1 00:00:08,743 --> 00:00:10,476 (BANGING ON DOOR) KATE! 2 00:00:10,478 --> 00:00:12,611 I NEED YOU TO OPEN THIS DOOR RIGHT NOW! 3 00:00:12,613 --> 00:00:14,063 UNGH! 4 00:00:14,064 --> 00:00:15,514 (KATE PANTS, ADRENALINE KICKING IN) 5 00:00:15,516 --> 00:00:17,783 DON'T DO THIS! YOU'RE TOO CLOSE TO THIS THING! 6 00:00:17,785 --> 00:00:19,418 YOU'RE NOT SEEING THIS RIGHT. 7 00:00:19,419 --> 00:00:21,052 A COUPLE MORE OF THOSE, DETECTIVE... 8 00:00:21,055 --> 00:00:22,454 (SPITS) 9 00:00:22,456 --> 00:00:23,756 AND I'LL OPEN RIGHT UP. 10 00:00:23,758 --> 00:00:26,558 NOW I NEED YOU TO OPEN THE DOOR. 11 00:00:26,560 --> 00:00:28,260 SPIKE: BOSS, VISUAL'S UP. 12 00:00:33,667 --> 00:00:35,768 NO, KATE! (BANGING ON DOOR) 13 00:00:35,770 --> 00:00:37,036 (COCKS GUN) 14 00:00:48,115 --> 00:00:50,482 KATE: SOMETIMES I WONDER 15 00:00:50,484 --> 00:00:52,518 WHAT YOU WOULD THINK ABOUT THIS. 16 00:00:52,520 --> 00:00:54,353 (SMILING THROUGH THE TEARS) 17 00:00:54,355 --> 00:00:56,688 YOU WOULD MAKE A JOKE, THAT MUCH I KNOW. 18 00:00:56,690 --> 00:00:58,424 YOU'D TEASE ME ABOUT IT - 19 00:00:58,426 --> 00:01:03,095 ABOUT ME BEING HERE, TALKING TO A HUNK OF STONE. 20 00:01:05,833 --> 00:01:07,600 (SIGHS) 21 00:01:07,601 --> 00:01:09,368 I KNOW PEOPLE TALK ABOUT GRIEF AND... 22 00:01:09,370 --> 00:01:12,271 THEY SAY THAT IT TAKES TIME. 23 00:01:13,507 --> 00:01:16,075 I'M WAITING, EVAN. 24 00:01:19,713 --> 00:01:21,713 IT DOESN'T SEEM FAIR THOUGH, RIGHT? 25 00:01:21,715 --> 00:01:23,682 THAT THE 3 YEARS YOU HAVE BEEN GONE 26 00:01:23,684 --> 00:01:26,285 TAKE UP SO MUCH MORE OF MY HEART 27 00:01:26,287 --> 00:01:28,353 THAN THE SEVENTEEN WE SPENT TOGETHER. 28 00:01:31,092 --> 00:01:34,827 (SOFT CRUNCH OF APPROACHING FOOTSTEPS) 29 00:01:40,101 --> 00:01:41,500 YOU SHOULDN'T BE HERE. 30 00:01:41,502 --> 00:01:43,735 NO ONE KNOWS I'M HERE. 31 00:01:43,737 --> 00:01:45,437 HE'D BE 21 TODAY. 32 00:01:46,373 --> 00:01:49,441 IT DOESN'T GO AWAY, DOES IT? 33 00:01:49,443 --> 00:01:50,442 YOU KNOW WHAT I MISS? 34 00:01:50,444 --> 00:01:52,244 LUKE, PLEASE. 35 00:01:53,848 --> 00:01:55,814 WE CAN'T DO THIS. 36 00:01:56,750 --> 00:01:58,650 YOU KNOW, I HAVE SOMETHING FOR YOU. 37 00:01:58,652 --> 00:02:00,853 THAT BIKE CHAIN BRACELET EVAN MADE, 38 00:02:00,855 --> 00:02:03,856 IT'S BEEN BROKEN FOR THE LONGEST TIME. 39 00:02:03,858 --> 00:02:08,527 I FINALLY GOT AROUND TO REPLACING THE PIN. 40 00:02:08,529 --> 00:02:10,896 HE WORE IT EVERY DAY. 41 00:02:10,898 --> 00:02:12,831 HE'D WANT YOU TO HAVE IT. 42 00:02:12,833 --> 00:02:14,633 YOU KEEP IT. 43 00:02:14,635 --> 00:02:15,801 IT'S YOURS. 44 00:02:15,803 --> 00:02:18,203 LUKE: MRS. A, I THINK- 45 00:02:19,473 --> 00:02:21,840 THIS CAN'T HAPPEN AGAIN. 46 00:02:31,218 --> 00:02:32,918 (WINNIE TYPES FURIOUSLY) 47 00:02:32,920 --> 00:02:33,919 PARKER: WHERE IS HE? 48 00:02:33,921 --> 00:02:35,154 BRIEFING ROOM. 49 00:02:35,156 --> 00:02:36,455 ED: HOLD UP. TAKE A BREATH. 50 00:02:36,457 --> 00:02:37,890 A STREET FIGHT, ED? 51 00:02:37,892 --> 00:02:39,392 WE DON'T KNOW THE DETAILS. 52 00:02:39,393 --> 00:02:40,893 I SPOKE TO TERRY FROM 52. HE TOOK THE CALL - 53 00:02:40,895 --> 00:02:42,661 A BUNCH OF KIDS FIGHTING; 54 00:02:42,663 --> 00:02:43,929 SOMEONE SWINGING A HOCKEY STICK. 55 00:02:43,931 --> 00:02:45,564 APPARENTLY. DOING XED UP 56 00:02:45,566 --> 00:02:46,565 IN STUFF LIKE THAT? GREG, 57 00:02:46,567 --> 00:02:47,589 YOU'RE GONNA ASK HIM. 58 00:02:47,590 --> 00:02:48,612 PARKER: YOU'RE DAMN RIGHT, I'M GONNA- 59 00:02:48,613 --> 00:02:49,635 ED: ALL RIGHT, HOLD UP. 60 00:02:49,637 --> 00:02:51,103 YOU GO IN HOT RIGHT NOW, 61 00:02:51,104 --> 00:02:52,570 IT'S NOT GONNA HELP THE SITUATION AT ALL. 62 00:02:52,573 --> 00:02:56,275 WELL, I DON'T WANNA HELP THE SITUATION. 63 00:02:56,277 --> 00:03:00,279 I WANNA TAKE A PADDLE TO THE LITTLE PUNK. 64 00:03:01,549 --> 00:03:03,149 WHEN DOES THIS GET EASIER? 65 00:03:03,150 --> 00:03:04,750 WELL, I HEAR THAT THEY BECOME A LITTLE MORE MANAGEABLE 66 00:03:04,752 --> 00:03:06,652 WHEN THEY'RE... THEY'RE 40. 67 00:03:10,758 --> 00:03:12,824 (KIDS LAUGH AND CHATTER) 68 00:03:16,564 --> 00:03:18,630 LUKE: HEY, YOU KNOW THAT BEEMER THAT CAME IN YESTERDAY? 69 00:03:18,632 --> 00:03:19,731 BRIAN: THE ENDURO? 70 00:03:19,733 --> 00:03:22,234 LUKE: YEAH. GOT IT RUNNING. 71 00:03:22,236 --> 00:03:23,936 BRIAN: THE ENGINE WAS FULL OF SAND, IT WAS SHOT. 72 00:03:23,938 --> 00:03:25,504 LUKE: IT WAS. BRIAN: THAT'S IT, SWEETIE. 73 00:03:25,506 --> 00:03:26,989 LUKE: NOW IT'S NOT. 74 00:03:26,990 --> 00:03:28,473 BRIAN: YOU'RE A GENIUS, KID, YOU KNOW THAT? 75 00:03:28,475 --> 00:03:30,309 WHEN I WAS YOUR AGE, IT WOULD'VE TAKEN ME WEEKS. 76 00:03:30,311 --> 00:03:32,311 'COURSE THINGS WERE DIFFERENT THEN. 77 00:03:32,313 --> 00:03:34,446 YEAH. HORSEPOWER WAS ACTUAL HORSES... 78 00:03:34,448 --> 00:03:35,814 COAL WAS THE WAY OF THE FUTURE. 79 00:03:35,816 --> 00:03:36,815 (BRIAN LAUGHS) YEAH, YEAH, YEAH. 80 00:03:36,817 --> 00:03:38,350 DON'T GET COCKY, SMARTASS. 81 00:03:38,352 --> 00:03:39,952 SORRY, HONEY. 82 00:03:39,953 --> 00:03:41,553 YOU DIDN'T HEAR THAT, ALL RIGHT? 83 00:03:43,290 --> 00:03:45,257 BRIAN: HI. STEVEN. 84 00:03:45,259 --> 00:03:46,325 BOSS? 85 00:03:48,462 --> 00:03:49,628 LOOK, UH, SWEETIE, 86 00:03:49,630 --> 00:03:52,297 I WANT YOU TO GO OUT IN THE BACKYARD, OKAY? 87 00:03:52,299 --> 00:03:53,865 PLAY WITH THE OTHER KIDS, ALL RIGHT? 88 00:03:53,867 --> 00:03:54,933 YOU HAVE FUN. 89 00:03:56,870 --> 00:03:59,638 HEY, I HEAR THERE'S A MEET AND GREET IN CHATHAM. 90 00:03:59,640 --> 00:04:00,906 NEW CLIENTS. 91 00:04:00,908 --> 00:04:02,808 YEAH? WHERE'D YOU HEAR THAT? 92 00:04:04,878 --> 00:04:06,878 ALL I'M SAYING IS, NOW THAT I'VE BEEN PROMOTED, 93 00:04:06,880 --> 00:04:07,879 MAYBE I SHOULD COME. 94 00:04:07,881 --> 00:04:09,982 (VEHICLE BEEPS UNLOCKED) 95 00:04:09,984 --> 00:04:12,284 (ENCOURAGING) YEAH, WE'LL SEE. 96 00:04:12,286 --> 00:04:14,253 (LOUD EXPLOSION) 97 00:04:14,255 --> 00:04:16,321 (GUESTS SCREAM) 98 00:04:18,926 --> 00:04:20,525 (FIRE ROARS) 99 00:04:21,462 --> 00:04:23,462 (MOTORCYCLE PEELS AWAY) 100 00:04:26,367 --> 00:04:27,532 BRIAN: LUKE, GET BACK HERE! 101 00:04:27,534 --> 00:04:29,001 (ENGINE REVS) 102 00:04:29,003 --> 00:04:30,435 LUKE, GET BACK HERE! 103 00:04:31,372 --> 00:04:32,904 COME ON, LUKE! 104 00:04:33,841 --> 00:04:35,040 (STARTS ENGINE) 105 00:04:35,042 --> 00:04:37,909 (EL CAMINO PEELS AWAY, TIRES SQUEALING) 106 00:04:37,911 --> 00:04:39,945 (FLAMES ROAR) 107 00:04:44,918 --> 00:04:45,984 HEY. 108 00:04:48,055 --> 00:04:49,321 AHH... (SIGHS) 109 00:04:51,759 --> 00:04:53,292 YOU OKAY? 110 00:04:53,294 --> 00:04:54,894 I DIDN'T START IT. 111 00:04:54,895 --> 00:04:56,495 (HOT CALL KLAXON BLARES) WINNIE: TEAM ONE, HOT CALL! 112 00:04:56,497 --> 00:04:58,864 (SIGHS) LOOK, GO HOME. ICE IT, ALL RIGHT? 113 00:04:58,866 --> 00:04:59,865 WE'LL TALK LATER, ALL RIGHT? 114 00:04:59,867 --> 00:05:01,466 DAD, I DIDN'T START IT. 115 00:05:01,468 --> 00:05:02,701 DEAN, YOU KNOW WHAT? 116 00:05:02,703 --> 00:05:05,337 THE OLDER I GET, THE LESS THAT MATTERS TO ME. 117 00:05:06,740 --> 00:05:08,807 JUST GO HOME. NOW. 118 00:05:15,783 --> 00:05:17,883 WINNIE: CAR BOMB, 284 MAPLEDAWN ROAD. 119 00:05:17,885 --> 00:05:19,318 SUSPECT FLED ON A MOTORCYCLE, 120 00:05:19,320 --> 00:05:21,586 LAST SEEN HEADED EASTBOUND ON BLOOR. 121 00:05:21,588 --> 00:05:23,722 REPORTS OF A BLUE EL CAMINO IN PURSUIT. 122 00:05:23,724 --> 00:05:25,057 ED: SPIKE, JULES, SCENE OF THE EXPLOSION. 123 00:05:25,059 --> 00:05:27,993 SAM, LEAH, LET'S FIND THAT BIKE. 124 00:05:29,730 --> 00:05:31,730 (EL CAMINO RACES ALONG) 125 00:05:38,439 --> 00:05:40,672 (UNDER HIS BREATH) THERE YOU ARE... 126 00:05:40,674 --> 00:05:42,541 (MOTORCYCLE ZOOMS FORWARD) 127 00:05:43,477 --> 00:05:45,811 (SIRENS WAIL, TIRES SQUEAL) 128 00:05:49,116 --> 00:05:51,083 SPIKE: WINNIE, HOW FAR AWAY IS EMS? 129 00:05:51,085 --> 00:05:52,984 WINNIE: THEY JUST PASSED EAST MALL. 130 00:05:52,986 --> 00:05:54,086 MOTHER: (FRANTIC) OVER HERE, PLEASE! MY DAUGHTER... 131 00:05:54,088 --> 00:05:55,354 SPIKE: WHAT'S HER NAME? 132 00:05:55,356 --> 00:05:57,656 MOTHER: ALEX. IT'S HER LEG. 133 00:05:57,658 --> 00:05:59,024 SPIKE: ALEX, CAN YOU HEAR ME? 134 00:05:59,026 --> 00:06:01,793 JULES: CLEAR BACK! STAY BACK! BACK! 135 00:06:01,795 --> 00:06:03,395 SPIKE: THAT'S SHRAPNEL FROM THE EXPLOSION. 136 00:06:03,397 --> 00:06:06,031 LOOKS LIKE SHE TWISTED IT WHEN SHE FELL. 137 00:06:06,033 --> 00:06:07,866 WINNIE: VEHICLE SPOTTED AT QUEENSWAY AND KIPLING. 138 00:06:07,868 --> 00:06:09,618 WE'RE CLOSE. 139 00:06:09,619 --> 00:06:11,369 ED: SAM, COME NORTH; WE'LL CLOSE HIM IN. 140 00:06:11,372 --> 00:06:12,437 SAM: COPY THAT. 141 00:06:14,375 --> 00:06:17,042 (MOTORCYCLE AND EL CAMINO RUMBLE ALONG) 142 00:06:17,044 --> 00:06:19,411 (INTO PHONE) YEAH, IT'S ME. LISTEN, THERE WAS A BOMB. 143 00:06:19,413 --> 00:06:21,079 THEY GOT STEVEN. 144 00:06:21,081 --> 00:06:24,483 YEAH, I'M ON THE QUEENSWAY FOLLOWING THE GUY. 145 00:06:24,485 --> 00:06:25,550 AH, DAMMIT. 146 00:06:30,124 --> 00:06:33,158 (TIRES SQUEAL, PEELS AROUND THE CORNER) 147 00:06:33,160 --> 00:06:35,110 WHAT'S HAPPENING?! 148 00:06:35,111 --> 00:06:37,061 SPIKE: ALEX, CAN YOU HEAR ME? ALEX? 149 00:06:37,064 --> 00:06:39,398 HYPOVOLEMIC SHOCK; SHE'S LOST A LOT OF BLOOD. 150 00:06:39,400 --> 00:06:40,165 JUST HOLD THIS DOWN HERE. 151 00:06:40,167 --> 00:06:41,500 MOTHER: OKAY... 152 00:06:41,502 --> 00:06:42,501 SPIKE: KEEP THE PRESSURE ON. 153 00:06:42,503 --> 00:06:45,103 MOTHER: (PANICKED) OKAY! 154 00:06:45,105 --> 00:06:47,105 SPIKE: 1, 2, 3, 4, 5... 155 00:06:47,808 --> 00:06:50,442 (FIRE TRUCK AND EMS ARRIVE, SIRENS WAILING) 156 00:06:50,444 --> 00:06:51,510 ALEX? 157 00:06:52,446 --> 00:06:54,146 1, 2, 3... 158 00:06:54,148 --> 00:06:56,782 BOSS, THE BOMB WENT OFF AT A CHILDREN'S BIRTHDAY PARTY. 159 00:06:56,784 --> 00:07:00,752 TWO DECEASED - MARY-ANN AND STEVEN MILLER. 160 00:07:01,955 --> 00:07:03,922 SPIKE: ALEX! ALEX, CAN YOU HEAR ME? 161 00:07:03,924 --> 00:07:06,158 1, 2, 3... KEEP THE PRESSURE ON! 162 00:07:06,160 --> 00:07:09,461 1, 2, 3, 4, 5... 163 00:07:09,463 --> 00:07:10,595 COME ON, ALEX. 164 00:07:10,597 --> 00:07:13,632 1, 2, 3, 4, 5... 165 00:07:13,634 --> 00:07:14,933 (ALEX GASPS FOR AIR) 166 00:07:14,935 --> 00:07:18,003 ALEX, CAN YOU HEAR ME? CAN YOU HEAR ME, ALEX? 167 00:07:18,005 --> 00:07:19,438 (GROGGILY) WHAT... WHAT HAPPENED? 168 00:07:19,440 --> 00:07:20,439 YOU'RE GONNA BE OKAY. 169 00:07:20,441 --> 00:07:21,873 THANK GOD... 170 00:07:21,875 --> 00:07:23,642 MA'AM, SHE'S IN GOOD HANDS, OKAY? 171 00:07:23,644 --> 00:07:27,078 CAN YOU TELL ME WHAT HAPPENED HERE TODAY? 172 00:07:27,080 --> 00:07:28,747 ORRY. MA'AM? 173 00:07:28,749 --> 00:07:29,815 I CAN'T. 174 00:07:31,885 --> 00:07:34,152 (MOTORCYCLE SLOWS AND RUMBLES DOWN LANE) 175 00:07:34,154 --> 00:07:35,587 (TIRES SQUEAL) 176 00:07:38,759 --> 00:07:40,725 TEAM ONE, ANOTHER SIGHTING - QUEEN EAST. 177 00:07:40,727 --> 00:07:42,160 HEADING NORTH - WE'RE BLOCKS AWAY. 178 00:07:42,162 --> 00:07:43,929 (SIRENS WAIL, TRUCK RUMBLES) 179 00:07:43,931 --> 00:07:44,896 (WATER SPRAYS, STEAM HISSES) 180 00:07:49,470 --> 00:07:50,135 WHAT DID YOU GET, JULES? 181 00:07:50,137 --> 00:07:51,503 IT DOESN'T ADD UP. 182 00:07:51,505 --> 00:07:52,804 ASSASSINATION, BROAD DAYLIGHT, 183 00:07:52,806 --> 00:07:53,939 A HOUSE FULL OF KIDS. 184 00:07:53,941 --> 00:07:55,474 LIKE SOMEONE'S MAKING A POINT. 185 00:07:55,476 --> 00:07:56,675 YEAH, BUT TO WHO? 186 00:07:56,677 --> 00:07:58,109 THIS PLACE SAYS WELCOME TO MAYBERRY. 187 00:07:58,111 --> 00:07:59,110 DID YOU GET ANYTHING FROM WITNESSES? 188 00:07:59,112 --> 00:08:00,529 THAT'S THE OTHER THING. 189 00:08:00,530 --> 00:08:01,947 A HOUSE FULL OF PEOPLE AND NOBODY SAW A THING. 190 00:08:01,949 --> 00:08:04,249 YEAH, I GOT THE SAME THING FROM THE KID'S MOM. 191 00:08:06,487 --> 00:08:07,552 SOMETHING'S NOT RIGHT. 192 00:08:11,558 --> 00:08:13,859 (GARAGE DOORS WHIR OPEN) 193 00:08:25,672 --> 00:08:27,506 THINK IT'S A HOBBY? 194 00:08:27,508 --> 00:08:29,841 SPIKE: NO. I THINK WE'RE DEALING WITH BIKERS. 195 00:08:31,745 --> 00:08:33,612 BOSS, THE HOSTS OF THIS PARTY 196 00:08:33,614 --> 00:08:36,581 ARE MEMBERS OF THE BRIGADIER MOTORCYCLE CLUB. 197 00:08:36,583 --> 00:08:38,149 OKAY, TEAM, EXTREME CAUTION. 198 00:08:38,151 --> 00:08:39,684 COPY THAT. 199 00:08:39,686 --> 00:08:40,752 (SIRENS WAIL) 200 00:08:40,754 --> 00:08:44,222 WINNIE: BOSS, I GOT A CALL FROM DETECTIVE KATE ANDREWS, 201 00:08:44,224 --> 00:08:45,757 ORGANIZED CRIME DIVISION. 202 00:08:45,759 --> 00:08:46,758 PARKER: NOT A GOOD TIME, WINNIE. 203 00:08:46,760 --> 00:08:47,993 WINNIE: SHE SAYS IT'S URGENT. 204 00:08:47,994 --> 00:08:49,227 DIRECT ORDER; YOU'RE TO TAKE THE CALL. 205 00:08:49,229 --> 00:08:50,228 KATE: SERGEANT PARKER? 206 00:08:50,230 --> 00:08:51,730 LISTEN, DETECTIVE, 207 00:08:51,731 --> 00:08:53,231 I'M IN THE MIDDLE OF A BOMB INVESTIGATION 208 00:08:53,232 --> 00:08:54,732 AND CHASING TWO GANGLAND SOLDIERS. 209 00:08:54,735 --> 00:08:56,535 KATE: NO, ONE GANGLAND SOLDIER. 210 00:08:56,537 --> 00:08:58,236 THE YOUNG MAN IN THE CAR WORKS FOR ME. 211 00:08:58,238 --> 00:09:00,906 HE'S A CI. HE'S MY ASSET. 212 00:09:02,209 --> 00:09:04,276 (EL CAMINO RUMBLES LOUDLY) 213 00:09:07,681 --> 00:09:09,147 (TIRES SCREECH) 214 00:09:09,149 --> 00:09:10,215 (GUN COCKS) 215 00:09:10,217 --> 00:09:13,285 (SAWED-OFF SHOTGUN FIRES, GLASS SHATTERS EVERYWHERE) 216 00:09:13,287 --> 00:09:14,920 ED: WE GOT GUNFIRE. 217 00:09:14,922 --> 00:09:15,921 (SIRENS WAIL, TIRES SQUEAL) 218 00:09:15,923 --> 00:09:16,922 AGH! 219 00:09:16,924 --> 00:09:17,989 (GUN COCKS) 220 00:09:19,560 --> 00:09:20,625 AGH! 221 00:09:21,728 --> 00:09:31,836 ¶¶¶ 222 00:09:31,838 --> 00:09:36,841 ¶¶¶ 223 00:09:36,843 --> 00:09:49,287 ¶¶¶ 224 00:09:55,295 --> 00:09:56,962 (SIREN WAILS) 225 00:09:56,964 --> 00:09:58,663 ED: SAM, LEAH, GO DIRECT TO GUNFIRE, 226 00:09:58,665 --> 00:10:00,031 WE'RE COMING NORTH. 227 00:10:00,033 --> 00:10:01,232 (GUN FIRES) 228 00:10:01,234 --> 00:10:03,902 (SIREN WAILS, GETTING CLOSER) 229 00:10:05,272 --> 00:10:08,039 (TRUCK SCREECHES TO A STOP) 230 00:10:08,041 --> 00:10:09,908 ED: STOP! RIGHT THERE, STOP! 231 00:10:09,910 --> 00:10:11,943 SAM, WE'VE GOT AN ACTIVE SHOOTER COMING YOUR WAY. 232 00:10:11,945 --> 00:10:13,078 (SIREN WAILS) 233 00:10:16,316 --> 00:10:18,049 UNGH! 234 00:10:18,051 --> 00:10:18,950 (TRUCK SCREECHES TO A HALT) 235 00:10:23,056 --> 00:10:24,122 I THINK YOU GOT HIM. 236 00:10:26,093 --> 00:10:27,292 YOU DOING ALL RIGHT, SON? 237 00:10:27,294 --> 00:10:28,727 YEAH. 238 00:10:28,729 --> 00:10:30,328 WINNIE, I NEED YOU TO CONNECT ME TO- 239 00:10:30,330 --> 00:10:31,963 KATE: LUKE! LUKE! 240 00:10:32,899 --> 00:10:35,000 PARKER: NEVER MIND. DETECTIVE ANDREWS? 241 00:10:35,002 --> 00:10:36,935 KATE: ARE YOU ALL RIGHT? ARE YOU HURT? 242 00:10:36,937 --> 00:10:38,269 LUKE: I'M FINE. I'M FINE, MRS. A. 243 00:10:38,271 --> 00:10:40,038 WHAT THE HELL WERE YOU THINKING, HUH? 244 00:10:40,040 --> 00:10:41,473 YOU COULD'VE BEEN KILLED. 245 00:10:41,474 --> 00:10:42,907 LUKE: WELL, I WAS TRYING TO KEEP EYES ON THE GUY, 246 00:10:42,908 --> 00:10:44,341 AID. I SAID STAY CLEAR. 247 00:10:44,344 --> 00:10:46,044 GET INTEL, BUT STAY CLEAR. 248 00:10:46,046 --> 00:10:47,746 MRS. A, HE AMBUSHED ME. 249 00:10:47,748 --> 00:10:48,947 PARKER: DETECTIVE ANDREWS, I'M GREG PARKER. 250 00:10:48,949 --> 00:10:50,048 THIS IS ED LANE. 251 00:10:50,050 --> 00:10:51,116 ED: HOW'RE YOU DOING? 252 00:10:51,118 --> 00:10:52,117 THAT MAN KILLED IN THE EXPLOSION - 253 00:10:52,119 --> 00:10:53,118 STEVEN MILLER - 254 00:10:53,120 --> 00:10:54,119 IS HE A MEMBER OF THE BRIGADIERS? 255 00:10:54,121 --> 00:10:55,387 HE WAS THE LEADER. 256 00:10:55,388 --> 00:10:56,654 PARKER: WHAT DOES THAT TELL YOU, DETECTIVE? 257 00:10:56,655 --> 00:10:57,921 S A WAR? LOOKS THAT WAY. 258 00:10:57,924 --> 00:10:59,924 THE BRIGADIERS HAVE BEEN EXPANDING THEIR OPERATIONS; 259 00:10:59,926 --> 00:11:01,026 THEY'VE BEEN ENCROACHING ON RIVAL TURF. 260 00:11:01,028 --> 00:11:02,511 WHICH RIVALS? 261 00:11:02,512 --> 00:11:03,995 KATE: ANOTHER BIKE CLUB - DEVIL'S GUARD. 262 00:11:03,997 --> 00:11:06,331 THEY RUN A LOT OF METH, WEAPONS, EXTORTION - 263 00:11:06,333 --> 00:11:08,133 ALL AREAS THE BRIGS HAVE BEEN GETTING INTO. 264 00:11:08,135 --> 00:11:10,001 DETECTIVE, THE BOMBER DIDN'T HAVE ANY PATCHES 265 00:11:10,003 --> 00:11:11,670 OR ANY GANG MARKINGS OR ANYTHING. 266 00:11:11,672 --> 00:11:13,305 NOW YOU'RE THINKING OLD-SCHOOL. 267 00:11:13,306 --> 00:11:14,939 NOWADAYS, THESE GUYS KEEP A WHITE-COLLAR PROFILE. 268 00:11:14,941 --> 00:11:16,391 THEY MOW THEIR LAWNS. 269 00:11:16,392 --> 00:11:17,842 THEY SEND THEIR KIDS TO FRENCH IMMERSION. 270 00:11:17,844 --> 00:11:19,561 THE HOGS AND THE LEATHERS, 271 00:11:19,562 --> 00:11:21,279 THEY ONLY COME OUT ON SPECIAL OCCASIONS. 272 00:11:23,216 --> 00:11:24,883 THE SHOOTER'S NOT TALKING. NO ID. 273 00:11:24,885 --> 00:11:27,085 I'M SENDING YOU A PHOTO NOW. 274 00:11:29,089 --> 00:11:30,989 DEVIL'S GUARD? 275 00:11:30,991 --> 00:11:32,824 COULD'VE BROUGHT HIM IN FROM ANOTHER CHAPTER, 276 00:11:32,826 --> 00:11:34,276 HIRED SOMEONE UNAFFILIATED. 277 00:11:34,277 --> 00:11:35,727 LEAH: I FOUND SOMETHING IN THE BOMBERS JACKET; 278 00:11:35,729 --> 00:11:37,095 AN IED DETONATOR. 279 00:11:37,097 --> 00:11:40,899 SAM: IT'S RF CONTROLLED. SHORT RANGE, MAYBE 200 FEET. 280 00:11:40,901 --> 00:11:42,067 WHY A KID'S PARTY? 281 00:11:42,069 --> 00:11:43,368 SEND A MESSAGE. 282 00:11:43,370 --> 00:11:44,936 DEVIL'S GUARD LETTING US KNOW, 283 00:11:44,938 --> 00:11:46,705 "WE CAN GET YOU ANY PLACE, ANY TIME..." 284 00:11:46,707 --> 00:11:48,239 (LUKE'S PHONE RINGS) 285 00:11:50,711 --> 00:11:52,043 IT'S BRIAN. 286 00:11:52,045 --> 00:11:53,178 (PHONE RINGS) 287 00:11:54,281 --> 00:11:56,481 LUKE: (INTO PHONE) HEY, BRIAN. 288 00:11:56,483 --> 00:11:58,016 YEAH, I KNOW, I'M SORRY, 289 00:11:58,018 --> 00:12:00,385 I JUST, I... I WANTED TO GET THE GUY, 290 00:12:00,387 --> 00:12:02,153 BUT THE COPS SHOWED UP. 291 00:12:02,155 --> 00:12:04,355 NO, NO, NO. I GOT OUTTA THERE, 292 00:12:04,357 --> 00:12:06,224 MADE MYSELF SCARCE. 293 00:12:07,928 --> 00:12:09,928 OKAY. YEAH, YOU GOT IT. 294 00:12:11,398 --> 00:12:12,864 WALTER'S CALLED AN EMERGENCY MEETING, 295 00:12:12,866 --> 00:12:14,032 RIGHT NOW, AT THE CLUBHOUSE. 296 00:12:14,034 --> 00:12:15,584 THEY WANT ME THERE. 297 00:12:15,585 --> 00:12:17,135 PARKER: WELL, THAT'S NOT HAPPENING, SO RELAX. 298 00:12:17,137 --> 00:12:18,503 YOU KNOW THE DYNAMICS, DETECTIVE, 299 00:12:18,505 --> 00:12:19,504 WHAT'S YOUR GUESS? 300 00:12:19,506 --> 00:12:20,789 THEY'RE GONNA HIT BACK. 301 00:12:20,790 --> 00:12:22,073 WALTER MCHALE WAS SECOND IN COMMAND. 302 00:12:22,075 --> 00:12:23,541 NOW HE'S THE LEAD, 303 00:12:23,542 --> 00:12:25,008 AND HE IS NOT ONE TO BACK DOWN FROM A FIGHT. 304 00:12:25,011 --> 00:12:26,077 THEN WE GET AHEAD OF IT. 305 00:12:26,078 --> 00:12:27,144 WE BUST OPEN THEIR HEADQUARTERS. 306 00:12:27,147 --> 00:12:28,146 KATE: WE DON'T HAVE THE EVIDENCE. 307 00:12:28,148 --> 00:12:29,514 THESE GUYS ARE PROS. 308 00:12:29,515 --> 00:12:30,881 THEY DON'T STORE WEAPONS ON SITE, 309 00:12:30,884 --> 00:12:32,350 AND THEY KEEP THEIR NOSES CLEAN. 310 00:12:32,352 --> 00:12:34,219 8 MONTHS I'VE BEEN ALL OVER THEM - 311 00:12:34,221 --> 00:12:36,354 NOT ONE SINGLE PIECE OF ACTIONABLE INTEL. 312 00:12:36,356 --> 00:12:38,189 SEND ME BACK IN. 313 00:12:38,191 --> 00:12:39,190 I MEAN, IF WE'RE GONNA HIT BACK, 314 00:12:39,192 --> 00:12:41,092 I CAN GET A TIME AND PLACE; 315 00:12:41,093 --> 00:12:42,993 THAT'S ACTIONABLE, RIGHT? 316 00:12:44,030 --> 00:12:45,430 PARKER: DETECTIVE, I DON'T... 317 00:12:45,432 --> 00:12:46,865 I DON'T WANNA STOP ON YOUR CASE HERE, 318 00:12:46,867 --> 00:12:48,800 BUT YOU CAN'T BE CONSIDERING THIS. 319 00:12:48,802 --> 00:12:50,201 EVERYONE IN THAT CLUBHOUSE IS GOING TO BE AMPED UP 320 00:12:50,203 --> 00:12:51,202 AND ON HIGH ALERT. 321 00:12:51,204 --> 00:12:53,104 IN HIS STATE RIGHT NOW, 322 00:12:53,106 --> 00:12:55,273 CAN YOUR CI KEEP PLAYING THE PART? 323 00:12:58,245 --> 00:12:59,878 WHAT DO YOU SAY, LUKE? 324 00:12:59,880 --> 00:13:01,496 YOU UP FOR THIS? 325 00:13:01,497 --> 00:13:03,113 LOOK, THIS COULD BE THE CHANCE WE'VE BEEN WAITING FOR. 326 00:13:03,116 --> 00:13:05,884 GET BRIAN, WALTER, ALL OF THEM. 327 00:13:05,886 --> 00:13:07,085 YOU GOTTA LET ME TRY. 328 00:13:09,456 --> 00:13:12,056 'KAY, LET'S WIRE HIM. HE'S GOING IN. 329 00:13:12,058 --> 00:13:13,792 ED: IT GETS HOT, WE CAN BUST THAT PLACE WIDE OPEN. 330 00:13:13,794 --> 00:13:15,560 PARKER: SPIKE, JULES, ALL HANDS ON DECK. 331 00:13:19,132 --> 00:13:22,133 (TRUCKS RUMBLE UP, DOORS BANG SHUT) 332 00:13:28,208 --> 00:13:30,141 ED: WE GOT RAZOR WIRE, CRASH BARRIERS, 333 00:13:30,143 --> 00:13:32,143 CAMERAS AT EVERY ENTRANCE. 334 00:13:32,145 --> 00:13:33,344 LEAH: DOOR'S REINFORCED STEEL. 335 00:13:33,346 --> 00:13:35,180 JULES: YEAH, NO ELEMENT OF SURPRISE. 336 00:13:35,182 --> 00:13:36,514 SAM: UNLESS WE MAKE OUR OWN DOORS. 337 00:13:36,516 --> 00:13:38,082 ED: OKAY, THE NORTH WALL'S GOT NO CAMS. 338 00:13:38,084 --> 00:13:39,250 WE STAY OUT OF LINE OF SIGHT. 339 00:13:39,252 --> 00:13:40,985 BREACH CHARGES. JULES WITH ME. 340 00:13:40,987 --> 00:13:42,821 SAM, LEAH, UP TOP. LET'S MOVE. 341 00:13:45,225 --> 00:13:48,059 LUKE'S BELT BUCKLE COMES WITH A MIC AND A GPS TRACKER, 342 00:13:48,061 --> 00:13:49,127 SO WE CAN HEAR EVERYTHING 343 00:13:49,129 --> 00:13:50,395 AND KNOW WHERE HE IS AT ALL TIMES. 344 00:13:50,397 --> 00:13:51,997 IT DOESN'T SHOW. 345 00:13:51,998 --> 00:13:53,598 NOT UNLESS YOU'RE REALLY, REALLY LOOKING FOR IT. 346 00:13:53,599 --> 00:13:55,199 KATE: THEY'LL ASK YOU WHAT HAPPENED WITH THE BOMBER. 347 00:13:55,202 --> 00:13:56,551 YOU KEEP YOUR STORY SIMPLE, 348 00:13:56,552 --> 00:13:57,901 STICK AS CLOSE TO THE TRUTH AS POSSIBLE. 349 00:13:57,904 --> 00:13:59,571 DISTRESS CODE IS "BAD DEAL." 350 00:13:59,573 --> 00:14:02,340 LUKE: OKAY, YEAH, I GOT IT. BAD DEAL. 351 00:14:03,276 --> 00:14:05,210 (TESTING MIC) OH, UH, CHECK, 352 00:14:05,212 --> 00:14:08,446 CHECK, CHECK, HELLO, GOODBYE. 353 00:14:08,448 --> 00:14:09,514 GOOD TO GO. 354 00:14:10,951 --> 00:14:12,417 (RUNNING FOOTSTEPS) 355 00:14:28,235 --> 00:14:30,134 PARKER: LUKE, 356 00:14:30,136 --> 00:14:31,469 MY TEAM WILL BE OUTSIDE. 357 00:14:31,471 --> 00:14:33,271 IF ANYTHING GOES WRONG, YOU JUST STAY DOWN, 358 00:14:33,273 --> 00:14:34,472 WE'LL GET YOU OUT SAFE, OKAY? 359 00:14:37,244 --> 00:14:39,244 DO YOU KNOW WHAT YOUR JOB IN THERE IS, SON? 360 00:14:39,246 --> 00:14:41,112 BRING DOWN THE BRIGADIERS. 361 00:14:41,114 --> 00:14:43,147 YOU GET US A TIME AND THE PLACE OF THE RETALIATION 362 00:14:43,149 --> 00:14:44,148 AND THAT'S IT. 363 00:14:44,150 --> 00:14:45,416 YOU GET OUT, ALL RIGHT? 364 00:14:45,418 --> 00:14:46,885 YOU DON'T GO ANYWHERE ELSE, 365 00:14:46,887 --> 00:14:48,386 YOU DON'T TAKE ANY ASSIGNMENTS, UNDERSTOOD? 366 00:14:52,125 --> 00:14:53,191 UNDERSTOOD. 367 00:14:54,127 --> 00:14:55,193 ALL RIGHT. 368 00:15:13,513 --> 00:15:15,397 (QUIETLY) OKAY... 369 00:15:15,398 --> 00:15:17,282 (MEMBERS MURMUR QUIETLY, POOL BALLS CLACK) 370 00:15:21,054 --> 00:15:22,387 SO FAR SO GOOD. 371 00:15:31,331 --> 00:15:32,697 WE NEED TO TALK. 372 00:15:32,699 --> 00:15:34,165 NOW. 373 00:15:34,167 --> 00:15:35,166 I'M NOT LIKING THIS. 374 00:15:35,168 --> 00:15:37,302 HE'S OKAY... HE'S OKAY. 375 00:15:41,374 --> 00:15:42,440 WALTER: LUKE. 376 00:15:44,411 --> 00:15:45,510 WE GOT A PROBLEM. 377 00:15:46,446 --> 00:15:48,079 EDDIE, STANDBY FOR MY GO. 378 00:15:48,081 --> 00:15:49,380 ALPHA TEAM IN POSITION. 379 00:15:49,382 --> 00:15:51,449 SAM: BRAVO TEAM IN POSITION. 380 00:15:51,451 --> 00:15:53,318 WALTER, WHAT'S THE PROBLEM? 381 00:15:53,320 --> 00:15:54,986 HEY! WALTER: SHUT UP. 382 00:15:55,722 --> 00:15:57,522 LUKE: BRIAN, COME ON, WHAT THE HELL'S GOING ON HERE? 383 00:15:57,524 --> 00:15:59,524 THE MAN TOLD YOU TO SHUT UP, LUKE. 384 00:15:59,526 --> 00:16:04,295 WALTER: (MENACING) BRIAN GAVE YOU A DIRECT ORDER TO STAY, 385 00:16:04,297 --> 00:16:06,181 SO YOU TAKE OFF. 386 00:16:06,182 --> 00:16:08,066 THAT GUY KILLED STEVE, I HAD TO TRY AND GET- (WHAM) 387 00:16:08,068 --> 00:16:10,535 PARKER: ALPHA TEAM- KATE: WAIT! 388 00:16:12,639 --> 00:16:14,439 KATE: HE HASN'T GIVEN THE SIGNAL. 389 00:16:14,441 --> 00:16:15,506 HE'S FINE. 390 00:16:17,477 --> 00:16:20,111 HE GAVE YOU AN ORDER! 391 00:16:20,113 --> 00:16:21,713 ARE YOU A BRIGADIER, LUKE? 392 00:16:21,715 --> 00:16:23,281 ARE YOU ONE OF US?! 393 00:16:23,283 --> 00:16:25,516 LOOK, I KNOW I SCREWED UP. 394 00:16:27,420 --> 00:16:29,420 BUT I DID THIS FOR STEVE, 395 00:16:30,357 --> 00:16:32,490 FOR THE BRIGADIERS. 396 00:16:32,492 --> 00:16:34,292 YOU DON'T LIKE THAT, YOU BETTER KICK ME OUT NOW. 397 00:16:34,294 --> 00:16:36,160 BECAUSE IF SOMEONE COMES AT US AGAIN, 398 00:16:36,162 --> 00:16:38,763 I'M GONNA DO THE SAME DAMN THING. 399 00:16:43,436 --> 00:16:45,570 ALL I NEEDED TO HEAR. 400 00:16:45,572 --> 00:16:48,172 GET THE GUYS TOGETHER. 401 00:16:50,243 --> 00:16:51,442 THAT'S A BRAVE KID. 402 00:16:51,444 --> 00:16:53,912 YEAH, HE IS. 403 00:16:53,913 --> 00:16:56,381 PARKER: LOOK I WAS MEANING TO ASK... "MRS. A?" 404 00:16:56,383 --> 00:16:58,182 LUKE CALLED YOU THAT IN THE ALLEY. 405 00:16:58,184 --> 00:17:00,284 I'VE KNOWN LUKE FOR A LONG TIME. 406 00:17:00,286 --> 00:17:01,753 FRIEND OF MY SON'S. 407 00:17:01,755 --> 00:17:03,154 LUKE DIDN'T HAVE AN IDEAL FAMILY LIFE, 408 00:17:03,156 --> 00:17:04,589 SO HE CAME OVER A LOT. 409 00:17:04,591 --> 00:17:05,790 YOU KNOW HOW THAT CAN BE. 410 00:17:05,792 --> 00:17:07,058 SURE. 411 00:17:08,161 --> 00:17:09,661 WHAT'S YOUR SON THINK OF THIS - 412 00:17:09,662 --> 00:17:11,162 YOU AND HIS FRIEND WORKING TOGETHER? 413 00:17:11,164 --> 00:17:13,364 MY SON DIED THREE YEARS AGO. 414 00:17:13,366 --> 00:17:14,399 I'M SORRY. 415 00:17:14,401 --> 00:17:16,267 THANK YOU. 416 00:17:16,269 --> 00:17:17,368 WAS HE ILL? 417 00:17:17,370 --> 00:17:19,704 KATE: BOATING ACCIDENT. 418 00:17:19,706 --> 00:17:21,506 WELL, THAT MUST'VE BEEN DIFFICULT. 419 00:17:21,508 --> 00:17:22,573 KATE: IT WAS. 420 00:17:26,146 --> 00:17:27,712 WALTER YOU'VE ALL HEARD WHAT'S HAPPENED. 421 00:17:27,714 --> 00:17:30,148 IT'S A REAL SHAME. 422 00:17:30,150 --> 00:17:33,317 IT'S A TRAGEDY THAT IT HAD TO COME TO THIS. 423 00:17:33,319 --> 00:17:36,821 THIS CLUB IS AT A CROSSROADS - YOU ALL KNOW THAT. 424 00:17:36,823 --> 00:17:39,257 WE ALL LOVED AND RESPECTED STEVE. 425 00:17:39,259 --> 00:17:42,427 HE WAS OUR PRESIDENT, OUR FRIEND, OUR BROTHER. 426 00:17:42,429 --> 00:17:45,763 BUT HE WAS BLIND... BLIND TO OUR ENEMIES, 427 00:17:45,765 --> 00:17:48,066 BLIND TO OUR OPPORTUNITIES... 428 00:17:48,068 --> 00:17:50,201 PARKER: DOESN'T SOUND LIKE A WAR SPEECH, DOES IT? 429 00:17:50,203 --> 00:17:51,436 WALTER: THIS IS THE POINT I WAS TRYING TO MAKE WITH STEVE 430 00:17:51,438 --> 00:17:53,171 FOR MONTHS NOW. 431 00:17:53,173 --> 00:17:54,372 MANY OF YOU HAVE. 432 00:17:54,374 --> 00:17:58,276 SORRY TO SAY... HE NEVER DID SEE THE LIGHT. 433 00:17:58,278 --> 00:18:01,579 I WISH THAT HE HAD, I REALLY DO, 434 00:18:01,581 --> 00:18:03,347 BUT TAKE A LOOK AROUND YOU, GENTLEMEN. 435 00:18:03,349 --> 00:18:06,084 SEE WHO'S HERE, WHO ISN'T HERE. 436 00:18:06,820 --> 00:18:08,352 THESE ARE YOUR REAL BROTHERS, 437 00:18:08,354 --> 00:18:10,555 THE ONES STANDING BESIDE YOU RIGHT NOW. 438 00:18:10,557 --> 00:18:14,158 EVERYBODY ELSE... LIKE I SAID, CROSSROADS. 439 00:18:15,328 --> 00:18:17,829 SOME OF US WILL BE GOING IN ONE DIRECTION, 440 00:18:17,831 --> 00:18:19,597 SOME OF US IN ANOTHER. 441 00:18:19,599 --> 00:18:22,366 ANYBODY GOT A PROBLEM WITH THAT? 442 00:18:22,368 --> 00:18:24,202 HE'S NOT TALKING ABOUT GOING TO BATTLE. 443 00:18:24,204 --> 00:18:25,736 KATE: HE'S TALKING ABOUT TAKING OVER. 444 00:18:25,738 --> 00:18:27,405 HE'S TALKING ABOUT A PURGE. 445 00:18:27,407 --> 00:18:29,507 ED: IF HE'S ANNOUNCING IT, IT'S ALREADY IN MOTION. 446 00:18:29,509 --> 00:18:30,575 HOW MANY TARGETS ARE STILL OUT THERE? 447 00:18:30,577 --> 00:18:31,709 AND WHERE? 448 00:18:32,645 --> 00:18:34,045 LUKE: GEEZ, BRIAN... 449 00:18:34,046 --> 00:18:35,446 BRIAN: JUST KEEP YOUR MOUTH SHUT AND YOUR HEAD DOWN, OKAY? 450 00:18:35,448 --> 00:18:37,482 YOU'LL BE FINE. 451 00:18:37,484 --> 00:18:39,584 KARL'S NOT HERE. I KNOW. 452 00:18:39,586 --> 00:18:43,321 DENNIS, RICHARD... ARE THEY ALL DEAD? 453 00:18:43,323 --> 00:18:44,755 GOOD WORK, LUKE. 454 00:18:44,757 --> 00:18:46,858 KARL BORANCE, DENNIS BARBER, RICHARD BREED. 455 00:18:46,860 --> 00:18:48,192 WHO ARE THEY? 456 00:18:49,896 --> 00:18:51,696 LOYALISTS - OF STEVEN MILLER, 457 00:18:51,698 --> 00:18:53,731 THE ASSASSINATED BRIGADIERS LEADER - 458 00:18:53,733 --> 00:18:55,600 AND NOW MARKED MEN. 459 00:19:07,680 --> 00:19:10,281 PARKER: OKAY, TEAM, YOU HEARD THE NEWS. 460 00:19:10,283 --> 00:19:11,549 THE BRIGADIERS ARE CLEANING HOUSE. 461 00:19:11,551 --> 00:19:13,317 WE'VE GOT THREE TARGETS. 462 00:19:13,319 --> 00:19:14,552 SPIKE'S SENDING YOU PHOTOS. 463 00:19:14,554 --> 00:19:16,521 ED: SPIKE, HOME NUMBERS, CELL PHONES. 464 00:19:16,523 --> 00:19:17,689 ON IT. 465 00:19:17,690 --> 00:19:18,856 SAM: IF YOU WANTED TO TAKE OUT THREE GUYS 466 00:19:18,858 --> 00:19:20,224 WITHOUT TIPPING YOUR PLAN... 467 00:19:20,226 --> 00:19:21,459 MAKE SURE THEY'RE TOGETHER. 468 00:19:21,461 --> 00:19:23,528 AND WE KNOW THESE GUYS LOVE BOMBS. 469 00:19:23,530 --> 00:19:24,996 ED: SPIKE! 470 00:19:24,997 --> 00:19:26,463 SPIKE: NO ANSWERS AT HOME OR AT WORK. 471 00:19:26,466 --> 00:19:28,699 CELL PHONES ARE OFF, BUT I'M GETTING A GPS PING BACK 472 00:19:28,701 --> 00:19:30,535 FROM KARL BORANCE'S PHONE. 473 00:19:30,537 --> 00:19:32,670 HE'S SOUTHEAST FROM HERE. 474 00:19:35,508 --> 00:19:36,841 THAT'S DENNIS BARBER'S RESTAURANT. 475 00:19:36,843 --> 00:19:38,242 IT'S DOWNTOWN, LUNCH HOUR. 476 00:19:38,244 --> 00:19:39,711 PRETTY BRASH MOVE. 477 00:19:39,712 --> 00:19:41,179 KATE: NOT IF THEY'RE TRYING TO PLAY IT OFF AS A GANG WAR. 478 00:19:41,181 --> 00:19:42,313 GIVES THEM DENIABILITY. 479 00:19:42,314 --> 00:19:43,446 PARKER: WELL, THEY'VE SHOWN THEY'RE NOT WORRIED 480 00:19:43,449 --> 00:19:44,682 ABOUT COLLATERAL DAMAGE. 481 00:19:44,684 --> 00:19:45,950 ED: LET'S MOVE. 482 00:19:45,952 --> 00:19:47,552 HEY, I'M GONNA STAY BACK, 483 00:19:47,554 --> 00:19:49,554 MAKE SURE LUKE GETS OUT ALL RIGHT. 484 00:19:49,556 --> 00:19:51,455 ED: WHAT'S GOING ON? 485 00:19:51,457 --> 00:19:52,857 I DON'T KNOW, SOMETHING ABOUT THIS... 486 00:19:52,859 --> 00:19:54,492 ED, YOU GO. I GOT IT. 487 00:19:54,494 --> 00:19:55,560 GO. 488 00:19:59,399 --> 00:20:00,898 PARKER: WINNIE, DETECTIVE ANDREWS' SON, 489 00:20:00,900 --> 00:20:03,267 WHAT CAN YOU TELL ME ABOUT HIM? 490 00:20:03,269 --> 00:20:04,302 EVAN ANDREWS. 491 00:20:04,304 --> 00:20:06,571 DIED AT 17 IN A BOATING ACCIDENT. 492 00:20:06,573 --> 00:20:07,505 THE FILE'S SEALED BECAUSE THE PARTIES INVOLVED 493 00:20:07,507 --> 00:20:08,806 WERE MINORS AT THE TIME. 494 00:20:08,808 --> 00:20:10,408 'KAY, CONTACT THE OFFICER THAT WAS THERE. 495 00:20:10,410 --> 00:20:12,243 MAYBE HE CAN GIVE US SOME MORE INFORMATION. 496 00:20:12,245 --> 00:20:13,711 WINNIE: SURE. 497 00:20:16,282 --> 00:20:18,749 SPIKE: TEAM, SCHEMATICS OF THE RESTAURANT COMING AT YOU. 498 00:20:18,751 --> 00:20:19,884 ED: SPIKE, BREAK THIS DOWN FOR ME. 499 00:20:19,886 --> 00:20:21,252 IF WE'RE DEALING WITH THE SAME TECH, 500 00:20:21,254 --> 00:20:22,376 HOW'S THIS GO? 501 00:20:22,377 --> 00:20:23,499 SPIKE: REAL SIMPLE; BOMBER PLANTS THE DEVICE, 502 00:20:23,500 --> 00:20:24,622 WAITS FOR THE TARGETS TO SHOW UP, 503 00:20:24,624 --> 00:20:26,074 PRESSES A BUTTON. 504 00:20:26,075 --> 00:20:27,525 JULES: IT HASN'T GONE OFF YET. WHAT DOES THAT TELL US? 505 00:20:27,527 --> 00:20:28,859 BEST CASE, SOMEONE HAD A CHANGE OF HEART. 506 00:20:28,861 --> 00:20:30,294 MORE LIKELY... 507 00:20:30,296 --> 00:20:31,896 ALL THREE OF THE TARGETS AREN'T IN PLACE YET. 508 00:20:31,898 --> 00:20:33,681 SO WE CALL AHEAD, START CLEARING THE PLACE. 509 00:20:33,682 --> 00:20:35,465 JULES: UNLESS WE SUPERVISE THE EVACUATION OURSELVES, 510 00:20:35,468 --> 00:20:36,601 IT'S TOO RISKY. 511 00:20:36,603 --> 00:20:37,535 PATRONS START RUNNING OUT OF THERE, 512 00:20:37,537 --> 00:20:39,037 IT'S GONNA CUE THE BOMBER. 513 00:20:39,038 --> 00:20:40,538 HE'S GONNA TAKE OUT WHATEVER TARGET'S ARE ALREADY THERE. 514 00:20:40,540 --> 00:20:41,939 ED: AND WE SHOW UP WITH THE SIRENS BLARING - 515 00:20:41,941 --> 00:20:43,007 SAME STORY. 516 00:20:46,913 --> 00:20:48,613 YOU ALL RIGHT? 517 00:20:48,615 --> 00:20:49,680 YEAH. 518 00:20:50,650 --> 00:20:52,283 THESE AREN'T EASY TIMES. 519 00:20:52,285 --> 00:20:53,952 HAD TO BE DONE, RIGHT? 520 00:20:53,953 --> 00:20:55,620 PARKER: (BANGS DOOR SHUT) OKAY, LET'S BRING YOUR GUY IN. 521 00:20:55,622 --> 00:20:57,555 KATE: HANG ON. SOMETHING'S UP. 522 00:20:57,557 --> 00:20:58,823 BRIAN: TELL YOU WHAT... 523 00:20:58,825 --> 00:21:01,559 WALTER AND I HAVE A LOOSE END TO TIE UP. 524 00:21:01,561 --> 00:21:02,793 YOU WANNA BE PART OF IT? 525 00:21:02,795 --> 00:21:04,795 I MEAN, YOU SAID YOU WANTED TO STEP UP. 526 00:21:04,797 --> 00:21:07,531 WELL, TODAY WOULD BE A GOOD DAY FOR IT - 527 00:21:07,533 --> 00:21:11,702 CHANCE TO PROVE YOURSELF TO THE NEW REGIME. 528 00:21:11,704 --> 00:21:12,970 LUKE, NO. SAY NO. 529 00:21:16,409 --> 00:21:18,542 YOU KNOW WHAT? NEVER MIND. 530 00:21:18,544 --> 00:21:20,811 YOU'VE HAD A HELL OF A DAY. 531 00:21:21,748 --> 00:21:22,813 YEAH. 532 00:21:25,285 --> 00:21:26,651 I'M IN. 533 00:21:26,653 --> 00:21:28,753 NO. NO, NO, NO. WHAT'S HE DOING? 534 00:21:28,755 --> 00:21:31,289 HE'S GIVING US WALTER; THAT'S WHAT HE'S DOING. 535 00:21:31,291 --> 00:21:32,490 NOT THE PLAN, DETECTIVE. 536 00:21:32,492 --> 00:21:33,624 KATE: LISTEN TO ME. 537 00:21:33,626 --> 00:21:34,903 THIS IS OUR CHANCE. 538 00:21:34,904 --> 00:21:36,181 THEY'RE GOING ON AN ASSASSINATION RUN. 539 00:21:36,182 --> 00:21:37,459 KATE: WHICH IS WHY WE HAVE TO LET IT PLAY OUT - 540 00:21:37,463 --> 00:21:38,512 TO PROTECT THE TARGET. 541 00:21:38,513 --> 00:21:39,562 PARKER: YOU MEAN ARREST YOUR MAN. 542 00:21:39,565 --> 00:21:41,532 KATE: YES! YEAH, THAT TOO. 543 00:21:42,468 --> 00:21:43,801 SERGEANT, NOTHING THAT HAPPENED TODAY 544 00:21:43,803 --> 00:21:45,369 CAN BE TRACED BACK TO WALTER. 545 00:21:45,371 --> 00:21:47,505 SO FAR HE CAN JUST WALK AWAY FROM ALL OF IT. 546 00:21:47,507 --> 00:21:51,742 IF HE ORDERS THIS HIT, THEN WE'VE FINALLY GOT HIM. 547 00:21:53,613 --> 00:21:55,646 MY INVESTIGATION, MY CALL. 548 00:21:58,017 --> 00:21:59,917 EDDIE, CI'S ON THE MOVE AND WE'RE FOLLOWING. 549 00:21:59,919 --> 00:22:01,185 WHAT'S YOUR TWENTY? 550 00:22:01,186 --> 00:22:02,452 BOSS, WE'RE ALMOST AT THE RESTAURANT. 551 00:22:07,493 --> 00:22:08,759 (VEHICLE RUMBLES AWAY) 552 00:22:09,696 --> 00:22:11,429 (PARKER STARTS TRUCK) 553 00:22:11,431 --> 00:22:13,764 HANG BACK, SERGEANT. TRACKING SIGNAL'S STRONG. 554 00:22:13,766 --> 00:22:14,765 WE'LL FOLLOW AT A DISTANCE. 555 00:22:20,873 --> 00:22:22,340 I KNOW YOU THINK I'M PUSHING HIM, 556 00:22:22,342 --> 00:22:23,774 BUT YOU REALLY HAVE TO TRUST ME. 557 00:22:23,776 --> 00:22:25,776 HE KNOWS WHAT HE'S DOING AND THIS IS WHAT HE WANTS. 558 00:22:25,778 --> 00:22:27,578 PARKER: YEAH? HOW CAN YOU BE SURE OF THAT? 559 00:22:27,579 --> 00:22:29,379 KATE: BECAUSE I DIDN'T RECRUIT HIM. HE CAME TO ME. 560 00:22:29,382 --> 00:22:30,848 HE WANTED TO BE A CI? 561 00:22:30,850 --> 00:22:32,950 NO, HE WANTED TO CHANGE HIS LIFE AROUND. 562 00:22:32,952 --> 00:22:34,452 HE KNEW I COULD HELP. 563 00:22:34,454 --> 00:22:36,687 WELL, YOU WERE THE PARENT IN HIS LIFE. 564 00:22:36,689 --> 00:22:38,189 YOU HAD MENTIONED IT EARLIER 565 00:22:38,190 --> 00:22:39,690 THAT HE DIDN'T HAVE A VERY STRONG HOME LIFE 566 00:22:39,692 --> 00:22:41,659 AND THAT HE WAS AT YOUR HOUSE A LOT. 567 00:22:41,661 --> 00:22:42,660 I HELPED OUT WHERE I COULD. 568 00:22:42,662 --> 00:22:43,761 HE MUST HAVE BEEN GRATEFUL. 569 00:22:43,763 --> 00:22:44,829 SOMETIMES. 570 00:22:45,998 --> 00:22:47,898 (SIRENS WAIL) 571 00:22:47,900 --> 00:22:50,134 OKAY, TEAM, LISTEN UP. SAM, YOU'RE ON THE TRIGGER MAN. 572 00:22:50,136 --> 00:22:52,002 THIS GUY'S GOTTA HAVE A SIGHT LINE TO THE RESTAURANT. 573 00:22:52,004 --> 00:22:53,671 I WANT YOU TO FIND HIM AND STOP HIM. 574 00:22:53,673 --> 00:22:55,189 ALL RIGHT, I'M ON IT. 575 00:22:55,190 --> 00:22:56,706 ED: LEAH, YOU'RE WITH ME. BACK SERVICE DOOR. 576 00:22:56,709 --> 00:22:58,476 LET'S CLEAR THE PLACE OUT QUICK AND QUIET 577 00:22:58,478 --> 00:22:59,477 WITHOUT TIPPING HIM OFF. 578 00:22:59,479 --> 00:23:00,929 GOT IT! 579 00:23:00,930 --> 00:23:02,380 JULES, YOU'RE OUT FRONT. NO LIGHTS, NO SIRENS. 580 00:23:02,382 --> 00:23:03,781 YOU'RE LOOKING FOR THE TARGETED BIKERS. 581 00:23:03,783 --> 00:23:05,716 KEEPING 'EM OUT BUYS US MORE TIME INSIDE. 582 00:23:05,718 --> 00:23:06,751 JULES: COPY. ED: SPIKE? 583 00:23:06,753 --> 00:23:08,486 LET ME GUESS. I'M ON BOMB? 584 00:23:08,488 --> 00:23:09,820 YOU'RE ON BOMB. 585 00:23:15,027 --> 00:23:18,496 KATE: THERE WAS ONE SUMMER WHERE EVAN AND LUKE GOT JOBS AT A GARAGE. 586 00:23:18,498 --> 00:23:20,998 BRIAN NOVAK WAS THEIR BOSS, 587 00:23:21,000 --> 00:23:22,700 AND WHEN I GOT WIND OF HIS AFFILIATION 588 00:23:22,702 --> 00:23:23,701 WITH THE BRIGADIERS, 589 00:23:23,703 --> 00:23:26,103 I... I JUST HIT THE ROOF. 590 00:23:26,105 --> 00:23:27,905 I WENT DRIVING OVER THERE, 591 00:23:27,907 --> 00:23:29,440 AND I MARCHED BOTH THOSE BOYS OUT, 592 00:23:29,442 --> 00:23:31,642 ONE IN EACH HAND. 593 00:23:31,644 --> 00:23:33,778 I GUESS I THOUGHT LUKE GOT THE MESSAGE, 594 00:23:33,780 --> 00:23:35,746 BUT UM... A FEW MONTHS AGO, 595 00:23:35,748 --> 00:23:37,815 IN THE MIDDLE OF THE NIGHT, 596 00:23:37,817 --> 00:23:40,184 LUKE SHOWED UP AT THE STATION. 597 00:23:43,756 --> 00:23:44,855 KATE: LUKE, IT'S 2 IN THE MORNING. 598 00:23:44,857 --> 00:23:46,857 WHAT'RE YOU DOING HERE? 599 00:23:50,997 --> 00:23:52,096 WHOSE IS THAT? 600 00:23:52,098 --> 00:23:53,197 (BRACING HIMSELF) MINE... 601 00:23:53,199 --> 00:23:54,765 KATE: HOW LONG? 602 00:23:54,767 --> 00:23:55,866 COUPLE YEARS... 603 00:23:55,868 --> 00:23:56,867 I GOT PATCHED IN THIS WEEK. 604 00:23:56,869 --> 00:23:57,868 (KATE SIGHS, HORRIFIED) 605 00:23:57,870 --> 00:23:59,837 NO, NO, DON'T DO THAT. 606 00:23:59,838 --> 00:24:01,805 YOU JUST JOINED A VIOLENT CRIMINAL GANG - 607 00:24:01,808 --> 00:24:02,940 THESE ARE THE PEOPLE I SPEND MY WHOLE LIFE 608 00:24:02,942 --> 00:24:04,508 TRYING TO PUT AWAY. 609 00:24:04,510 --> 00:24:06,043 LOOK, I'M IN OVER MY HEAD, MRS. A. 610 00:24:06,045 --> 00:24:07,578 IT'S NOT... 611 00:24:07,580 --> 00:24:08,579 IT'S NOT AT ALL WHAT I THOUGHT IT WOULD BE. 612 00:24:08,581 --> 00:24:10,331 OKAY... 613 00:24:10,332 --> 00:24:12,082 LUKE: LOOK, I'M A FULLY PATCHED MEMBER OF THE BRIGADIERS. 614 00:24:12,084 --> 00:24:13,684 I'VE GOT NAMES, LOCATIONS, JOBS. 615 00:24:13,686 --> 00:24:15,953 I CAN GIVE YOU ALL OF IT. 616 00:24:16,889 --> 00:24:18,823 KATE: HE WANTED OUT... 617 00:24:18,825 --> 00:24:20,090 HE REALIZED HE'D MADE A MISTAKE, 618 00:24:20,092 --> 00:24:23,594 AND HE WANTED MY HELP MAKING THINGS RIGHT. 619 00:24:23,596 --> 00:24:26,497 WALTER: (OVER HEADSET) YOU GOTTA BE CLEAR ABOUT THIS, LUKE. 620 00:24:26,499 --> 00:24:29,800 YOU GO THROUGH THIS DOOR, YOU CAN'T COME BACK. 621 00:24:29,802 --> 00:24:31,802 YOU UNDERSTAND THAT, RIGHT? 622 00:24:31,804 --> 00:24:32,870 I'M READY. 623 00:24:35,575 --> 00:24:37,875 SO WHO ARE WE GONNA SEE, ANYWAY? 624 00:24:37,877 --> 00:24:39,810 (GRAVE) RON. 625 00:24:41,747 --> 00:24:42,963 WHO IS IT? 626 00:24:42,964 --> 00:24:44,180 KATE: RON MCHALE. WALTER'S OWN COUSIN. 627 00:24:44,183 --> 00:24:45,783 NOT A FULL-TIME MEMBER, BUT STILL INVOLVED. 628 00:24:45,785 --> 00:24:47,335 ALWAYS GOT ALONG WITH STEVEN, 629 00:24:47,336 --> 00:24:48,886 AND I SHOULD HAVE SEEN THIS COMING. 630 00:24:48,888 --> 00:24:50,688 (INTO THE PHONE) YEAH, I NEED UNITS AT RON MCHALE'S HOUSE - 631 00:24:50,690 --> 00:24:52,857 PLAIN CLOTHES, UNMARKED CARS - RIGHT AWAY. 632 00:24:52,859 --> 00:24:53,924 NO. GO! 633 00:24:58,130 --> 00:24:59,897 (DOOR CREAKS OPEN) 634 00:25:09,942 --> 00:25:11,008 (CELL PHONE RINGS) 635 00:25:15,615 --> 00:25:16,614 YEP. 636 00:25:16,616 --> 00:25:18,716 RON: WALTER, IT'S RON. 637 00:25:18,718 --> 00:25:19,783 YOU WERE RIGHT. 638 00:25:19,785 --> 00:25:21,852 OKAY. GOT IT. 639 00:25:21,854 --> 00:25:23,287 (PHONE BEEPS OFF) 640 00:25:24,690 --> 00:25:26,790 WALTER: THAT WAS RON. 641 00:25:26,792 --> 00:25:28,259 HE'S GOT COMPANY. 642 00:25:33,833 --> 00:25:34,798 LUKE'S COVER'S BLOWN. 643 00:25:34,800 --> 00:25:35,799 WHAT'RE YOU TALKING ABOUT? 644 00:25:35,801 --> 00:25:37,501 IT WAS A SET-UP, IT WAS A TEST. 645 00:25:37,502 --> 00:25:39,202 THEY SUSPECTED HE WAS WIRED AND THEY FED US BAD INTEL. 646 00:25:39,205 --> 00:25:40,771 NO! THEY WOULD'VE SEARCHED HIM IN THE CLUBHOUSE. 647 00:25:40,773 --> 00:25:42,239 AND WE WOULD'VE BUSTED IN AND SAVED HIM. 648 00:25:43,876 --> 00:25:44,942 OH MY GOD. 649 00:25:44,944 --> 00:25:46,010 (SIRENS WAIL) 650 00:25:49,615 --> 00:25:52,850 (VEHICLES ROAR DOWN ALLEYWAY AND SCREECH TO A HALT) 651 00:25:54,887 --> 00:25:56,754 LET'S MOVE! GO, GO! 652 00:26:01,227 --> 00:26:03,661 EVERYONE, CAN I HAVE YOUR ATTENTION PLEASE! 653 00:26:03,663 --> 00:26:06,630 THIS IS A POLICE EMERGENCY. 654 00:26:06,632 --> 00:26:07,898 (DOORS BANG SHUT) 655 00:26:10,303 --> 00:26:12,202 I NEED YOU TO STAY CALM 656 00:26:12,204 --> 00:26:14,171 AND EXIT THROUGH THE BACK DOOR, PLEASE. 657 00:26:14,173 --> 00:26:16,273 EXIT THROUGH THE BACK DOOR! LET'S GO, FOLKS! 658 00:26:21,981 --> 00:26:23,847 FOLKS, PLEASE, NOW! DO IT NOW! 659 00:26:23,849 --> 00:26:26,216 LET'S GO, LADIES, LET'S GO! HERE WE GO! 660 00:26:26,218 --> 00:26:27,918 THROUGH THE BACK OF THE BUILDING! 661 00:26:27,920 --> 00:26:29,453 IT'S AN EMERGENCY, FOLKS! 662 00:26:29,454 --> 00:26:30,987 IF I CAN HAVE YOU UP AND OUT! UP AND OUT! 663 00:26:30,990 --> 00:26:32,156 LET'S GO, PEOPLE, LET'S GO! 664 00:26:32,158 --> 00:26:33,791 SPIKE - THERE! 665 00:26:33,793 --> 00:26:35,126 SPIKE: MR. BARBER? DENNIS: YES. 666 00:26:35,127 --> 00:26:36,460 SPIKE: THIS YOUR RESTAURANT? DENNIS: WHAT'S THIS ALL ABOUT? 667 00:26:36,461 --> 00:26:37,794 SPIKE: THIS YOUR USUAL TABLE? DENNIS: YES. 668 00:26:37,797 --> 00:26:38,963 YOU NEED TO GET OUTTA HERE, RIGHT NOW! 669 00:26:38,965 --> 00:26:39,964 YOUR LIVES ARE IN DANGER. 670 00:26:39,966 --> 00:26:41,632 GO! GO! 671 00:26:41,633 --> 00:26:43,299 (INTO HEADSET) OKAY, TWO OF THE TARGETS ARE COMING OUT. 672 00:26:43,302 --> 00:26:45,002 (EXPLOSIVES SCANNER CHIRPS) GOT THE BOMB! 673 00:26:45,004 --> 00:26:46,904 LEAH: JULES, THE MISSING TARGET IS RICHARD BREED. 674 00:26:46,906 --> 00:26:48,806 REPEAT: THE BOMBER'S WAITING FOR RICHARD BREED. 675 00:26:50,309 --> 00:26:51,375 COPY. 676 00:27:00,353 --> 00:27:01,619 (UNDER HIS BREATH) WHERE ARE YOU...? 677 00:27:02,655 --> 00:27:04,388 (SIREN WAILS) 678 00:27:04,389 --> 00:27:06,122 KATE: OKAY, THEY'RE HEADED NORTH - JUST UP THERE. 679 00:27:06,125 --> 00:27:07,191 OKAY, TURN RIGHT. 680 00:27:07,193 --> 00:27:10,861 LEAH: LEAVE IT! DROP EVERYTHING! NOW! COME ON! 681 00:27:10,863 --> 00:27:12,997 ED: LET'S GO! LET'S GO, GENTLEMEN, LET'S GO, NOW! 682 00:27:18,738 --> 00:27:19,971 ED, HE'S HERE! 683 00:27:19,972 --> 00:27:21,205 HE'S DOWN THE BLOCK; I CAN'T INTERCEPT HIM 684 00:27:21,207 --> 00:27:22,973 WITHOUT THE TRIGGER MAN SEEING ME. 685 00:27:22,975 --> 00:27:24,408 ED: HOW LONG? 686 00:27:24,409 --> 00:27:25,842 JULES: SIXTY SECONDS - HE'S HALFWAY DOWN THE BLOCK. 687 00:27:25,843 --> 00:27:27,276 ED: WE'RE NOT CLEAR YET! SAM, ANYTHING? 688 00:27:27,279 --> 00:27:28,345 NOTHING. 689 00:27:29,382 --> 00:27:31,649 (INTENSE SUSPENSEFUL MUSIC PLAYS) 690 00:27:36,255 --> 00:27:37,855 (CASE SNAPS OPEN) 691 00:27:40,960 --> 00:27:42,026 SPIKE: (QUIET) OH GOD... 692 00:27:47,033 --> 00:27:48,098 I GOT HIM. 693 00:27:51,937 --> 00:27:54,071 JULES: THIRTY SECONDS, ED. 694 00:27:54,073 --> 00:27:56,106 ED, WHEN YOU CLEAR OUT THE RESTAURANT, 695 00:27:56,108 --> 00:27:58,008 CLEAR OUT THE KITCHEN AND THE STREET OUT FRONT. 696 00:28:02,915 --> 00:28:04,114 FIFTEEN SECONDS, ED. 697 00:28:05,051 --> 00:28:07,017 (INTENSE SUSPENSEFUL MUSIC PLAYS) 698 00:28:07,953 --> 00:28:09,019 (BUTTON CAP SNAPS UP) 699 00:28:14,393 --> 00:28:15,693 SPIKE: DIGITAL COUNTER-MEASURE; 700 00:28:15,694 --> 00:28:16,994 I'M NOT GONNA BE ABLE TO MOVE IT! 701 00:28:20,866 --> 00:28:23,333 JULES: TEN SECONDS, ED. 702 00:28:28,074 --> 00:28:29,139 I GOTTA GO. 703 00:28:32,445 --> 00:28:34,111 RICHARD BREED! 704 00:28:34,113 --> 00:28:36,447 LET'S GO! STAY DOWN! TAKE COVER! 705 00:28:37,383 --> 00:28:38,782 DETONATOR... CHARGES... 706 00:28:39,719 --> 00:28:41,785 DO NOT GO IN THERE! STAY WHERE YOU ARE! 707 00:28:47,760 --> 00:28:48,826 POWER SUPPLY. 708 00:28:48,827 --> 00:28:49,893 (PRESSES BUTTON, BUT THERE'S NO RESPONSE) 709 00:28:49,895 --> 00:28:51,028 SAM: DROP IT! 710 00:28:53,499 --> 00:28:54,832 BOMB DEFUSED! 711 00:28:56,068 --> 00:28:57,901 KEEP YOUR HANDS WHERE I CAN SEE 'EM! 712 00:28:57,903 --> 00:28:58,969 (SIRENS WAIL) 713 00:28:59,905 --> 00:29:01,472 KATE: THERE! 714 00:29:04,343 --> 00:29:05,375 SHOW ME YOUR HANDS! 715 00:29:05,377 --> 00:29:06,443 DO IT NOW! 716 00:29:09,215 --> 00:29:10,280 LUKE! 717 00:29:15,955 --> 00:29:17,087 WHERE IS HE?! 718 00:29:26,165 --> 00:29:27,431 (DOOR BANGS SHUT) 719 00:29:40,846 --> 00:29:42,880 BRIAN: UNGH! KATE: WHERE IS HE? 720 00:29:42,882 --> 00:29:44,982 BRIAN: I'D LIKE TO TALK TO MY LAWYER. 721 00:29:44,984 --> 00:29:46,383 UNGH! 722 00:29:46,385 --> 00:29:48,018 KATE: WHERE IS HE, BRIAN?! 723 00:29:48,020 --> 00:29:49,920 PARKER: DETECTIVE, YOU NEED TO STEP AWAY. 724 00:29:49,922 --> 00:29:50,954 NOT NOW, PARKER! 725 00:29:50,956 --> 00:29:52,055 KATE, I KNOW THIS IS HARD. 726 00:29:52,057 --> 00:29:54,958 BUT WE NEED CLEAR HEADS RIGHT NOW. 727 00:30:00,499 --> 00:30:02,432 PARKER: KEEP HIM INSIDE AND WATCH HIM. 728 00:30:04,503 --> 00:30:05,002 UNIFORM: YOU GOT IT. 729 00:30:05,003 --> 00:30:05,502 PARKER: OKAY, EDDIE, TALK TO ME. 730 00:30:05,504 --> 00:30:06,770 ED: BOSS, WE'RE CLEAR. 731 00:30:06,771 --> 00:30:08,037 THE TARGETS ARE SAFE, BOMBER'S IN CUSTODY. 732 00:30:08,040 --> 00:30:10,474 OKAY, NEW PRIORITY. WALTER'S GOT LUKE. 733 00:30:10,476 --> 00:30:11,842 HE KNOWS HE'S BEEN WORKING FOR THE COPS, 734 00:30:11,844 --> 00:30:14,077 SO WE NEED TO FIND HIM, AND FIND HIM FAST. 735 00:30:14,079 --> 00:30:16,480 ED: LET ME SEE WHAT I CAN GET. 736 00:30:16,482 --> 00:30:17,881 WHERE'S WALTER? 737 00:30:18,818 --> 00:30:20,517 THIS IS TIME SENSITIVE! WHERE IS HE? 738 00:30:20,519 --> 00:30:22,152 SAVE YOUR BREATH, IT'S NOT GONNA HAPPEN. 739 00:30:22,154 --> 00:30:23,420 SAM: HEY, WE CAN PROTECT YOU FROM HIM. 740 00:30:25,457 --> 00:30:26,256 LEAH: ED. 741 00:30:26,257 --> 00:30:27,056 GETTING NOWHERE WITH THE TARGETS EITHER. 742 00:30:27,059 --> 00:30:28,091 JUST SAVED THEIR LIVES, 743 00:30:28,093 --> 00:30:29,459 AND THEY'RE STILL NOT TALKING. 744 00:30:29,461 --> 00:30:30,961 OKAY, OKAY. BOSS, YOU GETTING THAT? 745 00:30:30,963 --> 00:30:32,596 WE GOT A WHOLE LOT OF NOTHING HERE. 746 00:30:32,598 --> 00:30:33,931 ANYTHING? 747 00:30:33,933 --> 00:30:36,033 NO. 748 00:30:36,034 --> 00:30:38,134 OKAY, SPIKE, LET'S RUN DOWN BRIGADIER PROPERTIES, 749 00:30:38,137 --> 00:30:41,205 KNOWN HIDEOUTS, BUSINESS AFFILIATIONS. 750 00:30:41,207 --> 00:30:42,272 ON IT! 751 00:30:43,576 --> 00:30:45,509 KATE: OUT! (UNI BALKS) 752 00:30:45,510 --> 00:30:47,443 KATE: NO, I DON'T NEED YOU. OUT. 753 00:30:49,582 --> 00:30:51,849 (DOOR BANGS SHUT, LOCK CLICKS) 754 00:30:53,552 --> 00:30:56,386 YOU DON'T REMEMBER ME, DO YOU? 755 00:30:56,388 --> 00:30:59,056 THE ANDREWS KID. YOU'RE HIS MOM. 756 00:30:59,058 --> 00:31:00,557 YOU STORMED INTO MY SHOP THAT DAY. 757 00:31:00,559 --> 00:31:02,492 THAT'S RIGHT. 758 00:31:02,494 --> 00:31:04,228 YOU SHOULDA TOLD ME YOU WERE A COP. 759 00:31:04,230 --> 00:31:05,495 I WAS THERE AS A MOTHER. 760 00:31:05,497 --> 00:31:07,164 OH, SO YOU'RE THE ONE WHO TURNED LUKE? 761 00:31:07,166 --> 00:31:08,232 (HARD SLUG) OOF! 762 00:31:11,503 --> 00:31:12,636 I'LL TAKE THAT AS A YES. 763 00:31:14,907 --> 00:31:16,573 PARKER: SHE INSIDE? 764 00:31:18,510 --> 00:31:21,645 (BANGS ON DOOR) DETECTIVE ANDREWS! 765 00:31:22,581 --> 00:31:24,348 YOU KNOW, LUKE COULD BE DEAD. 766 00:31:24,350 --> 00:31:25,883 ARE YOU GOOD WITH THAT? 767 00:31:26,452 --> 00:31:28,318 HE'D BE SAFE IF HE'D STAYED IN LINE. 768 00:31:28,320 --> 00:31:30,554 (HARD PUNCH, BRIAN GRUNTS) 769 00:31:32,024 --> 00:31:33,557 (BANGING ON DOOR) 770 00:31:33,559 --> 00:31:35,893 PARKER: I NEED YOU TO OPEN THIS DOOR RIGHT NOW! 771 00:31:35,895 --> 00:31:37,194 COUPLE MORE OF THOSE, DETECTIVE, 772 00:31:37,196 --> 00:31:39,263 (SPITS) 773 00:31:39,265 --> 00:31:41,298 AND I'LL OPEN RIGHT UP. 774 00:31:41,300 --> 00:31:43,200 TELL ME WHERE LUKE IS! 775 00:31:46,472 --> 00:31:49,006 SPIKE, THE INTERNAL COMMAND TRUCK CAMERA - 776 00:31:49,008 --> 00:31:50,474 CAN YOU PATCH IT TO ME? 777 00:31:50,476 --> 00:31:51,575 ON IT, BOSS. 778 00:31:51,577 --> 00:31:53,277 (BANGING ON DOOR) KATE?! 779 00:31:53,279 --> 00:31:54,611 DON'T DO THIS! 780 00:31:54,613 --> 00:31:56,096 YOU'RE TOO CLOSE TO THIS THING. 781 00:31:56,097 --> 00:31:57,580 YOU'RE NOT SEEING THIS RIGHT. 782 00:31:57,583 --> 00:32:00,317 NOW I NEED YOU TO OPEN THE DOOR! 783 00:32:00,319 --> 00:32:02,452 SPIKE: BOSS, VISUAL'S UP. 784 00:32:07,493 --> 00:32:08,659 NO, KATE! 785 00:32:08,661 --> 00:32:10,327 (BANGING ON DOOR) 786 00:32:12,264 --> 00:32:16,400 TELL ME WHERE LUKE IS, OR I WILL END YOU... 787 00:32:17,603 --> 00:32:18,502 (PARKER BANGS ON DOOR) 788 00:32:18,504 --> 00:32:19,569 PARKER: KATE! 789 00:32:20,272 --> 00:32:22,239 KATE, YOU HARM HIM, 790 00:32:22,241 --> 00:32:25,542 WE'RE NO CLOSER TO FINDING LUKE! 791 00:32:25,544 --> 00:32:27,511 COME ON, LADY, LISTEN TO YOUR BOSS OUT THERE. 792 00:32:27,513 --> 00:32:29,513 I DON'T HAVE A BOSS, BRIAN. 793 00:32:29,515 --> 00:32:32,215 IN CASE YOU HAVEN'T NOTICED, I JUST LEFT THE FORCE. 794 00:32:32,217 --> 00:32:34,451 WINNIE: BOSS, I GOT THAT INFORMATION YOU ASKED FOR. 795 00:32:34,453 --> 00:32:35,764 FAST, WINNIE. 796 00:32:35,765 --> 00:32:37,076 I SPOKE TO AN OFFICER WHO WAS ON THE SCENE 797 00:32:37,077 --> 00:32:38,388 THE NIGHT OF EVAN ANDREW'S DEATH. 798 00:32:38,390 --> 00:32:39,556 LUKE MATHERS WAS THERE. 799 00:32:39,558 --> 00:32:41,558 OKAY... 800 00:32:41,559 --> 00:32:43,559 HE WAS THE ONE DRIVING THE BOAT. 801 00:32:43,562 --> 00:32:46,663 BRIAN: LOOK, I HAVE A FAMILY, ALL RIGHT? 802 00:32:46,665 --> 00:32:48,098 IT WAS A FREAK ACCIDENT. 803 00:32:48,099 --> 00:32:49,532 A PILING HAD BROKEN FREE AND DRIFTED OUT INTO THE LAKE, 804 00:32:49,535 --> 00:32:51,301 BUT ALCOHOL WAS A FACTOR. 805 00:32:51,303 --> 00:32:53,070 IF I CROSS WALTER, 806 00:32:53,072 --> 00:32:54,071 THEN NO ONE'S LEFT UNTOUCHED, 807 00:32:54,073 --> 00:32:56,239 AND YOU KNOW THAT! 808 00:32:56,241 --> 00:32:57,808 WHEN HELP ARRIVED, 809 00:32:57,809 --> 00:32:59,376 THEY FOUND LUKE NEAR THE OVERTURNED BOAT. 810 00:32:59,378 --> 00:33:00,711 HE WAS HALF-DROWNED, HYPOTHERMIC, 811 00:33:00,713 --> 00:33:02,479 DIVING DOWN OVER AND OVER. 812 00:33:02,481 --> 00:33:04,481 TRYING TO FIND EVAN, TRYING TO SAVE HIM. 813 00:33:04,483 --> 00:33:08,085 KATE: DON'T YOU DARE TALK TO ME ABOUT FAMILY! 814 00:33:08,087 --> 00:33:09,753 I HAVE A KID! 815 00:33:10,990 --> 00:33:13,423 THEY HAD TO FORCIBLY PULL LUKE OUT OF THE WATER. 816 00:33:13,425 --> 00:33:15,225 HE'S BLAMING HIMSELF... 817 00:33:15,227 --> 00:33:16,360 AND MAYBE NOW LUKE'S TRYING TO MAKE AMENDS. 818 00:33:16,362 --> 00:33:17,427 YEAH. 819 00:33:17,429 --> 00:33:19,196 THANKS, WINNIE. 820 00:33:19,198 --> 00:33:22,099 (BANGING ON DOOR) KATE, I'M COMING IN! 821 00:33:22,101 --> 00:33:23,433 (SIDEARM FIRES) 822 00:33:24,370 --> 00:33:26,036 PARKER: KATE! 823 00:33:30,275 --> 00:33:31,375 KATE... 824 00:33:42,121 --> 00:33:44,588 (GASPING FOR AIR, STRUGGLING) 825 00:33:48,727 --> 00:33:52,095 WALTER: WE STILL NEED ANSWERS; GIVE HIM SOME AIR. 826 00:33:52,097 --> 00:33:54,464 (LUKE CHOKES AND GASPS FOR AIR) 827 00:33:56,335 --> 00:33:59,536 SPIKE: OKAY, THE BRIGADIERS HAVE TIES TO TWO CONSTRUCTION COMPANIES, 828 00:33:59,538 --> 00:34:02,072 SOME COMMERCIAL REAL ESTATE, A DEMOLITION BUSINESS. 829 00:34:02,074 --> 00:34:04,074 GIVES THEM ACCESS TO PROPERTIES ALL OVER THE CITY. 830 00:34:04,076 --> 00:34:05,776 OKAY, LET'S START CROSSING THEM OFF. 831 00:34:05,778 --> 00:34:07,744 WINNIE, I NEED EVERY AVAILABLE UNIT! 832 00:34:07,746 --> 00:34:10,113 WINNIE: COPY THAT. 833 00:34:10,115 --> 00:34:11,181 (TRUCK RUMBLES AWAY) 834 00:34:12,117 --> 00:34:14,051 PARKER: JUST LOWER THE GUN. 835 00:34:14,053 --> 00:34:15,085 LET'S TALK ABOUT WHAT'S HAPPENING HERE. 836 00:34:15,087 --> 00:34:16,586 COME ON. 837 00:34:16,588 --> 00:34:18,522 I HAVE TO SAVE LUKE. 838 00:34:18,524 --> 00:34:21,058 HE WANTED OUT, I PUSHED HIM IN FURTHER. 839 00:34:21,060 --> 00:34:22,459 PARKER: NO. NO, YOU DIDN'T. 840 00:34:22,461 --> 00:34:24,561 HE DIDN'T COME TO YOU FOR HELP. 841 00:34:24,562 --> 00:34:26,662 KATE: YES - TO GET OUTTA THE BRIGADIERS, HE'D... 842 00:34:26,665 --> 00:34:31,101 PARKER: NO. HE CAME TO GET YOU BACK INTO HIS LIFE. 843 00:34:31,103 --> 00:34:32,636 WHAT? 844 00:34:32,638 --> 00:34:35,105 PARKER: THAT NIGHT AT THE POLICE STATION 845 00:34:35,107 --> 00:34:36,573 WASN'T A PLEA FOR HELP. 846 00:34:36,575 --> 00:34:38,675 THAT WAS A GIFT - ALL OF IT - 847 00:34:38,677 --> 00:34:40,093 IT WAS A GIFT. 848 00:34:40,094 --> 00:34:41,510 JOINING THE BRIGADIERS, GETTING PATCHED IN, 849 00:34:41,513 --> 00:34:45,148 HE DID IT ALL FOR YOU - TO SERVE THEM UP. 850 00:34:45,150 --> 00:34:46,867 NOW WHY WOULD HE DO THAT? 851 00:34:46,868 --> 00:34:48,585 PARKER: TO GIVE YOU SOMETHING THAT YOU WANTED. 852 00:34:48,587 --> 00:34:50,454 TO ATONE... 853 00:34:50,456 --> 00:34:51,755 THE ONLY WAY HE KNEW HOW, 854 00:34:51,757 --> 00:34:53,857 BECAUSE HE BLAMED HIMSELF FOR EVAN'S DEATH; 855 00:34:53,859 --> 00:34:56,860 BECAUSE HE FELT GUILTY FOR SURVIVING, 856 00:34:56,862 --> 00:34:58,595 AND BECAUSE HE WANTED YOU BACK. 857 00:34:58,597 --> 00:34:59,663 (SOBS) NO... 858 00:35:01,200 --> 00:35:02,666 (STRUGGLING GRUNTS) 859 00:35:05,137 --> 00:35:06,503 WALTER: LET'S TRY THIS AGAIN. 860 00:35:06,505 --> 00:35:08,238 (LUKE GASPS FOR AIR) 861 00:35:09,174 --> 00:35:13,110 YOU NEED TO TELL ME EXACTLY WHAT THE POLICE KNOW. 862 00:35:16,849 --> 00:35:18,115 (SPITS) 863 00:35:22,121 --> 00:35:23,520 IT'S OVER, WALTER. 864 00:35:23,522 --> 00:35:24,588 YOU'RE DONE. 865 00:35:26,158 --> 00:35:28,291 (HARD PUNCH, LUKE GROANS AND GASPS FOR AIR) 866 00:35:32,664 --> 00:35:34,131 I PUSHED HIM AWAY. 867 00:35:34,867 --> 00:35:37,134 YOU WERE GRIEVING, KATE. 868 00:35:37,136 --> 00:35:38,368 YOU WERE FACING A PAIN 869 00:35:38,370 --> 00:35:39,870 THAT NO PERSON SHOULD HAVE TO ENDURE. 870 00:35:39,872 --> 00:35:42,205 WHAT YOU DID WAS NATURAL. 871 00:35:43,208 --> 00:35:45,542 I LET HIM ENDANGER HIMSELF. 872 00:35:46,211 --> 00:35:50,213 HEY, AND NOW WE'RE GONNA FIND HIM, ALL RIGHT? 873 00:35:52,351 --> 00:35:53,917 DO YOU WANNA DO RIGHT BY LUKE? 874 00:35:53,919 --> 00:35:56,553 THEN YOU'LL BE THERE WHEN WE DO. 875 00:35:56,555 --> 00:35:59,756 GIVE ME THE GUN. COME ON. 876 00:35:59,758 --> 00:36:02,325 (SNIFFLING, LABOURED BREATHS) 877 00:36:02,327 --> 00:36:04,327 (EXHALES, STILL TERRIFIED) 878 00:36:04,329 --> 00:36:05,328 PARKER: COME ON. 879 00:36:05,330 --> 00:36:06,863 (STIFLING HER SOBS) 880 00:36:07,799 --> 00:36:09,466 LET'S GO FIND LUKE. 881 00:36:12,304 --> 00:36:13,703 THANK YOU, KATE. 882 00:36:15,908 --> 00:36:17,174 THANK YOU. 883 00:36:24,249 --> 00:36:25,282 YOU SEE THAT CRUISER, BRIAN? 884 00:36:25,284 --> 00:36:26,316 BRIAN: YEAH. 885 00:36:26,318 --> 00:36:27,801 PARKER: WE'RE GONNA WALK TO IT, 886 00:36:27,802 --> 00:36:29,285 WHICH MEANS YOU'VE GOT 30 SECONDS TO CHANGE YOUR MIND. 887 00:36:29,288 --> 00:36:30,620 BRIAN: OR WHAT? YOU GONNA WAVE A BIGGER GUN IN MY FACE? 888 00:36:30,622 --> 00:36:31,821 JUST BE QUIET, BRIAN. 889 00:36:31,823 --> 00:36:33,790 THIS IS A LISTENING WALK FOR YOU. 890 00:36:33,792 --> 00:36:34,925 RICHARD BREED IS ALIVE. 891 00:36:34,927 --> 00:36:37,394 SO IS KARL BORANCE AND DENNIS BARBER. 892 00:36:37,396 --> 00:36:38,728 YOUR COUP FAILED. 893 00:36:38,730 --> 00:36:39,930 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 894 00:36:39,932 --> 00:36:41,765 YOU BACKED THE WRONG GUY, BRIAN. 895 00:36:41,767 --> 00:36:43,266 WALTER'S GOING DOWN, I PROMISE YOU THAT. 896 00:36:43,268 --> 00:36:45,235 WE WILL GET HIM, AND WHEN WE DO... 897 00:36:45,237 --> 00:36:46,803 WHERE DOES THAT LEAVE YOU? 898 00:36:46,805 --> 00:36:48,638 THAT'S A HELL OF AN ENEMIES LIST: 899 00:36:48,640 --> 00:36:51,775 BRIGADIERS, DEVIL'S GUARD, AND US - THE COPS. 900 00:36:51,777 --> 00:36:53,210 NOW, IF I WERE YOU, I'D THINK REAL HARD 901 00:36:53,212 --> 00:36:54,644 ABOUT WHICH ONE OF THESE GROUPS IS LEAST LIKELY 902 00:36:54,646 --> 00:36:56,446 TO KILL YOUR FAMILY IN THE NIGHT, 903 00:36:56,448 --> 00:37:00,917 AND THEN I MIGHT TRY TO ALLY MYSELF WITH THEM. 904 00:37:00,919 --> 00:37:03,353 WALK'S OVER. GET IN. 905 00:37:04,723 --> 00:37:05,789 WAIT... 906 00:37:08,327 --> 00:37:09,960 YOU'LL PROTECT MY FAMILY? 907 00:37:09,962 --> 00:37:11,394 WE WILL. 908 00:37:12,497 --> 00:37:15,298 THE MATADOR BALLROOM. 909 00:37:18,837 --> 00:37:20,370 (SIREN WAILS) 910 00:37:21,974 --> 00:37:23,223 ED: SPIKE? 911 00:37:23,224 --> 00:37:24,473 GOT IT. THE OLD WINDEMERE HOTEL - 912 00:37:24,476 --> 00:37:26,243 ONE OF THE BRIGADIER'S DEMOLITION CONTRACTS. 913 00:37:26,245 --> 00:37:27,978 4108 DOVERCOURT. 914 00:37:27,980 --> 00:37:29,379 WE'RE CLOSE. 915 00:37:29,381 --> 00:37:30,981 ED: WINNIE, HAVE ALL UNITS FALL BACK, 916 00:37:30,983 --> 00:37:32,482 WAIT FOR THE SRU TO APPROACH. 917 00:37:32,484 --> 00:37:33,783 WINNIE: COPY THAT. 918 00:37:33,785 --> 00:37:36,386 (SIRENS WAIL, TIRES SCREECH) 919 00:37:40,859 --> 00:37:42,926 (CHOKING AND STRUGGLING) 920 00:37:44,496 --> 00:37:46,596 SPIKE: BASED ON THE FLOOR PLAN, THREE POINTS OF ENTRY. 921 00:37:46,598 --> 00:37:48,732 ED: SPIKE, SAM, TAKE THE WEST WALL; LEAH, TAKE THE EAST; 922 00:37:48,734 --> 00:37:51,368 JULES AND I'LL TAKE THE SOUTH. 923 00:37:59,444 --> 00:38:00,510 GOOD TO GO. 924 00:38:02,547 --> 00:38:06,283 (SOUND OF LUKE CHOKING AND STRUGGLING) 925 00:38:12,057 --> 00:38:14,391 WALTER: ALL RIGHT, ENOUGH. 926 00:38:14,393 --> 00:38:15,825 (GASPING FOR AIR) 927 00:38:15,827 --> 00:38:17,360 WE'RE DONE. 928 00:38:17,362 --> 00:38:18,995 ED: TWO ARMED SUBJECTS, THREAT LEVEL RED. 929 00:38:18,997 --> 00:38:20,397 BREACH ON MY GO. 930 00:38:20,399 --> 00:38:21,398 THREE... 931 00:38:21,399 --> 00:38:22,398 WALTER: IT DIDN'T HAVE TO GO LIKE THIS, LUKE. 932 00:38:22,401 --> 00:38:23,400 ED: TWO... 933 00:38:23,402 --> 00:38:24,401 DO IT. 934 00:38:24,403 --> 00:38:25,368 ED: ONE. 935 00:38:25,370 --> 00:38:26,770 GO! 936 00:38:26,772 --> 00:38:29,273 RIGHT THERE! PUT THE GUNS DOWN! 937 00:38:29,274 --> 00:38:31,775 SRU: POLICE! DROP YOUR WEAPON! ON THE GROUND! DO IT NOW! 938 00:38:31,777 --> 00:38:33,343 ED: GET ON THE GROUND NOW! 939 00:38:33,345 --> 00:38:34,611 SAM: DROP YOUR WEAPON NOW! 940 00:38:34,613 --> 00:38:36,480 JULES: DROP IT! 941 00:38:36,481 --> 00:38:38,348 SRU: NOW! DOWN ON THE GROUND! DOWN ON THE GROUND! GET DOWN! 942 00:38:38,350 --> 00:38:39,716 WALTER: ALL RIGHT! 943 00:38:39,717 --> 00:38:41,083 SAM: GIMME YOUR ARM, PUT IT BEHIND YOUR BACK. 944 00:38:41,086 --> 00:38:43,987 BEHIND YOUR BACK! 945 00:38:43,989 --> 00:38:45,088 ED: SUBJECTS SECURE. 946 00:38:45,090 --> 00:38:47,390 WE HAVE WALTER MCHALE IN CUSTODY. 947 00:38:48,327 --> 00:38:50,593 SPIKE: WE GOT YOU, BUDDY. WE GOT YOU. 948 00:38:51,997 --> 00:39:00,003 ¶¶¶ 949 00:39:00,005 --> 00:39:03,573 ¶ It's not safe here anymore ¶ 950 00:39:08,113 --> 00:39:12,582 ¶ There's too much damage to ignore ¶ 951 00:39:16,755 --> 00:39:20,824 ¶ I've spun in circles, I'm confused ¶ 952 00:39:24,763 --> 00:39:28,832 ¶ If no one wins, does no one lose ¶ 953 00:39:34,106 --> 00:39:36,373 YOU GOT THEM, RIGHT? 954 00:39:36,375 --> 00:39:37,874 THE BRIGADIERS - 955 00:39:37,876 --> 00:39:39,609 YOU CAN TAKE 'EM ALL DOWN, RIGHT? 956 00:39:39,611 --> 00:39:40,610 GOT 'EM. 957 00:39:40,612 --> 00:39:42,145 OKAY. 958 00:39:42,147 --> 00:39:44,080 LUKE, I NEED YOU TO KNOW... 959 00:39:44,082 --> 00:39:46,449 I NEVER BLAMED YOU FOR EVAN DYING. 960 00:39:46,451 --> 00:39:47,450 MRS. A, I WAS THE ONE DRIVING- 961 00:39:47,452 --> 00:39:49,619 NO, NO, NO, LISTEN TO ME, PLEASE. 962 00:39:49,621 --> 00:39:51,087 LUKE, I PUSHED YOU AWAY. 963 00:39:51,089 --> 00:39:53,690 . YOU'RE SORRY? 964 00:39:53,692 --> 00:39:57,794 I WAS IN PAIN, AND I WAS CONFUSED, 965 00:39:57,796 --> 00:40:00,597 AND I TURNED MY BACK ON YOU... 966 00:40:00,599 --> 00:40:03,666 LUKE, YOU'VE GOT NOTHING TO MAKE UP FOR. 967 00:40:05,070 --> 00:40:08,505 WE BOTH LOST SOMEONE THAT NIGHT, 968 00:40:08,507 --> 00:40:12,075 AND NOW I KNOW WHAT YOU'VE ALWAYS KNOWN... 969 00:40:12,077 --> 00:40:15,812 THE ONLY WAY THROUGH THIS IS TOGETHER. 970 00:40:17,916 --> 00:40:20,650 I'M READY NOW, LUKE. OKAY? 971 00:40:23,088 --> 00:40:24,587 (LUKE SOBS) 972 00:40:24,589 --> 00:40:33,163 ¶¶¶ 973 00:40:33,165 --> 00:40:37,100 ¶ We never learn to bend ¶ 974 00:40:37,102 --> 00:40:40,670 ¶ So we break and break again ¶ 975 00:40:41,606 --> 00:40:44,674 ¶ And now we're broken in ¶ 976 00:40:45,610 --> 00:40:49,813 PARKER: WELL, THANK YOU FOR CALLING, I APPRECIATE IT. 977 00:40:49,815 --> 00:40:51,581 OH YEAH, WILL DO. 978 00:40:51,583 --> 00:40:54,651 'KAY, BYE. (OPENS FRIDGE DOOR) 979 00:40:57,222 --> 00:40:59,789 SO A 14-YEAR-OLD KID'S WALKING HOME THROUGH THE PARK 980 00:40:59,791 --> 00:41:02,559 WHEN HE GETS JUMPED BY FOUR OLDER GUYS. 981 00:41:02,561 --> 00:41:03,860 DO YOU KNOW HOW THIS STORY ENDS? 982 00:41:03,862 --> 00:41:05,528 I HAVE SOME IDEA. 983 00:41:05,530 --> 00:41:06,996 WITH A GOOD SAMARITAN STEPPING IN 984 00:41:06,998 --> 00:41:09,732 TO FIGHT OFF THE ATTACKERS. 985 00:41:09,734 --> 00:41:11,000 WHO TOLD YOU THAT? 986 00:41:11,002 --> 00:41:12,469 KID'S MOM. 987 00:41:12,471 --> 00:41:14,871 SHE CALLED YOU A HERO. 988 00:41:16,475 --> 00:41:19,042 IS HE ALL RIGHT, THAT KID? 989 00:41:20,011 --> 00:41:21,010 YEAH - A COUPLE BROKEN RIBS, 990 00:41:21,012 --> 00:41:22,078 BUT HE'LL BE FINE. 991 00:41:22,080 --> 00:41:24,814 HOW DOES THAT FEEL - BEING CALLED A HERO? 992 00:41:29,855 --> 00:41:32,489 OKAY, I GOTTA ASK YOU, DEAN, 993 00:41:32,491 --> 00:41:34,123 WHY? 994 00:41:34,125 --> 00:41:35,825 WHY STEP IN? 995 00:41:35,826 --> 00:41:37,526 PARKER: THIS KID'S A STRANGER. THOSE GUYS MIGHT'VE HAD KNIVES. 996 00:41:37,529 --> 00:41:39,229 WHY TAKE THE CHANCE? 997 00:41:39,231 --> 00:41:41,598 YOU NEED ME TO EXPLAIN THAT TO YOU? 998 00:41:41,600 --> 00:41:42,665 I DO. 999 00:41:45,537 --> 00:41:48,271 I DUNNO, I GUESS IT WAS... 1000 00:41:50,575 --> 00:41:52,709 SOMETHING I SAW IN THE KID'S EYES. 1001 00:41:52,711 --> 00:41:54,677 KID ON THE GROUND? 1002 00:41:54,679 --> 00:41:57,580 NO. ONE OF THE GUYS DOING THE KICKING. 1003 00:41:57,582 --> 00:42:02,118 I COULD TELL HE WAS... CONFUSED OR... 1004 00:42:02,120 --> 00:42:03,186 AFRAID. 1005 00:42:04,523 --> 00:42:05,555 LIKE IT WAS ALL JUST HAPPENING 1006 00:42:05,557 --> 00:42:08,291 AND HE WAS CAUGHT UP IN IT. 1007 00:42:08,293 --> 00:42:11,928 ANYWAY, I JUST... KINDA FELT BAD FOR HIM. 1008 00:42:11,930 --> 00:42:14,264 DOES THAT MAKE SENSE? 1009 00:42:14,266 --> 00:42:16,799 YEAH, IT MAKES SENSE. 1010 00:42:23,141 --> 00:42:24,941 (SLAPS TABLE) OKAY... (SIGHS) 1011 00:42:27,946 --> 00:42:29,879 HEY... 1012 00:42:29,881 --> 00:42:31,981 YOU KNOW, THAT'S GONNA LOOK WORSE TOMORROW, RIGHT? 1013 00:42:31,983 --> 00:42:34,150 THAT'S WHAT THEY SAY. 1014 00:42:34,152 --> 00:42:35,218 YEAH. 1015 00:42:39,291 --> 00:42:43,326 ¶ We never learn to bend ¶ 1016 00:42:43,328 --> 00:42:46,195 ¶ So we break and break again ¶ 1017 00:42:48,133 --> 00:42:51,968 ¶ And now we're broken in ¶ 1018 00:42:52,904 --> 00:42:55,004 ¶ Too many pieces to mend ¶ 1019 00:42:57,275 --> 00:42:59,842 ¶ Too many pieces to mend ¶ 1020 00:43:01,046 --> 00:43:03,580 ¶ Oh, too many pieces to mend ¶ 1021 00:43:05,850 --> 00:43:09,118 ¶ Too many pieces to mend ¶