1 00:00:02,570 --> 00:00:03,736 ED: OKAY, LOSER BUYS THE COFFEE. 2 00:00:03,738 --> 00:00:05,070 SAM: YOU'RE ON. 3 00:00:07,208 --> 00:00:08,407 ED: ALL RIGHT. 4 00:00:08,409 --> 00:00:09,508 (GUNS CLICK) 5 00:00:13,447 --> 00:00:14,546 (BOOMING GUNSHOT) 6 00:00:14,548 --> 00:00:15,614 SAM: ONE. 7 00:00:16,484 --> 00:00:17,683 (BOOMING GUNSHOT) 8 00:00:17,685 --> 00:00:18,751 ED: ONE. 9 00:00:20,654 --> 00:00:22,321 (BOOMING GUNSHOT) 10 00:00:22,323 --> 00:00:23,389 SAM: TWO. 11 00:00:23,391 --> 00:00:27,326 ED: YOU REMEMBER HOW I TAKE MY COFFEE, RIGHT? 12 00:00:27,328 --> 00:00:28,460 (BOOMING GUNSHOT) 13 00:00:28,462 --> 00:00:29,628 TWO. 14 00:00:29,630 --> 00:00:30,696 (GUN CLICKS) 15 00:00:37,038 --> 00:00:38,270 (BOOMING GUNSHOT) 16 00:00:38,272 --> 00:00:39,338 AGH! 17 00:00:42,543 --> 00:00:44,309 ED: (HEART POUNDS) 18 00:00:47,281 --> 00:00:48,647 (BREATHES HEAVILY) 19 00:00:50,451 --> 00:00:51,450 (BOOMING GUNSHOT) 20 00:00:51,452 --> 00:00:52,518 (WET SPLASH) 21 00:00:53,621 --> 00:00:54,686 (GASPS) 22 00:00:57,558 --> 00:00:59,358 SAM: NICE SHOT! 23 00:01:00,428 --> 00:01:01,527 (ECHOING GUNSHOT) 24 00:01:01,529 --> 00:01:03,362 SAM: YOU OKAY? 25 00:01:03,364 --> 00:01:04,563 ED: YEAH, I JUST... 26 00:01:04,565 --> 00:01:07,566 I JUST COULDN'T GET MY BREATH THERE. 27 00:01:07,568 --> 00:01:11,236 SAM: THAT'S 'CAUSE YOU SHOT IN THAT WIND. 28 00:01:12,173 --> 00:01:13,405 ED: OKAY, SO COFFEE. 29 00:01:14,341 --> 00:01:16,141 SAM: YEAH, DOUBLE-DOUBLE, YOU BET. 30 00:01:18,779 --> 00:01:21,680 (OVERLAPPING SOUND OF DOGS BARKING) 31 00:01:22,616 --> 00:01:24,383 (CELL PHONE RINGS) 32 00:01:25,553 --> 00:01:27,719 (SOUND OF MULTIPLE CELL PHONES RINGING) 33 00:01:27,721 --> 00:01:28,787 MAN: (SHALLOW, UNEVEN BREATHS) 34 00:01:28,789 --> 00:01:31,857 MAN'S ECHOING VOICE: YOU ARE VALUABLE TO ME OUT HERE, 35 00:01:31,859 --> 00:01:34,193 AND YOU WOULDN'T WANNA KNOW WHAT HAPPENS 36 00:01:34,194 --> 00:01:36,528 IF YOU TALK TO THE POLICE ABOUT THIS CONVERSATION. 37 00:01:36,530 --> 00:01:39,765 (DISTORTED SOUND OF CHILDREN CRYING) 38 00:01:41,735 --> 00:01:43,585 ECHOING FEMALE VOICE: (LOUD GASP) 39 00:01:43,586 --> 00:01:45,436 MAN: (ERRATIC BREATHING, WHIMPERS PANICKED) 40 00:01:45,439 --> 00:01:47,539 (FLAME CATCHES, FIRE ROARS AND CRACKLES) 41 00:01:47,541 --> 00:01:50,709 (DISTORTED SOUND OF POLICE SIRENS) 42 00:01:51,645 --> 00:01:52,878 (DISTORTED SOUNDS OF LIQUID POURING) 43 00:01:52,880 --> 00:01:54,713 (PANICKED GASPS) 44 00:01:54,715 --> 00:01:57,416 (DISTORTED KNOCKING SOUNDS) 45 00:01:57,418 --> 00:01:59,184 (SOUND OF MULTIPLE CELL PHONES RINGING) 46 00:02:01,255 --> 00:02:03,322 (GASPING FOR AIR) 47 00:02:03,323 --> 00:02:05,390 ECHOING MALE VOICE: I KNOW LAINIE SUMMERS. 48 00:02:05,392 --> 00:02:07,376 IF YOU EVER WANNA SEE HER AGAIN... 49 00:02:07,377 --> 00:02:09,361 WOMAN'S ECHOING VOICE: (LAUGHS) OH, ELLIOT! 50 00:02:20,641 --> 00:02:24,243 (KEYBOARD KEYS CLICK, ELECTRONIC BEEPS) 51 00:02:25,379 --> 00:02:28,714 THIS IS A MESSAGE FOR LAINIE SUMMERS. 52 00:02:28,716 --> 00:02:30,649 LAINIE... (TEARFUL SNIFF) 53 00:02:30,651 --> 00:02:32,451 BY THE TIME YOU SEE THIS... 54 00:02:32,453 --> 00:02:35,854 UM, I DON'T KNOW WHAT TO SAY. I'M SORRY? 55 00:02:36,790 --> 00:02:38,624 BUT I WANTED TO THANK YOU FOR BEING SO PATIENT WITH ME 56 00:02:38,626 --> 00:02:40,626 AND SUCH A GOOD FRIEND... 57 00:02:41,695 --> 00:02:43,562 BUT I CAN'T HANDLE THIS. 58 00:02:43,564 --> 00:02:44,897 MAN'S ECHOING VOICE: I'M SURE YOU WOULDN'T WANT TO SEE HER GET HURT. 59 00:02:46,734 --> 00:02:49,334 ALL I CAN TELL YOU IS THERE'S NO OTHER WAY. 60 00:02:49,336 --> 00:02:50,869 I KNOW YOU'RE THE ONLY ONE WHO CAN UNDERSTAND 61 00:02:50,871 --> 00:02:52,771 WHY I HAVE TO DO THIS. 62 00:02:56,677 --> 00:02:59,545 (TEARFUL) I'M SO SORRY, LAINIE. 63 00:03:04,785 --> 00:03:07,519 (DOOR OPENS) 64 00:03:07,521 --> 00:03:08,754 LAINIE: HI, HOW ARE YOU? 65 00:03:08,756 --> 00:03:09,755 MAN: GOOD. 66 00:03:09,757 --> 00:03:10,706 LAINIE: ARE WE GOOD FOR TODAY? 67 00:03:10,707 --> 00:03:11,656 MAN: YES, YES, I HAVE THE RESULTS... 68 00:03:11,659 --> 00:03:13,725 (CAMERA CLICKS, BEEPS) 69 00:03:13,727 --> 00:03:14,893 (PHONE KEYS BEEP) 70 00:03:15,829 --> 00:03:17,496 (ELECTRONIC BEEP) 71 00:03:35,349 --> 00:03:36,949 AARON: (QUIETLY) NOT A SOUND. YOU SEE THE GUN? 72 00:03:36,951 --> 00:03:38,550 YOU'LL BE SHOT IF YOU TRY ANYTHING. 73 00:03:38,552 --> 00:03:39,785 ARE WE CLEAR? 74 00:03:39,787 --> 00:03:41,720 I'LL GIVE YOU INSTRUCTIONS AS WE GO. 75 00:03:41,722 --> 00:03:43,789 WALK! 76 00:03:43,791 --> 00:03:45,174 PARKER: SO, SAM SAID THAT, UH, 77 00:03:45,175 --> 00:03:46,558 YOU WENT TO YOUR DAD'S PLACE THIS MORNING, 78 00:03:46,560 --> 00:03:47,759 HAD A LITTLE ROUND OF "GOLF"? 79 00:03:47,761 --> 00:03:49,228 ED: YEAH. 80 00:03:49,229 --> 00:03:50,696 YEAH, HE SAID YOU MADE A PRETTY SWEET SHOT. 81 00:03:50,698 --> 00:03:54,233 THE WIND WAS AT, WHAT, FORTY WITH A THREE O'CLOCK CROSSWIND? 82 00:03:54,235 --> 00:03:56,535 YOU MAKE A SHOT LIKE THAT, USUALLY WE CAN'T SHUT YOU UP. 83 00:03:56,537 --> 00:03:57,769 ED: GREG, THERE'S NO STORY HERE, ALL RIGHT? 84 00:03:57,771 --> 00:03:59,621 IT WAS A DAMN GOLF BALL. 85 00:03:59,622 --> 00:04:01,472 PARKER: COME ON, EDDIE. COME ON, WHAT'S GOIN' ON? 86 00:04:02,910 --> 00:04:05,244 WINNIE: 911, WHAT IS YOUR EMERGENCY? 87 00:04:05,246 --> 00:04:06,678 CARLA: THERE'S A MAN TRYING TO BREAK IN ACROSS THE STREET. 88 00:04:06,680 --> 00:04:07,746 23 DITTMAR. 89 00:04:08,882 --> 00:04:09,748 (SHATTERING CRASH) 90 00:04:09,750 --> 00:04:10,849 HE'S GOING IN. 91 00:04:10,851 --> 00:04:12,768 OH MY GOD, HE'S GOT A GUN! 92 00:04:12,769 --> 00:04:14,686 (HOT CALL KLAXON BLARES) TEAM, 911 ON A POSSIBLE HOME INVASION. 93 00:04:14,688 --> 00:04:15,887 23 DITTMAR. 94 00:04:15,889 --> 00:04:17,823 CONFIRMED - ONE ARMED SUBJECT. 95 00:04:17,825 --> 00:04:20,859 ED: WINNIE, WE'RE ON IT. (KLAXON WAILS) 96 00:04:20,861 --> 00:04:21,960 AARON: ALL THE WAY TO THE END. 97 00:04:21,962 --> 00:04:24,396 LAINIE: (BREATHES RAPIDLY) 98 00:04:25,699 --> 00:04:27,032 SECURITY GUARD: (LAUGHS) 99 00:04:27,033 --> 00:04:28,366 NO, IT TURNED OUT TO BE SOME STUDENTS 100 00:04:28,369 --> 00:04:30,535 JUST PLAYING A PRANK. 101 00:04:31,472 --> 00:04:34,373 YEAH, I GAVE THEM A WARNING. 102 00:04:36,744 --> 00:04:39,478 (LAINIE SHOUTS, PUNCHES, AARON GRUNTS IN PAIN) 103 00:04:39,480 --> 00:04:41,580 LAINIE: (SHRIEKS) HELP! 104 00:04:41,582 --> 00:04:42,648 HELP! 105 00:04:44,418 --> 00:04:47,819 SECURITY GUARD: CODE WHITE! I NEED BACKUP! 106 00:04:47,821 --> 00:04:49,888 WINNIE: TEAM ONE, WE GOT ANOTHER HOT CALL. 107 00:04:49,890 --> 00:04:51,857 ATTEMPTED ABDUCTION, U OF T. 108 00:04:51,859 --> 00:04:52,824 (ALARM SOUNDS) I CAN RE-UP TEAM TWO. 109 00:04:52,826 --> 00:04:54,293 YEAH, HOLD OFF ON THAT, WINNIE. 110 00:04:54,295 --> 00:04:55,727 SAM, SPIKE, WHAT'S YOUR POSITION? 111 00:04:55,729 --> 00:04:56,745 WE'RE ALMOST AT THE HOUSE. 112 00:04:56,746 --> 00:04:57,762 SPIKE: WE'RE JUST ARRIVING, BOSS. 113 00:04:57,765 --> 00:04:59,315 ALL RIGHT, YOU STAY ON IT. 114 00:04:59,316 --> 00:05:00,866 WINNIE, WE'LL TAKE THE UNIVERSITY CALL. 115 00:05:00,868 --> 00:05:02,734 KEEP TEAM TWO ON STANDBY. 116 00:05:02,736 --> 00:05:03,735 WINNIE: COPY. 117 00:05:03,737 --> 00:05:04,803 (SIREN WAILS) 118 00:05:06,907 --> 00:05:08,640 HE JUMPED IN A CAR. HE WENT THAT WAY! 119 00:05:08,642 --> 00:05:10,375 LEAH: WHAT KIND OF CAR? CARLA: I DON' KNOW. 120 00:05:10,377 --> 00:05:11,727 WHITE, A REGULAR CAR. 121 00:05:11,728 --> 00:05:13,078 SPIKE: YOU SEE A LICENSE PLATE? CAN YOU DESCRIBE HIM? 122 00:05:13,080 --> 00:05:15,414 CARLA: UM, A WHITE GUY IN A SUIT. 123 00:05:15,416 --> 00:05:16,415 SPIKE: WHITE CAR, NO PLATES. 124 00:05:16,417 --> 00:05:18,067 THAT'S NOT A LOT TO GO ON. 125 00:05:18,068 --> 00:05:19,718 HE'S LONG GONE. LET'S CHECK THE HOUSE. 126 00:05:19,720 --> 00:05:20,819 SAM: MA'AM, ANY SHOTS FIRED? 127 00:05:20,821 --> 00:05:22,387 UM, WHEN HE CAME OUT OF THE HOUSE, 128 00:05:22,388 --> 00:05:23,954 HE WENT TO THE GARAGE, AND THEN IT WOULDN'T OPEN 129 00:05:23,957 --> 00:05:25,407 SO HE SCREWED, UM, A - 130 00:05:25,408 --> 00:05:26,858 WHAT DO YOU CALL IT? - A SILENCER ON THE GUN, 131 00:05:26,860 --> 00:05:28,794 AND THEN HE STARTED SHOOTING AT THE LOCK. 132 00:05:28,796 --> 00:05:30,596 WHO LIVES HERE? 133 00:05:30,597 --> 00:05:32,397 A SINGLE GUY, EVAN... NO, ELLIOT. 134 00:05:32,399 --> 00:05:33,621 WE HARDLY KNOW HIM. 135 00:05:33,622 --> 00:05:34,844 HE'S SUPER-QUIET AND HE KEEPS TO HIMSELF. 136 00:05:34,845 --> 00:05:36,067 JULES: SAM, THERE'S A CAR RUNNING IN HERE! 137 00:05:36,070 --> 00:05:37,770 WAIT HERE. 138 00:05:37,771 --> 00:05:39,471 WINNIE, CALL AN AMBULANCE AND FIND OUT WHO LIVES HERE! 139 00:05:39,473 --> 00:05:40,472 WINNIE: COPY. 140 00:05:40,473 --> 00:05:41,472 JULES: ELLIOT, ARE YOU IN THERE?! 141 00:05:41,475 --> 00:05:42,507 (SHALLOW BREATHING) 142 00:05:42,509 --> 00:05:44,676 JULES: ELLIOT, CAN YOU HEAR ME? 143 00:05:44,678 --> 00:05:45,877 (HANDLE BANGS) 144 00:05:45,879 --> 00:05:47,846 JULES: ELLIOT?! LEAH: ALL CLEAR! 145 00:05:49,083 --> 00:05:52,384 JULES: BULLET DAMAGED THE LOCK. 146 00:05:52,386 --> 00:05:54,553 SAM: MA'AM, DO THESE GARAGES HAVE INSIDE DOORS? 147 00:05:54,555 --> 00:05:55,843 NO. 148 00:05:55,844 --> 00:05:57,132 SAM: LET'S GRAB THE HALLIGANS. 149 00:05:57,133 --> 00:05:58,421 WINNIE: OKAY, EMS IS ON ITS WAY. 150 00:05:58,425 --> 00:05:59,858 HOMEOWNER'S NAME IS ELLIOT THAINE. 151 00:05:59,860 --> 00:06:01,126 HE'S A SELF-EMPLOYED ACCOUNTANT. 152 00:06:01,128 --> 00:06:03,362 THIS IS JULES CALLAGHAN, I'M WITH THE POLICE! 153 00:06:03,364 --> 00:06:04,863 WE'RE HERE TO HELP! 154 00:06:04,865 --> 00:06:05,964 YOU'RE GONNA BE OKAY! 155 00:06:05,966 --> 00:06:07,399 (LABOURED BREATHING) 156 00:06:07,401 --> 00:06:10,702 WE'RE GONNA GET THIS DOOR OPEN! 157 00:06:10,704 --> 00:06:12,838 GUYS, THIS PLACE IS LIKE A BLANK SLATE. 158 00:06:12,840 --> 00:06:14,706 NO COLOUR, NO BOOKS, 159 00:06:14,708 --> 00:06:18,009 NOTHING ON THE WALLS, NO PHOTOS. 160 00:06:18,011 --> 00:06:19,044 HANG ON. 161 00:06:20,681 --> 00:06:21,947 THINK I GOT SOMETHING. 162 00:06:21,949 --> 00:06:23,465 (ELECTRONIC BEEP) 163 00:06:23,466 --> 00:06:24,982 THE MAN WHO BROKE IN, DID YOU EVER SEEN HIM BEFORE? 164 00:06:24,985 --> 00:06:26,017 NO, HE LOOKED LEGIT. 165 00:06:26,019 --> 00:06:28,470 I MEAN, HE WAS WEARING A SUIT, 166 00:06:28,471 --> 00:06:30,922 BUT I'VE NEVER SEEN A VISITOR THERE BEFORE. 167 00:06:30,924 --> 00:06:31,990 LAINIE: YEAH. 168 00:06:33,127 --> 00:06:34,926 HOLD ON. 169 00:06:34,928 --> 00:06:36,061 PARKER: YOU THE ONE THAT WAS ATTACKED? 170 00:06:36,063 --> 00:06:37,062 LAINIE SUMMERS 171 00:06:37,064 --> 00:06:38,597 SERGEANT PARKER, OFFICER LANE. 172 00:06:38,599 --> 00:06:39,732 THE MAN HAD A GUN? 173 00:06:39,733 --> 00:06:40,866 LAINIE: YEAH. SECURITY GUARD: I GOT CLOSE, 174 00:06:40,868 --> 00:06:42,033 BUT HE GOT INTO A CROWD OF STUDENTS. 175 00:06:42,035 --> 00:06:43,602 HE'S GONE. 176 00:06:43,603 --> 00:06:45,170 EITHER OF YOU GET A LOOK AT HIM? 177 00:06:45,171 --> 00:06:46,738 LAINIE: DARK HAIR, MAYBE SIX FOOT, DARK CLOTHES. 178 00:06:46,740 --> 00:06:48,039 ED: ANY IDEA WHERE HE WAS TAKING YOU? 179 00:06:48,041 --> 00:06:50,776 LAINIE: NO, I GOT- I GOT LUCKY. I SAW THE GUARD. 180 00:06:50,778 --> 00:06:52,511 SECURITY GUARD: SHE DECKED HIM, YOU KNOW, I JUMPED IN... 181 00:06:52,513 --> 00:06:54,813 LAINIE: SOME OF THE KIDS HELPED TOO. I JUST... I DON'T KNOW. 182 00:06:54,815 --> 00:06:56,181 HE DIDN'T LIKE THE ODDS. HE JUST TOOK OFF. 183 00:06:56,183 --> 00:06:58,784 PARKER: OKAY, WINNIE, WE NEED UNI'S ON CAMPUS. 184 00:06:58,786 --> 00:06:59,985 SWEEP GEORGE STREET, THE QUAD... 185 00:06:59,987 --> 00:07:01,487 WINNIE: COPY. 186 00:07:01,488 --> 00:07:02,988 ED: WANNA GIVE ME HAND WITH THAT? 187 00:07:02,990 --> 00:07:04,390 PARKER: MISS SUMMERS... 188 00:07:04,391 --> 00:07:05,791 DOCTOR SUMMERS. LAINIE'S FINE. 189 00:07:05,793 --> 00:07:08,026 LAINIE, ANY IDEA WHY SOMEONE WOULD TRY TO ABDUCT YOU 190 00:07:08,028 --> 00:07:09,594 IN BROAD DAYLIGHT? 191 00:07:09,596 --> 00:07:11,930 NO, I HAVE NO IDEA. 192 00:07:11,932 --> 00:07:15,000 (WOOD CRACKS LOUDLY, DOOR CLATTERS UP) 193 00:07:18,972 --> 00:07:20,806 LEAH: IT'S OKAY, ELLIOT, WE GOT YA. 194 00:07:20,808 --> 00:07:22,040 ELLIOT: NO... 195 00:07:22,042 --> 00:07:23,108 (SIREN WAILS) 196 00:07:25,746 --> 00:07:26,862 EMT: HOW LONG HAS HE BEEN EXPOSED? 197 00:07:26,863 --> 00:07:27,979 SAM: MINIMUM TEN MINUTES. 198 00:07:27,981 --> 00:07:29,781 EMT: HE NEEDS OXYGEN, NON-RE-BREATHER MASK. 199 00:07:29,783 --> 00:07:31,394 JULES: ALL RIGHT, ELLIOT, YOU'RE GONNA BE OKAY? 200 00:07:31,395 --> 00:07:33,006 EMT: WE NEED TO GET HIM TO THE HOSPITAL, RUN TESTS. 201 00:07:33,007 --> 00:07:34,618 THAT'S A SERIOUS AMOUNT OF CARBON MONOXIDE. 202 00:07:34,621 --> 00:07:35,921 JULES: WINNIE, CALL 52, 203 00:07:35,923 --> 00:07:37,489 GET A DETECTIVE TO THE HOSPITAL. 204 00:07:37,491 --> 00:07:39,191 WE NEED TO QUESTION HIM WHEN HE PULLS THROUGH. 205 00:07:39,193 --> 00:07:41,410 COPY. 206 00:07:41,411 --> 00:07:43,628 SPIKE: BOSS, YOUR ATTEMPTED ABDUCTION, HER NAME'S LAINIE SUMMERS? 207 00:07:43,630 --> 00:07:45,630 PARKER: YES, SPIKE, WE'RE WITH HER NOW. 208 00:07:45,631 --> 00:07:47,631 SPIKE: ELLIOT THAINE LEFT A SUICIDE MESSAGE ON HIS COMPUTER 209 00:07:47,634 --> 00:07:49,000 AND IT WAS FOR HER. (ELECTRONIC BEEP) 210 00:07:49,002 --> 00:07:50,869 THIS MESSAGE IS FOR LAINIE SUMMERS. 211 00:07:50,871 --> 00:07:53,004 SPIKE: HE'S APOLOGIZING. HE'S VISIBLY STRESSED. 212 00:07:53,006 --> 00:07:55,173 HE'S UPSET, SAYING GOODBYE. 213 00:07:56,176 --> 00:07:58,810 THERE'S JUST NO OTHER WAY, 214 00:07:58,812 --> 00:08:00,712 AND I HOPE YOU CAN UNDERSTAND. 215 00:08:00,714 --> 00:08:01,813 I'M SORRY, LAINIE. 216 00:08:01,815 --> 00:08:04,649 LAINIE, YOU KNOW AN ELLIOT THAINE? 217 00:08:04,651 --> 00:08:06,301 ELLIOT? YEAH, OF COURSE. 218 00:08:06,302 --> 00:08:07,952 WINNIE: TEAM ONE, WE HAVE A HIJACKED AMBULANCE, 219 00:08:07,955 --> 00:08:09,988 LANSDOWNE AND DUPONT. 220 00:08:09,990 --> 00:08:11,790 LANSDOWNE AND DUPONT? YOU'RE KIDDING ME. 221 00:08:11,792 --> 00:08:13,058 THAT'S JUST AROUND THE CORNER! 222 00:08:13,060 --> 00:08:14,059 TWO GUNMEN. (KEYBOARD KEYS CLACK) 223 00:08:14,061 --> 00:08:15,360 IS ONE OF THEM IN A SUIT? 224 00:08:15,361 --> 00:08:16,660 LEFT THE ATTENDANTS ON THE SIDE OF THE ROAD 225 00:08:16,663 --> 00:08:17,662 AND TOOK OFF WITH THE PATIENT. 226 00:08:17,664 --> 00:08:18,497 SAM: IT'S GOTTA BE HIM. 227 00:08:18,499 --> 00:08:19,064 ELLIOT THAINE. 228 00:08:19,066 --> 00:08:20,532 WINNIE: YUP. 229 00:08:20,533 --> 00:08:21,999 ED: SAM, FIND THAT AMBULANCE. SAM: COPY. 230 00:08:22,002 --> 00:08:23,001 HOW DO YOU KNOW ELLIOT? 231 00:08:23,003 --> 00:08:24,135 I'M A NEUROSCIENTIST. 232 00:08:24,137 --> 00:08:25,871 ELLIOT IS A RESEARCH SUBJECT OF MINE. 233 00:08:25,873 --> 00:08:27,906 HE'S... HE'S A FRIEND. 234 00:08:27,908 --> 00:08:29,007 WHY WERE YOU STUDYING HIM? 235 00:08:29,009 --> 00:08:30,208 ELLIOT, IS... 236 00:08:30,210 --> 00:08:32,010 HE'S ONE OF A KIND. 237 00:08:32,012 --> 00:08:33,678 HE HAS A RARE KIND OF HYPERMNESIA. 238 00:08:33,680 --> 00:08:35,597 HE HAS EXCEPTIONAL MEMORY? 239 00:08:35,598 --> 00:08:37,515 LAINIE: MORE THAN EXCEPTIONAL, IT'S PERFECT. 240 00:08:37,518 --> 00:08:38,583 LIMITLESS. 241 00:08:39,553 --> 00:08:41,019 LIKE I SAID, HE'S... 242 00:08:41,021 --> 00:08:43,021 HE'S ONE OF A KIND. 243 00:08:43,023 --> 00:08:44,256 (SIREN WAILS) 244 00:08:47,094 --> 00:08:48,460 JULES: (ECHOING) ELLIOT, ARE YOU IN THERE?! 245 00:08:48,461 --> 00:08:49,827 LEAH: (ECHOING) IT'S OKAY, ELLIOT. WE GOT YA! 246 00:08:49,828 --> 00:08:51,194 JULES: (ECHOING) ELLIOT, CAN YOU HEAR ME?! 247 00:08:51,195 --> 00:08:52,561 EMT: WE NEED TO GET HIM TO THE HOSPITAL, RUN TESTS. 248 00:08:52,566 --> 00:08:54,666 THAT'S A SERIOUS AMOUNT OF CARBON MONOXIDE. 249 00:08:54,668 --> 00:08:56,101 JULES: (ECHOING) ELLIOT! 250 00:08:56,103 --> 00:08:57,936 (SHOCKED GASPS) 251 00:08:57,938 --> 00:08:59,838 (SIREN WAILS) 252 00:08:59,840 --> 00:09:02,307 ELLIOT, WHAT WERE YOU THINKING? 253 00:09:03,877 --> 00:09:18,823 ¶¶¶ 254 00:09:18,825 --> 00:09:32,070 ¶¶¶ 255 00:09:38,679 --> 00:09:41,146 WINNIE: OKAY, TEAM, THE AMBULANCE IS HEADING SOUTH ON LANSDOWNE. 256 00:09:41,148 --> 00:09:43,048 I'VE GOT TRANSIT AND TAXIS IN ON THE APB, 257 00:09:43,050 --> 00:09:44,816 BUT THE AMBULANCE IS RUNNING LIGHTS AND SIRENS. 258 00:09:44,818 --> 00:09:45,884 COPY. 259 00:09:48,622 --> 00:09:50,188 MAN: ARE WE CLEAR? 260 00:09:51,959 --> 00:09:53,325 GOOD. 261 00:09:53,326 --> 00:09:54,692 YOU SEE, NOTHING'S GONNA HAPPEN TO HER 262 00:09:54,693 --> 00:09:56,059 AS LONG AS YOU DON'T DISAPPOINT ME. 263 00:09:56,063 --> 00:09:57,128 (NERVOUS INHALE) 264 00:09:58,031 --> 00:09:59,130 (ELECTRONIC BEEP) 265 00:10:00,067 --> 00:10:03,068 (ELECTRONIC BEEP, PHONE RINGS) 266 00:10:03,070 --> 00:10:05,220 ALL RIGHT, WE'RE GOOD. JUST MAKE SURE YOU STAND- 267 00:10:05,221 --> 00:10:07,371 AARON: WE DON'T HAVE HER. THERE WERE COMPLICATIONS. 268 00:10:07,374 --> 00:10:10,208 YEAH, WELL, ISN'T THAT A SHAME. 269 00:10:11,144 --> 00:10:14,212 I DON'T THINK IT'S GONNA MAKE MUCH OF A DIFFERENCE. 270 00:10:14,214 --> 00:10:15,630 WINNIE: GUYS, LAKESHORE AND JAMISON, 271 00:10:15,631 --> 00:10:17,047 THE AMBULANCE IS STOPPED AT THE INTERSECTION. 272 00:10:17,050 --> 00:10:19,184 ALL RIGHT, WINNIE, LOCK OFF THE TRAFFIC. 273 00:10:19,186 --> 00:10:20,919 LAINIE: HE TRIED TO KILL HIMSELF? 274 00:10:20,921 --> 00:10:22,954 PARKER: YEAH, I'M SORRY. WE KNOW THAT'S HARD TO HEAR, 275 00:10:22,956 --> 00:10:25,223 BUT MAYBE YOU CAN HELP US UNDERSTAND WHY. 276 00:10:25,225 --> 00:10:27,292 ED: AND WHY SOMEONE WOULD WANNA TAKE HIM. 277 00:10:28,895 --> 00:10:31,529 LAINIE: (SIGHS) 278 00:10:31,530 --> 00:10:34,164 ONE OF THE FIRST TESTS OF HIS MEMORY, I... 279 00:10:34,167 --> 00:10:37,035 I GAVE HIM THESE PAGES. 280 00:10:37,037 --> 00:10:39,171 MA-NA-BA-FA... 281 00:10:39,172 --> 00:10:41,306 LAINIE: MEANINGLESS RANDOM SYLLABLES, FOUR PAGES OF THEM. 282 00:10:41,308 --> 00:10:45,143 I READ THEM TO HIM AND HE RECITED THEM BACK. 283 00:10:45,145 --> 00:10:46,878 THAT WAS THREE YEARS AGO. 284 00:10:46,880 --> 00:10:48,079 LAST WEEK I ASKED HIM 285 00:10:48,080 --> 00:10:49,279 IF HE STILL REMEMBERED THE SYLLABLES. 286 00:10:49,282 --> 00:10:51,049 AND HE DID? 287 00:10:51,050 --> 00:10:52,817 LAINIE: YUP. ALSO THE WEATHER THAT DAY, 288 00:10:52,819 --> 00:10:54,753 WHAT HE'D HAD FOR BREAKFAST, 289 00:10:54,755 --> 00:10:56,121 THAT WE DRANK GINGER TEA 290 00:10:56,123 --> 00:10:58,023 AND I WAS A WEARING A PEACH-COLOURED SHIRT. 291 00:11:02,162 --> 00:11:03,361 THAT'S HIM. 292 00:11:03,363 --> 00:11:05,096 PARKER: THAT'S QUITE A GIFT. 293 00:11:05,098 --> 00:11:07,265 NOT THE WAY HE SEES IT. 294 00:11:07,267 --> 00:11:09,100 OUR BRAINS ARE CONDITIONED TO FORGET SELECTIVELY. 295 00:11:09,102 --> 00:11:11,136 WE FORGET PHYSICAL PAIN, TRAUMA. 296 00:11:11,138 --> 00:11:12,988 IT'S HOW WE COPE. 297 00:11:12,989 --> 00:11:14,839 WE ALL TAKE THAT FOR GRANTED, BUT... 298 00:11:14,841 --> 00:11:16,141 ELLIOT DOESN'T HAVE THAT LUXURY. 299 00:11:16,143 --> 00:11:18,410 WHAT DO YOU MEAN? 300 00:11:18,411 --> 00:11:20,678 HE LIVES WITH CONSTANT FLASHES OF INTRUSIVE MEMORY. 301 00:11:20,681 --> 00:11:22,247 THEY FILL EVERY SECOND OF HIS DAY. 302 00:11:22,249 --> 00:11:24,182 THEY CAN COME AT ANY TIME. 303 00:11:24,184 --> 00:11:26,117 HE HEARS A CAR HONK; 304 00:11:26,119 --> 00:11:27,986 IT DOESN'T JUST REMIND HIM OF ONE CAR, 305 00:11:27,988 --> 00:11:30,789 IT REMINDS HIM OF EVERY CAR HE'S EVER SEEN. 306 00:11:30,791 --> 00:11:33,258 THEY ALL POP INTO HIS HEAD AND THEY'RE ALL HONKING. 307 00:11:33,260 --> 00:11:34,893 THAT'S WHY HIS HOME IS NEARLY EMPTY - 308 00:11:34,895 --> 00:11:37,318 THE BLANK WALLS - 309 00:11:37,319 --> 00:11:39,742 SO HE AVOIDS TOO MUCH STIMULATION? 310 00:11:39,743 --> 00:11:42,166 HE STAYS AWAY FROM SMELLS, SOUNDS, BRIGHT COLOURS... 311 00:11:42,169 --> 00:11:43,802 PEOPLE. 312 00:11:43,804 --> 00:11:47,072 HE WON'T EVEN OPEN HIS BLINDS AT HOME. 313 00:11:47,074 --> 00:11:49,307 HE'S TRIED EVERYTHING: MEDICATION, 314 00:11:49,309 --> 00:11:52,143 MEDITATION, HYPNOTHERAPY. 315 00:11:52,145 --> 00:11:53,478 HE CAN'T CONTROL WHAT HE REMEMBERS 316 00:11:53,480 --> 00:11:55,797 OR WHAT HE SEES. 317 00:11:55,798 --> 00:11:58,115 ED: SO THESE MEMORIES ARE TRIGGERED BY RANDOM, ORDINARY THINGS? 318 00:11:59,052 --> 00:12:00,285 LAINIE: YUP. 319 00:12:00,287 --> 00:12:02,187 HE HAD A HARD CHILDHOOD. 320 00:12:02,189 --> 00:12:04,856 YEAH, HE FACED A LOT OF LOSS, 321 00:12:04,858 --> 00:12:06,157 AND EVERYTHING HE'S LIVED THROUGH, 322 00:12:06,159 --> 00:12:09,027 IT'S WITH HIM FROM THE MOMENT HE OPENS HIS EYES 323 00:12:09,029 --> 00:12:11,296 UNTIL WHEN HE GOES BACK TO SLEEP. 324 00:12:11,298 --> 00:12:13,098 ALL HE WANTS IS A LITTLE PEACE. 325 00:12:14,267 --> 00:12:17,302 PARKER: IS THAT WHY HE'S SUICIDAL? 326 00:12:17,304 --> 00:12:19,838 I KNEW THAT ELLIOT WAS STRUGGLING WITH DEPRESSION, 327 00:12:19,840 --> 00:12:22,407 I JUST... I DIDN'T REALIZE HOW SERIOUS IT WAS 328 00:12:22,409 --> 00:12:24,275 UNTIL A COUPLE DAYS AGO. 329 00:12:25,312 --> 00:12:27,445 LAINIE: TEQUILA? SERIOUSLY? 330 00:12:27,447 --> 00:12:29,514 ELLIOT: YEAH, I READ THAT IF YOU HAVE ENOUGH 331 00:12:29,516 --> 00:12:32,484 YOU GET A LITTLE NUMB, YOU DON'T FEEL SO MUCH. 332 00:12:32,486 --> 00:12:34,753 PLAY YOUR CARDS RIGHT, YOU MIGHT EVEN BLACK OUT. 333 00:12:37,023 --> 00:12:38,022 ELL, YOU'RE 30-YEARS-OLD 334 00:12:38,024 --> 00:12:39,958 AND YOU'VE NEVER TRIED TEQUILA? 335 00:12:39,960 --> 00:12:40,859 WHY? HAVE YOU? 336 00:12:40,861 --> 00:12:41,993 OH JEEZ. 337 00:12:41,995 --> 00:12:43,912 (LAUGHS) YEAH? 338 00:12:43,913 --> 00:12:45,830 LAINIE: THERE WAS A PARTY. I WAS ABOUT 18-YEARS-OLD. 339 00:12:45,832 --> 00:12:48,299 MY PARENTS WERE OUT OF TOWN. 340 00:12:48,301 --> 00:12:51,402 IT INVOLVED ME CLIMBING UP ONTO THE BABY GRAND 341 00:12:51,404 --> 00:12:52,871 AND SINGING SHOW TUNES. 342 00:12:52,873 --> 00:12:53,872 (ELLIOT LAUGHS) 343 00:12:53,874 --> 00:12:56,274 VERY LOUD. 344 00:12:56,276 --> 00:12:58,309 IT WAS GREAT UNTIL THE PIANO COVER CRACKED 345 00:12:58,311 --> 00:13:00,478 AND I GOT GROUNDED FOR SIX MONTHS. 346 00:13:00,480 --> 00:13:02,280 I WISH I COULD HAVE SEEN THAT. 347 00:13:02,282 --> 00:13:04,315 NO, YOU DON'T. (CHUCKLES) 348 00:13:04,317 --> 00:13:07,085 WHEN I HEARD HOW MUCH HE WAS HURTING... 349 00:13:07,087 --> 00:13:09,320 I DIDN'T KNOW WHAT TO DO, YOU KNOW? 350 00:13:09,322 --> 00:13:10,421 I'M... 351 00:13:10,423 --> 00:13:13,191 I'M NOT A THERAPIST, I'M A RESEARCHER. 352 00:13:14,261 --> 00:13:16,995 SO THIS WAS LAST NIGHT, AND WHAT HAPPENED? 353 00:13:20,233 --> 00:13:21,332 WELL, AT FIRST, I THOUGHT IT WAS WORKING, 354 00:13:21,334 --> 00:13:23,201 EVERYTHING SORT OF SLOWED DOWN. 355 00:13:24,304 --> 00:13:26,204 I DIDN'T "SEE" SO MUCH, 356 00:13:26,206 --> 00:13:28,807 AND THEN THE WHOLE ROOM STARTS SPINNING AND TIPPING 357 00:13:28,809 --> 00:13:30,141 AND I GOT SICK, 358 00:13:32,345 --> 00:13:35,580 AND THE TASTE AND THE SMELL AND... 359 00:13:37,150 --> 00:13:38,149 AND NOW THAT'S LOCKED IN. 360 00:13:38,151 --> 00:13:39,284 IT'S ANOTHER THING LOCKED IN. 361 00:13:39,286 --> 00:13:40,885 IT'S SO STUPID, LAINIE! 362 00:13:41,922 --> 00:13:43,855 I'M SICK, 363 00:13:43,857 --> 00:13:46,074 I'M IN PAIN, I NEED TREATMENT, 364 00:13:46,075 --> 00:13:48,292 AND THERE ISN'T ANY AND THERE NEVER WILL BE... 365 00:13:48,295 --> 00:13:51,229 AND THERE'S NOWHERE SAFE FOR ME, 366 00:13:53,033 --> 00:13:54,499 NOT EVEN AT HOME. 367 00:13:56,603 --> 00:13:57,869 LAINIE: I'M A FRIEND... 368 00:13:57,871 --> 00:13:59,070 AND I SHOULD'VE BEEN THERE FOR HIM. 369 00:13:59,072 --> 00:14:00,305 LAINIE, DON'T BLAME YOURSELF. 370 00:14:00,307 --> 00:14:01,306 HE MAY BE SUICIDAL, 371 00:14:01,308 --> 00:14:02,340 BUT SOMETHING ELSE TIPPED HIM 372 00:14:02,342 --> 00:14:04,342 OVER THE EDGE TODAY. 373 00:14:04,344 --> 00:14:06,044 SAM: WE'RE APPROACHING THE AMBULANCE. 374 00:14:06,046 --> 00:14:07,111 ED: COPY THAT. 375 00:14:07,113 --> 00:14:08,179 (SIREN WAILS) 376 00:14:12,953 --> 00:14:14,553 WHY WOULD THEY JUST STOP? 377 00:14:14,554 --> 00:14:16,154 JULES: THIS IS THE POLICE STRATEGIC RESPONSE UNIT! 378 00:14:16,156 --> 00:14:17,856 THROW YOUR WEAPONS OUT OF THE VEHICLE 379 00:14:17,858 --> 00:14:21,960 AND STEP OUT WITH YOUR HANDS WHERE WE CAN SEE THEM! 380 00:14:21,962 --> 00:14:23,194 LET'S MOVE IN. 381 00:14:25,098 --> 00:14:29,000 JULES: THIS IS THE POLICE! COME OUT RIGHT NOW! 382 00:14:40,280 --> 00:14:43,181 SAM: (QUIETLY) ON THREE, TWO, ONE. 383 00:14:45,418 --> 00:14:46,985 NO ONE'S IN THERE, ED. 384 00:14:46,987 --> 00:14:48,486 ELLIOT'S NOT IN THE AMBULANCE? 385 00:14:48,488 --> 00:14:51,189 JULES: NO, THEY LEFT IT AS A DISTRACTION TO STALL US. 386 00:14:51,191 --> 00:14:53,491 ELLIOT'S LONG GONE. 387 00:14:53,493 --> 00:14:56,027 PARKER: OKAY, LET'S BREAK THIS DOWN. 388 00:14:56,029 --> 00:14:57,295 WHO BREAKS INTO A HOUSE, 389 00:14:57,296 --> 00:14:58,562 CARJACKS AN AMBULANCE IN BROAD DAYLIGHT - 390 00:14:58,565 --> 00:14:59,964 GO TO ALL THIS TROUBLE 391 00:14:59,966 --> 00:15:01,432 JUST TO GET THEIR HANDS ON A... 392 00:15:04,170 --> 00:15:05,236 ON A HUMAN CAMERA? 393 00:15:06,172 --> 00:15:07,822 ELLIOT DREW THE ROSETTA STONE? 394 00:15:07,823 --> 00:15:09,473 LAINIE: HE SAW IT AT THE BRITISH MUSEUM WHEN HE WAS EIGHT. 395 00:15:09,476 --> 00:15:12,343 HE DREW IT FROM MEMORY WHEN I MET HIM. 396 00:15:12,345 --> 00:15:14,479 THAT'S ANCIENT EGYPTIAN, DEMOTIC SCRIPT, ANCIENT GREEK. 397 00:15:14,481 --> 00:15:16,281 IT'S A FLAWLESS REPLICA. 398 00:15:16,282 --> 00:15:18,082 PARKER: SO ELLIOT REMEMBERS WORDS, NUMBERS, PATTERNS... 399 00:15:18,084 --> 00:15:19,217 LAINIE: EVERYTHING. 400 00:15:19,218 --> 00:15:20,351 EVEN IN LANGUAGES HE DOESN'T UNDERSTAND. 401 00:15:20,353 --> 00:15:21,886 SO YOU COULD SEND HIM SOMEWHERE 402 00:15:21,887 --> 00:15:23,420 AND HE COULD ABSORB INFORMATION UNDETECTED, 403 00:15:23,423 --> 00:15:25,290 SOMEWHERE YOU COULDN'T BRING A CAMERA. 404 00:15:25,292 --> 00:15:26,424 PARKER: YOU SAID HE WAS RECLUSIVE. 405 00:15:26,426 --> 00:15:28,059 WHO ELSE WOULD KNOW HE COULD DO THIS? 406 00:15:30,664 --> 00:15:32,597 OH, WE DID AN INTERVIEW ON "ENQUIRING MINDS," 407 00:15:32,599 --> 00:15:34,365 THE TV NEWS MAGAZINE. 408 00:15:34,367 --> 00:15:36,601 THEY FEATURED THIS DRAWING. I MEAN, IT COULD BE ANYONE. 409 00:15:39,306 --> 00:15:40,605 JAY: HEY, YOU LOOK GOOD, ELLIOT, 410 00:15:40,607 --> 00:15:43,041 BUT TODAY YOUR NAME IS GREGORY COOK, OKAY? 411 00:15:43,043 --> 00:15:44,242 NOW, LIKE I SAID, 412 00:15:44,244 --> 00:15:46,077 THEY'RE GONNA SHOW US THE SECURITY ROOM, OKAY? 413 00:15:46,079 --> 00:15:47,729 I NEED YOU TO STUDY THE FLOORPLANS 414 00:15:47,730 --> 00:15:49,380 AND MAKE SURE THAT THEY MATCH THE CAMERA ANGLES. 415 00:15:49,382 --> 00:15:50,640 ALSO, WE'RE GONNA... 416 00:15:50,641 --> 00:15:51,899 WOMAN'S ECHOING VOICE: ELLIOT, WHAT ARE YOU DOING? 417 00:15:51,900 --> 00:15:53,158 ...THE TARGET, WORK FAST... 418 00:15:53,159 --> 00:15:54,417 MAN'S ECHOING VOICE: YOU ARE VERY VALUABLE TO ME, ELLIOT... 419 00:15:54,421 --> 00:15:55,937 (MAN ANSWERS PHONE) 420 00:15:55,938 --> 00:15:57,454 MAN'S ECHOING VOICE: AND YOU WOULDN'T WANNA KNOW WHAT HAPPENS 421 00:15:57,455 --> 00:15:58,971 IF YOU TALK TO THE POLICE ABOUT THIS CONVERSATION. 422 00:15:58,972 --> 00:16:00,488 WOMAN'S ECHOING VOICE: YOU NEED TO LISTEN TO ME RIGHT NOW. 423 00:16:00,493 --> 00:16:01,492 WHAT ARE YOU DOING? 424 00:16:01,494 --> 00:16:02,493 I CAN'T. I DON'T THINK I CAN- 425 00:16:02,495 --> 00:16:04,062 HEY, HEY! 426 00:16:04,064 --> 00:16:05,563 YOU CAN, ELLIOT. 427 00:16:05,565 --> 00:16:07,498 YOU CAN, OKAY? 428 00:16:09,202 --> 00:16:10,435 COME ON, OKAY? 429 00:16:20,480 --> 00:16:22,981 LOOKS LIKE THEY WERE TOO BUSY TO DISENGAGE THE CAMERAS. 430 00:16:24,584 --> 00:16:26,117 SPIKE: IT MEANS WE HAVE A REAR AND AN INSIDE VIEW. 431 00:16:26,119 --> 00:16:27,736 LEAH: YUP. 432 00:16:27,737 --> 00:16:29,354 SPIKE: HANG ON, ELLIOT, WON'T BE LONG. 433 00:16:33,526 --> 00:16:36,027 BARNABY: BARNABY HOWE, SENIOR PROJECTS MANAGER. 434 00:16:36,029 --> 00:16:37,312 WE SPOKE ON THE PHONE. 435 00:16:37,313 --> 00:16:38,596 JAY: YEAH, WE WERE JUST TALKING TO EACH OTHER 436 00:16:38,598 --> 00:16:40,465 ABOUT HOW GRATEFUL WE ARE FOR YOUR CO-OPERATION. 437 00:16:40,467 --> 00:16:41,466 BARNABY: ABSOLUTELY. 438 00:16:41,468 --> 00:16:43,167 KEEP US ON OUR TOES. 439 00:16:46,272 --> 00:16:47,672 GOVERNMENT COMPLIANCE OFFICERS. 440 00:16:47,674 --> 00:16:50,274 WE'VE GOT ANOTHER SECURITY SPOT-CHECK. 441 00:16:50,276 --> 00:16:51,542 ANY METAL OBJECTS ON THE TRAY, PLEASE. 442 00:16:51,544 --> 00:16:52,910 JAY: OH. (METAL CLANKS) 443 00:16:52,911 --> 00:16:54,277 BARNABY: THIS SCANNER'S STATE-OF-THE-ART, 444 00:16:54,280 --> 00:16:57,115 PICKS UP EVEN THE SMALLEST METAL MASS. 445 00:16:58,051 --> 00:16:59,283 (METAL CLINKS) 446 00:17:05,592 --> 00:17:08,426 GUARD: ARMS OUT. HOLD STILL, PLEASE. 447 00:17:08,428 --> 00:17:11,596 (HIGH-PITCHED BEEP, LOW PULSING HUM) 448 00:17:12,532 --> 00:17:14,532 (ELECTRONIC BEEP) CLEAR. PROCEED. 449 00:17:14,534 --> 00:17:15,666 JAY: MM-HMM. 450 00:17:18,405 --> 00:17:20,055 GUARD: PLEASE HOLD STILL, SIR. 451 00:17:20,056 --> 00:17:21,706 (HIGH-PITCHED BEEP, LOW PULSING HUM) 452 00:17:21,708 --> 00:17:22,740 (ELECTRONIC BEEP) 453 00:17:22,742 --> 00:17:25,176 GUARD: CLEAR. PROCEED. 454 00:17:25,178 --> 00:17:27,578 BARNABY: HOWARD, YOU'LL BE OUR ESCORT. 455 00:17:27,580 --> 00:17:28,646 (METAL CLINKS) 456 00:17:30,116 --> 00:17:32,350 SECURITY COMPLIANCE CHECK. 457 00:17:36,056 --> 00:17:37,455 (OVER P.A. SYSTEM) ATTENTION ALL STAFF. 458 00:17:37,457 --> 00:17:39,590 WE HAVE GOVERNMENT SECURITY COMPLIANCE OFFICERS 459 00:17:39,592 --> 00:17:41,142 WITH US TODAY. 460 00:17:41,143 --> 00:17:42,693 PLEASE GIVE THEM YOUR FULL CO-OPERATION. 461 00:17:42,695 --> 00:17:43,761 THANK YOU. 462 00:17:45,765 --> 00:17:47,665 I WON'T CRAMP YOUR STYLE. 463 00:17:47,667 --> 00:17:49,367 CATCH YOU ON THE WAY OUT. 464 00:17:49,369 --> 00:17:50,835 JAY: APPRECIATE IT. 465 00:17:53,073 --> 00:17:55,173 ELLIOT: (FAST, SHALLOW BREATHING) 466 00:17:58,511 --> 00:18:00,595 JAY: UH, GENTLEMEN, I JUST WANTED TO SAY 467 00:18:00,596 --> 00:18:02,680 WE'VE HAD SOME GRAVE CONCERNS IN REGARDS TO... 468 00:18:02,682 --> 00:18:04,282 (SOUND DISTORTS) 469 00:18:06,152 --> 00:18:07,718 ELLIOT: (BREATHING ERRATICALLY) 470 00:18:22,535 --> 00:18:24,502 SPIKE: HELLO! WE GOT A FACE. 471 00:18:24,503 --> 00:18:26,470 JULES: WINNIE, SPIKE'S SENDING YOU A PICTURE OF ELLIOT'S ABDUCTOR. 472 00:18:26,473 --> 00:18:28,290 ANYTHING YOU CAN FIND. 473 00:18:28,291 --> 00:18:30,108 SPIKE: WE'VE ALSO GOT AN IMAGE ON THE BUMPER CAM, WINNIE. 474 00:18:30,110 --> 00:18:33,611 THEY SWITCHED INTO A GREY VAN, MARKER 6-8-9 4-T-M. 475 00:18:34,614 --> 00:18:37,315 OKAY, I'LL RUN THE PHOTO AND PUT AN APB OUT ON THE VAN. 476 00:18:37,317 --> 00:18:38,649 SAM: WHAT KIND OF INFORMATION IS WORTH THE RISK 477 00:18:38,651 --> 00:18:40,034 THESE GUYS ARE TAKING? 478 00:18:40,035 --> 00:18:41,418 SPIKE: INFORMATION WORTH A LOT OF MONEY. 479 00:18:41,421 --> 00:18:42,286 WHATTA YOU GOT, BOSS? 480 00:18:42,288 --> 00:18:43,821 OKAY, TEAM, 481 00:18:43,822 --> 00:18:45,355 ELLIOT'S GOT AN EXTRAORDINARY PHOGRAPHIC MEMORY. 482 00:18:45,358 --> 00:18:47,558 WE'RE THINKING WHERE WOULD YOU NEED A GUY LIKE THAT? 483 00:18:47,560 --> 00:18:49,327 SPIKE: YOU CAN GET MICRO-CAMERAS THE SIZE OF A FRECKLE. 484 00:18:49,329 --> 00:18:51,362 WHY WOULD YOU USE A HUMAN, AN UNWILLING ONE? 485 00:18:51,364 --> 00:18:53,364 A HUMAN GETS PAST METAL DETECTORS. 486 00:18:53,366 --> 00:18:54,565 SO SOMEWHERE WITH TIGHT SECURITY, 487 00:18:54,567 --> 00:18:55,933 NO PHOTOS. 488 00:18:55,934 --> 00:18:57,300 JULES: MAYBE GOVERNMENT, MILITARY? 489 00:18:57,301 --> 00:18:58,667 WINNIE: TEAM ONE, THE LICENCE PLATES ON THAT VAN 490 00:18:58,671 --> 00:19:00,671 ARE OFFICIALLY BOGUS. IT'S A DEAD END, 491 00:19:00,673 --> 00:19:02,673 BUT WE DO HAVE A MATCH ON OUR HIJACKER. 492 00:19:02,675 --> 00:19:04,208 SPIKE: GO, WINNIE. 493 00:19:04,209 --> 00:19:05,742 WINNIE: JAY PENAK. HE'S ON THE FEDERAL WATCHLIST. 494 00:19:05,745 --> 00:19:07,562 HE'S A FREQUENT FLIER, 495 00:19:07,563 --> 00:19:09,380 ESPECIALLY TO EASTERN EUROPE AND CHINA. 496 00:19:09,382 --> 00:19:10,615 HE'S WELL-CONNECTED 497 00:19:10,616 --> 00:19:11,849 AND HE'S KNOWN TO HAVE CONTACTS WITH ARMS DEALERS. 498 00:19:11,851 --> 00:19:13,718 OF COURSE, WEAPONS. 499 00:19:22,629 --> 00:19:23,861 JAY AND HOWARD: (GRUNTING AND GRAPPLING) 500 00:19:23,863 --> 00:19:25,930 JAY: DON'T SAY ANYTHING. 501 00:19:28,868 --> 00:19:30,868 COME ON, COME ON. 502 00:19:32,839 --> 00:19:34,756 (VIOLENT BLOW, HOWARD GRUNTS) 503 00:19:34,757 --> 00:19:36,674 SPIKE: OKAY, WE GOT THREE PRIVATE COMPANIES THAT DO RESEARCH 504 00:19:36,676 --> 00:19:39,060 FOR THE DEPARTMENT OF DEFENSE: (ELECTRONIC BEEPS) 505 00:19:39,061 --> 00:19:41,445 A.G.S. LOEB, BREBTECH, AND MORTON & FLOYD. 506 00:19:41,447 --> 00:19:42,747 WINNIE: OKAY, I'LL GET UNMARKED CARS TO ALL THREE, 507 00:19:42,749 --> 00:19:44,815 EYES PEELED FOR THE VAN. 508 00:19:48,588 --> 00:19:49,687 OKAY, THE BLIND SPOT, THE BLIND SPOT, 509 00:19:49,689 --> 00:19:50,688 WHICH WAY? 510 00:19:50,690 --> 00:19:52,790 UH... 511 00:19:52,792 --> 00:19:55,426 WE GOTTA PASS TWO CAMERAS. THIRD DOOR ON THE RIGHT... 512 00:19:55,428 --> 00:19:57,528 JAY: JUST SHOW ME, JUST SHOW ME! LET'S GO! 513 00:19:58,464 --> 00:20:00,464 GREY VAN'S BEEN SIGHTED NEAR TOMKEN AND BRITTANIA. 514 00:20:00,466 --> 00:20:01,666 AND THAT'S RIGHT NEAR...? 515 00:20:01,668 --> 00:20:03,635 A.G.S. LOEB. 516 00:20:03,636 --> 00:20:05,603 SAM: LET'S MOVE! JULES: LET'S DO IT. 517 00:20:09,275 --> 00:20:11,459 (ELECTRONIC BEEPS) 518 00:20:11,460 --> 00:20:13,644 TREVOR: COME ON IN AND I'LL REVIEW OUR SECURITY PROTOCOL. 519 00:20:13,646 --> 00:20:15,012 JAY: OKAY. 520 00:20:15,013 --> 00:20:16,379 TREVOR: EVERYTHING'S BY THE BOOK. 521 00:20:16,382 --> 00:20:17,782 YOU KNOW THERE WAS THAT NEAR-BREACH LAST YEAR. 522 00:20:17,784 --> 00:20:19,117 JAY: YES, WE KNOW. 523 00:20:19,118 --> 00:20:20,451 TREVOR: WE TIGHTENED EVERYTHING UP. 524 00:20:20,453 --> 00:20:22,753 IT'S IMPOSSIBLE FOR INFORMATION TO LEAVE THE PREMISES, 525 00:20:22,755 --> 00:20:24,655 PHYSICALLY OR VIRTUALLY. 526 00:20:24,657 --> 00:20:26,724 THERE ARE NO HARD COPIES OF THE RESEARCH, 527 00:20:26,726 --> 00:20:28,693 NO PORTS IN THE COMPUTERS, 528 00:20:28,695 --> 00:20:31,662 AND THERE'S NO WIRELESS SIGNAL WITHIN THE FACILITY WALLS. 529 00:20:31,664 --> 00:20:33,497 SO, WE'RE UNHACKABLE. 530 00:20:33,499 --> 00:20:34,632 JAY: WE KNOW. 531 00:20:36,402 --> 00:20:38,052 THIS SHOULDN'T TAKE LONG. 532 00:20:38,053 --> 00:20:39,703 SPIKE: THEY HAVE A CONTRACT WITH THE DEPARTMENT OF DEFENSE 533 00:20:39,706 --> 00:20:41,772 TO BUILD A SMART GUN SYSTEM. 534 00:20:41,774 --> 00:20:42,840 DETAILS ARE CLASSIFIED, 535 00:20:42,842 --> 00:20:44,759 BUT THEY USE SELF-GUIDED BULLETS. 536 00:20:44,760 --> 00:20:46,677 SAM: YEAH, THE MILITARY'S BEEN TESTING PROTOTYPES FOR A WHILE. 537 00:20:46,679 --> 00:20:48,846 THEY GET THIS RIGHT, IT'S THE PERFECT FIREARM. 538 00:20:48,848 --> 00:20:50,698 MEANING WHAT EXACTLY? 539 00:20:50,699 --> 00:20:52,549 SPIKE: MEANING IT WILL HIT EVERY TARGET EVERY TIME. 540 00:20:52,552 --> 00:20:54,552 MEANING ANYBODY WHO GETS HIS HANDS ON IT 541 00:20:54,554 --> 00:20:57,021 WILL THINK HE'S AN UNSTOPPABLE KILLING MACHINE. 542 00:20:57,023 --> 00:20:59,290 JULES: SO IF TECH LIKE THIS HITS THE STREET... 543 00:20:59,292 --> 00:21:00,758 SPIKE: YOU THINK GANG WARS ARE BAD NOW? 544 00:21:00,760 --> 00:21:03,361 WAIT UNTIL THEY HAVE THE FIREPOWER OF AN ARMY. 545 00:21:03,363 --> 00:21:04,862 GREG, IT'S NOT GONNA MATTER HOW HARD WE TRAIN. 546 00:21:04,864 --> 00:21:07,431 IF WE START GOING UP AGAINST GUYS WITH THIS KIND OF FORCE... 547 00:21:07,433 --> 00:21:09,767 PARKER: I KNOW, EDDIE, LET'S MOVE! 548 00:21:09,769 --> 00:21:11,836 (RAPID ELECTRONIC BEEPS) 549 00:21:15,575 --> 00:21:17,375 (ELECTRONIC WHOOSHES) 550 00:21:19,779 --> 00:21:20,978 (SOUND DISTORTS) 551 00:21:21,814 --> 00:21:23,814 ED: MR HOWE, THIS IS ED LANE, SRU. 552 00:21:23,816 --> 00:21:25,783 SIR, WE BELIEVE THERE ARE UNAUTHORIZED PERSONNEL 553 00:21:25,785 --> 00:21:27,585 ON YOUR PREMISES 554 00:21:27,586 --> 00:21:29,386 LOOKING TO ACCESS CLASSIFIED INFORMATION. 555 00:21:29,389 --> 00:21:30,421 THAT'S NOT POSSIBLE. 556 00:21:30,423 --> 00:21:31,973 SIR, COULD YOU CHECK YOUR LOGS, 557 00:21:31,974 --> 00:21:33,524 TELL ME IF THERE ARE ANY UNFAMILIAR PERSONNEL 558 00:21:33,526 --> 00:21:36,027 ENTERING THE FACILITY WITHIN THE LAST HALF HOUR. 559 00:21:36,029 --> 00:21:37,895 WE HAVE TWO SECURITY COMPLIANCE INSPECTORS, 560 00:21:37,897 --> 00:21:39,397 BUT THEY WERE FULLY ACCREDITED. 561 00:21:39,399 --> 00:21:40,564 ED: ARE THEY STILL IN THERE? 562 00:21:40,566 --> 00:21:41,766 BARNABY: I'LL FIND OUT. 563 00:21:41,768 --> 00:21:43,034 (PHONE BEEPS OFF) 564 00:21:44,504 --> 00:21:45,770 (WALKIE-TALKIE BEEPS) ONE-ONE-FIVE, COME IN. 565 00:21:45,772 --> 00:21:47,004 (STATIC CRACKLES) 566 00:21:47,006 --> 00:21:49,040 (WALKIE-TALKIE BEEPS) ONE-ONE-FIVE, PRIORITY! 567 00:21:49,042 --> 00:21:50,308 (WALKIE-TALKIE BEEPS) 568 00:21:51,444 --> 00:21:52,977 (ELECTRONIC WHOOSHES) 569 00:21:54,947 --> 00:21:56,347 (SOUND DISTORTS) 570 00:21:57,083 --> 00:21:58,549 JAY: HOW'S IT GOING? 571 00:21:58,551 --> 00:22:00,318 ALMOST DONE. 572 00:22:00,320 --> 00:22:01,819 JAY: THIS IS EVERYTHING, RIGHT? 573 00:22:01,821 --> 00:22:03,988 ALL THE NOTES, TEST RESULTS, UPDATES? 574 00:22:03,990 --> 00:22:06,057 EVERYTHING, I SWEAR TO GOD. 575 00:22:06,059 --> 00:22:08,926 SO WHERE DO YOU KEEP THE PROTOTYPE? 576 00:22:08,928 --> 00:22:10,428 I SAID WHERE? 577 00:22:10,430 --> 00:22:11,529 IN THE LOCKUP. 578 00:22:11,531 --> 00:22:12,596 SHOW ME. 579 00:22:14,000 --> 00:22:15,366 (ELECTRONIC WHOOSHES) 580 00:22:15,368 --> 00:22:16,500 (SIRENS WAIL) 581 00:22:21,040 --> 00:22:22,606 (SIRENS CUT OFF) 582 00:22:22,608 --> 00:22:23,741 ED, SAM, JULES, WE'RE GOING IN. 583 00:22:23,743 --> 00:22:25,409 KEEP YOUR EYES OPEN FOR THE VAN. 584 00:22:25,411 --> 00:22:26,844 SAM: COPY. 585 00:22:26,846 --> 00:22:28,329 ED: WHAT'S GOIN' ON? 586 00:22:28,330 --> 00:22:29,813 MY ESCORT'S NOT RESPONDING. THEY MAY HAVE HIS GUN! 587 00:22:29,816 --> 00:22:30,881 OKAY. 588 00:22:45,565 --> 00:22:46,564 AMMO? 589 00:22:46,566 --> 00:22:47,565 ED: WHICH WAY? 590 00:22:47,567 --> 00:22:48,750 BARNABY: HERE. 591 00:22:48,751 --> 00:22:49,934 PARKER: IS THERE A PHONE IN THAT ROOM? 592 00:22:49,936 --> 00:22:50,968 BARNABY: YEAH, HARD-WIRED. 593 00:22:50,970 --> 00:22:52,937 PARKER: CALL IT, PLEASE. 594 00:22:52,939 --> 00:22:54,472 (PHONE KEYS BEEP) 595 00:22:55,141 --> 00:22:57,675 JAY: I WANT YOU TO SHOW ME HOW THIS WORKS. 596 00:22:57,677 --> 00:22:58,943 (TELEPHONE RINGS) 597 00:23:03,549 --> 00:23:04,915 (GUN CLICKS) TELL ME HOW THIS WORKS. 598 00:23:04,917 --> 00:23:05,916 TREVOR: UH... 599 00:23:05,918 --> 00:23:07,118 TELL ME. 600 00:23:07,120 --> 00:23:08,719 YOU GET A LOCK ON YOUR TARGET 601 00:23:08,721 --> 00:23:09,854 WITH THE LASER SIGHT. 602 00:23:09,856 --> 00:23:11,589 IT CHARTS A PATH FOR THE BULLET, 603 00:23:11,591 --> 00:23:13,457 THE BULLET AUTO-CORRECTS IN FLIGHT. 604 00:23:13,459 --> 00:23:14,992 BARNABY: NO ANSWER. 605 00:23:14,994 --> 00:23:17,061 JAY: WHAT IF MY TARGET'S BEHIND COVER? 606 00:23:17,063 --> 00:23:20,030 YOU TAKE YOUR READING FROM THE OBSTRUCTION, 607 00:23:20,032 --> 00:23:22,433 MANUALLY ADJUST THE DISTANCE ONE YARD OR TWO. 608 00:23:22,435 --> 00:23:24,502 YOU ADJUST YOUR POSITION, 609 00:23:24,504 --> 00:23:26,036 THE GUN MEASURES THE CHANGE OF ANGLE 610 00:23:26,038 --> 00:23:27,972 BASED ON THE ORIGINAL LASER READING. 611 00:23:27,974 --> 00:23:31,175 YOU FIRE, THE BULLET CORRECTS ITS PATH, 612 00:23:31,177 --> 00:23:34,478 YOU HIT THE TARGET BEHIND THE OBSTRUCTION. 613 00:23:34,480 --> 00:23:35,679 (LAUGHS) 614 00:23:35,681 --> 00:23:37,415 I GOTTA TELL YA, THAT'S SOMETHING ELSE. 615 00:23:37,417 --> 00:23:38,582 (LAUGHS) 616 00:23:38,584 --> 00:23:39,650 ARE YOU DONE, ELLIOT? 617 00:23:41,587 --> 00:23:42,653 ELLIOT! 618 00:23:43,623 --> 00:23:45,556 I'M DONE. 619 00:23:45,558 --> 00:23:48,526 JAY: THIS IS YOUR BRAIN CHILD, HUH? 620 00:23:48,528 --> 00:23:50,995 NO ONE KNOWS THIS STUFF LIKE YOU? 621 00:23:50,997 --> 00:23:52,696 THAT'S RIGHT. 622 00:23:52,698 --> 00:23:53,531 THAT'S GOOD. 623 00:23:53,533 --> 00:23:54,532 (GUNSHOT BOOMS) 624 00:23:54,534 --> 00:23:55,699 ELLIOT: (GASPS) 625 00:23:55,701 --> 00:23:58,002 ED: SHOT FIRED! GO, GO, GO! 626 00:23:58,004 --> 00:23:59,837 JAY: LET'S GO. 627 00:23:59,839 --> 00:24:00,838 NOW! 628 00:24:00,840 --> 00:24:02,840 OR LAINIE'S NEXT! 629 00:24:13,820 --> 00:24:15,803 BARNABY: TREVOR WAS OUR LEAD RESEARCHER. 630 00:24:15,804 --> 00:24:17,787 SPIKE: THIS IS HOW JAY PENAK DEALS WITH COMPETITION? 631 00:24:17,790 --> 00:24:20,191 WHERE ARE YOUR WEAPONS KEPT? 632 00:24:22,995 --> 00:24:24,462 (ELECTRONIC BEEPS) 633 00:24:26,165 --> 00:24:28,632 HE'S GOT THE XC-2 PROTOTYPE. 634 00:24:28,634 --> 00:24:29,934 PARKER: SILVER LINING - ELLIOT'S SAFE. 635 00:24:29,936 --> 00:24:31,602 AS LONG AS HE'S GOT THOSE SCHEMATICS, 636 00:24:31,604 --> 00:24:32,803 THEY WON'T LET ANYTHING HAPPEN TO HIM. 637 00:24:32,805 --> 00:24:33,904 YEAH, BUT NOW THEY'LL DO WHATEVER IT TAKES 638 00:24:33,906 --> 00:24:35,072 TO GET HIM TO THE FINISH LINE. 639 00:24:35,074 --> 00:24:36,424 ED: SPIKE, LET'S GET EYES. 640 00:24:36,425 --> 00:24:37,775 WE GOTTA GET 'EM BEFORE THEY LEAVE THE BUILDING. 641 00:24:37,777 --> 00:24:39,043 YOUR SECURITY, WHICH WAY? 642 00:24:39,045 --> 00:24:40,110 FOLLOW ME. 643 00:24:43,182 --> 00:24:44,782 SPIKE: NO ONE SAW THEM ENTER THE SECURE ROOM 644 00:24:44,784 --> 00:24:46,116 OR ACCESS THE RESEARCH? 645 00:24:46,118 --> 00:24:47,818 NO CAMERAS IN THAT ROOM. 646 00:24:51,057 --> 00:24:51,906 SECURITY REASONS. 647 00:24:51,907 --> 00:24:52,756 DID THEY GET ACCESS TO THE FACILITY'S FLOORPLANS 648 00:24:52,758 --> 00:24:54,625 OR THE CCTV SYSTEM? 649 00:24:54,627 --> 00:24:56,026 THE SECURITY ROOM WAS THEIR FIRST STOP. 650 00:24:56,028 --> 00:24:57,795 SPIKE: GUYS, ELLIOT SAW THE FLOORPLAN. 651 00:24:57,797 --> 00:24:59,074 THEY GOT AN ADVANTAGE. 652 00:24:59,075 --> 00:25:00,352 THEY'RE GONNA KNOW EVERY SQUARE INCH OF THIS PLACE. 653 00:25:00,353 --> 00:25:01,630 WELL, AT LEAST THEY CAN'T GET THE SCHEMATICS 654 00:25:01,634 --> 00:25:03,584 OUT OF THE BUILDING. 655 00:25:03,585 --> 00:25:05,535 ACTUALLY, THEY CAN. LONG STORY. 656 00:25:05,538 --> 00:25:07,872 ED: THEY'RE GONNA AVOID THE CAMERAS IN THE MAIN HALLWAYS. 657 00:25:07,874 --> 00:25:09,573 PARKER: SPIKE, WHAT ABOUT SERVICE CORRIDORS? 658 00:25:09,575 --> 00:25:11,575 SPIKE: YEAH, I WAS JUST THINKING THE SAME THING. 659 00:25:11,576 --> 00:25:13,576 BOSS, YOU GO STRAIGHT AHEAD, YOU TURN LEFT. 660 00:25:13,579 --> 00:25:14,845 LEAH: (OVER P.A.) ATTENTION ALL EMPLOYEES. 661 00:25:14,847 --> 00:25:16,947 THIS IS THE STRATEGIC RESPONSE UNIT. 662 00:25:16,949 --> 00:25:18,816 PLEASE LEAVE ALL OPEN AREAS IMMEDIATELY. 663 00:25:18,818 --> 00:25:20,273 JAY: DAMN IT! LET'S GO! 664 00:25:20,274 --> 00:25:21,729 LEAH: (OVER P.A.) REMAIN BEHIND LOCKED DOORS 665 00:25:21,730 --> 00:25:23,185 UNTIL WE GIVE YOU THE ALL-CLEAR. 666 00:25:23,189 --> 00:25:25,556 OKAY, THIS FACILITY'S GOT FOUR EXITS. 667 00:25:25,558 --> 00:25:27,658 YOU GOT TWO EXITS ON THE SOUTH SIDE. 668 00:25:27,660 --> 00:25:30,127 LEAH: SO ELLIOT AND JAY, THEY'RE HEADED HERE OR HERE. 669 00:25:30,129 --> 00:25:32,563 SPIKE: ED, SERVICE CORRIDOR C. 670 00:25:32,565 --> 00:25:34,965 WE DON'T KNOW IF HE'S GOING TO THE EAST OR THE WEST EXIT. 671 00:25:34,967 --> 00:25:37,435 I'LL BACK YOU UP. 672 00:25:37,436 --> 00:25:39,904 ED: LEAH, WEST EXIT WITH THE BOSS. I'LL TAKE THE EAST. 673 00:25:39,906 --> 00:25:40,905 ELLIOT: BUT THE POLICE ARE- 674 00:25:40,907 --> 00:25:42,072 JAY: JUST KEEP MOVIN'! 675 00:25:42,074 --> 00:25:43,140 WHICH WAY? 676 00:25:45,211 --> 00:25:46,277 COME ON! 677 00:25:53,619 --> 00:25:56,186 ELLIOT: (PANICKED BREATHING) 678 00:25:56,188 --> 00:25:57,254 WHICH WAY? 679 00:25:58,791 --> 00:26:00,190 WHICH WAY? 680 00:26:01,727 --> 00:26:04,962 (BOOMING GUNSHOT, DISTORTED CRACKLES) 681 00:26:07,133 --> 00:26:08,198 I CAN'T DO THIS ANYMORE. 682 00:26:08,200 --> 00:26:09,900 JAY: EAST EXIT. WHICH WAY? 683 00:26:09,902 --> 00:26:11,385 I'M SORRY, I CAN'T SEE IT. 684 00:26:11,386 --> 00:26:12,869 JAY: YOU START SEEIN' IT OR LAINIE SUMMERS IS GONNA DIE, 685 00:26:12,872 --> 00:26:14,572 DO YOU HEAR ME? 686 00:26:14,574 --> 00:26:16,106 (SOUND DISTORTS) 687 00:26:16,108 --> 00:26:17,775 WOMAN'S ECHOING VOICE: (LAUGHING) 688 00:26:17,777 --> 00:26:20,411 EAST EXIT! 689 00:26:20,412 --> 00:26:23,046 WOMAN'S ECHOING VOICE: ELLIOT... ELLIOT, WHAT ARE YOU DOING? 690 00:26:23,049 --> 00:26:24,348 JAY: THINK BRANIAC! COME ON! 691 00:26:24,350 --> 00:26:26,216 FOR GOD SAKE, WE'RE OUT OF TIME! 692 00:26:26,218 --> 00:26:28,102 FOCUS! 693 00:26:28,103 --> 00:26:29,987 WOMAN'S ECHOING VOICE: ELLIOT, YOU NEED TO LISTEN TO ME. 694 00:26:29,989 --> 00:26:32,022 YOU NEED TO LISTEN TO ME RIGHT NOW. 695 00:26:32,024 --> 00:26:34,158 WHAT ARE YOU DOING? 696 00:26:35,761 --> 00:26:36,760 IT'S THAT WAY. 697 00:26:36,762 --> 00:26:38,796 JAY: GOOD. OKAY, GO! GO, GO! 698 00:26:39,031 --> 00:26:40,698 SPIKE: WHAT CAN YOU TELL ME ABOUT THIS SMART GUN? 699 00:26:40,700 --> 00:26:42,032 WELL, THE BULLET HAS AN ONBOARD CHIP 700 00:26:42,034 --> 00:26:43,634 AND THE GUN HAS A LASER SIGHT. 701 00:26:43,636 --> 00:26:45,002 THE GUN TELLS THE BULLET WHERE TO GO. 702 00:26:45,004 --> 00:26:46,804 BY RADIO SIGNAL. 703 00:26:48,007 --> 00:26:49,106 JULES: VEHICLE'S APPROACHING THE DELIVERY DOOR, 704 00:26:49,108 --> 00:26:50,874 BLACK ALPHA TWO. 705 00:26:50,876 --> 00:26:52,009 WE'LL STAND BY TO INTERCEPT. 706 00:26:52,011 --> 00:26:53,944 SPIKE: THERE. EAST EXIT, ED! 707 00:26:53,946 --> 00:26:55,930 PARKER: WHICH WAY, SPIKE? 708 00:26:55,931 --> 00:26:57,915 SPIKE: BOSS, LEAH, YOU GUYS GO STRAIGHT PAST THE LOADING BAY, 709 00:26:57,917 --> 00:26:59,650 THEN YOU GO LEFT. ED'S NEARLY THERE! 710 00:26:59,652 --> 00:27:01,685 (QUIETLY) LET'S FLANK HIM. HE WON'T KNOW WHAT HIT HIM. 711 00:27:01,687 --> 00:27:03,287 PARKER: COPY. ED, WE'RE RIGHT BEHIND YOU. 712 00:27:03,289 --> 00:27:04,355 ON MY GO. 713 00:27:17,903 --> 00:27:18,902 HE'S HERE. 714 00:27:18,904 --> 00:27:19,970 (GUN CLICKS) 715 00:27:21,340 --> 00:27:22,806 ELLIOT: PLEASE DON'T HURT ANYBODY ELSE. 716 00:27:22,807 --> 00:27:24,273 YOU HAVE ME. YOU HAVE EVERYTHING YOU NEED! 717 00:27:24,276 --> 00:27:26,143 DON'T, PLEASE! PLEASE! 718 00:27:26,145 --> 00:27:27,945 PUT THE WEAPON DOWN! 719 00:27:27,947 --> 00:27:29,146 (DISTORTED BOOM) 720 00:27:32,385 --> 00:27:35,219 (HARD IMPACT, ED GRUNTS IN PAIN) 721 00:27:35,221 --> 00:27:36,220 (HARD THUMP) 722 00:27:36,222 --> 00:27:37,187 NO. 723 00:27:37,189 --> 00:27:38,255 ED, STATUS. 724 00:27:39,358 --> 00:27:40,424 COME ON. 725 00:27:43,829 --> 00:27:45,796 PARKER: SPIKE, CAN YOU GET EYES IN THERE? 726 00:27:45,798 --> 00:27:47,231 ED'S HIT. BOSS, I DON'T HAVE A VISUAL! 727 00:27:49,301 --> 00:27:50,701 PARKER: EDDIE. 728 00:27:50,703 --> 00:27:52,369 COME ON, BUDDY, TALK TO ME. 729 00:27:52,371 --> 00:27:54,038 ED: (GRIMACES IN PAIN) 730 00:27:54,974 --> 00:27:56,206 (GUN CLATTERS) 731 00:27:59,078 --> 00:28:01,245 PARKER: OKAY, JAY, 732 00:28:01,247 --> 00:28:02,680 I'M SERGEANT PARKER WITH THE POLICE. 733 00:28:02,682 --> 00:28:04,314 I JUST WANT TO KNOW IF MY GUY'S ALL RIGHT. 734 00:28:04,316 --> 00:28:05,816 JAY: STEP BACK! 735 00:28:05,818 --> 00:28:06,817 PARKER: (QUIETLY OVER RADIO) EDDIE. 736 00:28:06,819 --> 00:28:07,951 (GRIMACING) I'M OKAY. 737 00:28:07,953 --> 00:28:09,086 (RELIEVED SIGH) 738 00:28:11,924 --> 00:28:14,725 JAY: HEY, STAY CALM AND CUFF HIM. 739 00:28:17,029 --> 00:28:19,063 PARKER: SAM, JULES, MOVE IN ON THE VAN. 740 00:28:21,734 --> 00:28:23,701 SAM: (CCELERATES) MOVING IN ON THE VAN! 741 00:28:23,703 --> 00:28:24,935 (SIREN CHIRPS) 742 00:28:26,272 --> 00:28:27,404 JULES AND SAM: POLICE! DROP IT! 743 00:28:27,406 --> 00:28:28,939 DON'T EVEN THINK ABOUT IT! DROP IT NOW! 744 00:28:28,941 --> 00:28:30,708 ON THE GROUND NOW! DROP YOUR WEAPON NOW! 745 00:28:30,710 --> 00:28:31,742 HANDS WHERE I CAN SEE THEM! ON THE GROUND! 746 00:28:31,744 --> 00:28:33,777 JULES: DROP IT! DROP IT! 747 00:28:33,779 --> 00:28:36,814 HEY, JAY, YOU GOT WHAT YOU CAME FOR. 748 00:28:36,816 --> 00:28:39,149 NOW ALL I'M ASKING YOU TO DO IS WALK AWAY FROM THAT OFFICER. 749 00:28:39,151 --> 00:28:40,984 NO, HE'S COMIN' WITH US! 750 00:28:40,986 --> 00:28:42,352 ANYTHING OR ANYBODY GETS IN THE WAY 751 00:28:42,354 --> 00:28:44,021 AND I'M GONNA KILL HIM! 752 00:28:46,258 --> 00:28:49,226 COME ON, LET'S GET HIM UP! STAND HIM UP. 753 00:28:50,162 --> 00:28:51,929 YOU'RE GONNA HAVE TO CALL OFF YOUR REINFORCEMENTS 754 00:28:51,931 --> 00:28:53,047 AND GIVE US CLEAR PASSAGE, DO YOU HEAR ME?! 755 00:28:53,048 --> 00:28:54,164 ED: (QUIETLY INTO RADIO) STAY WITH US, STAY WITH US. 756 00:28:54,166 --> 00:28:55,733 WE'LL FIND A WAY. 757 00:28:55,735 --> 00:28:56,800 (RADIO SQUAWKS) 758 00:28:58,804 --> 00:29:00,938 JAY: YOU HEAR ME?! 759 00:29:00,940 --> 00:29:04,274 PARKER: OKAY, TEAM, STAND DOWN. LEAH. 760 00:29:04,276 --> 00:29:07,211 SAM, JULES, TEAM ONE STAND DOWN. 761 00:29:08,147 --> 00:29:10,448 BOSS, SAY AGAIN? 762 00:29:10,449 --> 00:29:12,750 PARKER: STAND DOWN, YOU HEARD HIM. 763 00:29:14,053 --> 00:29:15,152 SAM: YES, SIR. 764 00:29:15,154 --> 00:29:16,887 ALL RIGHT, YOU'VE GOT CLEAR PASSAGE! 765 00:29:16,889 --> 00:29:19,223 JAY: LET'S GO! GET THE DOOR! 766 00:29:19,225 --> 00:29:20,891 (DOOR BANGS OPEN) 767 00:29:23,462 --> 00:29:25,028 PARKER: ALL RIGHT, LET'S GO. 768 00:29:25,030 --> 00:29:26,096 GO. 769 00:29:32,338 --> 00:29:34,238 AARON: LET'S GO. 770 00:29:34,240 --> 00:29:36,090 SAM: WHAT'S THE PLAN, BOSS? 771 00:29:36,091 --> 00:29:37,941 PARKER: THE THREAT TO ED IS REAL. WE CO-OPERATE FOR NOW. 772 00:29:37,943 --> 00:29:40,944 WE'RE NOT TAKING THAT CHANCE. 773 00:29:44,784 --> 00:29:45,849 ED: ALL RIGHT! 774 00:29:45,851 --> 00:29:48,152 JAY: COME ON, GET IN THERE! 775 00:29:48,154 --> 00:29:49,486 LET'S GO! 776 00:29:52,491 --> 00:29:54,324 (VAN STARTS UP) 777 00:29:54,326 --> 00:29:57,261 PARKER: SAM, LET'S GET A GPS ON THAT VAN! 778 00:29:57,263 --> 00:29:58,796 SAM: I'M ON IT! 779 00:30:08,340 --> 00:30:10,040 (LOUD BOOM AND CLANK, ELECTRONIC BEEP) 780 00:30:10,042 --> 00:30:11,041 YOU GOT IT! 781 00:30:11,043 --> 00:30:12,242 PARKER: LET'S GO. 782 00:30:18,083 --> 00:30:19,416 (SIRENS WAIL) 783 00:30:19,418 --> 00:30:21,251 JULES: THEY'RE FOUR BLOCKS AWAY. LET'S MOVE! 784 00:30:21,253 --> 00:30:22,486 PARKER: THE SECOND THEY SEE US INTERFERE, 785 00:30:22,488 --> 00:30:24,354 WE'VE GOT A SERIOUS RISK TO ED. 786 00:30:24,356 --> 00:30:26,423 SAM: WE KEEP OUR DISTANCE, WE PLAN ON THE FLY. 787 00:30:26,425 --> 00:30:27,791 (SIRENS WAIL) 788 00:30:27,792 --> 00:30:29,158 JAY: PICKED UP SOME COLLATERAL, BUT NO ONE'S GONNA INTERFERE. 789 00:30:29,161 --> 00:30:30,227 IT'LL WORK. 790 00:30:32,164 --> 00:30:33,163 OH MY GOD. 791 00:30:33,165 --> 00:30:34,565 BREATHE, ELLIOT, BREATHE. 792 00:30:34,566 --> 00:30:35,966 ELLIOT: MY GOD, HE'S DEAD, HE'S DEAD. 793 00:30:35,968 --> 00:30:37,334 JUST BREATHE. M. 794 00:30:37,336 --> 00:30:38,535 ELLIOT, ELLIOT, JUST BREATHE- NO TALKING! 795 00:30:38,537 --> 00:30:40,337 ED: I'M JUST TRYING TO CALM HIM DOWN. 796 00:30:40,339 --> 00:30:41,672 YOU HEARD ME. 797 00:30:41,673 --> 00:30:43,006 WHAT'RE YOU GONNA DO? YOU GONNA SHOOT US? 798 00:30:43,007 --> 00:30:44,340 LET ME JUST TALK TO HIM. I'M GONNA CALM HIM DOWN. 799 00:30:44,343 --> 00:30:47,211 YOU NEED HIM CALM, SO LET ME TALK. 800 00:30:47,213 --> 00:30:48,245 ELLIOT, LISTEN TO ME. 801 00:30:48,247 --> 00:30:49,379 I DIDN'T MEAN FOR THIS TO HAPPEN. 802 00:30:49,381 --> 00:30:51,215 ALL I WANTED TO DO, ALL I WANTED WAS- 803 00:30:51,217 --> 00:30:55,085 YOU JUST WANTED TO FORGET. I UNDERSTAND. 804 00:30:55,087 --> 00:30:56,320 ELLIOT, I KNOW ABOUT YOUR CONDITION 805 00:30:56,322 --> 00:30:59,957 AND KNOW HOW DIFFICULT THIS IS FOR YOU. 806 00:30:59,959 --> 00:31:01,458 NOW, SON, I DON'T HAVE WHAT YOU HAVE, 807 00:31:01,460 --> 00:31:05,028 BUT TELL ME IF THIS SOUNDS FAMILIAR. 808 00:31:05,030 --> 00:31:07,965 SOMETIMES I'LL BE DOING SOMETHING ORDINARY 809 00:31:07,967 --> 00:31:11,935 AND FOR NO REASON AT ALL I SEE SOMETHING 810 00:31:11,937 --> 00:31:15,138 AND I REMEMBER A GIRL THAT I SAW DIE 811 00:31:15,140 --> 00:31:17,140 AND THE IMAGES FLOOD MY MIND AND I CAN'T CONTROL IT. 812 00:31:17,142 --> 00:31:18,375 IT JUST HAPPENS, ELLIOT. 813 00:31:18,377 --> 00:31:20,377 I COULD BE LOOKIN' AT A COFFEE POT 814 00:31:20,379 --> 00:31:22,179 OR A GOLF BALL... 815 00:31:22,181 --> 00:31:24,081 AND ONE THING JUST FLIPS OVER INTO THE NEXT THING 816 00:31:24,083 --> 00:31:27,150 AND EVERYTHING TAKES YOU SOME PLACE YOU DON'T WANNA BE. 817 00:31:27,152 --> 00:31:29,086 AND THE MORE YOU TRY NOT TO THINK ABOUT IT 818 00:31:29,088 --> 00:31:30,187 THE WORSE IT GETS. 819 00:31:30,189 --> 00:31:33,090 YEAH, YEAH. EVERYTHING YOU'VE DONE, 820 00:31:33,092 --> 00:31:36,059 EVERYTHING YOU SHOULD HAVE DONE... 821 00:31:36,061 --> 00:31:38,495 EVERYBODY THAT YOU LOST, RIGHT? 822 00:31:39,431 --> 00:31:40,497 YEAH. 823 00:31:41,433 --> 00:31:43,467 (CELL PHONE RINGS, PHONE BEEPS ON) 824 00:31:43,469 --> 00:31:45,636 MARSHALL: YEAH? WE'RE EN ROUTE. 825 00:31:45,638 --> 00:31:48,338 SO WHAT HAPPENED HERE WITH THESE GUYS? 826 00:31:48,340 --> 00:31:50,641 ELLIOT: UH, TWO DAYS AGO, GUY COMES TO MY DOOR. 827 00:31:50,643 --> 00:31:53,443 HE SAID HE KNEW A LOT ABOUT ME, 828 00:31:53,445 --> 00:31:55,946 AND HE SAID HE WANTS ME TO DO A SIMPLE JOB FOR HIM 829 00:31:55,948 --> 00:31:57,414 FOR A CRAZY AMOUNT OF MONEY. 830 00:31:57,416 --> 00:31:59,449 HE DIDN'T TELL ME WHAT THE JOB WAS. 831 00:31:59,451 --> 00:32:01,051 NO, THANK YOU. 832 00:32:01,053 --> 00:32:02,352 JAY: ARE YOU SURE? 833 00:32:02,354 --> 00:32:05,022 I MEAN, COME ON, ELLIOT, THINK ABOUT THE FREEDOM. 834 00:32:05,024 --> 00:32:06,273 YOU TAKE A LONG HOLIDAY 835 00:32:06,274 --> 00:32:07,523 AND VISIT THAT ROSETTA STONE AGAIN. 836 00:32:07,526 --> 00:32:08,625 NO, THANK YOU. 837 00:32:08,627 --> 00:32:10,193 ALL RIGHT, FINE. 838 00:32:10,195 --> 00:32:11,495 THEN I'LL DOUBLE MY OFFER 839 00:32:11,496 --> 00:32:12,796 AND THAT'LL GIVE YOU A CHANCE TO BUY BACK 840 00:32:12,797 --> 00:32:14,097 THE OLD FAMILY COTTAGE. 841 00:32:14,099 --> 00:32:15,198 YOU SEE, ELLIOT, I KNOW YOU. 842 00:32:15,200 --> 00:32:17,501 I'VE DONE MY RESEARCH. 843 00:32:18,437 --> 00:32:21,171 YOU'VE VERY VALUABLE TO ME, ELLIOT. 844 00:32:21,173 --> 00:32:24,041 (SOUND DISTORTS) I KNOW LAINIE SUMMERS. 845 00:32:24,043 --> 00:32:28,278 I'M SURE YOU WOULDN'T WANT TO SEE HER GET HURT. 846 00:32:28,280 --> 00:32:29,646 AND I KNOW YOU'RE NOT GONNA WANT TO KNOW WHAT HAPPENS 847 00:32:29,648 --> 00:32:33,216 IF YOU TELL THE POLICE ABOUT THIS CONVERSATION. 848 00:32:33,218 --> 00:32:37,321 ELLIOT: AND SO HE SAYS HE'S GLAD THAT I SEE THINGS HIS WAY. 849 00:32:37,323 --> 00:32:38,588 HE SAID HE HAD TO MAKE PREPARATIONS 850 00:32:38,590 --> 00:32:41,525 AND HE WOULD BE BACK AT 11 A.M. TODAY TO GET ME. 851 00:32:41,527 --> 00:32:43,493 BY WHICH TIME YOU'D BE DEAD. 852 00:32:43,495 --> 00:32:46,029 ED, I COULDN'T LET ANYTHING HAPPEN TO HER. 853 00:32:46,031 --> 00:32:47,197 I WOULDN'T LET THEM TOUCH HER. 854 00:32:47,199 --> 00:32:48,398 SHE'S THE ONLY ONE I TRUST WITH EVERYTHING - 855 00:32:48,400 --> 00:32:51,068 THE TRUTH, OKAY? 856 00:32:51,070 --> 00:32:53,070 I WOULD DO ANYTHING TO KEEP HER SAFE. 857 00:32:53,072 --> 00:32:55,105 YOU KNOW WHAT I'M REMEMBERING? 858 00:32:55,107 --> 00:32:57,441 I REMEMBER A GIRL IN A PEACH-COLOURED SHIRT 859 00:32:57,443 --> 00:32:59,743 AND THE TASTE OF GINGER TEA. 860 00:32:59,745 --> 00:33:01,111 WHAT, YOU MEAN SHE'S, SHE'S... 861 00:33:01,113 --> 00:33:02,179 SHH... 862 00:33:03,182 --> 00:33:05,115 MARSHALL: NO, IT'S NOT A PROBLEM. 863 00:33:05,117 --> 00:33:07,084 WE'RE GONNA COVER IT WITH CASH. 864 00:33:07,086 --> 00:33:08,418 SHE'S ALL RIGHT, AND I'M PRETTY SURE 865 00:33:08,420 --> 00:33:10,821 SHE'D WANT TO SEE YOU IN ONE PIECE, 866 00:33:10,822 --> 00:33:13,223 SO HELP ME GET OUT OF THIS NOW, OKAY? 867 00:33:13,225 --> 00:33:14,524 JUST FOCUS. 868 00:33:14,526 --> 00:33:16,126 (SIRENS WAIL) 869 00:33:17,096 --> 00:33:19,062 JULES: THEY'RE HEADING NORTHWEST, CITY LIMITS. 870 00:33:19,064 --> 00:33:20,764 SPIKE: IF I WERE JAY AND MONEY'S NO OBJECT? 871 00:33:20,766 --> 00:33:22,599 I'D TAKE A FLIGHT OUT UNDER THE RADAR, 872 00:33:22,601 --> 00:33:23,667 TAKE ELLIOT WITH ME, 873 00:33:23,669 --> 00:33:25,386 DOWNLOAD SOMEWHERE SAFE. 874 00:33:25,387 --> 00:33:27,104 SAM: ANY CHANCE THEY'RE HEADING TOWARD AN AIRPORT? 875 00:33:27,106 --> 00:33:28,705 JULES: THEY JUST TOOK A RIGHT. IF THEY KEEP GOING STRAIGHT 876 00:33:28,707 --> 00:33:30,407 THEY'RE GONNA END UP IN BUTTONVILLE. 877 00:33:30,409 --> 00:33:32,175 LEAH: THAT'S A COMMUTER AIRPORT. 878 00:33:32,177 --> 00:33:33,521 PRIVATE FLIGHTS. 879 00:33:33,522 --> 00:33:34,866 THEY CAN PUDDLE-JUMP ANYWHERE FROM THERE. 880 00:33:34,867 --> 00:33:36,211 JULES: I'LL MAKE THE CALL. (CELL PHONE KEYS BEEP) 881 00:33:36,215 --> 00:33:37,347 (SIRENS WAIL) 882 00:33:43,789 --> 00:33:45,222 ED: WHAT'S WRONG? ELLIOT: (GASPS AND JERKS) 883 00:33:45,224 --> 00:33:46,656 HE'S HAVING A SEIZURE! HE'S HAVING A SEISURE! 884 00:33:46,658 --> 00:33:48,225 YOU HAVE TO GIVE HIM HIS MEDICATION! 885 00:33:48,227 --> 00:33:51,228 (HARD PUNCH, MARSHALL GRUNTS IN PAIN) 886 00:33:51,230 --> 00:33:53,363 DON'T MOVE AND DON'T TALK! 887 00:33:54,299 --> 00:33:57,367 HELP ME WITH THE CUFFS. GIVE ME YOUR TIE. 888 00:33:58,303 --> 00:33:59,948 NOT A WORD. 889 00:33:59,949 --> 00:34:01,594 JULES: I JUST TALKED TO BUTTONVILLE. 890 00:34:01,595 --> 00:34:03,240 THERE'S A PRIVATE PLANE PERMITTED TO THE AIRFIELD. 891 00:34:03,242 --> 00:34:04,274 IT'S SCHEDULED TO LEAVE IN TEN MINUTES. 892 00:34:04,276 --> 00:34:06,043 (CELL PHONE RINGS) 893 00:34:10,382 --> 00:34:12,382 SPIKE: SCARLATTI. ED: SPIKE, IT'S ED. 894 00:34:12,384 --> 00:34:13,650 ED, TALK TO ME. 895 00:34:13,652 --> 00:34:14,902 WHERE ARE WE GOING? 896 00:34:14,903 --> 00:34:16,153 SPIKE: PRETTY SURE YOU'RE HEADED TO BUTTONVILLE 897 00:34:16,155 --> 00:34:17,237 FOR A FLIGHT OUT. 898 00:34:17,238 --> 00:34:18,320 ED: ALL RIGHT, WE TOOK OUT THE BABYSITTER. 899 00:34:18,323 --> 00:34:19,656 I GOT HIS GUN. 900 00:34:19,658 --> 00:34:21,124 JAY STILL HAS THE TRUMP CARD HERE. 901 00:34:21,126 --> 00:34:22,192 WHAT DO WE KNOW? 902 00:34:22,194 --> 00:34:23,427 THE WEAPON THEY TOOK IS A PROTOTYPE 903 00:34:23,429 --> 00:34:25,295 OF AN EARLIER WORK-IN-PROGRESS. 904 00:34:25,297 --> 00:34:26,696 WE HAVE GOT TO DISABLE THAT GUN. 905 00:34:26,698 --> 00:34:28,198 ELLIOT: I'VE GOT THE SPECS. 906 00:34:28,200 --> 00:34:30,133 ED: THAT'S RIGHT, YOU DO. 907 00:34:30,135 --> 00:34:31,668 CAN YOU DISABLE IT REMOTELY? 908 00:34:31,670 --> 00:34:33,103 I DON'T KNOW. I MEAN, IT'S ALL IN MY HEAD, 909 00:34:33,105 --> 00:34:35,272 BUT I DON'T UNDERSTAND MOST OF IT. 910 00:34:35,274 --> 00:34:36,673 ED: OKAY, SPIKE, 911 00:34:36,675 --> 00:34:39,309 TALK TO ELLIOT, SEE IF WE CAN NARROW THIS DOWN. 912 00:34:39,311 --> 00:34:40,811 GO. 913 00:34:40,813 --> 00:34:43,213 SPIKE: THE BULLET AND THE GUN TALK TO EACH OTHER 914 00:34:43,215 --> 00:34:45,232 ON A RADIO FREQUENCY. 915 00:34:45,233 --> 00:34:47,250 WE CAN'T STOP HIM FIRING, BUT IF WE OVERRIDE THE SIGNAL 916 00:34:47,252 --> 00:34:48,852 WE CAN TAKE THE "SMART" OUT OF THE BULLET. 917 00:34:48,854 --> 00:34:51,288 OKAY, ELLIOT, ANY REFERENCE TO RADIO FREQUENCY, 918 00:34:51,290 --> 00:34:52,422 RADIO GUIDANCE? 919 00:34:53,392 --> 00:34:54,458 UH... 920 00:34:57,563 --> 00:34:58,628 UH... 921 00:34:59,665 --> 00:35:00,931 JAY: ARE YOU SURE? 922 00:35:00,932 --> 00:35:02,198 ELLIOT: (CRYING) I'M SO SORRY, LAINIE. 923 00:35:02,201 --> 00:35:03,600 WHAT'S GOING ON, ELLIOT? 924 00:35:03,602 --> 00:35:05,569 I'M, I'M TRYING. I'M SORRY, I'M TRYING. 925 00:35:05,571 --> 00:35:07,671 IT'S OKAY, IT'S OKAY, YOU CAN DO THIS. 926 00:35:07,673 --> 00:35:10,307 SPIKE: WE NEED THE SPECIFIC CHANNEL THAT THE GUN USES 927 00:35:10,309 --> 00:35:12,876 TO COMMUNICATE WITH THE BULLET. 928 00:35:12,878 --> 00:35:14,277 (SOUND DISTORTS) 929 00:35:16,381 --> 00:35:20,217 "RP-4280/ RESULTS OF PHASE THREE TESTS 930 00:35:20,219 --> 00:35:21,885 TO RADIO GUIDANCE SYSTEM." 931 00:35:21,886 --> 00:35:23,552 ED: GOOD WORK, GOOD WORK. SPIKE? 932 00:35:23,555 --> 00:35:26,156 SPIKE: WE'RE LOOKING FOR A NUMBER, A MEGAHERTZ RANGE, 933 00:35:26,158 --> 00:35:28,358 SOMEWHERE BETWEEN 100 AND 150. 934 00:35:29,294 --> 00:35:31,394 ELLIOT: (BREATHES ERRATICALLY) 935 00:35:31,897 --> 00:35:32,896 (SOUND DISTORTS) 936 00:35:32,898 --> 00:35:34,764 I CAN'T SEE IT. 937 00:35:34,766 --> 00:35:37,334 SPIKE: MAYBE NOT MEGAHERTZ, MAYBE MHZ. 938 00:35:37,336 --> 00:35:39,169 (SOUND DISTORTS) 939 00:35:41,273 --> 00:35:42,589 UH... 940 00:35:42,590 --> 00:35:43,906 ELLIOT, JUST BREATHE, SLOW IT RIGHT DOWN. 941 00:35:43,909 --> 00:35:46,843 (EXHALES SLOWLY) 942 00:35:46,844 --> 00:35:49,778 ED: THAT'S IT, THAT'S IT, THAT'S IT. YOU GOT IT. 943 00:35:51,216 --> 00:35:52,582 THERE YOU GO. 944 00:35:52,584 --> 00:35:53,884 (SOUND DISTORTS) 945 00:35:54,820 --> 00:35:56,386 ELLIOT: HERE. 946 00:35:56,388 --> 00:35:58,188 MHZ. 122.8. 947 00:35:58,190 --> 00:36:00,724 THE BULLET RECEIVES ITS SIGNAL AT 122.8 MHZ. 948 00:36:00,726 --> 00:36:02,792 NICE. SPIKE? 949 00:36:02,794 --> 00:36:05,462 SPIKE: 122.8, 122.8, 122.8. 950 00:36:06,398 --> 00:36:07,697 ED: NICE! NICE! 951 00:36:07,699 --> 00:36:09,766 BETTER THAN NICE. WE SHOULD BE ABLE TO JAM IT 952 00:36:09,768 --> 00:36:11,835 USING A WALKIE AT THAT FREQUENCY, 953 00:36:11,837 --> 00:36:13,770 USE THE AIRPORT'S ANTENNA TO BOOST THE SIGNAL. 954 00:36:13,772 --> 00:36:15,906 THE ANTENNA SIGNAL'S WAY MORE POWERFUL THAN THE GUN. 955 00:36:15,908 --> 00:36:17,697 IT SHOULD OVERRIDE IT 956 00:36:17,698 --> 00:36:19,487 AND MAKE THE BULLET UNSTEERABLE. 957 00:36:19,488 --> 00:36:21,277 LEAH, WE NEED TO GET WITHIN 40 METRES OF THAT WEAPON. 958 00:36:21,280 --> 00:36:22,279 SPIKE, CAN YOU BE AT THAT AIRPORT 959 00:36:22,281 --> 00:36:23,313 BEFORE WE ARE? 960 00:36:23,315 --> 00:36:24,915 WE'RE GAINING GROUND. 961 00:36:24,917 --> 00:36:26,383 OKAY, I'M GONNA TRY AND STALL 'EM. 962 00:36:26,384 --> 00:36:27,850 GET THERE AS SOON AS YOU CAN. 963 00:36:27,853 --> 00:36:29,519 ELLIOT, GOOD WORK. 964 00:36:29,521 --> 00:36:31,354 122.8. 965 00:36:31,356 --> 00:36:33,623 OKAY, EDDIE'S THEIR SAFE PASSAGE ONTO THAT PLANE. 966 00:36:33,625 --> 00:36:35,525 AFTER THAT... 967 00:36:35,527 --> 00:36:36,593 HE'S DISPOSABLE. 968 00:36:44,503 --> 00:36:45,835 (AIRPLANE HUMS) 969 00:36:52,878 --> 00:36:54,444 AARON: WHAT DO WE DO WITH THE COP? 970 00:36:54,446 --> 00:36:55,523 JAY: WELL, HE'S GONNA KNOW WE FLEW OUT. 971 00:36:55,524 --> 00:36:56,601 AARON: HE DOESN'T HAVE TO KNOW WHERE. 972 00:36:56,602 --> 00:36:57,679 JAY: WELL, THAT'S NOT GONNA HAPPEN. 973 00:36:57,683 --> 00:36:59,083 AARON: OKAY. 974 00:36:59,084 --> 00:37:00,484 JAY: WE'RE GONNA GET HIM ON THIS PLANE 975 00:37:00,485 --> 00:37:01,885 AND DUMP HIM EN ROUTE. LET'S GO. 976 00:37:01,887 --> 00:37:03,954 ED: (DOOR BANGS OPEN) DON'T DO IT! 977 00:37:03,956 --> 00:37:05,455 DON'T DO IT! 978 00:37:06,391 --> 00:37:07,424 YOU'RE NOT GONNA SHOOT HIM. 979 00:37:07,426 --> 00:37:08,325 YOU THINK I'D EVER LET THAT GUN 980 00:37:08,327 --> 00:37:10,327 GET OUT ON THE STREET? 981 00:37:10,329 --> 00:37:12,462 YOU THINK I'D EVER, EVER LET THAT HAPPEN? 982 00:37:12,464 --> 00:37:14,264 BY SHOOTING AN INNOCENT PERSON? 983 00:37:14,266 --> 00:37:18,335 ONE LIFE FOR THOUSANDS? THAT'S A NO-BRAINER. 984 00:37:18,337 --> 00:37:19,469 OR WE COULD END THIS RIGHT HERE. 985 00:37:19,471 --> 00:37:20,670 LOOK AROUND YOU. 986 00:37:29,248 --> 00:37:31,715 KEEP YOUR GUN ON THE COP. 987 00:37:33,418 --> 00:37:34,651 (SIREN CHIRPS) 988 00:37:41,760 --> 00:37:42,826 (SIREN WHIRS) 989 00:37:49,434 --> 00:37:51,434 PARKER: JAY, I SUGGEST YOU PUT YOUR GUNS DOWN, 990 00:37:51,436 --> 00:37:53,903 YOU AND YOUR FRIEND! 991 00:37:53,905 --> 00:37:55,705 JAY: YOU KNOW HOW THIS WORKS, RIGHT? 992 00:37:55,707 --> 00:37:57,941 THOSE SHIELDS ARE REDUNDANT! 993 00:37:57,943 --> 00:37:59,443 THIS BULLET WILL FIND YOU. 994 00:37:59,444 --> 00:38:00,944 I PULL THIS TRIGGER AND YOU'RE DEAD! 995 00:38:00,946 --> 00:38:02,979 SPIKE: NOT IF WE GET THIS RIGHT HE'S NOT. 996 00:38:02,981 --> 00:38:04,881 JAY: SO, YOU SEE, YOU HAVE NO CHOICE. 997 00:38:04,883 --> 00:38:05,982 MATH'S NOT ON YOUR SIDE. 998 00:38:05,984 --> 00:38:08,351 SO HERE'S WHAT'S GONNA HAPPEN: 999 00:38:08,353 --> 00:38:10,754 YOU'RE GONNA LET US GO OR ONE OF YOU IS GONNA DIE! 1000 00:38:10,756 --> 00:38:11,955 THAT'S GUARANTEED! 1001 00:38:11,957 --> 00:38:13,590 PARKER: SPIKE... 1002 00:38:13,592 --> 00:38:14,591 ALMOST THERE. 1003 00:38:14,593 --> 00:38:16,593 JUST HOOKIN' UP THE WALKIE. 1004 00:38:16,595 --> 00:38:17,594 WE'RE LEAVING. 1005 00:38:17,596 --> 00:38:18,595 PARKER: SPIKE. 1006 00:38:18,597 --> 00:38:19,780 SPIKE: KEEP HIM TALKING. 1007 00:38:19,781 --> 00:38:20,964 PARKER: OKAY, IF WE PUT THESE GUNS DOWN, 1008 00:38:20,966 --> 00:38:23,500 NO ONE GETS HURT! 1009 00:38:23,502 --> 00:38:25,635 (QUIETLY) WE GOOD, SPIKE? 1010 00:38:29,007 --> 00:38:30,840 SPIKE: WE'RE GOOD, I THINK. (ELECTRONIC BEEPS) 1011 00:38:30,842 --> 00:38:32,542 PARKER: WHAT DO YOU MEAN "YOU THINK"? 1012 00:38:32,544 --> 00:38:34,077 NO, WE'RE GOOD. 1013 00:38:34,079 --> 00:38:35,078 PARKER: OKAY, SAM, GO! 1014 00:38:35,080 --> 00:38:36,880 SAM: COPY. 1015 00:38:36,882 --> 00:38:38,648 PARKER: ALL RIGHT, THAT'S IT! 1016 00:38:38,650 --> 00:38:40,600 PUT YOUR WEAPON DOWN! 1017 00:38:40,601 --> 00:38:42,551 WHAT DON'T YOU UNDERSTAND? IF I SHOOT, YOU DIE! 1018 00:38:42,554 --> 00:38:45,021 PUT IT DOWN! PUT IT DOWN NOW! 1019 00:38:50,562 --> 00:38:51,928 PARKER: YOU SEE, JAY? 1020 00:38:51,930 --> 00:38:54,531 THE MATH IS NOT ON YOUR SIDE. 1021 00:38:54,533 --> 00:38:55,398 LAST CHANCE! 1022 00:38:55,400 --> 00:38:57,100 PARKER: DON'T DO THIS! 1023 00:39:01,673 --> 00:39:03,673 (ECHOING GUNSHOT BOOM) 1024 00:39:07,512 --> 00:39:09,562 (FIRES GUN) 1025 00:39:09,563 --> 00:39:11,613 (DISTORTED WHISTLE AS BULLET FLIES THROUGH AIR) 1026 00:39:13,552 --> 00:39:14,818 (METALLIC BANG) 1027 00:39:24,429 --> 00:39:26,763 OKAY, IT'S OVER, IT'S OVER. 1028 00:39:26,765 --> 00:39:27,831 (GUN CLATTERS) 1029 00:39:27,833 --> 00:39:29,666 JULES: HANDS BEHIND YOUR BACK. 1030 00:39:29,668 --> 00:39:30,734 STAND UP. 1031 00:39:35,040 --> 00:39:37,474 (GURNEY RATTLES ACROSS TARMACK) 1032 00:39:42,814 --> 00:39:44,748 LAINIE: I'M SO SORRY! 1033 00:39:44,750 --> 00:39:46,233 ELLIOT: LAINIE. 1034 00:39:46,234 --> 00:39:47,717 I THOUGHT I KNEW WHAT IT WAS LIKE FOR YOU. 1035 00:39:47,719 --> 00:39:49,419 I THOUGHT I UNDERSTOOD. 1036 00:39:50,155 --> 00:39:52,589 I ALMOST LOST YOU, ELLIOT. 1037 00:39:55,827 --> 00:39:57,627 ED: YOU SHOULD HAVE SEEN THIS GUY. 1038 00:39:57,629 --> 00:39:59,179 HE COULDN'T LEAVE HIS HOUSE A WEEK AGO. 1039 00:39:59,180 --> 00:40:00,730 HE WAS ABLE TO CUT THROUGH ALL THAT CHAOS 1040 00:40:00,732 --> 00:40:02,415 AND FIND THE ONE TINY PIECE 1041 00:40:02,416 --> 00:40:04,099 OF LIFE-SAVING INFORMATION WE NEEDED. 1042 00:40:04,102 --> 00:40:05,702 122.8 MEGAHERTZ. 1043 00:40:07,706 --> 00:40:09,973 YEAH, I CLEARED MY MIND. I DIDN'T HAVE A CHOICE. 1044 00:40:09,975 --> 00:40:12,075 THAT'S AMAZING, ELLIOT. 1045 00:40:12,077 --> 00:40:14,144 THAT'S A BEGINNING. YOU SEE THAT, RIGHT? 1046 00:40:14,146 --> 00:40:15,478 YEAH. 1047 00:40:15,480 --> 00:40:16,679 I WAS OUTSIDE MYSELF FOR A LITTLE BIT. 1048 00:40:16,681 --> 00:40:19,849 I WASN'T STUCK IN HERE. I WAS... 1049 00:40:19,851 --> 00:40:23,052 PART OF SOMETHING BIGGER THAN ME. 1050 00:40:23,989 --> 00:40:24,988 THANK YOU. 1051 00:40:24,990 --> 00:40:26,756 YOU'RE WELCOME, ELLIOT. 1052 00:40:26,758 --> 00:40:28,892 ELLIOT: GOOD LUCK TO YOU. 1053 00:40:31,730 --> 00:40:32,862 PARKER: OKAY. 1054 00:40:35,767 --> 00:40:37,434 LET ME SEE THAT. 1055 00:40:38,170 --> 00:40:39,903 (LOUD CLICK AS ED SLIDES THE MAGAZINE OUT) 1056 00:40:43,008 --> 00:40:44,574 YOU KNOW THAT'S EVIDENCE, RIGHT? 1057 00:40:44,576 --> 00:40:45,909 I DO. 1058 00:40:45,911 --> 00:40:47,777 KEEP IT SAFE. 1059 00:40:50,882 --> 00:40:53,616 I CAN'T IMAGINE LIVING WITH WHAT HE LIVES WITH. 1060 00:40:53,618 --> 00:40:55,118 PARKER: WELL, A LOT OF PEOPLE CAN'T IMAGINE LIVING WITH 1061 00:40:55,120 --> 00:40:57,787 WHAT YOU LIVE WITH. 1062 00:41:04,796 --> 00:41:06,830 BUDDY, I NEED HELP. 1063 00:41:08,533 --> 00:41:11,768 THERE ARE THINGS I CAN'T GET OUT OF MY HEAD. 1064 00:41:11,770 --> 00:41:14,537 I THINK I MIGHT KNOW SOMEONE. 1065 00:41:14,539 --> 00:41:16,673 OKAY? 1066 00:41:16,675 --> 00:41:18,808 YEAH, COME ON. 1067 00:41:18,810 --> 00:41:20,710 LAINIE: WITH MY RESEARCH, I'VE BEEN SO BUSY. 1068 00:41:20,712 --> 00:41:22,846 PARKER: I THINK YOU'RE GONNA LIKE HER, EDDIE. 1069 00:41:22,848 --> 00:41:24,914 I CHECK IN WITH HER MYSELF SOMETIMES. 1070 00:41:24,916 --> 00:41:26,182 IT'S JUST A CONVERSATION, YOU KNOW? 1071 00:41:26,184 --> 00:41:27,817 JUST TALKING, NO JUDGING. 1072 00:41:28,753 --> 00:41:29,752 YOU'RE GOOD AT TALKING, RIGHT? 1073 00:41:29,754 --> 00:41:31,137 ED: YEAH. 1074 00:41:31,138 --> 00:41:32,521 ¶ ...where we're walkin' tonight ¶ 1075 00:41:32,524 --> 00:41:34,023 ¶ Just sit back ¶ 1076 00:41:34,960 --> 00:41:38,595 ¶ And watch it come to life ¶ 1077 00:41:47,005 --> 00:41:52,942 ¶ Just sit back and watch it come to life ¶ 1078 00:41:55,847 --> 00:42:05,955 ¶¶¶ 1079 00:42:05,957 --> 00:42:10,860 ¶¶¶ 1080 00:42:10,862 --> 00:42:20,770 ¶¶¶