GET OUTTA HERE, NOW!
604
00:23:47,794 --> 00:23:49,410
KEITH:
I'M NOT GOING ANYWHERE.
605
00:23:49,411 --> 00:23:51,027
YOU'VE GOT SOMETHING TO SAY,
YOU CAN SAY IT NOW.
606
00:23:51,030 --> 00:23:52,029
NO.
607
00:23:52,031 --> 00:23:53,030
WHAT'S WRONG?
608
00:23:53,032 --> 00:23:54,865
HOLD IT!
609
00:23:54,867 --> 00:23:57,034
YOU HOLD IT RIGHT THERE!
610
00:23:57,036 --> 00:24:00,938
THAT'S KEITH;
THAT'S MY MOTHER'S BOYFRIEND.
611
00:24:01,874 --> 00:24:03,707
YOU'RE HIM,
AREN'T YOU?
612
00:24:03,709 --> 00:24:06,177
JAMES.
HE IS,
ISN'T HE?
613
00:24:06,179 --> 00:24:08,179
YOU'RE THE WORKPLACE BOYFRIEND.
614
00:24:08,181 --> 00:24:09,847
(TO HIMSELF)
OH BOY...
615
00:24:10,783 --> 00:24:13,717
JAMES:
CONGRATULATIONS.
HOW IS IT?
616
00:24:13,719 --> 00:24:15,019
KEITH:
W-W-WHAT'RE YOU
TALKING ABOUT?
617
00:24:15,021 --> 00:24:16,086
MY EX-WIFE.
618
00:24:18,124 --> 00:24:19,190
HOW IS IT?
619
00:24:20,726 --> 00:24:22,526
IT'S MY FAULT.
620
00:24:22,528 --> 00:24:24,795
LAST TIME I TALKED TO HIM,
I WAS JUST TRYING TO HELP.
621
00:24:24,797 --> 00:24:26,130
YOU MENTIONED YOUR MOTHER
WAS SEEING SOMEONE?
622
00:24:26,132 --> 00:24:28,732
I JUST SAID WE HAVE TO STOP
DWELLING ON THE PAST,
623
00:24:28,734 --> 00:24:30,167
ON GRUDGES,
AND WE HAVE TO MOVE ON...
624
00:24:30,169 --> 00:24:31,168
AND THEN I MENTIONED KEITH.
625
00:24:31,170 --> 00:24:32,236
OH MY GOD!
626
00:24:32,238 --> 00:24:33,654
MAY! YOU DIDN'T MAKE
THIS HAPPEN.
627
00:24:33,655 --> 00:24:35,071
PARKER:
HEY, JAMES, WHY DON'T WE JUST
STAY ON TRACK-
628
00:24:35,074 --> 00:24:36,807
JAMES:
I AM TALKING HERE!
629
00:24:36,809 --> 00:24:39,143
DON'T YOU TAKE
ANOTHER STEP!
630
00:24:40,746 --> 00:24:41,946
KEITH:
LOOK, IF IT'S ME
YOU GOT A PROBLEM WITH-
631
00:24:41,948 --> 00:24:43,448
YOU BACK OFF!
632
00:24:43,449 --> 00:24:44,949
PARKER:
JAMES, YOU WANNA HAVE
A CONVERSATION WITH MICHELLE,
633
00:24:44,951 --> 00:24:46,951
LET'S JUST DO THAT!
634
00:24:46,952 --> 00:24:48,952
LET ME GIVE YOU
A FRIENDLY WARNING:
635
00:24:48,955 --> 00:24:50,388
YOU WATCH YOUR BACK.
636
00:24:50,389 --> 00:24:51,822
MICHELLE:
I'M SERIOUS, JAMES,
THIS IS BETWEEN YOU AND ME-
637
00:24:51,823 --> 00:24:53,256
JAMES: (VOICE RISING)
WATCH YOUR BANK ACCOUNT,
WATCH YOUR WALLET,
638
00:24:53,257 --> 00:24:54,690
WATCH YOUR GODDAMN DOG!
639
00:24:54,694 --> 00:24:55,726
(SCREAMING)
BECAUSE THIS WOMAN,
640
00:24:55,728 --> 00:24:57,561
SHE WILL TAKE EVERYTHING
FROM YOU!
641
00:24:57,563 --> 00:24:59,029
(FIRE ALARM RINGS)
642
00:25:03,002 --> 00:25:05,135
YOU MAKE 'EM STOP THAT!
YOU SHUT IT OFF!
643
00:25:05,137 --> 00:25:06,337
PARKER:
YUP.
644
00:25:06,338 --> 00:25:07,538
JAMES:
GET 'EM TO TURN IT OFF
RIGHT NOW!
645
00:25:09,242 --> 00:25:10,508
JAMES?
646
00:25:10,510 --> 00:25:14,078
LET'S YOU AND I JUST GO
AND TALK. JUST...
647
00:25:14,080 --> 00:25:14,945
NO PROBLEM.
648
00:25:14,947 --> 00:25:16,647
JUST THE TWO OF US.
649
00:25:17,583 --> 00:25:18,849
I KNOW THE BEST WAY...
650
00:25:18,851 --> 00:25:20,551
WAY OUT OF HERE,
OKAY?
651
00:25:20,553 --> 00:25:22,019
(FIRE ALARM RINGS)
652
00:25:28,594 --> 00:25:30,027
OKAY.
653
00:25:30,029 --> 00:25:31,862
OKAY.
654
00:25:31,864 --> 00:25:33,697
I WANT NICE AND SLOW.
655
00:25:34,667 --> 00:25:36,066
LET'S GO.
656
00:25:36,068 --> 00:25:37,134
ED:
NEW DEAL.
SUBJECT'S PREPARING TO EXIT.
657
00:25:37,136 --> 00:25:38,602
RAF, JULES, GO AROUND,
658
00:25:38,604 --> 00:25:40,004
ISOLATE MICHELLE,
AND CUT HIM OFF.
659
00:25:40,006 --> 00:25:42,540
JULES: COPY THAT.
RAF: COPY.
660
00:25:45,044 --> 00:25:46,810
(RUNNING FOOTSTEPS)
661
00:25:48,281 --> 00:25:49,280
MAY:
WAIT. W-W-WHAT'S HE DOING?
662
00:25:52,318 --> 00:25:53,117
SPIKE:
ED?!
663
00:25:53,118 --> 00:25:53,917
(TROLLEY RATTLES
AND SLAMS INTO JAMES)
664
00:25:53,920 --> 00:25:54,919
(JAMES SCREAMS)
665
00:25:54,921 --> 00:25:57,288
(HOT OIL IGNITES
AND ROARS)
666
00:25:57,290 --> 00:25:59,256
ED:
GET DOWN!
667
00:25:59,258 --> 00:26:02,092
SAM: CLEAR THE ROOM!
ED: NO SHOT! GET DOWN!
668
00:26:02,094 --> 00:26:04,895
ED:
JAMES MITCHELL!
RIGHT THERE!
669
00:26:06,065 --> 00:26:07,231
JAMES MITCHELL!
670
00:26:08,167 --> 00:26:10,100
THEY'RE IN THE ELEVATOR.
671
00:26:10,102 --> 00:26:11,702
WE LOST 'EM!
THEY'RE GONE!
672
00:26:11,704 --> 00:26:12,770
MOM!
673
00:26:22,181 --> 00:26:23,681
SAM:
UNIS HAVE TAKEN CARE
OF THE EVAC,
674
00:26:23,683 --> 00:26:24,949
GETTING THE FIRE
UNDER CONTROL.
675
00:26:24,951 --> 00:26:26,350
ED:
SPIKE, THE SUBJECT
AND HIS HOSTAGE
676
00:26:26,352 --> 00:26:27,985
HAVE TAKEN
THE SERVICE ELEVATOR.
677
00:26:27,987 --> 00:26:29,053
SPIKE:
I KNOW, AND I'M ON IT.
678
00:26:29,054 --> 00:26:30,120
THE ELEVATOR THEY TOOK
IS THE ONLY ONE
679
00:26:30,122 --> 00:26:31,322
WITH ROOFTOP ACCESS.
680
00:26:31,324 --> 00:26:32,990
RAF: YOU GOT CONTROL?
SPIKE: I DO.
681
00:26:32,992 --> 00:26:33,991
WE GET HIM TO THE ROOF,
IT'S CONTAINED,
682
00:26:33,993 --> 00:26:35,259
WE KEEP HIM AWAY
FROM CIVILIANS.
683
00:26:35,261 --> 00:26:36,594
OKAY, GOOD. NICE.
684
00:26:36,596 --> 00:26:37,928
IS THERE A SECURITY CAMERA
IN THERE TOO?
685
00:26:37,930 --> 00:26:39,630
THAT'S JUST WHERE
I WAS GOING.
686
00:26:39,632 --> 00:26:41,231
AND WE ALSO GOTTA HAVE A PHONE
THAT WE CAN HEAR THROUGH.
687
00:26:41,233 --> 00:26:42,900
(TYPING FURIOUSLY)
688
00:26:44,637 --> 00:26:45,836
WHAT IF HE GETS OUT
AT THE LOBBY
689
00:26:45,838 --> 00:26:47,455
AND MAKES A RUN FOR IT?
690
00:26:47,456 --> 00:26:49,073
I'VE GOT FULL OVERRIDE
AND THEY GO WHERE I SAY.
691
00:26:49,075 --> 00:26:50,774
GUYS, I'M GONNA SEND DOWN
ANOTHER ELEVATOR.
692
00:26:50,776 --> 00:26:52,154
IT DOESN'T GO TO THE ROOF
693
00:26:52,155 --> 00:26:53,533
BUT I CAN GET YOU THROUGH
A WINDOW.
694
00:26:53,534 --> 00:26:54,912
ED:
SPIKE, GET THE UNIFORMS
TO THE STAIRS
695
00:26:54,914 --> 00:26:56,046
WITH REMMY'S FOR ME
AND SAM.
696
00:26:56,048 --> 00:26:57,598
COPY THAT.
697
00:26:57,599 --> 00:26:59,149
SAM:
'KAY, THERE'S VENTS FOR COVER.
YOU TAKE THE LOW ONE;
698
00:26:59,151 --> 00:27:00,618
I'LL GET A HIGHER VANTAGE
FROM THE 18TH FLOOR.
699
00:27:00,620 --> 00:27:02,086
ED:
LET'S MOVE.
700
00:27:02,087 --> 00:27:03,553
PARKER:
THERE'S STILL A CHANCE
WE CAN TALK HIM DOWN.
701
00:27:03,554 --> 00:27:05,020
JULES
IF HE WANTED TO KILL MICHELLE,
HE ALREADY WOULD'VE DONE IT.
702
00:27:05,024 --> 00:27:07,257
THERE'S SOMETHING ELSE
HE WANTS.
703
00:27:08,194 --> 00:27:09,727
(ELEVATOR WHIRS)
704
00:27:11,964 --> 00:27:14,365
JAMES:
(STRESSED, BREATHLESS)
705
00:27:15,868 --> 00:27:18,902
COME ON, COME ON, COME ON...
706
00:27:18,904 --> 00:27:20,204
JULES:
OKAY, LET'S BREAK IT DOWN.
707
00:27:20,206 --> 00:27:22,139
THIS IS A GUY
WHO'S LOST EVERYTHING.
708
00:27:22,141 --> 00:27:23,907
I THINK WHAT HE'S FIGHTING FOR
IS A SITUATION
709
00:27:23,909 --> 00:27:25,643
WHERE HE'S BACK
IN CONTROL AGAIN.
710
00:27:25,645 --> 00:27:27,211
EVEN IF IT'S THE LAST THING
HE CONTROLS.
711
00:27:27,213 --> 00:27:28,646
SPIKE:
THIS MIGHT NOT BE
A DEAD END.
712
00:27:28,648 --> 00:27:30,047
HE'S GOT MAY.
713
00:27:30,049 --> 00:27:31,482
IT'S ME HE WANTS.
714
00:27:31,483 --> 00:27:32,916
HE DOESN'T BELIEVE
I DON'T LIKE HIM.
715
00:27:32,918 --> 00:27:34,668
HE WANTS ME,
NOT HER.
716
00:27:34,669 --> 00:27:36,419
SPIKE:
SHE'S THE ONE THING STANDING
BETWEEN HIM AND GIVING UP.
717
00:27:36,422 --> 00:27:38,822
SHE IS THE LIGHT
AT THE END OF HIS TUNNEL.
718
00:27:38,824 --> 00:27:41,125
THE TALK'S GOTTA BE
ABOUT HER.
719
00:27:41,127 --> 00:27:42,660
(ELEVATOR WHIRS)
720
00:27:45,965 --> 00:27:47,665
WHAT THE HELL...?
721
00:27:47,667 --> 00:27:49,199
(STABS LOBBY BUTTON REPEATEDLY)
722
00:27:49,201 --> 00:27:50,734
WHAT THE HELL?
723
00:27:50,736 --> 00:27:52,303
COME ON!
NO, NO, NO, NO.
724
00:27:52,304 --> 00:27:53,871
MICHELLE:
SOMEONE ELSE MUST'VE CALLED
THE ELEVATOR.
725
00:27:53,873 --> 00:27:55,673
JAMES:
I REALIZE THAT,
BRIGHT-EYES!
726
00:27:55,675 --> 00:27:57,007
IT STILL SHOULD'VE STOPPED
AT THE LOBBY
727
00:27:57,009 --> 00:27:58,653
ON THE WAY UP!
728
00:27:58,654 --> 00:28:00,298
(STABBING BUTTON REPEATEDLY)
JAMES, JUST CALM DOWN.
729
00:28:00,299 --> 00:28:01,943
WE'RE GONNA GET THERE
ONE WAY OR ANOTHER.
730
00:28:01,947 --> 00:28:03,881
STAY CALM, OKAY?
731
00:28:05,251 --> 00:28:06,316
(WHIMPERS)
732
00:28:09,455 --> 00:28:13,290
THE MOST...PRECIOUS THING
IN THE WORLD TO ME...
733
00:28:15,327 --> 00:28:17,261
AND YOU TOOK HER
FROM ME!
734
00:28:17,263 --> 00:28:19,897
WHY WOULD YOU DO THAT?
735
00:28:19,899 --> 00:28:22,032
JULES:
HE THINKS COPS ARE MESSING
WITH HIM.
736
00:28:22,034 --> 00:28:23,233
IF WE WANT HIS ATTENTION,
737
00:28:23,235 --> 00:28:25,202
HE'S MORE LIKELY TO LISTEN
TO THE DAUGHTER.
738
00:28:25,204 --> 00:28:27,204
USE MAY AS A T.P.I.?
739
00:28:27,206 --> 00:28:28,439
THIRD PARTY INTERMEDIARY;
740
00:28:28,441 --> 00:28:30,474
A CIVILIAN INVOLVED
IN NEGOTIATIONS.
741
00:28:30,476 --> 00:28:32,242
RAF:
IT GIVES HIM A REASON
TO LOOK TO THE FUTURE.
742
00:28:32,244 --> 00:28:33,844
SHE'S JUST A TEENAGER.
743
00:28:33,846 --> 00:28:35,379
WHY WOULD YOU DO THAT
TO ME?!
744
00:28:35,381 --> 00:28:37,347
JAMES...
745
00:28:37,349 --> 00:28:39,349
(SCREAMING)
WHY?!
746
00:28:39,351 --> 00:28:42,352
AGGGHHHHH!
T GETTING AWAY
NYMORE!
747
00:28:42,354 --> 00:28:43,353
MICHELLE:
(TERRIFIED)
JAMES, PLEASE!
748
00:28:43,355 --> 00:28:45,789
SPIKE,
TURN THE SPEAKER OFF.
749
00:28:45,791 --> 00:28:47,091
(JAMES' SCREAMING VOICE
SUDDENLY CUTS OUT)
750
00:28:47,093 --> 00:28:48,959
WHAT'RE YOU DOING?
751
00:28:48,961 --> 00:28:50,127
WHY ARE YOU
TURNING IT OFF?
752
00:28:50,129 --> 00:28:51,462
I'M SORRY.
753
00:28:51,464 --> 00:28:52,963
GUYS, THIS COULD BE
EMOTIONALLY TRAUMATIC.
754
00:28:52,965 --> 00:28:54,264
DO WE WANNA PUT HER
THROUGH THAT?
755
00:28:54,266 --> 00:28:55,265
I'LL DO IT!
HE'LL LISTEN TO ME.
756
00:28:55,267 --> 00:28:57,001
USUALLY, WE TRY NOT-
757
00:28:57,002 --> 00:28:58,736
I'M EIGHTEEN, OKAY?
I CAN MAKE THIS CHOICE.
758
00:28:58,738 --> 00:29:00,003
PLEASE,
LET ME HELP MY MOM,
759
00:29:00,005 --> 00:29:01,972
OR THIS WILL NEVER BE OVER.
760
00:29:01,974 --> 00:29:03,941
BOSS, SHE IS OLD ENOUGH
TO KNOW WHAT SHE'S DOING.
761
00:29:03,943 --> 00:29:05,008
SPIKE:
RAF'S RIGHT;
MAY'S NOT A KID.
762
00:29:05,010 --> 00:29:06,143
SHE'S PRETTY TOGETHER.
763
00:29:06,145 --> 00:29:08,212
LET ME TALK TO HIM.
764
00:29:08,214 --> 00:29:10,080
(OPENS COMM LINK)
GO AHEAD.
765
00:29:11,016 --> 00:29:13,751
(INTO MIC)
GREG, I WON'T EVEN TALK TO HIM
IF YOU DON'T WANT ME TO,
766
00:29:13,753 --> 00:29:16,253
BUT IF HE SEES ME UP THERE,
WATCHING...
767
00:29:16,255 --> 00:29:18,856
HE CARES A LOT MORE
ABOUT MY RESPECT
768
00:29:18,858 --> 00:29:20,824
THAN HE DOES YOURS.
769
00:29:20,826 --> 00:29:24,428
(ELEVATOR DINGS OPEN,
MICHELLE WHIMPERS)
770
00:29:24,430 --> 00:29:26,230
SUBJECT'S ON THE ROOF.
771
00:29:26,232 --> 00:29:27,498
(MICHELLE CRIES OUT,
STRUGGLING)
772
00:29:27,500 --> 00:29:29,233
JAMES:
(POUNDS THE LOBBY BUTTON)
COME ON!
773
00:29:29,235 --> 00:29:31,902
(MICHELLE YELPS IN PAIN)
COME!
774
00:29:34,306 --> 00:29:36,240
COME ON! COME ON!
775
00:29:36,242 --> 00:29:39,143
PARKER:
MAY, WE CAN'T CONTROL
WHAT YOUR FATHER MIGHT DO.
776
00:29:39,145 --> 00:29:40,344
ED:
YOU GOT ME AND SAM
ON SIERRA.
777
00:29:40,346 --> 00:29:42,780
THERE'S NO WAY
WE'LL LET JAMES HARM HER.
778
00:29:42,782 --> 00:29:44,014
JULES:
IT'S WORTH A TRY.
779
00:29:44,016 --> 00:29:45,466
HE'S HEADING INTO
AN ENDGAME...
780
00:29:45,467 --> 00:29:46,917
IF HE FEELS THAT HE CAN
REVIVE HIS RELATIONSHIP
781
00:29:46,919 --> 00:29:48,919
WITH HIS DAUGHTER...
782
00:29:48,920 --> 00:29:50,920
SAM:
EVEN IF IT'S FROM JAIL,
IT'S SOMETHING TO HOPE FOR.
783
00:29:50,923 --> 00:29:52,923
IT'LL FEEL MORE WITHIN REACH
IF HE CAN SEE HER.
784
00:30:00,199 --> 00:30:00,831
ALL RIGHT, MAY.
785
00:30:00,832 --> 00:30:01,464
BUT YOU HAVE TO FOLLOW
OUR INSTRUCTIONS
786
00:30:01,467 --> 00:30:03,033
AND STICK TO THE SCRIPT.
787
00:30:03,035 --> 00:30:04,401
PROMISE.
788
00:30:04,402 --> 00:30:05,768
PARKER:
SPIKE, BRING HER TO THE ROOF.
789
00:30:05,769 --> 00:30:07,135
SPIKE:
COPY THAT.
LET'S GO, BELLA.
790
00:30:08,507 --> 00:30:10,407
(HARD PUNCH,
MICHELLE CRIES OUT)
791
00:30:10,409 --> 00:30:11,542
AGGGHHHH!
792
00:30:15,815 --> 00:30:16,914
PARKER:
SAM, YOU GOT EYES?
793
00:30:18,918 --> 00:30:20,484
SAM:
IN POSITION.
I SEE 'IM.
794
00:30:20,486 --> 00:30:22,119
JAMES
YOU KNOW IT'S OVER, RIGHT?
795
00:30:22,121 --> 00:30:24,521
EVERYTHING CHANGES
TODAY.
796
00:30:24,523 --> 00:30:26,290
MICHELLE:
WHAT CHANGES?
797
00:30:26,291 --> 00:30:28,058
JAMES:
THIS GAME YOU PLAY,
THIS POWER GAME,
798
00:30:28,060 --> 00:30:31,261
WHERE YOUR ATTORNEY
SUCKS MY ACCOUNT DRY,
799
00:30:31,263 --> 00:30:33,397
WHERE YOU SABOTAGE
MY REPUTATION,
800
00:30:33,399 --> 00:30:37,100
WHERE YOU PLAY HIDE AND SEEK
ALL OVER THE DAMN CITY,
801
00:30:37,102 --> 00:30:38,502
AND YOUR FAVORITE PART -
802
00:30:38,504 --> 00:30:39,970
WHERE YOU WRITE DOWN THE RULES
803
00:30:39,972 --> 00:30:42,105
ABOUT WHEN I CAN SEE
MY OWN DAUGHTER.
804
00:30:42,107 --> 00:30:44,875
BLAME!
DID YOU SAY
SOMETHING?
805
00:30:44,877 --> 00:30:46,627
SPIKE:
WE'RE ALMOST THERE, GUYS.
806
00:30:46,628 --> 00:30:48,378
JAMES
MY LITTLE GIRL IS EIGHTEEN,
FOR CHRIST SAKE!
807
00:30:48,380 --> 00:30:50,314
I JUST WANNA HEAR
HER VOICE.
808
00:30:50,316 --> 00:30:51,415
I CALL HER
809
00:30:51,417 --> 00:30:53,217
AND NONE OF MY MESSAGES
GET THROUGH.
810
00:30:53,219 --> 00:30:55,252
SO, I'M SORRY,
BUT I GOTTA WONDER WHY.
811
00:30:55,254 --> 00:30:57,421
YOU HAVE HER
CELL PHONE NUMBER?
812
00:30:57,423 --> 00:30:58,622
JAMES:
YOU MADE ME DO IT!
813
00:30:58,624 --> 00:31:00,858
I HAD TO TRACK YOU DOWN
AND ASK YOU,
814
00:31:00,860 --> 00:31:03,293
WHERE THE HELL IS MAY?!
815
00:31:03,295 --> 00:31:04,294
(DOOR BURSTS OPEN)
816
00:31:04,296 --> 00:31:06,080
JULES:
COME ON.
817
00:31:06,081 --> 00:31:07,865
ALL RIGHT, LISTEN TO ME.
I WANT YOU TO TALK ABOUT HOPE,
818
00:31:07,867 --> 00:31:09,399
I WANT YOU TO TALK
ABOUT THE FUTURE.
819
00:31:09,401 --> 00:31:10,984
LOOK AT ME.
820
00:31:10,985 --> 00:31:12,568
I NEED YOU TO STAY POSITIVE,
ALL RIGHT?
821
00:31:12,571 --> 00:31:13,904
THAT'S ALL
YOU NEED TO DO.
822
00:31:13,906 --> 00:31:15,339
WE'RE GONNA BE
RIGHT THERE WITH YOU,
823
00:31:15,341 --> 00:31:16,373
OKAY?
824
00:31:16,375 --> 00:31:17,374
OKAY.
825
00:31:17,376 --> 00:31:18,609
OKAY. LET'S DO IT.
826
00:31:21,180 --> 00:31:23,914
MICHELLE:
IF SHE'S NOT RETURNING
YOUR CALLS,
827
00:31:23,916 --> 00:31:25,148
SHE'S CHOOSING NOT TO.
828
00:31:25,150 --> 00:31:26,617
T
NO! YOU'RE A LIAR!
829
00:31:26,619 --> 00:31:28,285
MAY:
DADDY?!
830
00:31:31,056 --> 00:31:33,140
MAY!
831
00:31:33,141 --> 00:31:35,225
I'M RIGHT HERE, OKAY?
I'M RIGHT HERE.
832
00:31:42,902 --> 00:31:44,401
JAMES:
(HISSES)
LOOK WHAT YOU'VE DONE!
833
00:31:44,403 --> 00:31:46,670
(RAGES)
LOOK WHAT YOU'VE DONE!
834
00:31:46,672 --> 00:31:48,171
THE COPS, AGAIN!
835
00:31:48,173 --> 00:31:50,274
YOU BITCH!
836
00:31:50,275 --> 00:31:52,376
I NEED YOU TO GET HIM TO FOCUS
ON THE TWO OF YOU.
837
00:31:52,378 --> 00:31:53,410
ALL RIGHT. OKAY.
838
00:31:53,411 --> 00:31:54,443
PLEASE, DAD,
JUST LET HER GO, OKAY?
839
00:31:54,446 --> 00:31:55,512
IT'LL JUST BE YOU AND ME
840
00:31:55,514 --> 00:31:57,981
AND WE CAN TALK
AS MUCH AS YOU WANT.
841
00:31:57,983 --> 00:32:00,517
(RAGING) I HAVE SURVIVED,
I HAVE PULLED THROUGH,
842
00:32:00,519 --> 00:32:02,085
AND EVERY TIME
I THINK I'M CLOSE,
843
00:32:02,087 --> 00:32:03,620
YOU DO IT AGAIN!
844
00:32:03,622 --> 00:32:06,657
MAY:
DAD, I WANNA HEAR
WHAT YOU'RE FEELING, OKAY?
845
00:32:06,659 --> 00:32:08,309
WHY DON'T YOU TELL ME!
846
00:32:08,310 --> 00:32:09,960
JAMES:
WHEN WILL IT BE ENOUGH?!
WHEN?!
847
00:32:09,962 --> 00:32:11,061
TELL ME!
848
00:32:11,063 --> 00:32:12,095
ED?
849
00:32:12,097 --> 00:32:13,586
WEAPON'S NOT IN PLAY.
850
00:32:13,587 --> 00:32:15,076
JAMES:
WHAT DO YOU WANT?!
YOU WANT ME TO GIVE UP?!
851
00:32:15,077 --> 00:32:16,566
WHAT'RE YOU DOING?!
YOU HAVE TO STOP IT!
852
00:32:16,568 --> 00:32:18,302
MAY, WHEN WE SHOOT,
WE SHOOT TO KILL.
853
00:32:18,304 --> 00:32:19,503
IT'S A LAST RESORT.
854
00:32:19,505 --> 00:32:21,138
CAN'T YOU JUST SHOOT HIM
IN THE LEG,
855
00:32:21,140 --> 00:32:22,606
OR DO SOMETHING?
856
00:32:22,608 --> 00:32:24,474
IT'S TOO RISKY.
HE COULD FIRE BY REFLEX.
857
00:32:24,476 --> 00:32:25,976
DON'T GIVE UP ON WORDS.
858
00:32:25,977 --> 00:32:27,477
JAMES
DO YOU WANT ME TO DIE,
MICHELLE?
859
00:32:27,479 --> 00:32:28,712
WOULD THAT MAKE YOU HAPPY?
860
00:32:28,714 --> 00:32:30,681
WOULD THAT WORK FOR YOU?
861
00:32:30,683 --> 00:32:32,149
SIERRA TWO, STAND BY.
ON MY GO.
862
00:32:32,151 --> 00:32:33,717
COPY.
863
00:32:33,719 --> 00:32:34,985
MICHELLE:
(SOBBING)
864
00:32:39,591 --> 00:32:41,491
DON'T YOU DARE!
865
00:32:41,493 --> 00:32:42,559
MAY!
866
00:32:45,364 --> 00:32:46,447
BOSS?
867
00:32:46,448 --> 00:32:47,531
MAY'S GOT A WEAPON.
SHE'S GOT A WEAPON.
868
00:32:56,976 --> 00:32:58,976
MAY:
DON'T YOU DARE!
869
00:32:58,978 --> 00:33:01,278
JULES:
MAY, DROP YOUR WEAPON!
870
00:33:01,280 --> 00:33:02,746
PARKER:
HOLD FIRE!
871
00:33:05,617 --> 00:33:08,719
MAY:
LEAVE HER ALONE!
THIS ENDS NOW!
872
00:33:08,721 --> 00:33:10,253
PARKER:
OKAY, SHE'S CROSSED THE LINE.
873
00:33:12,591 --> 00:33:13,724
I'VE GOT...
I'VE GOT MAY.
874
00:33:13,726 --> 00:33:15,258
I HAVE JAMES!
875
00:33:15,260 --> 00:33:17,728
JULES:
MAY, DROP YOUR WEAPON NOW!
876
00:33:17,730 --> 00:33:19,430
MICHELLE:
MAY, BABY, NO!
877
00:33:19,431 --> 00:33:21,131
PARKER: MAY, DON'T DO IT!
JULES: DROP YOUR WEAPON!
878
00:33:21,133 --> 00:33:24,067
JULES:
DROP YOUR WEAPON!
DROP YOUR WEAPON NOW!
879
00:33:24,069 --> 00:33:25,335
SPIKE:
MAY! BACK AWAY!
BACK AWAY RIGHT NOW!
880
00:33:25,337 --> 00:33:26,636
PARKER:
MAY, YOU PUT THAT
WEAPON DOWN
881
00:33:26,638 --> 00:33:28,071
OR WE WILL HAVE
TO SHOOT YOU!
882
00:33:28,073 --> 00:33:31,141
(TIME SLOWS,
SOUNDS BECOME DISTORTED)
883
00:33:31,143 --> 00:33:34,678
(SLOW PULSING HEARTBEAT,
SLOW, MEASURED, DEEP BREATH)
884
00:33:37,016 --> 00:33:39,216
(GUNSHOT POPS
AND PINGS OFF CONCRETE)
885
00:33:39,218 --> 00:33:40,283
BOSS?
886
00:33:41,387 --> 00:33:42,386
JULES:
DROP IT, MAY!
887
00:33:42,388 --> 00:33:45,555
(GUNSHOT POPS AND PINGS,
MISSING)
888
00:33:45,557 --> 00:33:47,357
BOSS, SHE'S ACTIVE.
889
00:33:50,763 --> 00:33:52,462
GREG,
SHE'S GONNA KILL HIM.
890
00:33:52,464 --> 00:33:53,563
(GASPS)
891
00:33:53,565 --> 00:33:54,631
DROP IT!
892
00:33:54,633 --> 00:33:56,099
SCORPIO.
893
00:33:56,101 --> 00:33:57,167
(LOUD CRACK)
894
00:34:03,342 --> 00:34:06,076
(MELANCHOLY CELLO MUSIC PLAYS)
895
00:34:06,078 --> 00:34:16,186
¶¶¶
896
00:34:16,188 --> 00:34:21,124
¶¶¶
897
00:34:21,126 --> 00:34:26,196
¶¶¶
898
00:34:27,466 --> 00:34:29,733
(MICHELLE SHRIEKS
AND SOBS)
899
00:34:32,805 --> 00:34:36,073
(MICHELLE SHRIEKS,
GRIEF-STRICKEN)
900
00:34:42,815 --> 00:34:44,314
OH MY GOD...
OH MY GOD...
901
00:34:44,316 --> 00:34:45,382
(JAMES SOBS)
902
00:34:48,353 --> 00:34:50,153
(SOBBING)
I JUST WANTED TO SEE HER...
903
00:34:54,259 --> 00:34:57,594
(MICHELLE SHRIEKS,
GRIEF-STRICKEN)
904
00:34:59,665 --> 00:35:01,298
JAMES:
NOOOO!
905
00:35:04,636 --> 00:35:07,370
MICHELLE:
OH MY GOD...
OH MY GOD...
906
00:35:12,711 --> 00:35:14,211
MY BABY!
907
00:35:14,212 --> 00:35:15,712
JAMES:
YOU SON OF A BITCH!
YOU KILLED HER!
908
00:35:16,715 --> 00:35:18,115
YOU KILLED HER!
909
00:35:18,117 --> 00:35:19,583
ED: WHO KILLED HER?!
JAMES: YOU KILLED HER!
910
00:35:19,585 --> 00:35:21,418
ED:
YOU DID IT!
911
00:35:21,420 --> 00:35:24,187
YOU DON'T CALL ME A KILLER,
YOU SON OF A BITCH!
912
00:35:24,189 --> 00:35:25,755
YOU DID THIS!
913
00:35:29,294 --> 00:35:30,360
(SOBBING)
914
00:35:32,464 --> 00:35:42,572
¶¶¶
915
00:35:42,574 --> 00:35:47,611
¶¶¶
916
00:35:47,613 --> 00:35:53,483
¶¶¶
917
00:35:54,419 --> 00:35:56,686
KOWALSKI:
SO IT WAS A COMPLEX SITUATION.
918
00:35:56,688 --> 00:35:59,322
ED:
IT WAS A COMPLEX SITUATION.
919
00:35:59,324 --> 00:36:01,258
KOWALSKI:
IN THE AUDIO LOG,
IN THE LAST TWO MINUTES
920
00:36:01,260 --> 00:36:02,759
BEFORE SCORPIO COMMAND,
921
00:36:02,761 --> 00:36:05,762
THERE WERE NUMEROUS VOICES,
RAISED VOICES,
922
00:36:05,764 --> 00:36:07,397
SHOUTED INSTRUCTIONS.
923
00:36:07,399 --> 00:36:09,733
THE IMPRESSION IT GIVES IS...
924
00:36:09,735 --> 00:36:11,268
LOSS OF CONTROL.
925
00:36:13,505 --> 00:36:15,605
(IN A LOW, MENACING VOICE)
WE HAD COMPLETE CONTROL.
926
00:36:15,607 --> 00:36:18,241
WHAT YOU HEARD
WAS COMMUNICATION
927
00:36:18,243 --> 00:36:19,576
BETWEEN MEMBERS
OF MY TEAM.
928
00:36:19,578 --> 00:36:21,645
THE RAISED VOICES WERE
OUR INSTRUCTIONS
929
00:36:21,647 --> 00:36:24,314
TO MAY DALTON,
WE WERE...
930
00:36:24,316 --> 00:36:27,217
TRYING TO AVOID
THE USE OF LETHAL FORCE.
931
00:36:27,219 --> 00:36:30,587
THERE WERE... TWO GUNSHOTS
BEFORE SCORPIO CALL.
932
00:36:30,589 --> 00:36:32,089
YES.
933
00:36:32,090 --> 00:36:33,590
YOU ALLOWED HER TO FIRE
BEFORE SCORPIO CALL.
934
00:36:33,592 --> 00:36:35,392
SHE RAISED HER WEAPON,
935
00:36:35,394 --> 00:36:36,593
HER GRIP WAS UNSTEADY-
936
00:36:36,595 --> 00:36:38,395
YOU ALLOWED HER
TO FIRE TWICE.
937
00:36:38,397 --> 00:36:39,596
ISN'T THAT A BREACH
OF PROTOCOL?
938
00:36:39,598 --> 00:36:41,464
YOU HEARD THE AUDIO.
939
00:36:41,466 --> 00:36:44,267
WE WERE TRYING
TO GET HER TO STOP.
940
00:36:44,269 --> 00:36:45,335
NOTED.
941
00:36:46,705 --> 00:36:48,638
YOUR SERGEANT, GREG PARKER,
STATES...
942
00:36:48,640 --> 00:36:50,373
SHE WAS IN THE "TUNNEL."
943
00:36:50,375 --> 00:36:51,808
SHE STEADIED HER RIGHT HAND
WITH HER LEFT,
944
00:36:51,810 --> 00:36:54,744
AND PREPARED TO FIRE
A THIRD TIME.
945
00:36:55,847 --> 00:36:59,649
SHE CROSSED THE LINE,
I TOOK THE SHOT.
946
00:36:59,651 --> 00:37:01,451
AFTER YOUR SERGEANT'S
SCORPIO COMMAND?
947
00:37:01,453 --> 00:37:03,103
AT THE SAME TIME.
948
00:37:03,104 --> 00:37:04,754
AND ARE YOU CONVINCED THAT
ALL OPTIONS WERE EXHAUSTED
949
00:37:04,756 --> 00:37:07,490
BEFORE THE USE
OF LETHAL FORCE?
950
00:37:08,794 --> 00:37:12,329
(THREATENING TONE)
WHAT DID I JUST SAY?
951
00:37:12,331 --> 00:37:13,964
KOWALSKI:
WELL, THANK YOU FOR YOUR TIME.
952
00:37:13,966 --> 00:37:15,799
YOU KNOW THE PROCESS.
953
00:37:20,372 --> 00:37:21,404
SPIKE:
SHE WAS RIGHT BESIDE ME
IN THE TRUCK,
954
00:37:21,406 --> 00:37:23,273
HOW COULD I NOT HAVE KNOWN?
955
00:37:23,275 --> 00:37:24,858
JULES:
SPIKE, WHAT,
956
00:37:24,859 --> 00:37:26,442
ARE WE SUPPOSED TO FRISK
ALL OUR WITNESSES?
957
00:37:26,445 --> 00:37:28,678
SAM:
OKAY, MAY SAID SHE AND HER MOM
NEVER FELT SAFE, RIGHT?
958
00:37:28,680 --> 00:37:30,280
THAT THE COPS COULDN'T
PROTECT THEM?
959
00:37:30,282 --> 00:37:31,414
SPIKE:
THAT HE COULD TRACK THEM DOWN
ANYWHERE.
960
00:37:31,416 --> 00:37:33,183
I REMEMBER THAT.
961
00:37:33,184 --> 00:37:34,951
PARKER:
"TOBIAS HAS DONE EVERYTHING
SO THAT WE CAN FEEL SAFE."
962
00:37:34,953 --> 00:37:36,386
COME ON, FROM THAT,
WE'RE SUPPOSED TO KNOW
963
00:37:36,388 --> 00:37:38,321
THAT TOBIAS PROCURED HER
AN ILLEGAL GUN,
964
00:37:38,323 --> 00:37:39,990
WHICH SHE KEPT WITH HER
AT ALL TIMES, JUST IN CASE?
965
00:37:39,992 --> 00:37:41,591
PARKER:
SHE SHOULD NEVER HAVE BEEN
ON THAT ROOF;
966
00:37:41,593 --> 00:37:42,659
THAT WAS MY FAULT.
967
00:37:42,661 --> 00:37:43,660
SPIKE:
BOSS, DON'T GO THERE.
968
00:37:43,662 --> 00:37:44,661
WE ALL SIGNED OFF
ON IT.
969
00:37:44,663 --> 00:37:46,380
SAM:
IT WAS A JUDGMENT CALL.
970
00:37:46,381 --> 00:37:48,098
SPIKE:
SHE INSISTED -
YOU ALL HEARD THAT, RIGHT?
971
00:37:48,099 --> 00:37:49,816
SHE SAID, "LET ME GO UP THERE,
LET ME TALK TO HIM."
972
00:37:49,817 --> 00:37:51,534
PARKER:
THAT'S IRRELEVANT;
SHE WAS EMOTIONALLY INVOLVED.
973
00:37:51,536 --> 00:37:52,736
THAT WASN'T HER CHOICE
TO MAKE.
974
00:37:52,738 --> 00:37:54,354
WE MADE THAT CHOICE.
975
00:37:54,355 --> 00:37:55,971
SPIKE:
SHE KNEW WHEN SHE SAID IT
THAT SHE HAD A LOADED WEAPON.
976
00:37:55,974 --> 00:37:57,841
I'M JUST SAYING.
977
00:37:57,843 --> 00:37:59,676
SAM:
ALL RIGHT, BEAN BAG ROUNDS.
RAF AND SPIKE,
978
00:37:59,678 --> 00:38:01,911
IF WE SENT YOU FROM HERE
AND HERE, AND WE TIMED IT-
979
00:38:01,913 --> 00:38:04,347
SAM, WE DON'T TAKE
THAT RISK,
980
00:38:04,349 --> 00:38:05,849
NOT WHEN THE SUBJECT
HAS A WEAPON
981
00:38:05,851 --> 00:38:07,751
INCHES FROM THE VICTIM!
982
00:38:07,752 --> 00:38:09,652
SAM:
I KNOW, BUT WHAT I'M SAYING IS
WE MISSED AN OPPORTUNITY
983
00:38:09,655 --> 00:38:11,721
WHEN HE WAS DISTRACTED
BY MAY COMING TOWARDS-
984
00:38:11,723 --> 00:38:13,857
JULES:
I WAS THE ONE
WHO LET HER RUN.
985
00:38:13,859 --> 00:38:15,759
(EMOTIONS RISING)
I HAD HER, HAND ON SHOULDER.
986
00:38:15,761 --> 00:38:17,560
SHE WAS SAFE.
987
00:38:17,562 --> 00:38:18,778
AND NEXT THING I KNOW
988
00:38:18,779 --> 00:38:19,995
SHE'S RUNNING INTO
THE LINE OF FIRE.
989
00:38:19,998 --> 00:38:22,966
ED:
ALL RIGHT, STOP!
JUST STOP.
990
00:38:23,902 --> 00:38:27,637
WE DID NOTHING WRONG.
WE FOLLOWED PROTOCOL.
991
00:38:30,942 --> 00:38:32,342
AN EIGHTEEN-YEAR-OLD GIRL'S DEAD
992
00:38:32,344 --> 00:38:34,811
AND THERE'S NOTHING RIGHT
ABOUT THAT.
993
00:38:34,813 --> 00:38:36,513
SHE WAS A BRAVE GIRL.
994
00:38:36,515 --> 00:38:38,648
SHE DESERVED TO LIVE,
995
00:38:38,650 --> 00:38:41,484
AND IT IS A TRAGEDY
THAT SHE'S GONE.
996
00:38:41,486 --> 00:38:42,585
BUT SHE KNEW
WHAT SHE WAS DOING;
997
00:38:42,587 --> 00:38:44,321
SHE WAS ARMED.
998
00:38:44,323 --> 00:38:45,989
SHE WAS AN ACTIVE SHOOTER,
999
00:38:45,991 --> 00:38:47,791
AND WE HAVE A CODE,
WE HAVE RULES,
1000
00:38:47,793 --> 00:38:51,328
SO THAT WHEN
WE ARE UNDER PRESSURE
1001
00:38:51,330 --> 00:38:55,398
WE FUNCTION AS A TEAM
AND WE KNOW WHAT TO DO.
1002
00:38:55,400 --> 00:38:58,601
THIS ONE TIME,
WE COULD'VE MADE AN EXCEPTION.
1003
00:38:58,603 --> 00:38:59,602
WE COULD'VE TAKEN THE RISK.
1004
00:38:59,604 --> 00:39:01,004
WE COULD'VE SHOT TO WOUND.
1005
00:39:01,005 --> 00:39:02,405
JULES:
RAF, THAT'S A SLIPPERY SLOPE.
1006
00:39:02,406 --> 00:39:03,806
RAF:
OKAY, YOU KNOW WHAT? HOW 'BOUT
I JUST DO US ALL A FAVOR
1007
00:39:03,809 --> 00:39:06,076
AND SAY WHAT WE'RE
ALL THINKING.
1008
00:39:06,078 --> 00:39:08,745
WE COULD'VE JUST HELD FIRE
AND...
1009
00:39:10,015 --> 00:39:11,915
LET HER KILL HIM.
1010
00:39:11,917 --> 00:39:13,650
(THE TEAM'S SILENT)
1011
00:39:18,023 --> 00:39:20,657
(DEADLY QUIET)
NO, WE COULDN'T.
1012
00:39:20,659 --> 00:39:22,125
NO, WE COULDN'T.
1013
00:39:23,061 --> 00:39:24,527
BECAUSE THAT'S NOT
HOW IT WORKS.
1014
00:39:24,529 --> 00:39:26,763
WE ARE NOT JUDGES,
WE ARE COPS.
1015
00:39:27,699 --> 00:39:29,399
WE'RE COPS AND WE ALL -
ALL OF US -
1016
00:39:29,401 --> 00:39:30,633
HAVE TO BE ON
THE SAME PAGE.
1017
00:39:30,635 --> 00:39:31,868
PARKER:
OKAY, LET'S ALL SIT DOWN.
1018
00:39:31,869 --> 00:39:33,102
RAF:
I GET IT, ALL RIGHT?
I GET THAT'S THE JOB-
1019
00:39:33,105 --> 00:39:35,138
NO, NO, NO!
WE DON'T GET TO WING IT.
1020
00:39:35,140 --> 00:39:37,040
WE DON'T GET TO CHOOSE
WHICH RULES WE'RE GONNA FOLLOW;
1021
00:39:37,042 --> 00:39:38,074
THAT'S WHAT
THE BAD GUYS DO.
1022
00:39:38,076 --> 00:39:41,778
WHAT WE DO...
WE SERVE THE LAW.
1023
00:39:43,749 --> 00:39:45,982
NOW, ARE YOU GOOD
WITH THAT?
1024
00:39:45,984 --> 00:39:49,853
RAF:
ED, I RESPECT THAT THIS IS
WHAT YOU'VE GOTTA BELIEVE
1025
00:39:49,855 --> 00:39:51,955
TO GET THROUGH THIS,
AFTER WHAT YOU HAD TO DO.
1026
00:39:51,957 --> 00:39:53,340
OH MAN...
1027
00:39:53,341 --> 00:39:54,724
RAF:
I'M JUST SAYING,
IF THAT'S THE JOB...
1028
00:39:54,726 --> 00:39:56,092
(FIGHTING HIS EMOTIONS)
1029
00:39:58,897 --> 00:40:02,832
LOOK, I AM VERY SERIOUS
ABOUT SERVING THE LAW,
1030
00:40:05,003 --> 00:40:08,071
AND THIS LAST YEAR HAS BEEN
THE PROUDEST OF MY LIFE,
1031
00:40:08,073 --> 00:40:09,606
BUT...
1032
00:40:10,876 --> 00:40:12,609
I JUST DON'T THINK THIS
IS THE BEST PLACE FOR ME
1033
00:40:12,611 --> 00:40:14,077
TO KEEP THE PEACE.
1034
00:40:17,015 --> 00:40:18,982
RAF,
IT'S BEEN A LONG DAY.
1035
00:40:18,984 --> 00:40:21,117
RAF, WE'VE ALL HAD DAYS
WHERE WE'VE QUESTIONED THE JOB-
1036
00:40:21,119 --> 00:40:22,819
RAF:
I KNOW, I GET THAT, BOSS.
1037
00:40:22,821 --> 00:40:24,888
IT'S JUST, FOR ME,
THIS...
1038
00:40:26,491 --> 00:40:28,558
THIS CAN'T HAPPEN AGAIN.
1039
00:40:30,862 --> 00:40:32,796
IT WON'T HAPPEN AGAIN.
1040
00:40:35,867 --> 00:40:37,450
WHY DON'T YOU SLEEP ON IT?
1041
00:40:37,451 --> 00:40:39,034
GIVE US A CHANCE
TO TALK YOU OUT OF IT.
1042
00:40:39,037 --> 00:40:41,871
I APPRECIATE THAT, GUYS.
IT'S UM...
1043
00:40:44,643 --> 00:40:47,577
IT'S JUST NOT A PLACE
THAT I CAN GO.
1044
00:40:48,447 --> 00:40:54,984
¶¶¶
1045
00:40:54,986 --> 00:40:58,855
May:
¶ My heart has wings, love ¶
1046
00:40:59,791 --> 00:41:04,461
¶ Wings that carry me home ¶
1047
00:41:06,064 --> 00:41:09,532
¶ My heart, it sings, love ¶
1048
00:41:11,470 --> 00:41:14,737
¶ Your name is its song ¶
(MICHELLE SOBS)
1049
00:41:15,674 --> 00:41:17,807
¶ Should we be parted ¶
1050
00:41:19,611 --> 00:41:22,579
¶ By winter winds
blowing cold ¶
1051
00:41:23,515 --> 00:41:24,581
(SOBBING)
1052
00:41:25,851 --> 00:41:29,886
¶ I'll give my hand, love ¶
1053
00:41:30,822 --> 00:41:32,188
CLARK:
HEY, DAD.
HOW WAS YOUR DAY?
1054
00:41:32,190 --> 00:41:34,691
DID YOU KEEP THE PEACE?
1055
00:41:36,228 --> 00:41:39,829
May:
¶ The waters be wide, love ¶
1056
00:41:40,765 --> 00:41:44,167
¶ Though they be mighty
and fast ¶
1057
00:41:44,169 --> 00:41:47,203
¶ I will ford over ¶
1058
00:41:49,140 --> 00:41:52,509
¶ Held in your arms at last ¶
(SHAKY, EMOTIONAL SIGH)