1 00:00:12,313 --> 00:00:13,746 PEGGI: WE ADMIT THE KID WHO SURFED HIS SHOPPING CART 2 00:00:13,748 --> 00:00:15,031 DOWN THE STAIRS? 3 00:00:15,032 --> 00:00:16,315 MARLA: HMM. BROKEN WRIST AND A CONCUSSION. 4 00:00:16,317 --> 00:00:17,516 NICE CATCH. 5 00:00:17,518 --> 00:00:19,018 YOU WANT A RIDE? FOR JULIA. 6 00:00:19,020 --> 00:00:21,186 I CAN MAKE YOU DINNER. PEANUT BUTTER AND BANANA. 7 00:00:21,188 --> 00:00:22,354 WHAT? YOUR BOYFRIEND CAN'T COOK. 8 00:00:22,356 --> 00:00:24,023 NOT MINE. 9 00:00:24,025 --> 00:00:25,157 SEE YA. 10 00:00:33,167 --> 00:00:34,199 HEY! ARE YOU OKAY? 11 00:00:34,201 --> 00:00:35,267 TONY: HEY... 12 00:00:35,269 --> 00:00:37,436 PEGGI: TONY, RIGHT? YOU HIT YOUR HEAD? 13 00:00:37,438 --> 00:00:41,373 YEAH, YEAH. TRIPPING ON MY SON'S LEGO. 14 00:00:41,742 --> 00:00:43,809 I'M SORRY, I'M HAVING A HARD TIME 15 00:00:43,811 --> 00:00:45,444 REMEMBERING WHERE MY CAR IS. 16 00:00:45,446 --> 00:00:48,113 OH, WELL THAT'S 'CAUSE THIS IS THE STAFF LOT. 17 00:00:48,115 --> 00:00:49,248 AHHH... 18 00:00:49,250 --> 00:00:50,315 THERE YOU GO. OOOH. 19 00:00:50,317 --> 00:00:51,383 OH MY GOD. 20 00:00:51,385 --> 00:00:52,618 (PEGGI SCREAMS) 21 00:00:52,620 --> 00:00:54,753 LOOK, LOOK, LOOK. SHH. SHH. 22 00:00:55,689 --> 00:00:58,090 DON'T SAY A WORD OR I WILL KILL YOU. 23 00:00:58,092 --> 00:00:59,158 PEGGI: HELP! 24 00:00:59,160 --> 00:01:00,226 TONY: SHUT UP! JUST SHUT UP! 25 00:01:00,227 --> 00:01:01,293 COME ON, GET YOUR KEYS. GET YOUR KEYS. 26 00:01:01,295 --> 00:01:02,294 GET YOUR KEYS. 27 00:01:02,296 --> 00:01:04,163 PEGGI: LOOK, OKAY. 28 00:01:04,165 --> 00:01:05,164 TONY: OKAY. OKAY. OKAY. 29 00:01:05,166 --> 00:01:07,099 NOW GET IN THE CAR. 30 00:01:07,101 --> 00:01:08,634 (STRUGGLING SQUEALS) 31 00:01:11,305 --> 00:01:12,888 I'VE BEEN CLEARED. 32 00:01:12,889 --> 00:01:14,472 SIU, THE REVIEW BOARD, CORONERS INQUEST. 33 00:01:14,475 --> 00:01:16,642 NOW SHE WANTS A MEETING? 34 00:01:16,644 --> 00:01:18,077 MICHELLE DALTON. 35 00:01:18,079 --> 00:01:19,244 YEAH. YEAH. 36 00:01:19,246 --> 00:01:20,746 BRASS WANTS ME TO TALK TO HER. 37 00:01:20,747 --> 00:01:22,247 TO HELP MAINTAIN RELATIONS WITH THE PUBLIC. 38 00:01:22,249 --> 00:01:24,416 THEY'RE GETTING A LOT OF HEAT UPSTAIRS, ED. 39 00:01:24,418 --> 00:01:26,385 WHAT'S THAT GOT TO DO WITH ME? 40 00:01:26,387 --> 00:01:27,453 LOOK... 41 00:01:27,455 --> 00:01:30,389 I SHOT HER DAUGHTER, GREG, BUT THE GIRL HAD A GUN, 42 00:01:30,391 --> 00:01:32,224 SHE WAS USING IT, I HAD NO CHOICE. 43 00:01:32,226 --> 00:01:33,459 IT WAS BY THE BOOK. 44 00:01:33,461 --> 00:01:37,129 SO WHAT- THEY WANT ME TO APOLOGIZE? 45 00:01:38,766 --> 00:01:41,333 I THINK IT'S A GOOD IDEA. 46 00:01:41,335 --> 00:01:43,469 SO YOU KNOW ABOUT THIS? 47 00:01:43,471 --> 00:01:45,471 IT'LL BE MODERATED, EDDIE. 48 00:01:45,473 --> 00:01:48,340 SIU WILL BE THERE, I WILL BE THERE. 49 00:01:48,342 --> 00:01:50,442 A TRAUMA LIKE THIS, IT HELPS TO TALK ABOUT IT. 50 00:01:50,444 --> 00:01:52,244 BUT SHE DOESN'T WANT TO TALK. 51 00:01:52,246 --> 00:01:53,745 SHE WANTS A TARGET. 52 00:01:53,747 --> 00:01:56,715 IT WASN'T HER I WAS THINKING ABOUT, BUDDY. 53 00:01:56,717 --> 00:01:59,551 I DON'T NEED TO TALK TO ANYBODY. 54 00:01:59,552 --> 00:02:02,386 I DID MY JOB, I DON'T NEED TO JUSTIFY THIS TO ANYBODY. 55 00:02:02,389 --> 00:02:03,939 OKAY. WELL... 56 00:02:03,940 --> 00:02:05,490 THEY'VE SCHEDULED IT FOR AFTER SHIFT TONIGHT. 57 00:02:05,493 --> 00:02:07,559 IT'S NOT OPTIONAL. 58 00:02:07,561 --> 00:02:08,794 (LOCKER SLAMS) 59 00:02:13,734 --> 00:02:14,733 MARLA: DAVID. 60 00:02:14,735 --> 00:02:16,401 HEY, YOU HERE FOR PEGGI? 61 00:02:16,403 --> 00:02:17,636 DAVID: YEAH, YOU KNOW, I ALWAYS ASK: 62 00:02:17,638 --> 00:02:19,171 WHAT WOULD SHE EXPECT THE LEAST. 63 00:02:19,173 --> 00:02:20,539 AND I TRY AND DO THAT. 64 00:02:20,541 --> 00:02:22,174 NICE PLAN, BUT YOU GOTTA WORK ON YOUR TIMING. 65 00:02:22,176 --> 00:02:23,275 SHE JUST HEADED TO THE PARKING LOT. 66 00:02:23,277 --> 00:02:24,376 OH, YOU'RE KIDDING, ME! 67 00:02:24,378 --> 00:02:25,733 OH, WELL, MAYBE I CAN STILL CATCH HER. 68 00:02:25,734 --> 00:02:27,089 WHAT'S THE FASTEST WAY- (PHONE RINGS) 69 00:02:27,090 --> 00:02:28,445 OH! HANG ON, SPEAK OF THE DEVIL. 70 00:02:31,552 --> 00:02:32,618 HEY. PEGGI: HI, SWEETIE. 71 00:02:32,620 --> 00:02:33,685 ARE YOU STILL IN THE PARKING LOT? 72 00:02:33,687 --> 00:02:34,887 PEGGI: SORRY TO DO THIS- 73 00:02:34,889 --> 00:02:36,722 PEGGI, IT'S NOT A VOICE MAIL IT'S ME. 74 00:02:36,724 --> 00:02:38,223 I'M GONNA HAVE TO WORK A DOUBLE. 75 00:02:38,225 --> 00:02:40,826 DOCTOR ARMSTRONG'S ORDERS. SO DON'T WAIT UP. 76 00:02:40,828 --> 00:02:43,362 AND REMEMBER-REMEMBER THAT I LOVE YOU. OKAY. 77 00:02:43,364 --> 00:02:44,796 PEGGI! STAY ON THE PHONE, OKAY? 78 00:02:44,798 --> 00:02:46,532 OKAY. CALL ME LATER. BYE! 79 00:02:46,534 --> 00:02:47,533 OKAY. GOOD WORK. 80 00:02:47,535 --> 00:02:48,567 (ENGINE STARTS) 81 00:02:48,569 --> 00:02:49,668 PLEASE. PLEASE. 82 00:02:49,670 --> 00:02:51,470 JUST DRIVE. 83 00:02:51,472 --> 00:02:52,538 I CAN'T GO... 84 00:02:52,540 --> 00:02:53,605 AHHH.... 85 00:03:00,881 --> 00:03:01,947 PEGGI! 86 00:03:03,784 --> 00:03:04,850 PEG! 87 00:03:06,220 --> 00:03:07,286 PEGGI! 88 00:03:08,556 --> 00:03:09,688 (DIALS PHONE) 89 00:03:10,758 --> 00:03:12,491 (ALARM BLARES) 90 00:03:13,494 --> 00:03:15,260 WINNIE: ABDUCTION IN PROGRESS - 91 00:03:15,262 --> 00:03:17,963 PEGGI WALSH, NURSE FROM ST. PAT'S HOSPITAL, DOWNTOWN. 92 00:03:17,965 --> 00:03:19,798 911 SAYS THE BOYFRIEND CALLED IT IN, 93 00:03:19,800 --> 00:03:22,501 SPECIFICALLY MENTIONED A "DOCTOR ARMSTRONG". 94 00:03:22,503 --> 00:03:24,019 PARKER: "ARMSTRONG?" 95 00:03:24,020 --> 00:03:25,536 YOU'RE SURE THAT'S THE NAME HE USED, WINNIE? 96 00:03:25,539 --> 00:03:26,872 THAT'S STRAIGHT FROM 911, BOSS. 97 00:03:26,874 --> 00:03:29,374 OKAY. WINNIE, I NEED YOU TO GET ME RENE MEYER 98 00:03:29,376 --> 00:03:30,809 FROM HOMICIDE. 99 00:03:30,811 --> 00:03:32,511 TEAM STAY IN PURSUIT. 100 00:03:32,513 --> 00:03:34,013 ED: WHAT'S GOING ON, BOSS. 101 00:03:34,014 --> 00:03:35,514 PARKER: I'VE GOTTA CONFIRM WITH HOMICIDE, EDDIE, 102 00:03:35,516 --> 00:03:37,916 BUT TWO NURSES HAVE BEEN ABDUCTED IN THREE MONTHS. 103 00:03:37,918 --> 00:03:39,351 NOW BOTH MADE A CALLS, 104 00:03:39,353 --> 00:03:40,552 SAYING THEY WERE GONNA TO BE LATE. 105 00:03:40,554 --> 00:03:42,487 NONE OF THEM CAME HOME. 106 00:03:42,489 --> 00:03:44,523 HOMICIDE PUT THE WORD OUT TO ALL HOSPITALS 107 00:03:44,525 --> 00:03:46,658 TO USE "DOCTOR ARMSTRONG" AS A CODE, 108 00:03:46,660 --> 00:03:50,329 IN CASE ANYONE WAS ABDUCTED AND FORCED TO MAKE THAT CALL. 109 00:03:50,331 --> 00:03:51,797 (SIRENS WAIL) 110 00:03:51,798 --> 00:03:53,264 TEAM ONE, I GOT DAVID PARK ON THE LINE, 111 00:03:53,267 --> 00:03:54,817 ABDUCTEES BOYFRIEND, 112 00:03:54,818 --> 00:03:56,368 AND HE'S PERUSING THE KIDNAPPER IN HIS OWN VEHICLE. 113 00:03:56,370 --> 00:03:57,848 I CAN TAKE HIM. 114 00:03:57,849 --> 00:03:59,327 PARKER: SAM, YOU STAY ON THE LINE, 115 00:03:59,328 --> 00:04:00,806 BUT UNDER NO CIRCUMSTANCE IS HE ALLOWED TO ENGAGE, 116 00:04:00,808 --> 00:04:01,907 YOU UNDERSTAND? 117 00:04:01,909 --> 00:04:03,275 UNDERSTOOD. 118 00:04:03,277 --> 00:04:05,044 (SIRENS BLARE) 119 00:04:05,045 --> 00:04:06,812 DAVID, THIS IS SAM BRADDOCK, STRATEGIC RESPONSE UNIT. 120 00:04:06,814 --> 00:04:07,813 DAVID: THANK GOD. 121 00:04:07,815 --> 00:04:08,981 SAM: WHERE ARE YOU NOW? 122 00:04:08,983 --> 00:04:11,817 I'M ON UNIVERSITY. JUST... AH... RICHMOND. 123 00:04:11,819 --> 00:04:12,818 AND PEGGI? 124 00:04:12,820 --> 00:04:14,220 SHE'S AHEAD OF ME. 125 00:04:14,221 --> 00:04:15,621 THERE'S A MAN IN THE CAR WITH HER. 126 00:04:15,623 --> 00:04:16,622 DOES HE KNOW HE'S BEING FOLLOWED? 127 00:04:16,624 --> 00:04:17,823 NO, I DON'T THINK SO. 128 00:04:17,824 --> 00:04:19,023 SAM: OKAY, GOOD, LET'S KEEP IT THAT WAY. 129 00:04:19,026 --> 00:04:20,376 WE'LL STAY ON THE LINE, 130 00:04:20,377 --> 00:04:21,727 BUT YOU MAINTAIN YOUR DISTANCE, OKAY? 131 00:04:21,729 --> 00:04:23,295 FOR YOUR SAFETY AND FOR HERS. 132 00:04:23,297 --> 00:04:25,197 OKAY. 133 00:04:25,198 --> 00:04:27,098 SAM: NOW, WHERE YOU ABLE TO GET IN CONTACT WITH HER? 134 00:04:27,099 --> 00:04:28,999 NO. NO. I CALLED HER, BUT SHE'S NOT ANSWERING. 135 00:04:29,003 --> 00:04:30,435 JUST PLEASE HURRY! 136 00:04:30,437 --> 00:04:31,670 BOSS, I'VE GOT RENE MEYER ON THE LINE, 137 00:04:31,672 --> 00:04:33,305 I'VE BRIEFED HIM ON THE ABDUCTION. 138 00:04:33,307 --> 00:04:36,041 THAT'S GREAT. PATCH HIM THROUGH. 139 00:04:36,043 --> 00:04:37,042 GREG, IT'S MEYER. 140 00:04:37,044 --> 00:04:38,510 RENE, IT'S BEEN A LONG TIME. 141 00:04:38,512 --> 00:04:39,645 YOU SURE ABOUT "ARMSTRONG?" 142 00:04:39,647 --> 00:04:40,912 PARKER YEAH. ABSOLUTELY. 143 00:04:40,914 --> 00:04:41,980 ALL RIGHT. I'M COMING RIGHT NOW. 144 00:04:41,982 --> 00:04:43,315 PARKER: NO, I'M COMING TO GET YOU. 145 00:04:43,316 --> 00:04:44,649 MY TEAM'S IN PURSUIT RIGHT NOW. 146 00:04:44,652 --> 00:04:46,385 WE WERE HOPING YOU CAN GIVE SOME BACKGROUND 147 00:04:46,387 --> 00:04:47,619 ON THIS GUY'S MO? 148 00:04:47,621 --> 00:04:49,554 WELL, HE'S SMART. 149 00:04:49,556 --> 00:04:50,772 THE CALL HOME GIVES HIM TIME TO KILL THEM 150 00:04:50,773 --> 00:04:51,989 AND DUMP THEIR BODIES BEFORE WE EVEN KNOW 151 00:04:51,992 --> 00:04:52,858 THEY WERE MISSING. 152 00:04:52,860 --> 00:04:54,493 WHAT ABOUT THE ABDUCTEE? 153 00:04:54,495 --> 00:04:57,062 NURSE, MID-THIRTIES, PARKING LOT... 154 00:04:57,064 --> 00:04:58,830 THAT'S HIM. 155 00:04:58,832 --> 00:05:00,032 TWO NURSES IS A COINCIDENCE. 156 00:05:00,034 --> 00:05:01,967 THREE MAKES IT OFFICIAL. 157 00:05:01,969 --> 00:05:03,602 HE'S GOT A ROUTINE THAT WORKS, 158 00:05:03,604 --> 00:05:05,437 NO REASON TO STOP NOW. 159 00:05:05,439 --> 00:05:07,306 SO YOU'RE THINKING SERIAL KILLER. 160 00:05:07,308 --> 00:05:08,491 THAT'S WHAT IT'S FEELING LIKE. 161 00:05:08,492 --> 00:05:09,675 PARKER OKAY. DO YOU HAVE ANY IDEA WHERE HE'S GOING, 162 00:05:09,677 --> 00:05:11,476 WHAT HE DOES TO HIS VICTIM? 163 00:05:11,478 --> 00:05:12,844 MEYER: NO SEXUAL ASSAULT, 164 00:05:12,846 --> 00:05:15,347 BRUISING CONSISTENT WITH SIMPLE RESTRAINTS, 165 00:05:15,349 --> 00:05:16,615 BODIES DUMPED IN RANDOM LOCATIONS. 166 00:05:16,617 --> 00:05:18,667 BUT THEY BOTH DIED OF HEART FAILURE 167 00:05:18,668 --> 00:05:20,718 DUE TO AN OVERDOSE OF ANESTHETIC, TRILAMINE. 168 00:05:20,721 --> 00:05:22,054 AND HOW FAST ACTING IS IT? 169 00:05:22,056 --> 00:05:23,522 MEYER: OH, IT TAKES SOME TIME. 170 00:05:23,524 --> 00:05:24,923 BUT THERE'S NO TELLING HOW MUCH HE USES. 171 00:05:24,925 --> 00:05:26,792 WE DO KNOW FROM THE TIME OF THAT FIRST PHONE CALL, 172 00:05:26,794 --> 00:05:28,660 TO THE ESTIMATED TIME OF DEATH? 173 00:05:28,662 --> 00:05:29,695 NINETY MINUTES. 174 00:05:29,697 --> 00:05:33,832 OKAY, TEAM, WE'RE WITH A DEADLINE HERE. 175 00:05:33,834 --> 00:05:34,966 (CAR RUMBLES) 176 00:05:35,969 --> 00:05:37,569 (NERVOUS EXHALE) 177 00:05:40,841 --> 00:05:41,973 (DEEP INHALE) 178 00:05:41,975 --> 00:05:44,876 YOU KNOW, TONY, I DON'T KNOW WHAT THIS IS ABOUT, 179 00:05:44,878 --> 00:05:46,778 YOU SAID, THAT YOU HAD A SON, RIGHT? 180 00:05:46,780 --> 00:05:49,781 SO JUST- YOU THINK OF HIM, YOU THINK OF HIM... 181 00:05:49,783 --> 00:05:51,750 BECAUSE IF ANYTHING HAPPENS TO YOU, 182 00:05:51,752 --> 00:05:55,020 AND YOU GET CAUGHT, HE'S NOT GONNA... 183 00:05:59,093 --> 00:06:01,626 YOU DON'T HAVE A SON, DO YOU? 184 00:06:01,628 --> 00:06:02,828 NO. 185 00:06:03,831 --> 00:06:05,063 (SHAKY BREATH) 186 00:06:06,633 --> 00:06:08,066 WHAT CAN I GIVE YOU? 187 00:06:08,068 --> 00:06:09,668 WHAT-WHAT CAN I GIVE YOU? 188 00:06:09,670 --> 00:06:11,803 I'VE GOT- I'VE GOT MONEY... 189 00:06:12,773 --> 00:06:14,673 I'VE GOT FORTY-FIVE DOLLARS, I HAVE GOT MY BANK CARD.... 190 00:06:14,675 --> 00:06:16,141 YOU CAN TAKE IT. 191 00:06:17,077 --> 00:06:18,360 MY ENGAGEMENT RING, LOOK. 192 00:06:18,361 --> 00:06:19,644 IT'S BRAND NEW, IT'S WHITE GOLD HERE- 193 00:06:19,646 --> 00:06:20,846 JUST STOP! 194 00:06:22,750 --> 00:06:23,849 YOU MUST WANT SOMETHING! 195 00:06:23,851 --> 00:06:25,417 YES. 196 00:06:25,419 --> 00:06:26,485 (SCARED WHIMPERS) 197 00:06:26,487 --> 00:06:28,754 I WANT YOU TO STOP TALKING. 198 00:06:28,756 --> 00:06:30,655 AND I WANT YOU TO TAKE THE NEXT RIGHT. 199 00:06:30,657 --> 00:06:33,125 PLEASE... DON'T... DON'T HURT ME. 200 00:06:34,661 --> 00:06:36,128 URT YOU?! YEAH. 201 00:06:37,965 --> 00:06:40,699 (PEGGI BREATHS HEAVILY) 202 00:06:40,701 --> 00:06:42,901 I WOULD NEVER HURT YOU, PEGGI. 203 00:06:45,606 --> 00:06:47,739 I WANNA HELP YOU... 204 00:07:03,056 --> 00:07:04,656 (CARS WHOOSH BY) 205 00:07:08,729 --> 00:07:09,728 PEGGI'S HEADED INTO THE GARDINER. 206 00:07:09,730 --> 00:07:11,213 WHERE ARE YOU? 207 00:07:11,214 --> 00:07:12,697 SAM: WE'RE ALMOST THERE. HANG TIGHT, DAVID. 208 00:07:12,699 --> 00:07:14,499 WINNIE, GET UNIS ON EVERY EXIT. 209 00:07:14,501 --> 00:07:16,234 IF HE GETS ON THE HIGHWAY, 210 00:07:16,235 --> 00:07:17,968 WE MAKE SURE WE'RE ON HIS TAIL WHEN HE GETS OFF. 211 00:07:17,971 --> 00:07:19,604 I CAN'T JUST WATCH HER DISAPPEAR. 212 00:07:19,606 --> 00:07:21,606 SAM: DAVID, IT'S NOT SAFE, STAY BACK! 213 00:07:21,608 --> 00:07:22,674 I CAN'T! 214 00:07:23,777 --> 00:07:25,844 (TIRES SQUEAL TO A HALT) 215 00:07:28,449 --> 00:07:29,514 PEGGI! 216 00:07:30,751 --> 00:07:31,817 PEGGI! 217 00:07:32,753 --> 00:07:34,119 OOOF! 218 00:07:34,120 --> 00:07:35,486 OH MY GOD! OH MY GOD! 219 00:07:35,489 --> 00:07:36,087 AGHHHH! 220 00:07:36,089 --> 00:07:38,623 SOMEBODY PLEASE HELP! 221 00:07:38,625 --> 00:07:39,691 AGHHH! 222 00:07:40,961 --> 00:07:43,061 (FIGHTING GRUNTS) 223 00:07:43,063 --> 00:07:44,796 HEY, GET BACK IN THE CAR OR I'LL KILL HIM! 224 00:07:44,798 --> 00:07:46,131 DAVID: PEGGI! PEGGI! DO WHAT HE SAYS. 225 00:07:46,133 --> 00:07:48,033 DAVID, WHAT'S HAPPENING? 226 00:07:48,035 --> 00:07:50,502 DAVID: GET BACK! IT'S OKAY. 227 00:07:50,504 --> 00:07:51,570 GET IN! 228 00:07:51,572 --> 00:07:52,938 OKAY. 229 00:07:52,940 --> 00:07:53,939 OOOF! 230 00:07:53,941 --> 00:07:55,073 (SCREAMS) 231 00:07:55,075 --> 00:07:57,509 TONY: GET IN! PEGGI: OKAY! 232 00:07:59,146 --> 00:08:00,612 (PAINED GRUNT) 233 00:08:00,614 --> 00:08:01,746 OH MY GOD! 234 00:08:01,748 --> 00:08:03,682 SAM: DAVID! DAVID! 235 00:08:03,684 --> 00:08:05,116 (CAR SQUEALS OFF) (PAINED, GURGLED GRUNTS) 236 00:08:05,118 --> 00:08:08,086 SAM: DAVID, WHAT'S GOING ON? WE'RE ALMOST THERE! 237 00:08:08,088 --> 00:08:09,221 (SIRENS WAIL) 238 00:08:15,829 --> 00:08:19,197 WINNIE, WE NEED EMS NOW! YORK AND BREMNER. 239 00:08:19,199 --> 00:08:21,566 SINGLE STAB WOUND - NOTHING ARTERIAL. 240 00:08:21,568 --> 00:08:22,934 PULSE IS WEAK BUT STEADY. 241 00:08:22,936 --> 00:08:24,936 THEY WENT... THAT-THAT WENT... 242 00:08:24,938 --> 00:08:26,538 WINNIE: ALERT ALL CARS- 243 00:08:26,540 --> 00:08:27,906 THEY'RE HEADING WEST ON BREMNER! 244 00:08:27,908 --> 00:08:30,642 SAM, WITH ME - LET'S MOVE! 245 00:08:31,645 --> 00:08:33,111 (TRUCK SQUEALS OFF) 246 00:08:41,822 --> 00:08:43,522 SLOW DOWN, SLOW DOWN. 247 00:08:43,524 --> 00:08:44,523 STOP. STOP. 248 00:08:44,525 --> 00:08:45,991 OKAY. OKAY. 249 00:08:47,694 --> 00:08:48,827 WHAT ARE YOU DOING? 250 00:08:48,829 --> 00:08:51,029 WE DON'T NEED THESE ANYMORE. 251 00:08:52,165 --> 00:08:53,632 (EFFORT GRUNT) 252 00:08:53,634 --> 00:08:54,699 OH MY GOD. 253 00:08:58,639 --> 00:09:00,906 (PANICKED, EMOTIONAL BREATHS) 254 00:09:05,846 --> 00:09:07,712 NO, NO, NO, NO, NO! 255 00:09:09,249 --> 00:09:10,782 NO, NO, NO, NO, NO! 256 00:09:10,784 --> 00:09:11,917 PLEASE! TONY! 257 00:09:13,954 --> 00:09:15,053 PLEASE, PLEASE... 258 00:09:15,989 --> 00:09:17,789 (CRYING) PLEASE! 259 00:09:17,791 --> 00:09:19,324 NO, PLEASE TONY, PLEASE! 260 00:09:19,326 --> 00:09:20,892 NOOOO! NOOOOO! 261 00:09:20,894 --> 00:09:22,727 NO, NO, NO! 262 00:09:22,729 --> 00:09:25,030 OH NO! PLEASE LET ME OUT! 263 00:09:25,032 --> 00:09:25,897 OH GOD! 264 00:09:25,899 --> 00:09:26,998 TIME IS UP. 265 00:09:27,000 --> 00:09:29,000 (PANTING) 266 00:09:30,137 --> 00:09:30,936 (EXHALES) 267 00:09:32,940 --> 00:09:47,852 ¶¶¶ 268 00:09:47,854 --> 00:10:00,131 ¶¶¶ 269 00:10:06,873 --> 00:10:08,006 (SIRENS WAIL) 270 00:10:13,380 --> 00:10:14,713 (FLAMES ROAR) 271 00:10:17,117 --> 00:10:19,184 WE'VE GOT A POSITIVE ID ON PEGGI WALSH'S VEHICLE. 272 00:10:19,186 --> 00:10:20,685 BUT NEED THE FIRE DEPARTMENT HERE. 273 00:10:20,687 --> 00:10:21,987 IT'S BEEN TORCHED. 274 00:10:21,989 --> 00:10:23,121 (FLAMES ROAR) 275 00:10:24,992 --> 00:10:26,024 SPIKE: WE'VE GOT DAVID PARK - HE'S INJURED, 276 00:10:26,026 --> 00:10:27,025 BUT HE'S OKAY. 277 00:10:27,027 --> 00:10:29,094 LEAH'S TALKING TO HIM. 278 00:10:29,096 --> 00:10:30,662 PEGGI WALSH? 279 00:10:32,399 --> 00:10:33,732 (FLAMES ROAR) 280 00:10:34,835 --> 00:10:36,901 SAM: ED THE TRUNK! 281 00:10:41,008 --> 00:10:42,907 NEGATIVE. NOBODY HERE. 282 00:10:45,078 --> 00:10:47,312 FIRE MEANS NO FIBERS, PRINTS, DNA. 283 00:10:47,314 --> 00:10:49,014 MIGHT AS WELL HAVE DRIVEN IT INTO A BLACK HOLE. 284 00:10:49,016 --> 00:10:51,082 ED: OKAY, MY GUESS IS HE DITCHED HIS CAR HERE, 285 00:10:51,084 --> 00:10:52,495 HE HAD ANOTHER ONE WAITING. 286 00:10:52,496 --> 00:10:53,907 WHILE WE'RE CHECKING OUT THE CRIME SCENE 287 00:10:53,908 --> 00:10:55,319 HE'S GETTING AWAY. THIS GUY IS SMART. 288 00:10:55,322 --> 00:10:57,172 PARKER OKAY. OUR GUY IS ON THE MOVE. 289 00:10:57,173 --> 00:10:59,023 WE'RE FOLLOWING UP, BUT WE NEED ANOTHER ANGLE. 290 00:10:59,026 --> 00:11:00,058 WE DON'T HAVE A LOT OF TIME FOR THAT. 291 00:11:00,059 --> 00:11:01,091 JULES: WE GOTTA FIGURE OUT WHO THIS GUY IS, 292 00:11:01,094 --> 00:11:02,627 SO WE CAN TRACK HIM DOWN. 293 00:11:02,628 --> 00:11:04,161 YOU MENTIONED SOMETHING TO BOSS ABOUT TRILAMINE, 294 00:11:04,164 --> 00:11:05,647 WHAT IS THAT? 295 00:11:05,648 --> 00:11:07,131 IT'S A PRETTY USEFUL GENERAL ANESTHETIC FOR SURGERIES. 296 00:11:07,134 --> 00:11:09,668 BUT IN HIGH ENOUGH DOSES, IT CAUSES CARDIAC ARREST. 297 00:11:09,670 --> 00:11:12,070 AND IT IS THE SAME DRUG THAT WAS USED BY EVAN HUNTER. 298 00:11:12,072 --> 00:11:13,905 DOCTOR EVAN HUNTER? THAT WAS 15 YEARS AGO, 299 00:11:13,907 --> 00:11:15,524 IT WAS A FAMOUS CASE. 300 00:11:15,525 --> 00:11:17,142 MEYER RESPECTED PHYSICIAN, FAMILY MAN, 301 00:11:17,144 --> 00:11:18,777 PILLAR OF THE COMMUNITY - 302 00:11:18,779 --> 00:11:20,211 UNTIL AN ELDERLY PATIENT'S AUTOPSY 303 00:11:20,213 --> 00:11:22,380 SHOWED TRACES OF TRILAMINE. 304 00:11:22,382 --> 00:11:24,115 THE CORONER DUG INTO HIS PAST CASES... 305 00:11:24,117 --> 00:11:25,250 FOUND SEVEN MORE. 306 00:11:25,252 --> 00:11:26,596 INCLUDING HIS OWN WIFE. 307 00:11:26,597 --> 00:11:27,941 PARKER WELL, IT CAN'T BE HUNTER, 308 00:11:27,942 --> 00:11:29,286 HE KILLED HIMSELF WHEN THE COPS CAME TO ARREST HIM. 309 00:11:29,289 --> 00:11:31,723 THAT'S WHY WE'RE THINKING COPYCAT. 310 00:11:31,725 --> 00:11:34,125 LEAH: DAVID SAID, THE SUBJECT IS WHITE MALE, MEDIUM HAIR, 311 00:11:34,127 --> 00:11:35,594 ABOUT FIVE NINE. 312 00:11:35,595 --> 00:11:37,062 HE HAD A BLUE PLASTIC ID BRACELET - 313 00:11:37,064 --> 00:11:39,931 THE SAME KIND THEY USE AT ST. PAT'S EMERGENCY DEPARTMENT. 314 00:11:39,933 --> 00:11:41,466 HE COULD HAVE PICKED HER OUT INSIDE, 315 00:11:41,467 --> 00:11:43,000 THEN WAITED IN THE LOT UNTIL SHE FINISHED HER SHIFT. 316 00:11:43,003 --> 00:11:44,903 MAYBE SHE EVEN RECOGNIZED HIM. 317 00:11:44,904 --> 00:11:46,804 AND WHEN HER DEFENSES ARE DOWN - HE TAKES HER. 318 00:11:46,807 --> 00:11:48,473 HEY, SPIKE, THE ST. PAT'S SECURITY CAMERAS, 319 00:11:48,475 --> 00:11:49,841 WE NEED A CAPTURE. 320 00:11:49,842 --> 00:11:51,208 ALREADY THOUGHT OF THAT AND SO DID HE. 321 00:11:51,211 --> 00:11:53,211 SECURITY SAID THE CAMERA WERE TURNED TO FACE THE WALL 322 00:11:53,213 --> 00:11:54,813 BEFORE IT HAPPENED. 323 00:11:54,814 --> 00:11:56,414 WHAT ABOUT THE E.R. SECURITY CAMS, INSIDE? 324 00:11:56,416 --> 00:11:58,750 YEAH, BE HARD TO BLOCK 'EM ALL. 325 00:11:58,752 --> 00:11:59,884 WORTH A CALL. 326 00:12:02,089 --> 00:12:03,888 HEY, BOSS. 327 00:12:03,890 --> 00:12:05,290 THIS MIGHT HAVE SOMETHING. KEYS. 328 00:12:05,292 --> 00:12:08,026 THEY MUST HAVE FALLEN DURING THE STRUGGLE. 329 00:12:08,028 --> 00:12:09,094 MOST OF THEM ARE NOT GONNA HELP US. 330 00:12:09,096 --> 00:12:10,428 BUT THIS ONE IS AN ABLOY. 331 00:12:10,430 --> 00:12:12,130 YOU USE THESE LIKE IN REAL ESTATE LOCKS, 332 00:12:12,132 --> 00:12:14,065 IN HIGH SECURITY AREAS. 333 00:12:14,067 --> 00:12:18,269 THE COMPANY EMBEDS A CODE RIGHT INTO THE LOCK. 334 00:12:18,271 --> 00:12:21,840 SO YOU CAN FIND THE OWNER FROM A LOST KEY. 335 00:12:21,842 --> 00:12:23,158 SO WITH THE CODE? 336 00:12:23,159 --> 00:12:24,475 SPIKE: AND ACCESS TO THE COMPANY'S DATA BASE... 337 00:12:24,478 --> 00:12:26,811 WE CAN FIND WHAT WE WANT. 338 00:12:28,181 --> 00:12:30,014 THE KEY BELONGS TO ALLAN THOMPSON. 339 00:12:30,016 --> 00:12:31,082 37 ASHCROFT. 340 00:12:32,385 --> 00:12:34,285 I SWEAR BOSS, I ONLY USE MY POWERS FOR GOOD. 341 00:12:34,287 --> 00:12:35,220 OKAY, YOU AND LEAH GO AHEAD, 342 00:12:35,222 --> 00:12:37,255 I'LL BRING MEYER AND JULES. 343 00:12:37,257 --> 00:12:39,157 EMS SAY THEY MIGHT BE ABLE TO DEAL WITH THE TRILAMINE. 344 00:12:39,159 --> 00:12:41,126 A SHOT OF ADRENALINE WOULD GET HER HEART GOING AGAIN, 345 00:12:41,128 --> 00:12:43,461 ASSUMING WE GET THERE BEFORE HER HEART STOPPED ALTOGETHER. 346 00:12:43,463 --> 00:12:44,462 ALL RIGHT, LET'S ASSUME. 347 00:12:44,464 --> 00:12:46,231 HAVE EMS TAIL YOU. 348 00:12:46,233 --> 00:12:47,465 EDDIE, SAM? 349 00:12:47,467 --> 00:12:48,800 OKAY. THE HOUSE IS CLOSE. 350 00:12:48,801 --> 00:12:50,134 SAM, LET'S SEE WHAT WE CAN GET ON THIS GUY. 351 00:12:50,137 --> 00:12:51,870 ON IT. 352 00:12:51,872 --> 00:12:53,404 (TRUCK RUMBLES OFF) 353 00:13:06,319 --> 00:13:08,820 37 - IT'S GONNA BE ON THE WEST SIDE. 354 00:13:08,822 --> 00:13:09,921 OKAY TEAM 1, JUST GO CAREFUL. 355 00:13:09,923 --> 00:13:11,356 RIGHT NOW HE'S IN THE TOTEM PHASE, 356 00:13:11,358 --> 00:13:13,191 HE'S FOCUSED ON HIS TASK. 357 00:13:13,193 --> 00:13:14,459 IF HE SEES HE CAN'T GET WHAT HE WANTS - 358 00:13:14,461 --> 00:13:16,528 HE COULD KILL PEGGI IMMEDIATELY. 359 00:13:20,133 --> 00:13:23,201 LICENSE PLATE IS REGISTERED TO A. THOMPSON, 360 00:13:23,203 --> 00:13:25,370 SPEED AND SURPRISE, LET'S MOVE! 361 00:13:25,372 --> 00:13:26,805 (TIRES SQUEAL) 362 00:13:33,280 --> 00:13:35,313 (DOORS SLAM) 363 00:13:35,315 --> 00:13:36,281 ED ALLAN THOMPSON! POLICE! 364 00:13:36,283 --> 00:13:38,216 GET OUT OF THAT CAR! POLICE! 365 00:13:38,218 --> 00:13:39,751 WHERE IS PEGGI WALSH, ALLAN? 366 00:13:39,752 --> 00:13:41,285 LEAH: PEGGI, ARE YOU ALL RIGHT? 367 00:13:41,288 --> 00:13:42,287 ARE YOU OKAY? 368 00:13:42,289 --> 00:13:43,555 DID HE INJECT YOU WITH ANYTHING? 369 00:13:43,557 --> 00:13:46,191 MY NAME IS NOT PEGGI! 370 00:13:46,193 --> 00:13:47,325 HOLD ON! 371 00:13:47,327 --> 00:13:48,326 HIM? 372 00:13:48,328 --> 00:13:50,328 THAT'S HIM. DEFINITELY. 373 00:13:51,398 --> 00:13:54,332 JULES: TEAM ONE, I'M SENDING A SCREEN GRAB OF THE SUSPECT, 374 00:13:54,334 --> 00:13:56,334 WE'RE ON OUR WAY THERE. 375 00:13:57,604 --> 00:13:59,370 ED: WE'RE RUNNING OUT OF TIME! 376 00:13:59,372 --> 00:14:00,371 DEBBIE: STOP! YOU'RE HURTING HIM! 377 00:14:00,373 --> 00:14:02,173 SAM ED. ED. IT'S NOT HIM! 378 00:14:02,175 --> 00:14:03,908 IT'S NOT HIM. 379 00:14:03,910 --> 00:14:05,009 WOMAN: LET GO. 380 00:14:05,946 --> 00:14:07,279 ALLAN. 381 00:14:07,280 --> 00:14:08,613 SORRY, YOU ALL RIGHT? SORRY, I APPOLOGIZE! 382 00:14:08,615 --> 00:14:10,315 WOMAN: DO YOU MIND EXPLAINING WHAT THIS IS ALL ABOUT?! 383 00:14:10,317 --> 00:14:11,950 SAM: ED, YOU ALL RIGHT? 384 00:14:11,952 --> 00:14:15,019 MA'AM, A WOMAN WAS ABDUCTED LESS THAN AN HOUR AGO, 385 00:14:15,021 --> 00:14:16,588 DO YOU KNOW THIS MAN? 386 00:14:18,291 --> 00:14:19,357 OH MY GOD... 387 00:14:19,359 --> 00:14:20,992 SAM: MR. THOMSON, DO YOU KNOW HIM? 388 00:14:20,994 --> 00:14:22,327 THAT'S MY BROTHER? COLIN. 389 00:14:22,329 --> 00:14:24,162 DEBBIE: ALLAN, WHAT BROTHER? 390 00:14:24,164 --> 00:14:25,363 COLIN THOMPSON? 391 00:14:25,365 --> 00:14:26,431 GUYS WE'RE GONNA NEED APB OUT FOR- 392 00:14:26,433 --> 00:14:29,133 ALLAN: NO. NOT THOMPSON - HUNTER. 393 00:14:33,473 --> 00:14:34,606 COLIN HUNTER. 394 00:14:37,277 --> 00:14:40,144 WAS EVAN HUNTER YOUR FATHER? 395 00:14:45,986 --> 00:14:47,518 (PANICKED BREATHING) 396 00:14:56,029 --> 00:14:57,095 OKAY. 397 00:14:58,531 --> 00:15:00,265 OKAY. 398 00:15:00,266 --> 00:15:02,000 UH, IF YOU LET ME GO... WE CAN WORK IT OUT... 399 00:15:02,002 --> 00:15:03,635 COLIN: HEY! HEY! HEY! HEY! 400 00:15:08,241 --> 00:15:10,675 SHHH-SHHHH. IT'S OKAY. 401 00:15:10,677 --> 00:15:12,310 IT'S OKAY. IT'S OKAY. 402 00:15:12,312 --> 00:15:14,412 (MONITORS BEEP ON) IT'S OKAY. RELAX. 403 00:15:14,414 --> 00:15:16,147 OKAY? 404 00:15:16,149 --> 00:15:17,315 OKAY. YOU DO THAT? 405 00:15:17,317 --> 00:15:18,316 YEAH. EAH? 406 00:15:19,252 --> 00:15:21,185 ELAX. OKAY. 407 00:15:21,187 --> 00:15:22,320 IT'S GONNA BE FINE. 408 00:15:23,390 --> 00:15:25,089 OKAY. I'LL RELAX. 409 00:15:25,091 --> 00:15:26,090 YOU JUST LET ME GO THEN. 410 00:15:26,092 --> 00:15:27,759 JUST RELAX. 411 00:15:27,760 --> 00:15:29,427 IF YOU JUST LET ME GO THEN EVERYTHING WILL BE FINE. 412 00:15:29,429 --> 00:15:30,962 I WON'T SAY ANYTHING. 413 00:15:30,964 --> 00:15:32,931 ONNA BE FINE. I PROMISE. 414 00:15:32,933 --> 00:15:34,332 YOU GONNA FEEL FINE. 415 00:15:34,334 --> 00:15:35,333 I'M HERE FOR YOU. 416 00:15:35,335 --> 00:15:36,334 WHAT ARE YOU DOING, TONY? 417 00:15:36,336 --> 00:15:37,335 YOU DON'T HAVE TO WORRY? 418 00:15:37,337 --> 00:15:39,203 WHAT ARE YOU DOING? 419 00:15:39,205 --> 00:15:41,172 IT'S GONNA BE SO NICE FOR YOU. 420 00:15:41,174 --> 00:15:43,007 PEGGI: (CRYING) OH MY GOD. 421 00:15:43,009 --> 00:15:45,076 WAIT... JUST... WAIT, WAIT! 422 00:15:45,078 --> 00:15:47,078 IS THAT TRILAMINE? NO! 423 00:15:47,080 --> 00:15:48,046 NO, NO, NO, NO! WAIT! 424 00:15:48,048 --> 00:15:49,080 NO! NO! STOP! PLEASE! 425 00:15:49,082 --> 00:15:50,415 PLEASE, PLEASE DON'T! 426 00:15:50,417 --> 00:15:51,482 SHHHHH. 427 00:15:52,419 --> 00:15:55,153 IT'S GONNA BE VERY NICE... 428 00:15:55,155 --> 00:15:56,922 PEGGI: NO! 429 00:15:56,923 --> 00:15:58,690 DON'T WORRY. IT'S GONNA BE BEAUTIFUL. 430 00:15:58,692 --> 00:16:01,392 NOOO! WHY ARE YOU DOING THIS?! 431 00:16:01,394 --> 00:16:03,494 I KNOW WHAT I'M DOING. 432 00:16:03,496 --> 00:16:05,530 MY FATHER WAS A DOCTOR. 433 00:16:05,532 --> 00:16:07,365 (BLOOD CURDLING SCREAM) 434 00:16:16,676 --> 00:16:18,376 YOU HAVE ANY IDEA WHERE PEGGI WALSH IS? 435 00:16:18,378 --> 00:16:19,711 ALLAN: WHO IS THIS PEGGI WALSH? 436 00:16:19,713 --> 00:16:20,712 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 437 00:16:20,714 --> 00:16:21,980 MEYER: MR. HUNTER? 438 00:16:21,982 --> 00:16:23,314 MY NAME IS THOMPSON. 439 00:16:23,316 --> 00:16:25,283 I CHANGED MY NAME. 440 00:16:25,284 --> 00:16:27,251 PARKER: FINE, MR. THOMPSON - LOOK, WE DON'T HAVE TIME HERE, 441 00:16:27,253 --> 00:16:29,287 THERE'S A WOMAN WHO IS IN DANGER. 442 00:16:29,289 --> 00:16:31,155 OKAY, BUT WHAT DOES THAT HAVE TO DO WITH MY BROTHER? 443 00:16:31,157 --> 00:16:32,390 MEYER: HE'S ABDUCTED SOMEONE TODAY, 444 00:16:32,391 --> 00:16:33,624 AND WE BELIEVE HE INTENDS TO KILL HER. 445 00:16:33,626 --> 00:16:35,293 TWO OTHER WOMEN WERE FOUND DEAD. 446 00:16:35,295 --> 00:16:39,998 KILLED WITH THE SAME ANESTHETIC YOUR FATHER USED. 447 00:16:40,000 --> 00:16:41,065 ALLAN: OH NO. 448 00:16:42,002 --> 00:16:43,635 NO, THIS CAN'T BE HAPPENING. 449 00:16:43,636 --> 00:16:45,269 LOOK, ALLAN, WE'VE GOT A POSITIVE ID FROM A VICTIM. 450 00:16:45,271 --> 00:16:46,571 WE HAVE SECURITY CAM FOOTAGE. 451 00:16:46,573 --> 00:16:48,439 WE KNOW IT'S COLIN. 452 00:16:49,376 --> 00:16:51,009 ALLAN, HE WAS CARING THESE KEYS 453 00:16:51,011 --> 00:16:52,176 THAT WERE REGISTERED IN YOUR NAME. 454 00:16:52,178 --> 00:16:54,178 HOW DID COLIN GET THEM? 455 00:16:54,180 --> 00:16:55,313 ALLAN: WAIT. THIS IS... OH MY GOD... 456 00:16:55,315 --> 00:16:56,781 PARKER: YOU RECOGNIZE THEM? 457 00:16:56,783 --> 00:16:57,782 ALLAN: THERE WAS A BREAK IN. 458 00:16:57,783 --> 00:16:58,782 WE THOUGHT THAT IT WAS JUST TEENAGERS, 459 00:16:58,785 --> 00:17:00,184 NOTHING VALUABLE TAKEN. 460 00:17:00,186 --> 00:17:02,186 JUST SOME CASH, A VIDEO CAMERA... 461 00:17:03,423 --> 00:17:04,655 AND MY KEYS FOR WORK. 462 00:17:04,657 --> 00:17:06,107 WHAT DO YOU DO FOR WORK? 463 00:17:06,108 --> 00:17:07,558 ALLAN: I'M IN REAL ESTATE. COMMERCIAL PROPERTIES. 464 00:17:07,560 --> 00:17:09,727 THIS IS FOR THE SPENCER HOUSE ON CRAYMORE. 465 00:17:09,729 --> 00:17:11,396 IT USED TO BE A HOSPICE. 466 00:17:11,398 --> 00:17:12,697 THE PLACE HAS BEEN EMPTY FOR YEARS. 467 00:17:12,699 --> 00:17:14,232 OKAY, TEAM, LET'S GET READY TO MOVE. 468 00:17:14,234 --> 00:17:16,167 HOW WELL DO YOU KNOW THE SPENCER HOUSE? 469 00:17:16,169 --> 00:17:17,402 I'VE-I'VE SHOWED IT TO DEVELOPERS 470 00:17:17,404 --> 00:17:19,321 ABOUT A DOZEN TIMES. 471 00:17:19,322 --> 00:17:21,239 COME WITH US? WE CAN STILL USE YOUR HELP. 472 00:17:23,109 --> 00:17:24,108 YEAH, YEAH. SURE. OF COURSE. 473 00:17:24,110 --> 00:17:25,109 WHATEVER I CAN DO. 474 00:17:25,111 --> 00:17:26,577 THANK YOU. COME ON. 475 00:17:28,281 --> 00:17:30,648 DEBBIE: ALLAN- ALLAN: DEBBIE, PLEASE, OKAY. FORGIVE ME? 476 00:17:30,650 --> 00:17:31,783 DEBBIE: WHAT ELSE HAVEN'T YOU TOLD ME? 477 00:17:31,785 --> 00:17:32,784 ALLAN: NOTHING. ALL RIGHT? 478 00:17:32,786 --> 00:17:33,785 I JUST-I DIDN'T WANT TO HURT YOU. 479 00:17:33,787 --> 00:17:35,453 HURT ME?! ALLAN, I'M YOUR WIFE. 480 00:17:35,455 --> 00:17:36,687 WHY WOULDN'T YOU JUST TRUST ME? 481 00:17:36,689 --> 00:17:37,688 I'M SORRY. 482 00:17:37,690 --> 00:17:39,190 PARKER: ALLAN. 483 00:17:39,192 --> 00:17:40,525 LOOK, I HAVE TO GO. 484 00:17:40,527 --> 00:17:42,126 I'M GONNA EXPLAIN EVERYTHING, OKAY? 485 00:17:42,128 --> 00:17:43,227 I LOVE YOU. 486 00:17:43,229 --> 00:17:44,295 (CRYING) 487 00:17:59,512 --> 00:18:00,812 SPIKE: OKAY, HERE'S WHAT I'VE GOT: 488 00:18:00,814 --> 00:18:03,064 COLIN HUNTER, 489 00:18:03,065 --> 00:18:05,315 ELDEST SON OF DR. EVAN HUNTER, SERIAL KILLER. 490 00:18:05,318 --> 00:18:06,784 BROTHER TO ALLAN HUNTER. 491 00:18:06,786 --> 00:18:09,253 DR. HUNTER KILLED HIMSELF WHEN ALLAN WAS 12, 492 00:18:09,255 --> 00:18:11,255 AND COLIN WAS 17. 493 00:18:11,257 --> 00:18:13,291 ALLAN WAS ADOPTED BY THE THOMPSON FAMILY. 494 00:18:13,293 --> 00:18:14,559 BUT COLIN WAS EIGHTEEN BY THEN. 495 00:18:14,561 --> 00:18:16,077 AND ON HIS OWN, 496 00:18:16,078 --> 00:18:17,594 AND THERE IS NO RECORD OF WHERE HE WENT TO. 497 00:18:17,597 --> 00:18:20,298 UH, CRIMINAL RECORD: A COUPLE OF MINOR ASSAULTS, 498 00:18:20,300 --> 00:18:23,334 THEFT, B&E, NO REGULAR EMPLOYMENT. 499 00:18:23,336 --> 00:18:26,237 MULTIPLE ADDRESSES, NO DOMICILE ON RECORD. 500 00:18:26,239 --> 00:18:27,705 THE GUY'S A DRIFTER. 501 00:18:27,707 --> 00:18:28,773 (SIRENS WAIL) 502 00:18:28,775 --> 00:18:31,375 THE HOSPICE IS JUST A FEW MINUTES AHEAD. 503 00:18:31,377 --> 00:18:32,677 IT'S A TEN STORY BUILDING, GUYS, 504 00:18:32,679 --> 00:18:34,312 MULTIPLE ENTRY POINTS. 505 00:18:34,314 --> 00:18:35,930 AND EXITS. 506 00:18:35,931 --> 00:18:37,547 IF HE SEES US APPROACH, HE'S GOT A LOT OF WAYS OUT. 507 00:18:37,550 --> 00:18:39,217 OKAY. HARD AND FAST ENTRY- 508 00:18:39,219 --> 00:18:41,002 FRONT AND BACK - LET'S MOVE. 509 00:18:41,003 --> 00:18:42,786 THAT'S AN OLD BUILDING, LOT OF CONCRETE WALLS- 510 00:18:42,789 --> 00:18:44,188 ED: SPIKE, BRING THE HEAVY CHARGES, 511 00:18:44,190 --> 00:18:46,691 IF HE'S HOLED UP IN THERE, 512 00:18:46,692 --> 00:18:49,193 WE GOTTA BLAST THROUGH THOSE WALLS FAST! 513 00:18:49,195 --> 00:18:52,597 ALLAN, I KNOW THIS CAN'T BE EASY FOR YOU. 514 00:18:52,599 --> 00:18:54,132 IT JUST NEVER ENDS. 515 00:18:54,134 --> 00:18:55,600 SO HOW CLOSE ARE YOU TO YOUR BROTHER? 516 00:18:55,602 --> 00:18:58,269 ALLAN: WE'VE LOST TOUCH. 517 00:18:59,205 --> 00:19:00,771 THE MEMORIES OF MY DAD... 518 00:19:00,773 --> 00:19:03,274 WHAT HE DID - WHERE TOO PAINFUL. 519 00:19:03,276 --> 00:19:07,378 BEING AROUND HIM JUST BROUGHT THEM ALL BACK. 520 00:19:07,380 --> 00:19:10,348 HEY, THERE'S NO WAY YOU COULD HAVE KNOWN. 521 00:19:13,820 --> 00:19:15,186 WE'RE HERE. 522 00:19:15,188 --> 00:19:16,320 (SIRENS WAIL) 523 00:19:20,927 --> 00:19:23,361 (TRUCKS SCREECH TO A HALT) 524 00:19:26,232 --> 00:19:27,298 (BEEPING) 525 00:19:34,440 --> 00:19:35,506 TONY... 526 00:19:39,913 --> 00:19:41,445 YOU STILL HERE? 527 00:19:47,820 --> 00:19:52,857 SPIKE, LEAH, USE CAUTION, TAKE THE REAR ON MY GO. 528 00:19:52,859 --> 00:19:54,458 HEY, IT'S COLIN. 529 00:19:56,429 --> 00:19:58,429 OKAY. COLIN. 530 00:19:58,431 --> 00:20:00,231 COLIN: YEAH. 531 00:20:00,233 --> 00:20:01,599 JUST LET ME GO. 532 00:20:01,601 --> 00:20:02,667 IT'S OKAY. 533 00:20:02,669 --> 00:20:04,268 JULES, STAY WITH ALLAN AND MEYER. 534 00:20:04,270 --> 00:20:05,369 IF HE CAN THINK OF ANYTHING ELSE, 535 00:20:05,371 --> 00:20:06,370 I WANNA BE ON TOP OF IT. 536 00:20:06,372 --> 00:20:07,738 OKAY. 537 00:20:07,740 --> 00:20:09,273 SHH. SHH. SHH. 538 00:20:09,275 --> 00:20:11,409 THERE'S NOTHING TO BE AFRAID. 539 00:20:11,411 --> 00:20:13,678 SOON IT WON'T HURT ANYMORE. 540 00:20:13,680 --> 00:20:16,247 WHAT DO YOU MEAN? 541 00:20:16,249 --> 00:20:18,849 I'M NOT HURTING, I WAS NEVER HURTING. 542 00:20:20,954 --> 00:20:22,220 ED: SAM... 543 00:20:29,429 --> 00:20:32,263 ED: ALPHA TEAM IS A GO ON ENTRY - 544 00:20:32,265 --> 00:20:34,899 HOW ARE YOU FEELING? ARE YOU COMFORTABLE? 545 00:20:34,901 --> 00:20:36,467 I'M AFRAID. 546 00:20:36,469 --> 00:20:39,437 COLIN: OH DON'T-DON'T BE AFRAID. 547 00:20:40,907 --> 00:20:42,907 HEY, IT'S OKAY. I LOVE YOU. 548 00:20:42,909 --> 00:20:43,908 PEGGI: WHAT? 549 00:20:43,910 --> 00:20:45,476 IT'S OKAY. 550 00:20:55,288 --> 00:20:56,387 THE KITCHEN'S CLEAR. 551 00:20:56,389 --> 00:20:57,655 COLIN PLEASE. 552 00:20:57,657 --> 00:20:59,457 WHAT? 553 00:20:59,459 --> 00:21:01,559 MY FIANCEE'S NAME IS DAVID. 554 00:21:01,561 --> 00:21:03,828 WE'RE GETTING MARRIED IN SIX MONTHS. 555 00:21:03,830 --> 00:21:07,598 AT MY MOTHER'S COTTAGE. I GREW UP THERE... 556 00:21:10,503 --> 00:21:11,569 (EXHALES) 557 00:21:19,379 --> 00:21:21,145 GUYS, WE GOT A POWER CABLE, 558 00:21:21,146 --> 00:21:22,912 RUNNING THROUGH THE THIRD STORY WINDOW, WEST WALL. 559 00:21:22,915 --> 00:21:23,914 ED: GOOD EYE, SPIKE, 560 00:21:23,916 --> 00:21:25,366 STACK UP ON THE THIRD FLOOR - 561 00:21:25,367 --> 00:21:26,817 FAST AND QUIET, KEEP THE ELEMENT OF SURPRISE. 562 00:21:32,558 --> 00:21:34,592 YOU HAVE ANY IDEA WHAT WE'RE FACING WITH COLIN IN THERE? 563 00:21:34,594 --> 00:21:36,594 DON'T TALK TO HIM. I DON'T SEE HIM. 564 00:21:38,598 --> 00:21:41,065 BUT IF HE IS JUST REPEATING WHAT DAD DID THEN... 565 00:21:41,067 --> 00:21:43,934 HE'S NOT A THREAT TO ANY OF YOU. 566 00:21:43,936 --> 00:21:47,004 WHAT DO YOU MEAN, HE'S NOT A THREAT TO US? 567 00:21:47,006 --> 00:21:49,473 I AM A HUMAN BEING, AND I AM DYING 568 00:21:49,475 --> 00:21:50,675 IN FRONT OF YOU. 569 00:21:52,845 --> 00:21:54,378 GO. 570 00:22:03,523 --> 00:22:05,656 PLEASE. PLEASE, LOOK AT ME. 571 00:22:08,494 --> 00:22:10,594 LOOK AT WHAT YOU ARE DOING. 572 00:22:11,531 --> 00:22:13,597 OH, I AM LOOKING, PEGGI. 573 00:22:16,436 --> 00:22:17,568 (SLOW INHALE) 574 00:22:20,406 --> 00:22:22,406 THAT'S THE WHOLE POINT. 575 00:22:24,577 --> 00:22:38,522 ¶¶¶ 576 00:22:38,524 --> 00:22:41,625 (DOOR BANGS OPEN) COLIN HUNTER! 577 00:22:41,627 --> 00:22:43,828 CLEAR. THERE IS NO ONE HERE. 578 00:22:48,568 --> 00:22:50,134 ALLAN THE LAST TIME THAT I SAW MY FATHER, 579 00:22:50,136 --> 00:22:51,669 WE WERE IN THE KITCHEN. 580 00:22:51,671 --> 00:22:54,405 THEN THE POLICE WERE POUNDING AT THE DOOR - 581 00:22:54,407 --> 00:22:56,974 AND HE LOOKED AT US AND SAID, 582 00:22:56,976 --> 00:22:59,577 I GOTTA DO SOMETHING UPSTAIRS, BOYS. 583 00:22:59,579 --> 00:23:01,729 THE NEXT TIME WE SAW HIM, 584 00:23:01,730 --> 00:23:03,880 HE WAS BEING CARRIED DOWN STAIRS IN A BODY-BAG. 585 00:23:03,883 --> 00:23:06,417 HE HAD AN INJECTION OF MORPHINE WAITING UPSTAIRS. 586 00:23:06,419 --> 00:23:07,885 IT'S A LOT FASTER THAN TRILAMINE. 587 00:23:07,887 --> 00:23:10,588 SO NO. IF COLIN GET CORNERED 588 00:23:10,590 --> 00:23:12,590 I DON'T THINK HE'S ANY THREAT TO YOU. 589 00:23:12,592 --> 00:23:14,525 MIGHT GET SOMETHING. 590 00:23:15,795 --> 00:23:17,528 (BEEPING) 591 00:23:17,530 --> 00:23:18,662 ED: WHAT'S THAT? SAM: MOVE! MOVE! MOVE! 592 00:23:18,664 --> 00:23:19,697 WHAT IS IT? WHAT?! 593 00:23:19,699 --> 00:23:20,998 ED: GO! 594 00:23:21,000 --> 00:23:22,066 (EXPLOSION) 595 00:23:31,511 --> 00:23:32,476 SAM! ED! 596 00:23:32,478 --> 00:23:34,912 SARGE! COME ON. STATUS, ANYBODY? 597 00:23:34,914 --> 00:23:36,046 (FLAMES ROAR) 598 00:23:37,483 --> 00:23:39,417 SARGE! COME ON, STATUS NOW! 599 00:23:39,419 --> 00:23:40,785 ANYBODY! 600 00:23:40,787 --> 00:23:41,919 BRADDOCK, CLEAR. 601 00:23:41,921 --> 00:23:43,454 (RELIEVED SIGH) 602 00:23:45,491 --> 00:23:47,158 SPIKE: SCARLATTI. ED: CLEAR. 603 00:23:47,160 --> 00:23:48,592 NO HARM. 604 00:23:48,594 --> 00:23:50,728 JULES, NO HARM. ALL CLEAR. 605 00:23:50,730 --> 00:23:51,929 WHAT THE HELL HAPPENED? 606 00:23:51,931 --> 00:23:53,297 ED: PLACE WAS RIGGED TO BLOW. 607 00:23:53,298 --> 00:23:54,664 SPIKE: MUST REALLY WANT TO KEEP PEOPLE OUT... 608 00:23:54,667 --> 00:23:56,534 PARKER KEEP PEOPLE FROM SEEING WHAT'S INSIDE, 609 00:23:56,536 --> 00:23:58,536 SO LET'S START LOOKING. 610 00:24:01,441 --> 00:24:11,549 ¶¶¶ 611 00:24:11,551 --> 00:24:19,457 ¶¶¶ 612 00:24:19,459 --> 00:24:20,458 EDDIE. 613 00:24:20,460 --> 00:24:21,525 YEAH. 614 00:24:24,764 --> 00:24:26,764 TROPHY PHOTOS OF HIS VICTIMS. 615 00:24:28,534 --> 00:24:30,468 LEAH: BUT THEY DON'T LOOK AFRAID, OR HURT, THEY LOOK- 616 00:24:30,470 --> 00:24:31,602 PARKER: PEACEFUL... 617 00:24:31,604 --> 00:24:32,937 AND DEAD. 618 00:24:34,073 --> 00:24:36,173 THESE PHOTOS WERE TAKEN IN THE SAME BED 619 00:24:36,175 --> 00:24:37,508 BUT IT'S NOT THAT BED. 620 00:24:37,509 --> 00:24:38,842 SAM: HE LIVES HERE. BUT HE MUST KILL THEM THERE. 621 00:24:38,845 --> 00:24:40,044 THAT'S GOT TO BE WHERE HE IS NOW. 622 00:24:40,046 --> 00:24:41,645 YEAH. 623 00:24:41,647 --> 00:24:43,814 MAYBE WE CAN STILL FIND SOMETHING OFF OF THIS? 624 00:24:45,718 --> 00:24:48,118 (MONITOR BEEPS, SLOW EXHALE) 625 00:24:50,556 --> 00:24:51,789 (SHAKY BREATH) 626 00:24:53,059 --> 00:24:55,226 YOU NEED TO LOOK UP. 627 00:24:55,228 --> 00:24:56,494 (EXHALES) 628 00:25:03,536 --> 00:25:05,269 (COMPUTER KEYS CLACK) 629 00:25:05,271 --> 00:25:07,571 JULES: LOOK AT THE POSITION AND THE ANGLE - 630 00:25:07,573 --> 00:25:08,839 IT'S VERY SPECIFIC. 631 00:25:10,610 --> 00:25:12,042 IT'S MORE THAN JUST A TROPHY. 632 00:25:12,044 --> 00:25:14,111 THEY'RE BOTH THE SAME? 633 00:25:20,086 --> 00:25:22,086 ALLAN, THIS IS GOING TO BE HARD. 634 00:25:22,087 --> 00:25:24,087 BUT I NEED YOU TO TAKE A LOOK AT THIS? 635 00:25:24,090 --> 00:25:25,523 ALLAN, DO YOU SEE ANYTHING FAMILIAR HERE? 636 00:25:25,525 --> 00:25:28,626 LOOK, ANYTHING AT ALL? LOOK. 637 00:25:29,629 --> 00:25:31,228 (EMOTIONAL BREATHING) 638 00:25:34,166 --> 00:25:35,699 OH GOD, I'M SORRY! 639 00:25:35,701 --> 00:25:36,934 ALLAN! 640 00:25:38,604 --> 00:25:39,803 (VOMITS, COUGHS) 641 00:25:45,912 --> 00:25:47,778 ALLAN, I KNOW THIS IS HARD FOR YOU, 642 00:25:47,780 --> 00:25:50,714 BUT YOU SAW SOMETHING IN THIS PHOTO, DIDN'T YOU? 643 00:25:50,716 --> 00:25:52,349 I DON'T KNOW WHERE IT IS. 644 00:25:52,350 --> 00:25:53,983 IT'S NOT THAT. IT WAS SOMETHING ELSE. 645 00:25:55,955 --> 00:25:57,588 I'M SORRY. 646 00:25:57,590 --> 00:25:59,256 ANYTHING WILL HELP. 647 00:26:00,560 --> 00:26:01,625 IT'S JUST- 648 00:26:02,662 --> 00:26:04,595 THE ANGLE... 649 00:26:05,331 --> 00:26:07,665 WAS LIKE MY MOTHER WHEN SHE DIED. 650 00:26:12,705 --> 00:26:14,605 BUT DIDN'T YOUR FATHER... I-I'M SORRY, 651 00:26:14,607 --> 00:26:16,040 BUT DIDN'T YOUR FATHER KILL YOUR MOTHER? 652 00:26:16,042 --> 00:26:18,175 WASN'T SHE THE FIRST? 653 00:26:19,111 --> 00:26:21,011 THEN... OH MY GOD. 654 00:26:22,648 --> 00:26:26,350 DID YOU SEE YOUR FATHER KILL YOUR MOTHER? 655 00:26:26,352 --> 00:26:29,086 MY MOTHER HAD MS. LATE ONSET. 656 00:26:29,088 --> 00:26:32,089 SHE HAD TO QUIT HER JOB 657 00:26:32,090 --> 00:26:35,091 AND WITHIN A YEAR OF DIAGNOSIS, SHE-SHE COULD BARELY WALK. 658 00:26:35,094 --> 00:26:37,027 I'M MEAN WE WERE JUST KIDS. 659 00:26:37,029 --> 00:26:39,830 I WAS SIX AND COLIN WAS 11. 660 00:26:41,133 --> 00:26:44,668 WE WEREN'T SUPPOSED TO BE WATCHING. 661 00:26:44,670 --> 00:26:46,704 MY DAD TOLD US TO LEAVE. 662 00:26:46,706 --> 00:26:49,239 BUT COLIN HAD THE IDEA TO GO TO THE ATTIC. 663 00:26:49,241 --> 00:26:51,609 MAN: IT'S BETTER. TRUST ME. 664 00:26:51,611 --> 00:26:53,177 YOU WONT HURT ANYMORE. 665 00:26:53,179 --> 00:26:54,945 THERE'S NOTHING TO BE AFRAID OF MY LOVE. 666 00:26:54,947 --> 00:26:57,615 PLEASE, EVAN... I'M SCARED. 667 00:26:57,617 --> 00:26:59,717 ALLAN: I COULDN'T STAND IT ANYMORE. 668 00:26:59,719 --> 00:27:01,852 COLIN, HE JUST KEPT WATCHING. 669 00:27:03,923 --> 00:27:06,156 WE TOLD THE POLICE, AFTER HE WAS GONE. 670 00:27:06,158 --> 00:27:08,692 BUT I MEAN, BUT BY THEN, WHAT COULD THEY DO? 671 00:27:08,694 --> 00:27:10,361 WHAT'S THE POINT? 672 00:27:10,363 --> 00:27:12,930 THIS KIND OF TRAUMA... I MEAN, I CAN'T- 673 00:27:12,932 --> 00:27:16,800 I CAN'T EVEN IMAGINE WHAT IT'S LIKE TO DEAL WITH IT. 674 00:27:16,802 --> 00:27:18,102 WE BOTH SAW WHAT WE SAW. 675 00:27:18,104 --> 00:27:20,004 WE BOTH HAD CHOICES. 676 00:27:20,940 --> 00:27:23,340 I WENT MY WAY, AND COLIN... 677 00:27:23,342 --> 00:27:25,709 HE WENT HIS. 678 00:27:25,711 --> 00:27:27,278 OKAY, THIS MIGHT BE SOMETHING - 679 00:27:27,279 --> 00:27:28,846 IT'S VIDEO FROM THE DISC ON COLIN'S COMPUTER. 680 00:27:28,848 --> 00:27:31,115 YOU CAN'T REALLY MAKE OUT THE IMAGE. 681 00:27:31,117 --> 00:27:32,182 (BEEPING) 682 00:27:33,819 --> 00:27:37,054 COLIN: THERE'S NOTHING TO BE AFRAID OF. 683 00:27:37,056 --> 00:27:38,989 SOON IT WON'T HURT ANYMORE. 684 00:27:38,991 --> 00:27:42,326 WOMAN'S VOICE: PLEASE... YOU DON'T HAVE TO DO THIS! 685 00:27:42,328 --> 00:27:43,327 OKAY, THERE, IN THE SILENCE - 686 00:27:43,329 --> 00:27:44,962 LISTEN, YOU HEAR THAT? 687 00:27:44,964 --> 00:27:47,164 WOMAN'S VOICE: PLEASE... YOU DON'T HAVE- (WHOOSHING) 688 00:27:47,166 --> 00:27:48,732 AIR CONDITIONING SYSTEM? 689 00:27:48,734 --> 00:27:49,800 SPIKE NO, IT'S NOT ON-OFF. 690 00:27:49,802 --> 00:27:51,935 IT FADES IN AND THEN IT FADES OUT. 691 00:27:51,937 --> 00:27:55,022 COLIN: SOON IT WON'T HURT ANYMORE. 692 00:27:55,023 --> 00:27:58,108 WOMAN'S VOICE: PLEASE... (WHOOSHING) YOU DON'T HAVE TO DO THIS! 693 00:27:58,110 --> 00:27:59,843 (MONITORS BEEP, PEGGI SOBS) 694 00:27:59,845 --> 00:28:01,445 COLIN: STOP! STOP IT! 695 00:28:02,715 --> 00:28:03,881 WHY DON'T YOU UNDERSTAND? 696 00:28:03,883 --> 00:28:05,783 IT'S BETTER! THIS IS BETTER! 697 00:28:06,719 --> 00:28:07,718 (WHIMPERS) 698 00:28:07,720 --> 00:28:10,187 JUST LOOK, LOOK AT THE CAMERA? 699 00:28:11,123 --> 00:28:12,456 (MONITOR BEEPS) 700 00:28:16,829 --> 00:28:18,896 (CRYING) OH GOD... PLEASE... 701 00:28:23,302 --> 00:28:25,235 JULES: THESE ARE WHERE THE TWO BODIES WERE FOUND, RIGHT? 702 00:28:25,237 --> 00:28:27,705 MEYER: AND THESE ARE THE ABDUCTION POINTS. 703 00:28:27,707 --> 00:28:29,306 ALL EAST SIDE, WITHIN A COUPLE OF BLOCKS. 704 00:28:29,308 --> 00:28:31,408 KILLERS LIKE THIS, THEY LIKE TO DUMP THEIR VICTIMS 705 00:28:31,410 --> 00:28:32,409 RIGHT AFTER THEY'RE DEAD. 706 00:28:32,411 --> 00:28:33,410 ONCE HE GETS WHAT HE WANTS, 707 00:28:33,412 --> 00:28:36,046 IT'S LIKE A SWITCH GOES OFF. 708 00:28:36,048 --> 00:28:37,414 HE GETS GUILTY. 709 00:28:37,416 --> 00:28:39,216 THE BODIES BECOME A REMINDER OF WHAT HE'S DONE. 710 00:28:39,218 --> 00:28:42,753 OKAY, SO LET'S ASSUME THAT HE DISPOSES OF THE BODIES 711 00:28:42,755 --> 00:28:43,754 WITHIN A THIRTY MINUTE RADIUS 712 00:28:43,756 --> 00:28:45,422 FROM WHERE HE KILLED THEM. 713 00:28:45,424 --> 00:28:46,790 SO THAT WOULD BE RIGHT ABOUT HERE. 714 00:28:46,792 --> 00:28:48,058 WE CANVASSED THERE ALREADY. 715 00:28:48,060 --> 00:28:49,860 BUT IT'S RIGHT DOWNTOWN. 716 00:28:49,862 --> 00:28:52,863 HIGH-RISES, OFFICES, SHOPS, INCREDIBLY DENSE. 717 00:28:52,865 --> 00:28:54,364 JULES: YEAH, IT'S GOTTA BE PRIVATE. ISOLATED. 718 00:28:54,366 --> 00:28:55,899 EASY ACCESS, 719 00:28:55,901 --> 00:28:57,501 SO HE CAN BRING A WOMAN THAT'S ALIVE IN, 720 00:28:57,503 --> 00:28:58,936 AND THEN BRING HER OUT DEAD, 721 00:28:58,938 --> 00:29:00,404 WITHOUT ANYBODY SEEING. 722 00:29:00,406 --> 00:29:02,473 SOMEWHERE HE KNOWS WELL. 723 00:29:03,409 --> 00:29:06,376 BOSS, WHAT DO WE HAVE ON COLIN'S WORK HISTORY AGAIN? 724 00:29:06,378 --> 00:29:07,578 NOT MUCH. 725 00:29:07,579 --> 00:29:08,779 HAS NEVER STUCK WITH ANYTHING FOR TOO LONG ENOUGH, 726 00:29:08,781 --> 00:29:10,781 ACCORDING TO ALLAN. 727 00:29:10,783 --> 00:29:11,782 SPIKE: I THINK I GOT IT! 728 00:29:11,784 --> 00:29:13,951 SUBWAY - LOW-RANGE SOUND, 729 00:29:13,953 --> 00:29:16,954 FOUR-MINUTE INTERVALS, DOWNTOWN - 730 00:29:16,956 --> 00:29:20,124 IT LOOKS LIKE A LOT OF HIS JOBS ARE SHORT TERM THEATRE GIGS! 731 00:29:20,126 --> 00:29:22,126 IT'S GOTTA BE! 732 00:29:22,128 --> 00:29:23,827 JULES: YONGE LINE HAS A LOT OF THEATRES. 733 00:29:23,829 --> 00:29:25,028 MEYER: YEAH, BUT NOT PRIVATE AT ALL, 734 00:29:25,030 --> 00:29:26,430 SPIKE: ELGIN WINTER GARDENS. 735 00:29:26,432 --> 00:29:27,898 THAT SHUT DOWN IN THE FALL. 736 00:29:27,900 --> 00:29:29,166 JULES: ALLEYWAY ACCESS. PRIVATE. 737 00:29:29,168 --> 00:29:30,434 HE'D KNOW IT INSIDE AND OUT. 738 00:29:30,436 --> 00:29:32,102 EDDIE, WE MIGHT HAVE SOMETHING. 739 00:29:43,115 --> 00:29:44,248 (SIRES BLARE) 740 00:29:46,552 --> 00:29:47,951 SPIKE: GUYS, THIS PLACE IS HUGE - 741 00:29:47,953 --> 00:29:50,087 FOUR STORIES, DRESSING ROOMS, 742 00:29:50,089 --> 00:29:51,455 REHEARSAL HALLS, BACKSTAGE, 743 00:29:51,457 --> 00:29:53,190 EVEN IF SHE IS IN THERE, 744 00:29:53,191 --> 00:29:54,924 WE DON'T HAVE TIME TO CHECK EVERY SPACE. 745 00:29:54,927 --> 00:29:56,326 JULES: OKAY, SO THE MISSION IS, 746 00:29:56,328 --> 00:29:58,328 KIDNAP NURSES THAT RESEMBLED HIS MOTHER, 747 00:29:58,330 --> 00:29:59,530 AND GIVE THEM PEACE. 748 00:29:59,532 --> 00:30:01,165 WHAT ARE THE CYCLES? 749 00:30:01,166 --> 00:30:02,799 WE'RE PAST THE PLANNING AND CAPTURING PHASE, 750 00:30:02,802 --> 00:30:04,568 WHERE HE'S MOST VOLATILE. 751 00:30:04,570 --> 00:30:06,570 NEAR THE END, HE'LL BE STRUGGLING WITH SHAME, 752 00:30:06,572 --> 00:30:07,805 REMORSE... 753 00:30:07,807 --> 00:30:09,874 WHAT ARE YOU TALKING ABOUT? 754 00:30:09,875 --> 00:30:11,942 JULES: IT'S HOW KILLERS JUSTIFY THEIR ACTIONS TO THEMSELVES. 755 00:30:11,944 --> 00:30:13,761 THEY KNOW WHAT THEY'RE DOING IS WRONG, 756 00:30:13,762 --> 00:30:15,579 SO THEY NEUTRALIZE THE REALITY BY CONVINCING THEMSELVES 757 00:30:15,581 --> 00:30:17,247 THERE'S A PURPOSE. 758 00:30:17,249 --> 00:30:19,817 LIKE YOUR FATHER KILLING SICK PEOPLE. 759 00:30:19,819 --> 00:30:21,819 JULES: OR YOUR BROTHER, 760 00:30:21,820 --> 00:30:23,820 REPEATING THE TIME WHEN HE SAW YOUR MOTHER BEING HELPED 761 00:30:23,823 --> 00:30:25,455 BY YOUR FATHER. 762 00:30:25,457 --> 00:30:27,825 YOU KNOW ALLEN, WE'RE GONNA NEED YOUR ASSISTANCE. 763 00:30:27,827 --> 00:30:30,427 ESPECIALLY IF HE'S HOLED UP AND WE NEED TO TALK, 764 00:30:30,429 --> 00:30:31,929 IT'S GONNA BE HARD. 765 00:30:31,931 --> 00:30:33,330 THIS ISN'T HARD. 766 00:30:34,834 --> 00:30:36,466 THIS IS MY LIFE. 767 00:30:36,468 --> 00:30:39,136 ALWAYS WONDERING, "WILL THAT BE ME? 768 00:30:39,138 --> 00:30:40,137 WHEN IS IT GONNA HAPPEN? 769 00:30:40,139 --> 00:30:41,505 WHO AM I GONNA HURT?" 770 00:30:41,507 --> 00:30:44,141 EVERY TIME YOU HOLD YOUR WIFE... 771 00:30:45,077 --> 00:30:46,543 OR YOU THINK ABOUT HAVING CHILDREN... 772 00:30:46,545 --> 00:30:49,913 OR YOU IMAGINE ANYTHING IN THE FUTURE, 773 00:30:49,915 --> 00:30:53,317 YOU STOP, AND YOU THINK "BUT WHAT IF I'M HIM? 774 00:30:56,555 --> 00:30:58,388 WHAT IF I'M HIM? 775 00:30:58,390 --> 00:31:01,225 WHAT IF IT'S IN MY BLOOD? MY DNA?" 776 00:31:02,161 --> 00:31:03,594 SO I'M SORRY... 777 00:31:04,530 --> 00:31:05,996 BUT IF MY BROTHER IS THERE, 778 00:31:05,997 --> 00:31:07,463 I DON'T KNOW WHAT I'M GONNA BE ABLE TO SAY TO HIM 779 00:31:07,466 --> 00:31:08,532 TO HELP YOU. 780 00:31:10,169 --> 00:31:11,869 YOU KNOW, ALLAN, 781 00:31:11,870 --> 00:31:13,570 WE ALL DEAL WITH TRAUMA AND PAIN IN OUR OWN WAY, 782 00:31:13,572 --> 00:31:15,272 HOW WE FACE IT OR DON'T FACE IT - 783 00:31:15,274 --> 00:31:17,140 IT'S OUR CHOICE. 784 00:31:17,142 --> 00:31:19,142 IT'S YOUR CHOICE. 785 00:31:19,979 --> 00:31:23,547 AND YOU'VE DONE THE BEST ANYBODY COULD DO. 786 00:31:26,518 --> 00:31:27,951 (SIRENS BLARE) 787 00:31:32,925 --> 00:31:34,057 (TRUCK RUMBLES) 788 00:31:41,533 --> 00:31:42,666 BRAVO TEAM AT THE REAR ENTRANCE - 789 00:31:42,668 --> 00:31:44,635 EMS ON STANDBY. 790 00:31:44,637 --> 00:31:54,945 ¶¶¶ 791 00:31:54,947 --> 00:32:00,450 ¶¶¶ 792 00:32:00,452 --> 00:32:10,560 ¶¶¶ 793 00:32:10,562 --> 00:32:15,999 ¶¶¶ 794 00:32:16,001 --> 00:32:17,567 (DOOR SLAMS) 795 00:32:24,243 --> 00:32:27,311 ED: SPIKE, JULES, MAIN STAGE FROM BEHIND. 796 00:32:27,313 --> 00:32:29,980 WE'LL TAKE THE FRONT. LET'S GO. 797 00:32:31,483 --> 00:32:32,683 BRAVO TEAM, STATUS? 798 00:32:32,685 --> 00:32:33,951 NO JOY. 799 00:32:33,953 --> 00:32:36,119 ALL ROOMS CLEAR SO FAR. 800 00:32:37,056 --> 00:32:38,522 (HEAVY BREATHING) 801 00:32:52,638 --> 00:32:55,739 JULES: DEFINITE LIGHT SOURCE COMING FROM THE STAGE. 802 00:32:55,741 --> 00:32:57,174 ED: WE'RE IN - GO! 803 00:32:58,110 --> 00:33:08,218 ¶¶¶ 804 00:33:08,220 --> 00:33:16,660 ¶¶¶ 805 00:33:16,662 --> 00:33:18,495 JULES: ED! 806 00:33:18,497 --> 00:33:21,164 ED: YEAH, JULES, WE SEE IT TOO. 807 00:33:34,747 --> 00:33:35,746 RIGHT THERE! HE'S ON THE BALCONY! 808 00:33:35,748 --> 00:33:38,315 SUBJECT IN SIGHT - LET'S MOVE! 809 00:33:41,387 --> 00:33:42,452 RIGHT THERE! 810 00:33:44,256 --> 00:33:45,756 HANDS BEHIND YOUR HEAD! INTERLOCK YOUR FINGERS! 811 00:33:45,758 --> 00:33:47,524 DO IT NOW! 812 00:33:50,129 --> 00:33:51,762 PARKER: ON YOUR KNEES! DO IT NOW! 813 00:33:51,764 --> 00:33:53,764 JULES: DO IT NOW! 814 00:33:53,765 --> 00:33:55,765 ED: WHERE'S PEGGI WALSH? WHERE IS SHE? 815 00:33:55,768 --> 00:33:57,634 WHERE IS SHE?! 816 00:33:58,570 --> 00:33:59,686 WHERE IS SHE? 817 00:33:59,687 --> 00:34:00,803 TELL ME WHERE SHE IS, RIGHT NOW! 818 00:34:00,806 --> 00:34:03,573 WHAT DO YOU MEAN? SHE'S RIGHT THERE... 819 00:34:18,357 --> 00:34:19,873 SPIKE: WE'RE OUT OF TIME, GUYS. 820 00:34:19,874 --> 00:34:21,390 ED: BOSS, WE GOTTA KEEP LOOKING, SHE'S HERE SOMEWHERE! 821 00:34:21,393 --> 00:34:23,193 LEAVE HIM WITH ME. YOU GUYS GO! 822 00:34:23,195 --> 00:34:25,328 BRAVO TEAM KEEP LOOKING, WE'RE ON OUR WAY! 823 00:34:25,330 --> 00:34:27,431 JULES, I NEED YOU HERE WITH ME. 824 00:34:27,433 --> 00:34:28,732 BRING ALLAN. 825 00:34:34,406 --> 00:34:35,472 COME ON. 826 00:34:36,708 --> 00:34:38,241 PARKER: COLIN. 827 00:34:38,243 --> 00:34:40,327 COME ON. 828 00:34:40,328 --> 00:34:42,412 STILL TIME FOR YOU TO HELP US SAVE PEGGI. 829 00:34:47,686 --> 00:34:49,219 HEY! LOOK AT ME?! 830 00:34:50,155 --> 00:34:53,356 COLIN, WHERE IS SHE? WHERE IS PEGGI? 831 00:34:53,358 --> 00:34:55,358 ALLAN, LOOK AT THE SCREEN, 832 00:34:55,360 --> 00:34:57,360 LOOK AT THE ANGLE. 833 00:34:57,362 --> 00:34:59,329 LOOK IT WHERE HE'S WATCHING FROM. 834 00:34:59,331 --> 00:35:02,799 IT'S THAT DAY, WHEN YOUR MOTHER DIED. 835 00:35:03,836 --> 00:35:05,836 HE'S STUCK IN A LOOP. HE CAN'T LET GO OF THE PAIN. 836 00:35:05,838 --> 00:35:09,606 HE KEEPS RELIVING IT, OVER AND OVER AGAIN. 837 00:35:15,380 --> 00:35:16,413 HEY, WE'VE ALMOST CLEARED THE WHOLE AREA 838 00:35:16,415 --> 00:35:18,381 AND STILL NOTHIN'. 839 00:35:18,383 --> 00:35:20,383 RIGHT NOW THIS IS ABOUT YOU, 840 00:35:20,384 --> 00:35:22,384 WHAT YOU CAN DO TO STOP THIS TO MOVE FORWARD. 841 00:35:22,387 --> 00:35:23,787 (GROANS) 842 00:35:25,457 --> 00:35:26,890 WHAT DID YOU TAKE? 843 00:35:26,892 --> 00:35:28,258 AH, IT WON'T BE LONG NOW. 844 00:35:28,260 --> 00:35:29,259 WE NEED EMS! 845 00:35:29,261 --> 00:35:30,494 HUNTER'S DOSED HIMSELF! 846 00:35:30,496 --> 00:35:31,895 PROBABLY MORPHINE LIKE HIS FATHER. 847 00:35:31,897 --> 00:35:34,131 PARAMEDICS, LOWER BALCONY. 848 00:35:34,133 --> 00:35:36,600 WE LODE COLIN, WE LOSE PEGGI. 849 00:35:37,536 --> 00:35:38,401 BOSS! 850 00:35:38,403 --> 00:35:40,070 EASY, EASY! 851 00:35:40,071 --> 00:35:41,738 YOU CAN'T DO THIS, COLIN! NOT AGAIN! 852 00:35:41,740 --> 00:35:42,772 IT WAS ALWAYS GONNA END THIS WAY, ALLAN. 853 00:35:42,774 --> 00:35:44,574 NO, YOU HAD A CHANCE- 854 00:35:44,576 --> 00:35:45,775 THIS IS WHO WE ARE. 855 00:35:45,777 --> 00:35:46,877 THIS IS NOT WHO WE ARE! 856 00:35:46,879 --> 00:35:49,579 THIS IS WHO YOU ARE, WHAT YOU'VE BECOME! 857 00:35:49,581 --> 00:35:52,716 A KILLER! A KILLER JUST LIKE HIM! 858 00:35:54,453 --> 00:35:56,653 HE WASN'T JUST A KILLER. 859 00:35:57,589 --> 00:35:58,655 HE LOVED US... 860 00:36:00,926 --> 00:36:02,626 HE DESTROYED US! 861 00:36:03,562 --> 00:36:05,262 WE WERE CHILDREN. 862 00:36:05,264 --> 00:36:07,197 WE SAW SOMETHING WE WEREN'T SUPPOSED TO SEE. 863 00:36:07,199 --> 00:36:10,834 HE LEFT US WITH NOTHING BUT THIS BLACK HOLE! 864 00:36:10,836 --> 00:36:13,270 THAT'S ALL WE HAVE, COLIN. 865 00:36:13,272 --> 00:36:15,872 THAT'S ALL WE'VE EVER HAD. 866 00:36:15,874 --> 00:36:17,607 PLEASE, PLEASE. 867 00:36:17,609 --> 00:36:18,808 IF YOU WON'T DO IT FOR THIS WOMAN 868 00:36:18,810 --> 00:36:20,777 THEN DO IT FOR ME. 869 00:36:21,713 --> 00:36:24,247 DON'T LEAVE ME LIKE THIS AGAIN. 870 00:36:24,249 --> 00:36:25,382 PLEASE. 871 00:36:26,518 --> 00:36:29,186 (LABORED BREATH) 872 00:36:31,557 --> 00:36:34,791 I NEVER MEANT TO HURT YOU, ALLAN. 873 00:36:34,793 --> 00:36:36,793 I'M SORRY, ALLAN. 874 00:36:38,463 --> 00:36:41,231 I KNOW, COLIN. I KNOW... 875 00:36:42,501 --> 00:36:44,501 YOU HEAR THAT?! 876 00:36:44,503 --> 00:36:45,769 THE SUBWAY! 877 00:36:46,772 --> 00:36:47,837 PARKER HEY! 878 00:36:48,774 --> 00:36:51,841 COLIN, WHERE IS SHE? WHERE IS PEGGI? 879 00:36:51,843 --> 00:36:54,211 TRAP DOOR. STAGE LEFT. 880 00:36:54,947 --> 00:36:56,947 UNDER THE BAGS. 881 00:36:56,949 --> 00:36:58,415 SHE'S UNDER THE STAGE, STAGE LEFT, 882 00:36:58,417 --> 00:37:00,217 THERE IS A TRAP DOOR. 883 00:37:02,554 --> 00:37:04,321 (DOOR CREAKS OPEN) 884 00:37:08,627 --> 00:37:10,360 OH, LOOK AT HER. 885 00:37:11,363 --> 00:37:13,597 ISN'T SHE BEAUTIFUL? 886 00:37:20,739 --> 00:37:23,573 I THINK HE OD'D ON MORPHINE. 887 00:37:25,344 --> 00:37:26,610 ED: SHE'S HERE! 888 00:37:26,612 --> 00:37:28,411 (MONITOR FLAT-LINES) 889 00:37:29,348 --> 00:37:31,815 GET THAT PARAMEDIC IN HERE NOW! 890 00:37:58,777 --> 00:37:59,909 (DEEP INHALE) 891 00:38:01,747 --> 00:38:03,647 SHE'S BREATHING. 892 00:38:09,554 --> 00:38:17,961 ¶¶¶ 893 00:38:17,963 --> 00:38:21,631 ¶ Here's to you when the rain hits too hard ¶ 894 00:38:23,669 --> 00:38:27,037 ¶ When the battles that you figh just leave you scarred ¶ 895 00:38:29,741 --> 00:38:34,010 ¶ When you're tired to the bone and you got no strength ¶ 896 00:38:35,747 --> 00:38:36,813 ¶ To move on ¶ 897 00:38:41,386 --> 00:38:45,088 ¶ Here's to you when the light has grown too dim ¶ 898 00:38:46,858 --> 00:38:50,460 ¶ And your faith is just hanging on a limb ¶ 899 00:38:52,798 --> 00:38:56,800 ¶ And your heart begins to doubt if you'll ever ¶ 900 00:38:58,637 --> 00:39:00,003 ¶ Make it through ¶ 901 00:39:03,408 --> 00:39:05,675 ¶ Oh, here's to you ¶ 902 00:39:14,119 --> 00:39:15,352 PARKER: I KNOW IT'S BEEN A LONG DAY. 903 00:39:15,354 --> 00:39:16,653 SIU IS IN THERE, WE WALK IN, 904 00:39:16,655 --> 00:39:18,121 WE HEAR WHAT SHE SAYS. AND IT'S OVER. 905 00:39:18,123 --> 00:39:19,856 ALL RIGHT, EDDIE? 906 00:39:19,858 --> 00:39:21,925 THE WOMAN LOST HER DAUGHTER, ED. 907 00:39:21,927 --> 00:39:23,026 SHE NEEDS TO TALK ABOUT IT. 908 00:39:23,028 --> 00:39:24,027 AND YOU SHOULD TOO. 909 00:39:24,029 --> 00:39:26,096 SHE NEEDS SOMEBODY TO BLAME. 910 00:39:26,098 --> 00:39:27,697 AND I GET THAT. ALL RIGHT? 911 00:39:27,699 --> 00:39:31,634 BUT FOR THE RECORD? THIS ISN'T FOR ME. 912 00:39:32,671 --> 00:39:34,671 ED: MS. DALTON. 913 00:39:34,673 --> 00:39:36,740 I'M SORRY FOR YOUR LOSS. 914 00:39:37,809 --> 00:39:40,710 MICHELLE: OFFICER, THANK YOU FOR COMING. 915 00:39:48,954 --> 00:39:51,855 I KNOW YOU'RE A 19-YEAR VETERAN OF THE FORCE. 916 00:39:52,791 --> 00:39:55,725 AND THAT YOU HAVE FOUR COMMENDATIONS. 917 00:39:55,727 --> 00:39:58,728 I KNOW YOU HAVE A WIFE AND TWO CHILDREN. 918 00:40:00,766 --> 00:40:02,999 I NEEDED TO KNOW- 919 00:40:03,001 --> 00:40:04,667 WHAT KIND OF MAN KILLS YOUR DAUGHTER. 920 00:40:04,669 --> 00:40:05,902 PARKER: EDDIE... 921 00:40:07,706 --> 00:40:08,772 NO. 922 00:40:10,108 --> 00:40:13,109 WHAT KIND OF MAN IT TAKES TO DO THAT JOB. 923 00:40:16,815 --> 00:40:18,681 I UNDERSTAND... 924 00:40:20,419 --> 00:40:21,885 THERE ARE RULES. 925 00:40:21,887 --> 00:40:23,970 MY HUSBAND- 926 00:40:23,971 --> 00:40:26,054 MY EX-HUSBAND PUT YOU IN A COMPLICATED SITUATION. 927 00:40:26,992 --> 00:40:29,592 MY DAUGHTER HAD A GUN. 928 00:40:31,763 --> 00:40:33,763 I WAS VERY ANGRY AT YOU. 929 00:40:35,867 --> 00:40:38,935 BUT THEN I STARTED THINKING ABOUT MY GIRL. 930 00:40:40,705 --> 00:40:42,138 I STARTED THINKING ABOUT... 931 00:40:42,140 --> 00:40:44,974 WHAT SHE WOULD DO IF SHE WHERE ME? 932 00:40:44,976 --> 00:40:49,212 MR. LANE, SHE ALWAYS SAW THE BEST IN PEOPLE. 933 00:40:49,748 --> 00:40:52,782 ALWAYS. THAT-THAT'S MAY. SHE-SHE DID. 934 00:40:54,119 --> 00:40:57,854 I REALIZED SHE'D WANT ME TO UNDERSTAND. 935 00:40:57,856 --> 00:41:00,957 SHE WOULD WANT ME TO FORGIVE YOU. 936 00:41:01,893 --> 00:41:03,026 AND SO... 937 00:41:05,664 --> 00:41:06,729 I... 938 00:41:07,866 --> 00:41:09,599 FORGIVE YOU. 939 00:41:09,601 --> 00:41:12,602 I FORGIVE YOU. I FORGIVE YOU. 940 00:41:14,506 --> 00:41:15,972 I CAN'T- I CAN'T. 941 00:41:18,577 --> 00:41:19,676 ED. 942 00:41:21,680 --> 00:41:22,745 (CRYING)