1
00:00:06,040 --> 00:00:07,106
(TAXI RUMBLES)
2
00:00:07,108 --> 00:00:09,191
PARKER:
SPIKE, HOW CLOSE ARE WE
TO THE GIRL?
3
00:00:09,192 --> 00:00:11,275
SPIKE:
HALFWAY ACROSS TOWN,
LIKE FIFTEEN MINUTES, TOPS.
4
00:00:11,278 --> 00:00:13,012
BUT, GUYS, IF SHE STARTS
MOVING AGAIN-
5
00:00:13,014 --> 00:00:14,613
LEAH:
SHE'S HEADING SOUTH,
DOWN TO THE LAKE.
6
00:00:14,615 --> 00:00:16,048
SPIKE:
HIGHWAY'S RIGHT THERE,
7
00:00:16,050 --> 00:00:17,616
ISLAND AIRPORT'S
ACROSS THE WAY.
8
00:00:17,617 --> 00:00:19,183
SAM:
THE ONLY ANONYMOUS TRAVEL
THESE DAYS IS BY CAR.
9
00:00:21,222 --> 00:00:23,389
SPIKE
LONG TERM PARKING LOT'S
ANONYMOUS.
10
00:00:23,391 --> 00:00:24,390
JULES:
BY THE TIME WE GET THERE...
11
00:00:24,392 --> 00:00:26,725
SAM:
IT COULD BE TOO LATE.
12
00:00:27,661 --> 00:00:30,562
(TRUCKS SPEED UP,
TIRES SQUEALING)
13
00:00:34,568 --> 00:00:36,568
MAN:
OH, THERE YOU ARE.
14
00:00:49,483 --> 00:00:51,583
(VEHICLE PUTTERS
DOWN ALLEYWAY)
15
00:00:51,585 --> 00:00:53,552
MAN:
I'M FEELING GOOD.
16
00:00:53,554 --> 00:00:56,255
IT'S A BEAUTIFUL MORNING,
THE FAMILY'S ALL TOGETHER,
17
00:00:56,257 --> 00:00:59,324
EVERYTHING IN
ITS RIGHT PLACE.
18
00:01:00,795 --> 00:01:03,595
WHAT ABOUT YOU?
EVERYTHING SET?
19
00:01:03,597 --> 00:01:05,597
CARDS? BIKE? BAG?
20
00:01:06,801 --> 00:01:10,502
AND A POSITIVE ATTITUDE,
THAT'S KEY.
21
00:01:10,504 --> 00:01:12,104
YOU KNOW,
LOOKING BACK,
22
00:01:12,106 --> 00:01:15,307
I WAS RIGHT ABOUT ALL OF THIS,
WASN'T I?
23
00:01:15,309 --> 00:01:17,609
SO MAYBE NEXT TIME
YOU'LL THINK TWICE
24
00:01:17,611 --> 00:01:20,279
BEFORE YOU QUESTION ME.
25
00:01:28,722 --> 00:01:31,623
(PETE LAUGHS,
SAFETY CLICKS)
26
00:01:33,127 --> 00:01:36,395
ALL RIGHT.
CONTROL, COMMITMENT, COURAGE.
27
00:01:36,397 --> 00:01:37,496
LUCK IS FOR LOSERS.
28
00:01:37,498 --> 00:01:39,498
I WILL SEE YOU AFTER WORK.
29
00:01:42,269 --> 00:01:43,635
(DOOR SLAMS)
30
00:01:45,739 --> 00:01:47,473
TELLER:
THANK YOU.
31
00:01:47,475 --> 00:01:48,640
NEXT PLEASE.
32
00:01:48,642 --> 00:01:51,543
GIRL:
IF YOU COULD HOLD BOTH BACKPACKS
AND THE CANTEENS,
33
00:01:51,545 --> 00:01:53,028
THAT'D BE GREAT.
34
00:01:53,029 --> 00:01:54,512
YOU'LL STILL BE OPEN
AROUND FIVE?
35
00:01:54,515 --> 00:01:56,615
OKAY. SWEET.
NO, I'LL PAY CASH.
36
00:01:56,617 --> 00:01:58,617
YEAH, IT'S A-
I'M PRETTY STOKED.
37
00:01:58,619 --> 00:02:01,320
IT'S OUR FIRST BIG
ROAD TRIP EVER.
38
00:02:01,322 --> 00:02:03,773
WE'RE JUST GONNA HEAD SOUTH,
39
00:02:03,774 --> 00:02:06,225
AND KEEP GOING
TILL WE SEE THE DESERT.
40
00:02:06,227 --> 00:02:07,593
I CAN'T WAIT.
41
00:02:07,595 --> 00:02:09,361
OKAY, THANKS. BYE.
42
00:02:11,799 --> 00:02:13,465
(SIGHS PENSIVELY)
43
00:02:15,636 --> 00:02:17,569
FRAT GUY:
WHOA! HEY! WATCH IT!
44
00:02:17,571 --> 00:02:19,338
DO YOU EVEN KNOW
WHAT YOU'RE DOING?
45
00:02:19,340 --> 00:02:20,906
MY DAD IS GEORGE LOWELL,
OKAY?
46
00:02:20,908 --> 00:02:22,341
HE'S ON THE BOARD.
47
00:02:22,342 --> 00:02:23,775
ED:
OH, HE'S ON THE BOARD,
YOU SHOULD HAVE SAID SO.
48
00:02:23,777 --> 00:02:25,777
FRAT GUY:
YOUR ASSES ARE GONNA BE
SO SUED.
49
00:02:25,779 --> 00:02:27,412
HUH. BOSS,
WHAT DO YOU THINK?
50
00:02:27,414 --> 00:02:29,148
I THINK A LITTLE LESS
"ENTITLED RICH KID,"
51
00:02:29,150 --> 00:02:30,682
A LITTLE MORE "I'LL TELL YOU
WHATEVER YOU WANNA KNOW
52
00:02:30,684 --> 00:02:32,017
ABOUT OUR SUPPLIERS."
53
00:02:32,018 --> 00:02:33,351
SPIKE:
LOT OF DRUGS,
ALL PRODUCT,
54
00:02:33,354 --> 00:02:34,586
NO PRECURSOR TRACES -
55
00:02:34,588 --> 00:02:36,421
MUST BE A LAB OFFSITE.
56
00:02:36,423 --> 00:02:37,756
FRAT GUY:
I'VE NEVER SEEN THAT BEFORE
IN MY LIFE.
57
00:02:37,758 --> 00:02:38,690
PARKER:
YEAH.
58
00:02:40,728 --> 00:02:41,793
(PANTING)
59
00:02:43,764 --> 00:02:45,197
SAM:
HEADS UP!
60
00:02:46,834 --> 00:02:48,567
PARKER:
WHOA... THINK HE PLAYS?
61
00:02:48,569 --> 00:02:49,568
ED:
WHAT, HE A RUNNING BACK?
62
00:02:49,570 --> 00:02:50,936
SPIKE:
TOO BIG. DEFENSE.
63
00:02:50,938 --> 00:02:52,204
UNGH!
64
00:02:53,541 --> 00:02:55,307
OOF!
65
00:02:55,309 --> 00:02:56,375
THAT KID DIDN'T HAVE
A CHANCE.
66
00:02:57,745 --> 00:02:59,378
(CUFFS SNAP INTO PLACE)
67
00:02:59,380 --> 00:03:00,812
GOOD TO HAVE YOU BACK,
LEAH.
68
00:03:00,814 --> 00:03:02,748
GOOD TO BE BACK,
SARGE.
69
00:03:05,753 --> 00:03:07,319
TELLER:
THANK YOU.
70
00:03:09,757 --> 00:03:11,523
NEXT, PLEASE.
71
00:03:12,760 --> 00:03:17,429
WELCOME TO CITY CENTRAL,
WHAT CAN I DO FOR YOU TODAY?
72
00:03:34,415 --> 00:03:35,480
SAM:
NICE TACKLE.
73
00:03:35,482 --> 00:03:37,382
THOUGHT I'D BE RUSTY
AFTER A YEAR.
74
00:03:37,384 --> 00:03:38,784
JULES:
YEAH, WELL, IT'S NOT LIKE
YOU'VE BEEN SLACKING.
75
00:03:38,786 --> 00:03:40,352
HOW'S YOUR FAMILY?
76
00:03:40,354 --> 00:03:43,322
REBUILDING,
LIKE THE REST OF HAITI.
77
00:03:43,324 --> 00:03:44,890
YOU KNOW, I ALWAYS FELT BAD
THE WAY I HAD TO LEAVE,
78
00:03:44,892 --> 00:03:46,992
BUT WHEN I GOT THE CALL
FROM PORT AU PRINCE...
79
00:03:46,994 --> 00:03:49,361
HEY, NONE OF US WOULD'VE DONE
ANY DIFFERENT.
80
00:03:49,363 --> 00:03:50,429
JULES:
HEY, LISTEN,
WE'RE GOING TO A GAME TONIGHT -
81
00:03:50,431 --> 00:03:51,930
IT'S THE PLAYOFFS -
YOU WANNA COME?
82
00:03:51,932 --> 00:03:53,332
SAM:
YEAH, YOU, ME,
JULES AND SPIKE,
83
00:03:53,334 --> 00:03:55,000
JUST OFF CENTRE ICE,
GAME OF THE YEAR.
84
00:03:55,002 --> 00:03:56,735
JULES:
IT'S NOT LIKE HE'S EXCITED
OR ANYTHING.
85
00:03:56,737 --> 00:03:57,803
I'D LOVE TO.
86
00:03:59,673 --> 00:04:01,073
WINNIE:
TEAM ONE, HOT CALL.
(ALARM BLARES)
87
00:04:01,074 --> 00:04:02,474
WE GOT A BANK ROBBERY
IN PROGRESS.
88
00:04:02,476 --> 00:04:04,610
CITY CENTRAL,
COLLEGE AND BATHURST.
89
00:04:04,612 --> 00:04:05,944
PARKER:
WINNIE, WE'RE TWO BLOCKS AWAY.
90
00:04:05,946 --> 00:04:07,446
WINNIE:
COULD BE THE BUSINESS CARD
BANDIT.
91
00:04:07,448 --> 00:04:09,414
THAT'S THE FIFTH BANK
IN TWO WEEKS.
92
00:04:09,416 --> 00:04:10,415
LET'S MOVE!
93
00:04:10,417 --> 00:04:12,384
JULES:
ALL RIGHT, LET'S GO!
94
00:04:13,320 --> 00:04:14,386
(BILLS RUSTLE)
95
00:04:18,525 --> 00:04:22,027
GIRL'S VOICE:
¶ EVERYBODY WANTS
TO LET IT GO ¶
96
00:04:22,029 --> 00:04:24,563
¶ BUT YOU CAN'T
GET AWAY FROM... ¶
97
00:04:24,565 --> 00:04:27,499
TELLER:
YOU WANT ANOTHER TILL?
98
00:04:27,501 --> 00:04:28,934
¶ 'CAUSE EVERYWHERE YOU TURN ¶
99
00:04:28,936 --> 00:04:30,836
¶ THERE SHE IS ¶
100
00:04:31,772 --> 00:04:34,273
¶ JUST CAN'T STAND
IN THE WAY, NO- ¶
101
00:04:35,009 --> 00:04:36,541
ROBBER:
EVERYBODY GET OUT!
THIS IS A ROBERT!
102
00:04:36,543 --> 00:04:38,777
RIGHT NOW! MOVE IT!
MOVE! OUT! OUT!
103
00:04:38,779 --> 00:04:40,445
YOU! OUT OF THE BACK!
104
00:04:40,447 --> 00:04:41,780
OUT OF THE BACK NOW!
MOVE IT!
105
00:04:41,782 --> 00:04:44,449
YOU, DOWN!
DOWN ON THE FLOOR!
106
00:04:45,753 --> 00:04:46,869
(SIRENS WAIL)
107
00:04:46,870 --> 00:04:47,986
SPIKE, LEAH,
TAKE THE FRONT OF THE BANK;
108
00:04:47,988 --> 00:04:49,755
BOSS, JULES,
TAKE THE WEST SIDE;
109
00:04:49,757 --> 00:04:50,856
SAM AND I HAVE THE EAST.
110
00:04:50,858 --> 00:04:52,758
JULES:
COPY THAT!
111
00:04:52,760 --> 00:04:55,494
(SIRENS WAIL,
TRUCKS RACE ALONG)
112
00:04:57,931 --> 00:05:00,499
(SRU TRUCKS SCREECH
TO A HALT)
113
00:05:04,038 --> 00:05:05,637
LEAH:
NO EYES FROM OUTSIDE.
114
00:05:05,639 --> 00:05:07,072
WINNIE:
AFTER THE LAST ROBBERY,
115
00:05:07,073 --> 00:05:08,506
EVERY BANK IN THE DOWNTOWN CORE
GAVE US REMOTE ACCESS
116
00:05:08,509 --> 00:05:09,841
TO THEIR SECURITY CAMS.
117
00:05:09,843 --> 00:05:11,943
YEAH? HOW MUCH WAS
THE SERVICE CHARGE?
118
00:05:11,945 --> 00:05:13,011
(GROANS)
119
00:05:15,316 --> 00:05:17,049
SAM:
SIR?
120
00:05:17,051 --> 00:05:20,552
SPIKE:
OKAY, WE GOT SUNGLASSES,
BALL CAP...
121
00:05:20,554 --> 00:05:22,054
THAT'S A MATCH ON
THE BUSINESS CARD BANDIT.
122
00:05:22,056 --> 00:05:25,557
HOSTAGE IS A TEENAGE FEMALE,
HOODED JACKET.
123
00:05:25,559 --> 00:05:28,026
PARKER:
BUSINESS CARD BANDIT'S
BEEN AT LARGE A MONTH.
124
00:05:28,028 --> 00:05:30,829
MO IS HE WALKS IN AT OPENING,
HANDS OVER A BUSINESS CARD,
125
00:05:30,831 --> 00:05:32,431
AND TAKES ONE TILL.
126
00:05:32,433 --> 00:05:33,515
ED:
HE KNOWS THEY'RE GONNA HIT
THE ALARM,
127
00:05:33,516 --> 00:05:34,598
BUT HE'S ALWAYS GONE
WITHIN THE THREE MINUTES
128
00:05:34,601 --> 00:05:35,767
IT TAKES TO RESPOND.
129
00:05:35,769 --> 00:05:36,910
SO WHAT HAPPENED
THIS TIME?
130
00:05:36,911 --> 00:05:38,052
ED:
LET'S JUST GET
THE HOSTAGES SAFE.
131
00:05:38,053 --> 00:05:39,194
WE'LL FIGURE IT OUT LATER.
132
00:05:39,195 --> 00:05:40,336
SPIKE,
WHAT'S THE LAYOUT?
133
00:05:40,341 --> 00:05:42,107
REAR FIRE DOORS,
NO WINDOWS.
134
00:05:42,109 --> 00:05:43,575
I'LL WORK ON
THE SECURITY LOCK.
135
00:05:43,577 --> 00:05:44,943
SAM, LEAH, WITH ME;
136
00:05:44,945 --> 00:05:47,512
BOSS, JULES, SPIKE,
TAKE THE FRONT.
137
00:05:47,514 --> 00:05:48,580
LET'S MOVE!
138
00:05:52,920 --> 00:05:54,136
THAT'S WEIRD.
139
00:05:54,137 --> 00:05:55,353
BUSINESS CARD BANDIT'S
NEVER TAKEN A HOSTAGE
140
00:05:55,356 --> 00:05:56,888
OR PULLED A GUN BEFORE.
141
00:05:56,890 --> 00:05:58,423
JULES:
YEAH, THAT'S BECAUSE
HE'S NEVER BEEN CORNERED BEFORE.
142
00:05:58,425 --> 00:05:59,524
(GUNFIRE ERUPTS)
143
00:06:00,461 --> 00:06:01,526
ACTIVE SHOOTER.
144
00:06:01,528 --> 00:06:03,128
WE'RE LOSING OUR EYES.
145
00:06:03,130 --> 00:06:04,396
(GUNSHOT POPS)
146
00:06:12,740 --> 00:06:13,939
ED:
SPIKE, THE LOCK.
147
00:06:13,941 --> 00:06:16,074
SPIKE:
WORKING ON IT.
148
00:06:17,411 --> 00:06:18,877
PARKER:
I'LL APPROACH THE FRONT.
STAY ON MY SIX,
149
00:06:18,879 --> 00:06:20,879
IN CASE THIS GUY TRIES
TO MAKE A RUN FOR IT.
150
00:06:20,881 --> 00:06:22,431
JULES:
COPY THAT.
151
00:06:22,432 --> 00:06:23,982
TEAM ONE, I GOT A 911
FROM INSIDE THE BANK.
152
00:06:23,984 --> 00:06:25,751
I'LL TAKE IT.
153
00:06:25,753 --> 00:06:27,886
SARAH: (BREATHING HARD)
HELLO? IS ANYBODY THERE?
154
00:06:27,888 --> 00:06:28,954
JULES:
THIS IS JULIANNA CALLAGHAN
155
00:06:28,956 --> 00:06:30,622
WITH THE STRATEGIC
RESPONSE UNIT.
156
00:06:30,624 --> 00:06:31,890
WHO AM I SPEAKING WITH?
157
00:06:31,892 --> 00:06:33,992
SARAH:
I-IT'S SARAH.
HE'S GOT A GUN,
158
00:06:33,994 --> 00:06:35,594
AND HE SAYS IF YOU DON'T DO
WHAT HE SAYS,
159
00:06:35,596 --> 00:06:37,162
THAT HE'S GONNA KILL US.
OH MY GOD...
160
00:06:37,164 --> 00:06:40,732
JULES: (SOOTHINGLY)
OKAY, I WANT YOU TO CALM DOWN,
ALL RIGHT?
161
00:06:40,734 --> 00:06:41,867
CALM DOWN.
162
00:06:41,869 --> 00:06:43,419
NO JOY.
163
00:06:43,420 --> 00:06:44,970
JULES:
OKAY, I KNOW YOU'RE SCARED,
BUT WE'RE HERE,
164
00:06:44,972 --> 00:06:46,505
ALL RIGHT?
165
00:06:46,507 --> 00:06:47,572
SARAH:
(CALMER) OKAY.
166
00:06:47,574 --> 00:06:49,508
JULES:
ALL RIGHT, THAT'S GOOD.
167
00:06:49,509 --> 00:06:51,443
SPIKE:
ED, I KEEP TRYING TO OVERRIDE
THE LOCK USING THE PHONE LINE,
168
00:06:51,445 --> 00:06:53,178
BUT THE ALARM RELAY
KEEPS SCRAMBLING EVERYTHING;
169
00:06:53,180 --> 00:06:54,846
YOU NEED TO OPEN IT
FROM THE INSIDE.
170
00:06:55,783 --> 00:06:56,948
THERE'S GOTTA BE
ANOTHER WAY IN HERE.
171
00:06:57,985 --> 00:06:59,885
OR WE JUST KNOCK
A LITTLE LOUDER.
172
00:06:59,887 --> 00:07:01,052
ED:
STRIP CHARGES, ALL RIGHT.
173
00:07:01,054 --> 00:07:02,687
GOOD THINKING,
LEAH.
174
00:07:02,689 --> 00:07:03,855
JULES:
OKAY, WE CAN TRY
AND GET HIM A CAR, SARAH,
175
00:07:03,857 --> 00:07:05,690
BUT THAT'S GONNA TAKE TIME.
176
00:07:05,692 --> 00:07:06,725
LISTEN,
CAN YOU ASK HIM AGAIN
177
00:07:06,727 --> 00:07:08,727
IF WE CAN TALK WITH HIM
DIRECTLY?
178
00:07:08,729 --> 00:07:10,145
SARAH:
I'LL TRY.
179
00:07:10,146 --> 00:07:11,562
ED:
BOSS, IT'D BE GOOD TO KNOW
WHERE THIS GUY IS
180
00:07:11,565 --> 00:07:12,931
BEFORE WE GET IN.
181
00:07:12,933 --> 00:07:14,449
SARAH:
HE WON'T.
182
00:07:14,450 --> 00:07:15,966
HE SAYS IF YOU DON'T GET
THE CAR HERE IN TEN MINUTES,
183
00:07:15,969 --> 00:07:17,502
THAT HE'S GONNA KILLS US.
184
00:07:17,504 --> 00:07:19,137
OH MY GOD!
(PANTING HEAVILY)
185
00:07:19,139 --> 00:07:20,739
JULES:
OKAY, SARAH, WE'RE TRYING.
186
00:07:20,741 --> 00:07:22,207
I KNOW HE'S NEAR YOU,
187
00:07:22,208 --> 00:07:23,674
BUT I'M GONNA START LISTING OFF
AREAS IN THE BANK
188
00:07:23,677 --> 00:07:25,193
AND I WANT YOU TO TELL ME
189
00:07:25,194 --> 00:07:26,710
WHEN I GET TO THE ONE
THAT HE'S AT, ALL RIGHT?
190
00:07:26,713 --> 00:07:28,914
I WANT YOU TO SAY,
"THAT'S RIGHT."
191
00:07:28,916 --> 00:07:30,482
AND IF HE ASKS YOU
WHAT WE'RE TALKING ABOUT,
192
00:07:30,484 --> 00:07:31,817
YOU JUST SAY, "WE'RE GOING OVER
THE DEMANDS."
193
00:07:31,819 --> 00:07:33,518
CAN YOU DO THAT FOR ME,
SARAH?
194
00:07:33,520 --> 00:07:34,586
OKAY.
195
00:07:34,588 --> 00:07:37,222
JULES:
GOOD. FRONT OF THE BANK,
196
00:07:37,224 --> 00:07:39,691
BEHIND THE TELLER,
MAIN OFFICE-
197
00:07:39,693 --> 00:07:40,826
THAT'S RIGHT.
198
00:07:42,629 --> 00:07:44,629
MAIN OFFICE,
WEST WALL.
199
00:07:45,632 --> 00:07:46,198
ROBBER:
LET'S GO! LET'S GO!
200
00:07:46,200 --> 00:07:47,599
SARAH:
OH GOD.
201
00:07:47,601 --> 00:07:48,733
JULES:
SARAH, WHAT'S GOING ON?
202
00:07:48,735 --> 00:07:50,502
OH MY GOD,
HE HAS A MAN!
203
00:07:50,504 --> 00:07:51,970
WHAT DOES HE WANT?
204
00:07:51,972 --> 00:07:53,505
HE HAS A MAN
AND HE'S GONNA KILL HIM!
205
00:07:53,507 --> 00:07:55,073
HE'S TAKING HIM
TO THE BACK ROOM.
206
00:07:55,075 --> 00:07:56,208
JULES:
SARAH, STAY WITH ME.
207
00:07:56,210 --> 00:07:57,843
(GUNSHOT POPS)
208
00:07:57,845 --> 00:07:58,910
SARAH!
209
00:07:59,947 --> 00:08:01,079
I LOST HER.
210
00:08:01,081 --> 00:08:03,014
HE'S ESCALATING.
211
00:08:04,952 --> 00:08:06,051
ED:
WE'RE GOING IN.
212
00:08:06,053 --> 00:08:07,719
(CHARGES EXPLODE)
213
00:08:09,556 --> 00:08:11,123
PARKER:
EDDIE, WE'RE COMING
THROUGH THE FRONT.
214
00:08:11,124 --> 00:08:12,691
ED:
HOLD YOUR GROUND;
HE MIGHT RUN TO THE DOOR.
215
00:08:12,693 --> 00:08:13,692
LET'S MOVE!
216
00:08:13,694 --> 00:08:15,227
DIRECT TO THREAT.
217
00:08:15,229 --> 00:08:16,945
PARKER:
THEY'RE RUSHING THE DOOR.
218
00:08:16,946 --> 00:08:18,662
SPIKE, JULES AND PARKER:
IT'S OKAY! COME ON, LET'S GO!
COME ON! THIS WAY!
219
00:08:18,665 --> 00:08:21,132
(SIRENS WAIL
AS CRUISERS APPROACH)
220
00:08:21,134 --> 00:08:24,202
PARKER, JULES AND SPIKE:
STAY CALM! KEEP WALKING!
YOU'RE ALL RIGHT! YOU'RE OKAY!
221
00:08:24,204 --> 00:08:27,506
COME ON, KEEP MOVING!
GO THIS WAY!
222
00:08:27,508 --> 00:08:29,808
COME ON, LET'S GO!
COME THIS WAY!
223
00:08:29,810 --> 00:08:31,810
PARKER:
STAY SHARP;
HE MIGHT BE IN THE CROWD.
224
00:08:31,812 --> 00:08:32,978
(GUNSHOT BLASTS)
225
00:08:33,914 --> 00:08:35,680
NEGATIVE.
HE'S STILL SHOOTING INSIDE.
226
00:08:35,682 --> 00:08:36,748
POLICE! SRU!
227
00:08:38,018 --> 00:08:39,885
(DOOR CRASHES OPEN)
228
00:08:41,255 --> 00:08:43,822
(FIRE SMOLDERS
AND GUNSHOTS BLAST)
229
00:08:43,824 --> 00:08:45,991
SAM:
CLEAR! IT'S HANDGUN SHELLS, ED.
THE FIRE SET THEM OFF.
230
00:08:45,993 --> 00:08:47,759
ED:
BOSS, HE'S NOT HERE,
HE MIGHT BE IN DISGUISE.
231
00:08:47,761 --> 00:08:49,027
CHECK THE CROWD.
232
00:08:49,028 --> 00:08:50,294
I GOT A BALL CAP
AND SUNGLASSES;
233
00:08:50,297 --> 00:08:51,596
HE MUST'VE DITCHED 'EM.
234
00:08:51,598 --> 00:08:52,731
JULES:
WHAT ABOUT THE HOSTAGE?
235
00:08:52,733 --> 00:08:54,099
DID HE SEE
WHERE THE BANDIT WENT?
236
00:08:54,101 --> 00:08:55,934
THERE WAS NO HOSTAGE -
WHO GAVE US THAT INTEL?
237
00:08:55,936 --> 00:08:57,119
JULES:
IT'S THE GIRL.
238
00:08:57,120 --> 00:08:58,303
WE'RE LOOKING FOR A GIRL
IN A GREEN JACKET,
239
00:08:58,305 --> 00:08:59,838
JULES: NAMED SARAH.
SPIKE: JULES!
240
00:08:59,840 --> 00:09:00,972
NINE O'CLOCK.
241
00:09:00,974 --> 00:09:02,073
SARAH!
242
00:09:03,010 --> 00:09:04,276
(SARAH GASPS)
243
00:09:04,278 --> 00:09:06,077
JULES:
BOTH SUBJECTS ON THE MOVE!
244
00:09:06,079 --> 00:09:07,279
"BOTH SUBJECTS?"
245
00:09:07,281 --> 00:09:10,815
JULES:
HEADING EASTBOUND
INTO AN ALLEY.
246
00:09:16,256 --> 00:09:17,622
(MOTORCYCLE ENGINE ROARS)
247
00:09:17,624 --> 00:09:18,690
STOP!
248
00:09:21,028 --> 00:09:23,128
(BIKE PEELS OFF
AT TOP SPEED)
249
00:09:23,130 --> 00:09:26,097
BUSINESS CARD BANDIT
WASN'T ALONE.
250
00:09:26,099 --> 00:09:27,232
JULES:
NO.
251
00:09:27,234 --> 00:09:29,167
AND "HE" IS A "SHE."
252
00:09:32,172 --> 00:09:42,280
¶¶¶
253
00:09:42,282 --> 00:09:47,185
¶¶¶
254
00:09:47,187 --> 00:09:59,864
¶¶¶
255
00:10:04,705 --> 00:10:06,905
(SIRENS WAIL IN THE DISTANCE)
256
00:10:06,907 --> 00:10:10,141
ED: (OVER HEADSET)
NO MATCHING MOTORCYCLE
ON ANY HIGHWAY CAMS.
257
00:10:10,143 --> 00:10:11,526
THEY'RE STILL NEARBY.
258
00:10:11,527 --> 00:10:12,910
GUYS, LET'S MAKE A GRID,
TWENTY SQUARE BLOCKS.
259
00:10:12,913 --> 00:10:14,846
LEAH, COVER NORTH
AND SOUTH ROUTES,
260
00:10:14,848 --> 00:10:15,847
ONE STREET AT A TIME.
261
00:10:15,849 --> 00:10:16,848
COPY THAT.
262
00:10:16,850 --> 00:10:18,149
I'LL TAKE EAST/WEST.
263
00:10:18,151 --> 00:10:19,818
ED:
BOSS AND I'LL COVER
THE PERIMETER.
264
00:10:19,820 --> 00:10:21,219
ANYBODY GETS AN EYE
ON THE SUBJECT,
265
00:10:21,221 --> 00:10:22,988
DO NOT ENGAGE.
266
00:10:22,990 --> 00:10:25,156
WE'LL REGROUP,
WE'LL FORM A ROLLING ROADBLOCK.
267
00:10:25,158 --> 00:10:27,158
JULES:
LOOK AT THIS.
268
00:10:27,160 --> 00:10:28,393
SHE'S JUST STANDING THERE,
269
00:10:28,395 --> 00:10:30,629
AND THEN, ALL OF A SUDDEN,
SHE'S SINGING,
270
00:10:30,630 --> 00:10:32,864
AND THEN THE BANDIT COMES OVER
RIGHT BEFORE WE GET THERE.
271
00:10:32,866 --> 00:10:34,226
SAM:
A SIGNAL?
272
00:10:34,227 --> 00:10:35,587
JULES:
I DON'T KNOW HOW SHE DID IT,
BOSS,
273
00:10:35,588 --> 00:10:36,948
BUT I THINK THIS GIRL
TIPPED OUR BANDIT
274
00:10:36,949 --> 00:10:38,309
THAT SOMETHING WAS UP.
275
00:10:38,310 --> 00:10:39,670
PARKER:
BUSINESS CARD BANDIT
ALWAYS KNEW WHEN TO GET OUT.
276
00:10:39,673 --> 00:10:42,207
ONE TILL, NEVER GOT GREEDY,
SHE'S A PRO.
277
00:10:42,209 --> 00:10:43,442
HOLD ON, SARGE,
278
00:10:43,443 --> 00:10:44,676
I'M LOOKING AT THE TAPE
RIGHT NOW.
279
00:10:44,678 --> 00:10:45,844
SHE TOOK TWO TILLS.
280
00:10:45,846 --> 00:10:47,679
MAYBE IT ISN'T
THE SAME PRO.
281
00:10:47,681 --> 00:10:48,730
COPYCAT?
282
00:10:48,731 --> 00:10:49,780
SPIKE:
MIGHT EXPLAIN
WHY SHE FREAKED OUT
283
00:10:49,783 --> 00:10:51,650
AND GRABBED A HOSTAGE.
284
00:10:51,652 --> 00:10:53,802
BUT IF THE GIRL
SIGNALED HER,
285
00:10:53,803 --> 00:10:55,953
WHY DIDN'T SHE RUN
BEFORE WE GOT THERE?
286
00:11:00,027 --> 00:11:01,893
THEY ALMOST GOT US.
287
00:11:01,895 --> 00:11:03,328
OH MY GOD,
LOOK AT MY HANDS.
288
00:11:03,330 --> 00:11:05,697
IT'S OKAY. STAY FOCUSED,
STAY SHARP.
289
00:11:05,699 --> 00:11:07,349
YOU DID A GOOD JOB,
SARAH.
290
00:11:07,350 --> 00:11:09,000
NO, THAT WAS JUST WAY
TOO CLOSE, MADDIE.
291
00:11:09,002 --> 00:11:10,702
CAN WE JUST GO NOW?
CAN WE PLEASE JUST-
292
00:11:10,704 --> 00:11:12,437
THAT IS NOT AN OPTION.
THAT IS ADRENALINE TALKING.
293
00:11:12,439 --> 00:11:13,872
LISTEN TO ME,
294
00:11:13,873 --> 00:11:15,306
YOU WANNA LIVE
THE REST OF YOUR LIFE IN FEAR?
295
00:11:15,308 --> 00:11:17,809
JUST-
NOT BEING ABLE
TO SLEEP AT NIGHT?
296
00:11:17,811 --> 00:11:19,411
DO YOU?!
MADDIE...
297
00:11:19,413 --> 00:11:20,378
'CAUSE THAT IS WHAT
WE'RE LOOKING AT
298
00:11:20,380 --> 00:11:23,214
IF WE DON'T FINISH THIS.
299
00:11:23,216 --> 00:11:25,350
SARAH, LOOK UP.
LOOK UP!
300
00:11:26,286 --> 00:11:27,285
WHAT DO YOU SEE?
301
00:11:27,287 --> 00:11:29,254
I SEE THE SKY.
302
00:11:29,256 --> 00:11:30,422
GOOD GIRL.
303
00:11:30,424 --> 00:11:32,290
OKAY.
304
00:11:32,292 --> 00:11:33,324
TAKE THAT.
305
00:11:33,326 --> 00:11:35,160
FIVE O'CLOCK SHARP.
306
00:11:35,162 --> 00:11:36,161
(STUNNED)
IT'S YOUR ONLY ONE.
307
00:11:36,163 --> 00:11:38,096
MADDIE:
JUST TAKE IT. GO!
308
00:11:39,266 --> 00:11:41,032
SARAH:
MADDIE!
309
00:11:41,034 --> 00:11:44,102
MADDIE! JUST...
JUST TAKE THIS, OKAY?
310
00:11:44,104 --> 00:11:45,136
JUST TAKE IT.
311
00:11:45,138 --> 00:11:46,271
GO. GO!
312
00:11:51,778 --> 00:11:53,245
SPIKE:
GUYS, I THINK I FIGURED OUT
313
00:11:53,246 --> 00:11:54,713
HOW OUR GIRL TIPPED
HER PARTNER OFF.
314
00:11:54,715 --> 00:11:57,916
HER MP3 PLAYER,
IT'S JAIL-BROKEN, ROOTED,
315
00:11:57,918 --> 00:11:59,884
IT'S GOT THIS HEAVY DUTY
POLICE SCANNER APP
316
00:11:59,886 --> 00:12:01,319
PROGRAMMED INTO IT -
317
00:12:01,321 --> 00:12:03,054
SHE HEARD US COMING.
318
00:12:03,055 --> 00:12:04,788
SPIKE, I THOUGHT OUR CHANNELS
WERE ENCRYPTED.
319
00:12:04,791 --> 00:12:06,758
SPIKE:
NO, IT'S ENCODED -
BIG DIFFERENCE.
320
00:12:06,760 --> 00:12:09,227
WE USE WHAT'S CALLED
VOICE INVERSION SCRAMBLING.
321
00:12:09,229 --> 00:12:10,995
IT MEANS THE BAND
FOR SPEECH
322
00:12:10,997 --> 00:12:13,331
IS SPLIT INTO TWO FREQUENCIES
AND FLIPPED.
323
00:12:13,333 --> 00:12:15,734
IT SOUNDS LIKE NOISE
ON A NORMAL SCANNER,
324
00:12:15,736 --> 00:12:17,235
BUT IF YOU GET
THE RIGHT PROGRAMMING
325
00:12:17,237 --> 00:12:18,770
FROM THE RIGHT HACKER,
326
00:12:18,772 --> 00:12:19,938
YOU CAN FLIP IT
RIGHT BACK.
327
00:12:19,940 --> 00:12:22,006
THIS IS A SERIOUS OPERATION,
GUYS.
328
00:12:22,008 --> 00:12:23,441
YEAH? IF IT'S SUCH
A SERIOUS OPERATION,
329
00:12:23,443 --> 00:12:25,210
HOW COME SHE USED
HER REAL NAME?
330
00:12:25,212 --> 00:12:26,628
YOU SURE ABOUT THAT,
JULES?
331
00:12:26,629 --> 00:12:28,045
JULES:
WHEN I CALLED HER NAME,
SHE TURNED AROUND -
332
00:12:28,048 --> 00:12:29,047
COULDN'T HELP HERSELF.
333
00:12:29,049 --> 00:12:30,081
GUT INSTINCT.
334
00:12:30,083 --> 00:12:31,750
JULES:
WELL, I TOOK A CHANCE
335
00:12:31,751 --> 00:12:33,418
AND I RAN THROUGH
THE LOCAL JUVENILE RECORDS
336
00:12:33,419 --> 00:12:35,086
FOR EVERY "SARAH,"
15 TO 18-YEARS-OLD,
337
00:12:35,088 --> 00:12:37,355
WITH BROWN HAIR,
AND I FOUND HER PICTURE.
338
00:12:37,357 --> 00:12:39,390
JULES:
SARAH CATHERINE PORTER, 16.
339
00:12:39,392 --> 00:12:40,492
NO CRIMINAL RECORD,
340
00:12:40,494 --> 00:12:41,993
BUT SHE SHOWS UP
HALF A DOZEN TIMES
341
00:12:41,995 --> 00:12:44,496
IN MISSING CHILD REPORTS
FROM LOCAL FOSTER HOMES.
342
00:12:44,498 --> 00:12:46,531
MOTHER DIED,
FATHER OUT OF THE PICTURE.
343
00:12:46,533 --> 00:12:48,166
SHE'S BEEN IN AND OUT
OF THE SYSTEM FOR YEARS;
344
00:12:48,168 --> 00:12:49,835
SHE'S A RUNNER.
345
00:12:49,836 --> 00:12:51,503
PARKER:
SOUNDS LIKE SHE'S HAD
A LOT OF PRACTICE, TOO.
346
00:12:51,505 --> 00:12:52,837
WINNIE:
TEAM ONE,
WE JUST GOT A REPORT.
347
00:12:52,839 --> 00:12:54,839
CAR STOLEN,
SHERBOURNE AND SHUTER.
348
00:12:54,841 --> 00:12:56,424
SUBJECT DESCRIPTION:
349
00:12:56,425 --> 00:12:58,008
TEENAGE FEMALE
IN A GREEN HOODIE.
350
00:12:58,011 --> 00:12:59,911
WINNIE, GET US MAKE AND MODEL
ON THAT CAR.
351
00:12:59,913 --> 00:13:00,945
OUR GIRL'S RUNNING AGAIN.
352
00:13:00,947 --> 00:13:02,547
WINNIE:
I'M ON IT.
353
00:13:03,483 --> 00:13:05,350
(CAR ZOOMS FORWARD)
354
00:13:09,156 --> 00:13:14,058
WINNIE:
BLUE FORD, LICENCE PLATE NUMBER
ALPHA YANKEE VICTOR LIMA 924.
355
00:13:14,060 --> 00:13:16,427
ED:
SUBJECT SPOTTED EASTBOUND
ON SHUTER.
356
00:13:16,429 --> 00:13:17,562
(SIRENS WAIL)
357
00:13:21,401 --> 00:13:23,067
(BREATHING HEAVILY)
358
00:13:25,539 --> 00:13:26,871
(SIRENS WAIL)
359
00:13:28,875 --> 00:13:30,709
ED:
ALL RIGHT,
LET'S COVER THOSE ALLEYS.
360
00:13:30,710 --> 00:13:32,544
SPIKE, LEAH, TAKE THE FIRST.
SAM AND JULES, THE SECOND!
361
00:13:32,546 --> 00:13:35,880
SARGE AND I ARE
RIGHT BEHIND YOU.
362
00:13:37,584 --> 00:13:39,918
(CAR SCREECHES TO A STOP)
363
00:13:41,488 --> 00:13:45,223
(HIGH-PITCHED SQUEAL
AS CAR PEELS AWAY IN REVERSE)
364
00:13:46,159 --> 00:13:47,826
(CAR HORN BLASTS)
365
00:13:49,296 --> 00:13:52,964
(SARAH PEELS AWAY,
SIRENS WAIL, CLOSING IN)
366
00:13:57,003 --> 00:13:58,403
ED:
JULES, SHE'S COMING
RIGHT AT YOU!
367
00:13:58,405 --> 00:14:00,138
JULES:
SHE'S NOT STOPPING!
368
00:14:00,140 --> 00:14:02,273
(BRAKES SCREECH)
AHHHHHH!
369
00:14:05,278 --> 00:14:06,878
SAM:
SHOW US YOUR HANDS!
370
00:14:06,880 --> 00:14:09,214
SHOW US YOUR HANDS NOW!
371
00:14:09,216 --> 00:14:12,217
JULES:
SARAH, WHERE'S YOUR PARTNER?
372
00:14:13,587 --> 00:14:15,453
(PHONE RINGS)
373
00:14:15,455 --> 00:14:16,588
(CELL PHONE RINGS)
374
00:14:17,524 --> 00:14:18,623
YEAH?
375
00:14:18,625 --> 00:14:21,426
MADDIE:
PETE? I'M SO SORRY.
376
00:14:21,428 --> 00:14:24,095
UH, THE COPS WERE
RIGHT THERE SOMEHOW,
377
00:14:24,097 --> 00:14:25,897
AND SARAH'S GONE.
378
00:14:25,899 --> 00:14:28,032
I DON'T... I DON'T KNOW
HOW THIS HAPPENED,
379
00:14:28,034 --> 00:14:30,902
BUT I DID STASH THE CASH
AND I'M BACK DOWNTOWN.
380
00:14:30,904 --> 00:14:34,172
IT'S OKAY, MADDIE,
WE'RE HERE FOR YOU.
381
00:14:34,174 --> 00:14:35,907
WE'LL MEET YOU AT THE CORNER.
YOU KNOW WHERE?
382
00:14:35,909 --> 00:14:37,926
YEAH.
383
00:14:37,927 --> 00:14:39,944
PETE:
GOOD. BE RIGHT THERE.
384
00:14:42,649 --> 00:14:45,049
(SMASHES PHONE ON DASHBOARD)
385
00:14:47,587 --> 00:14:50,255
YOU GOT SOMETHING
TO SAY?
386
00:14:53,026 --> 00:14:55,560
YOU KNOW,
THIS IS WHAT HAPPENS, BOYS.
387
00:14:55,562 --> 00:14:57,662
YOU LET DOWN YOUR GUARD,
AND THEN YOU TRUST PEOPLE,
388
00:14:57,664 --> 00:15:00,665
AND THEN YOU GET SOFT.
389
00:15:00,667 --> 00:15:02,033
AND THAT'S WHAT MAKES IT
SO MUCH HARDER...
390
00:15:02,035 --> 00:15:03,668
TO CUT THE CORD.
391
00:15:17,951 --> 00:15:21,986
JULES:
SARAH, DO YOU UNDERSTAND
WHAT I JUST SAID TO YOU?
392
00:15:21,988 --> 00:15:23,655
LOOK, I'M GUESSING
393
00:15:23,656 --> 00:15:25,323
THE LAST THING IN THE WORLD
YOU WANT TO DO
394
00:15:25,324 --> 00:15:26,991
IS TURN ON YOUR FRIEND.
395
00:15:26,992 --> 00:15:28,659
YOU WANT TO KEEP HER SAFE.
YOU WANT TO PROTECT HER.
396
00:15:28,662 --> 00:15:30,312
BELIEVE IT OR NOT,
397
00:15:30,313 --> 00:15:31,963
THAT'S EXACTLY WHAT
WE'RE TRYING TO DO HERE.
398
00:15:31,965 --> 00:15:34,532
PARKER:
YOU GUYS HAD A SOLID RUN,
399
00:15:34,534 --> 00:15:36,634
BUT NOW THERE'S OFFICIALLY
A FIREARM INVOLVED.
400
00:15:36,636 --> 00:15:39,003
WE KNOW YOUR PARTNER'S
A GIRL.
401
00:15:39,005 --> 00:15:40,505
EVERY COP IN THE CITY
IS LOOKING FOR HER.
402
00:15:40,507 --> 00:15:43,308
IT'S JUST A MATTER OF TIME
403
00:15:43,309 --> 00:15:46,110
BEFORE THE SITUATION ESCALATES
AND SOMEONE GETS HURT.
404
00:15:48,181 --> 00:15:51,182
SARAH, THAT'S THE THIRD TIME
YOU LOOKED AT MY WATCH.
405
00:15:51,184 --> 00:15:52,717
SOMEWHERE YOU GOTTA BE?
406
00:15:52,719 --> 00:15:54,369
PARKER:
SHE SPEAKS.
407
00:15:54,370 --> 00:15:56,020
SARAH:
NO. OKAY? I DON'T SPEAK.
I CAN'T SPEAK.
408
00:15:56,022 --> 00:15:56,721
YOU THINK YOU GET IT
AND YOU DON'T.
409
00:15:56,723 --> 00:15:58,957
YOU DON'T KNOW PETE.
410
00:15:58,959 --> 00:16:00,358
WHO'S PETE?
411
00:16:00,360 --> 00:16:02,260
I CAN'T...
412
00:16:02,262 --> 00:16:04,062
YOU DON'T KNOW WHAT
HE'LL DO.
413
00:16:04,064 --> 00:16:05,596
OKAY.
414
00:16:05,598 --> 00:16:08,599
LET'S JUST START
WITH A NAME.
415
00:16:15,308 --> 00:16:17,175
PETE JORIS.
416
00:16:17,177 --> 00:16:19,711
GOOD. THAT'S GOOD.
PETE JORIS.
417
00:16:19,713 --> 00:16:21,012
ED:
YOU GET THAT, SPIKE?
(SLAMS DOOR SHUT)
418
00:16:21,014 --> 00:16:22,714
SPIKE:
J-O-R-I-S.
419
00:16:22,716 --> 00:16:26,250
JULES:
CAN YOU TELL ME ABOUT HIM?
420
00:16:28,154 --> 00:16:29,554
HE TAKES CARE OF US -
421
00:16:29,556 --> 00:16:30,722
ME, MADDIE,
A FEW OTHER GUYS.
422
00:16:30,724 --> 00:16:33,057
WE ALL LIVE TOGETHER.
423
00:16:33,059 --> 00:16:34,425
MADDIE.
424
00:16:34,427 --> 00:16:36,694
DOES HE KNOW ABOUT
THE BANK ROBBERIES?
425
00:16:36,696 --> 00:16:39,130
DOES HE KNOW ABOUT THEM?
426
00:16:39,132 --> 00:16:42,033
WHO DO YOU THINK
MAKES US DO THEM?
427
00:16:45,071 --> 00:16:46,337
THIS IS WHAT HE DOES.
428
00:16:46,339 --> 00:16:49,540
HE...HE TAKES KIDS OFF
THE STREET,
429
00:16:49,542 --> 00:16:51,309
MAKES THEM WORK FOR HIM -
430
00:16:51,311 --> 00:16:53,011
STEAL, RUN SCAMS.
431
00:16:53,013 --> 00:16:54,345
ROB BANKS?
432
00:16:54,347 --> 00:16:57,048
MADDIE SAYS HE HAS EYES
EVERYWHERE.
433
00:16:57,050 --> 00:17:00,118
FRIENDS ON THE FORCE,
THE COURTS, THE STREET.
434
00:17:00,120 --> 00:17:03,721
YOU CAN'T GO AGAINST HIM,
YOU CAN'T RUN.
435
00:17:03,723 --> 00:17:07,358
ONCE YOU'RE IN HIS FAMILY,
YOU'RE HIS.
436
00:17:07,360 --> 00:17:08,459
ED:
NOW, ARE WE SURE
WE'RE GONNA BUY THIS
437
00:17:08,461 --> 00:17:09,877
AFTER THE BANK ROUTINE?
438
00:17:09,878 --> 00:17:11,294
SPIKE:
WELL, PETE JORIS IS DEFINITELY
FOR REAL.
439
00:17:11,297 --> 00:17:13,164
CHECK YOUR P.D.A'S.
440
00:17:16,536 --> 00:17:19,437
ED:
"FRAUD,"
"AGGRAVATED ASSAULT."
441
00:17:19,439 --> 00:17:20,638
OKAY, HERE WE GO.
NINE YEARS AGO,
442
00:17:20,640 --> 00:17:22,440
"CONTRIBUTING TO
THE DELINQUENCY OF A MINOR."
443
00:17:22,442 --> 00:17:24,242
SAM:
SOUNDS LIKE HIS MO
CHECKS OUT TOO.
444
00:17:24,244 --> 00:17:25,643
SPIKE:
WELL, THERE'S MORE.
445
00:17:25,645 --> 00:17:27,745
HE WAS UP ON CHARGES
TWO YEARS AGO.
446
00:17:27,747 --> 00:17:30,081
(READING FROM ARTICLE)
"AMANDA TURNER,
SEVENTEEN YEARS OLD,
447
00:17:30,083 --> 00:17:32,383
FOUND SHOT
IN THE DON RIVER.
448
00:17:32,385 --> 00:17:33,718
JORIS IS ACCUSED OF KILLING HER
449
00:17:33,719 --> 00:17:35,052
AFTER SHE THREATENED
TO GO TO POLICE
450
00:17:35,055 --> 00:17:37,221
ABOUT A DEBIT CARD SWIPING
OPERATION OF HIS."
451
00:17:37,223 --> 00:17:39,157
ED:
"ANONYMOUS SOURCES CLAIM
THAT JORIS SHOT HER
452
00:17:39,159 --> 00:17:41,743
IN FRONT OF HIS OWN CREW,
453
00:17:41,744 --> 00:17:44,328
AND MADE THEM WATCH
AS SHE BLED OUT, AS A WARNING."
454
00:17:44,330 --> 00:17:45,496
BUT IT LOOKS LIKE
HE WALKED.
455
00:17:45,498 --> 00:17:46,664
LACK OF EVIDENCE;
456
00:17:46,666 --> 00:17:48,199
NO ONE WAS WILLING
TO COME FORWARD.
457
00:17:51,071 --> 00:17:52,136
OH NO.
458
00:17:53,239 --> 00:17:54,238
WHAT IS IT, SARAH?
459
00:17:54,240 --> 00:17:55,523
SARAH:
YOU SCANNED IT IN.
460
00:17:55,524 --> 00:17:56,807
HE'S... HE'S GONNA SEE IT
ON HIS SCANNER.
461
00:17:56,810 --> 00:17:58,476
HE'S GONNA KNOW
THAT I RATTED ON HIM!
462
00:17:58,478 --> 00:18:00,378
SARAH, AS LONG AS
YOU'RE WITH US,
463
00:18:00,380 --> 00:18:02,380
YOU ARE SAFER THAN ANYBODY ELSE
IN THIS CITY.
464
00:18:02,382 --> 00:18:05,550
HE'S GONNA KILL MADDIE!
465
00:18:05,551 --> 00:18:08,719
SARAH:
TELL US WHERE PETE IS
AND WE WILL GO GET HIM.
466
00:18:11,124 --> 00:18:13,324
THERE'S A DEAD DROP
THAT WE USE,
467
00:18:13,326 --> 00:18:16,861
IN CASE WE'RE FOLLOWED
AND WE NEED TO HAND STUFF OFF.
468
00:18:16,863 --> 00:18:18,696
MADDIE WILL HAVE DROPPED
THE STUFF OFF BY NOW
469
00:18:18,697 --> 00:18:20,530
AND PETE WILL BE ON HIS WAY
TO PICK IT UP.
470
00:18:20,533 --> 00:18:21,599
WHERE IS IT?
471
00:18:25,138 --> 00:18:27,171
IT'S BY THE UNDERPASS,
NEAR MADISON PARK -
472
00:18:27,173 --> 00:18:29,307
IN AN ABANDONED HYDRO BOX
ON THE EAST SIDE.
473
00:18:29,309 --> 00:18:30,541
LET'S MOVE.
474
00:18:30,543 --> 00:18:32,743
ED:
MADISON PARK, LET'S GO.
475
00:18:32,745 --> 00:18:34,879
WE'LL GET INTEL
ON THE WAY.
476
00:18:39,886 --> 00:18:41,586
PARKER:
WE NEED SOMEONE TO HAND
SARAH OFF
477
00:18:41,588 --> 00:18:42,954
TO CHILDREN'S SERVICES,
478
00:18:42,955 --> 00:18:44,321
WHILE THE REST OF US
TRY TO INTERCEPT PETE.
479
00:18:44,324 --> 00:18:45,323
NO PROBLEM.
480
00:18:45,325 --> 00:18:46,324
LET ME DRIVE.
481
00:18:46,326 --> 00:18:47,391
WHAT'RE YOU THINKING?
482
00:18:47,393 --> 00:18:48,526
JULES:
SOMETHING...
483
00:18:48,528 --> 00:18:49,760
MAYBE I CAN GET HER
TO TALK.
484
00:18:49,762 --> 00:18:50,828
KEYS.
485
00:18:51,898 --> 00:18:53,898
(SIRENS WAIL IN THE DISTANCE)
486
00:19:02,509 --> 00:19:05,476
SO, YOU BLOW THE JOB
AND YOU DITCHED YOUR PARTNER.
487
00:19:05,478 --> 00:19:07,645
IS THIS HOW I TAUGHT YOU,
MADDIE?
488
00:19:07,646 --> 00:19:09,813
MADDIE:
I DIDN'T DITCH HER,
THE COPS ID'D US AS A PAIR.
489
00:19:09,816 --> 00:19:11,849
I TOLD SARAH TO SPLIT UP,
WE'D MEET AT THE GETAWAY LATER.
490
00:19:11,851 --> 00:19:14,318
WHICH IS WHAT THE GETAWAY'S
FOR, RIGHT -
491
00:19:14,320 --> 00:19:16,354
GASSED UP, READY TO GO,
PASSPORTS, EVERYTHING -
492
00:19:16,356 --> 00:19:19,423
IN CASE WE EVER NEEDED
TO DISAPPEAR?
493
00:19:20,360 --> 00:19:23,194
IS THIS YOU
TALKING BACK AGAIN?
494
00:19:23,930 --> 00:19:27,365
THIS IS ME TRYING
TO BE SMART, PETE,
495
00:19:27,367 --> 00:19:29,834
LIKE HOW YOU TAUGHT US.
496
00:19:32,705 --> 00:19:33,771
WE GOT ALMOST DOUBLE
THIS TIME -
497
00:19:33,773 --> 00:19:36,174
TEN THOUSAND DOLLARS
AT LEAST.
498
00:19:36,176 --> 00:19:38,776
WE CAN GO GET THE MONEY
RIGHT NOW.
499
00:19:38,778 --> 00:19:40,595
WE'RE FINE.
500
00:19:40,596 --> 00:19:42,413
PETE:
YUP, WE CAN GET THE MONEY.
501
00:19:43,483 --> 00:19:45,950
BUT MADELEINE,
WE ARE NOT FINE.
502
00:19:56,663 --> 00:19:58,429
PARKER:
OKAY, GUYS, JUST GOT OFF
THE PHONE WITH VICE.
503
00:19:58,431 --> 00:20:00,598
THEY'VE HAD JORIS
ON THEIR RADAR FOR A WHILE
504
00:20:00,600 --> 00:20:02,667
AND HE'S BEEN USING KIDS
FOR YEARS,
505
00:20:02,669 --> 00:20:04,235
LIKE SARAH SAID.
506
00:20:04,236 --> 00:20:05,802
MAKES SENSE;
THEY'RE VULNERABLE, NEEDY.
507
00:20:05,805 --> 00:20:07,405
AND THEY CAN'T GET CHARGED
AS ADULTS.
508
00:20:07,407 --> 00:20:08,839
ANY IDEA HOW LONG
MADDIE'S BEEN WITH HIM?
509
00:20:08,841 --> 00:20:10,541
PARKER:
THAT'S WHERE
IT GETS INTERESTING.
510
00:20:10,543 --> 00:20:12,777
REMEMBER THE CONTRIBUTING
TO DELINQUENCY CHARGE?
511
00:20:12,779 --> 00:20:15,746
WELL, THE MINOR IN QUESTION
WAS MADELEINE SULLIVAN.
512
00:20:15,748 --> 00:20:16,948
SHE WAS SEVENTEEN
AT THE TIME.
513
00:20:16,950 --> 00:20:18,482
SHE WAS PUT IN
A DIVERSION PROGRAM,
514
00:20:18,484 --> 00:20:19,784
GIVEN A SECOND CHANCE.
515
00:20:19,786 --> 00:20:21,352
GUESS SHE DIDN'T
TAKE TO IT.
516
00:20:21,354 --> 00:20:22,720
SAM:
SHE WENT BACK TO HIM.
517
00:20:22,722 --> 00:20:24,889
WHAT WOULD KEEP HER THERE -
OR ANY OF THEM?
518
00:20:24,891 --> 00:20:26,307
PARKER:
YOU HEARD SARAH.
519
00:20:26,308 --> 00:20:27,724
PETE LOCKS YOU IN
WITH PARANOIA.
520
00:20:27,727 --> 00:20:29,727
BUT IT'S MORE THAN THAT.
521
00:20:29,728 --> 00:20:31,728
HE GETS THESE KIDS YOUNG,
HE GIVES THEM SURVIVAL SKILLS,
522
00:20:31,731 --> 00:20:32,897
GIVES THEM SUSTENANCE.
523
00:20:32,899 --> 00:20:34,899
THE GUY GIVES THEM A FAMILY.
524
00:20:34,901 --> 00:20:36,400
THAT CAN RUN PRETTY DEEP.
525
00:20:36,402 --> 00:20:38,869
COPY THAT.
SWITCHING OFF NOW.
526
00:20:41,507 --> 00:20:42,707
WHEN WE GET TO THE PARK,
527
00:20:42,708 --> 00:20:43,908
YOU'RE GONNA GO
WITH CHILDREN'S SERVICES.
528
00:20:43,910 --> 00:20:45,743
THEY'RE GONNA BRING YOU
TO JUVENILE BOOKING.
529
00:20:45,745 --> 00:20:47,578
IS THERE ANYBODY
YOU WANT US TO CONTACT?
530
00:20:47,580 --> 00:20:48,913
YOU MEAN SOMEONE OUT THERE
WHO CARES?
531
00:20:48,915 --> 00:20:49,780
AW, GEE, LET ME THINK.
532
00:20:49,782 --> 00:20:52,166
NO.
533
00:20:52,167 --> 00:20:54,551
SARAH, I KNOW YOU'VE GONE
THROUGH A LOT OF FOSTER HOMES.
534
00:20:54,554 --> 00:20:56,454
WHY DO YOU KEEP RUNNING?
535
00:20:56,456 --> 00:20:57,788
I HAVE ISSUES.
536
00:20:57,790 --> 00:20:59,857
OH YEAH?
WHAT KIND?
537
00:20:59,859 --> 00:21:01,559
ISSUES WITH
PHYSICAL DISCIPLINE -
538
00:21:01,561 --> 00:21:03,828
THE CARROT AND THE STICK,
ONLY NOT SO MUCH THE CARROT.
539
00:21:03,830 --> 00:21:05,313
AND THE NEXT HOUSE,
IT WAS...
540
00:21:05,314 --> 00:21:06,797
ISSUES WITH MY FOSTER BROTHER'S
GRABBY HANDS.
541
00:21:06,799 --> 00:21:07,965
YOU GET IT?
542
00:21:07,967 --> 00:21:09,734
(GENTLY)
I GET IT.
543
00:21:12,772 --> 00:21:14,405
IS THAT A POLYCARBONITE?
544
00:21:14,407 --> 00:21:15,640
EXCUSE ME?
545
00:21:15,642 --> 00:21:16,907
YOUR WATCH.
546
00:21:17,844 --> 00:21:20,044
I SAW IT BEFORE.
547
00:21:20,046 --> 00:21:21,812
IT'S GLOW IN THE DARK,
WATERPROOF.
548
00:21:21,814 --> 00:21:23,414
EXPENSIVE.
549
00:21:25,585 --> 00:21:26,784
JULES:
SO WHAT ABOUT MADDIE?
550
00:21:26,786 --> 00:21:28,302
WHAT ABOUT HER?
551
00:21:28,303 --> 00:21:29,819
JUST SEEMS LIKE YOU GUYS
ARE A GOOD TEAM.
552
00:21:29,822 --> 00:21:31,389
WHAT DO YOU MEAN?
I NEVER SAID THAT.
553
00:21:31,391 --> 00:21:33,441
I'M JUST SAYING,
554
00:21:33,442 --> 00:21:35,492
IT SEEMS LIKE SHE'S GOT
A PLACE IN YOUR LIFE.
555
00:21:35,495 --> 00:21:36,927
YEAH, WELL...
SHE'S ALL RIGHT.
556
00:21:37,964 --> 00:21:39,697
JULES:
HOW'D YOU GUYS MEET?
557
00:21:39,699 --> 00:21:41,565
SARAH:
SHE FOUND ME.
558
00:21:41,567 --> 00:21:43,601
THE LAST FOSTER HOME
I RAN AWAY FROM,
559
00:21:43,603 --> 00:21:45,836
THEY DIDN'T EVEN BOTHER
COME LOOKING FOR ME.
560
00:21:45,838 --> 00:21:47,605
SARAH:
I LOST MY BUS PASS
AND I'M TRYING TO GET HOME.
561
00:21:47,607 --> 00:21:49,674
IF YOU HAVE ANY CHANGE,
I WOULD REALLY...
562
00:21:49,676 --> 00:21:50,908
THANK YOU,
THANK YOU.
563
00:21:50,910 --> 00:21:53,077
EXCUSE ME,
I LOST MY PASS...
564
00:21:54,013 --> 00:21:55,913
HAVE A NICE DAY.
565
00:21:55,915 --> 00:21:57,848
EXCUSE ME,
I LOST MY BUS PASS
566
00:21:57,850 --> 00:21:59,917
AND IF YOU HAVE
ANY CHANGE AT ALL-
567
00:21:59,919 --> 00:22:04,055
SWEETIE, THAT LINE'S SO OLD
IT HAS FLIES ON IT.
568
00:22:04,057 --> 00:22:06,341
WELL,
YOU HAVE TALENT,
569
00:22:06,342 --> 00:22:08,626
I JUST THINK YOU NEED TO WORK
A LITTLE ON YOUR PRESENTATION.
570
00:22:08,628 --> 00:22:10,861
YOU KNOW,
SOME EYE CONTACT.
571
00:22:10,863 --> 00:22:13,564
IF YOU WANNA MAKE
REAL MONEY...
572
00:22:13,566 --> 00:22:15,700
SO SHE KNOWS WHAT
SHE'S TALKING ABOUT.
573
00:22:15,702 --> 00:22:17,368
MADDIE KNOWS
ABOUT EVERYTHING.
574
00:22:17,370 --> 00:22:18,903
DOES SHE WORK
WITH PETE?
575
00:22:18,905 --> 00:22:20,971
SHE BROUGHT ME TO HIM.
576
00:22:20,973 --> 00:22:23,708
HOT MEALS, A BED,
A ROOF,
577
00:22:23,710 --> 00:22:26,711
I WAS THINKING,
"THIS IS TOO GOOD TO BE TRUE."
578
00:22:26,713 --> 00:22:28,512
PETE:
NICE. YOU COULD DO
A LITTLE BETTER,
579
00:22:28,514 --> 00:22:30,414
BUT THIS IS LOOKING GOOD.
THIS IS LOOKING GOOD.
580
00:22:30,416 --> 00:22:31,682
SARAH:
BOBBY, WALT, STU.
581
00:22:31,684 --> 00:22:32,917
PETE:
GIVE ME A LITTLE SOMETHIN'.
582
00:22:32,919 --> 00:22:34,736
SARAH:
YOU SHOULD HAVE SEEN THEM.
583
00:22:34,737 --> 00:22:36,554
PETE:
SERVE IT UP.
THAT'S WHAT I LIKE ABOUT THIS.
584
00:22:36,556 --> 00:22:37,722
SARAH:
WHEN PETE WAS PROUD OF YOU,
585
00:22:37,724 --> 00:22:39,056
YOU FEEL LIKE
YOU CAN DO ANYTHING.
586
00:22:39,058 --> 00:22:40,958
MADDIE:
I'M ON MY WAY OUT.
587
00:22:40,960 --> 00:22:43,661
SARAH:
AND MADDIE...
SHE WAS HIS GOLDEN GIRL.
588
00:22:43,663 --> 00:22:44,862
MY GOD!
589
00:22:44,864 --> 00:22:47,631
HE SAID TO ME,
"YOU WATCH AND LEARN
590
00:22:47,633 --> 00:22:49,800
'CAUSE SHE WILL TEACH YOU
EVERYTHING YOU NEED TO KNOW."
591
00:22:49,802 --> 00:22:51,001
MADDIE:
'KAY, SEE YOU LATER.
592
00:22:51,003 --> 00:22:53,938
PETE: BE SAFE.
SARAH: BYE, MADS.
593
00:22:55,041 --> 00:22:56,974
SO SHE HID EVERYTHING
IN HER BELLY?
594
00:22:56,976 --> 00:22:59,744
YEAH. A SPECIAL OPENING.
YOU CAN ONLY...
595
00:22:59,746 --> 00:23:01,379
(STOPS HERSELF)
WAIT...
596
00:23:01,380 --> 00:23:03,013
YOU'RE NOT GONNA BUST ME
FOR THIS, ARE YOU?
597
00:23:03,015 --> 00:23:04,148
SARAH, I THINK
A "BANK ROBBERY"
598
00:23:04,150 --> 00:23:05,583
IS ENOUGH TO WORRY
ABOUT RIGHT NOW.
599
00:23:10,423 --> 00:23:11,655
(ENGINE RUMBLES)
600
00:23:13,092 --> 00:23:14,825
MADDIE:
GRAB THE MONEY
AND BE RIGHT BACK.
601
00:23:14,827 --> 00:23:16,160
THE BOYS CAN GET IT.
602
00:23:16,162 --> 00:23:18,562
MAKE SURE
IT'S ALL THERE, BOBBY.
603
00:23:18,564 --> 00:23:19,630
YOU DON'T TRUST ME?
604
00:23:19,632 --> 00:23:22,099
PETE:
GET IN THE FRONT.
605
00:23:28,541 --> 00:23:29,607
(DOOR SHUTS)
606
00:23:34,180 --> 00:23:36,147
WHEN IS THE LAST TIME
WE HAD A GOOD LITTLE CHAT,
607
00:23:36,149 --> 00:23:38,048
JUST YOU AND ME?
608
00:23:40,086 --> 00:23:42,953
YOU SAID SOMETHING ABOUT
"TOO GOOD TO BE TRUE."
609
00:23:42,955 --> 00:23:45,022
WAS THAT PETE?
610
00:23:45,024 --> 00:23:46,023
YEAH.
611
00:23:46,025 --> 00:23:48,159
PETE IS YOUR BEST FRIEND,
612
00:23:48,161 --> 00:23:49,994
YOUR BIGGEST FAN,
613
00:23:49,996 --> 00:23:52,797
SO LONG AS YOU DO EXACTLY
WHAT HE SAYS.
614
00:23:52,799 --> 00:23:56,834
THE BUSINESS CARD BANDIT -
WAS THAT HIS IDEA?
615
00:23:56,836 --> 00:23:58,936
HE SAID IT WAS GONNA BE
THE BIGGEST JACKPOT EVER!
616
00:24:00,907 --> 00:24:02,640
YOU'RE GONNA BE
THE LOOKOUT, SARAH,
617
00:24:02,642 --> 00:24:03,908
MADDIE'S THE LEAD.
618
00:24:03,910 --> 00:24:05,009
YOU'LL TIME IT OUT
WITH STOPWATCHES-
619
00:24:05,011 --> 00:24:06,477
MADDIE:
PETE?
620
00:24:06,479 --> 00:24:07,711
CAN I TALK TO YOU
FOR A SEC?
621
00:24:07,713 --> 00:24:09,914
WE CAN TALK HERE,
WE'RE ALL FAMILY.
622
00:24:09,916 --> 00:24:12,016
MADDIE:
YEAH, NO, IT'S GOOD,
AND I'M TOTALLY UP FOR IT,
623
00:24:12,018 --> 00:24:13,884
I JUST...
624
00:24:13,886 --> 00:24:16,020
THERE IS A GUN
INVOLVED NOW
625
00:24:16,021 --> 00:24:18,155
AND I'M NOT TOTALLY SURE
THAT WE SHOULD BE PUTTING SARAH
626
00:24:18,157 --> 00:24:20,124
IN THE MIDDLE OF THIS.
627
00:24:20,126 --> 00:24:21,125
I HAVE FAITH.
628
00:24:21,127 --> 00:24:23,044
MADDIE:
YEAH, FAITH IS GOOD.
629
00:24:23,045 --> 00:24:24,962
UM, IT JUST KINDA SEEMS
LIKE WE'RE THE ONES
630
00:24:24,964 --> 00:24:26,864
ALWAYS RISKING OUR ASSES,
631
00:24:26,866 --> 00:24:28,165
WHEREAS YOU'RE NOT REALLY
DOING MUCH-
632
00:24:28,167 --> 00:24:30,034
PETE: UNGH!
MADDIE: (SCREAMS)
633
00:24:31,637 --> 00:24:34,705
I'M SORRY,
DID YOU HAVE SOMETHING SAY?
634
00:24:36,008 --> 00:24:37,575
SHE'S JUST A KID-
635
00:24:37,577 --> 00:24:38,642
(HARD WHACK)
636
00:24:41,013 --> 00:24:42,079
(CRIES IN PAIN)
637
00:24:43,015 --> 00:24:44,482
COME HERE.
638
00:24:44,484 --> 00:24:46,183
IT'S OKAY, KID.
639
00:24:46,185 --> 00:24:48,052
IT'S OKAY.
640
00:24:48,054 --> 00:24:51,055
YOU SEE, SHE JUST DOESN'T
HAVE THE SAME FAITH IN YOU
641
00:24:51,057 --> 00:24:52,122
THAT I DO.
642
00:24:54,093 --> 00:24:58,662
I GIVE YOU FOOD,
SHELTER, CLOTHING,
643
00:24:58,664 --> 00:24:59,830
AND CAREER TRAINING.
644
00:24:59,832 --> 00:25:01,198
AND WHAT DO I GET?
645
00:25:03,002 --> 00:25:05,836
I GET BACK-TALK
AND BAD ATTITUDES,
646
00:25:06,772 --> 00:25:09,173
JUST LIKE I GOT
FROM AMANDA.
647
00:25:10,643 --> 00:25:13,361
(MADDIE WHIMPERS QUIETLY)
648
00:25:13,362 --> 00:25:16,080
LET'S NOT FORGET WHAT IT TOOK
TO CLEAN THAT MESS UP.
649
00:25:19,018 --> 00:25:20,618
(CRIES) NO!
650
00:25:20,620 --> 00:25:21,986
THAT'S AWFUL,
SARAH.
651
00:25:21,988 --> 00:25:23,187
I'M SORRY.
652
00:25:23,189 --> 00:25:26,824
DID YOU AND MADDIE EVER THINK
ABOUT GETTING AWAY?
653
00:25:26,826 --> 00:25:28,692
SHE SAID
SHE WAS SORRY.
654
00:25:28,694 --> 00:25:30,194
JULES:
SORRY FOR WHAT?
655
00:25:30,196 --> 00:25:31,996
FOR EVERYTHING -
656
00:25:31,998 --> 00:25:34,231
FOR GETTING ME
INTO ALL OF THIS;
657
00:25:34,233 --> 00:25:36,100
BRINGING ME TO PETE;
658
00:25:36,102 --> 00:25:39,537
FOR FINDING ME
IN THE FIRST PLACE.
659
00:25:39,539 --> 00:25:41,772
AND I SAID TO HER
THAT I WASN'T SORRY
660
00:25:41,774 --> 00:25:44,041
AND I NEVER WOULD BE.
661
00:25:44,043 --> 00:25:46,143
I SAID THAT WE COULD RUN
THE SCAM.
662
00:25:46,145 --> 00:25:47,995
WE COULD DO THE MOVES,
663
00:25:47,996 --> 00:25:49,846
WE COULD WORK THE STOPWATCH
JUST LIKE PETE SAID...
664
00:25:49,849 --> 00:25:50,948
I'M SORRY.
665
00:25:50,950 --> 00:25:52,950
SARAH:
AND THAT WE'D BE OKAY
666
00:25:52,952 --> 00:25:55,185
AS LONG AS
WE WERE TOGETHER.
667
00:25:55,187 --> 00:25:57,254
WHY ARE YOU SORRY?
668
00:26:00,092 --> 00:26:03,961
AND THEN SHE ASKED ME
IF I'D EVER SEEN THE STARS.
669
00:26:03,963 --> 00:26:05,162
WHAT STARS?
670
00:26:05,164 --> 00:26:06,764
LIKE THE REAL STARS.
671
00:26:07,700 --> 00:26:08,799
NOT LIKE THE ONES
IN THE CITY.
672
00:26:08,801 --> 00:26:10,935
THE ONES...
THE ONES IN THE DESERT
673
00:26:10,937 --> 00:26:13,704
THAT SPREAD
RIGHT ACROSS THE SKY.
674
00:26:14,640 --> 00:26:17,808
SHE PROMISED ME
THAT WE'D SEE THEM
675
00:26:18,744 --> 00:26:20,945
AND THAT WE'D SEE THEM
TOGETHER.
676
00:26:20,947 --> 00:26:22,146
YOU KNOW WHAT, SARAH?
MADDIE'S RIGHT.
677
00:26:22,148 --> 00:26:23,280
YOU ARE SPECIAL.
678
00:26:24,216 --> 00:26:26,016
YOU'RE SMART,
YOU'RE LOYAL,
679
00:26:26,018 --> 00:26:27,151
YOU'RE TOUGH.
680
00:26:29,121 --> 00:26:31,889
(SIGHS) BUT YOU SHOULD KNOW
THAT AFTER THIS IS OVER
681
00:26:31,891 --> 00:26:35,125
YOU GUYS ARE GONNA BE APART
FOR A WHILE.
682
00:26:35,127 --> 00:26:37,094
WHAT I'M TRYING
TO SAY IS...
683
00:26:37,096 --> 00:26:40,097
HAVE YOU THOUGHT ABOUT LIFE
WITHOUT MADDIE?
684
00:26:40,099 --> 00:26:43,167
WHAT YOU WANT?
WHERE YOU'RE GOING?
685
00:26:43,169 --> 00:26:45,936
PLEASE STOP TALKING NOW.
686
00:26:51,210 --> 00:26:54,612
SO I BET YOU THINK
THIS PROVES YOU RIGHT, HUH?
687
00:26:54,614 --> 00:26:56,313
WHEN YOU SAID
SARAH WASN'T READY;
688
00:26:56,315 --> 00:26:59,650
THAT SHE DIDN'T HAVE IT
IN HER OR WHATEVER.
689
00:26:59,652 --> 00:27:01,185
THE HARDEST THING IS KNOWING
690
00:27:01,187 --> 00:27:03,921
WHEN YOUR KIDS HAVE TO BE HELPED
AND WHEN THEY HAVE TO BE PUSHED.
691
00:27:06,926 --> 00:27:08,926
PETE,
WE'RE NOT YOUR KIDS,
692
00:27:09,862 --> 00:27:11,128
WE'RE NOT FAMILY.
WE NEVER WERE.
693
00:27:11,130 --> 00:27:13,998
WE ARE WHAT I SAY
WE ARE!
694
00:27:15,768 --> 00:27:16,834
(SIRENS WAIL)
695
00:27:21,741 --> 00:27:22,806
(TIRES SCREECH)
696
00:27:24,210 --> 00:27:26,910
SPIKE:
WE'RE AT THE WEST END!
697
00:27:26,912 --> 00:27:29,146
HYDRO BOX IS 400 METERS
PAST THE PARK,
698
00:27:29,148 --> 00:27:30,714
HEADING EAST.
699
00:27:30,716 --> 00:27:33,283
ED:
STEALTH APPROACH;
FAST AND QUIET.
700
00:27:33,285 --> 00:27:35,336
ALL RIGHT,
LET'S FAN OUT.
701
00:27:35,337 --> 00:27:37,388
STAY OUT OF SIGHT
TILL WE GET TO THE DROP OFF.
702
00:27:37,390 --> 00:27:39,289
BOBBY:
THAT'S THE ONE.
703
00:27:40,226 --> 00:27:41,291
(DOOR SQUEAKS)
704
00:27:41,293 --> 00:27:42,693
DO A FAST COUNT.
705
00:27:44,830 --> 00:27:47,131
(MUMBLES) 300... 2...
706
00:27:47,132 --> 00:27:49,433
JULES:
SO WHEN WE FIND MADDIE,
I'LL GET YOU A MESSAGE, OKAY?
707
00:27:49,435 --> 00:27:51,168
COME HERE.
708
00:27:51,170 --> 00:27:52,720
LISTEN,
709
00:27:52,721 --> 00:27:54,271
WHEN I WAS A KID
I WAS PRETTY MESSED UP TOO,
710
00:27:54,273 --> 00:27:56,306
BUT I HAD THIS FRIEND
WHO USED TO SAY,
711
00:27:56,308 --> 00:27:58,409
"IF YOU'RE GONNA RUN,
RUN STRAIGHT TO ME."
712
00:28:00,179 --> 00:28:02,312
SO THE NEXT TIME
YOU FEEL LIKE TAKING OFF
713
00:28:02,314 --> 00:28:03,914
AND MADDIE'S NOT AROUND,
714
00:28:03,916 --> 00:28:05,749
YOU CAN CALL ME.
715
00:28:06,686 --> 00:28:08,886
IN THE MEANTIME,
716
00:28:08,888 --> 00:28:12,256
NEVER HURTS TO KNOW
WHAT TIME IT IS.
717
00:28:16,228 --> 00:28:17,828
NINE GRAND...
718
00:28:17,830 --> 00:28:18,896
ALL RIGHT.
719
00:28:18,898 --> 00:28:22,332
LET'S GET BACK
BEFORE PETE FREAKS OUT ANYMORE.
720
00:28:22,334 --> 00:28:23,767
ED:
POLICE! STOP RIGHT THERE!
721
00:28:23,769 --> 00:28:25,002
BOBBY:
GO! GO! GO!
722
00:28:25,004 --> 00:28:26,904
ED:
RIGHT THERE! STOP!
723
00:28:34,747 --> 00:28:36,213
(CLIMBING GRUNTS)
724
00:28:42,321 --> 00:28:43,454
(FENCE RATTLES)
725
00:28:48,794 --> 00:28:49,860
STOP!
726
00:28:52,331 --> 00:28:54,398
DO NOT MAKE HER GO AFTER YOU,
PAL.
727
00:28:54,400 --> 00:28:55,866
TRUST ME ON THIS.
728
00:28:58,404 --> 00:28:59,803
PARKER:
STOP NOW!
729
00:29:00,740 --> 00:29:01,739
(COCKS GUN)
730
00:29:01,741 --> 00:29:02,740
(GUNSHOT BLASTS)
731
00:29:02,742 --> 00:29:04,108
SPIKE,
TAKE HIM DOWN!
732
00:29:04,110 --> 00:29:05,342
LESS LETHAL.
733
00:29:05,344 --> 00:29:07,277
(GUNSHOT RESONATES)
734
00:29:08,214 --> 00:29:10,347
SON, I'M REALLY TIRED
OF RUNNIN'!
735
00:29:10,349 --> 00:29:11,348
REALLY TIRED!
736
00:29:11,350 --> 00:29:13,016
(DEFEATED EXHALE)
737
00:29:15,187 --> 00:29:16,887
I WANT A LAWYER.
738
00:29:16,889 --> 00:29:19,289
ED:
WHERE'S MADDIE AND PETE?
739
00:29:19,291 --> 00:29:20,290
LOOK, WE KNOW ABOUT PETE,
740
00:29:20,292 --> 00:29:21,391
WE KNOW ABOUT
THE BANK SCAM,
741
00:29:21,393 --> 00:29:22,426
WE KNOW ABOUT MADDIE
AND SARAH.
742
00:29:22,428 --> 00:29:24,762
NOW WHERE ARE THEY?
743
00:29:27,800 --> 00:29:30,901
YOU KNOW, DON'T THINK
I HAVEN'T NOTICED.
744
00:29:30,903 --> 00:29:34,104
YOU'VE CHANGED
SINCE SARAH JOINED US.
745
00:29:34,106 --> 00:29:38,008
THERE'S A LACK OF DISCIPLINE
AND FOCUS.
746
00:29:39,111 --> 00:29:42,780
IT REMINDS ME
OF WHEN WE LOST AMANDA,
747
00:29:43,949 --> 00:29:46,784
WHY WE HAD TO GO THERE.
748
00:29:46,786 --> 00:29:48,519
(APPROACHING SIRENS)
749
00:29:52,158 --> 00:29:53,056
WHAT THE HELL
IS GOING ON?
750
00:29:53,058 --> 00:29:54,124
(CUFFS SNAP)
751
00:29:55,394 --> 00:29:56,860
(NERVOUS PANTING)
752
00:30:09,175 --> 00:30:10,407
JULES,
WHAT'S SARAH'S STATUS?
753
00:30:10,409 --> 00:30:13,076
IN CUSTODY
WITH CHILDREN SERVICES.
754
00:30:14,013 --> 00:30:15,479
(GRUNTS)
755
00:30:15,481 --> 00:30:17,080
WE GOT SARAH IN CUSTODY.
756
00:30:17,082 --> 00:30:19,016
NOW WHERE'S MADDIE,
HUH?
757
00:30:19,018 --> 00:30:20,417
WHERE'S MADDIE?
PETE DO ANYTHING TO HER?
758
00:30:20,419 --> 00:30:21,985
PETE DIDN'T DO ANYTHING
TO MADDIE.
759
00:30:21,987 --> 00:30:24,087
MADDIE CALLED PETE,
BROUGHT US HERE FOR THE MONEY.
760
00:30:24,089 --> 00:30:25,422
IT WAS HER IDEA.
761
00:30:25,424 --> 00:30:26,857
JULES:
HER IDEA?
762
00:30:26,858 --> 00:30:28,291
IF IT WAS HER IDEA
TO BRING PETE THE MONEY,
763
00:30:28,294 --> 00:30:30,127
WHY STASH IT HERE?
764
00:30:30,129 --> 00:30:32,396
WAIT... UNLESS THEY PLANNED
THE WHOLE THING.
765
00:30:32,398 --> 00:30:34,498
SPIKE:
WELL, THE POLICE SCANNER,
THE DISGUISE, THE GETAWAY -
766
00:30:34,500 --> 00:30:36,099
THAT WAS THE PLAN.
767
00:30:36,101 --> 00:30:37,434
JULES:
NO, THAT WAS THE OLD PLAN.
768
00:30:37,436 --> 00:30:39,102
THEY CHANGED THEIR MO.
769
00:30:39,104 --> 00:30:40,237
THEY TOOK TWO TILLS
770
00:30:40,239 --> 00:30:41,605
WHEN THEY KNEW
WE WERE COMING.
771
00:30:41,607 --> 00:30:43,007
HERE, SIT DOWN.
772
00:30:43,008 --> 00:30:44,408
JULES:
WHY NOT JUST RUN?
773
00:30:44,410 --> 00:30:46,443
UNLESS THEY WANTED
TO GET CAUGHT.
774
00:30:46,445 --> 00:30:48,512
WHAT, THEY BOTCHED THE HEIST
ON PURPOSE?
775
00:30:48,514 --> 00:30:49,546
JULES:
A CALCULATED RISK.
776
00:30:49,548 --> 00:30:51,148
BOTCH THE HEIST,
STAGE AN ESCAPE,
777
00:30:51,150 --> 00:30:53,617
SPLIT UP AND THEN DRIVE AROUND
UNTIL WE CATCH SARAH.
778
00:30:53,619 --> 00:30:55,953
PARKER:
MADDIE'S TAKING PETE
TO THE EXACT SAME SPOT.
779
00:30:55,955 --> 00:30:58,355
SO WE CAN GET PETE OFF
THEIR BACK ONCE AND FOR ALL.
780
00:30:58,357 --> 00:30:59,657
JULES:
THAT'S WHY
SHE OPENED UP TO US,
781
00:30:59,658 --> 00:31:00,958
THAT'S WHY SHE KEPT
CHECKING MY WATCH;
782
00:31:00,960 --> 00:31:04,094
THEY TIMED IT -
THE WHOLE THING.
783
00:31:05,030 --> 00:31:06,597
THEY BOTH PLAYED US.
784
00:31:06,599 --> 00:31:07,598
COPS ARE HERE.
785
00:31:07,600 --> 00:31:09,399
THEY'RE GONNA FIND
THE MONEY,
786
00:31:09,401 --> 00:31:12,402
FIND YOU,
AND PUT IT ALL TOGETHER.
787
00:31:12,404 --> 00:31:13,403
YOU COULD HAVE
JUST LET HER GO.
788
00:31:13,405 --> 00:31:16,440
MADDIE,
THIS IS A BIG MISTAKE.
789
00:31:17,543 --> 00:31:19,943
I HAVE FRIENDS
EVERYWHERE
790
00:31:19,945 --> 00:31:22,212
AND THEY'LL FIND
BOTH OF YOU.
791
00:31:22,214 --> 00:31:25,115
YOU KNOW WHAT HAPPENS
IF YOU TURN RAT.
792
00:31:25,117 --> 00:31:26,149
(PANTING)
793
00:31:26,151 --> 00:31:28,285
YEAH, I GUESS I DO.
794
00:31:30,356 --> 00:31:32,489
THIS IS FOR AMANDA.
795
00:31:34,894 --> 00:31:36,059
(GUNSHOTS IN THE DISTANCE)
796
00:31:36,061 --> 00:31:37,060
JULES:
SHOTS FIRED!
797
00:31:37,062 --> 00:31:38,562
COMING FROM THE NORTH.
LET'S MOVE!
798
00:31:40,900 --> 00:31:41,965
LET'S GO!
799
00:31:48,407 --> 00:31:49,973
JULES:
EYES ON ONE INDIVIDUAL,
800
00:31:49,974 --> 00:31:51,540
CAR HAS THE SAME DESCRIPTION
AS PETE'S VEHICLE.
801
00:31:59,151 --> 00:32:01,518
ED:
OPEN THE DOOR
AND STEP OUT SLOWLY,
802
00:32:01,520 --> 00:32:02,519
HANDS WHERE WE CAN SEE 'EM!
803
00:32:02,521 --> 00:32:04,221
(NO ANSWER)
804
00:32:04,223 --> 00:32:06,290
GET OUT OF THE CAR NOW!
805
00:32:16,201 --> 00:32:19,670
ED:
WE NEED A MEDIC!
WE NEED A MEDIC NOW!
806
00:32:24,476 --> 00:32:25,676
PARKER:
MADDIE, WE'RE GETTING YOU HELP,
807
00:32:25,678 --> 00:32:26,977
BUT WE NEED TO KNOW
IF IT WAS PETE
808
00:32:26,979 --> 00:32:28,245
WHO DID THIS TO YOU.
809
00:32:28,247 --> 00:32:29,597
HE SHOT ME...
810
00:32:29,598 --> 00:32:30,948
EMT:
SHE'S BLEEDING INTERNALLY -
WE NEED TO GET HER OUT OF HERE!
811
00:32:30,950 --> 00:32:32,015
PETE KNOWS...
812
00:32:32,017 --> 00:32:33,283
JULES:
WHAT DOES PETE KNOW?
813
00:32:33,285 --> 00:32:35,452
SARAH,
WHERE SHE'S GONNA GO.
814
00:32:35,454 --> 00:32:37,020
JULES:
WHERE IS SARAH GOING?
815
00:32:37,022 --> 00:32:38,805
THE GETAWAY.
816
00:32:38,806 --> 00:32:40,589
EMT:
SHE'S GOING INTO SHOCK.
MOVE! MOVE!
817
00:32:40,592 --> 00:32:42,492
SAM:
DEFINITE STRUGGLE -
TWO SHOTS FIRED.
818
00:32:42,494 --> 00:32:43,877
ONE ROUND WENT
THROUGH THE WINDOW,
819
00:32:43,878 --> 00:32:45,261
THE OTHER ONE HIT HER
IN THE CHEST.
820
00:32:45,264 --> 00:32:46,463
WE FOUND THIS ON HER.
821
00:32:46,464 --> 00:32:47,663
ED:
SPIKE, WHEN CAN WE GET
SARAH BACK?
822
00:32:47,666 --> 00:32:49,349
SPIKE: SHE'S GONE.
PARKER: GONE?
823
00:32:49,350 --> 00:32:51,033
SPIKE:
CHILDREN'S SERVICES SAYS
THE FIRST STOP THEY GOT TO,
824
00:32:51,036 --> 00:32:52,569
SHE WAS OUT OF HER CUFFS
AND OUT THE DOOR.
825
00:32:52,571 --> 00:32:54,104
THERE WAS A HAIRCLIP
IN THE BACK SEAT
826
00:32:54,106 --> 00:32:55,539
WITH A CUSTOM ATTACHMENT.
827
00:32:55,541 --> 00:32:57,274
ED:
SO PETE KNOWS WHERE SHE'S GONE
BUT WE DON'T.
828
00:32:57,276 --> 00:32:58,542
JULES:
WE MIGHT.
I GAVE HER MY WATCH
829
00:32:58,544 --> 00:33:00,477
AND IT HAS A GPS
MICRO-TRACKER IN IT.
830
00:33:00,479 --> 00:33:01,478
SPIKE?
831
00:33:01,480 --> 00:33:02,546
ON IT.
832
00:33:05,451 --> 00:33:06,516
(BEEPING)
833
00:33:09,989 --> 00:33:11,054
(KEYS CLACK)
834
00:33:12,091 --> 00:33:13,223
(VAN DOOR SLAMS)
835
00:33:14,159 --> 00:33:15,158
HOW WE DOING, SPIKE?
836
00:33:15,160 --> 00:33:16,582
ONE MORE SECOND.
837
00:33:16,583 --> 00:33:18,005
PARKER:
YOU KNEW SHE WAS GOING
TO DO THIS?
838
00:33:18,006 --> 00:33:19,428
JULES:
I KNEW SHE'D EVENTUALLY RUN;
THAT'S WHAT SHE DOES.
839
00:33:19,431 --> 00:33:20,630
BUT I HAD NO IDEA
THAT HER AND MADDIE
840
00:33:20,632 --> 00:33:22,199
HAD THAT PLANNED OUT
FROM THE START.
841
00:33:22,201 --> 00:33:23,384
IMPRESSIVE GIRL.
842
00:33:23,385 --> 00:33:24,568
JULES:
SIXTEEN -
HER AND HER PARTNER
843
00:33:24,570 --> 00:33:26,636
USED A BANK ROBBERY
TO CON THE COPS
844
00:33:26,638 --> 00:33:27,771
TO TAKE DOWN THEIR OWN BOSS.
845
00:33:27,773 --> 00:33:29,173
IMPRESSIVE OR NOT,
846
00:33:29,174 --> 00:33:30,574
THAT SIXTEEN-YEAR-OLD
IS A TARGET NOW,
847
00:33:30,576 --> 00:33:32,142
AND SHE HAS NO IDEA.
848
00:33:32,144 --> 00:33:33,761
ED:
WE HAVE MADDIE'S CELL.
849
00:33:33,762 --> 00:33:35,379
IF SHE STILL HAS HERS,
SHE MIGHT TAKE THE CALL.
850
00:33:35,381 --> 00:33:36,614
JULES:
YEAH, BUT IF SHE FINDS OUT
851
00:33:36,615 --> 00:33:37,848
THAT HER BEST FRIEND'S
BEEN SHOT,
852
00:33:37,849 --> 00:33:39,082
WE HAVE NO IDEA
HOW SHE'S GONNA REACT.
853
00:33:39,084 --> 00:33:40,684
IF WE DON'T WARN HER
854
00:33:40,685 --> 00:33:42,285
AND JORIS GETS TO HER
BEFORE WE DO...
855
00:33:42,287 --> 00:33:43,653
WE'RE GETTING HER LOCATION.
856
00:33:43,655 --> 00:33:45,188
BUT WE DON'T HAVE HIS.
857
00:33:45,190 --> 00:33:47,591
SAM, LEAH,
LET'S GET READY TO MOVE.
858
00:33:48,527 --> 00:33:51,561
PARKER:
ALL RIGHT, YOU KNOW SARAH BETTER
THAN ANY OF US, JULES.
859
00:33:51,563 --> 00:33:52,629
YOUR DECISION.
860
00:33:56,235 --> 00:33:58,101
(EXHALES)
861
00:33:58,103 --> 00:33:59,436
(BEEPING)
862
00:34:06,145 --> 00:34:07,744
(CALCULATOR KEYS CLACK)
863
00:34:07,746 --> 00:34:08,812
(SIRENS WAIL)
864
00:34:10,716 --> 00:34:11,782
(CELL RINGS)
865
00:34:14,620 --> 00:34:17,087
ANODYNE MARKETING,
HOW CAN I DIRECT YOUR CALL?
866
00:34:17,089 --> 00:34:18,088
SARAH, DON'T HANG UP,
867
00:34:18,090 --> 00:34:20,257
THIS IS OFFICER
JULES CALLAGHAN.
868
00:34:20,259 --> 00:34:22,092
(SARAH SHUTS PHONE OFF)
869
00:34:22,828 --> 00:34:24,094
(SIGHS)
870
00:34:26,131 --> 00:34:27,364
(PHONE CHIRPS)
871
00:34:31,703 --> 00:34:33,603
OH MY GOD...
OH MY GOD...
872
00:34:33,605 --> 00:34:34,738
(PHONE RINGS)
873
00:34:37,109 --> 00:34:38,175
(CELL RINGS)
874
00:34:42,147 --> 00:34:44,614
JULES:
SARAH, DON'T HANG UP.
MADDIE'S BEEN SHOT.
875
00:34:44,616 --> 00:34:46,750
SHE'S STILL ALIVE,
BUT IT DOESN'T LOOK GOOD;
876
00:34:46,752 --> 00:34:48,585
THAT'S THE TRUTH.
WE GOTTA COME GET YOU.
877
00:34:48,587 --> 00:34:50,070
NO...
878
00:34:50,071 --> 00:34:51,554
JULES:
SARAH, I KNOW THAT SHE PLANNED
THE WHOLE THING.
879
00:34:51,557 --> 00:34:54,558
THE GETTING CAUGHT,
BRINGING PETE TO THE PARK -
880
00:34:54,560 --> 00:34:55,725
IT WAS ALL FOR YOU.
881
00:34:55,727 --> 00:34:57,594
(NEAR TEARS) WHO DID THIS?
DID YOU-?
882
00:34:57,596 --> 00:35:00,097
JULES:
NO. IT WAS PETE,
AND HE'S STILL OUT THERE.
883
00:35:00,099 --> 00:35:02,666
THAT MEANS YOU'RE AT RISK.
YOU GET THAT, RIGHT?
884
00:35:02,668 --> 00:35:03,834
MADDIE SAID HE KNOWS
WHERE YOU'RE GOING -
885
00:35:03,836 --> 00:35:05,669
SOMETHING ABOUT A GETAWAY
OR SOMETHING?
886
00:35:05,671 --> 00:35:08,055
WHERE IS THAT?
887
00:35:08,056 --> 00:35:10,440
A PLACE THAT WE COULD GO
IF WE NEED TO GET AWAY FAST.
888
00:35:10,442 --> 00:35:12,676
JULES:
SARAH, TELL US WHERE THAT IS.
WE'RE GONNA COME GET YOU.
889
00:35:12,678 --> 00:35:13,677
NO...
890
00:35:13,679 --> 00:35:15,245
JULES: SARAH!
SARAH: NO!
891
00:35:15,247 --> 00:35:16,746
SARAH,
YOU NEED US TO STOP HIM.
892
00:35:16,748 --> 00:35:18,548
HE IS ARMED,
AND HE'S A KILLER.
893
00:35:18,550 --> 00:35:20,383
IF YOU TRY TO CONFRONT HIM,
I PROMISE YOU-
894
00:35:20,385 --> 00:35:22,719
CAN YOU PROMISE ME
THAT MADDIE WILL BE OKAY?
895
00:35:22,721 --> 00:35:26,356
CAN YOU PROMISE ME
THAT YOU'LL KILL PETE?
896
00:35:26,358 --> 00:35:27,691
SARAH,
TELL US WHERE HE'S GOING
897
00:35:27,693 --> 00:35:29,626
AND WE'RE GONNA STOP HIM.
898
00:35:29,628 --> 00:35:31,228
NO. WE PROMISED
TO PROTECT EACH OTHER,
899
00:35:31,230 --> 00:35:32,529
AND AS LONG AS
HE'S OUT THERE-
900
00:35:32,531 --> 00:35:33,597
SARAH, NO!
901
00:35:34,566 --> 00:35:35,866
(PHONE CLICKS OFF)
902
00:35:39,705 --> 00:35:41,404
(COMPOSING BREATH)
903
00:35:41,406 --> 00:35:42,472
(WHIMPERS)
904
00:35:46,211 --> 00:35:48,178
SORRY.
I FORGOT A FEW THINGS.
905
00:35:48,914 --> 00:35:51,181
STORE CLERK:
NO PROBLEM.
906
00:35:52,751 --> 00:35:54,784
SARAH:
I'LL-I'LL TAKE ONE
OF THOSE HUNTING KNIVES.
907
00:36:02,794 --> 00:36:04,044
(SIREN WAILS)
908
00:36:04,045 --> 00:36:05,295
PARKER:
SPIKE, HOW CLOSE ARE WE
TO THIS GIRL?
909
00:36:05,297 --> 00:36:06,586
SPIKE:
HALFWAY ACROSS TOWN,
910
00:36:06,587 --> 00:36:07,876
LIKE FIFTEEN MINUTES,
TOPS.
911
00:36:07,877 --> 00:36:09,166
BUT GUYS,
IF SHE STARTS MOVING AGAIN...
912
00:36:09,168 --> 00:36:10,534
WE NEED TO KNOW WHERE
THE GETAWAY IS.
913
00:36:10,536 --> 00:36:12,569
LEAH:
SHE'S HEADING SOUTH,
DOWN TO THE LAKE.
914
00:36:12,571 --> 00:36:15,305
SPIKE:
HIGHWAY'S RIGHT THERE,
ISLAND AIRPORT ACROSS THE WAY.
915
00:36:15,307 --> 00:36:17,807
JULES:
THEY KNOW WE'D FLAG THE FLIGHTS
IF THEY'RE ON THE RUN...
916
00:36:17,809 --> 00:36:19,209
THE ONLY ANONYMOUS WAY
TO TRAVEL THESE DAYS
917
00:36:19,211 --> 00:36:20,811
IS BY CAR.
918
00:36:20,812 --> 00:36:22,412
LONG-TERM PARKING LOT'S
ANONYMOUS,
919
00:36:22,414 --> 00:36:24,581
AND IT'S GOT LIKE FIVE DIFFERENT
HIGHWAY ENTRANCES.
920
00:36:24,583 --> 00:36:26,416
SO HOW MANY LOTS DO
WE HAVE TO CHOOSE FROM?
921
00:36:26,418 --> 00:36:28,285
SPIKE:
SEVEN.
922
00:36:34,893 --> 00:36:35,959
(TAXI RUMBLES)
923
00:36:43,502 --> 00:36:44,568
(DOOR SHUTS)
924
00:36:49,875 --> 00:36:51,575
ED:
SPIKE, WHERE'S THAT SIGNAL?
925
00:36:51,577 --> 00:36:53,310
SPIKE:
THOMPSON LOT,
LEFT AT THE NEXT LIGHTS.
926
00:36:53,312 --> 00:36:55,412
BUT GUYS,
IT'S A MULTI-STORY LOT.
927
00:36:55,414 --> 00:36:58,548
GPS IS ONLY GONNA GIVE US
THE LOCATION IN TWO DIMENSIONS.
928
00:36:58,550 --> 00:37:00,250
BY THE TIME WE GET THERE...
929
00:37:00,252 --> 00:37:01,852
IT COULD BE TOO LATE.
930
00:37:01,853 --> 00:37:03,453
ED:
OKAY. ME AND THE BOSS
HAVE LEVELS THREE AND FOUR.
931
00:37:03,455 --> 00:37:05,622
SPIKE AND LEAH
TAKE LEVELS FIVE AND SIX.
932
00:37:05,624 --> 00:37:09,326
JULES AND SAM, YOU'VE GOT
LEVELS SEVEN AND EIGHT.
933
00:37:09,328 --> 00:37:10,393
(TIRES SCREECH)
934
00:37:20,372 --> 00:37:21,738
OH, THERE YOU ARE.
935
00:37:29,781 --> 00:37:30,847
(TWO GUNSHOTS FIRE)
936
00:37:30,849 --> 00:37:31,848
SHOTS FIRED!
937
00:37:31,850 --> 00:37:32,849
WHERE FROM?
938
00:37:32,851 --> 00:37:34,851
HARD TO TELL -
SOUNDED FAR.
939
00:37:34,853 --> 00:37:35,986
UPPER LEVELS!
940
00:37:40,392 --> 00:37:41,758
(ANGRY GRUNTS)
941
00:37:45,030 --> 00:37:46,930
(CAN CLANKS AND ROLLS)
942
00:37:53,538 --> 00:37:54,804
(WHACK)
943
00:37:54,806 --> 00:37:55,939
(ANGRY YELLS)
944
00:37:57,542 --> 00:38:00,010
(PETE GASPS,
UNABLE TO BREATHE)
945
00:38:01,480 --> 00:38:02,746
(HEAVY BREATHING)
946
00:38:08,387 --> 00:38:09,452
(PANTING)
947
00:38:09,454 --> 00:38:10,520
AGHHHHHHH!
948
00:38:13,492 --> 00:38:14,824
(TIRES SCREECH)
949
00:38:16,762 --> 00:38:18,561
(STRUGGLING TO BREATHE)
950
00:38:19,498 --> 00:38:20,563
(TIRES SCREECH)
951
00:38:21,500 --> 00:38:22,432
PETE:
YOU BITCH!
952
00:38:22,434 --> 00:38:24,567
(SCREAMING)
953
00:38:24,569 --> 00:38:25,635
COME HERE, BITCH!
954
00:38:26,571 --> 00:38:28,305
(SCREAMING)
955
00:38:28,307 --> 00:38:29,572
JULES:
(TENSE) SAM...
956
00:38:29,574 --> 00:38:31,875
SAM:
DRIVING AS FAST AS I CAN!
957
00:38:31,877 --> 00:38:33,343
JULES:
WAIT A MINUTE! STOP!
STOP THE CAR!
958
00:38:39,618 --> 00:38:40,684
(SCREAMING)
959
00:38:49,761 --> 00:38:52,629
YOU CAN LOOK IF YOU WANT.
960
00:38:53,498 --> 00:38:55,332
(BANG)
961
00:38:55,334 --> 00:38:56,933
(JULES FIRES AGAIN)
962
00:38:56,935 --> 00:38:58,068
SUBJECT DOWN.
963
00:38:59,004 --> 00:39:01,571
(SOBBING)
SARAH... SARAH.
964
00:39:01,573 --> 00:39:02,972
IT'S OKAY.
965
00:39:04,776 --> 00:39:06,343
(CRYING)
966
00:39:06,345 --> 00:39:08,111
EVERYTHING IS OKAY.
967
00:39:08,113 --> 00:39:09,646
I COULDN'T DO IT.
968
00:39:09,648 --> 00:39:10,680
YOU COULDN'T DO
WHAT?
969
00:39:10,682 --> 00:39:14,384
I COULDN'T KILL HIM.
I HAD HIM.
970
00:39:14,386 --> 00:39:15,385
I HAD HIM,
971
00:39:15,387 --> 00:39:16,953
AND I COULDN'T DO IT
FOR HER.
972
00:39:16,955 --> 00:39:18,855
YOU KNOW WHAT THAT MEANS?
973
00:39:18,857 --> 00:39:22,492
WHAT?
YOU CAN GO
TO SEE MADDIE NOW.
974
00:39:22,494 --> 00:39:24,127
(SOBBING)
OKAY?
975
00:39:24,129 --> 00:39:25,395
COME ON.
976
00:39:29,668 --> 00:39:30,734
(SOBBING QUIETLY)
977
00:39:43,915 --> 00:39:55,725
¶¶¶
978
00:39:56,661 --> 00:40:00,730
¶ When all the stars ¶
979
00:40:01,833 --> 00:40:05,135
¶ They fade into black ¶
980
00:40:06,071 --> 00:40:08,805
¶ And leave you without
a way back ¶
981
00:40:11,543 --> 00:40:12,976
¶ Well, hang on ¶
982
00:40:12,978 --> 00:40:15,912
¶ There's always a road ¶
983
00:40:18,617 --> 00:40:21,918
¶ It just takes some time ¶
984
00:40:23,955 --> 00:40:26,790
¶ To trust in a dream ¶
985
00:40:27,726 --> 00:40:30,527
There's light in a place...
986
00:40:30,529 --> 00:40:31,995
YOU ALL RIGHT?
987
00:40:33,932 --> 00:40:36,666
SARAH WAS LUCKY
YOU WERE THERE TODAY.
988
00:40:36,668 --> 00:40:37,801
YEAH.
989
00:40:37,803 --> 00:40:38,868
SAM:
WHAT'S WRONG?
990
00:40:41,573 --> 00:40:43,640
I WAS JUST THINKING ABOUT
WHEN I WAS SIXTEEN
991
00:40:43,642 --> 00:40:48,044
AND UH, IT WAS AFTER
MY MOM DIED,
992
00:40:48,046 --> 00:40:50,113
I WAS A LITTLE LOST.
993
00:40:50,115 --> 00:40:51,331
THERE WAS THIS ONE NIGHT
994
00:40:51,332 --> 00:40:52,548
WHEN I DRANK
ALL MY DAD'S BEER
995
00:40:52,551 --> 00:40:54,684
AND TOOK HIS TRUCK.
996
00:40:54,686 --> 00:40:56,052
ABOUT FIVE MILES OUT
OF TOWN,
997
00:40:56,054 --> 00:40:59,656
I GET PULLED OVER
BY THIS COP,
998
00:40:59,658 --> 00:41:01,791
OFFICER MARY FALLON,
999
00:41:02,727 --> 00:41:05,028
AND SHE DIDN'T ARREST ME.
1000
00:41:05,030 --> 00:41:08,698
SHE BROUGHT ME HOME,
DIDN'T WAKE UP MY DAD.
1001
00:41:08,700 --> 00:41:11,501
SHE JUST SAT ME DOWN
AT THE KITCHEN TABLE
1002
00:41:11,503 --> 00:41:15,472
AND SHE TALKED TO ME
UNTIL THE SUN CAME UP.
1003
00:41:15,474 --> 00:41:17,173
SHE MADE A DIFFERENCE.
1004
00:41:18,743 --> 00:41:20,743
SHE REALLY DID.
1005
00:41:22,180 --> 00:41:24,614
I WOULDN'T BE HERE.
1006
00:41:24,616 --> 00:41:25,648
SO NOW YOU'RE WONDERING
WHAT SHE WOULD DO
1007
00:41:25,650 --> 00:41:28,852
IN YOUR SHOES?
1008
00:41:28,854 --> 00:41:29,919
YEAH.
1009
00:41:31,690 --> 00:41:33,556
I THINK SHE'D GO SEE
SARAH,
1010
00:41:33,558 --> 00:41:35,225
LET HER KNOW SHE WAS THERE.
1011
00:41:35,227 --> 00:41:37,861
THAT'S WHAT I'M THINKIN'.
1012
00:41:37,863 --> 00:41:39,696
COME ON, I'LL TAKE YOU.
1013
00:41:39,698 --> 00:41:40,997
YOU HAVE THE PLAYOFFS.
1014
00:41:40,999 --> 00:41:42,866
AHH, PLAYOFFS HAPPEN
EVERY YEAR.
1015
00:41:44,636 --> 00:41:48,771
¶ Days to recall ¶
(Days to recall)
1016
00:41:49,708 --> 00:41:52,942
¶ Yeah, those those days
to recall ¶
1017
00:41:52,944 --> 00:41:55,044
¶ (Days to recall) ¶
1018
00:41:55,046 --> 00:41:56,946
¶ They're awaiting us ¶
1019
00:41:56,948 --> 00:42:01,017
¶ All those days ¶
1020
00:42:01,019 --> 00:42:03,853
¶ Those days to recall ¶
1021
00:42:03,855 --> 00:42:05,822
¶ (To recall) ¶
1022
00:42:06,758 --> 00:42:07,991
¶ Awaiting us ¶
1023
00:42:07,993 --> 00:42:13,930
¶ All those days
to recall ¶
1024
00:42:20,004 --> 00:42:21,070
(TAXI RUMBLES)
1025
00:42:21,072 --> 00:42:23,155
PARKER:
SPIKE, HOW CLOSE ARE WE
TO THE GIRL?
1026
00:42:23,156 --> 00:42:25,239
SPIKE:
HALFWAY ACROSS TOWN,
LIKE FIFTEEN MINUTES, TOPS.
1027
00:42:25,242 --> 00:42:26,976
BUT, GUYS, IF SHE STARTS
MOVING AGAIN-
1028
00:42:26,978 --> 00:42:28,577
LEAH:
SHE'S HEADING SOUTH,
DOWN TO THE LAKE.
1029
00:42:28,579 --> 00:42:30,012
SPIKE:
HIGHWAY'S RIGHT THERE,
1030
00:42:30,014 --> 00:42:31,580
ISLAND AIRPORT'S
ACROSS THE WAY.
1031
00:42:31,581 --> 00:42:33,147
SAM:
THE ONLY ANONYMOUS TRAVEL
THESE DAYS IS BY CAR.
1032
00:42:35,186 --> 00:42:37,353
SPIKE
LONG TERM PARKING LOT'S
ANONYMOUS.
1033
00:42:37,355 --> 00:42:38,354
JULES:
BY THE TIME WE GET THERE...
1034
00:42:38,356 --> 00:42:40,689
SAM:
IT COULD BE TOO LATE.
1035
00:42:41,625 --> 00:42:44,526
(TRUCKS SPEED UP,
TIRES SQUEALING)
1036
00:42:48,532 --> 00:42:50,532
MAN:
OH, THERE YOU ARE.
1037
00:43:03,447 --> 00:43:05,547
(VEHICLE PUTTERS
DOWN ALLEYWAY)
1038
00:43:05,549 --> 00:43:07,516
MAN:
I'M FEELING GOOD.
1039
00:43:07,518 --> 00:43:10,219
IT'S A BEAUTIFUL MORNING,
THE FAMILY'S ALL TOGETHER,
1040
00:43:10,221 --> 00:43:13,288
EVERYTHING IN
ITS RIGHT PLACE.
1041
00:43:14,759 --> 00:43:17,559
WHAT ABOUT YOU?
EVERYTHING SET?
1042
00:43:17,561 --> 00:43:19,561
CARDS? BIKE? BAG?
1043
00:43:20,765 --> 00:43:24,466
AND A POSITIVE ATTITUDE,
THAT'S KEY.
1044
00:43:24,468 --> 00:43:26,068
YOU KNOW,
LOOKING BACK,
1045
00:43:26,070 --> 00:43:29,271
I WAS RIGHT ABOUT ALL OF THIS,
WASN'T I?
1046
00:43:29,273 --> 00:43:31,573
SO MAYBE NEXT TIME
YOU'LL THINK TWICE
1047
00:43:31,575 --> 00:43:34,243
BEFORE YOU QUESTION ME.
1048
00:43:42,686 --> 00:43:45,587
(PETE LAUGHS,
SAFETY CLICKS)
1049
00:43:47,091 --> 00:43:50,359
ALL RIGHT.
CONTROL, COMMITMENT, COURAGE.
1050
00:43:50,361 --> 00:43:51,460
LUCK IS FOR LOSERS.
1051
00:43:51,462 --> 00:43:53,462
I WILL SEE YOU AFTER WORK.
1052
00:43:56,233 --> 00:43:57,599
(DOOR SLAMS)
1053
00:43:59,703 --> 00:44:01,437
TELLER:
THANK YOU.
1054
00:44:01,439 --> 00:44:02,604
NEXT PLEASE.
1055
00:44:02,606 --> 00:44:05,507
GIRL:
IF YOU COULD HOLD BOTH BACKPACKS
AND THE CANTEENS,
1056
00:44:05,509 --> 00:44:06,992
THAT'D BE GREAT.
1057
00:44:06,993 --> 00:44:08,476
YOU'LL STILL BE OPEN
AROUND FIVE?
1058
00:44:08,479 --> 00:44:10,579
OKAY. SWEET.
NO, I'LL PAY CASH.
1059
00:44:10,581 --> 00:44:12,581
YEAH, IT'S A-
I'M PRETTY STOKED.
1060
00:44:12,583 --> 00:44:15,284
IT'S OUR FIRST BIG
ROAD TRIP EVER.
1061
00:44:15,286 --> 00:44:17,737
WE'RE JUST GONNA HEAD SOUTH,
1062
00:44:17,738 --> 00:44:20,189
AND KEEP GOING
TILL WE SEE THE DESERT.
1063
00:44:20,191 --> 00:44:21,557
I CAN'T WAIT.
1064
00:44:21,559 --> 00:44:23,325
OKAY, THANKS. BYE.
1065
00:44:25,763 --> 00:44:27,429
(SIGHS PENSIVELY)
1066
00:44:29,600 --> 00:44:31,533
FRAT GUY:
WHOA! HEY! WATCH IT!
1067
00:44:31,535 --> 00:44:33,302
DO YOU EVEN KNOW
WHAT YOU'RE DOING?
1068
00:44:33,304 --> 00:44:34,870
MY DAD IS GEORGE LOWELL,
OKAY?
1069
00:44:34,872 --> 00:44:36,305
HE'S ON THE BOARD.
1070
00:44:36,306 --> 00:44:37,739
ED:
OH, HE'S ON THE BOARD,
YOU SHOULD HAVE SAID SO.
1071
00:44:37,741 --> 00:44:39,741
FRAT GUY:
YOUR ASSES ARE GONNA BE
SO SUED.
1072
00:44:39,743 --> 00:44:41,376
HUH. BOSS,
WHAT DO YOU THINK?
1073
00:44:41,378 --> 00:44:43,112
I THINK A LITTLE LESS
"ENTITLED RICH KID,"
1074
00:44:43,114 --> 00:44:44,646
A LITTLE MORE "I'LL TELL YOU
WHATEVER YOU WANNA KNOW
1075
00:44:44,648 --> 00:44:45,981
ABOUT OUR SUPPLIERS."
1076
00:44:45,982 --> 00:44:47,315
SPIKE:
LOT OF DRUGS,
ALL PRODUCT,
1077
00:44:47,318 --> 00:44:48,550
NO PRECURSOR TRACES -
1078
00:44:48,552 --> 00:44:50,385
MUST BE A LAB OFFSITE.
1079
00:44:50,387 --> 00:44:51,720
FRAT GUY:
I'VE NEVER SEEN THAT BEFORE
IN MY LIFE.
1080
00:44:51,722 --> 00:44:52,654
PARKER:
YEAH.
1081
00:44:54,692 --> 00:44:55,757
(PANTING)
1082
00:44:57,728 --> 00:44:59,161
SAM:
HEADS UP!
1083
00:45:00,798 --> 00:45:02,531
PARKER:
WHOA... THINK HE PLAYS?
1084
00:45:02,533 --> 00:45:03,532
ED:
WHAT, HE A RUNNING BACK?
1085
00:45:03,534 --> 00:45:04,900
SPIKE:
TOO BIG. DEFENSE.
1086
00:45:04,902 --> 00:45:06,168
UNGH!
1087
00:45:07,505 --> 00:45:09,271
OOF!
1088
00:45:09,273 --> 00:45:10,339
THAT KID DIDN'T HAVE
A CHANCE.
1089
00:45:11,709 --> 00:45:13,342
(CUFFS SNAP INTO PLACE)
1090
00:45:13,344 --> 00:45:14,776
GOOD TO HAVE YOU BACK,
LEAH.
1091
00:45:14,778 --> 00:45:16,712
GOOD TO BE BACK,
SARGE.
1092
00:45:19,717 --> 00:45:21,283
TELLER:
THANK YOU.
1093
00:45:23,721 --> 00:45:25,487
NEXT, PLEASE.
1094
00:45:26,724 --> 00:45:31,393
WELCOME TO CITY CENTRAL,
WHAT CAN I DO FOR YOU TODAY?
1095
00:45:48,379 --> 00:45:49,444
SAM:
NICE TACKLE.
1096
00:45:49,446 --> 00:45:51,346
THOUGHT I'D BE RUSTY
AFTER A YEAR.
1097
00:45:51,348 --> 00:45:52,748
JULES:
YEAH, WELL, IT'S NOT LIKE
YOU'VE BEEN SLACKING.
1098
00:45:52,750 --> 00:45:54,316
HOW'S YOUR FAMILY?
1099
00:45:54,318 --> 00:45:57,286
REBUILDING,
LIKE THE REST OF HAITI.
1100
00:45:57,288 --> 00:45:58,854
YOU KNOW, I ALWAYS FELT BAD
THE WAY I HAD TO LEAVE,
1101
00:45:58,856 --> 00:46:00,956
BUT WHEN I GOT THE CALL
FROM PORT AU PRINCE...
1102
00:46:00,958 --> 00:46:03,325
HEY, NONE OF US WOULD'VE DONE
ANY DIFFERENT.
1103
00:46:03,327 --> 00:46:04,393
JULES:
HEY, LISTEN,
WE'RE GOING TO A GAME TONIGHT -
1104
00:46:04,395 --> 00:46:05,894
IT'S THE PLAYOFFS -
YOU WANNA COME?
1105
00:46:05,896 --> 00:46:07,296
SAM:
YEAH, YOU, ME,
JULES AND SPIKE,
1106
00:46:07,298 --> 00:46:08,964
JUST OFF CENTRE ICE,
GAME OF THE YEAR.
1107
00:46:08,966 --> 00:46:10,699
JULES:
IT'S NOT LIKE HE'S EXCITED
OR ANYTHING.
1108
00:46:10,701 --> 00:46:11,767
I'D LOVE TO.
1109
00:46:13,637 --> 00:46:15,037
WINNIE:
TEAM ONE, HOT CALL.
(ALARM BLARES)
1110
00:46:15,038 --> 00:46:16,438
WE GOT A BANK ROBBERY
IN PROGRESS.
1111
00:46:16,440 --> 00:46:18,574
CITY CENTRAL,
COLLEGE AND BATHURST.
1112
00:46:18,576 --> 00:46:19,908
PARKER:
WINNIE, WE'RE TWO BLOCKS AWAY.
1113
00:46:19,910 --> 00:46:21,410
WINNIE:
COULD BE THE BUSINESS CARD
BANDIT.
1114
00:46:21,412 --> 00:46:23,378
THAT'S THE FIFTH BANK
IN TWO WEEKS.
1115
00:46:23,380 --> 00:46:24,379
LET'S MOVE!
1116
00:46:24,381 --> 00:46:26,348
JULES:
ALL RIGHT, LET'S GO!
1117
00:46:27,284 --> 00:46:28,350
(BILLS RUSTLE)
1118
00:46:32,489 --> 00:46:35,991
GIRL'S VOICE:
¶ EVERYBODY WANTS
TO LET IT GO ¶
1119
00:46:35,993 --> 00:46:38,527
¶ BUT YOU CAN'T
GET AWAY FROM... ¶
1120
00:46:38,529 --> 00:46:41,463
TELLER:
YOU WANT ANOTHER TILL?
1121
00:46:41,465 --> 00:46:42,898
¶ 'CAUSE EVERYWHERE YOU TURN ¶
1122
00:46:42,900 --> 00:46:44,800
¶ THERE SHE IS ¶
1123
00:46:45,736 --> 00:46:48,237
¶ JUST CAN'T STAND
IN THE WAY, NO- ¶
1124
00:46:48,973 --> 00:46:50,505
ROBBER:
EVERYBODY GET OUT!
THIS IS A ROBERT!
1125
00:46:50,507 --> 00:46:52,741
RIGHT NOW! MOVE IT!
MOVE! OUT! OUT!
1126
00:46:52,743 --> 00:46:54,409
YOU! OUT OF THE BACK!
1127
00:46:54,411 --> 00:46:55,744
OUT OF THE BACK NOW!
MOVE IT!
1128
00:46:55,746 --> 00:46:58,413
YOU, DOWN!
DOWN ON THE FLOOR!
1129
00:46:59,717 --> 00:47:00,833
(SIRENS WAIL)
1130
00:47:00,834 --> 00:47:01,950
SPIKE, LEAH,
TAKE THE FRONT OF THE BANK;
1131
00:47:01,952 --> 00:47:03,719
BOSS, JULES,
TAKE THE WEST SIDE;
1132
00:47:03,721 --> 00:47:04,820
SAM AND I HAVE THE EAST.
1133
00:47:04,822 --> 00:47:06,722
JULES:
COPY THAT!
1134
00:47:06,724 --> 00:47:09,458
(SIRENS WAIL,
TRUCKS RACE ALONG)
1135
00:47:11,895 --> 00:47:14,463
(SRU TRUCKS SCREECH
TO A HALT)
1136
00:47:18,002 --> 00:47:19,601
LEAH:
NO EYES FROM OUTSIDE.
1137
00:47:19,603 --> 00:47:21,036
WINNIE:
AFTER THE LAST ROBBERY,
1138
00:47:21,037 --> 00:47:22,470
EVERY BANK IN THE DOWNTOWN CORE
GAVE US REMOTE ACCESS
1139
00:47:22,473 --> 00:47:23,805
TO THEIR SECURITY CAMS.
1140
00:47:23,807 --> 00:47:25,907
YEAH? HOW MUCH WAS
THE SERVICE CHARGE?
1141
00:47:25,909 --> 00:47:26,975
(GROANS)
1142
00:47:29,280 --> 00:47:31,013
SAM:
SIR?
1143
00:47:31,015 --> 00:47:34,516
SPIKE:
OKAY, WE GOT SUNGLASSES,
BALL CAP...
1144
00:47:34,518 --> 00:47:36,018
THAT'S A MATCH ON
THE BUSINESS CARD BANDIT.
1145
00:47:36,020 --> 00:47:39,521
HOSTAGE IS A TEENAGE FEMALE,
HOODED JACKET.
1146
00:47:39,523 --> 00:47:41,990
PARKER:
BUSINESS CARD BANDIT'S
BEEN AT LARGE A MONTH.
1147
00:47:41,992 --> 00:47:44,793
MO IS HE WALKS IN AT OPENING,
HANDS OVER A BUSINESS CARD,
1148
00:47:44,795 --> 00:47:46,395
AND TAKES ONE TILL.
1149
00:47:46,397 --> 00:47:47,479
ED:
HE KNOWS THEY'RE GONNA HIT
THE ALARM,
1150
00:47:47,480 --> 00:47:48,562
BUT HE'S ALWAYS GONE
WITHIN THE THREE MINUTES
1151
00:47:48,565 --> 00:47:49,731
IT TAKES TO RESPOND.
1152
00:47:49,733 --> 00:47:50,874
SO WHAT HAPPENED
THIS TIME?
1153
00:47:50,875 --> 00:47:52,016
ED:
LET'S JUST GET
THE HOSTAGES SAFE.
1154
00:47:52,017 --> 00:47:53,158
WE'LL FIGURE IT OUT LATER.
1155
00:47:53,159 --> 00:47:54,300
SPIKE,
WHAT'S THE LAYOUT?
1156
00:47:54,305 --> 00:47:56,071
REAR FIRE DOORS,
NO WINDOWS.
1157
00:47:56,073 --> 00:47:57,539
I'LL WORK ON
THE SECURITY LOCK.
1158
00:47:57,541 --> 00:47:58,907
SAM, LEAH, WITH ME;
1159
00:47:58,909 --> 00:48:01,476
BOSS, JULES, SPIKE,
TAKE THE FRONT.
1160
00:48:01,478 --> 00:48:02,544
LET'S MOVE!
1161
00:48:06,884 --> 00:48:08,100
THAT'S WEIRD.
1162
00:48:08,101 --> 00:48:09,317
BUSINESS CARD BANDIT'S
NEVER TAKEN A HOSTAGE
1163
00:48:09,320 --> 00:48:10,852
OR PULLED A GUN BEFORE.
1164
00:48:10,854 --> 00:48:12,387
JULES:
YEAH, THAT'S BECAUSE
HE'S NEVER BEEN CORNERED BEFORE.
1165
00:48:12,389 --> 00:48:13,488
(GUNFIRE ERUPTS)
1166
00:48:14,425 --> 00:48:15,490
ACTIVE SHOOTER.
1167
00:48:15,492 --> 00:48:17,092
WE'RE LOSING OUR EYES.
1168
00:48:17,094 --> 00:48:18,360
(GUNSHOT POPS)
1169
00:48:26,704 --> 00:48:27,903
ED:
SPIKE, THE LOCK.
1170
00:48:27,905 --> 00:48:30,038
SPIKE:
WORKING ON IT.
1171
00:48:31,375 --> 00:48:32,841
PARKER:
I'LL APPROACH THE FRONT.
STAY ON MY SIX,
1172
00:48:32,843 --> 00:48:34,843
IN CASE THIS GUY TRIES
TO MAKE A RUN FOR IT.
1173
00:48:34,845 --> 00:48:36,395
JULES:
COPY THAT.
1174
00:48:36,396 --> 00:48:37,946
TEAM ONE, I GOT A 911
FROM INSIDE THE BANK.
1175
00:48:37,948 --> 00:48:39,715
I'LL TAKE IT.
1176
00:48:39,717 --> 00:48:41,850
SARAH: (BREATHING HARD)
HELLO? IS ANYBODY THERE?
1177
00:48:41,852 --> 00:48:42,918
JULES:
THIS IS JULIANNA CALLAGHAN
1178
00:48:42,920 --> 00:48:44,586
WITH THE STRATEGIC
RESPONSE UNIT.
1179
00:48:44,588 --> 00:48:45,854
WHO AM I SPEAKING WITH?
1180
00:48:45,856 --> 00:48:47,956
SARAH:
I-IT'S SARAH.
HE'S GOT A GUN,
1181
00:48:47,958 --> 00:48:49,558
AND HE SAYS IF YOU DON'T DO
WHAT HE SAYS,
1182
00:48:49,560 --> 00:48:51,126
THAT HE'S GONNA KILL US.
OH MY GOD...
1183
00:48:51,128 --> 00:48:54,696
JULES: (SOOTHINGLY)
OKAY, I WANT YOU TO CALM DOWN,
ALL RIGHT?
1184
00:48:54,698 --> 00:48:55,831
CALM DOWN.
1185
00:48:55,833 --> 00:48:57,383
NO JOY.
1186
00:48:57,384 --> 00:48:58,934
JULES:
OKAY, I KNOW YOU'RE SCARED,
BUT WE'RE HERE,
1187
00:48:58,936 --> 00:49:00,469
ALL RIGHT?
1188
00:49:00,471 --> 00:49:01,536
SARAH:
(CALMER) OKAY.
1189
00:49:01,538 --> 00:49:03,472
JULES:
ALL RIGHT, THAT'S GOOD.
1190
00:49:03,473 --> 00:49:05,407
SPIKE:
ED, I KEEP TRYING TO OVERRIDE
THE LOCK USING THE PHONE LINE,
1191
00:49:05,409 --> 00:49:07,142
BUT THE ALARM RELAY
KEEPS SCRAMBLING EVERYTHING;
1192
00:49:07,144 --> 00:49:08,810
YOU NEED TO OPEN IT
FROM THE INSIDE.
1193
00:49:09,747 --> 00:49:10,912
THERE'S GOTTA BE
ANOTHER WAY IN HERE.
1194
00:49:11,949 --> 00:49:13,849
OR WE JUST KNOCK
A LITTLE LOUDER.
1195
00:49:13,851 --> 00:49:15,016
ED:
STRIP CHARGES, ALL RIGHT.
1196
00:49:15,018 --> 00:49:16,651
GOOD THINKING,
LEAH.
1197
00:49:16,653 --> 00:49:17,819
JULES:
OKAY, WE CAN TRY
AND GET HIM A CAR, SARAH,
1198
00:49:17,821 --> 00:49:19,654
BUT THAT'S GONNA TAKE TIME.
1199
00:49:19,656 --> 00:49:20,689
LISTEN,
CAN YOU ASK HIM AGAIN
1200
00:49:20,691 --> 00:49:22,691
IF WE CAN TALK WITH HIM
DIRECTLY?
1201
00:49:22,693 --> 00:49:24,109
SARAH:
I'LL TRY.
1202
00:49:24,110 --> 00:49:25,526
ED:
BOSS, IT'D BE GOOD TO KNOW
WHERE THIS GUY IS
1203
00:49:25,529 --> 00:49:26,895
BEFORE WE GET IN.
1204
00:49:26,897 --> 00:49:28,413
SARAH:
HE WON'T.
1205
00:49:28,414 --> 00:49:29,930
HE SAYS IF YOU DON'T GET
THE CAR HERE IN TEN MINUTES,
1206
00:49:29,933 --> 00:49:31,466
THAT HE'S GONNA KILLS US.
1207
00:49:31,468 --> 00:49:33,101
OH MY GOD!
(PANTING HEAVILY)
1208
00:49:33,103 --> 00:49:34,703
JULES:
OKAY, SARAH, WE'RE TRYING.
1209
00:49:34,705 --> 00:49:36,171
I KNOW HE'S NEAR YOU,
1210
00:49:36,172 --> 00:49:37,638
BUT I'M GONNA START LISTING OFF
AREAS IN THE BANK
1211
00:49:37,641 --> 00:49:39,157
AND I WANT YOU TO TELL ME
1212
00:49:39,158 --> 00:49:40,674
WHEN I GET TO THE ONE
THAT HE'S AT, ALL RIGHT?
1213
00:49:40,677 --> 00:49:42,878
I WANT YOU TO SAY,
"THAT'S RIGHT."
1214
00:49:42,880 --> 00:49:44,446
AND IF HE ASKS YOU
WHAT WE'RE TALKING ABOUT,
1215
00:49:44,448 --> 00:49:45,781
YOU JUST SAY, "WE'RE GOING OVER
THE DEMANDS."
1216
00:49:45,783 --> 00:49:47,482
CAN YOU DO THAT FOR ME,
SARAH?
1217
00:49:47,484 --> 00:49:48,550
OKAY.
1218
00:49:48,552 --> 00:49:51,186
JULES:
GOOD. FRONT OF THE BANK,
1219
00:49:51,188 --> 00:49:53,655
BEHIND THE TELLER,
MAIN OFFICE-
1220
00:49:53,657 --> 00:49:54,790
THAT'S RIGHT.
1221
00:49:56,593 --> 00:49:58,593
MAIN OFFICE,
WEST WALL.
1222
00:49:59,596 --> 00:50:00,162
ROBBER:
LET'S GO! LET'S GO!
1223
00:50:00,164 --> 00:50:01,563
SARAH:
OH GOD.
1224
00:50:01,565 --> 00:50:02,697
JULES:
SARAH, WHAT'S GOING ON?
1225
00:50:02,699 --> 00:50:04,466
OH MY GOD,
HE HAS A MAN!
1226
00:50:04,468 --> 00:50:05,934
WHAT DOES HE WANT?
1227
00:50:05,936 --> 00:50:07,469
HE HAS A MAN
AND HE'S GONNA KILL HIM!
1228
00:50:07,471 --> 00:50:09,037
HE'S TAKING HIM
TO THE BACK ROOM.
1229
00:50:09,039 --> 00:50:10,172
JULES:
SARAH, STAY WITH ME.
1230
00:50:10,174 --> 00:50:11,807
(GUNSHOT POPS)
1231
00:50:11,809 --> 00:50:12,874
SARAH!
1232
00:50:13,911 --> 00:50:15,043
I LOST HER.
1233
00:50:15,045 --> 00:50:16,978
HE'S ESCALATING.
1234
00:50:18,916 --> 00:50:20,015
ED:
WE'RE GOING IN.
1235
00:50:20,017 --> 00:50:21,683
(CHARGES EXPLODE)
1236
00:50:23,520 --> 00:50:25,087
PARKER:
EDDIE, WE'RE COMING
THROUGH THE FRONT.
1237
00:50:25,088 --> 00:50:26,655
ED:
HOLD YOUR GROUND;
HE MIGHT RUN TO THE DOOR.
1238
00:50:26,657 --> 00:50:27,656
LET'S MOVE!
1239
00:50:27,658 --> 00:50:29,191
DIRECT TO THREAT.
1240
00:50:29,193 --> 00:50:30,909
PARKER:
THEY'RE RUSHING THE DOOR.
1241
00:50:30,910 --> 00:50:32,626
SPIKE, JULES AND PARKER:
IT'S OKAY! COME ON, LET'S GO!
COME ON! THIS WAY!
1242
00:50:32,629 --> 00:50:35,096
(SIRENS WAIL
AS CRUISERS APPROACH)
1243
00:50:35,098 --> 00:50:38,166
PARKER, JULES AND SPIKE:
STAY CALM! KEEP WALKING!
YOU'RE ALL RIGHT! YOU'RE OKAY!
1244
00:50:38,168 --> 00:50:41,470
COME ON, KEEP MOVING!
GO THIS WAY!
1245
00:50:41,472 --> 00:50:43,772
COME ON, LET'S GO!
COME THIS WAY!
1246
00:50:43,774 --> 00:50:45,774
PARKER:
STAY SHARP;
HE MIGHT BE IN THE CROWD.
1247
00:50:45,776 --> 00:50:46,942
(GUNSHOT BLASTS)
1248
00:50:47,878 --> 00:50:49,644
NEGATIVE.
HE'S STILL SHOOTING INSIDE.
1249
00:50:49,646 --> 00:50:50,712
POLICE! SRU!
1250
00:50:51,982 --> 00:50:53,849
(DOOR CRASHES OPEN)
1251
00:50:55,219 --> 00:50:57,786
(FIRE SMOLDERS
AND GUNSHOTS BLAST)
1252
00:50:57,788 --> 00:50:59,955
SAM:
CLEAR! IT'S HANDGUN SHELLS, ED.
THE FIRE SET THEM OFF.
1253
00:50:59,957 --> 00:51:01,723
ED:
BOSS, HE'S NOT HERE,
HE MIGHT BE IN DISGUISE.
1254
00:51:01,725 --> 00:51:02,991
CHECK THE CROWD.
1255
00:51:02,992 --> 00:51:04,258
I GOT A BALL CAP
AND SUNGLASSES;
1256
00:51:04,261 --> 00:51:05,560
HE MUST'VE DITCHED 'EM.
1257
00:51:05,562 --> 00:51:06,695
JULES:
WHAT ABOUT THE HOSTAGE?
1258
00:51:06,697 --> 00:51:08,063
DID HE SEE
WHERE THE BANDIT WENT?
1259
00:51:08,065 --> 00:51:09,898
THERE WAS NO HOSTAGE -
WHO GAVE US THAT INTEL?
1260
00:51:09,900 --> 00:51:11,083
JULES:
IT'S THE GIRL.
1261
00:51:11,084 --> 00:51:12,267
WE'RE LOOKING FOR A GIRL
IN A GREEN JACKET,
1262
00:51:12,269 --> 00:51:13,802
JULES: NAMED SARAH.
SPIKE: JULES!
1263
00:51:13,804 --> 00:51:14,936
NINE O'CLOCK.
1264
00:51:14,938 --> 00:51:16,037
SARAH!
1265
00:51:16,974 --> 00:51:18,240
(SARAH GASPS)
1266
00:51:18,242 --> 00:51:20,041
JULES:
BOTH SUBJECTS ON THE MOVE!
1267
00:51:20,043 --> 00:51:21,243
"BOTH SUBJECTS?"
1268
00:51:21,245 --> 00:51:24,779
JULES:
HEADING EASTBOUND
INTO AN ALLEY.
1269
00:51:30,220 --> 00:51:31,586
(MOTORCYCLE ENGINE ROARS)
1270
00:51:31,588 --> 00:51:32,654
STOP!
1271
00:51:34,992 --> 00:51:37,092
(BIKE PEELS OFF
AT TOP SPEED)
1272
00:51:37,094 --> 00:51:40,061
BUSINESS CARD BANDIT
WASN'T ALONE.
1273
00:51:40,063 --> 00:51:41,196
JULES:
NO.
1274
00:51:41,198 --> 00:51:43,131
AND "HE" IS A "SHE."
1275
00:51:46,136 --> 00:51:56,244
¶¶¶
1276
00:51:56,246 --> 00:52:01,149
¶¶¶
1277
00:52:01,151 --> 00:52:13,828
¶¶¶
1278
00:52:18,669 --> 00:52:20,869
(SIRENS WAIL IN THE DISTANCE)
1279
00:52:20,871 --> 00:52:24,105
ED: (OVER HEADSET)
NO MATCHING MOTORCYCLE
ON ANY HIGHWAY CAMS.
1280
00:52:24,107 --> 00:52:25,490
THEY'RE STILL NEARBY.
1281
00:52:25,491 --> 00:52:26,874
GUYS, LET'S MAKE A GRID,
TWENTY SQUARE BLOCKS.
1282
00:52:26,877 --> 00:52:28,810
LEAH, COVER NORTH
AND SOUTH ROUTES,
1283
00:52:28,812 --> 00:52:29,811
ONE STREET AT A TIME.
1284
00:52:29,813 --> 00:52:30,812
COPY THAT.
1285
00:52:30,814 --> 00:52:32,113
I'LL TAKE EAST/WEST.
1286
00:52:32,115 --> 00:52:33,782
ED:
BOSS AND I'LL COVER
THE PERIMETER.
1287
00:52:33,784 --> 00:52:35,183
ANYBODY GETS AN EYE
ON THE SUBJECT,
1288
00:52:35,185 --> 00:52:36,952
DO NOT ENGAGE.
1289
00:52:36,954 --> 00:52:39,120
WE'LL REGROUP,
WE'LL FORM A ROLLING ROADBLOCK.
1290
00:52:39,122 --> 00:52:41,122
JULES:
LOOK AT THIS.
1291
00:52:41,124 --> 00:52:42,357
SHE'S JUST STANDING THERE,
1292
00:52:42,359 --> 00:52:44,593
AND THEN, ALL OF A SUDDEN,
SHE'S SINGING,
1293
00:52:44,594 --> 00:52:46,828
AND THEN THE BANDIT COMES OVER
RIGHT BEFORE WE GET THERE.
1294
00:52:46,830 --> 00:52:48,190
SAM:
A SIGNAL?
1295
00:52:48,191 --> 00:52:49,551
JULES:
I DON'T KNOW HOW SHE DID IT,
BOSS,
1296
00:52:49,552 --> 00:52:50,912
BUT I THINK THIS GIRL
TIPPED OUR BANDIT
1297
00:52:50,913 --> 00:52:52,273
THAT SOMETHING WAS UP.
1298
00:52:52,274 --> 00:52:53,634
PARKER:
BUSINESS CARD BANDIT
ALWAYS KNEW WHEN TO GET OUT.
1299
00:52:53,637 --> 00:52:56,171
ONE TILL, NEVER GOT GREEDY,
SHE'S A PRO.
1300
00:52:56,173 --> 00:52:57,406
HOLD ON, SARGE,
1301
00:52:57,407 --> 00:52:58,640
I'M LOOKING AT THE TAPE
RIGHT NOW.
1302
00:52:58,642 --> 00:52:59,808
SHE TOOK TWO TILLS.
1303
00:52:59,810 --> 00:53:01,643
MAYBE IT ISN'T
THE SAME PRO.
1304
00:53:01,645 --> 00:53:02,694
COPYCAT?
1305
00:53:02,695 --> 00:53:03,744
SPIKE:
MIGHT EXPLAIN
WHY SHE FREAKED OUT
1306
00:53:03,747 --> 00:53:05,614
AND GRABBED A HOSTAGE.
1307
00:53:05,616 --> 00:53:07,766
BUT IF THE GIRL
SIGNALED HER,
1308
00:53:07,767 --> 00:53:09,917
WHY DIDN'T SHE RUN
BEFORE WE GOT THERE?
1309
00:53:13,991 --> 00:53:15,857
THEY ALMOST GOT US.
1310
00:53:15,859 --> 00:53:17,292
OH MY GOD,
LOOK AT MY HANDS.
1311
00:53:17,294 --> 00:53:19,661
IT'S OKAY. STAY FOCUSED,
STAY SHARP.
1312
00:53:19,663 --> 00:53:21,313
YOU DID A GOOD JOB,
SARAH.
1313
00:53:21,314 --> 00:53:22,964
NO, THAT WAS JUST WAY
TOO CLOSE, MADDIE.
1314
00:53:22,966 --> 00:53:24,666
CAN WE JUST GO NOW?
CAN WE PLEASE JUST-
1315
00:53:24,668 --> 00:53:26,401
THAT IS NOT AN OPTION.
THAT IS ADRENALINE TALKING.
1316
00:53:26,403 --> 00:53:27,836
LISTEN TO ME,
1317
00:53:27,837 --> 00:53:29,270
YOU WANNA LIVE
THE REST OF YOUR LIFE IN FEAR?
1318
00:53:29,272 --> 00:53:31,773
JUST-
NOT BEING ABLE
TO SLEEP AT NIGHT?
1319
00:53:31,775 --> 00:53:33,375
DO YOU?!
MADDIE...
1320
00:53:33,377 --> 00:53:34,342
'CAUSE THAT IS WHAT
WE'RE LOOKING AT
1321
00:53:34,344 --> 00:53:37,178
IF WE DON'T FINISH THIS.
1322
00:53:37,180 --> 00:53:39,314
SARAH, LOOK UP.
LOOK UP!
1323
00:53:40,250 --> 00:53:41,249
WHAT DO YOU SEE?
1324
00:53:41,251 --> 00:53:43,218
I SEE THE SKY.
1325
00:53:43,220 --> 00:53:44,386
GOOD GIRL.
1326
00:53:44,388 --> 00:53:46,254
OKAY.
1327
00:53:46,256 --> 00:53:47,288
TAKE THAT.
1328
00:53:47,290 --> 00:53:49,124
FIVE O'CLOCK SHARP.
1329
00:53:49,126 --> 00:53:50,125
(STUNNED)
IT'S YOUR ONLY ONE.
1330
00:53:50,127 --> 00:53:52,060
MADDIE:
JUST TAKE IT. GO!
1331
00:53:53,230 --> 00:53:54,996
SARAH:
MADDIE!
1332
00:53:54,998 --> 00:53:58,066
MADDIE! JUST...
JUST TAKE THIS, OKAY?
1333
00:53:58,068 --> 00:53:59,100
JUST TAKE IT.
1334
00:53:59,102 --> 00:54:00,235
GO. GO!
1335
00:54:05,742 --> 00:54:07,209
SPIKE:
GUYS, I THINK I FIGURED OUT
1336
00:54:07,210 --> 00:54:08,677
HOW OUR GIRL TIPPED
HER PARTNER OFF.
1337
00:54:08,679 --> 00:54:11,880
HER MP3 PLAYER,
IT'S JAIL-BROKEN, ROOTED,
1338
00:54:11,882 --> 00:54:13,848
IT'S GOT THIS HEAVY DUTY
POLICE SCANNER APP
1339
00:54:13,850 --> 00:54:15,283
PROGRAMMED INTO IT -
1340
00:54:15,285 --> 00:54:17,018
SHE HEARD US COMING.
1341
00:54:17,019 --> 00:54:18,752
SPIKE, I THOUGHT OUR CHANNELS
WERE ENCRYPTED.
1342
00:54:18,755 --> 00:54:20,722
SPIKE:
NO, IT'S ENCODED -
BIG DIFFERENCE.
1343
00:54:20,724 --> 00:54:23,191
WE USE WHAT'S CALLED
VOICE INVERSION SCRAMBLING.
1344
00:54:23,193 --> 00:54:24,959
IT MEANS THE BAND
FOR SPEECH
1345
00:54:24,961 --> 00:54:27,295
IS SPLIT INTO TWO FREQUENCIES
AND FLIPPED.
1346
00:54:27,297 --> 00:54:29,698
IT SOUNDS LIKE NOISE
ON A NORMAL SCANNER,
1347
00:54:29,700 --> 00:54:31,199
BUT IF YOU GET
THE RIGHT PROGRAMMING
1348
00:54:31,201 --> 00:54:32,734
FROM THE RIGHT HACKER,
1349
00:54:32,736 --> 00:54:33,902
YOU CAN FLIP IT
RIGHT BACK.
1350
00:54:33,904 --> 00:54:35,970
THIS IS A SERIOUS OPERATION,
GUYS.
1351
00:54:35,972 --> 00:54:37,405
YEAH? IF IT'S SUCH
A SERIOUS OPERATION,
1352
00:54:37,407 --> 00:54:39,174
HOW COME SHE USED
HER REAL NAME?
1353
00:54:39,176 --> 00:54:40,592
YOU SURE ABOUT THAT,
JULES?
1354
00:54:40,593 --> 00:54:42,009
JULES:
WHEN I CALLED HER NAME,
SHE TURNED AROUND -
1355
00:54:42,012 --> 00:54:43,011
COULDN'T HELP HERSELF.
1356
00:54:43,013 --> 00:54:44,045
GUT INSTINCT.
1357
00:54:44,047 --> 00:54:45,714
JULES:
WELL, I TOOK A CHANCE
1358
00:54:45,715 --> 00:54:47,382
AND I RAN THROUGH
THE LOCAL JUVENILE RECORDS
1359
00:54:47,383 --> 00:54:49,050
FOR EVERY "SARAH,"
15 TO 18-YEARS-OLD,
1360
00:54:49,052 --> 00:54:51,319
WITH BROWN HAIR,
AND I FOUND HER PICTURE.
1361
00:54:51,321 --> 00:54:53,354
JULES:
SARAH CATHERINE PORTER, 16.
1362
00:54:53,356 --> 00:54:54,456
NO CRIMINAL RECORD,
1363
00:54:54,458 --> 00:54:55,957
BUT SHE SHOWS UP
HALF A DOZEN TIMES
1364
00:54:55,959 --> 00:54:58,460
IN MISSING CHILD REPORTS
FROM LOCAL FOSTER HOMES.
1365
00:54:58,462 --> 00:55:00,495
MOTHER DIED,
FATHER OUT OF THE PICTURE.
1366
00:55:00,497 --> 00:55:02,130
SHE'S BEEN IN AND OUT
OF THE SYSTEM FOR YEARS;
1367
00:55:02,132 --> 00:55:03,799
SHE'S A RUNNER.
1368
00:55:03,800 --> 00:55:05,467
PARKER:
SOUNDS LIKE SHE'S HAD
A LOT OF PRACTICE, TOO.
1369
00:55:05,469 --> 00:55:06,801
WINNIE:
TEAM ONE,
WE JUST GOT A REPORT.
1370
00:55:06,803 --> 00:55:08,803
CAR STOLEN,
SHERBOURNE AND SHUTER.
1371
00:55:08,805 --> 00:55:10,388
SUBJECT DESCRIPTION:
1372
00:55:10,389 --> 00:55:11,972
TEENAGE FEMALE
IN A GREEN HOODIE.
1373
00:55:11,975 --> 00:55:13,875
WINNIE, GET US MAKE AND MODEL
ON THAT CAR.
1374
00:55:13,877 --> 00:55:14,909
OUR GIRL'S RUNNING AGAIN.
1375
00:55:14,911 --> 00:55:16,511
WINNIE:
I'M ON IT.
1376
00:55:17,447 --> 00:55:19,314
(CAR ZOOMS FORWARD)
1377
00:55:23,120 --> 00:55:28,022
WINNIE:
BLUE FORD, LICENCE PLATE NUMBER
ALPHA YANKEE VICTOR LIMA 924.
1378
00:55:28,024 --> 00:55:30,391
ED:
SUBJECT SPOTTED EASTBOUND
ON SHUTER.
1379
00:55:30,393 --> 00:55:31,526
(SIRENS WAIL)
1380
00:55:35,365 --> 00:55:37,031
(BREATHING HEAVILY)
1381
00:55:39,503 --> 00:55:40,835
(SIRENS WAIL)
1382
00:55:42,839 --> 00:55:44,673
ED:
ALL RIGHT,
LET'S COVER THOSE ALLEYS.
1383
00:55:44,674 --> 00:55:46,508
SPIKE, LEAH, TAKE THE FIRST.
SAM AND JULES, THE SECOND!
1384
00:55:46,510 --> 00:55:49,844
SARGE AND I ARE
RIGHT BEHIND YOU.
1385
00:55:51,548 --> 00:55:53,882
(CAR SCREECHES TO A STOP)
1386
00:55:55,452 --> 00:55:59,187
(HIGH-PITCHED SQUEAL
AS CAR PEELS AWAY IN REVERSE)
1387
00:56:00,123 --> 00:56:01,790
(CAR HORN BLASTS)
1388
00:56:03,260 --> 00:56:06,928
(SARAH PEELS AWAY,
SIRENS WAIL, CLOSING IN)
1389
00:56:10,967 --> 00:56:12,367
ED:
JULES, SHE'S COMING
RIGHT AT YOU!
1390
00:56:12,369 --> 00:56:14,102
JULES:
SHE'S NOT STOPPING!
1391
00:56:14,104 --> 00:56:16,237
(BRAKES SCREECH)
AHHHHHH!
1392
00:56:19,242 --> 00:56:20,842
SAM:
SHOW US YOUR HANDS!
1393
00:56:20,844 --> 00:56:23,178
SHOW US YOUR HANDS NOW!
1394
00:56:23,180 --> 00:56:26,181
JULES:
SARAH, WHERE'S YOUR PARTNER?
1395
00:56:27,551 --> 00:56:29,417
(PHONE RINGS)
1396
00:56:29,419 --> 00:56:30,552
(CELL PHONE RINGS)
1397
00:56:31,488 --> 00:56:32,587
YEAH?
1398
00:56:32,589 --> 00:56:35,390
MADDIE:
PETE? I'M SO SORRY.
1399
00:56:35,392 --> 00:56:38,059
UH, THE COPS WERE
RIGHT THERE SOMEHOW,
1400
00:56:38,061 --> 00:56:39,861
AND SARAH'S GONE.
1401
00:56:39,863 --> 00:56:41,996
I DON'T... I DON'T KNOW
HOW THIS HAPPENED,
1402
00:56:41,998 --> 00:56:44,866
BUT I DID STASH THE CASH
AND I'M BACK DOWNTOWN.
1403
00:56:44,868 --> 00:56:48,136
IT'S OKAY, MADDIE,
WE'RE HERE FOR YOU.
1404
00:56:48,138 --> 00:56:49,871
WE'LL MEET YOU AT THE CORNER.
YOU KNOW WHERE?
1405
00:56:49,873 --> 00:56:51,890
YEAH.
1406
00:56:51,891 --> 00:56:53,908
PETE:
GOOD. BE RIGHT THERE.
1407
00:56:56,613 --> 00:56:59,013
(SMASHES PHONE ON DASHBOARD)
1408
00:57:01,551 --> 00:57:04,219
YOU GOT SOMETHING
TO SAY?
1409
00:57:06,990 --> 00:57:09,524
YOU KNOW,
THIS IS WHAT HAPPENS, BOYS.
1410
00:57:09,526 --> 00:57:11,626
YOU LET DOWN YOUR GUARD,
AND THEN YOU TRUST PEOPLE,
1411
00:57:11,628 --> 00:57:14,629
AND THEN YOU GET SOFT.
1412
00:57:14,631 --> 00:57:15,997
AND THAT'S WHAT MAKES IT
SO MUCH HARDER...
1413
00:57:15,999 --> 00:57:17,632
TO CUT THE CORD.
1414
00:57:31,915 --> 00:57:35,950
JULES:
SARAH, DO YOU UNDERSTAND
WHAT I JUST SAID TO YOU?
1415
00:57:35,952 --> 00:57:37,619
LOOK, I'M GUESSING
1416
00:57:37,620 --> 00:57:39,287
THE LAST THING IN THE WORLD
YOU WANT TO DO
1417
00:57:39,288 --> 00:57:40,955
IS TURN ON YOUR FRIEND.
1418
00:57:40,956 --> 00:57:42,623
YOU WANT TO KEEP HER SAFE.
YOU WANT TO PROTECT HER.
1419
00:57:42,626 --> 00:57:44,276
BELIEVE IT OR NOT,
1420
00:57:44,277 --> 00:57:45,927
THAT'S EXACTLY WHAT
WE'RE TRYING TO DO HERE.
1421
00:57:45,929 --> 00:57:48,496
PARKER:
YOU GUYS HAD A SOLID RUN,
1422
00:57:48,498 --> 00:57:50,598
BUT NOW THERE'S OFFICIALLY
A FIREARM INVOLVED.
1423
00:57:50,600 --> 00:57:52,967
WE KNOW YOUR PARTNER'S
A GIRL.
1424
00:57:52,969 --> 00:57:54,469
EVERY COP IN THE CITY
IS LOOKING FOR HER.
1425
00:57:54,471 --> 00:57:57,272
IT'S JUST A MATTER OF TIME
1426
00:57:57,273 --> 00:58:00,074
BEFORE THE SITUATION ESCALATES
AND SOMEONE GETS HURT.
1427
00:58:02,145 --> 00:58:05,146
SARAH, THAT'S THE THIRD TIME
YOU LOOKED AT MY WATCH.
1428
00:58:05,148 --> 00:58:06,681
SOMEWHERE YOU GOTTA BE?
1429
00:58:06,683 --> 00:58:08,333
PARKER:
SHE SPEAKS.
1430
00:58:08,334 --> 00:58:09,984
SARAH:
NO. OKAY? I DON'T SPEAK.
I CAN'T SPEAK.
1431
00:58:09,986 --> 00:58:10,685
YOU THINK YOU GET IT
AND YOU DON'T.
1432
00:58:10,687 --> 00:58:12,921
YOU DON'T KNOW PETE.
1433
00:58:12,923 --> 00:58:14,322
WHO'S PETE?
1434
00:58:14,324 --> 00:58:16,224
I CAN'T...
1435
00:58:16,226 --> 00:58:18,026
YOU DON'T KNOW WHAT
HE'LL DO.
1436
00:58:18,028 --> 00:58:19,560
OKAY.
1437
00:58:19,562 --> 00:58:22,563
LET'S JUST START
WITH A NAME.
1438
00:58:29,272 --> 00:58:31,139
PETE JORIS.
1439
00:58:31,141 --> 00:58:33,675
GOOD. THAT'S GOOD.
PETE JORIS.
1440
00:58:33,677 --> 00:58:34,976
ED:
YOU GET THAT, SPIKE?
(SLAMS DOOR SHUT)
1441
00:58:34,978 --> 00:58:36,678
SPIKE:
J-O-R-I-S.
1442
00:58:36,680 --> 00:58:40,214
JULES:
CAN YOU TELL ME ABOUT HIM?
1443
00:58:42,118 --> 00:58:43,518
HE TAKES CARE OF US -
1444
00:58:43,520 --> 00:58:44,686
ME, MADDIE,
A FEW OTHER GUYS.
1445
00:58:44,688 --> 00:58:47,021
WE ALL LIVE TOGETHER.
1446
00:58:47,023 --> 00:58:48,389
MADDIE.
1447
00:58:48,391 --> 00:58:50,658
DOES HE KNOW ABOUT
THE BANK ROBBERIES?
1448
00:58:50,660 --> 00:58:53,094
DOES HE KNOW ABOUT THEM?
1449
00:58:53,096 --> 00:58:55,997
WHO DO YOU THINK
MAKES US DO THEM?
1450
00:58:59,035 --> 00:59:00,301
THIS IS WHAT HE DOES.
1451
00:59:00,303 --> 00:59:03,504
HE...HE TAKES KIDS OFF
THE STREET,
1452
00:59:03,506 --> 00:59:05,273
MAKES THEM WORK FOR HIM -
1453
00:59:05,275 --> 00:59:06,975
STEAL, RUN SCAMS.
1454
00:59:06,977 --> 00:59:08,309
ROB BANKS?
1455
00:59:08,311 --> 00:59:11,012
MADDIE SAYS HE HAS EYES
EVERYWHERE.
1456
00:59:11,014 --> 00:59:14,082
FRIENDS ON THE FORCE,
THE COURTS, THE STREET.
1457
00:59:14,084 --> 00:59:17,685
YOU CAN'T GO AGAINST HIM,
YOU CAN'T RUN.
1458
00:59:17,687 --> 00:59:21,322
ONCE YOU'RE IN HIS FAMILY,
YOU'RE HIS.
1459
00:59:21,324 --> 00:59:22,423
ED:
NOW, ARE WE SURE
WE'RE GONNA BUY THIS
1460
00:59:22,425 --> 00:59:23,841
AFTER THE BANK ROUTINE?
1461
00:59:23,842 --> 00:59:25,258
SPIKE:
WELL, PETE JORIS IS DEFINITELY
FOR REAL.
1462
00:59:25,261 --> 00:59:27,128
CHECK YOUR P.D.A'S.
1463
00:59:30,500 --> 00:59:33,401
ED:
"FRAUD,"
"AGGRAVATED ASSAULT."
1464
00:59:33,403 --> 00:59:34,602
OKAY, HERE WE GO.
NINE YEARS AGO,
1465
00:59:34,604 --> 00:59:36,404
"CONTRIBUTING TO
THE DELINQUENCY OF A MINOR."
1466
00:59:36,406 --> 00:59:38,206
SAM:
SOUNDS LIKE HIS MO
CHECKS OUT TOO.
1467
00:59:38,208 --> 00:59:39,607
SPIKE:
WELL, THERE'S MORE.
1468
00:59:39,609 --> 00:59:41,709
HE WAS UP ON CHARGES
TWO YEARS AGO.
1469
00:59:41,711 --> 00:59:44,045
(READING FROM ARTICLE)
"AMANDA TURNER,
SEVENTEEN YEARS OLD,
1470
00:59:44,047 --> 00:59:46,347
FOUND SHOT
IN THE DON RIVER.
1471
00:59:46,349 --> 00:59:47,682
JORIS IS ACCUSED OF KILLING HER
1472
00:59:47,683 --> 00:59:49,016
AFTER SHE THREATENED
TO GO TO POLICE
1473
00:59:49,019 --> 00:59:51,185
ABOUT A DEBIT CARD SWIPING
OPERATION OF HIS."
1474
00:59:51,187 --> 00:59:53,121
ED:
"ANONYMOUS SOURCES CLAIM
THAT JORIS SHOT HER
1475
00:59:53,123 --> 00:59:55,707
IN FRONT OF HIS OWN CREW,
1476
00:59:55,708 --> 00:59:58,292
AND MADE THEM WATCH
AS SHE BLED OUT, AS A WARNING."
1477
00:59:58,294 --> 00:59:59,460
BUT IT LOOKS LIKE
HE WALKED.
1478
00:59:59,462 --> 01:00:00,628
LACK OF EVIDENCE;
1479
01:00:00,630 --> 01:00:02,163
NO ONE WAS WILLING
TO COME FORWARD.
1480
01:00:05,035 --> 01:00:06,100
OH NO.
1481
01:00:07,203 --> 01:00:08,202
WHAT IS IT, SARAH?
1482
01:00:08,204 --> 01:00:09,487
SARAH:
YOU SCANNED IT IN.
1483
01:00:09,488 --> 01:00:10,771
HE'S... HE'S GONNA SEE IT
ON HIS SCANNER.
1484
01:00:10,774 --> 01:00:12,440
HE'S GONNA KNOW
THAT I RATTED ON HIM!
1485
01:00:12,442 --> 01:00:14,342
SARAH, AS LONG AS
YOU'RE WITH US,
1486
01:00:14,344 --> 01:00:16,344
YOU ARE SAFER THAN ANYBODY ELSE
IN THIS CITY.
1487
01:00:16,346 --> 01:00:19,514
HE'S GONNA KILL MADDIE!
1488
01:00:19,515 --> 01:00:22,683
SARAH:
TELL US WHERE PETE IS
AND WE WILL GO GET HIM.
1489
01:00:25,088 --> 01:00:27,288
THERE'S A DEAD DROP
THAT WE USE,
1490
01:00:27,290 --> 01:00:30,825
IN CASE WE'RE FOLLOWED
AND WE NEED TO HAND STUFF OFF.
1491
01:00:30,827 --> 01:00:32,660
MADDIE WILL HAVE DROPPED
THE STUFF OFF BY NOW
1492
01:00:32,661 --> 01:00:34,494
AND PETE WILL BE ON HIS WAY
TO PICK IT UP.
1493
01:00:34,497 --> 01:00:35,563
WHERE IS IT?
1494
01:00:39,102 --> 01:00:41,135
IT'S BY THE UNDERPASS,
NEAR MADISON PARK -
1495
01:00:41,137 --> 01:00:43,271
IN AN ABANDONED HYDRO BOX
ON THE EAST SIDE.
1496
01:00:43,273 --> 01:00:44,505
LET'S MOVE.
1497
01:00:44,507 --> 01:00:46,707
ED:
MADISON PARK, LET'S GO.
1498
01:00:46,709 --> 01:00:48,843
WE'LL GET INTEL
ON THE WAY.
1499
01:00:53,850 --> 01:00:55,550
PARKER:
WE NEED SOMEONE TO HAND
SARAH OFF
1500
01:00:55,552 --> 01:00:56,918
TO CHILDREN'S SERVICES,
1501
01:00:56,919 --> 01:00:58,285
WHILE THE REST OF US
TRY TO INTERCEPT PETE.
1502
01:00:58,288 --> 01:00:59,287
NO PROBLEM.
1503
01:00:59,289 --> 01:01:00,288
LET ME DRIVE.
1504
01:01:00,290 --> 01:01:01,355
WHAT'RE YOU THINKING?
1505
01:01:01,357 --> 01:01:02,490
JULES:
SOMETHING...
1506
01:01:02,492 --> 01:01:03,724
MAYBE I CAN GET HER
TO TALK.
1507
01:01:03,726 --> 01:01:04,792
KEYS.
1508
01:01:05,862 --> 01:01:07,862
(SIRENS WAIL IN THE DISTANCE)
1509
01:01:16,473 --> 01:01:19,440
SO, YOU BLOW THE JOB
AND YOU DITCHED YOUR PARTNER.
1510
01:01:19,442 --> 01:01:21,609
IS THIS HOW I TAUGHT YOU,
MADDIE?
1511
01:01:21,610 --> 01:01:23,777
MADDIE:
I DIDN'T DITCH HER,
THE COPS ID'D US AS A PAIR.
1512
01:01:23,780 --> 01:01:25,813
I TOLD SARAH TO SPLIT UP,
WE'D MEET AT THE GETAWAY LATER.
1513
01:01:25,815 --> 01:01:28,282
WHICH IS WHAT THE GETAWAY'S
FOR, RIGHT -
1514
01:01:28,284 --> 01:01:30,318
GASSED UP, READY TO GO,
PASSPORTS, EVERYTHING -
1515
01:01:30,320 --> 01:01:33,387
IN CASE WE EVER NEEDED
TO DISAPPEAR?
1516
01:01:34,324 --> 01:01:37,158
IS THIS YOU
TALKING BACK AGAIN?
1517
01:01:37,894 --> 01:01:41,329
THIS IS ME TRYING
TO BE SMART, PETE,
1518
01:01:41,331 --> 01:01:43,798
LIKE HOW YOU TAUGHT US.
1519
01:01:46,669 --> 01:01:47,735
WE GOT ALMOST DOUBLE
THIS TIME -
1520
01:01:47,737 --> 01:01:50,138
TEN THOUSAND DOLLARS
AT LEAST.
1521
01:01:50,140 --> 01:01:52,740
WE CAN GO GET THE MONEY
RIGHT NOW.
1522
01:01:52,742 --> 01:01:54,559
WE'RE FINE.
1523
01:01:54,560 --> 01:01:56,377
PETE:
YUP, WE CAN GET THE MONEY.
1524
01:01:57,447 --> 01:01:59,914
BUT MADELEINE,
WE ARE NOT FINE.
1525
01:02:10,627 --> 01:02:12,393
PARKER:
OKAY, GUYS, JUST GOT OFF
THE PHONE WITH VICE.
1526
01:02:12,395 --> 01:02:14,562
THEY'VE HAD JORIS
ON THEIR RADAR FOR A WHILE
1527
01:02:14,564 --> 01:02:16,631
AND HE'S BEEN USING KIDS
FOR YEARS,
1528
01:02:16,633 --> 01:02:18,199
LIKE SARAH SAID.
1529
01:02:18,200 --> 01:02:19,766
MAKES SENSE;
THEY'RE VULNERABLE, NEEDY.
1530
01:02:19,769 --> 01:02:21,369
AND THEY CAN'T GET CHARGED
AS ADULTS.
1531
01:02:21,371 --> 01:02:22,803
ANY IDEA HOW LONG
MADDIE'S BEEN WITH HIM?
1532
01:02:22,805 --> 01:02:24,505
PARKER:
THAT'S WHERE
IT GETS INTERESTING.
1533
01:02:24,507 --> 01:02:26,741
REMEMBER THE CONTRIBUTING
TO DELINQUENCY CHARGE?
1534
01:02:26,743 --> 01:02:29,710
WELL, THE MINOR IN QUESTION
WAS MADELEINE SULLIVAN.
1535
01:02:29,712 --> 01:02:30,912
SHE WAS SEVENTEEN
AT THE TIME.
1536
01:02:30,914 --> 01:02:32,446
SHE WAS PUT IN
A DIVERSION PROGRAM,
1537
01:02:32,448 --> 01:02:33,748
GIVEN A SECOND CHANCE.
1538
01:02:33,750 --> 01:02:35,316
GUESS SHE DIDN'T
TAKE TO IT.
1539
01:02:35,318 --> 01:02:36,684
SAM:
SHE WENT BACK TO HIM.
1540
01:02:36,686 --> 01:02:38,853
WHAT WOULD KEEP HER THERE -
OR ANY OF THEM?
1541
01:02:38,855 --> 01:02:40,271
PARKER:
YOU HEARD SARAH.
1542
01:02:40,272 --> 01:02:41,688
PETE LOCKS YOU IN
WITH PARANOIA.
1543
01:02:41,691 --> 01:02:43,691
BUT IT'S MORE THAN THAT.
1544
01:02:43,692 --> 01:02:45,692
HE GETS THESE KIDS YOUNG,
HE GIVES THEM SURVIVAL SKILLS,
1545
01:02:45,695 --> 01:02:46,861
GIVES THEM SUSTENANCE.
1546
01:02:46,863 --> 01:02:48,863
THE GUY GIVES THEM A FAMILY.
1547
01:02:48,865 --> 01:02:50,364
THAT CAN RUN PRETTY DEEP.
1548
01:02:50,366 --> 01:02:52,833
COPY THAT.
SWITCHING OFF NOW.
1549
01:02:55,471 --> 01:02:56,671
WHEN WE GET TO THE PARK,
1550
01:02:56,672 --> 01:02:57,872
YOU'RE GONNA GO
WITH CHILDREN'S SERVICES.
1551
01:02:57,874 --> 01:02:59,707
THEY'RE GONNA BRING YOU
TO JUVENILE BOOKING.
1552
01:02:59,709 --> 01:03:01,542
IS THERE ANYBODY
YOU WANT US TO CONTACT?
1553
01:03:01,544 --> 01:03:02,877
YOU MEAN SOMEONE OUT THERE
WHO CARES?
1554
01:03:02,879 --> 01:03:03,744
AW, GEE, LET ME THINK.
1555
01:03:03,746 --> 01:03:06,130
NO.
1556
01:03:06,131 --> 01:03:08,515
SARAH, I KNOW YOU'VE GONE
THROUGH A LOT OF FOSTER HOMES.
1557
01:03:08,518 --> 01:03:10,418
WHY DO YOU KEEP RUNNING?
1558
01:03:10,420 --> 01:03:11,752
I HAVE ISSUES.
1559
01:03:11,754 --> 01:03:13,821
OH YEAH?
WHAT KIND?
1560
01:03:13,823 --> 01:03:15,523
ISSUES WITH
PHYSICAL DISCIPLINE -
1561
01:03:15,525 --> 01:03:17,792
THE CARROT AND THE STICK,
ONLY NOT SO MUCH THE CARROT.
1562
01:03:17,794 --> 01:03:19,277
AND THE NEXT HOUSE,
IT WAS...
1563
01:03:19,278 --> 01:03:20,761
ISSUES WITH MY FOSTER BROTHER'S
GRABBY HANDS.
1564
01:03:20,763 --> 01:03:21,929
YOU GET IT?
1565
01:03:21,931 --> 01:03:23,698
(GENTLY)
I GET IT.
1566
01:03:26,736 --> 01:03:28,369
IS THAT A POLYCARBONITE?
1567
01:03:28,371 --> 01:03:29,604
EXCUSE ME?
1568
01:03:29,606 --> 01:03:30,871
YOUR WATCH.
1569
01:03:31,808 --> 01:03:34,008
I SAW IT BEFORE.
1570
01:03:34,010 --> 01:03:35,776
IT'S GLOW IN THE DARK,
WATERPROOF.
1571
01:03:35,778 --> 01:03:37,378
EXPENSIVE.
1572
01:03:39,549 --> 01:03:40,748
JULES:
SO WHAT ABOUT MADDIE?
1573
01:03:40,750 --> 01:03:42,266
WHAT ABOUT HER?
1574
01:03:42,267 --> 01:03:43,783
JUST SEEMS LIKE YOU GUYS
ARE A GOOD TEAM.
1575
01:03:43,786 --> 01:03:45,353
WHAT DO YOU MEAN?
I NEVER SAID THAT.
1576
01:03:45,355 --> 01:03:47,405
I'M JUST SAYING,
1577
01:03:47,406 --> 01:03:49,456
IT SEEMS LIKE SHE'S GOT
A PLACE IN YOUR LIFE.
1578
01:03:49,459 --> 01:03:50,891
YEAH, WELL...
SHE'S ALL RIGHT.
1579
01:03:51,928 --> 01:03:53,661
JULES:
HOW'D YOU GUYS MEET?
1580
01:03:53,663 --> 01:03:55,529
SARAH:
SHE FOUND ME.
1581
01:03:55,531 --> 01:03:57,565
THE LAST FOSTER HOME
I RAN AWAY FROM,
1582
01:03:57,567 --> 01:03:59,800
THEY DIDN'T EVEN BOTHER
COME LOOKING FOR ME.
1583
01:03:59,802 --> 01:04:01,569
SARAH:
I LOST MY BUS PASS
AND I'M TRYING TO GET HOME.
1584
01:04:01,571 --> 01:04:03,638
IF YOU HAVE ANY CHANGE,
I WOULD REALLY...
1585
01:04:03,640 --> 01:04:04,872
THANK YOU,
THANK YOU.
1586
01:04:04,874 --> 01:04:07,041
EXCUSE ME,
I LOST MY PASS...
1587
01:04:07,977 --> 01:04:09,877
HAVE A NICE DAY.
1588
01:04:09,879 --> 01:04:11,812
EXCUSE ME,
I LOST MY BUS PASS
1589
01:04:11,814 --> 01:04:13,881
AND IF YOU HAVE
ANY CHANGE AT ALL-
1590
01:04:13,883 --> 01:04:18,019
SWEETIE, THAT LINE'S SO OLD
IT HAS FLIES ON IT.
1591
01:04:18,021 --> 01:04:20,305
WELL,
YOU HAVE TALENT,
1592
01:04:20,306 --> 01:04:22,590
I JUST THINK YOU NEED TO WORK
A LITTLE ON YOUR PRESENTATION.
1593
01:04:22,592 --> 01:04:24,825
YOU KNOW,
SOME EYE CONTACT.
1594
01:04:24,827 --> 01:04:27,528
IF YOU WANNA MAKE
REAL MONEY...
1595
01:04:27,530 --> 01:04:29,664
SO SHE KNOWS WHAT
SHE'S TALKING ABOUT.
1596
01:04:29,666 --> 01:04:31,332
MADDIE KNOWS
ABOUT EVERYTHING.
1597
01:04:31,334 --> 01:04:32,867
DOES SHE WORK
WITH PETE?
1598
01:04:32,869 --> 01:04:34,935
SHE BROUGHT ME TO HIM.
1599
01:04:34,937 --> 01:04:37,672
HOT MEALS, A BED,
A ROOF,
1600
01:04:37,674 --> 01:04:40,675
I WAS THINKING,
"THIS IS TOO GOOD TO BE TRUE."
1601
01:04:40,677 --> 01:04:42,476
PETE:
NICE. YOU COULD DO
A LITTLE BETTER,
1602
01:04:42,478 --> 01:04:44,378
BUT THIS IS LOOKING GOOD.
THIS IS LOOKING GOOD.
1603
01:04:44,380 --> 01:04:45,646
SARAH:
BOBBY, WALT, STU.
1604
01:04:45,648 --> 01:04:46,881
PETE:
GIVE ME A LITTLE SOMETHIN'.
1605
01:04:46,883 --> 01:04:48,700
SARAH:
YOU SHOULD HAVE SEEN THEM.
1606
01:04:48,701 --> 01:04:50,518
PETE:
SERVE IT UP.
THAT'S WHAT I LIKE ABOUT THIS.
1607
01:04:50,520 --> 01:04:51,686
SARAH:
WHEN PETE WAS PROUD OF YOU,
1608
01:04:51,688 --> 01:04:53,020
YOU FEEL LIKE
YOU CAN DO ANYTHING.
1609
01:04:53,022 --> 01:04:54,922
MADDIE:
I'M ON MY WAY OUT.
1610
01:04:54,924 --> 01:04:57,625
SARAH:
AND MADDIE...
SHE WAS HIS GOLDEN GIRL.
1611
01:04:57,627 --> 01:04:58,826
MY GOD!
1612
01:04:58,828 --> 01:05:01,595
HE SAID TO ME,
"YOU WATCH AND LEARN
1613
01:05:01,597 --> 01:05:03,764
'CAUSE SHE WILL TEACH YOU
EVERYTHING YOU NEED TO KNOW."
1614
01:05:03,766 --> 01:05:04,965
MADDIE:
'KAY, SEE YOU LATER.
1615
01:05:04,967 --> 01:05:07,902
PETE: BE SAFE.
SARAH: BYE, MADS.
1616
01:05:09,005 --> 01:05:10,938
SO SHE HID EVERYTHING
IN HER BELLY?
1617
01:05:10,940 --> 01:05:13,708
YEAH. A SPECIAL OPENING.
YOU CAN ONLY...
1618
01:05:13,710 --> 01:05:15,343
(STOPS HERSELF)
WAIT...
1619
01:05:15,344 --> 01:05:16,977
YOU'RE NOT GONNA BUST ME
FOR THIS, ARE YOU?
1620
01:05:16,979 --> 01:05:18,112
SARAH, I THINK
A "BANK ROBBERY"
1621
01:05:18,114 --> 01:05:19,547
IS ENOUGH TO WORRY
ABOUT RIGHT NOW.
1622
01:05:24,387 --> 01:05:25,619
(ENGINE RUMBLES)
1623
01:05:27,056 --> 01:05:28,789
MADDIE:
GRAB THE MONEY
AND BE RIGHT BACK.
1624
01:05:28,791 --> 01:05:30,124
THE BOYS CAN GET IT.
1625
01:05:30,126 --> 01:05:32,526
MAKE SURE
IT'S ALL THERE, BOBBY.
1626
01:05:32,528 --> 01:05:33,594
YOU DON'T TRUST ME?
1627
01:05:33,596 --> 01:05:36,063
PETE:
GET IN THE FRONT.
1628
01:05:42,505 --> 01:05:43,571
(DOOR SHUTS)
1629
01:05:48,144 --> 01:05:50,111
WHEN IS THE LAST TIME
WE HAD A GOOD LITTLE CHAT,
1630
01:05:50,113 --> 01:05:52,012
JUST YOU AND ME?
1631
01:05:54,050 --> 01:05:56,917
YOU SAID SOMETHING ABOUT
"TOO GOOD TO BE TRUE."
1632
01:05:56,919 --> 01:05:58,986
WAS THAT PETE?
1633
01:05:58,988 --> 01:05:59,987
YEAH.
1634
01:05:59,989 --> 01:06:02,123
PETE IS YOUR BEST FRIEND,
1635
01:06:02,125 --> 01:06:03,958
YOUR BIGGEST FAN,
1636
01:06:03,960 --> 01:06:06,761
SO LONG AS YOU DO EXACTLY
WHAT HE SAYS.
1637
01:06:06,763 --> 01:06:10,798
THE BUSINESS CARD BANDIT -
WAS THAT HIS IDEA?
1638
01:06:10,800 --> 01:06:12,900
HE SAID IT WAS GONNA BE
THE BIGGEST JACKPOT EVER!
1639
01:06:14,871 --> 01:06:16,604
YOU'RE GONNA BE
THE LOOKOUT, SARAH,
1640
01:06:16,606 --> 01:06:17,872
MADDIE'S THE LEAD.
1641
01:06:17,874 --> 01:06:18,973
YOU'LL TIME IT OUT
WITH STOPWATCHES-
1642
01:06:18,975 --> 01:06:20,441
MADDIE:
PETE?
1643
01:06:20,443 --> 01:06:21,675
CAN I TALK TO YOU
FOR A SEC?
1644
01:06:21,677 --> 01:06:23,878
WE CAN TALK HERE,
WE'RE ALL FAMILY.
1645
01:06:23,880 --> 01:06:25,980
MADDIE:
YEAH, NO, IT'S GOOD,
AND I'M TOTALLY UP FOR IT,
1646
01:06:25,982 --> 01:06:27,848
I JUST...
1647
01:06:27,850 --> 01:06:29,984
THERE IS A GUN
INVOLVED NOW
1648
01:06:29,985 --> 01:06:32,119
AND I'M NOT TOTALLY SURE
THAT WE SHOULD BE PUTTING SARAH
1649
01:06:32,121 --> 01:06:34,088
IN THE MIDDLE OF THIS.
1650
01:06:34,090 --> 01:06:35,089
I HAVE FAITH.
1651
01:06:35,091 --> 01:06:37,008
MADDIE:
YEAH, FAITH IS GOOD.
1652
01:06:37,009 --> 01:06:38,926
UM, IT JUST KINDA SEEMS
LIKE WE'RE THE ONES
1653
01:06:38,928 --> 01:06:40,828
ALWAYS RISKING OUR ASSES,
1654
01:06:40,830 --> 01:06:42,129
WHEREAS YOU'RE NOT REALLY
DOING MUCH-
1655
01:06:42,131 --> 01:06:43,998
PETE: UNGH!
MADDIE: (SCREAMS)
1656
01:06:45,601 --> 01:06:48,669
I'M SORRY,
DID YOU HAVE SOMETHING SAY?
1657
01:06:49,972 --> 01:06:51,539
SHE'S JUST A KID-
1658
01:06:51,541 --> 01:06:52,606
(HARD WHACK)
1659
01:06:54,977 --> 01:06:56,043
(CRIES IN PAIN)
1660
01:06:56,979 --> 01:06:58,446
COME HERE.
1661
01:06:58,448 --> 01:07:00,147
IT'S OKAY, KID.
1662
01:07:00,149 --> 01:07:02,016
IT'S OKAY.
1663
01:07:02,018 --> 01:07:05,019
YOU SEE, SHE JUST DOESN'T
HAVE THE SAME FAITH IN YOU
1664
01:07:05,021 --> 01:07:06,086
THAT I DO.
1665
01:07:08,057 --> 01:07:12,626
I GIVE YOU FOOD,
SHELTER, CLOTHING,
1666
01:07:12,628 --> 01:07:13,794
AND CAREER TRAINING.
1667
01:07:13,796 --> 01:07:15,162
AND WHAT DO I GET?
1668
01:07:16,966 --> 01:07:19,800
I GET BACK-TALK
AND BAD ATTITUDES,
1669
01:07:20,736 --> 01:07:23,137
JUST LIKE I GOT
FROM AMANDA.
1670
01:07:24,607 --> 01:07:27,325
(MADDIE WHIMPERS QUIETLY)
1671
01:07:27,326 --> 01:07:30,044
LET'S NOT FORGET WHAT IT TOOK
TO CLEAN THAT MESS UP.
1672
01:07:32,982 --> 01:07:34,582
(CRIES) NO!
1673
01:07:34,584 --> 01:07:35,950
THAT'S AWFUL,
SARAH.
1674
01:07:35,952 --> 01:07:37,151
I'M SORRY.
1675
01:07:37,153 --> 01:07:40,788
DID YOU AND MADDIE EVER THINK
ABOUT GETTING AWAY?
1676
01:07:40,790 --> 01:07:42,656
SHE SAID
SHE WAS SORRY.
1677
01:07:42,658 --> 01:07:44,158
JULES:
SORRY FOR WHAT?
1678
01:07:44,160 --> 01:07:45,960
FOR EVERYTHING -
1679
01:07:45,962 --> 01:07:48,195
FOR GETTING ME
INTO ALL OF THIS;
1680
01:07:48,197 --> 01:07:50,064
BRINGING ME TO PETE;
1681
01:07:50,066 --> 01:07:53,501
FOR FINDING ME
IN THE FIRST PLACE.
1682
01:07:53,503 --> 01:07:55,736
AND I SAID TO HER
THAT I WASN'T SORRY
1683
01:07:55,738 --> 01:07:58,005
AND I NEVER WOULD BE.
1684
01:07:58,007 --> 01:08:00,107
I SAID THAT WE COULD RUN
THE SCAM.
1685
01:08:00,109 --> 01:08:01,959
WE COULD DO THE MOVES,
1686
01:08:01,960 --> 01:08:03,810
WE COULD WORK THE STOPWATCH
JUST LIKE PETE SAID...
1687
01:08:03,813 --> 01:08:04,912
I'M SORRY.
1688
01:08:04,914 --> 01:08:06,914
SARAH:
AND THAT WE'D BE OKAY
1689
01:08:06,916 --> 01:08:09,149
AS LONG AS
WE WERE TOGETHER.
1690
01:08:09,151 --> 01:08:11,218
WHY ARE YOU SORRY?
1691
01:08:14,056 --> 01:08:17,925
AND THEN SHE ASKED ME
IF I'D EVER SEEN THE STARS.
1692
01:08:17,927 --> 01:08:19,126
WHAT STARS?
1693
01:08:19,128 --> 01:08:20,728
LIKE THE REAL STARS.
1694
01:08:21,664 --> 01:08:22,763
NOT LIKE THE ONES
IN THE CITY.
1695
01:08:22,765 --> 01:08:24,899
THE ONES...
THE ONES IN THE DESERT
1696
01:08:24,901 --> 01:08:27,668
THAT SPREAD
RIGHT ACROSS THE SKY.
1697
01:08:28,604 --> 01:08:31,772
SHE PROMISED ME
THAT WE'D SEE THEM
1698
01:08:32,708 --> 01:08:34,909
AND THAT WE'D SEE THEM
TOGETHER.
1699
01:08:34,911 --> 01:08:36,110
YOU KNOW WHAT, SARAH?
MADDIE'S RIGHT.
1700
01:08:36,112 --> 01:08:37,244
YOU ARE SPECIAL.
1701
01:08:38,180 --> 01:08:39,980
YOU'RE SMART,
YOU'RE LOYAL,
1702
01:08:39,982 --> 01:08:41,115
YOU'RE TOUGH.
1703
01:08:43,085 --> 01:08:45,853
(SIGHS) BUT YOU SHOULD KNOW
THAT AFTER THIS IS OVER
1704
01:08:45,855 --> 01:08:49,089
YOU GUYS ARE GONNA BE APART
FOR A WHILE.
1705
01:08:49,091 --> 01:08:51,058
WHAT I'M TRYING
TO SAY IS...
1706
01:08:51,060 --> 01:08:54,061
HAVE YOU THOUGHT ABOUT LIFE
WITHOUT MADDIE?
1707
01:08:54,063 --> 01:08:57,131
WHAT YOU WANT?
WHERE YOU'RE GOING?
1708
01:08:57,133 --> 01:08:59,900
PLEASE STOP TALKING NOW.
1709
01:09:05,174 --> 01:09:08,576
SO I BET YOU THINK
THIS PROVES YOU RIGHT, HUH?
1710
01:09:08,578 --> 01:09:10,277
WHEN YOU SAID
SARAH WASN'T READY;
1711
01:09:10,279 --> 01:09:13,614
THAT SHE DIDN'T HAVE IT
IN HER OR WHATEVER.
1712
01:09:13,616 --> 01:09:15,149
THE HARDEST THING IS KNOWING
1713
01:09:15,151 --> 01:09:17,885
WHEN YOUR KIDS HAVE TO BE HELPED
AND WHEN THEY HAVE TO BE PUSHED.
1714
01:09:20,890 --> 01:09:22,890
PETE,
WE'RE NOT YOUR KIDS,
1715
01:09:23,826 --> 01:09:25,092
WE'RE NOT FAMILY.
WE NEVER WERE.
1716
01:09:25,094 --> 01:09:27,962
WE ARE WHAT I SAY
WE ARE!
1717
01:09:29,732 --> 01:09:30,798
(SIRENS WAIL)
1718
01:09:35,705 --> 01:09:36,770
(TIRES SCREECH)
1719
01:09:38,174 --> 01:09:40,874
SPIKE:
WE'RE AT THE WEST END!
1720
01:09:40,876 --> 01:09:43,110
HYDRO BOX IS 400 METERS
PAST THE PARK,
1721
01:09:43,112 --> 01:09:44,678
HEADING EAST.
1722
01:09:44,680 --> 01:09:47,247
ED:
STEALTH APPROACH;
FAST AND QUIET.
1723
01:09:47,249 --> 01:09:49,300
ALL RIGHT,
LET'S FAN OUT.
1724
01:09:49,301 --> 01:09:51,352
STAY OUT OF SIGHT
TILL WE GET TO THE DROP OFF.
1725
01:09:51,354 --> 01:09:53,253
BOBBY:
THAT'S THE ONE.
1726
01:09:54,190 --> 01:09:55,255
(DOOR SQUEAKS)
1727
01:09:55,257 --> 01:09:56,657
DO A FAST COUNT.
1728
01:09:58,794 --> 01:10:01,095
(MUMBLES) 300... 2...
1729
01:10:01,096 --> 01:10:03,397
JULES:
SO WHEN WE FIND MADDIE,
I'LL GET YOU A MESSAGE, OKAY?
1730
01:10:03,399 --> 01:10:05,132
COME HERE.
1731
01:10:05,134 --> 01:10:06,684
LISTEN,
1732
01:10:06,685 --> 01:10:08,235
WHEN I WAS A KID
I WAS PRETTY MESSED UP TOO,
1733
01:10:08,237 --> 01:10:10,270
BUT I HAD THIS FRIEND
WHO USED TO SAY,
1734
01:10:10,272 --> 01:10:12,373
"IF YOU'RE GONNA RUN,
RUN STRAIGHT TO ME."
1735
01:10:14,143 --> 01:10:16,276
SO THE NEXT TIME
YOU FEEL LIKE TAKING OFF
1736
01:10:16,278 --> 01:10:17,878
AND MADDIE'S NOT AROUND,
1737
01:10:17,880 --> 01:10:19,713
YOU CAN CALL ME.
1738
01:10:20,650 --> 01:10:22,850
IN THE MEANTIME,
1739
01:10:22,852 --> 01:10:26,220
NEVER HURTS TO KNOW
WHAT TIME IT IS.
1740
01:10:30,192 --> 01:10:31,792
NINE GRAND...
1741
01:10:31,794 --> 01:10:32,860
ALL RIGHT.
1742
01:10:32,862 --> 01:10:36,296
LET'S GET BACK
BEFORE PETE FREAKS OUT ANYMORE.
1743
01:10:36,298 --> 01:10:37,731
ED:
POLICE! STOP RIGHT THERE!
1744
01:10:37,733 --> 01:10:38,966
BOBBY:
GO! GO! GO!
1745
01:10:38,968 --> 01:10:40,868
ED:
RIGHT THERE! STOP!
1746
01:10:48,711 --> 01:10:50,177
(CLIMBING GRUNTS)
1747
01:10:56,285 --> 01:10:57,418
(FENCE RATTLES)
1748
01:11:02,758 --> 01:11:03,824
STOP!
1749
01:11:06,295 --> 01:11:08,362
DO NOT MAKE HER GO AFTER YOU,
PAL.
1750
01:11:08,364 --> 01:11:09,830
TRUST ME ON THIS.
1751
01:11:12,368 --> 01:11:13,767
PARKER:
STOP NOW!
1752
01:11:14,704 --> 01:11:15,703
(COCKS GUN)
1753
01:11:15,705 --> 01:11:16,704
(GUNSHOT BLASTS)
1754
01:11:16,706 --> 01:11:18,072
SPIKE,
TAKE HIM DOWN!
1755
01:11:18,074 --> 01:11:19,306
LESS LETHAL.
1756
01:11:19,308 --> 01:11:21,241
(GUNSHOT RESONATES)
1757
01:11:22,178 --> 01:11:24,311
SON, I'M REALLY TIRED
OF RUNNIN'!
1758
01:11:24,313 --> 01:11:25,312
REALLY TIRED!
1759
01:11:25,314 --> 01:11:26,980
(DEFEATED EXHALE)
1760
01:11:29,151 --> 01:11:30,851
I WANT A LAWYER.
1761
01:11:30,853 --> 01:11:33,253
ED:
WHERE'S MADDIE AND PETE?
1762
01:11:33,255 --> 01:11:34,254
LOOK, WE KNOW ABOUT PETE,
1763
01:11:34,256 --> 01:11:35,355
WE KNOW ABOUT
THE BANK SCAM,
1764
01:11:35,357 --> 01:11:36,390
WE KNOW ABOUT MADDIE
AND SARAH.
1765
01:11:36,392 --> 01:11:38,726
NOW WHERE ARE THEY?
1766
01:11:41,764 --> 01:11:44,865
YOU KNOW, DON'T THINK
I HAVEN'T NOTICED.
1767
01:11:44,867 --> 01:11:48,068
YOU'VE CHANGED
SINCE SARAH JOINED US.
1768
01:11:48,070 --> 01:11:51,972
THERE'S A LACK OF DISCIPLINE
AND FOCUS.
1769
01:11:53,075 --> 01:11:56,744
IT REMINDS ME
OF WHEN WE LOST AMANDA,
1770
01:11:57,913 --> 01:12:00,748
WHY WE HAD TO GO THERE.
1771
01:12:00,750 --> 01:12:02,483
(APPROACHING SIRENS)
1772
01:12:06,122 --> 01:12:07,020
WHAT THE HELL
IS GOING ON?
1773
01:12:07,022 --> 01:12:08,088
(CUFFS SNAP)
1774
01:12:09,358 --> 01:12:10,824
(NERVOUS PANTING)
1775
01:12:23,139 --> 01:12:24,371
JULES,
WHAT'S SARAH'S STATUS?
1776
01:12:24,373 --> 01:12:27,040
IN CUSTODY
WITH CHILDREN SERVICES.
1777
01:12:27,977 --> 01:12:29,443
(GRUNTS)
1778
01:12:29,445 --> 01:12:31,044
WE GOT SARAH IN CUSTODY.
1779
01:12:31,046 --> 01:12:32,980
NOW WHERE'S MADDIE,
HUH?
1780
01:12:32,982 --> 01:12:34,381
WHERE'S MADDIE?
PETE DO ANYTHING TO HER?
1781
01:12:34,383 --> 01:12:35,949
PETE DIDN'T DO ANYTHING
TO MADDIE.
1782
01:12:35,951 --> 01:12:38,051
MADDIE CALLED PETE,
BROUGHT US HERE FOR THE MONEY.
1783
01:12:38,053 --> 01:12:39,386
IT WAS HER IDEA.
1784
01:12:39,388 --> 01:12:40,821
JULES:
HER IDEA?
1785
01:12:40,822 --> 01:12:42,255
IF IT WAS HER IDEA
TO BRING PETE THE MONEY,
1786
01:12:42,258 --> 01:12:44,091
WHY STASH IT HERE?
1787
01:12:44,093 --> 01:12:46,360
WAIT... UNLESS THEY PLANNED
THE WHOLE THING.
1788
01:12:46,362 --> 01:12:48,462
SPIKE:
WELL, THE POLICE SCANNER,
THE DISGUISE, THE GETAWAY -
1789
01:12:48,464 --> 01:12:50,063
THAT WAS THE PLAN.
1790
01:12:50,065 --> 01:12:51,398
JULES:
NO, THAT WAS THE OLD PLAN.
1791
01:12:51,400 --> 01:12:53,066
THEY CHANGED THEIR MO.
1792
01:12:53,068 --> 01:12:54,201
THEY TOOK TWO TILLS
1793
01:12:54,203 --> 01:12:55,569
WHEN THEY KNEW
WE WERE COMING.
1794
01:12:55,571 --> 01:12:56,971
HERE, SIT DOWN.
1795
01:12:56,972 --> 01:12:58,372
JULES:
WHY NOT JUST RUN?
1796
01:12:58,374 --> 01:13:00,407
UNLESS THEY WANTED
TO GET CAUGHT.
1797
01:13:00,409 --> 01:13:02,476
WHAT, THEY BOTCHED THE HEIST
ON PURPOSE?
1798
01:13:02,478 --> 01:13:03,510
JULES:
A CALCULATED RISK.
1799
01:13:03,512 --> 01:13:05,112
BOTCH THE HEIST,
STAGE AN ESCAPE,
1800
01:13:05,114 --> 01:13:07,581
SPLIT UP AND THEN DRIVE AROUND
UNTIL WE CATCH SARAH.
1801
01:13:07,583 --> 01:13:09,917
PARKER:
MADDIE'S TAKING PETE
TO THE EXACT SAME SPOT.
1802
01:13:09,919 --> 01:13:12,319
SO WE CAN GET PETE OFF
THEIR BACK ONCE AND FOR ALL.
1803
01:13:12,321 --> 01:13:13,621
JULES:
THAT'S WHY
SHE OPENED UP TO US,
1804
01:13:13,622 --> 01:13:14,922
THAT'S WHY SHE KEPT
CHECKING MY WATCH;
1805
01:13:14,924 --> 01:13:18,058
THEY TIMED IT -
THE WHOLE THING.
1806
01:13:18,994 --> 01:13:20,561
THEY BOTH PLAYED US.
1807
01:13:20,563 --> 01:13:21,562
COPS ARE HERE.
1808
01:13:21,564 --> 01:13:23,363
THEY'RE GONNA FIND
THE MONEY,
1809
01:13:23,365 --> 01:13:26,366
FIND YOU,
AND PUT IT ALL TOGETHER.
1810
01:13:26,368 --> 01:13:27,367
YOU COULD HAVE
JUST LET HER GO.
1811
01:13:27,369 --> 01:13:30,404
MADDIE,
THIS IS A BIG MISTAKE.
1812
01:13:31,507 --> 01:13:33,907
I HAVE FRIENDS
EVERYWHERE
1813
01:13:33,909 --> 01:13:36,176
AND THEY'LL FIND
BOTH OF YOU.
1814
01:13:36,178 --> 01:13:39,079
YOU KNOW WHAT HAPPENS
IF YOU TURN RAT.
1815
01:13:39,081 --> 01:13:40,113
(PANTING)
1816
01:13:40,115 --> 01:13:42,249
YEAH, I GUESS I DO.
1817
01:13:44,320 --> 01:13:46,453
THIS IS FOR AMANDA.
1818
01:13:48,858 --> 01:13:50,023
(GUNSHOTS IN THE DISTANCE)
1819
01:13:50,025 --> 01:13:51,024
JULES:
SHOTS FIRED!
1820
01:13:51,026 --> 01:13:52,526
COMING FROM THE NORTH.
LET'S MOVE!
1821
01:13:54,864 --> 01:13:55,929
LET'S GO!
1822
01:14:02,371 --> 01:14:03,937
JULES:
EYES ON ONE INDIVIDUAL,
1823
01:14:03,938 --> 01:14:05,504
CAR HAS THE SAME DESCRIPTION
AS PETE'S VEHICLE.
1824
01:14:13,115 --> 01:14:15,482
ED:
OPEN THE DOOR
AND STEP OUT SLOWLY,
1825
01:14:15,484 --> 01:14:16,483
HANDS WHERE WE CAN SEE 'EM!
1826
01:14:16,485 --> 01:14:18,185
(NO ANSWER)
1827
01:14:18,187 --> 01:14:20,254
GET OUT OF THE CAR NOW!
1828
01:14:30,165 --> 01:14:33,634
ED:
WE NEED A MEDIC!
WE NEED A MEDIC NOW!
1829
01:14:38,440 --> 01:14:39,640
PARKER:
MADDIE, WE'RE GETTING YOU HELP,
1830
01:14:39,642 --> 01:14:40,941
BUT WE NEED TO KNOW
IF IT WAS PETE
1831
01:14:40,943 --> 01:14:42,209
WHO DID THIS TO YOU.
1832
01:14:42,211 --> 01:14:43,561
HE SHOT ME...
1833
01:14:43,562 --> 01:14:44,912
EMT:
SHE'S BLEEDING INTERNALLY -
WE NEED TO GET HER OUT OF HERE!
1834
01:14:44,914 --> 01:14:45,979
PETE KNOWS...
1835
01:14:45,981 --> 01:14:47,247
JULES:
WHAT DOES PETE KNOW?
1836
01:14:47,249 --> 01:14:49,416
SARAH,
WHERE SHE'S GONNA GO.
1837
01:14:49,418 --> 01:14:50,984
JULES:
WHERE IS SARAH GOING?
1838
01:14:50,986 --> 01:14:52,769
THE GETAWAY.
1839
01:14:52,770 --> 01:14:54,553
EMT:
SHE'S GOING INTO SHOCK.
MOVE! MOVE!
1840
01:14:54,556 --> 01:14:56,456
SAM:
DEFINITE STRUGGLE -
TWO SHOTS FIRED.
1841
01:14:56,458 --> 01:14:57,841
ONE ROUND WENT
THROUGH THE WINDOW,
1842
01:14:57,842 --> 01:14:59,225
THE OTHER ONE HIT HER
IN THE CHEST.
1843
01:14:59,228 --> 01:15:00,427
WE FOUND THIS ON HER.
1844
01:15:00,428 --> 01:15:01,627
ED:
SPIKE, WHEN CAN WE GET
SARAH BACK?
1845
01:15:01,630 --> 01:15:03,313
SPIKE: SHE'S GONE.
PARKER: GONE?
1846
01:15:03,314 --> 01:15:04,997
SPIKE:
CHILDREN'S SERVICES SAYS
THE FIRST STOP THEY GOT TO,
1847
01:15:05,000 --> 01:15:06,533
SHE WAS OUT OF HER CUFFS
AND OUT THE DOOR.
1848
01:15:06,535 --> 01:15:08,068
THERE WAS A HAIRCLIP
IN THE BACK SEAT
1849
01:15:08,070 --> 01:15:09,503
WITH A CUSTOM ATTACHMENT.
1850
01:15:09,505 --> 01:15:11,238
ED:
SO PETE KNOWS WHERE SHE'S GONE
BUT WE DON'T.
1851
01:15:11,240 --> 01:15:12,506
JULES:
WE MIGHT.
I GAVE HER MY WATCH
1852
01:15:12,508 --> 01:15:14,441
AND IT HAS A GPS
MICRO-TRACKER IN IT.
1853
01:15:14,443 --> 01:15:15,442
SPIKE?
1854
01:15:15,444 --> 01:15:16,510
ON IT.
1855
01:15:19,415 --> 01:15:20,480
(BEEPING)
1856
01:15:23,953 --> 01:15:25,018
(KEYS CLACK)
1857
01:15:26,055 --> 01:15:27,187
(VAN DOOR SLAMS)
1858
01:15:28,123 --> 01:15:29,122
HOW WE DOING, SPIKE?
1859
01:15:29,124 --> 01:15:30,546
ONE MORE SECOND.
1860
01:15:30,547 --> 01:15:31,969
PARKER:
YOU KNEW SHE WAS GOING
TO DO THIS?
1861
01:15:31,970 --> 01:15:33,392
JULES:
I KNEW SHE'D EVENTUALLY RUN;
THAT'S WHAT SHE DOES.
1862
01:15:33,395 --> 01:15:34,594
BUT I HAD NO IDEA
THAT HER AND MADDIE
1863
01:15:34,596 --> 01:15:36,163
HAD THAT PLANNED OUT
FROM THE START.
1864
01:15:36,165 --> 01:15:37,348
IMPRESSIVE GIRL.
1865
01:15:37,349 --> 01:15:38,532
JULES:
SIXTEEN -
HER AND HER PARTNER
1866
01:15:38,534 --> 01:15:40,600
USED A BANK ROBBERY
TO CON THE COPS
1867
01:15:40,602 --> 01:15:41,735
TO TAKE DOWN THEIR OWN BOSS.
1868
01:15:41,737 --> 01:15:43,137
IMPRESSIVE OR NOT,
1869
01:15:43,138 --> 01:15:44,538
THAT SIXTEEN-YEAR-OLD
IS A TARGET NOW,
1870
01:15:44,540 --> 01:15:46,106
AND SHE HAS NO IDEA.
1871
01:15:46,108 --> 01:15:47,725
ED:
WE HAVE MADDIE'S CELL.
1872
01:15:47,726 --> 01:15:49,343
IF SHE STILL HAS HERS,
SHE MIGHT TAKE THE CALL.
1873
01:15:49,345 --> 01:15:50,578
JULES:
YEAH, BUT IF SHE FINDS OUT
1874
01:15:50,579 --> 01:15:51,812
THAT HER BEST FRIEND'S
BEEN SHOT,
1875
01:15:51,813 --> 01:15:53,046
WE HAVE NO IDEA
HOW SHE'S GONNA REACT.
1876
01:15:53,048 --> 01:15:54,648
IF WE DON'T WARN HER
1877
01:15:54,649 --> 01:15:56,249
AND JORIS GETS TO HER
BEFORE WE DO...
1878
01:15:56,251 --> 01:15:57,617
WE'RE GETTING HER LOCATION.
1879
01:15:57,619 --> 01:15:59,152
BUT WE DON'T HAVE HIS.
1880
01:15:59,154 --> 01:16:01,555
SAM, LEAH,
LET'S GET READY TO MOVE.
1881
01:16:02,491 --> 01:16:05,525
PARKER:
ALL RIGHT, YOU KNOW SARAH BETTER
THAN ANY OF US, JULES.
1882
01:16:05,527 --> 01:16:06,593
YOUR DECISION.
1883
01:16:10,199 --> 01:16:12,065
(EXHALES)
1884
01:16:12,067 --> 01:16:13,400
(BEEPING)
1885
01:16:20,109 --> 01:16:21,708
(CALCULATOR KEYS CLACK)
1886
01:16:21,710 --> 01:16:22,776
(SIRENS WAIL)
1887
01:16:24,680 --> 01:16:25,746
(CELL RINGS)
1888
01:16:28,584 --> 01:16:31,051
ANODYNE MARKETING,
HOW CAN I DIRECT YOUR CALL?
1889
01:16:31,053 --> 01:16:32,052
SARAH, DON'T HANG UP,
1890
01:16:32,054 --> 01:16:34,221
THIS IS OFFICER
JULES CALLAGHAN.
1891
01:16:34,223 --> 01:16:36,056
(SARAH SHUTS PHONE OFF)
1892
01:16:36,792 --> 01:16:38,058
(SIGHS)
1893
01:16:40,095 --> 01:16:41,328
(PHONE CHIRPS)
1894
01:16:45,667 --> 01:16:47,567
OH MY GOD...
OH MY GOD...
1895
01:16:47,569 --> 01:16:48,702
(PHONE RINGS)
1896
01:16:51,073 --> 01:16:52,139
(CELL RINGS)
1897
01:16:56,111 --> 01:16:58,578
JULES:
SARAH, DON'T HANG UP.
MADDIE'S BEEN SHOT.
1898
01:16:58,580 --> 01:17:00,714
SHE'S STILL ALIVE,
BUT IT DOESN'T LOOK GOOD;
1899
01:17:00,716 --> 01:17:02,549
THAT'S THE TRUTH.
WE GOTTA COME GET YOU.
1900
01:17:02,551 --> 01:17:04,034
NO...
1901
01:17:04,035 --> 01:17:05,518
JULES:
SARAH, I KNOW THAT SHE PLANNED
THE WHOLE THING.
1902
01:17:05,521 --> 01:17:08,522
THE GETTING CAUGHT,
BRINGING PETE TO THE PARK -
1903
01:17:08,524 --> 01:17:09,689
IT WAS ALL FOR YOU.
1904
01:17:09,691 --> 01:17:11,558
(NEAR TEARS) WHO DID THIS?
DID YOU-?
1905
01:17:11,560 --> 01:17:14,061
JULES:
NO. IT WAS PETE,
AND HE'S STILL OUT THERE.
1906
01:17:14,063 --> 01:17:16,630
THAT MEANS YOU'RE AT RISK.
YOU GET THAT, RIGHT?
1907
01:17:16,632 --> 01:17:17,798
MADDIE SAID HE KNOWS
WHERE YOU'RE GOING -
1908
01:17:17,800 --> 01:17:19,633
SOMETHING ABOUT A GETAWAY
OR SOMETHING?
1909
01:17:19,635 --> 01:17:22,019
WHERE IS THAT?
1910
01:17:22,020 --> 01:17:24,404
A PLACE THAT WE COULD GO
IF WE NEED TO GET AWAY FAST.
1911
01:17:24,406 --> 01:17:26,640
JULES:
SARAH, TELL US WHERE THAT IS.
WE'RE GONNA COME GET YOU.
1912
01:17:26,642 --> 01:17:27,641
NO...
1913
01:17:27,643 --> 01:17:29,209
JULES: SARAH!
SARAH: NO!
1914
01:17:29,211 --> 01:17:30,710
SARAH,
YOU NEED US TO STOP HIM.
1915
01:17:30,712 --> 01:17:32,512
HE IS ARMED,
AND HE'S A KILLER.
1916
01:17:32,514 --> 01:17:34,347
IF YOU TRY TO CONFRONT HIM,
I PROMISE YOU-
1917
01:17:34,349 --> 01:17:36,683
CAN YOU PROMISE ME
THAT MADDIE WILL BE OKAY?
1918
01:17:36,685 --> 01:17:40,320
CAN YOU PROMISE ME
THAT YOU'LL KILL PETE?
1919
01:17:40,322 --> 01:17:41,655
SARAH,
TELL US WHERE HE'S GOING
1920
01:17:41,657 --> 01:17:43,590
AND WE'RE GONNA STOP HIM.
1921
01:17:43,592 --> 01:17:45,192
NO. WE PROMISED
TO PROTECT EACH OTHER,
1922
01:17:45,194 --> 01:17:46,493
AND AS LONG AS
HE'S OUT THERE-
1923
01:17:46,495 --> 01:17:47,561
SARAH, NO!
1924
01:17:48,530 --> 01:17:49,830
(PHONE CLICKS OFF)
1925
01:17:53,669 --> 01:17:55,368
(COMPOSING BREATH)
1926
01:17:55,370 --> 01:17:56,436
(WHIMPERS)
1927
01:18:00,175 --> 01:18:02,142
SORRY.
I FORGOT A FEW THINGS.
1928
01:18:02,878 --> 01:18:05,145
STORE CLERK:
NO PROBLEM.
1929
01:18:06,715 --> 01:18:08,748
SARAH:
I'LL-I'LL TAKE ONE
OF THOSE HUNTING KNIVES.
1930
01:18:16,758 --> 01:18:18,008
(SIREN WAILS)
1931
01:18:18,009 --> 01:18:19,259
PARKER:
SPIKE, HOW CLOSE ARE WE
TO THIS GIRL?
1932
01:18:19,261 --> 01:18:20,550
SPIKE:
HALFWAY ACROSS TOWN,
1933
01:18:20,551 --> 01:18:21,840
LIKE FIFTEEN MINUTES,
TOPS.
1934
01:18:21,841 --> 01:18:23,130
BUT GUYS,
IF SHE STARTS MOVING AGAIN...
1935
01:18:23,132 --> 01:18:24,498
WE NEED TO KNOW WHERE
THE GETAWAY IS.
1936
01:18:24,500 --> 01:18:26,533
LEAH:
SHE'S HEADING SOUTH,
DOWN TO THE LAKE.
1937
01:18:26,535 --> 01:18:29,269
SPIKE:
HIGHWAY'S RIGHT THERE,
ISLAND AIRPORT ACROSS THE WAY.
1938
01:18:29,271 --> 01:18:31,771
JULES:
THEY KNOW WE'D FLAG THE FLIGHTS
IF THEY'RE ON THE RUN...
1939
01:18:31,773 --> 01:18:33,173
THE ONLY ANONYMOUS WAY
TO TRAVEL THESE DAYS
1940
01:18:33,175 --> 01:18:34,775
IS BY CAR.
1941
01:18:34,776 --> 01:18:36,376
LONG-TERM PARKING LOT'S
ANONYMOUS,
1942
01:18:36,378 --> 01:18:38,545
AND IT'S GOT LIKE FIVE DIFFERENT
HIGHWAY ENTRANCES.
1943
01:18:38,547 --> 01:18:40,380
SO HOW MANY LOTS DO
WE HAVE TO CHOOSE FROM?
1944
01:18:40,382 --> 01:18:42,249
SPIKE:
SEVEN.
1945
01:18:48,857 --> 01:18:49,923
(TAXI RUMBLES)
1946
01:18:57,466 --> 01:18:58,532
(DOOR SHUTS)
1947
01:19:03,839 --> 01:19:05,539
ED:
SPIKE, WHERE'S THAT SIGNAL?
1948
01:19:05,541 --> 01:19:07,274
SPIKE:
THOMPSON LOT,
LEFT AT THE NEXT LIGHTS.
1949
01:19:07,276 --> 01:19:09,376
BUT GUYS,
IT'S A MULTI-STORY LOT.
1950
01:19:09,378 --> 01:19:12,512
GPS IS ONLY GONNA GIVE US
THE LOCATION IN TWO DIMENSIONS.
1951
01:19:12,514 --> 01:19:14,214
BY THE TIME WE GET THERE...
1952
01:19:14,216 --> 01:19:15,816
IT COULD BE TOO LATE.
1953
01:19:15,817 --> 01:19:17,417
ED:
OKAY. ME AND THE BOSS
HAVE LEVELS THREE AND FOUR.
1954
01:19:17,419 --> 01:19:19,586
SPIKE AND LEAH
TAKE LEVELS FIVE AND SIX.
1955
01:19:19,588 --> 01:19:23,290
JULES AND SAM, YOU'VE GOT
LEVELS SEVEN AND EIGHT.
1956
01:19:23,292 --> 01:19:24,357
(TIRES SCREECH)
1957
01:19:34,336 --> 01:19:35,702
OH, THERE YOU ARE.
1958
01:19:43,745 --> 01:19:44,811
(TWO GUNSHOTS FIRE)
1959
01:19:44,813 --> 01:19:45,812
SHOTS FIRED!
1960
01:19:45,814 --> 01:19:46,813
WHERE FROM?
1961
01:19:46,815 --> 01:19:48,815
HARD TO TELL -
SOUNDED FAR.
1962
01:19:48,817 --> 01:19:49,950
UPPER LEVELS!
1963
01:19:54,356 --> 01:19:55,722
(ANGRY GRUNTS)
1964
01:19:58,994 --> 01:20:00,894
(CAN CLANKS AND ROLLS)
1965
01:20:07,502 --> 01:20:08,768
(WHACK)
1966
01:20:08,770 --> 01:20:09,903
(ANGRY YELLS)
1967
01:20:11,506 --> 01:20:13,974
(PETE GASPS,
UNABLE TO BREATHE)
1968
01:20:15,444 --> 01:20:16,710
(HEAVY BREATHING)
1969
01:20:22,351 --> 01:20:23,416
(PANTING)
1970
01:20:23,418 --> 01:20:24,484
AGHHHHHHH!
1971
01:20:27,456 --> 01:20:28,788
(TIRES SCREECH)
1972
01:20:30,726 --> 01:20:32,525
(STRUGGLING TO BREATHE)
1973
01:20:33,462 --> 01:20:34,527
(TIRES SCREECH)
1974
01:20:35,464 --> 01:20:36,396
PETE:
YOU BITCH!
1975
01:20:36,398 --> 01:20:38,531
(SCREAMING)
1976
01:20:38,533 --> 01:20:39,599
COME HERE, BITCH!
1977
01:20:40,535 --> 01:20:42,269
(SCREAMING)
1978
01:20:42,271 --> 01:20:43,536
JULES:
(TENSE) SAM...
1979
01:20:43,538 --> 01:20:45,839
SAM:
DRIVING AS FAST AS I CAN!
1980
01:20:45,841 --> 01:20:47,307
JULES:
WAIT A MINUTE! STOP!
STOP THE CAR!
1981
01:20:53,582 --> 01:20:54,648
(SCREAMING)
1982
01:21:03,725 --> 01:21:06,593
YOU CAN LOOK IF YOU WANT.
1983
01:21:07,462 --> 01:21:09,296
(BANG)
1984
01:21:09,298 --> 01:21:10,897
(JULES FIRES AGAIN)
1985
01:21:10,899 --> 01:21:12,032
SUBJECT DOWN.
1986
01:21:12,968 --> 01:21:15,535
(SOBBING)
SARAH... SARAH.
1987
01:21:15,537 --> 01:21:16,936
IT'S OKAY.
1988
01:21:18,740 --> 01:21:20,307
(CRYING)
1989
01:21:20,309 --> 01:21:22,075
EVERYTHING IS OKAY.
1990
01:21:22,077 --> 01:21:23,610
I COULDN'T DO IT.
1991
01:21:23,612 --> 01:21:24,644
YOU COULDN'T DO
WHAT?
1992
01:21:24,646 --> 01:21:28,348
I COULDN'T KILL HIM.
I HAD HIM.
1993
01:21:28,350 --> 01:21:29,349
I HAD HIM,
1994
01:21:29,351 --> 01:21:30,917
AND I COULDN'T DO IT
FOR HER.
1995
01:21:30,919 --> 01:21:32,819
YOU KNOW WHAT THAT MEANS?
1996
01:21:32,821 --> 01:21:36,456
WHAT?
YOU CAN GO
TO SEE MADDIE NOW.
1997
01:21:36,458 --> 01:21:38,091
(SOBBING)
OKAY?
1998
01:21:38,093 --> 01:21:39,359
COME ON.
1999
01:21:43,632 --> 01:21:44,698
(SOBBING QUIETLY)
2000
01:21:57,879 --> 01:22:09,689
¶¶¶
2001
01:22:10,625 --> 01:22:14,694
¶ When all the stars ¶
2002
01:22:15,797 --> 01:22:19,099
¶ They fade into black ¶
2003
01:22:20,035 --> 01:22:22,769
¶ And leave you without
a way back ¶
2004
01:22:25,507 --> 01:22:26,940
¶ Well, hang on ¶
2005
01:22:26,942 --> 01:22:29,876
¶ There's always a road ¶
2006
01:22:32,581 --> 01:22:35,882
¶ It just takes some time ¶
2007
01:22:37,919 --> 01:22:40,754
¶ To trust in a dream ¶
2008
01:22:41,690 --> 01:22:44,491
There's light in a place...
2009
01:22:44,493 --> 01:22:45,959
YOU ALL RIGHT?
2010
01:22:47,896 --> 01:22:50,630
SARAH WAS LUCKY
YOU WERE THERE TODAY.
2011
01:22:50,632 --> 01:22:51,765
YEAH.
2012
01:22:51,767 --> 01:22:52,832
SAM:
WHAT'S WRONG?
2013
01:22:55,537 --> 01:22:57,604
I WAS JUST THINKING ABOUT
WHEN I WAS SIXTEEN
2014
01:22:57,606 --> 01:23:02,008
AND UH, IT WAS AFTER
MY MOM DIED,
2015
01:23:02,010 --> 01:23:04,077
I WAS A LITTLE LOST.
2016
01:23:04,079 --> 01:23:05,295
THERE WAS THIS ONE NIGHT
2017
01:23:05,296 --> 01:23:06,512
WHEN I DRANK
ALL MY DAD'S BEER
2018
01:23:06,515 --> 01:23:08,648
AND TOOK HIS TRUCK.
2019
01:23:08,650 --> 01:23:10,016
ABOUT FIVE MILES OUT
OF TOWN,
2020
01:23:10,018 --> 01:23:13,620
I GET PULLED OVER
BY THIS COP,
2021
01:23:13,622 --> 01:23:15,755
OFFICER MARY FALLON,
2022
01:23:16,691 --> 01:23:18,992
AND SHE DIDN'T ARREST ME.
2023
01:23:18,994 --> 01:23:22,662
SHE BROUGHT ME HOME,
DIDN'T WAKE UP MY DAD.
2024
01:23:22,664 --> 01:23:25,465
SHE JUST SAT ME DOWN
AT THE KITCHEN TABLE
2025
01:23:25,467 --> 01:23:29,436
AND SHE TALKED TO ME
UNTIL THE SUN CAME UP.
2026
01:23:29,438 --> 01:23:31,137
SHE MADE A DIFFERENCE.
2027
01:23:32,707 --> 01:23:34,707
SHE REALLY DID.
2028
01:23:36,144 --> 01:23:38,578
I WOULDN'T BE HERE.
2029
01:23:38,580 --> 01:23:39,612
SO NOW YOU'RE WONDERING
WHAT SHE WOULD DO
2030
01:23:39,614 --> 01:23:42,816
IN YOUR SHOES?
2031
01:23:42,818 --> 01:23:43,883
YEAH.
2032
01:23:45,654 --> 01:23:47,520
I THINK SHE'D GO SEE
SARAH,
2033
01:23:47,522 --> 01:23:49,189
LET HER KNOW SHE WAS THERE.
2034
01:23:49,191 --> 01:23:51,825
THAT'S WHAT I'M THINKIN'.
2035
01:23:51,827 --> 01:23:53,660
COME ON, I'LL TAKE YOU.
2036
01:23:53,662 --> 01:23:54,961
YOU HAVE THE PLAYOFFS.
2037
01:23:54,963 --> 01:23:56,830
AHH, PLAYOFFS HAPPEN
EVERY YEAR.
2038
01:23:58,600 --> 01:24:02,735
¶ Days to recall ¶
(Days to recall)
2039
01:24:03,672 --> 01:24:06,906
¶ Yeah, those those days
to recall ¶
2040
01:24:06,908 --> 01:24:09,008
¶ (Days to recall) ¶
2041
01:24:09,010 --> 01:24:10,910
¶ They're awaiting us ¶
2042
01:24:10,912 --> 01:24:14,981
¶ All those days ¶
2043
01:24:14,983 --> 01:24:17,817
¶ Those days to recall ¶
2044
01:24:17,819 --> 01:24:19,786
¶ (To recall) ¶
2045
01:24:20,722 --> 01:24:21,955
¶ Awaiting us ¶
2046
01:24:21,957 --> 01:24:27,894
¶ All those days
to recall ¶