1
00:00:02,570 --> 00:00:03,736
ED:
OKAY, LOSER BUYS THE COFFEE.
2
00:00:03,738 --> 00:00:05,070
SAM:
YOU'RE ON.
3
00:00:07,208 --> 00:00:08,407
ED:
ALL RIGHT.
4
00:00:08,409 --> 00:00:09,508
(GUNS CLICK)
5
00:00:13,447 --> 00:00:14,546
(BOOMING GUNSHOT)
6
00:00:14,548 --> 00:00:15,614
SAM:
ONE.
7
00:00:16,484 --> 00:00:17,683
(BOOMING GUNSHOT)
8
00:00:17,685 --> 00:00:18,751
ED:
ONE.
9
00:00:20,654 --> 00:00:22,321
(BOOMING GUNSHOT)
10
00:00:22,323 --> 00:00:23,389
SAM:
TWO.
11
00:00:23,391 --> 00:00:27,326
ED:
YOU REMEMBER HOW
I TAKE MY COFFEE, RIGHT?
12
00:00:27,328 --> 00:00:28,460
(BOOMING GUNSHOT)
13
00:00:28,462 --> 00:00:29,628
TWO.
14
00:00:29,630 --> 00:00:30,696
(GUN CLICKS)
15
00:00:37,038 --> 00:00:38,270
(BOOMING GUNSHOT)
16
00:00:38,272 --> 00:00:39,338
AGH!
17
00:00:42,543 --> 00:00:44,309
ED:
(HEART POUNDS)
18
00:00:47,281 --> 00:00:48,647
(BREATHES HEAVILY)
19
00:00:50,451 --> 00:00:51,450
(BOOMING GUNSHOT)
20
00:00:51,452 --> 00:00:52,518
(WET SPLASH)
21
00:00:53,621 --> 00:00:54,686
(GASPS)
22
00:00:57,558 --> 00:00:59,358
SAM:
NICE SHOT!
23
00:01:00,428 --> 00:01:01,527
(ECHOING GUNSHOT)
24
00:01:01,529 --> 00:01:03,362
SAM:
YOU OKAY?
25
00:01:03,364 --> 00:01:04,563
ED:
YEAH, I JUST...
26
00:01:04,565 --> 00:01:07,566
I JUST COULDN'T GET
MY BREATH THERE.
27
00:01:07,568 --> 00:01:11,236
SAM:
THAT'S 'CAUSE YOU SHOT
IN THAT WIND.
28
00:01:12,173 --> 00:01:13,405
ED:
OKAY, SO COFFEE.
29
00:01:14,341 --> 00:01:16,141
SAM:
YEAH, DOUBLE-DOUBLE,
YOU BET.
30
00:01:18,779 --> 00:01:21,680
(OVERLAPPING SOUND
OF DOGS BARKING)
31
00:01:22,616 --> 00:01:24,383
(CELL PHONE RINGS)
32
00:01:25,553 --> 00:01:27,719
(SOUND OF MULTIPLE
CELL PHONES RINGING)
33
00:01:27,721 --> 00:01:28,787
MAN:
(SHALLOW, UNEVEN BREATHS)
34
00:01:28,789 --> 00:01:31,857
MAN'S ECHOING VOICE:
YOU ARE VALUABLE TO ME
OUT HERE,
35
00:01:31,859 --> 00:01:34,193
AND YOU WOULDN'T WANNA KNOW
WHAT HAPPENS
36
00:01:34,194 --> 00:01:36,528
IF YOU TALK TO THE POLICE
ABOUT THIS CONVERSATION.
37
00:01:36,530 --> 00:01:39,765
(DISTORTED SOUND
OF CHILDREN CRYING)
38
00:01:41,735 --> 00:01:43,585
ECHOING FEMALE VOICE:
(LOUD GASP)
39
00:01:43,586 --> 00:01:45,436
MAN:
(ERRATIC BREATHING,
WHIMPERS PANICKED)
40
00:01:45,439 --> 00:01:47,539
(FLAME CATCHES,
FIRE ROARS AND CRACKLES)
41
00:01:47,541 --> 00:01:50,709
(DISTORTED SOUND
OF POLICE SIRENS)
42
00:01:51,645 --> 00:01:52,878
(DISTORTED SOUNDS
OF LIQUID POURING)
43
00:01:52,880 --> 00:01:54,713
(PANICKED GASPS)
44
00:01:54,715 --> 00:01:57,416
(DISTORTED KNOCKING SOUNDS)
45
00:01:57,418 --> 00:01:59,184
(SOUND OF MULTIPLE
CELL PHONES RINGING)
46
00:02:01,255 --> 00:02:03,322
(GASPING FOR AIR)
47
00:02:03,323 --> 00:02:05,390
ECHOING MALE VOICE:
I KNOW LAINIE SUMMERS.
48
00:02:05,392 --> 00:02:07,376
IF YOU EVER WANNA
SEE HER AGAIN...
49
00:02:07,377 --> 00:02:09,361
WOMAN'S ECHOING VOICE:
(LAUGHS)
OH, ELLIOT!
50
00:02:20,641 --> 00:02:24,243
(KEYBOARD KEYS CLICK,
ELECTRONIC BEEPS)
51
00:02:25,379 --> 00:02:28,714
THIS IS A MESSAGE
FOR LAINIE SUMMERS.
52
00:02:28,716 --> 00:02:30,649
LAINIE...
(TEARFUL SNIFF)
53
00:02:30,651 --> 00:02:32,451
BY THE TIME YOU SEE THIS...
54
00:02:32,453 --> 00:02:35,854
UM, I DON'T KNOW WHAT TO SAY.
I'M SORRY?
55
00:02:36,790 --> 00:02:38,624
BUT I WANTED TO THANK YOU
FOR BEING SO PATIENT WITH ME
56
00:02:38,626 --> 00:02:40,626
AND SUCH A GOOD FRIEND...
57
00:02:41,695 --> 00:02:43,562
BUT I CAN'T HANDLE THIS.
58
00:02:43,564 --> 00:02:44,897
MAN'S ECHOING VOICE:
I'M SURE YOU WOULDN'T WANT
TO SEE HER GET HURT.
59
00:02:46,734 --> 00:02:49,334
ALL I CAN TELL YOU
IS THERE'S NO OTHER WAY.
60
00:02:49,336 --> 00:02:50,869
I KNOW YOU'RE THE ONLY ONE
WHO CAN UNDERSTAND
61
00:02:50,871 --> 00:02:52,771
WHY I HAVE TO DO THIS.
62
00:02:56,677 --> 00:02:59,545
(TEARFUL)
I'M SO SORRY, LAINIE.
63
00:03:04,785 --> 00:03:07,519
(DOOR OPENS)
64
00:03:07,521 --> 00:03:08,754
LAINIE:
HI, HOW ARE YOU?
65
00:03:08,756 --> 00:03:09,755
MAN:
GOOD.
66
00:03:09,757 --> 00:03:10,706
LAINIE:
ARE WE GOOD FOR TODAY?
67
00:03:10,707 --> 00:03:11,656
MAN:
YES, YES, I HAVE THE RESULTS...
68
00:03:11,659 --> 00:03:13,725
(CAMERA CLICKS, BEEPS)
69
00:03:13,727 --> 00:03:14,893
(PHONE KEYS BEEP)
70
00:03:15,829 --> 00:03:17,496
(ELECTRONIC BEEP)
71
00:03:35,349 --> 00:03:36,949
AARON:
(QUIETLY) NOT A SOUND.
YOU SEE THE GUN?
72
00:03:36,951 --> 00:03:38,550
YOU'LL BE SHOT
IF YOU TRY ANYTHING.
73
00:03:38,552 --> 00:03:39,785
ARE WE CLEAR?
74
00:03:39,787 --> 00:03:41,720
I'LL GIVE YOU INSTRUCTIONS
AS WE GO.
75
00:03:41,722 --> 00:03:43,789
WALK!
76
00:03:43,791 --> 00:03:45,174
PARKER:
SO, SAM SAID THAT, UH,
77
00:03:45,175 --> 00:03:46,558
YOU WENT TO YOUR DAD'S PLACE
THIS MORNING,
78
00:03:46,560 --> 00:03:47,759
HAD A LITTLE ROUND OF "GOLF"?
79
00:03:47,761 --> 00:03:49,228
ED:
YEAH.
80
00:03:49,229 --> 00:03:50,696
YEAH, HE SAID YOU MADE
A PRETTY SWEET SHOT.
81
00:03:50,698 --> 00:03:54,233
THE WIND WAS AT, WHAT, FORTY
WITH A THREE O'CLOCK CROSSWIND?
82
00:03:54,235 --> 00:03:56,535
YOU MAKE A SHOT LIKE THAT,
USUALLY WE CAN'T SHUT YOU UP.
83
00:03:56,537 --> 00:03:57,769
ED:
GREG, THERE'S NO STORY HERE,
ALL RIGHT?
84
00:03:57,771 --> 00:03:59,621
IT WAS A DAMN GOLF BALL.
85
00:03:59,622 --> 00:04:01,472
PARKER:
COME ON, EDDIE.
COME ON, WHAT'S GOIN' ON?
86
00:04:02,910 --> 00:04:05,244
WINNIE:
911, WHAT IS YOUR EMERGENCY?
87
00:04:05,246 --> 00:04:06,678
CARLA:
THERE'S A MAN TRYING
TO BREAK IN ACROSS THE STREET.
88
00:04:06,680 --> 00:04:07,746
23 DITTMAR.
89
00:04:08,882 --> 00:04:09,748
(SHATTERING CRASH)
90
00:04:09,750 --> 00:04:10,849
HE'S GOING IN.
91
00:04:10,851 --> 00:04:12,768
OH MY GOD,
HE'S GOT A GUN!
92
00:04:12,769 --> 00:04:14,686
(HOT CALL KLAXON BLARES)
TEAM, 911 ON A POSSIBLE
HOME INVASION.
93
00:04:14,688 --> 00:04:15,887
23 DITTMAR.
94
00:04:15,889 --> 00:04:17,823
CONFIRMED -
ONE ARMED SUBJECT.
95
00:04:17,825 --> 00:04:20,859
ED:
WINNIE, WE'RE ON IT.
(KLAXON WAILS)
96
00:04:20,861 --> 00:04:21,960
AARON:
ALL THE WAY TO THE END.
97
00:04:21,962 --> 00:04:24,396
LAINIE:
(BREATHES RAPIDLY)
98
00:04:25,699 --> 00:04:27,032
SECURITY GUARD:
(LAUGHS)
99
00:04:27,033 --> 00:04:28,366
NO, IT TURNED OUT
TO BE SOME STUDENTS
100
00:04:28,369 --> 00:04:30,535
JUST PLAYING A PRANK.
101
00:04:31,472 --> 00:04:34,373
YEAH,
I GAVE THEM A WARNING.
102
00:04:36,744 --> 00:04:39,478
(LAINIE SHOUTS, PUNCHES,
AARON GRUNTS IN PAIN)
103
00:04:39,480 --> 00:04:41,580
LAINIE:
(SHRIEKS) HELP!
104
00:04:41,582 --> 00:04:42,648
HELP!
105
00:04:44,418 --> 00:04:47,819
SECURITY GUARD:
CODE WHITE! I NEED BACKUP!
106
00:04:47,821 --> 00:04:49,888
WINNIE:
TEAM ONE,
WE GOT ANOTHER HOT CALL.
107
00:04:49,890 --> 00:04:51,857
ATTEMPTED ABDUCTION,
U OF T.
108
00:04:51,859 --> 00:04:52,824
(ALARM SOUNDS)
I CAN RE-UP TEAM TWO.
109
00:04:52,826 --> 00:04:54,293
YEAH, HOLD OFF ON THAT,
WINNIE.
110
00:04:54,295 --> 00:04:55,727
SAM, SPIKE,
WHAT'S YOUR POSITION?
111
00:04:55,729 --> 00:04:56,745
WE'RE ALMOST AT THE HOUSE.
112
00:04:56,746 --> 00:04:57,762
SPIKE:
WE'RE JUST ARRIVING, BOSS.
113
00:04:57,765 --> 00:04:59,315
ALL RIGHT,
YOU STAY ON IT.
114
00:04:59,316 --> 00:05:00,866
WINNIE, WE'LL TAKE
THE UNIVERSITY CALL.
115
00:05:00,868 --> 00:05:02,734
KEEP TEAM TWO ON STANDBY.
116
00:05:02,736 --> 00:05:03,735
WINNIE:
COPY.
117
00:05:03,737 --> 00:05:04,803
(SIREN WAILS)
118
00:05:06,907 --> 00:05:08,640
HE JUMPED IN A CAR.
HE WENT THAT WAY!
119
00:05:08,642 --> 00:05:10,375
LEAH: WHAT KIND OF CAR?
CARLA: I DON' KNOW.
120
00:05:10,377 --> 00:05:11,727
WHITE, A REGULAR CAR.
121
00:05:11,728 --> 00:05:13,078
SPIKE:
YOU SEE A LICENSE PLATE?
CAN YOU DESCRIBE HIM?
122
00:05:13,080 --> 00:05:15,414
CARLA:
UM, A WHITE GUY IN A SUIT.
123
00:05:15,416 --> 00:05:16,415
SPIKE:
WHITE CAR, NO PLATES.
124
00:05:16,417 --> 00:05:18,067
THAT'S NOT A LOT TO GO ON.
125
00:05:18,068 --> 00:05:19,718
HE'S LONG GONE.
LET'S CHECK THE HOUSE.
126
00:05:19,720 --> 00:05:20,819
SAM:
MA'AM, ANY SHOTS FIRED?
127
00:05:20,821 --> 00:05:22,387
UM, WHEN HE CAME OUT
OF THE HOUSE,
128
00:05:22,388 --> 00:05:23,954
HE WENT TO THE GARAGE,
AND THEN IT WOULDN'T OPEN
129
00:05:23,957 --> 00:05:25,407
SO HE SCREWED, UM, A -
130
00:05:25,408 --> 00:05:26,858
WHAT DO YOU CALL IT? -
A SILENCER ON THE GUN,
131
00:05:26,860 --> 00:05:28,794
AND THEN HE STARTED
SHOOTING AT THE LOCK.
132
00:05:28,796 --> 00:05:30,596
WHO LIVES HERE?
133
00:05:30,597 --> 00:05:32,397
A SINGLE GUY, EVAN...
NO, ELLIOT.
134
00:05:32,399 --> 00:05:33,621
WE HARDLY KNOW HIM.
135
00:05:33,622 --> 00:05:34,844
HE'S SUPER-QUIET
AND HE KEEPS TO HIMSELF.
136
00:05:34,845 --> 00:05:36,067
JULES:
SAM, THERE'S A CAR RUNNING
IN HERE!
137
00:05:36,070 --> 00:05:37,770
WAIT HERE.
138
00:05:37,771 --> 00:05:39,471
WINNIE, CALL AN AMBULANCE
AND FIND OUT WHO LIVES HERE!
139
00:05:39,473 --> 00:05:40,472
WINNIE:
COPY.
140
00:05:40,473 --> 00:05:41,472
JULES:
ELLIOT, ARE YOU IN THERE?!
141
00:05:41,475 --> 00:05:42,507
(SHALLOW BREATHING)
142
00:05:42,509 --> 00:05:44,676
JULES:
ELLIOT, CAN YOU HEAR ME?
143
00:05:44,678 --> 00:05:45,877
(HANDLE BANGS)
144
00:05:45,879 --> 00:05:47,846
JULES: ELLIOT?!
LEAH: ALL CLEAR!
145
00:05:49,083 --> 00:05:52,384
JULES:
BULLET DAMAGED THE LOCK.
146
00:05:52,386 --> 00:05:54,553
SAM:
MA'AM, DO THESE GARAGES
HAVE INSIDE DOORS?
147
00:05:54,555 --> 00:05:55,843
NO.
148
00:05:55,844 --> 00:05:57,132
SAM:
LET'S GRAB THE HALLIGANS.
149
00:05:57,133 --> 00:05:58,421
WINNIE:
OKAY, EMS IS ON ITS WAY.
150
00:05:58,425 --> 00:05:59,858
HOMEOWNER'S NAME
IS ELLIOT THAINE.
151
00:05:59,860 --> 00:06:01,126
HE'S A SELF-EMPLOYED ACCOUNTANT.
152
00:06:01,128 --> 00:06:03,362
THIS IS JULES CALLAGHAN,
I'M WITH THE POLICE!
153
00:06:03,364 --> 00:06:04,863
WE'RE HERE TO HELP!
154
00:06:04,865 --> 00:06:05,964
YOU'RE GONNA BE OKAY!
155
00:06:05,966 --> 00:06:07,399
(LABOURED BREATHING)
156
00:06:07,401 --> 00:06:10,702
WE'RE GONNA GET THIS DOOR OPEN!
157
00:06:10,704 --> 00:06:12,838
GUYS, THIS PLACE IS LIKE
A BLANK SLATE.
158
00:06:12,840 --> 00:06:14,706
NO COLOUR, NO BOOKS,
159
00:06:14,708 --> 00:06:18,009
NOTHING ON THE WALLS,
NO PHOTOS.
160
00:06:18,011 --> 00:06:19,044
HANG ON.
161
00:06:20,681 --> 00:06:21,947
THINK I GOT SOMETHING.
162
00:06:21,949 --> 00:06:23,465
(ELECTRONIC BEEP)
163
00:06:23,466 --> 00:06:24,982
THE MAN WHO BROKE IN,
DID YOU EVER SEEN HIM BEFORE?
164
00:06:24,985 --> 00:06:26,017
NO, HE LOOKED LEGIT.
165
00:06:26,019 --> 00:06:28,470
I MEAN,
HE WAS WEARING A SUIT,
166
00:06:28,471 --> 00:06:30,922
BUT I'VE NEVER SEEN
A VISITOR THERE BEFORE.
167
00:06:30,924 --> 00:06:31,990
LAINIE:
YEAH.
168
00:06:33,127 --> 00:06:34,926
HOLD ON.
169
00:06:34,928 --> 00:06:36,061
PARKER:
YOU THE ONE THAT WAS ATTACKED?
170
00:06:36,063 --> 00:06:37,062
LAINIE SUMMERS
171
00:06:37,064 --> 00:06:38,597
SERGEANT PARKER,
OFFICER LANE.
172
00:06:38,599 --> 00:06:39,732
THE MAN HAD A GUN?
173
00:06:39,733 --> 00:06:40,866
LAINIE: YEAH.
SECURITY GUARD: I GOT CLOSE,
174
00:06:40,868 --> 00:06:42,033
BUT HE GOT INTO A CROWD
OF STUDENTS.
175
00:06:42,035 --> 00:06:43,602
HE'S GONE.
176
00:06:43,603 --> 00:06:45,170
EITHER OF YOU
GET A LOOK AT HIM?
177
00:06:45,171 --> 00:06:46,738
LAINIE:
DARK HAIR, MAYBE SIX FOOT,
DARK CLOTHES.
178
00:06:46,740 --> 00:06:48,039
ED:
ANY IDEA WHERE
HE WAS TAKING YOU?
179
00:06:48,041 --> 00:06:50,776
LAINIE:
NO, I GOT- I GOT LUCKY.
I SAW THE GUARD.
180
00:06:50,778 --> 00:06:52,511
SECURITY GUARD:
SHE DECKED HIM, YOU KNOW,
I JUMPED IN...
181
00:06:52,513 --> 00:06:54,813
LAINIE:
SOME OF THE KIDS HELPED TOO.
I JUST... I DON'T KNOW.
182
00:06:54,815 --> 00:06:56,181
HE DIDN'T LIKE THE ODDS.
HE JUST TOOK OFF.
183
00:06:56,183 --> 00:06:58,784
PARKER:
OKAY, WINNIE,
WE NEED UNI'S ON CAMPUS.
184
00:06:58,786 --> 00:06:59,985
SWEEP GEORGE STREET,
THE QUAD...
185
00:06:59,987 --> 00:07:01,487
WINNIE: COPY.
186
00:07:01,488 --> 00:07:02,988
ED:
WANNA GIVE ME HAND WITH THAT?
187
00:07:02,990 --> 00:07:04,390
PARKER:
MISS SUMMERS...
188
00:07:04,391 --> 00:07:05,791
DOCTOR SUMMERS.
LAINIE'S FINE.
189
00:07:05,793 --> 00:07:08,026
LAINIE, ANY IDEA WHY SOMEONE
WOULD TRY TO ABDUCT YOU
190
00:07:08,028 --> 00:07:09,594
IN BROAD DAYLIGHT?
191
00:07:09,596 --> 00:07:11,930
NO, I HAVE NO IDEA.
192
00:07:11,932 --> 00:07:15,000
(WOOD CRACKS LOUDLY,
DOOR CLATTERS UP)
193
00:07:18,972 --> 00:07:20,806
LEAH:
IT'S OKAY, ELLIOT,
WE GOT YA.
194
00:07:20,808 --> 00:07:22,040
ELLIOT:
NO...
195
00:07:22,042 --> 00:07:23,108
(SIREN WAILS)
196
00:07:25,746 --> 00:07:26,862
EMT:
HOW LONG HAS HE BEEN EXPOSED?
197
00:07:26,863 --> 00:07:27,979
SAM:
MINIMUM TEN MINUTES.
198
00:07:27,981 --> 00:07:29,781
EMT:
HE NEEDS OXYGEN,
NON-RE-BREATHER MASK.
199
00:07:29,783 --> 00:07:31,394
JULES:
ALL RIGHT, ELLIOT,
YOU'RE GONNA BE OKAY?
200
00:07:31,395 --> 00:07:33,006
EMT:
WE NEED TO GET HIM
TO THE HOSPITAL, RUN TESTS.
201
00:07:33,007 --> 00:07:34,618
THAT'S A SERIOUS AMOUNT
OF CARBON MONOXIDE.
202
00:07:34,621 --> 00:07:35,921
JULES:
WINNIE, CALL 52,
203
00:07:35,923 --> 00:07:37,489
GET A DETECTIVE
TO THE HOSPITAL.
204
00:07:37,491 --> 00:07:39,191
WE NEED TO QUESTION HIM
WHEN HE PULLS THROUGH.
205
00:07:39,193 --> 00:07:41,410
COPY.
206
00:07:41,411 --> 00:07:43,628
SPIKE:
BOSS, YOUR ATTEMPTED ABDUCTION,
HER NAME'S LAINIE SUMMERS?
207
00:07:43,630 --> 00:07:45,630
PARKER:
YES, SPIKE,
WE'RE WITH HER NOW.
208
00:07:45,631 --> 00:07:47,631
SPIKE:
ELLIOT THAINE LEFT A SUICIDE
MESSAGE ON HIS COMPUTER
209
00:07:47,634 --> 00:07:49,000
AND IT WAS FOR HER.
(ELECTRONIC BEEP)
210
00:07:49,002 --> 00:07:50,869
THIS MESSAGE
IS FOR LAINIE SUMMERS.
211
00:07:50,871 --> 00:07:53,004
SPIKE:
HE'S APOLOGIZING.
HE'S VISIBLY STRESSED.
212
00:07:53,006 --> 00:07:55,173
HE'S UPSET,
SAYING GOODBYE.
213
00:07:56,176 --> 00:07:58,810
THERE'S JUST NO OTHER WAY,
214
00:07:58,812 --> 00:08:00,712
AND I HOPE YOU CAN UNDERSTAND.
215
00:08:00,714 --> 00:08:01,813
I'M SORRY, LAINIE.
216
00:08:01,815 --> 00:08:04,649
LAINIE,
YOU KNOW AN ELLIOT THAINE?
217
00:08:04,651 --> 00:08:06,301
ELLIOT?
YEAH, OF COURSE.
218
00:08:06,302 --> 00:08:07,952
WINNIE:
TEAM ONE, WE HAVE
A HIJACKED AMBULANCE,
219
00:08:07,955 --> 00:08:09,988
LANSDOWNE AND DUPONT.
220
00:08:09,990 --> 00:08:11,790
LANSDOWNE AND DUPONT?
YOU'RE KIDDING ME.
221
00:08:11,792 --> 00:08:13,058
THAT'S JUST AROUND THE CORNER!
222
00:08:13,060 --> 00:08:14,059
TWO GUNMEN.
(KEYBOARD KEYS CLACK)
223
00:08:14,061 --> 00:08:15,360
IS ONE OF THEM
IN A SUIT?
224
00:08:15,361 --> 00:08:16,660
LEFT THE ATTENDANTS
ON THE SIDE OF THE ROAD
225
00:08:16,663 --> 00:08:17,662
AND TOOK OFF WITH THE PATIENT.
226
00:08:17,664 --> 00:08:18,497
SAM:
IT'S GOTTA BE HIM.
227
00:08:18,499 --> 00:08:19,064
ELLIOT THAINE.
228
00:08:19,066 --> 00:08:20,532
WINNIE:
YUP.
229
00:08:20,533 --> 00:08:21,999
ED: SAM, FIND THAT AMBULANCE.
SAM: COPY.
230
00:08:22,002 --> 00:08:23,001
HOW DO YOU KNOW ELLIOT?
231
00:08:23,003 --> 00:08:24,135
I'M A NEUROSCIENTIST.
232
00:08:24,137 --> 00:08:25,871
ELLIOT IS A RESEARCH SUBJECT
OF MINE.
233
00:08:25,873 --> 00:08:27,906
HE'S...
HE'S A FRIEND.
234
00:08:27,908 --> 00:08:29,007
WHY WERE YOU
STUDYING HIM?
235
00:08:29,009 --> 00:08:30,208
ELLIOT, IS...
236
00:08:30,210 --> 00:08:32,010
HE'S ONE OF A KIND.
237
00:08:32,012 --> 00:08:33,678
HE HAS A RARE KIND
OF HYPERMNESIA.
238
00:08:33,680 --> 00:08:35,597
HE HAS EXCEPTIONAL MEMORY?
239
00:08:35,598 --> 00:08:37,515
LAINIE:
MORE THAN EXCEPTIONAL,
IT'S PERFECT.
240
00:08:37,518 --> 00:08:38,583
LIMITLESS.
241
00:08:39,553 --> 00:08:41,019
LIKE I SAID, HE'S...
242
00:08:41,021 --> 00:08:43,021
HE'S ONE OF A KIND.
243
00:08:43,023 --> 00:08:44,256
(SIREN WAILS)
244
00:08:47,094 --> 00:08:48,460
JULES: (ECHOING)
ELLIOT, ARE YOU IN THERE?!
245
00:08:48,461 --> 00:08:49,827
LEAH: (ECHOING)
IT'S OKAY, ELLIOT.
WE GOT YA!
246
00:08:49,828 --> 00:08:51,194
JULES: (ECHOING)
ELLIOT, CAN YOU HEAR ME?!
247
00:08:51,195 --> 00:08:52,561
EMT:
WE NEED TO GET HIM
TO THE HOSPITAL, RUN TESTS.
248
00:08:52,566 --> 00:08:54,666
THAT'S A SERIOUS AMOUNT
OF CARBON MONOXIDE.
249
00:08:54,668 --> 00:08:56,101
JULES:
(ECHOING)
ELLIOT!
250
00:08:56,103 --> 00:08:57,936
(SHOCKED GASPS)
251
00:08:57,938 --> 00:08:59,838
(SIREN WAILS)
252
00:08:59,840 --> 00:09:02,307
ELLIOT,
WHAT WERE YOU THINKING?
253
00:09:03,877 --> 00:09:18,823
¶¶¶
254
00:09:18,825 --> 00:09:32,070
¶¶¶
255
00:09:38,679 --> 00:09:41,146
WINNIE:
OKAY, TEAM, THE AMBULANCE
IS HEADING SOUTH ON LANSDOWNE.
256
00:09:41,148 --> 00:09:43,048
I'VE GOT TRANSIT AND TAXIS
IN ON THE APB,
257
00:09:43,050 --> 00:09:44,816
BUT THE AMBULANCE IS RUNNING
LIGHTS AND SIRENS.
258
00:09:44,818 --> 00:09:45,884
COPY.
259
00:09:48,622 --> 00:09:50,188
MAN:
ARE WE CLEAR?
260
00:09:51,959 --> 00:09:53,325
GOOD.
261
00:09:53,326 --> 00:09:54,692
YOU SEE,
NOTHING'S GONNA HAPPEN TO HER
262
00:09:54,693 --> 00:09:56,059
AS LONG AS
YOU DON'T DISAPPOINT ME.
263
00:09:56,063 --> 00:09:57,128
(NERVOUS INHALE)
264
00:09:58,031 --> 00:09:59,130
(ELECTRONIC BEEP)
265
00:10:00,067 --> 00:10:03,068
(ELECTRONIC BEEP,
PHONE RINGS)
266
00:10:03,070 --> 00:10:05,220
ALL RIGHT, WE'RE GOOD.
JUST MAKE SURE YOU STAND-
267
00:10:05,221 --> 00:10:07,371
AARON:
WE DON'T HAVE HER.
THERE WERE COMPLICATIONS.
268
00:10:07,374 --> 00:10:10,208
YEAH, WELL,
ISN'T THAT A SHAME.
269
00:10:11,144 --> 00:10:14,212
I DON'T THINK IT'S GONNA MAKE
MUCH OF A DIFFERENCE.
270
00:10:14,214 --> 00:10:15,630
WINNIE:
GUYS, LAKESHORE AND JAMISON,
271
00:10:15,631 --> 00:10:17,047
THE AMBULANCE IS STOPPED
AT THE INTERSECTION.
272
00:10:17,050 --> 00:10:19,184
ALL RIGHT, WINNIE,
LOCK OFF THE TRAFFIC.
273
00:10:19,186 --> 00:10:20,919
LAINIE:
HE TRIED TO KILL HIMSELF?
274
00:10:20,921 --> 00:10:22,954
PARKER:
YEAH, I'M SORRY.
WE KNOW THAT'S HARD TO HEAR,
275
00:10:22,956 --> 00:10:25,223
BUT MAYBE YOU CAN HELP US
UNDERSTAND WHY.
276
00:10:25,225 --> 00:10:27,292
ED:
AND WHY SOMEONE WOULD
WANNA TAKE HIM.
277
00:10:28,895 --> 00:10:31,529
LAINIE:
(SIGHS)
278
00:10:31,530 --> 00:10:34,164
ONE OF THE FIRST TESTS
OF HIS MEMORY, I...
279
00:10:34,167 --> 00:10:37,035
I GAVE HIM THESE PAGES.
280
00:10:37,037 --> 00:10:39,171
MA-NA-BA-FA...
281
00:10:39,172 --> 00:10:41,306
LAINIE:
MEANINGLESS RANDOM SYLLABLES,
FOUR PAGES OF THEM.
282
00:10:41,308 --> 00:10:45,143
I READ THEM TO HIM
AND HE RECITED THEM BACK.
283
00:10:45,145 --> 00:10:46,878
THAT WAS THREE YEARS AGO.
284
00:10:46,880 --> 00:10:48,079
LAST WEEK I ASKED HIM
285
00:10:48,080 --> 00:10:49,279
IF HE STILL REMEMBERED
THE SYLLABLES.
286
00:10:49,282 --> 00:10:51,049
AND HE DID?
287
00:10:51,050 --> 00:10:52,817
LAINIE:
YUP. ALSO THE WEATHER THAT DAY,
288
00:10:52,819 --> 00:10:54,753
WHAT HE'D HAD FOR BREAKFAST,
289
00:10:54,755 --> 00:10:56,121
THAT WE DRANK GINGER TEA
290
00:10:56,123 --> 00:10:58,023
AND I WAS A WEARING
A PEACH-COLOURED SHIRT.
291
00:11:02,162 --> 00:11:03,361
THAT'S HIM.
292
00:11:03,363 --> 00:11:05,096
PARKER:
THAT'S QUITE A GIFT.
293
00:11:05,098 --> 00:11:07,265
NOT THE WAY
HE SEES IT.
294
00:11:07,267 --> 00:11:09,100
OUR BRAINS ARE CONDITIONED
TO FORGET SELECTIVELY.
295
00:11:09,102 --> 00:11:11,136
WE FORGET PHYSICAL PAIN,
TRAUMA.
296
00:11:11,138 --> 00:11:12,988
IT'S HOW WE COPE.
297
00:11:12,989 --> 00:11:14,839
WE ALL TAKE THAT FOR GRANTED,
BUT...
298
00:11:14,841 --> 00:11:16,141
ELLIOT DOESN'T HAVE
THAT LUXURY.
299
00:11:16,143 --> 00:11:18,410
WHAT DO YOU MEAN?
300
00:11:18,411 --> 00:11:20,678
HE LIVES WITH CONSTANT FLASHES
OF INTRUSIVE MEMORY.
301
00:11:20,681 --> 00:11:22,247
THEY FILL EVERY SECOND
OF HIS DAY.
302
00:11:22,249 --> 00:11:24,182
THEY CAN COME AT ANY TIME.
303
00:11:24,184 --> 00:11:26,117
HE HEARS A CAR HONK;
304
00:11:26,119 --> 00:11:27,986
IT DOESN'T JUST REMIND HIM
OF ONE CAR,
305
00:11:27,988 --> 00:11:30,789
IT REMINDS HIM OF EVERY CAR
HE'S EVER SEEN.
306
00:11:30,791 --> 00:11:33,258
THEY ALL POP INTO HIS HEAD
AND THEY'RE ALL HONKING.
307
00:11:33,260 --> 00:11:34,893
THAT'S WHY HIS HOME
IS NEARLY EMPTY -
308
00:11:34,895 --> 00:11:37,318
THE BLANK WALLS -
309
00:11:37,319 --> 00:11:39,742
SO HE AVOIDS
TOO MUCH STIMULATION?
310
00:11:39,743 --> 00:11:42,166
HE STAYS AWAY FROM SMELLS,
SOUNDS, BRIGHT COLOURS...
311
00:11:42,169 --> 00:11:43,802
PEOPLE.
312
00:11:43,804 --> 00:11:47,072
HE WON'T EVEN OPEN HIS BLINDS
AT HOME.
313
00:11:47,074 --> 00:11:49,307
HE'S TRIED EVERYTHING:
MEDICATION,
314
00:11:49,309 --> 00:11:52,143
MEDITATION, HYPNOTHERAPY.
315
00:11:52,145 --> 00:11:53,478
HE CAN'T CONTROL
WHAT HE REMEMBERS
316
00:11:53,480 --> 00:11:55,797
OR WHAT HE SEES.
317
00:11:55,798 --> 00:11:58,115
ED:
SO THESE MEMORIES ARE TRIGGERED
BY RANDOM, ORDINARY THINGS?
318
00:11:59,052 --> 00:12:00,285
LAINIE:
YUP.
319
00:12:00,287 --> 00:12:02,187
HE HAD A HARD CHILDHOOD.
320
00:12:02,189 --> 00:12:04,856
YEAH, HE FACED A LOT OF LOSS,
321
00:12:04,858 --> 00:12:06,157
AND EVERYTHING
HE'S LIVED THROUGH,
322
00:12:06,159 --> 00:12:09,027
IT'S WITH HIM FROM THE MOMENT
HE OPENS HIS EYES
323
00:12:09,029 --> 00:12:11,296
UNTIL WHEN HE GOES
BACK TO SLEEP.
324
00:12:11,298 --> 00:12:13,098
ALL HE WANTS
IS A LITTLE PEACE.
325
00:12:14,267 --> 00:12:17,302
PARKER:
IS THAT WHY HE'S SUICIDAL?
326
00:12:17,304 --> 00:12:19,838
I KNEW THAT ELLIOT
WAS STRUGGLING WITH DEPRESSION,
327
00:12:19,840 --> 00:12:22,407
I JUST... I DIDN'T REALIZE
HOW SERIOUS IT WAS
328
00:12:22,409 --> 00:12:24,275
UNTIL A COUPLE DAYS AGO.
329
00:12:25,312 --> 00:12:27,445
LAINIE:
TEQUILA? SERIOUSLY?
330
00:12:27,447 --> 00:12:29,514
ELLIOT:
YEAH, I READ THAT
IF YOU HAVE ENOUGH
331
00:12:29,516 --> 00:12:32,484
YOU GET A LITTLE NUMB,
YOU DON'T FEEL SO MUCH.
332
00:12:32,486 --> 00:12:34,753
PLAY YOUR CARDS RIGHT,
YOU MIGHT EVEN BLACK OUT.
333
00:12:37,023 --> 00:12:38,022
ELL,
YOU'RE 30-YEARS-OLD
334
00:12:38,024 --> 00:12:39,958
AND YOU'VE NEVER
TRIED TEQUILA?
335
00:12:39,960 --> 00:12:40,859
WHY? HAVE YOU?
336
00:12:40,861 --> 00:12:41,993
OH JEEZ.
337
00:12:41,995 --> 00:12:43,912
(LAUGHS) YEAH?
338
00:12:43,913 --> 00:12:45,830
LAINIE:
THERE WAS A PARTY.
I WAS ABOUT 18-YEARS-OLD.
339
00:12:45,832 --> 00:12:48,299
MY PARENTS WERE
OUT OF TOWN.
340
00:12:48,301 --> 00:12:51,402
IT INVOLVED ME CLIMBING UP
ONTO THE BABY GRAND
341
00:12:51,404 --> 00:12:52,871
AND SINGING SHOW TUNES.
342
00:12:52,873 --> 00:12:53,872
(ELLIOT LAUGHS)
343
00:12:53,874 --> 00:12:56,274
VERY LOUD.
344
00:12:56,276 --> 00:12:58,309
IT WAS GREAT UNTIL
THE PIANO COVER CRACKED
345
00:12:58,311 --> 00:13:00,478
AND I GOT GROUNDED
FOR SIX MONTHS.
346
00:13:00,480 --> 00:13:02,280
I WISH I COULD HAVE
SEEN THAT.
347
00:13:02,282 --> 00:13:04,315
NO, YOU DON'T.
(CHUCKLES)
348
00:13:04,317 --> 00:13:07,085
WHEN I HEARD
HOW MUCH HE WAS HURTING...
349
00:13:07,087 --> 00:13:09,320
I DIDN'T KNOW WHAT TO DO,
YOU KNOW?
350
00:13:09,322 --> 00:13:10,421
I'M...
351
00:13:10,423 --> 00:13:13,191
I'M NOT A THERAPIST,
I'M A RESEARCHER.
352
00:13:14,261 --> 00:13:16,995
SO THIS WAS LAST NIGHT,
AND WHAT HAPPENED?
353
00:13:20,233 --> 00:13:21,332
WELL, AT FIRST,
I THOUGHT IT WAS WORKING,
354
00:13:21,334 --> 00:13:23,201
EVERYTHING SORT OF
SLOWED DOWN.
355
00:13:24,304 --> 00:13:26,204
I DIDN'T "SEE" SO MUCH,
356
00:13:26,206 --> 00:13:28,807
AND THEN THE WHOLE ROOM STARTS
SPINNING AND TIPPING
357
00:13:28,809 --> 00:13:30,141
AND I GOT SICK,
358
00:13:32,345 --> 00:13:35,580
AND THE TASTE
AND THE SMELL AND...
359
00:13:37,150 --> 00:13:38,149
AND NOW THAT'S LOCKED IN.
360
00:13:38,151 --> 00:13:39,284
IT'S ANOTHER THING
LOCKED IN.
361
00:13:39,286 --> 00:13:40,885
IT'S SO STUPID,
LAINIE!
362
00:13:41,922 --> 00:13:43,855
I'M SICK,
363
00:13:43,857 --> 00:13:46,074
I'M IN PAIN,
I NEED TREATMENT,
364
00:13:46,075 --> 00:13:48,292
AND THERE ISN'T ANY
AND THERE NEVER WILL BE...
365
00:13:48,295 --> 00:13:51,229
AND THERE'S NOWHERE SAFE
FOR ME,
366
00:13:53,033 --> 00:13:54,499
NOT EVEN AT HOME.
367
00:13:56,603 --> 00:13:57,869
LAINIE:
I'M A FRIEND...
368
00:13:57,871 --> 00:13:59,070
AND I SHOULD'VE BEEN THERE
FOR HIM.
369
00:13:59,072 --> 00:14:00,305
LAINIE,
DON'T BLAME YOURSELF.
370
00:14:00,307 --> 00:14:01,306
HE MAY BE SUICIDAL,
371
00:14:01,308 --> 00:14:02,340
BUT SOMETHING ELSE
TIPPED HIM
372
00:14:02,342 --> 00:14:04,342
OVER THE EDGE TODAY.
373
00:14:04,344 --> 00:14:06,044
SAM:
WE'RE APPROACHING
THE AMBULANCE.
374
00:14:06,046 --> 00:14:07,111
ED:
COPY THAT.
375
00:14:07,113 --> 00:14:08,179
(SIREN WAILS)
376
00:14:12,953 --> 00:14:14,553
WHY WOULD THEY JUST STOP?
377
00:14:14,554 --> 00:14:16,154
JULES:
THIS IS THE POLICE
STRATEGIC RESPONSE UNIT!
378
00:14:16,156 --> 00:14:17,856
THROW YOUR WEAPONS OUT
OF THE VEHICLE
379
00:14:17,858 --> 00:14:21,960
AND STEP OUT WITH YOUR HANDS
WHERE WE CAN SEE THEM!
380
00:14:21,962 --> 00:14:23,194
LET'S MOVE IN.
381
00:14:25,098 --> 00:14:29,000
JULES:
THIS IS THE POLICE!
COME OUT RIGHT NOW!
382
00:14:40,280 --> 00:14:43,181
SAM:
(QUIETLY)
ON THREE, TWO, ONE.
383
00:14:45,418 --> 00:14:46,985
NO ONE'S IN THERE, ED.
384
00:14:46,987 --> 00:14:48,486
ELLIOT'S NOT IN THE AMBULANCE?
385
00:14:48,488 --> 00:14:51,189
JULES:
NO, THEY LEFT IT
AS A DISTRACTION TO STALL US.
386
00:14:51,191 --> 00:14:53,491
ELLIOT'S LONG GONE.
387
00:14:53,493 --> 00:14:56,027
PARKER:
OKAY, LET'S BREAK THIS DOWN.
388
00:14:56,029 --> 00:14:57,295
WHO BREAKS INTO A HOUSE,
389
00:14:57,296 --> 00:14:58,562
CARJACKS AN AMBULANCE
IN BROAD DAYLIGHT -
390
00:14:58,565 --> 00:14:59,964
GO TO ALL THIS TROUBLE
391
00:14:59,966 --> 00:15:01,432
JUST TO GET THEIR HANDS
ON A...
392
00:15:04,170 --> 00:15:05,236
ON A HUMAN CAMERA?
393
00:15:06,172 --> 00:15:07,822
ELLIOT DREW
THE ROSETTA STONE?
394
00:15:07,823 --> 00:15:09,473
LAINIE:
HE SAW IT AT THE BRITISH MUSEUM
WHEN HE WAS EIGHT.
395
00:15:09,476 --> 00:15:12,343
HE DREW IT FROM MEMORY
WHEN I MET HIM.
396
00:15:12,345 --> 00:15:14,479
THAT'S ANCIENT EGYPTIAN,
DEMOTIC SCRIPT, ANCIENT GREEK.
397
00:15:14,481 --> 00:15:16,281
IT'S A FLAWLESS REPLICA.
398
00:15:16,282 --> 00:15:18,082
PARKER:
SO ELLIOT REMEMBERS WORDS,
NUMBERS, PATTERNS...
399
00:15:18,084 --> 00:15:19,217
LAINIE:
EVERYTHING.
400
00:15:19,218 --> 00:15:20,351
EVEN IN LANGUAGES
HE DOESN'T UNDERSTAND.
401
00:15:20,353 --> 00:15:21,886
SO YOU COULD SEND HIM
SOMEWHERE
402
00:15:21,887 --> 00:15:23,420
AND HE COULD ABSORB
INFORMATION UNDETECTED,
403
00:15:23,423 --> 00:15:25,290
SOMEWHERE YOU COULDN'T
BRING A CAMERA.
404
00:15:25,292 --> 00:15:26,424
PARKER:
YOU SAID HE WAS RECLUSIVE.
405
00:15:26,426 --> 00:15:28,059
WHO ELSE WOULD KNOW
HE COULD DO THIS?
406
00:15:30,664 --> 00:15:32,597
OH, WE DID AN INTERVIEW
ON "ENQUIRING MINDS,"
407
00:15:32,599 --> 00:15:34,365
THE TV NEWS MAGAZINE.
408
00:15:34,367 --> 00:15:36,601
THEY FEATURED THIS DRAWING.
I MEAN, IT COULD BE ANYONE.
409
00:15:39,306 --> 00:15:40,605
JAY:
HEY, YOU LOOK GOOD, ELLIOT,
410
00:15:40,607 --> 00:15:43,041
BUT TODAY YOUR NAME
IS GREGORY COOK, OKAY?
411
00:15:43,043 --> 00:15:44,242
NOW, LIKE I SAID,
412
00:15:44,244 --> 00:15:46,077
THEY'RE GONNA SHOW US
THE SECURITY ROOM, OKAY?
413
00:15:46,079 --> 00:15:47,729
I NEED YOU TO STUDY
THE FLOORPLANS
414
00:15:47,730 --> 00:15:49,380
AND MAKE SURE THAT
THEY MATCH THE CAMERA ANGLES.
415
00:15:49,382 --> 00:15:50,640
ALSO, WE'RE GONNA...
416
00:15:50,641 --> 00:15:51,899
WOMAN'S ECHOING VOICE:
ELLIOT, WHAT ARE YOU DOING?
417
00:15:51,900 --> 00:15:53,158
...THE TARGET,
WORK FAST...
418
00:15:53,159 --> 00:15:54,417
MAN'S ECHOING VOICE:
YOU ARE VERY VALUABLE TO ME,
ELLIOT...
419
00:15:54,421 --> 00:15:55,937
(MAN ANSWERS PHONE)
420
00:15:55,938 --> 00:15:57,454
MAN'S ECHOING VOICE:
AND YOU WOULDN'T WANNA KNOW
WHAT HAPPENS
421
00:15:57,455 --> 00:15:58,971
IF YOU TALK TO THE POLICE
ABOUT THIS CONVERSATION.
422
00:15:58,972 --> 00:16:00,488
WOMAN'S ECHOING VOICE:
YOU NEED TO LISTEN TO ME
RIGHT NOW.
423
00:16:00,493 --> 00:16:01,492
WHAT ARE YOU DOING?
424
00:16:01,494 --> 00:16:02,493
I CAN'T.
I DON'T THINK I CAN-
425
00:16:02,495 --> 00:16:04,062
HEY, HEY!
426
00:16:04,064 --> 00:16:05,563
YOU CAN, ELLIOT.
427
00:16:05,565 --> 00:16:07,498
YOU CAN, OKAY?
428
00:16:09,202 --> 00:16:10,435
COME ON, OKAY?
429
00:16:20,480 --> 00:16:22,981
LOOKS LIKE THEY WERE TOO BUSY
TO DISENGAGE THE CAMERAS.
430
00:16:24,584 --> 00:16:26,117
SPIKE:
IT MEANS WE HAVE A REAR
AND AN INSIDE VIEW.
431
00:16:26,119 --> 00:16:27,736
LEAH:
YUP.
432
00:16:27,737 --> 00:16:29,354
SPIKE:
HANG ON, ELLIOT,
WON'T BE LONG.
433
00:16:33,526 --> 00:16:36,027
BARNABY:
BARNABY HOWE,
SENIOR PROJECTS MANAGER.
434
00:16:36,029 --> 00:16:37,312
WE SPOKE ON THE PHONE.
435
00:16:37,313 --> 00:16:38,596
JAY:
YEAH, WE WERE JUST TALKING
TO EACH OTHER
436
00:16:38,598 --> 00:16:40,465
ABOUT HOW GRATEFUL WE ARE
FOR YOUR CO-OPERATION.
437
00:16:40,467 --> 00:16:41,466
BARNABY:
ABSOLUTELY.
438
00:16:41,468 --> 00:16:43,167
KEEP US ON OUR TOES.
439
00:16:46,272 --> 00:16:47,672
GOVERNMENT COMPLIANCE OFFICERS.
440
00:16:47,674 --> 00:16:50,274
WE'VE GOT ANOTHER
SECURITY SPOT-CHECK.
441
00:16:50,276 --> 00:16:51,542
ANY METAL OBJECTS
ON THE TRAY, PLEASE.
442
00:16:51,544 --> 00:16:52,910
JAY:
OH. (METAL CLANKS)
443
00:16:52,911 --> 00:16:54,277
BARNABY:
THIS SCANNER'S
STATE-OF-THE-ART,
444
00:16:54,280 --> 00:16:57,115
PICKS UP EVEN
THE SMALLEST METAL MASS.
445
00:16:58,051 --> 00:16:59,283
(METAL CLINKS)
446
00:17:05,592 --> 00:17:08,426
GUARD:
ARMS OUT.
HOLD STILL, PLEASE.
447
00:17:08,428 --> 00:17:11,596
(HIGH-PITCHED BEEP,
LOW PULSING HUM)
448
00:17:12,532 --> 00:17:14,532
(ELECTRONIC BEEP)
CLEAR. PROCEED.
449
00:17:14,534 --> 00:17:15,666
JAY:
MM-HMM.
450
00:17:18,405 --> 00:17:20,055
GUARD:
PLEASE HOLD STILL, SIR.
451
00:17:20,056 --> 00:17:21,706
(HIGH-PITCHED BEEP,
LOW PULSING HUM)
452
00:17:21,708 --> 00:17:22,740
(ELECTRONIC BEEP)
453
00:17:22,742 --> 00:17:25,176
GUARD:
CLEAR. PROCEED.
454
00:17:25,178 --> 00:17:27,578
BARNABY:
HOWARD, YOU'LL BE OUR ESCORT.
455
00:17:27,580 --> 00:17:28,646
(METAL CLINKS)
456
00:17:30,116 --> 00:17:32,350
SECURITY COMPLIANCE CHECK.
457
00:17:36,056 --> 00:17:37,455
(OVER P.A. SYSTEM)
ATTENTION ALL STAFF.
458
00:17:37,457 --> 00:17:39,590
WE HAVE GOVERNMENT SECURITY
COMPLIANCE OFFICERS
459
00:17:39,592 --> 00:17:41,142
WITH US TODAY.
460
00:17:41,143 --> 00:17:42,693
PLEASE GIVE THEM
YOUR FULL CO-OPERATION.
461
00:17:42,695 --> 00:17:43,761
THANK YOU.
462
00:17:45,765 --> 00:17:47,665
I WON'T CRAMP YOUR STYLE.
463
00:17:47,667 --> 00:17:49,367
CATCH YOU ON THE WAY OUT.
464
00:17:49,369 --> 00:17:50,835
JAY:
APPRECIATE IT.
465
00:17:53,073 --> 00:17:55,173
ELLIOT:
(FAST, SHALLOW BREATHING)
466
00:17:58,511 --> 00:18:00,595
JAY:
UH, GENTLEMEN,
I JUST WANTED TO SAY
467
00:18:00,596 --> 00:18:02,680
WE'VE HAD SOME GRAVE CONCERNS
IN REGARDS TO...
468
00:18:02,682 --> 00:18:04,282
(SOUND DISTORTS)
469
00:18:06,152 --> 00:18:07,718
ELLIOT:
(BREATHING ERRATICALLY)
470
00:18:22,535 --> 00:18:24,502
SPIKE:
HELLO! WE GOT A FACE.
471
00:18:24,503 --> 00:18:26,470
JULES:
WINNIE, SPIKE'S SENDING YOU
A PICTURE OF ELLIOT'S ABDUCTOR.
472
00:18:26,473 --> 00:18:28,290
ANYTHING YOU CAN FIND.
473
00:18:28,291 --> 00:18:30,108
SPIKE:
WE'VE ALSO GOT AN IMAGE
ON THE BUMPER CAM, WINNIE.
474
00:18:30,110 --> 00:18:33,611
THEY SWITCHED INTO A GREY VAN,
MARKER 6-8-9 4-T-M.
475
00:18:34,614 --> 00:18:37,315
OKAY, I'LL RUN THE PHOTO
AND PUT AN APB OUT ON THE VAN.
476
00:18:37,317 --> 00:18:38,649
SAM:
WHAT KIND OF INFORMATION
IS WORTH THE RISK
477
00:18:38,651 --> 00:18:40,034
THESE GUYS ARE TAKING?
478
00:18:40,035 --> 00:18:41,418
SPIKE:
INFORMATION WORTH
A LOT OF MONEY.
479
00:18:41,421 --> 00:18:42,286
WHATTA YOU GOT, BOSS?
480
00:18:42,288 --> 00:18:43,821
OKAY, TEAM,
481
00:18:43,822 --> 00:18:45,355
ELLIOT'S GOT AN EXTRAORDINARY
PHOGRAPHIC MEMORY.
482
00:18:45,358 --> 00:18:47,558
WE'RE THINKING WHERE WOULD
YOU NEED A GUY LIKE THAT?
483
00:18:47,560 --> 00:18:49,327
SPIKE:
YOU CAN GET MICRO-CAMERAS
THE SIZE OF A FRECKLE.
484
00:18:49,329 --> 00:18:51,362
WHY WOULD YOU USE A HUMAN,
AN UNWILLING ONE?
485
00:18:51,364 --> 00:18:53,364
A HUMAN GETS PAST
METAL DETECTORS.
486
00:18:53,366 --> 00:18:54,565
SO SOMEWHERE WITH
TIGHT SECURITY,
487
00:18:54,567 --> 00:18:55,933
NO PHOTOS.
488
00:18:55,934 --> 00:18:57,300
JULES:
MAYBE GOVERNMENT, MILITARY?
489
00:18:57,301 --> 00:18:58,667
WINNIE:
TEAM ONE, THE LICENCE PLATES
ON THAT VAN
490
00:18:58,671 --> 00:19:00,671
ARE OFFICIALLY BOGUS.
IT'S A DEAD END,
491
00:19:00,673 --> 00:19:02,673
BUT WE DO HAVE A MATCH
ON OUR HIJACKER.
492
00:19:02,675 --> 00:19:04,208
SPIKE:
GO, WINNIE.
493
00:19:04,209 --> 00:19:05,742
WINNIE:
JAY PENAK.
HE'S ON THE FEDERAL WATCHLIST.
494
00:19:05,745 --> 00:19:07,562
HE'S A FREQUENT FLIER,
495
00:19:07,563 --> 00:19:09,380
ESPECIALLY TO EASTERN EUROPE
AND CHINA.
496
00:19:09,382 --> 00:19:10,615
HE'S WELL-CONNECTED
497
00:19:10,616 --> 00:19:11,849
AND HE'S KNOWN TO HAVE CONTACTS
WITH ARMS DEALERS.
498
00:19:11,851 --> 00:19:13,718
OF COURSE, WEAPONS.
499
00:19:22,629 --> 00:19:23,861
JAY AND HOWARD:
(GRUNTING AND GRAPPLING)
500
00:19:23,863 --> 00:19:25,930
JAY:
DON'T SAY ANYTHING.
501
00:19:28,868 --> 00:19:30,868
COME ON, COME ON.
502
00:19:32,839 --> 00:19:34,756
(VIOLENT BLOW,
HOWARD GRUNTS)
503
00:19:34,757 --> 00:19:36,674
SPIKE:
OKAY, WE GOT THREE PRIVATE
COMPANIES THAT DO RESEARCH
504
00:19:36,676 --> 00:19:39,060
FOR THE DEPARTMENT OF DEFENSE:
(ELECTRONIC BEEPS)
505
00:19:39,061 --> 00:19:41,445
A.G.S. LOEB, BREBTECH,
AND MORTON & FLOYD.
506
00:19:41,447 --> 00:19:42,747
WINNIE:
OKAY, I'LL GET UNMARKED CARS
TO ALL THREE,
507
00:19:42,749 --> 00:19:44,815
EYES PEELED FOR THE VAN.
508
00:19:48,588 --> 00:19:49,687
OKAY, THE BLIND SPOT,
THE BLIND SPOT,
509
00:19:49,689 --> 00:19:50,688
WHICH WAY?
510
00:19:50,690 --> 00:19:52,790
UH...
511
00:19:52,792 --> 00:19:55,426
WE GOTTA PASS TWO CAMERAS.
THIRD DOOR ON THE RIGHT...
512
00:19:55,428 --> 00:19:57,528
JAY:
JUST SHOW ME, JUST SHOW ME!
LET'S GO!
513
00:19:58,464 --> 00:20:00,464
GREY VAN'S BEEN SIGHTED
NEAR TOMKEN AND BRITTANIA.
514
00:20:00,466 --> 00:20:01,666
AND THAT'S RIGHT NEAR...?
515
00:20:01,668 --> 00:20:03,635
A.G.S. LOEB.
516
00:20:03,636 --> 00:20:05,603
SAM: LET'S MOVE!
JULES: LET'S DO IT.
517
00:20:09,275 --> 00:20:11,459
(ELECTRONIC BEEPS)
518
00:20:11,460 --> 00:20:13,644
TREVOR:
COME ON IN AND I'LL REVIEW
OUR SECURITY PROTOCOL.
519
00:20:13,646 --> 00:20:15,012
JAY:
OKAY.
520
00:20:15,013 --> 00:20:16,379
TREVOR:
EVERYTHING'S BY THE BOOK.
521
00:20:16,382 --> 00:20:17,782
YOU KNOW THERE WAS THAT
NEAR-BREACH LAST YEAR.
522
00:20:17,784 --> 00:20:19,117
JAY:
YES, WE KNOW.
523
00:20:19,118 --> 00:20:20,451
TREVOR:
WE TIGHTENED EVERYTHING UP.
524
00:20:20,453 --> 00:20:22,753
IT'S IMPOSSIBLE FOR INFORMATION
TO LEAVE THE PREMISES,
525
00:20:22,755 --> 00:20:24,655
PHYSICALLY OR VIRTUALLY.
526
00:20:24,657 --> 00:20:26,724
THERE ARE NO HARD COPIES
OF THE RESEARCH,
527
00:20:26,726 --> 00:20:28,693
NO PORTS IN THE COMPUTERS,
528
00:20:28,695 --> 00:20:31,662
AND THERE'S NO WIRELESS SIGNAL
WITHIN THE FACILITY WALLS.
529
00:20:31,664 --> 00:20:33,497
SO, WE'RE UNHACKABLE.
530
00:20:33,499 --> 00:20:34,632
JAY:
WE KNOW.
531
00:20:36,402 --> 00:20:38,052
THIS SHOULDN'T TAKE LONG.
532
00:20:38,053 --> 00:20:39,703
SPIKE:
THEY HAVE A CONTRACT
WITH THE DEPARTMENT OF DEFENSE
533
00:20:39,706 --> 00:20:41,772
TO BUILD A SMART GUN SYSTEM.
534
00:20:41,774 --> 00:20:42,840
DETAILS ARE CLASSIFIED,
535
00:20:42,842 --> 00:20:44,759
BUT THEY USE
SELF-GUIDED BULLETS.
536
00:20:44,760 --> 00:20:46,677
SAM:
YEAH, THE MILITARY'S BEEN
TESTING PROTOTYPES FOR A WHILE.
537
00:20:46,679 --> 00:20:48,846
THEY GET THIS RIGHT,
IT'S THE PERFECT FIREARM.
538
00:20:48,848 --> 00:20:50,698
MEANING WHAT EXACTLY?
539
00:20:50,699 --> 00:20:52,549
SPIKE:
MEANING IT WILL HIT
EVERY TARGET EVERY TIME.
540
00:20:52,552 --> 00:20:54,552
MEANING ANYBODY
WHO GETS HIS HANDS ON IT
541
00:20:54,554 --> 00:20:57,021
WILL THINK HE'S AN UNSTOPPABLE
KILLING MACHINE.
542
00:20:57,023 --> 00:20:59,290
JULES:
SO IF TECH LIKE THIS
HITS THE STREET...
543
00:20:59,292 --> 00:21:00,758
SPIKE:
YOU THINK GANG WARS
ARE BAD NOW?
544
00:21:00,760 --> 00:21:03,361
WAIT UNTIL THEY HAVE
THE FIREPOWER OF AN ARMY.
545
00:21:03,363 --> 00:21:04,862
GREG, IT'S NOT GONNA MATTER
HOW HARD WE TRAIN.
546
00:21:04,864 --> 00:21:07,431
IF WE START GOING UP AGAINST
GUYS WITH THIS KIND OF FORCE...
547
00:21:07,433 --> 00:21:09,767
PARKER:
I KNOW, EDDIE,
LET'S MOVE!
548
00:21:09,769 --> 00:21:11,836
(RAPID ELECTRONIC BEEPS)
549
00:21:15,575 --> 00:21:17,375
(ELECTRONIC WHOOSHES)
550
00:21:19,779 --> 00:21:20,978
(SOUND DISTORTS)
551
00:21:21,814 --> 00:21:23,814
ED:
MR HOWE, THIS IS ED LANE, SRU.
552
00:21:23,816 --> 00:21:25,783
SIR, WE BELIEVE THERE
ARE UNAUTHORIZED PERSONNEL
553
00:21:25,785 --> 00:21:27,585
ON YOUR PREMISES
554
00:21:27,586 --> 00:21:29,386
LOOKING TO ACCESS
CLASSIFIED INFORMATION.
555
00:21:29,389 --> 00:21:30,421
THAT'S NOT POSSIBLE.
556
00:21:30,423 --> 00:21:31,973
SIR, COULD YOU CHECK
YOUR LOGS,
557
00:21:31,974 --> 00:21:33,524
TELL ME IF THERE ARE
ANY UNFAMILIAR PERSONNEL
558
00:21:33,526 --> 00:21:36,027
ENTERING THE FACILITY
WITHIN THE LAST HALF HOUR.
559
00:21:36,029 --> 00:21:37,895
WE HAVE TWO SECURITY
COMPLIANCE INSPECTORS,
560
00:21:37,897 --> 00:21:39,397
BUT THEY WERE FULLY ACCREDITED.
561
00:21:39,399 --> 00:21:40,564
ED:
ARE THEY STILL IN THERE?
562
00:21:40,566 --> 00:21:41,766
BARNABY:
I'LL FIND OUT.
563
00:21:41,768 --> 00:21:43,034
(PHONE BEEPS OFF)
564
00:21:44,504 --> 00:21:45,770
(WALKIE-TALKIE BEEPS)
ONE-ONE-FIVE, COME IN.
565
00:21:45,772 --> 00:21:47,004
(STATIC CRACKLES)
566
00:21:47,006 --> 00:21:49,040
(WALKIE-TALKIE BEEPS)
ONE-ONE-FIVE, PRIORITY!
567
00:21:49,042 --> 00:21:50,308
(WALKIE-TALKIE BEEPS)
568
00:21:51,444 --> 00:21:52,977
(ELECTRONIC WHOOSHES)
569
00:21:54,947 --> 00:21:56,347
(SOUND DISTORTS)
570
00:21:57,083 --> 00:21:58,549
JAY:
HOW'S IT GOING?
571
00:21:58,551 --> 00:22:00,318
ALMOST DONE.
572
00:22:00,320 --> 00:22:01,819
JAY:
THIS IS EVERYTHING, RIGHT?
573
00:22:01,821 --> 00:22:03,988
ALL THE NOTES, TEST RESULTS,
UPDATES?
574
00:22:03,990 --> 00:22:06,057
EVERYTHING,
I SWEAR TO GOD.
575
00:22:06,059 --> 00:22:08,926
SO WHERE DO YOU KEEP
THE PROTOTYPE?
576
00:22:08,928 --> 00:22:10,428
I SAID WHERE?
577
00:22:10,430 --> 00:22:11,529
IN THE LOCKUP.
578
00:22:11,531 --> 00:22:12,596
SHOW ME.
579
00:22:14,000 --> 00:22:15,366
(ELECTRONIC WHOOSHES)
580
00:22:15,368 --> 00:22:16,500
(SIRENS WAIL)
581
00:22:21,040 --> 00:22:22,606
(SIRENS CUT OFF)
582
00:22:22,608 --> 00:22:23,741
ED,
SAM, JULES, WE'RE GOING IN.
583
00:22:23,743 --> 00:22:25,409
KEEP YOUR EYES OPEN
FOR THE VAN.
584
00:22:25,411 --> 00:22:26,844
SAM:
COPY.
585
00:22:26,846 --> 00:22:28,329
ED:
WHAT'S GOIN' ON?
586
00:22:28,330 --> 00:22:29,813
MY ESCORT'S NOT RESPONDING.
THEY MAY HAVE HIS GUN!
587
00:22:29,816 --> 00:22:30,881
OKAY.
588
00:22:45,565 --> 00:22:46,564
AMMO?
589
00:22:46,566 --> 00:22:47,565
ED:
WHICH WAY?
590
00:22:47,567 --> 00:22:48,750
BARNABY:
HERE.
591
00:22:48,751 --> 00:22:49,934
PARKER:
IS THERE A PHONE
IN THAT ROOM?
592
00:22:49,936 --> 00:22:50,968
BARNABY:
YEAH, HARD-WIRED.
593
00:22:50,970 --> 00:22:52,937
PARKER:
CALL IT, PLEASE.
594
00:22:52,939 --> 00:22:54,472
(PHONE KEYS BEEP)
595
00:22:55,141 --> 00:22:57,675
JAY:
I WANT YOU TO SHOW ME
HOW THIS WORKS.
596
00:22:57,677 --> 00:22:58,943
(TELEPHONE RINGS)
597
00:23:03,549 --> 00:23:04,915
(GUN CLICKS)
TELL ME HOW THIS WORKS.
598
00:23:04,917 --> 00:23:05,916
TREVOR:
UH...
599
00:23:05,918 --> 00:23:07,118
TELL ME.
600
00:23:07,120 --> 00:23:08,719
YOU GET A LOCK
ON YOUR TARGET
601
00:23:08,721 --> 00:23:09,854
WITH THE LASER SIGHT.
602
00:23:09,856 --> 00:23:11,589
IT CHARTS A PATH
FOR THE BULLET,
603
00:23:11,591 --> 00:23:13,457
THE BULLET AUTO-CORRECTS
IN FLIGHT.
604
00:23:13,459 --> 00:23:14,992
BARNABY:
NO ANSWER.
605
00:23:14,994 --> 00:23:17,061
JAY:
WHAT IF MY TARGET'S
BEHIND COVER?
606
00:23:17,063 --> 00:23:20,030
YOU TAKE YOUR READING
FROM THE OBSTRUCTION,
607
00:23:20,032 --> 00:23:22,433
MANUALLY ADJUST THE DISTANCE
ONE YARD OR TWO.
608
00:23:22,435 --> 00:23:24,502
YOU ADJUST YOUR POSITION,
609
00:23:24,504 --> 00:23:26,036
THE GUN MEASURES
THE CHANGE OF ANGLE
610
00:23:26,038 --> 00:23:27,972
BASED ON THE ORIGINAL
LASER READING.
611
00:23:27,974 --> 00:23:31,175
YOU FIRE,
THE BULLET CORRECTS ITS PATH,
612
00:23:31,177 --> 00:23:34,478
YOU HIT THE TARGET
BEHIND THE OBSTRUCTION.
613
00:23:34,480 --> 00:23:35,679
(LAUGHS)
614
00:23:35,681 --> 00:23:37,415
I GOTTA TELL YA,
THAT'S SOMETHING ELSE.
615
00:23:37,417 --> 00:23:38,582
(LAUGHS)
616
00:23:38,584 --> 00:23:39,650
ARE YOU DONE,
ELLIOT?
617
00:23:41,587 --> 00:23:42,653
ELLIOT!
618
00:23:43,623 --> 00:23:45,556
I'M DONE.
619
00:23:45,558 --> 00:23:48,526
JAY:
THIS IS YOUR BRAIN CHILD, HUH?
620
00:23:48,528 --> 00:23:50,995
NO ONE KNOWS THIS STUFF
LIKE YOU?
621
00:23:50,997 --> 00:23:52,696
THAT'S RIGHT.
622
00:23:52,698 --> 00:23:53,531
THAT'S GOOD.
623
00:23:53,533 --> 00:23:54,532
(GUNSHOT BOOMS)
624
00:23:54,534 --> 00:23:55,699
ELLIOT:
(GASPS)
625
00:23:55,701 --> 00:23:58,002
ED:
SHOT FIRED!
GO, GO, GO!
626
00:23:58,004 --> 00:23:59,837
JAY:
LET'S GO.
627
00:23:59,839 --> 00:24:00,838
NOW!
628
00:24:00,840 --> 00:24:02,840
OR LAINIE'S NEXT!
629
00:24:13,820 --> 00:24:15,803
BARNABY:
TREVOR WAS OUR LEAD RESEARCHER.
630
00:24:15,804 --> 00:24:17,787
SPIKE:
THIS IS HOW JAY PENAK
DEALS WITH COMPETITION?
631
00:24:17,790 --> 00:24:20,191
WHERE ARE YOUR WEAPONS KEPT?
632
00:24:22,995 --> 00:24:24,462
(ELECTRONIC BEEPS)
633
00:24:26,165 --> 00:24:28,632
HE'S GOT THE XC-2 PROTOTYPE.
634
00:24:28,634 --> 00:24:29,934
PARKER:
SILVER LINING -
ELLIOT'S SAFE.
635
00:24:29,936 --> 00:24:31,602
AS LONG AS HE'S GOT
THOSE SCHEMATICS,
636
00:24:31,604 --> 00:24:32,803
THEY WON'T LET ANYTHING
HAPPEN TO HIM.
637
00:24:32,805 --> 00:24:33,904
YEAH, BUT NOW THEY'LL DO
WHATEVER IT TAKES
638
00:24:33,906 --> 00:24:35,072
TO GET HIM
TO THE FINISH LINE.
639
00:24:35,074 --> 00:24:36,424
ED:
SPIKE, LET'S GET EYES.
640
00:24:36,425 --> 00:24:37,775
WE GOTTA GET 'EM
BEFORE THEY LEAVE THE BUILDING.
641
00:24:37,777 --> 00:24:39,043
YOUR SECURITY,
WHICH WAY?
642
00:24:39,045 --> 00:24:40,110
FOLLOW ME.
643
00:24:43,182 --> 00:24:44,782
SPIKE:
NO ONE SAW THEM ENTER
THE SECURE ROOM
644
00:24:44,784 --> 00:24:46,116
OR ACCESS THE RESEARCH?
645
00:24:46,118 --> 00:24:47,818
NO CAMERAS IN THAT ROOM.
646
00:24:51,057 --> 00:24:51,906
SECURITY REASONS.
647
00:24:51,907 --> 00:24:52,756
DID THEY GET ACCESS
TO THE FACILITY'S FLOORPLANS
648
00:24:52,758 --> 00:24:54,625
OR THE CCTV SYSTEM?
649
00:24:54,627 --> 00:24:56,026
THE SECURITY ROOM
WAS THEIR FIRST STOP.
650
00:24:56,028 --> 00:24:57,795
SPIKE:
GUYS, ELLIOT SAW THE FLOORPLAN.
651
00:24:57,797 --> 00:24:59,074
THEY GOT AN ADVANTAGE.
652
00:24:59,075 --> 00:25:00,352
THEY'RE GONNA KNOW
EVERY SQUARE INCH OF THIS PLACE.
653
00:25:00,353 --> 00:25:01,630
WELL, AT LEAST THEY CAN'T
GET THE SCHEMATICS
654
00:25:01,634 --> 00:25:03,584
OUT OF THE BUILDING.
655
00:25:03,585 --> 00:25:05,535
ACTUALLY, THEY CAN.
LONG STORY.
656
00:25:05,538 --> 00:25:07,872
ED:
THEY'RE GONNA AVOID THE CAMERAS
IN THE MAIN HALLWAYS.
657
00:25:07,874 --> 00:25:09,573
PARKER:
SPIKE, WHAT ABOUT
SERVICE CORRIDORS?
658
00:25:09,575 --> 00:25:11,575
SPIKE:
YEAH, I WAS JUST THINKING
THE SAME THING.
659
00:25:11,576 --> 00:25:13,576
BOSS, YOU GO STRAIGHT AHEAD,
YOU TURN LEFT.
660
00:25:13,579 --> 00:25:14,845
LEAH: (OVER P.A.)
ATTENTION ALL EMPLOYEES.
661
00:25:14,847 --> 00:25:16,947
THIS IS
THE STRATEGIC RESPONSE UNIT.
662
00:25:16,949 --> 00:25:18,816
PLEASE LEAVE ALL OPEN AREAS
IMMEDIATELY.
663
00:25:18,818 --> 00:25:20,273
JAY:
DAMN IT! LET'S GO!
664
00:25:20,274 --> 00:25:21,729
LEAH: (OVER P.A.)
REMAIN BEHIND LOCKED DOORS
665
00:25:21,730 --> 00:25:23,185
UNTIL WE GIVE YOU
THE ALL-CLEAR.
666
00:25:23,189 --> 00:25:25,556
OKAY, THIS FACILITY'S
GOT FOUR EXITS.
667
00:25:25,558 --> 00:25:27,658
YOU GOT TWO EXITS
ON THE SOUTH SIDE.
668
00:25:27,660 --> 00:25:30,127
LEAH:
SO ELLIOT AND JAY,
THEY'RE HEADED HERE OR HERE.
669
00:25:30,129 --> 00:25:32,563
SPIKE:
ED, SERVICE CORRIDOR C.
670
00:25:32,565 --> 00:25:34,965
WE DON'T KNOW IF HE'S GOING
TO THE EAST OR THE WEST EXIT.
671
00:25:34,967 --> 00:25:37,435
I'LL BACK YOU UP.
672
00:25:37,436 --> 00:25:39,904
ED:
LEAH, WEST EXIT WITH THE BOSS.
I'LL TAKE THE EAST.
673
00:25:39,906 --> 00:25:40,905
ELLIOT:
BUT THE POLICE ARE-
674
00:25:40,907 --> 00:25:42,072
JAY:
JUST KEEP MOVIN'!
675
00:25:42,074 --> 00:25:43,140
WHICH WAY?
676
00:25:45,211 --> 00:25:46,277
COME ON!
677
00:25:53,619 --> 00:25:56,186
ELLIOT:
(PANICKED BREATHING)
678
00:25:56,188 --> 00:25:57,254
WHICH WAY?
679
00:25:58,791 --> 00:26:00,190
WHICH WAY?
680
00:26:01,727 --> 00:26:04,962
(BOOMING GUNSHOT,
DISTORTED CRACKLES)
681
00:26:07,133 --> 00:26:08,198
I CAN'T DO THIS ANYMORE.
682
00:26:08,200 --> 00:26:09,900
JAY:
EAST EXIT.
WHICH WAY?
683
00:26:09,902 --> 00:26:11,385
I'M SORRY,
I CAN'T SEE IT.
684
00:26:11,386 --> 00:26:12,869
JAY:
YOU START SEEIN' IT
OR LAINIE SUMMERS IS GONNA DIE,
685
00:26:12,872 --> 00:26:14,572
DO YOU HEAR ME?
686
00:26:14,574 --> 00:26:16,106
(SOUND DISTORTS)
687
00:26:16,108 --> 00:26:17,775
WOMAN'S ECHOING VOICE:
(LAUGHING)
688
00:26:17,777 --> 00:26:20,411
EAST EXIT!
689
00:26:20,412 --> 00:26:23,046
WOMAN'S ECHOING VOICE:
ELLIOT...
ELLIOT, WHAT ARE YOU DOING?
690
00:26:23,049 --> 00:26:24,348
JAY:
THINK BRANIAC!
COME ON!
691
00:26:24,350 --> 00:26:26,216
FOR GOD SAKE,
WE'RE OUT OF TIME!
692
00:26:26,218 --> 00:26:28,102
FOCUS!
693
00:26:28,103 --> 00:26:29,987
WOMAN'S ECHOING VOICE:
ELLIOT, YOU NEED TO LISTEN
TO ME.
694
00:26:29,989 --> 00:26:32,022
YOU NEED TO LISTEN TO ME
RIGHT NOW.
695
00:26:32,024 --> 00:26:34,158
WHAT ARE YOU DOING?
696
00:26:35,761 --> 00:26:36,760
IT'S THAT WAY.
697
00:26:36,762 --> 00:26:38,796
JAY:
GOOD. OKAY, GO! GO, GO!
698
00:26:39,031 --> 00:26:40,698
SPIKE:
WHAT CAN YOU TELL ME
ABOUT THIS SMART GUN?
699
00:26:40,700 --> 00:26:42,032
WELL, THE BULLET
HAS AN ONBOARD CHIP
700
00:26:42,034 --> 00:26:43,634
AND THE GUN
HAS A LASER SIGHT.
701
00:26:43,636 --> 00:26:45,002
THE GUN TELLS THE BULLET
WHERE TO GO.
702
00:26:45,004 --> 00:26:46,804
BY RADIO SIGNAL.
703
00:26:48,007 --> 00:26:49,106
JULES:
VEHICLE'S APPROACHING
THE DELIVERY DOOR,
704
00:26:49,108 --> 00:26:50,874
BLACK ALPHA TWO.
705
00:26:50,876 --> 00:26:52,009
WE'LL STAND BY TO INTERCEPT.
706
00:26:52,011 --> 00:26:53,944
SPIKE:
THERE. EAST EXIT, ED!
707
00:26:53,946 --> 00:26:55,930
PARKER:
WHICH WAY, SPIKE?
708
00:26:55,931 --> 00:26:57,915
SPIKE:
BOSS, LEAH, YOU GUYS GO
STRAIGHT PAST THE LOADING BAY,
709
00:26:57,917 --> 00:26:59,650
THEN YOU GO LEFT.
ED'S NEARLY THERE!
710
00:26:59,652 --> 00:27:01,685
(QUIETLY) LET'S FLANK HIM.
HE WON'T KNOW WHAT HIT HIM.
711
00:27:01,687 --> 00:27:03,287
PARKER:
COPY. ED, WE'RE RIGHT
BEHIND YOU.
712
00:27:03,289 --> 00:27:04,355
ON MY GO.
713
00:27:17,903 --> 00:27:18,902
HE'S HERE.
714
00:27:18,904 --> 00:27:19,970
(GUN CLICKS)
715
00:27:21,340 --> 00:27:22,806
ELLIOT:
PLEASE DON'T HURT ANYBODY ELSE.
716
00:27:22,807 --> 00:27:24,273
YOU HAVE ME.
YOU HAVE EVERYTHING YOU NEED!
717
00:27:24,276 --> 00:27:26,143
DON'T, PLEASE! PLEASE!
718
00:27:26,145 --> 00:27:27,945
PUT THE WEAPON DOWN!
719
00:27:27,947 --> 00:27:29,146
(DISTORTED BOOM)
720
00:27:32,385 --> 00:27:35,219
(HARD IMPACT,
ED GRUNTS IN PAIN)
721
00:27:35,221 --> 00:27:36,220
(HARD THUMP)
722
00:27:36,222 --> 00:27:37,187
NO.
723
00:27:37,189 --> 00:27:38,255
ED, STATUS.
724
00:27:39,358 --> 00:27:40,424
COME ON.
725
00:27:43,829 --> 00:27:45,796
PARKER:
SPIKE, CAN YOU GET EYES
IN THERE?
726
00:27:45,798 --> 00:27:47,231
ED'S HIT.
BOSS, I DON'T HAVE A VISUAL!
727
00:27:49,301 --> 00:27:50,701
PARKER:
EDDIE.
728
00:27:50,703 --> 00:27:52,369
COME ON, BUDDY,
TALK TO ME.
729
00:27:52,371 --> 00:27:54,038
ED:
(GRIMACES IN PAIN)
730
00:27:54,974 --> 00:27:56,206
(GUN CLATTERS)
731
00:27:59,078 --> 00:28:01,245
PARKER:
OKAY, JAY,
732
00:28:01,247 --> 00:28:02,680
I'M SERGEANT PARKER
WITH THE POLICE.
733
00:28:02,682 --> 00:28:04,314
I JUST WANT TO KNOW
IF MY GUY'S ALL RIGHT.
734
00:28:04,316 --> 00:28:05,816
JAY:
STEP BACK!
735
00:28:05,818 --> 00:28:06,817
PARKER:
(QUIETLY OVER RADIO)
EDDIE.
736
00:28:06,819 --> 00:28:07,951
(GRIMACING)
I'M OKAY.
737
00:28:07,953 --> 00:28:09,086
(RELIEVED SIGH)
738
00:28:11,924 --> 00:28:14,725
JAY:
HEY, STAY CALM
AND CUFF HIM.
739
00:28:17,029 --> 00:28:19,063
PARKER:
SAM, JULES, MOVE IN ON THE VAN.
740
00:28:21,734 --> 00:28:23,701
SAM:
(CCELERATES)
MOVING IN ON THE VAN!
741
00:28:23,703 --> 00:28:24,935
(SIREN CHIRPS)
742
00:28:26,272 --> 00:28:27,404
JULES AND SAM:
POLICE! DROP IT!
743
00:28:27,406 --> 00:28:28,939
DON'T EVEN THINK ABOUT IT!
DROP IT NOW!
744
00:28:28,941 --> 00:28:30,708
ON THE GROUND NOW!
DROP YOUR WEAPON NOW!
745
00:28:30,710 --> 00:28:31,742
HANDS WHERE I CAN SEE THEM!
ON THE GROUND!
746
00:28:31,744 --> 00:28:33,777
JULES:
DROP IT! DROP IT!
747
00:28:33,779 --> 00:28:36,814
HEY, JAY,
YOU GOT WHAT YOU CAME FOR.
748
00:28:36,816 --> 00:28:39,149
NOW ALL I'M ASKING YOU TO DO
IS WALK AWAY FROM THAT OFFICER.
749
00:28:39,151 --> 00:28:40,984
NO, HE'S COMIN' WITH US!
750
00:28:40,986 --> 00:28:42,352
ANYTHING OR ANYBODY
GETS IN THE WAY
751
00:28:42,354 --> 00:28:44,021
AND I'M GONNA KILL HIM!
752
00:28:46,258 --> 00:28:49,226
COME ON, LET'S GET HIM UP!
STAND HIM UP.
753
00:28:50,162 --> 00:28:51,929
YOU'RE GONNA HAVE TO CALL OFF
YOUR REINFORCEMENTS
754
00:28:51,931 --> 00:28:53,047
AND GIVE US CLEAR PASSAGE,
DO YOU HEAR ME?!
755
00:28:53,048 --> 00:28:54,164
ED:
(QUIETLY INTO RADIO)
STAY WITH US, STAY WITH US.
756
00:28:54,166 --> 00:28:55,733
WE'LL FIND A WAY.
757
00:28:55,735 --> 00:28:56,800
(RADIO SQUAWKS)
758
00:28:58,804 --> 00:29:00,938
JAY:
YOU HEAR ME?!
759
00:29:00,940 --> 00:29:04,274
PARKER:
OKAY, TEAM, STAND DOWN. LEAH.
760
00:29:04,276 --> 00:29:07,211
SAM, JULES,
TEAM ONE STAND DOWN.
761
00:29:08,147 --> 00:29:10,448
BOSS, SAY AGAIN?
762
00:29:10,449 --> 00:29:12,750
PARKER:
STAND DOWN,
YOU HEARD HIM.
763
00:29:14,053 --> 00:29:15,152
SAM:
YES, SIR.
764
00:29:15,154 --> 00:29:16,887
ALL RIGHT,
YOU'VE GOT CLEAR PASSAGE!
765
00:29:16,889 --> 00:29:19,223
JAY:
LET'S GO!
GET THE DOOR!
766
00:29:19,225 --> 00:29:20,891
(DOOR BANGS OPEN)
767
00:29:23,462 --> 00:29:25,028
PARKER:
ALL RIGHT, LET'S GO.
768
00:29:25,030 --> 00:29:26,096
GO.
769
00:29:32,338 --> 00:29:34,238
AARON:
LET'S GO.
770
00:29:34,240 --> 00:29:36,090
SAM:
WHAT'S THE PLAN, BOSS?
771
00:29:36,091 --> 00:29:37,941
PARKER:
THE THREAT TO ED IS REAL.
WE CO-OPERATE FOR NOW.
772
00:29:37,943 --> 00:29:40,944
WE'RE NOT TAKING THAT CHANCE.
773
00:29:44,784 --> 00:29:45,849
ED:
ALL RIGHT!
774
00:29:45,851 --> 00:29:48,152
JAY:
COME ON, GET IN THERE!
775
00:29:48,154 --> 00:29:49,486
LET'S GO!
776
00:29:52,491 --> 00:29:54,324
(VAN STARTS UP)
777
00:29:54,326 --> 00:29:57,261
PARKER:
SAM, LET'S GET A GPS
ON THAT VAN!
778
00:29:57,263 --> 00:29:58,796
SAM:
I'M ON IT!
779
00:30:08,340 --> 00:30:10,040
(LOUD BOOM AND CLANK,
ELECTRONIC BEEP)
780
00:30:10,042 --> 00:30:11,041
YOU GOT IT!
781
00:30:11,043 --> 00:30:12,242
PARKER:
LET'S GO.
782
00:30:18,083 --> 00:30:19,416
(SIRENS WAIL)
783
00:30:19,418 --> 00:30:21,251
JULES:
THEY'RE FOUR BLOCKS AWAY.
LET'S MOVE!
784
00:30:21,253 --> 00:30:22,486
PARKER:
THE SECOND
THEY SEE US INTERFERE,
785
00:30:22,488 --> 00:30:24,354
WE'VE GOT A SERIOUS RISK TO ED.
786
00:30:24,356 --> 00:30:26,423
SAM:
WE KEEP OUR DISTANCE,
WE PLAN ON THE FLY.
787
00:30:26,425 --> 00:30:27,791
(SIRENS WAIL)
788
00:30:27,792 --> 00:30:29,158
JAY:
PICKED UP SOME COLLATERAL,
BUT NO ONE'S GONNA INTERFERE.
789
00:30:29,161 --> 00:30:30,227
IT'LL WORK.
790
00:30:32,164 --> 00:30:33,163
OH MY GOD.
791
00:30:33,165 --> 00:30:34,565
BREATHE, ELLIOT,
BREATHE.
792
00:30:34,566 --> 00:30:35,966
ELLIOT:
MY GOD, HE'S DEAD,
HE'S DEAD.
793
00:30:35,968 --> 00:30:37,334
JUST BREATHE.
M.
794
00:30:37,336 --> 00:30:38,535
ELLIOT, ELLIOT,
JUST BREATHE-
NO TALKING!
795
00:30:38,537 --> 00:30:40,337
ED:
I'M JUST TRYING
TO CALM HIM DOWN.
796
00:30:40,339 --> 00:30:41,672
YOU HEARD ME.
797
00:30:41,673 --> 00:30:43,006
WHAT'RE YOU GONNA DO?
YOU GONNA SHOOT US?
798
00:30:43,007 --> 00:30:44,340
LET ME JUST TALK TO HIM.
I'M GONNA CALM HIM DOWN.
799
00:30:44,343 --> 00:30:47,211
YOU NEED HIM CALM,
SO LET ME TALK.
800
00:30:47,213 --> 00:30:48,245
ELLIOT,
LISTEN TO ME.
801
00:30:48,247 --> 00:30:49,379
I DIDN'T MEAN FOR THIS
TO HAPPEN.
802
00:30:49,381 --> 00:30:51,215
ALL I WANTED TO DO,
ALL I WANTED WAS-
803
00:30:51,217 --> 00:30:55,085
YOU JUST WANTED TO FORGET.
I UNDERSTAND.
804
00:30:55,087 --> 00:30:56,320
ELLIOT, I KNOW ABOUT
YOUR CONDITION
805
00:30:56,322 --> 00:30:59,957
AND KNOW HOW DIFFICULT
THIS IS FOR YOU.
806
00:30:59,959 --> 00:31:01,458
NOW, SON,
I DON'T HAVE WHAT YOU HAVE,
807
00:31:01,460 --> 00:31:05,028
BUT TELL ME
IF THIS SOUNDS FAMILIAR.
808
00:31:05,030 --> 00:31:07,965
SOMETIMES I'LL BE DOING
SOMETHING ORDINARY
809
00:31:07,967 --> 00:31:11,935
AND FOR NO REASON AT ALL
I SEE SOMETHING
810
00:31:11,937 --> 00:31:15,138
AND I REMEMBER A GIRL
THAT I SAW DIE
811
00:31:15,140 --> 00:31:17,140
AND THE IMAGES FLOOD MY MIND
AND I CAN'T CONTROL IT.
812
00:31:17,142 --> 00:31:18,375
IT JUST HAPPENS,
ELLIOT.
813
00:31:18,377 --> 00:31:20,377
I COULD BE LOOKIN'
AT A COFFEE POT
814
00:31:20,379 --> 00:31:22,179
OR A GOLF BALL...
815
00:31:22,181 --> 00:31:24,081
AND ONE THING JUST FLIPS OVER
INTO THE NEXT THING
816
00:31:24,083 --> 00:31:27,150
AND EVERYTHING TAKES YOU
SOME PLACE YOU DON'T WANNA BE.
817
00:31:27,152 --> 00:31:29,086
AND THE MORE YOU TRY
NOT TO THINK ABOUT IT
818
00:31:29,088 --> 00:31:30,187
THE WORSE IT GETS.
819
00:31:30,189 --> 00:31:33,090
YEAH, YEAH.
EVERYTHING YOU'VE DONE,
820
00:31:33,092 --> 00:31:36,059
EVERYTHING YOU SHOULD
HAVE DONE...
821
00:31:36,061 --> 00:31:38,495
EVERYBODY THAT YOU LOST,
RIGHT?
822
00:31:39,431 --> 00:31:40,497
YEAH.
823
00:31:41,433 --> 00:31:43,467
(CELL PHONE RINGS,
PHONE BEEPS ON)
824
00:31:43,469 --> 00:31:45,636
MARSHALL:
YEAH? WE'RE EN ROUTE.
825
00:31:45,638 --> 00:31:48,338
SO WHAT HAPPENED HERE
WITH THESE GUYS?
826
00:31:48,340 --> 00:31:50,641
ELLIOT:
UH, TWO DAYS AGO,
GUY COMES TO MY DOOR.
827
00:31:50,643 --> 00:31:53,443
HE SAID
HE KNEW A LOT ABOUT ME,
828
00:31:53,445 --> 00:31:55,946
AND HE SAID HE WANTS ME
TO DO A SIMPLE JOB FOR HIM
829
00:31:55,948 --> 00:31:57,414
FOR A CRAZY AMOUNT OF MONEY.
830
00:31:57,416 --> 00:31:59,449
HE DIDN'T TELL ME
WHAT THE JOB WAS.
831
00:31:59,451 --> 00:32:01,051
NO, THANK YOU.
832
00:32:01,053 --> 00:32:02,352
JAY:
ARE YOU SURE?
833
00:32:02,354 --> 00:32:05,022
I MEAN, COME ON, ELLIOT,
THINK ABOUT THE FREEDOM.
834
00:32:05,024 --> 00:32:06,273
YOU TAKE A LONG HOLIDAY
835
00:32:06,274 --> 00:32:07,523
AND VISIT THAT
ROSETTA STONE AGAIN.
836
00:32:07,526 --> 00:32:08,625
NO, THANK YOU.
837
00:32:08,627 --> 00:32:10,193
ALL RIGHT, FINE.
838
00:32:10,195 --> 00:32:11,495
THEN I'LL DOUBLE MY OFFER
839
00:32:11,496 --> 00:32:12,796
AND THAT'LL GIVE YOU A CHANCE
TO BUY BACK
840
00:32:12,797 --> 00:32:14,097
THE OLD FAMILY COTTAGE.
841
00:32:14,099 --> 00:32:15,198
YOU SEE, ELLIOT,
I KNOW YOU.
842
00:32:15,200 --> 00:32:17,501
I'VE DONE MY RESEARCH.
843
00:32:18,437 --> 00:32:21,171
YOU'VE VERY VALUABLE
TO ME, ELLIOT.
844
00:32:21,173 --> 00:32:24,041
(SOUND DISTORTS)
I KNOW LAINIE SUMMERS.
845
00:32:24,043 --> 00:32:28,278
I'M SURE YOU WOULDN'T WANT
TO SEE HER GET HURT.
846
00:32:28,280 --> 00:32:29,646
AND I KNOW YOU'RE NOT GONNA
WANT TO KNOW WHAT HAPPENS
847
00:32:29,648 --> 00:32:33,216
IF YOU TELL THE POLICE
ABOUT THIS CONVERSATION.
848
00:32:33,218 --> 00:32:37,321
ELLIOT:
AND SO HE SAYS HE'S GLAD
THAT I SEE THINGS HIS WAY.
849
00:32:37,323 --> 00:32:38,588
HE SAID HE HAD TO MAKE
PREPARATIONS
850
00:32:38,590 --> 00:32:41,525
AND HE WOULD BE BACK
AT 11 A.M. TODAY TO GET ME.
851
00:32:41,527 --> 00:32:43,493
BY WHICH TIME
YOU'D BE DEAD.
852
00:32:43,495 --> 00:32:46,029
ED, I COULDN'T LET ANYTHING
HAPPEN TO HER.
853
00:32:46,031 --> 00:32:47,197
I WOULDN'T LET THEM
TOUCH HER.
854
00:32:47,199 --> 00:32:48,398
SHE'S THE ONLY ONE
I TRUST WITH EVERYTHING -
855
00:32:48,400 --> 00:32:51,068
THE TRUTH, OKAY?
856
00:32:51,070 --> 00:32:53,070
I WOULD DO ANYTHING
TO KEEP HER SAFE.
857
00:32:53,072 --> 00:32:55,105
YOU KNOW WHAT
I'M REMEMBERING?
858
00:32:55,107 --> 00:32:57,441
I REMEMBER A GIRL
IN A PEACH-COLOURED SHIRT
859
00:32:57,443 --> 00:32:59,743
AND THE TASTE
OF GINGER TEA.
860
00:32:59,745 --> 00:33:01,111
WHAT, YOU MEAN SHE'S,
SHE'S...
861
00:33:01,113 --> 00:33:02,179
SHH...
862
00:33:03,182 --> 00:33:05,115
MARSHALL:
NO, IT'S NOT A PROBLEM.
863
00:33:05,117 --> 00:33:07,084
WE'RE GONNA COVER IT
WITH CASH.
864
00:33:07,086 --> 00:33:08,418
SHE'S ALL RIGHT,
AND I'M PRETTY SURE
865
00:33:08,420 --> 00:33:10,821
SHE'D WANT TO SEE YOU
IN ONE PIECE,
866
00:33:10,822 --> 00:33:13,223
SO HELP ME GET OUT
OF THIS NOW, OKAY?
867
00:33:13,225 --> 00:33:14,524
JUST FOCUS.
868
00:33:14,526 --> 00:33:16,126
(SIRENS WAIL)
869
00:33:17,096 --> 00:33:19,062
JULES:
THEY'RE HEADING NORTHWEST,
CITY LIMITS.
870
00:33:19,064 --> 00:33:20,764
SPIKE:
IF I WERE JAY
AND MONEY'S NO OBJECT?
871
00:33:20,766 --> 00:33:22,599
I'D TAKE A FLIGHT OUT
UNDER THE RADAR,
872
00:33:22,601 --> 00:33:23,667
TAKE ELLIOT WITH ME,
873
00:33:23,669 --> 00:33:25,386
DOWNLOAD SOMEWHERE SAFE.
874
00:33:25,387 --> 00:33:27,104
SAM:
ANY CHANCE THEY'RE HEADING
TOWARD AN AIRPORT?
875
00:33:27,106 --> 00:33:28,705
JULES:
THEY JUST TOOK A RIGHT.
IF THEY KEEP GOING STRAIGHT
876
00:33:28,707 --> 00:33:30,407
THEY'RE GONNA END UP
IN BUTTONVILLE.
877
00:33:30,409 --> 00:33:32,175
LEAH:
THAT'S A COMMUTER AIRPORT.
878
00:33:32,177 --> 00:33:33,521
PRIVATE FLIGHTS.
879
00:33:33,522 --> 00:33:34,866
THEY CAN PUDDLE-JUMP ANYWHERE
FROM THERE.
880
00:33:34,867 --> 00:33:36,211
JULES:
I'LL MAKE THE CALL.
(CELL PHONE KEYS BEEP)
881
00:33:36,215 --> 00:33:37,347
(SIRENS WAIL)
882
00:33:43,789 --> 00:33:45,222
ED: WHAT'S WRONG?
ELLIOT: (GASPS AND JERKS)
883
00:33:45,224 --> 00:33:46,656
HE'S HAVING A SEIZURE!
HE'S HAVING A SEISURE!
884
00:33:46,658 --> 00:33:48,225
YOU HAVE TO GIVE HIM
HIS MEDICATION!
885
00:33:48,227 --> 00:33:51,228
(HARD PUNCH,
MARSHALL GRUNTS IN PAIN)
886
00:33:51,230 --> 00:33:53,363
DON'T MOVE
AND DON'T TALK!
887
00:33:54,299 --> 00:33:57,367
HELP ME WITH THE CUFFS.
GIVE ME YOUR TIE.
888
00:33:58,303 --> 00:33:59,948
NOT A WORD.
889
00:33:59,949 --> 00:34:01,594
JULES:
I JUST TALKED TO BUTTONVILLE.
890
00:34:01,595 --> 00:34:03,240
THERE'S A PRIVATE PLANE
PERMITTED TO THE AIRFIELD.
891
00:34:03,242 --> 00:34:04,274
IT'S SCHEDULED TO LEAVE
IN TEN MINUTES.
892
00:34:04,276 --> 00:34:06,043
(CELL PHONE RINGS)
893
00:34:10,382 --> 00:34:12,382
SPIKE: SCARLATTI.
ED: SPIKE, IT'S ED.
894
00:34:12,384 --> 00:34:13,650
ED, TALK TO ME.
895
00:34:13,652 --> 00:34:14,902
WHERE ARE WE GOING?
896
00:34:14,903 --> 00:34:16,153
SPIKE:
PRETTY SURE YOU'RE HEADED
TO BUTTONVILLE
897
00:34:16,155 --> 00:34:17,237
FOR A FLIGHT OUT.
898
00:34:17,238 --> 00:34:18,320
ED:
ALL RIGHT, WE TOOK OUT
THE BABYSITTER.
899
00:34:18,323 --> 00:34:19,656
I GOT HIS GUN.
900
00:34:19,658 --> 00:34:21,124
JAY STILL HAS
THE TRUMP CARD HERE.
901
00:34:21,126 --> 00:34:22,192
WHAT DO WE KNOW?
902
00:34:22,194 --> 00:34:23,427
THE WEAPON THEY TOOK
IS A PROTOTYPE
903
00:34:23,429 --> 00:34:25,295
OF AN EARLIER WORK-IN-PROGRESS.
904
00:34:25,297 --> 00:34:26,696
WE HAVE GOT TO DISABLE
THAT GUN.
905
00:34:26,698 --> 00:34:28,198
ELLIOT:
I'VE GOT THE SPECS.
906
00:34:28,200 --> 00:34:30,133
ED:
THAT'S RIGHT,
YOU DO.
907
00:34:30,135 --> 00:34:31,668
CAN YOU DISABLE IT REMOTELY?
908
00:34:31,670 --> 00:34:33,103
I DON'T KNOW.
I MEAN, IT'S ALL IN MY HEAD,
909
00:34:33,105 --> 00:34:35,272
BUT I DON'T UNDERSTAND
MOST OF IT.
910
00:34:35,274 --> 00:34:36,673
ED:
OKAY, SPIKE,
911
00:34:36,675 --> 00:34:39,309
TALK TO ELLIOT,
SEE IF WE CAN NARROW THIS DOWN.
912
00:34:39,311 --> 00:34:40,811
GO.
913
00:34:40,813 --> 00:34:43,213
SPIKE:
THE BULLET AND THE GUN
TALK TO EACH OTHER
914
00:34:43,215 --> 00:34:45,232
ON A RADIO FREQUENCY.
915
00:34:45,233 --> 00:34:47,250
WE CAN'T STOP HIM FIRING,
BUT IF WE OVERRIDE THE SIGNAL
916
00:34:47,252 --> 00:34:48,852
WE CAN TAKE THE "SMART"
OUT OF THE BULLET.
917
00:34:48,854 --> 00:34:51,288
OKAY, ELLIOT, ANY REFERENCE
TO RADIO FREQUENCY,
918
00:34:51,290 --> 00:34:52,422
RADIO GUIDANCE?
919
00:34:53,392 --> 00:34:54,458
UH...
920
00:34:57,563 --> 00:34:58,628
UH...
921
00:34:59,665 --> 00:35:00,931
JAY:
ARE YOU SURE?
922
00:35:00,932 --> 00:35:02,198
ELLIOT:
(CRYING) I'M SO SORRY,
LAINIE.
923
00:35:02,201 --> 00:35:03,600
WHAT'S GOING ON,
ELLIOT?
924
00:35:03,602 --> 00:35:05,569
I'M, I'M TRYING.
I'M SORRY, I'M TRYING.
925
00:35:05,571 --> 00:35:07,671
IT'S OKAY, IT'S OKAY,
YOU CAN DO THIS.
926
00:35:07,673 --> 00:35:10,307
SPIKE:
WE NEED THE SPECIFIC CHANNEL
THAT THE GUN USES
927
00:35:10,309 --> 00:35:12,876
TO COMMUNICATE
WITH THE BULLET.
928
00:35:12,878 --> 00:35:14,277
(SOUND DISTORTS)
929
00:35:16,381 --> 00:35:20,217
"RP-4280/
RESULTS OF PHASE THREE TESTS
930
00:35:20,219 --> 00:35:21,885
TO RADIO GUIDANCE SYSTEM."
931
00:35:21,886 --> 00:35:23,552
ED:
GOOD WORK, GOOD WORK.
SPIKE?
932
00:35:23,555 --> 00:35:26,156
SPIKE:
WE'RE LOOKING FOR A NUMBER,
A MEGAHERTZ RANGE,
933
00:35:26,158 --> 00:35:28,358
SOMEWHERE BETWEEN 100 AND 150.
934
00:35:29,294 --> 00:35:31,394
ELLIOT:
(BREATHES ERRATICALLY)
935
00:35:31,897 --> 00:35:32,896
(SOUND DISTORTS)
936
00:35:32,898 --> 00:35:34,764
I CAN'T SEE IT.
937
00:35:34,766 --> 00:35:37,334
SPIKE:
MAYBE NOT MEGAHERTZ,
MAYBE MHZ.
938
00:35:37,336 --> 00:35:39,169
(SOUND DISTORTS)
939
00:35:41,273 --> 00:35:42,589
UH...
940
00:35:42,590 --> 00:35:43,906
ELLIOT, JUST BREATHE,
SLOW IT RIGHT DOWN.
941
00:35:43,909 --> 00:35:46,843
(EXHALES SLOWLY)
942
00:35:46,844 --> 00:35:49,778
ED:
THAT'S IT, THAT'S IT,
THAT'S IT. YOU GOT IT.
943
00:35:51,216 --> 00:35:52,582
THERE YOU GO.
944
00:35:52,584 --> 00:35:53,884
(SOUND DISTORTS)
945
00:35:54,820 --> 00:35:56,386
ELLIOT:
HERE.
946
00:35:56,388 --> 00:35:58,188
MHZ. 122.8.
947
00:35:58,190 --> 00:36:00,724
THE BULLET RECEIVES ITS SIGNAL
AT 122.8 MHZ.
948
00:36:00,726 --> 00:36:02,792
NICE. SPIKE?
949
00:36:02,794 --> 00:36:05,462
SPIKE:
122.8, 122.8, 122.8.
950
00:36:06,398 --> 00:36:07,697
ED:
NICE! NICE!
951
00:36:07,699 --> 00:36:09,766
BETTER THAN NICE.
WE SHOULD BE ABLE TO JAM IT
952
00:36:09,768 --> 00:36:11,835
USING A WALKIE
AT THAT FREQUENCY,
953
00:36:11,837 --> 00:36:13,770
USE THE AIRPORT'S ANTENNA
TO BOOST THE SIGNAL.
954
00:36:13,772 --> 00:36:15,906
THE ANTENNA SIGNAL'S
WAY MORE POWERFUL THAN THE GUN.
955
00:36:15,908 --> 00:36:17,697
IT SHOULD OVERRIDE IT
956
00:36:17,698 --> 00:36:19,487
AND MAKE THE BULLET
UNSTEERABLE.
957
00:36:19,488 --> 00:36:21,277
LEAH, WE NEED TO GET WITHIN
40 METRES OF THAT WEAPON.
958
00:36:21,280 --> 00:36:22,279
SPIKE, CAN YOU BE
AT THAT AIRPORT
959
00:36:22,281 --> 00:36:23,313
BEFORE WE ARE?
960
00:36:23,315 --> 00:36:24,915
WE'RE GAINING GROUND.
961
00:36:24,917 --> 00:36:26,383
OKAY, I'M GONNA TRY
AND STALL 'EM.
962
00:36:26,384 --> 00:36:27,850
GET THERE AS SOON AS YOU CAN.
963
00:36:27,853 --> 00:36:29,519
ELLIOT, GOOD WORK.
964
00:36:29,521 --> 00:36:31,354
122.8.
965
00:36:31,356 --> 00:36:33,623
OKAY, EDDIE'S THEIR SAFE PASSAGE
ONTO THAT PLANE.
966
00:36:33,625 --> 00:36:35,525
AFTER THAT...
967
00:36:35,527 --> 00:36:36,593
HE'S DISPOSABLE.
968
00:36:44,503 --> 00:36:45,835
(AIRPLANE HUMS)
969
00:36:52,878 --> 00:36:54,444
AARON:
WHAT DO WE DO
WITH THE COP?
970
00:36:54,446 --> 00:36:55,523
JAY:
WELL, HE'S GONNA KNOW
WE FLEW OUT.
971
00:36:55,524 --> 00:36:56,601
AARON:
HE DOESN'T HAVE TO KNOW WHERE.
972
00:36:56,602 --> 00:36:57,679
JAY:
WELL, THAT'S NOT GONNA HAPPEN.
973
00:36:57,683 --> 00:36:59,083
AARON:
OKAY.
974
00:36:59,084 --> 00:37:00,484
JAY:
WE'RE GONNA GET HIM
ON THIS PLANE
975
00:37:00,485 --> 00:37:01,885
AND DUMP HIM EN ROUTE.
LET'S GO.
976
00:37:01,887 --> 00:37:03,954
ED:
(DOOR BANGS OPEN)
DON'T DO IT!
977
00:37:03,956 --> 00:37:05,455
DON'T DO IT!
978
00:37:06,391 --> 00:37:07,424
YOU'RE NOT GONNA
SHOOT HIM.
979
00:37:07,426 --> 00:37:08,325
YOU THINK I'D EVER
LET THAT GUN
980
00:37:08,327 --> 00:37:10,327
GET OUT ON THE STREET?
981
00:37:10,329 --> 00:37:12,462
YOU THINK I'D EVER,
EVER LET THAT HAPPEN?
982
00:37:12,464 --> 00:37:14,264
BY SHOOTING
AN INNOCENT PERSON?
983
00:37:14,266 --> 00:37:18,335
ONE LIFE FOR THOUSANDS?
THAT'S A NO-BRAINER.
984
00:37:18,337 --> 00:37:19,469
OR WE COULD END THIS
RIGHT HERE.
985
00:37:19,471 --> 00:37:20,670
LOOK AROUND YOU.
986
00:37:29,248 --> 00:37:31,715
KEEP YOUR GUN
ON THE COP.
987
00:37:33,418 --> 00:37:34,651
(SIREN CHIRPS)
988
00:37:41,760 --> 00:37:42,826
(SIREN WHIRS)
989
00:37:49,434 --> 00:37:51,434
PARKER:
JAY, I SUGGEST
YOU PUT YOUR GUNS DOWN,
990
00:37:51,436 --> 00:37:53,903
YOU AND YOUR FRIEND!
991
00:37:53,905 --> 00:37:55,705
JAY:
YOU KNOW HOW THIS WORKS,
RIGHT?
992
00:37:55,707 --> 00:37:57,941
THOSE SHIELDS ARE REDUNDANT!
993
00:37:57,943 --> 00:37:59,443
THIS BULLET WILL FIND YOU.
994
00:37:59,444 --> 00:38:00,944
I PULL THIS TRIGGER
AND YOU'RE DEAD!
995
00:38:00,946 --> 00:38:02,979
SPIKE:
NOT IF WE GET THIS RIGHT
HE'S NOT.
996
00:38:02,981 --> 00:38:04,881
JAY:
SO, YOU SEE,
YOU HAVE NO CHOICE.
997
00:38:04,883 --> 00:38:05,982
MATH'S NOT ON YOUR SIDE.
998
00:38:05,984 --> 00:38:08,351
SO HERE'S WHAT'S GONNA HAPPEN:
999
00:38:08,353 --> 00:38:10,754
YOU'RE GONNA LET US GO
OR ONE OF YOU IS GONNA DIE!
1000
00:38:10,756 --> 00:38:11,955
THAT'S GUARANTEED!
1001
00:38:11,957 --> 00:38:13,590
PARKER:
SPIKE...
1002
00:38:13,592 --> 00:38:14,591
ALMOST THERE.
1003
00:38:14,593 --> 00:38:16,593
JUST HOOKIN' UP
THE WALKIE.
1004
00:38:16,595 --> 00:38:17,594
WE'RE LEAVING.
1005
00:38:17,596 --> 00:38:18,595
PARKER:
SPIKE.
1006
00:38:18,597 --> 00:38:19,780
SPIKE:
KEEP HIM TALKING.
1007
00:38:19,781 --> 00:38:20,964
PARKER:
OKAY, IF WE PUT
THESE GUNS DOWN,
1008
00:38:20,966 --> 00:38:23,500
NO ONE GETS HURT!
1009
00:38:23,502 --> 00:38:25,635
(QUIETLY)
WE GOOD, SPIKE?
1010
00:38:29,007 --> 00:38:30,840
SPIKE:
WE'RE GOOD, I THINK.
(ELECTRONIC BEEPS)
1011
00:38:30,842 --> 00:38:32,542
PARKER:
WHAT DO YOU MEAN
"YOU THINK"?
1012
00:38:32,544 --> 00:38:34,077
NO, WE'RE GOOD.
1013
00:38:34,079 --> 00:38:35,078
PARKER:
OKAY, SAM, GO!
1014
00:38:35,080 --> 00:38:36,880
SAM:
COPY.
1015
00:38:36,882 --> 00:38:38,648
PARKER:
ALL RIGHT, THAT'S IT!
1016
00:38:38,650 --> 00:38:40,600
PUT YOUR WEAPON DOWN!
1017
00:38:40,601 --> 00:38:42,551
WHAT DON'T YOU UNDERSTAND?
IF I SHOOT, YOU DIE!
1018
00:38:42,554 --> 00:38:45,021
PUT IT DOWN!
PUT IT DOWN NOW!
1019
00:38:50,562 --> 00:38:51,928
PARKER:
YOU SEE, JAY?
1020
00:38:51,930 --> 00:38:54,531
THE MATH IS NOT ON YOUR SIDE.
1021
00:38:54,533 --> 00:38:55,398
LAST CHANCE!
1022
00:38:55,400 --> 00:38:57,100
PARKER:
DON'T DO THIS!
1023
00:39:01,673 --> 00:39:03,673
(ECHOING GUNSHOT BOOM)
1024
00:39:07,512 --> 00:39:09,562
(FIRES GUN)
1025
00:39:09,563 --> 00:39:11,613
(DISTORTED WHISTLE
AS BULLET FLIES THROUGH AIR)
1026
00:39:13,552 --> 00:39:14,818
(METALLIC BANG)
1027
00:39:24,429 --> 00:39:26,763
OKAY, IT'S OVER,
IT'S OVER.
1028
00:39:26,765 --> 00:39:27,831
(GUN CLATTERS)
1029
00:39:27,833 --> 00:39:29,666
JULES:
HANDS BEHIND YOUR BACK.
1030
00:39:29,668 --> 00:39:30,734
STAND UP.
1031
00:39:35,040 --> 00:39:37,474
(GURNEY RATTLES ACROSS TARMACK)
1032
00:39:42,814 --> 00:39:44,748
LAINIE:
I'M SO SORRY!
1033
00:39:44,750 --> 00:39:46,233
ELLIOT:
LAINIE.
1034
00:39:46,234 --> 00:39:47,717
I THOUGHT I KNEW
WHAT IT WAS LIKE FOR YOU.
1035
00:39:47,719 --> 00:39:49,419
I THOUGHT I UNDERSTOOD.
1036
00:39:50,155 --> 00:39:52,589
I ALMOST LOST YOU, ELLIOT.
1037
00:39:55,827 --> 00:39:57,627
ED:
YOU SHOULD HAVE
SEEN THIS GUY.
1038
00:39:57,629 --> 00:39:59,179
HE COULDN'T LEAVE HIS HOUSE
A WEEK AGO.
1039
00:39:59,180 --> 00:40:00,730
HE WAS ABLE TO CUT THROUGH
ALL THAT CHAOS
1040
00:40:00,732 --> 00:40:02,415
AND FIND THE ONE TINY PIECE
1041
00:40:02,416 --> 00:40:04,099
OF LIFE-SAVING INFORMATION
WE NEEDED.
1042
00:40:04,102 --> 00:40:05,702
122.8 MEGAHERTZ.
1043
00:40:07,706 --> 00:40:09,973
YEAH, I CLEARED MY MIND.
I DIDN'T HAVE A CHOICE.
1044
00:40:09,975 --> 00:40:12,075
THAT'S AMAZING,
ELLIOT.
1045
00:40:12,077 --> 00:40:14,144
THAT'S A BEGINNING.
YOU SEE THAT, RIGHT?
1046
00:40:14,146 --> 00:40:15,478
YEAH.
1047
00:40:15,480 --> 00:40:16,679
I WAS OUTSIDE MYSELF
FOR A LITTLE BIT.
1048
00:40:16,681 --> 00:40:19,849
I WASN'T STUCK IN HERE.
I WAS...
1049
00:40:19,851 --> 00:40:23,052
PART OF SOMETHING
BIGGER THAN ME.
1050
00:40:23,989 --> 00:40:24,988
THANK YOU.
1051
00:40:24,990 --> 00:40:26,756
YOU'RE WELCOME, ELLIOT.
1052
00:40:26,758 --> 00:40:28,892
ELLIOT:
GOOD LUCK TO YOU.
1053
00:40:31,730 --> 00:40:32,862
PARKER:
OKAY.
1054
00:40:35,767 --> 00:40:37,434
LET ME SEE THAT.
1055
00:40:38,170 --> 00:40:39,903
(LOUD CLICK AS ED
SLIDES THE MAGAZINE OUT)
1056
00:40:43,008 --> 00:40:44,574
YOU KNOW THAT'S EVIDENCE,
RIGHT?
1057
00:40:44,576 --> 00:40:45,909
I DO.
1058
00:40:45,911 --> 00:40:47,777
KEEP IT SAFE.
1059
00:40:50,882 --> 00:40:53,616
I CAN'T IMAGINE LIVING WITH
WHAT HE LIVES WITH.
1060
00:40:53,618 --> 00:40:55,118
PARKER:
WELL, A LOT OF PEOPLE
CAN'T IMAGINE LIVING WITH
1061
00:40:55,120 --> 00:40:57,787
WHAT YOU LIVE WITH.
1062
00:41:04,796 --> 00:41:06,830
BUDDY, I NEED HELP.
1063
00:41:08,533 --> 00:41:11,768
THERE ARE THINGS
I CAN'T GET OUT OF MY HEAD.
1064
00:41:11,770 --> 00:41:14,537
I THINK I MIGHT
KNOW SOMEONE.
1065
00:41:14,539 --> 00:41:16,673
OKAY?
1066
00:41:16,675 --> 00:41:18,808
YEAH, COME ON.
1067
00:41:18,810 --> 00:41:20,710
LAINIE:
WITH MY RESEARCH,
I'VE BEEN SO BUSY.
1068
00:41:20,712 --> 00:41:22,846
PARKER:
I THINK YOU'RE GONNA
LIKE HER, EDDIE.
1069
00:41:22,848 --> 00:41:24,914
I CHECK IN WITH HER MYSELF
SOMETIMES.
1070
00:41:24,916 --> 00:41:26,182
IT'S JUST A CONVERSATION,
YOU KNOW?
1071
00:41:26,184 --> 00:41:27,817
JUST TALKING,
NO JUDGING.
1072
00:41:28,753 --> 00:41:29,752
YOU'RE GOOD AT TALKING,
RIGHT?
1073
00:41:29,754 --> 00:41:31,137
ED:
YEAH.
1074
00:41:31,138 --> 00:41:32,521
¶ ...where we're walkin'
tonight ¶
1075
00:41:32,524 --> 00:41:34,023
¶ Just sit back ¶
1076
00:41:34,960 --> 00:41:38,595
¶ And watch it come to life ¶
1077
00:41:47,005 --> 00:41:52,942
¶ Just sit back
and watch it come to life ¶
1078
00:41:55,847 --> 00:42:05,955
¶¶¶
1079
00:42:05,957 --> 00:42:10,860
¶¶¶
1080
00:42:10,862 --> 00:42:20,770
¶¶¶