1
00:00:12,313 --> 00:00:13,746
PEGGI:
WE ADMIT THE KID
WHO SURFED HIS SHOPPING CART
2
00:00:13,748 --> 00:00:15,031
DOWN THE STAIRS?
3
00:00:15,032 --> 00:00:16,315
MARLA:
HMM. BROKEN WRIST
AND A CONCUSSION.
4
00:00:16,317 --> 00:00:17,516
NICE CATCH.
5
00:00:17,518 --> 00:00:19,018
YOU WANT A RIDE?
FOR JULIA.
6
00:00:19,020 --> 00:00:21,186
I CAN MAKE YOU DINNER.
PEANUT BUTTER AND BANANA.
7
00:00:21,188 --> 00:00:22,354
WHAT? YOUR BOYFRIEND
CAN'T COOK.
8
00:00:22,356 --> 00:00:24,023
NOT MINE.
9
00:00:24,025 --> 00:00:25,157
SEE YA.
10
00:00:33,167 --> 00:00:34,199
HEY! ARE YOU OKAY?
11
00:00:34,201 --> 00:00:35,267
TONY:
HEY...
12
00:00:35,269 --> 00:00:37,436
PEGGI:
TONY, RIGHT?
YOU HIT YOUR HEAD?
13
00:00:37,438 --> 00:00:41,373
YEAH, YEAH.
TRIPPING ON MY SON'S LEGO.
14
00:00:41,742 --> 00:00:43,809
I'M SORRY,
I'M HAVING A HARD TIME
15
00:00:43,811 --> 00:00:45,444
REMEMBERING WHERE
MY CAR IS.
16
00:00:45,446 --> 00:00:48,113
OH, WELL THAT'S 'CAUSE
THIS IS THE STAFF LOT.
17
00:00:48,115 --> 00:00:49,248
AHHH...
18
00:00:49,250 --> 00:00:50,315
THERE YOU GO.
OOOH.
19
00:00:50,317 --> 00:00:51,383
OH MY GOD.
20
00:00:51,385 --> 00:00:52,618
(PEGGI SCREAMS)
21
00:00:52,620 --> 00:00:54,753
LOOK, LOOK, LOOK.
SHH. SHH.
22
00:00:55,689 --> 00:00:58,090
DON'T SAY A WORD
OR I WILL KILL YOU.
23
00:00:58,092 --> 00:00:59,158
PEGGI:
HELP!
24
00:00:59,160 --> 00:01:00,226
TONY:
SHUT UP! JUST SHUT UP!
25
00:01:00,227 --> 00:01:01,293
COME ON, GET YOUR KEYS.
GET YOUR KEYS.
26
00:01:01,295 --> 00:01:02,294
GET YOUR KEYS.
27
00:01:02,296 --> 00:01:04,163
PEGGI:
LOOK, OKAY.
28
00:01:04,165 --> 00:01:05,164
TONY:
OKAY. OKAY. OKAY.
29
00:01:05,166 --> 00:01:07,099
NOW GET IN THE CAR.
30
00:01:07,101 --> 00:01:08,634
(STRUGGLING SQUEALS)
31
00:01:11,305 --> 00:01:12,888
I'VE BEEN CLEARED.
32
00:01:12,889 --> 00:01:14,472
SIU, THE REVIEW BOARD,
CORONERS INQUEST.
33
00:01:14,475 --> 00:01:16,642
NOW SHE WANTS A MEETING?
34
00:01:16,644 --> 00:01:18,077
MICHELLE DALTON.
35
00:01:18,079 --> 00:01:19,244
YEAH. YEAH.
36
00:01:19,246 --> 00:01:20,746
BRASS WANTS ME
TO TALK TO HER.
37
00:01:20,747 --> 00:01:22,247
TO HELP MAINTAIN RELATIONS
WITH THE PUBLIC.
38
00:01:22,249 --> 00:01:24,416
THEY'RE GETTING A LOT
OF HEAT UPSTAIRS, ED.
39
00:01:24,418 --> 00:01:26,385
WHAT'S THAT GOT
TO DO WITH ME?
40
00:01:26,387 --> 00:01:27,453
LOOK...
41
00:01:27,455 --> 00:01:30,389
I SHOT HER DAUGHTER, GREG,
BUT THE GIRL HAD A GUN,
42
00:01:30,391 --> 00:01:32,224
SHE WAS USING IT,
I HAD NO CHOICE.
43
00:01:32,226 --> 00:01:33,459
IT WAS BY THE BOOK.
44
00:01:33,461 --> 00:01:37,129
SO WHAT-
THEY WANT ME TO APOLOGIZE?
45
00:01:38,766 --> 00:01:41,333
I THINK
IT'S A GOOD IDEA.
46
00:01:41,335 --> 00:01:43,469
SO YOU KNOW ABOUT THIS?
47
00:01:43,471 --> 00:01:45,471
IT'LL BE MODERATED,
EDDIE.
48
00:01:45,473 --> 00:01:48,340
SIU WILL BE THERE,
I WILL BE THERE.
49
00:01:48,342 --> 00:01:50,442
A TRAUMA LIKE THIS,
IT HELPS TO TALK ABOUT IT.
50
00:01:50,444 --> 00:01:52,244
BUT SHE DOESN'T
WANT TO TALK.
51
00:01:52,246 --> 00:01:53,745
SHE WANTS A TARGET.
52
00:01:53,747 --> 00:01:56,715
IT WASN'T HER
I WAS THINKING ABOUT, BUDDY.
53
00:01:56,717 --> 00:01:59,551
I DON'T NEED TO TALK
TO ANYBODY.
54
00:01:59,552 --> 00:02:02,386
I DID MY JOB, I DON'T NEED
TO JUSTIFY THIS TO ANYBODY.
55
00:02:02,389 --> 00:02:03,939
OKAY. WELL...
56
00:02:03,940 --> 00:02:05,490
THEY'VE SCHEDULED IT
FOR AFTER SHIFT TONIGHT.
57
00:02:05,493 --> 00:02:07,559
IT'S NOT OPTIONAL.
58
00:02:07,561 --> 00:02:08,794
(LOCKER SLAMS)
59
00:02:13,734 --> 00:02:14,733
MARLA:
DAVID.
60
00:02:14,735 --> 00:02:16,401
HEY, YOU HERE FOR PEGGI?
61
00:02:16,403 --> 00:02:17,636
DAVID:
YEAH, YOU KNOW,
I ALWAYS ASK:
62
00:02:17,638 --> 00:02:19,171
WHAT WOULD SHE EXPECT
THE LEAST.
63
00:02:19,173 --> 00:02:20,539
AND I TRY AND DO THAT.
64
00:02:20,541 --> 00:02:22,174
NICE PLAN, BUT YOU GOTTA
WORK ON YOUR TIMING.
65
00:02:22,176 --> 00:02:23,275
SHE JUST HEADED
TO THE PARKING LOT.
66
00:02:23,277 --> 00:02:24,376
OH, YOU'RE KIDDING, ME!
67
00:02:24,378 --> 00:02:25,733
OH, WELL, MAYBE I CAN
STILL CATCH HER.
68
00:02:25,734 --> 00:02:27,089
WHAT'S THE FASTEST WAY-
(PHONE RINGS)
69
00:02:27,090 --> 00:02:28,445
OH! HANG ON,
SPEAK OF THE DEVIL.
70
00:02:31,552 --> 00:02:32,618
HEY.
PEGGI: HI, SWEETIE.
71
00:02:32,620 --> 00:02:33,685
ARE YOU STILL IN
THE PARKING LOT?
72
00:02:33,687 --> 00:02:34,887
PEGGI:
SORRY TO DO THIS-
73
00:02:34,889 --> 00:02:36,722
PEGGI, IT'S NOT
A VOICE MAIL IT'S ME.
74
00:02:36,724 --> 00:02:38,223
I'M GONNA HAVE
TO WORK A DOUBLE.
75
00:02:38,225 --> 00:02:40,826
DOCTOR ARMSTRONG'S ORDERS.
SO DON'T WAIT UP.
76
00:02:40,828 --> 00:02:43,362
AND REMEMBER-REMEMBER
THAT I LOVE YOU. OKAY.
77
00:02:43,364 --> 00:02:44,796
PEGGI!
STAY ON THE PHONE, OKAY?
78
00:02:44,798 --> 00:02:46,532
OKAY. CALL ME LATER.
BYE!
79
00:02:46,534 --> 00:02:47,533
OKAY.
GOOD WORK.
80
00:02:47,535 --> 00:02:48,567
(ENGINE STARTS)
81
00:02:48,569 --> 00:02:49,668
PLEASE. PLEASE.
82
00:02:49,670 --> 00:02:51,470
JUST DRIVE.
83
00:02:51,472 --> 00:02:52,538
I CAN'T GO...
84
00:02:52,540 --> 00:02:53,605
AHHH....
85
00:03:00,881 --> 00:03:01,947
PEGGI!
86
00:03:03,784 --> 00:03:04,850
PEG!
87
00:03:06,220 --> 00:03:07,286
PEGGI!
88
00:03:08,556 --> 00:03:09,688
(DIALS PHONE)
89
00:03:10,758 --> 00:03:12,491
(ALARM BLARES)
90
00:03:13,494 --> 00:03:15,260
WINNIE:
ABDUCTION IN PROGRESS -
91
00:03:15,262 --> 00:03:17,963
PEGGI WALSH, NURSE FROM
ST. PAT'S HOSPITAL, DOWNTOWN.
92
00:03:17,965 --> 00:03:19,798
911 SAYS THE BOYFRIEND
CALLED IT IN,
93
00:03:19,800 --> 00:03:22,501
SPECIFICALLY MENTIONED
A "DOCTOR ARMSTRONG".
94
00:03:22,503 --> 00:03:24,019
PARKER:
"ARMSTRONG?"
95
00:03:24,020 --> 00:03:25,536
YOU'RE SURE THAT'S
THE NAME HE USED, WINNIE?
96
00:03:25,539 --> 00:03:26,872
THAT'S STRAIGHT FROM 911,
BOSS.
97
00:03:26,874 --> 00:03:29,374
OKAY. WINNIE, I NEED YOU
TO GET ME RENE MEYER
98
00:03:29,376 --> 00:03:30,809
FROM HOMICIDE.
99
00:03:30,811 --> 00:03:32,511
TEAM STAY IN PURSUIT.
100
00:03:32,513 --> 00:03:34,013
ED:
WHAT'S GOING ON, BOSS.
101
00:03:34,014 --> 00:03:35,514
PARKER:
I'VE GOTTA CONFIRM
WITH HOMICIDE, EDDIE,
102
00:03:35,516 --> 00:03:37,916
BUT TWO NURSES HAVE BEEN
ABDUCTED IN THREE MONTHS.
103
00:03:37,918 --> 00:03:39,351
NOW BOTH MADE A CALLS,
104
00:03:39,353 --> 00:03:40,552
SAYING THEY WERE
GONNA TO BE LATE.
105
00:03:40,554 --> 00:03:42,487
NONE OF THEM CAME HOME.
106
00:03:42,489 --> 00:03:44,523
HOMICIDE PUT THE WORD OUT
TO ALL HOSPITALS
107
00:03:44,525 --> 00:03:46,658
TO USE "DOCTOR ARMSTRONG"
AS A CODE,
108
00:03:46,660 --> 00:03:50,329
IN CASE ANYONE WAS ABDUCTED
AND FORCED TO MAKE THAT CALL.
109
00:03:50,331 --> 00:03:51,797
(SIRENS WAIL)
110
00:03:51,798 --> 00:03:53,264
TEAM ONE, I GOT DAVID PARK
ON THE LINE,
111
00:03:53,267 --> 00:03:54,817
ABDUCTEES BOYFRIEND,
112
00:03:54,818 --> 00:03:56,368
AND HE'S PERUSING THE KIDNAPPER
IN HIS OWN VEHICLE.
113
00:03:56,370 --> 00:03:57,848
I CAN TAKE HIM.
114
00:03:57,849 --> 00:03:59,327
PARKER:
SAM, YOU STAY ON THE LINE,
115
00:03:59,328 --> 00:04:00,806
BUT UNDER NO CIRCUMSTANCE
IS HE ALLOWED TO ENGAGE,
116
00:04:00,808 --> 00:04:01,907
YOU UNDERSTAND?
117
00:04:01,909 --> 00:04:03,275
UNDERSTOOD.
118
00:04:03,277 --> 00:04:05,044
(SIRENS BLARE)
119
00:04:05,045 --> 00:04:06,812
DAVID, THIS IS SAM BRADDOCK,
STRATEGIC RESPONSE UNIT.
120
00:04:06,814 --> 00:04:07,813
DAVID:
THANK GOD.
121
00:04:07,815 --> 00:04:08,981
SAM:
WHERE ARE YOU NOW?
122
00:04:08,983 --> 00:04:11,817
I'M ON UNIVERSITY.
JUST... AH... RICHMOND.
123
00:04:11,819 --> 00:04:12,818
AND PEGGI?
124
00:04:12,820 --> 00:04:14,220
SHE'S AHEAD OF ME.
125
00:04:14,221 --> 00:04:15,621
THERE'S A MAN
IN THE CAR WITH HER.
126
00:04:15,623 --> 00:04:16,622
DOES HE KNOW
HE'S BEING FOLLOWED?
127
00:04:16,624 --> 00:04:17,823
NO,
I DON'T THINK SO.
128
00:04:17,824 --> 00:04:19,023
SAM:
OKAY, GOOD,
LET'S KEEP IT THAT WAY.
129
00:04:19,026 --> 00:04:20,376
WE'LL STAY ON THE LINE,
130
00:04:20,377 --> 00:04:21,727
BUT YOU MAINTAIN YOUR DISTANCE,
OKAY?
131
00:04:21,729 --> 00:04:23,295
FOR YOUR SAFETY
AND FOR HERS.
132
00:04:23,297 --> 00:04:25,197
OKAY.
133
00:04:25,198 --> 00:04:27,098
SAM:
NOW, WHERE YOU ABLE
TO GET IN CONTACT WITH HER?
134
00:04:27,099 --> 00:04:28,999
NO. NO. I CALLED HER,
BUT SHE'S NOT ANSWERING.
135
00:04:29,003 --> 00:04:30,435
JUST PLEASE HURRY!
136
00:04:30,437 --> 00:04:31,670
BOSS, I'VE GOT RENE MEYER
ON THE LINE,
137
00:04:31,672 --> 00:04:33,305
I'VE BRIEFED HIM
ON THE ABDUCTION.
138
00:04:33,307 --> 00:04:36,041
THAT'S GREAT.
PATCH HIM THROUGH.
139
00:04:36,043 --> 00:04:37,042
GREG, IT'S MEYER.
140
00:04:37,044 --> 00:04:38,510
RENE,
IT'S BEEN A LONG TIME.
141
00:04:38,512 --> 00:04:39,645
YOU SURE ABOUT "ARMSTRONG?"
142
00:04:39,647 --> 00:04:40,912
PARKER
YEAH. ABSOLUTELY.
143
00:04:40,914 --> 00:04:41,980
ALL RIGHT.
I'M COMING RIGHT NOW.
144
00:04:41,982 --> 00:04:43,315
PARKER:
NO, I'M COMING TO GET YOU.
145
00:04:43,316 --> 00:04:44,649
MY TEAM'S IN PURSUIT
RIGHT NOW.
146
00:04:44,652 --> 00:04:46,385
WE WERE HOPING YOU CAN
GIVE SOME BACKGROUND
147
00:04:46,387 --> 00:04:47,619
ON THIS GUY'S MO?
148
00:04:47,621 --> 00:04:49,554
WELL, HE'S SMART.
149
00:04:49,556 --> 00:04:50,772
THE CALL HOME
GIVES HIM TIME TO KILL THEM
150
00:04:50,773 --> 00:04:51,989
AND DUMP THEIR BODIES
BEFORE WE EVEN KNOW
151
00:04:51,992 --> 00:04:52,858
THEY WERE MISSING.
152
00:04:52,860 --> 00:04:54,493
WHAT ABOUT THE ABDUCTEE?
153
00:04:54,495 --> 00:04:57,062
NURSE, MID-THIRTIES,
PARKING LOT...
154
00:04:57,064 --> 00:04:58,830
THAT'S HIM.
155
00:04:58,832 --> 00:05:00,032
TWO NURSES IS A COINCIDENCE.
156
00:05:00,034 --> 00:05:01,967
THREE MAKES IT OFFICIAL.
157
00:05:01,969 --> 00:05:03,602
HE'S GOT A ROUTINE
THAT WORKS,
158
00:05:03,604 --> 00:05:05,437
NO REASON TO STOP NOW.
159
00:05:05,439 --> 00:05:07,306
SO YOU'RE THINKING
SERIAL KILLER.
160
00:05:07,308 --> 00:05:08,491
THAT'S WHAT IT'S FEELING LIKE.
161
00:05:08,492 --> 00:05:09,675
PARKER
OKAY. DO YOU HAVE ANY IDEA
WHERE HE'S GOING,
162
00:05:09,677 --> 00:05:11,476
WHAT HE DOES
TO HIS VICTIM?
163
00:05:11,478 --> 00:05:12,844
MEYER:
NO SEXUAL ASSAULT,
164
00:05:12,846 --> 00:05:15,347
BRUISING CONSISTENT
WITH SIMPLE RESTRAINTS,
165
00:05:15,349 --> 00:05:16,615
BODIES DUMPED
IN RANDOM LOCATIONS.
166
00:05:16,617 --> 00:05:18,667
BUT THEY BOTH DIED
OF HEART FAILURE
167
00:05:18,668 --> 00:05:20,718
DUE TO AN OVERDOSE
OF ANESTHETIC, TRILAMINE.
168
00:05:20,721 --> 00:05:22,054
AND HOW FAST ACTING IS IT?
169
00:05:22,056 --> 00:05:23,522
MEYER:
OH, IT TAKES SOME TIME.
170
00:05:23,524 --> 00:05:24,923
BUT THERE'S NO TELLING
HOW MUCH HE USES.
171
00:05:24,925 --> 00:05:26,792
WE DO KNOW FROM THE TIME
OF THAT FIRST PHONE CALL,
172
00:05:26,794 --> 00:05:28,660
TO THE ESTIMATED
TIME OF DEATH?
173
00:05:28,662 --> 00:05:29,695
NINETY MINUTES.
174
00:05:29,697 --> 00:05:33,832
OKAY, TEAM,
WE'RE WITH A DEADLINE HERE.
175
00:05:33,834 --> 00:05:34,966
(CAR RUMBLES)
176
00:05:35,969 --> 00:05:37,569
(NERVOUS EXHALE)
177
00:05:40,841 --> 00:05:41,973
(DEEP INHALE)
178
00:05:41,975 --> 00:05:44,876
YOU KNOW, TONY, I DON'T KNOW
WHAT THIS IS ABOUT,
179
00:05:44,878 --> 00:05:46,778
YOU SAID,
THAT YOU HAD A SON, RIGHT?
180
00:05:46,780 --> 00:05:49,781
SO JUST- YOU THINK OF HIM,
YOU THINK OF HIM...
181
00:05:49,783 --> 00:05:51,750
BECAUSE IF ANYTHING
HAPPENS TO YOU,
182
00:05:51,752 --> 00:05:55,020
AND YOU GET CAUGHT,
HE'S NOT GONNA...
183
00:05:59,093 --> 00:06:01,626
YOU DON'T HAVE A SON,
DO YOU?
184
00:06:01,628 --> 00:06:02,828
NO.
185
00:06:03,831 --> 00:06:05,063
(SHAKY BREATH)
186
00:06:06,633 --> 00:06:08,066
WHAT CAN I GIVE YOU?
187
00:06:08,068 --> 00:06:09,668
WHAT-WHAT CAN I GIVE YOU?
188
00:06:09,670 --> 00:06:11,803
I'VE GOT-
I'VE GOT MONEY...
189
00:06:12,773 --> 00:06:14,673
I'VE GOT FORTY-FIVE DOLLARS,
I HAVE GOT MY BANK CARD....
190
00:06:14,675 --> 00:06:16,141
YOU CAN TAKE IT.
191
00:06:17,077 --> 00:06:18,360
MY ENGAGEMENT RING,
LOOK.
192
00:06:18,361 --> 00:06:19,644
IT'S BRAND NEW,
IT'S WHITE GOLD HERE-
193
00:06:19,646 --> 00:06:20,846
JUST STOP!
194
00:06:22,750 --> 00:06:23,849
YOU MUST WANT SOMETHING!
195
00:06:23,851 --> 00:06:25,417
YES.
196
00:06:25,419 --> 00:06:26,485
(SCARED WHIMPERS)
197
00:06:26,487 --> 00:06:28,754
I WANT YOU
TO STOP TALKING.
198
00:06:28,756 --> 00:06:30,655
AND I WANT YOU TO TAKE
THE NEXT RIGHT.
199
00:06:30,657 --> 00:06:33,125
PLEASE... DON'T...
DON'T HURT ME.
200
00:06:34,661 --> 00:06:36,128
URT YOU?!
YEAH.
201
00:06:37,965 --> 00:06:40,699
(PEGGI BREATHS HEAVILY)
202
00:06:40,701 --> 00:06:42,901
I WOULD NEVER HURT YOU,
PEGGI.
203
00:06:45,606 --> 00:06:47,739
I WANNA HELP YOU...
204
00:07:03,056 --> 00:07:04,656
(CARS WHOOSH BY)
205
00:07:08,729 --> 00:07:09,728
PEGGI'S HEADED INTO
THE GARDINER.
206
00:07:09,730 --> 00:07:11,213
WHERE ARE YOU?
207
00:07:11,214 --> 00:07:12,697
SAM:
WE'RE ALMOST THERE.
HANG TIGHT, DAVID.
208
00:07:12,699 --> 00:07:14,499
WINNIE,
GET UNIS ON EVERY EXIT.
209
00:07:14,501 --> 00:07:16,234
IF HE GETS ON THE HIGHWAY,
210
00:07:16,235 --> 00:07:17,968
WE MAKE SURE WE'RE ON
HIS TAIL WHEN HE GETS OFF.
211
00:07:17,971 --> 00:07:19,604
I CAN'T JUST WATCH HER
DISAPPEAR.
212
00:07:19,606 --> 00:07:21,606
SAM:
DAVID, IT'S NOT SAFE,
STAY BACK!
213
00:07:21,608 --> 00:07:22,674
I CAN'T!
214
00:07:23,777 --> 00:07:25,844
(TIRES SQUEAL TO A HALT)
215
00:07:28,449 --> 00:07:29,514
PEGGI!
216
00:07:30,751 --> 00:07:31,817
PEGGI!
217
00:07:32,753 --> 00:07:34,119
OOOF!
218
00:07:34,120 --> 00:07:35,486
OH MY GOD!
OH MY GOD!
219
00:07:35,489 --> 00:07:36,087
AGHHHH!
220
00:07:36,089 --> 00:07:38,623
SOMEBODY PLEASE HELP!
221
00:07:38,625 --> 00:07:39,691
AGHHH!
222
00:07:40,961 --> 00:07:43,061
(FIGHTING GRUNTS)
223
00:07:43,063 --> 00:07:44,796
HEY, GET BACK IN THE CAR
OR I'LL KILL HIM!
224
00:07:44,798 --> 00:07:46,131
DAVID:
PEGGI! PEGGI!
DO WHAT HE SAYS.
225
00:07:46,133 --> 00:07:48,033
DAVID,
WHAT'S HAPPENING?
226
00:07:48,035 --> 00:07:50,502
DAVID:
GET BACK!
IT'S OKAY.
227
00:07:50,504 --> 00:07:51,570
GET IN!
228
00:07:51,572 --> 00:07:52,938
OKAY.
229
00:07:52,940 --> 00:07:53,939
OOOF!
230
00:07:53,941 --> 00:07:55,073
(SCREAMS)
231
00:07:55,075 --> 00:07:57,509
TONY: GET IN!
PEGGI: OKAY!
232
00:07:59,146 --> 00:08:00,612
(PAINED GRUNT)
233
00:08:00,614 --> 00:08:01,746
OH MY GOD!
234
00:08:01,748 --> 00:08:03,682
SAM:
DAVID! DAVID!
235
00:08:03,684 --> 00:08:05,116
(CAR SQUEALS OFF)
(PAINED, GURGLED GRUNTS)
236
00:08:05,118 --> 00:08:08,086
SAM:
DAVID, WHAT'S GOING ON?
WE'RE ALMOST THERE!
237
00:08:08,088 --> 00:08:09,221
(SIRENS WAIL)
238
00:08:15,829 --> 00:08:19,197
WINNIE, WE NEED EMS NOW!
YORK AND BREMNER.
239
00:08:19,199 --> 00:08:21,566
SINGLE STAB WOUND -
NOTHING ARTERIAL.
240
00:08:21,568 --> 00:08:22,934
PULSE IS WEAK BUT STEADY.
241
00:08:22,936 --> 00:08:24,936
THEY WENT...
THAT-THAT WENT...
242
00:08:24,938 --> 00:08:26,538
WINNIE:
ALERT ALL CARS-
243
00:08:26,540 --> 00:08:27,906
THEY'RE HEADING WEST
ON BREMNER!
244
00:08:27,908 --> 00:08:30,642
SAM, WITH ME -
LET'S MOVE!
245
00:08:31,645 --> 00:08:33,111
(TRUCK SQUEALS OFF)
246
00:08:41,822 --> 00:08:43,522
SLOW DOWN,
SLOW DOWN.
247
00:08:43,524 --> 00:08:44,523
STOP. STOP.
248
00:08:44,525 --> 00:08:45,991
OKAY. OKAY.
249
00:08:47,694 --> 00:08:48,827
WHAT ARE YOU DOING?
250
00:08:48,829 --> 00:08:51,029
WE DON'T NEED
THESE ANYMORE.
251
00:08:52,165 --> 00:08:53,632
(EFFORT GRUNT)
252
00:08:53,634 --> 00:08:54,699
OH MY GOD.
253
00:08:58,639 --> 00:09:00,906
(PANICKED, EMOTIONAL BREATHS)
254
00:09:05,846 --> 00:09:07,712
NO, NO, NO, NO, NO!
255
00:09:09,249 --> 00:09:10,782
NO, NO, NO, NO, NO!
256
00:09:10,784 --> 00:09:11,917
PLEASE! TONY!
257
00:09:13,954 --> 00:09:15,053
PLEASE, PLEASE...
258
00:09:15,989 --> 00:09:17,789
(CRYING) PLEASE!
259
00:09:17,791 --> 00:09:19,324
NO, PLEASE TONY, PLEASE!
260
00:09:19,326 --> 00:09:20,892
NOOOO! NOOOOO!
261
00:09:20,894 --> 00:09:22,727
NO, NO, NO!
262
00:09:22,729 --> 00:09:25,030
OH NO!
PLEASE LET ME OUT!
263
00:09:25,032 --> 00:09:25,897
OH GOD!
264
00:09:25,899 --> 00:09:26,998
TIME IS UP.
265
00:09:27,000 --> 00:09:29,000
(PANTING)
266
00:09:30,137 --> 00:09:30,936
(EXHALES)
267
00:09:32,940 --> 00:09:47,852
¶¶¶
268
00:09:47,854 --> 00:10:00,131
¶¶¶
269
00:10:06,873 --> 00:10:08,006
(SIRENS WAIL)
270
00:10:13,380 --> 00:10:14,713
(FLAMES ROAR)
271
00:10:17,117 --> 00:10:19,184
WE'VE GOT A POSITIVE ID
ON PEGGI WALSH'S VEHICLE.
272
00:10:19,186 --> 00:10:20,685
BUT NEED THE FIRE
DEPARTMENT HERE.
273
00:10:20,687 --> 00:10:21,987
IT'S BEEN TORCHED.
274
00:10:21,989 --> 00:10:23,121
(FLAMES ROAR)
275
00:10:24,992 --> 00:10:26,024
SPIKE:
WE'VE GOT DAVID PARK -
HE'S INJURED,
276
00:10:26,026 --> 00:10:27,025
BUT HE'S OKAY.
277
00:10:27,027 --> 00:10:29,094
LEAH'S TALKING TO HIM.
278
00:10:29,096 --> 00:10:30,662
PEGGI WALSH?
279
00:10:32,399 --> 00:10:33,732
(FLAMES ROAR)
280
00:10:34,835 --> 00:10:36,901
SAM:
ED THE TRUNK!
281
00:10:41,008 --> 00:10:42,907
NEGATIVE.
NOBODY HERE.
282
00:10:45,078 --> 00:10:47,312
FIRE MEANS NO FIBERS,
PRINTS, DNA.
283
00:10:47,314 --> 00:10:49,014
MIGHT AS WELL HAVE DRIVEN IT
INTO A BLACK HOLE.
284
00:10:49,016 --> 00:10:51,082
ED:
OKAY, MY GUESS IS
HE DITCHED HIS CAR HERE,
285
00:10:51,084 --> 00:10:52,495
HE HAD ANOTHER ONE WAITING.
286
00:10:52,496 --> 00:10:53,907
WHILE WE'RE CHECKING OUT
THE CRIME SCENE
287
00:10:53,908 --> 00:10:55,319
HE'S GETTING AWAY.
THIS GUY IS SMART.
288
00:10:55,322 --> 00:10:57,172
PARKER
OKAY. OUR GUY IS ON THE MOVE.
289
00:10:57,173 --> 00:10:59,023
WE'RE FOLLOWING UP,
BUT WE NEED ANOTHER ANGLE.
290
00:10:59,026 --> 00:11:00,058
WE DON'T HAVE A LOT OF TIME
FOR THAT.
291
00:11:00,059 --> 00:11:01,091
JULES:
WE GOTTA FIGURE OUT
WHO THIS GUY IS,
292
00:11:01,094 --> 00:11:02,627
SO WE CAN TRACK HIM DOWN.
293
00:11:02,628 --> 00:11:04,161
YOU MENTIONED SOMETHING
TO BOSS ABOUT TRILAMINE,
294
00:11:04,164 --> 00:11:05,647
WHAT IS THAT?
295
00:11:05,648 --> 00:11:07,131
IT'S A PRETTY USEFUL GENERAL
ANESTHETIC FOR SURGERIES.
296
00:11:07,134 --> 00:11:09,668
BUT IN HIGH ENOUGH DOSES,
IT CAUSES CARDIAC ARREST.
297
00:11:09,670 --> 00:11:12,070
AND IT IS THE SAME DRUG THAT
WAS USED BY EVAN HUNTER.
298
00:11:12,072 --> 00:11:13,905
DOCTOR EVAN HUNTER?
THAT WAS 15 YEARS AGO,
299
00:11:13,907 --> 00:11:15,524
IT WAS A FAMOUS CASE.
300
00:11:15,525 --> 00:11:17,142
MEYER
RESPECTED PHYSICIAN,
FAMILY MAN,
301
00:11:17,144 --> 00:11:18,777
PILLAR OF THE COMMUNITY -
302
00:11:18,779 --> 00:11:20,211
UNTIL AN ELDERLY PATIENT'S
AUTOPSY
303
00:11:20,213 --> 00:11:22,380
SHOWED TRACES OF TRILAMINE.
304
00:11:22,382 --> 00:11:24,115
THE CORONER DUG INTO
HIS PAST CASES...
305
00:11:24,117 --> 00:11:25,250
FOUND SEVEN MORE.
306
00:11:25,252 --> 00:11:26,596
INCLUDING HIS OWN WIFE.
307
00:11:26,597 --> 00:11:27,941
PARKER
WELL, IT CAN'T BE HUNTER,
308
00:11:27,942 --> 00:11:29,286
HE KILLED HIMSELF WHEN
THE COPS CAME TO ARREST HIM.
309
00:11:29,289 --> 00:11:31,723
THAT'S WHY WE'RE THINKING
COPYCAT.
310
00:11:31,725 --> 00:11:34,125
LEAH:
DAVID SAID, THE SUBJECT IS
WHITE MALE, MEDIUM HAIR,
311
00:11:34,127 --> 00:11:35,594
ABOUT FIVE NINE.
312
00:11:35,595 --> 00:11:37,062
HE HAD A BLUE PLASTIC
ID BRACELET -
313
00:11:37,064 --> 00:11:39,931
THE SAME KIND THEY USE AT
ST. PAT'S EMERGENCY DEPARTMENT.
314
00:11:39,933 --> 00:11:41,466
HE COULD HAVE PICKED HER OUT
INSIDE,
315
00:11:41,467 --> 00:11:43,000
THEN WAITED IN THE LOT
UNTIL SHE FINISHED HER SHIFT.
316
00:11:43,003 --> 00:11:44,903
MAYBE SHE EVEN
RECOGNIZED HIM.
317
00:11:44,904 --> 00:11:46,804
AND WHEN HER DEFENSES
ARE DOWN - HE TAKES HER.
318
00:11:46,807 --> 00:11:48,473
HEY, SPIKE, THE ST. PAT'S
SECURITY CAMERAS,
319
00:11:48,475 --> 00:11:49,841
WE NEED A CAPTURE.
320
00:11:49,842 --> 00:11:51,208
ALREADY THOUGHT OF THAT
AND SO DID HE.
321
00:11:51,211 --> 00:11:53,211
SECURITY SAID THE CAMERA
WERE TURNED TO FACE THE WALL
322
00:11:53,213 --> 00:11:54,813
BEFORE IT HAPPENED.
323
00:11:54,814 --> 00:11:56,414
WHAT ABOUT THE E.R.
SECURITY CAMS, INSIDE?
324
00:11:56,416 --> 00:11:58,750
YEAH,
BE HARD TO BLOCK 'EM ALL.
325
00:11:58,752 --> 00:11:59,884
WORTH A CALL.
326
00:12:02,089 --> 00:12:03,888
HEY, BOSS.
327
00:12:03,890 --> 00:12:05,290
THIS MIGHT HAVE SOMETHING.
KEYS.
328
00:12:05,292 --> 00:12:08,026
THEY MUST HAVE FALLEN
DURING THE STRUGGLE.
329
00:12:08,028 --> 00:12:09,094
MOST OF THEM
ARE NOT GONNA HELP US.
330
00:12:09,096 --> 00:12:10,428
BUT THIS ONE IS AN ABLOY.
331
00:12:10,430 --> 00:12:12,130
YOU USE THESE LIKE
IN REAL ESTATE LOCKS,
332
00:12:12,132 --> 00:12:14,065
IN HIGH SECURITY AREAS.
333
00:12:14,067 --> 00:12:18,269
THE COMPANY EMBEDS A CODE
RIGHT INTO THE LOCK.
334
00:12:18,271 --> 00:12:21,840
SO YOU CAN FIND THE OWNER
FROM A LOST KEY.
335
00:12:21,842 --> 00:12:23,158
SO WITH THE CODE?
336
00:12:23,159 --> 00:12:24,475
SPIKE:
AND ACCESS TO THE COMPANY'S
DATA BASE...
337
00:12:24,478 --> 00:12:26,811
WE CAN FIND WHAT WE WANT.
338
00:12:28,181 --> 00:12:30,014
THE KEY BELONGS
TO ALLAN THOMPSON.
339
00:12:30,016 --> 00:12:31,082
37 ASHCROFT.
340
00:12:32,385 --> 00:12:34,285
I SWEAR BOSS, I ONLY USE
MY POWERS FOR GOOD.
341
00:12:34,287 --> 00:12:35,220
OKAY,
YOU AND LEAH GO AHEAD,
342
00:12:35,222 --> 00:12:37,255
I'LL BRING MEYER AND JULES.
343
00:12:37,257 --> 00:12:39,157
EMS SAY THEY MIGHT BE ABLE
TO DEAL WITH THE TRILAMINE.
344
00:12:39,159 --> 00:12:41,126
A SHOT OF ADRENALINE WOULD
GET HER HEART GOING AGAIN,
345
00:12:41,128 --> 00:12:43,461
ASSUMING WE GET THERE BEFORE
HER HEART STOPPED ALTOGETHER.
346
00:12:43,463 --> 00:12:44,462
ALL RIGHT,
LET'S ASSUME.
347
00:12:44,464 --> 00:12:46,231
HAVE EMS TAIL YOU.
348
00:12:46,233 --> 00:12:47,465
EDDIE, SAM?
349
00:12:47,467 --> 00:12:48,800
OKAY.
THE HOUSE IS CLOSE.
350
00:12:48,801 --> 00:12:50,134
SAM, LET'S SEE WHAT
WE CAN GET ON THIS GUY.
351
00:12:50,137 --> 00:12:51,870
ON IT.
352
00:12:51,872 --> 00:12:53,404
(TRUCK RUMBLES OFF)
353
00:13:06,319 --> 00:13:08,820
37 - IT'S GONNA BE
ON THE WEST SIDE.
354
00:13:08,822 --> 00:13:09,921
OKAY TEAM 1,
JUST GO CAREFUL.
355
00:13:09,923 --> 00:13:11,356
RIGHT NOW HE'S IN
THE TOTEM PHASE,
356
00:13:11,358 --> 00:13:13,191
HE'S FOCUSED ON HIS TASK.
357
00:13:13,193 --> 00:13:14,459
IF HE SEES HE CAN'T GET
WHAT HE WANTS -
358
00:13:14,461 --> 00:13:16,528
HE COULD KILL PEGGI
IMMEDIATELY.
359
00:13:20,133 --> 00:13:23,201
LICENSE PLATE IS REGISTERED
TO A. THOMPSON,
360
00:13:23,203 --> 00:13:25,370
SPEED AND SURPRISE,
LET'S MOVE!
361
00:13:25,372 --> 00:13:26,805
(TIRES SQUEAL)
362
00:13:33,280 --> 00:13:35,313
(DOORS SLAM)
363
00:13:35,315 --> 00:13:36,281
ED
ALLAN THOMPSON! POLICE!
364
00:13:36,283 --> 00:13:38,216
GET OUT OF THAT CAR!
POLICE!
365
00:13:38,218 --> 00:13:39,751
WHERE IS PEGGI WALSH,
ALLAN?
366
00:13:39,752 --> 00:13:41,285
LEAH:
PEGGI, ARE YOU ALL RIGHT?
367
00:13:41,288 --> 00:13:42,287
ARE YOU OKAY?
368
00:13:42,289 --> 00:13:43,555
DID HE INJECT YOU
WITH ANYTHING?
369
00:13:43,557 --> 00:13:46,191
MY NAME IS NOT PEGGI!
370
00:13:46,193 --> 00:13:47,325
HOLD ON!
371
00:13:47,327 --> 00:13:48,326
HIM?
372
00:13:48,328 --> 00:13:50,328
THAT'S HIM.
DEFINITELY.
373
00:13:51,398 --> 00:13:54,332
JULES:
TEAM ONE, I'M SENDING
A SCREEN GRAB OF THE SUSPECT,
374
00:13:54,334 --> 00:13:56,334
WE'RE ON OUR WAY THERE.
375
00:13:57,604 --> 00:13:59,370
ED:
WE'RE RUNNING OUT OF TIME!
376
00:13:59,372 --> 00:14:00,371
DEBBIE:
STOP! YOU'RE HURTING HIM!
377
00:14:00,373 --> 00:14:02,173
SAM
ED. ED. IT'S NOT HIM!
378
00:14:02,175 --> 00:14:03,908
IT'S NOT HIM.
379
00:14:03,910 --> 00:14:05,009
WOMAN:
LET GO.
380
00:14:05,946 --> 00:14:07,279
ALLAN.
381
00:14:07,280 --> 00:14:08,613
SORRY, YOU ALL RIGHT?
SORRY, I APPOLOGIZE!
382
00:14:08,615 --> 00:14:10,315
WOMAN:
DO YOU MIND EXPLAINING
WHAT THIS IS ALL ABOUT?!
383
00:14:10,317 --> 00:14:11,950
SAM:
ED, YOU ALL RIGHT?
384
00:14:11,952 --> 00:14:15,019
MA'AM, A WOMAN WAS ABDUCTED
LESS THAN AN HOUR AGO,
385
00:14:15,021 --> 00:14:16,588
DO YOU KNOW THIS MAN?
386
00:14:18,291 --> 00:14:19,357
OH MY GOD...
387
00:14:19,359 --> 00:14:20,992
SAM:
MR. THOMSON,
DO YOU KNOW HIM?
388
00:14:20,994 --> 00:14:22,327
THAT'S MY BROTHER?
COLIN.
389
00:14:22,329 --> 00:14:24,162
DEBBIE:
ALLAN, WHAT BROTHER?
390
00:14:24,164 --> 00:14:25,363
COLIN THOMPSON?
391
00:14:25,365 --> 00:14:26,431
GUYS WE'RE GONNA
NEED APB OUT FOR-
392
00:14:26,433 --> 00:14:29,133
ALLAN:
NO. NOT THOMPSON -
HUNTER.
393
00:14:33,473 --> 00:14:34,606
COLIN HUNTER.
394
00:14:37,277 --> 00:14:40,144
WAS EVAN HUNTER
YOUR FATHER?
395
00:14:45,986 --> 00:14:47,518
(PANICKED BREATHING)
396
00:14:56,029 --> 00:14:57,095
OKAY.
397
00:14:58,531 --> 00:15:00,265
OKAY.
398
00:15:00,266 --> 00:15:02,000
UH, IF YOU LET ME GO...
WE CAN WORK IT OUT...
399
00:15:02,002 --> 00:15:03,635
COLIN:
HEY! HEY! HEY! HEY!
400
00:15:08,241 --> 00:15:10,675
SHHH-SHHHH.
IT'S OKAY.
401
00:15:10,677 --> 00:15:12,310
IT'S OKAY.
IT'S OKAY.
402
00:15:12,312 --> 00:15:14,412
(MONITORS BEEP ON)
IT'S OKAY. RELAX.
403
00:15:14,414 --> 00:15:16,147
OKAY?
404
00:15:16,149 --> 00:15:17,315
OKAY.
YOU DO THAT?
405
00:15:17,317 --> 00:15:18,316
YEAH.
EAH?
406
00:15:19,252 --> 00:15:21,185
ELAX.
OKAY.
407
00:15:21,187 --> 00:15:22,320
IT'S GONNA BE FINE.
408
00:15:23,390 --> 00:15:25,089
OKAY.
I'LL RELAX.
409
00:15:25,091 --> 00:15:26,090
YOU JUST LET ME GO THEN.
410
00:15:26,092 --> 00:15:27,759
JUST RELAX.
411
00:15:27,760 --> 00:15:29,427
IF YOU JUST LET ME GO THEN
EVERYTHING WILL BE FINE.
412
00:15:29,429 --> 00:15:30,962
I WON'T SAY ANYTHING.
413
00:15:30,964 --> 00:15:32,931
ONNA BE FINE.
I PROMISE.
414
00:15:32,933 --> 00:15:34,332
YOU GONNA FEEL FINE.
415
00:15:34,334 --> 00:15:35,333
I'M HERE FOR YOU.
416
00:15:35,335 --> 00:15:36,334
WHAT ARE YOU DOING,
TONY?
417
00:15:36,336 --> 00:15:37,335
YOU DON'T HAVE TO WORRY?
418
00:15:37,337 --> 00:15:39,203
WHAT ARE YOU DOING?
419
00:15:39,205 --> 00:15:41,172
IT'S GONNA BE SO NICE
FOR YOU.
420
00:15:41,174 --> 00:15:43,007
PEGGI:
(CRYING) OH MY GOD.
421
00:15:43,009 --> 00:15:45,076
WAIT... JUST...
WAIT, WAIT!
422
00:15:45,078 --> 00:15:47,078
IS THAT TRILAMINE?
NO!
423
00:15:47,080 --> 00:15:48,046
NO, NO, NO, NO!
WAIT!
424
00:15:48,048 --> 00:15:49,080
NO! NO! STOP! PLEASE!
425
00:15:49,082 --> 00:15:50,415
PLEASE, PLEASE DON'T!
426
00:15:50,417 --> 00:15:51,482
SHHHHH.
427
00:15:52,419 --> 00:15:55,153
IT'S GONNA BE VERY NICE...
428
00:15:55,155 --> 00:15:56,922
PEGGI:
NO!
429
00:15:56,923 --> 00:15:58,690
DON'T WORRY.
IT'S GONNA BE BEAUTIFUL.
430
00:15:58,692 --> 00:16:01,392
NOOO!
WHY ARE YOU DOING THIS?!
431
00:16:01,394 --> 00:16:03,494
I KNOW WHAT I'M DOING.
432
00:16:03,496 --> 00:16:05,530
MY FATHER WAS A DOCTOR.
433
00:16:05,532 --> 00:16:07,365
(BLOOD CURDLING SCREAM)
434
00:16:16,676 --> 00:16:18,376
YOU HAVE ANY IDEA
WHERE PEGGI WALSH IS?
435
00:16:18,378 --> 00:16:19,711
ALLAN:
WHO IS THIS PEGGI WALSH?
436
00:16:19,713 --> 00:16:20,712
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
437
00:16:20,714 --> 00:16:21,980
MEYER:
MR. HUNTER?
438
00:16:21,982 --> 00:16:23,314
MY NAME IS THOMPSON.
439
00:16:23,316 --> 00:16:25,283
I CHANGED MY NAME.
440
00:16:25,284 --> 00:16:27,251
PARKER:
FINE, MR. THOMPSON -
LOOK, WE DON'T HAVE TIME HERE,
441
00:16:27,253 --> 00:16:29,287
THERE'S A WOMAN
WHO IS IN DANGER.
442
00:16:29,289 --> 00:16:31,155
OKAY, BUT WHAT DOES THAT
HAVE TO DO WITH MY BROTHER?
443
00:16:31,157 --> 00:16:32,390
MEYER:
HE'S ABDUCTED SOMEONE TODAY,
444
00:16:32,391 --> 00:16:33,624
AND WE BELIEVE HE INTENDS
TO KILL HER.
445
00:16:33,626 --> 00:16:35,293
TWO OTHER WOMEN
WERE FOUND DEAD.
446
00:16:35,295 --> 00:16:39,998
KILLED WITH THE SAME ANESTHETIC
YOUR FATHER USED.
447
00:16:40,000 --> 00:16:41,065
ALLAN:
OH NO.
448
00:16:42,002 --> 00:16:43,635
NO, THIS CAN'T BE
HAPPENING.
449
00:16:43,636 --> 00:16:45,269
LOOK, ALLAN, WE'VE GOT A
POSITIVE ID FROM A VICTIM.
450
00:16:45,271 --> 00:16:46,571
WE HAVE SECURITY CAM FOOTAGE.
451
00:16:46,573 --> 00:16:48,439
WE KNOW IT'S COLIN.
452
00:16:49,376 --> 00:16:51,009
ALLAN,
HE WAS CARING THESE KEYS
453
00:16:51,011 --> 00:16:52,176
THAT WERE REGISTERED
IN YOUR NAME.
454
00:16:52,178 --> 00:16:54,178
HOW DID COLIN GET THEM?
455
00:16:54,180 --> 00:16:55,313
ALLAN:
WAIT. THIS IS...
OH MY GOD...
456
00:16:55,315 --> 00:16:56,781
PARKER:
YOU RECOGNIZE THEM?
457
00:16:56,783 --> 00:16:57,782
ALLAN:
THERE WAS A BREAK IN.
458
00:16:57,783 --> 00:16:58,782
WE THOUGHT THAT
IT WAS JUST TEENAGERS,
459
00:16:58,785 --> 00:17:00,184
NOTHING VALUABLE TAKEN.
460
00:17:00,186 --> 00:17:02,186
JUST SOME CASH,
A VIDEO CAMERA...
461
00:17:03,423 --> 00:17:04,655
AND MY KEYS FOR WORK.
462
00:17:04,657 --> 00:17:06,107
WHAT DO YOU DO FOR WORK?
463
00:17:06,108 --> 00:17:07,558
ALLAN:
I'M IN REAL ESTATE.
COMMERCIAL PROPERTIES.
464
00:17:07,560 --> 00:17:09,727
THIS IS FOR THE SPENCER HOUSE
ON CRAYMORE.
465
00:17:09,729 --> 00:17:11,396
IT USED TO BE A HOSPICE.
466
00:17:11,398 --> 00:17:12,697
THE PLACE HAS BEEN EMPTY
FOR YEARS.
467
00:17:12,699 --> 00:17:14,232
OKAY, TEAM,
LET'S GET READY TO MOVE.
468
00:17:14,234 --> 00:17:16,167
HOW WELL DO YOU KNOW
THE SPENCER HOUSE?
469
00:17:16,169 --> 00:17:17,402
I'VE-I'VE SHOWED IT
TO DEVELOPERS
470
00:17:17,404 --> 00:17:19,321
ABOUT A DOZEN TIMES.
471
00:17:19,322 --> 00:17:21,239
COME WITH US?
WE CAN STILL USE YOUR HELP.
472
00:17:23,109 --> 00:17:24,108
YEAH, YEAH.
SURE. OF COURSE.
473
00:17:24,110 --> 00:17:25,109
WHATEVER I CAN DO.
474
00:17:25,111 --> 00:17:26,577
THANK YOU.
COME ON.
475
00:17:28,281 --> 00:17:30,648
DEBBIE: ALLAN-
ALLAN: DEBBIE, PLEASE, OKAY.
FORGIVE ME?
476
00:17:30,650 --> 00:17:31,783
DEBBIE:
WHAT ELSE HAVEN'T
YOU TOLD ME?
477
00:17:31,785 --> 00:17:32,784
ALLAN:
NOTHING. ALL RIGHT?
478
00:17:32,786 --> 00:17:33,785
I JUST-I DIDN'T WANT
TO HURT YOU.
479
00:17:33,787 --> 00:17:35,453
HURT ME?!
ALLAN, I'M YOUR WIFE.
480
00:17:35,455 --> 00:17:36,687
WHY WOULDN'T YOU
JUST TRUST ME?
481
00:17:36,689 --> 00:17:37,688
I'M SORRY.
482
00:17:37,690 --> 00:17:39,190
PARKER:
ALLAN.
483
00:17:39,192 --> 00:17:40,525
LOOK, I HAVE TO GO.
484
00:17:40,527 --> 00:17:42,126
I'M GONNA EXPLAIN
EVERYTHING, OKAY?
485
00:17:42,128 --> 00:17:43,227
I LOVE YOU.
486
00:17:43,229 --> 00:17:44,295
(CRYING)
487
00:17:59,512 --> 00:18:00,812
SPIKE:
OKAY, HERE'S WHAT I'VE GOT:
488
00:18:00,814 --> 00:18:03,064
COLIN HUNTER,
489
00:18:03,065 --> 00:18:05,315
ELDEST SON OF DR. EVAN HUNTER,
SERIAL KILLER.
490
00:18:05,318 --> 00:18:06,784
BROTHER TO ALLAN HUNTER.
491
00:18:06,786 --> 00:18:09,253
DR. HUNTER KILLED HIMSELF
WHEN ALLAN WAS 12,
492
00:18:09,255 --> 00:18:11,255
AND COLIN WAS 17.
493
00:18:11,257 --> 00:18:13,291
ALLAN WAS ADOPTED
BY THE THOMPSON FAMILY.
494
00:18:13,293 --> 00:18:14,559
BUT COLIN WAS EIGHTEEN
BY THEN.
495
00:18:14,561 --> 00:18:16,077
AND ON HIS OWN,
496
00:18:16,078 --> 00:18:17,594
AND THERE IS NO RECORD
OF WHERE HE WENT TO.
497
00:18:17,597 --> 00:18:20,298
UH, CRIMINAL RECORD:
A COUPLE OF MINOR ASSAULTS,
498
00:18:20,300 --> 00:18:23,334
THEFT, B&E,
NO REGULAR EMPLOYMENT.
499
00:18:23,336 --> 00:18:26,237
MULTIPLE ADDRESSES,
NO DOMICILE ON RECORD.
500
00:18:26,239 --> 00:18:27,705
THE GUY'S A DRIFTER.
501
00:18:27,707 --> 00:18:28,773
(SIRENS WAIL)
502
00:18:28,775 --> 00:18:31,375
THE HOSPICE IS JUST
A FEW MINUTES AHEAD.
503
00:18:31,377 --> 00:18:32,677
IT'S A TEN STORY BUILDING,
GUYS,
504
00:18:32,679 --> 00:18:34,312
MULTIPLE ENTRY POINTS.
505
00:18:34,314 --> 00:18:35,930
AND EXITS.
506
00:18:35,931 --> 00:18:37,547
IF HE SEES US APPROACH,
HE'S GOT A LOT OF WAYS OUT.
507
00:18:37,550 --> 00:18:39,217
OKAY.
HARD AND FAST ENTRY-
508
00:18:39,219 --> 00:18:41,002
FRONT AND BACK -
LET'S MOVE.
509
00:18:41,003 --> 00:18:42,786
THAT'S AN OLD BUILDING,
LOT OF CONCRETE WALLS-
510
00:18:42,789 --> 00:18:44,188
ED:
SPIKE,
BRING THE HEAVY CHARGES,
511
00:18:44,190 --> 00:18:46,691
IF HE'S HOLED UP IN THERE,
512
00:18:46,692 --> 00:18:49,193
WE GOTTA BLAST THROUGH
THOSE WALLS FAST!
513
00:18:49,195 --> 00:18:52,597
ALLAN, I KNOW THIS
CAN'T BE EASY FOR YOU.
514
00:18:52,599 --> 00:18:54,132
IT JUST NEVER ENDS.
515
00:18:54,134 --> 00:18:55,600
SO HOW CLOSE ARE YOU
TO YOUR BROTHER?
516
00:18:55,602 --> 00:18:58,269
ALLAN:
WE'VE LOST TOUCH.
517
00:18:59,205 --> 00:19:00,771
THE MEMORIES OF MY DAD...
518
00:19:00,773 --> 00:19:03,274
WHAT HE DID -
WHERE TOO PAINFUL.
519
00:19:03,276 --> 00:19:07,378
BEING AROUND HIM
JUST BROUGHT THEM ALL BACK.
520
00:19:07,380 --> 00:19:10,348
HEY, THERE'S NO WAY
YOU COULD HAVE KNOWN.
521
00:19:13,820 --> 00:19:15,186
WE'RE HERE.
522
00:19:15,188 --> 00:19:16,320
(SIRENS WAIL)
523
00:19:20,927 --> 00:19:23,361
(TRUCKS SCREECH TO A HALT)
524
00:19:26,232 --> 00:19:27,298
(BEEPING)
525
00:19:34,440 --> 00:19:35,506
TONY...
526
00:19:39,913 --> 00:19:41,445
YOU STILL HERE?
527
00:19:47,820 --> 00:19:52,857
SPIKE, LEAH, USE CAUTION,
TAKE THE REAR ON MY GO.
528
00:19:52,859 --> 00:19:54,458
HEY, IT'S COLIN.
529
00:19:56,429 --> 00:19:58,429
OKAY. COLIN.
530
00:19:58,431 --> 00:20:00,231
COLIN:
YEAH.
531
00:20:00,233 --> 00:20:01,599
JUST LET ME GO.
532
00:20:01,601 --> 00:20:02,667
IT'S OKAY.
533
00:20:02,669 --> 00:20:04,268
JULES, STAY WITH ALLAN
AND MEYER.
534
00:20:04,270 --> 00:20:05,369
IF HE CAN THINK
OF ANYTHING ELSE,
535
00:20:05,371 --> 00:20:06,370
I WANNA BE
ON TOP OF IT.
536
00:20:06,372 --> 00:20:07,738
OKAY.
537
00:20:07,740 --> 00:20:09,273
SHH. SHH. SHH.
538
00:20:09,275 --> 00:20:11,409
THERE'S NOTHING
TO BE AFRAID.
539
00:20:11,411 --> 00:20:13,678
SOON IT WON'T HURT ANYMORE.
540
00:20:13,680 --> 00:20:16,247
WHAT DO YOU MEAN?
541
00:20:16,249 --> 00:20:18,849
I'M NOT HURTING,
I WAS NEVER HURTING.
542
00:20:20,954 --> 00:20:22,220
ED:
SAM...
543
00:20:29,429 --> 00:20:32,263
ED:
ALPHA TEAM IS A GO ON ENTRY -
544
00:20:32,265 --> 00:20:34,899
HOW ARE YOU FEELING?
ARE YOU COMFORTABLE?
545
00:20:34,901 --> 00:20:36,467
I'M AFRAID.
546
00:20:36,469 --> 00:20:39,437
COLIN:
OH DON'T-DON'T BE AFRAID.
547
00:20:40,907 --> 00:20:42,907
HEY, IT'S OKAY.
I LOVE YOU.
548
00:20:42,909 --> 00:20:43,908
PEGGI:
WHAT?
549
00:20:43,910 --> 00:20:45,476
IT'S OKAY.
550
00:20:55,288 --> 00:20:56,387
THE KITCHEN'S CLEAR.
551
00:20:56,389 --> 00:20:57,655
COLIN PLEASE.
552
00:20:57,657 --> 00:20:59,457
WHAT?
553
00:20:59,459 --> 00:21:01,559
MY FIANCEE'S NAME
IS DAVID.
554
00:21:01,561 --> 00:21:03,828
WE'RE GETTING MARRIED
IN SIX MONTHS.
555
00:21:03,830 --> 00:21:07,598
AT MY MOTHER'S COTTAGE.
I GREW UP THERE...
556
00:21:10,503 --> 00:21:11,569
(EXHALES)
557
00:21:19,379 --> 00:21:21,145
GUYS,
WE GOT A POWER CABLE,
558
00:21:21,146 --> 00:21:22,912
RUNNING THROUGH THE THIRD STORY
WINDOW, WEST WALL.
559
00:21:22,915 --> 00:21:23,914
ED:
GOOD EYE, SPIKE,
560
00:21:23,916 --> 00:21:25,366
STACK UP ON
THE THIRD FLOOR -
561
00:21:25,367 --> 00:21:26,817
FAST AND QUIET,
KEEP THE ELEMENT OF SURPRISE.
562
00:21:32,558 --> 00:21:34,592
YOU HAVE ANY IDEA WHAT WE'RE
FACING WITH COLIN IN THERE?
563
00:21:34,594 --> 00:21:36,594
DON'T TALK TO HIM.
I DON'T SEE HIM.
564
00:21:38,598 --> 00:21:41,065
BUT IF HE IS JUST REPEATING
WHAT DAD DID THEN...
565
00:21:41,067 --> 00:21:43,934
HE'S NOT A THREAT
TO ANY OF YOU.
566
00:21:43,936 --> 00:21:47,004
WHAT DO YOU MEAN,
HE'S NOT A THREAT TO US?
567
00:21:47,006 --> 00:21:49,473
I AM A HUMAN BEING,
AND I AM DYING
568
00:21:49,475 --> 00:21:50,675
IN FRONT OF YOU.
569
00:21:52,845 --> 00:21:54,378
GO.
570
00:22:03,523 --> 00:22:05,656
PLEASE.
PLEASE, LOOK AT ME.
571
00:22:08,494 --> 00:22:10,594
LOOK AT WHAT YOU ARE DOING.
572
00:22:11,531 --> 00:22:13,597
OH, I AM LOOKING, PEGGI.
573
00:22:16,436 --> 00:22:17,568
(SLOW INHALE)
574
00:22:20,406 --> 00:22:22,406
THAT'S THE WHOLE POINT.
575
00:22:24,577 --> 00:22:38,522
¶¶¶
576
00:22:38,524 --> 00:22:41,625
(DOOR BANGS OPEN)
COLIN HUNTER!
577
00:22:41,627 --> 00:22:43,828
CLEAR.
THERE IS NO ONE HERE.
578
00:22:48,568 --> 00:22:50,134
ALLAN
THE LAST TIME
THAT I SAW MY FATHER,
579
00:22:50,136 --> 00:22:51,669
WE WERE IN THE KITCHEN.
580
00:22:51,671 --> 00:22:54,405
THEN THE POLICE WERE POUNDING
AT THE DOOR -
581
00:22:54,407 --> 00:22:56,974
AND HE LOOKED AT US
AND SAID,
582
00:22:56,976 --> 00:22:59,577
I GOTTA DO SOMETHING
UPSTAIRS, BOYS.
583
00:22:59,579 --> 00:23:01,729
THE NEXT TIME WE SAW HIM,
584
00:23:01,730 --> 00:23:03,880
HE WAS BEING CARRIED DOWN
STAIRS IN A BODY-BAG.
585
00:23:03,883 --> 00:23:06,417
HE HAD AN INJECTION OF MORPHINE
WAITING UPSTAIRS.
586
00:23:06,419 --> 00:23:07,885
IT'S A LOT FASTER
THAN TRILAMINE.
587
00:23:07,887 --> 00:23:10,588
SO NO.
IF COLIN GET CORNERED
588
00:23:10,590 --> 00:23:12,590
I DON'T THINK HE'S
ANY THREAT TO YOU.
589
00:23:12,592 --> 00:23:14,525
MIGHT GET SOMETHING.
590
00:23:15,795 --> 00:23:17,528
(BEEPING)
591
00:23:17,530 --> 00:23:18,662
ED: WHAT'S THAT?
SAM: MOVE! MOVE! MOVE!
592
00:23:18,664 --> 00:23:19,697
WHAT IS IT?
WHAT?!
593
00:23:19,699 --> 00:23:20,998
ED:
GO!
594
00:23:21,000 --> 00:23:22,066
(EXPLOSION)
595
00:23:31,511 --> 00:23:32,476
SAM! ED!
596
00:23:32,478 --> 00:23:34,912
SARGE! COME ON.
STATUS, ANYBODY?
597
00:23:34,914 --> 00:23:36,046
(FLAMES ROAR)
598
00:23:37,483 --> 00:23:39,417
SARGE!
COME ON, STATUS NOW!
599
00:23:39,419 --> 00:23:40,785
ANYBODY!
600
00:23:40,787 --> 00:23:41,919
BRADDOCK, CLEAR.
601
00:23:41,921 --> 00:23:43,454
(RELIEVED SIGH)
602
00:23:45,491 --> 00:23:47,158
SPIKE: SCARLATTI.
ED: CLEAR.
603
00:23:47,160 --> 00:23:48,592
NO HARM.
604
00:23:48,594 --> 00:23:50,728
JULES, NO HARM.
ALL CLEAR.
605
00:23:50,730 --> 00:23:51,929
WHAT THE HELL HAPPENED?
606
00:23:51,931 --> 00:23:53,297
ED:
PLACE WAS RIGGED TO BLOW.
607
00:23:53,298 --> 00:23:54,664
SPIKE:
MUST REALLY WANT TO KEEP
PEOPLE OUT...
608
00:23:54,667 --> 00:23:56,534
PARKER
KEEP PEOPLE FROM SEEING
WHAT'S INSIDE,
609
00:23:56,536 --> 00:23:58,536
SO LET'S START LOOKING.
610
00:24:01,441 --> 00:24:11,549
¶¶¶
611
00:24:11,551 --> 00:24:19,457
¶¶¶
612
00:24:19,459 --> 00:24:20,458
EDDIE.
613
00:24:20,460 --> 00:24:21,525
YEAH.
614
00:24:24,764 --> 00:24:26,764
TROPHY PHOTOS
OF HIS VICTIMS.
615
00:24:28,534 --> 00:24:30,468
LEAH:
BUT THEY DON'T LOOK AFRAID,
OR HURT, THEY LOOK-
616
00:24:30,470 --> 00:24:31,602
PARKER:
PEACEFUL...
617
00:24:31,604 --> 00:24:32,937
AND DEAD.
618
00:24:34,073 --> 00:24:36,173
THESE PHOTOS WERE TAKEN
IN THE SAME BED
619
00:24:36,175 --> 00:24:37,508
BUT IT'S NOT THAT BED.
620
00:24:37,509 --> 00:24:38,842
SAM:
HE LIVES HERE.
BUT HE MUST KILL THEM THERE.
621
00:24:38,845 --> 00:24:40,044
THAT'S GOT TO BE
WHERE HE IS NOW.
622
00:24:40,046 --> 00:24:41,645
YEAH.
623
00:24:41,647 --> 00:24:43,814
MAYBE WE CAN STILL FIND
SOMETHING OFF OF THIS?
624
00:24:45,718 --> 00:24:48,118
(MONITOR BEEPS, SLOW EXHALE)
625
00:24:50,556 --> 00:24:51,789
(SHAKY BREATH)
626
00:24:53,059 --> 00:24:55,226
YOU NEED TO LOOK UP.
627
00:24:55,228 --> 00:24:56,494
(EXHALES)
628
00:25:03,536 --> 00:25:05,269
(COMPUTER KEYS CLACK)
629
00:25:05,271 --> 00:25:07,571
JULES:
LOOK AT THE POSITION
AND THE ANGLE -
630
00:25:07,573 --> 00:25:08,839
IT'S VERY SPECIFIC.
631
00:25:10,610 --> 00:25:12,042
IT'S MORE THAN
JUST A TROPHY.
632
00:25:12,044 --> 00:25:14,111
THEY'RE BOTH THE SAME?
633
00:25:20,086 --> 00:25:22,086
ALLAN,
THIS IS GOING TO BE HARD.
634
00:25:22,087 --> 00:25:24,087
BUT I NEED YOU
TO TAKE A LOOK AT THIS?
635
00:25:24,090 --> 00:25:25,523
ALLAN, DO YOU SEE
ANYTHING FAMILIAR HERE?
636
00:25:25,525 --> 00:25:28,626
LOOK, ANYTHING AT ALL?
LOOK.
637
00:25:29,629 --> 00:25:31,228
(EMOTIONAL BREATHING)
638
00:25:34,166 --> 00:25:35,699
OH GOD, I'M SORRY!
639
00:25:35,701 --> 00:25:36,934
ALLAN!
640
00:25:38,604 --> 00:25:39,803
(VOMITS, COUGHS)
641
00:25:45,912 --> 00:25:47,778
ALLAN,
I KNOW THIS IS HARD FOR YOU,
642
00:25:47,780 --> 00:25:50,714
BUT YOU SAW SOMETHING
IN THIS PHOTO, DIDN'T YOU?
643
00:25:50,716 --> 00:25:52,349
I DON'T KNOW WHERE IT IS.
644
00:25:52,350 --> 00:25:53,983
IT'S NOT THAT.
IT WAS SOMETHING ELSE.
645
00:25:55,955 --> 00:25:57,588
I'M SORRY.
646
00:25:57,590 --> 00:25:59,256
ANYTHING WILL HELP.
647
00:26:00,560 --> 00:26:01,625
IT'S JUST-
648
00:26:02,662 --> 00:26:04,595
THE ANGLE...
649
00:26:05,331 --> 00:26:07,665
WAS LIKE MY MOTHER
WHEN SHE DIED.
650
00:26:12,705 --> 00:26:14,605
BUT DIDN'T YOUR FATHER...
I-I'M SORRY,
651
00:26:14,607 --> 00:26:16,040
BUT DIDN'T YOUR FATHER
KILL YOUR MOTHER?
652
00:26:16,042 --> 00:26:18,175
WASN'T SHE THE FIRST?
653
00:26:19,111 --> 00:26:21,011
THEN... OH MY GOD.
654
00:26:22,648 --> 00:26:26,350
DID YOU SEE YOUR FATHER
KILL YOUR MOTHER?
655
00:26:26,352 --> 00:26:29,086
MY MOTHER HAD MS.
LATE ONSET.
656
00:26:29,088 --> 00:26:32,089
SHE HAD TO QUIT HER JOB
657
00:26:32,090 --> 00:26:35,091
AND WITHIN A YEAR OF DIAGNOSIS,
SHE-SHE COULD BARELY WALK.
658
00:26:35,094 --> 00:26:37,027
I'M MEAN
WE WERE JUST KIDS.
659
00:26:37,029 --> 00:26:39,830
I WAS SIX
AND COLIN WAS 11.
660
00:26:41,133 --> 00:26:44,668
WE WEREN'T SUPPOSED
TO BE WATCHING.
661
00:26:44,670 --> 00:26:46,704
MY DAD TOLD US TO LEAVE.
662
00:26:46,706 --> 00:26:49,239
BUT COLIN HAD THE IDEA
TO GO TO THE ATTIC.
663
00:26:49,241 --> 00:26:51,609
MAN:
IT'S BETTER.
TRUST ME.
664
00:26:51,611 --> 00:26:53,177
YOU WONT HURT ANYMORE.
665
00:26:53,179 --> 00:26:54,945
THERE'S NOTHING TO BE AFRAID
OF MY LOVE.
666
00:26:54,947 --> 00:26:57,615
PLEASE, EVAN...
I'M SCARED.
667
00:26:57,617 --> 00:26:59,717
ALLAN:
I COULDN'T STAND IT
ANYMORE.
668
00:26:59,719 --> 00:27:01,852
COLIN, HE JUST KEPT WATCHING.
669
00:27:03,923 --> 00:27:06,156
WE TOLD THE POLICE,
AFTER HE WAS GONE.
670
00:27:06,158 --> 00:27:08,692
BUT I MEAN, BUT BY THEN,
WHAT COULD THEY DO?
671
00:27:08,694 --> 00:27:10,361
WHAT'S THE POINT?
672
00:27:10,363 --> 00:27:12,930
THIS KIND OF TRAUMA...
I MEAN, I CAN'T-
673
00:27:12,932 --> 00:27:16,800
I CAN'T EVEN IMAGINE WHAT
IT'S LIKE TO DEAL WITH IT.
674
00:27:16,802 --> 00:27:18,102
WE BOTH SAW WHAT WE SAW.
675
00:27:18,104 --> 00:27:20,004
WE BOTH HAD CHOICES.
676
00:27:20,940 --> 00:27:23,340
I WENT MY WAY,
AND COLIN...
677
00:27:23,342 --> 00:27:25,709
HE WENT HIS.
678
00:27:25,711 --> 00:27:27,278
OKAY,
THIS MIGHT BE SOMETHING -
679
00:27:27,279 --> 00:27:28,846
IT'S VIDEO FROM THE DISC
ON COLIN'S COMPUTER.
680
00:27:28,848 --> 00:27:31,115
YOU CAN'T REALLY MAKE OUT
THE IMAGE.
681
00:27:31,117 --> 00:27:32,182
(BEEPING)
682
00:27:33,819 --> 00:27:37,054
COLIN:
THERE'S NOTHING
TO BE AFRAID OF.
683
00:27:37,056 --> 00:27:38,989
SOON IT WON'T HURT ANYMORE.
684
00:27:38,991 --> 00:27:42,326
WOMAN'S VOICE:
PLEASE... YOU DON'T HAVE
TO DO THIS!
685
00:27:42,328 --> 00:27:43,327
OKAY, THERE,
IN THE SILENCE -
686
00:27:43,329 --> 00:27:44,962
LISTEN, YOU HEAR THAT?
687
00:27:44,964 --> 00:27:47,164
WOMAN'S VOICE:
PLEASE... YOU DON'T HAVE-
(WHOOSHING)
688
00:27:47,166 --> 00:27:48,732
AIR CONDITIONING SYSTEM?
689
00:27:48,734 --> 00:27:49,800
SPIKE
NO, IT'S NOT ON-OFF.
690
00:27:49,802 --> 00:27:51,935
IT FADES IN
AND THEN IT FADES OUT.
691
00:27:51,937 --> 00:27:55,022
COLIN:
SOON IT WON'T HURT ANYMORE.
692
00:27:55,023 --> 00:27:58,108
WOMAN'S VOICE:
PLEASE... (WHOOSHING)
YOU DON'T HAVE TO DO THIS!
693
00:27:58,110 --> 00:27:59,843
(MONITORS BEEP, PEGGI SOBS)
694
00:27:59,845 --> 00:28:01,445
COLIN:
STOP! STOP IT!
695
00:28:02,715 --> 00:28:03,881
WHY DON'T YOU UNDERSTAND?
696
00:28:03,883 --> 00:28:05,783
IT'S BETTER!
THIS IS BETTER!
697
00:28:06,719 --> 00:28:07,718
(WHIMPERS)
698
00:28:07,720 --> 00:28:10,187
JUST LOOK,
LOOK AT THE CAMERA?
699
00:28:11,123 --> 00:28:12,456
(MONITOR BEEPS)
700
00:28:16,829 --> 00:28:18,896
(CRYING)
OH GOD... PLEASE...
701
00:28:23,302 --> 00:28:25,235
JULES:
THESE ARE WHERE THE TWO
BODIES WERE FOUND, RIGHT?
702
00:28:25,237 --> 00:28:27,705
MEYER:
AND THESE ARE THE ABDUCTION
POINTS.
703
00:28:27,707 --> 00:28:29,306
ALL EAST SIDE,
WITHIN A COUPLE OF BLOCKS.
704
00:28:29,308 --> 00:28:31,408
KILLERS LIKE THIS,
THEY LIKE TO DUMP THEIR VICTIMS
705
00:28:31,410 --> 00:28:32,409
RIGHT AFTER THEY'RE DEAD.
706
00:28:32,411 --> 00:28:33,410
ONCE HE GETS WHAT HE WANTS,
707
00:28:33,412 --> 00:28:36,046
IT'S LIKE A SWITCH GOES OFF.
708
00:28:36,048 --> 00:28:37,414
HE GETS GUILTY.
709
00:28:37,416 --> 00:28:39,216
THE BODIES BECOME A REMINDER
OF WHAT HE'S DONE.
710
00:28:39,218 --> 00:28:42,753
OKAY, SO LET'S ASSUME THAT
HE DISPOSES OF THE BODIES
711
00:28:42,755 --> 00:28:43,754
WITHIN A THIRTY MINUTE
RADIUS
712
00:28:43,756 --> 00:28:45,422
FROM WHERE HE KILLED THEM.
713
00:28:45,424 --> 00:28:46,790
SO THAT WOULD BE RIGHT
ABOUT HERE.
714
00:28:46,792 --> 00:28:48,058
WE CANVASSED THERE ALREADY.
715
00:28:48,060 --> 00:28:49,860
BUT IT'S RIGHT DOWNTOWN.
716
00:28:49,862 --> 00:28:52,863
HIGH-RISES, OFFICES,
SHOPS, INCREDIBLY DENSE.
717
00:28:52,865 --> 00:28:54,364
JULES:
YEAH, IT'S GOTTA BE PRIVATE.
ISOLATED.
718
00:28:54,366 --> 00:28:55,899
EASY ACCESS,
719
00:28:55,901 --> 00:28:57,501
SO HE CAN BRING A WOMAN
THAT'S ALIVE IN,
720
00:28:57,503 --> 00:28:58,936
AND THEN BRING HER OUT DEAD,
721
00:28:58,938 --> 00:29:00,404
WITHOUT ANYBODY SEEING.
722
00:29:00,406 --> 00:29:02,473
SOMEWHERE HE KNOWS WELL.
723
00:29:03,409 --> 00:29:06,376
BOSS, WHAT DO WE HAVE ON
COLIN'S WORK HISTORY AGAIN?
724
00:29:06,378 --> 00:29:07,578
NOT MUCH.
725
00:29:07,579 --> 00:29:08,779
HAS NEVER STUCK WITH ANYTHING
FOR TOO LONG ENOUGH,
726
00:29:08,781 --> 00:29:10,781
ACCORDING TO ALLAN.
727
00:29:10,783 --> 00:29:11,782
SPIKE:
I THINK I GOT IT!
728
00:29:11,784 --> 00:29:13,951
SUBWAY - LOW-RANGE SOUND,
729
00:29:13,953 --> 00:29:16,954
FOUR-MINUTE INTERVALS,
DOWNTOWN -
730
00:29:16,956 --> 00:29:20,124
IT LOOKS LIKE A LOT OF HIS JOBS
ARE SHORT TERM THEATRE GIGS!
731
00:29:20,126 --> 00:29:22,126
IT'S GOTTA BE!
732
00:29:22,128 --> 00:29:23,827
JULES:
YONGE LINE HAS A LOT
OF THEATRES.
733
00:29:23,829 --> 00:29:25,028
MEYER:
YEAH, BUT NOT PRIVATE AT ALL,
734
00:29:25,030 --> 00:29:26,430
SPIKE:
ELGIN WINTER GARDENS.
735
00:29:26,432 --> 00:29:27,898
THAT SHUT DOWN
IN THE FALL.
736
00:29:27,900 --> 00:29:29,166
JULES:
ALLEYWAY ACCESS.
PRIVATE.
737
00:29:29,168 --> 00:29:30,434
HE'D KNOW IT INSIDE AND OUT.
738
00:29:30,436 --> 00:29:32,102
EDDIE,
WE MIGHT HAVE SOMETHING.
739
00:29:43,115 --> 00:29:44,248
(SIRES BLARE)
740
00:29:46,552 --> 00:29:47,951
SPIKE:
GUYS, THIS PLACE IS HUGE -
741
00:29:47,953 --> 00:29:50,087
FOUR STORIES,
DRESSING ROOMS,
742
00:29:50,089 --> 00:29:51,455
REHEARSAL HALLS,
BACKSTAGE,
743
00:29:51,457 --> 00:29:53,190
EVEN IF SHE IS IN THERE,
744
00:29:53,191 --> 00:29:54,924
WE DON'T HAVE TIME
TO CHECK EVERY SPACE.
745
00:29:54,927 --> 00:29:56,326
JULES:
OKAY, SO THE MISSION IS,
746
00:29:56,328 --> 00:29:58,328
KIDNAP NURSES THAT RESEMBLED
HIS MOTHER,
747
00:29:58,330 --> 00:29:59,530
AND GIVE THEM PEACE.
748
00:29:59,532 --> 00:30:01,165
WHAT ARE THE CYCLES?
749
00:30:01,166 --> 00:30:02,799
WE'RE PAST THE PLANNING
AND CAPTURING PHASE,
750
00:30:02,802 --> 00:30:04,568
WHERE HE'S MOST VOLATILE.
751
00:30:04,570 --> 00:30:06,570
NEAR THE END,
HE'LL BE STRUGGLING WITH SHAME,
752
00:30:06,572 --> 00:30:07,805
REMORSE...
753
00:30:07,807 --> 00:30:09,874
WHAT ARE YOU
TALKING ABOUT?
754
00:30:09,875 --> 00:30:11,942
JULES:
IT'S HOW KILLERS JUSTIFY
THEIR ACTIONS TO THEMSELVES.
755
00:30:11,944 --> 00:30:13,761
THEY KNOW WHAT THEY'RE
DOING IS WRONG,
756
00:30:13,762 --> 00:30:15,579
SO THEY NEUTRALIZE THE REALITY
BY CONVINCING THEMSELVES
757
00:30:15,581 --> 00:30:17,247
THERE'S A PURPOSE.
758
00:30:17,249 --> 00:30:19,817
LIKE YOUR FATHER KILLING
SICK PEOPLE.
759
00:30:19,819 --> 00:30:21,819
JULES:
OR YOUR BROTHER,
760
00:30:21,820 --> 00:30:23,820
REPEATING THE TIME WHEN HE SAW
YOUR MOTHER BEING HELPED
761
00:30:23,823 --> 00:30:25,455
BY YOUR FATHER.
762
00:30:25,457 --> 00:30:27,825
YOU KNOW ALLEN, WE'RE GONNA
NEED YOUR ASSISTANCE.
763
00:30:27,827 --> 00:30:30,427
ESPECIALLY IF HE'S HOLED UP
AND WE NEED TO TALK,
764
00:30:30,429 --> 00:30:31,929
IT'S GONNA BE HARD.
765
00:30:31,931 --> 00:30:33,330
THIS ISN'T HARD.
766
00:30:34,834 --> 00:30:36,466
THIS IS MY LIFE.
767
00:30:36,468 --> 00:30:39,136
ALWAYS WONDERING,
"WILL THAT BE ME?
768
00:30:39,138 --> 00:30:40,137
WHEN IS IT GONNA HAPPEN?
769
00:30:40,139 --> 00:30:41,505
WHO AM I GONNA HURT?"
770
00:30:41,507 --> 00:30:44,141
EVERY TIME YOU HOLD
YOUR WIFE...
771
00:30:45,077 --> 00:30:46,543
OR YOU THINK ABOUT
HAVING CHILDREN...
772
00:30:46,545 --> 00:30:49,913
OR YOU IMAGINE ANYTHING
IN THE FUTURE,
773
00:30:49,915 --> 00:30:53,317
YOU STOP, AND YOU THINK
"BUT WHAT IF I'M HIM?
774
00:30:56,555 --> 00:30:58,388
WHAT IF I'M HIM?
775
00:30:58,390 --> 00:31:01,225
WHAT IF IT'S IN MY BLOOD?
MY DNA?"
776
00:31:02,161 --> 00:31:03,594
SO I'M SORRY...
777
00:31:04,530 --> 00:31:05,996
BUT IF MY BROTHER IS THERE,
778
00:31:05,997 --> 00:31:07,463
I DON'T KNOW WHAT I'M GONNA BE
ABLE TO SAY TO HIM
779
00:31:07,466 --> 00:31:08,532
TO HELP YOU.
780
00:31:10,169 --> 00:31:11,869
YOU KNOW, ALLAN,
781
00:31:11,870 --> 00:31:13,570
WE ALL DEAL WITH TRAUMA
AND PAIN IN OUR OWN WAY,
782
00:31:13,572 --> 00:31:15,272
HOW WE FACE IT
OR DON'T FACE IT -
783
00:31:15,274 --> 00:31:17,140
IT'S OUR CHOICE.
784
00:31:17,142 --> 00:31:19,142
IT'S YOUR CHOICE.
785
00:31:19,979 --> 00:31:23,547
AND YOU'VE DONE THE BEST
ANYBODY COULD DO.
786
00:31:26,518 --> 00:31:27,951
(SIRENS BLARE)
787
00:31:32,925 --> 00:31:34,057
(TRUCK RUMBLES)
788
00:31:41,533 --> 00:31:42,666
BRAVO TEAM AT THE REAR
ENTRANCE -
789
00:31:42,668 --> 00:31:44,635
EMS ON STANDBY.
790
00:31:44,637 --> 00:31:54,945
¶¶¶
791
00:31:54,947 --> 00:32:00,450
¶¶¶
792
00:32:00,452 --> 00:32:10,560
¶¶¶
793
00:32:10,562 --> 00:32:15,999
¶¶¶
794
00:32:16,001 --> 00:32:17,567
(DOOR SLAMS)
795
00:32:24,243 --> 00:32:27,311
ED:
SPIKE, JULES,
MAIN STAGE FROM BEHIND.
796
00:32:27,313 --> 00:32:29,980
WE'LL TAKE THE FRONT.
LET'S GO.
797
00:32:31,483 --> 00:32:32,683
BRAVO TEAM, STATUS?
798
00:32:32,685 --> 00:32:33,951
NO JOY.
799
00:32:33,953 --> 00:32:36,119
ALL ROOMS CLEAR SO FAR.
800
00:32:37,056 --> 00:32:38,522
(HEAVY BREATHING)
801
00:32:52,638 --> 00:32:55,739
JULES:
DEFINITE LIGHT SOURCE
COMING FROM THE STAGE.
802
00:32:55,741 --> 00:32:57,174
ED:
WE'RE IN - GO!
803
00:32:58,110 --> 00:33:08,218
¶¶¶
804
00:33:08,220 --> 00:33:16,660
¶¶¶
805
00:33:16,662 --> 00:33:18,495
JULES:
ED!
806
00:33:18,497 --> 00:33:21,164
ED:
YEAH, JULES,
WE SEE IT TOO.
807
00:33:34,747 --> 00:33:35,746
RIGHT THERE!
HE'S ON THE BALCONY!
808
00:33:35,748 --> 00:33:38,315
SUBJECT IN SIGHT -
LET'S MOVE!
809
00:33:41,387 --> 00:33:42,452
RIGHT THERE!
810
00:33:44,256 --> 00:33:45,756
HANDS BEHIND YOUR HEAD!
INTERLOCK YOUR FINGERS!
811
00:33:45,758 --> 00:33:47,524
DO IT NOW!
812
00:33:50,129 --> 00:33:51,762
PARKER:
ON YOUR KNEES!
DO IT NOW!
813
00:33:51,764 --> 00:33:53,764
JULES:
DO IT NOW!
814
00:33:53,765 --> 00:33:55,765
ED:
WHERE'S PEGGI WALSH?
WHERE IS SHE?
815
00:33:55,768 --> 00:33:57,634
WHERE IS SHE?!
816
00:33:58,570 --> 00:33:59,686
WHERE IS SHE?
817
00:33:59,687 --> 00:34:00,803
TELL ME WHERE SHE IS,
RIGHT NOW!
818
00:34:00,806 --> 00:34:03,573
WHAT DO YOU MEAN?
SHE'S RIGHT THERE...
819
00:34:18,357 --> 00:34:19,873
SPIKE:
WE'RE OUT OF TIME, GUYS.
820
00:34:19,874 --> 00:34:21,390
ED:
BOSS, WE GOTTA KEEP LOOKING,
SHE'S HERE SOMEWHERE!
821
00:34:21,393 --> 00:34:23,193
LEAVE HIM WITH ME.
YOU GUYS GO!
822
00:34:23,195 --> 00:34:25,328
BRAVO TEAM KEEP LOOKING,
WE'RE ON OUR WAY!
823
00:34:25,330 --> 00:34:27,431
JULES, I NEED YOU HERE
WITH ME.
824
00:34:27,433 --> 00:34:28,732
BRING ALLAN.
825
00:34:34,406 --> 00:34:35,472
COME ON.
826
00:34:36,708 --> 00:34:38,241
PARKER:
COLIN.
827
00:34:38,243 --> 00:34:40,327
COME ON.
828
00:34:40,328 --> 00:34:42,412
STILL TIME FOR YOU
TO HELP US SAVE PEGGI.
829
00:34:47,686 --> 00:34:49,219
HEY! LOOK AT ME?!
830
00:34:50,155 --> 00:34:53,356
COLIN, WHERE IS SHE?
WHERE IS PEGGI?
831
00:34:53,358 --> 00:34:55,358
ALLAN,
LOOK AT THE SCREEN,
832
00:34:55,360 --> 00:34:57,360
LOOK AT THE ANGLE.
833
00:34:57,362 --> 00:34:59,329
LOOK IT WHERE
HE'S WATCHING FROM.
834
00:34:59,331 --> 00:35:02,799
IT'S THAT DAY,
WHEN YOUR MOTHER DIED.
835
00:35:03,836 --> 00:35:05,836
HE'S STUCK IN A LOOP.
HE CAN'T LET GO OF THE PAIN.
836
00:35:05,838 --> 00:35:09,606
HE KEEPS RELIVING IT,
OVER AND OVER AGAIN.
837
00:35:15,380 --> 00:35:16,413
HEY, WE'VE ALMOST
CLEARED THE WHOLE AREA
838
00:35:16,415 --> 00:35:18,381
AND STILL NOTHIN'.
839
00:35:18,383 --> 00:35:20,383
RIGHT NOW THIS IS ABOUT YOU,
840
00:35:20,384 --> 00:35:22,384
WHAT YOU CAN DO TO STOP THIS
TO MOVE FORWARD.
841
00:35:22,387 --> 00:35:23,787
(GROANS)
842
00:35:25,457 --> 00:35:26,890
WHAT DID YOU TAKE?
843
00:35:26,892 --> 00:35:28,258
AH, IT WON'T BE LONG NOW.
844
00:35:28,260 --> 00:35:29,259
WE NEED EMS!
845
00:35:29,261 --> 00:35:30,494
HUNTER'S DOSED HIMSELF!
846
00:35:30,496 --> 00:35:31,895
PROBABLY MORPHINE
LIKE HIS FATHER.
847
00:35:31,897 --> 00:35:34,131
PARAMEDICS,
LOWER BALCONY.
848
00:35:34,133 --> 00:35:36,600
WE LODE COLIN,
WE LOSE PEGGI.
849
00:35:37,536 --> 00:35:38,401
BOSS!
850
00:35:38,403 --> 00:35:40,070
EASY, EASY!
851
00:35:40,071 --> 00:35:41,738
YOU CAN'T DO THIS, COLIN!
NOT AGAIN!
852
00:35:41,740 --> 00:35:42,772
IT WAS ALWAYS GONNA END
THIS WAY, ALLAN.
853
00:35:42,774 --> 00:35:44,574
NO, YOU HAD A CHANCE-
854
00:35:44,576 --> 00:35:45,775
THIS IS WHO WE ARE.
855
00:35:45,777 --> 00:35:46,877
THIS IS NOT WHO WE ARE!
856
00:35:46,879 --> 00:35:49,579
THIS IS WHO YOU ARE,
WHAT YOU'VE BECOME!
857
00:35:49,581 --> 00:35:52,716
A KILLER!
A KILLER JUST LIKE HIM!
858
00:35:54,453 --> 00:35:56,653
HE WASN'T JUST A KILLER.
859
00:35:57,589 --> 00:35:58,655
HE LOVED US...
860
00:36:00,926 --> 00:36:02,626
HE DESTROYED US!
861
00:36:03,562 --> 00:36:05,262
WE WERE CHILDREN.
862
00:36:05,264 --> 00:36:07,197
WE SAW SOMETHING
WE WEREN'T SUPPOSED TO SEE.
863
00:36:07,199 --> 00:36:10,834
HE LEFT US WITH NOTHING
BUT THIS BLACK HOLE!
864
00:36:10,836 --> 00:36:13,270
THAT'S ALL WE HAVE,
COLIN.
865
00:36:13,272 --> 00:36:15,872
THAT'S ALL WE'VE EVER HAD.
866
00:36:15,874 --> 00:36:17,607
PLEASE, PLEASE.
867
00:36:17,609 --> 00:36:18,808
IF YOU WON'T DO IT
FOR THIS WOMAN
868
00:36:18,810 --> 00:36:20,777
THEN DO IT FOR ME.
869
00:36:21,713 --> 00:36:24,247
DON'T LEAVE ME
LIKE THIS AGAIN.
870
00:36:24,249 --> 00:36:25,382
PLEASE.
871
00:36:26,518 --> 00:36:29,186
(LABORED BREATH)
872
00:36:31,557 --> 00:36:34,791
I NEVER MEANT TO HURT YOU,
ALLAN.
873
00:36:34,793 --> 00:36:36,793
I'M SORRY, ALLAN.
874
00:36:38,463 --> 00:36:41,231
I KNOW, COLIN.
I KNOW...
875
00:36:42,501 --> 00:36:44,501
YOU HEAR THAT?!
876
00:36:44,503 --> 00:36:45,769
THE SUBWAY!
877
00:36:46,772 --> 00:36:47,837
PARKER
HEY!
878
00:36:48,774 --> 00:36:51,841
COLIN, WHERE IS SHE?
WHERE IS PEGGI?
879
00:36:51,843 --> 00:36:54,211
TRAP DOOR.
STAGE LEFT.
880
00:36:54,947 --> 00:36:56,947
UNDER THE BAGS.
881
00:36:56,949 --> 00:36:58,415
SHE'S UNDER THE STAGE,
STAGE LEFT,
882
00:36:58,417 --> 00:37:00,217
THERE IS A TRAP DOOR.
883
00:37:02,554 --> 00:37:04,321
(DOOR CREAKS OPEN)
884
00:37:08,627 --> 00:37:10,360
OH, LOOK AT HER.
885
00:37:11,363 --> 00:37:13,597
ISN'T SHE BEAUTIFUL?
886
00:37:20,739 --> 00:37:23,573
I THINK HE OD'D ON MORPHINE.
887
00:37:25,344 --> 00:37:26,610
ED:
SHE'S HERE!
888
00:37:26,612 --> 00:37:28,411
(MONITOR FLAT-LINES)
889
00:37:29,348 --> 00:37:31,815
GET THAT PARAMEDIC
IN HERE NOW!
890
00:37:58,777 --> 00:37:59,909
(DEEP INHALE)
891
00:38:01,747 --> 00:38:03,647
SHE'S BREATHING.
892
00:38:09,554 --> 00:38:17,961
¶¶¶
893
00:38:17,963 --> 00:38:21,631
¶ Here's to you when the rain
hits too hard ¶
894
00:38:23,669 --> 00:38:27,037
¶ When the battles that you
figh just leave you scarred ¶
895
00:38:29,741 --> 00:38:34,010
¶ When you're tired to the bone
and you got no strength ¶
896
00:38:35,747 --> 00:38:36,813
¶ To move on ¶
897
00:38:41,386 --> 00:38:45,088
¶ Here's to you when the light
has grown too dim ¶
898
00:38:46,858 --> 00:38:50,460
¶ And your faith is just hanging
on a limb ¶
899
00:38:52,798 --> 00:38:56,800
¶ And your heart begins to doubt
if you'll ever ¶
900
00:38:58,637 --> 00:39:00,003
¶ Make it through ¶
901
00:39:03,408 --> 00:39:05,675
¶ Oh, here's to you ¶
902
00:39:14,119 --> 00:39:15,352
PARKER:
I KNOW IT'S BEEN
A LONG DAY.
903
00:39:15,354 --> 00:39:16,653
SIU IS IN THERE,
WE WALK IN,
904
00:39:16,655 --> 00:39:18,121
WE HEAR WHAT SHE SAYS.
AND IT'S OVER.
905
00:39:18,123 --> 00:39:19,856
ALL RIGHT, EDDIE?
906
00:39:19,858 --> 00:39:21,925
THE WOMAN LOST HER DAUGHTER,
ED.
907
00:39:21,927 --> 00:39:23,026
SHE NEEDS TO TALK
ABOUT IT.
908
00:39:23,028 --> 00:39:24,027
AND YOU SHOULD TOO.
909
00:39:24,029 --> 00:39:26,096
SHE NEEDS SOMEBODY
TO BLAME.
910
00:39:26,098 --> 00:39:27,697
AND I GET THAT.
ALL RIGHT?
911
00:39:27,699 --> 00:39:31,634
BUT FOR THE RECORD?
THIS ISN'T FOR ME.
912
00:39:32,671 --> 00:39:34,671
ED:
MS. DALTON.
913
00:39:34,673 --> 00:39:36,740
I'M SORRY
FOR YOUR LOSS.
914
00:39:37,809 --> 00:39:40,710
MICHELLE:
OFFICER,
THANK YOU FOR COMING.
915
00:39:48,954 --> 00:39:51,855
I KNOW YOU'RE A 19-YEAR
VETERAN OF THE FORCE.
916
00:39:52,791 --> 00:39:55,725
AND THAT YOU HAVE
FOUR COMMENDATIONS.
917
00:39:55,727 --> 00:39:58,728
I KNOW YOU HAVE A WIFE
AND TWO CHILDREN.
918
00:40:00,766 --> 00:40:02,999
I NEEDED TO KNOW-
919
00:40:03,001 --> 00:40:04,667
WHAT KIND OF MAN
KILLS YOUR DAUGHTER.
920
00:40:04,669 --> 00:40:05,902
PARKER:
EDDIE...
921
00:40:07,706 --> 00:40:08,772
NO.
922
00:40:10,108 --> 00:40:13,109
WHAT KIND OF MAN IT TAKES
TO DO THAT JOB.
923
00:40:16,815 --> 00:40:18,681
I UNDERSTAND...
924
00:40:20,419 --> 00:40:21,885
THERE ARE RULES.
925
00:40:21,887 --> 00:40:23,970
MY HUSBAND-
926
00:40:23,971 --> 00:40:26,054
MY EX-HUSBAND PUT YOU
IN A COMPLICATED SITUATION.
927
00:40:26,992 --> 00:40:29,592
MY DAUGHTER HAD A GUN.
928
00:40:31,763 --> 00:40:33,763
I WAS VERY ANGRY AT YOU.
929
00:40:35,867 --> 00:40:38,935
BUT THEN I STARTED THINKING
ABOUT MY GIRL.
930
00:40:40,705 --> 00:40:42,138
I STARTED THINKING ABOUT...
931
00:40:42,140 --> 00:40:44,974
WHAT SHE WOULD DO
IF SHE WHERE ME?
932
00:40:44,976 --> 00:40:49,212
MR. LANE, SHE ALWAYS SAW
THE BEST IN PEOPLE.
933
00:40:49,748 --> 00:40:52,782
ALWAYS. THAT-THAT'S MAY.
SHE-SHE DID.
934
00:40:54,119 --> 00:40:57,854
I REALIZED SHE'D WANT ME
TO UNDERSTAND.
935
00:40:57,856 --> 00:41:00,957
SHE WOULD WANT ME
TO FORGIVE YOU.
936
00:41:01,893 --> 00:41:03,026
AND SO...
937
00:41:05,664 --> 00:41:06,729
I...
938
00:41:07,866 --> 00:41:09,599
FORGIVE YOU.
939
00:41:09,601 --> 00:41:12,602
I FORGIVE YOU.
I FORGIVE YOU.
940
00:41:14,506 --> 00:41:15,972
I CAN'T-
I CAN'T.
941
00:41:18,577 --> 00:41:19,676
ED.
942
00:41:21,680 --> 00:41:22,745
(CRYING)