1
00:00:08,743 --> 00:00:10,476
(BANGING ON DOOR)
KATE!
2
00:00:10,478 --> 00:00:12,611
I NEED YOU TO OPEN THIS DOOR
RIGHT NOW!
3
00:00:12,613 --> 00:00:14,063
UNGH!
4
00:00:14,064 --> 00:00:15,514
(KATE PANTS,
ADRENALINE KICKING IN)
5
00:00:15,516 --> 00:00:17,783
DON'T DO THIS!
YOU'RE TOO CLOSE TO THIS THING!
6
00:00:17,785 --> 00:00:19,418
YOU'RE NOT SEEING
THIS RIGHT.
7
00:00:19,419 --> 00:00:21,052
A COUPLE MORE OF THOSE,
DETECTIVE...
8
00:00:21,055 --> 00:00:22,454
(SPITS)
9
00:00:22,456 --> 00:00:23,756
AND I'LL OPEN RIGHT UP.
10
00:00:23,758 --> 00:00:26,558
NOW I NEED YOU
TO OPEN THE DOOR.
11
00:00:26,560 --> 00:00:28,260
SPIKE:
BOSS, VISUAL'S UP.
12
00:00:33,667 --> 00:00:35,768
NO, KATE!
(BANGING ON DOOR)
13
00:00:35,770 --> 00:00:37,036
(COCKS GUN)
14
00:00:48,115 --> 00:00:50,482
KATE:
SOMETIMES I WONDER
15
00:00:50,484 --> 00:00:52,518
WHAT YOU WOULD THINK
ABOUT THIS.
16
00:00:52,520 --> 00:00:54,353
(SMILING THROUGH THE TEARS)
17
00:00:54,355 --> 00:00:56,688
YOU WOULD MAKE A JOKE,
THAT MUCH I KNOW.
18
00:00:56,690 --> 00:00:58,424
YOU'D TEASE ME ABOUT IT -
19
00:00:58,426 --> 00:01:03,095
ABOUT ME BEING HERE,
TALKING TO A HUNK OF STONE.
20
00:01:05,833 --> 00:01:07,600
(SIGHS)
21
00:01:07,601 --> 00:01:09,368
I KNOW PEOPLE TALK ABOUT GRIEF
AND...
22
00:01:09,370 --> 00:01:12,271
THEY SAY THAT IT TAKES TIME.
23
00:01:13,507 --> 00:01:16,075
I'M WAITING, EVAN.
24
00:01:19,713 --> 00:01:21,713
IT DOESN'T SEEM FAIR THOUGH,
RIGHT?
25
00:01:21,715 --> 00:01:23,682
THAT THE 3 YEARS
YOU HAVE BEEN GONE
26
00:01:23,684 --> 00:01:26,285
TAKE UP SO MUCH MORE
OF MY HEART
27
00:01:26,287 --> 00:01:28,353
THAN THE SEVENTEEN
WE SPENT TOGETHER.
28
00:01:31,092 --> 00:01:34,827
(SOFT CRUNCH OF
APPROACHING FOOTSTEPS)
29
00:01:40,101 --> 00:01:41,500
YOU SHOULDN'T BE HERE.
30
00:01:41,502 --> 00:01:43,735
NO ONE KNOWS I'M HERE.
31
00:01:43,737 --> 00:01:45,437
HE'D BE 21 TODAY.
32
00:01:46,373 --> 00:01:49,441
IT DOESN'T GO AWAY,
DOES IT?
33
00:01:49,443 --> 00:01:50,442
YOU KNOW WHAT I MISS?
34
00:01:50,444 --> 00:01:52,244
LUKE, PLEASE.
35
00:01:53,848 --> 00:01:55,814
WE CAN'T DO THIS.
36
00:01:56,750 --> 00:01:58,650
YOU KNOW,
I HAVE SOMETHING FOR YOU.
37
00:01:58,652 --> 00:02:00,853
THAT BIKE CHAIN BRACELET
EVAN MADE,
38
00:02:00,855 --> 00:02:03,856
IT'S BEEN BROKEN
FOR THE LONGEST TIME.
39
00:02:03,858 --> 00:02:08,527
I FINALLY GOT AROUND
TO REPLACING THE PIN.
40
00:02:08,529 --> 00:02:10,896
HE WORE IT EVERY DAY.
41
00:02:10,898 --> 00:02:12,831
HE'D WANT YOU
TO HAVE IT.
42
00:02:12,833 --> 00:02:14,633
YOU KEEP IT.
43
00:02:14,635 --> 00:02:15,801
IT'S YOURS.
44
00:02:15,803 --> 00:02:18,203
LUKE:
MRS. A, I THINK-
45
00:02:19,473 --> 00:02:21,840
THIS CAN'T HAPPEN AGAIN.
46
00:02:31,218 --> 00:02:32,918
(WINNIE TYPES FURIOUSLY)
47
00:02:32,920 --> 00:02:33,919
PARKER:
WHERE IS HE?
48
00:02:33,921 --> 00:02:35,154
BRIEFING ROOM.
49
00:02:35,156 --> 00:02:36,455
ED:
HOLD UP.
TAKE A BREATH.
50
00:02:36,457 --> 00:02:37,890
A STREET FIGHT, ED?
51
00:02:37,892 --> 00:02:39,392
WE DON'T KNOW
THE DETAILS.
52
00:02:39,393 --> 00:02:40,893
I SPOKE TO TERRY FROM 52.
HE TOOK THE CALL -
53
00:02:40,895 --> 00:02:42,661
A BUNCH OF KIDS FIGHTING;
54
00:02:42,663 --> 00:02:43,929
SOMEONE SWINGING
A HOCKEY STICK.
55
00:02:43,931 --> 00:02:45,564
APPARENTLY.
DOING
XED UP
56
00:02:45,566 --> 00:02:46,565
IN STUFF LIKE THAT?
GREG,
57
00:02:46,567 --> 00:02:47,589
YOU'RE GONNA
ASK HIM.
58
00:02:47,590 --> 00:02:48,612
PARKER:
YOU'RE DAMN RIGHT,
I'M GONNA-
59
00:02:48,613 --> 00:02:49,635
ED:
ALL RIGHT, HOLD UP.
60
00:02:49,637 --> 00:02:51,103
YOU GO IN HOT
RIGHT NOW,
61
00:02:51,104 --> 00:02:52,570
IT'S NOT GONNA HELP
THE SITUATION AT ALL.
62
00:02:52,573 --> 00:02:56,275
WELL, I DON'T WANNA HELP
THE SITUATION.
63
00:02:56,277 --> 00:03:00,279
I WANNA TAKE A PADDLE
TO THE LITTLE PUNK.
64
00:03:01,549 --> 00:03:03,149
WHEN DOES THIS
GET EASIER?
65
00:03:03,150 --> 00:03:04,750
WELL, I HEAR THAT THEY BECOME
A LITTLE MORE MANAGEABLE
66
00:03:04,752 --> 00:03:06,652
WHEN THEY'RE...
THEY'RE 40.
67
00:03:10,758 --> 00:03:12,824
(KIDS LAUGH AND CHATTER)
68
00:03:16,564 --> 00:03:18,630
LUKE:
HEY, YOU KNOW THAT BEEMER
THAT CAME IN YESTERDAY?
69
00:03:18,632 --> 00:03:19,731
BRIAN:
THE ENDURO?
70
00:03:19,733 --> 00:03:22,234
LUKE:
YEAH. GOT IT RUNNING.
71
00:03:22,236 --> 00:03:23,936
BRIAN:
THE ENGINE WAS FULL OF SAND,
IT WAS SHOT.
72
00:03:23,938 --> 00:03:25,504
LUKE: IT WAS.
BRIAN: THAT'S IT, SWEETIE.
73
00:03:25,506 --> 00:03:26,989
LUKE:
NOW IT'S NOT.
74
00:03:26,990 --> 00:03:28,473
BRIAN:
YOU'RE A GENIUS, KID,
YOU KNOW THAT?
75
00:03:28,475 --> 00:03:30,309
WHEN I WAS YOUR AGE,
IT WOULD'VE TAKEN ME WEEKS.
76
00:03:30,311 --> 00:03:32,311
'COURSE THINGS WERE
DIFFERENT THEN.
77
00:03:32,313 --> 00:03:34,446
YEAH. HORSEPOWER
WAS ACTUAL HORSES...
78
00:03:34,448 --> 00:03:35,814
COAL WAS THE WAY
OF THE FUTURE.
79
00:03:35,816 --> 00:03:36,815
(BRIAN LAUGHS)
YEAH, YEAH, YEAH.
80
00:03:36,817 --> 00:03:38,350
DON'T GET COCKY,
SMARTASS.
81
00:03:38,352 --> 00:03:39,952
SORRY, HONEY.
82
00:03:39,953 --> 00:03:41,553
YOU DIDN'T HEAR THAT,
ALL RIGHT?
83
00:03:43,290 --> 00:03:45,257
BRIAN:
HI. STEVEN.
84
00:03:45,259 --> 00:03:46,325
BOSS?
85
00:03:48,462 --> 00:03:49,628
LOOK, UH, SWEETIE,
86
00:03:49,630 --> 00:03:52,297
I WANT YOU TO GO OUT
IN THE BACKYARD, OKAY?
87
00:03:52,299 --> 00:03:53,865
PLAY WITH THE OTHER KIDS,
ALL RIGHT?
88
00:03:53,867 --> 00:03:54,933
YOU HAVE FUN.
89
00:03:56,870 --> 00:03:59,638
HEY, I HEAR THERE'S A MEET
AND GREET IN CHATHAM.
90
00:03:59,640 --> 00:04:00,906
NEW CLIENTS.
91
00:04:00,908 --> 00:04:02,808
YEAH?
WHERE'D YOU HEAR THAT?
92
00:04:04,878 --> 00:04:06,878
ALL I'M SAYING IS,
NOW THAT I'VE BEEN PROMOTED,
93
00:04:06,880 --> 00:04:07,879
MAYBE I SHOULD COME.
94
00:04:07,881 --> 00:04:09,982
(VEHICLE BEEPS UNLOCKED)
95
00:04:09,984 --> 00:04:12,284
(ENCOURAGING)
YEAH, WE'LL SEE.
96
00:04:12,286 --> 00:04:14,253
(LOUD EXPLOSION)
97
00:04:14,255 --> 00:04:16,321
(GUESTS SCREAM)
98
00:04:18,926 --> 00:04:20,525
(FIRE ROARS)
99
00:04:21,462 --> 00:04:23,462
(MOTORCYCLE PEELS AWAY)
100
00:04:26,367 --> 00:04:27,532
BRIAN:
LUKE, GET BACK HERE!
101
00:04:27,534 --> 00:04:29,001
(ENGINE REVS)
102
00:04:29,003 --> 00:04:30,435
LUKE, GET BACK HERE!
103
00:04:31,372 --> 00:04:32,904
COME ON, LUKE!
104
00:04:33,841 --> 00:04:35,040
(STARTS ENGINE)
105
00:04:35,042 --> 00:04:37,909
(EL CAMINO PEELS AWAY,
TIRES SQUEALING)
106
00:04:37,911 --> 00:04:39,945
(FLAMES ROAR)
107
00:04:44,918 --> 00:04:45,984
HEY.
108
00:04:48,055 --> 00:04:49,321
AHH... (SIGHS)
109
00:04:51,759 --> 00:04:53,292
YOU OKAY?
110
00:04:53,294 --> 00:04:54,894
I DIDN'T START IT.
111
00:04:54,895 --> 00:04:56,495
(HOT CALL KLAXON BLARES)
WINNIE:
TEAM ONE, HOT CALL!
112
00:04:56,497 --> 00:04:58,864
(SIGHS) LOOK, GO HOME.
ICE IT, ALL RIGHT?
113
00:04:58,866 --> 00:04:59,865
WE'LL TALK LATER,
ALL RIGHT?
114
00:04:59,867 --> 00:05:01,466
DAD,
I DIDN'T START IT.
115
00:05:01,468 --> 00:05:02,701
DEAN, YOU KNOW WHAT?
116
00:05:02,703 --> 00:05:05,337
THE OLDER I GET,
THE LESS THAT MATTERS TO ME.
117
00:05:06,740 --> 00:05:08,807
JUST GO HOME. NOW.
118
00:05:15,783 --> 00:05:17,883
WINNIE:
CAR BOMB,
284 MAPLEDAWN ROAD.
119
00:05:17,885 --> 00:05:19,318
SUSPECT FLED ON A MOTORCYCLE,
120
00:05:19,320 --> 00:05:21,586
LAST SEEN HEADED EASTBOUND
ON BLOOR.
121
00:05:21,588 --> 00:05:23,722
REPORTS OF A BLUE EL CAMINO
IN PURSUIT.
122
00:05:23,724 --> 00:05:25,057
ED:
SPIKE, JULES,
SCENE OF THE EXPLOSION.
123
00:05:25,059 --> 00:05:27,993
SAM, LEAH,
LET'S FIND THAT BIKE.
124
00:05:29,730 --> 00:05:31,730
(EL CAMINO RACES ALONG)
125
00:05:38,439 --> 00:05:40,672
(UNDER HIS BREATH)
THERE YOU ARE...
126
00:05:40,674 --> 00:05:42,541
(MOTORCYCLE ZOOMS FORWARD)
127
00:05:43,477 --> 00:05:45,811
(SIRENS WAIL,
TIRES SQUEAL)
128
00:05:49,116 --> 00:05:51,083
SPIKE:
WINNIE, HOW FAR AWAY IS EMS?
129
00:05:51,085 --> 00:05:52,984
WINNIE:
THEY JUST PASSED EAST MALL.
130
00:05:52,986 --> 00:05:54,086
MOTHER:
(FRANTIC) OVER HERE, PLEASE!
MY DAUGHTER...
131
00:05:54,088 --> 00:05:55,354
SPIKE:
WHAT'S HER NAME?
132
00:05:55,356 --> 00:05:57,656
MOTHER:
ALEX. IT'S HER LEG.
133
00:05:57,658 --> 00:05:59,024
SPIKE:
ALEX, CAN YOU HEAR ME?
134
00:05:59,026 --> 00:06:01,793
JULES:
CLEAR BACK! STAY BACK! BACK!
135
00:06:01,795 --> 00:06:03,395
SPIKE:
THAT'S SHRAPNEL
FROM THE EXPLOSION.
136
00:06:03,397 --> 00:06:06,031
LOOKS LIKE SHE TWISTED IT
WHEN SHE FELL.
137
00:06:06,033 --> 00:06:07,866
WINNIE:
VEHICLE SPOTTED AT QUEENSWAY
AND KIPLING.
138
00:06:07,868 --> 00:06:09,618
WE'RE CLOSE.
139
00:06:09,619 --> 00:06:11,369
ED:
SAM, COME NORTH;
WE'LL CLOSE HIM IN.
140
00:06:11,372 --> 00:06:12,437
SAM:
COPY THAT.
141
00:06:14,375 --> 00:06:17,042
(MOTORCYCLE AND EL CAMINO
RUMBLE ALONG)
142
00:06:17,044 --> 00:06:19,411
(INTO PHONE)
YEAH, IT'S ME.
LISTEN, THERE WAS A BOMB.
143
00:06:19,413 --> 00:06:21,079
THEY GOT STEVEN.
144
00:06:21,081 --> 00:06:24,483
YEAH, I'M ON THE QUEENSWAY
FOLLOWING THE GUY.
145
00:06:24,485 --> 00:06:25,550
AH, DAMMIT.
146
00:06:30,124 --> 00:06:33,158
(TIRES SQUEAL,
PEELS AROUND THE CORNER)
147
00:06:33,160 --> 00:06:35,110
WHAT'S HAPPENING?!
148
00:06:35,111 --> 00:06:37,061
SPIKE:
ALEX, CAN YOU HEAR ME?
ALEX?
149
00:06:37,064 --> 00:06:39,398
HYPOVOLEMIC SHOCK;
SHE'S LOST A LOT OF BLOOD.
150
00:06:39,400 --> 00:06:40,165
JUST HOLD THIS DOWN HERE.
151
00:06:40,167 --> 00:06:41,500
MOTHER:
OKAY...
152
00:06:41,502 --> 00:06:42,501
SPIKE:
KEEP THE PRESSURE ON.
153
00:06:42,503 --> 00:06:45,103
MOTHER:
(PANICKED) OKAY!
154
00:06:45,105 --> 00:06:47,105
SPIKE:
1, 2, 3, 4, 5...
155
00:06:47,808 --> 00:06:50,442
(FIRE TRUCK AND EMS ARRIVE,
SIRENS WAILING)
156
00:06:50,444 --> 00:06:51,510
ALEX?
157
00:06:52,446 --> 00:06:54,146
1, 2, 3...
158
00:06:54,148 --> 00:06:56,782
BOSS, THE BOMB WENT OFF
AT A CHILDREN'S BIRTHDAY PARTY.
159
00:06:56,784 --> 00:07:00,752
TWO DECEASED -
MARY-ANN AND STEVEN MILLER.
160
00:07:01,955 --> 00:07:03,922
SPIKE:
ALEX! ALEX, CAN YOU HEAR ME?
161
00:07:03,924 --> 00:07:06,158
1, 2, 3...
KEEP THE PRESSURE ON!
162
00:07:06,160 --> 00:07:09,461
1, 2, 3, 4, 5...
163
00:07:09,463 --> 00:07:10,595
COME ON, ALEX.
164
00:07:10,597 --> 00:07:13,632
1, 2, 3, 4, 5...
165
00:07:13,634 --> 00:07:14,933
(ALEX GASPS FOR AIR)
166
00:07:14,935 --> 00:07:18,003
ALEX, CAN YOU HEAR ME?
CAN YOU HEAR ME, ALEX?
167
00:07:18,005 --> 00:07:19,438
(GROGGILY)
WHAT... WHAT HAPPENED?
168
00:07:19,440 --> 00:07:20,439
YOU'RE GONNA BE OKAY.
169
00:07:20,441 --> 00:07:21,873
THANK GOD...
170
00:07:21,875 --> 00:07:23,642
MA'AM, SHE'S IN GOOD HANDS,
OKAY?
171
00:07:23,644 --> 00:07:27,078
CAN YOU TELL ME
WHAT HAPPENED HERE TODAY?
172
00:07:27,080 --> 00:07:28,747
ORRY.
MA'AM?
173
00:07:28,749 --> 00:07:29,815
I CAN'T.
174
00:07:31,885 --> 00:07:34,152
(MOTORCYCLE SLOWS
AND RUMBLES DOWN LANE)
175
00:07:34,154 --> 00:07:35,587
(TIRES SQUEAL)
176
00:07:38,759 --> 00:07:40,725
TEAM ONE, ANOTHER SIGHTING -
QUEEN EAST.
177
00:07:40,727 --> 00:07:42,160
HEADING NORTH -
WE'RE BLOCKS AWAY.
178
00:07:42,162 --> 00:07:43,929
(SIRENS WAIL,
TRUCK RUMBLES)
179
00:07:43,931 --> 00:07:44,896
(WATER SPRAYS,
STEAM HISSES)
180
00:07:49,470 --> 00:07:50,135
WHAT DID YOU GET,
JULES?
181
00:07:50,137 --> 00:07:51,503
IT DOESN'T ADD UP.
182
00:07:51,505 --> 00:07:52,804
ASSASSINATION,
BROAD DAYLIGHT,
183
00:07:52,806 --> 00:07:53,939
A HOUSE FULL OF KIDS.
184
00:07:53,941 --> 00:07:55,474
LIKE SOMEONE'S
MAKING A POINT.
185
00:07:55,476 --> 00:07:56,675
YEAH, BUT TO WHO?
186
00:07:56,677 --> 00:07:58,109
THIS PLACE SAYS
WELCOME TO MAYBERRY.
187
00:07:58,111 --> 00:07:59,110
DID YOU GET ANYTHING
FROM WITNESSES?
188
00:07:59,112 --> 00:08:00,529
THAT'S THE OTHER THING.
189
00:08:00,530 --> 00:08:01,947
A HOUSE FULL OF PEOPLE
AND NOBODY SAW A THING.
190
00:08:01,949 --> 00:08:04,249
YEAH, I GOT THE SAME THING
FROM THE KID'S MOM.
191
00:08:06,487 --> 00:08:07,552
SOMETHING'S NOT RIGHT.
192
00:08:11,558 --> 00:08:13,859
(GARAGE DOORS WHIR OPEN)
193
00:08:25,672 --> 00:08:27,506
THINK IT'S A HOBBY?
194
00:08:27,508 --> 00:08:29,841
SPIKE:
NO. I THINK WE'RE DEALING
WITH BIKERS.
195
00:08:31,745 --> 00:08:33,612
BOSS,
THE HOSTS OF THIS PARTY
196
00:08:33,614 --> 00:08:36,581
ARE MEMBERS OF THE BRIGADIER
MOTORCYCLE CLUB.
197
00:08:36,583 --> 00:08:38,149
OKAY, TEAM,
EXTREME CAUTION.
198
00:08:38,151 --> 00:08:39,684
COPY THAT.
199
00:08:39,686 --> 00:08:40,752
(SIRENS WAIL)
200
00:08:40,754 --> 00:08:44,222
WINNIE:
BOSS, I GOT A CALL
FROM DETECTIVE KATE ANDREWS,
201
00:08:44,224 --> 00:08:45,757
ORGANIZED CRIME DIVISION.
202
00:08:45,759 --> 00:08:46,758
PARKER:
NOT A GOOD TIME, WINNIE.
203
00:08:46,760 --> 00:08:47,993
WINNIE:
SHE SAYS IT'S URGENT.
204
00:08:47,994 --> 00:08:49,227
DIRECT ORDER;
YOU'RE TO TAKE THE CALL.
205
00:08:49,229 --> 00:08:50,228
KATE:
SERGEANT PARKER?
206
00:08:50,230 --> 00:08:51,730
LISTEN, DETECTIVE,
207
00:08:51,731 --> 00:08:53,231
I'M IN THE MIDDLE
OF A BOMB INVESTIGATION
208
00:08:53,232 --> 00:08:54,732
AND CHASING TWO
GANGLAND SOLDIERS.
209
00:08:54,735 --> 00:08:56,535
KATE:
NO, ONE GANGLAND SOLDIER.
210
00:08:56,537 --> 00:08:58,236
THE YOUNG MAN IN THE CAR
WORKS FOR ME.
211
00:08:58,238 --> 00:09:00,906
HE'S A CI.
HE'S MY ASSET.
212
00:09:02,209 --> 00:09:04,276
(EL CAMINO RUMBLES LOUDLY)
213
00:09:07,681 --> 00:09:09,147
(TIRES SCREECH)
214
00:09:09,149 --> 00:09:10,215
(GUN COCKS)
215
00:09:10,217 --> 00:09:13,285
(SAWED-OFF SHOTGUN FIRES,
GLASS SHATTERS EVERYWHERE)
216
00:09:13,287 --> 00:09:14,920
ED:
WE GOT GUNFIRE.
217
00:09:14,922 --> 00:09:15,921
(SIRENS WAIL,
TIRES SQUEAL)
218
00:09:15,923 --> 00:09:16,922
AGH!
219
00:09:16,924 --> 00:09:17,989
(GUN COCKS)
220
00:09:19,560 --> 00:09:20,625
AGH!
221
00:09:21,728 --> 00:09:31,836
¶¶¶
222
00:09:31,838 --> 00:09:36,841
¶¶¶
223
00:09:36,843 --> 00:09:49,287
¶¶¶
224
00:09:55,295 --> 00:09:56,962
(SIREN WAILS)
225
00:09:56,964 --> 00:09:58,663
ED:
SAM, LEAH,
GO DIRECT TO GUNFIRE,
226
00:09:58,665 --> 00:10:00,031
WE'RE COMING NORTH.
227
00:10:00,033 --> 00:10:01,232
(GUN FIRES)
228
00:10:01,234 --> 00:10:03,902
(SIREN WAILS,
GETTING CLOSER)
229
00:10:05,272 --> 00:10:08,039
(TRUCK SCREECHES TO A STOP)
230
00:10:08,041 --> 00:10:09,908
ED:
STOP! RIGHT THERE, STOP!
231
00:10:09,910 --> 00:10:11,943
SAM, WE'VE GOT AN ACTIVE
SHOOTER COMING YOUR WAY.
232
00:10:11,945 --> 00:10:13,078
(SIREN WAILS)
233
00:10:16,316 --> 00:10:18,049
UNGH!
234
00:10:18,051 --> 00:10:18,950
(TRUCK SCREECHES TO A HALT)
235
00:10:23,056 --> 00:10:24,122
I THINK YOU GOT HIM.
236
00:10:26,093 --> 00:10:27,292
YOU DOING ALL RIGHT,
SON?
237
00:10:27,294 --> 00:10:28,727
YEAH.
238
00:10:28,729 --> 00:10:30,328
WINNIE, I NEED YOU
TO CONNECT ME TO-
239
00:10:30,330 --> 00:10:31,963
KATE:
LUKE! LUKE!
240
00:10:32,899 --> 00:10:35,000
PARKER:
NEVER MIND.
DETECTIVE ANDREWS?
241
00:10:35,002 --> 00:10:36,935
KATE:
ARE YOU ALL RIGHT?
ARE YOU HURT?
242
00:10:36,937 --> 00:10:38,269
LUKE:
I'M FINE.
I'M FINE, MRS. A.
243
00:10:38,271 --> 00:10:40,038
WHAT THE HELL
WERE YOU THINKING, HUH?
244
00:10:40,040 --> 00:10:41,473
YOU COULD'VE BEEN KILLED.
245
00:10:41,474 --> 00:10:42,907
LUKE:
WELL, I WAS TRYING
TO KEEP EYES ON THE GUY,
246
00:10:42,908 --> 00:10:44,341
AID.
I SAID STAY CLEAR.
247
00:10:44,344 --> 00:10:46,044
GET INTEL,
BUT STAY CLEAR.
248
00:10:46,046 --> 00:10:47,746
MRS. A,
HE AMBUSHED ME.
249
00:10:47,748 --> 00:10:48,947
PARKER:
DETECTIVE ANDREWS,
I'M GREG PARKER.
250
00:10:48,949 --> 00:10:50,048
THIS IS ED LANE.
251
00:10:50,050 --> 00:10:51,116
ED:
HOW'RE YOU DOING?
252
00:10:51,118 --> 00:10:52,117
THAT MAN KILLED
IN THE EXPLOSION -
253
00:10:52,119 --> 00:10:53,118
STEVEN MILLER -
254
00:10:53,120 --> 00:10:54,119
IS HE A MEMBER
OF THE BRIGADIERS?
255
00:10:54,121 --> 00:10:55,387
HE WAS THE LEADER.
256
00:10:55,388 --> 00:10:56,654
PARKER:
WHAT DOES THAT TELL YOU,
DETECTIVE?
257
00:10:56,655 --> 00:10:57,921
S A WAR?
LOOKS THAT WAY.
258
00:10:57,924 --> 00:10:59,924
THE BRIGADIERS HAVE BEEN
EXPANDING THEIR OPERATIONS;
259
00:10:59,926 --> 00:11:01,026
THEY'VE BEEN ENCROACHING
ON RIVAL TURF.
260
00:11:01,028 --> 00:11:02,511
WHICH RIVALS?
261
00:11:02,512 --> 00:11:03,995
KATE:
ANOTHER BIKE CLUB -
DEVIL'S GUARD.
262
00:11:03,997 --> 00:11:06,331
THEY RUN A LOT OF METH,
WEAPONS, EXTORTION -
263
00:11:06,333 --> 00:11:08,133
ALL AREAS THE BRIGS
HAVE BEEN GETTING INTO.
264
00:11:08,135 --> 00:11:10,001
DETECTIVE, THE BOMBER
DIDN'T HAVE ANY PATCHES
265
00:11:10,003 --> 00:11:11,670
OR ANY GANG MARKINGS
OR ANYTHING.
266
00:11:11,672 --> 00:11:13,305
NOW YOU'RE THINKING
OLD-SCHOOL.
267
00:11:13,306 --> 00:11:14,939
NOWADAYS, THESE GUYS KEEP
A WHITE-COLLAR PROFILE.
268
00:11:14,941 --> 00:11:16,391
THEY MOW THEIR LAWNS.
269
00:11:16,392 --> 00:11:17,842
THEY SEND THEIR KIDS
TO FRENCH IMMERSION.
270
00:11:17,844 --> 00:11:19,561
THE HOGS AND THE LEATHERS,
271
00:11:19,562 --> 00:11:21,279
THEY ONLY COME OUT
ON SPECIAL OCCASIONS.
272
00:11:23,216 --> 00:11:24,883
THE SHOOTER'S NOT TALKING.
NO ID.
273
00:11:24,885 --> 00:11:27,085
I'M SENDING YOU A PHOTO NOW.
274
00:11:29,089 --> 00:11:30,989
DEVIL'S GUARD?
275
00:11:30,991 --> 00:11:32,824
COULD'VE BROUGHT HIM IN
FROM ANOTHER CHAPTER,
276
00:11:32,826 --> 00:11:34,276
HIRED SOMEONE
UNAFFILIATED.
277
00:11:34,277 --> 00:11:35,727
LEAH:
I FOUND SOMETHING
IN THE BOMBERS JACKET;
278
00:11:35,729 --> 00:11:37,095
AN IED DETONATOR.
279
00:11:37,097 --> 00:11:40,899
SAM:
IT'S RF CONTROLLED.
SHORT RANGE, MAYBE 200 FEET.
280
00:11:40,901 --> 00:11:42,067
WHY A KID'S PARTY?
281
00:11:42,069 --> 00:11:43,368
SEND A MESSAGE.
282
00:11:43,370 --> 00:11:44,936
DEVIL'S GUARD
LETTING US KNOW,
283
00:11:44,938 --> 00:11:46,705
"WE CAN GET YOU ANY PLACE,
ANY TIME..."
284
00:11:46,707 --> 00:11:48,239
(LUKE'S PHONE RINGS)
285
00:11:50,711 --> 00:11:52,043
IT'S BRIAN.
286
00:11:52,045 --> 00:11:53,178
(PHONE RINGS)
287
00:11:54,281 --> 00:11:56,481
LUKE:
(INTO PHONE)
HEY, BRIAN.
288
00:11:56,483 --> 00:11:58,016
YEAH, I KNOW,
I'M SORRY,
289
00:11:58,018 --> 00:12:00,385
I JUST, I...
I WANTED TO GET THE GUY,
290
00:12:00,387 --> 00:12:02,153
BUT THE COPS SHOWED UP.
291
00:12:02,155 --> 00:12:04,355
NO, NO, NO.
I GOT OUTTA THERE,
292
00:12:04,357 --> 00:12:06,224
MADE MYSELF SCARCE.
293
00:12:07,928 --> 00:12:09,928
OKAY.
YEAH, YOU GOT IT.
294
00:12:11,398 --> 00:12:12,864
WALTER'S CALLED
AN EMERGENCY MEETING,
295
00:12:12,866 --> 00:12:14,032
RIGHT NOW,
AT THE CLUBHOUSE.
296
00:12:14,034 --> 00:12:15,584
THEY WANT ME THERE.
297
00:12:15,585 --> 00:12:17,135
PARKER:
WELL, THAT'S NOT HAPPENING,
SO RELAX.
298
00:12:17,137 --> 00:12:18,503
YOU KNOW THE DYNAMICS,
DETECTIVE,
299
00:12:18,505 --> 00:12:19,504
WHAT'S YOUR GUESS?
300
00:12:19,506 --> 00:12:20,789
THEY'RE GONNA HIT BACK.
301
00:12:20,790 --> 00:12:22,073
WALTER MCHALE WAS
SECOND IN COMMAND.
302
00:12:22,075 --> 00:12:23,541
NOW HE'S THE LEAD,
303
00:12:23,542 --> 00:12:25,008
AND HE IS NOT ONE
TO BACK DOWN FROM A FIGHT.
304
00:12:25,011 --> 00:12:26,077
THEN WE GET AHEAD
OF IT.
305
00:12:26,078 --> 00:12:27,144
WE BUST OPEN
THEIR HEADQUARTERS.
306
00:12:27,147 --> 00:12:28,146
KATE:
WE DON'T HAVE THE EVIDENCE.
307
00:12:28,148 --> 00:12:29,514
THESE GUYS ARE PROS.
308
00:12:29,515 --> 00:12:30,881
THEY DON'T STORE WEAPONS
ON SITE,
309
00:12:30,884 --> 00:12:32,350
AND THEY KEEP
THEIR NOSES CLEAN.
310
00:12:32,352 --> 00:12:34,219
8 MONTHS I'VE BEEN
ALL OVER THEM -
311
00:12:34,221 --> 00:12:36,354
NOT ONE SINGLE PIECE
OF ACTIONABLE INTEL.
312
00:12:36,356 --> 00:12:38,189
SEND ME BACK IN.
313
00:12:38,191 --> 00:12:39,190
I MEAN,
IF WE'RE GONNA HIT BACK,
314
00:12:39,192 --> 00:12:41,092
I CAN GET A TIME
AND PLACE;
315
00:12:41,093 --> 00:12:42,993
THAT'S ACTIONABLE,
RIGHT?
316
00:12:44,030 --> 00:12:45,430
PARKER:
DETECTIVE, I DON'T...
317
00:12:45,432 --> 00:12:46,865
I DON'T WANNA STOP
ON YOUR CASE HERE,
318
00:12:46,867 --> 00:12:48,800
BUT YOU CAN'T BE
CONSIDERING THIS.
319
00:12:48,802 --> 00:12:50,201
EVERYONE IN THAT CLUBHOUSE
IS GOING TO BE AMPED UP
320
00:12:50,203 --> 00:12:51,202
AND ON HIGH ALERT.
321
00:12:51,204 --> 00:12:53,104
IN HIS STATE
RIGHT NOW,
322
00:12:53,106 --> 00:12:55,273
CAN YOUR CI
KEEP PLAYING THE PART?
323
00:12:58,245 --> 00:12:59,878
WHAT DO YOU SAY,
LUKE?
324
00:12:59,880 --> 00:13:01,496
YOU UP FOR THIS?
325
00:13:01,497 --> 00:13:03,113
LOOK, THIS COULD BE THE CHANCE
WE'VE BEEN WAITING FOR.
326
00:13:03,116 --> 00:13:05,884
GET BRIAN, WALTER,
ALL OF THEM.
327
00:13:05,886 --> 00:13:07,085
YOU GOTTA LET ME TRY.
328
00:13:09,456 --> 00:13:12,056
'KAY, LET'S WIRE HIM.
HE'S GOING IN.
329
00:13:12,058 --> 00:13:13,792
ED:
IT GETS HOT, WE CAN BUST
THAT PLACE WIDE OPEN.
330
00:13:13,794 --> 00:13:15,560
PARKER:
SPIKE, JULES,
ALL HANDS ON DECK.
331
00:13:19,132 --> 00:13:22,133
(TRUCKS RUMBLE UP,
DOORS BANG SHUT)
332
00:13:28,208 --> 00:13:30,141
ED:
WE GOT RAZOR WIRE,
CRASH BARRIERS,
333
00:13:30,143 --> 00:13:32,143
CAMERAS AT EVERY ENTRANCE.
334
00:13:32,145 --> 00:13:33,344
LEAH:
DOOR'S REINFORCED STEEL.
335
00:13:33,346 --> 00:13:35,180
JULES:
YEAH, NO ELEMENT
OF SURPRISE.
336
00:13:35,182 --> 00:13:36,514
SAM:
UNLESS WE MAKE
OUR OWN DOORS.
337
00:13:36,516 --> 00:13:38,082
ED:
OKAY, THE NORTH WALL'S
GOT NO CAMS.
338
00:13:38,084 --> 00:13:39,250
WE STAY OUT OF LINE OF SIGHT.
339
00:13:39,252 --> 00:13:40,985
BREACH CHARGES.
JULES WITH ME.
340
00:13:40,987 --> 00:13:42,821
SAM, LEAH, UP TOP.
LET'S MOVE.
341
00:13:45,225 --> 00:13:48,059
LUKE'S BELT BUCKLE COMES
WITH A MIC AND A GPS TRACKER,
342
00:13:48,061 --> 00:13:49,127
SO WE CAN HEAR EVERYTHING
343
00:13:49,129 --> 00:13:50,395
AND KNOW WHERE HE IS
AT ALL TIMES.
344
00:13:50,397 --> 00:13:51,997
IT DOESN'T SHOW.
345
00:13:51,998 --> 00:13:53,598
NOT UNLESS YOU'RE REALLY,
REALLY LOOKING FOR IT.
346
00:13:53,599 --> 00:13:55,199
KATE:
THEY'LL ASK YOU WHAT HAPPENED
WITH THE BOMBER.
347
00:13:55,202 --> 00:13:56,551
YOU KEEP YOUR STORY SIMPLE,
348
00:13:56,552 --> 00:13:57,901
STICK AS CLOSE TO THE TRUTH
AS POSSIBLE.
349
00:13:57,904 --> 00:13:59,571
DISTRESS CODE IS
"BAD DEAL."
350
00:13:59,573 --> 00:14:02,340
LUKE:
OKAY, YEAH, I GOT IT.
BAD DEAL.
351
00:14:03,276 --> 00:14:05,210
(TESTING MIC)
OH, UH, CHECK,
352
00:14:05,212 --> 00:14:08,446
CHECK, CHECK,
HELLO, GOODBYE.
353
00:14:08,448 --> 00:14:09,514
GOOD TO GO.
354
00:14:10,951 --> 00:14:12,417
(RUNNING FOOTSTEPS)
355
00:14:28,235 --> 00:14:30,134
PARKER:
LUKE,
356
00:14:30,136 --> 00:14:31,469
MY TEAM WILL BE OUTSIDE.
357
00:14:31,471 --> 00:14:33,271
IF ANYTHING GOES WRONG,
YOU JUST STAY DOWN,
358
00:14:33,273 --> 00:14:34,472
WE'LL GET YOU OUT SAFE,
OKAY?
359
00:14:37,244 --> 00:14:39,244
DO YOU KNOW WHAT YOUR JOB
IN THERE IS, SON?
360
00:14:39,246 --> 00:14:41,112
BRING DOWN
THE BRIGADIERS.
361
00:14:41,114 --> 00:14:43,147
YOU GET US A TIME
AND THE PLACE OF THE RETALIATION
362
00:14:43,149 --> 00:14:44,148
AND THAT'S IT.
363
00:14:44,150 --> 00:14:45,416
YOU GET OUT,
ALL RIGHT?
364
00:14:45,418 --> 00:14:46,885
YOU DON'T GO ANYWHERE ELSE,
365
00:14:46,887 --> 00:14:48,386
YOU DON'T TAKE ANY ASSIGNMENTS,
UNDERSTOOD?
366
00:14:52,125 --> 00:14:53,191
UNDERSTOOD.
367
00:14:54,127 --> 00:14:55,193
ALL RIGHT.
368
00:15:13,513 --> 00:15:15,397
(QUIETLY)
OKAY...
369
00:15:15,398 --> 00:15:17,282
(MEMBERS MURMUR QUIETLY,
POOL BALLS CLACK)
370
00:15:21,054 --> 00:15:22,387
SO FAR SO GOOD.
371
00:15:31,331 --> 00:15:32,697
WE NEED TO TALK.
372
00:15:32,699 --> 00:15:34,165
NOW.
373
00:15:34,167 --> 00:15:35,166
I'M NOT LIKING THIS.
374
00:15:35,168 --> 00:15:37,302
HE'S OKAY...
HE'S OKAY.
375
00:15:41,374 --> 00:15:42,440
WALTER:
LUKE.
376
00:15:44,411 --> 00:15:45,510
WE GOT A PROBLEM.
377
00:15:46,446 --> 00:15:48,079
EDDIE,
STANDBY FOR MY GO.
378
00:15:48,081 --> 00:15:49,380
ALPHA TEAM IN POSITION.
379
00:15:49,382 --> 00:15:51,449
SAM:
BRAVO TEAM IN POSITION.
380
00:15:51,451 --> 00:15:53,318
WALTER,
WHAT'S THE PROBLEM?
381
00:15:53,320 --> 00:15:54,986
HEY!
WALTER: SHUT UP.
382
00:15:55,722 --> 00:15:57,522
LUKE:
BRIAN, COME ON,
WHAT THE HELL'S GOING ON HERE?
383
00:15:57,524 --> 00:15:59,524
THE MAN TOLD YOU TO SHUT UP,
LUKE.
384
00:15:59,526 --> 00:16:04,295
WALTER:
(MENACING) BRIAN GAVE YOU
A DIRECT ORDER TO STAY,
385
00:16:04,297 --> 00:16:06,181
SO YOU TAKE OFF.
386
00:16:06,182 --> 00:16:08,066
THAT GUY KILLED STEVE,
I HAD TO TRY AND GET- (WHAM)
387
00:16:08,068 --> 00:16:10,535
PARKER: ALPHA TEAM-
KATE: WAIT!
388
00:16:12,639 --> 00:16:14,439
KATE:
HE HASN'T GIVEN THE SIGNAL.
389
00:16:14,441 --> 00:16:15,506
HE'S FINE.
390
00:16:17,477 --> 00:16:20,111
HE GAVE YOU AN ORDER!
391
00:16:20,113 --> 00:16:21,713
ARE YOU A BRIGADIER,
LUKE?
392
00:16:21,715 --> 00:16:23,281
ARE YOU ONE OF US?!
393
00:16:23,283 --> 00:16:25,516
LOOK,
I KNOW I SCREWED UP.
394
00:16:27,420 --> 00:16:29,420
BUT I DID THIS FOR STEVE,
395
00:16:30,357 --> 00:16:32,490
FOR THE BRIGADIERS.
396
00:16:32,492 --> 00:16:34,292
YOU DON'T LIKE THAT,
YOU BETTER KICK ME OUT NOW.
397
00:16:34,294 --> 00:16:36,160
BECAUSE IF SOMEONE
COMES AT US AGAIN,
398
00:16:36,162 --> 00:16:38,763
I'M GONNA DO
THE SAME DAMN THING.
399
00:16:43,436 --> 00:16:45,570
ALL I NEEDED TO HEAR.
400
00:16:45,572 --> 00:16:48,172
GET THE GUYS TOGETHER.
401
00:16:50,243 --> 00:16:51,442
THAT'S A BRAVE KID.
402
00:16:51,444 --> 00:16:53,912
YEAH, HE IS.
403
00:16:53,913 --> 00:16:56,381
PARKER:
LOOK I WAS MEANING TO ASK...
"MRS. A?"
404
00:16:56,383 --> 00:16:58,182
LUKE CALLED YOU THAT
IN THE ALLEY.
405
00:16:58,184 --> 00:17:00,284
I'VE KNOWN LUKE
FOR A LONG TIME.
406
00:17:00,286 --> 00:17:01,753
FRIEND OF MY SON'S.
407
00:17:01,755 --> 00:17:03,154
LUKE DIDN'T HAVE
AN IDEAL FAMILY LIFE,
408
00:17:03,156 --> 00:17:04,589
SO HE CAME OVER A LOT.
409
00:17:04,591 --> 00:17:05,790
YOU KNOW HOW THAT CAN BE.
410
00:17:05,792 --> 00:17:07,058
SURE.
411
00:17:08,161 --> 00:17:09,661
WHAT'S YOUR SON THINK
OF THIS -
412
00:17:09,662 --> 00:17:11,162
YOU AND HIS FRIEND
WORKING TOGETHER?
413
00:17:11,164 --> 00:17:13,364
MY SON DIED THREE YEARS AGO.
414
00:17:13,366 --> 00:17:14,399
I'M SORRY.
415
00:17:14,401 --> 00:17:16,267
THANK YOU.
416
00:17:16,269 --> 00:17:17,368
WAS HE ILL?
417
00:17:17,370 --> 00:17:19,704
KATE:
BOATING ACCIDENT.
418
00:17:19,706 --> 00:17:21,506
WELL, THAT MUST'VE BEEN
DIFFICULT.
419
00:17:21,508 --> 00:17:22,573
KATE:
IT WAS.
420
00:17:26,146 --> 00:17:27,712
WALTER
YOU'VE ALL HEARD
WHAT'S HAPPENED.
421
00:17:27,714 --> 00:17:30,148
IT'S A REAL SHAME.
422
00:17:30,150 --> 00:17:33,317
IT'S A TRAGEDY
THAT IT HAD TO COME TO THIS.
423
00:17:33,319 --> 00:17:36,821
THIS CLUB IS AT A CROSSROADS -
YOU ALL KNOW THAT.
424
00:17:36,823 --> 00:17:39,257
WE ALL LOVED
AND RESPECTED STEVE.
425
00:17:39,259 --> 00:17:42,427
HE WAS OUR PRESIDENT,
OUR FRIEND, OUR BROTHER.
426
00:17:42,429 --> 00:17:45,763
BUT HE WAS BLIND...
BLIND TO OUR ENEMIES,
427
00:17:45,765 --> 00:17:48,066
BLIND TO OUR OPPORTUNITIES...
428
00:17:48,068 --> 00:17:50,201
PARKER:
DOESN'T SOUND LIKE
A WAR SPEECH, DOES IT?
429
00:17:50,203 --> 00:17:51,436
WALTER:
THIS IS THE POINT
I WAS TRYING TO MAKE WITH STEVE
430
00:17:51,438 --> 00:17:53,171
FOR MONTHS NOW.
431
00:17:53,173 --> 00:17:54,372
MANY OF YOU HAVE.
432
00:17:54,374 --> 00:17:58,276
SORRY TO SAY...
HE NEVER DID SEE THE LIGHT.
433
00:17:58,278 --> 00:18:01,579
I WISH THAT HE HAD,
I REALLY DO,
434
00:18:01,581 --> 00:18:03,347
BUT TAKE A LOOK AROUND YOU,
GENTLEMEN.
435
00:18:03,349 --> 00:18:06,084
SEE WHO'S HERE,
WHO ISN'T HERE.
436
00:18:06,820 --> 00:18:08,352
THESE ARE YOUR REAL BROTHERS,
437
00:18:08,354 --> 00:18:10,555
THE ONES STANDING BESIDE YOU
RIGHT NOW.
438
00:18:10,557 --> 00:18:14,158
EVERYBODY ELSE...
LIKE I SAID, CROSSROADS.
439
00:18:15,328 --> 00:18:17,829
SOME OF US WILL BE GOING
IN ONE DIRECTION,
440
00:18:17,831 --> 00:18:19,597
SOME OF US IN ANOTHER.
441
00:18:19,599 --> 00:18:22,366
ANYBODY GOT A PROBLEM
WITH THAT?
442
00:18:22,368 --> 00:18:24,202
HE'S NOT TALKING ABOUT
GOING TO BATTLE.
443
00:18:24,204 --> 00:18:25,736
KATE:
HE'S TALKING ABOUT
TAKING OVER.
444
00:18:25,738 --> 00:18:27,405
HE'S TALKING ABOUT A PURGE.
445
00:18:27,407 --> 00:18:29,507
ED:
IF HE'S ANNOUNCING IT,
IT'S ALREADY IN MOTION.
446
00:18:29,509 --> 00:18:30,575
HOW MANY TARGETS
ARE STILL OUT THERE?
447
00:18:30,577 --> 00:18:31,709
AND WHERE?
448
00:18:32,645 --> 00:18:34,045
LUKE:
GEEZ, BRIAN...
449
00:18:34,046 --> 00:18:35,446
BRIAN:
JUST KEEP YOUR MOUTH SHUT
AND YOUR HEAD DOWN, OKAY?
450
00:18:35,448 --> 00:18:37,482
YOU'LL BE FINE.
451
00:18:37,484 --> 00:18:39,584
KARL'S NOT HERE.
I KNOW.
452
00:18:39,586 --> 00:18:43,321
DENNIS, RICHARD...
ARE THEY ALL DEAD?
453
00:18:43,323 --> 00:18:44,755
GOOD WORK, LUKE.
454
00:18:44,757 --> 00:18:46,858
KARL BORANCE, DENNIS BARBER,
RICHARD BREED.
455
00:18:46,860 --> 00:18:48,192
WHO ARE THEY?
456
00:18:49,896 --> 00:18:51,696
LOYALISTS -
OF STEVEN MILLER,
457
00:18:51,698 --> 00:18:53,731
THE ASSASSINATED
BRIGADIERS LEADER -
458
00:18:53,733 --> 00:18:55,600
AND NOW MARKED MEN.
459
00:19:07,680 --> 00:19:10,281
PARKER:
OKAY, TEAM,
YOU HEARD THE NEWS.
460
00:19:10,283 --> 00:19:11,549
THE BRIGADIERS ARE
CLEANING HOUSE.
461
00:19:11,551 --> 00:19:13,317
WE'VE GOT THREE TARGETS.
462
00:19:13,319 --> 00:19:14,552
SPIKE'S SENDING YOU PHOTOS.
463
00:19:14,554 --> 00:19:16,521
ED:
SPIKE, HOME NUMBERS,
CELL PHONES.
464
00:19:16,523 --> 00:19:17,689
ON IT.
465
00:19:17,690 --> 00:19:18,856
SAM:
IF YOU WANTED TO TAKE OUT
THREE GUYS
466
00:19:18,858 --> 00:19:20,224
WITHOUT TIPPING YOUR PLAN...
467
00:19:20,226 --> 00:19:21,459
MAKE SURE THEY'RE TOGETHER.
468
00:19:21,461 --> 00:19:23,528
AND WE KNOW THESE GUYS
LOVE BOMBS.
469
00:19:23,530 --> 00:19:24,996
ED:
SPIKE!
470
00:19:24,997 --> 00:19:26,463
SPIKE:
NO ANSWERS AT HOME
OR AT WORK.
471
00:19:26,466 --> 00:19:28,699
CELL PHONES ARE OFF,
BUT I'M GETTING A GPS PING BACK
472
00:19:28,701 --> 00:19:30,535
FROM KARL BORANCE'S PHONE.
473
00:19:30,537 --> 00:19:32,670
HE'S SOUTHEAST FROM HERE.
474
00:19:35,508 --> 00:19:36,841
THAT'S DENNIS BARBER'S
RESTAURANT.
475
00:19:36,843 --> 00:19:38,242
IT'S DOWNTOWN,
LUNCH HOUR.
476
00:19:38,244 --> 00:19:39,711
PRETTY BRASH MOVE.
477
00:19:39,712 --> 00:19:41,179
KATE:
NOT IF THEY'RE TRYING
TO PLAY IT OFF AS A GANG WAR.
478
00:19:41,181 --> 00:19:42,313
GIVES THEM DENIABILITY.
479
00:19:42,314 --> 00:19:43,446
PARKER:
WELL, THEY'VE SHOWN
THEY'RE NOT WORRIED
480
00:19:43,449 --> 00:19:44,682
ABOUT COLLATERAL DAMAGE.
481
00:19:44,684 --> 00:19:45,950
ED:
LET'S MOVE.
482
00:19:45,952 --> 00:19:47,552
HEY,
I'M GONNA STAY BACK,
483
00:19:47,554 --> 00:19:49,554
MAKE SURE LUKE GETS OUT
ALL RIGHT.
484
00:19:49,556 --> 00:19:51,455
ED:
WHAT'S GOING ON?
485
00:19:51,457 --> 00:19:52,857
I DON'T KNOW,
SOMETHING ABOUT THIS...
486
00:19:52,859 --> 00:19:54,492
ED, YOU GO.
I GOT IT.
487
00:19:54,494 --> 00:19:55,560
GO.
488
00:19:59,399 --> 00:20:00,898
PARKER:
WINNIE, DETECTIVE ANDREWS' SON,
489
00:20:00,900 --> 00:20:03,267
WHAT CAN YOU TELL ME
ABOUT HIM?
490
00:20:03,269 --> 00:20:04,302
EVAN ANDREWS.
491
00:20:04,304 --> 00:20:06,571
DIED AT 17
IN A BOATING ACCIDENT.
492
00:20:06,573 --> 00:20:07,505
THE FILE'S SEALED
BECAUSE THE PARTIES INVOLVED
493
00:20:07,507 --> 00:20:08,806
WERE MINORS AT THE TIME.
494
00:20:08,808 --> 00:20:10,408
'KAY, CONTACT THE OFFICER
THAT WAS THERE.
495
00:20:10,410 --> 00:20:12,243
MAYBE HE CAN GIVE US
SOME MORE INFORMATION.
496
00:20:12,245 --> 00:20:13,711
WINNIE:
SURE.
497
00:20:16,282 --> 00:20:18,749
SPIKE:
TEAM, SCHEMATICS OF THE
RESTAURANT COMING AT YOU.
498
00:20:18,751 --> 00:20:19,884
ED:
SPIKE, BREAK THIS DOWN FOR ME.
499
00:20:19,886 --> 00:20:21,252
IF WE'RE DEALING WITH
THE SAME TECH,
500
00:20:21,254 --> 00:20:22,376
HOW'S THIS GO?
501
00:20:22,377 --> 00:20:23,499
SPIKE:
REAL SIMPLE;
BOMBER PLANTS THE DEVICE,
502
00:20:23,500 --> 00:20:24,622
WAITS FOR THE TARGETS
TO SHOW UP,
503
00:20:24,624 --> 00:20:26,074
PRESSES A BUTTON.
504
00:20:26,075 --> 00:20:27,525
JULES:
IT HASN'T GONE OFF YET.
WHAT DOES THAT TELL US?
505
00:20:27,527 --> 00:20:28,859
BEST CASE,
SOMEONE HAD A CHANGE OF HEART.
506
00:20:28,861 --> 00:20:30,294
MORE LIKELY...
507
00:20:30,296 --> 00:20:31,896
ALL THREE OF THE TARGETS
AREN'T IN PLACE YET.
508
00:20:31,898 --> 00:20:33,681
SO WE CALL AHEAD,
START CLEARING THE PLACE.
509
00:20:33,682 --> 00:20:35,465
JULES:
UNLESS WE SUPERVISE
THE EVACUATION OURSELVES,
510
00:20:35,468 --> 00:20:36,601
IT'S TOO RISKY.
511
00:20:36,603 --> 00:20:37,535
PATRONS START RUNNING
OUT OF THERE,
512
00:20:37,537 --> 00:20:39,037
IT'S GONNA CUE THE BOMBER.
513
00:20:39,038 --> 00:20:40,538
HE'S GONNA TAKE OUT WHATEVER
TARGET'S ARE ALREADY THERE.
514
00:20:40,540 --> 00:20:41,939
ED:
AND WE SHOW UP WITH
THE SIRENS BLARING -
515
00:20:41,941 --> 00:20:43,007
SAME STORY.
516
00:20:46,913 --> 00:20:48,613
YOU ALL RIGHT?
517
00:20:48,615 --> 00:20:49,680
YEAH.
518
00:20:50,650 --> 00:20:52,283
THESE AREN'T EASY TIMES.
519
00:20:52,285 --> 00:20:53,952
HAD TO BE DONE,
RIGHT?
520
00:20:53,953 --> 00:20:55,620
PARKER:
(BANGS DOOR SHUT)
OKAY, LET'S BRING YOUR GUY IN.
521
00:20:55,622 --> 00:20:57,555
KATE:
HANG ON.
SOMETHING'S UP.
522
00:20:57,557 --> 00:20:58,823
BRIAN:
TELL YOU WHAT...
523
00:20:58,825 --> 00:21:01,559
WALTER AND I HAVE A LOOSE END
TO TIE UP.
524
00:21:01,561 --> 00:21:02,793
YOU WANNA BE
PART OF IT?
525
00:21:02,795 --> 00:21:04,795
I MEAN, YOU SAID YOU WANTED
TO STEP UP.
526
00:21:04,797 --> 00:21:07,531
WELL, TODAY WOULD BE
A GOOD DAY FOR IT -
527
00:21:07,533 --> 00:21:11,702
CHANCE TO PROVE YOURSELF
TO THE NEW REGIME.
528
00:21:11,704 --> 00:21:12,970
LUKE, NO.
SAY NO.
529
00:21:16,409 --> 00:21:18,542
YOU KNOW WHAT?
NEVER MIND.
530
00:21:18,544 --> 00:21:20,811
YOU'VE HAD A HELL
OF A DAY.
531
00:21:21,748 --> 00:21:22,813
YEAH.
532
00:21:25,285 --> 00:21:26,651
I'M IN.
533
00:21:26,653 --> 00:21:28,753
NO. NO, NO, NO.
WHAT'S HE DOING?
534
00:21:28,755 --> 00:21:31,289
HE'S GIVING US WALTER;
THAT'S WHAT HE'S DOING.
535
00:21:31,291 --> 00:21:32,490
NOT THE PLAN,
DETECTIVE.
536
00:21:32,492 --> 00:21:33,624
KATE:
LISTEN TO ME.
537
00:21:33,626 --> 00:21:34,903
THIS IS OUR CHANCE.
538
00:21:34,904 --> 00:21:36,181
THEY'RE GOING ON
AN ASSASSINATION RUN.
539
00:21:36,182 --> 00:21:37,459
KATE:
WHICH IS WHY WE HAVE
TO LET IT PLAY OUT -
540
00:21:37,463 --> 00:21:38,512
TO PROTECT THE TARGET.
541
00:21:38,513 --> 00:21:39,562
PARKER:
YOU MEAN ARREST YOUR MAN.
542
00:21:39,565 --> 00:21:41,532
KATE:
YES! YEAH, THAT TOO.
543
00:21:42,468 --> 00:21:43,801
SERGEANT,
NOTHING THAT HAPPENED TODAY
544
00:21:43,803 --> 00:21:45,369
CAN BE TRACED
BACK TO WALTER.
545
00:21:45,371 --> 00:21:47,505
SO FAR HE CAN JUST WALK AWAY
FROM ALL OF IT.
546
00:21:47,507 --> 00:21:51,742
IF HE ORDERS THIS HIT,
THEN WE'VE FINALLY GOT HIM.
547
00:21:53,613 --> 00:21:55,646
MY INVESTIGATION,
MY CALL.
548
00:21:58,017 --> 00:21:59,917
EDDIE, CI'S ON THE MOVE
AND WE'RE FOLLOWING.
549
00:21:59,919 --> 00:22:01,185
WHAT'S YOUR TWENTY?
550
00:22:01,186 --> 00:22:02,452
BOSS, WE'RE ALMOST
AT THE RESTAURANT.
551
00:22:07,493 --> 00:22:08,759
(VEHICLE RUMBLES AWAY)
552
00:22:09,696 --> 00:22:11,429
(PARKER STARTS TRUCK)
553
00:22:11,431 --> 00:22:13,764
HANG BACK, SERGEANT.
TRACKING SIGNAL'S STRONG.
554
00:22:13,766 --> 00:22:14,765
WE'LL FOLLOW AT A DISTANCE.
555
00:22:20,873 --> 00:22:22,340
I KNOW YOU THINK
I'M PUSHING HIM,
556
00:22:22,342 --> 00:22:23,774
BUT YOU REALLY HAVE
TO TRUST ME.
557
00:22:23,776 --> 00:22:25,776
HE KNOWS WHAT HE'S DOING
AND THIS IS WHAT HE WANTS.
558
00:22:25,778 --> 00:22:27,578
PARKER:
YEAH? HOW CAN YOU
BE SURE OF THAT?
559
00:22:27,579 --> 00:22:29,379
KATE:
BECAUSE I DIDN'T RECRUIT HIM.
HE CAME TO ME.
560
00:22:29,382 --> 00:22:30,848
HE WANTED TO BE A CI?
561
00:22:30,850 --> 00:22:32,950
NO, HE WANTED TO CHANGE
HIS LIFE AROUND.
562
00:22:32,952 --> 00:22:34,452
HE KNEW I COULD HELP.
563
00:22:34,454 --> 00:22:36,687
WELL, YOU WERE THE PARENT
IN HIS LIFE.
564
00:22:36,689 --> 00:22:38,189
YOU HAD MENTIONED IT EARLIER
565
00:22:38,190 --> 00:22:39,690
THAT HE DIDN'T HAVE
A VERY STRONG HOME LIFE
566
00:22:39,692 --> 00:22:41,659
AND THAT HE WAS
AT YOUR HOUSE A LOT.
567
00:22:41,661 --> 00:22:42,660
I HELPED OUT
WHERE I COULD.
568
00:22:42,662 --> 00:22:43,761
HE MUST HAVE BEEN
GRATEFUL.
569
00:22:43,763 --> 00:22:44,829
SOMETIMES.
570
00:22:45,998 --> 00:22:47,898
(SIRENS WAIL)
571
00:22:47,900 --> 00:22:50,134
OKAY, TEAM, LISTEN UP.
SAM, YOU'RE ON THE TRIGGER MAN.
572
00:22:50,136 --> 00:22:52,002
THIS GUY'S GOTTA HAVE
A SIGHT LINE TO THE RESTAURANT.
573
00:22:52,004 --> 00:22:53,671
I WANT YOU TO FIND HIM
AND STOP HIM.
574
00:22:53,673 --> 00:22:55,189
ALL RIGHT, I'M ON IT.
575
00:22:55,190 --> 00:22:56,706
ED:
LEAH, YOU'RE WITH ME.
BACK SERVICE DOOR.
576
00:22:56,709 --> 00:22:58,476
LET'S CLEAR THE PLACE OUT
QUICK AND QUIET
577
00:22:58,478 --> 00:22:59,477
WITHOUT TIPPING HIM OFF.
578
00:22:59,479 --> 00:23:00,929
GOT IT!
579
00:23:00,930 --> 00:23:02,380
JULES, YOU'RE OUT FRONT.
NO LIGHTS, NO SIRENS.
580
00:23:02,382 --> 00:23:03,781
YOU'RE LOOKING FOR
THE TARGETED BIKERS.
581
00:23:03,783 --> 00:23:05,716
KEEPING 'EM OUT
BUYS US MORE TIME INSIDE.
582
00:23:05,718 --> 00:23:06,751
JULES: COPY.
ED: SPIKE?
583
00:23:06,753 --> 00:23:08,486
LET ME GUESS.
I'M ON BOMB?
584
00:23:08,488 --> 00:23:09,820
YOU'RE ON BOMB.
585
00:23:15,027 --> 00:23:18,496
KATE:
THERE WAS ONE SUMMER WHERE EVAN
AND LUKE GOT JOBS AT A GARAGE.
586
00:23:18,498 --> 00:23:20,998
BRIAN NOVAK WAS THEIR BOSS,
587
00:23:21,000 --> 00:23:22,700
AND WHEN I GOT WIND
OF HIS AFFILIATION
588
00:23:22,702 --> 00:23:23,701
WITH THE BRIGADIERS,
589
00:23:23,703 --> 00:23:26,103
I... I JUST HIT THE ROOF.
590
00:23:26,105 --> 00:23:27,905
I WENT DRIVING OVER THERE,
591
00:23:27,907 --> 00:23:29,440
AND I MARCHED
BOTH THOSE BOYS OUT,
592
00:23:29,442 --> 00:23:31,642
ONE IN EACH HAND.
593
00:23:31,644 --> 00:23:33,778
I GUESS I THOUGHT
LUKE GOT THE MESSAGE,
594
00:23:33,780 --> 00:23:35,746
BUT UM...
A FEW MONTHS AGO,
595
00:23:35,748 --> 00:23:37,815
IN THE MIDDLE OF THE NIGHT,
596
00:23:37,817 --> 00:23:40,184
LUKE SHOWED UP
AT THE STATION.
597
00:23:43,756 --> 00:23:44,855
KATE:
LUKE, IT'S 2 IN THE MORNING.
598
00:23:44,857 --> 00:23:46,857
WHAT'RE YOU DOING HERE?
599
00:23:50,997 --> 00:23:52,096
WHOSE IS THAT?
600
00:23:52,098 --> 00:23:53,197
(BRACING HIMSELF)
MINE...
601
00:23:53,199 --> 00:23:54,765
KATE:
HOW LONG?
602
00:23:54,767 --> 00:23:55,866
COUPLE YEARS...
603
00:23:55,868 --> 00:23:56,867
I GOT PATCHED IN
THIS WEEK.
604
00:23:56,869 --> 00:23:57,868
(KATE SIGHS, HORRIFIED)
605
00:23:57,870 --> 00:23:59,837
NO, NO, DON'T DO THAT.
606
00:23:59,838 --> 00:24:01,805
YOU JUST JOINED
A VIOLENT CRIMINAL GANG -
607
00:24:01,808 --> 00:24:02,940
THESE ARE THE PEOPLE
I SPEND MY WHOLE LIFE
608
00:24:02,942 --> 00:24:04,508
TRYING TO PUT AWAY.
609
00:24:04,510 --> 00:24:06,043
LOOK, I'M IN OVER MY HEAD,
MRS. A.
610
00:24:06,045 --> 00:24:07,578
IT'S NOT...
611
00:24:07,580 --> 00:24:08,579
IT'S NOT AT ALL
WHAT I THOUGHT IT WOULD BE.
612
00:24:08,581 --> 00:24:10,331
OKAY...
613
00:24:10,332 --> 00:24:12,082
LUKE:
LOOK, I'M A FULLY PATCHED MEMBER
OF THE BRIGADIERS.
614
00:24:12,084 --> 00:24:13,684
I'VE GOT NAMES, LOCATIONS,
JOBS.
615
00:24:13,686 --> 00:24:15,953
I CAN GIVE YOU ALL OF IT.
616
00:24:16,889 --> 00:24:18,823
KATE:
HE WANTED OUT...
617
00:24:18,825 --> 00:24:20,090
HE REALIZED HE'D MADE
A MISTAKE,
618
00:24:20,092 --> 00:24:23,594
AND HE WANTED MY HELP
MAKING THINGS RIGHT.
619
00:24:23,596 --> 00:24:26,497
WALTER: (OVER HEADSET)
YOU GOTTA BE CLEAR
ABOUT THIS, LUKE.
620
00:24:26,499 --> 00:24:29,800
YOU GO THROUGH THIS DOOR,
YOU CAN'T COME BACK.
621
00:24:29,802 --> 00:24:31,802
YOU UNDERSTAND THAT,
RIGHT?
622
00:24:31,804 --> 00:24:32,870
I'M READY.
623
00:24:35,575 --> 00:24:37,875
SO WHO ARE WE GONNA SEE,
ANYWAY?
624
00:24:37,877 --> 00:24:39,810
(GRAVE) RON.
625
00:24:41,747 --> 00:24:42,963
WHO IS IT?
626
00:24:42,964 --> 00:24:44,180
KATE:
RON MCHALE.
WALTER'S OWN COUSIN.
627
00:24:44,183 --> 00:24:45,783
NOT A FULL-TIME MEMBER,
BUT STILL INVOLVED.
628
00:24:45,785 --> 00:24:47,335
ALWAYS GOT ALONG
WITH STEVEN,
629
00:24:47,336 --> 00:24:48,886
AND I SHOULD HAVE
SEEN THIS COMING.
630
00:24:48,888 --> 00:24:50,688
(INTO THE PHONE)
YEAH, I NEED UNITS
AT RON MCHALE'S HOUSE -
631
00:24:50,690 --> 00:24:52,857
PLAIN CLOTHES, UNMARKED CARS -
RIGHT AWAY.
632
00:24:52,859 --> 00:24:53,924
NO. GO!
633
00:24:58,130 --> 00:24:59,897
(DOOR CREAKS OPEN)
634
00:25:09,942 --> 00:25:11,008
(CELL PHONE RINGS)
635
00:25:15,615 --> 00:25:16,614
YEP.
636
00:25:16,616 --> 00:25:18,716
RON:
WALTER, IT'S RON.
637
00:25:18,718 --> 00:25:19,783
YOU WERE RIGHT.
638
00:25:19,785 --> 00:25:21,852
OKAY. GOT IT.
639
00:25:21,854 --> 00:25:23,287
(PHONE BEEPS OFF)
640
00:25:24,690 --> 00:25:26,790
WALTER:
THAT WAS RON.
641
00:25:26,792 --> 00:25:28,259
HE'S GOT COMPANY.
642
00:25:33,833 --> 00:25:34,798
LUKE'S COVER'S BLOWN.
643
00:25:34,800 --> 00:25:35,799
WHAT'RE YOU TALKING ABOUT?
644
00:25:35,801 --> 00:25:37,501
IT WAS A SET-UP,
IT WAS A TEST.
645
00:25:37,502 --> 00:25:39,202
THEY SUSPECTED HE WAS WIRED
AND THEY FED US BAD INTEL.
646
00:25:39,205 --> 00:25:40,771
NO! THEY WOULD'VE SEARCHED HIM
IN THE CLUBHOUSE.
647
00:25:40,773 --> 00:25:42,239
AND WE WOULD'VE BUSTED IN
AND SAVED HIM.
648
00:25:43,876 --> 00:25:44,942
OH MY GOD.
649
00:25:44,944 --> 00:25:46,010
(SIRENS WAIL)
650
00:25:49,615 --> 00:25:52,850
(VEHICLES ROAR DOWN ALLEYWAY
AND SCREECH TO A HALT)
651
00:25:54,887 --> 00:25:56,754
LET'S MOVE!
GO, GO!
652
00:26:01,227 --> 00:26:03,661
EVERYONE, CAN I HAVE
YOUR ATTENTION PLEASE!
653
00:26:03,663 --> 00:26:06,630
THIS IS A POLICE EMERGENCY.
654
00:26:06,632 --> 00:26:07,898
(DOORS BANG SHUT)
655
00:26:10,303 --> 00:26:12,202
I NEED YOU TO STAY CALM
656
00:26:12,204 --> 00:26:14,171
AND EXIT THROUGH
THE BACK DOOR, PLEASE.
657
00:26:14,173 --> 00:26:16,273
EXIT THROUGH THE BACK DOOR!
LET'S GO, FOLKS!
658
00:26:21,981 --> 00:26:23,847
FOLKS, PLEASE, NOW!
DO IT NOW!
659
00:26:23,849 --> 00:26:26,216
LET'S GO, LADIES, LET'S GO!
HERE WE GO!
660
00:26:26,218 --> 00:26:27,918
THROUGH THE BACK
OF THE BUILDING!
661
00:26:27,920 --> 00:26:29,453
IT'S AN EMERGENCY, FOLKS!
662
00:26:29,454 --> 00:26:30,987
IF I CAN HAVE YOU UP AND OUT!
UP AND OUT!
663
00:26:30,990 --> 00:26:32,156
LET'S GO, PEOPLE,
LET'S GO!
664
00:26:32,158 --> 00:26:33,791
SPIKE - THERE!
665
00:26:33,793 --> 00:26:35,126
SPIKE: MR. BARBER?
DENNIS: YES.
666
00:26:35,127 --> 00:26:36,460
SPIKE: THIS YOUR RESTAURANT?
DENNIS: WHAT'S THIS ALL ABOUT?
667
00:26:36,461 --> 00:26:37,794
SPIKE: THIS YOUR USUAL TABLE?
DENNIS: YES.
668
00:26:37,797 --> 00:26:38,963
YOU NEED TO GET OUTTA HERE,
RIGHT NOW!
669
00:26:38,965 --> 00:26:39,964
YOUR LIVES ARE IN DANGER.
670
00:26:39,966 --> 00:26:41,632
GO! GO!
671
00:26:41,633 --> 00:26:43,299
(INTO HEADSET)
OKAY, TWO OF THE TARGETS
ARE COMING OUT.
672
00:26:43,302 --> 00:26:45,002
(EXPLOSIVES SCANNER CHIRPS)
GOT THE BOMB!
673
00:26:45,004 --> 00:26:46,904
LEAH:
JULES, THE MISSING TARGET
IS RICHARD BREED.
674
00:26:46,906 --> 00:26:48,806
REPEAT: THE BOMBER'S WAITING
FOR RICHARD BREED.
675
00:26:50,309 --> 00:26:51,375
COPY.
676
00:27:00,353 --> 00:27:01,619
(UNDER HIS BREATH)
WHERE ARE YOU...?
677
00:27:02,655 --> 00:27:04,388
(SIREN WAILS)
678
00:27:04,389 --> 00:27:06,122
KATE:
OKAY, THEY'RE HEADED NORTH -
JUST UP THERE.
679
00:27:06,125 --> 00:27:07,191
OKAY, TURN RIGHT.
680
00:27:07,193 --> 00:27:10,861
LEAH:
LEAVE IT! DROP EVERYTHING! NOW!
COME ON!
681
00:27:10,863 --> 00:27:12,997
ED:
LET'S GO! LET'S GO, GENTLEMEN,
LET'S GO, NOW!
682
00:27:18,738 --> 00:27:19,971
ED, HE'S HERE!
683
00:27:19,972 --> 00:27:21,205
HE'S DOWN THE BLOCK;
I CAN'T INTERCEPT HIM
684
00:27:21,207 --> 00:27:22,973
WITHOUT THE TRIGGER MAN
SEEING ME.
685
00:27:22,975 --> 00:27:24,408
ED:
HOW LONG?
686
00:27:24,409 --> 00:27:25,842
JULES:
SIXTY SECONDS -
HE'S HALFWAY DOWN THE BLOCK.
687
00:27:25,843 --> 00:27:27,276
ED:
WE'RE NOT CLEAR YET!
SAM, ANYTHING?
688
00:27:27,279 --> 00:27:28,345
NOTHING.
689
00:27:29,382 --> 00:27:31,649
(INTENSE SUSPENSEFUL MUSIC
PLAYS)
690
00:27:36,255 --> 00:27:37,855
(CASE SNAPS OPEN)
691
00:27:40,960 --> 00:27:42,026
SPIKE:
(QUIET) OH GOD...
692
00:27:47,033 --> 00:27:48,098
I GOT HIM.
693
00:27:51,937 --> 00:27:54,071
JULES:
THIRTY SECONDS, ED.
694
00:27:54,073 --> 00:27:56,106
ED, WHEN YOU CLEAR OUT
THE RESTAURANT,
695
00:27:56,108 --> 00:27:58,008
CLEAR OUT THE KITCHEN
AND THE STREET OUT FRONT.
696
00:28:02,915 --> 00:28:04,114
FIFTEEN SECONDS, ED.
697
00:28:05,051 --> 00:28:07,017
(INTENSE SUSPENSEFUL MUSIC
PLAYS)
698
00:28:07,953 --> 00:28:09,019
(BUTTON CAP SNAPS UP)
699
00:28:14,393 --> 00:28:15,693
SPIKE:
DIGITAL COUNTER-MEASURE;
700
00:28:15,694 --> 00:28:16,994
I'M NOT GONNA BE ABLE
TO MOVE IT!
701
00:28:20,866 --> 00:28:23,333
JULES:
TEN SECONDS, ED.
702
00:28:28,074 --> 00:28:29,139
I GOTTA GO.
703
00:28:32,445 --> 00:28:34,111
RICHARD BREED!
704
00:28:34,113 --> 00:28:36,447
LET'S GO! STAY DOWN!
TAKE COVER!
705
00:28:37,383 --> 00:28:38,782
DETONATOR... CHARGES...
706
00:28:39,719 --> 00:28:41,785
DO NOT GO IN THERE!
STAY WHERE YOU ARE!
707
00:28:47,760 --> 00:28:48,826
POWER SUPPLY.
708
00:28:48,827 --> 00:28:49,893
(PRESSES BUTTON,
BUT THERE'S NO RESPONSE)
709
00:28:49,895 --> 00:28:51,028
SAM:
DROP IT!
710
00:28:53,499 --> 00:28:54,832
BOMB DEFUSED!
711
00:28:56,068 --> 00:28:57,901
KEEP YOUR HANDS
WHERE I CAN SEE 'EM!
712
00:28:57,903 --> 00:28:58,969
(SIRENS WAIL)
713
00:28:59,905 --> 00:29:01,472
KATE:
THERE!
714
00:29:04,343 --> 00:29:05,375
SHOW ME YOUR HANDS!
715
00:29:05,377 --> 00:29:06,443
DO IT NOW!
716
00:29:09,215 --> 00:29:10,280
LUKE!
717
00:29:15,955 --> 00:29:17,087
WHERE IS HE?!
718
00:29:26,165 --> 00:29:27,431
(DOOR BANGS SHUT)
719
00:29:40,846 --> 00:29:42,880
BRIAN: UNGH!
KATE: WHERE IS HE?
720
00:29:42,882 --> 00:29:44,982
BRIAN:
I'D LIKE TO TALK
TO MY LAWYER.
721
00:29:44,984 --> 00:29:46,383
UNGH!
722
00:29:46,385 --> 00:29:48,018
KATE:
WHERE IS HE, BRIAN?!
723
00:29:48,020 --> 00:29:49,920
PARKER:
DETECTIVE,
YOU NEED TO STEP AWAY.
724
00:29:49,922 --> 00:29:50,954
NOT NOW, PARKER!
725
00:29:50,956 --> 00:29:52,055
KATE, I KNOW THIS IS HARD.
726
00:29:52,057 --> 00:29:54,958
BUT WE NEED CLEAR HEADS
RIGHT NOW.
727
00:30:00,499 --> 00:30:02,432
PARKER:
KEEP HIM INSIDE
AND WATCH HIM.
728
00:30:04,503 --> 00:30:05,002
UNIFORM:
YOU GOT IT.
729
00:30:05,003 --> 00:30:05,502
PARKER:
OKAY, EDDIE,
TALK TO ME.
730
00:30:05,504 --> 00:30:06,770
ED:
BOSS, WE'RE CLEAR.
731
00:30:06,771 --> 00:30:08,037
THE TARGETS ARE SAFE,
BOMBER'S IN CUSTODY.
732
00:30:08,040 --> 00:30:10,474
OKAY, NEW PRIORITY.
WALTER'S GOT LUKE.
733
00:30:10,476 --> 00:30:11,842
HE KNOWS HE'S BEEN WORKING
FOR THE COPS,
734
00:30:11,844 --> 00:30:14,077
SO WE NEED TO FIND HIM,
AND FIND HIM FAST.
735
00:30:14,079 --> 00:30:16,480
ED:
LET ME SEE WHAT I CAN GET.
736
00:30:16,482 --> 00:30:17,881
WHERE'S WALTER?
737
00:30:18,818 --> 00:30:20,517
THIS IS TIME SENSITIVE!
WHERE IS HE?
738
00:30:20,519 --> 00:30:22,152
SAVE YOUR BREATH,
IT'S NOT GONNA HAPPEN.
739
00:30:22,154 --> 00:30:23,420
SAM:
HEY, WE CAN PROTECT YOU
FROM HIM.
740
00:30:25,457 --> 00:30:26,256
LEAH:
ED.
741
00:30:26,257 --> 00:30:27,056
GETTING NOWHERE
WITH THE TARGETS EITHER.
742
00:30:27,059 --> 00:30:28,091
JUST SAVED THEIR LIVES,
743
00:30:28,093 --> 00:30:29,459
AND THEY'RE STILL
NOT TALKING.
744
00:30:29,461 --> 00:30:30,961
OKAY, OKAY.
BOSS, YOU GETTING THAT?
745
00:30:30,963 --> 00:30:32,596
WE GOT A WHOLE LOT
OF NOTHING HERE.
746
00:30:32,598 --> 00:30:33,931
ANYTHING?
747
00:30:33,933 --> 00:30:36,033
NO.
748
00:30:36,034 --> 00:30:38,134
OKAY, SPIKE, LET'S RUN DOWN
BRIGADIER PROPERTIES,
749
00:30:38,137 --> 00:30:41,205
KNOWN HIDEOUTS,
BUSINESS AFFILIATIONS.
750
00:30:41,207 --> 00:30:42,272
ON IT!
751
00:30:43,576 --> 00:30:45,509
KATE: OUT!
(UNI BALKS)
752
00:30:45,510 --> 00:30:47,443
KATE:
NO, I DON'T NEED YOU.
OUT.
753
00:30:49,582 --> 00:30:51,849
(DOOR BANGS SHUT,
LOCK CLICKS)
754
00:30:53,552 --> 00:30:56,386
YOU DON'T REMEMBER ME,
DO YOU?
755
00:30:56,388 --> 00:30:59,056
THE ANDREWS KID.
YOU'RE HIS MOM.
756
00:30:59,058 --> 00:31:00,557
YOU STORMED INTO MY SHOP
THAT DAY.
757
00:31:00,559 --> 00:31:02,492
THAT'S RIGHT.
758
00:31:02,494 --> 00:31:04,228
YOU SHOULDA TOLD ME
YOU WERE A COP.
759
00:31:04,230 --> 00:31:05,495
I WAS THERE
AS A MOTHER.
760
00:31:05,497 --> 00:31:07,164
OH, SO YOU'RE THE ONE
WHO TURNED LUKE?
761
00:31:07,166 --> 00:31:08,232
(HARD SLUG)
OOF!
762
00:31:11,503 --> 00:31:12,636
I'LL TAKE THAT
AS A YES.
763
00:31:14,907 --> 00:31:16,573
PARKER:
SHE INSIDE?
764
00:31:18,510 --> 00:31:21,645
(BANGS ON DOOR)
DETECTIVE ANDREWS!
765
00:31:22,581 --> 00:31:24,348
YOU KNOW,
LUKE COULD BE DEAD.
766
00:31:24,350 --> 00:31:25,883
ARE YOU GOOD WITH THAT?
767
00:31:26,452 --> 00:31:28,318
HE'D BE SAFE
IF HE'D STAYED IN LINE.
768
00:31:28,320 --> 00:31:30,554
(HARD PUNCH,
BRIAN GRUNTS)
769
00:31:32,024 --> 00:31:33,557
(BANGING ON DOOR)
770
00:31:33,559 --> 00:31:35,893
PARKER:
I NEED YOU TO OPEN THIS DOOR
RIGHT NOW!
771
00:31:35,895 --> 00:31:37,194
COUPLE MORE OF THOSE,
DETECTIVE,
772
00:31:37,196 --> 00:31:39,263
(SPITS)
773
00:31:39,265 --> 00:31:41,298
AND I'LL OPEN RIGHT UP.
774
00:31:41,300 --> 00:31:43,200
TELL ME WHERE LUKE IS!
775
00:31:46,472 --> 00:31:49,006
SPIKE, THE INTERNAL
COMMAND TRUCK CAMERA -
776
00:31:49,008 --> 00:31:50,474
CAN YOU PATCH IT TO ME?
777
00:31:50,476 --> 00:31:51,575
ON IT, BOSS.
778
00:31:51,577 --> 00:31:53,277
(BANGING ON DOOR)
KATE?!
779
00:31:53,279 --> 00:31:54,611
DON'T DO THIS!
780
00:31:54,613 --> 00:31:56,096
YOU'RE TOO CLOSE
TO THIS THING.
781
00:31:56,097 --> 00:31:57,580
YOU'RE NOT SEEING
THIS RIGHT.
782
00:31:57,583 --> 00:32:00,317
NOW I NEED YOU
TO OPEN THE DOOR!
783
00:32:00,319 --> 00:32:02,452
SPIKE:
BOSS, VISUAL'S UP.
784
00:32:07,493 --> 00:32:08,659
NO, KATE!
785
00:32:08,661 --> 00:32:10,327
(BANGING ON DOOR)
786
00:32:12,264 --> 00:32:16,400
TELL ME WHERE LUKE IS,
OR I WILL END YOU...
787
00:32:17,603 --> 00:32:18,502
(PARKER BANGS ON DOOR)
788
00:32:18,504 --> 00:32:19,569
PARKER:
KATE!
789
00:32:20,272 --> 00:32:22,239
KATE, YOU HARM HIM,
790
00:32:22,241 --> 00:32:25,542
WE'RE NO CLOSER
TO FINDING LUKE!
791
00:32:25,544 --> 00:32:27,511
COME ON, LADY,
LISTEN TO YOUR BOSS OUT THERE.
792
00:32:27,513 --> 00:32:29,513
I DON'T HAVE A BOSS,
BRIAN.
793
00:32:29,515 --> 00:32:32,215
IN CASE YOU HAVEN'T NOTICED,
I JUST LEFT THE FORCE.
794
00:32:32,217 --> 00:32:34,451
WINNIE:
BOSS, I GOT THAT INFORMATION
YOU ASKED FOR.
795
00:32:34,453 --> 00:32:35,764
FAST, WINNIE.
796
00:32:35,765 --> 00:32:37,076
I SPOKE TO AN OFFICER
WHO WAS ON THE SCENE
797
00:32:37,077 --> 00:32:38,388
THE NIGHT
OF EVAN ANDREW'S DEATH.
798
00:32:38,390 --> 00:32:39,556
LUKE MATHERS WAS THERE.
799
00:32:39,558 --> 00:32:41,558
OKAY...
800
00:32:41,559 --> 00:32:43,559
HE WAS THE ONE
DRIVING THE BOAT.
801
00:32:43,562 --> 00:32:46,663
BRIAN:
LOOK, I HAVE A FAMILY,
ALL RIGHT?
802
00:32:46,665 --> 00:32:48,098
IT WAS A FREAK ACCIDENT.
803
00:32:48,099 --> 00:32:49,532
A PILING HAD BROKEN FREE
AND DRIFTED OUT INTO THE LAKE,
804
00:32:49,535 --> 00:32:51,301
BUT ALCOHOL WAS A FACTOR.
805
00:32:51,303 --> 00:32:53,070
IF I CROSS WALTER,
806
00:32:53,072 --> 00:32:54,071
THEN NO ONE'S
LEFT UNTOUCHED,
807
00:32:54,073 --> 00:32:56,239
AND YOU KNOW THAT!
808
00:32:56,241 --> 00:32:57,808
WHEN HELP ARRIVED,
809
00:32:57,809 --> 00:32:59,376
THEY FOUND LUKE
NEAR THE OVERTURNED BOAT.
810
00:32:59,378 --> 00:33:00,711
HE WAS HALF-DROWNED,
HYPOTHERMIC,
811
00:33:00,713 --> 00:33:02,479
DIVING DOWN
OVER AND OVER.
812
00:33:02,481 --> 00:33:04,481
TRYING TO FIND EVAN,
TRYING TO SAVE HIM.
813
00:33:04,483 --> 00:33:08,085
KATE:
DON'T YOU DARE TALK TO ME
ABOUT FAMILY!
814
00:33:08,087 --> 00:33:09,753
I HAVE A KID!
815
00:33:10,990 --> 00:33:13,423
THEY HAD TO FORCIBLY
PULL LUKE OUT OF THE WATER.
816
00:33:13,425 --> 00:33:15,225
HE'S BLAMING HIMSELF...
817
00:33:15,227 --> 00:33:16,360
AND MAYBE NOW LUKE'S
TRYING TO MAKE AMENDS.
818
00:33:16,362 --> 00:33:17,427
YEAH.
819
00:33:17,429 --> 00:33:19,196
THANKS, WINNIE.
820
00:33:19,198 --> 00:33:22,099
(BANGING ON DOOR)
KATE, I'M COMING IN!
821
00:33:22,101 --> 00:33:23,433
(SIDEARM FIRES)
822
00:33:24,370 --> 00:33:26,036
PARKER:
KATE!
823
00:33:30,275 --> 00:33:31,375
KATE...
824
00:33:42,121 --> 00:33:44,588
(GASPING FOR AIR,
STRUGGLING)
825
00:33:48,727 --> 00:33:52,095
WALTER:
WE STILL NEED ANSWERS;
GIVE HIM SOME AIR.
826
00:33:52,097 --> 00:33:54,464
(LUKE CHOKES
AND GASPS FOR AIR)
827
00:33:56,335 --> 00:33:59,536
SPIKE:
OKAY, THE BRIGADIERS HAVE TIES
TO TWO CONSTRUCTION COMPANIES,
828
00:33:59,538 --> 00:34:02,072
SOME COMMERCIAL REAL ESTATE,
A DEMOLITION BUSINESS.
829
00:34:02,074 --> 00:34:04,074
GIVES THEM ACCESS TO PROPERTIES
ALL OVER THE CITY.
830
00:34:04,076 --> 00:34:05,776
OKAY, LET'S START
CROSSING THEM OFF.
831
00:34:05,778 --> 00:34:07,744
WINNIE, I NEED EVERY
AVAILABLE UNIT!
832
00:34:07,746 --> 00:34:10,113
WINNIE:
COPY THAT.
833
00:34:10,115 --> 00:34:11,181
(TRUCK RUMBLES AWAY)
834
00:34:12,117 --> 00:34:14,051
PARKER:
JUST LOWER THE GUN.
835
00:34:14,053 --> 00:34:15,085
LET'S TALK ABOUT
WHAT'S HAPPENING HERE.
836
00:34:15,087 --> 00:34:16,586
COME ON.
837
00:34:16,588 --> 00:34:18,522
I HAVE TO SAVE LUKE.
838
00:34:18,524 --> 00:34:21,058
HE WANTED OUT,
I PUSHED HIM IN FURTHER.
839
00:34:21,060 --> 00:34:22,459
PARKER:
NO. NO, YOU DIDN'T.
840
00:34:22,461 --> 00:34:24,561
HE DIDN'T COME TO YOU
FOR HELP.
841
00:34:24,562 --> 00:34:26,662
KATE:
YES - TO GET OUTTA
THE BRIGADIERS, HE'D...
842
00:34:26,665 --> 00:34:31,101
PARKER:
NO. HE CAME TO GET YOU
BACK INTO HIS LIFE.
843
00:34:31,103 --> 00:34:32,636
WHAT?
844
00:34:32,638 --> 00:34:35,105
PARKER:
THAT NIGHT
AT THE POLICE STATION
845
00:34:35,107 --> 00:34:36,573
WASN'T A PLEA FOR HELP.
846
00:34:36,575 --> 00:34:38,675
THAT WAS A GIFT -
ALL OF IT -
847
00:34:38,677 --> 00:34:40,093
IT WAS A GIFT.
848
00:34:40,094 --> 00:34:41,510
JOINING THE BRIGADIERS,
GETTING PATCHED IN,
849
00:34:41,513 --> 00:34:45,148
HE DID IT ALL FOR YOU -
TO SERVE THEM UP.
850
00:34:45,150 --> 00:34:46,867
NOW WHY WOULD HE DO THAT?
851
00:34:46,868 --> 00:34:48,585
PARKER:
TO GIVE YOU SOMETHING
THAT YOU WANTED.
852
00:34:48,587 --> 00:34:50,454
TO ATONE...
853
00:34:50,456 --> 00:34:51,755
THE ONLY WAY HE KNEW HOW,
854
00:34:51,757 --> 00:34:53,857
BECAUSE HE BLAMED HIMSELF
FOR EVAN'S DEATH;
855
00:34:53,859 --> 00:34:56,860
BECAUSE HE FELT GUILTY
FOR SURVIVING,
856
00:34:56,862 --> 00:34:58,595
AND BECAUSE HE WANTED YOU BACK.
857
00:34:58,597 --> 00:34:59,663
(SOBS) NO...
858
00:35:01,200 --> 00:35:02,666
(STRUGGLING GRUNTS)
859
00:35:05,137 --> 00:35:06,503
WALTER:
LET'S TRY THIS AGAIN.
860
00:35:06,505 --> 00:35:08,238
(LUKE GASPS FOR AIR)
861
00:35:09,174 --> 00:35:13,110
YOU NEED TO TELL ME EXACTLY
WHAT THE POLICE KNOW.
862
00:35:16,849 --> 00:35:18,115
(SPITS)
863
00:35:22,121 --> 00:35:23,520
IT'S OVER, WALTER.
864
00:35:23,522 --> 00:35:24,588
YOU'RE DONE.
865
00:35:26,158 --> 00:35:28,291
(HARD PUNCH,
LUKE GROANS AND GASPS FOR AIR)
866
00:35:32,664 --> 00:35:34,131
I PUSHED HIM AWAY.
867
00:35:34,867 --> 00:35:37,134
YOU WERE GRIEVING, KATE.
868
00:35:37,136 --> 00:35:38,368
YOU WERE FACING A PAIN
869
00:35:38,370 --> 00:35:39,870
THAT NO PERSON
SHOULD HAVE TO ENDURE.
870
00:35:39,872 --> 00:35:42,205
WHAT YOU DID WAS NATURAL.
871
00:35:43,208 --> 00:35:45,542
I LET HIM ENDANGER HIMSELF.
872
00:35:46,211 --> 00:35:50,213
HEY, AND NOW WE'RE GONNA
FIND HIM, ALL RIGHT?
873
00:35:52,351 --> 00:35:53,917
DO YOU WANNA DO RIGHT
BY LUKE?
874
00:35:53,919 --> 00:35:56,553
THEN YOU'LL BE THERE
WHEN WE DO.
875
00:35:56,555 --> 00:35:59,756
GIVE ME THE GUN.
COME ON.
876
00:35:59,758 --> 00:36:02,325
(SNIFFLING,
LABOURED BREATHS)
877
00:36:02,327 --> 00:36:04,327
(EXHALES,
STILL TERRIFIED)
878
00:36:04,329 --> 00:36:05,328
PARKER:
COME ON.
879
00:36:05,330 --> 00:36:06,863
(STIFLING HER SOBS)
880
00:36:07,799 --> 00:36:09,466
LET'S GO FIND LUKE.
881
00:36:12,304 --> 00:36:13,703
THANK YOU, KATE.
882
00:36:15,908 --> 00:36:17,174
THANK YOU.
883
00:36:24,249 --> 00:36:25,282
YOU SEE THAT CRUISER,
BRIAN?
884
00:36:25,284 --> 00:36:26,316
BRIAN:
YEAH.
885
00:36:26,318 --> 00:36:27,801
PARKER:
WE'RE GONNA WALK TO IT,
886
00:36:27,802 --> 00:36:29,285
WHICH MEANS YOU'VE GOT
30 SECONDS TO CHANGE YOUR MIND.
887
00:36:29,288 --> 00:36:30,620
BRIAN:
OR WHAT? YOU GONNA WAVE
A BIGGER GUN IN MY FACE?
888
00:36:30,622 --> 00:36:31,821
JUST BE QUIET,
BRIAN.
889
00:36:31,823 --> 00:36:33,790
THIS IS A LISTENING WALK
FOR YOU.
890
00:36:33,792 --> 00:36:34,925
RICHARD BREED IS ALIVE.
891
00:36:34,927 --> 00:36:37,394
SO IS KARL BORANCE
AND DENNIS BARBER.
892
00:36:37,396 --> 00:36:38,728
YOUR COUP FAILED.
893
00:36:38,730 --> 00:36:39,930
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
894
00:36:39,932 --> 00:36:41,765
YOU BACKED THE WRONG GUY,
BRIAN.
895
00:36:41,767 --> 00:36:43,266
WALTER'S GOING DOWN,
I PROMISE YOU THAT.
896
00:36:43,268 --> 00:36:45,235
WE WILL GET HIM,
AND WHEN WE DO...
897
00:36:45,237 --> 00:36:46,803
WHERE DOES THAT
LEAVE YOU?
898
00:36:46,805 --> 00:36:48,638
THAT'S A HELL
OF AN ENEMIES LIST:
899
00:36:48,640 --> 00:36:51,775
BRIGADIERS, DEVIL'S GUARD,
AND US - THE COPS.
900
00:36:51,777 --> 00:36:53,210
NOW, IF I WERE YOU,
I'D THINK REAL HARD
901
00:36:53,212 --> 00:36:54,644
ABOUT WHICH ONE OF THESE GROUPS
IS LEAST LIKELY
902
00:36:54,646 --> 00:36:56,446
TO KILL YOUR FAMILY
IN THE NIGHT,
903
00:36:56,448 --> 00:37:00,917
AND THEN I MIGHT TRY
TO ALLY MYSELF WITH THEM.
904
00:37:00,919 --> 00:37:03,353
WALK'S OVER.
GET IN.
905
00:37:04,723 --> 00:37:05,789
WAIT...
906
00:37:08,327 --> 00:37:09,960
YOU'LL PROTECT
MY FAMILY?
907
00:37:09,962 --> 00:37:11,394
WE WILL.
908
00:37:12,497 --> 00:37:15,298
THE MATADOR BALLROOM.
909
00:37:18,837 --> 00:37:20,370
(SIREN WAILS)
910
00:37:21,974 --> 00:37:23,223
ED:
SPIKE?
911
00:37:23,224 --> 00:37:24,473
GOT IT.
THE OLD WINDEMERE HOTEL -
912
00:37:24,476 --> 00:37:26,243
ONE OF THE BRIGADIER'S
DEMOLITION CONTRACTS.
913
00:37:26,245 --> 00:37:27,978
4108 DOVERCOURT.
914
00:37:27,980 --> 00:37:29,379
WE'RE CLOSE.
915
00:37:29,381 --> 00:37:30,981
ED:
WINNIE, HAVE ALL UNITS
FALL BACK,
916
00:37:30,983 --> 00:37:32,482
WAIT FOR THE SRU
TO APPROACH.
917
00:37:32,484 --> 00:37:33,783
WINNIE:
COPY THAT.
918
00:37:33,785 --> 00:37:36,386
(SIRENS WAIL,
TIRES SCREECH)
919
00:37:40,859 --> 00:37:42,926
(CHOKING AND STRUGGLING)
920
00:37:44,496 --> 00:37:46,596
SPIKE:
BASED ON THE FLOOR PLAN,
THREE POINTS OF ENTRY.
921
00:37:46,598 --> 00:37:48,732
ED:
SPIKE, SAM, TAKE THE WEST WALL;
LEAH, TAKE THE EAST;
922
00:37:48,734 --> 00:37:51,368
JULES AND I'LL TAKE THE SOUTH.
923
00:37:59,444 --> 00:38:00,510
GOOD TO GO.
924
00:38:02,547 --> 00:38:06,283
(SOUND OF LUKE CHOKING
AND STRUGGLING)
925
00:38:12,057 --> 00:38:14,391
WALTER:
ALL RIGHT, ENOUGH.
926
00:38:14,393 --> 00:38:15,825
(GASPING FOR AIR)
927
00:38:15,827 --> 00:38:17,360
WE'RE DONE.
928
00:38:17,362 --> 00:38:18,995
ED:
TWO ARMED SUBJECTS,
THREAT LEVEL RED.
929
00:38:18,997 --> 00:38:20,397
BREACH ON MY GO.
930
00:38:20,399 --> 00:38:21,398
THREE...
931
00:38:21,399 --> 00:38:22,398
WALTER:
IT DIDN'T HAVE TO GO
LIKE THIS, LUKE.
932
00:38:22,401 --> 00:38:23,400
ED:
TWO...
933
00:38:23,402 --> 00:38:24,401
DO IT.
934
00:38:24,403 --> 00:38:25,368
ED:
ONE.
935
00:38:25,370 --> 00:38:26,770
GO!
936
00:38:26,772 --> 00:38:29,273
RIGHT THERE!
PUT THE GUNS DOWN!
937
00:38:29,274 --> 00:38:31,775
SRU:
POLICE! DROP YOUR WEAPON!
ON THE GROUND! DO IT NOW!
938
00:38:31,777 --> 00:38:33,343
ED:
GET ON THE GROUND NOW!
939
00:38:33,345 --> 00:38:34,611
SAM:
DROP YOUR WEAPON NOW!
940
00:38:34,613 --> 00:38:36,480
JULES:
DROP IT!
941
00:38:36,481 --> 00:38:38,348
SRU:
NOW! DOWN ON THE GROUND!
DOWN ON THE GROUND! GET DOWN!
942
00:38:38,350 --> 00:38:39,716
WALTER:
ALL RIGHT!
943
00:38:39,717 --> 00:38:41,083
SAM:
GIMME YOUR ARM,
PUT IT BEHIND YOUR BACK.
944
00:38:41,086 --> 00:38:43,987
BEHIND YOUR BACK!
945
00:38:43,989 --> 00:38:45,088
ED:
SUBJECTS SECURE.
946
00:38:45,090 --> 00:38:47,390
WE HAVE WALTER MCHALE
IN CUSTODY.
947
00:38:48,327 --> 00:38:50,593
SPIKE:
WE GOT YOU, BUDDY.
WE GOT YOU.
948
00:38:51,997 --> 00:39:00,003
¶¶¶
949
00:39:00,005 --> 00:39:03,573
¶ It's not safe here anymore ¶
950
00:39:08,113 --> 00:39:12,582
¶ There's too much damage
to ignore ¶
951
00:39:16,755 --> 00:39:20,824
¶ I've spun in circles,
I'm confused ¶
952
00:39:24,763 --> 00:39:28,832
¶ If no one wins,
does no one lose ¶
953
00:39:34,106 --> 00:39:36,373
YOU GOT THEM, RIGHT?
954
00:39:36,375 --> 00:39:37,874
THE BRIGADIERS -
955
00:39:37,876 --> 00:39:39,609
YOU CAN TAKE 'EM ALL DOWN,
RIGHT?
956
00:39:39,611 --> 00:39:40,610
GOT 'EM.
957
00:39:40,612 --> 00:39:42,145
OKAY.
958
00:39:42,147 --> 00:39:44,080
LUKE, I NEED YOU
TO KNOW...
959
00:39:44,082 --> 00:39:46,449
I NEVER BLAMED YOU
FOR EVAN DYING.
960
00:39:46,451 --> 00:39:47,450
MRS. A,
I WAS THE ONE DRIVING-
961
00:39:47,452 --> 00:39:49,619
NO, NO, NO, LISTEN TO ME,
PLEASE.
962
00:39:49,621 --> 00:39:51,087
LUKE,
I PUSHED YOU AWAY.
963
00:39:51,089 --> 00:39:53,690
.
YOU'RE SORRY?
964
00:39:53,692 --> 00:39:57,794
I WAS IN PAIN,
AND I WAS CONFUSED,
965
00:39:57,796 --> 00:40:00,597
AND I TURNED MY BACK
ON YOU...
966
00:40:00,599 --> 00:40:03,666
LUKE, YOU'VE GOT NOTHING
TO MAKE UP FOR.
967
00:40:05,070 --> 00:40:08,505
WE BOTH LOST SOMEONE
THAT NIGHT,
968
00:40:08,507 --> 00:40:12,075
AND NOW I KNOW
WHAT YOU'VE ALWAYS KNOWN...
969
00:40:12,077 --> 00:40:15,812
THE ONLY WAY THROUGH THIS
IS TOGETHER.
970
00:40:17,916 --> 00:40:20,650
I'M READY NOW, LUKE.
OKAY?
971
00:40:23,088 --> 00:40:24,587
(LUKE SOBS)
972
00:40:24,589 --> 00:40:33,163
¶¶¶
973
00:40:33,165 --> 00:40:37,100
¶ We never learn to bend ¶
974
00:40:37,102 --> 00:40:40,670
¶ So we break
and break again ¶
975
00:40:41,606 --> 00:40:44,674
¶ And now we're broken in ¶
976
00:40:45,610 --> 00:40:49,813
PARKER:
WELL, THANK YOU FOR CALLING,
I APPRECIATE IT.
977
00:40:49,815 --> 00:40:51,581
OH YEAH, WILL DO.
978
00:40:51,583 --> 00:40:54,651
'KAY, BYE.
(OPENS FRIDGE DOOR)
979
00:40:57,222 --> 00:40:59,789
SO A 14-YEAR-OLD KID'S
WALKING HOME THROUGH THE PARK
980
00:40:59,791 --> 00:41:02,559
WHEN HE GETS JUMPED
BY FOUR OLDER GUYS.
981
00:41:02,561 --> 00:41:03,860
DO YOU KNOW HOW
THIS STORY ENDS?
982
00:41:03,862 --> 00:41:05,528
I HAVE SOME IDEA.
983
00:41:05,530 --> 00:41:06,996
WITH A GOOD SAMARITAN
STEPPING IN
984
00:41:06,998 --> 00:41:09,732
TO FIGHT OFF THE ATTACKERS.
985
00:41:09,734 --> 00:41:11,000
WHO TOLD YOU THAT?
986
00:41:11,002 --> 00:41:12,469
KID'S MOM.
987
00:41:12,471 --> 00:41:14,871
SHE CALLED YOU A HERO.
988
00:41:16,475 --> 00:41:19,042
IS HE ALL RIGHT,
THAT KID?
989
00:41:20,011 --> 00:41:21,010
YEAH -
A COUPLE BROKEN RIBS,
990
00:41:21,012 --> 00:41:22,078
BUT HE'LL BE FINE.
991
00:41:22,080 --> 00:41:24,814
HOW DOES THAT FEEL -
BEING CALLED A HERO?
992
00:41:29,855 --> 00:41:32,489
OKAY, I GOTTA ASK YOU,
DEAN,
993
00:41:32,491 --> 00:41:34,123
WHY?
994
00:41:34,125 --> 00:41:35,825
WHY STEP IN?
995
00:41:35,826 --> 00:41:37,526
PARKER:
THIS KID'S A STRANGER.
THOSE GUYS MIGHT'VE HAD KNIVES.
996
00:41:37,529 --> 00:41:39,229
WHY TAKE THE CHANCE?
997
00:41:39,231 --> 00:41:41,598
YOU NEED ME
TO EXPLAIN THAT TO YOU?
998
00:41:41,600 --> 00:41:42,665
I DO.
999
00:41:45,537 --> 00:41:48,271
I DUNNO,
I GUESS IT WAS...
1000
00:41:50,575 --> 00:41:52,709
SOMETHING I SAW
IN THE KID'S EYES.
1001
00:41:52,711 --> 00:41:54,677
KID ON THE GROUND?
1002
00:41:54,679 --> 00:41:57,580
NO. ONE OF THE GUYS
DOING THE KICKING.
1003
00:41:57,582 --> 00:42:02,118
I COULD TELL HE WAS...
CONFUSED OR...
1004
00:42:02,120 --> 00:42:03,186
AFRAID.
1005
00:42:04,523 --> 00:42:05,555
LIKE IT WAS ALL
JUST HAPPENING
1006
00:42:05,557 --> 00:42:08,291
AND HE WAS CAUGHT UP
IN IT.
1007
00:42:08,293 --> 00:42:11,928
ANYWAY, I JUST...
KINDA FELT BAD FOR HIM.
1008
00:42:11,930 --> 00:42:14,264
DOES THAT MAKE SENSE?
1009
00:42:14,266 --> 00:42:16,799
YEAH,
IT MAKES SENSE.
1010
00:42:23,141 --> 00:42:24,941
(SLAPS TABLE)
OKAY... (SIGHS)
1011
00:42:27,946 --> 00:42:29,879
HEY...
1012
00:42:29,881 --> 00:42:31,981
YOU KNOW, THAT'S GONNA
LOOK WORSE TOMORROW, RIGHT?
1013
00:42:31,983 --> 00:42:34,150
THAT'S WHAT THEY SAY.
1014
00:42:34,152 --> 00:42:35,218
YEAH.
1015
00:42:39,291 --> 00:42:43,326
¶ We never learn to bend ¶
1016
00:42:43,328 --> 00:42:46,195
¶ So we break
and break again ¶
1017
00:42:48,133 --> 00:42:51,968
¶ And now we're broken in ¶
1018
00:42:52,904 --> 00:42:55,004
¶ Too many pieces to mend ¶
1019
00:42:57,275 --> 00:42:59,842
¶ Too many pieces to mend ¶
1020
00:43:01,046 --> 00:43:03,580
¶ Oh, too many pieces to mend ¶
1021
00:43:05,850 --> 00:43:09,118
¶ Too many pieces to mend ¶